IN: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:

In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society.  Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time".  Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater.  Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.
QUESTION: Is there anything else interesting?
IN: David Edward Williams, OBE (born 20 August 1971), known professionally as David Walliams, is an English comedian, actor, talent-show judge, author, presenter, and activist, known for his partnership with Matt Lucas on the BBC One sketch show Little Britain. Since 2012, Walliams has been a judge on the ITV talent show: Britain's Got Talent. He wrote and starred in two series of the BBC One sitcom: Big School, playing the role of chemistry teacher Keith Church. In 2015, he starred as Tommy Beresford in the BBC series: Partners in Crime based on the Tommy and Tuppence novels by Agatha Christie.

Walliams was given a special award in recognition of his sporting efforts for charity. Matt Lucas produced a documentary on the subject, entitled Little Britain's Big Swim. On 6 November 2006, Walliams won the Pride of Britain Award for "The Most Influential Public Figure" as he raised more than PS1.5 million swimming the channel for the Sport Relief charity. Although initially tipped as a contender for the BBC's Sports Personality of the Year poll for 2006, Walliams failed to make the final shortlist of 10 contenders. Walliams was given a special award during the ceremony for his achievement. In July 2006, he became Patron of 'Cardiac Risk in the Young'.  In September 2011 Walliams won the Lincolnshire Young People's Book Award in the 9-11-year-old category with his book, Mr Stink. The award is voted for by the school children of Lincolnshire.  At the 2012 National Television Awards, Walliams won the 'Landmark Achievement Award', for his television career and achievements for Sport Relief. In December 2012 he won the Specsavers National Book Awards "Children's Book of the Year" for Ratburger. In December 2013 he won the Specsavers National Book Awards "Children's Book of the Year" for Demon Dentist. In December 2014 he won the Specsavers National Book Awards "Children's Book of the Year" for Awful Auntie. Awful Auntie also won the 2014 Specsavers National Book Awards "Audiobook of the Year".  Walliams won the award for Best TV Judge at the 2015 National Television Awards.  He was appointed Officer of the Order of the British Empire (OBE) in the 2017 Birthday Honours for services to charity and the arts.
QUESTION:
Name one of his awards