Question: Edward de Vere, 17th Earl of Oxford (; 12 April 1550 - 24 June 1604) was an English peer and courtier of the Elizabethan era. Oxford was heir to the second oldest earldom in the kingdom, a court favourite for a time, a sought-after patron of the arts, and noted by his contemporaries as a lyric poet and court playwright, but his reckless and volatile temperament precluded him from attaining any courtly or governmental responsibility and contributed to the dissipation of his estate. Since the 1920s he has been among the most popular alternative candidates proposed for the authorship of Shakespeare's works.

On 12 April 1571, de Vere attained his majority and took his seat in the House of Lords. Great expectations attended his coming of age; Sir George Buck recalled predictions that 'he was much more like ... to acquire a new erldome then to wast & lose an old erldom', a prophecy that was never fulfilled.  Although formal certification of his freedom from Burghley's control was deferred until May 1572, de Vere was finally granted the income of PS666 which his father had intended him to have earlier, but properties set aside to pay his father's debts would not come his way for another decade. During his minority as the Queen's ward, one third of his estate had already reverted to the Crown, much of which Elizabeth had long since settled on Robert Dudley. Elizabeth demanded a further payment of PS3,000 for overseeing the wardship and a further PS4,000 for suing his livery. De Vere pledged double the amount if he failed to pay when it fell due, effectively risking a total obligation of PS21,000.  By 1571, de Vere was a court favourite of Elizabeth's. In May, he participated in the three-day tilt, tourney and barrier, where although he did not win he was given chief honours in celebration of the attainment of his majority, his prowess winning admiring comments from spectators. In August, de Vere attended Paul de Foix, who had come to England to negotiate a marriage between Elizabeth and the Duke of Anjou, the future King Henry III of France. His published poetry dates from this period and, along with Edward Dyer he was one of the first courtiers to introduce vernacular verse to the court.

Using a quote from the above article, answer the following question: Did his father leave him in debt?
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Answer: set aside to pay his father's debts


Question: Stephen Ray Vaughan (October 3, 1954 - August 27, 1990) was an American musician, singer, songwriter, and record producer. In spite of a short-lived mainstream career spanning seven years, he was one of the most influential guitarists in the revival of blues in the 1980s. AllMusic describes him as "a rocking powerhouse of a guitarist who gave blues a burst of momentum in the '80s, with influence still felt long after his tragic death." Born and raised in Dallas, Texas, Vaughan began playing guitar at the age of seven, inspired by his older brother Jimmie.

In September 1970, Vaughan made his first studio recordings with the band Cast of Thousands, which included future actor Stephen Tobolowsky. They recorded two songs, "Red, White and Blue" and "I Heard a Voice Last Night", for a compilation album, A New Hi, that featured various teenage bands from Dallas. In late January 1971, feeling confined by playing pop hits with Liberation, Vaughan formed his own band, Blackbird. After growing tired of the Dallas music scene, he dropped out of school and moved with the band to Austin, Texas, which had more liberal and tolerant audiences. There, Vaughan initially took residence at the Rolling Hills Country Club, a venue that would later become the Soap Creek Saloon. Blackbird played at several clubs in Austin and opened shows for bands such as Sugarloaf, Wishbone Ash, and Zephyr, but could not maintain a consistent lineup. In early December 1972, Vaughan left Blackbird and joined a rock band named Krackerjack; he performed with them for less than three months.  In March 1973, Vaughan joined Marc Benno's band, the Nightcrawlers, after meeting Benno at a jam session years before. The band featured vocalist Doyle Bramhall, who met Vaughan when he was twelve years old. The next month, the Nightcrawlers recorded an album at Sunset Sound Recorders in Hollywood for A&M Records. While the album was rejected by A&M, it included Vaughan's first songwriting efforts, "Dirty Pool" and "Crawlin'". Soon afterward, he and the Nightcrawlers traveled back to Austin without Benno. In mid-1973, they signed a contract with Bill Ham, manager for ZZ Top, and played various gigs across the South, though many of them were disastrous. Ham left the band stranded in Mississippi without any way to make it back home and demanded reimbursement from Vaughan for equipment expenses; Ham was never reimbursed.  In 1975, Vaughan joined a six-piece band called Paul Ray and the Cobras that included guitarist Denny Freeman and saxophonist Joe Sublett. For the next two-and-a-half years, he earned a living performing weekly at a popular venue in town, the Soap Creek Saloon, and ultimately the newly opened Antone's, widely known as Austin's "home of the blues". In late 1976, Vaughan recorded a single with them, "Other Days" as the A-side and "Texas Clover" as the B-side. Playing guitar on both tracks, the single was released on February 7, 1977. In March, readers of the Austin Sun voted them as Band of the Year. In addition to playing with the Cobras, Vaughan jammed with many of his influences at Antone's, including Buddy Guy, Hubert Sumlin, Jimmy Rogers, Lightnin' Hopkins, and Albert King.  Vaughan toured with the Cobras during much of 1977, but near the end of September, after they decided to strive for a mainstream musical direction, he left the band and formed Triple Threat Revue, which included singer Lou Ann Barton, bassist W. C. Clark, and drummer Fredde Pharaoh. In January 1978, they recorded four songs in Austin, including Vaughan's composition "I'm Cryin'". The thirty-minute audio recording marks the only known studio recording of the band.

Using a quote from the above article, answer the following question: any other bars ?
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Answer:
the newly opened Antone's, widely known as Austin's "home of the blues".