Answer the question at the end by quoting:

Dorries was born as Nadine Vanessa Bargery in Liverpool. Her father was a bus driver who became a lift operator having suffered from Raynaud's disease, which had necessitated the amputation of his toes. Her father was a Roman Catholic of Irish descent, while her mother was an English Protestant. Dorries was raised as a Protestant.
She was reportedly part of a plot to oust John Bercow from the Speaker's chair in the run up to the 2010 general election, and, after the election, sent an email to all new MPs advocating his removal. Writing in the Daily Mail, just before his tenure was reapproved, she objected to Bercow's abandonment of the speaker's "magnificent" ceremonial clothes and placed herself among those MPs who accuse him of not carrying forward "the great tradition of authority, control and impartiality".  On 9 May 2010, two days after retaining the Mid-Bedfordshire seat at the general election, The Sunday Times revealed that Dorries was facing the first complaint about an MP's expenses claim of the new parliament. The newspaper reported that she had claimed around PS10,000 for an annual report in 2007 on her performance as an MP, but that her former Commons researcher had never seen the report or worked on it. Dorries insisted that she had indeed published the report, placing a photograph of it on her blog. She subsequently told the Biggleswade Advertiser that the report was never printed and a credit note issued with refund on 13 September 2008.  On 13 January 2011, it was announced by the Daily Mirror that police were investigating Dorries concerning her expenses. Three days later, The Sunday Times reported that police had since handed a file to the Crown Prosecution Service for consideration. In February 2013, it was reported that Dorries was being investigated by the Independent Parliamentary Standards Authority over her expenses, although no specific details were given at this time.  On 27 June 2013, Dorries announced she would no longer claim her personal expenses as an MP, but would draw on her salary for such costs. She argued that she would be in a better position to campaign for the abolition of the present expenses arrangements by doing so. Dorries herself stood for election as a deputy speaker after one of the three posts became vacant. In the Commons vote during October 2013, she gained the support of 13 MPs, and was the first of the six candidates to be eliminated in the voting process.

Were there any other complaints made?

On 13 January 2011, it was announced by the Daily Mirror that police were investigating Dorries concerning her expenses.



Answer the question at the end by quoting:

Dave Holland (born 1 October 1946) is an English jazz double bassist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States for over 40 years. His work ranges from pieces for solo performance to big band. Holland runs his own independent record label, Dare2, which he launched in 2005.
During the 1990s, Holland renewed an affiliation, begun in the 1970s, with Joe Henderson, joining the tenor saxophonist on So Near (So Far), a tribute to Miles Davis, and Porgy & Bess. Holland also reunited with vocalist Betty Carter, touring and recording the live album Feed the Fire (1993). Fellow Davis alumnus Herbie Hancock invited Holland to tour with him in 1992, subsequently recording The New Standard. Holland joined Hancock's band again in 1996. He was also part of the sessions for River: The Joni Letters, winner of the 2008 Grammy Award for Album of the Year.  As a leader, Holland formed his third quartet and released Dream of the Elders (1995), which introduced the vibraphonist Steve Nelson to his ensembles. Holland formed a quintet that includes tenor saxophonist Chris Potter, trombonist Robin Eubanks and, a more recent addition, drummer Nate Smith. Their recordings include Points of View, Prime Directive, Not for Nothin, Extended Play: Live at Birdland and Critical Mass. In addition to releasing four quintet albums on ECM, Holland debuted his Big Band, which released What Goes Around in 2002. The album won Holland his first Grammy as a leader, in the Best Large Jazz Ensemble Album category. The second Big Band recording, Overtime (2005), again won the Grammy in the Best Large Jazz Ensemble Album category; it was released on Holland's Dare2 label, which he formed that year.  In 2009, Holland was a co-founder of an all-star group called the Overtone Quartet. The group consisted of Holland on bass, Chris Potter on tenor saxophone, Jason Moran on piano, and Eric Harland on drums. The group toured extensively throughout the United States and Europe.

Did he put out any albums in this time?

Holland also reunited with vocalist Betty Carter, touring and recording the live album Feed the Fire (1993).



Answer the question at the end by quoting:

Charles-Camille Saint-Saens (French: [SaRl kamij sesas]; 9 October 1835 - 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886). Saint-Saens was a musical prodigy, making his concert debut at the age of ten.
On leaving the Conservatoire in 1853, Saint-Saens accepted the post of organist at the ancient Parisian church of Saint-Merri near the Hotel de Ville. The parish was substantial, with 26,000 parishioners; in a typical year there were more than two hundred weddings, the organist's fees from which, together with fees for funerals and his modest basic stipend, gave Saint-Saens a comfortable income. The organ, the work of Francois-Henri Clicquot, had been badly damaged in the aftermath of the French Revolution and imperfectly restored. The instrument was adequate for church services but not for the ambitious recitals that many high-profile Parisian churches offered. With enough spare time to pursue his career as a pianist and composer, Saint-Saens composed what became his opus 2, the Symphony in E (1853). This work, with military fanfares and augmented brass and percussion sections, caught the mood of the times in the wake of the popular rise to power of Napoleon III and the restoration of the French Empire. The work brought the composer another first prize from the Societe Sainte-Cecile.  Among the musicians who were quick to spot Saint-Saens's talent were the composers Gioachino Rossini, Hector Berlioz and Franz Liszt, and the influential singer Pauline Viardot, who all encouraged him in his career. In early 1858 Saint-Saens moved from Saint-Merri to the high-profile post of organist of La Madeleine, the official church of the Empire; Liszt heard him playing there and declared him the greatest organist in the world.  Although in later life he had a reputation for outspoken musical conservatism, in the 1850s Saint-Saens supported and promoted the most modern music of the day, including that of Liszt, Robert Schumann and Richard Wagner. Unlike many French composers of his own and the next generation, Saint-Saens, for all his enthusiasm for and knowledge of Wagner's operas, was not influenced by him in his own compositions. He commented, "I admire deeply the works of Richard Wagner in spite of their bizarre character. They are superior and powerful, and that is sufficient for me. But I am not, I have never been, and I shall never be of the Wagnerian religion."

Was he popular?