input: Watts' 1996 reelection campaign featured state representative Ed Crocker as the Democratic candidate in a negative campaign. Crocker questioned Watts' business dealings because of tax issues for a real estate company of which Watts was the principal owner, and whether he was paying child support for one of his daughters born out of wedlock. Crocker suggested Watts might use drugs or sanction their use because he declined to participate in a voluntary drug screening in the House of Representatives. Watts denied the charge, took the test, and accused Cocker of draft dodging during the Vietnam War and later living at the "center of the West Coast drug culture." Watts was given a featured speaking role at the 1996 Republican National Convention and was re-elected with 58 percent of the vote in the 1996 U.S. House election.  Following the election, Watts switched from the Financial Services Committee to the House Transportation Committee. He was the only African-American Republican in the House and was chosen to deliver the Republican reply to President Bill Clinton's State of the Union address in February 1997, the youngest congressman and first African-American to do so. In his response, Watts focused on providing a positive vision of the Republican Party and advocated deficit and tax reduction and faith-based values. Watts had previously spoken to The Washington Times and created controversy by criticizing "race-hustling poverty pimps" as keeping African-Americans dependent on government. These remarks were viewed as critical of activist Jesse Jackson and Washington, D.C. mayor Marion Barry, and Jesse Jackson, Jr. demanded a public apology. Watts stated he did not speak about Barry and Jackson but about "some of the leadership in the black community."  In his 1998 reelection campaign against Democrat Ben Odom, Watts faced accusations about debts, unpaid taxes and over actions in a federal bribery investigation in 1991, where he arranged to receive campaign contributions from a lobbyist for telephone companies that were investigated during Watts' membership on the Oklahoma Corporation Commission. Odom used portions of a transcript to try to discredit Watts, and the accusations were widely publicized in Oklahoma. Watts argued he had been exonerated from any criminal conduct and that his financial problems were a result of losses for Oklahoma oil and gas businesses during the 1980s. He was re-elected with 62 percent of the vote.  From 1995 until 1997, Watts was only one of two black Republicans in Congress (along with Gary Franks of Connecticut). From 1997 until 2003, Watts was the only black Republican Congressman. There would not be another until the elections of Tim Scott and Allen West in 2011.

Answer this question "What was the end result of this?"
output: he had been exonerated from any criminal conduct

input: In 1995, following the success of Become What You Are she released her follow-up album, Only Everything, in which she "turned up the volume and the distortion and had a lot of fun". One reviewer describes it as "a fun, engaging pop album". The album spawned another alternative radio hit for Hatfield in "Universal Heartbeat". The video featured Hatfield as an overly demanding aerobics instructor. Prior to the tour for Only Everything, Hatfield released Phillips and brought on Jason Sutter (American Hi-Fi, Chris Cornell, Jack Drag), as well as Ed Slanker (Thudpucker, Tinsel) on 2nd guitar, and Lisa Mednick on keyboards. Two weeks into the tour, Hatfield canceled the tour, which her publicist explained as due to "nervous exhaustion," and took a month-long break.  In her memoir, Hatfield writes that in truth she was suffering from depression severe enough to the point of being suicidal. Hatfield disagreed with the decision not to be upfront about her depression. The drummer was, once again, replaced, this time by Phillips, and touring resumed with Jeff Buckley as the opening act.  In 1996, she traveled to Woodstock, New York where she recorded tracks for God's Foot, which was to be her fourth solo album (third if not counting Become What You Are, which was recorded with the Juliana Hatfield Three), intended for 1997 release. After three failed attempts to satisfy requests from Atlantic Records to come up with a "single" that the label could release, Juliana requested she be released from her contract. The label obliged, but kept the rights to the songs produced during these sessions (Atlantic had reportedly paid $180,000 to that point on the recordings). Two tracks - "Mountains of Love" and "Fade Away" - were eventually released on a greatest hits collection entitled Gold Stars, while still another, "Can't Kill Myself," was available for download from Hatfield's official website. The remaining tracks have surfaced only as substandard bootleg versions (which do not meet Hatfield's approval) and she has rarely featured them in her subsequent live performances.  In 1997 Hatfield toured with the first Lilith Fair, a prominent all-female rock festival founded by singer Sarah McLachlan.

Answer this question "When did her last tour take place ?"
output: In 1997 Hatfield toured with the first Lilith Fair,

input: The outbreak of the Franco-Prussian War in July 1870 compelled Alma-Tadema to leave the continent and move to London. His infatuation with Laura Epps played a great part in his relocation to England and Gambart felt that the move would be advantageous to the artist's career. In stating his reasons for the move, Tadema simply said "I lost my first wife, a French lady with whom I married in 1863, in 1869. Having always had a great predilection for London, the only place where, up till then my work had met with buyers, I decided to leave the continent and go to settle in England, where I have found a true home."  With his small daughters and sister Atje, Alma-Tadema arrived in London at the beginning of September 1870. The painter wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871. Laura, under her married name, also won a high reputation as an artist, and appears in numerous of Alma-Tadema's canvases after their marriage (The Women of Amphissa (1887) being a notable example). This second marriage was enduring and happy, though childless, and Laura became stepmother to Anna and Laurence. Anna became a painter and Laurence became a novelist.  He would initially adopt the name Laurence Alma Tadema instead of Lourens Alma Tadema and later adopt the more English Lawrence for his forename, and incorporate Alma into his surname so that he appeared at the beginning of exhibition catalogues, under "A" rather than under "T". He did not actually hyphenate his last name, but it was done by others and this has since become the convention.

Answer this question "Did he do any paintings in England?"
output:
(The Women of Amphissa (1887) being a notable example).