Question:
Brian Wayne Transeau (born October 4, 1971), better known by his stage name BT, is an American music producer, composer, technologist, audio technician, multi-instrumentalist, singer, and songwriter. An artist in the electronica music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." He also creates music within many other styles, such as classical, film composition and bass music. BT is also known for pioneering the stutter edit.
In the early years of BT's career, he became a pioneering artist in the trance genre, this despite the fact that he doesn't consider himself a DJ, since he infrequently spins records and comes from an eclectic music background. He was creating trance music before it was known by that name. When he started out, such common elements as a build, breakdown and drop were unclassified. BT's was a unique interpretation of what electronic music could be. His first trance recordings, "A Moment of Truth" and "Relativity", became hits in dance clubs in the UK. His productions were not yet popular in the US, and he was initially unaware that he had become popular across the Atlantic, where UK DJs like Sasha were regularly spinning his music for crowds. Sasha bought BT a ticket to London, where BT witnessed his own success in the clubs, with several thousand clubbers responding dramatically when Sasha played BT's song. He also met Paul Oakenfold, playing him tracks that would make up his first album. He was quickly signed to Oakenfold's record label, a subsidiary of Warner Brothers.  BT's 1995 debut album Ima, released on Oakenfold's label, was a progressive house effort. The opening track, "Nocturnal Transmission", was featured in The Fast and the Furious. The album also featured a song with Vincent Covello. Blending house beats with sweeping New Age sounds, Ima helped to create the trance sound. "Ima (Jin )" is the Japanese word for "now". BT has stated that it also means many other things and that the intention of the album is to have a different effect for everyone.  Following the release of Ima, BT began traveling to England regularly. It was during this time that he met Tori Amos. They would collaborate on his song "Blue Skies", which reached the number one spot on Billboard magazine's Dance Club Songs chart in January 1997. This track helped expand BT's notability beyond Europe, into North America. He soon began to produce songs for well-known artists such as Sting, Madonna, Seal, Sarah McLachlan, NSYNC, Britney Spears, Diana Ross and Mike Oldfield.
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Bernard Lewis, FBA (born 31 May 1916) is a British American historian specializing in oriental studies. He is also known as a public intellectual and political commentator. Lewis is the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis' expertise is in the history of Islam and the interaction between Islam and the West.
Lewis' influence extends beyond academia to the general public. He is a pioneer of the social and economic history of the Middle East and is famous for his extensive research of the Ottoman archives. He began his research career with the study of medieval Arab, especially Syrian, history. His first article, dedicated to professional guilds of medieval Islam, had been widely regarded as the most authoritative work on the subject for about thirty years. However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in the Arab countries, where they were suspected of espionage. Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers. A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics.  Lewis argues that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization. In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that "Crusader successes were due in no small part to Muslim weakness." Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like "cultural arrogance," which was a barrier to creative borrowing, rather than external pressures like the Crusades.  In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986). In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian civil war (1992-98), and the Iran-Iraq War (1980-88).  In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995). In the wake of the September 11, 2001 attacks, the interest in Lewis's work surged, especially his 1990 essay The Roots of Muslim Rage. Three of his books were published after 9/11: What Went Wrong? (written before the attacks), which explored the reasons of the Muslim world's apprehension of (and sometimes outright hostility to) modernization; The Crisis of Islam; and Islam: The Religion and the People.

How were these book do?
In the wake of the September 11, 2001 attacks, the interest in Lewis's work surged,