Some context: White Lies are an English post-punk band from Ealing, London. Formerly known as Fear of Flying, the core band members are Harry McVeigh (lead vocals, guitar), Charles Cave (bass guitar and backing vocals), and Jack Lawrence-Brown (drums). The band perform live as a five-piece, when sidemen Tommy Bowen and Rob Lee join the line up. White Lies' musical style has been described as dark yet uplifting by the media, drawing comparisons to Editors, Interpol, Joy Division, and The Killers.
In an interview with NME in January 2013, bassist Charles Cave revealed that the band's third album is intended to be released in late summer, with one of the tracks promoting the record being called "Getting Even". On 4 June 2013 it was revealed that the album, which was produced by Ed Buller and recorded earlier this year, will be titled Big TV. Also, the track list for the album was published and "Getting Even" was released as a free download. The first official single from the album, "There Goes Our Love Again", was released on 5 August 2013, with the album being released in the UK and Europe a week later, on 12 August 2013 through Fiction Records. It was released on 20 August 2013 in the US (through Harvest Records), and in Canada (Universal Music).  On 23/24/25 July 2013, White Lies played 3 intimate shows at Hoxton Square Bar & Kitchen in London, celebrating the 5 year anniversary of the band's first ever gig at the same venue. They played tracks from Big TV and some of their earlier songs in front of 300 fans each night. During their Summer/Fall 2013 tour, the band is scheduled to play more than thirty concerts in Europe and North America. In August 2013 they made their Main Stage debut at Reading and Leeds Festivals.  On 6 November 2013, the band released a limited edition EP to celebrate their tour, called Small TV. The five-track EP released on Fiction Records was limited to 1000 copies and features covers from Lana Del Rey and Prince in addition to new versions of their own tracks.
Can you tell me more about the EP?
A: The five-track EP released on Fiction Records was limited to 1000 copies and features covers from Lana Del Rey and Prince in addition to new versions of their own tracks.
Some context: Thomas was born in the rural community of Cayce, Mississippi, the son of a sharecropper. He moved with his family to Memphis, Tennessee, around 1920. His mother was a "church woman". Thomas made his debut as a performer at the age of six, playing a frog in a school theatrical production.
In 1960 he made his first recordings with his 17-year-old daughter Carla, for the Satellite label in Memphis, which changed its name to Stax the following year. The song, "Cause I Love You", featuring a rhythm borrowed from Jesse Hill's "Ooh Poo Pa Doo", was a regional hit; the musicians included Thomas' son Marvell on keyboards, Steinberg, and the 16-year-old Booker T. Jones. The record's success led to Stax gaining production and distribution deal with the much larger Atlantic Records.  Rufus Thomas continued to record for the label after Carla's record "Gee Whiz" reached the national R&B chart in 1961. He had his own hit with "The Dog", a song he had originally improvised in performance based on a Willie Mitchell bass line, complete with imitations of a barking dog. The 1963 follow-up, "Walking the Dog", engineered by Tom Dowd of Atlantic, became one of his most successful records, reaching #10 on the Billboard pop chart. He became the first, and still the only, father to debut in the Top 10 after his daughter had first appeared there. The song was recorded in early 1964 by the Rolling Stones on their debut album, and was a minor UK chart hit for Merseybeat group the Dennisons later that year.  As well as recording and appearing on radio and in clubs, Thomas continued to work as a boiler operator in the textile plant, where he claimed the noises sometimes suggested musical rhythms and lyrics to him, before he finally gave up the job in 1963, to focus on his role as a singer and entertainer. He recorded a series of novelty dance tracks, including "Can Your Monkey Do the Dog'" and '"Somebody Stole My Dog" for Stax, where he was often backed by Booker T. & the MGs or the Bar-Kays. He also became a mentor to younger Stax stars, giving advice on stage moves to performers like Otis Redding, who partnered daughter Carla on record.  After "Jump Back" in 1964, the hits dried up for several years, as Stax gave more attention to younger artists and musicians. However, in 1970 he had another big hit with "Do the Funky Chicken", which reached #5 on the R&B chart, #28 on the pop chart, and #18 in Britain where it was his only chart hit. Thomas improvised the song while performing with Willie Mitchell's band at a club in Covington, Tennessee, including a spoken word section that he regularly used as a shtick as a radio DJ: "Oh I feel so unnecessary - this is the kind of stuff that makes you feel like you wanna do something nasty, like waste some chicken gravy on your white shirt right down front." The recording was produced by Al Bell and Tom Nixon, and used the Bar-Kays, featuring guitarist Michael Toles. Thomas continued to work with Bell and Nixon as producers, and later in 1970 had his only number 1 R&B hit, and his highest pop charting record, with another dance song, "Do the Push and Pull". A further dance-oriented release in 1971, "The Breakdown", climbed to number 2 R&B and number 31 Pop. In 1972, he featured in the Wattstax concert, and he had several further, less successful, hits before Stax collapsed in 1976.
Did the record had any success ?
A:
The record's success led to Stax gaining production and distribution deal with the much larger Atlantic Records.