Problem: Background: Ellis-Bextor was born in London on 10 April 1979 to mother Janet Ellis, who was later a presenter on BBC's children's television programmes Blue Peter and Jigsaw, and father Robin Bextor, a film producer and director: they separated when she was four. As a young girl, she appeared on several Blue Peter items, with no indication given on-screen that she was Ellis's daughter. She attended St. Stephen's School and later Godolphin and Latymer School in Hammersmith.
Context: Her third album, Trip the Light Fantastic, was released in May 2007 and debuted at number seven on the UK Albums Chart. Fred Schneider of The B-52s, Richard Barone (formerly of The Bongos), Shelly Poole (formerly of Alisha's Attic), Cathy Dennis and Kerin Smith (formerly of Theaudience) contributed to produce an album of disco-pop music. Before the album, two singles were released: "Catch You", which charted in the UK at number eight, and "Me and My Imagination" (number twenty-three). The third single, "Today the Sun's on Us", debuted on the UK Singles Chart at number sixty-four.  Ellis-Bextor supported George Michael on his UK tour leg in June 2007. Her own UK tour, the Trip the Light Fantastic Tour, was due to start in August 2007, but it was postponed after Ellis-Bextor was invited to be the "special guest" on Take That's Beautiful World Tour, which commenced in October 2007. Ellis-Bextor stated that her tour would be rescheduled for March 2008, with all tickets purchased being valid for the rescheduled concerts. The tour was never rescheduled, and Ellis-Bextor subsequently refused to discuss the issue in interviews. In September 2007, Ellis-Bextor took part in Sopot Festival 2007 in Poland, representing the UK.  The song "If I Can't Dance" was announced as a single but later retracted, as was "Love Is Here"; Ellis-Bextor was supposed to release a single in late November to promote a greatest hits album, but the release date was pushed back to March 2008, and subsequently cancelled. However, "If I Can't Dance" has appeared on several compilations in Spain such as Supermodelo 2008 CD and Disco Estrella 2008.
Question: Was Trip the Light Fantastic successful?
Answer: debuted at number seven on the UK Albums Chart.

Background: Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
Context: While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964.  While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes.  In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death.  In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape.  During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.
Question: When did she get married?
Answer:
Chicago married Gerowitz in 1961.