input: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James.  Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director.  However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own.  Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks.  The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time.

Answer this question "Was there anything else that happened during this time?"
output: Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary,

input: It is only with the Peasants' Revolt that Richard starts to emerge clearly in the annals. One of his first significant acts after the rebellion was to marry Anne of Bohemia, daughter of the Holy Roman Emperor (King of Bohemia Charles IV) and his wife Elisabeth of Pomerania, on 20 January 1382. The marriage had diplomatic significance; in the division of Europe caused by the Western Schism, Bohemia and the Empire were seen as potential allies against France in the ongoing Hundred Years' War. Nonetheless, the marriage was not popular in England. Despite great sums of money awarded to the Empire, the political alliance never resulted in any military victories. Furthermore, the marriage was childless. Anne died from plague in 1394, greatly mourned by her husband.  Michael de la Pole had been instrumental in the marriage negotiations; he had the king's confidence and gradually became more involved at court and in government as Richard came of age. De la Pole came from an upstart merchant family. When Richard made him chancellor in 1383, and created him Earl of Suffolk two years later, this antagonised the more established nobility. Another member of the close circle around the king was Robert de Vere, Earl of Oxford, who in this period emerged as the king's favourite. Richard's close friendship to de Vere was also disagreeable to the political establishment. This displeasure was exacerbated by the earl's elevation to the new title of Duke of Ireland in 1386. The chronicler Thomas Walsingham suggested the relationship between the king and de Vere was of a homosexual nature, due to a resentment Walsingham had toward the king.  Tensions came to a head over the approach to the war in France. While the court party preferred negotiations, Gaunt and Buckingham urged a large-scale campaign to protect English possessions. Instead, a so-called crusade led by Henry le Despenser, Bishop of Norwich, was dispatched, which failed miserably. Faced with this setback on the continent, Richard turned his attention instead towards France's ally, Scotland. In 1385, the king himself led a punitive expedition to the north, but the effort came to nothing, and the army had to return without ever engaging the Scots in battle. Meanwhile, only an uprising in Ghent prevented a French invasion of southern England. The relationship between Richard and his uncle John of Gaunt deteriorated further with military failure, and John of Gaunt left England to pursue his claim to the throne of Castile in 1386 amid rumours of a plot against his person. With Gaunt gone, the unofficial leadership of the growing dissent against the king and his courtiers passed to Buckingham - who had by now been created Duke of Gloucester - and Richard Fitzalan, Earl of Arundel.

Answer this question "What was most interesting in the article?"
output: Richard starts to emerge clearly in the annals. One of his first significant acts after the rebellion was to marry Anne of Bohemia,

input: Returning to the United States, Chayefsky worked in his uncle's print shop, Regal Press, an experience which provided a background for his later teleplay, Printer's Measure (1953), as well as his story for the movie As Young as You Feel (1951). Kanin enabled Chayefsky to spend time working on his second play, Put Them All Together (later known as M is for Mother), but it was never produced. Producers Mike Gordon and Jerry Bressler gave him a junior writer's contract. He wrote a story, The Great American Hoax, which sold to Good Housekeeping but was never published.  He relocated to Hollywood, where he met his future wife Susan Sackler, and the couple married in February 1949. Failing to find work on the West Coast, Chayefsky returned to New York.  During the late 1940s, he began working full-time on short stories and radio scripts, and during that period, he was a gagwriter for radio host Robert Q. Lewis. Chayefsky later recalled, "I sold some plays to men who had an uncanny ability not to raise money." During 1951-52, Chayefsky wrote adaptations for radio's Theater Guild on the Air: The Meanest Man in the World (with James Stewart), Cavalcade of America, Tommy (with Van Heflin and Ruth Gordon) and Over 21 (with Wally Cox).  His play The Man Who Made the Mountain Shake was noticed by Elia Kazan, and his wife, Molly Kazan, helped Chayefsky with revisions. It was retitled Fifth From Garibaldi but was never produced. In 1951, the movie As Young as You Feel was adapted from a Chayefsky story.

Answer this question "What was The Meansest Man in the World about?"
output: