Answer the question at the end by quoting:

Melissa Ellen Gilbert (born May 8, 1964) is an American actress and television director. Gilbert began her career as a child actress in the late 1960s appearing in numerous commercials and guest starring roles on television. From 1974 to 1984, she starred as Laura Ingalls Wilder, the daughter of Charles Ingalls (played by Michael Landon) on the NBC series Little House on the Prairie. During the run of Little House, Gilbert appeared in several popular television films, including The Diary of Anne Frank and The Miracle Worker.
Gilbert has continued to work regularly, mainly in television. She starred as Jean Donovan in the biopic Choices of the Heart (1983), and as Anna Sheridan in three episodes of Babylon 5 with then husband Bruce Boxleitner in 1996. She also provided the voice of Batgirl on the 1990s Batman: The Animated Series, though she would be replaced by voice actress Tara Strong for the series' follow-up The New Batman Adventures.  For her contribution to the television industry, Gilbert received a star on the Hollywood Walk of Fame at 6429 Hollywood Blvd in 1985. Her then-fiance, Rob Lowe, was present with her when her star was unveiled during the ceremony.  In 1998, she was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma. In 2006, Gilbert appeared as Shari Noble, a patient looking to reconstruct her nipples after committing zoophilia with her dog in a season four episode of Nip/Tuck.  In 2008 and through 2009, Gilbert played Caroline "Ma" Ingalls in the musical adaptation of Little House on the Prairie. This world premiere production at the Guthrie Theater in Minneapolis was directed by Francesca Zambello and also starred Kara Lindsay as Laura. The show ran through October 19 and was on a US National tour for 2009-10. The tour ended in June 2010 at Starlight Theatre in Kansas City, Missouri.  In March and April 2018, Gilbert starred in an Off-Off-Broadway, limited-run production of Geraldine Aron's 2001 one-woman play 2001 My Brilliant Divorce.

Did she do any movies?

She starred as Jean Donovan in the biopic Choices of the Heart (1983),



Answer the question at the end by quoting:

Stephen Crane (November 1, 1871 - June 5, 1900) was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation. The ninth surviving child of Methodist parents, Crane began writing at the age of four and had published several articles by the age of 16.
Stephen Crane's fiction is typically categorized as representative of Naturalism, American realism, Impressionism or a mixture of the three. Critic Sergio Perosa, for example, wrote in his essay, "Stephen Crane fra naturalismo e impressionismo," that the work presents a "symbiosis" of Naturalistic ideals and Impressionistic methods. When asked whether or not he would write an autobiography in 1896, Crane responded that he "dare not say that I am honest. I merely say that I am as nearly honest as a weak mental machinery will allow." Similarities between the stylistic techniques in Crane's writing and Impressionist painting--including the use of color and chiaroscuro--are often cited to support the theory that Crane was not only an Impressionist but also influenced by the movement. H. G. Wells remarked upon "the great influence of the studio" on Crane's work, quoting a passage from The Red Badge of Courage as an example: "At nightfall the column broke into regimental pieces, and the fragments went into the fields to camp. Tents sprang up like strange plants. Camp fires, like red, peculiar blossoms, dotted the night.... From this little distance the many fires, with the black forms of men passing to and fro before the crimson rays, made weird and satanic effects." Although no direct evidence exists that Crane formulated a precise theory of his craft, he vehemently rejected sentimentality, asserting that "a story should be logical in its action and faithful to character. Truth to life itself was the only test, the greatest artists were the simplest, and simple because they were true."  Poet and biographer John Berryman suggested that there were three basic variations, or "norms", of Crane's narrative style. The first, being "flexible, swift, abrupt and nervous", is best exemplified in The Red Badge of Courage, while the second ("supple majesty") is believed to relate to "The Open Boat", and the third ("much more closed, circumstantial and 'normal' in feeling and syntax") to later works such as The Monster. Crane's work, however, cannot be determined by style solely on chronology. Not only does his fiction not take place in any particular region with similar characters, but it varies from serious in tone to reportorial writing and light fiction. Crane's writing, both fiction and nonfiction, is consistently driven by immediacy and is at once concentrated, vivid and intense. The novels and short stories contain poetic characteristics such as shorthand prose, suggestibility, shifts in perspective and ellipses between and within sentences. Similarly, omission plays a large part in Crane's work; the names of his protagonists are not commonly used and sometimes they are not named at all.  Crane was often criticized by early reviewers for his frequent incorporation of everyday speech into dialogue, mimicking the regional accents of his characters with colloquial stylization. This is apparent in his first novel, in which Crane ignored the romantic, sentimental approach of slum fiction; he instead concentrated on the cruelty and sordid aspects of poverty, expressed by the brashness of the Bowery's crude dialect and profanity, which he used lavishly. The distinct dialect of his Bowery characters is apparent at the beginning of the text; the title character admonishes her brother saying: "Yeh knows it puts mudder out when yes comes home half dead, an' it's like we'll all get a poundin'."

What did critics think of his style?
Crane was often criticized by early reviewers for his frequent incorporation of everyday speech into dialogue, mimicking the regional accents of his characters with