Question: Marjorie Jacqueline "Marge" Simpson (nee Bouvier) is a fictional character in the American animated sitcom The Simpsons and part of the eponymous family. She is voiced by Julie Kavner and first appeared on television in The Tracey Ullman Show short "Good Night" on April 19, 1987. Marge was created and designed by cartoonist Matt Groening while he was waiting in the lobby of James L. Brooks' office.

Matt Groening first conceived Marge and the rest of the Simpson family in 1986 in the lobby of producer James L. Brooks' office. Groening had been called to pitch a series of animated shorts for The Tracey Ullman Show, and had intended to present an adaptation of his Life in Hell comic strip. When he realized that animating Life in Hell would require him to rescind publication rights, Groening decided to go in another direction and hurriedly sketched out his version of a dysfunctional family, naming the characters after members of his own family. Marge was named after Groening's mother Margaret "Marge" Groening, who has said she bears little similarity to the character, stating, "It's really weird to have people think you're a cartoon." Marge's beehive hairstyle was inspired by the titular Bride in Bride of Frankenstein and the style that Margaret Groening wore during the 1960s, although her hair was never blue.  Marge debuted with the rest of the Simpson family on April 19, 1987, in The Tracey Ullman Show short "Good Night". In 1989, the shorts were adapted into The Simpsons, a half-hour series airing on the Fox Network. Marge and the Simpson family remained the main characters on this new show.  Matt Groening believes that episodes featuring Marge are among the most difficult episodes to write. Bill Oakley believes that the "junior" writers are usually given Marge episodes because he and writing partner Josh Weinstein were given several to write during their first season. During the third season of the show, most of the writers focused on Bart and Homer, so David M. Stern decided to write a Marge episode, which became "Homer Alone" (season three, 1992). He felt that they could achieve a "deeper vein" of comedy in an episode where Marge has a nervous breakdown, and James L. Brooks quickly approved.

Using a quote from the above article, answer the following question: Did he have any other inspirations for Marge's creation?
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Answer: Marge's beehive hairstyle was inspired by the titular Bride in Bride of Frankenstein and the style that Margaret Groening wore during the 1960s, although her hair was never blue.

Problem: Iron Man is a fictional superhero appearing in American comic books published by Marvel Comics. The character was created by writer and editor Stan Lee, developed by scripter Larry Lieber, and designed by artists Don Heck and Jack Kirby. The character made his first appearance in Tales of Suspense #39 (cover dated March 1963). A wealthy American business magnate, playboy, and ingenious scientist, Anthony Edward "Tony" Stark suffers a severe chest injury during a kidnapping in which his captors attempt to force him to build a weapon of mass destruction.

The original Iron Man title explored Cold War themes, as did other Stan Lee projects in the early years of Marvel Comics. Where The Fantastic Four and The Incredible Hulk respectively focused on American domestic and government responses to the Communist threat, Iron Man explored industry's role in the struggle. Tony Stark's real-life model, Howard Hughes, was a significant defense contractor who developed new weapons technologies. Hughes was an icon both of American individualism and of the burdens of fame.  Historian Robert Genter, in The Journal of Popular Culture, writes that Tony Stark specifically presents an idealized portrait of the American inventor. Where earlier decades had seen important technological innovations come from famous individuals (e.g., Nikola Tesla, Thomas Edison, Alexander Graham Bell, the Wright brothers), the 1960s saw new technologies (including weapons) being developed mainly by the research teams of corporations. As a result, little room remained for the inventor who wanted credit for, and creative and economic control over, his/her own creations.  Issues of entrepreneurial autonomy, government supervision of research, and ultimate loyalty figured prominently in early Iron Man stories -- the same issues affecting American scientists and engineers of that era. Tony Stark, writes Genter, is an inventor who finds motive in his emasculation as an autonomous creative individual. This blow is symbolized by his chest wound, inflicted at the moment he is forced to invent things for the purposes of others, instead of just himself. To Genter, Stark's transformation into Iron Man represents Stark's effort to reclaim his autonomy, and thus his manhood. The character's pursuit of women in bed or in battle, writes Genter, represents another aspect of this effort. The pattern finds parallels in other works of 1960s popular fiction by authors such as "Ian Fleming (creator of James Bond), Mickey Spillane (Mike Hammer), and Norman Mailer, who made unregulated sexuality a form of authenticity."

Were there more themes in addition to the ones you stated?

Answer with quotes: Issues of entrepreneurial autonomy, government supervision of research, and ultimate loyalty figured prominently in early Iron Man stories

Problem: The Apples in Stereo, styled as The Apples in stereo, are an American rock band associated with Elephant Six Collective, a group of bands also including Neutral Milk Hotel and The Olivia Tremor Control. The band is largely a product of lead vocalist/guitarist/producer Robert Schneider, who writes the majority of the band's music and lyrics. Currently, The Apples in Stereo also includes longstanding members John Hill (rhythm guitar) and Eric Allen (bass), as well as more recent members John Dufilho (drums), John Ferguson (keyboards), and Ben Phelan (keyboards/guitar/trumpet). The band's sound draws comparisons to the psychedelic rock of The Beatles and The Beach Boys during the 1960s, as well as to bands such as Electric Light Orchestra and Pavement, and also draws from lo-fi, garage rock, new wave, R&B, bubblegum pop, power pop, punk, electro-pop and experimental music.

In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado. Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys -- a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who was also already in a band at the time that Schneider unsuccessfully auditioned for on bass. Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys.  Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company). It was also at this time that the name "The Apples" came about, inspired by the Pink Floyd song "Apples and Oranges".  The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes. From February to April 1993, the band recorded their debut 7" EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo.

Did they release an album?

Answer with quotes:
the band recorded their debut 7" EP, Tidal Wave,