input: The European premiere took place on August 30, 2008, at Varmlandsoperan in Karlstad, Sweden, closing in March 2009. A second Swedish language production opened in Helsingborg on March 20, 2009. The Finnish production opened in Helsinki on 5 February 2009 and closed in November 2009. The first Hungarian-language (first non-replica) production premiered on February 7, 2009 in Budapest at the Nyugati Teatrum, with the title Tavaszebredes. This production ran until May 26, 2009. The German-language premiere opened in Vienna, Austria on March 21, 2009, and closed on May 30, 2009. A live cast recording was released. There was also Slovenian production in the Ljubljana City Theatre in 2009.  An English-language production opened in Valletta, Malta at the St. James Cavalier Theatre on April 17, 2009, irected by Wesley Ellul, Choreographed by Fiona Barthet and Musical Direction by Alex Vella Gregory featured Davide Tucci as Georg Zirschnitz And Daniel Casingena as Otto Lammermeier. This was produced by the MADC and staged to rave reviews. The run was extended after it sold out.  The Japanese-language production opened in Tokyo at the Shiki Theatre Jiyu May 2, 2009. The Brazilian production in Rio de Janeiro ran with the title O Despertar da Primavera from August 21, 2009 to January 31, 2010. It then transferred to Sao Paulo. A cast recording was released in January. The Philippine production opened in Manila in the Carlos P. Roumolo Auditorium, RCBC Plaza, on September 25 until the October 17, 2009. It was performed in English and was directed by Chari Arespachochaga. The Czech-language premiere opened in Brno, Czech Republic at the City Theatre Brno on November 21, 2009.  Sydney Theatre Company staged the first Australian non-replica production, which opened on 4 February 2010 at the Sydney Theatre and closed on 7 March. The Argentine production with the Spanish title Despertar de Primavera - Un Musical Diferente opened in Buenos Aires on March 19, 2010. A production played at the Griffin Theatre, Chicago, running from December 4 to January 8, 2011. A Welsh language production toured Wales from the beginning of March 2011 visiting 8 different locations, with Theatr Genedlaethol Cymru (Welsh National Theatre). The first UK national tour of Spring Awakening took place in May and June 2011, produced by Sell a Door Theatre Company

Answer this question "Did they win any awards for this show"
output: 

input: When Pendulum was formed, their musical style was considerably more drum and bass sounding than the work they were known for later in their career. Signature tunes such as "Masochist", "Vault", "Back 2 You" and "Voyager", which were released on labels such as Uprising Records, 31 Records, Renegade Hardware and Low Profile Records, have a darker, more amelodic air to them which is substantially absent from their later productions. The band's newer work is regarded as generally leaning heavily towards a mainstream, dance-driven sound. Early work such as "Another Planet" seems to indicate an early affinity with a more global sound, similar to other Breakbeat Kaos artists such as DJ Fresh and Adam F.  The group has produced various remixes of other artists also; one of the best-known being the remix of "Voodoo People", originally by The Prodigy. In 2008-2010, they covered/remixed songs including Led Zeppelin's "Immigrant Song", Linkin Park's "The Catalyst", Calvin Harris's "I'm Not Alone", Coldplay's "Violet Hill", and Metallica's "Master of Puppets". Pendulum's versions of "I'm Not Alone" and "Master Of Puppets" both exist as studio recordings but have not been officially released, and are only previewed during DJ sets. The original live version of "Master of Puppets" was played as an instrumental introduction for "Slam", and was featured on their first live album/DVD. During their American tour as the supporting band for Linkin Park, the song was played in its entirety, with Rob doing vocals. Pendulum have also remixed their own music and, on occasion, television theme songs, such as Australian television's "ABC News Theme" in May 2010. The remix proved to be immensely popular with listeners of Australian youth radio station Triple J, polling at number 11 in the 2010 Triple J Hottest 100 countdown.  Pendulum's musical style consisted of a fusion of drum and bass (along with other electronic genres), alternative rock and heavy metal, with the inclusion of acoustic instruments. This creates a sound reminiscent of electronic rock, albeit with much more prominent drum and bass and, more recently, dubstep influences. Some songs, such as "Slam", "Propane Nightmares" and "Witchcraft" are synth-led, whilst others, such as "Showdown", "The Tempest" and "Comprachicos", are guitar-led. Bassist Gareth McGrillen stated in an interview on Channel 4 that they use 13 computers during the live performances, all of which are mixing the sounds produced by the instruments in real time. Rob Swire stated in issues of TJECK magazine and Rock Sound magazine that he would like to begin producing songs with a punk style to them, which Gareth clarified to mean "A raw, aggressive, less polished method of producing". Pendulum were known to be fans of progressive rock and progressive metal bands, which may have inspired them to fuse multiple genres of music together, which is standard practice in those genres.

Answer this question "what di the put it on"
output: first live album/DVD.

input: Fielding's first novel, Cause Celeb, whose title derives from the expression cause celebre, was published in 1994 to great reviews but limited sales. She was struggling to make ends meet while working on her second novel, a satire about cultural divides in a [fictional African country] when she was approached by London's The Independent newspaper to write a column as herself about single life in London. Fielding rejected this idea as too embarrassing and exposing and offered instead to create an imaginary, exaggerated, comic character. Writing anonymously, she felt able to be honest about the preoccupations of single women in their thirties. It quickly acquired a following, her identity was revealed and her publishers asked her to replace her novel about the Caribbean by a novel on Bridget Jones's Diary. The hardback was published in 1996 to good reviews but modest sales. The paperback, published in 1997, went straight to the top of the best-seller chart, stayed there for over six months and went on to become a worldwide best-seller.  Fielding continued her columns in The Independent, and then The Daily Telegraph until 1997, publishing a second Bridget novel Bridget Jones: The Edge of Reason in November 1999. The film of Bridget Jones's Diary was released in 2001 and its sequel in 2004. Fielding contributed the further adventures of Bridget Jones for The Independent from 2005. Fielding announced in November 2012 that she was now writing a third installment in the Bridget Jones series.  Bridget Jones: Mad About the Boy was published in the UK by Jonathan Cape and in the US by Alfred A. Knopf in October 2013. It debuted at number one on The Sunday Times bestseller list, and number seven on The New York Times bestseller list. By the time the UK paperback was published on 19 June 2014, sales had reached one million copies. The novel was shortlisted for the 15th Bollinger Everyman Wodehouse Prize, nominated in the Popular Fiction category of the National Book Award. and has been translated into 32 languages.  A film adaptation of Bridget Jones: Mad About the Boy has not yet been announced, but fans have speculated on who might play Roxster and Daniel Craig has been suggested for Mr Wallaker after Fielding's humorous comments that the real-life teacher his character is based on bears a resemblance to Craig.  Fielding credits Bridget's success to the fact that, at heart, it is about "the gap between how we feel we are expected to be and how we actually are" which she has described as an alarming symptom of the media age.

Answer this question "Are there any other interesting aspects about this article?"
output:
Fielding's first novel, Cause Celeb, whose title derives from the expression cause celebre, was published in 1994