Some context: Richard of Bordeaux was the younger son of Edward, the Black Prince, and Joan of Kent. Edward, heir apparent to the throne of England, had distinguished himself as a military commander in the early phases of the Hundred Years' War, particularly in the Battle of Poitiers in 1356. After further military adventures, however, he contracted dysentery in Spain in 1370. He never fully recovered and had to return to England the next year.
Richard gradually re-established royal authority in the months after the deliberations of the Merciless Parliament. The aggressive foreign policy of the Lords Appellant failed when their efforts to build a wide, anti-French coalition came to nothing, and the north of England fell victim to a Scottish incursion. Richard was now over twenty-one years old and could with confidence claim the right to govern in his own name. Furthermore, John of Gaunt returned to England in 1389 and settled his differences with the king, after which the old statesman acted as a moderating influence on English politics. Richard assumed full control of the government on 3 May 1389, claiming that the difficulties of the past years had been due solely to bad councillors. He outlined a foreign policy that reversed the actions of the appellants by seeking peace and reconciliation with France, and promised to lessen the burden of taxation on the people significantly. Richard ruled peacefully for the next eight years, having reconciled with his former adversaries. Still, later events would show that he had not forgotten the indignities he perceived. In particular, the execution of his former teacher Sir Simon de Burley was an insult not easily forgotten.  With national stability secured, Richard began negotiating a permanent peace with France. A proposal put forward in 1393 would have greatly expanded the territory of Aquitaine possessed by the English crown. However, the plan failed because it included a requirement that the English king pay homage to the King of France - a condition that proved unacceptable to the English public. Instead, in 1396, a truce was agreed to, which was to last 28 years. As part of the truce, Richard agreed to marry Isabella, daughter of Charles VI of France, when she came of age. There were some misgivings about the betrothal, in particular because the princess was then only six years old, and thus would not be able to produce an heir to the throne of England for many years.  Although Richard sought peace with France, he took a different approach to the situation in Ireland. The English lordships in Ireland were in danger of being overrun, and the Anglo-Irish lords were pleading for the king to intervene. In the autumn of 1394, Richard left for Ireland, where he remained until May 1395. His army of more than 8,000 men was the largest force brought to the island during the late Middle Ages. The invasion was a success, and a number of Irish chieftains submitted to English overlordship. It was one of the most successful achievements of Richard's reign, and strengthened the king's support at home, although the consolidation of the English position in Ireland proved to be short-lived.
Is there anything else interesting?
A: Although Richard sought peace with France, he took a different approach to the situation in Ireland.
Some context: Guys and Dolls is a musical with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows. It is based on "The Idyll of Miss Sarah Brown" and "Blood Pressure" - two short stories by Damon Runyon - and also borrows characters and plot elements from other Runyon stories - most notably "Pick the Winner". The premiere on Broadway was in 1950. It ran for 1200 performances and won the Tony Award for Best Musical.
Laurence Olivier had wanted to play Nathan Detroit, and began rehearsals for a planned 1971 London revival of Guys and Dolls at his National Theatre Company's Old Vic theatre. However, due to poor health he had to stop, and his revival never saw the light of day.  In 1982, Richard Eyre directed a major revival at London's National Theatre. Eyre called it a "re-thinking" of the musical, and his production featured an award-winning neon-lit set design inspired by Rudi Stern's 1979 book Let There Be Neon, and brassier orchestrations with vintage yet innovative harmonies. The show's choreography by David Toguri included a large-scale tap dance number of the "Guys and Dolls" finale, performed by the principals and entire cast. The revival opened March 9, 1982, and was an overnight sensation, running for nearly four years and breaking all box office records. The original cast featured Bob Hoskins as Nathan Detroit, Julia McKenzie as Adelaide, Ian Charleson as Sky and Julie Covington as Sarah. The production won five Olivier Awards, including for McKenzie and Eyre and for Best Musical. Eyre also won the Evening Standard Award, and Hoskins won the Critics' Circle Theatre Award.  In October 1982, Hoskins was replaced by Trevor Peacock, Charleson by Paul Jones, and Covington by Belinda Sinclair; in the spring of 1983 McKenzie was replaced by Imelda Staunton and Fiona Hendley replaced Sinclair. This production closed in late 1983 to make way for a Broadway try-out of the ill-fated musical Jean Seberg, which following critical failure closed after four months. Eyre's Guys and Dolls returned to the National from April through September 1984, this time starring Lulu, Norman Rossington, Clarke Peters and Betsy Brantley. After a nationwide tour, this production transferred to the West End at the Prince of Wales Theatre, where it ran from June 1985 to April 1986.  Following Ian Charleson's untimely death from AIDS at the age of 40, in November 1990 two reunion performances of Guys and Dolls, with almost all of the original 1982 cast and musicians, were given at the National Theatre as a tribute to Charleson. The tickets sold out immediately, and the dress rehearsal was also packed. The proceeds from the performances were donated to the new Ian Charleson Day Centre HIV clinic at the Royal Free Hospital, and to scholarships in Charleson's name at LAMDA.
Was the revival popular
A:
an overnight sensation,