Problem: Shen Kuo (Chinese: Chen Gua ; 1031-1095), courtesy name Cunzhong (Cun Zhong ) and pseudonym Mengqi (now usually given as Mengxi) Weng (Meng Xi Weng ), was a Han Chinese polymathic scientist and statesman of the Song dynasty (960-1279). Excelling in many fields of study and statecraft, he was a mathematician, astronomer, meteorologist, geologist, zoologist, botanist, pharmacologist, agronomist, archaeologist, ethnographer, cartographer, encyclopedist, general, diplomat, hydraulic engineer, inventor, academy chancellor, finance minister, governmental state inspector, poet, and musician.

The new Chancellor Cai Que (Cai Que ; 1036-1093) held Shen responsible for the disaster and loss of life. Along with abandoning the territory which Shen Kuo had fought for, Cai ousted Shen from his seat of office. Shen's life was now forever changed, as he lost his once reputable career in state governance and the military. Shen was then put under probation in a fixed residence for the next six years. However, as he was isolated from governance, he decided to pick up the ink brush and dedicate himself to intensive scholarly studies. After completing two geographical atlases for a state-sponsored program, Shen was rewarded by having his sentence of probation lifted, allowing him to live in a place of his choice. Shen was also pardoned by the court for any previous faults or crimes that were claimed against him.  In his more idle years removed from court affairs, Shen Kuo enjoyed pastimes of the Chinese gentry and literati that would indicate his intellectual level and cultural taste to others. As described in his Dream Pool Essays, Shen Kuo enjoyed the company of the "nine guests" (Jiu Ke , jiuke), a figure of speech for the Chinese zither, the older 17x17 line variant of weiqi (known today as go), Zen Buddhist meditation, ink (calligraphy and painting), tea drinking, alchemy, chanting poetry, conversation, and drinking wine. These nine activities were an extension to the older so-called Four Arts of the Chinese Scholar.  According to Zhu Yu's book Pingzhou Table Talks (Ping Zhou Ke Tan ; Pingzhou Ketan) of 1119, Shen Kuo had two marriages; the second wife was the daughter of Zhang Chu (Zhang Chu ), who came from Huainan. Lady Zhang was said to be overbearing and fierce, often abusive to Shen Kuo, even attempting at one time to pull off his beard. Shen Kuo's children were often upset over this, and prostrated themselves to Lady Zhang to quit this behavior. Despite this, Lady Zhang went as far as to drive out Shen Kuo's son from his first marriage, expelling him from the household. However, after Lady Zhang died, Shen Kuo fell into a deep depression and even attempted to jump into the Yangtze River to drown himself. Although this suicide attempt failed, he would die a year later.  In the 1070s, Shen had purchased a lavish garden estate on the outskirts of modern-day Zhenjiang, Jiangsu province, a place of great beauty which he named "Dream Brook" ("Mengxi") after he visited it for the first time in 1086. Shen Kuo permanently moved to the Dream Brook Estate in 1088, and in that same year he completed his life's written work of the Dream Pool Essays, naming the book after his garden-estate property. It was there that Shen Kuo spent the last several years of his life in leisure, isolation, and illness, until his death in 1095.

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Answer with quotes: In the 1070s, Shen had purchased a lavish garden estate on the outskirts of modern-day Zhenjiang,


Problem: Baudelaire was born in Paris, France, on April 9, 1821, and baptized two months later at Saint-Sulpice Roman Catholic Church. His father, Francois Baudelaire, a senior civil servant and amateur artist, was 34 years older than Baudelaire's mother, Caroline. Francois died during Baudelaire's childhood, in 1827. The following year, Caroline married Lieutenant Colonel Jacques Aupick, who later became a French ambassador to various noble courts.

Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness. This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations.  Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connects it more closely to the work of the contemporary "Parnassians". As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetic pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of "symbols" (images that take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarme, who acknowledge Baudelaire as a pioneer in this regard.  Beyond his innovations in versification and the theories of symbolism and "correspondences", an awareness of which is essential to any appreciation of the literary value of his work, aspects of his work that regularly receive much critical discussion include the role of women, the theological direction of his work and his alleged advocacy of "satanism", his experience of drug-induced states of mind, the figure of the dandy, his stance regarding democracy and its implications for the individual, his response to the spiritual uncertainties of the time, his criticisms of the bourgeois, and his advocacy of modern music and painting (e.g., Wagner, Delacroix). He made Paris the subject of modern poetry. He would bring the city's details to life in the eyes and hearts of his readers.

What did he try next

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As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man