Some context: Lenny Bruce was born Leonard Alfred Schneider to a Jewish family in Mineola, New York, grew up in nearby Bellmore, and attended Wellington C. Mepham High School. His parents divorced when he was five years old (the documentary Lenny Bruce: Swear to Tell the Truth claims he was eight years old), and Lenny lived with various relatives over the next decade. His British-born father, Myron (Mickey) Schneider, was a shoe clerk and Lenny saw him very infrequently.
On October 4, 1961, Bruce was arrested for obscenity at the Jazz Workshop in San Francisco; he had used the word cocksucker and riffed that "to is a preposition, come is a verb", that the sexual context of come is so common that it bears no weight, and that if someone hearing it becomes upset, he "probably can't come". Although the jury acquitted him, other law enforcement agencies began monitoring his appearances, resulting in frequent arrests under charges of obscenity.  Bruce was arrested again in 1961, in Philadelphia, for drug possession and again in Los Angeles, two years later. The Los Angeles arrest took place in then-unincorporated West Hollywood, and the arresting officer was a young deputy named Sherman Block, who later became County Sheriff. The specification this time was that the comedian had used the word schmuck, an insulting Yiddish term that is an obscene term for penis. The Hollywood charges were later dismissed.  On December 5, 1962, Bruce was arrested on stage at the legendary Gate of Horn folk club in Chicago. The same year he played at Peter Cook's The Establishment club in London, and in April the next year he was barred from entering England by the Home Office as an "undesirable alien".  In April 1964, he appeared twice at the Cafe Au Go Go in Greenwich Village, with undercover police detectives in the audience. He was arrested along with the club owners, Howard and Elly Solomon, who were arrested for allowing an obscene performance to take place. On both occasions, he was arrested after leaving the stage, the complaints again pertaining to his use of various obscenities.  A three-judge panel presided over his widely publicized six-month trial, prosecuted by Manhattan Assistant D.A. Richard Kuh, with Ephraim London and Martin Garbus as the defense attorneys. Bruce and club owner Howard Solomon were both found guilty of obscenity on November 4, 1964. The conviction was announced despite positive testimony and petitions of support from - among other artists, writers and educators - Woody Allen, Bob Dylan, Jules Feiffer, Allen Ginsberg, Norman Mailer, William Styron, and James Baldwin, and Manhattan journalist and television personality Dorothy Kilgallen and sociologist Herbert Gans. Bruce was sentenced on December 21, 1964 to four months in a workhouse; he was set free on bail during the appeals process and died before the appeal was decided. Solomon later saw his conviction overturned; Bruce, who died before the decision, never had his conviction stricken. Bruce later received a full posthumous gubernatorial pardon.
What was Bruce arrested for?
A: On October 4, 1961, Bruce was arrested for obscenity at the Jazz Workshop in San Francisco;
Some context: "Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Willie Mae "Big Mama" Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which is ranked number 19 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time; it is also one of the best-selling singles of all time.
Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog."
Is there another rip off song mentioned?
A: