Problem: Background: Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success as a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music.
Context: In 1983, at the suggestion of ECM head Manfred Eicher, Jarrett asked bassist Gary Peacock and drummer Jack DeJohnette, with whom he had worked on Peacock's 1977 album Tales of Another, to record an album of jazz standards, simply titled Standards, Volume 1. Two more albums, Standards, Volume 2 and Changes, both recorded at the same session, followed soon after. The success of these albums and the group's ensuing tour, which came as traditional acoustic post-bop was enjoying an upswing in the early 1980s, led to this new standards trio becoming one of the premier working groups in jazz, and certainly one of the most enduring, continuing to record and tour for more than 25 years. The trio has recorded numerous live and studio albums consisting primarily of jazz repertory material.  The Jarrett-Peacock-DeJohnette trio also produced recordings that consist largely of challenging original material, including 1987's Changeless. Several of the standards albums contain an original track or two, some attributed to Jarrett, but most are group improvisations. The live recordings Inside Out and Always Let Me Go (released in 2001 and 2002 respectively) marked a renewed interest by the trio in wholly improvised free jazz. By this point in their history, the musical communication among these three men had become nothing short of telepathic, and their group improvisations frequently take on a complexity that sounds almost composed. The standards trio undertakes frequent world tours of recital halls (the only venues in which Jarrett, a notorious stickler for acoustics, will play) and is one of the few truly successful jazz groups to play both straight-ahead (as opposed to smooth) and free jazz.  A related recording, At the Deer Head Inn (1992), is a live album of standards recorded with Paul Motian replacing DeJohnette, at the venue in Delaware Water Gap, Pennsylvania, 40 miles from Jarrett's hometown, where he had his first job as a jazz pianist. It was the first time Jarrett and Motian had played together since the demise of the American quartet sixteen years earlier.
Question: Are there any other interesting aspects about this article?
Answer: The Jarrett-Peacock-DeJohnette trio also produced recordings that consist largely of challenging original material, including 1987's Changeless.

Problem: Background: Extras is a British sitcom about extras working in television, film, and theatre. The series was co-produced by the BBC and HBO and was created, written, and directed by Ricky Gervais and Stephen Merchant, both of whom also starred in it. Extras follows the lives of Andy Millman (Gervais), his platonic friend Maggie Jacobs (Ashley Jensen), and Andy's substandard agent and part-time retail employee Darren Lamb (Merchant) as Millman muddles through life as an anonymous "background performer" who eventually finds success as a B-level sitcom star. Extras has two series of six episodes each as well as a Christmas Special.
Context: There were some subtle changes between the UK and US versions, with references to the names of British celebrities often being changed to American celebrities for the US edition.  In Season 2, episode 1, Keith Chegwin's anti-gay tirade includes the sentence "Men have knobs, women have fannies. Pop knob in fanny. Not up the arse." In British English "fanny" is a euphemism for vagina, while in American English "fanny" is a term for buttocks. A scene was shot, and aired in the US, in which Chegwin says "Men have dicks. Women have vaginas. Pop dick in vagina. Not up the bum."  In Season 2, episode 3, in the scene where Darren Lamb tells Andy Millman about an offer that has come in for Andy to play a supporting role in a film, Lamb mistakenly says the film stars Billie Piper. For the American broadcast, an alternate take was used where Merchant's character says, "How do you fancy three days with Halle Berry?" In each case, Piper and Berry's names are mistaken for the name Harry Potter (actor Daniel Radcliffe guest stars in the episode).  In Season 2, episode 4, a scene featuring UK TV presenter Moira Stuart was completely excised from the US version and a song by Coldplay frontman Chris Martin replaced it; the latter was featured as a deleted scene on the DVD releases.  In the Christmas special the talking "Jade Goody" doll was replaced by a talking "Kramer" doll. (Both dolls parodied incidents where each celebrity said things publicly that were generally seen as racist.) The T-shirt in the studio audience depicting Victoria Wood and Asda is replaced in the US version by a T-shirt depicting Sigourney Weaver and DirectTV. A scene with George Michael was also truncated to remove references to UK celebrities Richard and Judy and Catherine Tate. A scene set in the Carphone Warehouse was edited to remove jokes referring to the long running BBC soap opera EastEnders.
Question: Were there any other differences between the Uk and US version
Answer: scene was shot, and aired in the US, in which Chegwin says "Men have dicks. Women have vaginas. Pop dick in vagina. Not up the bum."

Problem: Background: Jack William Nicklaus (born January 21, 1940), nicknamed The Golden Bear, is an American retired professional golfer. He is widely regarded as the greatest golfer of all time, winning a record 18 career major championships, while producing 19 second-place and 9 third-place finishes, over a span of 25 years. Nicklaus focused on the major championships--Masters Tournament, U.S. Open, Open Championship and PGA Championship--and played a selective schedule of regular PGA Tour events, yet still finished with 73 victories, third on the all-time list behind Sam Snead (82) and Tiger Woods (79).
Context: Between 1981 and 1985, Nicklaus accumulated seven more top-10 placements in major championships, including three runner-up performances. He won only twice on the PGA Tour during this period, the Colonial National Invitation in 1982 and his own Memorial Tournament in 1984 for the second time, defeating Andy Bean in a sudden-death playoff to become the tournament's first repeat champion.  In 1983, Nicklaus closed out the PGA Championship and World Series of Golf with brilliant final rounds in the mid-60's, and passed many players to move into contention, but finished runner-up in each to Player of the Year Hal Sutton and Nick Price, respectively, who dominated the tournaments from start to finish. Despite not winning a PGA Tour event in 1983, Nicklaus finished 10th on the PGA Tour money list, and passed a significant milestone by becoming the first player to eclipse the $4 million level in career earnings.  In 1985, Nicklaus finished second to Curtis Strange in the Canadian Open, which marked his seventh and final second-place finish in that tournament; this is a record for that event. These seven runner-up finishes came over the course of 21 events--or one second-place finish for every three tournaments played--and does not include a third-place finish in 1983, one shot out of the playoff between John Cook and Johnny Miller.  During the five-year period between 1981 and 1985, the Ryder Cup matches provided Nicklaus with two bright spots. He completed his competition as a player in style by contributing a perfect 4-0-0 record (inclusive of a 5 & 3 anchor singles match win over Eamonn Darcy) in 1981, and captained the United States team in 1983 to a one-point win over Europe.
Question: What was his score in the PGA tour?
Answer:
In 1983, Nicklaus closed out the PGA Championship and World Series of Golf with brilliant final rounds in the mid-60's,