Some context: "Jenny from the Block" is a song recorded by American singer Jennifer Lopez, which features American rappers Jadakiss and Styles P; both members of The LOX. It was released by Epic Records on September 26, 2002, as the lead single from her third studio album This Is Me... Then (2002).
On the US Billboard Hot 100, "Jenny from the Block" debuted at number 67 for the week of October 12, 2002. By its third week on the Hot 100, the song had propelled to the top twenty, reaching number 17. For the Billboard issue dated November 23, 2002, it entered the top ten of the Hot 100, jumping to number eight. It also reached the top ten of the Hot 100 Airplay chart, at number nine. The following week, the song continued climbing the Hot 100, moving to number six, while also reaching the top five of the Hot 100 Airplay chart.  By December 14, it peaked at three on the Hot 100, where it remained for three weeks, and also jumped to three on the Airplay chart. Three weeks later, on December 28, "Jenny from the Block" remained stalling at three on the Hot 100 and the Airplay chart. For three weeks it had been blocked from the top spot of both charts by Eminem's "Lose Yourself" and Missy Elliott's "Work It". It peaked at two on the US Mainstream Top 40 Pop Songs and 22 on the US Hot R&B/Hip-Hop Songs chart.  In Australia, "Jenny from the Block" made its debut inside the top ten at number eight on December 1, 2002. On January 5, 2003, it moved to its peak of five, where it remained for two weeks, and spent a total of sixteen weeks on the chart. The song peaked atop the Billboard Canadian Hot 100, becoming her third number-one there following "If You Had My Love" (1999) and "Love Don't Cost a Thing" (2001). In Italy, it debuted at its peak of number four on December 21, and remained on the chart for sixteen weeks, all of which it remained in the top ten for; exiting on March 6, 2003. In New Zealand, it debuted at 49 on November 11, 2002; it peaked at number six on December 8 and spent a total of sixteen weeks on the chart. It was certified Gold by RIANZ for sales of 7,500 copies. It peaked at number two in Spain on December 24, 2002. In the United Kingdom it peaked at number three on the UK Singles Chart, becoming her ninth top-ten hit there, as well as her fourth song to peak at three. In Norway, the song debuted at number six and peaked at five. It has been certified Platinum there for sales of 10,000 copies.
Which chart did it place highest on?
A: It peaked at number two in Spain on December 24, 2002.
Some context: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.
Young left the Basie band in late 1940. He is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons spurring his dismissal, although Young and drummer Jo Jones would later state that his departure had been in the works for months. He subsequently led a number of small groups that often included his brother, drummer Lee Young, for the next couple of years; live and broadcast recordings from this period exist.  During this period Young accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period) and also made a small set of recordings with Nat "King" Cole (their first of several collaborations) in June 1942. His studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the recording ban by the American Federation of Musicians. Small record labels not bound by union contracts continued to record and he recorded some sessions for Harry Lim's Keynote label in 1943.  In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (see below). Recordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed, which tended to give his playing a somewhat heavier, breathier tone (although still quite smooth compared to that of many other players). While he never abandoned the cane reed, he used the plastic reed a significant share of the time from 1943 until the end of his life. Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry "Sweets" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues.
Are there any other interesting aspects about this article?
A:
In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (