input: There were some subtle changes between the UK and US versions, with references to the names of British celebrities often being changed to American celebrities for the US edition.  In Season 2, episode 1, Keith Chegwin's anti-gay tirade includes the sentence "Men have knobs, women have fannies. Pop knob in fanny. Not up the arse." In British English "fanny" is a euphemism for vagina, while in American English "fanny" is a term for buttocks. A scene was shot, and aired in the US, in which Chegwin says "Men have dicks. Women have vaginas. Pop dick in vagina. Not up the bum."  In Season 2, episode 3, in the scene where Darren Lamb tells Andy Millman about an offer that has come in for Andy to play a supporting role in a film, Lamb mistakenly says the film stars Billie Piper. For the American broadcast, an alternate take was used where Merchant's character says, "How do you fancy three days with Halle Berry?" In each case, Piper and Berry's names are mistaken for the name Harry Potter (actor Daniel Radcliffe guest stars in the episode).  In Season 2, episode 4, a scene featuring UK TV presenter Moira Stuart was completely excised from the US version and a song by Coldplay frontman Chris Martin replaced it; the latter was featured as a deleted scene on the DVD releases.  In the Christmas special the talking "Jade Goody" doll was replaced by a talking "Kramer" doll. (Both dolls parodied incidents where each celebrity said things publicly that were generally seen as racist.) The T-shirt in the studio audience depicting Victoria Wood and Asda is replaced in the US version by a T-shirt depicting Sigourney Weaver and DirectTV. A scene with George Michael was also truncated to remove references to UK celebrities Richard and Judy and Catherine Tate. A scene set in the Carphone Warehouse was edited to remove jokes referring to the long running BBC soap opera EastEnders.

Answer this question "Were there any other differences between the Uk and US version"
output: scene was shot, and aired in the US, in which Chegwin says "Men have dicks. Women have vaginas. Pop dick in vagina. Not up the bum."

input: On 25 June 2013, it was announced that Barlow had been signed up to work on a new musical version of Finding Neverland and will co-write the score for the theatre project, which is being developed by Hollywood producer Harvey Weinstein. Barlow said of the project: "This is something I've always wanted to do so it's a real privilege to be involved. I'm really enjoying working with the team and I love the story; it's also great to be working with a legendary creative like Harvey Weinstein." Weinstein echoed the sentiment by expressing his admiration for Barlow, whom he described as "one of the finest songwriters in the world".  On 1 March 2014, Barlow attended the Bob and Harvey Weinstein's pre-Academy Awards party at the Montage in Beverly Hills to perform a selection of songs from the musical score he had written for Finding Neverland. He played the lead role of Peter Pan author J. M. Barrie, and sung a duet with noted British musical actress Laura Michelle Kelly along with four back-up artists featured in the Oscar-nominated documentary 20 Feet from Stardom. Barlow's performance was well received, and after a successful performance run in Boston, Finding Neverland opened on Broadway in spring 2015. On its first Broadway preview, the show sold out the theatre and posted a box office performance that, if it continued for a whole week of performances, would have seen the show top $1 million.  Gary has also co-written a musical alongside hometown friend Tim Firth, titled The Girls, which opened at the Phoenix Theatre, London in January 2017.

Answer this question "what else did he do for musical theatre?"
output: Barlow's performance was well received, and after a successful performance run in Boston, Finding Neverland opened on Broadway

input: The original band membership consisted of saxophonist Walter Parazaider, guitarist Terry Kath, drummer Danny Seraphine, trombonist James Pankow, trumpet player Lee Loughnane, and keyboardist/singer Robert Lamm. Parazaider, Kath, Seraphine, Pankow and Loughnane met in 1967 while students at DePaul University. Lamm was recruited from Roosevelt University. The group of six called themselves "The Big Thing", and played top 40 hits. Realizing the need for both a tenor to complement baritones Lamm and Kath, and a bass player because Lamm's use of organ bass pedals did not provide "adequate bass sound", they added local tenor and bassist Peter Cetera.  While gaining some success as a cover band, the group began working on original songs. In June 1968, at manager James William Guercio's request, The Big Thing moved to Los Angeles, California, and signed with Columbia Records. The band changed its name to "Chicago Transit Authority". It was while performing on a regular basis at the Whisky a Go Go nightclub in West Hollywood that the band got exposure to more famous musical artists of the time. Subsequently, they were the opening act for Janis Joplin and Jimi Hendrix. As related to group biographer, William James Ruhlmann, by Walt Parazaider, Jimi Hendrix once told Parazaider, "'Jeez, your horn players are like one set of lungs and your guitar player is better than me.'"  Their first record (April 1969), the eponymous Chicago Transit Authority, is a double album, which is rare for a band's first release. The album made it to No. 17 on the Billboard 200 album chart, sold over one million copies by 1970, and was awarded a platinum disc. The album included a number of pop-rock songs - "Does Anybody Really Know What Time It Is?", "Beginnings", "Questions 67 and 68", and "I'm a Man" - which were later released as singles. For this inaugural recording effort the group was nominated for a Grammy Award for 1969 Best New Artist of the Year.  According to Peter Cetera, the band was booked to perform at Woodstock in 1969, but promoter Bill Graham, with whom they had a contract, exercised his right to reschedule them to play at the Fillmore West on a date of his choosing, and he scheduled them for the Woodstock dates. Santana, which Graham also managed, took Chicago's place at Woodstock, and that performance is considered to be Santana's "breakthrough" gig. A year later, in 1970, when he needed to replace headliner Joe Cocker, and then Cocker's intended replacement, Jimi Hendrix, Graham booked Chicago to perform at Tanglewood which is considered by some to be a "pinnacle" performance.  After the release of their first album, the band's name was shortened to Chicago to avoid legal action being threatened by the actual mass-transit company of the same name.

Answer this question "What did it make it too"
output:
The album made it to No. 17 on the Billboard 200 album chart, sold over one million copies by 1970,