input: On 25 June 2013, it was announced that Barlow had been signed up to work on a new musical version of Finding Neverland and will co-write the score for the theatre project, which is being developed by Hollywood producer Harvey Weinstein. Barlow said of the project: "This is something I've always wanted to do so it's a real privilege to be involved. I'm really enjoying working with the team and I love the story; it's also great to be working with a legendary creative like Harvey Weinstein." Weinstein echoed the sentiment by expressing his admiration for Barlow, whom he described as "one of the finest songwriters in the world".  On 1 March 2014, Barlow attended the Bob and Harvey Weinstein's pre-Academy Awards party at the Montage in Beverly Hills to perform a selection of songs from the musical score he had written for Finding Neverland. He played the lead role of Peter Pan author J. M. Barrie, and sung a duet with noted British musical actress Laura Michelle Kelly along with four back-up artists featured in the Oscar-nominated documentary 20 Feet from Stardom. Barlow's performance was well received, and after a successful performance run in Boston, Finding Neverland opened on Broadway in spring 2015. On its first Broadway preview, the show sold out the theatre and posted a box office performance that, if it continued for a whole week of performances, would have seen the show top $1 million.  Gary has also co-written a musical alongside hometown friend Tim Firth, titled The Girls, which opened at the Phoenix Theatre, London in January 2017.

Answer this question "Can you provide some background information on the musical theatre?"
output: On 25 June 2013, it was announced that Barlow had been signed up to work on a new musical version of Finding Neverland

input: In 2014, her daughter, Moira Greyland, accused her of sexual abuse from the age of three to 12. In an email to The Guardian, Greyland said that she had not spoken out before because:  I thought that my mother's fans would be angry with me for saying anything against someone who had championed women's rights and made so many of them feel differently about themselves and their lives. I didn't want to hurt anyone she had helped, so I just kept my mouth shut.  Greyland also claimed that she was not the only victim and that she was one of the people who reported her father, Walter H. Breen, for child molestation, for which he received multiple convictions. By her own admission, Bradley was aware of her husband's behavior although she chose not to report him.  In response to these allegations, on July 2, 2014, Victor Gollancz Ltd, the publisher of Bradley's digital backlist, announced that it will donate all income from the sales of Bradley's e-books to the charity Save the Children. The author Janni Lee Simner, who has continued to write works in Bradley's Darkover series, announced on June 13, 2014 that she would be donating advances from her two Darkover books, her Darkover royalties and at the request of her husband, Larry Hammer, payment for his sale to Bradley's magazine, to the American anti-sexual assault organization Rape, Abuse & Incest National Network.  Since the allegations were made public, Greyland and her brother Mark have spoken at length about their experiences  and a number of famous science fiction authors have publicly condemned Bradley. Among the first was John Scalzi, who within a day of the allegations being made public, described the allegations as "horrific". Hugo Award winner Jim C. Hines wrote "All of which makes the revelations about Marion Zimmer Bradley protecting a known child rapist and molesting her own daughter and others even more tragic." G Willow Wilson, World Fantasy award winner, said she was "speechless". Diana L. Paxson, who collaborated with Bradley on a number of novels and who continued to write novels set in the Avalon Series after Bradley's death, said that she was "shocked and appalled to read Moira Greyland's posts about her mother."

Answer this question "did she deny the charges?"
output: 

input: The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.

Answer this question "Are there any other interesting aspects about this article?"
output:
The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording.