Problem: Captain James Cook  (7 November 1728 - 14 February 1779) was a British explorer, navigator, cartographer, and captain in the Royal Navy. Cook made detailed maps of Newfoundland prior to making three voyages to the Pacific Ocean, during which he achieved the first recorded European contact with the eastern coastline of Australia and the Hawaiian Islands, and the first recorded circumnavigation of New Zealand. Cook joined the British merchant navy as a teenager and joined the Royal Navy in 1755. He saw action in the Seven Years' War, and subsequently surveyed and mapped much of the entrance to the Saint Lawrence River during the siege of Quebec.

During the Seven Years' War, Cook served in North America as master aboard the fourth-rate Navy vessel HMS Pembroke. With others in Pembroke's crew, he took part in the major amphibious assault that captured the Fortress of Louisbourg from the French in 1758, and in the siege of Quebec City in 1759. Throughout his service he demonstrated a talent for surveying and cartography, and was responsible for mapping much of the entrance to the Saint Lawrence River during the siege, thus allowing General Wolfe to make his famous stealth attack during the 1759 Battle of the Plains of Abraham.  Cook's surveying ability was also put to use in mapping the jagged coast of Newfoundland in the 1760s, aboard HMS Grenville. He surveyed the north-west stretch in 1763 and 1764, the south coast between the Burin Peninsula and Cape Ray in 1765 and 1766, and the west coast in 1767. At this time Cook employed local pilots to point out the "rocks and hidden dangers" along the south and west coasts. During the 1765 season, four pilots were engaged at a daily pay of 4 shillings each: John Beck for the coast west of "Great St Lawrence", Morgan Snook for Fortune Bay, John Dawson for Connaigre and Hermitage Bay, and John Peck for the "Bay of Despair".  His five seasons in Newfoundland produced the first large-scale and accurate maps of the island's coasts and were the first scientific, large scale, hydrographic surveys to use precise triangulation to establish land outlines. They also gave Cook his mastery of practical surveying, achieved under often adverse conditions, and brought him to the attention of the Admiralty and Royal Society at a crucial moment both in his career and in the direction of British overseas discovery. Cook's map would be used into the 20th century--copies of it being referenced by those sailing Newfoundland's waters for 200 years.  Following on from his exertions in Newfoundland, it was at this time that Cook wrote that he intended to go not only "farther than any man has been before me, but as far as I think it is possible for a man to go".

What did Cook have to say about this expedition?

Answer with quotes: he intended to go not only "farther than any man has been before me, but as far as I think it is possible for a man to go".


Problem: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.

The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire.  In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.

What did Francesco Berni write?

Answer with quotes:
Opere burlesche