input: Bleeding Through was formed in 1999 in Woodlake, California. The band's roots can be traced back to 1998, when Breakneck was founded by Brandan "Ohrly" Schieppati (Eighteen Visions / Throwdown), Javier Van Huss (Eighteen Visions / The Mistake / Enewetak), guitarist Scott Danough, bass guitarist Chad Tafolla and drummer Troy Born (Taken). They made their live debut as the supporting act to Throwdown and Adamantium. As the band witnessed lineup changes, the departure of Van Huss and subsequent recruitment of Marc Jackson (Throwdown / Cold War) to cover bass whilst Tafolla reverted to guitar, they decided to expand their current hardcore sound and added elements of death metal to their music. The origin of the band's name was explained in an interview as follows: "Well, it is summed up by the explanation that whether black, white, red, brown, yellow, religious preference, straight or gay, we all bleed the same, and we bleed through this life the same. Thus Bleeding Through."  Their 2000's demo was followed by a full-length album released through Prime Directive Records entitled Dust to Ashes in April 2001. Just prior to entering the studio, Vijay Kumar (of Roundhouse and Cat Burglar) took the bass position and Molly Street enrolled as keyboard player. The addition of keyboards was an unconventional move for a metalcore act as it brought some black metal influences into the music. Just as the album saw issue Born quit the band but a quickfire substitute was located in Derek Youngsma of Cast in Stone repute.  Severing ties with both Eighteen Visions and Throwdown, Schieppati opted to pursue Bleeding Through as a priority upon completion of the Indecision Records 2002 offering Portrait of the Goddess. At this juncture the group comprised the guitar pairing of Scott Danough and Brian Leppke, bassist Ryan Wombacher (replacing Vijay Kumar who played on Portrait of the Goddess) and drummer Derek Youngsma.

Answer this question "How was bleeding through formed?"
output: Bleeding Through was formed in 1999 in Woodlake, California.

input: In mid-1994, Supergrass issued their debut single "Caught by the Fuzz" on the small independent local label Backbeat Records. The song recounts lead singer and guitarist Gaz Coombes's experience of being arrested by the police for possession of cannabis. The limited release of vinyl copies sold out quickly, thanks in part to support from John Peel on his Radio One show. The Parlophone label signed the band and re-released the single in the autumn of the same year. It achieved the rare feat of both NME and Melody Maker "Single Of The Week" status in the same week.  "Mansize Rooster", released in February 1995, peaked at number 20 in the UK Singles Chart and "Lenny" was the band's first top 10 single. "Lenny" was followed soon afterwards by the band's debut album, I Should Coco (May 1995), which entered the UK Albums Chart at number one. It achieved half a million sales in the UK and over a million worldwide. NME reviewer Steve Sutherland gave the album a nine out of ten rating, writing, "These freaks shall inherit the earth." The album's fourth single, the double A-side release "Alright"/"Time", stayed in the UK Top Three for a month, peaking at number two.  Supergrass followed I Should Coco with 18 months of heavy touring, appearing at festivals such as Scotland's T In The Park and the Glastonbury Festival. After Performing at Rio's Hollywood Rock Festival in April 1996, Supergrass met the train robber Ronnie Biggs, and apparently said to him, "I was frightened for my life when I heard there was a supergrass in the area." A photograph of Ronnie Biggs and Gaz together was subsequently included in the music video for their 1996 single "Going Out". Recorded at Great Linford Manor the single peaked at number five in the UK charts, but was the last song produced by Sam Williams. Supergrass returned to Sawmills Studio to co-produce follow up album, In It For The Money (released April 1997), with John Cornfield. The album was a huge success and went platinum in the UK, but confused some fans expecting something similar to I Should Coco. The single, "Richard III", reached number two. Subsequent releases, "Sun Hits the Sky" and "Late In The Day", reached numbers 10 and 18 respectively.  Around this time Supergrass also appeared on the front cover of The Big Issue, interviewed for the magazine at Heathrow Airport by ex-drug smuggler Howard Marks.

Answer this question "What started their stardom?"
output: the band's debut album, I Should Coco (May 1995), which entered the UK Albums Chart at number one.

input: In 2002, Iglesias decided to release a fourth Spanish-language album titled Quizas (Perhaps). A more polished musical production than his previous Spanish albums and containing more introspective songs, the album's title track is a song about the strained relationship Iglesias has with his famous father.  The album debuted at number twelve on the Billboard 200 albums chart, the highest placement of a Spanish language album on the chart at that period. Quizas sold a million copies in a week, making it the fastest-selling album in Spanish in five years. The three singles released from the album all ended up topping the Latin chart, giving Iglesias a total of sixteen number ones on the chart. He currently holds the record for the most number one singles on Billboard's Latin Chart. His last single from the album, "Para Que La Vida", reached a million spins on U.S. radio, the only Spanish language song to do so.  The video to the song "Quizas" was the first Spanish language music video to be added to the selection on one of MTV's popular shows, Total Request Live. Iglesias performed the song on The Tonight Show with Jay Leno, becoming the first to sing a Spanish song on the show, and opening doors for other artists such as Ricky Martin, Juanes and Jorge Drexler to perform their Spanish material. Iglesias included songs from Quizas in his "Don't Turn Off the Lights Tour", and the album went on to win the Latin Grammy Award for Best Pop Vocal Album.  By 2003 Iglesias released his seventh album, which he called 7, the second to be co-written by Iglesias. Among its more 1980s-inspired material, it features the song "Roamer", which he wrote with his friend and longtime guitarist, Tony Bruno. The CD also contained the song "Be Yourself", a song about independence (the chorus talks about how Iglesias' own parents did not believe he'd ever succeed in his singing career). The first single was the song "Addicted", and was followed closely by a remix of the song "Not in Love", featuring Kelis.  With this album, Iglesias went on his biggest world tour to date. The highly publicised tour started with twelve shows in the United States ending with Iglesias playing at Houston Rodeo and continued on to several countries, most of which he'd never previously visited playing to sold-out arenas and stadiums in Australia, India, Egypt and Singapore before ending his tour in South Africa.

Answer this question "Who co-wrote the album with Iglesias?"
output:
his friend and longtime guitarist, Tony Bruno.