Problem: Michael Philip Jagger was born into a middle-class family in Dartford, Kent. His father, Basil Fanshawe "Joe" Jagger (13 April 1913 - 11 November 2006), and grandfather, David Ernest Jagger, were both teachers. His mother, Eva Ensley Mary (nee Scutts; 6 April 1913 - 18 May 2000), born in Sydney, Australia, of English descent, was a hairdresser and an active member of the Conservative Party. Jagger's younger brother, Chris (born 19 December 1947), is also a musician.

Jagger's relationship with bandmate Keith Richards is frequently described as "love/hate" by the media. Richards himself said in a 1998 interview: "I think of our differences as a family squabble. If I shout and scream at him, it's because no one else has the guts to do it or else they're paid not to do it. At the same time I'd hope Mick realises that I'm a friend who is just trying to bring him into line and do what needs to be done."  The Rolling Stones album Dirty Work (UK No. 4; US No. 4) was released in March 1986 to mixed reviews, despite the presence of the US top five hit "Harlem Shuffle". With relations between Richards and Jagger at a low, Jagger refused to tour to promote the album, and instead undertook his own solo tour, which included Rolling Stones songs. Richards has referred to this period in his relations with Jagger as "World War III". As a result of the animosity within the band at this time, they almost broke up. Jagger's solo records, She's the Boss (UK No. 6; US No. 13) (1985) and Primitive Cool (UK No. 26; US No. 41) (1987), met with moderate success, and in 1988, with the Rolling Stones mostly inactive, Richards released his first solo album, Talk Is Cheap (UK No. 37; US No. 24). It was well-received by fans and critics, going gold in the US. The following year 5x5: The Continuing Adventures of the Rolling Stones, a documentary spanning the career of the band was released for their 25th anniversary.  Richards' autobiography, Life, was released on 26 October 2010. According to a 15 October 2010 article published by the Associated Press, Richards described Jagger as "unbearable" within the book, noting that their relationship has been strained "for decades". By 2015, Richards' opinion had softened, while still calling Jagger a "snob" (providing supporting evidence from Jagger's daughter Georgia Mae), he adds "I still love him dearly ... your friends don't have to be perfect."

what are some of the disputes they had?

Answer with quotes: With relations between Richards and Jagger at a low, Jagger refused to tour to promote the album,


Problem: John Aloysius Fahey (February 28, 1939 - February 22, 2001) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been greatly influential and has been described as the foundation of American Primitive Guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate classical, Portuguese, Brazilian, and Indian music into his oeuvre.

While Fahey lived in Berkeley, Takoma Records was reborn. Fahey decided to track down blues legend Bukka White by sending a postcard to Aberdeen, Mississippi (White had sung that Aberdeen was his hometown, and Mississippi John Hurt had been rediscovered using a similar method). When White responded, Fahey and ED Denson, a friend from the Washington, D.C., area, who had also moved west, decided to travel to Memphis and record White. The recordings by White became the first non-Fahey Takoma release. Fahey also released a second album in late 1963, called Death Chants, Breakdowns and Military Waltzes. To their surprise the Fahey release sold better than White's and Fahey had a career going. His releases during the mid-1960s employed odd guitar tunings and sudden style shifts rooted firmly in the old-time and blues stylings of the 1920s. But he was not simply a copyist, as compositions such as "When the Catfish Is in Bloom" or "Stomping Tonight on the Pennsylvania/Alabama Border" demonstrate. Fahey described the latter piece as follows: "The opening chords are from the last movement of Vaughan Williams' Sixth Symphony. It goes from there to a Skip James motif. Following that it moves to a Gregorian chant, "Dies Irae". It's the most scary one in the Episcopal hymn books, it's all about the day of judgment. Then it returns to the Vaughan Williams chords, followed by a blues run of undetermined origin, then back to Skip James and so forth." A hallmark of his classic releases was the inclusion of lengthy liner notes, parodying those found on blues releases.  In the later half of the sixties, Fahey continued to issue material through Takoma as well as Vanguard Records, which had signed him along with similar instrumental folk guitarists Sandy Bull and Peter Walker. Albums from this period, such as Days Have Gone By, The Voice of the Turtle, Requia, and The Yellow Princess, found Fahey making sound collages from such elements as Gamelan music, Tibetan chanting, animal and bird cries and singing bridges. In 1967, Fahey recorded with Texas psych-rock trio The Red Crayola at the 1967 Berkeley Folk Festival, music that resurfaced on the 1998 Drag City release The Red Krayola: Live 1967. The Red Crayola subsequently recorded an entire studio album with Fahey, but the Red Crayola's label demanded possession of the tapes and recorded documentation of those sessions has been missing ever since.  In addition to his own creative output, Fahey expanded the Takoma label, discovering fellow guitarists Leo Kottke, Robbie Basho, Bola Sete and Peter Lang, as well as emerging pianist George Winston. Kottke's debut release on the label, 6- and 12-String Guitar, ultimately proved to be the most successful of the crop, selling more than 500,000 copies. Other artists with albums on the label included Mike Bloomfield, Rick Ruskin, Rabindra Danks, the Fabulous Thunderbirds, Maria Muldaur, Michael Gulezian, and Canned Heat. In 1979, Fahey sold Takoma to Chrysalis Records. Jon Monday, who had been the general manager of the label since 1970, was the only employee to go with the new company. Chrysalis eventually sold the rights to the albums, and Takoma was in limbo until bought by Fantasy Records in 1995.

Was he in any bands?

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