IN: Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves and the Vandellas) were an American all-female vocal group formed in 1957. The group achieved fame in the 1960s with Motown. Selected Members of the group were inducted into the Rock and Roll Hall of Fame in 1995. Formed in 1957 by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962.

Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland-Dozier-Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely.  That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' sound (and the sound of many Motown acts with the exception of Marvin Gaye, The Temptations, The Marvelettes, and Stevie Wonder) suffered as a result.  However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success.

Did they have any other internal struggles going on?

OUT: the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes


IN: Cook was born at his parents' house, "Shearbridge", in Middle Warberry Road, Torquay, Devon. He was the only son and eldest of the three children of Alexander Edward "Alec" Cook (1906-1984), a colonial civil servant, and his wife Ethel Catherine Margaret, nee Mayo (1908-1994). He was educated at Radley College and Pembroke College, Cambridge, where he studied French and German. As a student, Cook initially intended to become a career diplomat like his father, but Britain "had run out of colonies", as he put it.

Cook played multiple roles on the 1977 concept album Consequences, written and produced by former 10cc members Kevin Godley and Lol Creme. A mixture of spoken comedy and progressive rock with an environmental subtext, Consequences started as a single that Godley and Creme planned to make to demonstrate their invention, an electric guitar effect called the Gizmo, which they developed in 10cc. The project grew into a triple LP boxed set. The comedy sections were originally intended to be performed by a cast including Spike Milligan and Peter Ustinov, but Godley and Creme eventually settled on Cook once they realised he could perform most parts himself.  The storyline centres on the impending divorce of ineffectual Englishman Walter Stapleton (Cook) and his French wife Lulu (Judy Huxtable). While meeting their lawyers - the bibulous Mr. Haig and overbearing Mr. Pepperman (both played by Cook) - the encroaching global catastrophe interrupts proceedings with bizarre and mysterious happenings, which seem to centre on Mr. Blint (Cook), a musician and composer living in the flat below Haig's office, to which it is connected by a large hole in the floor.  Although it has since developed a cult following due to Cook's presence, Consequences was released as punk was sweeping the UK and proved a resounding commercial failure, savaged by critics who found the music self-indulgent. The script and story have evident connections to Cook's own life - his then wife Judy Huxtable plays Walter's wife. Cook's struggles with alcohol are mirrored in Haig's drinking, and there is a parallel between the fictional divorce of Walter and Lulu and Cook's own divorce from his first wife. The voice and accent Cook used for the character of Stapleton are similar to those of Cook's Beyond the Fringe colleague, Alan Bennett, and a book on Cook's comedy, How Very Interesting, speculates that the characters Cook plays in Consequences are caricatures of the four Beyond The Fringe cast members - the alcoholic Haig represents Cook, the tremulous Stapleton is Bennett, the parodically Jewish Pepperman is Miller, and the pianist Blint represents Moore.

Was this well-received?

OUT:
Although it has since developed a cult following due to Cook's presence, Consequences was released as punk was sweeping the UK