Problem: Background: Fisk was born in Bellows Falls, Vermont, but according to Fisk, that was only because Vermont had the nearest hospital to his hometown, Charlestown, New Hampshire. He grew up in Charlestown, across the Connecticut River from Bellows Falls, and attended Charlestown High School, where he played baseball and basketball. Because his family is from New Hampshire, he insisted that the organization remove from his plaque in the Red Sox Hall of Fame its characterization of him as a Vermont native. Fisk earned his longtime nickname, "Pudge", because he was a chubby youngster.
Context: Fisk was known for his longstanding feud with New York Yankees catcher Thurman Munson. One particular incident that typified their feud, and the Yankees - Red Sox rivalry in general, occurred on August 1, 1973, at Fenway Park. With the score 2-2 in the top of the ninth inning, Munson, attempting to score on Gene Michael's missed bunt attempt, barreled into Fisk, triggering a 10-minute bench-clearing brawl in which both catchers were ejected. As John Curtis let his first pitch go, Munson broke for the plate. Michael tried to bunt, and missed. With Munson coming, the scrawny Yankees shortstop tried to step in Fisk's way, but Fisk elbowed him out of the way and braced for Munson, who crashed into him as hard as he could. Fisk held onto the ball, but Munson tried to lie on top of him to allow Felipe Alou to keep rounding the bases.  Fisk kicked Munson off him and into the air, and swiped at him with his fist. Michael grabbed Fisk, and as Curtis grabbed Munson--his former Cape Cod League roommate--Fisk threw Michael down with his left arm and fell to the ground. "Fisk had his left arm right across Stick's throat and wouldn't let up", said Ralph Houk, the Yankees' manager at the time. "Michael couldn't breathe. I had to crawl underneath the pile to try to pry Fisk's arm off his throat to keep him from killing Stick. All the while he had Michael pinned down, he was punching Munson underneath the pile. I had no idea Fisk was that strong, but he was scary."  In another incident typifying the Yankees-Red Sox rivalry, Fisk was involved in an altercation with Lou Piniella during a May 20, 1976, game at Yankee Stadium. In the sixth inning of this game, Piniella barreled into Fisk trying to score on an Otto Velez single. Fisk and Piniella shoved each other at home plate, triggering another bench-clearing brawl. After order appeared to be restored, Red Sox pitcher Bill Lee and Yankees third baseman Graig Nettles began exchanging words and punches, igniting the brawl anew. Lee suffered a separated left shoulder in the altercation and missed much of the season.  In an incident on May 22, 1990, NFL and MLB player Deion Sanders, then with the Yankees, hit a pop fly, and declined to run to first base, suspecting that the ball would be easily caught. Fisk yelled at Sanders to run the ball out and told Sanders during his next at-bat, "There is a right way and a wrong way to play this game. You're playing it the wrong way. And the rest of us don't like it. Someday, you're going to get this game shoved right down your throat."
Question: what caused the feud?
Answer: the Yankees - Red Sox rivalry

Background: Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and "beat boom" of the 1960s.
Context: Barber and Monty Sunshine (clarinet) formed a band in 1953, calling it Ken Colyer's Jazzmen to capitalise on their trumpeter's recent escapades in New Orleans: the group also included Donegan, Jim Bray (bass), Ron Bowden (drums) and Barber on trombone. The band played Dixieland jazz, and later ragtime, swing, blues and R&B. Pat Halcox took over on trumpet in 1954 when Colyer moved on after musical differences and the band became "The Chris Barber Band".  In April 1953 the band made its debut in Copenhagen, Denmark. There Chris Albertson recorded several sides for the new Danish Storyville label, including some featuring only Sunshine, Donegan and Barber on double bass. In 1959 the band's version of Sidney Bechet's "Petite Fleur", a clarinet solo by Monty Sunshine with Barber on string bass, spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc. After 1959 he toured the United States many times (where "Petite Fleur" charted at #5).  In the late 1950s and early 1960s Barber was mainly responsible for arranging the first UK tours of blues artists Big Bill Broonzy, Sonny Terry and Brownie McGhee and Muddy Waters. This, with the encouragement of local enthusiasts such as Alexis Korner and John Mayall, sparked young musicians such as Peter Green, Eric Clapton and the Rolling Stones. British rhythm and blues powered the British invasion of the USA charts in the 1960s, yet Dixieland itself remained popular: in January 1963 the British music magazine, NME reported the biggest trad jazz event in Britain at Alexandra Palace. It included George Melly, Diz Disley, Acker Bilk, Alex Welsh, Kenny Ball, Ken Colyer, Sunshine, Bob Wallis, Bruce Turner, Mick Mulligan and Barber.  Barber stunned traditionalists in 1964 by introducing blues guitarist John Slaughter into the line up who, apart from a break between April 1978 and August 1986, when Roger Hill took over the spot, played in the band until shortly before his death in 2010. Barber next added a second clarinet/saxophone and this line-up continued until 1999. Then Barber added fellow trombonist/arranger Bob Hunt and another clarinet and trumpet. This eleven-man "Big Chris Barber Band" offered a broader range of music while reserving a spot in the programme for the traditional six-man New Orleans line-up.  A recording of the Lennon-McCartney composition "Catswalk" can be heard, retitled "Cat Call", on The Songs Lennon and McCartney Gave Away. Written by Paul McCartney the song was recorded in late July 1967 and released as a single in the UK on 20 October 1967.
Question: Any other hits
Answer:
Catswalk