Problem: Broadmoor Hospital is a high-security psychiatric hospital at Crowthorne in Berkshire, England. It is the best known and oldest of the three high-security psychiatric hospitals in England, the other two being Ashworth Hospital near Liverpool and Rampton Secure Hospital in Nottinghamshire. The Broadmoor complex houses about 210 patients, all of whom are men since the female service closed in September 2007, with most of the women moving to a new service in Southall and the remainder moving to Rampton and elsewhere. At any one time there are also approximately 36 patients on trial leave at other units.

Much of Broadmoor's architecture is still Victorian, including the Grade 1 listed gatehouse, which has a clock tower.  Following long-standing reports that the old buildings were unfit for purpose (for therapy or safety), planning permission was granted in 2012 for a PS242 million redevelopment, involving a new unit comprising 10 wards to adjoin the existing 6 wards of the modern Paddock Unit, resulting in total bed numbers of 234. Building company Kier reported in 2013 a sum of PS115m for the new unit of 162 beds, ready to accept patients by the start of 2017, and PS43m for a separate new medium secure unit for men nearby.[1][2][3][4][5]  A new unit called the Paddock Centre already opened on 12 December 2005 to contain and treat patients classed as having a 'dangerous severe personality disorder' (DSPD). This was a new and much debated category invented on behalf of the UK government, based on an individual being considered a 'Grave and Immediate Danger' to the general public, and meeting some combination of criteria for personality disorders and/or high scores on the Hare Psychopathy Check list - Revised. The Paddock Centre was designed to eventually house 72 patients, but never opened more than four of its six 12-bedded wards. The Dept of Health and Ministry of Justice National Personality Disorder Strategy published in October 2011 concluded that the resources invested in the DSPD programme should instead be used in prison based treatment programmes and the DSPD service at Broadmoor was required to close by 31 March 2012. The patients were transferred either back to prison, on to medium secure units to continue treatment, on to the residual national DSPD service at the Peaks Unit in Rampton, or to elsewhere in Broadmoor in the Personality Disorder directorate. The Paddock now, in 2013, provides general admission wards and high dependency wards for both the mental illness and personality disorder directorates, and all 72 beds are in use.

Is the facility open to both genders?

Answer with quotes: based on an individual being considered a 'Grave and Immediate Danger' to the general public, and meeting some combination of criteria for personality disorders


Problem: Born in New Orleans, Louisiana, Capote was the son of 17-year-old Lillie Mae Faulk and salesman Archulus Persons. His parents divorced when he was four, and he was sent to Monroeville, Alabama, where, for the following four to five years, he was raised by his mother's relatives. He formed a fast bond with his mother's distant relative, Nanny Rumbley Faulk, whom Truman called "Sook". "Her face is remarkable - not unlike Lincoln's, craggy like that, and tinted by sun and wind", is how Capote described Sook in "A Christmas Memory" (1956).

Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".  The novella itself was originally supposed to be published in Harper's Bazaar's July, 1958 issue, several months before its publication in book form by Random House. But the publisher of Harper's, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November, 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included, but to his disappointment, the magazine ran just a single full-page image of Attie's (another was later used as the cover of at least one paperback edition of the novella). The novella was published by Random House shortly afterwards.  For Capote, Breakfast at Tiffany's was a turning point, as he explained to Roy Newquist (Counterpoint, 1964):  I think I've had two careers. One was the career of precocity, the young person who published a series of books that were really quite remarkable. I can even read them now and evaluate them favorably, as though they were the work of a stranger ... My second career began, I guess it really began with Breakfast at Tiffany's. It involves a different point of view, a different prose style to some degree. Actually, the prose style is an evolvement from one to the other - a pruning and thinning-out to a more subdued, clearer prose. I don't find it as evocative, in many respects, as the other, or even as original, but it is more difficult to do. But I'm nowhere near reaching what I want to do, where I want to go. Presumably this new book is as close as I'm going to get, at least strategically.

What is the book's synopsis?

Answer with quotes: