IN: Doris Mary Ann Kappelhoff  was born on April 3, 1922, in Cincinnati, Ohio, the daughter of Alma Sophia (nee Welz), a housewife, and William Joseph Kappelhoff, a music teacher and choir master. All of her grandparents were German immigrants. For most of her life, Day reportedly believed she had been born in 1924 and reported her age accordingly; it was not until her 95th birthday, when the Associated Press found her birth certificate, showing a 1922 date, that she learned otherwise. The youngest of three siblings, she had two older brothers: Richard (who died before her birth) and Paul, 2-3 years older.

Having become primarily recognized as a musical-comedy actress, Day gradually took on more dramatic roles to broaden her range. Her dramatic star-turn as singer Ruth Etting in Love Me or Leave Me (1955), co-starring James Cagney, received critical and commercial success, becoming Day's biggest hit thus far. Day said it was her best film performance. Producer Joe Pasternak said, "I was stunned that Doris did not get an Oscar nomination." The soundtrack album from that movie was a No. 1 hit.  Day starred in Alfred Hitchcock's suspense film, The Man Who Knew Too Much (1956) with James Stewart. She sang two songs in the film, "Que Sera, Sera (Whatever Will Be, Will Be)", which won an Academy Award for Best Original Song, and "We'll Love Again". The film was Day's 10th movie to be in the Top 10 at the box office. In 1956, Day played the title role in the thriller/noir Julie with Louis Jourdan.  After three successive dramatic films, Day returned to her musical/comedic roots in 1957's The Pajama Game with John Raitt. The film was based on the Broadway play of the same name. She worked with Paramount Pictures for the comedy Teacher's Pet (1958), alongside Clark Gable and Gig Young. She co-starred with Richard Widmark and Gig Young in the romantic comedy film, The Tunnel of Love (1958), but found scant success opposite Jack Lemmon in It Happened to Jane (1959).  Billboard's annual nationwide poll of disc jockeys had ranked Day as the No. 1 female vocalist nine times in ten years (1949 through 1958), but her success and popularity as a singer was now being overshadowed by her box-office appeal.

did she win awward

OUT: ), but her success and popularity as a singer was now being overshadowed by her box-office appeal.

Answer the question at the end by quoting:

Feeder are a Welsh rock band formed in Newport, Wales. They have released ten studio albums, twelve compilations, four EPs, and 40 singles. They have spent a total of 182 weeks on the singles and albums charts combined as of 2017, and have accumulated 25 top 75 singles between 1997 and 2012. At their peak of commercial success, Feeder won two Kerrang!
For 1999's Yesterday Went Too Soon, the band decided to self-produce the album, brought in Matt Sime for engineering duties and had the album mixed in New York by Andy Wallace. "Dry" was re-recorded as a full band version after the original acoustic version appeared on "Suffocate" as a b-side. That single's b-sides featured tracks from the sessions for that album, therefore revealing what sort of direction it would take on. The working title for the album was originally A Life Through Headphones, and was originally set to be a double album. The name change was due to former Take That singer Robbie Williams releasing his solo debut album Life Thru a Lens, with the band not wanting to be compared to him.  When the album was released, the band's reputation was on the rise and it entered the UK albums chart at number eight, which was at the time an unexpected chart position for the band. Before that, the band had released the album's first single, "Day In Day Out", in March 1999 which charted at #31 followed by "Insomnia" at #22, resulting in their first appearance on Top of the Pops. A week before the album's release, the band played the main stage of the Reading and Leeds festivals, while the title track from the album was at #20 in the singles chart. The album was then released on 30 August 1999. Only one single was lifted from the album after its release, in which a re-recorded version of "Paperfaces" charted at #41.  Some of the album's lyrical themes were derived from Grant's personal perspective of working in a menial supermarket job on a daily basis ("Day in Day Out"), his experiences after gigs on their US tour ("Insomnia" and "You're My Evergreen"), past relationships (the title track and "Dry"), the music industry ("Hole in My Head") and "fear of commitment in relationships" ("Anaesthetic") amongst others. Musically, the album employed an indie rock feel to it, which also featured extended appearances of an acoustic guitar on some of its tracks.  The album was due for release in June, but this was delayed until August to include material written after its completion which the band felt was too good to leave off. Upon its release, the UK music press immediately warmed to the album, which also received Melody Maker 's Album of the Week accolade. The year ended with the band providing support for the Red Hot Chili Peppers at Wembley Arena and Manic Street Preachers at the Millennium Stadium. As of March 2003, the album has been certified gold shipping 100,000 units in the UK, with total counter sales standing at 110,000 as of February 2005. The album was Melody Maker's #24 album of 1999, while Metal Hammer placed the album in at #6 and Kerrang! ranked it at #16.

What year did the album come out?

1999's Yesterday Went Too Soon,

input: Sinatra attempted to pursue an acting career in Hollywood in the early 1940s. While films appealed to him, being exceptionally self-confident, he was rarely enthusiastic towards his own acting, once remarking that "pictures stink". Sinatra made his film debut in 1941, performing in an uncredited sequence in Las Vegas Nights, singing "I'll Never Smile Again" with Tommy Dorsey's The Pied Pipers. In 1943 he had a cameo role along with Duke Ellington and Count Basie in Charles Barton's Reveille with Beverly, making a brief appearance singing "Night and Day". The following year he was given his leading roles in Higher and Higher and Step Lively for RKO Pictures.  In 1945, Metro-Goldwyn-Mayer cast Sinatra opposite Gene Kelly and Kathryn Grayson in the Technicolor musical Anchors Aweigh, in which he played a sailor on leave in Hollywood for four days. A major success, it garnered several Academy Award wins and nominations, and the song "I Fall in Love Too Easily", sung by Sinatra in the film, was nominated for the Academy Award for Best Original Song. In 1946, Sinatra briefly appeared at the end of Richard Whorf's commercially successful Till the Clouds Roll By, a Technicolor musical biopic of Jerome Kern, in which he sang "Ol' Man River.  In 1949, Sinatra co-starred with Gene Kelly in the Technicolor musical Take Me Out to the Ball Game, a film set in 1908, in which Sinatra and Kelly play baseball players who are part-time vaudevillians. He teamed up with Kelly for a third time in On the Town, playing a sailor on leave in New York City. Today the film is rated very highly by critics, and in 2006 it ranked No. 19 on the American Film Institute's list of best musicals. Both Double Dynamite (1951), an RKO Irving Cummings comedy produced by Howard Hughes, and Joseph Pevney's Meet Danny Wilson (1952) failed to make an impression. The New York World Telegram and Sun ran the headline "Gone on Frankie in '42; Gone in '52".

Answer this question "What was Sinatra's first debut?"
output:
Las Vegas Nights,