Question:
"Louie Louie" is an American rhythm and blues song written by Richard Berry in 1955 and best known for the 1963 hit version by The Kingsmen. It has become a standard in pop and rock, with hundreds of versions recorded by different artists. The song is based on the tune "El Loco Cha Cha" popularized by bandleader Rene Touzet and is an example of Latin influence on American popular music. "Louie Louie" tells, in simple verse-chorus form, the first-person story of a Jamaican sailor returning to the island to see his lady love.
Richard Berry was inspired to write the song in 1955 after listening to and performing the song "El Loco Cha Cha" with Ricky Rillera and the Rhythm Rockers. The tune was written originally as "Amarren Al Loco" ("Tie up the crazy guy") by Cuban bandleader Rosendo Ruiz Jr., also known as Rosendo Ruiz Quevedo, but became best known in the "El Loco Cha Cha" arrangement by Rene Touzet which included a rhythmic ten-note "1-2-3 1-2 1-2-3 1-2" riff.  Touzet performed the tune regularly in Los Angeles clubs in the 1950s. In Berry's mind, the words "Louie Louie" superimposed themselves over the bass riff. Lyrically, the first person perspective of the song was influenced by "One for My Baby (And One More for the Road)", which is sung from the perspective of a customer talking to a bartender (Berry's bartender's name is Louie). Berry cited Chuck Berry's "Havana Moon" and his exposure to Latin American music for the song's speech pattern and references to Jamaica.  Richard Berry released his version in April 1957 (Flip Records 321), originally as a B-side, with his backing band the Pharaohs, and scored a regional hit on the west coast, particularly in San Francisco. When the group toured the Pacific Northwest, local R&B bands began to play the song, increasing its popularity. The track was then re-released as an A-side. However, the single never charted on Billboard's national rhythm and blues or pop charts. Berry's label reported that the single had sold 40,000 copies. After a series of unsuccessful follow-ups, Berry sold his portion of publishing and songwriting rights for $750 to the head of Flip Records in 1959.  While the title of the song is often rendered with a comma ("Louie, Louie"), in 1988, Berry told Esquire magazine that the correct title of the song was "Louie Louie", with no comma.  Although similar to the original, the version on Rhino's 1983 The Best of Louie, Louie compilation is actually a note-for-note re-recording created because licensing could not be obtained for Berry's 1957 version. The original version was not released on CD until the Ace Records Love That Louie compilation in 2002.
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Did it take him long to make it?

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input: The group's first professional recording was a cover version of "Dimples"; at the end of 1965 they gained their first number one single with "Keep On Running". In 1966, they followed this with "Somebody Help Me" and "When I Come Home". They had one single issued in the US on Fontana, as well as "Keep On Running" and "Somebody Help Me" on Atco, but due to lack of promotion, none of these 3 singles got airplay or charted.  For the German market the group released a medley of "Det war in Schoneberg, im Monat Mai" and "Madel ruck ruck ruck an meine grune Seite" (the first is from a 1913 Berlin operetta, the second is a Swabian traditional) as a tribute single for that audience, Davis having studied in West Berlin in the early 1960s.  By the end of 1966 and the beginning of 1967, the group released two more hits, "Gimme Some Lovin'" and "I'm a Man". Both of them sold over one million copies, and were awarded gold record status. These tracks proved to be their two best-known successes, especially in the U.S. (where they had signed to United Artists). Jimmy Miller was their producer.  In 1966 the group starred in The Ghost Goes Gear, a British musical comedy film, directed by Hugh Gladwish, and also starring Sheila White and Nicholas Parsons. The plot involved the group in a stay at the childhood home of their manager, a haunted manor house in the English countryside. The film would later be considered a mistake by Winwood.

Answer this question "How did these songs do in the US?"
output: Both of them sold over one million copies, and were awarded gold record status. These tracks proved to be their two best-known successes, especially in the U.S.

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Frank Joseph Kush (January 20, 1929 - June 22, 2017) was an American football player and coach. He served as the head coach at Arizona State University from 1958 to 1979, compiling a record of 176-54-1. Kush was also the head coach of the Canadian Football League's Hamilton Tiger-Cats in 1981, the National Football League's Baltimore/Indianapolis Colts from 1982 to 1984, and the Arizona Outlaws of the United States Football League in 1985. He was inducted into the College Football Hall of Fame as a coach in 1995.
In September 1979 former Sun Devil punter Kevin Rutledge filed a $1.1 million lawsuit against the school, accusing Kush and his staff of mental and physical harassment that forced him to transfer. The most dramatic charge was that Kush had punched Rutledge in the mouth after a bad punt in the October 28, 1978, game against the Washington Huskies. During the next few weeks, overzealous fans turned things ugly when the insurance office of Rutledge's father suffered a fire and the family's attorney received two death threats.  On October 13, 1979, Kush was fired as head coach for interfering with the school's internal investigation into Rutledge's allegations. Athletic director Fred Miller cited Kush's alleged attempts to pressure players and coaches into keeping quiet. The decision came just three hours before the team's home game against Washington. Kush was allowed to coach the game, with the Sun Devils pulling off an emotional 12-7 upset of the sixth-ranked Huskies, fueled by the angry crowd incensed by the decision. After the game ended, Kush was carried off the field by his team. The win gave him a 3-2 record on the season, but all three victories were later forfeited when it was determined that Arizona State had used ineligible players.  After nearly two years, Kush would be found not liable in the case, but remained absent from the sideline throughout 1980, the first time in more than 30 years that he had been away from the game.  Future NFL players who played under Kush at Arizona State include Charley Taylor, Curley Culp, Danny White, Benny Malone, Mike Haynes, John Jefferson and Steve Holden. Baseball Hall of Famer Reggie Jackson also played a year of football at Arizona State for Kush on a football scholarship before switching to baseball.

What was his league like