Question:
Thomas Chatterton (20 November 1752 - 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He became a heroic tragic figure in Romantic art. Although fatherless and raised in poverty, he was an exceptionally studious child, publishing mature work by the age of 11. He was able to pass off his work as that of an imaginary 15th-century poet called Thomas Rowley, chiefly because few people at the time were familiar with medieval poetry, though he was denounced by Horace Walpole.
Chatterton already was known to the readers of the Middlesex Journal as a rival of Junius under the nom de plume of Decimus. He also had been a contributor to Hamilton's Town and Country Magazine, and speedily found access to the Freeholder's Magazine, another political miscellany supportive of John Wilkes and liberty. His contributions were accepted, but the editors paid little or nothing for them.  He wrote hopefully to his mother and sister, and spent his first earnings in buying gifts for them. Wilkes had noted his trenchant style "and expressed a desire to know the author"; and Lord Mayor William Beckford graciously acknowledged a political address of his, and greeted him "as politely as a citizen could." He was abstemious and extraordinarily diligent. He could assume the style of Junius or Tobias Smollett, reproduce the satiric bitterness of Charles Churchill, parody James Macpherson's Ossian, or write in the manner of Alexander Pope or with the polished grace of Thomas Gray and William Collins.  He wrote political letters, eclogues, lyrics, operas and satires, both in prose and verse. In June 1770, after nine weeks in London, he moved from Shoreditch, where he had lodged with a relative, to an attic in Brook Street, Holborn (now beneath Alfred Waterhouse's Holborn Bars building). He was still short of money; and now state prosecutions of the press rendered letters in the Junius vein no longer admissible, and threw him back on the lighter resources of his pen. In Shoreditch, he had shared a room; but now, for the first time, he enjoyed uninterrupted solitude. His bed-fellow at Mr Walmsley's, Shoreditch, noted that much of the night was spent by him in writing; and now he could write all night. The romance of his earlier years revived, and he transcribed from an imaginary parchment of the old priest Rowley his "Excelente Balade of Charitie." This poem, disguised in archaic language, he sent to the editor of the Town and Country Magazine, where it was rejected.  Mr Cross, a neighbouring apothecary, repeatedly invited him to join him at dinner or supper; but he refused. His landlady also, suspecting his necessity, pressed him to share her dinner, but in vain. "She knew," as she afterwards said, "that he had not eaten anything for two or three days." But he assured her that he was not hungry. The note of his actual receipts, found in his pocket-book after his death, shows that Hamilton, Fell and other editors who had been so liberal in flattery, had paid him at the rate of a shilling for an article, and less than eightpence each for his songs; much which had been accepted was held in reserve and still unpaid for. According to his foster-mother, he had wished to study medicine with Barrett, and in his desperation he wrote to Barrett for a letter to help him to an opening as a surgeon's assistant on board an African trader.
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who were some of his friends?

Answer:
Mr Cross, a neighbouring apothecary, repeatedly invited him to join him at dinner or supper; but he refused.

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Giacomo Costa (14 December 1919 - 22 January 2000) was an Italian Australian professional wrestler best known by his ring name, Al Costello. Costello was the first professional wrestler to be nicknamed "The Man of a Thousand Holds" because of his innovative and very technical style. Costello was the creator and original member of the tag team The Fabulous Kangaroos, whose "Ultra Australian" gimmick complete with boomerangs, bush hats and the song "Waltzing Matilda" as their entrance music, existed in various forms from 1957 until 1983. Costello was either an active wrestler, or a manager in all versions of The Fabulous Kangaroos.
For years, Al Costello had been working on an idea for a new tag team; he even knew who he wanted for a partner: a wrestler he had worked with some years ago named Roy Heffernan. Because Costello and Heffernan had lost touch over the years, the idea remained dormant until Costello toured Hawaii in 1956. Costello mentioned his idea of an "Ultra Australian" tag team to fellow wrestler, and future promoter, Joe Blanchard. Blanchard happened to be a good friend of Roy Heffernan and knew he was working in Stampede Wrestling at the time. Blanchard put the two in touch with each other, and Costello was soon off to Calgary, Alberta, Canada to join Heffernan and finally make his tag team a reality. Costello and Heffernan debuted as "The Fabulous Kangaroos" on 3 May 1957 for Stu Hart's Stampede Wrestling promotion in a match against Maurice LaPointe and Tony Baillargeon. Only weeks after that first match, The Kangaroos were working with the top tag teams in the promotion.  After working in Stampede for a while, The Fabulous Kangaroos started to travel across the United States, headlining shows wherever they went due to their ability to rile up crowds with their heel (bad guy) tactics. On one occasion in August 1958, The Kangaroos, or "Kangaroo Men" as they were billed, nearly caused a riot in Madison Square Garden during a match against Antonino Rocca and Miguel Perez; the fans began to throw fruit and stones at them. After the match ended without a decisive winner, the promoters stepped in, turned up the arena lights, and played the National Anthem to stop a potential riot. This was a common tactic used at the time by the New York promoters in order to prevent riots and help the heels leave the arena unharmed. Later that year, Costello and Heffernan started working for Dory Funk's NWA Western States promotion based in Amarillo, Texas. Here, The Kangaroos won their first title as a team when they defeated Pepper Gomez and El Medico to win the Texas version of the NWA World Tag Team Championship on 17 November 1958. Their first title reign was short lived, however, as Gomez and Rito Romero defeated them to regain the titles two weeks later.  Between 1957 and 1965, The Kangaroos wrestled in the United States, Canada, Asia and select tours of Australia and New Zealand. They worked for such companies as Capitol Wrestling Corporation (the future World Wrestling Entertainment), Championship Wrestling from Florida, NWA Ohio, the Japan Wrestling Association and the World Wrestling Association in Los Angeles, California.  The Kangaroos never forgot their roots and continued to work in Canada off and on through the years; in addition to Stampede Wrestling, the team also worked for NWA All-Star Wrestling based in Vancouver, British Columbia. Costello featured in a National Film Board of Canada short subject La Lotta/Wrestling/Le Catch. Their stint in NWA All-Star Wrestling was the last time Costello and Heffernan teamed together. In June 1965, The Kangaroos lost to Don Leo Jonathan and Jim Hardy and then split up. Heffernan had left Australia to tour the world in 1953 and wanted to return to his homeland, while Costello was determined to remain in the United States for a while longer.

Are there any other interesting aspects about this article?
After working in Stampede for a while, The Fabulous Kangaroos started to travel across the United States, headlining shows wherever they went