Answer the question at the end by quoting:

Stefanie Graf was born on 14 June 1969, in Mannheim, Baden-Wurttemberg, West Germany, to Heidi Schalk and Peter Graf (18 June 1938 - 30 November 2013), a car and insurance salesman. When she was nine years old her family moved to the neighbouring town of Bruhl. She has a younger brother Michael. Graf was introduced to tennis by her father, an aspiring tennis coach, who taught his three-year-old daughter how to swing a wooden racket in the family's living room.
The main weapons in Graf's game were her powerful inside-out forehand drive (which earned her the moniker Fraulein Forehand) and her intricate footwork. She often positioned herself in her backhand corner and although this left her forehand wide open and vulnerable to attack, her court speed meant that only the most accurate shots wide to her forehand caused any trouble. Graf's technique on the forehand was unique and instantly recognizable: generating considerable racquet head speed with her swing, she reached the point of contact late and typically out of the air. As a result, she hit her forehand with exceptional pace and accuracy. According to her coaches Pavel Slozil and Heinz Gunthardt, Graf's superior sense of timing was the key behind the success of her forehand.  Graf also had a powerful backhand drive but over the course of her career tended to use it less frequently, opting more often for an effective backhand slice. Starting in the early 1990s, she used the slice almost exclusively in baseline rallies and mostly limited the topspin backhand to passing shots. Her accuracy with the slice, both cross-court and down the line and her ability to skid the ball and keep it low, enabled her to use it as an offensive weapon to set the ball up for her forehand put-aways. However, Graf admitted in 1995 that she would have preferred having a two-handed backhand in retrospect.  She built her powerful and accurate serve up to 174 km/h (108 mph), making it one of the fastest serves in women's tennis and was a capable volleyer.  An exceptionally versatile competitor, Graf remains the only player, male or female, to have won the calendar-year Grand Slam on three surfaces or to have won each Grand Slam at least four times. Eighteen-time Grand Slam champion and former rival Chris Evert opined, "Steffi Graf is the best all-around player. Martina [Navratilova] won more on fast courts and I won more on slow courts, but Steffi came along and won more titles on both surfaces." Her endurance and superior footwork allowed her to excel on clay courts, where, in addition to six French Open titles, she won 26 regular tour events, including a record eight titles at the German Open. Meanwhile, her naturally aggressive style of play, effective backhand slice and speed around the court made her even more dominant on fast surfaces such as hard courts, grass and carpet. Graf stated that grass was her favorite surface to play on, while clay was her least favorite.

did her husband ever influence her style?





Answer the question at the end by quoting:

Riya Sen (born Riya Dev Varma; 24 January 1981) is an Indian film actress and model. Riya, who comes from a family of actors including her grandmother Suchitra Sen, mother Moon Moon Sen and sister Raima Sen, began her acting career in 1991 as a child actress in the film Vishkanya. Her first commercial success in her film career was with Style, a 2001 Hindi low-budget comedy directed by N. Chandra. Some of her other notable films include producer Pritish Nandy's musical film, Jhankaar Beats (2003) in Hinglish,
Riya has, in addition to Hindi films, appeared in Bengali, Tamil, Telugu, Malayalam and English films. Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal, co-starring Manjoj Bharatiraja in the male lead, and Manoj Bhatnaghar's Good Luck, opposite Prasanth. Both of the films failed commercially, and she had a brief reappearance in Tamil cinema only to perform in a dance number for N. Maharajan's Arasatchi.  Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat, scripted by Sudeshna Roy and directed by Mahesh Manjrekar. In the film, she collaborated with mother Moon Moon Sen. Riya was slated to appear in Anjan Dutt's Bengali-English bilingual film The Bong Connection with her sister, but she was eventually dropped from the project and replaced by Peeya Rai Chaudhary. The two sisters were later cast together in director Ajai Sinha's The Bachelor, a Bengali film that, as of 2008, is yet to be finished.  Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005). The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success. It won five Kerala State Film Awards and surfaced as one of the biggest Malayalam successes that year. She played the role of Bhama in the film, a village girl who is lured by Digambaran, the evil magician portrayed by Manoj K. Jayan. In a song-and-dance sequence showing Digambaran turning Bhama into a medium for demonic rituals, the choreographer Aparna Sindoor made abundant use Kathakali movements. The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well, including Shaji Karun's Vanaprastham (1999) and Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005). She made her Telugu Debut with Nenu Meeku Telusa...?, in which she was paired opposite Manoj Manchu.  In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi.

Did Riya and Sivan do any more films together?