Problem: Toru Takemitsu (Wu Man  Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.

In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence."  In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later.  In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland.

what genre of music did his productions have?

Answer with quotes: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan.


Problem: Miranda was born in New York City and raised in the neighborhood of Inwood, the son of Luz Towns, a clinical psychologist, and Luis A. Miranda, Jr., a Democratic Party consultant who advised New York City mayor Ed Koch. Miranda has one older sister, Luz, who is the Chief Financial Officer of the MirRam Group. During childhood and his teens, he spent at least one month each year with his grandparents in Vega Alta, Puerto Rico. He is of mostly Puerto Rican descent.

In 2002, Miranda and John Buffalo Mailer worked with director Thomas Kail to revise In the Heights. Book writer Quiara Alegria Hudes joined the team in 2004. After success off-Broadway, the musical went to Broadway, opening in March 2008. It was nominated for 13 Tony Awards, winning four, including Best Musical and Best Original Score. It also won the 2009 Grammy Award for Best Musical Theater Album. Miranda's performance in the leading role of Usnavi earned him a nomination for the Tony Award for Best Actor in a Musical. Miranda left the cast of the Broadway production on February 15, 2009.  Miranda reprised the role when the national tour of In the Heights played in Los Angeles from June 23 to July 25, 2010. He again joined the tour in San Juan, Puerto Rico. Miranda rejoined the Broadway cast as Usnavi from December 25, 2010 until the production closed on January 9, 2011, after 29 previews and 1,185 regular performances.  Miranda created other work for the stage during this period. He wrote Spanish language dialogue and worked with Stephen Sondheim to translate into Spanish song lyrics for the 2009 Broadway revival of West Side Story. In 2008, he was invited by composer-lyricist Stephen Schwartz to contribute two new songs to a revised version of Schwartz and Nina Faso's 1978 musical Working, which opened in May 2008 at the Asolo Repertory Theatre in Sarasota, Florida.  Miranda also did work for film and television. In 2007, he made a guest appearance on the television series The Sopranos in the episode "Remember When", and in 2009, he played Alvie, Gregory House's roommate in a psychiatric hospital, in the two-hour season six premiere episode of House; he returned to the role in May 2010. He also has done work for Sesame Street, playing occasional roles and singing the theme song to the recurring segment Murray Has a Little Lamb. He was a composer and actor on the 2009 revival of The Electric Company and appeared in the CollegeHumor sketch "Hardly Working: Rap Battle", playing himself working as an intern and rapper.  During these years, Miranda also worked as an English teacher at his former high school, wrote for the Manhattan Times as a columnist and restaurant reviewer, and composed music for commercials.

Did he do anything apart from the musical?

Answer with quotes:
Miranda created other work for the stage during this period.