Problem: Background: Lewis Wallace (April 10, 1827 - February 15, 1905) was an American lawyer, Union general in the American Civil War, governor of the New Mexico Territory, politician, diplomat, and author from Indiana. Among his novels and biographies, Wallace is best known for his historical adventure story, Ben-Hur: A Tale of the Christ (1880), a bestselling novel that has been called "the most influential Christian book of the nineteenth century." Wallace's military career included service in the Mexican-American War and the American Civil War.
Context: Lewis "Lew" Wallace was born on April 10, 1827, in Brookville, Indiana. He was the second of four sons born to Esther French Wallace (nee Test) and David Wallace. Lew's father, a graduate of the U.S. Military Academy in West Point, New York, left the military in 1822 and moved to Brookville, where he established a law practice and entered Indiana politics. David served in the Indiana General Assembly and later as the state's lieutenant governor, and governor, and as a member of Congress. Lew Wallace's maternal grandfather was circuit court judge and Congressman John Test.  In 1832 the family moved to Covington, Indiana, where Lew's mother died from tuberculosis on July 14, 1834. In December 1836, David married nineteen-year-old Zerelda Gray Sanders Wallace, who later became a prominent suffragist and temperance advocate. In 1837, after David's election as governor of Indiana, the family moved to Indianapolis.  Lew began his formal education at the age of six at a public school in Covington, but he much preferred the outdoors. Wallace had a talent for drawing and loved to read, but he was a discipline problem at school. In 1836, at the age of nine, Lew joined his older brother in Crawfordsville, Indiana, where he briefly attended the preparatory school division of Wabash College, but soon transferred to another school more suitable for his age. In 1840, when Wallace was thirteen, his father sent him to a private academy at Centerville, Indiana, where his teacher encouraged Lew's natural affinity for writing. Wallace returned to Indianapolis the following year.  Sixteen-year-old Lew went out to earn his own wages in 1842, after his father refused to pay for more schooling. Wallace found a job copying records at the Marion County clerk's office and lived in an Indianapolis boardinghouse. He also joined the Marion Rifles, a local militia unit, and began writing his first novel, The Fair God, but it was not published until 1873. Wallace said in his autobiography that he had never been a member of any organized religion, but he did believe "in the Christian conception of God".  By 1846, at the start of the Mexican-American War, the nineteen-year-old Wallace was studying law at his father's law office, but left that pursuit to establish a recruiting office for the Marion Volunteers in Indianapolis. He was appointed a second lieutenant, and on June 19, 1846, mustered into military service with the Marion Volunteers (also known as Company H, 1st Indiana Volunteer Infantry). Wallace rose to the position of regimental adjutant and the rank of first lieutenant while serving in the army of Zachary Taylor, but Wallace personally did not participate in combat. Wallace was mustered out of the volunteer service on June 15, 1847, and returned to Indiana, where he intended to practice law. After the war, Wallace and William B. Greer operated a Free Soil newspaper, The Free Soil Banner, in Indianapolis.
Question: What happened to him after she died?
Answer: Lew began his formal education at the age of six at a public school in Covington, but he much preferred the outdoors.

Problem: Background: Sunset Boulevard (stylized onscreen as SUNSET BLVD.) is a 1950 American film noir directed and co-written by Billy Wilder, and produced and co-written by Charles Brackett. It was named after the thoroughfare that runs through Los Angeles and Beverly Hills, California. The film stars William Holden as Joe Gillis, an unsuccessful screenwriter, and Gloria Swanson as Norma Desmond, a faded silent-film star who draws him into her fantasy world, where she dreams of making a triumphant return to the screen.
Context: Sunset Boulevard attracted a range of positive reviews from critics. Time described it as a story of "Hollywood at its worst told by Hollywood at its best", while Boxoffice Review wrote "the picture will keep spectators spellbound." James Agee, writing for Sight and Sound, praised the film and said Wilder and Brackett were "beautifully equipped to do the cold, exact, adroit, sardonic job they have done." Good Housekeeping described Swanson as a "great lady [who] spans another decade with her magic," while Look praised her "brilliant and haunting performance."  Some critics accurately foresaw the film's lasting appeal. The Hollywood Reporter wrote that future generations would "set themselves the task of analyzing the durability and greatness" of the film, while Commonweal said that in the future "the Library of Congress will be glad to have in its archives a print of Sunset Boulevard."  The rare negative comments included those from The New Yorker, which described the film as "a pretentious slice of Roquefort", containing only "the germ of a good idea". Thomas M. Pryor wrote for The New York Times that the plot device of using the dead Joe Gillis as narrator was "completely unworthy of Brackett and Wilder, but happily it does not interfere with the success of Sunset Boulevard".  In 1999, Roger Ebert praised the acting of Holden and von Stroheim and has described Swanson's as "one of the all time greatest performances." He says Sunset Boulevard "remains the best drama ever made about the movies because it sees through the illusions." Pauline Kael described the film as "almost too clever, but at its best in its cleverness", and also wrote that it was common to "hear Billy Wilder called the world's greatest director." When Wilder died in 2002, obituaries singled out Sunset Boulevard for comment, describing it as one of his most significant works, along with Double Indemnity (1944) and Some Like It Hot (1959).  The modern review aggregator Rotten Tomatoes reported that 98% of critics gave the film a positive review, based on 60 reviews with an average rating of 9.3/10, the site's consensus says, "Arguably the greatest movie about Hollywood, Billy Wilder's masterpiece Sunset Boulevard is a tremendously entertaining combination of noir, black comedy, and character study."
Question: What else should I know about this section?
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