Problem: James Stanley Brakhage ( BRAK-@j; January 14, 1933 - March 9, 2003), better known as Stan Brakhage, was an American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality, and innocence.

When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado.

What did he first receive notable recognition for?

Answer with quotes: in the early 1960s Brakhage began to receive recognition in exhibitions and film publications,

Background: Mortimer was born in Hampstead, London, the only child of Kathleen May (nee Smith) and Clifford Mortimer, a barrister who became blind in 1936 when he hit his head on the door frame of a London taxi but still pursued his career. Clifford's loss of sight was not acknowledged openly by the family. John Mortimer was educated at the Dragon School in Oxford and Harrow School, where he joined the Communist Party, forming a one-member cell. Originally Mortimer intended to be an actor (his lead role in the Dragon's 1937 production of Richard II gained glowing reviews in The Draconian) and then a writer, but his father persuaded him against it, advising: "My dear boy, have some consideration for your unfortunate wife...
Context: With weak eyes and doubtful lungs, Mortimer was classified as medically unfit for military service in World War II. He worked for the Crown Film Unit under Laurie Lee, writing scripts for propaganda documentaries.  I lived in London and went on journeys in blacked-out trains to factories and coal-mines and military and air force installations. For the first and, in fact, the only time in my life I was, thanks to Laurie Lee, earning my living entirely as a writer. If I have knocked the documentary ideal, I would not wish to sound ungrateful to the Crown Film Unit. I was given great and welcome opportunities to write dialogue, construct scenes and try and turn ideas into some kind of visual drama.  He based his first novel, Charade, on his experiences with the Crown Film Unit.  Mortimer made his radio debut as a dramatist in 1955 with his adaptation of his own novel Like Men Betrayed for the BBC Light Programme. But he made his debut as an original playwright with The Dock Brief starring Michael Hordern as a hapless barrister, first broadcast in 1957 on BBC Radio's Third Programme, later televised with the same cast and subsequently presented in a double bill with What Shall We Tell Caroline? at the Lyric Hammersmith in April 1958 before transferring to the Garrick Theatre. It was revived by Christopher Morahan in 2007 as part of a touring double bill, Legal Fictions.  His play A Voyage Round My Father, given its first radio broadcast in 1963, is autobiographical, recounting his experiences as a young barrister and his relationship with his blind father. It was memorably televised by BBC Television in 1969 with Mark Dignam in the title role. In a slightly longer version the play later became a stage success (first at Greenwich Theatre in 1979 with Dignam, then a year later at the Theatre Royal Haymarket, now starring Alec Guinness). In 1981 it was remade by Thames Television with Laurence Olivier as the father and Alan Bates as young Mortimer. In 1965, he and his wife wrote the screenplay for the Otto Preminger film Bunny Lake is Missing, which also starred Olivier.
Question: Are there any other interesting aspects about this article?
Answer: Mortimer made his radio debut as a dramatist in 1955 with his adaptation of his own novel Like Men Betrayed for the BBC Light Programme.

Question:
Tatchell was born in Melbourne, Australia. His father was a lathe operator and his mother worked in a biscuit factory. His parents divorced when he was four and his mother remarried soon afterwards. Since the family finances were strained by medical bills, he had to leave school at 16 in 1968.
In 1978, Tatchell joined the Labour Party and moved to a council flat in Bermondsey, south-east London. From October 1979, he became a leading member in a group of left-wingers planning to depose the right-wing caucus of Southwark councillors that controlled the Bermondsey Constituency Labour Party (CLP). At the CLP's AGM in February 1980, the left group won control and Tatchell was elected Secretary.  When the sitting Labour MP, Bob Mellish, announced his retirement in 1981, Tatchell was selected as his successor. The selection was a surprise, as Arthur Latham, a former MP and former Chairman of the Tribune Group, was the favourite. Later, the Militant group was cited as the reason for Tatchell's selection, but he has said that it had only a handful of members at that time in the constituency; he had never been a member and Militant did not support his selection. Tatchell ascribed his selection to the support of the "older, 'born and bred' working class; the younger professional and intellectual members swung behind Latham".  Due to Tatchell's support for direct action in the London Labour Briefing newsletter, Tatchell was denounced by party leader Michael Foot for allegedly supporting extra-parliamentary action against the Thatcher government; according to Tony Benn, Foot lied about Tatchell's alleged extremism in order to allow the Social Democratic Party to rejoin the Labour Party. Neil Kinnock stated that the whole affair was a matter of political judgement, asking "the question is: are we talking of extra-parliamentary or anti-parliamentary behaviour?" The fact that Tatchell was a gay man was also considered by some as a factor as to why Tatchell should not be supported. Labour subsequently allowed him to stand in the Bermondsey by-election, held in February 1983.
Answer this question using a quote from the text above:

How long was Tachell in this position?

Answer:
Labour subsequently allowed him to stand in the Bermondsey by-election, held in February 1983.