Problem: Background: Shelton was born in Ada, Oklahoma, to Dorothy, a beauty salon owner, and Richard Shelton, a used car salesman. Shelton began singing at an early age and by the age of 12, he was taught how to play the guitar by his uncle. By age 15, he had written his first song. By age 16, he had received a Denbo Diamond Award in his home state.
Context: Some years later in Nashville, he signed to Giant Records in 2001. In 2001, he was slated to release a song entitled "I Wanna Talk About Me" as a single. Staff at the label considered the song unsuitable for a lead-off single, however, and the song was eventually recorded by Toby Keith, whose version was a number 1 single.  Instead, Giant released "Austin" as Shelton's debut single. Shortly after its release, Giant Records was closed, and Shelton was transferred to parent company Warner Bros. Records. "Austin" spent five weeks at No. 1 on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) charts. Warner released his self-titled debut album, which was produced by songwriter Bobby Braddock. It also produced the top 20 hits "All Over Me", which Shelton co-wrote with Earl Thomas Conley and Mike Pyle, and "Ol' Red". Although Shelton's rendition of "Ol' Red" was not a major radio hit, he considers it his signature song, and it has become popular in concert. Blake Shelton received a platinum certification from the Recording Industry Association of America (RIAA) for shipments of 1,000,000 copies.  Blake Shelton received a positive review from Maria Konicki Dinoia of Allmusic, who called "Austin" "tremendously imaginative" and praised Shelton for including songs written by Braddock and Conley. Country Standard Time was less favorable, with Scott Homewood saying that it "album just smacks of being assembled with the intent on capturing the burgeoning alternative country market".  Shelton's second album, The Dreamer, was first released on February 4, 2003, on Warner Bros. Records. Its lead-off single, "The Baby", reached No. 1 on the country charts, holding that position for three weeks. Although the second and third singles ("Heavy Liftin'" and "Playboys of the Southwestern World", respectively) only reached No.32 and No. 24, The Dreamer earned gold certification as well. He, along with Andy Griggs and Montgomery Gentry, sang guest vocals on Tracy Byrd's mid-2003 single "The Truth About Men". Blake Shelton's Barn & Grill was the title of Shelton's third studio album, released in 2004. Its lead-off single, the Harley Allen co-write "When Somebody Knows You That Well", peaked at No.37 on the country charts, while the follow-up "Some Beach" became his third No.1 hit, holding that position for four weeks. It was followed by a cover of Conway Twitty's 1988 single "Goodbye Time". Both this cover and its followup, "Nobody but Me", reached Top Ten for Shelton as well. As with his first album, Blake Shelton's Barn & Grill was certified platinum. Accompanying the album's release was a video collection entitled Blake Shelton's Barn & Grill: A Video Collection.  On December 18, 2005, several of Shelton's songs, including "Nobody but Me", appeared on the TV movie The Christmas Blessing, starring Neil Patrick Harris, Rebecca Gayheart, Angus T. Jones, and Rob Lowe. Shelton had a small role at the end of the movie, playing himself at a benefit concert, singing "Nobody but Me".
Question: did he manage to release it?
Answer: Staff at the label considered the song unsuitable for a lead-off single, however, and the song was eventually recorded by Toby Keith, whose version was a number 1 single.

Problem: Background: Can was a German experimental rock band formed in Cologne, West Germany, in 1968 by the core quartet of Holger Czukay (bass), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group cycled through several vocalists, including Malcolm Mooney (1968-70) and Damo Suzuki (1970-73), as well as various temporary members. Drawing from backgrounds in the avant-garde and jazz, Can incorporated minimalist, electronic, and world music elements into their often psychedelic and funk-inflected music. They have been widely hailed as pioneers of the German krautrock scene.
Context: Holger Czukay and Irmin Schmidt were both pupils of Karlheinz Stockhausen, and Can inherited a strong grounding in his musical theory; the latter was trained as a classical pianist, while Michael Karoli was a pupil of Holger Czukay and brought the influence of gypsy music through his esoteric studies. Drummer Jaki Liebezeit had strong jazz leanings. The band's sound was originally intended to be based on the sound of ethnic music, so when the band decided to pick up the garage rock sound, original member David Johnson left. This world music trend was later exemplified on albums such as Ege Bamyasi (the name meaning "Aegean okra" in Turkish), Future Days and Saw Delight, and by incorporating new band members with different nationalities. A series of tracks on Can albums, known as "Ethnological Forgery Series", abbreviated to "E.F.S", demonstrated the band's ability to successfully recreate ethnic-sounding music. They constructed their music largely through collective spontaneous composition, sampling themselves in the studio and editing down the results; bassist and chief engineer Czukay referred to Can's live and studio performances as "instant compositions".  The band's early rock influences include The Beatles and The Velvet Underground as well as Jimi Hendrix, Sly Stone and Frank Zappa. The band have admitted that the beginning of Can's "Father Cannot Yell" was inspired by the Velvet Underground's "European Son". Malcolm Mooney's voice has been compared to that of James Brown (an acknowledged hero of the band members) and their early style, rooted in psychedelic music, drew comparisons with Pink Floyd. Along with their peers in the krautrock scene, they were under the influence of the wider progressive rock movement taking place in England and elsewhere during the late 1960s and early 1970s. Czukay's extensive editing has occasionally been compared to the late-'60s music of trumpeter Miles Davis (such as In a Silent Way and Bitches Brew): Can and Davis both would record long groove-intensive improvisations, then edit the best bits together for their albums. Czukay and Teo Macero (Davis's producer and editor) both had roots in the musique concrete of the 1940s and '50s. Irmin Schmidt stated in a discussion with Michael Karoli in 1996 concerning the various citations of influences upon their music: "You know, it's funny that in spite of all the supposed influences on us that have been written about, the one overriding influence has never been mentioned: Michael von Biel."  Damo Suzuki was a very different singer from Mooney, with a multilingual (he claimed to sing in "the language of the Stone Age") and often inscrutable vocal style. With Suzuki, the band made their most critically and commercially successful albums. The rhythm section's work on Tago Mago has been especially praised: one critic writes that much of the album is based on "long improvisations built around hypnotic rhythm patterns"; another writes that "Halleluhwah" finds them "pounding out a monster trance/funk beat".
Question: Who do they cite as influences?
Answer:
The band's early rock influences include The Beatles and The Velvet Underground as well as Jimi Hendrix, Sly Stone and Frank Zappa.