Problem: The Beat (known in the United States and Canada as The English Beat and in Australia as The British Beat) are a band founded in Birmingham, England, in 1978. Their music fuses ska, pop, soul, reggae and punk rock. The Beat, consisting of Dave Wakeling (vocals, guitar), Ranking Roger (vocals), Andy Cox (guitar), David Steele (bass), Everett Morton (drums), and Saxa a.k.a. Lionel Augustus Martin (saxophone), released three studio albums in the early 1980s:

The Beat were formed in Birmingham, England, in 1978, during a period of high unemployment and social upheaval in the United Kingdom. Ranking Roger, one of the band's vocalists, added a Jamaican vocal flavour to the band's sound with his toasting style. Jamaican saxophonist Saxa added a Jamaican ska instrumental sound. Saxa (born Lionel Augustus Martin in 1930) had played saxophone with Prince Buster, Laurel Aitken, and Desmond Dekker in the first wave of ska. He joined The Beat to record their first single, "Tears of a Clown", a cover version of the Motown hit by Smokey Robinson and the Miracles.  Notable singles from the first album included "Can't Get Used to Losing You", "Mirror In the Bathroom", "Hands Off She's Mine" and "Best Friend". The second Beat album, Wha'ppen? was supported by extensive touring, including a United States tour with The Pretenders and Talking Heads. The album yielded more UK hits, with "All Out to Get You," "Drowning" and "Doors of Your Heart", all of which broke into the Top 40 of the UK Singles Chart. The Beat received support from modern rock radio stations such as KROQ-FM in Los Angeles, the now defunct KQAK The Quake 99FM (98.9) in San Francisco and KYYX in Seattle.  Although The Beat's main fan base was in the UK, the band was also popular in Australia, partly due to exposure on the radio station Triple J and the TV show Countdown. The Beat had a sizable following in the US and Canada, where the band was known as The English Beat for legal reasons (to avoid confusion with the American band The Beat). The Beat toured the world with well-known artists such as David Bowie, The Clash, The Police, The Pretenders, R.E.M., The Specials and Talking Heads. Members of the band often collaborated on stage with The Specials.

what happene in 1983

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Question:
Brian Wayne Transeau (born October 4, 1971), better known by his stage name BT, is an American music producer, composer, technologist, audio technician, multi-instrumentalist, singer, and songwriter. An artist in the electronica music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." He also creates music within many other styles, such as classical, film composition and bass music. BT is also known for pioneering the stutter edit.
In 1999, BT released his third album, Movement in Still Life, and continued his previous experimentation outside of the trance genre. The album features a strong element of nu skool breaks, a genre he helped define with "Hip-Hop Phenomenon" in collaboration with Tsunami One aka Adam Freeland and Kevin Beber. Along with trance collaborations with Paul van Dyk and DJ Rap, Movement includes pop ("Never Gonna Come Back Down" with M. Doughty on vocals), progressive house ("Dreaming" with Kirsty Hawkshaw on vocals) and hip hop-influenced tracks ("Madskill - Mic Chekka", which samples Grandmaster Flash and the Furious Five's "The Message", and "Smartbomb", a mix of funky, heavy riffs from both synthesizers and guitars woven over a hip-hop break). "Shame" and "Satellite" lean toward an alt-rock sound, while "Godspeed" and "Dreaming" fall into classic trance ranks. "Running Down the Way Up", a collaboration with fellow electronic act Hybrid, features sultry vocals and acoustic guitars heavily edited into a progressive breakbeat track.  "Dreaming" and "Godspeed" reached #5 and #10 on the Billboard Dance Club Songs chart, respectively, "Never Gonna Come Back Down" reached #9 the Billboard Dance Club Songs chart and #16 on Billboard's Alternative Songs chart, and the album reached #166 on the Billboard 200 album charts.  Long interested in branching out into film scoring, BT got the opportunity when director Doug Liman asked him to score Go, a 1999 film about dance music culture. Shortly after creating the score, BT moved to Los Angeles in order to further pursue film scoring. He also began writing music for string quartets to prove his capabilities beyond electronic music. He was then hired to score the film Under Suspicion with a 60-piece string section. For The Fast and the Furious, BT's score featured a 70-piece ensemble, along with polyrhythmic tribal sounds produced by orchestral percussionists banging on car chassis.  In 1999, BT collaborated with Peter Gabriel on the album OVO, the soundtrack to the Millennium Dome Show in London. In 2001, he produced NSYNC's hit single "Pop", which won a 2001 Teen Choice Award for Choice Single, won four MTV Video Music Awards, and reached #19 on the Billboard Hot 100 and #9 on the UK Singles chart. In 2002, BT released the compilation album 10 Years in the Life, a two-disc collection of rarities and remixes, including "The Moment of Truth", the first track he ever recorded.
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What is Movement in Still Life?

Answer:
In 1999, BT released his third album, Movement in Still Life,