input: Walsh is active in charity work and has performed in a number of concerts to raise money for charitable causes. He has also been a personal contributor to a number of charity causes including halfway houses for displaced adult women in Wichita, Kansas. Walsh funded the first talent-based scholarship at Kent State University in 2008.  Walsh's love of Santa Cruz Island grew into a lifelong commitment to conserve the environment there, and he has been active in preserving the island's parks. He is President of the Santa Cruz Island Foundation, and has served on the Foundation's board since the 1980s.  Walsh had often joked about running for office, announcing a mock presidential campaign in 1980 and a vice presidential campaign in 1992. Walsh ran for President of the United States in 1980, promising to make "Life's Been Good" the new national anthem if he won, and ran on a platform of "Free Gas For Everyone". Though Walsh was only 32 at the time of the election and thus would not have met the 35-year-old requirement to actually assume office, he said that he wanted to raise public awareness of the election. In 1992 Walsh ran for vice president with Rev. Goat Carson under the slogan "We Want Our Money Back!"  In an interview to promote his album Analog Man in 2012, Walsh revealed he was considering a serious bid for political office. "I think I would run seriously, and I think I would run for Congress," Walsh told WASH in Washington, D.C. "The root of the problem is that Congress is so dysfunctional. We're dead in the water until Congress gets to work and passes some new legislation to change things."  In 2017, Walsh contacted others in the music industry Zac Brown Band, Gary Clark Jr., Keith Urban to try to organize and perform what became VetsAid  - a concert series along the lines of the Farm Aid program spearheaded by country entertainer Willie Nelson.

Answer this question "Anything else interesting?"
output: "

input: Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified.  The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit.  Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure.  The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.

Answer this question "What time period was all this happening?"
output: The growing national popularity of Monroe's music during the 1960s

input: Each body was inspected by a physician to ensure that death had occurred. The bodies of the executed were allowed to hang for about 30 minutes and soldiers began to cut them down at 1:53 P.M. A corporal raced to the top of the gallows and cut down Atzerodt's body, which fell to the ground with a thud. He was reprimanded, and the other bodies were cut down more gently. Herold's body was next, followed by Powell's. Surratt's body was cut down at 1:58 P.M. As Surratt's body was cut loose, her head fell forward. A soldier joked, "She makes a good bow" and was rebuked by an officer for his poor use of humor.  Upon examination, the military surgeons determined that no one's neck had been broken by the fall. The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins. The name of each person was written on a piece of paper by acting Assistant Adjutant R. A. Watts, and inserted in a glass vial, which was placed into the coffin. The coffins were buried against the prison wall in shallow graves, just a few feet from the gallows. A white picket fence marked the burial site. The night that she died, a mob attacked the Surratt boarding house and began stripping it of souvenirs until the police stopped them.  Anna Surratt unsuccessfully asked for her mother's body for four years. In 1867, the War Department decided to tear down the portion of the Washington Arsenal where the bodies of Surratt and the other executed conspirators lay. On October 1, 1867, the coffins were disinterred and reburied in Warehouse No. 1 at the Arsenal, with a wooden marker placed at the head of each burial vault. Booth's body lay alongside them. In February 1869, Edwin Booth asked Johnson for the body of his brother. Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family. She was buried in Mount Olivet Cemetery in Washington, D.C., on February 9, 1869. Lloyd is buried 100 yards (91 m) from her grave in the same cemetery.

Answer this question "Were they hanged?"
output:
The bodies of the executed were allowed to hang for about 30 minutes and soldiers began to cut them down at 1:53 P.M.