Answer the question at the end by quoting:

Sean Michael Waltman (born July 13, 1972) is an American professional wrestler. He wrestled for the World Wrestling Federation (WWF, now called WWE) under the ring names 1-2-3 Kid and X-Pac intermittently between 1993 and 2002, World Championship Wrestling (WCW) as Syxx, and Total Nonstop Action Wrestling (TNA) as Syxx-Pac and Sean Waltman. He is currently signed with WWE working in their Legends program. Waltman has won a dozen championships between WWE, WCW, and TNA; the majority were cruiserweight and tag team titles.
In February 2006, Waltman joined MTV's newly formed Wrestling Society X (WSX) promotion, as 6-Pac. At their inaugural tapings on February 9, 6-Pac had a ten-man hardcore battle royal ladder match, which both he and Vampiro won by climbing the ladder to retrieve WSX contracts. 6-Pac lost a WSX Championship title match to Vampiro the following week. He challenged Vampiro in episode four, as a ruse to introduce Ricky Banderas, who attacked Vampiro from behind. He later defeated Human Tornado and Scorpio Sky in singles matches, and teased an affair with Lizzy Valentine (the valet and girlfriend of Matt Sydal), though WSX folded before the angle could go on any further.  Waltman, under his real name, defeated Adam Pearce for the NWA Heritage Championship in El Paso, Texas on April 21, 2007. He defended it against El Sicodelico, Jr. on April 27, and lost it to Pearce two days later. On July 8, 2007, Waltman teamed with Billy Kidman in a three-way tag match in McAllen, Texas for the NWA World Tag Team Championship, which had been vacated by Team 3D after the NWA stopped working with TNA. They lost the match to Karl Anderson and Joey Ryan.  On the May 14, 2008, episode of NWA Wrestling Showcase, Waltman challenged Pearce for the NWA World Heavyweight Championship. The match ended prematurely after Waltman legitimately injured his knee five minutes in. He was attacked by The Real American Heroes and Pearce, so won by disqualification. As wrestling titles can generally only change hands by pinfall or submission, Pearce retained the belt.

What did he do next?

Waltman, under his real name, defeated Adam Pearce for the NWA Heritage Championship



Answer the question at the end by quoting:

The Future Sound of London (often abbreviated to FSOL) is a British electronic music group composed of Garry Cobain (sometimes stylised as Gaz Cobain) and Brian Dougans. The duo are often credited with pushing the boundaries of electronic music experimentation and of pioneering a new era of dance music. Although often associated with ambient music, Cobain and Dougans usually resist being typecast into any one particular genre. Their work covers many areas of electronic music, such as ambient techno, house music, trip hop, ambient dub, acid techno.
"Cascade", released as a single in 1993, introduced the commercial music world to the new FSOL sound. Despite its length, clocking in at nearly forty minutes and stretched over six parts, the track made the UK top 30, and previewed what was to come. In 1994, they released Lifeforms to critical acclaim. The album featured unconventional use of percussion interspersed with ambient segments. The eponymous single from the album featured Elizabeth Fraser of the Cocteau Twins on vocals. The album itself featured epic, ambient soundscapes, with tracks flowing from one to the next with no pauses in between. Throughout the record, familiar motifs and samples repeated themselves, sitting alongside tropical birdsong, rainfall, wind and an array of other exotic sounds, lending the album a natural, organic feel, backed up by the environmental landscapes that filled the artwork booklet. Brian Dougan's father was involved with the BBC Radiophonic Workshop which was a heavy influence in the almost musique concrete feel to Lifeforms. The album was also a top 10 hit on the UK album chart. Cobain has said that around this time that journalists would come to talk to them and one of the first things they would ask would be if they liked Brian Eno (whom they cite as an influence), to which they would laugh and say that they were about looking forward, not to the past. It was, to them, very much a new work rather than just another Eno-type ambient album.  We wanted to release a very immersive, mind-blowing piece of music that was long and would deeply drench you in it...Lifeforms was redefining 'classical ambient electronic experimental' - that was the phrase we used.  That year, they released the limited edition album ISDN, which featured live broadcasts they had made over ISDN lines to various radio stations worldwide to promote Lifeforms, including The Kitchen, an avant-garde performance space in New York and several appearances on the late John Peel's celebrated BBC radio Sessions shows. These shows marked the evolution of the Kiss FM shows of 1992 and 1993, moving away from DJ sets and into ambient soundscapes, with previously released material performed alongside unheard tracks. One live performance to BBC Radio 1 featured Robert Fripp performing alongside the band. The released album's tone was darker and more rhythmic than Lifeforms. Cobain stated that with ISDN they had wanted to achieve something epic and grand but no matter how much technological or personal support they had (and they had everything they could have possibly wanted) they never got to truly do what they envisioned; he admits to wanting too much at this time, even though the album was successful; the 90s, for Cobain in particular, were a time of frustration and feelings of not being able to do what they wanted to, because the technology at the time didn't fit the band's ideas. The following year, the album was re-released with expanded artwork and a slightly altered track list as an unlimited pressing.

Was the album rerelease received well by fans?
Cobain has said that around this time that journalists would come to talk to them