input: After moving to Patras, Rouvas continued to look for performance opportunities until he met Dakis (a popular Greek artist who was the first person to help him professionally). Rouvas moved to Athens, and made his first professional appearance in 1991 at the Show Centre. His showmanship attracted the attention of music executives such as Nikos Mouratidis, who encouraged songwriter Giorgos Pavrianos to produce him. Rouvas, singing Michael Jackson's "Man in the Mirror" was discovered by PolyGram executives who signed him to his first recording contract. After moving to Athens he lived with an older English woman named Sally, with whom he had begun a relationship on Corfu. Their relationship ended when Psinakis became Rouvas' manager, and the singer became more career-oriented. The media has speculated about Rouvas' personal life and relationships with model Zeta Logotheti, Sofi Kantarou (a Corfu bar manager) and singer Elli Kokkinou. Several months later he debuted at the Thessaloniki Song Festival, losing Best Vocal Performance to Giorgos Alkaios but singing the Best Composition ("Par'ta"; "Take Them", with music by Nikos Terzis and lyrics by Giorgos Pavrianos). There was a brief earthquake during the festival.  Rouvas released his eponymous debut album, which topped the Greek Albums Chart, the day after the festival. "Par'ta" became a radio hit, and other songs of the album such as "1992", "Ego S'agapo" ("I Love You") and "Gia Fantasou" ("Imagine") also became popular.  In September 1992 Rouvas released his second album, Min Andistekese (Don't Resist), also composed by Nikos Terzis. It produced the singles "Gyrna" ("Return"), "Min Andistekese", "Na Ziseis Moro Mou" ("Live, My Baby") and "Me Kommeni Tin Anasa" ("Breathless"), with a music video of the title track. The album's success helped establish Rouvas at the top of the Greek music scene.  In October 1993 Rouvas released his third album, Gia Sena (For You), with music by Alexis Papadimitriou and lyrics by Eleni Giannatsoulia and Evi Droutsa. The single "Kane Me" ("Make Me") became a radio hit, with "To Xero Eisai Moni" ("I Know You Are Alone") and "Xehase To" ("Forget It") also receiving airplay.

Answer this question "who did he live with"
output: Athens he lived with an older English woman named Sally, with whom he had begun a relationship on Corfu.

input: The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release" by Rotten Tomatoes, where it achieved a 93% positive review rating, based on reviews from 217 critics. The film received six Academy Award nominations, including Best Picture, Director (Clooney), and Actor (Strathairn).  Roger Ebert, in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless." Margaret Pomeranz and David Stratton from the ABC show At the Movies each gave the film five stars, making Good Night, and Good Luck the only other film besides Brokeback Mountain to receive such a score from the hosts in 2005. Both described the film as "beautiful" but also praised Clooney for the film's importance. Margaret commented that "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." David noted "Though [the film] is in black-and-white, there's nothing monochromatic about Clooney's passion for his subject or the importance of his message."  Jack Shafer, a libertarian-leaning columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow. Clooney's film gives the impression that Murrow brought down McCarthy single-handedly, while Shafer notes that in reality much of the mainstream media, many Democrats and some of McCarthy's Republican peers were condemning him before Murrow. Furthermore, Shafer writes, evidence obtained via the declassified Venona espionage program confirmed that many Soviet agents and sympathizers were in fact in positions of influence in the U.S. government, a disclosure the film entirely overlooks: "Clooney and company ignore the material that might argue against their simple-minded thesis about Murrow, the era, and the press to produce an after-school special".  One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.

Answer this question "Are there any other interesting aspects about this article?"
output: Clooney's film gives the impression that Murrow brought down McCarthy single-handedly,

input: Watts was born in Eufaula in McIntosh County, Oklahoma to J. C. "Buddy" Watts, Sr., and Helen Watts (d. 1992). His father was a Baptist minister, cattle trader, the first black police officer in Eufaula, and a member of the Eufaula City Council. His mother was a homemaker. Watts is the fifth of six children and grew up in a poor rural African-American neighborhood. He was one of two black children who integrated the Jefferson Davis Elementary School in Eufaula and the first black quarterback at Eufaula High School.  While in high school, Watts fathered a daughter with a white woman, causing a scandal. Their families decided against an interracial marriage because of contemporary racial attitudes and Watts' family provided for the child until she could be adopted by Watts' uncle, Wade Watts, a Baptist minister, civil rights leader and head of the Oklahoma division of the NAACP.  He graduated from high school in 1976 and attended the University of Oklahoma on a football scholarship. In 1977, Watts married Frankie Jones, an African-American woman with whom he had fathered a second daughter during high school.  Watts began his college football career as the second-string quarterback and left college twice, but his father convinced him to return, and Watts became starting quarterback of the Oklahoma Sooners in 1979 and led them to consecutive Orange Bowl victories. Watts graduated from college in 1981 with a Bachelor of Arts in journalism. Watts sought entrance in the National Football League through the New York Jets, but instead entered the Canadian Football League and played for the Ottawa Rough Riders, whom he helped reach the 1981 Grey Cup game. He stayed with the team from 1981 to 1985 and played a season for the Toronto Argonauts before retiring in 1986.  Watts returned to Oklahoma and became a youth minister in Del City and was ordained as a Baptist minister in 1993. He is a teetotaler. Watts opened a highway construction company and later cited discontent with government regulation of his business as reason to become a candidate for public office. Watts' family was affiliated with the Democratic Party and his father and uncle Wade Watts were active in the party, but it did not help Watts when he ran for public office and he changed his party affiliation in 1989, months before his first statewide race. Watts later stated he had first considered changing parties when he covered the 1980 U.S. Senate campaign of Republican Don Nickles. Watts' father and uncle continued to strongly oppose the Republican party, but supported him. Watts won election to the Oklahoma Corporation Commission in November 1990 for a six-year term as the first African-American elected to statewide office in Oklahoma. He served as a member of the Commission from 1990 to 1995 and as its chairman from 1993 to 1995.

Answer this question "Is me married?"
output:
Watts married Frankie Jones, an African-American woman with whom he had fathered a second daughter during high school.