input: In January 1967 Crumb came across two friends in a bar who were about to leave for San Francisco; Crumb was interested in the work of San Francisco-based psychedelic poster artists, and on a whim asked if he could join them. There, he contributed upbeat LSD-inspired countercultural work to underground newspapers. The work was popular, and Crumb was flooded with requests, including to illustrate a full issue of Philadelphia's Yarrowstalks.  Independent publisher Don Donahue invited Crumb to make a comic book; Crumb drew up two issues of Zap Comix, and Donahue published the first in February 1968 under the publisher name Apex Novelties. Crumb had difficulty at first finding retailers who would stock it, and at first his wife took to selling the first run herself out of a baby carriage.  Crumb met cartoonist S. Clay Wilson, an art school graduate who saw himself as a rebel against middle-class American values and whose comics were violent and grotesque. Wilson's attitude inspired Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression; in particular, his work soon became sexually explicit, as in the pornographic Snatch he and Wilson produced late in 1968.  The second issue of Zap appeared in June with contributions from Wilson and poster artists Victor Moscoso and Rick Griffin. In December, Donahue published the still-unreleased issue as #0 and a new third issue with Gilbert Shelton joining the roster of regulars. Zap was financially successful, and developed a market for underground comix.  Crumb was a prolific cartoonist in the late 1960s and early 1970s; at his peak point of output he produced 320 pages over two years. He produced much of his best-known work then, including his Keep on Truckin' strip, and strips featuring characters such as the bohemian Fritz the Cat, spiritual guru Mr. Natural, and oversexed African-American stereotype Angelfood McSpade. During this period, he launched a series of solo titles, including Despair, Uneeda (both published by Print Mint in 1969), Big Ass Comics, R. Crumb's Comics and Stories, Motor City Comics (all published by Rip Off Press in 1969), Home Grown Funnies (Kitchen Sink Press, 1971) and Hytone Comix (Apex Novelties, 1971), in addition to founding the pornographic anthologies Jiz and Snatch (both Apex Novelties, 1969).

Answer this question "What were some of his achievements?"
output: He produced much of his best-known work then, including his Keep on Truckin' strip, and strips featuring characters such as the bohemian Fritz the Cat,

input: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians.

Answer this question "WHat was a song from the album?"
output: 

input: Her television sitcom The Sarah Silverman Program debuted on Comedy Central in February 2007, the series had 1.81 million viewers and portrays the day-to-day adventures of fictionalized versions of Silverman, her sister Laura, and their friends. A number of comedic actors from Mr. Show have appeared on The Sarah Silverman Program. Silverman was nominated for a Primetime Emmy Award for her acting on the show. At the awards ceremony, she wore a fake mustache. Comedy Central canceled The Sarah Silverman Program after three seasons.  In June 2007, she hosted the MTV Movie Awards. During her opening act, she commented on the upcoming jail sentence of Paris Hilton, who was in the audience, saying: "In a couple of days, Paris Hilton is going to jail. As a matter of fact, I heard that to make her feel more comfortable in prison, the guards are going to paint the bars to look like penises. I think it is wrong, too. I just worry she is going to break her teeth on those things." In September 2007, she appeared at the MTV Video Music Awards. Following the comeback performance of Britney Spears, Silverman mocked her on stage, saying: "Wow, she is amazing. I mean, she is 25 years old, and she has already accomplished everything she's going to accomplish in her life."  In January 2008, she appeared on Jimmy Kimmel Live! to show Jimmy Kimmel, her boyfriend at the time, a special video. The video turned out to be a song called "I'm Fucking Matt Damon" in which she and Matt Damon sang a duet about having an affair behind Kimmel's back. The video created an "instant YouTube sensation." She won an Emmy Award for Outstanding Music and Lyrics at the 60th Primetime Emmy Awards. Kimmel responded with his own video a month later with Damon's friend Ben Affleck, which enlisted a panoply of stars to record Kimmel's song "I'm Fucking Ben Affleck". On September 13, 2008, Silverman won a Creative Arts Emmy Award for writing the song "I'm Fucking Matt Damon". Silverman guest-starred in a second-season episode of the USA cable program Monk as Marci Maven. She returned in the sixth-season premiere and for the 100th episode of Monk. According to the audio commentary on the Clerks II DVD, director Kevin Smith offered her the role that eventually went to Rosario Dawson, but she turned it down out of fear of being typecast in "girlfriend roles". However, she told Smith the script was "really funny" and mentioned that if the role of Randal Graves was being offered to her she "would do it in a heartbeat." She appeared in Strange Powers, the 2009 documentary by Kerthy Fix and Gail O'Hara about cult songwriter Stephin Merritt and his band The Magnetic Fields. Silverman wrote a comic memoir, The Bedwetter: Stories of Courage, Redemption, and Pee, which was published in 2010.

Answer this question "what happened to sarah in 2017?"
output: