Answer the question at the end by quoting:

Shinedown is an American rock band from Jacksonville, Florida formed by singer Brent Smith in 2001 after the dissolution of his previous band. Smith, still under contract with record label Atlantic Records, recruited the band's original lineup of Jasin Todd as guitarist, Brad Stewart on bass, and Barry Kerch on drums. Consistent for the first two album cycles, a few lineup changes followed in the late 2000s, eventually stabilizing with Smith and Kerch alongside Zach Myers on guitar and Eric Bass on bass. The group has released five studio albums:
The band didn't start work on a follow up album until 2005, with the band finding the touring lifestyle too hectic to start writing or recording material. This however, left the band with limited time to record new music, with their record label pressuring the band to get the album out in a six-month time period. Despite the time restrictions, the label did not pressure the band on the album's musical direction after the commercial success of Leave a Whisper. The band worked with music producer Tony Battaglia, and chose to go in a more "mature" and "stripped down" direction for the album's sound, Kerch describing it as just "pure rock". During the same time, the band was also approached by Hollywood Records to record a song for a tribute album for the band Queen, something the band agreed to out of their respect for the band. They recorded a cover of the track "Tie Your Mother Down", which was released on Killer Queen: A Tribute to Queen, released in August 2005.  The band released their second studio album, Us and Them, on October 4, 2005. The album debuted higher than Leave a Whisper on the Billboard 200 chart, peaking at number 23 versus Leave a Whisper's number 53 peak, but the album ultimately sold less than its predecessor. Despite this, the band's three singles from the album, "Save Me," "I Dare You," and "Heroes", ended up being more successful than their prior album's singles. The lead single, "Save Me" was the band's first to reach the number one spot on the Mainstream Rock Charts, and held the position for twelve weeks in a row. The second single, "I Dare You", also peaked at number 2 on the same chart. Notably, both songs were also the band's first to have crossover success on the Billboard Hot 100 charts, hitting 72 and 88 respectively.  The band again toured heavily in support of the album, including the 2006 iteration of the SnoCore Tour with Seether, Flyleaf, and Halestorm, and later opening for the Godsmack and Rob Zombie co-headlining tour of North America. Promotional support came from other areas as well; then-American Idol contestant Chris Daughtry performed "I Dare You" live on the show, helping its crossover appeal, and was used as a theme song for WrestleMania 22. The success of the singles helped propel sales of the album in the long run, ultimately being certified gold by the RIAA on November 13, 2006. and as of 2013, Smith had estimated that sales sat at approximately 990,000 copies sold.

What songs are on the album Us and Them?

"Save Me," "I Dare You," and "Heroes",



Answer the question at the end by quoting:

Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario, Canada. He was the fourth of eight children of Doris Marguerite (Wardell) and Rupert Loebig Hartmann, a salesman specializing in building materials. His parents were Catholic and raised their children in that faith. As a child Hartman found affection hard to earn and stated: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere."
In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see."  He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen."  Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be".  Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic."

Did he ever want to quit?
discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic."