Problem: Background: Harry Partch (June 24, 1901 - September 3, 1974) was an American composer, music theorist, and creator of musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales. He built custom-made instruments in these tunings on which to play his compositions, and described his theory and practice in his book Genesis of a Music (1947). Partch composed with scales dividing the octave into 43 unequal tones derived from the natural harmonic series; these scales allowed for more tones of smaller intervals than in standard Western tuning, which uses twelve equal intervals to the octave.
Context: Supported by Guggenheim and university grants, Partch took up residence at the University of Wisconsin from 1944 until 1947. This was a productive period, in which he lectured, trained an ensemble, staged performances, released his first recordings, and completed his book, now called Genesis of a Music. Genesis was completed in 1947 and published in 1949 by the University of Wisconsin Press. He left the university, as it never accepted him as a member of the permanent staff, and there was little space for his growing stock of instruments.  In 1949, pianist Gunnar Johansen allowed Partch to convert a smithy on his ranch to a studio. Partch worked there with support from the Guggenheim Foundation, and did recordings, primarily of his Eleven Intrusions (1949-1950). He was assisted for six months by composer Ben Johnston, who performed on Partch's recordings. In spring 1951, Partch moved to Oakland for health reasons, and prepared for a production of King Oedipus at Mills College, with the support of designer Arch Lauterer. Performances of King Oedipus in March were extensively reviewed, but a planned recording was blocked by the Yeats estate, which refused to grant permission to use Yeats's translation.  In February 1953, Partch founded the studio Gate 5 in an abandoned shipyard in Sausalito, California, where he composed, built instruments and staged performances. Subscriptions to raise money for recordings were organized by the Harry Partch Trust Fund, an organization put together by friends and supporters. The recordings were sold via mail order, as were later releases on the Gate 5 Records label. The money raised from these recordings became his main source of income. Partch's three Plectra and Percussion Dances, Ring Around the Moon (1949-1950), Castor and Pollux, and Even Wild Horses, premiered on Berkeley's KPFA radio in November 1953.  After completing The Bewitched in January 1955, Partch tried to find the means to put on a production of it. Ben Johnston introduced Danlee Mitchell to Partch at the University of Illinois; Mitchell later became Partch's heir. In March 1957, with the help of Johnston and the Fromm Foundation, The Bewitched was performed at the University of Illinois, and later at Washington University in St. Louis, though Partch was displeased with choreographer Alwin Nikolais's interpretation. Later in 1957, Partch provided the music for Madeline Tourtelot's film Windsong, the first of six film collaborations between the two. From 1959 to 1962, Partch received further appointments from the University of Illinois, and staged productions of Revelation in the Courthouse Park in 1961 and Water! Water! in 1962. Though these two works were based, as King Oedipus had been, on Greek mythology, they modernized the settings and incorporated elements of popular music. Partch had support from several departments and organizations at the university, but continuing hostility from the music department convinced him to leave and return to California.
Question: Was he angry about this?
Answer: 

Background: Yen was born in Guangzhou, China. His mother, Bow-sim Mark, is a Fu Style Wudangquan (internal martial arts) and Tai Chi grandmaster, while his father, Klyster Yen (Zhen Yun Long ), is a newspaper editor. When he was two years old, his family moved to Hong Kong and then to Boston when he was 11. His younger sister, Chris Yen, is also a martial artist and actress, and appeared in the 2007 film Adventures of Johnny Tao: Rock Around the Dragon.
Context: Donnie Yen was a rebel when he was young due to the huge expectations and pressures from his parents, as his mother is the founder of the Chinese Wushu Research Institute in Boston, and his father was a scholar and a musician. Yen joined a Chinatown gang in Boston, MA, in his early years. He was a very curious teenager who sought to exchange martial arts knowledge with people from different martial arts backgrounds, which led to him gaining profound knowledge in practical martial arts and having a reputation as a street brawler.  One reported occasion confirms Yen as being an efficient martial artist. According to news reports by Hong Kong news channels in the late 1990s, Yen was at a nightclub with his then girlfriend, Joey Meng. Inside the nightclub, Joey was harassed by a troublesome gang that had taken an interest in her. Yen warned them to leave her alone, but they persisted to cause trouble. As Yen and Joey left the club, the gang followed and attacked Yen. Yen beat up eight members of the gang who were later hospitalized.  Malaysian Martial Arts Star Michelle Yeoh has said that Donnie Yen is the fastest guy she has worked with. Other martial arts stars such as Jackie Chan and Jet Li have also stated that Yen may be the best fighter in terms of practical combat in the Asian cinematic universe.  World class fighters, such as former Strikeforce Middleweight Champion Cung Le and former World Boxing Heavyweight Champion Mike Tyson, who have worked with Donnie Yen in the films Bodyguards and Assassins and Ip Man 3, respectively, have both claimed that Donnie Yen is an incredible martial artist and would do well in authentic combat. While filming Ip Man 3, crew members were afraid that Mike Tyson, who had been a professional boxer, would forget the choreography and throw real punches to injure Yen. However, it was ultimately Yen who fractured Tyson's finger while using his elbow to block Tyson's punches.
Question: When was Ip Man 3 filmed?
Answer: