Problem: Moss was born in London, son of Alfred Moss, a dentist of Bray, Berkshire, and Aileen (nee Craufurd). He was brought up at Long White Cloud house on the right bank of the River Thames. His father was an amateur racing driver who had placed 16th at the 1924 Indianapolis 500. Stirling was a gifted horse rider as was his younger sister, Pat Moss, who became a successful rally driver and married Erik Carlsson.

During his driving career, Moss was one of the most recognised celebrities in Britain, leading to many media appearances. In March 1958, Moss was a guest challenger on the TV panel show What's My Line? (episode with Anita Ekberg). In 1959 he was the subject of the TV programme This Is Your Life. On June 12 the following year he was interviewed by John Freeman on Face to Face; Freeman later said that he had thought before the interview that Moss was a playboy, but in their meeting he showed "cold, precise, clinical judgement... a man who could live so close to the edge of death and danger, and trust entirely to his own judgement. This appealed to me". Moss also appeared as himself in the 1964 film The Beauty Jungle, and was one of several celebrities with cameo appearances in the 1967 version of the James Bond film Casino Royale. He played Evelyn Tremble's (Peter Sellers) driver.  For many years during and after his career, the rhetorical phrase "Who do you think you are, Stirling Moss?" was supposedly the standard question all British policemen asked speeding motorists. Moss relates he himself was once stopped for speeding and asked just that; he reports the traffic officer had some difficulty believing him. As related in the book The Life and Times of Private Eye, Moss was the subject of a less than respectful cartoon biography in the magazine Private Eye. The cartoon, drawn by Willie Rushton, showed him continually crashing, having his driving licence revoked and finally "hosting television programmes on subjects he knows nothing about". It also made reference to the amnesia Moss suffered from as a result of head injuries sustained in the crash at Goodwood in 1962. According to the book, Moss responded by offering to buy the original of the cartoon, an outcome the book describes as "depressingly common" for its satirical cartoons about famous people.  Moss is the narrator of the popular children's series Roary the Racing Car which stars Peter Kay, a role he took on, having been approached by both David Jenkins, who had the original idea, and Keith Chapman, the latter the creator of Bob the Builder, as he saw the TV show as a way of introducing motorsport to the next generation.  He is one of the few drivers of his era to create a brand from his name for licensing purposes, which was launched when his website was revamped in 2009 with improved content. Moss is also a supporter of the UK Independence Party.

In what other media did Stirling Moss appear?

Answer with quotes: Moss is the narrator of the popular children's series Roary the Racing Car


Problem: John William Money (8 July 1921 - 7 July 2006) was a psychologist, sexologist and author, specializing in research into sexual identity and biology of gender. He was one of the first scientists to study the psychology of sexual fluidity and how the societal constructs of "gender" affect an individual. More recent academic studies have criticized Money's work in many respects, particularly in regards to his involvement with the sex-reassignment of David Reimer and his eventual suicide. Money's writing has been translated into many languages, and includes around 2,000 articles, books, chapters and reviews.

In this book (Oxford 1988: 116), Money develops a conception of 'bodymind,' as a way for scientists, in developing a science about sexuality, to move on from the platitudes of dichotomy between nature versus nurture, innate versus the acquired, biological versus the social, and psychological versus the physiological. He suggests that all of these capitalize on the ancient, pre-Platonic, pre-biblical conception of body versus the mind, and the physical versus the spiritual. In coining the term "bodymind", in this sense, Money wishes to move beyond these very ingrained principles of our folk or vernacular psychology.  Money also develops here (Oxford 1988: 114-119) a view of "Concepts of Determinism," which, transcultural, transhistorical, and universal, all people have in common, sexologically or otherwise. These include pairbondage, troopbondage, abidance, ycleptance, foredoomance, with these coping strategies: adhibition (engagement), inhibition, explication.  Money suggests that the concept of threshold (Oxford 1988: 115) - the release or inhibition of sexual (or other) behavior - is most useful for sex research as a substitute for any concept of motivation. Moreover, it confers the distinct advantage of having continuity and unity to what would otherwise be a highly disparate and varied field of research. It also allows for the classification of sexual behavior. For Money, the concept of threshold has great value because of the wide spectrum to which it applies. "It allows one to think developmentally or longitudinally, in terms of stages or experiences that are programmed serially, or hierarchically, or cybernetically (i.e. regulated by mutual feedback)." (Oxford 1988: 116)

Does the book detail any other important topics?

Answer with quotes:
Money also develops here (Oxford 1988: 114-119) a view of "Concepts of Determinism,