Problem: Fibber McGee and Molly was an American radio comedy series. A staple of the NBC Red Network for the show's entire run and one of the most popular and enduring radio series of its time, the prime time situation comedy ran as a standalone series from 1935 to 1956, then continued as a short-form series as part of the weekend Monitor from 1957 to 1959. The title characters were created and portrayed by Jim and Marian Jordan, a real-life husband and wife team that had been working in radio since the 1920s. Fibber McGee and Molly, which followed up the Jordans' previous radio sitcom Smackout, followed the adventures of a working-class couple, the habitual storyteller Fibber McGee and his sometimes terse but always loving wife

Fibber McGee and Molly spun two supporting characters off into their own shows. By far the most successful and popular was Harold Peary's Gildersleeve, spun into The Great Gildersleeve in 1941. This show introduced single parenthood of a sort to creative broadcasting: the pompous, previously married Gildersleeve now moved to Summerfield, became single (although the missing wife was never explained), and raised his orphaned, spirited niece and nephew, while dividing his time between running his manufacturing business and (eventually) becoming the town water commissioner. In one episode, the McGees arrived in Summerfield for a visit with their old neighbor with hilarious results: McGee inadvertently learns Gildersleeve is engaged, and he practically needs to be chloroformed to perpetuate the secret a little longer.  Peary returned the favor in a memorable 1944 Fibber McGee & Molly episode in which neither of the title characters appeared: Jim Jordan was recovering from a bout of pneumonia (this would be written into the show the following week, when the Jordans returned), and the story line involved Gildersleeve and nephew Leroy hoping to visit the McGees at home during a train layover in Wistful Vista, but finding Fibber and Molly not at home. At the end of the episode, Gildersleeve discovers the couple had left in a hurry that morning when they received Gildy's letter saying he would be stopping over in Wistful Vista.  Marlin Hurt's Beulah was also spun off, leading to both a radio and television show that would eventually star Hattie McDaniel and Ethel Waters.  Jim and Marian Jordan themselves occasionally appeared on other programs, away from their Fibber and Molly characters. One memorable episode of Suspense ("Backseat Driver", 02-03-1949) cast the Jordans as victims of a car-jacking; Jim Jordan's tense, interior monologues were especially dramatic.

What else can you tell me about the spin offs?

Answer with quotes: Peary returned the favor in a memorable 1944 Fibber McGee & Molly episode in which neither of the title characters appeared:

Background: Manowar is an American heavy metal band from Auburn, New York. Formed in 1980, the group is known for lyrics based on fantasy (particularly sword and sorcery) and mythology (particularly Norse mythology and Greco-Roman mythology). The band is also known for a loud and bombastic sound. In an interview for MTV in February 2007, bassist Joey DeMaio lamented that "these days, there's a real lack of big, epic metal that is drenched with crushing guitars and choirs and orchestras...
Context: On June 1, 2010, Classic Rock magazine published an interview with drummer Scott Columbus who said he had not worked with the band since April 2008 and had left the band. No official statement from Manowar has been made as yet and their website still includes Columbus on the promotional pictures and current lineup. He also said that statements made in the past, regarding his break in 1990 and 2008 because of an illness and a personal tragedy, were largely untrue and were made without his agreement. Later that year, on October 15, 2010, Joey DeMaio announced on Facebook that Hamzik was officially a member of Manowar again after a 26-year absence. Scott Columbus died less than a year later on April 4, 2011, aged 54. His cause of death is still uncertain.  Manowar's subsequent release was a re-recording of their 1982 debut album, Battle Hymns. This album was released on November 26, 2010, with the narration of Sir Christopher Lee and formally entitled Battle Hymns MMXI. A special edition of the album featuring 4 live tracks from the first leg of the Battle Hymns Tour was released on July 26, 2011.  On July 21, 2011 the band played a UK tour for the first time in 16 years in November and played Battle Hymns in its entirety.  Manowar's new studio album, The Lord of Steel, was released worldwide on June 16, 2012 exclusively on iTunes and on the band's own online store. The album sees a reversion from the symphonic elements present on the Gods of War album back to a more straightforward, heavy metal sound. The song 'El Gringo' from the album has also been featured as a part of the soundtrack to the film El Gringo.  After the Lord of Steel tour was over in 2013, Manowar released a live EP, titled The Lord of Steel Live, which included six live tracks recorded during the tour.
Question: Were there any singles from the album?
Answer: six live tracks

Question:
The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".
With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway.
Answer this question using a quote from the text above:

Did they win any awards?

Answer:
none of the songs gained much commercial success.