Answer the question at the end by quoting:

Giulio Andreotti  (Italian: ['dZu:ljo andre'otti]; 14 January 1919 - 6 May 2013) was an Italian politician and statesman who served as the 41st Prime Minister of Italy and leader of the Christian Democracy party; he was the sixth longest-serving Prime Minister since the Italian Unification and the second longest-serving post-war Prime Minister, after Silvio Berlusconi. Andreotti is widely considered the most powerful and prominent politician of the so-called First Republic. Beginning as a protege of Alcide De Gasperi, Andreotti achieved cabinet rank at a young age and occupied all the major offices of state over the course of a forty-year political career, being seen as a reassuring figure by the civil service, business community, and Vatican. In foreign policy, he guided Italy's European Union integration, and established closer relations with the Arab world.
Giulio Andreotti, the youngest of three children, was born on 14 January 1919 in Rome. His father was a primary school teacher from Segni, a small town in Lazio, who died when Giulio was two; after a few years his sister Elena also died. Andreotti attended the Liceo Torquato Tasso in Rome and graduated in Law at the University of Rome, with the vote of 110/110.  He showed some ferocity as a youth, once stubbing out a lit taper in the eye of another altar boy who was ridiculing him. His mother was described as not very affectionate, and an aunt is said to have advised him to remember that few things in life are important, and never to over-dramatise difficulties. As an adult he was described as having a somewhat unusual demeanor for an Italian politician, being mild-mannered and unassuming. Andreotti did not use his influence to advance his children to prominence, despite being widely considered the most powerful person in the country for decades. "See all, tolerate much, and correct one thing at a time," was a quote that emphasised what has been called his 'art of the possible' view of politics.  Andreotti was known for his discretion and retentive memory, and also a sense of humour, often placing things in perspective with a sardonic quip. Andreotti's personal support within the Christian Democrats was limited, but he had the ability to see where the mutual advantage for apparently conflicting interests lay, and put himself at the centre of events as mediator.

where did he go to school?

attended the Liceo Torquato Tasso in Rome and graduated in Law at the University of Rome, with the vote of 110/110.

Some context: Burton was born to American parents at the U.S. Army Landstuhl Regional Medical Center in West Germany. His mother, Erma Gene (nee Christian), was a social worker, administrator, and educator. His father, Levardis Robert Martyn Burton, was a photographer for the U.S. Army Signal Corps at the time he was stationed at Landstuhl. Burton and his two sisters were raised by his mother in Sacramento, California.
Burton first appeared on television in a drama about a misunderstood deaf boy. LeVar Burton made his film acting debut in 1977 when he played Kunta Kinte in the ABC award-winning drama series Roots, based on the novel by Alex Haley. Burton's audition for the role of Kinte was the first of his professional career. As a result of his performance, he was nominated for the Emmy for Best Actor in a Drama Series. Burton reprised the role of Kunta Kinte in the 1988 television film Roots: The Gift. When asked about the societal impacts of Roots, Burton is quoted as saying, "It expanded the consciousness of people. Blacks and whites began to see each other as human beings, not as stereotypes. And if you throw a pebble into the pond, you're going to get ripples. I think the only constant is change, and it's always slow. Anything that happens overnight is lacking in foundation. Roots is part of a changing trend, and it's still being played out."  Burton played a role as a visitor to Fantasy Island, was a participant in Battle of the Network Stars, a guest of the Muppet Show's televised premiere party for the release of The Muppet Movie, and a frequent guest on several game shows. In 1986, he appeared in the music video for the song "Word Up!" by the funk/R&B group Cameo.  Burton accepted an invitation to host Rebop, a multicultural series designed for young people ages 9-15, produced by WGBH for PBS.
Who else was in Fantasy island with him?
A: 

IN: Robert Dennis Crumb (; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture. Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics.

In January 1967 Crumb came across two friends in a bar who were about to leave for San Francisco; Crumb was interested in the work of San Francisco-based psychedelic poster artists, and on a whim asked if he could join them. There, he contributed upbeat LSD-inspired countercultural work to underground newspapers. The work was popular, and Crumb was flooded with requests, including to illustrate a full issue of Philadelphia's Yarrowstalks.  Independent publisher Don Donahue invited Crumb to make a comic book; Crumb drew up two issues of Zap Comix, and Donahue published the first in February 1968 under the publisher name Apex Novelties. Crumb had difficulty at first finding retailers who would stock it, and at first his wife took to selling the first run herself out of a baby carriage.  Crumb met cartoonist S. Clay Wilson, an art school graduate who saw himself as a rebel against middle-class American values and whose comics were violent and grotesque. Wilson's attitude inspired Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression; in particular, his work soon became sexually explicit, as in the pornographic Snatch he and Wilson produced late in 1968.  The second issue of Zap appeared in June with contributions from Wilson and poster artists Victor Moscoso and Rick Griffin. In December, Donahue published the still-unreleased issue as #0 and a new third issue with Gilbert Shelton joining the roster of regulars. Zap was financially successful, and developed a market for underground comix.  Crumb was a prolific cartoonist in the late 1960s and early 1970s; at his peak point of output he produced 320 pages over two years. He produced much of his best-known work then, including his Keep on Truckin' strip, and strips featuring characters such as the bohemian Fritz the Cat, spiritual guru Mr. Natural, and oversexed African-American stereotype Angelfood McSpade. During this period, he launched a series of solo titles, including Despair, Uneeda (both published by Print Mint in 1969), Big Ass Comics, R. Crumb's Comics and Stories, Motor City Comics (all published by Rip Off Press in 1969), Home Grown Funnies (Kitchen Sink Press, 1971) and Hytone Comix (Apex Novelties, 1971), in addition to founding the pornographic anthologies Jiz and Snatch (both Apex Novelties, 1969).

did he win any awards for his work?

OUT: