IN: Joy Division were an English post-punk band formed in 1976 in Salford, Greater Manchester. Originally named Warsaw, the band consisted of singer-songwriter Ian Curtis, guitarist and keyboardist Bernard Sumner, bass player Peter Hook and drummer Stephen Morris. The band was formed by Sumner and Hook after attending a 4 June 1976 Sex Pistols concert at the Lesser Free Trade Hall in Manchester. While Joy Division's early recordings were heavily influenced by early punk, they evolved a unique sound, aided by producer Martin Hannett, which earned their reputation as pioneers of the post-punk movement.

Despite their short career, Joy Division have exerted a wide-reaching influence. John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by [...] emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s."  Joy Division have influenced bands as diverse as contemporaries U2 and the Cure to artists such as Radiohead, Nine Inch Nails, Neurosis, Interpol, Bloc Party, the Editors and rap artists. Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition", whose title was partially inspired by the 1970 J. G. Ballard collection of condensed novels of the same name. In 2005, both New Order and Joy Division were inducted into the UK Music Hall of Fame.  The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre. While the term "gothic" originally described a "doomy atmosphere" in music of the late 1970s, the term was soon applied to specific bands like Bauhaus that followed in the wake of Joy Division and Siouxsie and the Banshees. Standard musical fixtures of early gothic rock bands included "high-pitched post-Joy Division basslines usurp[ing] the melodic role" and "vocals that were either near operatic and Teutonic or deep, droning alloys of Jim Morrison and Ian Curtis."  Joy Division have been dramatised in two biopics. 24 Hour Party People (2002) is a fictionalised account of the rise and fall of Factory Records in which members of the band served as supporting characters. Tony Wilson said of the film, "It's all true, it's all not true. It's not a fucking documentary", and that he favoured the "myth" over the truth. The 2007 film Control, directed by Anton Corbijn, is a biography of Ian Curtis (portrayed by Sam Riley) that uses Deborah Curtis's biography of her late husband, Touching from a Distance (1995), as its basis. Control had its international premiere on the opening night of Director's Fortnight at the 2007 Cannes Film Festival, where it was critically well received. That year Grant Gee directed the band documentary Joy Division.

is there one main legacy here?

OUT: Joy Division have influenced bands as diverse as contemporaries U2 and the Cure

input: In October 1998, three former members of the Dead Kennedys sued Biafra for nonpayment of royalties. The other members of Dead Kennedys alleged that after Biafra, in his capacity as the head of Alternative Tentacles records, discovered an accounting error amounting to some $75,000 in unpaid royalties over almost a decade. Rather than informing his bandmates of this mistake, the suit alleged, Biafra knowingly concealed the information until a whistleblower employee at the record label notified the band.  According to Biafra, the suit resulted from his refusal to allow one of the band's most well-known singles, "Holiday in Cambodia", to be used in a commercial for Levi's Dockers; Biafra opposes Levi's because of his claim that they use unfair business practices and sweatshop labor. Biafra maintained that he had never denied them royalties, and that he himself had not even received royalties for re-releases of their albums or "posthumous" live albums which had been licensed to other labels by the Decay Music partnership. Decay Music denied this charge and have posted what they say are his cashed royalty checks, written to his legal name of Eric Boucher. Biafra also complained about the songwriting credits in new reissues and archival live albums of songs, alleging that he was the sole composer of songs that were wrongly credited to the entire band.  In May 2000, a jury found Biafra and Alternative Tentacles "guilty of malice, oppression and fraud" by not promptly informing his former bandmates of the accounting error and instead withholding the information during subsequent discussions and contractual negotiations. Biafra was ordered to pay $200,000, including $20,000 in punitive damages. After an appeal by Biafra's lawyers, in June 2003, the California Court of Appeal unanimously upheld all the conditions of the 2000 verdict against Biafra and Alternative Tentacles. Furthermore, the plaintiffs were awarded the rights to most of Dead Kennedys recorded works -- which accounted for about half the sales for Alternative Tentacles. Now in control of the Dead Kennedys name, Biafra's former bandmates went on tour with a new lead vocalist.

Answer this question "what happened after the lawsuit?"
output:
Biafra's former bandmates went on tour with a new lead vocalist.