Problem: Background: Parker was born in Bruges, Belgium, and raised in France. His father, Tony Parker Sr., an African American, played basketball at Loyola University Chicago as well as professionally overseas. His mother, Pamela Firestone, is a Dutch model. Parker's great-uncle Jan Wienese is an Olympic gold medalist in rowing.
Context: On August 1, 2014, Parker signed a three-year, $43.3 million contract extension with the Spurs. The Spurs finished the 2014-15 season with a 55-27 record, but lost in the first round of the playoffs to the Los Angeles Clippers in seven games. Parker struggled in the playoffs due to injury and averaged 10.9 points a game on 36% shooting.  In the 2015-16 season, Parker helped the Spurs win a franchise-best 67 games while averaging 11.9 points per game. In the 2016 playoffs, the Spurs swept the Memphis Grizzlies in the first round, but were eliminated in the second round by the Oklahoma City Thunder in six games.  Heading into the 2016-17 season, Parker lost longtime teammate Tim Duncan to retirement. The Spurs finished the season with a 61-21 record, as they registered back-to-back 60-win seasons for the first time in franchise history. Parker played 63 games and averaged 10.1 points per game, his lowest average since his rookie season. In the 2017 playoffs, the Spurs were once again matched with the Memphis Grizzlies in the first round. San Antonio again defeated Memphis 4-2, with Parker averaging 16.3 points per game in the series. After scoring 18 points in Game 2 of the second round, a win against the Houston Rockets, Parker left the game with a rupture of his left quadriceps tendon that ended his season. Game 3 of the series marked San Antonio's first postseason game without Parker since 2001, which ended an NBA record of 221 straight playoff appearances for Parker. The injury required surgery and led some to speculate Parker could miss significant time, if he came back at all.  On November 27, 2017, in a 115-108 win over the Dallas Mavericks, Parker had six points and four assists in 14 minutes in his first appearance since tearing his quadriceps tendon. On November 29, Parker had 10 points and five assists while playing 18 minutes in his second game back.
Question: What team did he play against in the fifth championship?
Answer: Dallas Mavericks,

Problem: Background: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.
Context: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.
Question: What are some other important aspects of it?
Answer:
). Rameau published his first book