IN: Fisk was born in Bellows Falls, Vermont, but according to Fisk, that was only because Vermont had the nearest hospital to his hometown, Charlestown, New Hampshire. He grew up in Charlestown, across the Connecticut River from Bellows Falls, and attended Charlestown High School, where he played baseball and basketball. Because his family is from New Hampshire, he insisted that the organization remove from his plaque in the Red Sox Hall of Fame its characterization of him as a Vermont native. Fisk earned his longtime nickname, "Pudge", because he was a chubby youngster.

On June 13, 2005, the Red Sox honored Carlton Fisk and the 12th-inning home run that won Game 6 of the 1975 World Series by naming the left field foul pole, which the famous home run contacted, the Fisk Foul Pole. In a pregame ceremony from the Monster Seats, Fisk was cheered by the Fenway Park crowd while the shot was replayed to the strains of Handel's Hallelujah Chorus, the song longtime Fenway Park organist John Kiley originally played following the home run. The Red Sox scheduled the ceremony to coincide with an interleague series against the Cincinnati Reds, who were making their first trip back to Fenway Park since the '75 Series.  Thirty years later, the video of Fisk trying to wave the ball fair remains one of the game's enduring images. Game 6 is often considered one of the best games played in Major League history. The crowd remembered that magical moment at precisely 12:34 a.m. ET early on the morning of October 22, 1975, when Fisk drove a 1-0 fastball from Cincinnati right-hander Pat Darcy high into the air, heading down the left-field line. "The ball only took about two and half seconds", recalled Fisk. "It seemed like I was jumping and waving for more than two and a half seconds." Two and a half seconds later, the ball caromed off the bright yellow pole, ending one of the most dramatic World Series games ever played and giving the Red Sox a 7-6 win over the Reds in 12 hard-fought innings.  On the field, Fisk threw out the ceremonial first pitch to his former batterymate Luis Tiant. From now on, like the Pesky Pole down the right-field line, the left-field pole will officially be called the Fisk Foul Pole. The idea was the inspiration of the countless fans who contacted the Red Sox about recognizing the historic moment. Fenway's right field foul pole, which is just 302 feet from the plate, is named Pesky's Pole, for former Red Sox shortstop Johnny Pesky. Mel Parnell named the pole after Pesky in 1948 when he won a game with a home run just inside the right field pole.

What happened after that?

OUT: Fenway's right field foul pole, which is just 302 feet from the plate, is named


IN: New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. New Order were formed in the demise of their previous post-punk band Joy Division, following the suicide of vocalist Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. Their integration of post-punk with electronic and dance music made them one of the most critically acclaimed and influential bands of the 1980s.

The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place". These two songs were written in the weeks before Curtis took his own life. With the release of Movement in November 1981, New Order initially started on a similar route as their previous incarnation, performing dark, melodic songs, albeit with an increased use of synthesisers. The band viewed the period as a low point, as they were still reeling from Curtis' death. Hook commented that the only positive thing to come out of the Movement sessions was that producer Martin Hannett had showed the band how to use a mixing board, which allowed them to produce records by themselves from then on. More recently, Hook indicated a change of heart: "I think Movement gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record."  New Order visited New York City again in 1981, where the band were introduced to post-disco, freestyle and electro. The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming. The singles that followed, "Everything's Gone Green" and "Temptation", saw a change in direction toward dance music.  The Hacienda, Factory Records' own nightclub (largely funded by New Order) opened in May 1982 in Manchester and was even issued a Factory catalogue number: FAC51. The opening of UK's first ever superclub was marked by a nearly 23-minute instrumental piece originally entitled "Prime 5 8 6", but released 15 years later as "Video 5 8 6". Composed primarily by Sumner and Morris, "Prime 5 8 6"/"Video 5 8 6" was an early version of "5 8 6" that contained rhythm elements that would later surface on "Blue Monday" and "Ultraviolence".

Was the album successful?

OUT: gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record."


IN: Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz pianist/electric keyboardist and composer. His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.

In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers.

Did he duet with anyone else?

OUT:
Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock.