Question: Ziaur Rahman, popularly known as Zia, was the second son of Mansur Rahman and Jahanara Khatun. His father was a chemist who specialised in paper and ink chemistry and worked for a government department at Writer's Building in Kolkata. As a child Ziaur Rahman, nicknamed Komol, was reserved, shy, quietly spoken, and intense in many respects. He was raised in Bagbari village, Bogra and studied in Bogra Zilla School.

Ziaur Rahman became the 7th President of Bangladesh on 21 April 1977. Years of disorder from the previous political administration of the Awami League and BAKSAL had left most of Bangladesh's state institutions in disarray, with constant internal and external threats. Assuming full control of the state, Zia lifted martial law and introduced massive reforms for the development of the country.  In late September 1977, a group of Japanese Red Army terrorists hijacked an aeroplane and forced it to land in Dhaka. On 30 September, while the attention of the government was riveted on this event, a mutiny broke out in Bogra. Although the mutiny was quickly quelled on the night of 2 October, a second mutiny started in Dhaka, led by disgruntled airmen of Bangladesh Air Force (BAF). The mutineers unsuccessfully attacked Zia's residence, captured Dhaka Radio for a short time and killed a good number of air force officers and airmen at Tejgaon International Airport, where they were gathered for negotiations with the hijackers. Wing Commander M. Hamidullah Khan BP (Sector Commander Bangladesh Defence Forces Sector 11), then BAF Ground Defence Commander, quickly put down the rebellion within the Air Force, but the government was severely shaken. Chief of Air Staff AVM AG Mahmud reappointed Wing Commander Hamidullah as Provost Marshal of BAF. Government intelligence had failed and Zia promptly dismissed the DGFI chief, AVM Aminul Islam Khan BAF, of 9th GD(P) formerly of PAF, and also the DG-NSI. In the aftermath at least 200 soldiers involved in the coup attempt were executed following a secret trial, prompting some critics to call Zia "ruthless".  The size of Bangladesh police forces was doubled and the number of soldiers of the army increased from 50,000 to 90,000. In 1978 he appointed Hussain Muhammad Ershad as the new Chief of Army Staff, promoting him to the rank of Lieutenant General. He was viewed as a professional soldier with no political aspirations (because of his imprisonment in former West Pakistan during the Bangladesh War of Independence) who possessed a soft corner for India. Quietly Ershad rose to become Zia's close politico-military counsellor. In 1981 he brought back Mujib's daughter Hasina Wazed to Bangladesh.

Using a quote from the above article, answer the following question: What was the resolution of that incident?
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Answer: killed a good number of air force officers

Problem: Gilliam was born in Minneapolis, Minnesota, the son of Beatrice (nee Vance) and James Hall Gilliam. His father was a travelling salesman for Folgers before becoming a carpenter. Soon after, they moved to nearby Medicine Lake, Minnesota. The family moved to the Los Angeles neighbourhood of Panorama City in 1952.

Gilliam was a part of Monty Python's Flying Circus from its outset, credited at first as an animator (his name was listed separately after the other five in the closing credits) and later as a full member. His cartoons linked the show's sketches together and defined the group's visual language in other media (such as LP and book covers and the title sequences of their films). His animations mix his own art, characterised by soft gradients and odd, bulbous shapes, with backgrounds and moving cutouts from antique photographs, mostly from the Victorian era.  In 1978, Gilliam published Animations of Mortality, an illustrated, tongue-in-cheek, semi-autobiographical how-to guide to his animation techniques and the visual language in them. Roughly 15 years later, between the release of the CD-ROM game Monty Python's Complete Waste of Time in 1994, which used many of Gilliam's animation templates, and the making of Gilliam's film Fear and Loathing in Las Vegas (1998), Gilliam was in negotiations with Enteractive, a software company, to tentatively release in the autumn of 1996 a CD-ROM under the same title as his 1978 book, containing all of his thousands of 1970s animation templates as license-free clip arts for people to create their own flash animations, but the project hovered in limbo for years, probably because Enteractive was about to downsize greatly in mid-1996 and changed its focus from CD-ROM multimedia presentations to internet business solutions and web hosting in 1997 (in the introduction to their 2004 book Terry Gilliam: Interviews, David Sterrit and Lucille Rhodes claimed that the internet had overwhelmed the "computer-communications market" and gave this as the reason that the Animations of Mortality CD-ROM never materialised). Around the time of Gilliam's film The Imaginarium of Doctor Parnassus (2009), the project had changed into the idea of releasing his 1970s animation templates as a license-free download of Adobe After Effects or similar files.  Besides creating the animations, he also appeared in several sketches, though he rarely had main roles and did considerably less acting in the sketches. He did, however, have some notable sketch roles, such as Cardinal Fang of the Spanish Inquisition; the bespectacled commenter who said, "I can't add anything to that!" in the sketch "Election Night Special"; Kevin Garibaldi, the brat on the couch shouting "I want more beans!" in the sketch "Most Awful Family in Britain 1974" (episode 45); the Screaming Queen in a cape and mask in The Visitors; and Percy Bysshe Shelly in Ant Poetry Reading. More frequently, he played parts that no one else wanted to play, generally because they required a lot of makeup or uncomfortable costumes (such as the recurring character of a knight in armour who ended sketches by walking on and hitting one of the other characters over the head with a plucked chicken). He took a number of small roles in the films, including Patsy in Monty Python and the Holy Grail (which he co-directed with Terry Jones; Gilliam was responsible for photography, while Jones guided the actors' performances) and the jailer in Monty Python's Life of Brian. He also designed the covers of most of the Monty Python albums, including Another Monty Python Record, The Monty Python Matching Tie and Handkerchief and Monty Python Live at Drury Lane, and their film soundtrack albums.

What else did you find interesting in this section?

Answer with quotes:
Besides creating the animations, he also appeared in several sketches,