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Bruno Latour (French: [latuR]; born 22 June 1947) is a French philosopher, anthropologist and sociologist. He is especially known for his work in the field of science and technology studies (STS). After teaching at the Ecole des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he became Professor at Sciences Po Paris (2006-2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017.
Latour's work Nous n'avons jamais ete modernes : Essais d'anthropologie symetrique was first published in French in 1991, and then in English in 1993 as We Have Never Been Modern.  Latour encouraged the reader of this anthropology of science to re-think and re-evaluate our mental landscape. He evaluated the work of scientists and contemplated the contribution of the scientific method to knowledge and work, blurring the distinction across various fields and disciplines.  Latour argued that society has never really been modern and promoted nonmodernism (or amodernism) over postmodernism, modernism, or antimodernism. His stance was that we have never been modern and minor divisions alone separate Westerners now from other collectives. Latour viewed modernism as an era that believed it had annulled the entire past in its wake. He presented the antimodern reaction as defending such entities as spirit, rationality, liberty, society, God, or even the past. Postmoderns, according to Latour, also accepted the modernistic abstractions as if they were real. In contrast, the nonmodern approach reestablished symmetry between science and technology on the one hand and society on the other. Latour also referred to the impossibility of returning to premodernism because it precluded the large scale experimentation which was a benefit of modernism.  Latour attempted to prove through case studies the fallacy in the old object/subject and Nature/Society compacts of modernity, which can be traced back to Plato. He refused the concept of "out there" versus "in here". He rendered the object/subject distinction as simply unusable and charted a new approach towards knowledge, work, and circulating reference. Latour considered nonmoderns to be playing on a different field, one vastly different than that of post-moderns. He referred to it as much broader and much less polemical, a creation of an unknown territory, which he playfully referred to as the Middle Kingdom.  In 1998, historian of science Margaret C. Jacob argued that Latour's politicized account of the development of modernism in the 17th century is "a fanciful escape from modern Western history".
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Did he agree with Plato?

Answer:
He refused the concept of "out there" versus "in here


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Bipasha Basu (born 7 January 1979), also known by her married name Bipasha Basu Singh Grover, is an Indian film actress and model. Primarily known for her work in Hindi films, she has also appeared in Tamil, Telugu, Bengali and English language films. One of the most popular and highest-paid actresses in India, Basu is the recipient of numerous accolades, including one Filmfare Award, among six nominations. Particularly known for her work in the thriller and horror film genres, she is frequently cited in the media as a sex symbol.
Bipasha Basu was born on 7 January 1979 to a Bengali family in Delhi. Her father, Hirak, is a civil engineer, and her mother, Mamta, is a homemaker. She has one elder sister, Bidisha, and one younger sister, Vijayeta. According to Basu, her name means "dark deep desire", and is also a river's name. She added "Due to my dusky skin, I was considered ugly in my younger years."  In Delhi, Basu lived at Pamposh Enclave, Nehru Place, till the age of eight and studied at Apeejay High School. Her family then shifted to Kolkata, where she attended Bhavan's Gangabux Kanoria Vidyamandir, located in Bidhannagar. In her school, Basu was appointed as the head girl and was fondly called 'Lady Goonda' due to her short and commanding personality. She remarked "As a child, I was a tomboy and I was pampered a lot, due to which I became very naughty. I used to keep a stick in my hand and straighten out all the colony boys if they acted smart. I used to be very short as a child and I was the monitor in school. When the tall boys would be up to mischief, I'd jump on their back during breaks and pull their hair and beat them up". Basu was enrolled in medical science studies until twelfth standard, but switched to commerce thereafter.  In 1996, Basu was spotted at a hotel in Kolkata by the model Mehr Jesia Rampal, who suggested she take up modelling. That year, she participated in and eventually won the Godrej Cinthol Supermodel Contest (organised by Ford), thereby representing India at Ford Models Supermodel of the World contest in Miami. She later appeared in the Calida commercial with her then-boyfriend Dino Morea, which was controversial for picturing them sultrily; she had some protesters outside her house after that. With appearance on several magazine covers, Basu continued to pursue a career in fashion modeling during her late teens, until she became an actress.
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When did Basu start modeling?

Answer:
In 1996, Basu was spotted at a hotel in Kolkata by the model Mehr Jesia Rampal,