Background: Thomas Stearns Eliot,  (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
Context: The depiction of Jews in some of Eliot's poems has led several critics to accuse him of anti-Semitism. This case has been presented most forcefully in a study by Anthony Julius: T. S. Eliot, Anti-Semitism, and Literary Form (1996). In "Gerontion", Eliot writes, in the voice of the poem's elderly narrator, "And the jew squats on the window sill, the owner [of my building] / Spawned in some estaminet of Antwerp." Another well-known example appears in the poem, "Burbank with a Baedeker: Bleistein with a Cigar". In this poem, Eliot wrote, "The rats are underneath the piles. / The jew is underneath the lot. / Money in furs." Interpreting the line as an indirect comparison of Jews to rats, Julius writes, "The anti-Semitism is unmistakable. It reaches out like a clear signal to the reader." Julius's viewpoint has been supported by literary critics such as Harold Bloom, Christopher Ricks, George Steiner, Tom Paulin and James Fenton.  In a series of lectures delivered at the University of Virginia in 1933, published under the title After Strange Gods: A Primer of Modern Heresy (1934), Eliot wrote of societal tradition and coherence, "What is still more important [than cultural homogeneity] is unity of religious background, and reasons of race and religion combine to make any large number of free-thinking Jews undesirable." Eliot never re-published this book/lecture. In his 1934 pageant play The Rock, Eliot distances himself from Fascist movements of the Thirties by caricaturing Oswald Mosley's Blackshirts, who 'firmly refuse/ To descend to palaver with anthropoid Jews'. The 'new evangels' of totalitarianism are presented as antithetic to the spirit of Christianity.  Craig Raine, in his books In Defence of T. S. Eliot (2001) and T. S. Eliot (2006), sought to defend Eliot from the charge of anti-Semitism. Reviewing the 2006 book, Paul Dean stated that he was not convinced by Raine's argument. Nevertheless, he concluded, "Ultimately, as both Raine and, to do him justice, Julius insist, however much Eliot may have been compromised as a person, as we all are in our several ways, his greatness as a poet remains." In another review of Raine's 2006 book, the literary critic Terry Eagleton also questioned the validity of Raine's defence of Eliot's character flaws as well as the entire basis for Raine's book, writing, "Why do critics feel a need to defend the authors they write on, like doting parents deaf to all criticism of their obnoxious children? Eliot's well-earned reputation [as a poet] is established beyond all doubt, and making him out to be as unflawed as the Archangel Gabriel does him no favours."
Question: What did he write that caused him to be accused?
Answer: In "Gerontion", Eliot writes, in the voice of the poem's elderly narrator, "And the jew squats on the window sill,

Background: The Spice Girls are an English pop girl group formed in 1994. The group originally consisted of Melanie Brown ("Scary Spice"), Melanie Chisholm ("Sporty Spice"), Emma Bunton ("Baby Spice"), Geri Halliwell ("Ginger Spice"), and Victoria Beckham, nee Adams ("Posh Spice"). They were signed to Virgin Records and released their debut single "Wannabe" in 1996, which hit number one in 37 countries and established them as a global phenomenon. Their debut album Spice sold more than 31 million copies worldwide, becoming the best-selling album by a female group in history.
Context: The Spice Girls have been revered as the biggest pop phenomenon of the 1990s due to their international record sales, iconic symbolism and "omnipresence" in the late 1990s.  At the 2000 Brit Awards, the group received the Outstanding Contribution to Music award to mark their dominance of the global music scene in the 1990s. The iconic symbolism of the Spice Girls in the 1990s is partly attributed to their era-defining outfits, the most notable being the Union Jack dress that Geri Halliwell wore at the 1997 Brit Awards. The dress has achieved iconic status, becoming one of the most prominent symbols of 1990s pop culture. The status of the Spice Girls as 1990s pop icons is also attributed to their vast merchandising and willingness to be a part of a media-driven world. Their unprecedented appearances in adverts and the media solidified the group as a phenomenon--an icon of the decade and for British music.  Some sources, especially those in the United Kingdom, revere the Spice Girls as gay icons. In a UK survey of more than 5,000 gay men and women, Victoria Beckham placed 12th and Halliwell placed 43rd in a ranking of the Top 50 gay icons of all time. Halliwell was also the recipient of the Honorary Gay Award at the 2016 Attitude Awards. In a 2005 interview, Emma Bunton attributed their large gay fan base to the group's fun-loving nature, open-mindedness, and their love of fashion and dressing up, concluding that: "I'm so flattered that we've got such a huge gay following, it's amazing."  In 1999, a study conducted by the British Council found that the Spice Girls were the second-best-known Britons internationally--only behind then-Prime Minister Tony Blair--and the best-known Britons in Asia. In 2006, ten years after the release of their debut single, the Spice Girls were voted the biggest cultural icons of the 1990s with 80 percent of the votes in a UK poll of 1,000 people carried out for the board game Trivial Pursuit, stating that "Girl Power" defined the decade. The Spice Girls also ranked number ten in the E! TV special, The 101 Reasons the '90s Ruled.
Question: Who conducted the study?
Answer:
votes in a UK poll of 1,000 people carried out for the board game Trivial Pursuit, stating that "Girl Power" defined the decade.