Problem: Memoirs of a Geisha is a 2005 American epic drama film based on the novel Memoirs of a Geisha, produced by Steven Spielberg's Amblin Entertainment and Spyglass Entertainment and by Douglas Wick's Red Wagon Productions. Directed by Rob Marshall, the film was released in the United States on December 9, 2005 by Columbia Pictures and DreamWorks Pictures; the latter was given studio credit only. It stars Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh, Youki Kudoh, Suzuka Ohgo, and Samantha Futerman. Production took place in southern and northern California and in several locations in Kyoto, including the Kiyomizu temple and the Fushimi Inari shrine.

The film received some hostile responses in Mainland China, including its banning by the People's Republic of China. Relations between Japan and Mainland China were particularly tense due to two main factors: Japan's Prime Minister Junichiro Koizumi made a number of visits to Yasukuni Shrine, which honors all Japan's war dead, including some who were convicted war criminals, which was denounced by China's foreign ministry as honoring them; and China helped to ensure Japan did not receive a seat on the UN Security Council. Writer Hong Ying argued that "Art should be above national politics". Nevertheless, the release of Memoirs of a Geisha into this politically charged situation added to cultural conflict within and between China and Japan.  The film was originally scheduled to be shown in cinemas in the People's Republic of China on February 9, 2006. The Chinese State Administration of Radio, Film, and Television decided to ban the film on February 1, 2006, considering the film as "too sensitive". In doing so, it overturned a November decision to approve the film for screening.  The film is set in Japan during World War II, when the Second Sino-Japanese War was taking place. During this time, Japan captured and forced Chinese women to serve as "comfort women" for their military personnel. Controversy arose in China from an apparent confusion of equating geisha with prostitution, and thus the connection with, and reminder of, comfort women being used in Japan at that time.  Newspaper sources, such as the Shanghai-based Oriental Morning Post and the Shanghai Youth Daily, quoted the fears that the film might be banned by censors; there were concerns that the casting of Chinese actresses as geishas could rouse anti-Japan sentiment and stir up feelings over Japanese wartime actions in China, especially the use of Chinese women as forced sex workers.

Was it allowed to be shown in China?

Answer with quotes: its banning by the People's Republic of China.


Problem: The Gathering is a Dutch rock band, founded in 1989 by brothers Hans and Rene Rutten and vocalist Bart Smits in Oss, North Brabant. The Gathering earliest releases were categorized as atmospheric doom metal with influences from death metal acts like Celtic Frost and Hellhammer. In 1998 with the release of their 5th studio album, How to measure a planet?, they had a major shift in musical style, with the group acknowledging the growing influence of shoegazing, post-rock, experimental rock and the more ethereal sounds of 4AD bands, such as Dead Can Dance, Cocteau Twins, as well as Pink Floyd and Massive Attack; they expanded their sound, which acquired characteristics of progressive, alternative rock, and trip hop and gained success and recognition beyond the European borders. The group continue to expand upon the experimental nature of their music.

Founded by brothers Hans and Rene Rutten and vocalist Bart Smits, The Gathering formed in the city of Oss, North Brabant, Netherlands in 1989. Soon after they were joined by Hugo Prinsen Geerligs, Jelmer Wiersma and Frank Boeijen to complete their first line-up. The Gathering's earliest recordings were categorized as atmospheric doom metal with influences from death metal acts like Celtic Frost and Hellhammer.  In 1990 they recorded a demo tape entitled An Imaginary Symphony which met some positive reactions from the underground metal scene due to their unusual use of keyboards in metal-oriented music. A second demo, "Moonlight Archer" was recorded in April 1991, was picked up by several music journalists. Both demos suffered from poor production; however they did help establish the band's name on the live circuit opening for bands such as Deadhead, Invocator, Samael, Morbid Angel and Death.  After signing with Foundation 2000, the group released their debut album Always... in 1992. On this album, Bart Smits was accompanied by Marike Groot on vocals, who also joined The Gathering on stage for most of the gigs. the album was a minor success on the European continent, where it went on to shift nearly 20,000 units over the next few years. In 1992 both Bart Smits and Marike Groot decided to leave the group due to musical differences; the other members wanted to change direction towards a lighter, more progressive sound. Smits went on to form his own project, called Wish, to explore a darker, heavier sound.  In 1993 the group recruited two new vocalists, Niels Duffhues and female counterpart Martine van Loon. A second album, Almost a Dance, was recorded and released in 1993 by Foundation 2000. The album was met with much criticism aimed at Duffhues' punk-ish tone being decidedly out of step with the music, and the album was largely written off as a result. The group collectively acknowledged their disappointments with Almost a Dance and decided to start writing new material and start the search for a new vocalist.

how old were they when they started the band?

Answer with quotes: