input: Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole."  Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont".  It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.

Answer this question "What was atlas?"
output: Atlas Records,

input: After the 12th century BCE, as the Rigveda had taken its final form, the Vedic society transitioned from semi-nomadic life to settled agriculture. Vedic culture extended into the western Ganges Plain. Possession of horses remained an important priority of Vedic leaders and a remnant of the nomadic lifestyle, resulting in trade routes beyond the Hindu Kush to maintain this supply as horses needed for cavalry and sacrifice could not be bred in India. The Gangetic plains had remained out of bounds to the Vedic tribes because of thick forest cover. After 1000 BCE, the use of iron axes and ploughs became widespread and the jungles could be cleared with ease. This enabled the Vedic Aryans to settle at the western Gangetic plains. Many of the old tribes coalesced to form larger political units.  The Vedic religion was further developed when the Indo-Aryans migrated into the Ganges Plain after c. 1100 BCE and became settled farmers, further syncretising with the native cultures of northern India. In this period the varna system emerged, state Kulke and Rothermund, which in this stage of Indian history were a "hierarchical order of estates which reflected a division of labor among various social classes". The Vedic period estates were four: Brahmin priests and warrior nobility stood on top, free peasants and traders were the third, and slaves, labourers and artisans, many belonging to the indigenous people, were the fourth. This was a period where agriculture, metal, and commodity production, as well as trade, greatly expanded, and the Vedic era texts including the early Upanishads and many Sutras important to later Hindu culture were completed.  The Kuru Kingdom, the earliest Vedic "state", was formed by a "super-tribe" which joined several tribes in a new unit. To govern this state, Vedic hymns were collected and transcribed, and new rituals were developed, which formed the now orthodox Shrauta rituals. Two key figures in this process of the development of the Kuru state were the king Parikshit and his successor Janamejaya, transforming this realm into the dominant political and cultural power of northern Iron Age India.  The most well-known of the new religious sacrifices that arose in this period were the Ashvamedha (horse sacrifice). This sacrifice involved setting a consecrated horse free to roam the kingdoms for a year. The horse was followed by a chosen band of warriors. The kingdoms and chiefdoms in which the horse wandered had to pay homage or prepare to battle the king to whom the horse belonged. This sacrifice put considerable pressure on inter-state relations in this era. This period saw also the beginning of the social stratification by the use of varna, the division of Vedic society in Kshatriya, Brahmins, Vaishya and Shudra.  The Kuru kingdom declined after its defeat by the non-Vedic Salva tribe, and the political centre of Vedic culture shifted east, into the Panchala kingdom on the Ganges. Later, the kingdom of Videha emerged as a political centre farther to the East, in what is today northern Bihar of India and south eastern Nepal, reaching its prominence under the king Janaka, whose court provided patronage for Brahmin sages and philosophers such as Yajnavalkya, Uddalaka Aruni, and Gargi Vachaknavi.

Answer this question "What year did they settle into agriculture?"
output: After 1000 BCE, the use of iron axes and ploughs became widespread and the jungles could be cleared with ease.

input: On April 20, 2007, as part of CBC Radio 3's 100th podcast, a weekly video podcast was introduced. The new video-based podcast, R3TV, revolved around the personalities at CBC Radio 3 and featured a particular artist each week, who provided commentary for the podcast and had their music videos featured in the show. R3TV was also available as a channel on Internet television services such as Joost, YouTube and Miro Media Player.  In 2011, CBC Radio 3 sponsored its first documentary movie, Winning America, about Canadian band Said the Whale. The movie was directed by Brent Hodge and Thomas Buchan, and produced by Jon Siddall, Brent Hodge and Sheila Peacock. It first aired on July 23, 2011 on CBC Television in British Columbia, and then nationally on April 2, 2012.  After the success of the first film, Radio 3 decided to do a second documentary movie called What Happens Next? about Canadian musician Dan Mangan. This movie was produced and directed by Brent Hodge and Jon Siddall. It aired on CBC on August 25, 2012 in BC, and then again nationally on October 20, 2012.  Radio 3's next foray into video was in 2013, with the web series The Beetle Roadtrip Sessions. It followed host Grant Lawrence across Canada visiting various musicians and other personalities along the way, including The Darcys, Hollerado, Sam Roberts, Theo Fleury, Hawksley Workman and others. It was also directed by Brent Hodge. The Beetle Roadtrip Sessions won the award for Best Original Program or Series produced for Digital Media - Non-Fiction at the 2nd Canadian Screen Awards.

Answer this question "What was the video podcast called?"
output:
R3TV,