IN: Robert Dale Owen (November 7, 1801 - June 24, 1877) was a Scottish-born social reformer who immigrated to the United States in 1825, became a U.S. citizen, and was active in Indiana politics as member of the Democratic Party in the Indiana House of Representatives (1835-39 and 1851-53) and represented Indiana in the U.S. House of Representatives (1843-47). As a member of Congress, Owen successfully pushed through the bill that established Smithsonian Institution and served on the Institution's first Board of Regents. Owen also served as a delegate to the Indiana Constitutional Convention in 1850 and was appointed as U.S. charge d'affaires (1853-58) to Naples. Owen was a knowledgeable exponent of the socialist doctrines of his father, Robert Owen, and managed the day-to-day operation of New Harmony, Indiana, the socialistic utopian community he helped establish with his father in 1825.

During the American Civil War, Owen served in the Ordnance Commission to supply the Union army; on March 16, 1863, he was appointed to the Freedman's Inquiry Commission. The commission was a predecessor to the Freedmen's Bureau.  In 1862 Owen wrote a series of open letters to U.S. government officials, including President Abraham Lincoln and U.S. Secretary of the Treasury Salmon P. Chase, to encourage them to support general emancipation. Owen's letter of July 23, 1862, was published in the New York Evening Post on August 8, 1862, and his letter of September 12, 1862, was published in the same newspaper on September 22, 1862. In another open letter that Owen wrote to President Lincoln on September 17, 1862, he urged the president to abolish slavery on moral grounds. Owen also believed that emancipation would weaken the Confederate forces and help the Union army win the war. On September 23, 1862, Lincoln issued a preliminary version of the Emancipation Proclamation (as he had first resolved to do in mid-July). In Emancipation is Peace, a pamphlet that Owen wrote in 1863, he confirmed his view that general emancipation was a means to end the war. In The Wrong of Slavery, the Right of Emancipation, and the Future of the African Race, a report that Owen wrote in 1864, he also suggested that the Union should provide assistance to freedmen.  Toward the end of his political career, Owen continued his effort to obtain federal voting rights for women. In 1865 he submitted an initial draft for a proposed Fourteenth Amendment to the U.S. Constitution that would not restrict voting rights to males. However, Article XIV, Section 2, in the final version of the Amendment, which became part of the U.S. Constitution in 1868, was modified to limit suffrage to males who were U.S. citizens over the age of twenty-one.

How did Robert Owen help women with voting rights?

OUT: In 1865 he submitted an initial draft for a proposed Fourteenth Amendment to the U.S. Constitution that would not restrict voting rights to males.

Answer the question at the end by quoting:

A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences.
"Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song.  During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know".  In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written.  As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours.

What is Death on Two Legs?

Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield,

input: Horney also shared Abraham Maslow's view that self-actualization is something that all people strive for. By "self" she understood the core of one's own being and potential. Horney believed that if we have an accurate conception of our own self, then we are free to realize our potential and achieve what we wish, within reasonable boundaries. Thus, she believed that self-actualization is the healthy person's aim through life--as opposed to the neurotic's clinging to a set of key needs.  According to Horney we can have two views of our self: the "real self" and the "ideal self". The real self is who and what we actually are. The ideal self is the type of person we feel that we should be. The real self has the potential for growth, happiness, will power, realization of gifts, etc., but it also has deficiencies. The ideal self is used as a model to assist the real self in developing its potential and achieving self-actualization. (Engler 125) But it is important to know the differences between our ideal and real self.  The neurotic person's self is split between an idealized self and a real self. As a result, neurotic individuals feel that they somehow do not live up to the ideal self. They feel that there is a flaw somewhere in comparison to what they "should" be. The goals set out by the neurotic are not realistic, or indeed possible. The real self then degenerates into a "despised self", and the neurotic person assumes that this is the "true" self. Thus, the neurotic is like a clock's pendulum, oscillating between a fallacious "perfection" and a manifestation of self-hate. Horney referred to this phenomenon as the "tyranny of the shoulds" and the neurotic's hopeless "search for glory". She concluded that these ingrained traits of the psyche forever prevent an individual's potential from being actualized unless the cycle of neurosis is somehow broken, through treatment or, in less severe cases, life lessons.

Answer this question "DId she believe women were prevented from self actualization?"
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