Question: Dion Francis DiMucci (born July 18, 1939), better known mononymously as Dion, is an American singer, songwriter whose work has incorporated elements of doo-wop, rock and R&B styles--and, most recently, straight blues. He was one of the most popular American rock and roll performers of the pre-British Invasion era. He had 39 Top 40 hits in the late 1950s and early 1960s as a solo performer, with the Belmonts or with the Del Satins. He is best remembered for the singles "Runaround Sue", "The Wanderer", "Ruby Baby" and "Lovers Who Wander", among his other hits.

Bob and Gene Schwartz also signed Dion's friends, the Belmonts, (Carlo Mastrangelo, Fred Milano, and Angelo D'Aleo), a vocal group named for nearby Belmont Avenue, and teamed them, with Dion singing lead. The new group's breakthrough came in early 1958, when "I Wonder Why" (on their newly formed "Laurie" label) made No. 22 on the U.S. charts. Dion said of the Belmonts; "I'd give 'em sounds. I'd give 'em parts and stuff. That's what 'I Wonder Why' was about. We kind of invented this percussive rhythmic sound. If you listen to that song, everybody was doing something different. There's four guys, one guy was doing bass, I was singing lead, one guy's going 'ooh wah ooh,' and another guy's doing tenor. It was totally amazing. When I listen to it today, oftentimes I think, 'man, those kids are talented.'"  Their initial hit was followed by "No One Knows" and "Don't Pity Me," which also charted the Billboard Top 100. This success won a place for Dion and the Belmonts on the ill-fated "The Winter Dance Party" tour with Buddy Holly, Ritchie Valens, the Big Bopper (J.P. Richardson), Frankie Sardo, and other performers. On February 3, 1959, after a concert stop in Clear Lake, Iowa, Holly and others decided to charter a flight to the next venue rather than travel on the tour bus. Dion was invited to accompany the group but decided that he did not want to spend $36 for the flight, as it was the same monthly rent his parents paid for his childhood apartment and he couldn't justify the indulgence. The plane crashed, killing all on board; Holly, Valens, Richardson, and the pilot Roger Peterson. Dion and the Belmonts continued on the tour, along with Frankie Sardo, while Bobby Vee, then an unknown artist, performed in Holly's place at the very next concert. Later, Jimmy Clanton, Frankie Avalon, and Fabian were added to replace the other now-deceased headliners.  Dion and the Belmonts' next single, "A Teenager in Love," was released in March 1959, eventually hitting No. 5 on the U.S. pop charts and No. 28 in the UK. The group's biggest hit, "Where or When," was released in November of that year, and reached No. 3 on the U.S. charts. However, in early 1960, Dion checked into hospital for heroin addiction, a problem he had had since his mid-teens. Further single releases for the group that year were less successful. There were musical, personal and financial differences between Dion and members of the Belmonts, and in October 1960, Dion decided to quit for a solo career. By the time of their breakup, all eight Laurie releases had charted on the Hot 100.

Using a quote from the above article, answer the following question: Did the Belmont have released singles ?
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Answer: The new group's breakthrough came in early 1958, when "I Wonder Why" (


Question: John William Money (8 July 1921 - 7 July 2006) was a psychologist, sexologist and author, specializing in research into sexual identity and biology of gender. He was one of the first scientists to study the psychology of sexual fluidity and how the societal constructs of "gender" affect an individual. More recent academic studies have criticized Money's work in many respects, particularly in regards to his involvement with the sex-reassignment of David Reimer and his eventual suicide. Money's writing has been translated into many languages, and includes around 2,000 articles, books, chapters and reviews.

In this book (Oxford 1988: 116), Money develops a conception of 'bodymind,' as a way for scientists, in developing a science about sexuality, to move on from the platitudes of dichotomy between nature versus nurture, innate versus the acquired, biological versus the social, and psychological versus the physiological. He suggests that all of these capitalize on the ancient, pre-Platonic, pre-biblical conception of body versus the mind, and the physical versus the spiritual. In coining the term "bodymind", in this sense, Money wishes to move beyond these very ingrained principles of our folk or vernacular psychology.  Money also develops here (Oxford 1988: 114-119) a view of "Concepts of Determinism," which, transcultural, transhistorical, and universal, all people have in common, sexologically or otherwise. These include pairbondage, troopbondage, abidance, ycleptance, foredoomance, with these coping strategies: adhibition (engagement), inhibition, explication.  Money suggests that the concept of threshold (Oxford 1988: 115) - the release or inhibition of sexual (or other) behavior - is most useful for sex research as a substitute for any concept of motivation. Moreover, it confers the distinct advantage of having continuity and unity to what would otherwise be a highly disparate and varied field of research. It also allows for the classification of sexual behavior. For Money, the concept of threshold has great value because of the wide spectrum to which it applies. "It allows one to think developmentally or longitudinally, in terms of stages or experiences that are programmed serially, or hierarchically, or cybernetically (i.e. regulated by mutual feedback)." (Oxford 1988: 116)

Using a quote from the above article, answer the following question: What does the book say about erotic orientation?
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Answer:
Money develops a conception of 'bodymind,' as a way for scientists, in developing a science about sexuality,