input: Monteux's first high-profile conducting experience came in 1895, when he was barely 20 years old. He was a member of the orchestra engaged for a performance of Saint-Saens's oratorio La lyre et la harpe, to be conducted by the composer. At the last minute Saint-Saens judged the player engaged for the important and difficult organ part to be inadequate and, as a celebrated virtuoso organist, decided to play it himself. He asked the orchestra if any of them could take over as conductor; there was a chorus of "Oui - Monteux!". With great trepidation, Monteux conducted the orchestra and soloists including the composer, sight-reading the score, and was judged a success.  Monteux's musical career was interrupted in 1896, when he was called up for military service. As a graduate of the Conservatoire, one of France's grandes ecoles, he was required to serve only ten months rather than the three years generally required. He later described himself as "the most pitifully inadequate soldier that the 132nd Infantry had ever seen". He had inherited from his mother not only her musical talent but her short and portly build and was physically unsuited to soldiering.  Returning to Paris after discharge, Monteux resumed his career as a violist. Hans Richter invited him to lead the violas in the Bayreuth Festival orchestra, but Monteux could not afford to leave his regular work in Paris. In December 1900 Monteux played the solo viola part in Berlioz's Harold in Italy, rarely heard in Paris at the time, with the Colonne Orchestra conducted by Felix Mottl. In 1902 he secured a junior conducting post at the Dieppe casino, a seasonal appointment for the summer months which brought him into contact with leading musicians from the Paris orchestras and well-known soloists on vacation. By 1907 he was the principal conductor at Dieppe, in charge of operas and orchestral concerts. As an orchestral conductor he modelled his technique on that of Arthur Nikisch, under whose baton he had played, and who was his ideal conductor.

Answer this question "What else can you tell me about the time he was conductor?"
output: With great trepidation, Monteux conducted the orchestra and soloists including the composer, sight-reading the score, and was judged a success.

input: Section 1. All persons are equally free and independent, and have certain natural, inherent and unalienable rights which they retain when forming any government, amongst which are the enjoying, defending and preserving of their life and liberty, acquiring, possessing and protecting real and personal property, making binding contracts of their choosing, and pursuing their happiness and safety.Section 2. The due process of law shall be construed to provide the opportunity to introduce evidence or otherwise show that a law, regulation or order is an infringement of such rights of any citizen or legal resident of the United States, and the party defending the challenged law, regulation, or order shall have the burden of establishing the basis in law and fact of its conformity with this Constitution.  The amendment is a direct cousin of the Tenth Amendment, but it applies to the people of the U.S. and not the states.  Section 1 puts the Declaration of Independence into coded law. That includes its preamble, which allows for people to live their lives the way they see fit. The proposed right of "making binding contracts of their choosing" would appear to resurrect the legal doctrine of economic due process, which during the Lochner era, was used by the Supreme Court to strike down a wide variety of state and federal laws affecting business, including child-labor and minimum-wage laws.  Section 2 allows all legal persons of the United States to challenge any law that restricts their rights, and puts the burden of proof (fact) on federal, state, and local governments to argue otherwise. Any attempt to establish the constitutionality of any law is thus rested within the government.

Answer this question "Are there any other interesting aspects about this article?"
output: Section 2 allows all legal persons of the United States to challenge any law that restricts their rights,

input: Johansson's first leading role was as Amanda, the younger sister of a pregnant teenager who runs away from her foster home in Manny & Lo (1996) alongside Aleksa Palladino and her brother, Hunter. Her performance received positive reviews: one written for the San Francisco Chronicle noted, "[the film] grows on you, largely because of the charm of ... Scarlett Johansson," while critic Mick LaSalle, writing for the same paper, commented on her "peaceful aura", and believed, "If she can get through puberty with that aura undisturbed, she could become an important actress." Johansson earned a nomination for the Independent Spirit Award for Best Lead Female for the role.  After appearing in minor roles in Fall and Home Alone 3 (both 1997), Johansson attracted wider attention for her performance in the film The Horse Whisperer (1998), directed by Robert Redford. The drama film, based on the 1995 novel of the same name by Nicholas Evans, tells the story of a talented trainer with a gift for understanding horses, who is hired to help an injured teenager played by Johansson. The actress received an "introducing" credit on this film, although it was her seventh role. On Johansson's maturity, Redford described her as "13 going on 30". Todd McCarthy of Variety commented that Johansson "convincingly conveys the awkwardness of her age and the inner pain of a carefree girl suddenly laid low by horrible happenstance". For the film, she was nominated for the Chicago Film Critics Association Award for Most Promising Actress. She believed that the film changed many things in her life, realizing that acting is the ability to manipulate one's emotions. On finding good roles as a teenager, Johansson said it was hard for her as adults wrote the scripts and they "portray kids like mall rats and not seriously ... Kids and teenagers just aren't being portrayed with any real depth".  Johansson later appeared in My Brother the Pig (1999) and in the neo-noir, Coen brothers film The Man Who Wasn't There (2001). Her breakthrough came playing a cynical outcast in Terry Zwigoff's black comedy Ghost World (2001), an adaptation of Daniel Clowes' graphic novel of same name. Johansson auditioned for the film via a tape from New York, and Zwigoff believed her to be "a unique, eccentric person, and right for that part". The film premiered at the 2001 Seattle International Film Festival; it was a box office failure, but has since developed a cult status. Johansson was credited with "sensitivity and talent [that] belie her age" by an Austin Chronicle critic, and won a Toronto Film Critics Association Award for Best Supporting Actress for her performance.  With David Arquette, Johansson appeared in the horror comedy Eight Legged Freaks (2002), about a collection of spiders that are exposed to toxic waste, causing them to grow to gigantic proportions and begin killing and harvesting. After graduating from PCS that year, she applied to New York University's Tisch School of the Arts; she decided to focus on her film career when she was rejected.

Answer this question "what else did she act in?"
output:
appearing in minor roles in Fall and Home Alone 3 (both 1997), Johansson attracted wider attention for her performance in the film The Horse Whisperer (1998),