input: Musial's rookie year with Williamson in 1938 was a period of adjustment both on and off the field. He began gaining more in-depth knowledge about baseball strategy while posting a 6-6 win-loss record and a 4.66 earned run average (ERA), to go along with a .258 batting average. Off the field, he experienced feelings of homesickness while learning to live comfortably and independently on his $65-per-month salary. Musial finished his high school education before returning to Williamson in spring 1939. That season his numbers improved to a 9-2 record, a 4.30 ERA, and a .352 batting average.  Musial spent the 1940 season with the Cardinals' other Class D team, the Daytona Beach Islanders, where he developed a lifelong friendship with manager Dickie Kerr. His pitching skills improved under the guidance of Kerr, who also recognized his hitting talent, playing him in the outfield between pitching starts. On May 25, 1940, Musial married fellow Donora resident, Lillian "Lil" Labash, in Daytona Beach, and the couple's first child followed in August. During late August, Musial suffered a shoulder injury while playing in the outfield, and later made an early exit as the starting pitcher in a 12-5 playoff game loss. For a while Musial considered leaving baseball entirely, complaining that he could not afford to support himself and his wife on the $16 a week pay. Kerr talked him out of it, and even took the Musials into his own home to relieve the financial burden. To repay the debt Musial bought Kerr a $20,000 home in Houston in 1958. In 113 games in 1940 he hit .311, while compiling an 18-5 pitching record that included 176 strikeouts and 145 walks.  Musial was assigned to the Class AA Columbus Red Birds to begin 1941, though manager, Burt Shotton, and Musial himself quickly realized that the previous year's injury had considerably weakened his arm. He was reassigned to the Class C Springfield Cardinals as a full-time outfielder, and he later credited manager Ollie Vanek for displaying confidence in his hitting ability. During 87 games with Springfield, Musial hit a league-leading .379 before being promoted to the Rochester Red Wings of the International League. He was noted for his unique batting stance, a crouch in which his back was seemingly square to the pitcher. This stance was later described by pitcher Ted Lyons as "a kid peeking around the corner to see if the cops were coming". According to a 1950 description by author Tom Meany, "The bent knees and the crouch give him the appearance of a coiled spring, although most pitchers think of him as a coiled rattlesnake." Musial continued to play well in Rochester--in one three-game stretch, he had 11 hits. He was called up to the Cardinals for the last two weeks of the 1941 season.

Answer this question "Did he play for any other teams in the minors?"
output: Musial spent the 1940 season with the Cardinals' other Class D team, the Daytona Beach Islanders,

input: Galbraith was born on October 15, 1908, to Canadians of Scottish descent, Sarah Catherine (Kendall) and Archibald "Archie" Galbraith, in Iona Station, Ontario, Canada, and was raised in Dunwich Township, Ontario. He had three siblings: Alice, Catherine, and Archibald William (Bill). By the time he was a teenager, he had adopted the name Ken, and later disliked being called John. Galbraith grew to be a very tall man, attaining a height of 6 feet 9 inches (206 cm).  His father was a farmer and school teacher. His mother, a homemaker and a community activist, died when he was fourteen years old. The family farm was located on Thomson Line. Both of his parents were supporters of the United Farmers of Ontario in the 1920s.  His early years were spent at a one-room school which is still standing, on Willy's Side Road. Later, he went to Dutton High School and St. Thomas High School. In 1931, Galbraith graduated with a Bachelor of Science in Agriculture from the Ontario Agricultural College, which was then an associate agricultural college of the University of Toronto. He majored in animal husbandry. He was awarded a Giannini Scholarship in Agricultural Economics (receiving $60 per month) that allowed him to travel to Berkeley, California, where he received Master of Science and Doctor of Philosophy degrees in agricultural economics from the University of California, Berkeley. Galbraith was taught economics by Professor George Martin Peterson, and together they wrote an economics paper titled "The Concept of Marginal Land" in 1932 that was published in the American Journal of Agricultural Economics.  After graduation in 1934, he started to work as an instructor at Harvard University. Galbraith taught intermittently at Harvard in the period 1934 to 1939. From 1939 to 1940, he taught at Princeton University. In 1937, he became a citizen of the United States and was no longer a British subject. In the same year, he took a year-long fellowship at the University of Cambridge, England, where he was influenced by John Maynard Keynes. He then traveled in Europe for several months in 1938, attending an international economic conference and developing his ideas. His public service started in the era of New Deal when he joined the United States Department of Agriculture. From 1943 until 1948, he served as an editor of Fortune magazine. In 1949, he was appointed professor of economics at Harvard.

Answer this question "What did he teach?"
output: 

input: Vibe believed that there would be no "all-black female R&B group having a chemistry, cultural and commercial impact as remotely comparable as TLC" and dubbed CrazySexyCool as "the blueprint for female ensembles to follow". The Philippine Daily Inquirer called TLC "the most influential female group the world has ever seen". Singer Beyonce, the former lead singer of Destiny's Child stated that "TLC has influenced just about every female group that's out there now, and they definitely influenced Destiny's Child." Craig JC from Clutch wrote that TLC were "big and influential" during the 1990s, and that their contemporaries such as SWV, Total, Blaque, 3LW, Brownstone, 702, Jade, Xscape and En Vogue did not have TLC's crossover appeal." David A. Keeps from Rolling Stone explained the impact of TLC:  TLC's career has been filled with both hits and headlines. The group was one of the few R&B acts to build a strong identity out of its initial success, and they exerted more control over each successive record. Their music - particularly the 11-million-selling CrazySexyCool and the 6-million-selling FanMail, both of which won two Grammys each - set the standard for contemporary R&B. TLC helped to pioneer a deft blend of acoustic and computer sounds that paved the way for groups like Destiny's Child, as did their image as independent women. Whether addressing AIDS in "Waterfalls" or the struggle for female self-esteem in "Unpretty", they showed themselves able to take serious issues to the top of the pop charts.  TLC is the best-selling American girl group of all time with 65 million records sold worldwide. According to the Recording Industry Association of America (RIAA), TLC is the best-selling female singing group in American music history, with 22 million certified albums. CrazySexyCool remains the only album by a female singing group to receive the RIAA diamond award. According to Billboard, TLC is the second most successful girl group of all time on the Billboard charts, behind only The Supremes.

Answer this question "Did they have any issues as a group?"
output: