Some context: Journey is an American rock band that formed in San Francisco in 1973, composed of former members of Santana and Frumious Bandersnatch. The band has gone through several phases; its strongest commercial success occurred between 1978 and 1987. During that period, the band released a series of hit songs, including "Don't Stop Believin'" (1981), which in 2009 became the top-selling track in iTunes history among songs not released in the 21st century. Its parent studio album, Escape, the band's eighth and most successful, reached No. 1 on the Billboard 200 and yielded another of their most popular singles, "Open Arms".
With Cain on board, the band began writing material that would eventually lead up to Journey's biggest studio album, "Escape". Recording sessions began in April 1981, and lasted until the middle of June. Escape was released on July 31, 1981, and immediately the album became a mainstream success. The album, which has thus far sold nine times platinum, went to number one on the album charts later that year, and included three top-ten hits: "Who's Cryin' Now", "Don't Stop Believin'" and "Open Arms". The last is Journey's highest-charting single to date, staying at No. 2 for six consecutive weeks and ranking at No.34 on Billboard's 1982 year-end Hot 100. MTV videotaped one of their two sold-out shows in Houston on November 6, 1981, in front of over 20,000 fans.  Capitalizing on their success, the band recorded radio commercials for Budweiser and sold rights to their likenesses and music for use in two video games: the Journey arcade game by Bally/Midway and Journey Escape by Data Age for the Atari 2600.  This success was met with criticism. The 1983 Rolling Stone Record Guide gave each of the band's albums only one star, with Dave Marsh writing that "Journey was a dead end for San Francisco area rock." Marsh later would anoint Escape as one of the worst number-one albums of all time.  Journey's next album, Frontiers (1983), continued their commercial success, reaching No. 2 on the album charts, selling nearly six million copies. The album generated four Top 40 hits, "Separate Ways (Worlds Apart)", which reached No. 8, "Faithfully", which reached No. 12, "Send Her My Love" and "After the Fall", both of which reached No. 23. By this time, Journey had become one of the top touring and recording bands in the world. During the subsequent stadium tour, the band contracted with NFL Films to record a video documentary of their life on the road, Frontiers and Beyond. Scenes from the documentary were shot at JFK Stadium in Philadelphia, Pennsylvania with more than 80,000 fans in attendance.
What did the documentary cover?
A: Scenes from the documentary were shot at JFK Stadium in Philadelphia, Pennsylvania with more than 80,000 fans in attendance.
Some context: Born Marilyn Ann Briggs in Providence, Rhode Island, Chambers was raised in Westport, Connecticut, in a middle-class household. It is often reported that she was born in Westport; however, in a 2007 interview Chambers confirmed she was born in Providence but grew up in Westport. Her father was in advertising and her mother was a nurse. She was the youngest of three children, including a brother, Martin Briggs (keyboardist for 1960s Boston band The Remains), and a sister, Jann Smith.
Chambers dreamed of having a career in mainstream films and believed her celebrity as the star of Behind the Green Door and the Ivory Snow girl would be a stepping stone to other endeavors. "The paradox was that, as a result of Green Door, Hollywood blackballed me," she said later. "[Green Door] became a very high-grossing film...But, to a lot of people, it was still a dirty movie; for me to do anything else, as an actress, was totally out of the question. I became known as a porno star, and that type of labeling really hurt me. It hurt my chances of doing anything else".  Throughout the 1970s she was up for roles in several Hollywood films. Her biggest opportunity came in 1976 when it was announced in Variety that she was to star alongside Rip Torn in City Blues, a film about a young hooker defended by a seedy lawyer. The film was to be directed by Nicholas Ray. Ray had never seen Behind the Green Door or even screen-tested Chambers. Instead the two met and Ray was impressed. "I have a camera in my head," he said, adding that Chambers would "eventually be able to handle anything that the young Katie Hepburn or Bette Davis could." However, the project never came to fruition, in large part due to Ray's alcohol and drug abuse.  Chambers claimed that Jack Nicholson and Art Garfunkel brought her in to talk about a role in the 1978 film Goin' South, then asked her for cocaine and grilled her about whether her orgasms in Behind the Green Door were real; she was angered to the point where she stormed out of the interview. She was going to be cast in the film Hardcore, opposite George C. Scott, but the casting director took one look at her and said she was too wholesome to be cast as a porn queen. "The Hardcore people wanted a woman with orange hair who chews gum, swings a big purse, and wears stiletto heels. That's such a cliche," Chambers said years later. Season Hubley was cast instead.
What awards if any did she win?
A: 
Some context: Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and "beat boom" of the 1960s.
The 2017 line up is; Chris Barber and Bob Hunt (trombones); Mike Henry and Pete Rudeforth (trumpets), Bert Brandsma, Nick White and Ian Killoran (clarinets and alto sax, tenor sax, baritone sax). John Watson (drums), John Day (double bass), Joe Farler (banjo & guitar) Pat Halcox, trumpeter with the Chris Barber Band since 31 May 1954, retired after playing his last gig with the Big Chris Barber Band on 16 July 2008. Halcox and Barber were together in the band for 54 years - the longest continuous partnership in the history of jazz, exceeding even that of Duke Ellington and Harry Carney (48 years between 1926 and 1974). Tony Carter (reeds) also left the band at this time. Vic Pitt (double bass) retired in January 2007 after 30 years with the band.  His feature duet with the drummers of the day - "Big Noise From Winnetka" was not only a feature of the Barber concerts, but also his time with the Kenny Ball band immediately before. When Amy Roberts joined the band in 2011, she was still a student at Royal Northern College of Music and thus not always able to be present. On several tours Bert Brandsma (reeds) replaced her. Brandsma joined as a permanent member in 2012.  At St Luke's, London, on 9 June 2007 Barber appeared in the horn section of Nick Lowe's band during a concert. In 2008 Barber, along with Eric Clapton and others, were involved in a new co-operative record company, Blues Legacy. On 23 July 2009, Barber, Bilk and Ball played a one-off concert at Indigo2 at the O2 in Greenwich. The concert was presented by the British Music Experience. He performed at De Doelen in Rotterdam, the Netherlands, on 12 December 2010.
How did this Blue Legacy do?
A: