Question:
Frank Joseph Kush (January 20, 1929 - June 22, 2017) was an American football player and coach. He served as the head coach at Arizona State University from 1958 to 1979, compiling a record of 176-54-1. Kush was also the head coach of the Canadian Football League's Hamilton Tiger-Cats in 1981, the National Football League's Baltimore/Indianapolis Colts from 1982 to 1984, and the Arizona Outlaws of the United States Football League in 1985. He was inducted into the College Football Hall of Fame as a coach in 1995.
Kush moved to the Canadian Football League the following year, serving as head coach of the Hamilton Tiger-Cats. In his only season with the team, he led his squad to an 11-4-1 mark and a berth in the CFL Eastern Conference championship game. Controversy followed him to the CFL, however, with Kush quarreling with some Ti-Cats players when he attempted to ban the common practice of taping shoes and ankles.  That performance helped Kush return to the United States when the Baltimore Colts hired him in 1982. During the strike-shortened season, the Colts had the dubious record of being the first NFL team since the 1976 Tampa Bay Buccaneers to not win a game during the season, finishing 0-8-1. John Elway's refusal to play for the Colts after they chose him first overall in the 1983 draft has been attributed, in part, to his desire not to play for Kush.  The Colts improved the following year with a 7-9 record, then moved to Indianapolis during the off-season, much to the disappointment of Kush who had wanted the team to negotiate a move to Phoenix. After just four wins in fifteen games in 1984, Kush quit on December 13, just days before the final game of the season. Citing a desire to be closer to friends and family, Kush accepted a three-year contract with the United States Football League's Arizona Outlaws.  However, the league folded in August 1986, with Kush then living off his personal services contract with Outlaws owner Bill Tatham by offering assistance to beginners in a local youth football league, joking, "I'm the highest-paid Pop Warner coach in the country." Kush also used his disciplinarian image to serve as director of the Arizona Boys Ranch, a facility used to reform juvenile offenders.
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Was that the end of his career?

Answer:
Kush accepted a three-year contract with the United States Football League's Arizona Outlaws.


Question:
Masami Akita (Qiu Tian  Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.
Merzbow's sounds employ the use of distortion, feedback, and noises from synthesizers, machinery, and home-made noisemakers. While much of Merzbow's output is intensely harsh in character, Akita does occasionally make forays into ambient music. Vocals are employed sometimes, but never in a lyrical sense. Contrary to most harsh noise music, Akita also occasionally uses elements of melody and rhythm.  Akita's early work consisted of industrial noise music made from tape loops and conventional instruments. Similar to his present albums, he produced lengthy, disorienting pieces. He also became famous for the sheer volume of his releases.  The avant-garde nature of Akita's work made acceptance by mainstream and unprepared audiences difficult. When he performed with Kiyoshi Mizutani in 1988 at the Jazz-on-Amur festival in Khabarovsk, the Far East of USSR, his improvised, experimental electroacoustic set was praised by fellow musicians as well as the festival's producer. The number of the - jazz-oriented (and - even just curious) - crowd, however, had been expecting a more traditional (and much-much more quiet) performance, and started walking out. Prior to his second performance at the festival -- which was to be made to an even more conservative audience-- Akita was asked to play "more musically." On that first stage, Merzbow used the finest example of "classical analogue live noisemaiking technologies" to display: untuned guitar, a drumset, various micro-objects, small springs centered in its shell baffles, large aluminium boxes with strings inside to be attacked with a fiddlestick, etc. along with multi- piezo-pickuping and close-miking techniques, live processing through vintage US fuzz, ring modulator etc. boxes, and quite vivid and spontaneous approach, backed by domestically supplied slide and light shows. These live recordings were post-processed/re-mixed and released as Live in Khabarovsk, CCCP (I'm Proud by Rank of the Workers) LP - and as the (once more re-mixed comparing to the LP) CD 26 of the Merzbox later on.  During the 1990s Akita's work became much harsher and was generally mastered at a louder volume than usual. These were heavily influenced by death metal and grindcore bands of the time (a prime example is the Venereology album). The mid-1990s saw Akita being heavily influenced by psychedelic bands and this was reflected in various albums.
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what did people think about his style?

Answer:
The avant-garde nature of Akita's work made acceptance by mainstream and unprepared audiences difficult.