Question:
Hugh Redwald Trevor-Roper, Baron Dacre of Glanton, FBA (15 January 1914 - 26 January 2003), was a British historian of early modern Britain and Nazi Germany. He was Regius Professor of Modern History at the University of Oxford. Trevor-Roper was made a life peer in 1979 on the recommendation of Prime Minister Margaret Thatcher, choosing the title Baron Dacre of Glanton. Trevor-Roper was a polemicist and essayist on a wide range of historical topics, but particularly England in the 16th and 17th centuries and Nazi Germany.
In 1980 at the age of 67, he became Master of Peterhouse, the oldest and smallest college in the University of Cambridge. His election, which surprised his friends, was engineered by a group of Fellows led by Maurice Cowling, then the leading Peterhouse historian. The Fellows chose him because Cowling's reactionary clique thought he would be an arch-conservative who would oppose the admission of women. In the event, Trevor-Roper feuded constantly with Cowling and his allies, while launching a series of administrative reforms. Women were admitted in 1983 at his urging. The British journalist Neal Ascherson summarised the quarrel between Cowling and Trevor-Roper as:  Lord Dacre, far from being a romantic Tory ultra, turned out to be an anti-clerical Whig with a preference for free speech over superstition. He did not find it normal that fellows should wear mourning on the anniversary of General Franco's death, attend parties in SS uniform or insult black and Jewish guests at high table. For the next seven years, Trevor-Roper battled to suppress the insurgency of the Cowling clique ("a strong mind trapped in its own glutinous frustrations"), and to bring the college back to a condition in which students might actually want to go there. Neither side won this struggle, which soon became a campaign to drive Trevor-Roper out of the college by grotesque rudeness and insubordination.  In a review of Adam Sisman's 2010 biography of Trevor-Roper, the Economist wrote that picture of Peterhouse in the 1980s was "startling", stating the college had become under Cowling's influence a sort of right-wing "lunatic asylum", who were determined to sabotage Trevor-Roper's reforms. In 1987 he retired complaining of "seven wasted years."
Answer this question using a quote from the text above:

Why was it startling?

Answer:
that picture of Peterhouse in the 1980s

Answer the question at the end by quoting:

A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences.
"I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording.  Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end".  When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury.  The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar.

Was another hit released?