Background: Skunk Anansie are a British rock band whose members include Skin (lead vocals, guitar), Cass (guitar, bass, backing vocals), Ace (guitar, backing vocals) and Mark Richardson (drums and percussion). Skunk Anansie formed on 12 February 1994, disbanded in 2001 and reformed in 2009. The name "Skunk Anansie" is taken from Akann folk tales of Anansi the spider-man of Ghana, with "Skunk" added to "make the name nastier". They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including "Charity", "Hedonism", "Selling Jesus" and "Weak".
Context: Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue), and said that the band planned to release a "best of" compilation as well as new material. Ace later set up an official page for the band on MySpace. On 2 and 3 April 2009, two shows took place at the Monto Water Rats (the former venue of the Splash Club) in London, under the alias SCAM (Skin, Cass, Ace, Mark) and sold out in 20 minutes. The band began their "Greatest Hits" tour on Friday, 9 October 2009 at the Ancienne Belgique in Brussels, with other dates across Europe. It was their first actual tour in eight years. A "greatest hits" album, Smashes and Trashes, was released 2 November 2009. It is a 15-track career-embracing album and includes three brand new tracks: "Because of You", "Tear the Place Up" and "Squander". A best-of remixes companion album was also released digitally.  On 3 July 2009, the music video for "Tear the Place Up" was presented exclusively on MySpace, before on 10 August 2009, a new video for "Because of You" was presented exclusively on Kerrang.com. It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes. The single was a top 10 hit in Italy, before its follow-up "Squander" was a top 75 success in Flanders, the Dutch-speaking part of Belgium.  Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single "My Ugly Boy", which was released in the UK on 16 August 2010 and in Europe July/August. The video for "My Ugly Boy" was presented exclusively on Kerrang.com on 23 July 2010. Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland.  In May 2010 they were a supporting act for Rammstein, during two concerts in Berlin. The second single from Wonderlustre, "Over the Love" was released internationally in November 2010. In November 2010 the band played on Idolos, a Portuguese equivalent to the UK's Pop Idol.  "You Saved Me", the third single from Wonderlustre was released internationally in March 2011.
Question: wwas he album  success
Answer: Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe

Background: Francis Jean Marcel Poulenc (French: [fRasis Za maRsel pulek]; 7 January 1899 - 30 January 1963) was a French composer and pianist. His compositions include melodies, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite Trois mouvements perpetuels (1919), the ballet Les biches (1923), the Concert champetre (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera Dialogues des Carmelites (1957), and the Gloria (1959) for soprano, choir and orchestra.
Context: See also: FP (Catalogue of compositions), List of compositions  Poulenc's music is essentially diatonic. In Henri Hell's view, this is because the main feature of Poulenc's musical art is his melodic gift. In the words of Roger Nichols in the Grove dictionary, "For [Poulenc] the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had, according to the most up-to-date musical maps, been surveyed, worked and exhausted." The commentator George Keck writes, "His melodies are simple, pleasing, easily remembered, and most often emotionally expressive."  Poulenc said that he was not inventive in his harmonic language. The composer Lennox Berkeley wrote of him, "All through his life, he was content to use conventional harmony, but his use of it was so individual, so immediately recognizable as his own, that it gave his music freshness and validity." Keck considers Poulenc's harmonic language "as beautiful, interesting and personal as his melodic writing ... clear, simple harmonies moving in obviously defined tonal areas with chromaticism that is rarely more than passing". Poulenc had no time for musical theories; in one of his many radio interviews he called for "a truce to composing by theory, doctrine, rule!" He was dismissive of what he saw as the dogmatism of latter-day adherents to dodecaphony, led by Rene Leibowitz, and greatly regretted that the adoption of a theoretical approach had affected the music of Olivier Messiaen, of whom he had earlier had high hopes. To Hell, almost all Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice". Poulenc was a painstaking craftsman, though a myth grew up - "la legende de facilite" - that his music came easily to him; he commented, "The myth is excusable, since I do everything to conceal my efforts."  The pianist Pascal Roge commented in 1999 that both sides of Poulenc's musical nature were equally important: "You must accept him as a whole. If you take away either part, the serious or the non-serious, you destroy him. If one part is erased you get only a pale photocopy of what he really is." Poulenc recognised the dichotomy, but in all his works he wanted music that was "healthy, clear and robust - music as frankly French as Stravinsky's is Slav".
Question: Who influenced him?
Answer: