Question:
Charles Edward "Charlie" Haden (August 6, 1937 - July 11, 2014) was an American jazz double bass player, bandleader, composer and educator known for his deep, warm sound, and whose career spanned more than fifty years. In the late 1950s, Haden was an original member of the ground-breaking Ornette Coleman Quartet. Haden revolutionized the harmonic concept of bass playing in jazz. About him, German musicologist Joachim-Ernst Berendt commented, "His ability to create serendipitous harmonies by improvising melodic responses to Coleman's free-form solos (rather than sticking to predetermined harmonies) was both radical and mesmerizing.
In addition to his lyrical playing, Haden was known for his warm tone and subtle vibrato on the double bass. His approach to the bass stemmed from his belief that the bassist should move from an accompanying role to a more direct role in group improvisation. This is particularly clear in his work with the Ornette Coleman Quartet where he frequently improvised melodic responses to Coleman's free-form solos instead of playing previously written lines. He frequently closed his eyes while performing, and assumed a posture in which he bent himself around the bass until his head was almost at the bottom of the bridge of the bass.  In an interview with Haden, pianist Ethan Iverson noted that Haden's "combination of folk song, avant-garde sensibility, and Bach-like classical harmony is a stream in this music just as distinctive as Thelonious Monk or Elvin Jones."  Haden owned one three-quarter-sized bass, and one seven-eighth-sized bass. The larger bass is one of a small number of basses made by Jean-Baptiste Vuillaume, a French luthier, in the mid-nineteenth century. He greatly valued this bass, playing it only at recording sessions and jobs in close proximity to his home so as not to risk damaging it in transit. He attributed the bass's special and valuable nature to the varnish used by Vuillaume, which is similar to Italian varnish.  Haden suffered from tinnitus, a ringing in both ears that he believed he acquired from constant exposure to playing in proximity to drums, and possibly from an extremely loud concert in which he played during the late 1960s. He also suffered from hyperacousis, or sensitivity to loud noises. As a result, when he played with a drummer, he had to play behind a Plexiglass divider.  "American Quartet" pianist, Keith Jarrett, said of Charlie's way of playing, "He wanted to relate to the material in a very personal style all the time. He wasn't somebody to get into a groove and just enjoy it simply because it was a groove".
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Did he write his own lyrics?

Answer:



Question:
Geoff Tate (born Jeffrey Wayne Tate, January 14, 1959; he later changed his first name to Geoffery or Geoffrey) is a German-born American singer and musician. He rose to fame with the progressive metal band Queensryche, who had commercial success with their 1988 album Operation: Mindcrime and 1990 album Empire. Tate is ranked fourteenth on Hit Parader's list of the 100 Greatest Metal Vocalists of All Time.
While Tate was in the band Babylon, he was asked to sing with the cover band The Mob (who would later start writing original material and become Queensryche) at a local rock festival. After Babylon broke up, Tate performed a few shows with The Mob, but left because he was not interested in performing heavy metal cover songs. Tate then joined the progressive metal band Myth as lead vocalist and keyboardist. Other band members of Myth included Kelly Gray, who was later one of the replacements for Queensryche guitarist Chris DeGarmo, and Randy Gane, both of whom joined Tate's version of Queensryche in 2012.  The Mob again called on Tate in 1981, this time to record a demo tape, which he accepted, convincing his bandmates in Myth that getting professional recording experience would benefit all of them in the future. The band already had a set of songs, but one song was still left without lyrics. Tate was asked to write lyrics to this song, which would become the song "The Lady Wore Black", Tate's first penned song with the band. The demo tape was widely circulated, and was released as an EP in 1982 on the 206 Records label. Around this time, the name The Mob was changed to Queensryche, and Tate left Myth to become Queensryche's permanent lead singer. Myth went on to record the album Arabia after Tate had left.  Queensryche was signed to EMI in the summer of 1983, with a contract spanning 15 years and encompassing seven albums. EMI re-released the EP, Queensryche, to moderate success, peaking at No. 81 on the Billboard charts. With Queensryche, Tate had great successes, especially with the concept album Operation: Mindcrime, which was released in 1988, and 1990's Empire. The band has sold over 20 million albums worldwide.  On June 20, 2012, it was announced that Queensryche had fired Tate, replacing him with Crimson Glory vocalist Todd La Torre. Soon after, Tate and his wife Susan (who served as the band's manager from 2005-2012) filed a lawsuit in a Washington court, saying that he was wrongfully terminated from the group. They also filed a preliminary injunction in an attempt to prevent either side from using the band's name and likeness until the lawsuit was settled, but this was denied by a judge who decided that both parties can use the name Queensryche until a settlement or a court verdict determines who gets the name. It was revealed to the public on April 28, 2014 that Rockenfield, Wilton and Jackson were given the exclusive rights to the Queensryche trademark and that Tate received the rights to Operation: Mindcrime.
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Did this end his career?

Answer:
April 28, 2014 that Rockenfield, Wilton and Jackson were given the exclusive rights to the Queensryche trademark and that Tate received the rights to Operation: Mindcrime.