input: Stockhausen, along with John Cage, is one of the few avant-garde composers to have succeeded in penetrating the popular consciousness (Anon. 2007b; Broyles 2004; Hewett 2007). The Beatles included his face on the cover of Sgt. Pepper's Lonely Hearts Club Band (Guy and Llewelyn-Jones 2004, 111). This reflects his influence on the band's own avant-garde experiments as well as the general fame and notoriety he had achieved by that time (1967). In particular, "A Day in the Life" (1967) and "Revolution 9" (1968) were influenced by Stockhausen's electronic music (Aldgate, Chapman, and Marwick 2000, 146; MacDonald 1995, 233-34). Stockhausen's name, and the perceived strangeness and supposed unlistenability of his music, was even a punchline in cartoons, as documented on a page on the official Stockhausen web site (Stockhausen Cartoons). Perhaps the most caustic remark about Stockhausen was attributed to Sir Thomas Beecham. Asked "Have you heard any Stockhausen?", he is alleged to have replied, "No, but I believe I have trodden in some" (Lebrecht 1985, 334, annotated on 366: "Apocryphal; source unknown").  Stockhausen's fame is also reflected in works of literature. For example, he is mentioned in Philip K. Dick's 1974 novel Flow My Tears, the Policeman Said (Dick 1993, 101) and in Thomas Pynchon's 1966 novel The Crying of Lot 49. The Pynchon novel features "The Scope", a bar with "a strict electronic music policy". Protagonist Oedipa Maas asks "a hip graybeard" about a "sudden chorus of whoops and yibbles" coming out of "a kind of jukebox." He replies, "That's by Stockhausen... the early crowd tends to dig your Radio Cologne sound. Later on we really swing" (Pynchon 1999, 34).  The French writer Michel Butor acknowledges that Stockhausen's music "taught me a lot", mentioning in particular the electronic works Gesang der Junglinge and Hymnen (Santschi 1982, 204).  Later in his life, Stockhausen was portrayed by at least one journalist, John O'Mahony of the Guardian newspaper, as an eccentric, for example being alleged to live an effectively polygamous lifestyle with two women, to whom O'Mahony referred as his "wives", while at the same time stating he was not married to either of them (O'Mahony 2001). In the same article, O'Mahony claims Stockhausen said he was born on a planet orbiting the star Sirius. In the German newspaper Die Zeit, Stockhausen stated that he was educated at Sirius (see Controversy below).

Answer this question "Did he influence any other muscians"
output: 

input: By the late 1980s, the band's popularity was starting to decline. Alan Gratzer left in September 1988 after he decided to retire from music to open a restaurant. In early 1989, Gary Richrath quit after tensions between him and Kevin Cronin boiled over. Cronin had been playing in The Strolling Dudes, a jazz ensemble that included jazz trumpet player Rick Braun (who had co-written the abovementioned "Here With Me" with Cronin), Miles Joseph on lead guitar and Graham Lear on drums. Lear had already been invited to join REO in September 1988 as Gratzer's successor and Joseph was brought in as a temporary stand-in for Richrath. Back up singers Carla Day and Melanie Jackson were also added. This lineup did only one show, on January 7, 1989 in Vina del Mar, Chile, where it won the award for best group at the city's annual International Song Festival. After that, Miles Joseph and the back up singers were dropped in favor of former Ted Nugent guitarist Dave Amato (who was brought aboard in May 1989) and keyboardist/songwriter/producer Jesse Harms.  The 1990 release The Earth, a Small Man, His Dog and a Chicken, with Bryan Hitt (formerly of Wang Chung) on drums, was a commercial disappointment. The album produced only one, and - to date - the band's last Billboard Hot 100 single, "Love Is a Rock," which peaked at #65. Harms, disenchanted by the album's failure, left the group in early 1991.  Shortly after his departure, Richrath assembled former members of the Midwestern band Vancouver to form a namesake band, Richrath. After touring for several years, the Richrath band released Only the Strong Survive in 1992 on the GNP Crescendo label. Richrath (the band) continued to perform for several years before disbanding in the late 1990s. In September 1998, Gary Richrath briefly joined REO onstage at the County Fair in Los Angeles to play on band's encore song, "157 Riverside Avenue". He then joined REO once again in Los Angeles in May 2000 for the same encore but no serious plans for a reunion ever materialized.  Having lost their recording contract with Epic, REO Speedwagon ended up releasing Building the Bridge (1996) on the Priority/Rhythm Safari label. When that label went bankrupt, the album was released on Castle Records, which also experienced financial troubles. REO Speedwagon ultimately self-financed this effort, which failed to chart. The title track did make R&R's AC Top 30 chart.

Answer this question "What is the name of an album that was released in the 90's?"
output:
The 1990 release The Earth, a Small Man, His Dog and a Chicken,