Some context: Atsuko Maeda (Qian Tian  Dun Zi , Maeda Atsuko, born July 10, 1991, in Ichikawa, Chiba) is a Japanese singer and actress known for her work in the Japanese idol group AKB48. Maeda was one of the most prominent members in the group, and placed first among all AKB48 and sister group candidates in the group's general 2009 and 2011 elections, and second in the 2010 election. She also appeared on many of its album covers. On March 25, 2012, she announced her graduation from AKB48; it was held on August 27.
On April 23, 2011, Maeda announced that she would make her solo debut with her debut single "Flower", released on June 22. It was met with commercial success in Japan, debuting at number 1 on the Oricon Charts with first week sales of 176,967 copies.  The follow-up single "Kimi wa Boku Da", released in June 2012, was Maeda's last solo single while still a member of AKB48. It debuted at number two on the Oricon charts and reached number one on the Billboard Japan Hot 100.  On June 15, 2013, at AKB48's handshake event held at Makuhari Messe, AKB48 announced that Maeda would appear as a special guest at the group's summer concert series at the Sapporo Dome on July 31. There], she performed her third single, "Time Machine Nante Iranai" (taimumashinnanteiranai, I don't need a time machine), which was later released on September 18. It was selected to be the theme song for the live-action adaptation of Yamada-kun to 7-nin no Majo (Yamada and the Seven Witches). Maeda described the song as "cheerful and fun" and hoped it would liven up the show. "Time Machine Nante Iranai" eventually peaked at number one on the Oricon Daily charts, and number two on the Oricon Weekly chart. On Billboard's Japan Hot 100, it debuted at number one and stayed there for just the week of September 30.  Maeda's 4th single "Seventh Code" was released on March 5, 2014. It was used as the theme song of the movie "Seventh Code" in which Maeda herself starred in. It debuted at number 4 on the Oricon charts and reached number three on the Billboard Japan Hot 100.  On December 12, 2015, it was announced that Maeda's first album will be released later the next year. Eventually, the album is set to be released on June 22, 2016.
What are some other interesting aspects of this article?
A: "Seventh Code" was released on March 5, 2014. It was used as the theme song of the movie "Seventh Code" in which Maeda herself starred in.
Some context: Ralph Bakshi (born October 29, 1938) is an American director of animated and live-action films. In the 1970s, he established an alternative to mainstream animation through independent and adult-oriented productions. Between 1972 and 2015, he directed ten theatrically released feature films, six of which he wrote. He has been involved in numerous television projects as director, writer, producer and animator.
In 1973, Bakshi and Ruddy began the production of Harlem Nights, which Paramount was originally contracted to distribute. While Fritz the Cat and Heavy Traffic proved that adult-oriented animation could be financially successful, animated films were still not respected, and Bakshi's pictures were considered to be "dirty Disney flicks" that were "mature" only for depicting sex, drugs and profanity. Harlem Nights, based on Bakshi's firsthand experiences with racism, was an attack on racist prejudices and stereotypes. Bakshi cast Scatman Crothers, Philip Michael Thomas, Barry White and Charles Gordone in live-action and voice roles, cutting in and out of animation abruptly rather than seamlessly because he wanted to prove that the two mediums could "coexist with neither excuse nor apology". He wrote a song for Crothers to sing during the opening title sequence: "Ah'm a Niggerman". Its structure was rooted in the history of the slave plantation: slaves would "shout" lines from poems and stories great distances across fields in unison, creating a natural beat. Bakshi has described its vocal style, backed by fast guitar licks, as an "early version of rap".  Bakshi intended to attack stereotypes by portraying them directly, culling imagery from blackface iconography. Early designs in which the main characters (Brother Rabbit, Brother Bear and Preacher Fox) resembled figures from The Wind in the Willows were rejected. Bakshi juxtaposed stereotypical designs of blacks with even more negative depictions of white racists, but the film's strongest criticism is directed at the Mafia. Bakshi said, "I was sick of all the hero worship these guys got because of The Godfather." Production concluded in 1973. During editing, the title was changed to Coonskin No More..., and finally to Coonskin. Bakshi hired several African American animators to work on Coonskin, including Brenda Banks, the first African American female animator. Bakshi also hired graffiti artists and trained them to work as animators. The film's release was delayed by protests from the Congress of Racial Equality, which called Bakshi and his film racist. After its distribution was contracted to the Bryanston Distributing Company, Paramount canceled a project that Bakshi and Ruddy were developing, The American Chronicles.  Coonskin, advertised as an exploitation film, was given limited distribution and soon disappeared from theaters. Initial reviews were negative; Playboy commented that "Bakshi seems to throw in a little of everything and he can't quite pull it together." Eventually, positive reviews appeared in The Hollywood Reporter, New York Amsterdam News (an African American newspaper) and elsewhere. The New York Times' Richard Eder said the film "could be [Bakshi's] masterpiece [...] a shattering successful effort to use an uncommon form--cartoons and live action combined to convey the hallucinatory violence and frustration of American city life, specifically black city life [...] lyrically violent, yet in no way [does it] exploit violence". Variety called it a "brutal satire from the streets". A reviewer for the Los Angeles Herald-Examiner wrote, "Certainly, it will outrage some and, indeed, it's not Disney. [...] The dialog it has obviously generated--if not the box office obstacles--seems joltingly healthy." Bakshi called Coonskin his best film.
Who directed the movie?
A: