Question:
Pendulum is an Australian drum and bass and electronic rock band founded in 2002. Pendulum originally formed in the city of Perth, Western Australia by Rob Swire, Gareth McGrillen, and Paul "El Hornet" Harding. The band was later expanded to include members, Ben Mount, Peredur ap Gwynedd, and KJ Sawka. Members Swire and McGrillen also formed the electro house duo Knife Party.
When Pendulum was formed, their musical style was considerably more drum and bass sounding than the work they were known for later in their career. Signature tunes such as "Masochist", "Vault", "Back 2 You" and "Voyager", which were released on labels such as Uprising Records, 31 Records, Renegade Hardware and Low Profile Records, have a darker, more amelodic air to them which is substantially absent from their later productions. The band's newer work is regarded as generally leaning heavily towards a mainstream, dance-driven sound. Early work such as "Another Planet" seems to indicate an early affinity with a more global sound, similar to other Breakbeat Kaos artists such as DJ Fresh and Adam F.  The group has produced various remixes of other artists also; one of the best-known being the remix of "Voodoo People", originally by The Prodigy. In 2008-2010, they covered/remixed songs including Led Zeppelin's "Immigrant Song", Linkin Park's "The Catalyst", Calvin Harris's "I'm Not Alone", Coldplay's "Violet Hill", and Metallica's "Master of Puppets". Pendulum's versions of "I'm Not Alone" and "Master Of Puppets" both exist as studio recordings but have not been officially released, and are only previewed during DJ sets. The original live version of "Master of Puppets" was played as an instrumental introduction for "Slam", and was featured on their first live album/DVD. During their American tour as the supporting band for Linkin Park, the song was played in its entirety, with Rob doing vocals. Pendulum have also remixed their own music and, on occasion, television theme songs, such as Australian television's "ABC News Theme" in May 2010. The remix proved to be immensely popular with listeners of Australian youth radio station Triple J, polling at number 11 in the 2010 Triple J Hottest 100 countdown.  Pendulum's musical style consisted of a fusion of drum and bass (along with other electronic genres), alternative rock and heavy metal, with the inclusion of acoustic instruments. This creates a sound reminiscent of electronic rock, albeit with much more prominent drum and bass and, more recently, dubstep influences. Some songs, such as "Slam", "Propane Nightmares" and "Witchcraft" are synth-led, whilst others, such as "Showdown", "The Tempest" and "Comprachicos", are guitar-led. Bassist Gareth McGrillen stated in an interview on Channel 4 that they use 13 computers during the live performances, all of which are mixing the sounds produced by the instruments in real time. Rob Swire stated in issues of TJECK magazine and Rock Sound magazine that he would like to begin producing songs with a punk style to them, which Gareth clarified to mean "A raw, aggressive, less polished method of producing". Pendulum were known to be fans of progressive rock and progressive metal bands, which may have inspired them to fuse multiple genres of music together, which is standard practice in those genres.
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was it liked by people?

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", which were released on labels such as Uprising Records, 31 Records, Renegade Hardware and Low Profile Records,

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Thompson was born into a middle-class family in Louisville, Kentucky, the first of three sons of Virginia Ray Davison (1908, Springfield, Kentucky - March 20, 1998, Louisville), who worked as head librarian at the Louisville Free Public Library and Jack Robert Thompson (September 4, 1893, Horse Cave, Kentucky - July 3, 1952, Louisville), a public insurance adjuster and World War I veteran. His parents were introduced to each other by a friend from Jack's fraternity at the University of Kentucky in September 1934, and married on November 2, 1935. Thompson's first name came from a purported ancestor on his mother's side, the Scottish surgeon John Hunter.
The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there.  What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote.  The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls."  Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public.

Did it get good reviews?
Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public.