input: Pink has been credited for breaking boundaries and pushing the envelope throughout her career. She is regarded as the "most trailblazing artist" of her pop generation. Robert Hilburn of the Los Angeles Times says, "Pink stood up for her music, broke the music industry's mold and scored a breakout hit, challenging a school of teen singers to find their own sounds as well." He adds, "[Pink] also started a race among other teen pop stars like Christina Aguilera to add substance to their own sound." Ann Powers refers to her as a "powerhouse vocalist", stating her mix of rebellion, emotional rawness, humor, and "infectious" dance beats created "a model for the mashup approach of latter-day divas such as Katy Perry, Kesha, and even Rihanna." Rob Sheffield of Rolling Stone commented: "I think people respond to her sense of independence and dedication. It inspires people... This is a prolific pop artist who is sometimes famous and successful, sometimes obscure, who nonetheless keeps making her own kind of music."  James Montgomery of MTV describes her as "a fabulously fearless pop artist" who can "out-sing almost anyone out there. She can out-crazy Gaga or Lily. She's the total pop-star package, everything you'd want in a singer/entertainer/icon. And still, she remains oddly off the radar. Such is the price of busting borders". Entertainment Weekly said: "She essentially invented the whole modern wave of Pop Diva Domination: You can draw a straight line from "Get This Party Started" to Katy Perry, Kesha, pre-messianic Lady Gaga, and post-weird Rihanna." Glamour Magazine wrote: "When Pennsylvania-born Alecia Moore debuted in 2000, pop was dominated by long-locked blonds like Britney Spears, Christina Aguilera and Jessica Simpson. Pink changed the game. Without her, the last 13-years of big-voiced, tough chick music is hard to imagine."  Following her performance at the American Music Awards of 2012, LZ Granderson of CNN wrote: "... our culture's biggest sin may well be the auto-tuned syrup we've allowed to dominate the pop charts. All-time chart records are handed to vacuous acts such as the Black Eyed Peas and singing awards are given to vocal lightweights such as Taylor Swift [...] But thank God for Pink. [...] While Christina Aguilera has a tendency to oversing, Britney Spears can't sing, and Lauryn Hill sorta stopped singing, Pink has managed to carve a brilliant 13-year-career by being something that is incredibly rare these days--an artist." British soul singer Adele considers Pink's performance at Brixton Academy in London as one of "the most defining moments" in her life, saying "It was the Missundaztood record, so I was about 13 or 14. I had never heard, being in the room, someone sing like that live. I remember sort of feeling like I was in a wind tunnel, her voice just hitting me. It was incredible."  Pink's work has inspired several other artists including Demi Lovato, Kelly Clarkson, Taylor Swift, Katy Perry, Tegan and Sara, Ashley Tisdale, Alessia Cara, Victoria Justice, Adele, Julia Michaels, and Dua Lipa.

Answer this question "Are there any other interesting aspects about this article?"
output: Pink has been credited for breaking boundaries and pushing the envelope throughout her career.

input: On August 1, 2014, Parker signed a three-year, $43.3 million contract extension with the Spurs. The Spurs finished the 2014-15 season with a 55-27 record, but lost in the first round of the playoffs to the Los Angeles Clippers in seven games. Parker struggled in the playoffs due to injury and averaged 10.9 points a game on 36% shooting.  In the 2015-16 season, Parker helped the Spurs win a franchise-best 67 games while averaging 11.9 points per game. In the 2016 playoffs, the Spurs swept the Memphis Grizzlies in the first round, but were eliminated in the second round by the Oklahoma City Thunder in six games.  Heading into the 2016-17 season, Parker lost longtime teammate Tim Duncan to retirement. The Spurs finished the season with a 61-21 record, as they registered back-to-back 60-win seasons for the first time in franchise history. Parker played 63 games and averaged 10.1 points per game, his lowest average since his rookie season. In the 2017 playoffs, the Spurs were once again matched with the Memphis Grizzlies in the first round. San Antonio again defeated Memphis 4-2, with Parker averaging 16.3 points per game in the series. After scoring 18 points in Game 2 of the second round, a win against the Houston Rockets, Parker left the game with a rupture of his left quadriceps tendon that ended his season. Game 3 of the series marked San Antonio's first postseason game without Parker since 2001, which ended an NBA record of 221 straight playoff appearances for Parker. The injury required surgery and led some to speculate Parker could miss significant time, if he came back at all.  On November 27, 2017, in a 115-108 win over the Dallas Mavericks, Parker had six points and four assists in 14 minutes in his first appearance since tearing his quadriceps tendon. On November 29, Parker had 10 points and five assists while playing 18 minutes in his second game back.

Answer this question "Did they have a winning record?"
output: The Spurs finished the season with a 61-21 record,

input: Harrison's enduring fantasy sequence concerning the fictitious city of Viriconium consists of three novels and various short stories and novels written between 1971 and 1984. Viriconium is known as the Pastel City. Both universal and particular, the city has a shifting topography and history, and is sometimes known by names such as 'Uroconium'.  The first book, The Pastel City (1971), presents a civilization in decline where medieval social patterns clash with the advanced technology and superscience energy weapons that the citizens of the city know how to use but have forgotten how to engineer. The more complex second novel is A Storm of Wings (1982). It is set eighty years later than The Pastel City. and stylistically it is far denser and more elaborate. A race of intelligent insects is invading Earth as human interest in survival wanes. Harrison brilliantly depicts the workings of civilization on the verge of collapse and the heroic efforts of individuals to help it sustain itself a little longer.  The third novel, In Viriconium (1982) (US title: The Floating Gods), was nominated for the Guardian Fiction Prize during 1982. It is a moody portrait of artistic subcultures in a city beset by a mysterious plague. Where the previous books in the series held some sword and sorcery elements, In Viriconium goes beyond black humour into a coma of despair.  The short story "A Young Man's Journey to Viriconium" (1985; later retitled "A Young Man's Journey to London") is set in our world. It explains that Viriconium can be visited via a mirror in a bathroom in a cafe in England.

Answer this question "do the insects win against humans?"
output:
Harrison brilliantly depicts the workings of civilization on the verge of collapse and the heroic efforts of individuals to help it sustain itself a little longer.