Problem: Background: Captain James Cook  (7 November 1728 - 14 February 1779) was a British explorer, navigator, cartographer, and captain in the Royal Navy. Cook made detailed maps of Newfoundland prior to making three voyages to the Pacific Ocean, during which he achieved the first recorded European contact with the eastern coastline of Australia and the Hawaiian Islands, and the first recorded circumnavigation of New Zealand. Cook joined the British merchant navy as a teenager and joined the Royal Navy in 1755. He saw action in the Seven Years' War, and subsequently surveyed and mapped much of the entrance to the Saint Lawrence River during the siege of Quebec.
Context: During the Seven Years' War, Cook served in North America as master aboard the fourth-rate Navy vessel HMS Pembroke. With others in Pembroke's crew, he took part in the major amphibious assault that captured the Fortress of Louisbourg from the French in 1758, and in the siege of Quebec City in 1759. Throughout his service he demonstrated a talent for surveying and cartography, and was responsible for mapping much of the entrance to the Saint Lawrence River during the siege, thus allowing General Wolfe to make his famous stealth attack during the 1759 Battle of the Plains of Abraham.  Cook's surveying ability was also put to use in mapping the jagged coast of Newfoundland in the 1760s, aboard HMS Grenville. He surveyed the north-west stretch in 1763 and 1764, the south coast between the Burin Peninsula and Cape Ray in 1765 and 1766, and the west coast in 1767. At this time Cook employed local pilots to point out the "rocks and hidden dangers" along the south and west coasts. During the 1765 season, four pilots were engaged at a daily pay of 4 shillings each: John Beck for the coast west of "Great St Lawrence", Morgan Snook for Fortune Bay, John Dawson for Connaigre and Hermitage Bay, and John Peck for the "Bay of Despair".  His five seasons in Newfoundland produced the first large-scale and accurate maps of the island's coasts and were the first scientific, large scale, hydrographic surveys to use precise triangulation to establish land outlines. They also gave Cook his mastery of practical surveying, achieved under often adverse conditions, and brought him to the attention of the Admiralty and Royal Society at a crucial moment both in his career and in the direction of British overseas discovery. Cook's map would be used into the 20th century--copies of it being referenced by those sailing Newfoundland's waters for 200 years.  Following on from his exertions in Newfoundland, it was at this time that Cook wrote that he intended to go not only "farther than any man has been before me, but as far as I think it is possible for a man to go".
Question: Did England commend him for his work?
Answer: Cook's map would be used into the 20th century--copies of it being referenced by those sailing Newfoundland's waters for 200 years.

Problem: Background: Paul Vaughn Butterfield (December 17, 1942 - May 4, 1987) was an American blues harmonica player and singer. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.
Context: Butterfield was born in Chicago and raised in the city's Hyde Park neighborhood. The son of a lawyer and a painter, he attended the University of Chicago Laboratory Schools, a private school associated with the University of Chicago. Exposed to music at an early age, he studied classical flute with Walfrid Kujala, of the Chicago Symphony Orchestra. Butterfield was also athletic and was offered a track scholarship to Brown University. However, a knee injury and a growing interest in blues music sent him in a different direction. He met guitarist and singer songwriter Nick Gravenites, who shared an interest in authentic blues music. By the late 1950s, they were visiting blues clubs in Chicago, where musicians such as Muddy Waters, Howlin' Wolf, Little Walter, and Otis Rush, encouraged them and occasionally let them sit in on jam sessions. The pair were soon performing as Nick and Paul in college-area coffee houses.  In the early 1960s, Butterfield met aspiring blues guitarist Elvin Bishop. Bishop recalled:  He [Butterfield] was playing more guitar than harp when I first met him. But in about six months he became serious about the harp, and he seemed to get about as good as he got in that six months. He was just a natural genius. This was in 1960 or 1961. By this time Butter had been hanging out in the ghetto for a couple of years, and he was part of the scene and getting accepted.  Eventually, Butterfield, on vocals and harmoica, and Bishop, accompanying him on guitar, were offered a regular gig at Big John's, a folk club in the Old Town district on Chicago's North Side. With this booking, they persuaded bassist Jerome Arnold and drummer Sam Lay (both from Howlin' Wolf's touring band) to form a group with them in 1963. Their engagement at the club was highly successful and brought the group to the attention of record producer Paul A. Rothchild.
Question: Did he meet any other musicians during the beginning of his career ?
Answer: