Problem: Background: Faryl Smith (born 23 July 1995) is a British soprano who rose to fame after appearing on the second series of the ITV television talent show Britain's Got Talent in 2008. She received praise throughout the competition, and although the favourite to win after the second round, she finished outside the top three in the live final on 31 May. During the competition, she was tutored by singing coach Yvie Burnett and received offers from various record labels. After the show, she, unlike other finalists, did not sign with Simon Cowell's Syco, although she did appear on fellow finalist Andrew Johnston's debut album, One Voice.
Context: The day after the Britain's Got Talent finals, Max Clifford, speaking for Simon Cowell, said that it was "quite possible" that Cowell would be signing some of the finalists, including Smith. Though she did not sign with Syco, Cowell's record label, she did record a duet of "Walking in the Air" with Johnston, which appeared on his debut album, One Voice, and was tipped as a potential Christmas number-one. Before the release of One Voice, it was revealed that Smith and her father, Tony Smith, were finalising the details of her record deal. In November, it was announced that Smith would be performing on stage in Kettering with Sylvia Berryman, a vocal tutor who had worked with Smith prior to her appearance on Britain's Got Talent. Smith said that she was "really looking forward to singing locally again", and it was again reported that Smith hoped to soon sign her own record deal.  In December 2008 the Daily Mail reported that Smith had signed a PS2.3 million, multi-album deal with Universal Music Group that was the "most lucrative recording contract ever handed to a schoolgirl". Smith said "I'm honoured to be joining such a fantastic record company, especially since it's where [Jenkins] started." Dickon Stainer, speaking on behalf of Universal, said "as soon as we saw Faryl, it became an ambition to sign her." Universal claimed it intended to market Smith as a pop star. Smith signed the contract at the Royal Albert Hall, following which she performed with Katherine Jenkins. Neil Fisher, writing for The Times, described Smith as "heir apparent" to Jenkins; the pair had first met when Smith won a competition at the Llangollen International Musical Eisteddfod. By 2009, Jenkins was acting as a mentor to Smith.  In January 2009 plans were released for Smith to perform with Placido Domingo, an idea originally suggested by him. In an interview with the Metro, Smith talked about her future plans, insisting that she did not wish to be dubbed as the next Charlotte Church. She later said that "In the papers, it sounded like I was snobby when I said 'I don't want to be like Charlotte Church', but I didn't mean it like that." She has also spoken of her desire to appear in films on top of her musical career. She said "Films and movies are something I'd really like to do. I've always wanted to act so doing a film would be amazing."
Question: Was this a hit?
Answer: and was tipped as a potential Christmas number-one.

Problem: Background: Simon & Garfunkel were an American folk rock duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel. They were one of the best-selling music groups of the 1960s and became counterculture icons of the decade's social revolution, alongside artists such as the Beatles, the Beach Boys, and Bob Dylan. Their biggest hits--including "The Sound of Silence" (1964), "Mrs. Robinson" (1968), "The Boxer" (1969), and "Bridge over Troubled Water" (1970)--reached number one on singles charts worldwide. Their often rocky relationship led to artistic disagreements, which resulted in their breakup in 1970.
Context: The duo's fourth studio album, Bookends, was recorded in fits and starts over various periods from late 1966 to early 1968. The duo were signed under an older contract that specified the label pay for sessions, and Simon & Garfunkel took advantage of this indulgence, hiring viola and brass players, as well as percussionists. The record's brevity reflects its concise and perfectionist production. The team spent over 50 studio hours recording "Punky's Dilemma", for example, and re-recorded vocal parts, sometimes note by note, until they were satisfied. Garfunkel's songs and voice took a lead role on some of the songs, and the harmonies for which the duo was known gradually disappeared. For Simon, Bookends represented the end of the collaboration and became an early indicator of his intentions to go solo. Although the album had been planned long in advance, work did not begin in earnest until the late months of 1967.  Prior to release, the band helped put together and performed at the Monterey Pop Festival, which signaled the beginning of the Summer of Love on the West Coast. "Fakin' It" was issued as a single that summer and found only modest success on AM radio; the duo were much more focused on the rising FM format, which played album cuts and treated their music with respect. In January 1968, the duo appeared on a Kraft Music Hall special, Three for Tonight, performing ten songs largely culled from their third album. Bookends was released by Columbia Records in April 1968. In an historical context, this was just 24 hours before the assassination of civil rights movement activist Martin Luther King Jr., which spurred nationwide outrage and riots. The album debuted on the Billboard Top LPs in the issue dated April 27, 1968, climbing to number one and staying at that position for seven non-consecutive weeks; it remained on the chart as a whole for 66 weeks. Bookends received such heavy orders weeks in advance of its release that Columbia was able to apply for award certification before copies left the warehouse, a fact it touted in magazine ads. The record became the duo's best-selling album to date: it fed off the buzz created by the release of The Graduate soundtrack album ten weeks earlier, creating an initial combined sales figure of over five million units.  Davis had predicted this fact, and suggested raising the list price of Bookends by one dollar to $5.79, above the then standard retail price, to compensate for including a large poster included in vinyl copies. Simon instead scoffed and viewed it as charging a premium on "what was sure to be that year's best-selling Columbia album". According to biographer Marc Eliot, Davis was "offended by what he perceived as their lack of gratitude for what he believed was his role in turning them into superstars". Rather than implement Davis' price increase plan, Simon & Garfunkel signed a contract extension with Columbia that guaranteed them a higher royalty rate. The lead single "Mrs. Robinson" became, at the 1969 Grammy Awards the first rock and roll song to receive Record of the Year; it was also awarded Best Contemporary Pop Performance by a Duo or Group.
Question: did they record any other albums in the studio?
Answer:
Simon & Garfunkel took advantage of this indulgence, hiring viola and brass players, as well as percussionists. The record's brevity reflects its concise and perfectionist production.