Answer the question at the end by quoting:

Garibaldi was born and christened Joseph-Marie Garibaldi on 4 July 1807 in Nice, which had been directly annexed by First French Empire in 1805, to Ligurian family of Giovanni Domenico Garibaldi from Chiavari and Maria Rosa Nicoletta Raimondo from Loano. In 1814, the Congress of Vienna returned Nice to Victor Emmanuel I of Sardinia; nevertheless, France re-annexed it in 1860 by the Treaty of Turin, which was ardently opposed by Garibaldi. Garibaldi's family's involvement in coastal trade drew him to a life at sea.
Garibaldi returned to Italy amidst the turmoil of the revolutions of 1848 in the Italian states and offered his services to Charles Albert of Sardinia. The monarch displayed some liberal inclinations, but treated Garibaldi with coolness and distrust. Rebuffed by the Piedmontese, he and his followers crossed into Lombardy where they offered assistance to the provisional government of Milan, which had rebelled against the Austrian occupation. In the course of the following unsuccessful First Italian War of Independence, he led his legion to two minor victories at Luino and Morazzone.  After the crushing Piedmontese defeat at Novara (23 March 1849), Garibaldi moved to Rome to support the Republic recently proclaimed in the Papal States, but a French force sent by Louis Napoleon (the future Napoleon III) threatened to topple it. At Mazzini's urging, Garibaldi took command of the defence of Rome. In fighting near Velletri, Achille Cantoni saved his life. After Cantoni's death, during the Battle of Mentana, Garibaldi wrote the novel Cantoni il volontario.  On 30 April 1849 the Republican army, under Garibaldi's command, defeated a numerically far superior French army. Subsequently, French reinforcements arrived, and the siege of Rome began on 1 June. Despite the resistance of the Republican army, the French prevailed on 29 June. On 30 June the Roman Assembly met and debated three options: surrender, continue fighting in the streets, or retreat from Rome to continue resistance from the Apennine mountains. Garibaldi made a speech favoring the third option and then said: Dovunque saremo, cola sara Roma. (Wherever we may be, there will be Rome).  A truce was negotiated on 1 July, and on 2 July Garibaldi withdrew from Rome with 4,000 troops. The French Army entered Rome on 3 July and reestablished the Holy See's temporal power. Garibaldi and his forces, hunted by Austrian, French, Spanish, and Neapolitan troops, fled to the north with the intention to reach Venice, where the Venetians were still resisting the Austrian siege. After an epic march, Garibaldi took momentary refuge in San Marino, with only 250 men still following him. Anita, who was carrying their fifth child, died near Comacchio during the retreat.

Were there any downsides to the war?

Anita, who was carrying their fifth child, died near Comacchio during the retreat.

IN: Stephen Crane (November 1, 1871 - June 5, 1900) was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation. The ninth surviving child of Methodist parents, Crane began writing at the age of four and had published several articles by the age of 16.

Stephen Crane's fiction is typically categorized as representative of Naturalism, American realism, Impressionism or a mixture of the three. Critic Sergio Perosa, for example, wrote in his essay, "Stephen Crane fra naturalismo e impressionismo," that the work presents a "symbiosis" of Naturalistic ideals and Impressionistic methods. When asked whether or not he would write an autobiography in 1896, Crane responded that he "dare not say that I am honest. I merely say that I am as nearly honest as a weak mental machinery will allow." Similarities between the stylistic techniques in Crane's writing and Impressionist painting--including the use of color and chiaroscuro--are often cited to support the theory that Crane was not only an Impressionist but also influenced by the movement. H. G. Wells remarked upon "the great influence of the studio" on Crane's work, quoting a passage from The Red Badge of Courage as an example: "At nightfall the column broke into regimental pieces, and the fragments went into the fields to camp. Tents sprang up like strange plants. Camp fires, like red, peculiar blossoms, dotted the night.... From this little distance the many fires, with the black forms of men passing to and fro before the crimson rays, made weird and satanic effects." Although no direct evidence exists that Crane formulated a precise theory of his craft, he vehemently rejected sentimentality, asserting that "a story should be logical in its action and faithful to character. Truth to life itself was the only test, the greatest artists were the simplest, and simple because they were true."  Poet and biographer John Berryman suggested that there were three basic variations, or "norms", of Crane's narrative style. The first, being "flexible, swift, abrupt and nervous", is best exemplified in The Red Badge of Courage, while the second ("supple majesty") is believed to relate to "The Open Boat", and the third ("much more closed, circumstantial and 'normal' in feeling and syntax") to later works such as The Monster. Crane's work, however, cannot be determined by style solely on chronology. Not only does his fiction not take place in any particular region with similar characters, but it varies from serious in tone to reportorial writing and light fiction. Crane's writing, both fiction and nonfiction, is consistently driven by immediacy and is at once concentrated, vivid and intense. The novels and short stories contain poetic characteristics such as shorthand prose, suggestibility, shifts in perspective and ellipses between and within sentences. Similarly, omission plays a large part in Crane's work; the names of his protagonists are not commonly used and sometimes they are not named at all.  Crane was often criticized by early reviewers for his frequent incorporation of everyday speech into dialogue, mimicking the regional accents of his characters with colloquial stylization. This is apparent in his first novel, in which Crane ignored the romantic, sentimental approach of slum fiction; he instead concentrated on the cruelty and sordid aspects of poverty, expressed by the brashness of the Bowery's crude dialect and profanity, which he used lavishly. The distinct dialect of his Bowery characters is apparent at the beginning of the text; the title character admonishes her brother saying: "Yeh knows it puts mudder out when yes comes home half dead, an' it's like we'll all get a poundin'."

What were some elements of his technique?

OUT:
Stephen Crane fra naturalismo e impressionismo," that the work presents a "symbiosis" of Naturalistic ideals and Impressionistic methods.