IN: An orchestra ( or US: ; Italian: [or'kestra]) is a large instrumental ensemble typical of classical music, which mixes instruments from different families, including bowed string instruments such as violin, viola, cello and double bass, as well as brass, woodwinds, and percussion instruments, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments. The term orchestra derives from the Greek orkhestra (orchestra), the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus. A full-size orchestra may sometimes be called a symphony orchestra or philharmonic orchestra.

The typical symphony orchestra consists of four groups of related musical instruments called the woodwinds, brass, percussion, and strings (violin, viola, cello and double bass). Other instruments such as the piano and celesta may sometimes be grouped into a fifth section such as a keyboard section or may stand alone, as may the concert harp and electric and electronic instruments. The orchestra, depending on the size, contains almost all of the standard instruments in each group.  In the history of the orchestra, its instrumentation has been expanded over time, often agreed to have been standardized by the classical period and Ludwig van Beethoven's influence on the classical model. In the 20th century, new repertory demands expanded the instrumentation of the orchestra, resulting in a flexible use of the classical-model instruments and newly developed electric and electronic instruments in various combinations.  The terms symphony orchestra and philharmonic orchestra may be used to distinguish different ensembles from the same locality, such as the London Symphony Orchestra and the London Philharmonic Orchestra. A symphony orchestra will usually have over eighty musicians on its roster, in some cases over a hundred, but the actual number of musicians employed in a particular performance may vary according to the work being played and the size of the venue.  Chamber orchestra usually refers to smaller-sized ensembles; a major chamber orchestra might employ as many as fifty musicians; some are much smaller than that. The term concert orchestra may also be used, as in the BBC Concert Orchestra and the RTE Concert Orchestra.

What happened because of the expanded instrumentation?

OUT: a flexible use of the classical-model instruments and newly developed electric and electronic instruments in various combinations.

Answer the question at the end by quoting:

Gabrielle Emilie Le Tonnelier de Breteuil, Marquise Du Chatelet (French pronunciation: [emili dy Satle] ( listen); 17 December 1706  - 10 September 1749) was a French natural philosopher, mathematician, physicist, and author during the early 1730s until her untimely death due to childbirth in 1749. Her most recognized achievement is her translation of and commentary on Isaac Newton's book Principia containing basic laws of physics. The translation, published posthumously in 1759, is still considered the standard French translation today. Her commentary includes a profound contribution to Newtonian mechanics--the postulate of an additional conservation law for total energy, of which kinetic energy of motion is one element.
In addition to producing famous translations of works by authors such as Bernard Mandeville and Isaac Newton, Du Chatelet wrote a number of significant philosophical essays, letters and books that were well known in her time.  Because of her well-known collaboration and romantic involvement with Voltaire, which spanned much of her adult life, for generations Du Chatelet has been known as mistress and collaborator to her much better known intellectual companion. Her accomplishments and achievements have often been subsumed under his, and as a result, even today she is often mentioned only within the context of Voltaire's life and work during the period of the early French Enlightenment.  Recently, however, professional philosophers and historians have transformed the reception of Du Chatelet. Historical evidence indicates that Du Chatelet's work had a very significant influence on the philosophical and scientific conversations of the 1730s and 1740s - in fact, she was famous and respected by the greatest thinkers of her time.  Du Chatelet corresponded with renowned mathematicians such as Johann II Bernoulli and Leonhard Euler, early developers of calculus. She was also tutored by Bernoulli's prodigy students, Pierre Louis Moreau de Maupertuis and Alexis Claude Clairaut. Frederick the Great of Prussia, who re-founded the Academy of Sciences in Berlin, was her great admirer, and corresponded with both Voltaire and Du Chatelet regularly. He introduced Du Chatelet to the Leibniz's philosophy by sending her the works of Christian Wolff, and Du Chatelet sent him a copy of her Institutions.  Her works were published and republished in Paris, London, and Amsterdam; they were translated into German and Italian; and, they were discussed in the most important scholarly journals of the era, including the Memoires des Trevoux, the Journal des Scavans, the Gottingische Zeitungen von gelehrten Sachen, and others. Perhaps most intriguingly, many of her ideas were represented in various sections of the Encyclopedie of Diderot and D'Alembert, and some of the articles in the Encyclopedie are a direct copy of her work (this is an active area of current academic research - the latest research can be found at Project Vox, a Duke University research initiative).

Did she contribute anything of importance

Perhaps most intriguingly, many of her ideas were represented in various sections of the Encyclopedie of Diderot and D'Alembert,

input: In 2006 Neil Finn asked Nick Seymour to play bass on his third solo album. Seymour agreed and the two joined up with producer and multi-instrumentalist Ethan Johns to begin recording. As the recording sessions progressed it was decided that the album would be issued under the Crowded House band name, rather than as a Neil Finn solo album. In January 2007, the group publicly announced their reformation and on 23 February, after 20 days of auditions, former Beck drummer Matt Sherrod joined Finn, Seymour and Mark Hart to complete the new line up. As Sherrod and Hart had not participated in the initial sessions, four new tracks were recorded with producer Steve Lillywhite including the album's first single "Don't Stop Now".  On 17 March 2007 the band played a live show at their rehearsal studio in front of around fifty fans, friends and family. The performance was streamed live as a webcast. The two-and-a-half-hour set included some new tracks, including "Silent House" co-written by Finn with the Dixie Chicks. A concert onboard The Thekla, moored in Bristol, followed on 19 March. Crowded House played at the Marquee Theatre in Tempe, Arizona on 26 April as a warm-up for their appearance at the Coachella Festival on 29 April in Indio, California. They also played at the Australian Live Earth concert in Sydney on 7 July. The next day, Finn and Seymour were interviewed on Rove Live and the band, with Hart and Sherrod, performed "Don't Stop Now" to promote the new album, which was titled Time on Earth. The single was a minor hit in Australia and the UK. The album was released worldwide in June and July. It topped the album chart in New Zealand and made number 2 in Australia and number 3 in the UK.  On 6 December 2008 Crowded House played the Homebake festival in Sydney, with warm up gigs at small venues in Hobart, Melbourne and Sydney. For these shows the band were augmented by multi-instrumentalist Don McGlashan and Neil's younger son, Elroy Finn, on guitar. On 14 March 2009 the band joined Neil's older son, Liam Finn, on stage for three songs at the Sound Relief concert in Melbourne.

Answer this question "Did they release any albums?"
output:
Finn and Seymour were interviewed on Rove Live and the band, with Hart and Sherrod, performed "Don't Stop Now" to promote the new album, which was titled Time on Earth.