input: After playing for more than 16 hours per week, the group were contacted by Allan Williams, who wanted them to go to Hamburg. Derry and the Seniors were successful there, and Williams wanted an additional group. As Storm and the group were committed to Butlins, they turned Williams' offer down (as did Gerry and the Pacemakers) so Williams sent the Beatles to Hamburg instead. After the summer season ended in early October 1960, Storm and the Hurricanes were free to travel to Hamburg, replacing Derry and the Seniors at the Kaiserkeller. They arrived in Hamburg on 1 October 1960, having negotiated to be paid more than the Seniors or the Beatles. They played five or six 90-minute sets every day alternating with The Beatles. Storm and The Hurricanes were later presented with a special certificate by Bruno Koschmider (the owner of the Kaiserkeller) for their performances.  The stage of the Kaiserkeller was made of planks of wood balanced on the top of beer crates, so the two groups made a bet to see to who would be the first to break it. After punishing the stage for days, a slight crack appeared, and when Storm jumped off the top of the upright piano, during a performance of "Blue Suede Shoes", it finally broke. Byrne remembered that as Storm hit the stage, it cracked loudly and formed a V-shape around Storm. He disappeared into it, and all the amplifiers and Starr's cymbals slid into the hole. Koschmider was furious, and had to replace the live music with a juke box. Both groups went across the road to Harold's cafe for breakfast, but were followed by Koschmider's doormen with coshes, who beat the musicians as punishment.  During their eight-week residency Williams arranged a recording session at the Akoustik Studio, which was a small booth on the fifth floor of 57 Kirchenalle (the Klockmann-House) on Saturday 18 October 1960. Williams asked John Lennon, Paul McCartney and Harrison from the Beatles to play and sing harmonies for Walters (of the Hurricanes) on the recording. Pete Best (the Beatles' regular drummer at the time) was in town buying drumsticks, so Starr played drums, which was the first time that the classic Beatles line-up of Lennon, McCartney, Harrison and Starr recorded together. They recorded three songs: "Fever", "September Song" and "Summertime".

Answer this question "Were there any others?"
output: During their eight-week residency Williams arranged a recording session at the Akoustik Studio,

input: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes.

Answer this question "Did she receive any formal awards for her talents?"
output: King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.

input: Pfeiffer chose to begin the process of dissolving her film production company, Via Rosa Productions, in 1999, and move into semi-retirement in order to spend more quality time with her children and family, meaning that she would continue to star in films sporadically into the 2000s and beyond. Pfeiffer handed her producing partner Guinzburg one final film to produce under the Via Rosa Productions header. The film was called Original Sin (2001). It was originally intended to star Pfeiffer, who later changed her mind as she was looking to work less for a while. The film was produced by her company, but instead starred Angelina Jolie and Antonio Banderas.  In the Hitchcockian thriller What Lies Beneath (2000), Pfeiffer and Harrison Ford starred as a well-to-do couple who experience a strange haunting that uncovers secrets about their past. While critical response towards the film was mixed, it opened atop at the box office in July 2000, and went on to gross US$291 million worldwide. She then accepted the role of Rita Harrison, a highly strung lawyer helping a father with a developmental disability, in the drama I Am Sam (2001), opposite Sean Penn. Despite grossing $97.8 million worldwide, the movie received unfavorable reviews; Seattle Post-Intelligencer wrote: "Pfeiffer, apparently stymied by the bland cliches that prop up her screechy role, delivers her flattest, phoniest performance ever". Meanwhile, SF Gate observed: "In one scene, she breaks down in tears as she unburdens herself to him about her miserable life. It's hard not to cringe, watching this emotionally ready actress fling herself headlong into false material".  Pfeiffer took on the role of a murderous artist named Ingrid Magnussen in the drama White Oleander (2002), alongside Alison Lohman (in her film debut), Renee Zellweger and Robin Wright. The film was an arthouse success and Pfeiffer garnered a substantial amount of critical praise; Stephen Holden of The New York Times wrote that "Ms. Pfeiffer, giving the most complex screen performance of her career, makes her Olympian seductress at once irresistible and diabolical". Kenneth Turan of the Los Angeles Times described her as "incandescent," bringing "power and unshakable will to her role as mother-master manipulator" in a "riveting, impeccable performance". She earned Best Supporting Actress Awards from the San Diego Film Critics Society and the Kansas City Film Critics Circle, as well as a Screen Actors Guild Award nomination.  Pfeiffer lent her voice for the character of goddess of chaos Eris in Sinbad: Legend of the Seven Seas (2003), an animated film featuring Brad Pitt as the voice of Sinbad the Sailor. She had struggles with finding the character's villainies. Initially the character was "too sexual," then she lacked fun. After the third rewrite, Pfeiffer called producer Jeffrey Katzenberg and told him "You know, you really can fire me", but he assured her that this was just part of the process. Following the release of the film, she took a four-year hiatus from acting, during which she remained largely out of the public eye to devote time to her husband and children. At the time, she turned down the role of the White Witch in the fantasy film The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (2005), which went to Tilda Swinton.

Answer this question "How did she do this?"
output: