Problem: Background: I Love Lucy is an American television sitcom starring Lucille Ball, Desi Arnaz, Vivian Vance, and William Frawley. The black-and-white series originally ran from October 15, 1951 to May 6, 1957 on CBS. After the series ended in 1957, a modified version continued for three more seasons with 13 one-hour specials; it ran from 1957 to 1960. It was first known as The Lucille Ball-Desi Arnaz Show and later in reruns as The Lucy-Desi Comedy Hour.
Context: Several classic episodes of I Love Lucy have been colorized. Star and producer Desi Arnaz had expressed interest in airing the show in color as early as 1955, but the cost of such a presentation was prohibitive at the time.  The first episode to be colorized was the Christmas special. This special episode had been feared "lost" for many years, as it was not included in the regular syndication package with the rest of the series. A copy was discovered in 1989 in the CBS vaults, and was aired by CBS during December of that year in its original black-and-white format. In 1990, this episode was again aired in the days prior to Christmas, but this time the framing sequence was in color, while the clips from earlier episodes remained in black and white. The special performed surprisingly well in the ratings during both years, and aired on CBS each December through 1994.  In 2007, as the "Complete Series" DVD set was being prepared for release, DVD producer Gregg Oppenheimer decided to have the episode "Lucy Goes to Scotland" digitally colorized, making it the first I Love Lucy episode to be fully colorized. Four years later, Time Life released the "Lucy's Italian Movie" episode for the first time in full color as part of their "Essential 'I Love Lucy'" collection.  To date, the colorized "Lucy in Scotland" episode has never aired on television, but that episode, along with the Christmas special and "Lucy's Italian Movie," have been packaged together on the 2013 "I Love Lucy Colorized Christmas" DVD. In 2014, Target Corporation stores sold an exclusive version of this DVD that also included "Job Switching".
Question: When did 'I Love Lucy' start being produced in color?
Answer: In 1990, this episode was again aired in the days prior to Christmas, but this time the framing sequence was in color,

Problem: Background: Adeline Virginia Woolf (; nee Stephen; 25 January 1882 - 28 March 1941) was an English writer who is considered one of the most important modernist twentieth century authors and a pioneer in the use of stream of consciousness as a narrative device. Virginia Stephen was born into an affluent household in South Kensington, London. She was the seventh child in a blended family of eight. Her mother, Julia Stephen, celebrated as a Pre-Raphaelite artist's model, had three children from her first marriage, her father Leslie Stephen, a notable man of letters, had one previous daughter, and four children were born in her parents' second marriage, of whom the most well known was the modernist painter, Vanessa Stephen (later Vanessa Bell).
Context: Leslie Stephen was in the habit of hiking in Cornwall, and in the spring of 1881 he came across a large white house in St. Ives, Cornwall, and took out a lease on it that September. Although it had limited amenities, its main attraction was the view overlooking Porthminster Bay towards the Godrevy Lighthouse, which the young Virginia could see from the upper windows and was to be the central figure in her To the Lighthouse (1927). It was a large square house, with a terraced garden, divided by hedges, sloping down towards the sea. Each year between 1882 and 1894 from mid-July to mid-September the Stephen's leased Talland House as a summer residence. Leslie Stephen, who referred to it thus: "a pocket-paradise", described it as "The pleasantest of my memories... refer to our summers, all of which were passed in Cornwall, especially to the thirteen summers (1882-1894) at St. Ives. There we bought the lease of Talland House: a small but roomy house, with a garden of an acre or two all up and down hill, with quaint little terraces divided by hedges of escallonia, a grape-house and kitchen-garden and a so-called 'orchard' beyond". It was in Leslie's words, a place of "intense domestic happiness". Virginia herself described the house in great detail:  In both London and Cornwall, Julia was perpetually entertaining, and was notorious for her manipulation of her guests' lives, constantly matchmaking in the belief everyone should be married, the domestic equivalence of her philanthropy. As her husband observed "My Julia was of course, though with all due reserve, a bit of a matchmaker". While Cornwall was supposed to be a summer respite, Julia Stephen soon immersed herself in the work of caring for the sick and poor there, as well as in London. Both at Hyde Park Gate and Talland House, the family mingled with much of the country's literary and artistic circles. Frequent guests included literary figures such as Henry James and George Meredith, as well as James Russell Lowell, and the children were exposed to much more intellectual conversations than their mother's at Little Holland House. The family did not return, following Julia Stephen's death in May 1895.  For the children it was the highlight of the year, and Virginia's most vivid childhood memories were not of London but of Cornwall. In a diary entry of 22 March 1921, she described why she felt so connected to Talland House, looking back to a summer day in August 1890. "Why am I so incredibly and incurably romantic about Cornwall? One's past, I suppose; I see children running in the garden ... The sound of the sea at night ... almost forty years of life, all built on that, permeated by that: so much I could never explain". Cornwall inspired aspects of her work, in particular the "St Ives Trilogy" of Jacob's Room (1922), To the Lighthouse (1927), and The Waves (1931).
Question: When did she move out of Talland House?
Answer:
The family did not return, following Julia Stephen's death in May 1895.