Problem: Bleeding Through is an American metalcore band from Orange County, California. Formed in 1999, the band blended influences stemming from modern hardcore punk, symphonic black metal, and melodic death metal. Although the band was often labeled as simply metalcore, when Brandan Schieppati was asked if he considered Bleeding Through a hardcore band, he said: "I think we're a hardcore band and I'll never say we are a metal band

The band planned to write and record their seventh studio album once they returned from touring. They planned to release the yet to be titled album anywhere from mid to late 2011, which bassist Ryan Wombacher explained in a November 2010 interview:  Maybe mid-year; safe to say towards the end but not at the end, maybe like eight months or something like that. Best thing about it is we're going to do it whenever we want to do it. There is no deadline right now, we don't have any dates set, we don't have the studio, we're going to do the record ourselves. So we will literally go in and record it and it will be probably be done before we sign a contract.  On November 14, 2011, the band announced that the name of their new record would be called "The Great Fire". On November 30, 2011, the band announced that "The Great Fire" was complete, although no release date has been stated. On December 14, 2011, the band revealed The Great Fire's release date as January 31, 2012.  On January 3, 2013 the band announced their upcoming tour in Europe would be their last, leading to rumors that the band would be breaking up. This was later confirmed by a post on the band's Facebook page that they would be finished at the end of the year. The band also stated that they would like to set up an Australian tour during the summer and singer Brandan Schieppati stated in a reply to an Instagram comment that the band would have a final U.S. tour possibly starting in September. November 2013 the band announced final west coast dates will take place in 2014.  Former guitarist and founding member Scott Danough played with the band on the final tours in Australia, Europe and the U.S. He was added to the band's current lineup as of July 2014 on their Facebook page, which is led to believe he has rejoined Bleeding Through. The first show to kick off 2014 was their final appearance at New England Hardcore & Metal Fest at the Palladium in Worcester Massachusetts on April 17. The line up was made up of Brandan Schieppati, Scott Danough, Ryan Wombacher, Marta Peterson, Derek Youngsma and Dave Nassie's final appearance with the band in 2014. In May, the final nine west coast dates were announced with Winds of Plague and Scars of Tomorrow. A majority of the shows the band played were sold out. It was later announced in June that the first three of the west coast dates would be the "This Is Love This Is Murderous" line up which included Brian Leppke on guitar since he hasn't toured with Bleeding Through since 2010. Sacramento, Portland and Seattle shows featured Declaration era ex member Jona Weinhofen on guitar. In July another show on August 2 was added at Chain Reaction because the August 3 show sold out fast. The final show was on August 3. Brandan Schieppati's podcast he made it clear the final shows were very emotional and he realized how well they all played together. He said something may come from the band in the future.

WHat was the public response and turnout?

Answer with quotes: In July another show on August 2 was added at Chain Reaction because the August 3 show sold out fast.


Problem: Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.

Parker's life was riddled with depression and heroin addiction. This addiction caused him to miss performances and be considered unemployable. He frequently resorted to busking, receiving loans from fellow musicians and admirers, and pawning his saxophones for drug money. Heroin use was rampant in the jazz scene, and users could acquire it with little difficulty.  Although he produced many brilliant recordings during this period, Parker's behavior became increasingly erratic. Heroin was difficult to obtain once he moved to California, where the drug was less abundant, so he used alcohol as a substitute. A recording for the Dial label from July 29, 1946, provides evidence of his condition. Before this session, Parker drank a quart of whiskey. According to the liner notes of Charlie Parker on Dial Volume 1, Parker missed most of the first two bars of his first chorus on the track, "Max Making Wax". When he finally did come in, he swayed wildly and once spun all the way around, away from his microphone. On the next tune, "Lover Man", producer Ross Russell physically supported Parker. On "Bebop" (the final track Parker recorded that evening) he begins a solo with a solid first eight bars; on his second eight bars, however, he begins to struggle, and a desperate Howard McGhee, the trumpeter on this session, shouts, "Blow!" at him. Charles Mingus considered this version of "Lover Man" to be among Parker's greatest recordings, despite its flaws. Nevertheless, Parker hated the recording and never forgave Ross Russell for releasing it. He re-recorded the tune in 1951 for Verve.  Parker's life took a turn for the worst when his 2 year old daughter tragically passed away from pneumonia. He attempted suicide twice in 1954, which landed him in a mental hospital.  When Parker received his discharge from the hospital, he was clean and healthy. Before leaving California, he recorded "Relaxin' at Camarillo" in reference to his hospital stay. He returned to New York, resumed his addiction to heroin and recorded dozens of sides for the Savoy and Dial labels, which remain some of the high points of his recorded output. Many of these were with his so-called "classic quintet" including Davis and Roach.

Was there any other causes of depression?

Answer with quotes: