Question:
Jumbo (about Christmas 1860 - September 15, 1885), also known as Jumbo the Elephant and Jumbo the Circus Elephant, was a 19th-century male African bush elephant born in Sudan. Jumbo was exported to Jardin des Plantes, a zoo in Paris and then transferred in 1865 to London Zoo in England. Despite public protest, Jumbo was sold to P. T. Barnum, who took him to the United States for exhibition in March 1882. The giant elephant's name has spawned the common word, "jumbo", meaning large in size.
Jumbo died at a railway classification yard in Canada at St. Thomas, Ontario on September 15, 1885. In those days the circus crisscrossed North America by train. St. Thomas was the perfect place for a circus because many rail lines converged in St. Thomas in that day. Jumbo and the other animals had finished their performances for the night and, as they were being led to their box car, a train came roaring down the track. Jumbo was hit and mortally wounded, dying within minutes.  Barnum told the story that Tom Thumb, a young circus elephant was walking on the railroad tracks and Jumbo was attempting to lead him to safety. Barnum claimed that the locomotive hit and killed Tom Thumb before it derailed and hit Jumbo. However, other witnesses did not support Barnum's account. According to newspapers, the freight train hit Jumbo directly, killing him, while Tom Thumb suffered a broken leg.  Many metallic objects were found in the elephant's stomach, including English pennies, keys, rivets, and a police whistle.  Ever the showman, Barnum had portions of his star attraction separated, in order to have multiple sites attracting curious spectators. After touring with Barnum's circus, the skeleton was donated to the American Museum of Natural History in New York City, where it remains. The elephant's heart was sold to Cornell University. Jumbo's hide was stuffed by William J. Critchley and Carl Akeley, both of Ward's Natural Science, who stretched it during the mounting process; the mounted specimen traveled with Barnum's circus for two years.  Barnum eventually donated the stuffed Jumbo to Tufts University, where it was displayed at P.T. Barnum Hall there for many years. The hide was destroyed in a fire in April 1975. Ashes from that fire, which are believed to contain the elephant's remains, are kept in a 14-ounce Peter Pan Crunchy Peanut Butter jar in the office of the Tufts athletic director, while his taxidermied tail, removed during earlier renovations, resides in the holdings of the Tufts Digital Collections and Archives.
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Can you tell me about Jumbo's death?

Answer:
Jumbo died at a railway classification yard in Canada at St. Thomas,


Question:
Evangelos Odysseas Papathanassiou (Greek: Euaggelos Odusseas Papathanasiou, IPA: [ev'anjelos odi'seas papathana'siu] (born 29 March 1943), best known professionally as Vangelis (), is a Greek composer of electronic, progressive, ambient, jazz, and orchestral music. He is best known for his Academy Award-winning score for the film Chariots of Fire, composing scores for the films Blade Runner, Missing, Antarctica, 1492: Conquest of Paradise, and Alexander, and the use of his music in the PBS documentary Cosmos:
While still in Aphrodite's Child, Vangelis had already been involved in other projects. In the 1960s he scored music for three Greek films My Brother, the Traffic Policeman (1963) directed by Filippos Fylaktos, 5,000 Lies (1966) by Giorgos Konstantinou, To Prosopo tis Medousas (1967) by Nikos Koundouros. In 1970 composed the score for Sex-Power directed by Henry Chapier, as well again for Salut, Jerusalem (1972) and Amore (1974).  In 1971, some jam sessions with a group of musicians in London had resulted in two albums' worth of material, unofficially released without Vangelis' permission in 1978, titled Hypothesis and The Dragon. Vangelis succeeded in taking legal action to have them withdrawn. A more successful project was his scoring of wildlife documentary films in the early 1970s made by French filmmaker Frederic Rossif. The first soundtrack L'Apocalypse des animaux was released in 1973. In 1972, the student riots of 1968 provided the inspiration for an album titled Fais que ton reve soit plus long que la nuit (Make Your Dream Last Longer Than the Night), comprising musical passages mixed with news snippets and protest songs; some lyrics were based on graffiti daubed on walls during the riots. He also did music for the 1973 Henry Chapier film Amore.  In 1973 Vangelis' solo career began in earnest. His second solo album was Earth. It was a percussive-orientated album with Byzantine undertones. It featured a group of musicians including ex-Aphrodite's Child guitarist Silver Koulouris and also vocalist and songwriter Robert Fitoussi (better known as F.R. David of "Words" fame). This line-up, later briefly going out under the name "Odyssey", released a single in 1974 titled "Who", but that was Vangelis' last involvement with them. Later in 1974, Vangelis was widely tipped to join another prog-rock band, Yes, following the departure of Rick Wakeman. After a couple of weeks of rehearsals Vangelis wavered on the option of joining Yes, and the band had to detour and hire Swiss keyboard player Patrick Moraz instead, who later joined the Moody Blues. Vangelis did, however, become friends with Yes' lead vocalist Jon Anderson, and later worked with him on several occasions, including as the duo Jon & Vangelis.
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WHICH COUNTRY HIS GROUP BECAME POPULAR?

Answer:
In 1971, some jam sessions with a group of musicians in London had resulted in two albums' worth of material,