Problem: Background: Robert Dennis Crumb (; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture. Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics.
Context: In January 1967 Crumb came across two friends in a bar who were about to leave for San Francisco; Crumb was interested in the work of San Francisco-based psychedelic poster artists, and on a whim asked if he could join them. There, he contributed upbeat LSD-inspired countercultural work to underground newspapers. The work was popular, and Crumb was flooded with requests, including to illustrate a full issue of Philadelphia's Yarrowstalks.  Independent publisher Don Donahue invited Crumb to make a comic book; Crumb drew up two issues of Zap Comix, and Donahue published the first in February 1968 under the publisher name Apex Novelties. Crumb had difficulty at first finding retailers who would stock it, and at first his wife took to selling the first run herself out of a baby carriage.  Crumb met cartoonist S. Clay Wilson, an art school graduate who saw himself as a rebel against middle-class American values and whose comics were violent and grotesque. Wilson's attitude inspired Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression; in particular, his work soon became sexually explicit, as in the pornographic Snatch he and Wilson produced late in 1968.  The second issue of Zap appeared in June with contributions from Wilson and poster artists Victor Moscoso and Rick Griffin. In December, Donahue published the still-unreleased issue as #0 and a new third issue with Gilbert Shelton joining the roster of regulars. Zap was financially successful, and developed a market for underground comix.  Crumb was a prolific cartoonist in the late 1960s and early 1970s; at his peak point of output he produced 320 pages over two years. He produced much of his best-known work then, including his Keep on Truckin' strip, and strips featuring characters such as the bohemian Fritz the Cat, spiritual guru Mr. Natural, and oversexed African-American stereotype Angelfood McSpade. During this period, he launched a series of solo titles, including Despair, Uneeda (both published by Print Mint in 1969), Big Ass Comics, R. Crumb's Comics and Stories, Motor City Comics (all published by Rip Off Press in 1969), Home Grown Funnies (Kitchen Sink Press, 1971) and Hytone Comix (Apex Novelties, 1971), in addition to founding the pornographic anthologies Jiz and Snatch (both Apex Novelties, 1969).
Question: What did Crumb do with Wilson?
Answer: Wilson's attitude inspired Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression;

Problem: Background: Andres Jose Padovani Galarraga (Spanish: [an'drez gala'raga]; born June 18, 1961) is a Venezuelan former professional baseball player. He played in Major League Baseball as a first baseman for the Montreal Expos (1985-1991 and 2002), St. Louis Cardinals (1992), Colorado Rockies (1993-1997), Atlanta Braves (1998-2000), Texas Rangers (2001), San Francisco Giants (2001 and 2003) and Anaheim Angels (2004). He batted and threw right-handed. At six-foot-three and 235 pounds (1.91 m, 117 kg), Galarraga began his professional career in Venezuela at the age of 16.
Context: During his first season in Atlanta in 1998, Galarraga silenced his critics. He proved that he could still have great power production at lower altitudes, hitting .305 with 44 home runs and 121 RBI. This made Galarraga the first player in Major League history to hit 40 or more homers in consecutive seasons for two different teams.  During 1999 spring training, Galarraga developed a sore back. Treatment from the team's trainers and team doctor included hydrobaths, massages, muscle relaxers, and stretching, but would not stop the nagging soreness. He was referred to a medical oncologist at Atlanta for a thorough physical exam and an MRI. When the diagnosis came in, the famous Galarraga smile disappeared. On his second lumbar vertebra in his lower back he had a tumor known as non-Hodgkin's lymphoma, a form of lymphatic cancer. He missed the entire 1999 season receiving cancer chemotherapy. Rockies third baseman and ex-teammate Vinny Castilla switched briefly from his traditional number 9 to number 14 on his jersey to honor Galarraga's cancer fight.  Galarraga returned to the field in the spring of the year 2000 in high spirits and good shape after undergoing chemotherapy and a strict workout routine. In his third at-bat of opening day of the 2000 season, Galarraga knocked in the winning run with a home run, and he showed his big smile again. In April and May, he was tied for first place in home runs in the National League and he was batting .300.  At the end of the season, Galarraga had batted .302 with 28 HRs and 100 RBIs. He was awarded his second National League Comeback Player of the Year Award by The Sporting News.  Galarraga asked the Braves ownership for a two-year contract, but the most that it would offer was a one-year contract. Hence, Galarraga decided to become a free agent, and he signed with the Texas Rangers for two years.
Question: What records does he hold?
Answer:
he was tied for first place in home runs in the National League and he was batting .300.