Problem: Background: Jack Abramoff was born on February 28, 1959 in Atlantic City, New Jersey, into a Jewish family. His parents were Jane (nee Divac) and Franklin Abramoff, who was president of the Franchises unit of Diners Club credit card company. Abramoff's family moved to Beverly Hills, California, when he was ten (in 1968). After seeing the film version of Fiddler on the Roof at age twelve, Abramoff decided to practice Orthodox Judaism.
Context: Abramoff spent 10 years in Hollywood. He developed (wrote the story) and produced, with his brother Robert, the 1989 film Red Scorpion. The film ultimately cost $16 million (from an $8 million initial budget) and starred Dolph Lundgren playing the Spetsnaz-like Soviet commando Nikolai, sent by the USSR to assassinate an African revolutionary in a country similar to Angola. Nikolai sees the evil of the Soviets and changes sides, becoming a freedom fighter for the African side. Abramoff also executive-produced its 1994 sequel Red Scorpion 2.  The South African government financed the film via the International Freedom Foundation, a front-group chaired by Abramoff, as part of its efforts to undermine international sympathy for the African National Congress. The filming location was in South-West Africa (now Namibia).  On April 27, 1998, Abramoff wrote a letter to the editor of The Seattle Times rebutting an article critical of him and his alleged role as effectively a Public Relations puppet of the then-apartheid South African military. Abramoff rebutted:  The IFF was a conservative group which I headed. It was vigorously anti-Communist, but it was also actively anti-apartheid. In 1987, it was one of the first conservative groups to call for the release of Nelson Mandela, a position for which it was roundly criticized by other conservatives at the time. While I headed the IFF, we accepted funding only from private individuals and corporations and would have absolutely rejected any offer of South African military funding, or any other kind of funding from any government - good or evil.  During this period in South Africa, Abramoff first met South African-born rabbi David Lapin, who would become his religious advisor. He also met Lapin's brother and fellow rabbi Daniel Lapin, who allegedly introduced Abramoff to Congressman Tom DeLay (R-TX) at a Washington, DC dinner shortly after the Republican takeover of Congress in 1994. Lapin later claimed that he did not recall making that introduction.
Question: Did the film receive any backlash?
Answer: an article critical of him and his alleged role as effectively a Public Relations puppet of the then-apartheid South African military.

IN: Aaron Turner (born November 5, 1977) is an American musician, singer, graphic artist, and founder of label Hydra Head Records. He is most widely known for his role as guitarist and vocalist for the post-metal band Isis, while also participating in several other bands and projects such as Old Man Gloom, Lotus Eaters and Split Cranium, a collaboration with Jussi Lehtisalo of Finnish band Circle who toured with Isis in 2009. Though raised in New Mexico, Turner moved to the Boston area where he attended school and formed Isis and Hydra Head. In June 2003, Turner moved operations of both the band and label to Los Angeles, California.

Touring with Isis in 2007, Turner used two different guitars: a 1976 Fender Telecaster Custom (black), and a 1975 Fender Telecaster Deluxe (brown), played through various effects (his pedalboard layout changed every gig depending on what songs the band decided to play that night), a VHT/Fryette Pitbull Ultra Lead, and two 4x12 Sunn cabinets. He has also acquired a custom guitar from the Electrical Guitar Company (as did fellow Isis guitarist Michael Gallagher).  In the past, Turner has also used a Gibson Les Paul Standard, PRS CE24, and has played through Sunn, Mesa Boogie, and Mackie amplifiers.  When playing with Isis, Turner and his fellow guitarists usually tuned their instruments (low to high) B-F#-B-E-G#-B, to achieve a heavier sound. They also used other tunings, though less frequently, such as F# (octave below)-F#-B-E-G#-B.  In 2016, Turner described the live rig he used with SUMAC as consisting of two custom-built guitars from the Electrical Guitar Company. Both have lucite bodies and aluminum necks, and custom-wound wide frequency range pickups. The newer of the two--a prototype for a signature model--has a slightly flatter fingerboard radius than the older instrument. On a tour of the Eastern US, Turner was using an Orange Dual Dark 100 amplifier head with a slaved Fryette Two/Ninety/Two power amp. Both heads drove Orange and Marshall cabinets, though Turner claimed to have no strong preferences for particular speaker cabinets. While recording, Turner prefers to use a Fryette Pitbull Ultra Lead, an amp model he's used consistently since his work in Isis. Turner described using a variety of effects pedals in his live rig. Specifically, he runs a BOSS TU-3 Chromatic Tuner, a Death By Audio Apocalypse fuzz, a MASF fuzz, a Strymon BlueSky reverb (which he described as the one essential pedal in his rig), a TC Electronics Ditto Looper X2, and an EHX Forty-Five Thousand sampler (used to trigger preset samples during performance. Turner prefers a Heil PR20 vocal microphone.

What is another guitar that he used?

OUT: 

Background: Chester Burton "Chet" Atkins (June 20, 1924 - June 30, 2001), known as "Mr. Guitar" and "The Country Gentleman", was an American musician, occasional vocalist, songwriter, and record producer, who along with Owen Bradley and Bob Ferguson, among others, created the country music style that came to be known as the Nashville sound, which expanded country music's appeal to adult pop music fans. He was primarily known as a guitarist. He also played the mandolin, fiddle, banjo, and ukulele. Atkins's signature picking style was inspired by Merle Travis.
Context: After dropping out of high school in 1942, Atkins landed a job at WNOX-AM radio in Knoxville, where he played fiddle and guitar with the singer Bill Carlisle and the comic Archie Campbell and became a member of the station's Dixieland Swingsters, a small swing instrumental combo. After three years, he moved to WLW-AM in Cincinnati, Ohio, where Merle Travis had formerly worked.  After six months, he moved to Raleigh and worked with Johnnie and Jack before heading for Richmond, Virginia, where he performed with Sunshine Sue Workman. Atkins's shy personality worked against him, as did the fact that his sophisticated style led many to doubt he was truly "country". He was fired often, but was soon able to land another job at another radio station on account of his unique playing ability.  Atkins and Jethro Burns (of Homer and Jethro) married twin sisters, Leona and Lois Johnson, who sang as Laverne and Fern Johnson, the Johnson Sisters. Leona Atkins outlived her husband by eight years, dying in 2009 at the age of 85.  Travelling to Chicago, Atkins auditioned for Red Foley, who was leaving his star position on WLS-AM's National Barn Dance to join the Grand Ole Opry. Atkins made his first appearance at the Opry in 1946 as a member of Foley's band. He also recorded a single for Nashville-based Bullet Records that year. That single, "Guitar Blues", was fairly progressive, including a clarinet solo by the Nashville dance band musician Dutch McMillan, with Owen Bradley on piano. He had a solo spot on the Opry, but when that was cut, Atkins moved on to KWTO in Springfield, Missouri. Despite the support of executive Si Siman, however, he soon was fired for not sounding "country enough".
Question: Why wasn't he successful?
Answer: