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Luzzatti was born of Jewish parents in Venice on 11 March 1841. After completing his studies in law at the University of Padua, he attracted the attention of the Austrian police by his lectures on political economy, and was obliged to emigrate after starting a mutual aid society among gondoliers. In 1863 he obtained a professorship at the Milan Technical Institute; in 1867 he was appointed professor of constitutional law at Padua, whence he was transferred to the University of Rome. Gifted with eloquence and energy, he popularized the economic ideas of Franz Hermann Schulze-Delitzsch in Italy, worked for the establishment of a commercial college at Venice, and contributed to the spread of people's banks on a basis of limited liability throughout the country.
He was minister of agriculture in the second Sonnino Cabinet (December 2, 1909 - March 21, 1910), and on the resignation of the latter was called upon to form a cabinet himself. His administration, which lasted until March 18, 1911, was not very successful and fell over a proposed electoral reform. Although a man of first-class financial ability, great honesty and wide culture, he had not the strength of character necessary to lead a government: he showed lack of energy in dealing with opposition and tried to avoid all measures likely to make him unpopular. Furthermore, he never realized that with the chamber, as it was then constituted, he only held office at Giolitti's good pleasure.  During the First World War, he was consistently pro-Ally and strongly supported Italian intervention, but his tone was on the whole pessimistic. Although he did not take office while the war lasted, he was always consulted on all financial matters, and his sound advice was generally followed.  He became treasury minister in the second incarnation of the Nitti cabinet (March 12 - May 10, 1920), but did not resume office in the third. At the general elections of May 1921, he decided not to stand for parliament again, and was made a senator. In spite of his advanced age, he continued to write on economic and financial problems with his accustomed lucidity and soundness of judgment, insisting on the necessity for Italy to return to free trade and to reduce government interference in business matters to a minimum.
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Was he successful in that role?

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did not resume office in the third.


Question:
Oingo Boingo  was an American new wave band, best known for their hits "Dead Man's Party" and "Weird Science". They are noted for their high energy live concerts, movie soundtrack contributions, and their mixture of genre, which can be described as including ska, pop, rock, and world music. The band was founded in 1972 as The Mystic Knights of the Oingo Boingo, a performance art group. The band was led by songwriter/vocalist Danny Elfman, who has since achieved success as a composer for film and television.
The Mystic Knights of the Oingo Boingo, formed in late 1972 by Richard Elfman, was a musical theater troupe in the tradition of Spike Jones and Frank Zappa, performing an eclectic repertoire ranging from Cab Calloway covers to instrumentals in the style of Balinese gamelan and Russian ballet music. The name was inspired by a fictional secret society on the Amos 'n' Andy TV series called The Mystic Knights of the Sea. Most of the members performed in whiteface and clown makeup, and a typical show contained music ranging from the 1890s to the 1950s, in addition to original material. This version of the band employed as many as 15 musicians at any given time, playing over 30 instruments, including some instruments built by band members. While this Richard Elfman-led incarnation of the group performed live, it did not issue any recordings.  As Richard Elfman's interest shifted to filmmaking, he passed leadership of the band to younger brother Danny Elfman, who had recently returned from spending time in Africa playing violin and studying percussion instruments. They gained a following in Los Angeles, and appeared as contestants on The Gong Show in 1976, winning the episode they appeared on with 24 points out of a possible 30. The Gong Show presentation included an accordion, a purple dragon and a gaseous rocket-man. Later in 1976, The Mystic Knights of the Oingo Boingo released a doo-wop styled novelty single about kidnapped heiress Patty Hearst entitled "You Got Your Baby Back". Both this track and the B-side "Ballad of the Caveman" were written and sung by Danny Elfman. They were featured in the 1976 Martin Brest film Hot Tomorrows; performing the songs St. James Infirmary and 42nd Street. The band appeared as extras in hallucinatory sequences in the 1977 movie I Never Promised You a Rose Garden.  When the group began to move away from its cabaret style towards a more pop/rock format, Richard Elfman made a film based on the band's stage performance, Forbidden Zone, which was released in 1980 and filmed in black and white with a cast mostly made up of band members and friends. In one scene, Danny, as Satan, sings a version of Calloway's "Minnie the Moocher" with modified lyrics integrated into the plot of the film. In another, Richard sings the 1920s novelty song "The Yiddishe Charleston". The movie attained cult status and provided a springboard for the film and music careers of Richard and Danny.
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did the film win any awards?

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Question:
The Abenaki (Abnaki, Abinaki, Alnobak) are a Native American tribe and First Nation. They are one of the Algonquian-speaking peoples of northeastern North America. The Abenaki live in Quebec and the Maritimes of Canada and in the New England region of the United States, a region called Wabanahkik ("Dawn Land") in the Eastern Algonquian languages. The Abenaki are one of the five members of the Wabanaki Confederacy. "
In New Hampshire the Abenaki, along with other Native American groups, have proposed legislation for recognition as a minority group. This bill was debated in 2010 in the state legislature. The bill would create a state commission on Native American relations, which would act as an advisory group to the governor and the state government in general. The Abenaki want to gain formal state recognition as a people.  Some people have opposed the bill, as they fear it may lead to Abenaki land claims for property now owned and occupied by European Americans. Others worry that the Abenaki may use recognition as a step toward opening a casino. But, the bill specifically says that "this act shall not be interpreted to provide any Native American or Abenaki person with any other special rights or privileges that the state does not confer on or grant to other state residents." New Hampshire has considered expanding gambling separate from the Native Americans.  The council would be under the Department of Cultural Resources, so it would be in the same department as the State Council on the Arts. The bill would allow for the creation and sale of goods to be labeled as Native-made, to create a source of income for the Natives in New Hampshire.  The numerous groups of Natives in the state have created a New Hampshire Inter-tribal Council, which holds statewide meetings and powwows. Dedicated to preserving the culture of the Natives in New Hampshire, the group is one of the chief supporters of the HB 1610; the Abenaki, the main tribe in the state, are the only people named specifically in the bill.
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what years were hard?

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