Answer the question at the end by quoting:

Francis "Frank" Hague, born in Jersey City, was the fourth of eight children to John D. and Margaret Hague (nee Fagen), immigrants from County Cavan, Ireland. He was raised in Jersey City's Second ward, an area known as The Horseshoe due to its shape which wrapped around a railroad loop. The ward was created when the Republican-controlled legislature gerrymandered a district within Jersey City in 1871 to concentrate and isolate Democratic, and mostly Catholic, votes. By age 14, Hague was expelled from school prior to completing the sixth grade for poor attendance and unacceptable behavior.
Technically, Hague's only responsibility as mayor was to appoint the school board. Otherwise, he was merely first among equals, with no powers over and above the other four commissioners. However, soon after taking office, he wrested control of the Hudson County Democratic Party from Wittpenn. This allowed him to significantly influence the makeup of the commission in this overwhelmingly Democratic city. He soon built the organization into one of the most powerful political machines in the country. Hague himself became very wealthy, owning a $125,000 summer home in Deal, living in a large apartment in the best building in the city, and able to give a $50,000 altar to a local Catholic church.  He also had the support of a significant faction of Republicans which dated to his initial election as mayor, when he cut a deal with then-Governor Walter Edge in which Edge effectively ceded North Jersey to Hague in return for keeping South Jersey for himself. Also, as public safety commissioner (a post he held throughout his entire tenure), he controlled the two departments with the most patronage appointments in the city. This post also placed responsibility for maintaining public order in his hands.  Hague soon extended his influence statewide by helping to elect his "puppets" as governor. In the 1919 gubernatorial election, Hague endorsed State Senator Edward I. Edwards and aggressively campaigned for him. Edwards carried Hudson County by 50,000 votes, which was enough for him to win statewide by just under 15,000 votes. Hague proclaimed himself leader of the New Jersey Democratic Party, and Edwards allowed him to recommend dozens of appointments to high state offices. Democrats won five out of eight gubernatorial races between 1919 and 1940, more often than not due to massive landslides in Hudson County. However, he was never able to extend his dominance to the state legislature.  Hague was able to stay in power despite a nearly constant effort to turn him out of office from 1921 onward. He was also able to avoid prosecution despite numerous federal and state investigations in part due to the fact he took most of his kickbacks in cash. However, from the early 1940s onward, many of the older ethnic groups started moving to the suburbs. They were replaced by Poles, Italians, Eastern Europeans and African-Americans. Hague never adapted his methods to the new groups.  Hague had little tolerance for those who dared oppose him publicly. He relied on two ordinances of dubious constitutionality to muzzle critics. A 1920 ordinance effectively required people making political speeches to obtain clearance from the chief of police. A 1930 ordinance gave the public safety commissioner--Hague himself--the power to turn down permits for meetings if he felt it necessary to prevent "riots, disturbances or disorderly assemblage." The latter ordinance was struck down as unconstitutional by the Supreme Court of the United States, but continued to be enforced for several years after that decision. The police were also allowed to stop and search anyone without probable cause or a warrant after 9 pm.

What deal did he cut with Walter Edge?

ceded North Jersey to Hague in return for keeping South Jersey for himself.



Answer the question at the end by quoting:

Mary Jane "Mae" West (August 17, 1893 - November 22, 1980) was an American actress, singer, playwright, screenwriter, comedian, and sex symbol whose entertainment career spanned seven decades. Known for her lighthearted bawdy double entendres, and breezy sexual independence, West made a name for herself in vaudeville and on the stage in New York City before moving to Hollywood to become a comedian, actress, and writer in the motion picture industry, as well as appearing on radio and television. For her contributions to American cinema, the American Film Institute named West 15th among the greatest female stars of classic American cinema. One of the more controversial movie stars of her day, West encountered many problems, especially censorship.
West's recording career started in the early 1930s with releases of her film songs on shellac 78 rpm records. Most of her film songs were released as 78s, as well as sheet music. In 1955, she recorded her first album, The Fabulous Mae West. In 1965, she recorded two songs, "Am I Too Young" and "He's Good For Me", for a 45 rpm record released by Plaza Records. She recorded several tongue-in-cheek songs, including "Santa, Come Up to See Me", on the album Wild Christmas, which was released in 1966 and reissued as Mae in December in 1980. Demonstrating her willingness to keep in touch with the contemporary scene, in 1966 she recorded Way Out West, the first of her two rock-and-roll albums. The second, released in 1972 on MGM Records and titled Great Balls of Fire, covered songs by The Doors, among others, and had songs written for West by English songwriter-producer Ian Whitcomb.  The April 18, 1969 issue of Life featured West at age 75, with images by child star, actor, and professional photographer Roddy McDowall.  After a 27-year absence from motion pictures, West appeared as Leticia Van Allen in Gore Vidal's Myra Breckinridge (1970) with Raquel Welch, Rex Reed, Farrah Fawcett, and Tom Selleck in a small part. The movie was intended to be deliberately campy sex change comedy, but had serious production problems, resulting in a botched film that was both a box-office and critical failure. Author Vidal, at great odds with inexperienced and self-styled "art film" director Michael Sarne, later called the film "an awful joke". Though Mae West was given star billing to attract ticket buyers, her scenes were truncated by the inexperienced film editor, and her songs were filmed as though they were merely side acts. Despite Myra Breckinridge's mainstream failure, it continued to find an audience on the cult film circuit where West's films were regularly screened and West herself was dubbed "the queen of camp". Mae West's counterculture appeal included the young and hip, and by 1971, the student body of UCLA voted Mae West "Woman of the Century" in honor of her relevance as a pioneering advocate of sexual frankness and courageous crusader against censorship.  In 1975, West released her book Sex, Health, and ESP (William Allen & Sons, publisher), and Pleasure Man (Dell publishers) based on her 1928 play of the same name. Her autobiography, Goodness Had Nothing to Do with It, was also updated and republished in the 1970s.

What other recordings did she make?
"Santa, Come Up to See Me