Problem: Background: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
Context: Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie.  Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s.  Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque.  Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.
Question: Were there any other famous ones?
Answer: The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather

Background: Hanson is an American pop rock band from Tulsa, Oklahoma, United States, formed by brothers Isaac (guitar, bass, piano, vocals), Taylor (keyboards, piano, guitar, drums, vocals), and Zac (drums, piano, guitar, vocals). Supporting members include Dimitrius Collins (keyboards, guitar), and Andrew Perusi (bass) who have toured and performed live with the band since 2007. They are best known for the 1997 hit song "MMMBop" from their debut album released through Mercury, Polygram, Middle of Nowhere, which earned three Grammy nominations. Despite the enormous commercial success of Middle of Nowhere, the band suffered from the merger that eliminated their label, Mercury Records .
Context: In the early to mid-1990s, Isaac, Taylor and Zac sang a cappella and recorded such classic songs as "Rockin' Robin", "Splish Splash" and "Johnny B. Goode", as well as their own material. Their first performance as a professional group took place in 1992 at the Mayfest Arts Festival in Tulsa. They were known as the Hanson Brothers, before shortening the name to Hanson in 1993.  Hanson also appeared on Carman's Yo! Kidz: The Vidz, which cast Taylor as a young Biblical David facing Goliath, Isaac as an event announcer, and Zac and other members of the family in the stands cheering on this "sporting event".  All three boys started their musical careers as pianists, but Isaac eventually started playing guitar and Zac started playing drums, while Taylor continued as the keyboard player. The band recorded two independent albums in their hometown of Tulsa, Boomerang (recorded in autumn 1994, released in 1995) and MMMBop (released in 1996). The latter featured the original version of the song "MMMBop", which would later become the runaway single on their debut commercial record Middle of Nowhere. The boys then found themselves at the South By Southwest (aka SXSW) music festival in Austin, Texas. There, they were promptly signed by manager Christopher Sabec. He shopped them to several record companies, most of which dismissed the band as either a novelty or fraud before Steve Greenberg, an A&R representative for Mercury Records, heard them play a set at the Wisconsin State Fair. After this performance, they were signed almost immediately by Mercury. They soon became a worldwide sensation with the release of their first major-label album, Middle of Nowhere, which was produced by Stephen Lironi and the Dust Brothers.
Question: Where was this at
Answer:
Mayfest Arts Festival in Tulsa.