input: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote:  [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.  This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Lovelace's insight regarding the application of computing to any process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine.  According to the historian of computing and Babbage specialist Doron Swade:  Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation--to general-purpose computation--and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper.

Answer this question "was this theory based on intuition or facts?"
output: This analysis was an important development from previous ideas about the capabilities of computing devices

input: Baduizm, Badu's debut album, was released in early 1997. The album met with critical and commercial success, debuting at number two on the Billboard charts and number one on the US Billboard Top R&B/Hip-Hop Albums. Baduizm's commercial and critical success helped establish Badu as one of the emerging neo soul genre's leading artists. Her particular style of singing drew many comparisons to Billie Holiday. Baduizm was certified three times platinum by the Recording Industry Association of America, Gold by the British Phonographic Industry and the Canadian Recording Industry Association.  The album produced four singles; the lead single "On & On" was released in January 1996, and reached number twelve on the US Billboard Hot 100 charts and the UK Singles Charts, as well as making an appearance on the New Zealand charts. The album and lead single also gave Badu her first nomination and win at the Grammy Awards, where "On & On" won Best Female R&B Vocal Performance and the album won Best R&B Album.  Badu recorded her first live album, Live, while pregnant with Seven, and the release of the recording coincided with his birth. The album was released on November 18, 1997 and reached number four on the US Billboard 200 and number one on the US Billboard Top R&B/Hip-Hop Albums. The album was certified two times platinum by RIAA for shipments of over two million copies. The album's lead single, "Tyrone", was released in October 1997 and became another R&B hit single. "Tyrone", lyrically, is a song chiding a selfish, cheap, and inattentive boyfriend. Badu also collaborated with the Roots (who had previously handled production duties on a number of tracks on Baduizm) on their breakthrough 1999 release Things Fall Apart. She was featured on the song "You Got Me", by The Roots and American female rapper Eve. Co-written by Jill Scott, the song peaked at 39 in the US and 31 in the UK. The song went on to win The Roots and Badu a Grammy Award for Best Rap Performance by a Duo or Group in 1999.

Answer this question "How successful was that collaboration?"
output: The song went on to win The Roots and Badu a Grammy Award for Best Rap Performance by a Duo or Group in 1999.

input: Despite never winning a championship Formula One Grand Prix, Amon won eight non-championship GPs, the Silverstone International Trophy, the 1000 km Monza, the Daytona 24 Hours, the Tasman Series and, perhaps most significant of all, the famous 24 Heures du Mans (alongside Bruce McLaren). These races included many of Amon's otherwise more successful fellow Formula One drivers.  In Formula One, Chris Amon took part in 96 Grands Prix, achieving 5 poles, leading 183 laps in 7 races, reaching the podium 11 times and scoring a total of 83 Championship points. Amon holds the record for the most different makes of car raced by a Formula 1 World Championship driver, with thirteen. A biography Forza Amon by journalist Eoin Young charts Amon's racing career and gives some insights into his personal life. The book makes clear one point on which Amon himself disagrees with most commentators, the issue of his bad luck. Amon has pointed out on several occasions that he competed for a decade and a half in Formula One and survived some serious accidents, notably in 1976, whilst others, including friends like Bruce McLaren, suffered serious injury and death. In 2008, motorsport journalist Alan Henry rated Chris Amon as his 13th greatest driver.  Reflecting on the 1968 racing death of Jim Clark, Amon said: "If this can happen to Jimmy, what chance do the rest of us have? I think we all felt that. It seemed like we'd lost our leader." In 1995, Amon was inducted into the New Zealand Sports Hall of Fame.  Amon's name has been given to a motorsport series involving Toyota cars and to the Chris Amon International Scholarship to support drivers who have become champions in the New Zealand Toyota Racing Series to further their careers in single-seater racing. Following his death, his name was also lent to the Manfeild Autocourse in Feilding, Manawatu.

Answer this question "did he set any records?"
output:
Amon holds the record for the most different makes of car raced by a Formula 1 World Championship driver,