Problem: Brian Wayne Transeau (born October 4, 1971), better known by his stage name BT, is an American music producer, composer, technologist, audio technician, multi-instrumentalist, singer, and songwriter. An artist in the electronica music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." He also creates music within many other styles, such as classical, film composition and bass music. BT is also known for pioneering the stutter edit.

In 1999, BT released his third album, Movement in Still Life, and continued his previous experimentation outside of the trance genre. The album features a strong element of nu skool breaks, a genre he helped define with "Hip-Hop Phenomenon" in collaboration with Tsunami One aka Adam Freeland and Kevin Beber. Along with trance collaborations with Paul van Dyk and DJ Rap, Movement includes pop ("Never Gonna Come Back Down" with M. Doughty on vocals), progressive house ("Dreaming" with Kirsty Hawkshaw on vocals) and hip hop-influenced tracks ("Madskill - Mic Chekka", which samples Grandmaster Flash and the Furious Five's "The Message", and "Smartbomb", a mix of funky, heavy riffs from both synthesizers and guitars woven over a hip-hop break). "Shame" and "Satellite" lean toward an alt-rock sound, while "Godspeed" and "Dreaming" fall into classic trance ranks. "Running Down the Way Up", a collaboration with fellow electronic act Hybrid, features sultry vocals and acoustic guitars heavily edited into a progressive breakbeat track.  "Dreaming" and "Godspeed" reached #5 and #10 on the Billboard Dance Club Songs chart, respectively, "Never Gonna Come Back Down" reached #9 the Billboard Dance Club Songs chart and #16 on Billboard's Alternative Songs chart, and the album reached #166 on the Billboard 200 album charts.  Long interested in branching out into film scoring, BT got the opportunity when director Doug Liman asked him to score Go, a 1999 film about dance music culture. Shortly after creating the score, BT moved to Los Angeles in order to further pursue film scoring. He also began writing music for string quartets to prove his capabilities beyond electronic music. He was then hired to score the film Under Suspicion with a 60-piece string section. For The Fast and the Furious, BT's score featured a 70-piece ensemble, along with polyrhythmic tribal sounds produced by orchestral percussionists banging on car chassis.  In 1999, BT collaborated with Peter Gabriel on the album OVO, the soundtrack to the Millennium Dome Show in London. In 2001, he produced NSYNC's hit single "Pop", which won a 2001 Teen Choice Award for Choice Single, won four MTV Video Music Awards, and reached #19 on the Billboard Hot 100 and #9 on the UK Singles chart. In 2002, BT released the compilation album 10 Years in the Life, a two-disc collection of rarities and remixes, including "The Moment of Truth", the first track he ever recorded.

When was the album movement in still life released?

Answer with quotes: 1999,

Question:
Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The band released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals).
Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood.  The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year.  In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc.,
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Did they do anything other than songs?

Answer: