Problem: Background: The Naga people (pronounced [na:ga:]) are an ethnic group conglomerating of several tribes native to the North Eastern part of India and north-western Myanmar (Burma). The tribes have similar cultures and traditions, and form the majority ethnic group in the Indian state of Nagaland, with significant population in Manipur, Arunachal Pradesh and in Assam. The Naga speak various distinct Tibeto-Burman languages, including Anal, Angami, Ao, Chakhesang, Chang, Lotha, Mao (Emela), Maram, Phom, Pochuri, Poumai (Poula), Phom, Rengma, Rongmei (Ruangmei), Sangtam, Sumi, Tangkhul, Thangal and Zeme. In addition, the Naga have developed Nagamese Creole, which they use between various indigenous communities and villages, which each have their own dialect of language.
Context: Nagas have more language diversity than any other ethnic group or states in India. Naga people speak over 89 different languages and dialects, mostly unintelligible with each other. However, there are many similarities in between different languages spoken by them. Per Grierson's classification system, Naga languages can be grouped into Western, Central and Eastern Naga groups. The Western group includes among others Angami, Chokri, Khezha and Rengma. The Central Naga group includes Ao, and Lotha ; while Eastern group includes Konyak, Phom, Sangtam, Khiamniungan, Yimchunger and Chang tribes. The Sumi group originating in both central and western parts. In addition, there are Naga-Bodo group illustrated by Mikir language, and Kuki group of languages illustrated by Sopvama (also called Mao Naga) and Luppa languages. These mostly belong to the Tibeto-Burman language group of the Sino-Tibetan family of languages. Shafer came up with his own classification system for languages found in and around Nagaland.  The diversity of languages and traditions of the Nagas results most likely from the multiple cultural absorptions that occurred during their successive migrations. According to legend, before settling in the region, these groups moved over vast zones, and in the process, some clans were absorbed into one or more other tribes. Therefore, until recent times, absorptions were a source of many interclan conflicts.  In 1967, the Nagaland Assembly proclaimed English as the official language of Nagaland and it is the medium for education in Nagaland. Other than English, Nagamese, a creole language form of the Assamese language, is a widely spoken language. Every tribe has its own mother tongue but communicates with other tribes in Nagamese or English. However, English is the predominant spoken and written language in Nagaland.
Question: What was the impact of the different languages spoken?
Answer: The diversity of languages and traditions of the Nagas results most likely from the multiple cultural absorptions that occurred during their successive migrations.

Background: Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
Context: Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force.  Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s.  During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job".  Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.
Question: where did he spend his early life in?
Answer:
Loach was born in Nuneaton, Warwickshire,