Question: La Strada (lit. "The Road") is a 1954 Italian drama film directed by Federico Fellini from his own screenplay co-written with Tullio Pinelli and Ennio Flaiano. The film portrays a naive young woman (Giulietta Masina) bought from her mother by a brutish strongman (Anthony Quinn) who takes her with him on the road. Fellini has called La Strada "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever."

Fellini secured financing through the producers Dino De Laurentiis and Carlo Ponti, who wanted to cast Silvana Mangano (De Laurentiis' wife) as Gelsomina and Burt Lancaster as Zampano, but Fellini refused these choices. Giulietta Masina had been the inspiration for the entire project, so Fellini was determined never to accept an alternative to her. For Zampano, Fellini had hoped to cast a nonprofessional and, to that end, he tested a number of circus strongmen, to no avail. He also had trouble finding the right person for the role of Il Matto. His first choice was the actor Moraldo Rossi, who was a member of Fellini's social circle and had the right type of personality and athletic physique, but Rossi wanted to be the assistant director, not a performer. Alberto Sordi, the star of Fellini's earlier films The White Sheik and I Vitelloni, was eager to take the role, and was bitterly disappointed when Fellini rejected him after a tryout in costume.  Ultimately, Fellini drew his three leading players from people associated with the 1954 film Donne Proibite (Angels of Darkness), directed by Giuseppe Amato, in which Masina played the very different role of a madam. Anthony Quinn was also acting in the film, while Richard Basehart was often on the set visiting his wife, actress Valentina Cortese. When Masina introduced Quinn to her husband, the actor was disconcerted by Fellini's insistence that the director had found his Zampano, later remembering: "I thought he was a little bit crazy, and I told him I wasn't interested in the picture, but he kept hounding me for days." Not long afterwards, Quinn spent the evening with Roberto Rossellini and Ingrid Bergman, and after dinner they watched Fellini's 1953 Italian comedy-drama I Vitelloni. According to Quinn: "I was thunderstruck by it. I told them the film was a masterpiece, and that the same director was the man who had been chasing me for weeks."  Fellini was particularly taken with Basehart, who reminded the director of Charlie Chaplin. Upon being introduced to Basehart by Cortese, Fellini invited the actor to lunch, at which he was offered the role of Il Matto. When asked why by the surprised Basehart, who had never before played the part of a clown, Fellini responded: "Because, if you did what you did in Fourteen Hours you can do anything." A great success in Italy, the 1951 Hollywood drama starred Basehart as a would-be suicide on a hotel balcony. Basehart, too, had been greatly impressed by I Vitelloni, and agreed to take the role for much less than his usual salary, in part because he was very attracted by Fellini's personality, saying: "It was his zest for living, and his humor."

Using a quote from the above article, answer the following question: How else did he decide who to cast?
HHHHHH
Answer: Giulietta Masina had been the inspiration for the entire project,

Problem: Frankie Goes to Hollywood (FGTH) were a British band formed in Liverpool, England, in 1980. The group was fronted by Holly Johnson (vocals), with Paul Rutherford (vocals), Peter Gill (drums, percussion), Mark O'Toole (bass guitar), and Brian Nash (guitar). The group's 1983 debut single "Relax" was banned by the BBC in 1984 while at number six in the charts and subsequently topped the UK Singles Chart for five consecutive weeks, going on to enjoy prolonged chart success throughout that year and ultimately becoming the seventh best-selling UK single of all time. It also won the 1985 Brit Award for Best British Single.

On the B-side to the group's first single, Johnson explained that the group's name derived from a page from The New Yorker magazine, featuring the headline "Frankie Goes Hollywood" and a picture of Frank Sinatra, although the magazine page Johnson referred to was actually a pop art poster by Guy Peellaert. The original group named "Frankie Goes to Hollywood" dates from 1980.  The nucleus of the group emerged from the late 1970s Liverpool punk scene. Lead singer Johnson had played bass with Big in Japan and had also released two solo singles. Local musicians Peter Gill (drums), Jed O'Toole (bass), and O'Toole's cousin Brian Nash (guitar) initially joined Johnson, calling themselves the Sons of Egypt. This line-up secured a number of small local gigs before disbanding.  The group was reprised when Johnson joined Mark O'Toole (bass) and Peter "Ped" Gill to form FGTH. During a particularly fluid period of personnel changes, Jed O'Toole joined FGTH on guitar, and a female vocalist, Sonia Mazumder, was also a band member for the first Frankie gig at the Leeds nightclub "The Warehouse", supporting Hambi & The Dance. Paul Rutherford - a member of the headline act who had also sung in seminal Liverpool punk band The Spitfire Boys - apparently got so caught up in Frankie's performance that he effectively replaced Mazumder that very night. The new all-male musical line-up subsequently toured locally with a leather-clad female duo known as "The Leatherpets" and managed to fund promotional videos and demos, despite being eventually turned down by both Arista Records and Phonogram Inc. In October 1982, the group recorded a John Peel Session for BBC Radio 1, comprising the originals "Krisco Kisses", "Two Tribes", "Disneyland", and "The World Is My Oyster". Around this time Jed O'Toole left the group, to be replaced by the returning Brian Nash.  In February 1983, the group was invited to record a video for "Relax" by the Channel 4 show The Tube at the Liverpool State Ballroom. After the broadcast, the Peel session was repeated on radio, and a new session recorded for the BBC, comprising "Welcome to the Pleasuredome", "The Only Star in Heaven" and "Relax". These performances, along with a repeat of the Tube video, convinced Trevor Horn to sign the group for his new label, ZTT Records, in May 1983.

Did the band go on any tours?

Answer with quotes:
The new all-male musical line-up subsequently toured locally