input: Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage. The band often destroyed equipment and guitars at the end of concerts, and Love would ramble between songs, bring fans onstage, and stage dive, sometimes returning with her clothes torn off of her or sustaining injuries. In a 1995 New York Magazine article, journalist John Homans addressed Love's frequent stage diving during Hole's concerts:  The most shocking, frightening, and fascinating image in rock in the last few years is Courtney Love's stage dive... When some male performers do it, it looks like muscular, frat-boy fun, controlled aggression... For obvious reasons, the practice was strictly no-girls-allowed, but Love, typically, decided that she wanted to do it, too. Groped, ravaged, she compared the experience to being raped, wrote a song about it, and now does it just about every show.  Nina Gordon of Veruca Salt, who toured with Hole in 1995, recalled Love's erratic behavior onstage, saying "She would just go off and [the rest of the band] would just kind of stand there." The majority of Love's chaotic behavior onstage was a result of heavy drug use at the time, which she admitted: "I was completely high on dope; I cannot remember much about it." She later criticized her behavior during that time, saying: "I [saw] pictures of how I looked. It's disgusting. I'm ashamed. There's death and there's disease and there's misery and there's giving up your soul... The human spirit mixed with certain powders is not the person, it's [a] demonic presence."  Love's stage attire also garnered notoriety, influenced in part by Carroll Baker's wardrobe in the film Baby Doll (1956). The style was later dubbed "kinderwhore" by the media, and consisted of babydoll dresses, slips and nightgowns, and smeared makeup. Kurt Loder likened her onstage attire to a "debauched ragdoll", and John Peel noted in his review of the band's 1994 Reading Festival performance, that "[Love], swaying wildly and with lipstick smeared on her face, hands and, I think, her back, as well as on the collar of her dress, [...] would have drawn whistles of astonishment in Bedlam. The band teetered on the edge of chaos, generating a tension which I cannot remember having felt before from any stage." Rolling Stone referred to the style as "a slightly more politically charged version of grunge; apathy turned into ruinous angst, which soon became high fashion's favorite pose."  The band's set lists for live shows were often loose, featuring improvisational jams and rough performances of unreleased songs. By 1998, their live performances had become less aggressive and more restrained, although Love continued to bring fans onstage, and would often go into the crowd while singing.

Answer this question "Where did the incidents take place?"
output: onstage.

Question: Rouvas was born on 5 January 1972 in the village of Mandoukion, near Corfu City on the island of Corfu, the eldest of four sons of Konstantinos "Kostas" Rouvas (an ambulance driver) and the teenaged Anna-Maria Panaretou (a duty-free shop clerk at the local airport). He has three brothers: Billy (b. Vasilios), Tolis (b. Apostolos, 1975) and Nikos (b. Nikolaos, 1991). The family was poor, and Rouvas began taking care of his brothers at age five. At age four, he exhibited athletic ability and took ballet classes as a child.

In December 1998 Rouvas released his sixth album (the first with his new label): Kati Apo Mena (Something From Me), written by Giorgos Theofanous. "Den Ehi Sidera I Kardia Sou" ("Your Heart Doesn't Have Steel Rails") was a hit, and remains one of his most-popular songs. To promote the album Rouvas performed at the Virgin Megastore in Athens, where thousands of fans created a traffic jam. The next year, Rouvas records "Oso Exo Esena" ("As Long As I Have You"), a duet with singer Stelios Rokkos. The two artists work and perform together at Bio Bio in Athens during the summer.  In March 2000 Rouvas released his seventh album, 21os Akatallilos (21+ X-Rated), and performed with Katy Garbi at Pili Axiou in Thessaloniki. The album and its first single, "Andexa" ("I Held Out"), reached number one on the charts. During May rehearsals for summer performances Rouvas was hospitalized with abdominal pain, which was diagnosed as peritonitis and required an appendectomy. On 25 October 2000, he began appearing with Antonis Remos and Peggy Zina at Apollonas for the winter season. That year Rouvas became the Pepsi spokesperson for the company's Greek summer campaign making a first television ad, a first for a Greek entertainer. His collaboration with Pepsi continued into 2001, with a May television ad. The advertisement, featuring a semi-nude Rouvas holding a Pepsi bottle in front of his genitals, was controversial among women's rights and parental associations. Calling it "unsightly, vulgar and unacceptable", they tried to have the ad blocked as "disgrac[ing] childhood innocence and dignity." The Pepsi Tour 2001, of seven Greek cities, followed.  During summer 2000 Rouvas, Psinakis and a number of other celebrities visited Mykonos on a yacht borrowed from a local physician. They were accused of drug possession, since the yacht contained narcotics. The incident was publicized amid speculation that Rouvas might have a drug addiction. Although the doctor admitted that the narcotics were his, his guests were questioned. Wishing to avoid court, Rouvas paid a fine and minimized the incident. However, thousands of T-shirts were printed which read: "Imoun ki ego sto kotero!" ("I was on the yacht, too!").

Using a quote from the above article, answer the following question: what kind of drugs did the yacht have on it?
HHHHHH
Answer:
narcotics