input: On February 26, 2014, Combs premiered "Big Homie", featuring Rick Ross and French Montana, as the first single from his mixtape MMM (Money Making Mitch), which was originally scheduled to be released that year. The song was released for digital download on March 24, and two days later the trailer for the music video was released. The full version of the music video was released on March 31. Combs used his former stage name Puff Daddy for the album. MMM was released as a free mixtape album of 12 tracks on November 4, 2015. In 2014 Combs and Guy Gerber announced that their joint album 11 11 would be available for free download. A new single called "Finna Get Loose" featuring Combs and Pharrell Williams was released on June 29, 2015.  In July 2015, Bad Boy Entertainment artist Gizzle told the press that she is collaborating with Combs on what she describes as his last album, titled No Way Out 2, a sequel to his 1997 debut. She describes the music as unique: "The mindset is to just be classic and to be epic. And to really live up to that ... we know it's a tall order, but we welcome the challenge." In April 2016, Combs announced that after this last album and tour, he plans to retire from the music industry to focus on acting.  On May 20 and 21, 2016, Combs launched a tour of Bad Boy Records' biggest names to celebrate the 20th anniversary of the label. The documentary Can't Stop, Won't Stop: A Bad Boy Story, covering the two shows at the Barclays Center in Brooklyn as well as behind-the-scenes events, was released on June 23, 2017. The show toured to an additional twenty venues across the United States and Canada.  On November 5, 2017, Combs announced that he would be going by the name Love, stating "My new name is Love, aka Brother Love". Two days later, he told the press he had been joking, but on January 3, 2018, he announced on Jimmy Kimmel Live! that he had changed his mind again, and will be using the new name after all.

Answer this question "Movie or album?"
output: as his last album, titled No Way Out 2,

input: Ernest Miller Hemingway was born on July 21, 1899, in Oak Park, Illinois, a suburb of Chicago. His father, Clarence Edmonds Hemingway, was a physician, and his mother, Grace Hall Hemingway, was a musician. Both were well-educated and well-respected in Oak Park, a conservative community about which resident Frank Lloyd Wright said, "So many churches for so many good people to go to". For a short period after their marriage, Clarence and Grace Hemingway lived at first with Grace's father, Ernest Hall, their first son's namesake. Later, Ernest Hemingway would say that he disliked his name, which he "associated with the naive, even foolish hero of Oscar Wilde's play The Importance of Being Earnest". The family eventually moved into a seven-bedroom home in a respectable neighborhood with a music studio for Grace and a medical office for Clarence.  Hemingway's mother frequently performed in concerts around the village. As an adult, Hemingway professed to hate his mother, although biographer Michael S. Reynolds points out that Hemingway mirrored her energy and enthusiasm. Her insistence that he learn to play the cello became a "source of conflict", but he later admitted the music lessons were useful to his writing, as is evident in the "contrapuntal structure" of For Whom the Bell Tolls. The family spent summers at Windemere on Walloon Lake, near Petoskey, Michigan. Hemingway's father taught him to hunt, fish, and camp in the woods and lakes of Northern Michigan as a young boy, early experiences in nature that instilled a passion for outdoor adventure and living in remote or isolated areas.  From 1913 until 1917, Hemingway attended Oak Park and River Forest High School. He took part in a number of sports--boxing, track and field, water polo, and football. He excelled in English classes, and with his sister Marcelline, performed in the school orchestra for two years. During his junior year he had a journalism class, structured "as though the classroom were a newspaper office", with better writers submitting pieces to the school newspaper, The Trapeze. Hemingway and Marcelline both had pieces submitted; Hemingway's first piece, published in January 1916, was about a local performance by the Chicago Symphony Orchestra. He edited the Trapeze and the Tabula (the yearbook), imitating the language of sportswriters, taking the pen name Ring Lardner, Jr.--a nod to Ring Lardner of the Chicago Tribune whose byline was "Line O'Type".  Like Mark Twain, Stephen Crane, Theodore Dreiser and Sinclair Lewis, Hemingway was a journalist before becoming a novelist; after leaving high school he went to work for The Kansas City Star as a cub reporter. Although he stayed there for only six months, he relied on the Star's style guide as a foundation for his writing: "Use short sentences. Use short first paragraphs. Use vigorous English. Be positive, not negative."

Answer this question "Did he ever marry?"
output: 

input: The 1960-61 season began with McKenzie's third first-class match, against the West Indies. He did not bowl in the first innings but took 4/41 in the second to seal a 94 run win, prompting West Indies captain Frank Worrell to predict a bright future.  Further strong performances during the Shield season saw him selected at age 19 for the 1961 Ashes tour under Richie Benaud. Following an injury to Benaud, Australia replaced him with a third seamer, allowing McKenzie to make his debut in the Second Test at Lord's during the "Battle of the Ridge". In his first innings, he made 34 on his twentieth birthday batting at number 10 on a difficult pitch. The last two wickets added 102 and Australia gained a lead of 134. In England's second innings, McKenzie captured the prized wickets of Ted Dexter and Peter May, and took the last three wickets in twelve balls to give 5/37 on debut. Australia went on to win by five wickets. After losing the Third Test at Headingley, Australia won the fourth Test at Old Trafford with McKenzie again making a valuable contribution with the bat. With a lead of only 177 with nine wickets down in the second innings, McKenzie joined Alan Davidson. He held his end for 32 runs while Davidson's powerful hitting saw 98 added for Australia's highest tenth wicket partnership on English soil. This allowed Benaud to bowl Australia to victory on the final day. The youngest member of the touring party, McKenzie was one of eight bowlers to take at least fifty wickets.  When Dexter's Englishmen toured Australia in 1962-63, McKenzie was promoted to share the new ball with Davidson. Playing in all five Tests, he did not trouble the batsmen to the same extent as his partner, taking 20 wickets for 30.95. He was noted for his ability to contain the opposition by bowling long spells. Davidson retired at the end of the series and McKenzie became the pace spearhead when South Africa toured in 1963-64. He was Australia's leading bowler with 16 wickets at 43.06. In the Third Test in Sydney, he hit his highest Test score of 76.

Answer this question "Are there any other interesting aspects about this article?"
output:
In his first innings, he made 34 on his twentieth birthday batting at number 10 on a difficult pitch.