Answer the question at the end by quoting:

Miyavi was born in the Nishikujo district in Konohana-ku ward, Osaka, Osaka Prefecture, to a Korean Japanese father and a Japanese mother. After the first grade, he moved to Kawanishi. His father's family, surnamed Lee, came from Jeju Island. Miyavi says that as a child he was a good student and enjoyed playing football.
In 2012, Miyavi performed on February 19 at the second EMI Rocks event in Saitama Super Arena. On June 29, he performed at the EHZ Festival in Helette, while on June 30, he was the only Asian representative at the Main Square Festival in Arras, France. On July 11, his thirteenth major single, "Day 1," was released in collaboration with the French electronic producer and DJ, Yuksek. In August, he performed at the Kubana Festival in Russia. On September 8, Miyavi performed at the 908 Festival, organized by Kreva, in Saitama Super Arena. In October two concerts were held in Indonesia. On November 14, Samurai Sessions vol.1, his second EP, was released, which featured collaboration with various artists, and it was followed by a short nationwide tour. It reached 21 on the Oricon charts.  On February 28, 2013, "Ahead of the Light", Miyavi's fourteenth single, was released; a promotional tour of the same name followed. On June 19, his seventh studio album, Miyavi, was released in Japan. It is his best-selling album so far, reaching number eight on the Oricon charts.  On October 12, 2013, it was announced that Miyavi would venture into professional acting with his international debut in the film Unbroken. He played the role of Imperial Japanese Army sergeant Mutsuhiro Watanabe, nicknamed "The Bird", in what was Angelina Jolie's second feature film as director. It was released in December 2014. Miyavi commented that as the movie was somewhat sensitive to the Japanese people, he had hesitated as to whether he should take this role. However, after meeting with Jolie, and given that the underlying theme of this story is forgiveness, he wholeheartedly decided to accept it. Miyavi was featured in the same month's edition of Vogue Italia.  In 2013 Miyavi was nominated for the MTV Europe Music Award for Best Japanese Act, and at the MTV Video Music Awards Japan he won the Best Collaboration category with Yuksek. In 2014, the music video of "Horizon" was nominated for the Best Male Video at the MTV Video Music Awards Japan.  In 2014, Miyavi went on his fourth world tour, "Slap the World", which started on February 22 in Malaysia. He continued throughout Europe, followed by the European release of his latest studio album, and visited Mexico City and Los Angeles, with United States release of the album, before returning to Japan for his longest nationwide tour so far. Miyavi composed the music for the single "Top Of The World" by SMAP, which topped the Oricon singles charts. On August 25, he performed for the first time at Fuji Rock Festival. On September 9, his new single "Real?" was released, on which Miyavi collaborated with Jam and Lewis and Jeff Blue, and also the live video recording from the world tour.

What else did he accomplish?

On June 19, his seventh studio album, Miyavi, was released in Japan.



Answer the question at the end by quoting:

Sir Edward William Elgar, 1st Baronet  (2 June 1857 - 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
Elgar was contemptuous of folk music and had little interest in or respect for the early English composers, calling William Byrd and his contemporaries "museum pieces". Of later English composers, he regarded Purcell as the greatest, and he said that he had learned much of his own technique from studying Hubert Parry's writings. The continental composers who most influenced Elgar were Handel, Dvorak and, to some degree, Brahms. In Elgar's chromaticism, the influence of Wagner is apparent, but Elgar's individual style of orchestration owes much to the clarity of nineteenth-century French composers, Berlioz, Massenet, Saint-Saens and, particularly, Delibes, whose music Elgar played and conducted at Worcester and greatly admired.  Elgar began composing when still a child, and all his life he drew on his early sketchbooks for themes and inspiration. The habit of assembling his compositions, even large-scale ones, from scraps of themes jotted down randomly remained throughout his life. His early adult works included violin and piano pieces, music for the wind quintet in which he and his brother played between 1878 and 1881, and music of many types for the Powick Asylum band. Diana McVeagh in Grove's Dictionary finds many embryonic Elgarian touches in these pieces, but few of them are regularly played, except Salut d'Amour and (as arranged decades later into The Wand of Youth Suites) some of the childhood sketches. Elgar's sole work of note during his first spell in London in 1889-91, the overture Froissart, was a romantic-bravura piece, influenced by Mendelssohn and Wagner, but also showing further Elgarian characteristics. Orchestral works composed during the subsequent years in Worcestershire include the Serenade for Strings and Three Bavarian Dances. In this period and later, Elgar wrote songs and partsongs. W. H. Reed expressed reservations about these pieces, but praised the partsong The Snow, for female voices, and Sea Pictures, a cycle of five songs for contralto and orchestra which remains in the repertory.  Elgar's principal large-scale early works were for chorus and orchestra for the Three Choirs and other festivals. These were The Black Knight, King Olaf, The Light of Life, The Banner of St George and Caractacus. He also wrote a Te Deum and Benedictus for the Hereford Festival. Of these, McVeagh comments favourably on his lavish orchestration and innovative use of leitmotifs, but less favourably on the qualities of his chosen texts and the patchiness of his inspiration. McVeagh makes the point that, because these works of the 1890s were for many years little known (and performances remain rare), the mastery of his first great success, the Enigma Variations, appeared to be a sudden transformation from mediocrity to genius, but in fact his orchestral skills had been building up throughout the decade.

what did he comopose?
Elgar wrote songs and partsongs.