Question:
Curtis Mayfield was born on June 3, 1942 in Chicago, Illinois, the son of Marion Washington and Kenneth Mayfield, one of five children. Mayfield's father left the family when Curtis was five; his mother (and maternal grandmother) moved the family into several Chicago public housing projects before settling in Cabrini-Green during his teen years. Mayfield attended Wells Community Academy High School before dropping out his sophomore year. His mother taught him piano and, along with his grandmother, encouraged him to enjoy gospel music.
Curtis Mayfield was known for introducing social consciousness into African-American music. Having been raised in the Cabrini-Green projects of Chicago, he witnessed many of the tragedies of the urban ghetto first hand, and was quoted saying "With everything I saw on the streets as a young black kid, it wasn't hard during the later fifties and sixties for me to write my heartfelt way of how I visualized things, how I thought things ought to be."  Following the passing of the Civil Rights Act of 1964, his group the Impressions produced music that became the soundtrack to a summer of revolution. It is even said that "Keep On Pushing" became the number one sing along during the Freedom Rides. Black students sang their songs as they marched to jail or protested outside their universities, while King often used "Keep On Pushing", "People Get Ready" and "We're A Winner" because of their ability to motivate and inspire marchers. Mayfield had quickly become a civil rights hero with his ability to inspire hope and courage.  Mayfield was unique in his ability to fuse relevant social commentary with melodies and lyrics that instilled a hopefulness for a better future in his listeners. He wrote and recorded the soundtrack to the 1972 blaxploitation film Super Fly with the help of producer Johnny Pate. The soundtrack for Super Fly is regarded as an all-time great body of work that captured the essence of life in the ghetto while criticizing the tendency of young people to glorify the "glamorous" lifestyles of drug dealers and pimps, and illuminating the dark realities of drugs, addiction, and exploitation. His work influenced many, and it is said that Mayfield truly introduced a new style of black music.  Mayfield, along with several other soul and funk musicians, spread messages of hope in the face of oppression, pride in being a member of the black race and gave courage to a generation of people who were demanding their human rights, without abandoning the struggle for equality. He has been compared to Martin Luther King, Jr. for making a lasting impact in the civil rights struggle with his inspirational music. By the end of the decade Mayfield was a pioneering voice in the black pride movement, along with James Brown and Sly Stone. Paving the way for a future generation of rebel thinkers, Mayfield paid the price, artistically and commercially, for his politically charged music. Mayfield's "Keep On Pushing" was actually banned from several radio stations when riots began flaring up in some cities. Regardless of the persistent radio bans and loss of revenue, he continued his quest for equality right until his death. His lyrics on racial injustice, poverty and drugs became the poetry of a generation.  Mayfield was also a descriptive social commentator. As the influx of drugs ravaged through black America in the late 1960s and 1970s his bittersweet descriptions of the ghetto would serve as warnings to the impressionable. "Freddie's Dead" is a graphic tale of street life, while "Pusherman" revealed the role of drug dealers in the urban ghettos.
Answer this question using a quote from the text above:

Did he create any famous songs or hits?

Answer:
Mayfield's "Keep On Pushing" was actually banned from several radio stations when riots began flaring up in some cities.

Answer the question at the end by quoting:

Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
In Barry's first season in the NBA with the Warriors, the team improved from 17 to 35 victories. In the All-Star Game one season later, Barry erupted for 38 points as the West team stunned the East squad, which featured Wilt Chamberlain, Oscar Robertson, Bill Russell and head coach Red Auerbach among other all-time greats. Later that season, Barry and company extended the mighty Philadelphia 76ers to six highly competitive games in the NBA Finals, something that Russell and the Boston Celtics could not do in the Eastern Conference playoffs. That 76ers team is considered to be one of the greatest in basketball history.  Nicknamed the "Miami Greyhound" by longtime San Francisco-area broadcaster Bill King because of his slender physical build and remarkable quickness and instincts, the 6'7" Barry won the NBA Rookie of the Year Award after averaging 25.7 points and 10.6 rebounds per game in the 1965-66 season. The following year, he won the 1967 NBA All-Star Game MVP award with a 38-point outburst and led the NBA in scoring with a 35.6 point per game average -- which still ranks as the eighth- highest output in league annals. Teamed with star center Nate Thurmond in San Francisco, Barry helped take the Warriors to the 1967 NBA Finals, which they lost to the Philadelphia 76ers in six games. Including a 55-point outburst in Game 3, Barry averaged 40.8 points per game in the series, an NBA Finals record that stood for three decades.  Upset that he was not paid incentive monies that he believed due from Warriors owner Franklin Mieuli, Barry jumped to the ABA's Oakland Oaks, who offered him a lucrative contract and the chance to play for Bruce Hale, his then father-in-law. The three-year contract offer from Pat Boone, the singer and team owner, was estimated to be worth $500,000, with Barry saying "the offer Oakland made me was one I simply couldn't turn down" and that it would make him one of basketball's highest-paid players. The courts ordered Barry to sit out the 1967-68 season before he starred in the ABA, upholding the validity of the reserve clause in his contract. He preceded St. Louis Cardinals' outfielder Curt Flood, whose better-known challenge to the reserve clause went all the way to the U.S. Supreme Court, by two years as the first American major-league professional athlete to bring a court action against it. The ensuing negative publicity cast Barry in a negative light, portraying him as selfish and money-hungry. However, many NBA players at the time were looking at jumping to the ABA for more lucrative contracts. Barry would star in the ABA, twice averaging more than 30 points per game.

did he have any injuries?