input: In September 1852, he was nominated for governor of Massachusetts by the Free Soil Party, and the same day was chosen president of the newly established Antioch College at Yellow Springs, Ohio. Failing in the election for governor, he accepted the presidency of the college, in which he continued until his death. There he taught economics, philosophy, and theology; he was popular with students and with lay audiences across the Midwest who attended his lectures promoting public schools. Mann also employed the first woman faculty member to be paid on an equal basis with her male colleagues, Rebecca Pennell, his niece. His commencement message to the class of 1859 was to "be ashamed to die until you have won some victory for humanity".  Antioch College was founded by the Christian Connexion which later withdrew its financial support causing the college to struggle for many years with meager financial resources due to sectarian infighting. Mann himself was charged with nonadherence to sectarianism because, previously a Congregationalist by upbringing, he joined the Unitarian Church.  He collapsed shortly after the 1859 commencement and died that summer. Antioch historian Robert Straker wrote that Mann had been "crucified by crusading sectarians." Ralph Waldo Emerson lamented "what seems the fatal waste of labor and life at Antioch." Mann's wife, who wrote in anguish that "the blood of martyrdom waters the spot," later disinterred his body from Yellow Springs. He is buried in the North Burial Ground in Providence, Rhode Island, next to his first wife, Charlotte Messer Mann. (Charlotte Messer Mann was the daughter of Asa Messer, an early president of Brown University.)

Answer this question "What did he do in the Unitarian church ?"
output: 

input: Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests, which were met by a violent police response during the 1968 Democratic National Convention in Chicago. He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis, John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale (before his trial was severed from the others).  Presided over by Judge Julius Hoffman (no relation to Hoffman, about which he joked throughout the trial), Abbie Hoffman's courtroom antics frequently grabbed the headlines; one day, defendants Hoffman and Rubin appeared in court dressed in judicial robes, while on another day, Hoffman was sworn in as a witness with his hand giving the finger. Judge Hoffman became the favorite courtroom target of the Chicago Seven defendants, who frequently would insult the judge to his face. Abbie Hoffman told Judge Hoffman "you are a 'shande fur de Goyim' [disgrace in front of the gentiles]. You would have served Hitler better." He later added that "your idea of justice is the only obscenity in the room." Both Davis and Rubin told the Judge "this court is bullshit." When Hoffman was asked in what state he resided, he replied the "state of mind of my brothers and sisters".  Other celebrities were called as "cultural witnesses" including Allen Ginsberg, Phil Ochs, Arlo Guthrie, Norman Mailer and others. Hoffman closed the trial with a speech in which he quoted Abraham Lincoln, making the claim that the president himself, if alive today, would also be arrested in Chicago's Lincoln Park.  On February 18, 1970, Hoffman and four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines. All seven defendants were found not guilty of conspiracy. At sentencing, Hoffman suggested the judge try LSD and offered to set him up with "a dealer he knew in Florida" (the judge was known to be headed to Florida for a post-trial vacation). Each of the five was sentenced to five years in prison and a $5,000 fine.  However, all convictions were subsequently overturned by the Seventh Circuit Court of Appeals. The Walker Commission later found that in fact it had been a "police riot".

Answer this question "What else happened during the trial?"
output: Hoffman was sworn in as a witness with his hand giving the finger.

input: The influence of Olivier Messiaen on Takemitsu was already apparent in some of Takemitsu's earliest published works. By the time he composed Lento in Due Movimenti, (1950), Takemitsu had already come into possession of a copy of Messiaen's 8 Preludes (through Toshi Ichiyanagi), and the influence of Messiaen is clearly visible in the work, in the use of modes, the suspension of regular metre, and sensitivity to timbre. Throughout his career, Takemitsu often made use of modes from which he derived his musical material, both melodic and harmonic among which Messiaen's modes of limited transposition to appear with some frequency. In particular, the use of the octatonic, (mode II, or the 8-28 collection), and mode VI (8-25) is particularly common. However, Takemitsu pointed out that he had used the octatonic collection in his music before ever coming across it in Messiaen's music.  In 1975, Takemitsu met Messiaen in New York, and during "what was to be a one-hour 'lesson' [but which] lasted three hours ... Messiaen played his Quartet for the End of Time for Takemitsu at the piano", which, Takemitsu recalled, was like listening to an orchestral performance. Takemitsu responded to this with his homage to the French composer, Quatrain, for which he asked Messiaen's permission to use the same instrumental combination for the main quartet, cello, violin, clarinet and piano (which is accompanied by orchestra). As well as the obvious similarity of instrumentation, Takemitsu employs several melodic figures that appear to "mimic" certain musical examples given by Messiaen in his Technique de mon langage musical, (see ex. 4). In 1977, Takemitsu reworked Quatrain for quartet alone, without orchestra, and titled the new work Quatrain II.  On hearing of Messiaen's death in 1992, Takemitsu was interviewed by telephone, and still in shock, "blurted out, 'His death leaves a crisis in contemporary music!'" Then later, in an obituary written for the French composer in the same year, Takemitsu further expressed his sense of loss at Messiaen's death: "Truly, he was my spiritual mentor ... Among the many things I learned from his music, the concept and experience of color and the form of time will be unforgettable." The composition Rain Tree Sketch II, which was to be Takemitsu's final piano piece, was also written that year and subtitled "In Memoriam Olivier Messiaen".

Answer this question "Who is Toshi Ichiyanagi?"
output: