Question:
O'Keeffe was born on November 15, 1887, in a farmhouse located at 2405 Hwy T in the town of Sun Prairie, Wisconsin. Her parents, Francis Calyxtus O'Keeffe and Ida (Totto) O'Keeffe, were dairy farmers. Her father was of Irish descent. Her maternal grandfather George Victor Totto, for whom O'Keeffe was named, was a Hungarian count who came to the United States in 1848.
O'Keeffe was a legend beginning in the 1920s, known as much for her independent spirit and female role model, as for her dramatic and innovative works of art. Nancy and Jules Heller said, "The most remarkable thing about O'Keefe was the audacity and uniqueness of her early work." At that time, even in Europe, there were few arts exploring abstraction. Even though her works may show elements of different modernist movements, such as Surrealism and Precisionism, her work is uniquely her own style. She received unprecedented acceptance as a woman artist from the fine art world due to her powerful graphic images and within a decade of moving to New York City, she was the highest paid American woman artist. She was known for a distinctive style in all aspects of her life. O'Keeffe was also known for her relationship with Stieglitz, in which she provided some insight in her autobiography.  A substantial part of her estate's assets were transferred to the Georgia O'Keeffe Foundation, a nonprofit. The Georgia O'Keeffe Museum opened in Santa Fe in 1997. The assets included a large body of her work, photographs, archival materials, and her Abiquiu house, library, and property. The Georgia O'Keeffe Home and Studio in Abiquiu was designated a National Historic Landmark in 1998 and is now owned by the Georgia O'Keeffe Museum.  In 1996, the U.S. Postal Service issued a 32 cent stamp honoring O'Keeffe. In 2013, on the 100th anniversary of the Armory Show, the USPS issued a stamp featuring O'Keeffe's Black Mesa Landscape, New Mexico/Out Back of Marie's II, 1930 as part of their Modern Art in America series.  A fossilized species of archosaur was named Effigia okeeffeae ("O'Keeffe's Ghost") in January 2006, "in honor of Georgia O'Keeffe for her numerous paintings of the badlands at Ghost Ranch and her interest in the Coelophysis Quarry when it was discovered".  O'Keeffe holds the record ($44.4 million in 2014) for the highest price paid for a painting by a woman.
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Does she hold any other records

Answer:
within a decade of moving to New York City, she was the highest paid American woman artist.


Question:
Love was born Courtney Michelle Harrison on July 9, 1964 at Saint Francis Memorial Hospital in San Francisco, California, the first child of psychotherapist Linda Carroll (nee Risi) and Hank Harrison, a publisher and road manager for the Grateful Dead. Love's godfather is the founding Grateful Dead bassist Phil Lesh. Her mother, who was adopted at birth and raised by a prominent Italian-Catholic family in San Francisco, was later revealed to be the biological daughter of novelist Paula Fox; Love's maternal great-grandmother was screenwriter Elsie Fox. According to Love, she was named after Courtney Farrell, the protagonist of Pamela Moore's 1956 novel Chocolates for Breakfast.
Musically, Love's work with Hole and her solo efforts have been characterized as alternative rock; Hole's early material, however, was described by critics as being stylistically closer to grindcore and aggressive punk rock. Spin's October 1991 review of Hole's first album noted Love's layering of harsh and abrasive riffs buried more sophisticated musical arrangements. In 1998, she stated that Hole had "always been a pop band. We always had a subtext of pop. I always talked about it, if you go back ... what'll sound like some weird Sonic Youth tuning back then to you was sounding like the Raspberries to me, in my demented pop framework."  Love's lyrical content is composed from a female's point of view, and her lyrics have been described as "literate and mordant" and noted by scholars for "articulating a third-wave feminist consciousness." According to a 2014 interview, lyrics have remained the most important component of songwriting for Love: "I want it to look just as good on the page as it would if it was in a poetry book". A great deal of her songwriting has been diaristic in nature. Common themes present in Love's songs during her early career included body image, rape, suicide, conformity, elitism, pregnancy, prostitution, and death. In a 1991 interview with Everett True, she said: "I try to place [beautiful imagery] next to fucked up imagery, because that's how I view things ... I sometimes feel that no one's taken the time to write about certain things in rock, that there's a certain female point of view that's never been given space."  Critics have noted that Love's later musical work is more lyrically introspective. Celebrity Skin and America's Sweetheart are lyrically centered on celebrity life, Hollywood, and drug addiction, while continuing Love's interest in vanity and body image. Nobody's Daughter was lyrically reflective of Love's past relationships and her struggle for sobriety, with the majority of its lyrics written while she was in rehab in 2006.
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What do others say about her style?

Answer:
Critics have noted that Love's later musical work is more lyrically introspective.