input: In 1930, aged 18, Honecker entered the KPD, the Communist Party of Germany. His political mentor was Otto Niebergall, who later represented the KPD in the Reichstag. After returning from Moscow in 1931 following his studies at the International Lenin School, he became the leader of the KJVD in the Saar region. After the Nazi seizure of power in 1933, Communist activities were only possible within Germany undercover; the Saar region however still remained outside the German Reich under a League of Nations mandate. Honecker was arrested in Essen, Germany but soon released. Following this he fled to the Netherlands and from there oversaw KJVD's activities in Pfalz, Hesse and Baden-Wurttemberg.  He returned to the Saar in 1934 and worked alongside Johannes Hoffmann on the campaign against the region's re-incorporation into Germany. A referendum on the area's future in January 1935 however saw 90.73% vote in favour of reunifying with Germany. Like 4,000 to 8,000 others, Honecker then fled the region, initially relocating to Paris.  On 28 August 1935 he illegally travelled to Berlin under the alias "Marten Tjaden", with a printing press in his luggage. From there he worked closely together with then-KPD official Herbert Wehner in opposition/resistance to the Nazi state. On 4 December 1935 Honecker was detained by the Gestapo and until 1937 remanded in Berlin's Moabit detention centre. On 3 July 1937 he was sentenced to ten years imprisonment for the "preparation of high treason alongside the severe falsification of documents".  Honecker spent the majority of his incarceration in the Brandenburg-Gorden Prison, where he also carried out tasks as a handyman. In early 1945 he was moved to the Barnimstrasse Women's Prison in Berlin due to good behaviour and in order to be put to work repairing the bomb-damaged building, as he was a skilled roofer. During an Allied bombing raid on 6 March 1945 he managed to escape and hid himself at the apartment of Lotte Grund, a female prison guard. After several days she persuaded him to hand himself back in and the escape was then covered up by the guard. Honecker spent most of his time in prison under solitary confinement.  After the liberation of the prisons by advancing Soviet troops on 27 April 1945, Honecker remained in Berlin. His "escape" from prison and his relationships during his captivity later led to him experiencing difficulties within the Socialist Unity Party, as well as straining his relations with his former inmates. In later interviews and his personal memoirs, Honecker therefore falsified many of the details of his life during this period. Material from the East German State Security Service has been used to allege that, in order to be released from prison, Honecker offered the Gestapo evidence incriminating fellow imprisoned Communists, claimed he had renounced Communism "for good", and was willing to serve in the German army.

Answer this question "What relationships did he have while in prison?"
output: he managed to escape and hid himself at the apartment of Lotte Grund, a female prison guard.

Question: Sir Lawrence Alma-Tadema,  (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.

Alma-Tadema's works are remarkable for the way in which flowers, textures and hard reflecting substances, like metals, pottery, and especially marble, are painted - indeed, his realistic depiction of marble led him to be called the 'marbellous painter'. His work shows much of the fine execution and brilliant colour of the old Dutch masters. By the human interest with which he imbues all his scenes from ancient life he brings them within the scope of modern feeling, and charms us with gentle sentiment and playfulness.  From early in his career, Alma-Tadema was particularly concerned with architectural accuracy, often including objects that he would see at museums - such as the British Museum in London - in his works. He also read many books and took many images from them. He amassed an enormous number of photographs from ancient sites in Italy, which he used for the most precise accuracy in the details of his compositions.  Alma-Tadema was a perfectionist. He worked assiduously to make the most of his paintings, often repeatedly reworking parts of paintings before he found them satisfactory to his own high standards. One humorous story relates that one of his paintings was rejected and instead of keeping it, he gave the canvas to a maid who used it as her table cover. He was sensitive to every detail and architectural line of his paintings, as well as the settings he was depicting. For many of the objects in his paintings, he would depict what was in front of him, using fresh flowers imported from across the continent and even from Africa, rushing to finish the paintings before the flowers died. It was this commitment to veracity that earned him recognition but also caused many of his adversaries to take up arms against his almost encyclopaedic works.  Alma-Tadema's work has been linked with that of European Symbolist painters. As an artist of international reputation, he can be cited as an influence on European figures such as Gustav Klimt and Fernand Khnopff. Both painters incorporate classical motifs into their works and use Alma-Tadema's unconventional compositional devices such as abrupt cut-off at the edge of the canvas. They, like Alma-Tadema, also employ coded imagery to convey meaning to their paintings.

Using a quote from the above article, answer the following question: What's the most fascinating aspect of this article?
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Answer:
His work shows much of the fine execution and brilliant colour of the old Dutch masters.