Problem: Background: Hubert Neal McGaughey Jr. was born on July 30, 1958, in Jacksonville, Texas, to a Filipina American mother and Irish-American father. Inspired by the variety of music that his parents listened to, which included country, rock, disco and R&B, McGaughey first sang in his church choir before founding an R&B band. He later switched his focus to country music, performing in various bars and clubs in Texas. McGaughey, after attending junior college near his hometown, found work selling shoes at a shopping mall.
Context: You Gotta Love That, his fourth album, also received a platinum certification and producing four singles: "For a Change", "They're Playin' Our Song" and the title track (respectively the first, second, and fourth singles) all peaked at No. 3, while "If I Was a Drinkin' Man" reached No. 16.  McCoy's self-titled fifth studio album began a decline in his chart momentum. Although it was certified gold, Neal McCoy accounted for only one Top Ten hit in a cover of The Casinos' 1967 doo-wop single "Then You Can Tell Me Goodbye". The next two singles -- "Going, Going, Gone" and "That Woman of Mine" -- both peaked at No. 35. Also in 1996, he sang guest vocals on the multi-artist charity single "Hope", the proceeds of which went to the T. J. Martell Foundation's cancer research. After "That Woman of Mine", he reached No. 5 with "The Shake", the only new song on his first Greatest Hits package, which reprised nine of his greatest hits to that point and also earned platinum certification.  Be Good at It, his sixth studio release, followed in 1998. This was his first album since Where Forever Begins not to include a Top Ten hit. The title track, "If You Can't Be Good, Be Good at It", was the highest-peaking single release from it at No. 22, followed by "Party On", which became his first single since 1992 to miss Top 40 entirely. After it came the No. 29 "Love Happens Like That." McCoy made a second appearance on a multi-artist charity single that same year, as one of several collaborators on "One Heart at a Time", a song written by Victoria Shaw to benefit cystic fibrosis research.  In 1999, McCoy released his final album for Atlantic, The Life of the Party. It only accounted for two singles: the Phil Vassar co-write "I Was" at No. 37 and "The Girls of Summer" at No. 42. He, Tracy Byrd, and T. Graham Brown also sang guest vocals on "Now That's Awesome", a song featuring snippets of a Bill Engvall comedy sketch, found on Engvall's Now That's Awesome album. This single peaked at No. 59.
Question: what happened in the 1990's?
Answer: In 1999, McCoy released his final album for Atlantic, The Life of the Party.

Background: Joshua Daniel White (February 11, 1914 - September 5, 1969) was an American singer, guitarist, songwriter, actor and civil rights activist. He also recorded under the names Pinewood Tom and Tippy Barton in the 1930s. White grew up in the South during the 1920s and 1930s. He became a prominent race records artist, with a prolific output of recordings in genres including Piedmont blues, country blues, gospel music, and social protest songs.
Context: White was in many senses a trailblazer: popular country bluesman in the early 1930s, responsible for introducing a mass white audience to folk-blues in the 1940s, and the first black singer-guitarist to star in Hollywood films and on Broadway. On one hand he was famous for his civil rights songs, which made him a favorite of the Roosevelts, and on the other he was known for his sexy stage persona (a first for a black male artist).  He was the first black singer to give a White House command performance (1941), to perform in previously segregated hotels (1942), to get a million-selling record ("One Meatball", 1944), and the first to make a solo concert tour of America (1945). He was also the first folk and blues artist to perform in a nightclub, the first to tour internationally, and (along with Lead Belly and Woody Guthrie) the first to be honored with a US postage stamp.  White and Libby Holman became the first mixed-race male and female artists to perform together, record together and tour together in previously segregated venues across the United States. They continued performing off and on for the next six years, while making an album and a film together.  White was seen as an influence on hundreds of artists of diverse musical styles, including: Pete Seeger, Lee Hays, Oscar Brand, Ed McCurdy, Lonnie Donegan, Alexis Korner, Cy Coleman, Elvis Presley, Merle Travis, Joel Grey, Bob Gibson, Dave Van Ronk, Phish, Clancy Brothers and Tommy Makem, Shel Silverstein, John Fahey, Bob Dylan, Peter, Paul and Mary, Judy Collins, Roger McGuinn, David Crosby, Mike Bloomfield, Danny Kalb, Ry Cooder, John Fogerty, Don McLean, Robert Plant and Eva Cassidy; in addition to those African-American artists, such as Blind Boy Fuller, Robert Johnson, Brownie McGhee, Lena Horne, Nat King Cole, Pearl Primus, Josephine Premice, Eartha Kitt, Harry Belafonte, Odetta, Ray Charles, Josh White, Jr., Jackie Washington, the Chambers Brothers, and Richie Havens, who in the footsteps of White were also able to break considerable barriers that had hampered African-American artists in the past.
Question: What song did this do
Answer:
One Meatball