Problem: Johnny Burnette was born to Willie May and Dorsey Burnett Sr. in Memphis, Tennessee. (The "e" at the end of his name was added later.) Johnny grew up with his parents and Dorsey Jr. in a public housing project in the Lauderdale Courts area of Memphis, which from 1948 until 1954 was also the home of Gladys and Vernon Presley and their son, Elvis.

Now unemployed in Memphis, Burnette decided to try his luck in California. He and a friend, Joe Campbell, hitchhiked to the West Coast, where they joined Dorsey. With their past differences forgotten, the brothers attempted to resurrect the Rock and Roll Trio and sent for Paul Burlison. He joined them briefly but decided to return to Memphis and concentrate on his electrical business. Dorsey and Johnny continued with their songwriting, but Dorsey kept his day job as an electrician to pay the family expenses.  The Burnettes' brashness got them their first success in the music business in California. On arriving in Los Angeles, Joe Campbell bought a copy of "A Map to the Stars", which showed the location of the house of the teen idol Ricky Nelson. In an effort to get their songs to him, the Burnettes and Campbell decided to sit on the steps of his house until they could get a meeting with him.  Their persistence worked, and Nelson was sufficiently impressed with their work that he eventually recorded several of their songs, including "Believe What You Say", "It's Late", "Waitin' in School", and "Just a Little Too Much", amongst others. Other Imperial Records artists, such as Roy Brown, benefited from their songwriting. The success of his recording of the brothers' "Hip Shakin' Baby" led to a recording contract with Imperial Records as a duo. While in California, they met Doyle Holly, who played bass guitar for a short time with the band. Holly went on to become the bass player for Buck Owens and the Buckaroos and to record as a solo artist.  As the Burnette Brothers, they released one single, for Imperial, "Warm Love" backed with "My Honey" (Imperial X5509), on May 5, 1958. It did not make the charts. After this failure, they continued to work together as songwriters but began to follow separate careers as performing artists. In 1961, however, Johnny and Dorsey released two instrumental singles, credited to the Texans, for two small labels, Infinity and Gothic: "Green Grass of Texas" backed with "Bloody River" (Infinity INX-001), released on February 20, 1961, and "Rockin' Johnny Home" backed with "Ole Reb" (Gothic GOX-001), released on May 29, 1961. Another instrumental, "Lonely Island" backed with"Green Hills" (Liberty 55460), credited to the Shamrocks, was released by Liberty Records on June 6, 1962. "Green Grass of Texas" and "Bloody River" were to be re-released in February 1965 on the Vee Jay label (VJ 658), again credited to the Texans.

How did that turnout?

Answer with quotes: Their persistence worked, and Nelson was sufficiently impressed with their work

Question:
Michael Joseph Jackson (August 29, 1958 - June 25, 2009) was an American singer, songwriter, and dancer. Dubbed the "King of Pop", he was one of the most popular entertainers in the world, and was the best-selling music artist during the year of his death. Jackson's contributions to music, dance, and fashion along with his publicized personal life made him a global figure in popular culture for over four decades. The eighth child of the Jackson family, Michael made his professional debut in 1964 with his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5.
Jackson was influenced by musicians including Little Richard, James Brown, Jackie Wilson, Diana Ross, Fred Astaire, Sammy Davis Jr., Gene Kelly, David Ruffin, the Isley Brothers, and the Bee Gees. While Little Richard had a substantial influence on Jackson, James Brown was his greatest inspiration; he said: "Ever since I was a small child, no more than like six years old, my mother would wake me no matter what time it was, if I was sleeping, no matter what I was doing, to watch the television to see the master at work. And when I saw him move, I was mesmerized. I had never seen a performer perform like James Brown, and right then and there I knew that was exactly what I wanted to do for the rest of my life because of James Brown."  Jackson owed his vocal technique in large part to Diana Ross, especially his use of the oooh interjection, which he used from a young age; Ross had used this effect on many of the songs recorded with the Supremes. Not only a mother figure to him, she was often observed in rehearsal as an accomplished performer. He said: "I got to know her well. She taught me so much. I used to just sit in the corner and watch the way she moved. She was art in motion. I studied the way she moved, the way she sang - just the way she was." He told her: "I want to be just like you, Diana." She said: "You just be yourself."  According to choreographer David Winters, who met and befriended Jackson while choreographing the 1971 Diana Ross TV special Diana!, Jackson watched the musical West Side Story almost every week, and it was his favorite film; he paid tribute to it in "Beat It" and the "Bad" video.
Answer this question using a quote from the text above:

How did they effect his performances and style?

Answer:
While Little Richard had a substantial influence on Jackson, James Brown was his greatest inspiration;