input: In 1999, a new production had its pre-Broadway engagement at the Kennedy Center, Washington, D.C., from December 29, 1998 to January 24, 1999. Previews began on Broadway on February 2, 1999 at the Marquis Theatre, with an official opening on March 4, 1999, and closed on September 1, 2001 after 35 previews and 1,045 performances.  This revival starred Bernadette Peters as Annie and Tom Wopat as Frank, and Ron Holgate as Buffalo Bill, with direction by Graciela Daniele, choreographey by Jeff Calhoun, and music arrangements by John McDaniel. Peters won the 1999 Tony Award for Best Leading Actress in a Musical and the production won the Tony for Best Revival of a Musical.  This production had a revised book by Peter Stone and new orchestrations, and was structured as a "show-within-a-show", set as a Big Top travelling circus. "Frank Butler" is alone on stage and Buffalo Bill introduces the main characters, singing "There's No Business Like Show Business", which is reprised when "Annie" agrees to join the traveling Wild West show. The production dropped several songs (including "Colonel Buffalo Bill", "I'm A Bad, Bad Man", and "I'm an Indian Too"), but included "An Old-Fashioned Wedding". There were several major dance numbers added, including a ballroom scene. A sub-plot which had been dropped from the 1966 revival, the romance between Winnie and Tommy, her part-Native-American boyfriend, was also included. In the 1946 production, Winnie was Dolly's daughter, but the 1966 &1999 productions she is Dolly's younger sister. In this version, the final shooting match between Annie and Frank ends in a tie.

Answer this question "Was there a pre broadway?"
output: In 1999, a new production had its pre-Broadway engagement at the Kennedy Center, Washington, D.C.,

input: Breaking with convention, Duncan imagined she had traced dance to its roots as a sacred art. She developed from this notion a style of free and natural movements inspired by the classical Greek arts, folk dances, social dances, nature and natural forces as well as an approach to the new American athleticism which included skipping, running, jumping, leaping and tossing.  Duncan's philosophy of dance moved away from rigid ballet technique and towards what she perceived as natural movement. To restore dance to a high art form instead of merely entertainment, she strove to connect emotions and movement: "I spent long days and nights in the studio seeking that dance which might be the divine expression of the human spirit through the medium of the body's movement." She believed dance was meant to encircle all that life had to offer--joy and sadness. Duncan took inspiration from ancient Greece and combined it with an American love of freedom. Her movement was feminine and arose from the deepest feelings in her body. This is exemplified in her revolutionary costume of a white Greek tunic and bare feet. Inspired by Greek forms, her tunics also allowed a freedom of movement that corseted ballet costumes and pointe shoes did not. Costumes were not the only inspiration Duncan took from Greece: she was also inspired by ancient Greek art, and utilized some of its forms in her movement (see image).  Duncan wrote of American dancing: "let them come forth with great strides, leaps and bounds, with lifted forehead and far-spread arms, to dance." Her focus on natural movement emphasized steps, such as skipping, outside of codified ballet technique. Duncan also cited the sea as an early inspiration for her movement. Also, she believed movement originated from the solar plexus, which she thought was the source of all movement. It is this philosophy and new dance technique that garnered Duncan the title of the creator of modern dance.

Answer this question "what were some details of her technique?"
output: she believed movement originated from the solar plexus,

input: Studdard's third album, The Return was released in October 2006; it goes back to his R&B roots, but is different from his previous efforts. Studdard collaborated with the artist Ne-Yo on this album, along with a variety of producers. The single "Change Me" was released ahead of the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that, not approaching those of his earlier albums. However, Studdard did have good success on the Urban Contemporary chart with "Change Me" (which reached number one) and its successor "Make Ya Feel Beautiful". Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening."  Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY.  In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings, however. As such he was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam.  Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night Grand Finale of American Idol's seventh season.

Answer this question "what happened in 2006?"
output:
Studdard's third album, The Return was released in October 2006;