Some context: Puckett was born in Chicago, Illinois, and raised in Robert Taylor Homes, a housing project on Chicago's South Side (the escape from which he frequently referred back to during his career). He attended and played baseball for Calumet High School (Chicago). After receiving no scholarship offers following graduation, Puckett at first went to work on an assembly line for Ford Motor Company. However, he was given a chance to attend Bradley University and after one year transferred to Triton College.
In 1991, the Twins got back on the winning track and Puckett led the way by batting .319, eighth in the league and Minnesota surged past Oakland midseason to capture the division title. The Twins then beat the Toronto Blue Jays in five games in the American League Championship Series as Puckett batted .429 with two home runs and five RBI to win the ALCS MVP.  The subsequent 1991 World Series was ranked by ESPN to be the best ever played, with four games decided on the final pitch and three games going into extra innings. The Twins and their opponent, the Atlanta Braves, had each finished last in their respective divisions in the year before winning their league pennant, something that had never happened before.  Going into Game 6, the Twins trailed three games to two with each team winning their respective home games. Puckett gave the Twins an early lead by driving in Chuck Knoblauch with a triple in the first inning. Puckett then made a leaping catch in front of the Plexiglass wall in left field to rob Ron Gant of an extra-base hit in the third. The game went into extra innings, and in the first at-bat of the bottom of the 11th, Puckett hit a dramatic game-winning home run on a 2-1 count off of Charlie Leibrandt to send the Series to Game 7. This dramatic game has been widely remembered as the high point in Puckett's career. The images of Puckett rounding the bases, arms raised in triumph (often punctuated by CBS television broadcaster Jack Buck saying "And we'll see you tomorrow night!"), are always included in video highlights of his career. After Game 6, the Twins replaced the blue seat back and bottom where the walk off home run ball was caught with a gold colored set. Both of these sets remain in the Twins' archives. The original home run seat armrests and hardware, as well as the replacement blue seat back and bottom, are now in a private collection of Puckett memorabilia in Minnesota after the Metrodome was torn down. The Twins then went on to win Game 7 1-0, with Jack Morris throwing a 10-inning complete game, and claimed their second World Series crown in five years.  However, the Twins did not make it back to the postseason during the rest of Puckett's career, although Puckett continued to play well. In 1994, Puckett was switched to right field and won his first league RBI title by driving in 112 runs. He was having another brilliant season in 1995 before having his jaw broken by a Dennis Martinez fastball on September 28.
Who did Kirby Puckett play for?
A: the Twins
Some context: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.
Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.
Was Rameau successful as a master of the French school?
A:
Rameau's three collections appeared in 1706, 1724 and 1726 or 1727,