Question: Charlton is related to several professional footballers on his mother's side of the family: his uncles were Jack Milburn (Leeds United and Bradford City), George Milburn (Leeds United and Chesterfield), Jim Milburn (Leeds United and Bradford City) and Stan Milburn (Chesterfield, Leicester City and Rochdale), and legendary Newcastle United and England footballer Jackie Milburn, was his mother's cousin. However, Charlton credits much of the early development of his career to his grandfather Tanner and his mother Cissie. His elder brother, Jack, initially worked as a miner before applying to the police, only to also become a professional footballer with Leeds United. His other brother, Tommy, plays walking football for the Mature Millers club in Rotherham.

On 9 February 1953, then a Bedlington Grammar School pupil, Charlton was spotted playing for East Northumberland schools by Manchester United chief scout Joe Armstrong. Charlton went on to play for England Schoolboys and the 15-year-old signed with United on 1 January 1953, along with Wilf McGuinness, also aged 15. Initially his mother was reluctant to let him commit to an insecure football career, so he began an apprenticeship as an electrical engineer; however, he went on to turn professional in October 1954.  Charlton became one of the famed Busby Babes, the collection of talented footballers who emerged through the system at Old Trafford in the 1940s, 1950s and 1960s as Matt Busby set about a long-term plan of rebuilding the club after the Second World War. He worked his way through the pecking order of teams, scoring regularly for the youth and reserve sides before he was handed his first team debut against Charlton Athletic in October 1956. At the same time, he was doing his National service with the Royal Army Ordnance Corps in Shrewsbury, where Busby had advised him to apply as it meant he could still play for Manchester United at the weekend. Also doing his army service in Shrewsbury at the same time was his United teammate Duncan Edwards.  Charlton played 14 times for United in that first season, scoring twice on his debut and managing a total of 12 goals in all competitions, and including a hat-trick in a 5-1 away win over Charlton Athletic in the February. United won the league championship but were denied the 20th century's first "double" when they controversially lost the 1957 FA Cup Final to Aston Villa. Charlton, still only 19, was selected for the game, which saw United goalkeeper Ray Wood carried off with a broken cheekbone after a clash with Villa centre forward Peter McParland. Though Charlton was a candidate to go in goal to replace Wood (in the days before substitutes, and certainly before goalkeeping substitutes), it was teammate Jackie Blanchflower who ended up between the posts.  Charlton was an established player by the time the next season was fully underway, which saw United, as current League champions, become the first English team to compete in the European Cup. Previously, the Football Association had scorned the competition, but United made progress, reaching the semi-finals where they lost to holders Real Madrid. Their reputation was further enhanced the next season as they reached the quarter finals to play Red Star Belgrade. In the first leg at home, United won 2-1. The return in Yugoslavia saw Charlton score twice as United stormed 3-0 ahead, although the hosts came back to earn a 3-3 draw. However, United maintained their aggregate lead to reach the last four and were in jubilant mood as they left to catch their flight home, thinking of an important League game against Wolves at the weekend.

Using a quote from the above article, answer the following question: did they lose the next one?
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Answer: The return in Yugoslavia saw Charlton score twice as United stormed 3-0 ahead, although the hosts came back to earn a 3-3 draw.


Question: Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.

For twenty years from the early 1980s, Anger released no new material. In 2000, at the dawn of the new millennium, Anger began screening a new short film, the anti-smoking Don't Smoke That Cigarette, followed a year later by The Man We Want to Hang, which comprised images of Aleister Crowley's paintings that had been exhibited at a temporary exhibition in Bloomsbury, London. In 2004, he began showing Anger Sees Red, a short surrealistic film starring himself, and the same year also began showing another work, Patriotic Penis. He soon followed this with a flurry of other shorts, including Mouse Heaven, which consisted of images of Mickey Mouse memorabilia, Ich Will! and Uniform Attraction, all of which he showed at various public appearances. Anger's most recent project has been the Technicolor Skull with musician Brian Butler, described as a "magick ritual of light and sound in the context of a live performance", in which Anger plays the theremin, and Butler plays the guitar and other electronic instruments, behind a psychedelic backdrop of colors and skulls.  Anger makes an appearance in the 2008 feature documentary by Nik Sheehan about Brion Gysin and the Dreamachine titled FLicKeR. Anger also appears alongside Vincent Gallo in the 2009 short film "Night of Pan" written and directed by Brian Butler. In 2009 his work was featured in a retrospective exhibition at the MoMA PS1 in New York City, and the following year a similar exhibition took place in London.  Anger has finished writing Hollywood Babylon III, but has not yet published it, fearing severe legal repercussions if he did so. Of this he has stated that "The main reason I didn't bring it out was that I had a whole section on Tom Cruise and the Scientologists. I'm not a friend of the Scientologists." Despite withholding legal action against the highly critical 2015 film Going Clear, the Church of Scientology was known on earlier occasions to heavily sue those making accusations against them.

Using a quote from the above article, answer the following question: Was it well recieved?
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Answer: