Problem: Background: Morten Per Olsen (born 14 August 1949) is a Danish football manager and former football player. He was the head coach of the Danish national team for 15 years from 2000 until 2015, guiding Denmark to the 2002 FIFA World Cup, 2004 European Championship, 2010 FIFA World Cup and 2012 European Championship. He has also managed Brondby IF to two Danish Superliga championships and Ajax to the Double of the 1998 Dutch Eredivisie championship and Dutch Cup trophy.
Context: Born in Vordingborg, Morten Olsen started playing youth football at the local club in 1957. He started his career playing as a right winger. In 1970, at 20 years of age, he was brought to B 1901 in the top-flight Danish 1st Division championship by coach Kurt "Nikkelaj" Nielsen. At B 1901, Olsen was moved from right winger to central midfielder, in order to accommodate another right winger in the squad.  Olsen played three seasons at B 1901, before he moved abroad to play professionally with Belgian club Cercle Brugge K.S.V. in 1972, who had been promoted to the top-flight Belgian First Division championship one year earlier. At Brugge, Olsen played alongside fellow Danish international Benny Nielsen, who had recommended Olsen to Brugge manager Urbain Braems. In Olsen's first year with the club, Cercle Brugge finished in 11th place in the 1972-73 Belgian First Division and went on to establish itself in the mid-table. While at Brugge, Olsen was used as a multi-purpose player, playing every position except from goalkeeper. In 1976, Olsen moved to league rivals R.W.D. Molenbeek, who had won the 1974-75 Belgian First Division. Olsen joined Danish internationals Benny Nielsen and Kresten Bjerre at Molenbeek. His time at Molenbeek featured even better league results, and consistent finishes in the top third of the league.  In 1980, Olsen moved to 16-time Belgian champions R.S.C. Anderlecht, to play alongside Danish internationals Benny Nielsen and Kenneth Brylle. At Anderlecht, Olsen won his first trophy of his senior career. In his first year at Anderlecht, the club won the 1979-80 Belgian First Division, conceding only 24 goals in 34 games. Olsen played six years at Anderlecht, winning three Belgian championships with the club, and he was eventually named Anderlecht team captain. During most of 1982, Olsen suffered from a severe shin injury, which prompted Anderlecht manager Tomislav Ivic to move him back from the midfield into the libero position. As the libero at Anderlecht, Olsen controlled an aggressive form of off-side trap, which had 3-4 players converge towards the ball-possessing player as the off-side trap was sprung, in order to prevent the ball-possessing player from countering the off-side by dribbling on his own.  Olsen was a part of the Anderlecht team which beat Portuguese team FC Porto and Spanish team Valencia CF, among others, to reach the final game of the international 1982-83 UEFA Cup tournament. Anderlecht faced Portuguese team S.L. Benfica in the final, and won 2-1 on aggregate score. Olsen was subsequently named 1983 Danish Player of the Year. Anderlecht also reached the 1983-84 UEFA Cup final against Tottenham Hotspur from England. Olsen scored a goal in the first leg, but missed his shot in the deciding penalty shoot-out which Tottenham won.  36 years old, Olsen left Anderlecht following the 1986 World Cup. He moved to Germany, to play for 1. FC Koln in the Bundesliga. While at Koln, Olsen was moved back to his previous defensive midfield position. He helped Koln reach third and second-place finishes in the 1987-88 and 1988-89 Bundesliga seasons respectively. Olsen played 80 games and scored two goals for Koln in the Bundesliga, before retiring from his active career in June 1989, 39 years of age.
Question: Are there any other interesting aspects about this article?
Answer: Olsen played three seasons at B 1901, before he moved abroad to play professionally with Belgian club Cercle Brugge K.S.V. in 1972,

Problem: Background: The Aquabats are an American rock band formed in Orange County, California in 1994. Throughout many fluctuations in the group's line-up, singer The MC Bat Commander and bassist Crash McLarson have remained the band's two constant fixtures. Since 2006, The Aquabats' members also include keyboardist Jimmy the Robot, drummer Ricky Fitness and guitarist Eagle "Bones" Falconhawk. Easily identified by their masks and matching costumes, The Aquabats are perhaps most recognized for their comedic persona in which they claim to be crime-fighting superheroes.
Context: With professionalism far from foremost concern, The Aquabats' earliest band line-ups changed with almost every concert, occasionally featuring as many as twelve to fourteen musicians at a time onstage, with the majority typically playing brass instruments. As they gradually developed a steady following and began playing shows with more regularity, the band settled into a tighter and more manageable unit consisting of around eight to nine musicians, filled out by a horn section, two guitarists and a keyboardist. It was with this type of line-up that The Aquabats began recording, independently producing the demo tapes The Revenge of the Midget Punchers in 1994 and Bat Boy in 1995.  Initially, The Aquabats intended to make each of their performances unique by wearing a different set of matching costumes for every concert, ranging from chef's uniforms to grass skirts and fezzes, all with an individual persona -- during one show wearing chef outfits, for instance, the band hosted an actual onstage barbecue. When the group's props and get-ups soon became more cumbersome to transport than their musical equipment, it was ultimately decided a singular costume was required. Terry, a future apparel designer who was employed by the wetsuit manufacturing company Aleeda at the time, acquired a large amount of spare rubber and neoprene and fashioned together a set of helmets and rashguards for the band members. The addition of customized vinyl belts, donated to the band by then-unknown artist Paul Frank, effectively completed the style The Aquabats would maintain for the rest of their career.  To accompany their distinct new uniforms, The Aquabats constructed a backstory which alleged they were actually superheroes hailing from the distant island of "Aquabania", though Larson admits the entire mythology was simply made up piece by piece as they went along from one interviewer to the next. As their mythology grew, the members soon adopted superhero stage names and identities, and began tailoring their live shows around a comic book aesthetic by incorporating onstage stunts and mock battles with costumed villains, antics which were originally ploys to get the band's friends into shows for free. Jacobs' brothers Parker and Tyler, a cartoonist and graphic artist, respectively, were brought in to help develop the band's cartoon-influenced visual style, designing their logos and promotional material as well as playing characters in The Aquabats' stage shows and mythology.  In 1995, The Aquabats independently produced and recorded their debut album, The Return of The Aquabats, pressing the CDs themselves. Having already amassed a sizable cult following for their increasingly eccentric live shows, the band managed to sell a respectable 20,000 copies of their album without any marketing or distribution. With the growing mainstream popularity of ska music, The Aquabats quickly rose to prominence within Orange County's booming ska scene, regularly touring alongside the likes of such commercially successful bands as No Doubt, Sublime and Reel Big Fish and bringing them to the brink of achieving mainstream recognition.  In early 1996, the Aquabats first drummer, Rod Arellano was forced to quit due to touring schedule conflicts and was replaced by a young 20 year-old named Travis Barker. Travis played his first show as the Baron Von Tito opening up for Fishbone at the Glass House in Pomona.
Question: Did they replace him?
Answer:
and was replaced by a young 20 year-old named Travis Barker.