Answer the question at the end by quoting:

Burke was born in Dublin, Ireland. His mother Mary nee Nagle (c. 1702-1770) was a Roman Catholic who hailed from a declasse County Cork family (and a cousin of Nano Nagle), whereas his father, a successful solicitor, Richard (died 1761), was a member of the Church of Ireland; it remains unclear whether this is the same Richard Burke who converted from Catholicism. The Burke dynasty descends from an Anglo-Norman knight surnamed de Burgh (Latinised as de Burgo) who arrived in Ireland in 1185 following Henry II of England's 1171 invasion of Ireland and is among the chief "Gall" families that assimilated into Gaelic society, becoming "more Irish than the Irish themselves". Burke adhered to his father's faith and remained a practising Anglican throughout his life, unlike his sister Juliana who was brought up as and remained a Roman Catholic.
The fall of North led to Rockingham being recalled to power in March 1782. Burke was appointed Paymaster of the Forces and a Privy Counsellor, but without a seat in Cabinet. Rockingham's unexpected death in July 1782 and replacement with Shelburne as Prime Minister, put an end to his administration after only a few months, however, Burke did manage to introduce two Acts.  The Paymaster General Act 1782 ended the post as a lucrative sinecure. Previously, Paymasters had been able to draw on money from HM Treasury at their discretion. Now they were required to put the money they had requested to withdraw from the Treasury into the Bank of England, from where it was to be withdrawn for specific purposes. The Treasury would receive monthly statements of the Paymaster's balance at the Bank. This act was repealed by Shelburne's administration, but the act that replaced it repeated verbatim almost the whole text of the Burke Act.  The Civil List and Secret Service Money Act 1782 was a watered down version of Burke's original intentions as outlined in his famous Speech on Economical Reform of 11 February 1780. He managed, however, to abolish 134 offices in the royal household and civil administration. The third Secretary of State and the Board of Trade were abolished and pensions were limited and regulated. The Act was anticipated to save PS72,368 a year.  In February 1783, Burke resumed the post of Paymaster of the Forces when Shelburne's government fell and was replaced by a coalition headed by North that included Charles James Fox. That coalition fell in 1783, and was succeeded by the long Tory administration of William Pitt the Younger, which lasted until 1801. Accordingly, having supported Fox and North, Burke was in opposition for the remainder of his political life.

What did this act say?

He managed, however, to abolish 134 offices in the royal household and civil administration.



Answer the question at the end by quoting:

Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".
Fischer next lived in Detroit, Michigan, whereupon, after first hearing the vocal quartet The Hi-Lo's in a live performance, he promptly offered his services. Over the next five years, Fischer recorded several albums with the group, serving as pianist and, on occasion, arranger. In addition, he contributed several vocal arrangements, making his debut in that capacity; it was these arrangements that Herbie Hancock would later point to as a major influence:  [T]hat's when I really learned some much farther-out voicings - like the harmonies I used on Speak Like a Child - just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... I heard some of his last records, and he was still doing amazing harmonic stuff. And, of course, he was a wonderful pianist, too. But it was those vocal harmonies that were the first thing I heard. I was in awe of him.  When Fischer moved to Hollywood in 1958, he went to East L.A. to play and learn more about Latin-Jazz. He started in a charanga group with Modesto Duran as leader and played with many different groups. On November 2, 1959, he made a particularly fruitful connection within this genre when he appeared with the Hi-lo's at the First Annual Los Angeles Jazz Festival on the same bill with the already popular Latin jazz group led by vibraphonist Cal Tjader. Both his playing and arranging made an immediate impression on Tjader, who went on to employ Fischer in both capacities on several recordings over the next three years; the two would reunite in the mid-seventies, leading eventually to the formation of Fischer's own Latin jazz unit, Salsa Picante.  In 1961, Fischer became interested in Brazilian music through the recordings of Elizete Cardoso and Joao Gilberto. This discovery, coupled with his introduction to the music of Mexican composer Mario Ruiz Armengol, led to Fischer's subsequent collaboration with Cal Tjader, a 1962 LP devoted jointly to Armengol's music and that of assorted contemporary Brazilian composers. Over the following year, Fischer collaborated on two Bossa Nova-themed LPs with saxophonist Bud Shank, and arranged another for pianist George Shearing.  While with The Hi-Lo's, Fischer arranged a record by trumpeter Donald Byrd, which, by virtue of Fischer's use of strings and harps, imbued well-known standards with an unaccustomed, melancholic quality. Although it would be twenty-five years before the album was finally released, September Afternoon paid immediate dividends when Byrd played a copy for Dizzy Gillespie. In turn, Gillespie hired Fischer to write arrangements for a small ensemble featuring brass and woodwinds for his own album, A Portrait of Duke Ellington, which was well received. In 1960 albums for vibraphonist Cal Tjader and pianist George Shearing followed, as did an eight-year career of writing music for commercials, as well as the signing of Fischer's first record contract.

Is there anything of interest I should know?
While with The Hi-Lo's, Fischer arranged a record by trumpeter Donald Byrd,