Some context: Born in Cherryvale, Kansas, Louise Brooks was the daughter of Leonard Porter Brooks, a lawyer, who was usually too busy with his practice to discipline his children, and Myra Rude, an artistic mother who determined that any "squalling brats she produced could take care of themselves". Rude was a talented pianist who played the latest Debussy and Ravel for her children, inspiring them with a love of books and music. When she was nine years old, a neighborhood predator sexually abused Louise. This event had a major influence on Brooks' life and career, causing her to say in later years that she was incapable of real love, and that this man "must have had a great deal to do with forming my attitude toward sexual pleasure....
Brooks made her screen debut in the silent The Street of Forgotten Men, in an uncredited role in 1925. Soon, however, she was playing the female lead in a number of silent light comedies and flapper films over the next few years, starring with Adolphe Menjou and W. C. Fields, among others.  She was noticed in Europe for her pivotal vamp role in the Howard Hawks directed silent "buddy film", A Girl in Every Port in 1928.  In an early sound film drama, Beggars of Life (1928), Brooks played an abused country girl who kills her foster father in a moment of desperation. A hobo, Richard Arlen, happens on the murder scene and convinces Brooks to disguise herself as a young boy and escape the law by "riding the rails" with him. In a hobo encampment, or "jungle," they meet another hobo, Wallace Beery. Brooks's disguise is soon uncovered and she finds herself the only female in a world of brutal, sex-hungry men. Much of this film was shot on location, and the boom microphone was invented for this film by the director William Wellman, who needed it for one of the first experimental talking scenes in the movies.  By this time in her life, she was mixing with the rich and famous, and was a regular guest of William Randolph Hearst and his mistress, Marion Davies, at San Simeon, being close friends with Davies' niece, Pepi Lederer. Her distinctive bob haircut helped start a trend; many women styled their hair in imitation of her and fellow film star Colleen Moore. Soon after the film Beggars Of Life was made, Brooks, who loathed the Hollywood "scene", refused to stay on at Paramount after being denied a promised raise, and left for Europe to make films for G. W. Pabst, the prominent Austrian Expressionist director.  Paramount attempted to use the coming of sound films to pressure the actress, but she called the studio's bluff. It was not until 30 years later that this rebellious move would come to be seen as arguably the most savvy of her career, securing her immortality as a silent film legend and independent spirit. Unfortunately, while her initial snubbing of Paramount alone would not have finished her in Hollywood altogether, her refusal after returning from Germany to come back to Paramount for sound retakes of The Canary Murder Case (1929) irrevocably placed her on an unofficial blacklist. Actress Margaret Livingston was hired to dub Brooks's voice for the film, as the studio claimed that Brooks' voice was unsuitable for sound pictures.
What American films did Louise Brooks release?
A: Brooks made her screen debut in the silent The Street of Forgotten Men, in an uncredited role in 1925.
Some context: The Verve were an English rock band formed in Wigan in 1990 by lead vocalist Richard Ashcroft, guitarist Nick McCabe, bass guitarist Simon Jones and drummer Peter Salisbury. Guitarist and keyboard player Simon Tong later became a member. Beginning with a psychedelic sound with their debut LP
The band's physical and mental turmoil continued into the chaotic recording sessions of the band's second album, 1995's A Northern Soul, produced by Owen Morris. The band departed from the experimental psychedelic sounds of A Storm in Heaven and focused more on conventional alternative rock, with Ashcroft's vocals taking a more prominent role in the songs, although reminiscent of some of the early work. Around this period, Oasis guitarist and friend of Ashcroft, Noel Gallagher, dedicated the song "Cast No Shadow" on the album (What's the Story) Morning Glory? to Ashcroft, and Ashcroft returned the gesture by dedicating the song "A Northern Soul" to Noel.  The band released the album's first single "This Is Music" in May, and it reached No. 35, their first single to reach the Top 40. It was followed by "On Your Own" in June which performed even better, reaching No. 28. This single was particularly new for the Verve as it was a soulful ballad. The album reached the UK Top 20 upon its release in July, but Ashcroft broke up the band three months later, just before the release of the third single "History", which reached No. 24 in September. Ashcroft later stated: "I knew that I had to do it earlier on, but I just wouldn't face it. Once you're not happy in anything, there's no point living in it, is there? But my addiction to playing and writing and being in this band was so great that I wouldn't do anything about it. It felt awful because it could have been the greatest time of our lives, with "History" doing well, but I still think I can look myself in the mirror in 30 years time and say, 'Yeah man, you did the right thing.' The others had been through the same thing. It was a mixture of sadness and regret, and relief that we would have some time away."  Ashcroft reunited with Jones and Salisbury just a few weeks after the break-up, but McCabe did not rejoin them. The new band hired former Suede guitarist Bernard Butler, but he spent only a couple of days with the band. The band then chose Simon Tong, a school friend credited with originally teaching Ashcroft and Jones to play guitar. The band made no live appearances for all of 1996, apart from a solo performance from Ashcroft supporting Oasis in New York. The rest of the year was spent playing and recording songs for a new album.
Did the album earn any awards?
A:
The album reached the UK Top 20 upon its release in July,