input: The origins of MC5 can be traced to the friendship between guitarists Wayne Kramer and Fred Smith. Friends since their teen years, they were both fans of R&B music, blues, Chuck Berry, Dick Dale, The Ventures, and what would later be called garage rock: they adored any music with speed, energy and a rebellious attitude. Each guitarist/singer formed and led a rock group (Smith's Vibratones and Kramer's Bounty Hunters). As members of both groups left for college or straight jobs, the most committed members eventually united (under Kramer's leadership and the "Bounty Hunters" name) with Billy Vargo on guitar and Leo LeDuc on drums (at this point Smith played bass), and were popular and successful enough in and around Detroit that the musicians were able to quit their day jobs and make a living from the group.  Kramer felt they needed a manager, which led him to Rob Derminer, a few years older than the others, and deeply involved in Detroit's hipster and left-wing political scenes. Derminer originally auditioned as a bass guitarist (a role which he held briefly in 1964, with Smith switching to guitar to replace Vargo and with Bob Gaspar replacing LeDuc), though they quickly realized that his talents could be better used as a lead singer: Though not conventionally attractive and rather paunchy by traditional frontman standards, he nonetheless had a commanding stage presence, and a booming baritone voice that evidenced his abiding love of American soul and gospel music. Derminer renamed himself Rob Tyner (after Coltrane's pianist McCoy Tyner). Tyner also invented their new name, MC5: it reflected their Detroit roots (it was short for "Motor City Five'). In some ways the group was similar to other garage bands of the period, composing soon-to-be historic workouts such as "Black to Comm" during their mid-teens in the basement of the home of Kramer's mother. Upon Tyner's switch from bassist to vocalist, he was initially replaced by Patrick Burrows, however the lineup was stabilised in 1965 by the arrival of Michael Davis and Dennis Thompson to replace Burrows and Gaspar respectively.  The music also reflected Smith and Kramer's increasing interest in free jazz--the guitarists were inspired by the likes of Albert Ayler, Archie Shepp, Sun Ra and late period John Coltrane, and tried to imitate the ecstatic sounds of the squealing, high-pitched saxophonists they adored. MC5 even later opened for a few U.S. midwest shows for Sun Ra, whose influence is obvious in "Starship". Kramer and Smith were also deeply inspired by Sonny Sharrock, one of the few electric guitarists working in free jazz, and they eventually developed a unique interlocking style that was like little heard before: Kramer's solos often used a heavy, irregular vibrato, while Smith's rhythms contained an uncommon explosive energy, including patterns that conveyed great excitement, as evidenced in "Black to Comm" and many other songs.

Answer this question "where are they from ?"
output: 

input: On Thursday November 21, 2013, fans received word through Twitter from several group members that the group would reunite and be planning a tour for the next year. Several videos have hit the web showing the group recording material for an upcoming new album. The group planned to release the album before the tour kicked off and in doing so, signed with BMG Rights Management. On May 26, 2014, Day26 releases their first single called "Bullshit" off their upcoming EP entitled "The Return", that was set to release on June 26, 2014.  In Spring 2017, all members of Day26 announced over social media they would hold a "10 Year Anniversary Experience" concert that would take place at the Highline Ballroom in New York City on August 26, to commemorate the day they were formed in 2007. Due to the venue being sold out and overwhelming fans demanding more tickets, the band decided add an encore concert for August 27. Joining the concerts' roster of performances is the bands' fellow reality show Making The Band 4/label mate Donnie Klang, who will also celebrate his 10-year solo reunion of the day he was chosen by P. Diddy, which kick-started their careers.  In a recent interview with radio personality Sway on his radio show, Sways Universe, Willie announced that the group was recording their third studio album, while also discussing what fame has done for the group in their 10-year run as well as opening up about the controversy with Diddy not allowing the band to appear in the Bad Boy Family Reunion Tour.

Answer this question "What was the date of the performance?"
output: August 26,

input: In early 2001 Ginger announced that he was reforming the Earth vs the Wildhearts lineup of the band for a tour later that year. This lineup (consisting of Ginger and CJ on guitars and vocals, Danny McCormack on bass and vocals, and Stidi on drums) soon ran into difficulty due to McCormack's battle against heroin addiction, and on several dates of the comeback tour Toshi (from support band AntiProduct) stood in as bassist. By 2002 McCormack was once again clean and the band started recording a new mini-album and also toured the UK. The tracks intended for the album were released in the UK in late 2002 across three formats of the "Vanilla Radio" single, and as the mini-album Riff After Riff After Motherfucking Riff in Japan. "Vanilla Radio" reached the top 30 in the UK singles chart, and in early 2003 work began on a full-length album. However, during recording, McCormack checked himself into a rehabilitation center to deal with an alcohol problem, leaving Ginger to play the bass parts on the songs that were newly recorded for the album. McCormack's place in the live band was filled by "Random" Jon Poole, who had already worked with Ginger on his Silver Ginger 5 side project.  The album The Wildhearts Must Be Destroyed, released in 2003, had a very commercial sound, full of short simple pop songs with little of the heavier rock style which often featured on previous albums. The band also managed to get a US record deal with Gearhead Records, which released Riff After Riff in 2004, a compilation of songs from the UK post-reformation singles (all of the songs from this release are also found on the Gut Records compilation Coupled With). Riff After Riff was the Wildhearts' first US release since Earth vs the Wildhearts in 1994. The release was also promoted by a tour, mostly as the support band for their ex-support band, The Darkness.  Then in early 2005, Ginger dissolved the Wildhearts again, citing a mixture of his own personal problems and a lack of commitment within the band. He briefly joined the Brides of Destruction before setting out on his own as a full-time solo artist. In typically unpredictable Wildhearts style, Ginger then reformed the Wildhearts once again for a one-off gig at Scarborough Castle (Rock In The Castle) in September 2005. The 1994-1995 line-up of Ginger, C.J., McCormack, and Ritch Battersby played at this gig.  Once again, the Wildhearts reformed in December 2006 and played a single live show at the Wulfrun Hall in Wolverhampton. This line-up saw Ginger joined again by C.J., Ritch Battersby and a new bassist, Scott Sorry (ex-Amen). This line-up soon became official, with plans made for a new album in 2007.

Answer this question "What was their reformation?"
output:
In early 2001 Ginger announced that he was reforming the Earth vs the Wildhearts lineup of the band for a tour later that year.