Question: The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".

In 1991, Astbury and Duffy were writing again for their next album. During the demo recordings, Todd Hoffman and James Kottak played bass and drums respectively. During the actual album recording sessions, Curry was recruited again to play drums, with Charley Drayton on bass, and various other performers. Astbury and Duffy's working relationship had disintegrated by that time, with the two men reportedly rarely even being in the studio together during recording. The resulting album Ceremony was released to mixed responses. The album climbed to US No. 34, but sales were not as impressive as the previous three records, only selling around one million copies worldwide. Only two official singles were released from the record: "Wild Hearted Son" (UK No. 34, Canada No. 41) and "Heart of Soul" (UK No. 50), although "White" was released as a single only in Canada, "Sweet Salvation" was released as a single (as "Dulce Salvacion") in Argentina in 1992, and the title track "Ceremony" was released in Spain.  The Cult's Ceremonial Stomp tour went through Europe in 1991 and North America in 1992. In 1991 the Cult played a show at the Marquee Club in London, which was recorded and released in February 1993, packaged with some vinyl UK copies of their first greatest hits release. Only a handful of CD copies of it were ever manufactured originally, however it was subsequently reissued on CD in 1999. An incomplete bootleg video of this show is also in circulation.  The band were sued by the parents of the Native American boy pictured on the cover of Ceremony, for alleged exploitation and for the unauthorized use of the child's image. This image of the boy is also burned in the video for "Wild Hearted Son". This lawsuit delayed the release of Ceremony in many countries including South Korea and Thailand, which did not see the record's release until late 1992, and it was unreleased in Turkey until the Cult played several shows in Istanbul in June 1993.  A world tour followed with backing from future Thin Lizzy drummer Michael Lee and bassist Kinley Wolfe, and keyboardist John Sinclair returning one last time, and the Gathering of the Tribes moved to the UK. Here artists such as Pearl Jam performed. The warm-up gig to the show, in a small nightclub, was dedicated to the memory of Nigel Preston, who had died a few weeks earlier at the age of 31. Following the release of the single "The Witch" (#9 in Australia) and the performance of a song for the 1992 Buffy the Vampire Slayer movie soundtrack entitled "Zap City", produced by Steve Brown and originally a B-side to "Lil' Devil", two volumes of remixes of "She Sells Sanctuary", called Sanctuary Mixes MCMXCIII, volumes one and two, and in support of Pure Cult: for Rockers, Ravers, Lovers, and Sinners, a greatest hits compilation which debuted at No. 1 on the British charts and later went to number one in Portugal, Astbury and Duffy fired the "backing band" and recruited Craig Adams (the Mission) and Scott Garrett for performances across Europe in 1993, with some shows featuring Mike Dimkich on rhythm guitar. This tour marked the first time the band performed in Turkey, Greece, and the Slovak Republic.

Using a quote from the above article, answer the following question: What was the ceremony?
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Answer: album Ceremony

Problem: Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (nee Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip.

Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football.  In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as "a nice club, a social club...", but "never... a serious, championship-challenging club". Indeed, he and Fulham were relegated from the top-flight in the 1951-52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of PS25,000 was a club record for West Brom at the time.  He made his West Brom debut in a 4-0 home defeat to Manchester City on 10 March 1956. In 1957-58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5-1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960-61 and 1961-62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for PS20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, "In all my time as a footballer, I didn't win a thing."  Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it "was a chance too good to miss". The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskas control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage.

Did he meet anyone important during his club career?

Answer with quotes:
However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary.