input: In God Speaks, Meher Baba describes the journey of the soul from its original state of unconscious divinity to the ultimate attainment of conscious divinity. The whole journey is a journey of imagination, where the original indivisible state of God imagines becoming countless individualized souls which he likens to bubbles within an infinite ocean. Each soul, powered by the desire to become conscious, starts its journey in the most rudimentary form of consciousness. This limitation brings the need of a more developed form to advance it towards an increasingly conscious state. Consciousness grows in relation to the impressions each form is capable of gathering.  According to Baba, each soul pursues conscious divinity by evolving: that is, experiencing itself in a succession of imagined forms through seven "kingdoms": stone/metal, vegetable, worm, fish, bird, animal, and human. The soul identifies itself with each successive form, becoming thus tied to illusion. During this evolution of forms thinking also increases, until in human form thinking becomes infinite. Although in human form the soul is capable of conscious divinity, all the impressions that it has gathered during evolution are illusory ones, creating a barrier for the soul to know itself. For this barrier to be overcome, further births in human form are needed in a process named reincarnation.  Eventually the soul reaches a stage where its previously gathered impressions grow thin or weak enough that it enters a final stage called involution. This stage also requires a series of human births, during which the soul begins an inner journey, by which it realizes its true identity as God. Baba breaks this inner journey of Realization into seven stages he calls "planes." The whole process culminates at the seventh plane with God-realization, where the goal of life for the individual soul is reached.

Answer this question "What did god say to Meher?"
output: In God Speaks, Meher Baba describes the journey of the soul from its original state of unconscious divinity to the ultimate attainment of conscious divinity.

input: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums.

Answer this question "was the album successful?"
output: reaching No. 4 on the Billboard Hot 100 chart;

input: Throughout the beginning of the second season, Graham, who is now institutionalized, attempts to convince his skeptical former colleagues that Lecter is the real killer and begins pulling strings from within his cell in order to expose him. Meanwhile, Lecter begins to manipulate evidence from the outside, exonerating himself after the FBI's initial investigations into Graham's claims. Eventually, Graham persuades his friend and colleague Beverly Katz (Hetienne Park), a forensic scientist, to investigate Lecter in exchange for help on a case. She breaks into Lecter's house, where she find evidence of his guilt; Lecter catches her, however, and kills her. Angry and vengeful, Graham convinces a deranged hospital orderly (Jonathan Tucker) to try to kill Lecter, but the attempt fails. Lecter retaliates by taking as his lover Alana Bloom (Caroline Dhavernas), a psychologist for whom Graham has romantic feelings. Lecter then exonerates Graham by planting forensic evidence of Graham's alleged victims at the scene of one of his own murders, resulting in Graham's release. He also frames his colleague Frederick Chilton (Raul Esparza) by planting a mutilated corpse in his house and "influencing" his surviving victim Miriam Lass (Anna Chlumsky), into believing that Chilton had abducted and tortured her.  Graham resumes therapy with Lecter as an attempt to entrap him. Lecter quickly becomes aware of the ruse, but finds the experience fascinating and allows it to continue in order to explore the connection he feels with Graham. In an attempt to push Graham into becoming a serial killer, Lecter sends his psychotic former patient Randall Tier (Mark O'Brien) to kill Graham, but Graham kills and mutilates Tier instead - just as Lecter hoped he would. Later, Graham attacks tabloid reporter Fredericka "Freddy" Lounds (Lara Jean Chorostecki), who is investigating him and Lecter. Graham shares a meal with Lecter of what is implied to be her flesh, but it is soon revealed that Lounds is still alive and conspiring with Graham and Crawford to draw Lecter into their trap.  Lecter and Graham acquire a common enemy in Mason Verger (Michael Pitt), a wealthy sadist whom they both despise for emotionally and sexually abusing his sister Margot (Katharine Isabelle). Verger has them both kidnapped and prepares to feed them to his prize pigs; however, Lecter escapes and takes Verger hostage in Graham's house. He gives Verger a hallucinogenic drug cocktail, and tells him to cut off pieces of his own face and feed them to Graham's dogs. With Graham's tacit approval, Lecter then breaks Verger's neck with his bare hands, paralyzing him.  In the second-season finale, Graham and Crawford move to arrest Lecter against the orders of the FBI. In the ensuing struggle, Lecter seriously wounds Graham and Crawford, while a very much alive Abigail Hobbs pushes Bloom out of a window. Lecter then cuts Abigail's throat in front of Graham and leaves them to die as he flees before the police arrive. He is shown in a post-credits scene aboard a flight to France with his psychiatrist, Bedelia Du Maurier (Gillian Anderson).

Answer this question "What else is significant about this season?"
output:
Verger has them both kidnapped and prepares to feed them to his prize pigs; however, Lecter escapes