Problem: Background: Dr. Victor Von Doom (commonly known as Doctor Doom, or simply Doom) is a fictional character appearing in American comic books published by Marvel Comics. The son of a Romani witch, Von Doom has been depicted as a supervillain, the archenemy of the Fantastic Four, and the leader of the fictional nation called Latveria. While his chief opponents have been the Fantastic Four, he has also come into conflict with Spider-Man, Iron Man, Black Panther, and multiple others. Von Doom has also been depicted as a superhero, being the third character to take up the mantle of Iron Man and joining the Avengers.
Context: On many occasions, Doom's only real weakness has been his arrogance. Layla Miller once reflected that Doom is incapable of accepting that he himself might be the reason for his failures. This is most keenly reflected in Doom's continued refusal to accept responsibility for the accident that fully scarred his face, instead preferring to blame Reed Richards for sabotaging his experiment. While his high opinion of himself is generally accurate, he is generally unable to accept when others may have a better understanding of a situation than he does - with the occasional exception of hearing the recommendations of heroes such as Mister Fantastic or the Thing when it is to his advantage. Even when teaming up with others against a greater threat, Doom will often try to subvert the alliance for personal gain. For instance, while allied with Adam Warlock and other heroes against the Titan Thanos, he attempted to steal Thanos' Infinity Gauntlet before its owner had been defeated.  Von Doom adheres to a strict code of honor at all times. However, Von Doom will keep his exact word, which may or may not be beneficial to the person to whom he has given his promise. For example, Doom may swear that he will not harm an individual, but that only means he will not personally harm that person; it does not mean he will prevent others from harming that person.  Doom's honor code led him to save Captain America from drowning because Captain America had earlier saved his life, and on another occasion he thanked Spider-Man for saving him from terrorists attacking him in an airport by allowing him to leave alive despite Spider-Man subsequently insulting him. His code of honor also means that he will not attack a respected opponent who is weakened or at a severe disadvantage, as he regards any victory resulting from such circumstances as hollow and meaningless. He has even on several occasions battled opponents who were intent on killing the Fantastic Four, for no other reason than the fact that he does not want the ultimate defeat of the Fantastic Four to come from anyone's hands but his own.  Victor von Doom has been shown to be devoted to the welfare and well-being of his subjects. Once, he even went so far as to let his soul lay bare and be judged by the Panther God of Wakanda, who determined that he genuinely wished for a utopian future where humanity thrived,
Question: How was doctor doom involved in physchology
Answer: Doom's only real weakness has been his arrogance. Layla Miller once reflected that Doom is incapable of accepting that he himself might be the reason for his failures.

Problem: Background: Born Lucille Fay LeSueur in San Antonio, Texas, the youngest and third child of Anna Bell (Johnson) and Thomas E. LeSueur, a laundry laborer. She was of English, French Huguenot, Swedish, and Irish ancestry. Crawford's elder siblings were sister Daisy LeSueur, who died before Lucille's birth, and brother Hal LeSueur. Crawford's father abandoned the family a few months before her birth, reappearing later in 1930 in Abilene, Texas, reportedly working as a construction laborer.
Context: For $500,000, Crawford signed with Warner Brothers for a three-movie deal and was placed on the payroll on July 1, 1943. Her first film for the studio was Hollywood Canteen (1944), an all-star morale-booster film that teamed her with several other top movie stars at the time. Crawford said one of the main reasons she signed with Warner Brothers was because she wanted to play the character "Mattie" in a proposed 1944 film version of Edith Wharton's novel Ethan Frome (1911).  She wanted to play the title role in Mildred Pierce (1945), but Bette Davis was the studio's first choice. However, Davis turned the role down. Director Michael Curtiz did not want Crawford to play the part, and he instead lobbied for the casting of Barbara Stanwyck. Warner Bros went against Curtiz and cast Crawford in the film. Throughout the entire production of the movie, Curtiz criticized Crawford. He has been quoted as having told Jack L. Warner, "She comes over here with her high-hat airs and her goddamn shoulder pads... why should I waste my time directing a has-been?" Curtiz demanded Crawford prove her suitability by taking a screen test. She agreed. After the test, Curtiz agreed to Crawford's casting. Mildred Pierce was a resounding critical and commercial success. It epitomized the lush visual style and the hard-boiled film noir sensibility that defined Warner Bros. movies of the late forties, earning Crawford the Academy Award for Best Actress in a Leading Role.  The success of Mildred Pierce revived Crawford's movie career. For several years, she starred in what were called "a series of first-rate melodramas". Her next film was Humoresque (1946), co-starring John Garfield, a romantic drama about a love affair between an older woman and a younger man. She starred alongside Van Heflin in Possessed (1947), for which she received a second Academy Award nomination, although she did not win. In Daisy Kenyon (1947), she appeared opposite Dana Andrews and Henry Fonda, and in Flamingo Road (1949) her character has an ultimately deadly feud with a corrupt southern Sheriff played by Sydney Greenstreet. She made a cameo appearance in It's a Great Feeling (1949), poking fun at her own screen image. In 1950, she starred in the film noir, The Damned Don't Cry!, and starred in Harriet Craig.  After the completion of This Woman Is Dangerous (1952), a film Crawford called her "worst", she asked to be released from her Warner Brothers contract. By this time she felt Warners was losing interest in her and she decided it was time to move on. Later that same year, she received her third and final Academy Award nomination for Sudden Fear for RKO Radio Pictures. In 1953, she appeared in her final film for MGM, Torch Song. The movie received favorable reviews and moderate success at the box office.  Crawford adopted two more children in 1947, two girls she named Cindy and Cathy.
Question: When was her contract end for the tree movies ?
Answer: