Problem: Patricia Lee Smith (born December 30, 1946) is an American singer-songwriter, poet, and visual artist who became an influential component of the New York City punk rock movement with her 1975 debut album Horses. Called the "punk poet laureate", Smith fused rock and poetry in her work. Her most widely known song is "Because the Night", which was co-written with Bruce Springsteen. It reached number 13 on the Billboard Hot 100 chart in 1978.

On April 27, 2004, Patti Smith released Trampin' which included several songs about motherhood, partly in tribute to Smith's mother, who had died two years before. It was her first album on Columbia Records, soon to become a sister label to her previous home Arista Records. Smith curated the Meltdown festival in London on June 25, 2005, the penultimate event being the first live performance of Horses in its entirety. Guitarist Tom Verlaine took Oliver Ray's place. This live performance was released later in the year as Horses/Horses.  On July 10, 2005, Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture. In addition to Smith's influence on rock music, the Minister also noted her appreciation of Arthur Rimbaud. In August 2005, Smith gave a literary lecture about the poems of Arthur Rimbaud and William Blake. On October 15, 2006, Patti Smith performed at the CBGB nightclub, with a 3 1/2 -hour tour de force to close out Manhattan's music venue. She took the stage at 9:30 p.m. (EDT) and closed for the night (and forever for the venue) at a few minutes after 1:00 a.m., performing her song "Elegie", and finally reading a list of punk rock musicians and advocates who had died in the previous years.  Smith was inducted into the Rock and Roll Hall of Fame on March 12, 2007. She dedicated her award to the memory of her late husband, Fred, and gave a performance of The Rolling Stones staple "Gimme Shelter". As the closing number of the Rock and Roll Hall of Fame Induction Ceremony, Smith's "People Have the Power" was used for the big celebrity jam that always ends the program.  From November 2006 to January 2007, an exhibition called 'Sur les Traces' at Trolley Gallery, London, featured polaroid prints taken by Patti Smith and donated to Trolley to raise awareness and funds for the publication of Double Blind, a book on the war in Lebanon in 2006, with photographs by Paolo Pellegrin, a member of Magnum Photos. She also participated in the DVD commentary for Aqua Teen Hunger Force Colon Movie Film for Theaters. From March 28 to June 22, 2008, the Fondation Cartier pour l'Art Contemporain in Paris hosted a major exhibition of the visual artwork of Patti Smith, Land 250, drawn from pieces created between 1967 and 2007. At the 2008 Rowan Commencement ceremony, Smith received an honorary doctorate degree for her contributions to popular culture.  Smith is the subject of a 2008 documentary film, Patti Smith: Dream of Life. A live album by Patti Smith and Kevin Shields, The Coral Sea was released in July 2008. On September 10, 2009, after a week of smaller events and exhibitions in the city, Smith played an open-air concert in Florence's Piazza Santa Croce, commemorating her performance in the same city 30 years earlier. In the meantime, she contributed with a special introduction to Jessica Lange's book 50 Photographs (2009).

What were these songs called?

Answer with quotes: 


Problem: Miranda was born Maria do Carmo Miranda da Cunha in Varzea da Ovelha e Aliviada, a village in the northern Portuguese municipality of Marco de Canaveses. She was the second daughter of Jose Maria Pinto da Cunha (17 February 1887 - 21 June 1938) and Maria Emilia Miranda (10 March 1886, Rio de Janeiro - 9 November 1971). In 1909, when Miranda was ten months old, her father emigrated to Brazil and settled in Rio de Janeiro, where he opened a barber shop.

Although Miranda's U.S. popularity continued to increase, she began to lose favor with some Brazilians. On 10 July 1940, she returned to Brazil and was welcomed by cheering fans. Soon after her arrival, however, the Brazilian press began criticizing Miranda for accommodating American commercialism and projecting a negative image of Brazil. Members of the upper class felt that her image was "too black", and she was criticized in a Brazilian newspaper for "singing bad-taste black sambas". Other Brazilians criticized Miranda for playing a stereotypical "Latina bimbo" in her first interview after her arrival in the U.S. In the New York World-Telegram interview, she played up her then-limited knowledge of English language: "I say money, money, money. I say twenty words in English. I say money, money, money and I say hot dog!"  On 15 July, Miranda appeared in a charity concert organized by Brazilian First Lady Darci Vargas and attended by members of Brazil's high society. She greeted the audience in English, and was met with silence. When Miranda began singing "The South American Way", a song from one of her club acts, the audience began to boo her. Although she tried to finish her act, she gave up and left the stage when the audience continued to boo. The incident deeply hurt Miranda, who wept in her dressing room. The following day, the Brazilian press criticized her as "too Americanized".  Weeks later, Miranda responded to the criticism with the Portuguese song "Disseram que Voltei Americanizada" ("They Say I've Come Back Americanized"). Another song, "Bananas Is My Business", was based on a line from one of her films and directly addressed her image. Upset by the criticism, Miranda did not return to Brazil for fourteen years.  Her films were scrutinized by Latin American audiences for characterizing Central and South America in a culturally-homogenous way. When Miranda's films reached Central and South American theaters, they were perceived as depicting Latin American cultures through the lens of American preconceptions. Some Latin Americans felt that their cultures were misrepresented, and felt that someone from their own region was misrepresenting them. Down Argentine Way was criticized, with Argentines saying that it failed to depict Argentine culture. Its lyrics were allegedly replete with non-Argentine themes, and its sets were a fusion of Mexican, Cuban, and Brazilian culture. The film was later banned in Argentina for "wrongfully portraying life in Buenos Aires". Similar sentiments were voiced in Cuba after the debut of Miranda's Weekend in Havana (1941), with Cuban audiences offended by Miranda's portrayal of a Cuban woman. Reviewers noted that an import from Rio could not accurately portray a woman from Havana, and Miranda did not "dance anything Cuban". Her performances were arguably hybrids of Brazilian and other Latin cultures. Critics said that Miranda's other films misrepresented Latin locales, assuming that Brazilian culture was a representation of Latin America.

did she release any other songs

Answer with quotes:
Another song, "Bananas Is My Business",