Problem: Background: Jo Elizabeth Stafford (November 12, 1917 - July 16, 2008) was an American traditional pop music singer and occasional actress, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song "You Belong to Me" topped the charts in the United States and United Kingdom, the record becoming the first by a female artist to reach number one on the U.K. Singles Chart.
Context: While Stafford was still working for Dorsey, Johnny Mercer told her, "Some day I'm going to have my own record company, and you're going to record for me." She subsequently became the first solo artist signed to Capitol after leaving the Pied Pipers in 1944. A key figure in helping Stafford to develop her solo career was Mike Nidorf, an agent who first heard her as a member of the Pied Pipers while he was serving as a Captain with the United States Army. Having previously discovered artists such as Glenn Miller, Artie Shaw, and Woody Herman, Nidorf was impressed by Stafford's voice, and contacted her when he was demobilized in 1944. After she agreed to let him represent her, he encouraged her to reduce her weight and arranged a string of engagements that raised her profile, and confidence.  The success of Stafford's solo career led to a demand for personal appearances, and from February 1945 she embarked on a six-month residency at New York's La Martinique nightclub. Her performance was well-received--an article in the July 1945 edition of Band Leaders magazine described it as "sensational"--but Stafford did not enjoy singing before live audiences, and it was the only nightclub venue she ever played. Speaking about her discomfort with live performances, Stafford told a 1996 interview with The New Yorker's Nancy Franklin, "I'm basically a singer, period, and I think I'm really lousy up in front of an audience--it's just not me."  Stafford's tenure with the United Service Organizations (USO) during World War II--which often saw her perform for soldiers stationed in the U.S.--led to her acquiring the nickname "G.I. Jo". On returning from the Pacific theater, a veteran told Stafford that the Japanese would play her records on loudspeakers in an attempt to make the U.S. troops homesick enough to surrender. She replied personally to all the letters she received from servicemen. Stafford was a favorite of many servicemen during both World War II and the Korean War; her recordings received extensive airplay on the American Forces radio and in some military hospitals at lights-out. Stafford's involvement with servicemen led to an interest in military history and a sound knowledge of it. Years after World War II, Stafford was a guest at a dinner party with a retired naval officer. When the discussion turned to a wartime action off Mindanao, the officer tried to correct Stafford, who held to her point. He countered her by saying, "Madame, I was there". A few days after the party, Stafford received a note of apology from him, saying he had re-read his logs and that she was correct.
Question: When did she sign with Capital records?
Answer: She subsequently became the first solo artist signed to Capitol after leaving the Pied Pipers in 1944.

Background: Titu Liviu Maiorescu (Romanian: ['titu majo'resku]; 15 February 1840 - 18 June 1917) was a Romanian literary critic and politician, founder of the Junimea Society. As a literary critic, he was instrumental in the development of Romanian culture in the second half of the 19th century. A member of the Conservative Party, he was Foreign Minister between 1910 and 1914 and Prime Minister of Romania from 1912 to 1913. He represented Romania at the Peace Conference in Bucharest that ended the Second Balkan War.
Context: He was very eager to obtain his university (after only one year of studies in Berlin he obtained his PhD at Giessen with magna cum laude, then after a year, he got his license at the Philology and Philosophy University of Sorbona and one year later, after he studied at the University of Paris, he took his license in Law), but his eagerness did not affect his demureness in his studies; the foundations of Maiorescu's extremely solid culture were established during that period.  On 3 January 1857, he sent an essay signed with the name Aureliu to the Transylvania Gazette in order to publish some of his translations from Jean Paul's works. In the following number he intended to publish the translation of a short story written by Jean Paul and entitled "New Year's Eve Night". Although the translation was not published at that date, the letter that Aurel A. Muresianu edited later in the Gazette of books, no 1, in 1934 is still considered the first publishing attempt of T. Maiorescu and it was republished under the same title. In 1858, beside his academic activity, he worked as a teacher of psychology in private boarding schools and as a French teacher in the house of legal counselor Georg Kremnitz.  As a preparatory for French language for the Kremnitz family, Titu Maiorescu taught the four children of the family: Klara (his future wife), Helene, Wilhelm (future Dr. W. Kremnitz, Mite Kremnitz's husband, born Bardeleben) and Hermann. Titu Maiorescu got his PhD in Philosophy at Giessen with magna cum laude. The Giessen University considered, in order to allow him to get a PhD, that the last two years at Theresianum were university studies. When he returned to Romania, he published the article "The Measure of Height through a Barometer" in the review Isis or Nature.
Question: Was he a good student?
Answer:
he got his license