Some context: Hideto Matsumoto (Song Ben  Xiu Ren , Matsumoto Hideto, December 13, 1964 - May 2, 1998), better known by his stage name hide, was a Japanese musician, singer and songwriter. He is primarily known for his work as lead guitarist of the heavy metal band X Japan.
hide joined X Japan (then called X) in February 1987, becoming the band's lead guitarist and occasional songwriter, going on to compose songs like "Celebration", "Joker" and the single "Scars". X released their first album Vanishing Vision, through drummer Yoshiki's own Extasy Records, on April 14, 1988 and toured extensively in support of the record. They would become one of the first Japanese acts to achieve mainstream success while on an independent label, and later widely credited as one of the pioneers of visual kei.  X 's major label debut album, Blue Blood, was released on April 21, 1989 and debuted at number six on the Oricon chart. Its success earned the band the "Grand Prix New Artist of the Year" award at the 4th annual Japan Gold Disc Awards in 1990. Their third album Jealousy was released on July 1, 1991 and debuted at number one, selling over 600,000 copies. It was later certified million by the RIAJ.  Shortly after the release of Art of Life, which also topped the Oricon, the members of X Japan took a break, to start solo projects. Around that time, the group also dropped most of its original visual kei aesthetics, except hide who would still perform in wildly colorful outfits and with his trademark red, later pink, hair. Dahlia, which would become the band's last album, was released on November 4, 1996 and once again, it reached the number one spot. In September 1997 it was announced that X Japan would disband, they performed their farewell show, aptly titled The Last Live, at the Tokyo Dome on December 31, 1997.
Did X Japan tour in 1987?
A: on April 14, 1988 and toured extensively in support of the record.
Some context: Willson was born in Mason City, Iowa, to John David Willson and Rosalie Reiniger Willson, and he had a brother two years his senior, John Cedrick, and a sister 12 years his senior, the children's author Dixie Willson. He attended Frank Damrosch's Institute of Musical Art (which later became the Juilliard School) in New York City. He married his high school sweetheart, Elizabeth "Peggy" Wilson, on August 29, 1920. A flute and piccolo player, Willson was a member of John Philip Sousa's band (1921-1923), and the New York Philharmonic Orchestra under Arturo Toscanini (1924-1929).
His work in films included composing the score for Charlie Chaplin's The Great Dictator (1940) (Academy Award nomination for Best Original Score), and arranging music for the score of William Wyler's The Little Foxes (1941) (Academy Award nomination for Best Music Score of a Dramatic Picture).  During World War II, he worked for the United States' Armed Forces Radio Service. His work with the AFRS teamed him with George Burns, Gracie Allen and Bill Goodwin. He would work with all three as the bandleader, and a regular character, on the Burns and Allen radio program. He played a shy man, always trying to get advice on women. His character was ditsy as well, basically a male version of Gracie Allen's character.  In 1942, Willson had his own program on NBC. Meredith Willson's Music was a summer replacement for Fibber McGee and Molly. Sparkle Time, which ran on CBS in 1946-47, was Willson's first full-season radio program.  Returning to network radio after WWII, he created the Talking People, a choral group that spoke in unison while delivering radio commercials. He also became the musical director for The Big Show, a prestigious comedy-variety program hosted by actress Tallulah Bankhead and featuring some of the world's most respected entertainers. Willson himself became part of one of the show's very few running gags, beginning replies to Bankhead's comments or questions with "well, sir, Miss Bankhead . . ." Willson wrote the song "May the Good Lord Bless and Keep You" for the show. Bankhead spoke the lyrics over the music at the end of each show. He also worked on Jack Benny's radio program, and hosted his own program in 1949. For a few years in the early 1950s, Willson was a regular panelist on the Goodson-Todman game show The Name's the Same.  In 1950 Willson served as Musical Director for The California Story, the Golden State's centennial production at the Hollywood Bowl. Through working on this production, Willson met writer Franklin Lacey who proved instrumental in developing the story line for a musical Willson had been working on, soon to be known as The Music Man. The California Story spectacular was followed by two more state centennial collaborations with stage director Vladimir Rosing: The Oregon Story in 1959 and The Kansas Story in 1961.
What is the most fascinating part of the article?
A:
Returning to network radio after WWII, he created the Talking People, a choral group that spoke in unison while delivering radio commercials.