Background: Bill "Bojangles" Robinson (May 25, 1878 - November 25, 1949) was an American tap dancer and actor, the best known and most highly paid African-American entertainer in the first half of the twentieth century. His long career mirrored changes in American entertainment tastes and technology. He started in the age of minstrel shows and moved to vaudeville, Broadway, the recording industry, Hollywood, radio, and television.
Context: On March 30, 1900, Robinson entered a buck-and-wing dance contest at the Bijou Theater in Brooklyn, New York, winning a gold medal and defeating Harry Swinton, star of the show In Old Kentucky and considered the best dancer of his day. The resulting publicity helped Robinson to get work in numerous traveling shows, sometimes in a troupe, more frequently with a partner, though not always as a dancer (Robinson also sang and performed two-man comedy routines).  By 1912, Robinson was a full partner in the duo, which had become primarily a tap dancing act, booked on both the Keith and Orpheum Circuits. The team broke up in 1914, and vaudeville performer Rae Samuels, who had performed in shows with Robinson, convinced him to meet with her manager (and husband), Marty Forkins. Under Forkins' tutelage, Robinson matured and began working as a solo act, increasing his earnings to an estimated $3,500 per week. Forkins accomplished this by inventing an alternate history for Robinson, promoting him as already being a solo act. This technique succeeded, making Robinson one of the first performers to break vaudeville's two colored rule, which forbade solo black acts.  When the U.S. entered World War I, the War Department set up a series of Liberty Theaters in the training camps. The Keith and Orpheum Circuits underwrote vaudeville acts at reduced fees, but Robinson volunteered to perform gratis for thousands of troops, in both black and white units of the Expeditionary Forces, receiving a commendation from the War Department in 1918.  Throughout the early 1920s, Robinson continued his career on the road as a solo vaudeville act, touring throughout the country and most frequently visiting Chicago, where Marty Forkins, his manager, lived. From 1919-1923 he was fully booked on the Orpheum Circuit, and was signed full-time by the Keith in 1924 and 1925. In addition to being booked for 50-52 weeks (an avid baseball fan, he took a week off for the World Series), Robinson did multiple shows per night, frequently on two different stages.
Question: Were his shows well received?
Answer: Robinson did multiple shows per night, frequently on two different stages.

Background: Benjamin Solomon Carson Sr. (born September 18, 1951) is an American neurosurgeon, author and politician serving as the 17th and current United States Secretary of Housing and Urban Development since 2017, under the Trump Administration. Prior to his cabinet position, he was a candidate for President of the United States in the Republican primaries in 2016. Born in Detroit, Michigan, and a graduate of Yale University and the University of Michigan Medical School, Carson has authored numerous books on his medical career and political stances.
Context: By ninth grade, the family's financial situation had improved, his mother surprising neighbors by paying cash to buy a new Chrysler car, and the only government assistance they still relied on was food stamps. Carson attended the predominantly black Southwestern High School for ninth through 12th grades, graduating third in his class academically. In high school he played the baritone horn in the band, and participated in forensics (public speaking), chess club, and the U.S. Army Junior Reserve Officers' Training Corps (JROTC) program where he reached its highest rank--cadet colonel. Carson served as a laboratory assistant in the high school's biology, chemistry, physics school laboratories beginning in 10th, 11th, and 12th grade, respectively, and worked as a biology laboratory assistant at Wayne State University the summer between 11th and 12th grades.  In his book Gifted Hands, Carson relates that as a youth he had a violent temper. "As a teenager, I would go after people with rocks, and bricks, and baseball bats, and hammers," Carson told NBC's Meet the Press in October 2015. He said he once tried to hit his mother on the head with a hammer over a clothing dispute, while in the ninth grade he tried to stab a friend who had changed the radio station. Fortunately, the blade broke in his friend's belt buckle. Carson said that the intended victim, whose identity he wants to protect, was a classmate, a friend, or a close relative. After this incident, Carson said that he began reading the Book of Proverbs and applying verses on anger. As a result, he states he "never had another problem with temper". In his various books and at campaign events, he repeated these stories and said he once attacked a schoolmate with a combination lock. Nine friends, classmates, and neighbors who grew up with him told CNN in 2015 they did not remember the anger or violence he has described. In response, Carson posted on Facebook a 1997 Parade Magazine issue, in which his mother verified the stabbing incident. He then questioned the extent of the effort CNN had exerted in the investigation.  He has said that he protected white students in a biology lab after a race riot broke out at his high school in response to the assassination of Martin Luther King Jr. in 1968. The Wall Street Journal confirmed the riot but could not find anyone who remembered Carson sheltering white students.
Question: What years did Carson attend Southwestern High School
Answer: ninth through 12th grades,

Background: Mario Lanza (born Alfredo Arnold Cocozza; January 31, 1921 - October 7, 1959) was an American tenor of Italian ancestry, and an actor and Hollywood film star of the late 1940s and the 1950s. Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing.
Context: Lanza was the first RCA Victor Red Seal artist to win a gold disc and the first artist to sell 2 1/2 million albums  Lanza was referred to by some sources as the "new Caruso" after his "instant success" in Hollywood films, while MGM hoped he would become the movie studio's "singing Clark Gable" for his good looks and powerful voice.  In 1994, outstanding tenor Jose Carreras paid tribute to Lanza during a worldwide concert tour, saying of him, "If I'm an opera singer, it's thanks to Mario Lanza." His equally outstanding colleague Placido Domingo echoed these comments in a 2009 CBS interview with, "Lanza's passion and the way his voice sounds are what made me sing opera. I actually owe my love for opera ... to a kid from Philadelphia."  Even today "the magnitude of his contribution to popular music is still hotly debated," and because he appeared on the operatic stage only twice, many critics feel that he needed to have had more "operatic quality time" in major theaters before he could be considered a star of that art form. His films, especially The Great Caruso, influenced numerous future opera stars, including Joseph Calleja, Jose Carreras, Placido Domingo and Luciano Pavarotti. According to opera historian Clyde McCants, "Of all the Hollywood singers who performed operatic music ... the one who made the greatest impact was Mario Lanza." Hollywood gossip columnist Hedda Hopper concluded that "there had never been anyone like Mario, and I doubt whether we shall ever see his like again".
Question: What is his musical legacy?
Answer:
Lanza was the first RCA Victor Red Seal artist to win a gold disc and the first artist to sell 2 1/2 million albums