Background: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.
Context: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.
Question: who played his music?
Answer: 

Problem: Background: Although Price claimed his birth was in Shropshire he was actually born in London in Red Lion Square on the site of the South Place Ethical Society's Conway Hall. He was educated in New Cross, first at Waller Road Infants School and then Haberdashers' Aske's Hatcham Boys School. At 15, Price founded the Carlton Dramatic Society and wrote plays, including a drama, about his early experience with a poltergeist which he said took place at a haunted manor house in Shropshire. According to Richard Morris, in his recent biography Harry Price:
Context: Price was most famous for his investigation into the Borley Rectory, Essex. The building became known as "the most haunted house in England" after Price published a book about it in 1940. He documented a series of alleged hauntings from the time the rectory was built in 1863. He lived in the rectory from May 1937 to May 1938 and wrote of his experiences in the book.  The psychical researcher John L. Randall wrote there was direct evidence of "dirty tricks" played upon Price by members of the SPR. On 9 October 1931, a past president of the SPR William Henry Salter visited the Borley Rectory in an attempt to persuade the Rector Lionel Foyster, to sever his links with Price and work with the SPR instead. After Price's death in 1948 Eric Dingwall, Kathleen M. Goldney, and Trevor H. Hall, three members of the Society for Psychical Research, two of whom had been Price's most loyal associates, investigated his claims about Borley. Their findings were published in a 1956 book, The Haunting of Borley Rectory, which concluded Price had fraudulently produced some of the phenomena.  The "Borley Report", as the SPR study has become known, stated that many of the phenomena were either faked or due to natural causes such as rats and the strange acoustics attributed to the odd shape of the house. In their conclusion, Dingwall, Goldney, and Hall wrote "when analysed, the evidence for haunting and poltergeist activity for each and every period appears to diminish in force and finally to vanish away." Terence Hines wrote "Mrs. Marianne Foyster, wife of the Rev. Lionel Foyster who lived at the rectory from 1930 to 1935, was actively engaged in fraudulently creating [haunted] phenomena. Price himself "salted the mine" and faked several phenomena while he was at the rectory."  Robert Hastings was one of the few SPR researchers to defend Price. Price's literary executor Paul Tabori and Peter Underwood have also defended Price against accusations of fraud. A similar approach was made by Ivan Banks in 1996. Michael Coleman in an SPR report in 1997 wrote Price's defenders are unable to rebut the criticisms convincingly.  Price's investigation of Borley was the subject of a 2013 best selling novel by Neil Spring, titled 'The Ghost Hunters.' This novel was subsequently adapted for television as 'Harry Price: Ghost Hunter,' starring Rafe Spall, Cara Theobold and Richie Campbell.
Question: Is Borley Rectory a place?
Answer:
Price was most famous for his investigation into the Borley Rectory, Essex. The building became known as "the most haunted house in England"