Background: Carl Franklin was raised outside of San Francisco, in Richmond, California. He never had the opportunity to know his biological father, who had died before Carl was born. Franklin was raised by his mother and stepfather. While Franklin speaks highly of his stepfather and has called him "very loving," he has spoken out about his stepfather's abusive tendencies, linking his outbursts to alcohol use.
Context: Franklin supports the portrayal of African-American history in films, and has been quoted as saying "I am interested in the universal values of the black experience." However, just because Franklin is a filmmaker who is African American does not mean that all of his films are racially motivated. Not all of his films revolve around a central theme of culture: some of his films cover racial issues, while others do not. Franklin maintains a wide subject range in his films, choosing not to focus solely on his heritage.  As a prominent African-American filmmaker, Franklin stands apart from the rest in his careful selection of projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race. Explaining to The L.A Times, "My ethnicity is a plus, a tool. It gives me ammunition in terms of the way I view the world. There are certain stories in the black community that inform us all." Combining his humanitarian instincts and personal experiences, Franklin stands out as a visionary for community improvement through his films. However, a large part of Franklin's remarkable journey revolves around the fact that he is black. Discussing the realities for African Americans in the television and film industry, Franklin said: "When I came up, the only legitimate dramatic actor was Sidney Poitier, the bankable star was Richard Pryor and the other choice roles were action parts that went to Jim Brown. Even someone as good as Billy Dee Williams had a couple of great moments and then couldn't get a decent part." With a very small window of opportunity for African Americans at the time that Franklin was getting his start, his skills and educational background contributed to his success.  Franklin is a standout filmmaker regardless of his race, yet he is often praised for his ability to overcome adversity, and is recognized for his highly regarded opinion as well as his relevant contributions. In February 2000, Franklin was featured as a Black History Month guest speaker at Indiana University's ''Black Film Center/Archive''. The group hosted an event called A Night with Filmmaker Carl Franklin, which gave Franklin the opportunity to talk about his experience in the movie industry as well as show a preview of his film Devil in a Blue Dress. Franklin's appearance was highly regarded by many students who were honored to meet him in person.
Question: Did he have any scandals?
Answer: 

Background: Villa told a number of conflicting stories about his early life, and his "early life remains shrouded in mystery." According to most sources, he was born on 5 June 1878, and named Jose Doroteo Arango Arambula at birth. His father was a sharecropper named Agustin Arango, and his mother was Micaela Arambula. He grew up at the Rancho de la Coyotada, one of the largest haciendas in the state of Durango.
Context: Villa was a brilliant tactician on the battle field, which translated to political support. In 1913, local military commanders elected him provisional governor of the state of Chihuahua against the wishes of First Chief Carranza, who wished to name Manuel Chao instead.  As Governor of Chihuahua, Villa recruited more experienced generals, including Toribio Ortega, Porfirio Talamantes, and Calixto Contreras to his military staff and achieved more success than ever. Villa's secretary, Perez Rul, divided his army into two groups, one led by Ortega, Contreras, and Orestes Pereira and the other led by Talamantes and Contreras' former deputy, Severianco Ceniceros.  Villa's war tactics were studied by the United States Army and a contract with Hollywood was made whereby Hollywood would be allowed to film Villa's movements and 50% of Hollywood's profit would be paid to Villa to support the Revolution.  As governor of Chihuahua, Villa raised more money for a drive to the south against Huerta's Federal Army by various methods. He printed his own currency and decreed that it could be traded and accepted at par with gold Mexican pesos. He forced the wealthy to give loans to fund the revolutionary war machinery. He confiscated gold from several banks, and in the case of the Banco Minero he held a member of the bank's owning family, the wealthy Terrazas clan, as a hostage until the location of the bank's hidden gold reserves was revealed. He also appropriated land owned by the hacendados (owners of the haciendas) and redistributed it to the widows and family of dead revolutionaries.  Villa's political stature at that time was so high that banks in El Paso, Texas, accepted his paper pesos at face value. His generalship drew enough admiration from the U.S. military that he and Alvaro Obregon were invited to Fort Bliss to meet Brigadier General John J. Pershing. Returning to Mexico, Villa gathered supplies for a drive to the south.  With so many sources of money, Villa expanded and modernized his forces, purchasing draft animals, cavalry horses, arms, ammunition, mobile hospital facilities (railroad cars and horse ambulances staffed with Mexican and foreign volunteer doctors, known as Servicio sanitario), and other supplies, and rebuilt the railroad south of Chihuahua City. He also recruited fighters from Chihuahua and Durango and created a large army known as the Division del Norte (Division of the North), the most powerful and feared military unit in all of Mexico. The rebuilt railroad transported Villa's troops and artillery south, where he defeated the Federal Army forces in a series of battles at Gomez Palacio, Torreon, and eventually at the heart of Huerta's regime in Zacatecas.
Question: How long did Villa serve as Governor
Answer: