Some context: Field Marshal Jan Christiaan Smuts  (24 May 1870 - 11 September 1950) was a prominent South African and British Commonwealth statesman, military leader and philosopher. In addition to holding various cabinet posts, he served as prime minister of the Union of South Africa from 1919 until 1924 and from 1939 until 1948. Although Smuts had originally advocated racial segregation and opposed the enfranchisement of black Africans, his views changed and he backed the Fagan Commission's findings that complete segregation was impossible. Smuts subsequently lost the 1948 election to hard-line Afrikaners who created apartheid.
The Union of South Africa was born, and the Afrikaners held the key to political power, as the majority of the electorate. Although Botha was appointed prime minister of the new country, Smuts was given three key ministries: Interior, Mines, and Defence. Undeniably, Smuts was the second most powerful man in South Africa. To solidify their dominance of South African politics, the Afrikaners united to form the South African Party, a new pan-South African Afrikaner party.  The harmony and cooperation soon ended. Smuts was criticised for his overarching powers, and the cabinet was reshuffled. Smuts lost Interior and Mines, but gained control of Finance. This was still too much for Smuts' opponents, who decried his possession of both Defence and Finance: two departments that were usually at loggerheads. At the 1913 South African Party conference, the Old Boers (Hertzog, Steyn, De Wet), called for Botha and Smuts to step down. The two narrowly survived a confidence vote, and the troublesome triumvirate stormed out, leaving the party for good.  With the schism in internal party politics came a new threat to the mines that brought South Africa its wealth. A small-scale miners' dispute flared into a full-blown strike, and rioting broke out in Johannesburg after Smuts intervened heavy-handedly. After police shot dead twenty-one strikers, Smuts and Botha headed unaccompanied to Johannesburg to resolve the situation personally. Facing down threats to their own lives, they negotiated a cease-fire. But the cease-fire did not hold, and in 1914, a railway strike turned into a general strike. Threats of a revolution caused Smuts to declare martial law. Smuts acted ruthlessly, deporting union leaders without trial and using Parliament to absolve him and the government of any blame retroactively. This was too much for the Old Boers, who set up their own National Party to fight the all-powerful Botha-Smuts partnership.
What was the dispute over?
A: With the schism in internal party politics came a new threat to the mines that brought South Africa its wealth.
Some context: Jean was born in Croix-des-Bouquets, Haiti. In 1982, he immigrated with his family as a thirteen-year-old boy to the United States; after living in Brooklyn, New York, they settled in East Orange and Newark, New Jersey. He began to make music as a child and has cited reggae artist Bigga Haitian as one of his early influences, as well as neighborhood heroes MC Tiger Paw Raw and producer Lobster v. Crab. His mother recognized his musical talent and bought him a guitar when he was in his teens; he played music to earn respect.
Jean and other musicians formed a group in the 1980s under the name Tranzlator Crew. After they signed with Ruffhouse Records and Columbia Records in 1993, they renamed their group as Fugees - an abbreviation of "refugees", and also a reference to Haitian immigrants. The group's debut album, Blunted on Reality, was released in 1994. It achieved limited commercial success, peaking at number 62 on the US Top R&B/Hip-Hop Albums chart. The album peaked at number 122 on the UK Albums Chart in 1997, and it was certified gold by the Syndicat National de l'Edition Phonographique (SNEP). Blunted on Reality spawned three singles: "Boof Baf", "Nappy Heads" and "Vocab." "Nappy Heads" was the Fugees' first single to be ranked on the US Billboard Hot 100, charting at number 49.  In 1996, the Fugees released their second album, titled The Score. The album achieved significant commercial success in the United States, topping the US Billboard 200. It was later certified as six-times platinum by the Recording Industry Association of America (RIAA). It performed well in several overseas nations, topping the Austrian, Canadian, French, German and Swiss albums charts, while also peaking at number two in Sweden and the United Kingdom. Four commercially successful singles were released from The Score; "Fu-Gee-La", the first single from the album, peaked at number 29 on the Billboard Hot 100 and was certified gold by the RIAA and by the Bundesverband Musikindustrie (BVMI). The other three singles - "Killing Me Softly", "Ready or Not" and "No Woman, No Cry" - did not appear on the Billboard Hot 100 as they were not released for commercial sale, making them ineligible to appear on the chart, although they all received sufficient airplay to appear on the Hot 100 Airplay and Hot R&B/Hip-Hop Airplay charts. "Killing Me Softly", a cover of the Roberta Flack song "Killing Me Softly with His Song", performed strongly in other territories, topping the singles charts in Australia, Austria, Germany and the United Kingdom, among several others.  "Ready or Not" peaked at number one in the UK and at number three in Sweden. "No Woman, No Cry" - a cover of the Bob Marley & The Wailers song of the same name - topped the singles chart in New Zealand. Fugees collaborated with singer Bounty Killer on the single "Hip-Hopera" and recorded the single "Rumble in the Jungle" for the soundtrack to the film When We Were Kings in 1997: although they have not released any studio albums since The Score, a compilation album, Greatest Hits, was released in 2003, and spawned the single "Take It Easy".
What album did they release next?
A:
their second album, titled The Score.