Some context: Edward Wadie Said (Arabic: dwrd wdy` s`yd [waedi:? sae?i:d], Idward Wadi' Sa'id; 1 November 1935 - 25 September 2003) was a professor of literature at Columbia University, a public intellectual, and a founder of the academic field of postcolonial studies. A Palestinian American born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran.
In the revised edition of Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1997), Said criticized the Orientalist bias of the Western news media's reportage about the Middle East and Islam, especially the tendency to editorialize "speculations about the latest conspiracy to blow up buildings, sabotage commercial airliners, and poison water supplies." He criticized the American military involvement in the Kosovo War (1998-99) as an imperial action; and described the Iraq Liberation Act (1998), promulgated during the Clinton Administration, as the political license that predisposed the U.S. to invade Iraq in 2003, which was authorised with the Iraq Resolution (2 October 2002); and the continual support of Israel by successive U.S. presidential governments, as actions meant to perpetuate regional political instability in the Middle East.  In the event, despite being sick with leukemia, as a public intellectual, Said continued criticising the U.S. Invasion of Iraq in mid-2003; and, in the Egyptian Al-Ahram Weekly newspaper, in the article "Resources of Hope" (2 April 2003), Said said that the U.S. war against Iraq was a politically ill-conceived military enterprise:  My strong opinion, though I don't have any proof, in the classical sense of the word, is that they want to change the entire Middle East, and the Arab world, perhaps terminate some countries, destroy the so-called terrorist groups they dislike, and install regimes friendly to the United States. I think this is a dream that has very little basis in reality. The knowledge they have of the Middle East, to judge from the people who advise them, is, to say the least, out of date and widely speculative. . . .  I don't think the planning for the post-Saddam, post-war period in Iraq is very sophisticated, and there's very little of it. U.S. Undersecretary of State Marc Grossman and U.S. Undersecretary of Defense Douglas Feith testified in Congress, about a month ago, and seemed to have no figures, and no ideas [about] what structures they were going to deploy; they had no idea about the use of [the Iraqi] institutions that exist, although they want to de-Ba'thise the higher echelons, and keep the rest.  The same is true about their views of the [Iraqi] army. They certainly have no use for the Iraqi opposition that they've been spending many millions of dollars on; and, to the best of my ability to judge, they are going to improvise; of course, the model is Afghanistan. I think they hope that the U.N. will come in and do something, but, given the recent French and Russian positions, I doubt that that will happen with such simplicity.
Did he five examples of the bias?
A: the tendency to editorialize "speculations about the latest conspiracy to blow up buildings, sabotage commercial airliners, and poison water supplies."
Some context: Aukerman was born in Savannah, Georgia to Burt and Linda Aukerman. He grew up in Orange County, California, attending Cypress High School and the Orange County High School of the Arts, studying acting and musical theater and writing plays in his spare time. He hosted a public-access television show called Centurion Highlights, based on the school's mascot. In a 2015 interview, Aukerman said "I'm still doing that same show, just with celebrities instead of my high school cafeteria."
After a brief period studying at the Pacific Conservatory of the Performing Arts and touring the country as a musical theater actor, in 1995, at the request of his friends, Aukerman and Porter started performing at The Comedy Store in Los Angeles under the moniker "The Fun Bunch", a name meant to parody improvisation groups at the time.  Mr. Show co-creator Bob Odenkirk was in the audience for the second performance, and soon tapped the duo to write for and occasionally perform on the show in its fourth season. This led to an Emmy nomination in 1999 for Aukerman and the rest of the staff. Aukerman appeared sporadically on the show, most notably as the model Theo Brixton in the Taint Magazine sketch.  After the show's cancellation, Aukerman and Porter segued into writing film and television scripts, most notably Run Ronnie Run! and the first draft of the film Tenacious D in The Pick of Destiny. In 2004, he and Porter received an "Additional Dialogue" credit on the animated feature film Shark Tale. They went on to write an unproduced script for the sequel, as well as an unproduced Shrek spin-off film based on the character Puss in Boots. In 2007, a feature film script he wrote with Porter and Odenkirk, titled Kanan Rhodes: Unkillable Servant of Justice, was purchased by MTV Films with the intent of starring Rainn Wilson, although it currently remains unproduced. Also in 2007, Aukerman released a self-described "joke record", Scott Aukerman's Koo Koo Roo's Greatest Hits, which featured Aukerman and Sarah Silverman Program writer Jon Schroeder shouting over current soft-rock hits. This was put out in limited release on AST Records.  In 2009, Aukerman and Porter wrote a pilot script for NBC, titled Privates. The network ultimately passed on the show. That year, Aukerman took on the role as head writer for the 2009 MTV Movie Awards and executive produced and co-wrote a pilot for Comedy Central, The New Andy Dick Show. The network ultimately passed on ordering it to series.  In 2010, Aukerman wrote a feature film script for friend Zach Galifianakis for Fox, and he and Patton Oswalt co-wrote a television pilot for Fox, which the network ultimately passed on. Later that year, Aukerman joined a "writers lab", writing film scripts for Imagine Entertainment.
Did they win any awards?
A:
nomination