Question:
Elizabeth Kocianski was born in Elmira, New York and raised by Polish parents. When she was eleven years old, she won a coloring contest with a prize of tickets to a television taping for the World Wrestling Federation. Kocianski credits this as when she fell in love with professional wrestling. She cites Bret Hart, Owen Hart, and Ted DiBiase as her favorite wrestlers.
Kocianski was invited to a tryout with World Wrestling Entertainment (WWE) in May 2004, and then relocated to Louisville, Kentucky to work for their then-developmental territory, Ohio Valley Wrestling (OVW). She debuted on OVW television in July 2004, having changed her ring name to "Beth Phoenix", and became the on-screen girlfriend and valet of Chris Masters. The storyline was short lived, and the following month Phoenix was repackaged as the manager of Aaron "The Idol" Stevens. She signed a developmental contract with WWE on October 20, 2005, the same month that she broke her hand. The duo was then joined by Shelly Martinez, who Phoenix soon feuded with in early 2006. Phoenix then stopped appearing regularly on OVW after debuting on WWE's Raw television show.  After sustaining an injury, Phoenix returned to action in OVW on August 16, 2006, defeating Serena. Phoenix began regularly competing for the OVW Women's Championship, unsuccessfully challenging the champion ODB in a battle royal and a four-way match, which was won by Serena. At the October 4 OVW television tapings, however, Phoenix defeated Serena to win the championship. She lost the championship to Victoria Crawford in a gauntlet match on October 20, and won it back the next day; however, Crawford's title reign is not officially recognised, and as a result, neither is Phoenix's second reign. Phoenix officially dropped the championship in a gauntlet match at the November 1 television taping, after she was eliminated by Katie Lea, who eventually won the match.  On the November 6 episode of OVW, Phoenix came out with her own championship, and claimed to still be the women's champion. As a result, a ladder match was set up, where the winner would become the undisputed OVW Women's Champion. Lea won the match and was presented with the title belt on the first show of 2007. Throughout 2007, Phoenix continued to wrestle in numerous women's matches in OVW. Phoenix made her last appearance in OVW at their August 15 television tapings where she lost to Lea in a number one contenders match.
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How well did she do?

Answer:
Lea won the match


Question:
At the Drive-In is an American post-hardcore band from El Paso, Texas, formed in 1994. The band currently consists of Cedric Bixler (vocals), Omar Rodriguez (guitar, vocals), Paul Hinojos (bass), Tony Hajjar (drums) and Keeley Davis (guitar, vocals). After several early line-up changes, the band solidified into a five-piece, consisting of Bixler, Rodriguez, Jim Ward, Hinojos and Hajjar. At the Drive-In released three studio albums and five EPs before breaking up in 2001.
At the Drive-In's style is usually described as post-hardcore. Their sound has also been called punk rock, emo and art punk. Some of the group's influences are Indian Summer, Swing Kids, Fugazi, Sunny Day Real Estate (referred to by Ward as "Fugazi beyond Fugazi"), Bad Brains, and the Gravity Records-led post-hardcore sound of the 1990s that featured acts such as Antioch Arrow and Heroin. In their last period before their initial breakup, the biggest influences of At the Drive-In included bands such as Drive Like Jehu and The Nation of Ulysses, with frontman Bixler-Zavala going on to say that "there would be no Relationship of Command without Drive Like Jehu." The band also performed cover versions of songs such as "This Night Has Opened My Eyes" by The Smiths and "Take Up Thy Stethoscope and Walk" by Pink Floyd, both included in the 2004 compilation This Station Is Non-Operational. Their name was taken from the fact that Bad Brains took their name from the Ramones' song "Bad Brain" (from Road to Ruin), and Bixler liked the Bad Brains' song title "At the Movies" (track featured in Rock for Light); while Ward liked "at the drive-in", and his suggestion would eventually win out.  Though In/Casino/Out was recorded live, "Relationship of Command may very well be the first record to harness the chaotic balance of adrenaline and intellect of ATDI's live performance." "Ross was instrumental in bringing out a lot of feeling from us," Bixler recalls. "We channeled a lot of emotion into this record. He pushed us farther than we thought we could go. I learned to cut loose the way we do live and not to be afraid to break something or whatever." While capturing the essence of ATDI's live shows in a way never before seen, the record also featured some of the band's most experimental songs, including "Rolodex Propaganda," "Non-Zero Possibility," and "Invalid Litter Dept."  The band's guitar-playing, in the majority of their songs, is characterized by unusual chords, a fast tempo, and a quiet-loud-quiet song structure. While Jim and Paul provided the rhythmic structure of the song, Omar often played more experimental riffs and melodies over the top. Effects were heavily used by Omar, especially on Relationship of Command, while Jim used the keyboard to create melody, often switching between the guitar and keyboard such as in "Invalid Litter Department."
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Are there any other interesting aspects about this article?

Answer:
especially on Relationship of Command, while Jim used the keyboard to create melody, often