Question: Skid Row is an American heavy metal band, formed in 1986 in Toms River, New Jersey. The group achieved commercial success in the late 1980s and early 1990s, with its first two albums Skid Row (1989) and Slave to the Grind (1991) certified multi-platinum, the latter of which reached number one on the Billboard 200. The band's third album Subhuman Race (1995) was also critically acclaimed, but failed to repeat the success of its predecessors. During this period, the band consisted of bassist Rachel Bolan, guitarists Dave Sabo and Scotti Hill, drummer Rob Affuso, and frontman Sebastian Bach.

After the Slave to the Grind promotional tour, an EP of covers B-Side Ourselves was released in September 1992. Before a third album could be recorded, Skid Row took an extended hiatus in 1993 on McGhee's recommendation to wait for the grunge movement to fade away. For some time, Skid Row parted ways with Wagener, possibly due to the music taking a different direction for the follow-up to Slave to the Grind. In 1994, the band returned to the studio with producer Bob Rock to record its third album. Subhuman Race was released in March 1995, and charted in the top 40 on the American charts. Although it did not achieve the success of its predecessors, it charted one single in the US and received positive reviews.  At that point, the band shifted to performing at smaller venues and its videos were rarely played on MTV, partly because of the rise in popularity of grunge and subsequent decline of many 1980s heavy metal styles. Skid Row was the opening act for Van Halen on its North American leg of the tour. Eventually, Bach left the band in late 1996 after an argument with Bolan who turned down an opening slot on the Kiss reunion tour even though Bach already booked it. Other band members told Bach that Skid Row was too big for an opening act and that they were not going to do the show. Bach then left a message on a bandmate's answering machine telling them the band was never too big to open for Kiss.  Bolan had a side project, a punk band Prunella Scales who was playing at the same time as the planned Kiss show. The rift between Bach and the other band members subsequently led to him leaving Skid Row. Four years later, Skid Row was one of the opening acts for the 2000 Kiss Farewell Tour. In 1998 Skid Row released the compilation 40 Seasons: The Best of Skid Row. After Bach's departure, the remaining members continued as Ozone Monday with singer Shawn McCabe of Mars Needs Women. In 1998 and 1999, the group opened up for Kiss and Motley Crue under the new moniker.

Using a quote from the above article, answer the following question: What was their first album?
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Question: Ryuichi Sakamoto (Ban Ben  Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.

Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun.  Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said:  He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.

Using a quote from the above article, answer the following question: Did he produced anyother movie apart from that?
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Answer:
Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun.