Question: Skinny Puppy is a Canadian industrial music group formed in Vancouver, British Columbia in 1982. The group is widely considered to be one of the founders of the electro-industrial genre. Initially envisioned as an experimental side project by cEvin Key (Kevin Crompton) while he was in the new wave band Images in Vogue, Skinny Puppy evolved into a full-time project with the addition of vocalist Nivek Ogre (Kevin Ogilvie). Over the course of a dozen studio albums and many live tours, Key and Ogre have been the only constant members.

Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side."

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
HHHHHH
Answer: the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop",

Problem: Vijay Dhondopant Tendulkar was born on 6 January 1928 in Girgaon, Mumbai, Maharashtra, where his father held a clerical job and ran a small publishing business. The literary environment at home prompted young Vijay to take up writing. He wrote his first story at age six. He grew up watching western plays and felt inspired to write plays himself.

Tendulkar began his career writing for newspapers. He had already written a play, Amcyavar Kon Prem Karnar (aamcyaavrr konn prem krnnaar Who will Love us?), and he wrote the play, Grhastha (The Householder), in his early 20s. The latter did not receive much recognition from the audience, and he vowed never to write again.  Breaking the vow, in 1956 he wrote Srimant, which established him as a good writer. Srimant jolted the conservative audience of the times with its radical storyline, wherein an unmarried young woman decides to keep her unborn child while her rich father tries to "buy" her a husband in an attempt to save his social prestige.  Tendulkar's early struggle for survival and living for some time in tenements ("cal/chawls") in Mumbai provided him first-hand experience about the life of urban lower middle class. He thus brought new authenticity to their depiction in Marathi theatre. Tendulkar's writings rapidly changed the storyline of modern Marathi theatre in the 1950s and the 60s, with experimental presentations by theatre groups like Rangayan. Actors in these theatre groups like Shriram Lagoo, Mohan Agashe, and Sulabha Deshpande brought new authenticity and power to Tendulkar's stories while introducing new sensibilities in Marathi theatre.  Tendulkar wrote the play Gidhade (The Vultures) in 1961, but it was not produced until 1970. The play was set in a morally collapsed family structure and explored the theme of violence. In his following creations, Tendulkar explored violence in its various forms: domestic, sexual, communal, and political. Thus, Gidhade proved to be a turning point in Tendulkar's writings with regard to establishment of his own unique writing style.  Based on a 1956 short story, Die Panne ("Traps") by Friedrich Durrenmatt, Tendulkar wrote the play, Santata! Court Calu Ahe ("Silence! The Court Is in Session"). It was presented on the stage for the first time in 1967 and proved as one of his finest works. Satyadev Dubey presented it in movie form in 1971 with Tendulkar's collaboration as the screenplay writer.

what were his other jobs?

Answer with quotes:
Satyadev Dubey presented it in movie form in 1971 with Tendulkar's collaboration as the screenplay writer.