Question: Herbert Sutcliffe (24 November 1894 - 22 January 1978) was an English professional cricketer who represented Yorkshire and England as an opening batsman. Apart from one match in 1945, his first-class career spanned the period between the two world wars. His first-class debut was delayed by the First World War until 1919 and his career was effectively terminated in August 1939 when he was called up for military service in the imminent Second World War. He was the first cricketer to score 16 centuries in Test match cricket.

Sutcliffe and Len Hutton opened the Yorkshire innings in one championship match in 1934 and then, with Sutcliffe's Test career ending the following year, became the regular Yorkshire pairing until 1939 when the outbreak of war effectively ended Sutcliffe's career.  Especially given that he was from Pudsey, Hutton was often portrayed as Sutcliffe's protege but Hutton maintained that it was the coaching of George Hirst that did most to develop his career. He said of Sutcliffe: "You do learn a lot from watching a player of Herbert's class. It was an enriching and invaluable experience to bat with him". Sutcliffe's view of Hutton was that he was "a marvel - the discovery of a generation". Hutton said that his shyness and the fact that he was twenty years younger than Sutcliffe made it difficult for him to approach his partner when he needed help, which he more readily got from Bill Bowes and Hedley Verity. About Sutcliffe he said: "I did not find it easy to talk to him".  The master-apprentice relationship changed after Hutton scored a world record 364 for England against Australia at The Oval in 1938. Future Yorkshire captain Ronnie Burnet reckoned that Sutcliffe had been the dominant partner until then and their scores would be something like 60 to 40 in Sutcliffe's favour. After Hutton made his record, his confidence increased and Burnet said the ratio was reversed "to 70:30 in Len's favour". Burnet said that Hutton was "tearing attacks apart in 1939 and Herbert was by then playing second fiddle".  Comparisons of the two Pudsey masters have been inevitable but there were essential differences in style. Bill Bowes said that Sutcliffe readily acknowledged the superior ability of Jack Hobbs, Wally Hammond and Len Hutton but what Sutcliffe did have were the concentration and willpower to make the best of his abilities in any given situation. Hutton pinpointed the key difference by explaining that, when Sutcliffe was taking guard, "his weight was on the (front) left foot, enabling him to play the hook shot so well" whereas Hutton put his weight onto his (back) right foot. Hence Sutcliffe more easily moved back while Hutton developed a forward style. Another view, expressed by Sutcliffe's son Billy, who also played with Hutton for Yorkshire, was that Sutcliffe was "probably better in a crisis", as his numerous successes on bad or "sticky" wickets would suggest.  Sutcliffe and Hutton made 16 century opening partnerships together, 15 of them for Yorkshire. Their highest was 315, which they achieved twice.

Using a quote from the above article, answer the following question: Did they ever play together?
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Answer: Sutcliffe and Len Hutton opened the Yorkshire innings in one championship match in 1934


Question: Gary Barlow OBE (born 20 January 1971) is an English singer, songwriter and record producer. He is best known as the lead singer of the British pop group Take That. Barlow also served as head judge of The X Factor UK in 2011, 2012 and 2013 and Let It Shine in 2017. Barlow is one of Britain's most successful songwriters, having written fourteen number one singles and twenty-four top 10 hits.

After leaving his career as a solo artist Barlow returned to his first love of writing music. He soon signed a song writing publishing deal with Sony and went to the US on a six-month songwriting project, residing in Nashville, Los Angeles and New York with his wife, Dawn and first child, Daniel. Upon his return he set up True North Productions with Eliot Kennedy and Tim Woodcock. In his autobiography 'My Take' Barlow partly blames his fall as a solo artist on his commitments to being a star in the United States. After his disappointing second album, Barlow remained out of the public eye for half a decade, choosing to continue to write and produce songs for other artists such as Shirley Bassey and Charlotte Church In October 2007, Barlow founded San Remo Live Publishings as an independently run management company to establish and support artists and songwriters.  In 2010 Barlow signed a new 5-year song writing publishing deal with Sony music. He has been voted as the greatest British songwriter of all time in a 2009 OnePoll, who surveyed 3,000 people John Lennon and Paul McCartney, of The Beatles, were placed second and third respectively.  In 2011, Barlow wrote the song "Run for Your Life" for The X Factor series 7 winner Matt Cardle's debut album. Cardle told The Sun: "We had 99% of the album finished then the track came through from Gary. I'd been trying to write a song like that for a long, long time, probably five or six years. As soon as I heard it I just felt the song was mine. Lyrically it's about not being good enough for the person you're with. I was nearly in tears recording the vocals. I'm proud that I've written a lot of the album but Gary is a genius as a writer - I couldn't pass it up." He has also written for the likes of Robbie Williams, Westlife, Lily Allen, Blue, Elton John, Olly Murs Matt Cardle, T-Pain, Will Young N-Dubz, Lawson, Shirley Bassey, Donny Osmond, Delta Goodrem, Elaine Paige, Agnetha Faltskog and many more while also being commissioned by the Queen to write the official single for her Diamond Jubilee which saw Barlow collaborate with Andrew Lloyd Webber.  To date Barlow has written 14 number 1 singles in the UK, and 2 Billboard Hot 100 top 10 singles in the United States including Back for Good which went to number 1 in 31 countries across the world.

Using a quote from the above article, answer the following question: Did he have any hits in the US?
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Answer:
2 Billboard Hot 100 top 10 singles in the United States