Question: Allen was born Allan Stewart Konigsberg in the Brooklyn borough of New York City, New York. He and his sister, Letty (b. 1943), were raised in Midwood, Brooklyn. He is the son of Nettie (nee Cherry; November 8, 1906 - January 27, 2002), a bookkeeper at her family's delicatessen, and Martin Konigsberg (December 25, 1900 - January 8, 2001), a jewelry engraver and waiter. His family was Jewish, and his grandparents immigrated to the US from Russia and Austria and spoke Yiddish, Hebrew, and German.

Allen is a passionate fan of jazz, featured prominently in the soundtracks to his films. He began playing the clarinet as a child and took his stage name from clarinetist Woody Herman. He has performed publicly at least since the late 1960s, notably with the Preservation Hall Jazz Band on the soundtrack of Sleeper. One of his earliest televised performances was on The Dick Cavett Show on October 20, 1971.  Woody Allen and his New Orleans Jazz Band have been playing each Monday evening at Manhattan's Carlyle Hotel for many years (as of 2011, specializing in classic New Orleans jazz from the early twentieth century). He plays songs by Sidney Bechet, George Lewis, Johnny Dodds, Jimmie Noone and Louis Armstrong. The documentary film Wild Man Blues (directed by Barbara Kopple) documents a 1996 European tour by Allen and his band, as well as his relationship with Previn. The band has released two CDs: The Bunk Project (1993) and the soundtrack of Wild Man Blues (1997). In a 2011 review of a concert by Allen's jazz band, critic Kirk Silsbee of the L.A. Times suggested that Allen should be regarded as a competent musical hobbyist with a sincere appreciation for early jazz: "Allen's clarinet won't make anyone forget Sidney Bechet, Barney Bigard or Evan Christopher. His piping tone and strings of staccato notes can't approximate melodic or lyrical phrasing. Still his earnestness and the obvious regard he has for traditional jazz counts for something."  Allen and his band played the Montreal International Jazz Festival on two consecutive nights in June 2008. For many years, Allen wanted to make a film about the origins of jazz in New Orleans. The film, tentatively titled American Blues, would follow the vastly different careers of Louis Armstrong and Sidney Bechet. Allen stated that the film would cost between $80 and $100 million and is therefore unlikely to be made.

Using a quote from the above article, answer the following question: When did Allen start playing music?
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Answer: He has performed publicly at least since the late 1960s,

Problem: Stanley Kirk Burrell (born March 30, 1962), better known by his stage name MC Hammer (or simply Hammer), is an American hip hop recording artist, dancer, record producer and entrepreneur. He had his greatest commercial success and popularity from the late 1980s, until the early 1990s. Remembered for his rapid rise to fame, Hammer is known for hit records (such as "U Can't Touch This" and "2 Legit 2 Quit"), flashy dance movements, choreography and eponymous Hammer pants. A multi-award winner, M.C. Hammer is considered a "forefather/pioneer" and innovator of pop rap (incorporating elements of freestyle music), and is the first hip hop artist to achieve diamond status for an album.

Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988).  With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career.  At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him.

Where are they available?

Answer with quotes: yet are now available on the Internet. Via his record labels such as Bust It Records,

Problem: Charles Taze Russell was born to Scottish-Irish parents, immigrant Joseph Lytel Russell  (d. December 17, 1897) and Ann Eliza Birney (d. January 25, 1861), on February 16, 1852 in Allegheny, Pennsylvania. Russell was the second of five children, of whom two survived into adulthood. His mother died when he was 9 years old. The Russells lived for a time in Philadelphia before moving to Pittsburgh, where they became members of the Presbyterian Church.

When 1878 arrived, failure of the expected rapture brought great disappointment for Barbour and Russell, and their associates and readers. But one of Russell's associates, A.H. Macmillan, claimed that Russell was not upset.  While talking with Russell about the events of 1878, I told him that Pittsburgh papers had reported he was on the Sixth Street bridge dressed in a white robe on the night of the Memorial of Christ's death, expecting to be taken to heaven together with many others. I asked him, "Is that correct?" Russell laughed heartily and said: "I was in bed that night between 10:30 and 11:00 P.M. However, some of the more radical ones might have been there, but I was not. Neither did I expect to be taken to heaven at that time, for I felt there was much work to be done preaching the Kingdom message to the peoples of the earth before the church would be taken away.  Confused by what was perceived to be an error in calculation, Russell re-examined the doctrine to see if he could determine whether it had biblical origins or was simply Christian tradition. He concluded that the doctrine was Christian tradition. Through the pages of the Herald, he wrote about what he had concluded on the subject. Barbour, embarrassed by the failure of their expectations, rejected Russell's explanation. They conducted a debate in successive issues of the journal from early 1878 to mid-1879. In a matter of months, Barbour changed some of the views which he and Russell had previously shared, and no longer relied on prophetic chronology. They began to debate over the issue of 'Christ's ransom,' and the two eventually separated because of their disagreements.  Russell withdrew his financial support and started his own journal, Zion's Watch Tower and Herald of Christ's Presence, publishing his first issue in July 1879. Barbour formed The Church of the Strangers that same year, continuing to publish Herald of the Morning.

What did others learn from Charles?

Answer with quotes:
They conducted a debate in successive issues