input: On September 9, 1979, Dierforf sustained torn ligaments in his left knee during an extra point attempt in the second quarter of the second game of the season against the New York Giants. After the game, Dierdorf said, "The knee was completely out of the socket. It moved a couple of inches off to the side. My leg was all twisted around and my foot was pointing in the wrong direction. It was painful. Very painful." Dierdorf was carried off the field on a stretcher, underwent knee surgery, and missed the remainder of the 1979 season.  Dierdorf returned to the Cardinals in 1980, starting all 16 games for the team at right tackle in both the 1980 and 1981 seasons. In 1980, he was selected to play in the Pro Bowl and was selected as a first-team All-NFL player by the NEA. In 1982, Dierdorf moved to center and was the starter at that position for all nine games in a strike-shortened season.  In 1983, Dierdorf returned to his right tackle position and appeared in seven games, only four as a starter. On October 11, 1983, after the Cardinals began the season with a 1-5 record, Dierdorf announced that he would retire at the end of the 1983 season. At the press conference announcing his retirement, Dierdorf said, "This was an easy decision for me to make. . . . Physically, I just can't play the type of game I want to." He added: "Ninety-five percent of me is sad that I'm retiring, but my knees are very, very happy."

Answer this question "Did he retire during this period?"
output: On October 11, 1983, after the Cardinals began the season with a 1-5 record, Dierdorf announced that he would retire at the end of the 1983 season.

input: Granger went over to Rank, for whom he made a series of historical dramas: Captain Boycott (1947), set in Ireland, directed by Frank Launder; Blanche Fury (1948), with Valerie Hobson; and Saraband for Dead Lovers (1948), an Ealing Studios production. Granger was cast as the outsider, the handsome gambler Philip Christoph von Konigsmarck who is perceived as 'not quite the ticket' by the established order, the Hanoverian court where the action is mostly set. Granger stated that this was one of his few films of which he was proud. However it was a disappointment at the box office, as was Blanche Fury.  Granger wanted a change of pace and so appeared in Woman Hater (1948), a comedy with Edwige Feuillere. In 1949 Granger was reported as earning around PS30,000 a year.  That year Granger made Adam and Evelyne, starring with Jean Simmons. The story, about a much older man and a teenager whom he gradually realises is no longer a child but a young woman with mature emotions and sexuality, had obvious parallels to Granger's and Simmons' own lives. Granger had first met the very young Jean Simmons when they both worked on Gabriel Pascal's Caesar and Cleopatra (1945). Three years on, Simmons had transformed from a promising newcomer into a star - and a very attractive young woman. They married the following year in a bizarre wedding ceremony organised by Howard Hughes - one of his private aircraft flew the couple to Tucson, Arizona, where they were married, mainly among strangers, with Michael Wilding as Granger's best man.  Granger's stage production of Leo Tolstoy's The Power of Darkness (a venture he had intended as a vehicle for him to star with Jean Simmons) was very poorly received when it opened in London at the Lyric Theatre on 25 April 1949. (During the run two men attempted to cut some locks from Granger's hair.) The disappointment added to his dissatisfaction with the Rank Organisation, and his thoughts turned to Hollywood.

Answer this question "Was he still popular during this time period?"
output: 

input: Robert Stewart was born in Henry Street, Dublin, Ireland, in 1769 the son of Robert Stewart (1739-1821) of Newtownards and Comber in County Down, with properties in Counties Donegal and Londonderry. The family seat was Mount Stewart, County Down.  The elder Stewart was an Irish politician and prominent Ulster landowner He was created Baron Londonderry in 1789, Viscount Castlereagh in 1795, and Earl of Londonderry in 1796 by King George III. In 1771 he was elected in the Whig interest to the Irish House of Commons, where he was a supporter of Lord Charlemont and his allies who called for greater independence from Britain. From the Act of Union of 1800, however, he sat in the British House of Lords as an Irish representative peer. In 1816 he was created Marquess of Londonderry by the Prince Regent.  Stewart's mother, who died in childbirth when he was a year old, was Lady Sarah Frances Seymour-Conway, daughter of Francis Seymour-Conway, 1st Marquess of Hertford (a former British Ambassador to France (1764-65) and Lord Lieutenant of Ireland (1765-66)) and Isabella Fitzroy, daughter of Charles FitzRoy, 2nd Duke of Grafton. His father remarried five years later to Lady Frances Pratt, daughter of Charles Pratt, 1st Earl Camden (1714-94), a leading English jurist and prominent political supporter of both the 1st Earl of Chatham and his son, William Pitt the Younger. Through the elder Stewart's marriages, he linked his family with the upper ranks of English nobility and political elites. The Camden connection was to be especially important for the political careers of both him and his elder son. By Frances Pratt, Stewart's father had ten children who survived to adulthood, including Stewart's half-brother, Charles William Stewart (later Vane), Baron Stewart of Stewart's Court and Ballylawn in County Donegal (1814) and 3rd Marquess of Londonderry (1822).  In 1794, Stewart married Amelia (Emily) Hobart a daughter of John Hobart, 2nd Earl of Buckinghamshire, a former British Ambassador to Russia (1762-65) and Lord Lieutenant of Ireland (1776-80). Her mother, Caroline Conolly, was the granddaughter of William Conolly, Speaker of the Irish House of Commons in the early 18th century and one of the wealthiest landowners in Ireland. Caroline's brother, Thomas Conolly, was married to Louisa Lennox, sister of Emily FitzGerald, Duchess of Leinster, whose son and Emily's cousin-by-marriage, the aristocratic rebel Lord Edward FitzGerald, was a leader of the United Irishmen and one of their martyrs in the early stages of the Irish Rebellion of 1798.  Emily Stewart was well known as a hostess for her husband in both Ireland and London and during some of his most important diplomatic missions. In later years she was a leader of Regency London high society as one of the Lady Patronesses of Almack's. She is noted in contemporary accounts for her attractiveness, volubility and eccentricities. By all accounts, the two remained devoted to each other to the end, but they had no children. The couple did, however, care for the young Frederick Stewart, while his father, Stewart's half-brother, Charles, was serving in the army.

Answer this question "Did he have other siblings?"
output:
By Frances Pratt, Stewart's father had ten children who survived to adulthood,