Problem: Background: Ravinder Singh "Ravi" Bopara (born 4 May 1985) is an English cricketer who plays for Essex and England. Originally a top-order batsman, his developing medium pace bowling has made him an all-rounder and he has the best bowling figures for England in a Twenty20 International. Bopara has also played for Karachi Kings in the Pakistan Super League, Kings XI Punjab in the Indian Premier League, Sydney Sixers in the Big Bash League and Chittagong Vikings in the Bangladesh Premier League. Bopara was first called up to the England One Day International team in 2007, before a difficult Test debut in Sri Lanka saw him dropped in early 2008 after a string of three ducks.
Context: On 18 February 2009, Bopara, along with Amjad Khan, was invited to join the England Test squad on their tour of the West Indies as cover for Andrew Flintoff who was struggling with a hip injury. He scored 124 not out in a warm up match, earning him a place in the 4th Test against the West Indies. In the first innings he scored his maiden Test century with 104 off 143 balls before being caught. He was dropped for the next Test of the series, however he was re-selected for the first Test of the home series against the West Indies on 6 May. There he scored his second consecutive Test century, scoring 143 runs from 186 balls. He then scored another century in the second Test, becoming only the fifth England player to score three consecutive centuries. He credited his success to his coaching by Graham Gooch at Essex.  Bopara played well in England's opening game of the T20 World Cup, hitting 46 against the Netherlands. He made 37 against India before 55 against the West Indies, although England lost the match by 5 wickets. This meant that England progress no further in the competition despite being on home soil.  Australians Mitchell Johnson and Ricky Ponting stated to local media that during the upcoming 2009 Ashes series they were going to target Bopara in particular.  On 22 June, the England selectors announced a sixteen-man preliminary Ashes squad for that summer's series; it included Bopara. Cricinfo staff wrote that "Bopara's stock could not be higher". He found success in a warm-up match against Warwickshire, however, scoring 104 while opening with Andrew Strauss.  Bopara struggled during the series, however, with scores of 35, one, 18, 27, 23, one and a duck. He was dismissed by Ben Hilfenhaus in five of his seven innings. Speculation grew about his position for the final Test, where England required a win to regain the Ashes, and it was announced on 16 August that Bopara had been dropped in favour of uncapped Jonathan Trott, who went on to score a century on debut. Bopara returned to Essex and scored 201 against Surrey, and despite being replaced in the Test team remained in England's squads for the ODI series against Australia and the Champions Trophy in September. On 11 September 2009 it was announced that Bopara had been awarded an "incremental contract" with England, as had Trott. However, after the Champions Trophy Bopara did not play ODI cricket for ten months.
Question: How did he do during this time?
Answer: He scored 124 not out in a warm up match, earning him a place in the 4th Test against the West Indies.

Problem: Background: Frank Vincent Zappa (December 21, 1940 - December 4, 1993) was an American musician, composer, activist and filmmaker. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity, and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrete works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers.
Context: Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to one on Woodrow Wilson Drive. This was Zappa's home for the rest of his life. Despite being a success with fans in Europe, the Mothers of Invention were not faring well financially. Their first records were vocally oriented, but Zappa wrote more instrumental jazz and classical oriented music for the band's concerts, which confused audiences. Zappa felt that audiences failed to appreciate his "electrical chamber music".  In 1969 there were nine band members and Zappa was supporting the group himself from his publishing royalties whether they played or not. 1969 was also the year Zappa, fed up with MGM Records' interference, left them for Warner Bros. Records' Reprise subsidiary where Zappa/Mothers recordings would bear the Bizarre Records imprint.  In late 1969, Zappa broke up the band. He often cited the financial strain as the main reason, but also commented on the band members' lack of sufficient effort. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's concern for perfection at the expense of human feeling. Others were irritated by 'his autocratic ways', exemplified by Zappa's never staying at the same hotel as the band members. Several members played for Zappa in years to come. Remaining recordings with the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970).  After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, "Peaches en Regalia", which reappeared several times on future recordings. He was backed by jazz, blues and R&B session players including violinist Don "Sugarcane" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and previous member of the Mothers of Invention Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart (providing vocals to the only non-instrumental track, "Willie the Pimp"). It became a popular album in England, and had a major influence on the development of the jazz-rock fusion genre.
Question: Why did they break up?
Answer:
He often cited the financial strain as the main reason, but also commented on the band members' lack of sufficient effort.