input: Walker released his twenty-third single, "Say No More", for Giant in early 2001. It was the first single release from his sixth studio album of the same name, peaking at number 33 on the country chart; the only other single, the Jerry Kilgore co-write "If You Ever Feel Like Lovin' Me Again", reached number 27. The latter song was promoted by Giant's parent company, Warner Bros. Records Nashville, as Giant had closed in late 2001. Walker co-produced the album with veteran producers Byron Gallimore and Blake Mevis, and session guitarist Brent Mason. The album also included a song that Walker wrote in high school, and a cover of Ritchie Valens's "La Bamba." Maria Konicki Dinoia of Allmusic rated it three stars, with her review saying that "the sensitivity on this album is so expressive that it makes you want to run right out and hug the one you love." Country Standard Time critic Mike Clark considered it a transition to a more country pop-oriented sound, describing the album as being "full of bad lyrics and overwrought production cliches."  In 2002, Walker wrote and recorded a song for the National Football League's expansion team, the Houston Texans. Titled "Football Time in Houston," the song was used as the team's official fight song during its inaugural season. In an interview with CMT, he said that he donated the song to the city of Houston, and that he sings "The Star-Spangled Banner" at the team's opening game every season.  Although he had left Warner Bros. for RCA Records' Nashville division in May 2002, Warner Bros. released a Christmas music album entitled Christmas in September of the same year. It included a cover of Jose Feliciano's "Feliz Navidad", which Walker took to number 49 on the country chart in January 2003.

Answer this question "What was clay walker  working on during this time"
output: Walker released his twenty-third single, "Say No More", for Giant in early 2001.

input: In 2002, Iglesias decided to release a fourth Spanish-language album titled Quizas (Perhaps). A more polished musical production than his previous Spanish albums and containing more introspective songs, the album's title track is a song about the strained relationship Iglesias has with his famous father.  The album debuted at number twelve on the Billboard 200 albums chart, the highest placement of a Spanish language album on the chart at that period. Quizas sold a million copies in a week, making it the fastest-selling album in Spanish in five years. The three singles released from the album all ended up topping the Latin chart, giving Iglesias a total of sixteen number ones on the chart. He currently holds the record for the most number one singles on Billboard's Latin Chart. His last single from the album, "Para Que La Vida", reached a million spins on U.S. radio, the only Spanish language song to do so.  The video to the song "Quizas" was the first Spanish language music video to be added to the selection on one of MTV's popular shows, Total Request Live. Iglesias performed the song on The Tonight Show with Jay Leno, becoming the first to sing a Spanish song on the show, and opening doors for other artists such as Ricky Martin, Juanes and Jorge Drexler to perform their Spanish material. Iglesias included songs from Quizas in his "Don't Turn Off the Lights Tour", and the album went on to win the Latin Grammy Award for Best Pop Vocal Album.  By 2003 Iglesias released his seventh album, which he called 7, the second to be co-written by Iglesias. Among its more 1980s-inspired material, it features the song "Roamer", which he wrote with his friend and longtime guitarist, Tony Bruno. The CD also contained the song "Be Yourself", a song about independence (the chorus talks about how Iglesias' own parents did not believe he'd ever succeed in his singing career). The first single was the song "Addicted", and was followed closely by a remix of the song "Not in Love", featuring Kelis.  With this album, Iglesias went on his biggest world tour to date. The highly publicised tour started with twelve shows in the United States ending with Iglesias playing at Houston Rodeo and continued on to several countries, most of which he'd never previously visited playing to sold-out arenas and stadiums in Australia, India, Egypt and Singapore before ending his tour in South Africa.

Answer this question "Who co-wrote the album with Iglesias?"
output: his friend and longtime guitarist, Tony Bruno.

input: Ken Chinn met twin brothers Brent and Marc Belke in Edmonton in the late 1970s. The three were teenagers who shared interests in the skateboarding subculture and burgeoning punk rock movement. In 1981, they formed the punk band Live Sex Shows with drummer Ed Dobek and bassist Phil Larson. The band broke up later that year after a few gigs.  Chinn and the Belkes began a new group, Society's No Fucking Use, shortened to Society's NFU. The initial lineup was completed by bassist Warren Bidlock and drummer Evan C. Jones. After a few months of gigging, Bidlock departed due to stage fright. The group recorded their debut, two-song demo cassette "Life of a Bag Lady", with Scott Juskiw playing bass as a studio guest.  Bassist Jimmy Schmitz replaced Bidlock late in 1982, and the group adopted the SNFU moniker. Two studio tracks on the It Came From Inner Space compilation LP on Rubber Records followed early in 1983. (These recordings were later re-released on the Real Men Don't Watch Quincy bootleg 7" in 1990.) SNFU gradually built an audience throughout North America on the strength of their aggressive live set, their support for touring acts such as Youth Brigade, the Dead Kennedys, and GBH, and their track "Victims of the Womanizer" on the Something to Believe In compilation LP released on the American label BYO Records.  SNFU's debut album, ...And No One Else Wanted to Play, was recorded in Los Angeles and released via BYO in 1985. The album made an immediate impact in the underground punk scene, with noted artist Pushead writing in Maximumrocknroll that the album's "[r]igorous energy push[es] the limits of power with knocking flurry and extreme excitement." Pushead concluded that the album was "a scorcher."

Answer this question "What is the moniker?"
output:
Two studio tracks on the It Came From Inner Space compilation LP on Rubber Records followed early in 1983.