Background: Arashi (Lan , lit. Storm) is a Japanese boy band consisting of five members formed under the Johnny & Associates talent agency. The members are Ohno Satoshi, Sakurai Sho, Aiba Masaki, Ninomiya Kazunari, and Matsumoto Jun. Arashi officially formed on September 15, 1999, in Honolulu, Hawaii, and made their debut CD on November 3, 1999. The group was initially signed to Pony Canyon and released one studio album and six singles--beginning with their 1999 eponymous debut single before moving to the Johnny's subsidiary label J Storm in 2001, which was initially set up for their succeeding releases.
Context: Arashi began 2002 by releasing their first single under J Storm. "A Day in Our Life" was used as the theme song for Sakurai's comedy drama Kisarazu Cat's Eye and debuted atop of the Oricon weekly singles chart selling 226,480 copies. Their subsequent releases of the year, "Nice na Kokoroiki" and "Pikanchi", were used as the theme songs for the anime Kochira Katsushika-ku Kameari Koen-mae Hashutsujo and Arashi's movie Pikanchi Life is Hard Dakedo Happy (pikanchi Life is HarddakedoHappy, Pikanchi Life is Hard But Happy) respectively.  Starting in 2003, the group would only release two singles every year until 2007. Both singles released in 2003, "Tomadoi Nagara" and "Hadashi no Mirai/Kotoba Yori Taisetsu na Mono", debuted at number two on the charts. The song "Kotoba Yori Taisetsu na Mono" marked the first time a member contributed to the penning of a single, as many of the group's songs are produced by other lyricists, composers, or musicians. Sakurai, who is the designated rapper of Arashi, has since written all the incorporated rap lyrics of the group's releases.  2004 was Arashi's fifth anniversary since debut. They began the year by releasing their twelfth single, "Pikanchi Double", in February as the theme song for their second movie Pikanchi Life is Hard Dakara Happy (pikanchi Life is HarddakaraHappy, Pikanchi Life is Hard Thus Happy). Selling 89,106 copies in the first week, it is Arashi's lowest-selling single to date. In celebration of their anniversary, the group released a greatest hits album 5x5 The Best Selection of 2002-2004, which included their second 2004 single "Hitomi no Naka no Galaxy/Hero".  In 2005, on New Year's Day, Arashi released their first concert DVD since How's It Going? in 2003 titled 2004 Arashi! Iza, Now Tour!!. From July 26 to August 24, they embarked on a summer tour titled One to support their album of the same name. One of the highlights of the tour included the live performance their first single of the year, "Sakura Sake", on top of "Johnny's Moving Stage" (ziyanizumubingusutezi, Janizu Mubingu Suteji), a transparent stage that travels over the top of the audience. Invented by Matsumoto, "Johnny's Moving Stage" has since been used in a majority of Arashi's concerts to allow them to move closer to the audience seated at a distance from the main stage. In November, Arashi released a theme song for the manga-based drama Hana Yori Dango, which starred Matsumoto as one of the lead actors. "Wish" went on to sell an estimated 178,000 copies in its first week and over 300,000 copies by the end of its chart run, making it their first single to sell over 300,000 copies in total in nearly three years since "A Day in Our Life" in 2002.
Question: Can you tell me something about the article?
Answer: a transparent stage that travels over the top of the audience.

Background: "Mr. Tambourine Man" is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.
Context: The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015.  The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror.  A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981.
Question: What do you think Dylan's marijuana use created?
Answer: