IN: Toru Takemitsu (Wu Man  Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.

Takemitsu frequently expressed his indebtedness to Claude Debussy, referring to the French composer as his "great mentor". As Arnold Whittall puts it:  Given the enthusiasm for the exotic and the Orient in these [Debussy and Messiaen] and other French composers, it is understandable that Takemitsu should have been attracted to the expressive and formal qualities of music in which flexibility of rhythm and richness of harmony count for so much.  For Takemitsu, Debussy's "greatest contribution was his unique orchestration which emphasizes colour, light and shadow ... the orchestration of Debussy has many musical focuses." He was fully aware of Debussy's own interest in Japanese art, (the cover of the first edition of La mer, for example, was famously adorned by Hokusai's The Great Wave off Kanagawa). For Takemitsu, this interest in Japanese culture, combined with his unique personality, and perhaps most importantly, his lineage as a composer of the French musical tradition running from Rameau and Lully through Berlioz in which colour is given special attention, gave Debussy his unique style and sense of orchestration.  During the composition of Green (November Steps II, for orchestra, 1967: "steeped in the sound-color world of the orchestral music of Claude Debussy") Takemitsu said he had taken the scores of Debussy's Prelude a l'Apres-midi d'un Faune and Jeux to the mountain villa where both this work and November Steps I were composed. For Oliver Knussen, "the final appearance of the main theme irresistibly prompts the thought that Takemitsu may, quite unconsciously, have been attempting a latter-day Japanese Apres-midi d'un Faune". Details of orchestration in Green, such as the prominent use of antique cymbals, and tremolandi harmonies in the strings, clearly point to the influence of Takemitsu's compositional mentor, and of these works in particular.  In Quotation of Dream (1991), direct quotations from Debussy's La Mer and Takemitsu's earlier works relating to the sea are incorporated into the musical flow ("stylistic jolts were not intended"), depicting the landscape outside the Japanese garden of his own music.

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OUT: In Quotation of Dream (1991), direct quotations from Debussy's La Mer and Takemitsu's earlier works relating to the sea are incorporated into the musical flow

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Hunter was born in New York City, the son of Gertrude (nee Gelien) and Charles Kelm. His mother, from Hamburg, was a German Roman Catholic immigrant, and his father was Jewish. Hunter's father was reportedly abusive, and within a few years of his birth, his parents divorced. Tab grew up in California with his mother, older brother Walter, and maternal grandparents, John Henry and Ida (nee Sonnenfleth)
One of Hunter's first films for Warners was The Sea Chase (1955), supporting John Wayne and Lana Turner. It was a big hit, but Hunter's part was relatively small. Rushes were seen by William Wellman, who cast Hunter to play the younger brother of Robert Mitchum in Track of the Cat (1955). It was a solid hit and Hunter began to get more notice.  His breakthrough role came when he was cast as the young Marine Danny in 1955's World War II drama Battle Cry. His character has an affair with an older woman, but ends up marrying the girl next door. It was based on a bestseller by Leon Uris and became Warner Bros largest grossing film of that year, cementing Hunter's position as one of Hollywood's top young romantic leads.  In September 1955 the tabloid magazine Confidential reported Hunter's 1950 arrest for disorderly conduct. The innuendo-laced article, and a second one focusing on Rory Calhoun's prison record, were the result of a deal Henry Willson had brokered with the scandal rag in exchange for not revealing his more prominent client Rock Hudson's sexual orientation to the public.  Not only did this have no negative effect on Hunter's career, a few months later he was named Most Promising New Personality in a nationwide poll sponsored by the Council of Motion Picture Organizations. In 1956, he received 62,000 Valentines. Hunter, James Dean and Natalie Wood were the last of the actors placed under exclusive studio contract to Warner Bros. Warners decided to promote him to star status, teaming him with Natalie Wood in two back-to-back films, a Western, The Burning Hills (1956), directed by Heisler, and The Girl He Left Behind (1956), a service comedy. These films also proved to be hits with audiences and Warners planned a third teaming of Hunter and Wood. Hunter rejected the third picture, thus ending Warner's attempt to make Tab and Natalie the William Powell and Myrna Loy of the 1950s. Hunter was Warner Bros.' most popular male star from 1955-1959.

What else did he star in?

teaming him with Natalie Wood in two back-to-back films, a Western, The Burning Hills (1956),

input: DCI Smith recruited Dulles to oversee the agency's covert operations as Deputy Director for Plans, a position he held from January 4, 1951. On August 23, 1951, Dulles was promoted to Deputy Director of Central Intelligence, second in the intelligence hierarchy. After the election of Dwight Eisenhower in 1952, Bedell Smith shifted to the Department of State and Dulles became the first civilian Director of Central Intelligence.  The Agency's covert operations were an important part of the Eisenhower administration's new Cold War national security policy known as the "New Look".  At Dulles' request, President Eisenhower demanded that Senator Joseph McCarthy discontinue issuing subpoenas against the CIA. In March 1950, McCarthy had initiated a series of investigations into potential communist subversion of the Agency. Although none of the investigations revealed any wrongdoing, the hearings were potentially damaging, not only to the CIA's reputation but also to the security of sensitive information. Documents made public in 2004 revealed that the CIA, under Dulles' orders, had broken into McCarthy's Senate office and fed disinformation to him in order to discredit him, in order to stop his investigation of communist infiltration of the CIA.  In the early 1950s, the United States Air Force conducted a competition for a new photo reconnaissance aircraft. Lockheed Aircraft Corporation's Skunk Works submitted a design number called the CL-282, which married sailplane-like wings to the body of a supersonic interceptor. This aircraft was rejected by the Air Force, but several of the civilians on the review board took notice, and Edwin Land presented a proposal for the aircraft to Dulles. The aircraft became what is known as the U-2 'spy plane', and it was initially operated by CIA pilots. Its introduction into operational service in 1957 greatly enhanced the CIA's ability to monitor Soviet activity through overhead photo surveillance. The aircraft eventually entered service with the Air Force. The Soviet Union shot down and captured a U-2 in 1960 during Dulles' term as CIA chief.  Dulles is considered one of the essential creators of the modern United States intelligence system and was an indispensable guide to clandestine operations during the Cold War. He established intelligence networks worldwide to check and counter Soviet and eastern European communist advances as well as international communist movements.

Answer this question "How long was Dulles' CIA career?"
output:
DCI Smith recruited Dulles to oversee the agency's covert operations as Deputy Director for Plans, a position he held from January 4, 1951.