Question: George Benson (born March 22, 1943) is an American musician, guitarist, and singer-songwriter. He began his professional career at the age of 21 as a jazz guitarist. Benson uses a rest-stroke picking technique similar to that of gypsy jazz players such as Django Reinhardt. A former child prodigy, Benson first came to prominence in the 1960s, playing soul jazz with Jack McDuff and others.

Benson was born and raised in the Hill District in Pittsburgh, Pennsylvania. At the age of seven, he first played the ukulele in a corner drug store, for which he was paid a few dollars. At the age of eight, he played guitar in an unlicensed nightclub on Friday and Saturday nights, but the police soon closed the club down. At the age of 9, he started to record. Out of the four sides he cut, two were released: "She Makes Me Mad" backed with "It Should Have Been Me", with RCA-Victor in New York; although one source indicates this record was released under the name "Little Georgie",while the 45rpm label is printed with the name George Benson.The single was produced by Leroy Kirkland for RCA's rhythm and blues label, Groove Records. As he has stated in an interview, Benson's introduction to showbusiness had an effect on his schooling. When this was discovered (tied with the failure of his single) his guitar was impounded. Luckily, after he spent time in a juvenile detention centre his stepfather made him a new guitar.*  Benson attended and graduated from Schenley High School. As a youth he learned how to play straight-ahead instrumental jazz during a relationship performing for several years with organist Jack McDuff. One of his many early guitar heroes was country-jazz guitarist Hank Garland. At the age of 21, he recorded his first album as leader, The New Boss Guitar, featuring McDuff. Benson's next recording was It's Uptown with the George Benson Quartet, including Lonnie Smith on organ and Ronnie Cuber on baritone saxophone. Benson followed it up with The George Benson Cookbook, also with Lonnie Smith and Ronnie Cuber on baritone and drummer Marion Booker. Miles Davis employed Benson in the mid-1960s, featuring his guitar on "Paraphernalia" on his 1968 Columbia release, Miles in the Sky before going to Verve Records.  Benson then signed with Creed Taylor's jazz label CTI Records, where he recorded several albums, with jazz heavyweights guesting, to some success, mainly in the jazz field. His 1974 release, Bad Benson, climbed to the top spot in the Billboard jazz chart, while the follow-ups, Good King Bad (#51 Pop album) and Benson and Farrell (with Joe Farrell), both reached the jazz top-three sellers. Benson also did a version of The Beatles's 1969 album Abbey Road called The Other Side of Abbey Road, also released in 1969, and a version of "White Rabbit", originally written and recorded by San Francisco rock group Great Society, and made famous by Jefferson Airplane. Benson played on numerous sessions for other CTI artists during this time, including Freddie Hubbard and Stanley Turrentine, notably on the latter's acclaimed album Sugar.

Using a quote from the above article, answer the following question: Did he tour?
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Question: Card is the son of Willard Richards Card and Peggy Jane (nee Park), the third of six children and the older brother of composer and arranger Arlen Card. Card was born in Richland, Washington, and grew up in Santa Clara, California as well as Mesa, Arizona and Orem, Utah. He served as a missionary for the LDS Church in Brazil and graduated from Brigham Young University (BYU) and the University of Utah; he also spent a year in a Ph.D. program at the University of Notre Dame. For part of the 1970s Card worked as an associate editor of the Ensign, an official magazine of the LDS Church.

Over the years Orson Scott Card has used at least seven pseudonyms.  He used the names Frederick Bliss and P.Q. Gump when he was asked to write an overview of Mormon playwrights "Mormon Shakespeares: A Study of Contemporary Mormon Theatre" for Spring 1976 issue of Sunstone magazine. According to Card he used these pseudonyms because the article included a brief reference to himself and his play "Stone Tables".  The name Byron Walley was used by Card on his first published piece of fiction "Gert Fram" which appeared in the July 1977 fine arts issue of Ensign magazine. According to Card he used this name because he had a non-fiction article, "Family Art", a poem, "Looking West", and a short play, "The Rag Mission", appearing in the same issue. Card also used the name Byron Walley in stories he published in Friend magazine, New Era magazine and in the anthology Dragons of Darkness. Stories by Byron Walley include: "Gert Fram", Ensign magazine, July 1977; "Bicicleta", Friend magazine, October 1977; "The Best Family Home Evening Ever", Friend magazine, January 1978; "Billy's Box", Friend magazine, February 1978; "I Think Mom and Dad Are Going Crazy, Jerry", New Era magazine, May 1979; and "Middle Woman", Dragons of Darkness, Ace Books, 1982.  He used the name Brian Green in the July 1977 fine arts issue of Ensign magazine. He used this name for his short play "The Rag Mission" because he had three other pieces appearing in the same issue. The name Dinah Kirkham was used to write the short story "The Best Day", in 1983. The name Noam D. Pellume was used by Card for his short story "Damn Fine Novel" which appeared in the October 1989 issue of The Green Pages.  Card wrote the novel Zanna's Gift (2004) under the pen name Scott Richards, saying, "I was trying to establish a separate identity in the marketplace, but for various reasons the marketing strategy didn't work as we'd hoped."

Using a quote from the above article, answer the following question: What else did he write under those names?
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