input: In early 2000, the group made its debut with the single "Prayin' for Daylight", a song that had been on the three-song demo that had gotten the band signed. The song, which reached No. 3 on the Billboard country charts, was the first single from their self-titled debut, which was issued in early 2000 on Lyric Street. Following "Prayin' for Daylight", the album's other three singles all made top ten on that chart: "This Everyday Love", "While You Loved Me", and "I'm Movin' On", which respectively peaked at No. 9, 7, and 4. "I'm Movin' On" was awarded Song of the Year by the Academy of Country Music in 2002. Stephen Thomas Erlewine reviewed the album with favor, calling it "a sunny, pleasing modern country-pop album".  Melt was the title of their second album, released in 2002. Unlike their previous album, Rascal Flatts co-produced Melt. Its first single, "These Days", also became their first No. 1 single on the country chart. The album included two more top ten hits, "Love You Out Loud" and "I Melt", and the band's second number-one single, "Mayberry". The music video for "I Melt" featured partial nudity and was banned from the Great American Country network.  Rascal Flatts's third album was entitled Feels Like Today, released in late 2004. The album's title track was its first single, followed by "Bless the Broken Road". The latter song was originally recorded by its co-writer, Marcus Hummon, and had also been recorded by Melodie Crittenden (whose version made the country chart in 1998), Nitty Gritty Dirt Band, and Sons of the Desert. In early 2005, Rascal Flatts's version of the song spent five weeks at No. 1, followed by "Fast Cars and Freedom", which also hit No. 1. While the latter was climbing the charts, some radio stations began playing a hidden track on the album, titled "Skin". This airplay caused "Skin" to enter the top 40, and after "Fast Cars and Freedom", it was released as a single under the title "Skin (Sarabeth)" and officially added to the album's track list.

Answer this question "What happened in 2000?"
output: In early 2000, the group made its debut with the single

input: After brief trial runs with Larry Wallis (February - October 1972) and Bernie Marsden (he toured with UFO in Europe and recorded a pair of demos, "Oh My" and "Sixteen") the band recruited Michael Schenker from Scorpions in June 1973. Schenker was only 18 at the time but was already a well-respected guitarist. On a new label, Chrysalis Records, the revamped UFO recorded a non-LP single in 1973, "Give Her The Gun" and "Sweet Little Thing" with producer Derek Lawrence. In 1974, under producer Leo Lyons (formerly of Ten Years After), UFO recorded Phenomenon, which highlighted the band's harder-edged guitar sound. Phenomenon contains many fan favorites such as "Doctor Doctor" (later a minor hit single as a live track) and "Rock Bottom" (which was extended live to provide a showcase for Schenker). By the time of the Phenomenon tour, ex-Skid Row guitarist Paul Chapman joined the group, but he left in January 1975 to form Lone Star.  Two later albums, Force It (July 1975) and No Heavy Petting (May 1976) (the last was recorded with a regular keyboardist, Danny Peyronel as well as harmony vocalist and also songwriter), and extensive touring brought UFO increased visibility with American audiences and increased their following in the UK. The song "Belladonna" from No Heavy Petting was very popular in the USSR after the cover version of Alexander Barykin.  In July 1976, the band recruited keyboardist and rhythm guitarist Paul Raymond from Savoy Brown to make 1977's Lights Out. This album was the pinnacle of UFO's studio career containing songs such as "Too Hot to Handle," "Lights Out," and the 7-minute opus "Love to Love." With Lights Out, the band received substantial critical acclaim. With their new-found success, the band went back into the studio to record Obsession in 1978. Later that year, the band went on tour in the USA and recorded a live album, Strangers In The Night, which was released in January 1979. Strangers was a critical and commercial success, reaching Number 8 in the UK Albums Chart in February 1979.

Answer this question "Did they have international success?"
output: and extensive touring brought UFO increased visibility with American audiences and increased their following in the UK. The song "Belladonna" from

input: With the addition of Stirratt, Coomer, and Johnston just prior to the recording of Anodyne, Farrar and Tweedy's relationship became more tumultuous, leading to verbal altercations after concerts. In one account, Tweedy recalled:  Around this time, I would say something into a microphone onstage, and afterward [Farrar would] pull me aside and say, "Don't you ever fucking talk into that microphone again." He would misconstrue me talking into the microphone as more evidence of my out-of-control, rampant ego, more evidence of me feeling like I didn't have to be so fucking afraid anymore.  Tweedy felt the new members gave him a new opportunity to contribute to the band, but Farrar felt disdain for Tweedy's new carefree attitude. Years later, Farrar would claim that he had been tempted to quit the band after seeing Tweedy stroking the hair of Farrar's girlfriend, an act which he believed to have been a proposition. In January 1994, Farrar called manager Tony Margherita to inform him of his decision to leave the band. Farrar told Margherita that he was no longer having fun, and didn't want to work with Tweedy anymore. Soon after the breakup, Farrar explained his departure: "It just seemed like it reached a point where Jeff and I really weren't compatible. It had ceased to be a symbiotic songwriting relationship, probably after the first record."  Tweedy was enraged that he heard the news secondhand from Margherita, since Farrar decided not to tell him in person. The following day, the two singers engaged in a verbal confrontation. As a favor to Margherita--who had spent a substantial amount of money to keep the band running--Farrar agreed to a final tour with Uncle Tupelo in North America. Tweedy and Farrar again engaged in a shouting match two weeks into the tour, due to Farrar's refusal to sing harmony on any of Tweedy's songs. The band made its first appearance on national television during the tour when they were featured on Late Night with Conan O'Brien. Sire had requested that the band perform "The Long Cut" on the show, which further irked Farrar since the song was written and sung by Tweedy. Uncle Tupelo's last concert was May 1, 1994, at Mississippi Nights in St. Louis, Missouri. Tweedy and Farrar each performed nine songs during the concert, and Mike Heidorn performed as drummer during the encore.

Answer this question "what do they do after break up"
output:
Tweedy and Farrar each performed nine songs during the concert, and Mike Heidorn performed as drummer during the encore.