Problem: Background: Marc Zakharovich Chagall ( sh@-GAHL; born Moishe Zakharovich Shagal; 6 July [O.S. 24 June] 1887 - 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists".
Context: In Russia at that time, Jewish children were not allowed to attend regular Russian schools or universities. Their movement within the city was also restricted. Chagall therefore received his primary education at the local Jewish religious school, where he studied Hebrew and the Bible. At the age of 13, his mother tried to enroll him in a Russian high school, and he recalled, "But in that school, they don't take Jews. Without a moment's hesitation, my courageous mother walks up to a professor." She offered the headmaster 50 roubles to let him attend, which he accepted.  A turning point of his artistic life came when he first noticed a fellow student drawing. Baal-Teshuva writes that for the young Chagall, watching someone draw "was like a vision, a revelation in black and white". Chagall would later say that there was no art of any kind in his family's home and the concept was totally alien to him. When Chagall asked the schoolmate how he learned to draw, his friend replied, "Go and find a book in the library, idiot, choose any picture you like, and just copy it". He soon began copying images from books and found the experience so rewarding he then decided he wanted to become an artist.  He eventually confided to his mother, "I want to be a painter", although she could not yet understand his sudden interest in art or why he would choose a vocation that "seemed so impractical", writes Goodman. The young Chagall explained, "There's a place in town; if I'm admitted and if I complete the course, I'll come out a regular artist. I'd be so happy!" It was 1906, and he had noticed the studio of Yehuda (Yuri) Pen, a realist artist who also operated a small drawing school in Vitebsk, which included the future artists El Lissitzky and Ossip Zadkine. Due to Chagall's youth and lack of income, Pen offered to teach him free of charge. However, after a few months at the school, Chagall realized that academic portrait painting did not suit his desires.
Question: How did this lead to the wrong
Answer: She offered the headmaster 50 roubles to let him attend, which he accepted.

IN: Glover was born in San Francisco, the son of Carrie (Hunley) and James Glover. His parents, who worked as postal workers, were highly active in the National Association for the Advancement of Colored People (NAACP), working to advance equal rights. Glover's mother, daughter of a midwife, was born in Louisville, Georgia and graduated from Paine College in Augusta, Georgia. As an adolescent and a young adult, Glover suffered from epilepsy but has not suffered a seizure since age 35.

Glover was an early supporter of former North Carolina Senator John Edwards in the 2008 Democratic presidential primaries until Edwards' withdrawal, although some news reports indicated that he had endorsed Ohio Congressman Dennis Kucinich, whom he had endorsed in 2004. After Edwards dropped out, Glover then endorsed Barack Obama. In February 2016, Glover endorsed Vermont Senator Bernie Sanders for the Democratic presidential nomination.  Glover was an outspoken critic of George W. Bush, calling him a known racist. "Yes, he's racist. We all knew that. As Texas's governor, Bush led a penitentiary system that executed more people than all the other U.S. states together. And most of the people who died were Afro-Americans or Hispanics."  Glover's support of California Proposition 7 (2008) led him to use his voice in an automated phone call to generate support for the measure before the election.  On the foreign policy of the Obama administration, Glover said: "I think the Obama administration has followed the same playbook, to a large extent, almost verbatim, as the Bush administration. I don't see anything different... On the domestic side, look here: What's so clear is that this country from the outset is projecting the interests of wealth and property. Look at the bailout of Wall Street. Why not the bailout of Main Street? He may be just a different face, and that face may happen to be black, and if it were Hillary Clinton, it would happen to be a woman.... But what choices do they have within the structure?"  Glover wrote the foreword to Phyllis Bennis' book, Challenging Empire: How People, Governments, and the UN Defy US Power. Glover is also a member of the board of directors of the Center for Economic and Policy Research, a think tank led by economist Dean Baker.

When did Glover's political activities begin?

OUT: 

Background: Camille Pissarro (French: [kamij pisaRo]; 10 July 1830 - 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
Context: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force."  He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.  To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man".
Question: Did he do a specific find of impressionism of paintings?
Answer: