Some context: Buena Vista Social Club is an ensemble of Cuban musicians established in 1996 to revive the music of pre-revolutionary Cuba. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos Gonzalez. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzon, they recruited a dozen veteran musicians, many of whom had been retired for years.
Shortly after the Cuban Revolution of 1959, newly elected Cuban President Manuel Urrutia Lleo, a devout Christian, began a program of closing gambling outlets, nightclubs, and other establishments associated with Havana's hedonistic lifestyle. This had an immediate impact on the livelihoods of local entertainers. As the Cuban government rapidly shifted towards the left in an effort to build a "classless and colourblind society", it struggled to define policy toward forms of cultural expression in the black community; expressions which had implicitly emphasized cultural differences. Consequently, the cultural and social centers were abolished, including the Afro-Cuban mutual aid Sociedades de Color in 1962, to make way for racially integrated societies. Private festivities were limited to weekend parties and organizers' funds were confiscated. The measures meant the closure of the Buena Vista Social Club. Although the Cuban government continued to support traditional music after the revolution, certain favor was given to the politically charged nueva trova, and poetic singer-songwriters such as Silvio Rodriguez and Pablo Milanes. The emergence of pop music and salsa, a style derived from Cuban music but developed in the United States, meant that son music became even less common.  Cuban music experienced quite a radical change in the 1960s, as National Geographic notes:  Cuban dance music also witnessed dramatic change beginning in the late 1960s, as groups explored the fusion of Cuban son with American rock, jazz and funk styles. Groups such as Los Van Van and Irakere established modern forms of Cuban music, paving the way for new rhythms and dances to emerge as well as fresh concepts in instrumentation. ... Cuba's dance music had already inspired a change from the older son-style dances, as younger Cubans broke free of step-oriented dances...  The occurrence of these closures and the change in traditions is the simplest explanation of why many musicians were out of work, and why their style of music had declined before the Buena Vista Social Club made it popular again.
Was the program to close these establishments successful?
A: This had an immediate impact on the livelihoods of local entertainers.

Some context: Dan Gerhard Brown was born on June 22, 1964 in Exeter, New Hampshire. He has a younger sister, Valerie (born 1968) and brother, Gregory (born 1975). Brown attended Exeter's public schools until the ninth grade. He grew up on the campus of Phillips Exeter Academy, where his father, Richard G. Brown, was a teacher of mathematics and wrote textbooks from 1968 until his retirement in 1997.
In August 2005 author Lewis Perdue unsuccessfully sued Brown for plagiarism, on the basis of claimed similarity between The Da Vinci Code and his novels, The Da Vinci Legacy (1983) and Daughter of God (2000). Judge George Daniels said, in part: "A reasonable average lay observer would not conclude that The Da Vinci Code is substantially similar to Daughter of God."  In April 2006 Brown's publisher, Random House, won a copyright infringement case brought by authors Michael Baigent and Richard Leigh, who claimed that Brown stole ideas from their 1982 book Holy Blood Holy Grail for his 2003 novel The Da Vinci Code. It was in the book Holy Blood Holy Grail that Baigent, Leigh, and co-author Henry Lincoln had advanced the theory that Jesus and Mary Magdalene married and had a child and that the bloodline continues to this day. Brown apparently alluded to the two authors' names in his book. Leigh Teabing, a lead character in both the novel and the film, uses Leigh's name as the first name, and anagrammatically derives his last name from Baigent's. Mr Justice Peter Smith found in Brown's favor in the case, and as a private amusement, embedded his own Smithy code in the written judgment.  On March 28, 2007, Brown's publisher, Random House, won an appeal copyright infringement case. The Court of Appeal of England and Wales rejected the efforts from Baigent and Leigh, who became liable for paying legal expenses of nearly US$6 million.  Brown has been sued twice in U.S. Federal courts by the author Jack Dunn who claims Brown copied a huge part of his book The Vatican Boys to write The Da Vinci Code (2006-07) and Angels & Demons (2011-12). Both lawsuits were not allowed to go to a jury trial. In 2017, in London, another claim was begun against Brown by Jack Dunn who claimed that Justice was not served in the U.S. lawsuits.
What other novels did he write?
A:
Angels & Demons (2011-12).