Answer the question at the end by quoting:

Remment Lucas "Rem" Koolhaas (Dutch pronunciation: [rem ko:lha:s]; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. Koolhaas studied at the Architectural Association School of Architecture in London and at Cornell University in Ithaca, New York. Koolhaas is the founding partner of OMA, and of its research-oriented counterpart AMO based in Rotterdam, the Netherlands. In 2005, he co-founded Volume Magazine together with Mark Wigley and Ole Bouman.
Following the signing of Treaties of Nice in May 2001, which made Brussels the de facto capital of the European Union, the then President of the European Commission, Romano Prodi and the Belgian Prime Minister Guy Verhofstadt invited Koolhaas to discuss the necessities and requirements of a European capital.  During these talks and as an impetus for further discussion, Koolhaas and his think-tank AMO - an independent part of OMA - suggested the development of a visual language. This idea inspired a series of drawings and drafts, including the "Barcode". The barcode seeks to unite the flags of the EU member countries into a single, colourful symbol. In the current European flag, there is a fixed number of stars. In the barcode however, new Member States of the EU can be added without space constraints. Originally, the barcode displayed 15 EU countries. In 2004, the symbol was adapted to include the ten new Member States.  Since the time of the first drafts of the barcode it has very rarely been officially used by commercial or political institutions. During the Austrian EU Presidency 2006, it was officially used for the first time. The logo was used for the EU information campaign, but was very negatively criticized. In addition to the initial uproar caused by the Estonian flag stripes being displayed incorrectly, the proposed flag failed to achieve its main objective as a symbol. Critics pointed the lack of capability to relate the signified (the mental concept, the European Union) with the signifier (the physical image, the stripes) as the major problem, as well as the presented justification for the order in which the color stripes were displayed (as every country in the EU should be regarded as equal in importance and priority).

What is AMO?





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Simply Red are a British soul and pop band which formed in 1985 in Manchester. The lead singer of the band was the singer and songwriter Mick Hucknall, who, by the time the band was disbanded in 2010, was the only original member left. Since the release of their debut studio album Picture Book (1985), they have had ten songs reach top 10 in the UK Singles Chart, including "Holding Back the Years" and "If You Don't Know Me by Now", both of which reached number one on the US Billboard Hot 100. They have had five number one albums in the UK, with their 1991 album, Stars, one of the best-selling albums in UK chart history.
Guitarist Richardson left after the release of Men and Women, and was replaced by Brazilian Heitor Pereira (billed as Heitor TP).  With their third album A New Flame in 1989, Simply Red adopted a yet more mainstream popular sound aimed for commercial rather than critical success, typified by their cover of Harold Melvin & the Blue Notes' pop classic "If You Don't Know Me by Now", which became their second U.S. #1 hit, and one of the biggest singles of the year internationally; and their greatest success to that point.  Hucknall was by this time an international superstar, being photographed with models and Hollywood celebrities. This seemed to harm the band's coherence as a unit, with Hucknall declaring in 1991 that Simply Red was "essentially a solo project". The rhythm section of Bowers and Joyce left around this time; they were replaced by bassist Shaun Ward (ex-Floy Joy and Everyday People) and drummer Gota Yashiki (often billed as just Gota).  The band's career peaked in late 1991 with the release of Stars, which became the best-selling album for two years running in Europe and the UK (though notably had far less success in the US than their previous albums). The album spun off five top 40 singles in the UK, and the singles "Something Got Me Started" and "Stars" were also significant chart hits throughout all of Europe, North America, Australia and New Zealand. After the tour, Tim Kellett left to form dance band Olive.  After touring and promoting Stars for two years, Simply Red returned in 1995 with "Fairground", a dance-influenced track prominently featuring a sample from Zki & Dobri's Goodmen project. A massive radio hit, "Fairground" went on to become the band's first and only UK #1. Its parent album Life sold more than a million copies in the UK alone, making it the fourth-biggest seller of the year. By this time, the band was officially Hucknall, McIntyre, Kirkham, Pereira, and new backing vocalist Dee Johnson. Guest musicians (including Sly & Robbie) filled in on drums and bass. For the subsequent live shows, Simply Red were joined by new recruits' Steve Lewinson on bass, Velroy Bailey on drums, and second backing vocalist Sarah Brown.

What was the name of their website?





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Donna Jeanne Haraway was born in 1944 in Denver, Colorado. Haraway's father was a sportswriter for The Denver Post and her mother, who came from a heavily Irish Catholic background, died when Haraway was 16 years old. Haraway attended high school at St. Mary's Academy in Cherry Hills Village, Colorado. Haraway triple majored in zoology, philosophy and literature at the Colorado College.
Haraway also writes about the history of science and biology. In Primate Visions: Gender, Race, and Nature in the World of Modern Science (1990), she focused on the metaphors and narratives that direct the science of primatology. She asserted that there is a tendency to masculinize the stories about "reproductive competition and sex between aggressive males and receptive females [that] facilitate some and preclude other types of conclusions". She contended that female primatologists focus on different observations that require more communication and basic survival activities, offering very different perspectives of the origins of nature and culture than the currently accepted ones. Drawing on examples of Western narratives and ideologies of gender, race and class, Haraway questioned the most fundamental constructions of scientific human nature stories based on primates. In Primate Visions, she wrote:  "My hope has been that the always oblique and sometimes perverse focusing would facilitate revisionings of fundamental, persistent western narratives about difference, especially racial and sexual difference; about reproduction, especially in terms of the multiplicities of generators and offspring; and about survival, especially about survival imagined in the boundary conditions of both the origins and ends of history, as told within western traditions of that complex genre".  Haraway's aim for science is "to reveal the limits and impossibility of its 'objectivity' and to consider some recent revisions offered by feminist primatologists". Haraway presents an alternative perspective to the accepted ideologies that continue to shape the way scientific human nature stories are created. Haraway urges feminists to be more involved in the world of technoscience and to be credited for that involvement. In a 1997 publication, she remarked:  I want feminists to be enrolled more tightly in the meaning-making processes of technoscientific world-building. I also want feminist--activists, cultural producers, scientists, engineers, and scholars (all overlapping categories) -- to be recognized for the articulations and enrollment we have been making all along within technoscience, in spite of the ignorance of most "mainstream" scholars in their characterization (or lack of characterizations) of feminism in relation to both technoscientific practice and technoscience studies.

What else did she write about in primate visions?
Drawing on examples of Western narratives and ideologies of gender, race and class, Haraway questioned the most fundamental constructions