input: In late 1928, Brown began making films, starting the next year with Warner Bros.. He quickly became a favorite with child audiences, and shot to stardom after appearing in the first all-color all-talking musical comedy On with the Show (1929). He starred in a number of lavish Technicolor Warner Brothers musical comedies including: Sally (1929), Hold Everything (1930), Song of the West (1930), and Going Wild (1930). By 1931, Joe E. Brown had become such a star that his name was billed above the title in the films in which he appeared.  He appeared in Fireman, Save My Child (1932), a comedy in which he played a member of the St. Louis Cardinals, and in Elmer, the Great (1933) with Patricia Ellis and Claire Dodd and Alibi Ike (1935) with Olivia de Havilland, in both of which he portrayed ballplayers with the Chicago Cubs.  In 1933 he starred in Son of a Sailor with Jean Muir and Thelma Todd. In 1934, Brown starred in A Very Honorable Guy with Alice White and Robert Barrat, in The Circus Clown again with Patricia Ellis and with Dorothy Burgess, and with Maxine Doyle in Six-Day Bike Rider.  Brown was one of the few vaudeville comedians to appear in a Shakespeare film; he played Francis Flute in the Max Reinhardt/William Dieterle film version of Shakespeare's A Midsummer Night's Dream (1935) and was highly praised for his performance. He starred in Polo Joe (1936) with Carol Hughes and Richard "Skeets" Gallagher, and in Sons o' Guns. In 1933 and 1936, he became one of the top ten earners in films. He was sufficiently well known internationally by this point to be depicted in comic strips in the British comic Film Fun for twenty years from 1933.  He left Warner Brothers to work for producer David L. Loew, starring in When's Your Birthday? (1937). In 1938, he starred in The Gladiator, a loose film adaptation of Philip Gordon Wylie's 1930 novel Gladiator that influenced the creation of Superman. He gradually switched to making "B" pictures.

Answer this question "What about other films?"
output: Fireman, Save My Child (1932),

input: Their first greatest hits compilation was released on September 16, 1997. It comprised most of their singles to that point and three new songs: "Honky Tonk Truth", "He's Got You", and "Days of Thunder". The first two were released as singles, with respective peaks of three and two on the country charts. The Greatest Hits Collection was certified platinum in April 1998, and double-platinum in 2001.  Brooks & Dunn collaborated with Reba McEntire to perform "If You See Him/If You See Her", which was the lead-off single to Brooks & Dunn's If You See Her and McEntire's If You See Him, both of which were released on the same day. Arista Nashville and MCA Nashville, the label to which McEntire was signed, both promoted the single. This cut went to number one, as did If You See Her's next two singles: "How Long Gone" and a cover of Roger Miller's "Husbands and Wives", which also became the duo's first top 40 hit on the Billboard Hot 100. Dunn recorded the vocals for "Husbands and Wives" in one take. Also included on the album was "Born and Raised in Black and White", the first song of the duo's career in which they alternated on lead vocals. The album's fourth single was "I Can't Get Over You", which was a top five country hit. Following it was "South of Santa Fe", which peaked at number 41 on the country charts and thus became the duo's lowest-peaking single there. In 2001, If You See Her reached double-platinum certification in the United States.  Jana Pendragon, in her review for Allmusic, praised Dunn's vocal performances on "Husbands and Wives" and "You're My Angel", but thought that a couple of the other cuts were "formula". Country Standard Time writer Kevin Oliver criticized the album for having "wildly uneven" material, calling the McEntire collaboration a "snoozer" and "South of Santa Fe" "wretched".

Answer this question "Are there any other interesting aspects about this article?"
output: ". Country Standard Time writer Kevin Oliver criticized the album for having "wildly uneven" material, calling the McEntire collaboration a "snoozer" and "South of Santa Fe" "wretched".

input: Once in office as governor on May 21, 1928, Long moved quickly to consolidate his power, firing hundreds of opponents in the state bureaucracy, at all ranks from cabinet-level heads of departments and board members to rank-and-file civil servants and state road workers. Like previous governors, he filled the vacancies with patronage appointments from his own network of political supporters. Every state employee who depended on Long for a job was expected to pay a portion of his or her salary at election time directly into Long's political war-chest, which raised $50,000 to $75,000 (equivalent to about $700,000 to $1,000,000 in 2013 dollars) each election cycle. The funds were kept in a famous locked "deduct box" to be used at Long's discretion for political and personal purposes. The American historian David Kennedy wrote that the extremely authoritarian regime Long established in Louisiana was "... the closest thing to a dictatorship that America has ever known".  Once his control over the state's political apparatus was strengthened, Long pushed a number of bills through the 1929 session of the Louisiana State Legislature to fulfill campaign promises. These included a free textbook program for schoolchildren, an idea advanced by John Sparks Patton, the Claiborne Parish school superintendent, and the Long confidant, Representative Harley Bozeman of Winnfield. Long also supported night courses for adult literacy (which taught 100,000 adults to read by the end of his term), and a supply of cheap natural gas for the city of New Orleans.  Long began an unprecedented public works program, building roads, bridges, hospitals, and educational institutions. Huey P. Long's reign of legislation brought textbooks, a highway, natural gas heating to New Orleans, and buildings still standing at LSU. His bills met opposition from many legislators, wealthy citizens, and the media, but Long used aggressive tactics to ensure passage of the legislation he favored. He would show up unannounced on the floor of both the House and Senate or in House committees, corralling reluctant representatives and state senators and bullying opponents. These tactics were unprecedented, but they resulted in the passage of most of Long's legislative agenda. By delivering on his campaign promises, Long achieved hero status among the state's rural poor population.  When Long secured passage of his free textbook program, the school board of Caddo Parish, home of conservative Shreveport, sued to prevent the books from being distributed, saying it would not accept "charity" from the state. Long responded by withholding authorization for locating an Army Air Corps base nearby until the parish accepted the books.

Answer this question "What problems did these bills address?"
output:
These included a free textbook program for schoolchildren,