input: The nucleus of the band first met at the private boys school Caulfield Grammar School, in suburban Melbourne, in the early seventies. A rock group was formed in 1973, with Nick Cave (vocals), Mick Harvey (guitar), and Phill Calvert (drums), with other students John Cocivera, Brett Purcell and Chris Coyne (on guitar, bass and saxophone respectively). Most were also members of the school choir. The band played under various names at parties and school functions with a mixed repertoire of David Bowie, Lou Reed, Roxy Music, Alice Cooper and the Sensational Alex Harvey Band, among others.  After their final school year in 1975 the band decided to continue as a four-piece group, with friend Tracy Pew picking up the bass. Greatly affected by the punk explosion of 1976 which saw Australian bands The Saints and Radio Birdman making their first recordings and tours, The Boys Next Door, as they were now called, began performing punk and proto-punk cover versions, such as "Blitzkrieg Bop" and "Gloria", and a few original songs. By November 1977 their set was dominated by fast original new wave material, such as "Sex Crimes" and "Masturbation Generation".  The Boys' second guitarist, Rowland S. Howard, joined in 1978, and about this time, the group's sound changed dramatically. The addition of Howard's guitar was certainly a catalyst (his later use of audio feedback being a hallmark of the group) but there were other changes, as well: their sound drew upon punk, rockabilly, free jazz and the rawest blues, but defied concise categorization. Many songs were driven by prominent, repetitive basslines and frenetic, yet minimalist, drumming. Though the band was tightly rehearsed, the instrumentalists often sounded as if they were on the verge of collapse, this quality only emphasising the newfound mania of Cave's singing, and his expressionist lyrics. In producer/engineer Tony Cohen they found a willing accomplice to their experimentation and their refusal to repeat themselves; and in manager Keith Glass they found an enthusiastic financial backer. Glass' label Missing Link Records released all of the early Birthday Party records.

Answer this question "Who came up with The Boys Next Door?"
output: The Saints and Radio Birdman making their first recordings and tours, The Boys Next Door, as they were now called,

input: After a six-month break, which Dickinson mostly spent practising fencing, Iron Maiden began writing their next album, Somewhere in Time. Dickinson was disappointed with the effort as he felt that the band needed a more dramatic stylistic departure from past records to remain relevant, despite its introduction of synthesised bass and guitars. He has no writing credits on the release, as his material, based on his own suggestion that the album should be more acoustic-focused, was rejected by the rest of the band. Steve Harris, on the other hand, stated that his material was rejected because it was not good enough, and that Dickinson "was probably more burnt out than anyone at the end of the last tour".  After a subsequent tour, Iron Maiden started working on their next studio effort, Seventh Son of a Seventh Son, which featured more progressive rock elements than the band's previous records. Although it became their second release to top the UK charts, it was also Dickinson's first album with the band that did not achieve platinum status in the US. Unlike Somewhere in Time, Dickinson was much more enthusiastic about this album due to its concept and has several song-writing credits. After the following tour in 1988, the band decided to take a year off.  During the next album's writing stage, Adrian Smith left Iron Maiden, and was replaced by Janick Gers. Iron Maiden's eighth studio release, 1990's No Prayer for the Dying, had a raw sound that, according to AllMusic, did not "hold up well" compared to past efforts, as it was recorded in a barn which Steve Harris owned, with a mobile studio owned by the Rolling Stones. The record featured Dickinson's "Bring Your Daughter... to the Slaughter", originally composed for a film soundtrack, which despite receiving a Golden Raspberry Award for worst original song in 1989, became the band's first and only single to top the UK Singles Chart. By 1992, Harris had converted his barn into a proper studio, and the new album, Fear of the Dark, was recorded there, resulting in a better overall sound than No Prayer for the Dying, although Dickinson still claims it had limitations due to its size.  After the Fear of the Dark Tour, Dickinson decided to leave Iron Maiden to concentrate on his solo career. At that point the band had already booked a following tour in 1993, which Dickinson did not enjoy. Throughout the tour, Dickinson drew a lot of criticism from his bandmates, with Steve Harris in particular saying, "I really wanted to kill him." According to Harris, Dickinson would only perform when the press was there, whereas at other concerts he would only mumble his way through songs. Dickinson has since denied the accusations that he was deliberately under-performing, arguing that it was impossible to give a decent performance some nights because of the atmosphere. His last performance with the band was filmed by the BBC at Pinewood Studios and released as a live video, entitled Raising Hell.

Answer this question "Did he mumble thru his songs?"
output:
Dickinson has since denied the accusations that he was deliberately under-performing, arguing that it was impossible to give a decent performance some nights because of the atmosphere.