Answer the question at the end by quoting:

Jean was born in Croix-des-Bouquets, Haiti. In 1982, he immigrated with his family as a thirteen-year-old boy to the United States; after living in Brooklyn, New York, they settled in East Orange and Newark, New Jersey. He began to make music as a child and has cited reggae artist Bigga Haitian as one of his early influences, as well as neighborhood heroes MC Tiger Paw Raw and producer Lobster v. Crab. His mother recognized his musical talent and bought him a guitar when he was in his teens; he played music to earn respect.
Jean and other musicians formed a group in the 1980s under the name Tranzlator Crew. After they signed with Ruffhouse Records and Columbia Records in 1993, they renamed their group as Fugees - an abbreviation of "refugees", and also a reference to Haitian immigrants. The group's debut album, Blunted on Reality, was released in 1994. It achieved limited commercial success, peaking at number 62 on the US Top R&B/Hip-Hop Albums chart. The album peaked at number 122 on the UK Albums Chart in 1997, and it was certified gold by the Syndicat National de l'Edition Phonographique (SNEP). Blunted on Reality spawned three singles: "Boof Baf", "Nappy Heads" and "Vocab." "Nappy Heads" was the Fugees' first single to be ranked on the US Billboard Hot 100, charting at number 49.  In 1996, the Fugees released their second album, titled The Score. The album achieved significant commercial success in the United States, topping the US Billboard 200. It was later certified as six-times platinum by the Recording Industry Association of America (RIAA). It performed well in several overseas nations, topping the Austrian, Canadian, French, German and Swiss albums charts, while also peaking at number two in Sweden and the United Kingdom. Four commercially successful singles were released from The Score; "Fu-Gee-La", the first single from the album, peaked at number 29 on the Billboard Hot 100 and was certified gold by the RIAA and by the Bundesverband Musikindustrie (BVMI). The other three singles - "Killing Me Softly", "Ready or Not" and "No Woman, No Cry" - did not appear on the Billboard Hot 100 as they were not released for commercial sale, making them ineligible to appear on the chart, although they all received sufficient airplay to appear on the Hot 100 Airplay and Hot R&B/Hip-Hop Airplay charts. "Killing Me Softly", a cover of the Roberta Flack song "Killing Me Softly with His Song", performed strongly in other territories, topping the singles charts in Australia, Austria, Germany and the United Kingdom, among several others.  "Ready or Not" peaked at number one in the UK and at number three in Sweden. "No Woman, No Cry" - a cover of the Bob Marley & The Wailers song of the same name - topped the singles chart in New Zealand. Fugees collaborated with singer Bounty Killer on the single "Hip-Hopera" and recorded the single "Rumble in the Jungle" for the soundtrack to the film When We Were Kings in 1997: although they have not released any studio albums since The Score, a compilation album, Greatest Hits, was released in 2003, and spawned the single "Take It Easy".

Was their debut album a success?

It achieved limited commercial success, peaking at number 62 on the US Top R&B/Hip-Hop Albums chart.



Answer the question at the end by quoting:

Osceola was named Billy Powell at birth in 1804 in the Creek village of Talisi. now known as Tallassee, Alabama, in current Elmore County. "The people in the town of Tallassee...were mixed-blood Native American/English/Irish/Scottish, and some were black. Billy was all of these."
After Osceola's death, army doctor Frederick Weedon persuaded the Seminole to allow him to make a death mask of Osceola, this being a European-American custom at the time for prominent people. Later he removed Osceola's head and embalmed it. For some time, Weedon kept the head and a number of personal objects Osceola had given him. Later, Weedon gave the head to his son-in-law Daniel Whitehurst. In 1843, Whitehurst sent the head to Valentine Mott, a New York physician. Mott placed it in his collection at the Surgical and Pathological Museum. It was presumably lost when a fire destroyed the museum in 1866. Some of Osceola's belongings are still held by the Weedon family, while others have disappeared.  Captain Pitcairn Morrison sent the death mask and some other objects collected by Weedon to an army officer in Washington. By 1885, the death mask and some of Osceola's belongings had arrived in the anthropology collection of the Smithsonian Institution, where they are still held.  In 1966, Miami businessman Otis W. Shriver claimed he had dug up Osceola's grave and put his bones into a bank vault to rebury them at a tourist site at the Rainbow Springs. Shriver traveled around the state in 1967 to gather support for his project. Archaeologists later proved that Shriver had dug up animal remains; Osceola's body was still in its coffin.  In 1979 the Seminole Nation of Oklahoma bought Osceola's bandolier and other personal items from a Sotheby's auction. Because of the chief's significance, over time some people have created forgeries of Osceola's belongings. Rumors persist that his embalmed head has been found in various locations.

what aappenne after his deah
After Osceola's death, army doctor Frederick Weedon persuaded the Seminole to allow him to make a death mask of Osceola,