input: In 2016, Bhatt established herself as a leading actress of contemporary Hindi cinema by featuring in three critically and commercially successful films. In her first release of the year, Bhatt played the supporting role of a lively young girl with a buried past in Kapoor & Sons, a drama about a dysfunctional family starring Sidharth Malhotra and Fawad Khan. The film proved to be a critical and commercial success. Bhatt then took on the part of a poverty-stricken Bihari migrant in the Indian state of Punjab in Udta Punjab (2016), a crime drama about substance abuse from the director Abhishek Chaubey. The intense role marked a significant departure from the mostly light-hearted parts she had previously played, and in preparation, she watched documentaries on drug abuse and learned to speak a Bihari dialect. The film, co-starring Shahid Kapoor, Kareena Kapoor, and Diljit Dosanjh, generated controversy when the Central Board of Film Certification deemed that the film represented Punjab in a negative light and demanded extensive censorship before its theatrical release. The Bombay High Court later cleared the film for exhibition with one scene cut. Bhatt's performance in the film was critically acclaimed, with several commentators believing that it was her best performance to that point. Raja Sen of Rediff.com wrote that Bhatt "commits to her accent and deals with the film's most unsavoury section, and is stunning during an incendiary speech that elevates the entire film to a whole other level."  In her final release, Bhatt continued to gain critical praise as she took on the role of an aspiring cinematographer whose life undergoes a series of changes after she consults a free-spirited psychologist (played by Shah Rukh Khan) in the coming-of-age film Dear Zindagi (2016). Writing for IndieWire, Anisha Jhaveri noted that Bhatt provides her character with "a three-dimensionality in which the somewhat annoying nature of millennial angst is balanced with an innocence that's impossible not to recognize". The film proved a box office success as well, earning a total of Rs1.39 billion (US$21 million) worldwide. Udta Punjab and Dear Zindagi earned Bhatt several awards and nominations; for the former, she won the Screen Award and the Filmfare Award for Best Actress, and for the latter, she received an additional Best Actress nomination at Filmfare.  The series of successful films continued with Bhatt's next project--the romantic comedy Badrinath Ki Dulhania (2017)--which reunited her with Khaitan and Dhawan. The film tells the story of an independent young woman (Bhatt) from rural India who refuses to conform to patriarchal expectations from her chauvinistic fiancee (Dhawan). Rachel Saltz of The New York Times took note of the film's statement on gender equality and wrote, "Without ever falling into the cliches of spunky Bollywood heroine, [Bhatt] effortlessly embodies that admirable thing: a modern woman." With over Rs1.95 billion (US$30 million) in box office receipts, Badrinath Ki Dulhania proved to be Bhatt's highest-grossing release. She received another Filmfare nomination for Best Actress. The commercial performance of her recent releases led Bollywood Hungama to credit her as "one of the most successful actresses in the recent history".

Answer this question "what films"
output: In her first release of the year, Bhatt played the supporting role of a lively young girl with a buried past in Kapoor & Sons,

input: During this formative period of his work, Freud valued and came to rely on the intellectual and emotional support of his friend Wilhelm Fliess, a Berlin based ear, nose and throat specialist whom he had first met 1887. Both men saw themselves as isolated from the prevailing clinical and theoretical mainstream because of their ambitions to develop radical new theories of sexuality. Fliess developed highly eccentric theories of human biorhythms and a nasogenital connection which are today considered pseudoscientific. He shared Freud's views on the importance of certain aspects of sexuality -- masturbation, coitus interruptus, and the use of condoms -- in the etiology of what were then called the "actual neuroses," primarily neurasthenia and certain physically manifested anxiety symptoms. They maintained an extensive correspondence from which Freud drew on Fliess's speculations on infantile sexuality and bisexuality to elaborate and revise his own ideas. His first attempt at a systematic theory of the mind, his 'Project for a Scientific Psychology' was developed with Fliess as interlocutor.  Freud had Fliess repeatedly operate on his nose and sinuses to treat "nasal reflex neurosis", and subsequently referred his patient Emma Eckstein to him. According to Freud her history of symptoms included severe leg pains with consequent restricted mobility, and stomach and menstrual pains. These pains were, according to Fliess's theories, caused by habitual masturbation which, as the tissue of the nose and genitalia were linked, was curable by removal of part of the middle turbinate. Fliess's surgery proved disastrous, resulting in profuse, recurrent nasal bleeding - he had left a half-metre of gauze in Eckstein's nasal cavity the subsequent removal of which left her permanently disfigured. At first, though aware of Fliess's culpability - Freud fled from the remedial surgery in horror - he could only bring himself to delicately intimate in his correspondence to Fliess the nature of his disastrous role and in subsequent letters maintained a tactful silence on the matter or else returned to the face-saving topic of Eckstein's hysteria. Freud ultimately, in light of Eckstein's history of adolescecent self-cutting and irregular nasal and menstrual bleeding, concluded that Fliess was "completely without blame", as Eckstein's post-operative hemorrhages were hysterical "wish-bleedings" linked to "an old wish to be loved in her illness" and triggered as a means of "rearousing [Freud's] affection". Eckstein nonetheless continued her analysis with Freud. She was restored to full mobility and went on to practice psychoanalysis herself.  Freud, who had called Fliess "the Kepler of biology", later concluded that a combination of a homoerotic attachment and the residue of his "specifically Jewish mysticism" lay behind his loyalty to his Jewish friend and his consequent over-estimation of both his theoretical and clinical work. Their friendship came to an acrimonious end with Fliess angry at Freud's unwillingness to endorse his general theory of sexual periodicity and accusing him of collusion in the plagiarism of his work. After Fliess failed to respond to Freud's offer of collaboration over publication of his Three Essays on the Theory of Sexuality in 1906, their relationship came to an end.

Answer this question "What did they accomplish together?"
output:
Their friendship came to an acrimonious end with Fliess angry at Freud's unwillingness to endorse his general theory of sexual periodicity