Answer the question at the end by quoting:

Allan David Bloom (September 14, 1930 - October 7, 1992) was an American philosopher, classicist, and academician. He studied under David Grene, Leo Strauss, Richard McKeon, and Alexandre Kojeve. He subsequently taught at Cornell University, the University of Toronto, Yale University, Ecole Normale Superieure of Paris, and the University of Chicago. Bloom championed the idea of Great Books education and became famous for his criticism of contemporary American higher education, with his views being expressed in his bestselling 1987 book, The Closing of the American Mind.
Bloom studied and taught in Paris (1953-55) at the Ecole Normale Superieure, and Germany (1957). Upon returning to the United States in 1955, he taught adult education students at the University of Chicago with his friend Werner J. Dannhauser, author of Nietzsche's View of Socrates. Bloom went on to teach at Yale from 1960 to 1963, at Cornell until 1970, and at the University of Toronto until 1979, when he returned to the University of Chicago. Among Bloom's former students are prominent journalists, government officials and political scientists such as Francis Fukuyama, Robert Kraynak, Pierre Hassner, Clifford Orwin, Janet Ajzenstat, John Ibbitson, and John Milligan-Whyte.  In 1963, as a Professor at Cornell, Allan Bloom served as a faculty member of the Cornell Branch of the Telluride Association, an organization focused on intellectual development and self-governance. The students received free room and board in the Telluride House on the Cornell University campus and assumed the management of the house themselves. While living at the house, Bloom befriended former U.S. Secretary of Labor Frances Perkins. Bloom's first book was a collection of three essays on Shakespeare's plays, Shakespeare's Politics; it included an essay from Harry V. Jaffa. He translated and commented upon Rousseau's "Letter to M. D'Alembert on the Theater", bringing it into dialogue with Plato's Republic. In 1968, he published his most significant work of philosophical translation and interpretation, a translation of Plato's Republic. Bloom strove to achieve "translation... for the serious student". The preface opens on page xi with the statement, "this is intended to be a literal translation". Although the translation is not universally accepted, Bloom said he always conceptualized the translator's role as a matchmaker between readers and the texts he translated. He repeated this effort as a professor of political science at the University of Toronto in 1978, translating Jean-Jacques Rousseau's Emile. Among other publications during his years of teaching was a reading of Swift's Gulliver's Travels, titled "Giants and Dwarfs"; it became the title for a collection of essays on, among others, Raymond Aron, Alexandre Kojeve, Leo Strauss, and liberal philosopher John Rawls. Bloom was an editor for the scholarly journal Political Theory as well as a contributor to History of Political Philosophy (edited by Joseph Cropsey and Leo Strauss).  After returning to Chicago, he befriended and taught courses with Saul Bellow. In 1987 Bellow wrote the Preface to The Closing of the American Mind.  Bloom's last book, which he dictated while in the hospital dying, and which was published posthumously, was Love and Friendship, an offering of interpretations on the meaning of love. There is an ongoing controversy over Bloom's semi-closeted homosexuality, possibly culminating--as in Saul Bellow's thinly fictionalized account in Ravelstein--in his death in 1992 from AIDS. Bloom's friends do not deny his homosexuality, but whether he actually died of AIDS remains disputed.

When did he die?

possibly culminating--as in Saul Bellow's thinly fictionalized account in Ravelstein--in his death in 1992 from AIDS.



Answer the question at the end by quoting:

Povenmire was born in San Diego, California on September 18, 1963, and grew up in the city of Mobile, Alabama. A child prodigy, he began drawing at age two; by the time he was ten, his work was displayed in local art shows. His first efforts in animation included a series of flip books that he produced in his school text books. As a child, Povenmire considered animator Chuck Jones his hero; in a 2009 interview, he stated that "every drawing he [Jones] did was beautiful to look at and had so much energy in it".
In 1993, Povenmire and Marsh conceived the series Phineas and Ferb, based on their similar experiences of childhood summers spent outdoors. Povenmire spent 14-16 years pitching Phineas and Ferb to several networks. Most rejected it as unfeasible for the complexity of its plots, but Povenmire persevered, later observing "It was really the show we wanted to see: if this was on the air, I'd watch it, and I don't always feel that about every show I work on." Even the Walt Disney Company initially rejected Povenmire's pitch, but asked to keep the proposal packet: "Usually that means they throw it in the trash later," Povenmire recalled. Eventually Disney called Povenmire back with an acceptance, on the condition that he would produce an 11-minute pilot. He called Marsh, who was living in England, to ask him if he would like to work on the pilot; Marsh accepted immediately and moved back to the United States.  Instead of a conventional script, the pair pitched the pilot by recording reels of its storyboard, which Povenmire then mixed and dubbed to produce action and vocals. The network approved the show for a 26-episode season. Povenmire left Family Guy to create the series.  Povenmire and Marsh wanted to incorporate into Phineas and Ferb the kind of humor they had developed in their work on Rocko's Modern Life. They included action sequences and, with Disney's encouragement, featured musical numbers in every episode subsequent to "Flop Starz". Povenmire described the songs as his and Marsh's "jab at immortality", but the pair have earned two Emmy nominations for Phineas and Ferb songs to-date. A third Emmy nomination, for the episode "The Monster of Phineas-n-Ferbenstein" (2008), pitted the show against SpongeBob SquarePants, although neither nominee received the award due to a technicality. In 2010, Povenmire was nominated amongst several other Phineas and Ferb crew members for the Daytime Emmy Award for both "Outstanding Writing in Animation" and "Outstanding Original Song - Children's and Animation" for their work on the show, winning for "Outstanding Writing in Animation".  The distinctive style of the animation legend Tex Avery influenced the show's artistic look. Like Avery, Povermire employed geometric shapes to build both the characters and the background. The style developed almost accidentally, with Povenmire's first sketch of title character, Phineas Flynn, which he produced while eating dinner with his family in a restaurant in South Pasadena, California. He doodled a triangle-shaped child on the butcher paper covering the table. He was so taken with sketch he tore it out, kept it, and used it as the prototype for Phineas and as the stylistic blueprint for the entire show.

For how many years did he work for the show ?