IN: Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team.

At the time of his retirement, Tittle held the following NFL records:  Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943), Adrian Burk (1954), and George Blanda (1961). The feat has since been equaled by four more players: Joe Kapp (1969), Peyton Manning (2013), Nick Foles (2013), and Drew Brees (2015). Tittle, Manning and Foles did it without an interception. His 36 touchdown passes in 1963 set a record which stood for over two decades until it was surpassed by Dan Marino in 1984; as of 2016 it remains a Giants franchise record.  Despite record statistics and three straight championship game appearances, Tittle was never able to deliver a title to his team. His record as a starter in postseason games was 0-4. He threw four touchdown passes against 14 interceptions and had a passer rating of 33.8 in his postseason career, far below his regular season passer rating of 74.3. Seth Wickersham, writing for ESPN The Magazine in 2014, noted the dichotomy in the 1960s between two of New York's major sports franchises: "... Gifford, Huff and Tittle, a team of Hall of Famers known for losing championships as their peers on the Yankees--with whom they shared a stadium, a city, and many rounds of drinks--became renowned for winning them." The Giants struggled after Tittle's retirement, posting only two winning seasons from 1964 to 1980.  He made seven Pro Bowls, four first-team All-Pro teams, and four times was named the NFL's Most Valuable Player or Player of the Year: in 1957 and 1962 by the UPI; in 1961 by the NEA; and in 1963 by the AP and NEA. In a sports column in 1963, George Strickler for the Chicago Tribune remarked Tittle had "broken records that at one time appeared unassailable and he has been the hero of more second half rallies than Napoleon and the Harlem Globetrotters." He was featured on four Sports Illustrated covers: three during his playing career and one shortly after retirement. His first was with the 49ers in 1954. With the Giants, he graced covers in November 1961, and he was on the season preview issue for 1964; a two-page fold-out photo from the 1963 title game. Tittle was on a fourth cover in August 1965.  The trade of Tittle for Lou Cordileone is seen as one of the worst trades in 49ers history; it is considered one of the best trades in Giants franchise history. Cordileone played just one season in San Francisco.
QUESTION: What was his legacy?
IN: Verity Ann Lambert  (27 November 1935 - 22 November 2007) was an English television and film producer. She was the founding producer of the science-fiction series Doctor Who and she had a long association with Thames Television. Her many credits include Adam Adamant Lives!

Later in 1974 Lambert became Head of Drama at Thames Television. During her time in this position she oversaw several high-profile and successful contributions to the ITV network, including The Naked Civil Servant (1975), Rock Follies (1976-77), Rumpole of the Bailey (1978-92) and Edward and Mrs Simpson (1978). In 1976 she was also made responsible for overseeing the work of Euston Films, Thames' subsidiary film production company, at the time best known as the producers of The Sweeney. In 1979 she transferred to Euston full-time as the company's Chief Executive, overseeing productions such as Quatermass (1979), Minder (1979-94) and Widows (1983).  At Thames and Euston, Lambert enjoyed the most sustained period of critical and popular success of her career. The Naked Civil Servant won a British Academy Television Award (BAFTA) for its star John Hurt as well as a Broadcasting Press Guild Award and a prize at the Prix Italia; Rock Follies won a BAFTA and a Royal Television Society Award, while Widows also gained BAFTA nominations and ratings of over 12 million--unusually for a drama serial, it picked up viewers over the course of its six-week run. Minder went on to become the longest-running series produced by Euston Films, surviving for over a decade following Lambert's departure from the company.  Television historian Lez Cooke described Lambert's time in control of the drama department at Thames as "an adventurous period for the company, demonstrating that it was not only the BBC that was capable of producing progressive television drama during the 1970s. Lambert wanted Thames to produce drama series 'which were attempting in one way or another to tackle modern problems and life,' an ambition which echoed the philosophy of her mentor Sydney Newman." Howard Schuman, the writer of Rock Follies, also later praised the bravery of Lambert's commissioning. "Verity Lambert had just arrived as head of drama at Thames TV and she went for broke," he told The Observer newspaper in 2002. "She commissioned a serial, Jennie: Lady Randolph Churchill, for safety, but also Bill Brand, one of the edgiest political dramas ever, and us ... Before we had even finished making the first series, Verity commissioned the second."  Lambert's association with Thames and Euston Films continued into the 1980s. In 1982, she rejoined the staff of parent company Thames Television as director of drama, and was given a seat on the company's board. In November 1982 she left Thames, but remained as chief executive at Euston until leaving in November of the following year to take up her first post in the film industry, as director of production for Thorn EMI Screen Entertainment. Her job here was somewhat frustrating as the British film industry was in one of its periodic states of flux, but she did produce several feature films, including Clockwise (1986). Lambert later expressed some regret on her time in the film industry in a feature for The Independent newspaper. "Unfortunately, the person who hired me left, and the person who came in didn't want to produce films and didn't want me. While I managed to make some films I was proud of--Dennis Potter's Dreamchild, and Clockwise with John Cleese--it was terribly tough and not a very happy experience."  Lambert was Chair of the British Film Institute Production Board from 1981-82.
QUESTION:
What was her most successful project?