IN: Silver was born in East Lansing, Michigan, the son of Sally (nee Thrun), a community activist, and Brian David Silver, a former chair of the political science department at Michigan State University. Silver's mother's family, of English and German descent, includes several distinguished men and women, including his maternal great-grandfather, Harmon Lewis, who was president of the Alcoa Steamship Company, Inc. Silver has described himself as "half-Jewish". Silver showed a proficiency in math from a young age.

On November 1, 2007, while still employed by Baseball Prospectus, Silver began publishing a diary under the pseudonym "Poblano" on the progressive political blog Daily Kos. Silver set out to analyze quantitative aspects of the political game to enlighten a broader audience. Silver reports that "he was stranded in a New Orleans airport when the idea of FiveThirtyEight.com came to him. 'I was just frustrated with the analysis. ... I saw a lot of discussion about strategy that was not all that sophisticated, especially when it came to quantitative things like polls and demographics'". His forecasts of the 2008 United States presidential primary elections drew a lot of attention, including being cited by The New York Times Op-Ed columnist William Kristol.  On March 7, 2008, while still writing as "Poblano," Silver established his own blog, FiveThirtyEight.com. Often colloquially referred to as just 538, the website takes its name from the number of electors in the United States electoral college.  On May 30, 2008, Poblano revealed his identity to FiveThirtyEight.com readers. On June 1, 2008, Silver published a two-page Op-Ed article in the New York Post outlining the rationale underlying his focus on the statistical aspects of politics. He first appeared on national television on CNN's American Morning on June 13, 2008.  Silver described his partisan orientation as follows in the FAQ on his website: "My state [Illinois] has non-partisan registration, so I am not registered as anything. I vote for Democratic candidates the majority of the time (though by no means always). This year, I have been a supporter of Barack Obama". With respect to the impartiality of his electoral projections, Silver stated, "Are [my] results biased toward [my] preferred candidates? I hope not, but that is for you to decide. I have tried to disclose as much about my methodology as possible".
QUESTION: Did the website gain people or media attention ?
IN: Philip Glass (born January 31, 1937) is an American composer. He is widely regarded as one of the most influential musicians of the late 20th century. Glass's work has been described as minimal music, having similar qualities to other "minimalist" composers such as La Monte Young, Steve Reich, and Terry Riley. However, Glass has instead described himself as a composer of "music with repetitive structures", which he has helped evolve stylistically.

In the late 1990s and early 2000s, Glass's lyrical and romantic styles peaked with a variety of projects: operas, theatre and film scores (Martin Scorsese's Kundun, 1997, Godfrey Reggio's Naqoyqatsi, 2002, and Stephen Daldry's The Hours, 2002), a series of five concerts, and three symphonies centered on orchestra-singer and orchestra-chorus interplay. Two symphonies, Symphony No. 5 "Choral" (1999) and Symphony No. 7 "Toltec" (2004), and the song cycle Songs of Milarepa (1997) have a meditative theme. The operatic Symphony No. 6 Plutonian Ode (2002) for soprano and orchestra was commissioned by the Brucknerhaus, Linz, and Carnegie Hall in celebration of Glass's sixty-fifth birthday, and developed from Glass's collaboration with Allen Ginsberg (poet, piano - Ginsberg, Glass), based on his poem of the same name.  Besides writing for the concert hall, Glass continued his ongoing operatic series with adaptions from literary texts: The Marriages of Zones 3, 4 and 5 ([1997] story-libretto by Doris Lessing), In the Penal Colony (2000, after the story by Franz Kafka), and the chamber opera The Sound of a Voice (2003, with David Henry Hwang), which features the Pipa, performed by Wu Man at its premiere. Glass also collaborated again with the co-author of Einstein on the Beach, Robert Wilson, on Monsters of Grace (1998), and created a biographic opera on the life of astronomer Galileo Galilei (2001).  In the early 2000s, Glass started a series of five concerti with the Tirol Concerto for Piano and Orchestra (2000, premiered by Dennis Russell Davies as conductor and soloist), and the Concerto Fantasy for Two Timpanists and Orchestra (2000, for the timpanist Jonathan Haas). The Concerto for Cello and Orchestra (2001) had its premiere performance in Beijing, featuring cellist Julian Lloyd Webber; it was composed in celebration of his fiftieth birthday. These concertos were followed by the concise and rigorously neo-baroque Concerto for Harpsichord and Orchestra (2002), demonstrating in its transparent, chamber orchestral textures Glass's classical technique, evocative in the "improvisatory chords" of its beginning a toccata of Froberger or Frescobaldi, and 18th century music. Two years later, the concerti series continued with Piano Concerto No. 2: After Lewis and Clark (2004), composed for the pianist Paul Barnes. The concerto celebrates the pioneers' trek across North America, and the second movement features a duet for piano and Native American flute. With the chamber opera The Sound of a Voice, Glass's Piano Concerto No. 2 might be regarded as bridging his traditional compositions and his more popular excursions to World Music, also found in Orion (also composed in 2004).
QUESTION:
Did he do any concerto, operas or symphonies after that one?