Background: The White Stripes were an American rock duo formed in 1997 in Detroit, Michigan. The group consisted of Jack White (songwriter, vocals, guitar, piano, and mandolin) and Meg White (drums and vocals). After releasing several singles and three albums within the Detroit music scene, The White Stripes rose to prominence in 2002, as part of the garage rock revival scene. Their successful and critically acclaimed albums White Blood Cells and Elephant drew attention from a large variety of media outlets in the United States and the United Kingdom, with the single "Seven Nation Army" and its bass line becoming their signature song.
Context: As a senior in high school, Jack Gillis (as he was then known), met Meg White at the Memphis Smoke--the restaurant where she worked and where he would read his poetry at "open mic" nights. The two became friends, and began to frequent the coffee shops, local music venues, and record stores of the area. By this time, Gillis was already playing drums with musician friends, including his upholstery apprenticeship mentors, Brian Muldoon and Justin Stockton. In 1994, he got his first professional job as the drummer for the Detroit cowpunk band Goober & the Peas.  After a courtship, Gillis and White got married on September 21, 1996; contrary to convention, he took his wife's surname. Shortly after, Goober and the Peas broke up, but Jack continued to play in other bands, such as the garage punk band The Go (he played lead guitar on their 1999 album Whatcha Doin'), The Hentchmen, and Two-Star Tabernacle. In 1997--allegedly on Bastille Day--Meg first began to learn to play the drums. In Jack's words, "When she started to play drums with me, just on a lark, it felt liberating and refreshing. There was something in it that opened me up." The couple then became a band and, while they considered calling themselves "Bazooka" and "Soda Powder", they settled on the name "The White Stripes". Jack explained the band name's origin this way:  Meg loves peppermints, and we were going to call ourselves The Peppermints. But since our last name was White, we decided to call it "The White Stripes". It revolved around this childish idea, the ideas kids have--because they are so much better than adult ideas, right?"  From the beginning, they established certain motifs: publicly presenting themselves as brother and sister, outfitting their production in only black, red, and white, and heavily using the number "three". White has explained that they used these colors to distract from the fact that they were young, white musicians playing "black music". They were also noted for their lack of a bass player, and their general refusal to be interviewed separately.  The White Stripes had their first live performance on August 14, 1997, at the Gold Dollar bar in Detroit. They began their career as part of the Michigan underground garage rock scene, playing with local bands such as The Hentchmen, The Dirtbombs, The Gories, and Rocket 455. In 1998, Dave Buick--owner of an independent, Detroit-based, garage-punk label called Italy Records--approached the band at a bar and asked if they would like to record a single. Jack initially declined, believing it would be too expensive, but he eventually reconsidered when he realized that Buick was offering to pay for it. Their debut single, "Let's Shake Hands," was released on vinyl in February 1998 with an initial pressing of 1,000 copies. This was followed in October 1998 by the single "Lafayette Blues" which, again, was only released on vinyl with 1,000 copies.
Question: Why did they settle on this name?
Answer: 

Background: Seaver was born in Fresno, California, to Betty Lee (Cline) and Charles Henry Seaver. Pitching for Fresno High School, Seaver compensated for his lack of size and strength by developing great control on the mound. Despite being an All-City basketball player, he hoped to play baseball in college. He joined the United States Marine Corps Reserves on June 28, 1962.
Context: On April 22, 1970, Seaver set a major league record by striking out the final 10 batters of the game in a 2-1 victory over the San Diego Padres at Shea Stadium. Al Ferrara, who had homered in the second inning for the Padres' run, was the final strikeout victim of the game. In addition to his 10 consecutive strikeouts, Seaver tied Steve Carlton's major league record, at the time, with 19 strikeouts in a nine-inning game,. The Mets also won the game in which Carlton struck out 19, with Carlton victimized by Ron Swoboda's pair of 2-run homers in a 4-3 Mets victory in St. Louis on September 15, 1969. (The record was later eclipsed by 20-strikeout games by Kerry Wood, Randy Johnson, Max Scherzer, and twice by Roger Clemens.) By mid-August, Seaver's record stood at 17-6 and he seemed well on his way to a second consecutive 20-victory season. But he only won one of his last ten starts, including four on short rest, to finish 18-12. Nonetheless, Seaver led the National League in both ERA and strikeouts.  The 1971 season was arguably Seaver's finest year, when he led the league in ERA (1.76) and strikeouts (289 in 286 innings) while going 20-10. However, he finished second in the Cy Young balloting to Ferguson Jenkins of the Chicago Cubs, due to Jenkins' league-leading 24 wins, 325 innings pitched, and exceptional control numbers. Seaver himself has said that 1971 was his best season.  Seaver had four more twenty-win seasons (20 in 1971, 21 in 1972, 22 in 1975, and 21 in 1977) (7 wins for the Mets, then 14 more after being traded to the Reds). He won two more Cy Young Awards (1973 and 1975, both with the Mets).  During his tenure with the Mets, Seaver made 108 starts in which he pitched 9 or more innings and allowed 1 run or less. His record in those starts is 93-3 with 12 no-decisions. In seven of the 12 no-decisions, he pitched 10 or more innings. In the 12 no-decisions, he pitched a total of 117 innings, allowing 56 hits and 5 earned runs, compiling a 0.38 ERA.  Between 1970 and 1976, Seaver led the National League in strikeouts five of the seven seasons, finishing second in 1972 and third in 1974. Seaver also won three ERA titles as a Met. Two famous quotes about Seaver are attributed to Reggie Jackson: "Blind men come to the park just to hear him pitch." The second was that, while pitching for the Mets during the 1973 World series, 6th game, with the Mets up 3 games to 2, and so poised to win their second Championship, with Mr. Seaver scheduled to start. He did, but did not have his "arm" that day, his arm strength, that is, and the opposing team knew it. Seaver would go on to start and lose the 6th game... Mr. Jackson is reported to have said "Seaver pitched with his heart that day." Seaver was perhaps the foremost latter-day exponent of "drop and drive" overhand delivery, but his powerful legs protected his arm, and ensured his longevity. Seaver was frequently compared to fellow Hall of Fame pitcher Christy Mathewson.
Question: Which teams does he play for?
Answer:
The Mets