Question: Gifford Pinchot (August 11, 1865 - October 4, 1946) was an American forester and politician. Pinchot served as the first Chief of the United States Forest Service from 1905 until his firing in 1910, and was the 28th Governor of Pennsylvania, serving from 1923 to 1927, and again from 1931 to 1935. He was a member of the Republican Party for most of his life, though he also joined the Progressive Party for a brief period. Pinchot is known for reforming the management and development of forests in the United States and for advocating the conservation of the nation's reserves by planned use and renewal.

Gifford Pinchot was born August 11, 1865, to Episcopalian parents in Simsbury, Connecticut, the son of James W. Pinchot, a successful New York City wallpaper merchant, and Mary Eno, daughter of one of New York City's wealthiest real estate developers, Amos Eno. He graduated from Phillips Exeter Academy and in 1889, Yale University, where he was a member of Skull and Bones. He had a brother Amos Pinchot and a sister Antoinette (who married the diplomat Alan Johnstone).  The Pinchots made a great fortune by importing French wallpaper  to furnish stately American homes during the late Victorian era. Pinchot's father  James made conservation a family affair and suggested that Gifford should become a forester, asking him just before he left for college in 1885, "How would you like to become a forester?". Gifford studied as a postgraduate at the French National School of Forestry, in Nancy, for a year. He returned home and plunged into the nascent forestry movement, intent on shaping a national forest policy. At Gifford's urging, together James and Gifford endowed the Yale School of Forestry in 1900, and James turned Grey Towers, the family estate at Milford, Pennsylvania, into a "nursery" for the American forestry movement. Family financial affairs were managed by brother Amos Pinchot, thus freeing Gifford to do the more important work of developing forest management concepts. Unlike some others in the forestry movement, Gifford's wealth allowed him to singly pursue this goal without worry of income.  Pinchot's approach set him apart from the other leading forestry experts, especially Bernhard E. Fernow and Carl A. Schenck. Fernow had been Pinchot's predecessor in the United States Department of Agriculture's Division of Forestry before leaving in 1898 to become the first Dean of the New York State College of Forestry at Cornell. Schenck was Pinchot's successor at the Biltmore Estate (widely recognized as the "cradle of American forestry") and founder of the Biltmore Forest School on Biltmore Estate. Their schools largely reflected their approaches to introducing forestry in the United States: Fernow advocated a regional approach and Schenck a private enterprise effort in contrast to Pinchot's national vision.  Perhaps, the men who had the most influence on his development as a forester were Sir Dietrich Brandis, who had brought forestry to the British Empire, and Sir Wilhelm Schlich, Brandis' successor. Pinchot relied heavily upon Brandis' advice for introducing professional forest management in the U.S. and on how to structure the Forest Service when Pinchot established it in 1905.

Using a quote from the above article, answer the following question: Did he study forestry?
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Answer: before he left for college in 1885, "How would you like to become a forester?". Gifford studied as a postgraduate at the French National School of Forestry,


Question: Albert Ayler (; July 13, 1936 - November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.

Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums. Ayler's upbringing in the church had a great impact on his life and music, and much of his music can be understood as an attempt to express his spirituality, including the aptly titled Spiritual Unity, and his album of spirituals, Goin' Home, which features "meandering" solos that are meant to be treated as meditations on sacred texts, and at some points as "speaking in tongues" with his saxophone. Ayler's experience in the church and exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments, and to that of brass players in New Orleans swing bands.  Ayler attended John Adams High School on Cleveland's East Side, and graduated in 1954 at the age of 18. He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school. As a teenager, Ayler's understanding of bebop style and mastery of standard repertoire earned him the nickname of "Little Bird", after Charlie "Bird" Parker, in the small Cleveland jazz scene.  In 1952, at the age of 16, Ayler began playing bar-walking, honking, R&B-style tenor with blues singer and harmonica player Little Walter, spending two summer vacations with Walter's band. In 1958, after graduating from high school, Ayler joined the United States Army, where he switched from alto to tenor sax and jammed with other enlisted musicians, including tenor saxophonist Stanley Turrentine. Ayler also played in the regiment band, along with future composer Harold Budd. In 1959 he was stationed in France, where he was further exposed to the martial music that would be a core influence on his later work. After his discharge from the army, Ayler tried to find work in Los Angeles and Cleveland, but his increasingly iconoclastic playing, which had moved away from traditional harmony, was not welcomed by traditionalists.  Ayler relocated to Sweden in 1962, where his recording career began, leading Swedish and Danish groups on radio sessions and jamming as an unpaid member of Cecil Taylor's band in the winter of 1962-63. (Long-rumored tapes of Ayler performing with Taylor's group were released by Revenant Records in 2004, as part of a 10-CD set.) The album My Name Is Albert Ayler is a session of standards recorded for a Copenhagen radio station with local musicians including Niels-Henning Orsted Pedersen and drummer Ronnie Gardiner, with Ayler playing tenor and soprano on tracks such as "Summertime".

Using a quote from the above article, answer the following question: Did Ayler play with anybody?
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Answer:
He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school.