Question:
King was born in Long Beach, California, into a conservative Methodist family, the daughter of Betty (nee Jerman), a housewife, and Bill Moffitt, a firefighter. Billie Jean's family was athletic. Her mother excelled at swimming, her father played basketball, baseball and ran track. Her younger brother, Randy Moffitt, became a Major League Baseball pitcher, pitching for 12 years in the major leagues for the San Francisco Giants, Houston Astros, and Toronto Blue Jays.
King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes.
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Who did she beat?

Answer:
In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes.


Question:
Joseph Arthur (born September 28, 1971) is an American singer-songwriter and artist from Akron, Ohio, United States. He is best known for his solo material, and as a member of Fistful of Mercy and RNDM. Combining poetic lyrics with a layered sonic palette, Arthur has built his reputation over the years through critically acclaimed releases and constant touring; his unique solo live performances often incorporate the use of a number of distortion and loop pedals, and his shows are recorded live at the soundboard and made available to concertgoers immediately following the show on recordable media. Arthur was discovered by Peter Gabriel in the mid-1990s, and signed to Gabriel's Real World label as the first North American artist on the label's roster.
Joseph began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, 'OK - I am not a singer, I am a musician.' I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn't playing complicated bass lines."  Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.  In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label. Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Bjork, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package.
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What year was it released?

Answer:
released worldwide in spring 1997,


Question:
Top of the Pops, also known as TOTP, is a British music chart television programme, made by the BBC and originally broadcast weekly between 1 January 1964 and 30 July 2006. It was traditionally shown every Thursday evening on BBC One, except for a short period on Fridays in mid-1973 before being again moved to Fridays in 1996 and then to Sundays on BBC Two in 2005. Each weekly programme consisted of performances from some of that week's best-selling popular music artists, with a rundown of that week's singles chart. Additionally, there was a special edition of the programme on Christmas Day (and usually, until 1984, a second such edition a few days after Christmas), featuring some of the best-selling singles of the year.
From 1967, the show had become closely associated with the BBC radio station Radio 1, usually being presented by DJs from the station, and between 1988 and 1991 the programme was simulcast on the radio station in FM stereo. However, during the last few years of the 1980s the association became less close, and was severed completely (although not permanently) in a radical shake-up known as the 'Year Zero' revamp.  Following a fall in viewing figures and a general perception that the show had become 'uncool' (acts like The Clash had refused to appear in the show in previous years), a radical new format was introduced by incoming executive producer Stanley Appel (who had worked on the programme since 1966 as cameraman, production assistant, director and stand-in producer) in October 1991, in which the Radio 1 DJs were replaced by a team of relative unknowns, such as Claudia Simon and Tony Dortie who had previously worked for Children's BBC, 17-year-old local radio DJ Mark Franklin, Steve Anderson, Adrian Rose and Elayne Smith, who was replaced by Femi Oke in 1992. A brand new theme tune ('Now Get Out Of That'), title sequence and logo were introduced, and the entire programme moved from BBC Television Centre in London to BBC Elstree Centre in Borehamwood.  The new presenting team would take turns hosting (initially usually in pairs but sometimes solo), and would often introduce acts in an out-of-vision voiceover over the song's instrumental introduction. They would sometimes even conduct short informal interviews with the performers, and initially the Top 10 countdown was run without any voiceover. Rules relating to performance were also altered meaning acts had to sing live as opposed to the backing tracks for instruments and mimed vocals for which the show was known. To incorporate the shift of dominance towards American artists, more use was made of out-of-studio performances, with acts in America able to transmit their song to the Top of the Pops audience "via satellite". These changes were widely unpopular and much of the presenting team were axed within a year, leaving the show hosted solely by Dortie and Franklin (apart from the Christmas Day editions, when both presenters appeared) from October 1992, on a week-by-week rotation.
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Was the program eventually cancelled?

Answer: