Answer the question at the end by quoting:

Frances Burney (13 June 1752 - 6 January 1840), also known as Fanny Burney and after her marriage as Madame d'Arblay, was an English satirical novelist, diarist and playwright. She was born in Lynn Regis, now King's Lynn, England, on 13 June 1752, to the musician and music historian Dr Charles Burney (1726-1814) and his first wife, Esther Sleepe Burney (1725-1762). The third of her mother's six children, she was self-educated and began writing what she called her "scribblings" at the age of ten. In 1793, aged 41, she married a French exile, General Alexandre D'Arblay.
The first entry in her journal was made on 27 March 1768, addressed to "Nobody". It was to extend over 72 years. A talented storyteller with a strong sense of character, Burney often wrote these "journal-diaries" as a form of correspondence with family and friends, recounting to them events from her life and her observations upon them. Her diary contains the record of her extensive reading in her father's library, as well as the visits and behaviour of the various important arts personalities who came to their home. Frances and her sister Susanna were particularly close, and it was to this sister that Frances would correspond throughout her adult life, in the form of such journal-letters.  Burney was fifteen by the time her father remarried in 1767. Entries in her diaries suggest that she was beginning to feel pressure to give up her writing, as something "unladylike" that "might vex Mrs. Allen." Feeling that she had transgressed what was proper, she burnt that same year her first manuscript, The History of Caroline Evelyn, which she had written in secret. Despite this repudiation of writing, Frances kept up her diaries and in them wrote an account of the emotions that led up to that dramatic act. She eventually recouped some of the effort that went into the first manuscript by using it as a foundation for her first novel, Evelina, which follows the life of the fictional Caroline Evelyn's daughter.  In keeping with this sense of impropriety that Burney felt towards her own writing, she savagely edited earlier parts of her diaries in later life, destroying much of the material. Editors Lars Troide and Joyce Hemlow recovered some of this obscured material while researching their late 20th-century editions of the journals and letters.

Is there anything else notable?

In keeping with this sense of impropriety that Burney felt towards her own writing, she savagely edited earlier parts of her diaries in later life, destroying much of the material.

IN: "Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre.

A rapid series of rhythmic and harmonic changes introduces a pseudo-operatic midsection, which contains the bulk of the elaborate vocal multi-tracking, depicting the narrator's descent into hell. While the underlying pulse of the song is maintained, the dynamics vary greatly from bar to bar, from only Mercury's voice accompanied by a piano to a multi-voice choir supported by drums, bass, piano and Timpani. The choir effect was created by having May, Mercury, and Taylor repeatedly sing their vocal parts, resulting in 180 separate overdubs. These overdubs were then combined into successive submixes. According to Roger Taylor, the voices of May, Mercury and himself combined created a wide vocal range: "Brian could get down quite low, Freddie had a powerful voice through the middle, and I was good at the high stuff." The band wanted to create "a wall of sound, that starts down and goes all the way up". The band used the bell effect for lyrics "Magnifico" and "Let me go". Also, on "Let him go", Taylor singing the top section carries his note on further after the rest of the "choir" have stopped singing.  Lyrical references in this passage include Scaramouche, the fandango, Galileo Galilei, Figaro, Beelzebub and Bismillah, as rival factions fight over the narrator's soul. The section concludes with a full choral treatment of the lyric "Beelzebub has a devil put aside for me!", on a block B major chord. Roger Taylor tops the final chord with a falsetto B in the fifth octave (B5).  Using the 24-track technology available at the time, the "opera" section took about three weeks to finish. Producer Roy Thomas Baker said "Every time Freddie came up with another 'Galileo', I would add another piece of tape to the reel." Baker recalls that they kept wearing out the tape, which meant having to do transfers.

Is there anything else I should know about the Opera part of the song?

OUT:
Lyrical references in this passage include Scaramouche, the fandango, Galileo Galilei, Figaro, Beelzebub and Bismillah,