IN: Betty Boop is an animated cartoon character created by Max Fleischer, with help from animators including Grim Natwick. She originally appeared in the Talkartoon and Betty Boop film series, which were produced by Fleischer Studios and released by Paramount Pictures. She has also been featured in comic strips and mass merchandising. A caricature of a Jazz Age flapper, Betty Boop was described in a 1934 court case as: "combin[ing] in appearance the childish with the sophisticated--a large round baby face with big eyes and a nose like a button, framed in a somewhat careful coiffure, with a very small body of which perhaps the leading characteristic is the most self-confident little bust imaginable".

Betty Boop's best appearances are considered to be in her first three years due to her "Jazz Baby" character and innocent sexuality, which was aimed at adults. However, the content of her films was affected by the National Legion of Decency and the Production Code of 1934. The Production Code of 1934 imposed guidelines on the Motion Picture Industry and placed specific restrictions on the content films could reference with sexual innuendos. This greatly affected the Betty Boop cartoons.  No longer a carefree flapper from the date the code went into effect on July 1, 1934, Betty became a spinster housewife or a career girl who wore a fuller dress or skirt. Additionally, as time progressed, the curls in her hair gradually decreased. She also eventually stopped wearing her gold bracelets and hoop earrings, and she became more mature and wiser in personality, compared to her earlier years. Right from the start, Joseph Breen, the new head film censor, had numerous complaints. The Breen Office ordered the removal of the suggestive introduction which had started the cartoons because Betty Boop's winks and shaking hips were deemed "suggestive of immorality". For a few entries, Betty was given a new human boyfriend named Freddie, who was introduced in She Wronged Him Right (1934). Next, Betty was teamed with a puppy named Pudgy, beginning with Betty Boop's Little Pal (1934). The following year saw the addition of the eccentric inventor Grampy, who debuted in Betty Boop and Grampy (1935).  While these cartoons were tame compared to her earlier appearances, their self-conscious wholesomeness was aimed at a more juvenile audience, which contributed to the decline of the series. Much of the decline was due to the lessening of Betty's role in the cartoons in favor of her co-stars. This was a similar problem experienced during the same period with Walt Disney's Mickey Mouse, who was becoming eclipsed by the popularity of his co-stars Donald Duck, Goofy, and Pluto, not to mention Fleischer's biggest success, Popeye.  Since she was largely a musical novelty character, the animators attempted to keep Betty's cartoons interesting by pairing her with popular comic strip characters such as Henry, The Little King and Little Jimmy, hoping to create an additional spin-off series with her pairing with Popeye in 1933. However, none of these films generated a new series. When the flapper/jazz era that Betty represented had been replaced by the big bands of the swing era, Fleischer Studios made an attempt to develop a replacement character in this style in the 1938 Betty Boop cartoon Betty Boop and Sally Swing, but it was not a success.  The last Betty Boop cartoons were released in 1939, and a few made attempts to bring Betty into the swing era. In her last appearance, Rhythm on the Reservation (1939). Betty drives an open convertible, labeled "Betty Boop's Swing Band", through a Native American reservation, where she introduces the people to swing music and creates a "Swinging Sioux Band". The Betty Boop cartoon series officially ended with Yip Yip Yippy (1939). While "Yip Yip Yippy" appears at the end of the Betty Boop series, it is only a one-shot about a "Drug Store" mail-order cowboy "wannabe" without Betty. "Yip Yip Yipee" was written mainly to fill the release schedule and fulfill the contract.
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IN: Rascal Flatts is an American country band formed in Columbus, Ohio in 1999. It is composed of Gary LeVox, his second cousin Jay DeMarcus and Joe Don Rooney. DeMarcus is also a brother-in-law of country music singer James Otto, and formerly one-half of the Christian music duo East to West. They are best known for performing a cover of Tom Cochrane's "Life Is a Highway".

Rascal Flatts' founding was at Fiddle and Steel Guitar Bar in Nashville, Tennessee. Gary LeVox and Jay DeMarcus are second cousins from a musical family. DeMarcus moved to Nashville in 1992, earning his first record deal as part of a Christian group called East to West; his brother-in-law, James Otto, is also a country music singer. In 1997, DeMarcus called LeVox, and convinced him to come to Nashville and provide some harmonies on Michael English's album Gospel, which he was producing. They engineered the album together, and became English's back-up band.  At the same time, DeMarcus had become the bandleader of Chely Wright's band, where he met Joe Don Rooney, the guitarist in that band. DeMarcus and LeVox were working in a Printer's Alley nightclub and when their part-time guitarist could not make it one night, DeMarcus invited Rooney to join them. Jim Riley was the drummer and bandleader for the band. The group covered the hit Shenandoah single The Church on Cumberland Road that night. To the group's recollection, a bond was formed instantly.  Singer Mila Mason recommended the group to record producers Mark Bright and Marty Williams, who played Lyric Street Records A&R Doug Howard a three-song demo and Howard thought they were "just incredible." After he'd heard the demos, the band went into the Lyric Street offices the next day, sat down with acoustic guitars, and played a couple of songs. According to Howard in an interview with HitQuarters: "The vocals and harmonies, it was all there--I was just blown away. The lead singer has such a unique and compelling voice." The band was signed to Lyric Street in late 1999.
QUESTION:
Are there any other interesting aspects about this article?