Question: Paul Franklin Watson (born December 2, 1950) is a Canadian marine wildlife conservation and environmental activist, who founded the Sea Shepherd Conservation Society, an anti-poaching and direct action group focused on marine conservation and marine conservation activism. He is a citizen of Canada and the United States. The Toronto native joined a Sierra Club protest against nuclear testing in 1969. He was an early and influential member of Greenpeace, crewed and skippered for it and a founding board member in 1972.

Watson was a field correspondent for Defenders of Wildlife from 1976 to 1980 and a field representative for the Fund for Animals from 1978 to 1981. Watson also was a co-founder of Friends of the Wolf and Earthforce Environmental Society.  During the 1980s, Watson declared his support for Earth First! and cultivated friendships with David Foreman and Edward Abbey. He proclaimed Sea Shepherd to be the "navy" of Earth First! According to The New Yorker, Watson revived the 19th-century practice of tree spiking. Watson ran as an independent candidate in the 1980 Canadian Federal election in Vancouver Centre, proclaiming he wasn't a politician but an environmentalist. He received less than 100 votes. Watson did work with the Green Party of British Columbia in Vancouver in the 1980s and 90s. He ran for mayor in 1996, placing fourth.  In April 2003, Watson was elected to the board of directors of the Sierra Club for a three-year term. In 2006, he did not seek re-election. He resigned from the board a month before his term ended, in protest against the organization's sponsorship of a "Why I Hunt" essay contest.  Watson feels that "no human community should be larger than 20,000 people," human populations need to be reduced radically to "fewer than one billion," and only those who are "completely dedicated to the responsibility" of caring for the biosphere should have children, which is a "very small percentage of humans." He likens humankind to a virus or a cancer. The biosphere needs to get cured from this cancer with a "radical and invasive approach."  In January 2008, Paul Watson was named by The Guardian as one of its "50 people who could save the planet" for the work of the Sea Shepherd Conservation Society.

Using a quote from the above article, answer the following question: What did he do there?
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Answer: He resigned from the board a month before his term ended, in protest against the organization's sponsorship of a "Why I Hunt" essay contest.


Question: Ralph Bakshi (born October 29, 1938) is an American director of animated and live-action films. In the 1970s, he established an alternative to mainstream animation through independent and adult-oriented productions. Between 1972 and 2015, he directed ten theatrically released feature films, six of which he wrote. He has been involved in numerous television projects as director, writer, producer and animator.

In 1973, Bakshi and Ruddy began the production of Harlem Nights, which Paramount was originally contracted to distribute. While Fritz the Cat and Heavy Traffic proved that adult-oriented animation could be financially successful, animated films were still not respected, and Bakshi's pictures were considered to be "dirty Disney flicks" that were "mature" only for depicting sex, drugs and profanity. Harlem Nights, based on Bakshi's firsthand experiences with racism, was an attack on racist prejudices and stereotypes. Bakshi cast Scatman Crothers, Philip Michael Thomas, Barry White and Charles Gordone in live-action and voice roles, cutting in and out of animation abruptly rather than seamlessly because he wanted to prove that the two mediums could "coexist with neither excuse nor apology". He wrote a song for Crothers to sing during the opening title sequence: "Ah'm a Niggerman". Its structure was rooted in the history of the slave plantation: slaves would "shout" lines from poems and stories great distances across fields in unison, creating a natural beat. Bakshi has described its vocal style, backed by fast guitar licks, as an "early version of rap".  Bakshi intended to attack stereotypes by portraying them directly, culling imagery from blackface iconography. Early designs in which the main characters (Brother Rabbit, Brother Bear and Preacher Fox) resembled figures from The Wind in the Willows were rejected. Bakshi juxtaposed stereotypical designs of blacks with even more negative depictions of white racists, but the film's strongest criticism is directed at the Mafia. Bakshi said, "I was sick of all the hero worship these guys got because of The Godfather." Production concluded in 1973. During editing, the title was changed to Coonskin No More..., and finally to Coonskin. Bakshi hired several African American animators to work on Coonskin, including Brenda Banks, the first African American female animator. Bakshi also hired graffiti artists and trained them to work as animators. The film's release was delayed by protests from the Congress of Racial Equality, which called Bakshi and his film racist. After its distribution was contracted to the Bryanston Distributing Company, Paramount canceled a project that Bakshi and Ruddy were developing, The American Chronicles.  Coonskin, advertised as an exploitation film, was given limited distribution and soon disappeared from theaters. Initial reviews were negative; Playboy commented that "Bakshi seems to throw in a little of everything and he can't quite pull it together." Eventually, positive reviews appeared in The Hollywood Reporter, New York Amsterdam News (an African American newspaper) and elsewhere. The New York Times' Richard Eder said the film "could be [Bakshi's] masterpiece [...] a shattering successful effort to use an uncommon form--cartoons and live action combined to convey the hallucinatory violence and frustration of American city life, specifically black city life [...] lyrically violent, yet in no way [does it] exploit violence". Variety called it a "brutal satire from the streets". A reviewer for the Los Angeles Herald-Examiner wrote, "Certainly, it will outrage some and, indeed, it's not Disney. [...] The dialog it has obviously generated--if not the box office obstacles--seems joltingly healthy." Bakshi called Coonskin his best film.

Using a quote from the above article, answer the following question: What happened in 1973?
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Answer:
In 1973, Bakshi and Ruddy began the production of Harlem Nights,