Background: Zelig is a 1983 American mockumentary film written and directed by Woody Allen and starring Allen and Mia Farrow. Allen plays Leonard Zelig, a nondescript enigma, who, out of his desire to fit in and be liked, takes on the characteristics of strong personalities around him. The film, presented as a documentary, recounts his intense period of celebrity in the 1920s and includes analyses from contemporary intellectuals. Zelig was photographed and narrated in the style of 1920s black-and-white newsreels, which are interwoven with archival footage from the era and re-enactments of real historical events.
Context: Allen used newsreel footage and inserted himself and other actors into the footage using bluescreen technology. To provide an authentic look to his scenes, Allen and cinematographer Gordon Willis used a variety of techniques, including locating some of the antique film cameras and lenses used during the eras depicted in the film, and even going so far as to simulate damage, such as crinkles and scratches, on the negatives to make the finished product look more like vintage footage. The virtually seamless blending of old and new footage was achieved almost a decade before digital filmmaking technology made such techniques in films like Forrest Gump (1994) and various television advertisements much easier to accomplish.  The film uses cameo appearances by real figures from academia and other fields for comic effect. Contrasting the film's vintage black-and-white film footage, these persons appear in color segments as themselves, commenting in the present day on the Zelig phenomenon as if it really happened. They include essayist Susan Sontag, psychoanalyst Bruno Bettelheim, Nobel Prize-winning novelist Saul Bellow, political writer Irving Howe, historian John Morton Blum, and the Paris nightclub owner Bricktop.  Also appearing in the film's vintage footage are Charles Lindbergh, Al Capone, Clara Bow, William Randolph Hearst, Marion Davies, Charlie Chaplin, Josephine Baker, Fanny Brice, Carole Lombard, Dolores del Rio, Adolf Hitler, Joseph Goebbels, Hermann Goring, James Cagney, Jimmy Walker, Lou Gehrig, Babe Ruth, Adolphe Menjou, Claire Windsor, Tom Mix, Marie Dressler, Bobby Jones, and Pope Pius XI.  In the time it took to complete the film's special effects, Allen filmed A Midsummer Night's Sex Comedy and Broadway Danny Rose.
Question: Who appears in the old footage?
Answer: The film uses cameo appearances by real figures from academia and other fields for comic effect.

Background: Eleanor's year of birth is not known precisely: a late 13th-century genealogy of her family listing her as 13 years old in the spring of 1137 provides the best evidence that Eleanor was perhaps born as late as 1124. On the other hand, some chronicles mention a fidelity oath of some lords of Aquitaine on the occasion of Eleanor's fourteenth birthday in 1136. This, and her known age of 82 at her death, make 1122 more likely the year of birth. Her parents almost certainly married in 1121.
Context: In 1137 Duke William X left Poitiers for Bordeaux and took his daughters with him. Upon reaching Bordeaux, he left them in the charge of the Archbishop of Bordeaux, one of his few loyal vassals. The duke then set out for the Shrine of Saint James of Compostela in the company of other pilgrims. He died, however, on Good Friday of that year (9 April).  Eleanor, aged twelve to fifteen, then became the Duchess of Aquitaine, and thus the most eligible heiress in Europe. As these were the days when kidnapping an heiress was seen as a viable option for obtaining a title, William dictated a will on the very day he died that bequeathed his domains to Eleanor and appointed King Louis VI of France as her guardian. William requested of the king that he take care of both the lands and the duchess, and find her a suitable husband. However, until a husband was found, the king had the legal right to Eleanor's lands. The duke also insisted to his companions that his death be kept a secret until Louis was informed; the men were to journey from Saint James of Compostela across the Pyrenees as quickly as possible to call at Bordeaux to notify the archbishop, then to make all speed to Paris to inform the king.  The king of France, known as Louis the Fat, was also gravely ill at that time, suffering from a bout of dysentery from which he appeared unlikely to recover. Yet despite his impending death, Louis's mind remained clear. His heir, Prince Louis, had originally been destined for the monastic life of a younger son but had become the heir apparent when his older brother, Philip, died from a riding accident in 1131.  The death of William, one of the king's most powerful vassals, made available the most desirable duchy in France. While presenting a solemn and dignified face to the grieving Aquitainian messengers, Louis exulted when they departed. Rather than act as guardian to the duchess and duchy, he decided to marry the duchess to his 17-year-old heir and bring Aquitaine under the control of the French crown, thereby greatly increasing the power and prominence of France and its ruling family, the House of Capet. Within hours, the king had arranged for Prince Louis to be married to Eleanor, with Abbot Suger in charge of the wedding arrangements. Prince Louis was sent to Bordeaux with an escort of 500 knights, along with Abbot Suger, Theobald II, Count of Champagne, and Count Ralph.
Question: Are there any other interesting aspects about this article?
Answer:
these were the days when kidnapping an heiress was seen as a viable option for obtaining a title,