Question: Eddie James "Son" House, Jr. (March 21, 1902 - October 19, 1988) was an American delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements and to accompany him to a 1930 recording session for Paramount Records.

In 1927, at the age of 25, House underwent a change of musical perspective as rapid and dramatic as a religious conversion. In a hamlet south of Clarksdale, he heard one of his drinking companions, either James McCoy or Willie Wilson (his recollections differed), playing bottleneck guitar, a style he had never heard before. He immediately changed his attitude about the blues, bought a guitar from a musician called Frank Hoskins, and within weeks was playing with Hoskins, McCoy and Wilson. Two songs he learned from McCoy would later be among his best known: "My Black Mama" and "Preachin' the Blues". Another source of inspiration was Rube Lacey, a much better known performer who had recorded for Columbia Records in 1927 (no titles were released) and for Paramount Records in 1928 (two titles were released). In an astonishingly short time, with only these four musicians as models, House developed to a professional standard a blues style based on his religious singing and simple bottleneck guitar style.  Around 1927 or 1928, he had been playing in a juke joint when a man went on a shooting spree, wounding House in the leg, and he allegedly shot the man dead. House received a 15-year sentence at the Mississippi State Penitentiary (Parchman Farm), of which he served two years between 1928 and 1929. He credited his re-examination and release to an appeal by his family, but also spoke of the intervention by the influential white planter for whom they worked. The date of the killing and the duration of his sentence are unclear; House gave different accounts to different interviewers, and searches by his biographer Daniel Beaumont found no details in the court records of Coahoma County or in the archive of the Mississippi Department of Corrections.  Upon his release in 1929 or early 1930, House was strongly advised to leave Clarksdale and stay away. He walked to Jonestown and caught a train to the small town of Lula, Mississippi, sixteen miles north of Clarksdale and eight miles from the blues hub of Helena, Arkansas. Coincidentally, the great star of Delta blues, Charley Patton, was also in virtual exile in Lula, having been expelled from his base on the Dockery Plantation. With his partner Willie Brown, Patton dominated the local market for professional blues performance. Patton watched House busking when he arrived penniless at Lula station, but did not approach him. He observed House's showmanship attracting a crowd to the cafe and bootleg whiskey business of a woman called Sara Knight. Patton invited House to be a regular musical partner with him and Brown. House formed a liaison with Knight, and both musicians profited from association with her bootlegging activities. The musical partnership is disputed by Patton's biographers Stephen Calt and Gayle Dean Wardlow. They consider that House's musicianship was too limited to play with Patton and Brown, who were also rumoured to be estranged at the time. They also cite one statement by House that he did not play for dances in Lula. Beaumont concluded that House became a friend of Patton's, traveling with him to gigs but playing separately.

Using a quote from the above article, answer the following question: did they tour
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Answer: 


Question: Dravid was born in a Marathi family in Indore, Madhya Pradesh. His family later moved to Bangalore, Karnataka, where he was raised. His mother tongue is Marathi. Dravid's father worked for a company that makes jams and preserves, giving rise to the later nickname Jammy.

As the new international season commenced, the first and foremost challenge for the newly appointed captain and vice-captain, Ganguly and Dravid, was to pull the team out of the shadows of the match fixing scandal. Indian team played 2000 ICC Knockout Trophy with vigour and showed a lot of character beating Kenya, Australia and South Africa in consecutive matches to reach the Finals. Although India lost to New Zealand in the Finals, their spirited performance in the tournament helped restoring public faith back in Indian cricket. Dravid played his part scoring 157 runs in 4 matches at an average of 52.33, including 2 fifties. Dravid played the first two matches of 2000-01 Coca-Cola Champions Trophy and scored 85 runs in the 2nd match against Zimbabwe opening the innings before getting injured while fielding at slips forcing him to miss the rest of the tournament.  India started off the new Test season with a 9-wicket win against Bangladesh. Dravid played a brisk inning of 49 ball 41 runs, including 5 fours and a six, chasing a target of 63 runs. However, Dravid's poor patch truly ended in the next Test series against Zimbabwe, which was also the first series for John Wright as the new Indian coach. Wright was instrumental in Dravid's association with Kent earlier this year. Dravid returned the favour by recommending his name to the BCCI for the post of national team coach. By now, Dravid had played 8 Tests since his last hundred against New Zealand at Mohali scoring just 350 runs at a paltry average of 23.33 without a single fifty plus inning. The Indian vice-captain ended the run drought and welcomed the new Indian coach with a double hundred - Dravid's first. He scored 200 not out in the first inning and 70 not out in the second inning guiding India to a comfortable 9-wicket victory against Zimbabwe. He scored 162 in the drawn Second test to end the series with an average of 432.00 - highest batting average by an Indian in a Test series.  Dravid scored just a solitary fifty in the second of the five match bilateral ODI series between India and Zimbabwe. However, the series proved to be a milestone in Dravid's career. Dravid captained the Indian team for the first time in the 5th match of the series as the regular captain Ganguly had to sit out due to one match suspension. Riding on Agarkar's all-round performance, Dravid led India to a 39 run victory in his maiden ODI as Indian captain.

Using a quote from the above article, answer the following question: Was Dravid considered a great player by his teammates?
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Answer:
Dravid had played 8 Tests since his last hundred against New Zealand at Mohali scoring just 350 runs at a paltry average of 23.33