IN: Adam Charles Clayton, the oldest child of Brian and Jo Clayton, was born on 13 March 1960 in Chinnor, Oxfordshire, England. His father was a pilot with the Royal Air Force, who moved into civil aviation, and his mother was a former airline stewardess. When he was 4 years old, Clayton's father worked in Kenya as a pilot with East African Airways, the family being resident in Nairobi (Clayton regards this as the happiest period of his childhood). In 1965, the family moved to Malahide, County Dublin in the Republic of Ireland, where Clayton's brother Sebastian was born.

As a bass player, Clayton's most recognizable basslines include "New Year's Day", which evolved out of an attempt to play Visage's song "Fade to Grey", and "With or Without You". His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style.  When Clayton first joined the fledgling U2, he did not have formal training in the bass. In the band's early years, he generally played simple parts in 4/4 time, usually strings of steady 8th notes. Bono said of Clayton's early bass playing, "Adam used to pretend he could play bass. He came round and started using words like 'action' and 'fret' and he had us baffled. He had the only amplifier, so we never argued with him. We thought this guy must be a musician; he knows what he's talking about. And then one day, we discovered he wasn't playing the right notes. That's what's wrong, y'know?" His style has remained subtle and primarily supportive, but gradually become more sophisticated by integrating elements of Motown R&B and reggae and by offering more variety in his basslines.  Clayton has sung on some occasions, including on the song "Endless Deep", the B-side to the single "Two Hearts Beat As One" from 1983. Clayton also sang backup vocals on "I Will Follow" during live performances in 1983 and 1984. He also spoke the last verse of "Your Blue Room". Clayton can be heard speaking on "Tomorrow ('96 Version)" (a rerecording of "Tomorrow" that he arranged) a song from U2's 1981 album October. He plays the guitar on a few occasions, most notably the song "40", where he and guitarist The Edge switch instruments. He also plays the keyboards on "City of Blinding Lights" and "Iris (Hold Me Close)".

When did he get formal training?

OUT: In the band's early years, he generally played simple parts in 4/4 time, usually strings of steady 8th notes. Bono said of Clayton's early bass playing,

Answer the question at the end by quoting:

Dunham was born in New York City. Her father, Carroll Dunham, is a painter, and her mother, Laurie Simmons, is an artist and photographer, and a member of The Pictures Generation, known for her use of dolls and dollhouse furniture in her photographs of setup interior scenes. Her father is Protestant and of mostly English ancestry, and her mother is Jewish; Dunham has described herself as feeling "very culturally Jewish, although that's the biggest cliche for a Jewish woman to say." The Dunham family are cousins of the Tiffany family, prominent in the jewelry trade.
Upon release, Girls was met with criticism regarding the all-white main cast in the otherwise culturally diverse setting of New York City (the only black actors in the pilot were a homeless man and a taxi driver, and the only Asian actress had the sole trait of being good at Photoshop). Agreeing that there is a lack of racial diversity on Girls, a comment from The Huffington Post argued that the issue is the industry as a whole.  Lesley Arfin, a writer for the show, responded sarcastically to the controversy with the tweeted comment about a movie that highlights an African-American girl's rise from incestuous sexual abuse while living in Harlem: "What really bothered me most about Precious was that there was no representation of ME." Arfin later deleted the comment following criticism on social media claiming her tweet was racist.  Dunham spoke publicly about the issues on several occasions. In an interview with IndieWire, she said:  I am a half-Jew, half-WASP, and I wrote two Jews and two WASPs. Something I wanted to avoid was tokenism in casting. If I had one of the four girls, if, for example, she was African-American, I feel like -- not that the experience of an African-American girl and a white girl are drastically different, but there has to be specificity to that experience [that] I wasn't able to speak to. I really wrote the show from a gut-level place, and each character was a piece of me or based on someone close to me. And only later did I realize that it was four white girls. As much as I can say it was an accident, it was only later as the criticism came out, I thought, 'I hear this and I want to respond to it.' And this is a hard issue to speak to because all I want to do is sound sensitive and not say anything that will horrify anyone or make them feel more isolated, but I did write something that was super-specific to my experience, and I always want to avoid rendering an experience I can't speak to accurately.  Donald Glover guest starred as Sandy, a black Republican and Hannah's love interest, in the first two episodes of season two, which was criticized as tokenism in response to the initial backlash from the first season.

Was she referring to a real movie?

"What really bothered me most about Precious was that there was no representation of ME."

input: Longstanding rumors that the Giants engaged in systematic sign stealing during the second half of the 1951 season were confirmed in 2001. Several players told the Wall Street Journal that beginning on July 20, the team used a telescope, manned by coach Herman Franks in the Giants clubhouse behind center field, to steal the finger signals of opposing catchers. Stolen signs were relayed to the Giants dugout via a buzzer wire. Joshua Prager, the author of the Journal article, outlined the evidence in greater detail in a 2008 book.  Although Thomson always insisted that he had no foreknowledge of Branca's pitch, Sal Yvars told Prager that he relayed Rube Walker's fastball sign to Thomson. Branca was privately skeptical of Thomson's denials but made no public comment at the time. Later he told The New York Times, "I didn't want to diminish a legendary moment in baseball. And even if Bobby knew what was coming, he had to hit it.... Knowing the pitch doesn't always help." Whether the telescope-and-buzzer system contributed significantly to the Giants' late-season 37-7 win streak remains a subject of debate. Prager notes in his book that sign stealing was not specifically forbidden by MLB rules at the time and, moral issues aside, "...has been a part of baseball since its inception". Sign stealing using optical or other mechanical aids was outlawed by MLB in 1961.  Thomson however, late in his life, rebuked his prior claims of not receiving the sign on the Shot Heard 'Round the World, and admitted that the sign was received.

Answer this question "Where there any other scandals?"
output: