input: Kevin Sydney is a mutant metamorph with the ability to alter his physical appearance and voice at will to resemble that of any person he chooses. His power could also transform the appearance of his costume as well, which was made of unstable molecules. Morph's mutation to shape-shift has also made it so that his body is a Play-doh-like substance and he can reattach limbs after they have been severed. He has limited telepathic abilities, which (in the original timeline) were enhanced by Professor X. As a side effect, he also gained limited telekinetic abilities. Upon choosing to work together and share his body with the energy mutant Proteus, Morph's powers appear to be amplified, at least enough to defeat a self-proclaimed god. Whether the two have access to Proteus' reality changing abilities has yet to be determined.  He has also stated that his mutation gives him a high metabolism and makes him very hormonal. In Exiles #33 Sasquatch said she was never able to detect a scent on Morph and Sabretooth stated that while hunting Proteus in Morph's body, Morph stands out like a sore thumb in a crowd of "normal" people to Sabretooth's senses regardless of his form. It also appears he has the ability to fly as demonstrated in Exiles #27. Due to his shapeshifting ability he does not wear any actual clothing, and he takes joy in pointing this out.  Kevin Sydney is a skilled actor, and a highly trained and efficient organizer of subversive activities. He carried various advanced weaponry of alien Siri design belonging to Factor Three, including a ray gun carried in a holster at his side. Though Morph is a prankster who downplays his intelligence, he is deceptively smart. He has a Master's degree in computer engineering, which he earned at Xavier's Institute.

Answer this question "Did he have special powers?"
output: His power could also transform the appearance of his costume as well, which was made of unstable molecules.

input: Joplin sang for the first time with Big Brother in 1966. Years later, Andrew described the band's first impressions of her:  We were the established rock and roll band. We were heavy. We were like: all right, out of three or four bands in this city, we are one of them. We're in the newspapers all the time. We're working out. We are doing this woman a favor to even let her come and sing with us. She came in and she was dressed like a little Texan. She didn't look like a hippie, she looked like my mother, who is also from Texas. She sang real well but it wasn't like, "Oh we're bowled over." It was probably more like, our sound was really loud. It was probably bowling her over. I am sure we didn't turn down enough for her. She wrote letters home about how exotic all of us were. The names of the bands. That kind of thing. In other words, we weren't flattened by her and she wasn't flattened by us. It was probably a pretty equal meeting. She was a real intelligent, Janis was, and she always rose to the occasion. She sang the songs. It wasn't like this moment of revelation like you would like it to be. Like in a movie or something. It wasn't like, "Oh my God, now we have gone to heaven. We have got Janis Joplin." I mean she was good but she had to learn how to do that. It took her about a year to really learn how to sing with an electric band.  It took a while for some of the band's followers to accept the new singer and her current boyfriend, keyboardist Stephen Ryder. Her music was completely different from that which Big Brother was playing at that time. Big Brother had a very experimental and unconventional sound, but with Joplin, they became more disciplined musicians, their songs adopted a more traditional structure, and the band started to increase its popularity in the San Francisco psychedelic scene.

Answer this question "Did they eventually have positive things to say about her?"
output: but with Joplin, they became more disciplined musicians, their songs adopted a more traditional structure, and the band started to increase its popularity in the San Francisco psychedelic scene.

input: Sherbet was formed in Sydney in April 1969 by Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction), Doug Rea on bass guitar (Downtown Roll Band), Sammy See on organ, guitar and vocals (Clapham Junction), Clive Shakespeare on lead guitar and vocals (Downtown Roll Band), and Danny Taylor on drums (Downtown Roll Band). Initially they were a soul band playing Motown covers and rock-based material. Alan Sandow (ex-Daisy Roots) replaced Taylor on drums by July. Sherbet signed to the Infinity Records label - a subsidiary of Festival Records. The band's debut single was issued in March 1970 as a cover version of Badfinger's "Crimson Ships" - from that band's January 1970 album Magic Christian Music.  During 1970 the band played a residency at Jonathon's Disco, playing seven hours a night, four days a week for eight months. They were spotted by their future manager, Roger Davies. By March Daryl Braithwaite (Bright Lights, House of Bricks, Samael Lilith) had joined, initially sharing lead vocals with Laughlin who left the band a few months later. Braithwaite's former band mate Bruce Worrall (Bright Lights, House of Bricks, Samael Lilith) took over from Rea on bass guitar. By year's end the group undertook their first national tour. See had left in October to join The Flying Circus and was replaced by New Zealand-born Garth Porter (Samael Lilith, Toby Jugg) who provided Hammond organ and electric piano.  In 1971, Sherbet entered Australia's prestigious national rock band contest, Hoadley's Battle of the Sounds, and won the New South Wales final but lost the national final to Adelaide-based band Fraternity (led by Bon Scott later in AC/DC). They entered again in 1972 and won the national final, previous winners include The Twilights (1966) and The Groove (1968), which went on to achieve major commercial success.  Sherbet's first chart hits on the Go-Set National Top 40 were covers of Blue Mink's "Can You Feel It Baby?" (September 1971), Delaney and Bonnie's "Free the People" (February 1972) and Ted Mulry's "You're All Woman" (September 1972). Most of their early recordings were produced by Festival's in-house producer Richard Batchens, who later produced albums and singles for another Infinity label mate, Richard Clapton. The band increased its profile with prestigious support slots on major tours by visiting international acts including Gary Glitter and The Jackson 5.

Answer this question "What other awards did they received?"
output:
They entered again in 1972 and won the national final,