Some context: Spitting Image is a British satirical puppet show, created by Peter Fluck, Roger Law and Martin Lambie-Nairn. The series was produced by 'Spitting Image Productions' for Central Independent Television over 18 series which aired on the ITV network. The series was nominated and won numerous awards during its run including 10 BAFTA Television Awards, including one for editing in 1989 and two Emmy Awards in 1985 and 1986 in the Popular Arts Category. The series featured puppet caricatures of celebrities prominent during the 1980s and 1990s, including British Prime Ministers Margaret Thatcher and John Major and other politicians, US president Ronald Reagan, and the British Royal Family; the series was the first to caricature Queen Elizabeth
In an attempt to crack the American market, there were some attempts to produce a US version of the show. A 45-minute 'made for market' show by the original Spitting Image team, titled Spitting Image: Down and Out in the White House was produced in 1986 by Central for the NBC network.  Introduced by David Frost, it departed from the sketch-based format in favour of an overall storyline involving the upcoming (at that time) Presidential election. The plot involved a conspiracy to replace Ronald Reagan with a double (actually actor Dustin Hoffman in disguise). This plan was hatched by the Famous Corporation, a cabal of the ultra-rich headed by Johnny Carson's foil Ed McMahon (in the show, Carson was his ineffectual left-hand man) who met in a secret cavern hollowed out behind the facade of Mount Rushmore. Eventually, their plot foiled, the famous corporation activated their escape pod - Abraham Lincoln's nose - and left Earth for another planet, but (in a homage to the beginning of the Star Wars movies) were destroyed during a collision with 'a nonsensical prologue in gigantic lettering'.  The show was not very successful with its target audience, possibly because its humour was still very British and it was so irreverent about Ronald Reagan at a time when he was enormously popular with the American public. It did, however, receive great praise from critics and it was followed by several more television specials: The Ronnie & Nancy Show (also satirising the Reagans), The 1987 Movie Awards (sending up the Academy Awards), Bumbledown: The Life and Times of Ronald Reagan (a quasi-documentary about the President), and The Sound of Maggie (satirising Thatcher and parodying several musicals such as Oliver!, West Side Story and many others).
Can you tell me about Spitting Image United States version?
A: In an attempt to crack the American market, there were some attempts to produce a US version of the show.
Some context: Miyamoto Musashi (Gong Ben  Wu Zang , c. 1584 - June 13, 1645), also known as Shinmen Takezo, Miyamoto Bennosuke or, by his Buddhist name, Niten Doraku, was a Japanese swordsman, philosopher, writer and ronin. Musashi, as he was often simply known, became renowned through stories of his excellent and unique double-bladed swordsmanship and undefeated record in his 61 duels (next is 33 by Ito Ittosai).
In Musashi's last book, The Book of Five Rings (Wu Lun Shu , Go Rin no Sho), Musashi seems to take a very philosophical approach to looking at the "craft of war": "There are five ways in which men pass through life: as gentlemen, warriors, farmers, artisans and merchants."  Throughout the book, Musashi implies that the way of the Warrior, as well as the meaning of a "true strategist" is that of somebody who has made mastery of many art forms away from that of the sword, such as tea drinking (sado), laboring, writing, and painting, as Musashi practiced throughout his life. Musashi was hailed as an extraordinary sumi-e artist in the use of ink monochrome as depicted in two such paintings: "Shrike Perched in a Dead Tree" (Koboku Meigekizu, Ku Mu Ming Ju Tu ) and "Wild Geese Among Reeds" (Rozanzu, Lu Shan Tu ). Going back to the Book of Five Rings, Musashi talks deeply about the ways of Buddhism.  He makes particular note of artisans and foremen. When he wrote the book, the majority of houses in Japan were made of wood. In the use of building a house, foremen have to employ strategy based upon the skill and ability of their workers.  In comparison to warriors and soldiers, Musashi notes the ways in which the artisans thrive through events; the ruin of houses, the splendor of houses, the style of the house, the tradition and name or origins of a house. These too, are similar to the events which are seen to have warriors and soldiers thrive; the rise and fall of prefectures, countries and other such events are what make uses for warriors, as well as the literal comparisons: "The carpenter uses a master plan of the building, and the way of strategy is similar in that there is a plan of campaign".
Did he create art in other mediums?
A: