input: In 1984, Bunton junior returned to his former haunt of Subiaco, who as a result of the loss of such players as Mike Fitzpatrick had endured another bleak era over the previous nine seasons. The Lions had not participated in the finals since 1974 and had finished dead last in 1976, 1979, 1980 and 1982, when they were in danger of a winless season before beating East Fremantle in the seventeenth round. Since 1975 Subiaco had recorded only 44 wins from 189 games and had lost its "average" game over these nine seasons by a margin of 36 points.  However, under Bunton and aided by a powerful country zone, the Lions improved rapidly: from four wins and a percentage of 70 in 1983 they went to nine wins and a percentage of 100 in 1984 and fifteen wins and a percentage of 124.5 in 1985. Despite being in their first finals series since 1974, the Lions only just failed to beat East Fremantle in the grand final and gained ample revenge against the Sharks the following year by eleven and a half goals. Their team was sufficiently good to be competitive against VFL premiers Hawthorn in a post-season "challenge" match - ironically Hawthorn's win was led by Subiaco's one star of the bleak late 1970s and early 1980s in Gary Buckenara.  An irrepressible Claremont outfit under the innovative coaching of Gerard Neesham halted Subiaco in 1987, but the following year after losing the second semi to the Tigers and being unconvincing in the preliminary against East Fremantle, the Lions, playing a much more traditional game than Claremont and aided by the controversial inclusion of West Coast Eagle Laurie Keene, ran away to win by 62 points after an even first half.  The massive drain of players to the VFL meant Subiaco could not keep up this standard, and they won only six games each in 1989 and 1990 before returning to the Grand Final in 1991 only for Claremont to have its revenge. A thrashing by East Perth in the first week of the 1992 WAFL finals saw Bunton resign at the end of the season after having coached Subiaco's most successful era since before World War II.

Answer this question "Are there any other interesting aspects about this article?"
output: under Bunton and aided by a powerful country zone, the Lions improved rapidly:

input: Without the majority of its original members, the group was in decline, but the producers decided to continue with the concept and bet on launching a new generation. Surprisingly, in the midst of production, Claudio is fired from the group.  By the end of 1991, the band returns with five new members: Lorena Shelley, Daniel Gaytan, Tannya Velasco, Kenya Hijuelos and Alexa Lozano. Together with Diego and Silvia they record the album Timbiriche XI. Kenya leaves the group before the official presentation of the disc by decision of the creators of the group by conflicts between the new members, being replaced by Jean Duverger. This second generation is officially presented during a broadcast of Siempre en domingo, in which all former members were invited to introduce the new members. This meeting was unique, since it had almost all the members of the group, being the only ones missing Diego, due to health problems and Thalia, who was working in Spain.  Despite retaining the name and concept in general, there was a new musical style that mixed dance and tropical rhythms. Although the album was not so popular with fans of the first generation, it began to appeal to younger generations, thanks to hitls like Vanidosa, Solo te quiero a ti, Tierra dorada, and Piel a piel, receiving disc of Gold and platinum by high sales. Thanks to this the group could survive another year.  For 1993 they record Timbiriche XII, disc of which it was detached like the last success of the group: Muriendo Lento (cover of Slowly original song of the ex- singer of the Swedish group ABBA, Anni-Frid Lyngstad). But at the beginning of 1994 Alexa decided to leave the group, announcing it in a concert in Monterrey to the fans without having said before to the managers and companions. This was one of the reasons that led to the final disintegration.

Answer this question "How long did the second generation last?"
output: at the beginning of 1994 Alexa decided to leave the group,

input: Paglia was born in Endicott, New York, the eldest child of Pasquale and Lydia Anne (nee Colapietro) Paglia. All four of her grandparents were born in Italy. Her mother immigrated to the United States at five years old from Ceccano, in the province of Frosinone, Lazio, Italy. Additionally, Paglia has stated that her father's side of the family were from the Campanian towns of Avellino, Benevento, and Caserta. Paglia attended primary school in rural Oxford, New York, where her family lived in a working farmhouse. Her father, a veteran of World War II, taught at the Oxford Academy high school, and exposed his young daughter to art through books he brought home about French art history. In 1957, her family moved to Syracuse, New York, so that her father could begin graduate school; he eventually became a professor of Romance languages at Le Moyne College. She attended the Edward Smith Elementary School, T. Aaron Levy Junior High and William Nottingham High School. In 1992 Carmelia Metosh, her Latin teacher for three years, said, "She always has been controversial. Whatever statements were being made (in class), she had to challenge them. She made good points then, as she does now." Paglia thanked Metosh in the acknowledgements to Sexual Personae, later describing her as "the dragon lady of Latin studies, who breathed fire at principals and school boards".  She took a variety of names when she was at Spruce Ridge Camp, including Anastasia (her confirmation name, inspired by the film Anastasia starring Ingrid Bergman), Stacy, and Stanley. A crucially significant event for her was when an outhouse exploded after she poured too much lime into the latrine. "That symbolized everything I would do with my life and work. Excess and extravagance and explosiveness. I would be someone who would look into the latrine of culture, into pornography and crime and psychopathology... and I would drop the bomb into it".  For more than a decade, Paglia was the partner of artist Alison Maddex. Paglia legally adopted Maddex's son (who was born in 2002). In 2007 the couple separated but remained "harmonious co-parents," in Paglia's words, who lived two miles apart.  Paglia has claimed to identify as transgender and stated that she has "never identified at all with being a woman".

Answer this question "Was there anything particularly interesting about her personal life?"
output:
She took a variety of names when she was at Spruce Ridge Camp,