Question: Limp Bizkit is an American rap rock band from Jacksonville, Florida, formed in 1994. Their lineup consists of Fred Durst (lead vocals), Sam Rivers (bass, backing vocals), John Otto (drums, percussion), and Wes Borland (guitars, backing vocals). Their music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks and uniforms, also plays a large role in the band's elaborate live shows.

Borland is known for performing in costumes and body paint during concerts, appearing in bunny and kung fu suits, and painted as a skeleton and what he describes as a "burnt match". Describing the character, he stated, "I go onstage wearing almost nothing. I have underwear and my boots on, and I paint my whole head black--from the neck up--and I have the black contacts. All you can see is these glowing teeth." Borland's black contacts were customized for him by a company noted for making contacts for the science fiction TV series Babylon 5.  In addition to Borland's visual appearance, the band has also used elaborate stage setups in their performances. Their Ladies Night in Cambodia club tour visually paid tribute to the film Apocalypse Now, with an elaborate stage setup which featured an empty Jeep, camouflage mesh and palm trees. During the band's tour with Primus, Limp Bizkit took inspiration from Primus' trademark self-deprecatory slogan "Primus sucks": Durst, Borland, Rivers, Otto and Lethal took the stage with middle fingers raised. According to Borland, "they finger us back--and you know what that means to us--that they love us. It's kind of like saying something is bad when you really mean good. Les Claypool came out the first night of the tour and got a big kick out of it. We figured it was the right idea. It makes hecklers go 'huh.'"  During the band's sets at Ozzfest, audience members at the tour heckled Limp Bizkit, leading the band to use a 30-foot toilet as a stage prop, which they would emerge from during each performance; the band punctuated their sets by "flushing" cardboard cutouts of pop stars like Hanson and the Spice Girls. During their appearance at the first Family Values Tour, Limp Bizkit performed on a set which the Los Angeles Times described as "a mix of The War Of The Worlds and Mars Attacks". The band emerged from a spaceship during the tour, and Borland continued to experiment with visual appearances. During the band's Halloween performance on the tour, each of the band's members dressed as Elvis Presley at various stages in his career.

Using a quote from the above article, answer the following question: Did they have other costumes or props that they used during their performances?
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Answer: Borland is known for performing in costumes and body paint during concerts, appearing in bunny and kung fu suits, and painted as a skeleton

Problem: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE.  According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures.  Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar.  The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.

Was there a popular Odissi dancer in this era?

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