Question: George Edward Foreman (born January 10, 1949) is an American former professional boxer who competed from 1969 to 1977, and from 1987 to 1997. Nicknamed "Big George", he is a two-time world heavyweight champion and an Olympic gold medalist. Outside the sport he is an ordained minister, author, and entrepreneur. After a troubled childhood Foreman took up amateur boxing and won a gold medal in the heavyweight division at the 1968 Summer Olympics.

In 1972, still undefeated and with an impressive knockout record, Foreman was set to challenge undefeated and Undisputed World Heavyweight Champion Joe Frazier. Despite boycotting a title elimination caused by the vacancy resulting from the championship being stripped from Muhammad Ali, Frazier had won the title from Jimmy Ellis and defended his title four times since, including a 15-round unanimous decision over the previously unbeaten Ali in 1971 after Ali had beaten Oscar Bonavena and Jerry Quarry. Despite Foreman's superior size and reach, he was not expected to beat Frazier and was a 3:1 underdog going into the fight.  The Sunshine Showdown took place on January 22, 1973, in Kingston, Jamaica, with Foreman dominating the fight to win the championship by technical knockout. In ABC's re-broadcast, Howard Cosell made the memorable call, "Down goes Frazier! Down goes Frazier! Down goes Frazier!" Before the fight Frazier was 29-0 (25 KO) and Foreman was 37-0 (34 KO). Frazier was knocked down six times by Foreman within two rounds (the three-knockdown rule was not in effect for this bout). After the second knockdown, Frazier's balance and mobility were impaired to the extent that he was unable to evade Foreman's combinations. Frazier managed to get to his feet for all six knockdowns, but referee Arthur Mercante eventually called an end to the one-sided bout.  Foreman was sometimes characterized by the media as an aloof and antisocial champion. According to them, he always seemed to wear a sneer and was not often available to the press. Foreman later attributed his demeanor during this time as an emulation of Sonny Liston, for whom he had been an occasional sparring partner. Foreman defended his title successfully twice during his initial reign as champion. His first defense, in Tokyo, pitted him against Puerto Rican Heavyweight Champion Jose Roman. Roman was not regarded as a top contender, and it took Foreman only 2 minutes to end the fight, one of the fastest knockouts in a Heavyweight Championship bout.

Using a quote from the above article, answer the following question: what was peoples reaction to  the maatch
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Question: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.

After 12th-century, Odia temples, monasteries and nearby institutions such as the Nalanda in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (1360-1361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility.  The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khurda.  During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannath temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations".  Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were dehumanized and stigmatized as prostitutes during the British period. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.

Using a quote from the above article, answer the following question: How did this affect the dancers?
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Answer:
The dancers were dehumanized and stigmatized as prostitutes during the British period.