Question: Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz pianist/electric keyboardist and composer. His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.

In the early 1970s, Corea took a profound stylistic turn from avant-garde to a crossover jazz fusion style that incorporated Latin jazz with Return to Forever. Named after their eponymous 1972 album, the band relied on both acoustic and electronic instrumentation and drew upon Latin American styles more than on rock music. On their first two records, Return to Forever consisted of Flora Purim on vocals, Joe Farrell on flute and soprano saxophone, Airto Moreira on drums , and Stanley Clarke on double bass. Drummer Lenny White and guitarist Bill Connors later joined Corea and Clarke to form the second version of the group, which expanded the earlier Latin jazz elements with a more rock and funk-oriented sound inspired by the Mahavishnu Orchestra, led by his Bitches Brew bandmate John McLaughlin. This incarnation of the group recorded the album Hymn of the Seventh Galaxy, before Connors' departure and replacement by Al Di Meola, who was present on the subsequent releases Where Have I Known You Before, No Mystery, and Romantic Warrior.  Corea's composition "Spain" appeared on the 1972 Return to Forever album Light as a Feather. This is probably his most popular piece, and it has been recorded by a variety of artists. There are also a variety of recordings by Corea himself. These included an arrangement for piano and symphony orchestra that appeared in 1999 and a collabration with vocalist Bobby McFerrin on the 1992 album Play. Corea usually performs "Spain" with a prelude based on Joaquin Rodrigo's Concierto de Aranjuez (1940), which earlier received a jazz orchestration on Davis and Gil Evans' Sketches of Spain.  In 1976, he issued My Spanish Heart, influenced by Latin American music and featuring vocalist Gayle Moran (Corea's wife) and electric violinist Jean-Luc Ponty. The album combined jazz and flamenco, supported by Minimoog backup and a horn section.

Using a quote from the above article, answer the following question: What album did they do next?
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Answer: in 1999 and a collabration with vocalist Bobby McFerrin on the 1992 album Play.


Question: Musial was born in Donora, Pennsylvania, the fifth of the six children (four girls and two boys) of Lukasz and Mary (Lancos) Musial (, MOO-show). His mother was of Carpatho-Rusyn descent and his father was a Polish immigrant who chose the name Stanislaw Franciszek for his first son, though his father always referred to Musial using the Polish nickname Stasiu, pronounced "Stashu". Musial frequently played baseball with his brother Ed and other friends during his childhood, and considered Lefty Grove his favorite ballplayer. Musial also had the benefit of learning about baseball from his neighbor Joe Barbao, a former minor league pitcher.

Musial began the 1950s by posting a .350 batting average before participating in the 1950 All-Star Game, where in fan balloting he was the NL's number two choice. He had the longest hitting streak of his career during the 1950 season--a 30-game stretch that ended on July 27. With the Cardinals falling 14 games out of first place by September, manager Dyer used him at first base and all three outfield positions. New Cardinals manager Marty Marion led the team to a third-place finish in 1951, while Musial was named The Sporting News Major League Player of the Year.  National media attention inadvertently turned to Musial a month before the 1952 season began, after Ty Cobb wrote an article regarding modern baseball players that was published in Life magazine. Cobb singled out Musial and Phil Rizzuto as the only players "who can be mentioned in the same breath with the oldtime greats". Cobb went on to refer to Musial as "a better player than Joe DiMaggio was in his prime." In response, Musial displayed his characteristic modesty, saying, "Cobb is baseball's greatest. I don't want to contradict him, but I can't say that I was ever as good as Joe DiMaggio."  The only major league pitching appearance of Musial's career occurred as a publicity stunt during the last Cardinals home game of the 1952 season. Manager Eddie Stanky had a reluctant Musial pitch to Frank Baumholtz, the runner-up to Musial for the best batting average in the NL that season. With Baumholtz batting right-handed for the first time in his career, Musial's first pitch was hit so hard it ricocheted off the shin of third baseman Solly Hemus and into the left field corner. The play was ruled an error, and Musial was embarrassed enough by his complicity in the gimmick to avoid pitching again for the remainder of his career.  The Cardinals franchise was up for sale in early 1953, and Musial and Schoendienst advised their friend and fellow duck-hunter Gussie Busch to consider buying the team. Busch used the resources of the Anheuser-Busch company to purchase the Cardinals, keeping Musial in St. Louis by averting the possibility of a move by the team to another city. The 1953 season marked Musial's 10th NL All-Star selection, and the 12th consecutive time he finished a major league season with a batting average above .300.  Musial accomplished another historical feat on May 2, 1954, in a doubleheader in St. Louis against the New York Giants: he hit three home runs in the first contest, then added two more in the second to become the first major leaguer to hit five home runs in a doubleheader. In addition to his five home runs, he also hit a single in the first game, setting a new record of 21 total bases for a doubleheader. The only player besides Musial to hit five home runs in a doubleheader is Nate Colbert, who achieved the feat in 1972.

Using a quote from the above article, answer the following question: Did he sustain any injuries during these years?
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Answer: