Background: Knievel was born on October 17, 1938, in Butte, Montana, the first of two children of Robert E. and Ann Marie Keough Knievel. His surname is of German origin; his paternal great-great-grandparents emigrated to the United States from Germany. His mother was of Irish ancestry. Robert and Ann divorced in 1940, after the 1939 birth of their second child, Nicolas, known as Nic.
Context: Between 1972 and 1977, Ideal Toy Company released a series of Evel Knievel-related merchandise, designed initially by Joseph M. Burck of Marvin Glass and Associates. During the six years the toys were manufactured, Ideal claimed to have sold more than $125 million worth of Knievel toys. The toys included the original 1972 figures, which offered various outfits and accessories. In 1973, Ideal released the Evel Knievel Stunt Cycle. After the release of the Stunt Cycle, the Knievel toys were the best selling item for Ideal.  During the next four years, Ideal Toys released various models relating to Evel Knievel's touring stunt show. The models included a Robbie Knievel doll, the Scramble Van, a Dragster, a Stunt Car, and the Evel Knievel The Stunt World. Additionally, Ideal released non-Knievel-touring toys, including a Chopper Motorcycle, a Trail Bike, and a female counterpart, Derry Daring. The last item before Ideal Toys discontinued the distribution of Knievel toys was the Strato-Cycle, based on the film, Viva Knievel!.  In 1977, Bally marketed its Knievel pinball machine as the "first fully electronic commercial game"; it has elsewhere been described as one of the "last of the classic pre-digital games." (Both electromechanical and solid state versions were produced. The electromechanical version is extremely rare, with only 155 made).  Knievel made several television appearances, including frequently as a guest on talk shows such as Dinah! and Johnny Carson's Tonight Show. In 1977, Evel made a guest spot on The Bionic Woman, where he played himself, getting inadvertently caught up in East German espionage while appearing in West Germany. Actual footage from Evel's L.A. Coliseum jump over crushed cars was used in the beginning of the episode, and an indoor jump over 11 cars and 1 van was used at the end of the film. Also in 1977, Warner Bros. released Viva Knievel!, a movie starring Knievel as himself and co-starring Lauren Hutton, Gene Kelly and Red Buttons. Similar to The Bionic Woman, actual footage from the Wembley jump was used in the movie. In addition, the 1999 children's TV series Hilltop Hospital featured a character based on Knievel called Weasel Kneasel, who was the focus of an episode of the same name.
Question: What did Evel have to do with this company?
Answer: Additionally, Ideal released non-Knievel-touring toys, including a Chopper Motorcycle, a Trail Bike, and a female counterpart, Derry Daring.

Background: Atsuko Maeda (Qian Tian  Dun Zi , Maeda Atsuko, born July 10, 1991, in Ichikawa, Chiba) is a Japanese singer and actress known for her work in the Japanese idol group AKB48. Maeda was one of the most prominent members in the group, and placed first among all AKB48 and sister group candidates in the group's general 2009 and 2011 elections, and second in the 2010 election. She also appeared on many of its album covers. On March 25, 2012, she announced her graduation from AKB48; it was held on August 27.
Context: On April 23, 2011, Maeda announced that she would make her solo debut with her debut single "Flower", released on June 22. It was met with commercial success in Japan, debuting at number 1 on the Oricon Charts with first week sales of 176,967 copies.  The follow-up single "Kimi wa Boku Da", released in June 2012, was Maeda's last solo single while still a member of AKB48. It debuted at number two on the Oricon charts and reached number one on the Billboard Japan Hot 100.  On June 15, 2013, at AKB48's handshake event held at Makuhari Messe, AKB48 announced that Maeda would appear as a special guest at the group's summer concert series at the Sapporo Dome on July 31. There], she performed her third single, "Time Machine Nante Iranai" (taimumashinnanteiranai, I don't need a time machine), which was later released on September 18. It was selected to be the theme song for the live-action adaptation of Yamada-kun to 7-nin no Majo (Yamada and the Seven Witches). Maeda described the song as "cheerful and fun" and hoped it would liven up the show. "Time Machine Nante Iranai" eventually peaked at number one on the Oricon Daily charts, and number two on the Oricon Weekly chart. On Billboard's Japan Hot 100, it debuted at number one and stayed there for just the week of September 30.  Maeda's 4th single "Seventh Code" was released on March 5, 2014. It was used as the theme song of the movie "Seventh Code" in which Maeda herself starred in. It debuted at number 4 on the Oricon charts and reached number three on the Billboard Japan Hot 100.  On December 12, 2015, it was announced that Maeda's first album will be released later the next year. Eventually, the album is set to be released on June 22, 2016.
Question: Did she quit singing while she was still young?
Answer: 

Background: John Glascock (2 May 1951 - 17 November 1979) was the bass guitarist, backing vocalist, and occasional lead vocalist for the progressive rock band Carmen. He was also the bass guitarist and backing vocalist for the progressive rock band Jethro Tull from December 1975 until August 1979. He died in 1979, at the age of 28, as a result of a congenital heart valve defect, which was worsened by an infection caused by an abscessed tooth. In a September 1978 'Guitar Player' interview, Ritchie Blackmore had said "...
Context: In 1973 he joined Carmen. With them, John Glascock played bass guitar, sang backup vocals, occasionally played synthesizers, and even sang lead vocals on a few songs. These songs include "The City", "Dancing On a Cold Wind" (sharing lead vocals with David Allen), and "The Horseman" (sharing vocal duties with all of Carmen), all from the album Dancing on a Cold Wind (1975). He also sang on the track "High Time" from the album The Gypsies (1976).  Glascock's basslines in Carmen were often technical and unusual. They were key to Carmen's unique sound. Unlike his work in Jethro Tull, Glascock utilized effects in his sound while with Carmen, like a fuzz pedal in the song "Viva Mi Sevilla". Glascock had only one writing credit on the first album recorded by Carmen, Fandangos in Space (1974), the short track "Retirando". He shared this writing credit with the rest of the band.  His writing expanded greatly by the time of the second album, Dancing on a Cold Wind (1975). On this album he had a writing credit for three songs, "Viva Mi Sevilla" (which he shares with the rest of the band), "Purple Flowers" (which he shares with Roberto Amaral), and "Remembrances" (which he shares with the rest of the band).  His writing had reached a climax by the time of Carmen's third and final album, The Gypsies (1976). On this album he wrote "High Time" by himself, and sang lead vocals on it. He and the rest of the band also share a writing credit on the instrumental track "Margarita".
Question: what role did he play in the carmen band?
Answer:
John Glascock played bass guitar, sang backup vocals, occasionally played synthesizers, and even sang lead vocals on a few songs.