Some context: Winchell was born Paul Wilchinsky in New York City on December 21, 1922, to Solomon Wilchinsky and Clara Fuchs. His father was a tailor; his grandparents were Jewish immigrants from Russian Poland and Austria-Hungary. Winchell's initial ambition was to become a doctor, but the Depression wiped out any chance of his family's ability to afford medical school tuition. At age 13, he contracted polio; while recovering, he happened upon a magazine advertisement offering a ventriloquism kit for ten cents.
Winchell was a pre-med student at Columbia University. He graduated from The Acupuncture Research College of Los Angeles in 1974, and became an acupuncturist. He also worked as a medical hypnotist at the Gibbs Institute in Hollywood. He developed over 30 patents in his lifetime. He invented an artificial heart with the assistance of Dr. Henry Heimlich, inventor of the Heimlich Maneuver, and held an early but not the first U.S. patent for such a device. The University of Utah developed a similar apparatus around the same time, but when they tried to patent it, Winchell's heart was cited as prior art. The university requested that Winchell donate the heart to the University of Utah, which he did.  There is some debate as to how much of Winchell's design Dr. Robert Jarvik used in creating Jarvik's artificial heart. Dr. Heimlich states, "I saw the heart, I saw the patent and I saw the letters. The basic principle used in Winchell's heart and Jarvik's heart is exactly the same."  Jarvik denies that any of Winchell's design elements were incorporated into the device he fabricated for humans -- the Jarvik-7, which was successfully implanted into Barney Clark in 1982.  Winchell established more medical patents while working on projects for the Leukemia Society (now known as the Leukemia & Lymphoma Society) and the American Red Cross. Other devices which he invented and patented include a disposable razor, a blood plasma defroster, a flameless cigarette lighter, an "invisible" garter belt, a fountain pen with a retractable tip, and battery-heated gloves.
Are there any other interesting aspects about this article?
A: "I saw the heart, I saw the patent and I saw the letters. The basic principle used in Winchell's heart and Jarvik's heart is exactly the same.

Question: Howard Duane Allman (November 20, 1946 - October 29, 1971) was an American guitarist, session musician, and co-founder and leader of the Allman Brothers Band until his death following a motorcycle crash in 1971, at the age of 24. The Allman Brothers Band was formed in Jacksonville, Florida, in 1969. The band had great success in the early 1970s. Allman is best remembered for his brief but influential tenure in the band and in particular for his expressive slide guitar playing and inventive improvisational skills.

Duane Allman was born on November 20, 1946, in Nashville, Tennessee. He was the eldest son of Willis Allman (1918-1949), a World War II non-commissioned officer turned recruiting officer in the United States Army, and Geraldine Allman (nee Robbins) (1917-2015). His brother, Gregg, was born on December 8, 1947.  On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered. In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely. In 1957, the family moved to Daytona Beach, Florida, where the boys attended Seabreeze High School.  The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor. In 1960, he had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone, while Duane acquired a Harley 165 motorbike. Despite Duane being left-handed, he played the guitar right-handed. Duane began to take an interest in the guitar, and the boys would sometimes fight over it, until Duane wrecked the motorbike and traded it for a Silvertone of his own. His mother eventually bought Duane a Gibson Les Paul Junior.  It was also in Nashville that the boys became musically inspired by a rhythm and blues concert where they saw blues guitar legend B. B. King perform. Duane told Gregg, "We got to get into this." Duane learned to play very quickly and soon became the better guitarist of the two.

Using a quote from the above article, answer the following question: Where was Duane Allman born?
HHHHHH
Answer: Nashville, Tennessee.

Some context: "Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre.
A rapid series of rhythmic and harmonic changes introduces a pseudo-operatic midsection, which contains the bulk of the elaborate vocal multi-tracking, depicting the narrator's descent into hell. While the underlying pulse of the song is maintained, the dynamics vary greatly from bar to bar, from only Mercury's voice accompanied by a piano to a multi-voice choir supported by drums, bass, piano and Timpani. The choir effect was created by having May, Mercury, and Taylor repeatedly sing their vocal parts, resulting in 180 separate overdubs. These overdubs were then combined into successive submixes. According to Roger Taylor, the voices of May, Mercury and himself combined created a wide vocal range: "Brian could get down quite low, Freddie had a powerful voice through the middle, and I was good at the high stuff." The band wanted to create "a wall of sound, that starts down and goes all the way up". The band used the bell effect for lyrics "Magnifico" and "Let me go". Also, on "Let him go", Taylor singing the top section carries his note on further after the rest of the "choir" have stopped singing.  Lyrical references in this passage include Scaramouche, the fandango, Galileo Galilei, Figaro, Beelzebub and Bismillah, as rival factions fight over the narrator's soul. The section concludes with a full choral treatment of the lyric "Beelzebub has a devil put aside for me!", on a block B major chord. Roger Taylor tops the final chord with a falsetto B in the fifth octave (B5).  Using the 24-track technology available at the time, the "opera" section took about three weeks to finish. Producer Roy Thomas Baker said "Every time Freddie came up with another 'Galileo', I would add another piece of tape to the reel." Baker recalls that they kept wearing out the tape, which meant having to do transfers.
Who is the singer of the band?
A:
Freddie