input: Davidson describes Ashley as a "dynamic character". She has been characterized as "sassy" yet an "honorable heroine". The Record describes Ashley as "headstrong". She is recognized for her unluckiness and long-term suffering. Davidson stated, "She is a heroine. So often she was being victimized by people and trying to always rise above that, and being driven insane and losing babies, etc." In 1990, The Washington Times described Ashley as a "smart woman", known for her "level head" and "business success". Ashley is dedicated to her work and has a strong sense of family. She is a beloved member of the Genoa City community. Her passion for the family business, Jabot Cosmetics, cost Ashley her marriage to Cole Howard (J. Eddie Peck).  Ashley has been involved in a number of different romantic relationships over her duration on the series. Her relationship with Brad Carlton (Don Diamont) came as a shock, due to Brad being beneath her socially. Epperson, who played Ashley at the time, was uncertain of Ashley and Brad's decision to get married.  Davidson opined that a storyline in which Victor's son Adam Newman (Michael Muhney) gas lighted a pregnant Ashley in 2009 was payback for Ashley stealing Victor's sperm years ago to conceive Abby. She stated: "I think the character really suffered after she stole Victor's sperm from Diane [...] After that, the viewers lost a lot of respect for Ashley. People wanted Ashley to pay for it. My opinion? Although last summer's gaslighting storyline was used to propel a lot of other stories, it was also about making Ashley pay. Now we can close that entire chapter because Ashley paid. It was Ashley's redemption". Around this story arc, Tommy Garrett of Canyon News described Ashley as a "damsel in distress", stating that she had a "twisted mind" due to suffering a hysterical pregnancy after losing her unborn child at the hands of Adam.  Following the death of John, Jack works desperately to remove his wife Gloria Abbott (Judith Chapman) from the family, even illegally making changes to John's will. Explaining Ashley's ambivalence towards the situation, Davidson stated: "Just because you don't like somebody doesn't mean you should do something illegal [...] The point is, their father loved her. And even if they don't like her, they have to honor what he wanted. Ashley never wanted to do anything that went against her father's wishes." The actress stated that Ashley "just wants" Jack to "do the right thing".

Answer this question "Why did Newman gas lighted her?"
output: was payback for Ashley stealing Victor's sperm years ago

input: To avoid conscription into the Australian Army, Tatchell moved to London in 1971. He had accepted being gay in 1969, and in London became a leading member of the Gay Liberation Front (GLF) until its 1974 collapse. During this time Tatchell was prominent in organising sit-ins at pubs that refused to serve "poofs" and protests against police harassment and the medical classification of homosexuality as an illness. With others he helped organise Britain's first Gay Pride march in 1972.  In 1973, he attended the 10th World Youth Festival in East Berlin on GLF's behalf. His actions triggered opposition within and between different groups of national delegates including the Communist Party of Great Britain and National Union of Students. He was banned from conferences, had his leaflets confiscated and burned, was interrogated by the secret police (the Stasi) and threatened and assaulted by other delegates, mostly communists.  Tatchell later claimed that this was the first time gay liberation politics were publicly disseminated and discussed in a communist country, although he noted that, in terms of decriminalisation and the age of consent, gay men had greater rights in East Germany at the time than in Britain and much of the West.  Describing his time in the Gay Liberation Front, he wrote in The Guardian that:  [The] GLF was a glorious, enthusiastic and often chaotic mix of anarchists, hippies, leftwingers, feminists, liberals and counter-culturalists. Despite our differences, we shared a radical idealism - a dream of what the world could and should be - free from not just homophobia but the whole sex-shame culture, which oppressed straights as much as LGBTs. We were sexual liberationists and social revolutionaries, out to turn the world upside down. [...] GLF's main aim was never equality within the status quo. [...] GLF's strategy for queer emancipation was to change society's values and norms, rather than adapt to them. We sought a cultural revolution to overturn centuries of male heterosexual domination and thereby free both queers and women. [...] Forty years on, GLF's gender agenda has been partly won. [...] Girlish boys and boyish girls don't get victimised as much as in times past. LGBT kids often now come out at the age of 12 or 14. While many are bullied, many others are not. The acceptance of sexual and gender diversity is increasing.

Answer this question "How was peter involved in the GLF?"
output: leading member

input: Simultaneously with his work in the theatre, Welles worked extensively in radio as an actor, writer, director and producer, often without credit. Between 1935 and 1937 he was earning as much as $2,000 a week, shuttling between radio studios at such a pace that he would arrive barely in time for a quick scan of his lines before he was on the air. While he was directing the Voodoo Macbeth Welles was dashing between Harlem and midtown Manhattan three times a day to meet his radio commitments.  In addition to continuing as a repertory player on The March of Time, in the fall of 1936 Welles adapted and performed Hamlet in an early two-part episode of CBS Radio's Columbia Workshop. His performance as the announcer in the series' April 1937 presentation of Archibald MacLeish's verse drama The Fall of the City was an important development in his radio career and made the 21-year-old Welles an overnight star.  In July 1937, the Mutual Network gave Welles a seven-week series to adapt Les Miserables. It was his first job as a writer-director for radio, the radio debut of the Mercury Theatre, and one of Welles's earliest and finest achievements. He invented the use of narration in radio.  "By making himself the center of the storytelling process, Welles fostered the impression of self-adulation that was to haunt his career to his dying day," wrote critic Andrew Sarris. "For the most part, however, Welles was singularly generous to the other members of his cast and inspired loyalty from them above and beyond the call of professionalism."  That September, Mutual chose Welles to play Lamont Cranston, also known as The Shadow. He performed the role anonymously through mid-September 1938.

Answer this question "Did he do any other shows?"
output:
That September, Mutual chose Welles to play Lamont Cranston, also known as The Shadow. He performed the role anonymously through mid-September 1938.