Problem: Background: Jeanette Anna MacDonald (June 18, 1903 - January 14, 1965) was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (The Love Parade, Love Me Tonight, The Merry Widow and One Hour With You) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (
Context: Unlike Nelson Eddy, who came from opera to film, MacDonald in the 1940s yearned to reinvent herself in opera. She began training for this goal with Lotte Lehmann, one of the leading opera stars of the early 20th century.  "When Jeanette MacDonald approached me for coaching lessons", wrote Lehmann, "I was really curious how a glamorous movie star, certainly spoiled by the adoration of a limitless world, would be able to devote herself to another, a higher level of art. I had the surprise of my life. There couldn't have been a more diligent, a more serious, a more pliable person than Jeanette. The lessons which I had started with a kind of suspicious curiosity, turned out to be sheer delight for me. She studied Marguerite with me--and lieder. These were the ones which astounded me most. I am quite sure that Jeanette would have developed into a serious and successful lieder singer if time would have allowed it."  MacDonald made her opera debut singing Juliette in Gounod's Romeo et Juliette in Montreal at His Majesty's Theatre (May 8 and 10, 1943). She quickly repeated the role in Quebec City (May 12), Ottawa, and Toronto. Her U.S. debut with the Chicago Opera Company (November 4, 11 and 15, 1944) was in the same role. She also sang Marguerite in Gounod's Faust with the Chicago Opera. In November 1945, she did two more performances of Romeo et Juliette and one of Faust in Chicago, and two Fausts for the Cincinnati Opera. On December 12, 1951, she did one performance of Faust with the Philadelphia Civic Grand Opera Company at the Academy of Music.  Claudia Cassidy, the music critic of the Chicago Tribune wrote: "Her Juliet is breathtakingly beautiful to the eye and dulcet to the ear." The same critic reviewed Faust: "From where I sit at the opera, Jeanette MacDonald has turned out to be one of the welcome surprises of the season... her Marguerite was better than her Juliet...beautifully sung with purity of line and tone, a good trill, and a Gallic inflection that understood Gounod's phrasing....You felt if Faust must sell his soul to the devil, at least this time he got his money's worth."
Question: What did critics says about her other performances?
Answer: The same critic reviewed Faust: "From where I sit at the opera, Jeanette MacDonald has turned out to be one of the welcome surprises of the season...

Problem: Background: Steven Norman Carlton (born December 22, 1944), nicknamed "Lefty", is a former Major League Baseball left-handed pitcher. He pitched from 1965 to 1988 for six different teams in his career, but it is his time with the Philadelphia Phillies where he received his greatest acclaim as a professional and won four Cy Young Awards. He was elected to the Baseball Hall of Fame in 1994. Carlton has the second-most lifetime strikeouts of any left-handed pitcher (4th overall), and the second-most lifetime wins of any left-handed pitcher (11th overall).
Context: Carlton slumped in 1973, losing 20 games. The media's questioning of his unusual training techniques led to an acrimonious relationship between them and Carlton. In 1976, upon the advice of his lawyer Edward L. Wolf, decided to sever all ties with the media, and refused to answer press questions for the rest of his career with the Phillies. This reached a point where, in 1981, while the Mexican rookie Fernando Valenzuela was achieving stardom with the Los Angeles Dodgers, a reporter remarked, "The two best pitchers in the National League don't speak English: Fernando Valenzuela and Steve Carlton."  Media charges of bigotry and anti-Semitism  In 1994 he agreed to an interview with writer Pat Jordan at his home in Durango, Colorado. The result was the story "Thin Mountain Air" in the April 1994 issue of Philadelphia magazine. This article was noted by the New York Times as being the source of numerous claims about Steve Carlton's political and social beliefs: "According to Pat Jordan, the writer of the article, Carlton alternately said that the world is ruled or controlled by the Russian and United States Governments, which 'fill the air with low-frequency sound waves,' the Elders of Zion, British intelligence agencies, '12 Jewish bankers meeting in Switzerland' and 'a committee of 300 which meets at a roundtable in Rome.' Not only that, but Carlton also charges, according to Jordan, that President Clinton has 'a black son' he won't acknowledge and that the AIDS virus was created at a secret Maryland biological warfare laboratory to get rid of gays and blacks.'" This same New York Times article notes that teammate Tim McCarver defended Carlton against charges of being a bigot and an anti-Semite, though he acknowledged "If he's guilty of anything, it's believing some of the material he reads. Does he become confused with his reading about radical things? Yes. I've told him that. Does that translate into him being anti-Semitic? No."
Question: what was he training for
Answer:
games.