Background: The Kooks are an English pop rock band formed in 2004 in Brighton. The band currently consists of Luke Pritchard (vocals/rhythm guitar), Hugh Harris (lead guitar/synth), Alexis Nunez (drums), and Peter Denton (bass guitar). The original bassist was Max Rafferty, and the founding drummer was Paul Garred. The lineup of the band remained constant until the departure of Rafferty in 2008.
Context: Rafferty was fired from the band on 31 January 2008, after a series of absences due to illness and long-standing rumours about his place in the band; drug addiction was also quoted as one of the reasons for his departure. Rafferty subsequently refuted these claims, saying that he had been fired from the band because he "didn't think Konk was very good, and I said that." Dan Logan, bassist with a local Brighton band Cat the Dog, was drafted in as a temporary replacement for Rafferty. After the departure of Rafferty, the band had considered splitting up. Singer Luke Pritchard had told The Sun's Something for the Weekend that "Splitting does go through your mind. It's hard to let go of something you care about so much. We have fans to think of." Pritchard also discussed the possibility of Dan Logan joining the band as their new bassist, "It's been really strange for us but it's something that had to happen. Dan hasn't joined the band properly yet. We're trying him out, but I love playing with him." In October 2008, Peter Denton - who had previously filled in for Rafferty during the Inside In/Inside Out touring cycle - was chosen as the permanent bassist.  The Kooks released their second album, Konk, in April 2008. The record was named after the studio where it was recorded and produced by Tony Hoffer, who worked on the band's debut album, Inside In/Inside Out. Prior to releasing the album, in an interview with NME, lead singer Luke Pritchard had claimed to have 80-90 songs written for the album, stating, "I want this album to be big......I've got an ego, I want the album to do well. I want our singles to come on the radio and for people to literally have their heads blown off by them". Recorded over a total of seven weeks in London and Los Angeles Pritchard told NME the band had wanted more input into their second album. "Tony's a genius, but this time we wanted more involvement in the production," said Pritchard.  Konk went on to debut on the UK Albums Chart at number one with first week sales of 65,901 units. The album also spawned three top 50 hits including their highest chart performer to date, "Always Where I Need to Be", which peaked at number three. In the United States, it reached number 41 on the Billboard 200 and the album's first single, "Always Where I Need to Be", peaked at number 22 on the Alternative Songs chart. The album was certified gold in both the UK and Ireland. A second limited edition two disc version of Konk entitled RAK was also released. The name was taken from the London studio where The Kooks recorded seven new live tracks along with the Arctic Monkeys and Mike Crossey, producer for The Zutons.  Allmusic said with Konk, The Kooks "explores pop and rock in all their glory," while BBC Music described their second album as "a little contrived with the recycling of old guitar lines and intros." NME suggested the departure of Rafferty affected Konk's production, stating "Konk is the sound of a band in disarray, unsuccessfully attempting to hold things together."
Question: Did something else happen in 2008?
Answer: The Kooks released their second album, Konk, in April 2008.

Problem: Background: The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".
Context: In 1991, Astbury and Duffy were writing again for their next album. During the demo recordings, Todd Hoffman and James Kottak played bass and drums respectively. During the actual album recording sessions, Curry was recruited again to play drums, with Charley Drayton on bass, and various other performers. Astbury and Duffy's working relationship had disintegrated by that time, with the two men reportedly rarely even being in the studio together during recording. The resulting album Ceremony was released to mixed responses. The album climbed to US No. 34, but sales were not as impressive as the previous three records, only selling around one million copies worldwide. Only two official singles were released from the record: "Wild Hearted Son" (UK No. 34, Canada No. 41) and "Heart of Soul" (UK No. 50), although "White" was released as a single only in Canada, "Sweet Salvation" was released as a single (as "Dulce Salvacion") in Argentina in 1992, and the title track "Ceremony" was released in Spain.  The Cult's Ceremonial Stomp tour went through Europe in 1991 and North America in 1992. In 1991 the Cult played a show at the Marquee Club in London, which was recorded and released in February 1993, packaged with some vinyl UK copies of their first greatest hits release. Only a handful of CD copies of it were ever manufactured originally, however it was subsequently reissued on CD in 1999. An incomplete bootleg video of this show is also in circulation.  The band were sued by the parents of the Native American boy pictured on the cover of Ceremony, for alleged exploitation and for the unauthorized use of the child's image. This image of the boy is also burned in the video for "Wild Hearted Son". This lawsuit delayed the release of Ceremony in many countries including South Korea and Thailand, which did not see the record's release until late 1992, and it was unreleased in Turkey until the Cult played several shows in Istanbul in June 1993.  A world tour followed with backing from future Thin Lizzy drummer Michael Lee and bassist Kinley Wolfe, and keyboardist John Sinclair returning one last time, and the Gathering of the Tribes moved to the UK. Here artists such as Pearl Jam performed. The warm-up gig to the show, in a small nightclub, was dedicated to the memory of Nigel Preston, who had died a few weeks earlier at the age of 31. Following the release of the single "The Witch" (#9 in Australia) and the performance of a song for the 1992 Buffy the Vampire Slayer movie soundtrack entitled "Zap City", produced by Steve Brown and originally a B-side to "Lil' Devil", two volumes of remixes of "She Sells Sanctuary", called Sanctuary Mixes MCMXCIII, volumes one and two, and in support of Pure Cult: for Rockers, Ravers, Lovers, and Sinners, a greatest hits compilation which debuted at No. 1 on the British charts and later went to number one in Portugal, Astbury and Duffy fired the "backing band" and recruited Craig Adams (the Mission) and Scott Garrett for performances across Europe in 1993, with some shows featuring Mike Dimkich on rhythm guitar. This tour marked the first time the band performed in Turkey, Greece, and the Slovak Republic.
Question: were there any singles released on ceremony?
Answer:
"Wild Hearted Son".