Background: Fibber McGee and Molly was an American radio comedy series. A staple of the NBC Red Network for the show's entire run and one of the most popular and enduring radio series of its time, the prime time situation comedy ran as a standalone series from 1935 to 1956, then continued as a short-form series as part of the weekend Monitor from 1957 to 1959. The title characters were created and portrayed by Jim and Marian Jordan, a real-life husband and wife team that had been working in radio since the 1920s. Fibber McGee and Molly, which followed up the Jordans' previous radio sitcom Smackout, followed the adventures of a working-class couple, the habitual storyteller Fibber McGee and his sometimes terse but always loving wife
Context: Fibber McGee and Molly originated when the small-time husband-and-wife vaudevillians began their third year as Chicago-area radio performers. Two of the shows they did for station WENR beginning in 1927, both written by Harry Lawrence, bore traces of what was to come and rank as one of the earliest forms of situation comedy. In their Luke and Mirandy farm-report program, Jim played a farmer who was given to tall tales and face-saving lies for comic effect. In a weekly comedy, The Smith Family, Marian's character was an Irish wife of an American police officer. These characterizations, plus the Jordans' change from being singers/musicians to comic actors, pointed toward their future; it was at this time when Marian developed and perfected the radio character "Teeny". It was also at WENR where the Jordans met Donald Quinn, a cartoonist who was then working in radio, and the couple hired him as their writer in 1931. They regarded Quinn's contribution as important and included him as a full partner; the salary for Smackout and Fibber McGee and Molly was split between the Jordans and Quinn.  While working on the WENR farm report, Jim Jordan heard a true story about a shopkeeper from Missouri whose store was brimming with stock, yet he claimed to be "smack out" of whatever a customer would ask him for. The story reached the halls of nearby Columbia College, and the students began visiting the store, which they called "Smackout", to hear the owner's incredible stories.  For station WMAQ in Chicago, beginning in April 1931, the trio created Smackout, a 15-minute daily program that centered on a general store and its proprietor, Luke Grey (Jim Jordan), a storekeeper with a penchant for tall tales and a perpetual dearth of whatever his customers wanted: He always seemed "smack out of it". Marian Jordan portrayed both a lady named Marian and a little girl named Teeny, as well as accompanying the program on piano. During the show's run, Marian Jordan voiced a total of 69 different characters. Smackout was picked up by NBC in April 1933 and broadcast nationally until August 1935.  One of the S. C. Johnson company's owners, Henrietta Johnson Lewis, recommended that her husband, John, Johnson Wax's advertising manager, try the show out on a national network. The terms of the agreement between S. C. Johnson and the Jordans awarded the company ownership of the names "Fibber McGee" and "Molly".
Question: Who were the sponsors?
Answer: 

Problem: Background: Randy Randall Rudy Quaid (born October 1, 1950) is an American film and television actor and Academy Award nominee known for his roles in both serious drama and light comedy. He was nominated for a Golden Globe Award, BAFTA Award and an Academy Award for his role in The Last Detail in 1973. In 1978 he co-starred as a prisoner in Midnight Express. Quaid also won a Golden Globe and was nominated for an Emmy Award for his portrayal of U.S. President Lyndon Johnson in LBJ:
Context: In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West.  In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it.  According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff."
Question: was Quaid successful?
Answer:
was well-received and -reviewed by New York City's top theatre critics.