IN: "Mr. Tambourine Man" is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.

The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015.  The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror.  A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981.

Who wrote Mr. Tamborine Man?

OUT: Bob Dylan's

Answer the question at the end by quoting:

Lillian Evelyn Moller Gilbreth (May 24, 1878 - January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.
Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie (Delger) and William Moller, a builder's supply merchant. She was the second of the family's eleven children. Both of her wealthy parents were of German descent. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896.  Moller, who changed her name to Lillian during college, continued her education at the University of California, Berkeley, commuting by streetcar from her parents' Oakland home. She graduated from the university in 1900, earning a teaching certificate and a bachelor's degree in English literature, and was the school's first female commencement speaker at the university.  Moller enrolled at Columbia University, intending to pursue a master's degree in literature and to study with Brander Matthews, a well-known writer and educator, but soon realized he did not allow women to study with him or attend his lectures. Following her exposure to Edward Thorndike's psychology courses, she turned to Thorndike and the study of psychology because he did accept female students. After Moller became ill and returned home, she completed a master's degree in literature at the University of California, Berkeley, in 1902. The topic of her thesis was Ben Jonson's play Bartholomew Fair.  Moller began studies for a Ph.D. at the University of California, but took time off to travel in Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914.  After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which mader her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching.

how much education did she reieve?

She earned a Ph.D. in applied psychology in 1915,

input: McIntyre, the only original remaining band member aside from lead singer Hucknall, left the group after the Life album, as did Pereira. From that time in 1996, Simply Red was essentially a trade name for Hucknall and a bevy of session musicians, which would vary from track to track (and gig to gig) as needed, although all post-1996 Simply Red albums and live shows did include contributions from sax player Ian Kirkham. Returning drummer Gota Yashiki (co-producing several album tracks) and backing vocalist Dee Johnson were also frequently involved with the band's later recordings and shows, as was new keyboardist/co-producer Andy Wright.  The group issued the compilation album Greatest Hits in 1996, reportedly against Hucknall's wishes. The album featured one new track, a cover of the 1973 Aretha Franklin hit "Angel" which was co-produced with The Fugees (who also served as backing musicians). Released as a single, "Angel" reached #4 in the UK.  1998 saw the release of the cover-heavy Blue, which produced four UK top 40 singles, including the top 10 hits "Say You Love Me" and "The Air That I Breathe". The follow-up album, 1999's Love and the Russian Winter, was a relative disappointment, spawning two minor hits that failed to break the top 10.  Simply Red were dropped from their label, East West Records in April 2000. Hucknall subsequently set up the website Simplyred.com to handle releases of new recordings; the new label/website venture proved to be quite successful, many of the band's Simplyred.com releases selling and charting almost as well as their earlier recordings.

Answer this question "Did they play with anybody else?"
output:
The album featured one new track, a cover of the 1973 Aretha Franklin hit "Angel"