Some context: CBC Radio 3 is a radio network that consists of two parts devoted to Canadian arts and music: a radio service which is available on Sirius XM Satellite Radio and streaming audio, and several daily and weekly podcasts from the CBC Radio 3 website. The audio stream is available from both CBC Music and from iTunes Radio, but geographical restrictions are in place to prevent access outside of Canada. The network evolved out of programming on CBC Radio 2, which also simulcasted the satellite network on Saturday and Sunday nights from its debut in December 2005 until March 17, 2007. Radio 3 is no longer heard on terrestrial radio, but is still available through its satellite radio and Internet operations.
On April 20, 2007, as part of CBC Radio 3's 100th podcast, a weekly video podcast was introduced. The new video-based podcast, R3TV, revolved around the personalities at CBC Radio 3 and featured a particular artist each week, who provided commentary for the podcast and had their music videos featured in the show. R3TV was also available as a channel on Internet television services such as Joost, YouTube and Miro Media Player.  In 2011, CBC Radio 3 sponsored its first documentary movie, Winning America, about Canadian band Said the Whale. The movie was directed by Brent Hodge and Thomas Buchan, and produced by Jon Siddall, Brent Hodge and Sheila Peacock. It first aired on July 23, 2011 on CBC Television in British Columbia, and then nationally on April 2, 2012.  After the success of the first film, Radio 3 decided to do a second documentary movie called What Happens Next? about Canadian musician Dan Mangan. This movie was produced and directed by Brent Hodge and Jon Siddall. It aired on CBC on August 25, 2012 in BC, and then again nationally on October 20, 2012.  Radio 3's next foray into video was in 2013, with the web series The Beetle Roadtrip Sessions. It followed host Grant Lawrence across Canada visiting various musicians and other personalities along the way, including The Darcys, Hollerado, Sam Roberts, Theo Fleury, Hawksley Workman and others. It was also directed by Brent Hodge. The Beetle Roadtrip Sessions won the award for Best Original Program or Series produced for Digital Media - Non-Fiction at the 2nd Canadian Screen Awards.
What was the documentary about?
A: Canadian band Said the Whale.

Question: Allen Toussaint (; January 14, 1938 - November 10, 2015) was an American musician, songwriter, arranger and record producer, who was an influential figure in New Orleans R&B from the 1950s to the end of the century, described as "one of popular music's great backroom figures." Many musicians recorded Toussaint's compositions, including "Java", "Mother-in-Law", "I Like It

The youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son. His father, Clarence, worked on the railway and played trumpet. Allen Toussaint learned piano as a child and took informal music lessons from an elderly neighbor, Ernest Pinn. In his teens he played in a band, the Flamingos, with the guitarist Snooks Eaglin, before dropping out of school. A significant early influence on Toussaint was the syncopated "second-line" piano style of Professor Longhair.  After a lucky break at age 17, in which he stood in for Huey "Piano" Smith at a performance with Earl King's band in Prichard, Alabama, Toussaint was introduced to a group of local musicians led by Dave Bartholomew, who performed regularly at the Dew Drop Inn, a nightclub on Lasalle Street in Uptown New Orleans. His first recording was in 1957 as a stand-in for Fats Domino on Domino's record "I Want You to Know", on which Toussaint played piano and Domino overdubbed his vocals. His first success as a producer also came in 1957 with Lee Allen's "Walking with Mr. Lee". He began performing regularly in Bartholomew's band, and he recorded with Fats Domino, Smiley Lewis, Lee Allen and other leading New Orleans performers.  After being spotted as a sideman by the A&R man Danny Kessler, he initially recorded for RCA Records as Al Tousan. In early 1958 he recorded an album of instrumentals, The Wild Sound of New Orleans, with a band including Alvin "Red" Tyler (baritone sax), either Nat Perrilliat or Lee Allen (tenor sax), either Justin Adams or Roy Montrell (guitar), Frank Fields (bass), and Charles "Hungry" Williams (drums). The recordings included Toussaint and Tyler's composition "Java", which first charted for Floyd Cramer in 1962 and became a number 4 pop hit for Al Hirt (also on RCA) in 1964. Toussaint also recorded and co-wrote songs with Allen Orange in the early 1960s.

Using a quote from the above article, answer the following question: Interesting aspects of his early life?
HHHHHH
Answer: Allen Toussaint learned piano as a child and took informal music lessons from an elderly neighbor, Ernest Pinn.

Some context: Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team.
A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989.
Did he do well the rest of the season?
A: