IN: Sunset Boulevard (stylized onscreen as SUNSET BLVD.) is a 1950 American film noir directed and co-written by Billy Wilder, and produced and co-written by Charles Brackett. It was named after the thoroughfare that runs through Los Angeles and Beverly Hills, California. The film stars William Holden as Joe Gillis, an unsuccessful screenwriter, and Gloria Swanson as Norma Desmond, a faded silent-film star who draws him into her fantasy world, where she dreams of making a triumphant return to the screen.

Sunset Boulevard attracted a range of positive reviews from critics. Time described it as a story of "Hollywood at its worst told by Hollywood at its best", while Boxoffice Review wrote "the picture will keep spectators spellbound." James Agee, writing for Sight and Sound, praised the film and said Wilder and Brackett were "beautifully equipped to do the cold, exact, adroit, sardonic job they have done." Good Housekeeping described Swanson as a "great lady [who] spans another decade with her magic," while Look praised her "brilliant and haunting performance."  Some critics accurately foresaw the film's lasting appeal. The Hollywood Reporter wrote that future generations would "set themselves the task of analyzing the durability and greatness" of the film, while Commonweal said that in the future "the Library of Congress will be glad to have in its archives a print of Sunset Boulevard."  The rare negative comments included those from The New Yorker, which described the film as "a pretentious slice of Roquefort", containing only "the germ of a good idea". Thomas M. Pryor wrote for The New York Times that the plot device of using the dead Joe Gillis as narrator was "completely unworthy of Brackett and Wilder, but happily it does not interfere with the success of Sunset Boulevard".  In 1999, Roger Ebert praised the acting of Holden and von Stroheim and has described Swanson's as "one of the all time greatest performances." He says Sunset Boulevard "remains the best drama ever made about the movies because it sees through the illusions." Pauline Kael described the film as "almost too clever, but at its best in its cleverness", and also wrote that it was common to "hear Billy Wilder called the world's greatest director." When Wilder died in 2002, obituaries singled out Sunset Boulevard for comment, describing it as one of his most significant works, along with Double Indemnity (1944) and Some Like It Hot (1959).  The modern review aggregator Rotten Tomatoes reported that 98% of critics gave the film a positive review, based on 60 reviews with an average rating of 9.3/10, the site's consensus says, "Arguably the greatest movie about Hollywood, Billy Wilder's masterpiece Sunset Boulevard is a tremendously entertaining combination of noir, black comedy, and character study."

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Madness are an English ska band from Camden Town, north London, who formed in 1976. One of the most prominent bands of the late 1970s and early 1980s 2 Tone ska revival, they continue to perform with six of the seven members of their classic line-up. Madness achieved most of their success in the early to mid-1980s. Both Madness and UB40 spent 214 weeks on the UK singles charts over the course of the decade, holding the record for most weeks spent by a group in the 1980s UK singles charts.
Towards the end of 1991, "It Must Be Love" was re-released and eventually reached number 6 in the UK singles chart in February 1992. Following that, the singles compilation Divine Madness was released and peaked at number 1 in the album charts. Madness then announced plans for a reunion concert, Madstock!, which was held at Finsbury Park, London on 8 and 9 August of that year. The original line-up reunited, performing together for the first time since Barson left the band in 1984. Over 75,000 fans attended the weekend festival, and the dancing of the crowd caused some nearby tower blocks to shake perceptibly as they resonated with the frequency of the music.  After the Finsbury Park comeback, a live album was released, and the associated single, "The Harder They Come" (a cover of Jimmy Cliff's 1973 song) reached number 44 in the UK, with the album reaching number 22.  The band continued to reunite for annual UK Christmas season tours and held three more Madstock! festivals; in 1994, 1996 and 1998. Also in 1998, Madness returned to America for their first tour there since 1984. The live album Universal Madness was recorded at the Universal Amphitheatre in L.A. and released the following year. In 1999, Madness released their first studio album since 1986, entitled Wonderful. The album reached number 17 in the UK album charts, and the lead single, "Lovestruck", gave the band their first new top 10 hit in the UK since 1983. Neither of the two subsequent singles from the album, "Johnny The Horse" and "Drip Fed Fred", entered the top 40 of the UK charts.  From 28 October 2002 to 16 August 2003, a musical based on Madness songs, Our House, ran at the Cambridge Theatre in London. Madness played a role in the executive production of the show, and Suggs played a role in the production for a period, playing the central character's father. It won an Olivier Award for best new musical of 2003, and the performance was released on DVD on 1 November 2004. There was also a previous musical based on Madness songs, One Step Beyond!, written by Alan Gilbey. The musical had a brief run at the Theatre Royal Stratford East in 1993 and a run at Putney Arts Theatre, London in 2012.

What was the reunion

The original line-up reunited,

input: Hudson was born in Windsor, Ontario, Canada. His parents, Fred James Hudson and Olive Louella Pentland, were musicians. His mother played piano and accordion and sang. His father, a farm inspector who had fought as a fighter pilot in World War I, played drums, C melody saxophone, clarinet, flute and piano. Hudson moved with his family to London, Ontario, around 1940. Classically trained in piano, music theory, harmony and counterpoint, Hudson wrote his first song at the age of eleven and first played professionally with dance bands in 1949 at the age of twelve. He attended Broughdale Public School and Medway High School before studying music (primarily Bach's chorales and The Well-Tempered Clavier) at the University of Western Ontario for one year; nevertheless, he grew increasingly frustrated with the rigidity of the classical repertoire.  In 1958, he joined a rock and roll band called "the Capers". He was reported to have said that he also gained some performance experience from playing at his uncle's funeral parlor. In December 1961, the 24-year-old Hudson joined the Hawks, the backing band for Ronnie Hawkins, which already consisted of 21-year-old Levon Helm on drums, 18-year-old Robbie Robertson on guitar, 18-year-old Rick Danko on bass and 18-year-old Richard Manuel on piano.  Fearing that his parents would think he was squandering his years of music education by playing in a rock and roll band, Hudson joined the band on the condition he be given the title "music consultant" and that his bandmates each pay him $10 a week for music lessons. Revealing a bit of the thinking behind his early fears, in The Last Waltz Hudson told interviewer-director Martin Scorsese: "There is a view that jazz is 'evil' because it comes from evil people, but actually the greatest priests on 52nd Street and on the streets of New York City were the musicians. They were doing the greatest healing work. They knew how to punch through music that would cure and make people feel good."

Answer this question "who were his parents"
output:
His parents, Fred James Hudson and Olive Louella Pentland, were musicians.