input: In June 1995, the band participated at the Dynamo Open Air festival in Netherlands.  Fear Factory's second album, Demanufacture, was released on June 12. Generally considered to be the band's defining work, features, in comparison to the overly brutal approach favored in the early recordings, a more industrial metal sound characterized by a mix of rapid fire thrash metal/industrial metal guitar riffs and tight, pulse driven drum beats, roaring (rather than growled, but still aggressive) vocals that made way for melodic singing and powerful bass lines.  The album's production is more refined and the integration of atmospheric keyboard parts and industrial textures upon Cazares' and Herrera's precise musicianship made the songs sound clinical, cold and machine-like and gave the band's music a futuristic feel than the band's previous works. Many fans consider Rhys Fulber's involvement with the band integral to this dimension of their sound. There were extensive contributions from Reynor Diego as well; adding key samples, loops and electronic flourishes to the group dynamics.  Demanufacture was awarded the maximum five-star rating in the UK's Kerrang! rock magazine. It went on to become a fairly successful album; whereas Soul of a New Machine failed to chart anywhere, Demanufacture made the Top 10 of the Billboard Heatseekers charts and a video was produced for the song "Replica". The video was featured in the Test Drive 5 video game for the PlayStation. The song "Zero Signal" was featured on the Mortal Kombat film soundtrack (1995). Instrumental versions of Demanufacture songs were later used in PC videogames Carmageddon and Messiah.  Fear Factory spent the next few years touring with such bands Black Sabbath, Megadeth and Iron Maiden, and opened for Ozzy Osbourne in North America and Europe during late 1995. They went on their first headlining European tour in mid-1996, with Manhole and Drain S.T.H. playing in clubs and music festivals, such as With Full Force, Waldrock or Graspop Metal Meeting. They also appeared at the Ozzfest in 1996 and 1997. In early 1997, they participated at the Big Day Out festival in Australia and New Zealand. In May 1997, the band released a new album composed of Demanufacture remixes by artists such as Rhys Fulber, DJ Dano or Junkie XL called Remanufacture - Cloning Technology. This was the band's first appearance on the Billboard 200 ;it also appeared on the Billboard Heatseekers chart. Roadrunner Records re-released, in a 10th Anniversary single package, Demanufacture and Remanufacture in 2005, which is similar to that of Soul of a New Machine (2004). This edition also includes bonus tracks from the digipak version of Demanufacture (1995).

Answer this question "Did the bank go on tour when releasing this album?"
output: Fear Factory spent the next few years touring with such bands Black Sabbath, Megadeth and Iron Maiden,

Problem: Background: Vieira was born in Providence, Rhode Island, and raised in nearby East Providence, the daughter of Mary Elsie (Rosa), a homemaker, and Edwin Vieira, a medical doctor, both first-generation Portuguese Americans. She is the youngest of four children, with three older brothers. All four of Vieira's grandparents came from the Azores--three from Faial Island, one of the nine islands in the archipelago. The family name
Context: Vieira moved to ABC initially as one of six regular correspondents for the news-magazine show Turning Point (1994-99), and was also the host of the Lifetime Network's show Intimate Portrait, which debuted on January 3, 1995, and ran until August 28, 2004.  Vieira served as the original moderator and co-host of ABC's daytime talk show The View from its debut on August 11, 1997, until June 9, 2006. As moderator, she was responsible for opening and closing each of the show's live episodes, introducing "Hot Topics," guiding conversations, and breaking to commercials. On her final episode of The View, Vieira's co-hosts gave her a roast to commemorate her departure.  Vieira explained what led her to become The View's moderator in an interview with the Pittsburgh Post-Gazette, by making the following statement:  In August 2006, Vieira told Time that she hasn't watched The View since she left the show, except the episode when Star Jones announced she was leaving. She said it was "very sad" what's happened to it: "I'm proud of the work we did there, but it's not a good time in the history of the show... It's hard to watch. It sort of became a joke." On August 29, 2006, Vieira told the New York Post that she didn't mean that The View was a joke. She said the interview was taken out of context. "I felt that the media was turning [The View] into a joke, not that the show was a joke," she says. Time added a clarification to its website, saying "[Vieira] assures Time that in no way were her comments meant to be insensitive or derogatory..."
Question: What wwas her role on Turning Point
Answer: six regular correspondents for the news-magazine show Turning Point

Question: Lillian Evelyn Moller Gilbreth (May 24, 1878 - January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.

For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as Industrial and organizational psychology. She helped industrial engineers recognized the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.)  In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Althhough her credentials included a doctorate in psychology, she is less frequently credited in their joing publications than her husband, who did not attend college.  The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers.

Using a quote from the above article, answer the following question: What else did she do in her career?
HHHHHH
Answer:
She also included her perspectives as a wife and mother in her research, writing, and consulting work.