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Born Lucille Fay LeSueur in San Antonio, Texas, the youngest and third child of Anna Bell (Johnson) and Thomas E. LeSueur, a laundry laborer. She was of English, French Huguenot, Swedish, and Irish ancestry. Crawford's elder siblings were sister Daisy LeSueur, who died before Lucille's birth, and brother Hal LeSueur. Crawford's father abandoned the family a few months before her birth, reappearing later in 1930 in Abilene, Texas, reportedly working as a construction laborer.

Under the name Lucille LeSueur, Crawford began dancing in the choruses of traveling revues and was spotted dancing in Detroit by producer Jacob J. Shubert. Shubert put her in the chorus line for his 1924 show, Innocent Eyes, at the Winter Garden Theatre on Broadway in New York City. While appearing in Innocent Eyes Crawford met a saxophone player named James Welton. The two were allegedly married in 1924 and lived together for several months, although this supposed marriage was never mentioned in later life by Crawford.  Crawford wanted additional work, and approached Loews Theaters publicist Nils Granlund. Granlund secured a position for her with singer Harry Richman's act and arranged for her to do a screen test which he sent to producer Harry Rapf in Hollywood. Stories have persisted that Crawford further supplemented her income by appearing in one or more stag, or soft-core pornographic, films, although this has been disputed.  Rapf notified Granlund on December 24, 1924, that Metro-Goldwyn-Mayer (MGM) had offered Crawford a contract at $75 a week. Granlund immediately wired LeSueur, who had returned to her mother's home in Kansas City, with the news; she borrowed $400 for travel expenses. She departed Kansas City on December 26, 1924 and arrived in Culver City, California on January 1, 1925.  Credited as Lucille LeSueur, her first film was Lady of the Night in 1925, as the body double for MGM's most popular female star, Norma Shearer. She also appeared in The Circle and Pretty Ladies (both 1925), starring comedian ZaSu Pitts. This was soon followed by equally small and unbilled roles in two other 1925 successes, The Only Thing and The Merry Widow.  MGM publicity head Pete Smith recognized her ability to become a major star, but felt her name sounded fake; he told studio head Louis B. Mayer that her last name--LeSueur--reminded him of a sewer. Smith organized a contest called "Name the Star" in Movie Weekly to allow readers to select her new stage name. The initial choice was "Joan Arden" but, after another actress was found to have prior claim to that name, the alternate surname "Crawford" became the choice. Crawford later said that she wanted her first name to be pronounced "Jo-Anne", and that she hated the name Crawford because it sounded like "craw fish", but also admitted she "liked the security" that went with the name.
Joan Crawford