IN: Color Me Badd is an American contemporary R&B group that was formed in Oklahoma City, Oklahoma. The original members of the group were lead singer Bryan Abrams (born November 16, 1969), second tenor Mark Calderon (born September 27, 1970), second tenor Sam Watters (born July 23, 1970) and baritone Kevin Thornton (born June 17, 1969). They formed in 1985 and broke up in 1998 before reuniting in 2010, with various lineups since. As of 2016, they operate as a trio with Abrams, Calderon and Adam Emil.

Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops.  The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members.  They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990.
QUESTION: what was their first hit called?
IN: Adele Laurie Blue Adkins was born on 5 May 1988 in Tottenham, London, to an English mother, Penny Adkins, and a Welsh father, Marc Evans. Evans left when Adele was two, leaving her mother to raise her. She began singing at age four and asserts that she became obsessed with voices. Growing up, Adele spent most of her time singing rather than reading; the last book she read was Roald Dahl's Matilda when she was six years old.

Adele is a mezzo-soprano with a range spanning from C3 to B5. However Classic FM state she is often mistaken for a contralto due to the application of a tense chest mix to achieve her lower notes, whilst also noting that her voice becomes its clearest as she ascends the register, particularly from C4 to C5. Rolling Stone reported that following throat surgery her voice had become "palpably bigger and purer-toned", and that she had added a further four notes to the top of her range. Initially, critics suggested that her vocals were more developed and intriguing than her songwriting, a sentiment with which Adele agreed. She has stated: "I taught myself how to sing by listening to Ella Fitzgerald for acrobatics and scales, Etta James for passion and Roberta Flack for control."  Her voice has received acclaim from critics. In a review of 19, The Observer said, "The way she stretched the vowels, her wonderful soulful phrasing, the sheer unadulterated pleasure of her voice, stood out all the more; little doubt that she's a rare singer". BBC Music wrote, "Her melodies exude warmth, her singing is occasionally stunning and, ...she has tracks that make Lily Allen and Kate Nash sound every bit as ordinary as they are."  For their reviews of 21, The New York Times' chief music critic Jon Pareles commended Adele's emotive timbre, comparing her to Dusty Springfield, Petula Clark, and Annie Lennox: "[Adele] can seethe, sob, rasp, swoop, lilt and belt, in ways that draw more attention to the song than to the singer". Ryan Reed of Paste magazine regarded her voice as "a raspy, aged-beyond-its-years thing of full-blooded beauty", while MSN Music's Tom Townshend declared her "the finest singer of [our] generation".
QUESTION: Are there any other interesting aspects about this article?
IN: Can was a German experimental rock band formed in Cologne, West Germany, in 1968 by the core quartet of Holger Czukay (bass), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group cycled through several vocalists, including Malcolm Mooney (1968-70) and Damo Suzuki (1970-73), as well as various temporary members. Drawing from backgrounds in the avant-garde and jazz, Can incorporated minimalist, electronic, and world music elements into their often psychedelic and funk-inflected music. They have been widely hailed as pioneers of the German krautrock scene.

The next few years saw Can release their most acclaimed works. While their earlier recordings tended to be at least loosely based on traditional song structures, on their mid-career albums the band reverted to an extremely fluid improvisational style. The double album Tago Mago (1971) is often seen as a groundbreaking, influential and deeply unconventional record, based on intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing (frequently intertwining each other), tape edits as composition, and Suzuki's idiosyncratic vocalisms. Czukay: "(Tago Mago) was an attempt in achieving a mystery musical world from light to darkness and return."  In 1971 the band composed the music for the three-part German-language television crime mini-series Das Messer ("The Knife"), directed by Rolf von Sydow. The track used was "Spoon".  Tago Mago was followed in 1972 by Ege Bamyasi, a more accessible but still avant-garde record which featured the catchy "Vitamin C" and the Top 10 German hit "Spoon". Czukay: "We could achieve an excellent dry and ambient sound... [Ege Bamyasi] reflects the group being in a lighter mood."  It was followed by Future Days in 1973, which represents an early example of ambient music, as well as including the pop song "Moonshake". Czukay: "'Bel Air' [the 20 minute-long track which took up the whole of side two on the Future Days original vinyl LP] showed Can in a state of being an electric symphony group performing a peaceful though sometimes dramatic landscape painting."  Suzuki left soon after the recording of Future Days to marry his German girlfriend, and become a Jehovah's Witness. Vocals were taken over by Karoli and Schmidt; however, after the departure of Suzuki, fewer of their tracks featured vocals, as Can found themselves experimenting with the ambient music they had begun with Future Days.
QUESTION:
Who produced this album ?