input: Pipes was head of the 1976 Team B, composed of civilian experts and retired military officers and agreed to by then-CIA director George H. W. Bush at the urging of the president's Foreign Intelligence Advisory Board (PFIAB) as a competitive analysis exercise. Team B was created at the instigation of then Secretary of Defense Donald Rumsfeld as an antagonist force to a group of CIA intelligence officials known as Team A. His hope was that it would produce a much more aggressive assessment of Soviet Union military capabilities. Unsurprisingly, it argued that the National Intelligence Estimate on the Soviet Union, generated yearly by the CIA, underestimated both Soviet military strategy and ambition and misinterpreted Soviet strategic intentions.  Team B faced criticism. The international relations journalist Fred Kaplan writes that Team B "turns out to have been wrong on nearly every point." Pipes's group insisted that the Soviet Union, as of 1976, maintained "a large and expanding Gross National Product," and argued that the CIA belief that economic chaos hindered the USSR's defenses was a ruse on the part of the USSR. One CIA employee called Team B "a kangaroo court".  Pipes called Team B's evidence "soft." Team B came to the conclusion that the Soviets had developed several new weapons, featuring a nuclear-armed submarine fleet that used a system that did not depend on active sonar, and was thus undetectable by existing technology.  According to Pipes, "Team B was appointed to look at the evidence and to see if we could conclude that the actual Soviet strategy is different from ours, i.e. the strategy of Mutual Assured Destruction (MAD). It has now been demonstrated totally that it was". In 1986, Pipes maintained that Team B contributed to creating more realistic defense estimates.

Answer this question "What was Team B for?"
output: as an antagonist force to a group of CIA intelligence officials known as Team A.

Problem: Background: Born into a Bosniak family near Tuzla, SR Bosnia and Herzegovina, she grew up in Brcko, the youngest child of Abid Jahic (c. 1928 - 22 October 2010) and Ifeta (nee Smajlovic; 15 April 1934 - 21 November 2014). Both of her parents are originally from villages near Srebrenik; her father was born in Jezinac and her maternal family hailed from Cehaje. Fahreta grew up in a Muslim home with sister Faketa and brother Faruk. At the start of the Bosnian War in 1992, her sister Faketa escaped to Canada, where she lives today, while Brena stayed in Belgrade where she had been living since 1980.
Context: In early 1980, at the age of 19, Fahreta began singing with a band called Lira Show when the group's original singer Spasa left the band because her husband, a boxer, did not want his wife to be a singer. Sasa Popovic, the band's frontman, was initially opposed to the idea that Fahreta should be the band's new singer, but later changed his opinion. She subsequently moved to Novi Sad and then to Belgrade. Brena's first performance with Lira Show occurred on 6 April 1980 in the hotel Turist in Backa Palanka. Lira Show changed their name to Slatki Greh (Sweet Sin) in 1981. Brena and Slatki Greh premiered their first studio album, Cacak, Cacak, on 3 February 1982. It was named after the Serbian city Cacak. The album was written mostly by Milutin Popovic-Zahar, and the career-manager was Vladimir Cvetkovic.  Since her career began in 1980, she has become arguably the most popular singer of the former Yugoslavia, and a top-selling female recording artist with more than 40 million records sold. That same year Lepa Brena and Slatki Greh appeared in the first part of Yugoslav classic comedy film Tesna koza with popular comedian Nikola Simic and actress Ruzica Sokic, which raised their profile and brought them almost instant fame. They would again team up with songwriter Milutin Popovic-Zahar for their second studio album Mile voli disko, released 18 November 1982. In addition to the title song, the album had a couple of other hit songs: "Duge noge" and "Dama iz Londona".  In 1983, Lepa Brena and Slatki Greh ended their collaboration with Milutin Popovic-Zahar and Vladimir Cvetkovic. That same year Lepa Brena and Slatki Greh participated in Jugovizija, the Yugoslav selection for the Eurovision Song Contest, with the song "Sitnije, Cile, sitnije". The song was released on an extended play of the same name, along with another song. Their appearance on Jugovizija caused confusion among the audience, since the competition was considered exclusively reserved for pop singers. Although they did not qualify for the prestigious European competition, Lepa Brena and Slatki Greh won the contest, gaining even more popularity.
Question: What is Slati Greh?
Answer: Lira Show changed their name to Slatki Greh

Question: Ryuichi Sakamoto (Ban Ben  Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.

Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun.  Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said:  He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.

Using a quote from the above article, answer the following question: Did his music win award?
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Answer: