Question:
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie.  Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s.  Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque.  Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.
Answer this question using a quote from the text above:

what other notable aspects of the article are there?

Answer:
Burlesque became the speciality of certain London theatres,


Question:
Seether are a South African rock band founded in May 1999 in Pretoria, Gauteng, South Africa. The band originally performed under the name Saron Gas until 2002, when they moved to the United States and changed it to Seether to avoid confusion with the deadly chemical known as sarin gas. Disclaimer is their original album and major label debut. They gained mainstream popularity in 2002 with their US Active Rock number one single "Fine Again", and their success was sustained in 2004 with the single "Broken" which peaked at number 20 on the Billboard Hot 100.
In August 2002, Seether launched their first official album, Disclaimer, which earned the band three singles: "Fine Again", "Driven Under", and "Gasoline", in which only the first managed significant success. The year 2002 was very trendy for Seether. After the release of Disclaimer, the band toured constantly. Near the end of the Disclaimer Tour, the band decided to return to the studio to record their second album, a project that had to be delayed by almost a year, since at that time Seether was on world tour with Evanescence. "Fine Again" was also included in the video games Madden NFL 2003 in 2002 and 1080deg Avalanche in 2003.  Following the release of Disclaimer, the band toured continually in order to increase sales and name recognition. A planned second album was delayed for nearly a year when Seether was selected as the support act for an Evanescence worldwide tour. Seether reworked their acoustic ballad, "Broken", as an electric ballad with guest vocals by Amy Lee of Evanescence. Favourable audience response led the band to record the revised version, with Lee on vocals. The track, along with a new song entitled "Sold Me", was featured on the soundtrack for the 2004 film The Punisher, and became a major success for the band, particularly in the United States, the United Kingdom, and Australia. A romance developed between Lee and Morgan during this time.  Morgan has stated that the reworking of "Broken" was due to the wishes of the record company, rather than those of the band. An alternate version of the original album, with many of its songs remixed or re-recorded, was released in June 2004 and entitled Disclaimer II. The alternate version also featured eight extra tracks.
Answer this question using a quote from the text above:

When was the album released?

Answer:
In August 2002, Seether launched their first official album, Disclaimer,