input: In 1990, Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia, which was produced by Alfredo Diaz Ordaz, and published by Fonovisa, Televisa's record label. From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva". The last two tracks were co-written by her and Diaz Ordaz and they were considered as provocative at the time ("Un Pacto Entre Los Dos" was even labeled as a song with occult Satan-worship lyrics by various far-right parties).  In September 1991, Thalia released her second studio album, Mundo de cristal, which marks Thalia's last project in collaboration with Alfredo Diaz Ordaz. Four songs became radio singles from the album, and all of them had big radio impact in Mexico. Due to the success of the singles, the album was certified as double gold in Thalia's native country, Mexico. In the same year, Thalia was co-presenter of the late Spanish show VIP Noche, along with Spanish presenter Emilio Aragon, produced by Telecinco.  In October 1992, she released her third studio album and her last under the same label, entitled Love, which was recorded in Spain and it was produced by Luis Carlos Esteban. The album spread six singles, that had huge radio impact: "Sangre", "Love", "No Trates de Enganarme", "Flor de Juventud", "Maria Mercedes" (official theme of the TV series), and "La Vida en Rosa" (La vie en rose), the last one being a Spanish-French cover of the classic French song originally performed by Edith Piaf. Thalia wrote the song "Sangre" inspired in Diaz Ordaz, with whom she had broken up her sentimental relation. The album was praised by the critics, as it was an artistic evolution for Thalia, who experimented for the first time in different music genres, especially electronic music. The album reached number 15 on Billboard's Latin Pop Albums in 1993. In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification, while it was a commercial success all over Latin America.

Answer this question "Was this album also successful?"
output: In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification,

input: Jean announced plans to begin a solo career with 1997's Wyclef Jean Presents the Carnival Featuring the Refugee All-Stars (generally called The Carnival). The album's guests included Lauryn Hill and Pras along with Jean's siblings' group Melky Sedeck; the I Threes (back-up vocals for Bob Marley); The Neville Brothers and Celia Cruz. The album was a hit, as were two singles: "We Trying to Stay Alive" (adapted from the Bee Gees' "Stayin' Alive") and "Gone Till November" (recorded with the New York Philharmonic Orchestra).  Released in 2000, Jean's second solo album The Ecleftic: 2 Sides II a Book was recorded with guests including Youssou N'Dour; Earth, Wind & Fire; Kenny Rogers; The Rock; and Mary J. Blige. With Blige he released "911" as a single. He was nominated for Best Hip-Hop Act at the 2000 MTV Europe Music Awards.  Following the terrorist attacks of September 11, 2001, Jean participated in the benefit concert America: A Tribute to Heroes contributing a cover of the Bob Marley song "Redemption Song". His third album, Masquerade, was released in 2002. His fourth album, The Preacher's Son, was released in November 2003 as the follow-up to his first solo album, The Carnival. In 2004, he released his fifth album, Sak Pase Presents: Welcome to Haiti (Creole 101) (released in the United States by Koch Records). Most of its songs are in his native language of Haitian Creole like "Fanm Kreyol" with the French Caribbean Admiral T. He also figured on the album Mozaik Kreyol of this one in the song "Secret Lover". Then he covered Creedence Clearwater Revival's song "Fortunate Son" for the soundtrack of the 2004 film remake of The Manchurian Candidate and wrote the song "Million Voices" for the film Hotel Rwanda.  Jean also produced and wrote songs for the soundtrack to Jonathan Demme's 2003 documentary The Agronomist, about the Haitian activist and radio personality Jean Dominique. With Jerry 'Wonder' Duplessis, Jean also composed the score of the documentary Ghosts of Cite Soleil, He helped produce the film and he appears briefly onscreen speaking by telephone in 2004 to a "chimere" gang-leader and aspiring rapper, Winston "2Pac" Jean.

Answer this question "Are there any other interesting aspects about this article?"
output: Jean also produced and wrote songs for the soundtrack to Jonathan Demme's 2003 documentary

input: With the addition of Stirratt, Coomer, and Johnston just prior to the recording of Anodyne, Farrar and Tweedy's relationship became more tumultuous, leading to verbal altercations after concerts. In one account, Tweedy recalled:  Around this time, I would say something into a microphone onstage, and afterward [Farrar would] pull me aside and say, "Don't you ever fucking talk into that microphone again." He would misconstrue me talking into the microphone as more evidence of my out-of-control, rampant ego, more evidence of me feeling like I didn't have to be so fucking afraid anymore.  Tweedy felt the new members gave him a new opportunity to contribute to the band, but Farrar felt disdain for Tweedy's new carefree attitude. Years later, Farrar would claim that he had been tempted to quit the band after seeing Tweedy stroking the hair of Farrar's girlfriend, an act which he believed to have been a proposition. In January 1994, Farrar called manager Tony Margherita to inform him of his decision to leave the band. Farrar told Margherita that he was no longer having fun, and didn't want to work with Tweedy anymore. Soon after the breakup, Farrar explained his departure: "It just seemed like it reached a point where Jeff and I really weren't compatible. It had ceased to be a symbiotic songwriting relationship, probably after the first record."  Tweedy was enraged that he heard the news secondhand from Margherita, since Farrar decided not to tell him in person. The following day, the two singers engaged in a verbal confrontation. As a favor to Margherita--who had spent a substantial amount of money to keep the band running--Farrar agreed to a final tour with Uncle Tupelo in North America. Tweedy and Farrar again engaged in a shouting match two weeks into the tour, due to Farrar's refusal to sing harmony on any of Tweedy's songs. The band made its first appearance on national television during the tour when they were featured on Late Night with Conan O'Brien. Sire had requested that the band perform "The Long Cut" on the show, which further irked Farrar since the song was written and sung by Tweedy. Uncle Tupelo's last concert was May 1, 1994, at Mississippi Nights in St. Louis, Missouri. Tweedy and Farrar each performed nine songs during the concert, and Mike Heidorn performed as drummer during the encore.

Answer this question "when did they break up"
output:
In January 1994,