Answer the question at the end by quoting:

Steven Siro Vai (; born June 6, 1960) is an American guitarist, composer, singer, songwriter, and producer. He was voted the "10th Greatest Guitarist" by Guitar World magazine, and has sold over 15 million records. A three-time Grammy Award winner and fifteen-time nominee, Vai started his music career in 1978 at the age of 18 as a transcriptionist for Frank Zappa, and joined his band from 1980 to 1983. He embarked on a solo career in 1983 and has released eight solo albums to date.
In 1978, Vai sent both a notated transcription of Frank Zappa's "The Black Page", and a recording of his college band, Morning Thunder, to Zappa. Impressed by this, Zappa responded by putting Vai on salary as a transcriptionist to transcribe his work, which included pieces from the Joe's Garage and Shut Up 'n Play Yer Guitar albums. After leaving Berklee College of Music and moving to California, Vai auditioned for and became a full-time member of Zappa's band, going on his first tour with Zappa in the fall of 1980. Zappa often referred to Vai as his "little Italian virtuoso", and Vai is frequently listed in the liner notes of Zappa's albums as having performed "stunt" or "impossible" guitar parts.  Vai was a featured artist on the 1993 release Zappa's Universe, and in 2006, Vai appeared as a special guest on Dweezil Zappa's Zappa Plays Zappa tour; both projects won Vai a Grammy Award.  After moving on from Zappa's employ in 1983, Vai bought a house in Sylmar, Los Angeles, where he built his first professional studio. During this period, Vai formed two bands (The Classified and 777) as well as writing and recording a large amount of music that was not originally intended for release. Out of this material, Vai compiled his first studio album Flex-Able. He created his own record label, Akashic Records (later Light Without Heat Records), which he used to take Flex-Able directly to distribution channels. Flex-Able was released in January 1984.  Vai began his rise to public acclaim in 1983 when, shortly before the release of Flex-Able, his composition "The Attitude Song" was published in Guitar Player magazine. The song centered itself on a main guitar riff in the time signature 7/16, played over a rhythm section centered in 4/4. Each following section of the song showcased a number of specialized techniques (such as two-handed tapping, whammy bar acrobatics, sweep picking, alternate picking, multi-part harmonies, and odd phrasing) used in angular and exaggerated ways that were unique to the song at the time. Interest from the public eye grew more so when Vai's song "Blue Powder" (a demonstration for the Carvin X100b amplifier) was published in Guitar Player as well, which showed the virtuoso side of Vai's compositional process. Also in 1986, Vai was cast in the blockbuster film Crossroads as the Devil's guitar player "Jack Butler". In the famous "duel scene" between Vai and Ralph Macchio's characters, Vai wrote and performed all guitar parts with the exception of the slide guitar, which was performed by Ry Cooder.  In between solo work, Vai replaced Yngwie Malmsteen in June 1984 as the lead guitarist of Alcatrazz, with whom he recorded the album Disturbing the Peace. Vai left shortly after the subsequent tour to join David Lee Roth's band.

What instrument did he play in the band?

Vai wrote and performed all guitar parts with the exception of the slide guitar,



Answer the question at the end by quoting:

Victor August Herbert (February 1, 1859 - May 26, 1924) was an Irish-born, German-raised American composer, cellist and conductor. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the tin pan alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.
In 1894 Herbert composed his first operetta, Prince Ananias, for a popular troupe known as The Bostonians. The piece was well received, and Herbert soon composed three more operettas for Broadway, The Wizard of the Nile (1895), The Serenade (1897), which enjoyed international success, and The Fortune Teller (1898), starring Alice Nielsen. Although these achieved popularity, Herbert did not produce any more stage works for several years, focusing on his work with the Pittsburgh Symphony until 1904. Just before leaving that orchestra, he returned to Broadway with his first major hit, Babes in Toyland (1903). Two more successes followed, Mlle. Modiste (1905) and The Red Mill (1906), which solidified Herbert as one of the best-known American composers. He was elected to the National Institute of Arts and Letters in 1908.  Although Herbert's reputation lies with his operettas, he also composed two grand operas. He searched for several years for a libretto that appealed to him, finally finding one by Joseph D. Redding called Natoma that concerned a historical story set in California. He composed the work from 1909 to 1910, and it premiered in Philadelphia on 25 February 1911 with soprano Mary Garden in the title role and the young Irish tenor John McCormack in his opera debut. The opera was well received and was repeated as part of the company's repertory during the next three seasons. It also enjoyed performances in New York City, making its debut there on February 28, 1911. Herbert's other opera, Madeleine, was a much lighter work in one act. On 24 January 1914, it had its premiere at the Metropolitan Opera, but it was not revived beyond that season.  During this period, Herbert continued to compose operettas, producing two of his most successful works, Naughty Marietta (1910) and Sweethearts (1913). Another operetta, Eileen (1917, originally entitled Hearts of Erin), was the fulfillment of Herbert's desire to compose an Irish-themed operetta. The piece treats the Irish Rebellion of 1798 and boasts a rich score. This was the end of Herbert's greatest period of producing full scores for operettas.  By World War I, with the birth of jazz, ragtime and new dance styles like the foxtrot and tango, Herbert reluctantly switched to writing musical comedies. These featured less elaborate ensembles and simpler songs for less classically trained singers than the European-style operettas that had dominated his earlier career. Herbert, during the last years of his career, was frequently asked to compose ballet music for the elaborate production numbers in Broadway revues and the shows of Irving Berlin and Jerome Kern, among others. He was also a contributor to the Ziegfeld Follies every year from 1917 to 1924.

any others?
Mlle. Modiste (1905) and The Red Mill (1906), which solidified Herbert as one of the best-known American composers.