Some context: Darrell Lee Waltrip (born February 5, 1947) is an American motorsports analyst, author, national television broadcaster, and former racing driver. He is also a three-time NASCAR Cup Series champion (1981, 1982, 1985) and a three-time NASCAR Cup Series runner-up (1979, 1983, 1986). Posting a modern NASCAR series record of 22 top five finishes in 1983 and 21 top five finishes both in 1981 and 1986, Waltrip won 84 NASCAR Cup Series races, including the 1989 Daytona 500, a record five in the Coca-Cola 600 (formerly the World 600) (1978, 1979, 1985, 1988, 1989), and a track and Series record for any driver at Bristol Motor Speedway with 12 (seven consecutive from 1981 to 1984). Those victories tie him with Bobby Allison for fourth on the NASCAR's all-time wins list in the Cup Series and place him second to Jeff Gordon for the most wins in NASCAR's modern era.
Waltrip was born on February 5, 1947 in Owensboro, Kentucky. Starting his driving career in Go-karts at age 12, Waltrip entered his first stock car race just four years later. Waltrip and his father built a 1936 Chevrolet coupe and headed to a local dirt track near their Owensboro home. The first night out was far from a success as the youngster, barely old enough to drive on the street, slammed the wall and heavily damaged the coupe. Waltrip soon left the dirt and found his niche on asphalt where the smoothness he learned in the karts proved a valuable asset.  He was an early racer at the Kentucky Motor Speedway (an asphalt track in Whitesville) and Ellis Raceway, a dirt track on US Highway 60 west in Daviess County (Ellis Raceway is now closed), driving a car called "Big 100" built by Harry Pedley, owner of Pedley's Garage, on West Second Street, in Owensboro and sponsored by R.C. Bratcher Radiator and Welding Co. His success gained the attention of Nashville owner/driver P. B. Crowell, who urged Waltrip to move to the area to race at the Fairgrounds Speedway, at the Tennessee State Fairgrounds in Nashville, where he would win two track championships, in 1970, and 1973.  Waltrip drove the #48 P. B. Crowell owned Ford sponsored by American Home, in Nashville, where he aggressively promoted the week's race when he appeared on a local television program promoting the speedway's races, and was not afraid to embrace the local media when other competitors were reluctant to do so. Some of the notorious "on air" trash-talking included making fun of some of the other local drivers such as Coo Coo Marlin (whose son Sterling later raced at the circuit and is a two-time Daytona 500 winner) and James "Flookie" Buford, whose nickname he would mock on air. It pleased track management that he was helping sell tickets, leading to packed grandstands and extra paychecks from track operators for his promotional skills.  He became friends with WSM radio host Ralph Emery in his early years, forming a bond which would be influential throughout his career, as Waltrip would appear frequently on Emery's early morning television show on local Nashville television station, WSMV, and later substitute for Emery in the 1980s on Emery's television show, Nashville Now on the former TNN cable network (later, Spike TV). Waltrip would use the success he enjoyed at the Music City Motorplex, and his notoriety and public speaking skills that he acquired from television appearances in Nashville, as a springboard into NASCAR's big leagues.  He became a Christian in 1983 but it was years later before God came first in his life. One of the charities he supports is the Motor Racing Outreach (MRO) providing spiritual support to racers and their families.
What is another race he was involved in during these years?
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Some context: The 5th Dimension is an American popular music vocal group, whose repertoire includes pop, R&B, soul, jazz, light opera and Broadway--the melange was coined as "Champagne Soul." Formed as The Versatiles in late 1965, the group changed its name to the hipper "The 5th Dimension" by 1966. They became well-known during the late 1960s and early 1970s for their popular hits: "Up, Up and Away", "Stoned Soul Picnic", "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)", "Wedding Bell Blues", "Never My Love", "One Less Bell to Answer", "(Last Night)
In the early 1960s, Lamonte McLemore and Marilyn McCoo got together with three friends from Los Angeles -- Harry Elston, Lawrence Summers. and Fritz Baskett -- to form a group called 'the Hi-Fis' (which later became 'the Vocals'). In 1963, they sang at local clubs while taking lessons from a vocal coach. In 1964, they came to the attention of Ray Charles, who took them on tour with him the following year. He produced a single by the group, "Lonesome Mood", a jazz-type song that gained local attention. However, internal disagreements caused Elston to go his own way, eventually leading to his forming the Friends of Distinction, with latter day Hi-Fis member, Floyd Butler.  McLemore sought to form another group and started looking for members to join him and McCoo. McCoo, who had studied with the respected vocal coach Eddie Beal, had appeared in high school and college musical productions and was known for her way with a torch song. McLemore found Florence LaRue, who had received training in singing, dancing, and violin; and who won the talent portion at the Miss Bronze California contest, which McLemore was assigned to photograph. (McCoo had won the contest the prior year.) About the same time LaRue was approached to join the group, McLemore recruited an old friend, Ronald Townson, who at age six was singing in choirs and gospel groups in his hometown of St. Louis, Missouri. His grandmother fostered his career by arranging for private voice and acting lessons as he grew up. In his teens, he toured with Dorothy Dandridge and Nat King Cole, joined the Wings Over Jordan Choir, and played a small part in the film Porgy and Bess. He demonstrated his skill as a classical artist by placing third in the Metropolitan Opera auditions held in St. Louis. After finishing high school, he worked his way through Lincoln University by conducting the school and church choir. After graduating, he organized his own 25-member gospel choir.  Another of McLemore's friends from St. Louis days, Billy Davis Jr., started singing in gospel choirs at an early age. He later saved enough money to buy a cocktail lounge in St. Louis, which he used as a base for experimenting with musical groups. When asked to join McLemore's new group, he agreed, while hoping for a solo contract from Motown.
what were these disagrements about
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