IN: Yo-Yo Ma (born October 7, 1955) is a French-born American cellist. Born in Paris, he spent his schooling years in New York City and was a child prodigy, performing from the age of four and a half. He graduated from the Juilliard School and Harvard University and has enjoyed a prolific career as both a soloist performing with orchestras around the world and a recording artist. He has recorded more than 90 albums and received 18 Grammy Awards.

Yo-Yo Ma was born in Paris on October 7, 1955, to Chinese parents and had a musical upbringing. His mother, Marina Lu, was a singer and his father, Hiao-Tsiun Ma, was a violinist and professor of music at Nanjing National Central University (predecessor of the present-day Nanjing University). His sister, Yeou-Cheng Ma, played the violin before obtaining a medical degree and becoming a pediatrician. The family moved to New York when Ma was seven years old.  At a young age, Ma began studying violin and piano and later viola, finally settling on the cello in 1960 at age four. According to Ma, his first choice was the double bass due to its large size, but he compromised and took up cello instead. The child prodigy began performing before audiences at age five and performed for Presidents Dwight D. Eisenhower and John F. Kennedy when he was seven. At age eight, he appeared on American television with his sister, Yeou-Cheng Ma, in a concert conducted by Leonard Bernstein. In 1964, Isaac Stern introduced them on The Tonight Show Starring Johnny Carson, and they performed the Sonata of Sammartini. He attended Trinity School in New York but transferred to the Professional Children's School, from which he graduated at age 15. He appeared as a soloist with the Harvard Radcliffe Orchestra in a performance of the Tchaikovsky Rococo Variations.  Ma studied at The Juilliard School at age 19 with Leonard Rose and attended Columbia University but dropped out. He later enrolled at Harvard College. Prior to entering Harvard, Ma played in the Marlboro Festival Orchestra under the direction of cellist and conductor Pablo Casals. Ma would ultimately spend four summers at the Marlboro Music Festival after meeting and falling in love with Mount Holyoke College sophomore and festival administrator Jill Hornor his first summer there in 1972.  However, even before that time, Ma had steadily gained fame and had performed with many of the world's major orchestras. He has also played chamber music, often with the pianist Emanuel Ax, with whom he has a close friendship back from their days together at the Juilliard School of Music in New York. Ma received his bachelor's degree from Harvard in 1976. In 1991, he received an honorary doctorate from Harvard.
QUESTION: Does he speak French?
IN: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.

During 1964, White began to look beyond bluegrass music towards rock 'n' roll as an avenue for artistic expression. Although he was influenced by Country guitarists like Doc Watson, Don Reno and Joe Maphis, he also idolized the playing of jazz guitarist Django Reinhardt, rock 'n' roller Chuck Berry, and studio musician James Burton. White even anticipated the viability of a folk/rock hybrid when, in the summer of 1964, he was approached by Jim Dickson to record a version of the then-unreleased Bob Dylan song "Mr. Tambourine Man" with electric instruments. However, despite White's enthusiasm for the project, he was unable to convince his bandmates in the Kentucky Colonels of the experiment's validity and ultimately, the song was instead recorded by Dickson's proteges, the Byrds.  By the time the original line-up of the Kentucky Colonels folded in late 1965, White had become a respected and well-known guitarist. Abandoning bluegrass temporarily, he switched from his Martin D-28 acoustic guitar to an electric Fender Telecaster, with the intention of becoming a studio musician like his hero James Burton. Transitioning to electric guitar required White to modify his right hand playing technique, switch from open chording to fretting the whole guitar neck with his left hand, and practice using the tone and volume controls. However, he soon mastered the intricacies of the instrument and, between 1965 and 1968, he undertook session work for artists including Ricky Nelson, the Monkees, and the Gosdin Brothers.  As 1965 turned into 1966, White met Gene Parsons and Gib Guilbeau at a recording session for the Gosdin Brothers and shortly after, he began to perform live with the duo in local California clubs, as well as doing regular session work on their records, which were released under the moniker of Cajun Gib and Gene. 1966 also saw White begin playing with a country group called Trio, which featured drummer Bart Haney and former Kentucky Colonel, Roger Bush, on bass. In autumn of that year, as a result of his friendship with Gilbeau, Parsons and the Gosdin Brothers, White was asked to provide lead guitar to ex-Byrd Gene Clark's debut solo album, Gene Clark with the Gosdin Brothers. White also briefly joined Clark's touring band shortly thereafter.  During the Clark album sessions, White reconnected with mandolin player and bassist Chris Hillman, who he had known during the early 1960s as a member of the bluegrass combo the Hillmen. Hillman was currently a member of the Byrds and in December 1966, he invited White to contribute countrified lead guitar playing to his songs "Time Between" and "The Girl with no Name", which both appeared on the Byrds' Younger Than Yesterday album. The country-oriented nature of the songs was something of a stylistic departure for the group and can be seen as an early indicator of the experimentation with country music that would color the Byrds' subsequent work. White also contributed guitar to the band's follow-up album, The Notorious Byrd Brothers, and to their seminal 1968 country rock release, Sweetheart of the Rodeo.
QUESTION:
Any other songs during this time?