input: Unlike Lully, who collaborated with Philippe Quinault on almost all his operas, Rameau rarely worked with the same librettist twice. He was highly demanding and bad-tempered, unable to maintain longstanding partnerships with his librettists, with the exception of Louis de Cahusac, who collaborated with him on several operas, including Les fetes de l'Hymen et de l'Amour (1747), Zais (1748), Nais (1749), Zoroastre (1749; revised 1756), La naissance d'Osiris (1754), and Anacreon (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, Les Boreades (c. 1763).  Many Rameau specialists have regretted that the collaboration with Houdar de la Motte never took place, and that the Samson project with Voltaire came to nothing because the librettists Rameau did work with were second-rate. He made his acquaintance of most of them at La Poupliniere's salon, at the Societe du Caveau, or at the house of the Comte de Livry, all meeting places for leading cultural figures of the day.  Not one of his librettists managed to produce a libretto on the same artistic level as Rameau's music: the plots were often overly complex or unconvincing. But this was standard for the genre, and is probably part of its charm. The versification, too, was mediocre, and Rameau often had to have the libretto modified and rewrite the music after the premiere because of the ensuing criticism. This is why we have two versions of Castor et Pollux (1737 and 1754) and three of Dardanus (1739, 1744, and 1760).

Answer this question "What opera's did they work on together?"
output: Les fetes de l'Hymen et de l'Amour

input: A rough cut of the film was previewed on 15 July 2006 at the Galway Film Fleadh, but the film was subsequently turned down by several prestigious European film festivals. However, once finished, it secured spots at the 2007 Sundance Film Festival on 20 January 2007 and the Dublin Film Festival in February 2007, and received the audience awards at both events.  The film was first released on cinema in Ireland on 23 March 2007, followed by a limited release in the United States on 16 May 2007. After its second weekend in release in the United States and Canada, the film topped the 23 May 2007 indieWIRE box office chart with nearly $31,000 average per location. As of 28 March 2009, Once has grossed nearly $9.5 million in North America and over $20 million worldwide. After 2007's box office success and critical acclaim, it won the Independent Spirit Award for Best Foreign Film. Steven Spielberg was quoted as saying "A little movie called Once gave me enough inspiration to last the rest of the year". When informed of Spielberg's comments, director John Carney told Sky News, "in the end of the day, he's just a guy with a beard". At the time of this interview, Carney himself was also wearing a beard.  The song "Falling Slowly" won the 2007 Academy Award for Best Original Song. The nomination's eligibility for the Oscar was initially questioned, as versions of the song had been released on The Cost and The Swell Season albums, but this was resolved before the voting for the award took place. The AMPAS music committee satisfied themselves that the song had indeed been written for the film and determined that, in the course of the film's protracted production, the composers had "played the song in some venues that were deemed inconsequential enough to not change the song's eligibility".

Answer this question "What is the song?"
output: The song "Falling Slowly"

input: In 1887, James W. Bryan vacated his seat in the Kentucky Senate to pursue the office of lieutenant governor. Goebel decided to seek election to the vacant seat representing the Covington area. His platform of railroad regulation and championing labor causes, combined with the influence of Stevenson, his former partner, should have given Goebel an easy victory, but this was not to be. A third political party, the Union Labor party, had risen to power in the area with a platform similar to Goebel's. However, while Goebel had to stick close to his allies in the Democratic party, the Union Labor party courted the votes of both Democrats and Republicans, and made the election close - decided in Goebel's favor by a mere fifty-six votes.  With only the two years remaining in former senator Bryan's term to distinguish himself before a re-election bid, Goebel took aim at a large and popular target: the Louisville and Nashville Railroad. A proposal from pro-railroad legislators in the Kentucky House of Representatives to abolish Kentucky's Railroad Commission was passed and sent to the Senate. Senator Cassius M. Clay responded by proposing a committee to investigate lobbying by the railroad industry. Goebel served on the committee, which uncovered significant violations by the railroad lobby. Goebel also helped defeat the bill to abolish the Railroad Commission in the Senate. These actions made him a hero in his district. He ran for a full term as senator unopposed in 1889, and won another term in 1893 by a three-to-one margin over his Republican opponent.  In 1890, Goebel was a delegate to Kentucky's fourth constitutional convention, which produced the current Kentucky Constitution. Despite the high honor of being chosen as a delegate, Goebel showed little interest in participating in the process of creating a new constitution. The convention was in session for 250 days; Goebel was present for just 100 of them. He did, however, successfully secure the inclusion of the Railroad Commission in the new constitution. As a constitutional entity, the Commission could only be abolished by an amendment ratified by popular vote. This would effectively protect the Commission from ever being unilaterally dismantled by the General Assembly.

Answer this question "What year did this take place?"
output:
In 1887, James W. Bryan vacated his seat in the Kentucky Senate