IN: Dennis Coles (born May 9, 1970), better known by his stage name Ghostface Killah, is an American rapper and member of the Wu-Tang Clan. After the group achieved breakthrough success in the aftermath of Enter the Wu-Tang (36 Chambers), the members went on to pursue solo careers to varying levels of success. Ghostface Killah debuted his solo-career with Ironman in 1996, which was well received by music critics. He has continued his success over the following years with critically acclaimed albums such as Supreme Clientele (2000) and Fishscale (2006).

Ghostface released a collaborative album with D-Block member Sheek Louch called Wu Block. The album was released on November 27, 2012, on E1 Music and debuted at number 73 on the US Billboard 200 chart, with first-week sales of 8,600 copies in the United States. It fell to #152 in its second week selling 4,200 more copies.  In an interview with Complex Magazine on November 17, 2012, Ghostface Killah confirmed that he has left Def Jam, making Apollo Kids his last album on the label. In the same interview he also stated that Blue & Cream, the sequel to his critically acclaimed album Supreme Clientele, is 80-85 percent done. On April 16, 2013, Ghostface released his tenth album Twelve Reasons to Die which was produced by Adrian Younge and executive produced by RZA. The album was released in various formats such as CD, vinyl and cassette under RZA's Soul Temple Records. The deluxe digital and CD versions also come with a comic book.  He would later announce that the sequel to Supreme Clientele would be released between July and September 2013 and that his collaborative album with MF Doom would be released around Halloween 2013 though neither projects materialized. In January 2014, he appeared on the VH1 series Couples Therapy with his girlfriend Kelsey Nykole. Later that year Ghostface announced he would be releasing his eleventh album titled 36 Seasons in December 2014. He collaborated with Canadian jazz band BADBADNOTGOOD on an album titled Sour Soul which was released in 2015.  A sequel to Twelve Reasons to Die, simply titled Twelve Reasons to Die II, was released on July 10, 2015.  Ghostface had a string of UK and European tour dates scheduled in 2016 but no word on an upcoming album has been announced.

Were any of the albums awarded honors of any sort?

OUT: debuted at number 73 on the US Billboard 200 chart, with first-week sales of 8,600 copies in the United States.

input: In 1970, Chicago decided to teach full-time at Fresno State College, hoping to teach women the skills needed to express the female perspective in their work. At Fresno, she planned a class that would consist only of women, and she decided to teach off campus to escape "the presence and hence, the expectations of men." She taught the first women's art class in the fall of 1970 at Fresno State College. It became the Feminist Art Program, a full 15-unit program, in the spring of 1971. This was the first feminist art program in the United States. Fifteen students studied under Chicago at Fresno State College: Dori Atlantis, Susan Boud, Gail Escola, Vanalyne Green, Suzanne Lacy, Cay Lang, Karen LeCocq, Jan Lester, Chris Rush, Judy Schaefer, Henrietta Sparkman, Faith Wilding, Shawnee Wollenman, Nancy Youdelman, and Cheryl Zurilgen. Together, as the Feminist Art Program, these women rented and refurbished an off-campus studio at 1275 Maple Avenue in downtown Fresno. Here they collaborated on art, held reading groups, and discussion groups about their life experiences which then influenced their art. All of the students and Chicago contributed $25 per month to rent the space and to pay for materials. Later, Judy Chicago and Miriam Schapiro reestablished the Feminist Art Program at California Institute of the Arts. After Chicago left for Cal Arts, the class at Fresno State College was continued by Rita Yokoi from 1971 to 1973, and then by Joyce Aiken in 1973, until her retirement in 1992.  Chicago is considered one of the "first-generation feminist artists," a group that also includes Mary Beth Edelson, Carolee Schneeman, and Rachel Rosenthal. They were part of the Feminist art movement in Europe and the United States in the early 1970s to develop feminist writing and art.  Chicago became a teacher at the California Institute for the Arts, and was a leader for their Feminist Art Program. In 1972, the program created Womanhouse, alongside Miriam Schapiro, which was the first art exhibition space to display a female point of view in art. With Arlene Raven and Sheila Levrant de Bretteville, Chicago co-founded the Los Angeles Woman's Building in 1973. This art school and exhibition space was in a structure named after a pavilion at the 1893 World's Colombian Exhibition that featured art made by women from around the world. This housed the Feminist Studio Workshop, described by the founders as "an experimental program in female education in the arts. Our purpose is to develop a new concept of art, a new kind of artist and a new art community built from the lives, feelings, and needs of women." During this period, Chicago began creating spray-painted canvas, primarily abstract, with geometric forms on them. These works evolved, using the same medium, to become more centered around the meaning of the "feminine". Chicago was strongly influenced by Gerda Lerner, whose writings convinced her that women who continued to be unaware and ignorant of women's history would continue to struggle independently and collectively.

Answer this question "Did she contribute to the feminist movement at this time?"
output:
She taught the first women's art class in the fall of 1970 at Fresno State College.