Some context: Stewart Armstrong Copeland was born in Alexandria, Virginia on July 16, 1952, the youngest of four children of CIA officer Miles Copeland, Jr. and Scottish archaeologist Lorraine Adie. The family moved to Cairo, Egypt, a few months after his birth, and Copeland spent his formative years in the Middle East. In 1957, his family moved to Beirut, Lebanon, and Copeland attended the American Community School there. He started taking drum lessons at age 12 and was playing drums for school dances within a year.
In late 1976, Copeland founded the Police with lead singer-bass guitarist Sting and guitarist Henry Padovani (who was soon replaced by Andy Summers), and they became one of the top bands of the 1980s. The Police's early track list was mostly made of Copeland's compositions, including the band's first single "Fall Out" (Illegal Records, 1977) and the B side "Nothing Achieving". Though Copeland's songwriting contribution was reduced to a couple of songs per album as Sting started writing more material, he continued to co-arrange all the Police's songs with his two bandmates. Amongst Copeland's most notable songs are "On Any Other Day" (where he sang lead vocals too), "Does Everyone Stare" (later to be used as the title of his documentary on the band Everyone Stares: The Police Inside Out), "Contact", "Bombs Away", "Darkness" and "Miss Gradenko". Copeland also co-wrote a number of songs with Sting, including "Peanuts", "Landlord", "It's Alright for You" and "Re-Humanize Yourself".  Copeland also recorded under the pseudonym Klark Kent, releasing several UK singles in 1978 with one ("Don't Care") entering the UK Singles Chart that year, along with an eponymously titled 10-inch album on green vinyl released in 1980. Recorded at Nigel Gray's Surrey Sound Studio, Copeland played all the instruments and sang the lead vocals himself. Kent's "Don't Care", which peaked at #48 UK in August 1978, actually predates the first chart single by the Police by several months ("Can't Stand Losing You", issued in October 1978) as "Don't Care" was released in early June 1978. In 1982 Copeland was involved in the production of a WOMAD benefit album called Music and Rhythm. Copeland's score for Rumble Fish secured him a Golden Globe nomination in 1983. The film, directed and produced by Francis Ford Coppola from the S. E. Hinton novel, also had a song released to radio on A&M Records "Don't Box Me In" (UK Singles Chart n. 91)--a collaboration between Copeland and singer/songwriter Stan Ridgway, leader of the band Wall of Voodoo--that received significant airplay upon release of the film that year.  The Police stopped touring in 1984, and during this brief hiatus he released a solo album, The Rhythmatist. The record was the result of a pilgrimage to Africa and its people, and it features local drums and percussion, with more drums, percussion, other musical instruments and occasional lead vocals added by Copeland. The album was the official soundtrack to the movie of the same name, which was co-written by Stewart. He also starred in the film, which is "A musical odyssey through the heart of Africa in search of the roots of rock & roll." (Copeland is seen playing the drums in a cage with lions surrounding him.)  The band attempted a reunion in 1986, but the project fell apart.
When did they release their debut album?
A: 1977
Some context: The Olmecs were the earliest known major civilization in Mexico following a progressive development in Soconusco. They lived in the tropical lowlands of south-central Mexico, in the present-day states of Veracruz and Tabasco. It has been speculated that the Olmecs derive in part from neighboring Mokaya or Mixe-Zoque. The Olmecs flourished during Mesoamerica's formative period, dating roughly from as early as 1500 BCE to about 400 BCE. Pre-
The beginnings of Olmec civilization have traditionally been placed between 1400 and 1200 BCE. Past finds of Olmec remains ritually deposited at El Manati shrine (near San Lorenzo) moved this back to "at least" 1600-1500 BCE. It seems that the Olmec had their roots in early farming cultures of Tabasco, which began between 5100 BCE and 4600 BCE. These shared the same basic food crops and technologies of the later Olmec civilization.  What is today called Olmec first appeared fully within the city of San Lorenzo Tenochtitlan, where distinctive Olmec features occurred around 1400 BCE. The rise of civilization was assisted by the local ecology of well-watered alluvial soil, as well as by the transportation network provided by the Coatzacoalcos River basin. This environment may be compared to that of other ancient centers of civilization: the Nile, Indus, and Yellow River valleys, and Mesopotamia. This highly productive environment encouraged a densely concentrated population, which in turn triggered the rise of an elite class. The elite class created the demand for the production of the symbolic and sophisticated luxury artifacts that define Olmec culture. Many of these luxury artifacts were made from materials such as jade, obsidian, and magnetite, which came from distant locations and suggest that early Olmec elites had access to an extensive trading network in Mesoamerica. The source of the most valued jade was the Motagua River valley in eastern Guatemala, and Olmec obsidian has been traced to sources in the Guatemala highlands, such as El Chayal and San Martin Jilotepeque, or in Puebla, distances ranging from 200 to 400 km (120-250 miles) away, respectively.  The state of Guerrero, and in particular its early Mezcala culture, seem to have played an important role in the early history of Olmec culture. Olmec-style artifacts tend to appear earlier in some parts of Guerrero than in the Veracruz-Tabasco area. In particular, the relevant objects from the Amuco-Abelino site in Guerrero reveal dates as early as 1530 BCE. The city of Teopantecuanitlan in Guerrero is also relevant in this regard.
How did they start
A:
These shared the same basic food crops and technologies of the later Olmec civilization.