Problem: Background: Tristan Tzara (French: [tRista dzaRa]; Romanian: [tris'tan 'tsara]; born Samuel or Samy Rosenstock, also known as S. Samyro; April 16 [O.S. April 4] 1896 - December 25, 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine Simbolul with Ion Vinea (with whom he also wrote experimental poetry) and painter Marcel Janco. During World War I, after briefly collaborating on Vinea's Chemarea, he joined Janco in Switzerland.
Context: Tzara was born in Moinesti, Bacau County, in the historical region of Western Moldavia. His parents were Jewish Romanians who reportedly spoke Yiddish as their first language; his father Filip and grandfather Ilie were entrepreneurs in the forestry business. Tzara's mother was Emilia Rosenstock, nee Zibalis. Owing to the Romanian Kingdom's discrimination laws, the Rosenstocks were not emancipated, and thus Tzara was not a full citizen of the country until after 1918.  He moved to Bucharest at the age of eleven, and attended the Schemitz-Tierin boarding school. It is believed that the young Tzara completed his secondary education at a state-run high school, which is identified as the Saint Sava National College or as the Sfantul Gheorghe High School. In October 1912, when Tzara was aged sixteen, he joined his friends Vinea and Marcel Janco in editing Simbolul. Reputedly, Janco and Vinea provided the funds. Like Vinea, Tzara was also close to their young colleague Jacques G. Costin, who was later his self-declared promoter and admirer.  Despite their young age, the three editors were able to attract collaborations from established Symbolist authors, active within Romania's own Symbolist movement. Alongside their close friend and mentor Adrian Maniu (an Imagist who had been Vinea's tutor), they included N. Davidescu, Alfred Hefter-Hidalgo, Emil Isac, Claudia Millian, Ion Minulescu, I. M. Rascu, Eugeniu Sperantia, Al. T. Stamatiad, Eugeniu Stefanescu-Est, Constantin T. Stoika, as well as the journalist and lawyer Poldi Chapier. In its inaugural issue, the journal even printed a poem by one of the leading figures in Romanian Symbolism, Alexandru Macedonski. Simbolul also featured illustrations by Maniu, Millian and Iosif Iser.  Although the magazine ceased print in December 1912, it played an important part in shaping Romanian literature of the period. Literary historian Paul Cernat sees Simbolul as a main stage in Romania's modernism, and credits it with having brought about the first changes from Symbolism to the radical avant-garde. Also according to Cernat, the collaboration between Samyro, Vinea and Janco was an early instance of literature becoming "an interface between arts", which had for its contemporary equivalent the collaboration between Iser and writers such as Ion Minulescu and Tudor Arghezi. Although Maniu parted with the group and sought a change in style which brought him closer to traditionalist tenets, Tzara, Janco and Vinea continued their collaboration. Between 1913 and 1915, they were frequently vacationing together, either on the Black Sea coast or at the Rosenstock family property in Garceni, Vaslui County; during this time, Vinea and Samyro wrote poems with similar themes and alluding to one another.
Question: What is Simbolul
Answer: Although the magazine ceased print in December 1912, it played an important part in shaping Romanian literature of the period.

Problem: Background: En Vogue is an American R&B/Pop vocal group whose original lineup consisted of singers Terry Ellis, Dawn Robinson, Cindy Herron, and Maxine Jones. Formed in Oakland, California in 1988, En Vogue reached number two on the US Hot 100 with the single "Hold On", which was taken from their 1990 debut album Born To Sing. The group's 1992 follow-up album Funky Divas reached the top 10 in both the US and UK, and included their second US number two hit "My Lovin' (You're Never Gonna Get It)", plus the US top 10 hits "
Context: In 1995, En Vogue was amongst numerous African-American female vocalists featured on the song "Freedom" for the soundtrack to Mario Van Peebles' drama film Panther (1995). Also in 1995, while band members Cindy Herron and Maxine Jones went on maternity leave, Ellis recorded and released a solo album entitled Southern Gal, which spun off the top ten R&B single "Where Ever You Are." The same year, the band also made a cameo appearance in Joel Schumachers superhero film Batman Forever. In 1996, En Vogue recorded "Don't Let Go (Love)" for the soundtrack to the motion picture Set It Off, directed by F. Gary Gray. Released as the soundtrack's lead single in the fall 1996, it became the group's biggest hit yet, selling over 1.8 million copies worldwide and becoming certified platinum by the RIAA. In response to the large commercial success of "Don't Let Go (Love)," the group steadfastly went to work on their third studio album. As the album was nearing completion, Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate. Despite Robinson's abrupt departure, Ellis, Herron, and Jones resolved to continue on as a trio.  Robinson's abrupt departure from En Vogue forced the remaining trio to re-record several of her original lead vocals on their forthcoming album EV3, which was released in June 1997. A breakaway from previous projects, it marked En Vogue's first project to include a diverse roster of collaborators including credits from Babyface, David Foster, Diane Warren, Andrea Martin, and Ivan Matias along with regular contributors Foster & McElroy. Upon its release, EV3 received mixed reviews from critics, many of whom praised the band's vocal performances but were critical with overall production of the album. In the US, it reached the top ten in Germany, Switzerland, and the United Kingdom and debuted at number eight on both Billboard's Top R&B/Hip-Hop Albums chart and the Billboard 200 with sales of 76,500 units, the band's highest first-week numbers. Two further singles released from the album, "Whatever" and "Too Gone, Too Long", entered the top twenty and top forty the Billboard Hot 100, respectively.  In 1998, En Vogue recorded the song "No Fool No More" for the soundtrack to Gregory Nava's romantic drama film Why Do Fools Fall In Love (1998). A top forty entry on the New Zealand Singles Chart, it was later included on the band's first compilation album Best of En Vogue, released in June 1999. A moderate success, the album reached the top forty in Austria and the United Kingdom.
Question: What did Robinson want on the contract?
Answer: