Question:
Born on December 4, 1912 in Coeur d'Alene, Idaho, he moved with his family to the logging town of St. Maries at age three and lived there until age twelve. He then lived in Tacoma, Washington, where he was a wrestler at Lincoln High School. He took his first flight at St. Maries when he was six years old, with Clyde Pangborn, who later became the first pilot to fly over the Pacific Ocean non-stop. After graduation from high school in 1930, Boyington attended the University of Washington in Seattle, where he was a member of the Army ROTC and joined the Lambda Chi Alpha fraternity.
In February 2006, a resolution recommending a memorial be erected to honor Boyington for his service during World War II was raised and defeated at the University of Washington (Boyington's alma mater) during a meeting of the Associated Students of the University of Washington's Student Senate. Some people did not believe the resolution's sponsor had fully addressed the financial and logistical problems of installing a memorial, and questioned the widely held assumption that all warriors and acts of war are automatically worthy of memorialization. The story was picked up by some blogs and conservative news outlets, focusing on two statements made by student senators during the meeting. One student senator, Ashley Miller, said that the UW already had many monuments to "rich, white men" (Boyington claimed partial Sioux ancestry and was not rich); another, Jill Edwards, questioned whether the UW should memorialize a person who killed others, summarized in the minutes as saying "she didn't believe a member of the Marine Corps was an example of the sort of person UW wanted to produce."  After its defeat, a new version of the original resolution was submitted that called for a memorial to all eight UW alumni who received the Medal of Honor. On April 4, 2006, the resolution passed by a vote of 64 to 14 with several abstentions, on a roll call vote. The University of Washington Medal of Honor memorial was constructed at the south end of Memorial Way (17th Ave NE), north of Red Square, in the interior of a traffic circle between Parrington and Kane Halls (47.6573degN 122.3097degW / 47.6573; -122.3097).  Privately funded, it was completed in time for a Veterans Day dedication in November 2009. In addition to Boyington, it honors Deming Bronson, Bruce Crandall, Robert Galer, John Hawk, Robert Leisy, William Nakamura, and Archie Van Winkle.
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What was the medal of honor memorial?

Answer:
memorial be erected to honor Boyington for his service during World War II


Question:
Wilbur Dorsey "Buck" Clayton (November 12, 1911 - December 8, 1991) was an American jazz trumpet player who was a leading member of Count Basie's "Old Testament" orchestra and a leader of mainstream-oriented jam session recordings in the 1950s. His principal influence was Louis Armstrong. The Penguin Guide to Jazz says that he "synthesi[zed] much of the history of jazz trumpet up to his own time, with a bright brassy tone and an apparently limitless facility for melodic improvisation". Clayton worked closely with Li Jinhui, father of Chinese popular music in Shanghai.
The English critic Stanley Dance coined the term "mainstream" in the 1950s to describe the style of those swing era players who fell between the revivalist and modernist camps. Clayton was precisely one of the players to whom this appellation most applied. In December 1953 Clayton embarked on a series of jam session albums for Columbia, which had been the idea of John Hammond, though George Avakian was the principal producer. The recording sessions for these albums lasted until 1956. The tracks could last the length of an LP side, and it had been the new format that had given Hammond the idea, but sometimes this led to unfortunate anomalies. The title track on the Jumping at the Woodside album was compiled from two takes recorded four months apart, each with a completely different rhythm section. Clayton's Jazz Spectacular album from this series (with Kai Winding, J. J. Johnson and vocals by Frankie Laine) is loved by jazz and pop fans alike. Clayton also recorded at this time for Vanguard, with Hammond producing, under his own name and on dates led by Ruby Braff, Mel Powell and Sir Charles Thompson.  In 1955 he appeared in The Benny Goodman Story, also working with Goodman in New York at the Waldorf-Astoria Hotel two years later. In 1958 he was at the World Fair in Brussels for concerts with Sidney Bechet, and toured Europe the following year and annually through the 1960s. For the Swingville label (a subsidiary of Prestige Records) he co-led two albums with former Basie colleague Buddy Tate and supported Pee Wee Russell on his own outing for the label.  In 1964 he performed in Japan, Australia and New Zealand with Eddie Condon, with whom he had already occasionally worked for several years. In 1965 he toured England with trombonist Vic Dickenson and blues singer Big Joe Turner accompanied by British trumpeter Humphrey Lyttelton and his Band. This group featured on Jazz 625 for BBC television (later released on DVR). He made numerous visits to England thereafter and recorded three albums with Lyttelton. In order to hoodwink the musicians' union in the UK, it was necessary to claim that these albums were recorded in Switzerland. A live audio recording made on a club date with Lyttelton was released on Lyttelton's own Calligraph Records label (CLG CD 048).
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How did he feel about this label?

Answer: