Some context: James Stanley Brakhage ( BRAK-@j; January 14, 1933 - March 9, 2003), better known as Stan Brakhage, was an American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality, and innocence.
When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado.
What else did he receive attention for n the early 60s?
A: From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle.
Some context: John the Apostle (Aramaic: ywHnn shlyH' Yohanan Shliha; Hebrew: yvkhnn bn zbdy Yohanan ben Zavdi; Koine Greek: Ioannes; Coptic:  or ; Latin: Ioannes; c. AD 6-100) was one of the Twelve Apostles of Jesus according to the New Testament, which refers to him as Ioannes. Generally listed as the youngest apostle, he was the son of Zebedee and Salome or Joanna.
The author of the Book of Revelation identifies himself as "Ioannes" ("John" in standard English translation) The early 2nd century writer, Justin Martyr, was the first to equate the author of Revelation with John the Apostle. Most biblical scholars now agree that these were not separate individuals and that John the apostle wrote the Book of Revelation.  John the Presbyter, an obscure figure in the early church, has also been identified with the seer of the Book of Revelation by such authors as Eusebius in his Church History (Book III, 39)  and Jerome.  John is considered to have been exiled to Patmos, during the persecutions under Emperor Domitian. Revelation 1:9 says that the author wrote the book on Patmos: "I, John, both your brother and companion in tribulation... was on the island that is called Patmos for the word of God and for the testimony of Jesus Christ." Adela Yarbro Collins, a biblical scholar at Yale Divinity School, writes:  Early tradition says that John was banished to Patmos by the Roman authorities. This tradition is credible because banishment was a common punishment used during the Imperial period for a number of offenses. Among such offenses were the practices of magic and astrology. Prophecy was viewed by the Romans as belonging to the same category, whether Pagan, Jewish, or Christian. Prophecy with political implications, like that expressed by John in the book of Revelation, would have been perceived as a threat to Roman political power and order. Three of the islands in the Sporades were places where political offenders were banished. (Pliny Natural History 4.69-70; Tacitus Annals 4.30)  Some modern higher critical scholars have raised the possibility that John the Apostle, John the Evangelist, and John of Patmos were three separate individuals. These scholars assert that John of Patmos wrote Revelation but neither the Gospel of John nor the Epistles of John. For one, the author of Revelation identifies himself as "John" several times, but the author of the Gospel of John never identifies himself directly. Some Catholic scholars state that "vocabulary, grammar, and style make it doubtful that the book could have been put into its present form by the same person(s) responsible for the fourth gospel."
Can you tell me more about the book itself?
A:
John the Presbyter, an obscure figure in the early church, has also been identified with the seer of the Book of Revelation by such authors