input: After the departure of Jeremy Hummel, Breaking Benjamin auditioned fifteen drummers, of whom Chad Szeliga stood out for his ability as a stage performer and the fact that he had "serious problem-solving skills", according to Burnley. The group's next album, Phobia, was again produced by Bendeth and was the first to be recorded with Szeliga. The concept of the album is dedicated to Burnley's various phobias. The cover of the album depicts a winged man suspended over a runway, which represents the singer's fear of flying. Burnley also suffers from death anxiety, a fear of the dark, driving anxiety, and hypochondriasis. Burnley cites his fear of flying as for why he did not perform overseas, saying, "I'll go as far as a boat will take me", though at the time the band's record label had not facilitated travel by boat. Phobia's "Intro" and "Outro" tracks feature sound effects of an airport intercom, airplane turbulance, car doors, and crowd panic.  Phobia was released on August 8, 2006 to commercial success. The album sold more than 131,000 copies in its first week of sales and peaked at No. 2 on the Billboard 200. It went gold on November 8, 2006, then platinum on May 21, 2009. Its lead single, "The Diary of Jane", peaked at No. 2 on the Mainstream Rock Songs chart and was the fastest single added to radio playlists in the history of Hollywood Records, later receiving a double platinum certification on November 24, 2015. "Breath", the record's second single, spent seven weeks at No. 1 on the Mainstream Rock Songs chart, and went platinum on November 24, 2015. The third single, "Until the End", peaked at No. 6 on the same chart, and became a gold single on February 11, 2014.  In February 2007 in support of Phobia, AXS TV (then known as HDNet) aired a one-hour Breaking Benjamin concert from Stabler Arena in Bethlehem, Pennsylvania. The broadcast recording was included on the re-released Phobia DVD in April, billed as "The Homecoming". A music video was created for "Breath" which was made from footage of the song's performance at the show. Breaking Benjamin followed with Spring and Fall tours alongside Three Days Grace, accompanied by Puddle of Mudd during the Spring tour, and Seether, Skillet, and Red during the Fall tour.  Phobia received mixed critical reception. It received praise for general composition and musicianship but received criticism for a lack of originality. AllMusic's Corey Apar found the album "nothing if not consistent," and while generally regarding the disc with positive sentiments, noted a lack of distinction from the "rest of the post-grunge/alt-metal pack" aside from "a certain charm". IGN's Spence D. gave the disc a negative review, citing tedium and lack of vocal distinction, feeling that the group's "intersection of hard rock and emo-oriented introspection" is "not a bad thing, but also not a terribly memorable or earth-shattering one, either." However, the writer praised the musicianship of Fink, Klepaski, and Szeliga, ultimately giving the album a score of 5.7 out of 10. Entertainment Weekly graded the album C+ and noted its angst-ridden themes, saying, "as pathological angst goes, it's expertly done, with expansive choruses and epic riffs - not that that matters, when, like, we're all going to die cold and alone anyway."

Answer this question "What was the name of the drummer who performed on Phobia?"
output: Chad Szeliga

input: While at Pithoragarh, Baker found his English construction education to be inadequate for the types of issues and materials he was faced with: termites and the yearly monsoon, as well as laterite, cow dung, and mud walls, respectively, Baker had no choice but to observe and learn from the methods and practices of vernacular architecture. He soon learned that the indigenous architecture and methods of these places were in fact the only viable means to deal with local problems.  Inspired by his discoveries (which he modestly admitted were 'discoveries' only for him, and mere common knowledge to those who developed the practices he observed), he realized that unlike the Modernist architectural movement that was gaining popularity at the time denouncing all that was old just because it was old didn't make sense. Baker adopted local craftsmanship, traditional techniques and materials but then combined it with modern design principles and technology wherever it made sense to do so. This prudent adoption of modern technology helped local architecture retain its cultural identity and kept costs low due to the use of local materials. It also revived the local economy due to the use of local labour for both construction of the buildings and for manufacture of construction materials such as brick and lime surkhi.  Baker built several schools, chapels and hospitals in the hills. Eventually, as word spread of his cost-effective buildings more clients from the plains started to contact Baker. One of the early clients was Welthy Fisher, who sought to set up a 'Literacy Village' in which she intended to use puppetry, music and art as teaching methods to help illiterate and newly-literate adults add to their skills. An ageing woman who risked her health to visit Laurie, she refused to leave until she received plans for the village. More and more hospital commissions were received as medical professionals realised that the surroundings for their patients were as much a part of the healing process as any other form of treatment, and that Baker seemed the only architect who cared enough to become familiarised with how to build what made Indian patients comfortable with those surroundings. His presence would also soon be required on-site at Ms. Fisher's "Village," and he became well known for his constant presence on the construction sites of all his projects, often finalising designs through hand-drawn instructions to masons and labourers on how to achieve certain design solutions.

Answer this question "What did this mean to his cost"
output: Baker had no choice but to observe and learn from the methods and practices of vernacular architecture.

input: Fernando was born in Piedrahita, Province of Avila, on 29 October 1507. He was the son of Garcia Alvarez de Toledo y Zuniga, heir of Fadrique Alvarez de Toledo and Enriquez de Quinones, II Duke of Alba de Tormes, and of Beatriz Pimentel, daughter of Rodrigo Alonso Pimentel, IV Count - I Duke of Benavente and his wife, Maria Pacheco. Fernando was orphaned at age three when his father, Garcia, died during a campaign on the island of Djerba in Africa in 1510. At the age of six, Fernando accompanied his grandfather, the second duke of Alba on a military mission to capture Navarre.  His youth and education were typical for Castilian nobility of the age. He was educated at the ducal court of the House of Alba, located in the Castle Palace of Alba de Tormes, by two Italian preceptors, Bernardo Gentile - a Sicilian Benedictine - and Severo Marini and by the Spanish Renaissance poet and writer Juan Boscan. He was educated in Roman Catholicism and humanism. He mastered Latin and knew French, English and German.  In 1524, when he was seventeen, he joined the troops of Constable of Castile, Inigo Fernandez de Velasco, II Duke of Frias, during the capture of Fuenterrabia, then occupied by France and Navarre. For his role in the siege, Fernando was appointed governor of Fuenterrabia.  When his grandfather Fadrique died in 1531, the ducal title passed to Fernando as the firstborn son of Garcia. Throughout his adulthood, he served the Spanish monarchs Charles I and his successor Philip II.

Answer this question "Is there anything else you can tell me of note?"
output:
He was educated in Roman Catholicism and humanism. He mastered Latin and knew French, English and German.