Answer the question at the end by quoting:

James Alvin Palmer (born October 15, 1945) is a retired American right-handed pitcher who played all of his 19 years in Major League Baseball (MLB) with the Baltimore Orioles (1965-67, 1969-84) and was elected to the Baseball Hall of Fame in 1990. Palmer was the winning pitcher in 186 games in the 1970s, the most wins in that decade by any MLB pitcher. He also won at least twenty games in each of eight seasons and received three Cy Young Awards and four Gold Gloves during the decade. His 268 career victories are currently an Orioles record.
While still an active player, Palmer did color commentary for ABC for their coverage of the 1978, 1980 and 1982 American League Championship Series, 1981 American League Division Series between Oakland and Kansas City, and the 1981 World Series.  From 1985 to 1989, Palmer formed an announcing team with Al Michaels and Tim McCarver at ABC. Palmer announced the 1985 World Series, where he was supposed to team with Michaels and Howard Cosell, whom Palmer had worked with on the previous year's ALCS. McCarver replaced Cosell for the World Series at the last minute after Cosell released a book (I Never Played the Game) that was critical of the ABC Sports team. The team of Palmer, Michaels and McCarver would subsequently go on to call the 1986 All-Star Game (that year, Palmer worked with Michaels on the ALCS while McCarver teamed with Keith Jackson on ABC's coverage of the National League Championship Series), the 1987 World Series, and 1988 All-Star Game as well as that year's NLCS.  Palmer was present at San Francisco's Candlestick Park on October 17, 1989, when the Loma Prieta earthquake hit prior to Game 3 of the World Series. After the 1989 season, ABC lost its contract to broadcast baseball to CBS. Palmer had earned $350,000 from ABC that year for appearing on around ten regular season broadcasts and making a few postseason appearances.  In 1990, the Los Angeles Times reported that Palmer was thinking of pursuing work as a major league manager. Instead, Palmer worked as an analyst for ESPN and as a broadcaster for Orioles games on their local telecasts over WMAR-TV and Home Team Sports.

How much was Palmer paid to be an analyst?

Palmer had earned $350,000 from ABC that year



Answer the question at the end by quoting:

Emilie Autumn Liddell (born on September 22, 1979), better known by her stage name Emilie Autumn, is an American singer-songwriter, poet, violinist, and actress. Autumn's musical style has been described by her as "Fairy Pop", "Fantasy Rock" or "Victoriandustrial". It is influenced by glam rock and from plays, novels, and history, particularly the Victorian era. Performing with her all-female backup dancers
Her music encompasses a wide range of styles. Autumn's vocal range is contralto, but also has the ability to perform in the dramatic soprano range. Her vocal work has been compared to Tori Amos, Kate Bush, and The Creatures. She has released two instrumental albums (On a Day... and Laced/Unlaced), and four featuring her vocals: Enchant, Opheliac, A Bit o' This & That, and "Fight Like A Girl". The 2003 album Enchant drew on "new age chamber music, trip hop baroque, and experimental space pop". Autumn layers her voice frequently, and incorporates electronics and electronic effects into her work on Enchant; she also combines strings and piano for some songs, while others feature mainly the piano or violin. The 2006 release Opheliac featured "cabaret, electronic, symphonic, new age, and good ol' rock & roll (and heavy on the theatrical bombast)".  A classically trained musician, Autumn is influenced by plays, novels, and history, particularly the Victorian era. She enjoys the works of Shakespeare, Elizabeth Barrett Browning and her husband Robert, and Edgar Allan Poe. She incorporates sounds resembling Victorian machinery such as locomotives, which she noted was "sort of a steampunk thing". While a young Autumn cited Itzhak Perlman as an influence because of the happiness she believed he felt when he played, her main musical influence and inspiration is the English violinist Nigel Kennedy. Her favorite singer is Morrissey from The Smiths. She takes inspiration for her songs from her life experiences and mixes in "layers and layers of references, connections, other stories and metaphors". Autumn describes her music and style as "Psychotic Vaudeville Burlesque". She alternatively labels her music and style as "Victoriandustrial'", a term she coined, and glam rock because of her use of glitter onstage. According to Autumn, her music "wasn't meant to be cutesy" and is labeled as "industrial" mainly because of her use of drums and yelling. Her adaption of "O Mistress Mine" was praised by author and theater director Barry Edelstein as "a ravishing, guaranteed tearjerker".  For her live performances, which she calls dinner theatre because of her practice of throwing tea and tea-time snacks offstage, Autumn makes use of burlesque--"a show that was mainly using humour and sexuality to make a mockery of things that were going on socially and politically"--to counterbalance the morbid topics such as abuse and self-mutilation. She incorporates handmade costumes, fire tricks, theatrics, and a female backing band, The Bloody Crumpets: Veronica Varlow, Jill Evyn (Moth), and formerly The Blessed Contessa, Lady Aprella, Little Lucina, Lady Joo Hee, Captain Vecona, Little Miss Sugarless, Mistress Jacinda, and the model Ulorin Vex. Another crumpet, Captain Maggot, has taken a leave. Her wish for the live shows is to be an "anti-repression statement" and empowerment.

Did she begin singing and playing instruments as a child?