Problem: Background: Mystique (Raven Darkholme) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by artist David Cockrum and writer Chris Claremont, she first appeared in the comic book Ms. Marvel #16, published in 1978. Mystique is a member of a subspecies of humanity known as mutants, who are born with superhuman abilities. Mystique is a shapeshifter who can mimic the appearance and voice of any person with exquisite precision, and her natural appearance includes blue skin and yellow eyes.
Context: Mystique becomes the adoptive mother of the four-year-old girl Rogue. Rogue had run away from her home in rural Caldecott County, Mississippi. The girl was living alone in a wooded area, brandishing a shotgun and trusting no one, when Mystique found her. Destiny foresees that Rogue will be important to them and Mystique seeks her out, gains her trust, and takes her in. She and Destiny raise the girl, and Mystique grows to be very protective of her.  Mystique, as Raven Darkholme, rises rapidly through the United States Civil Service to the trusted position of Deputy Director of the Defense Advanced Research Projects Agency (DARPA) in the United States Department of Defense. This position gives her access to military secrets and advanced weaponry, both of which she uses for her own criminal and subversive purposes. In this position, she attempts the theft of the Centurion weaponry from S.H.I.E.L.D. She also beat Ms. Marvel's lover Michael Barnett to death, and sought to kill Ms. Marvel.  To help her in her criminal activities, Mystique organizes her own incarnation of the Brotherhood of Evil Mutants, consisting of herself, Avalanche, the Blob, Destiny, and Pyro. The Brotherhood attempts to assassinate Senator Robert Kelly, a notoriously anti-mutant politician. The X-Men thwart the assassination attempt, and all of the Brotherhood save Mystique herself are incarcerated.  Rogue is trained by Mystique and eventually joins the Brotherhood of Evil Mutants. Her mutant power is the ability to absorb the memories, personality, and skills or powers of whomever she touches. To free the other members of the Brotherhood, Mystique concocts a plan involving Rogue absorbing the powers of Ms. Marvel and the Avengers. Though the plan is successful, the Avengers ultimately defeat the Brotherhood of Evil Mutants, capturing all of them except Rogue and Mystique. Moreover, Rogue finds that she has absorbed Ms. Marvel's memories, personality, and powers permanently. In a further humiliation, a confrontation at the Pentagon ends with Mystique being defeated and turned over to the authorities by a powerless Ms. Marvel.  The Brotherhood of Evil Mutants eventually escape, and battle against Dazzler. In an act of revenge against Mystique, Mastermind unbalances Rogue's psyche with the one she absorbed from Ms. Marvel, which prompts her to defect to the X-Men. Because Rogue left without a word, Mystique assumes that Professor X, the X-Men's mentor, brainwashed her. The Brotherhood of Evil Mutants accordingly launches an attempt to kill Professor X. Rogue stops Mystique, and explains that she joined the X-Men because Professor X, as the world's most powerful telepath, is her best hope of healing for her fragmented psyche. Mystique reluctantly relinquishes her guardianship of Rogue.
Question: What is Rogue's relationship to Mystique?
Answer: Mystique becomes the adoptive mother of the four-year-old girl Rogue.

Background: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.
Context: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world."  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before."
Question: What else did he do?
Answer:
Thalberg became responsible for immediately overseeing the nine ongoing film productions