input: The band released the second part of their triptych, Mechanical Animals, on September 15, 1998. Co-produced by the band's lead singer with Sean Beavan and Michael Beinhorn, the album moved away from the industrial rock production of its predecessor and was strongly influenced by 1970s glam rock, particularly David Bowie's 1974 album Diamond Dogs. Billy Corgan served as an unofficial consultant to the band during the early development of the album. After playing a few songs for him, Corgan advised them that "This is definitely the right direction" but to "go all the way with it. Don't just hint at it", referring to its inclusion of glam influences. To suit their new musical style, the band also recast itself as a glam rock outfit, setting aside the "rotting-corpse chic" of the previous era in favor of attire more suited to the genre, incorporating leather, platform boots and brightly dyed hair. The band also relocated from New Orleans to Los Angeles, while Zim Zum was replaced by guitarist John Lowery of 2wo. who dubbed himself John 5.  Interscope's promotion of the album was massive, with the label erecting enormous billboards of the lead singer as an androgynous extraterrestrial in both Times Square and Sunset Strip. Repeated appearances on MTV and other networks helped propel the album's lead single, "The Dope Show", to number twelve on Billboard's Mainstream Rock chart, becoming the band's highest-charting single yet. The song's music video was critically acclaimed, winning two awards at the 1998 Billboard Music Video Awards as well as the Best Cinematography award at the 1999 MTV VMA's; while the song was also nominated for Best Hard Rock Performance at the 41st Annual Grammy Awards. The album would go on to debut at number one on the Billboard 200, with first week sales of over 223,000.  After a brief promotional campaign, the band set out on the "Beautiful Monsters Tour" with Hole. The tour would be a problematic one, and was marred by frequent on-and-off stage exchanges between Manson and Hole vocalist Courtney Love. Private disputes also arose over the tour's financial arrangements, with Hole unwittingly financing most of Manson's production costs, which were disproportionately high relative to Hole's. The tour was to include thirty-seven shows spanning over a two-month period, although Hole left after taking part in just nine of the scheduled dates. A broken ankle from Manson also forced the postponement of the next two shows, with the remainder of the tour being renamed "Rock Is Dead" and Jack Off Jill and Nashville Pussy taking over select opening slots.  The final four dates of the tour were canceled out of respect for the victims of the Columbine High School massacre. The latter half of 1999 and much of 2000 was a period of relative silence for the band, who refused to take part in interviews and retreated from public life. They shelved plans for a proposed single and music video for their cover of AC/DC's "Highway to Hell", which appeared on the soundtrack to Detroit Rock City. They spent this period writing and recording in a secluded studio in Death Valley, with only the live album The Last Tour on Earth appearing during this time. A studio outtake from Antichrist Superstar, titled "Astonishing Panorama of the Endtimes", served as its only single.

Answer this question "who producedthe album?"
output: Co-produced by the band's lead singer with Sean Beavan and Michael Beinhorn,

input: In 1991, at age 15, Feist got her start in music when she founded and was the lead vocalist for a Calgary punk band called Placebo (not to be confused with the English band Placebo). She and her bandmates won a local Battle of the Bands competition and were awarded the opening slot at the festival Infest 1993, featuring the Ramones. At this concert she met Brendan Canning, whose band hHead performed immediately before hers, and with whom she joined in Broken Social Scene ten years later.  In 1995, Feist was forced to take time off from music to recover from vocal cord damage. She moved from Calgary to Toronto in 1996. That year she was asked by Noah Mintz of hHead to play bass in his solo project Noah's Arkweld. She played the bass guitar in Noah's Arkweld for a year despite never having played bass before. In 1998, she became the rhythm guitarist for the band By Divine Right and toured with them throughout 1998, 1999, and 2000. She also played guitar for some live performances by Bodega, but was never an official member of the band.  In 1999, Feist moved into a Queen West apartment above Come As You Are with a friend of a friend, Merrill Nisker, who then began to perform as electro-punk musician Peaches. Feist worked the back of the stage at Peaches' shows, using a sock puppet and calling herself "Bitch Lap Lap". The two also toured together in England from 2000-2001, staying with Justine Frischmann of Elastica and MIA Feist appeared as a guest vocalist on The Teaches of Peaches. Feist appears in Peaches' video for the song "Lovertits", suggestively rubbing and licking a bike. Later, Feist covered this song with Gonzales (whom she met while touring with Peaches) on her album Open Season. In 2006, Feist contributed backup vocals on a track entitled "Give 'Er", which appeared on Peaches' album Impeach My Bush.

Answer this question "When did feist start music career?"
output: In 1991, at age 15, Feist got her start in music when she founded and was the lead vocalist for a Calgary punk band called Placebo

input: Martin David Kahane was born in Brooklyn, New York, in 1932 to an Orthodox Jewish family. His father, Yechezkel (Charles) Kahane, the author of the "Torah Yesharah", studied at Polish and Czech yeshivas, was involved in the Revisionist Zionist movement, and was a close friend of Ze'ev Jabotinsky.  As a teenager, Kahane became an ardent admirer of Ze'ev Jabotinsky and Peter Bergson, who were frequent guests in his parents' home, and he joined the Betar (Brit Trumpeldor) youth wing of Revisionist Zionism. He was active in protests against Ernest Bevin, the British Foreign Secretary who maintained restrictions on the immigration of Jews (even Nazi death camp survivors) to Palestine after the end of the Second World War. In 1947, Kahane was arrested for throwing eggs and tomatoes at Bevin, as the latter disembarked at Pier 84 on a visit to New York. A photo of the arrest appeared in the New York Daily News. In 1954, he became the mazkir (director) of Greater New York City's sixteen Bnei Akiva chapters.  Kahane's formal education included elementary school at the Yeshiva of Flatbush, and he attended high school at both Abraham Lincoln H.S. and the Brooklyn Talmudical Academy. Kahane received his rabbinical ordination from the Mir Yeshiva in Brooklyn, where he was especially admired by the head, Rabbi Abraham Kalmanowitz, and he began going by his Hebrew name, Meir. He was fully conversant in the Tanakh (Jewish Bible), the Talmud, the Midrash, and Jewish law. Subsequently, Kahane earned a B.A. in Political Science from Brooklyn College, a Bachelor of Law - LL.B. from New York Law School, and an M.A. in International Relations from New York University.

Answer this question "How did they influence him?"
output:
who were frequent guests in his parents' home, and he joined the Betar (Brit Trumpeldor) youth wing of Revisionist Zionism.