Question: Hugo is a 2011 epic historical adventure drama film directed and co-produced by Martin Scorsese and adapted for the screen by John Logan. Based on Brian Selznick's book The Invention of Hugo Cabret, it is about a boy who lives alone in the Gare Montparnasse railway station in Paris in the 1930s. A co-production between Graham King's GK Films and Johnny Depp's Infinitum Nihil, the film stars Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloe Grace Moretz, Ray Winstone, Emily Mortimer, Jude Law, Helen McCrory, and Christopher Lee. Hugo is Scorsese's first film shot in 3D, of which the filmmaker remarked, "I found 3D to be really interesting, because the actors were more upfront emotionally.

The film currently holds a 94% "Certified Fresh" rating on aggregate review site Rotten Tomatoes based on 206 reviews, with an average score of 8.3/10. The site's main consensus reads, "Hugo is an extravagant, elegant fantasy with an innocence lacking in many modern kids' movies, and one that emanates an unabashed love for the magic of cinema." Metacritic gave the film an average score of 83 out of 100, based on 41 reviews, indicating "universal acclaim".  Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, saying "Hugo is unlike any other film Martin Scorsese has ever made, and yet possibly the closest to his heart: a big-budget, family epic in 3-D, and in some ways, a mirror of his own life. We feel a great artist has been given command of the tools and resources he needs to make a movie about--movies." Peter Rainer of The Christian Science Monitor gave it a "B+" grade and termed it as "an odd mixture: a deeply personal impersonal movie" and concluded that "Hugo is a mixed bag but one well worth rummaging through." Christy Lemire said that it had an "abundant love of the power of film; being a hardcore cinephile (like Scorsese) might add a layer of enjoyment, but it certainly isn't a prerequisite for walking in the door" besides being "slightly repetitive and overlong". Michael Phillips of the Chicago Tribune rated it three stars and described it as "rich and stimulating even when it wanders" explaining "every locale in Scorsese's vision of 1931 Paris looks and feels like another planet. The filmmaker embraces storybook artifice as wholeheartedly as he relays the tale's lessons in the importance of film preservation." Joe Morgenstern of The Wall Street Journal said that "visually Hugo is a marvel, but dramatically it's a clockwork lemon".  Hugo was selected for the Royal Film Performance 2011 with a screening at the Odeon, Leicester Square, in London on 28 November 2011 in the presence of the Prince of Wales and the Duchess of Cornwall in support of the Cinema and Television Benevolent Fund. Richard Corliss of Time named it one of the Top 10 Best Movies of 2011, saying, "Scorsese's love poem, rendered gorgeously in 3-D, restores both the reputation of an early pioneer and the glory of movie history--the birth of a popular art form given new life through a master's application of the coolest new techniques". James Cameron called Hugo "a masterpiece" and that the film had the best use of 3D he had seen, surpassing even his own acclaimed films.

Using a quote from the above article, answer the following question: How did they use it for 3D?
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Answer: rich and stimulating even when it wanders"

Problem: Rene Descartes (; French: [R@ne dekaRt]; Latinized: Renatus Cartesius; adjectival form: "Cartesian"; 31 March 1596 - 11 February 1650) was a French philosopher, mathematician, and scientist. Dubbed the father of modern western philosophy, much of subsequent Western philosophy is a response to his writings, which are studied closely to this day. A native of the Kingdom of France, he spent about 20 years (1629-49) of his life in the Dutch Republic after serving for a while in the Dutch States Army of Maurice of Nassau, Prince of Orange and the Stadtholder of the United Provinces. He is generally considered one of the most notable intellectual representatives of the Dutch Golden Age.

In The Passions of the Soul written between 1645 and 1646 Descartes discussed the common contemporary belief that the human body contained animal spirits. These animal spirits were believed to be light and roaming fluids circulating rapidly around the nervous system between the brain and the muscles, and served as a metaphor for feelings, like being in high or bad spirit. These animal spirits were believed to affect the human soul, or passions of the soul. Descartes distinguished six basic passions: wonder, love, hatred, desire, joy and sadness. All of these passions, he argued, represented different combinations of the original spirit, and influenced the soul to will or want certain actions. He argued, for example, that fear is a passion that moves the soul to generate a response in the body. In line with his dualist teachings on the separation between the soul and the body, he hypothesized that some part of the brain served as a connector between the soul and the body and singled out the pineal gland as connector. Descartes argued that signals passed from the ear and the eye to the pineal gland, through animal spirits. Thus different motions in the gland cause various animal spirits. He argued that these motions in the pineal gland are based on God's will and that humans are supposed to want and like things that are useful to them. But he also argued that that the animal spirits that moved around the body could distort the commands from the pineal gland, thus humans had to learn how to control their passions.  Descartes advanced a theory on automatic bodily reactions to external events which influenced 19th century reflex theory. He argued that external motions such as touch and sound reach the endings of the nerves and affect the animal spirits. Heat from fire affects a spot on the skin and sets in motion a chain of reactions, with the animal spirits reaching the brain through the central nervous system, and in turn animal spirits are sent back to the muscles to move the hand away from the fire. Through this chain of reactions the automatic reactions of the body do not require a thought process.  Above all he was among the first scientists who believed that the soul should be subject to scientific investigation. He challenged the views of his contemporaries that the soul was divine, thus religious authorities regarded his books as dangerous. Descartes' writings went on to form the basis for theories on emotions and how cognitive evaluations were translated into affective processes. Descartes believed that the brain resembled a working machine and unlike many of his contemporaries believed that mathematics and mechanics could explain the most complicated processes of the mind. In the 20th century Alan Turing advanced computer science based on mathematical biology as inspired by Descartes. His theories on reflexes also served as the foundation for advanced physiological theories more than 200 years after his death. The Nobel Prize winning physiologist Ivan Pavlov was a great admirer of Descartes.

How did Descartes conclude this?

Answer with quotes:
he hypothesized that some part of the brain served as a connector between the soul and the body and singled out the pineal gland as connector.