Problem: Background: William Taylor (July 24, 1921 - December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C. A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he started in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America's elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina. Taylor was also a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador.
Context: Taylor was born in Greenville, North Carolina, but moved to Washington, D.C., when he was five years old. He grew up in a musical family and learned to play different instruments as a child, including guitar, drums and saxophone. He was most successful at the piano, and had classical piano lessons with Henry Grant, who had educated Duke Ellington a generation earlier. Taylor made his first professional appearance playing keyboard at the age of 13 and was paid one dollar.  Taylor attended Dunbar High School, the U.S.'s first high school for African-American students. He went to Virginia State College and majored in sociology. During his time he joined Kappa Alpha Psi fraternity. Pianist Undine Smith Moore noticed young Taylor's talent in piano and he changed his major to music, graduating with a degree in music in 1942.  Taylor moved to New York City after graduation and started playing piano professionally from 1944, first with Ben Webster's Quartet on New York's 52nd Street. The same night he joined Webster's Quartet, he met Art Tatum, who became his mentor. Among the other musicians Taylor worked with was Machito and his mambo band, from whom he developed a love for Latin music. After an eight-month tour with the Don Redman Orchestra in Europe, Taylor stayed there with his wife, Theodora, and worked in Paris and the Netherlands.  Taylor returned to New York later that year and cooperated with Bob Wyatt and Sylvia Syms at the Royal Roost jazz club and Billie Holiday in a successful show called Holiday on Broadway. A year later, he became the house pianist at Birdland and performed with Charlie Parker, J.J. Johnson, Stan Getz, Dizzy Gillespie and Miles Davis. Taylor played at Birdland longer than any other pianist in the history of the club. In 1949, Taylor published his first book, a textbook about bebop piano styles.
Question: When was Billy Taylor born?
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Problem: Background: Arundhati Roy was born in Shillong, Meghalaya, India, to Mary Roy, a Malayali Syrian Christian women's rights activist from Kerala and Rajib Roy, a Bengali Hindu tea plantation manager from Calcutta. When she was two, her parents divorced and she returned to Kerala with her mother and brother. For a time, the family lived with Roy's maternal grandfather in Ooty, Tamil Nadu. When she was five, the family moved back to Kerala, where her mother started a school.
Context: Roy has campaigned along with activist Medha Patkar against the Narmada dam project, saying that the dam will displace half a million people, with little or no compensation, and will not provide the projected irrigation, drinking water, and other benefits. Roy donated her Booker prize money, as well as royalties from her books on the project, to the Narmada Bachao Andolan. Roy also appears in Franny Armstrong's Drowned Out, a 2002 documentary about the project. Roy's opposition to the Narmada Dam project was criticised as "maligning Gujarat" by Congress and BJP leaders in Gujarat.  In 2002, Roy responded to a contempt notice issued against her by the Indian Supreme Court with an affidavit saying the court's decision to initiate the contempt proceedings based on an unsubstantiated and flawed petition, while refusing to inquire into allegations of corruption in military contracting deals pleading an overload of cases, indicated a "disquieting inclination" by the court to silence criticism and dissent using the power of contempt. The court found Roy's statement, which she refused to disavow or apologise for, constituted criminal contempt and sentenced her to a "symbolic" one day's imprisonment and fined Roy Rs. 2500. Roy served the jail sentence for a single day and opted to pay the fine rather than serve an additional three months for default.  Environmental historian Ramachandra Guha has been critical of Roy's Narmada dam activism. While acknowledging her "courage and commitment" to the cause, Guha writes that her advocacy is hyperbolic and self-indulgent, "Ms. Roy's tendency to exaggerate and simplify, her Manichaean view of the world, and her shrill hectoring tone, have given a bad name to environmental analysis". He faulted Roy's criticism of Supreme Court judges who were hearing a petition brought by the Narmada Bachao Andolan, as careless and irresponsible.  Roy counters that her writing is intentional in its passionate, hysterical tone: "I am hysterical. I'm screaming from the bloody rooftops. And he and his smug little club are going 'Shhhh... you'll wake the neighbours!' I want to wake the neighbours, that's my whole point. I want everybody to open their eyes".  Gail Omvedt and Roy have had fierce yet constructive discussions, in open letters, on Roy's strategy for the Narmada Dam movement. The activists disagree on whether to demand stopping the dam building altogether (Roy) or searching for intermediate alternatives (Omvedt).
Question: what was the result of the project?
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