input: A rough cut of the film was previewed on 15 July 2006 at the Galway Film Fleadh, but the film was subsequently turned down by several prestigious European film festivals. However, once finished, it secured spots at the 2007 Sundance Film Festival on 20 January 2007 and the Dublin Film Festival in February 2007, and received the audience awards at both events.  The film was first released on cinema in Ireland on 23 March 2007, followed by a limited release in the United States on 16 May 2007. After its second weekend in release in the United States and Canada, the film topped the 23 May 2007 indieWIRE box office chart with nearly $31,000 average per location. As of 28 March 2009, Once has grossed nearly $9.5 million in North America and over $20 million worldwide. After 2007's box office success and critical acclaim, it won the Independent Spirit Award for Best Foreign Film. Steven Spielberg was quoted as saying "A little movie called Once gave me enough inspiration to last the rest of the year". When informed of Spielberg's comments, director John Carney told Sky News, "in the end of the day, he's just a guy with a beard". At the time of this interview, Carney himself was also wearing a beard.  The song "Falling Slowly" won the 2007 Academy Award for Best Original Song. The nomination's eligibility for the Oscar was initially questioned, as versions of the song had been released on The Cost and The Swell Season albums, but this was resolved before the voting for the award took place. The AMPAS music committee satisfied themselves that the song had indeed been written for the film and determined that, in the course of the film's protracted production, the composers had "played the song in some venues that were deemed inconsequential enough to not change the song's eligibility".

Answer this question "What else is significant about its box office success?"
output: As of 28 March 2009, Once has grossed nearly $9.5 million in North America

Problem: Background: Grace Brewster Murray Hopper (nee Murray; December 9, 1906 - January 1, 1992) was an American computer scientist and United States Navy rear admiral. One of the first programmers of the Harvard Mark I computer, she was a pioneer of computer programming who invented one of the first compiler related tools. She popularized the idea of machine-independent programming languages, which led to the development of COBOL, an early high-level programming language still in use today. Hopper had attempted to enlist in the Navy during World War II, but she was rejected by the military because she was 34 years of age and thus too old to enlist.
Context: Throughout much of her later career, Hopper was much in demand as a speaker at various computer-related events. She was well known for her lively and irreverent speaking style, as well as a rich treasury of early war stories. She also received the nickname "Grandma COBOL".  While she was working on a Mark II Computer at a US Navy research lab in Dahlgren, Virginia in 1947, her associates discovered a moth that was stuck in a relay; the moth impeded the operation of the relay. While neither Hopper nor her crew mentioned the phrase "debugging" in their logs, the case was held as an instance of literal "debugging." For many years, the term bug had been in use in engineering. The remains of the moth can be found in the group's log book at the Smithsonian Institution's National Museum of American History in Washington, D.C.  Grace Hopper is famous for her nanoseconds visual aid. People (such as generals and admirals) used to ask her why satellite communication took so long. She started handing out pieces of wire that were just under one foot long (11.80 inches = 300 millimeters)--the distance that light travels in one nanosecond. She gave these pieces of wire the metonym "nanoseconds." She was careful to tell her audience that the length of her nanoseconds was actually the maximum speed the signals would travel in a vacuum, and that signals would travel more slowly through the actual wires that were her teaching aids. Later she used the same pieces of wire to illustrate why computers had to be small to be fast. At many of her talks and visits, she handed out "nanoseconds" to everyone in the audience, contrasting them with a coil of wire 984 feet long, representing a microsecond. Later, while giving these lectures while working for DEC, she passed out packets of pepper, calling the individual grains of ground pepper picoseconds.  Jay Elliot described Grace Hopper as appearing to be "'all Navy', but when you reach inside, you find a 'Pirate' dying to be released".
Question: Are there any other interesting aspects about this article?
Answer: Jay Elliot described Grace Hopper as appearing to be "'all Navy', but when you reach inside, you find a 'Pirate' dying to be released".

Question: Simon was born in Washington, D.C., the son of Dorothy Simon (nee Ligeti), a homemaker, and Bernard Simon, a former journalist and then public relations director for B'nai B'rith for 20 years. In March 1977, when Simon was still in high school, Simon's father was one of a group of over 140 people held hostage (and later released) in Washington, D.C. by former national secretary of the Nation of Islam Hamaas Abdul Khaalis in the Hanafi Siege. Simon was raised in a Jewish family with roots that originated in Eastern Europe and Hungary (his maternal grandfather had changed his surname from "Leibowitz" to "Ligeti"). He has a brother, Gary Simon, and a sister, Linda Evans, who died in 1990.

Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. He spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by the Washington Post's coverage of Watergate but became increasingly pragmatic as he gained experience. Later in his career he aimed to tell the best possible story without "cheating it".  Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon.  In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book.

Using a quote from the above article, answer the following question: What was his relationship with journalism?
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Answer:
Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. He spent most of his career covering the crime beat. A colleague has said that