Problem: Background: Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
Context: Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song--meaning new to his repertoire at Berg's--but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note.  Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels."  He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard.  "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one--fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others.
Question: Are there any other interesting aspects about this article?
Answer: Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt,

IN: Clemens was born in Dayton, Ohio, the fifth child of Bill and Bess (Lee) Clemens. He is of German descent, his great-grandfather Joseph Clemens having immigrated in the 1880s. Clemens's parents separated when he was an infant. His mother soon married Woody Booher, whom Clemens considers his father.

In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings.

What was his failure against Oakland in 1990?

OUT: when he was ejected for arguing balls and strikes with umpire Terry Cooney,

Background: Scott Richard Weiland (; ne Kline, October 27, 1967 - December 3, 2015) was an American musician, singer and songwriter. During a career spanning three decades, Weiland was best known as the lead singer of the band Stone Temple Pilots from 1989 to 2002 and 2008 to 2013. He was also a member of supergroup Velvet Revolver from 2003 to 2008 and recorded one album with another supergroup, Art of Anarchy.
Context: Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's 2010 self-titled album.  Weiland's first solo record, 1998's 12 Bar Blues, represented a huge shift in Weiland's style, as the album featured a sound "rooted in glam rock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rawer style to complement the band's hard rock sound. A New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are crisp and controlled yet passionate."  Weiland's second solo album, 2008's "Happy" in Galoshes, featured a wide variety of musical genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova.
Question: what artistry did he do?
Answer: