Question:
Edward Henry Weston (March 24, 1886 - January 1, 1958) was a 20th-century American photographer. He has been called "one of the most innovative and influential American photographers..." and "one of the masters of 20th century photography." Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and specially Californian, approach to modern photography" because of his focus on the people and places of the American West.
Weston was a prolific writer. His Daybooks were published in two volumes totaling more than 500 pages in the first edition. This does not include the years of the journal he kept between 1915 and 1923; for reasons he never made clear he destroyed those before leaving for Mexico. He also wrote dozens of articles and commentaries, beginning in 1906 and ending in 1957, and he hand-wrote or typed at least 5,000 letters to colleagues, friends, lovers, his wives and his children.  In addition, Weston kept very thorough notes on the technical and business aspects of his work. The Center for Creative Photography at the University of Arizona, which now houses most of Weston's archives, reports that it houses 75 linear feet of pages from his Daybooks, correspondence, financial records, memorabilia, and other personal documents in his possession when he died.  Among Weston's most important early writings are those that provide insights into his development of the concept of previsualization. He first spoke and wrote about the concept in 1922, at least a decade before Ansel Adams began utilizing the term, and he continued to expand upon this idea both in writing and in his teachings. Historian Beaumont Newhall noted the significance of Weston's innovation in his book The History of Photography, saying "The most important part of Edward Weston's approach was his insistence that the photographer should previsualize the final print before making the exposure."  In his Daybooks he provided an unusually detailed record of his evolution as an artist. Although he initially denied that his images reflect his own interpretations of the subject matter, by 1932 his writings revealed that he had come to accept the importance of artistic impression in his work. When combined with his photographs, his writings provide an extraordinarily vivid series of insights into his development as an artist and his impact of future generations of photographers.
Answer this question using a quote from the text above:

What were those writings?

Answer:
"The most important part of Edward Weston's approach was his insistence that the photographer should previsualize the final print before making the exposure."

input: In the summer of 2004, Wayne's album Tha Carter was released, marking what critics considered advancement in his rapping style and lyrical themes. In addition, the album's cover art featured the debut of Wayne's now-signature dreadlocks. Tha Carter gained Wayne significant recognition, selling 878,000 copies in the United States, while the single "Go DJ" became a Top 5 Hit on the R&B/Hip-Hop chart. After the release of Tha Carter, Lil Wayne was featured in Destiny's Child's single "Soldier" with T.I., which peaked at No. 3 on the Billboard Hot 100 and the Hot R&B/Hip-Hop Songs charts.  Tha Carter II, the follow-up to the original Tha Carter album, was released in December 2005, this time without production by longtime Cash Money Records producer Mannie Fresh, who had since left the label. Tha Carter II sold more than 238,000 copies in its first week of release, debuting at No. 2 on the Billboard 200 albums chart, and went on to sell 2,000,000 copies worldwide. The lead single "Fireman" became a hit in the US, peaking at 32 on the Billboard Hot 100 chart. Other singles included "Grown Man" with Currensy, "Hustler Musik", and "Shooter" with R&B singer Robin Thicke. Lil Wayne also appeared on a remix of Bobby Valentino's "Tell Me", which rose to No. 13 on the U.S. R&B Charts. In 2005, Lil Wayne was named president of Cash Money, and in the same year he founded Young Money Entertainment as an imprint of Cash Money. However, as of late 2007, Lil Wayne reported that he has stepped down from the management of both labels and has handed management of Young Money over to Cortez Bryant.  In 2006, Lil Wayne collaborated with rapper Birdman for the album Like Father, Like Son, whose first single "Stuntin' Like My Daddy", reached No. 21 on the Billboard Hot 100.

Answer this question "How did that album do?"
output: whose first single "Stuntin' Like My Daddy", reached No. 21 on the Billboard Hot 100.

Answer the question at the end by quoting:

Evangelos Odysseas Papathanassiou (Greek: Euaggelos Odusseas Papathanasiou, IPA: [ev'anjelos odi'seas papathana'siu] (born 29 March 1943), best known professionally as Vangelis (), is a Greek composer of electronic, progressive, ambient, jazz, and orchestral music. He is best known for his Academy Award-winning score for the film Chariots of Fire, composing scores for the films Blade Runner, Missing, Antarctica, 1492: Conquest of Paradise, and Alexander, and the use of his music in the PBS documentary Cosmos:
For an artist of his stature, very little is known about Vangelis' personal life and he rarely gives official interviews to journalists. However, in a 2005 interview with The Daily Telegraph, Vangelis talked openly about various parts of his life. He stated in the interview that he was "never interested" in the "decadent lifestyle" of his band days, choosing not to use alcohol or other drugs. At the time of the Telegraph interview, Vangelis was involved in his third long-term relationship. When asked why he had not had children, Vangelis replied:  ...Because of the amount of travelling I do and the nonsense of the music business, I couldn't take care of a child in the way I think it should be taken care of.  It is not publicly known where Vangelis generally resides; he has stated that he "travels around", rather than settling down in one specific place or country for long periods of time. As a hobby, Vangelis enjoys painting; his first art exhibition of 70 paintings was held at Almudin in Valencia, Spain in 2003 and then toured South America until the end of 2004.  Excerpts from other interviews mention that Vangelis has been married twice before. In a 1976 interview with Dutch music magazine Oor, the author wrote that Vangelis had a wife named Veronique Skawinska, a photographer who had done some album art work for Vangelis. An interview in 1982 with Backstage music magazine suggests that Vangelis had previously been married to a singer named Vana Verouti, who had performed vocals on some of his records, performing for the first time with him on La Fete sauvage and later on Heaven and Hell.

what was special about his personal life?
He stated in the interview that he was "never interested" in the "decadent lifestyle