Some context: Maurice Robert "Mike" Gravel (; born May 13, 1930) is an American politician who was a Democratic United States Senator from Alaska from 1969 to 1981 and a candidate in the 2008 U.S. presidential election. Born and raised in Springfield, Massachusetts, by French-Canadian immigrant parents, Gravel served in the U.S. Army in West Germany, and he later graduated from the Columbia University School of General Studies. He moved to Alaska in the late 1950s, becoming a real estate developer and entering politics. He served in the Alaska House of Representatives from 1963 to 1966 and also became Speaker of the Alaska House.
Gravel "decided to become a pioneer in a faraway place," and moved to pre-statehood Alaska in August 1956, without funds or a job, looking for a place where someone without social or political connections could be a viable candidate for public office. Alaska's voting age of 19, less than most other states' 21, played a role in his decision, as did its newness and cooler climate. Broke when he arrived, he immediately found work in real estate sales until winter arrived. Gravel then was employed as a brakeman for the Alaska Railroad, working the snow-clearing train on the Anchorage-Fairbanks run. Subsequently, he opened a small real estate brokerage in Anchorage (the Territory of Alaska not requiring a license) and saved enough so as not to have to work the railroad again. Gravel joined the Anchorage Unitarian Universalist Fellowship, and continued a sporadic relationship with the movement throughout his life.  Gravel married Rita Jeannette Martin, who had been Anchorage's "Miss Fur Rendezvous" of 1958, on April 29, 1959. They had two children, Martin Anthony Gravel and Lynne Denise Gravel, born c. 1960 and 1962 respectively.  Meanwhile, he went to Washington, D.C. in 1957 to campaign for Alaskan statehood via the "Tennessee Plan": dressed as Paul Revere, he rode with a petition to the steps of the U.S. Capitol. Seeing Alaska as a wide-open place with no political establishment or entrenched interests, and using the slogan "Gravel, the Roadbed to Prosperity", he ran for the territorial legislature in 1958 but lost. He went on a national speaking tour concerning tax reform in 1959, sponsored by the Jaycees. He ran without avail for the City Council in Anchorage in 1960. During this time, he had become a successful real estate agent; after the 1960 election, he became a property developer in a mobile home park on the outskirts of Anchorage. A partner ran into financial difficulty, however, and the project went into Chapter 11 bankruptcy and Gravel was forced out in 1962.
Why did he go?
A: looking for a place where someone without social or political connections could be a viable candidate for public office. Alaska's voting age of 19,
Some context: Martin Sandberg (born 26 February 1971), known professionally as Max Martin, is a Swedish songwriter, record producer and singer. He rose to prominence in the second half of the 1990s after making a string of major hits for artists such as the Backstreet Boys, Britney Spears and NSYNC. Some of his earlier hits include "...Baby One More Time" (1998)
Sandberg was born in Stockholm and grew up in the suburb Stenhamra, Ekero Municipality.  As a child, Martin was a student of Sweden's public music-education program, and once said he had "public music education to thank for everything." Other alumni of the program include Andreas Carlsson, Rami Yacoub, and Anders Bagge.  As a teenager he sang in a variety of bands before joining a glam-style metal band called It's Alive in 1985 as their singer and frontman. It's Alive were formed by ex-LAZY members Per Aldeheim and Kim Bjorkgren on guitars, and John Rosth who had been a member of Lineout. Martin eventually dropped out of high school to pursue a career in music with his band under the nickname "Martin White." In 1988 they participated in the national rock championships and played as the in-house band at a disco in Cyprus. The band got a breakthrough in 1991, as Dave Constable of Megarock Records offered them to make a demo-record. The later debut album was originally pressed in 1,000 copies and later on given away as a free cover tape in the UK by the Metal Forces magazine.  The decision to focus on a music career paid off as they landed a record deal on producer Denniz PoP's label Cheiron Records, a BMG affiliate. After recording their second album Earthquake Visions, they released three singles in conjunction with the record and toured through Europe in 1994 supporting Kingdom Come. Earthquake Visions eventually sold a disappointing 30,000 copies, despite being released in as many as 30 countries. More importantly though, Martin also began collaborating on songs with PoP. Recognizing a talent for writing pop songs in the young rocker, PoP renamed his new protege Max Martin and eventually became Martin's mentor.
Did he sing with other bands?
A: disco in Cyprus.
Some context: Toru Takemitsu (Wu Man  Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.
Takemitsu was born in Tokyo on October 8, 1930; a month later his family moved to Dalian in the Chinese province of Liaoning. In 1938 he returned to Japan to attend elementary school, but his education was cut short by military conscription in 1944. Takemitsu described his experience of military service at such a young age, under the Japanese Nationalist government, as "... extremely bitter". Takemitsu first became really conscious of Western classical music during his term of military service, in the form of a popular French Song ("Parlez-moi d'amour") which he listened to with colleagues in secret, played on a gramophone with a makeshift needle fashioned from bamboo.  During the post-war U.S. occupation of Japan, Takemitsu worked for the U.S. Armed Forces, but was ill for a long period. Hospitalised and bed-ridden, he took the opportunity to listen to as much Western music as he could on the U.S. Armed Forces network. While deeply affected by these experiences of Western music, he simultaneously felt a need to distance himself from the traditional music of his native Japan. He explained much later, in a lecture at the New York International Festival of the Arts, that for him Japanese traditional music "always recalled the bitter memories of war".  Despite his almost complete lack of musical training, and taking inspiration from what little Western music he had heard, Takemitsu began to compose in earnest at the age of 16: "... I began [writing] music attracted to music itself as one human being. Being in music I found my raison d'etre as a man. After the war, music was the only thing. Choosing to be in music clarified my identity." Though he studied briefly with Yasuji Kiyose beginning in 1948, Takemitsu remained largely self-taught throughout his musical career.
When was he born?
A:
October 8, 1930;