Problem: Background: "Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Willie Mae "Big Mama" Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which is ranked number 19 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time; it is also one of the best-selling singles of all time.
Context: "Hound Dog" (G2WW-5935) was initially released as the B-side to the single "Don't Be Cruel" (G2WW-5936) on July 13, 1956. Soon after the single was re-released with "Hound Dog" first and in larger print than "Don't Be Cruel" on the record sleeve. Both sides of the record topped Billboard's Best Sellers in Stores and Most Played in Jukeboxes charts alongside "Don't Be Cruel", while "Hound Dog" on its own merit topped the country & western and rhythm & blues charts and peaked at number two on Billboard's main pop chart, the Top 100. Later reissues of the single by RCA in the 1960s designated the pair as double-A-sided.  While Presley was performing "Hound Dog" on television and his record was scaling the charts, Stoller, who had been on vacation in Europe, was returning on the ill-fated final voyage of the Andrea Doria. On July 26, 1956, Leiber met the just-rescued Stoller on the docks and told him, "We got a smash hit on Hound Dog," Stoller said, "Big Mama's record?" And Leiber replied: '"No. Some white guy named Elvis Presley." Stoller added: "And I heard the record and I was disappointed. It just sounded terribly nervous, too fast, too white. But you know, after it sold seven or eight million records it started to sound better." Leiber and Stoller tired of explaining that Presley had dropped most of their lyrics. For example, Leiber complained about Presley adding the line, "You ain't caught a rabbit, and you ain't no friend of mine", calling it "inane...It doesn't mean anything to me." Forty years later, Leiber told music journalist Rikky Rooksby that Presley had stamped the hit with his own identity: "(A) white singer from Memphis who's a hell of a singer--he does have some black attitudes--takes the song over ... But here's the thing: we didn't make it. His version is like a combination of country and skiffle. It's not black. He sounds like Hank Snow. In most cases where we are attributed with rock and roll, it's misleading, because what we did is usually the original record--which is R&B--and some other producer (and a lot of them are great) covered our original record."  By August 18, 1956, Peacock Records re-released Big Mama Thornton's original recording of "Hound Dog", backing it with "Rock-a-Bye Baby" (Peacock 5-1612), but it failed to chart.
Question: What was the date of this
Answer: July 26, 1956,

Background: Wasim Akram (Urdu: wsym khrm; born 3 June 1966) is a former Pakistani first-class cricketer, cricket commentator and television personality. He is acknowledged as one of the greatest bowlers of all time. A left-arm fast bowler who could bowl with significant pace, he represented the Pakistan cricket team in Test cricket and One Day International (ODI) matches. In October 2013, Wasim Akram was the only Pakistani cricketer to be named in an all-time Test World XI to mark the 150th anniversary of Wisden Cricketers' Almanack.
Context: During his professional career he bowled with genuine speed and hostility. Akram was a man possessed of accurate control of line and length, accompanied by seam and swing bowling skills, extended to both inswingers and outswingers. With a very quick bowling action, he could bowl equally well from both sides of the wicket. His mastery of reverse swing with the cricket ball meant he was at his most dangerous towards a bowling innings, and earned him the nickname of one of the "Sultans of Swing", the other one being Waqar Younis.  As well as often being able to find the edge of the bat, Akram would also focus his bowling attack on the stumps and had a particularly lethal inswinging yorker. Of his 414 Test wickets, 193 were taken caught, 119 were taken leg before wicket and 102 were bowled. In partnership with Waqar Younis, he intimidated international batsmen in the 1990s. Together Wasim and Waqar, known as "the two Ws" of the Pakistani team, were one of the most successful bowling partnerships in cricket.  With the bat he was especially effective against spin bowlers. However, he liked to slog and was criticised for his lack of high scores and giving away his wicket too cheaply. In October 1996 he scored 257 runs not out, of the team's total of 553 against lowly Zimbabwe on a typical flat South Asian pitch at Sheikhupura. He also achieved good scores for the Pakistan team such as his scores of 123 and 45* against Australia to take Pakistan to victory in a low scoring match. His batting was also valuable sometimes to the Pakistan ODI side, such as in the Nehru Cup in 1989, when needing six runs and two balls to win the match, he hit the first delivery he faced, from part-time off-spinner and batting legend, Viv Richards, for a six and secured the cup.  In December 2012 after Ricky Ponting announced his retirement he said that Wasim Akram and Curtly Ambrose were the toughest bowlers he had faced "Akram for the exact opposite, you could get a few runs off him, but you just knew there was an unplayable ball around the corner, be it with an old ball or with a new ball," - Ricky Ponting.
Question: Did he have a huge following?
Answer: