Answer the question at the end by quoting:

Boyz II Men is an American R&B vocal group from Philadelphia, Pennsylvania, best known for emotional ballads and a cappella harmonies. They are currently a trio composed of baritone Nathan Morris alongside tenors Wanya Morris and Shawn Stockman. During the 1990s, Boyz II Men found fame on Motown Records as a quartet including bass Michael McCary, who left the group in 2003 due to health issues. During the 1990s, Boyz II Men gained international success.
Motown issued The Remix Collection, a compilation of remixes of various Boyz II Men songs from Cooleyhighharmony and II. The group itself had opposed the release of the collection, because they felt the compilation did not represent Boyz II Men's best work. After the label released the album without their permission, there was a dispute between the company and the group. Boyz II Men initiated their own recording company Stonecreek (which released material by artists such as Uncle Sam), and they arranged for Stonecreek's distribution by Epic Records, not Motown.  Boyz II Men's third studio album, Evolution, was released during 1997 to mixed reviews and sold three million copies, far below the stratospheric success of II's (12 million copies) and Cooleyhighharmony (9 million). Only one of Evolution's singles, the Jam/Lewis-penned "Four Seasons of Loneliness", reached number 1 on the Hot 100 chart. The second single, the Babyface-helmed "A Song for Mama" (the theme song to the Babyface-produced film Soul Food) was a Top 10 success, but the follow-up "Can't Let Her Go" underperformed.  The global tour began in 1997 to promote Evolution was very successful in terms of ticket sales, but behind the scenes, Boyz II Men was wracked by conflicts with their record label and internal conflicts among the members of the group. Making matters worse, health problems began to take their toll on the group as well. While on tour to support the Evolution album, Wanya Morris developed a polyp on his vocal cords, and the group was forced to postpone part of the tour until he recovered. McCary's scoliosis meant that he was unable to participate in most of the group's dance routines.  Boyz II Men were nominated for 2 Grammys in 1998: Best R&B Album for Evolution and Best R&B Vocal Performance by a Duo or Group for "A Song for Mama".

Did it do well?

Boyz II Men was wracked by conflicts with their record label and internal conflicts among the members of the group.

Some context: Timbiriche (also known for a brief time as La Banda Timbiriche) was a Mexican pop music group. The group started as a children's group in 1982 and managed to evolve successfully into adulthood. Timbiriche is considered one of the most iconic Latin Pop acts of the 1980s and the early 1990s. It was the seed of numerous figures in the Latin American entertainment world, including successful singers like Thalia, Paulina Rubio and Edith Marquez, as well as actors, composers and conductors.
After a few months of preparation, Timbiriche made its official debut on April 30, 1982 on the Mexican television show Siempre en Domingo, featuring Spanish singer Miguel Bose as its godfather. The group launches their first record production titled Timbiriche, which included the hit singles Amor para ti, Hoy tengo que decirte Papa, Y la fiesta comenzo and Somos amigos.  Due to the success obtained, and in order to have a wider repertoire in their presentations, the group recorded a second album titled La Banda Timbiriche, which included the hit singles La Banda Timbiriche, La vida es mejor cantando, Mexico and Mama . The group is also chosen to interpret the musical theme of the children's telenovela Chispita. In that same year, the group participates in a special of television where it shares scene with the group Parchis.  In 1983, the group released the album La Banda Timbiriche: En Concierto an album that was released under the concept of being a live album, although in fact the sound effects of the public were added in the recording studio. The album includes covers of songs in English and of musicals famous at that time like Time Warp of The Rocky Horror Picture Show, One Step (cover of Liza Minnelli and Goldie Hawn' song), Summer Nights (from the musical Grease) and Mickey (cover by Toni Basil). In this third album, the group already enjoyed a great acceptance in Mexico, receiving several disks of gold by the high sales of its albums.  At that moment of the group, the voices of the only two male members of the group were confused with those of the female members due to their young age. Because of this, the producers considered the idea of integrating a third male member into the group. The chosen one was Erik Rubin, who joins the band in December 1983. The band launches its fourth disc, titled Timbiriche Disco Ruido. The album was the first big challenge of the band, because it was not known what the public reaction would be to the new member, who had to go through many conflicts to adapt with his peers. However, the album had a good reception and contained hits such as Disco ruido and Adios a la escuela.
what else is known about this children's band?
A: the voices of the only two male members of the group were confused with those of the female members due to their young age.

IN: Bernard Herrmann (born Max Herman; June 29, 1911 - December 24, 1975) was an American composer best known for his work in composing for motion pictures. As a conductor, he championed the music of lesser-known composers. An Academy Award-winner (for The Devil and Daniel Webster, 1941; later renamed All That Money Can Buy), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed scores for many other movies, including Citizen Kane, The Day the Earth Stood Still, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver.

Herrmann's music is typified by frequent use of ostinati (short repeating patterns), novel orchestration and, in his film scores, an ability to portray character traits not altogether obvious from other elements of the film.  Early in his life, Herrmann committed himself to a creed of personal integrity at the price of unpopularity: the quintessential artist. His philosophy is summarized by a favorite Tolstoy quote: 'Eagles fly alone and sparrows fly in flocks.' Thus, Herrmann would only compose music for films when he was allowed the artistic liberty to compose what he wished without the director getting in the way: the cause of the split with Hitchcock after over a decade of composing scores for the director's films.  His philosophy of orchestrating film was based on the assumption that the musicians were selected and hired for the recording session -- that this music was not constrained to the musical forces of the concert hall. For example, his use of nine harps in Beneath the 12 Mile Reef created an extraordinary underwater-like sonic landscape; his use of four alto flutes in Citizen Kane contributed to the creepy opening, only matched by the use of 12 flutes in his unused Torn Curtain score; and his use of the serpent in White Witch Doctor is possibly the first use of that instrument in a film score.  Herrmann said: "To orchestrate is like a thumbprint. I can't understand having someone else do it. It would be like someone putting color to your paintings."  Herrmann subscribed to the belief that the best film music should be able to stand on its own legs when detached from the film for which it was originally written. To this end, he made several well-known recordings for Decca of arrangements of his own film music as well as music of other prominent composers.

was it well-received?

OUT:
To this end, he made several well-known recordings for Decca of arrangements of his own film music as well as music of other prominent composers.