Problem: The Aquabats! Super Show! is an American action-comedy musical television series which aired from March 3, 2012 to January 18, 2014 on Hub Network. The series was created by Christian Jacobs and Scott Schultz, both the creators of the Nick Jr. series Yo Gabba Gabba!, and Jason deVilliers. Based on the superhero mythology of The Aquabats, a real-life comedy rock/ska band which series co-creator and lead singer Jacobs formed in 1994, The Aquabats!

In 1994, musicians Christian Jacobs, Chad Larson and former member Boyd Terry formed The Aquabats in Brea, California. Influenced as much by cartoons and camp television as theatrical bands like Devo and Oingo Boingo, The Aquabats gained instant notoriety in the Orange County music scene for their eccentric persona in which they claimed to be a band of superheroes on a quest to save the world and their elaborate stage shows which regularly featured scripted fights with costumed villains alongside similar stunts and comedy sketches.  The Aquabats' second studio album, 1997's The Fury of The Aquabats!, proved to be a minor commercial breakthrough for the group, charting on the Billboard 200 and bringing them exposure through such venues as MTV, leading Jacobs - a former child actor with ties in the industry - to develop the concept of adapting the band's mythology for television. In 1998, Buena Vista Television helped produce a live-action mini-pilot directed by comedian Bobcat Goldthwait titled simply The Aquabats!, following the comic misadventures of the then-eight member band in an over-the-top camp style similar to Saturday morning cartoon shows. The pilot, which has yet to be made available for public viewing, failed to generate any network interest and was ultimately even disowned by the band themselves.  Undeterred, The Aquabats made an attempt at a second pilot the following year, using a music video budget granted by their record label Goldenvoice Records for their 1999 album The Aquabats vs. the Floating Eye of Death!. Independently directed and produced by Jacobs and his creative partner Scott Schultz, the result was a five-minute promo video entitled The Aquabats in Color!. In contrast to the wackier tone of the previous pilot, The Aquabats in Color! was a more action-oriented superhero series modeled after Japanese tokusatsu shows such as Kamen Rider. According to Jacobs, the Fox Family Channel reportedly expressed interest in the series and ordered production on a proper pilot episode, though following the channel's acquisition by Disney in 2001, the project was cancelled.

When did they form?

Answer with quotes: In 1994,

Background: Brown was born in Mineola, a small segregated town in east Texas marked by racial tensions, to Minnie Collins Boyd and Lewis Brown. Brown was the fourth of five children. During Brown's childhood, mob violence periodically erupted in Mineola, keeping African- Americans from voting. His first job was a shoeshine boy in a whites-only barber shop.
Context: One of Brown's central campaign promises was his "100-Day Plan for Muni," in which he boasted he would fix the city's municipal bus system in that many days. Brown supported the "Peer Pressure" Bus Patrol program, which paid former gang members and troubled youth to patrol Muni buses. Brown claimed the program helped reduce crime. He fired Muni chief Phil Adams and replaced him with his chief of staff Emilio Cruz. In 1998, Brown was Mayor during the summer of the Muni meltdown as Muni implemented the new ATC system and Brown promised riders there would be better times ahead. A voter approved initiative in the following year would help improve Muni services. Brown increased Muni's budget by tens of millions of dollars over his tenure. Brown later said he made a mistake in over promising with his 100-Day Plan.  Brown helped mediate a settlement to the 1997 BART strike.  During his first term as mayor, Brown quietly favored the demolition and abolition of the Transbay Terminal to accommodate the redevelopment of the site for market-rate housing. Centrally located at First and Mission Streets near the Financial District and South Beach, the terminal originally served as the San Francisco terminus for the electric commuter trains of the East Bay Electric Lines, the Key System of streetcars and the Sacramento Northern railroads which ran on the lower deck of the San Francisco-Oakland Bay Bridge. Following the termination of streetcar service in 1958, the terminal has seen continuous service as a major bus facility for East Bay commuters; AC Transit buses transport riders from the terminal directly into neighborhoods throughout the inner East Bay. The terminal also serves passengers traveling to San Mateo County and the North Bay aboard SamTrans and Golden Gate Transit buses respectively, and to tourists arriving by bus motorcoach. Today, the terminal is being planned for redevelopment as a region wide mass transit hub maintaining the current bus services, but with a new tunnel that would extend the Caltrain commuter rail line from its current terminus at Fourth and Townsend Streets to the site. Once completed, Caltrain riders would no longer need to transfer to Muni in order to reach the downtown financial district. Additionally, the heavy rail portion of the terminal would be designed to accommodate the planned High Speed Rail lines to Los Angeles.  In 1998, The Berkeley, California-based Bicycle Civil Liberties Union, produced a two-hour documentary film in the muckraker journalism tradition, July 25: The Secret is Out, which gives evidence of Brown's designs for the Transbay Terminal site.
Question: Why did they produce a documentary?
Answer: July 25: The Secret is Out, which gives evidence of Brown's designs for the Transbay Terminal site.

Question:
Graziano was the son of Ida Scinto and Nicola Barbella. Barbella, nicknamed Fighting Nick Bob, was a boxer with a brief fighting record. Born in Brooklyn, Graziano later moved to an Italian enclave centered on East 10th Street, between First Avenue and Avenue A in Manhattan's East Village. He grew up as a street fighter and learned to look after himself before he could read or write.
Graziano heard from a couple of his friends about a tournament going on with a gold medal for the winner. He entered under the name of Joe Giuliani and was trained by Tobias (Toby) Zaccaria of Kings County (Brooklyn), NY. He fought four matches and ended up winning the New York Metropolitan Amateur Athletic Union Boxing Competition (1939). He sold the gold medal for $15 and decided that boxing was a good way to make cash.  A couple of weeks into amateur fighting, Graziano was picked up for stealing from a school. He went to Coxsackie Correctional Facility, where he spent three weeks, with boyhood friend Jake LaMotta, and then he went on to the New York City Reformatory where he spent five months. After he got out of the reformatory, he headed back to the gym to earn money and while there, met Eddie Cocco who started his professional career. He entered the ring under the name Robert Barber. A couple of weeks later, Graziano was charged with a probation violation and sent back to reform school where he was charged with starting a minor  riot. He was then sent to Rikers Island.  When Graziano got out of jail he enlisted in the military but went AWOL after punching a captain. He escaped from Fort Dix in New Jersey and started his real boxing career under the name of "Rocky Graziano". He won his first couple of bouts. After gaining popularity under the name of Graziano, he was found by the military. After his fourth bout, he was called into manager's office to speak with a couple of military personnel. Expecting to be prosecuted and sent back to the military or jail, he fled. He returned to the military a week later. He turned himself in, but he was pardoned and given the opportunity to fight under the army's aegis.
Answer this question using a quote from the text above:

Did he go to jail for stealing?

Answer:
He went to Coxsackie Correctional Facility, where he spent three weeks,