Some context: Goldfrapp are an English electronic music duo from London, formed in 1999. The duo consists of Alison Goldfrapp (vocals, synthesizer) and Will Gregory (synthesizer). Despite favourable reviews and a short-listing for the Mercury Prize, their 2000 debut studio album Felt Mountain did not chart highly. Goldfrapp's second album Black Cherry, which incorporated glam rock and synthpop sounds into their music, was released in 2003.
Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album.
How did it do on the charts?
A: Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK.

Question: Edward Nicholas Anderson (November 11, 1900 - April 24, 1974) was an American football player and coach of football and basketball. He served as the head football coach at Columbia College in Dubuque, Iowa, now known as Loras College (1922-1924), DePaul University (1925-1931), the College of the Holy Cross (1933-1938, 1950-1964), and the University of Iowa (1939-1942, 1946-1949), compiling a career college football record of 201-128-15. Anderson was also the head basketball coach at DePaul from 1925 to 1929, tallying a mark of 25-21. Anderson played professional football in the National Football League (NFL) for the Rochester Jeffersons in 1922 and the Chicago Cardinals from 1922 to 1925.

Anderson attended Mason City High School in Mason City, Iowa, before enrolling at the University of Notre Dame. He played for Knute Rockne from 1918 to 1921 and was a teammate of George Gipp. As a senior, he was named a consensus first team All-American and was the team captain of the 1921 Notre Dame football team. In his final three years at Notre Dame, the Irish had a record of 28-1. Anderson's only loss in his final three seasons was to Anderson's home state school, when Notre Dame lost to the Iowa Hawkeyes in 1921, 10-7.  Anderson coached at Columbia College in Dubuque, Iowa, from 1922 to 1924, compiling a 16-6-1 record with one undefeated season. During that time, he was considered for an assistant coaching position at Iowa, but Iowa coach Howard Jones rejected the idea. Anderson served as a player/coach for the Chicago Cardinals (now Arizona Cardinals) professional football team in the early 1920s as well. He played on the Cardinals' controversial championship team in 1925.  That same year, Anderson enrolled at Rush Medical College in Chicago. While in Chicago, Anderson coached football at DePaul University, compiling a 21-22-3 record from 1925 to 1931. He also coached basketball at DePaul from 1925 to 1929, guiding them to a 25-21 record. After graduating from Rush, Anderson took a job as head football coach at the College of the Holy Cross in Massachusetts. He had a record of 47-7-4 in six years at Holy Cross from 1933 to 1938, including undefeated seasons in 1935 and 1937. During that time, Anderson also served as the head of eye, ear, nose, and throat clinic at Boston's Veterans Hospital.

Using a quote from the above article, answer the following question: Did he coach for more than 2 teams?
HHHHHH
Answer: Anderson took a job as head football coach at the College of the Holy Cross in Massachusetts.

Some context: Marc Zakharovich Chagall ( sh@-GAHL; born Moishe Zakharovich Shagal; 6 July [O.S. 24 June] 1887 - 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists".
Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection.
was there anything special and specific about his past that inspired him to be a painter
A:
with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art."