Problem: Background: Social Distortion is an American punk rock band formed in 1978 in Fullerton, California. The band currently consists of Mike Ness (lead vocals, lead guitar), Jonny Wickersham (rhythm guitar, backing vocals), Brent Harding (bass, backing vocals), David Hidalgo Jr. (drums), and David Kalish (keyboards). Social Distortion went on a temporary hiatus in the mid-1980s, due to Ness' drug addiction and troubles with the law which resulted in extended stints in various rehabilitation centers that lasted for two years. Since its inception, the band lineup has been a virtual revolving-door of talent with many members coming and going - Ness has been the only constant member.
Context: Social Distortion was formed in late 1978 by frontman Mike Ness, inspired by the Sex Pistols and many other British punk bands as well as rock acts such as the Rolling Stones. The original lineup consisted of Ness on lead guitar, Rikk Agnew on bass, Frank Agnew on guitar, and Casey Royer on drums. On the origins of the band's name, Royer recalled "Mike was like 15, trying to play guitar but he couldn't. Social Distortion was named for my distortion pedal, which I gave to Mike to play 'cause back then he was no good." Ness met Dennis Danell, who was a year older, in high school and insisted he join the band on bass guitar even though Danell had never played an instrument before. When Danell was brought in, Frank, Rikk, and Casey left to join the Adolescents. Mike and Dennis remained the only constant members for the next two decades with bass and drum members changing every few years. The Adolescents song "Kids of the Black Hole" and Social Distortion song "The Playpen" chronicled this period of the band's history.  Its first single, Mainliner/Playpen featuring Ness on guitar and vocals, Dennis on bass, and Carrot on drums was released in 1981 on Posh Boy, the label responsible for releasing the first singles and albums of many of the local O.C. punk bands. Rodney Bingenheimer of KROQ-FM was responsible for much of the radio play in Orange County, California, that punk received in the early 80s, and took a liking to Social Distortion, releasing the single "1945" on his 1981 compilation album, Rodney on the ROQ, Blood on the ROQ in 1983, and The Best Of Rodney on the ROQ in 1989.  In 1982, the band--now consisting of Ness, Danell (who now played rhythm guitar), Brent Liles on bass, and Derek O'Brien on drums--embarked on their first international tour (US and Canada) with fellow punk band Youth Brigade, a trip chronicled in the punk rockumentary Another State of Mind, which was not released until 1984.
Question: Who was in the band
Answer: Social Distortion was formed in late 1978 by frontman Mike Ness, inspired by the Sex Pistols and many other British punk bands

Problem: Background: The Incredible String Band (sometimes abbreviated as ISB) were a psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Scotland in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion, The Hangman's Beautiful Daughter, and Wee Tam and the Big Huge. They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music. Following Palmer's early departure, Williamson and Heron performed as a duo, later augmented by other musicians.
Context: 1968 was the band's annus mirabilis with the release of their two most-celebrated albums, The Hangman's Beautiful Daughter and the double LP Wee Tam and the Big Huge (issued as two separate albums in the US). Hangman's reached the top 5 in the UK album charts soon after its release in March 1968 and was nominated for a Grammy in the US. Robert Plant of Led Zeppelin said his group found their way by playing Hangman's and following the instructions. A departure from the band's previous albums, the set relied heavily on a more layered production, with imaginative use of the then new multitrack recording techniques. The album featured a series of vividly dreamlike Williamson songs, such as "The Minotaur's Song", a surreal music-hall parody told from the point of view of the mythical beast, and its centrepiece was Heron's "A Very Cellular Song", a 13-minute reflection on life, love and amoebas, its complex structure incorporating a Bahamian spiritual ("I Bid You Goodnight"). Williamson and Heron in this album had added their girlfriends, Licorice McKechnie and Rose Simpson, to the band to contribute additional vocals and various instruments, including organ, guitar and percussion. Despite their initially rudimentary skills, Simpson swiftly became a proficient bass guitarist, and some of McKechnie's songs were recorded by the band.  By early 1968 the group were capable of filling major venues in the UK. They left behind their folk club origins and embarked on a nationwide tour incorporating a critically acclaimed appearance at the London Royal Festival Hall. Later in the year they performed at the Royal Albert Hall, at open-air festivals, and at prestigious rock venues, such as the Fillmore auditoriums in San Francisco and New York. After their appearance at the Fillmore East in New York they were introduced to the practice of Scientology by David Simons (aka "Rex Rakish" and "Bruno Wolfe", once of Jim Kweskin's Jug Band). Joe Boyd, in his book White Bicycles: Making Music in the 1960s and elsewhere, described how he was inadvertently responsible for their "conversion" when he introduced the band to Simons, who, having become a Scientologist, persuaded them to enrol in his absence. The band's support for Scientology over the next few years was controversial among some fans and seemed to coincide with what many saw as the beginning of a decline in the quality of their work. In an interview with Oz magazine in 1969 the band spoke enthusiastically of their involvement with it, although the question of its effect on their later albums has provoked much discussion ever since.  Their November 1968 album Wee Tam and the Big Huge, recorded before the US trip, was musically less experimental and lush than Hangman's but conceptually even more avant-garde, a full-on engagement with the themes of mythology, religion, awareness and identity. Williamson's otherworldly songs and vision dominate the album, though Heron's more grounded tracks are also among his very best, and the contrast between the two perspectives gives the record its uniquely dynamic interplay between a sensual experience of life and a quest for metaphysical meaning. The record was released as a double album and also simultaneously as two separate LPs, a strategy which lessened its impact on the charts.
Question: Did the other band members become Scientologists?
Answer:
The band's support for Scientology over the next few years was controversial among some fans and seemed to coincide with what many saw as the beginning of a decline