Background: Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]
Context: Wagner had completed Rienzi in 1840. With the strong support of Giacomo Meyerbeer, it was accepted for performance by the Dresden Court Theatre (Hofoper) in the Kingdom of Saxony and in 1842, Wagner moved to Dresden. His relief at returning to Germany was recorded in his "Autobiographic Sketch" of 1842, where he wrote that, en route from Paris, "For the first time I saw the Rhine--with hot tears in my eyes, I, poor artist, swore eternal fidelity to my German fatherland." Rienzi was staged to considerable acclaim on 20 October.  Wagner lived in Dresden for the next six years, eventually being appointed the Royal Saxon Court Conductor. During this period, he staged there Der fliegende Hollander (2 January 1843) and Tannhauser (19 October 1845), the first two of his three middle-period operas. Wagner also mixed with artistic circles in Dresden, including the composer Ferdinand Hiller and the architect Gottfried Semper.  Wagner's involvement in left-wing politics abruptly ended his welcome in Dresden. Wagner was active among socialist German nationalists there, regularly receiving such guests as the conductor and radical editor August Rockel and the Russian anarchist Mikhail Bakunin. He was also influenced by the ideas of Pierre-Joseph Proudhon and Ludwig Feuerbach. Widespread discontent came to a head in 1849, when the unsuccessful May Uprising in Dresden broke out, in which Wagner played a minor supporting role. Warrants were issued for the revolutionaries' arrest. Wagner had to flee, first visiting Paris and then settling in Zurich where he at first took refuge with a friend, Alexander Muller.
Question: what was his biggest hit?
Answer: Rienzi was staged to considerable acclaim on 20 October.

Background: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.
Context: Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.  Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion.  Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13-17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.
Question: When did the movie go into development?
Answer: before the original Pink Floyd album was recorded,

Background: Sara Lynn Evans (born February 5, 1971) is an American country music singer and songwriter. Evans has released eight studio albums: Three Chords and the Truth (1997), No Place That Far (1998), Born to Fly (2000), Restless (2003), Real Fine Place (2005), Stronger (2011), Slow Me Down (2014), Words (2017), plus one Christmas album, At Christmas (2014).
Context: Evans was born in Boonville, Missouri, in 1971, and is of Welsh, English, Irish, and Native American descent. She was raised on a farm near New Franklin, Missouri, the eldest girl of seven children. By five, she was singing weekends in her family's band. At the age of eight, she was struck by an automobile in front of the family home, and her legs suffered multiple fractures. Recuperating for months in a wheelchair, she continued singing to help pay her medical bills. When she was 16, she began performing at a nightclub near Columbia, Missouri, a gig that lasted two years.  Evans moved to Nashville, Tennessee, in 1991 to be a country music artist. She met fellow musician Craig Schelske and left Nashville with him in 1992, moving to Oregon. They married in 1993. She returned to Nashville in 1995 and began recording demos. Nashville songwriter Harlan Howard was impressed by her demo of his song "Tiger by the Tail". He decided to help her music career, leading to a signed contract with RCA Nashville.  In 1997, Evans released her debut album for RCA, Three Chords and the Truth. Although none of its three singles ("True Lies," the title track, and "Shame About That") reached the Top 40 of the Billboard Hot Country Songs chart, the album received critical praise for its neotraditional country sound. In 1998, Evans released her second album, No Place That Far. The album's lead single, "Cryin' Game," also failed to reach the Top 40. However, the album's second single and title track, gave Evans her first Number One hit on the Hot Country Songs chart in March 1999. The album was eventually certified Gold by the RIAA, and produced one additional Top 40 country hit in "Fool, I'm a Woman."
Question: was she severely hurt?
Answer:
her legs suffered multiple fractures.