IN: Miguel Indurain Larraya (Spanish pronunciation: [mi'gel indu'rain la'raja]; born 16 July 1964) is a retired Spanish road racing cyclist. Indurain won five consecutive Tours de France from 1991 to 1995, the fourth, and last, to win five times.

In 1984 he rode in the Olympic Games at Los Angeles and then turned professional on 4 September for Reynolds. He won his first professional race a week later, a time trial in the Tour de l'Avenir. In 1985 he started the Vuelta a Espana and came second in the prologue, behind Bert Oosterbosch. Oosterbosch lost time on the second stage and Indurain became leader, the youngest rider to do it. He rode the Tour de France later that year, as he would do in each of the next 11 years, but dropped out in the fourth stage.  In 1986, Indurain again rode the Tour, dropping out on the 12th stage. He started the 1987 Vuelta a Espana with bronchitis from the Tour of Belgium. He rode the 1988 Tour de France as teammate of the winner Pedro Delgado. In 1989, he escaped during the ninth stage of the Tour de France. He won the stage and became leader of the mountains classification, wearing the polkadot jersey the next stage, the only time in his career. In 1990, Indurain rode the Tour de France again for Delgado, but Delgado could not win. Indurain finished 10th place, sacrificing several places by waiting for Delgado.  Indurain was a strong time trialist, gaining on rivals and riding defensively in the climbing stages. Indurain won only two Tour stages that were not individual time trials: mountain stages to Cauterets (1989) and Luz Ardiden (1990) in the Pyrenees. During his five consecutive Tour de France wins he never won a stage that was not a time trial. These superior abilities in the discipline fit perfectly with the TT heavy Tours of the era, with many featuring between 150 and 200 km of time trialling vs the more common 50-80 km today.

Did he recieve any financial compensation?

OUT: 

Answer the question at the end by quoting:

Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.
The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release" by Rotten Tomatoes, where it achieved a 93% positive review rating, based on reviews from 217 critics. The film received six Academy Award nominations, including Best Picture, Director (Clooney), and Actor (Strathairn).  Roger Ebert, in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless." Margaret Pomeranz and David Stratton from the ABC show At the Movies each gave the film five stars, making Good Night, and Good Luck the only other film besides Brokeback Mountain to receive such a score from the hosts in 2005. Both described the film as "beautiful" but also praised Clooney for the film's importance. Margaret commented that "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." David noted "Though [the film] is in black-and-white, there's nothing monochromatic about Clooney's passion for his subject or the importance of his message."  Jack Shafer, a libertarian-leaning columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow. Clooney's film gives the impression that Murrow brought down McCarthy single-handedly, while Shafer notes that in reality much of the mainstream media, many Democrats and some of McCarthy's Republican peers were condemning him before Murrow. Furthermore, Shafer writes, evidence obtained via the declassified Venona espionage program confirmed that many Soviet agents and sympathizers were in fact in positions of influence in the U.S. government, a disclosure the film entirely overlooks: "Clooney and company ignore the material that might argue against their simple-minded thesis about Murrow, the era, and the press to produce an after-school special".  One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.

what is the reception

The film was critically acclaimed upon release.

input: In 1968, Fonda produced, co-wrote and starred in Easy Rider, directed by Dennis Hopper, which was Fonda's breakthrough role, and a critical and commercial success. Easy Rider is about two long-haired bikers traveling through the southwest and southern United States where they encounter intolerance and violence. Fonda played "Captain America," a charismatic, laconic man whose motorcycle jacket bore a large American flag across the back. Dennis Hopper played the garrulous "Billy". Jack Nicholson was nominated for an Academy Award for Best Supporting Actor for his turn as George Hanson, an alcoholic civil rights lawyer who rides along with them. Fonda co-wrote the screenplay with Terry Southern and Hopper.  Hopper filmed the cross-country road trip depicted almost entirely on location. Fonda had secured funding in the neighborhood of $360,000 - (largely based on the fact he knew that was the budget Roger Corman needed to make The Wild Angels).  The film was released in 1969 to international success. The guitarist and composer Robbie Robertson, of The Band, was so moved by an advance screening that he approached Fonda and tried to convince him to let him write a complete score, even though the film was nearly due for wide release. Fonda declined the offer, instead using Steppenwolf's "Born to Be Wild", Bob Dylan's "It's Alright Ma (I'm Only Bleeding)" sung by the Byrds' Roger McGuinn, and Robertson's own composition "The Weight" performed by The Band, among many other tracks. Fonda, Hopper and Southern were nominated for the Academy Award for Best Original Screenplay. The film grossed over $40 million.

Answer this question "Was Fonda nominated for any awards for the movie?"
output:
Fonda, Hopper and Southern were nominated for the Academy Award for Best Original Screenplay.