Problem: Thomas was born in the rural community of Cayce, Mississippi, the son of a sharecropper. He moved with his family to Memphis, Tennessee, around 1920. His mother was a "church woman". Thomas made his debut as a performer at the age of six, playing a frog in a school theatrical production.

In 1960 he made his first recordings with his 17-year-old daughter Carla, for the Satellite label in Memphis, which changed its name to Stax the following year. The song, "Cause I Love You", featuring a rhythm borrowed from Jesse Hill's "Ooh Poo Pa Doo", was a regional hit; the musicians included Thomas' son Marvell on keyboards, Steinberg, and the 16-year-old Booker T. Jones. The record's success led to Stax gaining production and distribution deal with the much larger Atlantic Records.  Rufus Thomas continued to record for the label after Carla's record "Gee Whiz" reached the national R&B chart in 1961. He had his own hit with "The Dog", a song he had originally improvised in performance based on a Willie Mitchell bass line, complete with imitations of a barking dog. The 1963 follow-up, "Walking the Dog", engineered by Tom Dowd of Atlantic, became one of his most successful records, reaching #10 on the Billboard pop chart. He became the first, and still the only, father to debut in the Top 10 after his daughter had first appeared there. The song was recorded in early 1964 by the Rolling Stones on their debut album, and was a minor UK chart hit for Merseybeat group the Dennisons later that year.  As well as recording and appearing on radio and in clubs, Thomas continued to work as a boiler operator in the textile plant, where he claimed the noises sometimes suggested musical rhythms and lyrics to him, before he finally gave up the job in 1963, to focus on his role as a singer and entertainer. He recorded a series of novelty dance tracks, including "Can Your Monkey Do the Dog'" and '"Somebody Stole My Dog" for Stax, where he was often backed by Booker T. & the MGs or the Bar-Kays. He also became a mentor to younger Stax stars, giving advice on stage moves to performers like Otis Redding, who partnered daughter Carla on record.  After "Jump Back" in 1964, the hits dried up for several years, as Stax gave more attention to younger artists and musicians. However, in 1970 he had another big hit with "Do the Funky Chicken", which reached #5 on the R&B chart, #28 on the pop chart, and #18 in Britain where it was his only chart hit. Thomas improvised the song while performing with Willie Mitchell's band at a club in Covington, Tennessee, including a spoken word section that he regularly used as a shtick as a radio DJ: "Oh I feel so unnecessary - this is the kind of stuff that makes you feel like you wanna do something nasty, like waste some chicken gravy on your white shirt right down front." The recording was produced by Al Bell and Tom Nixon, and used the Bar-Kays, featuring guitarist Michael Toles. Thomas continued to work with Bell and Nixon as producers, and later in 1970 had his only number 1 R&B hit, and his highest pop charting record, with another dance song, "Do the Push and Pull". A further dance-oriented release in 1971, "The Breakdown", climbed to number 2 R&B and number 31 Pop. In 1972, he featured in the Wattstax concert, and he had several further, less successful, hits before Stax collapsed in 1976.

Did the song had any other impact on his career ?

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Problem: Oldman was born in New Cross, London, the son of Leonard Bertram Oldman (1921-1985), a former sailor who also worked as a welder, and Kathleen (nee Cheriton; born 1919). He has stated that Leonard was an alcoholic who left the family when Oldman was seven years old. Oldman attended West Greenwich School in Deptford, leaving school at the age of 16 to work in a sports shop. He was a pianist as a child, and later a singer, but gave up his musical aspirations to pursue an acting career after seeing Malcolm McDowell's performance in the 1971 film The Raging Moon.

Oldman was charged with drunk driving in 1991 after a night out in Los Angeles with actor Kiefer Sutherland. A deputy city attorney stated that Oldman's blood alcohol content was found to be more than twice California's limit for legal intoxication.  Some media outlets reported that Oldman was unhappy with The Contender (2000) because DreamWorks had edited the film to reflect pro-Democratic leanings, stirring controversy. The claims were declared "sloppy sensationalism" by Oldman's manager, Urbanski, who said that Oldman was "the least political person he knew", that "neither he nor Oldman had made the statements attributed to them," that they had "produced the film every last cut and frame," and that "DreamWorks did not influence the final cut or have anything to do with it." It has been suggested that Oldman was blacklisted in Hollywood for several years as a result.  In an interview in the July/August 2014 issue of Playboy magazine while promoting Dawn of the Planet of the Apes, Oldman criticized what he saw as excessive political correctness in American media and the entertainment industry's own discriminating hypocrisy, and argued in support of former controversial celebrities Mel Gibson and Alec Baldwin. He stressed that he did not relate with most of their viewpoints, but regarding the former, agreed, "Gibson is in a town that's run by Jews" (referring to Hollywood). After criticism from the Anti-Defamation League (ADL), Oldman apologised to them in an open letter. ADL director Abraham Foxman acknowledged that Oldman was remorseful, but felt his letter was insufficient and asked for "a little more introspection, a little more understanding and a little more education". Oldman then made a public apology on the 25 June edition of late-night talk show Jimmy Kimmel Live!, where he stressed that he was "profoundly sorry" for his "insensitive, pernicious and ill-informed" remarks.

What about relationship or career problems that may have caused controversies?

Answer with quotes:
Oldman criticized what he saw as excessive political correctness in American media and the entertainment industry's own discriminating hypocrisy,