Background: Clara Ann Fowler was born on November 8, 1927, in Claremore, Oklahoma (although some sources give Muskogee) into a large and poor family. Her father, B.A. Fowler, worked on the MKT railroad, while her mother, Margaret, and older sisters picked cotton. As she recalled on television many years later, the family lived without electricity, and therefore she could not read after dark. She was raised in Foraker, Hardy, Muskogee and Avant, Oklahoma, before attending Daniel Webster High School in Tulsa, from which she graduated in 1945.
Context: Before releasing "Hush...Hush, Sweet Charlotte," Page signed with Columbia Records, where she remained until the end of the decade. She released a few studio albums for Columbia in the 1960s. In 1970, her singles began to chart on the Hot Adult Contemporary Tracks chart. Many of these singles became hits, peaking in the Top 20, including cover versions of "You Can't Be True, Dear," "Gentle on My Mind" and "Little Green Apples" (the latter being her last pop chart entry). Page, who was a fan of country music, recorded many country songs over the years. Some of these were recorded for Columbia and were released as Adult Contemporary singles, including David Houston's "Almost Persuaded" and Tammy Wynette's "Stand by Your Man." Page left Columbia in 1970, returning to Mercury Records and shifting her career away from pop and into country music. In 1973, she returned to working with her former record producer, Shelby Singleton.  Working for Mercury, Columbia, and Epic in the 1970s, Page recorded a series of country singles, beginning with 1970's "I Wish I Had a Mommy Like You," which became a Top 25 hit, followed by "Give Him Love," which had similar success. In 1971, she released a country music album, I'd Rather Be Sorry, for Mercury records. In 1973, a duet with country singer Tom T. Hall titled, "Hello, We're Lonely" was a Top 20 hit, reaching No. 14 on the Billboard Country Chart.  In 1973, Page returned to Columbia Records' affiliate Epic Records. In 1974 and 1975, she released singles for Avco Records including "I May Not Be Lovin' You" and "Less Than the Song," both of which were minor country hits. After a five-year hiatus, she recorded for Plantation Records in 1980. She had a Top 40 hit with Plantation in 1981 titled "No Aces," followed by a series of minor country hits, "My Man Friday," which reached No. 80 In the early 1980s, she performed with major symphony orchestras in Cincinnati, Ohio, and Mexico City, Mexico. .
Question: Did she do any duets during that time?
Answer: In 1973, a duet with country singer Tom T. Hall titled, "Hello, We're Lonely" was a Top 20

Problem: Background: Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 - April 9, 1959) was an American architect, interior designer, writer and educator, who designed more than 1,000 structures, 532 of which were completed. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by Fallingwater (1935), which has been called "the best all-time work of American architecture". His creative period spanned more than 70 years.
Context: According to Wright's autobiography, his mother declared when she was expecting that her first child would grow up to build beautiful buildings. She decorated his nursery with engravings of English cathedrals torn from a periodical to encourage the infant's ambition. In 1870 the family moved to Weymouth, Massachusetts, where William ministered to a small congregation.  In 1876, Anna visited the Centennial Exhibition in Philadelphia where she saw an exhibit of educational blocks created by Friedrich Wilhelm August Frobel. The blocks, known as Froebel Gifts, were the foundation of his innovative kindergarten curriculum. Anna, a trained teacher, was excited by the program and bought a set with which young Wright spent much time playing. The blocks in the set were geometrically shaped and could be assembled in various combinations to form three-dimensional compositions. In his autobiography, Wright described the influence of these exercises on his approach to design: "For several years I sat at the little Kindergarten table-top... and played... with the cube, the sphere and the triangle--these smooth wooden maple blocks... All are in my fingers to this day... " Many of Wright's buildings are notable for their geometrical clarity.  The Wright family struggled financially in Weymouth and returned to Spring Green, Wisconsin, where the supportive Lloyd Jones clan could help William find employment. They settled in Madison, where William taught music lessons and served as the secretary to the newly formed Unitarian society. Although William was a distant parent, he shared his love of music, especially the works of Johann Sebastian Bach, with his children.  Soon after Wright turned 14, his parents separated. Anna had been unhappy for some time with William's inability to provide for his family and asked him to leave. The divorce was finalized in 1885 after William sued Anna for lack of physical affection. William left Wisconsin after the divorce and Wright claimed he never saw his father again. At this time he changed his middle name from Lincoln to Lloyd in honor of his mother's family, the Lloyd Joneses.
Question: What did Wright do after?
Answer:
William left Wisconsin after the divorce and Wright claimed he never saw his father again.