Background: Cable (Nathan Summers) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with X-Force and the X-Men. The character first appeared as a newborn infant in Uncanny X-Men #201 (Jan. 1986) created by writer Chris Claremont, while Cable's adult identity was created by writer Louise Simonson and artist/co-writer Rob Liefeld, and first appeared in The New Mutants #87 (March 1990). Nathan Summers is the biological son of the X-Men member Cyclops (Scott Summers) and Madelyne Pryor (Jean Grey's clone), the "half" brother of Rachel Summers and Nate Grey, and the genetic template for Stryfe. He is from a possible future timeline, having been transported as an infant to the future, where he grew into a warrior, before returning to the present.
Context: Nathan Christopher Charles Summers is the son of Scott Summers (aka Cyclops), and Madeline Pryor (who was later revealed to be a clone of Jean Grey). Writer Chris Claremont, who had written the series since issue #94 (August 1975), revealed Madeline to be pregnant in X-Men/Alpha Flight #1 (December 1985). The next depiction of her pregnancy was in The Uncanny X-Men #200, when she goes into premature labor. In the following issue, #201 (January 1986), Nathan first appears as a newborn infant.  The character's first appearance as the adult warrior Cable was at the end of The New Mutants #86 (Feb. 1990). He does not appear anywhere in the issue's story, but the "next issue" teaser. This was followed by a full appearance in The New Mutants #87 (March 1990). At first, Cable was not intended to be the adult version of Nathan Summers, but was created as a result of unrelated editorial concerns. Editor Bob Harras wanted to "shake things up" for the book, and felt a new leader was needed, one distinct from the perennial X-Men leader and the New Mutants' first mentor, Professor X. The book's writer, Louise Simonson, thought a military leader would be a good idea, and Harras tasked the book's artist, Rob Liefeld, to conceptualize the character. Harras may also have suggested the character's bionic eye. Both Simonson and Liefeld each separately conceived of the leader being a time traveler from the future. Liefeld chose the name Cable for the character. Liefeld explains the creation of the character:  I was given a directive to create a new leader for the New Mutants. There was no name, no description besides a 'man of action', the opposite of Xavier. I created the look, the name, much of the history of the character. After I named him Cable, Bob suggested Quinn and Louise had Commander X.  Harras and writer/artists Jim Lee and Whilce Portacio, who were writing the X-Men spinoff X-Factor that starred Cyclops and the other four original X-Men, decided that Nathan would be sent into the future and grow up to become Cable. Liefeld, who conceived of Cable and his archenemy Stryfe were one and the same, disliked this idea. (Eventually Stryfe was revealed to be a clone of Cable.) In the 1991 X-Factor storyline, Nathan is infected by the villain Apocalypse with a techno-organic virus. Because he can only be saved by the technology of the far-future, Scott reluctantly allows Sister Askani, a member of a clan of warriors dedicated to opposing Apocalypse, to take Nathan into the future so that he can be cured, a one-way trip from which she tells him she and Nathan will be unable to return.
Question: was it successful?
Answer: 

Background: Mary Jane "Mae" West (August 17, 1893 - November 22, 1980) was an American actress, singer, playwright, screenwriter, comedian, and sex symbol whose entertainment career spanned seven decades. Known for her lighthearted bawdy double entendres, and breezy sexual independence, West made a name for herself in vaudeville and on the stage in New York City before moving to Hollywood to become a comedian, actress, and writer in the motion picture industry, as well as appearing on radio and television. For her contributions to American cinema, the American Film Institute named West 15th among the greatest female stars of classic American cinema. One of the more controversial movie stars of her day, West encountered many problems, especially censorship.
Context: Mae West was a shrewd investor, produced her own stage acts, and invested her money in large tracts of land in Van Nuys, a thriving suburb of Los Angeles. With her considerable fortune, she could afford to do as she liked. In 1976, she appeared on Back Lot U.S.A. on CBS, where she was interviewed by Dick Cavett and sang "Frankie and Johnny" along with "After You've Gone." That same year, she began work on her final film, Sextette (1978). Adapted from a 1959 script written by West, the film's daily revisions and production disagreements hampered production from the beginning. Due to the near-endless last-minute script changes and tiring production schedule, West agreed to have her lines signaled to her through a speaker concealed in her hair piece. Despite the daily problems, West was, according to Sextette director Ken Hughes, determined to see the film through. At 84, her now-failing eyesight made navigating around the set difficult, but she made it through the filming, a tribute to her self-confidence, remarkable endurance, and stature as a self-created star 67 years after her Broadway debut in 1911 at the age of 18. Time wrote an article on the indomitable star entitled "At 84, Mae West Is Still Mae West".  Upon its release, Sextette was not a critical or commercial success, but remains notable for the diverse cast, and because none of West's contemporaries such as Dietrich, Garbo, etc., were still making films. The cast included some of West's first co-stars such George Raft (Night After Night, 1932), silver screen stars such as Walter Pigeon and Tony Curtis, and more contemporary pop stars such as The Beatles' Ringo Starr and Alice Cooper, and television favorites such as Dom DeLuise and gossip queen Rona Barrett. It also included cameos of some of her famed musclemen from her 1950s Las Vegas show, such as the still remarkably fit Reg Lewis. Sextette also reunited Mae West with Edith Head, her costume designer from 1933 in She Done Him Wrong. The film was a last hurrah and a Valentine from Mae West to her fans.  In August 1980, West tripped while getting out of bed. After the fall, West was unable to speak and was taken to Good Samaritan Hospital in Los Angeles, where tests revealed that she had suffered a stroke. She died on November 22, 1980, at the age of 87.  A private service was held in the Old North Church replica, in Forest Lawn, Hollywood Hills, on November 25, 1980. Bishop Andre Penachio, a friend, officiated at the entombment in the family mausoleum at Cypress Hills Abbey, Brooklyn, purchased in 1930 when her mother died. Her father and brother were also entombed there before her, and her younger sister, Beverly, was laid to rest in the last of the five crypts less than 18 months after West's death.  For her contribution to the film industry, Mae West has a star on the Hollywood Walk of Fame at 1560 Vine Street in Hollywood. For her contributions as a stage actor in the theater world, she has been inducted into the American Theater Hall of Fame.
Question: What was the last movie in which she appeared
Answer:
her final film, Sextette (1978).