IN: REO Speedwagon (originally styled as R.E.O. Speedwagon) is an American rock band from Champaign, Illinois. Formed in 1967, the band cultivated a following during the 1970s and achieved significant commercial success throughout the 1980s. Hi Infidelity (1980) contained four US Top 40 hits and is the group's best-selling album, with over ten million copies sold. Over the course of its career, the band has sold more than 40 million records and has charted thirteen Top 40 hits, including the number ones "

By the late 1980s, the band's popularity was starting to decline. Alan Gratzer left in September 1988 after he decided to retire from music to open a restaurant. In early 1989, Gary Richrath quit after tensions between him and Kevin Cronin boiled over. Cronin had been playing in The Strolling Dudes, a jazz ensemble that included jazz trumpet player Rick Braun (who had co-written the abovementioned "Here With Me" with Cronin), Miles Joseph on lead guitar and Graham Lear on drums. Lear had already been invited to join REO in September 1988 as Gratzer's successor and Joseph was brought in as a temporary stand-in for Richrath. Back up singers Carla Day and Melanie Jackson were also added. This lineup did only one show, on January 7, 1989 in Vina del Mar, Chile, where it won the award for best group at the city's annual International Song Festival. After that, Miles Joseph and the back up singers were dropped in favor of former Ted Nugent guitarist Dave Amato (who was brought aboard in May 1989) and keyboardist/songwriter/producer Jesse Harms.  The 1990 release The Earth, a Small Man, His Dog and a Chicken, with Bryan Hitt (formerly of Wang Chung) on drums, was a commercial disappointment. The album produced only one, and - to date - the band's last Billboard Hot 100 single, "Love Is a Rock," which peaked at #65. Harms, disenchanted by the album's failure, left the group in early 1991.  Shortly after his departure, Richrath assembled former members of the Midwestern band Vancouver to form a namesake band, Richrath. After touring for several years, the Richrath band released Only the Strong Survive in 1992 on the GNP Crescendo label. Richrath (the band) continued to perform for several years before disbanding in the late 1990s. In September 1998, Gary Richrath briefly joined REO onstage at the County Fair in Los Angeles to play on band's encore song, "157 Riverside Avenue". He then joined REO once again in Los Angeles in May 2000 for the same encore but no serious plans for a reunion ever materialized.  Having lost their recording contract with Epic, REO Speedwagon ended up releasing Building the Bridge (1996) on the Priority/Rhythm Safari label. When that label went bankrupt, the album was released on Castle Records, which also experienced financial troubles. REO Speedwagon ultimately self-financed this effort, which failed to chart. The title track did make R&R's AC Top 30 chart.

Did anyone leave the band?

OUT: Harms, disenchanted by the album's failure, left the group in early 1991.


IN: Tara Maclay is a fictional character created for the action-horror/fantasy television series Buffy the Vampire Slayer (1997-2003). She was developed by Joss Whedon and portrayed by Amber Benson. Tara is a shy young woman with magical talents who falls in love with Willow Rosenberg, one of the core characters. Together, they help Buffy Summers, who has been given superhuman powers to defeat evil forces in the fictional town of Sunnydale.

Tara becomes more outspoken during the sixth season about the ethics of Willow's use of magic, cautioning Willow that she depends too much on it. The dynamics of their relationship suddenly turn during "Once More, with Feeling". Willow had cast a spell on Tara to alter her memory in the preceding episode and Tara finds out about it during "Once More, with Feeling", the musical episode of the series. Tara was given a prominent role in the musical due to the skill of Benson's voice: she sings a love ballad to Willow, a duet with Giles, and backup in two other songs. The musical nature of the episode compelled the characters to express what they had been feeling secretly, or had refused to admit to themselves. Tara's song is a fervent and explicit expression of love for Willow which she had not made clear to the audience until this point. Tara later sings with Giles that she will leave Willow if she does not change. Self-conscious about her singing abilities, Hannigan requested not to be given a song and sings only a few lines in the episode. Critics saw this as Tara's personality becoming more forceful as Willow begins to show signs of weakness as she is overtaken by her addiction. Tara challenges Willow to go for a week without using any magic. Willow almost immediately breaks her promise, however, and Tara leaves her at the end of "Tabula Rasa". Tara remains a part of the group, spending time with Dawn, and non-judgmentally acting as Buffy's confessor when Buffy divulges she has a painful and compulsive sexual relationship with Spike, a vampire whom she loathes.  Despite their separation, Tara remains devoted to Willow's recovery and supports her in her decision to abstain from using magic. She is, according to author Lorna Jowett, one of the few characters who is never seduced by evil. Shuttleworth notes that most Buffy characters go through a rite of transformation except for Tara. Among female characters she is the most virtuous. Like the other Buffy characters in the series whose names have symbolic interpretations, Tara's name resembles the Latin terra, meaning "earth." She is solidly grounded, with Willow attached to her, and Benson's body more naturally representative of women. Tara is wholly feminine both in dress and demeanor, as opposed to Buffy and (less) Willow mostly dressed with trousers and jackets, but never seeks male approval. She is clad in earthy, natural colors, long flowing skirts and clinging blouses, with an intent to comfort instead of arouse as other women on the show are dressed. Her admonishments to other characters are always made with love, with their best interests at heart. Even Tara's last words, commenting that Willow's shirt is stained (with Tara's own blood), indicate her preoccupation with the welfare of others.  Tara has also appeared in The Long Way Home, Always Darkest, Retreat, and the one-off Willow.

Why does she think Willow depends too much on her magic?

OUT: