input: Country music star Keith Urban has consistently cited Mellencamp's influence on his music. It originated when Mellencamp's Lonesome Jubilee tour went to Australia in 1988; Urban was in attendance at one of the concerts and described the experience as an "epiphany."  "'I Need A Lover' and 'Hurts So Good' were massive hits in Australia", Urban told the Vancouver Sun in 2016. "I played so many of those songs in my cover bands. But for me, The Lonesome Jubilee was the defining record and tour. I've since gotten to know John a little bit and it was one of the greatest opportunities I've ever had to meet a hero and tell him about a concert you went to when you were a nobody and how much of an effect that concert had on me.  "I just remember that moment: Here's that full-on rock section, with Kenny Aronoff on drums and Larry Crane a rock guitarist with swagger. But there was also Lisa Germano on fiddle, they had an accordion player, there was an acoustic guitarist. I was hit by lightning by that concert. I said to John, 'I didn't walk away thinking: I want to do that. I walked away feeling: I get it -- just put all the things you love into what you do.' It was singularly the most important concert I've ever been to in my life because it showed me the way."  Urban went into more detail on the impact Mellencamp's Lonesome Jubilee Tour concert had on him when CMT asked him about the concert that most influenced him: "The most impactful one for me was probably John Mellencamp in '88 or '89 on the Lonesome Jubilee Tour. It was singularly the most epiphany experience I'd ever had at a concert. Prior to that, from the age of 6 or 7, I was somewhere in between Top 40, country and, 'Who the hell am I and what do I do?' But The Lonesome Jubilee came out. I loved 'Paper in Fire' and 'Check It Out' because it was such a melting pot of things. But when I went to see him live, his band was so phenomenally good. Great, great band. And I remember watching the concert - and the light went off. There's a rock rhythm section, but there's acoustic guitar, electric guitar. This fiddle, this accordion. He's singing these rural lyrics, but he's got swagger and attitude for days. It was like everything came together. I got to talk to John years later, and I said to him how much that concert changed my life. I didn't leave that concert thinking 'I want to be Mellencamp.' I went away going, 'Take all of your influences and make your own thing.' It was such a liberating experience for me."  Urban has covered numerous Mellencamp songs in his concerts over the years, including "Hurts So Good", "Jack and Diane", "Authority Song", and "Rumbleseat". In 2015, Urban and Mellencamp performed "Pink Houses" together twice during nationally televised events. Urban's 2015 hit single "John Cougar, John Deere, John 3:16" further illustrated Mellencamp's influence on his music.

Answer this question "Is there anything else I should know about this?"
output: it was one of the greatest opportunities I've ever had to meet a hero and tell him about a concert you went to

input: In an interview with Common Revolt, Stephen Christian stated that the band had begun work on their next album. A few songs had been written, including one with the working title "Control" (later renamed Orpheum), and a song influenced by the events in Egypt  (later confirmed to be "Someone Anyone").  The band announced via Facebook and e-mail in February 2012 that they would be returning to Aaron Sprinkle to record their upcoming album. The band recorded their first three albums with Sprinkle; not only is he a good friend of the band but also a fan favorite. The band will begin recording around the start of March, and are not expected to be finished until May. In a recent interview, Stephen Christian announced their new album is finally done. On June 11, during the Nashville show of their acoustic tour, Stephen Christian announced that the title of the new record would be Vital, calling the record "their most aggressive to date" and also announced a fall release date. On July 31, the band announced on their official website that Vital was to be released on October 16.  The new album's opening track, "Self-Starter",' was streamed on Billboard.com for free listening on August 17., and the album's second single, "Someone Anyone" was released on August 22.  Infectious Magazine reported on October 26, 2012 that the band had already "made a lot of headway writing for the next record".  The band released "City Electric" on September 20, 2013. It is the first of three new and previously unreleased tracks from their rework of Vital, Devotion which was released on October 15, 2013.

Answer this question "Did any of their songs chart?"
output: Self-Starter",' was streamed on Billboard.com for free listening

input: In 1466, at the age of fourteen, Leonardo was apprenticed to the artist Andrea di Cione, known as Verrocchio, whose bottega (workshop) was "one of the finest in Florence". He apprenticed as a garzone (studio boy) to Andrea del Verrocchio, the leading Florentine painter and sculptor of his day (and would do so for 7 years). Other famous painters apprenticed or associated with the workshop include Domenico Ghirlandaio, Perugino, Botticelli, and Lorenzo di Credi. Leonardo would have been exposed to both theoretical training and a vast range of technical skills, including drafting, chemistry, metallurgy, metal working, plaster casting, leather working, mechanics and carpentry as well as the artistic skills of drawing, painting, sculpting and modelling.  Much of the painted production of Verrocchio's workshop was done by his employees. According to Vasari, Leonardo collaborated with Verrocchio on his The Baptism of Christ, painting the young angel holding Jesus' robe in a manner that was so far superior to his master's that Verrocchio put down his brush and never painted again, although this is believed to be apocryphal. Close examination reveals areas that have been painted or touched-up over the tempera using the new technique of oil paint; the landscape, the rocks seen through the brown mountain stream and much of the figure of Jesus bearing witness to the hand of Leonardo. Leonardo may have been the model for two works by Verrocchio: the bronze statue of David in the Bargello and the Archangel Raphael in Tobias and the Angel.  By 1472, at the age of twenty, Leonardo qualified as a master in the Guild of Saint Luke, the guild of artists and doctors of medicine, but even after his father set him up in his own workshop, his attachment to Verrocchio was such that he continued to collaborate with him. Leonardo's earliest known dated work is a drawing in pen and ink of the Arno valley, drawn on 5 August 1473.

Answer this question "What did he like"
output:
young angel holding Jesus' robe in a manner that was so far superior to his master's