Some context: A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences.
"Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song.  During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know".  In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written.  As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours.
Did he actually treat them bad?
A: Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs:

Question: Henry Jaynes Fonda (May 16, 1905 - August 12, 1982) was an American film and stage actor with a career spanning five decades. Fonda made his mark early as a Broadway actor. He also appeared in 1938 in plays performed in White Plains, New York, with Joan Tompkins. He made his Hollywood debut in 1935, and his career gained momentum after his Academy Award-nominated performance as Tom Joad in The Grapes of Wrath, a 1940 adaptation of John Steinbeck's novel about an Oklahoma family who moved west during the Dust Bowl.

At age 20, Fonda started his acting career at the Omaha Community Playhouse, when his mother's friend Dodie Brando (mother of Marlon Brando) recommended that he try out for a juvenile part in You and I, in which he was cast as Ricky. He was fascinated by the stage, learning everything from set construction to stage production, and embarrassed by his acting ability. When he received the lead in Merton of the Movies, he realized the beauty of acting as a profession, as it allowed him to deflect attention from his own tongue-tied personality and create stage characters relying on someone else's scripted words. Fonda decided to quit his job and go east in 1928 to seek his fortune.  He arrived on Cape Cod and played a minor role at the Cape Playhouse in Dennis, Massachusetts. A friend took him to Falmouth, MA where he joined and quickly became a valued member of the University Players, an intercollegiate summer stock company. There he worked with Margaret Sullavan, his future wife. James Stewart joined the Players a few months after Fonda left, though they were soon to become lifelong friends. Fonda left the Players at the end of their 1931-1932 season after appearing in his first professional role in The Jest, by Sem Benelli. Joshua Logan, a young sophomore at Princeton who had been double-cast in the show, gave Fonda the part of Tornaquinci, "an elderly Italian man with a long white beard and even longer hair." Also in the cast of The Jest with Fonda and Logan were Bretaigne Windust, Kent Smith, and Eleanor Phelps.  The tall (6 ft, 1.5 in) Fonda headed for New York City, to be with his then wife, Margaret Sullavan. The marriage was brief, but when James Stewart came to New York his luck changed. Getting contact information from Joshua Logan, Jimmy, as he was called, found Hank Fonda and these small town boys found they had a lot in common, as long as they didn't discuss politics. The two men became roommates and honed their skills on Broadway. Fonda appeared in theatrical productions from 1926 to 1934. They fared no better than many Americans in and out of work during the Great Depression, sometimes lacking enough money to take the subway.

Using a quote from the above article, answer the following question: What were the names of other stage works?
HHHHHH
Answer: his first professional role in The Jest,

Some context: Ratt is an American heavy metal band that had significant commercial success in the 1980s, with their albums having been certified as gold, platinum, and multi-platinum by the RIAA. The group is perhaps best known for hit singles such as "Round and Round" and "Lay It Down", tracks that ranked on Billboard's top 40 at No. 12 and No. 40, respectively, as well as other songs such as "Wanted Man", "You're in Love" and "Dance".
The self-titled independent EP was well-received and brought the band to the attention of Atlantic Records which signed them. Ratt immediately started writing and recording their first full-length album. Out of the Cellar was released in March 1984 and was praised by both fans and critics. Pearcy's raspy yet bluesy vocals were noted for melding with the pyrotechnic guitar playing of twin leads Crosby and DeMartini, combining the then-prevalent Van Halen and Aerosmith-influenced bravado elements with the then-novel muted, staccato guitar-picking style of Judas Priest. Tawny Kitaen, who was previously in a relationship with Crosby, agreed to appear on the cover of their debut full-length album. She also appeared in their video for "Back for More" and on their EP from the previous year.  The album scored much radio and MTV play with songs like "Round and Round" (which peaked at No. 12 on the Billboard Hot 100 chart), "Wanted Man", "Back for More", and "Lack of Communication". Their music videos exposed them to an excited teen audience first tuning into the then fledgling MTV cable network. Milton Berle's guest appearance, dressed in his Uncle Miltie drag character, in the video for "Round and Round" helped draw even more attention to the band.  Out of the Cellar became a commercial success, going platinum many times over in the United States, as well as making Ratt stars at home and in the Far East. The album release was capped off by a successful world tour that saw the band sell out stadiums and arenas worldwide, sharing the stage with such acts as Billy Squier, Ozzy Osbourne, Blackfoot, Iron Maiden, Motley Crue, Twisted Sister and Lita Ford. Out of the Cellar is today widely regarded as the band's best work and a definitive moment in 80s heavy metal, while "Round and Round" scored at No. 61 on VH1's Greatest Hard Rock Songs Show.
Was the album a success?
A:
was praised by both fans and critics.