Background: Gilliam was born in Minneapolis, Minnesota, the son of Beatrice (nee Vance) and James Hall Gilliam. His father was a travelling salesman for Folgers before becoming a carpenter. Soon after, they moved to nearby Medicine Lake, Minnesota. The family moved to the Los Angeles neighbourhood of Panorama City in 1952.
Context: Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it - I do actually like it because it says certain things. It's about expanding how you see the world. I think we live in an age where we're just hammered, hammered to think this is what the world is. Television's saying, everything's saying 'That's the world.' And it's not the world. The world is a million possible things.  As for his philosophical background in screenwriting and directing, Gilliam said on the TV show First Hand on RoundhouseTV, "There's so many film schools, so many media courses which I actually am opposed to. Because I think it's more important to be educated, to read, to learn things, because if you're gonna be in the media and if you'll have to say things, you have to know things. If you only know about cameras and 'the media', what're you gonna be talking about except cameras and the media? So it's better learning about philosophy and art and architecture [and] literature, these are the things to be concentrating on it seems to me. Then, you can fly...!"  His films are usually imaginative fantasies. His long-time co-writer Charles McKeown commented, "the theme of imagination, and the importance of imagination, to how you live and how you think and so on ... that's very much a Terry theme." Most of Gilliam's movies include plotlines that seem to occur partly or completely in the characters' imaginations, raising questions about the definition of identity and sanity. He often shows his opposition to bureaucracy and authoritarian regimes. He also distinguishes "higher" and "lower" layers of society, with a disturbing and ironic style. His movies usually feature a fight or struggle against a great power which may be an emotional situation, a human-made idol, or even the person himself, and the situations do not always end happily. There is often a dark, paranoid atmosphere and unusual characters who used to be normal members of society. His scripts feature black comedy and often end with a dark tragicomic twist.  Gilliam is fascinated with the Baroque period because of the pronounced struggle between spirituality and rationality in that era. There is often a rich baroqueness and dichotomous eclecticism about his movies, with, for instance, high-tech computer monitors equipped with low-tech magnifying lenses in Brazil and a red knight covered with flapping bits of cloth in The Fisher King. He also is given to incongruous juxtapositions of beauty and ugliness or antique and modern. Regarding Gilliam's theme of modernity's struggle between spirituality and rationality whereas the individual may become dominated by a tyrannical, soulless machinery of disenchanted society, the film critic Keith James Hamel observed a specific affinity of Gilliam's movies with the writings of the economic historian Arnold Toynbee and the sociologist Max Weber, specifically the latter's concept of the "iron cage" of rationality.
Question: What motivated him?
Answer: to be educated, to read, to learn things,

Background: Clint Patrick Black was born in Long Branch, New Jersey, the youngest of four children born to G.A. and Ann Black, and lived in nearby Red Bank. The family moved back to Texas, where G.A. Black had been raised, before Clint was one year old. He was raised in Katy, Texas. Music was always present in the house.
Context: Shortly after his music career took off, began receiving offers for acting roles. He turned down every request until 1994, when he was offered a bit part in the star-studded comedy film Maverick. Although the part required very little actual acting, after the movie's release Black received an increasing number of calls from directors who thought he would be perfect for a particular role. Black has appeared in several television shows, including Wings and The Larry Sanders Show. He has since starred in the 1998 television film, Still Holding On: The Legend of Cadillac Jack, based on the rodeo star Jack Favor, who was falsely accused of double murders in Haughton, Louisiana in 1967. Lisa Hartman Black portrayed Ponder I. Favor, Jack's wife. Black had a major role in another television movie Going Home, and appeared briefly in the 2003 film Anger Management.  He has also had a presence on various reality television shows. In 2003, Black appeared on Nashville Star, where he acted as a mentor to the contestants. He later produced the debut album of series winner Buddy Jewell. In 2004, Clint appeared as himself in the TV show Las Vegas. In 2008, Black was a contestant on a short-lived CBS reality show, Secret Talents of the Stars, in which he practiced stand-up comedy. The following year, he competed on the second season of Celebrity Apprentice. He was fired after the eleventh task, placing himself in fifth place, although he returned as a member of Joan Rivers' victorious team in the season finale. In 2009, Black appeared on ABC's Extreme Makeover: Home Edition.  Black has enjoyed his television experiences, describing acting as "another way for me to expand my creative canvas. ... I love to challenge myself." He believes that most of his fans "just see me as a musician who is stepping into [television and film] temporarily and either doing it alright or not". More recently, he appeared in the movies Flicka 2 in 2010 and Flicka 3 in 2011.  On July 4, 2012, Black appeared on an episode of Lifetime's reality series, Coming Home, which documents servicemen and women returning to their loved ones in surprise reunions. In the episode, he is featured helping two children write a song about their Army captain father, who is returning from Afghanistan to surprise his family.  On July 24, 2012 Black is surprised by History Detectives on PBS. In the episode, the show pays a visit to his Nashville residence, to uncover the story behind an artifact given to him by his wife decades ago.
Question: What reality show was he on?
Answer:
Nashville Star,