input: Tedder was promoted to lieutenant in the Dorset Regiment on 14 October 1914, and arrived back in Britain in December. He was posted to a reserve unit at Wyke Regis on the Dorset coast where he seriously injured his knee in February. Following his injury Tedder was unable to carry out full infantry service and, although he briefly carried out duties at a base camp in Calais, he pressed for a transfer to the Royal Flying Corps.  In January 1916, Tedder was accepted into the Royal Flying Corps and he was asked to attend the No. 1 School of Aeronautics. in Reading. He was promoted to captain on 21 March 1916. In April he attended the Central Flying School where he learned to fly and gained his 'wings'. In June 1916, Tedder served as a pilot with No. 25 Squadron RFC flying the Bristol Scout C on the Western Front. On 9 August 1916, Tedder was given additional responsibilities as he was made a flight commander with 25 Squadron. The first day of 1917 saw Tedder promoted to major and appointed officer commanding No. 70 Squadron RFC. Tedder remained on the Western Front and his new squadron was equipped with the Sopwith 1 1/2  Strutter. He was awarded the Italian Silver Medal for Military Valour on 26 May 1917.  Tedder was appointed officer commanding No. 67 Squadron at RFC Shawbury on 25 June 1917 and became commander of the School of Navigation and Bomb Dropping in Egypt the following year. Another change soon followed and on 24 June 1918 Tedder was appointed officer commanding 38th Wing, also based in Egypt. He was promoted to the temporary rank of lieutenant colonel on 23 July 1918 (rank relinquished on 2 April 1919).

Answer this question "How did he hurt his knee?"
output: 

input: In 1996, Marshall signed to Matador Records and in September released her third album, What Would the Community Think, which she recorded in Memphis, Tennessee, in February 1996. The album was produced by Shelley and again featured Shelley and Foljahn as backing musicians, and spawned a single and music video, "Nude as the News". Critics cited the album as evidence of her maturation as a singer and songwriter from the "dense and cathartic" material of her first two releases.  In 1997, Marshall moved to Portland, Oregon, planning to retire from the music business, and then relocated to a rural farmhouse in Prosperity, South Carolina. While living alone in the farmhouse, Marshall experienced a hypnogogic nightmare that became the inspiration for her following album, Moon Pix, released in 1998. Moon Pix was recorded at Sing Sing Studios in Melbourne, Australia in 11 days with backing musicians Mick Turner and Jim White of the Australian band Dirty Three. It was well received by critics, and along with an accompanying music video for the song "Cross Bones Style", helped her gain further recognition. Rolling Stone would later describe it as her 'breakthrough' record.  By 2000 Marshall stated that she had grown tired of touring her own material. This resulted in a series of shows during 1999 where Marshall provided musical accompaniment to the silent movie The Passion of Joan of Arc. The shows combined original material and a number of covers, some of which would be released on Marshall's fifth album, The Covers Record in 2000. The songs were recorded during two sessions in the summer of 1998 and fall of 1999. Additionally, she performed eleven covers during a Peel session broadcast on June 18, 2000 that included own interpretations of Bob Dylan's "Hard Times in New York Town" and Oasis's "Wonderwall". Her contract with Matador for 2000's The Covers Album reportedly consisted of a Post-it note signed by herself and the company's founder.

Answer this question "Did Marshall attend college?"
output: 

input: After brief trial runs with Larry Wallis (February - October 1972) and Bernie Marsden (he toured with UFO in Europe and recorded a pair of demos, "Oh My" and "Sixteen") the band recruited Michael Schenker from Scorpions in June 1973. Schenker was only 18 at the time but was already a well-respected guitarist. On a new label, Chrysalis Records, the revamped UFO recorded a non-LP single in 1973, "Give Her The Gun" and "Sweet Little Thing" with producer Derek Lawrence. In 1974, under producer Leo Lyons (formerly of Ten Years After), UFO recorded Phenomenon, which highlighted the band's harder-edged guitar sound. Phenomenon contains many fan favorites such as "Doctor Doctor" (later a minor hit single as a live track) and "Rock Bottom" (which was extended live to provide a showcase for Schenker). By the time of the Phenomenon tour, ex-Skid Row guitarist Paul Chapman joined the group, but he left in January 1975 to form Lone Star.  Two later albums, Force It (July 1975) and No Heavy Petting (May 1976) (the last was recorded with a regular keyboardist, Danny Peyronel as well as harmony vocalist and also songwriter), and extensive touring brought UFO increased visibility with American audiences and increased their following in the UK. The song "Belladonna" from No Heavy Petting was very popular in the USSR after the cover version of Alexander Barykin.  In July 1976, the band recruited keyboardist and rhythm guitarist Paul Raymond from Savoy Brown to make 1977's Lights Out. This album was the pinnacle of UFO's studio career containing songs such as "Too Hot to Handle," "Lights Out," and the 7-minute opus "Love to Love." With Lights Out, the band received substantial critical acclaim. With their new-found success, the band went back into the studio to record Obsession in 1978. Later that year, the band went on tour in the USA and recorded a live album, Strangers In The Night, which was released in January 1979. Strangers was a critical and commercial success, reaching Number 8 in the UK Albums Chart in February 1979.

Answer this question "What was being said about them?"
output: