Some context: Much of the information about the early years of Calamity Jane's life comes from the autobiographical booklet which she dictated in 1896, written for publicity purposes. She was about to begin a tour in which she appeared in dime museums around the United States, and it was intended to help attract audiences. Some of the information in the pamphlet is exaggerated or even completely inaccurate. Calamity Jane was born on May 1, 1852 as Martha Jane Canary (or Cannary) in Princeton, within Mercer County, Missouri.
On September 6, 1941, the U.S. Department of Public Welfare granted old age assistance to a Jean Hickok Burkhardt McCormick who claimed to be the legal offspring of Martha Jane Cannary and James Butler Hickok. She presented evidence that Calamity Jane and Wild Bill had married at Benson's Landing, Montana Territory (now Livingston, Montana) on September 25, 1873. The documentation was written in a Bible and presumably signed by two ministers and numerous witnesses. However, McCormick's claim has been vigorously challenged because of a variety of discrepancies.  McCormick later published a book with letters purported to be from Calamity Jane to her daughter. In them, Calamity Jane says that she had been married to Hickok and that Hickok was the father of McCormick, who was born September 25, 1873, and was given up for adoption to a Captain Jim O'Neil and his wife. During the period when the alleged child was born, Calamity Jane was allegedly working as a scout for the army, and at the time of Hickok's death, he had recently married Agnes Lake Thatcher.  Calamity Jane does seem to have had two daughters, although the father's identity is unknown. In the late 1880s, she returned to Deadwood with a child whom she claimed to be her daughter. At her request, a benefit was held in one of the theaters to raise money for her daughter's education in St. Martin's Academy at Sturgis, South Dakota, a nearby Catholic boarding school. The benefit raised a large sum; Jane got drunk and spent a considerable portion of the money that same night and left with the child the next day.  Estelline Bennett was living in Deadwood at that time and had spoken briefly with Jane a few days before the benefit. She thought that Jane honestly wanted her daughter to have an education and that the drunken binge was just an example of her inability to curb her impulses and carry through long-range plans (which Bennett saw as typical of her class). Bennett later heard that Jane's daughter did "get an education, and grew up and married well".
Which names in the claims was worth mentioning?
A: Hickok was the father of McCormick, who was born September 25, 1873, and was given up for adoption to a Captain Jim O'Neil
Some context: Charles-Edouard Jeanneret, known as Le Corbusier (French: [l@ koRby'zje]; 6 October 1887 - 27 August 1965), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades and he designed buildings in Europe, Japan, India, and North and South America.
Le Corbusier moved to Paris definitively in 1917 and began his own architectural practice with his cousin, Pierre Jeanneret (1896-1967), a partnership that would last until the 1950s, with an interruption in the World War II years  In 1918, Le Corbusier met the Cubist painter Amedee Ozenfant, in whom he recognised a kindred spirit. Ozenfant encouraged him to paint, and the two began a period of collaboration. Rejecting Cubism as irrational and "romantic", the pair jointly published their manifesto, Apres le cubisme and established a new artistic movement, Purism. Ozenfant and Le Corbusier began writing for a new journal, L'Esprit Nouveau, and promoted with energy and imagination his ideas of architecture.  In the first issue of the journal, in 1920, Charles-Edouard Jeanneret adopted Le Corbusier (an altered form of his maternal grandfather's name, Lecorbesier) as a pseudonym, reflecting his belief that anyone could reinvent themselves. Adopting a single name to identify oneself was in vogue by artists in many fields during that era, especially in Paris.  Between 1918 and 1922, Le Corbusier did not build anything, concentrating his efforts on Purist theory and painting. In 1922, he and his cousin Pierre Jeanneret opened a studio in Paris at 35 rue de Sevres. His theoretical studies soon advanced into several different single-family house models. Among these was the Maison "Citrohan", a pun on the name of the French Citroen automaker, for the modern industrial methods and materials Le Corbusier advocated using for the house. Here, Le Corbusier proposed a three-floor structure, with a double-height living room, bedrooms on the second floor, and a kitchen on the third floor. The roof would be occupied by a sun terrace. On the exterior Le Corbusier installed a stairway to provide second-floor access from ground level. Here, as in other projects from this period, he also designed the facades to include large uninterrupted banks of windows. The house used a rectangular plan, with exterior walls that were not filled by windows but left as white, stuccoed spaces. Le Corbusier and Jeanneret left the interior aesthetically spare, with any movable furniture made of tubular metal frames. Light fixtures usually comprised single, bare bulbs. Interior walls also were left white.
Did they collaborate at all?
A: Ozenfant encouraged him to paint, and the two began a period of collaboration.
Some context: Cronin was born in Excelsior District of San Francisco, California. The 1906 San Francisco earthquake had cost his Irish Catholic parents almost all of their possessions. Cronin attended Sacred Heart High School. He played several sports as a child and he won a city tennis championship for his age group when he was 14.
Cronin was named player-manager of the Senators in 1933, a post he would hold for two years. In 1935, he was traded to the Boston Red Sox by Griffith, also as player-manager. Cronin retired as a player in 1945, but remained manager of the Red Sox until 1947.  As early as 1938, it was apparent that Cronin was nearing the end of his playing career. Red Sox farm director Billy Evans thought he had found Cronin's successor in Pee Wee Reese, the star shortstop for the Louisville Colonels of the Triple-A American Association. He was so impressed by Reese that he was able to talk Red Sox owner Tom Yawkey into buying the Colonels and making them the Red Sox' top farm club. However, when Cronin went to scout Reese, Cronin realized that they were asking him to scout his replacement. He deliberately downplayed Reese's talent and suggested that the Red Sox trade him. Reese was eventually traded to the Brooklyn Dodgers, where he went on to a Hall of Fame career. As it turned out, Evans' and Yawkey's initial concerns about Cronin were valid. His last year as a full-time player was 1941; after that year he never played more than 76 games in a season.  Over his career, Cronin batted .300 or higher eight times, as well as driving in 100 runs or more eight times. He finished with a .301 average, 170 home runs, and 1,424 RBIs.  As a manager, he compiled a 1,236-1,055 record and won two American League pennants (in 1933 and 1946). His 1933 Senators dropped the 1933 World Series to the New York Giants, and his 1946 Boston Red Sox lost the 1946 World Series to the St. Louis Cardinals.
He was a player and manager at the same time?
A:
Cronin was named player-manager of the Senators in 1933, a post he would hold for two years.