Problem: Background: Charles V (Spanish: Carlos; German: Karl; Italian: Carlo; Latin: Carolus; Dutch: Karel; French: Charles,  24 February 1500 - 21 September 1558) was ruler of both the Spanish Empire as Charles I from 1516 and the Holy Roman Empire as Charles V from 1519, as well as of the lands of the former Duchy of Burgundy from 1506. He stepped down from these and other positions by a series of abdications between 1554 and 1556. Through inheritance, he brought together under his rule extensive territories in western, central, and southern Europe, and the Spanish viceroyalties in the Americas and Asia.
Context: Much of Charles's reign was taken up by conflicts with France, which found itself encircled by Charles's empire while it still maintained ambitions in Italy. In 1520, Charles visited England, where his aunt, Catherine of Aragon, urged her husband, Henry VIII, to ally himself with the emperor. In 1508 Charles was nominated by Henry VII to the Order of the Garter. His Garter stall plate survives in Saint George's Chapel.  The first war with Charles's great nemesis Francis I of France began in 1521. Charles allied with England and Pope Leo X against the French and the Venetians, and was highly successful, driving the French out of Milan and defeating and capturing Francis at the Battle of Pavia in 1525. To gain his freedom, Francis ceded Burgundy to Charles in the Treaty of Madrid, as well as renouncing his support of Henry II's claim over Navarre.  When he was released, however, Francis had the Parliament of Paris denounce the treaty because it had been signed under duress. France then joined the League of Cognac that Pope Clement VII had formed with Henry VIII of England, the Venetians, the Florentines, and the Milanese to resist imperial domination of Italy. In the ensuing war, Charles's sack of Rome (1527) and virtual imprisonment of Pope Clement VII in 1527 prevented the Pope from annulling the marriage of Henry VIII of England and Charles's aunt Catherine of Aragon, so Henry eventually broke with Rome, thus leading to the English Reformation. In other respects, the war was inconclusive. In the Treaty of Cambrai (1529), called the "Ladies' Peace" because it was negotiated between Charles's aunt and Francis' mother, Francis renounced his claims in Italy but retained control of Burgundy.  A third war erupted in 1536. Following the death of the last Sforza Duke of Milan, Charles installed his son Philip in the duchy, despite Francis's claims on it. This war too was inconclusive. Francis failed to conquer Milan, but he succeeded in conquering most of the lands of Charles's ally, the Duke of Savoy, including his capital Turin. A truce at Nice in 1538 on the basis of uti possidetis ended the war but lasted only a short time. War resumed in 1542, with Francis now allied with Ottoman Sultan Suleiman I and Charles once again allied with Henry VIII. Despite the conquest of Nice by a Franco-Ottoman fleet, the French could not advance toward Milan, while a joint Anglo-Imperial invasion of northern France, led by Charles himself, won some successes but was ultimately abandoned, leading to another peace and restoration of the status quo ante bellum in 1544.  A final war erupted with Francis' son and successor, Henry II, in 1551. Henry won early success in Lorraine, where he captured Metz, but French offensives in Italy failed. Charles abdicated midway through this conflict, leaving further conduct of the war to his son, Philip II, and his brother, Ferdinand I, Holy Roman Emperor.
Question: What was his first conflict in France?
Answer: Charles visited England, where his aunt, Catherine of Aragon, urged her husband, Henry VIII, to ally himself with the emperor.

Problem: Background: Camille Pissarro (French: [kamij pisaRo]; 10 July 1830 - 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
Context: Jacob Abraham Camille Pissarro was born on 10 July 1830 on the island of St. Thomas to Frederick and Rachel Manzano de Pissarro. His father was of Portuguese Jewish descent and held French nationality. His mother was from a French-Jewish family from the island of St. Thomas. His father was a merchant who came to the island from France to deal with the hardware store of a deceased uncle and married his widow. The marriage caused a stir within St. Thomas' small Jewish community because she was previously married to Frederick's uncle and according to Jewish law a man is forbidden from marrying his aunt. In subsequent years his four children were forced to attend the all-black primary school. Upon his death, his will specified that his estate be split equally between the synagogue and St. Thomas' Protestant church.  When Camille was twelve his father sent him to boarding school in France. He studied at the Savary Academy in Passy near Paris. While a young student, he developed an early appreciation of the French art masters. Monsieur Savary himself gave him a strong grounding in drawing and painting and suggested he draw from nature when he returned to St. Thomas, which he did when he was seventeen. However, his father preferred he work in his business, giving him a job working as a cargo clerk. He took every opportunity during those next five years at the job to practise drawing during breaks and after work.  When Pissarro turned twenty-one, Danish artist Fritz Melbye, then living on St. Thomas, inspired him to take on painting as a full-time profession, becoming his teacher and friend. Pissarro then chose to leave his family and job and live in Venezuela, where he and Melbye spent the next two years working as artists in Caracas and La Guaira. He drew everything he could, including landscapes, village scenes, and numerous sketches, enough to fill up multiple sketchbooks. In 1855 he moved back to Paris where he began working as assistant to Anton Melbye, Fritz Melbye's brother.
Question: Did he struggle at first as a young artist?
Answer:
strong grounding in drawing and painting and suggested he draw from nature when he returned to St. Thomas, which he did when he was seventeen. However, his