Answer the question at the end by quoting:

The Aquabats! Super Show! is an American action-comedy musical television series which aired from March 3, 2012 to January 18, 2014 on Hub Network. The series was created by Christian Jacobs and Scott Schultz, both the creators of the Nick Jr. series Yo Gabba Gabba!, and Jason deVilliers. Based on the superhero mythology of The Aquabats, a real-life comedy rock/ska band which series co-creator and lead singer Jacobs formed in 1994, The Aquabats!
Chronicled in both live-action and animated segments, The Aquabats! Super Show! is centered around the adventures of The Aquabats, a group of superhero rock musicians who travel the countryside on a self-appointed mission to fight evil and "destroy boredom", protecting the world from the villains and creatures who threaten to destroy it while aiming to become a famous rock and roll band in their own right.  The Aquabats consist of singer The MC Bat Commander (Christian Jacobs), the swaggering leader of the group; bassist Crash McLarson (Chad Larson), who can grow up to 100 feet in size; drummer Ricky Fitness (Richard Falomir), who has the power of super speed; guitarist EagleBones Falconhawk (Ian Fowles), who's armed with a laser-shooting electric guitar; and keyboardist Jimmy the Robot (James R. Briggs, Jr.), an android. Despite their superhuman strengths and abilities, The Aquabats are quite bumbling, disorganized, and sometimes cowardly when faced with danger; this has in fact led them to be labeled "the world's most inept superheroes". The band lives and travels by way of their "Battletram", a modified recreational vehicle which, despite its small exterior, has an implausibly massive interior (similar to the TARDIS from Doctor Who or The Big Bologna from The Kids From C.A.P.E.R.), which contains, among many things, a science lab, a command center, and a living room.  The Aquabats' origin story was left intentionally vague throughout the series, a choice Jacobs explains was done for the sake of the viewer's imagination, as kids are more accepting of the inherent absurdity of the premise than adults tend to be: "'There's five guys. This is what each of the five guys does. There are monsters. They're gonna try to fight them'. It's so simple. And I think that's why it's so awesome with kids--they just take it and run with it". In the first five episodes of season two, each member of The Aquabats shares their memory of how they joined the band via animated flashback sequences; however, all of these flashbacks directly and intentionally contradict each other, leaving it unknown which--if any--could be considered officially canonical.

what kind of adventures?

a group of superhero rock musicians who travel the countryside on a self-appointed mission to fight evil and "destroy boredom",

IN: Bill "Bojangles" Robinson (May 25, 1878 - November 25, 1949) was an American tap dancer and actor, the best known and most highly paid African-American entertainer in the first half of the twentieth century. His long career mirrored changes in American entertainment tastes and technology. He started in the age of minstrel shows and moved to vaudeville, Broadway, the recording industry, Hollywood, radio, and television.

In 1928, a white impresario, Lew Leslie, produced Blackbirds of 1928 on Broadway, a black revue for white audiences starring Adelaide Hall and Bill Robinson along with Aida Ward, Tim Moore and other black stars. The show was a huge success on Broadway, where it ran for over one year to sell-out performances. On stage, Adelaide Hall and Robinson danced and sang a duet together, which captivated the audiences. From then on, Robinson's public role was that of a dapper, smiling, plaid-suited ambassador to the white world, maintaining a connection with the black show-business circles through his continuing patronage of the Hoofers Club, an entertainer's haven in Harlem. So successful was Adelaide Hall's collaboration with Bojangles, they even appeared together on stage at the prestigious Palace Theatre (Broadway) before they were teamed up together again by Marty Forkins (Robinson's manager) to star in another Broadway musical titled, "Brown Buddies", that opened in 1930 at the Liberty Theatre, where it ran for four months before commencing a road tour of the States.  In 1939, Robinson returned to the stage in The Hot Mikado, a jazz version of the Gilbert and Sullivan operetta. The show opened at the Broadhurst Theatre, with Robinson cast in the role of the Emperor. His rendition of My Object All Sublime stopped the show and produced eight encores. After Broadway, the show moved to the 1939 New York World's Fair, and was one of the greatest hits of the fair. August 25, 1939, was named Bill Robinson Day at the fair.  Robinson's next Broadway show, All in Fun (1940), was with an all-white cast. Despite having Imogene Coca, Pert Kelton, and other stars, the show received poor reviews at out-of-town tryouts in New Haven and Boston. When the white stars and co-producers, Phil Baker and Leonard Sillman, withdrew, Robinson became the star, the first time an African-American headlined an otherwise all-white production. Although the reviewers were enthusiastic about Robinson, they panned the show, and it failed to attract audiences. All in Fun closed after four performances.

Did he go on to have more broadway shows after the third one?

OUT:
Robinson's next Broadway show, All in Fun (1940), was with an all-white cast.