Question: Sir Lawrence Alma-Tadema,  (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.

In 1852 he entered the Royal Academy of Antwerp in Belgium where he studied early Dutch and Flemish art, under Gustaf Wappers. During Alma-Tadema's four years as a registered student at the Academy, he won several respectable awards.  Before leaving school, towards the end of 1855, he became assistant to the painter and professor Louis (Lodewijk) Jan de Taeye, whose courses in history and historical costume he had greatly enjoyed at the Academy. Although de Taeye was not an outstanding painter, Alma-Tadema respected him and became his studio assistant, working with him for three years. De Taeye introduced him to books that influenced his desire to portray Merovingian subjects early in his career. He was encouraged to depict historical accuracy in his paintings, a trait for which the artist became known.  Alma-Tadema left Taeye's studio in November 1858 returning to Leeuwarden before settling in Antwerp, where he began working with the painter Baron Jan August Hendrik Leys, whose studio was one of the most highly regarded in Belgium. Under his guidance Alma-Tadema painted his first major work: The Education of the children of Clovis (1861). This painting created a sensation among critics and artists when it was exhibited that year at the Artistic Congress in Antwerp. It is said to have laid the foundation of his fame and reputation. Alma-Tadema related that although Leys thought the completed painting better than he had expected, he was critical of the treatment of marble, which he compared to cheese.  Alma-Tadema took this criticism very seriously, and it led him to improve his technique and to become the world's foremost painter of marble and variegated granite. Despite any reproaches from his master, The Education of the Children of Clovis was honorably received by critics and artists alike and was eventually purchased and subsequently given to King Leopold of Belgium.

Using a quote from the above article, answer the following question: Why did he move there?
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Answer: he entered the Royal Academy of Antwerp in Belgium where he studied


Question: Born in New Orleans, Louisiana, Capote was the son of 17-year-old Lillie Mae Faulk and salesman Archulus Persons. His parents divorced when he was four, and he was sent to Monroeville, Alabama, where, for the following four to five years, he was raised by his mother's relatives. He formed a fast bond with his mother's distant relative, Nanny Rumbley Faulk, whom Truman called "Sook". "Her face is remarkable - not unlike Lincoln's, craggy like that, and tinted by sun and wind", is how Capote described Sook in "A Christmas Memory" (1956).

In the late 1970s, Capote was in and out of drug rehabilitation clinics, and news of his various breakdowns frequently reached the public. In 1978, talk show host Stanley Siegel did an on-air interview with Capote, who, in an extraordinarily intoxicated state, confessed that he had been awake for 48 hours and when questioned by Siegel, "What's going to happen unless you lick this problem of drugs and alcohol?", Capote responded: "The obvious answer is that eventually, I mean, I'll kill myself ... without meaning to." The live broadcast made national headlines. One year later, when he felt betrayed by Lee Radziwill in a feud with perpetual nemesis Gore Vidal, Capote arranged a return visit to Stanley Siegel's show, this time to deliver a bizarrely comic performance revealing an incident wherein Vidal was thrown out of the Kennedy White House due to intoxication. Capote also went into salacious details regarding the personal life of Lee Radziwill and her sister, Jacqueline Kennedy Onassis.  Andy Warhol, who had looked up to the writer as a mentor in his early days in New York and often partied with Capote at Studio 54, agreed to paint Capote's portrait as "a personal gift" in exchange for Capote's contributing short pieces to Warhol's Interview magazine every month for a year in the form of a column, Conversations with Capote. Initially the pieces were to consist of tape-recorded conversations, but soon Capote eschewed the tape recorder in favor of semi-fictionalized "conversational portraits". These pieces formed the basis for the bestselling Music for Chameleons (1980). Capote underwent a facelift, lost weight and experimented with hair transplants. Despite this, Capote was unable to overcome his reliance upon drugs and liquor and had grown bored with New York by the beginning of the 1980s.  After the revocation of his driver's license (the result of speeding near his Long Island residence) and a hallucinatory seizure in 1980 that required hospitalization, Capote became fairly reclusive. These hallucinations continued unabated and medical scans eventually revealed that his brain mass had perceptibly shrunk. On the rare occasions when he was lucid, he continued to promote Answered Prayers as being nearly complete and was reportedly planning a reprise of the Black and White Ball to be held either in Los Angeles or a more exotic locale in South America. On a few occasions, he was still able to write. In 1982, a new short story, "One Christmas," appeared in the December issue of Ladies' Home Journal; the following year it became, like its predecessors A Christmas Memory and The Thanksgiving Visitor, a holiday gift book. In 1983, "Remembering Tennessee," an essay in tribute to Tennessee Williams, who had died in February of that year, appeared in Playboy magazine.

Using a quote from the above article, answer the following question: Did he write anything in his last years?
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Answer:
a new short story, "One Christmas,"