input: On July 20, 2012 it was announced that Golovkin would defend his titles against European champion and The Ring's #10-rated middleweight Grzegorz Proksa (28-1, 21 KOs) on September 1 at the Turning Stone Casino in Verona, New York. The fight was televised on HBO in the United States and Sky Sports in the UK. Golovkin put on an impressive performance in his American debut by battering Proksa to a fifth-round TKO, which was Proksa's first loss by knockout. Proksa praised Golovkin's power, "The guy hits like a hammer. I tried everything, but it did not work. You have to give him credit, because he had a good handle on the situation and it was an honor to meet him in the ring." CompuBox Stats showed that Golovkin landed 101 of 301 punches thrown (34%) and Proksa landed 38 of his 217 thrown (18%).  In October, when the WBA (Super) middleweight champion Daniel Geale signed to fight Anthony Mundine in a rematch, the WBA stripped Geale of the title and named Golovkin the sole WBA champion at middleweight.  On November 30, 2012 it was announced that Golovkin would next fight The Ring's #9-rated light middleweight Gabriel Rosado (21-5, 13 KO) on the HBO Salido-Garcia card in the co-main event. on January 19, 2013. It was said that Golovkin would agree a catchweight of 158 pounds, two pounds below the middleweight limit. Rosado later rejected the proposal, stating he would fight at the full 160 pound limit.  Golovkin continued his stoppage-streak with a TKO victory over Rosado. The fight was halted when Rosado's corner threw in the towel to save Rosado, who was battered and bleeding heavily from his nose and left eye. At the time of the stoppage, Golovkin led on the judges' scorecards 60-54, 60-54, and 59-55. According to CompuBox Stats, Golovkin landed 208 of 492 punches thrown (42%) and Rosado landed only 76 of his 345 thrown (22%).

Answer this question "Did Golokin win?"
output: Golovkin continued his stoppage-streak with a TKO victory over Rosado.

input: Mies designed a series of four middle-income high-rise apartment buildings for developer Herbert Greenwald: the 860-880 (which was built between 1949 and 1951) and 900-910 Lake Shore Drive towers on Chicago's Lakefront. These towers, with facades of steel and glass, were radical departures from the typical residential brick apartment buildings of the time. Mies found their unit sizes too small for him, choosing instead to continue living in a spacious traditional luxury apartment a few blocks away. The towers were simple rectangular boxes with a non-hierarchical wall enclosure, raised on stilts above a glass-enclosed lobby.  The lobby is set back from the perimeter columns, which were exposed around the perimeter of the building above, creating a modern arcade not unlike those of the Greek temples. This configuration created a feeling of light, openness, and freedom of movement at the ground level that became the prototype for countless new towers designed both by Mies's office and his followers. Some historians argue that this new approach is an expression of the American spirit and the boundless open space of the frontier, which German culture so admired.  Once Mies had established his basic design concept for the general form and details of his tower buildings, he applied those solutions (with evolving refinements) to his later high-rise building projects. The architecture of his towers appears to be similar, but each project represents new ideas about the formation of highly sophisticated urban space at ground level. He delighted in the composition of multiple towers arranged in a seemingly casual non-hierarchical relation to each other.  Just as with his interiors, he created free flowing spaces and flat surfaces that represented the idea of an oasis of uncluttered clarity and calm within the chaos of the city. He included nature by leaving openings in the pavement, through which plants seem to grow unfettered by urbanization, just as in the pre-settlement environment.

Answer this question "What  material were they built from?"
output: These towers, with facades of steel and glass, were radical departures from the typical residential brick apartment buildings of the time.

input: Marguerite Annie Johnson was born in St. Louis, Missouri, on April 4, 1928, the second child of Bailey Johnson, a doorman and navy dietitian, and Vivian (Baxter) Johnson, a nurse and card dealer. Angelou's older brother, Bailey Jr., nicknamed Marguerite "Maya", derived from "My" or "Mya Sister". When Angelou was three and her brother four, their parents' "calamitous marriage" ended, and their father sent them to Stamps, Arkansas, alone by train, to live with their paternal grandmother, Annie Henderson. In "an astonishing exception" to the harsh economics of African Americans of the time, Angelou's grandmother prospered financially during the Great Depression and World War II because the general store she owned sold needed basic commodities and because "she made wise and honest investments".  Four years later, the children's father "came to Stamps without warning" and returned them to their mother's care in St. Louis. At the age of eight, while living with her mother, Angelou was sexually abused and raped by her mother's boyfriend, a man named Freeman. She told her brother, who told the rest of their family. Freeman was found guilty but was jailed for only one day. Four days after his release, he was murdered, probably by Angelou's uncles. Angelou became mute for almost five years, believing, as she stated, "I thought, my voice killed him; I killed that man, because I told his name. And then I thought I would never speak again, because my voice would kill anyone". According to Marcia Ann Gillespie and her colleagues, who wrote a biography about Angelou, it was during this period of silence when Angelou developed her extraordinary memory, her love for books and literature, and her ability to listen and observe the world around her.  Shortly after Freeman's murder, Angelou and her brother were sent back to their grandmother. Angelou credits a teacher and friend of her family, Mrs. Bertha Flowers, with helping her speak again. Flowers introduced her to authors such as Charles Dickens, William Shakespeare, Edgar Allan Poe, Douglas Johnson, and James Weldon Johnson, authors who would affect her life and career, as well as black female artists like Frances Harper, Anne Spencer, and Jessie Fauset.  When Angelou was 14, she and her brother moved in with their mother once again, who had since moved to Oakland, California. During World War II, Angelou attended the California Labor School. Before graduating, she worked as the first black female streetcar conductor in San Francisco. Three weeks after completing school, at the age of 17, she gave birth to her son, Clyde (who later changed his name to Guy Johnson).

Answer this question "how was her childhood"
output:
When Angelou was three and her brother four, their parents' "calamitous marriage" ended, and their father sent them to Stamps, Arkansas, alone by train, to live with their paternal grandmother,