Question:
Beccy Cole (born Rebecca Diane Thompson, 27 October 1972), also known as Beccy Sturtzel and Rebecca Diane Albeck, is an Australian country music singer-songwriter and multi-instrumentalist. She has released eight albums, with three reaching the ARIA Albums Chart top 40, Little Victories (20 January 2003), Preloved (3 September 2010) and Songs & Pictures (30 September 2011). Her video album, Just a Girl Singer, peaked at No. 6 on the ARIA Top 40 DVD Chart in August 2004. Cole has received nine Golden Guitar trophies at the CMAA Country Music Awards of Australia.
Cole's second album, Wild at Heart, was issued on 15 January 2001 by ABC Country and distributed by Universal Music Australia, which peaked at No. 4 on the ARIA Country Albums Chart. It included contributions by Chambers and Jeffreys on vocals, and McCormack on guitars, keyboards, piano, Hammond organ, mandolin, banjo and backing vocals, as well as producing the album. Rosie Adsett at Country Update felt "[she's] never been in finer voice, and the enjoyment of finally recording just shines through this one". While The Sydney Morning Herald's Katrina Lobley noted that Cole "unashamedly examines every corner of a recently broken heart. The album's not entirely miserable - her sense of fun bursts out in wild ditties". At the ARIA Music Awards of 2001 Wild at Heart was nominated for Best Country Album. By November 2002 it was re-issued with a five-track bonus disc, including her single, "Life Goes On". For her gigs she also performs on lead guitar, drums, bass guitar, fiddle or piano. In December 2003 Wild at Heart was accredited with a gold certificate for shipment of 35,000 copies.  On 20 January 2003 Cole released her third studio album, Little Victories, which reached the top 30 on the ARIA Albums Chart and No. 4 on the Country Albums Chart. It was produced by McCormack again who also provided banjo, dobro, guitars (acoustic and electric), mandola, mandolin, percussion, as well as mixing and engineering. On the End of Year Charts - Country 2003, the album reached No. 18. Cole co-wrote eight of its tracks with Tamara Stewart (aka Tamara Sloper). Capital News described the work as by "a more mature, more reflective and more confident" artist. At the ARIA Music Awards that year it was nominated for Best Country Album. In December 2005 it was accredited with a gold certificate.  On 2 August 2004 Cole issued a video album, Just a Girl Singer, which included interviews, live concert footage, music videos and archival footage. The album was written, produced and directed by Lindsay Frazer; which peaked at No. 6 on the ARIA Top 40 DVD Chart. It provided Cole's next single, "Sorry I Asked". In the following year, on 11 April, Cole released her next studio album, Feel This Free, which reached the ARIA Albums Chart Top 100 and No. 3 on the ARIA Country Albums Chart. It includes Albeck on violin and fiddle; McCormack on multiple instruments and producing; and Jeffreys and McCormack co-writing tracks with Cole.
Answer this question using a quote from the text above:

where did it reach on the end of the year chart

Answer:
album reached No. 18.

Answer the question at the end by quoting:

The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.
In 1912, Thomas Dixon Jr. decided that he wanted to turn his popular 1905 novel and play The Clansman into a film, and began visiting various studios to see if they were interested. In late 1913, Dixon met the film producer Harry Aitken, who was interested in making a film out of The Clansman, and through Aitken, Dixon met Griffith. Griffith was the son of a Confederate officer and, like Dixon, viewed Reconstruction negatively. Griffith believed that a passage from The Clansman where Klansmen ride "to the rescue of persecuted white Southerners" could be adapted into a great cinematic sequence. Griffith began production in July 1914 and was finished by October 1914. The Birth of a Nation began filming in 1914 and pioneered such camera techniques as close-ups, fade-outs, and a carefully staged battle sequence with hundreds of extras made to look like thousands. It also contained many new artistic techniques, such as color tinting for dramatic purposes, building up the plot to an exciting climax, dramatizing history alongside fiction, and featuring its own musical score written for an orchestra.  The film was based on Dixon's novels The Clansman and The Leopard's Spots. It was originally to have been shot in Kinemacolor, but D. W. Griffith took over the Hollywood studio of Kinemacolor and its plans to film Dixon's novel. Griffith, whose father served as a colonel in the Confederate States Army, agreed to pay Thomas Dixon $10,000 (equivalent to $244,319 today) for the rights to his play The Clansman. Since he ran out of money and could afford only $2,500 of the original option, Griffith offered Dixon 25 percent interest in the picture. Dixon reluctantly agreed, and the unprecedented success of the film made him rich. Dixon's proceeds were the largest sum any author had received for a motion picture story and amounted to several million dollars. The American historian John Hope Franklin suggested that many aspects of the script for The Birth of a Nation appeared to reflect Dixon's concerns more than Griffith's, as Dixon had an obsession in his novels of describing in loving detail the lynchings of black men, which did not reflect Griffith's interests.  Griffith's budget started at US$40,000 (equivalent to $970,000 today) but rose to over $100,000 (the equivalent of $2,420,000 in constant dollars). West Point engineers provided technical advice on the American Civil War battle scenes, providing Griffith with the artillery used in the film. Some scenes from the movie were filmed on the porches and lawns of Homewood Plantation in Natchez, Mississippi. The film premiered on February 8, 1915, at Clune's Auditorium in downtown Los Angeles. At its premiere the film was entitled The Clansman; the title was later changed to The Birth of a Nation to reflect Griffith's belief that the United States emerged from the American Civil War and Reconstruction as a unified nation.

Who was this man
Griffith was the son of a Confederate officer and, like Dixon, viewed Reconstruction negatively.