Some context: Kim Antonie Lode Clijsters (Dutch pronunciation: [kIm 'kleist@rs] ( listen); born 8 June 1983) is a Belgian former professional tennis player. Clijsters is a former world No. 1 in both singles and doubles. Clijsters won 41 singles and eleven doubles titles. She won four Grand Slam singles titles: three at the US Open, in 2005, 2009, and 2010 and one at the Australian Open in 2011.
Clijsters had won the Belgian Junior Championship by the age of 11 and joined an academy in Antwerp two years later. It was there she met Carl Maes, her coach for the first and last stages of her professional career. Clijsters was an accomplished junior player. In singles, she finished as runner-up in the 1998 Wimbledon junior event, finishing 11th in the year-end singles ranking. In the same year in doubles, Clijsters won the French Open title with Jelena Dokic, defeating Elena Dementieva and Nadia Petrova in the final, as well as the US Open with Eva Dyrberg, defeating former partner Dokic in the final. Clijsters ended the season as no. 4 in the International Tennis Federation junior doubles world ranking.  In 1999, Clijsters made her breakthrough professionally. At her first WTA tournament in Antwerp, she qualified and lost to the eventual finalist Sarah Pitkowski-Malcor in the quarterfinal, after failing to convert a match point. She also reached the doubles quarterfinals of the same event with India's Nirupama Vaidyanathan, defeating Vanessa Menga and Miho Saeki 7-5, 6-4.  Playing through the qualifying rounds at Roehampton, she made it to the main draw of Wimbledon. Clijsters won six matches in a row, while only losing 25 games. She defeated no. 10 Amanda Coetzer en route to the fourth round, during which Clijsters lost to her childhood idol, Steffi Graf, in straight sets, in difficult rainy circumstances. Later that summer, Clijsters reached the third round of the US Open, losing to eventual champion Serena Williams after serving for the match. In the autumn, Clijsters won her first Women's Tennis Association (WTA) singles title in Luxembourg. She followed up with her first WTA doubles title in Bratislava, partnering Laurence Courtois. At the end of the year, she was granted the WTA Most Impressive Newcomer award, the only Belgian player to have received this trophy.
what was her playing style?
A: finishing 11th in the year-end singles ranking. In the same year in doubles, Clijsters won the French Open title with Jelena Dokic,

Some context: The Aquabats are an American rock band formed in Orange County, California in 1994. Throughout many fluctuations in the group's line-up, singer The MC Bat Commander and bassist Crash McLarson have remained the band's two constant fixtures. Since 2006, The Aquabats' members also include keyboardist Jimmy the Robot, drummer Ricky Fitness and guitarist Eagle "Bones" Falconhawk. Easily identified by their masks and matching costumes, The Aquabats are perhaps most recognized for their comedic persona in which they claim to be crime-fighting superheroes.
By late 1996, propelled by the multi-platinum success of No Doubt and Sublime, ska had broken through into the American mainstream to become one of the most popular forms of alternative music. With record labels now turning their attention towards ska bands, The Aquabats were promptly signed to Goldenvoice Records and released their second album The Fury of The Aquabats! in October 1997 through Time Bomb Recordings. While still predominantly a ska album, The Fury showcased a more ambitious musical streak than The Return, incorporating stronger elements of punk and surf, as well as featuring instrumentals, parodies of ragtime and tango music, and a variety of unconventional instruments including sousaphones and banjos. Released at the commercial height of the American ska revival, The Fury soon became The Aquabats' most successful album to date, peaking at number 172 on the Billboard 200 and number 12 on its Top Heatseekers, while lead single "Super Rad!" found regular airplay on MTV and Los Angeles' influential KROQ-FM. On July 25, 1998, they fought the alien rock band GWAR during The Ska Parade.  The Aquabats spent 1997 and 1998 touring extensively behind The Fury, carrying out both supporting and headlining tours of the United States and traveling internationally as part of the 1998 Warped Tour. By this time, the band had settled into a stable touring line-up of Jacobs (The Bat Commander), Larson (Crash McLarson), Terry (Catboy), drummer Travis Barker (The Baron Von Tito), guitarists Charles Gray (Ultra Kyu) and Courtney Pollock (Chainsaw, the Prince of Karate), trumpeter Adam Deibert (Prince Adam) and keyboardist/saxophonist James Briggs (Jaime the Robot, later Jimmy the Robot). This line-up would last The Aquabats up until 1998, when, in the middle of a tour with pop punk trio Blink-182, Blink unexpectedly fired their drummer Scott Raynor and recruited Barker as a last-minute replacement to sit in for the rest of the tour. By the tour's close, the band was so impressed with Barker's performance that they invited him to join Blink-182 as a full-time member, an offer which Barker accepted, amicably parting ways with The Aquabats. Barker was succeeded by Gabe Palmer (Doctor Rock), solidifying a line-up which would last the remainder of the decade.  With the band now finding enough success to generate both an adequate income and media visibility, Jacobs -- a former child actor with ties in the entertainment industry -- began to conceive the idea of adapting The Aquabats' superhero mythology into a television series. After pitching the concept to several networks, Buena Vista Television eventually agreed to help produce a short live-action pilot in 1998, directed by comedian Bobcat Goldthwait. Titled simply The Aquabats!, the pilot followed the fictional misadventures of the eight band members in an intentionally campy style similar to Saturday morning cartoon shows. The pilot, which has yet to be made available for public viewing, failed to attract any network interest and was later openly disowned by the band themselves.
Was this album a success?
A:
The Aquabats' most successful album to date, peaking at number 172 on the Billboard 200 and number 12 on its Top Heatseekers,