input: Meanwhile, the disintegration of the revolution outside of Morelos put pressure on the Zapatistas. As General Arenas had turned over to the constitutionalists, he had secured peace for his region and he remained in control there. This suggested to many revolutionaries that perhaps the time had come to seek a peaceful conclusion to the struggle. A movement within the Zapatista ranks led by former General Vazquez and Zapata's erstwhile adviser and inspiration Otilio Montano moved against the Tlaltizapan headquarters demanding surrender to the Carrancistas. Reluctantly, Zapata had Montano tried for treason and executed (Womack 1983-86).  Zapata began looking for allies among the northern revolutionaries and the southern Felicistas, followers of the Liberalist Felix Diaz. He sent Gildardo Magana as an envoy to communicate with the Americans and other possible sources of support. In the fall of 1917 a force led by Gonzalez and the ex-Zapatista Sidronio Camacho, who had killed Zapata's brother Eufemio, moved into the eastern part of Morelos taking Cuautla, Zacualpan and Jonacatepec.  Zapata continued his work to try to unite with the national anti-Carrancista movement through the next year, and the constitutionalists did not make further advances. In the winter of 1918 a harsh cold and the onset of the Spanish flu decimated the population of Morelos, causing the loss of a quarter of the total population of the state, almost as many as had been lost to Huerta in 1914. (Womack 311). Furthermore, Zapata began to worry that by the end of the World War, the US would turn its attention to Mexico forcing the Zapatistas to either join the Carrancistas in a national defense or to acquiesce to foreign domination of Mexico. In December 1918 Carrancistas under Gonzalez undertook an offensive campaign taking most of the state of Morelos, and pushing Zapata to retreat. The main Zapatista headquarters were moved to Tochimilco, Puebla, although Tlaltizapan also continued to be under Zapatista control. Through Castro, Carranza issued offers to the main Zapatista generals to join the nationalist cause, with pardon. But apart from Manuel Palafox, who having fallen in disgrace among the Zapatistas had joined the Arenistas, none of the major generals did (Womack 313-14). Zapata emitted statements accusing Carranza of being secretly sympathetic to the Germans (Womack 315). In March Zapata finally emitted an open letter to Carranza urging him for the good of the fatherland to resign his leadership to Vazquez Gomez, by now the rallying point of the anti-constitutionalist movement (Womack 319-20). Having posed this formidable moral challenge to Carranza prior to the upcoming 1920 presidential elections, the Zapatista generals at Tochimilco, Magana and Ayaquica, urged Zapata not to take any risks and to lay low. But Zapata declined, considering that the respect of his troops depended on his active presence at the front (Womack 320-22).

Answer this question "What kind of pressure was Zapata under?"
output: As General Arenas had turned over to the constitutionalists, he had secured peace for his region and he remained in control there.

input: "Cascade", released as a single in 1993, introduced the commercial music world to the new FSOL sound. Despite its length, clocking in at nearly forty minutes and stretched over six parts, the track made the UK top 30, and previewed what was to come. In 1994, they released Lifeforms to critical acclaim. The album featured unconventional use of percussion interspersed with ambient segments. The eponymous single from the album featured Elizabeth Fraser of the Cocteau Twins on vocals. The album itself featured epic, ambient soundscapes, with tracks flowing from one to the next with no pauses in between. Throughout the record, familiar motifs and samples repeated themselves, sitting alongside tropical birdsong, rainfall, wind and an array of other exotic sounds, lending the album a natural, organic feel, backed up by the environmental landscapes that filled the artwork booklet. Brian Dougan's father was involved with the BBC Radiophonic Workshop which was a heavy influence in the almost musique concrete feel to Lifeforms. The album was also a top 10 hit on the UK album chart. Cobain has said that around this time that journalists would come to talk to them and one of the first things they would ask would be if they liked Brian Eno (whom they cite as an influence), to which they would laugh and say that they were about looking forward, not to the past. It was, to them, very much a new work rather than just another Eno-type ambient album.  We wanted to release a very immersive, mind-blowing piece of music that was long and would deeply drench you in it...Lifeforms was redefining 'classical ambient electronic experimental' - that was the phrase we used.  That year, they released the limited edition album ISDN, which featured live broadcasts they had made over ISDN lines to various radio stations worldwide to promote Lifeforms, including The Kitchen, an avant-garde performance space in New York and several appearances on the late John Peel's celebrated BBC radio Sessions shows. These shows marked the evolution of the Kiss FM shows of 1992 and 1993, moving away from DJ sets and into ambient soundscapes, with previously released material performed alongside unheard tracks. One live performance to BBC Radio 1 featured Robert Fripp performing alongside the band. The released album's tone was darker and more rhythmic than Lifeforms. Cobain stated that with ISDN they had wanted to achieve something epic and grand but no matter how much technological or personal support they had (and they had everything they could have possibly wanted) they never got to truly do what they envisioned; he admits to wanting too much at this time, even though the album was successful; the 90s, for Cobain in particular, were a time of frustration and feelings of not being able to do what they wanted to, because the technology at the time didn't fit the band's ideas. The following year, the album was re-released with expanded artwork and a slightly altered track list as an unlimited pressing.

Answer this question "Were there any other successful singles on the Lifeforms album?"
output:
The album itself featured epic, ambient soundscapes, with tracks flowing from one to the next with no pauses in between. Throughout the record, familiar motifs and samples repeated themselves,