Some context: Jeanette Anna MacDonald (June 18, 1903 - January 14, 1965) was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (The Love Parade, Love Me Tonight, The Merry Widow and One Hour With You) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (
In the mid-1950s, MacDonald toured in summer stock productions of Bitter Sweet and The King and I. She opened in Bitter Sweet at the Iroquois Amphitheater, Louisville, Kentucky, on July 19, 1954. Her production of The King and I opened August 20, 1956, at the Starlight Theatre. While performing there, she collapsed. Officially, it was announced as heat prostration, but in fact it was a heart seizure. She began limiting her appearances and a reprisal of Bitter Sweet in 1959 was her last professional appearance.  MacDonald and her husband, Gene Raymond, toured in Ferenc Molnar's The Guardsman. The production opened at the Erlanger Theater, Buffalo, New York, on January 25, 1951, and played in 23 northeastern and midwestern cities until June 2, 1951. Despite less than enthusiastic comments from critics, the show played to full houses for virtually every performance. The leading role of "The Actress" was changed to "The Singer" to allow MacDonald to add some songs. While this pleased her fans, the show still closed before reaching Broadway.  In the 1950s, talks with respect to a Broadway return occurred. In the 1960s, MacDonald was approached about starring on Broadway in a musical version of Sunset Boulevard. Harold Prince recounts in his autobiography, visiting MacDonald at her home in Bel Air to discuss the proposed project. Composer Hugh Martin also wrote a song for the musical entitled, "Wasn't It Romantic?".  MacDonald also made a few nightclub appearances. She sang and danced at The Sands and The Sahara in Las Vegas in 1953, The Coconut Grove in Los Angeles in 1954, and again at The Sahara in 1957, but she never felt entirely comfortable in the smoky atmosphere.
When did Jeanette start musical theatre?
A: In the mid-1950s,
Some context: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.
Young left the Basie band in late 1940. He is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons spurring his dismissal, although Young and drummer Jo Jones would later state that his departure had been in the works for months. He subsequently led a number of small groups that often included his brother, drummer Lee Young, for the next couple of years; live and broadcast recordings from this period exist.  During this period Young accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period) and also made a small set of recordings with Nat "King" Cole (their first of several collaborations) in June 1942. His studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the recording ban by the American Federation of Musicians. Small record labels not bound by union contracts continued to record and he recorded some sessions for Harry Lim's Keynote label in 1943.  In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (see below). Recordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed, which tended to give his playing a somewhat heavier, breathier tone (although still quite smooth compared to that of many other players). While he never abandoned the cane reed, he used the plastic reed a significant share of the time from 1943 until the end of his life. Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry "Sweets" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues.
what did he think would happen if he played that day
A: Young and drummer Jo Jones would later state that his departure had been in the works for months.
Some context: The French (French: Francais) are an ethnic group and nation who are identified with the country of France. This connection may be legal, historical, or cultural. Historically the French people's heritage is diverse, including populations of Gauls, Ligures, Latins, Franks, Iberians, Alamans and Norsemen. France has long been a patchwork of local customs and regional differences, and while most French people still speak the French language as their mother tongue, languages like Norman, Occitan, Catalan, Auvergnat, Corsican, Basque, French Flemish, Lorraine Franconian, Alsatian and Breton remain spoken in their respective regions.
In the roughly 900 years after the Norman invasions France had a fairly settled population. Unlike elsewhere in Europe, France experienced relatively low levels of emigration to the Americas, with the exception of the Huguenots, due to a lower birthrate than in the rest of Europe. However, significant emigration of mainly Roman Catholic French populations led to the settlement of the Province of Acadia, Canada (New France) and Louisiana, all (at the time) French possessions, as well as colonies in the West Indies, Mascarene islands and Africa.  On 30 December 1687 a community of French Huguenots settled in South Africa. Most of these originally settled in the Cape Colony, but have since been quickly absorbed into the Afrikaner population. After Champlain's founding of Quebec City in 1608, it became the capital of New France. Encouraging settlement was difficult, and while some immigration did occur, by 1763 New France only had a population of some 65,000. From 1713 to 1787, 30,000 colonists immigrated from France to the Saint-Domingue. In 1805, when the French were forced out of Saint-Domingue (Haiti), 35,000 French settlers were given lands in Cuba.  By the beginning of the 17th century, some 20% of the total male population of Catalonia was made up of French immigrants. In the 18th century and early 19th century, a small migration of French emigrated by official invitation of the Habsburgs to the Austro-Hungarian Empire, now the nations of Austria, Czech Republic, Hungary, Slovakia, Serbia and Romania. Some of them, coming from French-speaking communes in Lorraine or being French Swiss Walsers from the Valais canton in Switzerland, maintained for some generations the French language and a specific ethnic identity, later labelled as Banat (French: Francais du Banat). By 1788 there were 8 villages populated by French colonists.
How did people feel about that?
A:
Encouraging settlement was difficult, and while some immigration did occur, by 1763 New France only had a population of some 65,000.