Answer the question at the end by quoting:

Sir Arthur John Evans  (8 July 1851 - 11 July 1941) was an English archaeologist and pioneer in the study of Aegean civilization in the Bronze Age. He is most famous for unearthing the palace of Knossos on the Greek island of Crete. Evans continued Heinrich Schliemann's concept of a Mycenaean civilization, but found that he needed to distinguish another civilization, the Minoan, from the structures and artifacts found there and throughout the eastern Mediterranean. Evans was also the first to define Cretan scripts Linear A and Linear B, as well as an earlier pictographic writing.
Arthur matriculated on 9 Jun 1870 and attended Brasenose College, Oxford. His housemaster at Harrow, F. Rendall, had eased the way to his acceptance with the recommendation that he was "a boy of powerful original mind." At Brasenose he chose to read modern history, a new curriculum, which was nearly a disaster, as his main interests were in archaeology and classical studies.  His summertime activities with his brothers and friends were perhaps more important to his subsequent career. Having been given an ample allowance by his father, he went looking for adventure on the continent, deliberately seeking out circumstances that might be considered dangerous by some. In June 1871, he and Lewis visited Hallstatt, where his father had excavated in 1866, adding some of the artifacts to his collection. Arthur had made himself familiar with these.  Subsequently, they went on to Paris and then to Amiens. The Franco-Prussian War had just concluded the month before. Arthur had been told at the French border to remove the dark cape he was wearing so that he would not be shot for a spy. Amiens was occupied by the Prussian army. Arthur found them prosaic and preoccupied with souvenir-hunting. He and Lewis hunted for stone-age artifacts in the gravel quarries, Arthur remarking that he was glad the Prussians were not interested in flint artifacts.  In 1872 he and Norman adventured into Ottoman territory in the Carpathians, already in a state of political tension. They crossed borders illegally at high altitudes, "revolvers at the ready." This was Arthur's first encounter with Turkish people and customs. He bought a complete set of clothes of a wealthy Turkish man, complete with red fez, baggy trousers and embroidered, short-sleeved tunic. His detailed, enthusiastic account was published in Fraser's Magazine for May 1873.  In 1873 he and Balfour tramped over Lapland, Finland, and Sweden. Everywhere he went he took copious anthropological notes and made numerous drawings of the people, places and artifacts. During the Christmas holidays of 1873, Evans cataloged a coin collection being bequeathed to Harrow by John Gardner Wilkinson, the father of British Egyptology, who was too ill to work on it himself. The headmaster had suggested "my old pupil, Arthur John Evans - a remarkably able young man."

when did they return to oxford?



IN: "Hey Jude" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon-McCartney. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's son, Julian, during his parents' divorce. "Hey Jude" begins with a verse-bridge structure incorporating McCartney's vocal performance and piano accompaniment; further instrumentation is added as the song progresses. After the fourth verse, the song shifts to a fade-out coda that lasts for more than four minutes. "

Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off.

Were there any big changes made to the music for the mix?

OUT:
In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears.