Background: Rick Allan Price was born on 6 July 1961 in Beaudesert, a small country town 69 kilometres (43 mi) south of Brisbane. At the age of nine he appeared with his family band, Union Beau, performing at local bush dances in southern Queensland and northern New South Wales. Price has cited Stevie Wonder, James Taylor and Carole King as his inspirations. At the age of 18 Price moved to Sydney where he worked as a session and touring musician, playing bass guitar with various inner city outfits.
Context: In January and February 1997, Price played several shows alongside another accomplished Australian singer/songwriter, Jack Jones. The shows were a huge success with the pair performing their best hits together and alone, proving yet again their abilities as live performers.  For the majority of the year, Price spent his time in Los Angeles and Nashville writing material for his next album.  Some of the collaborators Price has worked with included Steve Werfel and Pam Reswick on "Not a Day Goes By" (who has written songs such as "Chains" by Tina Arena), Jon Lind (who has written songs such as "Simple Life" by John Farnham, and "Crazy for You" by Madonna), and Randy Goodrum, a well-respected writer from Nashville. He has also written with Australia's Heather Field who co-wrote "Heaven Knows" and "River of Love", and once again has worked with Phil Buckle who co-wrote "What's Wrong With That Girl" from Rick's Heaven Knows album.  In November and December 1997, Price played a couple of showcases to the public with some of the new material he had been working on. During the later months of 1997 and early 1998, Price recorded his new album in Los Angeles. The album Another Place was released in Australia in July 1999, spanning singles including "Where in the World" and "Good As Gone". In 2003, parting with Sony, Price released another solo album, A Million Miles, on his own label Clarice. Described as a garage album and going back to his musical roots, he plays every instrument heard on the album.
Question: What is A Million Miles?
Answer: another solo album, A Million Miles,

Problem: Background: New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. New Order were formed in the demise of their previous post-punk band Joy Division, following the suicide of vocalist Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. Their integration of post-punk with electronic and dance music made them one of the most critically acclaimed and influential bands of the 1980s.
Context: The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place". These two songs were written in the weeks before Curtis took his own life. With the release of Movement in November 1981, New Order initially started on a similar route as their previous incarnation, performing dark, melodic songs, albeit with an increased use of synthesisers. The band viewed the period as a low point, as they were still reeling from Curtis' death. Hook commented that the only positive thing to come out of the Movement sessions was that producer Martin Hannett had showed the band how to use a mixing board, which allowed them to produce records by themselves from then on. More recently, Hook indicated a change of heart: "I think Movement gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record."  New Order visited New York City again in 1981, where the band were introduced to post-disco, freestyle and electro. The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming. The singles that followed, "Everything's Gone Green" and "Temptation", saw a change in direction toward dance music.  The Hacienda, Factory Records' own nightclub (largely funded by New Order) opened in May 1982 in Manchester and was even issued a Factory catalogue number: FAC51. The opening of UK's first ever superclub was marked by a nearly 23-minute instrumental piece originally entitled "Prime 5 8 6", but released 15 years later as "Video 5 8 6". Composed primarily by Sumner and Morris, "Prime 5 8 6"/"Video 5 8 6" was an early version of "5 8 6" that contained rhythm elements that would later surface on "Blue Monday" and "Ultraviolence".
Question: Why did they view it as a low point?
Answer:
they were still reeling from Curtis' death.