Problem: Background: The Wildhearts are an English rock group, formed in 1989 in Newcastle upon Tyne. The band's sound is a mixture of hard rock and melodic pop music, often described in the music press as combining influences as diverse as The Beatles and 1980s-era Metallica. However, this characterization is denied by the band, who see their influences as being far broader, as shown in the song "29 X The Pain", which lists many of group leader Ginger's influences. Despite several top 20 singles and one top 10 album in Britain, the Wildhearts have not achieved major commercial success, owing in part to difficulties with record companies and many internal problems often relating to recreational drugs and depression.
Context: The Wildhearts next planned a double album, but East West vetoed this plan during the recording sessions. Instead the band released a collection of six of the more eclectic tracks on a fan club-only release entitled Fishing For Luckies in early 1995. This EP, which would be re-released in 1996 with more studio outtakes as Fishing for More Luckies, included the notable track "Geordie In Wonderland". Ginger offered this track to Kevin Keegan and Newcastle United F.C. as a potential team anthem, but was graciously turned down. The track was performed on Top of the Pops with Wolfsbane's Jeff Hateley, painted in Toon Army colours, on mandolin. Other noteworthy tracks included "If Life Is Like A Lovebank, I Want An Overdraft", also released as a single, and the 11:24 epic "Sky Babies." Despite frequent fan requests, this track was rarely performed live, reputedly because of Danny McCormack's inability to remember his bass parts throughout the entire song. In 2003-2004 the band began to play "Sky Babies" at nearly every show with new bassist Jon Poole.  The second album proper was to be known as P.H.U.Q.. Midway through the recording sessions, Ginger (in a move he later claimed to regret) fired guitarist CJ, and some of the album's tracks were recorded without a second guitarist. P.H.U.Q. was released in May 1995 and reached #6 in the British charts, making it the band's most successful album. Shortly after the album's release, Mark Keds of Senseless Things was drafted as second guitarist, but lasted just one recording session, in which he appeared on the B-sides for the single "Just in Lust". Within a few weeks Keds was sacked after disappearing to Japan for a farewell tour with his old band. The Wildhearts were again down to a three-piece (Ginger, McCormack, and Battersby) for a few months, and performed a few gigs in this incarnation. The band resolved to return to a two-guitar formation, and after requesting demos and holding auditions, hired the previously unknown Jef Streatfield.  By late 1995 the band were finally fed up with their record label and set out to tour Japan and the UK, determined that they would split up unless East West would release them from their contract. The tours were a resounding success and eventually the band managed to escape their record contract.
Question: When did they release this album?
Answer: Instead the band released a collection of six of the more eclectic tracks on a fan club-only release entitled Fishing For Luckies in early 1995.

Problem: Background: Carlos Santana  audio  (born July 20, 1947) is a Mexican and American musician who first became famous in the late 1960s and early 1970s with his band, Santana, which pioneered a fusion of rock and Latin American jazz. The band's sound featured his melodic, blues-based guitar lines set against Latin and African rhythms featuring percussion instruments such as timbales and congas not generally heard in rock music. Santana continued to work in these forms over the following decades. He experienced a resurgence of popularity and critical acclaim in the late 1990s.
Context: Carlos Santana's distinctive guitar tone is produced by PRS Santana signature guitars plugged into multiple amplifiers. The amps consist of a Mesa Boogie Mark I, Dumble Overdrive Reverb and more recently a Bludotone amplifier. Santana compares the tonal qualities of each amplifier to that of a singer producing head/nasal tones, chest tones, and belly tones. A three-way amp switcher is employed on Carlos's pedal board to enable him to switch between amps. Often the unique tones of each amplifier are blended together, complementing each other producing a richer tone.  He also put the "Boogie" in Mesa Boogie. Santana is credited with coining the popular Mesa amplifier name when he tried one and exclaimed, "That little thing really Boogies!"  Specifically, Santana combines a Mesa/Boogie Mark I head running through a Boogie cabinet with Altec 417-8H (or recently JBL E120s) speakers, and a Dumble Overdrive Reverb and/or a Dumble Overdrive Special running through a Brown or Marshall 4x12 cabinet with Celestion G12M "Greenback" speakers, depending on the desired sound. Shure KSM-32 microphones are used to pick up the sound, going to the PA. Additionally, a Fender Cyber-Twin Amp is mostly used at home.  During his early career Santana used a GMT transistor amplifier stack and a silverface Fender Twin. The GMT 226A rig was used at the Woodstock concert as well as during recording Santana's debut album. During this era Santana had also begun to use the Fender Twin, which was also used on the debut and proceedingly at the recording sessions of Abraxas.
Question: What other equipment does he use?
Answer: a Dumble Overdrive Reverb and/or a Dumble Overdrive Special running through a Brown or Marshall 4x12 cabinet with Celestion G12M "Greenback" speakers,

Problem: Background: Christopher Houston Carson (December 24, 1809 - May 23, 1868), better known as Kit Carson, was an American frontiersman. He was a mountain man (fur trapper), wilderness guide, Indian agent, and U.S. Army officer. Carson became a frontier legend in his own lifetime via biographies and news articles. Exaggerated versions of his exploits were the subject of dime novels.
Context: In August 1826, against his mother's wishes, Kit ran away from his apprenticeship. He went west with a caravan of fur trappers, tending their livestock. They made their trek over the Santa Fe Trail to Santa Fe, the capital of Santa Fe de Nuevo Mexico, reaching their destination in November 1826. Kit settled in Taos.  Carson lived with Mathew Kinkead, a trapper and explorer who had served with Carson's older brothers during the War of 1812. Carson was mentored by Kinkead in learning the skills of a trapper, while learning the necessary languages for trade. Eventually he became fluent in Spanish and several Indian languages.  Workman put an advertisement in a local newspaper back in Missouri. He wrote that he would give a one cent reward to anyone who brought the boy back to Franklin. No one claimed the reward. It was a bit of a joke, but Carson was free. The advertisement featured the first printed description of Carson: "Christopher Carson, a boy about 16 years old, small of his age, but thick set; light hair, ran away from the subscriber, living in Franklin, Howard county, Missouri, to whom he had been bound to learn the saddler's trade."  Between 1827 and 1829, Carson worked as cook, translator, and wagon driver in the southwest. He also worked at a copper mine near the Gila River in southwestern New Mexico. In later life, Carson never mentioned any women from his youth. There are only three specific women mentioned in his writing: Josefa Jaramillo, his third and last wife; a comrade's mother in Washington, DC; and Mrs. Ann White, a victim of Indian atrocities.
Question: did he have any other jobs?
Answer:
He also worked at a copper mine near the Gila River in southwestern New Mexico.