Some context: Terius Nash was born in Rockingham, North Carolina. He moved with his mother to Atlanta when he was two years old. After first learning to play trumpet in elementary school, Nash learned how to play the drums and guitar. His mother died in 1992 when Nash was fifteen years old, an event which would inspire him to write songs.
The-Dream has eight children. After dating for six months, Nash married his girlfriend Nivea in 2004. Together they had three children, daughter Navy Talia (on May 10, 2005) and twin sons London and Christian (April 19, 2006). Nivea filed for legal separation on December 10, 2007. Nash said that although he was in love with Nivea, his lack of experience in a family growing up meant he was "not taught how much more than love [it takes] to run a relationship. Like, 'cause love isn't just where it's gonna end. It can't start and stop with love. There has to be a certain amount of knowledge and patience that's acquired in order to keep it going and keep it straight, and I found out the hard way." Their divorce was finalized on June 15, 2008.  Nash began dating Christina Milian in early 2009 and she became pregnant. The Daily Mail reported that "the pregnancy was a surprise, but they were getting married regardless." They were engaged in June 2009 and married on September 4, 2009 at the Little White Chapel in Las Vegas. Nash said in an interview that Nivea was still a good friend of his, and that she was also friends with Milian. Five months after their wedding, Nash filed divorce papers in Georgia on February 17, 2010, just nine days before Christina gave birth to their daughter on February 26, 2010. The couple announced their separation on July 12, 2010, after photos surfaced of Nash with his assistant. Their divorce was finalized on October 23, 2011.  In 2012, Nash briefly dated Lydia Nam, who welcomed their son in 2013.  Nash married Lalonne Martinez on July 3, 2014 at San Francisco City Hall. They have two sons, Heir (born in 2015) and Lord (born in 2016).
Where did he grow up?
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Some context: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.
The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009.  In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s.  In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.
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The assertion reappeared in the Huffington Post under the same byline in 2009.