Problem: Background: Bruce Randall Hornsby (born November 23, 1954) is an American singer and pianist. Hornsby draws frequently from classical, jazz, bluegrass, folk, Motown, gospel, rock, blues, and jam band musical traditions. Hornsby's recordings have been recognized on a number of occasions with industry awards, including the 1987 Grammy Award for Best New Artist with Bruce Hornsby and the Range, the 1990 Grammy Award for Best Bluegrass Album, and the 1994 Grammy Award for Best Pop Instrumental Performance. Hornsby has also achieved recognition for his solo albums and performances, his touring band Bruce Hornsby and the Noisemakers, his bluegrass project with Ricky Skaggs and his appearances as a session and guest musician.
Context: Bruce Randall Hornsby was born in Williamsburg, Virginia, a son of Robert Stanley Hornsby (1920-1998), an attorney, real-estate developer and former musician, and his wife, nee Lois Saunier. Raised a Christian Scientist, he has two siblings: Robert Saunier "Bobby" Hornsby, a realtor with Hornsby Realty and locally known musician, and Jonathan Bigelow Hornsby, an engineer who has collaborated in songwriting.  He graduated from James Blair High School in Williamsburg, Virginia, in 1973, where he played on the basketball team. He studied music at the University of Richmond, as well as Berklee College of Music and the University of Miami, from which he graduated in 1977.  In the spring of 1974 Hornsby's older brother Bobby, who attended the University of Virginia, formed the band "Bobby Hi-Test and the Octane Kids" to play fraternity parties, featuring Bruce on Fender Rhodes and vocals. The band, which is listed in Skeleton Key: A Dictionary for Deadheads, performed covers of Allman Brothers Band, The Band, and predominantly Grateful Dead songs. Although Hornsby's collaboration with Bobby Hornsby would be relatively short-lived, Bobby's son R.S. was a recurring guest-guitarist with Hornsby's band and periodically toured with his uncle. His performances were often looked forward to by fans. R.S. Hornsby died on January 15, 2009 in a car accident near Crozet, Virginia. He was 28.  Following his graduation from the University of Miami, in 1977, Hornsby returned to his hometown of Williamsburg, and played in local clubs and hotel bars. In 1980, he and his younger brother (and songwriting partner) John Hornsby moved to Los Angeles, where they spent three years writing for 20th Century Fox. Before moving back to his native southeastern Virginia, he also spent time in Los Angeles as a session musician. In 1982 Hornsby joined the band Ambrosia for their last album Road Island and can be seen in the band's video for the album's single "How Can You Love Me." After Ambrosia disbanded, he and bassist Joe Puerta performed as members of the touring band for pop star Sheena Easton. Hornsby can clearly be seen in the music video for Easton's 1984 hit single "Strut."
Question: What venues did he play at?
Answer: to play fraternity parties,

Problem: Background: "Trapped in the Closet" is the twelfth episode in the ninth season of the American animated television series South Park. The 137th episode of the series overall, it originally aired on Comedy Central in the United States on November 16, 2005. In the episode, Stan joins Scientology in an attempt to find something "fun and free". After the discovery of his surprisingly high "thetan levels", he is recognized as the reincarnation of L. Ron Hubbard, the founder of the church.
Context: South Park had previously parodied Scientology in a spoof at the 2000 MTV Movie Awards. The MTV short was titled "The Gauntlet" and included "John Travolta and the Church of Scientology" arriving in a spaceship to defeat Russell Crowe (as a gladiator) and attempt to recruit the boys into Scientology. Travolta, along with his fellow Scientologists, was depicted as a Psychlo, as he appeared in the film Battlefield Earth. They had also made fun of Scientology in an earlier episode, titled "Super Best Friends", in which David Blaine formed his own cult, called "Blaintology". Parker and Stone have acknowledged that this is meant to be a reference to Scientology.  Parker stated that Isaac Hayes' membership had previously kept the show's creators from writing a full episode which parodies Scientology. However, the decision to ultimately produce a South Park episode satirizing Scientology was partially inspired by the friendship the show's creators have with Penn Jillette. Jillette was originally planning to do an episode of Bullshit! based on Scientology, but Showtime prohibited him from doing so to avoid the possibility of legal action from the Church of Scientology. Parker commented, "We're going, That's fucked up. And hearing other people say, 'You can't do that' - you can only say 'You can't do that' so many times to Matt and me before we're gonna do it. Finally, we just had to tell Isaac, 'Dude, we totally love working with you, and this is nothing personal, it's just we're South Park, and if we don't do this, we're belittling everything else we've ripped on.'"  Although some questions were raised prior to the episode's screening about whether it was wise to take swipes at Cruise and Scientology, Comedy Central declared that it supported Stone and Parker. A Comedy Central spokesman told Radar magazine in November 2005 that "they are free, and have been, to satirize anybody and anything they want to. They've made fun of MTV, they've made fun of Viacom, they've made fun of Comedy Central, and we've never interfered with them."  During production on the episode, investigative journalist Mark Ebner served as a consultant to Matt Stone and Trey Parker. Ebner had previously authored The New York Times best seller Hollywood, Interrupted, which includes an analysis of the Church of Scientology and its effects on the culture in Hollywood, and has a chapter on Tom Cruise and John Travolta's relationship to Scientology. On the official Comedy Central website for the South Park episode, it is asserted that the section of "Trapped in the Closet" that explains Scientology's portrayal and beliefs was not exaggerated: "Nothing about what you see here is exaggerated in the slightest. Seriously." The title is a reference to the R. Kelly song of the same name, and a depiction of R. Kelly appears in the episode to sing a parody of it.
Question: Did production have to be put on hold because of the conflict?
Answer:
Comedy Central declared that it supported Stone and Parker.