Question: Shinedown is an American rock band from Jacksonville, Florida formed by singer Brent Smith in 2001 after the dissolution of his previous band. Smith, still under contract with record label Atlantic Records, recruited the band's original lineup of Jasin Todd as guitarist, Brad Stewart on bass, and Barry Kerch on drums. Consistent for the first two album cycles, a few lineup changes followed in the late 2000s, eventually stabilizing with Smith and Kerch alongside Zach Myers on guitar and Eric Bass on bass. The group has released five studio albums:

Work on a fourth studio album began in February 2011, with the band spending the first half of the year writing and demoing over 33 songs. The band again decided to work with Cavallo as a producer, but moved into a new sound and lyrical direction on the album, capturing a more of a message of "empowerment, perseverance, and inspiration", inspired by Smith's then-recent change of getting sober and living a healthier lifestyle, and the new band members contributing to the writing process for the first time on an album. The recording process wrapped up about a year later in February 2012, and the album, Amaryllis, was released the next month, on March 27, 2012, in 30 countries simultaneously, through a joint release between Atlantic and Roadrunner Records in countries Atlantic did not distribute into. Amaryllis debuted at number four on the Billboard 200 charts, selling 106,000 copies in its opening week. While the opening sales doubled the debut of The Sound of Madness, overall sales fell well short, with the album only being certified Gold, indicating a half million copies sold.  Five singles were released from the album: "Bully", "Unity", "Enemies", "I'll Follow You", and "Adrenaline". The band's singles once again fared well, albeit it slightly below The Sound of Madness singles; "Bully" and "Unity" topped the Billboard Mainstream Rock Charts, "Enemies" and "I'll Follow You" peaked at number 2, and "Adrenaline" peaked at number 4. Additionally, only "Bully" managed to have any cross-over success, break into the Billboard Top 100 chart, at number 94. and eventually being certified Gold as well. Shinedown also contributed the non-album song titled "I'm Alive" to the soundtrack of the 2012 film The Avengers.  In November 2012, Smith announced in an NME interview that a follow up Shinedown album had already been recorded. Smith stated "We've actually, we have another record of material. It's actually recorded...It's still very massive, it still has an epic feel to it all, but the tempo is a little slower, and the subject matter is a little different. I would say it's actually a bit darker, a little bit more mischievous." Despite the announcement, the band proceeded to move continue on with the Amaryllis touring cycle, touring through 2013 to complete another two year touring cycle. Shinedown and Three Days Grace embarked on a co-headlined tour beginning in February 2013, and went on another iteration of the yearly "Carnival of Madness" tour with Papa Roach in later 2013.  In April 2013, Smith and Myers recorded ten acoustic cover songs, selected out of a pool of over 4,000 fan requests, selecting a variety of different types of songs, from Metallica's "Nothing Else Matters" to Adele's "Someone Like You". The tracks were released across two separate EPs, Acoustic Sessions on January 28, 2014, and Acoustic Sessions Pt. 2 on March 28, 2014, with performance videos created for every track on the first EP. The band took much of 2014 off, a rarity for the band, which had pretty consistently moved back and forth between recording and touring for each album cycle. The time off was for the band to rest, specifically Smith, who had damaged his vocal chords and contracted oral thrush from the constant years of touring prior.

Using a quote from the above article, answer the following question: what happened in 2011?
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Answer: Work on a fourth studio album began in February 2011,


Question: Top of the Pops, also known as TOTP, is a British music chart television programme, made by the BBC and originally broadcast weekly between 1 January 1964 and 30 July 2006. It was traditionally shown every Thursday evening on BBC One, except for a short period on Fridays in mid-1973 before being again moved to Fridays in 1996 and then to Sundays on BBC Two in 2005. Each weekly programme consisted of performances from some of that week's best-selling popular music artists, with a rundown of that week's singles chart. Additionally, there was a special edition of the programme on Christmas Day (and usually, until 1984, a second such edition a few days after Christmas), featuring some of the best-selling singles of the year.

From 1967, the show had become closely associated with the BBC radio station Radio 1, usually being presented by DJs from the station, and between 1988 and 1991 the programme was simulcast on the radio station in FM stereo. However, during the last few years of the 1980s the association became less close, and was severed completely (although not permanently) in a radical shake-up known as the 'Year Zero' revamp.  Following a fall in viewing figures and a general perception that the show had become 'uncool' (acts like The Clash had refused to appear in the show in previous years), a radical new format was introduced by incoming executive producer Stanley Appel (who had worked on the programme since 1966 as cameraman, production assistant, director and stand-in producer) in October 1991, in which the Radio 1 DJs were replaced by a team of relative unknowns, such as Claudia Simon and Tony Dortie who had previously worked for Children's BBC, 17-year-old local radio DJ Mark Franklin, Steve Anderson, Adrian Rose and Elayne Smith, who was replaced by Femi Oke in 1992. A brand new theme tune ('Now Get Out Of That'), title sequence and logo were introduced, and the entire programme moved from BBC Television Centre in London to BBC Elstree Centre in Borehamwood.  The new presenting team would take turns hosting (initially usually in pairs but sometimes solo), and would often introduce acts in an out-of-vision voiceover over the song's instrumental introduction. They would sometimes even conduct short informal interviews with the performers, and initially the Top 10 countdown was run without any voiceover. Rules relating to performance were also altered meaning acts had to sing live as opposed to the backing tracks for instruments and mimed vocals for which the show was known. To incorporate the shift of dominance towards American artists, more use was made of out-of-studio performances, with acts in America able to transmit their song to the Top of the Pops audience "via satellite". These changes were widely unpopular and much of the presenting team were axed within a year, leaving the show hosted solely by Dortie and Franklin (apart from the Christmas Day editions, when both presenters appeared) from October 1992, on a week-by-week rotation.

Using a quote from the above article, answer the following question: Were they well received?
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Answer:
These changes were widely unpopular and much of the presenting team were axed within a year, leaving the show hosted solely by Dortie and Franklin