Question:
Horslips are an Irish Celtic rock band that compose, arrange and perform songs frequently inspired by traditional Irish airs, jigs and reels. The group are regarded as 'founding fathers of Celtic rock' for their fusion of traditional Irish music with rock music and went on to inspire many local and international acts. They formed in 1970 and 'retired' in 1980 for an extended period. The name originated from a spoonerism on The Four Horsemen of the Apocalypse which became "The Four Poxmen of The Horslypse".
Horslips designed their own artwork, wrote sleeve-notes and researched the legends that they made into concept albums. They established their own record label, Oats, and licensed the recordings through Atco, RCA and DJM for release outside Ireland. They kept their base in Ireland, unlike previous Irish bands.  In October 1972 Horslips went to Longfield House in Tipperary and recorded their first album, Happy To Meet, Sorry To Part, in the Rolling Stones Mobile Studio. They then released another single, "Green Gravel". On the first album the melodies were mostly traditional. Jim Lockhart was on keyboards and gradually mastered other instruments including uillean pipes. Eamon Carr was on drums, including the Irish bodhran. Happy To Meet, Sorry To Part was the fastest-selling album for eight years in Ireland. The sleeve was an elaborate concertina-shaped fold-out design.  The Abbey Theatre in Dublin asked the band to provide the background for a stage adaptation of "The Tain". They leapt at the opportunity. "Tain Bo Cuailnge" (The Cattle-Raid of Cooley) is a tenth-century story written in Old and Middle Irish. It tells of an ancient war between Ulster and Connacht. The Tain was released in 1973 and had more original material alongside the traditional tunes, and greater emphasis on rock. In the same year a single, "Dearg Doom", went to number one in Germany.  Dancehall Sweethearts followed in 1974, and also balanced folk with rock. Their fourth album, The Unfortunate Cup of Tea, drifted toward pop music and was generally considered less successful. RCA ended their funding deal for the group in 1975. The group funded their next venture themselves and went back to basics. Drive The Cold Winter Away (also 1975) was their most traditional album to date. They signed with DJM Records worldwide through A&R man Frank Neilson. The Book of Invasions: A Celtic Symphony (1976), like The Tain, was an adaptation of Irish legends built into a complex story. It became their only entry in the UK Albums Chart to date, where it peaked at No. 39 in 1977.  Ever ambitious, the band now tried to make it in the United States. They brought in Jim Slye to become their manager. He later sold their publishing rights to William McBurney for PS4,000. In 1977 they produced Aliens, about the experience of the Irish in nineteenth-century America, which included very little folk music. They toured Britain, Germany, Canada and the United States. The night they played the Albert Hall in London was described by one critic as the loudest gig there since Hendrix. The Man Who Built America (1978), produced by Steve Katz of Blood, Sweat and Tears and Blues Project fame, concerned Irish emigration to the USA and was commercially their most successful album. The heavier sound did bring some acceptance in America but they lost their folk base and their freshness. Short Stories, Tall Tales (1979) was their last studio album and was panned by the record company and critics alike.
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What was their first album?

Answer:
They established their own record label, Oats, and licensed the recordings through Atco, RCA and DJM for release outside Ireland.

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Napalm Death are a British extreme metal band formed in Meriden, West Midlands, England, in 1981. While none of its original members remain in the group since December 1986, the lineup of vocalist Mark "Barney" Greenway, bassist Shane Embury, guitarist Mitch Harris and drummer Danny Herrera has remained consistent of the band's career since 1992's Utopia Banished, although, from 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado as the replacement of one-time guitarist Bill Steer; following Pintado's departure, the band reverted to a four-piece rather than replace him. Napalm Death are credited as pioneers of the grindcore genre by incorporating elements of crust punk and death metal, using a noise-filled sound that uses heavily distorted, down-tuned guitars, grinding overdrive bass, high speed tempo, blast beats, and vocals which consist of incomprehensible growls, or high-pitched shrieks, extremely short songs, fast tempos, and sociopolitical lyrics. The band's debut album Scum, released in 1987 by Earache Records, proved substantially influential throughout the global metal community.
In April 2005, their next album The Code Is Red...Long Live the Code was released. It features guest appearances from Jeffrey Walker (Carcass), Jamey Jasta (Hatebreed vocalist) and Jello Biafra (formerly of Dead Kennedys, and Lard among many other bands). The album continued the band's progressive approach to their brutal brand of extreme metal, with their trademark grindcore sound retained. Also in 2005, Embury and Herrera joined the extreme metal band Anaal Nathrakh for one tour.  Napalm Death finished recording their follow-up album titled Smear Campaign in June 2006, and it was released on 15 September 2006 to strong reviews from fans and critics alike. The main lyrical focus is criticism of the United States Government and other governments who are strongly religious. The album features a guest appearance by Anneke van Giersbergen, vocalist for the Dutch rock band The Gathering. There is a limited edition digipak version of Smear Campaign, which has two new songs, "Call That an Option?" and "Atheist Runt". They played a series of headline shows in support of the release including the Koko in Camden with Gutworm.  In early 2006 Napalm Death headlined a tour with Kreator, A Perfect Murder, and Undying. On 27 August 2006, Jesse Pintado died in a hospital in the Netherlands due to liver failure, prompting Mitch Harris to express his sadness at the loss of someone he thought of as "a brother" on the band's official website. After the Smear Campaign tour, the band did a 2007 "World Domination Tour". Bassist Shane Embury is currently working on a project with Mick Kenney of Anaal Nathrakh, their work together will be released on FETO Records at the end of 2007. In November 2008, Napalm Death's fourteenth studio album, entitled Time Waits for No Slave, leaked onto the internet; it was officially released on 23 January 2009. Similar to Smear Campaign, Time Waits For No Slave also had a digipak version containing two extra songs ("Suppressed Hunger" and "Omnipresent Knife In Your Back").

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