IN: Point of Grace is an all-female Contemporary Christian music vocal group. The trio consists of Shelley Breen, Denise Jones, and Leigh Cappillino. The group started out as a quartet in 1991, with original members Breen and Jones, as well as Terry Jones and Heather Payne. In November 2003, Terry Jones decided to spend more time with her family after giving birth to her third child, and left the group, with Cappillino joining in March 2004 for their 2004 release

Point of Grace was formed at Ouachita Baptist University in Arkadelphia, Arkansas. Denise Masters, Terry Lang and Heather Floyd, who knew each other from Norman, Oklahoma, coincidentally found themselves at OBU, and got involved in music. They sang in a vocal group called 'The Ouachitones,' which was made up of 14 girls. Within the group, the girls formed a trio, and after a sound check for an Ouachitones performance, the girls were singing a cappella when they were told by an onlooker that they should do something together. Shelley Phillips had come from Little Rock, Arkansas to OBU with a scholarship in vocal performance. She sang in a group called the Praise Singers, made up of four girls and four guys and they traveled around the country performing concerts. She became friends with Terry and Heather through Denise, who was her roommate and sister in the social club Chi Delta. After Heather, Terry and Denise made plans to form a trio and sing together over the summer, Denise went back to her dorm room and told Shelley about their summer plans. After Shelley suggested that the trio became a quartet, it seemed to be the perfect fit.  They called themselves Say So, taken after Psalm 107:2 where it says, "Let the redeemed of the Lord say so." It was a do-it-yourself project, and group's tasks were delegated according to ability. Heather took care of publicity and album sales, Terry took care of the money, Shelley was in charge of booking and Denise was in charge of music. Before their performances, they were the ones who would haul their equipment onstage and set it up. They developed a following that summer, and spent the remainder of the year singing every weekend. After many fan requests, they recorded an independent album, and became favorites in the South and Midwest. Despite not seeing a reason to pursue a major record deal, the girls, encouraged by their family members, attended the 1992 Music in the Rockies Christian Artists Seminar in Estes Park, Colorado. They wowed the crowd and the judges when they performed "He's The Best Thing" and wound up winning the Overall Grand Prize in the Group competition.  The girls found that, after their performance, there was major record label interest, and the group decided to sign with Word Records. They then moved to Nashville to start work on what would become their self-titled debut album.

What were the early years?

OUT: Point of Grace was formed at Ouachita Baptist University in Arkadelphia, Arkansas. Denise Masters, Terry Lang and Heather Floyd, who knew each other from Norman, Oklahoma,


IN: Verity Ann Lambert  (27 November 1935 - 22 November 2007) was an English television and film producer. She was the founding producer of the science-fiction series Doctor Who and she had a long association with Thames Television. Her many credits include Adam Adamant Lives!

Later in 1974 Lambert became Head of Drama at Thames Television. During her time in this position she oversaw several high-profile and successful contributions to the ITV network, including The Naked Civil Servant (1975), Rock Follies (1976-77), Rumpole of the Bailey (1978-92) and Edward and Mrs Simpson (1978). In 1976 she was also made responsible for overseeing the work of Euston Films, Thames' subsidiary film production company, at the time best known as the producers of The Sweeney. In 1979 she transferred to Euston full-time as the company's Chief Executive, overseeing productions such as Quatermass (1979), Minder (1979-94) and Widows (1983).  At Thames and Euston, Lambert enjoyed the most sustained period of critical and popular success of her career. The Naked Civil Servant won a British Academy Television Award (BAFTA) for its star John Hurt as well as a Broadcasting Press Guild Award and a prize at the Prix Italia; Rock Follies won a BAFTA and a Royal Television Society Award, while Widows also gained BAFTA nominations and ratings of over 12 million--unusually for a drama serial, it picked up viewers over the course of its six-week run. Minder went on to become the longest-running series produced by Euston Films, surviving for over a decade following Lambert's departure from the company.  Television historian Lez Cooke described Lambert's time in control of the drama department at Thames as "an adventurous period for the company, demonstrating that it was not only the BBC that was capable of producing progressive television drama during the 1970s. Lambert wanted Thames to produce drama series 'which were attempting in one way or another to tackle modern problems and life,' an ambition which echoed the philosophy of her mentor Sydney Newman." Howard Schuman, the writer of Rock Follies, also later praised the bravery of Lambert's commissioning. "Verity Lambert had just arrived as head of drama at Thames TV and she went for broke," he told The Observer newspaper in 2002. "She commissioned a serial, Jennie: Lady Randolph Churchill, for safety, but also Bill Brand, one of the edgiest political dramas ever, and us ... Before we had even finished making the first series, Verity commissioned the second."  Lambert's association with Thames and Euston Films continued into the 1980s. In 1982, she rejoined the staff of parent company Thames Television as director of drama, and was given a seat on the company's board. In November 1982 she left Thames, but remained as chief executive at Euston until leaving in November of the following year to take up her first post in the film industry, as director of production for Thorn EMI Screen Entertainment. Her job here was somewhat frustrating as the British film industry was in one of its periodic states of flux, but she did produce several feature films, including Clockwise (1986). Lambert later expressed some regret on her time in the film industry in a feature for The Independent newspaper. "Unfortunately, the person who hired me left, and the person who came in didn't want to produce films and didn't want me. While I managed to make some films I was proud of--Dennis Potter's Dreamchild, and Clockwise with John Cleese--it was terribly tough and not a very happy experience."  Lambert was Chair of the British Film Institute Production Board from 1981-82.

What show was she on the longest?

OUT:
Minder went on to become the longest-running series produced by Euston Films,