Problem: Howard was born in Atlanta, to Dwight Sr. and Sheryl Howard, and into a family with strong athletic connections. His father is a Georgia State Trooper and serves as Athletic Director of Southwest Atlanta Christian Academy, a private academy with one of the best high school basketball programs in the country, while his mother played on the inaugural women's basketball team at Morris Brown College. Howard's mother had seven miscarriages before he was born. A devout Christian since his youth, Howard became serious about basketball around the age of nine; when in the eighth grade, he resolved to be selected as the number one pick in the NBA Draft one day.

Standing at 6 feet 11 inches tall (2.11 m) and weighing 265 pounds (120 kg), Howard plays the center position. Howard led the NBA in rebounding from 2007 to 2010, and again from 2012 to 2013. Howard's rebounding is in part facilitated by his extraordinary athleticism; his running vertical leap was tested at 39.5 inches in 2011, rare for a player of his size. He demonstrated this skill in the 2007 Slam Dunk Contest, where he completed an alley oop dunk from teammate Jameer Nelson while slapping a sticker onto the backboard at 12 ft 6 in (3.81 m) high. The sticker showed an image of his own smiling face with a handwritten "All things through Christ Phil: 4:13", a paraphrase of Philippians 4:13. Howard's leaping reach of 12 ft 6 in (3.81 m) is the highest documented in NBA history, 1 inch (2.5 cm) higher than Shaquille O'Neal's previous record of 12 ft 5 in (3.78 m). As of April 2013, Howard's career average of 12.9 rebounds per game (in the regular season) ranked 12th in NBA history.  Howard's abilities and powerful physique have drawn attention from fellow NBA All-Stars. Tim Duncan once remarked in 2007: "[Howard] is so developed... He has so much promise and I am glad that I will be out of the league when he is peaking." Kevin Garnett echoed those sentiments: "[Howard] is a freak of nature, man... I was nowhere near that physically talented. I wasn't that gifted, as far as body and physical presence." Subsequent to a game in the 2009 NBA Playoffs, Philadelphia 76ers swingman Andre Iguodala said: "It's like he can guard two guys at once. He can guard his guy and the guy coming off the pick-and-roll, which is almost impossible to do... If he gets any more athletic or jumps any higher, they're going to have to change the rules." As early as December 2007, ESPN writer David Thorpe declared Howard to be the most dominant center in the NBA.  While many sports pundits have been rating Howard as one of the top young prospects in the NBA since 2006, Howard has some weaknesses in his game. Offensively, his shooting range remains limited; he is also mistake-prone, having led the NBA in total number of turnovers in the 2006-07 season. Like many centers, he has a low free throw conversion percentage. As a result, he is often a target of the Hack-a-Shaq defense and is annually among the league leaders in free throw attempts. During the 2007-08 regular season, Howard led the NBA with 897 free throw attempts while shooting only 59% from the free throw line. Also in that season, outside of layups and dunks, his shooting percentage was only 31.6%. In the 2008-09 season, he led the NBA again with 849 free throw attempts and in 2009-10, he was second in the NBA with 816.

Was there another stat listed?

Answer with quotes: Also in that season, outside of layups and dunks, his shooting percentage was only 31.6%.


Problem: Coil were an English experimental music group, founded in 1982 by John Balance in London. Initially envisioned as a solo project by lead singer and songwriter Balance (born Geoffrey Burton) while he was in the band Psychic TV, Coil evolved into a full-time project with the addition of keyboardist Peter Christopherson--former member of seminal industrial band Throbbing Gristle who became Balance's creative and personal partner. Throughout the group's existence, Balance and Christopherson have been the only constant members; others members and contributors include, among others, Stephen Thrower, Danny Hyde, Drew McDowall, William Breeze, Thighpaulsandra (Tim Lewis), and Ossian Brown (Simon Norris). After the release of their debut extended play, titled How to Destroy Angels, Coil joined Some Bizzare Records, through which they released two full-length albums, Scatology (1984) and Horse Rotorvator (1986).

The band's official recording debut, an extended play titled How to Destroy Angels, was released on the Good Friday (20 April) of 1984 by a Belgian-based label L.A.Y.L.A.H. Antirecords. Recorded on 19 February 1984 at Britannia Row Studios, the album was dedicated to Mars as the god of spring and war, using predominantely iron and steel instruments.  Following the release of How to Destroy Angels, Coil signed to Some Bizzare Records. Their first full-length studio album, Scatology, was recorded in 1984 with prominent appearance of JG Thirlwell and Stephen Thrower, and was finished and released in early 1985 with a 1984 copyright date. The album was largely based on the sound of industrial music as well as the Post-punk movement. While songs such as "Restless Day", "Panic" and "Tainted Love" are representative of a mainstream style, other tracks preview what would become Coil's unique electronic style. The single Panic/Tainted Love became the first AIDS benefit music release, as the profits from sales of the single were donated to the Terrence Higgins Trust. The "Tainted Love" music video, directed by Christopherson, is in the permanent collection of The Museum of Modern Art in New York, U.S.  Horse Rotorvator followed in 1986 as the next full-length release. Although songs such as "The Anal Staircase" and "Circles of Mania" sound like evolved versions of Scatology material, the album is characterized by slower tempos, and represented a new direction for the group. The album has a darker theme than previous releases, according to Balance:  Horse Rotorvator was this vision I'd had of this mechanical/flesh thing that ploughed up the earth and I really did have a vision of it--a real horrible, burning, dripping, jaw-like vision in the night ... The Four Horsemen of the Apocalypse killed their horses and use their jawbones to make this huge earth-moving machine."  The artwork features a photograph of the location of a notorious IRA bombing, in which a bomb was detonated on a military orchestra pavilion. Horse Rotorvator was in part influenced by the AIDS related deaths of some of their friends. Furthermore, the song "Ostia (The Death of Pasolini)", is about the mysterious death of Pier Paolo Pasolini, as well as what Balance described as "the number one suicide spot in the world", the white cliffs of Dover.

did they produce any albums with them?

Answer with quotes:
Their first full-length studio album, Scatology, was recorded in 1984 with prominent appearance of JG Thirlwell and Stephen Thrower,