Problem: Background: Lewis Alan Hoad (23 November 1934 - 3 July 1994) was an Australian World No. 1 tennis player. In his 1979 autobiography, Jack Kramer, the long-time tennis promoter and great player himself, ranked Hoad as one of the 21 best players of all time. For five straight years, beginning in 1952, he was ranked in the world top 10 for amateurs, reaching the World No. 1 spot in 1956. Hoad was a member of the Australian team that between 1952 and 1956 won the Davis Cup four times.
Context: Strength played an important part in Hoad's game, as he often drove for winners rather than rallying and waiting for the right opportunity. Although he assaulted his opponents, he also had the skill to win the French Championships on the slower clay court. Hoad played right-handed and had a powerful serve and groundstrokes but his game lacked consistency. At times Hoad had difficulty maintaining concentration. According to Kramer, "Hoad had the loosest game of any good kid I ever saw. There was absolutely no pattern to his game.... He was the only player I ever saw who could stand six or seven feet behind the baseline and snap the ball back hard, crosscourt. He'd try for winners off everything, off great serves, off tricky short balls, off low volleys. He hit hard overspin drives, and there was no way you could ever get him to temporise on important points." Kramer compares Hoad to another great player, Ellsworth Vines. "Both were very strong guys. Both succeeded at a very young age.... Also, both were very lazy guys. Vines lost interest in tennis (for golf) before he was thirty, and Hoad never appeared to be very interested. Despite their great natural ability, neither put up the outstanding records that they were capable of. Unfortunately, the latter was largely true because both had physical problems."  Gonzales, who is considered to be among the greatest tennis players of all time, always maintained that Hoad was the toughest, most skilful adversary that he had ever faced. "He was the only guy who, if I was playing my best tennis, could still beat me." said Gonzales in a 1995 New York Times interview. "I think his game was the best game ever. Better than mine. He was capable of making more shots than anybody. His two volleys were great. His overhead was enormous. He had the most natural tennis mind with the most natural tennis physique." In a 1970 interview he stated that "Hoad was probably the best and toughest player when he wanted to be. After the first two years on the tour, his back injury plagued him so much that he lost the desire to practice. He was the only man to beat me in a head-to-head tour, 15 to 13." Kramer, however, had mixed feelings about Hoad's ability. In spite of calling him one of the 21 best players of all time, he also writes that "when you sum Hoad up, you have to say that he was overrated. He might have been the best, but day-to-day, week-to-week, he was the most inconsistent of all the top players." In a 1963 article in World Tennis Rosewall judges Gonzales to be a notch above Hoad but stated that "...the latter is the greatest of all time when he is 'on'.", an opinion echoed by Frew McMillan.  With his movie-star good looks, powerful physique, and outgoing personality, Hoad became a tennis icon in the 1950s. As Kramer says, "Everybody loved Hoad, even Pancho Gonzales. They should put that on Lew's tombstone as the ultimate praise for the man.... Even when Hoad was clobbering Gonzales, Gorgo wanted his respect and friendship."
Question: Why did his game lack consistency?
Answer: He'd try for winners off everything, off great serves, off tricky short balls, off low volleys.

Problem: Background: Wishbone Ash are a British rock band who achieved success in the early and mid-1970s. Their popular albums included Wishbone Ash (1970), Pilgrimage (1971), Argus (1972), There's the Rub (1974), and New England (1976). Wishbone Ash are noted for their extensive use of the harmony twin lead guitar format which had been attracting electric blues bands since Jeff Beck and Jimmy Page had played together in the Yardbirds in 1966. Their contributions helped Andy Powell and Ted Turner to be voted "Two of the Ten Most Important Guitarists in Rock History" (Traffic magazine 1989), and to appear in the "Top 20 Guitarists of All Time" (Rolling Stone).
Context: Turner was replaced by bassist and vocalist John Wetton, formerly of Family, King Crimson, Roxy Music, Uriah Heep and UK. Number the Brave was released in April 1981 and featured Wetton's lead vocals on just one song, although during album sessions he had offered songs such as "Here Comes the Feeling" that would eventually sell millions when released on Asia's 1982 debut album. Wetton did not continue with Wishbone Ash beyond the album sessions and rejoined Asia.  Wetton was replaced on the Number the Brave tour by the former Uriah Heep bassist Trevor Bolder. Also joining the band was female backing vocalist, Claire Hamill, who had sung on both the Just Testing and Number the Brave albums. In 1982, after Hamill's departure, the band experimented with heavy metal on the Twin Barrels Burning album. It became the highest charting Wishbone Ash album in years (UK #22).  Bolder left the group to rejoin Uriah Heep in 1983, to be replaced by bassist/vocalist Mervyn Spence (ex-Trapeze). The group continued with a heavy metal side on 1985's Raw to the Bone, which became the first Wishbone Ash album not to make the charts. Not long after, Wisefield left after serving as guitarist in the band for eleven years, going on to a varied career that would include work with Tina Turner, Joe Cocker, Roger Chapman, Jeff Wayne and the Queen musical We Will Rock You. He was replaced by Jamie Crompton, who in turn was succeeded briefly by Phil Palmer. Early in 1986, Mervyn Spence quit as well, to be replaced by ex-Kinks bassist Andy Pyle.
Question: Did they release any new music with this line up?
Answer:
The group continued with a heavy metal side on 1985's Raw to the Bone,