Background: The Three Stooges were an American vaudeville and comedy team active from 1922 until 1970, best known for their 190 short subject films by Columbia Pictures that have been regularly airing on television since 1958. Their hallmark was physical farce and slapstick. In films, the stooges were commonly known by their actual first names. There were a total of six stooges over the act's run (with only three active at any given time), but Moe Howard and Larry Fine were the mainstays throughout the ensemble's nearly fifty-year run and the pivotal "third Stooge" was played by (in order of appearance)
Context: Over half a century since their last short film was released, the Three Stooges remain popular with audiences. Their films have never left American television since first appearing in 1958, and they continue to delight old fans while attracting new admirers. They were a hard-working group of comedians who were never the critics' darlings, a durable act who endured several personnel changes in their careers that would have permanently sidelined a less persistent act. The Stooges would not have lasted as long as they did as a unit without Moe Howard's guiding hand.  The Ted Okuda and Edward Watz book The Columbia Comedy Shorts puts the Stooges' legacy in critical perspective:  Many scholarly studies of motion picture comedy have overlooked the Three Stooges entirely - and not without valid reasoning. Aesthetically, the Stooges violated every rule that constitutes "good" comedic style. Their characters lacked the emotional depth of Charlie Chaplin and Harry Langdon; they were never as witty or subtle as Buster Keaton. They were not disciplined enough to sustain lengthy comic sequences; far too often, they were willing to suspend what little narrative structure their pictures possessed in order to insert a number of gratuitous jokes. Nearly every premise they have employed (spoofs of westerns, horror films, costume melodramas) has been done to better effect by other comedians. And yet, in spite of the overwhelming artistic odds against them, they were responsible for some of the finest comedies ever made. Their humor was the most undistilled form of low comedy; they were not great innovators, but as quick laugh practitioners, they place second to none. If public taste is any criterion, the Stooges have been the reigning kings of comedy for over fifty years.  Beginning in the 1980s, the Stooges finally began to receive critical recognition. The release of nearly all their films on DVD by 2010 has allowed critics of Joe Besser and Joe DeRita - often the recipients of significant fan backlash - to appreciate the unique style of comedy that both men brought to the Stooges. In addition, the DVD market has allowed fans to view the entire Stooge film corpus as distinct periods in their long, distinguished career rather than unfairly comparing one Stooge to another (the Curly vs. Shemp debate continues to this day).  The team appeared in 220 films, but it is the durability of the 190 short films the Stooges made at Columbia Pictures that acts as an enduring tribute to the comedy team. American television personality Steve Allen went on record in 1984 saying, "Although they never achieved widespread critical acclaim, they did succeed in accomplishing what they had always intended to do: they made people laugh."
Question: What was the three stooges
Answer: They were a hard-working group of comedians who were never the critics' darlings, a durable act who endured several personnel changes

Background: Starsailor are an English post-Britpop band, formed in 2000. Since its formation the band has included guitarist and vocalist James Walsh, drummer Ben Byrne, bassist James Stelfox and keyboardist Barry Westhead. The band has released five studio albums, and have scored ten Top 40 hit singles in the UK.
Context: Despite being known as a Wigan band, only one member of Starsailor is actually from the town. The band met whilst studying Music at the Parsons Walk Campus of Wigan and Leigh College. Bassist James Stelfox and drummer Ben Byrne had been playing together in Warrington, Cheshire for a number of years. When their regular singer fell ill, they recruited young Chorley singer and songwriter James Walsh from a school choir. He was influenced by Jeff Buckley and his 1994 album Grace in his singing style. Comparing it to Oasis' (What's the Story) Morning Glory? album, which Walsh says sums up a unique moment, Grace captures every moment.  The band, then named Waterface, had tried a number of guitarists before they asked long-time friend Barry Westhead to join the band in 2000 on keyboards. He had been teaching judo and playing organ for a church near his home town. His arrival has been heralded as the most significant event in the band's formation. Walsh also took up the guitar, following frustration over not finding a musician right for the group. The band started to build up a reputation, and their name changed to Starsailor after the 1970 album Starsailor by Tim Buckley.  A journalist from NME saw a gig in 2000 and gave the band a glowing review. "One live encounter was enough to convince many sceptics that here was a band who were genuinely special, blessed with a singer whose voice thrummed like an emotional telegraph wire, that swerved the pitfalls of indie melancholia and were clearly in love with rock 'n' roll and all its possibilities." Their performance at the Glastonbury Festival added to the band's reputation and led to a bidding war amongst UK record companies.  The band signed with EMI, the label that a relative of one band member worked for, in 2000. In 2008, in a re-organisation, Starsailor were moved to Virgin Records, a division of EMI.
Question: did they win the bidding war?
Answer:
The band signed with EMI,