input: On his World 2007 tour, his scheduled concerts in Shanghai, Toronto, San Francisco, and Hawaii were canceled, followed by the last concert in Los Angeles. The last event at the Staples Center was canceled only two hours prior to opening: Rain's producer blamed the situation on financial problems of the local promoter, while the local promoter blamed Wellmade STAR M calling them too "incompetent to handle the situation".  On March 19, 2009, a federal jury in Honolulu found that Rain, his former management agency JYP Entertainment, and two other promotion companies were guilty of breaching a contract and defrauding Honolulu promoter Click Entertainment for $2 million (originally just over $1 million) after the Hawaii concert was canceled and the promoters were not refunded the $500,000 licensing fee. Rain and JYP were ordered to pay $2.4 million each in punitive damages, $1 million for damages related to the fraud, and $2.3 million for breach of contract.  A separate lawsuit filed by promoters Wellmade STAR M was dismissed by a South Korean court on January 28, 2010. Judge Bae Kwang-Kuk ruled in favor of Rain and blamed the plaintiff for poor preparations surrounding the canceled U.S. tour.  In April 2010, Rain and other J. Tune Creative shareholders were accused of embezzling money from the company by a fabric manufacturing company. The company claimed they suffered financial losses. Rain and the shareholders were acquitted of the charges in December of that year. He was re investigated in September 2011 after a discrepancy was found, but was later acquitted again in June 2013.

Answer this question "Who was this person"
output: A separate lawsuit filed by promoters Wellmade STAR M was dismissed by a South Korean court on January 28, 2010.

input: Attention in recent decades to women of the medieval Church has led to a great deal of popular interest in Hildegard's music. In addition to the Ordo Virtutum, sixty-nine musical compositions, each with its own original poetic text, survive, and at least four other texts are known, though their musical notation has been lost. This is one of the largest repertoires among medieval composers.  One of her better known works, Ordo Virtutum (Play of the Virtues), is a morality play. It is uncertain when some of Hildegard's compositions were composed, though the Ordo Virtutum is thought to have been composed as early as 1151. The morality play consists of monophonic melodies for the Anima (human soul) and 16 Virtues. There is also one speaking part for the Devil. Scholars assert that the role of the Devil would have been played by Volmar, while Hildegard's nuns would have played the parts of Anima and the Virtues.  In addition to the Ordo Virtutum, Hildegard composed many liturgical songs that were collected into a cycle called the Symphonia armoniae celestium revelationum. The songs from the Symphonia are set to Hildegard's own text and range from antiphons, hymns, and sequences, to responsories. Her music is described as monophonic, that is, consisting of exactly one melodic line. Its style is characterized by soaring melodies that can push the boundaries of the more staid ranges of traditional Gregorian chant. Though Hildegard's music is often thought to stand outside the normal practices of monophonic monastic chant, current researchers are also exploring ways in which it may be viewed in comparison with her contemporaries, such as Hermannus Contractus. Another feature of Hildegard's music that both reflects twelfth-century evolutions of chant and pushes those evolutions further is that it is highly melismatic, often with recurrent melodic units. Scholars such as Margot Fassler, Marianne Richert Pfau, and Beverly Lomer also note the intimate relationship between music and text in Hildegard's compositions, whose rhetorical features are often more distinct than is common in twelfth-century chant. As with all medieval chant notation, Hildegard's music lacks any indication of tempo or rhythm; the surviving manuscripts employ late German style notation, which uses very ornamental neumes. The reverence for the Virgin Mary reflected in music shows how deeply influenced and inspired Hildegard of Bingen and her community were by the Virgin Mary and the saints.  The definition of viriditas or "greenness" is an earthly expression of the heavenly in an integrity that overcomes dualisms. This greenness or power of life appears frequently in Hildegard's works.  Despite Hildegard's self-professed view that her compositions have as object the praise of God, one scholar has asserted that Hildegard made a close association between music and the female body in her musical compositions. According to him, the poetry and music of Hildegard's Symphonia would therefore be concerned with the anatomy of female desire thus described as Sapphonic, or pertaining to Sappho, connecting her to a history of female rhetoricians.

Answer this question "What else did she do"
output: Scholars such as Margot Fassler, Marianne Richert Pfau, and Beverly Lomer also note the intimate relationship between music and text in Hildegard's compositions,

input: The Atkins sisters, born Erica Monique and Trecina Evette, grew up in a large family with seven siblings in Inglewood, California. Their mother, Thomasina Atkins, is an evangelist and choir director at the Church of God in Christ. Their father, Eddie A. Atkins, was also a member of the Church of God In Christ, and a youth counselor, before he died in 2013.  Due to their proximity in age, the two sisters grew up closer to one another than to any of their siblings: Darrell Atkins (born 1965, the only living boy- the second boy died as a child), Maliea Atkins (born 1967), Erica (born 1972), Tina (born 1974), Delisa Atkins-Brown (born 1977), Thomasina Atkins (born 1979), Alana Atkins-Jamison (born 1985), and Shanta Atkins (born 1986). Later, they would work creatively with over half of their siblings; Thomasina, Alana, Delisa and Shanta Atkins all sing background on Mary Mary's albums and during stage performances and Delisa was originally a member of the group but left before they started recording professionally due to pursuing college. Eventually, all eight Atkins children united on the Bobby Jones Gospel show on BET.  During this time, Erica and Trecina entered the world of church choirs, traveling gospel shows, and television productions. The sisters enrolled at El Camino College to study voice. There they encountered the division between rigorous academic study of music versus the popular musical world. "We had to study classical and sing arias, which was fine," Erica told Times, "but the teachers would tell us if we sang anything else it would damage our instrument." In 1995 the two toured with Michael Matthews' traveling gospel shows, Mama I'm Sorry and Sneaky. Each sister subsequently toured as a backup singer for a variety of R&B acts, including Brandy.

Answer this question "What is their father's profession?"
output:
Their father, Eddie A. Atkins, was also a member of the Church of God In Christ, and a youth counselor, before he died in 2013.