Problem: Michele Marie Bachmann (; nee Amble; April 6, 1956) is an American politician. A member of the Republican Party, she is a former member of the United States House of Representatives, who represented Minnesota's 6th congressional district from 2007 to 2015. The district includes several of the northern suburbs of the Twin Cities, as well as St. Cloud.

Michele Marie Amble was born in Waterloo, Iowa on April 6, 1956, to Norwegian-American  parents David John Amble (1929-2003) and "Arlene" Jean Amble (nee Johnson) (born c. 1932). One pair of her great-great-great grandparents, Melchior and Martha Munson, left Sogndal in Norway and arrived in Wisconsin in 1857. She was still a young girl when her father, an engineer, moved the family to Brooklyn Park, Minnesota. She was 14 years old when her parents filed for divorce. Her father remarried and moved to California, and young Michele and her mother Jean moved to Anoka, Minnesota. Her mother remarried three years later to widower Raymond J. LaFave.  In 1978, she married Marcus Bachmann, now a clinical therapist with a master's degree from Regent University and a Ph.D. from Union Graduate School, whom she met while they were undergraduates. After she received an LL.M. in taxation from William & Mary School of Law in 1988, the couple moved to Stillwater, Minnesota, a town of 18,000 near Saint Paul, where they run a Christian counseling center that provided gay conversion therapy. Bachmann and her husband have five children: Lucas, Harrison, Elisa, Caroline, and Sophia. Bachmann said in a 2011 town hall meeting that she suffered a miscarriage after the birth of their second child, Harrison, an event she said shaped her pro-life views.  Bachmann and her husband have also provided foster care to 23 other children, all teenage girls. The Bachmanns were licensed from 1992 to 2000 to handle up to three foster children at a time; the last child arrived in 1998. The Bachmanns began by providing short-term care for girls with eating disorders who were patients in a University of Minnesota program. The Bachmann home was legally defined as a treatment home, with a daily reimbursement rate per child from the state. Some girls stayed a few months, others more than a year.  She is a former beauty pageant queen.

what are their names?

Answer with quotes: Lucas, Harrison, Elisa, Caroline, and Sophia.


Problem: Sergio Santos Mendes (Portuguese pronunciation: ['seRZju 'satuZ 'medZiS]; born February 11, 1941) is a Brazilian musician. He has over 55 releases, and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Academy Award for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio. Mendes is married to Gracinha Leporace, who has performed with him since the early 1970s.

Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums.

Are there any other interesting aspects about this article?

Answer with quotes:
he was the undisputed master of pop-inflected Brazilian jazz.