Some context: The Foundations were a British soul band, active from 1967 to 1970. The group, made up of West Indians, White British, and a Sri Lankan, are best known for their two biggest hits, "Baby Now That I've Found You" (number one in the UK and Canada, and number eleven in the US), written by Tony Macaulay and John MacLeod; and "Build Me Up Buttercup" (number two in the UK and number three on the US Billboard Hot 100), co-written by Macaulay with Mike d'Abo, at the time the lead vocalist with Manfred Mann. The group was the first multi-racial group to have a number one hit in the UK in the 1960s. The Foundations were one of the few British acts to successfully imitate what became known as the Motown Sound.
Summary of single releases  From the bands beginning to their breakup near the end of 1970, the Foundations released ten singles in the United Kingdom including two versions of the same song. A good deal of the songs on the singles were composed by Tony Macaulay and John Macleod. They had four significant hits from these plus a minor hit with one of their own compositions, "Born to Live, Born to Die". They had minor hit with "My Little Chickadee" in the United States. This was written by Tony Macaulay and John Macleod. There were other titles announced that were either never recorded or were never released. They were "Our Love Went Thataway", "Tear Jerker, Music-worker, You" which was to be released around the same time as "Better By Far" by Lulu and "No Place On Earth Could Find You". In 1971, the single "Stoney Ground" was released. It is believed that this single was actually by Colin Young and his new backing band Development. It seems quite likely as the Colin Young and Development debut single "Any Time At All" pre-dates "Stoney Ground". In the mid and late 1970s, there were two more singles released under the Foundations name. They were "Where Were You When I Needed Your Love" and "Closer to Loving You" which featured the Northern Soul classic "Change My Life" as the B side. These last two singles to bear the Foundations name featured Clem Curtis once more as the lead vocalist.  Summary of album releases  During the 1960s, the Foundations recorded and released four LPs in the United Kingdom. Before the release of their debut album, it was originally announced, in the October 1967 of Beat Instrumental Monthly that the debut album's title was to be Sound Basis. However, when it was released on Pye, it had the title of From the Foundations. The American version of this album, which was released on the Uni label, was given the title of Baby, Now That I've Found You. This album featured Curtis on lead vocals. The next release was in 1968. It was a live LP called Rocking the Foundations, and also featured Curtis on lead vocals plus two instrumentals "The Look of Love" and "Coming Home Baby". Also in 1968, another LP was released, this time on the Marble Arch label. This self-titled third album featured re-recordings of their previous hits and songs, but with Young on vocals instead of Curtis. It also featured a version of a new track, "Build Me Up Buttercup." There was also a second American album released called Build Me Up Buttercup. This release was a compilation of Foundations tracks. Side one consisted of tracks from their Rocking the Foundations album, while side two consisted of "Build Me Up Buttercup", the B side of that single, plus some earlier Foundations tracks. The group's last LP release was Digging The Foundations in 1969, which featured their hit "In The Bad Bad Old Days" and the minor US hit "My Little Chickadee". A track "Why Does She Keep On" that was mentioned in the 26 April 1969 issue of Billboard magazine was not included. Since then, there have been various compilations of the Foundations songs, released on both the Golden Hour and PRT labels.
how did the singles do?
A: They had minor hit with "My Little Chickadee" in the United States.

Some context: Arthur Asher Miller (October 17, 1915 - February 10, 2005) was an American playwright, essayist, and figure in twentieth-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He also wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman has been numbered on the short list of finest American plays in the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Tennessee Williams's A Streetcar Named Desire.
In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred.
How did the play do?
A:
was a success on Broadway