input: The B-52's were formed in 1976 when vocalist Cindy Wilson, her older brother and guitarist Ricky, keyboardist and vocalist Kate Pierson, original drummer and percussionist Keith Strickland and cowbell player, poet and lead vocalist Fred Schneider held an impromptu jam session after sharing a tropical Flaming volcano drink at a Chinese restaurant in Athens, Georgia. When they first jammed, Strickland played guitar and Ricky Wilson played congas. They later played their first concert (with Wilson playing guitar) in 1977 at a Valentine's Day party for their friends.  The name B-52's comes from a particular beehive hairdo resembling the nose cone of the aircraft of the same name, which Pierson and Cindy Wilson became known for using in performances throughout the band's first decade. Other names the band considered were the "Tina-Trons" and "Fellini's Children." Strickland suggested the name after a dream he had had one night, of a band performing in a hotel lounge. In the dream he heard someone whisper in his ear that the name of the band was "the B-52s."  The band's quirky take on the new wave sound of their era was a combination of dance and surf music set apart from their contemporaries by the unusual guitar tunings used by Ricky Wilson and thrift-store chic.  Their first single, "Rock Lobster," recorded for DB Records in 1978, was an underground success, selling over 2,000 copies in total, that led to the B-52's performing at CBGB and Max's Kansas City in New York City. Both this version of "Rock Lobster" and its B-side "52 Girls" are different recordings from those on their first album, and the early version of "52 Girls" is in a different key.  The re-recorded version of "Rock Lobster" was released as a single. In the UK and Germany it was backed with an instrumental version of "Running Around," a non-album track. (A vocal re-recording of this would appear on their second album, Wild Planet.) The buzz created by the record in the UK meant their first show in London at the Electric Ballroom, London, was packed in anticipation, with many UK pop stars such as Sandie Shaw, Green Gartside from Scritti Politti, Joe Jackson, and others in attendance. In Canada, released on the Warner Bros. label, the single went from cult hit to bona fide smash, eventually going on to reach the No. 1 position in the RPM-compiled national chart on May 24, 1980.

Answer this question "Did they receive any awards for the singles?"
output: the single went from cult hit to bona fide smash, eventually going on to reach the No. 1 position in the RPM-compiled national chart on May 24, 1980.

input: Ptolemy's Almagest is the only surviving comprehensive ancient treatise on astronomy. Babylonian astronomers had developed arithmetical techniques for calculating astronomical phenomena; Greek astronomers such as Hipparchus had produced geometric models for calculating celestial motions. Ptolemy, however, claimed to have derived his geometrical models from selected astronomical observations by his predecessors spanning more than 800 years, though astronomers have for centuries suspected that his models' parameters were adopted independently of observations. Ptolemy presented his astronomical models in convenient tables, which could be used to compute the future or past position of the planets. The Almagest also contains a star catalogue, which is a version of a catalogue created by Hipparchus. Its list of forty-eight constellations is ancestral to the modern system of constellations, but unlike the modern system they did not cover the whole sky (only the sky Hipparchus could see). Across Europe, the Middle East and North Africa in the Medieval period, it was the authoritative text on astronomy, with its author becoming an almost mythical figure, called Ptolemy, King of Alexandria. The Almagest was preserved, like most of extant Classical Greek science, in Arabic manuscripts (hence its familiar name). Because of its reputation, it was widely sought and was translated twice into Latin in the 12th century, once in Sicily and again in Spain. Ptolemy's model, like those of his predecessors, was geocentric and was almost universally accepted until the appearance of simpler heliocentric models during the scientific revolution.  His Planetary Hypotheses went beyond the mathematical model of the Almagest to present a physical realization of the universe as a set of nested spheres, in which he used the epicycles of his planetary model to compute the dimensions of the universe. He estimated the Sun was at an average distance of 1,210 Earth radii, while the radius of the sphere of the fixed stars was 20,000 times the radius of the Earth.  Ptolemy presented a useful tool for astronomical calculations in his Handy Tables, which tabulated all the data needed to compute the positions of the Sun, Moon and planets, the rising and setting of the stars, and eclipses of the Sun and Moon. Ptolemy's Handy Tables provided the model for later astronomical tables or zijes. In the Phaseis (Risings of the Fixed Stars), Ptolemy gave a parapegma, a star calendar or almanac, based on the hands and disappearances of stars over the course of the solar year.

Answer this question "What else did he know about the stars"
output: it was the authoritative text on astronomy, with its author becoming an almost mythical figure, called Ptolemy, King of Alexandria.

input: In 1852 he entered the Royal Academy of Antwerp in Belgium where he studied early Dutch and Flemish art, under Gustaf Wappers. During Alma-Tadema's four years as a registered student at the Academy, he won several respectable awards.  Before leaving school, towards the end of 1855, he became assistant to the painter and professor Louis (Lodewijk) Jan de Taeye, whose courses in history and historical costume he had greatly enjoyed at the Academy. Although de Taeye was not an outstanding painter, Alma-Tadema respected him and became his studio assistant, working with him for three years. De Taeye introduced him to books that influenced his desire to portray Merovingian subjects early in his career. He was encouraged to depict historical accuracy in his paintings, a trait for which the artist became known.  Alma-Tadema left Taeye's studio in November 1858 returning to Leeuwarden before settling in Antwerp, where he began working with the painter Baron Jan August Hendrik Leys, whose studio was one of the most highly regarded in Belgium. Under his guidance Alma-Tadema painted his first major work: The Education of the children of Clovis (1861). This painting created a sensation among critics and artists when it was exhibited that year at the Artistic Congress in Antwerp. It is said to have laid the foundation of his fame and reputation. Alma-Tadema related that although Leys thought the completed painting better than he had expected, he was critical of the treatment of marble, which he compared to cheese.  Alma-Tadema took this criticism very seriously, and it led him to improve his technique and to become the world's foremost painter of marble and variegated granite. Despite any reproaches from his master, The Education of the Children of Clovis was honorably received by critics and artists alike and was eventually purchased and subsequently given to King Leopold of Belgium.

Answer this question "What other things did he do there?"
output:
Before leaving school, towards the end of 1855, he became assistant to the painter and professor Louis (Lodewijk) Jan de Taeye,