Some context: Povenmire was born in San Diego, California on September 18, 1963, and grew up in the city of Mobile, Alabama. A child prodigy, he began drawing at age two; by the time he was ten, his work was displayed in local art shows. His first efforts in animation included a series of flip books that he produced in his school text books. As a child, Povenmire considered animator Chuck Jones his hero; in a 2009 interview, he stated that "every drawing he [Jones] did was beautiful to look at and had so much energy in it".
In 1993, Povenmire and Marsh conceived the series Phineas and Ferb, based on their similar experiences of childhood summers spent outdoors. Povenmire spent 14-16 years pitching Phineas and Ferb to several networks. Most rejected it as unfeasible for the complexity of its plots, but Povenmire persevered, later observing "It was really the show we wanted to see: if this was on the air, I'd watch it, and I don't always feel that about every show I work on." Even the Walt Disney Company initially rejected Povenmire's pitch, but asked to keep the proposal packet: "Usually that means they throw it in the trash later," Povenmire recalled. Eventually Disney called Povenmire back with an acceptance, on the condition that he would produce an 11-minute pilot. He called Marsh, who was living in England, to ask him if he would like to work on the pilot; Marsh accepted immediately and moved back to the United States.  Instead of a conventional script, the pair pitched the pilot by recording reels of its storyboard, which Povenmire then mixed and dubbed to produce action and vocals. The network approved the show for a 26-episode season. Povenmire left Family Guy to create the series.  Povenmire and Marsh wanted to incorporate into Phineas and Ferb the kind of humor they had developed in their work on Rocko's Modern Life. They included action sequences and, with Disney's encouragement, featured musical numbers in every episode subsequent to "Flop Starz". Povenmire described the songs as his and Marsh's "jab at immortality", but the pair have earned two Emmy nominations for Phineas and Ferb songs to-date. A third Emmy nomination, for the episode "The Monster of Phineas-n-Ferbenstein" (2008), pitted the show against SpongeBob SquarePants, although neither nominee received the award due to a technicality. In 2010, Povenmire was nominated amongst several other Phineas and Ferb crew members for the Daytime Emmy Award for both "Outstanding Writing in Animation" and "Outstanding Original Song - Children's and Animation" for their work on the show, winning for "Outstanding Writing in Animation".  The distinctive style of the animation legend Tex Avery influenced the show's artistic look. Like Avery, Povermire employed geometric shapes to build both the characters and the background. The style developed almost accidentally, with Povenmire's first sketch of title character, Phineas Flynn, which he produced while eating dinner with his family in a restaurant in South Pasadena, California. He doodled a triangle-shaped child on the butcher paper covering the table. He was so taken with sketch he tore it out, kept it, and used it as the prototype for Phineas and as the stylistic blueprint for the entire show.
Was he a writer or illustrator on the show?
A: 
Some context: Nilsson was born in Bedford-Stuyvesant, Brooklyn in 1941. His paternal grandparents were Swedish circus performers and dancers, especially known for their "aerial ballet" (which is the title of one of Nilsson's albums). His maternal grandparents were the cornerstone of his young life. While his grandmother played piano, his grandfather Charlie supported the family in a tiny railroad apartment on Jefferson St in Brooklyn.
Nilsson is the subject of a 2006 documentary, Who Is Harry Nilsson (And Why Is Everybody Talkin' About Him)? produced by David Leaf and John Schienfeld. The film was screened in 2006 at the Seattle International Film Festival and the Santa Barbara International Film Festival. In August 2006, the film received its Los Angeles premiere when it was screened at the 7th Annual Mods & Rockers Film Festival followed by a panel discussion about Nilsson featuring the filmmakers and two friends of Nilsson, producer Richard Perry and attorney/executive producer Lee Blackman.  The filmmakers re-edited the film with rare found footage of Nilsson, further interviews, and family photographs, and finally released it on September 17, 2010 at selected theaters in the United States. A DVD, including additional footage not in the theatrical release, was released on October 26, 2010.  Nilsson's final album, tentatively titled Papa's Got a Brown New Robe (produced by Mark Hudson) was not released, though several demos from the album were available on promotional CDs and online.  The musical Everyday Rapture features three songs by Nilsson and, similarly, the film A Good Year features "Gotta get up", "Jump into the fire" and "How can I be sure of you".  On July 29, 2013, Sony Music released a definitive box-set of his RCA era albums called The RCA Albums Collection. Each of the albums in the 17-CD set had additional bonus tracks, along with 3 of the 17 discs that contained rarities and outtakes spanning his entire career. Additionally, several weeks later on August 13, Flash Harry was finally issued on CD also featuring additional material. Completing the two CD releases, the first book written about Nilsson was published covering his life story.
Are there any other interesting aspects about this article?
A: The musical Everyday Rapture features three songs by Nilsson
Some context: The son of well-known surfer Jeff Johnson, Jack was born and raised on the North Shore of Oahu, Hawaii. He began to learn how to surf at the age of five. At seventeen he became the youngest invitee to make the finals of the Pipeline Masters, one of surfing's most prestigious surfing events, on Oahu's North Shore. One week later, however, his stint as a professional surfer ended when he suffered a surfing accident at the Pipeline that put more than 150 stitches in his forehead and removed a few of his teeth; this later became the inspiration for the song "Drink the Water".
Jack Johnson's big break was writing and contributing vocals for the song "Rodeo Clowns" which was featured on G. Love's 1999 album Philadelphonic. The song would later become the most famous single of the album.  In addition to his later success as a musician, Johnson is also an accomplished filmmaker. Johnson directed the surf films Thicker Than Water (2000) and The September Sessions (2002), in which he also starred. Both movie soundtracks were also products of Johnson. Johnson also starred in the 2004 surf film A Brokedown Melody.  Suela released a four track demo that caught the attention of Ben Harper's producer, J. P. Plunier, who worked with Johnson to produce his debut album Brushfire Fairytales during December 2000 with Harper and his Weissenborn lap steel guitar making a guest appearance. Brushfire Fairytales was released on February 1, 2001, and led to Johnson becoming the opening act in late February 2001 for the last twenty-three cities of Ben Harper's "Innocent Criminals" tour of the United States.  Johnson went back into the studio with Adam Topol (drums, percussion) and Merlo Podlewski (bass), who played on Brushfire Fairytales, and Mario Caldato Jr on production duties, to record his second full-length album On and On. It was the first album to be recorded at Johnson's Mango Tree Studio in Johnson's home town of North Shore, Oahu, and the first to be released through The Moonshine Conspiracy Records. On and On was released on May 6, 2003.  The Moonshine Conspiracy Records was later changed to Brushfire Records; Johnson turned the offices and studios of his Los-Angeles based record company into a model of eco-friendliness, with solar power, recyclable CD packaging, and power-saving air conditioners.
Did he win any awards
A: