Some context: Horace Mann (May 4, 1796 - August 2, 1859) was an American educational reformer and Whig politician dedicated to promoting public education. A central theme of his life was that "it is the law of our nature to desire happiness. This law is not local, but universal; not temporary, but eternal. It is not a law to be proved by exceptions, for it knows no exception."
In September 1852, he was nominated for governor of Massachusetts by the Free Soil Party, and the same day was chosen president of the newly established Antioch College at Yellow Springs, Ohio. Failing in the election for governor, he accepted the presidency of the college, in which he continued until his death. There he taught economics, philosophy, and theology; he was popular with students and with lay audiences across the Midwest who attended his lectures promoting public schools. Mann also employed the first woman faculty member to be paid on an equal basis with her male colleagues, Rebecca Pennell, his niece. His commencement message to the class of 1859 was to "be ashamed to die until you have won some victory for humanity".  Antioch College was founded by the Christian Connexion which later withdrew its financial support causing the college to struggle for many years with meager financial resources due to sectarian infighting. Mann himself was charged with nonadherence to sectarianism because, previously a Congregationalist by upbringing, he joined the Unitarian Church.  He collapsed shortly after the 1859 commencement and died that summer. Antioch historian Robert Straker wrote that Mann had been "crucified by crusading sectarians." Ralph Waldo Emerson lamented "what seems the fatal waste of labor and life at Antioch." Mann's wife, who wrote in anguish that "the blood of martyrdom waters the spot," later disinterred his body from Yellow Springs. He is buried in the North Burial Ground in Providence, Rhode Island, next to his first wife, Charlotte Messer Mann. (Charlotte Messer Mann was the daughter of Asa Messer, an early president of Brown University.)
What else did he do in his last years ?
A: Mann himself was charged with nonadherence to sectarianism because, previously a Congregationalist by upbringing, he joined the Unitarian Church.
Some context: The Algonquin Round Table was a group of New York City writers, critics, actors, and wits. Gathering initially as part of a practical joke, members of "The Vicious Circle", as they dubbed themselves, met for lunch each day at the Algonquin Hotel from 1919 until roughly 1929. At these luncheons they engaged in wisecracks, wordplay, and witticisms that, through the newspaper columns of Round Table members, were disseminated across the country. Daily association with each other, both at the luncheons and outside of them, inspired members of the Circle to collaborate creatively.
Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff.  No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play."  The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood.  With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances.
Who was in it?
A: Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz
Some context: Kim Antonie Lode Clijsters (Dutch pronunciation: [kIm 'kleist@rs] ( listen); born 8 June 1983) is a Belgian former professional tennis player. Clijsters is a former world No. 1 in both singles and doubles. Clijsters won 41 singles and eleven doubles titles. She won four Grand Slam singles titles: three at the US Open, in 2005, 2009, and 2010 and one at the Australian Open in 2011.
Clijsters had won the Belgian Junior Championship by the age of 11 and joined an academy in Antwerp two years later. It was there she met Carl Maes, her coach for the first and last stages of her professional career. Clijsters was an accomplished junior player. In singles, she finished as runner-up in the 1998 Wimbledon junior event, finishing 11th in the year-end singles ranking. In the same year in doubles, Clijsters won the French Open title with Jelena Dokic, defeating Elena Dementieva and Nadia Petrova in the final, as well as the US Open with Eva Dyrberg, defeating former partner Dokic in the final. Clijsters ended the season as no. 4 in the International Tennis Federation junior doubles world ranking.  In 1999, Clijsters made her breakthrough professionally. At her first WTA tournament in Antwerp, she qualified and lost to the eventual finalist Sarah Pitkowski-Malcor in the quarterfinal, after failing to convert a match point. She also reached the doubles quarterfinals of the same event with India's Nirupama Vaidyanathan, defeating Vanessa Menga and Miho Saeki 7-5, 6-4.  Playing through the qualifying rounds at Roehampton, she made it to the main draw of Wimbledon. Clijsters won six matches in a row, while only losing 25 games. She defeated no. 10 Amanda Coetzer en route to the fourth round, during which Clijsters lost to her childhood idol, Steffi Graf, in straight sets, in difficult rainy circumstances. Later that summer, Clijsters reached the third round of the US Open, losing to eventual champion Serena Williams after serving for the match. In the autumn, Clijsters won her first Women's Tennis Association (WTA) singles title in Luxembourg. She followed up with her first WTA doubles title in Bratislava, partnering Laurence Courtois. At the end of the year, she was granted the WTA Most Impressive Newcomer award, the only Belgian player to have received this trophy.
what year?
A:
In 1999,