IN: Sudano was born in Flatbush, Brooklyn, New York to Margaret Alessio (1924-2012) and Louis Sudano (1923-2008). At the age of four, Sudano learned to play his first instrument, the accordion. He later taught himself to play piano and guitar. He soon developed a reputation in his community as a talented musician and got his first paid gig at the age of twelve.

Sudano was signed as a solo artist by RCA and released his first record The Fugitive Kind in 1981. It featured a song "Starting Over Again" that Sudano had co-written with his wife Donna Summer about his parents' divorce. In 1980, the song was recorded and released by Dolly Parton on the album Dolly, Dolly, Dolly, and hit #1 on the U.S. country charts on May 24, 1980. The song was recorded by Reba McEntire in 1995. Sudano spent two decades managing Summer's career. They toured together, with Sudano playing keyboards and singing background vocals.  In 1984, Sudano wrote "Tell Me I'm Not Dreamin' (Too Good to Be True)" with Michael Omartian. Jermaine Jackson and Michael Jackson recorded the song as a duet for the album Jermaine Jackson. The song was nominated at the 1985 Grammy Awards for Best R&B Performance by a Duo or Group with Vocals. In 1988, the song was covered by Robert Palmer. During the same period, he co-wrote four songs on Summer's She Works Hard For The Money album. One of which was the adult contemporary hit, "Love Has A Mind of Its Own". In 1986, he co-wrote "Closest Thing To Perfect", the title track for the John Travolta, Jamie Lee Curtis movie Perfect.  In 2004, Sudano released a second solo record called Rainy Day Soul and scored three top ten Adult Contemporary hits and earned him the New Music Weekly 2004 Adult Contemporary Artist of the Year award.  Sudano's third solo record Life and the Romantic was released in 2009 and won the New Music Weekly Adult Contemporary Song of the Year award for the track "It's Her Wedding Day" which Sudano wrote about his daughter Amanda's marriage to her Johnnyswim bandmate Abner Ramirez. Johnnyswim performed with Sudano on the track "Morning Song". The song "A Glass of Red & the Sunset" and "Beyond Forever" have performed well on the smooth jazz charts. In 2014, after the death of his wife, Sudano released the CD With Angels On A Carousel. Here he delicately and soulfully crafted songs that reflected his experience through this difficult experience.  In the fall of 2015, Sudano released a new album, The Burbank Sessions. While playing shows throughout 2014 with his newly formed Candyman Band, he continued writing and incorporated the new material into the sets. Once the dates for the year were concluded, he went into his rehearsal studio and recorded these new songs as he performed them, giving the CD a spontaneous and almost live feel. He followed the release with a run of US shows and an extensive European tour.
QUESTION: What albums did he write?
IN: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.

The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire.  In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.
QUESTION:
Who was a famous writer of Burlesque?