Background: Hey! Say! JUMP is a nine-member Japanese all-male band under the Japanese talent agency, Johnny & Associates. The name
Context: Hey! Say! JUMP and other Johnny's Jr. members are currently starring in new variety show called Yan Yan JUMP. The show- started on April 16, 2011. It begins at 6:30 JST every Saturday. The name and theme of the show are based on Yan Yan Utau Studio, a program that aired roughly 20 years previously, featuring some of the senior celebrities of Johnny & Associates.  The group was surrounded by much controversy on June 28, 2011 after the photos of Ryutaro Morimoto smoking underage were leaked. When he was asked about the photos, he said "it was alright," that it was, "no big deal." The following day, in response to the scandal, Johnny's Entertainment issued a statement of apology and planned to suspend Morimoto from all of his activities indefinitely. Following the removal of Morimoto's profile from the official Johnny & Associates website, Johnny Kitagawa himself made an official announcement on the issue. He stated that Morimoto now has ambitions to focus on studying and denied any possibility of him returning.  On June 29, 2011, the group released a new single with the name of "OVER". It peaked at number one on the Oricon singles chart on its first day with 113,554 sales. This has made it Hey! Say! JUMP's highest selling single since "Ultra Music Power" as their debut song back in 2007.  On September 21, 2011, they released their ninth single, "Magic Power". This was their first solo without Morimoto, due to the smoking scandal and suspension. "Magic Power" was used as the theme for the Japanese dub of the 3D movie The Smurfs, in which members Ryosuke Yamada and Yuri Chinen provided the voices for Clumsy Smurf and Brainy Smurf respectively.  Hikaru Yaotome was cast in Ikemen Desu Ne, alongside fellow Johnny's idol from Kis-My-Ft2, Yuta Tamamori and Taisuke Fujigaya.
Question: Was there drama or tension in the band?
Answer: 

Background: Giuseppe Fortunino Francesco Verdi (Italian: [dZu'zeppe 'verdi]; 9 or 10 October 1813 - 27 January 1901) was an Italian opera composer. He was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini, whose works significantly influenced him. By his 30s, he had become one of the pre-eminent opera composers in history.
Context: Having achieved some fame and prosperity, Verdi began in 1859 to take an active interest in Italian politics. His early commitment to the Risorgimento movement is difficult to estimate accurately; in the words of the music historian Philip Gossett "myths intensifying and exaggerating [such] sentiment began circulating" during the nineteenth century. An example is the claim that when the "Va, pensiero" chorus in Nabucco was first sung in Milan, the audience, responding with nationalistic fervour, demanded an encore. As encores were expressly forbidden by the government at the time, such a gesture would have been extremely significant. But in fact the piece encored was not "Va, pensiero" but the hymn "Immenso Jehova".  The growth of the "identification of Verdi's music with Italian nationalist politics" perhaps began in the 1840s. In 1848, the nationalist leader Giuseppe Mazzini, (whom Verdi had met in London the previous year) requested Verdi (who complied) to write a patriotic hymn. The opera historian Charles Osborne describes the 1849 La battaglia di Legnano as "an opera with a purpose" and maintains that "while parts of Verdi's earlier operas had frequently been taken up by the fighters of the Risorgimento...this time the composer had given the movement its own opera" It was not until 1859 in Naples, and only then spreading throughout Italy, that the slogan "Viva Verdi" was used as an acronym for Viva Vittorio Emanuele Re D'Italia (Viva Victor Emmanuel King of Italy), (who was then king of Piedmont). After Italy was unified in 1861, many of Verdi's early operas were increasingly re-interpreted as Risorgimento works with hidden Revolutionary messages that perhaps had not been originally intended by either the composer or his librettists.  In 1859, Verdi was elected as a member of the new provincial council, and was appointed to head a group of five who would meet with King Vittorio Emanuele II in Turin. They were enthusiastically greeted along the way and in Turin Verdi himself received much of the publicity. On 17 October Verdi met with Cavour, the architect of the initial stages of Italian unification. Later that year the government of Emilia was subsumed under the United Provinces of Central Italy, and Verdi's political life temporarily came to an end. Whilst still maintaining nationalist feelings, he declined in 1860 the office of provincial council member to which he had been elected in absentia. Cavour however was anxious to convince a man of Verdi's stature that running for political office was essential to strengthening and securing Italy's future. The composer confided to Piave some years later that "I accepted on the condition that after a few months I would resign." Verdi was elected on 3 February 1861 for the town of Borgo San Donnino (Fidenza) to the Parliament of Piedmont-Sardinia in Turin (which from March 1861 became the Parliament of the Kingdom of Italy), but following the death of Cavour in 1861, which deeply distressed him, he scarcely attended. Later, in 1874, Verdi was appointed a member of the Italian Senate, but did not participate in its activities.
Question: Was that the end of his political career?
Answer:
Later, in 1874, Verdi was appointed a member of the Italian Senate, but did not participate in its activities.