Some context: P.M. Dawn was an American hip hop act, formed in 1988 by the brothers Attrell Cordes (known by his stage name Prince Be, sometimes credited as Prince Be the Nocturnal) and Jarrett Cordes (known as DJ Minutemix) in Jersey City, New Jersey. They earned significant crossover success in the early 1990s with music that merged hip hop, older soul, and more pop-oriented urban R&B. After recording their debut single "Ode to a Forgetful Mind" in 1988, P.M. Dawn released their first album Of the Heart, of the Soul and of the Cross: The Utopian Experience in 1991 to critical acclaim.
The Cordes brothers' father died of pneumonia when they were children. Further family tragedy occurred when their baby brother, Duncan, drowned at the age of two. The two elder brothers were raised by their mother and their stepfather George Brown, a founding member of Kool & the Gang.  Attrell Cordes began DJing parties and composing songs in ninth grade. Cordes, known by his stage name Prince Be, and his younger brother, Jarrett Cordes, known as DJ Minutemix, formed P.M. Dawn in 1988. The group's first demo tape was created using $600 that Prince Be had earned through his job as a night security guard at a homeless shelter.  They first approached Tommy Boy Records, the rap music subsidiary of Warner Brothers, with their demo, but they were told that they were too much like alternative hip-hoppers De La Soul, and not hardcore or ghetto, and were turned away. Eventually, Warlock, an independent record label, issued a debut single, "Ode to a Forgetful Mind", in 1989, but it went unnoticed.  The record label that released the single in the United Kingdom, Gee Street Records, found greater success. Gee Street mixed and marketed the song so that it earned considerable attention from music reviewers, and P.M. Dawn found themselves courted not just by Gee Street's head, Jon Baker, but also by most of the major UK record labels. Gee Street brought the brothers to London in 1990 to record tracks for an album; however, the label found itself facing bankruptcy during the recording. The entire Gee Street operation, along with P.M. Dawn's recording contract, was sold to the highest bidder, Island Records. Island issued a few more singles in the United Kingdom before releasing their debut album, Of the Heart, of the Soul and of the Cross: The Utopian Experience.
Where did they grow up?
A: 
Some context: Allen Toussaint (; January 14, 1938 - November 10, 2015) was an American musician, songwriter, arranger and record producer, who was an influential figure in New Orleans R&B from the 1950s to the end of the century, described as "one of popular music's great backroom figures." Many musicians recorded Toussaint's compositions, including "Java", "Mother-in-Law", "I Like It
The youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son. His father, Clarence, worked on the railway and played trumpet. Allen Toussaint learned piano as a child and took informal music lessons from an elderly neighbor, Ernest Pinn. In his teens he played in a band, the Flamingos, with the guitarist Snooks Eaglin, before dropping out of school. A significant early influence on Toussaint was the syncopated "second-line" piano style of Professor Longhair.  After a lucky break at age 17, in which he stood in for Huey "Piano" Smith at a performance with Earl King's band in Prichard, Alabama, Toussaint was introduced to a group of local musicians led by Dave Bartholomew, who performed regularly at the Dew Drop Inn, a nightclub on Lasalle Street in Uptown New Orleans. His first recording was in 1957 as a stand-in for Fats Domino on Domino's record "I Want You to Know", on which Toussaint played piano and Domino overdubbed his vocals. His first success as a producer also came in 1957 with Lee Allen's "Walking with Mr. Lee". He began performing regularly in Bartholomew's band, and he recorded with Fats Domino, Smiley Lewis, Lee Allen and other leading New Orleans performers.  After being spotted as a sideman by the A&R man Danny Kessler, he initially recorded for RCA Records as Al Tousan. In early 1958 he recorded an album of instrumentals, The Wild Sound of New Orleans, with a band including Alvin "Red" Tyler (baritone sax), either Nat Perrilliat or Lee Allen (tenor sax), either Justin Adams or Roy Montrell (guitar), Frank Fields (bass), and Charles "Hungry" Williams (drums). The recordings included Toussaint and Tyler's composition "Java", which first charted for Floyd Cramer in 1962 and became a number 4 pop hit for Al Hirt (also on RCA) in 1964. Toussaint also recorded and co-wrote songs with Allen Orange in the early 1960s.
Who were his parents?
A: His father, Clarence,
Some context: Peter Gregg Arnett, ONZM (born 13 November 1934) is a New Zealand-born journalist holding both New Zealand and US citizenship. Arnett worked for National Geographic magazine, and later for various television networks, most notably CNN. He is known for his coverage of the Vietnam War and the Gulf War. He was awarded the 1966 Pulitzer Prize in International Reporting for his work in Vietnam from 1962 to 1975, mostly reporting for the Associated Press.
Arnett worked for CNN for 18 years ending in 1999. During the Gulf War, he became a household name worldwide when he became the only reporter with live coverage directly from Baghdad. His dramatic reports often had air raid sirens blaring and the sound of US bombs exploding in the background. Together with two other CNN journalists, Bernard Shaw and John Holliman, Arnett brought continuous coverage from Baghdad for the 16 initial intense hours of the war (17 January 1991). Although 40 foreign journalists were present at the Al-Rashid Hotel in Baghdad at the time, only CNN possessed the means -- a private phone line connected to neighboring Amman, Jordan -- to communicate to the outside world. CNN broadcast Arnett's extended call live for several hours, with a picture of Arnett as video. Soon the other journalists left Iraq, including the two CNN colleagues, which left Arnett as the sole remaining reporter.  His accounts of civilian damage caused by the bombing were not well received by the coalition war administration, who by their constant use of terms like "smart bombs" and "surgical precision" in their public statements, had tried to project an image that civilian casualties would be at a minimum. White House sources would later state that Arnett was being used as a tool for Iraqi disinformation, and CNN received a letter from 34 members of the United States Congress accusing Arnett of "unpatriotic journalism".  Two weeks into the war, Arnett was able to obtain an exclusive, uncensored interview with Saddam Hussein. The Gulf War became the first war to be seen truly live on TV, due to Arnett's reporting from the "other side", for a period of five weeks.  About halfway through the war the CIA approached Mr. Arnett. They believed that the Iraqi military was operating a high-level communication network from the basement of the Al Rashid Hotel, which is where Mr. Arnett and a few others from CNN were staying. The CIA wanted him out so the Air Force could bomb the hotel, but Mr. Arnett refused. He said he had been given a tour of the hotel and denied there was such a facility.
Interesting aspects of the coverage?
A:
at the time, only CNN possessed the means -- a private phone line connected to neighboring Amman, Jordan -- to communicate to the outside world.