Problem: Background: Richard Georg Strauss (11 June 1864 - 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier, Elektra, Die Frau ohne Schatten and Salome; his Lieder, especially his Four Last Songs; his tone poems, including Don Juan, Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, Ein Heldenleben, Symphonia Domestica, and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.
Context: Strauss was born on 11 June 1864 in Munich, the son of Josephine (nee Pschorr) and Franz Strauss, who was the principal horn player at the Court Opera in Munich. In his youth, he received a thorough musical education from his father. He wrote his first composition at the age of six, and continued to write music almost until his death.  During his boyhood Strauss attended orchestra rehearsals of the Munich Court Orchestra (now the Bavarian State Orchestra), where he received private instruction in music theory and orchestration from an assistant conductor. In 1872, he started receiving violin instruction at the Royal School of Music from Benno Walter, his father's cousin. In 1874, Strauss heard his first Wagner operas, Lohengrin and Tannhauser. The influence of Wagner's music on Strauss's style was to be profound, but at first his musically conservative father forbade him to study it. Indeed, in the Strauss household, the music of Richard Wagner was viewed with deep suspicion, and it was not until the age of 16 that Strauss was able to obtain a score of Tristan und Isolde. In later life, Strauss said that he deeply regretted the conservative hostility to Wagner's progressive works. Nevertheless, Strauss's father undoubtedly had a crucial influence on his son's developing taste, not least in Strauss's abiding love for the horn.  In early 1882, in Vienna, he gave the first performance of his Violin Concerto in D minor, playing a piano reduction of the orchestral part himself, with his teacher Benno Walter as soloist. The same year he entered Ludwig Maximilian University of Munich, where he studied philosophy and art history, but not music. He left a year later to go to Berlin, where he studied briefly before securing a post as assistant conductor to Hans von Bulow, who had been enormously impressed by the young composer's Serenade for wind instruments, composed when he was only 16 years of age. Strauss learned the art of conducting by observing Bulow in rehearsal. Bulow was very fond of the young man, and decided that Strauss should be his successor as conductor of the Meiningen Court Orchestra when Bulow resigned in 1885. Strauss's compositions at this time were indebted to the style of Robert Schumann or Felix Mendelssohn, true to his father's teachings. His Horn Concerto No. 1, Op. 11, is representative of this period and is a staple of the modern horn repertoire.  Strauss married soprano Pauline de Ahna on 10 September 1894. She was famous for being irascible, garrulous, eccentric and outspoken, but to all appearances the marriage was essentially happy, and she was a great source of inspiration to him. Throughout his life, from his earliest songs to the final Four Last Songs of 1948, he preferred the soprano voice to all others, and all his operas contain important soprano roles.  The Strausses had one son, Franz, in 1897. Franz married Alice von Grab-Hermannsworth, daughter of a Jewish industrialist, in a Roman Catholic ceremony in 1924. Franz and Alice had two sons, Richard and Christian.
Question: Did he have a family of his own?
Answer: Strauss married soprano Pauline de Ahna

Problem: Background: Andrew Michael Sullivan (born 10 August 1963) is an English-born American author, editor, and blogger. Sullivan is a conservative political commentator, a former editor of The New Republic, and the author or editor of six books. He was a pioneer of the political blog, starting his in 2000. He eventually moved his blog to various publishing platforms, including Time, The Atlantic, The Daily Beast, and finally an independent subscription-based format.
Context: Sullivan, like Marshall Kirk, Hunter Madsen, and Bruce Bawer, has been described by Urvashi Vaid as a proponent of "legitimation", seeing the objective of the gay rights movement as being "mainstreaming gay and lesbian people" rather than "radical social change". Sullivan wrote the first major article in the United States advocating for gay people to be given the right to marry, published in The New Republic in 1989. Many gay rights organisations attacked him for the stance at the time. Many on "the gay left" believed that he was promoting "assimilation" into "straight culture", when the aim of most at that time was to alter codes of sexuality and society as a whole, rather than fitting gays into it. However, his arguments eventually became widely accepted and formed the basis of the modern movement to allow same-sex marriage. In the wake of the United States Supreme Court rulings on same-sex marriage in 2013 (Hollingsworth v. Perry and United States v. Windsor), New York Times op-ed columnist Ross Douthat suggested that Sullivan might be the most influential political writer of his generation, writing, "No intellectual that I can think of, writing on a fraught and controversial topic, has seen their once-crankish, outlandish-seeming idea become the conventional wisdom so quickly, and be instantantiated so rapidly in law and custom."  Sullivan opposes hate crime laws, arguing that they undermine freedom of speech and equal protection. He also opposes the Employment Non-Discrimination Act, arguing that it would "not make much of a difference" and that the "gay rights establishment" was wrong to oppose a version of the bill that did not include protections for gender identity. Sullivan opposed calls to remove Brendan Eich as CEO of Mozilla and argued that "old-fashioned liberalism brought gay equality to America far, far faster than identity politics leftism."  In 2006, Sullivan was named as an LGBT History Month icon.
Question: What was Sullivan's involvement in LGBT issues?
Answer:
movement as being "mainstreaming gay and lesbian people" rather than "radical social change".