Some context: Alejandro Jodorowsky Prullansky (Spanish: [ale'xandro xodo'rofski]; born 17 February 1929) is a Chilean-French filmmaker. Active since 1948, in seventy years of his artistic career Jodorowsky has experienced it in almost all creative forms: writer (in his five facets: novelist, storyteller, poet, playwright and essayist), film director and producer, actor of cinema and theatre, playwright, theatre director, screenwriter, film editor, comics writer, musician, soundtrack composer, philosopher, puppeteer, mime, psychologist and psychoanalyst, draughtsman, painter, eventually sculptor and spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation". Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry.
In regard to the making of El Topo, Jodorowsky stated:  "When I wanted to do the rape scene, I explained to [Mara Lorenzio] that I was going to hit her and rape her. There was no emotional relationship between us, because I had put a clause in all the women's contracts stating that they would not make love with the director. We had never talked to each other. I knew nothing about her. We went to the desert with two other people: the photographer and a technician. No one else. I said, 'I'm not going to rehearse. There will be only one take because it will be impossible to repeat. Roll the cameras only when I signal you to.' Then I told her, 'Pain does not hurt. Hit me.' And she hit me. I said, 'Harder.' And she started to hit me very hard, hard enough to break a rib...I ached for a week. After she had hit me long enough and hard enough to tire her, I said, 'Now it's my turn. Roll the cameras.' And I really...I really...I really raped her. And she screamed ... Then she told me that she had been raped before. You see, for me the character is frigid until El Topo rapes her. And she has an orgasm. That's why I show a stone phallus in that scene ... which spouts water. She has an orgasm. She accepts the male sex. And that's what happened to Mara in reality. She really had that problem. Fantastic scene. A very, very strong scene."  In the documentary Jodorowsky's Dune, Jodorowsky states:  "It's different. It was my Dune. When you make a picture, you must not respect the novel. It's like you get married, no? You go with the wife, white, the woman is white. You take the woman, if you respect the woman, you will never have child. You need to open the costume and to... to rape the bride. And then you will have your picture. I was raping Frank Herbert, raping, like this! But with love, with love."  As a result of these statements, Jodorowsky has been criticised. Matt Brown of Screen Anarchy wrote that "it's easier to wall off a certain type of criminality behind the buffer of time--sure, Alejandro Jodorowsky is on the record in his book on the making of the film as having raped Mara Lorenzo while making El Topo--though he later denied it--but nowadays he's just that hilarious old kook from Jodorowsky's Dune!" Emily Asher-Perrin of Tor.com called Jodorowsky "an artist who condones rape as a means to an end for the purpose of creating art. A man who seems to believe that rape is something that women 'need' if they can't accept male sexual power on their own". Sady Doyle of Elle wrote that Jodorowsky "has been teasing the idea of an unsimulated rape scene in his cult classic film El Topo for decades ... though he's elsewhere described the unsimulated sex in that scene as consensual", and went on to state that the quote "has not endangered his status as an avant-garde icon".
how was that received by others?
A: Matt Brown of Screen Anarchy wrote that "it's easier to wall off a certain type of criminality behind the buffer of time--sure,
Some context: Hooper was born on August 24, 1887, in Bell Station, California. His family had migrated to California as many other families from the United States due to the California Gold Rush. His father, Joseph "Joe" Hooper, was born in Morrell, Prince Edward Island in Canada. Joe was the fourth child and second boy born to English-born William Hooper, Harry's grandfather, and his Portuguese wife Louisa.
Breaking into the majors with the Red Sox in 1909, Hooper played in 81 games and hit .282. Between 1910 and 1915, he teamed with Tris Speaker (CF) and Duffy Lewis (LF) to form the Golden Outfield, one of the finest outfield trios in baseball history. Religious differences may have been the biggest challenge for the Golden Outfield. At the time, a common Protestant sentiment was that Catholics would move to their communities and change the established culture. Speaker, who was a Protestant, once went a year without speaking to Hooper or Lewis, who were both Catholic.  Though Hooper was a hard competitor on the field, he became known for his likable personality and sense of humor, which contrasted with Speaker's tough exterior. Hooper became a favorite with the fans and he established a reputation as a clutch player. He became known as a top-caliber defensive right fielder and a solid leadoff hitter. He invented a maneuver known as the "rump-slide" for catching shallow fly balls.  In 1910 Hooper played 155 games and hit .267 in a league-leading 688 plate appearances, marking the first of eleven consecutive seasons where he had at least 564 plate appearances. He led all AL outfielders with 30 assists that season, but he also committed a league-high 18 errors. In 130 games the next year, Hooper hit .311; the outfield trio of Hooper, Lewis and Speaker hit .315 combined.  Hooper's batting average dropped to .242 in 1912. Boston won the 1912 World Series, during which Hooper made a catch that The Pittsburgh Press referred to as one of the finest plays in baseball history. The paper noted that Hooper "does not seek the limelight. He is reserved and bashful, and every action of his upon the baseball field plainly shows these qualities." On May 30, 1913, Hooper became the first player to hit a home run to lead off both games of a doubleheader, a mark only matched by Rickey Henderson and Brady Anderson over 80 years later. In 1914, he recorded 230 putouts in right field, which was the first of several seasons in which he finished in the top three in that category among right fielders.  On October 13, 1915, in game five of the 1915 World Series, he became the second player to hit two home runs in a single World Series game. Duffy contributed a third home run as the Red Sox won another world championship four games to one. Hooper was also the captain of the Red Sox in 1919. Hooper became known for talking Boston manager Ed Barrow into converting Babe Ruth from a pitcher to an outfielder.
Did he score any doubles?
A:
Duffy contributed a third home run as the Red Sox won another world championship four games to one.