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Sir Edward William Elgar, 1st Baronet  (2 June 1857 - 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
During the 1890s, Elgar gradually built up a reputation as a composer, chiefly of works for the great choral festivals of the English Midlands. The Black Knight (1892) and King Olaf (1896), both inspired by Longfellow, The Light of Life (1896) and Caractacus (1898) were all modestly successful, and he obtained a long-standing publisher in Novello and Co. Other works of this decade included the Serenade for Strings (1892) and Three Bavarian Dances (1897). Elgar was of enough consequence locally to recommend the young composer Samuel Coleridge-Taylor to the Three Choirs Festival for a concert piece, which helped establish the younger man's career. Elgar was catching the attention of prominent critics, but their reviews were polite rather than enthusiastic. Although he was in demand as a festival composer, he was only just getting by financially and felt unappreciated. In 1898, he said he was "very sick at heart over music" and hoped to find a way to succeed with a larger work. His friend August Jaeger tried to lift his spirits: "A day's attack of the blues ... will not drive away your desire, your necessity, which is to exercise those creative faculties which a kind providence has given you. Your time of universal recognition will come."  In 1899, that prediction suddenly came true. At the age of forty-two, Elgar produced the Enigma Variations, which were premiered in London under the baton of the eminent German conductor Hans Richter. In Elgar's own words, "I have sketched a set of Variations on an original theme. The Variations have amused me because I've labelled them with the nicknames of my particular friends ... that is to say I've written the variations each one to represent the mood of the 'party' (the person) ... and have written what I think they would have written - if they were asses enough to compose". He dedicated the work "To my friends pictured within". Probably the best known variation is "Nimrod", depicting Jaeger. Purely musical considerations led Elgar to omit variations depicting Arthur Sullivan and Hubert Parry, whose styles he tried but failed to incorporate in the variations. The large-scale work was received with general acclaim for its originality, charm and craftsmanship, and it established Elgar as the pre-eminent British composer of his generation.  The work is formally titled Variations on an Original Theme; the word "Enigma" appears over the first six bars of music, which led to the familiar version of the title. The enigma is that, although there are fourteen variations on the "original theme", there is another overarching theme, never identified by Elgar, which he said "runs through and over the whole set" but is never heard. Later commentators have observed that although Elgar is today regarded as a characteristically English composer, his orchestral music and this work in particular share much with the Central European tradition typified at the time by the work of Richard Strauss. The Enigma Variations were well received in Germany and Italy, and remain to the present day a worldwide concert staple.

What album did he produce?





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The fifth Beatle is an informal title that various commentators in the press and entertainment industry have applied to people who were at one point a member of the Beatles, or who had a strong association with the "Fab Four" (John Lennon, Paul McCartney, George Harrison, and Ringo Starr) during the group's existence. The "fifth Beatle" claims first appeared in the press immediately upon the band's rise to global fame in 1963-64. The members have offered their own beliefs of the "fifth Beatle": Lennon was critical of individuals who claimed credit for the Beatles' success, including the individual Beatles themselves, saying in his 1970 interview with Jann Wenner, "I'm not the Beatles. I'm me.
Brian Epstein, the band's manager from 1961 until his death in 1967, was instrumental in the Beatles' rise to global fame. Epstein "discovered" the band in Liverpool, saw their potential, and never wavered in his faith and commitment to them. He purposefully restricted his oversight of the band, limiting himself to business matters and public image, and gave the band free creative rein in their music. Epstein also doggedly sought a recording contract for the band in London at a crucial moment in their career, fighting their perception as provincial "northern" musicians.  Epstein's death in essence marked the beginning of the Beatles' dissolution, as Lennon admitted later. Because he was not creatively involved with the band, Epstein was only infrequently called the "fifth Beatle", but over the years he and producer George Martin have clearly been recognised as the inner circle members who most profoundly affected the band's career. In an interview in the 1990s describing Epstein's involvement in the band's rise to fame, Martin declared "He's the fifth Beatle, if there ever was one."  McCartney summarized the importance of Epstein to the Beatles when he was interviewed in 1997 for a BBC documentary about Epstein. He stated: "If anyone was the fifth Beatle, it was Brian."  In 2013 Epstein was the subject of a graphic novel entitled The Fifth Beatle by Vivek Tiwary. The book was released in November and spent several weeks on The New York Times best-seller list, reaching no. 1 in its third week of release.

Who is Brian Epstein?

Brian Epstein, the band's manager



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Cancer Bats are a Canadian hardcore punk band from Toronto, Ontario. They have released five studio albums and six extended plays. The band is composed of vocalist Liam Cormier, guitarist Scott Middleton, drummer Mike Peters and bassist Jaye R. Schwarzer. Cancer Bats take a wide variety of influences from heavy metal subgenres and fuse them into hardcore and punk rock, and also include elements of Southern rock.
Cancer Bats was founded in May 2004 by singer Liam Cormier and guitarist Scott Middleton, a former member of Toronto heavy metal band At the Mercy of Inspiration. The two wanted to form a project that combined their favorite parts of bands like Entombed, Refused, Black Flag, Led Zeppelin and Down, among others. The lineup was completed with the addition of Andrew McCracken on bass and Joel Bath on drums, with Cormier moving to vocals. The four-piece wrote and recorded songs for a self-released demo that saw light in January 2005, and led to Canadian independent record label Distort Entertainment signing the band.  The story is that the band considered the names Cancer Bats and Pneumonia Hawk after deciding that a combination of illness and animal name would give the best band name. Soon after, Mike Peters replaced Bath on the drums and the band began playing throughout Southern Ontario, playing live shows with bands like Billy Talent, Every Time I Die, Nora, Alexisonfire, Haste the Day, It Dies Today, Bane, Comeback Kid, Buried Inside, Attack in Black, Misery Signals, This Is Hell, Rise Against, The Bronx and Gallows.  On June 2, 2006, the band took part in a short interview and then played a free CD release show at The Edge 102.1 (CFNY-FM) and then on June 6 Birthing the Giant was released into major record stores. The album includes guest vocals by George Pettit of Alexisonfire. On June 7, 2006 they hosted All Things Rock, a show on MTV Canada, and had their own video played at the end of the show.

When did they first form?
Cancer Bats was founded in May 2004