Background: Shyam Benegal (born 14 December 1934) is an Indian director and screenwriter. With his first four feature films Ankur (1973), Nishant (1975), Manthan (1976) and Bhumika (1977) he was part of a new genre, which has now come to be called the "middle cinema" in India. He has expressed dislike of the term, preferring his work to be called New or Alternate cinema. Benegal was awarded the Padma Shri in 1976 and the Padma Bhushan in 1991.
Context: Unlike most New Cinema filmmakers, Benegal has had private backers for many of his films and institutional backing for a few, including Manthan (National Dairy Development Board) and Susman (1987) (Handloom Co-operatives). However, his films did not have proper releases. He turned to TV where he directed serials such as Yatra (1986), for the Indian Railways, and one of the biggest projects undertaken on Indian television, the 53-episode television serial Bharat Ek Khoj (1988) based on Jawaharlal Nehru's book, Discovery of India.  This gave him an added advantage, as he managed to survive the collapse of the New Cinema movement in the late 1980s due to paucity of funding, with which were lost many neo-realist filmmakers. Benegal continued making films throughout the next two decades. He also served as the Director of the National Film Development Corporation (NFDC) from 1980 to 1986.  Following the success of these four films, Benegal was backed by star Shashi Kapoor, for whom he made Junoon (1978) and Kalyug (1981). The former was an interracial love story set amidst the turbulent period of the Indian Mutiny of 1857, while the latter was based on the Mahabharata and was not a big hit, although both won Filmfare Best Movie Awards in 1980 and 1982, respectively.  Benegal's next film Mandi (1983), was a satirical comedy about politics and prostitution, starring Shabana Azmi and Smita Patil. Later, working from his own story, based on the last days of Portuguese in Goa, in the early 1960s, Shyam explored human relationships in Trikal (1985).  Soon, Shyam Benegal stepped beyond traditional narrative films and took to biographical material to achieve greater freedom of expression. His first venture in this genre was with a documentary film based on Satyajit Ray's life, Satyajit Ray, in 1985. This was followed by works such as Sardari Begum (1996) and Zubeidaa, which was written by filmmaker and critic Khalid Mohamed.  In 1985 he was a member of the jury at the 14th Moscow International Film Festival.
Question: did he win any awards?. Whats the answer?
won Filmfare Best Movie Awards in 1980 and 1982,