Question: Huey Pierce Long Jr. (August 30, 1893 - September 10, 1935), self-nicknamed The Kingfish, was an American politician who served as the 40th governor of Louisiana from 1928 to 1932 and as a member of the United States Senate from 1932 until his assassination in 1935. As the political leader of Louisiana, he commanded wide networks of supporters and was willing to take forceful action. He established the long-term political prominence of the Long family. A Democrat and an outspoken populist, Long denounced the wealthy elites and the banks.

By 1935, Long's most recent consolidation of personal power led to talk of armed opposition from his enemies. Opponents increasingly invoked the memory of the Battle of Liberty Place of 1874, in which the White League staged an uprising against Louisiana's Reconstruction-era government. In January 1935, an anti-Long paramilitary organization called the Square Deal Association was formed. Its members included former governors John M. Parker and Ruffin G. Pleasant and New Orleans Mayor T. Semmes Walmsley. On January 25, 200 armed Square Dealers took over the courthouse of East Baton Rouge Parish. Long had Governor Allen call out the National Guard, declare martial law, ban public gatherings of two or more persons, and forbid the publication of criticism of state officials. The Square Dealers left the courthouse, but there was a brief armed skirmish at the Baton Rouge Airport. Tear gas and live ammunition were fired; one person was wounded but there were no fatalities.  In the summer of 1935, Long called for two more special sessions of the legislature; bills were passed in rapid-fire succession without being read or discussed. The new laws further centralized Long's control over the state by creating several new Long-appointed state agencies: a state bond and tax board holding sole authority to approve all loans to parish and municipal governments, a new state printing board which could withhold "official printer" status from uncooperative newspapers, a new board of election supervisors which would appoint all poll watchers, and a State Board of Censors. They also stripped away the remaining lucrative powers of the mayor of New Orleans to cripple the entrenched opposition. Long boasted that he had "taken over every board and commission in New Orleans except the Community Chest and the Red Cross."  Long quarreled with former State Senator Henry E. Hardtner of La Salle Parish. While proceeding to Baton Rouge in August 1935 to confront the state government over a tax matter relating to his Urania Lumber Company, based in Urania, Hardtner, known as "the father of forestry in the South," was killed in a car-train accident.

Using a quote from the above article, answer the following question: Were there any other policies?
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Answer: printing board which could withhold "official printer" status from uncooperative newspapers, a new board of election supervisors which would

Problem: De La Soul is an American hip hop trio formed in 1987 on Long Island, New York. The group is best known for their eclectic sampling, quirky lyrics, and their contributions to the evolution of the jazz rap and alternative hip hop subgenres. The members are Posdnuos, Trugoy the Dove and Maseo. The three formed the group in high school and caught the attention of producer Prince Paul with a demo tape of the song "Plug Tunin'".

De La Soul's debut album, 3 Feet High and Rising, released in 1989, was a critical smash hit in the hip hop genre. They quickly became prominent members of the Native Tongues Posse along with A Tribe Called Quest, Black Sheep, Queen Latifah, the Jungle Brothers and others. The single "Me Myself and I" became a huge hit, further cementing the group's popularity. However, the sixties pop group The Turtles sued De La Soul for using a sample from their 1969 hit "You Showed Me" for the interlude track "Transmitting Live from Mars", despite the fact that The Turtles did not actually write the original song.  Lyrically, much of 3 Feet High and Rising focused on striving for peace and harmony. 3 Feet High and Rising also introduced De La Soul's concept of the "D.A.I.S.Y. Age" (an acronym standing for "da inner sound, y'all"). As a result, audiences were quick to peg the members of De La Soul as hippies. This stereotype greatly agitated the group's members, as they always envisioned their career as a constantly changing style; this frustration would influence their next recording sessions. In the press kit for 3 Feet High and Rising, the members explained their stage names: Trugoy when reversed spells yogurt, because he likes yogurt, and Posdnuos spelled backwards is "sound sop". The album artwork was designed by radical British artist collective the Grey Organisation  De La Soul's second album, De La Soul Is Dead (1991) was a much more mature album. It featured a wealth of material that criticized the violent, careless direction that hip hop was heading in at the time, though it still managed to maintain a light, absurd sense of humor. The cover of the album features a broken daisy flower pot, symbolizing the death of the "D.A.I.S.Y. Age" and the imagery that went along with it. The album spawned several singles, including the dark "Millie Pulled a Pistol on Santa", a tale of a young girl who could no longer take the sexual abuse from her father, and the lead single "Ring Ring Ring (Ha Ha Hey)", a story about the people rated with the Black Sheep on "Fanatic of the B Word," Q-Tip from A Tribe Called Quest on "A Roller Skating Jam Named 'Saturdays'", and Prince Paul makes an appearance on the mic in "Pass the Plugs" with a verse of his own. The album also more prominently featured Vincent Mason as a rapper, providing verses of his own on "Bitties in the BK Lounge," "Afro Connections at a Hi-5," and "Ring Ring Ring (Ha Ha Hey)".  Though it received mixed reviews and did not sell as well as 3 Feet High and Rising it eventually became a cult classic. The Source magazine listed the album as one of their top 100 hip hop albums of all time, stating that "its true genius is rarely understood". There are several major differences between the CD version of this album and the other formats, as the tracks "Johnny's Dead AKA Vincent Mason", "My Brother's a Basehead", "Kicked Out the House", and "Who Do U Worship?" are only available on the CD. The limited edition double vinyl promotional copies of the album distributed to the media before the official release did not feature these.

How was the album received?

Answer with quotes:
was a critical smash hit in the hip hop genre.