Problem: Jason Leonard  (born 14 August 1968) is an English former rugby union player, and has been the president of the Rugby Football Union since 2015. Nicknamed The Fun Bus, Leonard was a prop forward who won 114 caps for England and five for the British and Irish Lions. His total of 119 was a world record until 2006, when it was surpassed by George Gregan. Leonard played in England teams which won four Grand Slams (1991, 1992, 1995 and 2003) and the 2003 Rugby World Cup, and was part of the British and Irish Lions squad that won the test series during their 1997 tour of South Africa.

Leonard won his first cap in a 'friendly' on 28 July 1990, against Argentina at Buenos Aires. At the age of 21 he was the youngest prop forward to ever play for England. The visitors were made to feel unwelcome, however, as the game was played on the 8th anniversary of the Falklands War. Leonard describes in his autobiography that the crowd were throwing oranges (among other things) at the England players. The most interesting object he saw on the pitch was a bathroom tap. England eventually won the game 25-12; it proved a baptism of fire for the young Leonard.  Leonard played his whole England career in a largely dominant pack and in his early career played with established forwards such as Brian Moore, Wade Dooley, Dean Richards, Mick Skinner, Mike Teague and Peter Winterbottom. The England pack of this era helped England Rugby win much success, often playing a limited 10-man game which suited the large and physical England forwards. During this period, England won back-to-back Grand Slams in 1991 and 1992. Despite losing the opening pool match to New Zealand 18-12, England made it to the Rugby World Cup Final in 1991, losing 12-6 to pre-tournament favourites Australia. In that game, England played open rugby, like they had in the Five Nations in 1990, although it was the forward-dominated 10-man game which earlier in 1991 had won them the Five Nations Grand Slam, as well as the quarter-final against France and semi-final against Scotland. The front row of Leonard, Brian Moore and Jeff Probyn was fearsome, and the England scrum was famously solid, with this trio able to more than hold their own against any front row in world.  Against Wales in 1992, Leonard suffered a neck injury: he experienced a numbing sensation in his right arm, but had no idea he had ruptured a vertibrae in his neck, so played out the remainder of the match. Later, he required emergency surgery, where bone from his hip had to be grafted into his neck. Leonard's career was in grave doubt, after only 10 tests. Due to brilliant surgery and his rehabilitation regime, however, he made a full recovery, winning his 11th cap against Canada at Twickenham that autumn without missing an England test. It is worth noting that in those days when the RFU was an amateur sporting body, Leonard was only compensated with a mere PS800.  In 1993, Leonard was selected for his first British and Irish Lions tour to New Zealand.

Were there other winds in 1990?

Answer with quotes: 


Problem: Ryuichi Sakamoto (Ban Ben  Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.

Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun.  Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said:  He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.

What other albums did he produce?

Answer with quotes:
1994 album A Place In The Sun.