Answer the question at the end by quoting:

Olivia Dunham is a fictional character and the main protagonist from the science fiction television series Fringe, which aired on the Fox Broadcasting Company in the United States from 2008 to 2013. The character was created by series' co-creator J. J. Abrams, and is portrayed by actress Anna Torv. Olivia is the series' protagonist, and was introduced as an FBI Special Agent, working for a multi-agency task force of the U.S. Department of Homeland Security called the Fringe Division, dealing with supernatural events that are linked to experimental occurrences. Having grown up with an abusive stepfather, Olivia struggles with the unexpected changes in her life, following her encounter with mentally unstable scientist Walter Bishop, and his son and an eventual love interest for her, Peter Bishop.
Comparing Olivia to Fauxlivia, Torv felt that the two had many different characteristics. Anna Torv described them as "remarkably alike. They have subtle differences, but they're both fighting for their causes. I think each of them sees things in the other they'd like to have. I think Olivia would like to not feel everything is her responsibility. She'd like to go home and let someone else shoulder that burden of saving the world for a few minutes."  Torv and Akiva Goldsman discussed various ways to differentiate the two depictions of Olivia; ultimately two different physical demeanors were created. Torv wanted to make the new character "completely different", but she and Goldsman recognized that the two share some major similarities, as they both are in the same profession and are "fundamentally, genetically really the same person." According to Torv, Fauxlivia holds herself differently and has "a different silhouette. She's got a little firefighter, a little military in her." Torv further explained, "Olivia wants to be the best, but [Fauxlivia] just wants to win;" "There's just a front-footedness I think to [her], simply because she just doesn't carry the weight of the world on her shoulders like Olivia does. Olivia's mum died when she was really little, and [Fauxlivia]'s mum is still around. There's lots of little, subtle differences."  The producers discussed cutting her hair, but ultimately decided on the auburn hair color to differentiate her. They also made her "a little bit more playful". Pinkner describes shooting the Fauxlivia scenes in the DVD audio commentary: "When [Torv] first showed up on set in this different guise, she had really embodied this other character in a very playful and sexy way. She turned a lot of heads." Goldsman remarked that Torv's depiction of Fauxlivia was actually much closer to the actress' real personality than her performance as Olivia. The producers were so pleased with her Fauxlivia depiction that they thought "it really opened up a bunch of possibilities ... it went from 'let's see if this experiment works' to 'how can we get more of this?'"

what is different?

"a different silhouette. She's got a little firefighter, a little military in her." Torv further explained, "Olivia wants to be the best, but [Fauxlivia] just wants to win;" "



Answer the question at the end by quoting:

The Buggles were an English new wave band formed in London, England in 1977 by singer and bassist Trevor Horn and keyboardist Geoffrey Downes. They are best known for their 1979 debut single "Video Killed the Radio Star" that topped the UK Singles Chart and reached number one in 15 other countries. The duo released their first album, The Age of Plastic, in January 1980 with "Video Killed the Radio Star" as its lead single. Soon after the album's release, Horn and Downes joined the progressive rock band
Downes claimed the group's name derived as a pun on the rock band the Beatles, saying: "It was originally called the Bugs ... studio insects--imaginary creatures who lived in recording studios creating havoc. Then somebody said as a joke that the Bugs would never be as big as The Beatles. So we changed it to the Buggles." Horn later spoke of its name: "I know the name's awful, but at the time it was the era of the great punk thing. I'd got fed up of producing people who were generally idiots but called themselves all sorts of clever names like the Unwanted, the Unwashed, the Unheard ... when it came to choosing our name I thought I'd pick the most disgusting name possible. In retrospect I have frequently regretted calling myself Buggles, but in those days I never really thought much about packaging or selling myself, all that really concerned me was the record."  Horn began his career producing jingles and punk rock groups. Downes was a keyboardist in She's French and graduated from Leeds College of Music in 1975, after which he moved to London for keyboard work. The two first met in 1976 at auditions for Tina Charles' backing band and worked with her producer, Biddu, whose backing tracks had an influence on their early work as the Buggles. Horn met musician Bruce Woolley while playing the bass guitar in the house band at the Hammersmith Odeon. Both expressed an interest in Kraftwerk and Daniel Miller, leading them to read Crash by J.G. Ballard. Said Horn, ""We had this idea that at some future point there'd be a record label that didn't really have any artists--just a computer in the basement and some mad Vincent Price-like figure making the records ... One of the groups this computer would make would be the Buggles, which was obviously a corruption of the Beatles, who would just be this inconsequential bunch of people with a hit song that the computer had written ... and would never be seen."  In 1977, Horn, Downes and Woolley got together and began recording a selection of demos in a small room above a stonemason shop in Wimbledon, south west London, including "Video Killed the Radio Star", "Clean, Clean" and "On TV". Though unsure on what they wished to do with them, Downes remembered that "we knew even then ... there was some distant goal that had to be reached", and proceeded to re-record the songs at a 16-track recording studio in north London. Initial searches for the right record label to record and release an album failed, but Horn, having begun a relationship with Jill Sinclair, a co-founder of Sarm East Studios, managed to secure plans for a potential deal. However, the demo of "Video Killed the Radio Star" caught the attention of producer Chris Blackwell of Island Records and, on the day Horn and Downes were due to sign with Sarm East, Blackwell offered them a more lucrative deal, which they accepted. Downes claimed Island rejected them three times before a final deal was agreed upon.

Did they collaborate with anyone else?
Blackwell offered them a more lucrative deal, which they accepted. Downes claimed Island rejected them three times before a final deal was agreed upon.