input: Norman endured another setback at the 1987 Masters. In his final round on the 18th green, Norman had a 20-foot putt for a birdie that would win the tournament. The ball trickled over the left lip of the cup, missing by millimetres. After Norman's par on the 72nd hole at Augusta, he found himself in a sudden-death playoff with Larry Mize and Seve Ballesteros. On the second playoff hole, with Ballesteros eliminated, Mize holed a 47-yard (140-foot) chip to win the tournament. Norman did, however, win the Australian Masters in February 1987 and the Australian Open later in the year by a record ten shots at Royal Melbourne Golf Club, beating the previous Australian Open record winning margin of eight strokes by Jack Nicklaus in 1971. Norman's 1987 victory at the Australian Open lifted him back above Seve Ballesteros to the top of the Official World Golf Ranking.  Norman had another four wins in Australia in 1988. In the U.S., Norman won the MCI Heritage Golf Classic at Hilton Head Island, South Carolina in April 1988, inspired by a leukemia-stricken teenager who got his wish to meet Norman and watch him play. The teenager was only supposed to watch the golfer for two rounds, but Norman arranged for him to stay until the tournament's completion. After the tournament, Norman awarded the teen with the trophy. He was inducted into the Sport Australia Hall of Fame in that year.  At the 1989 Masters, Norman missed a 12-foot par putt on the 72nd hole which would have put him into a playoff with Nick Faldo and Scott Hoch. Norman had another chance at a major in 1989, this time at the Open Championship at Royal Troon. He played a final-round of 64, starting his round with six straight birdies, to force his way into a playoff with Mark Calcavecchia and Wayne Grady. Going into the final playoff hole, Norman and Calcavecchia were tied, but two successive bunker shots by Norman gave Calcavecchia the victory.  Norman won the Doral-Ryder Open and Memorial Tournament in March 1990 after having missed the cut for the first time at the 1990 Masters. In the 1990 Open Championship at St Andrews, Norman began with two rounds of 66, leaving himself sharing the lead with Nick Faldo after 36 holes and the pair four shots ahead of the rest of the field. Faldo then shot a third round of 67, but Norman could only manage 76. Norman finished the tournament tied for sixth place, while Faldo won by five shots. Although 1990 was not Norman's strongest majors year, he finished at the top of the PGA Tour money list for the second time in his career and won the Vardon Trophy and Byron Nelson Award. Later that year, he won the Australian Masters in his home country for a final and record sixth time.

Answer this question "what locations did he win at in 1986?"
output: Norman's 1987 victory at the Australian Open lifted him back above Seve Ballesteros

Problem: Background: Innervisions is the 16th studio album by American musician Stevie Wonder, released August 3, 1973, on the Tamla label for Motown Records, a landmark recording of his "classic period". The nine tracks of Innervisions encompass a wide range of themes and issues: from drug abuse in "Too High", through inequality and systemic racism in "Living for the City", to love in the ballads "All in Love Is Fair" and "Golden Lady". The album's closer, "He's Misstra Know-It-All", is a scathing attack on then-US President Richard Nixon, similar to Wonder's song a year later, "You Haven't Done Nothin'".
Context: After Talking Book hit the top 5 of the Billboard albums chart in early 1973 and achieved steady sales during the rest of the year, Innervisions became another considerable hit in the charts. The album debuted on the Billboard albums chart on August 18, 1973 at number 85, then climbed up weekly to number 22, number 14, number nine, number six until reaching its peak position of number four on September 15. The album remained inside the top 20 until the end of the year and remained inside the top 200 during the whole calendar year of 1975. It was also Wonder's second consecutive soul album to top the Black Albums chart where it remained for two weeks. (In the Cashbox chart, Innervisions reached number one near the end of the year.) In the UK the album also achieved success, and became Stevie Wonder's first album ever to reach the UK top 10, peaking at number eight.  Three hit singles were issued from the album. "Higher Ground", released some weeks before Innervisions, reached number four on the singles chart in late October 1973 (it was also a number one on the Cashbox singles chart). "Living for the City" was released immediately and reached number eight in early January 1974. Both singles reached number one on the R&B chart. Finally, "Don't You Worry 'bout a Thing" was released in March, reaching number 16 in early June, and also peaked at number two on the R&B charts. In the UK, "Higher Ground" and "Living for the City" were released as singles but achieved modest success, reaching only numbers 29 and 15, respectively. Only a third single issued there, "He's Misstra Know-It-All", managed to reach the top 10, peaking at number eight on the UK Singles Chart.  "All in Love Is Fair" was a later a hit for Barbra Streisand, who recorded it and released as a single in 1974.
Question: What was his his single?
Answer: Three hit singles were issued from the album. "Higher Ground",

Question: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.

The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.

Using a quote from the above article, answer the following question: What songs were in the production?
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Answer:
there is a small part of "Soliloquy" found on no other recording,