Question: Kennedy was born as Myles Richard Bass on November 27, 1969 in Boston, Massachusetts, and subsequently lived in Northern Idaho. As a child, he moved to Spokane, Washington, where he grew up in a Christian Science family on a farm. His father, Richard Bass, died when he was four years old and his mother subsequently went on to marry a Methodist minister, and the family took the surname Kennedy. Before Kennedy attended Mead High School (which he attended with football player Jason Hanson), he found musical inspiration from Led Zeppelin, Marvin Gaye, Stevie Wonder, and John Sykes' Blue Murder band.

In 1995, Kennedy started teaching guitar in a store called Rock City Music. By August 1996, he became the lead vocalist and lead guitarist of The Mayfield Four, a rock band he formed with his childhood friends Zia Uddin, Marty Meisner, and Craig Johnson (also of Citizen Swing). They signed a contract with Epic Records thanks to a critically acclaimed demo called Thirty Two Point Five Hours that the band recorded in 1996, followed by a live extended play called Motion in 1997. The Mayfield Four's debut album, Fallout, was supported with a fifteen-month tour with bands such as Creed, Big Wreck, and Stabbing Westward. The album was praised by critics, but it failed to chart, and ultimately became the only album by the band to feature rhythm guitarist Craig Johnson, who was fired from the band due to undisclosed reasons.  Following the Fallout tour, Kennedy made an appearance in the 2001 drama film Rock Star starring Mark Wahlberg and Jennifer Aniston. He said that he got a call from his manager telling him that the filmmakers needed someone who could sing high and that his name was suggested. On the set of the film, he met Wahlberg along with Zakk Wylde and Jason Bonham, who also appeared in the movie alongside several other notable musicians. Kennedy was the only actor in the movie whose actual singing voice was used. In the movie, directly paralleling a scene at the beginning of the film, Kennedy's character (Mike, also known as "Thor") is noticed by Wahlberg's character, Chris "Izzy" Cole, the lead singer of Thor's favorite band, Steel Dragon. Izzy pulls Thor onstage and sings the rest of the song with him, eventually telling him to finish the rest of the band's concert. The film was met with mostly mixed reviews, garnering a 52% "Rotten" score on Rotten Tomatoes.  The Mayfield Four's second and final album, Second Skin, was released in June 2001. Kennedy has since said that it is one of the most personal records he has made. The album has been critically acclaimed and Kennedy has commented on how it and Fallout are much more popular now than when they were released.  Though popular, The Mayfield Four never garnered enough exposure to break into the mainstream. In 2002, the future of the band began to look unlikely, and Kennedy began recording new music, which he described as "Daniel Lanois meets Massive Attack." The band went on hiatus that year, and would ultimately disband. In an interview with Pulse Weekly in 2004, Kennedy said that it was because he was "burned out with the whole rock industry at that point." However, three previously unreleased songs appeared on a fan-run Myspace page dedicated to and approved by The Mayfield Four in early 2010, causing rumors of a possible reunion to begin circulating. However, when asked about this during an interview, Kennedy replied that he does not see it happening.

Using a quote from the above article, answer the following question: how long did he teach there?
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Answer: By August 1996, he became the lead vocalist and lead guitarist of The Mayfield Four,

Problem: Octavia Estelle Butler was born on June 22, 1947, in Pasadena, California, the only child of Octavia Margaret Guy, a housemaid, and Laurice James Butler, a shoeshine man. Butler's father died when she was seven, so Octavia was raised by her mother and maternal grandmother in what she would later recall as a strict Baptist environment. Growing up in the racially integrated community of Pasadena allowed Butler to experience cultural and ethnic diversity in the midst of racial segregation. She accompanied her mother to her cleaning work, where the two entered white people's houses through back doors, as workers.

Most critics praise Butler for her unflinching exposition of human flaws, which she depicts with striking realism. The New York Times regarded her novels as "evocative" if "often troubling" explorations of "far-reaching issues of race, sex, power". The Magazine of Fantasy and Science Fiction called her examination of humanity "clear-headed and brutally unsentimental" and Village Voice's Dorothy Allison described her as "writing the most detailed social criticism" where "the hard edge of cruelty, violence, and domination is described in stark detail." Locus regarded her as "one of those authors who pay serious attention to the way human beings actually work together and against each other, and she does so with extraordinary plausibility." The Houston Post ranked her "among the best SF writers, blessed with a mind capable of conceiving complicated futuristic situations that shed considerable light on our current affairs."  Scholars, on the other hand, focus on Butler's choice to write from the point of view of marginal characters and communities and thus "expanded SF to reflect the experiences and expertise of the disenfranchised." While surveying Butler's novels, critic Burton Raffel noted how race and gender influence her writing: "I do not think any of these eight books could have been written by a man, as they most emphatically were not, nor, with the single exception of her first book, Pattern-Master (1976), are likely to have been written, as they most emphatically were, by anyone but an African American." Robert Crossley commended how Butler's "feminist aesthetic" works to expose sexual, racial, and cultural chauvinisms because it is "enriched by a historical consciousness that shapes the depiction of enslavement both in the real past and in imaginary pasts and futures."  Butler has been praised widely for her spare yet vivid style, with Washington Post Book World calling her craftsmanship "superb". Burton Raffel regards her prose as "carefully, expertly crafted" and "crystalline, at its best, sensuous, sensitive, exact not in the least directed at calling attention to itself."

Does she have a lot of fanbase?

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