Problem: Background: The 2012 phenomenon was a range of eschatological beliefs that cataclysmic or otherwise transformative events would occur on or around 21 December 2012. This date was regarded as the end-date of a 5,126-year-long cycle in the Mesoamerican Long Count calendar, and as such, festivities to commemorate the date took place on 21 December 2012 in the countries that were part of the Maya civilization (Mexico, Guatemala, Honduras, and El Salvador), with main events at Chichen Itza in Mexico, and Tikal in Guatemala. Various astronomical alignments and numerological formulae were proposed as pertaining to this date. A New Age interpretation held that the date marked the start of a period during which Earth and its inhabitants would undergo a positive physical or spiritual transformation, and that 21 December 2012 would mark the beginning of a new era.
Context: Maya inscriptions occasionally mention predicted future events or commemorations that would occur on dates far beyond the completion of the 13th b'ak'tun. Most of these are in the form of "distance dates"; Long Count dates together with an additional number, known as a Distance Number, which when added to them makes a future date. On the west panel at the Temple of Inscriptions in Palenque, a section of text projects forward to the 80th 52-year Calendar Round from the coronation of the ruler K'inich Janaab' Pakal. Pakal's accession occurred on 9.9.2.4.8, equivalent to 27 July 615 AD in the proleptic Gregorian calendar. The inscription begins with Pakal's birthdate of 9.8.9.13.0 (24 March, 603 AD Gregorian) and then adds the Distance Number 10.11.10.5.8 to it, arriving at a date of 21 October 4772 AD, more than 4,000 years after Pakal's time.  Another example is Stela 1 at Coba which marks the date of creation as 13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.0.0.0.0, or nineteen units above the b'ak'tun. According to Linda Schele, these 13s represent "the starting point of a huge odometer of time", with each acting as a zero and resetting to 1 as the numbers increase. Thus this inscription anticipates the current universe lasting at least 2021x13x360 days, or roughly 2.687x1028 years; a time span equal to 2 quintillion times the age of the universe as determined by cosmologists. Others have suggested, however, that this date marks creation as having occurred after that time span.  In 2012, researchers announced the discovery of a series of Maya astronomical tables in Xultun, Guatemala which plot the movements of the Moon and other astronomical bodies over the course of 17 b'ak'tuns.
Question: What are important dates beyond b'ak'tun 13?
Answer: Another example is Stela 1 at Coba which marks the date of creation as 13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.13.0.0.0.0, or nineteen units above the b'ak'tun.

Problem: Background: Circa Survive is an American rock band from the Philadelphia suburb of Doylestown, formed in 2004. The band, led by Anthony Green, consists of former members from Saosin, This Day Forward, and Taken. Circa Survive quickly made a name for themselves in the indie music scene in little over two years with their 2005 debut album, Juturna, and second album, On Letting Go, released in 2007. Both albums were released on Equal Vision Records.
Context: Juturna, Circa Survive's first album, was released on April 19, 2005, in the United States and on January 31, 2006, in Japan on Equal Vision Records. It had been initially announced via the band's MySpace page in November 2004. Details as to its sound remained vague, although the band stated they would keep their fans posted via their website, MySpace page, PureVolume page, and YouTube page. Shortly before its official release, the album was posted on their MySpace page in its entirety. Juturna peaked at #183 on the Billboard 200. The album was produced by Brian McTernan at Salad Days Studios in Baltimore.  The band drew inspiration for the album from House of Leaves and Eternal Sunshine of the Spotless Mind. During an online Q&A session on April 20, 2010, Brendan dismissed the claim that Juturna was a concept album based on Eternal Sunshine of the Spotless Mind, but did say that there is an underlying concept. That concept is speculated by fans to be vaguely about human memories. "Oh, Hello" exemplifies this with its lyrics. The decision to call the album's bonus track that appears after "Meet Me In Montauk" and the silence that follows it at 8:56, "House of Leaves" was more or less a joint one by the band and their fans. Various members of the band have stated that they have read at least some portion of the book over the years since its 2000 release.  The album's sound is characterized by its prominent utilization of effects-laden, dual guitar melodies over polyrythmic percussion. The guitarists' approach to songwriting takes on characteristics of jazz and shoegaze music. The album has since gone on to be considered massively influential to the post-hardcore community. Members of the band have recently recognized King Crimson, Bjork, Thee Silver Mt. Zion Memorial Orchestra, and Godspeed You! Black Emperor as influences on album's sound.
Question: was that album successful
Answer:
Juturna peaked at #183 on the Billboard 200.