Problem: Background: Robert Tyre Jones Jr. (March 17, 1902 - December 18, 1971) was an American amateur golfer who was one of the most influential figures in the history of the sport; he was also a lawyer by profession. Jones founded and helped design the Augusta National Golf Club, and co-founded the Masters Tournament. The innovations that he introduced at the Masters have been copied by virtually every professional golf tournament in the world. Jones was the most successful amateur golfer ever to compete at a national and international level.
Context: Born in Atlanta, Georgia, Jones battled health issues as a young boy, and golf was prescribed to strengthen him. Encouraged by his father, "Colonel" Robert Purmedus Jones, an Atlanta lawyer, Jones loved golf from the start. He developed quickly into a child prodigy, who won his first children's tournament at the age of six at his home course at East Lake Golf Club. In 1916, Jones won his first major golf event when he claimed the inaugural Georgia Amateur Championship conducted by the Georgia State Golf Association at the Capital City Club, in Brookhaven, at age 14. His victory at this event put him in the national spotlight for the first time. The Georgia Amateur win caught the eye of the United States Golf Association which awarded Jones his first invitation to the U.S. Amateur at Merion near Philadelphia. Jones advanced to the quarterfinals in his first playing in the event.  He was influenced by club professional Stewart Maiden, a native of Carnoustie, Scotland. Maiden was the professional at the Atlanta Athletic Club's East Lake Golf Club, who also trained Alexa Stirling, five years older than Jones but also a prodigy, at East Lake around the same time. Jones also received golf lessons from Willie Ogg when he was in his teenage years. Jones played frequently with his father, a skilled player himself. The younger Jones sometimes battled his own temper on the course, but later controlled his emotions as he became more experienced. Jones toured the U.S. during World War I from 1917-18, playing exhibition matches before large crowds, often with Alexa Stirling and Perry Adair, to generate income for war relief. Playing in front of such crowds in these matches helped him, as he moved into national competition a bit later on.  Jones successfully represented the United States for the first time, in two winning international amateur team matches against Canada, in 1919 and 1920, earning three of a possible four points in foursomes and singles play. In 1919 he traveled to Hamilton Golf and Country Club, for his first serious competitive action outside the U.S., while in 1920, Engineers Country Club, in Roslyn, Long Island, hosted the matches. Still a teenager, he was by far the youngest player in the series. Jones also played in the 1919 Canadian Open while in Hamilton, Ontario, performing very well to place tied for second, but 16 shots behind winner J. Douglas Edgar. Edgar had immigrated from England in 1919 to take a club professional's job in Atlanta at Druid Hills Golf Club; Edgar mentored and played frequently with Jones from 1919 to 1921. Edgar was credited by Jones with helping develop his game significantly.  Jones qualified for his first U.S. Open at age 18 in 1920, and was paired with the legendary Harry Vardon for the first two rounds. He won the Southern Amateur three times: 1917, 1920, and 1922.
Question: Did he win any other tournaments as a child?
Answer: Jones won his first major golf event when he claimed the inaugural Georgia Amateur Championship

Problem: Background: Sherman was born in Chicago, to Percy Copelon and Rose Sherman. Percy was an auto mechanic and race car driver who, like his son, suffered from obesity (he weighed over 350 pounds), and died while attempting a 100-day diet. His family was Jewish. Sherman's parents divorced when he was in grade school, and the son adopted his mother's maiden name.
Context: One track from My Son, the Nut, a spoof of summer camp entitled "Hello Muddah, Hello Fadduh", became a surprise novelty hit, reaching No. 2 on the national Billboard Hot 100 chart for three weeks in late summer 1963. The lyrics were sung to the tune of one segment of Ponchielli's Dance of the Hours, familiar to the public because of its use in the Walt Disney film Fantasia. That December, Sherman's "The Twelve Gifts of Christmas" single appeared on Billboard's separate Christmas chart. Sherman had one other Top 40 hit, a 1965 take-off on the Petula Clark hit "Downtown" called "Crazy Downtown", which spent one week at #40. Two other Sherman singles charted in the lower regions of the Billboard 100: an updated "Hello Mudduh, Hello Fadduh" (#59 in 1964), and "The Drinking Man's Diet" (#98 in 1965). Sherman's "The End of a Symphony", spotlighting Arthur Fiedler's Boston Pops Orchestra, reached #113 on the "Bubbling Under" chart in 1964, but did not make the Hot 100.  The songs on Sherman's next album My Name Is Allan (1965) were thematically connected: except for a couple of original novelty songs with music by Sherman and Busch, all the songs on the album are parodies of songs that had won, or were nominated for, the Academy Award for Best Song. They included "That Old Black Magic", "Secret Love", "The Continental", "Chim Chim Cher-ee" and "Call Me Irresponsible". The cover of the album bore a childhood photograph of Sherman. That, and the album's title, were references to Barbra Streisand's album My Name Is Barbra, released earlier that year, which featured a cover photograph of the singer as a young girl.  During his brief heyday, Sherman's parodies were so popular that he had at least one contemporary imitator: My Son the Copycat was an album of song parodies performed by Stanley Ralph Ross, co-written by Ross and Bob Arbogast. Lest there be any doubt of whom Ross is copying, his album's cover bears a crossed-out photo of Sherman. One of the songs on this album is a fat man's lament, "I'm Called Little Butterball", parodying "I'm Called Little Buttercup" from Gilbert and Sullivan's operetta HMS Pinafore. Sherman would later parody this same song as "Little Butterball" - with the same subject matter - on his album Allan in Wonderland. The song may have had more poignancy for Sherman, as he, unlike Stanley Ross, was genuinely overweight. Sherman also parodied Gilbert and Sullivan's "Titwillow" from The Mikado, in the song "The Bronx Bird-Watcher" (on My Son, the Celebrity), as well as several other Gilbert and Sullivan songs.
Question: Did it do well on the charts?
Answer:
"Hello Muddah, Hello Fadduh", became a surprise novelty hit, reaching No. 2 on the national Billboard Hot 100 chart for three weeks in late summer 1963.