Answer the question at the end by quoting:

Toru Takemitsu (Wu Man  Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.
Takemitsu frequently expressed his indebtedness to Claude Debussy, referring to the French composer as his "great mentor". As Arnold Whittall puts it:  Given the enthusiasm for the exotic and the Orient in these [Debussy and Messiaen] and other French composers, it is understandable that Takemitsu should have been attracted to the expressive and formal qualities of music in which flexibility of rhythm and richness of harmony count for so much.  For Takemitsu, Debussy's "greatest contribution was his unique orchestration which emphasizes colour, light and shadow ... the orchestration of Debussy has many musical focuses." He was fully aware of Debussy's own interest in Japanese art, (the cover of the first edition of La mer, for example, was famously adorned by Hokusai's The Great Wave off Kanagawa). For Takemitsu, this interest in Japanese culture, combined with his unique personality, and perhaps most importantly, his lineage as a composer of the French musical tradition running from Rameau and Lully through Berlioz in which colour is given special attention, gave Debussy his unique style and sense of orchestration.  During the composition of Green (November Steps II, for orchestra, 1967: "steeped in the sound-color world of the orchestral music of Claude Debussy") Takemitsu said he had taken the scores of Debussy's Prelude a l'Apres-midi d'un Faune and Jeux to the mountain villa where both this work and November Steps I were composed. For Oliver Knussen, "the final appearance of the main theme irresistibly prompts the thought that Takemitsu may, quite unconsciously, have been attempting a latter-day Japanese Apres-midi d'un Faune". Details of orchestration in Green, such as the prominent use of antique cymbals, and tremolandi harmonies in the strings, clearly point to the influence of Takemitsu's compositional mentor, and of these works in particular.  In Quotation of Dream (1991), direct quotations from Debussy's La Mer and Takemitsu's earlier works relating to the sea are incorporated into the musical flow ("stylistic jolts were not intended"), depicting the landscape outside the Japanese garden of his own music.

What works of Debussy did he particularly like?

For Takemitsu, Debussy's "greatest contribution was his unique orchestration which emphasizes colour, light and shadow

IN: Biffy Clyro are a Scottish rock band that formed in Kilmarnock, East Ayrshire, composed of Simon Neil (guitar, lead vocals), James Johnston (bass, vocals) and Ben Johnston (drums, vocals). Currently signed to 14th Floor Records, they have released seven studio albums, four of which (Puzzle, Only Revolutions, Opposites and Ellipsis) reached the top five in the UK Albums Chart, with their sixth studio album, Opposites claiming their first UK number-one album. After their first three albums, the band expanded their following significantly in 2007 with the release of their fourth, Puzzle, creating more mainstream songs with simpler rhythms and distancing themselves from the more unusual dissonant style that was present in their previous three albums. Puzzle peaked at number 2 on the official UK album charts on 16 June 2007.

On 2 and 3 July 2011 Biffy Clyro supported Foo Fighters in front of 130,000 fans (65,000 each night) at the Milton Keynes Bowl in the U.K. On Saturday 9 July 2011, Biffy Clyro headlined the main stage (Apollo Stage) at Sonisphere Festival at Knebworth House. The following day, they headlined the main stage (West Stage) at Wakestock in Cardigan Bay, North Wales. Biffy Clyro opened for Metallica in Bangalore, India in 2011.  The band revealed via the NME that they would release two studio albums in 2012, The Land at the End of Our Toes, and The Sand at the Core of Our Bones. From 17 May 2012, the band allowed fans to watch the recording process of The Land at the End of Our Toes and The Sand at the Core of Our Bones via a webcam link-up on their official website. [1] The live feed has confirmed the involvement of frequent Biffy Clyro producer Garth Richardson, who also produced Puzzle and Only Revolutions.  On 30 July 2012, the band announced on Twitter that a new track titled "Stingin' Belle" would be given its official premiere in the UK on Zane Lowe's Radio 1 show the following evening, and that the music video for the song would be available from 9pm for 12 hours to members of the band's official fan club. At 19:37 BST on Tuesday 31 July, Simon Neil confirmed on Zane Lowe's show on BBC Radio 1 that the new album title would be Opposites . Their new single titled Black Chandelier premiered on BBC Radio 1 on 19 November 2012. The band announced they would be playing a large arena tour through March/April 2013, including London's The O2 Arena, with City and Colour in support.  On Sunday 3 February 2013, Opposites topped the UK Albums Charts, giving Biffy Clyro their first number one album. The next day, it was announced on BBC Radio 1 by Zane Lowe that they were the second headliner for Reading & Leeds Festivals. Biffy Clyro also headlined the second day of the annual Radio 1 Big Weekend festival on 25 May 2013 in Derry, as well as the Cape Town and Johannesburg legs of RAMfest 2014.  It was reported on the NME website on 6 January 2014 that Biffy Clyro were to release an Opposites b-side compilation album, entitled Similarities, sometime later in the year. Being interviewed for the article, lead singer Simon Neil stated that the band had come up with "six or seven" riffs for new material, although he did point out that their next album would not be recorded until at least 2015.

Did they have any videos from this album?

OUT: