Background: Pendulum is an Australian drum and bass and electronic rock band founded in 2002. Pendulum originally formed in the city of Perth, Western Australia by Rob Swire, Gareth McGrillen, and Paul "El Hornet" Harding. The band was later expanded to include members, Ben Mount, Peredur ap Gwynedd, and KJ Sawka. Members Swire and McGrillen also formed the electro house duo Knife Party.
Context: When Pendulum was formed, their musical style was considerably more drum and bass sounding than the work they were known for later in their career. Signature tunes such as "Masochist", "Vault", "Back 2 You" and "Voyager", which were released on labels such as Uprising Records, 31 Records, Renegade Hardware and Low Profile Records, have a darker, more amelodic air to them which is substantially absent from their later productions. The band's newer work is regarded as generally leaning heavily towards a mainstream, dance-driven sound. Early work such as "Another Planet" seems to indicate an early affinity with a more global sound, similar to other Breakbeat Kaos artists such as DJ Fresh and Adam F.  The group has produced various remixes of other artists also; one of the best-known being the remix of "Voodoo People", originally by The Prodigy. In 2008-2010, they covered/remixed songs including Led Zeppelin's "Immigrant Song", Linkin Park's "The Catalyst", Calvin Harris's "I'm Not Alone", Coldplay's "Violet Hill", and Metallica's "Master of Puppets". Pendulum's versions of "I'm Not Alone" and "Master Of Puppets" both exist as studio recordings but have not been officially released, and are only previewed during DJ sets. The original live version of "Master of Puppets" was played as an instrumental introduction for "Slam", and was featured on their first live album/DVD. During their American tour as the supporting band for Linkin Park, the song was played in its entirety, with Rob doing vocals. Pendulum have also remixed their own music and, on occasion, television theme songs, such as Australian television's "ABC News Theme" in May 2010. The remix proved to be immensely popular with listeners of Australian youth radio station Triple J, polling at number 11 in the 2010 Triple J Hottest 100 countdown.  Pendulum's musical style consisted of a fusion of drum and bass (along with other electronic genres), alternative rock and heavy metal, with the inclusion of acoustic instruments. This creates a sound reminiscent of electronic rock, albeit with much more prominent drum and bass and, more recently, dubstep influences. Some songs, such as "Slam", "Propane Nightmares" and "Witchcraft" are synth-led, whilst others, such as "Showdown", "The Tempest" and "Comprachicos", are guitar-led. Bassist Gareth McGrillen stated in an interview on Channel 4 that they use 13 computers during the live performances, all of which are mixing the sounds produced by the instruments in real time. Rob Swire stated in issues of TJECK magazine and Rock Sound magazine that he would like to begin producing songs with a punk style to them, which Gareth clarified to mean "A raw, aggressive, less polished method of producing". Pendulum were known to be fans of progressive rock and progressive metal bands, which may have inspired them to fuse multiple genres of music together, which is standard practice in those genres.
Question: what is the version
Answer: The original live version of "Master of Puppets" was played as an instrumental introduction for "Slam",

Problem: Background: Tracey Ullman was born Trace Ullman in Slough, Buckinghamshire, the younger of two daughters, to Dorin (nee Cleaver) and Antony John Ullman. Her mother was British, with Roma ancestry, and her father was a Roman Catholic Pole. On the subject of the spelling of her name: "My real name is Trace Ullman, but I added the 'y.' My mother said it was spelled the American way, but I don't think she can spell!
Context: Along with her television work, Ullman has featured in many films throughout her career. Her first theatrical film was a small role in Paul McCartney's 1984 film Give My Regards to Broad Street. This was followed by a supporting role in the 1985 Meryl Streep drama Plenty. She re-teamed with Streep for 1992's Death Becomes Her, playing Toni, a bartender who runs away with Ernest (Bruce Willis) and lives happily ever after. Director Robert Zemeckis decided to re-shoot the ending, opting for a darker, "more risky ending." This meant that Ullman's scenes would have to be cut. "We were all heartbroken over losing the character. (She) was so great." Despite the cut, some of her scenes were released in an early trailer for the film. Death Becomes Her is one of two instances in which her scenes in a film have ended up on the cutting room floor. Due to time constraints, her song in 1996's Everyone Says I Love You was deleted.  She made her big screen leading role debut in 1990's I Love You to Death acting alongside Kevin Kline, River Phoenix and Joan Plowright. She subsequently appeared in lead and supporting roles in films such as Robin Hood: Men in Tights, Nancy Savoca's Household Saints, Bullets over Broadway, Small Time Crooks and A Dirty Shame. She was nominated for a Golden Globe Award in the category of Best Actress - Motion Picture Musical or Comedy for her work in Small Time Crooks in 2001.  Her voice work in film includes Tim Burton's Corpse Bride and the computer-animated The Tale of Despereaux. She acted as creative consultant on the 2006 DreamWorks feature, Flushed Away.  In 2014, she played Jack's Mother in the film adaptation of the Broadway musical Into the Woods.  Ullman was under serious consideration for a number of roles: Betty Rubble in 1994's The Flintstones; Effie Trinket in The Hunger Games. Director Adrian Lyne asked her to screen test for his film Fatal Attraction. She passed on the idea and the role went to Glenn Close. She was also sought for reuniting with her Plenty co-star Meryl Streep in She-Devil. The part ultimately went to comedian Roseanne Barr.
Question: what was her top film?
Answer:
her work in Small Time Crooks in 2001.