Some context: Ukrainians (Ukrainian: ukrayintsi, ukrayintsi, [ukra'jinjtsji]) are an East Slavic ethnic group native to Ukraine, which is by total population the sixth-largest nation in Europe. The Constitution of Ukraine applies the term 'Ukrainians' to all its citizens. Also among historical names of the people of Ukraine, Rusyns (Ruthenians), Cossacks, etc. can be found. According to most dictionary definitions, a descriptive name for the "inhabitants of Ukraine" is Ukrainian or Ukrainian people.
The watershed period in the development of modern Ukrainian national consciousness was the struggle for independence during the creation of the Ukrainian People's Republic from 1917 to 1921. A concerted effort to reverse the growth of Ukrainian national consciousness was begun by the regime of Joseph Stalin in the late 1920s, and continued with minor interruptions until the most recent times. The man-made Famine-Genocide of 1932-33, the deportations of the so-called kulaks, the physical annihilation of the nationally conscious intelligentsia, and terror in general were used to destroy and subdue the Ukrainian nation. Even after Joseph Stalin's death the concept of a Russified though multiethnic Soviet people was officially promoted, according to which the non-Russian nations were relegated to second-class status. Despite this, many Ukrainians played prominent roles in the Soviet Union, including such public figures as Semyon Timoshenko.  The creation of a sovereign and independent Ukraine in 1991, however, pointed to the failure of the policy of the "merging of nations" and to the enduring strength of the Ukrainian national consciousness. Today, one of the consequences of these acts is Ukrainophobia.  Biculturalism is especially present in southeastern Ukraine where there is a significant Russian minority. Historical colonization of Ukraine is one reason that creates confusion about national identity to this day. Many citizens of Ukraine have adopted the Ukrainian national identity in the past 20 years. According to the concept of nationality dominant in Eastern Europe the Ukrainians are people whose native language is Ukrainian (an objective criterion) whether or not they are nationally conscious, and all those who identify themselves as Ukrainian (a subjective criterion) whether or not they speak Ukrainian.  Attempts to introduce a territorial-political concept of Ukrainian nationality on the Western European model (presented by political philosopher Viacheslav Lypynsky) were unsuccessful until the 1990s. Territorial loyalty has also been manifested by the historical national minorities living in Ukraine. The predominant belief in Ukraine today is that all permanent inhabitants of Ukraine are Ukrainians regardless of their ethnic origins or the language in which they communicate. The official declaration of Ukrainian sovereignty of 16 July 1990 stated that "citizens of the Republic of all nationalities constitute the people of Ukraine."
What role did Timoshenko play?
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Some context: Vijay Dhondopant Tendulkar was born on 6 January 1928 in Girgaon, Mumbai, Maharashtra, where his father held a clerical job and ran a small publishing business. The literary environment at home prompted young Vijay to take up writing. He wrote his first story at age six. He grew up watching western plays and felt inspired to write plays himself.
In his 1972 play, Sakharam Binder (Sakharam, the Binder), Tendulkar dealt with the topic of domination of the male gender over the female. The main character, Sakharam, is a man devoid of ethics and morality, and professes not to believe in "outdated" social codes and conventional marriage. He accordingly uses the society for his own pleasure. He regularly gives "shelter" to abandoned wives and uses them for his sexual gratification while remaining oblivious to the emotional and moral implications of his exploits. He justifies all his acts through claims of modern, unconventional thinking, and comes up with hollow arguments meant in fact to enslave women. Paradoxically, some of the women which Sakharam had enslaved buy into his arguments and simultaneously badly want freedom from their enslavement.  In 1972, Tendulkar wrote another, even much more acclaimed play, Ghashiram Kotwal ("Officer Ghashiram"), which dealt with political violence. The play is a political satire created as a musical drama set in 18th century Pune. It combined traditional Marathi folk music and drama with contemporary theatre techniques, creating a new paradigm for Marathi theatre. The play demonstrates Tendulkar's deep study of group psychology, and it brought him a Jawaharlal Nehru Fellowship (1974-75) for a project titled, "An Enquiry into the Pattern of Growing Violence in Society and Its Relevance to Contemporary Theatre". With over 6,000 performances thus far in its original and translated versions, Ghashiram Kotwal remains one of the longest-running plays in the history of Indian theatre.  Tendulkar wrote screenplays for the movies Nishant (1974), Akrosh (The Cry) (1980), and Ardh Satya (The Half-Truth) (1984) which established him as an important "Chronicler of Violence" of the present. He has written eleven movies in Hindi and eight movies in Marathi. The latter include Samana ("Confrontation") (1975), Simhaasan ("Throne") (1979), and Umbartha ("The Threshold") (1981). The last one is a groundbreaking feature film on women's activism in India. It was directed by Jabbar Patel and stars Smita Patil and Girish Karnad.
was he in any other plays at this time period
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In 1972, Tendulkar wrote another, even much more acclaimed play, Ghashiram Kotwal ("Officer Ghashiram"), which dealt with political violence.