Question:
The Midnight Express was a professional wrestling tag team of changing members, mostly under the management of Jim Cornette. The group started in the early 1980s with Dennis Condrey and Randy Rose (and originally Norvell Austin). The late 1980s saw a new incarnation, consisting of Bobby Eaton and Stan Lane, compete in JCP and WCW and shortly feuding with "The Original Midnight Express" of Condrey and Rose. In the 1990s, the World Wrestling Federation (WWF) combined Bob Holly and Bart Gunn as "The New Midnight Express".
When Bobby Eaton was sent to Mid-South Wrestling under promoter Bill Watts as a part of a talent trade it was decided that he should be part of the new version of the Midnight Express. Eaton teamed with former rival Dennis Condrey under the management of Jim Cornette to form a new version of the Midnight Express. The Express had up until this point been a group of wrestlers, but once Eaton and Condrey joined together the Midnight Express worked exclusively as a two-man team. To complement "Loverboy" Dennis Condrey, Eaton was nicknamed "Beautiful Bobby", a nickname he still uses. The Express was first booked in a storyline with the Mid-South Tag Team champions Magnum T.A. and Mr. Wrestling II. The highlight of the angle saw Eaton and Condrey tarring and feathering Magnum TA in the middle of the ring. Condrey and Eaton won their first tag team championship when Mr. Wrestling II turned on Magnum TA and attacked him during a match, allowing The Midnight Express to walk away with the titles without much opposition. Collectively Dennis Condrrey and Bobby Eaton hold the record for the most Tag Team Titles in all of professional wrestling with 51 together; earning the right to be called the most decorated Tag Team of all time. See Title History below.  With Mr. Wrestling II and Magnum TA splitting up, the Midnight Express needed a new team to defend their newly won title against. This team was The Rock 'n' Roll Express (Ricky Morton and Robert Gibson), whom they started a long-running series of matches that would run well into the 1990s and span several wrestling promotions. The two Expresses had a series of matches which differed so much from the way tag team wrestling was traditionally presented at the time, that it gathered a lot of attention both locally and nationally. The two teams feuded throughout 1984 in Mid-South Wrestling before the Midnight Express left the promotion to work elsewhere. The Midnight Express versus Rock 'n' Roll Express series of matches was so well received by the fans that independent promoters all over the United States still book that match today, 30 years after the rivalry started.  The Midnight Express had a short stay in World Class Championship Wrestling in Texas where they feuded mainly with The Fantastics (Bobby Fulton and Tommy Rogers). When opportunities in WCCW looked to go nowhere the Midnight Express signed with Jim Crockett Promotions (JCP) in 1985, giving them national exposure through JCP's television shows that were broadcast on SuperStation TBS. Shortly after joining JCP, the Midnight Express reignited their feud with the Rock 'n' Roll Express from whom they won the NWA World Tag team titles in February 1986. Eaton and Condrey lost the titles back to the Rock 'n' Roll Express six months later. Besides feuding with the Rock 'n' Roll Express, Eaton and Condrey also had long-running feuds with The New Breed (Chris Champions and Sean Royal) as well as The Road Warriors (Animal and Hawk). The feud with the Road Warriors included a high profile Scaffold Match at Starrcade 1986, which the Midnight Express lost.
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What happened in 1984?

Answer:



Question:
The Who are an English rock band that formed in 1964. Their classic line-up consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, selling over 100 million records worldwide and holding a reputation for their live shows and studio work. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage.
Tommy secured the Who's future, and made them millionaires. The group reacted in different ways--Daltrey and Entwistle lived comfortably, Townshend was embarrassed at his wealth, which he felt was at odds with Meher Baba's ideals, and Moon spent frivolously.  During the latter part of 1970, Townshend plotted a follow up Tommy: Lifehouse, which was to be a multi-media project symbolising the relationship between an artist and his audience. He developed ideas in his home studio, creating layers of synthesizers, and the Young Vic theatre in London was booked for a series of experimental concerts. Townshend approached the gigs with optimism; the rest of the band were just happy to be gigging again. Eventually, the others complained to Townshend that the project was too complicated and they should simply record another album. Things deteriorated until Townshend had a nervous breakdown and abandoned Lifehouse.  Entwistle was the first member of the group to release a solo album, Smash Your Head Against the Wall, in May 1971.  Recording at the Record Plant in New York City in March 1971 was abandoned when Lambert's addiction to hard drugs interfered with his ability to produce. The group restarted with Glyn Johns in April. The album was mostly Lifehouse material, with one unrelated song by Entwistle, "My Wife", and was released as Who's Next in August. The album reached No. 1 in the UK and No. 4 in the US. "Baba O'Riley" and "Won't Get Fooled Again" are early examples of synthesizer use in rock, featuring keyboard sounds generated in real time by a Lowrey organ; on "Won't Get Fooled Again", it was further processed through a VCS3 synthesizer. The synthesizer intro to "Baba O'Riley" was programmed based on Meher Baba's vital stats, and the track featured a violin solo by Dave Arbus. The album was a critical and commercial success, and has been certified 3x platinum by the RIAA. The Who continued to issue Lifehouse-related material over the next few years, including the singles "Let's See Action", "Join Together" and "Relay".  The band went back on tour, and "Baba O' Riley" and "Won't Get Fooled Again" became live favourites. In November they performed at the newly opened Rainbow Theatre in London for three nights, continuing in the US later that month, where Robert Hilburn of the Los Angeles Times described the Who as "the Greatest Show on Earth". The tour was slightly disrupted at the Civic Auditorium in San Francisco on 12 December when Moon passed out over his kit after overdosing on brandy and barbiturates. He recovered and completed the gig, playing to his usual strength.
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Are there any other interesting aspects about this article?

Answer:
Recording at the Record Plant in New York City in March 1971 was abandoned when Lambert's addiction to hard drugs interfered with his ability to produce.