Answer the question at the end by quoting:

The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.
Although The Birth of a Nation is commonly regarded as a landmark for its dramatic and visual innovations, its use of music was arguably no less revolutionary. Though film was still silent at the time, it was common practice to distribute musical cue sheets, or less commonly, full scores (usually for organ or piano accompaniment) along with each print of a film.  For The Birth of a Nation, composer Joseph Carl Breil created a three-hour-long musical score that combined all three types of music in use at the time: adaptations of existing works by classical composers, new arrangements of well-known melodies, and original composed music. Though it had been specifically composed for the film, Breil's score was not used for the Los Angeles premiere of the film at Clune's Auditorium; rather, a score compiled by Carli Elinor was performed in its stead, and this score was used exclusively in West Coast showings. Breil's score was not used until the film debuted in New York at the Liberty Theatre, and was the score utilized in all showings save those on the West Coast.  Outside of original compositions, Breil adapted classical music for use in the film, including passages from Der Freischutz by Carl Maria von Weber, Leichte Kavallerie by Franz von Suppe, Symphony No. 6 by Ludwig van Beethoven, and "Ride of the Valkyries" by Richard Wagner, the latter used as a leitmotif during the ride of the KKK. Breil also arranged several traditional and popular tunes that would have been recognizable to audiences at the time, including many Southern melodies; among these songs were "Maryland, My Maryland", "Dixie", "Old Folks at Home", "The Star-Spangled Banner", "America the Beautiful", "The Battle Hymn of the Republic", "Auld Lang Syne", and "Where Did You Get That Hat?". DJ Spooky has called Breil's score, with its mix of Dixieland songs, classical music and "vernacular heartland music" "an early, pivotal accomplishment in remix culture." He has also cited Breil's use of music by Richard Wagner as influential on subsequent Hollywood films, including Star Wars (1977) and Apocalypse Now (1979); the latter film also makes use of "Ride of the Valkyries".  In his original compositions for the film, Breil wrote numerous leitmotifs to accompany the appearance of specific characters. The principal love theme that was created for the romance between Elsie Stoneman and Ben Cameron was published as "The Perfect Song" and is regarded as the first marketed "theme song" from a film; it was later used as the theme song for the popular radio and television sitcom Amos 'n' Andy.

Whta did they use instead

compiled by Carli Elinor was performed in its stead, and this score was used exclusively in West Coast showings.



Answer the question at the end by quoting:

Amos Bronson Alcott (; November 29, 1799 - March 4, 1888) was an American teacher, writer, philosopher, and reformer. As an educator, Alcott pioneered new ways of interacting with young students, focusing on a conversational style, and avoided traditional punishment. He hoped to perfect the human spirit and, to that end, advocated a vegan diet before the term was coined.
Alcott's published books, all from late in his life, include Tablets (1868), Concord Days (1872), New Connecticut (1881), and Sonnets and Canzonets (1882). Louisa May attended to her father's needs in his final years. She purchased a house for her sister Anna which had been the last home of Henry David Thoreau, now known as the Thoreau-Alcott House. Louisa and her parents moved in with Anna as well.  After the death of his wife Abby May on November 25, 1877, Alcott never returned to Orchard House, too heartbroken to live there. He and Louisa May collaborated on a memoir and went over her papers, letters, and journals. "My heart bleeds with the memories of those days", he wrote, "and even long years, of cheerless anxiety and hopeless dependence." Louisa noted her father had become "restless with his anchor gone". They gave up on the memoir project and Louisa burned many of her mother's papers.  On January 19, 1879, Alcott and Franklin Benjamin Sanborn wrote a prospectus for a new school which they distributed to potentially interested people throughout the country. The result was the Concord School of Philosophy and Literature, which held its first session in 1879 in Alcott's study in the Orchard House. In 1880 the school moved to the Hillside Chapel, a building next to the house, where he held conversations and, over the course of successive summers, as he entered his eighties, invited others to give lectures on themes in philosophy, religion and letters. The school, considered one of the first formal adult education centers in America, was also attended by foreign scholars. It continued for nine years.  In April 1882, Alcott's friend and benefactor Ralph Waldo Emerson was sick and bedridden. After visiting him, Alcott wrote, "Concord will be shorn of its human splendor when he withdraws behind the cloud." Emerson died the next day. Alcott himself moved out of Concord for his final years, settling at 10 Louisburg Square in Boston beginning in 1885.  As he was bedridden at the end of his life, Alcott's daughter Louisa May came to visit him at Louisburg on March 1, 1888. He said to her, "I am going up. Come with me." She responded, "I wish I could." He died three days later on March 4; Louisa May died only two days after her father.

what was the new school?
The result was the Concord School of Philosophy and Literature, which held its first session in 1879