Question:
Tracey Ullman was born Trace Ullman in Slough, Buckinghamshire, the younger of two daughters, to Dorin (nee Cleaver) and Antony John Ullman. Her mother was British, with Roma ancestry, and her father was a Roman Catholic Pole. On the subject of the spelling of her name: "My real name is Trace Ullman, but I added the 'y.' My mother said it was spelled the American way, but I don't think she can spell!
Ullman married producer Allan McKeown in 1983. They had two children: Mabel, born in 1986, and Johnny, born in 1991. Mabel worked as assistant to former Labour deputy leader Harriet Harman; she stood as a parliamentary candidate for the Labour Party in 2015, and subsequently went on to become a charity director. Johnny is an actor and currently writes for The Late Late Show with James Corden. On 24 December 2013, Allan McKeown died at home from prostate cancer, three days before their 30th wedding anniversary. Ullman's mother died in a fire at her flat on 23 March 2015. An inquest ruled the death to be accidental. She was 85 years old.  Ullman became an American citizen in December 2006 and holds dual citizenship in the United States and the United Kingdom. The results of the 2004 United States presidential election, and a comment made by actor Tom Hanks, prompted her desire to naturalise. "Tom Hanks was standing in a corridor at a party and I said something, and he was just very nice and he went, 'Oh, yeah. I know that but you're British. You know, you don't have to put up with that stuff ... I went, 'No. Actually I've been here a long time.' I thought, that's it. I'm going to join in. So I took the [citizenship] test." In 2006, she topped the list for the "Wealthiest British Comedians," with an estimated wealth of PS75 million. In 2015, Ullman's wealth was estimated to be PS77 million, making her the wealthiest British actress and female comedian. In 2017, The Sunday Times increased it to PS80 million.  She has described herself as a British republican. "Even as a kid, I never got why we pay people millions of pounds to be better than us." On a particular incident: "An MP once suggested I be put in the Tower of London for saying derogatory things about the royals."  An avid knitter, she co-wrote a knitting book, Knit 2 Together: Patterns and Stories for Serious Knitting Fun in 2006.
Answer this question using a quote from the text above:

Where does she live?

Answer:
holds dual citizenship in the United States and the United Kingdom.

input: In 1935 Holiday was signed to Brunswick Records by John Hammond to record current pop tunes with Teddy Wilson in the new swing style for the growing jukebox trade. They were given free rein to improvise the material. Holiday's improvisation of melody to fit the emotion was revolutionary. Their first collaboration included "What a Little Moonlight Can Do" and "Miss Brown to You". "What a Little Moonlight Can Do" has been deemed her "claim to fame." Brunswick did not favor the recording session, because producers wanted Holiday to sound more like Cleo Brown. After "What a Little Moonlight Can Do" garnered success, however, the company began considering Holiday an artist in her own right. She began recording under her own name a year later (on the 35-cent Vocalion label), producing a series of extraordinary performances with groups comprising the swing era's finest musicians. The sessions were co-produced by Hammond and Bernie Hanighen.  With their arrangements, Wilson and Holiday took pedestrian pop tunes, such as "Twenty-Four Hours a Day" (number 6 Pop) and "Yankee Doodle Went to Town", and turned them into jazz classics. Most of Holiday's recordings with Wilson or under her own name during the 1930s and early 1940s are regarded as important parts of the jazz vocal library. She was then in her twenties.  Another frequent accompanist was the tenor saxophonist Lester Young, who had been a boarder at her mother's house in 1934 and with whom Holiday had a special rapport. He said, "I think you can hear that on some of the old records, you know. Some time I'd sit down and listen to 'em myself, and it sound like two of the same voices, if you don't be careful, you know, or the same mind, or something like that." Young nicknamed her "Lady Day", and she called him "Prez".  Hammond spoke about the commercial impact of the Wilson-Holiday sides from 1935 to 1938, calling them a great asset to Brunswick. The record label, according to Hammond, was broke and unable to record many jazz tunes. Wilson, Holiday, Young, and other musicians came into the studio without musical arrangements and improvised as they performed, dispensing with the expense of having written arrangements, so that the records they produced were cheap. Holiday was never given any royalties for her work, instead being paid a flat fee, which saved the company money. Some of the records produced were successful, such as "I Cried for You", which sold 15,000 copies. Hammond said of the record, "15,000 ... was a giant hit for Brunswick in those days. I mean a giant hit. Most records that made money sold around three to four thousand."

Answer this question "What happened in 1935?"
output: In 1935 Holiday was signed to Brunswick Records by John Hammond to record current pop tunes with Teddy Wilson in the new swing style for the growing jukebox trade.

Answer the question at the end by quoting:

Albini was born in Pasadena, California, to Gina (nee Martinelli) and Frank Addison Albini. His father is a wildlife researcher. He also has two siblings. In his youth, Albini's family moved often, before settling in the college town of Missoula, Montana in 1974.
As of 2008, Albini is most active as a record producer; however, he dislikes the term and prefers to receive no credit on album sleeves or notes. When credited, he prefers the term "recording engineer."  In 2004, Albini estimated that he has engineered the recording of 1,500 albums, mostly by obscure musicians. More prominent artists that Albini has worked with include: Foxy Shazam, Nirvana, Pixies, The Breeders, Godspeed You! Black Emperor, Mogwai, The Jesus Lizard, Don Caballero, PJ Harvey, The Wedding Present, Joanna Newsom, Superchunk, Low, Dirty Three, Jawbreaker, Neurosis, Cloud Nothings, Bush, Chevelle, Robert Plant and Jimmy Page, Helmet, Fred Schneider, The Stooges, Owls, Manic Street Preachers, Jarvis Cocker, The Cribs, The Fleshtones, Nina Nastasia, The Frames, The Membranes, Cheap Trick, Motorpsycho, Slint, mclusky, Labradford, Veruca Salt, Zao, The Auteurs and Spare Snare.  Following the release of Schneider's album Just ... Fred, The Vinyl District's Joseph Neff wrote: "The reality is that when enlisted by the big leagues, Albini took his job just as seriously as when he was assisting on the debut recording from a bunch of aspiring unknowns."  Albini's openness toward working with any artist, regardless of their popularity, was reaffirmed in October 2014 when he said in an Uncut interview that he would produce another album with Page and Plant "in a heartbeat." Furthermore, Stereogum's Tom Breihan wrote in 2012: "And even though he's [Albini] been an outspoken opponent of the major-label system (and of other underground-rock heroes), he's known to work with just about anyone who requests his service".  In February 2018, along with the Scottish lo-fi band Spare Snare, Albini presented a one day Audio Engineers' Workshop at Chem19 Studios in Blantyre, Scotland.

So does he mostly work with indie artists then?
In 2004, Albini estimated that he has engineered the recording of 1,500 albums, mostly by obscure musicians.