Problem: Melanie Jayne Chisholm was born in Whiston, Lancashire, as the only child in the family. She later moved to Widnes, Cheshire, at a young age. Her parents married on 12 January 1971 and separated in 1978, when young Chisholm was four-and-a-half years old. Her father, Alan Chisholm, worked as a fitter at the Otis Elevator Company.

Chisholm began recording her second album in late 2001. She traveled to the United States to record some songs. During this time, she recorded "Independence Day" from the film soundtrack Bend It Like Beckham and wrote "Help Me Help You" for Holly Valance, included in her album Footprints. Chisholm, along with American singer Anastacia made an appearance at the 2002 MTV Europe Music Awards to present the award for "Best Song", which was given to P!nk.  Chisholm's second album was originally planned to be released on 16 September 2002, then postponed to 24 February 2003. It was finally postponed to 10 March 2003. Rumors at the time speculated that Chisholm and Virgin had several conflicts, because they wanted her to lose weight. Chisholm also took time out due to struggles with clinical depression. On 24 February 2003 the first single from her new album was released, "Here It Comes Again", which reached number 7 in the UK and peaked in the top 20 in Spain and Ireland. She released her second studio album, Reason, on 10 March 2003 and it peaked at number 5, received gold certification in the UK. The label sent Chisholm to promote the album, including several pocket shows. On 24 April 2003, she embarked in the Reason Tour, traveling only in Europe. The second single, "On the Horizon", was released on 2 June 2003. After the previous single, the music critics were predicting that this single would redeem Chisholm's chart success, but the song peaked at number 14 and did not help sales.  "Let's Love", was released as a single exclusively in Japan and used for a Toyota Motor Corporation commercial. Originally, "Yeh Yeh Yeh" was planned to be released as the third and final single on 22 September 2003, but shortly before this could happen, Chisholm injured her knee during the television show The Games and couldn't fully promote an upbeat song with an injury. "Melt" was then chosen to be launched along with "Yeh Yeh Yeh" as a double A-side, because she could do a small number of performances. The double single was released on 10 November 2003. The song peaked at number 27. In other countries of Europe, "Melt" wasn't released, only "Yeh Yeh Yeh" as a solo release. After the release of "Melt/Yeh Yeh Yeh", Melanie added some extra dates to the Reason Tour, and the Avo Session Basel concert was broadcast on 3sat.

Who inspired the album?

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Question:
Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.
During 1964, White began to look beyond bluegrass music towards rock 'n' roll as an avenue for artistic expression. Although he was influenced by Country guitarists like Doc Watson, Don Reno and Joe Maphis, he also idolized the playing of jazz guitarist Django Reinhardt, rock 'n' roller Chuck Berry, and studio musician James Burton. White even anticipated the viability of a folk/rock hybrid when, in the summer of 1964, he was approached by Jim Dickson to record a version of the then-unreleased Bob Dylan song "Mr. Tambourine Man" with electric instruments. However, despite White's enthusiasm for the project, he was unable to convince his bandmates in the Kentucky Colonels of the experiment's validity and ultimately, the song was instead recorded by Dickson's proteges, the Byrds.  By the time the original line-up of the Kentucky Colonels folded in late 1965, White had become a respected and well-known guitarist. Abandoning bluegrass temporarily, he switched from his Martin D-28 acoustic guitar to an electric Fender Telecaster, with the intention of becoming a studio musician like his hero James Burton. Transitioning to electric guitar required White to modify his right hand playing technique, switch from open chording to fretting the whole guitar neck with his left hand, and practice using the tone and volume controls. However, he soon mastered the intricacies of the instrument and, between 1965 and 1968, he undertook session work for artists including Ricky Nelson, the Monkees, and the Gosdin Brothers.  As 1965 turned into 1966, White met Gene Parsons and Gib Guilbeau at a recording session for the Gosdin Brothers and shortly after, he began to perform live with the duo in local California clubs, as well as doing regular session work on their records, which were released under the moniker of Cajun Gib and Gene. 1966 also saw White begin playing with a country group called Trio, which featured drummer Bart Haney and former Kentucky Colonel, Roger Bush, on bass. In autumn of that year, as a result of his friendship with Gilbeau, Parsons and the Gosdin Brothers, White was asked to provide lead guitar to ex-Byrd Gene Clark's debut solo album, Gene Clark with the Gosdin Brothers. White also briefly joined Clark's touring band shortly thereafter.  During the Clark album sessions, White reconnected with mandolin player and bassist Chris Hillman, who he had known during the early 1960s as a member of the bluegrass combo the Hillmen. Hillman was currently a member of the Byrds and in December 1966, he invited White to contribute countrified lead guitar playing to his songs "Time Between" and "The Girl with no Name", which both appeared on the Byrds' Younger Than Yesterday album. The country-oriented nature of the songs was something of a stylistic departure for the group and can be seen as an early indicator of the experimentation with country music that would color the Byrds' subsequent work. White also contributed guitar to the band's follow-up album, The Notorious Byrd Brothers, and to their seminal 1968 country rock release, Sweetheart of the Rodeo.
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in the summer of 1964, he was approached by Jim Dickson to record a version of the then-unreleased Bob Dylan song "Mr. Tambourine Man" with electric instruments.