Problem: Dr. Victor Von Doom (commonly known as Doctor Doom, or simply Doom) is a fictional character appearing in American comic books published by Marvel Comics. The son of a Romani witch, Von Doom has been depicted as a supervillain, the archenemy of the Fantastic Four, and the leader of the fictional nation called Latveria. While his chief opponents have been the Fantastic Four, he has also come into conflict with Spider-Man, Iron Man, Black Panther, and multiple others. Von Doom has also been depicted as a superhero, being the third character to take up the mantle of Iron Man and joining the Avengers.

Like many of Marvel's Silver Age characters, Doom was conceived by Stan Lee and Jack Kirby. With the Fantastic Four title performing well, Lee and Kirby were trying to dream up a "soul-stirring...super sensational new villain." Looking for a name, Lee latched onto "Doctor Doom" as "eloquent in its simplicity -- magnificent in its implied menace."  Due to the rush to publish, the character was not given a full origin story until Fantastic Four Annual #2, two years after his debut.  Jack Kirby modelled Doom after Death, with the armor standing in for that character's skeleton; "It was the reason for the armor and the hood. Death is connected with armor and the inhuman-like steel. Death is something without mercy, and human flesh contains that mercy." Kirby further described Doom as being "paranoid", wrecked by his twisted face and wanting the whole world to be like him. Kirby went on to say that although "Doom is an evil person, but he's not always been evil. He was [respected]...but through a flaw in his own character, he was a perfectionist." At one point in the 1970s, Kirby drew his interpretation of what Doom would look like under the mask, giving Doom only "a tiny scar on his cheek." Due to this slight imperfection, Doom hides his face not from the world, but from himself. To Kirby, this is the motivation for Doom's vengeance against the world; because others are superior due to this slight scar, Doom wants to elevate himself above them. Typical of Lee's writing characterization of Doom is his arrogance; his pride leads to Von Doom's disfigurement at the hands of his own machine, and to the failures of many of his schemes.  While the Fantastic Four had fought various villains such as the Mole Man, Skrulls, the Miracle Man, and Namor the Sub-Mariner, Doom managed to overshadow them all and became the Fantastic Four's archnemesis. During the 1970s, Doom branched out to more Marvel titles such as Astonishing Tales, The Incredible Hulk, and Super-Villain Team-Up, starting in 1975, as well as appearances in Marvel Team-Up, beginning with issue #42 (February 1976). Doom's origin was also a feature in Astonishing Tales when his ties to the villain Mephisto were revealed.

How was he developed?

Answer with quotes: Jack Kirby modelled Doom after Death, with the armor standing in for that character's skeleton; "It was the reason for the armor and the hood.

Question:
Jose Raul Capablanca y Graupera (19 November 1888 - 8 March 1942) was a Cuban chess player who was world chess champion from 1921 to 1927. A chess prodigy, he is considered by many as one of the greatest players of all time, widely renowned for his exceptional endgame skill and speed of play. Born in Havana, he beat Cuban champion Juan Corzo in a match two days before his thirteenth birthday on 17 November 1901.
After losing the World Championship in late 1927, Capablanca played more often in tournaments, hoping to strengthen his claim for a rematch. From 1928 through 1931, he won six first prizes, also finishing second twice and one joint second. His competitors included rising stars such as Max Euwe and Isaac Kashdan, as well as players who had been established in the 1920s, but Capablanca and Alekhine never played in the same tournament during this period, and would next meet only at the Nottingham, 1936 tournament, after Alekhine had lost the world title to Euwe the preceding year. In late 1931, Capablanca also won a match (+2-0=8) against Euwe, whom Chessmetrics ranks sixth in the world at the time.  Despite these excellent results, Capablanca's play showed signs of decline: his play slowed from the speed of his youth, with occasional time trouble; although he continued to produce many superb games, he also made some gross blunders. Chessmetrics nonetheless ranks Capablanca as the second strongest player in the world (after Alekhine) from his loss of the title through to autumn 1932, except for a brief appearance in the top place.  Alekhine's offer to play Capablanca in a rematch if $10,000 could be raised came to naught thanks to the Great Depression. After winning an event at New York in 1931, he withdrew from serious chess, perhaps disheartened by his inability to secure a return match against Alekhine, and played only less serious games at the Manhattan Chess Club and simultaneous displays. On 6 December 1933, Capablanca won all 9 of his games in one of the club's weekly rapid chess tournaments, finishing 2 points ahead of Samuel Reshevsky, Reuben Fine and Milton Hanauer.  It is from this period that the only surviving voiced film footage survives. He is with Max Euwe and Dutch radio sports journalist Han Hollander. Hollander asks Capablanca for his views on the upcoming world Championship match between Euwe and Alekhine in October of that year (1935). Capablanca replies: "Dr. Alekhine's game is 20% bluff. Dr. Euwe's game is clear and straightforward. Dr. Euwe's game--not so strong as Alekhine's in some respects--is more evenly balanced." Then Euwe gives his assessment in Dutch, explaining that his feelings alternated from optimism to pessimism, but in the previous ten years, their score had been evenly matched at 7-7.
Answer this question using a quote from the text above:

was he able to do a rematch?

Answer:
From 1928 through 1931, he won six first prizes, also finishing second twice and one joint second.