Answer the question at the end by quoting:

Andrea Jane Corr MBE (born 17 May 1974) is an Irish musician, songwriter, and actress. Corr debuted in 1990 as the lead singer of the Celtic folk rock and pop rock group The Corrs along with her three elder siblings Caroline, Sharon, and Jim. Aside from singing lead vocals Corr plays the tin whistle, the ukulele, and the piano.
In 1990, Corr and her siblings formed a quartet called The Corrs. Their career launched in 1991 when they auditioned for the film The Commitments in which Andrea gained a speaking role as Sharon Rabbitte. John Hughes noticed the quartet when they auditioned for the movie, and agreed to become their manager. The Corrs signed with Atlantic Records in 1995 and travelled to North America to record their debut album Forgiven, Not Forgotten. The album featured six instrumental selections among its Celtic-influenced tracks. When released, it was successful in Ireland, Australia, Japan, and Spain. The album reached platinum status in the United Kingdom and Australia, and quadruple platinum in Ireland, which made it one of the most popular debuts by an Irish group.  Following on from the success of their debut album, they released Talk on Corners and In Blue in 1997 and 2000 respectively. Originally Talk on Corners met with lukewarm success, until a remix version was released, when it topped the charts in many countries, and reached platinum status in the United Kingdom and Australia. In Blue moved towards mainstream pop, placing heavy emphasis on electronic synthesisers. It was successful, and was No. 1 in its first sales week in the UK, Ireland, Australia, Germany, Switzerland, and Austria and debuted at No. 2 in France and Norway. It climbed to the top position during its second week in Sweden and Spain.  During the production of In Blue, their mother, Jean, died while waiting for a lung transplant in the Freeman Hospital in Newcastle, Britain. She was laid to rest at St. Patrick's cemetery in Dundalk. Bono, Larry Mullen, Brian Kennedy and Paul Brady were among the attendees. "No More Cry", written by Andrea and Caroline Corr for the album, was dedicated to their father hoping to help with his grief.  In 2003, Andrea recorded "Time Enough For Tears", a song written by Bono and Gavin Friday for the film In America. This track was featured on The Corrs' 2004 album Borrowed Heaven. Borrowed Heaven was dedicated to their late mother, Jean, and their father, Gerry. The band also dedicated their 2005 tribute album Home to their deceased mother. The band covered many traditional Irish songs taken from their mother's songbook to commemorate their 15 years as a band.  In an interview with Chris Evans in June 2015, Andrea confirmed that The Corrs were working on a new album and would play the BBC Radio 2 'Live in Hyde Park' festival. Their sixth studio album, White Light, was released on 27 November 2015, and was accompanied by a world tour.

What were the names of the sibilings

Caroline Corr



Answer the question at the end by quoting:

Clinton Richard Dawkins  (born 26 March 1941) is an English ethologist, evolutionary biologist, and author. He is an emeritus fellow of New College, Oxford, and was the University of Oxford's Professor for Public Understanding of Science from 1995 until 2008. Dawkins first came to prominence with his 1976 book The Selfish Gene, which popularised the gene-centred view of evolution and introduced the term, meme. With his book The Extended Phenotype (1982), he introduced into evolutionary biology the influential concept that the phenotypic effects of a gene are not necessarily limited to an organism's body, but can stretch far into the environment.
In his book, The Selfish Gene, Dawkins coined the word meme (the behavioural equivalent of a gene) as a way to encourage readers to think about how Darwinian principles might be extended beyond the realm of genes. It was intended as an extension of his "replicators" argument, but it took on a life of its own in the hands of other authors, such as Daniel Dennett and Susan Blackmore. These popularisations then led to the emergence of memetics, a field from which Dawkins has distanced himself.  Dawkins's meme refers to any cultural entity that an observer might consider a replicator of a certain idea or set of ideas. He hypothesised that people could view many cultural entities as capable of such replication, generally through communication and contact with humans, who have evolved as efficient (although not perfect) copiers of information and behaviour. Because memes are not always copied perfectly, they might become refined, combined, or otherwise modified with other ideas; this results in new memes, which may themselves prove more or less efficient replicators than their predecessors, thus providing a framework for a hypothesis of cultural evolution based on memes, a notion that is analogous to the theory of biological evolution based on genes.  Although Dawkins invented the term meme, he has not claimed that the idea was entirely novel, and there have been other expressions for similar ideas in the past. For instance, John Laurent has suggested that the term may have derived from the work of the little-known German biologist Richard Semon. In 1904, Semon published Die Mneme (which appeared in English in 1924 as The Mneme). This book discusses the cultural transmission of experiences, with insights parallel to those of Dawkins. Laurent also found the term, mneme, used in Maurice Maeterlinck's The Life of the White Ant (1926), and has highlighted the similarities to Dawkins's concept. James Gleick describes Dawkins's concept of the meme as "his most famous memorable invention, far more influential than his selfish genes or his later proselytising against religiosity".

when did he father the meme?