input: After the grueling worldwide tour the band had completed in support of Red Medicine, Fugazi took an extended break and also began writing material for a follow up release. By March 1997 Fugazi had once again returned to Inner Ear Studios with producer/engineer Don Zientara to begin recording what would become the End Hits album with the intention of taking a more relaxed approach to recording and a longer amount of time to experiment with different songs and techniques in the studio. The group ultimately spent 7 months recording the album. Due to the title, rumors began circulating at the time that it was to be their last release. Released on April 28, 1998 the album was commercially successful and marked one of the band's highest debuts yet on the Billboard charts. However, critical reaction to End Hits was mixed. Many critics praised the album's heavier tracks, while others questioned the inclusion of the group's longer, more experimental songs.  Fugazi began work on The Argument in 1999. This process saw the group taking more time than usual to write and demo material. Each member would bring his own individual riffs and ideas to the band, jam on them, and then begin piecing the songs together into various configurations before deciding on what would become the final versions. The album's recording sessions took place between January and April 2001 at Inner Ear Studios and Dischord House in Arlington, VA, located just outside Washington D.C. The band once again worked with producer/engineer Don Zientara. During the recording process a considerable amount of time was spent finalizing each song's production, in particular the album's drum tracks, in an effort to give it a unique feel. Drummer Brendan Canty explained to Modern Drummer that "We recorded them all very differently in terms of the drum sounds. We used a lot of different cymbals, snares, and ways of miking."  The Argument was released by Dischord Records on October 16, 2001, along with the EP Furniture + 2, almost 4 years after the release of End Hits. The album was met with critical and commercial success entering the Billboard charts and selling over 170,000 copies in its first week of release. Arion Berger of Rolling Stone called the album "bracing" and "intellectual" and Chris True of AllMusic referred to the album as "spine-tingling and ear-shattering all at once" stating that, "the band has raised the bar for themselves and others once again." He also noted that the album had "touched on strange new territory." By this point Fugazi were on tour less frequently, due in large part to other professional and personal commitments, they performed only 32 shows in 2001 and 2002 respectively.

Answer this question "Are End Hits and The Argument names of albums?"
output: begin recording what would become the End Hits album

Problem: Background: Edgar Yipsel "Yip" Harburg (born Isidore Hochberg, Yiddish: ysydvr hvkbrg; April 8, 1896 - March 5, 1981) was an American popular song lyricist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?"
Context: Harburg, the youngest of four surviving children (out of ten), was born Isidore Hochberg on the Lower East Side of New York City on April 8, 1896. His parents, Lewis Hochberg and Mary Ricing, were Yiddish-speaking Orthodox Jews who had emigrated from Russia.  He later adopted the name Edgar Harburg, and came to be best known as Edgar "Yip" Harburg. He attended Townsend Harris High School, where he and Ira Gershwin, who met over a shared fondness for Gilbert and Sullivan, worked on the school paper and became lifelong friends. According to his son Ernie Harburg, Gilbert and Irish dramatist George Bernard Shaw taught his father, a "democratic socialist, [and] sworn challenger of all tyranny against the people, that 'humor is an act of courage' and dissent".  After World War I, Harburg returned to New York and graduated from City College (later part of the City University of New York), which Ira Gershwin had initially attended with him, in 1921. After Harburg married and had two children, he started writing light verse for local newspapers. He became a co-owner of Consolidated Electrical Appliance Company, but the company went bankrupt following the crash of 1929, leaving Harburg "anywhere from $50,000 - $70,000 in debt," which he insisted on paying back over the course of the next few decades. At this point, Harburg and Ira Gershwin agreed that Harburg should start writing song lyrics.  Gershwin introduced Harburg to Jay Gorney, who collaborated with him on songs for an Earl Carroll Broadway review (Earl Carroll's Sketchbook): the show was successful and Harburg was engaged as lyricist for a series of successful revues, including Americana in 1932, for which he wrote the lyrics of "Brother, Can You Spare a Dime?" to the tune of a lullaby Gorney had learned as a child in Russia. This song swept the nation, becoming an anthem of the Great Depression.  Harburg was a staunch critic of religion and an atheist. He wrote a poem entitled "Atheist" that summarized his views on god and religion.
Question: Did Yip go to college?
Answer: After World War I, Harburg returned to New York and graduated from City College (later part of the City University of New York),

Question: Bill Shankly was born in a small Ayrshire coal mining village, called Glenbuck, whose population in 1913, the year of Shankly's birth, was around 700. People born there would often move to find work in larger coal mines. As a result, Glenbuck became largely derelict and by the time Shankly's ghost writer John Roberts visited it in 1976, there were only 12 houses left, including a cottage owned by Shankly's sister, Elizabeth, whom Roberts described as "the last of the children of Glenbuck". Shankly's parents, John and Barbara, lived in one of the Auchenstilloch Cottages with their 10 children; five boys and five girls.

Shankly had a single season, 1932-33, at Carlisle United, then relatively new to the Football League and playing in the Third Division North, their reserve side playing in the North Eastern League. Shankly was recommended by a scout called Peter Carruthers who had seen him playing for Cronberry. He was invited for a month's trial and said it was the first time he had left Scotland. He was signed after just one trial match for Carlisle's reserves against Middlesbrough reserves, even though Carlisle reserves lost the match 6-0. A local newspaper report said that "Shankly played strenuously and might develop into a useful left back" but, in fact, he developed into a top-class right-half.  Shankly made his senior debut on 31 December 1932 in a 2-2 draw against Rochdale and made 16 appearances for the first team. At the end of the season, the reserves won the North Eastern League Cup, defeating Newcastle United reserves 1-0 in the final. In his 1976 autobiography, Shankly stated: "I've still got the medal".  At this stage of his career, Shankly was assessed as "a hard running, gritty right-half" whose displays brought him much praise and credit and he was "earmarked as a key young player capable of taking Carlisle on to greater things". He was paid four pounds ten shillings a week at Carlisle which he considered a good wage as the top rate at that time was eight pounds. Shankly was happy at Carlisle which was close to his home at Glenbuck and he had settled in well with almost a guarantee of first team football. When the opportunity came for him to move on, he was not convinced he wanted to leave.

Using a quote from the above article, answer the following question: How else was his playing characterized?
HHHHHH
Answer:
A local newspaper report said that "Shankly played strenuously and might develop into a useful left back"