IN: Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964.  While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes.  In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death.  In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape.  During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.

what followed this solo show in her early career?

OUT: In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery.


IN: A-Teens (stylized as A*Teens) were a Swedish pop music group from Stockholm, Sweden, formed by Niklas Berg in 1998 as an ABBA tribute band called ABBA Teens and later renamed A-Teens. The band members were Marie Serneholt, Amit Sebastian Paul, Dhani Lennevald and Sara Lumholdt. The band's debut album became a success around the world and in 2001 it was reported that the band had sold 6 million albums worldwide. After six years together, the band announced they would take a break in 2004 after the release of their Greatest Hits album.

In 1998, Marie, Sara, Dhani, and Amit were musically united as the ABBA Teens. However, the group's name was changed to the A-Teens to avoid litigation. This choice allowed the band more freedom in creating their own style of music.  In early 1999, the band started the recording process of what would be their debut album, The ABBA Generation, consisting purely of ABBA covers reinterpreted with a modern pop and electronic flair to appeal to a new generation of young pop fans. Their first single, "Mamma Mia", topped the charts in over ten countries including their home country Sweden where it stayed at number one for eight consecutive weeks. The album hit the peak position in Sweden & Chile and became a top ten hit throughout the world. Further singles enjoyed similar success ensuring top ten placings across the globe, and the album overall sold more than 3 million copies worldwide, being certified Gold or Platinum in over 22 different countries.  The band's music video for "Dancing Queen" features a plot very similar to the 1985 John Hughes film The Breakfast Club. In addition, the principal seen in the music video was played by Paul Gleason, the same actor who was the principal in the film. The single reached ninety-five on the Billboard Hot 100 and sold over 500,000 copies in the U.S. alone, being certified Gold.  In early 2000, the band embarked on a U.S. promotional tour, and on the verge of the release of their album in the United States, the band was invited to tour with Britney Spears that summer in her U.S. Tour. They also made several appearances on Disney and Nickelodeon to promote their music. The band's debut became a hit in North America, where the album reached seventy-one on the Billboard 200 Albums Chart being certified Gold in September 2000, but its sales reached the million mark in 2001.  That month, the A-Teens won a Viva Music Award for Best International Newcomer, competing with the likes of Christina Aguilera and Blink-182, and also the band announced what would be the lead single from their second album and their first to be an original song, "Upside Down", which would also become their signature song. The song was released to Swedish radios on 23 October 2000, and was later unleashed worldwide. When the single was commercially released, it reached number two in Sweden and was later certified 2x Platinum. The song became the band's biggest hit when it reached the top ten in several countries and when the single was released in the United States. The physical single reached number six on the Billboard Hot 100 Single Sales Chart, selling over 500,000 copies in three weeks and being certified Gold. In January 2001, the band was nominated for "Best Swedish Group" at the NRJ Awards.

What is The Abba Generation?

OUT:
In early 1999, the band started the recording process of what would be their debut album, The ABBA Generation,