input: Moving on to the United States, Fitzsimmons fought four more times in 1890, winning three and drawing one.  Then, on 14 January 1891, in New Orleans, he won his first world title from Jack (Nonpareil) Dempsey. Fitzsimmons knocked out Dempsey (from whom the later Jack Dempsey took his name) in the 13th round to become the World Middleweight Champion. Fitzsimmons knocked Dempsey down at least 13 times and by the finish left him in such a pitiable condition that he begged him to quit. Since Dempsey would not do so, Fitzsimmons knocked him out and then carried him to his corner. On 22 July, police broke off his fight with Jim Hall after he had knocked Hall down several times.  Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893. He retained the crown by a knockout in round four. He spent the rest of that year doing exhibitions, and on 2 June, he had scheduled a two-way exhibition where he would demonstrate in public how to hit the boxing bag and then how to box against a real opponent. Reportedly, two freak accidents happened that day: Fitzsimmons hit the bag so hard that it broke, and then his opponent of that day allegedly slipped, getting hit in the head and the boxing exhibition was cancelled.  At a public sparring performance on 16 November 1894 at Jacob's Opera House, Syracuse, New York, Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later. Two months later Fitzsimmons was charged with manslaughter but was acquitted.

Answer this question "Is there anything else interesting about him winning this title?"
output: Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893.

input: In later years, Fellini explained that from "a sentimental point of view," he was "most attached" to La Strada: "Above all, because I feel that it is my most representative film, the one that is the most autobiographical; for both personal and sentimental reasons, because it is the film that I had the greatest trouble in realizing and that gave me the most difficulty when it came time to find a producer." Of all the imaginary beings he had brought to the screen, Fellini felt closest to the three principals of La Strada, "especially Zampano." Anthony Quinn found working for Fellini invaluable: "He drove me mercilessly, making me do scene after scene over and over again until he got what he wanted. I learned more about film acting in three months with Fellini than I'd learned in all the movies I'd made before then." Long afterwards, in 1990, Quinn sent a note to the director and his co-star: "The two of you are the highest point in my life -- Antonio."  Critic Roger Ebert, in his book The Great Movies, has described the current critical consensus as holding that La Strada was the high point of Fellini's career and that, after this film, "his work ran wild through the jungles of Freudian, Christian, sexual and autobiographical excess". (Ebert, himself, disagrees, seeing La Strada as "part of a process of discovery that led to the masterpieces La Dolce Vita (1960), 8 1/2 (1963) and Amarcord (1974)".)  The years since its initial release have solidified the high estimation of La Strada. It holds a 97% rating on the review aggregator website Rotten Tomatoes from 31 reviewers who, on average, scored it 8.7 on a scale of 10. Its numerous appearances on lists of best films include the 1992 Directors' poll of the British Film Institute (4th best), the New York Times "Best 1,000 Movies Ever Made", and the "Greatest Films" list of They Shoot Pictures, Don't They (# 67) - a website that statistically calculates the most well-received movies.  In 1995, the Catholic Church's Pontifical Commission for Social Communications issued a list of 45 films representing a "...cross section of outstanding films, chosen by a committee of twelve international movie scholars." This has come to be known as the Vatican film list, and includes La Strada as one of 15 films in the sub-category labeled Art. Pope Francis, has said it is "the movie that perhaps I loved the most," because of his personal identification with its implicit reference to his namesake, Francis of Assisi.

Answer this question "How did Fellini feel about La Strada ?"
output: " Anthony Quinn found working for Fellini invaluable: "He drove me mercilessly, making me do scene after scene over and over again until he got what he wanted.

input: Laurel and Mae Charlotte Dahlberg never married, but lived together as common-law husband and wife from 1919 to 1925, before Dahlberg accepted a one-way ticket from Joe Rock to go back to her native Australia. In November 1937, Dahlberg was back in the USA and sued the now successful Stan Laurel for financial support. At the time, Laurel's second marriage was in the process of a divorce, with Dahlberg's legal suit adding to Laurel's woes. The matter was settled out of court. Dahlberg was described as a "relief project worker" by the court.  Laurel had four wives and married one of them a second time after their divorce.  Laurel married his first wife, Lois Neilson, on 13 August 1926. On 10 December 1927, during the early years of Laurel and Hardy's partnership, Laurel and Neilson had a baby daughter, also named Lois. In May 1930, their second child, a son named Stanley, was born two months premature and died after nine days. Stan's daughter Lois died on 27 July 2017, aged 89. Laurel and Neilson divorced in December 1934.  In 1935, Laurel married Virginia Ruth Rogers (known as Ruth). In 1937, Laurel filed for divorce from Ruth, confessing that he was not over his ex-wife Lois, but Lois decided against a reconciliation. On New Year's Day 1938, Laurel married Vera Ivanova Shuvalova (known as Illeana), leading to an irate Ruth accusing Stan of bigamy, but their divorce had been finalised a couple of days before his new marriage. After a very volatile marriage to Illeana, during which Stan dug a grave with the intention of burying his wife in it, he and Illeana separated in 1939 and divorced in 1940, with Illeana surrendering all claim to the Laurel surname on 1 February 1940, in exchange for $6,500. In 1941, Laurel remarried Virginia Ruth Rogers, with Laurel and Ruth divorcing for the second time in early 1946.  On 6 May 1946, Laurel married Ida Kitaeva Raphael, to whom he remained married until his death on 23 February 1965.

Answer this question "Did he have any other children?"
output:
In May 1930, their second child, a son named Stanley, was born two months premature and died after nine days.