Question:
Norman Clifford Louis O'Neill OAM (19 February 1937 - 3 March 2008) was a cricketer who played for New South Wales and Australia. A right-handed batsman known for his back foot strokeplay, O'Neill made his state debut aged 18, before progressing to Test selection aged 21 in late 1958. Early in his career, O'Neill was one of the foremost batsmen in the Australian team, scoring three Test centuries and topping the run scoring aggregates on a 1959-60 tour of the Indian subcontinent which helped Australia win its last Test and series on Pakistani soil for 39 years, as well as another series in India. His career peaked in 1960-61 when he scored 181 in the Tied Test against the West Indies, and at the end of the series, had a career average of 58.25.
Standing six feet tall, O'Neill was compared to Don Bradman upon his entry into Test cricket. At his best, he was a dynamic stroke maker who was a crowd favourite because of his ability to score at a high pace, in particular with his power off the back foot. He was noted for his nimble footwork, which he used to negate spin bowling; however this slowed in his later career as he put on weight. O'Neill particularly liked to sweep the slower bowlers. He often put too much emphasis on his right hand, allowing a large space between his hands on the bat handle, and then turning his right shoulder too square towards the bowler. The renowned English batsman and captain Wally Hammond said that O'Neill was the best all-round batsman he had seen since World War II. O'Neill's tall build, strength and good looks also drew comparison to his boyhood idol Keith Miller. Despite the comparisons to Bradman, O'Neill was much taller and broader, and was often impetuous whereas Bradman was known for his patience and lack of rashness. O'Neill was also criticised for hitting across the line early in his innings.  O'Neill was highly regarded for his style and entertainment values. Teammate Alan Davidson said "once set he was the most exhilarating player you'd ever want to see--he was dynamite. He'd play attacking shots off balls other people would only think of defending. He had wonderful skill and technique. His shots off the back foot down the ground off fast bowlers--you can't really describe how good they were." His captain for Australia and New South Wales, Richie Benaud said that he was "one of the greatest entertainers we've had in Australian cricket". O'Neill's style led the British writer EW Swanton to say "the art of batting, he reminded us, was not dead, merely inexplicably dormant" Wisden opined that "A high innings by O'Neill is a thing of masterful beauty. His stroking is delectable, immense in its power."  Later in his career, O'Neill became a nervous and superstitious batsman, particular at the start of an innings. He wrote "batting is a lonely business" in his 1964 autobiography Ins and Outs, opining that he sometimes found first-class cricket to be "depressing and lonely".  He was regarded as an excellent fieldsman at cover, with a powerful and accurate throw, described by Wisden as a "dream throw" honed from a junior career as a baseballer. He was named as utility player in the 1957 All Australian baseball team, and his ability was such that he was approached by Major League Baseball scouts. Before the retirement of Neil Harvey, he and O'Neill fielded in tandem in the covers and the pair were regarded as the finest fielding combination of the time.
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Was his style of play similar to someone else?

Answer:
Bradman,


Question:
Namie Amuro (An Shi Nai Mei Hui , Amuro Namie, born September 20, 1977) is a Japanese recording artist, dancer, model, actress and entrepreneur. A leading figure of the Japanese entertainment industry since the early 90s, Amuro is known for breaking the youthful idol stereotype with her experimentation with different music styles in Japan and throughout the Western world, as well as visual imagery in music videos and on stage. Due to her longevity and resilience within the industry, she is referred to as the "Queen of Japanese Pop" and has constantly been recognized as the Japanese equivalent to leading Western artists such as Madonna and Janet Jackson. Born in Naha, Okinawa, Amuro debuted at age 14 as an idol singer in the band Super Monkey's.
In March 2010, Amuro won the "Best Asian Artist" award at the World Music Awards in Monaco; there, she performed her track "Hide & Seek" from her album Play. On July 28, she released her double A-side singles "Break It" and "Get Myself Back", which performed well on several record charts in Japan. Furthermore, she released the live DVD for her Past < Future tour on December 15, which reached the top spot on the Oricon DVD charts and shifted over 100,000 copies.  On April 27, 2011, Amuro published her second collaboration effort Checkmate!. Her first musical release of the year, the record featured nine collaborative tracks that she had participated with throughout her career, and also released four new recordings to promote it; "Wonder Woman", "Make It Happen", "Unusual" and "#1's". The album was a commercial success, reaching the top spot on Oricon and distributed over 500,000 units in Japan. Three months later, she released her first ever triple A-side singles, "Naked/Fight Together/Tempest". Although it reached number two on the Oricon Singles Chart, "Fight Together" was used as the official theme song for the Japanese anime series One Piece, and achieved better sales through digital stores; it was certified Platinum by RIAJ.  At the end of July that same year, Amuro conducted her first arena tour titled Live Style, which commemorated her 20th anniversary in the music business; additionally, the tour was to promote her Checkmate! album and some new material taken from her then-upcoming studio record. "Sit! Stay! Wait! Down!" and "Love Story" were the next A-side singles from her studio album, and both premiered on December 7, 2011. Though the physical release exceeded 100,000 units in Japan, the latter track shifted over three million digital copies throughout Japan, one of her highest-selling singles to date. The single also featured two unreleased tracks; "Higher" and "Airigatou". The former track made an appearance on her Live Style tour, whereas the latter recording was made available as a free download on her Facebook page.  The final singles, "Go Round/Yeah-Oh!", were released in late March 2012, and continued the 100,000 sales streak in Japan. In April, the singer confirmed the release of her studio album Uncontrolled, which was scheduled for June 27, 2012. The album proved to be commercially successful, reaching the top spot on the Oricon Albums Chart and shifted 500,000 units throughout Japan. Uncontrolled also gave her the highest first-week sales of the year, and her 10th overall number one in the region. On September 16, Amuro was scheduled to host a special concert in her hometown Okinawa, commemorating her 20th anniversary in the music business. However, due to a typhoon warning in the region, this was cancelled and never re-scheduled. After debuting her first digital single "Damage" on October 31, she finished the year by starting her 5 Major Dome tours in Japan, which resulted in being the highest-attended dome tour by a female Japanese artist.
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What about other countries?

Answer:
reaching the top spot on the Oricon Albums Chart and shifted 500,000 units throughout Japan.