IN: Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators.

By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded.

Was this popular?

OUT: failed to achieve much success upon its release

Answer the question at the end by quoting:

Brooks & Dunn is an American country music duo consisting of Kix Brooks and Ronnie Dunn, both vocalists and songwriters. The duo was founded in 1990 through the suggestion of Tim DuBois. Before the foundation, both members were solo recording artists. Brooks wrote number one singles for John Conlee, Nitty Gritty Dirt Band, and Highway 101; both he and Dunn also charted two solo singles apiece in the 1980s, with Brooks also releasing an album for Capitol Records in 1989.
Arista Nashville released Brooks & Dunn's second Greatest Hits package, The Greatest Hits Collection II, in October 2004. The album included singles from If You See Her, Steers & Stripes and Red Dirt Road, and the previously unreleased "That's What It's All About" and "It's Getting Better All the Time". Respectively, these cuts peaked at numbers two and one on the country music charts, as well as 38 and 56 on the Hot 100.  In August 2005, the duo released the single "Play Something Country". According to Dunn and co-writer Terry McBride, it was inspired by Gretchen Wilson, who was touring with Brooks & Dunn and Big & Rich on the Deuces Wild tour at the time. "Play Something Country" was the lead-off to their ninth studio album, Hillbilly Deluxe. Brooks & Dunn co-produced with Tony Brown, with further production from Mark Wright on "My Heart's Not a Hotel". A month after the album's release, "Play Something Country" became the duo's twentieth and final number one on Hot Country Songs, and went to number 37 on the Billboard Hot 100. The album's second single, "Believe", peaked at number eight, also winning the next year's Single of the Year and Song of the Year awards from the Country Music Association. After it was "Building Bridges", with guest vocals from Vince Gill and Sheryl Crow, which peaked at number four. Before the duo released this song, it had been released by co-writer Larry Willoughby, a cousin of country singer Rodney Crowell, and later by Nicolette Larson. The final release from Hillbilly Deluxe was the title track, which peaked at number sixteen on Hot Country Songs. Erlewine gave this album a positive review, saying that it was not "quite as ambitious" as the previous two albums, but "just as satisfying".  Brooks & Dunn began the Long Haul tour in mid-2006, which featured Sugarland and Jack Ingram as opening acts. Of this tour, Brooks said, "They've got a lot of shows under their belt, they're really good at what they do, and they are great performers[...]We want everything about this show from opening act 'til the lights go down to be first class."

Did the release any other music?

In August 2005, the duo released the single "Play Something Country".

input: Bernstein recorded extensively from the mid-1940s until just a few months before his death. Aside from those 1940s recordings, which were made for RCA Victor, Bernstein recorded primarily for Columbia Masterworks Records, especially when he was music director of the New York Philharmonic between 1958 and 1971. His typical pattern of recording at that time was to record major works in the studio immediately after they were presented in the orchestra's subscription concerts or on one of the Young People's Concerts, with any spare time used to record short orchestral showpieces and similar works. Many of these performances were digitally remastered and reissued by Sony as part of their 100 Volume, 125 CDs "Royal Edition" and their later "Bernstein Century" series. In 2010 many of these recordings were repackaged in a 60 CD "Bernstein Symphony Edition".  His later recordings (starting with Bizet's Carmen in 1972) were mostly made for Deutsche Grammophon, though he would occasionally return to the Columbia Masterworks label. Notable exceptions include recordings of Gustav Mahler's Song of the Earth and Mozart's 15th piano concerto and "Linz" symphony with the Vienna Philharmonic Orchestra for Decca Records (1966); Berlioz's Symphonie fantastique and Harold in Italy (1976) for EMI; and Wagner's Tristan und Isolde (1981) for Philips Records, a label that like Deutsche Grammophon was part of PolyGram at that time. Unlike his studio recordings for Columbia Masterworks, most of his later Deutsche Grammophon recordings were taken from live concerts (or edited together from several concerts with additional sessions to correct errors). Many replicate repertoire that he recorded in the 1950s and 60s.  In addition to his audio recordings, many of Bernstein's concerts from the 1970s onwards were recorded on motion picture film by the German film company Unitel. This included a complete cycle of the Mahler symphonies (with the Vienna Philharmonic and London Symphony Orchestra), as well as complete cycles of the Beethoven, Brahms and Schumann symphonies recorded at the same series of concerts as the audio recordings by Deutsche Grammophon. Many of these films appeared on Laserdisc and are now on DVD.  In total Bernstein was awarded 16 Grammys for his recordings in various categories, including several for posthumously released recordings. He was also awarded a Lifetime Achievement Grammy in 1985.

Answer this question "Why did he do it that way?"
output: