Problem: Charles George "Charlie" Macartney (27 June 1886  - 9 September 1958) was an Australian cricketer who played in 35 Tests between 1907 and 1926. He was known as "The Governor-General" in reference to his authoritative batting style and his flamboyant strokeplay, which drew comparisons with his close friend and role model Victor Trumper, regarded as one of the most elegant batsmen in cricketing history. Sir Donald Bradman--generally regarded as the greatest batsman in history--cited Macartney's dynamic batting as an inspiration in his cricket career. He started his career as a bowling all-rounder.

After his return to Australia, Macartney continued to play club cricket and turned out for a final first-class summer. At the start of the 1926-27 season, he captained a combined Sydney City team against a New South Wales country team, which included the then 18-year-old Bradman. Macartney scored 126 and Bradman 98 in a match viewed as a generational transition in Australian batting. He scored 114 in his opening first-class match of the season, and took wickets in each of his four matches. Macartney totalled 243 runs at 40.50 and took 11 wickets at 17.82.  In mid-1927 he toured Singapore and Malaya with Bert Oldfield's team and played in a series of non-first-class matches against local teams. In October 1929, he played for a New South Wales Cricket Association team against a series of local teams in the state's rural west.  In 1935-36, Macartney was vice-captain to Jack Ryder, on the tour of India organised by Frank Tarrant; he also wrote forthright columns for The Hindu, covering the trip. At the time, India had only received its first official tour, by England, and Australia was not keen on sending a Test team there. Thus, while the Test team were in South Africa, Tarrant's party consisted mainly of retired Test cricketers in their mid-40s and beyond.  In his return to first-class cricket after nine years, Macartney took 5/17 and 3/42 in the first international match against India, which the Australians won by eight wickets. He went wicketless as the series was squared in the second match, before taking 3/52 and 6/41 in the final match. Despite his nine wickets, Australia lost by 34 runs. Other notable performances included an 85 against Bengal and 3/45 and 3/47 against Madras. In the latter match, Macartney added 39 as the Australians scraped home by one wicket.

How did he do playing Cricket?

Answer with quotes: He scored 114 in his opening first-class match of the season, and took wickets in each of his four matches.

Question:
Michael "Jakko" Jakszyk (born Michael Lee Curran, 8 June 1958) is an English musician, record producer, and actor. He has released several solo albums as a singer, songwriter, and multi-instrumentalist and has been the lead singer for King Crimson since 2013. His work has been variously credited to "Jakko", "Jakko Jakszyk", and "Jakko M. Jakszyk". Before joining King Crimson, he led bands for over thirty years, including 64 Spoons, Dizrhythmia, 21st Century Schizoid Band, Jakszyk Fripp Collins, and Rapid Eye Movement.
By 1975, Jakszyk was leading an eccentric jazz-rock band called Soon After. His self-confessed "dictatorial tendencies" reduced a bigger line-up to a trio of "two screaming lead guitars and a trumpet" (the latter played by ex-National Youth Jazz Orchestra member Ted Emmett). The band reached the finals of the 1975 Melody Maker National Rock/Folk competition, finishing third to a heavy metal band featuring future Clash co-leader Mick Jones and to a big band featuring future saxophone session musician Gary Barnacle. When Soon After split up, Jakszyk toured with "a strange little band" which supported Camel, Stackridge, and Judas Priest, then briefly joined a Tring-based band called Synthesis which played progressive rock in the Canterbury-scene vein.  Jakszyk's first significant band was 64 Spoons, which he joined as guitarist and lead singer in 1976, co-writing much of the band's material. Between 1976 and 1980, 64 Spoons wrote and performed a blend of pop, progressive rock, jazz, and comedy (typified by their single "Ladies Don't Have Willies"). Boosted by an exuberant and funny live show, 64 Spoons proved popular with audiences but failed to gain an effective record deal or media breakthrough and split up in 1980. Their only album, Landing on a Rat Column, was eventually released in 1992, many years after it was recorded. Jakszyk would described them as "the wrong band at the wrong time".  64 Spoons's work did, however, lead to friendships with several of the musicians who had inspired the band, notably keyboard player Dave Stewart. Following the split of 64 Spoons, Jakszyk joined Stewart, Rick Biddulph, and Pip Pyle in the band Rapid Eye Movement. Jakszyk contributed several songs to the band's repertoire ("One More Time", "I'll Stand On My Own", "Ingmar Bergman on the Window Sill", "Straining Our Eyes", and "Dear Clare", the last of these a 64 Spoons song) and co-wrote material with Stewart ("This Is Not What I Want" and "'Allo Darlin' I Work on the Fair"). Between August 1980 and June 1981, Rapid Eye Movement toured Spain, France, and the UK and recorded material but split up due to Stewart's desire to concentrate on studio work (Jakszyk sang on the original version of Stewart's cover of "What Becomes of the Brokenhearted?", later a hit with a new vocal track by the Zombies' lead singer Colin Blunstone).  During this period, Jakszyk also contributed to sessions for the former Van der Graaf Generator saxophonist David Jackson's album The Long Hello Vol. 3 (eventually released in 1982).
Answer this question using a quote from the text above:

What studio work did he concentrate on?

Answer:
Jakszyk sang on the original version of Stewart's cover of "What Becomes of the Brokenhearted?",