IN: Jones was born on May 13, 1931 in a rural area of Crete, Indiana, to James Thurman Jones (1887-1951), a World War I veteran, and Lynetta Putnam (1902-1977). Jones was of Irish and Welsh descent; he later claimed partial Cherokee ancestry through his mother, but his maternal second cousin later stated this was likely untrue. Economic difficulties during the Great Depression necessitated that Jones' family move to the town of Lynn in 1934, where he grew up in a shack without plumbing.

In 1960, Indianapolis Mayor Charles Boswell appointed Jones director of the Human Rights Commission. Jones ignored Boswell's advice to keep a low profile, finding new outlets for his views on local radio and television programs. When the mayor and other commissioners asked Jones to curtail his public actions, he resisted and was wildly cheered at a meeting of the NAACP and Urban League when he yelled for his audience to be more militant, and then climaxed with, "Let my people go!"  During this time, Jones also helped to racially integrate churches, restaurants, the telephone company, the police department, a theater, an amusement park, and the Methodist Hospital. After swastikas were painted on the homes of two African-American families, Jones personally walked the neighborhood comforting local black people and counseling white families not to move, in order to prevent white flight.  Jones set up stings to catch restaurants refusing to serve black customers and wrote to American Nazi leaders and then leaked their responses to the media. When Jones was accidentally placed in the black ward of a hospital after a collapse in 1961, he refused to be moved; he began to make the beds and empty the bed pans of black patients. Political pressures resulting from Jones' actions caused hospital officials to desegregate the wards.  Jones received considerable criticism in Indiana for his integrationist views. White-owned businesses and locals were critical of him. A swastika was placed on the Temple, a stick of dynamite was left in a Temple coal pile, and a dead cat was thrown at Jones' house after a threatening phone call. Other incidents occurred, though some suspect that Jones himself may have been involved in at least some of them.
QUESTION: Was there any particular groups against Jones?
IN: Enzo Francescoli Uriarte (Spanish pronunciation: ['enso franses'koli u'rjarte]; Italian: ['entso frantSe'sko:li]; born 12 November 1961) is a former Uruguayan football player. Due to his elegant style of play, Francescoli was nicknamed "El Principe" ("The Prince" in Spanish, or "Le Prince" in French) for his elegant playing style on the ball, and "El Flaco", due to his slender frame. A former attacking midfielder, he was considered an elite playmaker in a decadent period for the Uruguay national team. He played 73 times for the Celeste between 1982 and his retirement in 1997, making him the most capped outfield player in Uruguayan international football at the time.

A quick, elegant, creative and technically-gifted attacking midfielder who was also capable of playing in the centre as a second striker, Francescoli was noted in particular for his control, grace, fluidity, dribbling skills and ability on the ball, despite his lack of notable pace. A two-footed playmaker with excellent vision, passing ability, and an eye for goal from midfield, he was also known for his ability from set-pieces, and also had a penchant for scoring acrobatic goals from overhead kicks. These qualities would later influence the style of French creative offensive midfielder Zinedine Zidane, who has stated that, along with compatriot Michel Platini, Francescoli was one of his favourite players as a young boy, and that he would often watch him train with Marseille. Zidane even named one of his sons, Enzo, in homage to him. Francescoli learned of this fact just before the Intercontinental Cup final match of 1996, and so the two players swapped jerseys at the end of the match. The piece became a favourite of Zidane's to wear. Subsequently, the two presented television show Football Cracks, a reality show that sought new football talent in Spain. Francescoli's admiration for Zidane extended to other French players and he has stated he felt more respect from French fans then than he had while playing there.  Another player to have been named after him is Argentine international and current River Plate midfielder Enzo Perez. Argentine striker Diego Milito has also been given the nickname "Il Principe" during Milito's tenure with Internazionale due to his elegant style of play and physical resemblance to Francescoli. Francescoli has joked saying that neither of his sons resemble him as much as Milito, both in physical appearance and in their walk. Further, Argentine attacking midfielder Javier Pastore, who was also a fan of Francescoli as a youngster, was given the Uruguayan's nickname "El Flaco" because of their similar style of play as well as their slender build.  In recognition of his talent, Francescoli was the only Uruguayan footballer to be named by Pele as one of the top 125 greatest living footballers in March 2004.
QUESTION:
Did other players emulate his playing style?