input: Walter O'Malley was the only child of Edwin Joseph O'Malley (1883-1955), who worked as a cotton goods salesman in the Bronx in 1903. Edwin O'Malley later became the Commissioner of Public Markets for New York City. Walter's mother was Alma Feltner (1882-1940). O'Malley grew up as a Bronx-born New York Giants fan. He frequently attended Giants games at the Polo Grounds with his uncle Clarence. O'Malley was a Boy Scout who rose to the rank of Star.  O'Malley attended Jamaica High School in Queens from 1918 to 1920 and then the Culver Academy (the eventual high school alma mater of future New York Yankees owner George Steinbrenner) in Indiana. He managed both the baseball and tennis teams, served on the executive staff of the student newspaper, was a member of the Hospital Visitation Committee as well as the debate team, Bible Discipline Committee and the YMCA. At Culver, his baseball career was ended with a baseball that hit him on the nose.  Later, he attended the University of Pennsylvania (Penn) and graduated in 1926 as the senior class Salutatorian. At Penn, he was initiated into Theta Delta Chi, and he also served as president of the Phi Deuteron Charge. Upon his graduation from the University of Pennsylvania School of Engineering and Applied Science his father gave him a cabin cruiser that slept eight. He was also Junior and Senior class president. O'Malley originally enrolled at Columbia University in New York City for law school, but after his family lost their money in the Wall Street Crash of 1929, he switched from Columbia Law School to night school at Fordham University. Edwin O'Malley's dry goods business was failing and Walter had to help run the business.

Answer this question "What did his mother do?"
output: 

input: In 1885, Cellier composed a song, "There once was a time, my darling", for a piece produced by George Edwardes, Little Jack Sheppard (1885). Meanwhile he had composed what would become his greatest success, the comic opera Dorothy, with a libretto by B. C. Stephenson. To create the score, Cellier repurposed some of his music from his 1876 failure, Nell Gwynne, which had, nevertheless, received praise for its music. Dorothy had been announced for production at the Royalty Theatre in 1884, but ultimately Edwardes mounted it at his Gaiety Theatre on 25 September 1886. Cellier was in Australia from February 1886 to February 1887, conducting The Mikado and other Gilbert and Sullivan operas for the J. C. Williamson organization and was absent from London during the productions of The Carp, at the Savoy, and Dorothy. Neither the music nor the libretto of Dorothy initially attracted critical praise. The Times wrote, "Gentility reigns supreme, and with it unfortunately also a good deal of the refined feebleness and the ineptitude which are the defects of that quality." Stephenson rewrote the lyrics of one of Cellier's old songs, "Old Dreams" as "Queen of My Heart"; this helped the work to find success after it transferred in December to the Prince of Wales Theatre. The following year H. J. Leslie took over the production from Edwardes and introduced new stars, including Marie Tempest. Dorothy became an even greater success at the box office and transferred in December 1888 to the Lyric Theatre, built using the profits from the production, where it ran into 1889. Its initial run of a total of 931 performances was the longest of any piece of musical theatre up to that time, longer than even The Mikado, a fact that caused consternation to Cellier's friend Arthur Sullivan. Some critics reconsidered their earlier condemnation, the work became regarded as a classic Victorian piece, and the initially despised plot was traced seriously back to the Restoration playwrights David Garrick and Aphra Behn, and to Oliver Goldsmith and even Shakespeare. Its success led to revivals of some of Cellier's earlier works.  Cellier returned to Australia in 1888 to conduct Dorothy and made a final brief visit there for health reasons in early 1891, together with Stephenson. His last comic operas, Doris (1889, with Stephenson) and The Mountebanks (with Gilbert, produced in January 1892, a few days after the composer's death), were both modestly successful. Also after Cellier's death, Rutland Barrington used some of his music in his 1902 adaptation of Water Babies. Often in ill health throughout his life, Cellier was unable to finish The Mountebanks, and Ivan Caryll completed the score.  Cellier owed much to the influence of Sullivan. He was a fertile melodist, and his writing exhibited elegance and refinement, although he was not able to infuse his music with humour in the way that Sullivan did.  Cellier died at his home in Bloomsbury, London, at the age of 47. He was buried in West Norwood Cemetery.

Answer this question "What are some of his other later pieces?"
output: His last comic operas, Doris (1889, with Stephenson) and The Mountebanks (with Gilbert, produced in January 1892,

input: Eddie Kendricks and Paul Williams started singing together in church as children. By their teenage years, they formed a doo-wop quartet in 1955 with Kell Osborne and Wiley Waller, naming themselves the Cavaliers.  After Waller left the group in 1957, the remaining trio left Birmingham to break into the music business. The group settled in Detroit where they changed their name to the Primes under the direction of Milton Jenkins. The Primes soon became well known around the Detroit area for their meticulous performances. Jenkins later created a sister group, The Primettes, later known as the Supremes. Kendricks was already seen as a "matinee idol" in the Detroit area while Williams was well received for his baritone vocals. Texas teenager Otis Williams moved to Detroit as a youngster to be with his mother.  By 1958, Williams was the leader of a vocal group named Otis Williams and the Siberians. The group included Elbridge "Al" Bryant, James "Pee-Wee" Crawford, Vernard Plain and Arthur Walton. The group recorded a song, "Pecos Kid" for a label run by radio deejay Senator Bristol Bryant. Shortly after its release, the group changed its name to The El Domingoes. Following this, Montgomery native Melvin Franklin replaced Arthur Walton as bass vocalist and Detroit-born Richard Street (claimed by Melvin Franklin to be his cousin) replaced Vernard Plain as lead singer. Signing with Johnnie Mae Matthews' Northern Records, the group had their name changed again to The Distants.  The group recorded two Northern singles including "Come On" (1959) and "Alright" (1960). Between these releases, Albert "Mooch" Harrell replaced Pee-Wee Crawford. "Come On" became a local hit and the Warwick Records label picked the record up for national distribution. Following the release of "Alright", Matthews appointed Williams the group leader, and the group's name was changed to Otis Williams & The Distants. During this period, both the Primes and Distants were influenced by other vocal groups including the Miracles. Other inspirations included the Cadillacs, Frankie Lymon & the Teenagers, the Drifters, and the Isley Brothers. Though "Come On" was a local hit in the Detroit area, the Distants never saw much record sales and "Alright" was not as successful. After receiving an offer from Berry Gordy to sign with Motown Records, the Distants got out of their contract with Northern Records. However, Mooch Harrell and Richard Street shortly departed from the group and the remaining members lost use of the Distants name. Richard Street later formed another Distants group who recorded for the Thelma label in the early 1960s.

Answer this question "was there any controversy"
output: