Problem: Background: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.
Context: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians.
Question: What else stood out in this article
Answer: Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.

Background: Jewel was born May 23, 1974 in Payson, Utah, the second child of Attila Kuno "Atz" Kilcher and Lenedra Jewel Kilcher (nee Carroll). At the time of her birth, her parents had been living in Utah with her elder brother, Shane; her father was attending Brigham Young University. She is a first cousin once removed of actress Q'orianka Kilcher. Her father, originally from Alaska, was a Mormon, though the family stopped attending The Church of Jesus Christ of Latter-day Saints after her parents' divorce when she was eight years old.
Context: For a time, Kilcher lived in her car while traveling around the country doing street performances and small gigs, mainly in Southern California. She gained recognition by singing at The Inner Change Cafe and Java Joe's in San Diego; she would later make her debut record at Java Joe's when it was in Poway, where she had worked as a barista. Her friend Steve Poltz's band, The Rugburns, played the same venues. She later collaborated with Poltz on some of her songs, including "You Were Meant for Me". (He also appeared in the song's second, better-known video.) The Rugburns opened for Jewel on her Tiny Lights tour in 1997. Poltz appeared in Jewel's band on the Spirit World Tour 1999 playing guitar.  Kilcher was discovered by Inga Vainshtein in August 1993 when John Hogan, lead singer from the local San Diego band Rust, whom Vainshtein was managing, called to tell her about a girl surfer who sang at a local coffee shop on Thursdays. Vainshtein drove to The Inner Change with a representative from Atlantic Records, and after the show they called Danny Goldberg, the head of Atlantic Record's West Coast operations, and asked him to pay for her demo, since at the time she was living in a van and lacked the means to record any of her own music. Vainshtein, who at the time was working as a film executive at Paramount, eventually became her manager and was instrumental in creating a major bidding war that led to her deal with Atlantic Records. She continued to manage Jewel until the end of the first album cycle. Her debut album Pieces of You was released the eponym of Jewel, in 1995 when she was 21 years old. Recorded in a studio on singer Neil Young's ranch, it included Young's backing band, The Stray Gators, who played on his Harvest and Harvest Moon albums. Part of the album was recorded live at The Inner Change Cafe in San Diego, where she had risen to local fame. The album stayed on the Billboard 200 for two years, reaching number four at its peak. The album spawned the Top 10 hits "You Were Meant for Me", "Who Will Save Your Soul", and "Foolish Games". The album eventually sold over 12 million copies in the United States alone.  In the late 1990s, Mike Connell created an electronic mailing list for fans, known as "Everyday Angels". Although Jewel herself does not subscribe to this mailing list, she maintained communication with her EA fans. On July 18 and 19, 1996, she gave a two-day concert known as "JewelStock" at the Bearsville Theatre. Jewel allowed the concert to be taped, and fans circulated the concert without profit.
Question: How did her career begin?
Answer:
traveling around the country doing street performances and small gigs,