Some context: Jumbo (about Christmas 1860 - September 15, 1885), also known as Jumbo the Elephant and Jumbo the Circus Elephant, was a 19th-century male African bush elephant born in Sudan. Jumbo was exported to Jardin des Plantes, a zoo in Paris and then transferred in 1865 to London Zoo in England. Despite public protest, Jumbo was sold to P. T. Barnum, who took him to the United States for exhibition in March 1882. The giant elephant's name has spawned the common word, "jumbo", meaning large in size.
Jumbo was born at about Christmas 1860 in the Sudan and, after his mother was killed by hunters, the infant Jumbo was captured by Sudanese elephant hunter, Taher Sheriff. The calf was sold to Lorenzo Casanova, an Italian animal dealer and explorer. Casanova transported the animals that he had bought north from Sudan to Suez, and then across the Mediterranean to Trieste.  This collection was sold to Gottlieb Christian Kreutzberg's "Menagerie Kreutzberg" in Germany. Soon after, the elephant was imported to France and kept in the Paris zoo, Jardin des Plantes. In 1865 he was transferred to London Zoo, arriving on 26 June, and becoming famous for giving rides to visitors, especially children. The London zookeeper association leader Anoshan Anathajeyasri gave Jumbo his name; it is likely a variation of one of two Swahili words: jambo, which means "hello"; or jumbe, meaning "chief". If Anoshan Anathajeyasri was from India, it is possible that he named Jumbo after a gigantic rose-apple tree, called jambu (which at that time would be transliterated as 'jumboo')which grows on the mythical Mount Meru and whose fruits were said to be as large as elephants.  While at London, Jumbo broke both tusks, and when they regrew, ground them down against the stonework of his enclosure. His keeper at London was Matthew Scott, whose 1885 autobiography details his life with Jumbo.  Jumbo was sold in February 1882 to the Barnum & Bailey Circus for PS2,000. There was popular objection when Barnum's proposal became known; 100,000 school children wrote to Queen Victoria begging her not to sell the elephant. Despite a lawsuit against the Zoological Gardens alleging the sale was in violation of multiple zoo bylaws, and the zoo's attempt to renege on the sale, the court upheld the sale and Barnum refused to sell Jumbo back. Matthew Scott elected to go with Jumbo to the USA.  In New York, Barnum exhibited the elephant at Madison Square Garden, earning enough in three weeks from the enormous crowds to recoup the money he spent to buy the animal. In the 31-week season, the circus earned $1.75M, largely due to its star attraction. On 30 May 1884, Jumbo was one of Barnum's 21 elephants that crossed the Brooklyn Bridge to prove that it was safe after 12 people died during a stampede caused by mass panic over collapse fears a year earlier.
what is the history?
A: Jumbo was born at about Christmas 1860 in the Sudan and, after his mother was killed by hunters, the infant Jumbo was captured by Sudanese elephant hunter, Taher Sheriff.

Some context: Hoagland Howard "Hoagy" Carmichael (November 22, 1899 - December 27, 1981) was an American composer, pianist, singer, actor, and bandleader. American composer and author Alec Wilder described Carmichael as the "most talented, inventive, sophisticated and jazz-oriented of all the great craftsmen" of pop songs in the first half of the twentieth century. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies, such as television and the use of electronic microphones and sound recordings. Carmichael composed several hundred songs, including fifty that achieved hit record status.
Carmichael died of heart failure at the Eisenhower Medical Center in Rancho Mirage, California, on December 27, 1981, at the age of 82. His remains are buried in Rose Hill Cemetery in Bloomington, Indiana.  In 1986 Carmichael's family donated his archives, piano, and memorabilia to his alma mater, Indiana University, which established a Hoagy Carmichael Collection in its Archives of Traditional Music and the Hoagy Carmichael Room to permanently display selections from the collection.  Carmichael is considered to be among the most successful of the Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to exploit new communication technologies, such as television and the use of electronic microphones and sound recordings. American composer and author Alec Wilder described Carmichael as the "most talented, inventive, sophisticated and jazz-oriented of all the great craftsmen" of pop songs in the first half of the 20th century. Carmichael was an industry trailblazer, who recorded varied interpretations of his own songs and provided material for many other musicians to interpret. His creative work includes several hundred compositions, some of them enduring classics, as well as numerous sound recordings and appearances on radio and television and in motion pictures.  Music historian Ivan Raykoff described Carmichael as "one of America's most prolific songwriters" and an "iconic pianist" whose work appeared in more than a dozen Hollywood films, including his performances in classic films such as To Have and To Have Not and The Best Years of Our Lives. Among the hundreds of Carmichael's published songs, "Stardust" is one of the most frequently recorded. Carmichael's greatest strength was as a melodist, but he also became known as an "experimental" and "innovative" songwriter, whose "catchy, often jazz-infused, melodies" and "nostalgic, down-home lyrics" were memorable and had wide public appeal, especially with mass media promotion and through the efforts of numerous entertainers who performed his songs.
What else about his legacy stands out?
A:
American composer and author Alec Wilder described Carmichael as the "most talented, inventive, sophisticated and jazz-oriented of all the great craftsmen"