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Gaelic Ireland (Irish: Eire Ghaidhealach) was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time. For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry.
Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island:  In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tanaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority.  Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhri maintained Ruaidhri as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhri unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England.
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Did England defeat the Irish armies?

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Robert Mitchum was born in Bridgeport, Connecticut in 1917 into a Norwegian-Irish Methodist family. His mother Ann Harriet Gunderson was a Norwegian immigrant and sea captain's daughter; his father James Thomas Mitchum was a shipyard and railroad worker of Irish descent. His older sister, Annette (known as Julie Mitchum during her acting career), was born in 1914. Their father James Mitchum was crushed to death in a railyard accident in Charleston, South Carolina in February 1919, when Robert was less than two years old and Annette was not yet five.
Mitchum was initially known for his work in film noir. His first foray into the genre was a supporting role in the 1944 B-movie When Strangers Marry, about newlyweds and a New York City serial killer. Undercurrent, another of Mitchum's early noir films, featured him playing against type as a troubled, sensitive man entangled in the affairs of his brother (Robert Taylor) and his brother's suspicious wife (Katharine Hepburn). John Brahm's The Locket (1946) featured Mitchum as bitter ex-boyfriend to Laraine Day's femme fatale. Raoul Walsh's Pursued (1947) combined Western and noir styles, with Mitchum's character attempting to recall his past and find those responsible for killing his family. Crossfire (also 1947) featured Mitchum as a member of a group of World War II soldiers, one of whom kills a Jewish man. It featured themes of anti-Semitism and the failings of military training. The film, directed by Edward Dmytryk, earned five Academy Award nominations.  Following Crossfire, Mitchum starred in Out of the Past (also called Build My Gallows High), directed by Jacques Tourneur and featuring the cinematography of Nicholas Musuraca. Mitchum played Jeff Markham, a small-town gas-station owner and former investigator, whose unfinished business with gambler Whit Sterling (Kirk Douglas) and femme fatale Kathie Moffett (Jane Greer) comes back to haunt him.  On September 1, 1948, after a string of successful films for RKO, Mitchum and actress Lila Leeds were arrested for possession of marijuana. The arrest was the result of a sting operation designed to capture other Hollywood partiers, as well, but Mitchum and Leeds did not receive the tipoff. After serving a week at the county jail (he described the experience to a reporter as being "like Palm Springs, but without the riff-raff"), Mitchum spent 43 days (February 16 to March 30) at a Castaic, California, prison farm. Life photographers were permitted to take photos of him mopping up in his prison uniform. The arrest inspired the exploitation film She Shoulda Said No! (1949), which starred Leeds. The conviction was later overturned by the Los Angeles court and district attorney's office on January 31, 1951, after being exposed as a setup.  Whether despite, or because of, Mitchum's troubles with the law and his studio, his films released immediately after his arrest were box-office hits. Rachel and the Stranger (1948) featured Mitchum in a supporting role as a mountain man competing for the hand of Loretta Young, the indentured servant and wife of William Holden. In the film adaptation of John Steinbeck's novella The Red Pony (1949), he appeared as a trusted cowhand to a ranching family. He returned to film noir in The Big Steal (also 1949), where he joined Jane Greer in an early Don Siegel film.
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who acted alongside with him

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him playing against type as a troubled, sensitive man entangled in the affairs of his brother (Robert Taylor) and his brother's suspicious wife (Katharine Hepburn).