Some context: Cabaret is a 1972 American musical drama film which was directed by Bob Fosse and which starred Liza Minnelli, Michael York, and Joel Grey. Situated in Berlin during the Weimar Republic in 1931, under the presence of the growing Nazi Party, the film is loosely based on the 1966 Broadway musical Cabaret by Kander and Ebb, which was adapted from the novel The Berlin Stories / Goodbye to Berlin (1939) by Christopher Isherwood and the 1951 play I Am a Camera adapted from the same book. Only a few numbers from the stage score were used for the film; Kander and Ebb wrote new ones to replace those that were discarded. In the traditional manner of musical theater, called an "integrated musical", every significant character in the stage version sings to express his or her own emotion and to advance the plot.
Roger Ebert gave a positive review, saying: "This is no ordinary musical. Part of its success comes because it doesn't fall for the old cliche that musicals have to make you happy. Instead of cheapening the movie version by lightening its load of despair, director Bob Fosse has gone right to the bleak heart of the material and stayed there well enough to win an Academy Award for Best Director." Variety says: "The film version of the 1966 John Kander-Fred Ebb Broadway musical Cabaret is most unusual: it is literate, bawdy, sophisticated, sensual, cynical, heart-warming, and disturbingly thought-provoking. Liza Minnelli heads a strong cast. Bob Fosse's generally excellent direction recreates the milieu of Germany some 40 years ago." Jamie Russel from BBC.com reviewed: "The first musical ever to be given an X certificate, Bob Fosse's 'Cabaret' launched Liza Minnelli into Hollywood superstardom and reinvented the musical for the Age of Aquarius."  Pauline Kael wrote a review applauding the film: "A great movie musical. Taking its form from political cabaret, it's a satire of temptations. In a prodigious balancing act, Bob Fosse, the choreographer-director, keeps the period--Berlin, 1931--at a cool distance. We see the decadence as garish and sleazy; yet we also see the animal energy in it--everything seems to become sexualized. The movie does not exploit decadence; rather, it gives it its due. With Joel Grey as our devil-doll host--the master of ceremonies--and Liza Minnelli (in her first singing role on the screen) as exuberant, corruptible Sally Bowles, chasing after the life of a headliner no matter what; Minnelli has such gaiety and electricity that she becomes a star before our eyes."  In 2013, film critic Peter Bradshaw listed Cabaret at number one on his list of "Top 10 musicals", describing it as "satanically catchy, terrifyingly seductive ... directed and choreographed with electric style by Bob Fosse ... Cabaret is drenched in the sexiest kind of cynicism and decadent despair."
Any other critics rate the movie?
A: Cabaret is drenched in the sexiest kind of cynicism and decadent despair."
Some context: Muhammad Zia-ul-Haq was born in a Punjabi Arain family in Jalandhar, Punjab State of the British India, on 12 August 1924 as the second child of Muhammad Akbar, who worked as a staff clerk in the Army GHQ of India Command of British Armed Forces in Delhi and Shimla, prior to the independence of Pakistan from British colonial rule in 1947. Most accounts confirm that Zia-ul-Haq came from a religious family and religion played an important part in molding his personality. His father was known as ''Maulvi'' Akbar Ali due to his religious devotion. He completed his initial education in Simla and then attended St. Stephen's College of the University of Delhi for his BA degree in History, which he graduated with highest marks in the college in 1943.
The United States, notably the Reagan Administration, was an ardent supporter of Zia's military regime and a close ally of Pakistan's conservative-leaning ruling military establishment. The Reagan administration declared Zia's regime as the "front line" ally of the United States in the fight against the threat of Communism. American legislators and senior officials most notable were Zbigniew Brzezinski, Henry Kissinger, Charlie Wilson, Joanne Herring, and the civilian intelligence officers Michael Pillsbury and Gust Avrakotos, and senior US military officials General John William Vessey, and General Herbert M. Wassom, had been long associated with the Zia military regime where they had made frequent trips to Pakistan advising on expanding the idea of establishment in the political circle of Pakistan. Nominally, the American conservatism of Ronald Reagan's Republican Party influenced Zia to adopt his idea of Islamic Islamic conservatism as the primary line of his military government, forcefully enforcing the Islamic and other religious practices in the country.  The socialist orientation had greatly alarmed the capitalist forces in Pakistan and as well as brought a clinging bell tolls alarm to the United States who feared the loss of Pakistan as an ally in the cold war. Many of Pakistan's political scientists and historians widely suspected that the riots and coup against Zulfikar Ali Bhutto was orchestrated with help of the US Central Intelligence Agency (CIA) and the United States Government because United States growing fear of Bhutto's socialist policies which were seen as sympathetic towards the Soviet Union and had built a bridge that allowed Soviet Union to be involved in Pakistan, and had access through Pakistan's warm water port; something that the United States was unable to gain access since the establishment of Pakistan in 1947. Former US Attorney General Ramsey Clark widely suspected the United States' involvement in bringing down the Bhutto's government, and publicly accused the United States' Government after attending the trial. On the other hand, the United States refused any involvement in Bhutto's fall, and argued that it was Bhutto who had alienated himself over the five years. While witnessing the dramatic fall of Bhutto, one US diplomat in American Embassy in Islamabad wrote that:  During Bhutto's five years in Pakistan's helm, Bhutto had retained an emotional hold on the poor masses who had voted him overwhelmingly in 1970s general elections. At the same time, however, Bhutto had many enemies. The socialist economics and nationalization of major private industries during his first two years on office had badly upsets the Business circles.... An ill-considered decision to take over the wheat-milling, rice-husking, sugar mills, and cotton-gaining, industries in July of 1976 had angered the small business owners and traders. Both leftists--socialists and communists, intellectuals, students, and trade unionists--felt betrayed by Bhutto's shift to centre-right wing conservative economics policies and by his growing collaboration with powerful feudal lords, Pakistan's traditional power brokers. After 1976, Bhutto's aggressive authoritarian personal style and often high-handed way of dealing with political rivals, dissidents, and opponents had also alienated many....
How did the US respond?
A:
and publicly accused the United States' Government after attending the trial. On the other hand, the United States refused any involvement in Bhutto's fall,