Some context: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.
The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009.  In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s.  In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.
What did this bring about
A: In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s.

Question: Harel Skaat was born on 8 August 1981, in Kfar Saba, Israel, to a family of Yemenite-Jewish and Iraqi-Jewish descent. When he was six years old, he won a national children's festival competition entitled "A Star for the Evening - Singing Big" in his hometown and while still a child he appeared in an episode of a popular Israeli television show called Parpar Nehmad (prpr nkhmd, Nice Butterfly). Throughout his youth, he continued to appear at festivals and television shows, and at the age of 15 he was the lead singer of both the Kfar Saba city band and his high school band. At 18, he sang with the Israel Defense Forces' Communications Corps.

In 2006, Skaat began a concert tour to promote his debut album, performing throughout Israel, including a concert at the Frederic R. Mann Auditorium in Tel Aviv (home to the Israel Philharmonic Orchestra). The tour eventually passed the 200 concert mark, an achievement which has been widely noted in the Israeli media. In 2009 Skaat began a second concert tour to promote the Dmuyot album. Reuters' music writer and critic, Assaf Nevo began his review of the launch of that tour by noting that if a computer were to create the ultimate Israeli pop singer it would resemble Skaat, who he wrote combined the charisma of Shlomo Artzi, the star quality of Ivri Lider, the vocal clarity of Izhar Cohen, the cuteness of Evitar Banai, and the sensitivity of Rami Kleinstein. While Nevo viewed Skaat as a good pop singer, he believed that Skaat's music did not extend beyond this genre.  Skaat has also frequently appeared at the Zappa night clubs in Tel Aviv and Herzliya, which regularly features live music from both Israeli and international musicians.  One of Skaat's first major appearances after Eurovision was on 28 July 2010 in Tel Aviv at a tribute to the French singer, Serge Gainsbourg. Skaat had been scheduled to perform at the opening ceremony of the XIX International Festival of Arts, "Slavianski Bazaar in Vitebsk" in Belarus on 9 July 2010, but his appearance was canceled by the organizers two days before the event. The organizers cited a need to downsize the number of concerts as a reason for the cancellation, but Israeli diplomatic sources alleged that the cancellation was due to political reasons and the Israeli ambassador to Belarus refused to attend the opening ceremony in protest. In March 2011, Skaat took part in a unique collaboration: singing three of his songs live in the Sharon Levi's Barcelona Dance Company's tap dance show, "Fragments", which debuted in Paris.

Using a quote from the above article, answer the following question: What songs did he sing there
HHHHHH
Answer: 

Some context: Warren Edward Buffett (; born August 30, 1930) is an American business magnate, investor, and philanthropist who serves as the chairman and CEO of Berkshire Hathaway. He is considered one of the most successful investors in the world and has a net worth of US$87.5 billion as of February 17, 2018, making him the third wealthiest person in the United States and in the world. Buffett was born in Omaha, Nebraska.
Warren Buffett's writings include his annual reports and various articles. Buffett is recognized by communicators as a great story-teller, as evidenced by his annual letters to shareholders. He warned about the pernicious effects of inflation:  The arithmetic makes it plain that inflation is a far more devastating tax than anything that has been enacted by our legislatures. The inflation tax has a fantastic ability to simply consume capital. It makes no difference to a widow with her savings in a 5 percent passbook account whether she pays 100 percent income tax on her interest income during a period of zero inflation, or pays no income taxes during years of 5 percent inflation.  In his article "The Superinvestors of Graham-and-Doddsville", Buffett rebutted the academic efficient-market hypothesis, that beating the S&P 500 was "pure chance", by highlighting the results achieved by a number of students of the Graham and Dodd value investing school of thought. In addition to himself, Buffett named Walter J. Schloss, Tom Knapp, Ed Anderson (Tweedy, Browne LLC), William J. Ruane (Sequoia Fund, Inc.), Charles Munger (Buffett's own business partner at Berkshire), Rick Guerin (Pacific Partners, Ltd.), and Stan Perlmeter (Perlmeter Investments). In his November 1999 Fortune article, he warned of investors' unrealistic expectations:  Let me summarize what I've been saying about the stock market: I think it's very hard to come up with a persuasive case that equities will over the next 17 years perform anything like--anything like--they've performed in the past 17. If I had to pick the most probable return, from appreciation and dividends combined, that investors in aggregate--repeat, aggregate--would earn in a world of constant interest rates, 2% inflation, and those ever hurtful frictional costs, it would be 6%!
what were the expectations?
A:
it's very hard to come up with a persuasive case that equities will over the next 17 years perform anything like--anything like--they've performed in the past 17.