Question: Remment Lucas "Rem" Koolhaas (Dutch pronunciation: [rem ko:lha:s]; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. Koolhaas studied at the Architectural Association School of Architecture in London and at Cornell University in Ithaca, New York. Koolhaas is the founding partner of OMA, and of its research-oriented counterpart AMO based in Rotterdam, the Netherlands. In 2005, he co-founded Volume Magazine together with Mark Wigley and Ole Bouman.

Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops.  When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be.  In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown.

Using a quote from the above article, answer the following question: Did Koolhaus work on anything else during the time he worked on project on the city?
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Answer: 544-page magazine-style book designed by &&& Creative and published by Koolhaas,

Problem: Sources differ on the precise year of Crazy Horse's birth, but most agree he was born between 1840 and 1845. According to a close friend, he and Crazy Horse "were both born in the same year at the same season of the year," which census records and other interviews place in 1842. Encouraging Bear, an Oglala medicine man and spiritual adviser to the Oglala war leader, reported that Crazy Horse was born "in the year in which the band to which he belonged, the Oglala, stole One Hundred Horses, and in the fall of the year," a reference to the annual Lakota calendar or winter count. Among the Oglala winter counts, the stealing of 100 horses is noted by Cloud Shield, and possibly by American Horse and Red Horse owner, as equivalent to the year 1840-41.

In the fall of 1870, Crazy Horse invited Black Buffalo Woman to accompany him on a buffalo hunt in the Slim Buttes area of present-day northwestern South Dakota. She was the wife of No Water, who had a reputation for drinking too much. It was Lakota custom to allow a woman to divorce her husband at any time. She did so by moving in with relatives or with another man, or by placing the husband's belongings outside their lodge. Although some compensation might be required to smooth over hurt feelings, the rejected husband was expected to accept his wife's decision. No Water was away from camp when Crazy Horse and Black Buffalo Woman left for the buffalo hunt.  No Water tracked down Crazy Horse and Black Buffalo Woman in the Slim Buttes area. When he found them in a teepee, he called Crazy Horse's name from outside. When Crazy Horse answered, No Water stuck a pistol into the teepee and aimed for Crazy Horse. Touch the Clouds, Crazy Horse's first cousin and son of Lone Horn, was sitting in the teepee nearest the entry. He knocked the pistol upward as No Water fired, deflecting the bullet to Crazy Horse's upper jaw. No Water left, with Crazy Horse's relatives in hot pursuit. No Water ran his horse until it died and continued on foot until he reached the safety of his own village.  Several elders convinced Crazy Horse and No Water that no more blood should be shed. As compensation for the shooting, No Water gave Crazy Horse three horses. Because Crazy Horse was with a married man's wife, he was stripped of his title as Shirt Wearer (leader).

Did anything happen to Black Buffalo Woman?

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