Background: Lea Michele Sarfati (; born August 29, 1986) is an American actress, singer and author. She began her career as a child actress on Broadway, appearing in productions of Les Miserables (1995-1996), Ragtime (1997-1999), Fiddler on the Roof (2004-2005), and Spring Awakening (2006-2008). Michele came to major prominence playing Rachel Berry on the Fox series Glee (2009-2015), for which she received an Emmy Award nomination and two Golden Globe nominations.
Context: From 2009 until its ending in 2015, Michele starred in the Fox musical comedy-drama series Glee as Rachel Berry, the show's female lead and star singer. The role was written specifically for Michele by co-creator Ryan Murphy. Michele won a number of awards for portraying Rachel, including the 2009 Satellite Award for Best Actress - Television Series Musical or Comedy. She was also nominated for the 2009 Golden Globe Award for Best Actress - Television Series Musical or Comedy, and the 2010 Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series.  Michele was included on Time's list of the 100 Most Influential People In the World for 2010. In December 2010, she received Billboard's first-ever Triple Threat Award. Several songs performed by Michele on the show were released as singles available for digital download. Her cover of The All-American Rejects' song "Gives You Hell" reached the top 40 on the Billboard Hot 100. Michele was featured as lead singer for 14 of the top 20 best-selling Glee cast songs as of 2010. In 2011, she was nominated for two Grammy Awards, for Best Pop Performance by a Duo or Group with Vocals ("Don't Stop Believin'") and Best Compilation Soundtrack Album (Glee: The Music, Volume 1). That same year, Michele was nominated again for the Golden Globe Award for Best Actress - Television Series Musical or Comedy. In 2012 and 2013, she won the People's Choice Award for Favorite TV Comedy Actress.  In May 2010, Michele and the cast of Glee embarked on a music tour of the United States, playing 10 shows in Phoenix, Los Angeles, Chicago, and New York City. The final show of 2010 was at Radio City Music Hall. Jonathan Groff, who played Michele's love interest Jesse St. James on the show, performed with her at the Los Angeles and New York City shows. Glee Live! In Concert! then expanded a year later to include 22 shows across North America and 9 shows in England and Ireland. The cast acted in character for the concerts, which were met with positive reviews.  In October 2010, Michele and co-star Matthew Morrison performed as Janet Weiss and Brad Majors, respectively, in the 35th anniversary benefit concert of The Rocky Horror Picture Show. The event benefited The Painted Turtle and also starred Jack Nicholson and Danny DeVito. In February 2011, Michele performed at The Grammys' MusiCares Person of the Year event in Los Angeles, honoring Barbra Streisand. She sang "My Man" from the Streisand film Funny Girl. Before the Super Bowl XLV on February 6, 2011, Michele performed "America the Beautiful" with the United States Air Force Tops In Blue. She then starred in Garry Marshall's romantic comedy film New Year's Eve, portraying Elise, a back-up singer and the love interest of Ashton Kutcher's character. The film was released worldwide on December 9, 2011.
Question: what songs did she release?
Answer: Her cover of The All-American Rejects' song "Gives You Hell" reached the top 40 on the Billboard Hot 100.

Background: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.
Context: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.
Question: What were some of his pieces?
Answer:
("Le rappel des oiseaux," "La poule")