IN: The 5th Dimension is an American popular music vocal group, whose repertoire includes pop, R&B, soul, jazz, light opera and Broadway--the melange was coined as "Champagne Soul." Formed as The Versatiles in late 1965, the group changed its name to the hipper "The 5th Dimension" by 1966. They became well-known during the late 1960s and early 1970s for their popular hits: "Up, Up and Away", "Stoned Soul Picnic", "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)", "Wedding Bell Blues", "Never My Love", "One Less Bell to Answer", "(Last Night)

The members began rehearsing as the Versatiles in late 1965 and auditioned for Marc Gordon, who headed Motown's Los Angeles office. Although Motown rejected the group's demo tape, Gordon agreed to manage them and brought them to the attention of Johnny Rivers, who had just started his own label, Soul City Records. Their first Soul City single, "I'll Be Lovin' You Forever", was a successful single.  In 1965 The Mamas & the Papas' first single, lead member John Phillips' "Go Where You Wanna Go", failed to open the foursome's chart career. At the suggestion of Rivers and their manager Marc Gordon, the 5th Dimension covered the same song virtually note-for-note (except for the last verse's upward modulation), and their early 1967 version climbed into the top 20 on R&B and pop stations and peaked at #16 on the Hot 100, opening the quintet's chart career.  The budding songwriter Jimmy Webb supplied the group with their breakthrough hit, "Up, Up and Away", a mid-1967 #7 hit that won five Grammy Awards. The following year, the group scored major hit singles with Laura Nyro's songs "Stoned Soul Picnic" (U.S. #3) and "Sweet Blindness" (U.S. #13). The group received a gold record for their album Stoned Soul Picnic.  That album included "California Soul", which peaked at #25 in February 1969. Weeks later the group's success broke wide open, with "Aquarius/Let the Sunshine In" from the musical Hair topping the Hot 100 for six straight weeks in April and May, and another Nyro song, "Wedding Bell Blues", doing the same for the first three full weeks in November. Their cover of Neil Sedaka's "Workin' On a Groovy Thing" went to #20 in between. Those four singles kept the group on the Hot 100 for all but four weeks in 1969. By some reckonings, "Aquarius/Let the Sunshine In" was the biggest hit single for 1969.  Later top 20 hits included 1970's "One Less Bell to Answer" (U.S. #2), 1971's "Love's Lines, Angles and Rhymes" (U.S. #19) and "Never My Love" (U.S. #12), 1972's "(Last Night) I Didn't Get to Sleep at All" (U.S. #8) and "If I Could Reach You" (U.S. #10). The group had seven other top 40 hits, the last being 1973's "Living Together, Growing Together" (U.S. #32) from the film Lost Horizon.

What were some of their other major hits?

OUT: In 1965 The Mamas & the Papas' first single, lead member John Phillips' "Go Where You Wanna Go", failed

input: The success of the various productions of Journey's End brought Whale to the attention of movie producers. Coming at a time when motion pictures were making the transition from silent to talking, producers were interested in hiring actors and directors with experience with dialogue. Whale traveled to Hollywood in 1929 and signed a contract with Paramount Pictures. He was assigned as "dialogue director" for a film called The Love Doctor (1929). He completed work on the film in 15 days and his contract was allowed to expire. It was at around this time that he met David Lewis.  Whale was hired by independent film producer and aviation pioneer Howard Hughes, who planned to turn the previously silent Hughes production Hell's Angels (1930) into a talkie. Whale directed the dialogue sequences. When his work for Hughes was completed, he headed to Chicago to direct another production of Journey's End.  Having purchased the film rights to Journey's End, British producers Michael Balcon and Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film. The two partnered with a small American studio, Tiffany-Stahl, to shoot it in New York. Colin Clive reprised his role as Stanhope, and David Manners was cast as Raleigh. Filming got underway on 6 December 1929 and wrapped on 22 January 1930. Journey's End was released in Great Britain on 14 April and in the United States on 15 April. On both sides of the Atlantic the film was a tremendous critical and commercial success.

Answer this question "What kind of film work did he do?"
output:
silent Hughes production Hell's Angels (1930) into