input: On 17 February 2012, Henry returned to Red Bulls to prepare for the 2012 season. His base salary of $5 million ($5.6 million guaranteed) made him the highest-paid player in the MLS--surpassing David Beckham, who had taken a salary cut for his last year with the Los Angeles Galaxy. In 2013, Henry's base salary dropped to $3.75 million setting him behind Robbie Keane's $4 million base salary. With bonuses, however, Henry remained the highest-paid player with $4.35 million compared to Keane's $4.33 million.  On 31 March 2012, Henry scored his first MLS hat-trick in a 5-2 Red Bulls win over the Montreal Impact. He was named MLS Player of the Month that same month. On 27 October 2013, Henry scored once and provided two assists in the last game of the season against the Chicago Fire at Red Bull Arena to help his team win 5-2 and become champions of the regular season. It was the club's first major trophy in their 17-year history.  On 12 July 2014, Henry provided a goal and three assists in a 4-1 Red Bulls win over the Columbus Crew. With that effort he became the all-time assist leader for the New York Red Bulls with 37, surpassing Amado Guevara and Tab Ramos.  On 1 December 2014, it was announced that Henry had left the Red Bulls after four-and-a-half years at the club. On 16 December, he announced his retirement as a player and stated that he would begin working for Sky Sports as a pundit.

Answer this question "what position did he play?"
output: With that effort he became the all-time assist leader for the New York Red Bulls with 37, surpassing Amado Guevara and Tab Ramos.

input: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish.  In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year.  Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds.  In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.

Answer this question "What was particular of this album as well as past albums?"
output: For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said.

input: In 1959 King got to know Sonny Thompson, a pianist, producer, and A&R man for Cincinnati's King Records. King's owner, Syd Nathan, signed King to the subsidiary Federal Records in 1960. King recorded his debut single for the label on August 26, 1960: "Have You Ever Loved a Woman" backed with "You've Got to Love Her with a Feeling" (again credited as "Freddy" King). From the same recording session at the King Studios in Cincinnati, Ohio, King cut the instrumental "Hide Away," which the next year reached number 5 on the R&B chart and number 29 on the Pop chart, an unprecedented accomplishment for a blues instrumental at a time when the genre was still largely unknown to white audiences. It was originally released as the B-side of "I Love the Woman". "Hide Away" was King's melange of a theme by Hound Dog Taylor and parts by others, such as "The Walk", by Jimmy McCracklin, and "Peter Gunn", as credited by King. The title of the tune refers to Mel's Hide Away Lounge, a popular blues club on the West Side of Chicago. Willie Dixon later claimed that he had recorded King performing "Hide Away" for Cobra Records in the late 1950s, but such a version has never surfaced. "Hide Away" became a blues standard.  After their success with "Hide Away," King and Thompson recorded thirty instrumentals, including "The Stumble," "Just Pickin'," "Sen-Sa-Shun," "Side Tracked," "San-Ho-Zay," "High Rise," and "The Sad Nite Owl". They recorded vocal tracks throughout this period but often released the tunes as instrumentals on albums.  During the Federal period, King toured with many notable R&B artists of the day, including Sam Cooke, Jackie Wilson, and James Brown.

Answer this question "Did they produce records for him"
output:
King recorded his debut single for the label on August 26, 1960: "Have You Ever Loved a Woman" backed with "You've Got to Love Her with a Feeling" (