input: The foundation for the group started in Kilsyth and the neighbouring village of Banton, when vocalist James Graham met guitarist Andy MacFarlane in high school and went on to form a cover band with some friends, which included drummer Mark Devine. After leaving school, they decided to take it more seriously. In late 2003, MacFarlane met bassist Craig Orzel in a bus stop and invited him to join the newly formed band. They took their name from a line in the poem But I Was Looking at the Permanent Stars by British poet Wilfred Owen, which reads "Sleep mothered them; and left the twilight sad."  They performed two highly experimental shows at The 13th Note Cafe in Glasgow that revolved around 30-minute noise jams with guitars, bass, drums, theremin, tape loops from films and old folk and country songs, effects pedals, toy keyboards, thumb pianos, and computer games. Afterwards, they decided to take a more traditional approach, which led them to write their first song, "That Summer, at Home I Had Become the Invisible Boy".  In September 2005, they produced a 4-song demo with a 24-track desk, trying to get the best representation as possible, and sent it over to Brighton-based Fat Cat Records. Alex Knight, co-founder of the label, went to Glasgow to watch the band perform their third gig and signed them on the spot. The demo recordings were later issued commercially on a split cassette tape release with Frightened Rabbit for Record Store Day in 2011.  The band credit Planet Sound for giving them their first review, when a demo of their song "That Summer, at Home I Had Become the Invisible Boy" received a 9/10 rating from the magazine in 2005. James Graham remarked, "That was the first review we ever had... we were thrilled. It gave us a lot of confidence we were on the right path." The band's first commercial release, their self-titled EP, was mixed by label mate Max Richter and released in November 2006 in the United States only. They then proceeded to play the fourth gig of their career at New York's CMJ Music Marathon. During this time the band also toured with Micah P. Hinson and participated in 2007's South by Southwest music festival before their debut album was released.

Answer this question "What was their 2nd single?"
output: The band credit Planet Sound for giving them their first review, when a demo of their song "That Summer, at Home I Had Become the Invisible Boy" received

input: Guitarist Emmett's songwriting style showed a progressive rock influence, as well as displaying his classical music influence; each Triumph album included a classical guitar solo piece. Moore also doubled as lead singer on many of the band's heavier songs and in their later years, some softer ballads; bassist and pianist Levine produced their early albums. Triumph's style proved unpopular with rock critics, much like many progressive rock and heavy metal bands. Rolling Stone reviewers labeled them a "faceless band."  Moore and Levine scouted Emmett one summer night in 1975 at a west-end Toronto club on The Queensway, called The Hollywood Tavern, where Emmett was playing in a band called ACT III. The three musicians subsequently got together for a jam session in the basement of Moore's house in Mississauga, after which Moore and Levine showed Emmett promo materials and contracts they had already secured for gigs starting in September of that year. They offered Emmett a guaranteed minimum weekly paycheck of $175, and Emmett agreed to join as an equal founding partner.  Triumph's first paid concert was at Simcoe High School on September 19, 1975, for $750. By August 26, 1978 they were headliners at the Canada Jam Festival at Mosport Park playing before a crowd of 110,000 people.  Triumph signed their first record deal with Attic Records in Canada. They later signed with RCA Records in the US covering all areas except Canada. After the RCA deal ended in acrimony, MCA Records picked up the band and re-released all their music to date in 1984. After the shift to MCA, the band began to work with outside producers, and their studio albums became increasingly difficult to replicate onstage. Triumph later added Rick Santers, a Toronto guitar and keyboard player, to support their last three tours.  Triumph's first album (originally self-titled but later renamed In the Beginning) was rare outside Canada, but their widely released second LP, Rock & Roll Machine, received some scattered airplay in the US, with Gil Moore's cover of Joe Walsh's "Rocky Mountain Way." In mid 1978 Triumph subbed in for Sammy Hagar on an FM radio-station promotion date in San Antonio, Texas, followed by a run of 5 shows in Texas for JAM Productions (a promoter named Joe Anthony), then toured across Canada with fellow Canadian rockers Moxy and Trooper. San Antonio remained a popular location for the trio throughout its career.

Answer this question "What was there second album?"
output: their widely released second LP, Rock & Roll Machine,

input: Seaver and the Mets were stunned on January 20, 1984 when he was claimed in a free-agent compensation draft by the Chicago White Sox. The team (especially GM Frank Cashen) had incorrectly assumed that no one would pursue a high-salaried, 39-year-old starting pitcher, and left him off the protected list. Faced with either reporting to the White Sox or retiring, Seaver chose the former. The result for the Mets was an opening in the starting rotation that allowed Dwight Gooden to be part of the team.  Seaver pitched two and a half seasons in Chicago and recorded his last shutout on July 19, 1985 against the visiting Indians. In an anomaly, Seaver won two games on May 9, 1984; he pitched the 25th and final inning of a game suspended the day before, picking up the win in relief against the Milwaukee Brewers, before starting and winning the day's regularly scheduled game, also facing the Brewers.  After Seaver's 298th win, a reporter had pointed out to White Sox catcher Carlton Fisk that following his upcoming start in Boston, Seaver's next scheduled start would be in New York, and that the possibility existed that he might achieve the mark there. Fisk emphatically stated that Seaver would win in Boston, and then would win his 300th.  On August 4, 1985, Seaver recorded his 300th victory at Yankee Stadium against the Yankees, throwing a complete game 4-1 victory. Don Baylor was the tying run at the plate; he hit a fly ball to left field for the final out of the game. Coincidentally, it was Phil Rizzuto Day - Seaver would later become Rizzuto's broadcast partner for Yankee games. Lindsey Nelson, a Mets radio and TV announcer during Seaver's Mets days, called the final out for Yankees TV flagship WPIX.

Answer this question "Did he play for the Mets?"
output:
Mets