input: Burton was the host and executive producer of Reading Rainbow starting in 1983 for PBS. The series ran for 23 seasons, making it one of the longest-running children's programs on the network. The series garnered over 200 broadcast awards over its run, including a Peabody Award and 26 Emmy Awards, 11 of which were in the Outstanding Children's Series category. Burton himself won 12 Emmy awards as host and producer of the show.  After Reading Rainbow went off the air in 2006, Burton and his business partner, Mark Wolfe, acquired the global rights to the brand and formed RRKIDZ, a new media company for children. Reading Rainbow was reimagined as an all new application for the iPad in 2012, and was an immediate success, becoming the number-one educational application within 36 hours. At RRKIDZ, Burton serves as co-founder and curator-in-chief, ensuring that the projects produced under the banner meet the high expectations and trust of the Reading Rainbow brand.  On May 28, 2014, Burton and numerous coworkers from other past works started a Kickstarter campaign project to bring back Reading Rainbow. To keep with the changing formats to which young children are exposed, his efforts are being directed at making this new program web-based, following the success of the tablet application he helped create in recent years. His desire is to have the new Reading Rainbow be integrated into the classrooms of elementary schools across the country, and for schools in need to have free access. The Kickstarter campaign has since raised over $5 million, reaching triple its goal in only three days.

Answer this question "Did the show win any awards?"
output: The series garnered over 200 broadcast awards over its run, including a Peabody Award and 26 Emmy Awards,

input: Usage of terminology is not uniform across the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ setup, turntables are often colloquially called "decks". In later electric phonographs (more often known since the 1940s as record players or, most recently, turntables), the motions of the stylus are converted into an analogous electrical signal by a transducer, then converted back into sound by a loudspeaker.  The term phonograph ("sound writing") was derived from the Greek words phone (phone, "sound" or "voice") and graphe (graphe, "writing"). The similar related terms gramophone (from the Greek gramma gramma "letter" and phone phone "voice") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The new term may have been influenced by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times carried an advertisement for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Association tabled a motion to "employ a phonographic recorder" to record its meetings.  Arguably, any device used to record sound or reproduce recorded sound could be called a type of "phonograph", but in common practice the word has come to mean historic technologies of sound recording, involving audio-frequency modulations of a physical trace or groove. In the late-19th and early-20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various makers of sometimes very different (i.e. cylinder and disc) machines; so considerable use was made of the generic term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and now.

Answer this question "Any other terms that can be used?"
output: In the late-19th and early-20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various makers

input: The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009.  In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s.  In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.

Answer this question "What else was interesting in the article?"
output:
In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s.