Answer the question at the end by quoting:

Masami Akita (Qiu Tian  Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.
Merzbow's sounds employ the use of distortion, feedback, and noises from synthesizers, machinery, and home-made noisemakers. While much of Merzbow's output is intensely harsh in character, Akita does occasionally make forays into ambient music. Vocals are employed sometimes, but never in a lyrical sense. Contrary to most harsh noise music, Akita also occasionally uses elements of melody and rhythm.  Akita's early work consisted of industrial noise music made from tape loops and conventional instruments. Similar to his present albums, he produced lengthy, disorienting pieces. He also became famous for the sheer volume of his releases.  The avant-garde nature of Akita's work made acceptance by mainstream and unprepared audiences difficult. When he performed with Kiyoshi Mizutani in 1988 at the Jazz-on-Amur festival in Khabarovsk, the Far East of USSR, his improvised, experimental electroacoustic set was praised by fellow musicians as well as the festival's producer. The number of the - jazz-oriented (and - even just curious) - crowd, however, had been expecting a more traditional (and much-much more quiet) performance, and started walking out. Prior to his second performance at the festival -- which was to be made to an even more conservative audience-- Akita was asked to play "more musically." On that first stage, Merzbow used the finest example of "classical analogue live noisemaiking technologies" to display: untuned guitar, a drumset, various micro-objects, small springs centered in its shell baffles, large aluminium boxes with strings inside to be attacked with a fiddlestick, etc. along with multi- piezo-pickuping and close-miking techniques, live processing through vintage US fuzz, ring modulator etc. boxes, and quite vivid and spontaneous approach, backed by domestically supplied slide and light shows. These live recordings were post-processed/re-mixed and released as Live in Khabarovsk, CCCP (I'm Proud by Rank of the Workers) LP - and as the (once more re-mixed comparing to the LP) CD 26 of the Merzbox later on.  During the 1990s Akita's work became much harsher and was generally mastered at a louder volume than usual. These were heavily influenced by death metal and grindcore bands of the time (a prime example is the Venereology album). The mid-1990s saw Akita being heavily influenced by psychedelic bands and this was reflected in various albums.

what else was notable about their style?

Akita's work became much harsher and was generally mastered at a louder volume than usual.

Some context: Cronin was born in Excelsior District of San Francisco, California. The 1906 San Francisco earthquake had cost his Irish Catholic parents almost all of their possessions. Cronin attended Sacred Heart High School. He played several sports as a child and he won a city tennis championship for his age group when he was 14.
At the end of the 1947 season, Cronin succeeded Eddie Collins as general manager of the Red Sox and held the post for over 11 years, through mid-January 1959. The Red Sox challenged for the AL pennant in 1948-49 (finishing second by a single game both seasons) thanks to Cronin's aggressive trades. In his first off-season, he acquired shortstop Vern Stephens and pitchers Ellis Kinder and Jack Kramer from the St. Louis Browns; all played major roles in Boston's contending 1948 season, and Kinder and Stephens were centerpieces of the Red Sox' 1949-50 contenders as well.  But the Red Sox began a slow decline during the 1950s and did not seriously contend after 1950. With the exception of Ted Williams (who missed most of the 1952-53 seasons while serving in the Korean War), the 1946-50 core of the team aged quickly and the Red Sox faced a significant rebuilding job starting in 1952. Cronin's acquisition of future American League Most Valuable Player Jackie Jensen from Washington in 1954 represented a coup, but the club misfired on several "bonus babies" who never lived up to their potential.  Most attention has been focused on Cronin and Yawkey's refusal to integrate the Red Sox roster; by January 1959, when Cronin's GM term ended, the Red Sox were the only team in the big leagues without an African-American or Afro-Caribbean player. Notably, Cronin once passed on signing a young Willie Mays and never traded for an African-American player. The Red Sox did not break the baseball color line until six months after Cronin's departure for the AL presidency, when they promoted Pumpsie Green, a utility infielder, from their Triple-A affiliate, the Minneapolis Millers, in July 1959.
When did he become the GM of the red sox?
A: At the end of the 1947 season,

IN: Helen Fielding is an English novelist and screenwriter, best known as the creator of the fictional character Bridget Jones, and a sequence of novels and films beginning with the life of a thirtysomething singleton in London trying to make sense of life and love. Bridget Jones's Diary (1996) and Bridget Jones: The Edge of Reason (1999) were published in 40 countries and sold more than 15 million copies. The two films of the same name achieved international success.

Fielding grew up in Morley, West Yorkshire, a textile town on the outskirts of Leeds in the north of England. Her father was managing director of a textile factory, next door to the family home, that produced cloth for miners' donkey jackets. He died in 1982 and her mother, Nellie, still lives in Yorkshire. Fielding attended Wakefield Girls' High School, one of the Grammar Schools in the Wakefield Grammar School Foundation. She has three siblings, Jane, David and Richard. Fielding studied English at St Anne's College, Oxford and was part of the Oxford revue at the 1978 Edinburgh Festival, forming a continuing friendship with a group of comic performers and writers including Richard Curtis and Rowan Atkinson.  Fielding began work at the BBC in 1979 as a regional researcher on the news magazine Nationwide. She progressed to working as a production manager on various children's and light entertainment shows. In 1985 Fielding produced a live satellite broadcast from a refugee camp in Eastern Sudan for the launch of Comic Relief. She also wrote and produced documentaries in Africa for the first two Comic Relief fundraising broadcasts. In 1989 she was a researcher for an edition of the Thames TV This Week series "Where Hunger is a Weapon" about the Southern Sudan rebel war. These experiences formed the basis for her debut novel, Cause Celeb.  From 1990 - 1999 she worked as a journalist and columnist on several national newspapers, including The Sunday Times, The Independent and The Telegraph. Her best-known work, Bridget Jones's Diary, began its life as an unattributed column in The Independent in 1995. The success of the column led to two novels and their film adaptations. Fielding was part of the scriptwriting team for both.

Where did Helen Fielding grow up ?

OUT:
Fielding grew up in Morley, West Yorkshire, a textile town on the outskirts of Leeds in the north of England.