Question: The New York Public Library (NYPL) is a public library system in New York City. With nearly 53 million items and 92 locations, the New York Public Library is the second largest public library in the United States (behind the Library of Congress), and fourth largest in the world. It is a private, non-governmental, independently managed, nonprofit corporation operating with both private and public financing. The library has branches in the boroughs of Manhattan, The Bronx, and Staten Island, and affiliations with academic and professional libraries in the metropolitan area of New York State.

The Library website provides access to the library's catalogs, online collections and subscription databases. It also has information about the library's free events, exhibitions, computer classes and English as a Second Language (ESL) classes. The two online catalogs, LEO (which searches the circulating collections) and CATNYP (which searches the research collections) allow users to search the library's holdings of books, journals and other materials. The LEO system allows cardholders to request books from any branch and have them delivered to any branch.  The NYPL gives cardholders free access from home to thousands of current and historical magazines, newspapers, journals and reference books in subscription databases, including EBSCOhost, which contains full text of major magazines; full text of the New York Times (1995-present), Gale's Ready Reference Shelf which includes the Encyclopedia of Associations and periodical indexes, Books in Print; and Ulrich's Periodicals Directory. The New York Public Library also links to outside resources, such as the Bureau of Labor Statistics' Occupational Outlook Handbook, and the CIA's World Factbook. Databases are available for children, teenagers, and adults of all ages.  The NYPL Digital Collections (formerly named Digital Gallery) is a database of over 700,000 images digitized from the library's collections. The Digital Collections was named one of Time Magazine's 50 Coolest Websites of 2005 and Best Research Site of 2006 by an international panel of museum professionals.  The Photographers' Identities Catalog (PIC) is an experimental online service of the Photography Collection in the Stephen A. Schwarzman Building.  Other databases available only from within the library include Nature, IEEE and Wiley science journals, Wall Street Journal archives, and Factiva. Overall, the digital holdings for the Library consist of more than a petabyte of data as of 2015.

Using a quote from the above article, answer the following question: when was the library website created?
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Question: Rodgers and Hammerstein refers to composer Richard Rodgers (1902-1979) and lyricist-dramatist Oscar Hammerstein II (1895-1960), who together were an influential, innovative and successful American musical theatre writing team. They created a string of popular Broadway musicals in the 1940s and 1950s, initiating what is considered the "golden age" of musical theatre. Five of their Broadway shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music, were outstanding successes, as was the television broadcast of Cinderella (1957). Of the other four that the team produced on Broadway during their lifetimes, Flower Drum Song was well-received, and none was an outright flop.

Rodgers and Hammerstein re-worked the musical theatre genre. Early 20th-century musicals, except for the Princess Theatre musicals and a few important examples like Hammerstein and Jerome Kern's Show Boat, were usually whimsical or farcical, and typically built around a star. Because the efforts of Rodgers and Hammerstein were so successful, many musicals that followed contained thought-provoking plots with mature themes, and in which all the aspects of the play, dance, song, and drama, were combined in an integrated whole. Stephen Sondheim has cited Rodgers and Hammerstein as having had a crucial influence on his work.  Rodgers and Hammerstein also use the technique of what some call the "formula musical". While some hail this approach, others criticize it for its predictability. The term "formula musical" may refer to a musical with a predictable plot, but it also refers to the casting requirements of Rodgers & Hammerstein characters. Typically, any musical from this team will have the casting of a strong baritone lead, a dainty and light soprano lead, a supporting lead tenor, and a supporting alto lead. Although there are exceptions to this generalization, it simplifies the audition process, and gives audiences an idea of what to expect vocally from a Rodgers and Hammerstein musical. However, this formula had been used in Viennese operetta, such as The Merry Widow.  William A. Everett and Paul R. Laird wrote that Oklahoma!, "like Show Boat, became a milestone, so that later historians writing about important moments in twentieth-century theatre would begin to identify eras according to their relationship to Oklahoma!" In The Complete Book of Light Opera, Mark Lubbock adds, "After Oklahoma!, Rodgers and Hammerstein were the most important contributors to the musical-play form - with such masterworks as Carousel, The King and I and South Pacific. The examples they set in creating vital plays, often rich with social thought, provided the necessary encouragement for other gifted writers to create musical plays of their own."  In 1950, the team of Rodgers and Hammerstein received The Hundred Year Association of New York's Gold Medal Award "in recognition of outstanding contributions to the City of New York." They were also honored in 1999 with a United States Postal Service stamp commemorating their partnership. The Richard Rodgers Theatre in New York City is named after Rodgers. Forbes named Rodgers and Hammerstein second on its list of top-earning dead celebrities in 2009 at $235 million. In 2010, the original film arrangements of the team's music were restored and performed at the Proms concerts in London's Royal Albert Hall by the John Wilson Orchestra.

Using a quote from the above article, answer the following question: How did they do this?
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Because the efforts of Rodgers and Hammerstein were so successful, many musicals that followed contained thought-provoking plots with mature themes,