Some context: The Three Stooges were an American vaudeville and comedy team active from 1922 until 1970, best known for their 190 short subject films by Columbia Pictures that have been regularly airing on television since 1958. Their hallmark was physical farce and slapstick. In films, the stooges were commonly known by their actual first names. There were a total of six stooges over the act's run (with only three active at any given time), but Moe Howard and Larry Fine were the mainstays throughout the ensemble's nearly fifty-year run and the pivotal "third Stooge" was played by (in order of appearance)
Over half a century since their last short film was released, the Three Stooges remain popular with audiences. Their films have never left American television since first appearing in 1958, and they continue to delight old fans while attracting new admirers. They were a hard-working group of comedians who were never the critics' darlings, a durable act who endured several personnel changes in their careers that would have permanently sidelined a less persistent act. The Stooges would not have lasted as long as they did as a unit without Moe Howard's guiding hand.  The Ted Okuda and Edward Watz book The Columbia Comedy Shorts puts the Stooges' legacy in critical perspective:  Many scholarly studies of motion picture comedy have overlooked the Three Stooges entirely - and not without valid reasoning. Aesthetically, the Stooges violated every rule that constitutes "good" comedic style. Their characters lacked the emotional depth of Charlie Chaplin and Harry Langdon; they were never as witty or subtle as Buster Keaton. They were not disciplined enough to sustain lengthy comic sequences; far too often, they were willing to suspend what little narrative structure their pictures possessed in order to insert a number of gratuitous jokes. Nearly every premise they have employed (spoofs of westerns, horror films, costume melodramas) has been done to better effect by other comedians. And yet, in spite of the overwhelming artistic odds against them, they were responsible for some of the finest comedies ever made. Their humor was the most undistilled form of low comedy; they were not great innovators, but as quick laugh practitioners, they place second to none. If public taste is any criterion, the Stooges have been the reigning kings of comedy for over fifty years.  Beginning in the 1980s, the Stooges finally began to receive critical recognition. The release of nearly all their films on DVD by 2010 has allowed critics of Joe Besser and Joe DeRita - often the recipients of significant fan backlash - to appreciate the unique style of comedy that both men brought to the Stooges. In addition, the DVD market has allowed fans to view the entire Stooge film corpus as distinct periods in their long, distinguished career rather than unfairly comparing one Stooge to another (the Curly vs. Shemp debate continues to this day).  The team appeared in 220 films, but it is the durability of the 190 short films the Stooges made at Columbia Pictures that acts as an enduring tribute to the comedy team. American television personality Steve Allen went on record in 1984 saying, "Although they never achieved widespread critical acclaim, they did succeed in accomplishing what they had always intended to do: they made people laugh."
Name some more of their films
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Some context: Christina Maria Aguilera (born December 18, 1980) is an American singer, songwriter, actress, reality show personality and television personality. Born in Staten Island, New York and raised in Rochester and Wexford, Pennsylvania, she appeared on the television series Star Search and The Mickey Mouse Club in her early years. After recording "Reflection", the theme for Disney's 1998 film Mulan, Aguilera signed with RCA Records. She rose to prominence with her 1999 self-titled debut album that spawned the US Billboard Hot 100 number-one singles "Genie in a Bottle", "What a Girl Wants", and "Come On Over Baby
Christina Maria Aguilera was born in the Staten Island borough of New York City, New York, on December 18, 1980, to Shelly Loraine Kearns (nee Fidler), a musician, and Fausto Xavier Aguilera, a United States Army soldier. Her father is Ecuadorian, while her mother has German, Irish, Welsh, and Dutch ancestry. Her family moved frequently because of her father's military service, and lived in places including New Jersey, Texas, New York, and Japan. Aguilera and her mother alleged that her father was physically and emotionally abusive, claims which he denied; Aguilera used music as a form of escape from her turbulent household. Following her parents' divorce when she was six years old, Aguilera, her younger sister Rachel, and her mother (who later remarried Jim Kearns and gave birth to one more child, Michael 'Mikey' Kearns), moved into her grandmother's home in the Pittsburgh suburb of Rochester, Pennsylvania. After several years of being estranged, Aguilera expressed interest in reconciling with her father in 2012.  Growing up, Aguilera, known locally as "the little girl with the big voice", aspired to be a singer, singing in local talent shows and competitions. She won her first talent show at the age of 8, in which she performed Whitney Houston's "I Wanna Dance with Somebody (Who Loves Me)". In 1990, she appeared on Star Search singing "A Sunday Kind of Love", and was eliminated during the semi-final rounds. She later performed the same song during an appearance on Pittsburgh's KDKA-TV's Wake Up with Larry Richert. Throughout her youth in Pittsburgh, Aguilera sang "The Star-Spangled Banner" before Pittsburgh Penguins hockey, Pittsburgh Steelers football, and Pittsburgh Pirates baseball games, in addition to the 1992 Stanley Cup Finals. She attended Rochester Area School District in Rochester and Marshall Middle School near Wexford, and briefly attended North Allegheny Intermediate High School before being home schooled due to bullying.  In 1991, Aguilera auditioned for a position on The Mickey Mouse Club, although she did not meet its age requirements. She joined the television series two years later, where she performed musical numbers and sketch comedy until its cancellation in 1994. Her co-stars included Ryan Gosling, Keri Russell, Britney Spears, and Justin Timberlake. When she was fourteen, Aguilera recorded her first song, the duet "All I Wanna Do" with Japanese singer Keizo Nakanishi. She later sent her cover version of Houston's "Run to You" to Walt Disney Pictures in hopes of being selected to record the theme song "Reflection" for their animated film Mulan (1998). "Reflection" peaked at number 19 on the U.S. Billboard Adult Contemporary Chart.
How was she discovered?
A:
In 1991, Aguilera auditioned for a position on The Mickey Mouse Club, although she did not meet its age requirements. She joined the television series two years later,