input: 1978's More Songs About Buildings and Food brought about the band's long-term collaboration with producer Brian Eno, who had previously worked with Roxy Music, David Bowie, John Cale and Robert Fripp; the title of Eno's 1977 song "King's Lead Hat" is an anagram of the band's name. Eno's unusual style meshed well with the group's artistic sensibilities, and they began to explore an increasingly diverse range of musical directions, from post-punk to psychedelic funk to African music. This recording also established the band's long-term recording studio relationship with the famous Compass Point Studios in Nassau, Bahamas. More Songs... cover of Al Green's "Take Me to the River" broke Talking Heads into general public consciousness and gave the band their first Billboard Top 30 hit.  The Eno-Talking Heads experimentation continued with 1979's Fear of Music, which flirted with the darker stylings of post-punk rock, mixed with white funkadelia and subliminal references to the geopolitical instability of the late 1970s. Music journalist Simon Reynolds cited Fear of Music as representing the Eno-Talking Heads collaboration "at its most mutually fruitful and equitable". The single "Life During Wartime" produced the catchphrase "This ain't no party, this ain't no disco." The song refers to the Mudd Club and CBGB, two popular New York nightclubs of the time.  1980's Remain in Light was heavily influenced by the afrobeat of Nigerian bandleader Fela Kuti, whose music Eno had introduced to the band. It explored West African polyrhythms, weaving these together with Arabic music from North Africa, disco funk, and "found" voices. These combinations foreshadowed Byrne's later interest in world music. In order to perform these more complex arrangements, the band toured with an expanded group that included Adrian Belew and Bernie Worrell, among others, first at the Heatwave festival in August, and later in their concert film Stop Making Sense. During this period, Tina Weymouth and Chris Frantz also formed a commercially successful splinter group, Tom Tom Club, influenced by the foundational elements of hip hop, and Harrison released his first solo album, The Red and the Black. Likewise, Byrne--in collaboration with Eno--released My Life in the Bush of Ghosts, which incorporated world music and found sounds, as well as including a number of other prominent international and post-punk musicians. All were released by Sire.  Remain in Light's lead single, "Once in a Lifetime", became a Top 20 hit in the UK, but initially failed to make an impression upon its release in the band's own country. But it grew into a popular standard over the next few years on the strength of its music video, which was named one of Time magazine's All-TIME Best Music Videos.

Answer this question "Did the Talking Heads make any albums with ENo?"
output: in collaboration with Eno--released My Life in the Bush of Ghosts, which incorporated world music and found sounds,

input: The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.

Answer this question "How was the music in Carousel?"
output: A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album.

input: Hicks auditioned for American Idol in Las Vegas, Nevada, on October 10, 2005. Hicks passed the audition with the approval of judges Randy Jackson and Paula Abdul, but not Simon Cowell, who said that Hicks would never make it to the final round. On Hicks's first performance for the voting public, Cowell called back to this quote, admitting he was wrong.  On the May 10, 2006, results show, Hicks along with Katharine McPhee and Elliott Yamin, were announced as the Top 3 finalists. On May 12, Idol producers brought Hicks to Birmingham for a weekend of promotional events including television interviews for the local Fox affiliate, a downtown parade, concerts, and an audience with Governor Bob Riley. May 12 was proclaimed "Taylor Hicks Day" and Hicks was given the key to the city. Also on May 12, Gov. Riley issued a proclamation making May 16 "Taylor Hicks Day".  Hicks was named the new American Idol on May 24, 2006, winning the title over McPhee, with over 63.4 million votes cast in total. The proclamation was aired to a worldwide audience of 200 million television viewers. With his win at age 29, Hicks became the oldest contestant to win American Idol. He was also the first male contestant to win the competition without ever being in the bottom two or three, as well as the first Caucasian male winner.  In June 2006, Ford Motor Company, the show's major sponsor, signed Hicks to promote Ford's "Drive on Us" year-end sales event. He was also named Hottest Bachelor by People magazine for 2006, appearing on the magazine's cover.

Answer this question "Who did Taylor go up against in the Finals?"
output:
Katharine McPhee and Elliott Yamin,