Answer the question at the end by quoting:

William Clark Styron Jr. (June 11, 1925 - November 1, 2006) was an American novelist and essayist who won major literary awards for his work. Styron was best known for his novels, including: Lie Down in Darkness (1951), his acclaimed first work, published when he was 26; The Confessions of Nat Turner (1967), narrated by Nat Turner, the leader of an 1831 Virginian slave revolt; Sophie's Choice (1979), a story "told through the eyes of a young aspiring writer from the South, about a Polish Catholic survivor of Auschwitz and her brilliant but psychotic Jewish lover in postwar Brooklyn". In 1985, he suffered from his first serious bout with depression.
Styron's next two novels, published between 1967 and 1979, sparked much controversy. Feeling wounded by his first truly harsh reviews, for Set This House on Fire, Styron spent the years after its publication researching and writing his next novel, the fictitious memoirs of the historical Nathaniel "Nat" Turner, a slave who led a slave rebellion in 1831.  During the 1960s, Styron became an eyewitness to another time of rebellion in the United States, living and writing at the heart of that turbulent decade, a time highlighted by the counterculture revolution with its political struggle, civil unrest, and racial tension. The public response to this social upheaval was furious and intense: battle lines were being drawn. In 1968, Styron signed the "Writers and Editors War Tax Protest" pledge, a vow refusing to pay taxes as a protest against the Vietnam War.  In this atmosphere of dissent, many had criticized Styron's friend James Baldwin for his novel Another Country, published in 1962. Among the criticisms was outrage over a black author choosing a white woman as the protagonist in a story that tells of her involvement with a black man. Baldwin was Styron's house guest for several months following the critical storm generated by Another Country. During that time, he read early drafts of Styron's new novel, and predicted that Styron's book would face even harsher scrutiny than Another Country. "Bill's going to catch it from both sides," he told an interviewer immediately following the 1967 publication of The Confessions of Nat Turner.  Baldwin's prediction was correct, and despite public defenses of Styron by leading artists of the time, including Baldwin and Ralph Ellison, numerous other black critics reviled Styron's portrayal of Turner as racist stereotyping. The historian and critic John Henrik Clarke edited and contributed to a polemical anthology, William Styron's Nat Turner: Ten Black Writers Respond, published in 1968 by Beacon Press. Particularly controversial was a passage in which Turner fantasizes about raping a white woman. Styron also writes of a situation where Turner and another slave boy have a homosexual encounter while alone in the woods. Several critics pointed to this as a dangerous perpetuation of a traditional Southern justification for lynching. Despite the controversy, the novel was a runaway critical and financial success, and won both the 1968 Pulitzer Prize for Fiction, and the William Dean Howells Medal in 1970.

When did the controversy begin?

During the 1960s, Styron became an eyewitness to another time of rebellion in the United States,



Answer the question at the end by quoting:

Fugazi (; foo-GAH-zee) is an American punk rock band that formed in Washington, D.C. in 1987. The band consists of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally and drummer Brendan Canty. Fugazi are noted for their unique sound, blending of elements of dub/reggae with high energy rock and punk/hardcore-styled guitars, as well as for their business practices and contempt towards the music industry. The band, and others from the punk and hardcore scene leading up to the early 1990s, were among the early adopters of what grew to be known as the DIY ethic.
After the grueling worldwide tour the band had completed in support of Red Medicine, Fugazi took an extended break and also began writing material for a follow up release. By March 1997 Fugazi had once again returned to Inner Ear Studios with producer/engineer Don Zientara to begin recording what would become the End Hits album with the intention of taking a more relaxed approach to recording and a longer amount of time to experiment with different songs and techniques in the studio. The group ultimately spent 7 months recording the album. Due to the title, rumors began circulating at the time that it was to be their last release. Released on April 28, 1998 the album was commercially successful and marked one of the band's highest debuts yet on the Billboard charts. However, critical reaction to End Hits was mixed. Many critics praised the album's heavier tracks, while others questioned the inclusion of the group's longer, more experimental songs.  Fugazi began work on The Argument in 1999. This process saw the group taking more time than usual to write and demo material. Each member would bring his own individual riffs and ideas to the band, jam on them, and then begin piecing the songs together into various configurations before deciding on what would become the final versions. The album's recording sessions took place between January and April 2001 at Inner Ear Studios and Dischord House in Arlington, VA, located just outside Washington D.C. The band once again worked with producer/engineer Don Zientara. During the recording process a considerable amount of time was spent finalizing each song's production, in particular the album's drum tracks, in an effort to give it a unique feel. Drummer Brendan Canty explained to Modern Drummer that "We recorded them all very differently in terms of the drum sounds. We used a lot of different cymbals, snares, and ways of miking."  The Argument was released by Dischord Records on October 16, 2001, along with the EP Furniture + 2, almost 4 years after the release of End Hits. The album was met with critical and commercial success entering the Billboard charts and selling over 170,000 copies in its first week of release. Arion Berger of Rolling Stone called the album "bracing" and "intellectual" and Chris True of AllMusic referred to the album as "spine-tingling and ear-shattering all at once" stating that, "the band has raised the bar for themselves and others once again." He also noted that the album had "touched on strange new territory." By this point Fugazi were on tour less frequently, due in large part to other professional and personal commitments, they performed only 32 shows in 2001 and 2002 respectively.

When was The Argument released?
The Argument was released by Dischord Records on October 16, 2001,