input: In 1974, Bush went to work in an entry-level position in the international division of Texas Commerce Bank, which was founded by the family of James Baker. In November 1977, he was sent to Caracas, the capital of Venezuela, to open a new operation for the bank, where he served as branch manager and vice president.  Following the 1980 presidential election, Bush and his family moved to Miami-Dade County, Florida. He took a job in real estate with Armando Codina, a 32-year-old Cuban immigrant and self-made millionaire. Codina had made a fortune in a computer business, and then formed a new company, The Codina Group, to pursue opportunities in real estate. During his time with the company, Bush focused on finding tenants for commercial developments. Codina eventually made Bush his partner in a new development business, which quickly became one of South Florida's leading real estate development firms. As a partner, Bush received 40% of the firm's profits. In 1983, Bush said of his move from Houston to Miami: "On the personal side, my mother-in-law and sister-in-law were already living here", and on the professional side, "I want to be very wealthy, and I'll be glad to tell you when I've accomplished that goal."  During Bush's years in Miami, he was involved in many different entrepreneurial pursuits, including working for a mobile phone company, serving on the board of a Norwegian-owned company that sold fire equipment to the Trans-Alaska Pipeline System, becoming a minority owner of the Jacksonville Jaguars, buying a shoe company that sold footwear in Panama, and getting involved in a project selling water pumps in Nigeria. Miguel Recarey, who ran International Medical Centres (IMC), employed Bush as a real estate consultant and paid him a US$75,000 fee for finding the company a new location, although the move never took place. Bush did, however, lobby the Reagan administration vigorously and successfully on behalf of Recarey and IMC.

Answer this question "Did he continue his career at the company?"
output: In November 1977, he was sent to Caracas, the capital of Venezuela, to open a new operation for the bank, where he served as branch manager and vice president.

input: In 2000, Jodorowsky won the Jack Smith Lifetime Achievement Award from the Chicago Underground Film Festival (CUFF). Jodorowsky attended the festival and his films were shown, including El Topo and The Holy Mountain, which at the time had grey legal status. According to festival director Bryan Wendorf, it was an open question of whether CUFF would be allowed to show both films, or whether the police would show up and shut the festival down.  Until 2007, Fando y Lis and Santa Sangre were the only Jodorowsky works available on DVD. Neither El Topo nor The Holy Mountain were available on videocassette or DVD in the United States or the United Kingdom, due to ownership disputes with distributor Allen Klein. After settlement of the dispute in 2004, however, plans to re-release Jodorowsky's films were announced by ABKCO Films. On 19 January 2007, the website, announced that on 1 May 2007, Anchor Bay released a box set including El Topo, The Holy Mountain, and Fando y Lis. A limited edition of the set includes both the El Topo and The Holy Mountain soundtracks. And, in early February 2007, Tartan Video announced its 14 May 2007, release date for the UK PAL DVD editions of El Topo, The Holy Mountain, and the six-disc box set which, alongside the aforementioned feature films, includes the two soundtrack CDs, as well as separate DVD editions of Jodorowsky's 1968 debut feature Fando y Lis (with his 1957 short La cravate a.k.a. Les tetes interverties, included as an extra) and the 1994 feature-length documentary La constellation Jodorowsky. Notably, Fando y Lis and La cravate were digitally restored extensively and remastered in London during late 2006, thus providing the perfect complement to the quality restoration work undertaken on El Topo and The Holy Mountain in the States by Abkco, and ensuring that the presentation of Fando y Lis is a significant improvement over the 2001 Fantoma DVD edition. Prior to the availability of these legitimate releases, only inferior quality, optically censored, bootleg copies of both El Topo and The Holy Mountain have been circulated on the Internet and on DVD.  In the 1990s and early 2000s, Jodorowsky attempted to make a sequel to El Topo, called at different times The Sons of El Topo and Abel Cain, but could not find investors for the project.  In an interview with Premiere Magazine, Jodorowsky said he intended his next project to be a gangster film called King Shot. In an interview with The Guardian newspaper in November 2009, however, Jodorowsky revealed that he was unable to find the funds to make King Shot, and instead would be entering preparations on Sons of El Topo, for which he claimed to have signed a contract with "some Russian producers".  In 2010, the Museum of Arts and Design in New York City staged the first American cinema retrospective of Alejandro Jodorowsky entitled Blood into Gold: The Cinematic Alchemy of Alejandro Jodorowsky. Jodorowsky would attend the retrospective and hold a master class on art as a way of transformation. This retrospective would inspire the museum MOMA PS1 to present the exhibition Alejandro Jodorowsky: The Holy Mountain in 2011.

Answer this question "What award did he win"
output: CUFF

input: Her new partner encouraged her to join a writers' group at the Phoenix Theatre, Leicester, in 1978, when she was in her early thirties. Initially too shy to speak, she did not write anything for six weeks, but was then given a fortnight to write a play. This became the thirty-minute drama Womberang (1979), set in the waiting room of a gynaecology department. At the Phoenix, she became the writer-in-residence.  During this time she was mentored by several theatre directors including Ian Giles and principally Sue Pomeroy who commissioned and directed a number of her plays including Womberang, Dayroom, Groping for Words and subsequently Ear, Nose and Throat. She was also introduced to William Ash, then chairman of the Soho Poly (now Soho Theatre), who likewise played a significant part in shaping her early career. She met writer-director Carole Hayman on the stairs of the Soho Poly theatre and went on to develop many theatre pieces with her for the Royal Court and Joint Stock, including Bazarre and Rummage and The Great Celestial Cow. They later co-wrote two television series, The Refuge and The Spinney.  At the time of writing the first Adrian Mole book, Townsend was living on the Eyres Monsell Estate, near the house in which playwright Joe Orton was brought up. Mole "came into my head when my eldest son said 'Why don't we go to safari parks like other families do?' That's the only real line of dialogue from my family that's in any of the Mole books. It's in because it triggered it. I remembered that kind of whiny, adolescent self-pity, that 'surely these are not my parents.'"

Answer this question "When did she transition to a writing career?"
output:
Her new partner encouraged her to join a writers' group at the Phoenix Theatre, Leicester, in 1978,