Background: The Kinks were an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies. They are regarded as one of the most important and influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
Context: The Kinks started out playing the then popular R&B and blues styles; then, under the influence of The Kingsmen's "Louie Louie" recording, developed louder rock and hard rock sounds -- due to their pioneering contribution to the field, they have often been labelled as "the original punks". Dave Davies was "really bored with this guitar sound - or lack of an interesting sound" so he purchased "a little green amplifier ... an Elpico" from a radio spares shop in Muswell Hill, and "twiddled around with it", including "taking the wires going to the speaker and putting a jack plug on there and plugging it straight into my AC30" (a larger amplifier), but didn't get the sound he wanted until he got frustrated and "got a single-sided Gillette razorblade and cut round the cone [from the centre to the edge] ... so it was all shredded but still on there, still intact. I played and I thought it was amazing." The jagged sound of the amplifier was replicated in the studio; the Elpico was plugged into the Vox AC30, and the resulting effect became a mainstay in The Kinks' early recordings--most notably on "You Really Got Me" and "All Day and All of the Night".  From 1966 onwards, The Kinks came to be known for their adherence to traditions of English music and culture, during a period when many other British bands dismissed their heritage in favour of American blues, R&B and pop styles. Ray Davies recalled that at a distinct moment in 1965 he decided to break away from the American scene, and write more introspective and intelligent songs. "I decided I was going to use words more, and say things. I wrote 'Well Respected Man'. That was the first real word-oriented song I wrote. ... [I also] abandoned any attempt to Americanise my accent." The Kinks' allegiance to English styles was strengthened by the ban placed on them by the American Federation of Musicians. The ban cut them off from the American record buying public, the world's largest musical market, forcing them to focus on Britain and mainland Europe. The Kinks expanded on their English sound throughout the remainder of the 1960s, incorporating elements of music hall, folk, and baroque music through use of harpsichord, acoustic guitar, mellotron, and horns, and creating some of the most influential and important music of the period.  Beginning with Everybody's In Show-biz (1972), Ray Davies began exploring theatrical concepts on the group's albums; these themes became manifest on the 1973 album Preservation Act 1 and continued through Schoolboys In Disgrace (1976). The Kinks found little success with these conceptual works, and reverted to a traditional rock format throughout the remainder of the 1970s. Sleepwalker (1977), which heralded their return to commercial success, featured a mainstream, relatively slick production style that would become their norm. The band returned to hard rock for Low Budget (1979), and continued to record within the genre throughout the remainder of their career.
Question: did they work with anyone?
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Background: Andrew Jackson (March 15, 1767 - June 8, 1845) was an American soldier and statesman who served as the seventh president of the United States from 1829 to 1837. Before being elected to the presidency, Jackson gained fame as a general in the United States Army and served in both houses of Congress. As president, Jackson sought to advance the rights of the "common man" against a "corrupt aristocracy" and to preserve the Union. Born in the colonial Carolinas to a Scotch-Irish family in the decade before the American Revolutionary War, Jackson became a frontier lawyer and married Rachel Donelson Robards.
Context: In 1794, Jackson formed a partnership with fellow lawyer John Overton, dealing in claims for land reserved by treaty for the Cherokee and Chickasaw. Like many of their contemporaries, they dealt in such claims although the land was in Indian country. Most of the transactions involved grants made under the 'land grab' act of 1783 that briefly opened Indian lands west of the Appalachians within North Carolina to claim by that state's residents. He was one of the three original investors who founded Memphis, Tennessee, in 1819.  After moving to Nashville, Jackson became a protege of William Blount, a friend of the Donelsons and one of the most powerful men in the territory. Jackson became attorney general in 1791, and he won election as a delegate to the Tennessee constitutional convention in 1796. When Tennessee achieved statehood that year, he was elected its only U.S. Representative. He was a member of the Democratic-Republican Party, the dominant party in Tennessee. Jackson soon became associated with the more radical, pro-French and anti-British wing. He strongly opposed the Jay Treaty and criticized George Washington for allegedly removing Republicans from public office. Jackson joined several other Republican congressmen in voting against a resolution of thanks for Washington, a vote that would later haunt him when he sought the presidency. In 1797, the state legislature elected him as U.S. Senator. Jackson seldom participated in debate and found the job dissatisfying. He pronounced himself "disgusted with the administration" of President John Adams and resigned the following year without explanation. Upon returning home, with strong support from western Tennessee, he was elected to serve as a judge of the Tennessee Supreme Court at an annual salary of $600. Jackson's service as a judge is generally viewed as a success and earned him a reputation for honesty and good decision making. Jackson resigned the judgeship in 1804. His official reason for resigning was ill health. He had been suffering financially from poor land ventures, and so it is also possible that he wanted to return full-time to his business interests.  After arriving in Tennessee, Jackson won the appointment of judge advocate of the Tennessee militia. In 1802, while serving on the Tennessee Supreme Court, he declared his candidacy for major general, or commander, of the Tennessee militia, a position voted on by the officers. At that time, most free men were members of the militia. The organizations, intended to be called up in case of conflict with Europeans or Indians, resembled large social clubs. Jackson saw it as a way to advance his stature. With strong support from western Tennessee, he tied with John Sevier with seventeen votes. Sevier was a popular Revolutionary War veteran and former governor, the recognized leader of politics in eastern Tennessee. On February 5, Governor Archibald Roane broke the tie in Jackson's favor. Jackson had also presented Roane with evidence of land fraud against Sevier. Subsequently, in 1803, when Sevier announced his intention to regain the governorship, Roane released the evidence. Sevier insulted Jackson in public, and the two nearly fought a duel over the matter. Despite the charges leveled against Sevier, he defeated Roane, and continued to serve as governor until 1809.
Question: What did he do a attorney general?
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