Answer the question at the end by quoting:

Expose is an American Latin freestyle vocal group. Primarily consisting of lead vocalists Jeanette Jurado, Ann Curless, and Gioia Bruno, the group achieved much of their success between 1984 and 1993, becoming the first group to have four top ten hits on the Billboard Hot 100 chart from its debut album, including the 1988 #1 hit "Seasons Change". In March 2015, Billboard magazine named the group the eighth most-successful girl group of all-time. The group was popular in dance clubs, mainstream Top 40 and adult contemporary charts in the United States.
In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour.  Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?".  During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract.

Are there any other interesting aspects about this article?

During Expose's peak, the group endured legal issues behind the scenes.

Some context: Cu Roi (Cu Rui, Cu Raoi) mac Daire is a king of Munster in the Ulster Cycle of Irish mythology. He is usually portrayed as a warrior with superhuman abilities and a master of disguise possessed of magical powers.
Later, Blathnat (Blanaid) betrays Cu Roi to Cu Chulainn, who besieges his fort and killed him. In one version of the story, Cu Roi's soul was hidden in an apple in the belly of a salmon which lived in a stream in the Slieve Mish Mountains, and only surfaced once every seven years; Blathnat discovered the secret and told Cu Chulainn, who killed the fish, enabling him to kill Cu Roi. However Ferchertne, Cu Roi's poet, enraged at the betrayal of his lord, grabbed Blathnat and leaped off a cliff, killing her and himself.  Cu Roi's uncle (or brother or nephew), Conganchnes ("Horn-skinned"), tried to avenge him, but was killed by Celtchar. His son, Lugaid mac Con Roi, later succeeds in avenging him by killing Cu Chulainn, a story told in Aided Con Culainn. Lugaid is himself killed by Conall Cernach.  In another version Cu Roi takes Blathnat to the fort and keeps her captive there. Blathnat communicates with Cu Chulainn and a plan is hatched. Taking an opportunity when most of Cu Roi's men are absent from the fort, Blathnat gives the signal to Cu Chulainn by pouring milk into the Fionnghlaise (white stream - now the Derrymore River). Cu Chulainn, on seeing the stream become white, storms the fort, kills Cu Roi, and carries off Blathnat. As Cu Roi's men return up the valley, Blathnat places a spell which makes the valley walls dance in front of the men's eyes. Walkers who ascend Caherconree via the Derrymore River valley can still see this effect which is caused by an optical illusion.
Were cu roi and con roi related?
A: His son, Lugaid mac Con Roi,

IN: Bruno Latour (French: [latuR]; born 22 June 1947) is a French philosopher, anthropologist and sociologist. He is especially known for his work in the field of science and technology studies (STS). After teaching at the Ecole des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he became Professor at Sciences Po Paris (2006-2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017.

Latour's work Nous n'avons jamais ete modernes : Essais d'anthropologie symetrique was first published in French in 1991, and then in English in 1993 as We Have Never Been Modern.  Latour encouraged the reader of this anthropology of science to re-think and re-evaluate our mental landscape. He evaluated the work of scientists and contemplated the contribution of the scientific method to knowledge and work, blurring the distinction across various fields and disciplines.  Latour argued that society has never really been modern and promoted nonmodernism (or amodernism) over postmodernism, modernism, or antimodernism. His stance was that we have never been modern and minor divisions alone separate Westerners now from other collectives. Latour viewed modernism as an era that believed it had annulled the entire past in its wake. He presented the antimodern reaction as defending such entities as spirit, rationality, liberty, society, God, or even the past. Postmoderns, according to Latour, also accepted the modernistic abstractions as if they were real. In contrast, the nonmodern approach reestablished symmetry between science and technology on the one hand and society on the other. Latour also referred to the impossibility of returning to premodernism because it precluded the large scale experimentation which was a benefit of modernism.  Latour attempted to prove through case studies the fallacy in the old object/subject and Nature/Society compacts of modernity, which can be traced back to Plato. He refused the concept of "out there" versus "in here". He rendered the object/subject distinction as simply unusable and charted a new approach towards knowledge, work, and circulating reference. Latour considered nonmoderns to be playing on a different field, one vastly different than that of post-moderns. He referred to it as much broader and much less polemical, a creation of an unknown territory, which he playfully referred to as the Middle Kingdom.  In 1998, historian of science Margaret C. Jacob argued that Latour's politicized account of the development of modernism in the 17th century is "a fanciful escape from modern Western history".

Was this his best known work?

OUT:
Latour attempted to prove through case studies the fallacy in the old object/subject and Nature/Society compacts of modernity, which can be traced back to Plato.