input: The only members from the original lineup, Wright and Mike Harrison relaunched Spooky Tooth with Jones and Graham from Wonderwheel, and Chris Stewart, formerly the bassist with English singer Terry Reid. Salewicz visited the band while they were recording at Island's Notting Hill studio and remarked of Wright's role in the group, "it is clear who is the leader of this brand of Spooky Tooth, and, I suspect, of the original, too"; Salewicz described Wright as "urbane, loquacious with the remnants of a New Jersey accent, and a touch of Dudley Moore about the face".  On their new album, You Broke My Heart So I Busted Your Jaw (1973), Wright composed six of the eight tracks, including "Cotton Growing Man", "Wildfire" and "Self Seeking Man", and co-wrote the remaining two. With the group's standing having been elevated since 1970 - a situation that music journalist Steven Rosen likened at the time to the Yardbirds, the Move and other 1960s bands after their break-up - Spooky Tooth toured extensively to promote the album. Rolling Stone reviewer Jon Tiven praised Wright's songwriting on You Broke My Heart, adding: "there is tremendous consistency to these originals ... and 'Wildfire' is ample proof that Gary could have written for the Temptations if he really wanted to."  The band released a follow-up, Witness, in November 1973, by which point Graham had departed, with Mike Kellie returning on drums. By February 1974, Stewart and Harrison had also left. In January that year, Wright accompanied George Harrison to India, where they journeyed to Varanasi (Benares), the Hindu spiritual capital of India, and home to Harrison's friend Ravi Shankar. The visit would influence the spiritual quality of Wright's lyrics when he returned to his solo career.  In England, he and Harrison worked together on The Place I Love (1974), the debut album by English duo Splinter. In addition to playing keyboards, Wright served as what author Simon Leng terms "a sounding board and musical amanuensis" on the project, which was the first album released on Harrison's Dark Horse record label. Wright regrouped with Spooky Tooth for a final album, The Mirror (1974), with Mike Patto as their new vocalist. Following further personnel changes, The Mirror was issued by Goodear Records in the UK in October 1974, a month after Wright had disbanded the group.

Answer this question "Did they have any singles from this album?"
output: 

input: Before the Cars, members of the band performed together in several different incarnations. Ric Ocasek and Benjamin Orr met in Cleveland, Ohio in the 1960s after Ocasek saw Orr performing with his band the Grasshoppers on the Big 5 Show, a local musical variety program. The two were in various bands in Columbus, Ohio and Ann Arbor, Michigan before re-locating to Boston in the early 1970s. In Boston, Ocasek and Orr, along with lead guitarist Jas Goodkind, formed a Crosby, Stills and Nash-style folk rock band called Milkwood. They released one album, How's the Weather, on Paramount Records in 1973 that failed to chart.  After Milkwood, Ocasek and Orr formed the group Richard and the Rabbits, whose name was suggested by Jonathan Richman. The band included Greg Hawkes, who had studied at the Berklee School of Music and had played saxophone on Milkwood's album. Hawkes left to tour with Martin Mull and His Fabulous Furniture, a musical comedy act in which Mull played a variety of instruments. Ric Ocasek and Ben Orr then performed as an acoustic duo called simply Ocasek and Orr at the Idler coffeehouse in Cambridge. Some of the songs they played became the early Cars songs.  Later, Ocasek and Orr teamed up with guitarist Elliot Easton (who had also studied at Berklee) in the band Cap'n Swing. Cap'n Swing also featured drummer Glenn Evans, later followed by Kevin Robichaud, and a jazzy bass player, which clashed with Ocasek's more rock and roll leanings. Benjamin Orr was the lead vocalist and did not play an instrument. Cap'n Swing soon came to the attention of WBCN disc jockey Maxanne Sartori, who began playing songs from their demo tape on her show.  After being rejected by several record labels, Ocasek got rid of the bass player and drummer and decided to form a band that better fit his style of writing. Orr took over on bass and Robichaud was replaced by David Robinson, best known for his career with the Modern Lovers. Robinson had also played in DMZ and the Pop! Hawkes returned to play keyboards and the band became "The Cars," a name suggested by Robinson, whose sense of fashion would have a strong influence on the band's image.

Answer this question "Who was their producer?"
output: 

input: Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances.

Answer this question "What did they do?"
output:
Niels Jorgensen, was a house painter and traditional musician who,