IN: Molitor was born in Saint Paul, Minnesota. After graduating from Cretin High School, he was selected in the 28th round of the 1974 free agent draft as a pitcher by the St. Louis Cardinals, but opted instead to attend college at the University of Minnesota. He was a three-year starter for the Golden Gophers, earning All American honors as a shortstop for his sophomore and junior years. Between his junior and senior seasons, Molitor suffered a broken jaw.

Although Molitor wanted to remain with Milwaukee when he became a free agent after the 1992 season, the franchise offered him a one-year contract with a $900,000 pay cut (to $2.5 million), while the Toronto Blue Jays offered a three-year, $13 million ($22,000,000 in current dollar terms) deal, leading to his signing with the Blue Jays. Agent Ron Simon said, "I was also talking with Milwaukee, but it became clear to us that Milwaukee didn't have the same kind of interest in signing Molitor, perhaps because of their financial situation."  Molitor quickly became an offensive juggernaut. In 1993, Molitor led the AL in plate appearances (725) and hits (211) and hit .332 with 22 home runs and 111 RBI. Returning to the playoffs for the first time since 1982, he was a key part of the Blue Jays' second World Championship. Molitor hit 2 doubles, 2 triples, and 2 home runs in the Series, earning the World Series MVP Award and tied a World Series record by batting .500 (12-for-24) in the six-game series. In addition, after DHing all season, Molitor played two games at first base and one at third base in the three Series games in Philadelphia.  In 1994, a strike-shortened season, Molitor hit .341 and led the AL in games played (115) and singles (107). He also stole 20 bases that season without ever being caught, one short of Kevin McReynolds' 1988 major league record of 21. Molitor's average dropped to .270 in 1995, his lowest mark in more than ten years.

Did molitor sign a contract with the Toronto Blue jays?

OUT: a three-year, $13 million ($22,000,000 in current dollar terms) deal,


IN: Ivor Armstrong Richards (26 February 1893 - 7 September 1979), known as I. A. Richards, was an English educator, literary critic, and rhetorician whose work contributed to the foundations of the New Criticism, a formalist movement in literary theory, which emphasized the close reading of a literary text, especially poetry, in an effort to discover how a work of literature functions as a self-contained, self-referential aesthetic object. Richards' intellectual contributions to the establishment of the literary methodology of the New Criticism are presented in the books The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism (1923), by C. K. Ogden and I. A. Richards, Principles of Literary Criticism (1926), Practical Criticism (1929), and The Philosophy of Rhetoric (1936).

The life and intellectual influence of I. A. Richards approximately corresponds to his intellectual interests; many endeavours were in collaboration with the linguist, philosopher, and writer Charles Kay Ogden (C.K. Ogden), notably in four books:  I. Foundations of Aesthetics (1922) presents the principles of aesthetic reception, the bases of the literary theory of "harmony"; aesthetic understanding derives from the balance of competing psychological impulses. The structure of the Foundations of Aesthetics--a survey of the competing definitions of the term aesthetic--prefigures the multiple-definitions work in the books Basic Rules of Reason (1933), Mencius on the Mind: Experiments in Multiple Definition (1932), and Coleridge on Imagination (1934)  II. The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism (1923) presents the triadic theory of semiotics that depends upon psychological theory, and so anticipates the importance of psychology in the exercise of literary criticism. Semioticians, such as Umberto Eco, acknowledged that the methodology of the triadic theory of semiotics improved upon the methodology of the dyadic theory of semiotics presented by Ferdinand de Saussure (1857-1913).  III. Basic English: A General Introduction with Rules and Grammar (1930) and IV. the Times of India Guide to Basic English (1938) developed the Basic English program in effort to develop an international language, an interlanguage based upon a vocabulary of 850 English words.  Richards' travels, especially in China, effectively situated him as the advocate for an international program, such as Basic English. Moreover, at Harvard University, to his international pedagogy, the instructor I. A. Richards began to integrate the available new media for mass communications, especially television.

what was the highlight of this collaboration?

OUT:
aesthetic understanding derives from the balance of competing psychological impulses.