Answer the question at the end by quoting:

Aubrey Drake Graham was born on October 24, 1986, in Toronto, Ontario. His father, Dennis Graham, is an African American and a practising Catholic from Memphis, Tennessee, and worked as a drummer, performing alongside country musician Jerry Lee Lewis. Bass guitarist Larry Graham and the late songwriter Teenie Hodges are his paternal uncles. Drake's mother, Sandi Graham (nee Sher), is an Ashkenazi Jewish Canadian who worked as an English teacher and florist.
After becoming musically inspired by Jay Z and Clipse, Drake self-released his debut mixtape, Room for Improvement, in 2006. The mixtape featured Trey Songz and Lupe Fiasco, and included vast production from Canadian producers Boi-1da, and Frank Dukes. When asked about the mixtape, Drake described the project as "pretty straightforward, radio friendly, [and] not much content to it." The mixtape was released for sale only, and confirmed to have sold over 6,000 copies. In 2007, he released his second mixtape, Comeback Season. Released from his recently founded October's Very Own label, it spawned the single "Replacement Girl", featuring Trey Songz. The song made Drake become the first ever unsigned Canadian rapper to have his music video featured on BET, with "Replacement Girl" being featured on the channel's "New Joint of the Day" segment on April 30, 2007. The song also saw Drake sample "Man of the Year" by Brisco, Flo Rida and Lil Wayne, retaining Lil Wayne's verse, and adjoined his own to the song's earlier half. This caused Jas Prince to gift Lil Wayne the song, which prompted the rapper to invite Drake to Houston in order to join his Tha Carter III tour. Throughout the duration of the tour, Drake and Lil Wayne recorded multiple songs together, including "Ransom", "I Want This Forever", and a remix to "Brand New". Despite the collaborations between the duo, Drake was yet to be signed by Young Money Entertainment.  In 2009, Drake released his third mixtape, So Far Gone. It was made available for free download through his OVO blog website, and featured Lil Wayne, Trey Songz, Omarion, Lloyd, and Bun B. It received over 2,000 downloads in the first 2 hours of release, finding mainstream commercial success due to the singles "Best I Ever Had" and "Successful", both gaining Gold certification by the Recording Industry Association of America (RIAA), with the former also peaking at number two on the Billboard Hot 100. This prompted the mixtape's re-release as an EP, featuring only four songs from the original, as well as the additions of the songs "I'm Goin' In" and "Fear". It debuted at number six on the Billboard 200, and won the Rap Recording of the Year at the 2010 Juno Awards.  Due to the success of the mixtape, Drake was the subject of a bidding war from various labels, often reported as "one of the biggest bidding wars ever". Despite this, Drake was rumoured to have secured a recording contract with Young Money Entertainment on June 29, 2009. This was later confirmed following a planned lawsuit from Young Money, in conjunction with Drake, against an unauthorized album entitled The Girls Love Drake, which was released on iTunes under dubious means.  Drake then joined the rest of the label's roster the America's Most Wanted Tour in July 2009. However, during a performance of "Best I Ever Had" in Camden, New Jersey, Drake fell on stage, and tore the anterior cruciate ligament in his right knee. He later underwent surgery on September 8, 2009.

Did he perform concerts after So Far Gone was released?

Drake then joined the rest of the label's roster the America's Most Wanted Tour in July 2009.



Answer the question at the end by quoting:

The Incredible String Band (sometimes abbreviated as ISB) were a psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Scotland in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion, The Hangman's Beautiful Daughter, and Wee Tam and the Big Huge. They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music. Following Palmer's early departure, Williamson and Heron performed as a duo, later augmented by other musicians.
1968 was the band's annus mirabilis with the release of their two most-celebrated albums, The Hangman's Beautiful Daughter and the double LP Wee Tam and the Big Huge (issued as two separate albums in the US). Hangman's reached the top 5 in the UK album charts soon after its release in March 1968 and was nominated for a Grammy in the US. Robert Plant of Led Zeppelin said his group found their way by playing Hangman's and following the instructions. A departure from the band's previous albums, the set relied heavily on a more layered production, with imaginative use of the then new multitrack recording techniques. The album featured a series of vividly dreamlike Williamson songs, such as "The Minotaur's Song", a surreal music-hall parody told from the point of view of the mythical beast, and its centrepiece was Heron's "A Very Cellular Song", a 13-minute reflection on life, love and amoebas, its complex structure incorporating a Bahamian spiritual ("I Bid You Goodnight"). Williamson and Heron in this album had added their girlfriends, Licorice McKechnie and Rose Simpson, to the band to contribute additional vocals and various instruments, including organ, guitar and percussion. Despite their initially rudimentary skills, Simpson swiftly became a proficient bass guitarist, and some of McKechnie's songs were recorded by the band.  By early 1968 the group were capable of filling major venues in the UK. They left behind their folk club origins and embarked on a nationwide tour incorporating a critically acclaimed appearance at the London Royal Festival Hall. Later in the year they performed at the Royal Albert Hall, at open-air festivals, and at prestigious rock venues, such as the Fillmore auditoriums in San Francisco and New York. After their appearance at the Fillmore East in New York they were introduced to the practice of Scientology by David Simons (aka "Rex Rakish" and "Bruno Wolfe", once of Jim Kweskin's Jug Band). Joe Boyd, in his book White Bicycles: Making Music in the 1960s and elsewhere, described how he was inadvertently responsible for their "conversion" when he introduced the band to Simons, who, having become a Scientologist, persuaded them to enrol in his absence. The band's support for Scientology over the next few years was controversial among some fans and seemed to coincide with what many saw as the beginning of a decline in the quality of their work. In an interview with Oz magazine in 1969 the band spoke enthusiastically of their involvement with it, although the question of its effect on their later albums has provoked much discussion ever since.  Their November 1968 album Wee Tam and the Big Huge, recorded before the US trip, was musically less experimental and lush than Hangman's but conceptually even more avant-garde, a full-on engagement with the themes of mythology, religion, awareness and identity. Williamson's otherworldly songs and vision dominate the album, though Heron's more grounded tracks are also among his very best, and the contrast between the two perspectives gives the record its uniquely dynamic interplay between a sensual experience of life and a quest for metaphysical meaning. The record was released as a double album and also simultaneously as two separate LPs, a strategy which lessened its impact on the charts.

Are there any other interesting aspects about this article?
described how he was inadvertently responsible for their "conversion" when he introduced the band to Simons, who, having become a Scientologist,