Problem: The British people, or the Britons, are the citizens of the United Kingdom of Great Britain and Northern Ireland, the British Overseas Territories, and the Crown dependencies. British nationality law governs modern British citizenship and nationality, which can be acquired, for instance, by descent from British nationals. When used in a historical context, "British" or "Britons" can refer to the Celtic Britons, the indigenous inhabitants of Great Britain and Brittany, whose surviving members are the modern Welsh people, Cornish people and Bretons. Although early assertions of being British date from the Late Middle Ages, the creation of the united Kingdom of Great Britain in 1707 triggered a sense of British national identity.

The indigenous people of the British Isles have a combination of Celtic, Norse, Anglo-Saxon and Norman ancestry.  Between the 8th and 11th centuries, "three major cultural divisions" had emerged in Great Britain: the English, the Scots and the Welsh, the earlier Brittonic Celtic polities in what are today England and Scotland having finally been absorbed into Anglo-Saxon England and Gaelic Scotland by the early 11th century. The English had been unified under a single nation state in 937 by King Athelstan of Wessex after the Battle of Brunanburh. Before then, the English (known then in Old English as the Anglecynn) were under the governance of independent Anglo-Saxon petty kingdoms which gradually coalesced into a Heptarchy of seven powerful states, the most powerful of which were Mercia and Wessex. Scottish historian and archaeologist Neil Oliver said that the Battle of Brunanburh would "define the shape of Britain into the modern era", it was a "showdown for two very different ethnic identities - a Norse Celtic alliance versus Anglo Saxon. It aimed to settle once and for all whether Britain would be controlled by a single imperial power or remain several separate independent kingdoms, a split in perceptions which is still very much with us today". However, historian Simon Schama suggested that it was Edward I of England who was solely "responsible for provoking the peoples of Britain into an awareness of their nationhood" in the 13th century. Scottish national identity, "a complex amalgam" of Gaelic, Brittonic, Pictish, Norsemen and Anglo-Norman origins, was not finally forged until the Wars of Scottish Independence against the Kingdom of England in the late 13th and early 14th centuries.  Though Wales was conquered by England, and its legal system replaced by that of the Kingdom of England under the Laws in Wales Acts 1535-1542, the Welsh endured as a nation distinct from the English, and to some degree the Cornish people, although conquered into England by the 11th century, also retained a distinct Brittonic identity and language. Later, with both an English Reformation and a Scottish Reformation, Edward VI of England, under the counsel of Edward Seymour, 1st Duke of Somerset, advocated a union with the Kingdom of Scotland, joining England, Wales, and Scotland in a united Protestant Great Britain. The Duke of Somerset supported the unification of the English, Welsh and Scots under the "indifferent old name of Britons" on the basis that their monarchies "both derived from a Pre-Roman British monarchy".  Following the death of Elizabeth I of England in 1603, the throne of England was inherited by James VI, King of Scots, so that the Kingdom of England and the Kingdom of Scotland were united in a personal union under James VI of Scotland and I of England, an event referred to as the Union of the Crowns. King James advocated full political union between England and Scotland, and on 20 October 1604 proclaimed his assumption of the style "King of Great Britain", though this title was rejected by both the Parliament of England and the Parliament of Scotland, and so had no basis in either English law or Scots law.

Where there any more during the early years?

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Problem: Sir Ridley Scott (born 30 November 1937) is an English film director and producer. Following his commercial breakthrough with the science-fiction horror film Alien (1979), further works include the neo-noir dystopian science fiction film Blade Runner, historical drama Gladiator (which won the Academy Award for Best Picture), and science fiction film The Martian. Scott's work has an atmospheric, highly concentrated visual style. Though his films range widely in setting and period, they frequently showcase memorable imagery of urban environments, whether 2nd century Rome (Gladiator), 12th century Jerusalem (Kingdom of Heaven), Medieval England (Robin Hood), contemporary Mogadishu (Black Hawk

Appearing in the lead role in Scott's Gladiator and Robin Hood, Russell Crowe commented, "I like being on Ridley's set because actors can perform [...] and the focus is on the performers." Paul M. Sammon, in his book Future Noir: The Making of Blade Runner, commented in an interview with Brmovie.com that Scott's relationship with his actors has improved considerably over the years. More recently during the filming of Scott's 2012 film, Prometheus, Charlize Theron praised the director's willingness to listen to suggestions from the cast for improvements in the way their characters are portrayed on screen. Theron worked alongside the writers and Scott to give more depth to her character during filming.  Scott's work is identified for its striking visuals, with heroines also a common theme. His visual style, incorporating a detailed approach to production design and innovative, atmospheric lighting, has been influential on a subsequent generation of filmmakers. Scott commonly uses slow pacing until the action sequences. Examples include Alien and Blade Runner; the LA Times critic Sheila Benson, for example, would call the latter "Blade Crawler" "because it's so damn slow". Another technique he employs is use of sound or music to build tension, as heard in Alien, with hissing steam, beeping computers and the noise of the machinery in the space ship. Scott claims to have an eidetic memory, which he says aids him in visualising and storyboarding the scenes in his films.  Scott has developed a method for filming intricate shots as swiftly as possible: "I like working, always, with a minimum of three cameras. [...] So those 50 set-ups [a day] might only be 25 set-ups except I'm covering in the set-up. So you're finished. I mean, if you take a little bit more time to prep on three cameras, or if it's a big stunt, eleven cameras, and - whilst it may take 45 minutes to set up - then when you're ready you say 'Action!', and you do three takes, two takes and is everybody happy? You say, 'Yeah, that's it.' So you move on."  Artificial intelligence is a unifying theme throughout Scott's career as a director, particularly in Blade Runner, Alien, and Prometheus. The recent book The Culture and Philosophy of Ridley Scott identifies Alan Turing and John Searle, a professor at the University of California, as presenting relevant models of testing artificial intelligence known as the Turing test and the Chinese Room Thought Experiment, respectively, in the chapter titled "What's Wrong with Building Replicants," which has been a recurring theme for many of Scott's films. The chapter titled "Artificial Intelligence in Blade Runner, Alien, and Prometheus," concludes by citing the writings of John Stuart Mill in the context of Scott's Nexus-6 Replicants in Blade Runner (Rutger Hauer), the android Ash (Ian Holm) in Alien, and the android David 8 (Michael Fassbender) in Prometheus, where Mill is applied to assert that measures and tests of intelligence must also assess actions and moral behaviour in androids to effectively address the themes which Scott explores in these films.

Were there others who commented about Scott's approach as a director/producer?

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Russell Crowe commented, "I like being on Ridley's set because actors can perform [...] and the focus is on the performers."