IN: Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario, Canada. He was the fourth of eight children of Doris Marguerite (Wardell) and Rupert Loebig Hartmann, a salesman specializing in building materials. His parents were Catholic and raised their children in that faith. As a child Hartman found affection hard to earn and stated: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere."

In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see."  He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen."  Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be".  Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic."

what shows did he act in?

OUT: SNL


IN: Gilbert Ray Hodges, ne Hodge (April 4, 1924 - April 2, 1972) was an American Major League Baseball (MLB) first baseman and manager who played most of his 18-year career for the Brooklyn and Los Angeles Dodgers. He was inducted into the New York Mets Hall of Fame in 1982. Hodges is generally considered to be the best defensive first baseman in the 1950s. He was an All-Star for eight seasons and a Gold Glove Award winner for three consecutive seasons.

After 11 games with the Mets in 1963, during which he batted .227 with no homers and was plagued by injuries, he was traded to the Washington Senators in late May for outfielder Jimmy Piersall so that he could replace Mickey Vernon as Washington's manager. Hodges immediately announced his retirement from playing in order to clearly focus on his new position. The Giants' Willie Mays had passed him weeks earlier on April 19 to become the NL's home run leader among right-handed hitters; Hodges' last game had been on May 5 in a doubleheader hosting the Giants (who had moved to San Francisco in 1958).  Hodges managed the Senators through 1967, and although they improved in each season they never achieved a winning record. One of the most notable incidents in his career occurred in the summer of 1965, when pitcher Ryne Duren - reaching the end of his career and sinking into alcoholism - walked onto a bridge with intentions of suicide; his manager talked him away from the edge.  In 1968 Hodges was brought back to New York to manage the perennially woeful Mets, and while the team only posted a 73-89 record it was nonetheless the best mark in their seven years of existence up to that point. In 1969, he led the "Miracle Mets" to the World Series championship, defeating the heavily favored Baltimore Orioles; after losing Game 1, they came back for four straight victories, including two by 2-1 scores. Finishing higher than ninth place for the first time, the Mets became not only the first expansion team to win a World Series, but also the first team ever to win the Fall Classic after finishing at least 15 games under .500 the previous year. Hodges was named The Sporting News' Manager of the Year, in skillfully platooning his players, utilizing everyone in the dugout, keeping everyone fresh. Hodges continued as manager through the 1971 season. He died before the opening of the 1972 season and was succeeded by Yogi Berra.  In the second game of doubleheader on July 30, 1969, the Houston Astros, after scoring 11 runs in the ninth inning of the first game, were in the midst of a 10-run third inning, hitting a number of line drives to left field. When the Mets' star left fielder Cleon Jones failed to hustle after a ball hit to the outfield, Hodges removed him from the game, but rather than simply signal from the dugout for Jones to come out, or delegate the job to one of his coaches, Hodges left the dugout and slowly, deliberately, walked all the way out to left field to remove Jones, and walked him back to the dugout, which was a resounding message to the whole team. Jones reportedly never again had to be reminded to hustle. Ralph Kiner retold that story dozens of times during Mets broadcasts, both as a tribute to Hodges, and as an illustration of his quiet but disciplined character.

When did he start his managerial career?

OUT:
After 11 games with the Mets in 1963, during which he batted .227 with no homers and was plagued by injuries,