Some context: John William Carson (October 23, 1925 - January 23, 2005) was an American television host, comedian, writer, and producer. He is best known as the host of The Tonight Show Starring Johnny Carson (1962-1992). Carson received six Emmy Awards, the Television Academy's 1980 Governor's Award, and a 1985 Peabody Award. He was inducted into the Television Academy Hall of Fame in 1987.
Carson began his broadcasting career in 1950 at WOW radio and television in Omaha, Nebraska. Carson soon hosted a morning television program called The Squirrel's Nest. One of his routines involved interviewing pigeons on the roof of the local courthouse that would report on the political corruption they had seen. Carson supplemented his income by serving as master of ceremonies at local church dinners, attended by some of the same politicians and civic leaders whom he had lampooned on the radio.  The wife of one of the Omaha political figures Carson spoofed owned stock in a radio station in Los Angeles, and in 1951 referred Carson to her brother, who was influential in the emerging television market in southern California. Carson joined CBS-owned Los Angeles television station KNXT. In 1953, comic Red Skelton--a fan of Carson's "cult success" low-budget sketch comedy show, Carson's Cellar (1951 to 1953) on KNXT--asked Carson to join his show as a writer. In 1954, Skelton during rehearsal accidentally knocked himself unconscious an hour before his live show began, and Carson successfully filled in for him. In 1955, Jack Benny invited Carson to appear on one of his programs during the opening and closing segments. Carson imitated Benny and claimed that Benny had copied his gestures. Benny predicted that Carson would have a successful career as a comedian.  Carson hosted several shows besides Carson's Cellar, including the game show Earn Your Vacation (1954) and the CBS variety show The Johnny Carson Show (1955-1956). He was a guest panelist on the original To Tell the Truth starting in 1960, later becoming a regular panelist from 1961 until 1962. After the prime time The Johnny Carson Show failed, he moved to New York City to host Who Do You Trust? (1957-1962), formerly known as Do You Trust Your Wife?. In 1958, he appeared as a guest star in an episode entitled "Do You Trust Your Wife" on NBC's short-lived variety show, The Polly Bergen Show. On Who Do You Trust?, Carson met his future sidekick and straight man, Ed McMahon. Although he believed moving to daytime would hurt his career, Who Do You Trust? was a success. It was the first show where he could ad lib and interview guests, and because of Carson's on-camera wit, the show became "the hottest item on daytime television" during his five years at ABC.
What was that show about and was it successful?
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Some context: "Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre.
I'm going to shatter some illusions, it was just one of those pieces I wrote for the album: just writing my batch of songs. In its early stages I almost rejected it, but then it grew. We started deciding on a single about halfway through. There were a few contenders - we were thinking of "The Prophet's Song" at one point - but then "Bohemian Rhapsody" seemed the one. There was a time when the others wanted to chop it around a bit, but I refused. If it was going to be released, it would be in its entirety. We knew it was very risky, but we had so much confidence in that song - I did anyway. I felt, underneath it all, that if it was successful it would earn a lot of respect. People were all going, You're joking, they'll never play it, you'll only hear the first few bars and then they'll fade it out. We had numerous rows. EMI were shocked - a six-minute single? You must be joking! The same in America - oh, you just got away with it in Britain.  When we finished the album, the Night at the Opera album, that was the track on it that we thought we were gonna release as a single in the UK first. And when we released it in Britain we didn't necessarily think it'd be released in America, cause we know even over here, you know, the AM tastes are even more [hesitates] stricter. Anyway we did have thoughts about even in the UK, perhaps editing it down at all, but we listened to it over and over again and there was no way we could edit it. We tried a few ideas, but if you edited it, you always lost some part of the song, so we had to leave it all in. And luckily it took off anyway.  The vocal harmonies was something we wanted to do from the beginning, as we are always keen to do that kind of thing. We wanted to be a group that could do the heaviness of hard rock, but also have harmonies swooping around all over the place. We thought there was some real power and emotion in that combination. The guitar solo was pretty much off the cuff, except I think I had plenty of time to think about that one. I remember playing along with it in the studio for a while when other things were being done. I knew what kind of melody I wanted to play.
Are there any other interesting aspects about this article?
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People were all going, You're joking, they'll never play it, you'll only hear the first few bars and then they'll fade it out.