input: Carlton slumped in 1973, losing 20 games. The media's questioning of his unusual training techniques led to an acrimonious relationship between them and Carlton. In 1976, upon the advice of his lawyer Edward L. Wolf, decided to sever all ties with the media, and refused to answer press questions for the rest of his career with the Phillies. This reached a point where, in 1981, while the Mexican rookie Fernando Valenzuela was achieving stardom with the Los Angeles Dodgers, a reporter remarked, "The two best pitchers in the National League don't speak English: Fernando Valenzuela and Steve Carlton."  Media charges of bigotry and anti-Semitism  In 1994 he agreed to an interview with writer Pat Jordan at his home in Durango, Colorado. The result was the story "Thin Mountain Air" in the April 1994 issue of Philadelphia magazine. This article was noted by the New York Times as being the source of numerous claims about Steve Carlton's political and social beliefs: "According to Pat Jordan, the writer of the article, Carlton alternately said that the world is ruled or controlled by the Russian and United States Governments, which 'fill the air with low-frequency sound waves,' the Elders of Zion, British intelligence agencies, '12 Jewish bankers meeting in Switzerland' and 'a committee of 300 which meets at a roundtable in Rome.' Not only that, but Carlton also charges, according to Jordan, that President Clinton has 'a black son' he won't acknowledge and that the AIDS virus was created at a secret Maryland biological warfare laboratory to get rid of gays and blacks.'" This same New York Times article notes that teammate Tim McCarver defended Carlton against charges of being a bigot and an anti-Semite, though he acknowledged "If he's guilty of anything, it's believing some of the material he reads. Does he become confused with his reading about radical things? Yes. I've told him that. Does that translate into him being anti-Semitic? No."

Answer this question "what was he view on the media"
output: The media's questioning of his unusual training techniques led to an acrimonious relationship between them and Carlton.

input: After receiving a diploma in filmmaking, she produced the small-budget caper-comedy Paisa Vasool (2004), in which she starred along with Sushmita Sen; this was probably the first ever chick-flick in Indian cinema in that it did not have a male lead nor a love story. Since then, she has played supporting and leading roles in various unsuccessful films, some of which being well received by critics, such as the historical epic drama Taj Mahal: An Eternal Love Story (2005), the thriller Tum - A Dangerous Obsession (2005), and the horror film Anjaane - The Unknown (2005).  In Anwar, she played a supporting role along with her brother Siddharth, her only release in 2007. In 2008, she made her comeback to films, with her first leading role since Mumbai Express (2005), in Tulsi, opposite Irrfan Khan. Although before release, her comeback was described by the media as "shocking", and the film suffered from poor marketing, her performance as Tulsi, a young homemaker diagnosed with leukemia, was well received. Taran Adarsh from IndiaFM wrote: "Manisha Koirala sinks her teeth in this role and delivers a fine performance." She next starred in Sirf (2008). The film was released without any notice or publicity and was a critical and box office failure. Her first Bengali film Khela, directed by Rituparno Ghosh, released the same year, along with the long delayed Hindi film Mehbooba, both films released on the same day.  In December 2009, she served as a Jury member in the fifth edition of the Dubai International Film Festival.

Answer this question "Are there any other interesting aspects about this article?"
output: In Anwar, she played a supporting role along with her brother Siddharth,

input: Kuralt was said to have tired of what he considered the excessive rivalry between reporters on the hard news beats:  "I didn't like the competitiveness or the deadline pressure," he told the Academy of Television Arts & Sciences, upon his induction into their Hall of Fame. "I was sure that Dick Valeriani of NBC was sneaking around behind my back -- and of course, he was! -- getting stories that would make me look bad the next day. Even though I covered news for a long time, I was always hoping I could get back to something like my little column on the Charlotte News."  When he persuaded CBS to let him try out just such an idea for three months, it turned into a quarter-century project. "On the Road" became a regular feature on The CBS Evening News with Walter Cronkite in 1967. Kuralt hit the road in a motor home (he wore out six before he was through) with a small crew and avoided the interstates in favor of the nation's back roads in search of America's people and their doings. He said, "Interstate highways allow you to drive coast to coast, without seeing anything".  According to Thomas Steinbeck, the older son of John Steinbeck, the inspiration for "On the Road" was Steinbeck's Travels with Charley (whose title was initially considered as the name of Kuralt's feature). During his career, he won three Peabody awards and ten Emmy awards for journalism. He also won a George Polk Award in 1980 for National Television Reporting.

Answer this question "Did Kuralt earn any awards for On the Road?"
output:
career, he won three Peabody awards and ten Emmy awards for journalism.