input: Despite David Byrne's lack of interest in another album, Tina Weymouth, Chris Frantz, and Jerry Harrison reunited for a one-off album called No Talking, Just Head under the name The Heads in 1996. The album featured a number of vocalists, including Debbie Harry of Blondie, Johnette Napolitano of Concrete Blonde, Andy Partridge of XTC, Gordon Gano of Violent Femmes, Michael Hutchence of INXS, Ed Kowalczyk of Live, Shaun Ryder of Happy Mondays, Richard Hell, and Maria McKee. The album was accompanied by a tour, which featured Johnette Napolitano as the vocalist. Byrne took legal action against the rest of the band to prevent them using the name "Talking Heads", something he saw as "a pretty obvious attempt to cash in on the Talking Heads name". They opted to record and tour as "The Heads". Likewise, Byrne continues his solo career.  Meanwhile, Harrison became a record producer of some note - his resume includes the Violent Femmes' The Blind Leading the Naked, the Fine Young Cannibals' The Raw and the Cooked, General Public's Rub It Better, Crash Test Dummies' God Shuffled His Feet, Live's Mental Jewelry, Throwing Copper and The Distance To Here, No Doubt's song "New" from Return of Saturn, and in 2010, work by The Black and White Years and Kenny Wayne Shepherd.  Frantz and Weymouth, who married in 1977, had been recording on the side as Tom Tom Club since 1981. Tom Tom Club's self-titled debut album sold almost as well as Talking Heads themselves, leading to the band appearing in Stop Making Sense. They achieved several pop/rap hits during the dance-club cultural boom era of the early 1980s, particularly in the UK, where they still enjoy a strong fan following today. Their best-known single, "Genius of Love", has been sampled numerous times, notably on old school hip hop classic "It's Nasty (Genius of Love)" by Grandmaster Flash and on Mariah Carey's 1995 hit "Fantasy". They also have produced several artists, including Happy Mondays and Ziggy Marley. The Tom Tom Club continue to record and tour intermittently, although commercial releases have become sporadic since 1991.  The band played "Life During Wartime", "Psycho Killer", and "Burning Down the House" together on March 18, 2002, at the ceremony of their induction into the Rock and Roll Hall of Fame. However, reuniting for a concert tour is unlikely. David Byrne states: "We did have a lot of bad blood go down. That's one reason, and another is that musically we're just miles apart." Weymouth, however, has been critical of Byrne, describing him as "a man incapable of returning friendship" and saying that he doesn't "love" her, Frantz, and Harrison.

Answer this question "What happened to the band in 1992?"
output: although commercial releases have become sporadic since 1991.

input: At the end of 1988, Love taught herself to play guitar and relocated to Los Angeles, where she placed an ad in a local music zine: "I want to start a band. My influences are Big Black, Sonic Youth, and Fleetwood Mac." Love recruited lead guitarist Eric Erlandson; Lisa Roberts, her neighbor, as bassist; and drummer Caroline Rue, whom she met at a Gwar concert. Love named the band Hole after a line from Euripides' Medea ("There is a hole that pierces right through me") as well as a conversation she had had with her mother, in which she told her that she couldn't live her life "with a hole running through her."  Love continued to work at strip clubs in the band's formative stages, saving money to purchase backline equipment and a touring van, and rehearsed at a studio in Hollywood that was loaned to her by the Red Hot Chili Peppers. Hole played their first show in November 1989 at Raji's, a rock club in central Hollywood. The band's debut single, "Retard Girl", was issued in April 1990 through the Long Beach indie label Sympathy for the Record Industry, and was given airtime by Rodney Bingenheimer's show on local rock station KROQ. That fall, the band appeared on the cover of Flipside, a Los Angeles-based punk fanzine. In early 1991, the band released their second single, "Dicknail", through Sub Pop Records.  With no wave, noise rock and grindcore bands being major influences on Love, Hole's first studio album, Pretty on the Inside, captured a particularly abrasive sound and contained disturbing lyrics, described by Q magazine as "confrontational [and] genuinely uninhibited." The record was released in September 1991 on Caroline Records, produced by Kim Gordon of Sonic Youth with assistant production from Gumball's Don Fleming; Love and Gordon had initially met when Hole opened for Sonic Youth during their promotional tour for Goo at the Whisky a Go Go in November 1990. In early 1991, Love sent Gordon a personal letter asking her to produce the record for the band, to which she agreed. Though Love would later say it was "unlistenable" and "[un]melodic," the album received generally positive critical reception from indie and punk rock critics and was labeled one of the twenty best albums of the year by Spin magazine. It also gained a following in the United Kingdom, charting at 59 on the UK Albums Chart, and its lead single, "Teenage Whore", entered the country's indie chart at number one. The underlying feminist slant of some of the album's songs led many to mistakenly tag the band as being part of the riot grrrl movement, a movement that Love did not associate with. The band toured in support of the record, headlining with Mudhoney in Europe; in the United States, they opened for The Smashing Pumpkins, and performed at CBGB in New York City.

Answer this question "What kind of music did they play?"
output:
indie and punk rock