Problem: Background: Ravinder Singh "Ravi" Bopara (born 4 May 1985) is an English cricketer who plays for Essex and England. Originally a top-order batsman, his developing medium pace bowling has made him an all-rounder and he has the best bowling figures for England in a Twenty20 International. Bopara has also played for Karachi Kings in the Pakistan Super League, Kings XI Punjab in the Indian Premier League, Sydney Sixers in the Big Bash League and Chittagong Vikings in the Bangladesh Premier League. Bopara was first called up to the England One Day International team in 2007, before a difficult Test debut in Sri Lanka saw him dropped in early 2008 after a string of three ducks.
Context: On 18 February 2009, Bopara, along with Amjad Khan, was invited to join the England Test squad on their tour of the West Indies as cover for Andrew Flintoff who was struggling with a hip injury. He scored 124 not out in a warm up match, earning him a place in the 4th Test against the West Indies. In the first innings he scored his maiden Test century with 104 off 143 balls before being caught. He was dropped for the next Test of the series, however he was re-selected for the first Test of the home series against the West Indies on 6 May. There he scored his second consecutive Test century, scoring 143 runs from 186 balls. He then scored another century in the second Test, becoming only the fifth England player to score three consecutive centuries. He credited his success to his coaching by Graham Gooch at Essex.  Bopara played well in England's opening game of the T20 World Cup, hitting 46 against the Netherlands. He made 37 against India before 55 against the West Indies, although England lost the match by 5 wickets. This meant that England progress no further in the competition despite being on home soil.  Australians Mitchell Johnson and Ricky Ponting stated to local media that during the upcoming 2009 Ashes series they were going to target Bopara in particular.  On 22 June, the England selectors announced a sixteen-man preliminary Ashes squad for that summer's series; it included Bopara. Cricinfo staff wrote that "Bopara's stock could not be higher". He found success in a warm-up match against Warwickshire, however, scoring 104 while opening with Andrew Strauss.  Bopara struggled during the series, however, with scores of 35, one, 18, 27, 23, one and a duck. He was dismissed by Ben Hilfenhaus in five of his seven innings. Speculation grew about his position for the final Test, where England required a win to regain the Ashes, and it was announced on 16 August that Bopara had been dropped in favour of uncapped Jonathan Trott, who went on to score a century on debut. Bopara returned to Essex and scored 201 against Surrey, and despite being replaced in the Test team remained in England's squads for the ODI series against Australia and the Champions Trophy in September. On 11 September 2009 it was announced that Bopara had been awarded an "incremental contract" with England, as had Trott. However, after the Champions Trophy Bopara did not play ODI cricket for ten months.
Question: Did he play on any other major games?
Answer: after the Champions Trophy Bopara did not play ODI cricket for ten months.

Background: Culture Club are an English band that was formed in 1981. The band comprised Boy George (lead vocals), Roy Hay (guitar and keyboards), Mikey Craig (bass guitar) and Jon Moss (drums and percussion). They are considered one of the most representative and influential groups of the 1980s. Culture Club sold more than 50 million albums and 100 million singles (including Boy George solo) records worldwide, including 7 million-records awards RIAA certificate in the United States.
Context: The band's second album, Colour by Numbers (UK No. 1, US No. 2), was released in 1983. The first single, "Church of the Poison Mind", featuring backing vocalist Helen Terry, reached the UK and US Top 10. The second single, "Karma Chameleon", gave the band their biggest hit, peaking at No. 1 in the UK (the band's second chart-topper there), where it became the best selling single of 1983 and has sold 1.5 million copies there to date. It also peaked at No. 1 in the US for three consecutive weeks, and would ultimately hit No. 1 in 30 countries, thus becoming one of the top twenty best-selling singles of the 1980s sold up 7 million copies worldwide, with one of the most iconic images of Boy George on the cover shot by photographer David Levine.  The album Colour by Numbers would spawn more hits including "Miss Me Blind" (#5 US), "It's a Miracle" (#4 UK, No. 13 US), and "Victims" (#3 UK), and sold four million copies in the US and another five million worldwide at its time of release. The album gave Culture Club the distinction of being the first group in music history to have an album certified diamond in Canada (for sales of one million copies in that country). The band also won the 1984 Brit Award for Best Group and the Grammy Award for Best New Artist, where George gave a speech via satellite stating, "Thanks America, you've got style, you've got taste, and you know a good drag queen when you see one."  The group's back-up singer, Helen Terry, began work on her solo album, for which George and Hay wrote the song "Love Lies Lost". The pair also wrote "Passing Friend" for the Beach Boys' album. Culture Club wrote two songs for the soundtrack to the movie Electric Dreams. George and Hay wrote "The Dream" and "Love Is Love", with the latter being released as a single in Canada and Japan, the E.P "Love is Love" became a major hit in Japan. George also collaborated on the song "Electric Dreams", sung by P. P. Arnold. The song was written with Phil Pickett (former member of the 1970s band Sailor) who had also co-written "Karma Chameleon" and frequently played keyboards for the group.  Despite Culture Club's commercial success, there were significant pressures within the band. George was using drugs with money from his new-found fame. George and Moss were also romantically involved with each other, which was unknown to the public and the media at the time. Their relationship lasted for over four years and was often turbulent, with alleged physical and verbal abuse. Their constant arguments and the pressure to hide the relationship from the public started to take its toll on the band.
Question: What else happened with Karma Chameleon?
Answer:
peaking at No. 1 in the UK (the band's second chart-topper there), where it became the best selling single of 1983