Problem: Christos Kostas "Chris" Chelios (born January 25, 1962) is a retired American professional ice hockey defenseman. He was one of the longest tenured players in the National Hockey League, and is a three-time Stanley Cup champion - one with the Montreal Canadiens and two with the Detroit Red Wings. On January 27, 2017, in a ceremony during the All-Star Weekend in Los Angeles, Chelios became part of the second group of players to be named one of the '100 Greatest NHL Players' in history. Chelios played for the Montreal Canadiens, Chicago Blackhawks, Detroit Red Wings, and briefly for the Atlanta Thrashers.

Chelios was born in Chicago, Illinois on January 25, 1962, and raised by his parents, Gus and Susan Chelios. They lived in Evergreen Park, Illinois. He attended Mount Carmel High School in Chicago until his family moved to Poway, California, where he attended Mira Mesa High School.  Unable to play high school hockey in southern California, Chelios wasn't recruited by any U.S. colleges. His only scholarship offer came from local San Diego-based United States International University, the only NCAA Division I hockey team west of the Rockies. But when Chelios arrived on campus as a freshman in 1979 he soon realized he was in the wrong environment, facing bigger players with considerably more junior hockey experience. He was eventually cut from the team and considered quitting hockey. Instead, he tried his luck in Canada, where he was twice cut by Junior B teams in Canada and hit a low point when he had to borrow money from strangers to get home to California one year. Chelios said, "I wasn't any bigger or any better than the other guys, so they weren't going to take a kid from the States when they could have a local guy."  He returned home and grew three inches while adding 40 pounds of muscle. He was then drafted by the Montreal Canadiens in the 1981 NHL Entry Draft. Prior to that, he played for the Moose Jaw Canucks of the Saskatchewan Junior Hockey League where he tallied 87 points and 175 penalty minutes in just 54 games in his final season. Chelios enjoyed two strong years playing for the Wisconsin Badgers at the University of Wisconsin-Madison after being drafted. As one of the top collegiate players in the country, he was selected for the United States at the 1981-82 World Junior Ice Hockey Championship. In 1983, he was part of the Badgers' NCAA Men's Ice Hockey Championship team and was named to the all-tournament team and the second WCHA all-star team.  Chelios was a member of the U.S. Olympic team for the 1984 Winter Olympics in Sarajevo, Yugoslavia. After that he made his debut for the Canadiens, playing 12 games in the regular season and 15 in the playoffs. That summer he joined the U.S. team at the 1984 Canada Cup. He wore number 24 in Montreal, Detroit, and Atlanta but number 7 with the Chicago Blackhawks and Wolves.

How old was chelios when he started playing?

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Problem: Can was a German experimental rock band formed in Cologne, West Germany, in 1968 by the core quartet of Holger Czukay (bass), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group cycled through several vocalists, including Malcolm Mooney (1968-70) and Damo Suzuki (1970-73), as well as various temporary members. Drawing from backgrounds in the avant-garde and jazz, Can incorporated minimalist, electronic, and world music elements into their often psychedelic and funk-inflected music. They have been widely hailed as pioneers of the German krautrock scene.

Holger Czukay and Irmin Schmidt were both pupils of Karlheinz Stockhausen, and Can inherited a strong grounding in his musical theory; the latter was trained as a classical pianist, while Michael Karoli was a pupil of Holger Czukay and brought the influence of gypsy music through his esoteric studies. Drummer Jaki Liebezeit had strong jazz leanings. The band's sound was originally intended to be based on the sound of ethnic music, so when the band decided to pick up the garage rock sound, original member David Johnson left. This world music trend was later exemplified on albums such as Ege Bamyasi (the name meaning "Aegean okra" in Turkish), Future Days and Saw Delight, and by incorporating new band members with different nationalities. A series of tracks on Can albums, known as "Ethnological Forgery Series", abbreviated to "E.F.S", demonstrated the band's ability to successfully recreate ethnic-sounding music. They constructed their music largely through collective spontaneous composition, sampling themselves in the studio and editing down the results; bassist and chief engineer Czukay referred to Can's live and studio performances as "instant compositions".  The band's early rock influences include The Beatles and The Velvet Underground as well as Jimi Hendrix, Sly Stone and Frank Zappa. The band have admitted that the beginning of Can's "Father Cannot Yell" was inspired by the Velvet Underground's "European Son". Malcolm Mooney's voice has been compared to that of James Brown (an acknowledged hero of the band members) and their early style, rooted in psychedelic music, drew comparisons with Pink Floyd. Along with their peers in the krautrock scene, they were under the influence of the wider progressive rock movement taking place in England and elsewhere during the late 1960s and early 1970s. Czukay's extensive editing has occasionally been compared to the late-'60s music of trumpeter Miles Davis (such as In a Silent Way and Bitches Brew): Can and Davis both would record long groove-intensive improvisations, then edit the best bits together for their albums. Czukay and Teo Macero (Davis's producer and editor) both had roots in the musique concrete of the 1940s and '50s. Irmin Schmidt stated in a discussion with Michael Karoli in 1996 concerning the various citations of influences upon their music: "You know, it's funny that in spite of all the supposed influences on us that have been written about, the one overriding influence has never been mentioned: Michael von Biel."  Damo Suzuki was a very different singer from Mooney, with a multilingual (he claimed to sing in "the language of the Stone Age") and often inscrutable vocal style. With Suzuki, the band made their most critically and commercially successful albums. The rhythm section's work on Tago Mago has been especially praised: one critic writes that much of the album is based on "long improvisations built around hypnotic rhythm patterns"; another writes that "Halleluhwah" finds them "pounding out a monster trance/funk beat".

Were there any other influences?

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Malcolm Mooney's voice has been compared to that of James Brown (an acknowledged hero of the band members) and their early style,