Problem: Background: Jones was born on May 13, 1931 in a rural area of Crete, Indiana, to James Thurman Jones (1887-1951), a World War I veteran, and Lynetta Putnam (1902-1977). Jones was of Irish and Welsh descent; he later claimed partial Cherokee ancestry through his mother, but his maternal second cousin later stated this was likely untrue. Economic difficulties during the Great Depression necessitated that Jones' family move to the town of Lynn in 1934, where he grew up in a shack without plumbing.
Context: In 1960, Indianapolis Mayor Charles Boswell appointed Jones director of the Human Rights Commission. Jones ignored Boswell's advice to keep a low profile, finding new outlets for his views on local radio and television programs. When the mayor and other commissioners asked Jones to curtail his public actions, he resisted and was wildly cheered at a meeting of the NAACP and Urban League when he yelled for his audience to be more militant, and then climaxed with, "Let my people go!"  During this time, Jones also helped to racially integrate churches, restaurants, the telephone company, the police department, a theater, an amusement park, and the Methodist Hospital. After swastikas were painted on the homes of two African-American families, Jones personally walked the neighborhood comforting local black people and counseling white families not to move, in order to prevent white flight.  Jones set up stings to catch restaurants refusing to serve black customers and wrote to American Nazi leaders and then leaked their responses to the media. When Jones was accidentally placed in the black ward of a hospital after a collapse in 1961, he refused to be moved; he began to make the beds and empty the bed pans of black patients. Political pressures resulting from Jones' actions caused hospital officials to desegregate the wards.  Jones received considerable criticism in Indiana for his integrationist views. White-owned businesses and locals were critical of him. A swastika was placed on the Temple, a stick of dynamite was left in a Temple coal pile, and a dead cat was thrown at Jones' house after a threatening phone call. Other incidents occurred, though some suspect that Jones himself may have been involved in at least some of them.
Question: Was Jim Jones successful in integrating the races?
Answer: Jones also helped to racially integrate

Background: Peter Pan is a musical based on J. M. Barrie's 1904 play Peter Pan and Barrie's own novelization of it, Peter and Wendy. The music is mostly by Mark "Moose" Charlap, with additional music by Jule Styne, and most of the lyrics were written by Carolyn Leigh, with additional lyrics by Betty Comden and Adolph Green. The original 1954 Broadway production, starring Mary Martin as Peter and Cyril Ritchard as Captain Hook, earned Tony Awards for both stars. It was followed by NBC telecasts of it in 1955, 1956, and 1960 with the same stars, plus several rebroadcasts of the 1960 telecast.
Context: The Jolly Roger  Hook revels in his success ("Hook's Waltz"). As the plank is prepared, Hook hears the tick-tock of the crocodile and panics. It is actually Peter with a clock, and while Hook cowers Peter and the Boys help the Indians, the animals and Liza onto the ship and hide. Peter hides in a closet and kills two pirates Hook sends in. A third pirate, Starkey, refuses to obey Hook's order to go in and jumps overboard. The pirates then carry the Boys in, and the Boys pretend to be afraid as they are carried in. Peter disguises himself as a pirate, and the pirates think the "doodle-doo" (named so because Peter still crows after killing the pirates) killed all the Boys. Hook believes the ship is now cursed, and everyone thinks Wendy is the source. The pirates push Wendy to the plank. Peter ditches his disguise and the Indians and animals attack, as well as the Boys who are alive and armed. The pirates are all defeated, and Peter challenges Hook to a duel and defeats him. Hook threatens to blow up the ship with a bomb, but runs into the real crocodile (whom Peter also brought on the ship). Peter catches the dropped bomb and tosses it in the sea after Hook slides down the plank (which is shaped like a slide) with the crocodile chasing behind him. As Peter puts his fingers in his ears, the bomb explodes and Hook is either blown to smithereens or is eaten by the crocodile. Everyone sings Peter's praises ("I've Gotta Crow" [reprise]). Before the Darling children and the Lost Boys go to London, Liza asks Peter to teach her to crow ("I Gotta Crow" [2nd reprise]).  Back home, the Darlings sit by the nursery window night after night, hoping for the return of their children. The children silently reappear and sing to their mother ("Tender Shepherd" [reprise]). The Darlings happily agree to adopt the Lost Boys ("We Will Grow Up"). Wendy promises to wait for Peter, hoping that one day he will return for her.  Years pass, and Peter returns to the nursery, surprising a much older Wendy, who no longer expected him. He has come to take her to Neverland for Spring cleaning, but she declines as she is now grown up; married with a daughter of her own, Jane. Peter starts to cry, and Wendy leaves the room at the sound of her husband's offstage voice. Jane awakes and, like her mother before her, asks, "Boy, why are you crying?" Peter introduces himself, but Jane knows all about him from her mother's stories. She has been waiting for him to come take her to Neverland and to learn to fly. Peter, now happy again, throws fairy dust on her, but as they are about to leave, Wendy tries to stop them, saying, "Oh, if only I could go with you!" In the most poignant moment of the show, Peter answers with a sad but understanding smile, "You can't. You see, Wendy ... you're too grown up". And so Wendy reluctantly lets Jane go, "just for Spring cleaning." Her daughter and the "boy who wouldn't grow up" fly off into the night as Wendy watches from the window. ("Finale: Never Never Land [Reprise]")
Question: Was it a play?
Answer: