Question:
Stone was born as Douglas Jackson Brooks on June 19, 1956 in Marietta, Georgia. His mother, who was also a country music singer, taught him how to play guitar when he was five. When he was seven years old, his mother placed him onstage to open for Loretta Lynn. His mother and father later divorced, and afterward, he moved to live with his father.
I Thought It Was You, his second album, was released in August 1991. Also certified platinum, it produced three more chart singles: the No. 4 title track, followed by the number 1 "A Jukebox with a Country Song" and "Come In Out of the Pain" at No. 3. "A Jukebox with a Country Song" spent two weeks at number 1, thus becoming his only multi-week number 1 single. Stone co-wrote the track "The Feeling Never Goes Away" with Kim Williams and Phyllis Bennett, and then-labelmate Joe Diffie co-wrote "Burning Down the Town". Alanna Nash of Entertainment Weekly gave the album an "A", saying that it contained "sex-and-smolder ballads" comparable to Conway Twitty. Mansfield was less favorable, saying that Stone "seems to wallow in sorrow".  In early 1992, Stone began experiencing dizziness and pain in one of his arms. He also began feeling chest pains which he initially thought were heartburn. After feeling disoriented at a concert in Oregon, he canceled an appearance at the Academy of Country Music telecast. He then underwent quadruple bypass surgery at Centennial Medical Center to alleviate four severe arterial blockages near his heart which had initially gone undiscovered by doctors. Following the surgery, Stone changed his diet and began exercising, in addition to touring in support of his third album, From the Heart, released that August. The album's title was seen by many music writers, including Irwin Stambler and Grelun Landon of Country Music: The Encyclopedia, as ironic in the wake of Stone's heart surgery.  With a gold certification for shipments of 500,000 copies, From the Heart produced two more number 1 singles in "Too Busy Being in Love" and "Why Didn't I Think of That". The other two singles were "Warning Labels" and "Made for Lovin' You", at No. 4 and No. 6 respectively. The latter had previously been recorded by both Dan Seals and Clinton Gregory. Mansfield thought that From the Heart was more consistent than Stone's previous two albums, saying that his "voice is at its pain-wracked best" on "Warning Labels" and that "The heart references take on a special meaning given the open-heart surgery that preceded this album". Nash criticized the album as "sappy, lightweight tales of infatuation and starry-eyed courtship". One month after From the Heart, Stone released a Christmas album titled The First Christmas. Although this album produced no singles, "Sailing Home for Christmas" was made into a music video. Stone was nominated in both 1992 and 1993 for Star of Tomorrow by Music City News, and Top Male Vocalist from the Academy of Country Music, winning the former award in 1993. He toured in 1992 with Patty Loveless, Lynyrd Skynyrd, and Hank Williams, Jr.
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Did The First Christmas come out that year as well?

Answer:
One month after From the Heart, Stone released a Christmas album titled The First Christmas.


Question:
Miranda was born Maria do Carmo Miranda da Cunha in Varzea da Ovelha e Aliviada, a village in the northern Portuguese municipality of Marco de Canaveses. She was the second daughter of Jose Maria Pinto da Cunha (17 February 1887 - 21 June 1938) and Maria Emilia Miranda (10 March 1886, Rio de Janeiro - 9 November 1971). In 1909, when Miranda was ten months old, her father emigrated to Brazil and settled in Rio de Janeiro, where he opened a barber shop.
Although Miranda's U.S. popularity continued to increase, she began to lose favor with some Brazilians. On 10 July 1940, she returned to Brazil and was welcomed by cheering fans. Soon after her arrival, however, the Brazilian press began criticizing Miranda for accommodating American commercialism and projecting a negative image of Brazil. Members of the upper class felt that her image was "too black", and she was criticized in a Brazilian newspaper for "singing bad-taste black sambas". Other Brazilians criticized Miranda for playing a stereotypical "Latina bimbo" in her first interview after her arrival in the U.S. In the New York World-Telegram interview, she played up her then-limited knowledge of English language: "I say money, money, money. I say twenty words in English. I say money, money, money and I say hot dog!"  On 15 July, Miranda appeared in a charity concert organized by Brazilian First Lady Darci Vargas and attended by members of Brazil's high society. She greeted the audience in English, and was met with silence. When Miranda began singing "The South American Way", a song from one of her club acts, the audience began to boo her. Although she tried to finish her act, she gave up and left the stage when the audience continued to boo. The incident deeply hurt Miranda, who wept in her dressing room. The following day, the Brazilian press criticized her as "too Americanized".  Weeks later, Miranda responded to the criticism with the Portuguese song "Disseram que Voltei Americanizada" ("They Say I've Come Back Americanized"). Another song, "Bananas Is My Business", was based on a line from one of her films and directly addressed her image. Upset by the criticism, Miranda did not return to Brazil for fourteen years.  Her films were scrutinized by Latin American audiences for characterizing Central and South America in a culturally-homogenous way. When Miranda's films reached Central and South American theaters, they were perceived as depicting Latin American cultures through the lens of American preconceptions. Some Latin Americans felt that their cultures were misrepresented, and felt that someone from their own region was misrepresenting them. Down Argentine Way was criticized, with Argentines saying that it failed to depict Argentine culture. Its lyrics were allegedly replete with non-Argentine themes, and its sets were a fusion of Mexican, Cuban, and Brazilian culture. The film was later banned in Argentina for "wrongfully portraying life in Buenos Aires". Similar sentiments were voiced in Cuba after the debut of Miranda's Weekend in Havana (1941), with Cuban audiences offended by Miranda's portrayal of a Cuban woman. Reviewers noted that an import from Rio could not accurately portray a woman from Havana, and Miranda did not "dance anything Cuban". Her performances were arguably hybrids of Brazilian and other Latin cultures. Critics said that Miranda's other films misrepresented Latin locales, assuming that Brazilian culture was a representation of Latin America.
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who was criticizing her

Answer:
the Brazilian press