Answer the question at the end by quoting:

Gillian Howard Welch was born on October 2, 1967 in New York City, and was adopted by Ken and Mitzie Welch, comedy and music entertainers. Her biological mother was a freshman in college, and her father was a musician visiting New York City. Welch has speculated that her biological father could have been one of her favorite musicians, and she later discovered from her adoptive parents that he was a drummer. Alec Wilkinson of The New Yorker stated that "from an address they had been given, it appeared that her mother ... may have grown up in the mountains of North Carolina".
When Universal Music Group purchased Almo Sounds, Welch began her own independent label, Acony Records (named for the Appalachian wildflower, Acony Bell, subject of the song of that name on Revival). Rawlings produced the first release on Welch's new label, the 2001 album Time (The Revelator). All but one song on the album was recorded in the historic RCA Studio B in Nashville. "I Want To Sing That Rock and Roll" was recorded live at the Ryman Auditorium in the recording sessions for the concert film Down from the Mountain.  Welch has said the album is about American history, rock 'n' roll, and country music. There are songs about the assassination of Abraham Lincoln, the Titanic Disaster, John Henry, and Elvis Presley. Time continues Welch and Rawlings' style of mellow and sparse arrangements. Welch explained, "As opposed to being little tiny folk songs or traditional songs, they're really tiny rock songs. They're just performed in this acoustic setting. In our heads we went electric without changing instruments."  Time (The Revelator) received extensive critical praise, most of which focused on the evolution of lyrics from mountain ballads. For Michael Shannon Friedman of The Charleston Gazette, "Welch's soul-piercing, backwoods quaver has always been a treasure, but on this record her songwriting is absolutely stunning." Critics compare the last track, the 15-minute "I Dream a Highway", to classics by Bob Dylan and Neil Young. Zac Johnson of Allmusic described I Dream... as akin to "sweetly dozing in the [river] current like Huck and Jim's Mississippi River afternoons". No Depression's Grant Alden wrote, "Welch and Rawlings have gathered ... fragments from across the rich history of American music and reset them as small, subtle jewels adorning their own keenly observed, carefully constructed language." Time finished thirteenth in the 2001 Village Voice Pazz & Jop music critic poll. Time (The Revelator) appeared in best of decade lists of Rolling Stone, Paste, Uncut, The Irish Times, and the Ottawa Citizen. The album was nominated for the 2002 Grammy Award for Best Contemporary Folk Album, but lost to Bob Dylan's Love and Theft. Time peaked at No. 7 on the Billboard Independent Album chart.  The Revelator Collection DVD was released in 2002. It featured live performances and music videos of songs from Time, and some covers. The concert footage was filmed in 2001, and the music videos included Welch and Rawlings performing three songs at RCA Studio B. No Depression's Barry Mazor praised the DVD as an accompaniment for Time, calling it "one last exclamation point on that memorable and important project".

is there anything else important regarding the album?

As opposed to being little tiny folk songs or traditional songs, they're really tiny rock songs. They're just performed in this acoustic setting.



Answer the question at the end by quoting:

The Stooges, also known as Iggy and the Stooges, were an American rock band formed in Ann Arbor, Michigan in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by frontman Iggy Pop. After releasing two albums--The Stooges (1969) and Fun House (1970)--the group disbanded briefly, and reformed with a different lineup to release Raw Power (1973) before breaking up again in 1974. The band reunited in 2003 until dissolving in 2016 following the deaths of Scott Asheton and saxophonist Steve Mackay.
With the band having broken up, Pop met David Bowie on 7 September 1971 at Max's Kansas City, and the pair instantly became good friends. The next day, on the advice of Bowie, Pop signed a recording contract with pop music manager Tony DeFries' company, MainMan. A few months later, Tony DeFries and Pop met Clive Davis from CBS/Columbia Records and got a two-album recording deal. In March 1972, DeFries brought Pop and Williamson to the UK, and the pair attempted to reconstitute the Stooges with British musicians, but finding no suitable additions, brought the Asheton brothers back into the band (this "second choice" decision rankled Ron Asheton, as did his change from guitar to bass). This line-up, billed as Iggy & the Stooges, recorded their third album, the influential Raw Power, which was released in 1973.  At the time, the album (which showcased Williamson's intensely melodic solos and chromatic riffs, in contrast to Asheton's minimalistic, groove-oriented approach) was criticized by diehard fans who said that Bowie had mixed it poorly (in subsequent years, various unofficial fan recordings were assembled and released as the album Rough Power; in 1997, the album was re-mixed by Iggy Pop and re-released). Although the album sold rather poorly and was regarded as a commercial failure at the time of its release, Raw Power would go on to become one of the cornerstones of early punk rock.  With the addition of a piano player (briefly Bob Sheff and then Scott Thurston), the Stooges toured for several months, starting in February 1973. Around this time they also made a number of recordings that became known as the Detroit Rehearsal Tapes, including a number of new songs that might have been included on a fourth studio album had the band not been dropped by Columbia soon after the release of Raw Power. In 1973, James Williamson was briefly dismissed due to criticism from the band's management company (likely pertaining to his tempestuous relationship with Cyrinda Foxe, a close friend of road manager Leee Black Childers); guitarist Tornado Turner replaced him for a single gig (on 15 June 1973 at the Aragon Ballroom, Chicago, Illinois), but Williamson soon returned to the group.  The Stooges disbanded in February 1974 as a result of dwindling professional opportunities; this factor was compounded by Pop's ever-present heroin addiction and erratic off-stage behavior. The last half of the band's last performance of this era (on 9 February 1974 in Detroit, Michigan) was captured and was released later (in 1976) as the live album Metallic K.O. (along with the first half of an earlier show on 6 October 1973 at the same venue). A 1988 expanded release of the album with the title Metallic 2X K.O. included the two halves of each show. In 1998, the album was re-released under the original title with the order of the shows reversed, (mostly) expanded tracks and more complete set-lists.

What was their second breakup about?
The Stooges disbanded in February 1974 as a result of dwindling professional opportunities;