Problem: Gypsy is a 1959 musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy is loosely based on the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist, and focuses on her mother, Rose, whose name has become synonymous with "the ultimate show business mother." It follows the dreams and efforts of Rose to raise two daughters to perform onstage and casts an affectionate eye on the hardships of show business life. The character of Louise is based on Lee, and the character of June is based on Lee's sister, the actress June Havoc.

The original Broadway production opened on May 21, 1959 at The Broadway Theatre, transferred to the Imperial Theatre, and closed on March 25, 1961 after 702 performances and two previews. The show was produced by David Merrick and directed and choreographed by Jerome Robbins. Ethel Merman starred as Rose, with Jack Klugman as Herbie and Sandra Church as Louise. Scenic and Lighting design were by Jo Mielziner and costumes were by Raoul Pene Du Bois. The orchestrations, including an overture, were supplied by Sid Ramin and Robert Ginzler.  Critic Frank Rich has referred to Robbins' work as one of the most influential stagings of a musical in American theatrical history. The original production received eight Tony Award nominations, including Best Musical, Best Actress in a Musical, Best Featured Actor in a Musical, Best Featured Actress in a Musical, Best Scenic Design, Best Costume Design and Best Direction of a Musical, but failed to win any.  When the show closed in March 1961, two national touring companies toured the US. The first company starred Merman and opened in March 1961 at the Rochester, New York Auditorium, and closed in December 1961 at the American, St. Louis, Missouri. The second national company starred Mitzi Green as Rose, followed by Mary McCarty. A young Bernadette Peters appeared in the ensemble and understudied Dainty June, a role she would play the following year in summer stock, opposite Betty Hutton's Rose. It opened in September 1961 at the Shubert Theatre, Detroit and closed in January 1962 at the Hanna, Cleveland, Ohio.

Was it popular

Answer with quotes: When the show closed in March 1961, two national touring companies toured the US.


Problem: Melungeon ( m@-LUN-j@n) is a term traditionally applied to one of numerous "tri-racial isolate" groups of the Southeastern United States. Historically, Melungeons were associated with the Cumberland Gap area of central Appalachia, which includes portions of East Tennessee, Southwest Virginia, and eastern Kentucky. Tri-racial describes populations thought to be of mixed European, African and Native American ancestry. Although there is no consensus on how many such groups exist, estimates range as high as 200.

According to the principle of partus sequitur ventrem, which Virginia incorporated into law in 1662, children were assigned the social status and ethnicity of their mother, regardless of their father's ethnicity or citizenship. This meant the children of African slave mothers were born into slavery. But it also meant the children of free white or mulatto women, even if fathered by enslaved African men, were born free. The free descendants of such unions formed many of the oldest free families of color. Early colonial Virginia was very much a "melting pot" of peoples, and some of these early multiracial families were ancestors of the later Melungeons. Each family line has to be traced separately. Over the generations, most individuals of the group called Melungeon were persons of mixed European and African descent, whose ancestors had been free in colonial Virginia.  Edward Price's dissertation on Mixed-Blood Populations of the Eastern United States as to Origins, Localizations, and Persistence (1950) stated that children of European and free black unions had intermarried with persons of Native American ancestry. These conclusions have been largely upheld in subsequent scholarly and genealogical studies. In 1894, the U.S. Department of the Interior, in its "Report of Indians Taxed and Not Taxed," noted that the Melungeons in Hawkins County "claim to be Cherokee of mixed blood". The term Melungeon has since sometimes been applied as a catch-all phrase for a number of groups of mixed-race ancestry.  In 2012, the genealogist Roberta Estes and her fellow researchers reported that the Melungeon lines likely originated in the unions of black and white indentured servants living in Virginia in the mid-1600s before slavery became widespread. They concluded that as laws were put in place to prevent the mixing of races, the family groups could only intermarry with each other. They migrated together from western Virginia through the Piedmont frontier of North Carolina, before settling primarily in the mountains of East Tennessee.

Are there any other interesting aspects about this article?

Answer with quotes: Melungeon lines likely originated in the unions of black and white indentured servants living in Virginia in the mid-1600s before slavery became widespread.


Problem: James Lawrence Levine (; born June 23, 1943) is an American conductor and pianist. He is primarily known for his tenure as Music Director of the Metropolitan Opera (the "Met"), a position he held for 40 years (1976-2016). He was formally terminated by the Met from all his positions and affiliations with the company on March 12, 2018 over sexual misconduct allegations which he denies.

Levine made his Metropolitan Opera (the "Met") debut at age 28 on June 5, 1971, leading a June Festival performance of Tosca. Following further appearances with the company, he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975. In 1983, he served as conductor and musical director for the Franco Zeffirelli screen adaptation of La Traviata, which featured the Met orchestra and chorus members. He became the company's first artistic director in 1986, and relinquished the title in 2004. In 2005, Levine's combined salary from the Boston Symphony Orchestra and the Met made him the highest-paid conductor in the country, at $3.5 million.  During Levine's tenure, the Metropolitan Opera orchestra expanded its activities into the realms of recording, and separate concert series for the orchestra and chamber ensembles from The Met Orchestra at Carnegie Hall. Levine led the Metropolitan Opera on many domestic and international tours. For the 25th anniversary of his Met debut, Levine conducted the world premiere of John Harbison's The Great Gatsby, commissioned especially to mark the occasion. On his appointment as general manager of the Met, Peter Gelb emphasized that Levine was welcome to remain as long as he wanted to direct music there. Levine was paid $2.1 million by the Met in 2010.  Following a series of injuries that began with a fall (see below), Levine's subsequent health problems led to his withdrawal from many Metropolitan Opera conducting engagements. Following a May 2011 performance of Die Walkure, Levine formally withdrew from all conducting engagements at the Met. After two years of physical therapy, Levine returned to conducting with a May 2013 concert with the Metropolitan Opera Orchestra at Carnegie Hall. On September 25, 2013, Levine conducted his first Met performance since May 2011, in a revival production of Cosi fan tutte. Levine was scheduled to conduct three productions at the opera house and three concerts at Carnegie Hall in the 2013-14 season. On April 14, 2016, Met management announced that Levine would step down from his position as Music Director at the end of the 2015-16 season. Levine was paid $1.8 million by the Met for the 2015/16 season. He assumed the new title of Music Director Emeritus, which he held until December 2017, when in the wake of allegations that Levine had sexually abused four young men, the Met suspended its relationship with him and cancelled all his future scheduled performances with the company.

what was he known for?

Answer with quotes:
He became the Met's principal conductor in 1973, and its Music Director in 1975. In 1983, he served as conductor and musical director