Answer the question at the end by quoting:

Pitchford was born in Honolulu, where he attended Catholic schools, graduating in 1968 from Saint Louis High School. He began his performance career as an actor and a singer with the Honolulu Community Theatre (now Diamond Head Theatre), the Honolulu Symphony Orchestra and the Honolulu Theatre for Youth, among others. While studying at Yale University, Pitchford performed with numerous campus drama groups, but his focus gradually turned off-campus, where he worked with the Wooster Square Revival, an experimental theatre company that offered acting opportunities to recovering addicts and alcoholics. In 1969, Pitchford returned to Honolulu as an assistant to authors Faye Hammel and Sylvan Levey in updating the popular guidebook Hawai'i on $5 and $10 A Day, and researching Trans World Airlines' Budget Guide to Hawai'i, the first of a series of guidebooks that would eventually turn into the popular series TWA Getaway Guides.
As a result of performing his early songwriting efforts in cabarets around Manhattan, he was invited to write with such composers as Stephen Schwartz, Alan Menken and Rupert Holmes. In 1979, he collaborated with recording artist and cabaret performer Peter Allen to write new songs for Allen's one-man Broadway revue, Up In One.  With composer Michael Gore, Pitchford collaborated on three songs for Alan Parker's 1980 motion picture Fame; these were "Red Light," a disco hit for singer Linda Clifford; the symphonic/rock finale "I Sing the Body Electric;" and the title song "Fame," which became a multi-platinum, international best seller for Irene Cara. That song earned Gore and Pitchford an Oscar, a Golden Globe, and a Grammy nomination for Song of the Year (1981). They also received a Grammy nomination for Best Soundtrack Album for a Motion Picture, Television or Other Visual Media.  When Pitchford was signed by Warner Brothers Publishing (1981) he began collaborating with a variety of songwriters. Among the first songs whose lyrics he wrote in collaboration with composer Tom Snow was "Don't Call It Love," which was first recorded by Kim Carnes on her 1981 album Mistaken Identity; the selection charted in the U.S. country singles top-ten for Dolly Parton in 1985 and was named the BMI Country Song of the Year.  For the ill-fated 1981 movie The Legend of the Lone Ranger, Pitchford wrote a narrative ballad, "The Man In the Mask." This was spoken (throughout the movie) and sung (at its beginning and end) by Merle Haggard.  "You Should Hear How She Talks About You," another Snow/Pitchford composition, was a Top 5 hit for Melissa Manchester for which she won the Grammy Award for Best Female Pop Vocal Performance in 1983. That same year, Pitchford, Kenny Loggins and Steve Perry wrote and composed "Don't Fight It," a Top 20 hit that was Grammy-nominated in the Best Pop Vocal Duo category. With musical director Michael Miller, he wrote the theme song for the weekly dance-music show Solid Gold (1980-88).

who else did he collaborate with?

Michael Gore,



Answer the question at the end by quoting:

Clarence Linden Crabbe II (; February 7, 1908 - April 23, 1983), commonly known by his stage name Buster Crabbe, was an American two-time Olympic swimmer and movie actor. He won the 1932 Olympic gold medal for 400-meter freestyle swimming event, which launched his career onto the silver screen. He starred in a number of popular films in the 1930s and 1940s. He also played the title role in the serials Tarzan the Fearless, Flash Gordon and Buck Rogers.
In some movies he is credited as "Larry Crabbe" or "Larry (Buster) Crabbe". Crabbe's role in the Tarzan serial, Tarzan the Fearless (1933), began a career in which he starred in more than a hundred movies. In King of the Jungle (1933), Jungle Man (1941), and the serial King of the Congo (1952), he played typical "jungle man" roles. He starred in several popular films at this time, including The Sweetheart of Sigma Chi alongside Betty Grable (1933) and Search for Beauty (1934).  In 1936 he was picked over several stars to play Flash Gordon in the very successful Flash Gordon serial, followed by two sequels, released by Universal in 1938 and 1940. The series was shown later extensively on American television in the 1950s and 1960s, then edited for release on home video. He also starred as Buck Rogers for Universal playing the role with dark hair unlike Flash Gordon's blonde hair. In 1939, Crabbe reunited with Betty Grable for a lead role in the mainstream comedy Million Dollar Legs.  Crabbe starred at the Billy Rose's Aquacade at the New York World's Fair in its second year of 1940, replacing a fellow Olympic swimmer and Tarzan actor Johnny Weissmuller.  During World War II Crabbe was contracted to Producers Releasing Corporation in lead roles from 1942-1946 where he portrayed a Western folk-hero version of Billy the Kid in 13 films and 23 as Billy Carson with his sidekick played by actor Al St. John. As a 34 year old married man, Crabbe had a deferment from the draft but made Army training films for the field artillery at Ft. Sill, Oklahoma along with Fuzzy St. John. Crabbe also played some jungle roles for the studio.  Following the war Crabbe appeared opposite Weissmuller as a rival in two jungle films, Swamp Fire (1946) and Captive Girl (1950). Crabbe returned to the jungle for his final serial playing the role of Thun'da in King of the Congo (1952).

What other films did he appear in?
In 1936 he was picked over several stars to play Flash Gordon in the very successful Flash Gordon serial,