Some context: Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader Eva Peron, the second wife of Argentine president Juan Peron. The story follows Evita's early life, rise to power, charity work, and eventual death. The musical began as a rock opera concept album released in 1976.
In Buenos Aires on July 26, 1952, an audience is watching a film ("A Cinema in Buenos Aires, July 26, 1952"). The film is interrupted when news breaks of the death of Eva Peron, Argentina's First Lady, at the age of 33. The nation goes into public mourning as they sing "Requiem for Evita" (in Latin, which is modelled on a Catholic requiem). Che, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing, for years" ("Oh What a Circus").  In 1934, 15-year-old Eva Duarte (later Eva Duarte de Peron) lives in the provincial town of Junin, and longs to seek a better life in Buenos Aires. Eva falls in love with a tango singer, Agustin Magaldi, after she meets him at one of his shows ("On This Night of a Thousand Stars"). Eva persuades Magaldi into taking her with him to Buenos Aires and though he is initially resistant, he eventually accepts ("Eva, Beware of the City"). Upon her arrival at the city, Eva sings about her hopes and ambitions of glory as an actress ("Buenos Aires"). After Magaldi leaves her, and Che relates the story of how Eva goes through several relationships with increasingly influential men, becoming a model, actress and radio personality ("Goodnight and Thank You"). He then tells of both a right-wing coup in 1943 and Eva's success, implying that Argentine politics and Eva's career may soon coincide. Che also makes a point to introduce the figure of Colonel Juan Domingo Peron, an ambitious military colonel who was making his way up the Argentine political ladder ("The Lady's Got Potential"). In a game of musical chairs that represents the rise of political figures, Peron and other military figures compete for power and exhibit their political strategy ("The Art of the Possible").  After the 1944 San Juan earthquake, Peron organises a charity concert at Luna Park to provide aid to the victims. Eva attends and briefly reunites with Magaldi, who spurns her for her past actions. Peron addresses the crowd with words of encouragement and leaps off the stage, meeting Eva as soon as he exits ("Charity Concert"). Eva and Peron share a secret rendezvous following the charity concert, where Eva hints that she could help Peron rise to power ("I'd Be Surprisingly Good For You"). Eva dismisses Peron's Mistress (the character is known only by that title), who ponders the rejection ("Another Suitcase in Another Hall").  After moving in with Peron, Eva is introduced to high society, but she is met with disdain from the upper classes and the Argentine Army ("Peron's Latest Flame"). In 1946, Peron launches his presidential bid after being promoted to general in the army, and while in bed with Eva, he discusses his chances of winning the election. Eva reassures him and soon they organise rallies where the people show their support and hope for a better future, while on the sidelines Peron and his allies plot to dispose of anyone who stands in their way ("A New Argentina").
What is okay
A: Eva persuades Magaldi into taking her with him to Buenos Aires and though he is initially resistant, he eventually accepts
Some context: Graziano was the son of Ida Scinto and Nicola Barbella. Barbella, nicknamed Fighting Nick Bob, was a boxer with a brief fighting record. Born in Brooklyn, Graziano later moved to an Italian enclave centered on East 10th Street, between First Avenue and Avenue A in Manhattan's East Village. He grew up as a street fighter and learned to look after himself before he could read or write.
As he grew older and seeing no other way to raise his standard of living, Graziano signed a few boxing contracts, but the rigors of training disinterested him. He and his early managers went their separate ways but eventually, he was picked up by Irving Cohen who had the sense to give him a long leash. Cohen changed the young fighter's name from Barbella to Graziano (his grandfather's surname) and lined up a fight. Refusing to train much, Graziano nevertheless showed his killer instinct and won by a knockout. Other fights were lined up with Cohen trying, in his subtle way, to overmatch Graziano, get him defeated, and thereby show him the value of getting into condition. He even demanded a match against Sugar Ray Robinson.  In March 1945, at Madison Square Garden, Graziano scored a major upset over Billy Arnold, whose style was similar to that of Sugar Ray Robinson; he was a slick boxer with lightning-fast combinations and a knockout punch. The Ring magazine and various newspapers across the United States touted Arnold as the next Joe Louis or Sugar Ray Robinson. Arnold was a heavy favorite to defeat Graziano and then to go on to fight for the world title, but Graziano absorbed a beating in the early going, before going on to batter and knock Arnold out in the third round of the scheduled eight-round bout. Following his defeat to Graziano, Arnold was never the same.  Graziano is most famous for his three title bouts with Tony Zale, all for the middleweight title. In their first match (September 27, 1946), after flooring Graziano in the first round, Zale took a savage beating from him, and was on the verge of losing the fight by TKO. However, he rallied and knocked him out in the sixth round to retain his title. The rematch, a year later in Chicago (July 16, 1947), was a mirror image of their first fight. The referee almost stopped the second fight in the third round because of a severe cut over Graziano's left eye, which would have awarded the victory to Zale, but Graziano's cutman, Morris ("Whitey") Bimstein, was able to stop the bleeding to let the fight continue. Graziano was battered around the ring, suffered a closed eye and appeared ready to lose by a knockout, then rallied and knocked Zale out in the sixth round, becoming world middleweight champion. Their last fight was held in New Jersey the following year (June 10, 1948). Zale regained his crown, winning the match by a knockout in the third round. The knockout blows consisted of a perfect combination of a right to Graziano's body, then a left hook to his jaw. He was knocked unconscious. His last attempt at the middleweight title came in April 1952, when he fought Sugar Ray Robinson. He dropped him to his knee with a right in the third round. Less than a minute later, Robinson knocked him out for the count with a right to the jaw. He retired after losing his very next fight, a 10-round decision to Chuck Davey.
Did Rocky have a professional boxing career?
A:
In March 1945, at Madison Square Garden, Graziano scored a major upset over Billy Arnold,