Answer the question at the end by quoting:

Nelson was born March 20, 1906 in Jersey City, New Jersey. He was the second son of Ethel Irene (nee Orr) and George Waldemar Nelson. His paternal grandparents were Swedish and his mother was of English descent. Nelson was raised in Ridgefield Park where he was active in Scouting, earning the rank of Eagle Scout at age 13.
In the 1940s, Nelson began to look for a way to spend more time with his family, especially his growing sons. Besides band appearances, he and Harriet had been regulars on Red Skelton's radio show. He developed and produced his own radio series, The Adventures of Ozzie and Harriet. The show went on the air in 1944, with their sons played by actors until 1949, and in 1952 it moved over to television (the radio version continued for another two years). The TV show starred the entire family, and America watched Ozzie and Harriet raise their boys. The last television episode aired in 1966. Nelson was producer and director of most of the episodes, and co-wrote many of them. Nelson's brother Don Nelson, was also one of the writers. Ozzie was very hands-on and involved with every aspect of the radio and TV programs. (It's notable that throughout the 1950s, Ozzie's prior bandleading and Harriet's singing career was seldom mentioned. The younger audience would have had no idea that Ozzie and Harriet had previously been involved in music.)  He appeared as a guest panelist on the June 9, 1957, episode of What's My Line?  His last television show was in the fall of 1973 and entitled Ozzie's Girls, and lasted for a year in first-run syndication. The premise was Ozzie and Harriet renting their sons' former room to two college girls (one caucasian, one African American), and concerned the Nelsons' efforts at adjusting to living with two young women, after having raised two sons.

did they have any top hits?

The Adventures of Ozzie and Harriet. The show went on the air in 1944,

Some context: Zenzile Miriam Makeba (4 March 1932 - 9 November 2008), nicknamed Mama Africa, was a South African singer, actress, United Nations goodwill ambassador, and civil-rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa. Born in Johannesburg to Swazi and Xhosa parents, Makeba was forced to find employment as a child after the death of her father. She had a brief and allegedly abusive first marriage at the age of 17, gave birth to her only child in 1950, and survived breast cancer.
Zenzile Miriam Makeba was born on 4 March 1932 in the black township of Prospect, near Johannesburg. Her Swazi mother, Christina Makeba, was a sangoma, or traditional healer, and a domestic worker. Her Xhosa father, Caswell Makeba, was a teacher; he died when she was six years old. Makeba later said that before she was conceived, her mother had been warned that any future pregnancy could be fatal. Neither Miriam nor her mother seemed likely to survive after a difficult labour and delivery. Miriam's grandmother, who attended the birth, often muttered "uzenzile", a Xhosa word that means "you brought this on yourself", to Miriam's mother during her recovery, which inspired her to give her daughter the name "Zenzile".  When Makeba was eighteen days old, her mother was arrested and sentenced to a six-month prison term for selling umqombothi, a homemade beer brewed from malt and cornmeal. The family could not afford the small fine required to avoid a jail term, and Miriam spent the first six months of her life in jail. As a child, Makeba sang in the choir of the Kilnerton Training Institute in Pretoria, an all-black Methodist primary school that she attended for eight years. Her talent for singing earned her praise at school. Makeba was baptised a Protestant, and sang in church choirs, in English, Xhosa, Sotho, and Zulu; she later said that she learned to sing in English before she could speak the language.  The family moved to the Transvaal when Makeba was a child. After her father's death, she was forced to find employment; she did domestic work, and worked as a nanny. She described herself as a shy person at the time. Her mother worked for white families in Johannesburg, and had to live away from her six children. Makeba lived for a while with her grandmother and a large number of cousins in Pretoria. Makeba was influenced by her family's musical tastes; her mother played several traditional instruments, and her elder brother collected records, including those of Duke Ellington and Ella Fitzgerald, and taught Makeba songs. Her father played the piano, and his musical inclination was later a factor in Makeba's family accepting what was seen as a risque choice of career.  In 1949, Makeba married James Kubay, a policeman in training, with whom she had her only child, Bongi Makeba, in 1950. Makeba was then diagnosed with breast cancer, and her husband, who was said to have beaten her, left her shortly afterwards, after a two-year marriage. A decade later she overcame cervical cancer via a hysterectomy.
Does she have sublings?
A: Her mother worked for white families in Johannesburg, and had to live away from her six children.

IN: Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

Ellington was shortlisted for the Pulitzer Prize for Music in 1965 but no prize was ultimately awarded that year. Then 66 years old, he joked: "Fate is being kind to me. Fate doesn't want me to be famous too young." In 1999 he was posthumously awarded a special Pulitzer Prize "commemorating the centennial year of his birth, in recognition of his musical genius, which evoked aesthetically the principles of democracy through the medium of jazz and thus made an indelible contribution to art and culture."  In September 1965, he premiered the first of his Sacred Concerts. He created a jazz Christian liturgy. Although the work received mixed reviews, Ellington was proud of the composition and performed it dozens of times. This concert was followed by two others of the same type in 1968 and 1973, known as the Second and Third Sacred Concerts. These generated controversy in what was already a tumultuous time in the United States. Many saw the Sacred Music suites as an attempt to reinforce commercial support for organized religion, though Ellington simply said it was "the most important thing I've done". The Steinway piano upon which the Sacred Concerts were composed is part of the collection of the Smithsonian's National Museum of American History. Like Haydn and Mozart, Ellington conducted his orchestra from the piano - he always played the keyboard parts when the Sacred Concerts were performed.  Despite his advancing age (he turned 65 in the spring of 1964), Ellington showed no sign of slowing down as he continued to make vital and innovative recordings, including The Far East Suite (1966), New Orleans Suite (1970), Latin American Suite (1972) and The Afro-Eurasian Eclipse (1971), much of it inspired by his world tours. It was during this time that he recorded his only album with Frank Sinatra, entitled Francis A. & Edward K. (1967).  Although he made two more stage appearances before his death, Ellington performed what is considered his final full concert in a ballroom at Northern Illinois University on March 20, 1974.  The last three shows Ellington and his orchestra performed were one on March 21, 1973 at Purdue University's Hall of Music and two on March 22, 1973 at the Sturges-Young Auditorium in Sturgis, Michigan.

Anybody else?

OUT: