Problem: Orville Willis Forte IV was born in Alameda County, California. His father, Orville Willis Forte III, is a financial broker, and his mother, Patricia C. (nee Stivers), is an artist and former schoolteacher. He was raised in Moraga, before moving to Lafayette. He went by Billy in his early years until he was teased at school for it also being a girl's name, at which point he decided he would from there on be known as Will.

He began taking classes at the Groundlings in Los Angeles, an improvisational and sketch comedy troupe and school, while tutoring children to make ends meet. Forte's first successful foray into comedy was 101 Things to Definitely Not Do If You Want to Get a Chick, a comic book he produced that details incompetent men. The comics landed him his first professional job writing for The Jenny McCarthy Show, a short-lived variety show starring Jenny McCarthy. Shortly thereafter, he was asked to submit a packet to the Late Show with David Letterman and was told Letterman responded favorably to animation. After only nine months at Letterman, he was "let go" from the job. He recalled his stint on the program as unpleasant, noting that he did not have enough experience in writing. "What an honor to work at that show but I don't think I was fully mentally prepared. [...] I always wonder what it would be like if I'd had a couple more years of experience before going there."  Forte returned to Los Angeles and began performing with the Groundlings' Main Company, with Cheryl Hines, Jim Rash and Maya Rudolph. He tried stand-up comedy three times, mostly at open mic nights, but quit after being voted into the Main Company. He joined the writing teams of two failed sitcoms, including The Army Show and Action. Forte got jobs writing for 3rd Rock from the Sun and That '70s Show, two successful programs. He loved writing but had mostly given up on acting, aside from acting with the Groundlings. While performing with the troupe in 2001, he was spotted by Lorne Michaels, the creator of Saturday Night Live (SNL). Forte felt his confidence was higher than usual, as That '70s Show had been picked up for two more years. He was invited to audition for SNL, which he regarded as unexpected.  At his audition for SNL, he performed multiple original characters, including Tim Calhoun, a speed reader, a prison guard, in addition to impressions of singer Michael McDonald and actor Martin Sheen. His final character was an older piece from his days with the Groundlings, in which he portrays a gold-painted street performer who performs fellatio to pay for his face paint, which devolves into a song needlessly uttering the words "cock" and "face paint" dozens of times. He felt his time to shine as a performer was already over, as he was in his thirties when he auditioned. To his surprise, he was offered a chance to be on the show, but declined, opting instead for the financial stability of his work at That '70s Show. He felt working for SNL could not live up to the idealized version he had dreamed of, but he later realized he would be making a mistake.

What did he do at the Groundlings?

Answer with quotes: Groundlings in Los Angeles, an improvisational and sketch comedy troupe and school, while tutoring children to make ends

Question:
Maya Angelou ( ( listen); born Marguerite Annie Johnson; April 4, 1928 - May 28, 2014) was an American poet, singer, memoirist, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and was credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou is best known for her series of seven autobiographies, which focus on her childhood and early adult experiences.
In 1951, Angelou married Greek electrician, former sailor, and aspiring musician Tosh Angelos, despite the condemnation of interracial relationships at the time and the disapproval of her mother. She took modern dance classes during this time, and met dancers and choreographers Alvin Ailey and Ruth Beckford. Angelou and Ailey formed a dance team, calling themselves "Al and Rita", and performed modern dance at fraternal black organizations throughout San Francisco, but never became successful. Angelou, her new husband, and her son moved to New York City so she could study African dance with Trinidadian dancer Pearl Primus, but they returned to San Francisco a year later.  After Angelou's marriage ended in 1954, she danced professionally in clubs around San Francisco, including the nightclub the Purple Onion, where she sang and danced to calypso music. Up to that point she went by the name of "Marguerite Johnson", or "Rita", but at the strong suggestion of her managers and supporters at the Purple Onion she changed her professional name to "Maya Angelou" (her nickname and former married surname), a "distinctive name" that set her apart and captured the feel of her calypso dance performances. During 1954 and 1955, Angelou toured Europe with a production of the opera Porgy and Bess. She began her practice of learning the language of every country she visited, and in a few years she gained proficiency in several languages. In 1957, riding on the popularity of calypso, Angelou recorded her first album, Miss Calypso, which was reissued as a CD in 1996. She appeared in an off-Broadway review that inspired the 1957 film Calypso Heat Wave, in which Angelou sang and performed her own compositions.  Angelou met novelist John Oliver Killens in 1959 and, at his urging, moved to New York to concentrate on her writing career. She joined the Harlem Writers Guild, where she met several major African-American authors, including John Henrik Clarke, Rosa Guy, Paule Marshall, and Julian Mayfield, and was published for the first time. In 1960, after meeting civil rights leader Martin Luther King Jr. and hearing him speak, she and Killens organized "the legendary" Cabaret for Freedom to benefit the Southern Christian Leadership Conference (SCLC), and she was named SCLC's Northern Coordinator. According to scholar Lyman B. Hagen, her contributions to civil rights as a fundraiser and SCLC organizer were successful and "eminently effective". Angelou also began her pro-Castro and anti-apartheid activism during this time.
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Answer:
She took modern dance classes during this time, and met dancers and choreographers Alvin Ailey and Ruth Beckford.