Answer the question at the end by quoting:

Robert Maynard Hutchins (also Maynard Hutchins) (January 17, 1899 - May 14, 1977), was an American educational philosopher, dean of Yale Law School (1927-1929), and president (1929-1945) and chancellor (1945-1951) of the University of Chicago. He was the husband of novelist Maude Hutchins. Although his father and grandfather were both Presbyterian ministers, Hutchins became one of the most influential members of the school of secular perennialism.
Robert Maynard Hutchins was born in Brooklyn in 1899, the second of three sons of William James Hutchins, a Presbyterian minister and future Berea College president. Eight years later, the family moved to Oberlin, Ohio, site of Oberlin College, where William Hutchins became an instructor. Oberlin was a small community dedicated to evangelical ideals of righteousness and hard work, which had a lifelong influence on Hutchins. Hutchins studied at Oberlin Academy and subsequently Oberlin College from 1915 to 1917.  At age 18 in 1917, shortly after the United States entered World War I, Hutchins joined the ambulance service of the United States Army, together with his brother William. The Hutchins brothers served in an all-Oberlin unit, Section 587, which for much of the war was stationed at the Allentown Fair Grounds, where they were tasked with creating a barracks. Upon subsequent deployment to Italy, Hutchins was awarded the Croce di Guerra.  Returning from the war in 1919, Hutchins went to Yale University (B.A. 1921). At Yale he encountered a very different society from what he had known before at Oberlin; the tone was set by preparatory school graduates who defied Prohibition. However, Hutchins did not enjoy the same level of financial support, and in his junior and senior years, he worked menial jobs for up to six hours per day to cover living expenses. In his senior year, he was tapped for the Wolf's Head Society. Having already fulfilled his graduation requirements, he also enrolled in Yale Law School. Fascinated by the case method, Hutchins subsequently regarded this as the beginning of his true education. Shortly after his graduation in 1921, Hutchins married Maude Phelps McVeigh. They would have three daughters together, the first born in 1925.  After spending a year teaching high school History and English in Lake Placid, New York, he was hired to become the Secretary of the Yale Corporation. In this position he was the principal assistant to the president of Yale, with responsibility for alumni relations and fundraising. Returning to New Haven, he also resumed his studies at Yale Law School (LL.B 1925). Upon completing his LL.B., graduating at the top of his class, he was invited to join the Yale Law faculty, teaching courses on evidence and utility law. He became acting Dean of Yale Law School in 1927, and full Dean in 1928. It was at this point, when he was the Dean of Yale Law while still in his 20s, that Hutchins became a national figure.  At the time, Yale Law School was dominated by the Legal Realists and Hutchins sought to promote Legal Realism during his time as dean. Skeptical of the received rules of evidence that he had taught as a professor, he worked to integrate the findings of psychology, sociology and logic with the law. His supporters in this enterprise included William O. Douglas, who left Columbia School of Law to work under Hutchins at Yale. Hutchins played a key role in convincing the Rockefeller Foundation to fund an Institute of Human Relations at Yale, to foster partnerships between the social sciences and law and medicine.

Why did he distaste football in the university





Answer the question at the end by quoting:

Edgar Yipsel "Yip" Harburg (born Isidore Hochberg, Yiddish: ysydvr hvkbrg; April 8, 1896 - March 5, 1981) was an American popular song lyricist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?"
Harburg and Gorney were offered a contract with Paramount: in Hollywood, Harburg worked with composers Harold Arlen, Vernon Duke, Jerome Kern, Jule Styne, and Burton Lane, and later wrote the lyrics for The Wizard of Oz, one of the earliest known "integrated musicals," for which he won the Academy Award for Best Music, Original Song for "Over the Rainbow."  Of his work on The Wizard of Oz, his son (and biographer) Ernie Harburg has said:  So anyhow, Yip also wrote all the dialogue in that time and the setup to the songs and he also wrote the part where they give out the heart, the brains and the nerve, because he was the final script editor. And he--there were eleven screenwriters on that--and he pulled the whole thing together, wrote his own lines and gave the thing a coherence and unity which made it a work of art. But he doesn't get credit for that. He gets lyrics by E. Y. Harburg, you see. But nevertheless, he put his influence on the thing.  Working in Hollywood did not stop Harburg's career on Broadway. In the 1940s, he wrote a series of "book" musicals with social messages, including the successful Bloomer Girl (1944), set during the Civil War, which was about temperance and women's rights activist Amelia Bloomer. Harburg's best known Broadway show, Finian's Rainbow (1947) was, in its original production, possibly the first Broadway musical with a racially integrated chorus line, and features his "When the Idle Poor Become the Idle Rich." It was made into a film in 1968 starring Fred Astaire and Petula Clark, directed by Francis Ford Coppola.

What did he do on Broadway?
including the successful Bloomer Girl (1944), set during the Civil War, which was about temperance and women's rights activist Amelia Bloomer.