input: On 27 June 1970, Green appeared at the Bath Festival of Blues and Progressive Music with John Mayall, Rod Mayall (organ), Ric Grech (bass) and Aynsley Dunbar (drums). Also soon after leaving Fleetwood Mac, he accompanied former bandmate keyboardist Peter Bardens (Peter B's Looners) on Bardens' solo LP The Answer, playing lead guitar on several tracks. In that same year, he recorded a jam session with drummer Godfrey Maclean, keyboardists Zoot Money and Nick Buck, and bassist Alex Dmochowski of Aynsley Dunbar's Retaliation; Reprise Records released the session as The End of the Game, Peter's first post-Fleetwood Mac solo album. In 1971 he had a brief reunion with Fleetwood Mac, helping them to complete a US tour after guitarist Jeremy Spencer had left the group, performing under the pseudonym Peter Blue. He recorded two tracks for the album Juju with Bobby Tench's band Gass; a solo single and another with Nigel Watson, sessions with B. B. King in London in 1972 and an uncredited appearance on Fleetwood Mac's Penguin LP in 1973, on the song "Night Watch". Green's mental illness and drug use had become entrenched at this time and he faded into professional obscurity.  In the early 2000s there were rumours of a reunion of the early line-up of Fleetwood Mac, involving Peter Green and Jeremy Spencer. The two guitarists and vocalists were apparently unconvinced of the merits of such a project, but in April 2006, during a question-and-answer session on the Penguin Fleetwood Mac fan website, bassist John McVie said of the reunion idea:  If we could get Peter and Jeremy to do it, I'd probably, maybe, do it. I know Mick would do it in a flash. Unfortunately, I don't think there's much chance of Danny doing it. Bless his heart.

Answer this question "What about the article intrigued you?"
output: Green's mental illness and drug use had become entrenched at this time and he faded into professional obscurity.

input: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over."

Answer this question "Who is Cheiron?"
output: Cheiron Studios

input: The Merchandise Mart was modernized in the late 1950s and 1960s. The Indian chiefs were removed and replaced with concrete plates in 1961, of minimal note to onlookers as skyscrapers did not rise on the north side of the river as predicted. Some of the carvings were later found in a suburban backyard and auctioned in 2014. In 1962, an entrance canopy was constructed over the south for vehicle use.  In 1977, Skidmore, Owings & Merrill designed the Chicago Apparel Center, located on the west side of Orleans Street, which increased the Merchandise Mart's total floor space to 6,200,000 square feet (580,000 m2). Making use of plazas, esplanades and overlooks employed the waterfront location for pedestrian pleasure. In 1988, Helmut Jahn designed an enclosed pedestrian walking bridge over Orleans Street connecting the Mart and the Apparel Center.  After a 10-year, $100 million modernization in the late 1980s that included public utility upgrades, Beyer Blinder Belle's commission in 1989 was to create additional perimeter entrances and restore the display windows, main entrance and lobby. On the south facade, the drive-through canopy was removed and two smaller doorways aside the main entrance were added. Display windows, painted over during the earlier modernization campaign, were restored with clear glass to showcase merchant's wares. New main and corner entrances were added to the rear facade, and the loading dock that occupied the north portion of the first floor of the river level was removed in order to use the bottom deck of North Bank Drive. Improvements to the lobby included restoration of the original glass curtain wall over the entrance, shop fronts and reception desk using terrazzo floors and wall sconces influenced by the original design. The project was completed in 1991.  In November 2007, the building received LEED for Existing Buildings Silver recognition.

Answer this question "What kind of expansions have they done?"
output:
In 1977, Skidmore, Owings & Merrill designed the Chicago Apparel Center, located on the west side of Orleans Street, which increased