input: Late Night with Jimmy Fallon premiered in March 2009 to mixed reviews. Producer Michael Shoemaker felt that the show's style solidified when it used Susan Boyle as a joke. While other late-night programs had centered on her appearance, Fallon's Late Night debuted a sketch in which Boyle's emotional performances could "salve any affliction." It was this style of humor, that Adam Sternbergh of New York dubbed "the comedy of unabashed celebration", that led to the program's success.  Fallon proved himself different from other late-night hosts, with more of a reliance on music, dancing, impersonations, and games.  Between Fallon's own musical sensibilities and the recruitment of his house band, hip-hop collective The Roots, his incarnation of Late Night "evolved into the most deeply musical of TV's musical-comedy variety programs", with sketches in which he parodies Neil Young and Bruce Springsteen going viral online. Coincidentally, it was during the Tonight Show debacle that Fallon's show found its footing.  Another component built into the program was its association with social media and the Internet. The first majorly successful online clip was of Fallon and Justin Timberlake performing a "History of Rap". Online interaction and its presence on the show soon became crucial to its success. As of August 2013, Fallon was earning a salary of $11 million a year for his work on Late Night.  Fallon also hosted the 62nd Primetime Emmy Awards in 2010. In 2012, Fallon released his second comedy album, Blow Your Pants Off, which compiles many of his musical performances on Late Night. The album won a Grammy in 2013 for Best Comedy Album. Discussions for Fallon to take over The Tonight Show began in early 2013.

Answer this question "did any thing else happen coming back?"
output: Another component built into the program was its association with social media and the Internet.

input: "Hound Dog" (G2WW-5935) was initially released as the B-side to the single "Don't Be Cruel" (G2WW-5936) on July 13, 1956. Soon after the single was re-released with "Hound Dog" first and in larger print than "Don't Be Cruel" on the record sleeve. Both sides of the record topped Billboard's Best Sellers in Stores and Most Played in Jukeboxes charts alongside "Don't Be Cruel", while "Hound Dog" on its own merit topped the country & western and rhythm & blues charts and peaked at number two on Billboard's main pop chart, the Top 100. Later reissues of the single by RCA in the 1960s designated the pair as double-A-sided.  While Presley was performing "Hound Dog" on television and his record was scaling the charts, Stoller, who had been on vacation in Europe, was returning on the ill-fated final voyage of the Andrea Doria. On July 26, 1956, Leiber met the just-rescued Stoller on the docks and told him, "We got a smash hit on Hound Dog," Stoller said, "Big Mama's record?" And Leiber replied: '"No. Some white guy named Elvis Presley." Stoller added: "And I heard the record and I was disappointed. It just sounded terribly nervous, too fast, too white. But you know, after it sold seven or eight million records it started to sound better." Leiber and Stoller tired of explaining that Presley had dropped most of their lyrics. For example, Leiber complained about Presley adding the line, "You ain't caught a rabbit, and you ain't no friend of mine", calling it "inane...It doesn't mean anything to me." Forty years later, Leiber told music journalist Rikky Rooksby that Presley had stamped the hit with his own identity: "(A) white singer from Memphis who's a hell of a singer--he does have some black attitudes--takes the song over ... But here's the thing: we didn't make it. His version is like a combination of country and skiffle. It's not black. He sounds like Hank Snow. In most cases where we are attributed with rock and roll, it's misleading, because what we did is usually the original record--which is R&B--and some other producer (and a lot of them are great) covered our original record."  By August 18, 1956, Peacock Records re-released Big Mama Thornton's original recording of "Hound Dog", backing it with "Rock-a-Bye Baby" (Peacock 5-1612), but it failed to chart.

Answer this question "what else is interesting about this passage?"
output: By August 18, 1956, Peacock Records re-released Big Mama Thornton's original recording of "Hound Dog",

input: In 1950 Fellini co-produced and co-directed with Alberto Lattuada Variety Lights (Luci del varieta), his first feature film. A backstage comedy set among the world of small-time travelling performers, it featured Giulietta Masina and Lattuada's wife, Carla del Poggio. Its release to poor reviews and limited distribution proved disastrous for all concerned. The production company went bankrupt, leaving both Fellini and Lattuada with debts to pay for over a decade. In February 1950, Paisa received an Oscar nomination for the screenplay by Rossellini, Sergio Amidei, and Fellini.  After travelling to Paris for a script conference with Rossellini on Europa '51, Fellini began production on The White Sheik in September 1951, his first solo-directed feature. Starring Alberto Sordi in the title role, the film is a revised version of a treatment first written by Michelangelo Antonioni in 1949 and based on the fotoromanzi, the photographed cartoon strip romances popular in Italy at the time. Producer Carlo Ponti commissioned Fellini and Tullio Pinelli to write the script but Antonioni rejected the story they developed. With Ennio Flaiano, they re-worked the material into a light-hearted satire about newlywed couple Ivan and Wanda Cavalli (Leopoldo Trieste, Brunella Bovo) in Rome to visit the Pope. Ivan's prissy mask of respectability is soon demolished by his wife's obsession with the White Sheik. Highlighting the music of Nino Rota, the film was selected at Cannes (among the films in competition was Orson Welles's Othello) and then retracted. Screened at the 13th Venice International Film Festival, it was razzed by critics in "the atmosphere of a soccer match". One reviewer declared that Fellini had "not the slightest aptitude for cinema direction".  In 1953, I Vitelloni found favour with the critics and public. Winning the Silver Lion Award in Venice, it secured Fellini his first international distributor.

Answer this question "what was his 1st production about"
output:
A backstage comedy set among the world of small-time travelling performers,