input: Nabokov was a classical liberal, in the tradition of his father, a liberal statesman who served in the Provisional Government following the February Revolution of 1917. Nabokov was a self-proclaimed "White Russian", and was, from its inception, a strong opponent of the Soviet government that came to power following the Bolshevik Revolution of October 1917. In a poem he wrote as a teenager in 1917, he described Lenin's Bolsheviks as "grey rag-tag people".  Throughout his life, Nabokov would remain committed to the classical liberal political philosophy of his father, and equally opposed Tsarist autocracy, communism and fascism.  Nabokov's father Vladimir Dmitrievich Nabokov was the most outspoken defender of Jewish rights in the Russian Empire, continuing in a family tradition that had been led by his own father, Dmitry Nabokov, who as Justice Minister under Tsar Alexander II had successfully blocked anti-semitic measures from being passed by the Interior Minister. That family strain would continue in Vladimir Nabokov, who fiercely denounced anti-semitism in his writings, and in the 1930s Nabokov was able to escape Hitler's Germany only with the help of Russian Jewish emigres who still had grateful memories of his family's defense of Jews in Tsarist times.  When asked, in 1969, whether he would like to revisit the land he had fled in 1918, now the Soviet Union, he replied: "There's nothing to look at. New tenement houses and old churches do not interest me. The hotels there are terrible. I detest the Soviet theater. Any palace in Italy is superior to the repainted abodes of the Tsars. The village huts in the forbidden hinterland are as dismally poor as ever, and the wretched peasant flogs his wretched cart horse with the same wretched zest. As to my special northern landscape and the haunts of my childhood - well, I would not wish to contaminate their images preserved in my mind."

Answer this question "What was his [\political position during the revolution?"
output: Nabokov was a classical liberal, in the tradition of his father, a liberal statesman who served in the Provisional Government following the February Revolution of 1917.

Problem: Background: CBC Radio 3 is a radio network that consists of two parts devoted to Canadian arts and music: a radio service which is available on Sirius XM Satellite Radio and streaming audio, and several daily and weekly podcasts from the CBC Radio 3 website. The audio stream is available from both CBC Music and from iTunes Radio, but geographical restrictions are in place to prevent access outside of Canada. The network evolved out of programming on CBC Radio 2, which also simulcasted the satellite network on Saturday and Sunday nights from its debut in December 2005 until March 17, 2007. Radio 3 is no longer heard on terrestrial radio, but is still available through its satellite radio and Internet operations.
Context: From 2005 to 2009, the Icecast stream available from the network's website was not a simulcast of the satellite radio broadcast, but was programmed separately. Initially, the webstream consisted exclusively of music with the occasional identification break, but on September 14, 2007 it was relaunched with hosts and feature content, similar to but still programmed separately from the satellite radio station. Due to funding cuts, however, the two services were merged in June 2009, such that the webstream is now a straight simulcast of the satellite radio channel.  Prior to the merger, the two services had slightly different programming strategies - the satellite radio station aired a music mix of 85 per cent Canadian and 15 per cent international, while the web service's mix was 100 per cent Canadian. With the merger of the two services, the station announced that the program mix would be 100 per cent Canadian music on both platforms, although exceptions will be permitted for international music with some Canadian character - such as international artists covering Canadian songs, collaborations between Canadian and non-Canadian artists, international artists appearing on the bill with Canadian artists when the network is airing a live concert, or "honourary [sic] Canadian" artists such as Neko Case and Rose Melberg.  In February 2009, CBC Radio 3 participated with Exclaim! and aux.tv to launch X3, a new collaborative cross-promotional platform which sees all three outlets air feature content spotlighting a particular "Artist of the Month". X3 artists of the month have included K'naan, Malajube, Thunderheist, Japandroids, Apostle of Hustle, The Rural Alberta Advantage, Owen Pallett, and Jenn Grant.  In addition to the service's conventional radio programming, any song in the network's music library can also be played on demand from the artist's profile page on the site. In May 2011, Joel Plaskett became the first artist in the network's history to reach one million on-demand plays.  In 2012, CBC Radio 3 was integrated into the new CBC Music service.
Question: What 3 outlets?
Answer: CBC Radio 3 participated with Exclaim!

Question: Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts, in 1984, originally simply called Dinosaur until legal issues forced a change in name. The band was founded by J Mascis (guitar, vocals, primary songwriter), Lou Barlow (bass, vocals), and Murph (drums). After three albums on independent labels earned the band a reputation as one of the formative influences on American alternative rock, creative tension led to Mascis firing Barlow, who later formed Sebadoh and Folk Implosion. His replacement, Mike Johnson came aboard for three major-label albums.

Mascis and Barlow played together, on drums and guitar respectively, in the hardcore punk band Deep Wound, formed in 1982 while the pair were attending high school in western Massachusetts. After high school, they began exploring slower yet still aggressive music such as Black Sabbath, the Replacements, and Neil Young. Mascis' college friend Gerard Cosloy introduced him to psychedelic-influenced pop bands like Dream Syndicate, which Mascis in turn showed to Barlow. Barlow explained, "We loved speed metal...and we loved wimpy-jangly stuff".  Deep Wound broke up in mid-1984. Cosloy had dropped out of the University of Massachusetts Amherst to focus on running his independent record label, Homestead Records, and promised Mascis that if he were to make a record Homestead would release it. Mascis wrote a number of songs by himself and showed them to Barlow, to whom he offered the bassist position. Barlow said the songs "were fucking brilliant...They were so far beyond. I was still into two-chord songs and basic stuff like 'I'm so sad.' While I was really into my own little tragedy, J was operating in this whole other panorama." Mascis enlisted vocalist Charlie Nakajima, also formerly of Deep Wound, and drummer Emmett Patrick Murphy, otherwise known as Murph, to complete the band. Mascis explained the concept behind the group as "ear-bleeding country".  The band was initially named Mogo, and played their first show on University of Massachusetts Amherst campus in the first week of September 1984. However, Nakajima used the performance to launch an extended anti-police tirade. Mascis was so appalled by Nakajima's behavior at the show that he disbanded the group the next day. A few days later Mascis invited Barlow and Murph to form a new band without telling Nakajima. "I was kind of too wimpy to kick him out, exactly," Mascis later admitted. "Communicating with people has been a constant problem in the band." The trio named themselves Dinosaur, and Mascis and Barlow took over lead-vocal duties.

Using a quote from the above article, answer the following question: any intresting thing
HHHHHH
Answer:
Nakajima used the performance to launch an extended anti-police tirade. Mascis was so appalled by Nakajima's behavior at the show that he disbanded the group the next day.