input: Baker portrayed a pacifist Quaker schoolteacher in John Ford's Cheyenne Autumn (1964), and received critical acclaim for the role. She then had a supporting role as Saint Veronica in George Stevens' The Greatest Story Ever Told (1965), and portrayed a cynical, alcoholic movie star in The Carpetbaggers (1964), which brought her a second wave of notoriety in spite of the film's lackluster reviews. The New York Times called the film "a sickly sour distillation" of the source novel, but said Baker's performance "brought some color and a sandpaper personality as the sex-loaded widow." The film was the top moneymaker of that year, with domestic box-office receipts of $13,000,000, and marked the beginning of a tumultuous relationship with the film's producer, Joseph E. Levine.  Based on her Carpetbaggers performance, Levine began to develop Baker as a movie sex symbol, and she appeared posing in the December 1964 issue of Playboy. She was subsequently cast by Levine in the title roles of two 1965 potboilers-- Sylvia, as an ex-prostitute and con artist, and as Jean Harlow in Harlow. Baker appeared on the cover of the Saturday Evening Post on their November 2, 1963, issue dressed as Harlow, promoting the film's upcoming production. In 1965, she became an official celebrity spokesperson for Foster Grant sunglasses and appeared in advertisements for the company. Baker likened this era of her career to "being a beauty contest winner [as opposed to] an actress."  Despite much prepublicity, Harlow received a lukewarm response from critics: Variety referred to Baker's portrayal of Harlow as "a fairly reasonable facsimile, although she lacks the electric fire of the original." Relations between Baker and Levine soured; in a 1965 interview, Baker sardonically commented: "I'll say this about Joe Levine: I admire his taste in leading ladies," which led the press to suspect a rift between the actress and producer. Baker sued Levine over her contract with Paramount Pictures in 1966, and was ultimately fired by Paramount and had her paychecks from Harlow frozen amid the contentious legal dispute; this left Baker hundreds of thousands of dollars in debt (however, she was eventually awarded $1 million in compensation).  In an interview with Rex Reed in his book People Are Crazy Here (1974), Baker revealed that she had felt pressure in both her working relationship with Levine, and her domestic life with her husband, the latter of whom she said wanted to maintain an expensive lifestyle: "We'd been very poor when we started out at the Actors Studio in New York," she told Reed. "I was under contract to Joe Levine, who was going around giving me diamonds and behaving like he owned me. I never slept with him or anything, but everyone thought I was his mistress." In the spring of 1966, Baker returned to theatre, performing in a production of Anna Christie at the Huntington Hartford Theater in Los Angeles. The production was directed by Garfein. The production was heralded as the "theatre event of the week" in Los Angeles, though its reception was middling. Cecil Smith of The Los Angeles Times wrote of the production: "The beautiful Miss Baker's vehicle becomes a hearse." The play was also performed at the Tappan Zee Playhouse in Nyack, New York in June 1966.

Answer this question "What were some sex symbol roles?"
output: she appeared posing in the December 1964 issue of Playboy.

input: Nothing was more controversial during Clarke's time as a general manager than his dispute with Eric Lindros and his parents, particularly his father Carl who was Eric's agent. The trouble started following the 1997-98 season while negotiating a new contract for Lindros. Clarke threatened to trade him, saying, "If you want to be the highest-paid player in the game or close to it, you've got to play that way." While Lindros was not traded and he played well during the 1998-99 season, his season was cut short after sustaining a collapsed lung during a game on April 1 against the Nashville Predators. Lindros' parents criticized team trainer John Worley and claimed Clarke tried to kill their son by trying to put him on a plane back to Philadelphia, which would have been fatal given his condition.  After Lindros criticized Worley in March 2000 for failing to diagnose a concussion (his second of the season), Clarke stripped Lindros of the role of team captain. A few weeks after suffering a third concussion during practice, Lindros returned to the Flyers lineup for Game 6 of the Eastern Conference Finals and sustained his fourth concussion of the season (his sixth in 27 months) during Game 7. Afterwards, Clarke said he did not dislike Eric, but he had a problem with his parents, saying, "If he's going to come back, he can't have his dad calling us and telling us who to trade for and who he wants to play with Eric and who can't play with Eric." Lindros never played for the Flyers again, as he rejected the Flyers qualifying offer in the off-season and sat out the 2000-01 season. Lindros pushed for a trade to Toronto but that move fell apart at last minute when Clarke and Leafs manager Pat Quinn could not agree on terms. [4] Clarke finally traded Lindros to the New York Rangers in August 2001. Following the trade, Clarke said, "I don't give a crap whether he ever plays again or if I ever see him again. All he ever did was cause aggravation to our team."  Upon Lindros' retirement in November 2007, Clarke stated that Lindros belonged in the Hockey Hall of Fame. "Yes, based on his ability to play the game and based on his contributions as a player, I think you have to separate all the crap that went on. Particularly when he played for the Flyers, it was just outstanding, dominant hockey -- the first of the huge, big men with small man's skill."  Lindros and Clarke both played for the Philadelphia Flyers Alumni during the 2012 Winter Classic Alumni Game on December 31, 2011. The opposing team was the New York Rangers Alumni. Both men acknowledged the game as an opportunity to mend fences.  (T)his Alumni Game has provided an opportunity to rebuild ... once-burnt bridges. In recent years, Clarke has stated multiple times that he believes Lindros belongs in the Hall of Fame, and Lindros has acknowledged his many disagreements with Clarke and expressed a desire to move on.

Answer this question "What was his relationship with Eric?"
output:
Clarke's time as a general manager