Answer the question at the end by quoting:

Allison was born December 3, 1937 in Miami, FL. He entered his first race as a senior at Archbishop Curley-Notre Dame High School in Miami. Since he was only 17, he had to have his parents' permission so he thought when his mother said ok, it was forever, but she thought it was for only one race.
Allison moved full-time to the Grand National circuit in 1965 and got his first victory at Oxford Plains Speedway on July 12, 1966.  During the course of his career, Bobby Allison accumulated 84 credited victories and 2 uncredited victories making him fourth all-time, tied with Darrell Waltrip, including three victories at the Daytona 500 in 1978, 1982 and 1988, where he finished one-two with his son, Davey Allison. In 1972 he was voted national Driver of the Year for winning ten races and taking 11 poles (including a record 5 straight) and again in 1983 when he claimed his only championship. He was NASCAR Winston Cup Champion in 1983 driving for DiGard Racing. The 1982 Daytona 500 was fraught with controversy that became known as "Bumpergate". He also won the Firecracker 400 in 1982, making Allison the fourth driver to sweep both Sprint Cup point races at Daytona in the same year. Of note, after Allison accomplished this, no driver repeated such a feat until Jimmie Johnson did it in 2013.  Allison ran in the Indianapolis 500 twice, with a best finish of 25th in 1975. His NASCAR team owners included DiGard, Junior Johnson & Associates, and Roger Penske, for whom Allison scored four of the five NASCAR wins for American Motors' Matador. The other AMC victory was accomplished by Mark Donohue also racing for Penske in 1973 at Riverside. He raced in NASCAR as a driver/owner of an AMC Matador.  Allison was involved in an accident at Talladega in May 1987, that saw his car cut down a tire, turn sideways and go airborne into the protective catch fence that separates the speedway from the grandstands. The impact, at over 200 miles per hour (320 km/h), tore out over 100 yards of fencing. Parts and pieces of the car went flying into the grandstand injuring several spectators. This was the same race where Bill Elliott had set the all-time qualifying record at 212 mph (341 km/h). NASCAR then mandated smaller carburetors for the remaining 1987 events at Talladega and Daytona. The following year, NASCAR mandated restrictor plates at Daytona and Talladega to keep speeds under 200 miles per hour (320 km/h).  Allison won the first Daytona 500 run with restrictor plates in February 1988 by a car length over his son Davey Allison, rendering him the first driver to have won the Daytona 500 both with and without restrictor plates. He is the oldest driver (50 years) ever to win the Daytona 500. Bobby and Davey Allison are the first one-two father/son finish in the Daytona 500. As a result of permanent injuries in a crash at Pocono (see below), Bobby now has no memory of the final win of his career or of celebrating together with his son in victory lane. He was elected to the NASCAR Hall of Fame in 2011.

Did he win any other awards?

He was NASCAR Winston Cup Champion in 1983 driving for DiGard Racing.



Answer the question at the end by quoting:

Mario Lanza (born Alfredo Arnold Cocozza; January 31, 1921 - October 7, 1959) was an American tenor of Italian ancestry, and an actor and Hollywood film star of the late 1940s and the 1950s. Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing.
Lanza returned to an active film career in 1955 in Serenade, released by Warner Bros. However the film was not as successful as his previous films, despite its strong musical content, including arias from Der Rosenkavalier, Fedora, L'arlesiana, and Otello, as well as the Act I duet from Otello with soprano Licia Albanese. Ms. Albanese said of Lanza in 1980:  I had heard all sorts of stories about Mario [Lanza]. That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera; in fact, that he couldn't even sing a full aria, that his recordings were made by splicing together various portions of an aria. None of it is true! He had the most beautiful lirico spinto voice. It was a gorgeous, beautiful, powerful voice. I should know because I sang with so many tenors. He had everything that one needs. The voice, the temperament, perfect diction. ... Vocally he was very secure. All he needed was coaching. Everything was so easy for him. He was fantastic!  He then moved to Rome, Italy in May 1957, where he worked on the film Seven Hills of Rome, and returned to live performing in November of that year, singing for Queen Elizabeth II at the Royal Variety Show at the London Palladium. From January to April 1958, Lanza gave a concert tour of the UK, Belgium, the Netherlands, France and Germany. He gave a total of 22 concerts on this tour, receiving mostly positive reviews for his singing. Despite a number of cancellations, which resulted from his failing health during this period, Lanza continued to receive offers for operatic appearances, concerts, and films.  In September 1958, he made a number of operatic recordings at the Rome Opera House for the soundtrack of what would turn out to be his final film, For the First Time. It was then that he came to the attention of that opera house's artistic director, Riccardo Vitale, who promptly offered the tenor carte blanche in his choice of operatic roles. Lanza also received offers to sing in any opera of his choosing from the San Carlo in Naples. At the same time, however, his health continued to decline, with the tenor suffering from a variety of ailments, including phlebitis and acute high blood pressure. His old habits of overeating and crash dieting, coupled with binge drinking, compounded his problems.

what was one of the stories she heard about him?
That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera;