input: As a result of performing his early songwriting efforts in cabarets around Manhattan, he was invited to write with such composers as Stephen Schwartz, Alan Menken and Rupert Holmes. In 1979, he collaborated with recording artist and cabaret performer Peter Allen to write new songs for Allen's one-man Broadway revue, Up In One.  With composer Michael Gore, Pitchford collaborated on three songs for Alan Parker's 1980 motion picture Fame; these were "Red Light," a disco hit for singer Linda Clifford; the symphonic/rock finale "I Sing the Body Electric;" and the title song "Fame," which became a multi-platinum, international best seller for Irene Cara. That song earned Gore and Pitchford an Oscar, a Golden Globe, and a Grammy nomination for Song of the Year (1981). They also received a Grammy nomination for Best Soundtrack Album for a Motion Picture, Television or Other Visual Media.  When Pitchford was signed by Warner Brothers Publishing (1981) he began collaborating with a variety of songwriters. Among the first songs whose lyrics he wrote in collaboration with composer Tom Snow was "Don't Call It Love," which was first recorded by Kim Carnes on her 1981 album Mistaken Identity; the selection charted in the U.S. country singles top-ten for Dolly Parton in 1985 and was named the BMI Country Song of the Year.  For the ill-fated 1981 movie The Legend of the Lone Ranger, Pitchford wrote a narrative ballad, "The Man In the Mask." This was spoken (throughout the movie) and sung (at its beginning and end) by Merle Haggard.  "You Should Hear How She Talks About You," another Snow/Pitchford composition, was a Top 5 hit for Melissa Manchester for which she won the Grammy Award for Best Female Pop Vocal Performance in 1983. That same year, Pitchford, Kenny Loggins and Steve Perry wrote and composed "Don't Fight It," a Top 20 hit that was Grammy-nominated in the Best Pop Vocal Duo category. With musical director Michael Miller, he wrote the theme song for the weekly dance-music show Solid Gold (1980-88).

Answer this question "what were the names of the songs he wrote for up in one"
output: 

Problem: Background: The Bravery was an American rock band formed in New York City in 2003 that consisted of lead vocalist Sam Endicott, guitarist Michael Zakarin, keyboardist John Conway, bassist Mike Hindert and drummer Anthony Burulcich. It released three studio albums: The Bravery (2005), The Sun and the Moon (2007) and Stir the Blood (2009). It also released a remixed edition of its second album called The Sun and the Moon Complete in 2008 and an Internet live album called Live at the Wiltern Theater in 2010. Their music can be best described as post-punk dance influenced rock and roll.
Context: After a few months of headlining and selling out small clubs, The Bravery booked a residency at the Lower East side club Arlene's Grocery. The Bravery played every Thursday at 10pm in May 2004. Every show sold out and garnered the attention of many record labels. Around the same time, the band received their first radio airplay on the show 'Alter Ego' hosted by Paul Driscoll on Boston's WFNX. Aaron Axeleson at Live 105 in San Francisco and Zane Lowe at BBC Radio 1 in the UK, also downloaded the MP3 of "An Honest Mistake" from thebravery.com. With three major radio stations around the world playing the MP3 of "An Honest Mistake" and sold out shows in New York, The Bravery signed in August 2004 to Island Def Jam in the United States and Loog Records in the UK.  For the month of November 2004, The Bravery moved to the Stoke Newington part of London. The band imported their residency idea to London playing every Thursday at The Metro Club in Soho. The band toured the entire UK, France and the Netherlands between Thursdays. The band also opened shows for Yeah Yeah Yeahs and Razorlight.  Loog Records released the Unconditional EP, a limited edition 3 song EP on CD and 12" vinyl containing the songs "Unconditional", "No Brakes" and "Out of Line". NME wrote, "Unconditional already has the time-worn feel of an indie classic."  The cover was taken from C. Finley's oil on canvas named "Colab." "Unconditional" received heavy airplay on Radio 1 and XFM London.  The Bravery played New Year's Eve of 2005 at the Motherfucker Party in New York City. Bassist Mike Hindert was almost arrested for stripping naked and exposing his genitalia, displaying a painted smiley face and the words "Happy New Year".  The Village Voice proclaimed the Bravery to be "New York's Official Next Big Thing", while MTV and Rolling Stone hailed them as an artist to watch. The band were also tipped in the BBC News website's Sound of 2005 poll as 2005's #1 most promising act.
Question: Who produced the EP?
Answer: Loog Records

Question: Christopher D'Olier Reeve (September 25, 1952 - October 10, 2004) was an American actor. He achieved stardom for his acting achievements. In particular, he is best known for his motion picture portrayal of the classic DC comic book superhero Superman, beginning with the acclaimed Superman (1978), for which he won a BAFTA Award. Reeve appeared in other critically acclaimed films such as The Bostonians (1984), Street Smart (1987) and The Remains of the Day (1993).

After graduating from Princeton Day School in June 1970, Reeve acted in plays in Boothbay, Maine and planned to go to New York City to find a career in theater. Instead, at the advice of his mother, he applied for college. He was accepted into Brown, Carnegie Mellon, Columbia, Cornell, Northwestern, and Princeton. Reeve claimed that he chose Cornell primarily because it is a three-and-a-half-hour drive from New York City, where he planned to start his career as an actor, despite the fact that Princeton and Columbia are considerably closer to the city than Cornell, with Columbia being in New York City, just a few miles uptown from the theater district.  Reeve joined the theater department in Cornell and played Pozzo in Waiting for Godot, Segismundo in Life Is a Dream, Hamlet in Rosencrantz and Guildenstern Are Dead, and Polixenes in The Winter's Tale. Late in his freshman year, Reeve received a letter from Stark Hesseltine, a high-powered agent who had discovered Robert Redford and represented actors such as Richard Chamberlain, Michael Douglas, and Susan Sarandon. Hesseltine had seen Reeve in A Month in the Country and wanted to represent him. The two met and decided that instead of dropping out of school, Reeve could come to New York once a month to meet casting agents and producers to find work for the summer vacation. That summer, he toured in a production of Forty Carats with Eleanor Parker.  The next year, Reeve received a full-season contract with the San Diego Shakespeare Festival, with roles as Edward IV in Richard III, Fenton in The Merry Wives of Windsor, and Dumaine in Love's Labour's Lost at the Old Globe Theatre.  Before his third year of college, Reeve took a three-month leave of absence. He flew to Glasgow and saw theatrical productions throughout the United Kingdom. He was inspired by the actors and often had conversations with them in bars after the performances. He helped actors at the Old Vic with their American accents by reading the newspaper aloud for them. He then flew to Paris, where he spoke fluent French for his entire stay; he had studied it from third grade until his second year in Cornell. He watched many performances and immersed himself in the culture before finally returning to New York to reunite with his girlfriend.

Using a quote from the above article, answer the following question: Was he successful?
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Answer:
played Pozzo in Waiting for Godot, Segismundo in Life Is a Dream, Hamlet in Rosencrantz and Guildenstern Are Dead, and Polixenes in The Winter's Tale.