Question: Count Dracula is the title character of Bram Stoker's 1897 gothic horror novel Dracula. He is considered to be both the prototypical and the archetypal vampire in subsequent works of fiction. He is also depicted in the novel to be the origin of werewolf legends. Some aspects of the character are believed to have been inspired by the 15th-century Wallachian Prince Vlad the Impaler, who was also known as Dracula.

Count Dracula is portrayed in the novel using many different supernatural abilities, and is believed to have gained his abilities through dealings with the Devil. Chapter 18 of the novel describes many of the abilities, limitations and weaknesses of vampires and Dracula in particular. Dracula has superhuman strength which, according to Van Helsing, is equivalent to that of 20 strong men. He does not cast a shadow or have a reflection from mirrors. He is immune to conventional means of attack; a sailor tries to stab him in the back with a knife, but the blade goes through his body as though it is air. Why Harker's and Morris' physical attacks are able to harm him in other parts of the book is never explained although it is noteworthy that the failed stabbing by the sailor occurred at night and the successful attacks were during daylight hours. The Count can defy gravity to a certain extent and possesses superhuman agility, able to climb vertical surfaces upside down in a reptilian manner. He can travel onto "unhallowed" ground such as the graves of suicides and those of his victims. He has powerful hypnotic, telepathic and illusionary abilities. He also has the ability to "within limitations" vanish and reappear elsewhere at will. If he knows the path, he can come out from anything or into anything regardless of how close it is bound even if it is fused with fire.  He has amassed cunning and wisdom throughout centuries, and he is unable to die by the mere passing of time alone.  He can command animals such as rats, owls, bats, moths, foxes and wolves. However, his control over these animals is limited, as seen when the party first enters his house in London. Although Dracula is able to summon thousands of rats to swarm and attack the group, Holmwood summons his trio of terriers to do battle with the rats. The dogs prove very efficient rat killers, suggesting they are Manchester terriers trained for that purpose. Terrified by the dogs' onslaught, the rats flee and any control which Dracula had over them is gone.  Dracula can also manipulate the weather and, within his range, is able to direct the elements, such as storms, fog and mist.

Using a quote from the above article, answer the following question: What is Draculas weakness?
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Answer: He does not cast a shadow or have a reflection from mirrors.

Problem: Meat Beat Manifesto, often shortened as Meat Beat, Manifesto or MBM, is an electronic music group originally consisting of Jack Dangers and Jonny Stephens, and formed in 1987 in Swindon, United Kingdom. The band, fronted by Dangers (the only permanent member), has proven versatile over the years, experimenting with techno, dubstep, drum and bass, IDM, industrial, dub and jazz fusion while touring the world and influencing major acts such as Nine Inch Nails, The Chemical Brothers and The Prodigy. Some of the band's earlier work has been credited with influencing the rise of the trip hop, big beat, and drum and bass genres.

Dangers and Stephens had formed the English pop group Perennial Divide in 1986 with Paul Freeguard and released the first few Meat Beat Manifesto singles as a side project. They left Perennial Divide in 1988 to record a full Meat Beat album. The tapes of what would have been the debut MBM album were claimed to have been destroyed in a studio fire before it could be released (detailed in a publicity statement). The former founder of Sweat Box Records (Rob Deacon) said that the fire never happened. Jack Dangers confirmed the story of the fire in a 2010 interview. The pair then recorded the LP Storm The Studio, which got them pigeonholed as an industrial act because Sweat Box Records sold the rights to the LP to Wax Trax Records for release in the United States. In response, they released 99%, which was more techno-influenced, in May 1990. In August they released Armed Audio Warfare, which was an effort to re-create the lost tracks of the would-be debut album.  The band's live show was conceived as an intense audio-visual experience, with dancers, led by choreographer Marcus Adams, in costumes and sets designed by artist Craig Morrison and video clips accompanying live instruments, sequenced electronic instruments, and live DJing. In the United States, they opened for Nine Inch Nails on their debut national tour in 1990. In 1991, they performed at The Limelight in Manhattan. Despite his contributions being nonmusical in nature, Adams was credited as a full band member and appeared in many of the band's record sleeves and promo photos until the release of Satyricon in 1992. Adams also appeared in several of MBM's early videos, such as "Strapdown" and "Psyche-Out".  1992's Satyricon continued to show Meat Beat adopting a more mainstream electronic sound, crediting influences of such newly popular dance bands as Orbital, The Shamen, and The Orb, all of whom had either remixed or been remixed by MBM. The album produced the hits "Mindstream" and "Circles". "Original Control (Version 2)", renamed "I Am Electro" in later compilations, is the best-known track from the album, featuring samples of recordings from the 1939 World's Fair exhibit Elektro The Robot, and was the opening song in MBM's 2005-2006 tour.

when was he born

Answer with quotes:
Dangers and Stephens had formed the English pop group Perennial Divide in 1986 with Paul Freeguard and released the first few Meat Beat Manifesto singles as a side project.