Problem: I Love Lucy is an American television sitcom starring Lucille Ball, Desi Arnaz, Vivian Vance, and William Frawley. The black-and-white series originally ran from October 15, 1951 to May 6, 1957 on CBS. After the series ended in 1957, a modified version continued for three more seasons with 13 one-hour specials; it ran from 1957 to 1960. It was first known as The Lucille Ball-Desi Arnaz Show and later in reruns as The Lucy-Desi Comedy Hour.

The opening familiar to most viewers, featuring the credits superimposed over a "heart on satin" image, was created specifically for the 1959-67 CBS daytime network rebroadcasts, and subsequent syndication. As originally broadcast, the episodes opened with animated matchstick figures of Arnaz and Ball making reference to whoever the particular episode's sponsor was. These sequences were created by the animation team of William Hanna and Joseph Barbera, who declined screen credit because they were technically under exclusive contract to MGM at the time.  The original sponsor was cigarette maker Philip Morris, so the program opened with a cartoon of Lucy and Ricky climbing down a pack of Philip Morris cigarettes. In the early episodes, Lucy and Ricky, as well as Ethel and Fred on occasion, were shown smoking Philip Morris cigarettes. Lucy even went so far as to parody Johnny Roventini's image as the Philip Morris "bellhop" in the May 5, 1952, episode, "Lucy Does a TV Commercial". Since the original sponsor references were no longer appropriate when the shows went into syndication, a new opening was needed, which resulted in the classic "heart on satin" opening. Other sponsors, whose products appeared during the original openings, were Procter & Gamble for Cheer and Lilt Home Permanent (1954-57), General Foods for Sanka (1955-57), and Ford Motor Company (1956-57). The later Lucille Ball-Desi Arnaz Show was sponsored by Ford Motor Company (1957-58) and Westinghouse Electric Corporation (1958-60), as part of the Westinghouse Desilu Playhouse.  The original openings, with the sponsor names edited out, were revived on TV Land showings, with a TV Land logo superimposed to obscure the original sponsor's logo. However, this has led some people to believe that the restored introduction was created specifically for TV Land as an example of kitsch.  The animated openings, along with the middle commercial introductory animations, are included, fully restored, in the DVDs. However, the openings are listed as special features within the disks with the "heart on satin" image opening the actual episodes.  The complete original broadcast versions of Seasons 1 and 2, as seen in 1951-1953 with intros, closings, and all commercials, are included on their respective Ultimate Season Blu-ray editions.

Are there any other interesting aspects about this article?

Answer with quotes: The original openings, with the sponsor names edited out, were revived on TV Land showings,


Problem: Thomas Nast (; German: [nast]; September 27, 1840 - December 7, 1902) was a German-born American caricaturist and editorial cartoonist considered to be the "Father of the American Cartoon". He was the scourge of Democratic Representative "Boss" Tweed and the Tammany Hall Democratic party political machine.

In 1890, Nast published Thomas Nast's Christmas Drawings for the Human Race. He contributed cartoons in various publications, notably the Illustrated American, but was unable to regain his earlier popularity. His mode of cartooning had come to be seen as outdated, and a more relaxed style exemplified by the work of Joseph Keppler was in vogue. Health problems, which included pain in his hands which had troubled him since the 1870s, affected his ability to work.  In 1892, he took control of a failing magazine, the New York Gazette, and renamed it Nast's Weekly. Now returned to the Republican fold, Nast used the Weekly as a vehicle for his cartoons supporting Benjamin Harrison for president. The magazine had little impact and ceased publication seven months after it began, shortly after Harrison's defeat.  The failure of Nast's Weekly left Nast with few financial resources. He received a few commissions for oil paintings and drew book illustrations. In 1902, he applied for a job in the State Department, hoping to secure a consular position in western Europe. Although no such position was available, President Theodore Roosevelt was an admirer of the artist and offered him an appointment as the United States' Consul General to Guayaquil, Ecuador in South America. Nast accepted the position and traveled to Ecuador on July 1, 1902. During a subsequent yellow fever outbreak, Nast remained on the job, helping numerous diplomatic missions and businesses escape the contagion. He contracted the disease and died on December 7 of that year. His body was returned to the United States, where he was interred in the Woodlawn Cemetery in The Bronx, New York City.

What happened at the appointment?

Answer with quotes: Nast accepted the position and traveled to Ecuador on July 1, 1902.


Problem: The North American fur trade was the industry and activities related to the acquisition, trade, exchange, and sale of animal furs in North America. Aboriginal peoples in Canada and Native Americans in the United States of different regions traded among themselves in the Pre-Columbian Era, but Europeans participated in the trade beginning from the time of their arrival in the New World and extended its reach to Europe. The French started trading in the 16th century, the English established trading posts on Hudson Bay in present-day Canada in the 17th century, and the Dutch had trade by the same time in New Netherland. The 19th-century North American fur trade, when the industry was at its peak of economic importance, involved the development of elaborate trade networks.

French explorer Jacques Cartier in his three voyages into the Gulf of St. Lawrence in the 1530s and 1540s conducted some of the earliest fur trading between European and First Nations peoples associated with sixteenth century and later explorations in North America. Cartier attempted limited fur trading with the First Nations in the Gulf of St. Lawrence and along the St. Lawrence River. He concentrated on trading for furs used as trimming and adornment. He overlooked the fur that would become the driving force of the fur trade in the north, the beaver pelt, which would become fashionable in Europe.  The earliest European trading for beaver pelts dated to the growing cod fishing industry that spread to the Grand Banks of the North Atlantic in the 16th century. The new preservation technique of drying fish allowed the mainly Basque fishermen to fish near the Newfoundland coast and transport fish back to Europe for sale. Drying fish enabled gathering greater yields, which justified the economic cost and time of long voyages across the Atlantic. The fisherman sought suitable harbors with ample lumber to dry large quantities of cod. This generated their earliest contact with local Aboriginal peoples, with whom the fisherman began simple trading.  The fishermen traded metal items for beaver robes made of sewn-together, native-tanned, beaver pelts. They used the robes to keep warm on the long, cold return voyages across the Atlantic. These castor gras in French (or "beaver coat" in English) became prized by European hat makers in the second half of the 16th century, as they converted the pelts to fur felt. The discovery of the superior felting qualities of beaver fur, along with the rapidly increasing popularity of beaver felt hats in fashion, transformed the incidental trading of fishermen in the sixteenth century into a growing trade in the French and later English territories in the next century.

Where was he established when doing these trades?

Answer with quotes:
Cartier attempted limited fur trading with the First Nations in the Gulf of St. Lawrence and along the St. Lawrence River.