Some context: Mao Asada (Qian Tian  Zhen Yang , Asada Mao, born September 25, 1990) is a former Japanese competitive figure skater. She is the 2010 Olympic silver medalist, a three-time World champion (2008, 2010, 2014), a three-time Four Continents champion (2008, 2010, 2013), and a four-time Grand Prix Final champion (2005-06, 2008-09, 2012-13, 2013-14). She is the only female figure skater who has landed three triple Axel jumps in one competition, which she achieved at the 2010 Winter Olympics.
Asada began the 2013-14 season at the Japan Open, performing to Rachmaninoff Piano Concerto No. 2. She won gold at her two Grand Prix assignments, the 2013 Skate America and the 2013 NHK Trophy. With her victory at Skate America, she became the first singles skater, male or female, to win all seven of the current events on the Grand Prix series. At NHK Trophy, she set personal best scores for the free skating and total score. She advanced to the 2013-14 Grand Prix of Figure Skating Final where she took her fourth Grand Prix Final title. With this victory, she became the first woman to complete two consecutive Grand Prix seasons undefeated. At all three Grand Prix events, she won by a margin of over ten points. In late December, Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.  In the team event at the 2014 Winter Olympic Games, Asada skated the ladies' short program. She fell on the triple axel and placed third individually; team Japan finished fifth. In the ladies' singles event, she placed 16th in the short program after falling on her triple axel, underrotating a triple flip, and doubling a triple loop. She rebounded in the free skating, earning a personal best score of 142.71 making her the third woman to score above the 140 mark after Kim Yuna 2010 Olympics score and Yulia Lipnitskaya 2014 Olympics team event score. This placed her third in the free skating and sixth overall. Asada's free skating was the most technically difficult of all the ladies and the only one with a triple axel.  At the 2014 World Championships, she broke the world record for the short program by scoring 78.66, 0.16 points higher than the former record set by Yuna Kim at the 2010 Winter Olympics. Asada went on to score 138.03 in the free skating, winning her third world title with a total of 216.69, a personal best for her. With this victory, she became the third woman in the last 45 years (along with Michelle Kwan and Katarina Witt) and the tenth woman to have won three world championship titles.  After winning the World Championship title, Asada stated that there was a 50-50 chance she would continue her career. On 19 May 2014, Asada announced she intended to skip the next season. Asada said she was mentally and physically tired and wanted a chance to focus on other aspects of her life, including attending university.
How Mao Asada did on the team event at the 2014 Winter Olympic Games?
A: She fell on the triple axel and placed third individually; team Japan finished fifth.

Some context: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.
Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.  Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion.  Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13-17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.
Did the band have any creative input?
A: