Background: David Monroe Shoup (30 December 1904 - 13 January 1983) was a decorated general of the United States Marine Corps who was awarded the Medal of Honor in World War II, became the 22nd Commandant of the Marine Corps, and, after retiring, became one of the most prominent critics of the Vietnam War. Born in Indiana to an impoverished family, Shoup joined the military for financial reasons. Rising through the ranks in the interwar era, he was twice deployed to China during the Chinese Civil War. He served in Iceland at the beginning of U.S. involvement in World War II, and as a staff officer during the Pacific War.
Context: David Monroe Shoup was born on 30 December 1904 in Battle Ground, Indiana. His family lived on a farm in Ash Grove, but moved to Covington to live on a new farm in 1916. At age 12 he was enrolled in Covington High School, a competitive high school with an advanced curriculum. Shoup was an excellent student, maintaining high marks in French, English, physics, and history. Additionally, he was involved in several extracurricular activities, including basketball, and was class president in his senior year. He graduated in 1921. He later affectionately referred to his impoverished upbringing as that of an "Indiana plowboy." Regarded by friends as very sociable, he met Zola De Haven in his freshman year and later said he had been instantly attracted to her. They were both very competitive in academics and athletics, and the two dated throughout high school; they were married in 1931.  After high school, Shoup attended DePauw University where he was one of 100 awarded the Edward Rector Scholarship, giving him full tuition. Majoring in mathematics, he joined the Delta Upsilon fraternity and maintained high marks, narrowly failing the selection criteria for Phi Beta Kappa Society. He was on the track and field and rifle teams, and also competed in the wrestling and football teams. He won the Indiana and Kentucky Amateur Athletic Union marathon in 1925. He waited tables, washed dishes and worked in a cement factory to help pay his expenses. Lack of funds compelled him to take a year off after his junior year to teach school, and his expenses were further strained when he contracted a severe case of pneumonia and incurred hospital bills. He opted to enroll in the Reserve Officers Training Corps (ROTC) to offset his living expenses, and later recalled that this was the only reason he joined the military. He graduated from DePauw in 1926.  From an early age, Shoup was molded by the progressive ideas of Indiana politicians, sympathizing with rural progressives fighting against the interests of big businesses. He developed an anti-imperialist attitude, and his skepticism about American foreign policy, influenced by his small-town background, made him an outspoken opponent of the unnecessary use of military force. He felt the use of troops for economic or imperialist consideration was wrong, a viewpoint he would carry for his entire career.
Question: What did he do after graduation?
Answer: He developed an anti-imperialist attitude, and his skepticism about American foreign policy, influenced by his small-town background, made him an outspoken opponent of the unnecessary use of military force.

Background: William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products. Young Hogarth also took a lively interest in the street life of the metropolis and the London fairs, and amused himself by sketching the characters he saw. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St John's Gate, was imprisoned for debt in Fleet Prison for five years.
Context: In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease.  The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK.  When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist.
Question: And what was Rake's Progresses?
Answer: The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress.

Background: Miranda was born in New York City and raised in the neighborhood of Inwood, the son of Luz Towns, a clinical psychologist, and Luis A. Miranda, Jr., a Democratic Party consultant who advised New York City mayor Ed Koch. Miranda has one older sister, Luz, who is the Chief Financial Officer of the MirRam Group. During childhood and his teens, he spent at least one month each year with his grandparents in Vega Alta, Puerto Rico. He is of mostly Puerto Rican descent.
Context: Miranda co-wrote the music and lyrics for Bring It On: The Musical with Tom Kitt and Amanda Green. Bring It On premiered at the Alliance Theatre in Atlanta, Georgia in January 2011. The musical began a US national tour on October 30, 2011 in Los Angeles, California. It then played a limited engagement on Broadway at the St. James Theatre, beginning previews on July 12, and officially opening on August 1, 2012. It closed on December 30, 2012. It was nominated for Tony Awards in the categories of Best Musical and Best Choreography.  In 2011, Miranda appeared on the TV series Modern Family in the episode "Good Cop Bad Dog". He appeared as Charley in an Encores! staged concert of Merrily We Roll Along at New York City Center in February 2012. Later that year, he appeared in a small role in The Odd Life of Timothy Green as Reggie and played the recurring role Ruben Marcado on the 2013 NBC drama Do No Harm.  In 2013, Miranda appeared in the episode "Bedtime Stories" (Season 9, Episode 11) on the CBS sitcom How I Met Your Mother. Later that year, he submitted a six-song demo package to Walt Disney Animation Studios; in spring 2014, the studio hired him to help write the songs for its 2016 animated feature film, Moana. In 2014, he performed with comedy duo The Skivvies, and participated in This American Life at the Brooklyn Academy of Music on June 7, 2014 and broadcast on the radio on June 20, 2014, writing the music and lyrics for, and playing The Narrator in, the one-act 21 Chump Street: The Musical. Also in 2014, Miranda appeared in the Encores! revival of Tick, Tick... Boom! under the artistic direction of Jeanine Tesori. The show was directed by Oliver Butler. Miranda won a 2014 Emmy Award for co-composing (with Tom Kitt) the song "Bigger!", the opening number at the 67th Tony Awards in 2013.
Question: what was her greatest accomplishment?
Answer:
in spring 2014, the studio hired him to help write the songs for its 2016 animated feature film, Moana.