input: Aside from recording music, Usher is involved in other businesses, including several restaurants. In 2007 Usher worked with Richard Herpin and Honoring Blanc for the fragrances Usher He and Usher She. The promotion for the fragrance, featured Usher and Martha Stewart in the Macy's, "The Magic of Macy's" commercial. In September 2008 Usher released the fragrances, UR for Men and UR for Women. Usher fifth fragrance, VIP was launched in 2009.  On March 30, 2015, it was announced that Usher is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music video with curated editorial. Jay Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. The slogan "Turn the tide" and the hashtag "#TIDALforAll" was used by various artists on social media during the buildup to the press conference relaunching the service. Usher, along with sixteen artist stakeholders (such as Alicia Keys, Kanye West, Beyonce, Rihanna, Madonna, J.Cole, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties."The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal.  On June 28, 2015, Usher became partners with Yoobi the fast-growing school supplies company called based out of Los Angeles. The company donates a portion of its products to schools and has brought in over $20 million in revenue between June 2014 and June 201 Yoobi CEO Ido Leffler told Inc. The Usher line of supplies with Yoobi features a collaboration with Jonni Cheatwood, the artist who does the designing. The slogan is "Mixing street smarts with school smarts". The collection is available online and at Targets nationwide, and for every purchase, school supplies are donated to kids in need in US classrooms. When asked why he partnered with Yoobi, Usher said, "Preparing future leaders through my New Look Foundation has always been about having the proper tools to succeed in life. If they don't have the tools, young men and women from underserved communities can't even begin to understand the idea of having a new or different perspective. So that's where this collaboration came together giving young people the tools and supplying them with hope."

Answer this question "is Tidal successful?"
output: 

input: Stossel has written three books. Give Me a Break: How I Exposed Hucksters, Cheats, and Scam Artists and Became the Scourge of the Liberal Media is a 2005 autobiography from Harper Perennial documenting his career and philosophical transition from liberalism to libertarianism. It describes his opposition to government regulation, his belief in free market and private enterprise, support for tort reform, and advocacy for shifting social services from the government to private charities. It was a New York Times bestseller for 11 weeks. Myths, Lies, and Downright Stupidity: Get Out the Shovel - Why Everything You Know Is Wrong, which was published in 2007 by Hyperion, questions the validity of various conventional wisdoms, and argues that the belief he is conservative is untrue. On April 10, 2012, Threshold Editions, an imprint of Simon & Schuster, published Stossel's third book No, They Can't: Why Government Fails - But Individuals Succeed. It argues that government policies meant to solve problems instead produce new ones, and that free individuals and the private sector perform tasks more efficiently than the government does.  With financial support from the libertarian Palmer R. Chitester Fund, Stossel and ABC News launched a series of educational materials for public schools in 1999 entitled "Stossel in the Classroom". It was taken over in 2006 by the Center for Independent Thought and releases a new DVD of teaching materials annually. In 2006, Stossel and ABC released Teaching Tools for Economics, a video series based on the National Council of Economics Education standards.  Since February 2011, Stossel has written a weekly newspaper column for Creators Syndicate. His articles appear in such online publications as Newsmax, Reason, and Townhall.

Answer this question "who were his inspirations?"
output: 

input: In May 1969, after leaving the Brooklyn Underground, Vaughan joined a band called the Southern Distributor. He had learned The Yardbirds' "Jeff's Boogie" and played the song at the audition. Mike Steinbach, the group's drummer, commented: "The kid was fourteen. We auditioned him on 'Jeff's Boogie,' really fast instrumental guitar, and he played it note for note." Although they played pop rock covers, Vaughan conveyed his interest in the addition of blues songs to the group's repertoire; he was told that he wouldn't earn a living playing blues music and the band parted ways. Later that year, bassist Tommy Shannon walked into a Dallas club and heard Vaughan playing guitar. Fascinated by the skillful playing, which he described as "incredible even then", Shannon borrowed a bass guitar and the two jammed. Within a few years, they began performing together in a band called Krackerjack.  In February 1970, Vaughan joined a band called Liberation, which was a nine-piece group with a horn section. Having spent the past month briefly playing bass with Jimmie in Texas Storm, he had originally auditioned as bassist. Impressed by Vaughan's guitar playing, Scott Phares, the group's original guitarist, modestly became the bassist. In mid-1970, they performed at the Adolphus Hotel in downtown Dallas, where ZZ Top asked them to perform. During Liberation's break, Vaughan jammed with ZZ Top on the Nightcaps song "Thunderbird". Phares later described the performance: "They tore the house down. It was awesome. It was one of those magical evenings. Stevie fit in like a glove on a hand."  Attending Justin F. Kimball High School during the early 1970s, Vaughan's late-night gigs contributed to his neglect in his studies, including music theory; he would often sleep during class. His musical career pursuit was disapproved by many of the school's administrators, but he was also encouraged by many people to strive for a career in art, including his art teacher. In his sophomore year, he attended an evening class for experimental art at Southern Methodist University, but bailed when it conflicted with rehearsal. Vaughan later spoke of his dislike of the school and stated that he had to receive a daily note from the principal about his grooming.

Answer this question "what did his parent do?"
output:
bass guitar