Background: Maria Corazon "Cory" Cojuangco Aquino (born Sumulong; January 25, 1933 - August 1, 2009) was a Filipina politician who served as the 11th President of the Philippines and the first woman to hold that office. She is widely accredited as the Mother of Asian Democracy. The first female president in the Philippines, Aquino was the most prominent figure of the 1986 People Power Revolution, which toppled the 21-year authoritarian rule of President Ferdinand E. Marcos and restored democracy to the Philippines.
Context: Aquino was portrayed by Laurice Guillen in the 1988 HBO miniseries A Dangerous Life. Aquino was a main character in Boy Noriega's 1987 stage comedy Bongbong at Kris (Bongbong and Kris), about an imagined romantic coupling between the only son of Ferdinand Marcos and the youngest daughter of the Aquinos. In the movie Alfredo Lim: Batas ng Maynila, Aquino was portrayed by Filipino actress Luz Valdez. Aquino was portrayed by Tess Villarama in The Obet Pagdanganan Story (1997) and in Chavit (2003). She was also portrayed by Geraldine Malacaman in the 1998 musical play Lean. In the defunct comedy gag show Ispup, Madz Nicolas played a parodized version of Aquino who often reminisces about life with Ninoy. In 2004, Aquino was portrayed by Irma Adlawan in the miniseries Sa 'Yo Lamang (Only Yours).  In 2008, a musical play about Aquino starring Isay Alvarez as Aquino, was staged at the Meralco Theater. Entitled Cory, the Musical, it was written and directed by Nestor Torre and featured a libretto of 19 original songs composed by Lourdes Pimentel, wife of Senator Aquilino Pimentel. A two-part special of Maalaala Mo Kaya aired on January 23 and 30, 2010. Actors Bea Alonzo played Corazon Aquino and Piolo Pascual portrayed Ninoy Aquino.  In 2013, the exhibit, A Gift of Self, was showcased in commemoration of Aquino's 4th death anniversary. The exhibit featured 30 of Aquino's paintings, all exuding her signature bold strokes and floral motifs which she based on her memory of the revolution and her love for haiku.
Question: how did she influence pop culture
Answer: Aquino was portrayed by Laurice Guillen in the 1988 HBO miniseries A Dangerous Life.

Question:
Richard Hirschfeld Williams (May 7, 1929 - July 7, 2011) was an American left fielder, third baseman, manager, coach and front office consultant in Major League Baseball. Known especially as a hard-driving, sharp-tongued manager from 1967 to 1969 and from 1971 to 1988, he led teams to three American League pennants, one National League pennant, and two World Series triumphs. He is one of seven managers to win pennants in both major leagues, and joined Bill McKechnie in becoming only the second manager to lead three franchises to the Series. He and Lou Piniella are the only managers in history to lead four teams to seasons of 90 or more wins.
Williams was born on May 7, 1929 in St. Louis, Missouri, and grew up there until age 13, when his family moved to Pasadena, California. After attending Pasadena City College, he signed his first professional contract with the Brooklyn Dodgers in 1947, and played his first major league game with Brooklyn in 1951. Initially an outfielder, he separated a shoulder making a diving catch early in his career, weakening his throwing arm. As a result, he learned to play several positions (he was frequently a first baseman and third baseman) and became a notorious "bench jockey" in order to keep his major league job. He appeared in 1,023 games over 13 seasons with the Dodgers, Baltimore Orioles, Cleveland Indians, Kansas City Athletics and Boston Red Sox. A right-handed batter and thrower, Williams had a career batting average of .260; his 768 hits included 70 home runs, 157 doubles and 12 triples.  He was a favorite of Paul Richards, who acquired Williams four different times between 1956 and 1962 when Richards was a manager or general manager with Baltimore and the Houston Colt .45s. Williams never played for Houston; he was acquired in an off-season "paper transaction" on October 12, 1962, then traded to the Red Sox for another outfielder, Carroll Hardy, on December 10.  His two-year playing career in Boston was uneventful, except for one occasion. On June 27, 1963, Williams was victimized by one of the greatest catches in Fenway Park history. His long drive to the opposite field was snagged by Cleveland right fielder Al Luplow, who made a leaping catch at the wall and tumbled into the bullpen with the ball in his grasp.
Answer this question using a quote from the text above:

what positions did he play?

Answer:
(he was frequently a first baseman and third baseman

Problem: Background: Esma Redzepova-Teodosievska (Macedonian: Esma Redzhepova-Teodosievska Macedonian pronunciation: ['esma re'dZepova teo'dosiefska]; 8 August 1943 - 11 December 2016) was a Macedonian vocalist, songwriter, and humanitarian of Romani ethnicity. Because of her prolific repertoire, which includes hundreds of songs, and because of her contribution to Roma culture and its promotion, she was nicknamed Queen of the Gypsies.
Context: In 1956, Esma's headteacher suggested she sing at a school talent contest for Radio Skopje. She went there without telling her parents, who did not want her to follow the path of an older sister who started to sing in cafes at 17. Among Roma people, such a career was viewed as shameful for an unmarried girl.  Esma performed A bre babi, a Macedonian Roma traditional song. It was the first time a song in Romani was aired by the station. Esma won the contest, beating 57 other schools and winning 9,000 dinars. When Esma's parents learned about her success, they were extremely upset and reluctant to let her follow a musical career. At that time, the only possible career for Roma singers was to perform in cafes and restaurants with no other prospect.  Stevo Teodosievski, an ethnic Macedonian musician and band frontman, was impressed by Esma's performance at the contest and wanted her to join his musical ensemble. Teodosievski was a self-taught man coming from a poor background, leading a large folk ensemble, the Ansambl Teodosievski. He also worked for Radio Skopje and was a member of the League of Communists of Macedonia.  Being part of the local establishment, Teodosievski was also a visionary because he believed that Roma music could become esteemed and popular among non-Romani people. Indeed, at that time, Roma music in Yugoslavia was depreciated and not considered suitable for radio or television. Furthermore, racism against Roma people was very common in Macedonia and the rest of Yugoslavia and Roma people themselves had a poor image of Roma singers, especially female ones. Before Esma, Roma performers never sang in Romani on radio or television and always hid their origins. Teodosievski had been promoting Roma music even before meeting Redzepova and had faced severe criticism from the media for doing so. He knew however that Esma Redzepova could help him achieve his goal and that she could easily become one of the most prominent artists in the country. He convinced Esma's parents to let her go with him and join his ensemble. They both promised that Esma would only sing on reputable scenes.  When they met in Skopje, Stevo Teodosievski was not fully satisfied with Esma's voice, and encouraged her to train for long hours. He enrolled her at the Academy of Music in Belgrade, where she stayed for two years.
Question: Did she join?
Answer:
He convinced Esma's parents to let her go with him and join his ensemble.