Some context: Dorothy Day, Obl.S.B. (November 8, 1897 - November 29, 1980) was an American journalist, social activist, and Catholic convert. Day initially lived a bohemian lifestyle before gaining fame as a social activist after her conversion. She later became a key figure in the Catholic Worker Movement and earned a national reputation as a political radical, perhaps the most famous radical in American Catholic Church history.
In September 1963, Day discussed pre-marital sex in her column, warning against those who portrayed it as a form of freedom: "The wisdom of the flesh is treacherous indeed." She described herself as "a woman who must think in terms of the family, the need of the child to have both mother and father, who believes strongly that the home is the unit of society" and wrote that:  When sex is treated lightly, as a means of pleasure ... it takes on the quality of the demonic, and to descend into this blackness is to have a foretaste of hell... There is no such thing as seeing how far one can go without being caught, or how far one can go without committing mortal sin.  In 1968, Day wrote again about sex--this time in her diary--in response to the criticisms of Stanley Vishnewski (and other coworkers at the Tivoli farm) that she had "no power" over marijuana smoking "or sexual promiscuity, or solitary sins." The situation continued to remain a problem, as Day also documented in her diary:  For some weeks now my problem is this: What to do about the open immorality (and of course I mean sexual morality) in our midst. It is like the last times--there is nothing hidden that shall not be revealed. But when things become a matter for open discussion, what about example set, that most powerful of all teachers. We have with us now a beautiful woman with children whose husband has taken up with a seventeen-year-old, is divorcing her and starting on a new marriage. She comes to us as to a refuge where by working for others in our community of fifty or more, she can forget once in a while her human misery. . . .  We have one young one, drunken, promiscuous, pretty as a picture, college educated, mischievous, able to talk her way out of any situation--so far. She comes to us when she is drunk and beaten and hungry and cold and when she is taken in, she is liable to crawl into the bed of any man on the place. We do not know how many she has slept with on the farm. What to do? What to do?
Was this over her own actions or the actions of others?
A: In 1968, Day wrote again about sex--this time in her diary--in response to the criticisms of Stanley Vishnewski (
Some context: Abbey Road is the eleventh album by English rock band the Beatles, released on 26 September 1969 by Apple Records. The recording sessions for the album were the last in which all four Beatles participated. Although Let It Be was the final album that the Beatles completed before the band's dissolution in April 1970, most of the album had been recorded before the Abbey Road sessions began. A double A-side single from the album, "Something"/"Come
"Her Majesty" was recorded by McCartney on 2 July when he arrived before the rest of the group at Abbey Road. It was included in a rough mix of the side two medley, appearing between "Mean Mr. Mustard" and "Polythene Pam". McCartney disliked the way the medley sounded when it included "Her Majesty", so he asked for it to be cut. The second engineer, John Kurlander, had been instructed not to throw out anything, so after McCartney left, he attached the track to the end of the master tape after 20 seconds of silence. The tape box bore an instruction to leave "Her Majesty" off the final product, but the next day when mastering engineer Malcolm Davies received the tape, he (also trained not to throw anything away) cut a playback lacquer of the whole sequence, including "Her Majesty". The Beatles liked this effect and included it on the album.  "Her Majesty" opens with the final, crashing chord of "Mean Mr. Mustard", while the final note of "Her Majesty" remained buried in the mix of "Polythene Pam". This is the result of "Her Majesty" being snipped off the reel during a rough mix of the medley on 30 July. The medley was subsequently mixed again from scratch although "Her Majesty" was not touched again and still appears in its rough mix on the album.  Original US and UK pressings of Abbey Road do not list "Her Majesty" on the album's cover nor on the record label, making it a hidden track. The song title appears on the inlay card and disc of the 1987 remastered CD reissue, as track 17. It also appears on the sleeve, booklet and disc of the 2009 remastered CD reissue, but not on the cover or record label of the 2012 vinyl reissue.
Was the creation of "Her Majesty" influenced by any other songs?
A: Her Majesty" opens with the final, crashing chord of "Mean Mr. Mustard", while the final note of "Her Majesty" remained buried in the mix of "Polythene Pam".
Some context: Pierce the Veil is an American rock band from San Diego, California. Formed in 2006, the band was founded by brothers Vic and Mike Fuentes after the disbandment of the group Before Today (formerly Early Times), which was formed out of the San Diego punk rock scene. Other members of the band include Jaime Preciado (bass) and Tony Perry (lead guitar). Pierce the Veil has released three studio albums and has toured worldwide since the release of their debut album, A Flair for the Dramatic in 2007.
On September 23, 2013 the band announced plans to release a documentary on November 11 detailing their first world tour. The documentary included live footage from their world tour, three music videos, and additional content. The band released this statement on the documentary: "Our first world tour was absolutely the craziest experience of our lives.. and we filmed EVERYTHING! Follow along as we visit uncharted territories in search of the best shows and thrilling experiences we could absolutely find along the way. This DVD is for the fans and the fans only. Thank you for letting us travel the world and share this adventure with you!" - Vic, Mike, Tony, and Jaime  On October 18, 2013 the band launched pre-orders for their documentary with a new release date of November 25.  On July 21, Vic Fuentes and Kellin Quinn of Sleeping with Sirens announced a co-headlining world concert tour. The tour started on November 5, 2014 in Fresno. They first announced the first North America leg with 20 concerts with support from Beartooth and This Wild Life. A month later, on August 22, 2014 the band confirmed the second leg of the concert tour which took place in Europe. Between March 20, 2015 and April 11, 2015 Pierce the Veil played concerts in the Netherlands, Belgium, Sweden, Germany, and the UK. According to Epitaph Records, all concerts in Europe were sold out. Before heading to Europe the band played a second US leg with support from PVRIS and Mallory Knox.
what happened in 2013 with this band?
A:
On September 23, 2013 the band announced plans to release a documentary on November 11 detailing their first world tour.