Problem: Background: Glenn Lee Beck (born February 10, 1964) is an American talk show host, political commentator, and producer. He is the CEO, founder, and owner of Mercury Radio Arts, the parent company of his television and radio network TheBlaze. A conservative, he hosts the Glenn Beck Radio Program, a popular talk-radio show nationally syndicated on Premiere Radio Networks. Beck also hosts the Glenn Beck television program, which ran from January 2006 to October 2008 on HLN, from January 2009 to June 2011 on the Fox News Channel and currently airs on TheBlaze.
Context: In June 2010, investigative reporter Alexander Zaitchik released a critical biography titled Common Nonsense: Glenn Beck and the Triumph of Ignorance, with a title mocking Beck's work, Common Sense. In an interview about the book, Zaitchik theorized, "Beck's politics and his insatiable hunger for money and fame are not mutually exclusive", while stating:  Beck's true religion is not Patriotism, Mormonism, or Conservatism. His true religion is cross-platform self-marketing ... According to Beck's worldview, there's no inherent contradiction between his sophisticated instinct for self-promotion, his propagandist rodeo clown act, his self-image as a media mogul, and his professed belief system. I think he actually believes that God wants him to make a ton of money and become this huge celebrity by fear mongering and generally doing whatever it takes in the media to promote right-wing causes.  In September 2010, Philadelphia Daily News reporter Will Bunch released The Backlash: Right-Wing Radicals, High-Def Hucksters, and Paranoid Politics in the Age of Obama. One of Bunch's theses is that Beck is nothing more than a morning zoo deejay playing a fictional character as a money-making stunt. Writer Bob Cesca, in a review of Bunch's book, compares Beck to Steve Martin's faith-healer character in the 1992 film Leap of Faith, before describing the "derivative grab bag of other tried and tested personalities" that Bunch contends comprises Beck's persona:  His (Beck's) adenoidal 'Clydie Clyde' voice is based on morning zoo pioneer Scott Shannon's "Mr. Leonard" character. His history is borrowed from the widely debunked work of W. Cleon Skousen. His conspiracy theories are horked from Alex Jones and maybe Jack Van Impe. His anti-Obama, anti-socialist monologues are pure Joe McCarthy. His chalkboard is stolen from televangelist Gene Scott. His solemn, over-processed radio monologue delivery is a dead ringer for Eric Bogosian in Talk Radio. This is all well-worn stuff, but no one has drawn it all together and sculpted it for the purpose of conning an especially susceptible audience during turbulent racial and economic times.  In October 2010 a polemical biography by Dana Milbank was released: Tears of a Clown: Glenn Beck and the Tea Bagging of America.
Question: when was this biography released?
Answer: In October 2010

Problem: Background: Vaslav Nijinsky (also Vatslav; Russian: Vatslav Fomich Nizhinskii; Russian: ['vatsl@f f@'mjitc njI'zinskjIj]; Polish: Waclaw Nizynski; 12 March 1889/1890 - 8 April 1950) was a ballet dancer and choreographer cited as the greatest male dancer of the early 20th century.
Context: Vaslav Nijinsky was born in 1889 or 1890 in Kiev, Russian Empire (now Ukraine), as Waclaw Nizynski, to ethnic Polish parents, touring dancers Tomasz Nizynski (b. 7 March 1862) and Eleonora Bereda (b. 28 December 1856). Nijinsky was christened in Warsaw. He identified himself as Polish although he grew up in the interior of Russia with his parents and he had difficulty speaking Polish.  Eleanora, along with her two brothers and two sisters, was orphaned while still a child. She started to earn a living as an extra in Warsaw's Grand Theatre Ballet (Polish: Teatr Wielki), becoming a full member of the company at age thirteen. In 1868 her talent was spotted and she moved to Kiev as a solo dancer. Tomasz Nizynski also attended the Wielki Theatre school, becoming a soloist there. At age 18 he accepted a soloist contract with the Odessa Theatre. The two met, married in May 1884 and settled into a career with the traveling Setov opera company. Tomasz was premier danseur, and Eleanora a soloist. Eleanora continued to tour and dance while having three children, sons Stanislav Fomitch (b. 29 December 1886 in Tiflis) and Vaslav; and daughter Bronislava Fominitchna ('Bronia', b. 8 January 1891 in Minsk). She suffered from depression, which may have been a genetic vulnerability shared in a different form by her son Vaslav. Both boys received training from their father and appeared in an amateur Hopak production in Odessa in 1894.  After Josef Setov died about 1894, the company disbanded. Thomas attempted to run his own company, but was not successful. He and his family became itinerant dancers, the children appearing in the Christmas show at Nizhny Novgorod. In 1897 Thomas and Eleanora separated after Thomas had fallen in love with another dancer, Rumiantseva, while touring in Finland. Eleanora moved to 20 Mokhovaya Street in St Petersburg with her children. She persuaded a friend from the Wielki Theatre, Victor Stanislas Gillert, who was at the time teaching at the Imperial Ballet School, to help get Vaslav into the school. He arranged for the noted teacher Enrico Cecchetti to sponsor the application. Bronia entered the school two years after Vaslav. Their older brother Stanislav had suffered a fall from a window when young and seemed to have suffered some brain damage. Vaslav and Bronia, just two years apart, became very close as they grew. As he got older, Stanislav became increasingly mentally unstable and would have fierce tantrums. He was admitted to an asylum for the insane in 1902.
Question: Are there any other interesting aspects about this article?
Answer:
She suffered from depression, which may have been a genetic vulnerability shared in a different form by her son Vaslav.