Some context: Alecia Beth Moore (born September 8, 1979), known professionally as Pink (often stylized as P!nk), is an American singer, songwriter, dancer and actress. She was signed to her first record label with original R&B girl group, Choice, in 1995. The label, LaFace Records, saw great potential in Pink, offering her a solo deal. Choice disbanded in 1998.
Pink has been credited for breaking boundaries and pushing the envelope throughout her career. She is regarded as the "most trailblazing artist" of her pop generation. Robert Hilburn of the Los Angeles Times says, "Pink stood up for her music, broke the music industry's mold and scored a breakout hit, challenging a school of teen singers to find their own sounds as well." He adds, "[Pink] also started a race among other teen pop stars like Christina Aguilera to add substance to their own sound." Ann Powers refers to her as a "powerhouse vocalist", stating her mix of rebellion, emotional rawness, humor, and "infectious" dance beats created "a model for the mashup approach of latter-day divas such as Katy Perry, Kesha, and even Rihanna." Rob Sheffield of Rolling Stone commented: "I think people respond to her sense of independence and dedication. It inspires people... This is a prolific pop artist who is sometimes famous and successful, sometimes obscure, who nonetheless keeps making her own kind of music."  James Montgomery of MTV describes her as "a fabulously fearless pop artist" who can "out-sing almost anyone out there. She can out-crazy Gaga or Lily. She's the total pop-star package, everything you'd want in a singer/entertainer/icon. And still, she remains oddly off the radar. Such is the price of busting borders". Entertainment Weekly said: "She essentially invented the whole modern wave of Pop Diva Domination: You can draw a straight line from "Get This Party Started" to Katy Perry, Kesha, pre-messianic Lady Gaga, and post-weird Rihanna." Glamour Magazine wrote: "When Pennsylvania-born Alecia Moore debuted in 2000, pop was dominated by long-locked blonds like Britney Spears, Christina Aguilera and Jessica Simpson. Pink changed the game. Without her, the last 13-years of big-voiced, tough chick music is hard to imagine."  Following her performance at the American Music Awards of 2012, LZ Granderson of CNN wrote: "... our culture's biggest sin may well be the auto-tuned syrup we've allowed to dominate the pop charts. All-time chart records are handed to vacuous acts such as the Black Eyed Peas and singing awards are given to vocal lightweights such as Taylor Swift [...] But thank God for Pink. [...] While Christina Aguilera has a tendency to oversing, Britney Spears can't sing, and Lauryn Hill sorta stopped singing, Pink has managed to carve a brilliant 13-year-career by being something that is incredibly rare these days--an artist." British soul singer Adele considers Pink's performance at Brixton Academy in London as one of "the most defining moments" in her life, saying "It was the Missundaztood record, so I was about 13 or 14. I had never heard, being in the room, someone sing like that live. I remember sort of feeling like I was in a wind tunnel, her voice just hitting me. It was incredible."  Pink's work has inspired several other artists including Demi Lovato, Kelly Clarkson, Taylor Swift, Katy Perry, Tegan and Sara, Ashley Tisdale, Alessia Cara, Victoria Justice, Adele, Julia Michaels, and Dua Lipa.
Does she appear on any tv shows?
A: the American Music Awards
Some context: Art Spiegelman (; born Itzhak Avraham ben Zeev on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker, where he made several high-profile and sometimes controversial covers. He is married to designer and editor
Hired by Tina Brown as a contributing artist in 1992, Spiegelman worked for The New Yorker for ten years. Spiegelman's first cover appeared on the February 15, 1993, Valentine's Day issue and showed a black West Indian woman and a Hasidic man kissing. The cover caused turmoil at The New Yorker offices. Spiegelman intended it to reference the Crown Heights riot of 1991 in which racial tensions led to the murder of a Jewish yeshiva student. Spiegelman had twenty-one New Yorker covers published, and submitted a number which were rejected for being too outrageous.  Within The New Yorker's pages, Spiegelman contributed strips such as a collaboration titled "In the Dumps" with children's illustrator Maurice Sendak and an obituary to Charles M. Schulz titled "Abstract Thought is a Warm Puppy". An essay he had published there on Jack Cole, the creator of Plastic Man, called "Forms Stretched to their Limits" was to form the basis for a book in 2001 about Cole called Jack Cole and Plastic Man: Forms Stretched to their Limits.  The same year, Voyager Company published a CD-ROM version of Maus with extensive supplementary material called The Complete Maus, and Spiegelman illustrated a 1923 poem by Joseph Moncure March called The Wild Party. Spiegelman contributed the essay "Getting in Touch With My Inner Racist" in the September 1, 1997 issue of Mother Jones.  Spiegelman's influence and connections in New York cartooning circles drew the ire of political cartoonist Ted Rall in 1999. In an article titled "The King of Comix" in The Village Voice, Rall accused Spiegelman of the power to "make or break" a cartoonist's career in New York, while denigrating Spiegelman as "a guy with one great book in him". Cartoonist Danny Hellman responded by sending a forged email under Rall's name to thirty professionals; the prank escalated until Rall launched a defamation suit against Hellman for $1.5 million. Hellman published a "Legal Action Comics" benefit book to cover his legal costs, to which Spiegelman contributed a back-cover cartoon in which he relieves himself on a Rall-shaped urinal.  In 1997, Spiegelman had his first children's book published: Open Me... I'm a Dog, with a narrator who tries to convince its readers that it is a dog via pop-ups and an attached leash. From 2000 to 2003 Spiegelman and Mouly edited three issues of the children's comics anthology Little Lit, with contributions from Raw alumni and children's book authors and illustrators.
What happened in 1992?
A:
Hired by Tina Brown as a contributing artist in 1992, Spiegelman worked for The New Yorker for ten years.