input: After the event, Jenner took an American flag from a spectator and carried it during the victory lap, starting a tradition that is now common among winning athletes. Abandoning vaulting poles in the stadium, with no intention of ever competing again, Jenner stated that: "In 1972, I made the decision that I would go four years and totally dedicate myself to what I was doing, and then I would move on after it was over with. I went into that competition knowing that would be the last time I would ever do this." Jenner explained, "It hurts every day when you practice hard. Plus, when this decathlon is over, I got the rest of my life to recuperate. Who cares how bad it hurts?"  As a result of winning the Olympic decathlon, Jenner became a national hero and received the James E. Sullivan Award as the top amateur athlete in the United States and was also named the Associated Press Male Athlete of the Year in 1976.  Jenner's 1976 world and Olympic record was broken by four points by Daley Thompson at the 1980 Olympics in Moscow; Thompson's victory was perhaps tainted by the U.S. led boycott of the Moscow Olympics, though the top American at the time, Bobby Coffman, was not expected to push Thompson or challenge Jenner's record. In 1985, Jenner's Olympic decathlon score was reevaluated against the IAAF's updated decathlon scoring table and was reported as 8,634 for comparative purposes. This converted mark stood as the American record until 1991, when it was surpassed by eventual gold medalist, and world record holder, Dan O'Brien of Dan & Dave fame. As of 2011, Jenner was ranked twenty-fifth on the world all-time list and ninth on the American all-time list. Including the 2012 emergence of a new world record holder Ashton Eaton, Jenner's mark has moved to No. 27 worldwide and No. 10 U.S.  Jenner was inducted into the United States National Track and Field Hall of Fame in 1980, the Olympic Hall of Fame in 1986, the Bay Area Sports Hall of Fame and the Connecticut Sports Hall of Fame in 1994, and the San Jose Sports Hall of Fame in 2010. For almost 20 years, San Jose City College hosted an annual Bruce Jenner Invitational competition.

Answer this question "Why did they stop competing?"
output: I made the decision that I would go four years and totally dedicate myself to what I was doing, and then I would move on after it was over with.

input: When Peggy Guggenheim realized that her gallery, although well received, had made a loss of PS600 in the first year, she decided to spend her money in a more practical way. A museum for contemporary arts was exactly the institution she could see herself supporting. Most certainly on her mind also were the adventures in New York City of her uncle, Solomon R. Guggenheim, who, with the help and encouragement of Hilla Rebay, had created the Solomon R. Guggenheim Foundation two years earlier. The main aim of this foundation had been to collect and to further the production of abstract art, resulting in the opening of the Museum of Non-objective Painting (from 1952: The Solomon R. Guggenheim Museum) earlier in 1939 on East 54th Street in Manhattan. Peggy Guggenheim closed Guggenheim Jeune with a farewell party on 22 June 1939, at which colour portrait photographs by Gisele Freund were projected on the walls. She started making plans for a Museum of Modern Art in London together with the English art historian and art critic Herbert Read. She set aside $40,000 for the museum's running costs. However, these funds were soon overstretched with the organisers' ambitions.  In August 1939, Peggy Guggenheim left for Paris to negotiate loans of artworks for the first exhibition. In her luggage was a list drawn up by Herbert Read for this occasion. Shortly after her departure the Second World War broke out, and the events following 1 September 1939 made her abandon the scheme, willingly or not. She then "decided now to buy paintings by all the painters who were on Herbert Read's list. Having plenty of time and all the museum's funds at my disposal, I put myself on a regime to buy one picture a day." When finished, she had acquired ten Picassos, forty Ernsts, eight Miros, four Magrittes, three Man Rays, three Dalis, one Klee, one Wolfgang Paalen and one Chagall among others. In the meantime, she had also made new plans and in April 1940 had rented a large space in the Place Vendome as a new home for her museum.  A few days before the Germans reached Paris, Peggy Guggenheim had to abandon her plans for a Paris museum, and fled to the south of France, from where, after months of safeguarding her collection and artist friends, she left Europe for New York in the summer of 1941. There, in the following year, she opened a new gallery which actually was in part a museum at 30 West 57th Street. It was called The Art of This Century Gallery. Three of the four galleries were dedicated to Cubist and Abstract art, Surrealism and Kinetic art, with only the fourth, the front room, being a commercial gallery. Peggy Guggenheim held important shows, such as the show for 31 Women artists, at the gallery as well.  Her interest in new art was instrumental in advancing the careers of several important modern artists including the American painters Jackson Pollock and William Congdon, the Austrian surrealist Wolfgang Paalen, the sound poet Ada Verdun Howell and the German painter Max Ernst, whom she married in December 1941. She had assembled her collection in only seven years.

Answer this question "Was there anything of note that came from the foundation?"
output: The main aim of this foundation had been to collect and to further the production of abstract art, resulting in the opening of the Museum of Non-objective Painting

input: By early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time. Her fame equaled, to name a few, Charles Lindbergh, Johnny Weissmuller, Jack Dempsey, Babe Ruth, Ty Cobb, Knute Rockne, Bobby Jones, Louise Brooks, and Rudolph Valentino. She was a major American phenomenon, who along with some other high-profile preachers of the time, unlike Hollywood celebrities, could be admired by their adoring public, "without apparently compromising their souls."  According to Carey McWilliams, she had become "more than just a household word: she was a folk hero and a civic institution; an honorary member of the fire and police departments; a patron saint of the service clubs; an official spokesman for the community on problems grave and frivolous." She was influential in many social, educational and political areas. McPherson made personal crusades against anything that she felt threatened her Christian ideals, including the drinking of alcohol and teaching evolution in schools.  McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial, in which John Scopes was tried for illegally teaching evolution at a Dayton, Tennessee, school. Bryan and McPherson had worked together in the Angelus Temple and they believed Darwinism had undermined students' morality. According to The New Yorker, McPherson said, evolution "is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven. It is poisoning the minds of the children of the nation." She sent Bryan a telegram saying, "Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation of your lion-hearted championship of the Bible against evolution and throw our hats in the ring with you." She organized "an all-night prayer service, a massive church meeting preceded by a Bible parade through Los Angeles."

Answer this question "how did she become so influencial?"
output:
She was influential in many social, educational and political areas.