Problem: Background: Anthony Neil Wedgwood Benn (3 April 1925 - 14 March 2014), originally known as Anthony Wedgwood Benn, but later as Tony Benn, was a British politician, writer, and diarist. He was a Member of Parliament (MP) for 47 years between the 1950 and 2001 general elections and a Cabinet minister in the Labour governments of Harold Wilson and James Callaghan in the 1960s and 1970s. Originally a moderate, he was identified as being on the party's hard left from the early 1980s, and was widely seen as a key proponent of democratic socialism within the party. Benn inherited a peerage on his father's death (as 2nd Viscount Stansgate), which prevented his continuing as an MP.
Context: Benn's father had been created Viscount Stansgate in 1942 when Winston Churchill increased the number of Labour peers to aid political work in the House of Lords; at this time, Benn's elder brother Michael was intending to enter the priesthood and had no objections to inheriting a peerage. However, Michael was later killed in an accident while on active service in the Second World War, and this left Benn as the heir to the peerage. He made several unsuccessful attempts to renounce the succession.  In November 1960, Lord Stansgate died. Benn automatically became a peer, preventing him from sitting in the House of Commons. The Speaker of the Commons, Sir Harry Hylton-Foster, did not allow him to deliver a speech from the bar of the House of Commons in April 1961 when the by-election was being called. Continuing to maintain his right to abandon his peerage, Benn fought to retain his seat in a by-election caused by his succession on 4 May 1961. Although he was disqualified from taking his seat, he was re-elected. An election court found that the voters were fully aware that Benn was disqualified, and declared the seat won by the Conservative runner-up, Malcolm St Clair, who was at the time also the heir presumptive to a peerage.  Benn continued his campaign outside Parliament. Within two years, though, the Conservative Government of the time, which had members in the same or similar situation to Benn's (i.e., who were going to receive title, or who had already applied for writs of summons), changed the law. The Peerage Act 1963, allowing lifetime disclaimer of peerages, became law shortly after 6 pm on 31 July 1963. Benn was the first peer to renounce his title, doing so at 6.22 pm that day. St Clair, fulfilling a promise he had made at the time of his election, then accepted the office of Steward of the Manor of Northstead, disqualifying himself from the House (outright resignation not being possible). Benn returned to the Commons after winning a by-election on 20 August 1963.
Question: Did Benn return to the House of Commons after the reform was passed?
Answer: Benn returned to the Commons after winning a by-election on 20 August 1963.

Background: Kevin Patrick Shields was born on 21 May 1963 in Jamaica Hospital in Queens, New York City, United States. He is the eldest of five siblings born to Irish parents; his mother was a nurse and his father was an executive in the food industry. Shields' parents had emigrated to the United States from Ireland in the 1950s, when the couple were teenagers. Shields attended Christ the King, a Roman Catholic primary school which he described as "a really horrible school run by psychopathic nuns".
Context: Shields' guitar sound has been cited as one of the most recognisable aspects of My Bloody Valentine's music. His sound uses "texture more than technique to create vivid soundscapes". He has been listed at number 95 and 2  on Rolling Stone's and Spin's 100 Greatest Guitarists of All Time list. During the late 1980s, Shields began customising the tremolo systems for his Fender Jaguars and Jazzmaster guitars; he extended the tremolo arm and loosened it considerably, to allow him to manipulate the arm while strumming chords, which resulted in significant pitch bending. Shields used a number of alternate and open tunings that together with his tremolo manipulation, according to Rolling Stone's Michael Azerrad, achieved "a strange warping effect that makes the music wander in and out of focus".  Among Shields' notable effects is digital reverse reverb, sourced from a Yamaha SPX90 effects unit. Together with the tremolo manipulation and distortion, he created a technique known as "glide guitar". Shields effects rig, which is composed largely of distortion, graphic equalisers and tone controls, consists of at least 30 effects pedals. His rig is connected to a large number of amplifiers which are often set to maximum volume to increase sustain. During live performances with My Bloody Valentine - particularly during the closing "You Made Me Realise" - Shields creates a blend of noise and excessive feedback, known as "the holocaust", which has often lasted for half an hour and often reached 130db. "It was so loud it was like sensory deprivation," he remarked. "We just liked the fact that we could see a change in the audience at a certain point."  Shields' sound and performance have been regarded as influential, with musicians including Billy Corgan and J Mascis citing him as an influence.  "Kevin Shields achieved something on Loveless that only the great guitarists achieve: he achieved a wholeness and a unity," observed Living Colour's Vernon Reid. "He created his own sound."
Question: What was special about the guitar sound?
Answer:
has been cited as one of the most recognisable aspects of My Bloody Valentine's music.