Some context: James Black was born in Hackensack, New Jersey on 1 May 1800. James' mother died when he was very young and he had difficulty getting along with his stepmother. Black ran away from home to Philadelphia, Pennsylvania at age 8 and was apprenticed to a silversmith. At age 18 he migrated westward and took jobs on the Ohio and Mississippi rivers.
In 1830, Black made the famous Bowie knife for Jim Bowie who was already famous for knife-fighting from his 1827 sandbar duel. Bowie's killing of three assassins in Texas and his death at the Battle of the Alamo made him, and Black's knife, legends. After Bowie's death in 1836, Black did a brisk business selling his knives to pioneers bound for Texas. Everyone seemed to want "Jim Bowie's knife." Black forged his knives behind a leather curtain and kept his process a secret. Black's knives were known to be exceedingly tough yet flexible. Many claimed that Black had rediscovered the process to make Damascus steel.  James Black's wife Anne died in 1838; and in 1839, while Black was in bed from an illness, his father-in-law Shaw broke into Black's house and brutally attacked him with a club. Black's life was saved by the family dog; he survived, but his eyes were severely damaged by the attack. He went north to seek medical advice, where his eyes were further damaged by the inept ministrations of a Cincinnati, Ohio, physician. When Black returned to Arkansas he discovered that his father-in-law had sold his business and property, illegally, and disappeared with the cash.  Black lived on a local plantation for a couple of years until Dr. Isaac Newton Jones took him into his home. Black lived with the Jones family for the next 30 years. He attempted to pass on his knife-making secrets to Daniel Webster Jones, but unfortunately he could not remember the technique. Jones would later become Governor of Arkansas. James Black died on 22 June 1872 in Washington, Arkansas.  More skeptically, "...[T]here is no direct contemporary evidence to establish that James Black made a knife for James Bowie... The story rests solely on Black's claims made well after he had been adjudged mentally incompetent..." "...[T]he only time that [James Bowie] verifiably used a knife in a personal encounter was on the Sandbar in 1827..." "...[T]o this day there is no known knife bearing his name that is proven authentic, nor positively identified as the work of James Black. Neither is it proven beyond doubt that he even made a knife of any type!" Shifting the question (and the burden of proof) from people to knives, "...[T]he Black explanation remains the most logical way to understand this part of the Bowies' history."
Why was he adjudged mentally incompetent?
A: More skeptically, "...[T]here is no direct contemporary evidence to establish that James Black made a knife for James Bowie...
Some context: Aretha Louise Franklin was born in Memphis, Tennessee, to Barbara (nee Siggers) and Clarence LaVaughn "C. L." Franklin. Her father was an itinerant preacher originally from Shelby, Mississippi, while her mother was an accomplished piano player and vocalist. Alongside Franklin, her parents had three other children while both C. L. and Barbara had children from outside their marriage. The family relocated to Buffalo, New York when Franklin was two.
In November 1966, choosing not to renew her Columbia contract after six years with the company, Franklin signed to Atlantic Records. In January 1967, she traveled to Muscle Shoals, Alabama to record at FAME Studios to record the song, "I Never Loved a Man (The Way I Love You)" in front of the musicians of the famed Muscle Shoals Rhythm Section. The song was later issued that February and shot up to number-one on the R&B chart, while also peaking at number nine on the Billboard Hot 100, giving Franklin her first top ten pop single. The song's b-side, "Do Right Woman, Do Right Man", reached the R&B top 40, peaking at number 37. In April, Atlantic issued her frenetic version of Otis Redding's "Respect", which shot to number-one on both the R&B and pop charts and later became her signature song and was later hailed as a civil rights and feminist anthem.  Franklin's debut Atlantic album, I Never Loved a Man the Way I Love You, also became commercially successful, later going gold. Franklin scored two more top ten singles in 1967 including "Baby I Love You" and "(You Make Me Feel Like A) Natural Woman". Franklin's rapport with producer Jerry Wexler helped in the creation of the majority of Franklin's peak recordings with Atlantic. In 1968, she issued the top-selling albums, Lady Soul and Aretha Now, which included some of Franklin's most popular hit singles including "Chain of Fools", "Ain't No Way", "Think" and "I Say a Little Prayer". In February 1968, Franklin earned the first two of her Grammys including the debut category for Best Female R&B Vocal Performance. On February 16, 1968, Franklin was honored with a day in her honor and was greeted by longtime friend Martin Luther King, Jr. who gave her the SCLC Drum Beat Award for Musicians just two months before his death. In June 1968, she appeared on the cover of Time magazine.  Franklin's success expanded during the early 1970s in which she recorded top ten singles such as "Spanish Harlem", "Rock Steady" and "Day Dreaming" as well as the acclaimed albums, Spirit in the Dark, Young, Gifted & Black and her gospel album, Amazing Grace, which sold over two million copies. In 1971, Franklin became the first R&B performer to headline Fillmore West, later recording the live album, Aretha Live at Fillmore West. Franklin's career began to experience problems while recording the album, Hey Now Hey, which featured production from Quincy Jones. Despite the success of the single, "Angel", the album bombed upon its release in 1973. Franklin continued having R&B success with songs such as "Until You Come Back to Me" and "I'm in Love" but by 1975, her albums and songs were no longer top sellers. After Jerry Wexler left Atlantic for Warner Bros. Records in 1976, Franklin worked on the soundtrack to the film, "Sparkle", with Curtis Mayfield. The album yielded Franklin's final top 40 hit of the decade, "Something He Can Feel", which also peaked at number-one on the R&B chart. Franklin's follow-up albums for Atlantic including Sweet Passion, Almighty Fire and La Diva bombed on the charts and in 1979, Franklin opted to leave the company.
Did she make any other music during this time?
A:
In April, Atlantic issued her frenetic version of Otis Redding's "Respect", which shot to number-one on both the R&B and pop charts and later became her signature song