Problem: Background: Tarja Soile Susanna Turunen-Cabuli (born 17 August 1977), known professionally as Tarja Turunen or simply Tarja, is a Finnish singer-songwriter. She is a soprano and has a vocal range of three octaves. Turunen studied singing at Sibelius Academy and Hochschule fur Musik Karlsruhe. She is a professional classical lied singer, and the former lead vocalist of the Finnish symphonic metal band Nightwish, which she founded with Tuomas Holopainen and Emppu Vuorinen in 1996.
Context: Tarja Turunen was born in the small village of Puhos, near Kitee, Finland. She has an older brother, Timo, and a younger brother, Toni. Her mother Ritva Sisko Marjatta (Hakkarainen) worked in the town administration, and her father Teuvo Turunen is a carpenter. Her talent for music was first noted when she sang the song "Enkeli taivaan" (the Finnish version of "From Heaven Above to Earth I Come") in the Kitee church hall at age three. She joined the church choir and started taking vocal lessons. At age six, she started playing piano.  At comprehensive school, Turunen performed as a singer for several projects. Her first piano teacher Kirsti Nortia-Holopainen, "Tarja was in a school that had some very musical people. Even then she got to perform a lot. I think she sang in every school function there was." Her music teacher, Plamen Dimov, later explained that, "If you gave Tarja just one note, she immediately got it. With the others, you'd have to practice three, four, five times". At school she had a tough time, since some girls bullied her because they envied her voice. To solve that problem, Dimov organized projects outside school. At fifteen, Turunen had her first major appearance as a soloist at a church concert in front of a thousand listeners. In 1993 she attended the Senior Secondary School of Art and Music in Savonlinna.  For several years Turunen performed various songs including soul music by Whitney Houston and Aretha Franklin. Later she listened to songs from the classical crossover singer Sarah Brightman, especially the song "The Phantom of the Opera", and decided to focus on that genre of music. At eighteen, she moved to Kuopio to study at the Sibelius Academy.
Question: Did she ever go to college?
Answer: At eighteen, she moved to Kuopio to study at the Sibelius Academy.

Problem: Background: Fear Factory is an American heavy metal band that was formed in 1989. Throughout the band's career, they have released nine full-length albums and have evolved through a succession of styles, including nu metal, death metal, groove metal, and thrash metal. Fear Factory was enormously influential on the heavy metal scene in the mid-to-late 1990s. Fear Factory went on hold in March 2002 following some internal disputes, but re-formed a year later without founding member Dino Cazares, adding bassist Byron Stroud, and previous bassist Christian Olde Wolbers as guitarist.
Context: Fear Factory was formed in 1989 under the name Ulceration, which the band agreed would "just be a cool name". In 1990, the name "Fear Factory" was adopted to reflect the band's new death metal sound, which was influenced by early British industrial metal, industrial music, and grindcore yet remained rooted in a conservative extreme metal approach; a facet of the band's music that resulted in its wider music audience appeal.  The band's origins can be traced to an outfit formed by guitarist Dino Cazares--formerly of The Douche Lords--and drummer Raymond Herrera in Los Angeles, California. Their first lineup was completed with the addition of bassist Dave Gibney and vocalist Burton C. Bell (ex-Hate Face), who was allegedly recruited by an impressed Cazares, who overheard him singing "New Year's Day" by U2. Cazares played bass on the first three Fear Factory albums Concrete, Soul of a New Machine and Demanufacture, on which Cazares changed many of the riffs during the recording. It took Cazares two weeks to get the appropriate guitar tone. Cazares created, wrote and recorded all the music on the album. Wolbers joined the band two weeks before they were scheduled to go on tour to promote the album and, although he contributed musical changes to a couple of songs on the album he stated that these were not significant.  Fear Factory's earliest demo recordings are strongly reminiscent of the early works of Napalm Death and Godflesh, an acknowledged influence of the band in the grindcore-driven approach of the former and the mechanical brutality, bleakness, and vocal stylings of the latter. According to Brian Russ of The BNR Metal Pages, the demos are remarkable for integrating these influences into the band's death metal sound and for Burton C. Bell's pioneering fusion of extreme death growls and clean vocals in the same song, which was to become a significant and influential element of the band's sound throughout their career. The use of grunts and "throat singing" combined with clean vocals later defined the nu metal and other emerging subgenres of metal. Many vocalists in today's metal scene use two or more methods of singing and vocalizing lyrics. The band contributed two songs to the L.A. Death Metal Compilation in 1990. The band played its first show on October 31, 1990.
Question: When did the early years end?
Answer: The band played its first show on October 31, 1990.

Problem: Background: Judas Priest are an English heavy metal band formed in West Bromwich in 1969. The band have sold over 50 million copies of their albums to date. They are frequently ranked as one of the greatest metal bands of all time. Despite an innovative and pioneering body of work in the latter half of the 1970s, the band struggled with indifferent record production, repeated changes of drummer, and lack of major commercial success or attention until 1980, when they adopted a more simplified sound on the album British Steel, which helped shoot them to rock superstar status.
Context: Judas Priest went into the studio in June-July 1974 with Black Sabbath producer Rodger Bain. The band released their debut single "Rocka Rolla" that August and followed in September with an album of the same name. The album features a variety of styles--straight-up rock, heavy riffing, and progressive.  Technical problems during the recording contributed to the poor sound quality of the record. Producer Rodger Bain, whose resume included Black Sabbath's first three albums as well as Budgie's first album, dominated the production of the album and made decisions with which the band did not agree. Bain also chose to leave fan favourites from the band's live set, such as "Tyrant", "Genocide" and "The Ripper", off the album and he cut the song "Caviar and Meths" from a 10-minute song down to a 2-minute instrumental.  The tour for Rocka Rolla was Judas Priest's first international tour with dates in Germany, the Netherlands, Norway and Denmark including one show at Hotel Klubben in Tonsberg, one hour from Oslo, Norway, which scored them a somewhat negative review in the local press. The album flopped upon release, leaving Priest in dire financial straits. Priest attempted to secure a deal with Gull Records to get a monthly pay of 50 pounds, however, because Gull Records were struggling as well, they declined. Rocka Rolla (1974) has been for the most part dismissed by the band and none of its songs were played live after 1976 except for "Never Satisfied", which was revived during the Epitaph Tour in 2011.
Question: What album did Rocka Rolla appear on?
Answer:
followed in September with an album of the same name.