Question: Ralph Bakshi (born October 29, 1938) is an American director of animated and live-action films. In the 1970s, he established an alternative to mainstream animation through independent and adult-oriented productions. Between 1972 and 2015, he directed ten theatrically released feature films, six of which he wrote. He has been involved in numerous television projects as director, writer, producer and animator.

After production concluded on Harlem Nights, Bakshi wanted to distinguish himself artistically by producing a film in which live action and animated characters would interact. Bakshi said, "The illusion I attempted to create was that of a completely live-action film. Making it work almost drove us crazy." Hey Good Lookin' is set in Brooklyn during the 1950s; its lead characters are Vinnie, the leader of a gang named "The Stompers", his friend Crazy Shapiro and their girlfriends, Roz and Eva. Vinnie and Crazy Shapiro were based on Bakshi's high school friends Norman Darrer and Allen Schechterman. Warner Bros. optioned the screenplay and greenlit the film in 1973.  An initial version of Hey Good Lookin' was completed in 1975. A three-minute promo of this version was screened at the 1975 Cannes Film Festival, and the film was scheduled for a Christmas 1975 release, but was moved to the summers of 1976 and later 1977, before ultimately being postponed indefinitely. Warner Bros. was concerned about any controversy the film would encounter as a result of the backlash over the film Coonskin, and felt that the film was "unreleasable" because of its mix of live action and animation, and it would not spend further money on the project. Bakshi financed the film's completion himself from the director's fees for other projects such as Wizards, The Lord of the Rings and American Pop. The live-action sequences of Hey Good Lookin' were gradually replaced by animation; among the eliminated live-action sequences was one featuring the glam punk band New York Dolls. Singer Dan Hicks worked on the initial musical score, but the final version was scored by John Madara.  Hey Good Lookin' opened in New York City on October 1, 1982, and was released in Los Angeles in January 1983. The film's release was limited, and went largely unnoticed in the United States, although it garnered respectable business in foreign markets. In a brief review, Vincent Canby wrote that it was "not exactly incoherent, but whatever it originally had on its mind seems to have slipped away". Animation historian Jerry Beck wrote, "the beginning of the film is quite promising, with a garbage can discussing life on the streets with some garbage. This is an example of what Bakshi did best--using the medium of animation to comment on society. Unfortunately, he doesn't do it enough in this film. There is a wildly imaginative fantasy sequence during the climax, when the character named Crazy starts hallucinating during a rooftop shooting spree. This scene almost justifies the whole film. But otherwise, this is a rehash of ideas better explored in Coonskin, Heavy Traffic, and Fritz the Cat." The film has since gained a cult following through cable television and home video. Quentin Tarantino stated that he preferred Hey Good Lookin' to Martin Scorsese's Mean Streets.

Using a quote from the above article, answer the following question: Did Bakshi produce Hey Good Lookin'
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Answer: "The illusion I attempted to create was that of a completely live-action film. Making it work almost drove us crazy." Hey Good Lookin' is set in Brooklyn during the 1950s;

Problem: Hubert Neal McGaughey Jr. was born on July 30, 1958, in Jacksonville, Texas, to a Filipina American mother and Irish-American father. Inspired by the variety of music that his parents listened to, which included country, rock, disco and R&B, McGaughey first sang in his church choir before founding an R&B band. He later switched his focus to country music, performing in various bars and clubs in Texas. McGaughey, after attending junior college near his hometown, found work selling shoes at a shopping mall.

You Gotta Love That, his fourth album, also received a platinum certification and producing four singles: "For a Change", "They're Playin' Our Song" and the title track (respectively the first, second, and fourth singles) all peaked at No. 3, while "If I Was a Drinkin' Man" reached No. 16.  McCoy's self-titled fifth studio album began a decline in his chart momentum. Although it was certified gold, Neal McCoy accounted for only one Top Ten hit in a cover of The Casinos' 1967 doo-wop single "Then You Can Tell Me Goodbye". The next two singles -- "Going, Going, Gone" and "That Woman of Mine" -- both peaked at No. 35. Also in 1996, he sang guest vocals on the multi-artist charity single "Hope", the proceeds of which went to the T. J. Martell Foundation's cancer research. After "That Woman of Mine", he reached No. 5 with "The Shake", the only new song on his first Greatest Hits package, which reprised nine of his greatest hits to that point and also earned platinum certification.  Be Good at It, his sixth studio release, followed in 1998. This was his first album since Where Forever Begins not to include a Top Ten hit. The title track, "If You Can't Be Good, Be Good at It", was the highest-peaking single release from it at No. 22, followed by "Party On", which became his first single since 1992 to miss Top 40 entirely. After it came the No. 29 "Love Happens Like That." McCoy made a second appearance on a multi-artist charity single that same year, as one of several collaborators on "One Heart at a Time", a song written by Victoria Shaw to benefit cystic fibrosis research.  In 1999, McCoy released his final album for Atlantic, The Life of the Party. It only accounted for two singles: the Phil Vassar co-write "I Was" at No. 37 and "The Girls of Summer" at No. 42. He, Tracy Byrd, and T. Graham Brown also sang guest vocals on "Now That's Awesome", a song featuring snippets of a Bill Engvall comedy sketch, found on Engvall's Now That's Awesome album. This single peaked at No. 59.

how did the album do?

Answer with quotes:
This single peaked at No. 59.