Question:
Orci was born in Mexico City on July 20, 1973, to a Mexican father and a Cuban mother. His mother immigrated to the United States with her parents after Fidel Castro came to power. Orci grew up in Mexico, and moved with his family to the United States at the age of 10. He was raised in Texas, Los Angeles and Canada.
Orci's first credit solely as a producer came with the film Eagle Eye, where he worked once again alongside Kurtzman. He said in an interview with the magazine Extra that he had previously been involved in productions where the producers had writing backgrounds and had looked to them for help, and he was happy to provide that same support to the writers on Eagle Eye. The director of the film, D. J. Caruso, praised the duo saying that "What's unusually cool about them is that they have maintained the producer-writer power that they earned in television and carried that over into the feature film area, and that is extremely rare." Following their work on Eagle Eye, they were executive producers on the Sandra Bullock film, The Proposal.  Despite their film careers, Orci and Kurtzman continued to create television series. These included Sleepy Hollow, which they developed alongside Phillip Iscove. They pitched the series to a number of networks, and it was picked up by Fox. Orci took five years to bring the series Matador to television, with it originating from a conversation with his cousin Andrew. It was created for Robert Rodriguez's El Rey Network, and Rodriguez's one demand of the show was that he could direct the pilot episode. Orci later explained in an interview that it was an easy decision, and he needed to pretend to consider it.  Orci and Kurtzman also worked together as executive producers on the animated television series, Transformers: Prime, due to their involvement with the live action movies. Following the end of the series they were hopeful to be involved in a future animated series based on the premise, which Orci saw less like a reboot of the show and more of a continuation in a different guise. He felt that while Prime was sophisticated, there were concerns that it was leaving younger viewers behind because of its complexity and intensity.
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Did he produce any movies which he also wrote?

Answer:
Following their work on Eagle Eye, they were executive producers on the Sandra Bullock film, The Proposal.


Question:
Graziano was the son of Ida Scinto and Nicola Barbella. Barbella, nicknamed Fighting Nick Bob, was a boxer with a brief fighting record. Born in Brooklyn, Graziano later moved to an Italian enclave centered on East 10th Street, between First Avenue and Avenue A in Manhattan's East Village. He grew up as a street fighter and learned to look after himself before he could read or write.
As he grew older and seeing no other way to raise his standard of living, Graziano signed a few boxing contracts, but the rigors of training disinterested him. He and his early managers went their separate ways but eventually, he was picked up by Irving Cohen who had the sense to give him a long leash. Cohen changed the young fighter's name from Barbella to Graziano (his grandfather's surname) and lined up a fight. Refusing to train much, Graziano nevertheless showed his killer instinct and won by a knockout. Other fights were lined up with Cohen trying, in his subtle way, to overmatch Graziano, get him defeated, and thereby show him the value of getting into condition. He even demanded a match against Sugar Ray Robinson.  In March 1945, at Madison Square Garden, Graziano scored a major upset over Billy Arnold, whose style was similar to that of Sugar Ray Robinson; he was a slick boxer with lightning-fast combinations and a knockout punch. The Ring magazine and various newspapers across the United States touted Arnold as the next Joe Louis or Sugar Ray Robinson. Arnold was a heavy favorite to defeat Graziano and then to go on to fight for the world title, but Graziano absorbed a beating in the early going, before going on to batter and knock Arnold out in the third round of the scheduled eight-round bout. Following his defeat to Graziano, Arnold was never the same.  Graziano is most famous for his three title bouts with Tony Zale, all for the middleweight title. In their first match (September 27, 1946), after flooring Graziano in the first round, Zale took a savage beating from him, and was on the verge of losing the fight by TKO. However, he rallied and knocked him out in the sixth round to retain his title. The rematch, a year later in Chicago (July 16, 1947), was a mirror image of their first fight. The referee almost stopped the second fight in the third round because of a severe cut over Graziano's left eye, which would have awarded the victory to Zale, but Graziano's cutman, Morris ("Whitey") Bimstein, was able to stop the bleeding to let the fight continue. Graziano was battered around the ring, suffered a closed eye and appeared ready to lose by a knockout, then rallied and knocked Zale out in the sixth round, becoming world middleweight champion. Their last fight was held in New Jersey the following year (June 10, 1948). Zale regained his crown, winning the match by a knockout in the third round. The knockout blows consisted of a perfect combination of a right to Graziano's body, then a left hook to his jaw. He was knocked unconscious. His last attempt at the middleweight title came in April 1952, when he fought Sugar Ray Robinson. He dropped him to his knee with a right in the third round. Less than a minute later, Robinson knocked him out for the count with a right to the jaw. He retired after losing his very next fight, a 10-round decision to Chuck Davey.
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Did he ever change anything about his career?

Answer:
Robinson knocked him out for the count with a right to the jaw. He retired after losing his very next fight, a 10-round decision to Chuck Davey.