Some context: Nancy Elizabeth Lieberman (born July 1, 1958), nicknamed "Lady Magic", is a former professional basketball player who played and coached in the Women's National Basketball Association (WNBA) and currently works as an assistant coach for the Sacramento Kings of the National Basketball Association (NBA, as well as head coach of the Power in the BIG3. Lieberman is regarded as one of the greatest figures in American women's basketball. In 2000, she was inducted into the Nassau County Sports Hall of Fame. Lieberman is a member of the Basketball Hall of Fame, the Women's Basketball Hall of Fame and the Virginia Sports Hall of Fame.
Lieberman was born in Brooklyn, New York, on July 1, 1958, to Jerome and Renee Lieberman. She was raised Jewish, but has become a born-again Christian. Her family lived in Brooklyn, when she was born, but soon moved to Far Rockaway, New York where she grew up with her older brother Clifford. Her mother brought up the children after a separation and divorce. While growing up, she was very interested in a variety of sports, playing baseball, softball and football with boys, before settling on basketball as her primary sport. She played basketball primarily on pickup teams with boys, not playing on a girls' team until she was a high school sophomore. While attending Far Rockaway High School in Queens, New York, she established herself as one of the top women's basketball players in the country by earning one of only 12 slots on the USA's National Team. In 1975, Lieberman was named to the USA Team designated to play in the World Championships and Pan American Games, where she brought home a gold medal  Lieberman's mother, Renee, was not supportive of her daughter's passion for basketball. During one instance when Lieberman was practicing dribbling techniques indoors, because it was cold outside, her mother demanded she stop dribbling because of all the noise. When she did not stop, her mother punctured the basketball with a screwdriver. Lieberman found another ball and continued, but her mother punctured that one as well. This continued until five balls were ruined. Nancy then decided she had better go outside before she ran out of basketballs.  During the school year, she played for her high school team, but in the summer, played with an AAU team in Harlem, the New York Chuckles.
was she married?
A: Her mother brought up the children after a separation and divorce.

Some context: Bill "Bojangles" Robinson (May 25, 1878 - November 25, 1949) was an American tap dancer and actor, the best known and most highly paid African-American entertainer in the first half of the twentieth century. His long career mirrored changes in American entertainment tastes and technology. He started in the age of minstrel shows and moved to vaudeville, Broadway, the recording industry, Hollywood, radio, and television.
In 1928, a white impresario, Lew Leslie, produced Blackbirds of 1928 on Broadway, a black revue for white audiences starring Adelaide Hall and Bill Robinson along with Aida Ward, Tim Moore and other black stars. The show was a huge success on Broadway, where it ran for over one year to sell-out performances. On stage, Adelaide Hall and Robinson danced and sang a duet together, which captivated the audiences. From then on, Robinson's public role was that of a dapper, smiling, plaid-suited ambassador to the white world, maintaining a connection with the black show-business circles through his continuing patronage of the Hoofers Club, an entertainer's haven in Harlem. So successful was Adelaide Hall's collaboration with Bojangles, they even appeared together on stage at the prestigious Palace Theatre (Broadway) before they were teamed up together again by Marty Forkins (Robinson's manager) to star in another Broadway musical titled, "Brown Buddies", that opened in 1930 at the Liberty Theatre, where it ran for four months before commencing a road tour of the States.  In 1939, Robinson returned to the stage in The Hot Mikado, a jazz version of the Gilbert and Sullivan operetta. The show opened at the Broadhurst Theatre, with Robinson cast in the role of the Emperor. His rendition of My Object All Sublime stopped the show and produced eight encores. After Broadway, the show moved to the 1939 New York World's Fair, and was one of the greatest hits of the fair. August 25, 1939, was named Bill Robinson Day at the fair.  Robinson's next Broadway show, All in Fun (1940), was with an all-white cast. Despite having Imogene Coca, Pert Kelton, and other stars, the show received poor reviews at out-of-town tryouts in New Haven and Boston. When the white stars and co-producers, Phil Baker and Leonard Sillman, withdrew, Robinson became the star, the first time an African-American headlined an otherwise all-white production. Although the reviewers were enthusiastic about Robinson, they panned the show, and it failed to attract audiences. All in Fun closed after four performances.
What did Robinson do after his time on Broadway?
A: