Question:
Nash was born on July 9, 1959, to a devout Christian family, in southwest Detroit, Michigan. Nash's father, Robert, died of a heart attack on April 4, 1968, aged 36, when Nash was eight years old. On December 27, 1994, Nash's mother, Wanda, died after a four-year struggle against breast cancer. He attended Aquinas High School, followed by the University of Tennessee, where he majored in psychology and minored in educational philosophy.
Nash debuted in Total Nonstop Action Wrestling alongside the returning Scott Hall on November 7, 2004 at the inaugural monthly TNA pay-per-view, Victory Road, with the duo helping NWA World Heavyweight Champion Jeff Jarrett retain his title in a ladder match with Jeff Hardy. In subsequent weeks, the trio identified themselves as the Kings of Wrestling and began feuding with Hardy and A.J. Styles. At Turning Point on December 5, the Kings of Wrestling were defeated by Hardy, Styles, and Randy Savage.  Hall left TNA in early 2005, and Nash and Jarrett separated after Nash made clear his desire to win the NWA World Heavyweight Championship. Nash received a title shot against Jarrett on February 13, 2005 at Against All Odds, but lost following interference from the debuting Outlaw. Following the defeat, Nash joined forces with Sean Waltman and began feuding with the newly formed Planet Jarrett. At Destination X on March 13, Nash lost to The Outlaw in a First Blood match following interference from Jarrett, who struck Nash with his title belt. The rivalry between Planet Jarrett and Nash and his allies culminated in a scheduled Lethal Lockdown match at Lockdown on April 24 pitting Nash, Waltman, and Diamond Dallas Page against Jarrett, The Outlaw, and "The Alpha Male" Monty Brown. Nash, however, was removed from the card and replaced with B.G. James after contracting a staph infection, which left him sidelined for much of 2005.  Nash returned to TNA on October 1 for the first episode of Impact! on Spike TV, attacking and powerbombing Jarrett. Nash went on to challenge Jarrett to a match for the NWA World Heavyweight Championship at Bound for Glory on October 23. In the weeks preceding the event, Nash and Jarrett had several heated confrontations, on one occasion brawling with one another and with guest referee Tito Ortiz. On October 22, one day before Bound for Glory, Nash was hospitalized with chest pains. At Bound for Glory, a battle royal was held to determine the number one contender; Rhino won and then defeated Jarrett for the NWA World Heavyweight Championship. Nash was later discharged from the hospital, having suffered a mild cardiac episode. He made a partial return to the ring in December 2005, wrestling several matches on a tour of South Africa.
Answer this question using a quote from the text above:

What happened to Nash

Answer:
Blood match following interference from Jarrett, who struck Nash with his title belt. The rivalry between Planet Jarrett and Nash and his allies culminated

input: As a result of performing his early songwriting efforts in cabarets around Manhattan, he was invited to write with such composers as Stephen Schwartz, Alan Menken and Rupert Holmes. In 1979, he collaborated with recording artist and cabaret performer Peter Allen to write new songs for Allen's one-man Broadway revue, Up In One.  With composer Michael Gore, Pitchford collaborated on three songs for Alan Parker's 1980 motion picture Fame; these were "Red Light," a disco hit for singer Linda Clifford; the symphonic/rock finale "I Sing the Body Electric;" and the title song "Fame," which became a multi-platinum, international best seller for Irene Cara. That song earned Gore and Pitchford an Oscar, a Golden Globe, and a Grammy nomination for Song of the Year (1981). They also received a Grammy nomination for Best Soundtrack Album for a Motion Picture, Television or Other Visual Media.  When Pitchford was signed by Warner Brothers Publishing (1981) he began collaborating with a variety of songwriters. Among the first songs whose lyrics he wrote in collaboration with composer Tom Snow was "Don't Call It Love," which was first recorded by Kim Carnes on her 1981 album Mistaken Identity; the selection charted in the U.S. country singles top-ten for Dolly Parton in 1985 and was named the BMI Country Song of the Year.  For the ill-fated 1981 movie The Legend of the Lone Ranger, Pitchford wrote a narrative ballad, "The Man In the Mask." This was spoken (throughout the movie) and sung (at its beginning and end) by Merle Haggard.  "You Should Hear How She Talks About You," another Snow/Pitchford composition, was a Top 5 hit for Melissa Manchester for which she won the Grammy Award for Best Female Pop Vocal Performance in 1983. That same year, Pitchford, Kenny Loggins and Steve Perry wrote and composed "Don't Fight It," a Top 20 hit that was Grammy-nominated in the Best Pop Vocal Duo category. With musical director Michael Miller, he wrote the theme song for the weekly dance-music show Solid Gold (1980-88).

Answer this question "did he win any awards for his songwriting?"
output: "Fame,"

Answer the question at the end by quoting:

James was born in Holton, Kansas; his mother, died in 1954 when he was five. His father was a janitor and a handyman. After four years at the University of Kansas residing at Stephenson Scholarship hall, James joined the Army in 1971. He was the last person in Kansas to be sent to fight in the Vietnam War, although he never saw action there.
An aspiring writer and obsessive fan, James began writing baseball articles after leaving the United States Army in his mid-twenties. Many of his first baseball writings came while he was doing night shifts as a security guard at the Stokely-Van Camp's pork and beans cannery. Unlike most writers, his pieces did not recount games in epic terms or offer insights gleaned from interviews with players. A typical James piece posed a question (e.g., "Which pitchers and catchers allow runners to steal the most bases?"), and then presented data and analysis written in a lively, insightful, and witty style that offered an answer.  Editors considered James's pieces so unusual that few believed them suitable for their readers. In an effort to reach a wider audience, James began self-publishing an annual book titled The Bill James Baseball Abstract beginning in 1977. The first edition, titled 1977 Baseball Abstract: Featuring 18 categories of statistical information that you just can't find anywhere else, presented 68 pages of in-depth statistics compiled from James's study of box scores from the preceding season and was offered for sale through a small advertisement in The Sporting News. Seventy-five people purchased the booklet. The 1978 edition, subtitled The 2nd annual edition of baseball's most informative and imaginative review, sold 250 copies. Beginning in 1979, James wrote an annual preview of the baseball season for Esquire, and continued to do so through 1984.  The first three editions of the Baseball Abstract garnered respect for James's work, including a very favorable review by Daniel Okrent in Sports Illustrated. New annual editions added essays on teams and players. By 1982 sales had increased tenfold, and a media conglomerate agreed to publish and distribute future editions.  While writers had published books about baseball statistics before (most notably Earnshaw Cook's Percentage Baseball, in the 1960s), few had ever reached a mass audience. Attempts to imitate James's work spawned a flood of books and articles that continues to this day.

Where did he write the baseball abstracts?
Many of his first baseball writings came while he was doing night shifts as a security guard at the Stokely-Van Camp's pork and beans cannery.