Problem: Background: Brooks & Dunn is an American country music duo consisting of Kix Brooks and Ronnie Dunn, both vocalists and songwriters. The duo was founded in 1990 through the suggestion of Tim DuBois. Before the foundation, both members were solo recording artists. Brooks wrote number one singles for John Conlee, Nitty Gritty Dirt Band, and Highway 101; both he and Dunn also charted two solo singles apiece in the 1980s, with Brooks also releasing an album for Capitol Records in 1989.
Context: In addition to persuading the duo to stay together, Galante suggested that they record the song "Ain't Nothing 'Bout You", because he felt it had potential as a hit. The song served as the lead single from their seventh album, 2001's Steers & Stripes. It became their longest-lasting number 1, with a six-week stay at that position. This song was the second song of the duo's career to be named the top single of the year according to Billboard Year-End; it was also their highest peak on the Billboard Hot 100 at the time, peaking at number 25 there. For this album, the duo worked with producer Mark Wright, who also produced for Lee Ann Womack and Gary Allan at the time.  The next two singles from Steers & Stripes both made number 1 as well: "Only in America" and "The Long Goodbye", the latter of which was written by Irish pop singers Ronan Keating and Paul Brady. After it, the duo charted at number 5 with "My Heart Is Lost to You" and number 12 with a cover of Kim Richey's "Every River", featuring a backing vocal from Richey. All of these other singles also made the pop charts. "Only in America" was later used by George W. Bush in his 2004 re-election campaign, and again in 2008 by Barack Obama in his campaign. Noting that the song was used by both a Republican and a Democrat candidate, Brooks (who wrote the song with Cook and Ronnie Rogers) said that it was "very flattering to know our song crossed parties and potentially inspires all Americans."  This album was generally well received, with the reviews in Allmusic and Country Standard Time noting that the album was more consistent than the previous ones. Nash was less favorable, referring to the up-tempos as "retreads" but praising Dunn's voice.
Question: Did either of those do well on the charts?
Answer: All of these other singles also made the pop charts.

Problem: Background: Saint Isidore of Seville (; Latin: Isidorus Hispalensis; c. 560 - 4 April 636), a scholar and, for over three decades, Archbishop of Seville, is widely regarded as the last of the Fathers of the Church, as the 19th-century historian Montalembert put it in an oft-quoted phrase, "The last scholar of the ancient world." At a time of disintegration of classical culture, and aristocratic violence and illiteracy, he was involved in the conversion of the Arian Visigothic kings to Catholicism, both assisting his brother Leander of Seville, and continuing after his brother's death. He was influential in the inner circle of Sisebut, Visigothic king of Hispania. Like Leander, he played a prominent role in the Councils of Toledo and Seville.
Context: Isidore was the first Christian writer to try to compile a summa of universal knowledge, in his most important work, the Etymologiae (taking its title from the method he uncritically used in the transcription of his era's knowledge). It is also known by classicists as the Origines (the standard abbreviation being Orig). This encyclopedia -- the first such Christian epitome--formed a huge compilation of 448 chapters in 20 volumes.  In it, as Isidore entered his own terse digest of Roman handbooks, miscellanies and compendia, he continued the trend towards abridgements and summaries that had characterised Roman learning in Late Antiquity. In the process, many fragments of classical learning are preserved which otherwise would have been hopelessly lost; "in fact, in the majority of his works, including the Origines, he contributes little more than the mortar which connects excerpts from other authors, as if he was aware of his deficiencies and had more confidence in the stilus maiorum than his own" his translator Katherine Nell MacFarlane remarks;  Some of these fragments were lost in the first place because Isidore's work was so highly regarded--Braulio called it quecunque fere sciri debentur, "practically everything that it is necessary to know"-- that it superseded the use of many individual works of the classics themselves, which were not recopied and have therefore been lost: "all secular knowledge that was of use to the Christian scholar had been winnowed out and contained in one handy volume; the scholar need search no further".  The fame of this work imparted a new impetus to encyclopedic writing, which bore abundant fruit in the subsequent centuries of the Middle Ages. It was the most popular compendium in medieval libraries. It was printed in at least ten editions between 1470 and 1530, showing Isidore's continued popularity in the Renaissance. Until the 12th century brought translations from Arabic sources, Isidore transmitted what western Europeans remembered of the works of Aristotle and other Greeks, although he understood only a limited amount of Greek. The Etymologiae was much copied, particularly into medieval bestiaries.
Question: What were the fruit subsequent too?
Answer:
It was the most popular compendium in medieval libraries. It was printed in at least ten editions between 1470 and 1530, showing Isidore's continued popularity in the Renaissance.