Problem: Migration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.

In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.  Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.  Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques.

What happened in the 3rd century

Answer with quotes: In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up,

Question:
Jose Raul Capablanca y Graupera (19 November 1888 - 8 March 1942) was a Cuban chess player who was world chess champion from 1921 to 1927. A chess prodigy, he is considered by many as one of the greatest players of all time, widely renowned for his exceptional endgame skill and speed of play. Born in Havana, he beat Cuban champion Juan Corzo in a match two days before his thirteenth birthday on 17 November 1901.
Capablanca's skill in rapid chess lent itself to simultaneous exhibitions, and his increasing reputation in these events led to a US-wide tour in 1909. Playing 602 games in 27 cities, he scored 96.4% - a much higher percentage than, for example, Geza Maroczy's 88% and Frank Marshall's 86% in 1906. This performance gained him sponsorship for an exhibition match that year against Marshall, the US champion, who had won the 1904 Cambridge Springs tournament ahead of World Champion Emanuel Lasker and Dawid Janowski, and whom Chessmetrics ranks as one of the world's top three players at his peak. Capablanca beat Marshall by 15-8 (8 wins, 1 loss, 14 draws) - a margin comparable to what Emanuel Lasker achieved against Marshall (8 wins, no losses, 7 draws) in winning his 1907 World Championship match. After the match, Capablanca said that he had never opened a book on chess openings. Following this match, Chessmetrics rates Capablanca the world's third strongest player for most of the period from 1909 through 1912.  Capablanca won six games and drew one in the 1910 New York State Championship. Both Capablanca and Charles Jaffe won their four games in the knock-out preliminaries and met in a match to decide the winner, who would be the first to win two games. The first game was drawn and Capablanca won the second and third game. After another gruelling series of simultaneous exhibitions, Capablanca placed second, with 9 1/2  out of 12, in the 1911 National Tournament at New York, half a point behind Marshall, and half a point ahead of Charles Jaffe and Oscar Chajes. Marshall, invited to play in a tournament at San Sebastian, Spain, in 1911, insisted that Capablanca also be allowed to play.  According to David Hooper and Ken Whyld, San Sebastian 1911 was "one of the strongest five tournaments held up to that time", as all the world's leading players competed except the World Champion, Lasker. At the beginning of the tournament, Ossip Bernstein and Aron Nimzowitsch objected to Capablanca's participation because he had not fulfilled the entry condition of winning at least third prize in two master tournaments. Capablanca won brilliantly against Bernstein in the very first round, more simply against Nimzowitsch, and astounded the chess world by taking first place, with a score of six wins, one loss and seven draws, ahead of Akiba Rubinstein, Milan Vidmar, Marshall, Carl Schlechter and Siegbert Tarrasch, et al. His loss, against Rubinstein, was one of the most brilliant achievements of the latter's career. Some European critics grumbled that Capablanca's style was rather cautious, though he conceded fewer draws than any of the next six finishers in the event. Capablanca was now recognized as a serious contender for the world championship.
Answer this question using a quote from the text above:

What was the first tournament he played in?

Answer:
his increasing reputation in these events led to a US-wide tour in 1909.