Question:
Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
Hill was born in Ridgeland, Mississippi, north of Jackson, Mississippi. She was adopted as an infant, and named Audrey Faith Perry. She was raised in the nearby town of Star, 20 miles outside of Jackson. Her adoptive parents, Edna and Ted Perry, raised her with their two biological sons in a devout Christian environment.  Hill's vocal talent was apparent early, and she had her first public performance, at a 4-H luncheon, when she was seven. In 1976, a few days before her 9th birthday, she attended a concert by Elvis Presley at the State Fair Coliseum, in Jackson, which impressed her deeply. By the time she was a teenager, Hill was a regular performer at area churches, even those not in her own Baptist denomination. At 17, Hill formed a band that played in local rodeos. She graduated from McLaurin Attendance Center in 1986, and briefly attended college at Hinds Junior College (now Hinds Community College) in Raymond, Mississippi. At times, she sang for prisoners at the Hinds County Jail, her song of choice being "Amazing Grace". At age 19 she quit school to move to Nashville and pursue her dream of being a country singer. In her early days in Nashville, Hill auditioned to be a backup singer for Reba McEntire, but failed to secure the job. After a stint selling T-shirts, Hill became a secretary at a music publishing firm. Hill also landed a job at a local McDonald's restaurant franchise, which she disliked intensely. "Fries, burgers, cash register - I did it all, I hated it," she has said.  In 1988, she married music publishing executive Daniel Hill (not to be confused with Canadian musician Dan Hill).  A co-worker heard Hill singing to herself one day, and soon the head of her music publishing company was encouraging her to become a demo singer for the firm. She supplemented this work by singing backup vocals for songwriter Gary Burr, who often performed his new songs at Nashville's Bluebird Cafe. During one of those performances, Bob Saporiti, an executive from Warner Bros. Records was in the audience, and, impressed with Hill's voice, began the process of signing her to a recording contract.  Shortly after the release of her album, Hill's marriage fell apart. She and Daniel Hill divorced in 1994.
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who were her parents?

Answer:
Edna and Ted Perry,


Question:
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire.  In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.
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What are the literary roots of Burlesque?

Answer:
referred to a grotesque imitation of the dignified or pathetic.