input: During rehearsals, a dance routine was devised for the song which went on to become famous for the moment where the girls' skirts are ripped off halfway through - only to reveal shorter skirts underneath. The routine itself was choreographed by Chrissie Wickham, a former member of dance troupe Hot Gossip, although Martin, Baker and Aston have all since laid claim to the skirt-rip idea.  On 11 March, A Song for Europe took place with the then unknown Bucks Fizz competing against well-known act Liquid Gold, as well as Hill and Martin's own group, Gem. "Making Your Mind Up" became an easy winner and the group recorded the song with Hill as producer. Later in the month it was released as a single and entered the charts at No.24. By the time the contest was staged, the single had risen to No.2.  On 4 April, Bucks Fizz represented United Kingdom in the 1981 Eurovision Song Contest, which was held in Dublin. Although they were favourites to win, the song faced stiff competition and after a vocally unsound rendition, the early votes were poor. Halfway through the voting process, Bucks Fizz took the lead, although they remained close throughout. Ultimately, Bucks Fizz won the contest by a margin of four points, beating Germany into second place. "Making Your Mind Up" became a major hit around the continent, reaching No.1 in the UK as well as eight other countries. It charted highly in other countries such as Australia, eventually selling four million copies worldwide.

Answer this question "Did this cause any problems?"
output: although Martin, Baker and Aston have all since laid claim to the skirt-rip idea.

input: Despite never winning a championship Formula One Grand Prix, Amon won eight non-championship GPs, the Silverstone International Trophy, the 1000 km Monza, the Daytona 24 Hours, the Tasman Series and, perhaps most significant of all, the famous 24 Heures du Mans (alongside Bruce McLaren). These races included many of Amon's otherwise more successful fellow Formula One drivers.  In Formula One, Chris Amon took part in 96 Grands Prix, achieving 5 poles, leading 183 laps in 7 races, reaching the podium 11 times and scoring a total of 83 Championship points. Amon holds the record for the most different makes of car raced by a Formula 1 World Championship driver, with thirteen. A biography Forza Amon by journalist Eoin Young charts Amon's racing career and gives some insights into his personal life. The book makes clear one point on which Amon himself disagrees with most commentators, the issue of his bad luck. Amon has pointed out on several occasions that he competed for a decade and a half in Formula One and survived some serious accidents, notably in 1976, whilst others, including friends like Bruce McLaren, suffered serious injury and death. In 2008, motorsport journalist Alan Henry rated Chris Amon as his 13th greatest driver.  Reflecting on the 1968 racing death of Jim Clark, Amon said: "If this can happen to Jimmy, what chance do the rest of us have? I think we all felt that. It seemed like we'd lost our leader." In 1995, Amon was inducted into the New Zealand Sports Hall of Fame.  Amon's name has been given to a motorsport series involving Toyota cars and to the Chris Amon International Scholarship to support drivers who have become champions in the New Zealand Toyota Racing Series to further their careers in single-seater racing. Following his death, his name was also lent to the Manfeild Autocourse in Feilding, Manawatu.

Answer this question "did he set any records?"
output: Amon holds the record for the most different makes of car raced by a Formula 1 World Championship driver,

input: The combination of classical music, the musical atmosphere present around Texarkana (including work songs, gospel hymns, spirituals and dance music) and Joplin's natural ability have been cited as contributing significantly to the invention of a new style that blended African-American musical styles with European forms and melodies, and first became celebrated in the 1890s: ragtime.  When Joplin was learning the piano, serious musical circles condemned ragtime because of its association with the vulgar and inane songs "...cranked out by the tune-smiths of Tin Pan Alley." As a composer Joplin refined ragtime, elevating it above the low and unrefined form played by the "...wandering honky-tonk pianists... playing mere dance music" of popular imagination. This new art form, the classic rag, combined Afro-American folk music's syncopation and 19th-century European romanticism, with its harmonic schemes and its march-like tempos. In the words of one critic, "Ragtime was basically... an Afro-American version of the polka, or its analog, the Sousa-style march." With this as a foundation, Joplin intended his compositions to be played exactly as he wrote them - without improvisation. Joplin wrote his rags as "classical" music in miniature form in order to raise ragtime above its "cheap bordello" origins and produced work that opera historian Elise Kirk described as, "... more tuneful, contrapuntal, infectious, and harmonically colorful than any others of his era."  Some speculate that Joplin's achievements were influenced by his classically trained German music teacher Julius Weiss, who may have brought a polka rhythmic sensibility from the old country to the 11-year old Joplin. As Curtis put it, "The educated German could open up the door to a world of learning and music of which young Joplin was largely unaware."  Joplin's first and most significant hit, the "Maple Leaf Rag", was described as the archetype of the classic rag, and influenced subsequent rag composers for at least 12 years after its initial publication thanks to its rhythmic patterns, melody lines, and harmony, though with the exception of Joseph Lamb, they generally failed to enlarge upon it.

Answer this question "How much money did Joplin die with?"
output: