input: The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place". These two songs were written in the weeks before Curtis took his own life. With the release of Movement in November 1981, New Order initially started on a similar route as their previous incarnation, performing dark, melodic songs, albeit with an increased use of synthesisers. The band viewed the period as a low point, as they were still reeling from Curtis' death. Hook commented that the only positive thing to come out of the Movement sessions was that producer Martin Hannett had showed the band how to use a mixing board, which allowed them to produce records by themselves from then on. More recently, Hook indicated a change of heart: "I think Movement gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record."  New Order visited New York City again in 1981, where the band were introduced to post-disco, freestyle and electro. The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming. The singles that followed, "Everything's Gone Green" and "Temptation", saw a change in direction toward dance music.  The Hacienda, Factory Records' own nightclub (largely funded by New Order) opened in May 1982 in Manchester and was even issued a Factory catalogue number: FAC51. The opening of UK's first ever superclub was marked by a nearly 23-minute instrumental piece originally entitled "Prime 5 8 6", but released 15 years later as "Video 5 8 6". Composed primarily by Sumner and Morris, "Prime 5 8 6"/"Video 5 8 6" was an early version of "5 8 6" that contained rhythm elements that would later surface on "Blue Monday" and "Ultraviolence".

Answer this question "who was one of the singers on the album?"
output: 

input: In 2002, Fall Out Boy released an EP called Fall Out Boy/Project Rocket Split EP. Soon after, in 2003, the band released their mini-LP Fall Out Boy's Evening Out with Your Girlfriend on Uprising Records. This album would later be digitally remastered and reissued after the band's third, successful full-album release From Under the Cork Tree, on the major label Island Records. In 2003, the band released their first full-length album, Take This to Your Grave through Fueled By Ramen. Fall Out Boy signed with major label Island Records in 2003 and in 2004 released an acoustic EP and DVD entitled, My Heart Will Always Be the B-Side to My Tongue.  Their third album, From Under the Cork Tree, was released in 2005. Wentz wrote the lyrics to the lead single, "Sugar, We're Goin Down" with his dad in Chicago; the song peaked at #8 on the Billboard Hot 100 and spent months in the top 50 of the Hot 100, marking five weeks in the top 10 and fourteen weeks in the top 20. The band's major label debut album has since been certified double platinum by the RIAA as well as "Sugar, We're Goin Down."  In 2007, Fall Out Boy's fourth album, Infinity on High was released to major success, debuting at #1 on the Billboard 200 with 260,000 sales, spurred by the #2 charting lead single, "This Ain't a Scene, It's an Arms Race". The second single, "Thnks fr th Mmrs" sold more than 2 million units in the US. The band's fifth studio album, Folie a Deux was released on December 13, 2008, and debuted at #8 on the Billboard 200. The band toured extensively in support of their albums.  On November 20, 2009, the four band members announced they will be taking an indefinite hiatus, saying they were unsure of the future of the band. Wentz has said that his personal reason for taking a break is that he feels that his name and marriage to pop singer Ashlee Simpson had become a hindrance for the band. He added: "I think the world needs a little less Pete Wentz".  On February 4, 2013, the band announced their hiatus was over, via their official webpage. They released a new single off their upcoming album, a video for the single, upcoming tour dates and a pre-order campaign for the new album titled Save Rock and Roll.

Answer this question "How many album releases did they have during this period?"
output: In 2007, Fall Out Boy's fourth album, Infinity on High was released

input: An important early work of Le Corbusier was the Esprit Nouveau Pavilion, built for the 1925 Paris International Exhibition of Modern Decorative and Industrial Arts, the event which later gave Art Deco its name. Le Corbusier built the pavilion in collaboration with Amedee Ozenfant and with his cousin Pierre Jeanneret. Le Corbusier and Ozenfant had broken with Cubism and formed the Purism movement in 1918 and in 1920 founded their journal L'Esprit Nouveau in 1920. In his new journal, Le Corbusier vividly denounced the decorative arts: "Decorative Art, as opposed to the machine phenomenon, is the final twitch of the old manual modes, a dying thing." To illustrate his ideas, he and Ozenfant decided to create small pavilion at the Exposition, representing his idea of the future urban housing unit. A house, he wrote, "is a cell within the body of a city. The cell is made up of the vital elements which are the mechanics of a house...Decorative art is antistandarizational. Our pavilion will contain only standard things created by industry in factories and mass produced, objects truly of the style of today...my pavilion will therefore be a cell extracted from a huge apartment building.".  Le Corbusier and his collaborators were given a plot of land located behind the Grand Palais in the center of the Exposition. The plot was forested, and exhibitors could not cut down trees, so Le Corbusier built his pavilion with a tree in the center, emerging through a hole in the roof. The building was a stark white box with an interior terrace and square glass windows. The interior was decorated with a few cubist paintings and with a few pieces of mass-produced commercially available furniture, entirely different from the expensive, one-of-a-kind pieces in the other pavilions. The chief organizers of the Exposition were furious, and built a fence to partially hide the pavilion. Le Corbusier had to appeal to the Ministry of Fine Arts, which ordered that fence be taken down.  Besides the furniture, the pavilion exhibited a model of his "Plan Voisin" his provocative plan for rebuilding a large part of the centre of Paris. He proposed to bulldoze a large area north of the Seine and replace the narrow streets, monuments and houses with giant sixty-story cruciform towers placed within an orthogonal street grid and park-like green space. His scheme was met with criticism and scorn from French politicians and industrialists, although they were favorable to the ideas of Taylorism and Fordism underlying his designs. The plan was never seriously considered, but it provoked discussion concerning how to deal with the overcrowded poor working-class neighborhoods of Paris, and it later saw partial realization in the housing developments built in the Paris suburbs in the 1950s and 1960s.  The Pavilion was ridiculed by many critics, but Le Corbusier, undaunted, wrote: "Right now one thing is sure. 1925 marks the decisive turning point in the quarrel between the old and new. After 1925, the antique-lovers will have virtually ended their lives...Progress is achieved through experimentation; the decision will be awarded on the field of battle of the "new".

Answer this question "Where was it located?"
output:
built for the 1925 Paris International Exhibition of Modern Decorative and Industrial Arts,