IN: John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

White has been called "eccentric." He is known for creating mythology around his endeavors; examples include his claim that the Stripes began on Bastille Day, that he and Meg are the two youngest of ten siblings, and that Third Man Records used to be a candy factory. These assertions came into question or were disproven, such as when, in 2002, the Detroit Free Press produced copies of both a marriage license and divorce certificate for him and Meg, confirming their history as a married couple. Neither addresses the truth officially, and Jack continues to refer to Meg as his sister in interviews, including in the documentary Under Great White Northern Lights, filmed in 2007. In a 2005 interview with Rolling Stone magazine, Jack alluded to this open secret, implying that it was intended to keep the focus on the music rather than the couple's relationship:  "When you see a band that is two pieces, husband and wife, boyfriend and girlfriend, you think, 'Oh, I see...' When they're brother and sister, you go, 'Oh, that's interesting.' You care more about the music, not the relationship--whether they're trying to save their relationship by being in a band."  He has an attachment to the number three, stemming from seeing three staples in the back of a Vladimir Kagan couch he helped to upholster as an apprentice. His business ventures frequently feature "three" in the title and he typically appends "III" to the end of his name. During the White Stripes 2005 tour in the UK, White began referring to himself as "Three Quid"--"quid" being British slang for pound sterling.  He maintains an aesthetic that he says challenges whether people will believe he is "real." He frequently color-codes his endeavors, such as the aforementioned Third Man Upholstery and The White Stripes, as well as Third Man Records, which is completely outfitted in yellow, black, red, and blue (including staff uniforms). As a taxidermy enthusiast--that correlates to his work as an upholsterer--he decorates his studio in preserved animals, including a peacock, giraffe, and Himalayan goat.
QUESTION: what was eccentricity?
IN: Jose Julian Marti Perez (January 28, 1853 - May 19, 1895) was a Cuban National Hero and an important figure in Latin American literature. During his life, he worked as a poet, essayist, journalist, translator, professor, and publisher. He was very politically active, and is considered an important revolutionary philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence against Spain in the 19th century, and is referred to as the "Apostle of Cuban Independence."

The modernists, in general, use a subjective language. Marti's stylistic creed is part of the necessity to de-codify the logic rigor and the linguistic construction and to eliminate the intellectual, abstract and systematic expression. There is the deliberate intention and awareness to expand the expressive system of the language. The style changes the form of thinking. Without falling into unilateralism, Marti values the expression because language is an impression and a feeling through the form. Modernism mostly searches for the visions and realities, the expression takes in the impressions, the state of mind, without reflection and without concept. This is the law of subjectivity. We can see this in works of Marti, one of the first modernists, who conceives the literary task like an invisible unity, an expressive totality, considering the style like "a form of the content" (forma del contenido).  The difference that Marti established between prose and poetry are conceptual. Poetry, as he believes, is a language of the permanent subjective: the intuition and the vision. The prose is an instrument and a method of spreading the ideas, and has the goal of elevating, encouraging and animating these ideas rather than having the expression of tearing up the heart, complaining and moaning. The prose is a service to his people.  Marti produces a system of specific signs "an ideological code" (codigo ideologico). These symbols claim their moral value and construct signs of ethic conduct. Marti's modernism was a spiritual attitude that was reflected on the language. All his writing defines his moral world. One could also say that his ideological and spiritual sphere is fortified in his writing.  The difference between Marti and other modernist initiators such as Manuel Gutierrez Najera, Julian del Casal, and Jose Asuncion Silva (and the similarity between him and Manuel Gonzalez Prada) lies in the profound and transcendent value that he gave to literature, converting prose into an article or the work of a journalist. This hard work was important in giving literature authentic and independent value and distancing it from mere formal amusement. Manuel Gutierez Najera, Ruben Dario, Miguel de Unamuno and Jose Enrique Rodo saved the Martinian articles, which will have an endless value in the writings of the American continent.  Apart from Martinian articles. essay writing and literature starts to authorize itself as an alternative and privileged way to talk about politics. Literature starts to apply itself the only hermeneutics able to resolve the enigmas of a Latin American identity.
QUESTION:
How is Jose Marti associated with Modernism?