IN: Art Spiegelman (; born Itzhak Avraham ben Zeev on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker, where he made several high-profile and sometimes controversial covers. He is married to designer and editor

Hired by Tina Brown as a contributing artist in 1992, Spiegelman worked for The New Yorker for ten years. Spiegelman's first cover appeared on the February 15, 1993, Valentine's Day issue and showed a black West Indian woman and a Hasidic man kissing. The cover caused turmoil at The New Yorker offices. Spiegelman intended it to reference the Crown Heights riot of 1991 in which racial tensions led to the murder of a Jewish yeshiva student. Spiegelman had twenty-one New Yorker covers published, and submitted a number which were rejected for being too outrageous.  Within The New Yorker's pages, Spiegelman contributed strips such as a collaboration titled "In the Dumps" with children's illustrator Maurice Sendak and an obituary to Charles M. Schulz titled "Abstract Thought is a Warm Puppy". An essay he had published there on Jack Cole, the creator of Plastic Man, called "Forms Stretched to their Limits" was to form the basis for a book in 2001 about Cole called Jack Cole and Plastic Man: Forms Stretched to their Limits.  The same year, Voyager Company published a CD-ROM version of Maus with extensive supplementary material called The Complete Maus, and Spiegelman illustrated a 1923 poem by Joseph Moncure March called The Wild Party. Spiegelman contributed the essay "Getting in Touch With My Inner Racist" in the September 1, 1997 issue of Mother Jones.  Spiegelman's influence and connections in New York cartooning circles drew the ire of political cartoonist Ted Rall in 1999. In an article titled "The King of Comix" in The Village Voice, Rall accused Spiegelman of the power to "make or break" a cartoonist's career in New York, while denigrating Spiegelman as "a guy with one great book in him". Cartoonist Danny Hellman responded by sending a forged email under Rall's name to thirty professionals; the prank escalated until Rall launched a defamation suit against Hellman for $1.5 million. Hellman published a "Legal Action Comics" benefit book to cover his legal costs, to which Spiegelman contributed a back-cover cartoon in which he relieves himself on a Rall-shaped urinal.  In 1997, Spiegelman had his first children's book published: Open Me... I'm a Dog, with a narrator who tries to convince its readers that it is a dog via pop-ups and an attached leash. From 2000 to 2003 Spiegelman and Mouly edited three issues of the children's comics anthology Little Lit, with contributions from Raw alumni and children's book authors and illustrators.

what did he do for the new yorker?

OUT: Spiegelman contributed strips such as a collaboration titled "In the Dumps"

input: Evans and Margaret moved back to Oxford, renting a house there in January 1883. This period of unemployment was the only one of his life; he employed himself finishing up his Balkan studies. He completed his articles on Roman roads and cities there. It was suggested that he apply to a new Professorship of Classical Archaeology at Oxford. When he found out that Jowett and Newton were among the electors, he decided not to apply. He wrote to Freeman that to confine archaeology to classics was an absurdity. Instead he and Margaret travelled to Greece, seeking out Heinrich Schliemann at Athens. Margaret and Sophia had a long visit for several hours, during which Evans examined the Mycenaean antiquities at hand with Heinrich.  Meanwhile, Ashmolean Museum, an adjunct of Oxford University, was in a chaotic state of transition. It had been a natural history museum, but the collections had been transferred to other museums. The lower floor housed some art and archaeology, but the upper floor was being used for university functions. John Henry Parker, appointed the first keeper in 1870, had the task of trying to manage it. His efforts to negotiate with the art collector C. Drury E. Fortnum, over housing his extensive collection, were being undercut university administrators. In January 1874, Parker died. The museum was in the hands of its assistant keepers, one of whom, Edward Evans (no relation), was to be Evans's executive during Evans's extended absences.  The strategy for the museum now was to convert it to an art and archaeology museum, expanding the remaining collections . In November 1883, Fortnum wrote to Evans asking for his assistance in locating some letters in the Bodleian Library that would help to validate a noted ring in his collection; he did so on the advice of John Evans of the Society of Antiquaries. Unable to find the letters, Arthur Evans suggested Fortnum visit Oxford. Fortnum in fact was becoming dissatisfied with rivals for his collection, the South Kensington Museum, because of their "lack of a properly informed and competent person as keeper." Evans had the right qualifications and took the position of keeper at the Ashmolean when it was offered.  In 1884, therefore, Evans, at the age of 34, was appointed Keeper of the Ashmolean Museum. He held a grand inauguration at which he outlined his planned changes, publishing it as The Ashmolean as a Home of Archaeology in Oxford. Already the great frontage building had been erected. Evans took it firmly in the direction of being an archaeology museum. He insisted the artifacts be transferred back to the museum, negotiated for and succeeded in acquiring Fortnum's collections, later gave his father's collections to the museum, and finally, bequeathed his own Minoan collections, not without the intended effect. Today it has the finest Minoan assemblages outside Crete. He also persuaded Fortnum to donate PS10,000 to build the extensive rooms behind the impressive facade, buildings which have only recently been demolished to make way for the new Ashmolean Museum.  Evans gave the Ilchester Lectures for 1884 on the Slavonic conquest of Illyricum, which remained unpublished.

Answer this question "What are some of the artifacts that he is in charge of?"
output:
bequeathed his own Minoan collections, not without the intended effect.