Problem: Background: Benjamin Ryan Tillman (August 11, 1847 - July 3, 1918) was a politician of the Democratic Party who served as Governor of South Carolina from 1890 to 1894, and a United States Senator from 1895 until his death in 1918. A white supremacist who opposed civil rights for blacks, Tillman led a paramilitary group of Red Shirts during South Carolina's violent 1876 election. On the floor of the U.S. Senate, he frequently ridiculed blacks, and boasted of having helped to kill them during that campaign. In the 1880s, Tillman, a wealthy landowner, became dissatisfied with the Democratic leadership and led a movement of white farmers calling for reform.
Context: With the Confederacy defeated, South Carolina ratified a new constitution in 1865 that recognized the end of slavery, but basically left the pre-war elites in charge. African-American freedmen, who were the majority of South Carolina's population, were given no vote, and their new freedom was soon restricted by Black Codes that limited their civil rights and required black farm laborers to bind themselves with annual labor contracts. Congress was dissatisfied with this minimal change and required a new constitutional convention and elections with universal male suffrage. As African Americans generally favored the Republican Party at the time, that party controlled the biracial state legislature beginning with the 1868 elections. That campaign was marked by violence--19 Republican and Union League activists were killed in South Carolina's 3rd congressional district alone.  In 1873, two Edgefield lawyers and former Confederate generals, Martin Gary and Matthew C. Butler, began to advocate what became known as the "Edgefield Plan" or "Straightout Plan". They believed that the previous five years had shown it was not possible to outvote African Americans. Gary and Butler deemed compromises with black leaders to be misguided; they felt white men must be restored to their antebellum position of preeminent political power in the state. They proposed that white men form clandestine paramilitary organizations--known as "rifle clubs"--and use force and intimidation to drive the African American from power. Members of the new white groups became known as Red Shirts. Tillman was an early and enthusiastic recruit for his local organization, dubbed the Sweetwater Sabre Club. He became a devoted protege of Gary.  From 1873 to 1876, Tillman served as a member of the Sweetwater club, members of which assaulted and intimidated black would-be voters, killed black political figures, and skirmished with the African-American-dominated state militia. Economic coercion was used as well as physical force: most Edgefield planters would not employ black militiamen or allow them to rent land, and ostracized whites who did.
Question: What did Tillman do to oppose the Republican Party?
Answer: In 1873, two Edgefield lawyers and former Confederate generals, Martin Gary and Matthew C. Butler, began to advocate what became known as the "Edgefield Plan"

Problem: Background: William Taylor (July 24, 1921 - December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C. A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he started in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America's elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina. Taylor was also a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador.
Context: In 1952 Taylor composed one of his most famous tunes, "I Wish I Knew How It Would Feel to Be Free", which achieved more popularity with the civil rights movement of the 1950s and 1960s. Nina Simone covered the song in her 1967 album Silk & Soul. The tune is widely known in the UK as a piano instrumental version, used for BBC Television's long-running Film... programme. He made dozens of recordings in the 1950s and 1960s, notably the album with Cuban percussionist Candido Camero, entitled Billy Taylor Trio with Candido, My Fair Lady Loves Jazz, Cross Section and Taylor Made Jazz.  Taylor's broadcast career also thrived. In 1961, he founded New York's Jazzmobile, which provides an arts education program via workshops, master classes, lecture demonstrations, arts enrichment programs, outdoor summer mobile concerts, special indoor concerts and special projects. In 1958, he became the Musical Director of NBC's The Subject Is Jazz, the first ever television series focusing on jazz. The 13-part series was produced by the new National Educational Television Network (NET) and hosted guests including Ellington, Aaron Copland, Bill Evans, Cannonball Adderley, Jimmy Rushing and Langston Hughes.  Taylor also worked as a DJ and program director on radio station WLIB in New York in the 1960s. During the 1960s, the Billy Taylor Trio was a regular feature of the Hickory House on West 55th Street in Manhattan. From 1969 to 1972, he served as the music director for The David Frost Show and was the first African American to lead a talk-show band. Louis Armstrong, Count Basie, Benny Goodman and Buddy Rich were just a few of the musicians who played on the show.  In 1981, Jazzmobile produced a jazz special for National Public Radio, for which the program received the Peabody Award for Excellence in Broadcasting Programs. Jazzmobile's 1990 Tribute Concert to Dr. Taylor at Avery Fisher Hall, part of the JVC Jazz Festival, featured Nancy Wilson, Ahmad Jamal Trio and Terence Blanchard Quintet.
Question: Why was this a popular song?
Answer:
tune is widely known in the UK as a piano instrumental version, used for BBC Television's long-running Film... programme.