Question: Cronje was born in Bloemfontein, South Africa to Ewie Cronje and San-Marie Cronje on 25 September 1969. He graduated in 1987 from Grey College in Bloemfontein, where he was the head boy. An excellent all round sportsman, he represented the then Orange Free State Province in cricket and rugby at schools level. He was the captain of his school's cricket and rugby teams.

Cronje's form in 1991/92 was impressive especially in the one-day format where he averaged 61.40. He earned an international call up for the 1992 World Cup, making his One Day International debut against Australia at Sydney. During the tournament he played in eight of the team's nine games, averaging 34.00 with the bat, while his medium pace was used in bowling 20 overs.  After the World Cup Cronje was part of the tour to the West Indies; he featured in the three ODI's, and in the Test match at Bridgetown that followed, he made his Test debut. This was South Africa's first Test since readmission and they came close to beating a strong West Indian side, going into the final day at 122/2 chasing 200 they collapsed to 148.  India toured South Africa in 1992/93. In the first one-day international, he hit the famous six when his team needed 6 runs off only 4 balls, and was awarded Man of the match for his bowling. In the one-day series, Cronje managed just one fifty but with the ball he was economical and took his career best figures of 5/32, becoming the second South African to take five wickets in an ODI. In the Test series that followed he scored his maiden test century, 135 off 411 balls, after coming in at 0-1 in the second over he was last man out, after eight and three-quarter hours, in a total of 275. This contributed to South Africa's first Test win since readmission. At the end of the season in a triangular tournament with Pakistan and West Indies he scored 81 off 70 balls against Pakistan.  In South Africa's next Test series against Sri Lanka, Cronje scored his second Test century, 122 in the second Test in Colombo; the victory margin of an innings and 208 runs is a South African record. He finished the series with 237 runs at 59.25 after scoring 73* in the drawn third Test.

Using a quote from the above article, answer the following question: What was his best test series?
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Answer: Cronje scored his second Test century, 122 in the second Test in Colombo; the victory margin of an innings and 208 runs is a South African record.


Question: Harold Athol Lanigan Fugard OIS (born 11 June 1932) is a South African playwright, novelist, actor, and director who writes in South African English. He is best known for his political plays opposing the system of apartheid and for the 2005 Academy Award-winning film of his novel Tsotsi, directed by Gavin Hood. Fugard is an adjunct professor of playwriting, acting and directing in the Department of Theatre and Dance at the University of California, San Diego. For the academic year 2000-2001, he was the IU Class of 1963 Wells Scholar Professor at Indiana University, in Bloomington, Indiana.

In the 1960s, Fugard formed the Serpent Players, whose name derives from their first venue, the former snake pit at the Port Elizabeth Museum, "a group of black actors worker-players who earned their living as teachers, clerks, and industrial workers, and cannot thus be considered amateurs in the manner of leisured whites", developing and performing plays "under surveillance of the Security Police according to Loren Kruger's The Dis-illusion of Apartheid published in 2004." The group largely consisted of black men, including Winston Ntshona, John Kani, Welcome Duru, Fats Bookholane and Mike Ngxolo as well as Nomhle Nkonyeni and Mabel Magada. They all got together, albeit at different intervals, and decided to do something about their lives using the stage. In 1961 they met Athol Fugard, a white man who grew up in Port Elizabeth and who recently returned from Johannesburg, and asked him if he could work with them as he had the theatre know-how, how to use the stage, movements, and everything else. They worked with Athol Fugard since then and that is how the Serpent Players go together. At the time, the group performed anything they could lay their hands on in South Africa as they had no access to any libraries. These included Bertolt Brecht, August Strindberg, Samuel Beckett, William Shakespeare and many other prominent playwrights of the time. In an interview in California, Ntshona and Kani were asked why they were doing the play Sizwe Banzi is Dead, which was considered a highly political and telling story of the South African political landscape at the time. Ntshona answered: "We are just a group of artists who love theatre. And we have every right to open the doors to anyone who wants to take a look at our play and our work. We believe that art is life and conversely, life is art. And no sensible man can divorce one from the other. That's it. Other attributes are merely labels". They mainly performed at the St Stephen's Hall - renamed the Douglas Ngange Mbopa Memorial Hall in 2013 - adjacent to St Stephen's Church, and other spaces in and around New Brighton, the oldest Black township in Port Elizabeth.  According to Loren Kruger, Professor of English and Comparative Literature at the University of Chicago,  the Serpent Players used Brecht's elucidation of gestic acting, dis-illusion, and social critique, as well as their own experience of the satiric comic routines of urban African vaudeville, to explore the theatrical force of Brecht's techniques, as well as the immediate political relevance of a play about land distribution. Their work on the Caucasian Chalk Circle and, a year later, on Antigone led directly to the creation, in 1966, of what is still [2004] South Africa's most distinctive Lehrstuck [learning play]:'The Coat. Based on an incident at one of the many political trials involving the Serpent Players, The Coat dramatized the choices facing a woman whose husband, convicted of anti-apartheid political activity, left her only a coat and instructions to use it.

Using a quote from the above article, answer the following question: Did they perform anywhere else.
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Answer:
and other spaces in and around New Brighton, the oldest Black township in Port Elizabeth.