Answer the question at the end by quoting:

Anthony David McPartlin  (born 18 November 1975) is an English television presenter, producer and actor. He is best known for working alongside Declan Donnelly as part of the presenting duo Ant & Dec. McPartlin came to prominence, alongside Donnelly, in the children's drama series Byker Grove, with both men establishing successful careers as television presenters, in which they are most known for presenting SMTV Live (between 1998-2001), I'm a Celebrity...Get Me Out of Here!
McPartlin's first appearance on television was on the children's workshop programme Why Don't You?, but his big break came when he rose to prominence playing the character of PJ in the CBBC series Byker Grove. It was during his time on the programme that he first met Declan Donnelly, who was cast in the part of Duncan. The pair formed a close friendship on the programme, both socially and professionally, with the men performing as their characters until their departure from the programme in 1993. During their tenure, the pair created a number of hit records under the label of "PJ & Duncan AKA", including the song "Tonight I'm Free" that had been performed on Byker Grove.  From that part onwards, McPartlin and Donnely worked together on television, creating the presenting duo of Ant & Dec. Initially, the pair continued to work in children's television with the Saturday morning hit SMTV Live, before they eventually branched out into gameshows - Friends Like These, PokerFace and Push the Button - along with talent shows - Pop Idol, and Britain's Got Talent - and entertainment programmes - I'm a Celebrity... Get Me Out of Here!, and Ant & Dec's Saturday Night Takeaway. The pair continued to maintain work in acting, starring in a tribute to The Likely Lads, in the form of a remake of an episode from the show's sequel Whatever Happened to the Likely Lads? entitled "No Hiding Place". In 2006, McPartlin and Donnelly starred together in the film Alien Autopsy.  In 2007, it was discovered that two shows, Ant & Dec's Gameshow Marathon and Ant & Dec's Saturday Night Takeaway, which he co-presented with Donnelly, had defrauded viewers participating in phone-ins. The latter was produced by the pair's own production company.  In April 2009, Ant & Dec achieved wide international exposure when, as backstage commentators for Britain's Got Talent, they interviewed contestant Susan Boyle, whose audition would become the most viewed YouTube video of the year and whose record album topped sales charts in dozens of countries.

What other series did he work on?

- Friends Like These, PokerFace and Push the Button - along with talent shows - Pop Idol, and Britain's Got Talent - and entertainment programmes - I'm a Celebrity...

IN: Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. After signing with Capitol Records in 1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the group. In addition to his lifelong struggles with mental illness, Wilson is known for his unorthodox approaches to pop composition and mastery of recording techniques, and he is widely acknowledged as one of the most innovative and significant songwriters of the late 20th century. The Beach Boys were formed by Brian, his brothers Carl and Dennis, their cousin Mike Love, and friend Al Jardine.

Recording sessions for the band's first album took place in Capitol's basement studios in the famous tower building in August 1962, but early on Brian lobbied for a different place to cut Beach Boy tracks. The large rooms were built to record the big orchestras and ensembles of the 1950s, not small rock groups. At Brian's insistence, Capitol agreed to let the Beach Boys pay for their own outside recording sessions, to which Capitol would own all the rights, and in return the band would receive a higher royalty rate on their record sales. Additionally, during the taping of their first LP Brian fought for, and won, the right to be in charge of the production - though this fact was not acknowledged with an album liner notes production credit.  In January 1963, the Beach Boys recorded their first top-ten (cresting at number three in the United States) single, "Surfin' U.S.A.", which began their long run of highly successful recording efforts at Hollywood's United Western Recorders on Sunset Boulevard. It was during the sessions for this single that Brian made the production decision from that point on to use double tracking on the group's vocals, resulting in a deeper and more resonant sound. The Surfin' U.S.A. album was also a big hit in the United States, reaching number two on the national sales charts by early July 1963. The Beach Boys had become a top-rank recording and touring band.  Brian was for the first time officially credited as the Beach Boys' producer on the Surfer Girl album, recorded in June and July 1963 and released that September. This LP reached number seven on the national charts, containing singles that were top 15 hits. Feeling that surfing songs had become limiting, Brian decided to produce a set of largely car-oriented tunes for the Beach Boys' fourth album, Little Deuce Coupe, which was released in October 1963, only three weeks after the Surfer Girl LP. The departure of guitarist David Marks from the band that month meant that Brian was forced to resume touring with the Beach Boys, for a time reducing his availability in the recording studio.  For much of the decade, Brian attempted to establish himself as a record producer by working with various artists. On July 20, 1963, "Surf City", which he co-wrote with Jan Berry of Jan and Dean, was his first composition to reach the top of the US charts. The resulting success pleased Brian, but angered both Murry and Capitol Records. Murry went so far as to order his oldest son to sever any future collaborations with Jan and Dean. Brian's other non-Beach Boy work in this period included tracks by the Castells, Donna Loren, Sharon Marie, the Timers, and the Survivors. The most notable group to which Wilson would attach himself in this era would be the Honeys, which Wilson intended as the female counterpart to the Beach Boys, and as an attempt to compete with Phil Spector-led girl groups such as the Crystals and the Ronettes. He continued juggling between recording with the Beach Boys and producing records for other artists, but with less success at the latter--except for Jan and Dean.

What did critics say about the album?

OUT: