Problem: Placebo is an alternative rock band, formed in London, England in 1994 by singer-guitarist Brian Molko and guitarist-bassist Stefan Olsdal. The band were soon joined by drummer Robert Schultzberg, who left in 1996 due to conflicts with Molko and was replaced the same year by Steve Hewitt. Placebo gained exposure in 1997, after releasing "Nancy Boy", a song which Brian Molko described as "obscene". The band has sparked controversy at the beginning of their career because Molko wore dresses and make-up in public and talked openly about sex, sexuality and drug use.

Placebo founders Brian Molko and Stefan Olsdal had both attended the American International School of Luxembourg, without speaking to each other, as they were part of different social circles. The two met by chance in 1994, in London, England. At the time, Olsdal was taking guitar lessons and was on his way home when he met Molko at the South Kensington tube station. Molko, observing that Olsdal had a guitar strapped to his back, invited Olsdal to watch him perform at a local gig. On the strength of Molko's performance, Olsdal decided that they should start a band. The two formed as Ashtray Heart, named after the Captain Beefheart song of the same name. Molko, however, denied in 2009 that Ashtray Heart was the first name of the band, dismissing this as a rumour and claiming that the band had more names initially.  Originally, the two were unable to decide on a drummer. They played for a while with Steve Hewitt, a friend of Molko, but Hewitt had prior commitments to local band Breed. Robert Schultzberg assumed the position of drummer in late 1994.  The band eventually chose the name Placebo, due to its meaning in Latin, "I shall please". Molko has frequently stated in interviews that the name is a rejoinder to the 1990s cliche of naming one's band after a drug. In an interview, Molko stated:  It's a complex question to answer, really. As musicians you try to find a name for your band that represents you and you never really do, because, basically, names for bands lose their meaning after a while. They become a series of sounds that you associate with people in music. The most important thing for a name is that you can imagine forty-thousand people screaming it in unison.

What else can you tell me about the band?

Answer with quotes: Molko, observing that Olsdal had a guitar strapped to his back, invited Olsdal to watch him perform at a local gig.

Background: Born in Cherryvale, Kansas, Louise Brooks was the daughter of Leonard Porter Brooks, a lawyer, who was usually too busy with his practice to discipline his children, and Myra Rude, an artistic mother who determined that any "squalling brats she produced could take care of themselves". Rude was a talented pianist who played the latest Debussy and Ravel for her children, inspiring them with a love of books and music. When she was nine years old, a neighborhood predator sexually abused Louise. This event had a major influence on Brooks' life and career, causing her to say in later years that she was incapable of real love, and that this man "must have had a great deal to do with forming my attitude toward sexual pleasure....
Context: French film historians rediscovered her films in the early 1950s, proclaiming her as an actress who surpassed even Marlene Dietrich and Greta Garbo as a film icon, much to her amusement. It would lead to the still ongoing Louise Brooks film revivals, and rehabilitated her reputation in her home country.  James Card, the film curator for the George Eastman House, discovered Brooks living as a recluse in New York City about this time, and persuaded her to move to Rochester, New York to be near the George Eastman House film collection. With his help, she became a noted film writer in her own right. A collection of her writings, Lulu in Hollywood, was published in 1982. She was profiled by the film writer Kenneth Tynan in his essay, "The Girl in The Black Helmet", the title of which was an allusion to her bobbed hair, worn since childhood, a hairstyle she helped popularize, along with earlier actresses such as Colleen Moore.  She rarely gave interviews, but had special relationships with film historians John Kobal and Kevin Brownlow. In the 1970s she was interviewed extensively, on film, for the documentaries Memories of Berlin: The Twilight of Weimar Culture (1976), produced and directed by Gary Conklin, and for the documentary series Hollywood (1980) by Brownlow and David Gill. Lulu in Berlin (1984) is another rare filmed interview, produced by Richard Leacock and Susan Woll, released a year before her death, but filmed a decade earlier. Author Tom Graves was allowed into Brooks' apartment for an interview in 1982, and later wrote about the at times awkward and tense conversation in his article "My Afternoon With Louise Brooks" that is the lead piece in his book Louise Brooks, Frank Zappa, & Other Charmers & Dreamers.
Question: What other movies did she star in?
Answer: "The Girl in The Black Helmet", the title of which was an allusion to her bobbed hair, worn since childhood, a hairstyle she helped popularize,

Question:
Keane was born into a working class family in Ballinderry Park, Mayfield, Cork. His father, Maurice, took work wherever he could find, which led to jobs at a local knitwear company and at Murphy's Irish Stout brewery, among others. His family were keen on sport, football especially, and many of his relatives had played for junior clubs in Cork, including Rockmount. Keane took up boxing at the age of nine and trained for a number of years, winning all of his four bouts in the novice league.
Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a blatant knee-high foul on Alf-Inge Haland in what was seen by many as an act of revenge. He initially received a three-match suspension and a PS5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended "to hurt" Haland. Keane's account of the incident was as follows:  I'd waited long enough. I fucking hit him hard. The ball was there (I think). Take that you cunt. And don't ever stand over me sneering about fake injuries.  An admission that the tackle was in fact a premeditated assault, it left the FA with no choice but to charge Keane with bringing the game into disrepute. He was banned for a further five matches and fined PS150,000 in the ensuing investigation. Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: "My attitude was, fuck him. What goes around comes around. He got his just rewards. He fucked me over and my attitude is an eye for an eye", and said he would probably do the same thing again.  Haland later implied that the tackle effectively finished his playing career as he never played a full game afterwards. However, Haland did complete the match and played 68 minutes of the following game. He also played a friendly for Norway in between both matches. It was, in fact, a long-standing injury to his left knee that ended his career rather than his right.
Answer this question using a quote from the text above:

What team was Haland on?

Answer: