input: The band originally formed in 1989, after bassist Karl Buechner proposed the idea to his friend DJ Rose, whom he knew because both skateboarded together. Rose became the vocalist and they were joined by Jesse Buckley on drums and John Moseman on guitar. Established in the latter part of the youth crew heyday, where many groups disbanded and their members stopped being straight edge, they wanted to "keep that torch burning", as Buechner said. "The feeling of disappointment we had in those bands lead us to promote straight edge as being a lifetime commitment to never touch a drop of poison. We wanted people to know they can believe in us." Rose named the band after the 1984's album of the same name from the British reggae band Steel Pulse, because its cover portrayed many of the things they "would stand against", such as the starving African children, the two blocs of the Cold War and Klansmen.  Its initial lineup was short-lived; they had two or three practices and played a show in Utica, New York. After that performance, DJ Rose decided to quit the group to spend more time booking shows. Karl Buechner continued composing and formed a new lineup of the band in 1991, after attending a skateboard demonstration where he met members of the also vegan straight edge band Framework. He switched to lead vocals in the process and was joined by four of the five members of Framework: guitarist Scott Crouse, bassist Ian "Bulldog" Edwards, guitarist Ben Read and drummer Michael Riccardi, all who participated in EC as a side project. 1992's three song EP All Out War marked their debut release and shortly afterwards this became their first priority.  In the summer of 1993, at the start of the All Out War tour, Earth Crisis recorded the Firestorm EP in the studio of Bill Korecky in Cleveland and released it through Victory Records. For this album, Riccardi was replaced by Dennis Merrick. Later on, Ben Read was replaced by Kris Wiechmann.  Destroy the Machines, their first full-length record, was released in 1995 and would eventually become the best-selling album in the history of Victory Records. Later this year, the band's touring van was involved in an accident that injured all band members, most severely Merrick. During his recovery time, the other band members began the group Path of Resistance with Riccardi, DJ Rose and another friend to remain occupied.

Answer this question "Did this have any hits?"
output: 

input: Benny's comic persona changed over the course of his career. At some point he developed a miserly persona. This stage character was everything that Jack Benny was not: cheap, petty, vain and self-congratulatory. His comic rendering of these traits was the linchpin to the success of his show. Benny set himself up as comedic foil, allowing his supporting characters to draw laughs at the expense of his own flaws. With his humanism and vulnerability in an era where few male characters were allowed such character traits, Benny made what could have been unlikable into an everyman character.  Benny said: "I don't care who gets the laughs on my show, as long as the show is funny." Benny felt he got the credit or blame either way, not the actor saying the lines, so there was emphasis on the comedic bottom line. This attitude reached its apogee in a broadcast structured as a Hollywood bus tour of the stars' homes. Each "stop" on the tour was at a house belonging to one of the show's supporting cast, who would then have a scene which included jokes about the absent Benny. Not until the final moments of the program did the bus arrive at Jack Benny's house, at which point the listening audience heard Benny's only line of the episode: "Driver, here's where I get off." Few stars possessed the combination of daring, humility and comic timing to commit to such an extended payoff.  Mary Livingstone, his wife, was a supporting character, as his wisecracking and not especially deferential female friend. She was not quite his girlfriend, since Benny would often try to date movie stars like Barbara Stanwyck, and occasionally had stage girlfriends, such as "Gladys Zybisco". Don Wilson, the rotund announcer, also appeared on the show. He also announced for Fanny Brice's hit Baby Snooks. Bandleader Phil Harris appeared as a jive talking, alcoholic philanderer whose repartee was profoundly risque for its time. Boy tenor Dennis Day appeared as a sheltered, naive youth who often got the better of his boss. This character was originated by Kenny Baker whom Day replaced. Singer Larry Stevens replaced Dennis Day from November 5, 1944 to March 10, 1946, while the latter served in the Navy.

Answer this question "what other characters did he play"
output: Benny set himself up as comedic foil,

input: An emigre in 1993, the director experienced difficulty in cultural adjustment while contracted with Universal Studios to direct Jean-Claude Van Damme in Hard Target. As characteristics of other foreign national film directors confronted the Hollywood environment, Woo was unaccustomed to pervasive management concerns, such as limitations on violence and completion schedules. When initial cuts failed to yield an "R" rated film, the studio assumed control of the project and edited footage to produce a cut "suitable for American audiences". A "rough cut" of the film, supposedly the original unrated version, is still circulated among his admirers.  A three-year hiatus saw Woo next direct John Travolta and Christian Slater in Broken Arrow. A frenetic chase-themed film, the director once again found himself hampered by studio management and editorial concerns. Despite a larger budget than his previous Hard Target, the final feature lacked the trademark Woo style. Public reception saw modest financial success.  Reluctant to pursue projects which would necessarily entail front-office controls, the director cautiously rejected the script for Face/Off several times until it was rewritten to suit him. (The futuristic setting was changed to a contemporary one.) Paramount Pictures also offered the director significantly more freedom to exercise his speciality: emotional characterisation and elaborate action. A complex story of adversaries--each of whom surgically alters their identity--law enforcement agent John Travolta and terrorist Nicolas Cage play a cat-and-mouse game, trapped in each other's outward appearance. Face/Off opened in 1997 to critical acclaim and strong attendance. Grosses in the United States exceeded $100 million. Face/Off was also nominated for an Academy Award in the category Sound Effects Editing (Mark Stoeckinger) at the 70th Academy Awards.  In 2003, Mr. Woo directed a television pilot entitled The Robinsons: Lost in Space for The WB Television Network, based on the 1960s television series Lost in Space. The pilot was not purchased, although bootleg copies have been made available by fans.  John Woo has made three additional films in Hollywood: Mission: Impossible 2, Windtalkers and Paycheck. Mission: Impossible 2 was the highest-grossing film in America in 2000, but received mixed reviews. Windtalkers and Paycheck fared poorly at the box office and were summarily dismissed by critics. Woo directed and produced a videogame called Stranglehold for games consoles and PC. It is a sequel to his 1992 film, Hard Boiled. He also produced the 2007 anime movie, Appleseed: Ex Machina, the sequel to Shinji Aramaki's 2004 film Appleseed.

Answer this question "Did this movie win any awards?"
output:
Face/Off was also nominated for an Academy Award in the category Sound Effects Editing (Mark Stoeckinger) at the 70th Academy Awards.