IN: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:

In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society.  Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time".  Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater.  Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.
QUESTION: what did people think of this theory?
IN: Comet is the name of two fictional comic book characters owned by DC Comics whose adventures have been published by that same company. The first character was a sapient horse with magical powers who was once a centaur in ancient Greece. The second character is a shapeshifter with three forms (male, female, and winged centaur). Both characters are connected to the Superman family of titles.

A very different Comet was introduced in Supergirl #14 (October 1997). This version was originally introduced as a hero with flight and cold-generation powers. Comet's appearance was unclear, as when using his powers he was surrounded by an aura of cold that made him resemble an actual comet. Comet looked like a man with three fingers, horse-like legs, long white hair, and a star mark on his forehead. There was a lot of speculation about who Comet was, but it was revealed that Comet was Andrea Martinez, a gay stand-up comic, who like her friend Linda Danvers (who could turn into Supergirl), could shape-shift between her human and super-powered forms (however, Comet's change also involved changing gender, from the female Andrea to the male Comet).  Soon, it was learned that Comet's male form was originally Andrew Jones, a (male) jockey, who had been trampled by horses and "rebuilt" by an organization called "The Stable" as a superhuman with equine DNA. He rebelled against the organization and began operating as a superhero. On one of his first missions he attempted to save a despairing Andrea Martinez (who had just come out to her parents, and been rejected) from an avalanche, but they both died. As with Matrix and Linda Danvers (who had merged into Supergirl, the Angel of Fire), this caused them to combine into one being: the Earth Angel of Love. Comet originally was in love with Supergirl, and since he was the Angel of Love, made her have feelings for him too, but she rejected him when she learned he was also a woman. This opened the door for the third Angel, Blithe, the Angel of Light, to use her powers to exploit Comet's heartbreak, and turn them against Supergirl. She enabled Comet to fully embrace their angel powers, transforming him/herself into a winged centaur.  Blithe deceived Comet into joining forces with the Carnivore (a powerful demonic creature who despised the Earth Angels, and sought their power). The Carnivore lost control, however, when Andrea abandoned her anger, learning that her mother had died, and had left a video apology for her actions. The three Earth Angels worked together to stop the Carnivore. Comet began a relationship with Blithe, since she loved both their forms (revealing that Blithe is bisexual).
QUESTION:
Who is Comet Post-Crisis?