Problem: Background: Jay Hanna "Dizzy" Dean (January 16, 1910 - July 17, 1974), also known as Jerome Herman Dean, was an American professional baseball player. He played in Major League Baseball as a pitcher for the St. Louis Cardinals, Chicago Cubs and the St. Louis Browns. A brash and colorful personality, Dean was the last National League pitcher to win 30 games in one season.
Context: While pitching for the NL in the 1937 All-Star Game, Dean faced Earl Averill of the American League Cleveland Indians. Averill hit a line drive back at the mound, hitting Dean on the foot. Told that his big toe was fractured, Dean responded, "Fractured, hell, the damn thing's broken!" Coming back too soon from the injury, Dean changed his pitching motion to avoid landing as hard on his sore toe enough to affect his mechanics. As a result, he hurt his arm, losing his great fastball.  By 1938, Dean's arm was largely gone. Chicago Cubs scout Clarence "Pants" Rowland was tasked with the unenviable job of obeying owner P. K. Wrigley's direct order to buy a washed-up Dizzy Dean's contract at any cost. Rowland signed the ragged righty for $185,000, one of the most expensive loss-leader contracts in baseball history. Dean helped the Cubs win the 1938 National League pennant. The Cubs had been in third place, six games behind the first place Pittsburgh Pirates led by Pie Traynor. By September 27, with one week left in the season, the Cubs had battled back to within a game and a half game of the Pirates in the National League standings as the two teams met for a crucial three-game series.  Dean pitched the opening game of the series and with an ailing arm, relied more on his experience and grit to defeat the Pirates by a score of 2 to 1. Dean would later call it the greatest outing of his career. The victory cut the Pirates' lead to a half game and, set the stage for one of baseball's most memorable moments when in the next game of the series, Cubs player-manager, Gabby Hartnett, hit his famous "Homer in the Gloamin'" to put the Cubs into first place. The Cubs clinched the pennant three days later. Dean pitched gamely in Game 2 of the 1938 World Series before losing to the New York Yankees in what became known as "Ol' Diz's Last Stand."  Dean made a one-game comeback on September 28, 1947. After retiring as a player, the still-popular Dean was hired as a broadcaster by the perennially cash-poor Browns to drum up some badly needed publicity. After broadcasting several poor pitching performances in a row, he grew frustrated, saying on the air, "Doggone it, I can pitch better than nine out of the ten guys on this staff!" The wives of the Browns pitchers complained, and management, needing to sell tickets somehow, took him up on his offer and had him pitch the last game of the season. At age 37, Dean pitched four innings, allowing no runs, and rapped a single in his only at-bat. Rounding first base, he pulled his hamstring. Returning to the broadcast booth at the end of the game, he said, "I said I can pitch better than nine of the ten guys on the staff, and I can. But I'm done. Talking's my game now, and I'm just glad that muscle I pulled wasn't in my throat."  In the 1950s, he appeared in guest starring roles on Faye Emerson's Wonderful Town on CBS and on The Guy Mitchell Show on ABC.
Question: Even though he had an ailing arm was it a good pitch?
Answer: relied more on his experience and grit to defeat the Pirates by a score of 2 to 1.

Problem: Background: Tom Jenkinson grew up in Chelmsford, Essex. The first school he attended was affiliated with Chelmsford Cathedral giving him exposure to organ music, which he has subsequently acknowledged as an influence on his work. He took an interest in music very early in life, and simultaneously became interested in music reproduction equipment. Much of his early experience of music was from scanning through various radio stations for anything that caught his ear irrespective of style or genre, and he was also fascinated by radio static and amplitude modulation artefacts on the Short Wave band.
Context: Jenkinson was offered a five album record contract with Warp Records in December 1995, which was duly signed, and this led him to defer his studies at Chelsea Art College. Early in 1996 Richard D. James completed the compilation process for Feed Me Weird Things which was made from over 50 tracks that Tom had given him on DAT, which were recorded from late 1994 to 1995. Around the same time Richard and Tom recorded two tracks together, one of which was subsequently edited by Tom and released as "Freeman Hardy & Willis Acid" on the We Are Reasonable People compilation album in 1998. Tom's contribution to the other track was reinterpreted and released as "Happy Little Wilberforce" on the Alt. Frequencies compilation released on Worm Interface in 1996. 1996 saw Jenkinson starting to be offered gigs both in the UK and in continental Europe.  Early that year Tom made the acquaintance of Talvin Singh who offered him a slot at his club night "Anokha" held at the Blue Note Club in Hoxton Square, London. Tom and Talvin went on to play together on several occasions during this period including improvised sessions at the end of the night at Anokha, one of which featured guitarist Guthrie Govan, and also at the first Big Chill Festival in 1996.  Shortly after the release of Feed Me Weird Things came "Port Rhombus" which was Tom's first release on Warp Records. The title track actually started life as a remix of a track by Ken Ishii, commissioned by R&S Records in Belgium. However the remix was rejected on the basis of it having insufficient similarity to Ken's piece. "Significant Others" uses the DR660 drum machine running through a spring reverb that Tom found at a jumble sale.
Question: What happened in 1996
Answer:
Early in 1996 Richard D. James completed the compilation process for Feed Me Weird Things