Problem: Background: Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.
Context: Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen.  In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style:  [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me."  He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement.  Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story.
Question: Are there any other interesting aspects about this article?
Answer: ). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series.

Problem: Background: Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz pianist/electric keyboardist and composer. His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.
Context: In the early 1970s, Corea took a profound stylistic turn from avant-garde to a crossover jazz fusion style that incorporated Latin jazz with Return to Forever. Named after their eponymous 1972 album, the band relied on both acoustic and electronic instrumentation and drew upon Latin American styles more than on rock music. On their first two records, Return to Forever consisted of Flora Purim on vocals, Joe Farrell on flute and soprano saxophone, Airto Moreira on drums , and Stanley Clarke on double bass. Drummer Lenny White and guitarist Bill Connors later joined Corea and Clarke to form the second version of the group, which expanded the earlier Latin jazz elements with a more rock and funk-oriented sound inspired by the Mahavishnu Orchestra, led by his Bitches Brew bandmate John McLaughlin. This incarnation of the group recorded the album Hymn of the Seventh Galaxy, before Connors' departure and replacement by Al Di Meola, who was present on the subsequent releases Where Have I Known You Before, No Mystery, and Romantic Warrior.  Corea's composition "Spain" appeared on the 1972 Return to Forever album Light as a Feather. This is probably his most popular piece, and it has been recorded by a variety of artists. There are also a variety of recordings by Corea himself. These included an arrangement for piano and symphony orchestra that appeared in 1999 and a collabration with vocalist Bobby McFerrin on the 1992 album Play. Corea usually performs "Spain" with a prelude based on Joaquin Rodrigo's Concierto de Aranjuez (1940), which earlier received a jazz orchestration on Davis and Gil Evans' Sketches of Spain.  In 1976, he issued My Spanish Heart, influenced by Latin American music and featuring vocalist Gayle Moran (Corea's wife) and electric violinist Jean-Luc Ponty. The album combined jazz and flamenco, supported by Minimoog backup and a horn section.
Question: What album did they do next?
Answer: in 1999 and a collabration with vocalist Bobby McFerrin on the 1992 album Play.

Problem: Background: Born to a single mother, Betty Brown, in York on 23 December 1948, Davis was initially brought up by his grandparents there. His maternal grandfather, Walter Harrison, was the son of a wealthy trawlerman but was disinherited after joining the Communist Party; he led a 'hunger march' to London shortly after the more famous Jarrow March, which did not allow Communists to participate. His father, whom he met once after his mother's death, is Welsh. After his mother married Ronald Davis, the family moved to London, where they lived initially in a flat in Wandsworth which Davis has described as "a terrible little slum".
Context: At the time of the 2005 Conservative leadership contest, David Davis was Shadow Secretary of State for the Home Department. His Campaign Manager in the leadership contest was Conservative MP and Davis's deputy as Shadow Home Secretary, Andrew Mitchell (who in 2010 became Secretary of State for International Development in Prime Minister David Cameron's Cabinet).  Davis was initially the front runner in the contest, but after a poorly received speech at that year's Conservative Party Conference his campaign was seen to lose momentum. However, referring to a Conference speech by the party's former leader, Campaign Manager Andrew Mitchell said: "William Hague made a great speech which many people will judge to be better than all the other leadership candidates put together. What that tells you is that being absolutely brilliant at being able to make a speech at conference is not the be-all-and-end-all of leadership. There are other things as well."  In the first ballot of Conservative MPs on 18 October 2005, Davis came top with 62 votes. As this was less than the number of his declared supporters, it became clear that the Davis bid was losing momentum. The elimination of former Chancellor Kenneth Clarke left the bookmakers' favourite, David Cameron, without a rival on the centre of the party. In the second ballot, held two days later on 20 October 2005, Cameron polled 90 votes, Davis 57 votes and Liam Fox was eliminated with 51 votes so Davis went through to the next stage with David Cameron.  In spite of a strong performance in a BBC Question Time head-to-head debate in the final stage of the leadership contest, Davis could not match his rival's general popularity. Conservative party members voted to elect Cameron the new Conservative leader, Davis losing with 64,398 votes against Cameron's 134,446 votes. Cameron chose to re-appoint his rival as Shadow Home Secretary following his victory.
Question: Who else was in contact with?
Answer: