Problem: Background: Color Me Badd is an American contemporary R&B group that was formed in Oklahoma City, Oklahoma. The original members of the group were lead singer Bryan Abrams (born November 16, 1969), second tenor Mark Calderon (born September 27, 1970), second tenor Sam Watters (born July 23, 1970) and baritone Kevin Thornton (born June 17, 1969). They formed in 1985 and broke up in 1998 before reuniting in 2010, with various lineups since. As of 2016, they operate as a trio with Abrams, Calderon and Adam Emil.
Context: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops.  The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members.  They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990.
Question: How did they decide on the band name?
Answer: The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6.

IN: James Stanley Brakhage ( BRAK-@j; January 14, 1933 - March 9, 2003), better known as Stan Brakhage, was an American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality, and innocence.

Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving.

When was he born?

OUT: on January 14, 1933,

Background: Marvin Neil Simon (born July 4, 1927) is an American playwright, screenwriter and author. He has written more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer. Simon grew up in New York during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood.
Context: Two years later, he quit his job as a mailroom clerk in the Warner Brothers offices in Manhattan to write radio and television scripts with his brother Danny Simon, including tutelage by radio humourist Goodman Ace when Ace ran a short-lived writing workshop for CBS. They wrote for the radio series The Robert Q. Lewis Show, which led to other writing jobs. Max Liebman hired the duo for his popular television comedy series Your Show of Shows, for which he earned two Emmy Award nominations. He later wrote scripts for The Phil Silvers Show; the episodes were broadcast during 1958 and 1959.  Simon credits these two latter writing jobs for their importance to his career, stating that "between the two of them, I spent five years and learned more about what I was eventually going to do than in any other previous experience." He adds, "I knew when I walked into Your Show of Shows, that this was the most talented group of writers that up until that time had ever been assembled together." Simon describes a typical writing session with the show:  There were about seven writers, plus Sid, Carl Reiner, and Howie Morris...Mel Brooks and maybe Woody Allen would write one of the other sketches ... everyone would pitch in and rewrite, so we all had a part of it ... It was probably the most enjoyable time I ever had in writing with other people.  Simon incorporated some of their experiences into his play Laughter on the 23rd Floor (1993). A 2001 TV adaptation of the play won him two Emmy Award nominations. The first Broadway show Simon wrote was Catch a Star! (1955), collaborating on sketches with his brother, Danny.
Question: Did he win any awards for his work?
Answer:
2001 TV adaptation of the play won him two Emmy Award nominations.