Problem: Steven Siro Vai (; born June 6, 1960) is an American guitarist, composer, singer, songwriter, and producer. He was voted the "10th Greatest Guitarist" by Guitar World magazine, and has sold over 15 million records. A three-time Grammy Award winner and fifteen-time nominee, Vai started his music career in 1978 at the age of 18 as a transcriptionist for Frank Zappa, and joined his band from 1980 to 1983. He embarked on a solo career in 1983 and has released eight solo albums to date.

Steve Vai, a descendant of Italian immigrants, was born in Carle Place, New York on June 6, 1960. He is the fourth son of John and Theresa Vai. He described his first experiences with music as, "at the age of five I walked up to [a] piano, hit a note, and noticed that to the right the notes go higher and to the left the notes go lower. In that very moment, I had a full-on epiphany. I was flooded with the instinctual realization of how music was created and how it worked from a theoretical standpoint--the whole language of music was very obvious. I also understood immediately, instinctually, and unequivocally something that has only deepened through the years that the creation of music is an infinite personal expression. I realized that I could do this, I could make music, and it could be whatever I want."  It was a year later, at the age of six, that Vai experienced his first introduction to the guitar, remembering that, "I saw this nine-year-old boy playing the guitar in my grade school auditorium, and that was another epiphany that I had. It was my first recognition of the instrument. When I saw that guitar and I saw this kid playing it, I knew instinctually that I was going to play the guitar someday, and that it would be my instrument. Don't ask me how I knew, I just knew. It was the coolest thing I had ever seen."  As a young child, Vai was influenced by the music his parents had listened to. One album in particular that he cites as his "musical awakening" was the original motion picture soundtrack to the 1961 film West Side Story. At age eleven, Vai was introduced to the contemporary rock and progressive music of the era, and after hearing the guitar solo to Led Zeppelin's "Heartbreaker" at age twelve, decided to begin playing the guitar.  In 1973, Vai began to take guitar lessons from fellow New York native Joe Satriani, and played in local bands (The Ohio Express, Circus, and Rayge) throughout his high school years. Vai cites artists such as Jimmy Page, Brian May, Ritchie Blackmore, Jeff Beck, Jimi Hendrix, as well as jazz fusion guitarists Allan Holdsworth and Al Di Meola as some of his major influences in that time period. In 1978, to further pursue his interest in music composition and theory, Vai attended Berklee College of Music in Boston, Massachusetts. While at Berklee, Vai began working for Frank Zappa as a transcriptionist, and in the middle of his fourth semester, moved to California to start his career as a session and touring artist for Zappa. Also while at Berklee, Vai met his future spouse Pia Maiocco, with whom he has been together since; they have two children. In 2000, Vai was awarded an Honorary Doctorate of Music from Berklee.

What are his children's names?

Answer with quotes: 


Problem: Howard Brush Dean III (born November 17, 1948) is an American physician, author and retired politician who served as the 79th Governor of Vermont from 1991 to 2003 and Chair of the Democratic National Committee (DNC) from 2005 to 2009. Dean was a candidate for the Democratic nomination in the 2004 presidential election. His implementation of the fifty-state strategy as head of the DNC is credited with the Democratic victories in the 2006 and 2008 elections. Afterward, he became a political commentator and consultant to McKenna Long & Aldridge, a law and lobbying firm.

Dean graduated from Yale University with a Bachelor of Arts in political science in 1971. As a freshman, he requested specifically to room with an African-American. The university housing office complied and Dean roomed with two Southern black students and one white student from Pennsylvania. One of Dean's roommates was Ralph Dawson, the son of a sheet metal worker in Charleston, South Carolina and today a New York City labor lawyer. Dawson said of Dean:  Unless you operated from a stereotypic understanding of the Yale white boy as rich, you wouldn't know that about Howard.... When it came to race- and I don't know whether this was a function of intent or just came naturally- Howard was not patronizing in any way. He was willing to confront in discussion what a lot of white students weren't. He would hold his ground. He would respect that I knew forty-two million times more about being black than he did. But that didn't mean he couldn't hold a view on something relating to civil rights that would be as valid as mine. There were lots of well-meaning people at Yale who wanted you to understand that they understood your plight; you'd get into a conversation and they would yield too soon, so we didn't get the full benefit of the exchange. Howard very much thought he was capable of working an issue through. He was inquisitive. And when he came to a conclusion he would be as strong as anybody else. I don't think he's stubborn. He's a guy who's always been comfortable in his own skin. That's something you still see in him today, and it gets him into some degree of controversy.  Though eventually eligible to be drafted into the military, he received a deferment for an unfused vertebra. He explained to Tim Russert on Meet the Press, "I was really in no hurry to join the military." He briefly tried a career as a stockbroker before deciding on a career in medicine, completing pre-medicine classes at Columbia University. In 1974, Dean's younger brother Charlie, who had been traveling through southeast Asia at the time, was captured and killed by Laotian guerrillas, a tragedy widely reported to have an enormous influence in Dean's life; he wore his brother's belt every day of his presidential campaign.

What did Dean do at Yale?

Answer with quotes:
As a freshman, he requested specifically to room with an African-American.