IN: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.

The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009.  In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s.  In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.
QUESTION: WHat did this lead him to
IN: Migration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.

The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art.
QUESTION: What type of materials did they use to create this art?
IN: Thomas Richard Christy was born in Fort Scott, Kansas on April 1, 1974. His father is a Vietnam veteran. Christy grew up in the nearby town of Redfield, on a "farm in the middle of nowhere". According to the 2010 census, the town has a population of 146.

Christy once dreamed of a career in film after he saw Brad Pitt, from nearby Springfield, Missouri, in Interview with the Vampire. He hung up posters of Pitt in his New York City apartment, and once worked at a computer store owned by Pitt's parents. He has been a fan of horror films since his youth, and rates Halloween (1978) as his favourite. In the mid-1990s, while living in Missouri, he started to make his own independent, low budget films. His first, Evil Ned 2, a horror comedy was made in 1994. This was followed by its sequel, Evil Ned 3: The Return of Evil Ned 2 - Electric Boogaloo, in 1995, with a plot involving "dirty magazines, huge hog testicles, gay monsters, Amish erotica, and evil talking ducks". The film was produced for $250, "200 of which was spent on beer". The film premiered at a Missouri hotel, and was made available online in 2007. In 2001, Christy released his feature-length film, Leaving Grunion County. Its premiere was held at the Enzian Theater in Maitland, Florida that April.  In 2006, Christy and Governale wrote, directed, and starred in the 30-minute comedy film Supertwink for Stern's on-demand digital cable service Howard Stern On Demand. It premiered at the Pioneer Theater in New York City on January 4, 2006. The film was reviewed by critic Richard Roeper, who panned it. In 2007, Christy appeared in Harold & Kumar Escape from Guantanamo Bay playing the role of a Ku Klux Klansman named Kenny. In the same year, he landed his first television role Rescue Me, portraying a "really creepy guy at end of bar". In 2009, he appeared as Caleb in the horror film Albino Farm. Also in 2009, Christy and Governale appeared in the 2009 horror novel Castaways, written by horror and crime novelist Brian Keene. Christy has recorded voiceovers for the Adult Swim shows Metalocalypse and Rick and Morty. He guest appeared on the Cartoon Network series Uncle Grandpa, playing Ric. Christy later made a cameo in Guardians of the Galaxy Vol. 2 as a character simply named "Down There!".  Christy has written articles for Decibel magazine about his love for horror films, named "Richard Christy's Horrorscope".
QUESTION:
What has Christy done most recently?