Answer the question at the end by quoting:

Nielsen was born on 11 February 1926 in Regina, Saskatchewan. His mother, Mabel Elizabeth (nee Davies), was an immigrant from Wales, and his father, Ingvard Eversen Nielsen, was a Danish-born constable in the Royal Canadian Mounted Police. Nielsen had two brothers; the elder, Erik Nielsen (1924-2008), was a long-time Canadian Member of Parliament, cabinet minister, and Deputy Prime Minister of Canada from 1984 to 1986. Nielsen's half-uncle Jean Hersholt was an actor known for his portrayal of Dr. Christian in a radio series of that name, and the subsequent television series and films.
Nielsen's career began in dramatic roles on television during "Television's Golden Age", appearing in 46 live programs in 1950 alone. He said there "was very little gold, we only got $75 or $100 per show." He narrated documentaries and commercials and most of his early work as a dramatic actor was uneventful. Hal Erickson of Allmovie noted that "much of Nielsen's early work was undistinguished; he was merely a handsome leading man in an industry overstocked with handsome leading men." In 1956, he made his feature-film debut in the Michael Curtiz-directed musical film The Vagabond King. In the Seattle Post-Intelligencer, Nielsen remembered Curtiz as "a sadist, a charming sadist, but a sadist". Nielsen called this film "The Vagabond Turkey". Though the film was not a success, producer Nicholas Nayfack offered him an audition for the science-fiction film Forbidden Planet, resulting in Nielsen's taking a long contract with Metro-Goldwyn-Mayer (MGM).  Forbidden Planet became an instant success, and roles in other MGM films such as Ransom! (1956), The Opposite Sex (1956) and Hot Summer Night (1957) followed. In 1957 he won the lead role opposite Debbie Reynolds in the romantic comedy Tammy and the Bachelor, which, as a Chicago Tribune critic wrote in 1998, made people consider Nielsen a dramatic actor and handsome romantic lead. However, dissatisfied with the films he was offered, calling the studios "a Tiffany, which had forgotten how to make silver", Nielsen left MGM after auditioning for Messala in the 1959 Ben-Hur. Stephen Boyd got the role. After leaving the studios, Nielsen landed the lead role in the Disney miniseries The Swamp Fox, as American Revolutionary War hero Francis Marion. In a 1988 interview, he reflected on the series, saying, "That was a great experience, because the Disney people didn't do their shows like everyone else, knocking out an episode a week. ... We only had to do an episode a month, and the budgets were extremely high for TV at that time. We had location shooting rather than cheap studio backdrops, and very authentic costumes." Eight episodes were produced and aired between 1959 and 1961.  His television appearances include Justice, Alfred Hitchcock Presents, Voyage to the Bottom of the Sea, The Virginian, and The Wild Wild West. In 1961, he was the lead in a Los Angeles police drama called The New Breed. He guest-starred in a 1964 episode of Daniel Boone with Fess Parker in a minor but credited role. In 1968, he had a major role in the pilot for the police series Hawaii Five-O, and appeared in one of the seventh-season episodes. In 1969, he had the leading role as a police officer in The Bold Ones: The Protectors.  In 1972, Nielsen appeared as the ship's captain in The Poseidon Adventure. He also starred in the William Girdler's 1977 action film, Project: Kill. His last dramatic role before mainly comedy roles was the 1979 Canadian disaster film City on Fire, in which he played a corrupt mayor. In 1980, he guest-starred as Sinclair on the CBS miniseries The Chisholms.

What was Nielsen's first film?

The Vagabond King.

IN: Paul Frederic Bowles (; December 30, 1910 - November 18, 1999) was an American expatriate composer, author, and translator. He became associated with Tangier, where he settled in 1947 and lived for 52 years to the end of his life. Following a cultured middle-class upbringing in New York City, during which he displayed a talent for music and writing, Bowles pursued his education at the University of Virginia before making several trips to Paris in the 1930s. He studied music with Aaron Copland, and in New York wrote music for theatrical productions, as well as other compositions.

Paul Bowles is considered one of the artists to have shaped 20th-century literature and music. In his "Introduction" to Bowles' Collected Stories (1979,) Gore Vidal ranked the short stories as "among the best ever written by an American", writing: "the floor to this ramshackle civilization that we have built cannot bear much longer our weight. It was Bowles's genius to suggest the horrors which lie beneath that floor, as fragile, in its way, as the sky that shelters us from a devouring vastness".  Critics have described his music, in contrast, "as full of light as the fiction [is] of dark...almost as if the composer were a totally different person from the writer." During the early 1930s, Bowles studied composition (intermittently) with Aaron Copland; his music from this period "is reminiscent of Satie and Poulenc." Returning to New York in the mid-30s, Bowles became one of the preeminent composers of American theater music, producing works for William Saroyan, Tennessee Williams, and others, "show[ing] exceptional skill and imagination in capturing the mood, emotion, and ambience of each play to which he was assigned." Bowles said that such incidental music allowed him to present "climaxless music, hypnotic music in one of the exact senses of the word, in that it makes its effect without the spectator being made aware of it." At the same time he continued to write concert music, assimilating some of the melodic, rhythmic, and other stylistic elements of African, Mexican, and Central American music.  In 1991 Paul Bowles was awarded the annual Rea Award for the Short Story. The jury gave the following citation: "Paul Bowles is a storyteller of the utmost purity and integrity. He writes of a world before God became man; a world in which men and women in extremis are seen as components in a larger, more elemental drama. His prose is crystalline and his voice unique. Among living American masters of the short story, Paul Bowles is sui generis."  The Library of America published Bowles' works in 2002. (It prepares scholarly editions of American literary classics and keeps them permanently in print.)

How is his legacy assessed?

OUT:
His prose is crystalline and his voice unique. Among living American masters of the short story, Paul Bowles is sui generis.