Background: King was born in Long Beach, California, into a conservative Methodist family, the daughter of Betty (nee Jerman), a housewife, and Bill Moffitt, a firefighter. Billie Jean's family was athletic. Her mother excelled at swimming, her father played basketball, baseball and ran track. Her younger brother, Randy Moffitt, became a Major League Baseball pitcher, pitching for 12 years in the major leagues for the San Francisco Giants, Houston Astros, and Toronto Blue Jays.
Context: In 1982, King was 38 years old and the twelfth-seed at Wimbledon. In her third round match with Tanya Harford of South Africa, King was down 7-5, 5-4 (40-0) before saving three match points to win the second set 7-6(2) and then the third set 6-3. King said in her post-match press conference, "I can't recall the previous time I have been so close to defeat and won. When I was down 4-5 and love-40, I told myself, 'You have been here 21 years, so use that experience and hang on.'" In the fourth round, King upset sixth-seeded Australian Wendy Turnbull in straight sets. King then upset third-seeded Tracy Austin in the quarterfinals 3-6, 6-4, 6-2 to become the oldest female semifinalist at Wimbledon since Dorothea Douglass Lambert Chambers in 1920. This was King's first career victory over Austin after five defeats and reversed the result of their 1979 Wimbledon quarterfinal. King said in her post-match press conference, "Today, I looked at the scoreboard when I was 2-0 in the third set and the '2' seemed to be getting bigger and bigger. In 1979, when I was up 2-0 at the same stage, I was tired and didn't have anything left. But today I felt so much better and was great mentally." Two days later in the semifinals, which was King's 250th career match at Wimbledon in singles, women's doubles, and mixed doubles, the second-seeded Chris Evert defeated King on her fifth match point 7-6(4), 2-6, 6-3. King was down a set and 2-1 in the second set before winning five consecutive games to even the match. King explained that she actually lost the match in the first set by failing to convert break points at 15-40 in the second and fourth games.  She reached the semifinals in her final appearance at Wimbledon, losing to Andrea Jaeger 6-1, 6-1 after beating Kathy Jordan in the quarterfinals, seventh-seeded Wendy Turnbull in the fourth round, and Rosemary Casals, her longtime doubles partner, in the third round. Jaeger claims that she was highly motivated to defeat King because King had defeated Turnbull, a favorite of Jaeger's, and because King refused a towel from an attendant just before her match with Jaeger, explaining, "I'm not going to sweat in this match."  King became the oldest WTA player to win a singles tournament when she won the Edgbaston Cup grass court tournament in Birmingham at 39 years, 7 months and 23 days after a straight-sets victory in the final against Alycia Moulton. The final official singles match of King's career was a second round loss to Catherine Tanvier at the 1983 Australian Open.
Question: Did anything happen in 1983?
Answer: a second round loss to Catherine Tanvier at the 1983 Australian Open.

Problem: Background: Born Florence Annie Bridgwood in Hamilton, Ontario, she was youngest of three children of George Bridgwood, an English-born carriage builder and Charlotte "Lotta" Bridgwood (nee Dunn), a vaudeville actress. Charlotte Bridgwood had emigrated to Canada from Ireland after the Great Famine with her family as a child. She was known professionally as Lotta Lawrence and was the leading lady and director of the Lawrence Dramatic Company. At the age of three, Lawrence made her debut onstage with her mother in a song and dance routine.
Context: Also at Vitagraph was a young actor, Harry Solter, who was looking for "a young, beautiful equestrian girl" to star in a film to be produced by the Biograph Studios under the direction of D.W. Griffith. Griffith, the most prominent producer-director at Biograph Studios, had noticed the beautiful blonde-haired woman in one of Vitagraph's films. Because the film's actors received no mention, Griffith had to make discreet inquiries to learn she was Florence Lawrence and to arrange a meeting. Griffith had intended to give the part to Biograph's leading lady, Florence Turner, but Lawrence managed to convince Solter and Griffith that she was the best suited for the starring role in The Girl and the Outlaw. With the Vitagraph Company, she had been earning $20 a week, working also as a costume seamstress over and above acting. Griffith offered her a job, acting only, for $25 a week.  After her success in this role, she appeared as a society belle in Betrayed by a Handprint and as an Indian in The Red Girl. In total, she had parts in most of the 60 films directed by Griffith in 1908. Toward the end of 1908 Lawrence married Harry Solter. Lawrence gained much popularity, but because her name was never publicized, fans began writing the studio asking for it. Even after she had gained wide recognition, particularly after starring in the highly successful Resurrection, Biograph Studios refused to publicly announce her name and fans simply called her "The Biograph Girl". During cinema's formative years, silent screen actors were not named, because studio owners feared that fame might lead to demands for higher wages. She continued to work for Biograph in 1909. Her demand to be paid by the week rather than daily was met, and she received double the normal rate.  She achieved great popularity in the "Jones" series, filmdom's first comedy series, in which she played Mrs. Jones in around a dozen films. More popular still were the dramatic love stories in which she co-starred with John R. Cumpson, as Mr. Jones, and Arthur Johnson. The two played husband and wife in The Ingrate, and the adulterous lovers in Resurrection. Lawrence and Solter began to look elsewhere for work, writing to the Essanay Company to offer their services as leading lady and director. Rather than accepting this offer, however, Essanay reported the offer to Biograph's head office, and they were promptly fired.
Question: Was Florence Lawrence successful with Biograph Studios?
Answer:
She achieved great popularity in the "Jones" series, filmdom's first comedy series, in which she played