Problem: Jose Julio Sarria also known as The Grand Mere, Absolute Empress I de San Francisco, and the Widow Norton (December 13, 1922 - August 19, 2013) was an American political activist from San Francisco, California, who in 1961 became the first openly gay candidate for public office in the United States. He is also remembered for performing as a drag queen at the Black Cat Bar and as the founder of the Imperial Court System. Jose Sarria was born to Julio Sarria and Maria Dolores Maldonado.

Jose Sarria's mother continued to work for the Jost family but it became increasingly difficult for her to fulfil her job responsibilities and care for an infant. Maria made arrangements for him to be raised by another couple, Jesserina and Charles Millen. Jesserina had recently lost her youngest child to diphtheria and suffered severe depression. Her doctor suggested she take in another child to raise and after meeting with her Maria agreed to let her raise Jose. Jose came to consider the Millens and their children to be his second family. Maria bought a house and moved the Millens and Jose into it.  Sarria did not have a relationship with his birth father, a man who showed zero interest in him and failed to provide his family with financial support. Julio Sarria was eventually arrested for failure to pay child support. A judge ordered that he pay $5 to be released; this money was then turned over for Jose's care. Julio was arrested each month until he returned to Nicaragua in around 1926 or 1927; each time he paid the $5 and was released. Julio died in Nicaragua in 1945. Years later, Jose learned that his father had acknowledged him as his first-born.  Sarria attended the Emerson School for kindergarten and then, because he spoke only Spanish, was sent to private schools until learning English. Sarria began dressing in female clothes at an early age and his family indulged him, allowing him occasionally to go on family outings dressed as a girl. In his youth he studied ballet, tap dancing and singing.  When Sarria was around ten years old, he asked his mother how much money they had in the bank. Maria, who gave her money to her employer Mr. Jost to invest, asked to see the books. She discovered that Jost had been embezzling from her and from the other women whom she had referred to him. Jost was arrested, convicted and deported. Maria sued Jost's corporate partners and received a settlement but never recovered the bulk of the money. Unable to afford her house payments, Maria moved Jose and the Millen family to Redwood City in 1932.  As a teenager Sarria enrolled in Commerce High School, where he took advanced classes in French and German. With his Spanish and English these brought his total languages to four. His facility with languages led to his first serious relationship with another man. Sarria tutored Paul Kolish, an Austrian baron who fled to Switzerland when the Nazis invaded Austria. He brought with him his wife and son Jonathan, each of whom suffered from asthma and tuberculosis. When his wife died, he brought Jonathan to America. Kolish found himself falling in love with his tutor and Sarria's family welcomed him and his son. Sarria graduated from high school and enrolled in college to study home economics.

What happened after she  had a hard time with an infant?

Answer with quotes: Maria made arrangements for him to be raised by another couple,


Problem: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre.

What else can you tell me that is interesting?

Answer with quotes:
as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences: