Background: Although Price claimed his birth was in Shropshire he was actually born in London in Red Lion Square on the site of the South Place Ethical Society's Conway Hall. He was educated in New Cross, first at Waller Road Infants School and then Haberdashers' Aske's Hatcham Boys School. At 15, Price founded the Carlton Dramatic Society and wrote plays, including a drama, about his early experience with a poltergeist which he said took place at a haunted manor house in Shropshire. According to Richard Morris, in his recent biography Harry Price:
Context: Price claimed to have attended a private seance on 15 December 1937 in which a small six-year-old girl called Rosalie appeared. Price wrote he controlled the room by placing starch powder over the floor, locking the door and taping the windows before the seance. However, the identity of the sitters, or the locality where the seance was held was not revealed due to the alleged request of the mother of the child. During the seance Price claimed a small girl emerged, she spoke and he took her pulse. Price was suspicious that the supposed spirit of the child was no different than a human being but after the seance had finished the starch powder was undisturbed and none of the seals had been removed on the window. Price was convinced no one had entered the room via door or window during the seance. Price's Fifty Years of Psychical Research (1939) describes his experiences at the sitting and includes a diagram of the seance room.  Eric Dingwall and Trevor Hall wrote the Rosalie seance was fictitious and Price had lied about the whole affair but had based some of the details on the description of the house from a sitting he attended at a much earlier time in Brockley, South London where he used to live. K. M. Goldney who had criticized Price over his investigation into Borley Rectory wrote after the morning of the Rosalie sitting she found Price "shaken to the core by his experience." Goldney believed Price had told the truth about the seance and informed the Two Worlds spiritualist weekly newspaper that she believed the Rosalie sitting to be genuine.  In 1985, Peter Underwood published a photograph of part of an anonymous letter that was sent to the SPR member David Cohen in the 1960s which claimed to be from a seance sitter who attended the seance. The letter confessed to having impersonated the Rosalie child in the sitting by the request of the father who had owed the mother of the child money. In 2017, Paul Adams published details of the location of the Rosalie seance and identities of the family involved.
Question: What was the starched powder for?
Answer: controlled the room by placing starch powder over the floor, locking the door and taping the windows before the seance.

Question:
George Jacob Gershwin (; September 26, 1898 -  July 11, 1937) was an American composer and pianist. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are widely known. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), as well as the contemporary opera Porgy and Bess (1935).
In 1913, Gershwin left school at the age of 15 and found his first job as a "song plugger". His employer was Jerome H. Remick and Company, a Detroit-based publishing firm with a branch office on New York City's Tin Pan Alley, and he earned $15 a week.  His first published song was "When You Want 'Em, You Can't Get 'Em, When You've Got 'Em, You Don't Want 'Em" in 1916 when Gershwin was only 17 years old. It earned him 50 cents.  In 1916, Gershwin started working for Aeolian Company and Standard Music Rolls in New York, recording and arranging. He produced dozens, if not hundreds, of rolls under his own and assumed names (pseudonyms attributed to Gershwin include Fred Murtha and Bert Wynn). He also recorded rolls of his own compositions for the Duo-Art and Welte-Mignon reproducing pianos. As well as recording piano rolls, Gershwin made a brief foray into vaudeville, accompanying both Nora Bayes and Louise Dresser on the piano. His 1917 novelty ragtime, "Rialto Ripples", was a commercial success.  In 1919 he scored his first big national hit with his song, "Swanee", with words by Irving Caesar. Al Jolson, a famous Broadway singer of the day, heard Gershwin perform "Swanee" at a party and decided to sing it in one of his shows.  In the late 1910s, Gershwin met songwriter and music director William Daly. The two collaborated on the Broadway musicals Piccadilly to Broadway (1920) and For Goodness' Sake (1922), and jointly composed the score for Our Nell (1923). This was the beginning of a long friendship. Daly was a frequent arranger, orchestrator and conductor of Gershwin's music, and Gershwin periodically turned to him for musical advice.
Answer this question using a quote from the text above:

where they popular

Answer:
Daly was a frequent arranger, orchestrator and conductor of Gershwin's music, and Gershwin periodically turned to him for musical advice.

Problem: Background: Fangio's grandfather, Giuseppe Fangio, emigrated to Buenos Aires from Italy in 1887. Giuseppe managed to buy his own farm near Balcarce within three years by making charcoal from tree branches. His father, Loreto, emigrated to Argentina from the small central Italian town of Castiglione Messer Marino in the Chieti province of the Abruzzo region. His mother, Herminia Deramo, was from Tornareccio, slightly to the north.
Context: The Batista Dictatorship of Cuba established the non-Formula One Cuban Grand Prix in 1957. Fangio won the 1957 event, and had set fastest times during practice for the 1958 race. On 23 February 1958, two unmasked gunmen of Fidel Castro's 26th of July Movement entered the Hotel Lincoln in Havana and kidnapped Fangio at gunpoint. The motive was simple: By capturing the biggest name in motorsport the rebels were showing up the government and attracting worldwide publicity to their cause. But despite the shocking news spreading across the globe, President Batista would not be outdone and ordered the race to continue as usual while a crack team of police hunted down the kidnappers. They set up roadblocks at intersections, and guards were assigned to private and commercial airports and to all competing drivers.  Fangio was taken to three separate houses. His captors allowed him to listen to the race via radio, bringing a television for him to witness reports of a disastrous crash after the race concluded. In the third house, Fangio was allowed his own bedroom but became convinced that a guard was standing outside of the bedroom door at all hours. The captors talked about their revolutionary programme which Fangio had not wished to speak about as he did not have an interest in politics. Convinced that he was not in danger he went on to develop a case of Stockholm Syndrome, admitting afterwards that he sympathised with his captors' actions: "Well, this is one more adventure. If what the rebels did was in a good cause, then I, as an Argentine, accept it." Fangio was released after 29 hours and he remained a good friend of his captors afterwards.  The captors motives were to force the cancellation of the race in an attempt to embarrass the Batista regime. After Fangio was handed over to the Argentine embassy soon after the race, many Cubans were convinced that Batista was losing his power because he failed to track the captors down. The Cuban Revolution concluded in January 1959, cancelling the 1959 Cuban Grand Prix. The Fangio kidnapping was dramatized in a 1999 Argentine film directed by Alberto Lecchi, Operacion Fangio.
Question: Was it made into a movie?
Answer:
Argentine film