Some context: Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
Holy Fire was released in both the UK and the US on 11 February 2013. The album's lead single, "Inhaler", received its first radio play on 5 November 2012. They played the song "My Number" for the first time on Later... with Jools Holland.  Holy Fire was produced by Flood and Alan Moulder, who have worked with many artists, including Nine Inch Nails, The Smashing Pumpkins and My Bloody Valentine. The album was recorded at Assault & Battery studios in London.  Yannis Philippakis stated that the recording process had some unconventional moments: "At one point we even made these poor studio interns collect bones. We were inspired by voodoo, these Haitian rhythms. We collected some ourselves, from butchers in Willesden High Road. Mainly cows, I think often they had gristle and cartilage on them, mainly cow and occasionally sheep. We had to order these big pots because one of the shoulder blades was too big! We boiled the flesh away so we could use them as percussion! We wanted to get primitive!"  According to The Guardian: "Their producers, Flood and Alan Moulder, even tricked them by recording their rehearsal in order to capture a more uninhibited sound."  In late November to mid-December, Foals toured the UK for an album preview. The tour was supported by Petite Noir (a close friend of Philippakis'). In summer 2013, they attended a number of festivals and headlined Latitude Festival in Suffolk in July. The band have recently played a World and UK tour, which ended with two sell out shows at Alexandra Palace in February. The two shows were in stark contrast compared to playing the same venue 7 years earlier to an almost empty room while supporting Bloc Party, a sentiment which lead singer Philippakis did not fail to mention during the live shows. Holy Fire was nominated for the Mercury Prize in 2013. Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME. Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list; as did single "My Number" in a "Best Song of 2013" poll, beating NME favourites Arctic Monkeys, amongst other acclaimed bands.
Anything else interesting about this article?
A: Yannis Philippakis stated that the recording process had some unconventional moments:

Some context: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.
After the armistice he returned to Birmingham and tried to find work as a cartoonist. He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position. Later that year he embarked on a professional stage career. Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director. In 1922, while with Playfair, he met Doris Zinkeisen. They were considered a couple for some two years, despite Whale's living as an openly gay man. They were reportedly engaged in 1924, but by 1925 the engagement was off.  In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I. The key conflict is between Capt. Stanhope, the company commander, and Lt. Raleigh, the brother of Stanhope's fiancee. Whale offered the part of Stanhope to the then barely known Laurence Olivier. Olivier initially declined the role, but after meeting the playwright agreed to take it on. Maurice Evans was cast as Raleigh. The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929. A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste. The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations. As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years.  With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh. Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929. The play ran for over a year and cemented its reputation as the greatest play about World War I.
did he have any other plays that were worth naming
A: