input: Bobby Fischer was born at Michael Reese Hospital in Chicago, Illinois, on March 9, 1943. His birth certificate listed his father as Hans-Gerhardt Fischer, also known as Gerardo Liebscher, a German biophysicist. His mother, Regina Wender Fischer, was a US citizen, born in Switzerland; her parents were Polish Jews. Raised in St. Louis, Missouri, Regina became a teacher, registered nurse, and later a physician.  After graduating from college in her teens, Regina traveled to Germany to visit her brother. It was there she met geneticist and future Nobel Prize winner Hermann Joseph Muller, who persuaded her to move to Moscow to study medicine. She enrolled at I.M. Sechenov First Moscow State Medical University, where she met Hans-Gerhardt, whom she married in November 1933. In 1938, Hans-Gerhardt and Regina had a daughter, Joan Fischer. The reemergence of anti-Semitism under Stalin prompted Regina to go with Joan to Paris, where Regina became an English teacher. The threat of a German invasion led her and Joan to go to the United States in 1939. Hans-Gerhardt attempted to follow the pair but, at that time, his German citizenship barred him from entering the United States. Regina and Hans-Gerhardt had separated in Moscow, although they did not officially divorce until 1945.  At the time of her son's birth, Regina was "homeless" and shuttled to different jobs and schools around the country to support her family. She engaged in political activism, and raised both Bobby and Joan as a single parent.  In 1949, the family moved to Brooklyn, New York City, where she studied for her master's degree in nursing and subsequently began working in that field.

Answer this question "what happened in his early years?"
output: At the time of her son's birth, Regina was "homeless" and shuttled to different jobs

input: Asimov was born on an unknown day between October 4, 1919 and January 2, 1920, inclusive. Asimov himself celebrated it on January 2.  Asimov's parents were Anna Rachel (nee Berman) and Judah Asimov, a family of Jewish millers. He was named Isaac after his mother's father, Isaac Berman. When he was born, his family lived in Petrovichi near Klimovichi, which was then Gomel Governorate in the Russian Soviet Federative Socialist Republic (now Smolensk Oblast, Russia). Asimov wrote of his father, "My father, for all his education as an Orthodox Jew, was not Orthodox in his heart", noting that "he didn't recite the myriad prayers prescribed for every action, and he never made any attempt to teach them to me".  In 1921, Asimov and 16 other children in Petrovichi caught double pneumonia. Only Asimov survived. He later had two younger siblings: a sister, Marcia (born Manya, June 17, 1922 - April 2, 2011), and a brother, Stanley (July 25, 1929 - August 16, 1995), who was vice-president of New York Newsday.  His family emigrated to the United States when he was three years old. Since his parents always spoke Yiddish and English with him, he never learned Russian, but he remained fluent in Yiddish as well as English. Growing up in Brooklyn, New York, Asimov taught himself to read at the age of five, and his mother got him into first grade a year early by claiming he was born on September 7, 1919. In third grade he learned about the "error" and insisted on an official correction of the date to January 2.  After becoming established in the U.S., his parents owned a succession of candy stores, in which everyone in the family was expected to work. The candy stores sold newspapers and magazines, a fact that Asimov credited as a major influence in his lifelong love of the written word, as it presented him with an unending supply of new reading material as a child that he could not have otherwise afforded. He became a naturalized U.S. citizen in 1928 at the age of eight.

Answer this question "Was he hospitalized because of the pneumonia?"
output: Only Asimov survived.

input: Poulenc, a highly accomplished pianist, usually composed at the piano and wrote many pieces for the instrument throughout his career. In Henri Hell's view, Poulenc's piano writing can be divided into the percussive and the gentler style reminiscent of the harpsichord. Hell considers that the finest of Poulenc's music for piano is in the accompaniments to the songs, a view shared by Poulenc himself. The vast majority of the piano works are, in the view of the writer Keith W Daniel, "what might be called 'miniatures'". Looking back at his piano music in the 1950s, the composer viewed it critically: "I tolerate the Mouvements perpetuels, my old Suite en ut [in C], and the Trois pieces. I like very much my two collections of Improvisations, an Intermezzo in A flat, and certain Nocturnes. I condemn Napoli and the Soirees de Nazelles without reprieve."  Of the pieces cited with approval by Poulenc, the fifteen Improvisations were composed at intervals between 1932 and 1959. All are brief: the longest lasts a little more than three minutes. They vary from swift and balletic to tender lyricism, old-fashioned march, perpetuum mobile, waltz and a poignant musical portrait of the singer Edith Piaf. Poulenc's favoured Intermezzo was the last of three. Numbers one and two were composed in August 1934; the A flat followed in March 1943. The commentators Marina and Victor Ledin describe the work as "the embodiment of the word 'charming'. The music seems simply to roll off the pages, each sound following another in such an honest and natural way, with eloquence and unmistakable Frenchness." The eight nocturnes were composed across nearly a decade (1929-38). Whether or not Poulenc originally conceived them as an integral set, he gave the eighth the title "To serve as Coda for the Cycle" (Pour servir de Coda au Cycle). Although they share their generic title with the nocturnes of Field, Chopin and Faure, Poulenc's do not resemble those of the earlier composers, being "night-scenes and sound-images of public and private events" rather than romantic tone poems.  The pieces Poulenc found merely tolerable were all early works: Trois mouvements perpetuels dates from 1919, the Suite in C from 1920 and the Trois pieces from 1928. All consist of short sections, the longest being the "Hymne", the second of the three 1928 pieces, which lasts about four minutes. Of the two works their composer singled out for censure, Napoli (1925) is a three-movement portrait of Italy, and Les Soirees de Nazelles is described by the composer Geoffrey Bush as "the French equivalent of Elgar's Enigma Variations" - miniature character sketches of his friends. Despite Poulenc's scorn for the work, Bush judges it ingenious and witty. Among the piano music not mentioned, favourably or harshly, by Poulenc, the best known pieces include the two Novelettes (1927-28), the set of six miniatures for children, Villageoises (1933), a piano version of the seven-movement Suite francaise (1935), and L'embarquement pour Cythere for two pianos (1953).

Answer this question "What musical instrument did Poulenc play?"
output:
piano