Problem: Background: Johnnie Mae Young was born in Sand Springs, Oklahoma on March 12, 1923. She was the youngest of eight children (one died at birth). Her mother Lilly Mae Young was a single mother (her partner left to find work and never returned) living during the Great Depression. Young's oldest sister Inie was severely disabled by whooping cough at a very young age.
Context: On the July 29, 2002 episode of Raw, Young returned along with longtime friend The Fabulous Moolah to promote Moolah's new book: "The Fabulous Moolah: First Goddess of the Squared Circle" before being attacked by 3-Minute Warning by orders of general manager, Eric Bischoff. On the September 15, 2003 episode of Raw, she accompanied Moolah into which came to be her last wrestling singles match before passing away, where she defeated Victoria before being attacked by Randy Orton and an infuriated Victoria. On June 15 at Bad Blood, Young appeared during a segment along with Stone Cold and Eric Bischoff where she stripped herself in the ring and performed a bronco buster on Bischoff before receiving an Stone Cold Stunner from Cold.  In 2004, Young was inducted into the Professional Wrestling Hall of Fame and Museum as part of their Lady wrestler category class of that year. On the September 23 episode of SmackDown!, Young teamed with Moolah and defeated Dawn Marie and Torrie Wilson.  On March 23, 2005, Moolah and Young appeared on the Late Night with Conan O'Brien show to promote their 2005 documentary in which they starred in an about their 1950s heyday along with several other lady wrestlers of their era. On January 8, 2006 at New Year's Revolution, Young re-appeared along with Moolah during a bra & panties gauntlet match where she stripped herself before being attacked by Victoria as she left the ring, which led to both women retaliate and rip off Victoria's shirt. At WrestleMania 22 on April 2, Young appeared along with Moolah during a backstage segment with Snitsky.  At WrestleMania 23 on April 1, 2007, Young appeared during a backstage segment along with several other WWE superstars and hall of famers. On the August 24 episode of SmackDown!, Young made a special appearance winning a Divas bikini contest. Mae's last appearance with Moolah before her death came at SummerSlam in August 2007, both appeared during a backstage segment along with Vince McMahon and Raw's general manager, William Regal, two months prior to her friend's death.
Question: What happen in 2002
Answer: On the July 29, 2002 episode of Raw, Young returned along with longtime friend The Fabulous Moolah to promote Moolah's new book: "

Background: Pierrot (French pronunciation:  [pjeRo]) is a stock character of pantomime and commedia dell'arte whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comedie-Italienne; the name is a diminutive of Pierre (Peter), via the suffix -ot. His character in contemporary popular culture--in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall--is that of the sad clown, pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim, more rarely with a conical shape like a dunce's cap.
Context: He is sometimes said to be a French variant of the sixteenth-century Italian Pedrolino, but the two types have little but their names ("Little Pete") and social stations in common. Both are comic servants, but Pedrolino, as a so-called first zanni, often acts with cunning and daring, an engine of the plot in the scenarios where he appears. Pierrot, on the other hand, as a "second" zanni, is a static character in his earliest incarnations, "standing on the periphery of the action", dispensing advice that seems to him sage, and courting--unsuccessfully--his master's young daughter, Columbine, with bashfulness and indecision.  His origins among the Italian players in France are most unambiguously traced to Moliere's character, the lovelorn peasant Pierrot, in Don Juan, or The Stone Guest (1665). In 1673, probably inspired by Moliere's success, the Comedie-Italienne made its own contribution to the Don Juan legend with an Addendum to "The Stone Guest", which included Moliere's Pierrot. Thereafter the character--sometimes a peasant, but more often now an Italianate "second" zanni--appeared fairly regularly in the Italians' offerings, his role always taken by one Giuseppe Giaratone (or Geratoni, fl. 1639-1697), until the troupe was banished by royal decree in 1697.  Among the French dramatists who wrote for the Italians and who gave Pierrot life on their stage were Jean Palaprat, Claude-Ignace Brugiere de Barante, Antoine Houdar de la Motte, and the most sensitive of his early interpreters, Jean-Francois Regnard. He acquires there a very distinctive personality. He seems an anomaly among the busy social creatures that surround him; he is isolated, out of touch. Columbine laughs at his advances; his masters who are in pursuit of pretty young wives brush off his warnings to act their age. His is a solitary voice, and his estrangement, however comic, bears the pathos of the portraits--Watteau's chief among them--that we will encounter in the centuries to come.
Question: What is the origin of Pierrot?
Answer:
His origins among the Italian players in France are most unambiguously traced to Moliere's character, the lovelorn peasant Pierrot,