input: In February 2015, Comey delivered a speech at Georgetown University in Washington, D.C., regarding the relationship between police and the African American community. He said that, "At many points in American history, law enforcement enforced the status quo - a status quo that was often brutally unfair to disfavored groups", mentioning as an example his own Irish ancestors, who he said had often been regarded as drunks and criminals by law enforcement in the early 20th century. He added: "The Irish had some tough times, but little compares to the experience on our soil of black Americans", going on to highlight current societal issues such as lack of opportunities for employment and education which can lead young black men to crime. Comey stated:  Police officers on patrol in our nation's cities often work in environments where a hugely disproportionate percentage of street crime is committed by young men of color. Something happens to people of good will working in that environment. After years of police work, officers often can't help be influenced by the cynicism they feel. A mental shortcut becomes almost irresistible.  In October 2015, Comey gave a speech raising concerns that body worn video results in less effective policing, contradicting the President's public position. Days later, President Obama met with Comey in the Oval Office to address the issue. In an October 23 speech at the University of Chicago Law School, Comey said:  I remember being asked why we were doing so much prosecuting in black neighborhoods and locking up so many black men. After all, Richmond was surrounded by areas with largely white populations. Surely there were drug dealers in the suburbs. My answer was simple: We are there in those neighborhoods because that's where people are dying. These are the guys we lock up because they are the predators choking off the life of a community. We did this work because we believed that all lives matter, especially the most vulnerable.

Answer this question "is any other group treated unfairly according to Comey?"
output: mentioning as an example his own Irish ancestors, who he said had often been regarded as drunks and criminals by law enforcement in the early 20th

input: After the breakup of his previous band, Kyuss, in 1995, Josh Homme briefly joined Screaming Trees as a touring guitarist, before deciding to form a new band, Gamma Ray. In 1996 they released the eponymous Gamma Ray EP, featuring "Born to Hula" and "If Only Everything" (which would later appear on their self-titled debut as 'If Only'). The EP featured Matt Cameron of Soundgarden and Pearl Jam, Van Conner from Screaming Trees, and percussionist Victor Indrizzo.  Gamma Ray changed their name in 1997 after the German power metal band Gamma Ray threatened to sue. The name "Queens of the Stone Age" came from a nickname given to Kyuss by their producer Chris Goss. Homme said of the name: "Kings would be too macho. The Kings of the Stone Age wear armor and have axes and wrestle. The Queens of the Stone Age hang out with the Kings of the Stone Age's girlfriends when they wrestle ... Rock should be heavy enough for the boys and sweet enough for the girls. That way everyone's happy and it's more of a party. Kings of the Stone Age is too lopsided."  The first release under the Queens of the Stone Age name was the song "18 A.D.," released on the compilation album Burn One Up! Music for Stoners which featured members of the Dutch stoner rock band Beaver. The band's first live appearance was on November 20, 1997, at OK Hotel in Seattle, Washington, with Cameron on drums, Mike Johnson of Dinosaur Jr. on bass and John McBain of Monster Magnet on guitar. In December that year, the band released a split EP, Kyuss/Queens of the Stone Age, which featured three tracks from the Gamma Ray sessions as well as three Kyuss tracks recorded in 1995 prior to their breakup.  Queens of the Stone Age released their self-titled debut in 1998 on Stone Gossard's and Regan Hagar's label Loosegroove Records, and on vinyl by Man's Ruin Records. Homme played guitar and bass on the album (the latter credited to Homme's alter-ego Carlo Von Sexron), Alfredo Hernandez on the drums, and several other contributions by Chris Goss and Hutch. Homme reportedly asked Screaming Trees vocalist Mark Lanegan to appear on the record, but he was unable due to other commitments.  Soon after the recording sessions were finished for the album, former Kyuss bassist Nick Oliveri joined the group, and touring commenced with a band consisting entirely of ex-Kyuss members. Guitarist Dave Catching joined shortly after. From this point forward, the band's line-up would change frequently; by the time their second album was being recorded, Hernandez had left the group to play in other bands.

Answer this question "Did the band tour?"
output: and touring commenced with a band consisting entirely of ex-Kyuss members.

input: As a teenager, Nas enlisted his best friend and upstairs neighbor Willy "Ill Will" Graham as his DJ. Nas initially went by the nickname "Kid Wave" before adopting his more commonly known alias of "Nasty Nas". In the late-1980s, he met up with the producer Large Professor and went to the studio where Rakim and Kool G Rap were recording their albums. When they were not in the recording studio, Nas would go into the booth and record his own material. However, none of it was ever released. In 1991, Nas performed on Main Source's "Live at the Barbeque". In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records during the same year. Nas made his solo debut under the name of "Nasty Nas" on the single "Halftime" from MC Serch's soundtrack for the film Zebrahead. Called the new Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community.  In 1994, Nas's debut album, Illmatic, was finally released. It was awarded best album of 1994 by The Source. It also featured production from Large Professor, Pete Rock, Q-Tip, LES and DJ Premier, as well as guest appearances from Nas's friend AZ and his father Olu Dara. The album spawned several singles, including "The World Is Yours", "It Ain't Hard to Tell", and "One Love". Shaheem Reid of MTV News called Illmatic "the first classic LP" of 1994. In 1994, Nas also recorded the song "One on One" for the soundtrack to the film Street Fighter. In his book To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic, William Jelani Cobb writes of Nas's impact at the time:  Nas, the poetic sage of the Queensbridge projects, was hailed as the second coming of Rakim--as if the first had reached his expiration date. [...] Nas never became 'the next Rakim,' nor did he really have to. Illmatic stood on its own terms. The sublime lyricism of the CD, combined with the fact that it was delivered into the crucible of the boiling East-West conflict, quickly solidified [his] reputation as the premier writer of his time.  Steve Huey of AllMusic described Nas's lyrics on Illmatic as "highly literate" and his raps "superbly fluid regardless of the size of his vocabulary", adding that Nas is "able to evoke the bleak reality of ghetto life without losing hope or forgetting the good times". Reviewing Nas's second album It Was Written, Leo Stanley of allmusic believed the rhymes to be not as complex as those in Illmatic but still "not only flow, but manage to tell coherent stories as well". About.com ranked Illmatic as the greatest hip-hop album of all time, and Prefix magazine praised it as "the best hip-hop record ever made".

Answer this question "What were his hits?"
output:
The album spawned several singles, including "The World Is Yours", "It Ain't Hard to Tell", and "One Love".