Problem: Background: The Brown Eyed Girls (Hangul: beuraun aideu geolseu, Japanese: buraunaidogaruzu), often abbreviated as B.E.G., BG or beuageol (beu-ah-geol) is a South Korean girl group managed by Mystic Entertainment. The group consists of four members: JeA, Miryo, Narsha, and Gain. They debuted as an R&B/Ballad vocal group with "Come Closer (dagawaseo)" in 2006 and have since challenged themselves with a notable variety of different music genres. They rose to popularity in 2008 with "L.O.V.E" and their retro-dance number "How Come," and cemented their position in the K-pop world in 2009 with "Abracadabra", with its electronica-based genre, pioneering (albeit controversial) concept, along with its iconic and now globally recognized dance entitled 'The Arrogant Dance (sigeonbangcum)'--successfully ingraining themselves into modern popular culture.
Context: The group's leader, Jea, was the one responsible of the group's creation and was actively involved in the selection of the other members, picking out Miryo, who was known as a great female rapper from the hip-hop community having previously worked with other fellow rappers, such as Gil Seong-joon from Leessang, and the main female rapper in well-known hip-hop group Honey Family. Narsha was chosen when Jea remembered her as a "talented singer" from her high school days, and Ga-in was selected by the three members after she was eliminated from "Battle Shin Hwa." According to Ga-in, she was crying in the bathroom after failing the audition, was found by composer Ahn Jung Hoon, and then was chosen through the audition in Brown Eyed Girls' company. Singer Yoari trained with the group until 2006, when it was decided she would be the lead singer for Sprinkler. The four members held several small size concerts, and was actually known as "Crescendo" before officially debuting as "Brown Eyed Girls."  After more than 3 years of training in singing and holding several small size concerts, the Brown Eyed Girls released their debut album Your Story in South Korea on March 2, 2006, with the ballad track, "Come Closer" as their single. Debuting as a "faceless group" they did not appear on any visual media and chose to not even appear in their own music video. The album was well received by critics but did not do as well as expected commercially. The album was later re-released to include "Hold The Line" (which samples "Push The Button" by British girl band Sugababes and "Technologic" by Daft Punk). This song became a hit, further boosting the band's popularity. "Hold the Line" was disclosed across the world because it was included in the list of songs from the game Pump it Up.  After a short break, the group went back into the studio to work on their second album Leave Ms. Kim (ddeonara miseugim), which included their R&B title track "You Got Me Fooled" (neoege sogassda). Subsequent singles were "Oasis" (oasiseu) featuring Lee Jae Hoon and "It's Mine" (naeggeoya), a collaboration with fellow group SeeYa.  During the break between their debut and second albums, the Brown Eyed Girls released their first digital single entitled "I Am a Summer" (naega yeoreumida), which was later included in their second LP.  The first two albums contained typical R&B ballads which had been very popular in the K-pop scene. However, the commercial success was relatively higher in two singles between the first and second albums. Moreover, the second album containing "You Got Me Fooled" (neoege sogassda) was released at nearly the same time as Wonder Girls' "Tell Me" which received a nationwide success in Korea. Therefore, their second album was once again a commercial disappointment. At the same time, the general K-pop scene was changing from R&B ballads to dance music.
Question: Did the group tour for the album?
Answer: Debuting as a "faceless group" they did not appear on any visual media and chose to not even appear in their own music video.

Background: Alfred Adler was born at Mariahilfer Strasse 208 in Rudolfsheim, then a village on the western fringes of Vienna, and today part of Rudolfsheim-Funfhaus, the 15th district of the city. He was second of the seven children of a Hungarian-born, Jewish grain merchant and his wife. Alfred's younger brother died in the bed next to him, when Alfred was only three years old. Alfred was an active, popular child and an average student who was also known for his competitive attitude toward his older brother, Sigmund.
Context: In a late work, Social Interest: A Challenge to Mankind (1938), Adler turns to the subject of metaphysics, where he integrates Jan Smuts' evolutionary holism with the ideas of teleology and community: "sub specie aeternitatis". Unabashedly, he argues his vision of society: "Social feeling means above all a struggle for a communal form that must be thought of as eternally applicable... when humanity has attained its goal of perfection... an ideal society amongst all mankind, the ultimate fulfillment of evolution." Adler follows this pronouncement with a defense of metaphysics:  I see no reason to be afraid of metaphysics; it has had a great influence on human life and development. We are not blessed with the possession of absolute truth; on that account we are compelled to form theories for ourselves about our future, about the results of our actions, etc. Our idea of social feeling as the final form of humanity - of an imagined state in which all the problems of life are solved and all our relations to the external world rightly adjusted - is a regulative ideal, a goal that gives our direction. This goal of perfection must bear within it the goal of an ideal community, because all that we value in life, all that endures and continues to endure, is eternally the product of this social feeling.  This social feeling for Adler is Gemeinschaftsgefuhl, a community feeling whereby one feels he or she belongs with others and has also developed an ecological connection with nature (plants, animals, the crust of this earth) and the cosmos as a whole, sub specie aeternitatis. Clearly, Adler himself had little problem with adopting a metaphysical and spiritual point of view to support his theories. Yet his overall theoretical yield provides ample room for the dialectical humanist (modernist) and the postmodernist to explain the significance of community and ecology through differing lenses (even if Adlerians have not fully considered how deeply divisive and contradictory these three threads of metaphysics, modernism, and post modernism are).
Question: Are there any other interesting aspects about this article?
Answer:
This social feeling for Adler is Gemeinschaftsgefuhl, a community feeling whereby one feels he or she belongs with