Some context: Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.
The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release" by Rotten Tomatoes, where it achieved a 93% positive review rating, based on reviews from 217 critics. The film received six Academy Award nominations, including Best Picture, Director (Clooney), and Actor (Strathairn).  Roger Ebert, in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless." Margaret Pomeranz and David Stratton from the ABC show At the Movies each gave the film five stars, making Good Night, and Good Luck the only other film besides Brokeback Mountain to receive such a score from the hosts in 2005. Both described the film as "beautiful" but also praised Clooney for the film's importance. Margaret commented that "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." David noted "Though [the film] is in black-and-white, there's nothing monochromatic about Clooney's passion for his subject or the importance of his message."  Jack Shafer, a libertarian-leaning columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow. Clooney's film gives the impression that Murrow brought down McCarthy single-handedly, while Shafer notes that in reality much of the mainstream media, many Democrats and some of McCarthy's Republican peers were condemning him before Murrow. Furthermore, Shafer writes, evidence obtained via the declassified Venona espionage program confirmed that many Soviet agents and sympathizers were in fact in positions of influence in the U.S. government, a disclosure the film entirely overlooks: "Clooney and company ignore the material that might argue against their simple-minded thesis about Murrow, the era, and the press to produce an after-school special".  One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.
in what year was reception filmed?
A: 
Some context: Pablo Emilio Escobar Gaviria was born on 1 December 1949, in Rionegro, in the Antioquia Department of Colombia. He was the third of seven children of Abel de Jesus Dari Escobar Echeverri (1910-2001), a farmer, and Hemilda de los Dolores Gaviria Berrio (d. 2006), an elementary school teacher. Raised in the nearby city of Medellin, Escobar is thought to have begun his criminal career as a teenager, allegedly stealing gravestones and sanding them down for resale to local smugglers. His brother, Roberto Escobar, denies this, instead claiming that the gravestones came from cemetery owners whose clients had stopped paying for site care, and that he had a relative who had a monuments business.
In The Accountant's Story, Roberto Escobar discusses the means by which Pablo rose from middle-class simplicity and obscurity to one of the world's wealthiest men. Beginning in 1975, Pablo started developing his cocaine operation, flying out planes several times, mainly between Colombia and Panama, along smuggling routes into the United States. When he later bought fifteen bigger airplanes, including a Learjet and six helicopters, according to his son, a dear friend of Pablo's died during the landing of an airplane, and the plane was destroyed. Pablo reconstructed the airplane from the scrap parts that were left and later hung it above the gate to his ranch at Hacienda Napoles.  In May 1976, Escobar and several of his men were arrested and found in possession of 39 pounds (18 kg) of white paste, attempting to return to Medellin with a heavy load from Ecuador. Initially, Pablo tried to bribe the Medellin judges who were forming a case against him, and was unsuccessful. After many months of legal wrangling, he ordered the murder of the two arresting officers, and the case was later dropped. Roberto Escobar details this as the point where Pablo began his pattern of dealing with the authorities, by either bribery or murder.  Roberto Escobar maintains Pablo fell into the drug business simply because other types of contraband became too dangerous to traffic. As there were no drug cartels then, and only a few drug barons, Pablo saw it as untapped territory he wished to make his own. In Peru, Pablo would buy the cocaine paste, which would then be refined in a laboratory in a two-story house in Medellin. On his first trip, Pablo bought a paltry 30 pounds (14 kg) of paste in what was noted as the first step towards building his empire. At first, he smuggled the cocaine in old plane tires, and a pilot could return as much as US $500,000 per flight, dependent on the quantity smuggled.
Did he have people working for him?
A:
In May 1976, Escobar and several of his men were arrested and found in possession of 39 pounds