input: Hicks auditioned for American Idol in Las Vegas, Nevada, on October 10, 2005. Hicks passed the audition with the approval of judges Randy Jackson and Paula Abdul, but not Simon Cowell, who said that Hicks would never make it to the final round. On Hicks's first performance for the voting public, Cowell called back to this quote, admitting he was wrong.  On the May 10, 2006, results show, Hicks along with Katharine McPhee and Elliott Yamin, were announced as the Top 3 finalists. On May 12, Idol producers brought Hicks to Birmingham for a weekend of promotional events including television interviews for the local Fox affiliate, a downtown parade, concerts, and an audience with Governor Bob Riley. May 12 was proclaimed "Taylor Hicks Day" and Hicks was given the key to the city. Also on May 12, Gov. Riley issued a proclamation making May 16 "Taylor Hicks Day".  Hicks was named the new American Idol on May 24, 2006, winning the title over McPhee, with over 63.4 million votes cast in total. The proclamation was aired to a worldwide audience of 200 million television viewers. With his win at age 29, Hicks became the oldest contestant to win American Idol. He was also the first male contestant to win the competition without ever being in the bottom two or three, as well as the first Caucasian male winner.  In June 2006, Ford Motor Company, the show's major sponsor, signed Hicks to promote Ford's "Drive on Us" year-end sales event. He was also named Hottest Bachelor by People magazine for 2006, appearing on the magazine's cover.

Answer this question "Who did Taylor go up against in the Finals?"
output: Katharine McPhee and Elliott Yamin,

input: For the conquistadores, having a reliable interpreter was important enough, but there is evidence that Marina's role and influence were larger still. Bernal Diaz del Castillo, a soldier who, as an old man, produced the most comprehensive of the eye-witness accounts, the Historia Verdadera de la Conquista de la Nueva Espana ("True Story of the Conquest of New Spain"), speaks repeatedly and reverentially of the "great lady" Dona Marina (always using the honorific title Dona). "Without the help of Dona Marina," he writes, "we would not have understood the language of New Spain and Mexico." Rodriguez de Ocana, another conquistador, relates Cortes' assertion that after God, Marina was the main reason for his success.  The evidence from indigenous sources is even more interesting, both in the commentaries about her role, and in her prominence in the codex drawings made of conquest events. Although to some Marina may be known as a traitor, she was not viewed as such by all the Tlaxcalan. In some depictions they portrayed her as "larger than life", sometimes larger than Cortes, in rich clothing, and an alliance is shown between her and the Tlaxcalan instead of them and the Spaniards. They respected and trusted her and portrayed her in this light generations after the Spanish conquest.  In the Lienzo de Tlaxcala (History of Tlaxcala), for example, not only is Cortes rarely portrayed without Marina poised by his side, but she is shown at times on her own, seemingly directing events as an independent authority. If she had been trained for court life, as in Diaz's account, her relationship to Cortes may have followed the familiar pattern of marriage among native elite classes. The role of the Nahua wife acquired through an alliance would have been to assist her husband achieve his military and diplomatic objectives.  Today's historians give great credit to Marina's diplomatic skills, with some "almost tempted to think of her as the real conqueror of Mexico." In fact, old conquistadors on various occasions would remember that one of her greatest skills had been her ability to convince other Indians of what she herself could see clearly, which was that it was useless in the long run to stand against Spanish metal and Spanish ships. In contrast with earlier parts of Diaz del Castillo's account, after Marina's diplomacy began assisting Cortes, the Spanish were forced into combat on one more occasion.  Had La Malinche not been part of the Conquest of Mexico for her linguistic gift, communication between the Spanish and the Indigenous would have been much harder. La Malinche knew to speak in different registers and tones between certain Indigenous tribes and people. For the Nahua audiences, she spoke rhetorically, formally, and high-handedly. This shift into formality give the Nahua the impression that she was a noblewoman who knew what she was talking about.

Answer this question "What was the role of La Malinche in the conquest of Mexico?"
output: Although to some Marina may be known as a traitor, she was not viewed as such by all the Tlaxcalan.

input: Durer was born on 21 May 1471, third child and second son of his parents, who had at least fourteen and possibly as many as eighteen children. His father, Albrecht Durer the Elder (originally Albrecht Ajtosi), was a successful goldsmith who in 1455 had moved to Nuremberg from Ajtos, near Gyula in Hungary. One of Albrecht's brothers, Hans Durer, was also a painter and trained under him. Another of Albrecht's brothers, Endres Durer, took over their father's business and was a master goldsmith. The German name "Durer" is a translation from the Hungarian, "Ajtosi". Initially, it was "Turer", meaning doormaker, which is "ajtos" in Hungarian (from "ajto", meaning door). A door is featured in the coat-of-arms the family acquired. Albrecht Durer the Younger later changed "Turer", his father's diction of the family's surname, to "Durer", to adapt to the local Nuremberg dialect. Albrecht Durer the Elder married Barbara Holper, the daughter of his master when he himself became a master in 1467.  Durer's godfather was Anton Koberger, who left goldsmithing to become a printer and publisher in the year of Durer's birth and quickly became the most successful publisher in Germany, eventually owning twenty-four printing-presses and having many offices in Germany and abroad. Koberger's most famous publication was the Nuremberg Chronicle, published in 1493 in German and Latin editions. It contained an unprecedented 1,809 woodcut illustrations (albeit with many repeated uses of the same block) by the Wolgemut workshop. Durer may have worked on some of these, as the work on the project began while he was with Wolgemut.  Because Durer left autobiographical writings and became very famous by his mid-twenties, his life is well documented by several sources. After a few years of school, Durer started to learn the basics of goldsmithing and drawing from his father. Though his father wanted him to continue his training as a goldsmith, he showed such a precocious talent in drawing that he started as an apprentice to Michael Wolgemut at the age of fifteen in 1486. A self-portrait, a drawing in silverpoint, is dated 1484 (Albertina, Vienna) "when I was a child", as his later inscription says. Wolgemut was the leading artist in Nuremberg at the time, with a large workshop producing a variety of works of art, in particular woodcuts for books. Nuremberg was then an important and prosperous city, a centre for publishing and many luxury trades. It had strong links with Italy, especially Venice, a relatively short distance across the Alps.

Answer this question "Is anything known of his mother?"
output:
second son of his parents, who had at least fourteen and possibly as many as eighteen children.