input: Mountain Jews speak Judeo-Tat, also called Juhuri, a form of Persian, it belongs to the southwestern group of the Iranian division of the Indo-European languages. Judeo-Tat has Semitic (Hebrew/Aramaic/Arabic) elements on all linguistic levels. Among other Semitic elements, Judeo-Tat has the Hebrew sound "ayin" (`), whereas no neighboring languages have it. Until the early Soviet period, the language was written with semi-cursive Hebrew alphabet. Later, Judeo-Tat books, newspapers, textbooks, and other materials were printed with a Latin alphabet and finally in Cyrillic, which is still most common today. The first Judeo-Tat-language newspaper, Zakhmetkesh (Working People), was published in 1928 and operated until the second half of the twentieth century.  Originally, only boys were educated through synagogue schools. Starting from the 1860s, many well-off families switched to home-schooling, hiring private tutors, who taught their sons not only Hebrew, but also Russian and Yiddish. In the early 20th century, with advance of sovietization, Judeo-Tat became the language of instruction at newly founded elementary schools attended by both Mountain Jewish boys and girls. This policy continued until the beginning of World War II, when schools switched to Russian as the central government emphasized acquisition of Russian as the official language of the Soviet Union.  The Mountain Jewish community has had notable figures in public health, education, culture, and art.  In the 21st century, the government is encouraging the cultural life of minorities. In Dagestan and Kabardino-Balkaria, Judeo-Tat and Hebrew courses have been introduced in traditionally Mountain Jewish schools. In Dagestan, there is support for the revival of the Judeo-Tat-language theater and the publication of newspapers in that language.

Answer this question "what was the literature"
output: The first Judeo-Tat-language newspaper, Zakhmetkesh (Working People), was published in 1928

input: Newhart is known for his deadpan delivery and a slight stammer which he incorporated early on into the persona around which he built a successful career. On his TV shows, although he got his share of funny lines, he worked often in the Jack Benny tradition of being the "straight man" while the sometimes rather bizarre cast members surrounding him got the laughs. Newhart, however, has stated that "I was not influenced by Jack Benny" in terms of his style or persona, and cites George Gobel and the comedy team of Bob and Ray as his initial writing and performance inspirations.  Several of his routines involve hearing one-half of a conversation as he speaks to someone over the phone. In a bit called "King Kong", a rookie security guard at the Empire State Building seeks guidance as to how to deal with an ape that is "between 18 and 19 stories high, depending on whether there's a 13th floor or not." He assures his boss he has looked in the guards' manual "under 'ape' and 'ape's toes'." Other famous routines include "The Driving Instructor", "The Mrs. Grace L. Ferguson Airline (and Storm Door Company)", "Introducing Tobacco to Civilization", "Abe Lincoln vs. Madison Avenue", "Defusing a Bomb" (in which an uneasy police chief tries to walk a new and nervous patrolman through defusing a live shell discovered on a beach), "The Retirement Party", "Ledge Psychology", "The Krushchev Landing Rehearsal", and "A Friend With a Dog."  In a 2012 podcast interview with Marc Maron, comedian Shelley Berman accused Newhart of plagiarizing his improvisational telephone routine style.  However, in interviews both years before and after Berman's comments, Newhart has never taken credit for originating the telephone concept, which he has noted was done earlier by Berman and -- predating Berman -- Nichols and May, George Jessel (in his well-known sketch "Hello Mama"), and in the 1913 recording "Cohen on the Telephone". The technique would later also be used by Lily Tomlin, Ellen DeGeneres, and many others.

Answer this question "Was he influenced by anything?"
output: cites George Gobel and the comedy team of Bob and Ray as his initial writing and performance inspirations.

input: After receiving commercial success throughout Asia, Europe, and Latin America, Martin prepared his first English album in 1999 in an attempt to cross over to the United States market. The self-titled album, which debuted at number one on the Billboard 200 and sold 661,000 copies in its first week of release, became the most successful album debut on the Billboard charts by a Hispanic artist. It contained material by writers and producers such as Desmond Child, Diane Warren, William Orbit, George Noriega and his longtime childhood friend Draco Rosa. The album also featured special guests: Madonna on the Spanish-English duet "Be Careful (Cuidado con mi Corazon)" and Meja on "Private Emotion". Two weeks after the album's release, Martin was featured on the cover of Time with the title "Latin Music Goes Pop!". Before the album's release, Janet Jackson collaborated with Ricky Martin for the Latin American version of "Ask for More", a promotional single and commercial released as part of an advertising campaign for soft drink company Pepsi.  The first and most prominent single was "Livin' la Vida Loca", which reached number one in many countries around the world, including the United States, United Kingdom, Canada, Ireland and New Zealand. "Livin' la Vida Loca" is Ricky Martin's biggest hit. The video for "Livin 'La Vida Loca" was directed by Wayne Isham and starring model Nina Moric. It was followed by "She's All I Ever Had" which peaked at number two on the Billboard Hot 100. Both tracks peaked at number one on the Hot Latin Songs. "Livin' la Vida Loca" is generally seen as the song that began the Latin pop explosion of 1999 and made the transition of other Latin artists (first Jennifer Lopez and Enrique Iglesias, then later Shakira) into the English-speaking market easier. Ricky Martin became one of the top-selling albums of 1999, and was certified 7x platinum in the United States, selling over 22 million copies worldwide. In October 1999, Martin embarked on a very successful year-long Livin' la Vida Loca Tour.  After this success, a new English-language album, Sound Loaded, was released in November 2000. It debuted at number four on the Billboard 200 and was certified 2x platinum by the RIAA. "She Bangs" and "Nobody Wants to Be Lonely" (duet with Christina Aguilera) peaked at number twelve and thirteen on the Billboard Hot 100, respectively. Both singles reached number one on the Hot Latin Songs. Sound Loaded has sold over 8 million copies worldwide.  In February 2001, Martin released a Spanish greatest hits album entitled La Historia, which went to number one for five weeks on the Billboard Top Latin Albums and debuted at number eighty-three on the Billboard 200. It also topped the chart in Sweden for three weeks. The album contained reworkings of two of his early songs "Fuego Contra Fuego" and "El Amor de Mi Vida". In November 2001, an English-language greatest hits album, The Best of Ricky Martin was released outside North America. It contained two new remixes of "Amor".

Answer this question "What was this part of"
output:
promotional single and commercial released as part of an advertising campaign for soft drink company Pepsi.