Problem: Background: Judith Miller (born January 2, 1948) is an American journalist and commentator. She worked in The New York Times' Washington bureau before joining Fox News. Accused by, among others, Edward Said, for a purported anti-Islamic bias in her writing, Miller became embroiled in controversy after her coverage of Iraq's Weapons of Mass Destruction (WMD) program both before and after the 2003 invasion was discovered to have been based on the inaccurate information in the intelligence investigations, particularly those stories that were based on sourcing from the now-disgraced Ahmed Chalabi. The New York Times later determined that a number of stories she had written for the paper were inaccurate.
Context: In July 2005, several months prior to her October 2005 resignation from The New York Times, Miller was jailed for contempt of court for refusing to testify before a federal grand jury investigating a leak naming Valerie Plame as a CIA officer. While Miller never wrote about Plame, she was believed to be in possession of evidence relevant to the leak investigation. According to a subpoena, Miller met with an unnamed government official, later revealed to be I. Lewis "Scooter" Libby, Vice President Cheney's Chief of Staff, on July 8, 2003. Plame's CIA identity was divulged publicly in a column by conservative political commentator Robert Novak on July 14, 2003. Novak's source was revealed to have not been Libby, but Richard Armitage of the Department of State.  On July 16, 2005, The Washington Post reported that Miller could face criminal contempt charges, which could have extended her jail time six months beyond the four months then anticipated. The Post suggested that special prosecutor Patrick Fitzgerald was particularly interested in hearing Miller's version of her encounter with Libby. Filings by Fitzgerald reportedly alleged that Miller's defiance of the court constituted a crime. On September 29, 2005, after spending 85 days in jail, Miller was released following a telephone call with Libby. He had reconfirmed the release of confidentiality. Under oath, Miller was questioned by Fitzgerald before a federal grand jury the following day, September 30, 2005, but was not relieved of contempt charges until after testifying again on October 12, 2005.  For her second grand jury appearance, Miller produced a notebook from a previously undisclosed meeting with Libby on June 23, 2003. This was several weeks before Joseph Wilson's New York Times editorial was published. This belied the theory that Libby was retaliating against Wilson for his Times editorial. According to Miller's notes from that earlier meeting, Libby disclosed that Joseph Wilson's wife was a CIA employee involved in her husband's trip to Niger. Miller's notebook from her July 8, 2003, meeting with Libby contains the name "Valerie Flame [sic]". This reference occurred six days before Novak published Plame's name and unmasked her as a CIA operative.  Miller's grand jury account was the basis for her last article in the Times. Miller testified as a witness on January 30, 2007, at the trial of Scooter Libby, which began in January 2007. The trial ended on March 6, 2007, with Libby's conviction on four of five counts, though none of the counts had to do with actually revealing Plame's name to the media.  The New York Times published Miller's first-person account, "My Four Hours Testifying in the Federal Grand Jury Room", on October 16, 2005. Miller claimed she could not remember who gave her the name "Valerie Plame" but she was sure it didn't come from Libby.
Question: How long was she in jail?
Answer: after spending 85 days in jail, Miller was released

Background: Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz pianist/electric keyboardist and composer. His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.
Context: In the early 1970s, Corea took a profound stylistic turn from avant-garde to a crossover jazz fusion style that incorporated Latin jazz with Return to Forever. Named after their eponymous 1972 album, the band relied on both acoustic and electronic instrumentation and drew upon Latin American styles more than on rock music. On their first two records, Return to Forever consisted of Flora Purim on vocals, Joe Farrell on flute and soprano saxophone, Airto Moreira on drums , and Stanley Clarke on double bass. Drummer Lenny White and guitarist Bill Connors later joined Corea and Clarke to form the second version of the group, which expanded the earlier Latin jazz elements with a more rock and funk-oriented sound inspired by the Mahavishnu Orchestra, led by his Bitches Brew bandmate John McLaughlin. This incarnation of the group recorded the album Hymn of the Seventh Galaxy, before Connors' departure and replacement by Al Di Meola, who was present on the subsequent releases Where Have I Known You Before, No Mystery, and Romantic Warrior.  Corea's composition "Spain" appeared on the 1972 Return to Forever album Light as a Feather. This is probably his most popular piece, and it has been recorded by a variety of artists. There are also a variety of recordings by Corea himself. These included an arrangement for piano and symphony orchestra that appeared in 1999 and a collabration with vocalist Bobby McFerrin on the 1992 album Play. Corea usually performs "Spain" with a prelude based on Joaquin Rodrigo's Concierto de Aranjuez (1940), which earlier received a jazz orchestration on Davis and Gil Evans' Sketches of Spain.  In 1976, he issued My Spanish Heart, influenced by Latin American music and featuring vocalist Gayle Moran (Corea's wife) and electric violinist Jean-Luc Ponty. The album combined jazz and flamenco, supported by Minimoog backup and a horn section.
Question: What were his famous works from the early 1970s?
Answer:
Corea's composition "Spain" appeared on the 1972 Return to Forever album Light as a Feather. This is probably his most popular piece,