Problem: Background: Andy Samuel Griffith (June 1, 1926  - July 3, 2012) was an American actor, comedian, television producer, Southern gospel singer, and writer, whose career spanned seven decades of music and television. Known for his southern drawl, his characters with a folksy-friendly personality, and his gruff, gregarious voice, Griffith was a Tony Award nominee for two roles, and gained prominence in the starring role in director Elia Kazan's film A Face in the Crowd (1957) before he became better known for his television roles, playing the lead roles of Andy Taylor in the sitcom The Andy Griffith Show (1960-1968) and Ben Matlock in the legal drama Matlock (1986-1995).
Context: Griffith's early career was as a monologist, delivering long stories such as What It Was, Was Football, which is told from the point of view of a naive country preacher trying to figure out what was going on in a football game. The monologue was released as a single in 1953 on the Colonial Records label, and was a hit for Griffith, reaching number nine on the charts in 1954.  Griffith starred in Ira Levin's one-hour teleplay version of No Time for Sergeants (March 1955) -- a story about a country boy in the United States Air Force -- on The United States Steel Hour, a television anthology series. He expanded that role in Ira Levin's full-length theatrical version of the same name (October 1955) on Broadway in New York City. The role earned him a "Distinguished Supporting or Featured Dramatic Actor" nomination at the 1956 Tony Awards, losing to Ed Begley. He did win the 1956 Theatre World Award, however, a prize given for debut roles on Broadway. "Mr. Griffith does not have to condescend to Will Stockdale" (his role in the play), wrote Brooks Atkinson in The New York Times. "All he has to do is walk on the stage and look the audience straight in the face. If the armed forces cannot cope with Will Stockdale, neither can the audience resist Andy Griffith."  Griffith later reprised his role for the film version (1958) of No Time for Sergeants; the film also featured Don Knotts, as a corporal in charge of manual-dexterity tests, marking the beginning of a lifelong association between Griffith and Knotts. No Time for Sergeants is considered the direct inspiration for the later television situation comedy Gomer Pyle, U.S.M.C.  His only other New York stage appearance was the titular role in the 1959 musical Destry Rides Again, co-starring Dolores Gray. The show, with a score by Harold Rome, ran for 472 performances and more than a year. Griffith was nominated for "Distinguished Musical Actor" at the 1960 Tony Awards, losing to Jackie Gleason.  He also portrayed a US Coast Guard sailor in the feature film Onionhead (1958); it was neither a critical nor a commercial success.
Question: Did he have any other stage role?
Answer: His only other New York stage appearance was the titular role in the 1959 musical Destry Rides Again,

Background: Cosby was born on July 12, 1937 in Philadelphia, Pennsylvania. He is one of four sons of Anna Pearl (nee Hite), a maid, and William Henry Cosby Sr., who served as a mess steward in the U.S. Navy. During much of Cosby's early childhood, his father was away from home in Navy service and especially during WWII. As a student, he described himself as a class clown.
Context: In 1965, Cosby was cast alongside Robert Culp in the I Spy espionage adventure series on NBC. I Spy became the first weekly dramatic television series to feature an African-American in a starring role. At first, Cosby and NBC executives were concerned that some affiliates might be unwilling to carry the series. At the beginning of the 1965 season, four stations declined the show; they were in Georgia, Florida, and Alabama. Viewers were taken with the show's exotic locales and the authentic chemistry between the stars, and it became one of the ratings hits of that television season. I Spy finished among the twenty most-watched shows that year, and Cosby would be honored with three consecutive Emmy Awards for Outstanding Lead Actor in a Drama Series. When accepting his third Emmy for the show, Cosby told the audience: "Let the message be known to bigots and racists that they don't count!"  During the series run, Cosby continued to do standup comedy performances and recorded a half dozen record albums for Warner Bros. Records. He also began to dabble in singing, recording Silver Throat: Bill Cosby Sings in 1967.  In June 1968, Billboard reported that Cosby had turned down a five-year, US$3.5 million contract renewal offer and would leave the label in August that year to record for his own record label.  In July 1968, Cosby narrated "Black History: Lost, Stolen, or Strayed", a CBS documentary addressing the representation of blacks in popular culture. Andy Rooney wrote the Emmy awarded script for Bill Cosby to read. Michael Eric Dyson said it was one of "the rare exceptions when Cosby took off the gloves and blinders, to discuss race in public with candor and discernment." Due to its popularity and controversial nature, it was rebroadcast less than a month later.  Tetragrammaton Records was a division of the Campbell, Silver, Cosby (CSC) Corporation, the Los Angeles-based production company founded by Cosby, his manager Roy Silver, and filmmaker Bruce Post Campbell. It produced films as well as records, including Cosby's television specials, the Fat Albert cartoon special and series and several motion pictures. CSC hired Artie Mogull as President of the label and Tetragrammaton was fairly active during 1968-69 (its most successful signing was British heavy rock band Deep Purple) but it quickly went into the red and ceased trading during 1970.
Question: Does he has his own record label or he work for people
Answer:
Tetragrammaton Records was a division of the Campbell, Silver, Cosby (CSC) Corporation, the Los Angeles-based production company founded by Cosby,