input: The Iberians produced sculpture in stone and bronze, most of which was much influenced by the Greeks and Phoenicians, and other cultures such as Assyrian, Hittite and Egyptian influences. The styles of Iberian sculpture are divided geographically into Levantine, Central, Southern, and Western groups, of which the Levantine group displays the most Greek influence. Iberian pottery and painting was also distinct and widespread throughout the region.  The Iberian polytheistic religion was influenced by the Greek and Phoenician practices, as it is evident in their sculptures. The man-bull Bicha of Balazote (possibly a fertility deity) and various depictions of sphinxes and lions bear a resemblance to eastern Mediterranean mythological creatures. The Lady of Elche and Lady of Guardamar show clear Hellenistic influence. Phoenician and Greek deities like Tanit, Baal, Melkart, Artemis, Demeter and Asclepius were known in the region and worshiped. Currently few native Iberian gods are known, though the oracular healing deity "Betatun" is known from a Latin inscription at Fuertes del Rey. There was clearly an important female deity associated with the earth and regeneration as depicted by the Lady of Baza and linked with birds, flowers and wheat. The horse was also an important religious figure and an important sanctuary dedicated to Horses has been found in Mula (Murcia). There are many depictions of a "horse taming god" or "lord of the horses" (despotes hippon). The female goddess Ataegina is also widely attested in the inscriptions.  Iberians performed their rites in the open and also maintained sanctuaries in holy places like groves, springs and caves. Archaeological evidence suggests the existence of a priestly class and Silius Italicus mentions priests in the region of Tartessos at a temple of Melqart. Evidence from pottery reveals some information about Iberian myth and ritual. Common themes are a celebratory ritual dance described by Strabo [c.f. 3.3.7.] and seen in a relief from Fuerte del Rey known as the "Bastetania dance" and the confrontation between the deceased and a wolf figure. Ritual sacrifice of animals was also common.  The Iberians incinerated their dead and placed their ashes in ceremonial urns, the remains were then placed in stone tombs.  Iberians venerated the war god Cariociecus.

Answer this question "Did they create any famous sculptures ?"
output: 

input: The hero's first name, Milos, is a Slavic given name recorded from the early Middle Ages among the Bulgarians, Czechs, Poles and Serbs. It is derived from the Slavic root mil-, meaning "merciful" or "dear", which is found in a great number of Slavic given names.  Several versions of the hero's surname have been used throughout history. In his History of Montenegro (1754), Vasilije Petrovic wrote of one Milos Obilijevic, and in 1765, the historian Pavle Julinac rendered the surname as Obilic. According to Czech historian Konstantin Josef Jirecek, the surname Obilic and its different renderings are derived from the Serbian words obilan ("plenty of") and obilje ("wealth, abundance"). The surname Kobilic could come from the Slavic word kobila (mare), and means "mare's son", as in Serbian legends the hero is said to have been nursed by one. K. Jirecek connected the surname to two noble families in medieval Ragusa and Trebinje, the Kobilic and Kobiljacic in the 14th and 15th centuries, and noted that they altered their surnames in the 18th century because they considered it "indecent" to be associated with mares. Based on a 1433 document from Ragusan archives, the historian Mihailo Dinic concluded that Milos's original surname was indeed Kobilic (Latin: Cobilich). The rendering Obilic has universally been used by Serbian writers in modern times.  The historian Noel Malcolm has proposed that the surname may have been derived from the term kopil, of possible Vlach or Albanian origin, which means "child" or "bastard child". However, a similar word (kopile) exists in the Serbian language and carries the same meaning. Malcolm also hypothesizes that Kobilic might be of Hungarian origin, possibly a transliteration of the Hungarian word kobor lovag (knight-errant).  Milos is often referred to in the epic poems as "Milos of Pocerje", and according to local legends, he came from the western Serbian region of Pocerina. In Pocerina there is a spring known as "Miloseva Banja" (Milos's spring) and an old grave that is claimed to be the grave of Milos's sister.

Answer this question "What else do we know about the name"
output: The historian Noel Malcolm has proposed that the surname may have been derived from the term kopil,

input: During the American Civil War, Owen served in the Ordnance Commission to supply the Union army; on March 16, 1863, he was appointed to the Freedman's Inquiry Commission. The commission was a predecessor to the Freedmen's Bureau.  In 1862 Owen wrote a series of open letters to U.S. government officials, including President Abraham Lincoln and U.S. Secretary of the Treasury Salmon P. Chase, to encourage them to support general emancipation. Owen's letter of July 23, 1862, was published in the New York Evening Post on August 8, 1862, and his letter of September 12, 1862, was published in the same newspaper on September 22, 1862. In another open letter that Owen wrote to President Lincoln on September 17, 1862, he urged the president to abolish slavery on moral grounds. Owen also believed that emancipation would weaken the Confederate forces and help the Union army win the war. On September 23, 1862, Lincoln issued a preliminary version of the Emancipation Proclamation (as he had first resolved to do in mid-July). In Emancipation is Peace, a pamphlet that Owen wrote in 1863, he confirmed his view that general emancipation was a means to end the war. In The Wrong of Slavery, the Right of Emancipation, and the Future of the African Race, a report that Owen wrote in 1864, he also suggested that the Union should provide assistance to freedmen.  Toward the end of his political career, Owen continued his effort to obtain federal voting rights for women. In 1865 he submitted an initial draft for a proposed Fourteenth Amendment to the U.S. Constitution that would not restrict voting rights to males. However, Article XIV, Section 2, in the final version of the Amendment, which became part of the U.S. Constitution in 1868, was modified to limit suffrage to males who were U.S. citizens over the age of twenty-one.

Answer this question "What other political activities was Robert Owen involved in?"
output:
Toward the end of his political career, Owen continued his effort to obtain federal voting rights for women.