Some context: Norman Ernest Borlaug (March 25, 1914 - September 12, 2009) was an American agronomist and humanitarian who led initiatives worldwide that contributed to the extensive increases in agricultural production termed the Green Revolution. Borlaug was awarded multiple honors for his work, including the Nobel Peace Prize, the Presidential Medal of Freedom and the Congressional Gold Medal. Borlaug received his B.Sc. in Forestry in 1937 and Ph.D. in plant pathology and genetics from the University of Minnesota in 1942.
Initially, Borlaug's work had been concentrated in the central highlands, in the village of Chapingo near Texcoco, where the problems with rust and poor soil were most prevalent. He realized that he could speed up breeding by taking advantage of the country's two growing seasons. In the summer he would breed wheat in the central highlands as usual, then immediately take the seeds north to the Yaqui Valley research station near Ciudad Obregon, Sonora. The difference in altitudes and temperatures would allow more crops to be grown each year.  Borlaug's boss, George Harrar, was against this expansion. Besides the extra costs of doubling the work, Borlaug's plan went against a then-held principle of agronomy that has since been disproved. It was believed that to store energy for germination before being planted, seeds needed a rest period after harvesting. When Harrar vetoed his plan, Borlaug resigned. Elvin Stakman, who was visiting the project, calmed the situation, talking Borlaug into withdrawing his resignation and Harrar into allowing the double wheat season. As of 1945, wheat would then be bred at locations 700 miles (1000 km) apart, 10 degrees apart in latitude, and 8500 feet (2600 m) apart in altitude. This was called "shuttle breeding".  As an unexpected benefit of the double wheat season, the new breeds did not have problems with photoperiodism. Normally, wheat varieties cannot adapt to new environments, due to the changing periods of sunlight. Borlaug later recalled, "As it worked out, in the north, we were planting when the days were getting shorter, at low elevation and high temperature. Then we'd take the seed from the best plants south and plant it at high elevation, when days were getting longer and there was lots of rain. Soon we had varieties that fit the whole range of conditions. That wasn't supposed to happen by the books". This meant that the project would not need to start separate breeding programs for each geographic region of the planet.
When wheat is bred 700 miles apart like that, what happens next?
A: As an unexpected benefit of the double wheat season, the new breeds did not have problems with photoperiodism.
Some context: George Benson (born March 22, 1943) is an American musician, guitarist, and singer-songwriter. He began his professional career at the age of 21 as a jazz guitarist. Benson uses a rest-stroke picking technique similar to that of gypsy jazz players such as Django Reinhardt. A former child prodigy, Benson first came to prominence in the 1960s, playing soul jazz with Jack McDuff and others.
By the mid-to-late 1970s, as he recorded for Warner Bros. Records, a whole new audience began to discover Benson. With the 1976 release Breezin', Benson sang a lead vocal on the track "This Masquerade" (notable also for the lush, romantic piano intro and solo by Jorge Dalto), which became a huge pop hit and won a Grammy Award for Record of the Year. (He had sung vocals infrequently on albums earlier in his career, notably his rendition of "Here Comes the Sun" on the Other Side of Abbey Road album.) The rest of the album is instrumental, including his rendition of the 1975 Jose Feliciano composition "Affirmation".  In 1976, Benson toured with soul singer Minnie Riperton, who had been diagnosed with terminal breast cancer earlier that year and, in addition, appeared as a guitarist and backup vocalist on Stevie Wonder's song "Another Star" from Wonder's album Songs in the Key of Life.  During the same year, 1976, the top selling album 'Breezin' was released on the Warner Brothers label featuring the Bobby Womack penned title track and the Leon Russell penned This Masquerade which is now a jazz standard. Both tracks won Grammy awards that year and the LP put Benson into the musical limelight both in the USA and in Europe. Ironically, Benson had been discouraged up until this time, from using his singing skills, mainly as the company decision makers felt he wasn't competent enough vocally, and he should stick to playing the guitar. It was here that he clearly proved them wrong.  He also recorded the original version of "The Greatest Love of All" for the 1977 Muhammad Ali bio-pic, The Greatest, which was later covered by Whitney Houston as "Greatest Love of All". During this time Benson recorded with the German conductor Claus Ogerman. The live take of "On Broadway", recorded a few months later from the 1978 release Weekend in L.A., also won a Grammy. He has worked with Freddie Hubbard on a number of his albums throughout the 1960s, 1970s and 1980s.  The Qwest record label (a subsidiary of Warner Bros., run by Quincy Jones) released Benson's breakthrough pop album Give Me The Night, produced by Jones. Benson made it into the pop and R&B top ten with the song "Give Me the Night" (written by former Heatwave keyboardist Rod Temperton). He had many hit singles such as "Love All the Hurt Away", "Turn Your Love Around", "Inside Love", "Lady Love Me", "20/20", "Shiver", "Kisses in the Moonlight". More importantly, Quincy Jones encouraged Benson to search his roots for further vocal inspiration, and he rediscovered his love for Nat Cole, Ray Charles and Donny Hathaway in the process, influencing a string of further vocal albums into the 1990s. Despite returning to his jazz and guitar playing most recently, this theme was reflected again much later in Benson's 2000 release Absolute Benson, featuring a cover of one of Hathaway's most notable songs, "The Ghetto". Benson accumulated three other platinum LPs and two gold albums.
Did he have any singles that scored especially high on the charts?
A:
"The Ghetto