input: In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties.  Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938.  After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline.  In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks.  While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow.

Answer this question "When was his first album poduced?"
output: 60 tracks for Victor's Bluebird label between 1936 and 1938.

Problem: Background: Petty was born October 20, 1950, in Gainesville, Florida, the first of two sons of Kitty (nee Avery), a local tax office worker, and Earl Petty, who worked in a grocery store. He had a brother, Bruce, who was seven years younger. His interest in rock and roll music began at age ten when he met Elvis Presley. In the summer of 1961, his uncle was working on the set of Presley's film Follow That Dream, in nearby Ocala, and invited Petty to watch the shoot.
Context: Petty's first appearance in film took place in 1978, when he had a cameo in FM. He later had a small part in 1987's Made in Heaven and appeared in several episodes of It's Garry Shandling's Show between 1987 and 1990, playing himself as one of Garry Shandling's neighbors. Petty was also featured in Shandling's other show, The Larry Sanders Show, as one of the Story within a story final guests. In the episode, Petty gets bumped from the show and nearly comes to blows with Greg Kinnear.  Petty appeared in the 1997 film The Postman, directed by and starring Kevin Costner, as the Bridge City Mayor (from the dialogue it is implied that he is playing a future history version of himself). In 2002, he appeared on The Simpsons in the episode "How I Spent My Strummer Vacation", along with Mick Jagger, Keith Richards, Lenny Kravitz, Elvis Costello, and Brian Setzer. In it, Petty spoofed himself as a tutor to Homer Simpson on the art of lyric writing, composing a brief song about a drunk girl driving down the road while concerned with the state of public schools. Later in the episode, he loses a toe during a riot.  Petty had a recurring role as the voice of Elroy "Lucky" Kleinschmidt in the animated comedy series King of the Hill from 2004 to 2009. In 2010, Petty made a five-second cameo appearance with comedian Andy Samberg in a musical video titled "Great Day" featured on the bonus DVD as part of The Lonely Island's new album Turtleneck & Chain.
Question: Did he continue to act once he started his musical career?
Answer: Petty appeared in the 1997 film The Postman, directed by and starring Kevin Costner,

Question: Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.

Two years after dropping her from their label, Warner Brothers notified Raitt of their plans to release Tongue & Groove. "I said it wasn't really fair," recalled Raitt. "I think at this point they felt kind of bad. I mean, I was out there touring on my savings to keep my name up, and my ability to draw was less and less. So they agreed to let me go in and recut half of it, and that's when it came out as Nine Lives." A critical and commercial disappointment, 1986's Nine Lives would be Raitt's last new recording for Warner Brothers.  In late 1987, Raitt joined singers k.d. lang and Jennifer Warnes as female background vocalists for Roy Orbison's television special, Roy Orbison and Friends, A Black and White Night. Following this highly acclaimed broadcast, Raitt began working on new material. By then, she was clean and sober, having resolved her substance abuse problem. She later credited Stevie Ray Vaughan for his help in a Minnesota State Fair concert the night after Vaughan's 1990 death. During this time, Raitt considered signing with the Prince-owned Paisley Park label, but negotiations ultimately fell through. Instead she began recording a bluesy mix of pop and rock under the production guidance of Don Was at Capitol Records.  Raitt had met Was through Hal Wilner, who was putting together Stay Awake, a tribute album to Disney music for A&M. Was and Wilner both wanted Raitt to sing lead on an adult-contemporary arrangement created by Was for "Baby Mine", the lullaby from Dumbo. Raitt was very pleased with the sessions, and she asked Was to produce her next album.

Using a quote from the above article, answer the following question: Who produced Nine Lives?
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Answer: