Answer the question at the end by quoting:

Eleanor's year of birth is not known precisely: a late 13th-century genealogy of her family listing her as 13 years old in the spring of 1137 provides the best evidence that Eleanor was perhaps born as late as 1124. On the other hand, some chronicles mention a fidelity oath of some lords of Aquitaine on the occasion of Eleanor's fourteenth birthday in 1136. This, and her known age of 82 at her death, make 1122 more likely the year of birth. Her parents almost certainly married in 1121.
On 25 July 1137 Louis VII of France and Eleanor were married in the Cathedral of Saint-Andre in Bordeaux by the Archbishop of Bordeaux. Immediately after the wedding, the couple were enthroned as Duke and Duchess of Aquitaine. However, there was a catch: the land would remain independent of France until Eleanor's oldest son became both King of the Franks and Duke of Aquitaine. Thus, her holdings would not be merged with France until the next generation. As a wedding present she gave Louis a rock crystal vase, currently on display at the Louvre. Louis gave the vase to the Basilica of St Denis. This vase is the only object connected with Eleanor of Aquitaine that still survives.  Louis's tenure as Count of Poitou and Duke of Aquitaine and Gascony lasted only a few days. Although he had been invested as such on 8 August 1137, a messenger gave him the news that Louis VI had died of dysentery on 1 August while Prince Louis and Eleanor were making a tour of the provinces. Thus he became King Louis VII of France. He and Eleanor were anointed and crowned King and Queen of the Franks on Christmas Day of the same year.  Possessing a high-spirited nature, Eleanor was not popular with the staid northerners; according to sources, Louis's mother Adelaide of Maurienne thought her flighty and a bad influence. She was not aided by memories of Constance of Arles, the Provencal wife of Robert II, tales of whose immodest dress and language were still told with horror. Eleanor's conduct was repeatedly criticized by church elders, particularly Bernard of Clairvaux and Abbot Suger, as indecorous. The king was madly in love with his beautiful and worldly bride, however, and granted her every whim, even though her behavior baffled and vexed him. Much money went into making the austere Cite Palace in Paris more comfortable for Eleanor's sake.

Did they exchange any other gifts?



IN: Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and "beat boom" of the 1960s.

Barber and Monty Sunshine (clarinet) formed a band in 1953, calling it Ken Colyer's Jazzmen to capitalise on their trumpeter's recent escapades in New Orleans: the group also included Donegan, Jim Bray (bass), Ron Bowden (drums) and Barber on trombone. The band played Dixieland jazz, and later ragtime, swing, blues and R&B. Pat Halcox took over on trumpet in 1954 when Colyer moved on after musical differences and the band became "The Chris Barber Band".  In April 1953 the band made its debut in Copenhagen, Denmark. There Chris Albertson recorded several sides for the new Danish Storyville label, including some featuring only Sunshine, Donegan and Barber on double bass. In 1959 the band's version of Sidney Bechet's "Petite Fleur", a clarinet solo by Monty Sunshine with Barber on string bass, spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc. After 1959 he toured the United States many times (where "Petite Fleur" charted at #5).  In the late 1950s and early 1960s Barber was mainly responsible for arranging the first UK tours of blues artists Big Bill Broonzy, Sonny Terry and Brownie McGhee and Muddy Waters. This, with the encouragement of local enthusiasts such as Alexis Korner and John Mayall, sparked young musicians such as Peter Green, Eric Clapton and the Rolling Stones. British rhythm and blues powered the British invasion of the USA charts in the 1960s, yet Dixieland itself remained popular: in January 1963 the British music magazine, NME reported the biggest trad jazz event in Britain at Alexandra Palace. It included George Melly, Diz Disley, Acker Bilk, Alex Welsh, Kenny Ball, Ken Colyer, Sunshine, Bob Wallis, Bruce Turner, Mick Mulligan and Barber.  Barber stunned traditionalists in 1964 by introducing blues guitarist John Slaughter into the line up who, apart from a break between April 1978 and August 1986, when Roger Hill took over the spot, played in the band until shortly before his death in 2010. Barber next added a second clarinet/saxophone and this line-up continued until 1999. Then Barber added fellow trombonist/arranger Bob Hunt and another clarinet and trumpet. This eleven-man "Big Chris Barber Band" offered a broader range of music while reserving a spot in the programme for the traditional six-man New Orleans line-up.  A recording of the Lennon-McCartney composition "Catswalk" can be heard, retitled "Cat Call", on The Songs Lennon and McCartney Gave Away. Written by Paul McCartney the song was recorded in late July 1967 and released as a single in the UK on 20 October 1967.

Was this band successful?

OUT:
making it to No. 3 and selling over one million copies, and was awarded a gold disc.