Question: Charles Mingus Jr. (April 22, 1922 - January 5, 1979) was an American jazz double bassist, pianist, composer and bandleader. His compositions retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of Third Stream, free jazz, and classical music. He once cited Duke Ellington and church as his main influences. Mingus espoused collective improvisation, similar to the old New Orleans jazz parades, paying particular attention to how each band member interacted with the group as a whole.

In 1959 Mingus and his jazz workshop musicians recorded one of his best-known albums, Mingus Ah Um. Even in a year of standout masterpieces, including Dave Brubeck's Time Out, Miles Davis's Kind of Blue, John Coltrane's Giant Steps, and Ornette Coleman's prophetic The Shape of Jazz to Come, this was a major achievement, featuring such classic Mingus compositions as "Goodbye Pork Pie Hat" (an elegy to Lester Young) and the vocal-less version of "Fables of Faubus" (a protest against segregationist Arkansas governor Orval E. Faubus that features double-time sections). Also during 1959, Mingus recorded the album Blues & Roots, which was released the following year. As Mingus explained in his liner notes: "I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing."  Mingus witnessed Ornette Coleman's legendary--and controversial--1960 appearances at New York City's Five Spot jazz club. He initially expressed rather mixed feelings for Coleman's innovative music: "...if the free-form guys could play the same tune twice, then I would say they were playing something...Most of the time they use their fingers on the saxophone and they don't even know what's going to come out. They're experimenting." That same year, however, Mingus formed a quartet with Richmond, trumpeter Ted Curson and multi-instrumentalist Eric Dolphy. This ensemble featured the same instruments as Coleman's quartet, and is often regarded as Mingus rising to the challenging new standard established by Coleman. The quartet recorded on both Charles Mingus Presents Charles Mingus and Mingus. The former also features the version of "Fables of Faubus" with lyrics, aptly titled "Original Faubus Fables".  Only one misstep occurred in this era: 1962's Town Hall Concert. An ambitious program, it was plagued with troubles from its inception. Mingus's vision, now known as Epitaph, was finally realized by conductor Gunther Schuller in a concert in 1989, 10 years after Mingus's death.

Using a quote from the above article, answer the following question: Were there any other songs on the album
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Answer: 


Question: Zelda Fitzgerald (nee Sayre; July 24, 1900 - March 10, 1948) was an American socialite, novelist, painter and wife of author F. Scott Fitzgerald. Born in Montgomery, Alabama, she was noted for her beauty and high spirits, and was dubbed by her husband as "the first American Flapper". She and Scott became emblems of the Jazz Age, for which they are still celebrated. The immediate success of Scott's first novel This Side of Paradise (1920) brought them into contact with high society, but their marriage was plagued by wild drinking, infidelity and bitter recriminations.

Born in Montgomery, Alabama, Zelda Sayre was the youngest of six children. Her mother, Minerva Buckner "Minnie" Machen (November 23, 1860 - January 13, 1958), named her after characters in two little-known stories: Jane Howard's "Zelda: A Tale of the Massachusetts Colony" (1866) and Robert Edward Francillon's "Zelda's Fortune" (1874). A spoiled child, Zelda was doted upon by her mother, but her father, Anthony Dickinson Sayre (1858-1931)--a justice of the Supreme Court of Alabama and one of Alabama's leading jurists--was a strict and remote man.  The family was descended from early settlers of Long Island, who had moved to Alabama before the Civil War. By the time of Zelda's birth, the Sayres were a prominent Southern family. Her great-uncle, John Tyler Morgan, served six terms in the United States Senate; her paternal grandfather edited a newspaper in Montgomery; and her maternal grandfather was Willis Benson Machen, who served a partial term as a U.S. senator from Kentucky. Her siblings were Anthony Dickinson Sayre, Jr. (1894-1933), Marjorie Sayre (Mrs. Minor Williamson Brinson) (1886-1960), Rosalind Sayre (Mrs. Newman Smith) (1889-1979), Clothilde Sayre (Mrs. John Palmer) (1891-1986), and Lenora Sayre (1897-1899), who died of diphtheria at age two.  As a child, Zelda Sayre was extremely active. She danced, took ballet lessons and enjoyed the outdoors. In 1914, Sayre began attending Sidney Lanier High School. She was bright, but uninterested in her lessons. Her work in ballet continued into high school, where she had an active social life. She drank, smoked and spent much of her time with boys, and she remained a leader in the local youth social scene. A newspaper article about one of her dance performances quoted her as saying that she cared only about "boys and swimming." She developed an appetite for attention, actively seeking to flout convention--whether by dancing the Charleston, or by wearing a tight, flesh-colored bathing suit to fuel rumors that she swam nude. Her father's reputation was something of a safety net, preventing her social ruin, but Southern women of the time were expected to be delicate, docile and accommodating. Consequently, Sayre's antics were shocking to many of those around her, and she became--along with her childhood friend and future Hollywood starlet Tallulah Bankhead--a mainstay of Montgomery gossip. Her ethos was encapsulated beneath her high-school graduation photo:  Why should all life be work, when we all can borrow?  Let's think only of today, and not worry about tomorrow.

Using a quote from the above article, answer the following question: What else happened with her early life?
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Answer:
Zelda Sayre was extremely active. She danced, took ballet lessons and enjoyed the outdoors.