Problem: Freddy Maertens (born 13 February 1952 in Nieuwpoort) is a Belgian former professional racing cyclist who was twice world road race champion. His career coincided with the best years of another Belgian rider, Eddy Merckx, and supporters and reporters were split over which was the better. Maertens' career swung between winning more than 50 races in a season to winning almost none and then back again. His life has been marked by debt and alcoholism.

Gilbert Maertens gave his son his first bike, which Freddy Maertens described as "a second-hand thing that he'd got from a beach business for a bargain." Not until he won a race on that would he get a better one. The author, Rik Van Walleghem, said: "The training school that Maertens went through with his father was hard. Horribly hard. Gilbert never lost sight of anything. He knew how much and how often his son trained, what he ate and drank, how much he slept, who he went around with. He imposed a merciless regime. And he had an eye open for the slightest thing that would obstruct his son's progress. He worried, for instance, that Freddy's male hormones would get the better of his son and drive him into the arms of bewitching young girl who'd put the slides under his mission. Women were the devil's work; it had been like that in the Garden of Eden and little had changed since."  Gilbert caught his son flirting with a girl and took revenge by cutting his racing bike in half. He intervened with the army, when his son was called for national service, to ask that he not be given an easier time because of his reputation.  Maertens' relationship with his father affected the rest of his life. He rode well only when he had a dominant figure behind him: first his father, then Briek Schotte and then Lomme Driessens. His wife described him as trusting and vulnerable, that he needed care because otherwise he would be "like a bird waiting for a cat."

How was Freddy's relationship with his father?

Answer with quotes: The training school that Maertens went through with his father was hard. Horribly hard.

Question:
Mary Chapin Carpenter (born February 21, 1958) is an American singer-songwriter. Carpenter spent several years singing in Washington, D.C. clubs before signing in the late 1980s with Columbia Records, who marketed her as a country singer. Carpenter's first album, 1987's Hometown Girl, did not produce any singles, although 1989's State of the Heart and 1990's Shooting Straight in the Dark each produced four Top 20 hits on the Billboard country singles charts. Carpenter's most successful album to date remains 1992's
Carpenter's first album, "Hometown Girl" was produced by John Jennings and was released in 1987. Though songs from Hometown Girl got play on public and college radio stations, it was not until Columbia began promoting Carpenter as a "country" artist that she found a wider audience. For a long time, Carpenter was ambivalent about this pigeonholing, saying she preferred the term "singer-songwriter" or "slash rocker" (as in country/folk/rock). She told Rolling Stone in 1991, "I've never approached music from a categorization process, so to be a casualty of it is real disconcerting to me".  Some music critics argue that Carpenter's style covers a range of influences even broader than those from "country" and "folk". Time critic Richard Corliss described the songs in her album A Place in the World as "reminiscent of early Beatles or rollicking Motown", and one reviewer of Time* Sex* Love* noted the "wash of Beach Boys-style harmonies ... backwards guitar loops" and use of a sitar on one track, all elements not commonly found on a country or folk album.  After 1989's State of the Heart, Carpenter released Shooting Straight in the Dark in 1990, which yielded her biggest single up to that point, the Grammy Award-winning "Down at the Twist and Shout". Two years later, Carpenter released the album that, to date, has been her biggest popular success, Come On Come On (1992). The album went quadruple platinum, remaining on the Country Top 100 list for more than 97 weeks, and eventually spawned seven charting singles. Come On Come On was also critically acclaimed; The New York Times's Karen Schoemer wrote that Carpenter had "risen through the country ranks without flash or bravado: no big hair, sequined gowns, teary performances.... Enriched with Ms. Carpenter's subtlety, Come On Come On grows stronger and prettier with every listen."  The songs of Come On Come On had the qualities that would come to identify her work: humorous, fast-paced country-rock songs with themes of perseverance, desire, and independence, alternating with slow, introspective ballads that speak to social or relational issues. "Passionate Kisses", a cover of fellow singer-songwriter Lucinda Williams's 1988 song, was the album's third single. Carpenter's version peaked on the U.S. Country chart at No. 4, and was the first of Carpenter's songs to cross over to mainstream pop and adult contemporary charts, charting at No. 57 on the Billboard Hot 100 and at No. 11 on Adult Contemporary.  The sixth single on Come On Come On, "He Thinks He'll Keep Her", was Carpenter's biggest hit off the album, charting at No. 2 on Billboard's Country chart and at No. 1 on Radio & Records's Country chart. Written by Carpenter and Don Schlitz, the fast-paced song follows a 36-year-old homemaker who leaves her husband, and was inspired by a 1970s series of Geritol commercials in which a man boasts of his wife's seemingly limitless energy and her many accomplishments, then concludes by saying, "My wife ... I think I'll keep her." Carpenter said, "That line has always stuck with me. It's just such a joke." The single received a Grammy nomination for Record of the Year.
Answer this question using a quote from the text above:

What is the name of Mary Chapin Carpenter's first record?

Answer:
Carpenter's first album, "Hometown Girl" was produced by John Jennings and was released in 1987.