Some context: Journey is an American rock band that formed in San Francisco in 1973, composed of former members of Santana and Frumious Bandersnatch. The band has gone through several phases; its strongest commercial success occurred between 1978 and 1987. During that period, the band released a series of hit songs, including "Don't Stop Believin'" (1981), which in 2009 became the top-selling track in iTunes history among songs not released in the 21st century. Its parent studio album, Escape, the band's eighth and most successful, reached No. 1 on the Billboard 200 and yielded another of their most popular singles, "Open Arms".
With Cain on board, the band began writing material that would eventually lead up to Journey's biggest studio album, "Escape". Recording sessions began in April 1981, and lasted until the middle of June. Escape was released on July 31, 1981, and immediately the album became a mainstream success. The album, which has thus far sold nine times platinum, went to number one on the album charts later that year, and included three top-ten hits: "Who's Cryin' Now", "Don't Stop Believin'" and "Open Arms". The last is Journey's highest-charting single to date, staying at No. 2 for six consecutive weeks and ranking at No.34 on Billboard's 1982 year-end Hot 100. MTV videotaped one of their two sold-out shows in Houston on November 6, 1981, in front of over 20,000 fans.  Capitalizing on their success, the band recorded radio commercials for Budweiser and sold rights to their likenesses and music for use in two video games: the Journey arcade game by Bally/Midway and Journey Escape by Data Age for the Atari 2600.  This success was met with criticism. The 1983 Rolling Stone Record Guide gave each of the band's albums only one star, with Dave Marsh writing that "Journey was a dead end for San Francisco area rock." Marsh later would anoint Escape as one of the worst number-one albums of all time.  Journey's next album, Frontiers (1983), continued their commercial success, reaching No. 2 on the album charts, selling nearly six million copies. The album generated four Top 40 hits, "Separate Ways (Worlds Apart)", which reached No. 8, "Faithfully", which reached No. 12, "Send Her My Love" and "After the Fall", both of which reached No. 23. By this time, Journey had become one of the top touring and recording bands in the world. During the subsequent stadium tour, the band contracted with NFL Films to record a video documentary of their life on the road, Frontiers and Beyond. Scenes from the documentary were shot at JFK Stadium in Philadelphia, Pennsylvania with more than 80,000 fans in attendance.
Did this album cement them as a success?
A: By this time, Journey had become one of the top touring and recording bands in the world.

Question: Walter Charles Hagen (December 21, 1892 - October 6, 1969) was an American professional golfer and a major figure in golf in the first half of the 20th century. His tally of 11 professional majors is third behind Jack Nicklaus (18) and Tiger Woods (14). Hagen won the U.S. Open twice, and in 1922 he became the first native-born American to win the British Open, and won the Claret Jug three more times. He also won the PGA Championship a record-tying five times (all in match play), and the Western Open five times when it had near-major championship status.

Born in Rochester, New York, Hagen came from a working-class family of German descent. His parents were William and Louisa (Boelke) Hagen, his father worked as a millwright and blacksmith in Rochester's railroad-car shops. Walter was the second of William and Louisa's five children and the only son.  Hagen developed his golf game at the Country Club of Rochester, beginning as a caddie, and earned money to help support his family from pre-teen age. He earned ten cents per round and was occasionally tipped another five cents. Hagen played golf at every chance he got; caddie access to the course was limited to off-peak times, as it was elsewhere in the U.S. during that era. Hagen, with assistance from head professional Alfred Ricketts, gradually improved his golf skill to the stage where he was an expert player by his mid-teens, and was then hired by the club to give lessons to club members and to work in the pro shop. He made his top-class professional debut at age 19 at the 1912 Canadian Open, placing 11th, a good showing. Hagen followed up with a surprise 4th place showing at the 1913 U.S. Open at Brookline where he stated that he was treated badly by the other professionals who knew nothing about him. Hagen said "they pushed me off the tee and told me I could practice when they were through". He vowed to play in the 1914 U.S. Open and "win it", and he did exactly that.  Hagen was also very skilled at baseball, primarily as a pitcher and shortstop. He canceled a 1914 tryout for the Philadelphia Phillies in order to play in a golf tournament. Later that week, Hagen was the U.S. Open Champion, and his career was changed forever.

Using a quote from the above article, answer the following question: when was he born?
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Answer: 

Some context: Heifetz was born into a Russian-Jewish family in Vilna, Lithuania then part of the Russian Empire. His father, Reuven Heifetz, son of Elie, was a local violin teacher and served as the concertmaster of the Vilnius Theatre Orchestra for one season before the theatre closed down. While Jascha was an infant, his father did a series of tests, observing how his son responded to his fiddling. This convinced him that Jascha had great potential, and before Jascha was two years old, his father bought him a small violin, and taught him bowing and simple fingering.
Heifetz made his first recordings in Russia during 1910-11, while still a student of Leopold Auer. The existence of these recordings was not widely known until after Heifetz's death, when several sides, including Francois Schubert's L'Abeille, were reissued on an LP included as a supplement to The Strad magazine.  Shortly after his Carnegie Hall debut on 7 November 1917, Heifetz made his first recordings for the Victor Talking Machine Company/RCA Victor where he would remain for most of his career. For several years, in the 1930s, Heifetz recorded primarily for HMV in the UK because RCA Victor cut back on expensive classical recording sessions during the Great Depression; these discs were issued in the US by RCA Victor. Heifetz often enjoyed playing chamber music. Various critics have blamed his limited success in chamber ensembles to the fact that his artistic personality tended to overwhelm his colleagues. Some notable collaborations include his 1941 recordings of piano trios by Beethoven, Schubert, and Brahms with cellist Emanuel Feuermann and pianist Arthur Rubinstein as well as a later collaboration with Rubinstein and cellist Gregor Piatigorsky, with whom he recorded trios by Maurice Ravel, Tchaikovsky, and Felix Mendelssohn. Both formations were sometimes referred to as the Million Dollar Trio. Heifetz also recorded some string quintets with violinist Israel Baker, violists William Primrose and Virginia Majewski, and Piatigorsky.  He recorded the Beethoven Violin Concerto in 1940 with the NBC Symphony Orchestra conducted by Arturo Toscanini, and again in stereo in 1955 with the Boston Symphony Orchestra conducted by Charles Munch. A live performance of an NBC radio broadcast from 9 April 1944, of Heifetz playing the Mendelssohn Violin Concerto, with Toscanini and the NBC Symphony, has also been released.  He performed and recorded Erich Wolfgang Korngold's Violin Concerto at a time when Korngold's scoring of numerous films for Warner Brothers prompted many classical musicians to develop the scarcely warranted opinion that Korngold was not a "serious" composer and to avoid his music in order to avoid being associated with him.
Did he make any professional musical releases during his career?
A:
Heifetz made his first recordings in Russia during 1910-11,