Answer the question at the end by quoting:

Alison Maria Krauss was born in Decatur, Illinois, to Fred and Louise Krauss. Her father was a German immigrant who came to the United States in 1952 and taught his native language. Her mother, of German and Italian descent, is the daughter of artists. Krauss grew up in the college town of Champaign, home to the University of Illinois at Urbana-Champaign.
Krauss' second Union Station album Every Time You Say Goodbye was released in 1992, and she went on to win her second Grammy Award for Best Bluegrass Album of the year. She then joined the Grand Ole Opry in 1993 at the age of 21. She was the youngest cast member at the time, and the first bluegrass artist to join the Opry in twenty-nine years. She also collaborated on a project with the Cox Family in 1994, a bluegrass album called I Know Who Holds Tomorrow. Mandolin and guitar player Dan Tyminski replaced Tim Stafford in Union Station in 1994. Late in the year, Krauss recorded with the band Shenandoah on its single "Somewhere in the Vicinity of the Heart", which brought her to the country music Top Ten for the first time and it won the Grammy Award for Best Country Collaboration with Vocals. Also in 1994, Krauss collaborated with Suzy Bogguss, Kathy Mattea, and Crosby, Stills, and Nash to contribute "Teach Your Children" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. In 1997, she recorded vocals and violin for "Half a Mind", on Tommy Shaw's 7 Deadly Zens album.  Now That I've Found You: A Collection, a compilation of older releases and some covers of her favorite works by other artists, was released in 1995. Some of these covers include Bad Company's "Oh Atlanta", The Foundations' & Dan Schafer's "Baby, Now That I've Found You", which was used in the Australian hit comedy movie The Castle, and The Beatles' "I Will". A cover of Keith Whitley's "When You Say Nothing at All" reached number three on the Billboard country chart; the album peaked in the top fifteen on the all-genre Billboard 200 chart, and sold two million copies to become Krauss' first double-platinum album. Krauss also was nominated for four Country Music Association Awards and won all of them.  So Long So Wrong, another Union Station album, was released in 1997 and won the Grammy Award for Best Bluegrass Album. One critic said its sound was "rather untraditional" and "likely [to] change quite a few ... minds about bluegrass." Included on the album is the track "It Doesn't Matter", which was featured in the second-season premiere episode of Buffy the Vampire Slayer and was included on the Buffy soundtrack in 1999.  Her next solo release in 1999, Forget About It, included one of her two tracks to appear on the Billboard adult contemporary chart, "Stay". The album was certified gold and charted within the top seventy-five of the Billboard 200 and in the top five of the country chart.  In addition, the track "That Kind of Love" was included in another episode of Buffy the Vampire Slayer.

Did she work on any albums with bands besides Union Station?

Late in the year, Krauss recorded with the band Shenandoah on its single "Somewhere in the Vicinity of the Heart",



Answer the question at the end by quoting:

Robert Gordon Orr, OC (born March 20, 1948) is a Canadian former professional ice hockey player, widely acknowledged as one of the greatest hockey players of all time. Orr used his ice skating speed, scoring, and play-making abilities to revolutionize the position of defenceman. He played in the National Hockey League (NHL) for 12 seasons, starting with 10 with the Boston Bruins followed by two with the Chicago Black Hawks. Orr remains the only defenceman to have won the league scoring title with two Art Ross Trophies.
By the time Orr turned 16 in 1964, he was still two years away from playing in the NHL and his father Doug was dissatisfied with the Bruins' treatment of the prospect. Doug had asked the Bruins' Blair for more money for Bobby and was turned down. Doug Orr met Toronto lawyer Alan Eagleson at a juvenile fastball tournament dinner in Parry Sound and asked Eagleson to help out with the situation. Eagleson agreed to work with the family for free and continued to do so for the next two years. Bobby and Eagleson developed a relationship Orr would later describe as being like brothers. The two soon became a team, discussing Bobby's future plans without his father Doug.  Eagleson was determined to get Orr a top salary. When Hap Emms, the general manager of the Bruins offered a US$5,000 (US$37,713 in 2017 dollars) signing bonus and US$7,000 and US$8,000 (US$52,798 and US$58,715 in 2017 dollars) for his first two years in the league, Eagleson countered with US$100,000 (US$754,256 in 2017 dollars) for the two years. or Orr would refuse to play with the Bruins and play for Canada's national team instead, like Carl Brewer. Orr wanted desperately to play in the NHL, but he went along with Eagleson's strategy and was willing to play for the nationals. The Bruins and Orr agreed on a US$25,000 signing bonus (US$188,564 in 2017 dollars), and a salary "less than $100,000" for the two years, a figure kept secret. Speculation has ranged on an annual salary of US$25,000 to US$40,000 (US$188,564 to US$339,415 in 2017 dollars) at a time when the typical maximum rookie salary was US$8,000. (US$60,341 in 2017 dollars) The official signing ceremony was done on Emms' boat, the Barbara Lynn, where Eagleson and Emms had conferred during negotiations.  At the time, it made Orr the highest-paid player in league history. But beyond that, the signing became one of the most important in the history of professional hockey. Until that time, players had been forced to accept whatever NHL management paid in salaries. It was the start of the player's agent era in professional hockey. For Eagleson, it was the start of his sports business empire. Based on the Orr signing, Eagleson would become the executive director of the new National Hockey League Players' Association (NHLPA) and started on his rise to become one of the most powerful men in the sport and business of ice hockey.

How long was his break
By the time Orr turned 16 in 1964, he was still two years away from playing in the NHL