input: Silverman played Geraldine alongside Michelle Williams and Seth Rogen in Take This Waltz, written and directed by Sarah Polley. The film was well received when it premiered in Toronto in 2011 and was picked up by Magnolia for U.S. distribution in summer 2012. At the Toronto International Film Festival, she told the press she'd deliberately gained weight for the part, which required a nude scene, emphasizing that Polley wanted "real bodies and real women." In interviews, she warned fans not to expect too much. However, she later told podcaster and author Julie Klausner that she had not really gained weight for the role and that the statements were meant as self-deprecating humor.  On September 20, 2012, Silverman made a public service announcement (PSA) criticizing new voter identification laws that create obstacles to the ability of certain groups to vote in the November presidential election, i.e., young, old, poor, and minority citizens. The project was financed by the Jewish Council for Education & Research (JCER) and was co-produced by Mik Moore and Ari Wallach (the pair that also co-produced The Great Schlep and Scissor Sheldon).  Silverman voiced Vanellope von Schweetz, one of the main characters in the 2012 Disney animated film, Wreck-It Ralph. She is in the creative team that writes and produces the content for the YouTube comedy channel called Jash. The other partners are Michael Cera, Reggie Watts, and Tim Heidecker and Eric Wareheim (also known as Tim & Eric). The JASH channel premiered online March 10, 2013. In Seth MacFarlane's western comedy film, A Million Ways to Die in the West, she played Ruth, a prostitute, who is in love with Edward (Giovanni Ribisi). It was released on May 30, 2014.  In 2013, HBO announced that Silverman would star with Patti LuPone and Topher Grace in a situation comedy pilot called People in New Jersey, produced by SNL's Lorne Michaels. The pilot was not picked up for a series order.  In 2017, Silverman became the host of a new talk show on Hulu called I Love You, America.

Answer this question "What did Silverman do at the Toronto International Film Festival?"
output: " In interviews, she warned fans not to expect too much. However, she later told podcaster and author Julie Klausner that she had not really gained weight for the role

input: In March 1933, Roosevelt summoned Hopkins to Washington as federal relief administrator. Convinced that paid work was psychologically more valuable than cash handouts, Hopkins sought to continue and expand New York State's work-relief programs, the Temporary Emergency Relief Administration. He supervised the Federal Emergency Relief Administration (FERA), the Civil Works Administration (CWA), and the Works Progress Administration (WPA). Over 90% of the people employed by the Hopkins programs were unemployed or on relief. He feuded with Harold Ickes, who ran a rival program--the Public Works Administration--which also created jobs but did not require applicants to be unemployed or on relief.  FERA, the largest program from 1933 to 1935, involved giving money to localities to operate work relief projects to employ those on direct relief. CWA was similar but did not require workers to be on relief in order to receive a government sponsored job. In less than four months, the CWA hired four million people, and during its five months of operation, the CWA built and repaired 200 swimming pools, 3,700 playgrounds, 40,000 schools, 250,000 miles (400,000 km) of road, and 12 million feet of sewer pipe.  The WPA, which followed the CWA, employed 8.5 million people in its seven-year history, working on 1.4 million projects, including the building or repair of 103 golf courses, 1,000 airports, 2,500 hospitals, 2,500 sports stadiums, 3,900 schools, 8,192 parks, 12,800 playgrounds, 124,031 bridges, 125,110 public buildings, and 651,087 miles (1,047,823 km) of highways and roads. The WPA operated on its own, and on selected projects in cooperation with local and state governments, but always with its own staff and budget. Hopkins started programs for youth (National Youth Administration) and for artists and writers (Federal One Programs). He and Eleanor Roosevelt worked together to publicize and defend New Deal relief programs. He was concerned with rural areas but increasingly focused on cities in the Great Depression.  Before Hopkins began to decline from his struggle with stomach cancer in the late 1930s, FDR appeared to be training him as a possible successor. With the advent of World War II in Europe, however, FDR himself ran again in 1940, winning an unprecedented third term.

Answer this question "What other work did he do"
output: He supervised the Federal Emergency Relief Administration

input: Nakamori kicked off 1985 with "Meu Amore," another great success for her, debuting #1 with 631,000 copies sold ultimately and also winning Nakamori the Grand Prix award at the 27th Japan Record Awards. She became the youngest person at the time (20) to be awarded such an honor. Originally, the single was to be titled "Akaitori Nigeta fly away" (The red bird flies away), but the producers felt that the lyrics were not Samba-ish enough. "Meu Amore" was the result of the newly penned lyrics. "Akaiatori Nigeta fly away" was released as a 12-inch single instead, making the No.1 spot as well. Despite the superb b-side song of Babylon which was remixed, it sold a dismal 354,000 overall. She then released "Sand Beige - Sabaku e" which sold 461,000 copies and debuted at number 1. Her next single, "Solitude" also debuted at number 1, but sold merely 336,000 copies.  She also released two albums in 1985. Firstly, Bitter and Sweet, which contained the album version of the earlier hit of "Kazari Janai No Yo Namida Wa" and "BABYLON." It sold 556,000 copies and debuted at number 1 again. Her next album, D404ME, only had a remix version of the hit single "Meu Amore" included. Yet this album sold an impressive 651,000 copies and debuted at number 1.  In 1986, at 21, Nakamori matured in her singing style and choice of songs. The first single of that year, "Desire - jonetsu," proved to be one of the highlights in Nakamori's career. This was also the theme song of PIONEER PRIVATE commercial, and was awarded the Grand Prix at the 28th Japan Record Awards in 1986. She became the youngest winner for two consecutive years. It sold 516,000 copies and debuted at number 1. Her next single "Gypsy Queen" was a calmer song than "Desire - jonetsu" and sold a mere 358,000 copies, but still debuted at number 1. The single "Fin" followed, and sold less than its predecessor, at 318,000 copies. Again, it debuted at number 1.  To commemorate her first 4 years in the business, Nakamori released her first "BEST" album. It sold impressively, 766,000 copies and a comfortable number 1 debut spot. Then Nakamori released Fushigi, a concept album with echoing singing and obscure musical arrangement. It caused quite a stir amongst the mainly conservative Japanese public and thus sold 464,000 copies, nearly 200,000 less than Crimson, an entire album composed by only women, which sold 601,000 copies. But both managed to debut at number 1, Fushigi stayed number 1 for only 3 weeks, while Crimson stayed number 1 for 4.

Answer this question "Did she go on tour?"
output: