input: Signed to Atlantic by Ahmet Ertegun and managed by Tommy Mottola in the early 1970s, Hall & Oates have sold more albums than any other duo in music history. Their second album, Abandoned Luncheonette, produced by Arif Mardin and released in 1973, yielded the single, "She's Gone", which went to No. 7 in the U.S. Top 10 on re-release in 1976 after reaching No. 1 on the R&B charts when it was covered by Tavares. The duo recorded one more album with Atlantic, War Babies (produced by Todd Rundgren), before they were dropped and promptly signed to RCA. During their tenure at RCA the duo catapulted to international superstardom.  From the mid-1970s to the mid-1980s, Hall & Oates scored six U.S. No. 1 singles, including "Rich Girl" (also No. 1 R&B), "Kiss on My List", "Private Eyes", "I Can't Go for That (No Can Do)" (also No. 1 R&B), "Maneater" and "Out of Touch" from their six multi-platinum albums - Bigger Than Both of Us, Voices, Private Eyes, H2O, Rock 'n Soul Part 1 and Big Bam Boom - the last five of which were released consecutively. The era also produced an additional six U.S. Top 10 singles, "Sara Smile", "One on One", "Family Man," "You Make My Dreams," "Say It Isn't So" and "Method of Modern Love".  In 1972 Hall & Oates opened for David Bowie, who was doing an American tour as Ziggy Stardust. Of his relationship with the British rocker, Hall reminisced, "One time I ran into him in Jamaica...we went to the Playboy Club and got drunk while watching a bad reggae band!" Later in 1985 the duo performed at the Philadelphia leg of the seminal 'Live Aid' concert. After playing their set, they then went on to back Mick Jagger & Tina Turner, a highlight of the concert.  The duo released a Christmas album in October 2006 titled Home for Christmas.  The duo were inducted into the Rock and Roll Hall of Fame in 2014.

Answer this question "Did they work with any one else ?"
output: After playing their set, they then went on to back Mick Jagger & Tina Turner, a highlight of the concert.

Question: Thomas Chatterton (20 November 1752 - 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He became a heroic tragic figure in Romantic art. Although fatherless and raised in poverty, he was an exceptionally studious child, publishing mature work by the age of 11. He was able to pass off his work as that of an imaginary 15th-century poet called Thomas Rowley, chiefly because few people at the time were familiar with medieval poetry, though he was denounced by Horace Walpole.

Chatterton already was known to the readers of the Middlesex Journal as a rival of Junius under the nom de plume of Decimus. He also had been a contributor to Hamilton's Town and Country Magazine, and speedily found access to the Freeholder's Magazine, another political miscellany supportive of John Wilkes and liberty. His contributions were accepted, but the editors paid little or nothing for them.  He wrote hopefully to his mother and sister, and spent his first earnings in buying gifts for them. Wilkes had noted his trenchant style "and expressed a desire to know the author"; and Lord Mayor William Beckford graciously acknowledged a political address of his, and greeted him "as politely as a citizen could." He was abstemious and extraordinarily diligent. He could assume the style of Junius or Tobias Smollett, reproduce the satiric bitterness of Charles Churchill, parody James Macpherson's Ossian, or write in the manner of Alexander Pope or with the polished grace of Thomas Gray and William Collins.  He wrote political letters, eclogues, lyrics, operas and satires, both in prose and verse. In June 1770, after nine weeks in London, he moved from Shoreditch, where he had lodged with a relative, to an attic in Brook Street, Holborn (now beneath Alfred Waterhouse's Holborn Bars building). He was still short of money; and now state prosecutions of the press rendered letters in the Junius vein no longer admissible, and threw him back on the lighter resources of his pen. In Shoreditch, he had shared a room; but now, for the first time, he enjoyed uninterrupted solitude. His bed-fellow at Mr Walmsley's, Shoreditch, noted that much of the night was spent by him in writing; and now he could write all night. The romance of his earlier years revived, and he transcribed from an imaginary parchment of the old priest Rowley his "Excelente Balade of Charitie." This poem, disguised in archaic language, he sent to the editor of the Town and Country Magazine, where it was rejected.  Mr Cross, a neighbouring apothecary, repeatedly invited him to join him at dinner or supper; but he refused. His landlady also, suspecting his necessity, pressed him to share her dinner, but in vain. "She knew," as she afterwards said, "that he had not eaten anything for two or three days." But he assured her that he was not hungry. The note of his actual receipts, found in his pocket-book after his death, shows that Hamilton, Fell and other editors who had been so liberal in flattery, had paid him at the rate of a shilling for an article, and less than eightpence each for his songs; much which had been accepted was held in reserve and still unpaid for. According to his foster-mother, he had wished to study medicine with Barrett, and in his desperation he wrote to Barrett for a letter to help him to an opening as a surgeon's assistant on board an African trader.

Using a quote from the above article, answer the following question: was he married?
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Answer: