Answer the question at the end by quoting:

Hasan ibn Ali ibn Muhammad (c. 846 - 874) was the 11th Imam of Twelver Shia Islam, after his father Ali al-Hadi. He was also called Abu Muhammad and Ibn al-Ridha. Because Samarra, the city where he lived, was a garrison town, he is generally known as al-Askari (Askar is the word for military in Arabic). Al-Askari married Narjis Khatun and was kept under house arrest or in prison for most of his life, until, according to some Shia sources, he was poisoned at the age of 28 on the orders of the Abbasid caliph Al-Mu'tamid and was buried in Samarra.
Various legends relate to al-Askari's wife, Narjis Khatun (the mother of the twelfth Imam, Muhammad al-Mahdi). It is said that al-Askari's father, Ali al-Hadi, wrote a letter in the script of Rum; put it in a red purse, with 220 Dinars; and gave it to his friend Bashar ibn Sulaiman. The letter instructed him to go to Baghdad, to a ferry place on the river where the boats from Syria were unloaded, and female slaves were sold. Bashar was told to look out for a shipowner named Amr ibn Yazid, who had a slave girl who would call out in the language of Rum: "Even if you have wealth and the glory of Solomon the son of David, I can never have affection for you, so take care lest you waste your money." And that if a buyer approached her, she would say "Cursed be the man who unveils my eyebrow!" Her owner would then protest, "But what recourse do I have I; I am compelled to sell you?" "You will then hear the slave answer", said the Imam, "Why this hast, let me choose my purchaser, that my heart may accept him in confidence and gratitude."  Bashar gave the letter, as he was instructed, to the slave girl; who read it, and was not able to keep from crying afterward. Then she said to Amr ibn Yezid, "Sell me to the writer of this letter, for if you refuse I will surely kill myself." "I therefore talked over the price with Amr until we agreed on the 220 Dinars my master had given me," said Bashar. On her way to Samarra, the slave girl would kiss the letter and rub it to her face and body; and when asked by Bashar why she did so despite not knowing the writer of the letter, she said, "May the offspring of the Prophet dispel your doubts!" Later on, however, she gave a full description of the dream she had had, and how she had escaped from her father's palace. A lengthier version of this story is recorded in Donaldson's book, along with further discussion on the authenticity of this story.  Some Shia sources have recorded her as being a "Roman (i.e. Byzantine) princess" who pretended to be a slave so that she might travel from her kingdom to Arabia. Mohammad Ali Amir-Moezzi, in the Encyclopedia of Iranica, suggests that the last version is "undoubtedly legendary and hagiographic".

Was she a slave?

Some Shia sources have recorded her as being a "Roman (i.e. Byzantine) princess" who pretended to be a slave



Answer the question at the end by quoting:

Meat Beat Manifesto, often shortened as Meat Beat, Manifesto or MBM, is an electronic music group originally consisting of Jack Dangers and Jonny Stephens, and formed in 1987 in Swindon, United Kingdom. The band, fronted by Dangers (the only permanent member), has proven versatile over the years, experimenting with techno, dubstep, drum and bass, IDM, industrial, dub and jazz fusion while touring the world and influencing major acts such as Nine Inch Nails, The Chemical Brothers and The Prodigy. Some of the band's earlier work has been credited with influencing the rise of the trip hop, big beat, and drum and bass genres.
Dangers and Stephens had formed the English pop group Perennial Divide in 1986 with Paul Freeguard and released the first few Meat Beat Manifesto singles as a side project. They left Perennial Divide in 1988 to record a full Meat Beat album. The tapes of what would have been the debut MBM album were claimed to have been destroyed in a studio fire before it could be released (detailed in a publicity statement). The former founder of Sweat Box Records (Rob Deacon) said that the fire never happened. Jack Dangers confirmed the story of the fire in a 2010 interview. The pair then recorded the LP Storm The Studio, which got them pigeonholed as an industrial act because Sweat Box Records sold the rights to the LP to Wax Trax Records for release in the United States. In response, they released 99%, which was more techno-influenced, in May 1990. In August they released Armed Audio Warfare, which was an effort to re-create the lost tracks of the would-be debut album.  The band's live show was conceived as an intense audio-visual experience, with dancers, led by choreographer Marcus Adams, in costumes and sets designed by artist Craig Morrison and video clips accompanying live instruments, sequenced electronic instruments, and live DJing. In the United States, they opened for Nine Inch Nails on their debut national tour in 1990. In 1991, they performed at The Limelight in Manhattan. Despite his contributions being nonmusical in nature, Adams was credited as a full band member and appeared in many of the band's record sleeves and promo photos until the release of Satyricon in 1992. Adams also appeared in several of MBM's early videos, such as "Strapdown" and "Psyche-Out".  1992's Satyricon continued to show Meat Beat adopting a more mainstream electronic sound, crediting influences of such newly popular dance bands as Orbital, The Shamen, and The Orb, all of whom had either remixed or been remixed by MBM. The album produced the hits "Mindstream" and "Circles". "Original Control (Version 2)", renamed "I Am Electro" in later compilations, is the best-known track from the album, featuring samples of recordings from the 1939 World's Fair exhibit Elektro The Robot, and was the opening song in MBM's 2005-2006 tour.

where was he born