Question:
Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan. It was released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing 11-minute ballad, "Desolation Row".
In May 1965, Dylan returned from his tour of England feeling exhausted and dissatisfied with his material. He told journalist Nat Hentoff: "I was going to quit singing. I was very drained." The singer added, "It's very tiring having other people tell you how much they dig you if you yourself don't dig you."  As a consequence of his dissatisfaction, Dylan wrote 20 pages of verse he later described as a "long piece of vomit". He reduced this to a song with four verses and a chorus--"Like a Rolling Stone". He told Hentoff that writing and recording the song washed away his dissatisfaction, and restored his enthusiasm for creating music. Describing the experience to Robert Hilburn in 2004, nearly 40 years later, Dylan said: "It's like a ghost is writing a song like that ... You don't know what it means except the ghost picked me to write the song."  Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan. The first block, June 15 and June 16, was produced by Tom Wilson and resulted in the single "Like a Rolling Stone". On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance. Four days after Newport, Dylan returned to the recording studio. From July 29 to August 4, he and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston.
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What is some background on Highway 61?

Answer:
Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan.

input: At Horace Mann Elementary School in Seattle during the mid-1950s, Hendrix's habit of carrying a broom with him to emulate a guitar gained the attention of the school's social worker. After more than a year of his clinging to a broom like a security blanket, she wrote a letter requesting school funding intended for underprivileged children, insisting that leaving him without a guitar might result in psychological damage. Her efforts failed, and Al refused to buy him a guitar.  In 1957, while helping his father with a side-job, Hendrix found a ukulele amongst the garbage that they were removing from an older woman's home. She told him that he could keep the instrument, which had only one string. Learning by ear, he played single notes, following along to Elvis Presley songs, particularly Presley's cover of Leiber and Stoller's "Hound Dog". By the age of thirty-three, Hendrix's mother Lucille had developed cirrhosis of the liver, and on February 2, 1958, she died when her spleen ruptured. Al refused to take James and Leon to attend their mother's funeral; he instead gave them shots of whiskey and instructed them that was how men were supposed to deal with loss. In 1958, Hendrix completed his studies at Washington Junior High School and began attending, but did not graduate from, Garfield High School.  In mid-1958, at age 15, Hendrix acquired his first acoustic guitar, for $5. He earnestly applied himself, playing the instrument for several hours daily, watching others and getting tips from more experienced guitarists, and listening to blues artists such as Muddy Waters, B.B. King, Howlin' Wolf, and Robert Johnson. The first tune Hendrix learned how to play was "Peter Gunn", the theme from the television series of the same name. Around that time, Hendrix jammed with boyhood friend Sammy Drain and his keyboard playing brother. In 1959, while attending a concert by Hank Ballard & the Midnighters in Seattle, Hendrix met the group's guitarist Billy Davis. Davis showed him some guitar licks and later got him a short gig with the Midnighters. The two remained friends until Hendrix's death in 1970.  Soon after he acquired the acoustic guitar, Hendrix formed his first band, the Velvetones. Without an electric guitar, he could barely be heard over the sound of the group. After about three months, he realized that he needed an electric guitar in order to continue. In mid-1959, his father relented and bought him a white Supro Ozark. Hendrix's first gig was with an unnamed band in the Jaffe Room of Seattle's Temple De Hirsch Sinai, but after he did too much showing off, the band fired him between sets. He later joined the Rocking Kings, which played professionally at venues such as the Birdland club. When someone stole his guitar after he left it backstage overnight, Al bought him a red Silvertone Danelectro.

Answer this question "when did he get his first electric guitar"
output: In mid-1959, his father relented and bought him a white Supro Ozark.

Answer the question at the end by quoting:

Clara Ann Fowler was born on November 8, 1927, in Claremore, Oklahoma (although some sources give Muskogee) into a large and poor family. Her father, B.A. Fowler, worked on the MKT railroad, while her mother, Margaret, and older sisters picked cotton. As she recalled on television many years later, the family lived without electricity, and therefore she could not read after dark. She was raised in Foraker, Hardy, Muskogee and Avant, Oklahoma, before attending Daniel Webster High School in Tulsa, from which she graduated in 1945.
Patti Page recorded several songs with Al Clauser & His Oklahoma Outlaws (1946), The Eddie Getz Orchestra, and the George Barnes Trio (1947).  Page recorded her first hit single, "Confess", in 1947. Because of a strike, background singers were not available to provide harmony vocals for the song, so Page and the label decided to overdub the harmony parts. Bill Putnam, an engineer for Mercury Records, was able to overdub Page's voice, using the latest recording technology. Thus, Page became the first pop artist to harmonize her own vocals on a recording. This technique would later be used on Page's biggest hit singles in the 1950s. In 1948, "Confess" became a Top 15 hit on Billboard magazine, peaking at No. 12 on the "Best-Sellers" chart, becoming her first hit. Page followed the single with four more in 1948-1949, only one of which was a Top 20 hit, "So in Love" (1949). Page also had a Top 15 hit on the Billboard magazine country chart in 1949 with "Money, Marbles, and Chalk".  In 1950, Page had her first million-selling single "With My Eyes Wide Open, I'm Dreaming", another song where she harmonized her vocals. Because she was overdubbing her vocals, Page's name had to be listed on the recording credits as a group. According to one early-1950s' chart, Page was credited as "The Patti Page Quartet." In mid-1950, Page's single, "All My Love (Bolero)" peaked at No. 1 on Billboard magazine, becoming her first No. 1 hit, spending five weeks there. That same year, she also had her first Top 10 hit with "I Don't Care if the Sun Don't Shine", as well as the Top 25 single, "Back in Your Own Backyard".

How successful was this crew?
In 1950, Page had her first million-selling single "With My Eyes Wide Open, I'm Dreaming",