Question:
Holmes was the fourth of twelve children born to John and Flossie Holmes. After the family moved to Easton in 1954, Holmes' father went to Connecticut. He worked as a gardener there until his death in 1970. He visited his family every three weeks. "
On June 11, 1982, Holmes defended his title against Gerry Cooney, the undefeated #1 contender and an Irish-American. The lead-up to the fight had many racial overtones. Holmes said that if Cooney wasn't white, he would not be getting the same purse as the champion (both boxers received $10 million for the bout). Although Cooney tried to deflect questions about race, members of his camp wore shirts that said "Not the White Man, but the Right Man." In their fight previews, Sports Illustrated and Time put Cooney on the cover, not Holmes. President Ronald Reagan had a phone installed in Cooney's dressing room so he could call him if he won the fight. Holmes had no such arrangement. Lastly, boxing tradition dictates that the champion is introduced last, but the challenger, Cooney, was introduced last.  The bout was held in a 32,000-seat stadium erected in a Caesar's Palace Parking lot, with millions more watching around the world. After an uneventful first round, Holmes dropped Cooney with a right in the second. Cooney came back well in the next two rounds, jarring Holmes with his powerful left hook. Holmes later said that Cooney "hit me so damned hard, I felt it--boom--in my bones." Cooney was tiring by the ninth, a round in which he had two points deducted for low blows. In the tenth, they traded punches relentlessly. At the end of the round, the two nodded to each other in respect. Cooney lost another point because of low blows in the eleventh. By then, Holmes was landing with ease. In the thirteenth, a barrage of punches sent Cooney down. He got up, but his trainer, Victor Valle, stepped into the ring and stopped the fight.  After the fight, Holmes and Cooney became close friends.
Answer this question using a quote from the text above:

Who was considered the underdog?

Answer:
Holmes said that if Cooney wasn't white, he would not be getting the same purse as the champion

input: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer, who recruited bass guitarist Martijn Dresden and drummer Hans Cleuver after he met them at sessions for the Jazz and Poetry radio program in Hilversum, Netherlands. The three went on to start a new three-piece band initially known as Thijs van Leer and the Rebaptised, playing a set formed mostly of cover songs by Traffic and original material mostly written by van Leer. In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan Akkerman of the rock band Brainbox after Shaffy invited him to play with the trio. Van Leer later recalled the first try out session: "Jan came in and we jammed for hours, and it was really kicking". They then settled on the name Focus for the new band; Akkerman later said, "Focus is a Latin word that is the same in many languages. It means concentration, which is the meaning of what Focus does". Their first live gig as Focus followed at the Bird's Club in Rembrandtplein, and they soon secured a weekly residency playing two shows a night on two days. Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus".  In their search for more work and a steady income, Focus was chosen to play as part of the pit band for the Dutch production of the rock musical Hair produced by Welsh actor Victor Spinetti. They were invited to audition at the Victoria Ballroom, London after Dutch lyricist Lennaert Nijgh suggested them to Del Newman, the musical's director. Cast member Robin Lent claimed the production was suffering and Focus, taking part only for the money, "were also pretty rusty ... but this changed and everybody got into it". The show, launched in December 1969, involved six nightly performances a week and gave them space to rehearse in the afternoons for free and store their equipment. An album of the soundtrack featuring the band was recorded in February 1970 and released soon after by Polydor Records.  After Hair ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half and become a full time band. They had picked up more local gigs and dates across the country by this time, and had performed their first international gigs in Belgium and Spain. Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders though Akkerman recalled the group failed to appreciate its value and were quick to spend it. To manage their finances more carefully, Cleuver was chosen to oversee their earnings and expenses.

Answer this question "Who were the members of Focus?"
output: bass guitarist Martijn Dresden and drummer Hans Cleuver

Answer the question at the end by quoting:

The Kooks are an English pop rock band formed in 2004 in Brighton. The band currently consists of Luke Pritchard (vocals/rhythm guitar), Hugh Harris (lead guitar/synth), Alexis Nunez (drums), and Peter Denton (bass guitar). The original bassist was Max Rafferty, and the founding drummer was Paul Garred. The lineup of the band remained constant until the departure of Rafferty in 2008.
The Kooks have mentioned drawing on a number of varied sources to create their sound, listing the Rolling Stones, the Beatles, Bob Dylan and Chris de Burgh among influences on songwriting style and musical presentation over the course of their four albums.  The band's debut album Inside In/Inside Out was touted as a typical Britpop record, and was influenced by the Libertines, Thin Lizzy, the Police and containing elements of the 60s British pop movement. Pritchard's lyrical style was compared to that of a "younger, less pathetic version of Pete Doherty's mush-mouth style". The band themselves felt the album was not consistent in its direction. "The first record was definitely genre-hopping. [...] The first album was finding its feet, it was gadabout", said Harris in an interview for The Sunday Business Post.  On the follow-up Konk, the band attempted to find a more mature and polished sound. Drawing on a much wider choice of material for the album (about 80 to 90 new songs had been accumulated within the band's repertoire by this stage), the band began to incorporate more a hard-edged rock focus into their music. Critics drew comparisons to the work of The Kinks throughout the album, it being recorded at the studio owned by Ray Davies. Also noted were the band's growing similarities in musical direction to The Fratellis and the Arctic Monkeys. "I think we've made a dynamic album", Pritchard said. "Every song has its own character. It's a good pop album."  The most recent album, Listen, includes much more percussion and cross rhythms than previous material. Pritchard described the band's most recent album Listen as "percussion sonnets". "The first couple albums I made I never really thought about rhythms, I focused on the recording and the lyrics", Pritchard said.

did anyone in the band write the music