Question: Anthony Neil Wedgwood Benn (3 April 1925 - 14 March 2014), originally known as Anthony Wedgwood Benn, but later as Tony Benn, was a British politician, writer, and diarist. He was a Member of Parliament (MP) for 47 years between the 1950 and 2001 general elections and a Cabinet minister in the Labour governments of Harold Wilson and James Callaghan in the 1960s and 1970s. Originally a moderate, he was identified as being on the party's hard left from the early 1980s, and was widely seen as a key proponent of democratic socialism within the party. Benn inherited a peerage on his father's death (as 2nd Viscount Stansgate), which prevented his continuing as an MP.

Benn's father had been created Viscount Stansgate in 1942 when Winston Churchill increased the number of Labour peers to aid political work in the House of Lords; at this time, Benn's elder brother Michael was intending to enter the priesthood and had no objections to inheriting a peerage. However, Michael was later killed in an accident while on active service in the Second World War, and this left Benn as the heir to the peerage. He made several unsuccessful attempts to renounce the succession.  In November 1960, Lord Stansgate died. Benn automatically became a peer, preventing him from sitting in the House of Commons. The Speaker of the Commons, Sir Harry Hylton-Foster, did not allow him to deliver a speech from the bar of the House of Commons in April 1961 when the by-election was being called. Continuing to maintain his right to abandon his peerage, Benn fought to retain his seat in a by-election caused by his succession on 4 May 1961. Although he was disqualified from taking his seat, he was re-elected. An election court found that the voters were fully aware that Benn was disqualified, and declared the seat won by the Conservative runner-up, Malcolm St Clair, who was at the time also the heir presumptive to a peerage.  Benn continued his campaign outside Parliament. Within two years, though, the Conservative Government of the time, which had members in the same or similar situation to Benn's (i.e., who were going to receive title, or who had already applied for writs of summons), changed the law. The Peerage Act 1963, allowing lifetime disclaimer of peerages, became law shortly after 6 pm on 31 July 1963. Benn was the first peer to renounce his title, doing so at 6.22 pm that day. St Clair, fulfilling a promise he had made at the time of his election, then accepted the office of Steward of the Manor of Northstead, disqualifying himself from the House (outright resignation not being possible). Benn returned to the Commons after winning a by-election on 20 August 1963.

Using a quote from the above article, answer the following question: What is Benn's connection to the Peerage reform?
HHHHHH
Answer: 

Problem: Ryuichi Sakamoto (Ban Ben  Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.

Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun.  Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said:  He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.

Did he produced anyother movie apart from that?

Answer with quotes:
Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun.