IN: D.O.A. is a Canadian punk rock band from Vancouver, British Columbia. They are often referred to as the "founders" of hardcore punk along with Black Flag, Bad Brains, Angry Samoans, the Germs, Negative Trend, and Middle Class. Their second album Hardcore '81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore. Singer/guitarist Joey "Shithead" Keithley is the only founding member to have stayed in the band throughout its entire history, with original bassist Randy Rampage returning to the band twice after his original departure.

On April 22, 1981 the band released their second album Hardcore '81; the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term "hardcore punk".  Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass. After a short tour of California, Chuck Biscuits left the band and joined Black Flag. Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member. This lineup would last from 1982-1983 and later 1985-1986 and produced several notable releases, including the EP War on 45 (now expanded into a full-length album). War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear.  1985's Let's Wreck The Party and 1987's True (North) Strong And Free saw the band taking on a more mainstream, hard-rock oriented production, but without watering down the band's political lyrical focus. Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks with the band but recorded the Expo Hurts Everyone 7" as well as two songs for True (North) Strong and Free before being replaced by Jon Card from Personality Crisis. Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was very close. The band hired Chris Prohom from the Dayglo Abortions as a replacement.

Who else was in the band?

OUT: Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member.

Answer the question at the end by quoting:

Graeme Obree (born 11 September 1965), nicknamed The Flying Scotsman, is a Scottish racing cyclist who twice broke the world hour record, in July 1993 and April 1994, and was the individual pursuit world champion in 1993 and 1995. He was known for his unusual riding positions and for the Old Faithful bicycle he built which included parts from a washing machine. He joined a professional team in France but was fired before his first race. Obree has created some radical innovations in bicycle design and cycling position but has had problems with the cycling authorities banning the riding positions his designs required.
Obree had built frames for his bike shop and made another for his record attempt. Instead of traditional dropped handlebars it had straight bars like those of a mountain bike. He placed them closer to the saddle than usual and rode with the bars under his chest, his elbows bent and tucked into his sides like those of a skier. Watching a washing machine spin at 1,200rpm led him to take the bearings, which he assumed must be of superior quality, and fit them to his bike. Obree later regretted admitting to the bearings experiment, because journalists referred to that before his achievements and other innovations.  Obree called his bike "Old Faithful". It has a narrow bottom bracket, around which the cranks revolve, to bring his legs closer together, as he thought this is the "natural" position. As shown in the film, he thought a tread of "one banana" would be ideal. The bike has no top tube, so that his knees did not hit the frame. The chainstays are not horizontal to the ground. Thus the cranks can pass with a narrow bottom bracket. The fork had only one blade, carefully shaped to be as narrow as possible. A French writer who tried it said the narrow handlebars made it hard to accelerate the machine in a straight line but, once it was at speed, he could hold the bars and get into Obree's tucked style.  At a high enough speed, [I could] tuck in my arms. And, above all, get in a very forward position on the bike, on the peak of the saddle. The Obree position isn't advantageous simply aerodynamically, it also allows, by pushing the point of pedalling towards the rear, to benefit from greater pressure while remaining in the saddle. You soon get an impression of speed, all the greater because you've got practically nothing [deux fois rien] between your hands. Two other things I noticed after a few hundred metres: I certainly didn't have the impression of turning 53 x 13, and the Obree position is no obstruction to breathing. But I wasn't pedalling at 55kmh, 100 turns of the pedals a minute, yet my arms already hurt.

How did the design affect the bike's performance?

The Obree position isn't advantageous simply aerodynamically,

input: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side."

Answer this question "was his sound popular"
output:
the group is generally considered to be a pioneer of the electro-industrial genre.