Background: Ibn Rushd (Arabic: bn rshd; full name Arabic: 'bw lwlyd mHmd bn Hmd bn rshd, translit. `Abu l-Walid Muhammad Ibn `Ahmad Ibn Rushd; 14 April 1126 - 10 December 1198), often Latinized as Averroes (), was a medieval Andalusian Moorish Arab polymath. He wrote on logic, Aristotelian and Islamic philosophy, Islamic theology, the Maliki school of Islamic jurisprudence, psychology, political theory, the theory of Andalusian classical music, geography, mathematics, as well as the medieval sciences of medicine, astronomy, physics, and celestial mechanics. Ibn Rushd was born in Cordoba, Al Andalus (present-day Spain), and died at Marrakesh in present-day Morocco.
Context: Ibn Rushd looked to Aristotle as to whether the world was eternal. In his Physics, the Greek philosopher argues that everything that comes into existence does so from a substratum. Therefore, if the underlying matter of the universe came into existence, it would come into existence from a substratum. But the nature of matter is precisely to be the substratum from which other things arise. Consequently, the underlying matter of the universe could have come into evidence only from an already existing matter exactly like itself; to assume that the underlying matter of the universe came into existence would require assuming that an underlying matter already existed. As this assumption is self-contradictory, Aristotle argued, matter must be eternal. Because in his eyes, "Aristotle demonstrated the eternity of matter", Ibn Rushd "abandon[ed] belief in the creation out of nothing."  This is not to say that Ibn Rushd denied the Creation; rather, he proposed an eternal creation. Oliver Leaman explains Ibn Rushd's argument as such:  We [as humans] can decide to do something, we can wait for a certain time before acting, we can wonder about our future actions; but such possibilities cannot arise for [an eternal, omnipotent, omnipresent] God. In his case there is no gap between desire and action, nothing stands in the way of his activity; and yet we are told by al-Ghazali that God suddenly created the world. What differentiates one time from another for God? What could motivate him to create the world at one particular time as opposed to another? For us, different times are different because they have different qualitative aspects, yet before the creation of the world, when there was nothing around to characterize one time as distinct from another, there is nothing to characterize one time over another as the time for creation to take place.
Question: Were people on board with the idea?
Answer: 

Problem: Background: N. T. Rama rao (NTR) was born on 28 May 1923 in Nimmakuru, a small village in Gudivada taluk of Krishna District, which was a part of the erstwhile Madras Presidency of British India. He was born to a farming couple, Nandamuri Lakshmaih and Venkata Ramamma, but was given in adoption to his paternal uncle. He attended school at first in his village, and later in Vijayawada. After his matriculation in 1940, he studied at SRR & CVR college in Vijayawada and at the Andhra-Christian College in Guntur.
Context: NTR started his film career with a walk-on role as a policeman in Mana Desam (1949). Following this, he appeared in Palletoori Pilla, directed by B. A. Subba Rao. His first mythological film was in 1957, where he portrayed Krishna in the blockbuster film Maya Bazaar. He essayed the role of Krishna in 17 films, including some landmark films such as Sri Krishnarjuna Yudham (1962), the Tamil film Karnan (1964) and Daana Veera Soora Karna (1977). He was also Known for his portrayal of Lord Rama, essaying that role in films such as Lava Kusha (1963) and Shri Ramanjaneya Yuddham (1974) to name a few. He has also portrayed other characters from the Ramayana, such as Ravana in Bhookailas (1958) and Seetharama Kalyanam (1961) among others. He portrayed Lord Vishnu in films such as Sri Venkateswara Mahatyam (1960) among others and Lord Shiva in Dakshayagnam (1962). He has also enacted the roles of Mahabharatha characters, such as Bheeshma, Arjuna, Karna and Duryodhana.  Later in his career, he stopped playing the role of a prince in his commercial films and began to play roles of a poor yet heroic young man fighting against the existing system. These films appealed to the sentiments of the common man. Some of these films are Devudu Chesina Manushulu (1973), Adavi Ramudu (1977), Driver Ramudu (1979), Vetagadu (1979), Sardar Papa Rayudu (1980), Kondaveeti Simham (1981), Justice Chowdhary (1982) and Bobbili Puli (1982). He also portrayed fantasy roles, his notable film in that genre being Yamagola (1977). His film Lava Kusa, in which he starred as Rama, collected 10 million rupees in 1963. He directed and acted in the hagiographical film Shrimad Virat Veerabrahmendra Swami Charitra (1984). He also acted in films such as Brahmasri Viswamitra (1991) and Major Chandrakanth (1993). His last film was Srinatha Kavi Sarvabhowmudu, a biopic on the Telugu poet Srinatha, which released in 1993.  In the later half of his career, NTR became a screenwriter. Despite having no formal training in script writing, he authored several screenplays for his own movies as well as for other producers. He also produced many of his films as well as other actor's films through his film production house National Art Theater Private Limited, Madras and later Ramakrishna Studios, Hyderabad. He actively campaigned for the construction of a large number of cinemas through this production house. He was influential in designing and implementing a financial system that funded the production and distribution of movies. He was so dedicated to his profession that he would often learn new things in order to portray a particular character on-screen perfectly and realistically. At the age of 40, he learnt dance from the renowned Kuchipudi dancer Vempati Chinna Satyam for his role in the film Nartanasala (1963).
Question: what other films did he play in?
Answer:
started his film career with a walk-on role as a policeman in Mana Desam (