Some context: Thomas Stearns Eliot,  (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
With the important exception of Four Quartets, Eliot directed much of his creative energies after Ash Wednesday to writing plays in verse, mostly comedies or plays with redemptive endings. He was long a critic and admirer of Elizabethan and Jacobean verse drama; witness his allusions to Webster, Thomas Middleton, William Shakespeare and Thomas Kyd in The Waste Land. In a 1933 lecture he said "Every poet would like, I fancy, to be able to think that he had some direct social utility . . . . He would like to be something of a popular entertainer, and be able to think his own thoughts behind a tragic or a comic mask. He would like to convey the pleasures of poetry, not only to a larger audience, but to larger groups of people collectively; and the theatre is the best place in which to do it."  After The Waste Land (1922), he wrote that he was "now feeling toward a new form and style". One project he had in mind was writing a play in verse, using some of the rhythms of early jazz. The play featured "Sweeney", a character who had appeared in a number of his poems. Although Eliot did not finish the play, he did publish two scenes from the piece. These scenes, titled Fragment of a Prologue (1926) and Fragment of an Agon (1927), were published together in 1932 as Sweeney Agonistes. Although Eliot noted that this was not intended to be a one-act play, it is sometimes performed as one.  A pageant play by Eliot called The Rock was performed in 1934 for the benefit of churches in the Diocese of London. Much of it was a collaborative effort; Eliot accepted credit only for the authorship of one scene and the choruses. George Bell, the Bishop of Chichester, had been instrumental in connecting Eliot with producer E. Martin Browne for the production of The Rock, and later commissioned Eliot to write another play for the Canterbury Festival in 1935. This one, Murder in the Cathedral, concerning the death of the martyr, Thomas Becket, was more under Eliot's control. Eliot biographer Peter Ackroyd comments that "for [Eliot], Murder in the Cathedral and succeeding verse plays offered a double advantage; it allowed him to practice poetry but it also offered a convenient home for his religious sensibility." After this, he worked on more "commercial" plays for more general audiences: The Family Reunion (1939), The Cocktail Party (1949), The Confidential Clerk, (1953) and The Elder Statesman (1958) (the latter three were produced by Henry Sherek and directed by E. Martin Browne). The Broadway production in New York of The Cocktail Party received the 1950 Tony Award for Best Play. Eliot wrote The Cocktail Party while he was a visiting scholar at the Institute for Advanced Study.  Regarding his method of playwriting, Eliot explained, "If I set out to write a play, I start by an act of choice. I settle upon a particular emotional situation, out of which characters and a plot will emerge. And then lines of poetry may come into being: not from the original impulse but from a secondary stimulation of the unconscious mind."
What other plays did he write?
A: A pageant play by Eliot called The Rock was performed in 1934 for the benefit of churches in the
Some context: Bernhard was born Bernhard Leopold Friedrich Eberhard Julius Kurt Karl Gottfried Peter, Count of Biesterfeld in Jena, Saxe-Weimar-Eisenach, German Empire on 29 June 1911, the elder son of Prince Bernhard of Lippe and his wife, Armgard von Cramm. He was a grandson of Ernest, Count of Lippe-Biesterfeld, who was regent of the Principality of Lippe until 1904. He was also a nephew of the principality's last sovereign Leopold IV, Prince of Lippe.
Bernhard met then-Princess Juliana at the 1936 Winter Olympics at Garmisch-Partenkirchen. Juliana's mother, Queen Wilhelmina, had spent most of the 1930s looking for a suitable husband for Juliana. As a Protestant of royal rank (the Lippe-Biesterfelds were a sovereign house in the German Empire), Bernhard was acceptable for the devoutly religious Wilhelmina. Wilhelmina left nothing to chance, and had her lawyers draft a very detailed prenuptial agreement that specified exactly what Bernhard could and could not do. The couple's engagement was announced on 8 September 1936, and they were married at The Hague on 7 January 1937. Earlier, Bernhard had been granted Dutch citizenship, and changed the spelling of his names from German to Dutch. Previously styled as Serene Highness, he became a Royal Highness by Dutch Law. His appropriateness as consort of the future Queen would later become a matter of some public debate.  Prince Bernhard was father of six children, four of them with Queen Juliana. The eldest daughter is Princess Beatrix, former Queen of the Netherlands, (1938). His other daughters with Juliana are Irene (1939), Margriet (1943) and Christina (1947).  He had two illegitimate daughters. The first is Alicia von Bielefeld (born 21 June 1952), whose mother has not been identified. She is a landscape architect and lives in the United States. Prince Bernhard's sixth daughter, Alexia Grinda (a.k.a. Alexia Lejeune or Alexia Grinda-Lejeune, born in Paris on 10 July 1967), is his child by the French socialite and fashion model Helene Grinda. Although rumours about these two children had already spread, it was made official after his death. In December 2008, Dutch historian Cees Fasseur claimed that former British Conservative Cabinet Minister Jonathan Aitken was the result of a wartime affair between Prince Bernhard and Aitken's mother, previously Penelope Maffey.
Who was he married to?
A:
Princess Juliana