input: On May 31, 2007, Asthmatic Kitty announced that Stevens would be premiering a new project titled The BQE in early November 2007. The project, dubbed a "symphonic and cinematic exploration of New York City's infamous Brooklyn-Queens Expressway", was manifested in a live show. The BQE featured an original film by Stevens (shot in Super 8 mm film and standard 16 mm), while Stevens and a backing orchestra provided the live soundtrack. The performance used 36 performers which included a small band, a wind and brass ensemble, string players, horn players, and hula hoopers. There were no lyrics to the music. The BQE was commissioned by the Brooklyn Academy of Music as part of their Next Wave Festival and performed on three consecutive nights from November 1-3, 2007.  The performance sold out the 2,109 seat BAM Opera House without any advertising. After three weeks of rehearsing the piece with the three dozen musicians involved, he presented the 30-minute composition. The BQE was followed by an additional one hour of concert by Stevens and his orchestra. The BQE won the 2008 Brendan Gill Prize.  The multimedia package was released on October 20, 2009. The release included a CD of the show's soundtrack, a DVD of Brooklyn-Queens Expressway footage that accompanied the original performance (not a film of the performance itself), a 40-page booklet with liner notes and photos, and a stereoscopic 3D View-Master reel. A limited edition version that features the soundtrack on 180-gram vinyl and a 40-page BQE-themed comic book starring the show's hula hooping wonder women, the Hooper Heroes, was also released.

Answer this question "What was the BQE?"
output: "symphonic and cinematic exploration of New York City's infamous Brooklyn-Queens Expressway",

input: Emile Durkheim was born in Epinal in Lorraine, the son of Melanie (Isidor) and Moise Durkheim. He came from a long line of devout French Jews; his father, grandfather, and great-grandfather had been rabbis. He began his education in a rabbinical school, but at an early age, he decided not to follow in his family's footsteps and switched schools. Durkheim led a completely secular life. Much of his work was dedicated to demonstrating that religious phenomena stemmed from social rather than divine factors. While Durkheim chose not to follow in the family tradition, he did not sever ties with his family or with the Jewish community. Many of his most prominent collaborators and students were Jewish, and some were blood relations. Marcel Mauss, a notable social anthropologist of the pre-war era, was his nephew. One of his nieces was Claudette (nee Raphael) Bloch, a marine biologist and mother of Maurice Bloch, who became a noted anthropologist.  A precocious student, Durkheim entered the Ecole Normale Superieure (ENS) in 1879, at his third attempt. The entering class that year was one of the most brilliant of the nineteenth century and many of his classmates, such as Jean Jaures and Henri Bergson, would go on to become major figures in France's intellectual history. At the ENS, Durkheim studied under the direction of Numa Denis Fustel de Coulanges, a classicist with a social scientific outlook, and wrote his Latin dissertation on Montesquieu. At the same time, he read Auguste Comte and Herbert Spencer. Thus Durkheim became interested in a scientific approach to society very early on in his career. This meant the first of many conflicts with the French academic system, which had no social science curriculum at the time. Durkheim found humanistic studies uninteresting, turning his attention from psychology and philosophy to ethics and eventually, sociology. He obtained his agregation in philosophy in 1882, though finishing next to last in his graduating class owing to serious illness the year before.  The opportunity for Durkheim to a receive major academic appointment in Paris was inhibited by his approach to society. From 1882 to 1887 he taught philosophy at several provincial schools. In 1885 he decided to leave for Germany, where for two years he studied sociology at the universities of Marburg, Berlin and Leipzig. As Durkheim indicated in several essays, it was in Leipzig that he learned to appreciate the value of empiricism and its language of concrete, complex things, in sharp contrast to the more abstract, clear and simple ideas of the Cartesian method. By 1886, as part of his doctoral dissertation, he had completed the draft of his The Division of Labour in Society, and was working towards establishing the new science of sociology.

Answer this question "Who were his parents?"
output: the son of Melanie (Isidor) and Moise Durkheim. He came from a long line of devout French Jews;

input: Judas Priest went into the studio in June-July 1974 with Black Sabbath producer Rodger Bain. The band released their debut single "Rocka Rolla" that August and followed in September with an album of the same name. The album features a variety of styles--straight-up rock, heavy riffing, and progressive.  Technical problems during the recording contributed to the poor sound quality of the record. Producer Rodger Bain, whose resume included Black Sabbath's first three albums as well as Budgie's first album, dominated the production of the album and made decisions with which the band did not agree. Bain also chose to leave fan favourites from the band's live set, such as "Tyrant", "Genocide" and "The Ripper", off the album and he cut the song "Caviar and Meths" from a 10-minute song down to a 2-minute instrumental.  The tour for Rocka Rolla was Judas Priest's first international tour with dates in Germany, the Netherlands, Norway and Denmark including one show at Hotel Klubben in Tonsberg, one hour from Oslo, Norway, which scored them a somewhat negative review in the local press. The album flopped upon release, leaving Priest in dire financial straits. Priest attempted to secure a deal with Gull Records to get a monthly pay of 50 pounds, however, because Gull Records were struggling as well, they declined. Rocka Rolla (1974) has been for the most part dismissed by the band and none of its songs were played live after 1976 except for "Never Satisfied", which was revived during the Epitaph Tour in 2011.

Answer this question "What were some of the other songs on the album?"
output:
"Tyrant", "Genocide" and "The Ripper",