IN: Marvin Neil Simon (born July 4, 1927) is an American playwright, screenwriter and author. He has written more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer. Simon grew up in New York during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood.

Simon's characters are typically portrayed as "imperfect, unheroic figures who are at heart decent human beings", according to Koprince, and she traces Simon's style of comedy to that of Menander, a playwright of ancient Greece. Menander, like Simon, also used average people in domestic life settings, the stories also blending humor and tragedy into his themes. Many of Simon's most memorable plays are built around two-character scenes, as in segments of California Suite and Plaza Suite.  Before writing, Simon tries to create an image of his characters. He says that the play, Star Spangled Girl which was a box-office failure, was "the only play I ever wrote where I did not have a clear visual image of the characters in my mind as I sat down at the typewriter." Simon considers "character building" as an obligation, stating that the "trick is to do it skillfully". While other writers have created vivid characters, they have not created nearly as many as Simon: "Simon has no peers among contemporary comedy playwrights," states biographer Robert Johnson.  Simon's characters often amuse the audience with sparkling "zingers," believable due to Simon's skill with writing dialogue. He reproduces speech so "adroitly" that his characters are usually plausible and easy for audiences to identify with and laugh at. His characters may also express "serious and continuing concerns of mankind ... rather than purely topical material". McGovern notes that his characters are always impatient "with phoniness, with shallowness, with amorality", adding that they sometimes express "implicit and explicit criticism of modern urban life with its stress, its vacuity, and its materialism." However, Simon's characters will never be seen thumbing his or her nose at society."

How does he come up with ideas for his characters?

OUT: Before writing, Simon tries to create an image of his characters.

Answer the question at the end by quoting:

Larsson was born in Helsingborg, Scania. His father, Francisco Rocha, is from Cape Verde, and his mother, Eva Larsson, is Swedish. His parents, who never married and split up when he was 12, decided that he should take his mother's surname because they felt it would make it easier for their son to be accepted in Sweden. He credits his father for his love of football.
Shortly after rejoining Helsingborg, Larsson was signed on loan by Manchester United from 1 January until 12 March 2007, coinciding with the Allsvenskan's off-season. He scored on his debut against Aston Villa in the FA Cup third round on 7 January 2007 at Old Trafford. Larsson scored his first ever FA Premier League goal on 31 January in a 4-0 win over Watford.  While United were eager to extend the loan deal, Larsson stated that he had made a promise to his family and his club to return on 12 March. This was confirmed on 20 February, when Larsson announced that he would not be extending his loan period. Despite this, Sir Alex Ferguson was full of praise for the striker, who scored 3 goals in 13 matches in all competitions during his three-month stay, saying, "He's been fantastic for us, his professionalism, his attitude, everything he's done has been excellent." "We would love him to stay but, obviously, he has made his promise to his family and Helsingborg and I think we should respect that - but I would have done anything to keep him." Larsson scored Manchester United's only goal in their win against Lille at Old Trafford in the Champions League. He made his final appearance for United on 10 March in an FA Cup sixth round tie away to Middlesbrough, ending in a 2-2 draw.  Manchester United won the Premier League two months after Larsson had left the club, and although he had not played the required quota of ten league games to qualify for a Premier League winners medal, he, alongside Alan Smith, was granted special dispensation by the Premier League after the club requested extra medals for the two.  Larsson's last appearance at Old Trafford in fact came against United, the day after his loan with the club expired, as captain for a Europe XI team in the UEFA Celebration Match. Larsson received a standing ovation from the home fans upon being substituted for Liverpool player Robbie Fowler.

Did he help them win matches ?

Despite this, Sir Alex Ferguson was full of praise for the striker, who scored 3 goals in 13 matches in all competitions during his three-month stay,

input: The original Iron Man title explored Cold War themes, as did other Stan Lee projects in the early years of Marvel Comics. Where The Fantastic Four and The Incredible Hulk respectively focused on American domestic and government responses to the Communist threat, Iron Man explored industry's role in the struggle. Tony Stark's real-life model, Howard Hughes, was a significant defense contractor who developed new weapons technologies. Hughes was an icon both of American individualism and of the burdens of fame.  Historian Robert Genter, in The Journal of Popular Culture, writes that Tony Stark specifically presents an idealized portrait of the American inventor. Where earlier decades had seen important technological innovations come from famous individuals (e.g., Nikola Tesla, Thomas Edison, Alexander Graham Bell, the Wright brothers), the 1960s saw new technologies (including weapons) being developed mainly by the research teams of corporations. As a result, little room remained for the inventor who wanted credit for, and creative and economic control over, his/her own creations.  Issues of entrepreneurial autonomy, government supervision of research, and ultimate loyalty figured prominently in early Iron Man stories -- the same issues affecting American scientists and engineers of that era. Tony Stark, writes Genter, is an inventor who finds motive in his emasculation as an autonomous creative individual. This blow is symbolized by his chest wound, inflicted at the moment he is forced to invent things for the purposes of others, instead of just himself. To Genter, Stark's transformation into Iron Man represents Stark's effort to reclaim his autonomy, and thus his manhood. The character's pursuit of women in bed or in battle, writes Genter, represents another aspect of this effort. The pattern finds parallels in other works of 1960s popular fiction by authors such as "Ian Fleming (creator of James Bond), Mickey Spillane (Mike Hammer), and Norman Mailer, who made unregulated sexuality a form of authenticity."

Answer this question "And what are some of the other themes?"
output:
Historian Robert Genter, in The Journal of Popular Culture, writes that Tony Stark specifically presents an idealized portrait of the American inventor.