Answer the question at the end by quoting:

William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products. Young Hogarth also took a lively interest in the street life of the metropolis and the London fairs, and amused himself by sketching the characters he saw. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St John's Gate, was imprisoned for debt in Fleet Prison for five years.
In 1743-1745, Hogarth painted the six pictures of Marriage a-la-mode (National Gallery, London), a pointed skewering of upper-class 18th-century society. This moralistic warning shows the miserable tragedy of an ill-considered marriage for money. This is regarded by many as his finest project and may be among his best-planned story serials.  Marital ethics were the topic of much debate in 18th-century Britain. The many marriages of convenience and their attendant unhappiness came in for particular criticism, with a variety of authors taking the view that love was a much sounder basis for marriage. Hogarth here painted a satire - a genre that by definition has a moral point to convey - of a conventional marriage within the English upper class. All the paintings were engraved and the series achieved wide circulation in print form. The series, which is set in a Classical interior, shows the story of the fashionable marriage of Viscount Squanderfield, the son of bankrupt Earl Squander, to the daughter of a wealthy but miserly city merchant, starting with the signing of a marriage contract at the Earl's mansion and ending with the murder of the son by his wife's lover and the suicide of the daughter after her lover is hanged at Tyburn for murdering her husband.  William Makepeace Thackeray wrote:  This famous set of pictures contains the most important and highly wrought of the Hogarth comedies. The care and method with which the moral grounds of these pictures are laid is as remarkable as the wit and skill of the observing and dexterous artist. He has to describe the negotiations for a marriage pending between the daughter of a rich citizen Alderman and young Lord Viscount Squanderfield, the dissipated son of a gouty old Earl ... The dismal end is known. My lord draws upon the counselor, who kills him, and is apprehended while endeavouring to escape. My lady goes back perforce to the Alderman of the City, and faints upon reading Counsellor Silvertongue's dying speech at Tyburn (place of execution in old London), where the counselor has been 'executed for sending his lordship out of the world. Moral: don't listen to evil silver-tongued counselors; don't marry a man for his rank, or a woman for her money; don't frequent foolish auctions and masquerade balls unknown to your husband; don't have wicked companions abroad and neglect your wife, otherwise you will be run through the body, and ruin will ensue, and disgrace, and Tyburn.

Are there any other interesting aspects about this article?

Moral: don't listen to evil silver-tongued counselors; don't marry a man for his rank,



Answer the question at the end by quoting:

Richard was born on 2 October 1452 at Fotheringhay Castle, the twelfth of thirteen children of Richard Plantagenet, 3rd Duke of York and Cecily Neville at the beginning of what has traditionally been labelled the "Wars of the Roses", a period of "three or four decades of political instability and periodic open civil war in the second half of the fifteenth century", between supporters of Richard's father (a potential claimant to the throne of King Henry VI from birth)--"Yorkists"--in opposition to the regime of Henry VI and his wife, Margaret of Anjou, and those loyal to the crown ("Lancastrians"). When his father and the Nevilles were forced to flee to Ludlow in 1459, Richard and his older brother, George (later Duke of Clarence), were placed in the custody of the Duchess of Buckingham, and the Archbishop of Canterbury. When his father and elder brother Edmund, Earl of Rutland, were killed at the Battle of Wakefield on 30 December 1460, Richard, who was eight years old, and George were sent by his mother, the Duchess of York, to the Low Countries. They returned to England following the defeat of the Lancastrians at the Battle of Towton and participated in the coronation of Richard's eldest brother as King Edward IV in June 1461.
Apart from Shakespeare, Richard appears in many other works of literature. Two other plays of the Elizabethan era predated Shakespeare's work. The Latin-language drama Richardus Tertius (first known performance in 1580) by Thomas Legge is believed to be the first history play written in England. The anonymous play The True Tragedy of Richard III (c. 1590), performed in the same decade as Shakespeare's work, was probably an influence on Shakespeare. Neither of the two plays places any emphasis on Richard's physical appearance, though the True Tragedy briefly mentions that he is "A man ill shaped, crooked backed, lame armed" adding that he is "valiantly minded, but tyrannous in authority". Both portray him as a man motivated by personal ambition, who uses everyone around him to get his way. Ben Jonson is also known to have written a play Richard Crookback in 1602, but it was never published and nothing is known about its portrayal of the king.  Marjorie Bowen's 1929 novel Dickon set the trend for pro-Ricardian literature. Particularly influential was The Daughter of Time (1951) by Josephine Tey, in which a modern detective concludes that Richard III is innocent in the death of the Princes. Other novelists such as Valerie Anand in the novel Crown of Roses (1989) have also offered alternative versions to the theory that he murdered them. Sharon Kay Penman, in her historical novel The Sunne in Splendour, attributes the death of the Princes to the Duke of Buckingham. In the mystery novel The Murders of Richard III by Elizabeth Peters (1974) the central plot revolves around the debate as to whether Richard III was guilty of these and other crimes. A sympathetic portrayal of Richard III is given in The Founding, the first volume in The Morland Dynasty series by Cynthia Harrod-Eagles.  One film adaptation of Shakespeare's play Richard III is the 1955 version directed and produced by Laurence Olivier, who also played the lead role. Also notable are the 1995 film version starring Ian McKellen, set in a fictional 1930s fascist England, and Looking for Richard, a 1996 documentary film directed by Al Pacino, who plays the title character as well as himself. The play has been adapted for television on several occasions.

What else has been his impact on culture?
The Daughter of Time (1951) by Josephine Tey, in which a modern detective concludes that Richard III is innocent in the death of the Princes.