Question: Alejo Carpentier y Valmont (December 26, 1904 - April 24, 1980) was a Cuban novelist, essayist, and musicologist who greatly influenced Latin American literature during its famous "boom" period. Born in Lausanne, Switzerland, Carpentier grew up in Havana, Cuba, and despite his European birthplace, he strongly self-identified as Cuban throughout his life. He traveled extensively, particularly in France, and to South America and Mexico, where he met prominent members of the Latin American cultural and artistic community. Carpentier took a keen interest in Latin American politics and often aligned himself with revolutionary movements, such as Fidel Castro's Communist Revolution in Cuba in the mid-20th century.

The Baroque style dates back to the cultural period of the 17th and early 18th centuries. It is most often defined as "the dominant style of art in Europe between the Mannerist and Rococo eras, a style characterized by dynamic movement, overt emotion and self-confident rhetoric". Carpentier first became fascinated with this style in architecture and sculpture; however, he later describes el barroco as un espiritu, and not un estilo historico ("a spirit, not an historical style"). Wakefield insists that this attitude towards the Baroque stemmed from Carpentier's background in both Europe and Latin America which allowed him to take on a superior front in the face of post-colonialism and ultimately have the literary upper-hand where he could use European style to tell the Latin American story. Carpentier developed his vision of the baroque in his early works before he described himself as a baroque writer. He experimented with the technique in several developmental stages: "first as a cultural style of aesthetic fascination, later as a literary device to create period ambiance, and finally as a weapon of postcolonial pride, defiance and one-upmanship".  This style strongly presents itself when comparing works such as the early Ecue-Yamba-O to the celebrated El reino de este mundo, regarding Carpentier's use of more historically eloquent vocabulary in the latter, instead of the authentic language of the ethnically-inspired characters. Here he escapes the stereotype of "nativism" by incorporating European standards, but continues to achieve a sense of normalcy without the expected use of the colloquialisms which the protagonist Ti Noel would undoubtedly use.  Kaup claims that Carpentier utilizes what is known as the "New World Baroque", since Latin America didn't come into contact with the Enlightenment or "European modernity". This contraconquista (counter conquest) allows the New World authors to experiment with new identities and the manners of expressing them. As such, Carpentier observed in his 1975 essay that "American Baroque develop[ed] along with criollo culture ...: the awareness of being Other, of being new, of being symbiotic, of being a criollo; and the criollo spirit is itself a Baroque spirit." This criollo of the New World Baroque is often seen as the dominant style of European literature emerging as a subordinate literary construction in Latin America.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: Kaup claims that Carpentier utilizes what is known as the "New World Baroque", since Latin America didn't come into contact with the Enlightenment or "European modernity".

Problem: Martina Mariea Schiff was born in Sharon, Kansas, on July 29, 1966. She has two brothers, Martin and Steve, who plays in her concert band as of 2017, and a sister, Gina. Martina's parents, Daryl and Jeanne Schiff, owned a dairy farm. Daryl, who was also a cabinetry shop owner, exposed Martina to country music at a young age.

After finding success in country pop-styled music, McBride released her next studio album, Timeless, in 2005, which consisted of country covers. The album included cover versions of country music standards, such as Hank Williams' "You Win Again," Loretta Lynn's "You Ain't Woman Enough," and Kris Kristofferson's "Help Me Make It Through the Night." To make the album fit its older style, McBride and her husband hired older Nashville session players and outdated analog equipment. The album sold over 250,000 copies within its first week, the highest sales start for a McBride album. The lead single, a cover of Lynn Anderson's "(I Never Promised You a) Rose Garden", went to number 18 on the country charts, but the other two singles both failed to make top 40.  In 2006, McBride served as a guest coach on Canadian Idol. The remaining five finalists traveled to Nashville, where McBride worked with the competitors on the songs they had chosen by country artists such as Gordon Lightfoot and Patsy Cline. Among the other guest judges that year were Nelly Furtado and Cyndi Lauper. McBride later joined Canadian Idol on a tour in the Spring. In 2007, McBride also served as a guest coach on Fox Networks television series, American Idol.  In 2007, McBride released her ninth studio album, Waking Up Laughing. It was the first album in which McBride co-wrote some of the tracks. She set up her Waking Up Laughing Tour in 2007, which included country artists Rodney Atkins, Little Big Town, and Jason Michael Carroll. The album's lead single, "Anyway", went to No. 5 on the Billboard Country Chart, becoming her first Top 10 hit since 2003. She also lent her voice singing "Anyway" in a Lifetime movie called, "A Life Interrupted" which premiered on April 23, 2007. Its follow-up, "How I Feel", reached the Top 15. In Spring 2008, McBride released Martina McBride: Live In Concert, a CD/DVD set. It was taped in Moline, Illinois in September 2007.  In July 2007, The ABC Television Network announced a special program called Six Degrees of Martina McBride where individuals from around the country were challenged to find their way to McBride on their own connections and research using a maximum of six methods. The "winner" of this challenge eventually located a direct connection to McBride through her husband, John, who knew someone, who knew someone else. McBride recently recorded an electronically produced duet with Elvis Presley, performing his song "Blue Christmas" as a duet with him on his latest compilation, The Elvis Presley Christmas Duets. A compilation collection, titled Playlist: The Very Best of Martina McBride, was released on December 16, 2008, as part of Sony BMG Playlist series. The album features 11 previously released tracks and three unreleased tracks.

what was the album?

Answer with quotes:
Timeless,