Problem: Background: Westlife were an Irish pop vocal group, formed in Dublin in 1998 and disbanded in 2012. Originally signed by Simon Cowell and managed by Louis Walsh, the group's line-up consisted of Nicky Byrne, Kian Egan, Mark Feehily, Shane Filan and Brian McFadden, who was a member until his departure in 2004. Westlife sold over 50 million records worldwide, a total that included studio albums, singles, video releases, and compilation albums. The group accumulated 14 number-one singles in the United Kingdom.
Context: Westlife's first big break came in 1998 when they opened for Boyzone and Backstreet Boys' concerts in Dublin. Later, they won a special Smash Hits Roadshow award at that year's Smash Hits Poll Winners Party. In April 1999, the group released their first single, "Swear It Again" which immediately topped the charts in Ireland and in the UK for two weeks. Their second single, "If I Let You Go" was released in August 1999, along with the highly acclaimed "Flying Without Wings" produced by Steve Mac and written by Mac and Wayne Hector (their first 'Record of the Year'), released in October the same year, also followed suit. "Flying Without Wings" was also included on the soundtrack of the Warner Brothers film, Pokemon: The Movie 2000. Their first album, simply titled Westlife, was released in November 1999 and went to No. 2 in the UK. The album was the biggest chart dropper on the top 40 in UK music history when, in its 58th week on the charts it leapt from No. 79 to No. 3 before falling to No. 37 the following week.  In December 1999, a fourth, double-side, single was released, "I Have A Dream"/"Seasons in the Sun". It knocked Cliff Richard's "The Millennium Prayer" off the top spot and earned them the 1999 UK Christmas number-one single. The fifth and last single from the album, "Fool Again", also peaked at number 1. Then the group went on a short UK, US and Asian tour in support of their debut album before releasing a second album.  Coast to Coast was released a year later and was another No. 1 UK album, beating the Spice Girls' Forever album. It became the country's 4th biggest selling album of 2000. The album was preceded by a duet with Mariah Carey singing the Phil Collins' classic "Against All Odds (Take a Look at Me Now)" and the original song "My Love" (their second Record of the Year award). Both singles reached No. 1 on the UK charts. With this, Westlife broke an unexpected record of the most consecutive number-one singles in the UK, having their first seven singles debut at the top. However, in December 2000, their eighth single, the UK and Ireland exclusive "What Makes a Man", only debuted at number two. Outside the UK and Ireland, they gained chart success with "I Lay My Love on You" and "When You're Looking Like That". In 2001, they launched their first world tour, "Where Dreams Come True Tour".  The single 'My Love' was reportedly used as part of a CIA torture program in Afghanistan. According to the American Civil Liberties Union, "the music pounded constantly as part of a scheme to assault prisoners' senses". Westlife released World of Our Own, their third album, in November 2001. "Uptown Girl", "Queen of My Heart" and "World of Our Own" were released as singles, all of which peaked at No. 1 in the UK. "Bop Bop Baby" was also released as a single, but it peaked at No. 5 in the UK Singles Chart. In 2002, Westlife went on their second world tour, the World of Our Own Tour (In The Round).
Question: What awards or recognition did it receive?
Answer: Westlife broke an unexpected record of the most consecutive number-one singles in the UK,

Background: Norman Clifford Louis O'Neill OAM (19 February 1937 - 3 March 2008) was a cricketer who played for New South Wales and Australia. A right-handed batsman known for his back foot strokeplay, O'Neill made his state debut aged 18, before progressing to Test selection aged 21 in late 1958. Early in his career, O'Neill was one of the foremost batsmen in the Australian team, scoring three Test centuries and topping the run scoring aggregates on a 1959-60 tour of the Indian subcontinent which helped Australia win its last Test and series on Pakistani soil for 39 years, as well as another series in India. His career peaked in 1960-61 when he scored 181 in the Tied Test against the West Indies, and at the end of the series, had a career average of 58.25.
Context: Standing six feet tall, O'Neill was compared to Don Bradman upon his entry into Test cricket. At his best, he was a dynamic stroke maker who was a crowd favourite because of his ability to score at a high pace, in particular with his power off the back foot. He was noted for his nimble footwork, which he used to negate spin bowling; however this slowed in his later career as he put on weight. O'Neill particularly liked to sweep the slower bowlers. He often put too much emphasis on his right hand, allowing a large space between his hands on the bat handle, and then turning his right shoulder too square towards the bowler. The renowned English batsman and captain Wally Hammond said that O'Neill was the best all-round batsman he had seen since World War II. O'Neill's tall build, strength and good looks also drew comparison to his boyhood idol Keith Miller. Despite the comparisons to Bradman, O'Neill was much taller and broader, and was often impetuous whereas Bradman was known for his patience and lack of rashness. O'Neill was also criticised for hitting across the line early in his innings.  O'Neill was highly regarded for his style and entertainment values. Teammate Alan Davidson said "once set he was the most exhilarating player you'd ever want to see--he was dynamite. He'd play attacking shots off balls other people would only think of defending. He had wonderful skill and technique. His shots off the back foot down the ground off fast bowlers--you can't really describe how good they were." His captain for Australia and New South Wales, Richie Benaud said that he was "one of the greatest entertainers we've had in Australian cricket". O'Neill's style led the British writer EW Swanton to say "the art of batting, he reminded us, was not dead, merely inexplicably dormant" Wisden opined that "A high innings by O'Neill is a thing of masterful beauty. His stroking is delectable, immense in its power."  Later in his career, O'Neill became a nervous and superstitious batsman, particular at the start of an innings. He wrote "batting is a lonely business" in his 1964 autobiography Ins and Outs, opining that he sometimes found first-class cricket to be "depressing and lonely".  He was regarded as an excellent fieldsman at cover, with a powerful and accurate throw, described by Wisden as a "dream throw" honed from a junior career as a baseballer. He was named as utility player in the 1957 All Australian baseball team, and his ability was such that he was approached by Major League Baseball scouts. Before the retirement of Neil Harvey, he and O'Neill fielded in tandem in the covers and the pair were regarded as the finest fielding combination of the time.
Question: Did any of his teammates comment about his play style?
Answer:
Teammate Alan Davidson said "once set he was the most exhilarating player you'd ever want to see--he was dynamite.