input: The Citadel (1937), a tale of a mining company doctor's struggle to balance scientific integrity with social obligations, helped to incite the establishment of the National Health Service (NHS) in the United Kingdom by exposing the inequity and incompetence of medical practice at the time. In the novel Cronin advocated a free public health service in order to defeat the wiles of those doctors who "raised guinea-snatching and the bamboozling of patients to an art form." Dr Cronin and Aneurin Bevan had both worked at the Tredegar Cottage Hospital in Wales, which served as one of the bases for the NHS. The author quickly made enemies in the medical profession, and there was a concerted effort by one group of specialists to get The Citadel banned. Cronin's novel, which was the highest-selling book ever published by Victor Gollancz, informed the public about corruption within the medical system, planting a seed that eventually led to reform. Not only were the author's pioneering ideas instrumental in the creation of the NHS, but the historian Raphael Samuel asserted in 1995 that the popularity of Cronin's novels played a substantial role in the Labour Party's landslide victory in 1945.  By contrast, according to one of Cronin's biographers, Alan Davies, the book's reception was mixed. A few of the more vociferous medical practitioners of the day took exception to one of its many messages: that a few well-heeled doctors in fashionable practices were ripping off their equally well-off patients. Some pointed to the lack of balance between criticism and praise for hard-working doctors. The majority accepted it for what it was, a topical novel. The press attempted to incite passions within the profession in an attempt to sell copy, while Victor Gollancz followed suit in an attempt to promote the book, all overlooking the fact that it was a work of fiction, not a scientific piece of research, and not autobiographical.  In the United States The Citadel won the National Book Award, Favorite Fiction of 1937, voted by members of the American Booksellers Association. According to a Gallup poll conducted in 1939, The Citadel was voted the most interesting book readers had ever read.

Answer this question "Did he go on to write any more books?"
output: 

Problem: Background: Victor Jara was born in 1932 in Lonquen, near Santiago, to two peasants, Manuel Jara and Amanda Martinez. His father was illiterate and encouraged his children to work from an early age to help the family survive, rather than attend school. By the age of 6, Jara was already working on the land. His father could not support the family on his earnings as a peasant at the Ruiz-Tagle estate, nor was he able to find stable work.
Context: Early in his recording career, Jara showed a knack for antagonizing conservative Chileans, releasing a traditional comic song called "La beata" that depicted a religious woman with a crush on the priest to whom she goes for confession. The song was banned on radio stations and removed from record shops, but the controversy only added to Jara's reputation among young and progressive Chileans. More serious in the eyes of the Chilean right wing was Jara's growing identification with the socialist movement led by Salvador Allende. After visits to Cuba and the Soviet Union in the early 1960s, Jara had joined the Communist Party. The personal met the political in his songs about the poverty he had experienced firsthand.  Jara's songs spread outside Chile and were performed by American folk artists. His popularity was due not only to his songwriting skills but also to his exceptional power as a performer. He took a decisive turn toward political confrontation with his 1969 song "Preguntas por Puerto Montt" ("Questions About Puerto Montt"), which took direct aim at a government official who had ordered police to attack squatters in the town of Puerto Montt. The Chilean political situation deteriorated after the official was assassinated, and right-wing thugs beat up Jara on one occasion.  In 1970, Jara supported Allende, the Popular Unity coalition candidate for president, volunteering for political work and playing free concerts. He composed "Venceremos" ("We Will Triumph"), the theme song of Allende's Popular Unity movement, and welcomed Allende's election to the Chilean presidency in 1970. After the election, Jara continued to speak in support of Allende and played an important role in the new administration's efforts to reorient Chilean culture.  He and his wife, Joan Jara, were key participants in a cultural renaissance that swept Chile, organizing cultural events that supported the country's new socialist government. He set poems by Pablo Neruda to music and performed at a ceremony honoring him after Neruda received the Nobel Prize in Literature in 1972. Throughout rumblings of a right-wing coup, Jara held on to his teaching job at Chile's Technical University. His popular success during this time, as both a musician and a Communist, earned him a concert in Moscow. So successful was he that the Soviet Union tried to latch onto his popularity, claiming in their media that his vocal prowess was the result of surgery he had undergone while in Moscow.  Backed by the United States, which opposed Allende's socialist politics, the Chilean right wing staged a coup d'etat on September 11, 1973, resulting in the death of Allende and the installation of Augusto Pinochet as dictator. At the moment of the coup, Jara was on his way to the Technical University (today the Universidad de Santiago). That night, he slept at the university along with other teachers and students, and sang to raise morale.
Question: How did he handle this?
Answer: 

Question: Faber was born on a farm near Cascade, Iowa, on September 6, 1888. He was of Luxembourgish ancestry. While Faber was a child, his father managed a tavern and later ran the Hotel Faber in Cascade. His father became one of the wealthiest citizens in Cascade.

Faber enjoyed the greatest success of his career in the early 1920s. The live-ball era was beginning, but he was among the pitchers who made the most successful transition. The spitball was phased out after the 1920 season, with Faber one of the 17 pitchers permitted to use it for the remainder of their careers. He took advantage of Comiskey Park's spacious dimensions, surrendering only 91 home runs--barely one homer per month--from 1920 to 1931. He was one of only six pitchers to win 100 or more games in both the "dead ball" (through 1920) and live ball eras. Faber finished the 1920 season with 23 wins and led the league in games started.  During the summer of 1921, Faber and several other players had to leave a road trip in Washington after receiving subpoenas for the Black Sox trial in Chicago. Faber made the trip but was not asked to testify and he returned to the White Sox without missing a start. In 1921 and 1922, he posted win totals of 25 and 21, respectively, leading the league in ERA (1921-1922), innings (1922) and complete games (1921-1922). He was also among the league leaders in strikeouts each year, while pitching at least 25 complete games and over 300 innings.  In the wake of the Black Sox scandal, winning on a consistent basis became increasingly difficult. After being one of the top teams in the league with a powerful offense in the late 1910s, the White Sox had only two winning seasons in his last 13 years, never finishing above fifth place. In the 1921 season, he earned a 25-15 win-loss record for the post-scandal team that limped to a 62-92 finish; from 1921 to 1929 his record was 126-103. In 1927, Ty Cobb had a 21-game hitting streak which was broken when he faced Faber. Despite the widespread hitting of the era, he did not post an ERA over 3.88 until he was 41. Perhaps his last great performance was a one-hitter at age 40 in 1929.

Using a quote from the above article, answer the following question: they started losing?
HHHHHH
Answer:
the White Sox had only two winning seasons in his last 13 years, never finishing above fifth place.