Answer the question at the end by quoting:

Keane was born into a working class family in Ballinderry Park, Mayfield, Cork. His father, Maurice, took work wherever he could find, which led to jobs at a local knitwear company and at Murphy's Irish Stout brewery, among others. His family were keen on sport, football especially, and many of his relatives had played for junior clubs in Cork, including Rockmount. Keane took up boxing at the age of nine and trained for a number of years, winning all of his four bouts in the novice league.
Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a blatant knee-high foul on Alf-Inge Haland in what was seen by many as an act of revenge. He initially received a three-match suspension and a PS5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended "to hurt" Haland. Keane's account of the incident was as follows:  I'd waited long enough. I fucking hit him hard. The ball was there (I think). Take that you cunt. And don't ever stand over me sneering about fake injuries.  An admission that the tackle was in fact a premeditated assault, it left the FA with no choice but to charge Keane with bringing the game into disrepute. He was banned for a further five matches and fined PS150,000 in the ensuing investigation. Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: "My attitude was, fuck him. What goes around comes around. He got his just rewards. He fucked me over and my attitude is an eye for an eye", and said he would probably do the same thing again.  Haland later implied that the tackle effectively finished his playing career as he never played a full game afterwards. However, Haland did complete the match and played 68 minutes of the following game. He also played a friendly for Norway in between both matches. It was, in fact, a long-standing injury to his left knee that ended his career rather than his right.

What was the incident at Alf-Inge Haland?

he was sent off for a blatant knee-high foul on Alf-Inge Haland in what was seen by many as an act of revenge.



Answer the question at the end by quoting:

Cooper was born on May 7, 1901, in Helena, Montana to Alice (nee Brazier, 1873-1967) and Charles Henry Cooper (1865-1946). His father had emigrated from Houghton Regis, Bedfordshire and was a prominent lawyer, rancher, and (later) a Montana Supreme Court justice. His mother had emigrated from Gillingham, Kent and married Charles in Montana. In 1906, Charles purchased the 600-acre (240 ha) Seven-Bar-Nine cattle ranch about fifty miles (eighty kilometers) north of Helena near the town of Craig on the Missouri River.
In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name.  Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week.  Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters.  In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.

Are there any other interesting aspects about this article?
Cooper also found work in a variety of non-Western films,