Some context: Van Sant was born in Louisville, Kentucky, the son of Betty (nee Seay) and Gus Green Van Sant, Sr; Gus's father was a clothing manufacturer and traveling salesman who rapidly worked his way into middle class prosperity, holding executive marketing positions that included being president of the White Stag Manufacturing Company's Apparel Operation. As a result of his father's job, the family moved continually during Van Sant's childhood. His paternal family is of partial Dutch origin; the name "Van Sant" is derived from the Dutch name "Van Zandt".
Drugstore Cowboy's exploration of the lives of those living on society's outer fringes, as well as its Portland setting, were mirrored in Van Sant's next effort, the similarly acclaimed My Own Private Idaho (1991). Only with the success of Cowboy was Van Sant now given license to make Idaho (a film he had originally pitched but was knocked back several times as the script was deemed 'too risky' by studios). Now New Line Cinema had given Van Sant the green light, he was on a mission to get the Idaho script to his first choices for his two young leads. After months of struggle with agents and managers over the content of the script, Van Sant finally secured River Phoenix and Keanu Reeves in the roles of Mike Waters and Scott Favor. Centering around the dealings of two male hustlers (played by Phoenix and Reeves), the film was a compelling examination of unrequited love, alienation, and the concept of family (a concept Van Sant repeatedly explores in his films). The film won him an Independent Spirit Award for his screenplay (he had won the same award for his Drugstore Cowboy screenplay), as well as greater prestige. The film also gained River Phoenix best actor honors at the Venice Film Festival among others. In addition, it helped Reeves--previously best known for his work in the Bill and Ted movies--to get the critical respect that had previously eluded him.  Van Sant's next film, a 1993 adaptation of Tom Robbins' Even Cowgirls Get the Blues, was an excessive flop, both commercially and critically. Featuring an unusually large budget (for Van Sant, at least) of $8.5 million and a large, eclectic cast including Uma Thurman, John Hurt, Keanu Reeves and a newcomer in the form of River Phoenix's younger sister Rain (at Phoenix's suggestion), the film was worked and then reworked, but the finished product nonetheless resulted in something approaching a significant disaster.  Van Sant's 1995 film To Die For helped to restore his luster. An adaptation of Joyce Maynard's novel, the black comedy starred Nicole Kidman as a murderously ambitious weather girl; it also stars Matt Dillon as her hapless husband and, the third Phoenix sibling in as many projects, Joaquin Phoenix, as her equally hapless lover (River had died from a drug overdose a year and half earlier). It was Van Sant's first effort for a major studio (Columbia), and its success paved the way for further projects of the director's choosing. The same year, he served as executive producer for Larry Clark's Kids; it was a fitting assignment, due to both the film's subject matter and the fact that Clark's photographs of junkies had served as reference points for Van Sant's Drugstore Cowboy.
what was his most famous movie
A: Van Sant's 1995 film To Die For helped to restore his luster.
Some context: X is an American punk rock band, formed in Los Angeles in 1977, among the first wave of American punk. The original members are vocalist Exene Cervenka, vocalist/bassist John Doe, guitarist Billy Zoom and drummer D.J. Bonebrake. The band released seven studio albums from 1980 to 1993. After a period of inactivity during the mid to late 1990s, X reunited in the early 2000s, and currently tours.
X then signed to Elektra in 1982 to release Under the Big Black Sun, which marked a slight departure from their trademark sound. While still fast and loud, with raw punk guitars, the album displayed evolving country leanings. The album was heavily influenced by the death of Cervenka's elder sister Mirielle (Mary) in a 1980 automobile accident. Three songs on the album ("Riding with Mary", "Come Back to Me" and the title track) all directly related to the tragedy. A fourth, a high-speed version of Al Dubin and Joe Burke's "Dancing with Tears in My Eyes", was, years later, indirectly attributed to Cervenka's mournful state of mind. The stark black-and-white cover art and title were also a reflection of the somber mood of the band during this time. Cervenka has said it is her favorite X album  "You know, my favorite record is Under the Big Black Sun, so everything else is kind of . . .  I'm saying if I had to sit down in a room and put on an X record--which I don't generally do--I have recently listened to some X records but I generally don't listen to myself--the record I would pick to listen to would be Under the Big Black Sun.  In 1983, the band slightly redefined their sound with the release of the More Fun in the New World album, making X somewhat more polished, eclectic and radio-ready than on previous albums. With the sound moving away from punk rock, the band's rockabilly influence became even more noticeable, along with some new elements: funk on the track "True Love Pt. II", and Woody Guthrie-influenced folk protest songs like "The New World" and "I Must Not Think Bad Thoughts". The record received critical praise from Rolling Stone and Playboy, which had long been stalwart supporters of X and their sound.  The Knitters, a side project, were composed of X minus Zoom, plus Alvin on guitar and Johnny Ray Bartel (of the Red Devils) on double bass, and released the Poor Little Critter on the Road album in 1985. The Knitters were devoted to folk and country music; their take on Merle Haggard's "Silver Wings" "may be the definitive version".
Was "Under the Big Black Sun" a successful album?
A:
Cervenka has said it is her favorite X album