Question: Albert Ayler (; July 13, 1936 - November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.

Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums. Ayler's upbringing in the church had a great impact on his life and music, and much of his music can be understood as an attempt to express his spirituality, including the aptly titled Spiritual Unity, and his album of spirituals, Goin' Home, which features "meandering" solos that are meant to be treated as meditations on sacred texts, and at some points as "speaking in tongues" with his saxophone. Ayler's experience in the church and exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments, and to that of brass players in New Orleans swing bands.  Ayler attended John Adams High School on Cleveland's East Side, and graduated in 1954 at the age of 18. He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school. As a teenager, Ayler's understanding of bebop style and mastery of standard repertoire earned him the nickname of "Little Bird", after Charlie "Bird" Parker, in the small Cleveland jazz scene.  In 1952, at the age of 16, Ayler began playing bar-walking, honking, R&B-style tenor with blues singer and harmonica player Little Walter, spending two summer vacations with Walter's band. In 1958, after graduating from high school, Ayler joined the United States Army, where he switched from alto to tenor sax and jammed with other enlisted musicians, including tenor saxophonist Stanley Turrentine. Ayler also played in the regiment band, along with future composer Harold Budd. In 1959 he was stationed in France, where he was further exposed to the martial music that would be a core influence on his later work. After his discharge from the army, Ayler tried to find work in Los Angeles and Cleveland, but his increasingly iconoclastic playing, which had moved away from traditional harmony, was not welcomed by traditionalists.  Ayler relocated to Sweden in 1962, where his recording career began, leading Swedish and Danish groups on radio sessions and jamming as an unpaid member of Cecil Taylor's band in the winter of 1962-63. (Long-rumored tapes of Ayler performing with Taylor's group were released by Revenant Records in 2004, as part of a 10-CD set.) The album My Name Is Albert Ayler is a session of standards recorded for a Copenhagen radio station with local musicians including Niels-Henning Orsted Pedersen and drummer Ronnie Gardiner, with Ayler playing tenor and soprano on tracks such as "Summertime".

Using a quote from the above article, answer the following question: When was Albert Ayler born?
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Answer: Born in Cleveland, Ohio,


Question: Born Marilyn Ann Briggs in Providence, Rhode Island, Chambers was raised in Westport, Connecticut, in a middle-class household. It is often reported that she was born in Westport; however, in a 2007 interview Chambers confirmed she was born in Providence but grew up in Westport. Her father was in advertising and her mother was a nurse. She was the youngest of three children, including a brother, Martin Briggs (keyboardist for 1960s Boston band The Remains), and a sister, Jann Smith.

Chambers dreamed of having a career in mainstream films and believed her celebrity as the star of Behind the Green Door and the Ivory Snow girl would be a stepping stone to other endeavors. "The paradox was that, as a result of Green Door, Hollywood blackballed me," she said later. "[Green Door] became a very high-grossing film...But, to a lot of people, it was still a dirty movie; for me to do anything else, as an actress, was totally out of the question. I became known as a porno star, and that type of labeling really hurt me. It hurt my chances of doing anything else".  Throughout the 1970s she was up for roles in several Hollywood films. Her biggest opportunity came in 1976 when it was announced in Variety that she was to star alongside Rip Torn in City Blues, a film about a young hooker defended by a seedy lawyer. The film was to be directed by Nicholas Ray. Ray had never seen Behind the Green Door or even screen-tested Chambers. Instead the two met and Ray was impressed. "I have a camera in my head," he said, adding that Chambers would "eventually be able to handle anything that the young Katie Hepburn or Bette Davis could." However, the project never came to fruition, in large part due to Ray's alcohol and drug abuse.  Chambers claimed that Jack Nicholson and Art Garfunkel brought her in to talk about a role in the 1978 film Goin' South, then asked her for cocaine and grilled her about whether her orgasms in Behind the Green Door were real; she was angered to the point where she stormed out of the interview. She was going to be cast in the film Hardcore, opposite George C. Scott, but the casting director took one look at her and said she was too wholesome to be cast as a porn queen. "The Hardcore people wanted a woman with orange hair who chews gum, swings a big purse, and wears stiletto heels. That's such a cliche," Chambers said years later. Season Hubley was cast instead.

Using a quote from the above article, answer the following question: What type of films did she appear in?
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Answer:
I became known as a porno star, and that type of labeling really hurt me. It hurt my chances of doing anything else".