Some context: Giannina Braschi (born February 5, 1953) is a Puerto Rican writer. She is credited with writing the first Spanglish novel Yo-Yo Boing! (1998), the post-modern poetry trilogy Empire of Dreams (Yale, 1994) and the philosophical fiction United States of Banana (AmazonCrossing, 2011), which chronicles the Latin American immigrants' experiences in the United States. "
In the 1980s, Giannina Braschi burst onto the downtown Nuyorican poetry scene with spoken word performances of rhythmic intensity, humorous gusto, and anti-imperialistic politics. Her prose poems were written, recited, and published entirely in Spanish during this period. Her first collection of Spanish prose poetry, Asalto al tiempo, debuted in Barcelona in 1980 and was followed by La Comedia profana in 1985 and El imperio de los suenos in 1988. New York is the site and subject of much of her work. In a climatic episode of "Pastoral or the Inquisition of Memories", shepherds invade 5th Avenue on the Puerto Rican Day Parade and take over the City of New York; the shepherds ring the bells of St. Patrick's Cathedral and seize the observation deck of the Empire State Building.  Poet and feminist scholar Alicia Ostriker has praised Braschi's Empire of Dreams, which features gender role-playing and transvestism, for having "sheer erotic energy that defies definition and dogma." "Those three award winning books were published together as the inaugural volume of the Yale Library of Literature in Translation." (Braschi 1998: Yo-Yo Boing!: 13)  In the 1990s, Giannina Braschi began writing dramatic dialogues in English, Spanish, and Spanglish. Her bilingual novel Yo-Yo Boing! (AmazonCrossing) is experimental in format and radical in its defiance of English-only laws, ethnic cleansing campaigns, and the corporate censorship.  In 2011, Giannina Braschi debuted "United States of Banana," her first work written entirely in English; it is a postmodern dramatic novel about the powers of the world shifting after September 11. The work is a poetic critique of 21st century capitalism and corporate censorship. In 2012, "The Economist cited "United States of Banana" among the best sources for bold statements on the economy: "Banks are the temples of America. This is a holy war. Our economy is our religion". "United States of Banana," takes as a springboard the collapse of the World Trade Center, the event which displaced her from the Battery Park neighborhood that became known as the Ground Zero vicinity. Braschi writes about the death of the businessman, the end of democracy, and the delusion that all men are created equal. "Revolutionary in subject and form, "United States of Banana" is a beautifully written declaration of personal independence," declared the late publisher Barney Rosset former owner of Grove Press of "Evergreen Review." The main characters are Zarathustra, Segismundo, Hamlet, Giannina and the Statue of Liberty; cameos are made by Latin American left wing leaders Fidel Castro, Raul Castro, Hugo Chavez, Cristina Kirchner, and Evo Morales.
Was the book a success?
A: "The Economist cited "United States of Banana" among the best sources for bold statements on the economy: "
Some context: Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.
The band hired the bass guitarist Lee Marcucci (from Radio Taxi) to play in their album Como Estao Voces? (How Are You?). As this album was released, the five remaining members continued to write the history of more than 20 years of the band. With self-help hits as "Enquanto Houver Sol", questions on relevance remain on Titas' side, which faced declining sales and the ageing of their fanbase.  In 2005, they released another MTV-branded album, only this time in a non-acoustic live performance. This album generated a new hit for the group, called "Vossa Excelencia", that basically criticizes the hypocrisy and lack of care from politicians, thus bringing the band back to its roots. It was seen as another opportunistic stunt by Brazilian critics, as the song was released exactly when Lula's government was facing manifold accusations of corruption.  On February 18, 2006, Titas opened the Rolling Stones free concert at Copacabana beach, Rio de Janeiro for an audience of some 1.5 million people.  In 2007, the band started a tour, entitled 25 Anos de Rock (25 Years of Rock), joining Os Paralamas do Sucesso to celebrate the 25th anniversary of both bands, as well as the 25th anniversary of the rising of 1980s Brazilian rock bands. The two line-ups played together most of the time on the shows, presenting also some invited musicians, like Arnaldo Antunes, Andreas Kisser and Dado Villa-Lobos. The concert in Rio de Janeiro, which took place at January 26, 2008, was recorded and filmed. The resulting CD and DVD from the show were released five months after.
What happened after Nando's departure?
A:
The band hired the bass guitarist Lee Marcucci (from Radio Taxi) to play in their album Como Estao Voces