Some context: Grace Beverly Jones (born 19 May 1948) is a Jamaican singer, songwriter, supermodel, record producer, and actress. Born in Jamaica, she moved when she was 13, along with her siblings, to live with her parents in Syracuse, New York. Jones began her modelling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of Elle and Vogue. She worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynous appearance and bold features.
Jones was signed by Island Records, who put her in the studio with disco record producer, Tom Moulton. Moulton worked at Sigma Sound Studios in Philadelphia, and Portfolio, was released in 1977. The album featured three songs from Broadway musicals, "Send in the Clowns" by Stephen Sondheim from A Little Night Music, "What I Did for Love" from A Chorus Line and "Tomorrow" from Annie. The second side of the album opens up with a seven-minute reinterpretation of Edith Piaf's "La Vie en rose" followed by three new recordings, two of which were co-written by Jones, "Sorry", and "That's the Trouble". The album finished with "I Need a Man", Jones' first club hit. The artwork to the album was designed by Richard Bernstein, an artist for Interview.  In 1978, Jones and Moulton made Fame, an immediate follow-up to Portfolio, also recorded at Sigma Sound Studios. The album featured another reinterpretation of a French classic, "Autumn Leaves" by Jacques Prevert. The Canadian edition of the vinyl album included another French language track, "Comme un oiseau qui s'envole", which replaced "All on a Summers Night"; in most locations this song served as the B-side of the single "Do or Die". In the North American club scene, Fame was a hit album and the "Do or Die"/"Pride"/"Fame" side reached top 10 on both the US Hot Dance Club Play and Canadian Dance/Urban charts. The album was released on compact disc in the early 1990s, but soon went out of print. In 2011, it was released and remastered by Gold Legion, a record company that specialises in reissuing classic disco albums on CD. Jones' live shows were highly sexualized and flamboyant, leading her to be called "Queen of the Gay Discos."  Muse was the last of Jones' disco albums. The album features a re-recorded version "I'll Find My Way to You", which Jones released three years prior to Muse. Originally appearing in the 1976 Italian film, Colt 38 Special Squad in which Jones had a role as a club singer, Jones also recorded a song called "Again and Again" that was featured in the film. Both songs were produced by composer Stelvio Cipriani. Icelandic keyboardist Thor Baldursson arranged most of the album and also sang duet with Jones on the track "Suffer". Like the last two albums, the cover art is by Richard Bernstein. Like Fame, Muse was later released by Gold Legion.
did she collaborate with anyone?
A: it was released and remastered by Gold Legion,

Some context: Ukrainians (Ukrainian: ukrayintsi, ukrayintsi, [ukra'jinjtsji]) are an East Slavic ethnic group native to Ukraine, which is by total population the sixth-largest nation in Europe. The Constitution of Ukraine applies the term 'Ukrainians' to all its citizens. Also among historical names of the people of Ukraine, Rusyns (Ruthenians), Cossacks, etc. can be found. According to most dictionary definitions, a descriptive name for the "inhabitants of Ukraine" is Ukrainian or Ukrainian people.
The watershed period in the development of modern Ukrainian national consciousness was the struggle for independence during the creation of the Ukrainian People's Republic from 1917 to 1921. A concerted effort to reverse the growth of Ukrainian national consciousness was begun by the regime of Joseph Stalin in the late 1920s, and continued with minor interruptions until the most recent times. The man-made Famine-Genocide of 1932-33, the deportations of the so-called kulaks, the physical annihilation of the nationally conscious intelligentsia, and terror in general were used to destroy and subdue the Ukrainian nation. Even after Joseph Stalin's death the concept of a Russified though multiethnic Soviet people was officially promoted, according to which the non-Russian nations were relegated to second-class status. Despite this, many Ukrainians played prominent roles in the Soviet Union, including such public figures as Semyon Timoshenko.  The creation of a sovereign and independent Ukraine in 1991, however, pointed to the failure of the policy of the "merging of nations" and to the enduring strength of the Ukrainian national consciousness. Today, one of the consequences of these acts is Ukrainophobia.  Biculturalism is especially present in southeastern Ukraine where there is a significant Russian minority. Historical colonization of Ukraine is one reason that creates confusion about national identity to this day. Many citizens of Ukraine have adopted the Ukrainian national identity in the past 20 years. According to the concept of nationality dominant in Eastern Europe the Ukrainians are people whose native language is Ukrainian (an objective criterion) whether or not they are nationally conscious, and all those who identify themselves as Ukrainian (a subjective criterion) whether or not they speak Ukrainian.  Attempts to introduce a territorial-political concept of Ukrainian nationality on the Western European model (presented by political philosopher Viacheslav Lypynsky) were unsuccessful until the 1990s. Territorial loyalty has also been manifested by the historical national minorities living in Ukraine. The predominant belief in Ukraine today is that all permanent inhabitants of Ukraine are Ukrainians regardless of their ethnic origins or the language in which they communicate. The official declaration of Ukrainian sovereignty of 16 July 1990 stated that "citizens of the Republic of all nationalities constitute the people of Ukraine."
What happened because of this?
A:
enduring strength of the Ukrainian national consciousness. Today, one of the consequences of these acts is Ukrainophobia.