input: Drusilla has all the standard powers and vulnerabilities of a vampire, plus minor psychic abilities. She is immortal, regenerates damage, drains human blood to survive, and is stronger than most humans. Drusilla's technique in combat, although awkward-looking, has allowed her to briefly hold her own in a fight against Angel (in "Reunion") and Spike (in "Becoming, Part Two"), along with besting Kendra the Vampire Slayer (in "Becoming, Part One") before using the hypnosis technique and then killing her. It was also in this fight with Kendra that Drusilla showed that her fingernails are sharper than one would normally expect, as she uses them to slit Kendra's throat. Darla had demonstrated a similar technique when she sired Angel; whether this is due to vampiric abilities or physical manipulation of nails is unclear.  Drusilla is also a seer with minor psychic abilities. However, since she had these before becoming a vampire their source and cause are unknown. She receives vivid visions that contain possible glimpses of the future, and can also see into people's minds and project false imagery into them (e.g. in "Becoming, Part Two", when she convinces Giles that she is really Jenny Calendar). She is also capable of hypnotizing people, which she does by catching their gazes, pointing her fingers towards her victim's eyes and then to her own, whispering to them ("Be in my eyes, Be in me"). Drusilla uses this technique to murder Kendra in the episode "Becoming, Part One". The Master uses a similar skill to paralyze Buffy in "Prophecy Girl".  Like all vampires, she is vulnerable to holy items and sunlight, can be killed by decapitation or a stake to the heart, and cannot enter the home of a living human without first being invited by someone who lives there.

Answer this question "Does she use her abilities for good or evil?"
output: Drusilla uses this technique to murder Kendra in the episode "Becoming, Part One". The Master uses a similar skill to paralyze Buffy in "Prophecy Girl".

input: Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a blatant knee-high foul on Alf-Inge Haland in what was seen by many as an act of revenge. He initially received a three-match suspension and a PS5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended "to hurt" Haland. Keane's account of the incident was as follows:  I'd waited long enough. I fucking hit him hard. The ball was there (I think). Take that you cunt. And don't ever stand over me sneering about fake injuries.  An admission that the tackle was in fact a premeditated assault, it left the FA with no choice but to charge Keane with bringing the game into disrepute. He was banned for a further five matches and fined PS150,000 in the ensuing investigation. Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: "My attitude was, fuck him. What goes around comes around. He got his just rewards. He fucked me over and my attitude is an eye for an eye", and said he would probably do the same thing again.  Haland later implied that the tackle effectively finished his playing career as he never played a full game afterwards. However, Haland did complete the match and played 68 minutes of the following game. He also played a friendly for Norway in between both matches. It was, in fact, a long-standing injury to his left knee that ended his career rather than his right.

Answer this question "So he didn't learn a lesson from his punishments?"
output: "My attitude was, fuck him. What goes around comes around. He got his just rewards.

input: Christie had long been a fan of detective novels, having enjoyed Wilkie Collins's The Woman in White and The Moonstone, as well as Sir Arthur Conan Doyle's early Sherlock Holmes stories. She wrote her own detective novel, The Mysterious Affair at Styles, featuring Hercule Poirot, a former Belgian police officer noted for his twirly large "magnificent moustaches" and egg-shaped head. Poirot had taken refuge in Britain after Germany invaded Belgium. Christie's inspiration for the character stemmed from real Belgian refugees who were living in Torquay and the Belgian soldiers whom she helped treat as a volunteer nurse in Torquay during the First World War.  Agatha began working on The Mysterious Affair at Styles in 1916, writing most of it on Dartmoor. Her original manuscript was rejected by such publishing companies as Hodder and Stoughton and Methuen. After keeping the submission for several months, John Lane at The Bodley Head offered to accept it, provided that Christie change the ending. She did so, and signed a contract which she later felt was exploitative. It was finally published in 1920.  Christie, meanwhile, settled into married life, giving birth to her only child, daughter Rosalind Margaret Hicks, in August 1919 at Ashfield, where the couple spent much of their time, having few friends in London. Archie left the Air Force at the end of the war and started working in the City financial sector at a relatively low salary, though they still employed a maid.  Christie's second novel, The Secret Adversary (1922), featured a new detective couple Tommy and Tuppence, again published by The Bodley Head. It earned her PS50. A third novel again featured Poirot, Murder on the Links (1923), as did short stories commissioned by Bruce Ingram, editor of The Sketch magazine. In order to tour the world promoting the British Empire Exhibition, the couple left their daughter Rosalind with Agatha's mother and sister. They travelled to South Africa, Australia, New Zealand, and Hawaii.  They learned to surf prone in South Africa; then, in Waikiki, they were among the first Britons to surf standing up.

Answer this question "Did you find anything interesting about the article?"
output:
in Waikiki, they were among the first Britons to surf standing up.