Problem: Background: Meredith was born in 1907 in Cleveland, Ohio, the son of Ida Beth (nee Burgess) and Dr. William George Meredith, a Canadian-born physician, of English descent. His mother came from a long line of Methodist revivalists, a religion to which he adhered throughout his lifetime. Meredith graduated from Hoosac School in 1926 and then attended Amherst College (class of 1931). He left Amherst, and became a reporter for the Stamford Advocate.
Context: Early in his career, Meredith attracted favorable attention, especially for playing George in a 1939 adaptation of John Steinbeck's Of Mice and Men and as war correspondent Ernie Pyle in The Story of G.I. Joe (1945). He was featured in many 1940s films, including three -- Second Chorus (1940), Diary of a Chambermaid (1946), and On Our Merry Way (1948) -- co-starring then-wife Paulette Goddard. He also played alongside Lana Turner in Madame X. As a result of the House Committee on Un-American Activities investigation, Meredith was placed on the Hollywood blacklist, and was largely absent from film for the next decade, though he remained involved in stage plays and radio during this time.  Meredith was a favorite of director Otto Preminger, who cast him in Advise and Consent (1962), The Cardinal (1963), In Harm's Way (1965), Hurry Sundown (1967), Skidoo (1968), and Such Good Friends (1971). He was in Stay Away Joe (1968), appearing as the father of Elvis Presley's character. In 1975, he received critical acclaim for his performance as Harry Greene in The Day of the Locust and received nominations for the BAFTA, Golden Globe, and Academy Award for best supporting actor. Meredith then played Rocky Balboa's trainer, Mickey Goldmill, in the first three Rocky films (1976, 1979, and 1982). Though his character died in the third Rocky film, he returned briefly in a flashback in the fifth film, Rocky V (1990). His portrayal in the first film earned him his second consecutive nomination for the Academy Award for Best Supporting Actor.  Meredith played an old Korean War veteran Captain J.G. Williams in The Last Chase with Lee Majors. He appeared in Ray Harryhausen's last stop-motion feature Clash of the Titans (1981), in a supporting role. Meredith appeared in Santa Claus: The Movie (1985), and was a voice actor in G.I. Joe: The Movie (1989). In his last years, he played Jack Lemmon's character's sex-crazed 95-year-old father in Grumpy Old Men (1993) and its sequel, Grumpier Old Men (1995).  Meredith directed the movie The Man on the Eiffel Tower (1949) starring Charles Laughton, which was produced by Irving Allen. Meredith also was billed in a supporting role in this film. In 1970, he directed (as well as co-wrote and played a supporting role in) The Yin and the Yang of Mr. Go, an espionage caper starring James Mason and Jeff Bridges.
Question: what was burgess involvement with cinema?
Answer: Meredith attracted favorable attention, especially for playing George in a 1939 adaptation of John Steinbeck's Of Mice and Men

Problem: Background: Rabindranath Tagore FRAS ( ( listen); Bengali: [robindronath thakur]), also written Ravindranatha Thakura (7 May 1861 - 7 August 1941), sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became in 1913 the first non-European to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal.
Context: Dutta and Robinson describe this phase of Tagore's life as being one of a "peripatetic litterateur". It affirmed his opinion that human divisions were shallow. During a May 1932 visit to a Bedouin encampment in the Iraqi desert, the tribal chief told him that "Our prophet has said that a true Muslim is he by whose words and deeds not the least of his brother-men may ever come to any harm ..." Tagore confided in his diary: "I was startled into recognizing in his words the voice of essential humanity." To the end Tagore scrutinised orthodoxy--and in 1934, he struck. That year, an earthquake hit Bihar and killed thousands. Gandhi hailed it as seismic karma, as divine retribution avenging the oppression of Dalits. Tagore rebuked him for his seemingly ignominious implications. He mourned the perennial poverty of Calcutta and the socioeconomic decline of Bengal, and detailed these newly plebeian aesthetics in an unrhymed hundred-line poem whose technique of searing double-vision foreshadowed Satyajit Ray's film Apur Sansar. Fifteen new volumes appeared, among them prose-poem works Punashcha (1932), Shes Saptak (1935), and Patraput (1936). Experimentation continued in his prose-songs and dance-dramas-- Chitra (1914), Shyama (1939), and Chandalika (1938)-- and in his novels-- Dui Bon (1933), Malancha (1934), and Char Adhyay (1934).  Tagore's remit expanded to science in his last years, as hinted in Visva-Parichay, a 1937 collection of essays. His respect for scientific laws and his exploration of biology, physics, and astronomy informed his poetry, which exhibited extensive naturalism and verisimilitude. He wove the process of science, the narratives of scientists, into stories in Se (1937), Tin Sangi (1940), and Galpasalpa (1941). His last five years were marked by chronic pain and two long periods of illness. These began when Tagore lost consciousness in late 1937; he remained comatose and near death for a time. This was followed in late 1940 by a similar spell, from which he never recovered. Poetry from these valetudinary years is among his finest. A period of prolonged agony ended with Tagore's death on 7 August 1941, aged eighty; he was in an upstairs room of the Jorasanko mansion he was raised in. The date is still mourned. A. K. Sen, brother of the first chief election commissioner, received dictation from Tagore on 30 July 1941, a day prior to a scheduled operation: his last poem.  I'm lost in the middle of my birthday. I want my friends, their touch, with the earth's last love. I will take life's final offering, I will take the human's last blessing. Today my sack is empty. I have given completely whatever I had to give. In return if I receive anything--some love, some forgiveness--then I will take it with me when I step on the boat that crosses to the festival of the wordless end.
Question: On what year he's famous?
Answer: