Some context: Anggun Cipta Sasmi (Indonesian pronunciation: [aNG'gun 'tSipta 'sasmi]; born 29 April 1974) is an Indonesian and French-naturalised singer-songwriter. Born in Jakarta, she began performing at the age of seven and recorded a children's album two years later. With the help of famed Indonesian producer Ian Antono, in 1986 Anggun released her first rock-influenced studio album, Dunia Aku Punya.
Anggun was born and raised in Jakarta to a native Indonesian family. She is the second child and first daughter of Darto Singo, a Javanese writer, and Dien Herdina, a housewife from the Yogyakartan royal family. Her full name means "grace born of a dream" in Balinese. Despite being a Muslim, Anggun was sent to a Catholic school to receive a better elementary education. At the age of seven, Anggun began receiving highly disciplined instruction in singing from her father. She trained daily, learning various vocal techniques. To help further develop her career, her mother began serving as her manager, accepting singing offers and handling business concerns. At the age of nine, Anggun began to write her own songs and recorded her first children's album.  As a preteen, Anggun was influenced by Western rock music artists. At the age of twelve, she released her first official studio album, Dunia Aku Punya (1986). The album was produced by Ian Antono, an Indonesian rock musician. However, the album failed to establish her popularity. Three years later, Anggun achieved some fame after the release of the single "Mimpi"; the song was later ranked by the Rolling Stone Indonesia magazine as one of the 150 Greatest Indonesian Songs of All Time. Anggun's fame continued to increase with the release of subsequent singles, most notably "Tua Tua Keladi" (1990), which became her most popular hit in Indonesia. After a string of successful singles, Anggun released the studio albums Anak Putih Abu Abu (1991) and Nocturno (1992). The former earned her the Most Popular Indonesian Artist 1990-1991 award.  In 1992, Anggun began a relationship with Michel de Gea, a French engineer, whom she had met the year before in Kalimantan while touring. The couple married, despite a rumoured objection by Anggun's family, reportedly because they felt Anggun was too young . Georgea later became Anggun's manager. The following year, Anggun became the youngest Indonesian singer to found her own record company, Bali Cipta Records, and took complete creative control over her work. She produced her final Indonesian studio album, Anggun C. Sasmi... Lah!!! (1993), which yielded the number-one single "Kembalilah Kasih (Kita Harus Bicara)". By age nineteen, Anggun had sold over four million albums in Indonesia. She began to feel dissatisfied with her success in her country and began considering an international music career. Anggun later recalled: "[By the time] I was 20, I'd made five albums. I'd built my own record company. I'd produced my last album and produced some Indonesian acts as well. And I said to myself: 'I'm tired! I cannot achieve more than I already have. There's no challenge anymore'."
What was the critics response to that album?
A: 
Some context: Lula Grace Johnson (born March 13, 1929), known professionally as Jan Howard, is an American country music singer and Grand Ole Opry star. She attained popular success as a country female vocalist during the 1960s and early 1970s and was twice nominated for the Best Female Country Vocal Performance Grammy award. Many of her hits were written by her husband at the time, Harlan Howard. Howard's biggest hit and signature song was the 1966 country hit "Evil on Your Mind", which peaked at number five on the Billboard country charts.
In 1970, Howard and Anderson's record "If It's All the Same to You" hit number two on the country charts that year, just missing the top spot. Their album of the same name was released that year also. Their 1970 album Bill and Jan or Jan and Bill spawned two more top-10 country singles, "Someday We'll Be Together" (1970) and "Dis-Satisfied" (1971). In 1970 and 1971, the duet pair was nominated for Vocal Duo of the Year by the CMA Awards. Howard's solo recordings began to be somewhat less successful in the early 1970s, hitting the top 40 as a soloist only twice with "Rock Me Back to Little Rock" (1970) and "Love is Like a Spinning Wheel" (1972).  Howard's son David committed suicide. This devastated Howard, still reeling from her older son's death in Vietnam four years earlier, and she seriously considered quitting the music industry. She did limit her personal appearances for many years, retiring from the Bill Anderson touring show and ultimately replaced by Mary Lou Turner. In 1973, she left Decca Records (shortly after it changed into MCA Records) and recorded for several smaller labels, hitting the back of the country charts several times into the late 1970s. In 1976, she began appearing with Johnny Cash's touring show, performing as a soloist and as a backup member of the Carter Family, until being fired by Cash in 1980. References made by the media regarding an affair between Howard and Cash were rather poorly dismissed by Cash, and Cash biographies leave the question unresolved.  In 1978, Howard began occasionally performing as a background vocalist for her friend Tammy Wynette. She still performed as a soloist on the Grand Ole Opry and in concert, however.
Did it chart?
A:
hit number two on the country charts that year, just missing the top spot.