Question:
Charlyn Marie Marshall was born January 21, 1972 in Atlanta, Georgia, the second child of Charlie Marshall, a blues musician and pianist, and Myra Lee Marshall (nee Russell). She has one older sister, Miranda "Mandy." Her parents divorced in 1979 and remarried shortly thereafter. Her mother remarried and had a son Lenny, and the family travelled around often because of her stepfather's profession.
Around 2003 she bought a house in South Beach, Miami, from a high school friend. In 2009 Marshall moved to Los Angeles to share a house in Silver Lake, California with her then-boyfriend. They also had a rental house in Malibu where she had a studio.  When Marshall was working as a waitress in Atlanta prior to becoming famous, her boyfriend died. She says this, coupled with the prevalence of heroin use amongst her friends and the loss of her best friend to AIDS, was the impetus for her moving to New York. A new boyfriend in New York helped her get a job in a restaurant, but she realised he was having an affair with the restaurant owner, a married woman with two children.  In 2001, Marshall was romantically involved with a runway model, Daniel Currie. He separated her in 2003 at a time when she was drinking heavily and abusing other drugs. Marshall referred to him as "the ex-love of my life."  According to an interview in January 2011, Marshall was in a relationship with actor Giovanni Ribisi beginning in 2006, and lived with Ribisi and his 14-year-old daughter in Los Angeles. In June 2012, it was reported that Marshall was no longer in a relationship with Ribisi. The completion of Marshall's album Sun coincided with their breakup: "I cut my hair off three days [after the breakup], got on a plane to France, and finished the shit."  In April 2015, Marshall announced that she recently had a baby, but did not name the child's father.
Answer this question using a quote from the text above:

What else did she do there?

Answer:
she realised he was having an affair with the restaurant owner, a married woman with two children.

input: When composer/arranger Pete Rugolo joined the Stan Kenton Orchestra as staff arranger in late 1945 he brought with him his love of jazz, Stravinsky and Bartok. Given free rein by Kenton, he experimented constantly, creating a sound that was at the same time innovative and popular. Although Kenton himself was already creating somewhat experimental scores prior to Rugolo's tenure, it was Rugolo who brought to the band the extra-jazz influences and the ultra-experimental approach that were to dominate the band through much of its existence.  During his first six months on the staff Rugolo tried to copy Kenton's sound. But on encouragement from the leader, he explored his own voice. By incorporating compositional techniques borrowed from the modern classical music he had studied, with the dramatic excitement of the Kenton sound, Rugolo helped catapult the Kenton band into one of its most fertile and creative periods.  After a string of mostly arrangements, Rugolo turned out three originals that Kenton featured on the band's first album in 1946: (Artistry in Rhythm): "Artistry in Percussion", "Safranski" and "Artistry in Bolero". Added to this mix came "Machito", "Rhythm Incorporated", "Monotony" and "Interlude" in early 1947 (though some were not recorded until later in the year). These compositions, along with June Christy's voice, came to define the Artistry in Rhythm band.  It was during this period that Cuban rhythms started infiltrating the Kenton sound. Rugolo's 1946 composition "Machito", named after the great Cuban band leader that had impressed Kenton, was a regular on concerts in 1947 and 1948. During the subsequent Progressive Jazz era the Cuban sound would become more profound, an influence that was to remain with Kenton until his death.  The Artistry in Rhythm outfit was a powerful band, with outstanding soloists, but with one foot firmly in the tradition. By early 1947, the Stan Kenton Orchestra had reached its highest point of financial and popular success. They played in the best theaters and ballrooms in America, they had hit records ... and the schedule was killing Kenton. Dances at the many ballrooms were typically four hours a night. Theater dates generally involved playing mini concerts between each showing of the movie, sometimes five or six a day, stretching from morning to late night. Most days not on location were spent in buses or cars, racing from town to town. Days off from performing were rare. And for Kenton they just allowed for more record signing, radio station interviews, and pushing the Capitol brand. He was beat. Following an April performance in Tuscaloosa, he broke up the band.

Answer this question "Was Artistry in Rhythm successful?"
output: These compositions, along with June Christy's voice, came to define the Artistry in Rhythm band.

Answer the question at the end by quoting:

Staind ( STAYND) is an American rock band formed in 1995. The original lineup consisted of lead vocalist and rhythm guitarist Aaron Lewis, lead guitarist Mike Mushok, bassist and backing vocalist Johnny April, and drummer Jon Wysocki. The lineup has been stable outside of Wysocki's departure in 2011, who was replaced by Sal Giancarelli. The band has recorded seven studio albums: Tormented (1996), Dysfunction (1999), Break the Cycle (2001), 14 Shades of Grey (2003), Chapter V (2005), The Illusion of Progress (2008), and Staind (2011).
In late 2014, the band went on another hiatus. Aaron Lewis continued to play solo shows and work on his next solo album. He also confirmed that the hiatus would last "for a while". Mike Mushok teamed up with former Three Days Grace singer Adam Gontier, former Finger Eleven drummer Rich Beddoe and Eye Empire bassist Corey Lowery to form Saint Asonia.  When asked in an August 2016 interview about Staind's future, Mushok stated that the hiatus could possibly be the end of the band. He explained, "I remember '09, we stopped touring, and we did a record after that. We did the self-titled Staind record, which we did a little touring on. It was one of my favorite Staind records we had done. Aaron, I know, has another country record coming out in September. So...you know, we say we're gonna do something else, but there's no real plan for it right now. I know he's pursuing. And I know we're writing another record.". In addition, Aaron Lewis indicated that he is focused on country music while noting "Do I think there's room somewhere down the road for Staind to play shows in the summertime, radio festivals and stuff like that? Sure. Do I think I have another one of those Staind records in me? Of course I do. All I have to do is live."  On August 4, 2017, the band performed for the first time since November 2014 for an acoustic performance at Aaron Lewis' 6th annual charity golf tournament and concert when bassist Johnny April & drummer Sal Giancarelli joined Aaron Lewis & Mike Mushok to perform "Outside", "Something to Remind You", and "It's Been Awhile". Three days later, Lewis announced that Staind would never tour extensively again, stating:  The touring machine, as you call it, of Staind will never be again. Not like that, no. Never. I could never go back to playing six shows [a week] eight weeks in a row. I can't do that. I have grown in my age and become very accustomed to playing Thursday, Friday and Saturday and being able to go home for a few days and unwind and try to kind of have a life aside from doing this.

Is there anything else notable about your article?
Mike Mushok teamed up with former Three Days Grace singer Adam Gontier, former Finger Eleven drummer Rich Beddoe and Eye Empire bassist Corey Lowery to form Saint Asonia.