Question: Brooks & Dunn is an American country music duo consisting of Kix Brooks and Ronnie Dunn, both vocalists and songwriters. The duo was founded in 1990 through the suggestion of Tim DuBois. Before the foundation, both members were solo recording artists. Brooks wrote number one singles for John Conlee, Nitty Gritty Dirt Band, and Highway 101; both he and Dunn also charted two solo singles apiece in the 1980s, with Brooks also releasing an album for Capitol Records in 1989.

Their first greatest hits compilation was released on September 16, 1997. It comprised most of their singles to that point and three new songs: "Honky Tonk Truth", "He's Got You", and "Days of Thunder". The first two were released as singles, with respective peaks of three and two on the country charts. The Greatest Hits Collection was certified platinum in April 1998, and double-platinum in 2001.  Brooks & Dunn collaborated with Reba McEntire to perform "If You See Him/If You See Her", which was the lead-off single to Brooks & Dunn's If You See Her and McEntire's If You See Him, both of which were released on the same day. Arista Nashville and MCA Nashville, the label to which McEntire was signed, both promoted the single. This cut went to number one, as did If You See Her's next two singles: "How Long Gone" and a cover of Roger Miller's "Husbands and Wives", which also became the duo's first top 40 hit on the Billboard Hot 100. Dunn recorded the vocals for "Husbands and Wives" in one take. Also included on the album was "Born and Raised in Black and White", the first song of the duo's career in which they alternated on lead vocals. The album's fourth single was "I Can't Get Over You", which was a top five country hit. Following it was "South of Santa Fe", which peaked at number 41 on the country charts and thus became the duo's lowest-peaking single there. In 2001, If You See Her reached double-platinum certification in the United States.  Jana Pendragon, in her review for Allmusic, praised Dunn's vocal performances on "Husbands and Wives" and "You're My Angel", but thought that a couple of the other cuts were "formula". Country Standard Time writer Kevin Oliver criticized the album for having "wildly uneven" material, calling the McEntire collaboration a "snoozer" and "South of Santa Fe" "wretched".

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: ". Country Standard Time writer Kevin Oliver criticized the album for having "wildly uneven" material, calling the McEntire collaboration a "snoozer" and "South of Santa Fe" "wretched".

Problem: Baron Giulio Cesare Andrea Evola (Italian: ['e:vola]; 19 May 1898 - 11 June 1974), better known as Julius Evola (), was an Italian philosopher, painter, and esotericist. According to the scholar Franco Ferraresi, "Evola's thought can be considered one of the most radical and consistent anti-egalitarian, anti-liberal, anti-democratic, and anti-popular systems in the twentieth century. It is a singular (though not necessarily original) blend of several schools and traditions, including German idealism, Eastern doctrines, traditionalism, and the all-embracing Weltanschauung of the interwar conservative revolutionary movement with which Evola had a deep personal involvement".

Evola's dissent from standard biological concepts of race had roots in his aristocratic elitism, since Nazi Volkisch ideology inadequately separated aristocracy from "commoners." According to Furlong, Evola developed "the law of the regression of castes" in Revolt Against the Modern World and other writings on racism from the 1930s and World War II period. In Evola's view "power and civilization have progressed from one to another of the four castes--sacred leaders, warrior nobility, bourgeoisie (economy, 'merchants') and slaves". Furlong explains: "for Evola, the core of racial superiority lay in the spiritual qualities of the higher castes, which expressed themselves in physical as well as in cultural features, but were not determined by them. The law of the regression of castes places racism at the core of Evola's philosophy, since he sees an increasing predominance of lower races as directly expressed through modern mass democracies."  Prior to the end of War, Evola had frequently used the term "Aryan" to mean the nobility, who in his view were imbued with traditional spirituality. Wolff notes that Evola seems to have stopped writing about race in 1945, but adds that the intellectual themes of Evola's writings were otherwise unchanged. Evola continued to write about elitism and his contempt for the weak. His "doctrine of the Aryan-Roman 'super-race was simply restated as a doctrine of the 'leaders of men'...no longer with reference to the SS, but to the mediaeval Teutonic knights of the Knights Templar, already mentioned in Rivolta."  Evola spoke of "inferior non-European races". Peter Merkl wrote that "Evola was never prepared to discount the value of blood altogether". Evola wrote: "a certain balanced consciousness and dignity of race can be considered healthy" in a time where "the exaltation of the negro and all the rest, anticolonialist psychosis and integrationist fanatiscm [are] all parallel phenomena in the decline of Europe and the West." While not totally against race-mixing, in 1957, Evola wrote an article attributing the perceived acceleration of American decadence to the influence of "negroes" and the opposition to segregation. Furlong noted that this article is "among the most extreme in phraseology of any he wrote, and exhibits a degree of intolerance that leaves no doubt as to his deep prejudice against black people."

Did he have any accomplishments?

Answer with quotes:
Furlong noted that this article is "among the most extreme in phraseology of any he wrote,