input: Mirren's first film of the 2000s was Joel Hershman's Greenfingers (2000), a comedy based on the true story about the award-winning prisoners of HMP Leyhill, a minimum-security prison. Mirren portrayed a devoted plantswoman in the film, who coaches a team of prison gardeners, led by Clive Owen, to victory at a prestigious flower show. The project garnered largely lukewarm reviews from critics, who felt that it added "nothing new to this already saturated genre" of British feel-good films. The same year, she began work on the mystery film The Pledge, actor Sean Penn's second directorial effort, in which she played a child psychologist. A critical success, the ensemble film tanked at the box office. Also the year, she filmed the American-Icelandic satirical drama No Such Thing opposite Sarah Polley. Directed by Hal Hartley, Mirren portrayed a soulless television producer in the film, who strives for sensationalistic stories. It was largely panned by critics.  Her biggest critical and commercial success, released in 2001, became Robert Altman's all-star ensemble mystery film Gosford Park. An homage to writer Agatha Christie's whodunit style, the story follows a party of wealthy Britons and an American, and their servants, who gather for a shooting weekend at an English country house, resulting in an unexpected murder. Widely acclaimed by critics, it received multiple awards and nominations, including a second Academy Award nomination and first Screen Actors Guild Award win for Mirren's portrayal of the sternly devoted head servant Mrs. Wilson. Mirren's last film that year was Fred Schepisi's dramedy film Last Orders opposite Michael Caine and Bob Hoskins.  In 2003, Mirren starred in Nigel Cole's comedy Calendar Girls, inspired by the true story of a group of Yorkshire women who produced a nude calendar to raise money for Leukaemia Research under the auspices of the Women's Institutes. Mirren was initially resistant to join the project, at first dismissing it as another middling British picture, but rethought her decision upon learning of the casting of co-star Julie Walters. The film garnered generally positive reactions by film critics, and grossed $96,000,000 worldwide. In addition, the picture earned Satellite, Golden Globe, and European Film Award nominations for Mirren. Her other film that year was the Showtime television film The Roman Spring of Mrs. Stone opposite Olivier Martinez, and Anne Bancroft, based on the 1950 novel of the same title by Tennessee Williams.

Answer this question "Were their any more movies in 2000?"
output: The same year, she began work on the mystery film The Pledge,

Problem: Background: Dwayne Michael Carter Jr. was born on September 27, 1982, and grew up in the impoverished Hollygrove neighborhood of New Orleans, Louisiana. His mother, a cook, gave birth to him when she was 19 years old. His parents divorced when he was 2, and his father permanently abandoned the family. Although Wayne and Birdman have a father-son relationship and Birdman calls Carter his son, Wayne's biological father and namesake (Dwayne Carter) is still alive.
Context: Lil Wayne has been referenced in public speeches by President Barack Obama on at least two occasions, in mixed contexts. Speaking to a largely African-American audience during a general election campaign town hall speech in Georgia, then-U.S. Senator Obama exhorted children to stay in school and achieve their dreams through education and perseverance instead of hoping for shortcuts to fame and riches as professional athletes and entertainers via the fields of sports and entertainment, stating: "You are probably not that good a rapper. Maybe you are the next Lil Wayne, but probably not, in which case you need to stay in school."  After assuming the Presidency, Obama later echoed this theme of personal and familial responsibility and the difficulty of achieving Lil Wayne's professional and financial success--during an address to a meeting commemorating the 100th anniversary of the NAACP, telling the audience:  They might think they've got a pretty jump shot or a pretty good flow, but our kids can't all aspire to be LeBron or Lil Wayne. I want them aspiring to be scientists and engineers, doctors and teachers, not just ballers and rappers. I want them aspiring to be a Supreme Court justice. I want them aspiring to be President of the United States of America.  Obama has also noted that the music on his iPod includes Lil Wayne:  My rap palate has greatly improved. Jay-Z used to be sort of what predominated, but now I've got a little Nas and a little Lil Wayne and some other stuff.
Question: What did Barack Obama say about Lil Wayne?
Answer: "You are probably not that good a rapper. Maybe you are the next Lil Wayne, but probably not, in which case you need to stay in school."

Question: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.

The success of the various productions of Journey's End brought Whale to the attention of movie producers. Coming at a time when motion pictures were making the transition from silent to talking, producers were interested in hiring actors and directors with experience with dialogue. Whale traveled to Hollywood in 1929 and signed a contract with Paramount Pictures. He was assigned as "dialogue director" for a film called The Love Doctor (1929). He completed work on the film in 15 days and his contract was allowed to expire. It was at around this time that he met David Lewis.  Whale was hired by independent film producer and aviation pioneer Howard Hughes, who planned to turn the previously silent Hughes production Hell's Angels (1930) into a talkie. Whale directed the dialogue sequences. When his work for Hughes was completed, he headed to Chicago to direct another production of Journey's End.  Having purchased the film rights to Journey's End, British producers Michael Balcon and Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film. The two partnered with a small American studio, Tiffany-Stahl, to shoot it in New York. Colin Clive reprised his role as Stanhope, and David Manners was cast as Raleigh. Filming got underway on 6 December 1929 and wrapped on 22 January 1930. Journey's End was released in Great Britain on 14 April and in the United States on 15 April. On both sides of the Atlantic the film was a tremendous critical and commercial success.

Using a quote from the above article, answer the following question: What film did they want him to direct?
HHHHHH
Answer:
Journey's End