Some context: Brad Rogers Carson (born March 11, 1967) is an American lawyer and politician from the state of Oklahoma who served as the Acting Under Secretary of Defense for Personnel and Readiness from 2015-16. In that role, he initiated a number of notable reforms to include opening up all combat positions to women, open service by transgender service members, and new recruiting and retention practices. A member of the Democratic Party, he served in the United States House of Representatives from 2001-05. He served as Undersecretary of the Army from 2014-15 and as General Counsel of the Army from 2012-2014.
In 2004, Carson sought the open U.S. Senate seat being vacated by retiring Republican Don Nickles. Although he easily won the Democratic nomination, he faced a tough general election contest with Coburn, who had won the nomination by an unexpectedly large margin. Carson described himself as a Conservative Democrat. Carson distanced himself from the national Democratic Party on most public policy matters. He portrayed himself as more moderate than his Republican opponent. Coburn, by contrast was one of the "true believers" in the 1995 Republican House freshman class and its Contract With America. This race was considered one of a handful of competitive races for the U.S. Senate in 2004.  Both Carson and Coburn were fairly conservative on social issues. For example, Coburn and Carson both presented themselves as supporting the traditional definition of marriage as "a union of one man and one woman" in the gay marriage debate. Although registered Democrats outnumbered registered Republicans in Oklahoma by almost 2 to 1 at the time, most Oklahoma Democrats are quite conservative by national standards.  By many accounts, the 2004 U.S. Senate campaign between Carson and Coburn was one of the most partisan races of that year. Coburn claimed that a vote for Carson was a vote for Democrats such as Tom Daschle, Hillary Clinton and Ted Kennedy. Carson was also hampered by George W. Bush's tremendous popularity in the state (the John Kerry campaign made virtually no effort in Oklahoma). In the November election, Coburn defeated Carson by a large margin, 53 percent to 42 percent. While Carson trounced Coburn in the 2nd District, Coburn swamped Carson in the Oklahoma City metropolitan area and the closer-in Tulsa suburbs. Coburn won the state's two largest counties, Tulsa and Oklahoma, by a combined 86,000 votes -- more than half of his overall margin of 166,000 votes.  Despite Carson's loss, election analyst Stuart Rothenberg called the Carson campaign one of the four best run campaigns in the nation in 2004. The Weekly Standard called him "The Perfect Democrat" After the election, Carson wrote an article for The New Republic which was the subject of much discussion.
Did he win the election?
A: In the November election, Coburn defeated Carson
Some context: Melungeon ( m@-LUN-j@n) is a term traditionally applied to one of numerous "tri-racial isolate" groups of the Southeastern United States. Historically, Melungeons were associated with the Cumberland Gap area of central Appalachia, which includes portions of East Tennessee, Southwest Virginia, and eastern Kentucky. Tri-racial describes populations thought to be of mixed European, African and Native American ancestry. Although there is no consensus on how many such groups exist, estimates range as high as 200.
According to the principle of partus sequitur ventrem, which Virginia incorporated into law in 1662, children were assigned the social status and ethnicity of their mother, regardless of their father's ethnicity or citizenship. This meant the children of African slave mothers were born into slavery. But it also meant the children of free white or mulatto women, even if fathered by enslaved African men, were born free. The free descendants of such unions formed many of the oldest free families of color. Early colonial Virginia was very much a "melting pot" of peoples, and some of these early multiracial families were ancestors of the later Melungeons. Each family line has to be traced separately. Over the generations, most individuals of the group called Melungeon were persons of mixed European and African descent, whose ancestors had been free in colonial Virginia.  Edward Price's dissertation on Mixed-Blood Populations of the Eastern United States as to Origins, Localizations, and Persistence (1950) stated that children of European and free black unions had intermarried with persons of Native American ancestry. These conclusions have been largely upheld in subsequent scholarly and genealogical studies. In 1894, the U.S. Department of the Interior, in its "Report of Indians Taxed and Not Taxed," noted that the Melungeons in Hawkins County "claim to be Cherokee of mixed blood". The term Melungeon has since sometimes been applied as a catch-all phrase for a number of groups of mixed-race ancestry.  In 2012, the genealogist Roberta Estes and her fellow researchers reported that the Melungeon lines likely originated in the unions of black and white indentured servants living in Virginia in the mid-1600s before slavery became widespread. They concluded that as laws were put in place to prevent the mixing of races, the family groups could only intermarry with each other. They migrated together from western Virginia through the Piedmont frontier of North Carolina, before settling primarily in the mountains of East Tennessee.
what is the most important aspect of this article?
A: that children of European and free black unions had intermarried with persons of Native American ancestry.
Some context: Lyman Frank Baum (May 15, 1856 - May 6, 1919), better known as L. Frank Baum, was an American author chiefly famous for his children's books, particularly The Wonderful Wizard of Oz and its sequels. He wrote a total of 14 novels in the Oz series, plus 41 other novels, 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and the nascent medium of film; the 1939 adaptation of the first Oz book would become a landmark of 20th century cinema. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high-risk and action-heavy occupations (Mary Louise in the Country), police corruption and false evidence (Phoebe Daring), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).
Baum embarked on his lifetime infatuation--and wavering financial success--with the theater. A local theatrical company duped him into replenishing their stock of costumes on the promise of leading roles coming his way. Disillusioned, Baum left the theater -- temporarily -- and went to work as a clerk in his brother-in-law's dry goods company in Syracuse. This experience may have influenced his story "The Suicide of Kiaros", first published in the literary journal The White Elephant. A fellow clerk one day was found locked in a store room dead, probably from suicide.  Baum could never stay away long from the stage. He performed in plays under the stage names of Louis F. Baum and George Brooks. In 1880, his father built him a theater in Richburg, New York, and Baum set about writing plays and gathering a company to act in them. The Maid of Arran proved a modest success, a melodrama with songs based on William Black's novel A Princess of Thule. Baum wrote the play and composed songs for it (making it a prototypical musical, as its songs relate to the narrative), and acted in the leading role. His aunt Katharine Gray played his character's aunt. She was the founder of Syracuse Oratory School, and Baum advertised his services in her catalog to teach theater, including stage business, play writing, directing, translating (French, German, and Italian), revision, and operettas.  On November 9, 1882, Baum married Maud Gage, a daughter of Matilda Joslyn Gage, a famous women's suffrage and feminist activist. While Baum was touring with The Maid of Arran, the theater in Richburg caught fire during a production of Baum's ironically titled parlor drama Matches, destroying the theater as well as the only known copies of many of Baum's scripts, including Matches, as well as costumes.
What was his first leading role?
A:
A Princess of Thule.