Question: He was born James Lablache Stewart in Old Brompton Road, Kensington, West London, the only son of Major James Stewart, OBE and his wife Frederica Eliza (nee Lablache). Granger was educated at Epsom College and the Webber Douglas Academy of Dramatic Art. He was the great-great-grandson of the opera singer Luigi Lablache and the grandson of the actor Luigi Lablache. When he became an actor, he was advised to change his name in order to avoid being confused with the American actor James Stewart.

Granger's first starring film role was as the acid-tongued Rokeby in the Gainsborough Pictures period melodrama, The Man in Grey (1943), a film that helped to make him and his three co-stars - James Mason, Phyllis Calvert and Margaret Lockwood - into box office names in Britain.  Granger followed it with The Lamp Still Burns (1943) playing the love interest of nurse Rosamund John. More popular was another for Gainsborough Pictures, Fanny by Gaslight (1944), which reunited him with Calvert and Mason, and added Jean Kent. The New York Times reported that Granger "is a young man worth watching. The customers... like his dark looks and his dash; he puts them in mind, they say of Cary Grant." It was the second most popular film at the British box office in 1944.  Another hit was Love Story (1944) where he plays a blind pilot who falls in love with terminally ill Margaret Lockwood, with Patricia Roc co-starring. Granger filmed this at the same time as Waterloo Road (1945), playing his first villain, a "spiv" who has run off with the wife of John Mills. This film was popular too, and it is one of Granger's favourites.  Madonna of the Seven Moons (1945), with Calvert and Roc, was more Gainsborough melodrama, another hit. Also popular was Caesar and Cleopatra, supporting Claude Rains and Vivien Leigh; this film lost money because of its high production cost but was widely seen, and was the first of Granger's films to be a hit in the USA. At the end of 1945 British exhibitors voted Granger the second-most popular British film star, and the ninth-most popular overall. The Times reported that "this six-foot black-visaged ex-soldier from the Black Watch is England's Number One pin up boy. Only Bing Crosby can match him for popularity."  Caravan (1946), starring Granger and Kent, was the sixth most popular film at the British box office in 1946. Also well liked was The Magic Bow (1946), with Calvert and Kent, where Granger played Niccolo Paganini That year he was voted the third-most popular British star, and the sixth-most popular overall.

Using a quote from the above article, answer the following question: Did he win any awards during this time?
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Answer: At the end of 1945 British exhibitors voted Granger the second-most popular British film star,


Question: Lillian Evelyn Moller Gilbreth (May 24, 1878 - January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.

Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie (Delger) and William Moller, a builder's supply merchant. She was the second of the family's eleven children. Both of her wealthy parents were of German descent. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896.  Moller, who changed her name to Lillian during college, continued her education at the University of California, Berkeley, commuting by streetcar from her parents' Oakland home. She graduated from the university in 1900, earning a teaching certificate and a bachelor's degree in English literature, and was the school's first female commencement speaker at the university.  Moller enrolled at Columbia University, intending to pursue a master's degree in literature and to study with Brander Matthews, a well-known writer and educator, but soon realized he did not allow women to study with him or attend his lectures. Following her exposure to Edward Thorndike's psychology courses, she turned to Thorndike and the study of psychology because he did accept female students. After Moller became ill and returned home, she completed a master's degree in literature at the University of California, Berkeley, in 1902. The topic of her thesis was Ben Jonson's play Bartholomew Fair.  Moller began studies for a Ph.D. at the University of California, but took time off to travel in Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914.  After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which mader her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching.

Using a quote from the above article, answer the following question: Who were her parents?
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Answer:
Annie (Delger) and William Moller, a builder's supply merchant.