Problem: Background: Plato (; Greek: Platon Platon, pronounced [pla.to:n] in Classical Attic; 428/427 or 424/423 - 348/347 BC) was a philosopher in Classical Greece and the founder of the Academy in Athens, the first institution of higher learning in the Western world. He is widely considered the most pivotal figure in the development of philosophy, especially the Western tradition. Unlike nearly all of his philosophical contemporaries, Plato's entire work is believed to have survived intact for over 2,400 years. Others believe that the oldest extant manuscript dates to around AD 895, 1100 years after Plato's death.
Context: Plato often discusses the father-son relationship and the question of whether a father's interest in his sons has much to do with how well his sons turn out. In ancient Athens, a boy was socially located by his family identity, and Plato often refers to his characters in terms of their paternal and fraternal relationships. Socrates was not a family man, and saw himself as the son of his mother, who was apparently a midwife. A divine fatalist, Socrates mocks men who spent exorbitant fees on tutors and trainers for their sons, and repeatedly ventures the idea that good character is a gift from the gods. Plato's dialogue Crito reminds Socrates that orphans are at the mercy of chance, but Socrates is unconcerned. In the Theaetetus, he is found recruiting as a disciple a young man whose inheritance has been squandered. Socrates twice compares the relationship of the older man and his boy lover to the father-son relationship (Lysis 213a, Republic 3.403b), and in the Phaedo, Socrates' disciples, towards whom he displays more concern than his biological sons, say they will feel "fatherless" when he is gone.  In several of Plato's dialogues, Socrates promulgates the idea that knowledge is a matter of recollection, and not of learning, observation, or study. He maintains this view somewhat at his own expense, because in many dialogues, Socrates complains of his forgetfulness. Socrates is often found arguing that knowledge is not empirical, and that it comes from divine insight. In many middle period dialogues, such as the Phaedo, Republic and Phaedrus Plato advocates a belief in the immortality of the soul, and several dialogues end with long speeches imagining the afterlife. More than one dialogue contrasts knowledge and opinion, perception and reality, nature and custom, and body and soul.  Several dialogues tackle questions about art: Socrates says that poetry is inspired by the muses, and is not rational. He speaks approvingly of this, and other forms of divine madness (drunkenness, eroticism, and dreaming) in the Phaedrus (265a-c), and yet in the Republic wants to outlaw Homer's great poetry, and laughter as well. In Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. The dialogue Ion suggests that Homer's Iliad functioned in the ancient Greek world as the Bible does today in the modern Christian world: as divinely inspired literature that can provide moral guidance, if only it can be properly interpreted.  Socrates and his company of disputants had something to say on many subjects, including politics and art, religion and science, justice and medicine, virtue and vice, crime and punishment, pleasure and pain, rhetoric and rhapsody, human nature and sexuality, as well as love and wisdom.
Question: What is one recurrent theme mentioned?
Answer: 

Background: Von Teese was born in Rochester, Michigan, the second of three daughters. Her father was a machinist and her mother a manicurist. She is of English, Scottish, Armenian, and German heritage. Dita has stated that one of her grandmothers was half-Armenian and adopted into an Anglo-Saxon American family.
Context: Von Teese is best known for her burlesque routines and is frequently dubbed the "Queen of Burlesque" in the press. Von Teese began performing burlesque in 1992, and, as a proponent of Neo-Burlesque, has helped to popularize its revival. In her own words, she "puts the tease back into striptease" with long, elaborate dance shows with props and characters, often inspired by 1930s and 1940s musicals and films. Some of her more famous dances have involved a carousel horse, a giant powder compact, a filigree heart and a clawfoot bathtub with a working shower head. Her signature show features a giant martini glass. Her feather fan dance, inspired by burlesque dancer Sally Rand, featured the world's largest feather fans, now on display in Hollywood's Museum of Sex.  Her burlesque career has included some memorable performances. She once appeared at a benefit for the New York Academy of Art wearing nothing but $5 million worth of diamonds. Additionally, Von Teese became the first guest star at Paris's Crazy Horse cabaret club with her appearance in October 2006. Also in 2006, Von Teese appeared on an episode of America's Next Top Model (cycle 7) doing a workshop to teach the contestants about sexiness by means of burlesque dancing and posing. In 2007, Von Teese performed at the adult entertainment event Erotica 07 in London alongside Italian rock band Belladonna.  Von Teese's first book (in collaboration with Bronwyn Garrity), which consisted of her opinions on the history of burlesque and fetish, Burlesque and the Art of the Teese / Fetish and the Art of the Teese, was published in 2006 by HarperCollins (and in New York by Regan Books). Vanity Fair called her a "Burlesque Superheroine".  Von Teese participated in the Eurovision Song Contest 2009 in Moscow, Russia, as part of the stage performance for the German entry "Miss Kiss Kiss Bang". The act placed 20th out of 25 participants in the final round of the contest. Later, she said her cleavage was censored during the show because it was too voluptuous.
Question: Did she enjoy it?
Answer:
In her own words, she "puts the tease back into striptease"