input: In 1989, brothers Mike (bass) and Noel (guitar) Hogan formed The Cranberry Saw Us with drummer Fergal Lawler and singer Niall Quinn, in Limerick, Ireland. Less than a year later, Quinn left the band. The remaining band members then placed an advertisement for a female singer. Dolores O'Riordan responded to the advertisement and auditioned by writing lyrics and melodies to some existing demos. When she returned with a rough version of "Linger", she was hired, and they recorded Nothing Left At All, a three-track EP released on tape by local record label Xeric Records, which sold 300 copies. The group changed their name to "The Cranberries". The owner of Xeric Studios, Pearse Gilmore, became their manager and provided the group with studio time to complete another demo tape, which he produced. It featured early versions of "Linger" and "Dreams", which were sent to record companies throughout the UK.  This demo earned the attention of both the UK press and record industry and sparked a bidding war between major British record labels. Eventually, the group signed with Island Records. The Cranberries headed back into studio with Gilmore as their producer to record their first EP Uncertain and created a music video for the title track, which was not released. The EP received poor reviews in the press and led to tension between the group and Gilmore. After a difficult recording session intended for their first Island records album in January 1992, the band scrapped their work and fired Gilmore. After hiring Geoff Travis as their new manager, the Cranberries headed back into the studio in Dublin in March 1992 to restart working on their first LP with Stephen Street, who had previously worked with The Smiths.  During that time period, the Cranberries toured in Ireland and the UK, getting the attention of the British press. The band also recorded several studio and live sessions intended for Irish and British radio and television shows, including 2fm's The Dave Fanning Show and BBC Radio 1's John Peel Show.

Answer this question "who was in the band?"
output: drummer Fergal Lawler and singer Niall Quinn, in Limerick, Ireland.

input: O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again."  Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon.  In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio.  During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s.  In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house.

Answer this question "What works did she create connected to New Mexico?"
output: She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work.

input: Odom contemplated entering the NBA directly out of high school, and consulted with Bryant, who had made the jump a year earlier. He decided he was not ready, and decided to attend the University of Nevada at Las Vegas. However, after a Sports Illustrated report questioned his unexpectedly high score of 22 out of 36 in the ACT, the school released him in July 1997 before he ever played a game for them. That same summer, he received a citation for soliciting prostitution following an undercover operation by the Las Vegas police. Later, an NCAA inquiry found Odom received payments amounting to $5,600 from booster David Chapman. Coach Bill Bayno was fired and UNLV was placed on probation for four years.  Odom transferred to the University of Rhode Island but was forced to sit out the 1997-98 season. He was admitted as a non-matriculating student, and was not allowed to play intramural basketball. His room and board was paid for by his father, who was covered by the G.I. Bill. After two semesters and a summer session, Odom earned his eligibility to play basketball. His career at Rhode Island had been in jeopardy after the first semester, when he vanished before finals. However, Rhode Island coach Jim Harrick persuaded three of his four instructors to allow him to make up his work. The coach also had Odom work with DeGregorio, who had become a Rams assistant and was the player's closest friend in college. Odom was also inspired by his maternal grandmother, a nurse who had raised five children and returned to school to earn her degree in 1980 at age 56.  Odom played one season for the Rams in the Atlantic 10 Conference, where he averaged 17.6 points per game and led the Rams to the conference championship in 1999. He earned first-team all-conference honors and was named the Atlantic 10 Rookie of the Year. He was named the most valuable player of the Atlantic 10 Tournament after his three-pointer against Temple University at the buzzer gave the Rams their first A-10 Tournament title.

Answer this question "Did he attend college later on?"
output:
Odom transferred to the University of Rhode Island but was forced to sit out the 1997-98 season.