input: According to a December 2009 New York Times article, Drew Pinsky, who was alarmed by tabloid portrayals of addiction as an indulgence of the rich and famous, and a group of independent producers, approached VH1 with a proposal for a reality television series which would authentically depict addiction, as a sort of media intervention. According to executive producer John Irwin, casting for the first season was the most difficult, as the representatives of the celebrities who had been arrested or had publicized bouts with addiction refused to speak with him and the other producers. The process became easier after the first season aired. Actor Tom Sizemore, for example, who was cast for Season 3, had been sought after since Season 1. Producers have reportedly offered actress Lindsay Lohan six figures to appear on the show. Pinsky, who focuses on the treatment side of the production, is not usually involved with casting, though he reportedly visited Rachel Uchitel personally in order to convince her to join the fourth-season cast.  A multitude of cameras are employed, which film twenty-four hours a day, seven days a week, during the 21-day treatment cycle. Because some dramatic incidents occur early in the morning when the camera crews are not present, automated cameras are mounted all over the clinic to capture them. The exception to this are the bathrooms, which nonetheless are equipped with microphones to monitor unusual sounds, such as patients attempting to use drugs. In addition to receiving the free treatment (which would normally be worth approximately US$50,000-60,000), the patients receive a salary for their appearance on the series, which is prorated, and distributed once a week as an incentive to stay. Celebrity Rehab spun off two other shows. The first spinoff is Sober House, which depicts Rehab alumni living for 30 days at a sober living facility, as an interim step for recovering addicts between the completion of rehab and their eventual return to their old life. The second spinoff is Sex Rehab with Dr. Drew, in which Pinsky and his staff treat celebrities for sexual addiction.  In May 2013, Pinsky announced that season six was the final season, citing the criticism leveled at him following the relapse and death of cast members, saying, "I'm tired of taking all the heat. It's very stressful and very intense for me. To have people questioning my motives and taking aim at me because people get sick and die because they have a life-threatening disease, and I take the blame? Rodney King has a heart attack and I take blame for that? It's just ridiculous." Pinsky insisted that his practices depicted on the show were the same ones he, Bob Forrest and Shelly Sprague engaged in for decades, with the sole difference being the presence of cameras. Despite his decision not to continue the series, Pinsky stated a number of people achieved sobriety due to Celebrity Rehab who would not have attained it without the show, and cites as the biggest success story Sizemore, who struggled with Pinsky's program for 10 years before finally achieving sobriety after being on the show.

Answer this question "what other shows?"
output: shows. The first spinoff is Sober House, which depicts Rehab alumni living for 30 days at a sober living facility,

input: Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood.  The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year.  In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc.,

Answer this question "What did Buffalo Springfield manage?"
output: 

input: Early in the 1962 season, Davis spoke with Oakland Raiders owner F. Wayne Valley about their head coaching job. However, Davis was not then interested. After the team's disastrous 1962 season, in which it lost its first 13 games before defeating a Boston Patriots team demoralized from having just been eliminated from playoff contention, Valley sought to replace head coach Red Conkright.  A number of names were rumored to be in contention for the Raiders head coaching job, from Green Bay Packers coach Vince Lombardi to Lou Agase, former coach of the Canadian Football League Toronto Argonauts. On January 1, 1963, Davis met with Valley and the other Raiders general partner, Ed McGah. According to witnesses present at the negotiations, Davis did not have a high opinion of Valley and McGah, indicating during their absence that they did not know the right questions to ask. They offered him a one-year contract as head coach. He declined, insisting on a multiyear deal as both head coach and general manager, with complete control over football operations. They settled on three years at a salary of $20,000 per annum. According to Davis biographer Ira Simmons, the date that Davis came to Oakland, January 18, 1963, "was probably one of the three or four most important dates in AFL history. Maybe NFL history too." Valley later stated, "we needed someone who wanted to win so badly, he would do anything. Everywhere I went, people told me what a son of a bitch Al Davis was, so I figured he must be doing something right."  The Raiders team had been a late addition to the original AFL in 1960; the franchise had been awarded when the owners of the AFL Minnesota team had been induced to join the NFL instead. While it inherited the departed Minnesota team's draft picks, it had little else. The franchise, originally nicknamed the Senors (changed to Raiders after columnists raised objections) was not established until the other AFL teams had had the opportunity to sign players and coaches, a handicap which contributed to it being the only team to post a losing record in each of the AFL's first three seasons. The University of California refused to let it play at Memorial Stadium in Berkeley, and no other facility in the East Bay was suitable even for temporary use, forcing it to play its first two seasons at Kezar Stadium and Candlestick Park, both located across the bay in San Francisco.  Valley and his group purchased the Raiders in 1961. Valley and his partners used the threat of leaving to induce city officials to construct Frank Youell Field, a temporary facility in downtown Oakland next to the Nimitz Freeway which held about 15,000 people, the use of which was shared with high schools. Planning for a larger stadium -- what became the Oakland Coliseum -- began, but there was no guarantee that it would ever be built.

Answer this question "where was he hired?"
output:
Simmons, the date that Davis came to Oakland, January 18, 1963, "was probably one of the three or four most important dates in AFL history. Maybe NFL history too.