Background: Reilly was born in The Bronx, New York City, New York, United States, North America, the son of Charles Joseph Reilly, an Irish Catholic commercial artist, and Signe Elvera Nelson, a Swedish Lutheran. When young, he would often make his own puppet theater to amuse himself. His mother, foreshadowing his future as an entertainer, often would tell him to "save it for the stage". At age 13, he survived the 1944 Hartford Circus Fire, which killed 169 people in Connecticut.
Context: From 1976 on, Reilly primarily taught acting and directing for television and theater, including directing Julie Harris (with whom he had acted in Skyscraper in 1965-66), who was portraying Emily Dickinson in her one-woman Broadway play The Belle of Amherst, by William Luce. In 1979, he directed Ira Levin's play Break a Leg on Broadway. Despite the previous year's success of Levin's Deathtrap, Break a Leg closed after one performance. Reilly earned a 1997 Tony Award nomination as Best Director of a Play for the revival of The Gin Game, starring Julie Harris.  In 1990, he directed episodes of Evening Shade. Reilly also made guest appearances in the 1990s on The Drew Carey Show, The Larry Sanders Show, Family Matters, Second Noah, and as eccentric writer Jose Chung in the television series The X-Files ("Jose Chung's From Outer Space"), Millennium ("Jose Chung's Doomsday Defense"), and occasionally as the voice of "The Dirty Bubble" in the animated series SpongeBob SquarePants, before he was replaced by Tom Kenny. Reilly was nominated for Emmy Awards in 1998 and 1999 for his performances in The Drew Carey Show and Millennium, respectively.  Reilly was a longtime teacher of acting at HB Studio, the acting studio founded by Herbert Berghof and made famous by Berghof and his wife, the renowned stage actress Uta Hagen. His acting students included Lily Tomlin, Bette Midler, and Gary Burghoff.  Reilly had a voice role in three films by Don Bluth: All Dogs Go to Heaven as Killer in 1989, Rock-a-Doodle as Hunch in 1991, and A Troll in Central Park as King Llort in 1994. In each one, he played the villain's dim-witted sidekick.
Question: Did he do anything else in his later career.
Answer: Reilly earned a 1997 Tony Award nomination as Best Director of a Play for the revival of The Gin Game, starring Julie Harris.

Background: Jan van Eyck (Dutch: ['jan van 'eik]) (before c. 1390 - 9 July 1441) was an Early Netherlandish painter active in Bruges. He is often considered one of the founders of Early Netherlandish painting, and, one of the most significant representatives of Northern Renaissance art.
Context: It is known that van Eyck was considered revolutionary within his lifetime; his designs and methods were heavily copied and reproduced. His motto, one of the first and still most distinctive signatures in art history, ALS IK KAN ("AS I CAN"), a pun on his name, first appeared in 1433 on Portrait of a Man in a Turban, which can be seen as indicative of his emerging self-confidence at the time. The years between 1434 and 1436 are generally considered his high point when he produced works including the Madonna of Chancellor Rolin, Lucca Madonna and Virgin and Child with Canon van der Paele. He married the much younger Margaret probably around 1432, about the same time he bought a house in Bruges; she is unmentioned before he relocated, while the first of their two children was born in 1434. Very little is known of Margaret, even her maiden name is lost - contemporary records refer to her mainly as Damoiselle Marguerite. She is thought to have been of aristocratic birth, though from the lower nobility, evidenced from her clothes in this portrait which are fashionable but not of the sumptuousness worn by the bride in the Arnolfini Portrait. Later, as the widow of a renowned painter Margaret was afforded a modest pension by the city of Bruges after Jan's death. At least some of this income was invested in lottery.  Van Eyck undertook a number of journeys on Philip the Duke of Burgundy's behalf between 1426 and 1429, journeys described in records as "secret" commissions, for which he was paid multiples of his annual salary. Their precise nature is still unknown, but they seem to involve his acting as envoy of the court. In 1426 he departed for "certain distant lands", possibly to the Holy Land, a theory given weight by the topographical accuracy of Jerusalem in The Three Marys at the Tomb, a painting completed by members of his workshop c. 1440.  A better documented commission was the journey to Lisbon along with a group intended to prepare the ground for the Duke's wedding to Isabella of Portugal. Van Eyck's was tasked with painting the bride, so that the Duke could visualise her before their marriage. Because Portugal was ridden with plague, their court was itinerant and the Dutch party met them at the out of the way castle of Avis. Van Eyck spent nine months there, returning to the Netherlands with Isabella as a bride to be; the couple married on Christmas Day of 1429. The princess was probably not particularly attractive, and that is exactly how Van Eyck conveyed her in the now lost portrait. Typically he showed his sitters as dignified, yet did not hide their imperfections. After his return, he was preoccupied with completing the Ghent Altarpiece, which was consecrated on 6 May 1432 at Saint Bavo Cathedral during an official ceremony for Philip. Records from 1437 say that he was held in high esteem by the upper ranks of Burgundian nobility and was employed in foreign commissions.
Question: what was another success?
Answer:
Lucca Madonna