Problem: Background: Toru Takemitsu (Wu Man  Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.
Context: Takemitsu was born in Tokyo on October 8, 1930; a month later his family moved to Dalian in the Chinese province of Liaoning. In 1938 he returned to Japan to attend elementary school, but his education was cut short by military conscription in 1944. Takemitsu described his experience of military service at such a young age, under the Japanese Nationalist government, as "... extremely bitter". Takemitsu first became really conscious of Western classical music during his term of military service, in the form of a popular French Song ("Parlez-moi d'amour") which he listened to with colleagues in secret, played on a gramophone with a makeshift needle fashioned from bamboo.  During the post-war U.S. occupation of Japan, Takemitsu worked for the U.S. Armed Forces, but was ill for a long period. Hospitalised and bed-ridden, he took the opportunity to listen to as much Western music as he could on the U.S. Armed Forces network. While deeply affected by these experiences of Western music, he simultaneously felt a need to distance himself from the traditional music of his native Japan. He explained much later, in a lecture at the New York International Festival of the Arts, that for him Japanese traditional music "always recalled the bitter memories of war".  Despite his almost complete lack of musical training, and taking inspiration from what little Western music he had heard, Takemitsu began to compose in earnest at the age of 16: "... I began [writing] music attracted to music itself as one human being. Being in music I found my raison d'etre as a man. After the war, music was the only thing. Choosing to be in music clarified my identity." Though he studied briefly with Yasuji Kiyose beginning in 1948, Takemitsu remained largely self-taught throughout his musical career.
Question: What did he do after leaving the military?
Answer: During the post-war U.S. occupation of Japan, Takemitsu worked for the U.S. Armed Forces, but was ill for a long period.

Problem: Background: Murray Bookchin (January 14, 1921 - July 30, 2006) was an American social theorist, author, orator, historian, and political philosopher. A pioneer in the ecology movement, Bookchin formulated and developed the theory of social ecology within anarchist, libertarian socialist, and ecological thought. He was the author of two dozen books covering topics in politics, philosophy, history, urban affairs, and ecology. Among the most important were Our Synthetic Environment (1962), Post-Scarcity Anarchism (1971) and The Ecology of Freedom (1982).
Context: Though Bookchin, by his own recognition, failed to win over a substantial body of supporters during his own lifetime, his ideas have nonetheless influenced movements and thinkers across the globe.  Notable among these is the Kurdistan Workers' Party (PKK), an organisation in Turkey which has fought the Turkish state since the 1980s to try to secure greater political and cultural rights for the country's Kurds. Though founded on a rigid Marxist-Leninist ideology, the PKK has seen a shift in its thought and aims since the capture and imprisonment of its leader, Abdullah Ocalan, in 1999. Ocalan began reading a variety of post-Marxist political theory while in prison, and found particular currency in Bookchin's works.  Ocalan attempted in early 2004 to arrange a meeting with Bookchin through his lawyers, describing himself as Bookchin's "student" eager to adapt his thought to Middle Eastern society. Bookchin was too ill to accept the request. In May 2004 Bookchin conveyed this message "My hope is that the Kurdish people will one day be able to establish a free, rational society that will allow their brilliance once again to flourish. They are fortunate indeed to have a leader of Mr. Ocalan's talents to guide them". When Bookchin died in 2006, the PKK hailed the American thinker as "one of the greatest social scientists of the 20th century", and vowed to put his theory into practice.  "Democratic Confederalism", the variation on Communalism developed by Ocalan in his writings and adopted by the PKK, does not outwardly seek Kurdish rights within the context of the formation of an independent state separate from Turkey. The PKK claims that this project is not envisioned as being only for Kurds, but rather for all peoples of the region, regardless of their ethnic, national, or religious background. Rather, it promulgates the formation of assemblies and organisations beginning at the grassroots level to enact its ideals in a non-state framework beginning at the local level. It also places a particular emphasis on securing and promoting women's rights. The PKK has had some success in implementing its programme, through organisations such as the Democratic Society Congress (DTK), which coordinates political and social activities within Turkey, and the Koma Civaken Kurdistan (KCK), which does so across all countries where Kurds live.
Question: Who had an influence on Murray Bookchin?
Answer: Though Bookchin, by his own recognition, failed to win over a substantial body of supporters during his own lifetime, his ideas have nonetheless influenced movements

Problem: Background: "My Happiness" is a song by Australian rock band Powderfinger. It was released on record label Universal Music Australia on 21 August 2000 as the first single from the band's fourth album, Odyssey Number Five. The single is Powderfinger's most successful; it peaked at number four on the Australian ARIA Singles Chart, and charted in the United States on the Hot Modern Rock Tracks chart--the first Powderfinger song to do so. Powderfinger frontman Bernard Fanning wrote the lyrics for "My Happiness" as a reflection on the time the band spent touring to promote their work, and the loneliness that came as a result.
Context: "My Happiness" was put on heavy rotation by Los Angeles radio station KROQ-FM two months prior to its United States release, and Powderfinger signed a contract with United States label Republic as a result of the song's early success. Beat journalist Jayson Argall joked the song had received "a bit" of airplay. Although "My Happiness" was subsequently dropped from KROQ's roster, other radio stations continued to give the song high priority.  "My Happiness" peaked at number 23 on the Hot Modern Rock Tracks, making it the first Powderfinger song to appear on a Billboard chart. According to Susan Groves of WHRL, part of the song's success came about because very few people knew of Powderfinger, but were drawn towards "My Happiness" because it was "melodic, [and] pretty"--a change from what she described as "middle of the road rock" popular in the United States. Meanwhile, Australians were "starting to get sick of My Happiness"--Cameron Adams argued in The Hobart Mercury that this was one of the reasons Powderfinger decided to focus on the offshore market.  Powderfinger performed "My Happiness" live on the Late Show with David Letterman while touring North America with British rock group Coldplay. They were the fourth Australian act (after The Living End, Silverchair, and Nick Cave) to play on the show. The band also did free promotional shows leading up to the release of the single. In Europe, "My Happiness" received approximately four weeks of airplay on German music video program Viva II, and the band sold out for three nights in a row in London, partly due to the success of the single.
Question: Is there any fascinating about the tour or promotion?
Answer:
first Powderfinger song to appear on a Billboard chart.