Some context: Marguerite "Peggy" Guggenheim (August 26, 1898 - December 23, 1979) was an American art collector, bohemian and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the Titanic in 1912, and the niece of Solomon R. Guggenheim, who would establish the Solomon R. Guggenheim Foundation. Peggy Guggenheim created a noted art collection in Europe and America primarily between 1938 and 1946. She exhibited this collection as she built it and in 1949, settled in Venice, where she lived and exhibited her collection for the rest of her life.
In January 1938, Guggenheim opened a gallery for modern art in London featuring Jean Cocteau drawings in its first show, and began to collect works of art. Guggenheim often purchased at least one object from each of her exhibitions at the gallery. After the outbreak of World War II, she purchased as much abstract and Surrealist art as possible.  Her first gallery was called Guggenheim Jeune, the name being ingeniously chosen to associate the epitome of a gallery, the French Bernheim-Jeune, with the name of her own well known family. The gallery on 30 Cork Street, next to Roland Penrose's and E. L. T. Mesens' show-case for the Surrealist movement, the London Gallery, proved to be successful, thanks to many friends who gave advice and who helped run the gallery. Marcel Duchamp, whom she had known since the early 1920s, when she lived in Paris with her first husband Laurence Vail, had introduced Guggenheim to the art world; it was through him that she met many artists during her frequent visits to Paris. He taught her about contemporary art and styles, and he conceived several of the exhibitions held at Guggenheim Jeune.  The Cocteau exhibition was followed by exhibitions on Wassily Kandinsky (his first one-man-show in England), Yves Tanguy, Wolfgang Paalen and several other well-known and some lesser-known artists. Peggy Guggenheim also held group exhibitions of sculpture and collage, with the participation of the now classic moderns Antoine Pevsner, Henry Moore, Henri Laurens, Alexander Calder, Raymond Duchamp-Villon, Constantin Brancusi, Jean Arp, Max Ernst, Pablo Picasso, Georges Braque and Kurt Schwitters. She also greatly admired the work of John Tunnard (1900-1971) and is credited with his discovery in mainstream international modernism.
Did she have many people to visit this gallery?
A: The Cocteau exhibition was followed by exhibitions on Wassily Kandinsky (his first one-man-show in England), Yves Tanguy, Wolfgang Paalen and several other
Some context: Tamia Marilyn Hill (nee Washington) was born and raised in Windsor, Ontario with her mother Barbara, and three younger brothers Tiras, Tajhee, and Trajan. Aside from the music she heard and sang at church, Tamia was exposed to diverse music from an early age by her mother. Singing was always her passion. As early as age six, she was on stage singing at the local church, and by age 12, had already been involved in several musicals which helped hone her musical skills.
In early-to-mid 1995, Tamia began recording her eponymous debut album, with production from the likes of Mario Winans, Jermaine Dupri, Tim & Bob, as well as additional help from Quincy Jones. The album's first single, "You Put a Move on My Heart", a cover of the 1993 song by British singer Mica Paris, was released on December 2, 1995, which was produced by Quincy Jones, off of his Q's Jook Joint album, charted at number 98 on the Billboard Hot 100, and became Tamia's first Top 40 hit on the R&B charts, peaking at #12. Another single, "Slow Jams" which was co-written by American singer-songwriter Kenneth "Babyface" Edmonds, features Barry White, and Babyface himself. The single also appeared on Q's Jook Joint, and appeared at #68 on the Billboard Hot 100 and at #19 on the R&B charts, becoming her second Top 40 R&B hit.  In the second quarter of 1996, Tamia collaborated with American singers Gladys Knight, Brandy, and Chaka Khan for the single, "Missing You", which was featured in the 1996 blockbuster film, Set It Off, and released in August of that year, the single peaked at #10 on the Hot R&B/Hip-Hop Songs, and at #25 on the Billboard Hot 100, becoming her first Top 40 single and third Top 40 R&B hit overall. By late 1996, Tamia had received three Grammy Award nominations.  Tamia's debut self-titled album, Tamia, was released in Canada on April 14, 1998, three weeks later it was released in the United Kingdom on May 11, and in North America the following day. To date, the album sold more than 420,000 copies in the United States and was certified gold.  In June 1997, Tamia made her film debut as Sheri Silver in the action-thriller Speed 2: Cruise Control. Playing the cruise liner's musical entertainer, she performed the Diane Warren-penned single "Make Tonight Beautiful", which was released as part of the film's soundtrack. She has also appeared in other TV sitcoms, including Rock Me Baby and an episode of Kenan and Kel.
what did they collaborate on?
A: The album's first single, "You Put a Move on My Heart", a cover of the 1993 song by British singer Mica Paris,
Some context: Born in Goulburn, New South Wales, Poidevin played rugby at St Patrick's College (now Trinity Catholic College) in New South Wales, and made the Australian Schoolboy side. Upon finishing school he played a season with the Goulburn Rugby Union Football Club and then, in 1978, he moved to Sydney to study at the University of New South Wales, from which he graduated in 1983 with a Bachelor of Science (Hons). He made his first grade debut with the university's rugby union team in 1978. In 1982 he moved clubs to Randwick, the famous Galloping Greens, home of the Ella brothers and many other Wallabies.
In March, Poidevin played in the World Sevens at Concord Oval. Australia was defeated by New Zealand 32-0 in the final. The final was the first time that Poidevin would oppose Wayne "Buck" Shelford, in what would be the beginning of a fierce rivalry between the two men. In For Love Not Money Poidevin remembered that:  It was a tremendously physical game and was marred by Glen Ella being elbowed in the head by Wayne Shelford. It was the first time I'd come up against this character and to say I didn't like his approach was putting it mildly. I was sickened by what he did to my Randwick clubmate and simply couldn't contain myself. Within a minute of his clobbering Glen I got into a stouch with him and we finished up rolling around on the ground in front of the packed main grandstand, not only in front of Premier Neville Wran but in front of a far more important person - my mother. While we were grappling I thought to myself 'we really shouldn't be doing this', but my blood was boiling after the Ella incident.  Poidevin then participated in the Hong Kong Sevens where Australia were knocked-out in the semi-final by the French Barbarians. He would later reflect that 'I thought my own play was diabolical. They scored a couple of easy tries early on through what I felt was my lax defence.' He further added that, 'I was pretty chopped up after that loss, particularly as I'd been very keen to make the final so that I could have another crack at the New Zealanders.'
what other matches did he play in during this time?
A:
Poidevin then participated in the Hong Kong Sevens where Australia were knocked-out in the semi-final