Some context: Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and "beat boom" of the 1960s.
Barber and Monty Sunshine (clarinet) formed a band in 1953, calling it Ken Colyer's Jazzmen to capitalise on their trumpeter's recent escapades in New Orleans: the group also included Donegan, Jim Bray (bass), Ron Bowden (drums) and Barber on trombone. The band played Dixieland jazz, and later ragtime, swing, blues and R&B. Pat Halcox took over on trumpet in 1954 when Colyer moved on after musical differences and the band became "The Chris Barber Band".  In April 1953 the band made its debut in Copenhagen, Denmark. There Chris Albertson recorded several sides for the new Danish Storyville label, including some featuring only Sunshine, Donegan and Barber on double bass. In 1959 the band's version of Sidney Bechet's "Petite Fleur", a clarinet solo by Monty Sunshine with Barber on string bass, spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc. After 1959 he toured the United States many times (where "Petite Fleur" charted at #5).  In the late 1950s and early 1960s Barber was mainly responsible for arranging the first UK tours of blues artists Big Bill Broonzy, Sonny Terry and Brownie McGhee and Muddy Waters. This, with the encouragement of local enthusiasts such as Alexis Korner and John Mayall, sparked young musicians such as Peter Green, Eric Clapton and the Rolling Stones. British rhythm and blues powered the British invasion of the USA charts in the 1960s, yet Dixieland itself remained popular: in January 1963 the British music magazine, NME reported the biggest trad jazz event in Britain at Alexandra Palace. It included George Melly, Diz Disley, Acker Bilk, Alex Welsh, Kenny Ball, Ken Colyer, Sunshine, Bob Wallis, Bruce Turner, Mick Mulligan and Barber.  Barber stunned traditionalists in 1964 by introducing blues guitarist John Slaughter into the line up who, apart from a break between April 1978 and August 1986, when Roger Hill took over the spot, played in the band until shortly before his death in 2010. Barber next added a second clarinet/saxophone and this line-up continued until 1999. Then Barber added fellow trombonist/arranger Bob Hunt and another clarinet and trumpet. This eleven-man "Big Chris Barber Band" offered a broader range of music while reserving a spot in the programme for the traditional six-man New Orleans line-up.  A recording of the Lennon-McCartney composition "Catswalk" can be heard, retitled "Cat Call", on The Songs Lennon and McCartney Gave Away. Written by Paul McCartney the song was recorded in late July 1967 and released as a single in the UK on 20 October 1967.
Are there any other songs mentioned?
A: A recording of the Lennon-McCartney composition "Catswalk" can be heard, retitled "Cat Call",

Some context: Richard Alan Enberg (January 9, 1935 - December 21, 2017) was an American sportscaster. Over the course of an approximately 60-year career, he provided play-by-play for various sports on numerous radio and television networks, including NBC (1975-1999), CBS (2000-2014), and ESPN (2004-2011), as well for individual teams, such as UCLA Bruins basketball, Los Angeles Rams, California Angels and San Diego Padres. Enberg was well known for his signature on-air catchphrases "Touch 'em all" (for home runs) and "Oh, my!" (for particularly exciting and outstanding athletic plays).
In the late 1960s, Enberg began a full-time sportscasting career in Los Angeles, working for KTLA television (anchoring a nightly sports report and calling UCLA Bruins basketball) and KMPC radio (calling Los Angeles Rams football and California Angels baseball). After every Angels victory, he would wrap up his broadcast with, "And the halo shines tonight," in reference to the "Big A" scoreboard at Anaheim Stadium and the halo at the top, which would light up for everyone in the area to see, particularly from the adjacent freeway. Enberg was named California Sportscaster of the Year four times during this period.  In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium.  In 1968, Enberg was recommended by UCLA athletic director J.D. Morgan to be the national broadcaster for the syndicated TVS Television Network to cover the "Game of the Century" between the Houston Cougars, led by Elvin Hayes and the UCLA Bruins, led by Lew Alcindor (later Kareem Abdul-Jabbar). The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience and stands as a seminal contest in the evolution of nationally televised evening college basketball broadcasts. Enberg continued to call the occasional UCLA game for TVS through the early 1970s, usually teaming with Rod Hundley. In 1973, Enberg traveled to Beijing, China to host the groundbreaking TVS Television Network telecast of the USA vs. China basketball game. It was the first team sporting event ever played between China and the USA.  In the 1970s, Enberg called the 1979 NCAA Championship game between Michigan State, led by Magic Johnson, and Indiana State, led by Larry Bird. He also hosted the syndicated television game show Sports Challenge, and co-produced the Emmy Award-winning sports-history series The Way It Was for PBS.  In the 1970 opening conference game in Pauley Pavilion, Oregon went into a stall against the UCLA Bruins. Enberg had run out of statistics and began to fill his radio broadcast with small talk. The movie Butch Cassidy and the Sundance Kid had just been released, and Enberg was humming the tune to "Raindrops Keep Fallin' on My Head", but did not know the words. Two nights later, in a home game against Oregon State, many UCLA students brought the lyrics to the song. Enberg promised that he would sing the song if UCLA won the conference championship. He sang the song following the final game of the season. The event was recorded in the Los Angeles Times and was later recounted in the book Pauley Pavilion: College Basketball's Showplace by David Smale. During the 2006 NCAA Men's Basketball Championship broadcast, there was a short feature on the event.
Did he have any signature phrases while working at the radio station in Los Angeles?
A:
The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience