Some context: Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.
On July 11, 2016, vocalist, guitarist and founding member Paulo Miklos announced he would leave the band to focus on his personal projects. He was then replaced by session member Beto Lee, son of Brazilian notorious rock singer Rita Lee.  His first recording with the band is a version of "Pro Dia Nascer Feliz", originally by Barao Vermelho, for the soundtrack of the 24th season of Malhacao, a Rede Globo series. With Lee's inclusion, the band recovered some old songs for its live setlists, including Titanomaquia's "Sera Que E Disso Que Eu Necessito?" and " Nem Sempre se Pode Ser Deus". They also started to have Bellotto sing in some songs.  Also in 2016, the band announced a new album for a possible 2017 release. According to Bellotto, it will be a rock opera, and the band intended to enter the studio until mid-2017 so the album could be released in the year's second half. Drawing inspiration from albums such as The Who's Quadrophenia and Green Day's American Idiot, the over 30-track rock opera will have its story written by Hugo Possolo and Marcelo Rubens Paiva. By April 2017, Mello said a handful of tracks were ready.  Also in April, the band started a tour called "Uma Noite no Teatro" (A Night at the Theater) with a show that was also the inaugurating event of Shopping Villa-Lobos' theater Opus. The tour included three new songs: "Me Estuprem" (Rape Me), about sexual harassment and rape; "12 Flores Amarelas" (12 Yellow Flowers); and "A Festa" (The Party). By that time, none of them were expected to be featured in the band's next album. On 23 September, however, the band performed them again during their show at the Rock in Rio 7, and this time they were announced as part of the new project. On December 2017, they announced that they had already started recording the album and that it would be released via Universal Music. In January 31, they announced that the opera rock would be released in early 2018 and that its title would be 12 Flores Amarelas.
did they tour anywhere else?
A: 
Some context: Ai Carina Uemura (Zhi Cun  Ai  karina, Uemura Ai Karina, born November 2, 1981), known mononymously as Ai (Japanese pronunciation: [ai], stylized as AI or A.I. ) is a Japanese-American singer and songwriter who was born in Los Angeles. Ai spent her childhood in both Kagoshima, Japan and Los Angeles. She debuted as a singer in 2000, later moving to Def Jam Japan and rising to fame with her album 2004 Ai.
Ai was born in Los Angeles in 1981. Her father was Japanese and her mother was half Italian-American and half Japanese. She moved to Kagoshima in Japan when she was 4, and went to elementary school and junior high school in Japan.  Ai was motivated to become a singer in her early teens, after singing at a cousin's wedding, having many people ask her if she wanted to be a professional singer, and hearing a gospel performance at the First African Methodist Episcopal Church of Los Angeles in 1993. After graduating from junior high school in Japan, Ai returned to Los Angeles for high school, enrolling at Glendale High School, however found high school difficult due to never formally studying English. After making it through the audition process, she switched to the Los Angeles County High School for the Arts, majoring in ballet. She became a member of the school's gospel choir. In 1998, she performed in a gospel choir at a Mary J. Blige concert at the Universal Amphitheatre, performing of "A Dream." In the same year, she appeared as a dancer in the music video for Janet Jackson's song "Go Deep."  In 1999, she joined an Asian girl group called SX4, who were produced by George Brown of Kool & the Gang. Ai was a member of the group for two years, and later in 1999 the group were offered a record label deal. While on her summer holiday in Kagoshima, she performed Monica's "For You I Will" on a local radio station, which led to her being scouted by BMG Japan. She decided to take the offer, and after leaving SX4 and graduating from high school in June 2000, moved to Tokyo and debuted as a musician later in 2000.
When did she first show interest in music?
A: early teens,
Some context: Michael Bernard Bloomfield (July 28, 1943 - February 15, 1981) was an American guitarist and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues legends before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. He was ranked number 22 on Rolling Stone's list of "100 Greatest Guitarists of All Time" in 2003 and number 42 by the same magazine in 2011. He was inducted into the Blues Hall of Fame in 2012 and, as a member of the Paul Butterfield Blues Band, was inducted into the Rock and Roll Hall of Fame in 2015.
Bloomfield also made an impact through his work with Al Kooper, who had played with Bloomfield on Dylan's "Like a Rolling Stone". Kooper had become an A&R man for Columbia Records, and Bloomfield and Kooper had played piano on Moby Grape's 1968 Grape Jam, an instrumental album that had been packaged with the group's Wow collection.  "Why not do an entire jam album together?" Kooper remembered in 1998, writing the booklet notes for the Bloomfield anthology Don't Say That I Ain't Your Man: Essential Blues, 1964-1969. "At the time, most jazz albums were made using this modus operandi: pick a leader or two co-leaders, hire appropriate sidemen, pick some tunes, make some up and record an entire album on the fly in one or two days. Why not try and legitimize rock by adhering to these standards? In addition, as a fan, I was dissatisfied with Bloomfield's recorded studio output up until then. It seemed that his studio work was inhibited and reined in, compared to his incendiary live performances. Could I put him in a studio setting where he could feel free to just burn like he did in live performances?"  The result was Super Session, a jam album that spotlighted Bloomfield's guitar skills on one side. Bloomfield, who suffered from insomnia, left the sessions after the first day. Guitarist Stephen Stills completed the album with Kooper. It received excellent reviews and became the best-selling album of Bloomfield's career. Its success led to a live sequel, The Live Adventures of Mike Bloomfield and Al Kooper, recorded over three nights at Fillmore West in September 1968.
how long did they work together?
A: