Problem: Background: "Hey Jude" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon-McCartney. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's son, Julian, during his parents' divorce. "Hey Jude" begins with a verse-bridge structure incorporating McCartney's vocal performance and piano accompaniment; further instrumentation is added as the song progresses. After the fourth verse, the song shifts to a fade-out coda that lasts for more than four minutes. "
Context: Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off.
Question: When was the song mixed?
Answer: 8 August.

Background: Born and raised in Mbewuleni, Cape Province, Union of South Africa, Mbeki is one of four children of Epainette and Govan Mbeki. The economist Moeletsi Mbeki is one of his brothers. His father was a stalwart of the African National Congress (ANC) and the South African Communist Party. He is a native Xhosa speaker.
Context: Together with Oliver Tambo, Mbeki left London for Lusaka in April 1971 to take up the position of assistant secretary of the ANC's Revolutionary Council (RC). This was the first time in nine years that Mbeki was setting foot on African soil. The aim of the RC at this time was to bridge an ever-widening gap between the ANC in exile and the people back home. In Lusaka, Mbeki was housed in a secret location in Makeni, south-west of the city. Later, Mbeki moved over to work in the ANC's propaganda section. But he continued to attend RC meetings. Four months after his arrival in Lusaka, Mbeki travelled to Beichlingen to deliver a speech on behalf of the ANC's Executive Committee at the YSS summer school. This was a turning point in Mbeki's life as it was the first time he spoke on behalf of the ANC as opposed to the ANC Youth League.  In December 1972, Mbeki joined Tambo at Heathrow Airport to meet Mangosuthu Buthelezi to discuss mass resistance to apartheid. Mbeki is credited with facilitating the establishment of Inkatha - it was his responsibility to nurture the relationship between Buthelezi and the ANC. Mbeki was deployed to Botswana in 1973 to facilitate the development of an internal underground.  Mbeki's life took a significant turn on 23 November 1974 when he married Zanele Dlamini. The wedding ceremony took place at Farnham Castle, the residence of Zanele's sister Edith and her husband, Wilfred Grenville-Grey. Adelaide Tambo and Mendi Msimang stood in loco-parentis for Mbeki while Essop Pahad was Mbeki's best man. The wedding, according to ANC rules, had to be approved by the organisation - a rule that applied to all permanently deployed members of the ANC.
Question: When did he arrive in Lusaka?
Answer:
Mbeki left London for Lusaka in April 1971