Answer the question at the end by quoting:

Robert James Fitzsimmons was born on 26 May 1863 in Helston, Cornwall, England, the youngest of seven boys and five girls born to James and Jane (nee Strongman) Fitzsimmons. Not long before his birth, his parents had moved from his father's native Ireland to Cornwall, where his mother came from, in order for his father to find work as a policeman. Fitzsimmons received his early education at the National school in Helston. In 1873, the family moved again; James, Jane and their youngest five children sailed on the Adamant for the 93 day journey to Lyttelton, New Zealand.
In 1896, Fitzsimmons won a disputed version of the World Heavyweight Championship in a fight in Langtry, Texas, against the Irish fighter Peter Maher. On 17 March 1897, in Carson City, Nevada, he knocked out American Jim Corbett, generally recognised as the legitimate World Heavyweight Champion (having won the title from John L. Sullivan in 1892) in round 14. This constituted a remarkable achievement, as Jim Corbett, a skilled boxer, weighed one stone 3 pounds (17 lb) more than Fitzsimmons. He out-boxed Fitzsimmons for several rounds, knocked him down in the sixth round and badly damaged his face with his jab, left hook and right hand, but Fitzsimmons kept coming and Corbett began to tire. In the 14th round, Fitzsimmons won the title with his "solar plexus" punch. Corbett collapsed in agony. Fitzsimmons' "solar plexus" punch became legendary, although he himself may never have used the phrase. The entire fight was filmed by Enoch J. Rector and released to cinemas as The Corbett-Fitzsimmons Fight, the longest film ever released at the time. Using her maiden name, it was covered by Nellie Verrill Mighels Davis, the first woman to report a prize fight.  Fitzsimmons spent the rest of 1897 and 1898 doing stage tours. In 1899, Fitzsimmons fought James J. Jeffries at the Coney Island Athletic Club near Brooklyn, New York. Most people gave Jeffries little chance, even though at over 15 stones (95 kg) he massively outweighed his opponent and was far younger, but Jeffries lifted the World Heavyweight Champion from Fitzsimmons with an 11th-round knockout.  In June 1901 Fitzsimmons took part in a wrestling match against Gus Ruhlin. He lost and went back to boxing. He then enjoyed legitimate boxing knockouts of leading contenders Ruhlin and Tom Sharkey.  In 1901 he published a book Physical Culture and Self-Defense (Philadelphia: D. Biddle). In 1902, he and Jeffries had a rematch, once again with the World Heavyweight Champion at stake. Fitzsimmons battered Jeffries, who suffered horrible punishment. With his nose and cheek bones broken, most would have sympathized with Jeffries had he quit, but he kept going until his enormous strength and youth wore down Bob and he knocked him out cold in round eight.

Did he continue to hold his title or did he loose it?

On 17 March 1897, in Carson City, Nevada, he knocked out American Jim Corbett, generally recognised as the legitimate World Heavyweight Champion



Answer the question at the end by quoting:

A big band is a type of musical ensemble that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music. One problem with this usage is that it overlooks the variety of music played by these bands.
Although big bands are identified with the swing era, they continued to exist after those decades, though the music they played was often different from swing. Bandleader Charlie Barnet's recording of "Cherokee" in 1942 and "The Moose" in 1943 have been called the beginning of the bop era. Woody Herman's first band, nicknamed the First Herd, borrowed from progressive jazz, while the Second Herd emphasized the saxophone section of three tenors and one baritone. In the 1950s, Stan Kenton referred to his band's music as "progressive jazz", "modern", and "new music". He created his band as a vehicle for his compositions. Kenton pushed the boundaries of big bands by combining clashing elements and by hiring arrangers whose ideas about music conflicted. This expansive eclecticism characterized much of jazz after World War II. During the 1960s and '70s, Sun Ra and his Arketstra took big bands further out. Ra's eclectic music was played by a roster of musicians from ten to thirty and was presented as theater, with costumes, dancers, and special effects.  As jazz was expanded during the 1950s through the 1970s, the Basie and Ellington bands were still around, as were bands led by Buddy Rich, Gene Krupa, Lionel Hampton, Earl Hines, Les Brown, Clark Terry, and Doc Severinsen. Progressive bands were led by Dizzy Gillespie, Gil Evans, Carla Bley, Toshiko Akiyoshi and Lew Tabackin, Don Ellis, and Anthony Braxton.  Other bandleaders used Brazilian and Afro-Cuban music with big band instrumentation, and big bands led by arranger Gil Evans, saxophonist John Coltrane (on the album Ascension from 1965) and bass guitarist Jaco Pastorius introduced cool jazz, free jazz and jazz fusion, respectively, to the big band domain. Modern big bands can be found playing all styles of jazz music. Some large contemporary European jazz ensembles play mostly avant-garde jazz using the instrumentation of the big bands. Examples include the Vienna Art Orchestra, founded in 1977, and the Italian Instabile Orchestra, active in the 1990s.  In the late 1990s, there was a swing revival in the U.S. The Lindy Hop became popular again and young people took an interest in big band styles again.  Big bands maintained a presence on American television, particularly through the late-night talk show, which has historically used big bands as house accompaniment. Typically the most prominent shows with the earliest time slots and largest audiences have bigger bands with horn sections while those in later time slots go with smaller, leaner ensembles.

Are there any other interesting aspects about this article?
Although big bands are identified with the swing era, they continued to exist after those decades,