IN: Gorillaz are an English virtual band created in 1998 by musician Damon Albarn and artist Jamie Hewlett. The band consists of four animated members: 2-D (lead vocals, keyboards), Murdoc Niccals (bass guitar), Noodle (guitar, keyboards), and Russel Hobbs (drums and percussion). These members are fictional and are not personas of any "real life" musicians involved in the project. Their fictional universe is explored through the band's music videos, as well as a number of other short cartoons.

The band's first release was the EP Tomorrow Comes Today, released in 2000. The band's first single was "Clint Eastwood" and was released on 5 March 2001, reaching No. 4 in the UK. It was produced by hip hop producer Dan the Automator and originally featured UK rap group Phi Life Cypher, but the version that appears on the album features American rapper Del the Funky Homosapien, known on the album as Del tha' Ghost Rapper, a spirit in the band's drummer Russel Hobbs. The Phi Life Cypher version of "Clint Eastwood" appears on the B-side album G Sides. Later that same month, their first full-length album, the self-titled Gorillaz, was released, producing four singles: "Clint Eastwood", "19-2000", "Tomorrow Comes Today", and "Rock the House". In June 2001, "19-2000" charted at No. 6 in the UK, and the song was used as the title theme for EA Sports FIFA video game FIFA Football 2002.  The end of the year brought the song "911", a collaboration between Gorillaz and hip hop group D12 (without Eminem) and Terry Hall about the September 11 attacks. Meanwhile, G Sides, a compilation of the B-sides from the Tomorrow Comes Today EP and first three singles, was released in Japan on 12 December 2001 and quickly followed with international releases in early 2002. Gorillaz performed at the 2002 Brit Awards in London on 22 February, appearing in 3D animation on four large screens along with rap accompaniment by Phi Life Cypher. The band were nominated for four Brit Awards, including Best British Group, Best British Album and British Breakthrough Act, but did not win any awards.  In November 2002, a DVD titled Phase One: Celebrity Take Down was released, giving the phase its name. The DVD contains the four Phase One promos, the abandoned video for "5/4", the Charts of Darkness documentary, the five Gorilla Bitez (comedic shorts starring the band characters), a tour of the website by the MEL 9000 server and more. The DVD's menu was designed much like the band's website and depicts an abandoned Kong Studios.  Rumours were circulating at this time that the Gorillaz team were busy preparing a film, but Hewlett said that the film project had been abandoned: "We lost all interest in doing it as soon as we started meeting with studios and talking to these Hollywood executive types, we just weren't on the same page. We said, fuck it, we'll sit on the idea until we can do it ourselves, and maybe even raise the money ourselves."

Any other significant happenings in this time?

OUT: Rumours were circulating at this time that the Gorillaz team were busy preparing a film, but Hewlett said that the film project had been abandoned:

input: In 1970, Chicago decided to teach full-time at Fresno State College, hoping to teach women the skills needed to express the female perspective in their work. At Fresno, she planned a class that would consist only of women, and she decided to teach off campus to escape "the presence and hence, the expectations of men." She taught the first women's art class in the fall of 1970 at Fresno State College. It became the Feminist Art Program, a full 15-unit program, in the spring of 1971. This was the first feminist art program in the United States. Fifteen students studied under Chicago at Fresno State College: Dori Atlantis, Susan Boud, Gail Escola, Vanalyne Green, Suzanne Lacy, Cay Lang, Karen LeCocq, Jan Lester, Chris Rush, Judy Schaefer, Henrietta Sparkman, Faith Wilding, Shawnee Wollenman, Nancy Youdelman, and Cheryl Zurilgen. Together, as the Feminist Art Program, these women rented and refurbished an off-campus studio at 1275 Maple Avenue in downtown Fresno. Here they collaborated on art, held reading groups, and discussion groups about their life experiences which then influenced their art. All of the students and Chicago contributed $25 per month to rent the space and to pay for materials. Later, Judy Chicago and Miriam Schapiro reestablished the Feminist Art Program at California Institute of the Arts. After Chicago left for Cal Arts, the class at Fresno State College was continued by Rita Yokoi from 1971 to 1973, and then by Joyce Aiken in 1973, until her retirement in 1992.  Chicago is considered one of the "first-generation feminist artists," a group that also includes Mary Beth Edelson, Carolee Schneeman, and Rachel Rosenthal. They were part of the Feminist art movement in Europe and the United States in the early 1970s to develop feminist writing and art.  Chicago became a teacher at the California Institute for the Arts, and was a leader for their Feminist Art Program. In 1972, the program created Womanhouse, alongside Miriam Schapiro, which was the first art exhibition space to display a female point of view in art. With Arlene Raven and Sheila Levrant de Bretteville, Chicago co-founded the Los Angeles Woman's Building in 1973. This art school and exhibition space was in a structure named after a pavilion at the 1893 World's Colombian Exhibition that featured art made by women from around the world. This housed the Feminist Studio Workshop, described by the founders as "an experimental program in female education in the arts. Our purpose is to develop a new concept of art, a new kind of artist and a new art community built from the lives, feelings, and needs of women." During this period, Chicago began creating spray-painted canvas, primarily abstract, with geometric forms on them. These works evolved, using the same medium, to become more centered around the meaning of the "feminine". Chicago was strongly influenced by Gerda Lerner, whose writings convinced her that women who continued to be unaware and ignorant of women's history would continue to struggle independently and collectively.

Answer this question "What did Chicago do in the 1970s?"
output:
the Feminist Art Program,