Question: Born in New Orleans, Louisiana, Capote was the son of 17-year-old Lillie Mae Faulk and salesman Archulus Persons. His parents divorced when he was four, and he was sent to Monroeville, Alabama, where, for the following four to five years, he was raised by his mother's relatives. He formed a fast bond with his mother's distant relative, Nanny Rumbley Faulk, whom Truman called "Sook". "Her face is remarkable - not unlike Lincoln's, craggy like that, and tinted by sun and wind", is how Capote described Sook in "A Christmas Memory" (1956).

The critical success of one of his short stories, "Miriam" (1945), attracted the attention of the publisher Bennett Cerf, resulting in a contract with Random House to write a novel. With an advance of $1,500, Capote returned to Monroeville and began Other Voices, Other Rooms, continuing to work on the manuscript in New Orleans, Saratoga Springs, New York, and North Carolina, eventually completing it in Nantucket, Massachusetts. It was published in 1948. Capote described this symbolic tale as "a poetic explosion in highly suppressed emotion". The novel is a semi-autobiographical refraction of Capote's Alabama childhood. Decades later, writing in The Dogs Bark (1973), he commented:  Other Voices, Other Rooms was an attempt to exorcise demons, an unconscious, altogether intuitive attempt, for I was not aware, except for a few incidents and descriptions, of its being in any serious degree autobiographical. Rereading it now, I find such self-deception unpardonable.  The story focuses on 13-year-old Joel Knox following the loss of his mother. Joel is sent from New Orleans to live with his father, who abandoned him at the time of his birth. Arriving at Skully's Landing, a vast, decaying mansion in rural Alabama, Joel meets his sullen stepmother Amy, debauched transvestite Randolph, and defiant Idabel, a girl who becomes his friend. He also sees a spectral "queer lady" with "fat dribbling curls" watching him from a top window. Despite Joel's queries, the whereabouts of his father remain a mystery. When he finally is allowed to see his father, Joel is stunned to find he is a quadriplegic, having tumbled down a flight of stairs after being inadvertently shot by Randolph. Joel runs away with Idabel but catches pneumonia and eventually returns to the Landing, where he is nursed back to health by Randolph. The implication in the final paragraph is that the "queer lady" beckoning from the window is Randolph in his old Mardi Gras costume. Gerald Clarke, in Capote: A Biography (1988) described the conclusion:  Finally, when he goes to join the queer lady in the window, Joel accepts his destiny, which is to be homosexual, to always hear other voices and live in other rooms. Yet acceptance is not a surrender; it is a liberation. "I am me", he whoops. "I am Joel, we are the same people." So, in a sense, had Truman rejoiced when he made peace with his own identity.

Using a quote from the above article, answer the following question: what did joel knox do in the story?
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Answer: Joel is sent from New Orleans to live with his father, who abandoned him at the time of his birth.

Problem: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.

After the armistice he returned to Birmingham and tried to find work as a cartoonist. He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position. Later that year he embarked on a professional stage career. Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director. In 1922, while with Playfair, he met Doris Zinkeisen. They were considered a couple for some two years, despite Whale's living as an openly gay man. They were reportedly engaged in 1924, but by 1925 the engagement was off.  In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I. The key conflict is between Capt. Stanhope, the company commander, and Lt. Raleigh, the brother of Stanhope's fiancee. Whale offered the part of Stanhope to the then barely known Laurence Olivier. Olivier initially declined the role, but after meeting the playwright agreed to take it on. Maurice Evans was cast as Raleigh. The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929. A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste. The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations. As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years.  With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh. Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929. The play ran for over a year and cemented its reputation as the greatest play about World War I.

how many openings did it have?

Answer with quotes:
a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France,