Problem: Background: Eugene Louis Vidal was born in the cadet hospital of the U.S. Military Academy at West Point, New York, the only child of Eugene Luther Vidal (1895-1969) and Nina S. Gore (1903-1978). Vidal was born at the West Point cadet hospital because his first lieutenant father was the first aeronautics instructor of the military academy. The middle name, Louis, was a mistake on the part of his father, "who could not remember, for certain, whether his own name was Eugene Louis or Eugene Luther". In the memoir Palimpsest (1995), Vidal said, "My birth certificate says 'Eugene Louis Vidal': this was changed to Eugene Luther Vidal Jr.; then Gore was added at my christening [in 1939]; then, at fourteen, I got rid of the first two names."
Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius.
Question: Was his work on Ben-Hur successful for him?
Answer: In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.

Problem: Background: Born on 17 February 1940 in the suburb of Huentitan El Alto in Guadalajara, Jalisco, Fernandez spent his early years on his father Ramon's ranch on the outskirts of Guadalajara. He also worked at a young age as a waiter, dish washer, cashier, and finally manager of his uncle's restaurant. "Chente", as he was known to all, became fond of the idyllic ranch lifestyle. His mother often took him to see the films of Pedro Infante; he has said of these films' significance: "When I was 6 or 7, I would go see Pedro Infante's movies, and I would tell my mother, 'When I grow up, I'll be like him.'
Context: In 1990, he released the album Vicente Fernandez y las clasicas de Jose Alfredo Jimenez, a tribute to Mexico's famous songwriter Jose Alfredo Jimenez. The album earned him Billboard and Univision's Latin Music Award for Mexican Regional Male Artist of the Year, which he won 5 times from 1989 to 1993.  In 1998, he was inducted into Billboard's Latin Music Hall of Fame.  In 2002, the Latin Recording Academy recognized Fernandez as Person of the Year. That year he celebrated his 35th anniversary in the entertainment industry, a career in which he has sold more than 50 million records. He has 51 albums listed on the Recording Industry Association of America (RIAA) for gold, platinum, and multiplatinum selling records. He also has his own star on the walk of fame in Hollywood, California; over 5,000 people attended his star-presentation ceremony, which is a record itself.  Fernandez also has an arena in Guadalajara named in his honor, a star placed with his hand prints and name at the Paseo de las Luminarias in Mexico City. In 2010, Fernandez was awarded his first Grammy Award for Best Regional Mexican Album for his record Necesito de Ti.  On October 10, 2012, a stretch of 26th Street (a street in a Hispanic neighborhood of Chicago called Little Village) was named in his honor. In 2015, Fernandez was awarded his second Grammy Award for Best Regional Mexican Music Album (including Tejano) for the album Mano A Mano - Tangos A La Manera De Vicente Fernandez.
Question: Which album was that?
Answer:
Vicente Fernandez y las clasicas de Jose Alfredo Jimenez,