input: In December 1929, after nearly two years in Paris, Blair returned to England and went directly to his parents' house in Southwold, a coastal town in Suffolk, which remained his base for the next five years. The family was well established in the town and his sister Avril was running a tea-house there. He became acquainted with many local people, including Brenda Salkeld, the clergyman's daughter who worked as a gym-teacher at St Felix Girls' School in the town. Although Salkeld rejected his offer of marriage, she remained a friend and regular correspondent for many years. He also renewed friendships with older friends, such as Dennis Collings, whose girlfriend Eleanor Jacques was also to play a part in his life.  In early 1930 he stayed briefly in Bramley, Leeds, with his sister Marjorie and her husband Humphrey Dakin, who was as unappreciative of Blair as when they knew each other as children. Blair was writing reviews for Adelphi and acting as a private tutor to a disabled child at Southwold. He then became tutor to three young brothers, one of whom, Richard Peters, later became a distinguished academic. "His history in these years is marked by dualities and contrasts. There is Blair leading a respectable, outwardly eventless life at his parents' house in Southwold, writing; then in contrast, there is Blair as Burton (the name he used in his down-and-out episodes) in search of experience in the kips and spikes, in the East End, on the road, and in the hop fields of Kent." He went painting and bathing on the beach, and there he met Mabel and Francis Fierz, who later influenced his career. Over the next year he visited them in London, often meeting their friend Max Plowman. He also often stayed at the homes of Ruth Pitter and Richard Rees, where he could "change" for his sporadic tramping expeditions. One of his jobs was domestic work at a lodgings for half a crown (two shillings and sixpence, or one-eighth of a pound) a day.  Blair now contributed regularly to Adelphi, with "A Hanging" appearing in August 1931. From August to September 1931 his explorations of poverty continued, and, like the protagonist of A Clergyman's Daughter, he followed the East End tradition of working in the Kent hop fields. He kept a diary about his experiences there. Afterwards, he lodged in the Tooley Street kip, but could not stand it for long, and with financial help from his parents moved to Windsor Street, where he stayed until Christmas. "Hop Picking", by Eric Blair, appeared in the October 1931 issue of New Statesman, whose editorial staff included his old friend Cyril Connolly. Mabel Fierz put him in contact with Leonard Moore, who became his literary agent.  At this time Jonathan Cape rejected A Scullion's Diary, the first version of Down and Out. On the advice of Richard Rees, he offered it to Faber and Faber, but their editorial director, T. S. Eliot, also rejected it. Blair ended the year by deliberately getting himself arrested, so that he could experience Christmas in prison, but the authorities did not regard his "drunk and disorderly" behaviour as imprisonable, and he returned home to Southwold after two days in a police cell.

Answer this question "Who/What was Southwold?"
output: Blair returned to England and went directly to his parents' house in Southwold, a coastal town in Suffolk,

input: In the mid-1980s while rapping in small venues and after a record deal went sour, Hammer borrowed US$20,000 each from former Oakland A's players Mike Davis and Dwayne Murphy to start a record label business called Bust It Productions. He kept the company going by selling records from his basement and car. Bust It spawned Bustin' Records, the independent label of which Hammer was CEO. Together, the companies had more than 100 employees. Recording singles and selling them out of the trunk of his car, he marketed himself relentlessly. Coupled with his dance abilities, Hammer's style was unique at the time.  Now billing himself as "M.C. Hammer", he recorded his debut album, Feel My Power, which was produced between 1986 and 1987 and released independently in 1987 on his Oaktown Records label (Bustin'). It was produced by Felton Pilate (of Con Funk Shun), and sold over 60,000 copies and was being distributed by City Hall Records. In the spring of 1988, a 107.7 KSOL Radio DJ Tony Valera played the track "Let's Get It Started" in his mix-shows--a song in which he declared he was "second to none, from Doug E. Fresh, LL Cool J, or DJ Run"--after which the track began to gain popularity in clubs. (He would continue to call out other East Coast rappers in future projects as well.)  Hammer also released a single called "Ring 'Em", and largely on the strength of tireless street marketing by Hammer and his wife, plus continued radio mix-show play, it achieved considerable popularity at dance clubs in the San Francisco Bay Area. Heartened by his rising prospects, Hammer launched into seven-day-a-week rehearsals with the growing troupe of dancers, musicians, and backup vocalists he had hired. It was Hammer's stage show, and his infectious stage presence, that led to his big break in 1988 while performing in an Oakland club. There he impressed a record executive who "didn't know who he was, but knew he was somebody", according to the New Rolling Stone Encyclopedia of Rock & Roll.  M.C.Hammer had received several offers from major record labels before (which he initially declined due to his personal success), but after the successful release of this independent album and elaborate live dance show amazed the Capitol Records executive, Hammer agreed to sign a record deal soon after. Hammer took home a US$1,750,000 advance and a multi-album contract. It didn't take long for Capitol to recoup its investment.

Answer this question "when was it released"
output: between 1986 and 1987 and released independently in 1987

input: The follow-up to Supernatural came three years later and was highly anticipated by international media and fans alike. On October 22, 2002, Shaman was released worldwide. Although it initially sold briskly (298,973 copies in the US in its first week) and debuted at number 1 on the Billboard 200, the album's appeal quickly wore off and it soon slid down the charts. Despite this, it went on to sell 2x platinum in the US, and achieved platinum status in several other countries including Australia. The first single released from the album, "The Game of Love", which featured vocals from Michelle Branch, debuted at number 5 on the Hot 100. The album's next four singles failed to chart in most countries, but the final single, "Why Don't You & I", featuring the vocals of Alex Band, reached number 8 on the Hot 100. Musically, the album was a return to a more conventional sound for the group, with a mainly Latin rock-based sound.  With their renewed appeal worn off, another three-year wait saw the release of 2005's All That I Am. The album debuted at number 2 on the Billboard 200 but fared worse internationally, and quickly lost appeal. The album, a continuation of the Latin-rock influenced sound of Shaman, achieved gold certification in the US. A five-year break from recording saw the release of another studio album, 2010's Guitar Heaven. Musically it was a drastic change for the band, with a far heavier sound at its core and strong heavy metal influences. It debuted at number 5 on the Billboard 200 but marked another decline for the band, failing to achieve gold status.  In 2012 the group released Shape Shifter, which returned to the conventional Latin rock sound and was completely album-oriented, as no singles were released from it. It debuted at number 16 on the Billboard 200.

Answer this question "What happen in 2002?"
output:
On October 22, 2002, Shaman was released worldwide.