Some context: The Plastic Ono Band is a band formed by John Lennon and Yoko Ono in 1969 as a vehicle for their collaborative and solo projects. Lennon and Ono had begun a personal and artistic relationship in 1968, collaborating on several experimental releases. Following their marriage in 1969, they decided that all of their future endeavours would be credited to a conceptual and collaborative vehicle, Plastic Ono Band. The band would go on to feature a rotating lineup of many musicians, including Eric Clapton, Klaus Voormann, Alan White, Billy Preston, Jim Keltner, Delaney & Bonnie and Friends, and Lennon's former Beatles bandmates George Harrison and Ringo Starr.
Lennon and Ono left the UK to settle in New York City during the fall of 1971. In Greenwich Village, the couple became more politically active and began writing protest songs. These songs became the basis for their next album, Some Time in New York City. As backing, they enlisted the help of New York band Elephant's Memory, consisting of guitarist Wayne 'Tex' Gabriel, bassist Gary Van Scyoc, saxophonist Stan Bronstein, keyboardist Adam Ippolito, keyboardist John La Boosca, and drummer Richard Frank, Jr. Phil Spector produced, and Jim Keltner also played on the album. The album was released on 12 June 1972, credited to "John & Yoko/Plastic Ono Band with Elephant's Memory plus Invisible Strings". Some Time in New York City included a second disc, entitled Live Jam, which included the recordings from the 1969 Peace for Christmas concert and the 1971 performance with Frank Zappa.  Ono and Lennon continued their work with Elephant's Memory throughout 1972, performing as the Plastic Ono Elephant's Memory Band (which also included Jim Keltner). On 30 August, they performed a pair of benefit concerts at Madison Square Garden. The benefit, entitled "One to One", was organised by Geraldo Rivera to raise money for children with mental challenges. By this time, La Boosca had departed the band, and the concert saw the addition of John Ward on bass. The concert was filmed and recorded, later released in February 1986 as the album Live In New York City. They also performed at the Jerry Lewis MDA Labor Day Telethon.  The last collaboration of the Plastic Ono Elephant's Memory Band was Ono's double album Approximately Infinite Universe. It was recorded throughout the fall of 1972, and was released in January 1973.
What did this mean
A: performing as the Plastic Ono Elephant's Memory Band (which also included Jim Keltner).
Some context: Tallulah Brockman Bankhead (January 31, 1902 - December 12, 1968) was an American actress of the stage and screen. Bankhead was known for her husky voice, outrageous personality, and devastating wit. Originating some of the 20th century theater's preeminent roles in comedy and melodrama, she gained acclaim as an actress on both sides of the Atlantic.
Bankhead appeared in a revival of Noel Coward's Private Lives, taking it on tour and then to Broadway for the better part of two years. The play's run made Bankhead a fortune. From that time, Bankhead could command 10% of the gross and was billed larger than any other actor in the cast, although she usually granted equal billing to Estelle Winwood, a frequent co-star and close friend from the 1920s until Bankhead's death in 1968.  In 1950, in an effort to cut into the rating leads of The Jack Benny Program and The Edgar Bergen and Charlie McCarthy Show, which had jumped from NBC radio to CBS radio the previous season, NBC spent millions over the two seasons of The Big Show starring "the glamorous, unpredictable" Tallulah Bankhead as its host, in which she acted not only as mistress of ceremonies, but also performed monologues (often written by Dorothy Parker) and songs. Despite Meredith Willson's Orchestra and Chorus and top guest stars from Broadway, Hollywood, and radio, The Big Show, which earned rave reviews, failed to do more than dent Jack Benny and Edgar Bergen's ratings. The next season, NBC installed her as one of a half-dozen rotating hosts of NBC's The All Star Revue on Saturday nights.  Bankhead was director Irving Rapper's first choice for the role of Amanda in the film version of Tennessee William's The Glass Menagerie. Laurette Taylor, who originated the role of Amanda, was an idol of Bankhead's and also an alcoholic, whose brilliant performance in the original Broadway production reversed years of career decline. Rapper called Bankhead's screen test the greatest performance he had ever seen: "I thought she was going to be difficult, but she was like a child, so sweet and lovely. I was absolutely floored by her performance. It's the greatest test I've ever made or seen in my life. I couldn't believe I was seeing such reality. Bankhead was absolutely natural, so moving, so touching without even trying. The crew was stunned, too." But studio head Jack Warner rejected the idea because of his fear of Tallulah's drinking; though she promised not to drink during shooting, he refused to give her the part. The role was given to Gertrude Lawrence instead, whose acting was panned by most critics.
Did she work with any other stars?0
A: