input: A third milestone in Wodehouse's life came towards the end of 1915: his old songwriting partner Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator. Bolton and Kern had a musical, Very Good Eddie, running at the Princess Theatre in New York. The show was successful, but they thought the song lyrics weak and invited Wodehouse to join them on its successor. This was Miss Springtime (1916), which ran for 227 performances--a good run by the standards of the day. The team produced several more successes, including Leave It to Jane (1917), Oh, Boy! (1917-18) and Oh, Lady! Lady!! (1918), and Wodehouse and Bolton wrote a few more shows with other composers. In these musicals Wodehouse's lyrics won high praise from critics as well as fellow lyricists such as Ira Gershwin.  Unlike his original model, Gilbert, Wodehouse preferred the music to be written first, fitting his words into the melodies. Donaldson suggests that this is the reason why his lyrics have largely been overlooked in recent years: they fit the music perfectly, but do not stand on their own in verse form as Gilbert's do. Nonetheless, Donaldson adds, the book and lyrics for the Princess Theatre shows made the collaborators an enormous fortune and played an important part in the development of the American musical. In the Grove Dictionary of American Music Larry Stempel writes, "By presenting naturalistic stories and characters and attempting to integrate the songs and lyrics into the action of the libretto, these works brought a new level of intimacy, cohesion, and sophistication to American musical comedy." The theatre writer Gerald Bordman calls Wodehouse "the most observant, literate, and witty lyricist of his day". The composer Richard Rodgers wrote, "Before Larry Hart, only P.G. Wodehouse had made any real assault on the intelligence of the song-listening public."  In the years after the war, Wodehouse steadily increased his sales, polished his existing characters and introduced new ones. Bertie and Jeeves, Lord Emsworth and his circle, and Ukridge appeared in novels and short stories; Psmith made his fourth and last appearance; two new characters were the Oldest Member, narrating his series of golfing stories, and Mr Mulliner, telling his particularly tall tales to fellow patrons of the bar at the Angler's Rest. Various other young men-about-town appeared in short stories about members of the Drones Club.  The Wodehouses returned to England, where they had a house in London for some years, but Wodehouse continued to cross the Atlantic frequently, spending substantial periods in New York. He continued to work in the theatre. During the 1920s he collaborated on nine musical comedies produced on Broadway or in the West End, including the long-running Sally (1920, New York), The Cabaret Girl (1922, London) and Rosalie (1928, New York). He also wrote non-musical plays, including The Play's the Thing (1926), adapted from Ferenc Molnar, and A Damsel in Distress (1928), a dramatisation of his 1919 novel.  Though never a naturally gregarious man, Wodehouse was more sociable in the 1920s than at other periods. Donaldson lists among those with whom he was on friendly terms writers including A.A. Milne, Ian Hay, Frederick Lonsdale and E. Phillips Oppenheim, and stage performers including George Grossmith, Jr., Heather Thatcher and Dorothy Dickson.

Answer this question "What was his best success?"
output: the long-running Sally (1920, New York),

Question: Jesse Donald Knotts was born in Morgantown, West Virginia, the youngest of four sons born to farmer William Jesse Knotts and his wife, Elsie Luzetta Knotts (nee Moore). His parents were married in Spraggs, Pennsylvania. His English paternal ancestors immigrated to America in the 17th century, originally settling in Queen Anne's County, Maryland. Knotts' brothers were named Willis, William, and Ralph.

In 1986, Don Knotts reunited with Andy Griffith in the made-for-television film Return to Mayberry, again reprising his Barney Fife role. In early 1987, Knotts joined the cast of the first-run syndication comedy What a Country!, playing Principal Bud McPherson for the series' remaining 13 episodes. The sitcom was produced by Martin Rips and Joseph Staretski, who had previously worked on Three's Company. In 1988, Knotts joined Andy Griffith in another show, playing the recurring role of pesky neighbor Les Calhoun on Matlock until 1992.  After that, Knotts's roles were sporadic, including a cameo appearance in the film Big Bully (1996) as the principal of the high school. In 1998, Knotts played a small but pivotal role as a mysterious TV repairman in Pleasantville. That year, his home town of Morgantown, West Virginia, changed the name of the street formerly known as South University Avenue (U.S. Route 119) to Don Knotts Boulevard on "Don Knotts Day." Also that day, in honor of Knotts's role as Barney Fife, he was named an honorary deputy sheriff with the Monongalia County Sheriff's Department.  Knotts was recognized in 2000 with a star on the Hollywood Walk of Fame. He continued to act on stage, but much of his film and television work after 2000 was as voice talent. In Ghost World (2001) Enid (Thora Birch) is asked why she painted a portrait of Don Knotts. She replies, "I just like Don Knotts." The portrait in the film may be the last visual image of Knotts in a motion picture. In 2002, he appeared again with Scooby-Doo in the video game Scooby-Doo! Night of 100 Frights. (Knotts also spoofed his appearances on that show in various promotions for Cartoon Network and in a parody on Robot Chicken, where he was teamed with Phyllis Diller). In 2003, Knotts teamed up with Tim Conway again to provide voices for the direct-to-video children's series Hermie and Friends, which continued until his death. In 2005, he was the voice of Mayor Turkey Lurkey in Chicken Little (2005), his first Disney movie since 1979. On September 12, 2003, Knotts was in Kansas City in a stage version of On Golden Pond when he received a call from John Ritter's family telling him that his former Three's Company co-star had died of an aortic dissection that day. Knotts and his co-stars attended the funeral four days later. Knotts had appeared with Ritter one final time in a cameo on 8 Simple Rules for Dating My Teenage Daughter. It was an episode that paid homage to their earlier television series. Knotts was the last Three's Company star to work with Ritter.  During this period of time, macular degeneration in both eyes caused the otherwise robust Knotts to become virtually blind. His live appearances on television were few. In 2005, Knotts parodied his Ralph Furley character while playing a Paul Young variation in a Desperate Housewives sketch on The 3rd Annual TV Land Awards. He parodied that part one final time, "Stone Cold Crazy", an episode of the sitcom That '70s Show. In the show, Knotts played Fez and Jackie's new landlord. This was his last live-action television appearance. His final role was in Air Buddies (a 2006 direct-to-video sequel to Air Bud), voicing the sheriff's deputy dog, Sniffer.

Using a quote from the above article, answer the following question: What did they do?
HHHHHH
Answer:
television film Return to Mayberry,