Problem: Background: Michael John Harrison (born 26 July 1945), known for publication purposes primarily as M. John Harrison, is an English author and literary critic. His work includes the Viriconium sequence of novels and short stories (1971-1984), Climbers (1989), and the Kefahuchi Tract trilogy, which consists of Light (2002), Nova Swing (2006) and Empty Space (2012). He is widely considered one of the major stylists of modern fantasy and science fiction, and a "genre contrarian". The Times Literary Supplement described him as 'a singular stylist' and the Literary Review called him 'a witty and truly imaginative writer'.
Context: Harrison's enduring fantasy sequence concerning the fictitious city of Viriconium consists of three novels and various short stories and novels written between 1971 and 1984. Viriconium is known as the Pastel City. Both universal and particular, the city has a shifting topography and history, and is sometimes known by names such as 'Uroconium'.  The first book, The Pastel City (1971), presents a civilization in decline where medieval social patterns clash with the advanced technology and superscience energy weapons that the citizens of the city know how to use but have forgotten how to engineer. The more complex second novel is A Storm of Wings (1982). It is set eighty years later than The Pastel City. and stylistically it is far denser and more elaborate. A race of intelligent insects is invading Earth as human interest in survival wanes. Harrison brilliantly depicts the workings of civilization on the verge of collapse and the heroic efforts of individuals to help it sustain itself a little longer.  The third novel, In Viriconium (1982) (US title: The Floating Gods), was nominated for the Guardian Fiction Prize during 1982. It is a moody portrait of artistic subcultures in a city beset by a mysterious plague. Where the previous books in the series held some sword and sorcery elements, In Viriconium goes beyond black humour into a coma of despair.  The short story "A Young Man's Journey to Viriconium" (1985; later retitled "A Young Man's Journey to London") is set in our world. It explains that Viriconium can be visited via a mirror in a bathroom in a cafe in England.
Question: when was pastel city written?
Answer: (1971),

Problem: Background: Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.
Context: Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches. As both a composer and conductor he was one of many (e.g., Wilhelm Furtwangler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding.  This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception. For example, Boulez's "complete" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's symphony with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work.  Gunter Wand's 1966 recording of the Cantata No. 1 (1938-40), op. 29, with the Symphonieorchester des Bayerischen Rundfunks et al., may likewise be contrasted with both of Boulez's renditions.
Question: Does he add anything else to his music?
Answer: nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work.

Problem: Background: Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
Context: Holy Fire was released in both the UK and the US on 11 February 2013. The album's lead single, "Inhaler", received its first radio play on 5 November 2012. They played the song "My Number" for the first time on Later... with Jools Holland.  Holy Fire was produced by Flood and Alan Moulder, who have worked with many artists, including Nine Inch Nails, The Smashing Pumpkins and My Bloody Valentine. The album was recorded at Assault & Battery studios in London.  Yannis Philippakis stated that the recording process had some unconventional moments: "At one point we even made these poor studio interns collect bones. We were inspired by voodoo, these Haitian rhythms. We collected some ourselves, from butchers in Willesden High Road. Mainly cows, I think often they had gristle and cartilage on them, mainly cow and occasionally sheep. We had to order these big pots because one of the shoulder blades was too big! We boiled the flesh away so we could use them as percussion! We wanted to get primitive!"  According to The Guardian: "Their producers, Flood and Alan Moulder, even tricked them by recording their rehearsal in order to capture a more uninhibited sound."  In late November to mid-December, Foals toured the UK for an album preview. The tour was supported by Petite Noir (a close friend of Philippakis'). In summer 2013, they attended a number of festivals and headlined Latitude Festival in Suffolk in July. The band have recently played a World and UK tour, which ended with two sell out shows at Alexandra Palace in February. The two shows were in stark contrast compared to playing the same venue 7 years earlier to an almost empty room while supporting Bloc Party, a sentiment which lead singer Philippakis did not fail to mention during the live shows. Holy Fire was nominated for the Mercury Prize in 2013. Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME. Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list; as did single "My Number" in a "Best Song of 2013" poll, beating NME favourites Arctic Monkeys, amongst other acclaimed bands.
Question: Were there any singles from it?
Answer:
Inhaler