Question:
Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.
When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged.  In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club).  Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members.
Answer this question using a quote from the text above:

What was his first big break?

Answer:
This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base.


Question:
Frey was born in Detroit, Michigan. Growing up in Royal Oak, Michigan, he studied piano at age five, later switched to guitar, and became part of the mid-1960s Detroit rock scene. One of his earliest bands was called the Subterraneans, named after Jack Kerouac's novel, and included fellow Dondero High School classmates Doug Edwards (later replaced by Lenny Mintz) on drums, Doug Gunsch and Bill Barnes on guitar and Jeff Hodge on bass. Immediately after graduating from Dondero in 1966, he was invited to join The Four of Us, a local band led by Gary Burrows who had seen him performing with the Subterraneans.
After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984, he recorded in collaboration with Harold Faltermeyer the worldwide hit, "The Heat Is On", the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed "You Belong to the City" (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin who also wrote "Peaceful Easy Feeling".  Frey was the first choice to record "Shakedown", the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying "At least we kept the money in Michigan!"  Frey also contributed the song "Flip City" to the Ghostbusters II soundtrack, and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. In 2005, he appeared on B.B. King & Friends: 80 on the track "Drivin' Wheel".  In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez. Frey never released any of his own work on the label and the company has since disbanded.  On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s.
Answer this question using a quote from the text above:

when did he begin his solo career?

Answer:
After the Eagles disbanded, Frey achieved solo success in the 1980s,


Question:
Albini was born in Pasadena, California, to Gina (nee Martinelli) and Frank Addison Albini. His father is a wildlife researcher. He also has two siblings. In his youth, Albini's family moved often, before settling in the college town of Missoula, Montana in 1974.
Albini formed Shellac in 1992. With bandmates Bob Weston (formerly of Volcano Suns), and Todd Trainer (of Rifle Sport, Breaking Circus and Brick Layer Cake), they initially released three EPs: The Rude Gesture: A Pictorial History (1993), Uranus (1993) and The Bird Is the Most Popular Finger (1994)--the first two EP releases were on Touch and Go, while the third EP was a Drag City label release.  Two years after formation, the Japanese label NUX Organization released a Japan-exclusive live album in CD format titled raivuinDong Jing --an English-language reference to the name Shellac cannot be found anywhere on the CD product, which was not available outside Japan. The live album was followed by five studio albums: At Action Park (1994), Terraform (1998), 1000 Hurts (2000), Excellent Italian Greyhound (2007) and Dude Incredible (2014). All of Shellac's studio albums were released on vinyl as well as CD.  Albini explained in 2010 that Shellac had made a decision early in their existence that they would not play at festivals and this position was articulated to All Tomorrow's Parties (ATP) festival organizer Barry Hogan during the preparation stage of the inaugural ATP event. However, Scottish band Mogwai managed to convince Albini at the time that they were ATP curators and the band was very impressed by the experience: "They (ATP) completely changed the festival game. Now the whole world has to operate under the knowledge that there are these cool, curated festivals where everyone is treated well and the experience is a generally pleasant one."
Answer this question using a quote from the text above:

What else did they release?

Answer:
Uranus