input: In 1989, brothers Mike (bass) and Noel (guitar) Hogan formed The Cranberry Saw Us with drummer Fergal Lawler and singer Niall Quinn, in Limerick, Ireland. Less than a year later, Quinn left the band. The remaining band members then placed an advertisement for a female singer. Dolores O'Riordan responded to the advertisement and auditioned by writing lyrics and melodies to some existing demos. When she returned with a rough version of "Linger", she was hired, and they recorded Nothing Left At All, a three-track EP released on tape by local record label Xeric Records, which sold 300 copies. The group changed their name to "The Cranberries". The owner of Xeric Studios, Pearse Gilmore, became their manager and provided the group with studio time to complete another demo tape, which he produced. It featured early versions of "Linger" and "Dreams", which were sent to record companies throughout the UK.  This demo earned the attention of both the UK press and record industry and sparked a bidding war between major British record labels. Eventually, the group signed with Island Records. The Cranberries headed back into studio with Gilmore as their producer to record their first EP Uncertain and created a music video for the title track, which was not released. The EP received poor reviews in the press and led to tension between the group and Gilmore. After a difficult recording session intended for their first Island records album in January 1992, the band scrapped their work and fired Gilmore. After hiring Geoff Travis as their new manager, the Cranberries headed back into the studio in Dublin in March 1992 to restart working on their first LP with Stephen Street, who had previously worked with The Smiths.  During that time period, the Cranberries toured in Ireland and the UK, getting the attention of the British press. The band also recorded several studio and live sessions intended for Irish and British radio and television shows, including 2fm's The Dave Fanning Show and BBC Radio 1's John Peel Show.

Answer this question "were there even more members?"
output: Less than a year later, Quinn left the band. The

input: Within a few years of moving to New York, Laswell founded a recording studio with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records. Under the Material moniker (now also a production unit consisting of Laswell and Beinhorn - Maher being long gone - and by 1984 consisting solely of Laswell) Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s. During this time in the early to mid-1980s, Laswell was able to record some of his Material excursions (which ran the gamut from experimental jazz/funk to pop and R&B, featuring everyone from avant-jazz figures Henry Threadgill and Sonny Sharrock to Archie Shepp and pop star Whitney Houston) as well as projects such as Massacre, with Fred Frith and Fred Maher.  His association with Celluloid allowed some of his first forays into this so-called "collision music" - the term was coined for Laswell by the British writer Chris May, then editor of Black Music & Jazz Review and later a Celluloid staff member - and forays into world music. Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label. Celluloid also released a slew of 12" devoted to Hip-Hop, becoming a precursor to the popularity the form enjoyed starting in the mid-1980s. Fab 5 Freddy, Phase II and Afrika Bambaataa all appeared on the label. Criminally forgotten, Laswell also put together the very successful 12" World Destruction which paired PiL's John Lydon with Afrika Bambaataa - years before the Run-D.M.C./Aerosmith collaboration broke down the rock/hip-hop barrier. 1982 also saw Laswell's solo debut, Baselines.  Also recording a Laswell-helmed solo album for Celluloid was Ginger Baker, whom Laswell coaxed out of semi-retirement, giving the drummer's career a new boost. He likewise brought Sonny Sharrock out of semi-retirement and produced some of the guitarist's most acclaimed recordings, starting with the solo LP Guitar.

Answer this question "What else was Celluloid records known for?"
output: Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label.

input: According to Welch, the band name "Florence + the Machine" had "started off as a private joke that got out of hand. I made music with my friend, who we called Isabella Machine, to which I was Florence Robot. When I was about an hour away from my first gig, I still didn't have a name, so I thought 'Okay, I'll be Florence Robot/Isa Machine', before realising that name was so long it'd drive me mad". In 2006, Welch's performances with Isabella Summers in small London venues under the joint name Florence Robot/Isa Machine began to attract notice. In 2007, Welch recorded with a band named Ashok, who released an album titled Plans on the Filthy Lucre/About Records label. This album included the earliest version of her later hit "Kiss with a Fist", which at this point was titled "Happy Slap".  Florence and the Machine released their debut album Lungs in the United Kingdom on 6 July 2009. The album was officially launched with a set at the Rivoli Ballroom in Brockley, South East London. It peaked at number one in the UK and number two in Ireland. As of 6 August 2009, the album had sold over 100,000 copies in the UK and by 10 August it had been at number two for five consecutive weeks. Following its 25 July 2009 release for download in the United States, the album debuted at number seventeen on the Billboard Heatseekers Albums chart, ultimately peaking at number one. The album was released physically in the US on 20 October by Universal Republic. The album was produced by James Ford, Paul Epworth, Steve Mackey and Charlie Hugall.  Welch contributed vocals to David Byrne and Fatboy Slim's 2010 album Here Lies Love, an album about Imelda Marcos. As of January 2011, Welch was working with Drake on material slated for his upcoming album.  On 27 February 2011, Welch replaced pregnant Dido and sang her portion of Best Original Song nominee "If I Rise" (from 127 Hours) with A. R. Rahman at the 83rd Academy Awards.

Answer this question "How did florence and isabella meet?"
output:
I made music with my friend, who we called Isabella Machine, to which I was Florence Robot.