Problem: Background: Murray Bookchin (January 14, 1921 - July 30, 2006) was an American social theorist, author, orator, historian, and political philosopher. A pioneer in the ecology movement, Bookchin formulated and developed the theory of social ecology within anarchist, libertarian socialist, and ecological thought. He was the author of two dozen books covering topics in politics, philosophy, history, urban affairs, and ecology. Among the most important were Our Synthetic Environment (1962), Post-Scarcity Anarchism (1971) and The Ecology of Freedom (1982).
Context: Bookchin was critical of class-centered analysis of Marxism and simplistic anti-state forms of libertarianism and liberalism and wished to present what he saw as a more complex view of societies. In The Ecology of Freedom: The Emergence and Dissolution of Hierarchy, he says that:  My use of the word hierarchy in the subtitle of this work is meant to be provocative. There is a strong theoretical need to contrast hierarchy with the more widespread use of the words class and State; careless use of these terms can produce a dangerous simplification of social reality. To use the words hierarchy, class, and State interchangeably, as many social theorists do, is insidious and obscurantist. This practice, in the name of a "classless" or "libertarian" society, could easily conceal the existence of hierarchical relationships and a hierarchical sensibility, both of which-even in the absence of economic exploitation or political coercion-would serve to perpetuate unfreedom.  Bookchin also points to an accumulation of hierarchical systems throughout history that has occurred up to contemporary societies which tends to determine the human collective and individual psyche:  The objective history of the social structure becomes internalized as a subjective history of the psychic structure. Heinous as my view may be to modern Freudians, it is not the discipline of work but the discipline of rule that demands the repression of internal nature. This repression then extends outward to external nature as a mere object of rule and later of exploitation. This mentality permeates our individual psyches in a cumulative form up to the present day-not merely as capitalism but as the vast history of hierarchical society from its inception.
Question: in what way would it produce a dangerous simplification?
Answer: My use of the word hierarchy in the subtitle of this work is meant to be provocative.

Background: Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. He was the third of twelve children of Leva Mae (nee Stewart) and Charles "Bud" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub, the Tip In Inn.
Context: In 1984, Little Richard filed a $112 million lawsuit against Specialty Records; Art Rupe and his publishing company, Venice Music; and ATV Music for not paying royalties to him after he left the label in 1959. The suit was settled out of court in 1986. According to some reports, Michael Jackson gave Little Richard monetary compensation from his work when he co-owned (with Sony-ATV) songs by the Beatles and Little Richard. In 1985, Charles White released Little Richard's authorized biography, Quasar of Rock: The Life and Times of Little Richard, which returned Little Richard to the spotlight. Little Richard returned to show business in what Rolling Stone would refer to as a "formidable comeback" following the book's release.  Reconciling his roles as evangelist and rock and roll musician for the first time, Little Richard stated that the genre could be used for good or evil. After accepting a role in the film Down and Out in Beverly Hills, Little Richard and Billy Preston penned the faith-based rock and roll song "Great Gosh A'Mighty" for its soundtrack. Little Richard won critical acclaim for his film role, and the song found success on the American and British charts. The hit led to the release of the album Lifetime Friend (1986) on Warner Bros. Records, with songs deemed "messages in rhythm", including a gospel rap track. In addition to a version of "Great Gosh A'Mighty", cut in England, the album featured two singles that charted in the UK, "Somebody's Comin'" and "Operator". Little Richard spent much of the rest of the decade as a guest on TV shows and appearing in films, winning new fans with what was referred to as his "unique comedic timing". In 1989, Little Richard provided rhythmic preaching and background vocals on the extended live version of the U2-B.B. King hit "When Love Comes to Town". That same year, Little Richard returned to singing his classic hits following a performance of "Lucille" at an AIDS benefit concert.  In 1990, Little Richard contributed a spoken-word rap on Living Colour's hit song, "Elvis Is Dead", from their album Time's Up. The following year, he was one of the featured performers on the hit single and video "Voices That Care" that was produced to help boost the morale of U.S. troops involved in Operation Desert Storm. He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records, resulting in the release of a hit 1992 children's album, Shake It All About. Throughout the 1990s, Little Richard performed around the world and appeared on TV, film, and tracks with other artists, including Jon Bon Jovi, Elton John and Solomon Burke. In 1992 he released his final album, Little Richard Meets Masayoshi Takanaka featuring members of Richard's then current touring band.
Question: Any notable problems during this time?
Answer:
He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records,