input: I Thought It Was You, his second album, was released in August 1991. Also certified platinum, it produced three more chart singles: the No. 4 title track, followed by the number 1 "A Jukebox with a Country Song" and "Come In Out of the Pain" at No. 3. "A Jukebox with a Country Song" spent two weeks at number 1, thus becoming his only multi-week number 1 single. Stone co-wrote the track "The Feeling Never Goes Away" with Kim Williams and Phyllis Bennett, and then-labelmate Joe Diffie co-wrote "Burning Down the Town". Alanna Nash of Entertainment Weekly gave the album an "A", saying that it contained "sex-and-smolder ballads" comparable to Conway Twitty. Mansfield was less favorable, saying that Stone "seems to wallow in sorrow".  In early 1992, Stone began experiencing dizziness and pain in one of his arms. He also began feeling chest pains which he initially thought were heartburn. After feeling disoriented at a concert in Oregon, he canceled an appearance at the Academy of Country Music telecast. He then underwent quadruple bypass surgery at Centennial Medical Center to alleviate four severe arterial blockages near his heart which had initially gone undiscovered by doctors. Following the surgery, Stone changed his diet and began exercising, in addition to touring in support of his third album, From the Heart, released that August. The album's title was seen by many music writers, including Irwin Stambler and Grelun Landon of Country Music: The Encyclopedia, as ironic in the wake of Stone's heart surgery.  With a gold certification for shipments of 500,000 copies, From the Heart produced two more number 1 singles in "Too Busy Being in Love" and "Why Didn't I Think of That". The other two singles were "Warning Labels" and "Made for Lovin' You", at No. 4 and No. 6 respectively. The latter had previously been recorded by both Dan Seals and Clinton Gregory. Mansfield thought that From the Heart was more consistent than Stone's previous two albums, saying that his "voice is at its pain-wracked best" on "Warning Labels" and that "The heart references take on a special meaning given the open-heart surgery that preceded this album". Nash criticized the album as "sappy, lightweight tales of infatuation and starry-eyed courtship". One month after From the Heart, Stone released a Christmas album titled The First Christmas. Although this album produced no singles, "Sailing Home for Christmas" was made into a music video. Stone was nominated in both 1992 and 1993 for Star of Tomorrow by Music City News, and Top Male Vocalist from the Academy of Country Music, winning the former award in 1993. He toured in 1992 with Patty Loveless, Lynyrd Skynyrd, and Hank Williams, Jr.

Answer this question "Was it a success as well?"
output: Although this album produced no singles, "Sailing Home for Christmas" was made into a music video. Stone was nominated in both 1992 and 1993 for Star of Tomorrow

input: The depiction of Jews in some of Eliot's poems has led several critics to accuse him of anti-Semitism. This case has been presented most forcefully in a study by Anthony Julius: T. S. Eliot, Anti-Semitism, and Literary Form (1996). In "Gerontion", Eliot writes, in the voice of the poem's elderly narrator, "And the jew squats on the window sill, the owner [of my building] / Spawned in some estaminet of Antwerp." Another well-known example appears in the poem, "Burbank with a Baedeker: Bleistein with a Cigar". In this poem, Eliot wrote, "The rats are underneath the piles. / The jew is underneath the lot. / Money in furs." Interpreting the line as an indirect comparison of Jews to rats, Julius writes, "The anti-Semitism is unmistakable. It reaches out like a clear signal to the reader." Julius's viewpoint has been supported by literary critics such as Harold Bloom, Christopher Ricks, George Steiner, Tom Paulin and James Fenton.  In a series of lectures delivered at the University of Virginia in 1933, published under the title After Strange Gods: A Primer of Modern Heresy (1934), Eliot wrote of societal tradition and coherence, "What is still more important [than cultural homogeneity] is unity of religious background, and reasons of race and religion combine to make any large number of free-thinking Jews undesirable." Eliot never re-published this book/lecture. In his 1934 pageant play The Rock, Eliot distances himself from Fascist movements of the Thirties by caricaturing Oswald Mosley's Blackshirts, who 'firmly refuse/ To descend to palaver with anthropoid Jews'. The 'new evangels' of totalitarianism are presented as antithetic to the spirit of Christianity.  Craig Raine, in his books In Defence of T. S. Eliot (2001) and T. S. Eliot (2006), sought to defend Eliot from the charge of anti-Semitism. Reviewing the 2006 book, Paul Dean stated that he was not convinced by Raine's argument. Nevertheless, he concluded, "Ultimately, as both Raine and, to do him justice, Julius insist, however much Eliot may have been compromised as a person, as we all are in our several ways, his greatness as a poet remains." In another review of Raine's 2006 book, the literary critic Terry Eagleton also questioned the validity of Raine's defence of Eliot's character flaws as well as the entire basis for Raine's book, writing, "Why do critics feel a need to defend the authors they write on, like doting parents deaf to all criticism of their obnoxious children? Eliot's well-earned reputation [as a poet] is established beyond all doubt, and making him out to be as unflawed as the Archangel Gabriel does him no favours."

Answer this question "Did anyone defend him?"
output: