Background: Sandman (Wesley Dodds) is a fictional character, a superhero who appears in American comic books published by DC Comics. The first of several DC characters to bear the name Sandman, he was created by writer Gardner Fox and artist Bert Christman. Attired in a green business suit, fedora, and gas mask, the Sandman used a gun emitting a sleeping gas to sedate criminals. He was originally one of the mystery men to appear in comic books and other types of adventure fiction in the 1930s but later was outfitted with a unitard/cowl costume and developed into a proper superhero, acquiring sidekick Sandy, and founding the Justice Society of America.
Context: Dodds is one of a number of Justice Society members who finds themselves in the "Ragnarok Dimension" during the early Modern Age of comic books. The Last Days of the Justice Society of America Special (1986) wrote the post-Crisis tale of a time-warped wave of destruction ready to engulf the world. Dodds and his JSA teammates enter into a limbo to engage in an eternal battle that would allow the universe to continue its existence. This was later revealed to be a simulation created by Odin, which he intended to give to Dream as a bribe. Dodds, Dream's protege, and Hawkman, the grandfather of Dream's appointed successor are the only JSA members we see at this time. This lasted only until 1992 when DC published Armageddon: Inferno. This mini-series ended with the JSA members leaving limbo and entering the 'real' world. Justice Society of America (1992-1993) showed how the JSA members handled returning to normal life. For the Sandman, the series depicted him as an old, thin man with a balding scalp and a sharp wit. Starting with issue #1 his physical condition became important as writer Len Strazewski had him suffer a stroke at the first sign of a villainous attack. Both his age and his physical limitations became a theme writers would use in this character's post-Crisis stories.  During Zero Hour, Dodds is returned to his proper age by the Extant. Later, Wesley Dodds is shown as retired and living with Dian Belmont though occasionally coming out of it, most notably in a team-up with Jack Knight, the son of Dodds' JSA teammate Starman. When Dian is diagnosed with a terminal disease, the two travel the world together until her death.  Towards the end of his life, Dodds' prophetic dreams alert him to the identity and location of the new Doctor Fate, prompting him to contact the Gray Man, a being created from the residue of others' dreams, as well as his old friend Speed Saunders to instruct them to warn his former teammates about what he has discovered. Waiting on a clifftop, he is subsequently confronted by the powerful villain Mordru, who intends to force Dodds to tell him the identity of the new Doctor Fate, only for Dodds to distract Mordru with his gas-gun long enough to commit suicide by jumping off the cliff rather than allow Mordru to torture him into submission. His last thoughts were that his final slumber would be free of nightmares as he is reunited with Dian. His youthful but now grown-up sidekick, Sandy the Golden Boy, becomes known simply as Sand and takes his mentor's place as a member of the Justice Society of America as well as his prophetic dreams. Eventually, he takes the name of Sandman.
Question: What were the twilight years?
Answer: During Zero Hour, Dodds is returned to his proper age by the Extant.

Background: Frankie Goes to Hollywood (FGTH) were a British band formed in Liverpool, England, in 1980. The group was fronted by Holly Johnson (vocals), with Paul Rutherford (vocals), Peter Gill (drums, percussion), Mark O'Toole (bass guitar), and Brian Nash (guitar). The group's 1983 debut single "Relax" was banned by the BBC in 1984 while at number six in the charts and subsequently topped the UK Singles Chart for five consecutive weeks, going on to enjoy prolonged chart success throughout that year and ultimately becoming the seventh best-selling UK single of all time. It also won the 1985 Brit Award for Best British Single.
Context: Johnson's solo career at MCA commenced in 1989, with a succession of high-placed singles and the number one album Blast. The remix collection Hollelujah followed, trailed by a second studio album, Dreams That Money Can't Buy. However, Johnson's relations with MCA cooled with this release, and he would ultimately become a reclusive but successful painter, after announcing in 1993 that he was HIV-positive. The following year, Johnson recounted his version of Frankie's history in his autobiography A Bone in My Flute. His self-issued 1999 album Soulstream included a re-recording of "The Power of Love", which was also released as a single.  Paul Rutherford, the other openly gay member of the band, released the partially ABC produced album Oh World and a handful of singles before retiring with his New Zealander partner to Waiheke Island.  The "other three", as Smash Hits labelled them, continued to work together in what turned out to be a vain attempt to resurrect "Frankie" with various singers including Dee Harris from Fashion and Grant Boult (Jeckyl Ice) from The Premise, who had opened the shows on the band's UK and European tours. Under the name Boss Dog, with Boult on vocals, the band were offered a major deal with Virgin Records but on condition they work as Frankie Goes to Hollywood. Johnson challenged the use of the name and the deal soured. Boult and Brian Nash continued with the material written by The Shuffle Brothers and under the name Low they released "Tearing My soul Apart" in 1992 on Swanyard Records. As "Nasher", Nash released a 2002 solo album entitled Ripe. Ped worked behind the scenes and scored a top ten hit with the group "Lovestation". Mark O'Toole moved to Florida and played with Punk outfit "Trapped by Mormons".  The band's name lived on to the extent that re-issues of "Relax" and "The Power of Love" both returned to the UK Top 10 in 1993. Remixes of "The Power of Love" (which became a dance anthem from its original ballad format) and "Two Tribes" were Top 20 hits again in 2000, while "Welcome to the Pleasuredome" also got commercially successful remix treatment, to the extent of a Top 20 placing four years earlier.  The group's first two singles appeared sixth and 22nd respectively in the official all-time UK best-selling singles list issued in 2002.
Question: What were those singles
Answer: