input: Captain Kangaroo was cancelled in 1984 after 29 seasons, and Great Space Coaster ended, freeing up Clash to work on projects with Henson such as the film Labyrinth and Sesame Street. Clash started working at Sesame Street for ten episodes in 1983, mostly performing nondescript, stand-in puppets known as Anything Muppets. Some of his earliest characters included the saxophone-playing Hoots the Owl (based on Louis Armstrong), the infant Baby Natasha, and inventor Dr. Nobel Price. After 1985, Elmo, a furry red monster, became his main character. Four puppeteers, including Richard Hunt, had performed Elmo previously, but it was Clash's development, with a falsetto voice, that established the character. He based Elmo's character on the preschool children that attended his mother's daycare in Baltimore and upon his own personality and the personality of his parents. Clash followed the advice of fellow puppeteer Frank Oz, who told Clash to always "find one special hook" for each character. Clash decided that the central characteristic for Elmo should be that he "should represent love".  After the height of Elmo's popularity, especially the "Tickle Me Elmo" craze in 1996, Clash's responsibilities at Sesame Street increased. He recruited, auditioned, and trained its puppeteers, and became the senior Muppet coordinator, a writer, director, and co-producer of the "Elmo's World" segment of the show. Clash worked with and mentored the puppeteers of Sesame Street's international co-productions. He found working with the co-productions "a lot of fun" and "very rewarding". He worked on the 1985 feature film Follow That Bird. In 2007, he was promoted to senior creative adviser for the Sesame Workshop. Until 2011, he was the sole performer as Elmo in all his public relations appearances, making his schedule, as he called it, "crazy". Cheryl Henson, president of the Jim Henson Foundation, called him "essential" to the show.  Clash worked on the first film version of Teenage Mutant Ninja Turtles, in 1990 and the sequel, Teenage Mutant Ninja Turtles II: The Secret of the Ooze, which was dedicated to Henson, in 1991, voicing Master Splinter. He performed in several productions with Jim Henson Productions, including as the Muppet Clifford in The Jim Henson Hour (1989), and performing the puppetry for Frank Oz's characters (Miss Piggy, Fozzie Bear, Sam the Eagle, and Animal) in Muppet Treasure Island (1996). Clash performed in the films Muppets from Space (1999) and The Muppets' Wizard of Oz (2005), and the TV series Muppets Tonight (1996--1998), in which he reprised Clifford, who served as the show's host. He performed characters and worked behind the scenes on the sitcom Dinosaurs. In 1999, Clash worked on a film starring Elmo, The Adventures of Elmo in Grouchland.  In 2006, Clash published his autobiography, co-written by Gary Brozek and Louis Henry Mitchell, entitled My Life as a Furry Red Monster: What Being Elmo Has Taught Me About Life, Love and Laughing Out Loud. His life was featured in the 2011 documentary Being Elmo: A Puppeteer's Journey.

Answer this question "what projects did he do with them?"
output: Clash started working at Sesame Street for ten episodes in 1983, mostly performing nondescript, stand-in puppets known as Anything Muppets.

Question: Anna May Wong (January 3, 1905 - February 3, 1961) was an American actress. She is considered to be the first Chinese American movie star, as well as the first Chinese American actress to gain international recognition. Her long and varied career spanned silent film, sound film, television, stage, and radio.

After the major disappointment of losing the role in The Good Earth, Wong announced plans for a year-long tour of China, to visit her father and his family in Taishan. Wong's father had returned to his hometown in China with her younger brothers and sister in 1934. Aside from Mei Lanfang's offer to teach her, she wanted to learn more about the Chinese theater and through English translations to better perform some Chinese plays before international audiences. She told the San Francisco Chronicle on her departure, "... for a year, I shall study the land of my fathers. Perhaps upon my arrival, I shall feel like an outsider. Perhaps instead, I shall find my past life assuming a dreamlike quality of unreality."  Embarking in January 1936, she chronicled her experiences in a series of articles printed in U.S. newspapers such as the New York Herald Tribune, the Los Angeles Examiner, the Los Angeles Times, and Photoplay. In a stopover in Tokyo on the way to Shanghai, local reporters, ever curious about her romantic life, asked if she had marriage plans, to which Wong replied, "No, I am wedded to my art." The following day, however, Japanese newspapers reported that Wong was married to a wealthy Cantonese man named Art.  During her travels in China, Wong continued to be strongly criticized by the Nationalist government and the film community. She had difficulty communicating in many areas of China because she was raised with the Taishan dialect rather than Mandarin. She later commented that some of the varieties of Chinese sounded "as strange to me as Gaelic. I thus had the strange experience of talking to my own people through an interpreter."  The toll of international celebrity on Wong's personal life manifested itself in bouts of depression and sudden anger, as well as excessive smoking and drinking. Feeling irritable when she disembarked in Hong Kong, Wong was uncharacteristically rude to the awaiting crowd, which then quickly turned hostile. One person shouted: "Down with Huang Liu Tsong - the stooge that disgraces China. Don't let her go ashore." Wong began crying and a stampede ensued. After she left for a short trip to the Philippines, the situation cooled and Wong joined her family in Hong Kong. With her father and her siblings, Wong visited his family and his first wife at the family's ancestral home near Taishan. Conflicting reports claim that she was either warmly welcomed or met with hostility by the villagers. She spent over 10 days in the family's village and some time in neighboring villages before continuing her tour of China. After returning to Hollywood, Wong reflected on her year in China and her career in Hollywood: "I am convinced that I could never play in the Chinese Theatre. I have no feeling for it. It's a pretty sad situation to be rejected by Chinese because I'm 'too American' and by American producers because they prefer other races to act Chinese parts." Wong's father returned to Los Angeles in 1938.

Using a quote from the above article, answer the following question: Why was she irritable and rude?
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Answer:
One person shouted: "Down with Huang Liu Tsong - the stooge that disgraces China. Don't let her go ashore." Wong began crying and a stampede ensued.