IN: Christopher Lynn Hedges was born in St. Johnsbury, Vermont, the son of Thelma Louise (nee Prince) and the Rev. Thomas Havard Hedges, a Presbyterian minister. He grew up in rural Schoharie County, New York, southwest of Albany. He graduated in 1975 from the Loomis Chaffee School, a private boarding school in Windsor, Connecticut. He founded an underground newspaper at the school that was banned by the administration and resulted in his being put on probation.

Hedges worked for 15 years as a foreign correspondent for The New York Times. He was based in the Middle East for five years, serving for four of those years as the Middle East bureau chief. He covered the war in the former Yugoslavia as the Balkan bureau chief based in Sarajevo. He later covered Al Qaeda in Europe and the Middle East from Paris.  Three of Hedges' articles were based upon the stories of Iraqi defectors, who had been furnished to Hedges by the Information Collection Program of the US-funded Iraqi National Congress. The program promoted stories to major media outlets in order to orchestrate US intervention in Iraq in the aftermath of the 9/11 attacks. Most significant of his reports in this period was a November 8, 2001, front-page story about two former Iraqi military commanders who claimed to have trained foreign mujahedeen how to hijack planes without using guns. Hedges quoted a man whom he believed to be an Iraqi general: "These Islamic radicals ... came from a variety of countries, including Saudi Arabia, Yemen, Algeria, Egypt, and Morocco. We were training these people to attack installations important to the United States". The two defectors also asserted there was a secret compound in Salman Pak facility where a German scientist was producing biological weapons.  According to Mother Jones: "The impact of the article ... was immediate: Op-eds ran in major papers, and the story was taken to a wider audience through cable-TV talk shows. When Condoleezza Rice, then George W. Bush's national security adviser, was asked about the report at a press briefing, she said, 'I think it surprises no one that Saddam Hussein is engaged in all kinds of activities that are destabilizing.'" As late as 2006, conservative magazines including The Weekly Standard and National Review continued to use this article to justify the invasion of Iraq.  It later was revealed that the story which Hedges reported was "an elaborate scam". The defector whom Hedges quoted, who had identified himself as Lt. General Jamal al-Ghurairy, was a former sergeant. The real Ghurairy had never left Iraq. Hedges said that he had taken on reporting this account at the request of Lowell Bergman of Frontline, who wanted the defectors for his show but could not go to Beirut for the interview. The trip had been organized by Ahmed Chalabi, whom Hedges considered to be unreliable. Hedges said he had done the piece as a favor to Bergman, explaining, "There has to be a level of trust between reporters. We cover each other's sources when it's a good story because otherwise everyone would get hold of it." Hedges had relied on the US embassy in Turkey for further confirmation of the man's identity.  Hedges wrote two more articles that year that were informed by Chalabi-coached defectors. The second one, claiming that Iraq still held 80 Kuwaitis captured in the 1991 Gulf War in a secret underground prison, was also found to be baseless.

What city was he in

OUT: Paris.


IN: Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.

In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate." Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, Salt Lake City, Utah, Los Angeles, California, and Buffalo, New York. The elder Clooney also ran for Congress in 2004.  George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck., which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers. The film ultimately grossed more than $54 million worldwide.  The CBS offices and studios seen in the movie were all sets on a soundstage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license--the CBS executive offices at the time were located at 485 Madison Avenue. CBS News was located in an office building just north of Grand Central Terminal (demolished and now the site of the Met Life Building); and the See It Now studio was located in Grand Central Terminal itself, above the waiting room. For dramatic effect, all three areas were depicted as being in the same building.  Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film. A young Robert Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.

Anything intresting about the movie?

OUT:
George Clooney was paid $1 each for writing, directing, and acting in Good Night,