IN: Keane was born into a working class family in Ballinderry Park, Mayfield, Cork. His father, Maurice, took work wherever he could find, which led to jobs at a local knitwear company and at Murphy's Irish Stout brewery, among others. His family were keen on sport, football especially, and many of his relatives had played for junior clubs in Cork, including Rockmount. Keane took up boxing at the age of nine and trained for a number of years, winning all of his four bouts in the novice league.

Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a blatant knee-high foul on Alf-Inge Haland in what was seen by many as an act of revenge. He initially received a three-match suspension and a PS5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended "to hurt" Haland. Keane's account of the incident was as follows:  I'd waited long enough. I fucking hit him hard. The ball was there (I think). Take that you cunt. And don't ever stand over me sneering about fake injuries.  An admission that the tackle was in fact a premeditated assault, it left the FA with no choice but to charge Keane with bringing the game into disrepute. He was banned for a further five matches and fined PS150,000 in the ensuing investigation. Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: "My attitude was, fuck him. What goes around comes around. He got his just rewards. He fucked me over and my attitude is an eye for an eye", and said he would probably do the same thing again.  Haland later implied that the tackle effectively finished his playing career as he never played a full game afterwards. However, Haland did complete the match and played 68 minutes of the following game. He also played a friendly for Norway in between both matches. It was, in fact, a long-standing injury to his left knee that ended his career rather than his right.
QUESTION: What happened after he received the suspension and the fine?
IN: Pyle was born to William Clyde Pyle and Maria Taylor near Dana, Indiana, on August 3, 1900. After attending local schools, he joined the United States Navy Reserve during World War I at age 17. He served three months of active duty until the war ended, then finished his enlistment in the reserves and was discharged with the rank of Petty Officer Third Class. After the war Pyle attended Indiana University, editing the Indiana Daily Student newspaper and traveling to the Orient with his fraternity brothers of Sigma Alpha Epsilon.

In 1926, Pyle, tired of working at a desk, quit his job. Over the following two years he and his wife traveled over 9,000 miles across the United States in a Ford roadster. In 1928 he returned to The Washington Daily News, and for the following four years served as the country's first and best-known aviation columnist. As Amelia Earhart later said, "Any aviator who didn't know Pyle was a nobody."  In 1932 Pyle once again became managing editor of The Washington Daily News. Two years later he took an extended vacation in California to recuperate from a severe bout of flu. Upon his return, to fill in for the paper's vacationing syndicated columnist Heywood Broun, he wrote a series of 11 columns about his stay in California and the people he had met there.  The series proved unexpectedly popular with both readers and colleagues. G.B. ("Deac") Parker, editor-in-chief of the Scripps-Howard newspaper chain, said he had found in Pyle's vacation articles "a Mark Twain quality that knocked my eye out." In 1935 Pyle once again resigned his position as managing editor to accept an offer from the Scripps-Howard Alliance to write his own national column. Traveling the highways and back roads of the country and the Americas, he wrote about the unusual places and people he met. Selected columns were later published posthumously in Home Country (1947).  Perpetually dissatisfied with his writing, Pyle suffered from bouts of deep depression. He continued his daily column until a few months after the United States entered World War II on December 8, 1941.
QUESTION: Are there any other interesting aspects about this article?
IN: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.

After 12th-century, Odia temples, monasteries and nearby institutions such as the Nalanda in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (1360-1361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility.  The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khurda.  During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannath temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations".  Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were dehumanized and stigmatized as prostitutes during the British period. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.
QUESTION:
Did both males and females perform the dance?