Answer the question at the end by quoting:

William Tatem Tilden II (February 10, 1893 - June 5, 1953), nicknamed "Big Bill," was an American male tennis player. He is often considered one of the greatest tennis players of all time. Tilden was the World No. 1 player for six years from 1920 through 1925. He won 15 Major singles titles including ten Grand Slam events, one World Hard Court Championships and four Pro Slam tournaments.
Tilden went to the prep school Germantown Academy where he wasn't known for his tennis nor was he eventually good enough to play on his college team. The shy, self-absorbed, sometimes arrogant young man dropped out of the University of Pennsylvania and in 1910 began to practice his game against a backboard, and he also became a dedicated student of the game. The following year he won his first tournaments; the junior singles and doubles title of Germantown. He later enrolled at the Peirce School of Business. In just three years, he worked his way up the ranks. His first national title was winning the mixed doubles championships with Mary Browne in 1913 and they successfully defended the title in 1914.  From 1914 to 1917, Tilden won the Philadelphia championship. Prior to 1920, he had won a number of Canadian doubles titles, but at the U.S. National Championships in 1918 and 1919 he lost the singles final to Robert Lindley Murray and "Little Bill" Johnston, respectively in straight sets. He won six consecutive U.S. singles championships from 1920-1925 and seven in total, making him the co-record holder with Richard Sears and Bill Larned. In the winter of 1919-20, he moved to Rhode Island where, on an indoor court, he devoted himself to remodeling his relatively ineffective backhand into a much more effective one. With this change, he became the world no. 1 tennis player and the first male American to win the Wimbledon singles championship. In the mid 1920s Tilden came into conflict with the USLTA regarding alleged violations of the amateur rule, specifically relating to the monetary compensation he received for writing tennis articles.  In the late 1920s, the great French players known as the "Four Musketeers" finally wrested the Davis Cup away from Tilden and the United States, as well as his domination of the singles titles at Wimbledon and Forest Hills. Tilden had long been at odds with the rigid amateur directors of the United States Lawn Tennis Association about his income derived from newspaper articles about tennis. He won his last major championship at Wimbledon in 1930 at the age of 37, but was no longer able to win titles at will.

how many wins did he have in his amateur career

Prior to 1920, he had won a number of Canadian doubles titles,



Answer the question at the end by quoting:

Nobuo Uematsu (Zhi Song  Shen Fu , Uematsu Nobuo, born March 21, 1959) is a Japanese video game composer, best known for scoring most of the titles in the Final Fantasy series by Square Enix. He is considered to be one of the most well known composers in the video game industry. Sometimes referred to as the "Beethoven of video games music", he appeared five times in the top 20 of the annual Classic FM Hall of Fame. Uematsu, a self-taught musician, began playing the piano at the age of twelve, with English singer-songwriter Elton John as his biggest influence.
Uematsu joined Square in 1985, and composed the soundtrack to Cruise Chaser Blassty in 1986, his first. While working at Square, he met Hironobu Sakaguchi, who asked him if he wanted to create music for some of his games, which Uematsu agreed to. For the next year, he created music for a number of games which did not achieve widespread success, including titles like Genesis and Alpha. In 1987, Uematsu and Sakaguchi collaborated on what was originally to be Sakaguchi's last contribution for Square, Final Fantasy, a game that turned out to be a huge success.  Final Fantasy's popularity sparked Uematsu's career in video game music, and he would go on to compose music for over 30 titles, most prominently the subsequent games in the Final Fantasy series. He scored the first installment in the SaGa series, The Final Fantasy Legend, in 1989. For the second game in the series, Final Fantasy Legend II he was assisted by Kenji Ito. In late 1994, Uematsu signed on to finish the soundtrack for the critically acclaimed title Chrono Trigger after the game's composer, Yasunori Mitsuda, contracted peptic ulcers. In 1996, he co-composed the soundtrack to Front Mission: Gun Hazard, and created the entire score for DynamiTracer. He also created music for three of the games in the Hanjuku Hero series.  Outside video games, he has composed the main theme for the 2000 animated film Ah! My Goddess: The Movie and co-composed the anime Final Fantasy: Unlimited (2001) with Final Fantasy orchestrator Shiro Hamaguchi. He also inspired the Ten Plants concept albums, and released a solo album in 1994, entitled Phantasmagoria. Feeling gradually more dissatisfied and uninspired, Uematsu requested the assistance of composers Masashi Hamauzu and Junya Nakano for the score to Final Fantasy X in 2001. This marked the first time that Uematsu did not compose an entire main-series Final Fantasy soundtrack. For Final Fantasy XI from 2002, he was joined by Naoshi Mizuta, who composed the majority of the soundtrack, and Kumi Tanioka; Uematsu was responsible for only eleven tracks. In 2003, he assisted Hitoshi Sakimoto in scoring Final Fantasy Tactics Advance by providing the main theme.  In 2002, fellow Square colleagues Kenichiro Fukui and Tsuyoshi Sekito asked Uematsu to join them in forming a rock band that focused on reinterpreting and expanding on Uematsu's compositions. He declined their offer at first because he was too busy with work; however, after agreeing to perform with Fukui and Sekito in a live performance as a keyboardist, he decided to join them in making a band. Another employee at Square, Mr. Matsushita, chose the name The Black Mages for their band. In 2003, Keiji Kawamori, Arata Hanyuda, and Michio Okamiya also joined the band. The Black Mages released three studio albums, and appeared at several concerts to promote their albums.

Was there any other members of Square other than the ones mentioned?
In 2002, fellow Square colleagues Kenichiro Fukui and Tsuyoshi Sekito asked Uematsu to join them in forming a rock band that focused on reinterpreting and expanding on Uematsu's compositions.