input: Mayer was born in Wausau, Wisconsin, the daughter of Margaret Mayer, an art teacher of Finnish descent, and Michael Mayer, an environmental engineer who worked for water companies. Her grandfather, Clem Mayer, had polio when he was 7 and served as mayor of Jackson, Wisconsin, for 32 years. She has a younger brother. She would later describe herself as having been "painfully shy" as a child and teenager. She "never had fewer than one after-school activity per day," participating in ballet, ice-skating, piano, swimming, debate, and Brownies. During middle school and high school, she took piano and ballet lessons, the latter of which taught her "criticism and discipline, poise, and confidence". At an early age, she showed an interest in math and science.  When she was attending Wausau West High School, Mayer was on the curling team and the precision dance team. She excelled in chemistry, calculus, biology, and physics. She took part in extracurricular activities, becoming president of her high school's Spanish club, treasurer of the Key Club, captain of the debate team, and captain of the pom-pom squad. Her high school debate team won the Wisconsin state championship and the pom-pom squad was the state runner-up. During high school, she worked as a grocery clerk. After graduating from high school in 1993, Mayer was selected by Tommy Thompson, then the Governor of Wisconsin, as one of the state's two delegates to attend the National Youth Science Camp in West Virginia.  Intending to become a pediatric neurosurgeon, Mayer took pre-med classes at Stanford University. She later switched her major from pediatric neuroscience to symbolic systems, a major which combined philosophy, cognitive psychology, linguistics, and computer science. At Stanford, she danced in the university ballet's Nutcracker, was a member of parliamentary debate, volunteered at children's hospitals, and helped bring computer science education to Bermuda's schools. During her junior year, she taught a class in symbolic systems, with Eric S. Roberts as her supervisor. The class was so well received by students that Roberts asked Mayer to teach another class over the summer. Mayer went on to graduate with honors from Stanford with a BS in symbolic systems in 1997 and an MS in computer science in 1999. For both degrees, her specialization was in artificial intelligence. For her undergraduate thesis, she built travel-recommendation software that advised users in natural-sounding human language. In 2009, the Illinois Institute of Technology granted Mayer an honoris causa doctorate degree in recognition of her work in the field of search.  Mayer interned at SRI International in Menlo Park, California, and Ubilab, UBS's research lab based in Zurich, Switzerland. She holds several patents in artificial intelligence and interface design.

Answer this question "Did anything else important happen to Marissa Mayer in her early life?"
output: She "never had fewer than one after-school activity per day," participating in ballet, ice-skating, piano, swimming, debate, and Brownies.

input: I'm going to shatter some illusions, it was just one of those pieces I wrote for the album: just writing my batch of songs. In its early stages I almost rejected it, but then it grew. We started deciding on a single about halfway through. There were a few contenders - we were thinking of "The Prophet's Song" at one point - but then "Bohemian Rhapsody" seemed the one. There was a time when the others wanted to chop it around a bit, but I refused. If it was going to be released, it would be in its entirety. We knew it was very risky, but we had so much confidence in that song - I did anyway. I felt, underneath it all, that if it was successful it would earn a lot of respect. People were all going, You're joking, they'll never play it, you'll only hear the first few bars and then they'll fade it out. We had numerous rows. EMI were shocked - a six-minute single? You must be joking! The same in America - oh, you just got away with it in Britain.  When we finished the album, the Night at the Opera album, that was the track on it that we thought we were gonna release as a single in the UK first. And when we released it in Britain we didn't necessarily think it'd be released in America, cause we know even over here, you know, the AM tastes are even more [hesitates] stricter. Anyway we did have thoughts about even in the UK, perhaps editing it down at all, but we listened to it over and over again and there was no way we could edit it. We tried a few ideas, but if you edited it, you always lost some part of the song, so we had to leave it all in. And luckily it took off anyway.  The vocal harmonies was something we wanted to do from the beginning, as we are always keen to do that kind of thing. We wanted to be a group that could do the heaviness of hard rock, but also have harmonies swooping around all over the place. We thought there was some real power and emotion in that combination. The guitar solo was pretty much off the cuff, except I think I had plenty of time to think about that one. I remember playing along with it in the studio for a while when other things were being done. I knew what kind of melody I wanted to play.

Answer this question "Are there any other interesting aspects about this article?"
output: People were all going, You're joking, they'll never play it, you'll only hear the first few bars and then they'll fade it out.

input: Allen, a freethinker and humanist, became an outspoken critic of organized religion and an active member of the scientific skepticism movement. He worked to promote critical thinking with such humanist and skeptical organizations as the Council for Media Integrity, a group that debunked pseudoscientific claims, and the California-based group The Skeptics Society. He wrote many pieces for their publication, Skeptic, on such topics as the Church of Scientology, genius, and the passing of science fiction giant Isaac Asimov.  Working with Paul Kurtz, publisher of Prometheus Books, Allen published 15 books, including Dumbth: The Lost Art of Thinking with 101 Ways to Reason Better and Improve Your Mind, which was reissued in 1998. He produced Gullible's Travels, an audiotape with original music and script that was read and sung by him and his wife "in order to introduce youngsters to the brain and its proper use." Wishing to counter the influence of the American religious right, Allen wrote both a 1990 critique of the Bible (Steve Allen on the Bible, Religion and Morality) as well as a sequel. A sample passage from the book that illustrated his view of the Judeo-Christian God reads:  The proposition that the entire human race -- consisting of enormous hordes of humanity -- would be placed seriously in danger of a fiery eternity characterized by unspeakable torments purely because a man disobeyed a deity by eating a piece of fruit offered him by his wife is inherently incredible.  In 2011 Allen was selected for inclusion in the Committee for Skeptical Inquiry's Pantheon of Skeptics.

Answer this question "What other organizations did he work with?"
output:
Skeptics Society.