Question:
Remment Lucas "Rem" Koolhaas (Dutch pronunciation: [rem ko:lha:s]; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. Koolhaas studied at the Architectural Association School of Architecture in London and at Cornell University in Ithaca, New York. Koolhaas is the founding partner of OMA, and of its research-oriented counterpart AMO based in Rotterdam, the Netherlands. In 2005, he co-founded Volume Magazine together with Mark Wigley and Ole Bouman.
Following the signing of Treaties of Nice in May 2001, which made Brussels the de facto capital of the European Union, the then President of the European Commission, Romano Prodi and the Belgian Prime Minister Guy Verhofstadt invited Koolhaas to discuss the necessities and requirements of a European capital.  During these talks and as an impetus for further discussion, Koolhaas and his think-tank AMO - an independent part of OMA - suggested the development of a visual language. This idea inspired a series of drawings and drafts, including the "Barcode". The barcode seeks to unite the flags of the EU member countries into a single, colourful symbol. In the current European flag, there is a fixed number of stars. In the barcode however, new Member States of the EU can be added without space constraints. Originally, the barcode displayed 15 EU countries. In 2004, the symbol was adapted to include the ten new Member States.  Since the time of the first drafts of the barcode it has very rarely been officially used by commercial or political institutions. During the Austrian EU Presidency 2006, it was officially used for the first time. The logo was used for the EU information campaign, but was very negatively criticized. In addition to the initial uproar caused by the Estonian flag stripes being displayed incorrectly, the proposed flag failed to achieve its main objective as a symbol. Critics pointed the lack of capability to relate the signified (the mental concept, the European Union) with the signifier (the physical image, the stripes) as the major problem, as well as the presented justification for the order in which the color stripes were displayed (as every country in the EU should be regarded as equal in importance and priority).
Answer this question using a quote from the text above:

What is AMO?

Answer:


input: In March 2013, D'Souza announced work on a documentary film titled America: Imagine the World Without Her for release in 2014. America was marketed to political conservatives and through Christian marketing firms. The Washington Times states that D'Souza is saying that Americans no longer have past heroes like Washington, Lincoln, and Reagan, but "we do have us" in "our struggle for the restoration of America."  Lions Gate Entertainment released America in three theaters on June 27, 2014 and expanded its distribution on the weekend of the U.S. holiday Independence Day on July 4, 2014. CinemaScore reported that the opening-weekend audiences gave the film an "A+" grade. The film grossed $14.4 million, which made it the highest-grossing documentary in the United States in 2014.  The film review website Metacritic surveyed 11 movie critics and assessed 10 reviews as negative and 1 as mixed, with none being positive. It gave an aggregate score of 15 out of 100, which indicates "overwhelming dislike". The similar website Rotten Tomatoes surveyed 24 critics and, categorizing the reviews as positive or negative, assessed 22 as negative and 2 as positive. Of the 24 reviews, it determined an average rating of 2.9 out of 10. The website gave the film an overall score of 8% and said of the consensus, "Passionate but poorly constructed, America preaches to the choir." The Hollywood Reporter's Paul Bond said the film performed well in its limited theatrical release, "overcoming several negative reviews in the mainstream media". Bond reported, "Conservatives... seem thrilled with the movie."  John Fund of National Review said the documentary was a response to U.S. progressive critique of the country, "D'Souza's film and his accompanying book are a no-holds-barred assault on the contemporary doctrine of political correctness." Fund said D'Souza's message was "deeply pessimistic" but concluded, "Most people will leave the theater with a more optimistic conclusion: Much of the criticism of America taught in the nation's schools is easily refuted, America is worth saving, and we have the tools to do so in our DNA, just waiting to be harnessed." National Review's Jay Nordlinger said, "Dinesh is the anti-Moore: taking to the big screen to press conservative points... The shame narrators (let's call them) focus on maybe 20 percent of the American story. Dinesh simply puts the other 80 percent back in." In a second article, Jay Nordlinger said, "The second movie confirms for me that one of Dinesh's great advantages is that he is absolutely clear-eyed about the Third World. While liberal Americans romanticize it, he has lived it."

Answer this question "How well was the documentary received?"
output: The film review website Metacritic surveyed 11 movie critics and assessed 10 reviews as negative and 1 as mixed, with none being positive.

Answer the question at the end by quoting:

The Apples in Stereo, styled as The Apples in stereo, are an American rock band associated with Elephant Six Collective, a group of bands also including Neutral Milk Hotel and The Olivia Tremor Control. The band is largely a product of lead vocalist/guitarist/producer Robert Schneider, who writes the majority of the band's music and lyrics. Currently, The Apples in Stereo also includes longstanding members John Hill (rhythm guitar) and Eric Allen (bass), as well as more recent members John Dufilho (drums), John Ferguson (keyboards), and Ben Phelan (keyboards/guitar/trumpet). The band's sound draws comparisons to the psychedelic rock of The Beatles and The Beach Boys during the 1960s, as well as to bands such as Electric Light Orchestra and Pavement, and also draws from lo-fi, garage rock, new wave, R&B, bubblegum pop, power pop, punk, electro-pop and experimental music.
In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado. Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys -- a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who was also already in a band at the time that Schneider unsuccessfully auditioned for on bass. Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys.  Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company). It was also at this time that the name "The Apples" came about, inspired by the Pink Floyd song "Apples and Oranges".  The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes. From February to April 1993, the band recorded their debut 7" EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo.

Did they go on tour?
Their first few live shows took place the following January, many of which were with the band Felt Pilotes.