IN: Victor Jara was born in 1932 in Lonquen, near Santiago, to two peasants, Manuel Jara and Amanda Martinez. His father was illiterate and encouraged his children to work from an early age to help the family survive, rather than attend school. By the age of 6, Jara was already working on the land. His father could not support the family on his earnings as a peasant at the Ruiz-Tagle estate, nor was he able to find stable work.

After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater. He subsequently joined the university's theater program and earned a scholarship for talent. He appeared in several of the university's plays, gravitating toward those with social themes, such as Russian playwright Maxim Gorky's The Lower Depths, a depiction of the hardships of lower-class life.  In 1957, he met Violeta Parra, a singer who had steered folk music in Chile away from the rote reproduction of rural materials toward modern song composition rooted in traditional forms, and who had established musical community centers called penas to incorporate folk music into the everyday life of modern Chileans. Jara absorbed these lessons and began singing with a group called Cuncumen, with whom he continued his explorations of Chile's traditional music. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda.  In the 1960s, Jara started specializing in folk music and sang at Santiago's La Pena de Los Parra, owned by Angel Parra. Through these activities, he became involved in the Nueva Cancion movement of Latin American folk music. He released his first album, Canto a lo humano, in 1966, and by 1970, he had left his theater work in favor of a career in music. His songs were inspired by a combination of traditional folk music and left-wing political activism. From this period, some of his best-known songs are "Plegaria a un Labrador" ("Prayer to a Worker") and "Te Recuerdo Amanda" ("I Remember You Amanda").
QUESTION: Where else did he sing?
IN: Thich Quang Duc (Vietnamese: [thic kwa:NG dik] ( listen); 1897--11 June 1963, born Lam Van Tuc), was a Vietnamese Mahayana Buddhist monk who burned himself to death at a busy Saigon road intersection on 11 June 1963. Quang Duc was protesting the persecution of Buddhists by the South Vietnamese government led by Ngo Dinh Diem. Photographs of his self-immolation were circulated widely across the world and brought attention to the policies of the Diem government. John F. Kennedy said in reference to a photograph of Duc on fire, "No news picture in history has generated so much emotion around the world as that one."

In a country where surveys of the religious composition at the time estimated the Buddhist majority to be between 70 and 90 percent, President Diem was a member of the Catholic minority, and pursued discriminatory policies favoring Catholics for public service and military promotions, as well as in the allocation of land, business arrangements and tax concessions. Diem once told a high-ranking officer, forgetting that the officer was from a Buddhist family, "Put your Catholic officers in sensitive places. They can be trusted." Many officers in the Army of the Republic of Vietnam converted to Roman Catholicism as their military prospects depended on it. Additionally, the distribution of firearms to village self-defense militias saw weapons given only to Roman Catholics, with some Buddhists in the army being denied promotion if they refused to convert to Roman Catholicism.  Some Roman Catholic priests ran their own private armies, and there were forced conversions and looting, shelling, and demolition of pagodas in some areas, to which the government turned a blind eye. Some Buddhist villages converted en masse to receive aid or avoid being forcibly resettled by Diem's regime. The "private" status that was imposed on Buddhism by the French, which required official permission to be obtained by those wishing to conduct public Buddhist activities, was not repealed by Diem. Catholics were also de facto exempt from corvee labor, which the government obliged all citizens to perform, and United States aid was distributed disproportionately to Catholic majority villages by Diem's regime.  The Roman Catholic Church was the largest landowner in the country and enjoyed special exemptions in property acquisition, and land owned by the Roman Catholic Church was exempt from land reform. The white and gold Vatican flag was regularly flown at all major public events in South Vietnam, and Diem dedicated his country to the Virgin Mary in 1959.  Buddhist discontent erupted following a ban in early May on flying the Buddhist flag in Hue on Vesak, the birthday of Gautama Buddha. Just days before, Catholics had been encouraged to fly the Vatican flag at a celebration for Archbishop Ngo Dinh Thuc of Hue, Diem's elder brother. A large crowd of Buddhists protested the ban, defying the government by flying Buddhist flags on the Buddhist holy day of Vesak and marching on the government broadcasting station. Government forces fired into the crowd of protesters, killing nine people. Diem's refusal to take responsibility -- he blamed the Viet Cong for the deaths -- led to further Buddhist protests and calls for religious equality. As Diem remained unwilling to comply with Buddhist demands, the frequency of protests increased.
QUESTION:
Was most of the country also buddhist?