Background: Dixy Lee Ray (September 3, 1914 - January 2, 1994) was an American scientist and politician who served as the 17th Governor of the U.S. state of Washington. Variously described as idiosyncratic, and "ridiculously smart," she was the state's first female governor and was governor during the 1980 eruption of Mount St. Helens. She was a supporter of atomic energy. A graduate of Mills College and Stanford University, where she earned a doctorate in biology, Ray became an associate professor at the University of Washington in 1957.
Context: Intrigued by her reputation as a person who could "make science interesting," producers at KCTS-TV, Seattle's PBS affiliate, approached Ray about hosting a weekly television program on marine biology. The show, Animals of the Seashore, was a hit and helped propel her into the public eye beyond campus. Her growing popularity led to the Pacific Science Center extending an invitation to Ray to take over the nearly-bankrupt science museum for an annual salary of $20,000. Ray jumped at the opportunity and immediately began a top-to-bottom overhaul of the center, declaring "I'll be damned if I'm going to become a landlady to a hoary old museum." Under Ray's guidance, the Pacific Science Center was converted from a traditional, exhibit-oriented museum to an interactive learning center.  Ray's hands-on approach to running the Pacific Science Center reflected at every level. She kept a police whistle in her desk that she would use to run off loitering hippies. Jim Anderson, who would eventually teach fisheries science at the University of Washington, recalled a typical encounter with Ray, for whom he worked at the Pacific Science Center in 1968:  Her driving was infamous and my one ride with her, in a three-quarter-ton flatbed truck, was wholly memorable. Admittedly, it was an early Sunday morning, but sliding through stop signs, a few crosswise, was disconcerting at best. The ride went over the top when we reached the Science Center. The lot was full of cars without permits. Trying to fit in a very small space with a large flatbed truck, she dented two cars, broke the taillight off a third, and finally vaporized the rear window of a fourth.  Ray led the Pacific Science Center back into financial solvency. Her aggressive fundraising for the center also helped introduce her to many of the city's most influential citizens, including Senator Warren Magnuson.
Question: what is an interesting fact regarding the show?
Answer: helped propel her into the public eye beyond campus.

Background: Jennifer Michael Hecht (born November 23, 1965) is a teacher, author, poet, historian, and philosopher. She was an associate professor of history at Nassau Community College (1994-2007) and now teaches at The New School in New York City. Hecht has seven published books, her scholarly articles have been published in many journals and magazines, and her poetry has appeared in The New Yorker, The New Republic, Ms. Magazine, and Poetry Magazine, among others. She has also written essays and book reviews for The New York Times, The Washington Post, The Philadelphia Inquirer, The American Scholar, The Boston Globe and other publications.
Context: Hecht believes that, "the basic modern assumptions about how to be happy are nonsense." In a review of her book, The Happiness Myth for The New York Times, Alison McCulloch summed it up, "What you think you should do to be happy, like getting fitter and thinner, is part of a 'cultural code' -- 'an unscientific web of symbolic cultural fantasies' -- and once you realize this, you will perhaps feel a little more free to be a lot more happy." Similarly, in an interview on the Point of Inquiry podcast in 2007, she said "I'm not trying really to get somebody out of depression, but I sure am trying to get people to not be so worried, so anxious over things that really don't matter."  She has written against agnosticism, calling "philosophically silly" the argument that because you can't prove a negative we have to allow for the possibility of God. "Either you doubt everything to the point where you can't speak, or you make reasoned decisions."  Hecht is an anti-suicide advocate, writing an entire book (Stay: A History of Suicide and the Philosophies Against It) arguing against it. She believes not only that "Suicide is delayed homicide", but also "that you owe it to your future self to live". She does not believe in life-after-death, urging that we should remember death and remember that it's the end. "I think this world is extraordinary and I also think it's a pain in the ass. And I'm happy to be here and I'm ok with not being here forever."  She believes that morality is not magical, it is the attempt to do right. And rather than either being handed to us by God or just made up by each person, is inherent in human groups. "There are deep rules of morality that we as human beings, in human groups, 'invented' on biological and social and intellectual lines."  Her poetry and philosophy often intersect, and she has taught a course called "Poets and Philosophy" at the New School for many years. Her own taste is for poets who are concerned with philosophical or religious questions. "Leopardi's misery makes me as happy as Schopenhauer's does, though I am ever aware of the equal cacophony of birth and pleasure that shadow their admittedly much more deafening symphony of death and suffering. Dickinson I treasure beyond measure and think she's mostly on my side of the nonbeliever line; anyway, she's my number-one poet. Hopkins has a few rhyming hunks of pure passion, frustrated but wild, which I love with a love that is more than a love, but which only go so far. Donne is deep and great company, but he leans too much into comforting delusions for me, often when he is at his best in poetic chops and pyrotechnics. Rilke is a lifesaving self-help writer and a bit of a brilliant con artist."
Question: What does she think it takes to be happy then?
Answer:
"What you think you should do to be happy, like getting fitter and thinner, is part of a 'cultural code' -- 'an unscientific web of symbolic cultural fantasies' --