IN: Benny was born in Chicago, Illinois, and grew up in nearby Waukegan, Illinois. He was the son of Meyer Kubelsky and Emma Sachs Kubelsky. His parents were Jewish. Meyer was a saloon owner and later a haberdasher who had emigrated to America from Poland.

Benny had been a minor vaudeville performer before becoming a national figure with The Jack Benny Program, a weekly radio show that ran from 1932 to 1948 on NBC and from 1949 to 1955 on CBS. It was among the most highly rated programs during its run.  Benny's long radio career began on April 6, 1932, when the NBC Commercial Program Department auditioned him for the N.W. Ayer agency and their client, Canada Dry, after which Bertha Brainard, head of the division, said, "We think Mr. Benny is excellent for radio and, while the audition was unassisted as far as orchestra was concerned, we believe he would make a great bet for an air program." Recalling the experience in 1956, Benny said Ed Sullivan had invited him to guest on his program (1932), and "the agency for Canada Dry ginger ale heard me and offered me a job."  With Canada Dry ginger ale as a sponsor, Benny came to radio on The Canada Dry Program, on May 2, 1932, on the NBC Blue Network and continuing for six months until October 26, moving to CBS on October 30. With Ted Weems leading the band, Benny stayed on CBS until January 26, 1933.  Arriving at NBC on March 17, Benny did The Chevrolet Program until April 1, 1934. He continued with sponsor General Tire through the end of the season. In October, 1934, General Foods, the makers of Jell-O and Grape-Nuts, became the sponsor strongly identified with Benny for 10 years. American Tobacco's Lucky Strike was his longest-lasting radio sponsor, from October 1944 through to the end of his original radio series.  The show switched networks to CBS on January 2, 1949, as part of CBS president William S. Paley's notorious "raid" of NBC talent in 1948-49. It stayed there for the remainder of its radio run, ending on May 22, 1955. CBS aired repeat episodes from 1956 to 1958 as The Best of Benny.

What did he do in the Jack Benny Program

OUT: The Jack Benny Program, a weekly radio show that ran from 1932 to 1948 on NBC and from 1949 to 1955 on CBS.

Answer the question at the end by quoting:

Fred Hampton (August 30, 1948 - December 4, 1969) was an African-American activist and revolutionary, chairman of the Illinois chapter of the Black Panther Party (BPP), and deputy chairman of the national BPP. Hampton and fellow Black Panther Mark Clark were killed during a raid by a tactical unit of the Cook County, Illinois State's Attorney's Office, in conjunction with the Chicago Police Department and the Federal Bureau of Investigation in December 1969. In January 1970, a coroner's jury held an inquest and ruled the deaths of Hampton and Clark to be justifiable homicide. However, a civil lawsuit was later filed on behalf of the survivors and the relatives of Hampton and Clark.
About the same time that Hampton was successfully organizing young African-Americans for the NAACP, the Black Panther Party (BPP) started rising to national prominence. Hampton was quickly attracted to the Black Panthers' approach, which was based on a ten-point program that integrated black self-determination on the basis of Maoism. Hampton joined the Party and relocated to downtown Chicago, and in November 1968 he joined the Party's nascent Illinois chapter--founded by Student Nonviolent Coordinating Committee (SNCC) organizer Bob Brown in late 1967. Over the next year, Hampton and his associates made a number of significant achievements in Chicago. Perhaps his most important accomplishment was his brokering of a nonaggression pact between Chicago's most powerful street gangs. Emphasizing that racial and ethnic conflict between gangs would only keep its members entrenched in poverty, Hampton strove to forge a class-conscious, multi-racial alliance between the BPP, the Young Patriots Organization, and the Young Lords under the leadership of Jose Cha Cha Jimenez.  Fred Hampton met the Young Lords in the Chicago Lincoln Park Neighborhood, the day after the Young Lords were in the news after they had occupied a police community workshop meeting, held on the second floor hall of the Chicago 18th District Police Station. Later, the Rainbow Coalition was joined nationwide by the Students for a Democratic Society ("SDS"), the Brown Berets, and the Red Guard Party. In May 1969, Hampton called a press conference to announce that this "rainbow coalition" had formed. It was a phrase coined by Hampton and made popular over the years by Reverend Jesse Jackson, who eventually appropriated the name in forming his own, unrelated, coalition, Rainbow/PUSH.  Hampton's organizing skills, substantial oratorical gifts, and personal charisma allowed him to rise quickly in the Black Panthers. Once he became leader of the Chicago chapter, he organized weekly rallies, worked closely with the BPP's local People's Clinic, taught political education classes every morning at 6am, and launched a project for community supervision of the police. Hampton was also instrumental in the BPP's Free Breakfast Program. When Brown left the Party with Stokely Carmichael in the FBI-fomented SNCC/Panther split, Hampton assumed chairmanship of the Illinois state BPP, automatically making him a national BPP deputy chairman. As the Panther leadership across the country began to be decimated by the impact of the FBI's COINTELPRO, Hampton's prominence in the national hierarchy increased rapidly and dramatically. Eventually, Hampton was in line to be appointed to the Party's Central Committee's Chief of Staff. He would have achieved this position had it not been for his death on the morning of December 4, 1969.

What part of Chicago did he live in?

in the Chicago Lincoln Park

input: Unlike Lully, who collaborated with Philippe Quinault on almost all his operas, Rameau rarely worked with the same librettist twice. He was highly demanding and bad-tempered, unable to maintain longstanding partnerships with his librettists, with the exception of Louis de Cahusac, who collaborated with him on several operas, including Les fetes de l'Hymen et de l'Amour (1747), Zais (1748), Nais (1749), Zoroastre (1749; revised 1756), La naissance d'Osiris (1754), and Anacreon (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, Les Boreades (c. 1763).  Many Rameau specialists have regretted that the collaboration with Houdar de la Motte never took place, and that the Samson project with Voltaire came to nothing because the librettists Rameau did work with were second-rate. He made his acquaintance of most of them at La Poupliniere's salon, at the Societe du Caveau, or at the house of the Comte de Livry, all meeting places for leading cultural figures of the day.  Not one of his librettists managed to produce a libretto on the same artistic level as Rameau's music: the plots were often overly complex or unconvincing. But this was standard for the genre, and is probably part of its charm. The versification, too, was mediocre, and Rameau often had to have the libretto modified and rewrite the music after the premiere because of the ensuing criticism. This is why we have two versions of Castor et Pollux (1737 and 1754) and three of Dardanus (1739, 1744, and 1760).

Answer this question "Did he retire ?"
output: