Problem: Background: Christopher Houston Carson (December 24, 1809 - May 23, 1868), better known as Kit Carson, was an American frontiersman. He was a mountain man (fur trapper), wilderness guide, Indian agent, and U.S. Army officer. Carson became a frontier legend in his own lifetime via biographies and news articles. Exaggerated versions of his exploits were the subject of dime novels.
Context: In August 1826, against his mother's wishes, Kit ran away from his apprenticeship. He went west with a caravan of fur trappers, tending their livestock. They made their trek over the Santa Fe Trail to Santa Fe, the capital of Santa Fe de Nuevo Mexico, reaching their destination in November 1826. Kit settled in Taos.  Carson lived with Mathew Kinkead, a trapper and explorer who had served with Carson's older brothers during the War of 1812. Carson was mentored by Kinkead in learning the skills of a trapper, while learning the necessary languages for trade. Eventually he became fluent in Spanish and several Indian languages.  Workman put an advertisement in a local newspaper back in Missouri. He wrote that he would give a one cent reward to anyone who brought the boy back to Franklin. No one claimed the reward. It was a bit of a joke, but Carson was free. The advertisement featured the first printed description of Carson: "Christopher Carson, a boy about 16 years old, small of his age, but thick set; light hair, ran away from the subscriber, living in Franklin, Howard county, Missouri, to whom he had been bound to learn the saddler's trade."  Between 1827 and 1829, Carson worked as cook, translator, and wagon driver in the southwest. He also worked at a copper mine near the Gila River in southwestern New Mexico. In later life, Carson never mentioned any women from his youth. There are only three specific women mentioned in his writing: Josefa Jaramillo, his third and last wife; a comrade's mother in Washington, DC; and Mrs. Ann White, a victim of Indian atrocities.
Question: Did he enjoy exploring?
Answer: 

IN: Steely Dan is an American rock band founded by core members Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals) in 1972. Blending elements of jazz, traditional pop, R&B, and sophisticated studio production with cryptic and ironic lyrics, the band enjoyed critical and commercial success starting from the early 1970s until breaking up in 1981. Throughout their career, the duo recorded with a revolving cast of session musicians, and in 1974 retired from live performances to become a studio-only band. Rolling Stone has called them "the perfect musical antiheroes for the Seventies".

Pretzel Logic was released in early 1974. A diverse set, it includes the group's most successful single "Rikki Don't Lose That Number" (No. 4) and a note-for-note rendition of Duke Ellington and James "Bubber" Miley's "East St. Louis Toodle-Oo".  During the previous album's tour, the band had added vocalist-percussionist Royce Jones, vocalist-keyboardist Michael McDonald, and session drummer Jeff Porcaro (of Sonny & Cher). Porcaro contributed significantly to Pretzel Logic (as he would on future Steely Dan recordings), reflecting Steely Dan's increasing reliance on session musicians (including Dean Parks and Rick Derringer). Drummer Jeff Porcaro and Katy Lied pianist David Paich would go on to form Toto. Striving for perfection, Becker and Fagen sometimes asked musicians to record as many as forty takes of each track.  Pretzel Logic was the first Steely Dan album to feature Walter Becker on guitar. "Once I met (session musician) Chuck Rainey", he explained, "I felt there really was no need for me to be bringing my bass guitar to the studio anymore".  A rift began growing between Becker-Fagen and Steely Dan's other members (particularly Baxter and Hodder), who wanted to tour. Becker and Fagen disliked constant touring and wanted to concentrate solely on writing and recording. The other members gradually left the band, discouraged by this and by their diminishing roles in the studio. However, Dias remained with the group until 1980's Gaucho and Michael McDonald contributed vocals until the group's twenty-year hiatus after Gaucho. Baxter and McDonald went on to join The Doobie Brothers. Steely Dan's last tour performance was on July 5, 1974, a concert at the Santa Monica Civic Auditorium in California. A recording of the show's opening track, "Bodhisattva", was released as a B-side, and later appeared on the compilation album Gold.  Becker and Fagen recruited a diverse group of session players for Katy Lied (1975), including Porcaro, Paich, and McDonald, as well as guitarist Elliott Randall, jazz saxophonist Phil Woods, saxophonist/bass-guitarist Wilton Felder, percussionist/vibraphonist/keyboardist Victor Feldman, keyboardist (and later producer) Michael Omartian, and guitarist Larry Carlton -- Dias, Becker, and Fagen being Steely Dan's only original members. The album went gold on the strength of "Black Friday" and "Bad Sneakers", but Becker and Fagen were so dissatisfied with the album's sound (compromised by a faulty DBX noise reduction system) that they publicly apologized for it (on the album's back cover) and for years refused to listen to it in its final form. Katy Lied also included "Doctor Wu" and "Chain Lightning".

did it win any awards

OUT: 

Background: Philip Glass (born January 31, 1937) is an American composer. He is widely regarded as one of the most influential musicians of the late 20th century. Glass's work has been described as minimal music, having similar qualities to other "minimalist" composers such as La Monte Young, Steve Reich, and Terry Riley. However, Glass has instead described himself as a composer of "music with repetitive structures", which he has helped evolve stylistically.
Context: Glass describes himself as a "classicist", pointing out he is trained in harmony and counterpoint and studied such composers as Franz Schubert, Johann Sebastian Bach, and Wolfgang Amadeus Mozart with Nadia Boulanger. Aside from composing in the Western classical tradition, his music has ties to rock, ambient music, electronic music, and world music. Early admirers of his minimalism include musicians Brian Eno and David Bowie. In the 1990s, Glass composed the aforementioned symphonies Low (1992) and Heroes (1996), thematically derived from the Bowie-Eno collaboration albums Low and "Heroes" composed in late 1970s Berlin.  Glass has collaborated with recording artists such as Paul Simon, Suzanne Vega, Mick Jagger, Leonard Cohen, David Byrne, Uakti, Natalie Merchant, S'Express (Glass remixed their track Hey Music Lover in 1989) and Aphex Twin (yielding an orchestration of Icct Hedral in 1995 on the Donkey Rhubarb EP). Glass's compositional influence extends to musicians such as Mike Oldfield (who included parts from Glass's North Star in Platinum), and bands such as Tangerine Dream and Talking Heads. Glass and his sound designer Kurt Munkacsi produced the American post-punk/new wave band Polyrock (1978 to the mid-1980s), as well as the recording of John Moran's The Manson Family (An Opera) in 1991, which featured punk legend Iggy Pop, and a second (unreleased) recording of Moran's work featuring poet Allen Ginsberg.  Glass had begun using the Farfisa portable organ out of convenience, and he has used it in concert. It is featured on several recordings including North Star and on "Dance No. 1" and "Dance No. 3".
Question: what pieces were created as a result of these collaborations?
Answer:
Icct Hedral in 1995 on the Donkey Rhubarb