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The Goo Goo Dolls (originally Sex Maggot) are an American rock band formed in 1986 in Buffalo, New York, by vocalist and guitarist John Rzeznik, vocalist and bassist Robby Takac, and drummer George Tutuska. Mike Malinin was the band's drummer from January 1995 until December 27, 2013 (but not made an official member until 1998). Although renowned for their commercially successful 1998 single "Iris", they have had several other notable and popular singles including "Name" and "Naked" from 1995's A Boy Named Goo, "Slide", "Black Balloon", "Dizzy", and "Broadway" from 1998's Dizzy Up the Girl, "Here Is Gone" from 2002's Gutterflower, "Better Days", "Give a Little Bit", and "Stay with You" from 2006's
In 2006, the Goo Goo Dolls marked their 20th anniversary with their new album Let Love In, which included the studio recording of "Give a Little Bit" as well as other top 10 radio singles "Better Days", "Stay with You", and "Let Love In". With their third consecutive single ("Let Love In") from the album, the Goo Goo Dolls hit a record 12 top 10 hits in Adult Top 40 history, beating Matchbox Twenty and Sheryl Crow until Matchbox Twenty's release of Exile on Mainstream and the Goo Goo Dolls' release of "Before It's Too Late" from the Transformers Soundtrack, which left both groups with 13 top 10 hits in the Adult Top 40. Goo Goo Dolls planned to release another single from Let Love In, "Without You Here", as well as a song from the July 2007 Transformers movie called "Before It's Too Late", originally titled "Fiction". To promote the new single, the Goo Goo Dolls performed "Before It's Too Late" at both The Tonight Show with Jay Leno on June 8, 2007, and again at The Late Late Show with Craig Ferguson on June 22, 2007. In July 2007 the band discussed their career as a whole and gave a live performance on A&E's Private Sessions. Rzeznik stated that after the release of "Without You Here" and their summer tour with Lifehouse and Colbie Caillat, the band would return to the studio to begin work on their next album, their ninth overall.  On June 27, 2007, the Goo Goo Dolls performed to a sold out crowd at Red Rocks Amphitheatre in Morrison, Colorado. The performance premiered on HDNet in high-definition on Sunday, September 30. The entire concert was released as a DVD on the limited edition version of their 2008 release, Vol.2.  The Goo Goo Dolls and the NHL Buffalo Sabres came together to create a video for the Sabres 2007 playoff run. The video was a compilation of shots from the Buffalo area and Sabres players played to the song "Better Days". It was played on jumbotron and at the HSBC Arena before every playoff game.  Though not certified by the Recording Industry Association of America (RIAA), the album is said to have gone Gold by various music sites.  The song "Better Days" was used in the trailer for the 2009 film Love Happens. It was also used in the pilot episode of the CBS TV show, Jericho and in a promo for WGRZ aired during Super Bowl XLVI.
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Is Let Love in an Album?

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In 2006, the Goo Goo Dolls marked their 20th anniversary with their new album Let Love In,


Question:
Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964.  While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes.  In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death.  In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape.  During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.
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did she sell a lot of work there?

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