IN: Sonata Arctica is a Finnish power metal band from the town of Kemi, Finland. Created as a hard rock band named Tricky Beans, they later changed to Tricky Means and finally to Sonata Arctica, when they shifted to power metal. The current line-up consists of singer, keyboardist and songwriter Tony Kakko, guitarist Elias Viljanen, bass guitarist Pasi Kauppinen, keyboardist and keytarist Henrik Klingenberg, and drummer Tommy Portimo. All the musicians of the band's history except Portimo also acted as backing vocalists.

The band was founded by Marko Paasikoski (guitar), Jani Liimatainen (guitar) and Tommy Portimo (drums) in Kemi at the end of 1995 (Tony Kakko (vocals) and Pentti Peura (bass) joined in early 1996). Originally named Tricky Beans, they played hard rock rather than the power metal with which they grew to fame. Kakko explained that when he was invited to join the band, Paasikoski said the band was going to play "a mixture of Megadeth and Spin Doctors". During their early career, they recorded three demos which were never sent to a recording label -- Friend 'til the End, Agre Pamppers and PeaceMaker. According to Kakko, the band's first name was based on one of their early songs, which was "about a lady who was tricky and I didn't really know what I was talking about (laughs)". Their first show was about to take place but they were still unnamed, so they had to come up with something.  In 1997 the band changed their name to Tricky Means, and from that point until 1999 their style was thoroughly worked upon and ultimately was drastically changed, acquiring a strong emphasis on the keyboard melodies and relying on an easily distinguishable rhythm line maintained both by the bass and the guitar. Vocalist Tony Kakko developed a clean singing style which relies both on falsetto and tenor voices. Kakko has stated that the change of sound was influenced by fellow Finnish power metal band Stratovarius. At that time, Pentti Peura was fired and Marko Paasikoski left due to a lack of gigging. Two months later the band got signed to a three-album deal with Spinefarm, which left Marko displeased. The band finally changed their name to Sonata Arctica, because they thought they wouldn't be able to sell metal albums with the previous name and also because Spinefarm asked them to do so. "Sonata Arctica" was suggested by a friend of the band: "sonata" for the music and "arctica" for their home (Kemi, in Northern Finland).  In 1997, they recorded a demo entitled FullMoon in Kemi's Tico Tico Studios, which was their first real metal recording. The line-up consisted of vocalist and keyboardist Tony Kakko, guitarist Jani Liimatainen, new bassist Janne Kivilahti (who started first as second guitarist) and drummer Tommy Portimo. The demo was sent to Spinefarm Records by a friend of the band and a recording deal soon followed.

What happened in the early years of Sonata?

OUT: The band was founded by Marko Paasikoski (guitar), Jani Liimatainen (guitar) and Tommy Portimo (drums) in Kemi at the end of 1995 (Tony Kakko (vocals) and Pentti Peura (bass

input: "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song.  The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful".  During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions.  Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.  After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US.

Answer this question "Was there a particular method Mercury used to write the song?"
output:
All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (