Background: Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader Eva Peron, the second wife of Argentine president Juan Peron. The story follows Evita's early life, rise to power, charity work, and eventual death. The musical began as a rock opera concept album released in 1976.
Context: In Buenos Aires on July 26, 1952, an audience is watching a film ("A Cinema in Buenos Aires, July 26, 1952"). The film is interrupted when news breaks of the death of Eva Peron, Argentina's First Lady, at the age of 33. The nation goes into public mourning as they sing "Requiem for Evita" (in Latin, which is modelled on a Catholic requiem). Che, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing, for years" ("Oh What a Circus").  In 1934, 15-year-old Eva Duarte (later Eva Duarte de Peron) lives in the provincial town of Junin, and longs to seek a better life in Buenos Aires. Eva falls in love with a tango singer, Agustin Magaldi, after she meets him at one of his shows ("On This Night of a Thousand Stars"). Eva persuades Magaldi into taking her with him to Buenos Aires and though he is initially resistant, he eventually accepts ("Eva, Beware of the City"). Upon her arrival at the city, Eva sings about her hopes and ambitions of glory as an actress ("Buenos Aires"). After Magaldi leaves her, and Che relates the story of how Eva goes through several relationships with increasingly influential men, becoming a model, actress and radio personality ("Goodnight and Thank You"). He then tells of both a right-wing coup in 1943 and Eva's success, implying that Argentine politics and Eva's career may soon coincide. Che also makes a point to introduce the figure of Colonel Juan Domingo Peron, an ambitious military colonel who was making his way up the Argentine political ladder ("The Lady's Got Potential"). In a game of musical chairs that represents the rise of political figures, Peron and other military figures compete for power and exhibit their political strategy ("The Art of the Possible").  After the 1944 San Juan earthquake, Peron organises a charity concert at Luna Park to provide aid to the victims. Eva attends and briefly reunites with Magaldi, who spurns her for her past actions. Peron addresses the crowd with words of encouragement and leaps off the stage, meeting Eva as soon as he exits ("Charity Concert"). Eva and Peron share a secret rendezvous following the charity concert, where Eva hints that she could help Peron rise to power ("I'd Be Surprisingly Good For You"). Eva dismisses Peron's Mistress (the character is known only by that title), who ponders the rejection ("Another Suitcase in Another Hall").  After moving in with Peron, Eva is introduced to high society, but she is met with disdain from the upper classes and the Argentine Army ("Peron's Latest Flame"). In 1946, Peron launches his presidential bid after being promoted to general in the army, and while in bed with Eva, he discusses his chances of winning the election. Eva reassures him and soon they organise rallies where the people show their support and hope for a better future, while on the sidelines Peron and his allies plot to dispose of anyone who stands in their way ("A New Argentina").
Question: Where does it first start out at?
Answer: In Buenos Aires on July 26, 1952,

Problem: Background: Benjamin Ryan Tillman (August 11, 1847 - July 3, 1918) was a politician of the Democratic Party who served as Governor of South Carolina from 1890 to 1894, and a United States Senator from 1895 until his death in 1918. A white supremacist who opposed civil rights for blacks, Tillman led a paramilitary group of Red Shirts during South Carolina's violent 1876 election. On the floor of the U.S. Senate, he frequently ridiculed blacks, and boasted of having helped to kill them during that campaign. In the 1880s, Tillman, a wealthy landowner, became dissatisfied with the Democratic leadership and led a movement of white farmers calling for reform.
Context: Tillman was sworn in as governor in Columbia on December 4, 1890, before a crowd of jubilant supporters, the largest to see South Carolina's governor inaugurated since Hampton's swearing-in. In his inaugural address, Tillman celebrated his victory, "the citizens of this great commonwealth have for the first time in its history demanded and obtained for themselves the right to choose her Governor; and I, as the exponent and leader of the revolution which brought about the change, am here to take the solemn oath of office ... the triumph of democracy and white supremacy over mongrelism and anarchy, of civilization over barbarism, has been most complete."  Tillman made it clear he was not content that African Americans were allowed even a limited role in the political life of South Carolina:  The whites have absolute control of the State government, and we intend at any and all hazards to retain it. The intelligent exercise of the right of suffrage ... is as yet beyond the capacity of the vast majority of colored men. We deny, without regard to color, that "all men are created equal"; it is not true now, and was not true when Jefferson wrote it.  The legislature, at Tillman's recommendation, reapportioned itself, costing Charleston County four of its twelve seats, and other lowcountry counties one each, with the seats going to the upcountry. Although Tillman sought to reduce public expenditures, he was not successful in doing so as his reform program required spending, and the legislature could find few savings to make. Construction of Clemson College was slowed, and subsidies for fairs were cut.  Among the matters before the new, Tillman-controlled legislature was who should fill the Senate seat held by Hampton, whose term expired in March 1891--until 1913, state legislatures elected senators. There was a call from many in the South Carolina Democratic Party to re-elect Hampton, who had played a major role in the state for the past thirty years, in war and peace. Tillman was embittered against Hampton for a number of slights, including the senator's neutrality in the race against Haskell. The legislature retired Hampton, who received only 43 of 157 votes, and sent Irby to Washington in his place. The ouster of Hampton was controversial, and remained so for decades afterwards; according to Simkins (writing in 1944), "to future generations of South Carolinians, Tillman's act was a ruthless violation of cherished traditions of which Hampton was a living symbol".
Question: Were the seats replaced by Republicans or Democrats?
Answer:
There was a call from many in the South Carolina Democratic Party to re-elect Hampton,