Some context: Steranko was born in Reading, Pennsylvania. According to Steranko's authorized biography, his grandparents emigrated from Ukraine to settle in the anthracite coal-mining region of eastern Pennsylvania. Steranko's father, one of nine siblings, began working in the mines at age 10, and as an adult became a tinsmith. Steranko later said his father and uncles "would bootleg coal - they would go up into a mountain and open up a shaft.
By his account, Steranko learned stage magic using paraphernalia from his father's stage magician act, and in his teens spent several summers working with circuses and carnivals, working his way up to sideshow performer as a fire-eater and in acts involving a bed of nails and sleight-of-hand. At school, he competed on the gymnastics team, on the rings and parallel bars, and later took up boxing and, under swordmaster Dan Phillips in New York City, fencing. At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.  Up through his early 20s, Steranko performed as an illusionist, escape artist, close-up magician in nightclubs, and musician, having played in drum and bugle corps in his teens before forming his own bands during the early days of rock and roll. Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name, claiming he used pseudonyms to help protect himself from enemies. He also claims to have put the first go-go girls onstage. The seminal rock and roll group Bill Haley and his Comets was based in nearby Philadelphia and Steranko, who played a Jazzmaster guitar, often performed in the same local venues, sometimes on the same bill, and became friendly with Haley guitarist Frank Beecher, who became a musical influence. By the late 1960s, Steranko was a member of a New York City magicians' group, the Witchdoctor's Club.  Comics historian Mark Evanier notes that the influential comic-book creator Jack Kirby, who "based some of his characters ... on people in his life or in the news", was "inspired" to create the escape artist character Mister Miracle "by an earlier career of writer-artist Jim Steranko".
where was he an illusionist?
A: 
Some context: The Mothers of Invention were an American rock band from California that served as the backing musicians for Frank Zappa. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows. Originally an R&B band called the Soul Giants, the band's first lineup included Ray Collins, David Coronado, Ray Hunt, Roy Estrada and Jimmy Carl Black. Zappa was asked to take over as the guitarist following a fight between Collins and Coronado, the band's original saxophonist/leader.
The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater during Easter 1967. This proved successful and Herb Cohen extended the booking, which eventually lasted half a year. As a result, Zappa and his wife, along with the Mothers of Invention, moved to New York. Their shows became a combination of improvised acts showcasing individual talents of the band as well as tight performances of Zappa's music. Everything was directed by Zappa's famous hand signals. Guest performers and audience participation became a regular part of the Garrick Theater shows. One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a "gook baby".  Situated in New York, and only interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968). It was produced by Zappa, with Wilson credited as executive producer. From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist. We're Only in It for the Money featured some of the most creative audio editing and production yet heard in pop music, and the songs ruthlessly satirized the hippie and flower power phenomena. The cover photo parodied that of the Beatles' Sgt Pepper's Lonely Hearts Club Band, its art provided by Cal Schenkel whom Zappa had met in New York. This initiated a lifelong collaboration in which Schenkel designed covers for numerous Zappa and Mothers albums.  Reflecting Zappa's eclectic approach to music, the next album, Cruising with Ruben & the Jets (1968), was very different. It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute. Zappa has noted that the album was conceived in the way Stravinsky's compositions were in his neo-classical period: "If he could take the forms and cliches of the classical era and pervert them, why not do the same ... to doo-wop in the fifties?" A theme from Stravinsky's The Rite of Spring is heard during one song.
Did they have regular work in New York?
A: 
Some context: Chris Austin Hadfield  (born 29 August 1959) is a retired Canadian astronaut who was the first Canadian to walk in space. An engineer and former Royal Canadian Air Force fighter pilot, Hadfield has flown two space shuttle missions and served as commander of the International Space Station. Hadfield, who was raised on a farm in southern Ontario, was inspired as a child when he watched the Apollo 11 Moon landing on TV. He attended high school in Oakville and Milton and earned his glider pilot licence as a member of the Royal Canadian Air Cadets.
Hadfield attended White Oaks Secondary School in Oakville, Ontario until his senior year and then graduated as an Ontario Scholar from Milton District High School in 1977. As a member of the Royal Canadian Air Cadets, he earned a glider pilot scholarship at age 15 and a powered pilot scholarship at age 16. After graduating from high school in 1978, he joined the Canadian Armed Forces and spent two years at Royal Roads Military College followed by two years at the Royal Military College, where he received a bachelor's degree in mechanical engineering in 1982. Before graduating, he also underwent basic flight training at CFB Portage la Prairie. In 1983, he took honours as the top graduate from Basic Jet Training at CFB Moose Jaw, and then went on to train as a tactical fighter pilot with 410 Tactical Fighter Operational Training Squadron at CFB Cold Lake, flying the Canadair CF-116 Freedom Fighter and the McDonnell Douglas CF-18 Hornet. After completing his fighter training, Hadfield flew CF-18 Hornets with 425 Tactical Fighter Squadron, flying intercept missions for NORAD. He was the first CF-18 pilot to intercept a Soviet Tupolev Tu 95 long-range bomber in the Canadian Arctic.  In the late 1980s, Hadfield attended the US Air Force Test Pilot School at Edwards Air Force Base and served as an exchange officer with the US Navy at Strike Test Directorate at the Patuxent River Naval Air Station. His accomplishments from 1989 to 1992 included testing the McDonnell Douglas F/A-18 Hornet and LTV A-7 Corsair II aircraft; performing research work with NASA on pitch control margin simulation and flight; completing the first military flight of F/A-18 enhanced performance engines; piloting the first flight test of the National Aerospace Plane external burning hydrogen propulsion engine; developing a new handling qualities rating scale for high angle-of-attack test; and participating in the F/A-18 out-of-control recovery test program.  In May 1992, Hadfield graduated with a master's degree in aviation systems from the University of Tennessee Space Institute, where his thesis concerned high-angle attack aerodynamics of the F/A-18 Hornet fighter jet. In total, Hadfield has flown over 70 different types of aircraft.
What years/months did he attend some of these different military schools?
A:
In the late 1980s, Hadfield attended the US Air Force Test Pilot School