Question:
Fiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in the Pale of Settlement of Imperial Russia in 1905. It is based on Tevye and his Daughters (or Tevye the Dairyman) and other tales by Sholem Aleichem. The story centers on Tevye, the father of five daughters, and his attempts to maintain his Jewish religious and cultural traditions as outside influences encroach upon the family's lives. He must cope both with the strong-willed actions of his three older daughters, who wish to marry for love - each one's choice of a husband moves further away from the customs of his faith - and with the edict of the Tsar that evicts the Jews from their village.
Following its tryout at Detroit's Fisher Theatre in July and August 1964, then Washington in August to September, the original Broadway production opened on September 22, 1964, at the Imperial Theatre, transferred in 1967 to the Majestic Theatre and in 1970 to The Broadway Theatre, and ran for a record-setting total of 3,242 performances. The production was directed and choreographed by Robbins - his last original Broadway staging. The set, designed in the style of Marc Chagall's paintings, was by Boris Aronson. A colorful logo for the production, also inspired by Chagall's work, was designed by Tom Morrow. Chagall reportedly did not like the musical.  The cast included Zero Mostel as Tevye the milkman, Maria Karnilova as his wife Golde (each of whom won a Tony for their performances), Beatrice Arthur as Yente the matchmaker, Austin Pendleton as Motel, Bert Convy as Perchik the student revolutionary, Gino Conforti as the fiddler, and Julia Migenes as Hodel. Mostel ad-libbed increasingly as the run went on, "which drove the authors up the wall." Joanna Merlin originated the role of Tzeitel, which was later assumed by Bette Midler during the original run. Carol Sawyer was Fruma Sarah, Adrienne Barbeau took a turn as Hodel, and Pia Zadora played the youngest daughter, Bielke. Both Peg Murray and Dolores Wilson made extended appearances as Golde, while other stage actors who have played Tevye include Herschel Bernardi, Theodore Bikel and Harry Goz (in the original Broadway run), and Leonard Nimoy. Mostel's understudy in the original production, Paul Lipson, went on to appear as Tevye in more performances than any other actor (until Chaim Topol), clocking over 2,000 performances in the role in the original run and several revivals. Florence Stanley took over the role of Yente nine months into the run. The production earned $1,574 for every dollar invested in it. It was nominated for ten Tony Awards, winning nine, including Best Musical, score, book, direction and choreography, and acting awards for Mostel and Karnilova.  The original London West End production opened on February 16, 1967, at Her Majesty's Theatre and played for 2,030 performances. It starred Topol as Tevye, a role he had previously played in Tel Aviv, and Miriam Karlin as Golde. Alfie Bass, Lex Goudsmit and Barry Martin eventually took over as Tevye. Topol later played Tevye in the 1971 film adaptation, for which he was nominated for an Academy Award, and in several revivals over the next four decades. The show was revived in London for short seasons in 1983 at the Apollo Victoria Theatre and in 1994 at the London Palladium.
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What Tony awards did it win?

Answer:
Best Musical, score, book, direction and choreography, and acting awards for Mostel and Karnilova.

Answer the question at the end by quoting:

David Emile Durkheim (French: [emil dyRkem] or [dyRkajm]; April 15, 1858 - November 15, 1917) was a French sociologist. He formally established the academic discipline and--with Karl Marx and Max Weber--is commonly cited as the principal architect of modern social science. Much of Durkheim's work was concerned with how societies could maintain their integrity and coherence in modernity; an era in which traditional social and religious ties are no longer assumed, and in which new social institutions have come into being. His first major sociological work was The Division of Labour in Society (1893).
Durkheim defines morality as "a system of rules for conduct." His analysis of morality is strongly marked by Immanuel Kant and his notion of duty. While Durkheim was influenced by Kant, he was highly critical of aspects of the latter's moral theory and developed his own positions.  Durkheim agrees with Kant that within morality, there is an element of obligation, "a moral authority which, by manifesting itself in certain precepts particularly important to it, confers upon [moral rules] an obligatory character." Morality tells us how to act from a position of superiority. There exists a certain, pre-established moral norm to which we must conform. It is through this view that Durkheim makes a first critique of Kant in saying that moral duties originate in society, and are not to be found in some universal moral concept such as the categorical imperative. Durkheim also argues that morality is characterized not just by this obligation, but is also something that is desired by the individual. The individual believes that by adhering to morality, they are serving the common Good, and for this reason, the individual submits voluntarily to the moral commandment.  However, in order to accomplish its aims, morality must be legitimate in the eyes of those to whom it speaks. As Durkheim argues, this moral authority is primarily to be located in religion, which is why in any religion one finds a code of morality. For Durkheim, it is only society that has the resources, the respect, and the power to cultivate within an individual both the obligatory and the desirous aspects of morality.

Please elaborate on that?
The individual believes that by adhering to morality, they are serving the common Good, and for this reason, the individual submits voluntarily to the moral commandment.