Answer the question at the end by quoting:

Peter Gregg Arnett, ONZM (born 13 November 1934) is a New Zealand-born journalist holding both New Zealand and US citizenship. Arnett worked for National Geographic magazine, and later for various television networks, most notably CNN. He is known for his coverage of the Vietnam War and the Gulf War. He was awarded the 1966 Pulitzer Prize in International Reporting for his work in Vietnam from 1962 to 1975, mostly reporting for the Associated Press.
Arnett worked for CNN for 18 years ending in 1999. During the Gulf War, he became a household name worldwide when he became the only reporter with live coverage directly from Baghdad. His dramatic reports often had air raid sirens blaring and the sound of US bombs exploding in the background. Together with two other CNN journalists, Bernard Shaw and John Holliman, Arnett brought continuous coverage from Baghdad for the 16 initial intense hours of the war (17 January 1991). Although 40 foreign journalists were present at the Al-Rashid Hotel in Baghdad at the time, only CNN possessed the means -- a private phone line connected to neighboring Amman, Jordan -- to communicate to the outside world. CNN broadcast Arnett's extended call live for several hours, with a picture of Arnett as video. Soon the other journalists left Iraq, including the two CNN colleagues, which left Arnett as the sole remaining reporter.  His accounts of civilian damage caused by the bombing were not well received by the coalition war administration, who by their constant use of terms like "smart bombs" and "surgical precision" in their public statements, had tried to project an image that civilian casualties would be at a minimum. White House sources would later state that Arnett was being used as a tool for Iraqi disinformation, and CNN received a letter from 34 members of the United States Congress accusing Arnett of "unpatriotic journalism".  Two weeks into the war, Arnett was able to obtain an exclusive, uncensored interview with Saddam Hussein. The Gulf War became the first war to be seen truly live on TV, due to Arnett's reporting from the "other side", for a period of five weeks.  About halfway through the war the CIA approached Mr. Arnett. They believed that the Iraqi military was operating a high-level communication network from the basement of the Al Rashid Hotel, which is where Mr. Arnett and a few others from CNN were staying. The CIA wanted him out so the Air Force could bomb the hotel, but Mr. Arnett refused. He said he had been given a tour of the hotel and denied there was such a facility.

What role did Peter have in the Gulf War?

he became a household name worldwide when he became the only reporter with live coverage directly from Baghdad.



Answer the question at the end by quoting:

Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:
In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society.  Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time".  Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater.  Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.

Did she work alone?
In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble.