IN: Sir Julian Sorell Huxley FRS (22 June 1887 - 14 February 1975) was a British evolutionary biologist, eugenicist, and internationalist. He was a proponent of natural selection, and a leading figure in the mid-twentieth century modern synthesis. He was secretary of the Zoological Society of London (1935-1942), the first Director of UNESCO, a founding member of the World Wildlife Fund and the first President of the British Humanist Association. Huxley was well known for his presentation of science in books and articles, and on radio and television.

In the early 20th century he was one of the minority of biologists who believed that natural selection was the main driving force of evolution, and that evolution occurred by small steps and not by saltation (jumps). These opinions are now standard.  Though his time as an academic was quite brief, he taught and encouraged a number of evolutionary biologists at the University of Oxford in the 1920s. Charles Elton (ecology), Alister Hardy (marine biology) and John Baker (cytology) all became highly successful, and Baker eventually wrote Huxley's Royal Society obituary memoir.  Perhaps the most significant was Edmund Brisco Ford, who founded a field of research called ecological genetics, which played a role in the evolutionary synthesis. Another important disciple was Gavin de Beer, who wrote on evolution and development, and became Director of the Natural History Museum. Both these fine scholars had attended Huxley's lectures on genetics, experimental zoology (including embryology) and ethology. Later, they became his collaborators, and then leaders in their own right.  In an era when scientists did not travel so frequently as today, Huxley was an exception, for he travelled widely in Europe, Africa and the United States. He was therefore able to learn from and influence other scientists, naturalists and administrators. In the US he was able to meet other evolutionists at a critical time in the reassessment of natural selection. In Africa he was able to influence colonial administrators about education and wild-life conservation. In Europe, through UNESCO, he was at the centre of the post-World War II revival of education. In Russia, however, his experiences were mixed. His initially favourable view was changed by his growing awareness of Stalin's murderous repression, and the Lysenko affair. There seems little evidence that he had any effect on the Soviet Union, and the same could be said for some other Western scientists.  "Marxist-Leninism had become a dogmatic religion... and like all dogmatic religions, it had turned from reform to persecution."

What did Huxley believe?

OUT: natural selection was the main driving force of evolution,


IN: Thomson was born in Glasgow, Scotland, the youngest of six children. He arrived in the United States two years later. His father, a cabinet maker, had moved to New York City shortly before Bobby's birth and sent for his family in 1925. Thomson grew up on Staten Island in New York City and signed with the New York Giants for a $100 bonus right out of Curtis High School in 1942.

Longstanding rumors that the Giants engaged in systematic sign stealing during the second half of the 1951 season were confirmed in 2001. Several players told the Wall Street Journal that beginning on July 20, the team used a telescope, manned by coach Herman Franks in the Giants clubhouse behind center field, to steal the finger signals of opposing catchers. Stolen signs were relayed to the Giants dugout via a buzzer wire. Joshua Prager, the author of the Journal article, outlined the evidence in greater detail in a 2008 book.  Although Thomson always insisted that he had no foreknowledge of Branca's pitch, Sal Yvars told Prager that he relayed Rube Walker's fastball sign to Thomson. Branca was privately skeptical of Thomson's denials but made no public comment at the time. Later he told The New York Times, "I didn't want to diminish a legendary moment in baseball. And even if Bobby knew what was coming, he had to hit it.... Knowing the pitch doesn't always help." Whether the telescope-and-buzzer system contributed significantly to the Giants' late-season 37-7 win streak remains a subject of debate. Prager notes in his book that sign stealing was not specifically forbidden by MLB rules at the time and, moral issues aside, "...has been a part of baseball since its inception". Sign stealing using optical or other mechanical aids was outlawed by MLB in 1961.  Thomson however, late in his life, rebuked his prior claims of not receiving the sign on the Shot Heard 'Round the World, and admitted that the sign was received.

Where there any other scandals?

OUT: 


IN: Art Spiegelman (; born Itzhak Avraham ben Zeev on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker, where he made several high-profile and sometimes controversial covers. He is married to designer and editor

Spiegelman was born Itzhak Avraham ben Zeev in Stockholm, Sweden, on February 15, 1948. He immigrated with his parents to the US in 1951. Upon immigration his name was registered as Arthur Isadore, but he later had his given name changed to Art. Initially the family settled in Norristown, Pennsylvania, and then relocated to Rego Park in Queens, New York City, in 1957. He began cartooning in 1960 and imitated the style of his favorite comic books, such as Mad. At Russell Sage Junior High School, where he was an honors student, he produced the Mad-inspired fanzine Blase. He was earning money from his drawing by the time he reached high school and sold artwork to the original Long Island Press and other outlets. His talent was such that he caught the eyes of United Features Syndicate, who offered him the chance to produce a syndicated comic strip. Dedicated to the idea of art as expression, he turned down this commercial opportunity. He attended the High School of Art and Design in Manhattan beginning in 1963. He met Woody Gelman, the art director of Topps Chewing Gum Company, who encouraged Spiegelman to apply to Topps after graduating high school. At 15 Spiegelman received payment for his work from a Rego Park newspaper.  After his graduation in 1965, Spiegelman's parents urged him to pursue the financial security of a career such as dentistry, but he chose instead to enroll at Harpur College to study art and philosophy. While there, he got a freelance art job at Topps, which provided him with an income for the next two decades.  Spiegelman attended Harpur College from 1965 until 1968, where he worked as staff cartoonist for the college newspaper and edited a college humor magazine. After a summer internship when he was 18, Topps hired him for Gelman's Product Development Department as a creative consultant making trading cards and related products in 1966, such as the Wacky Packages series of parodic trading cards begun in 1967.  Spiegelman began selling self-published underground comix on street corners in 1966. He had cartoons published in underground publications such as the East Village Other and traveled to San Francisco for a few months in 1967, where the underground comix scene was just beginning to burgeon.  In late winter 1968 Spiegelman suffered a brief but intense nervous breakdown, which cut his university studies short. He has said that at the time he was taking LSD with great frequency. He spent a month in Binghamton State Mental Hospital, and shortly after he got out his mother committed suicide following the death of her only surviving brother.

What did he produce while attending the High School of Art and Design?

OUT:
He met Woody Gelman, the art director of Topps Chewing Gum Company, who encouraged Spiegelman to apply to Topps after graduating high school.