input: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison. He won the pole for the Food City 500, setting a new track record. He was seriously injured in a wreck at Pocono Raceway which sidelined him for the season.  Bown returned to racing in 1995 in four Busch races, finishing ninth at Charlotte Motor Speedway in the No. 05 Key Motorsports Ford. He competed in nine Cup races in the No. 32 Chevrolet Monte Carlo for Active Motorsports, his best finish a 21st at Charlotte. In 1996, Bown drove for a variety of teams in the Busch Series, his best finish 21st at Darlington Raceway. He drove the Sadler Brothers Racing' No. 95 Ford in three Winston Cup Series events but only finished one race.  In 1997, Bown began racing in the Craftsman Truck Series, driving the No. 99 Ford F-150 for Roush Racing. Despite not winning a race, he had four top-fives and finished ninth in the standings. The next season, Bown qualified on the pole at the season opener at Walt Disney World Speedway, but finished 25th. After that race, he was released from Roush due to downsizing. He movted to the No. 57 CSG Motorsports Ford driving in six events before being released. He ended the season driving the No. 67 Chevrolet Silverado in a pair of races, finishing seventeenth at Phoenix.  In 1999, Bown returned to Hensley to drive their No. 63 Chevrolet. Despite a seventh-place finish at Charlotte, Bown was released from the team halfway into the season, and soon retired.

Answer this question "Did he retire after that wreck or did he kept on racing after that?"
output: Bown returned to racing in 1995 in four Busch races,

input: Compared with the other grunge bands of the early 1990s, Pearl Jam's style is noticeably less heavy and harkens back to the classic rock music of the 1970s. Pearl Jam has cited many punk rock and classic rock bands as influences, including The Who, Led Zeppelin, Neil Young, Kiss and the Ramones. Pearl Jam's success has been attributed to its sound, which fuses "the riff-heavy stadium rock of the '70s with the grit and anger of '80s post-punk, without ever neglecting hooks and choruses." Gossard's rhythm guitar style is known for its sense of beat and groove, while McCready's lead guitar style, influenced by artists such as Jimi Hendrix, has been described as "feel-oriented" and "rootsy."  Pearl Jam has broadened its musical range with subsequent releases. As he had more influence on the band's sound, Vedder sought to make the band's musical output less catchy. He said, "I felt that with more popularity, we were going to be crushed, our heads were going to pop like grapes." By 1994's Vitalogy, the band began to incorporate more punk influences into its music. The band's 1996 album, No Code, was a deliberate break from the musical style of Ten. The songs on the album featured elements of garage rock, worldbeat, and experimentalism. After Yield in 1998, which was somewhat of a return to the straightforward rock approach of the band's early work, they dabbled with experimental art rock on the Binaural album of 2000, and with folk rock elements on the 2002 Riot Act album. The band's 2006 album, Pearl Jam, was cited as a return to their early sound. Their 2009 album, Backspacer, contains elements of pop and new wave.  Critic Jim DeRogatis describes Vedder's vocals as a "Jim Morrison-like vocal growl." Greg Prato of AllMusic said, "With his hard-hitting and often confessional lyrical style and Jim Morrison-esque baritone, Vedder also became one of the most copied lead singers in all of rock." Vedder's lyrical topics range from personal ("Alive", "Better Man") to social and political concerns ("Even Flow", "World Wide Suicide"). His lyrics have often invoked the use of storytelling and have included themes of freedom, individualism, and sympathy for troubled individuals. When the band started, Gossard and McCready were clearly designated as rhythm and lead guitarists, respectively. The dynamic began to change when Vedder started to play more rhythm guitar during the Vitalogy era. McCready said in 2006, "Even though there are three guitars, I think there's maybe more room now. Stone will pull back and play a two-note line and Ed will do a power chord thing, and I fit into all that."

Answer this question "What other interesting inspects in this article?"
output: Vedder sought to make the band's musical output less catchy.

input: The band is known for its attention-grabbing image; the members perform wearing unique, individual facemasks and matching uniforms--typically jumpsuits--while each member is typically assigned and referred to by number based on their role in the band (#0 through #8), although the latter practice has diminished following the death of Paul Gray.  The band has said the idea of wearing masks stemmed from a clown mask that Crahan took to rehearsals when the band first started. Crahan later became known for his clown masks, adopting the pseudonym "Shawn the Clown". The concept developed; by late 1997, the band decided every band member would wear a unique mask and matching jumpsuit. Taylor said in 2002, "it's our way of becoming more intimate with the music. It's a way for us to become unconscious of who we are and what we do outside of music. It's a way for us to kind of crawl inside it and be able to use it." The concept of wearing matching jumpsuits has been described as a response to commercialism in the music industry and led to the idea of assigning the band members numerical aliases. According to Taylor, "Originally, we were just going to wear the jumpsuits ...  we figured we might as well take that further and number ourselves ...  We were basically saying, 'Hey, we're a product!'".  During their careers, the members of Slipknot have developed their images, updating their uniforms and each member's mask upon the release of each album. The appearance and style of the masks do not usually differ significantly between albums; members typically maintain the established theme of their mask while adding new elements. Jordison, in an interview in 2004, said the masks are updated to show growth within each individual. Slipknot's members have worn special masks for specific occasions, most notably for the music video and live performances of "Vermilion" in 2004 and 2005 when they wore life masks made from casts of their own faces. In 2008, the band wore a set of large masks titled "purgatory masks" during photograph shoots before the release of All Hope Is Gone; in the music video for "Psychosocial" they are seen burning them. Shortly after its inception, Slipknot's masks were homemade, but since 2000 they have been custom-made by special effect artist and musician Screaming Mad George.  The band's image has been the subject of much criticism and controversy, with critics generally accusing it of being a sales gimmick. The band's members object to these claims; according to them the masks are used to divert attention from themselves and put it on the music. Several band members have said wearing the masks helps to maintain privacy in their personal lives. During an interview in 2005, percussionist Fehn said the masks were a "blessing" because they meant the members are not recognized in public. In 2012, Slipknot released an app for iOS and Android called "Slipknot: Wear the Mask", which invites fans to construct their own masks, defining the kind of Slipknot fans they are.

Answer this question "What is an example of this?"
output:
Crahan later became known for his clown masks,