Problem: Victor Jara was born in 1932 in Lonquen, near Santiago, to two peasants, Manuel Jara and Amanda Martinez. His father was illiterate and encouraged his children to work from an early age to help the family survive, rather than attend school. By the age of 6, Jara was already working on the land. His father could not support the family on his earnings as a peasant at the Ruiz-Tagle estate, nor was he able to find stable work.

After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater. He subsequently joined the university's theater program and earned a scholarship for talent. He appeared in several of the university's plays, gravitating toward those with social themes, such as Russian playwright Maxim Gorky's The Lower Depths, a depiction of the hardships of lower-class life.  In 1957, he met Violeta Parra, a singer who had steered folk music in Chile away from the rote reproduction of rural materials toward modern song composition rooted in traditional forms, and who had established musical community centers called penas to incorporate folk music into the everyday life of modern Chileans. Jara absorbed these lessons and began singing with a group called Cuncumen, with whom he continued his explorations of Chile's traditional music. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda.  In the 1960s, Jara started specializing in folk music and sang at Santiago's La Pena de Los Parra, owned by Angel Parra. Through these activities, he became involved in the Nueva Cancion movement of Latin American folk music. He released his first album, Canto a lo humano, in 1966, and by 1970, he had left his theater work in favor of a career in music. His songs were inspired by a combination of traditional folk music and left-wing political activism. From this period, some of his best-known songs are "Plegaria a un Labrador" ("Prayer to a Worker") and "Te Recuerdo Amanda" ("I Remember You Amanda").

Did she get recognized?

Answer with quotes: 


Problem: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.

In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department.

Where was she living at the time?

Answer with quotes: in the hospital on the grounds of the Motion Picture House in Woodland Hills, California.


Problem: William Miller Edwards (June 21, 1905 - June 12, 1987) was an American football player and coach. He served as the head football coach at Western Reserve University, Vanderbilt University and Wittenberg University in a career lasting more than 30 years, compiling a win-loss-tie record of 168-45-8. Edwards also coached the Detroit Lions of the National Football League (NFL) from 1941 to 1942, tallying a 4-9-1 record, and served as an assistant coach for the NFL's Cleveland Browns in the late 1940s. Raised near Massillon, Ohio, Edwards was the son of an immigrant from Wales who worked in the area's coal mines.

Having built a strong record at Western Reserve, Edwards was in the running for head coaching roles at a number of larger universities and professional teams. He met with officials at Marquette University and was considered a candidate for coaching duties at Colorado University and for the National Football League's Detroit Lions. After visiting with Lions owner Fred Mandel, Edwards ultimately was hired in February 1941 to succeed George Clark. Both Edwards and Dugan Miller signed two-year contracts. Edwards was given a $10,000 annual salary ($166,380 in 2017 dollars), more than double the $4,420 he was paid at Western Reserve.  Edwards's stint as the Lions coach was unsuccessful. He guided the team to a 4-6-1 record in 1941, and Mandel fired him after three straight losses to begin the 1942 season as the team's roster was depleted by players' service in World War II. Detroit went on to lose all the rest of its games after John Karcis was named his replacement.  Edwards enlisted in the U.S. Navy later in 1942 as America's involvement in the war intensified. While in the military, he served at St. Mary's Pre-Flight, a training program in California, and coached the Air Devils football team there. He also served at a base in Pensacola, Florida. Edwards was discharged in 1946, and spent a year in the sporting goods business in Cleveland, Ohio before reuniting with Brown, who had become the first coach of the Cleveland Browns in the All-America Football Conference (AAFC). Edwards took a position as a tackle coach and remained with the team for two seasons. He coached tackles including Ernie Blandin, Lou Rymkus and future Pro Football Hall of Fame member Lou Groza. The Browns won the AAFC championship in both of Edwards's years as an assistant; the team won all of its games in 1948, turning in professional football's first perfect season.

What branch of military did he serve in?

Answer with quotes:
Having built a strong record at Western Reserve,