Some context: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.
The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.
Was there other music that was later released?
A: The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music.
Some context: Edgar Yipsel "Yip" Harburg (born Isidore Hochberg, Yiddish: ysydvr hvkbrg; April 8, 1896 - March 5, 1981) was an American popular song lyricist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?"
Harburg and Gorney were offered a contract with Paramount: in Hollywood, Harburg worked with composers Harold Arlen, Vernon Duke, Jerome Kern, Jule Styne, and Burton Lane, and later wrote the lyrics for The Wizard of Oz, one of the earliest known "integrated musicals," for which he won the Academy Award for Best Music, Original Song for "Over the Rainbow."  Of his work on The Wizard of Oz, his son (and biographer) Ernie Harburg has said:  So anyhow, Yip also wrote all the dialogue in that time and the setup to the songs and he also wrote the part where they give out the heart, the brains and the nerve, because he was the final script editor. And he--there were eleven screenwriters on that--and he pulled the whole thing together, wrote his own lines and gave the thing a coherence and unity which made it a work of art. But he doesn't get credit for that. He gets lyrics by E. Y. Harburg, you see. But nevertheless, he put his influence on the thing.  Working in Hollywood did not stop Harburg's career on Broadway. In the 1940s, he wrote a series of "book" musicals with social messages, including the successful Bloomer Girl (1944), set during the Civil War, which was about temperance and women's rights activist Amelia Bloomer. Harburg's best known Broadway show, Finian's Rainbow (1947) was, in its original production, possibly the first Broadway musical with a racially integrated chorus line, and features his "When the Idle Poor Become the Idle Rich." It was made into a film in 1968 starring Fred Astaire and Petula Clark, directed by Francis Ford Coppola.
Did he win any Tony Awards?
A: 
Some context: Mogwai () are a Scottish post-rock band, formed in 1995 in Glasgow. The band consists of Stuart Braithwaite (guitar, vocals), Barry Burns (guitar, piano, synthesizer, vocals), Dominic Aitchison (bass guitar), and Martin Bulloch (drums). The band typically compose lengthy guitar-based instrumental pieces that feature dynamic contrast, melodic bass guitar lines, and heavy use of distortion and effects. The band were for several years signed to Glasgow label Chemikal Underground, and have been distributed by different labels such as Matador in the US and Play It
In July 2013, Mogwai performed their soundtrack to Zidane: A 21st Century Portrait for the first time at dates across the UK. An announcement of new live dates followed, including two nights at the Royal Festival Hall, and an appearance closing the final holiday camp edition of the "All Tomorrow's Parties" festival in Camber Sands, England.  They announced their eighth studio album Rave Tapes on 28 October 2013. The album was released on 20 January 2014 on Rock Action in the UK, Spunk in Australia and Hostess in Japan and South-east Asia, while Sub Pop released the album in the US on 21 January. Rave Tapes was produced by Mogwai and Paul Savage, and the song "Remurdered" was uploaded to the Rock Action and Sub Pop SoundCloud pages at the time of the announcement. The album entered the UK album charts at No.10 and as of April 2014 was the best selling UK album released in 2014 in terms of vinyl sales.  An EP titled Music Industry 3. Fitness Industry 1. on Rock Action was released on 1 December 2014 featuring three new tracks from the Rave Tapes sessions, along with three remixes of tracks from that album by Blanck Mass, Pye Corner Audio and Nils Frahm. The EP was recorded in Glasgow with Paul Savage.  In June 2015 Mogwai played a series of high-profile shows in the UK and Ireland, climaxing with two nights at the Camden Roundhouse, to celebrate the band's 20th anniversary. At the same time, in association with ATP, they curated a series of shows at the London venue featuring acts that have "challenged, intrigued and inspired" them, including The Jesus and Mary Chain, Public Enemy, and Godspeed! You Black Emperor. A career retrospective album comprising three CDs or six LPs, Central Belters, was released on 23 October.  On 15 November 2015, the band announced that guitarist John Cummings had left to pursue his own projects.
Are there any other interesting aspects about this article?
A:
In June 2015 Mogwai played a series of high-profile shows in the UK and Ireland,