Background: Bowring was born in Exeter of Charles Bowring (1769-1856), a wool merchant whose main market was China, from an old Unitarian family, and Sarah Jane Anne (d. 1828), the daughter of Thomas Lane, vicar of St Ives, Cornwall. His last formal education was at a Unitarian school in Moretonhampstead and he started work in his father's business at age 13. Bowring at one stage wished to become a Unitarian minister. Espousal of Unitarian faith was illegal in Britain until Bowring had turned 21.
Context: By 1847, Bowring had assembled an impressive array of credentials: honorary diplomas from universities in Holland and Italy, fellowships of the Linnaean Society of London and Paris, the Historical Institute of the Scandinavian and Icelandic Societies, the Royal Institute of the Netherlands, the Royal Society of Hungary, the Royal Society of Copenhagen, and of the Frisian and Athenian Societies. Numerous translations and works on foreign languages, politics and economy had been published. His zeal in Parliament and standing as a literary man were well known.  In 1849, he was appointed British consul at Canton (today's Guangzhou), and superintendent of trade in China. Arriving on the HMS Medea on 12 April 1849, he took up the post in which he was to remain for four years the next day. His son John Charles had preceded him to China, arriving in Hong Kong in 1842, had been appointed Justice of the Peace and was at one point a partner in Jardines.  Bowring was quickly appalled by endemic corruption and frustrated by finding himself powerless in the face of Chinese breaches of the Treaty of Nanking and refusal to receive him at the diplomatic level or permit him to travel to Peking, and by his being subordinate to the Governor of Hong Kong who knew nothing of his difficulties.  For almost a year from 1852 to 1853, he acted as Britain's Plenipotentiary and Superintendent of Trade and Governor of Hong Kong in the absence on leave of Sir George Bonham, who he was later to succeed.  Bowring was instrumental in the formation in 1855 of the Board of Inspectors established under the Qing Customs House, operated by the British to gather statistics on trade on behalf of the Qing government and, later, as the Chinese Imperial Maritime Customs Service, to collect all customs duties, a vital reform which brought an end to the corruption of government officials and led modernisation of China's international trade. Concerned for the welfare of coolies being exported to Australia, California, Cuba and the West Indies, and disturbed by the coolie revolt in Amoy in May 1852, Bowring tightened enforcement of the Passenger Act so as to improve coolie transportation conditions and ensure their voluntariness.
Question: What else did he do there?
Answer: operated by the British to gather statistics on trade on behalf of the Qing government and, later, as the Chinese Imperial Maritime Customs Service,

Problem: Background: Spacemen 3 were an English alternative rock band, formed in 1982 in Rugby, Warwickshire by Peter Kember and Jason Pierce. Their music is known for its brand of "minimalistic psychedelia". Spacemen 3 had their first independent chart hits in 1987, gaining a cult following, and going on to have greater success towards the end of the decade. However, they disbanded shortly afterwards, releasing their final studio album post-split in 1991 after an acrimonious parting of ways.
Context: In November 1985, Spacemen 3 played a gig at a leisure centre in Coventry to an audience of fewer than ten people. Nevertheless, encouraged by the support of Pat Fish, they determined that they ought to record a new demo tape. By this time they had reconfigured and honed their musical style, and their repertoire consisted of newer songs and re-worked older ones. "The band's sound had crystallised into the intense, hypnotic, overloaded psychedelia which characterised their early [record] output, and which would serve as a template for their live act throughout their existence" (Ian Edmond, Record Collector).  At Pierce's instigation, Pete Bain rejoined the band on bass in order to fill out their sound. Despite being a 4-piece again, they would retain the name 'Spacemen 3'. Kember and Pierce opted to upgrade their guitar equipment ahead of recording the new demos. Kember purchased a Burns Jazz electric guitar and 1960s Vox Conqueror amplifier; whilst Pierce bought a Fender Telecaster and a 1970s HH amplifier. Both of their new amplifiers included distortion/fuzz and tremolo; these two effects were key components of Spacemen 3's signature sound.  In January 1986, Spacemen 3 attended the home studio of Carlo Marocco at Piddington, outside Northampton, to record their new demo tape. They spent three-and-a-half days at the 16-track studio. Recording live as a group, with minimal overdubs, they managed to get demos for approximately seven songs. Kember and Pierce handled the production. These "fine set of performances" (Ned Raggett, AllMusic) would later be unofficially released as the vinyl album Taking Drugs to Make Music to Take Drugs To on the Father Yod label in 1990 (albeit described incorrectly as "rehearsals in Rugby").  Spacemen 3 managed to obtain a record deal shortly after producing their new demos. Pat Fish had given a copy of the demo tape to Dave Barker, the owner of the independent record label Glass Records, to whom Fish's band The Jazz Butcher were signed. Spacemen 3 signed a three-year, two-album recording contract with Glass Records in early 1986.
Question: what was the album called?
Answer:
Taking Drugs to Make Music to Take Drugs To on the Father Yod label in 1990