Background: Earth Crisis is an American metalcore band from Syracuse, New York, active from 1989 until 2001, reuniting in 2007. Since 1993 the band's longest serving members are vocalist Karl Buechner, guitarist Scott Crouse, bassist Ian Edwards and drummer Dennis Merrick. Their third guitarist Erick Edwards joined the band in 1998. The band has released eight studio albums, three compilations, two live albums and six music videos.
Context: The band originally formed in 1989, after bassist Karl Buechner proposed the idea to his friend DJ Rose, whom he knew because both skateboarded together. Rose became the vocalist and they were joined by Jesse Buckley on drums and John Moseman on guitar. Established in the latter part of the youth crew heyday, where many groups disbanded and their members stopped being straight edge, they wanted to "keep that torch burning", as Buechner said. "The feeling of disappointment we had in those bands lead us to promote straight edge as being a lifetime commitment to never touch a drop of poison. We wanted people to know they can believe in us." Rose named the band after the 1984's album of the same name from the British reggae band Steel Pulse, because its cover portrayed many of the things they "would stand against", such as the starving African children, the two blocs of the Cold War and Klansmen.  Its initial lineup was short-lived; they had two or three practices and played a show in Utica, New York. After that performance, DJ Rose decided to quit the group to spend more time booking shows. Karl Buechner continued composing and formed a new lineup of the band in 1991, after attending a skateboard demonstration where he met members of the also vegan straight edge band Framework. He switched to lead vocals in the process and was joined by four of the five members of Framework: guitarist Scott Crouse, bassist Ian "Bulldog" Edwards, guitarist Ben Read and drummer Michael Riccardi, all who participated in EC as a side project. 1992's three song EP All Out War marked their debut release and shortly afterwards this became their first priority.  In the summer of 1993, at the start of the All Out War tour, Earth Crisis recorded the Firestorm EP in the studio of Bill Korecky in Cleveland and released it through Victory Records. For this album, Riccardi was replaced by Dennis Merrick. Later on, Ben Read was replaced by Kris Wiechmann.  Destroy the Machines, their first full-length record, was released in 1995 and would eventually become the best-selling album in the history of Victory Records. Later this year, the band's touring van was involved in an accident that injured all band members, most severely Merrick. During his recovery time, the other band members began the group Path of Resistance with Riccardi, DJ Rose and another friend to remain occupied.
Question: Were there other members of the group?
Answer: they were joined by Jesse Buckley on drums and John Moseman on guitar.

Problem: Background: Stan Kenton was born on December 15, 1911 in Wichita, Kansas; he also had two sisters (Beulah and Erma Mae) born three and eight years after him. His parents, Floyd and Stella Kenton, had moved the family back to Colorado, then, finally in 1924 to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School; his high school yearbook picture has the prophetic notation "Old Man Jazz". Kenton started learning piano as a teen from a local pianist and organist.
Context: When composer/arranger Pete Rugolo joined the Stan Kenton Orchestra as staff arranger in late 1945 he brought with him his love of jazz, Stravinsky and Bartok. Given free rein by Kenton, he experimented constantly, creating a sound that was at the same time innovative and popular. Although Kenton himself was already creating somewhat experimental scores prior to Rugolo's tenure, it was Rugolo who brought to the band the extra-jazz influences and the ultra-experimental approach that were to dominate the band through much of its existence.  During his first six months on the staff Rugolo tried to copy Kenton's sound. But on encouragement from the leader, he explored his own voice. By incorporating compositional techniques borrowed from the modern classical music he had studied, with the dramatic excitement of the Kenton sound, Rugolo helped catapult the Kenton band into one of its most fertile and creative periods.  After a string of mostly arrangements, Rugolo turned out three originals that Kenton featured on the band's first album in 1946: (Artistry in Rhythm): "Artistry in Percussion", "Safranski" and "Artistry in Bolero". Added to this mix came "Machito", "Rhythm Incorporated", "Monotony" and "Interlude" in early 1947 (though some were not recorded until later in the year). These compositions, along with June Christy's voice, came to define the Artistry in Rhythm band.  It was during this period that Cuban rhythms started infiltrating the Kenton sound. Rugolo's 1946 composition "Machito", named after the great Cuban band leader that had impressed Kenton, was a regular on concerts in 1947 and 1948. During the subsequent Progressive Jazz era the Cuban sound would become more profound, an influence that was to remain with Kenton until his death.  The Artistry in Rhythm outfit was a powerful band, with outstanding soloists, but with one foot firmly in the tradition. By early 1947, the Stan Kenton Orchestra had reached its highest point of financial and popular success. They played in the best theaters and ballrooms in America, they had hit records ... and the schedule was killing Kenton. Dances at the many ballrooms were typically four hours a night. Theater dates generally involved playing mini concerts between each showing of the movie, sometimes five or six a day, stretching from morning to late night. Most days not on location were spent in buses or cars, racing from town to town. Days off from performing were rare. And for Kenton they just allowed for more record signing, radio station interviews, and pushing the Capitol brand. He was beat. Following an April performance in Tuscaloosa, he broke up the band.
Question: Did Kenton do any composing/arranging on the album?
Answer: