input: During the World's Columbian Exposition at Chicago, Illinois, in 1893, IC was charged with providing commuter service for the thousands of visitors to the fairground. A call was sent out for trainmen who wanted to work there. Jones answered it, spending a pleasant summer there with his wife. He shuttled many people from Van Buren Street to Jackson Park during the exposition. It was his first experience as an engineer in passenger service and he liked it.  At the fair (also called The Chicago World's Fair), he became acquainted with No. 638, a big new freight engine IC had on display as the latest and greatest technological advancement in trains. It had eight drive wheels and two pilot wheels, a 2-8-0 "Consolidation" type. At the closing of the fair, No. 638 was due to be sent to Water Valley for service in the Jackson District. Jones asked for permission to drive the engine back to Water Valley. His request was approved, and No. 638 ran its first 589 miles (948 km) with Jones at the throttle to Water Valley. Jones liked No. 638 and liked working in the Jackson District because his family was there. They had once moved to Water Valley, but returned to Jackson, which they felt was home.  Jones drove the engine until he transferred to Memphis in February 1900. No. 638 stayed in Water Valley. That year he drove the engine that became most closely associated with him, for one time. That was Engine No. 382, known affectionately as "Ole 382.", or "Cannonball". It was a steam-driven Rogers 4-6-0 "Ten Wheeler" with six drivers, each approximately six feet (1.8 m) high. Bought new in 1898 from the Rogers Locomotive Works, it was a very powerful engine for the time. When a potential disaster arose, all of Jones' skill and the engine's responsiveness were put to the greatest test.  His regular fireman on No. 638 was his close friend, John Wesley McKinnie, with whom he worked exclusively from about 1897 until he went to the passenger run out of Memphis. There he worked with his next and last fireman, Simeon T. "Sim" Webb in 1900.

Answer this question "What happened at the expedition?"
output: 

input: You Gotta Love That, his fourth album, also received a platinum certification and producing four singles: "For a Change", "They're Playin' Our Song" and the title track (respectively the first, second, and fourth singles) all peaked at No. 3, while "If I Was a Drinkin' Man" reached No. 16.  McCoy's self-titled fifth studio album began a decline in his chart momentum. Although it was certified gold, Neal McCoy accounted for only one Top Ten hit in a cover of The Casinos' 1967 doo-wop single "Then You Can Tell Me Goodbye". The next two singles -- "Going, Going, Gone" and "That Woman of Mine" -- both peaked at No. 35. Also in 1996, he sang guest vocals on the multi-artist charity single "Hope", the proceeds of which went to the T. J. Martell Foundation's cancer research. After "That Woman of Mine", he reached No. 5 with "The Shake", the only new song on his first Greatest Hits package, which reprised nine of his greatest hits to that point and also earned platinum certification.  Be Good at It, his sixth studio release, followed in 1998. This was his first album since Where Forever Begins not to include a Top Ten hit. The title track, "If You Can't Be Good, Be Good at It", was the highest-peaking single release from it at No. 22, followed by "Party On", which became his first single since 1992 to miss Top 40 entirely. After it came the No. 29 "Love Happens Like That." McCoy made a second appearance on a multi-artist charity single that same year, as one of several collaborators on "One Heart at a Time", a song written by Victoria Shaw to benefit cystic fibrosis research.  In 1999, McCoy released his final album for Atlantic, The Life of the Party. It only accounted for two singles: the Phil Vassar co-write "I Was" at No. 37 and "The Girls of Summer" at No. 42. He, Tracy Byrd, and T. Graham Brown also sang guest vocals on "Now That's Awesome", a song featuring snippets of a Bill Engvall comedy sketch, found on Engvall's Now That's Awesome album. This single peaked at No. 59.

Answer this question "how did the album do?"
output: This single peaked at No. 59.

input: After the breakup of his post-hardcore band Pitchfork in 1990, singer/guitarist John Reis formed both Rocket from the Crypt and Drive Like Jehu. Envisioned as a punk-inspired rock and roll band, Rocket from the Crypt's original lineup consisted of Reis, guitarist Andy Stamets, bassist Pete Reichert, drummer Sean, and backing vocalist Elaina. The band took their name from the then defunct 1970s underground punk band Rocket from the Tombs. This lineup lasted roughly six months and recorded the band's debut album Paint as a Fragrance, released in 1991 on local label Cargo Music. At this time Reis began to use the pseudonym "Speedo" when working with the band. He was also simultaneously performing in Drive Like Jehu, who recorded their debut album around the same time. When Sean and Elaina moved away from San Diego, drummer Adam Willard joined the band under the stage name "Atom." The rest of the band also assumed stage monikers, with Stamets performing as "ND" and Reichert as "Petey X."  The band soon added a horn section, recruiting saxophone player Paul "Apollo 9" O'Beirne. They developed a reputation for their creative and energetic live shows, taking unusual measures to encourage audience participation such as handing out homemade lyric booklets and noisemakers. They released many vinyl singles around this time and began to attract a dedicated underground following. Reis recalls:  "It was really immediate; that's why we loved putting out singles early on. We recorded some songs for Sympathy for the Record Industry, and two weeks later, we had some finished copies of them. The turnaround time was amazing. And by the time people were able to get them, it was still under a month. They're hearing something that is completely fresh-this is something we're doing at the moment. We did that for, like, a three-year period."  Their second album Circa: Now! was released in 1992, followed by their first tour and music videos for the songs "Ditchdigger" and "Sturdy Wrist." The band also added a second member to its horn section, bringing in trumpeter Jason "JC 2000" Crane. Around this time Reis announced in a fanzine that all fans with Rocket from the Crypt tattoos would be allowed into the band's shows for free, for life, causing tattoos of their logo to become an international phenomenon.

Answer this question "Did any one else join?"
output:
Rocket from the Crypt's original lineup consisted of Reis, guitarist Andy Stamets, bassist Pete Reichert, drummer Sean, and backing vocalist Elaina.