Question: Avenged Sevenfold (sometimes abbreviated as A7X) is an American heavy metal band from Huntington Beach, California, formed in 1999. The band's current lineup consists of lead vocalist M. Shadows, rhythm guitarist and backing vocalist Zacky Vengeance, lead guitarist and backing vocalist Synyster Gates, bassist and backing vocalist Johnny Christ, and drummer Brooks Wackerman. Avenged Sevenfold is known for its diverse rock sound and dramatic imagery in album covers and merchandise. Avenged Sevenfold emerged with a metalcore sound on the band's debut Sounding the Seventh Trumpet and continued this sound through their second album Waking the Fallen.

The band's influences include Guns N' Roses, Iron Maiden, Megadeth, Pantera, Bad Religion, Dream Theater, Motorhead, Metallica, Black Sabbath, Led Zeppelin, The Rolling Stones, In Flames, At the Gates, Helloween, Queensryche, System of a Down, AC/DC, NOFX, Alice in Chains, Black Flag, Corrosion of Conformity, Suicidal Tendencies, Misfits, Slayer, The Vandals, Soundgarden, Rage Against the Machine, Korn, Slipknot, Deftones, Beastie Boys, Biohazard, Type O Negative, Anthrax and AFI.  The band has been categorized under many genres of heavy music. Mainly categorized as heavy metal, hard rock, progressive metal and metalcore, Avenged Sevenfold's music has evolved over most of the band's career. At first, the band's debut album Sounding the Seventh Trumpet consisted almost entirely of a metalcore sound; however, there were several deviations from this genre, most notably in "Streets", which shows a punk rock style, and "Warmness on the Soul", which is a piano ballad. On Waking the Fallen, the band displayed a metalcore style once more, but added more clean singing and leaned a bit more towards metal and bit less close to hardcore. In the band's DVD All Excess, producer Andrew Murdock explained this transition: "When I met the band after Sounding the Seventh Trumpet had come out before they had recorded Waking the Fallen, M. Shadows said to me 'This record is screaming. The record we want to make is going to be half-screaming half-singing. I don't want to scream anymore. And the record after that is going to be all singing'."  On City of Evil, Avenged Sevenfold's third album, the band chose to abandon the metalcore genre, using a more hard rock and heavy metal style. Avenged Sevenfold's self-titled album, however, has some experiments with other music genres than that from City of Evil, most notably in "Dear God", which shows a country style and "A Little Piece of Heaven", which is circled within the influence of Broadway show tunes, using primarily brass instruments and stringed orchestra to take over most of the role of the lead and rhythm guitar. Nightmare contains further deviations, including a piano ballad called "Fiction", progressive metal-oriented track "Save Me" and a heavy metal sound with extreme vocals and heavier instrumentation on "God Hates Us". The band's sixth studio album Hail to the King shows more of a classic metal sound and a riff-oriented approach. On their newest album The Stage, the band explores further into progressive metal, blending it with elements of thrash metal. In the past, Avenged Sevenfold has also been described as alternative metal, screamo, and pop punk metal.  The band has been criticized for "not being metal enough". Vocalist M. Shadows responded to this with, "we play music for the sake of music, not so that we can be labeled a metal band. That's like telling us we aren't punk enough. Who cares?" Avenged Sevenfold is one of the notable acts of the New Wave of American Heavy Metal.

Using a quote from the above article, answer the following question: Was Dear God considered as  heavy as their previous songs ?
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Answer: "Dear God", which shows a country style


Question: Wilhelm Stekel (German: ['Ste:k@l]; 18 March 1868 - 25 June 1940) was an Austrian physician and psychologist, who became one of Sigmund Freud's earliest followers, and was once described as "Freud's most distinguished pupil". According to Ernest Jones, "Stekel may be accorded the honour, together with Freud, of having founded the first psycho-analytic society"; while he also described him as "a naturally gifted psychologist with an unusual flair for detecting repressed material." He later had a falling-out with Freud, who announced in November 1912 that "Stekel is going his own way". His works are translated and published in many languages.

Stekel made significant contributions to symbolism in dreams, "as successive editions of The Interpretation of Dreams attest, with their explicit acknowledgement of Freud's debt to Stekel": "the works of Wilhelm Stekel and others...since taught me to form a truer estimate of the extent and importance of symbolism in dreams".  Considering obsessional doubts, Stekel said,  In anxiety the libido is transformed into organic and somatic symptoms; in doubt, the libido is transformed into intellectual symptoms. The more intellectual someone is, the greater will be the doubt component of the transformed forces. Doubt becomes pleasure sublimated as intellectual achievement.  Stekel wrote one of a set of three early "Psychoanalytic studies of psychical impotence" referred to approvingly by Freud: "Freud had written a preface to Stekel's book". Related to this may be Stekel's "elaboration of the idea that everyone, and in particular neurotics, has a peculiar form of sexual gratification which is alone adequate".  Freud credited Stekel as a potential forerunner when pondering the possibility that (for obsessional neurotics) "in the order of development hate is the precursor of love. This is perhaps the meaning of an assertion by Stekel (1911 [Die Sprache des Traumes], 536), which at the time I found incomprehensible, to the effect that hate and not love is the primary emotional relation between men". The same work is credited by Otto Fenichel as establishing 'the symbolic significance of right and left...right meaning correct and left meaning wrong '. Less flatteringly, Fenichel also associated it with "a comparatively large school of pseudo analysis which held that the patient should be 'bombarded' with 'deep interpretations,'" a backhanded tribute to the extent of Stekel's early following in the wake of his break with Freud.

Using a quote from the above article, answer the following question: What were some of Wilhelm's other ideas?
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Answer:
The more intellectual someone is, the greater will be the doubt component of the transformed forces. Doubt becomes pleasure sublimated as intellectual achievement.