Answer the question at the end by quoting:

Thierry Daniel Henry (French pronunciation:  [tjeRi aRi]; born 17 August 1977) is a retired French professional footballer who played as a forward and is the second assistant manager of the Belgium national team. He played for Monaco, Juventus, Barcelona, New York Red Bulls and spent eight years at Arsenal where he is the club's all-time record goalscorer. At international level he represented France and is his country's record goalscorer. Henry made his professional debut with Monaco in 1994.
On 17 February 2012, Henry returned to Red Bulls to prepare for the 2012 season. His base salary of $5 million ($5.6 million guaranteed) made him the highest-paid player in the MLS--surpassing David Beckham, who had taken a salary cut for his last year with the Los Angeles Galaxy. In 2013, Henry's base salary dropped to $3.75 million setting him behind Robbie Keane's $4 million base salary. With bonuses, however, Henry remained the highest-paid player with $4.35 million compared to Keane's $4.33 million.  On 31 March 2012, Henry scored his first MLS hat-trick in a 5-2 Red Bulls win over the Montreal Impact. He was named MLS Player of the Month that same month. On 27 October 2013, Henry scored once and provided two assists in the last game of the season against the Chicago Fire at Red Bull Arena to help his team win 5-2 and become champions of the regular season. It was the club's first major trophy in their 17-year history.  On 12 July 2014, Henry provided a goal and three assists in a 4-1 Red Bulls win over the Columbus Crew. With that effort he became the all-time assist leader for the New York Red Bulls with 37, surpassing Amado Guevara and Tab Ramos.  On 1 December 2014, it was announced that Henry had left the Red Bulls after four-and-a-half years at the club. On 16 December, he announced his retirement as a player and stated that he would begin working for Sky Sports as a pundit.

How long did he play for the team?

On 1 December 2014, it was announced that Henry had left the Red Bulls after four-and-a-half years at the club.

IN: Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".

Fischer next lived in Detroit, Michigan, whereupon, after first hearing the vocal quartet The Hi-Lo's in a live performance, he promptly offered his services. Over the next five years, Fischer recorded several albums with the group, serving as pianist and, on occasion, arranger. In addition, he contributed several vocal arrangements, making his debut in that capacity; it was these arrangements that Herbie Hancock would later point to as a major influence:  [T]hat's when I really learned some much farther-out voicings - like the harmonies I used on Speak Like a Child - just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... I heard some of his last records, and he was still doing amazing harmonic stuff. And, of course, he was a wonderful pianist, too. But it was those vocal harmonies that were the first thing I heard. I was in awe of him.  When Fischer moved to Hollywood in 1958, he went to East L.A. to play and learn more about Latin-Jazz. He started in a charanga group with Modesto Duran as leader and played with many different groups. On November 2, 1959, he made a particularly fruitful connection within this genre when he appeared with the Hi-lo's at the First Annual Los Angeles Jazz Festival on the same bill with the already popular Latin jazz group led by vibraphonist Cal Tjader. Both his playing and arranging made an immediate impression on Tjader, who went on to employ Fischer in both capacities on several recordings over the next three years; the two would reunite in the mid-seventies, leading eventually to the formation of Fischer's own Latin jazz unit, Salsa Picante.  In 1961, Fischer became interested in Brazilian music through the recordings of Elizete Cardoso and Joao Gilberto. This discovery, coupled with his introduction to the music of Mexican composer Mario Ruiz Armengol, led to Fischer's subsequent collaboration with Cal Tjader, a 1962 LP devoted jointly to Armengol's music and that of assorted contemporary Brazilian composers. Over the following year, Fischer collaborated on two Bossa Nova-themed LPs with saxophonist Bud Shank, and arranged another for pianist George Shearing.  While with The Hi-Lo's, Fischer arranged a record by trumpeter Donald Byrd, which, by virtue of Fischer's use of strings and harps, imbued well-known standards with an unaccustomed, melancholic quality. Although it would be twenty-five years before the album was finally released, September Afternoon paid immediate dividends when Byrd played a copy for Dizzy Gillespie. In turn, Gillespie hired Fischer to write arrangements for a small ensemble featuring brass and woodwinds for his own album, A Portrait of Duke Ellington, which was well received. In 1960 albums for vibraphonist Cal Tjader and pianist George Shearing followed, as did an eight-year career of writing music for commercials, as well as the signing of Fischer's first record contract.

What else did he do while in LA?

OUT:
He started in a charanga group with Modesto Duran as leader and played with many different groups.