Question:
Oleg Aleksandrovich Prudius (Russian: Oleg Aleksandrovich Prudius; Ukrainian: Oleg Oleksandrovich Prudius, Oleh Oleksandrovych Prudius; born April 27, 1979) better known by his ring name Vladimir Kozlov, is a Ukrainian-American producer and retired professional wrestler. He is best known for his time in WWE, where he won the WWE Tag Team Championship once with Santino Marella. He is trained in freestyle wrestling, rugby, football, sambo, kickboxing, judo, jujutsu, Brazilian jiu-jitsu and mixed martial arts. Prudius has also worked as a stage and screen actor, notably having a small role in Spike Lee's 25th Hour., and a walk-on role in the second season of the HBO series The Wire.
On April 13, 2009, Kozlov was drafted to the ECW brand as part of the 2009 WWE draft, as ECW's only pick of the night. Shortly after the draft, his character was tweaked to further highlight the training he received within the Russian military. He won his first match on the brand when he easily defeated a local competitor. On the June 30 episode of ECW on Syfy, he teamed with William Regal to defeat Christian and Tommy Dreamer. His first defeat in singles competition on ECW came on the July 9 episode of ECW, where he lost a #1 contenders match to Christian for Tommy Dreamer's ECW Championship at Night of Champions.  On July 21, Kozlov began an angle with Ezekiel Jackson in which, week after week, after one of them had easily defeated a local competitor, the other would come out and execute their finishing move on the fallen opponent in a game of one-upmanship. On the August 18 episode of ECW, Jackson was set to team with ECW Champion Christian against the team of Kozlov and number-one contender William Regal. Jackson turned on Christian, forming an alliance with Regal and Kozlov. Kozlov and Jackson aided Regal in his feud with Christian over the ECW Championship, but Regal was unable to capture the title.  On the December 15 episode of ECW, Kozlov came out with Regal to face Jackson in an ECW Homecoming battle royal qualifying match. During the match, Regal turned on Kozlov by pulling his feet while at ringside, which ultimately cost him the match. After the match, Kozlov attempted to attack Regal, but Jackson jumped him from behind and both proceeded to attack Kozlov. This split Kozlov from the Ruthless Roundtable, making him a face character.
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Which brand, Smackdown?

Answer:
Syfy,


Question:
Pieter Cornelis "Piet" Mondriaan, after 1906 Mondrian (; Dutch: ['pit 'mondrija:n], later ['mondrijan]; 7 March 1872 - 1 February 1944), was a Dutch painter and theoretician who is regarded as one of the greatest artists of the 20th century. He is known for being one of the pioneers of 20th century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements. Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics. He proclaimed in 1914: Art is higher than reality and has no direct relation to reality.
When the 47-year-old Piet Mondrian left the Netherlands for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of neoplasticism about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London's Hampstead in 1938 and 1940, across the Atlantic to Manhattan.  At the age of 71 in the fall of 1943, Mondrian moved into his second and final Manhattan studio at 15 East 59th Street, and set about to recreate the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved jazz from well-traveled records. Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had inhabited. He was there for only a few months, as he died in February 1944.  After his death, Mondrian's friend and sponsor in Manhattan, artist Harry Holtzman, and another painter friend, Fritz Glarner, carefully documented the studio on film and in still photographs before opening it to the public for a six-week exhibition. Before dismantling the studio, Holtzman (who was also Mondrian's heir) traced the wall compositions precisely, prepared exact portable facsimiles of the space each had occupied, and affixed to each the original surviving cut-out components. These portable Mondrian compositions have become known as "The Wall Works". Since Mondrian's death, they have been exhibited twice at Manhattan's Museum of Modern Art (1983 and 1995-96), once in SoHo at the Carpenter + Hochman Gallery (1984), once each at the Galerie Tokoro in Tokyo, Japan (1993), the XXII Biennial of Sao Paulo (1994), the University of Michigan (1995), and - the first time shown in Europe - at the Akademie der Kunste (Academy of The Arts), in Berlin (22 February - 22 April 2007).
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Where was the environment for him to create his Works?

Answer:
Mondrian moved into his second and final Manhattan studio at 15 East 59th Street,