input: Signed to the Elektra Records label as their first rock act, the band scored a minor hit single in 1966 with their version of Burt Bacharach and Hal David's "My Little Red Book". Their first album, Love, was released in March 1966. The album sold moderately well and reached No. 57 on the Billboard 200 chart.  In August 1966 the single written by Arthur Lee "7 and 7 Is", notable for the exceptional guitar work of Johnny Echols and proto-punk styled drumming by Pfisterer, became their highest-charting single at No. 33 in the Billboard Hot 100. Two more members were added around this time, Tjay Cantrelli (real name John Barbieri) on woodwinds and Michael Stuart on drums. Pfisterer, never a confident drummer, switched to harpsichord.  Their musical reputation largely rests on the next two albums, Da Capo and Forever Changes. Da Capo, released in November 1966, included "7 and 7 Is" as well as the subsequent singles "She Comes in Colors" and "!Que Vida!" and MacLean's "Orange Skies". Cantrelli and Pfisterer soon left the band, leaving it as a five-piece once again.  Forever Changes, released in November 1967 and recorded and co-produced by Bruce Botnick  is a suite of songs using acoustic guitars, strings, and horns that was recorded while the band was falling apart as the result of various substance abuse problems and tension between Arthur Lee and Bryan MacLean, who wanted more of his songs on the album. The band recorded the album in only 64 hours, though many professional session players were utilized, including some who replaced the actual band members in some songs. Writer Richard Meltzer, in his book The Aesthetics of Rock, commented on Love's "orchestral moves", "post-doper word contraction cuteness", and Lee's vocal style that serves as a "reaffirmation of Johnny Mathis". Forever Changes included one hit single, Bryan MacLean's "Alone Again Or", while "You Set the Scene" received airplay from some progressive rock radio stations. By this stage, Love were far more popular in the UK, where the album reached No. 24, than in their home country, where it could only reach No. 154. More recently the album has received recognition as one of the greatest rock albums of all time, appearing on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, being inducted into the Grammy Hall of Fame and being added to the National Recording Registry.

Answer this question "did they do anything else?"
output: Love were far more popular in the UK, where the album reached No. 24, than in their home country, where it could only reach No. 154.

Question: "Mr. Tambourine Man" is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.

The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015.  The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror.  A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer:
The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967