Answer the question at the end by quoting:

Morten Per Olsen (born 14 August 1949) is a Danish football manager and former football player. He was the head coach of the Danish national team for 15 years from 2000 until 2015, guiding Denmark to the 2002 FIFA World Cup, 2004 European Championship, 2010 FIFA World Cup and 2012 European Championship. He has also managed Brondby IF to two Danish Superliga championships and Ajax to the Double of the 1998 Dutch Eredivisie championship and Dutch Cup trophy.
Olsen made his debut for the Denmark under-21 national team in September 1970, scoring a single goal in a 2-2 friendly match draw with the Poland U21s. Three weeks later, he was called up for the senior Danish national team under the Austrian national team manager Rudi Strittich, and Olsen made his national team debut in September 1970 against Norway. He played his first national team game as a right winger, but eventually settled as a defensive midfielder. He helped Denmark qualify for the 1972 Summer Olympics, but could not participate at the tournament, as he had signed a professional contract with Cercle Brugge beforehand.  While at Anderlecht, Olsen became the seventh Dane to play 50 games for the national team, in June 1981. For Olsen's 53rd national team game in April 1983, the German national team manager of Denmark, Sepp Piontek, named Olsen permanent national team captain, as Olsen replaced the retiring Per Rontved as both libero and team captain. Olsen played as an attacking libero, and had defensive midfielder Jens Jorn Bertelsen cover for him when he was on the attack. Olsen, alongside defender Soren Busk, persuaded Piontek to implement the aggressive off-side trap they practiced at Anderlecht.  Olsen captained the Danish team that qualified for the 1984 European Championship; Denmark's first international tournament participation since the 1972 Olympics. Denmark reached the semi-finals, before being eliminated by Spain on penalty shootout. In October 1985, Olsen became the second Dane, after Per Rontved, to play 75 national team matches. He captained Denmark at the 1986 World Cup, Denmark's first World Cup participation, which ended in a second round defeat to Spain. Olsen's most noticeable effort at the tournament came in the 2-0 group stage win against West Germany. He took the ball from his own half and made an irresistible dribbling run that was only stopped by a foul in the West German penalty area, with Jesper Olsen scoring the 1-0 goal on the resulting penalty kick. Olsen was identified as one of the overall top performers at the World Cup, and he was subsequently named 1986 Danish Player of the Year.  While he was moved to a midfielder position at Koln, Olsen continued to play as a libero for Denmark. He captained Denmark at the 1988 European Championship, which ended in the preliminary group stage. During the tournament, Olsen proved too slow for the libero position, and was moved up as defensive midfielder, leaving the libero position for Lars Olsen. Morten Olsen ended his international career following the 1988 European Championship, having played 99 national team games, but was called up again 10 months later. Olsen became the first Dane to play 100 games for the national team in April 1989, before ending his national team career in June 1989. Olsen played a record 102 games and scored four goals for the national team, and set a record of 50 games as Danish national team captain. His team captain record was broken by Lars Olsen in 1992, while his game tally was bested by Peter Schmeichel in 1998. In his entire international career, Morten Olsen only got one yellow card.

What position did he play for Denmark?

as a right winger, but eventually settled as a defensive midfielder.



Answer the question at the end by quoting:

Charles Edward "Charlie" Haden (August 6, 1937 - July 11, 2014) was an American jazz double bass player, bandleader, composer and educator known for his deep, warm sound, and whose career spanned more than fifty years. In the late 1950s, Haden was an original member of the ground-breaking Ornette Coleman Quartet. Haden revolutionized the harmonic concept of bass playing in jazz. About him, German musicologist Joachim-Ernst Berendt commented, "His ability to create serendipitous harmonies by improvising melodic responses to Coleman's free-form solos (rather than sticking to predetermined harmonies) was both radical and mesmerizing.
In addition to his lyrical playing, Haden was known for his warm tone and subtle vibrato on the double bass. His approach to the bass stemmed from his belief that the bassist should move from an accompanying role to a more direct role in group improvisation. This is particularly clear in his work with the Ornette Coleman Quartet where he frequently improvised melodic responses to Coleman's free-form solos instead of playing previously written lines. He frequently closed his eyes while performing, and assumed a posture in which he bent himself around the bass until his head was almost at the bottom of the bridge of the bass.  In an interview with Haden, pianist Ethan Iverson noted that Haden's "combination of folk song, avant-garde sensibility, and Bach-like classical harmony is a stream in this music just as distinctive as Thelonious Monk or Elvin Jones."  Haden owned one three-quarter-sized bass, and one seven-eighth-sized bass. The larger bass is one of a small number of basses made by Jean-Baptiste Vuillaume, a French luthier, in the mid-nineteenth century. He greatly valued this bass, playing it only at recording sessions and jobs in close proximity to his home so as not to risk damaging it in transit. He attributed the bass's special and valuable nature to the varnish used by Vuillaume, which is similar to Italian varnish.  Haden suffered from tinnitus, a ringing in both ears that he believed he acquired from constant exposure to playing in proximity to drums, and possibly from an extremely loud concert in which he played during the late 1960s. He also suffered from hyperacousis, or sensitivity to loud noises. As a result, when he played with a drummer, he had to play behind a Plexiglass divider.  "American Quartet" pianist, Keith Jarrett, said of Charlie's way of playing, "He wanted to relate to the material in a very personal style all the time. He wasn't somebody to get into a groove and just enjoy it simply because it was a groove".

What genre did Haden play?
"combination of folk song, avant-garde sensibility, and Bach-like classical harmony