input: The success of the various productions of Journey's End brought Whale to the attention of movie producers. Coming at a time when motion pictures were making the transition from silent to talking, producers were interested in hiring actors and directors with experience with dialogue. Whale traveled to Hollywood in 1929 and signed a contract with Paramount Pictures. He was assigned as "dialogue director" for a film called The Love Doctor (1929). He completed work on the film in 15 days and his contract was allowed to expire. It was at around this time that he met David Lewis.  Whale was hired by independent film producer and aviation pioneer Howard Hughes, who planned to turn the previously silent Hughes production Hell's Angels (1930) into a talkie. Whale directed the dialogue sequences. When his work for Hughes was completed, he headed to Chicago to direct another production of Journey's End.  Having purchased the film rights to Journey's End, British producers Michael Balcon and Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film. The two partnered with a small American studio, Tiffany-Stahl, to shoot it in New York. Colin Clive reprised his role as Stanhope, and David Manners was cast as Raleigh. Filming got underway on 6 December 1929 and wrapped on 22 January 1930. Journey's End was released in Great Britain on 14 April and in the United States on 15 April. On both sides of the Atlantic the film was a tremendous critical and commercial success.

Answer this question "What location was this movie filmed in?"
output: New York.

input: Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyonce's unique rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."  Beyonce's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyonce's exploration of 1990s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyonce recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyonce was coached phonetically by American record producer Rudy Perez.  She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay-Z, she transitioned to more man-tending anthems such as "Cater 2 U". Beyonce has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.  In 2001, she became the first black woman and second female lyricist to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyonce was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American lyricist Diane Warren at third with nine song-writing credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyonce at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list, along with Alicia Keys and Taylor Swift.

Answer this question "what else does she say about her voice?"
output: Her vocal abilities mean she is identified as the centerpiece of Destiny's Child.

input: When Pendulum was formed, their musical style was considerably more drum and bass sounding than the work they were known for later in their career. Signature tunes such as "Masochist", "Vault", "Back 2 You" and "Voyager", which were released on labels such as Uprising Records, 31 Records, Renegade Hardware and Low Profile Records, have a darker, more amelodic air to them which is substantially absent from their later productions. The band's newer work is regarded as generally leaning heavily towards a mainstream, dance-driven sound. Early work such as "Another Planet" seems to indicate an early affinity with a more global sound, similar to other Breakbeat Kaos artists such as DJ Fresh and Adam F.  The group has produced various remixes of other artists also; one of the best-known being the remix of "Voodoo People", originally by The Prodigy. In 2008-2010, they covered/remixed songs including Led Zeppelin's "Immigrant Song", Linkin Park's "The Catalyst", Calvin Harris's "I'm Not Alone", Coldplay's "Violet Hill", and Metallica's "Master of Puppets". Pendulum's versions of "I'm Not Alone" and "Master Of Puppets" both exist as studio recordings but have not been officially released, and are only previewed during DJ sets. The original live version of "Master of Puppets" was played as an instrumental introduction for "Slam", and was featured on their first live album/DVD. During their American tour as the supporting band for Linkin Park, the song was played in its entirety, with Rob doing vocals. Pendulum have also remixed their own music and, on occasion, television theme songs, such as Australian television's "ABC News Theme" in May 2010. The remix proved to be immensely popular with listeners of Australian youth radio station Triple J, polling at number 11 in the 2010 Triple J Hottest 100 countdown.  Pendulum's musical style consisted of a fusion of drum and bass (along with other electronic genres), alternative rock and heavy metal, with the inclusion of acoustic instruments. This creates a sound reminiscent of electronic rock, albeit with much more prominent drum and bass and, more recently, dubstep influences. Some songs, such as "Slam", "Propane Nightmares" and "Witchcraft" are synth-led, whilst others, such as "Showdown", "The Tempest" and "Comprachicos", are guitar-led. Bassist Gareth McGrillen stated in an interview on Channel 4 that they use 13 computers during the live performances, all of which are mixing the sounds produced by the instruments in real time. Rob Swire stated in issues of TJECK magazine and Rock Sound magazine that he would like to begin producing songs with a punk style to them, which Gareth clarified to mean "A raw, aggressive, less polished method of producing". Pendulum were known to be fans of progressive rock and progressive metal bands, which may have inspired them to fuse multiple genres of music together, which is standard practice in those genres.

Answer this question "What country is Pendulum from?"
output: