Question: The King and I is the fifth musical by the team of composer Richard Rodgers and dramatist Oscar Hammerstein II. It is based on Margaret Landon's novel, Anna and the King of Siam (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit.

The first revival of The King and I in New York was presented by the New York City Center Light Opera Company in April and May 1956 for three weeks, starring Jan Clayton and Zachary Scott, directed by John Fearnley, with Robbins' choreography recreated by June Graham. Muriel Smith reprised her London role of Lady Thiang, and Patrick Adiarte repeated his film role, Chulalongkorn. This company presented the musical again in May 1960 with Barbara Cook and Farley Granger, again directed by Fearnley, in another three-week engagement. Atkinson admired the purity of Cook's voice and thought that she portrayed Anna with "a cool dignity that gives a little more stature to the part than it has had before." He noted that Granger brought "a fresh point of view - as well as a full head of hair". Joy Clements played Tuptim, and Anita Darian was Lady Thiang. City Center again presented the show in June 1963, starring Eileen Brennan and Manolo Fabregas, directed by Fearnley. Clements and Darian reprised Tuptim and Thiang. In the final City Center Light Opera production, Michael Kermoyan played the King opposite Constance Towers for three weeks in May 1968. Darian again played Lady Thiang. For all of these 1960s productions, Robbins' choreography was reproduced by Yuriko, who had played the role of Eliza in the original Broadway production and reprised the role in the City Center productions.  The Music Theatre of Lincoln Center, with Rodgers as producer, presented the musical in mid-1964 at the New York State Theater, starring Rise Stevens and Darren McGavin, with Michael Kermoyan as the Kralahome. Lun Tha, Tuptim and Thiang were played by Frank Porretta, Lee Venora and Patricia Neway. Costumes were by Irene Sharaff, the designer for the original productions and the film adaptation. The director was Edward Greenberg, with the Robbins choreography again reproduced by Yuriko. This was Music Theatre's debut production, a five-week limited engagement.  The King and I was revived at London's Adelphi Theatre on October 10, 1973, running for 260 performances until May 25, 1974, starring Sally Ann Howes as Anna and Peter Wyngarde as the King. Roger Redfarn directed, and Sheila O'Neill choreographed. The production, which began in June 1973 with a tour of the English provinces, earned mixed to warm reviews. Michael Billington in The Guardian called the revival "well played and well sung". Although he was enthusiastic about Howes as Anna, Billington thought Wyngarde "too fragile to be capable of inspiring unholy terror". He praised Redfarn's production - "whipped along at a good pace and made a sumptuous eyeful out of the interpolated ballet on 'Uncle Tom's Cabin'." Less favorably, Robert Cushman in The Observer thought the production "scenically and economically under-nourished". He liked Wyngarde's King ("a dignified clown") but thought Howes not formidable enough to stand up to him as Anna. He noted that "she sings beautifully and the songs are the evening's real justification".

Using a quote from the above article, answer the following question: Did the October revival do well?
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Answer: 

Problem: The Drew Carey Show is an American sitcom that aired on ABC from 1995 to 2004, and was set in Cleveland, Ohio, and revolved around the retail office and home life of "everyman" Drew Carey, a fictionalized version of the actor. The show was created by Carey, who had both stand-up comedy and writing experience, and Bruce Helford, who was once a writer for Roseanne. It was the first television show to have an episode simulcast on the Internet. Produced by Mohawk Productions in association with Warner Bros. Television, it debuted on September 13, 1995, and ranked among the Top 30 programs for four seasons before sliding in popularity.

Beginning in season 8, the show rotated through 9 different opening sequences, each of which contained a new version of one of the show's three theme songs. Each theme ("Moon Over Parma", "Five O'Clock World" and "Cleveland Rocks") was seen in three different segments, in new, wildly different arrangements. The show eventually went back to having just five main characters, akin to the first season, as Kate, Mr. Wick, and Steve were eventually written out of the show. Kate's character was married off, Mr. Wick disappeared after three appearances until the Season 8 finale, wherein it is revealed he became a weatherman (although he continued to appear in the opening credits, unlike Kate, who was eliminated completely, and never mentioned again.) Steve left at the beginning of the ninth season to "find himself".  With Winfred-Louder closed, the location became the office of online retailer Neverending Store. Drew, Mimi, and Mr. Wick were hired as employees of the new company. Mimi was hired first in a similar role to her old job, and Drew was eventually hired as "Internal Expediting Analyst", and a recurring gag began wherein Drew had no clue as to what his job entailed. Before being written out, Mr. Wick was at first a janitor, and another recurring joke came in the form of Mr. Wick attempting to climb the ladder back to being the boss. Before being written out, he went from janitor to the carrier of the dessert trolley.  Kate left after the first two episodes of season 8, the same two episodes that introduced Kellie, an old high school friend of Drew's who had been working as a stripper. She eventually became a waitress at The Warsaw Tavern, Drew's girlfriend, and the carrier of his child. The plot of the final episode was Drew and Kellie attempting to get married before their child is born. Mr. Wick also returned and stayed on for the series finale.  The show began featuring cameos from reality-TV participants in the final two seasons, such as former Road Rules star Timmy Beggy, The Real World alumna Cara Khan, and The Amazing Race winner Reichen Lehmkuhl. Tony the Bus Driver (Bill Cobbs) became a regular, serving as smart-alecky "bartender" type to whom Drew could tell his problems. The eighth season was put in a timeslot that frequently clashed with Monday Night Football. It was pulled mid-season and the remaining episodes were shown during the summer of 2003. The ninth season did not air until the summer of 2004, with most of the episodes out of order.  The last season's tone changed radically from the previous seasons. The directors began experimenting with one-camera set-ups, showing the sets completely built, with four walls in most rooms, and with rooms actually linked together. The writers also began experimenting, including story lines in which Gus burns down Mimi's house, forcing her to move in with Drew after Steve leaves her.

What happened during the 9th season?

Answer with quotes:
The ninth season did not air until the summer of 2004, with most of the episodes out of order.