Problem: Background: Jimmy Eat World is an American rock band from Mesa, Arizona that formed in 1993. The band is composed of vocalist and lead guitarist Jim Adkins, rhythm guitarist and vocalist Tom Linton, bassist Rick Burch and drummer Zach Lind. As of October 2016, Jimmy Eat World have released nine studio albums, the last eight featuring the current lineup. The four-piece's commercial breakthrough came with the successful release of several singles from the album Bleed American (2001).
Context: The band decided to record its next album without the help of a label, supporting itself with touring and by compiling its previously released singles into Singles, which was released on indie label Big Wheel Recreation. The band also took on day jobs, saving as much as they could to spend on the sessions. The band worked for a third time with Trombino, who agreed to defer payment until after the album's release in order to keep costs down. Some of the drum tracks were recorded at Cherokee, and then the band moved to Doug Messenger's harddrive analog and digital in North Hollywood, where five weeks of tracking completed the recording phase. Trombino then mixed the record at Extasy in Hollywood.  The finished album was titled Bleed American. Joining with Gersh's new management company, GAS Entertainment, the band scouted for a new label. The band eventually signed with DreamWorks. The completed album was released in July 2001, which included a vinyl edition through the now-defunct Grand Royal label, founded by the band the Beastie Boys in 1993.  The title track (titled "Salt Sweat Sugar" in the UK) was the lead single. The album's second single, "The Middle" became the band's biggest single to date, reaching number 5 on the Billboard Hot 100 chart. The video for the song received significant airplay on MTV, including on Total Request Live. The album was certified platinum by the RIAA.  Following the September 11 attacks, the band decided to re-issue the album as Jimmy Eat World out of concern that the title Bleed American might be misinterpreted, possibly as a threatening "bleed, American".  In 2008, the album was re-released as a deluxe edition and renamed to its original title, Bleed American. This edition contains a total of 32 tracks -- the original 11 as well as 21 bonus tracks, which are live recordings, demos and B-sides.
Question: How well did the album do?
Answer: 

IN: Previn was born in Berlin, Germany, the son of Charlotte (nee Epstein) and Jack Previn (Jakob Priwin), who was a lawyer, judge, and music teacher. He is said to be "a distant relative of" the composer Gustav Mahler. However, in a pre-concert public interview at the Lincoln Center, in May 2012, Previn laughed at the suggestion that he is related to Mahler. The year of his birth is uncertain.

Previn's recording repertoire as a conductor is focused on the standards of classical and romantic music, with notable exceptions like Anton Bruckner, most of Gustav Mahler and opera in general, instead favoring the symphonic music of contemporaries like Hector Berlioz, Johannes Brahms and Richard Strauss and with a special emphasis on violin and piano concertos and ballets. Just very few recordings deal with music before Joseph Haydn and Wolfgang Amadeus Mozart (both favourites of Previn's programmes) or contemporary avant-garde art music based on atonality, minimalism, serialism, stochastic music etc. Instead, in 20th-century music Previn's repertoire highlights specific composers of late romanticism and modernism like Samuel Barber, Benjamin Britten, George Gershwin, Erich Wolfgang Korngold, Serge Prokofiev, Serge Rachmaninoff, Maurice Ravel, Dmitri Shostakovich, Richard Strauss, Ralph Vaughan Williams, Harold Shapero and William Walton.  His recordings of works by Gershwin, Korngold (especially the Violin Concerto in D major op. 35, which he recorded three times with Itzhak Perlman, Gil Shaham and Anne-Sophie Mutter), Prokofiev (esp. the 5 piano concertos with Vladimir Ashkenazy and the LSO, Romeo and Juliet op. 64 with the LSO, and the Symphonies 1 and 5, the score to Alexander Nevsky, and the Symphony-Concerto for Cello & Orchestra with Heinrich Schiff as soloist with the Los Angeles Philharmonic), Rachmaninoff (esp. the Symphony No. 2 E minor op. 27 and The Bells op. 35), Shostakovich, Richard Strauss (esp. the recordings of all tone poems with the Vienna Philharmonic) Tchaikowsky (esp. the three ballets Swan Lake, The Sleeping Beauty, and The Nutcracker), Vaughan Williams (a complete cycle of the nine symphonies for RCA), and Walton (esp. the Symphony No. 1 B-flat minor and Belshazzar's Feast) have been particularly prized.  Previn recorded mostly for EMI, Telarc and Deutsche Grammophon.

Are there any other interesting aspects about this article?

OUT: Previn's recording repertoire as a conductor is focused on the standards of classical and romantic music,

Background: James was born in Holton, Kansas; his mother, died in 1954 when he was five. His father was a janitor and a handyman. After four years at the University of Kansas residing at Stephenson Scholarship hall, James joined the Army in 1971. He was the last person in Kansas to be sent to fight in the Vietnam War, although he never saw action there.
Context: In his Baseball Book 1990, James heavily criticized the methodology of the Dowd Report, which was an investigation (commissioned by baseball commissioner Bart Giamatti) on the gambling activities of Pete Rose. James reproached commissioner Giamatti and his successor, Fay Vincent, for their acceptance of the Dowd Report as the final word on Rose's gambling. (James' attitude on the matter surprised many fans, especially after the writer had been deeply critical of Rose in the past, especially what James considered to be Rose's selfish pursuit of Ty Cobb's all-time record for base hits.)  James expanded his defense of Rose in his 2001 book The New Historical Baseball Abstract, with a detailed explanation of why he found the case against Rose flimsy. James wrote "I would characterize the evidence that Rose bet on baseball as...well, not quite non-existent. It is extremely weak." This countered the popular opinion that the case against Rose was a slam dunk, and several critics claimed that James misstated some of the evidence in his defense of Rose. Derek Zumsteg of Baseball Prospectus wrote an exhaustive review of the case James made and concluded: "James' defense of Rose is filled with oversights, errors in judgment, failures in research, and is a great disservice to the many people who have looked to him for a balanced and fair take on this complicated and important issue."  In 2004, Rose admitted publicly that he had bet on baseball and confirmed the Dowd Report was correct. James remained steadfast, continuing to insist that the evidence available to Dowd at the time was insufficient to reach the conclusion that it did.
Question: Did most people agree with James?
Answer:
the popular opinion that the case against Rose was a slam dunk,