Problem: "(I Can't Get No) Satisfaction" is a song by the English rock band the Rolling Stones, released in 1965. It was written by Mick Jagger and Keith Richards and produced by Andrew Loog Oldham. Richards' three-note guitar riff--intended to be replaced by horns--opens and drives the song. The lyrics refer to sexual frustration and commercialism.

Richards recorded the rough version of the riff in a hotel room at the Fort Harrison Hotel in Clearwater, Florida. He ran through it once before falling asleep. He said when he listened to the recording in the morning, there was about two minutes of acoustic guitar before you could hear him drop the pick and "then me snoring for the next forty minutes".  The Rolling Stones first recorded the track on 10 May 1965 at Chess Studios in Chicago, Illinois, which included Brian Jones on harmonica. The Stones lip-synched to a dub of this version the first time they debuted the song on the American music variety television programme Shindig! The group re-recorded it two days later at RCA Studios in Hollywood, California, with a different beat and the Maestro fuzzbox adding sustain to the sound of the guitar riff. Richards envisioned redoing the track later with a horn section playing the riff: "this was just a little sketch, because, to my mind, the fuzz tone was really there to denote what the horns would be doing." The other Rolling Stones, as well as producer and manager Andrew Loog Oldham and sound engineer David Hassinger eventually outvoted Richards and Jagger so the track was selected for release as a single. The song's success boosted sales of the Gibson fuzzbox so that the entire available stock sold out by the end of 1965.  Author Gary West cites a different source for the release of "Satisfaction" in interviewing WTRY radio (Troy, NY) DJ Joe Condon. In the interview, Condon clearly states that his radio station began playing "Satisfaction" on 29 April 1965, making the above recording date impossible. It can be assumed that "Satisfaction" was probably recorded earlier in April, and that WTRY was playing a test pressing.  Like most of the Stones' pre-1966 recordings, "Satisfaction" was originally released in mono only. In the mid-1980s, a true stereo version of the song was released on German and Japanese editions of the CD reissue of Hot Rocks 1964-1971. The stereo mix features a piano (played by session player Jack Nitzsche, who also provides the song's iconic tambourine) and acoustic guitar that are barely audible in the original mono release (both instruments are also audible on a bootleg recording of the instrumental track). This stereo mix of "Satisfaction" also appeared on a radio-promo CD of rare stereo tracks provided to US radio stations in the mid-1980s, but has not yet been featured on a worldwide commercial CD; even later pressings of the German and Japanese Hot Rocks CDs feature the mono mix, making the earlier releases with the stereo mix collectors' items. For the worldwide 2002 reissue of Hot Rocks, an alternative quasi-stereo mix was used featuring the lead guitar, bass, drums, and vocals in the center channel and the acoustic guitar and piano "split" left and right via a delay effect.

Was the single successful?

Answer with quotes: The song's success boosted sales of the Gibson fuzzbox so that the entire available stock sold out by the end of 1965.


Problem: Indigenous peoples of Mexico (Spanish: pueblos indigenas de Mexico), Native Mexicans (Spanish: nativos mexicanos), or Mexican Native Americans (Spanish: nativo america mexicanos), are those who are part of communities that trace their roots back to populations and communities that existed in what is now Mexico prior to the arrival of Europeans. According to the National Commission for the Development of Indigenous Peoples (Comision Nacional para el Desarrollo de los Pueblos Indigenas, or CDI in Spanish) and the INEGI (official census institute), in 2015, 25,694,928 people in Mexico self-identify as being indigenous of many different ethnic groups, which constitute 21.5% of Mexico's population.

The Law of Linguistic Rights of the Indigenous Languages recognizes 62 indigenous languages as "national languages" which have the same validity as Spanish in all territories where they are spoken. According to the National Institute of Statistics, Geography and Data Processing (INEGI), approximately 6.7% of the population speaks an indigenous language. That is, less than half of those identified as indigenous. 6,695,228 people 5 years or older were tallied as indigenous-language speakers in the 2010 census, an increase of about 650,000 from the 2000 census. In 2000, 6,044,547 people 5 years or older spoke an indigenous language.  In previous censuses, information on the indigenous speaking population five years of age and older was obtained from the Mexican people. However, in the 2010 census, this approach was changed and the Government also began to collect data on people 3 years and older because from the age of 3, children are able to communicate verbally. With this new approach, it was determined that there were 6,913,362 people 3 years of age or more who spoke an indigenous language (218,000 children 3 and 4 four years of age fell into this category), accounting for 6.6% of the total population. The population of children aged 0 to 2 years in homes where the head of household or a spouse spoke an indigenous language was 678 954. The indigenous language speaking population has been increasing in absolute numbers for decades, but have nonetheless been falling in proportion to the national population.  The recognition of indigenous languages and the protection of indigenous cultures is granted not only to the ethnic groups indigenous to modern-day Mexican territory, but also to other North American indigenous groups that migrated to Mexico from the United States in the nineteenth century and those who immigrated from Guatemala in the 1980s.

What did the government do with this data collected ?

Answer with quotes:
indigenous language speaking population has been increasing