Background: Baker was born into a staunch Methodist family, the youngest son of Birmingham Gas Department's chief accountant, Charles Frederick Baker and Millie Baker. His early schooling was at King Edwards Grammar School. His elder brothers, Leonard and Norman studied law, and he had a sister, Edna who was the oldest of them all. In his teens Baker began to question what religion meant to him and decided to become a Quaker, since it was closer to what he believed in.
Context: While at Pithoragarh, Baker found his English construction education to be inadequate for the types of issues and materials he was faced with: termites and the yearly monsoon, as well as laterite, cow dung, and mud walls, respectively, Baker had no choice but to observe and learn from the methods and practices of vernacular architecture. He soon learned that the indigenous architecture and methods of these places were in fact the only viable means to deal with local problems.  Inspired by his discoveries (which he modestly admitted were 'discoveries' only for him, and mere common knowledge to those who developed the practices he observed), he realized that unlike the Modernist architectural movement that was gaining popularity at the time denouncing all that was old just because it was old didn't make sense. Baker adopted local craftsmanship, traditional techniques and materials but then combined it with modern design principles and technology wherever it made sense to do so. This prudent adoption of modern technology helped local architecture retain its cultural identity and kept costs low due to the use of local materials. It also revived the local economy due to the use of local labour for both construction of the buildings and for manufacture of construction materials such as brick and lime surkhi.  Baker built several schools, chapels and hospitals in the hills. Eventually, as word spread of his cost-effective buildings more clients from the plains started to contact Baker. One of the early clients was Welthy Fisher, who sought to set up a 'Literacy Village' in which she intended to use puppetry, music and art as teaching methods to help illiterate and newly-literate adults add to their skills. An ageing woman who risked her health to visit Laurie, she refused to leave until she received plans for the village. More and more hospital commissions were received as medical professionals realised that the surroundings for their patients were as much a part of the healing process as any other form of treatment, and that Baker seemed the only architect who cared enough to become familiarised with how to build what made Indian patients comfortable with those surroundings. His presence would also soon be required on-site at Ms. Fisher's "Village," and he became well known for his constant presence on the construction sites of all his projects, often finalising designs through hand-drawn instructions to masons and labourers on how to achieve certain design solutions.
Question: What did this do for him
Answer: This prudent adoption of modern technology helped local architecture retain its cultural identity and kept costs low due

Background: Paul Verhoeven was born on 18 July 1938, the son of a school teacher, Wim Verhoeven, and a hat maker, Nel van Schaardenburg. Although he was born in Amsterdam, the family lived in the village of Slikkerveer. In 1943 the family moved to The Hague, the location of the German headquarters in the Netherlands during World War II. The Verhoeven house was near a German military base with V1 and V2-rocket launchers, which was repeatedly bombed by allied forces.
Context: After about 20 years of working and living in the United States, Verhoeven returned to the Netherlands for the shooting of a new film. Together with his screenwriter Gerard Soeteman, Verhoeven made Black Book (2006). The director was hailed by the host of the Netherlands Film Festival with the words "The return of a hero." Black Book eventually won six Golden Calves at this festival, including Best Director. When the shooting of Black Book was delayed due to financial issues, there was speculation about a new production. The film Beast of Bataan had been announced, but once the shooting for Black Book resumed, the other film was never realized. Since his return to European cinema in 2006 with Black Book, Verhoeven has been connected to a large number of projects, but for the moment none of them has come to fruition. Some of those titles were produced with other directors at the helm, such as The Paperboy.  Finally, in a rather unexpected twist, Verhoeven followed Black Book by directing a movie in French: Elle, an adaptation of a novel by Philippe Djian. The film by Verhoeven, a psycho-thriller where Isabelle Huppert plays a rape victim, was selected in the Official Competition at the Cannes International Film Festival, where it obtained very favourable reviews.  Verhoeven has been a knight in the Order of the Netherlands Lion since 2007. In December 2016 it was announced that Verhoeven would be the President of the Jury for the 67th Berlin International Film Festival, scheduled to take place in February 2017.  In April 2017 his next French film titled Blessed Virgin was announced, to start filming in August of the same year. It is a biographical film about the life of Benedetta Carlini, which will be portrayed by Elle co-star Virginie Efira, and is an adaptation of the non-fiction book Immodest Acts - The life of a lesbian nun in Renaissance Italy by Judith C. Brown.
Question: When was it released?
Answer: