input: Recognizing Dylan's dissatisfaction with the progress of the recordings, producer Bob Johnston suggested that they move the sessions to Nashville. Johnston lived there and had extensive experience working with Nashville session musicians. He recalled how Dylan manager Albert Grossman, was hostile to the idea: "Grossman came up to me and said 'If you ever mention Nashville to Dylan again, you're gone.' I said, 'What do you mean?' He said, 'You heard me. We got a thing going here'". Despite Grossman's opposition, Dylan agreed to Johnston's suggestion, and preparations were made to record the album at Columbia's A Studio on Nashville's Music Row in February 1966.  In addition to Kooper and Robertson, who accompanied Dylan from New York, Johnston recruited harmonica player, guitarist and bassist Charlie McCoy, guitarist Wayne Moss, guitarist and bassist Joe South, and drummer Kenny Buttrey. At Dylan's request, Johnston removed the baffles--partitions separating the musicians so that there was "an ambience fit for an ensemble". Buttrey credited the distinctive sound of the album to Johnston's re-arrangement of the studio, "as if we were on a tight stage, as opposed to playing in a big hall where you're ninety miles apart". Dylan had a piano installed in his Nashville hotel room which Kooper would play to help Dylan write lyrics. Kooper would then teach the tunes to the musicians before Dylan arrived for the sessions.  On the first Nashville session, on February 14, Dylan successfully recorded "Visions of Johanna", which he had attempted several times in New York. Also recorded was a take of "4th Time Around" which made it onto the album and a take of "Leopard-Skin Pill-Box Hat" which did not.  On February 15 the session began at 6 p.m. but Dylan simply sat in the studio working on his lyrics while the musicians played cards, napped and chatted. Finally, at 4 a.m., Dylan called the musicians in and outlined the structure of the song. Dylan counted off and the musicians fell in, as he attempted his epic composition "Sad Eyed Lady of the Lowlands". Kenny Buttrey recalled, "If you notice that record, that thing after like the second chorus starts building and building like crazy, and everybody's just peaking it up 'cause we thought, Man, this is it ... This is gonna be the last chorus and we've gotta put everything into it we can. And he played another harmonica solo and went back down to another verse and the dynamics had to drop back down to a verse kind of feel ... After about ten minutes of this thing we're cracking up at each other, at what we were doing. I mean, we peaked five minutes ago. Where do we go from here?" The finished song clocked in at 11 minutes, 23 seconds, and would occupy the entire fourth side of the album.  The next session began similarly--Dylan spent the afternoon writing lyrics, and the session continued into the early hours of February 17, when the musicians began to record "Stuck Inside of Mobile with the Memphis Blues Again". After several musical revisions and false starts, the fourteenth take was the version selected for the album.

Answer this question "Why did they move?"
output: February 1966.

input: hide was born in St. Joseph's Hospital in Midorigaoka, Japan, on December 13, 1964 and went on to attend Yokosuka Tokiwa Junior High School. He was first exposed to rock music at the age of fifteen, through the album Alive! by Kiss. That same year his grandmother bought him his first electric guitar, a Gibson Les Paul Deluxe.  On March 11, 1980, hide graduated from Tokiwa Junior High School. He then entered Zushi Kaisei Senior High School in Zushi, Kanagawa, where he entered the school's brass band as a club activity. He quit the band after a short time because he was assigned the clarinet while he wanted to play the trumpet. After this, he concentrated on guitar and in 1981 formed the band Saber Tiger. A year after their founding, they started playing shows at live houses in Yokosuka, such as Rock City.  In April 1983 he started studying cosmetology and fashion at the Hollywood University of Beauty and Fashion in present-day Roppongi Hills, from which he graduated in 1984. Later that year he took a nationwide examination and successfully obtained a beautician license. In July 1985 Saber Tiger released their self-titled EP, which included two songs, "Double Cross" and "Gold Digger". In November, the band contributed the song "Vampire" to the Heavy Metal Force III sampler, which also included songs by X and Jewel. Years later, Jewel's guitarist Kiyoshi would join hide's solo band.  In 1986 the group changed its name to Saver Tiger to avoid confusion with a similarly named band from Sapporo (see Saber Tiger). Their first appearance with the new name was on the sampler Devil Must Be Driven out with Devil, with their songs "Dead Angle" and "Emergency Express". They continued to perform in live houses and night clubs such as Meguro Rokumeikan, Omiya Freaks and Meguro Live Station. Until January 28, 1987, when hide became tired of changing members and decided to end the band (vocalist Kyo and drummer Tetsu would both go on to D'erlanger). Around the same time hide was invited to join X. In 2001, Nippon Crown issued a three-volume release titled Origin of hide, with the band credited as "Yokosuka Saver Tiger". Volumes 1 and 2 were live CDs, with some rehearsal recordings, while volume 3 was a concert VHS.

Answer this question "Did they ever play any concerts?"
output: A year after their founding, they started playing shows at live houses in Yokosuka, such as Rock City.

input: When Michael Davies, one of January Thirst's original vocalists, quit in December 2001, Matthew Evans (vocals) and Johnny Phillips (drums) invited Matt Davies (later Davies-Kreye) to try out for the vacated singer position. Soon afterward, the band reformed as Funeral for a Friend; the name is derived from a song by Planes Mistaken for Stars, one of Davies' favourite bands at the time.  During the start of the New Year they parted ways with second guitarist Kerry Roberts (Kris Coombs-Roberts's brother) and found a suitable replacement in Darran Smith (ex-Tripcage). The band recorded four tracks at Mighty Atom Studios for a proposed self-financed EP with another Welsh band From This Moment On. Upon hearing the tracks, Mighty Atom Records approached the band and offered a two-album deal, resulting in their debut EP, Between Order and Model (2002). Before the EP's release, Andi Morris (bass) quit, with Phillips and Evans also leaving. The band then recruited Gareth Davies (later Ellis-Davies) on bass and Ryan Richards on drums. Matt Davies became the band's only primary vocalist, with Gareth Davies performing backing melodies and Richards taking over Evans' screaming role.  In 2003, Funeral for a Friend recorded their second EP, Four Ways to Scream Your Name, produced and mixed by Colin Richardson. In mid-2003, the band secured their first Kerrang! award, winning the award for "Best UK Newcomer", beating The Darkness, who won in all other nominated categories. Funeral for a Friend's win was largely attributed to their fervent fan base, as the awards winner was decided by public vote online at the official Kerrang! Web site. In August 2003, Funeral for a Friend opened the Concrete Jungle stage at the Reading and Leeds Festivals.

Answer this question "what was their most popular song during this period?"
output:
their second EP, Four Ways to Scream Your Name,