input: Townshend was born on 19 May 1945, at Chiswick Hospital, Middlesex (now west London). He came from a musical family: his father, Cliff Townshend, was a professional alto saxophonist in the Royal Air Force's dance band The Squadronaires and his mother, Betty (nee Dennis), was a singer with the Sydney Torch and Les Douglass Orchestras. The Townshends had a volatile marriage, as both drank heavily and possessed fiery tempers. Cliff Townshend was often away from his family touring with his band while Betty carried on affairs with other men. The two split when Townshend was a toddler and he was sent to live with his maternal grandmother Emma Dennis, whom Pete later described as "clinically insane". The two-year separation ended when Cliff and Betty purchased a house together on Woodgrange Avenue in middle-class Acton, and the young Pete was happily reunited with his parents.  Townshend says he did not have many friends growing up, so he spent much of his boyhood reading adventure novels like Gulliver's Travels and Treasure Island. He enjoyed his family's frequent excursions to the seaside and the Isle of Man. It was on one of these trips in the summer of 1956 that he repeatedly watched the 1956 film Rock Around the Clock, sparking his fascination with American rock and roll. Not long thereafter, he went to see Bill Haley perform in London, Townshend's first concert. At the time, he did not see himself pursuing a career as a professional musician; instead, he wanted to become a journalist.  Upon passing the eleven-plus exam, Townshend was enrolled at Acton County Grammar School. At Acton County, he was frequently bullied because he had a large nose, an experience that profoundly affected him. His grandmother Emma purchased his first guitar for Christmas in 1956, an inexpensive Spanish model. Though his father taught him a couple of chords, Townshend was largely self-taught on the instrument and never learned to read music. Townshend and school friend John Entwistle formed a short-lived trad jazz group, the Confederates, featuring Townshend on banjo and Entwistle on horns. The Confederates played gigs at the Congo Club, a youth club run by the Acton Congregational Church, and covered Acker Bilk, Kenny Ball, and Lonnie Donegan. However, both became influenced by the increasing popularity of rock 'n' roll, with Townshend particularly admiring Cliff Richard's debut single, "Move It". Townshend left the Confederates after getting into a fight with the group's drummer, Chris Sherwin, and purchased a "reasonably good Czechoslovakian guitar" at his mother's antique shop.  Townshend's brothers Paul and Simon were born in 1957 and 1960, respectively. Lacking the requisite test scores to attend university, Pete was faced with the decision of art school, music school, or getting a job. He ultimately chose to study graphic design at Ealing Art College, enrolling in 1961. At Ealing, Townshend studied alongside future Rolling Stones guitarist Ronnie Wood and future Queen lead singer Freddie Mercury. Notable artists and designers gave lectures at the college such as auto-destructive art pioneer Gustav Metzger. Townshend dropped out in 1964 to focus on music full-time.

Answer this question "did he have a job during this time?"
output: He ultimately chose to study graphic design at Ealing Art College, enrolling in 1961.

Question: Andy Samuel Griffith (June 1, 1926  - July 3, 2012) was an American actor, comedian, television producer, Southern gospel singer, and writer, whose career spanned seven decades of music and television. Known for his southern drawl, his characters with a folksy-friendly personality, and his gruff, gregarious voice, Griffith was a Tony Award nominee for two roles, and gained prominence in the starring role in director Elia Kazan's film A Face in the Crowd (1957) before he became better known for his television roles, playing the lead roles of Andy Taylor in the sitcom The Andy Griffith Show (1960-1968) and Ben Matlock in the legal drama Matlock (1986-1995).

Griffith's early career was as a monologist, delivering long stories such as What It Was, Was Football, which is told from the point of view of a naive country preacher trying to figure out what was going on in a football game. The monologue was released as a single in 1953 on the Colonial Records label, and was a hit for Griffith, reaching number nine on the charts in 1954.  Griffith starred in Ira Levin's one-hour teleplay version of No Time for Sergeants (March 1955) -- a story about a country boy in the United States Air Force -- on The United States Steel Hour, a television anthology series. He expanded that role in Ira Levin's full-length theatrical version of the same name (October 1955) on Broadway in New York City. The role earned him a "Distinguished Supporting or Featured Dramatic Actor" nomination at the 1956 Tony Awards, losing to Ed Begley. He did win the 1956 Theatre World Award, however, a prize given for debut roles on Broadway. "Mr. Griffith does not have to condescend to Will Stockdale" (his role in the play), wrote Brooks Atkinson in The New York Times. "All he has to do is walk on the stage and look the audience straight in the face. If the armed forces cannot cope with Will Stockdale, neither can the audience resist Andy Griffith."  Griffith later reprised his role for the film version (1958) of No Time for Sergeants; the film also featured Don Knotts, as a corporal in charge of manual-dexterity tests, marking the beginning of a lifelong association between Griffith and Knotts. No Time for Sergeants is considered the direct inspiration for the later television situation comedy Gomer Pyle, U.S.M.C.  His only other New York stage appearance was the titular role in the 1959 musical Destry Rides Again, co-starring Dolores Gray. The show, with a score by Harold Rome, ran for 472 performances and more than a year. Griffith was nominated for "Distinguished Musical Actor" at the 1960 Tony Awards, losing to Jackie Gleason.  He also portrayed a US Coast Guard sailor in the feature film Onionhead (1958); it was neither a critical nor a commercial success.

Using a quote from the above article, answer the following question: Did he have any other stage role?
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Answer:
His only other New York stage appearance was the titular role in the 1959 musical Destry Rides Again,