Background: Vijay Dhondopant Tendulkar was born on 6 January 1928 in Girgaon, Mumbai, Maharashtra, where his father held a clerical job and ran a small publishing business. The literary environment at home prompted young Vijay to take up writing. He wrote his first story at age six. He grew up watching western plays and felt inspired to write plays himself.
Context: In his 1972 play, Sakharam Binder (Sakharam, the Binder), Tendulkar dealt with the topic of domination of the male gender over the female. The main character, Sakharam, is a man devoid of ethics and morality, and professes not to believe in "outdated" social codes and conventional marriage. He accordingly uses the society for his own pleasure. He regularly gives "shelter" to abandoned wives and uses them for his sexual gratification while remaining oblivious to the emotional and moral implications of his exploits. He justifies all his acts through claims of modern, unconventional thinking, and comes up with hollow arguments meant in fact to enslave women. Paradoxically, some of the women which Sakharam had enslaved buy into his arguments and simultaneously badly want freedom from their enslavement.  In 1972, Tendulkar wrote another, even much more acclaimed play, Ghashiram Kotwal ("Officer Ghashiram"), which dealt with political violence. The play is a political satire created as a musical drama set in 18th century Pune. It combined traditional Marathi folk music and drama with contemporary theatre techniques, creating a new paradigm for Marathi theatre. The play demonstrates Tendulkar's deep study of group psychology, and it brought him a Jawaharlal Nehru Fellowship (1974-75) for a project titled, "An Enquiry into the Pattern of Growing Violence in Society and Its Relevance to Contemporary Theatre". With over 6,000 performances thus far in its original and translated versions, Ghashiram Kotwal remains one of the longest-running plays in the history of Indian theatre.  Tendulkar wrote screenplays for the movies Nishant (1974), Akrosh (The Cry) (1980), and Ardh Satya (The Half-Truth) (1984) which established him as an important "Chronicler of Violence" of the present. He has written eleven movies in Hindi and eight movies in Marathi. The latter include Samana ("Confrontation") (1975), Simhaasan ("Throne") (1979), and Umbartha ("The Threshold") (1981). The last one is a groundbreaking feature film on women's activism in India. It was directed by Jabbar Patel and stars Smita Patil and Girish Karnad.
Question: what happened in the 70's
Answer: In his 1972 play, Sakharam Binder (Sakharam, the Binder), Tendulkar dealt with the topic of domination of the male gender over the female.

Background: Kanjani Eight (Guan ziyani[?](eito), Kanjani Eito, stylized as Kanjani[?]) is a seven-member Japanese boy band from Japan's Kansai region. They are managed by the multimedia talent agency, Johnny & Associates, and signed to Imperial Records. The group was formed in 2002 and made their CD debut in 2004 as "Johnny's modern enka group", though after the year 2006, their sound and style has become a mix of pop and rock. Like the rest of the acts managed under Johnny & Associates, Kanjani Eight also perform in various other areas of the Japanese entertainment industry such as variety show hosting, television, movie, and stage acting, and radio talk show hosting.
Context: Although Nishikido and Uchi were already members of NEWS, they went on to also debut as members of Kanjani Eight when the group released their debut single titled "Naniwa Iroha Bushi" in the Kansai area on August 25, 2004. The single became a local hit, capturing the traditional feel of their hometown region through the pop-enka tune. Shibutani had said, in regards to the feel of the song, " The song has a Kawachi Workman's bass, so it's entirely something new. It'd make me happy to see others dancing when they hear it."  Despite the release of the CD, their debut was lackluster, leaving many to question if the debut actually was real. The members themselves had found out of the debut through a newspaper article; Shibutani had said that he was "very surprised" when he found out.  Even though there was questions about the group's debut, "Naniwa Iroha Bushi" had risen to the number-one spot on the Oricon's Enka charts and reaching number-eight on the Oricon's generic music charts. When the single made its nationwide debut on September 22, it had hit number-one on both the Oricon Enka and General Music charts.  Much of 2004 activities were Kansai region focused in comparison their fellow acts who had the luxuries of nationwide exposure. Kanjani Eight had become hometown idols with majority of their popularity within the region but outside the area they were almost unknown. The release of their second single, "Osaka Rainy Blues", further exemplified the fact with the CD single debuting number-nine on the Oricon. To this date, "Osaka Rainy Blues" is the group's lowest single in sales.  2005 had marked the launch of Kanjani Eight's popularity even though it had opened up with the lackluster sales of their second single, "Osaka Rainy Blues". The group had been starring in three regular programs, now being aired nationwide, and were starting to get recognition as a debut Johnny's act. But with growing success came a scandal and in 2005 Hiroki Uchi was arrested for disorderly conduct and underage drinking, being 18 at the time.  The scandal had a significant impact on Kanjani Eight as well as NEWS, the other group he was active in. Johnny's & Associates removed Uchi from both units and put him under an indefinite hiatus from all activities. Also, the drama special about the World War II Kamikaze pilots starring the group, Yakusoku, was canceled. Kanjani Eight continued on that year to do their first Osaka-jo Hall performance with one member less in the summer of 2005.
Question: What songs are mentioned in the debut section?
Answer:
"Naniwa Iroha Bushi" had risen to the number-one spot on the Oricon's Enka charts