input: Cronin was named player-manager of the Senators in 1933, a post he would hold for two years. In 1935, he was traded to the Boston Red Sox by Griffith, also as player-manager. Cronin retired as a player in 1945, but remained manager of the Red Sox until 1947.  As early as 1938, it was apparent that Cronin was nearing the end of his playing career. Red Sox farm director Billy Evans thought he had found Cronin's successor in Pee Wee Reese, the star shortstop for the Louisville Colonels of the Triple-A American Association. He was so impressed by Reese that he was able to talk Red Sox owner Tom Yawkey into buying the Colonels and making them the Red Sox' top farm club. However, when Cronin went to scout Reese, Cronin realized that they were asking him to scout his replacement. He deliberately downplayed Reese's talent and suggested that the Red Sox trade him. Reese was eventually traded to the Brooklyn Dodgers, where he went on to a Hall of Fame career. As it turned out, Evans' and Yawkey's initial concerns about Cronin were valid. His last year as a full-time player was 1941; after that year he never played more than 76 games in a season.  Over his career, Cronin batted .300 or higher eight times, as well as driving in 100 runs or more eight times. He finished with a .301 average, 170 home runs, and 1,424 RBIs.  As a manager, he compiled a 1,236-1,055 record and won two American League pennants (in 1933 and 1946). His 1933 Senators dropped the 1933 World Series to the New York Giants, and his 1946 Boston Red Sox lost the 1946 World Series to the St. Louis Cardinals.

Answer this question "what else is significant?"
output: Cronin batted .300 or higher eight times, as well as driving in 100 runs or more eight times.

input: Despite the overwhelmingly positive critical reception for their first four albums, the band was frustrated by its lack of wider mainstream success. Zoom had also stated that he would leave the band unless its next album was more successful. The band decided to change producers in search of a more accessible sound. Their fifth record, Ain't Love Grand!, was produced by pop metal producer Michael Wagener. It featured a drastic change in sound, especially in the polished and layered production, while the band's punk roots were little in evidence, replaced by a countrified version of hard rock. The change in production was intended to bring the band more chart success, but although it received more mainstream radio play than their earlier releases, it did not represent a commercial breakthrough. Zoom left the group shortly thereafter in 1986, the same year in which the feature-length documentary film, X: The Unheard Music, was released.  Zoom was initially replaced by Alvin, who had left the Blasters. The band then added a fifth member, guitarist Tony Gilkyson, formerly of the band Lone Justice. By the time the band released its sixth album, See How We Are, Alvin had already left the band, although he played on the record along with Gilkyson and wrote 4th of July for the band. Like Ain't Love Grand, the album's sound was far removed from the band's punk origins, yet featured a punchy, energetic, hard-rocking roots rock sound that in many ways represented a more natural progression from their earlier sound than the previous record had. After touring for the album, X released a live record of the tour, titled Live at the Whisky a Go-Go, and then went on an extended hiatus.  Back in 1984, X had released a cover version of "Wild Thing" as a non-album single. In 1989, the song was re-released as the lead single from the soundtrack to the hit film Major League. It later became a staple at sporting events, particularly baseball games, and was used by Japanese professional wrestler Atsushi Onita after he founded Frontier Martial-Arts Wrestling in 1989.

Answer this question "why did they depart from zoom"
output: Zoom had also stated that he would leave the band unless its next album was more successful.

input: Dreamgirls premiered on December 4, 2006 at the Ziegfeld Theatre in New York City, where it received a standing ovation. The film's Los Angeles premiere was held on December 11 at the Wilshire Theater in Beverly Hills.  Similar to the releases of older Hollywood musicals such as The Sound of Music, My Fair Lady, and West Side Story, Dreamgirls debuted with three special ten-day roadshow engagements beginning on December 15, 2006 at the Ziegfeld Theatre in New York City, the Cinerama Dome in Los Angeles, and the AMC Metreon 15 in San Francisco. Tickets for the reserved seats were $25 each; the premium price included a forty-eight page full-color program and a limited-print lithograph. This release made Dreamgirls the first American feature film to have a roadshow release since Man of La Mancha in 1972. Dreamgirls earned a total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends. The film's national release, at regular prices, began on December 25. Outside of the U.S., Dreamgirls opened in Australia on January 18, and in the United Kingdom on February 2. Releases in other countries began on various dates between January and early March. Dreamgirls eventually grossed $103 million in North America, and almost $155 million worldwide.  DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007 in DVD, HD DVD, and Blu-ray formats. The DVD version was issued in two editions: a one-disc standard version and a two-disc "Showstopper Edition". The two-disc version also included a feature-length production documentary, production featurettes, screen tests, animatics, and other previsualization materials and artwork. Both DVD versions featured alternate and extended versions of the musical numbers from the film as extras, including the "Effie, Sing My Song" scene deleted during previews. Both the Blu-ray and HD DVD versions were issued in two-disc formats. Dreamgirls was the first DreamWorks film to be issued in a high definition home entertainment format. As of 2017, total domestic video sales to date are at $95.1 million.  A "Director's Extended Edition" of Dreamgirls was released on Blu-Ray and Digital HD on October 10, 2017 by Paramount Home Media Distribution. This version, based on edits done for preview screenings before the film's release, runs ten minutes longer than the theatrical version and features longer musical numbers (including songs and verses cut during previews) and additional scenes.

Answer this question "Were there any notable celebrities in attendance?"
output: