input: In 1984, Bunton junior returned to his former haunt of Subiaco, who as a result of the loss of such players as Mike Fitzpatrick had endured another bleak era over the previous nine seasons. The Lions had not participated in the finals since 1974 and had finished dead last in 1976, 1979, 1980 and 1982, when they were in danger of a winless season before beating East Fremantle in the seventeenth round. Since 1975 Subiaco had recorded only 44 wins from 189 games and had lost its "average" game over these nine seasons by a margin of 36 points.  However, under Bunton and aided by a powerful country zone, the Lions improved rapidly: from four wins and a percentage of 70 in 1983 they went to nine wins and a percentage of 100 in 1984 and fifteen wins and a percentage of 124.5 in 1985. Despite being in their first finals series since 1974, the Lions only just failed to beat East Fremantle in the grand final and gained ample revenge against the Sharks the following year by eleven and a half goals. Their team was sufficiently good to be competitive against VFL premiers Hawthorn in a post-season "challenge" match - ironically Hawthorn's win was led by Subiaco's one star of the bleak late 1970s and early 1980s in Gary Buckenara.  An irrepressible Claremont outfit under the innovative coaching of Gerard Neesham halted Subiaco in 1987, but the following year after losing the second semi to the Tigers and being unconvincing in the preliminary against East Fremantle, the Lions, playing a much more traditional game than Claremont and aided by the controversial inclusion of West Coast Eagle Laurie Keene, ran away to win by 62 points after an even first half.  The massive drain of players to the VFL meant Subiaco could not keep up this standard, and they won only six games each in 1989 and 1990 before returning to the Grand Final in 1991 only for Claremont to have its revenge. A thrashing by East Perth in the first week of the 1992 WAFL finals saw Bunton resign at the end of the season after having coached Subiaco's most successful era since before World War II.

Answer this question "Why did he resign?"
output: The massive drain of players to the VFL meant Subiaco could not keep up this standard,

input: At the invitation of new member Steve Wickham, Mike Scott moved to Dublin and quickly became influenced by the traditional Irish music there as well as by country and gospel. The band's line-up changed once again with Scott, Wickham and Thistlethwaite now joined by Trevor Hutchinson on bass and Peter McKinney on drums. The new band, which the official Waterboys' website refers to as the "Raggle Taggle band" line-up, spent 1986 and 1987 recording in Dublin and touring the UK, Ireland, Europe and Israel. Some of these performances were released in 1998 on The Live Adventures of the Waterboys, including a famous Glastonbury performance in 1986.  In 1988 Scott took the band to Spiddal in the west of Ireland where they set up a recording studio in Spiddal House to finish recording their new album. Fisherman's Blues was released in October 1988 and showcased many guest musicians that had played with the band in Dublin and Spiddal. Critics and fans were split between those embracing the new influence of Irish and Scottish folk music and others disappointed after hoping for a continuation of the style of This Is the Sea. World Music: The Rough Guide notes that "some cynics claim that Scotsman Mike Scott gave Irish music back to the Irish... his impact can't be underestimated", but Scott himself explains that it was the Irish tradition that influenced him; "I was in love with Ireland. Every day was a new adventure, it was mythical... Being part of a brotherhood of musicians was a great thing in those days, with all the many musicians of all stripes we befriended in Ireland. I still have that connection to the Irish musicians and tap into it..." Owing to the large number of tracks that were recorded in the three years between This Is the Sea and Fisherman's Blues, The Waterboys released a second album of songs from this period in 2001, titled Too Close to Heaven (or Fisherman's Blues, Part 2 in North America), and more material was released as bonus tracks for the 2006 reissue of the remastered Fisherman's Blues album.  After further touring the band returned to Spiddal to record a new album. The Waterboys now consisted of Mike Scott, Steve Wickham, Anthony Thistlethwaite, Colin Blakey on whistle, flute and piano, Sharon Shannon on accordion, Trevor Hutchinson on bass and Noel Bridgeman on drums. Their fifth album, Room to Roam was released in September 1990. One of the album's tracks was a recording of the traditional ballad "The Raggle Taggle Gypsy".  Just before Room to Roam was released, Wickham left over a disagreement with Scott and Thistlethwaite regarding the future direction of the band's sound. Scott and Thistlethwaite wanted to move the band back to a more rock and roll style, and Wickham disagreed. His departure started the band's dissolution, and in his wake Shannon and Blakey both left. Scott, Thistlethwaite and Hutchinson recruited Ken Blevins on drums to fulfil the group's tour dates.

Answer this question "What changed"
output: The band's line-up changed once again with

input: After he was made a Johnny's Jr. member in 2000, Akanishi was part of a number of groups like Musical Academy Dancing, J2000 and B.A.D., before being drafted into a six-member unit in 2001 with other juniors Kazuya Kamenashi, Junnosuke Taguchi, Koki Tanaka, Tatsuya Ueda and Yuichi Nakamaru. Though the group was originally meant to only be backup dancers for Koichi Domoto of KinKi Kids, the sextet's unexpected popularity led their agency to allow them to expand into a separate group called KAT-TUN, an acronym formed by the first letter of the members' surnames. Despite the group's popularity (they even released DVDs of their live concerts in 2003 and 2005--a first for Johnny's groups that hadn't debuted), they were not allowed to make their bow until five years later in 2006, to immense success.  Much to the Japanese public's surprise, Akanishi announced in a press conference on October 13, 2006, that he was leaving the country to study English abroad for an indefinite amount of time. Despite his absence, KAT-TUN were obliged to continue its activities Akanishi finally returned from Los Angeles in the United States after six months on April 19, 2007. He quickly resumed work by joining his bandmates on their nationwide tour on April 21.  Akanishi was also a songwriter for the group, having written songs for KAT-TUN and for himself, including "Hesitate", "Love or Like" (from Cartoon KAT-TUN II You), "Lovejuice" (B-side of the limited edition 2 of "Don't U Ever Stop"), "Care" (from Break the Records: By You & For You), and "Wonder". The song "Wonder" is a collaboration with R&B artist, Crystal Kay in 2009, and Akanishi also featured in her song "Helpless Night". He can play the guitar and has composed both music and lyrics for "Murasaki (murasaki)", "ha-ha" and "Pinky". He also collaborated with bandmate Ueda to create the song, "Butterfly" (from Best of KAT-TUN).

Answer this question "Any notable songs with them?"
output: