input: Tittle threw the ball from a sidearm, almost underhand position, something novel at those times, though it was common practice in earlier decades. It was this seemingly underhand style that drew the curiosity and admiration of many fans. In tandem with his baldness--for which he was frequently referred to as the "Bald Eagle"--he made for a very striking personality. Despite his throwing motion, he had a very strong and accurate arm with a quick release. It was because of his quick release and ability to read defenses that he became one of the best screen passers in the NFL. He was a perfectionist and highly competitive, and he expected the same of his teammates. He possessed rare leadership and game-planning skills, and played with great enthusiasm even in his later years. "Tittle has the attitude of a high school kid, with the brain of a computer," said Giants teammate Frank Gifford. Baltimore Colts halfback Lenny Moore, when asked in 1963 to compare Tittle and Colts quarterback Johnny Unitas, said:  I played with Tittle in the Pro Bowl two years ago, and I discovered he's quite a guy ... He and John, however, are entirely different types ... Tittle is a sort of 'con man' with his players ... he comes into a huddle and 'suggests' that maybe this or that will work on account of something he saw happen on a previous play ... The way he puts it, you're convinced it's a good idea and maybe it will work. John, now, he's a take-charge guy ... He tells you what the other guy's going to do, what he's going to do, and what he wants you to do.  Tittle's most productive years came when he was well beyond his athletic prime. On his ability to improve with age, he credited a feel for the game that came from his years of experience in the league. "If you could learn it by studying movies, a good smart college quarterback could learn all you've got to learn in three weeks and then come in and be as good as the old heads," he told Sports Illustrated in 1963. "But they can't."

Answer this question "What was notable about his profile?"
output: It was because of his quick release and ability to read defenses that he became one of the best screen passers in the NFL.

input: Tarja Turunen was born in the small village of Puhos, near Kitee, Finland. She has an older brother, Timo, and a younger brother, Toni. Her mother Ritva Sisko Marjatta (Hakkarainen) worked in the town administration, and her father Teuvo Turunen is a carpenter. Her talent for music was first noted when she sang the song "Enkeli taivaan" (the Finnish version of "From Heaven Above to Earth I Come") in the Kitee church hall at age three. She joined the church choir and started taking vocal lessons. At age six, she started playing piano.  At comprehensive school, Turunen performed as a singer for several projects. Her first piano teacher Kirsti Nortia-Holopainen, "Tarja was in a school that had some very musical people. Even then she got to perform a lot. I think she sang in every school function there was." Her music teacher, Plamen Dimov, later explained that, "If you gave Tarja just one note, she immediately got it. With the others, you'd have to practice three, four, five times". At school she had a tough time, since some girls bullied her because they envied her voice. To solve that problem, Dimov organized projects outside school. At fifteen, Turunen had her first major appearance as a soloist at a church concert in front of a thousand listeners. In 1993 she attended the Senior Secondary School of Art and Music in Savonlinna.  For several years Turunen performed various songs including soul music by Whitney Houston and Aretha Franklin. Later she listened to songs from the classical crossover singer Sarah Brightman, especially the song "The Phantom of the Opera", and decided to focus on that genre of music. At eighteen, she moved to Kuopio to study at the Sibelius Academy.

Answer this question "How did she catch attention at school?"
output: "Tarja was in a school that had some very musical people. Even then she got to perform a lot. I think she sang in every school function there was."

input: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier. He wrote regularly and received many visitors to his modest apartment.  In the summers of 1980 and 1982, Bowles conducted writing workshops in Morocco, at the American School of Tangier (under the auspices of the School of Visual Arts in New York). These were considered successful. Among several students who have become successful authors are Rodrigo Rey Rosa, the 2004 Winner of the Miguel Angel Asturias National Prize in Literature, and Mark Terrill. In addition, Bowles designated Rey Rosa as the literary heir of his and Jane Bowles' estates. In 1982 Bowles published Points in Time, subtitled Tales From Morocco, a collection of stories. Divided into eleven parts, the work consists of untitled story fragments, anecdotes, and travel narratives. These stories are not included in either The Stories of Paul Bowles (Ecco Press) or Collected Stories and Later Writings (The Library of America).  In 1985, Bowles published his translation of Jorge Luis Borges' short story, "The Circular Ruins". It was collected in a book of 16 stories, all translated by Bowles, called She Woke Me Up So I Killed Her. This Borges story had previously been published in translations by the three main Borges translators: Anthony Kerrigan, Anthony Bonner, and James E. Irby. Critics have noted the differences amongst these four translations. Bowles' version is in his typical prose style; it is readily distinguishable from the other three, which have a more conservative idiomatic form of translation.  In 1988, when Bowles was asked in an interview what his social life was like, he replied, "I don't know what a social life is... My social life is restricted to those who serve me and give me meals, and those who want to interview me." When asked in the same interview how he would summarize his achievement, he said, "I've written some books and some music. That's what I've achieved."  Bowles had a cameo appearance at the beginning and end of the film version of The Sheltering Sky (1990), directed by Bernardo Bertolucci. Bowles' music was overlooked and mostly forgotten for more than a generation, but in the 1990s, a new generation of American musicians and singers became interested in his work again. Art song enthusiasts savor what are described as "charming, witty pieces."  In 1994, Bowles was visited and interviewed by writer Paul Theroux, who featured him in his last chapter of his travel book, The Pillars of Hercules.

Answer this question "What did he do during the 1990s?"
output:
Bowles had a cameo appearance at the beginning and end of the film version of The Sheltering Sky (1990),