Problem: Jennifer Michael Hecht (born November 23, 1965) is a teacher, author, poet, historian, and philosopher. She was an associate professor of history at Nassau Community College (1994-2007) and now teaches at The New School in New York City. Hecht has seven published books, her scholarly articles have been published in many journals and magazines, and her poetry has appeared in The New Yorker, The New Republic, Ms. Magazine, and Poetry Magazine, among others. She has also written essays and book reviews for The New York Times, The Washington Post, The Philadelphia Inquirer, The American Scholar, The Boston Globe and other publications.

Hecht believes that, "the basic modern assumptions about how to be happy are nonsense." In a review of her book, The Happiness Myth for The New York Times, Alison McCulloch summed it up, "What you think you should do to be happy, like getting fitter and thinner, is part of a 'cultural code' -- 'an unscientific web of symbolic cultural fantasies' -- and once you realize this, you will perhaps feel a little more free to be a lot more happy." Similarly, in an interview on the Point of Inquiry podcast in 2007, she said "I'm not trying really to get somebody out of depression, but I sure am trying to get people to not be so worried, so anxious over things that really don't matter."  She has written against agnosticism, calling "philosophically silly" the argument that because you can't prove a negative we have to allow for the possibility of God. "Either you doubt everything to the point where you can't speak, or you make reasoned decisions."  Hecht is an anti-suicide advocate, writing an entire book (Stay: A History of Suicide and the Philosophies Against It) arguing against it. She believes not only that "Suicide is delayed homicide", but also "that you owe it to your future self to live". She does not believe in life-after-death, urging that we should remember death and remember that it's the end. "I think this world is extraordinary and I also think it's a pain in the ass. And I'm happy to be here and I'm ok with not being here forever."  She believes that morality is not magical, it is the attempt to do right. And rather than either being handed to us by God or just made up by each person, is inherent in human groups. "There are deep rules of morality that we as human beings, in human groups, 'invented' on biological and social and intellectual lines."  Her poetry and philosophy often intersect, and she has taught a course called "Poets and Philosophy" at the New School for many years. Her own taste is for poets who are concerned with philosophical or religious questions. "Leopardi's misery makes me as happy as Schopenhauer's does, though I am ever aware of the equal cacophony of birth and pleasure that shadow their admittedly much more deafening symphony of death and suffering. Dickinson I treasure beyond measure and think she's mostly on my side of the nonbeliever line; anyway, she's my number-one poet. Hopkins has a few rhyming hunks of pure passion, frustrated but wild, which I love with a love that is more than a love, but which only go so far. Donne is deep and great company, but he leans too much into comforting delusions for me, often when he is at his best in poetic chops and pyrotechnics. Rilke is a lifesaving self-help writer and a bit of a brilliant con artist."

Had she written any other books?

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Problem: The 5th Dimension is an American popular music vocal group, whose repertoire includes pop, R&B, soul, jazz, light opera and Broadway--the melange was coined as "Champagne Soul." Formed as The Versatiles in late 1965, the group changed its name to the hipper "The 5th Dimension" by 1966. They became well-known during the late 1960s and early 1970s for their popular hits: "Up, Up and Away", "Stoned Soul Picnic", "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)", "Wedding Bell Blues", "Never My Love", "One Less Bell to Answer", "(Last Night)

The members began rehearsing as the Versatiles in late 1965 and auditioned for Marc Gordon, who headed Motown's Los Angeles office. Although Motown rejected the group's demo tape, Gordon agreed to manage them and brought them to the attention of Johnny Rivers, who had just started his own label, Soul City Records. Their first Soul City single, "I'll Be Lovin' You Forever", was a successful single.  In 1965 The Mamas & the Papas' first single, lead member John Phillips' "Go Where You Wanna Go", failed to open the foursome's chart career. At the suggestion of Rivers and their manager Marc Gordon, the 5th Dimension covered the same song virtually note-for-note (except for the last verse's upward modulation), and their early 1967 version climbed into the top 20 on R&B and pop stations and peaked at #16 on the Hot 100, opening the quintet's chart career.  The budding songwriter Jimmy Webb supplied the group with their breakthrough hit, "Up, Up and Away", a mid-1967 #7 hit that won five Grammy Awards. The following year, the group scored major hit singles with Laura Nyro's songs "Stoned Soul Picnic" (U.S. #3) and "Sweet Blindness" (U.S. #13). The group received a gold record for their album Stoned Soul Picnic.  That album included "California Soul", which peaked at #25 in February 1969. Weeks later the group's success broke wide open, with "Aquarius/Let the Sunshine In" from the musical Hair topping the Hot 100 for six straight weeks in April and May, and another Nyro song, "Wedding Bell Blues", doing the same for the first three full weeks in November. Their cover of Neil Sedaka's "Workin' On a Groovy Thing" went to #20 in between. Those four singles kept the group on the Hot 100 for all but four weeks in 1969. By some reckonings, "Aquarius/Let the Sunshine In" was the biggest hit single for 1969.  Later top 20 hits included 1970's "One Less Bell to Answer" (U.S. #2), 1971's "Love's Lines, Angles and Rhymes" (U.S. #19) and "Never My Love" (U.S. #12), 1972's "(Last Night) I Didn't Get to Sleep at All" (U.S. #8) and "If I Could Reach You" (U.S. #10). The group had seven other top 40 hits, the last being 1973's "Living Together, Growing Together" (U.S. #32) from the film Lost Horizon.

What year was that recorded?

Answer with quotes:
1973's