Problem: Devika Rani Chaudhuri, usually known as Devika Rani (30 March 1908 - 9 March 1994), was an actress in Indian films who was active during the 1930s and 1940s. Widely acknowledged as the first lady of Indian cinema, Devika Rani had a successful film career that spanned 10 years. Born into a wealthy, anglicized Indian family, Devika Rani was sent to boarding school in England at age nine and grew up in that country. In 1928, she met Himanshu Rai, an Indian film-producer, and married him the following year.

Devika Rani Chaudhuri was born into a Bengali family in Waltair near Visakhapatnam in present-day Andhra Pradesh, into an extremely affluent and educated Bengali family. Her father, Colonel Manmatha Nath Chaudhuri, was the first Indian Surgeon-General of Madras Presidency and a nephew of Rabindranath Tagore.  Her mother, Leela Devi Choudhary, came from an educated family and was a grand-niece of Tagore. Devika's father's brothers were Ashutosh Chaudhuri, Chief Justice of Calcutta High Court, Jogesh Chandra Chaudhuri, a prominent Kolkata-based barrister and Pramatha Chaudhuri, the famous Bengali writer.  Devika Rani was related through both her parents to the poet and Nobel Laureate Rabindranath Tagore. Her father, Manmathnath Choudhary, was the son of Sukumari Devi Choudhary, sister of Rabindranath Tagore. Devika's mother, Leela Devi Chaudhuri, was the daughter of Indumati Devi Chattopadhyay, whose mother Saudamini Devi Gangopadhyay was another sister of the Nobel laureate. Devika's father and maternal grandmothers were first cousins to each other, being the children of two sisters of Rabindranath Tagore.  Further, two of her father's brothers had also married their cousins: Prativa Devi Choudhury, wife of Ashutosh Choudhary, was the daughter of Hemendranath Tagore, and Indira Devi Choudhary, wife of Promatho Choudhary, was the daughter of Satyendranath Tagore. Devika thus had strong ties to Jarasanko, seat of the Tagore family in Kolkata and a major crucible of the Bengali renaissance.  Devika Rani was sent to boarding school in England at the age of nine, and grew up there. After completing her schooling in the mid-1920s, she enrolled in the Royal Academy of Dramatic Art (RADA) and the Royal Academy of Music in London to study acting and music. She also enrolled for courses in architecture, textile and decor design, and even apprenticed under Elizabeth Arden. All of these courses, each of them a few months long, were completed by 1927, and Devika Rani then took up a job in textile design.

who was she working for?

Answer with quotes: Elizabeth Arden.

Question:
Orchestral Manoeuvres in the Dark (OMD) are an English electronic music band formed in Wirral, Merseyside in 1978. Spawned by earlier group The Id, the outfit is composed of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (various instruments) and Stuart Kershaw (drums); McCluskey is the only constant member. OMD released their debut single, "Electricity", in 1979, and gained popularity throughout Europe with the 1980 anti-war song "Enola Gay".
The eponymous first album (1980) showcased the band's live set at the time, and was basically recorded by the Humphreys/McCluskey duo, although included some guest drums from Id drummer Malcolm Holmes, and saxophone from Wirral musician Martin Cooper. It had a simple, raw, poppy, melodic synth-pop sound. Dindisc arranged for the song "Messages" to be re-recorded (produced by Gong bassist Mike Howlett) and released as a single (right) - this gave the band their first hit. Dave Hughes, a founder member of Dalek I Love You who joined OMD in early 1980, is featured in the "Messages" video.  A tour followed, Winston the tape recorder was augmented with live drums from Malcolm Holmes, and Dalek I Love You's Dave Hughes on synths. Hughes then left OMD in November 1980, replaced by Martin Cooper.  The second album Organisation (a reference to the band which preceded Kraftwerk, founded by Kraftwerk's original members Florian Schneider-Esleben and Ralf Hutter) followed later that year, recorded as a three-piece with Humphreys, McCluskey and Holmes. It was again produced by Howlett, and had a rather moodier, dark feel. The album spawned the hit single "Enola Gay", named after the plane that dropped an atomic bomb on Hiroshima. The song was intended to be included on the debut album, but was left out at the final selection. The tour for this album had a 4-piece band line-up, with saxophonist Martin Cooper (another Dalek I Love You alumnus) recruited for keyboard duties. In early 1981, Record Mirror named OMD as the fourth-best band of 1980; NME and Sounds both named the group as one of the 10 best new acts of that year.  Howlett then presided over the recording of a further hit single, "Souvenir", co-written by Cooper & Humphreys. It ushered in a lush choral electronic sound. The song also became OMD's biggest UK hit to date. In November 1981, their most commercially successful album was released in the UK and Europe - Architecture & Morality. The group went into the studio with Richard Mainwaring producing. Cooper then temporarily dropped out and was replaced by Mike Douglas, but this change was reversed by the time the album was released and a tour embarked upon. The album's sound saw OMD's original synth-pop sound augmented by the Mellotron, an instrument previously associated with prog rock bands. They used it to add very atmospheric swatches of string, choir and other sounds to their palette. Two more hit singles "Joan of Arc" and "Maid of Orleans" (which became the biggest-selling single of 1982 in Germany) were taken from the album. "Joan of Arc" and "Maid of Orleans" were originally both titled "Joan of Arc"; the name of the latter single was changed at the insistence of the publishers and to avoid confusion. It became "Joan of Arc (Maid of Orleans)" and later simply "Maid of Orleans".  In 1983 the band lost commercial momentum somewhat, with the release of their more experimental Dazzle Ships album, which mixed melancholy synth ballads and uptempo synth-pop with musique concrete and short wave radio tape collages. It was recorded by the 4-piece Humphreys/Holmes/Cooper/McCluskey line-up, and produced by Rhett Davies. Its relative commercial failure caused a crisis of confidence for Humphreys and McCluskey and brought about a deliberate move towards the mainstream.
Answer this question using a quote from the text above:

Were there any others?

Answer:
"Enola Gay",