input: Prior to the release of their debut album Tell All Your Friends, a music video for "Great Romances of the 20th Century" was released on March 4, 2002. It was directed by Christian Winters, a friend of the band. Winters made the video before the group signed with Victory, and the record company enjoyed it. The song was distributed to radio stations on March 12, and the full album was released on March 25.  Around this time, Nolan (citing exhaustion from touring) left the band, and Cooper followed shortly afterwards. According to Lazzara, Nolan and Cooper were "having trouble because everything was happening so fast. Going from being home ... to being gone all the time and having your whole life consumed and almost defined by the band that you're in is a lot to handle". The band briefly considered breaking up. Nolan and Cooper formed Straylight Run with Nolan's sister, Michelle, and Breaking Pangaea drummer Will Noon. Taking Back Sunday added Fred Mascherino on guitar and vocals as well as Matt Rubano on bass.  The group's second album, Where You Want To Be, was released on July 27, 2004, on Victory Records. Although sounding slightly different from Tell All Your Friends by using some different musical instruments, the new album managed to do well commercially; propelled by the single "A Decade Under the Influence", Where You Want To Be went on to debut at the No. 3 spot on the Billboard 200 albums chart, with around 220,000 copies sold. It became one of the best-selling independent rock albums within a year, selling 634,000 copies by June 2005. Rolling Stone Magazine listed Where You Want To Be as one of the top fifty records of 2004. Instead of spending marketing money towards trying to get radio play, Victory Records used the internet and fans to spread the word about the upcoming album. They targeted consumers familiar with Victory Records as well as fans of emo music. They distributed a label sampler that included songs from Where You Want To Be to get fans excited about the release. They used the Taking Back Sunday street team, consisting of about 25,000 individuals, to promote the album. In return fans could get pre-sale tickets, win shoes and other various prizes.  Taking Back Sunday toured frequently for eight months in support of Where You Want to Be. The band received even more mainstream exposure by appearing on late night talk shows Jimmy Kimmel Live!; as well as contributing Where You Want to Be's second single, "This Photograph Is Proof (I Know You Know)", to the soundtrack for Spider-Man 2. They also contributed the song "Your Own Disaster" to the Elektra soundtrack.

Answer this question "What else did they do?"
output: to Be's second single, "This Photograph Is Proof (I Know You Know)", to the soundtrack for Spider-Man 2.

Question: Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 - December 19, 1929) was an American blues and gospel singer, songwriter, and musician. He was one of the most popular blues singers of the 1920s and has been called the "Father of the Texas Blues". Jefferson's performances were distinctive because of his high-pitched voice and the originality of his guitar playing. His recordings sold well, but he was not a strong influence on younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists.

Largely because of the popularity of artists such as Jefferson and his contemporaries Blind Blake and Ma Rainey, Paramount became the leading recording company for the blues in the 1920s. Jefferson's earnings reputedly enabled him to buy a car and employ chauffeurs (this information has been disputed); he was given a Ford car "worth over $700" by Mayo Williams, Paramount's connection with the black community. This was a common compensation for recording rights in that market. Jefferson is known to have done an unusual amount of traveling for the time in the American South, which is reflected in the difficulty of placing his music in a single regional category.  Jefferson's "old-fashioned" sound and confident musicianship made it easy to market him. His skillful guitar playing and impressive vocal range opened the door for a new generation of male solo blues performers, such as Furry Lewis, Charlie Patton, and Barbecue Bob. He stuck to no musical conventions, varying his riffs and rhythm and singing complex and expressive lyrics in a manner exceptional at the time for a "simple country blues singer." According to the North Carolina musician Walter Davis, Jefferson played on the streets in Johnson City, Tennessee, during the early 1920s, at which time Davis and the entertainer Clarence Greene learned the art of blues guitar.  Jefferson was reputedly unhappy with his royalties (although Williams said that Jefferson had a bank account containing as much as $1500). In 1927, when Williams moved to Okeh Records, he took Jefferson with him, and Okeh quickly recorded and released Jefferson's "Matchbox Blues", backed with "Black Snake Moan". It was his only Okeh recording, probably because of contractual obligations with Paramount. Jefferson's two songs released on Okeh have considerably better sound quality than his Paramount records at the time. When he returned to Paramount a few months later, "Matchbox Blues" had already become such a hit that Paramount re-recorded and released two new versions, with the producer Arthur Laibly. In 1927, Jefferson recorded another of his classic songs, the haunting "See That My Grave Is Kept Clean" (again using the pseudonym Deacon L. J. Bates), and two other uncharacteristically spiritual songs, "He Arose from the Dead" and "Where Shall I Be". "See That My Grave Is Kept Clean" was so successful that it was re-recorded and re-released in 1928.

Using a quote from the above article, answer the following question: Why was he unhappy?
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Answer:
In 1927, when Williams moved to Okeh Records, he took Jefferson with him, and Okeh quickly recorded and released