Problem: Background: Juan Sebastian Veron (Spanish pronunciation: ['xwan sebas'tjam be'ron]; born 9 March 1975) is a retired Argentine footballer who as the chairman for Estudiantes de La Plata, where he had served as Director of Sports. A former midfielder, Veron's career started in Estudiantes, continued in Argentina's Boca Juniors, and included stints in several clubs in the Italian Serie A (where he won the Scudetto with Lazio and with Internazionale, and a UEFA Cup with Parma), and England's Manchester United and Chelsea. In 2006, Veron returned to Estudiantes, where he remained until his retirement in 2014, aside from a brief spell with Brandsen. He has announced his short return to first team will occur in Copa Libertadores 2017.
Context: Veron was called up for the 1998 FIFA World Cup in France, where Argentina was eliminated by the Netherlands in the quarter-finals. A rumour (never confirmed) that Veron had failed an internal doping test, and allegations of laziness hampered his relationship with the media and fans. He was called up again for the 2002 World Cup in Korea/Japan, where Veron was regarded as a key player and captained the side in place of the injured Roberto Ayala. Some fans held him personally responsible for Argentina's dismal performance, which included a loss to England and elimination in the group phase.  After then-national coach Jose Pekerman omitted him from the 2006 World Cup squad, his replacement, Alfio Basile recalled Veron to the national squad in February 2007, based on his performance in Estudiantes's 2006 championship team. Veron was a starter in the Argentine team that reached the final of Copa America 2007. Due to injuries and Estudiantes's busy schedule, Veron did not feature in the immediate plans of national coach Diego Maradona, but was recalled to the Argentine squad as a second-half substitute in the 4-0 win over Venezuela on 28 March 2009, Maradona's first competitive game in charge of the national team. He also played in the starting XI in a 2010 FIFA World Cup qualifier against Colombia on 6 June 2009 and was selected by manager Diego Maradona in the final 23-man squad for the finals of the 2010 FIFA World Cup.  Veron started Argentina's first group match against Nigeria, and provided the assist for Gabriel Heinze's goal. After missing the match against South Korea due to injury, Veron returned to the starting line-up against Greece and played the full 90 minutes as Argentina won 2-0. He came on as a substitute for Carlos Tevez in the 69th minute in Argentina's 3-1 victory over Mexico in the Round of 16, but did not feature during the quarterfinal loss to Germany.  On 26 August 2010, Veron retired from international football. Nevertheless, Veron appeared again for Argentina in the 2011 Superclasico de las Americas, a two legged, non-FIFA sanctioned exhibition, between Argentina and Brazil's domestically-based players.
Question: How did Argentina do in the 2002 World Cup?
Answer: Some fans held him personally responsible for Argentina's dismal performance,

Problem: Background: Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released in mid 1966, on Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album--"One of Us Must Know (
Context: Recognizing Dylan's dissatisfaction with the progress of the recordings, producer Bob Johnston suggested that they move the sessions to Nashville. Johnston lived there and had extensive experience working with Nashville session musicians. He recalled how Dylan manager Albert Grossman, was hostile to the idea: "Grossman came up to me and said 'If you ever mention Nashville to Dylan again, you're gone.' I said, 'What do you mean?' He said, 'You heard me. We got a thing going here'". Despite Grossman's opposition, Dylan agreed to Johnston's suggestion, and preparations were made to record the album at Columbia's A Studio on Nashville's Music Row in February 1966.  In addition to Kooper and Robertson, who accompanied Dylan from New York, Johnston recruited harmonica player, guitarist and bassist Charlie McCoy, guitarist Wayne Moss, guitarist and bassist Joe South, and drummer Kenny Buttrey. At Dylan's request, Johnston removed the baffles--partitions separating the musicians so that there was "an ambience fit for an ensemble". Buttrey credited the distinctive sound of the album to Johnston's re-arrangement of the studio, "as if we were on a tight stage, as opposed to playing in a big hall where you're ninety miles apart". Dylan had a piano installed in his Nashville hotel room which Kooper would play to help Dylan write lyrics. Kooper would then teach the tunes to the musicians before Dylan arrived for the sessions.  On the first Nashville session, on February 14, Dylan successfully recorded "Visions of Johanna", which he had attempted several times in New York. Also recorded was a take of "4th Time Around" which made it onto the album and a take of "Leopard-Skin Pill-Box Hat" which did not.  On February 15 the session began at 6 p.m. but Dylan simply sat in the studio working on his lyrics while the musicians played cards, napped and chatted. Finally, at 4 a.m., Dylan called the musicians in and outlined the structure of the song. Dylan counted off and the musicians fell in, as he attempted his epic composition "Sad Eyed Lady of the Lowlands". Kenny Buttrey recalled, "If you notice that record, that thing after like the second chorus starts building and building like crazy, and everybody's just peaking it up 'cause we thought, Man, this is it ... This is gonna be the last chorus and we've gotta put everything into it we can. And he played another harmonica solo and went back down to another verse and the dynamics had to drop back down to a verse kind of feel ... After about ten minutes of this thing we're cracking up at each other, at what we were doing. I mean, we peaked five minutes ago. Where do we go from here?" The finished song clocked in at 11 minutes, 23 seconds, and would occupy the entire fourth side of the album.  The next session began similarly--Dylan spent the afternoon writing lyrics, and the session continued into the early hours of February 17, when the musicians began to record "Stuck Inside of Mobile with the Memphis Blues Again". After several musical revisions and false starts, the fourteenth take was the version selected for the album.
Question: What did they do when thhey go to e nashville?
Answer:
Dylan successfully recorded "Visions of Johanna", which he had attempted several times in New York.