input: In 1982, Titas (at that time "Titas do Ie-Ie") made their first live presentation. They recorded several tapes and sent them to recording labels until they signed up with Warner Music label. In 1984, Titas released their first album, Titas, and Nando played the bass guitar in some tracks although initially he was supposed to be a backing vocalist only. In the late 1980s, Titas caught a plane to London, for their first international show. On June 19, 1989, his mother Cecilia died of cancer.  In the early 1990s, he started producing his first albums, with artists like Marisa Monte and Cassia Eller. In 1995, he recorded his first solo album, 12 de Janeiro. In 2000, Titas changed to Abril Music, and after recording As Dez Mais in Seattle, Nando released his second solo album, Para Quando o Arco-Iris Encontrar o Pote de Ouro, with some special participations like Cassia Eller, Rogerio Fausino (from Jota Quest) and Peter Buck (from R.E.M.).  On June 13, 2001, Titas' guitarist Marcelo Fromer died after being rammed by a motorcycle (see Marcelo Fromer's Death). On December 29, he lost another friend: Cassia Eller. In 2002, he released Infernal, his third solo work. He then decided to leave Titas on September 9, 2002, partially due to the impact of both friends' deaths caused in his life, but mainly due to a "thought incompatibility". In a later interview, he said that he left the group also due to his will to give more attention to his solo works. He even proposed that the band stopped for one year after the album release. He also said that his isolation as a composer grew more evident in more recent albums, with more and more songs being composed just by him. Nowadays, Reis and Titas are in good terms.  Still in 2002, he produced and guest performed in Eller's Acustico MTV album, which was later nominated for 2002 Latin Grammy Award for Best Brazilian Rock Album; and won it.

Answer this question "What did they do together?"
output: They recorded several tapes and sent them to recording labels until they signed up with Warner Music label.

input: Jodorowsky spent almost a decade reconstructing the original form of the Tarot de Marseille. From this work he moved into more therapeutic work in three areas: psychomagic, psychogenealogy and initiatic massage. Psychomagic aims to heal psychological wounds suffered in life. This therapy is based on the belief that the performance of certain acts can directly act upon the unconscious mind, releasing it from a series of traumas, some of which practitioners of the therapy believe are passed down from generation to generation. Psychogenealogy includes the studying of the patient's personality and family tree in order to best address their specific sources. It is similar, in its phenomenological approach to genealogy, to the Constellations pioneered by Bert Hellinger.  Jodorowsky has several books on his therapeutic methods, including Psicomagia: La trampa sagrada (Psychomagic: The Sacred Trap) and his autobiography, La danza de la realidad (The Dance of Reality), which he was filming as a feature-length film in March 2012. To date he has published more than 23 novels and philosophical treatises, along with dozens of articles and interviews. His books are widely read in Spanish and French, but are for the most part unknown to English-speaking audiences.  Throughout his career, Jodorowsky has gained a reputation as a philosopher and scholar who presents the teachings of religion, psychology, and spiritual masters, by molding them into imaginative endeavors. All of his enterprises integrate an artistic approach. Currently, Jodorowsky dedicates much of his time to lecturing about his work.  For a quarter of a century, Jodorowsky held classes and lectures for free, in cafes and universities all over the city of Paris. Typically, such courses or talks would begin on Wednesday evenings as tarot divination lessons, and would culminate in an hour long conference, also free, where at times hundreds of attendees would be treated to live demonstrations of a psychological "arbre genealogique" ("tree of genealogy") involving volunteers from the audience. In these conferences, Jodorowsky would pave the way to building a strong base of students of his philosophy, which deals with understanding the unconscious as the "over-self", composed of many generations of family relatives, living or deceased, acting on the psyche, well into adult lives, and causing compulsions. Of all his work, Jodorowsky considers these activities to be the most important of his life. Though such activities only take place in the insular world of Parisian cafes, he has devoted thousands of hours of his life to teaching and helping people "become more conscious," as he puts it.  Since 2011 these talks have dwindled to once a month and take place at the "Librairie Les Cent Ciels" in Paris.

Answer this question "What are the books called?"
output: Psicomagia: La trampa sagrada (Psychomagic: The Sacred Trap) and

input: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later.  Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling.  Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.  According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star.

Answer this question "What did she record for Four Star?"
output:
Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting.