Problem: Vincent Kennedy McMahon was born on August 24, 1945 in Pinehurst, North Carolina, the younger son of Victoria (Askew) and Vincent James McMahon. His father left the family when McMahon was still a baby and took his elder son Rod with him, therefore McMahon did not meet him until age twelve. McMahon's paternal grandfather was promoter Roderick James "Jess" McMahon, whose parents were Irish emigrants from County Galway. His paternal grandmother, Rose Davis, was also of Irish descent.

On February 21, 1980, McMahon officially founded Titan Sports, and the company's headquarters were established in South Yarmouth, Massachusetts, using the now defunct Cape Cod Coliseum as a home base for the company. At the time of his purchase of the WWF, professional wrestling was a business run by regional promotions. The various promoters shared an understanding that they would not invade each other's territories, as this practice had gone on undeterred for decades; McMahon had a different vision of what the industry could become. In 1983, the WWF split from the National Wrestling Alliance a second time, after initially splitting from them in 1963 before rejoining them in 1971. The NWA was the governing body for all the regional territories across the country and as far away as Japan.  He began expanding the company nationally by promoting in areas outside of the company's Northeast U.S. stomping grounds and by signing talent from other companies, such as the American Wrestling Association (AWA). In 1984, he recruited Hulk Hogan to be the WWF's charismatic new megastar, and the two quickly drew the ire of industry peers as the promotion began traveling and broadcasting into rival territories. Nevertheless, McMahon (who still also fronted as the WWF's squeaky clean babyface announcer) created The Rock 'n' Wrestling Connection by incorporating pop music stars into wrestling storylines. As a result, the WWF was able to expand its fanbase into a national mainstream audience as the promotion was featured heavily on MTV programming. On March 31, 1985, he ran the first WrestleMania at Madison Square Garden, available on closed circuit television in various markets throughout the U.S.  During the late 1980s, McMahon shaped the WWF into a unique sports entertainment brand that reached out to family audiences while attracting fans who had never before paid attention to pro wrestling. By directing his storylines towards highly publicized supercards, McMahon capitalized on a fledgling revenue stream by promoting these events live on PPV television. In 1987, the WWF reportedly drew 93,173 fans to the Pontiac Silverdome (which was called the "biggest crowd in sports entertainment history") for WrestleMania III, which featured the main event of Hulk Hogan versus Andre the Giant.

What other programs would it show on?

Answer with quotes: on closed circuit television in various markets throughout the U.S.

Question:
Marvin Neil Simon (born July 4, 1927) is an American playwright, screenwriter and author. He has written more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer. Simon grew up in New York during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood.
Simon's characters are typically portrayed as "imperfect, unheroic figures who are at heart decent human beings", according to Koprince, and she traces Simon's style of comedy to that of Menander, a playwright of ancient Greece. Menander, like Simon, also used average people in domestic life settings, the stories also blending humor and tragedy into his themes. Many of Simon's most memorable plays are built around two-character scenes, as in segments of California Suite and Plaza Suite.  Before writing, Simon tries to create an image of his characters. He says that the play, Star Spangled Girl which was a box-office failure, was "the only play I ever wrote where I did not have a clear visual image of the characters in my mind as I sat down at the typewriter." Simon considers "character building" as an obligation, stating that the "trick is to do it skillfully". While other writers have created vivid characters, they have not created nearly as many as Simon: "Simon has no peers among contemporary comedy playwrights," states biographer Robert Johnson.  Simon's characters often amuse the audience with sparkling "zingers," believable due to Simon's skill with writing dialogue. He reproduces speech so "adroitly" that his characters are usually plausible and easy for audiences to identify with and laugh at. His characters may also express "serious and continuing concerns of mankind ... rather than purely topical material". McGovern notes that his characters are always impatient "with phoniness, with shallowness, with amorality", adding that they sometimes express "implicit and explicit criticism of modern urban life with its stress, its vacuity, and its materialism." However, Simon's characters will never be seen thumbing his or her nose at society."
Answer this question using a quote from the text above:

Did his characters change as he matured?

Answer:
His characters may also express "serious and continuing concerns of mankind ... rather than purely topical material".