input: In June 1985, Savage signed with Vince McMahon. Billed as "the top free agent in pro wrestling", Savage's first appearances on Tuesday Night Titans featured several established managers (including Bobby Heenan, Jimmy Hart, and "Classy" Freddie Blassie) offering their services to Savage. He eventually declined their offers and chose Miss Elizabeth as his new manager. His gimmick was a crazed, ego-maniacal bully who mistreated Miss Elizabeth and threatened anyone who even looked at her. He made his pay-per-view (PPV) debut at The Wrestling Classic on November 7, 1985, participating in a 16-man tournament. He defeated Ivan Putski, Ricky "The Dragon" Steamboat, and the Dynamite Kid before losing by a countout in the finals to Junkyard Dog.  In late 1985, Savage started a feud with then Intercontinental Heavyweight Champion Tito Santana over that title. Santana beat him on October 19, 1985 at San Juan, Puerto Rico. The November 2, 1985 episode of Saturday Night's Main Event, he unsuccessfully challenged Santana for the title (Savage won the match by countout, but not the title because the title did not change hands by countout). In a rematch on the February 24, 1986 (taped February 8) episode of Prime Time Wrestling, he won the WWF Intercontinental Heavyweight Championship at the Boston Garden by using an illegal steel object stashed in his tights to knock out Santana. Early in his WWF career, Savage also won three countout victories (the first at the Spectrum in Philadelphia and the other two at Madison Square Garden) over his future tag team partner WWF World Heavyweight Champion Hulk Hogan (although the belt did not change hands due to the countout) as well as engaging in feuds with Bruno Sammartino and George "The Animal" Steele. During this time, Savage also formed a tag-team with semi-retired wrestler come color commentator Jesse "The Body" Ventura, who would remain a vocal supporter of Savage until Ventura left the WWF in mid-1990, except during Savage's period as a face.  Savage's feud with Steele began on the January 4, 1986 episode of Saturday Night's Main Event, when Steele developed a crush on Miss Elizabeth. At WrestleMania 2, Savage defeated Steele in a match to retain his Intercontinental Heavyweight Title. He resumed his feud with Steele in early 1987, culminating in two Intercontinental Heavyweight title matches, both won by Savage.  Savage wrestled Ricky Steamboat at WrestleMania III in the Pontiac Silverdome. After 19 two-counts, Steamboat pinned Savage (with help from George Steele, who pushed Savage from the top rope seconds before he was pinned) to end his near 14-month reign as Intercontinental Heavyweight Champion. The match was extremely choreographed, as opposed to the "on the fly" nature of most wrestling matches at the time. Savage was a stickler for detail, and he and Steamboat laid out and rehearsed every spot in the match prior to WrestleMania, at his home in Florida. The match was named 1987's Match of the Year by both Pro Wrestling Illustrated and the Wrestling Observer. Steamboat and Savage were seen cheering with and hugging other wrestlers after the match.

Answer this question "How long did he hold the title?"
output: in mid-1990,

input: Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".  The novella itself was originally supposed to be published in Harper's Bazaar's July, 1958 issue, several months before its publication in book form by Random House. But the publisher of Harper's, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November, 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included, but to his disappointment, the magazine ran just a single full-page image of Attie's (another was later used as the cover of at least one paperback edition of the novella). The novella was published by Random House shortly afterwards.  For Capote, Breakfast at Tiffany's was a turning point, as he explained to Roy Newquist (Counterpoint, 1964):  I think I've had two careers. One was the career of precocity, the young person who published a series of books that were really quite remarkable. I can even read them now and evaluate them favorably, as though they were the work of a stranger ... My second career began, I guess it really began with Breakfast at Tiffany's. It involves a different point of view, a different prose style to some degree. Actually, the prose style is an evolvement from one to the other - a pruning and thinning-out to a more subdued, clearer prose. I don't find it as evocative, in many respects, as the other, or even as original, but it is more difficult to do. But I'm nowhere near reaching what I want to do, where I want to go. Presumably this new book is as close as I'm going to get, at least strategically.

Answer this question "Who were some of the character's?"
output: