Problem: Background: John F. Maulbetsch (June 20, 1890 - September 14, 1950) was an All-American football halfback at Adrian College in 1911 and for the University of Michigan Wolverines from 1914 to 1916. He is also a member of the College Football Hall of Fame. After playing with an independent football team in Ann Arbor and at Adrian College, Maulbetsch became one of the most famous American football players in 1914 while playing for the University of Michigan. Maulbetsch became known as the "Human Bullet" because of his unusual low, line-plunging style of play, and was also known as the "Featherweight Fullback" because of his light weight and small size.
Context: Maulbetsch's breakthrough came on October 31, 1914, in front of 30,000 fans at Harvard. The game was one of the most anticipated matches of the year. A special train brought Michigan fans to Cambridge, Massachusetts, and hundreds of Michigan alumni from the East were on hand as "reinforcements." Though Harvard prevailed, 7-0, Maulbetsch was the big story in papers across the country. Writers from Ring Lardner to Damon Runyon told the story of Maulbetsch's performance. Lardner said: "If anyone tells you the East plays the best brand of football, Maulbetsch shot that theory full of holes." According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps." Football writer Frank G. Menke said: "No westerner ever created half the stir in the east as did this Michigander . . . His peculiar, baffling style of attack, backed by phenomenal strength almost always earned for him gains of 5 to 20 yards every time he was called upon to carry the ball." Another writer noted Maulbetsch's skill as a "line breaker" as he "carried the ball repeatedly through the Harvard line and into the secondary defense with bullet-like rushes that upset tackler after tackler." Maulbetsch was responsible for four-fifths of Michigan's ground gains, and on several occasions his dives reportedly "had so much power that he dove right through a double line of crimson players and went sprawling on the ground twelve to twenty feet clear of the double line."  While every report indicates that Maulbetsch had a big day, the accounts vary dramatically as to exactly how many yards he gained. Frank Menke reported after the game that Maulbetsch gained 300 yards. A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts.  Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line. Many blamed Michigan's quarterback who switched to another back every time after Maulbetsch "took the ball to the shadow of the Crimson goal posts." In answer to the question why Michigan was unable to score, Frank Menke said: "Ask the fellow who quarterbacked for Michigan that day. His actions were too mystifying for the spectators to figure out."  When Harvard reneged on an agreement to play a game in Ann Arbor in 1915, sports writers concluded it was to avoid facing Maulbetsch again. Said one reporter: "When faih Hahvahd [sic] saw what Maulbetsch did in the first clash, it decided it cared to see no more of him. He was too rough."
Question: Was the game famous?
Answer: The game was one of the most anticipated matches of the year.

Problem: Background: Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader Eva Peron, the second wife of Argentine president Juan Peron. The story follows Evita's early life, rise to power, charity work, and eventual death. The musical began as a rock opera concept album released in 1976.
Context: In Buenos Aires on July 26, 1952, an audience is watching a film ("A Cinema in Buenos Aires, July 26, 1952"). The film is interrupted when news breaks of the death of Eva Peron, Argentina's First Lady, at the age of 33. The nation goes into public mourning as they sing "Requiem for Evita" (in Latin, which is modelled on a Catholic requiem). Che, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing, for years" ("Oh What a Circus").  In 1934, 15-year-old Eva Duarte (later Eva Duarte de Peron) lives in the provincial town of Junin, and longs to seek a better life in Buenos Aires. Eva falls in love with a tango singer, Agustin Magaldi, after she meets him at one of his shows ("On This Night of a Thousand Stars"). Eva persuades Magaldi into taking her with him to Buenos Aires and though he is initially resistant, he eventually accepts ("Eva, Beware of the City"). Upon her arrival at the city, Eva sings about her hopes and ambitions of glory as an actress ("Buenos Aires"). After Magaldi leaves her, and Che relates the story of how Eva goes through several relationships with increasingly influential men, becoming a model, actress and radio personality ("Goodnight and Thank You"). He then tells of both a right-wing coup in 1943 and Eva's success, implying that Argentine politics and Eva's career may soon coincide. Che also makes a point to introduce the figure of Colonel Juan Domingo Peron, an ambitious military colonel who was making his way up the Argentine political ladder ("The Lady's Got Potential"). In a game of musical chairs that represents the rise of political figures, Peron and other military figures compete for power and exhibit their political strategy ("The Art of the Possible").  After the 1944 San Juan earthquake, Peron organises a charity concert at Luna Park to provide aid to the victims. Eva attends and briefly reunites with Magaldi, who spurns her for her past actions. Peron addresses the crowd with words of encouragement and leaps off the stage, meeting Eva as soon as he exits ("Charity Concert"). Eva and Peron share a secret rendezvous following the charity concert, where Eva hints that she could help Peron rise to power ("I'd Be Surprisingly Good For You"). Eva dismisses Peron's Mistress (the character is known only by that title), who ponders the rejection ("Another Suitcase in Another Hall").  After moving in with Peron, Eva is introduced to high society, but she is met with disdain from the upper classes and the Argentine Army ("Peron's Latest Flame"). In 1946, Peron launches his presidential bid after being promoted to general in the army, and while in bed with Eva, he discusses his chances of winning the election. Eva reassures him and soon they organise rallies where the people show their support and hope for a better future, while on the sidelines Peron and his allies plot to dispose of anyone who stands in their way ("A New Argentina").
Question: How does act one end
Answer:
show their support and hope for a better future, while on the sidelines Peron and his allies plot to dispose of anyone who stands in their way ("A New Argentina