input: Petrovic's national team debut came at the age of 15, at the Under-18 Balkan Championship in Turkey, where the Yugoslavian junior team won the bronze. The young man regularly played for the Yugoslavian national team in the Balkan Championships, also winning gold with the junior team and silver with the senior team. He also brought back the silver from the 1982 FIBA Europe Under-18 Championship in Bulgaria.  The 1984 Summer Olympics were Petrovic's first competition of a grand scale with the Yugoslav senior national team, and the bronze medal won in Los Angeles that summer became his first Olympic medal. Third place was also earned at the 1986 FIBA World Championship, remembered for the last minute thriller in the semi-final game against the Soviet Union. At the 1987 EuroBasket, Petrovic again returned with bronze, as Yugoslavia lost to the hosts and gold medalists Greece. The University Games, held in Zagreb in 1987, saw the Yugoslavian squad with Petrovic win the gold. In the 1988 Summer Olympics, Yugoslavia with Petrovic, earned 2nd place, as they lost once more to the Soviet powerhouse.  An excellent club season with Real Madrid was topped by Petrovic's 1989 accomplishment with the Yugoslav national team: at the EuroBasket in Zagreb, the young Yugoslavian team went all the way, defeating Greece more than comfortably in the championship game. Petrovic was the tournament's second leading scorer and most valuable player. The very next year, the summer in between the two most frustrating seasons of his professional career, as he struggled for playing time with the Trail Blazers, Petrovic was again making history with the national team, as Yugoslavia became world champions, after beating the Soviet Union for the gold in Buenos Aires, at the 1990 FIBA World Championship.

Answer this question "Did he play in Yugoslavia?"
output: Petrovic's national team debut came at the age of 15, at the Under-18 Balkan Championship in Turkey, where the Yugoslavian junior team won the bronze.

input: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side."

Answer this question "was his sound popular"
output: the group is generally considered to be a pioneer of the electro-industrial genre.

input: Steven Georgiou, born on 21 July 1948 in the Marylebone area of London, was the youngest child of a Greek Cypriot father, Stavros Georgiou (1900-1978), and a Swedish mother, Ingrid Wickman. He had an older sister, Anita (b. 1937), and a brother, David Gordon. The family lived above the Moulin Rouge, a restaurant that his parents operated on the north end of Shaftesbury Avenue which was a short walk from Piccadilly Circus in the Soho theatre district of London. All family members worked in the restaurant. His parents divorced when he was about eight years old, but they continued to maintain the family restaurant and live above it.  Although his father was Greek Orthodox and his mother was a Baptist, Georgiou was sent to St Joseph Roman Catholic Primary School, Macklin Street, which was closer to his father's business on Drury Lane. Georgiou developed an interest in piano at a fairly young age, eventually using the family baby grand piano to work out the chords, since no one else there played well enough to teach him. Inspired by the popularity of the Beatles, at 15 he extended his interest to the guitar, persuaded his father to pay PS8 for his first instrument, and began playing it and writing songs. He would escape at times from his family responsibilities to the rooftop above their home, and listen to the tunes of the musicals drifting from just around the corner from Denmark Street, which was then the centre of the British music industry. Stevens emphasised that the advent of West Side Story in particular affected him, giving him a "different view of life". With interests in both art and music, he and his mother moved to Gavle, Sweden, where he attended primary school (Solangsskolan) and started developing his drawing skills after being influenced by his uncle Hugo Wickman, a painter. They subsequently returned to England.  He attended other local West End schools, where he says he was constantly in trouble, and did poorly in everything but art. He was called "the artist boy" and mentions that "I was beat up, but I was noticed". He went on to take a one-year course of study at Hammersmith School of Art, as he considered a career as a cartoonist. Though he enjoyed art (his later record albums would feature his original artwork on his album covers), he wanted to establish a musical career and began to perform originally under the stage name "Steve Adams" in 1965 while at Hammersmith. At that point, his goal was to become a songwriter. As well as the Beatles, other musicians who influenced him were the Kinks, Bob Dylan, Nina Simone, blues artists Lead Belly and Muddy Waters, Biff Rose (particularly Rose's first album), Leo Kottke, and Paul Simon. He also wanted to emulate composers who wrote musicals, like Ira Gershwin and Leonard Bernstein. In 1965 he signed a publishing deal with Ardmore & Beechwood and recorded several demos, including "The First Cut Is the Deepest".

Answer this question "When was he born"
output:
21 July 1948