Problem: Background: Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
Context: Following Communication, Womack's profile was raised with two more albums, released in 1972. The first was Understanding, noted for the track "I Can Understand It", later covered by the funk band New Birth and a three-sibling lineup of Bobby's old group, the Valentinos, and two hit singles, "Woman's Gotta Have It" and "Harry Hippie". The latter song was written for Womack by Jim Ford in a country version, which Womack re-arranged in an R&B version. "Harry Hippie" later became Womack's first single to be certified gold. "Woman's Gotta Have It" became Womack's first single to hit number one on the R&B charts.  Another hit album released after Understanding was the soundtrack to the blaxploitation film Across 110th Street. The title track became popular during its initial 1972 release and later would be played during the opening and closing scenes of the 1997 film, Jackie Brown. In 1973, Womack released another hit album, Facts of Life, and had a top 40 hit with "Nobody Knows You When You're Down and Out," an older song Sam Cooke had done years before.  In 1974, Womack released his most successful single during this period with a remake of his first hit single, "Lookin' for a Love". His solo version of the song became even more successful than the original with the Valentinos, becoming his second number one hit on the R&B chart and peaking at number ten on the Billboard Hot 100, becoming his only hit to reach that high on the pop chart. The song was featured on the album Lookin' for a Love Again and featured the minor charted "You're Welcome, Stop on By", later covered by Rufus & Chaka Khan. Womack's career began stalling after Womack received the news of his brother Harry's death. Womack continued to record albums with United Artists through 1975 and 1976 but with less success than previous albums. In 1975, Womack collaborated with Rolling Stones member Ronnie Wood, on Wood's second solo album, Now Look.  Womack languished with his own recordings during the late 1970s but continued to be a frequent collaborator with other artists, most notably Wilton Felder of the Crusaders. In 1980, Wilton Felder released on MCA Records, the album Inherit The Wind, featuring Bobby Womack, that became a jazz-funk classic, notably in the UK - Robbie Vincent at Radio London included the track as one of his all-time winners in October 1982. In 1981, Womack signed with Beverly Glen Records and had his first R&B top 10 single in five years - since the 1976 single "Daylight" - with "If You Think You're Lonely Now" that peaked at number three on the R&B singles chart. His accompanying album The Poet reached number one on the R&B album charts and is now seen as the high point of his long career, bringing him wider acclaim not only in the U.S. but also in Europe. He had two more R&B top 10 singles during the 1980s including the Patti LaBelle duet, "Love Has Finally Come at Last", and "I Wish He Didn't Trust Me So Much". He had a hit featuring on the Wilton Felder single "(No Matter How High I Get) I'll Still Be Looking Up to You".
Question: Were there any onther hit singles?
Answer: Patti LaBelle duet, "Love Has Finally Come at Last", and "I Wish He Didn't Trust Me So Much".

Problem: Background: Sir Wesley Winfield Hall (born 12 September 1937) is a Barbadian former cricketer and politician. A tall, strong and powerfully built man, Hall was a genuine fast bowler and despite his very long run up, he was renowned for his ability to bowl long spells. Hall played 48 Test matches for the West Indies from 1958 to 1969. Hall's opening bowling partnership with fellow Barbadian Charlie Griffith was a feature of the strong West Indies teams throughout the 1960s.
Context: Hall had a magnificent, bounding approach, eyes bulging, teeth glinting, crucifix flying, climaxing in a classical cartwheel action and intimidating followthrough.  Hall was a tall and muscular cricketer, 6 feet 5 inches (196 cm) tall and bearing the "physique and strength of a bodybuilder." He had a graceful, classical action and one of the longest run-ups in Test cricket. A genuinely fast bowler, he was timed at 91 miles per hour (146 km/h). Hall was able to sustain pace and hostility for very long spells--during the Test against England at Lord's in 1963 he bowled unchanged for over three hours on the final day. While Hall was an aggressive fast bowler, he was not one to set out to injure the batsman. The England cricketer Ted Dexter--himself hit several times by Hall--said "there was never a hint of malice in [Hall] or in his bowling". Hall himself said after one of his deliveries fractured Australian cricketer Wally Grout's jaw "It made me sick to see Wal leaving and it made me sicker to hear some jokers in the crowd ranting on as though I had intentionally hurt [Grout]".  While Hall could never be described as an all-rounder, on occasions he was an effective batsman. His one century in first-class cricket was against Cambridge University Cricket Club at Fenners--scored in 65 minutes, the fastest century of the 1963 English season. Wisden said of this innings, "[Hall's] batting promised so much ... [he] made his runs in the classic mould, not in the unorthodox manner usually adopted by fast bowlers." With his characteristic humour, Hall said of this innings, "Ah, but it wasn't any old hundred, it was against the intelligentsia."  Hall was one of the most popular cricketers of his day. The Australian commentator Johnnie Moyes described Hall as "a rare box-office attraction, a man who caught and held the affections of the paying public." Hall was particularly popular in Australia. When invited back to play for Queensland in the Sheffield Shield in 1961-62, Hall arrived in Brisbane to "scenes more in keeping with the arrival of a pop star, a thousand people jamming the old terminal building at Eagle Farm airport to welcome him." Hall was fond of a bet and was a keen follower of horseracing. Hall is known as a good humoured man; C. L. R. James observed "Hall simply exudes good nature at every pore." Tony Cozier states "[Hall] is renowned for his entertaining, if prolonged oratory, as well as for his tardiness."
Question: Did his fellow players like him?
Answer:
" Hall was particularly popular