Answer the question at the end by quoting:

James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.
After the armistice he returned to Birmingham and tried to find work as a cartoonist. He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position. Later that year he embarked on a professional stage career. Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director. In 1922, while with Playfair, he met Doris Zinkeisen. They were considered a couple for some two years, despite Whale's living as an openly gay man. They were reportedly engaged in 1924, but by 1925 the engagement was off.  In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I. The key conflict is between Capt. Stanhope, the company commander, and Lt. Raleigh, the brother of Stanhope's fiancee. Whale offered the part of Stanhope to the then barely known Laurence Olivier. Olivier initially declined the role, but after meeting the playwright agreed to take it on. Maurice Evans was cast as Raleigh. The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929. A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste. The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations. As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years.  With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh. Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929. The play ran for over a year and cemented its reputation as the greatest play about World War I.

Can You tell me more about his acting career?

In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated

IN: Mary Mary are an American gospel duo composed of sisters Erica Atkins-Campbell and Trecina Atkins-Campbell. Formed in 1998, Mary Mary was launched into mainstream recognition following the release of their best-selling debut album, Thankful (2000), which contained the hit single "Shackles (Praise You)". Their followup album Incredible (2002), reached number one on the Top Gospel Albums chart. Their third album, Mary Mary (2005), which contains themes the public interpreted as a channel to the group's experience, contains the worldwide hits "Heaven", "The Real Party", and "Yesterday".

From 2007 to 2012, the Campbells both served as judges alongside Donnie McClurkin for a gospel music competition show on BET called Sunday Best.  On October 21, 2008 they released their fifth studio album, The Sound. The lead single, "Get Up," was released digitally via ITunes on July 15, 2008. Mary Mary's The Sound achieved great success in the mainstream market and sold over 37,000 copies in its first week, making it their best charting album to date. It debuted at number seven on the Billboard 200, number two on the US R&B Chart, and topped both gospel and country music charts. The album held the number one position on the Billboard's Gospel Album Chart for over six months since its release. Warryn Campbell produced the album and collaborated with many professionals: Kierra Sheard, David Banner, Marvin Winans, Daryl Coley, Andrae Crouch, The Rance Allen Group, Dorinda Clark Cole, Joe Ligon, Walter Hawkins, Tramaine Hawkins, and Karen Clark Sheard. In spring 2009, "God In Me" achieved crossover success by reaching number five on the R&B/Hip-Hop Chart and number one on the Hot Dance Club Play.  The duo, along with Warryn Campbell, were nominated at the 52nd Grammy Awards in the Best Gospel Song category for "God in Me", that same year Israel Houghton's song they were featured on, named "Every Prayer", was also nominated. The album won Mary Mary four Stellar Awards on January 16, 2010. They were invited to participate in the remake of "We Are The World" to benefit Haiti after the earthquake.

Did they get on the charts?

OUT:
reaching number five on the R&B/Hip-Hop Chart and number one on the Hot Dance Club Play.