Some context: Corey Todd Taylor (born December 8, 1973) is an American musician, singer, songwriter, actor, and author, best known as the lead singer and lyricist of the bands Slipknot and Stone Sour. Taylor formed Stone Sour in 1992, playing in the Des Moines area, and working on a demo. He joined Slipknot in 1997 to replace their original vocalist and has subsequently released five studio albums with them. After the first two Slipknot albums went Platinum, Taylor revived Stone Sour to record an album and tour in 2002.
In Des Moines, Iowa, Joey Jordison, Shawn Crahan, and Mick Thomson approached him asking him to join Slipknot. He agreed to go to one of their practices, and ended up singing in front of them. Of Slipknot's nine members, Corey was the sixth to join the band. Performing with Slipknot, he would also come to be known as "Number Eight", being that the band follows a numbering scheme for its members, ranging from 0-8. According to Shawn Crahan, Corey wanted number eight, because it symbolizes infinity.  Feeling he could expand more inside Slipknot than in Stone Sour, Taylor temporarily quit Stone Sour, even though they were recording an album with Sean McMahon. Taylor's first gig with Slipknot was on August 22, 1997, which according to band members did not go well. During his first gig, Taylor did not perform wearing a mask; however, for his second show nearly a month later, Corey wore a mask that resembles his debut album mask. Taylor's current mask was described by MTV's Chris Harris as looking "as though it were made of dried, human flesh--like Leatherface, if only he used moisturizer."  Taylor has recorded with Slipknot since the release of their second demo album, a self-titled demo used to promote the band to prospective labels and producers. As permanent vocalist, he recorded with Slipknot at Indigo Ranch in Malibu, California and released Slipknot, the band's debut album that peaked number one on the Top Heatseekers chart, went double platinum in the United States, and was included in the 2006 book 1001 Albums You Must Hear Before You Die. Taylor was accused of copyright infringement, regarding the lyrics of the song "Purity", but no action was taken. Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles. It was released August 28, 2001 and peaked number one on the UK Albums Chart, as well as number three on the Billboard 200. While writing Vol. 3: (The Subliminal Verses), Taylor decided to write lyrics that would not warrant an explicit label. It peaked number two on the Billboard 200. All Hope Is Gone was the first Slipknot album to peak number one on the Billboard 200.
What was their first album?
A: Slipknot,

Some context: Robert Schumann (; 8 June 1810 - 29 July 1856) was a German composer and an influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck, a German pianist, that he could become the finest pianist in Europe, but a hand injury ended this dream.
Schumann was born in Zwickau, in the Kingdom of Saxony, the fifth and last child of Johanna Christiane (nee Schnabel) and August Schumann. Schumann began to compose before the age of seven, but his boyhood was spent in the cultivation of literature as much as music - undoubtedly influenced by his father, a bookseller, publisher, and novelist.  Schumann began receiving general musical and piano instruction at the age of seven from Johann Gottfried Kuntzsch, a teacher at the Zwickau high school. The boy immediately developed a love of music and worked at creating musical compositions himself, without the aid of Kuntzsch. Even though he often disregarded the principles of musical composition, he created works regarded as admirable for his age. The Universal Journal of Music 1850 supplement included a biographical sketch of Schumann that noted, "It has been related that Schumann, as a child, possessed rare taste and talent for portraying feelings and characteristic traits in melody, - ay, he could sketch the different dispositions of his intimate friends by certain figures and passages on the piano so exactly and comically that everyone burst into loud laughter at the similitude of the portrait."  At age 14, Schumann wrote an essay on the aesthetics of music and also contributed to a volume, edited by his father, titled Portraits of Famous Men. While still at school in Zwickau, he read the works of the German poet-philosophers Schiller and Goethe, as well as Byron and the Greek tragedians. His most powerful and permanent literary inspiration was Jean Paul, a German writer whose influence is seen in Schumann's youthful novels Juniusabende, completed in 1826, and Selene.  Schumann's interest in music was sparked by seeing a performance of Ignaz Moscheles playing at Karlsbad, and he later developed an interest in the works of Beethoven, Schubert and Mendelssohn. His father, who had encouraged the boy's musical aspirations, died in 1826 when Schumann was 16. Neither his mother nor his guardian thereafter encouraged a career in music. In 1828 Schumann left school, and after a tour during which he met Heinrich Heine in Munich, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 his law studies continued in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg.
What was his childhood like
A:
Schumann began receiving general musical and piano instruction at the age of seven from Johann Gottfried Kuntzsch, a teacher at the Zwickau high school.