Problem: Ivor Armstrong Richards (26 February 1893 - 7 September 1979), known as I. A. Richards, was an English educator, literary critic, and rhetorician whose work contributed to the foundations of the New Criticism, a formalist movement in literary theory, which emphasized the close reading of a literary text, especially poetry, in an effort to discover how a work of literature functions as a self-contained, self-referential aesthetic object. Richards' intellectual contributions to the establishment of the literary methodology of the New Criticism are presented in the books The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism (1923), by C. K. Ogden and I. A. Richards, Principles of Literary Criticism (1926), Practical Criticism (1929), and The Philosophy of Rhetoric (1936).

The life and intellectual influence of I. A. Richards approximately corresponds to his intellectual interests; many endeavours were in collaboration with the linguist, philosopher, and writer Charles Kay Ogden (C.K. Ogden), notably in four books:  I. Foundations of Aesthetics (1922) presents the principles of aesthetic reception, the bases of the literary theory of "harmony"; aesthetic understanding derives from the balance of competing psychological impulses. The structure of the Foundations of Aesthetics--a survey of the competing definitions of the term aesthetic--prefigures the multiple-definitions work in the books Basic Rules of Reason (1933), Mencius on the Mind: Experiments in Multiple Definition (1932), and Coleridge on Imagination (1934)  II. The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism (1923) presents the triadic theory of semiotics that depends upon psychological theory, and so anticipates the importance of psychology in the exercise of literary criticism. Semioticians, such as Umberto Eco, acknowledged that the methodology of the triadic theory of semiotics improved upon the methodology of the dyadic theory of semiotics presented by Ferdinand de Saussure (1857-1913).  III. Basic English: A General Introduction with Rules and Grammar (1930) and IV. the Times of India Guide to Basic English (1938) developed the Basic English program in effort to develop an international language, an interlanguage based upon a vocabulary of 850 English words.  Richards' travels, especially in China, effectively situated him as the advocate for an international program, such as Basic English. Moreover, at Harvard University, to his international pedagogy, the instructor I. A. Richards began to integrate the available new media for mass communications, especially television.

what was the final outcome of this collaboration?

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Background: Michael Joseph Jackson (August 29, 1958 - June 25, 2009) was an American singer, songwriter, and dancer. Dubbed the "King of Pop", he was one of the most popular entertainers in the world, and was the best-selling music artist during the year of his death. Jackson's contributions to music, dance, and fashion along with his publicized personal life made him a global figure in popular culture for over four decades. The eighth child of the Jackson family, Michael made his professional debut in 1964 with his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5.
Context: Jackson was influenced by musicians including Little Richard, James Brown, Jackie Wilson, Diana Ross, Fred Astaire, Sammy Davis Jr., Gene Kelly, David Ruffin, the Isley Brothers, and the Bee Gees. While Little Richard had a substantial influence on Jackson, James Brown was his greatest inspiration; he said: "Ever since I was a small child, no more than like six years old, my mother would wake me no matter what time it was, if I was sleeping, no matter what I was doing, to watch the television to see the master at work. And when I saw him move, I was mesmerized. I had never seen a performer perform like James Brown, and right then and there I knew that was exactly what I wanted to do for the rest of my life because of James Brown."  Jackson owed his vocal technique in large part to Diana Ross, especially his use of the oooh interjection, which he used from a young age; Ross had used this effect on many of the songs recorded with the Supremes. Not only a mother figure to him, she was often observed in rehearsal as an accomplished performer. He said: "I got to know her well. She taught me so much. I used to just sit in the corner and watch the way she moved. She was art in motion. I studied the way she moved, the way she sang - just the way she was." He told her: "I want to be just like you, Diana." She said: "You just be yourself."  According to choreographer David Winters, who met and befriended Jackson while choreographing the 1971 Diana Ross TV special Diana!, Jackson watched the musical West Side Story almost every week, and it was his favorite film; he paid tribute to it in "Beat It" and the "Bad" video.
Question: When did he first see James Brown?
Answer: I was a small child, no more than like six years old,

Question:
King was born in Long Beach, California, into a conservative Methodist family, the daughter of Betty (nee Jerman), a housewife, and Bill Moffitt, a firefighter. Billie Jean's family was athletic. Her mother excelled at swimming, her father played basketball, baseball and ran track. Her younger brother, Randy Moffitt, became a Major League Baseball pitcher, pitching for 12 years in the major leagues for the San Francisco Giants, Houston Astros, and Toronto Blue Jays.
When the open era began, King campaigned for equal prize money in the men's and women's games. In 1971, with ideas for the formation of an eight player women's group from her husband, Larry King, financial backing of World Tennis magazine founder, Gladys Heldman, and the sponsorship of Virginia Slims Chairman Joe Coleman, King became the first woman athlete to earn over US$100,000 in prize money; however, inequalities continued. King won the US Open in 1972 but received US$15,000 less than the men's champion Ilie Nastase. She stated that she would not play the next year if the prize money were not equal. In 1973, the US Open became the first major tournament to offer equal prize money for men and women.  King led player efforts to support the first professional women's tennis tour in the 1970s called the Virginia Slims, founded by Gladys Heldman and funded by Joseph Cullman of Philip Morris. Once the tour took flight, King worked tirelessly to promote it even though many of the other top players were not supportive. "For three years we had two tours and because of their governments [Martina] Navratilova and Olga Morozova had to play the other tour. Chris [Evert], Margaret [Court], Virginia [Wade], they let us do the pioneering work and they weren't very nice to us. If you go back and look at the old quotes; they played for the love of the game, we played for the money. When we got backing and money, we were all playing together - I wonder why? I tried not to get upset with them. Forgiveness is important. Our job was to have one voice and win them over."  In 1973, King became the first President of the women's players union - the Women's Tennis Association. In 1974, she, with husband Larry King and Jim Jorgensen, founded womenSports magazine and started the Women's Sports Foundation. Also in 1974, World TeamTennis began, founded by Larry King, Dennis Murphy, Frank Barman and Jordan Kaiser. She became league commissioner in 1982 and major owner in 1984.  King is a member of the Board of Honorary Trustees for the Sports Museum of America, which opened in 2008. The museum is the home of the Billie Jean King International Women's Sports Center, a comprehensive women's sports hall of fame and exhibit.
Answer this question using a quote from the text above:

did it ever become equal pay for her?

Answer:
In 1973, the US Open became the first major tournament to offer equal prize money for men and women.