Background: The Kooks are an English pop rock band formed in 2004 in Brighton. The band currently consists of Luke Pritchard (vocals/rhythm guitar), Hugh Harris (lead guitar/synth), Alexis Nunez (drums), and Peter Denton (bass guitar). The original bassist was Max Rafferty, and the founding drummer was Paul Garred. The lineup of the band remained constant until the departure of Rafferty in 2008.
Context: After they had signed to Virgin Records, the Kooks were reluctant to record an album straight away, stating a desire to focus more on their live performances and songwriting. The band has said embarking on their first live tour instead of recording an album initially helped them develop their style and sound. As Pritchard claimed, "We didn't sit down with a blueprint. We just naturally developed and we didn't try to shape or mould ourselves to anything." As a result, they went into the studio with hundreds of songs from a variety of genres, and it took an "incredible amount of patience" from producer Tony Hoffer to shape the content into what would become the record.  Following their first tour supporting the Thrills, the Kooks recorded their debut album, Inside In/Inside Out, at Konk studios in London in 2005. Though media attention was dominated by the release of the Arctic Monkeys debut album Whatever People Say I Am, That's What I'm Not on the same day, Inside In/Inside Out recorded first week sales of 19,098. Later, speaking to NME, Pritchard would thank the Arctic Monkeys for "shielding" The Kooks from the press' scrutiny. "God bless the Arctic Monkeys because if it wasn't for them we wouldn't have been so shielded. We were so overshadowed by the success [of Whatever People Say I Am, That's What I'm Not] because it was so monster and we crept in behind everybody's back." Entering the UK Albums Chart at number nine, it would eventually peak at number 2 for two weeks. Singles "Eddie's Gun", "Sofa Song", "You Don't Love Me", "Naive", "She Moves in Her Own Way" and "Ooh La" achieved chart success in the UK and Europe, while "Naive" and "She Moves in Her Own Way" put The Kooks in the top ten for the first time.  Kev Kharas, in his review for Drowned in Sound, viewed the Kooks as "a less irreverent and more melodic Art Brut, swapping that band's caustic wit for a far nicer type of honesty." Kharas also noted traces of "emo" in the band's style. AllMusic's Tim Sendra noted that the band's direction was "heavily indebted to classic rock", in particular Thin Lizzy and the Dexys, ultimately though Sendra felt "the band sounds like the Kooks and no one else". Calling the Kooks "an important reminder that there are just as many mediocre bands in the UK as there are in the United States" reviewer Jenny Eliscu of Rolling Stone claimed the album was "utterly forgettable, shoddily produced retro rock that at its worst sounds like a Brighton-accented version of the Spin Doctors". Brian Belardi of Prefix gave a positive review, describing Inside In/Inside Out as "An almost-perfect blend of '60s-style Britpop, '90s-style Britpop, and the post-punk of the new millennium".  The album went on to be certified quadruple platinum in the UK by the British Phonographic Industry (BPI) within a year and certified platinum across Europe by the International Federation of the Phonographic Industry (IFPI). The success of their debut album brought the band into mainstream media attention, winning the award for best UK and Ireland act at the MTV Awards in 2006 and picking up a Brit Awards nomination for "She Moves in Her Own Way", in 2007.
Question: did they ever get on the top ten again?
Answer: 

Background: Spacemen 3 were an English alternative rock band, formed in 1982 in Rugby, Warwickshire by Peter Kember and Jason Pierce. Their music is known for its brand of "minimalistic psychedelia". Spacemen 3 had their first independent chart hits in 1987, gaining a cult following, and going on to have greater success towards the end of the decade. However, they disbanded shortly afterwards, releasing their final studio album post-split in 1991 after an acrimonious parting of ways.
Context: In November 1985, Spacemen 3 played a gig at a leisure centre in Coventry to an audience of fewer than ten people. Nevertheless, encouraged by the support of Pat Fish, they determined that they ought to record a new demo tape. By this time they had reconfigured and honed their musical style, and their repertoire consisted of newer songs and re-worked older ones. "The band's sound had crystallised into the intense, hypnotic, overloaded psychedelia which characterised their early [record] output, and which would serve as a template for their live act throughout their existence" (Ian Edmond, Record Collector).  At Pierce's instigation, Pete Bain rejoined the band on bass in order to fill out their sound. Despite being a 4-piece again, they would retain the name 'Spacemen 3'. Kember and Pierce opted to upgrade their guitar equipment ahead of recording the new demos. Kember purchased a Burns Jazz electric guitar and 1960s Vox Conqueror amplifier; whilst Pierce bought a Fender Telecaster and a 1970s HH amplifier. Both of their new amplifiers included distortion/fuzz and tremolo; these two effects were key components of Spacemen 3's signature sound.  In January 1986, Spacemen 3 attended the home studio of Carlo Marocco at Piddington, outside Northampton, to record their new demo tape. They spent three-and-a-half days at the 16-track studio. Recording live as a group, with minimal overdubs, they managed to get demos for approximately seven songs. Kember and Pierce handled the production. These "fine set of performances" (Ned Raggett, AllMusic) would later be unofficially released as the vinyl album Taking Drugs to Make Music to Take Drugs To on the Father Yod label in 1990 (albeit described incorrectly as "rehearsals in Rugby").  Spacemen 3 managed to obtain a record deal shortly after producing their new demos. Pat Fish had given a copy of the demo tape to Dave Barker, the owner of the independent record label Glass Records, to whom Fish's band The Jazz Butcher were signed. Spacemen 3 signed a three-year, two-album recording contract with Glass Records in early 1986.
Question: What were the singles on the demo?
Answer:
approximately seven songs.