input: Domino moved to ABC-Paramount Records in 1963. The label dictated that he record in Nashville, Tennessee, rather than New Orleans. He was assigned a new producer (Felton Jarvis) and a new arranger (Bill Justis). Domino's long-term collaboration with the producer, arranger, and frequent co-writer Dave Bartholomew, who oversaw virtually all of his Imperial hits, was seemingly at an end. Jarvis and Justis changed the Domino sound somewhat, notably by adding the backing of a countrypolitan-style vocal chorus to most of his new recordings. He released 11 singles for ABC-Paramount, several which hit the Top 100 but just once entering the Top 40 ("Red Sails in the Sunset", 1963). By the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over.  Despite the lack of chart success, Domino continued to record steadily until about 1970, leaving ABC-Paramount in mid-1965 and recording for Mercury Records, where he delivered a live album and two singles. A studio album was planned but stalled with just four tracks recorded . Dave Bartholomew's small Broadmoor label (reuniting with Bartholomew along the way), featured many contemporary Soul infused sides but an album was released overseas in 1971 to fulfill his Reprise Records contract. He shifted to that label after Broadmoor and had a Top 100 single, a cover of the Beatles' "Lady Madonna".  Domino appeared in the Monkees' television special 33 1/3  Revolutions per Monkee in 1969. He continued to be popular as a performer for several decades. He made a cameo appearance in Clint Eastwood's movie Any Which Way You Can, filmed in 1979 and released in 1980 singing the country song "Whiskey Heaven" which later became a minor hit. His life and career were showcased in Joe Lauro's 2015 documentary The Big Beat: Fats Domino and the Birth of Rock 'n' Roll.

Answer this question "What did he leave Imperial?"
output: 

input: In the House, Traficant was known for his flamboyant and eccentric style. He often dressed poorly, with narrow neckties (then out of style), wide-lapel sport-coats and an occasional denim suit. He also sported an unkempt pompadour, which he jokingly claimed he cut with a weed whacker (it was revealed, after his conviction, that he wore a toupee). His trademark closing lines while addressing the House were "Beam me up..." and "I yield back the fact..." His website featured a picture of him swinging a two-by-four with the words "Bangin' away in D.C."  While in Congress, Traficant was a supporter of immigration reduction, and a strong opponent of illegal immigration. In the controversy surrounding the defeat of Congressman Bob Dornan (R-CA) by Democrat Loretta Sanchez, Traficant was the only Democratic member of Congress who advocated a new election, due to Dornan's allegations of voting in that race by undocumented immigrants (the allegations went unproven, and a new election was not held).  Traficant's major legislative accomplishment in the House was the adoption of some of his proposals to constrain enforcement activities by the Internal Revenue Service against delinquent taxpayers.  After the Republicans took control of the House in 1995, Traficant tended to vote more often with the Republicans than with his own party. On the issue of abortion, Traficant voted with the position of the National Right to Life Committee 95% of the time in the 105th Congress, and 100% of the time in the 106th and 107th Congresses. However, he voted against all four articles of impeachment against Bill Clinton. After he voted for Republican Dennis Hastert for Speaker of the House in 2001, the Democrats stripped him of his seniority and refused to give him any committee assignments. Because the Republicans did not assign him to any committees either, Traficant became the first member of the House of Representatives in over a century--outside the top leadership--to lack a single committee assignment.

Answer this question "What happened afterwards?"
output: After the Republicans took control of the House in 1995, Traficant tended to vote more often with the Republicans than with his own party.

input: Having returned to writing for Doctor Who, the BBC commissioned Nation to create a new science-fiction drama series. First broadcast in 1975, Survivors is the post-apocalyptic story of the last humans on Earth after the world's population has been devastated by plague. Although the series was well received, Nation's creative vision conflicted with that of producer Terence Dudley, and the final two seasons were produced without Nation's involvement.  Meanwhile, screenwriter Brian Clemens claimed that he had related the concept for Survivors to Nation in the late 1960s, having registered it with the Writers' Guild of Great Britain in 1965; Nation denied the allegations. Although the case was ultimately brought before the High Court, both sides withdrew from the proceedings after their legal costs mounted.  The production of Nation's next BBC creation, Blake's 7, experienced fewer problems. This series follows a group of criminals and political prisoners who are on the run from the evil "Terran Federation", piloting a stolen spaceship of unknown origin. Running for four seasons from 1978 to 1981, Blake's 7 acquired a worldwide fan following, and proved especially popular in Britain.  Although Nation scripted the whole of the first season of Blake's 7, his creative influence subsequently declined in the following two seasons despite writing some key episodes, as script editor Chris Boucher exerted a greater influence on those seasons. Nation didn't write any episodes in the fourth season of Blake's 7. In the 1980s, Nation attempted, without success, to secure funding for a fifth season of Blake's 7. During the 1970s, Nation wrote a children's novel for his daughter Rebecca (after whom he named the character of Rebec in the 1973 Doctor Who serial Planet of the Daleks) titled Rebecca's World: Journey to the Forbidden Planet, as well as a novel based on Survivors.

Answer this question "Which of his work have much more recognition?"
output:
Nation didn't write any episodes in the fourth season of Blake's 7. In the 1980s, Nation attempted, without success, to secure funding for a fifth season of Blake's 7.