Background: Springfield was born Mary Isobel Catherine Bernadette O'Brien on 16 April 1939 in West Hampstead, the second child of Gerard Anthony "OB" O'Brien (1904-1979) and Catherine Anne "Kay" O'Brien (nee Ryle; 1900-1974). Her older brother, Dionysius P. A. O'Brien (born 2 July 1934), was later known as Tom Springfield. Springfield's father, who had been raised in British India, worked as a tax accountant and consultant. Her mother came from an Irish family, originally from Tralee, County Kerry, that included a number of journalists.
Context: Springfield was one of the best-selling UK singers of the 1960s. She was voted the Top Female Singer (UK) by the readers of the New Musical Express in 1964 to 1966 and Top Female Singer in 1965 to 1967 and 1969. Of the female singers of the British Invasion, Springfield made one of the biggest impressions on the US market, scoring 18 singles in the Billboard Hot 100 from 1964 to 1970 including six in the top 20. The music press considers her an iconic figure of the Swinging Sixties. Quentin Tarantino caused a revival of interest in her music in 1994 by including "Son of a Preacher Man" in the Pulp Fiction soundtrack, which sold over three million copies. In that same year, in the documentary, Dusty Springfield: Full Circle, guests of her 1965 Sound of Motown show credited Springfield's efforts with popularising US soul music in the UK.  In 2008, country/blues singer-songwriter Shelby Lynne recorded a tribute album featuring ten of Springfield's songs as well as one original. The album, titled Just a Little Lovin' featured two tracks selected from Springfield's debut, four from Dusty In Memphis and four from throughout her back catalogue. Lynne's album received critical acclaim, charted at number 41 on the US Billboard Charts and was nominated for a Grammy Award for Best Engineered Album (Non-Classical).  The beginning of 2017 brought another revival of interest in Springfield's music by inclusion of "The Windmills of Your Mind" song in Andy Wilman's "The Grand Tour" show that features Jeremy Clarkson, James May and Richard Hammond. The cut version can be heard in 5th episode of the show.  Springfield was popular in Europe and performed at the Sanremo Music Festival. Recordings were released in French, German, and Italian: her French works include a 1964 four-track extended play with "Demain tu peux changer" (aka "Will You Still Love Me Tomorrow"), "Je ne peux pas t'en vouloir" ("Losing You"), "L'ete est fini" ("Summer is Over") and "Reste encore un instant" ("Stay Awhile"); German recordings include the July 1964 single, "Warten und hoffen" ("Wishin' and Hopin' ") backed with "Auf dich nur wart' ich immerzu" ("I Only Want to Be with You"); Italian recordings include "Tanto so che poi mi passa" ("Every Day I Have to Cry") issued as a single. Her entries at the Sanremo festival were "Tu che ne sai" and "Di fronte all'amore" ("I Will Always Want You").  Dusty Springfield is a cultural icon of the Swinging Sixties where she "was an instantly recognisable celebrity". In public and on stage Springfield developed a joyful image supported by her peroxide blonde bouffant hairstyle, evening gowns, and heavy make-up that included her much-copied "panda eye" mascara. Springfield borrowed elements of her look from blonde glamour queens such as Brigitte Bardot and Catherine Deneuve and pasted them together according to her own taste. By the 1990s she had also become a camp icon, with her ultra-glamorous look and this, combined with her emotive vocal performances, won her a powerful and enduring following in the gay community. Besides the prototypical female for drag queens, she was presented in the roles of the 'Great White Lady' of pop and soul and the 'Queen of Mods'.
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She was voted the Top Female Singer (UK) by the readers of the New Musical Express in 1964 to 1966 and Top Female Singer in 1965 to 1967 and 1969.