Some context: Cantona was born in Marseille, to Albert Cantona, a nurse and a painter, and Eleonore Raurich, a dressmaker. The family home was a cave in one of the hills in the Les Caillols area of Marseille, between the city's 11th and 12th arrondissements, and it was rumoured to have been used as a look-out post for the German Army, towards the end of the Second World War. The site was chosen in the mid-1950s by Cantona's paternal grandmother, Lucienne, whose husband, Joseph, was a stonemason. By the time Cantona was born in 1966, the hillside cave had become little more than a room in the family's house, which was now up to a liveable standard.
He joined Yorkshire rivals Leeds United, making his debut in a 2-0 loss at Oldham Athletic on 8 February 1992. At Leeds, he was part of the team that won the final Football League First Division championship before it was replaced by the Premier League as the top division in English football. His transfer from Nimes cost Leeds PS900,000.  Cantona made 15 appearances for Leeds in their championship-winning season and despite only scoring three goals he was instrumental in their title success, primarily with assists for leading goalscorer Lee Chapman. He scored a hat-trick in the 4-3 victory over Liverpool in the 1992 FA Charity Shield that August, and followed that with another in a 5-0 league win over Tottenham Hotspur - the first ever in the newly branded Premier League. His hat-trick in the Charity Shield places him among the small elite group of players to have scored three or more goals in games at Wembley Stadium.  Cantona left Leeds for Manchester United for PS1.2 million on 26 November 1992. Leeds chairman Bill Fotherby had telephoned Manchester United chairman Martin Edwards to enquire about the availability of Denis Irwin. Edwards was in a meeting with Manchester United manager Alex Ferguson at the time, and both men agreed that Irwin was not for sale. Ferguson had identified that his team was in need of a striker, having recently made unsuccessful bids for David Hirst, Matt Le Tissier and Brian Deane, and instructed his chairman to ask Wilkinson whether Cantona was for sale. Fotherby had to consult with the manager Howard Wilkinson, but within a few days the deal was complete.
Who was the manager in his last year with them ?
A: 

Question: The Buggles were an English new wave band formed in London, England in 1977 by singer and bassist Trevor Horn and keyboardist Geoffrey Downes. They are best known for their 1979 debut single "Video Killed the Radio Star" that topped the UK Singles Chart and reached number one in 15 other countries. The duo released their first album, The Age of Plastic, in January 1980 with "Video Killed the Radio Star" as its lead single. Soon after the album's release, Horn and Downes joined the progressive rock band

In early 1981, following the disbanding of Yes, Downes and Horn reconvened at Sarm East Studios to record The Buggles' second studio album, Adventures in Modern Recording. However, Downes left the group on the day the recording of the album was meant to begin to help form Asia with Howe citing musical differences. Horn was angry that Island Records renegotiated publishing terms for Downes to join Asia, but never did for Horn since, in his words, he was "washed up, career-wise". To fix this problem, Jill Sinclair made a deal with the French label Carrere, whose leader Claude Carrere, whom Horn described as a "very nice man", helped fund the album. Horn was now left to complete much of the album with several additional personnel.  Released in November 1981, Adventures in Modern Recording involved Horn experimenting with numerous production techniques, especially with the heavy use of sampling with the Fairlight CMI, with instruments from the computer such as the drums on "Inner City" and the big band jazz sounds on "Vermillion Sands". These same sampling techniques would later be used in records he produced such as Slave To The Rhythm by Grace Jones, Yes's 90125, Art of Noise's The Seduction of Claude Debussy and Frankie Goes To Hollywood's Welcome to the Pleasuredome. While the album garnered little attention in the United Kingdom, Horn recalled in 2010 that the album was a commercial success in France, and in the United States the album peaked at number 161 on the American Billboard 200. By the time of the album's release, when Horn was also producing ABC's album The Lexicon of Love, he decided to take Sinclair's advice that he always was meant to be a producer rather than a performer or songwriter, thus the performance of "Lenny" on a TV show in the Netherlands, with ABC as the backing band, marked the end of the Buggles. As Horn recalled when he was interviewed after the show:  "I'll never forget it because the guy said to me, 'well, things are not looking so good for you', and I said 'how do you mean?' And he said 'well, you know, your first record was a big hit now this record is number eleven, so your career is going downhill'. And I said 'well you know what? You see these guys, this is a band called ABC and I'm a producer now I don't really care about this stuff, I'm just doing it to promote the record. And I may be on the skids as an artist but things are looking up in other areas. End of interview. Fuck off.'"

Using a quote from the above article, answer the following question: What this album a hit?
HHHHHH
Answer: Horn recalled in 2010 that the album was a commercial success in France, and in the United States the album peaked at number 161 on the American Billboard 200.

Some context: James was born in Holton, Kansas; his mother, died in 1954 when he was five. His father was a janitor and a handyman. After four years at the University of Kansas residing at Stephenson Scholarship hall, James joined the Army in 1971. He was the last person in Kansas to be sent to fight in the Vietnam War, although he never saw action there.
In his Baseball Book 1990, James heavily criticized the methodology of the Dowd Report, which was an investigation (commissioned by baseball commissioner Bart Giamatti) on the gambling activities of Pete Rose. James reproached commissioner Giamatti and his successor, Fay Vincent, for their acceptance of the Dowd Report as the final word on Rose's gambling. (James' attitude on the matter surprised many fans, especially after the writer had been deeply critical of Rose in the past, especially what James considered to be Rose's selfish pursuit of Ty Cobb's all-time record for base hits.)  James expanded his defense of Rose in his 2001 book The New Historical Baseball Abstract, with a detailed explanation of why he found the case against Rose flimsy. James wrote "I would characterize the evidence that Rose bet on baseball as...well, not quite non-existent. It is extremely weak." This countered the popular opinion that the case against Rose was a slam dunk, and several critics claimed that James misstated some of the evidence in his defense of Rose. Derek Zumsteg of Baseball Prospectus wrote an exhaustive review of the case James made and concluded: "James' defense of Rose is filled with oversights, errors in judgment, failures in research, and is a great disservice to the many people who have looked to him for a balanced and fair take on this complicated and important issue."  In 2004, Rose admitted publicly that he had bet on baseball and confirmed the Dowd Report was correct. James remained steadfast, continuing to insist that the evidence available to Dowd at the time was insufficient to reach the conclusion that it did.
When was the Dowd Report controversy?
A:
In his Baseball Book 1990, James heavily criticized the methodology of the Dowd Report,