Problem: Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.

Webern published little of his early work in particular; like Brahms, though perhaps for not entirely the same reasons, Webern was characteristically meticulous and revised extensively. Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts. Thus when Boulez first oversaw a project to record "all" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs.  Webern's earliest works consist primarily of lieder, the genre that most belies his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging. Robert Schumann's "Mondnacht" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky. Wolf's Morike-Lieder were especially influential on Webern's efforts from this period. But well beyond these lieder alone, all of Webern's music may be said to possess such concerns and qualities, as is evident from his sketches, albeit in an increasingly symbolic, abstract, spare, introverted, and idealized manner.  Other works include the orchestral tone poem Im Sommerwind (1904) and the Langsamer Satz (1905) for string quartet.  Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Harmonically, it is a step forward into a more advanced language, and the orchestration is somewhat more distinctive than his earlier orchestral work. However, it bears little relation to the fully mature works he is best known for today. One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language.

what happened  in 1966?

Answer with quotes: Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s,


Problem: Wilbur Charles "Weeb" Ewbank (May 6, 1907 - November 17, 1998) was an American professional football coach. He led the Baltimore Colts to NFL championships in 1958 and 1959 and the New York Jets to victory in Super Bowl III in 1969. He is the only coach to win a championship in both the National Football League (NFL) and American Football League (AFL).

Ewbank moved back to Oxford in retirement and wrote a book in 1977 called Football Greats. He was inducted into the Pro Football Hall of Fame in 1978, but said later that year that he was glad to be out of coaching. With the expansion of the NFL, he said, talent had become diluted and fielding a good team was difficult. Coaches, meanwhile, customarily took the blame for a team's failures, and the sport had become too violent.  Ewbank's coaching style was laid-back but efficient, combining his mild personality with an orderliness inherited from Paul Brown. "Weeb combined a low-key style with a flair for the most dramatic of accomplishments", former NFL commissioner Paul Tagliabue said in 1998. "He led two of the legendary teams during the era of pro football's greatest growth. But he preferred to stay in the background and let the players take the credit." He favored well-practiced execution of a limited number of plays over complicated offensive and defensive systems. Paul Brown "had the exact same approach: Don't do too much, but what you do, execute it flawlessly", Raymond Berry said in 2013, adding that the Colts' 1958 championship team had only six passing plays.  Ewbank is the only man to coach two professional football teams to championships, and the only man to win the NFL championship, the AFL championship and a Super Bowl. Ewbank's regular-season career record in the NFL and AFL was 130-129-7, and his playoff record was 4-1. Ewbank was selected as the head coach on the AFL All-Time Team in 1970. In addition to the Pro Football Hall of Fame, he was inducted into the Miami University Athletic Hall of Fame in 1969, the Indiana Football Hall of Fame in 1974 and the Talawanda School District Athletic Hall of Fame in 1999. He also won the Walter Camp Distinguished American Award in 1987 and was inducted into the Jets' Ring of Honor in 2010.  Ewbank suffered a dislocated hip in the aftermath of the Jets' 1968 AFL championship game win, and had other health issues in his later years. He broke his leg and had two hip replacements in the 1990s. He also had myasthenia in his right eye. Ewbank died at 91 on November 17, 1998, the 30th anniversary of the "Heidi Game", after suffering from heart problems. He and his wife Lucy had three daughters.

Where did he go once he retired?

Answer with quotes:
Ewbank moved back to Oxford in retirement