Some context: Barkley was born and raised in Leeds, Alabama, ten miles (16 km) outside Birmingham, and attended Leeds High School. As a junior, Barkley stood 5 ft 10 in (1.78 m) and weighed 220 pounds (100 kg). He failed to make the varsity team and was named as a reserve. However, during the summer Barkley grew to 6 ft 4 in (1.93 m) and earned a starting position on the varsity as a senior.
Barkley played collegiate basketball at Auburn for three seasons. Although he struggled to control his weight, he excelled as a player and led the SEC in rebounding each year. He became a popular crowd-pleaser, exciting the fans with dunks and blocked shots that belied his lack of height and overweight frame. It was not uncommon to see the hefty Barkley grab a defensive rebound and, instead of passing, dribble the entire length of the court and finish at the opposite end with a two-handed dunk. His physical size and skills ultimately earned him the nickname "The Round Mound of Rebound".  During his college career, Barkley played the center position, despite being shorter than the average center. His height, officially listed as 6 ft 6 in (1.98 m), is stated as 6 ft 4 in (1.93 m) in his book, I May Be Wrong but I Doubt It. He became a member of Auburn's All-Century team and still holds the Auburn record for career field goal percentage with 62.6%. He received numerous awards, including Southeastern Conference (SEC) Player of the Year (1984), three All-SEC selections and one Second Team All-American selection. Later, Barkley was named the SEC Player of the Decade for the 1980s by the Birmingham Post-Herald.  In Barkley's three-year college career, he averaged 14.8 points on 68.2% field goal shooting, 9.6 rebounds, 1.6 assists and 1.7 blocks per game. In 1984, he made his only appearance in the NCAA Tournament and finished with 23 points on 80% field goal shooting, 17 rebounds, 4 assists, 2 steals, and 2 blocks. Auburn retired Barkley's No. 34 jersey on March 3, 2001.  In 2010, Barkley admitted that he asked for, and had been given, money from sports agents during his career at Auburn. Barkley called the sums he had requested from agents as being "chump change", and went on to say, "Why can't an agent lend me some money and I'll pay him back when I graduate?" According to Barkley, he paid back all of the money he had borrowed after signing his first NBA contract.
Did he set any records in collegiate basketball?
A: He became a member of Auburn's All-Century team and still holds the Auburn record for career field goal percentage with 62.6%.

Some context: Pfeiffer was born in Santa Ana, California, the second of four children of Richard Pfeiffer, an air-conditioning contractor, and Donna (nee Taverna), a housewife. She has one elder brother, Rick (born 1955), and two younger sisters, Dedee Pfeiffer (born 1964), a television and film actress, and Lori Pfeiffer (born 1965). Her parents were both originally from North Dakota. Her paternal grandfather was of German ancestry and her paternal grandmother was of English, Welsh, French, Irish, and Dutch descent, while her maternal grandfather was of Swiss-German descent and her maternal grandmother of Swedish ancestry.
Pfeiffer chose to begin the process of dissolving her film production company, Via Rosa Productions, in 1999, and move into semi-retirement in order to spend more quality time with her children and family, meaning that she would continue to star in films sporadically into the 2000s and beyond. Pfeiffer handed her producing partner Guinzburg one final film to produce under the Via Rosa Productions header. The film was called Original Sin (2001). It was originally intended to star Pfeiffer, who later changed her mind as she was looking to work less for a while. The film was produced by her company, but instead starred Angelina Jolie and Antonio Banderas.  In the Hitchcockian thriller What Lies Beneath (2000), Pfeiffer and Harrison Ford starred as a well-to-do couple who experience a strange haunting that uncovers secrets about their past. While critical response towards the film was mixed, it opened atop at the box office in July 2000, and went on to gross US$291 million worldwide. She then accepted the role of Rita Harrison, a highly strung lawyer helping a father with a developmental disability, in the drama I Am Sam (2001), opposite Sean Penn. Despite grossing $97.8 million worldwide, the movie received unfavorable reviews; Seattle Post-Intelligencer wrote: "Pfeiffer, apparently stymied by the bland cliches that prop up her screechy role, delivers her flattest, phoniest performance ever". Meanwhile, SF Gate observed: "In one scene, she breaks down in tears as she unburdens herself to him about her miserable life. It's hard not to cringe, watching this emotionally ready actress fling herself headlong into false material".  Pfeiffer took on the role of a murderous artist named Ingrid Magnussen in the drama White Oleander (2002), alongside Alison Lohman (in her film debut), Renee Zellweger and Robin Wright. The film was an arthouse success and Pfeiffer garnered a substantial amount of critical praise; Stephen Holden of The New York Times wrote that "Ms. Pfeiffer, giving the most complex screen performance of her career, makes her Olympian seductress at once irresistible and diabolical". Kenneth Turan of the Los Angeles Times described her as "incandescent," bringing "power and unshakable will to her role as mother-master manipulator" in a "riveting, impeccable performance". She earned Best Supporting Actress Awards from the San Diego Film Critics Society and the Kansas City Film Critics Circle, as well as a Screen Actors Guild Award nomination.  Pfeiffer lent her voice for the character of goddess of chaos Eris in Sinbad: Legend of the Seven Seas (2003), an animated film featuring Brad Pitt as the voice of Sinbad the Sailor. She had struggles with finding the character's villainies. Initially the character was "too sexual," then she lacked fun. After the third rewrite, Pfeiffer called producer Jeffrey Katzenberg and told him "You know, you really can fire me", but he assured her that this was just part of the process. Following the release of the film, she took a four-year hiatus from acting, during which she remained largely out of the public eye to devote time to her husband and children. At the time, she turned down the role of the White Witch in the fantasy film The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (2005), which went to Tilda Swinton.
What led to her hiatus?
A:
Pfeiffer chose to begin the process of dissolving her film production company, Via Rosa Productions, in 1999,