input: Christopher Reeve was born on September 25, 1952, in New York City, the son of Barbara Pitney (Lamb) (1929-2000), a journalist, and Franklin D'Olier Reeve (1928-2013), a teacher, novelist, poet, and scholar. Reeve was of almost entirely English ancestry, with many family lines that had been in America since the early 1600s. His paternal grandfather, Colonel Richard Henry Reeve, had been the CEO of Prudential Financial (when it was called Prudential Life Insurance Company) for over 25 years.  Reeve's father was a Princeton University graduate studying for a master's degree in Russian at Columbia University prior to the birth of his son, Christopher. Despite being born wealthy, Franklin Reeve spent summers working at the docks with longshoremen. Reeve's mother had been a student at Vassar College but transferred to Barnard College to be closer to Franklin, whom she had met through a family connection. They had another son, Benjamin, born on October 6, 1953.  Franklin and Barbara divorced in 1956, and she moved with her two sons to Princeton, New Jersey, where they attended Nassau Street School. Later that year, Franklin Reeve married Helen Schmidinger, a Columbia University graduate student. Barbara Pitney Lamb married Tristam B. Johnson, a stockbroker, in 1959. Johnson enrolled Christopher and his brother, Benjamin, in Princeton Country Day School, which later merged with Miss Fine's School for Girls to become the co-educational Princeton Day School. Reeve excelled academically, athletically, and onstage; he was on the honor roll and played soccer, baseball, tennis, and hockey. The sportsmanship award at Princeton Day School's invitational hockey tournament was named in Reeve's honor. Reeve admitted that he put pressure on himself to act older than he actually was in order to gain his father's approval.  Reeve found his passion in 1962 at age nine when he was cast in an amateur version of the operetta The Yeomen of the Guard; it was the first of many student plays. In mid-1968, at age fifteen, Reeve was accepted as an apprentice at the Williamstown Theatre Festival in Williamstown, Massachusetts. The other apprentices were mostly college students, but Reeve's older appearance and maturity helped him fit in with the others. In a workshop, he played a scene from A View from the Bridge that was chosen to be presented in front of an audience. After the performance, actress Olympia Dukakis said to him, "I'm surprised. You've got a lot of talent. Don't mess it up." The next summer, Reeve was hired at the Harvard Summer Repertory Theater Company in Cambridge for $44 per week. He played a Russian sailor in The Hostage and Belyayev in A Month in the Country. Famed theater critic Elliot Norton called his performance as Belyayev "startlingly effective." The 23-year-old lead actress in the play, a Carnegie Mellon graduate, turned out to be Reeve's first romance. She was engaged to a fellow Carnegie Mellon graduate at the time; they mutually ended the relationship when he made a surprise visit to her dorm room at seven in the morning and found Reeve with her. Reeve's romance with the actress fizzled a few months later when the age difference became an issue. Reeve was briefly involved with Scientology but opted out of becoming a member. He subsequently voiced criticism of the organization.

Answer this question "Where did he go to school?"
output: Nassau Street School.

input: Timmons left Blakey for the second time in June 1961, encouraged by the success of his compositions, including jukebox plays of "Dat Dere", which Oscar Brown had recorded after adding lyrics. Timmons then formed his own bands, initially with Ron Carter on bass and Tootie Heath on drums. They toured around the US, including the West Coast, but played most in and around New York. In the initial stages of this trio, Timmons liked the group sounds of the trios led by Red Garland and Ahmad Jamal. According to Tootie Heath, Timmons was at the peak of his fame at that point, but was addicted to heroin, and used a lot of the money that the band was paid maintaining his habit.  In 1963 Timmons' playing, with Lewis Powers on bass and Ron McCurdy on drums, was described by a Washington Post reviewer as "flexible and adventuresome [...] Glossing over everything is an undeniable sheen of church music and spirituals." In 1965 the same reviewer commented that Timmons was employing musicians who were of much lower ability: "Timmons lacks a certain passion but I wonder if this is not the fault of his sidemen." Timmons started playing vibes in the mid-1960s. He occasionally played organ, but recorded only one track on that instrument - a 1964 version of "Moanin'" on From the Bottom. Recordings as a leader continued, usually as part of a trio or quartet, but, after joining Milestone Records around 1967, Timmons' album Got to Get It! featured him as part of a nonet, playing arrangements by Tom McIntosh.  Timmons' career declined quickly in the 1960s, in part because of drug abuse and alcoholism and partly as a result of frustration at being typecast as a composer and player of seemingly simple pieces of music. In 1968 he made his second, final, recording for Milestone, Do You Know the Way? In the following year he played in a quartet led by Sonny Red, with Dexter Gordon on one of the saxophonist's temporary returns to the US from Europe, and in a trio backing vocalist Etta Jones. Timmons continued to play in the early 1970s, mostly in small groups or in combination with other pianists, and mainly in the New York area.  According to saxophonist Jimmy Heath, Timmons joined Clark Terry's big band for a tour of Europe in 1974. He was unwell and drank on the plane to Sweden, and fell while drinking at the bar before the band's first concert, in Malmo. Susceptible to blood clotting, he was flown back to the US. On March 1, 1974, he died from cirrhosis, at the age of 38, at St Vincent's Hospital in New York. He had been in hospital for a month. He was buried in Philadelphia, and was survived by his wife, Estelle, and son, also Bobby.

Answer this question "What happened to timmons"
output:
According to Tootie Heath, Timmons was at the peak of his fame at that point, but was addicted to heroin,