input: Released in 1995, Wild Angels accounted for another top five hit in its lead single "Safe in the Arms of Love", which had previously been recorded by both Wild Choir and Baillie & the Boys, and was concurrently released in Canada by Michelle Wright at the time of McBride's version. The album's title track went on to become McBride's first No. 1 single on the country charts in early 1996. However, the three follow-ups,"Phones Are Ringin' All Over Town", "Swingin' Doors" and "Cry on the Shoulder of the Road" were less successful, reaching the lower regions of the top 40.  In early 1997, after "Cry on the Shoulder of the Road" peaked, McBride released two duets. "Still Holding On", a duet with Clint Black which was the lead-off single to her album Evolution and his album Nothin' but the Taillights, and "Valentine", a collaboration with pop pianist Jim Brickman which appeared on his album Picture This. She also sang duet vocals on "Chances Are" with Bob Seger, featured on the soundtrack of the 1998 motion picture Hope Floats.  She had her second number one on the country charts with "A Broken Wing", the second single from her album Evolution, in late 1997 This album went on to produce four more top ten hits at country radio: a re-release of "Valentine", "Happy Girl", "Wrong Again" (which also went to number one), and "Whatever You Say". Towards the end of 1998, the album was certified double platinum in sales by the Recording Industry Association of America for selling two million units. In addition, she also won the Country Music Association Awards' "Female Vocalist of the Year" award in 1999 and also performed for President Bill Clinton during the same time.  Also in 1998, McBride released a Christmas album titled White Christmas, which featured a rendition of "O Holy Night" that first charted in 1997 and continued to re-enter the charts until 2001. She also sang a guest vocal on Jason Sellers' mid-1998 single "This Small Divide".

Answer this question "Did the album perform well?"
output: The album's title track went on to become McBride's first No. 1 single on the country charts in early 1996.

Problem: Background: William John Evans ( , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Born in Plainfield, New Jersey, in 1929, he was classically trained, and studied at Southeastern Louisiana University and the Mannes School of Music, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell.
Context: In July 1955, Evans returned to New York City and enrolled in the Mannes College of Music for a three-semester postgraduate course in musical composition. He also wrote classical settings of poems by William Blake. Along with his studies, Evans played in mostly low-profile "Tuxedo gigs" at the Friendship Club and the Roseland Ballroom, as well as Jewish weddings, intermission spots, and over-40 dances. However, better opportunities also arose, such as playing solo opposite the Modern Jazz Quartet at the Village Vanguard, where one day he saw Miles Davis listening to him. During this period, Evans also met Thelonious Monk.  Evans soon began to perform in Greenwich Village clubs with Don Elliott, Tony Scott, and Mundell Lowe; as well as with bandleader Jerry Wald. While Evans may have played on some of Wald's discs, his first proven Wald recording was Listen to the Music of Jerry Wald, which also featured his future drummer Paul Motian.  In early 1955, singer Lucy Reed moved to New York City to play at the Village Vanguard and The Blue Angel, and in August she recorded The Singing Reed with a group which included Evans. During this period, he met two of Reed's friends: manager Helen Keane, who, seven years later, would become his own agent; and George Russell, with whom he would soon work. That year, he also made his first recording, in a small ensemble, in Dick Garcia's A Message from Garcia. In parallel, Evans kept with his work with Scott, playing in Preview's Modern Jazz Club in Chicago during December-January 1956/7, and recording The Complete Tony Scott. After the Complete sessions, Scott left for a long overseas tour.
Question: When did he return to New York City?
Answer: In July 1955,

Question: The Outfield were an English rock band based in London, England. The band achieved success in the mid-1980s and are best remembered for their hit single, "Your Love". The band's lineup consisted of guitarist John Spinks, vocalist and bassist Tony Lewis, and drummer Alan Jackman. They had an unusual experience for a British band in that they enjoyed commercial success in the US, but never in their homeland.

Bassist/singer Tony Lewis, guitarist/keyboardist and songwriter John Spinks and drummer Alan Jackman played together in the late 1970s in a straightforward power pop band called Sirius B. After rehearsing for about six months and playing several gigs, their style did not match the punk rock that was surging in popularity in England and they broke up. Several years afterward, the three gathered back together in London's East End under the name The Baseball Boys. They performed in and around England until a demo got them signed to Columbia/CBS Records in 1984.  Spinks adopted the name 'Baseball Boys' from a teen gang called "The Baseball Furies" in the cult film The Warriors, a movie that he had just seen. Although he used the name as a joke and "just to be outrageous", record company people responded favourably. The band got a reputation as a very "American-sounding" group and signed in the US after playing for just a few months in England. Their manager, an American living in England, recommended a new band name with a similar attitude since 'Baseball Boys' seemed too "tacky" and "tongue-in-cheek". Spinks has said, "the Outfield was the most left-wing kind of thing we liked."  Spinks expressed an interest for the American sport of baseball, while also being a devoted fan of association football. He claimed that the group "didn't know what an outfield was" until they came to the US, and that "We're just learning about baseball. It's an acquired taste and we're trying to acquire a taste for it." He expounded upon this in a Chicago Tribune piece:  The thing about American sports - baseball and football - is that they're far more show business, far more a spectacle, than British sports. In England, it's just sort of everyday soccer matches. You get 30,000 people in the freezing cold in the middle of winter watching guys chase around in mud. In America, you have the sunny days, and the baseball diamond is really nicely laid out. In England, you'd see these guys covered in mud within 10 minutes. It's not such a nice spectacle to watch.  Their debut album, Play Deep, produced by William Wittman, was issued in 1985, and was a success. The album would go on to reach triple platinum sales status and the Top 10 in the US album charts; it also featured a Top 10 single entry with "Your Love", which peaked at No. 6. It went on to be featured in a number of 80s-themed compilation albums, and over 1,000 covers and remixes by other artists have been released physically and/or online. The band toured extensively, opening for Journey and Starship. Spinks made a point of mentioning in interviews that the band was "totally into not smoking or doing drugs".

Using a quote from the above article, answer the following question: Did he play with anyone else?
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Answer:
Bassist/singer Tony Lewis, guitarist/keyboardist and songwriter John Spinks and drummer Alan Jackman