Some context: Joshua Lawrence Chamberlain (born Lawrence Joshua Chamberlain, September 8, 1828 - February 24, 1914) was an American college professor from the State of Maine, who volunteered during the American Civil War to join the Union Army. He became a highly respected and decorated Union officer, reaching the rank of brigadier general (and brevet major general). He is best known for his gallantry at the Battle of Gettysburg, for which he was awarded the Medal of Honor. Chamberlain was commissioned a lieutenant colonel in the 20th Maine Volunteer Infantry Regiment in 1862 and fought at the Battle of Fredericksburg.
Chamberlain was born in Brewer, Maine, the son of Sarah Dupee (nee Brastow) and Joshua Chamberlain on September 8, 1828. Chamberlain was of English ancestry, and could trace his family line back to twelfth century England, during the reign of King Stephen. He was the oldest of five children. It is said that he was his mother's favorite while his father was tough on him. He was very involved in his church, mostly singing in the choir. His mother encouraged him to become a preacher while his father wanted him to join the military, but he felt a reluctance towards both options. He suffered a speech impediment until shortly after graduating from Bowdoin College. He entered Bowdoin College in Brunswick, Maine, in 1848 with the help of a local tutor, professor William Hyde. Chamberlain learned to read Ancient Greek and Latin in order to pass the entrance exam. While at Bowdoin he met many people who would influence his life, including Harriet Beecher Stowe, the wife of Bowdoin professor Calvin Stowe. Chamberlain would often go to listen to her read passages from what would later become her celebrated novel, Uncle Tom's Cabin. He also joined the Peucinian Society, a group of students with Federalist leanings. A member of the Phi Beta Kappa academic honor society and a brother of the Alpha Delta Phi fraternity, Chamberlain graduated in 1852.  He married Fanny Adams, cousin and adopted daughter of a local clergyman, in 1855, and they had five children, one of whom was born too prematurely to survive and two of whom died in infancy. Chamberlain studied for three additional years at Bangor Theological Seminary in Bangor, Maine, returned to Bowdoin, and began a career in education as a professor of rhetoric. He eventually went on to teach every subject in the curriculum with the exception of science and mathematics. In 1861 he was appointed Professor of Modern Languages. He was fluent in nine languages other than English: Greek, Latin, Spanish, German, French, Italian, Arabic, Hebrew, and Syriac.  Chamberlain's great-grandfathers were soldiers in the American Revolutionary War. One, Franklin Chamberlain, was a sergeant at the Siege of Yorktown. His grandfather, also named Joshua Chamberlain, was a colonel in the local militia during the War of 1812 and was court-martialed (but exonerated) for his part in the humiliating Battle of Hampden, which led to the sacking of Bangor and Brewer by British forces. His father also had served during the abortive Aroostook War of 1839.
Is there anything interesting about his early life or education?
A: He suffered a speech impediment until shortly after graduating from Bowdoin College.
Some context: Browning was born as Charles Albert Browning, Jr., in Louisville, Kentucky, the second son of Charles Albert and Lydia Browning, and the nephew of baseball star Pete Browning. As a young boy, he put on amateur plays in his backyard. He was fascinated by the circus and carnival life, and at the age of 16 he ran away from his well-to-do family to become a performer. Changing his name to "Tod", he traveled extensively with sideshows, carnivals, and circuses.
Browning's feature film debut was Jim Bludso (1917), about a riverboat captain who sacrifices himself to save his passengers from a fire. It was well received.  Browning moved back to New York in 1917. He directed two films for Metro Studios, Peggy, the Will O' the Wisp and The Jury of Fate. Both starred Mabel Taliaferro, the latter in a dual role achieved with double exposure techniques that were groundbreaking for the time. He moved back to California in 1918 and produced two more films for Metro, The Eyes of Mystery and Revenge.  In the spring of 1918 he left Metro and joined Bluebird Productions, a subsidiary of Universal Pictures, where he met Irving Thalberg. Thalberg paired Browning with Lon Chaney for the first time for the film The Wicked Darling (1919), a melodrama in which Chaney played a thief who forces a poor girl (Priscilla Dean) from the slums into a life of crime and possibly prostitution. Browning and Chaney would ultimately make ten films together over the next decade.  The death of his father sent Browning into a depression that led to alcoholism. He was laid off by Universal and his wife left him. However, he recovered, reconciled with his wife, and got a one-picture contract with Goldwyn Pictures. The film he produced for Goldwyn, The Day of Faith, was a moderate success, putting his career back on track.  Thalberg reunited Browning with Lon Chaney for The Unholy Three (1925), the story of three circus performers who concoct a scheme to use disguises to con and steal jewels from rich people. Browning's circus experience shows in his sympathetic portrayal of the antiheroes. The film was a resounding success, so much so that it was later remade in 1930 as Lon Chaney's first (and only) talkie shortly before his death later that same year. Browning and Chaney embarked on a series of popular collaborations, including The Blackbird and The Road to Mandalay. The Unknown (1927), featuring Chaney as an armless knife thrower and Joan Crawford as his scantily clad carnival girl obsession, was originally titled Alonzo the Armless and could be considered a precursor to Freaks in that it concerns a love triangle involving a circus freak, a beauty, and a strongman. London After Midnight (1927) was Browning's first foray into the vampire genre and is a highly sought-after lost film which starred Chaney, Conrad Nagel, and Marceline Day. The last known print of London After Midnight was destroyed in an MGM studio fire in 1967. In 2002, a photographic reconstruction of London After Midnight was produced by Rick Schmidlin for Turner Classic Movies. Browning and Chaney's final collaboration was Where East is East (1929), of which only incomplete prints have survived. Browning's first talkie was The Thirteenth Chair (1929), which was also released as a silent and featured Bela Lugosi, who had a leading part as the uncanny inspector, Delzante, solving the mystery with the aid of the spirit medium. This film was directed shortly after Browning's vacation trip to Germany (arriving in the Port of New York, November 12, 1929).
What films was he involved with next?
A:
Thalberg paired Browning with Lon Chaney for the first time for the film The Wicked Darling (1919),