Question: Katherine Anne "Kitty" Pryde is a fictional superhero appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. The character first appeared in Uncanny X-Men #129 (January 1980) and was co-created by writer-artist John Byrne and Chris Claremont. A mutant, Pryde possesses a "phasing" ability that allows her, as well as objects or people she is in contact with, to become intangible. This power also disrupts any electrical field she passes through, and lets her simulate levitation.

Katherine Anne "Kitty" Pryde was born in Deerfield, Illinois, to Carmen and Theresa Pryde. Of Jewish descent, her paternal grandfather, Samuel Prydeman, was held in a Nazi concentration camp during World War II. Kitty started to have headaches at age thirteen, signaling the emergence of her mutant powers. She was approached by both the X-Men's Charles Xavier and the Hellfire Club's White Queen, Emma Frost, both of whom hoped to recruit her for their respective causes. Kitty was unnerved by Frost, observing that the White Queen looked at her as if she were "something good to eat." She got along better with Xavier and the three X-Men who escorted him, quickly becoming friends with Ororo Munroe. Ororo told Kitty who she really was and about the X-Men, which made the teenager even more enthusiastic about attending Xavier's school.  Their conversation was cut short when they (along with Wolverine and Colossus) were attacked by armored mercenaries in the employ of Frost and the Hellfire Club. The X-Men defeated their assailants, but were subdued by the White Queen's telepathic powers immediately after. In the confusion, Kitty was separated from the X-Men, and not captured along with them. She managed to contact Cyclops, Phoenix, and Nightcrawler. With the help of Dazzler and Pryde, those X-Men rescued their teammates from the Hellfire Club.  The White Queen appeared to perish in the battle, which meant she was no longer competing with Xavier for the approval of Kitty's parents. Kitty's parents had not heard from her in more than a day, because during that time she was first being pursued by the Hellfire Club's men and then working with the X-Men to save their friends. All they knew was Kitty had left with Xavier's "students" to get a soda, there had been reports that the soda shop had been blown up, and Kitty had been missing since. Therefore, they were angry at Xavier when he finally returned with Kitty in tow. At first, it seemed like there was no chance of Kitty being allowed to attend the school and join the X-Men. Phoenix then used her considerable telepathic power to erase the memories of Kitty's parents and plant false ones, resulting in a complete shift in their attitude towards Xavier. Kitty was then allowed to enroll at Xavier's school with her parents' blessing, becoming the youngest member of the team.

Using a quote from the above article, answer the following question: What were her mutant powers
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Answer: Kitty started to have headaches at age thirteen, signaling the emergence of her mutant powers.

Problem: Stephen Ray Vaughan (October 3, 1954 - August 27, 1990) was an American musician, singer, songwriter, and record producer. In spite of a short-lived mainstream career spanning seven years, he was one of the most influential guitarists in the revival of blues in the 1980s. AllMusic describes him as "a rocking powerhouse of a guitarist who gave blues a burst of momentum in the '80s, with influence still felt long after his tragic death." Born and raised in Dallas, Texas, Vaughan began playing guitar at the age of seven, inspired by his older brother Jimmie.

In May 1969, after leaving the Brooklyn Underground, Vaughan joined a band called the Southern Distributor. He had learned The Yardbirds' "Jeff's Boogie" and played the song at the audition. Mike Steinbach, the group's drummer, commented: "The kid was fourteen. We auditioned him on 'Jeff's Boogie,' really fast instrumental guitar, and he played it note for note." Although they played pop rock covers, Vaughan conveyed his interest in the addition of blues songs to the group's repertoire; he was told that he wouldn't earn a living playing blues music and the band parted ways. Later that year, bassist Tommy Shannon walked into a Dallas club and heard Vaughan playing guitar. Fascinated by the skillful playing, which he described as "incredible even then", Shannon borrowed a bass guitar and the two jammed. Within a few years, they began performing together in a band called Krackerjack.  In February 1970, Vaughan joined a band called Liberation, which was a nine-piece group with a horn section. Having spent the past month briefly playing bass with Jimmie in Texas Storm, he had originally auditioned as bassist. Impressed by Vaughan's guitar playing, Scott Phares, the group's original guitarist, modestly became the bassist. In mid-1970, they performed at the Adolphus Hotel in downtown Dallas, where ZZ Top asked them to perform. During Liberation's break, Vaughan jammed with ZZ Top on the Nightcaps song "Thunderbird". Phares later described the performance: "They tore the house down. It was awesome. It was one of those magical evenings. Stevie fit in like a glove on a hand."  Attending Justin F. Kimball High School during the early 1970s, Vaughan's late-night gigs contributed to his neglect in his studies, including music theory; he would often sleep during class. His musical career pursuit was disapproved by many of the school's administrators, but he was also encouraged by many people to strive for a career in art, including his art teacher. In his sophomore year, he attended an evening class for experimental art at Southern Methodist University, but bailed when it conflicted with rehearsal. Vaughan later spoke of his dislike of the school and stated that he had to receive a daily note from the principal about his grooming.

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Answer with quotes:
Vaughan later spoke of his dislike of the school and stated that he had to receive a daily note from the principal about his grooming.