input: Santorum is a supporter of the War on Terror and shares the views of neoconservatives and the Bush Doctrine in regard to foreign policy. He felt the War in Iraq was justified, and, in 2006, declared that weapons of mass destruction (WMDs) had been found in Iraq. Santorum made the declaration regarding WMDs based in part on declassified portions of the U.S. Army Intelligence and Security Command. The report stated that coalition forces had recovered approximately 500 weapons munitions that contain degraded or vacant mustard or sarin nerve agent casings. The specific weapons he referred to were chemical munitions dating back to the Iran-Iraq War that were buried in the early 1990s. The report stated that while agents had degraded to an unknown degree, they remained dangerous and possibly lethal. Officials of the Department of Defense, CIA intelligence analysts, and the White House have all explicitly stated that these expired casings were not part of the WMDs threat that the Iraq War was launched to contain.  Santorum has said the war on terror can be won and is optimistic about U.S. involvement in Iraq and Afghanistan in the long term. He has defended the treatment of prisoners in Guantanamo Bay, including waterboarding, and stated that John McCain, who opposes the practice, "doesn't understand how enhanced interrogation works." Santorum called the War in Afghanistan "a very winnable operation" in 2012, dismissing efforts for withdrawal by 2014. He similarly criticized President Obama's foreign policy, saying he was "not focused on trying to win the war" in Afghanistan, and said he was against any withdrawal in Iraq in 2012, saying, "We want victory."  Santorum supports U.S. political intervention and economic sanctions against state sponsors of terrorism. He views "Islamic-fascism" in Iran as the center of the "world's conflict", and his geopolitical strategy for peace involves the United States promoting "a strong Lebanon, a strong Israel, and a strong Iraq." He sponsored the Syria Accountability Act of 2003 to require Syria to cease all activity with Lebanon and end all support for terrorism. In 2005, Santorum sponsored the Iran Freedom and Support Act, which appropriated $10 million aimed at regime change in Iran. The Act passed with overwhelming support. Santorum voted against the Lautenberg amendment, which would have closed the loophole that allows companies like Halliburton to do business with Iran through their foreign affiliates. Santorum reflected on his last year in the Senate as one spent talking a lot about Iran, and was characterized by The Atlantic Wire as an "extreme hawk" in his approach to Iran. Santorum stated that Iran was the creator of Hezbollah and the driving force of Hamas. He said Iran was at the center of "much of the world's conflict" but he was opposed to direct military action against the country in 2006. Santorum was one of only two senators who voted against confirming Robert Gates as Secretary of Defense. He said his objection was to Gates's support for talking with Iran and Syria, because it would be an error to talk with radical Islamists.

Answer this question "What foreign policy is Rick in favor of?"
output: Santorum is a supporter of the War on Terror and shares the views of neoconservatives and the Bush Doctrine in regard to foreign policy.

input: The first revival of The King and I in New York was presented by the New York City Center Light Opera Company in April and May 1956 for three weeks, starring Jan Clayton and Zachary Scott, directed by John Fearnley, with Robbins' choreography recreated by June Graham. Muriel Smith reprised her London role of Lady Thiang, and Patrick Adiarte repeated his film role, Chulalongkorn. This company presented the musical again in May 1960 with Barbara Cook and Farley Granger, again directed by Fearnley, in another three-week engagement. Atkinson admired the purity of Cook's voice and thought that she portrayed Anna with "a cool dignity that gives a little more stature to the part than it has had before." He noted that Granger brought "a fresh point of view - as well as a full head of hair". Joy Clements played Tuptim, and Anita Darian was Lady Thiang. City Center again presented the show in June 1963, starring Eileen Brennan and Manolo Fabregas, directed by Fearnley. Clements and Darian reprised Tuptim and Thiang. In the final City Center Light Opera production, Michael Kermoyan played the King opposite Constance Towers for three weeks in May 1968. Darian again played Lady Thiang. For all of these 1960s productions, Robbins' choreography was reproduced by Yuriko, who had played the role of Eliza in the original Broadway production and reprised the role in the City Center productions.  The Music Theatre of Lincoln Center, with Rodgers as producer, presented the musical in mid-1964 at the New York State Theater, starring Rise Stevens and Darren McGavin, with Michael Kermoyan as the Kralahome. Lun Tha, Tuptim and Thiang were played by Frank Porretta, Lee Venora and Patricia Neway. Costumes were by Irene Sharaff, the designer for the original productions and the film adaptation. The director was Edward Greenberg, with the Robbins choreography again reproduced by Yuriko. This was Music Theatre's debut production, a five-week limited engagement.  The King and I was revived at London's Adelphi Theatre on October 10, 1973, running for 260 performances until May 25, 1974, starring Sally Ann Howes as Anna and Peter Wyngarde as the King. Roger Redfarn directed, and Sheila O'Neill choreographed. The production, which began in June 1973 with a tour of the English provinces, earned mixed to warm reviews. Michael Billington in The Guardian called the revival "well played and well sung". Although he was enthusiastic about Howes as Anna, Billington thought Wyngarde "too fragile to be capable of inspiring unholy terror". He praised Redfarn's production - "whipped along at a good pace and made a sumptuous eyeful out of the interpolated ballet on 'Uncle Tom's Cabin'." Less favorably, Robert Cushman in The Observer thought the production "scenically and economically under-nourished". He liked Wyngarde's King ("a dignified clown") but thought Howes not formidable enough to stand up to him as Anna. He noted that "she sings beautifully and the songs are the evening's real justification".

Answer this question "Did any of the early revivals run a long time?"
output:
October 10, 1973, running for 260 performances until May 25, 1974,