Background: Howard Robard Hughes Jr. (December 24, 1905 - April 5, 1976) was an American business magnate, investor, record-setting pilot, film director, and philanthropist, known during his lifetime as one of the most financially successful individuals in the world. He first made a name for himself as a film producer, and then became an influential figure in the aviation industry. Later in life, he became known for his eccentric behavior and reclusive lifestyle--oddities that were caused in part by a worsening obsessive-compulsive disorder (OCD), chronic pain from several plane crashes, and increasing deafness. As a maverick film tycoon, Hughes gained prominence in Hollywood beginning in the late 1920s, when he produced big-budget and often controversial films like The Racket (1928), Hell's Angels (1930), and Scarface (1932).
Context: Beyond extending his business prowess in the manufacturing, aviation, entertainment, and hospitality industries, Hughes was a successful real estate investor. Hughes was deeply involved in the American real estate industry where he amassed vast holdings of undeveloped land both in Las Vegas and in the desert surrounding the city that had gone unused during his lifetime. In 1968, the Hughes Tool Company purchased the North Las Vegas Air Terminal.  Originally known as Summa Corporation, The Howard Hughes Corporation was formed in 1972 when the oil tools business of Hughes Tool Company, then owned by Howard Hughes Jr., was floated on the New York Stock Exchange under the Hughes Tool name. This forced the remaining businesses of the "original" Hughes Tool to adopt a new corporate name Summa. The name "Summa"--Latin for "highest"--was adopted without the approval of Hughes himself, who preferred to keep his own name on the business, and suggested HRH Properties (for Hughes Resorts and Hotels, and also his own initials). In 1988, Summa announced plans for Summerlin, a master-planned community named for the paternal grandmother of Howard Hughes, Jean Amelia Summerlin.  Initially staying in the Desert Inn, Hughes refused to vacate his room, and instead decided to purchase the entire hotel. Hughes extended his financial empire to include Las Vegas real estate, hotels, and media outlets, spending an estimated $300 million, and using his considerable powers to take-over many of the well known hotels, especially the organized crime connected venues. He quickly became one of the most powerful men in Las Vegas. He was instrumental in changing the image of Las Vegas from its Wild West roots into a more refined cosmopolitan city.
Question: What other real estate did he purchase?
Answer: In 1968, the Hughes Tool Company purchased the North Las Vegas Air Terminal.

Background: Spacemen 3 were an English alternative rock band, formed in 1982 in Rugby, Warwickshire by Peter Kember and Jason Pierce. Their music is known for its brand of "minimalistic psychedelia". Spacemen 3 had their first independent chart hits in 1987, gaining a cult following, and going on to have greater success towards the end of the decade. However, they disbanded shortly afterwards, releasing their final studio album post-split in 1991 after an acrimonious parting of ways.
Context: In November 1985, Spacemen 3 played a gig at a leisure centre in Coventry to an audience of fewer than ten people. Nevertheless, encouraged by the support of Pat Fish, they determined that they ought to record a new demo tape. By this time they had reconfigured and honed their musical style, and their repertoire consisted of newer songs and re-worked older ones. "The band's sound had crystallised into the intense, hypnotic, overloaded psychedelia which characterised their early [record] output, and which would serve as a template for their live act throughout their existence" (Ian Edmond, Record Collector).  At Pierce's instigation, Pete Bain rejoined the band on bass in order to fill out their sound. Despite being a 4-piece again, they would retain the name 'Spacemen 3'. Kember and Pierce opted to upgrade their guitar equipment ahead of recording the new demos. Kember purchased a Burns Jazz electric guitar and 1960s Vox Conqueror amplifier; whilst Pierce bought a Fender Telecaster and a 1970s HH amplifier. Both of their new amplifiers included distortion/fuzz and tremolo; these two effects were key components of Spacemen 3's signature sound.  In January 1986, Spacemen 3 attended the home studio of Carlo Marocco at Piddington, outside Northampton, to record their new demo tape. They spent three-and-a-half days at the 16-track studio. Recording live as a group, with minimal overdubs, they managed to get demos for approximately seven songs. Kember and Pierce handled the production. These "fine set of performances" (Ned Raggett, AllMusic) would later be unofficially released as the vinyl album Taking Drugs to Make Music to Take Drugs To on the Father Yod label in 1990 (albeit described incorrectly as "rehearsals in Rugby").  Spacemen 3 managed to obtain a record deal shortly after producing their new demos. Pat Fish had given a copy of the demo tape to Dave Barker, the owner of the independent record label Glass Records, to whom Fish's band The Jazz Butcher were signed. Spacemen 3 signed a three-year, two-album recording contract with Glass Records in early 1986.
Question: What did the group achieve?
Answer: 3 signed a three-year, two-album recording contract with Glass Records in early 1986.

Background: Liuzzo was born Viola Fauver Gregg on April 1, 1925, in the small town of California, Pennsylvania, the elder daughter of Eva Wilson, a teacher, and Heber Ernest Gregg, a coal miner and World War I veteran. He left school in the eighth grade but taught himself to read. Her mother, Eva Wilson Gregg, had a teaching certificate from the University of Pittsburgh.
Context: In 1941, the Gregg family moved to Ypsilanti, Michigan, where her father sought a job assembling bombs at the Ford Motor Company. Viola's strong-willed nature led her to drop out of high school after one year, and elope at the age of 16. The marriage did not last and she returned to her family. Two years later the Gregg family moved to Detroit, Michigan, which was starkly segregated by race. Tension between whites and blacks in Detroit was very high and the early 1940s saw violence and rioting. Witnessing these horrific ordeals was a major motivator that influenced Viola's future civil rights work.  In 1943, she married George Argyris, the manager of a restaurant where she worked. They had two children, Penny and Evangeline Mary, and divorced in 1949. She later married Anthony Liuzzo, a Teamsters union business agent. They had three children: Tommy, Anthony, Jr., and Sally. Liuzzo sought to return to school, and attended the Carnegie Institute in Detroit, Michigan. She then enrolled part-time at Wayne State University in 1962.  In 1964, Liuzzo began attending the First Unitarian Universalist Church of Detroit, and joined the National Association for the Advancement of Colored People (NAACP).  A large part of Viola's activism, particularly with the NAACP, was due to a close friendship with an African-American woman, Sarah Evans. After initially meeting in a grocery store where Liuzzo worked as a cashier, the two kept in touch. Evans eventually became the housekeeper of Liuzzo, while still maintaining a close, friendly relationship in which they shared similar views including support for the civil rights movement. In the aftermath of Liuzzo's death, Evans would go on to become the permanent caretaker of Liuzzo's five young children.  Liuzzo so passionately believed in the fight for civil rights, that she helped organize Detroit protests, attended Civil Rights conferences, and worked with the NAACP. Liuzzo had a strong desire to make a difference on as large a scale as she could.
Question: Did they move away from Michigan?
Answer: