Background: Michael Stock (born 3 December 1951) is an English songwriter, record producer and musician, best known for being a member of the songwriting and production team Stock Aitken and Waterman that achieved success in the 1980s and 1990s. He has written or produced numerous worldwide hits including 18 No. 1 records in America and the UK, and over a hundred top-40 hits. Stock is one of the most successful songwriters of all time as recognised by the Guinness Book of Records. As part of Stock Aitken and Waterman, he is acknowledged as the most successful producer-songwriter in British chart history and holds the record for the most No. 1 records with different acts, with 11.
Context: Stock was born in Margate, Kent, England in 1951 and grew up in Swanley, Kent. He attended White Oak primary school and Swanley comprehensive school. At Swanley school he was involved in several school variety productions. He was self-taught in playing the piano and guitar and began writing songs at the age of seven. Inspired by The Beatles he soon became fixated with pop music and put together his first band at age 13, playing bass guitar and singing. Fascinated by the popular songwriting styles of Rodgers and Hammerstein, and writers such as Irving Berlin and the energy and freshness of The Beatles, he established a deep love of pop music. Stock signed a publishing contract when he was nineteen after earning a reputation as a budding songwriter, although no one had suggested a full-time career in the music world was a possibility.  In 1970 Stock earned a placement at the University of Hull to study Drama and Theology and formed a band with a fellow student, the later acclaimed Oscar-winning director, Anthony Minghella. Whilst at Hull, Stock met his wife Bobbie and left university when she graduated to concentrate his efforts in making it in music. In 1975 they married and soon after, sold their house in Bury, Lancashire to move back south  Stock played his first paid, solo gig at Aveley Working Men's Club in Essex in 1976, earning twenty five pounds. By the late 1970s Stock, now living in Blackheath, South London, was performing up and down the country. Performing solo, in a duo or with bands Mirage and Nightwork, Stock gained a good reputation for his live performances and was regularly booked for venues like the Hilton Hotel, Grosvenor House and the Dorchester in Mayfair. Throughout 1979 to 1981 Stock was gigging every night of the week in various bands embracing pop, dance, old standards, rock or funk.  Stock's band had gone through several guitar players before he was alerted to Matt Aitken; a guitarist who had been spotted by another member of his band working on a cruise ship. Stock contacted Aitken to offer him a role in the band. Playing on cruise ships and in various bands of his own, Aitken was an accomplished guitarist whose style could adapt to any type of music.  In 1982 Stock moved to Abbey Wood, South London where, along with Matt Aitken he acquired a recording desk and tape machine and formed his first record label. During the break of one of Mirage's sets on New Year's Eve 1983, Stock informed the band he would be leaving and was going into the studio to pursue his career as a songwriter and producer. Matt Aitken agreed to join him and from January 1984 onwards the pair worked exclusively in recording studios.
Question: Is there anything interesting about him?
Answer: Stock informed the band he would be leaving and was going into the studio to pursue his career as a songwriter and producer.

Background: Fleet Foxes is an American indie folk band formed in Seattle, Washington. Their first two albums were released by the Sub Pop and Bella Union record labels, with their third by Nonesuch and Bella Union. The band came to prominence in 2008 with the release of their second EP, Sun Giant, and their self-titled debut album. Both received much critical praise and reviewers often noted the band's use of refined lyrics and vocal harmonies.
Context: Pecknold said that he would have liked the album to be released in 2009; however, the band's touring schedule delayed rehearsals of the new songs until February 2009. These sessions took place in a rented house outside Seattle, but were mostly scrapped, losing the band $60,000 of their own money. Further delays ensued because the drummer, Tillman, was scheduled to play a solo tour in Europe and North America throughout the 2009-10 winter. Pecknold later sent some demos to producer Phil Ek and expressed the hope that the second LP would emerge in late 2010.  In December 2009, Pecknold said he wanted the new LP to sound "less poppy, less upbeat and more groove-based". He referenced the 12-string guitar sound from Roy Harper's folk album Stormcock, saying, "That will be the primary sonic distancing from the last record." He wanted the band to record very quickly, with "vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. Van Morrison's Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling." The band eventually began recording in April 2010 in various locations (including West Hurley, New York) and decided to scrap the earlier idea of a fast recording (though according to the band many of the initial vocals were done in one take). The album features a new six-piece band line up, with the addition of the former Blood Brothers bassist Morgan Henderson on upright bass and woodwind instruments.  The album, Helplessness Blues, was released on May 3, 2011 with a cover illustrated by the Seattle artist Toby Liebowitz and painted by Christopher Alderson. The title track was released via free download on January 31, 2011, and the album's fourth track, "Battery Kinzie", was premiered in the UK on Zane Lowe's radio show on March 22, 2011. The Sub Pop record label released a downloadable music video of the track "Grown Ocean", with footage of the album's recording, on its website in support of the album. A 12" vinyl double A-side single of "Helplessness Blues" and "Grown Ocean" was released for Record Store Day on April 16, 2011. On November 1, 2011, Pecknold's brother, Sean Pecknold, released the official music video for "The Shrine / An Argument".  On January 18, 2012, after the band had finished touring for the album, drummer Tillman announced that he had left the band. He would go on to reinvent himself and record several albums as Father John Misty, notable for his ironic sense of humor in lyrics and media as well as often criticizing both the record industry and society in interviews and on stage.  Helplessness Blues was nominated as Best Folk Album at the 2012 Grammy Awards, held February 12, 2012.
Question: Were there any albums after Helplessness Blues?
Answer:
the band had finished touring for the album,