input: In one of his last letters to Freud, Ernest Jones wrote that 'You probably know you have the reputation of not being the easiest author to translate'. Certainly when translation into English first began, 'the earliest versions were not always felicitous ... casual and at times fearfully inaccurate'. With the coming of the Stracheys, however, 'translations began to improve: in 1924 and 1925, a small English team brought out Freud's Collected Papers, in four volumes' which have been described as 'the most vigorous translations into English' of all time.  Nevertheless, the 24 volume Standard Edition remains Strachey's crowning glory. 'It is a heroic enterprise. Where necessary, it offers variorum texts; it wrestles with intractable material ... and it introduces each work, even the slightest paper, with indispensable bibliographical and historical information'.  The most 'obvious flaw in this translation was the substitution of esoteric neologisms for the plain German terms Freud preferred', so that for example his "I" and his "It" become the Ego and the Id. Lacan took particular exception to "the translation of instinct for Trieb [drive] ... thus basing the whole edition on a complete misunderstanding since Trieb and instinct have nothing in common". Bruno Bettelheim went still further, arguing that "anyone who reads Freud only in Strachey's English translation cannot understand Freud's concern with man's soul".  While accepting that "Strachey's translation was also an act of interpretation and it has not been hard to find spots where he went astray", the fact remains that "Freud was delighted with the work Strachey succeeded in doing"; whilst even into the twenty-first century "the German editions have relied on Strachey's editorial apparatus, which should be a testimony to what he accomplished".

Answer this question "Why was the flaw important?"
output: thus basing the whole edition on a complete misunderstanding since Trieb and instinct have nothing in common".

input: In 1982, Titas (at that time "Titas do Ie-Ie") made their first live presentation. They recorded several tapes and sent them to recording labels until they signed up with Warner Music label. In 1984, Titas released their first album, Titas, and Nando played the bass guitar in some tracks although initially he was supposed to be a backing vocalist only. In the late 1980s, Titas caught a plane to London, for their first international show. On June 19, 1989, his mother Cecilia died of cancer.  In the early 1990s, he started producing his first albums, with artists like Marisa Monte and Cassia Eller. In 1995, he recorded his first solo album, 12 de Janeiro. In 2000, Titas changed to Abril Music, and after recording As Dez Mais in Seattle, Nando released his second solo album, Para Quando o Arco-Iris Encontrar o Pote de Ouro, with some special participations like Cassia Eller, Rogerio Fausino (from Jota Quest) and Peter Buck (from R.E.M.).  On June 13, 2001, Titas' guitarist Marcelo Fromer died after being rammed by a motorcycle (see Marcelo Fromer's Death). On December 29, he lost another friend: Cassia Eller. In 2002, he released Infernal, his third solo work. He then decided to leave Titas on September 9, 2002, partially due to the impact of both friends' deaths caused in his life, but mainly due to a "thought incompatibility". In a later interview, he said that he left the group also due to his will to give more attention to his solo works. He even proposed that the band stopped for one year after the album release. He also said that his isolation as a composer grew more evident in more recent albums, with more and more songs being composed just by him. Nowadays, Reis and Titas are in good terms.  Still in 2002, he produced and guest performed in Eller's Acustico MTV album, which was later nominated for 2002 Latin Grammy Award for Best Brazilian Rock Album; and won it.

Answer this question "Why did they change the name?"
output: after recording As Dez Mais in Seattle, Nando released his second solo album, Para Quando o Arco-Iris Encontrar o Pote de Ouro,

input: In 2001, Yes released their nineteenth studio album Magnification. Recorded without a keyboardist, the album features a 60-piece orchestra conducted by Larry Groupe; the first time the band used an orchestra since Time and a Word in 1970. The record was not a chart success; it peaked at number 71 in the UK and number 186 in the US. The Yes Symphonic Tour ran from July to December 2001 and had the band performing on stage with an orchestra and American keyboardist Tom Brislin. Their two shows in Amsterdam were recorded for their 2002 DVD and 2009 CD release Symphonic Live. The band invited Wakeman to play with them for the filming, but he was on a solo tour at the time.  Following Wakeman's announcement of his return in April 2002, Yes embarked on their Full Circle Tour in 2002-2003 that included their first performances in Australia since 1973. The triple compilation album The Ultimate Yes: 35th Anniversary Collection was released in July 2003, reaching number 10 in the UK charts, their highest-charting album since 1991, and number 131 in the US. On 26 January 2004, the film Yesspeak premiered in a number of select theatres, followed by a closed-circuit live acoustic performance of the group that was released as Yes Acoustic: Guaranteed No Hiss later on. A 35th anniversary tour followed in 2004 which was documented on the live DVD Songs from Tsongas.  In 2004, Squire, Howe, and White reunited for one night only with former members Trevor Horn, Trevor Rabin and Geoff Downes during a show celebrating Horn's career, performing three Yes songs. The show video was released in DVD in 2008 under the name Trevor Horn and Friends: Slaves to the Rhythm.  On 18 March 2003 minor planet (7707) Yes was named in honour of the band.

Answer this question "What came after the Full CIrcle tour?"
output:
A 35th anniversary tour followed in 2004