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Nando Reis (Portuguese pronunciation: ['nadu 'Rejs], born Jose Fernando Gomes dos Reis; January 12, 1963) is a Brazilian musician and producer, best known as the former bassist and one of the lead singers of Brazilian rock band Titas and for his successful solo career, with his own band called Os Infernais. He has also produced a few albums, including some related to Cassia Eller, who has made several significant partnerships with him, and Marisa Monte. In 2012, Nando Reis was listed among the top ten Brazilian artists at the ECAD list of artists who earned the most from copyright in the first semester of that year.
In 1982, Titas (at that time "Titas do Ie-Ie") made their first live presentation. They recorded several tapes and sent them to recording labels until they signed up with Warner Music label. In 1984, Titas released their first album, Titas, and Nando played the bass guitar in some tracks although initially he was supposed to be a backing vocalist only. In the late 1980s, Titas caught a plane to London, for their first international show. On June 19, 1989, his mother Cecilia died of cancer.  In the early 1990s, he started producing his first albums, with artists like Marisa Monte and Cassia Eller. In 1995, he recorded his first solo album, 12 de Janeiro. In 2000, Titas changed to Abril Music, and after recording As Dez Mais in Seattle, Nando released his second solo album, Para Quando o Arco-Iris Encontrar o Pote de Ouro, with some special participations like Cassia Eller, Rogerio Fausino (from Jota Quest) and Peter Buck (from R.E.M.).  On June 13, 2001, Titas' guitarist Marcelo Fromer died after being rammed by a motorcycle (see Marcelo Fromer's Death). On December 29, he lost another friend: Cassia Eller. In 2002, he released Infernal, his third solo work. He then decided to leave Titas on September 9, 2002, partially due to the impact of both friends' deaths caused in his life, but mainly due to a "thought incompatibility". In a later interview, he said that he left the group also due to his will to give more attention to his solo works. He even proposed that the band stopped for one year after the album release. He also said that his isolation as a composer grew more evident in more recent albums, with more and more songs being composed just by him. Nowadays, Reis and Titas are in good terms.  Still in 2002, he produced and guest performed in Eller's Acustico MTV album, which was later nominated for 2002 Latin Grammy Award for Best Brazilian Rock Album; and won it.
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How did the album do?

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Douglas was born on June 3, 1897, in Algiers, Louisiana. She was the eldest of 13 siblings. Her parents, Abe and Gertrude Douglas, nicknamed her Kid when she was young, and her family called her that throughout her childhood. It is reported that she disliked the name Lizzie.
Minnie continued to record into the 1950s, but her health began to decline. With public interest in her music waning, she retired from her musical career, and in 1957 she and Lawlars returned to Memphis. Periodically, she appeared on Memphis radio stations to encourage young blues musicians. In 1958 she played at a memorial concert for Big Bill Broonzy. As the Garons wrote in Woman with Guitar, "She never laid her guitar down, until she could literally no longer pick it up." She suffered a stroke in 1960, which left her confined to a wheelchair. Lawlars died the following year, and Minnie had another stroke a short while after. She could no longer survive on her Social Security income. Magazines wrote about her plight, and readers sent her money for assistance. She spent her last years in the Jell Nursing Home, in Memphis, where she died of a stroke in 1973. She is buried at the New Hope Baptist Church Cemetery, in Walls, DeSoto County, Mississippi. A headstone paid for by Bonnie Raitt was erected by the Mount Zion Memorial Fund on October 13, 1996, with 34 family members in attendance, including her sister Daisy. The ceremony was taped for broadcast by the BBC. Her headstone is inscribed:  Lizzie "Kid" Douglas Lawlers  aka Memphis Minnie  The inscription on the back of her gravestone reads:  The hundreds of sides Minnie recorded are the perfect material to teach us about the blues. For the blues are at once general, and particular, speaking for millions, but in a highly singular, individual voice. Listening to Minnie's songs we hear her fantasies, her dreams, her desires, but we will hear them as if they were our own.

What was the major problem with her health?
She suffered a stroke in 1960, which left her confined to a wheelchair.