input: While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964.  While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes.  In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death.  In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape.  During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.

Answer this question "who were the other female artists?"
output: 

Question: The National is an American rock band from Cincinnati, Ohio, formed in 1999. The band consists of Matt Berninger (vocals), Aaron Dessner (guitar, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003).

On March 17, 2016 the band announced Day of the Dead, a charity tribute album to the Grateful Dead released by 4AD on May 20, 2016. Day of the Dead was created, curated and produced by Aaron and Bryce. The compilation, which took four years to record, is a wide-ranging tribute to the songwriting and experimentalism of the Dead, and features over 60 artists from varied musical backgrounds. It has 59 tracks and is almost 6 hours long. All profits will help fight for AIDS/ HIV and related health issues around the world through the Red Hot Organization. Day of the Dead is the follow up to 2009's Dark Was The Night (4AD), a 32-track, multi-artist compilation also produced by Aaron and Bryce for Red Hot.  Day of the Dead features collaborations and recordings from a diverse group of artists including Wilco, Flaming Lips, Bruce Hornsby, Justin Vernon, the National, The War on Drugs, Kurt Vile, Lee Renaldo of Sonic Youth, Ira Kaplan of Yo La Tengo, Jenny Lewis, The Tallest Man on Earth, Unknown Mortal Orchestra, Perfume Genius, Jim James of My Morning Jacket, Senegalese collective Orchestra Baobob, composer Terry Riley and his son Gyan Riley, electronic artist Tim Hecker, So Percussion, jazz pianist Vijay Iyer and Bela Fleck.  Of the 59 tracks on the compilation, many feature a house band made up of Aaron, Bryce, brothers Scott and Bryan Devendorf, Josh Kaufman (who co-produced the project), Conrad Doucette (of Takka Takka), Sam Cohen and Walter Martin. The National have three tracks on the album: "Peggy-O", "Morning Dew" and "I Know You Rider".  A Day of the Dead live performance took place in August 2016 at the second annual Eaux Claires Festival (August 12-13) featuring Jenny Lewis, Matthew Houck, Lucius, Will Oldham, Sam Amidon, Richard Reed Parry, Justin Vernon, Bruce Hornsby, So Percussion, Ruban Nielson, and the National.

Using a quote from the above article, answer the following question: What year was DOD done?
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Answer:
March 17, 2016