Question: Baudelaire was born in Paris, France, on April 9, 1821, and baptized two months later at Saint-Sulpice Roman Catholic Church. His father, Francois Baudelaire, a senior civil servant and amateur artist, was 34 years older than Baudelaire's mother, Caroline. Francois died during Baudelaire's childhood, in 1827. The following year, Caroline married Lieutenant Colonel Jacques Aupick, who later became a French ambassador to various noble courts.

Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness. This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations.  Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connects it more closely to the work of the contemporary "Parnassians". As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetic pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of "symbols" (images that take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarme, who acknowledge Baudelaire as a pioneer in this regard.  Beyond his innovations in versification and the theories of symbolism and "correspondences", an awareness of which is essential to any appreciation of the literary value of his work, aspects of his work that regularly receive much critical discussion include the role of women, the theological direction of his work and his alleged advocacy of "satanism", his experience of drug-induced states of mind, the figure of the dandy, his stance regarding democracy and its implications for the individual, his response to the spiritual uncertainties of the time, his criticisms of the bourgeois, and his advocacy of modern music and painting (e.g., Wagner, Delacroix). He made Paris the subject of modern poetry. He would bring the city's details to life in the eyes and hearts of his readers.

Using a quote from the above article, answer the following question: what was his stance on democracy?
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Answer: criticisms of the bourgeois,


Question: Wilhelm was one of eleven children born to poor tenant farmers John and Ethel (nee Stanley) Wilhelm in Huntersville, North Carolina. He played baseball at Cornelius High School in Cornelius, North Carolina. There, he began experimenting with a knuckleball after reading about pitcher Dutch Leonard.

After his retirement as a player, Wilhelm managed two minor league teams in the Atlanta Braves system for single seasons. He led the 1973 Greenwood Braves of the Western Carolinas League to a 61-66 record, then had a 33-33 record with the 1975 Kingsport Braves of the Appalachian League. He also worked as a minor league pitching coach for the New York Yankees for 22 years. As a coach, Wilhelm said that he did not teach pitchers the knuckleball, believing that people had to be born with a knack for throwing it. He sometimes worked individually with major league players who wanted to improve their knuckleballs, including Joe Niekro. The Yankees gave Wilhelm permission to work with Mickey Lolich in 1979 even though Lolich pitched for the San Diego Padres.  Wilhelm was on the ballot for the Baseball Hall of Fame for eight years before he was elected. After Wilhelm failed to garner enough votes for induction in 1983, sportswriter Jim Murray criticized the voters, saying that while Wilhelm never had the look of a baseball player, he was "the best player in history at what he does." He fell short by 13 votes in 1984. Wilhelm was inducted into the Baseball Hall of Fame in 1985. At his induction ceremony, he said that he had achieved all three of his initial major league goals: appearing in a World Series, being named to an All-Star team, and throwing a no-hitter.  He and his wife Peggy lived in Sarasota, Florida. They raised three children together: Patti, Pam, and Jim. Wilhelm died of heart failure in a Sarasota nursing home in 2002.

Using a quote from the above article, answer the following question: Did they have children?
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Answer: They raised three children together: Patti, Pam, and Jim.


Question: Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an experimental multi-genre music producer, electronic musician, DJ, filmmaker, and rapper from Los Angeles, California. Flying Lotus has released five studio albums--1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012) and You're Dead! (2014)--to critical acclaim.

At his mother's house, Ellison saw an advertisement on Adult Swim/Cartoon Network asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted.  Around this time, he was interning at the pioneering hip hop label Stones Throw Records. Days were spent in their offices, and nights were spent at his grandmothers, working on the music that would become his debut album: 1983. The record (released on LA indie label Plug Research) was an early touchstone for Ellison's eclectic creative mission, forging compressed, spacey and Eastern sounding hip-hop beats, that summoned Madlib as much as Dntel, while sampling as far back as 70s Japanese proto-synthpop and 60s jazz harp. It would also feature Laura Darlington, who went on to become a vocal fixture of future albums.  In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records (home to Prefuse 73, Autechre, Boards of Canada, and Aphex Twin). Following his Warp debut, the six-track Reset EP, he quickly became one of the label's cornerstone artists and released his second studio album, titled Los Angeles, on June 10, 2008.  His first release on Warp, Reset EP, gave his new audience a taste of the steady grooves and darker breaks that had earned him the move. As Ellison's profile rose, he decided to commandeer the limelight by launching his own label, Brainfeeder, to house his friends (Samiyam, Ras G, etc.) and unite a large section of the LA beat scene under one label.

Using a quote from the above article, answer the following question: did it do a good job with the people and the fans
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Answer:
As Ellison's profile rose,