input: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes.

Answer this question "What established King in her career?"
output: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events,

input: Founders Andy McCluskey and Paul Humphreys met at primary school in Meols in the early 1960s, and in the mid-1970s, as teenagers, they were involved in different local groups but shared a distaste for guitar driven rock with a macho attitude popular among their friends at the time.  By 1975 McCluskey had formed Equinox, as bassist and vocalist, alongside schoolmate Malcolm Holmes on drums, while Humphreys was their roadie. During that time McCluskey and Humphreys discovered their electronic style influenced by Kraftwerk. After Equinox, McCluskey joined Pegasus, and, later, the short-lived Hitlerz Underpantz, alongside Humphreys. McCluskey would usually sing and play bass guitar; roadie and electronics enthusiast Humphreys graduated to keyboards. The pair shared a love of electronic music, particularly Brian Eno and Kraftwerk.  In September 1977, McCluskey and Humphreys put together the seven-piece (three singers, two guitarists, bassist, drummer, and keyboard player) Wirral group The Id, whose line-up included drummer Malcolm Holmes and McCluskey's girlfriend Julia Kneale on vocals. The group began to gig regularly in the Merseyside area, performing original material (largely written by McCluskey and Humphreys). They had quite a following on the scene, and one of their tracks ("Julia's Song") was included on a compilation record of local bands called Street to Street. Meanwhile, Humphreys and McCluskey collaborated on a side-project called VCL XI (named after a misreading of a valve from the diagram on the back cover of Kraftwerk's Radio-Activity album; the name of valve is actually written with Arabic numbers, VCL 11, and not Roman numerals). This side-project allowed them to pursue their more bizarre electronic experiments, often working with tape collages, home-made kit-built synthesisers, and circuit-bent radios.  In August 1978, The Id split due to musical differences. The same month, McCluskey joined Wirral electronic outfit Dalek I Love You as their lead singer, but quit in September.

Answer this question "How did the band form?"
output: By 1975 McCluskey had formed Equinox,

input: Their debut album, Yo! Bum Rush the Show, was released in 1987 to critical acclaim. The album was the group's first step toward stardom. In October 1987, music critic Simon Reynolds dubbed Public Enemy "a superlative rock band". They released their second album It Takes a Nation of Millions to Hold Us Back in 1988, which performed better in the charts than their previous release, and included the hit single "Don't Believe the Hype" in addition to "Bring the Noise". Nation of Millions... was the first hip hop album to be voted album of the year in The Village Voice's influential Pazz & Jop critics' poll.  In 1989, the group returned to the studio to record Fear of a Black Planet, which continued their politically charged themes. The album was supposed to be released in late 1989, but was pushed back to April 1990. It was the most successful of any of their albums and, in 2005, was selected for preservation in the Library of Congress. It included the singles "Welcome To The Terrordome", "911 Is a Joke", which criticized emergency response units for taking longer to arrive at emergencies in the black community than those in the white community, and "Fight the Power". "Fight the Power" is regarded as one of the most popular and influential songs in hip hop history. It was the theme song of Spike Lee's Do the Right Thing.  The group's next release, Apocalypse '91...The Enemy Strikes Black, continued this trend, with songs like "Can't Truss It", which addressed the history of slavery and how the black community can fight back against oppression; "I Don't Wanna be Called Yo Nigga", a track that takes issue with the use of the word nigga outside of its original derogatory context. The album also included the controversial song and video "By the Time I Get to Arizona", which chronicled the black community's frustration that some US states did not recognize Martin Luther King Jr.'s birthday as a national holiday. The video featured members of Public Enemy taking out their frustrations on politicians in the states not recognizing the holiday. In 1992, the group was one of the first rap acts to perform at the Reading Festival, in England, headlining the second day of the three-day festival.

Answer this question "Did it win any awards?"
output: