Problem: Background: Death Cab for Cutie is an American alternative rock band, formed in Bellingham, Washington in 1997. The band is composed of Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Dave Depper (guitar, keyboards, vocals), Zac Rae (keyboards, guitar), and Jason McGerr (drums). In 2014, founding guitarist and producer Chris Walla announced that he would be departing from the band after recording their eighth studio album, Kintsugi. The band was originally a solo project by Ben Gibbard, when he released the demo album You Can Play These Songs with Chords to positive reception.
Context: In early 2004 the band recorded a live EP, entitled The John Byrd EP, named for their sound engineer was released on Barsuk Records in March.  Death Cab for Cutie had been contacted by major labels on-and-off for several years, but it was only after the proven success of Transatlanticism that they decided to start talking to labels about a potential deal. The fact that they had already achieved considerable success allowed the band to negotiate with a lot of creative freedom. According to their manager Jordan Kurland, the band had spoken to "pretty much all of them", and then decided they were most satisfied with their offer from Atlantic Records. In November 2004, the band signed a "long-term worldwide deal" with Atlantic, leaving their long-time label Barsuk Records. Gibbard stated on the band's official website that nothing would change, except that "next to the picture of Barsuk holding a 7", there will be the letter "A" on both the spine and back of our upcoming albums." After signing to Atlantic, the band was still nervous about corporate economics, and encouraged fans to download its songs from the Internet.  The band released their fifth studio album and debut major-label release, Plans, on August 30, 2005, to critical and commercial success. Two singles from the album, "Soul Meets Body" and "Crooked Teeth", reached the top ten of the US Billboard Alternative Songs chart, while the single "I Will Follow You into the Dark" became the band's best-selling single to date. Death Cab for Cutie performed "Crooked Teeth" live on Saturday Night Live on January 14, 2006. Plans received a nomination for the Grammy Award for Best Alternative Album of 2005, as well as achieving gold certification in 2006 after being featured on the Billboard Album chart for 47 consecutive weeks, and later was certified platinum by the Recording Industry Association of America in early May 2008.  The band released a touring DVD, Drive Well, Sleep Carefully, in 2005. Copies of the DVD were given away to promote animal rights, and the band are supporters of the activist group PETA. In early 2006, the band announced the upcoming release of Directions: The Plans Video Album, which features eleven short films inspired by songs from the Plans album, each directed by a different person. The videos were posted one at a time at the band's website, and the DVD went on sale April 11, 2006. The iTunes Store began selling the videos (formatted for iPod) early on March 28, 2006. Lance Bangs, P.R. Brown, Ace Norton, Jeffrey Brown, Lightborne, Autumn de Wilde, Rob Schrab, Laurent Briet and Monkmus, as well as Aaron Stewart-Ahn, are among directors that have contributed to the project. An episode of MTV2's Subterranean played these videos for the whole hour, plus discussion with members of the band. Death Cab for Cutie made their first appearance at Neil Young's annual Bridge School Benefit, and completed their lengthy 2006 tour of the United States on December 10, 2006, finishing with a show at the KeyArena in Seattle, Washington.
Question: Did they tour or make any notable appearances?
Answer: The band released a touring DVD, Drive Well, Sleep Carefully,

Problem: Background: The Future Sound of London (often abbreviated to FSOL) is a British electronic music group composed of Garry Cobain (sometimes stylised as Gaz Cobain) and Brian Dougans. The duo are often credited with pushing the boundaries of electronic music experimentation and of pioneering a new era of dance music. Although often associated with ambient music, Cobain and Dougans usually resist being typecast into any one particular genre. Their work covers many areas of electronic music, such as ambient techno, house music, trip hop, ambient dub, acid techno.
Context: "Cascade", released as a single in 1993, introduced the commercial music world to the new FSOL sound. Despite its length, clocking in at nearly forty minutes and stretched over six parts, the track made the UK top 30, and previewed what was to come. In 1994, they released Lifeforms to critical acclaim. The album featured unconventional use of percussion interspersed with ambient segments. The eponymous single from the album featured Elizabeth Fraser of the Cocteau Twins on vocals. The album itself featured epic, ambient soundscapes, with tracks flowing from one to the next with no pauses in between. Throughout the record, familiar motifs and samples repeated themselves, sitting alongside tropical birdsong, rainfall, wind and an array of other exotic sounds, lending the album a natural, organic feel, backed up by the environmental landscapes that filled the artwork booklet. Brian Dougan's father was involved with the BBC Radiophonic Workshop which was a heavy influence in the almost musique concrete feel to Lifeforms. The album was also a top 10 hit on the UK album chart. Cobain has said that around this time that journalists would come to talk to them and one of the first things they would ask would be if they liked Brian Eno (whom they cite as an influence), to which they would laugh and say that they were about looking forward, not to the past. It was, to them, very much a new work rather than just another Eno-type ambient album.  We wanted to release a very immersive, mind-blowing piece of music that was long and would deeply drench you in it...Lifeforms was redefining 'classical ambient electronic experimental' - that was the phrase we used.  That year, they released the limited edition album ISDN, which featured live broadcasts they had made over ISDN lines to various radio stations worldwide to promote Lifeforms, including The Kitchen, an avant-garde performance space in New York and several appearances on the late John Peel's celebrated BBC radio Sessions shows. These shows marked the evolution of the Kiss FM shows of 1992 and 1993, moving away from DJ sets and into ambient soundscapes, with previously released material performed alongside unheard tracks. One live performance to BBC Radio 1 featured Robert Fripp performing alongside the band. The released album's tone was darker and more rhythmic than Lifeforms. Cobain stated that with ISDN they had wanted to achieve something epic and grand but no matter how much technological or personal support they had (and they had everything they could have possibly wanted) they never got to truly do what they envisioned; he admits to wanting too much at this time, even though the album was successful; the 90s, for Cobain in particular, were a time of frustration and feelings of not being able to do what they wanted to, because the technology at the time didn't fit the band's ideas. The following year, the album was re-released with expanded artwork and a slightly altered track list as an unlimited pressing.
Question: How did critics receive the album?
Answer:
The album was also a top 10 hit on the UK album chart.