IN: Michael Anthony Sobolewski (born June 20, 1954 and legally shortened his name to Michael Anthony in 1978), is an American musician who is currently the bass player in the rock supergroup Chickenfoot and the Circle. Anthony is best known as the former bass player for the hard rock band Van Halen. Anthony is known for his stage antics, his effects-laden live solos, his number of custom-made bass guitars, including a Jack Daniel's model shaped like a whiskey bottle, and his background vocals in Van Halen. He also has a signature Schecter Guitar Research bass-guitar series.

While Anthony was a promising catcher in baseball, he also competed on the Dana Junior High School track team (long jump) and played in the marching band there from 1967-1969. He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums. Anthony's friend Mike Hershey gave him a Fender Mustang electric guitar that Anthony converted by removing the two highest strings and playing it as a bass guitar. Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier. Anthony mostly modelled his bass playing after Jack Bruce of Cream, but also admired Led Zeppelin's John Paul Jones and Harvey Brooks of Electric Flag. His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake. Although Anthony is naturally left-handed, he plays right-handed.  Snake, a three-piece group featuring Anthony on lead vocals and bass guitar, was the last band in which Anthony played before joining Van Halen. Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs. They played several of the same types of gigs as did the Van Halen brothers' band Mammoth. Snake even once opened for Mammoth at a show at Pasadena High School. Mammoth's PA failed that night, so Anthony lent them Snake's PA.  While attending Pasadena City College, Anthony pursued a degree in music. Eddie Van Halen also took classes there and they would often see each other on campus. During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement. Anthony was impressed by their skill during subsequent jam sessions even though he had seen the brothers play before. After the session, the Van Halen brothers asked Anthony to join their band. One story claims that he said he had to think about it and consulted Snake guitarist Tony Caggiano who advised Anthony to join Van Halen. However, according to Michael Anthony's web site, when asked if he wanted to join Mammoth, Anthony immediately said yes. This has become the accepted version of events.
QUESTION: did he go on tour at all during this time?
IN: Fairport Convention are a British folk rock band. Formed in 1967, they are widely regarded as a key group in the English folk rock movement. Their seminal album Liege & Lief is considered to have launched the British folk rock movement, which provided a distinctively English identity to rock music and helped awaken much wider interest in traditional music in general. The band have drawn heavily on the Child Ballads, songs of the British Isles from the later medieval period until the 19th century.

The new band began a hectic schedule of performing in Britain and the World and prepared material for a new album. The result was the all-instrumental Expletive Delighted! (1986). This showcased the virtuosity of Sanders and Allcock, but perhaps inevitably was not popular with all fans. This was followed by the recording In Real Time: Live '87 which managed to capture the energy and power of the new Fairport on stage, despite the fact that it was recorded in the studio with audience reactions dubbed on.  In this period the band were playing to larger and larger audiences, both on tour and at Cropredy, and it was very productive in terms of recording. Fairport had the considerable composing and arranging skills of Allcock and, to fill the gap created by a lack of a songwriter in the band, they turned to some of the most talented available in the contemporary folk scene. The results were Red & Gold (1989) The Five Seasons (1990) and Jewel in the Crown (1995), the last of which was judged 'their bestselling and undoubtedly finest album in years.'  At this point, with Mattacks busy with other projects, the band shifted to an acoustic format for touring and released the unplugged Old, New, Borrow Blue as 'Fairport Acoustic Convention' in 1996. For a while the four-piece acoustic line-up ran in parallel with the electric format. When Allcock left the band, he was replaced by Chris Leslie on vocals, mandolin and fiddle, who formerly worked with Swarbrick in Whippersnapper, and had a one-off stint with the band replacing Ric Sanders for 1992 Cropredy Festival. This meant that for the first time since reforming, the band had a recognized songwriter who contributed significantly to the band's output on the next album Who Knows Where the Time Goes (1997), particularly the rousing 'John Gaudie'. By the time of the 1997 thirty-year anniversary Festival at Cropredy, the new Fairport had been in existence for over a decade and contributed a significant chapter to the history of the band.
QUESTION:
What happened during 1986-1997?