Background: "Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre.
Context: I'm going to shatter some illusions, it was just one of those pieces I wrote for the album: just writing my batch of songs. In its early stages I almost rejected it, but then it grew. We started deciding on a single about halfway through. There were a few contenders - we were thinking of "The Prophet's Song" at one point - but then "Bohemian Rhapsody" seemed the one. There was a time when the others wanted to chop it around a bit, but I refused. If it was going to be released, it would be in its entirety. We knew it was very risky, but we had so much confidence in that song - I did anyway. I felt, underneath it all, that if it was successful it would earn a lot of respect. People were all going, You're joking, they'll never play it, you'll only hear the first few bars and then they'll fade it out. We had numerous rows. EMI were shocked - a six-minute single? You must be joking! The same in America - oh, you just got away with it in Britain.  When we finished the album, the Night at the Opera album, that was the track on it that we thought we were gonna release as a single in the UK first. And when we released it in Britain we didn't necessarily think it'd be released in America, cause we know even over here, you know, the AM tastes are even more [hesitates] stricter. Anyway we did have thoughts about even in the UK, perhaps editing it down at all, but we listened to it over and over again and there was no way we could edit it. We tried a few ideas, but if you edited it, you always lost some part of the song, so we had to leave it all in. And luckily it took off anyway.  The vocal harmonies was something we wanted to do from the beginning, as we are always keen to do that kind of thing. We wanted to be a group that could do the heaviness of hard rock, but also have harmonies swooping around all over the place. We thought there was some real power and emotion in that combination. The guitar solo was pretty much off the cuff, except I think I had plenty of time to think about that one. I remember playing along with it in the studio for a while when other things were being done. I knew what kind of melody I wanted to play.
Question: What else can you tell me about Queen comments on the record?
Answer: There was a time when the others wanted to chop it around a bit, but I refused. If it was going to be released, it would be in its entirety.

Background: Frank Joseph Kush (January 20, 1929 - June 22, 2017) was an American football player and coach. He served as the head coach at Arizona State University from 1958 to 1979, compiling a record of 176-54-1. Kush was also the head coach of the Canadian Football League's Hamilton Tiger-Cats in 1981, the National Football League's Baltimore/Indianapolis Colts from 1982 to 1984, and the Arizona Outlaws of the United States Football League in 1985. He was inducted into the College Football Hall of Fame as a coach in 1995.
Context: Kush moved to the Canadian Football League the following year, serving as head coach of the Hamilton Tiger-Cats. In his only season with the team, he led his squad to an 11-4-1 mark and a berth in the CFL Eastern Conference championship game. Controversy followed him to the CFL, however, with Kush quarreling with some Ti-Cats players when he attempted to ban the common practice of taping shoes and ankles.  That performance helped Kush return to the United States when the Baltimore Colts hired him in 1982. During the strike-shortened season, the Colts had the dubious record of being the first NFL team since the 1976 Tampa Bay Buccaneers to not win a game during the season, finishing 0-8-1. John Elway's refusal to play for the Colts after they chose him first overall in the 1983 draft has been attributed, in part, to his desire not to play for Kush.  The Colts improved the following year with a 7-9 record, then moved to Indianapolis during the off-season, much to the disappointment of Kush who had wanted the team to negotiate a move to Phoenix. After just four wins in fifteen games in 1984, Kush quit on December 13, just days before the final game of the season. Citing a desire to be closer to friends and family, Kush accepted a three-year contract with the United States Football League's Arizona Outlaws.  However, the league folded in August 1986, with Kush then living off his personal services contract with Outlaws owner Bill Tatham by offering assistance to beginners in a local youth football league, joking, "I'm the highest-paid Pop Warner coach in the country." Kush also used his disciplinarian image to serve as director of the Arizona Boys Ranch, a facility used to reform juvenile offenders.
Question: How bad did the controversy get?
Answer:
That performance helped Kush return to the United States when the Baltimore Colts hired him in 1982.