Answer the question at the end by quoting:

The Royal Philharmonic Orchestra (RPO), based in London, was formed by Sir Thomas Beecham in 1946. In its early days the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961 the orchestra's fortunes declined steeply; it battled for survival until the mid-1960s, when its future was secured after an Arts Council report recommended that it should receive public subsidy; a further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn. Since Beecham's death the RPO has had seven chief conductors, including Rudolf Kempe, Antal Dorati, Andre Previn and Vladimir Ashkenazy, and most recently Charles Dutoit.
From the RPO's earliest days to the end of Beecham's life, they made numerous recordings for His Master's Voice, CBS and RCA. Among the works they recorded EMI chose several to be reissued at the end of the twentieth century in its "Great Recordings of the Century" series. They included a Delius programme; a Grieg programme; French ballet music; short works by Bizet, Chabrier, Faure and Saint-Saens; Tchaikovsky's Symphony No 4 and Nutcracker Suite; Mozart's Jupiter Symphony, Clarinet Concerto (Brymer) and Bassoon Concerto (Brooke); and Schubert's 3rd, 5th and 6th Symphonies.  After Beecham's death the orchestra made many recordings for Decca, sometimes under pseudonyms such as the "Beecham Symphony Orchestra", the "London Festival Orchestra" and the "Metropolitan Symphony Orchestra". Among the conductors with whom the RPO recorded in the 1960s were Sir John Barbirolli, Fritz Reiner, Charles Munch, Georges Pretre, Kempe, Previn and Stokowski. Soloists included Earl Wild, Shura Cherkassky, Alan Civil and Luciano Pavarotti.  Igor Stravinsky recorded his opera The Rake's Progress with the RPO in 1964. Colin Davis made some of his earliest recordings with the orchestra, including Mozart and Rossini overtures, Beethoven's Seventh Symphony, and Stravinsky's Oedipus rex. From 1964 to 1979 the RPO was engaged by Decca to record Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. The orchestra has also recorded for Deutsche Grammophon, Lyrita, Philips, Pye and Unicorn-Kanchana.  In 1986, the orchestra launched RPO Records, claimed to be "the world's first record label to be owned by a symphony orchestra". Recordings available on the RPO label in 2013 ranged from core symphonic repertoire and Tchaikovsky ballet scores to film music by various composers, light music by Burt Bacharach and Richard Rodgers, and an album called "Symphonic Rock", described as "Over 3 hours of classic rock anthems and pop tracks with an orchestral twist".

What other recordings was released?

Igor Stravinsky recorded his opera The Rake's Progress with the RPO in 1964.



Answer the question at the end by quoting:

Henry Hill, Jr. was born on June 11, 1943 in Manhattan, New York, to Henry Hill, Sr., an Irish immigrant and electrician, and Carmela Costa Hill, a Sicilian. The working-class family consisted of Henry and his eight siblings who grew up in Brownsville, a poorer area of the East New York section of Brooklyn. From an early age, Hill admired the local mobsters who socialized across the street from his home, including Paul Vario, a capo in the Lucchese crime family. In 1955, when Hill was 11 years old, he wandered into the cabstand across the street looking for a part-time after-school job.
On April 27, 1980, Hill was arrested on a narcotics-trafficking charge. He became convinced that his former associates planned to have him killed: Vario, for dealing drugs; and Burke, to prevent Hill from implicating him in the Lufthansa Heist. Hill heard on a wiretap that his associates Angelo Sepe and Anthony Stabile were anxious to have him killed, and that they were telling Burke that Hill "is no good", and that he "is a junkie". Burke told them "not to worry about it". Hill was more convinced by a surveillance tape played to him by federal investigators, in which Burke tells Vario of their need to have Hill "whacked." But Hill still wouldn't talk to the investigators. While in his cell, the officers would tell Hill that the prosecutor, Ed McDonald, wanted to speak with him, and Hill would yell: "Fuck you and McDonald". Hill became even more paranoid because he thought Burke had officers on the inside and would have him killed.  While Karen was worried, she kept getting calls from Jimmy Burke's wife, Mickey, asking when Hill was coming home, or if Karen needed anything. Hill knew the calls were prompted by Jimmy.  When Hill was finally released on bail, he met Burke at a restaurant they always went to. Burke told Hill that they should meet at a bar Hill had never heard of or seen before, owned by "Charlie the Jap". However, Hill never met Burke there; instead they met at Burke's sweatshop with Karen and asked for the address in Florida where Hill was to kill Bobby Germaine's son with Anthony Stabile. Hill knew he was going to get killed in Florida, but he needed to stay on the streets to make money.  McDonald didn't want to take any chances and arrested Hill as a material witness in the Lufthansa robbery. Hill then agreed to become an informant and signed an agreement with the United States Department of Justice Organized Crime Strike Force on May 27, 1980. In 2011, former junior mob associate Greg Bucceroni alleged that, after Hill's 1980 arrest, Jimmy Burke offered him money to arrange a meeting between Bucceroni and Hill at a Brooklyn grocery store so that Burke could have Hill murdered gangland fashion, but Bucceroni decided quietly against having any involvement with the hit on Hill. Shortly afterwards, Burke and several other Lucchese crime family members were arrested by federal authorities.

Did Jimmy Burke offer money to keep him from informing?
to arrange a meeting between Bucceroni and Hill at a Brooklyn grocery store so that Burke could have Hill murdered gangland fashion,