Background: Matthew William Sorum (born November 19, 1960) is an American drummer and percussionist. He is best known as both a former member of the hard rock band Guns N' Roses, with whom he recorded three studio albums, and as a member of the supergroup Velvet Revolver. Sorum is currently a member of the touring project, Kings of Chaos, and is a former member of both The Cult and Y Kant Tori Read. Sorum was also a member of Guns N' Roses side-projects, Slash's Snakepit and Neurotic Outsiders, and released a solo album, Hollywood Zen, in 2004.
Context: Sorum was born Matthew William Sorum on November 19, 1960, in an unincorporated area of Orange County, California that later became the city of Mission Viejo. He started to play drums after watching Ringo Starr with The Beatles on The Ed Sullivan Show in 1964. Later he was mainly influenced by Ian Paice, Keith Moon, Ginger Baker, John Bonham, Roger Taylor, Buddy Rich and Bill Ward.  In his first couple of years in high school, Sorum was part of the Mission Viejo Marching Bands drum section. Sorum started out in Mission Viejo as a local hot musician in 1975. Wearing trademark "Union Flag" shorts and nothing else, he used to pound a huge acrylic drumset and overpower his first band "Prophecy," which consisted of him and lead singer / guitarist Jeff Harris (guitarist for the J. Harris Band and later guitarist for funk band Slapbak), and bass player David Pagan. Prophecy played many gigs ranging from high schools to concerts, all the way to the Hollywood scene, where they played clubs like Gazzarri's in 1977. A local songwriter, Stephen Douglas, pulled Sorum from the band and joined him with other talented musicians, Scott Andrews on guitar and Jay Fullmer on bass, in the area to form Chateau, a wall-of-sound band with grandiose themes and sounds in their songs. They recorded their first tracks at the Doug Moody's Mystic Studios in Hollywood, once famous for Led Zeppelins 'Lemon Song'. Chateau played the Hollywood circuit, appearing at Gazzarri's and almost getting into a fight with the original members of the band Ratt, which at the time was known as Mickey Ratt.  Sorum's work with Chateau produced a four-song set that was covered by local radio stations for a short time, but the music scene changed from grandiose rock to punk and alternative new wave music. Sorum left and went to Hollywood to play with a series of bands, including Population Five, with the bassist Prescott Niles from The Knack. He then left on a tour around the country with a blues guitarist, playing nightclubs and bars.  In 1988, he was recruited to play on the debut album of Y Kant Tori Read, a band fronted by a then unknown Tori Amos. In the wake of that project, he joined The Cult as their live drummer for the 1989 tour in support of Sonic Temple.
Question: what was there biggest hit
Answer: "Prophecy,"

Question:
Clemens was born in Dayton, Ohio, the fifth child of Bill and Bess (Lee) Clemens. He is of German descent, his great-grandfather Joseph Clemens having immigrated in the 1880s. Clemens's parents separated when he was an infant. His mother soon married Woody Booher, whom Clemens considers his father.
In 1999, while many of his performances and milestones were yet to come, he ranked number 53 on The Sporting News' list of the 100 Greatest Baseball Players, and was elected by the fans to the Major League Baseball All-Century Team. In 2005, the updated Sporting News list moved Clemens up to #15.  By the end of the 2005 season, Clemens had won seven Cy Young Awards (he won the AL award in 1986, 1987, 1991, 1997, 1998, and 2001, and the National League award in 2004), an MVP and two pitching triple crowns. With his 2004 win, he joined Gaylord Perry, Randy Johnson, and Pedro Martinez as the only pitchers to win it in both leagues and became the oldest pitcher to ever win the Cy Young. He has also won the Sporting News Pitcher of the Year Award five times, was named an All-Star 11 times, and won the All-Star MVP in 1986.  In October 2006, Clemens was named to Sports Illustrated's "all-time" team.  On August 18, 2007, Clemens got his 1,000th strikeout as a Yankee. He is only the ninth player in major league history to record 1,000 or more strikeouts with two different teams. Clemens has recorded a total of 2,590 strikeouts as a member of the Red Sox and 1,014 strikeouts as a Yankee. Of his nearly quarter century in the Major Leagues, 13 years have been spent with the Red Sox and 6 with the New York Yankees.  In January 2013, in his first year of eligibility, Clemens received only 37.6% of the votes cast and was denied entry into the Hall of Fame, falling short of the 75% required for induction. With the inductions of Greg Maddux and Tom Glavine the following year and Randy Johnson in 2015, Clemens is currently the only eligible member of the 300 win club not to be inducted into the Hall.
Answer this question using a quote from the text above:

Did he have any other honors?

Answer:
Clemens is currently the only eligible member of the 300 win club not to be inducted into the Hall.

Problem: Background: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.
Context: The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.
Question: What can you tell me about the music?
Answer:
A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album.