IN: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.

After the armistice he returned to Birmingham and tried to find work as a cartoonist. He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position. Later that year he embarked on a professional stage career. Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director. In 1922, while with Playfair, he met Doris Zinkeisen. They were considered a couple for some two years, despite Whale's living as an openly gay man. They were reportedly engaged in 1924, but by 1925 the engagement was off.  In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I. The key conflict is between Capt. Stanhope, the company commander, and Lt. Raleigh, the brother of Stanhope's fiancee. Whale offered the part of Stanhope to the then barely known Laurence Olivier. Olivier initially declined the role, but after meeting the playwright agreed to take it on. Maurice Evans was cast as Raleigh. The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929. A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste. The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations. As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years.  With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh. Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929. The play ran for over a year and cemented its reputation as the greatest play about World War I.

Can You tell me more about his acting career?

OUT: In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated


IN: Future Islands is an American synthpop band based in Baltimore, Maryland, and signed to 4AD, currently comprising Gerrit Welmers (keyboards and programming), William Cashion (bass, acoustic and electric guitars), and Samuel T. Herring (lyrics and vocals). The band was formed in January 2006 by Welmers, Cashion and Herring--the remaining members of the performance art college band Art Lord & the Self-Portraits--and drummer Erick Murillo. Murillo left in November 2007, after which the band relocated to Baltimore, MD, and released the debut album Wave Like Home through British label

When Art Lord & the Self Portraits disbanded in late 2005, its members forgot they had discussed with alt-country band The Texas Governor the possibility of touring together. Future Islands was formed in early 2006 to keep that commitment, with an original line-up consisting of Cashion, Herring, Welmers and Erick Murillo--bassist for The Kickass --who played an electronic drum kit.  Already as Art Lord & the Self-Portraits, the band wanted to change their image and took this opportunity to do so. William Cashion stated: "Me and Gerrit had been talking for a while about how we wanted to get rid of the gimmick. We wanted to be taken seriously. Our songs had outgrown the gimmick that the band was made on. The songs were starting to deal with bigger, personal, universal themes. We wanted to be taken seriously."  The band played their first show on February 12, 2006 at an anti-Valentine's Day party in a venue called the Turducken house, opening for about a dozen bands. After writing 6-7 songs in only one week, they had to come up with a new name quickly, narrowing it down to two choices--Future Shoes and Already Islands--and combining them into one. Future Islands self-released the EP Little Advances on April 28, 2006 which they recorded in March 2006.  A couple of months later, Herring dropped out college and left Greenville to deal with a substance abuse problem he had acquired: In June, I left town and didn't come back. It was just drug problems, man. I got sucked into the darkness of partying and shit college kids do. I came clean to my parents and said, 'Look, I have a problem and need your help.' I stayed at my parent's for about a month and then moved across the state to Asheville, North Carolina. It took about a year for me to get my act together.  The band still continued and on January 6, 2007 they self-released a split CD with Welmers' solo project Moss of Aura, recorded in December 2006.

What was the lineup for the band before they made the Little Advances album?

OUT:
with an original line-up consisting of Cashion, Herring, Welmers and Erick Murillo