Question: Farrow was born in Los Angeles, California, the third child and eldest daughter of Australian film director John Farrow (John Villiers Farrow) and Irish actress Maureen O'Sullivan. Both Farrow's mother and father were from Catholic families. She is one of seven children, with older brothers Michael Damien (1939-1958), Patrick (1942-2009), younger brother John Charles (born 1946); and younger sisters Prudence and actresses Stephanie and Tisa. Her eldest brother, Michael Farrow, died in a plane crash in 1958, at age 19; Patrick, a sculptor, committed suicide in 2009; and John Charles was in 2013 sentenced to 25 years in prison for child molestation, for sexually abusing two boys over a period of eight years.

In the 1980s and early 1990s, Farrow's relationship with director Woody Allen resulted in numerous film collaborations. She appeared in nearly all of Allen's films during this period, including leading roles in Zelig, Broadway Danny Rose, The Purple Rose of Cairo, Hannah and Her Sisters, Radio Days and Alice (1990). Farrow played Alura, mother of Kara (Helen Slater), in Supergirl (1984) and voiced the title role in the animated film The Last Unicorn (1982). She narrated several of the animated Stories to Remember. Allen said that the way she played her character in Broadway Danny Rose was a "very, very brave thing for her to do," as she had to play her role without ever using her eyes.  Citing the need to devote herself to raising her young children, Farrow worked less frequently during the 1990s. Nonetheless, she appeared in leading roles in several films, including the Irish film Widows' Peak (1994), Miami Rhapsody (1995) and Reckless (also 1995). She appeared in several independent features and made-for-television films throughout the late 1990s and early 2000s and wrote an autobiography, What Falls Away, in 1997.  Farrow appeared as Mrs. Baylock, the Satanic nanny, in the remake of The Omen (2006). Although the film itself received a lukewarm critical reception, Farrow's performance was widely praised, with the Associated Press declaring "thank heaven for Mia Farrow" and calling her performance "a rare instance of the new Omen improving on the old one." Filmcritic.com added "it is Farrow who steals the show", and the Seattle Post-Intelligencer described her performance as "a truly delicious comeback role for Rosemary herself, Mia Farrow, who is chillingly believable as a sweet-talking nanny from hell." She worked on several films released in 2007, including the romantic comedy The Ex and the first part of director Luc Besson's trilogy of fantasy films, Arthur and the Invisibles. In 2008, in director Michel Gondry's Be Kind Rewind, she appeared opposite Jack Black, Mos Def and Danny Glover. In 2011, Farrow appeared in the film Dark Horse, directed by Todd Solondz.  In September 2014, Farrow returned to Broadway in the play Love Letters. The play was well received by critics with the New York Times calling Farrow's performance "utterly extraordinary... as the flighty, unstable and writing-averse Melissa Gardner."

Using a quote from the above article, answer the following question: What was the name of the movie she did with Michel Gondry?
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Answer: Be Kind Rewind,


Question: John Logie Baird FRSE (; 13 August 1888 - 14 June 1946) was a Scottish engineer, innovator, one of the inventors of the mechanical television, demonstrating the first working television system on 26 January 1926, and inventor of both the first publicly demonstrated colour television system, and the first purely electronic colour television picture tube. In 1928 the Baird Television Development Company achieved the first transatlantic television transmission. Baird's early technological successes and his role in the practical introduction of broadcast television for home entertainment have earned him a prominent place in television's history.

In 1927, Baird transmitted a long-distance television signal over 438 miles (705 km) of telephone line between London and Glasgow; Baird transmitted the world's first long-distance television pictures to the Central Hotel at Glasgow Central Station. This transmission was Baird's response to a 225-mile, long-distance telecast between stations of AT&T Bell Labs. The Bell stations were in New York and Washington, DC. The earlier telecast took place in April 1927, a month before Baird's demonstration.  Baird set up the Baird Television Development Company Ltd, which in 1928 made the first transatlantic television transmission, from London to Hartsdale, New York, and the first television programme for the BBC. In November 1929, Baird and Bernard Natan established France's first television company, Television-Baird-Natan. Broadcast on the BBC on 14 July 1930, The Man with the Flower in His Mouth was the first drama shown on UK television. Baird televised the BBC's first live outside broadcast with transmission of The Derby in 1931. He demonstrated a theatre television system, with a screen two feet by five feet (60 cm by 150 cm), in 1930 at the London Coliseum, Berlin, Paris, and Stockholm. By 1939 he had improved his theatre projection to televise a boxing match on a screen 15 ft (4.6 m) by 12 ft (3.7 m).  From 1929 to 1932, the BBC transmitters were used to broadcast television programmes using the 30-line Baird system, and from 1932 to 1935, the BBC also produced the programmes in their own studio at 16 Portland Place. On 3 November 1936, from Alexandra Palace located on the high ground of the north London ridge, the BBC began alternating Baird 240-line transmissions with EMI's electronic scanning system, which had recently been improved to 405 lines after a merger with Marconi. The Baird system at the time involved an intermediate film process, where footage was shot on cinefilm, which was rapidly developed and scanned. The trial was due to last 6 months but the BBC ceased broadcasts with the Baird system in February 1937, due in part to a disastrous fire in the Baird facilities at Crystal Palace. It was becoming apparent to the BBC that the Baird system would ultimately fail due in large part to the lack of mobility of the Baird system's cameras, with their developer tanks, hoses, and cables.  Baird's television systems were replaced by the electronic television system developed by the newly formed company EMI-Marconi under Isaac Shoenberg, which had access to patents developed by Vladimir Zworykin and RCA. Similarly, Philo T. Farnsworth's electronic "Image Dissector" camera was available to Baird's company via a patent-sharing agreement. However, the Image Dissector camera was found to be lacking in light sensitivity, requiring excessive levels of illumination. Baird used the Farnsworth tubes instead to scan cinefilm, in which capacity they proved serviceable though prone to drop-outs and other problems. Farnsworth himself came to London to Baird's Crystal Palace laboratories in 1936, but was unable to fully solve the problem; the fire that burned Crystal Palace to the ground later that year further hampered the Baird company's ability to compete.

Using a quote from the above article, answer the following question: What did he do in broadcasting?
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Answer:
In 1927, Baird transmitted a long-distance television signal over 438 miles (705 km) of telephone line between London and Glasgow;