IN: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.

During 1964, White began to look beyond bluegrass music towards rock 'n' roll as an avenue for artistic expression. Although he was influenced by Country guitarists like Doc Watson, Don Reno and Joe Maphis, he also idolized the playing of jazz guitarist Django Reinhardt, rock 'n' roller Chuck Berry, and studio musician James Burton. White even anticipated the viability of a folk/rock hybrid when, in the summer of 1964, he was approached by Jim Dickson to record a version of the then-unreleased Bob Dylan song "Mr. Tambourine Man" with electric instruments. However, despite White's enthusiasm for the project, he was unable to convince his bandmates in the Kentucky Colonels of the experiment's validity and ultimately, the song was instead recorded by Dickson's proteges, the Byrds.  By the time the original line-up of the Kentucky Colonels folded in late 1965, White had become a respected and well-known guitarist. Abandoning bluegrass temporarily, he switched from his Martin D-28 acoustic guitar to an electric Fender Telecaster, with the intention of becoming a studio musician like his hero James Burton. Transitioning to electric guitar required White to modify his right hand playing technique, switch from open chording to fretting the whole guitar neck with his left hand, and practice using the tone and volume controls. However, he soon mastered the intricacies of the instrument and, between 1965 and 1968, he undertook session work for artists including Ricky Nelson, the Monkees, and the Gosdin Brothers.  As 1965 turned into 1966, White met Gene Parsons and Gib Guilbeau at a recording session for the Gosdin Brothers and shortly after, he began to perform live with the duo in local California clubs, as well as doing regular session work on their records, which were released under the moniker of Cajun Gib and Gene. 1966 also saw White begin playing with a country group called Trio, which featured drummer Bart Haney and former Kentucky Colonel, Roger Bush, on bass. In autumn of that year, as a result of his friendship with Gilbeau, Parsons and the Gosdin Brothers, White was asked to provide lead guitar to ex-Byrd Gene Clark's debut solo album, Gene Clark with the Gosdin Brothers. White also briefly joined Clark's touring band shortly thereafter.  During the Clark album sessions, White reconnected with mandolin player and bassist Chris Hillman, who he had known during the early 1960s as a member of the bluegrass combo the Hillmen. Hillman was currently a member of the Byrds and in December 1966, he invited White to contribute countrified lead guitar playing to his songs "Time Between" and "The Girl with no Name", which both appeared on the Byrds' Younger Than Yesterday album. The country-oriented nature of the songs was something of a stylistic departure for the group and can be seen as an early indicator of the experimentation with country music that would color the Byrds' subsequent work. White also contributed guitar to the band's follow-up album, The Notorious Byrd Brothers, and to their seminal 1968 country rock release, Sweetheart of the Rodeo.

What kind of music did he begin to create?

OUT: he also idolized the playing of jazz guitarist Django Reinhardt, rock 'n' roller Chuck Berry, and studio musician James Burton.

input: Trumble was born in the inner Melbourne neighbourhood of Collingwood, Victoria in 1867, the son of William, born in Northern Ireland and superintendent of an insane asylum, and Scottish-born Elizabeth (nee Clark). His elder brother, John, also played Test cricket for Australia and his younger brother, Thomas, was a public servant who served as Secretary for the Department of Defence from 1918-27, and then official secretary to the High Commissioner for Australia in London.  Trumble spent part of his early life in the western Victorian town of Ararat before returning to Melbourne, settling in suburban Camberwell. He was educated at Hawthorn Grammar School and played his early cricket for Kew Cricket Club. Encouraging his sons' early love of cricket, William Trumble--a keen cricketer who bowled leg breaks for South Melbourne Cricket Club--set out a cricket pitch at the family home. He placed a feather on a good length and urged his sons to aim at it when bowling. Known for his accuracy, Hugh later said, "Of course I couldn't repeatedly hit the feather, but I soon reached the stage when I was always pretty close to it"  Trumble transferred to the Melbourne Cricket Club for the 1887-88 cricket season and was an immediate success. He took 36 wickets that season, finishing with an average of 6.77 runs per wicket; the best in the club, beating his teammate and Australian Test bowler Fred Spofforth. He made his first-class cricket debut for Victoria that same season, selected to play against a touring English XI led by Middlesex batsman George Vernon. His first match for Victoria against Australian opposition was against New South Wales at the Melbourne Cricket Ground. Bowling with Spofforth, in the first innings Trumble took seven wickets for 52 runs.

Answer this question "where was he born?"
output:
the inner Melbourne neighbourhood of Collingwood, Victoria