input: Reese was a strong supporter and good friend of the first ever black Major League Baseball player, Jackie Robinson. He was serving a stint in the Navy when the news of Robinson's signing came. Although he had little or no experience interacting with minorities--according to Reese, his meeting Robinson marked the first time in his life that he had shaken hands with a black man--he had no particular prejudices, either. It is reported that his father had made him starkly aware of racial injustice by showing him a tree where a lynching had occurred. The modest Reese, who typically downplayed his pioneering role in helping to ease the breaking of the 60-year-old color line, said that his primary concern with regard to Robinson's arrival was the possibility of Reese losing his shortstop job. Robinson was assigned to play as the team's first baseman, and Reese retained his position.  Reese refused to sign a petition that threatened a boycott if Robinson joined the team. When a sportswriter asked Reese if he was threatened by Robinson taking his position of shortstop, Reese simply responded, "If he can take my job, he's entitled to it." When Robinson joined the Dodgers in 1947 and traveled with them during their first road trip, he was heckled by fans in Cincinnati. A myth has persisted that during pre-game infield practice at Crosley Field (the then-home of the Cincinnati Reds), Reese, the captain of the team, went over to Robinson, engaged him in conversation, and put his arm around his shoulder in a gesture of support which silenced the crowd. This incident however actually occurred in 1948 in Boston.[1] The gesture is depicted in a bronze sculpture of Reese and Robinson, created by sculptor William Behrends, which was placed at MCU Park in Brooklyn and unveiled on November 1, 2005.  Throughout that difficult first year in the major leagues, Reese helped keep Robinson's morale up amid all the abuse. As the 1947 season wore on, there was tacit acceptance of the fact that blacks were now playing big league ball and were probably there to stay. Robinson still got pitches thrown at him, but, as Reese recounted to author Roger Kahn, "I told him, 'You know Jack, some of these guys are throwing at you because you're black. But others are doing it just because they plain don't like you.'" His role in nurturing Jackie Robinson aside, 1947 was a superb year for Reese, as he batted .284 with a league-leading 104 walks. He also had a career best slugging average of .426. Their rapport soon led shortstop Reese and second baseman Robinson to become one of the most effective defensive pairs in the sport's history. The friendship between Reese and Robinson is prominent in Roger Kahn's classic work, The Boys of Summer.

Answer this question "Did he get a chance to meet him soonafter?"
output: his meeting Robinson marked the first time in his life that he had shaken hands with a black man--he had no particular prejudices, either.

input: Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyonce's unique rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."  Beyonce's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyonce's exploration of 1990s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyonce recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyonce was coached phonetically by American record producer Rudy Perez.  She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay-Z, she transitioned to more man-tending anthems such as "Cater 2 U". Beyonce has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.  In 2001, she became the first black woman and second female lyricist to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyonce was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American lyricist Diane Warren at third with nine song-writing credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyonce at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list, along with Alicia Keys and Taylor Swift.

Answer this question "who did she work with?"
output: Beyonce has also received co-producing credits for most of the records in which she has been involved,

input: In January 2004, Hamilton announced she wanted to take a hiatus from the group and devote more time to her young son. Atomic Kitten released the double A-side single Someone like Me/"Right Now 2004" as a "goodbye" to their fans, but were reunited on Valentine's Day 2005 to release the charity single "Cradle 2005", a new version of the original song from their album Right Now which was a number-one hit in Asia back in 2000. "Cradle 2005" peaked at number ten, selling 35,000 copies worldwide, with proceeds going to World Vision.  In 2005, Atomic Kitten were featured on the soundtrack of Disney's Mulan II with the song "(I Wanna Be) Like Other Girls". In 2005, they also performed together in Krakow on 28 August at the Coca-Cola SoundWave Festival. In 2006, they released a cover version of The Farm song "All Together Now". It became a charity single for the 2006 FIFA World Cup and was released only in German-speaking countries. It peaked inside the German Top 20.  The group reunited in December 2006 for The Nokia New Year's Eve Music Festival, performing in Hong Kong on 31 December 2006. They once again reunited to perform at The Number One Project at the Liverpool Echo Arena on 19 January 2008, which celebrated Liverpool's year as European Capital of Culture and the fact that Liverpudlian artists have had a collective 56 UK number-one singles. Also to mark the event, in the same month the group released a cover of "Anyone Who Had a Heart", which peaked at number 78 on the UK Singles Chart.  Although a reunion was due to surface after reuniting in 2008, it never materialised and the girls continued with solo projects: Hamilton gave birth to her third son Alfie in June 2010, Frost presented the first four series of Snog Marry Avoid?, and McClarnon presented Hotter Than My Daughter and also appeared at the Liverpool Empire in December 2012 alongside Coleen Nolan in Cinderella.

Answer this question "Who had a solo project?"
output:
Frost presented the first four series of Snog Marry Avoid?,