Question: The Vedic period or Vedic age (c. 1500 - c. 600 BCE) is the period in the history of the Indian subcontinent intervening between the end of the urban Indus Valley Civilization, and a second urbanisation which began in c. 600 BCE. It gets its name from the Vedas, which are liturgical texts containing details of life during this period that have been interpreted to be historical and constitute the primary sources for understanding the period. The Vedas were composed and orally transmitted by speakers of an Old Indo-Aryan language who had migrated into the northwestern regions of the Indian subcontinent early in this period. The associated Vedic culture was tribal and pastoral until c. 1200 or 1100 BCE, and centred in the Punjab.

The commonly accepted period of earlier Vedic age is dated back to the second millennium BCE. After the collapse of the Indus Valley Civilisation, which ended c. 1900 BCE, groups of Indo-Aryan peoples migrated into north-western India and started to inhabit the northern Indus Valley. The Indo-Aryans were a branch of the Indo-Iranians, which--according to the most widespread hypothesis--have originated in the Andronovo culture in the Bactria-Margiana era, in present northern Afghanistan.  Some writers and archaeologists have opposed the notion of a migration of Indo-Aryans into India. Edwin Bryant and Laurie Patton used the term "Indo-Aryan Controversy" for an oversight of the Indo-Aryan Migration theory, and some of its opponents. These ideas are outside the academic mainstream. Mallory and Adams note that two types of models "enjoy significant international currency" as to the Indo-European homeland, namely the Anatolian hypothesis, and a migration out of the Eurasian steppes. According to Upinder Singh, "The original homeland of the Indo-Europeans and Indo-Aryans is the subject of continuing debate among philologists, linguists, historians, archaeologists and others. The dominant view is that the Indo-Aryans came to the subcontinent as immigrants. Another view, advocated mainly by some Indian scholars, is that they were indigenous to the subcontinent."  The knowledge about the Aryans comes mostly from the Rigveda-samhita, i. e. the oldest layer of the Vedas, which was composed c. 1500-1200 BCE. They brought with them their distinctive religious traditions and practices. The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion, and the Indo-Iranian religion. According to Anthony, the Old Indic religion probably emerged among Indo-European immigrants in the contact zone between the Zeravshan River (present-day Uzbekistan) and (present-day) Iran. It was "a syncretic mixture of old Central Asian and new Indo-European elements", which borrowed "distinctive religious beliefs and practices" from the Bactria-Margiana Culture.

Using a quote from the above article, answer the following question: What were some of the religious practices?
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Problem: Kintaro Hayakawa (June 10, 1889 - November 23, 1973), known professionally as Sessue Hayakawa, was a Japanese actor. He was one of the biggest stars in Hollywood during the silent film era of the 1910s and 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a leading man in the United States and Europe. His "broodingly handsome" good looks and typecasting as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male sex symbols of Hollywood.

Hayakawa was born Kintaro Hayakawa (Zao Chuan  Jin Tai Lang , Hayakawa Kintaro) in the village of Nanaura, now part of a town called Chikura, in the city of Minamiboso in Chiba Prefecture, Japan, on June 10, 1889.  From an early age, Hayakawa's family intended him to become an officer in the Imperial Japanese Navy. However, while a student at the naval academy in Etajima, he swam to the bottom of a lagoon (he grew up in a shellfish diving community) on a dare and ruptured his eardrum. The injury caused him to fail the navy physical. His father felt shame and embarrassment by his son's failure and this drove a wedge between them. The strained relationship drove the 18-year-old Hayakawa to attempt seppuku (ritual suicide). One evening, Hayakawa entered a shed on his parents' property and prepared the venue. He put his dog outside and attempted to uphold his family's samurai tradition by stabbing himself more than 30 times in the abdomen. The barking dog brought Hayakawa's parents to the scene and his father used an axe to break down the door, saving his life.  After he recovered from the suicide attempt, Hayakawa began to study political economics at the University of Chicago to fulfill his family's new wish that he become a banker. While a student, he played quarterback for the football team and was once penalized for using jujitsu to bring down an opponent.  Hayakawa graduated from the University of Chicago in 1912, and subsequently made plans to return to Japan. He traveled to Los Angeles and awaited a transpacific steamship. During his stay, he discovered the Japanese Theatre in Little Tokyo and became fascinated with acting and performing plays. It was around this time that Hayakawa first assumed the stage name Sessue (Xue Zhou , Sesshu), meaning "snowy field" (Xue  means "snow" and Zhou  means "north field"). One of the productions in which Hayakawa performed was called The Typhoon. Tsuru Aoki, a member of the acting troupe, was so impressed with Hayakawa's abilities and enthusiasm that she enticed film producer Thomas H. Ince to see the play. Ince saw the production and offered to turn it into a silent film with the original cast. Anxious to return to Japan, Hayakawa tried to dissuade Ince by requesting the then-astronomic fee of $500 a week, but Ince agreed to his request.  The Typhoon (1914) became an instant hit and was followed by two additional pictures produced by Ince, The Wrath of the Gods (1914) co-starring Hayakawa's new wife, Aoki, and The Sacrifice (1914). With Hayakawa's rising stardom, Jesse L. Lasky soon offered Hayakawa a contract, which he accepted, making him part of Famous Players-Lasky (now Paramount Pictures).

What was his life like growing up?

Answer with quotes:
His father felt shame and embarrassment by his son's failure and this drove a wedge between them.