IN: William Randolph Hearst Sr. (; April 29, 1863 - August 14, 1951) was an American businessman, politician, and newspaper publisher who built the nation's largest newspaper chain and media company Hearst Communications and whose flamboyant methods of yellow journalism influenced the nation's popular media by emphasizing sensationalism and human interest stories. Hearst entered the publishing business in 1887 after being given control of The San Francisco Examiner by his wealthy father.

Beginning in 1919, Hearst began to build Hearst Castle, which he never completed, on a 240,000 acres (97,000 hectares) ranch at San Simeon, California, which he furnished with art, antiques and entire rooms brought from the great houses of Europe. He also used the ranch for an Arabian horse breeding operation. San Simeon was also used in the 1960 film Spartacus as the estate of Marcus Licinius Crassus (played by Laurence Olivier).  He also had a property on the McCloud River in Siskiyou County, in far northern California, called Wyntoon. Wyntoon was designed by famed architect Julia Morgan, who also designed Hearst Castle and worked in collaboration with William J. Dodd on a number of other projects.  In 1947, Hearst paid $120,000 for an H-shaped Beverly Hills mansion, (located at 1011 N Beverly Dr, Beverly Hills CA 90210) on 3.7 acres three blocks from Sunset Boulevard. This home, known as Beverly House, was once perhaps the "most expensive" private home in the U.S., valued at $165 million (PS81.4 million). It has 29 bedrooms, three swimming pools, tennis courts, its own cinema and a nightclub. Lawyer and investor Leonard Ross has owned it since 1976. The estate went on the market for $95 million at the end of 2010. The property had not sold by 2012 but was then listed at a significantly increased asking price of $135 million. The Beverly House, as it has come to be known, has some cinematic connections. It was the setting for the gruesome scene in the film The Godfather depicting a horse's severed head in the bed of film-producer, Jack Woltz. The character was head of a film company called International, the name of Hearst's early film company. According to Hearst Over Hollywood, John and Jacqueline Kennedy stayed at the house for part of their honeymoon. They watched their first film together as a married couple in the mansion's cinema. It was a Hearst-produced film from the 1920s.  In the early 1890s, Hearst began building a mansion on the hills overlooking Pleasanton, California on land purchased by his father a decade earlier. Hearst's mother took over the project, hired Julia Morgan to finish it as her home, and named it Hacienda del Pozo de Verona. After her death, it served as the clubhouse for Castlewood Country Club from 1925 to 1969, when it was destroyed in a massive fire.
QUESTION: any intestng thing  the article
IN: Katherine Anne "Kitty" Pryde is a fictional superhero appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. The character first appeared in Uncanny X-Men #129 (January 1980) and was co-created by writer-artist John Byrne and Chris Claremont. A mutant, Pryde possesses a "phasing" ability that allows her, as well as objects or people she is in contact with, to become intangible. This power also disrupts any electrical field she passes through, and lets her simulate levitation.

Kitty Pryde was introduced into the X-Men title as the result of an editorial dictate that the book was supposed to depict a school for mutants. Uncanny X-Men artist John Byrne named Kitty Pryde after a classmate he met in art school, Alberta College of Art and Design in Calgary in 1973. He had told Pryde he liked her name and asked for permission to use it, promising to name his first original comics character after her. Byrne drew the character to slightly resemble an adolescent Sigourney Weaver.  The fictional Kitty Pryde first appeared in Uncanny X-Men #129 (January 1980), by writer Chris Claremont and artist Byrne, as a highly intelligent 13-year-old girl. Claremont said several elements of the character's personality were derived from those of X-Men editor Louise Simonson's daughter, Julie. Claremont and Byrne made the new character a full-fledged X-Man in issue #139, where she was codenamed "Sprite". She was the main character in issues #141-142, the "Days of Future Past" storyline, where she is possessed by her older self, whose consciousness time travels to the past to prevent a mass extermination of mutants. The six-issue miniseries Kitty Pryde and Wolverine (1984-1985), written by Claremont, is a coming-of-age storyline in which she matures from a girl to a young woman, adopting the new name "Shadowcat".  In the late '80s, she joined the British-based super team, Excalibur, where she remained for roughly ten years before coming back to the X-Men. In the early 2000s, she disappeared from the spotlight after semi-retiring from superhero work. She was featured in the 2002 mini-series Mekanix and came back to the main X-Men books in 2004 under the pen of Joss Whedon in Astonishing X-Men. She remained a part of the X-Men books until 2008 when she left again for roughly 2 years. After coming back, she was featured in Jason Aaron's Wolverine and the X-Men and Brian Michael Bendis' All-New X-Men books.  In early 2015, she joined the Guardians of the Galaxy. After the Secret Wars event, she adopted her new alias, Star-Lord (first believed to be Star-Lady).  Shadowcat's popularity had a profound effect on the real-life Kitty Pryde: the latter became so overwhelmed by attention from Shadowcat fans, she abbreviated her name to K.D. Pryde to avoid association with her fictional counterpart. She has since stated she has mixed feelings about her fame, saying she values Byrne's comics for their entertainment and artistic value, but wishes more people would appreciate her as more than just Shadowcat's namesake.
QUESTION:
What is the story behind the name Kitty Pryde?