Background: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.
Context: In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins, the dominant tenor sax player of the day. One of Young's key influences was Frank Trumbauer, who came to prominence in the 1920s with Paul Whiteman and played the C-melody saxophone (between the alto and tenor in pitch).  Young left the Basie band to replace Hawkins in Fletcher Henderson's orchestra. He soon left Henderson to play in the Andy Kirk band (for six months) before returning to Basie. While with Basie, Young made small-group recordings for Milt Gabler's Commodore Records, The Kansas City Sessions. Although they were recorded in New York (in 1938, with a reunion in 1944), they are named after the group, the Kansas City Seven, and comprised Buck Clayton, Dicky Wells, Basie, Young, Freddie Green, Rodney Richardson, and Jo Jones. Young played clarinet as well as tenor in these sessions. Young is described as playing the clarinet in a "liquid, nervous style."  As well as the Kansas City Sessions, his clarinet work from 1938-39 is documented on recordings with Basie, Billie Holiday, Basie small groups, and the organist Glenn Hardman. Billie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St. At one point Lester moved into the apartment Billie shared with her mother, Sadie Fagan. Holiday always insisted their relationship was strictly platonic. She gave Lester the nickname "Prez" after President Franklin Roosevelt, the "greatest man around" in Billie's mind. Playing on her name, he would call her "Lady Day." Their famously empathetic classic recordings with Teddy Wilson date from this era.  After Young's clarinet was stolen in 1939, he abandoned the instrument until about 1957. That year Norman Granz gave him one and urged him to play it (with far different results at that stage in Young's life--see below).
Question: Who are the other member of the band?
Answer: 

Problem: Background: Norman Ernest Borlaug (March 25, 1914 - September 12, 2009) was an American agronomist and humanitarian who led initiatives worldwide that contributed to the extensive increases in agricultural production termed the Green Revolution. Borlaug was awarded multiple honors for his work, including the Nobel Peace Prize, the Presidential Medal of Freedom and the Congressional Gold Medal. Borlaug received his B.Sc. in Forestry in 1937 and Ph.D. in plant pathology and genetics from the University of Minnesota in 1942.
Context: Initially, Borlaug's work had been concentrated in the central highlands, in the village of Chapingo near Texcoco, where the problems with rust and poor soil were most prevalent. He realized that he could speed up breeding by taking advantage of the country's two growing seasons. In the summer he would breed wheat in the central highlands as usual, then immediately take the seeds north to the Yaqui Valley research station near Ciudad Obregon, Sonora. The difference in altitudes and temperatures would allow more crops to be grown each year.  Borlaug's boss, George Harrar, was against this expansion. Besides the extra costs of doubling the work, Borlaug's plan went against a then-held principle of agronomy that has since been disproved. It was believed that to store energy for germination before being planted, seeds needed a rest period after harvesting. When Harrar vetoed his plan, Borlaug resigned. Elvin Stakman, who was visiting the project, calmed the situation, talking Borlaug into withdrawing his resignation and Harrar into allowing the double wheat season. As of 1945, wheat would then be bred at locations 700 miles (1000 km) apart, 10 degrees apart in latitude, and 8500 feet (2600 m) apart in altitude. This was called "shuttle breeding".  As an unexpected benefit of the double wheat season, the new breeds did not have problems with photoperiodism. Normally, wheat varieties cannot adapt to new environments, due to the changing periods of sunlight. Borlaug later recalled, "As it worked out, in the north, we were planting when the days were getting shorter, at low elevation and high temperature. Then we'd take the seed from the best plants south and plant it at high elevation, when days were getting longer and there was lots of rain. Soon we had varieties that fit the whole range of conditions. That wasn't supposed to happen by the books". This meant that the project would not need to start separate breeding programs for each geographic region of the planet.
Question: The highlands of what country?
Answer:
Sonora.