Background: Michael Stock (born 3 December 1951) is an English songwriter, record producer and musician, best known for being a member of the songwriting and production team Stock Aitken and Waterman that achieved success in the 1980s and 1990s. He has written or produced numerous worldwide hits including 18 No. 1 records in America and the UK, and over a hundred top-40 hits. Stock is one of the most successful songwriters of all time as recognised by the Guinness Book of Records. As part of Stock Aitken and Waterman, he is acknowledged as the most successful producer-songwriter in British chart history and holds the record for the most No. 1 records with different acts, with 11.
Context: In 1993 Stock formed 'Love This Records', and built a brand new multimillion-pound recording studio in London. The first record released with 'Love This Records' was a dance cover of the track Total Eclipse of the Heart. It was a worldwide hit for Nicki French, reaching No. 2 in America and No. 1 in seven countries selling over 2 million copies. In 1994 Simon Cowell asked Stock to produce the record for the popular kid's TV show 'Mighty Morphin Power Rangers' which was a top 5 hit in the UK. Cowell had worked with Stock on previous occasions with artists such as Sinitta, for whom Stock wrote and produced various hits like Toy Boy in 1987. Stock again collaborated with Cowell in 1993 on the World Wrestling Federation (WWF) album Wrestlemania which spawned the No. 4 hit 'Slam Jam'.  In 1994 Stock produced several artists for Simon Cowell including Kym Mazelle, Jocelyn Brown and Robson and Jerome. Their cover of Unchained Melody produced by Stock and Aitken became the highest selling non-charity single of the decade, remaining at No. 1 for 7 weeks in 1995 selling 2.5 million copies. Stock produced a further two No. 1 singles with Robson and Jerome and two No. 1 albums.  After several years producing hits for Stock's own label 'Love This Records' and with Simon Cowell for BMG/RCA, the structural integrity of Stock's studio became compromised by the tunnelling of the Jubilee Line extension, and the damage forced Stock to pursue legal action against London Underground. As a result, Stock was forced to pull out of a joint deal with Cowell and BMG to produce several artists including the band Westlife in 1996.  In 1998 Stock and Aitken teamed up with Steve Crosby who had created the group Steps, to form the band Scooch. Their first single 'When My Baby' reached No. 29 and their follow up, 'More Than I Needed To Know', was a top 5 hit in the UK in 2000 and went to No. 1 in Japan. Scooch's album 'Four Sure' spawned two more top 20 singles. Stock also scored a top 20 with 'Airhead' by girl band Girls@Play, with EastEnders' star Rita Simons that toured with Steps. In 2003 Stock formed the label Better the Devil Records and had a huge hit with the Fast Food Song selling 200,000 CD singles. Stock wrote and produced two further singles for the Fast Food Rockers including the top 10 'Smile Please'.
Question: What did Mike Stock do post SAW?
Answer: In 1993 Stock formed 'Love This Records', and built a brand new multimillion-pound recording studio in London.

Problem: Background: Sergio Santos Mendes (Portuguese pronunciation: ['seRZju 'satuZ 'medZiS]; born February 11, 1941) is a Brazilian musician. He has over 55 releases, and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Academy Award for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio. Mendes is married to Gracinha Leporace, who has performed with him since the early 1970s.
Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums.
Question: Are there any other interesting aspects about this article?
Answer:
he was the undisputed master of pop-inflected Brazilian jazz.