Question: Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.

For twenty years from the early 1980s, Anger released no new material. In 2000, at the dawn of the new millennium, Anger began screening a new short film, the anti-smoking Don't Smoke That Cigarette, followed a year later by The Man We Want to Hang, which comprised images of Aleister Crowley's paintings that had been exhibited at a temporary exhibition in Bloomsbury, London. In 2004, he began showing Anger Sees Red, a short surrealistic film starring himself, and the same year also began showing another work, Patriotic Penis. He soon followed this with a flurry of other shorts, including Mouse Heaven, which consisted of images of Mickey Mouse memorabilia, Ich Will! and Uniform Attraction, all of which he showed at various public appearances. Anger's most recent project has been the Technicolor Skull with musician Brian Butler, described as a "magick ritual of light and sound in the context of a live performance", in which Anger plays the theremin, and Butler plays the guitar and other electronic instruments, behind a psychedelic backdrop of colors and skulls.  Anger makes an appearance in the 2008 feature documentary by Nik Sheehan about Brion Gysin and the Dreamachine titled FLicKeR. Anger also appears alongside Vincent Gallo in the 2009 short film "Night of Pan" written and directed by Brian Butler. In 2009 his work was featured in a retrospective exhibition at the MoMA PS1 in New York City, and the following year a similar exhibition took place in London.  Anger has finished writing Hollywood Babylon III, but has not yet published it, fearing severe legal repercussions if he did so. Of this he has stated that "The main reason I didn't bring it out was that I had a whole section on Tom Cruise and the Scientologists. I'm not a friend of the Scientologists." Despite withholding legal action against the highly critical 2015 film Going Clear, the Church of Scientology was known on earlier occasions to heavily sue those making accusations against them.

Using a quote from the above article, answer the following question: did that movie do well?
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Answer: 

Problem: Merman was born in her maternal grandmother's house located at 359 4th Avenue in Astoria, Queens in New York City in 1908, though she would later emphatically insist that it was actually 1912. Her father, Edward Zimmermann (1879-1977), was an accountant with James H. Dunham & Company, a Manhattan wholesale dry-goods company, and her mother, Agnes (Gardner) Zimmermann (1883-1974), was a teacher. Edward Zimmermann had been raised in the Dutch Reformed Church and his wife was Presbyterian.

Merman began to become forgetful with advancing age, and on occasion, had difficulty with her speech. At times her behavior was erratic, causing concern among her friends. On April 7, 1983, she was preparing to travel to Los Angeles to appear on the 55th Academy Awards telecast, when she collapsed in her apartment. Merman was taken to Roosevelt Hospital, where doctors initially thought she had suffered a stroke. However, after undergoing exploratory surgery on April 11, Merman was diagnosed with stage 4 glioblastoma. The New York Times reported that she underwent brain surgery to have the tumor removed, but it was inoperable and her condition was deemed terminal (doctors had given Merman eight and half months to live). The tumor caused Merman to become aphasic, and, as her illness progressed, she lost her hair and her face swelled. According to Merman biographer Brian Kellow, Merman's family and manager did not want the true nature of her condition revealed to the public. Merman's son Robert, Jr., who took charge of her care, later said he chose not to publicly disclose his mother's true condition because Merman strove to keep her personal life private. He stated, "Mom truly appreciated [her fans'] presence and their applause. But you shouldn't attempt to be personal--she drew lines, and she could cut you off."  Merman's health eventually stabilized enough for her to be brought back to her apartment in Manhattan. On February 15, 1984, 10 months after she was diagnosed with brain cancer, Merman died at her home in Manhattan at the age of 76. On the evening of Merman's death, all 36 theatres on Broadway dimmed their lights at 9 pm in her honor. A private funeral service for Merman was held in a chapel at St. Bartholomew's Episcopal Church on February 27, after which Merman was cremated at the Frank E. Campbell Funeral Chapel. In accordance with her wishes, Merman's remains were given to her son Robert, Jr. Merman was interred in the Shrine of Remembrance Mausoleum in Colorado Springs, Colorado, next to her daughter Ethel.  On October 10, 1984, an auction of her personal effects, including furniture, artwork, and theatre memorabilia, earned in excess of $120,000 at Christie's East. The 56th Academy Awards, held on April 2, 1984, ended with a performance of "There's No Business Like Show Business" in tribute to Merman.

Was there anything significant done after her death?

Answer with quotes:
On October 10, 1984, an auction of her personal effects, including furniture, artwork, and theatre memorabilia, earned in excess of $120,000 at Christie's East.