Question: Judy Kay "Juice" Newton (born February 18, 1952) is an American pop and country singer, songwriter, and musician. To date, Newton has received five Grammy Award nominations in the Pop and Country Best Female Vocalist categories (winning once in 1983), as well as an ACM Award for Top New Female Artist and two Billboard Female Album Artist of the Year awards (won consecutively). Newton's other awards include a People's Choice Award for "Best Female Vocalist" and the Australian Music Media's "Number One International Country Artist." Newton has several Gold and Platinum records to her credit, including Juice, Quiet Lies and her first Greatest Hits album.

In the early 1970s, Newton, Otha Young and Tom Kealey formed a band that would eventually be called Juice Newton & Silver Spur that was signed to RCA Records. The group released two albums for RCA in 1975 and 1976, and scored only one charting country single with "Love Is a Word." The band was dropped by RCA then joined Capitol Records in 1977, but disbanded shortly after releasing just one more album.  In late 1977, Newton went solo and continued to record for Capitol, although Silver Spur would remain the name of her backup band until 1982. That year, Newton provided backing vocals for Bob Welch's platinum solo debut album on three tracks, including his hit "Ebony Eyes". Later in 1977, "It's a Heartache" became Newton's first solo record and a major hit in Mexico, where it was eventually certified Gold. In 1978, Newton released the song in the United States, and it became the first of her 11 "Hot 100" pop hits. Also in 1978, The Carpenters' version of the Newton/Young-penned song "Sweet, Sweet Smile" reached the Top 10 on both the Country and Adult Contemporary charts, and #44 on the Billboard Hot 100 chart.  Newton's solo debut album, Well Kept Secret, was released later in 1978 and stands as Newton's most rock-oriented record, to date. Neither the record nor its sole single "Hey Baby" charted, though Capitol Records proceeded to renew Newton's contract. Capitol's investment in Newton began to pay off in 1979, when Newton had her first Top-40 Country hit with "Let's Keep It That Way" (another one-off single). Later that year, the album Take Heart featured five modestly charting singles: "Until Tonight"; "Any Way That You Want Me"; "You Fill My Life"; "Lay Back In The Arms of Someone"; and "Sunshine." The latter became Newton's second top-40 single on the country charts in 1980, with "You Fill My Life" reaching No. 41 and "Until Tonight" reaching No. 42. Both of Newton's initial solo efforts performed with modest success but failed to have lasting impacts on the album charts.

Using a quote from the above article, answer the following question: How did the album perform in the charts ?
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Answer: reaching No. 41


Question: The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.

Although The Birth of a Nation is commonly regarded as a landmark for its dramatic and visual innovations, its use of music was arguably no less revolutionary. Though film was still silent at the time, it was common practice to distribute musical cue sheets, or less commonly, full scores (usually for organ or piano accompaniment) along with each print of a film.  For The Birth of a Nation, composer Joseph Carl Breil created a three-hour-long musical score that combined all three types of music in use at the time: adaptations of existing works by classical composers, new arrangements of well-known melodies, and original composed music. Though it had been specifically composed for the film, Breil's score was not used for the Los Angeles premiere of the film at Clune's Auditorium; rather, a score compiled by Carli Elinor was performed in its stead, and this score was used exclusively in West Coast showings. Breil's score was not used until the film debuted in New York at the Liberty Theatre, and was the score utilized in all showings save those on the West Coast.  Outside of original compositions, Breil adapted classical music for use in the film, including passages from Der Freischutz by Carl Maria von Weber, Leichte Kavallerie by Franz von Suppe, Symphony No. 6 by Ludwig van Beethoven, and "Ride of the Valkyries" by Richard Wagner, the latter used as a leitmotif during the ride of the KKK. Breil also arranged several traditional and popular tunes that would have been recognizable to audiences at the time, including many Southern melodies; among these songs were "Maryland, My Maryland", "Dixie", "Old Folks at Home", "The Star-Spangled Banner", "America the Beautiful", "The Battle Hymn of the Republic", "Auld Lang Syne", and "Where Did You Get That Hat?". DJ Spooky has called Breil's score, with its mix of Dixieland songs, classical music and "vernacular heartland music" "an early, pivotal accomplishment in remix culture." He has also cited Breil's use of music by Richard Wagner as influential on subsequent Hollywood films, including Star Wars (1977) and Apocalypse Now (1979); the latter film also makes use of "Ride of the Valkyries".  In his original compositions for the film, Breil wrote numerous leitmotifs to accompany the appearance of specific characters. The principal love theme that was created for the romance between Elsie Stoneman and Ben Cameron was published as "The Perfect Song" and is regarded as the first marketed "theme song" from a film; it was later used as the theme song for the popular radio and television sitcom Amos 'n' Andy.

Using a quote from the above article, answer the following question: What did this mean for the film
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Answer:
adaptations of existing works by classical composers, new arrangements of well-known melodies, and original composed music.