Answer the question at the end by quoting:

Gaelic Ireland (Irish: Eire Ghaidhealach) was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time. For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry.
Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a leine (a loose-fitting, long-sleeved tunic made of linen). For men the leine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The leine was hitched up to knee level. (Gaelicattire.com) Women wore the leine at full length. Men sometimes wore tight-fitting trews (Gaelic triubhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles.  Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair--for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life.  Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied - the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times.

Any other distinction for the women?

Women invariably grew their hair long and, as in other European cultures, this custom was also



Answer the question at the end by quoting:

Frankie Goes to Hollywood (FGTH) were a British band formed in Liverpool, England, in 1980. The group was fronted by Holly Johnson (vocals), with Paul Rutherford (vocals), Peter Gill (drums, percussion), Mark O'Toole (bass guitar), and Brian Nash (guitar). The group's 1983 debut single "Relax" was banned by the BBC in 1984 while at number six in the charts and subsequently topped the UK Singles Chart for five consecutive weeks, going on to enjoy prolonged chart success throughout that year and ultimately becoming the seventh best-selling UK single of all time. It also won the 1985 Brit Award for Best British Single.
On the B-side to the group's first single, Johnson explained that the group's name derived from a page from The New Yorker magazine, featuring the headline "Frankie Goes Hollywood" and a picture of Frank Sinatra, although the magazine page Johnson referred to was actually a pop art poster by Guy Peellaert. The original group named "Frankie Goes to Hollywood" dates from 1980.  The nucleus of the group emerged from the late 1970s Liverpool punk scene. Lead singer Johnson had played bass with Big in Japan and had also released two solo singles. Local musicians Peter Gill (drums), Jed O'Toole (bass), and O'Toole's cousin Brian Nash (guitar) initially joined Johnson, calling themselves the Sons of Egypt. This line-up secured a number of small local gigs before disbanding.  The group was reprised when Johnson joined Mark O'Toole (bass) and Peter "Ped" Gill to form FGTH. During a particularly fluid period of personnel changes, Jed O'Toole joined FGTH on guitar, and a female vocalist, Sonia Mazumder, was also a band member for the first Frankie gig at the Leeds nightclub "The Warehouse", supporting Hambi & The Dance. Paul Rutherford - a member of the headline act who had also sung in seminal Liverpool punk band The Spitfire Boys - apparently got so caught up in Frankie's performance that he effectively replaced Mazumder that very night. The new all-male musical line-up subsequently toured locally with a leather-clad female duo known as "The Leatherpets" and managed to fund promotional videos and demos, despite being eventually turned down by both Arista Records and Phonogram Inc. In October 1982, the group recorded a John Peel Session for BBC Radio 1, comprising the originals "Krisco Kisses", "Two Tribes", "Disneyland", and "The World Is My Oyster". Around this time Jed O'Toole left the group, to be replaced by the returning Brian Nash.  In February 1983, the group was invited to record a video for "Relax" by the Channel 4 show The Tube at the Liverpool State Ballroom. After the broadcast, the Peel session was repeated on radio, and a new session recorded for the BBC, comprising "Welcome to the Pleasuredome", "The Only Star in Heaven" and "Relax". These performances, along with a repeat of the Tube video, convinced Trevor Horn to sign the group for his new label, ZTT Records, in May 1983.

What happened before her death?