IN: Archduke Charles of Austria, Duke of Teschen (German: Erzherzog Carl Ludwig Johann Joseph Laurentius von Osterreich, Herzog von Teschen; 5 September 1771 - 30 April 1847) was an Austrian field-marshal, the third son of Emperor Leopold II and his wife, Maria Luisa of Spain. He was also the younger brother of Francis II, Holy Roman Emperor. Despite being epileptic, Charles achieved respect both as a commander and as a reformer of the Austrian army.

In 1797 he was sent to arrest the victorious march of General Bonaparte in Italy, and he conducted the retreat of the over-matched Austrians with the highest skill. In the campaign of 1799 he once more opposed Jourdan, whom he defeated in the battles of Ostrach and Stockach, following up his success by invading Switzerland and defeating Massena in the First Battle of Zurich, after which he re-entered Germany and drove the French once more over the Rhine.  Ill-health, however, forced him to retire to Bohemia, but he was soon recalled to undertake the task of checking Moreau's advance on Vienna. The result of the Battle of Hohenlinden had, however, foredoomed the attempt, and the archduke had to make the armistice of Steyr. His popularity was now such that the Perpetual Diet of Regensburg, which met in 1802, resolved to erect a statue in his honor and to give him the title of savior of his country, but Charles refused both distinctions.  In the short and disastrous war of 1805 Archduke Charles commanded what was intended to be the main army in Italy, but events made Germany the decisive theatre of operations; Austria sustained defeat on the Danube, and the archduke was defeated by Massena in the Battle of Caldiero. With the conclusion of peace he began his active work of army reorganization, which was first tested on the field in 1809.  In 1806 Francis II (now Francis I of Austria) named the Archduke Charles, already a field marshal, as Commander in Chief of the Austrian army and Head of the Council of War. Supported by the prestige of being the only general who had proved capable of defeating the French, he promptly initiated a far-reaching scheme of reform, which replaced the obsolete methods of the 18th century. The chief characteristics of the new order were the adoption of the nation in arms principle and the adoption of French war organization and tactics. The army reforms were not yet completed by the war of 1809, in which Charles acted as commander in chief, yet even so it proved a far more formidable opponent than the old and was only defeated after a desperate struggle involving Austrian victories and large loss of life on both sides.  Its initial successes were neutralized by the reverses of Abensberg, Landshut and Eckmuhl but, after the evacuation of Vienna, the archduke won a strong victory at the Battle of Aspern-Essling but soon afterwards lost at the Battle of Wagram. At the end of the campaign the archduke gave up all his military offices.
QUESTION: What happened with Moreau's advance in Vienna?
IN: Michael Kevin Taylor (born 17 January 1949) is an English musician, best known as a former member of John Mayall's Bluesbreakers (1966-69) and the Rolling Stones (1969-74). He has appeared on some of the Stones' classic albums including Let It Bleed, Sticky Fingers and Exile on Main St..

Taylor was born to a working-class family in Welwyn Garden City, but was raised in Hatfield, Hertfordshire, England, where his father worked as a fitter (machinist) for the De Havilland aircraft company. He began playing guitar at age nine, learning to play from his mother's younger brother. As a teenager, he formed bands with schoolmates and started performing concerts under names such as The Juniors and the Strangers. They also appeared on television and put out a single. Part of the band was recruited for a new group called The Gods, which included Ken Hensley (later of Uriah Heep fame). In 1966, The Gods opened for Cream at the Starlite Ballroom in Wembley.  In 1965, at age 16, Taylor went to see a John Mayall's Bluesbreakers performance at "The Hop" Woodhall Community Centre, Welwyn Garden City.  On the night in question, I had gone to The Hop with some guys from our band, former schoolmates and Ex-Juniors Mick Taylor and Alan Shacklock. It was after John Mayall had finished his first set without a guitarist that it became clear that for some reason Eric Clapton was not going to show up. A group of local musicians, which included myself, Robert 'Jab' Als, Herbie Sparks, and others, along with three local guitarists--Alan Shacklock, Mick Casey (formerly of the Trekkas) and Mick Taylor--were in attendance.  Taylor himself has said after seeing that Clapton hadn't appeared, but that his guitar had already been set up on the stage, he approached John Mayall during the interval to ask if he could play with them. Taylor mentioned that he'd heard their albums and knew some of the songs, and after a moment of deliberation, Mayall agreed. Taylor amended, "I wasn't thinking that this was a great opportunity... I just really wanted to get up on stage and play the guitar."  Taylor played the second set with Mayall's band, and after winning Mayall's respect, they exchanged phone numbers. This encounter proved to be pivotal in Taylor's career when Mayall began to look for a guitarist to fill Peter Green's vacancy the following year. Mayall contacted Taylor, and invited him to take Green's place. Taylor made his debut with the Bluesbreakers at the Manor House, an old blues club in north London. For those in the music scene the night was an event... "Let's go and see this 17-year-old kid try and replace Eric". Taylor toured and recorded the album Crusade with John Mayall's Bluesbreakers. From 1966 to 1969, Taylor developed a guitar style that is blues-based with Latin and jazz influences. He is the guitarist on the Bluesbreaker albums Diary of a Band, Bare Wires, and Blues from Laurel Canyon. Later on in his career, he further developed his skills as a slide guitarist.
QUESTION:
When did he begin playing music?