Question: Anton Grigorevich Rubinstein (Russian: Anton Grigor'evich Rubinshtein, tr. Anton Grigorevich Rubinshteyn; November 28 [O.S. November 16] 1829 - November 20 [O.S. November 8] 1894) was a Russian pianist, composer and conductor who became a pivotal figure in Russian culture when he founded the Saint Petersburg Conservatory. He was the elder brother of Nikolai Rubinstein who founded the Moscow Conservatory. As a pianist, Rubinstein ranks among the great 19th-century keyboard virtuosos.

Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge.

Using a quote from the above article, answer the following question: What programs was he apart of?
HHHHHH
Answer: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna,

Problem: "Eight Miles High" is a song by the American rock band the Byrds, written by Gene Clark, Jim McGuinn (a.k.a. Roger McGuinn), and David Crosby and first released as a single on March 14, 1966 (see 1966 in music). Musically influenced by Ravi Shankar and John Coltrane, "Eight Miles High", along with its McGuinn and Crosby-penned B-side "Why", was influential in developing the musical styles of psychedelic rock, raga rock, and psychedelic pop. Accordingly, critics often cite "Eight Miles High" as being the first bona fide psychedelic rock song, as well as a classic of the counterculture era. The song was subject to a U.S. radio ban shortly after its release, following allegations published in the broadcasting trade journal the Gavin Report regarding perceived drug connotations in its lyrics.

The song's lyrics are, for the most part, about the group's flight to London in August 1965 and their accompanying English tour, as hinted at by the opening couplet: "Eight miles high and when you touch down, you'll find that it's stranger than known." Although commercial airliners fly at an altitude of six to seven miles, it was felt that "eight miles high" sounded more poetic than six and also recalled the title of the Beatles' song "Eight Days a Week".  According to Clark, the lyrics were primarily his creation, with a minor contribution being Crosby's line, "Rain grey town, known for its sound"--a reference to London as home to the British Invasion, which was then dominating the U.S. music charts. Other lyrics in the song that explicitly refer to the Byrds' stay in England include the couplet: "Nowhere is there warmth to be found/Among those afraid of losing their ground", which is a reference to the hostile reaction of the UK music press and to the English group the Birds serving the band with a copyright infringement writ, due to the similarities in name. In addition, "Round the squares, huddled in storms/Some laughing, some just shapeless forms" describes fans waiting for the band outside hotels, while the line "Sidewalk scenes and black limousines" refers to the excited crowds that jostled the band as they exited their chauffeur-driven cars.  Although the basic idea for the song had been discussed during the band's flight to England, it didn't actually begin to take shape until the Byrds' November 1965 tour of the U.S. To alleviate the boredom of traveling from show to show during the tour, Crosby had brought along cassette recordings of Ravi Shankar's music and the John Coltrane albums Impressions and Africa/Brass, which were on constant rotation on the tour bus. The influence of these recordings on the band would manifest itself in the music of "Eight Miles High" and its B-side "Why".  Clark began writing the song's lyrics on November 24, 1965, when he scribbled down some rough ideas for later development, following a discussion with guitarist Brian Jones, before the Byrds made a concert appearance supporting the Rolling Stones. Over the following days, Clark expanded this fragment into a full poem, eventually setting the words to music and giving them a melody. Clark then showed the song to McGuinn and Crosby, with the former suggesting that the song be arranged to incorporate Coltrane's influence. Since Clark's death, however, McGuinn has contended that it was he who conceived the initial idea of writing a song about an airplane ride and that he and Crosby both contributed lyrics to Clark's unfinished draft. In his book, Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark, author John Einarson disputes this claim and ponders whether McGuinn's story would be the same were Clark still alive.

How long did it take to compose?

Answer with quotes:
the basic idea for the song had been discussed during the band's flight to England, it didn't actually begin to take shape until the Byrds' November 1965 tour