IN: Grade was born in Tokmak, Taurida Governorate, Russian Empire to Isaak and Olga Winogradsky. In 1912, when Grade was six, the Jewish family emigrated to escape Cossack violence and anti-Semitism, from Odessa via Berlin to Brick Lane in Bethnal Green in the East End of London. Isaak worked as a trouser-presser while his three sons (Grade and his younger brothers, Bernard (later Bernard Delfont) and Leslie) attended the Rochelle Street Elementary School near Shoreditch, where Yiddish was spoken by 90% of the pupils. For two years the Winogradskys lived in rented rooms at the north end of Brick Lane, before moving to the nearby Boundary Estate.

In 1954, Grade was contacted by the manager of singer Jo Stafford, Mike Nidorf, who notified him of an advertisement in The Times inviting franchise bids for the new, commercial ITV network.  Assembling a consortium that included impresarios Val Parnell and Prince Littler, the Incorporated Television Programme Company (ITP), which soon changed its name to Incorporated Television Company (ITC; also known as ITC Entertainment), was formed. ITC's bid to the Independent Television Authority (ITA) was rejected on the grounds of its conflict of interest from its prominence and involvement in artist management.  The Associated Broadcasting Development Company (ABD) had gained ITA approval for both the London weekend and Midlands weekday contracts, but was undercapitalised; Grade's consortium joined with the ABD to form what became Associated Television (ATV). Reflecting his background in variety, Grade's favourite show and a success for the new company was Sunday Night at the London Palladium (1955-67, 1973-74), one of the most popular programmes on British television in its day. Grade did not avoid the other end of the cultural spectrum, and from 1958 Sir Kenneth Clark began to talk about the history of art on television.  Meanwhile, Grade committed the funds for what would become the first trans-Atlantic success of the ITP subsidiary: The Adventures of Robin Hood (1955-60), commissioned by UK-based American producer Hannah Weinstein. ITC became a wholly owned ATV subsidiary in 1957, That same year ATV established a music publishing division with ATV Music and gained a half interest in Pye Records in 1959, later Pye became a wholly owned subsidiary.

WHEN WORLD WAR 2 IS STARTED

OUT: 

Answer the question at the end by quoting:

A Hakka, Kate Tsui was born and raised in Hong Kong. Her father works in logistics, and while her mother is now a homemaker, she was a dancer when she was younger. Tsui also has an older sister, who is married with two kids. As of 2014, Tsui has expressed that with the exception of herself, her entire immediate family now resides in Taiwan.
2012 is arguably Tsui's peak year in her TV career. In Highs and Lows, Tsui portrays an extremely tragic character that struggled with substance abuse, gang rape, and eventually, drug dealing. Tsui described her experience of filming this drama as "being on an emotional roller coaster", to the extent that she did not wish to speak to anyone or pick up the phone after work. The producer of the drama, Lam Chi Wah, referred to Tsui's role in Highs and Lows as the greatest breakthrough in her career and applauded her for setting down her image as a beauty pageant winner to dive into such a complex character in the drama. Film director, Patrick Kong, also noted in his column that Tsui's acting has greatly matured in Highs and Lows, particularly in her portrayal of emotional scenes.  The role at last earned her the Favourite Female Character award for the TVB Anniversary Awards 2012. Tsui was also nominated in the Best Actress category and was one of the top 5 finalists for the award. Aside from the aforementioned Hong Kong TVB-based awards show, Tsui also received a nomination for Best Actress in a Leading Role for the Asian Television Awards, which is an awards show held in Singapore that recognizes production excellence in over 15 Asian countries.  In 2014, Tsui took part in a TVB-produced micro film, A Time of Love, which consists of four individual stories, each with a separate theme. Tsui starred opposite Taiwanese actors, James Wen and Chris Wang, in the "sorrow" themed story. After the airing of the micro film, TVB received 39 individual viewer statements that commended Tsui of her outstanding performance in the micro film. Column writer, Ko Leung, of Macao Daily, also stated Tsui portrayed her character in the micro film perfectly and that Tsui's acting is comparable to that of Bai Baihe in The Stolen Years.  In 2015, Tsui's management contract with TVB ended. However, Tsui said that she is still on very good terms with TVB, and TVB has settled job arrangements for her up until February 2016. Despite having received several offers, Tsui stated that she will not finalize any management contract agreements until she has completed her jewelry design courses.

Wha were the reviews like?

Film director, Patrick Kong, also noted in his column that Tsui's acting has greatly matured in Highs and Lows, particularly in her portrayal of emotional scenes.

input: Within a few years of moving to New York, Laswell founded a recording studio with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records. Under the Material moniker (now also a production unit consisting of Laswell and Beinhorn - Maher being long gone - and by 1984 consisting solely of Laswell) Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s. During this time in the early to mid-1980s, Laswell was able to record some of his Material excursions (which ran the gamut from experimental jazz/funk to pop and R&B, featuring everyone from avant-jazz figures Henry Threadgill and Sonny Sharrock to Archie Shepp and pop star Whitney Houston) as well as projects such as Massacre, with Fred Frith and Fred Maher.  His association with Celluloid allowed some of his first forays into this so-called "collision music" - the term was coined for Laswell by the British writer Chris May, then editor of Black Music & Jazz Review and later a Celluloid staff member - and forays into world music. Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label. Celluloid also released a slew of 12" devoted to Hip-Hop, becoming a precursor to the popularity the form enjoyed starting in the mid-1980s. Fab 5 Freddy, Phase II and Afrika Bambaataa all appeared on the label. Criminally forgotten, Laswell also put together the very successful 12" World Destruction which paired PiL's John Lydon with Afrika Bambaataa - years before the Run-D.M.C./Aerosmith collaboration broke down the rock/hip-hop barrier. 1982 also saw Laswell's solo debut, Baselines.  Also recording a Laswell-helmed solo album for Celluloid was Ginger Baker, whom Laswell coaxed out of semi-retirement, giving the drummer's career a new boost. He likewise brought Sonny Sharrock out of semi-retirement and produced some of the guitarist's most acclaimed recordings, starting with the solo LP Guitar.

Answer this question "When did he found Celluloid Records?"
output:
- and by 1984 consisting solely of Laswell) Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s.