Problem: Background: Horslips are an Irish Celtic rock band that compose, arrange and perform songs frequently inspired by traditional Irish airs, jigs and reels. The group are regarded as 'founding fathers of Celtic rock' for their fusion of traditional Irish music with rock music and went on to inspire many local and international acts. They formed in 1970 and 'retired' in 1980 for an extended period. The name originated from a spoonerism on The Four Horsemen of the Apocalypse which became "The Four Poxmen of The Horslypse".
Context: Johnny Fean continued to play live music with Stephen Travers, formerly of The Miami Showband.  After his retirement, Eamon Carr went on to become a producer of young rock talent in the mid-1980s, and also forming his own record label called Hotwire (which sponsored noted acts such as the punk rock group The Golden Horde). He also did a number of specialist DJ slots on radio before morphing into a music/sports journalist with the Evening Herald in Dublin. More recently he presented on a Dublin station 'Carr's Cocktail Shack' in which he played American music of the 1950s and 1960s. In 2008, Carr and Henry McCullough co-wrote a new bunch of songs. A resulting album entitled Poor Man's Moon was released on 1 September 2008. Also in 2008, Carr released his first book, The Origami Crow, Journey Into Japan, World Cup Summer 2002, a book that is at once a travel log about his journey to Japan, a poetry collection, an homage to Japanese poet Basho, heralded by many as the creator of Haiku, and also has some sports commentary thrown in.  Barry Devlin directed for the screen and been a drama writer for radio and screen, as can be seen from his credits on the IMDB and for the radio detective drama Baldi He produced a number of U2 videos in the mid-1980s. Examples of his screen writing are evident in the joint RTE/BBC production Ballykissangel and ITV's The Darling Buds of May.  Jim Lockhart is head of production at RTE 2fm and has also done some production work and music arrangement.  Charles O'Connor owns two antique shops in Whitby, England. O'Connor continued to record folk and traditional music in his home recording studio.
Question: Who was in the group horslips when they furthered the activities?
Answer: After his retirement, Eamon Carr went on to become a producer of young rock talent in the mid-1980s,

Problem: Background: Marc Alexander Hunter was born in Taumarunui on 7 September 1953. In the late 1950s his family performed publicly where his father, Stuart, played saxophone, his mother, Voi, on piano and his older brother, Todd Hunter (born 1951), on guitar with Marc providing drums. He also grew up with two younger brothers, Ross and Brett. Hunter remembered, "We got guitars for Christmas one year, I broke mine but Todd played his.
Context: Marc Hunter travelled overseas to recuperate, he visited Morocco and London. Back in Australia he signed a recording deal with CBS, which issued his debut solo album, Fiji Bitter, in November 1979. For the sessions he used Todd on bass guitar, John Annas on drums (ex-Kevin Borich Express), Harvey James on guitar (from Sherbet), and Terry Wilson on guitar (ex-Original Batter-sea Heroes, Wasted Daze).  Fiji Bitter was recorded at Studio 301, Sydney with Richard Lush producing and engineering - Hunter wrote or co-wrote most of its tracks. The album's lead single, "Island Nights" (July), peaked at No. 20. He formed Marc Hunter and the Romantics, with Annas and James, to promote the album. Two more singles, "Don't Take Me" (November) and "When You Walk in the Room" (January 1980), appeared - neither reached the top 50.  In 1980 Hunter, on lead vocals, formed an R&B group in Sydney, the Headhunters, with Todd on bass guitar (by then ex-Dragon), Kevin Borich on guitar, Mick Cocks on guitar (ex-Rose Tattoo), John Watson on drums (ex-Kevin Borich Express). Australian musicologist, Ian McFarlane, described them as "an ad hoc aggregation of musicians who were drawn together by a love of playing raucous R&B".  Hunter resumed his solo career with his second album, Big City Talk, which appeared in August 1981 on PolyGram/Mercury labels. It was co-produced by Hunter and Todd. Debbie Muir of The Canberra Times, felt it "covered a wide range of material that bore some resemblance to his last album, Fiji Bitter, but was totally different to his old, Dragon days." He had used session musicians: Borich, Dave Mason (of The Reels) and Mark Punch (ex-Renee Geyer Band). Muir's fellow journalist at The Canberra Times, Garry Raffaele, opined that it "is flat, directionless, unexciting, effete rock and roll. It is devoid of feeling."  On working as a solo artist, he declared, "I am happier now on my own. I was in a wretched state of mind when I was in the band... I miss the camaraderie involved but then I prefer to make my own decisions." The title track, "Big City Talk", was released as a single in July and reached No. 25. Follow up singles, "(Rock'n'Roll is) a Loser's Game" (September), "Side Show" (November) and "Nothing but a Lie" (May 1982) did not chart. In 1981 he formed the Marc Hunter Band and in October they toured Australia with Renee Geyer; the set included a duet by Hunter and Geyer. During 1982 Hunter was working with US-born keyboardist and record producer, Alan Mansfield. In March of that year he was arrested for "$4500 in unpaid parking fines", he described his jail cell as "unbelievably filthy."
Question: Were there any singles released from Fiji Bitter?
Answer:
The album's lead single, "Island Nights" (July), peaked at No. 20.