Problem: Background: The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".
Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway.
Question: what other songs were released?
Answer: "Saints Are Down" was issued in Greece,

Background: Peale was born in 1741 in Chester, Queen Anne's County, Maryland, the son of Charles Peale and his wife Margaret. He had a younger brother, James Peale (1749-1831). Charles became an apprentice to a saddle maker when he was thirteen years old. Upon reaching maturity, he opened his own saddle shop; however, when his Loyalist creditors discovered he had joined the Sons of Liberty, they conspired to bankrupt his business.
Context: In 1762, Peale married Rachel Brewer (1744-1790), who bore him ten children, most named for Peale's favorite artists, male and female. The sons included Raphaelle Peale (1774-1825), Rembrandt Peale (1778-1860), who was another famous portrait painter and museum owner/operator in Baltimore, and scientific inventor and businessman, Titian Peale I (1780-1798), and Rubens Peale (1784-1865). Among the daughters: Angelica Kauffman Peale (named for Angelica Kauffman, Peale's favorite female painter) married Alexander Robinson, her daughter Priscilla Peale wed Dr. Henry Boteler, and Sophonisba Angusciola Peale (named for Sofonisba Anguissola) married Coleman Sellers.  After Rachel's death in 1790, Peale married Elizabeth de Peyster (d. 1804) the next year. With his second wife, he had six additional children. One son, Franklin Peale, born on October 15, 1795, became the Chief Coiner at the Philadelphia Mint. Their youngest son, Titian Ramsay Peale (1799-1885), became an important naturalist and pioneer in photography. Their daughter, Elizabeth De Peyster Peale (1802-57), married William Augustus Patterson (1792-1833) in 1820.  Hannah More, a Quaker from Philadelphia, married Peale in 1804, becoming his third wife. She helped raise the younger children from his previous two marriages.  Peale's slave, Moses Williams, was also trained in the arts while growing up in the Peale household and later became a professional silhouette artist.  In 1810, Peale purchased a farm in Germantown where he intended to retire. He named this estate 'Belfield', and cultivated extensive gardens there. After Hannah's death in 1821, Peale lived with his son Rubens and sold Belfield in 1826. Peale died on February 22, 1827, and was buried at the Saint Peter's Episcopal Church in Philadelphia.
Question: What did he do during this time?
Answer:
After Rachel's death in 1790, Peale married Elizabeth de Peyster