Some context: Sam Benjamin Harris (born April 9, 1967) is an American author, philosopher, neuroscientist, blogger, and podcast host. He is a critic of religion and proponent of the liberty to criticize religion. He is concerned with matters that touch on spirituality, morality, neuroscience, free will, and terrorism. He is described as one of the "Four Horsemen of atheism", with Richard Dawkins, Christopher Hitchens and Daniel Dennett.
Harris was born on April 9, 1967 in Los Angeles, the son of actor Berkeley Harris and TV producer Susan Harris (nee Spivak), who created The Golden Girls. His father came from a Quaker background and his mother is a secular Jew. He was raised by his mother following his parents' divorce when he was aged two. Harris has stated that his upbringing was entirely secular, and his parents rarely discussed religion, though it was always a subject that interested him. Fellow critic of religion Christopher Hitchens once referred to Harris as a "Jewish warrior against theocracy and bigotry of all stripes". While a student at Stanford University, Harris experimented with MDMA, and has written and spoken about the insights he experienced under its influence.  Though his original major was in English, he became interested in philosophical questions while at Stanford University after an experience with the psychedelic drug MDMA. The experience led him to be interested in the idea that he might be able to achieve spiritual insights without the use of drugs. Leaving Stanford in his second year, a quarter after his psychedelic experience, he went to India and Nepal, where he studied meditation with Buddhist and Hindu religious teachers, including Dilgo Khyentse. Eleven years later, in 1997, he returned to Stanford, completing a B.A. degree in philosophy in 2000. Harris began writing his first book, The End of Faith, immediately after the September 11 attacks.  He received a Ph.D. degree in cognitive neuroscience in 2009 from the University of California, Los Angeles, using functional magnetic resonance imaging to conduct research into the neural basis of belief, disbelief, and uncertainty. His thesis was titled "The moral landscape: How science could determine human values", and his advisor was Mark S. Cohen.
What did his parents do for a living?
A: the son of actor Berkeley Harris and TV producer Susan Harris
Some context: Nilsson was born in Bedford-Stuyvesant, Brooklyn in 1941. His paternal grandparents were Swedish circus performers and dancers, especially known for their "aerial ballet" (which is the title of one of Nilsson's albums). His maternal grandparents were the cornerstone of his young life. While his grandmother played piano, his grandfather Charlie supported the family in a tiny railroad apartment on Jefferson St in Brooklyn.
Nilsson is the subject of a 2006 documentary, Who Is Harry Nilsson (And Why Is Everybody Talkin' About Him)? produced by David Leaf and John Schienfeld. The film was screened in 2006 at the Seattle International Film Festival and the Santa Barbara International Film Festival. In August 2006, the film received its Los Angeles premiere when it was screened at the 7th Annual Mods & Rockers Film Festival followed by a panel discussion about Nilsson featuring the filmmakers and two friends of Nilsson, producer Richard Perry and attorney/executive producer Lee Blackman.  The filmmakers re-edited the film with rare found footage of Nilsson, further interviews, and family photographs, and finally released it on September 17, 2010 at selected theaters in the United States. A DVD, including additional footage not in the theatrical release, was released on October 26, 2010.  Nilsson's final album, tentatively titled Papa's Got a Brown New Robe (produced by Mark Hudson) was not released, though several demos from the album were available on promotional CDs and online.  The musical Everyday Rapture features three songs by Nilsson and, similarly, the film A Good Year features "Gotta get up", "Jump into the fire" and "How can I be sure of you".  On July 29, 2013, Sony Music released a definitive box-set of his RCA era albums called The RCA Albums Collection. Each of the albums in the 17-CD set had additional bonus tracks, along with 3 of the 17 discs that contained rarities and outtakes spanning his entire career. Additionally, several weeks later on August 13, Flash Harry was finally issued on CD also featuring additional material. Completing the two CD releases, the first book written about Nilsson was published covering his life story.
does the article mention any music released by him?
A: several demos from the album were available on promotional CDs and online.
Some context: Wilhelm Stekel (German: ['Ste:k@l]; 18 March 1868 - 25 June 1940) was an Austrian physician and psychologist, who became one of Sigmund Freud's earliest followers, and was once described as "Freud's most distinguished pupil". According to Ernest Jones, "Stekel may be accorded the honour, together with Freud, of having founded the first psycho-analytic society"; while he also described him as "a naturally gifted psychologist with an unusual flair for detecting repressed material." He later had a falling-out with Freud, who announced in November 1912 that "Stekel is going his own way". His works are translated and published in many languages.
Stekel contrasted what he called "normal fetishes" from extreme interests: "They become pathological only when they have pushed the whole love object into the background and themselves appropriate the function of a love object, e.g., when a lover satisfies himself with the possession of a woman's shoe and considers the woman herself as secondary or even disturbing and superfluous (p. 3). Stekel also deals differently than Freud with the problem of perversion. A lot of perversions are defense mechanisms (Schutzbauten) of the moral "self"; they represent hidden forms of asceticism. To Freud, the primal sexual venting meant health, while neuroses were created because of repressing sexual drives. Stekel, on the other hand, points out the significance of the repressed religious "self" in neuroses and indicates that apart from the repressed sexuality type, there is also a repressed morality type. This type is created in the conditions of sexual licentiousness while being opposed to doing it at the same time. In the latter instance, 'Stekel holds that fetichism is the patient's unconscious religion'. "Normal" fetishes for Stekel contributed more broadly to choice of lifestyle: thus "choice of vocation was actually an attempt to solve mental conflicts through the displacement of them", so that doctors for Stekel were "voyeurs who have transferred their original sexual current into the art of diagnosis".  Complaining of Freud's tendency to indiscretion, Ernest Jones wrote that he had told him "the nature of Stekel's sexual perversion, which he should not have and which I have never repeated to anyone". Stekel's "elaboration of the idea that everyone, and in particular every neurotic, has a peculiar form of sexual gratification which is alone adequate" may thus have been grounded in personal experience.  On sado-masochism, "Stekel has described the essence of the sadomasochistic act to be humiliation".
Was perversion punished?
A: