input: In 1991, Astbury and Duffy were writing again for their next album. During the demo recordings, Todd Hoffman and James Kottak played bass and drums respectively. During the actual album recording sessions, Curry was recruited again to play drums, with Charley Drayton on bass, and various other performers. Astbury and Duffy's working relationship had disintegrated by that time, with the two men reportedly rarely even being in the studio together during recording. The resulting album Ceremony was released to mixed responses. The album climbed to US No. 34, but sales were not as impressive as the previous three records, only selling around one million copies worldwide. Only two official singles were released from the record: "Wild Hearted Son" (UK No. 34, Canada No. 41) and "Heart of Soul" (UK No. 50), although "White" was released as a single only in Canada, "Sweet Salvation" was released as a single (as "Dulce Salvacion") in Argentina in 1992, and the title track "Ceremony" was released in Spain.  The Cult's Ceremonial Stomp tour went through Europe in 1991 and North America in 1992. In 1991 the Cult played a show at the Marquee Club in London, which was recorded and released in February 1993, packaged with some vinyl UK copies of their first greatest hits release. Only a handful of CD copies of it were ever manufactured originally, however it was subsequently reissued on CD in 1999. An incomplete bootleg video of this show is also in circulation.  The band were sued by the parents of the Native American boy pictured on the cover of Ceremony, for alleged exploitation and for the unauthorized use of the child's image. This image of the boy is also burned in the video for "Wild Hearted Son". This lawsuit delayed the release of Ceremony in many countries including South Korea and Thailand, which did not see the record's release until late 1992, and it was unreleased in Turkey until the Cult played several shows in Istanbul in June 1993.  A world tour followed with backing from future Thin Lizzy drummer Michael Lee and bassist Kinley Wolfe, and keyboardist John Sinclair returning one last time, and the Gathering of the Tribes moved to the UK. Here artists such as Pearl Jam performed. The warm-up gig to the show, in a small nightclub, was dedicated to the memory of Nigel Preston, who had died a few weeks earlier at the age of 31. Following the release of the single "The Witch" (#9 in Australia) and the performance of a song for the 1992 Buffy the Vampire Slayer movie soundtrack entitled "Zap City", produced by Steve Brown and originally a B-side to "Lil' Devil", two volumes of remixes of "She Sells Sanctuary", called Sanctuary Mixes MCMXCIII, volumes one and two, and in support of Pure Cult: for Rockers, Ravers, Lovers, and Sinners, a greatest hits compilation which debuted at No. 1 on the British charts and later went to number one in Portugal, Astbury and Duffy fired the "backing band" and recruited Craig Adams (the Mission) and Scott Garrett for performances across Europe in 1993, with some shows featuring Mike Dimkich on rhythm guitar. This tour marked the first time the band performed in Turkey, Greece, and the Slovak Republic.

Answer this question "did they have permission to use the image?"
output: alleged exploitation and for the unauthorized use of the child's image.

Question: Ronald Shannon Jackson (January 12, 1940 - October 19, 2013) was an American jazz drummer and composer from Fort Worth, Texas. A pioneer of avant-garde jazz, free funk, and jazz fusion, he appeared on over 50 albums as a bandleader, sideman, arranger, and producer. Jackson and bassist Sirone are the only musicians to have performed and recorded with the three prime shapers of free jazz: pianist Cecil Taylor, and saxophonists Ornette Coleman and Albert Ayler.

Once in New York, Jackson performed with many jazz musicians, including Charles Mingus, Betty Carter, Jackie McLean, Joe Henderson, Kenny Dorham, McCoy Tyner, Stanley Turrentine, and others. Whenever he would ask Charles Mingus to consider him for his group, Mingus used to push him "rudely out of his way". After Jackson sat in with pianist Toshiko Akiyoshi, he heard loud clapping behind him. It was Mingus, who asked him to play with his band.  In 1966 Jackson recorded drums for saxophonist Charles Tyler's release, Charles Tyler Ensemble. Between 1966 and 1967, he played with saxophonist Albert Ayler and is featured on At Slug's Saloon, Vol. 1 & 2. He is also on disks 3 and 4 of Ayler's Holy Ghost: Rare & Unissued Records (1962-70). Jackson said Ayler was "the first (leader) that really opened me up. He let me play the drums the way I did in Fort Worth when I wasn't playing for other people." John Coltrane's death in July 1967 devastated Jackson. He spent the next few years addicted to heroin. He said, "I couldn't play drums then, spiritually.... I just didn't feel right." From 1970-74, he did not perform, but continued to practice.  In 1974, pianist Onaje Allan Gumbs introduced Jackson to Nichiren Buddhism and chanting. Although initially reluctant, Jackson decided to try it for three weeks. "Then three months had passed. It pulled me together and pulled me out and I was able to focus. I was a Buddhist and a vegetarian for 17 years."  By 1975 he joined saxophonist Ornette Coleman's electric free funk band, Prime Time. During his stint in Prime Time, Coleman taught Jackson composition and harmolodics. Jackson says that Coleman told him he was hearing music "in that piccolo range," and encouraged him to compose on the flute. Jackson went to Paris with Prime Time in 1976 to perform concerts and record Dancing in Your Head and Body Meta.  In 1978, Jackson played on four albums with pianist Cecil Taylor: Cecil Taylor Unit, 3 Phasis, Live in the Black Forest, and One Too Many Salty Swift and Not Goodbye.

Using a quote from the above article, answer the following question: What was his career?
HHHHHH
Answer:
Jackson performed with many jazz musicians,