input: After Cantor's 1884 hospitalization, there is no record that he was in any sanatorium again until 1899. Soon after that second hospitalization, Cantor's youngest son Rudolph died suddenly on December 16 (Cantor was delivering a lecture on his views on Baconian theory and William Shakespeare), and this tragedy drained Cantor of much of his passion for mathematics. Cantor was again hospitalized in 1903. One year later, he was outraged and agitated by a paper presented by Julius Konig at the Third International Congress of Mathematicians. The paper attempted to prove that the basic tenets of transfinite set theory were false. Since the paper had been read in front of his daughters and colleagues, Cantor perceived himself as having been publicly humiliated. Although Ernst Zermelo demonstrated less than a day later that Konig's proof had failed, Cantor remained shaken, and momentarily questioning God. Cantor suffered from chronic depression for the rest of his life, for which he was excused from teaching on several occasions and repeatedly confined in various sanatoria. The events of 1904 preceded a series of hospitalizations at intervals of two or three years. He did not abandon mathematics completely, however, lecturing on the paradoxes of set theory (Burali-Forti paradox, Cantor's paradox, and Russell's paradox) to a meeting of the Deutsche Mathematiker-Vereinigung in 1903, and attending the International Congress of Mathematicians at Heidelberg in 1904.  In 1911, Cantor was one of the distinguished foreign scholars invited to attend the 500th anniversary of the founding of the University of St. Andrews in Scotland. Cantor attended, hoping to meet Bertrand Russell, whose newly published Principia Mathematica repeatedly cited Cantor's work, but this did not come about. The following year, St. Andrews awarded Cantor an honorary doctorate, but illness precluded his receiving the degree in person.  Cantor retired in 1913, living in poverty and suffering from malnourishment during World War I. The public celebration of his 70th birthday was canceled because of the war. In June 1917, he entered a sanatorium for the last time and continually wrote to his wife asking to be allowed to go home. Georg Cantor had a fatal heart attack on January 6, 1918, in the sanatorium where he had spent the last year of his life.

Answer this question "when did he retire"
output: Cantor retired in 1913, living in poverty and suffering from malnourishment during World War I.

input: Von Teese is best known for her burlesque routines and is frequently dubbed the "Queen of Burlesque" in the press. Von Teese began performing burlesque in 1992, and, as a proponent of Neo-Burlesque, has helped to popularize its revival. In her own words, she "puts the tease back into striptease" with long, elaborate dance shows with props and characters, often inspired by 1930s and 1940s musicals and films. Some of her more famous dances have involved a carousel horse, a giant powder compact, a filigree heart and a clawfoot bathtub with a working shower head. Her signature show features a giant martini glass. Her feather fan dance, inspired by burlesque dancer Sally Rand, featured the world's largest feather fans, now on display in Hollywood's Museum of Sex.  Her burlesque career has included some memorable performances. She once appeared at a benefit for the New York Academy of Art wearing nothing but $5 million worth of diamonds. Additionally, Von Teese became the first guest star at Paris's Crazy Horse cabaret club with her appearance in October 2006. Also in 2006, Von Teese appeared on an episode of America's Next Top Model (cycle 7) doing a workshop to teach the contestants about sexiness by means of burlesque dancing and posing. In 2007, Von Teese performed at the adult entertainment event Erotica 07 in London alongside Italian rock band Belladonna.  Von Teese's first book (in collaboration with Bronwyn Garrity), which consisted of her opinions on the history of burlesque and fetish, Burlesque and the Art of the Teese / Fetish and the Art of the Teese, was published in 2006 by HarperCollins (and in New York by Regan Books). Vanity Fair called her a "Burlesque Superheroine".  Von Teese participated in the Eurovision Song Contest 2009 in Moscow, Russia, as part of the stage performance for the German entry "Miss Kiss Kiss Bang". The act placed 20th out of 25 participants in the final round of the contest. Later, she said her cleavage was censored during the show because it was too voluptuous.

Answer this question "How did she get into Burlesque?"
output: Von Teese began performing burlesque in 1992,

input: Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood.  The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year.  In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc.,

Answer this question "What were their first recordings?"
output:
The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles,