Background: Motorhead () were an English rock band formed in June 1975 by bassist, singer, and songwriter Ian "Lemmy" Kilmister, who was the sole constant member, guitarist Larry Wallis and drummer Lucas Fox. The band are often considered a precursor to the new wave of British heavy metal, which re-energised heavy metal in the late 1970s and early 1980s. Though several guitarists and drummers have played in Motorhead, most of their best-selling albums and singles feature the work of "Fast" Eddie Clarke on guitar and Phil "Philthy Animal" Taylor on drums. Motorhead released 22 studio albums, 10 live recordings, 12 compilation albums, and five EPs over a career spanning 40 years.
Context: From 26 March to 3 April 1986, the band toured Germany, the Netherlands and Denmark on their "Easter Metal Blast" and in June, played two dates in Bologna and Milan in Italy. The court case with Bronze was finally settled in the band's favour. The band's management instigated their own label, GWR. Recording took place in Master Rock Studios, London and the single "Deaf Forever" was released on 5 July as a taster for the Orgasmatron album, which was released on 9 August. On the same day as the release of the album, Lemmy and Wurzel were interviewed by Andy Kershaw on the BBC Radio 1 Saturday Live show and "Orgasmatron" and "Deaf Forever" were played. The single reached No. 67 and the album reached No. 21 in the UK charts.  On 16 August, the band played at the Monsters of Rock at Castle Donington and was recorded by BBC Radio 1 for a future Friday Rock Show broadcast. The performance closed with a flyover by a couple of Second World War German aircraft. Also that day Lemmy was filmed giving his views on spoof metal act "Bad News" for inclusion in a Peter Richardson Comic Strip film entitled "More Bad News" since the band featuring Rik Mayall, Peter Richardson, Nigel Planer and Adrian Edmondson were also performing at Donington. In September the band conducted their "Orgasmatron" tour in Great Britain, supported by fledgling act Zodiac Mindwarp and the Love Reaction. In October they toured America and in December were in Germany.  In 1987, during the filming of Eat the Rich - in which Lemmy was taking a starring role alongside well-known comedy actors such as Robbie Coltrane, Kathy Burke, the regulars from The Comic Strip ensemble, and various other musician cameo appearances - Gill left the band and Taylor returned to appear in the band's cameo as "In House Club Band" alongside Wurzel and Campbell. The band wrote "Eat the Rich" especially for the film, its soundtrack featured tracks from Orgasmatron and Wurzel's solo single "Bess". The band's second album for GWR was Rock 'n' Roll, released on 5 September, after a tight work schedule in the studio. While having some popular tracks and using "Eat the Rich" as its second track, the band commented that the album was virtually "nailed together".  On 2 July 1988 Motorhead were one of the performers at the Giants of Rock Festival in Hameenlinna, Finland. The tracks were released as No Sleep at All on 15 October. A single from the album was planned with the band wanting "Traitor" as the A-side, but "Ace of Spades" was chosen instead. When the band noticed the change, they refused to allow the single to be distributed to the shops, and it was withdrawn and became available only on the "No Sleep at All" tour and through the Motorheadbangers fan club. While they continued to play live shows during 1989 and 1990, Motorhead once again felt unhappy with their career, and a court case with GWR followed, which was not resolved until mid-1990.
Question: Did they release another album?
Answer: The band's second album for GWR was Rock 'n' Roll, released on 5 September, after a tight work schedule in the studio.

Problem: Background: Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.
Context: Parker's life was riddled with depression and heroin addiction. This addiction caused him to miss performances and be considered unemployable. He frequently resorted to busking, receiving loans from fellow musicians and admirers, and pawning his saxophones for drug money. Heroin use was rampant in the jazz scene, and users could acquire it with little difficulty.  Although he produced many brilliant recordings during this period, Parker's behavior became increasingly erratic. Heroin was difficult to obtain once he moved to California, where the drug was less abundant, so he used alcohol as a substitute. A recording for the Dial label from July 29, 1946, provides evidence of his condition. Before this session, Parker drank a quart of whiskey. According to the liner notes of Charlie Parker on Dial Volume 1, Parker missed most of the first two bars of his first chorus on the track, "Max Making Wax". When he finally did come in, he swayed wildly and once spun all the way around, away from his microphone. On the next tune, "Lover Man", producer Ross Russell physically supported Parker. On "Bebop" (the final track Parker recorded that evening) he begins a solo with a solid first eight bars; on his second eight bars, however, he begins to struggle, and a desperate Howard McGhee, the trumpeter on this session, shouts, "Blow!" at him. Charles Mingus considered this version of "Lover Man" to be among Parker's greatest recordings, despite its flaws. Nevertheless, Parker hated the recording and never forgave Ross Russell for releasing it. He re-recorded the tune in 1951 for Verve.  Parker's life took a turn for the worst when his 2 year old daughter tragically passed away from pneumonia. He attempted suicide twice in 1954, which landed him in a mental hospital.  When Parker received his discharge from the hospital, he was clean and healthy. Before leaving California, he recorded "Relaxin' at Camarillo" in reference to his hospital stay. He returned to New York, resumed his addiction to heroin and recorded dozens of sides for the Savoy and Dial labels, which remain some of the high points of his recorded output. Many of these were with his so-called "classic quintet" including Davis and Roach.
Question: Was he ever arrrested
Answer: