IN: Freddie King (September 3, 1934 - December 28, 1976) was an American blues guitarist and singer. He has been described as one of the "Three Kings" of electric blues guitar, along with Albert King and B.B. King. He was an influential guitarist with hits for Federal Records in the early 1960s. His soulful and powerful voice and distinctive guitar style inspired countless musicians, particularly guitarists (Eric Clapton is a notable example).

According to his birth certificate he was named Fred King, and his parents were Ella Mae King and J. T. Christian. When Freddie was six years old, his mother and his uncle began teaching him to play the guitar. In autumn 1949, he and his family moved from Dallas to the South Side of Chicago.  In 1952 King started working in a steel mill. In the same year he married another Texas native, Jessie Burnett. They had seven children.  Almost as soon as he had moved to Chicago, King started sneaking into South Side nightclubs, where he heard blues performed by Muddy Waters, Howlin' Wolf, T-Bone Walker, Elmore James, and Sonny Boy Williamson. King formed his first band, the Every Hour Blues Boys, with the guitarist Jimmie Lee Robinson and the drummer Frank "Sonny" Scott. In 1952, while employed at a steel mill, the eighteen-year-old King occasionally worked as a sideman with such bands as the Little Sonny Cooper Band and Earl Payton's Blues Cats. In 1953 he recorded with the latter for Parrot Records, but these recordings were never released. As the 1950s progressed, King played with several of Muddy Waters's sidemen and other Chicago mainstays, including the guitarists Jimmy Rogers, Robert Lockwood Jr., Eddie Taylor, and Hound Dog Taylor; the bassist Willie Dixon; the pianist Memphis Slim; and the harmonicist Little Walter.  In 1956 he cut his first record as a leader, for El-Bee Records. The A-side was "Country Boy", a duet with Margaret Whitfield. The B-side was a King vocal. Both tracks feature the guitar of Robert Lockwood, Jr., who during these years was also adding rhythm backing and fills to Little Walter's records.  King was repeatedly rejected in auditions for the South Side's Chess Records, the premier blues label, which was the home of Muddy Waters, Howlin' Wolf, and Little Walter. The complaint was that King sang too much like B.B. King. A newer blues scene, lively with nightclubs and upstart record companies, was burgeoning on the West Side, though. The bassist and producer Willie Dixon, during a period of estrangement from Chess in the late 1950s, asked King to come to Cobra Records for a session, but the results have never been heard. Meanwhile, King established himself as perhaps the biggest musical force on the West Side. He played along with Magic Sam and reputedly played backing guitar, uncredited, on some of Sam's tracks for Mel London's Chief and Age labels, though King does not stand out on them.

What else is notable in his biography?

OUT: As the 1950s progressed, King played with several of Muddy Waters's sidemen and other Chicago mainstays,


IN: , Malcolm Denzil Marshall (18 April 1958 - 4 November 1999) was a West Indian cricketer. Primarily a fast bowler, Marshall is regarded as one of the finest and fastest pacemen ever to have played Test cricket. His Test bowling average of 20.94 is the best of anyone who has taken 200 or more wickets. He achieved his bowling success despite being, by the standards of other fast bowlers, a short man - he stood at 5 feet 11 inches (1.80 m), while most of the great quicks have been well above 6 feet (1.8 m) and many great West Indian fast bowlers, such as Joel Garner, Curtly Ambrose and Courtney Walsh, were 6 feet 6 inches (1.98 m) or above.

Marshall made his Test debut in the Second Test at Bangalore on 15 December 1978. He immediately developed a career-long antipathy to Dilip Vengsarkar due to his aggressive appealing. Despite doing little of note in the three Tests he played on that tour, he did take 37 wickets in all first-class games, and Hampshire saw enough in him to take him on as their overseas player for 1979, remaining with the county until 1993. He was in West Indies' World Cup squad, but did not play a match in the tournament. Hampshire were not doing well at the time, but nevertheless he took 47 first-class wickets, as well as picking up 5-13 against Glamorgan in the John Player League.  Marshall came to prominence in 1980, when in the third Test at Old Trafford he accounted for Mike Gatting, Brian Rose and Peter Willey in short order to spark an England collapse, although the match was eventually drawn despite Marshall taking 7-24. After 1980/81 he was out of the Test side for two years, but an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire, saw him recalled and thereafter he remained a fixture until the end of his international career.  In seven successive Test series from 1982/83 to 1985/86 he took 21 or more wickets each time, in the last five of them averaging under 20. His most productive series in this period was the 1983/84 rubber against India, when he claimed 33 wickets as well as averaging 34 with the bat and making his highest Test score of 92 at Kanpur. A few months later he took five in an innings twice at home against Australia. At the peak of his career, he turned down an offer of US$1 million to join a rebel West Indies team on a tour to South Africa, still suffering international sporting isolation due to apartheid.

What happened during the 1983/84 period?

OUT:
he claimed 33 wickets as well as averaging 34 with the bat and making his highest Test score of 92 at Kanpur.