Problem: Background: Ashanti Shequoiya Douglas was born on October 13, 1980, in Glen Cove, New York. Her mother, Tina Douglas, is a former dance teacher, and her father, Ken-Kaide Thomas Douglas, is a former singer. Her mother named her after the Ashanti Empire in Ghana; in this nation, women had power and influence, and Tina wanted Ashanti to follow that model. Her grandfather, James, was a civil rights activist who associated with Martin Luther King, Jr. in the 1960s.
Context: After a four-year hiatus, Ashanti released the song "Never Too Far Away", which was featured in Morgan Creek's film Dream House starring Daniel Craig, Rachel Weisz with Naomi Watts. The lead single from her fifth studio album, "The Woman You Love" featuring American rapper Busta Rhymes, was released online on December 15, 2011. Ashanti teamed up with Meek Mill and French Montana for the second single "No One Greater", which was produced by 7 Aurelius, Irv Gotti and Chink Santana. In April 2013, she released another single called "Never Should Have", which later won "Best Independent R&B/Soul Performance" at the 2013 Soul Train Awards. A music video for the track was also released.  In November 2012, it was reported that she had landed her first series regular role in the seventh season of Army Wives in which she played Latasha Montclair. The series was cancelled on September 24, 2013. In the fall of 2013, she appeared in a guest spot on Law & Order: Special Victims Unit alongside Clay Aiken and Taylor Hicks. She starred in the Lifetime film Christmas in the City which premiered on December 7, 2013.  In August 2013, Ashanti announced her plans to work with Ja Rule again, who'd been released from prison in July of that year after a six-year sentence stemming from a gun charge. On January 8, 2014, she revealed the official cover art and release date for Braveheart, her fifth album, which was released on March 4, 2014. In January 2014, Ashanti shot the video for the official first single from Braveheart titled "I Got It" featuring Rick Ross. The video was shot in Miami, Florida and was directed by Eif Rivera. In July, Ashanti announced that the second official single from BraveHeart would be "Early in the Morning" featuring French Montana. Upon release, the album garnered favorable reviews, with music critics describing Braveheart's sound as an "evolution of R&B" and praising the themes of empowerment, but criticizing the romantic cliches and lack of interesting moments on the album. On the charts, Braveheart opened at number ten on the U.S. Billboard 200, becoming Ashanti's fifth consecutive top-ten album, as well as her first Independent Albums chart topper. It also debuted in the top-thirty of the UK R&B Albums Chart and top-forty of the UK Indie Albums Chart.  In 2015, she announced that she has been working on new music for her sixth album, with an unknown release date. Ashanti also teamed with Michelle Obama and her Let's Move campaign to spread awareness of drinking water with her new video and song "Let's Go". The video is also available at www.drinkupashanti.com. In 2016, she appeared on The Hamilton Mixtape, singing "Helpless", in which Eliza is introduced to Hamilton, whose part was rapped by Ja Rule.  In 2017, she announced her sixth studio album, set to be released in 2018. On November 6, 2017, she released the first single, "Say Less" feat. Ty Dolla $ign.
Question: What was she workinh on before
Answer: Daniel Craig, Rachel Weisz with Naomi Watts.

Problem: Background: Jeanette Anna MacDonald (June 18, 1903 - January 14, 1965) was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (The Love Parade, Love Me Tonight, The Merry Widow and One Hour With You) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (
Context: Unlike Nelson Eddy, who came from opera to film, MacDonald in the 1940s yearned to reinvent herself in opera. She began training for this goal with Lotte Lehmann, one of the leading opera stars of the early 20th century.  "When Jeanette MacDonald approached me for coaching lessons", wrote Lehmann, "I was really curious how a glamorous movie star, certainly spoiled by the adoration of a limitless world, would be able to devote herself to another, a higher level of art. I had the surprise of my life. There couldn't have been a more diligent, a more serious, a more pliable person than Jeanette. The lessons which I had started with a kind of suspicious curiosity, turned out to be sheer delight for me. She studied Marguerite with me--and lieder. These were the ones which astounded me most. I am quite sure that Jeanette would have developed into a serious and successful lieder singer if time would have allowed it."  MacDonald made her opera debut singing Juliette in Gounod's Romeo et Juliette in Montreal at His Majesty's Theatre (May 8 and 10, 1943). She quickly repeated the role in Quebec City (May 12), Ottawa, and Toronto. Her U.S. debut with the Chicago Opera Company (November 4, 11 and 15, 1944) was in the same role. She also sang Marguerite in Gounod's Faust with the Chicago Opera. In November 1945, she did two more performances of Romeo et Juliette and one of Faust in Chicago, and two Fausts for the Cincinnati Opera. On December 12, 1951, she did one performance of Faust with the Philadelphia Civic Grand Opera Company at the Academy of Music.  Claudia Cassidy, the music critic of the Chicago Tribune wrote: "Her Juliet is breathtakingly beautiful to the eye and dulcet to the ear." The same critic reviewed Faust: "From where I sit at the opera, Jeanette MacDonald has turned out to be one of the welcome surprises of the season... her Marguerite was better than her Juliet...beautifully sung with purity of line and tone, a good trill, and a Gallic inflection that understood Gounod's phrasing....You felt if Faust must sell his soul to the devil, at least this time he got his money's worth."
Question: When did Jeanette MacDonald begin to express an interest in Opera?
Answer:
She began training for this goal with Lotte Lehmann, one of the leading opera stars of the early 20th century.