Problem: Background: Griffey was born in Donora, Pennsylvania, on November 21, 1969. (He shares a birthday with another Donora native and Hall-of-Famer, Stan Musial.) His family moved to Cincinnati, Ohio, where his father, Ken Griffey Sr., played for the Cincinnati Reds, when Ken Jr. was six years old. Ken Jr. was in the clubhouse during his father's back-to-back championships in the 1975 and 1976 World Series.
Context: As a free agent, Griffey was courted by the Mariners and the Atlanta Braves. The national media was dubious about Griffey's declining skills, with The Washington Post noting "...the Mariners are not about to sign Griffey for baseball reasons; they're bringing him back to Seattle to sell tickets." Griffey ultimately accepted a contract offer from the Mariners on February 18, 2009, after "agonizing" over the decision. Griffey indicated he was motivated by sentimental reasons toward Seattle, where he received an overwhelmingly positive reception when he last played there as a Cincinnati Red in June 2007, but was inclined towards the Braves for its proximity to his home in Orlando, Florida, and his desire to be with his family during the season. Apparently, Griffey was very close to signing with the Braves; however, a premature report emerged from The Atlanta Journal-Constitution that an Atlanta deal was done and a conversation with Willie Mays and his own 13-year-old daughter played a factor in his choice. Griffey once again sported #24 with the Mariners; the team had not issued the number to any player or coach in the nine years between his two stints in Seattle.  Griffey went 1-2 with a home run in his regular season debut against the Minnesota Twins. The home run was Griffey's eighth Opening Day home run; as of 2013, he is tied with Frank Robinson and Adam Dunn for first place in this category. On April 15, 2009, Griffey hit his 400th home run as a Mariner (613th of career), off Los Angeles Angels pitcher Jered Weaver, becoming the first MLB player to hit 400 home runs with one club (Mariners) and 200 home runs with another (Reds). AP stated, "Griffey returned to the Mariners in 2009 and almost single-handedly transformed what had been a fractured, bickering clubhouse with his leadership, energy and constant pranks."  On June 23, 2009, at Safeco Field, Griffey hit the 5,000th home run in franchise history, off San Diego Padres pitcher Chad Gaudin. This was Griffey's 619th career home run. On September 1, Griffey hit career home run #621 at the new Yankee Stadium, off Yankees pitcher Andy Pettitte in the sixth inning. It marked the 44th different ballpark in which he had hit a home run. On August 12, 2009, against his former team, the Chicago White Sox, he hit an RBI single in the bottom of the 14th inning to win the game, 1-0, for the Mariners.  Griffey returned to the Mariners for the 2010 campaign with a similar contract to that of 2009, but struggled offensively over the first two months while posting a .184 batting average. On April 27, Griffey passed Andre Dawson for 45th on the career hit list. On May 20, 2010, in a game against the Toronto Blue Jays, Griffey hit an RBI single off Blue Jays' closer Kevin Gregg to win the game, 4-3, for the Mariners. After starting the ninth inning trailing 3-1, the Mariners rallied in the bottom of the ninth to load the bases on two singles and a walk, then tied the game via a walk and a sacrifice fly. The walk-off single was the final hit and RBI of Griffey's Major League Baseball career, and moved him past Rafael Palmeiro to 14th on the all-time RBI list.
Question: did he set any records?
Answer: The home run was Griffey's eighth Opening Day home run; as of 2013, he is tied with Frank Robinson and Adam Dunn for first place in this category.

Problem: Background: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:
Context: In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society.  Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time".  Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater.  Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.
Question: Are there any other interesting aspects about this article?
Answer:
With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female.