Question:
Depeche Mode are an English electronic band formed in Basildon, Essex in 1980. The group consists of founders Dave Gahan (lead vocals, co-songwriting), Martin Gore (keyboards, guitar, chief songwriting), and Andy Fletcher (keyboards). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke, left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year.
During the touring and promotion for Speak & Spell, Clarke privately began to voice his discomfort at the direction the band was taking. He later expressed his dissatisfaction, saying "there was never enough time to do anything. Not with all the interviews and photo sessions". In November 1981, Clarke publicly announced that he was leaving Depeche Mode. It was also claimed that Clarke was sick of touring, which Gahan said years later was "bullshit to be quite honest". Gahan went on to say he "suddenly lost interest in it and he started getting letters from fans asking what kind of socks he wore".  Soon afterwards, Clarke joined up with blues singer Alison Moyet to form Yazoo (or Yaz in the United States). Initial talk of Clarke's continuing to write material for Depeche Mode ultimately amounted to nothing. According to third-party sources, Clarke offered the remaining members of Depeche Mode the track "Only You", but they declined. Clarke, however, denied in an interview that such an offer ever took place saying, "I don't know where that came from. That's not true." The song went on to become a UK Top 3 hit for Yazoo. Gore, who had written "Tora! Tora! Tora!" and the instrumental "Big Muff" for Speak & Spell, became the band's main lyricist.  In late 1981, the band placed an anonymous ad in Melody Maker looking for another musician: "Name band, synthesise, must be under twenty-one." Alan Wilder, a classically trained keyboardist from West London, responded and, after two auditions and despite being 22 years old, was hired in early 1982, initially on a trial basis as a touring member. Wilder would later be called the "Musical Director" of the band, responsible for the band's sound until his departure in 1995. As producer Flood would say, "[Alan] is sort of the craftsman, Martin's the idea man and [Dave] is the attitude."  In January 1982, the band released "See You", their first single without Clarke, which managed to beat all three Clarke-penned singles in the UK charts, reaching number six. The following tour saw the band playing their first shows in North America. Two more singles, "The Meaning of Love" and "Leave in Silence," were released ahead of the band's second studio album, on which they began work in July 1982. Daniel Miller informed Wilder that he was not needed for the recording of the album, as the core trio wanted to prove they could succeed without Vince Clarke. A Broken Frame was released that September, and the following month the band began their 1982 tour. A non-album single, "Get the Balance Right!," was released in January 1983, the first Depeche Mode track to be recorded with Wilder.
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When Wilder joined, did anything about the band change?

Answer:
January 1982, the band released "See You", their first single without Clarke,


Question:
Bruno Latour (French: [latuR]; born 22 June 1947) is a French philosopher, anthropologist and sociologist. He is especially known for his work in the field of science and technology studies (STS). After teaching at the Ecole des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he became Professor at Sciences Po Paris (2006-2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017.
Latour's work Nous n'avons jamais ete modernes : Essais d'anthropologie symetrique was first published in French in 1991, and then in English in 1993 as We Have Never Been Modern.  Latour encouraged the reader of this anthropology of science to re-think and re-evaluate our mental landscape. He evaluated the work of scientists and contemplated the contribution of the scientific method to knowledge and work, blurring the distinction across various fields and disciplines.  Latour argued that society has never really been modern and promoted nonmodernism (or amodernism) over postmodernism, modernism, or antimodernism. His stance was that we have never been modern and minor divisions alone separate Westerners now from other collectives. Latour viewed modernism as an era that believed it had annulled the entire past in its wake. He presented the antimodern reaction as defending such entities as spirit, rationality, liberty, society, God, or even the past. Postmoderns, according to Latour, also accepted the modernistic abstractions as if they were real. In contrast, the nonmodern approach reestablished symmetry between science and technology on the one hand and society on the other. Latour also referred to the impossibility of returning to premodernism because it precluded the large scale experimentation which was a benefit of modernism.  Latour attempted to prove through case studies the fallacy in the old object/subject and Nature/Society compacts of modernity, which can be traced back to Plato. He refused the concept of "out there" versus "in here". He rendered the object/subject distinction as simply unusable and charted a new approach towards knowledge, work, and circulating reference. Latour considered nonmoderns to be playing on a different field, one vastly different than that of post-moderns. He referred to it as much broader and much less polemical, a creation of an unknown territory, which he playfully referred to as the Middle Kingdom.  In 1998, historian of science Margaret C. Jacob argued that Latour's politicized account of the development of modernism in the 17th century is "a fanciful escape from modern Western history".
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Was this his best known work?

Answer:
Latour attempted to prove through case studies the fallacy in the old object/subject and Nature/Society compacts of modernity, which can be traced back to Plato.