Answer the question at the end by quoting:

The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1978 to 1983. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their music has been described by critic Simon Reynolds as gothic, and their single "Release the Bats" was particularly influential on the emerging gothic scene.
The Boys Next Door's best known song, "Shivers", written by Howard, and first performed and recorded by his band The Young Charlatans, was banned by radio stations because of a reference to suicide. After recordings and moderate success in Australia (including hundreds of live shows) they headed for London in 1980, changed their name to The Birthday Party and launched into a period of innovative and aggressive music-making. Some sources say the band took its new name from the Harold Pinter play The Birthday Party; others (including Ian Johnston's Cave biography) state it was prompted by Cave misremembering, or intentionally misattributing, the name to a non-existent birthday party scene in the Dostoyevsky novel Crime and Punishment. In a 2008 interview, Rowland S. Howard gave his own recollection: "The name The Birthday Party came up in conversation between Nick and myself. There's this apocryphal story about it coming from a Dostoyevsky novel. It may have had various connotations, but what he and I spoke about was a sense of celebration and making things into more an occasion and ritual". They resided in London, with trips back to Australia and tours through Europe and the U.S. before relocating to West Berlin in 1982.  Above the barely-controlled racket, Cave's vocals ranged from desperate to simply menacing and demented. Critics have written that "neither John Cale nor Alfred Hitchcock was ever this scary," and that Cave "doesn't so much sing his vocals as expel them from his gut". Though Cave drew on earlier rock and roll shriekers--especially Iggy Pop and Suicide's Alan Vega--his singing with the Birthday Party remains powerful and distinct. His lyrics also drew on Arthur Rimbaud and Charles Baudelaire.  The single "Release the Bats" came out during the emergence of the gothic scene. This song about "vampire sex" was promoted by an advertisement with the words "Dirtiness is next to antigodliness".  Their 1982 album Junkyard was inspired by American Southern Gothic imagery, dealing with extreme subjects like an evangelist's murdered daughter.

what year did it come out?





Answer the question at the end by quoting:

King was born in Long Beach, California, into a conservative Methodist family, the daughter of Betty (nee Jerman), a housewife, and Bill Moffitt, a firefighter. Billie Jean's family was athletic. Her mother excelled at swimming, her father played basketball, baseball and ran track. Her younger brother, Randy Moffitt, became a Major League Baseball pitcher, pitching for 12 years in the major leagues for the San Francisco Giants, Houston Astros, and Toronto Blue Jays.
When the open era began, King campaigned for equal prize money in the men's and women's games. In 1971, with ideas for the formation of an eight player women's group from her husband, Larry King, financial backing of World Tennis magazine founder, Gladys Heldman, and the sponsorship of Virginia Slims Chairman Joe Coleman, King became the first woman athlete to earn over US$100,000 in prize money; however, inequalities continued. King won the US Open in 1972 but received US$15,000 less than the men's champion Ilie Nastase. She stated that she would not play the next year if the prize money were not equal. In 1973, the US Open became the first major tournament to offer equal prize money for men and women.  King led player efforts to support the first professional women's tennis tour in the 1970s called the Virginia Slims, founded by Gladys Heldman and funded by Joseph Cullman of Philip Morris. Once the tour took flight, King worked tirelessly to promote it even though many of the other top players were not supportive. "For three years we had two tours and because of their governments [Martina] Navratilova and Olga Morozova had to play the other tour. Chris [Evert], Margaret [Court], Virginia [Wade], they let us do the pioneering work and they weren't very nice to us. If you go back and look at the old quotes; they played for the love of the game, we played for the money. When we got backing and money, we were all playing together - I wonder why? I tried not to get upset with them. Forgiveness is important. Our job was to have one voice and win them over."  In 1973, King became the first President of the women's players union - the Women's Tennis Association. In 1974, she, with husband Larry King and Jim Jorgensen, founded womenSports magazine and started the Women's Sports Foundation. Also in 1974, World TeamTennis began, founded by Larry King, Dennis Murphy, Frank Barman and Jordan Kaiser. She became league commissioner in 1982 and major owner in 1984.  King is a member of the Board of Honorary Trustees for the Sports Museum of America, which opened in 2008. The museum is the home of the Billie Jean King International Women's Sports Center, a comprehensive women's sports hall of fame and exhibit.

Why so much less?
She stated that she would not play the next year if the prize money were not equal.