Problem: Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. One of the leading contemporary recording artists, she is known for narrative songs about her personal life, which have received widespread media coverage. Born and raised in Pennsylvania, Swift moved to Nashville, Tennessee at the age of 14 to pursue a career in country music. She signed with the label Big Machine Records and became the youngest artist ever signed by the Sony/ATV Music publishing house.

Swift uses her life experiences as an inspiration in her work. In her songs, Swift often addresses the "anonymous crushes of her high school years" and celebrities. Swift frequently criticizes ex-boyfriends, an aspect of her songwriting downplayed by The Village Voice: "Being told What Songs Mean is like having a really pushy professor. And it imperils a true appreciation of Swift's talent, which is not confessional, but dramatic." However, New York believes the media scrutiny over her decision to "mine her personal life for music ... is sexist, inasmuch as it's not asked of her male peers". The singer herself has said that not all her songs are factual and that they are sometimes based on observations. Aside from her liner note clues, Swift tries not to talk about song subjects specifically "because these are real people. You try to give insight as to where you were coming from as a writer without completely throwing somebody under the bus".  For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that's taking something that potentially should be celebrated--a woman writing about her feelings in a confessional way--that's taking it and turning it and twisting it into something that is frankly a little sexist.  The Guardian has praised Swift for writing about teenage years "with a kind of wistful, sepia-toned nostalgia" over the course of her first two albums. New York has remarked that many singer-songwriters have made great records as teens, but "none made great records so explicitly about their teens". The magazine has also compared her work to Brian Wilson. In Fearless, Swift featured fairy tale imagery and explored the disconnect "between fairy tales and the reality of love". Her later albums address more adult relationships. In addition to romance and love, Swift's songs have discussed parent-child relationships, friendships, alienation, fame, and career ambitions. Swift frequently includes "a tossed-off phrase to suggest large and serious things that won't fit in the song, things that enhance or subvert the surface narrative".  Rolling Stone describes Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture". According to The Village Voice, she uses third-verse point of view reversals frequently. In terms of imagery, repetition is evident in Swift's songwriting. In The Guardian's words, "she spends so much time kissin' in the rain that it seems a miracle she hasn't developed trenchfoot". Slant Magazine adds, "to Swift's credit, she explores new lyrical motifs over the course of [her fourth] album". Although reviews of Swift's work are "almost uniformly positive", The New Yorker has said she is generally portrayed "more as a skilled technician than as a Dylanesque visionary".

Has her songwriting style from country to pop changed?

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Problem: Louis "Louison" Bobet (pronounced [lwi.zo bo.be]; 12 March 1925 - 13 March 1983) was a French professional road racing cyclist. He was the first great French rider of the post-war period and the first rider to win the Tour de France in three successive years, from 1953 to 1955. His career included the national road championship (1950 and 1951), Milan-San Remo (1951), Giro di Lombardia (1951), Criterium International (1951 & 52), Paris-Nice (1952), Grand Prix des Nations (1952), world road championship (1954), Tour of Flanders (1955), Criterium du Dauphine Libere (1955), Tour de Luxembourg (1955), Paris-Roubaix (1956) and Bordeaux-Paris (1959).

Louis Bobet was born one of three children above his father's baker's shop in the rue de Montfort, Saint-Meen-le-Grand, near Rennes. His father gave him a bicycle when he was two and after six months he could ride it 6 km. Bobet's father was also called Louis and the son was called Louison - little Louis - to avoid confusion The ending -on is a diminutive in French but outside Brittany Louison refers more usually to a girl. He was known as Louis in his early years as a rider, even as a professional, until the diminutive Louison gained in popularity.  His sister played table tennis, his brother Jean football, although he also became a professional cyclist. Louison played both table tennis and football and became Brittany champion at table tennis. It was his uncle, Raymond, who was president of a cycling club in Paris who persuaded him to concentrate on cycling.  Bobet's first race was a 30 km event when he was 13. He came second in a sprint finish. He raced in his local area and won four events for unlicensed riders in 1941. He qualified for the final of the unofficial youth championship, the Premier Pas Dunlop in 1943 at Montlucon and came sixth. The winner was Raphael Geminiani, who would become a professional team-mate and rival.  Bobet is said to have carried messages for the Resistance during the second world war. After D-Day he joined the army and served in eastern France. He was demobilised in December 1945.

Did he perform other sport eventually?

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It was his uncle, Raymond, who was president of a cycling club in Paris who persuaded him to concentrate on cycling.