IN: Ford was born at the Swedish Covenant Hospital in Chicago, Illinois to Christopher Ford (born John William Ford), an advertising executive and former actor, and Dorothy (nee Nidelman), a former radio actress. His father is Irish and his mother is Jewish. A younger brother, Terence, was born in 1945. Ford's paternal grandparents, John Fitzgerald Ford and Florence Veronica Niehaus, were of Irish Catholic and German descent, respectively.

In 1964, after a season of summer stock with the Belfry Players in Wisconsin, Ford traveled to Los Angeles to apply for a job in radio voice-overs. He did not get it, but stayed in California and eventually signed a $150-a-week contract with Columbia Pictures' New Talent program, playing bit roles in films. His first known role was an uncredited one as a bellhop in Dead Heat on a Merry-Go-Round (1966). There is little record of his non-speaking roles (or "extra" work) in film. Ford was at the bottom of the hiring list, having offended producer Jerry Tokovsky after he played a bellboy in the feature. He was told by Tokovsky that when actor Tony Curtis delivered a bag of groceries, he did it like a movie star; Ford felt his job was to act like a bellboy. Ford managed to secure other roles in movies, such as A Time for Killing (The Long Ride Home), starring Glenn Ford; George Hamilton; and Inger Stevens.  His speaking roles continued next with Luv (1967), though he was still uncredited. He was finally credited as "Harrison J. Ford" in the 1967 Western film A Time for Killing, but the "J" did not stand for anything, since he has no middle name. It was added to avoid confusion with a silent film actor named Harrison Ford, who appeared in more than 80 films between 1915 and 1932 and died in 1957. Ford later said that he was unaware of the existence of the earlier actor until he came upon a star with his own name on the Hollywood Walk of Fame. Ford soon dropped the "J" and worked for Universal Studios, playing minor roles in many television series throughout the late 1960s and early 1970s, including Gunsmoke, Ironside, The Virginian, The F.B.I., Love, American Style, and Kung Fu. He appeared in the western Journey to Shiloh (1968) and had an uncredited, non-speaking role in Michelangelo Antonioni's 1970 film Zabriskie Point as an arrested student protester. Not happy with the roles being offered to him, Ford became a self-taught professional carpenter to support his then-wife and two young sons.  Casting director and fledgling producer Fred Roos championed the young Ford and secured him an audition with George Lucas for the role of Bob Falfa, which Ford went on to play in American Graffiti (1973). Ford's relationship with Lucas would profoundly affect his career later on. After director Francis Ford Coppola's film The Godfather was a success, he hired Ford to expand his office and gave him small roles in his next two films, The Conversation (1974) and Apocalypse Now (1979); in the latter film he played an army officer named "G. Lucas".
QUESTION: Did ford get the job
IN: Gong are an international progressive rock band that incorporates elements of jazz and space rock into their musical style. The group was formed in Paris in 1967 by Australian musician Daevid Allen and English vocalist Gilli Smyth. Band members have included Didier Malherbe, Pip Pyle, Steve Hillage, Mike Howlett, Pierre Moerlen, Bill Laswell and Theo Travis. Others who have played on stage with Gong include Don Cherry, Chris Cutler, Bill Bruford, Brian Davison, Dave Stewart and Tatsuya Yoshida.

1972 saw the start of increasing line-up disruption for Gong. Laurie Allan left in April to be replaced by Mac Poole, then Charles Hayward and then Rob Tait, before returning again late in the year. Gilli Smyth left for a time, returning to Deia to look after she and Daevid Allen's baby son, and was replaced by Diane Stewart, who was the partner of Tait and the ex-wife of Graham Bond. Christian Tritsch moved to guitar and was replaced on bass by former Magma member Francis Moze, while the band's sound was expanded with the addition of synthesizer player Tim Blake.  In October they were one of the first acts to sign to Richard Branson's fledgling Virgin Records label, and in late December traveled to Virgin's Manor Studio in Oxfordshire, England, to record their third album, Flying Teapot. As they settled in, they were played a rough mix of Mike Oldfield's Tubular Bells, then already in production. Towards the end of their recording sessions they were joined by English guitarist Steve Hillage, whom they had met a few weeks earlier in France playing with Kevin Ayers, and who had replaced Oldfield in Ayers' band. He arrived too late to contribute much to the album, but would soon become a key component in the Gong sound.  Flying Teapot was released on 23 May 1973, the same day as Tubular Bells, and was the first installment of the Radio Gnome Invisible trilogy, which expounded upon the (previously only hinted at) Gong mythology developed by Allen. The second part, Angel's Egg, followed in December, now featuring the 'classic' rhythm section of Mike Howlett on bass and Pierre Moerlen on drums. In early 1974 Moerlen left to work with the French contemporary ensemble Les Percussions de Strasbourg and Smyth left to give birth to she and Allen's second son. They were replaced once again by Rob Tait and Diane Stewart, and the band moved from its French base at Pavillon du Hay to an English one at Middlefield Farm, near Witney, Oxfordshire. Moerlen, and later Smyth, returned in order to complete the trilogy with the album You, but by the time of its release, in October 1974, Moerlen was back with Les Percussions de Strasbourg and Smyth had settled permanently in Deia with her young sons. Prior to touring in support of You, Allen visited Smyth and the boys in Deia, while the rest of the band, including the departed Moerlen, recorded the basic tracks for Hillage's first solo album, Fish Rising. Moerlen was initially replaced in Gong by a succession of stand-ins (Chris Cutler, Laurie Allan and Bill Bruford) until former Nice and Refugee drummer Brian Davison took the job in early 1975. Smyth had already been replaced by Hillage's partner Miquette Giraudy.  In June 1974, Camembert Electrique was given a belated UK release by Virgin, priced at 59p, the price of a typical single at the time; a promotional gimmick which they had used before for Faust and would use again for a reggae compilation in 1976. These ultra-budget albums sold in large quantities because of the low price, but the pricing made them ineligible for placement on the album charts. The hope was that new fans would be encouraged to buy the groups' other albums at full price.
QUESTION:
What was the title of the third part?