input: In 1994, bassist Vince Hornsby joined drummer Morgan Rose in a band called Snake Nation. John Connolly, a drummer, left his then band and joined Snake Nation as a guitarist. They recorded their first demo. Not happy with vocals, however, Snake Nation spent a year searching for a new singer before finding Lajon Witherspoon. Six months passed, Clint Lowery joined the band, and they renamed themselves Rumblefish.  Rumblefish was short-lived, however, because they found another band with the same name. They renamed themselves Crawlspace, and released "My Ruin" on the Mortal Kombat soundtrack album entitled More Kombat through TVT Records in 1996. Shortly after, another band named Crawlspac' sent notice that they wanted $2,500 for the rights to their name. Rather than purchase the rights, the band members chose to rename themselves Sevendust, a name inspired by the commercial insecticide brand "Sevin Dust". The song Rumble Fish was included on the band's second album, Home.  Sevendust released their self-titled debut, in-part produced by former Twisted Sister guitarist Jay Jay French, on April 15, 1997, known for its heavy riffs, angry vocals and thrash-like drumming, as in the songs "Black" and "Bitch". "Black" became the opening song for nearly every Sevendust concert until 2004. The debut album also contains the song "My Ruin", from the Mortal Kombat soundtrack. Sevendust appeared on the Billboard 200, remained there for sixteen weeks and peaked at 165 on April 4, 1998. The album went gold on May 19, 1999.  In 1998, Sevendust performed at Dynamo Open Air (May 29-31) and Ozzfest 1998 (July through August). In the same year they released a compilation called Live and Loud which featured live footage of the band's performance of September 16, 1998 at Chicago's Metro.

Answer this question "Are there any other interesting aspects about this article?"
output: In 1994, bassist Vince Hornsby joined drummer Morgan Rose in a band called Snake Nation. John Connolly, a drummer, left his then band and joined Snake Nation as a guitarist.

Question: Grace Barnett Wing was born October 30, 1939, in the Chicago suburb of Highland Park, Illinois, to Ivan W. Wing (1907-1987), of Norwegian and Swedish descent, and Virginia (nee Barnett; 1910-1984), a lineal descendant of passengers of the Mayflower. Her parents met while they were both students at the University of Washington, and later married. In 1949, her brother Chris was born. Her father, working in the investment banking sector for Weeden and Company, was transferred several times when she was a child, and in addition to Chicagoland, she lived in Los Angeles and San Francisco, before her family finally settled in the San Francisco suburb of Palo Alto, California in the early 1950s.

After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals, mainly to amuse herself and because doing so made her happy during a difficult period in her life. Soon thereafter, she was approached about writing her memoir, which ultimately became Somebody to Love? A Rock-and-Roll Memoir. Her agent saw her artwork and asked her to do some portraits of some of her various contemporaries from the rock-and-roll genre to be included in the autobiography. Hesitant at first (because she thought "it was way too cute. Rock-n-Roll draws Rock-n-Roll"), she eventually agreed because she found she enjoyed it, and color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography. An "Alice in Wonderland"-themed painting and various other sketches are scattered throughout the book. Her paintings of Jorma Kaukonen and Jack Casady were used for the cover art of the album The Best of Hot Tuna. Though Slick has been drawing and painting since she was a child, she admits to not being able to multitask, so did not do much of it while she was focusing on her musical career. A notable exception is the cover art of her first solo album, Manhole, which she signed "Child Type Odd Art by Grace."  Slick is not bound by any specific style or medium in her production of visual art and has no interest in developing one. She uses acrylic paints, saying oil takes too long to dry, canvas, pen, ink, scratchboard, pastels, and pencil. Many of her works are mixed media. Her styles range from the children's bookish "Alice in Wonderland" themes to the realism of the rock and roll portraits and scratchboards of animals to the minimalist ink wash styled nudes to a variety of other subjects and styles.  The best-selling prints and originals are her various renditions of the white rabbit and the portraits of her colleagues in the music industry. In 2006, the popularity of her "Alice in Wonderland" works led to a partnership with Dark Horse Comics, Inc. that resulted in the release of stationery and journals with the "Wonderland" motif.  While critics have variously panned and praised her work, Slick seems indifferent to the criticism. She views her visual artistry as just another extension of the artistic temperament that landed her in the music scene in the first place, as it allows her to continue to produce art in a way that does not require the physical demands of appearing on a stage nightly or traveling with a large group of people.  Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year. While she says she enjoys talking with the people who come to her art shows, she is not a fan of the traveling involved, particularly the flying. At most of her art shows, those who purchase a piece of her art get a photo with Slick, an opportunity to chat, and a personalized autograph on the back of the piece that has been purchased.

Using a quote from the above article, answer the following question: Did she do another other artwork?
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Answer:
An "Alice in Wonderland"-themed painting and various other sketches are scattered throughout the book.