Problem: Background: The Osmonds are an American family music group with a long and varied career. The Osmond Brothers began as a barbershop quartet consisting of brothers Alan, Wayne, Merrill and Jay Osmond. They were later joined by younger siblings Donny and Jimmy, both of whom enjoyed success as solo artists as well. With the addition of Donny, the group became known as The Osmonds, and enjoyed its greatest success as both a boy band and a hard rock ensemble.
Context: The Osmond Brothers' career began in 1958 when Alan, Wayne, Merrill and Jay began singing barbershop music for local audiences in and around Ogden. In their made-for-TV movie Inside the Osmonds, they explain that they originally performed to earn money to support Virl and Tom in buying hearing aids and serving missions for the church. Despite their young ages (Alan was 9, Wayne 7, Merrill 5, and Jay 3) and within a few years, the boys' talent and stage presence were strong enough that their father, George Osmond, took them to audition for Lawrence Welk in California. Welk was unable to meet with them, but on the same trip, they visited Disneyland. Tommy Walker, Disneyland's Director of Entertainment and Customer Relations from 1955 to 1966, found the Osmond Brothers singing with The Dapper Dans on Main Street. Walker hired the Osmonds to perform on a segment of "Disneyland After Dark". This episode aired on 4/15/62 and 7/01/62.  While the Osmond Brothers were performing on a televised Disney special, Andy Williams's father saw them and was so impressed he told his son to book them for his television show. Andy did, and the Osmond Brothers were regulars on the show from 1962 to 1969, where they earned the nickname "one-take Osmonds" among staff due to their professionalism and tireless rehearsing. Donny soon joined them on the show, making the Osmond Brothers a 5-member group. Marie and Jimmy were also introduced on the show as the years went by. During this time, the Osmonds also toured Europe, performing with Sweden's most popular singer, Lars Lonndahl, and even releasing a single where they sang a Swedish version of "Two Dirty Little Hands" ("Fem smutsiga sma fingrar").  The Andy Williams Show ended its first run in 1967, after which the Osmond Brothers were signed to The Jerry Lewis Show, staying with that show until it was canceled (and, coincidentally, The Andy Williams Show returned for a second run) in 1969. but soon decided they wanted to perform popular music and shed their variety-show image. They wanted to become a rock and roll band. The change was a difficult one for their father, who was suspicious of rock and roll, but he was persuaded and the boys began performing as a pop band.  To this end, the Osmonds recorded a single, "Flower Music", for UNI records in 1967. They achieved only modest success at first, but they found fame in 1971.
Question: What influenced them?
Answer: 

Problem: Background: Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.
Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals.
Question: Did he attend any other school apart from that?
Answer:
legal schools across America