input: In 2000, Jodorowsky won the Jack Smith Lifetime Achievement Award from the Chicago Underground Film Festival (CUFF). Jodorowsky attended the festival and his films were shown, including El Topo and The Holy Mountain, which at the time had grey legal status. According to festival director Bryan Wendorf, it was an open question of whether CUFF would be allowed to show both films, or whether the police would show up and shut the festival down.  Until 2007, Fando y Lis and Santa Sangre were the only Jodorowsky works available on DVD. Neither El Topo nor The Holy Mountain were available on videocassette or DVD in the United States or the United Kingdom, due to ownership disputes with distributor Allen Klein. After settlement of the dispute in 2004, however, plans to re-release Jodorowsky's films were announced by ABKCO Films. On 19 January 2007, the website, announced that on 1 May 2007, Anchor Bay released a box set including El Topo, The Holy Mountain, and Fando y Lis. A limited edition of the set includes both the El Topo and The Holy Mountain soundtracks. And, in early February 2007, Tartan Video announced its 14 May 2007, release date for the UK PAL DVD editions of El Topo, The Holy Mountain, and the six-disc box set which, alongside the aforementioned feature films, includes the two soundtrack CDs, as well as separate DVD editions of Jodorowsky's 1968 debut feature Fando y Lis (with his 1957 short La cravate a.k.a. Les tetes interverties, included as an extra) and the 1994 feature-length documentary La constellation Jodorowsky. Notably, Fando y Lis and La cravate were digitally restored extensively and remastered in London during late 2006, thus providing the perfect complement to the quality restoration work undertaken on El Topo and The Holy Mountain in the States by Abkco, and ensuring that the presentation of Fando y Lis is a significant improvement over the 2001 Fantoma DVD edition. Prior to the availability of these legitimate releases, only inferior quality, optically censored, bootleg copies of both El Topo and The Holy Mountain have been circulated on the Internet and on DVD.  In the 1990s and early 2000s, Jodorowsky attempted to make a sequel to El Topo, called at different times The Sons of El Topo and Abel Cain, but could not find investors for the project.  In an interview with Premiere Magazine, Jodorowsky said he intended his next project to be a gangster film called King Shot. In an interview with The Guardian newspaper in November 2009, however, Jodorowsky revealed that he was unable to find the funds to make King Shot, and instead would be entering preparations on Sons of El Topo, for which he claimed to have signed a contract with "some Russian producers".  In 2010, the Museum of Arts and Design in New York City staged the first American cinema retrospective of Alejandro Jodorowsky entitled Blood into Gold: The Cinematic Alchemy of Alejandro Jodorowsky. Jodorowsky would attend the retrospective and hold a master class on art as a way of transformation. This retrospective would inspire the museum MOMA PS1 to present the exhibition Alejandro Jodorowsky: The Holy Mountain in 2011.

Answer this question "What is his mystery film"
output: gangster film called King Shot.

input: Osama bin Mohammed bin Awad bin Laden was born in Riyadh, Saudi Arabia, a son of Yemeni Mohammed bin Awad bin Laden, a billionaire construction magnate with close ties to the Saudi royal family, and Mohammed bin Laden's tenth wife, Syrian Hamida al-Attas (then called Alia Ghanem). In a 1998 interview, bin Laden gave his birth date as March 10, 1957.  Mohammed bin Laden divorced Hamida soon after Osama bin Laden was born. Mohammed recommended Hamida to Mohammed al-Attas, an associate. Al-Attas married Hamida in the late 1950s or early 1960s, and they are still together. The couple had four children, and bin Laden lived in the new household with three half-brothers and one half-sister. The bin Laden family made $5 billion in the construction industry, of which Osama later inherited around $25-30 million.  Bin Laden was raised as a devout Sunni Muslim. From 1968 to 1976, he attended the elite secular Al-Thager Model School. He studied economics and business administration at King Abdulaziz University. Some reports suggest he earned a degree in civil engineering in 1979, or a degree in public administration in 1981. One source described him as "hard working"; another said he left university during his third year without completing a college degree. At university, bin Laden's main interest was religion, where he was involved in both "interpreting the Quran and jihad" and charitable work. Other interests included writing poetry; reading, with the works of Field Marshal Bernard Montgomery and Charles de Gaulle said to be among his favorites; black stallions; and association football, in which he enjoyed playing at centre forward and followed the English club Arsenal

Answer this question "When was Osama born?"
output: In a 1998 interview, bin Laden gave his birth date as March 10, 1957.

input: Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.  Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion.  Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13-17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.

Answer this question "What was the film going to be about?"
output:
was intended to be live footage from the album's tour,