Problem: Background: Graham Douglas McKenzie (born 24 June 1941) - commonly called Garth McKenzie after the comic strip hero - is an Australian cricketer who played for Western Australia (1960-74), Leicestershire (1969-75), Transvaal (1979-80) and Australia (1961-71) and was a Wisden Cricketer of the Year in 1965. He succeeded Alan Davidson as Australia's premier fast bowler and was in turn succeeded by Dennis Lillee, playing with both at either end of his career. McKenzie was particularly noted for his muscular physique (hence his nickname) and ability to take wickets on good batting tracks. His father Eric McKenzie and uncle Douglas McKenzie played cricket for Western Australia and Garth was chosen for the Ashes tour of England in 1961 aged only 19.
Context: McKenzie grew up in a sporting family. His father, Eric McKenzie, was an opening batsman who played once for Western Australia, against the touring South African cricket team in 1931-32. His uncle, Douglas McKenzie, was a batsman who represented Western Australia on several occasions, scoring 88 in his last game against Lindsay Hassett's Services team in 1945-46. Douglas went on to become President of the Western Australian Cricket Association. Both Douglas and Eric also represented Western Australia in field hockey.  In his youth, McKenzie was an all rounder, batting right-handed and bowling off spin. Aged twelve, he gained selection for Western Australia in the 1953-54 under-14 interstate competition held at Adelaide, but the team withdrew after a polio epidemic in Western Australia. The next season, he captained the state when the competition was held in Perth, leading his team to the championship.  McKenzie attended John Curtin High School, where he performed well with both bat and ball in the school's first XI. At sixteen he was made his first grade debut for Claremont-Cottesloe as a batsman, but after unproductive performances was dropped to the second XI. The following year in 1958-59, he continued in second grade and took up fast bowling, taking 50 wickets at an average of 14.50 after his team had a pace bowling shortage. He was recalled to the First XI in 1959-60. He finished the season with 515 runs at an average of 39.46 and 49 wickets at an average of 11.21. His efforts were rewarded in when the state selectors handed him a debut for the penultimate match of the Sheffield Shield season against Victoria in Melbourne. He went wicketless and scored 22 and 41. He took his first wickets in the final match against South Australia at Perth with 3/69. At season's end, his captain Ken Meuleman advised McKenzie to concentrate on his fast bowling.
Question: Did he come from an athletic family?
Answer: scoring 88 in his

Problem: Background: Terrance Dicks (born 14 April 1935) is an English author and former television screenwriter, script editor and producer. In television, Dicks had a long association with the BBC science-fiction series Doctor Who, working as a writer and also serving as the programme's script editor from 1968 to 1974. The Doctor Who News Page described him as "arguably the most prolific contributor to Doctor
Context: In 1968, Dicks was hired as assistant script editor on the popular BBC science-fiction TV series Doctor Who. He was appointed head script editor the following year, and earned his first writing credit for the programme when he and Hulke co-wrote the 10-part serial The War Games, which concluded the series' sixth season and the Second Doctor's (Patrick Troughton) tenure. Dicks had, however, been the uncredited co-writer of the earlier serial The Seeds of Death, having extensively re-written Brian Hayles' original scripts.  Dicks went on to form a highly productive working relationship with incoming Doctor Who producer Barry Letts, serving as script editor on all of Letts' five seasons as head of the programme from 1970 to 1974. In 1972, Dicks embarked on a parallel career as an author with the publication of his first book, The Making of Doctor Who (a history of the production of the TV series), which was co-written by Hulke.  After stepping down as script editor, Dicks continued his association with Doctor Who, writing four scripts for his successor, Robert Holmes: these were Robot (1975, Tom Baker's first outing as the Fourth Doctor), The Brain of Morbius (1976, for which Dicks was credited under the pseudonym "Robin Bland" after his displeasure at Holmes' re-writes prompted him to request that it be shown "under some bland pseudonym"), Horror of Fang Rock (1977) and State of Decay (1980).  State of Decay was in fact a re-written version of a story originally titled The Vampire Mutations, which had been due for production during season 15 until the BBC decided that the vampiric theme would clash with the plot of its new adaptation of Bram Stoker's Count Dracula, which was due for transmission at roughly the same time, and replaced it with Horror of Fang Rock. Dicks penned his final Doctor Who script in 1983, when he wrote the programme's 20th anniversary special episode, The Five Doctors.  Dicks' other work for Doctor Who includes two stage plays, Doctor Who and the Daleks in the Seven Keys to Doomsday (1974) and Doctor Who - The Ultimate Adventure (1989), and an audio drama for Big Finish Productions titled Comeback (2002), which was the first to feature former Doctor's companion Sarah Jane Smith in a significant capacity.
Question: Has he been quotes as saying anything about his time on Doctor Who?
Answer: 

Problem: Background: The Mothers of Invention were an American rock band from California that served as the backing musicians for Frank Zappa. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows. Originally an R&B band called the Soul Giants, the band's first lineup included Ray Collins, David Coronado, Ray Hunt, Roy Estrada and Jimmy Carl Black. Zappa was asked to take over as the guitarist following a fight between Collins and Coronado, the band's original saxophonist/leader.
Context: The Soul Giants were formed in 1964. In 1964, Frank Zappa was approached by Ray Collins who asked him to take over as the guitarist following a fight between Collins and the group's original guitarist. Zappa accepted, and convinced the other members that they should play his music to increase the chances of getting a record contract. Original leader David Coronado did not think that the band would be employable if they played original material, and left the band. Zappa soon assumed leadership and the role as co-lead singer, even though he never considered himself a singer.  The band was renamed the Mothers, coincidentally on Mother's Day. The group increased their bookings after beginning an association with manager Herb Cohen, while they gradually gained attention on the burgeoning Los Angeles underground music scene. In early 1966, they were spotted by leading record producer Tom Wilson when playing Zappa's "Trouble Every Day," a song about the Watts Riots. Wilson had earned acclaim as the producer for singer-songwriter Bob Dylan and the folk-rock act Simon & Garfunkel, and was notable as one of the few African Americans working as a major label pop music producer at this time.  Wilson signed the Mothers to the Verve Records division of MGM Records, which had built up a strong reputation in the music industry for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences. Verve insisted that the band officially rename themselves because "Mother" in slang terminology was short for "motherfucker"--a term that apart from its profanity, in a jazz context connotes a very skilled musical instrumentalist. The label suggested the name "The Mothers Auxiliary", which prompted Zappa to come up with the name "The Mothers of Invention".
Question: Was their anyone else in the band when it started?
Answer:
manager Herb Cohen,