Problem: Background: Arabic weddings (Arabic: zff, frH, or `rs) have changed greatly in the past 100 years. Original traditional Arabic weddings are supposed to be very similar to modern-day Bedouin weddings and rural weddings, and they are in some cases unique from one region to another, even within the same country. it must be mentioned that what some people today call "Bedouin" wedding is in fact the original true traditional Arab Islamic wedding without foreign influence. The marriage process usually starts with meetings between the couple's families, and ends with the wedding's consummation (leilat al-dokhla).
Context: In Old Palestine, the henna night was a night used to prepare all the necessary wedding decorations and last minute arrangements. It was also a chance for the families to celebrate together before the wedding. The groom's family would sahij or dance through the streets of the village until reaching the house of the bride. Once there, the family would mix henna together, which would then be used to decorate the bride and grooms hands (with the groom's being merely the initials of his bride and himself), and then offer the bride her mahr (usually gold as it does not decline in value like other wealth). The families would then dance and sing traditional Palestinian music.  In modern times, particularly those not living in Palestine, the henna night remains traditional in customs, but is very similar to a bachelorette party; the bride's female friends and relatives join her in celebrating, which includes food, drinks, and a lot of dancing. A women's group plays Arabic music, sometimes Islamic music, while everyone dances. A woman draws henna or mehndi, a temporary form of skin decoration using henna, on the bride and guests' skin -- usually the palms and feet, where the henna color will be darkest because the skin contains higher levels of keratin there, which binds temporarily to lawsone, the colorant of henna.  The men will also have a party, in which the groom's family and friends will dance to traditional Palestinian music. In some village customs, the groom's face is shaven by a close family member or friend in preparation for his wedding. The tradition of giving the bride her gold is also still used. The groom will enter where the bride is, they well both get their henna done, and the groom will then offer the bride her mahr. Thus, the wedding being merely dancing and celebration.  An important element of the henna night in both traditional and non-traditional henna parties, is the dress adorned by the Palestinian women and the groom. The women dress in traditional (usually hand embroidered) gowns, known as Palestinian ithyab. The brides thobe would be extravagant and exquistely embroidered. The groom will wear the usual traditional Arab men's thobe and hata (head covering).
Question: What is a mahr ?
Answer: offer the bride her mahr (usually gold as it does not decline in value like other wealth).

Problem: Background: Michael "Jakko" Jakszyk (born Michael Lee Curran, 8 June 1958) is an English musician, record producer, and actor. He has released several solo albums as a singer, songwriter, and multi-instrumentalist and has been the lead singer for King Crimson since 2013. His work has been variously credited to "Jakko", "Jakko Jakszyk", and "Jakko M. Jakszyk". Before joining King Crimson, he led bands for over thirty years, including 64 Spoons, Dizrhythmia, 21st Century Schizoid Band, Jakszyk Fripp Collins, and Rapid Eye Movement.
Context: Signing a solo deal with Chiswick Records in 1981, Jakszyk began to record his debut solo album, Silesia, aided by Dave Stewart, David Jackson, and Amanda Parsons. During 1982, Chiswick released three singles ("The Night Has a Thousand Eyes", "Straining Our Eyes", and "Grab What You Can"), although none were hits. A full release of Silesia was shelved at the last minute when Chiswick declared bankruptcy while the album was at the manufacturing stage (although the album had a limited release in Germany). Strengthening his existing links to British art rock, Jakszyk began working with Peter Blegvad and would go on to play on the latter's first three solo albums (beginning with 1983's The Naked Shakespeare).  In 1983, Jakszyk signed a second solo recording contract with Stiff Records. Three further singles followed between 1983 and 1984 ("Dangerous Dreams", "I Can't Stand This Pressure", and "Who's Fooling Who") and recordings were made for a second solo album. Due for release in 1985, this album met the same fate as Silesia. It was shelved in 1985 when Stiff Records filed for bankruptcy.  Discouraged but not defeated, Jakko supplemented his income with acting work while continuing to pursue music. He continued his collaboration with Dave Stewart, contributing to his duo work with Barbara Gaskin and playing a prominent role on the Stewart-produced Neil's Heavy Concept Album (a 1984 spin-off from the Young Ones comedy series). During this time he also met an up-and-coming drummer Gavin Harrison, who would become one of his most frequent collaborators. It was also during this time that he finally visited the United States to meet his birth mother.  Jakszyk's third attempt at recording a solo album, this time for MDM Records in 1986-87, was shelved when MDM's distributor, Virgin Records, dropped its support. Some of the "lost" material from this and the previously shelved albums resurfaced on Jakszyk's 1996 compilation album Are My Ears on Wrong?, while Jakko's ill-fated first album Silesia was briefly issued on CD in the late 1990s.  In 1987, Jakszyk joined Peter and Kristoffer Blegvad, John Greaves, and Anton Fier in the short-lived New York-based band The Lodge, with whom he recorded one album, The Smell of a Friend.
Question: Where was The Lodge founded?
Answer: