Problem: Robertson was born Jaime Royal Robertson on July 5, 1943. He was an only child. His mother was Rose Marie Chrysler, a Cayuga and Mohawk woman who was raised on the Six Nations Reserve southwest of Toronto, Ontario. Chrysler lived with an aunt in the Cabbagetown neighborhood, and worked at a jewelry plating factory.

In late 1967, Dylan left to record his next album, John Wesley Harding (1967). After recording the basic tracks, Dylan asked Robertson and Garth Hudson about playing on the album to fill out the sound. However, when Robertson heard the tracks, he liked the starkness of the sound and recommended that Dylan leave the songs as they were. Dylan worked with the members of the Hawks once again when they appeared as his backup band at two Woody Guthrie memorial concerts at Carnegie Hall in New York City in January 1968. Three of these performances were later released by Columbia Records on the LP A Tribute to Woody Guthrie, Vol. 1 (1972).  Over the course of the "Basement Tapes" period, the group had developed a sound of their own, and Grossman went to Los Angeles to shop the group to a major label, securing a contract with Capitol Records. The group went to New York to begin recording songs with music producer John Simon. Capitol brought the group to Los Angeles to finish the album. The resulting album, Music From Big Pink, was released in August 1968.  Robertson wrote four of the songs on Music From Big Pink, including "The Weight", "Chest Fever", "Caledonia Mission," and "To Kingdom Come". Robertson is listed in the songwriting credits as "J.R. Robertson". Robertson sang lead vocal on the track "To Kingdom Come"; he would not sing on another Band song released to the public until "Knockin' Lost John" on 1977's Islands. Two of Robertson's compositions for the album, "The Weight" and "Chest Fever", would become important touchstones in the group's career. "The Weight" was influenced by the films of director Luis Bunuel, in particular Nazarin (1959) and Viridiana (1961), and reflects the recurring theme in Bunuel's films about the impossibility of sainthood. The song portrays an individual who attempts to take a saintly pilgrimage, and becomes mired down with requests from other people to do favors for them along the way. The mention of "Nazareth" at the beginning of the song refers to Nazareth, Pennsylvania, where the C. F. Martin & Company guitar manufacturer is located; it was inspired by Robertson seeing the word "Nazareth" in the hole of his Martin guitar. Although "The Weight" reached #21 on the British radio charts, it did not fare as well on the American charts, initially stalling at #63.  However, the song gained traction due to more successful covers by Jackie DeShannon (US #55, 1968), Aretha Franklin (US #19, 1969), and The Supremes with The Temptations (US #46, 1969), as well as to the song's inclusion in the movie Easy Rider (1969), which became a runaway success. "The Weight" has since become The Band's best known song. It has been covered by many artists, appeared in dozens of films and documentaries, and has become a staple in American rock music.  When Music from Big Pink was released in 1968, The Band initially avoided media attention, and discouraged Capitol Records from promotional efforts. They also did not immediately pursue touring to support the album, and declined to be interviewed for a year. The resulting mystery surrounding the group led to speculation in the underground press. Music from Big Pink received excellent reviews, and the album influenced many well-known musicians of the period.

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Answer with quotes: Over the course of the "Basement Tapes" period, the group had developed a sound of their own,

Question:
The Waterboys are a Scottish/Irish folk rock band formed in Edinburgh in 1983 by Scottish musician Mike Scott. The band's membership, past and present, has been composed mainly of musicians from Scotland and Ireland with Edinburgh, Dublin, Spiddal, New York and Findhorn, serving as homes for the group. Mike Scott has remained as the only constant member throughout the band's career. They have explored a number of different styles, but their music is mainly a mix of Celtic folk music with rock and roll.
After the release of their debut The Waterboys began touring. Their first show was at the Batschkapp Club in Frankfurt in February 1984. The band then consisted of Mike Scott on vocals and guitar, Anthony Thistlethwaite on saxophone and mandolin, Wallinger on keyboards, Roddy Lorimer on trumpets, Martyn Swain on bass and Kevin Wilkinson on drums. John Caldwell from Another Pretty Face also played guitar, and Scottish singer Eddi Reader sang backing vocals for the band's first two concerts. The band made some new recordings and over-dubbed old material in late 1983 and early 1984 which were released as The Waterboys' second album, A Pagan Place, in June 1984. The "official" Waterboys line-up at this time, according to the sleeve of A Pagan Place, was Scott, Thistlethwaite, Wallinger and Wilkinson, with guest contributions from Reader, Lorimer and many others.  A Pagan Place was preceded by the single The Big Music. "The Big Music", the name of the single's A-side track, was adopted by some commentators as a description of The Waterboys' sound, and is still used to refer to the musical style of their first three albums. The release of the album was followed by further touring including support for The Pretenders and U2 and a show at the Glastonbury Festival.  The band began to record new material in early 1985 for a new album, with Wilkinson leaving the band to join China Crisis. Late in the sessions future Waterboy Steve Wickham added his violin to the track The Pan Within; he had been invited after Scott had heard him on a Sinead O'Connor demo recorded at Karl Wallinger's house.  The Waterboys (officially a trio of Scott, Thistlethwaite and Wallinger with a slew of guests) released their third album, This Is the Sea, in October 1985. It sold better than either of the two earlier albums, and managed to get into the Top Forty. A single from it, "The Whole of the Moon", reached number 26 in the UK. Promotion efforts were hampered by Scott's refusal to perform on Top of the Pops, which insisted that its performers lip sync. (However, in Southeast Asia, particularly in the Philippines, when the New Wave era started around this period, the group's biggest hit single out of this third album was "The Pan Within", aside from "The Whole of the Moon" and "Don't Bang The Drum".) The album release was followed by successful tours of the UK and North America with Wickham becoming a full-time member, Marco Sin replacing Martyn Swain on bass, and Chris Whitten replacing Kevin Wilkinson on drums. Towards the end of the tour Wallinger left to form his own band, World Party, and was replaced by Guy Chambers. At the same time, drummer Dave Ruffy replaced Chris Whitten.
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What year did they not recrd

Answer:
1983 and early 1984