input: Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie.  Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s.  Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque.  Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.

Answer this question "between when?"
output: between the 1830s and the 1890s.

input: Phillips starred for six seasons on Knots Landing as the constantly scheming Anne Matheson Sumner, the mother of star Nicollette Sheridan's character Paige Matheson (a role which Phillips returned to for the TV movie Knots Landing: Back to the Cul-de-Sac (1997)). During this time, she also appeared in the films Let It Ride (1989); the thriller Scissors (1991), opposite Sharon Stone; and Joshua Tree (1993), starring Dolph Lundgren. In the mid-1990s, she played Abby Malone, mother of Valerie Malone (Tiffani-Amber Thiessen) in Fox's Beverly Hills, 90210.  In late 1987, Phillips sang backup vocals on Belinda Carlisle's number one hit, Heaven Is a Place on Earth, as well as on the Carlisle LP, Heaven on Earth. She had a guest role on the television series The Magnificent Seven, where she played Maude Standish, the mother of one of the Seven. Phillips' most recent serious acting job has been a recurring role on the WB drama 7th Heaven as Lily Jackson, sister of family matriarch Annie Jackson Camden (Catherine Hicks). She played Laura Collins in the television movie No One Would Tell (1996).  After the millennium, Phillips continued to occasionally appear in films. She had supporting roles in the comedies Jane White Is Sick & Twisted (2002); the drama Harry + Max (2004); and the independent comedy Unbeatable Harold (2006) In 2009, Phillips appeared at the annual TV Land Awards for the 30th year celebration of Knots Landing. She also appeared in a minor role in the Norwegian historical film Betrayal, which chronicles the German occupation of Norway.

Answer this question "Any other films?"
output: the thriller Scissors

input: In April 2017, The New York Times reported that O'Reilly and Fox News had settled five lawsuits against O'Reilly dating back to 2002. Previously, only the settlements to Mackris and Huddy were publicly reported; The Times reported that Fox hosts Rebecca Diamond and Laurie Dhue settled sexual harassment lawsuits in 2011 and 2016 respectively and junior producer Rachel Witlieb Bernstein settled with Fox in 2002 after accusing O'Reilly of verbal abuse. The amount paid to the women filing the complaints was estimated at $13 million. The New York Times also reported a claim by former O'Reilly Factor guest Wendy Walsh, who declined an offer from O'Reilly to go to his hotel suite and was subsequently denied a job as a Fox News contributor. Walsh appeared on The O'Reilly Factor for a few months after the hotel incident, and at one point asked producers for more airtime on the show.  After Walsh's complaint, 21st Century Fox hired the law firm of Paul, Weiss, Rifkind, Wharton & Garrison to conduct an investigation into that allegation; the firm also conducted an investigation into the allegations against Fox News chairman Roger Ailes, which led to his ouster from Fox.  After the five settlements were reported, the O'Reilly Factor lost more than half its advertisers within a week; almost 60 companies withdrew their television advertising from the show amid a growing backlash against O'Reilly. On April 11, O'Reilly announced he would take a two-week vacation and would return to the program on April 24; he normally took a vacation around Easter. On April 19, Fox News announced that O'Reilly would not be returning to the network. The program was subsequently renamed The Factor on April 19 and aired its last episode on April 21.  O'Reilly later stated his regret that he did not "fight back" against his accusers the way Sean Hannity did when facing the loss of advertisers around the same time.

Answer this question "How much did O'Reilly settle for?"
output:
The amount paid to the women filing the complaints was estimated at $13 million.