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A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instruments, such as the jazz quartet or the orchestra. Some music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo (harpsichord and cello) and one or more singers.
Five-piece bands have existed in rock music since the development of the genre. The Beach Boys, The Rolling Stones (until 1993), Aerosmith, Def Leppard, AC/DC, Oasis, Pearl Jam, Guns N' Roses, Radiohead, The Strokes, The Yardbirds, 311 and The Hives are examples of the common vocalist, lead guitar, rhythm guitar, bass, and drums lineup whilst other bands such as Judas Priest have two guitarists who equally share lead and rhythm parts. An alternative to the five-member lineup replaces the rhythm guitarist with a keyboard-synthesizer player (examples being the bands Journey, Elbow, Dream Theater, Genesis, Jethro Tull, The Zombies, The Animals, Bon Jovi, Yes, Fleetwood Mac, Marilyn Manson and Deep Purple, all of which consist of a vocalist, guitarist, bassist, keyboardist, and a drummer) or with a turntablist such as Deftones, Hed PE, Incubus or Limp Bizkit.  Alternatives include a keyboardist, guitarist, drummer, bassist, and saxophonist, such as The Sonics, The Dave Clark 5, and Sam the Sham and the Pharaohs. Another alternative is three guitarists, a bassist and a drummer, such as Foo Fighters, Radiohead, and The Byrds. Some five-person bands feature two guitarists, a keyboardist, a bassist and a drummer, with one or more of these musicians (typically one of the guitarists) handling lead vocals on top of their instrument (examples being Children of Bodom, Styx, Sturm und Drang, Relient K, Ensiferum and the current line up of Status Quo). In some cases, typically in cover bands, one musician plays either rhythm guitar or keyboards, depending on the song (one notable band being Firewind, with Bob Katsionis handling this particular role).  Other times, the vocalist will bring another musical "voice" to the table, most commonly a harmonica or percussion; Mick Jagger, for example, played harmonica and percussion instruments like maracas and tambourine whilst singing at the same time. Keith Relf of the Yardbirds played harmonica frequently, though not often while also singing. Ozzy Osbourne was also known to play the harmonica on some occasions (i.e. "The Wizard" by Black Sabbath). Vocalist Robert Brown of lesser known steampunk band Abney Park plays harmonica, accordion, and darbuka in addition to mandolin. Flutes are also commonly used by vocalists, most notably Ian Anderson of Jethro Tull and Ray Thomas of the Moody Blues, though these are difficult to play while singing at the same time.  A less common lineup is to have lead vocals, two guitarists of varying types and two drummers, e.g. Adam and the Ants.

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Five-piece bands have existed in rock music since the development of the genre.



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Native women in Hong Kong used to be situated within the context of Chinese family and society, in which they were treated the same as Mainland women or Taiwanese women. Under the traditional Chinese patriarchy structure, the society was male-dominated, and women had a relatively subordinate familial role. However, there are cultural differences between Mainland Chinese citizens and citizens of Hong Kong. During the British colonial period the emergence of Western culture (i.e. "Westernization") created a mix of traditional Chinese culture and Western values.
Women were in the workforce as early as the 1920s, but the small population of them often had to fight vigorously for equality of work rights. With the shift of Hong Kong's economy from manufacturing industry to services industry since the 1980s, there is a growing demand for white collar workers. Abundant job opportunities are hence available for both men and women. Employment in Hong Kong can be enjoyed by women, who possess rights, such as maternity protection and sick leave. Nevertheless, women in Hong Kong are aware of the difficulties they face in being a woman in the workforce. For example, when surveyed, both men and women working in Hong Kong stated that they preferred to have a male supervisor over a woman supervisor.  In 2016, there are 49.3% females and 50.8% males in the employed population. In spite of the open-minded and relatively westernised culture in Hong Kong, the seemingly equal and fair workplace still poses obstacles on the way of women's career paths. 61.8% of females and 51.6% of males agreed that women have to sacrifice more than men for career success. Interestingly, 72.1% of females agreed that an increasing number of successful women is a positive social phenomenon, while only 59.6% of males shared the same view. The data showed that men, having the invisible privilege obtained from unequal gender perceptions, are content with the current situation and are slightly reluctant to the rising status of women, which might pose a threat to their career prospects.  The Hong Kong media clearly reflects the social stereotypes and norms. Performers of authority roles are mostly men, with commentaries and voice overs mainly heard in male voices as well, whereas women are chiefly depicted in domestic roles and gender-specific professions, for example, secretaries and nurses.  Despite the high education level and prospective vision women possess, it is uncommon to see women working on Hong Kong corporate boards and in senior management roles. Women account for only 11% of total director pool of Hong Kong's listed issuers and 33% of senior management roles, while the number of female participating in the labor force, which is 54% of the entire female population, lags behind many developed countries (67.6% in the US and 71% in the UK). The number of women in politics is also worryingly small. In the legislative council, there are only 12 female members among the 70 elected members. Comparing to 10 female members among the 60 elected members in 1998, women are clearly under-represented in the legislative stage of the city and such inadequacy will lead to prolonged suppression in women's rights and gender inequality.

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Women account for only 11% of total director pool of Hong Kong's listed issuers and 33% of senior management roles,