IN: The Cimmerians (also Kimmerians; Greek: Kimmerioi, Kimmerioi) were an ancient people, who appeared about 1000 BC  and are mentioned later in 8th century BC in Assyrian records. Probably originating in the Pontic steppe and invading by means of the Caucasus, they are likely to be those who in c. 714 BC assaulted Urartu, a state in north eastern Anatolia subject to the Neo-Assyrian Empire. They were defeated by Assyrian forces under Sargon II in 705 and turned towards Anatolia, conquering Phrygia in 696/5. They reached the height of their power in 652 after taking Sardis, the capital of Lydia; however an invasion of Assyrian controlled Anshan (Persia) was thwarted.

The supposed origin of the Cimmerians north of the Caucasus at the end of the Bronze Age loosely corresponds with the early Koban culture (Northern Caucasus, 12th to 4th centuries BC), but there is no compelling reason to associate this culture with the Cimmerians specifically.  There is a tradition in archaeology of applying Cimmerian to the archaeological record associated with the earliest transmission of Iron Age culture along the Danube to Central and Western Europe, associated with the Cernogorovka (9th to 8th centuries) and Novocerkassk (8th to 7th centuries) between the Danube and the Volga. This association is "controversial", or at best conventional, and is not to be taken as a literal claim that specific artifacts are to be associated with the "Cimmerians" of the Greek or Assyrian record.  The use of the name "Cimmerian" in this context is due to Paul Reinecke, who in 1925 postulated a "North-Thracian-Cimmerian cultural sphere" (nordthrakisch-kimmerischer Kulturkreis) overlapping with the younger Hallstatt culture of the Eastern Alps. The term Thraco-Cimmerian (thrako-kimmerisch) was first introduced by I. Nestor in the 1930s. Nestor intended to suggest that there was a historical migration of Cimmerians into Eastern Europe from the area of the former Srubna culture, perhaps triggered by the Scythian expansion, at the beginning of the European Iron Age. In the 1980s and 1990s, more systematic studies[by whom?] of the artifacts revealed a more gradual development over the period covering the 9th to 7th centuries, so that the term "Thraco-Cimmerian" is now rather used by convention and does not necessarily imply a direct connection with either the Thracians or the Cimmerians.

What did the findings tell us about the Cimmerian people?

OUT: 

Answer the question at the end by quoting:

Manisha Koirala (born 16 August 1970) is a Nepali actress who mainly appears in Hindi films in India, though she has worked in several South Indian and her native country's films. Noted for her acting prowess, Koirala is the recipient of several accolades, including four Filmfare Awards--and is one of India's most well-known actresses. Although the box-office collections from her films have varied considerably, critics have noted that her niche as an actor remains unharmed irrespective of her commercial potency. She was one of the highest paid actresses in the 1990s.
She starred in Vidhu Vinod Chopra's love saga 1942: A Love Story (1994) and Mani Ratnam's Tamil drama Bombay (1995).  Her performance in the film Bombay was a milestone in her career which won her the Filmfare Award for Best Tamil Actress and Filmfare Critics Award for Best Performance. She was seriously noticed by Bollywood after the release of 1942: A Love Story which was a year earlier than the release of Bombay. She also starred in Mansoor Khan's romantic musical Akele Hum Akele Tum (1995) as the ignored wife who leaves her husband and child to fulfill her singing talent and subsequently becomes a popular star. In 1996, she received positive reviews for her performance in the drama Agni Sakshi, as a battered wife on the run from her mentally ill husband. The film became one of the biggest hits of that year at the Indian box office. Later that year, she acted in Sanjay Leela Bhansali's directorial debut Khamoshi: The Musical, where she played the role of Annie, a caring daughter to deaf and mute parents.  A critic from Channel 4 wrote: "Koirala... demonstrates the full range of her acting ability, rather than playing against it as she has had to do in more traditional films. The scene where she shouts at her father through the door, screaming and using sign language even though she knows he can neither see nor hear her, is extremely powerful." Filmfare magazine later included her performance in the film on its "80 Iconic Performances" list. In 1997, she played the leading role alongside Kajol and Bobby Deol in the thriller Gupt: The Hidden Truth, which was one of the biggest hits that year.

What other scenes were notable?



input: In 1988, Willis and then-wife Demi Moore campaigned for Democratic Massachusetts Governor Michael Dukakis's Presidential bid. Four years later, he supported President George H. W. Bush for reelection and was an outspoken critic of Bill Clinton. However, in 1996, he declined to endorse Clinton's Republican opponent Bob Dole, because Dole had criticized Demi Moore for her role in the film Striptease. Willis was an invited speaker at the 2000 Republican National Convention, and supported George W. Bush that year. He did not make any contributions or public endorsements in the 2008 presidential campaign. In several June 2007 interviews, he declared that he maintains some Republican ideologies.  In 2006, he said that the United States should intervene more into Colombia, in order to end the drug trafficking. In several interviews Willis has said that he supports large salaries for teachers and police officers, and said he is disappointed in the United States foster care system as well as treatment of Native Americans. Willis also stated that he is a supporter of gun rights, stating, "Everyone has a right to bear arms. If you take guns away from legal gun owners, then the only people who have guns are the bad guys."  In February 2006, Willis appeared in Manhattan to talk about his film 16 Blocks with reporters. One reporter attempted to ask Willis about his opinion on the current government, but was interrupted by Willis in mid-sentence: "I'm sick of answering this fucking question. I'm a Republican only as far as I want a smaller government, I want less government intrusion. I want them to stop shitting on my money and your money and tax dollars that we give 50 percent of every year. I want them to be fiscally responsible and I want these goddamn lobbyists out of Washington. Do that and I'll say I'm a Republican. I hate the government, OK? I'm apolitical. Write that down. I'm not a Republican."  Willis's name was in an advertisement in the Los Angeles Times on August 17, 2006, that condemned Hamas and Hezbollah and supported Israel in the 2006 Israel-Lebanon war.

Answer this question "what was the criticism Dole made?"
output:
Dole had criticized Demi Moore for her role in the film Striptease.