Some context: Isabella I (Spanish: Isabel, 22 April 1451 - 26 November 1504) reigned as Queen of Castile from 1474 until her death. Her marriage to Ferdinand II of Aragon became the basis for the political unification of Spain under their grandson, Charles I. After a struggle to claim her right to the throne, she reorganized the governmental system, brought the crime rate to the lowest it had been in years, and unburdened the kingdom of the enormous debt her brother had left behind.
Isabella received the title of Catholic Monarch by Pope Alexander VI, a pope of whose behavior and involvement in matters Isabella did not approve. Along with the physical unification of Spain, Isabella and Ferdinand embarked on a process of spiritual unification, trying to bring the country under one faith (Roman Catholicism). As part of this process, the Inquisition became institutionalised. After a Muslim uprising in 1499, and further troubles thereafter, the Treaty of Granada was broken in 1502, and Muslims were ordered to either become Christians or to leave. Isabella's confessor, Cisneros, was named Archbishop of Toledo. He was instrumental in a program of rehabilitation of the religious institutions of Spain, laying the groundwork for the later Counter-Reformation. As Chancellor, he exerted more and more power.  Isabella and her husband had created an empire and in later years were consumed with administration and politics; they were concerned with the succession and worked to link the Spanish crown to the other rulers in Europe. By early 1497, all the pieces seemed to be in place: The son and heir John, Prince of Asturias, married a Habsburg princess, Margaret of Austria, establishing the connection to the Habsburgs. The eldest daughter, Isabella of Aragon, married King Manuel I of Portugal, and the younger daughter, Joanna of Castile, was married to a Habsburg prince, Philip I of Habsburg.  However, Isabella's plans for her eldest two children did not work out. Her only son, John of Asturias, died shortly after his marriage. Her daughter Isabella of Aragon, whose son Miguel da Paz died at the age of two, died in childbirth. Queen Isabella I's crowns passed to her third child Joanna and her son-in-law, Philip I.  Isabella did, however, make successful dynastic matches for her three youngest daughters. The death of Isabella of Aragon created a necessity for Manuel I of Portugal to remarry, and Isabella's third daughter, Maria of Aragon, became his next bride. Isabella's youngest daughter, Catherine of Aragon, married England's Arthur, Prince of Wales, but his early death resulted in her being married to his younger brother, King Henry VIII of England.  Isabella officially withdrew from governmental affairs on September 14, 1504 and she died that same year on 26 November at the Medina del Campo Royal Palace. It is said that she had truly already been in decline since the death of her son Prince John of Asturias in 1497. She is entombed in Granada in the Capilla Real, which was built by her grandson, Charles V, Holy Roman Emperor (Carlos I of Spain), alongside her husband Ferdinand, her daughter Joanna and Joanna's husband Philip I; and Isabella's 2-year-old grandson, Miguel da Paz (the son of Isabella's daughter, also named Isabella, and King Manuel I of Portugal). The museum next to the Capilla Real holds her crown and scepter.
Did she actually convert
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Some context: Alejandro Jodorowsky Prullansky (Spanish: [ale'xandro xodo'rofski]; born 17 February 1929) is a Chilean-French filmmaker. Active since 1948, in seventy years of his artistic career Jodorowsky has experienced it in almost all creative forms: writer (in his five facets: novelist, storyteller, poet, playwright and essayist), film director and producer, actor of cinema and theatre, playwright, theatre director, screenwriter, film editor, comics writer, musician, soundtrack composer, philosopher, puppeteer, mime, psychologist and psychoanalyst, draughtsman, painter, eventually sculptor and spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation". Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry.
In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again.
Did the film do well?
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The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews.