IN: Sir Henry Irving (6 February 1838 - 13 October 1905), born John Henry Brodribb, sometimes known as J. H. Irving, was an English stage actor in the Victorian era, known as an actor-manager because he took complete responsibility (supervision of sets, lighting, direction, casting, as well as playing the leading roles) for season after season at the Lyceum Theatre, establishing himself and his company as representative of English classical theatre. In 1895 he became the first actor to be awarded a knighthood, indicating full acceptance into the higher circles of British society. Irving is widely acknowledged to be one of the inspirations for Count Dracula, the title character of the 1897 novel Dracula whose author, Bram Stoker, was business manager of the theatre.

After a few years' schooling while living at Halsetown, near St Ives, Cornwall, Irving became a clerk to a firm of East India merchants in London, but he soon gave up a commercial career for acting. On 29 September 1856 he made his first appearance at Sunderland as Gaston, Duke of Orleans, in Bulwer Lytton's play, Richelieu, billed as Henry Irving. This name he eventually assumed by royal licence. When the inexperienced Irving got stage fright and was hissed off the stage the actor Samuel Johnson was among those who supported him with practical advice. Later in life Irving gave them all regular work when he formed his own Company at the Lyceum Theatre.  For 10 years, he went through an arduous training in various stock companies in Scotland and the north of England, taking more than 500 parts.  his delineations of the various characters (...) were admirably graphic, and met with repeated rounds of applause. Possesed of a fine voice, which he modulated with great taste and judgment, he was able to mark the depth or frivolity of the character he was representing with remarkable facility.  He gained recognition by degrees, and in 1866 Ruth Herbert engaged him as her leading man and sometime stage director at the St. James's Theatre, London, where she first played Doricourt in The Belle's Stratagem. One piece that he directed there was W. S. Gilbert's first successful solo play, Dulcamara, or the Little Duck and the Great Quack (1866) The next year he joined the company of the newly opened Queen's Theatre, where he acted with Charles Wyndham, J. L. Toole, Lionel Brough, John Clayton, Mr. and Mrs. Alfred Wigan, Ellen Terry and Nellie Farren. This was followed by short engagements at the Haymarket Theatre, Drury Lane, and the Gaiety Theatre. Finally he made his first conspicuous success as Digby Grant in James Albery's Two Roses, which was produced at the Vaudeville Theatre on 4 June 1870 and ran for a very successful 300 nights.  In 1871, Irving began his association with the Lyceum Theatre by an engagement under Bateman's management. The fortunes of the house were at a low ebb when the tide was turned by Irving's sudden success as Mathias in The Bells, a version of Erckmann-Chatrian's Le Juif polonais by Leopold Lewis, a property which Irving had found for himself. The play ran for 150 nights, established Irving at the forefront of the British drama, and would prove a popular vehicle for Irving for the rest of his professional life. With Bateman, Irving was seen in W. G. Wills' Charles I and Eugene Aram, in Richelieu, and in 1874 in Hamlet. The unconventionality of this last performance, during a run of 200 nights, aroused keen discussion and singled him out as the most interesting English actor of his day. In 1875, again with Bateman, he was seen as the title character in Macbeth; in 1876 as Othello, and as Philip in Alfred Lord Tennyson's Queen Mary; in 1877 in Richard III; and in The Lyons Mail. During this time he became lifelong friends with Bram Stoker, who praised him in his review of Hamlet and thereafter joined Irving as the manager for the company.

What is an example of a job Henry Irving held early in his career?

OUT: Irving became a clerk to a firm of East India merchants in London, but he soon gave up a commercial career for acting.

input: As he grew older and seeing no other way to raise his standard of living, Graziano signed a few boxing contracts, but the rigors of training disinterested him. He and his early managers went their separate ways but eventually, he was picked up by Irving Cohen who had the sense to give him a long leash. Cohen changed the young fighter's name from Barbella to Graziano (his grandfather's surname) and lined up a fight. Refusing to train much, Graziano nevertheless showed his killer instinct and won by a knockout. Other fights were lined up with Cohen trying, in his subtle way, to overmatch Graziano, get him defeated, and thereby show him the value of getting into condition. He even demanded a match against Sugar Ray Robinson.  In March 1945, at Madison Square Garden, Graziano scored a major upset over Billy Arnold, whose style was similar to that of Sugar Ray Robinson; he was a slick boxer with lightning-fast combinations and a knockout punch. The Ring magazine and various newspapers across the United States touted Arnold as the next Joe Louis or Sugar Ray Robinson. Arnold was a heavy favorite to defeat Graziano and then to go on to fight for the world title, but Graziano absorbed a beating in the early going, before going on to batter and knock Arnold out in the third round of the scheduled eight-round bout. Following his defeat to Graziano, Arnold was never the same.  Graziano is most famous for his three title bouts with Tony Zale, all for the middleweight title. In their first match (September 27, 1946), after flooring Graziano in the first round, Zale took a savage beating from him, and was on the verge of losing the fight by TKO. However, he rallied and knocked him out in the sixth round to retain his title. The rematch, a year later in Chicago (July 16, 1947), was a mirror image of their first fight. The referee almost stopped the second fight in the third round because of a severe cut over Graziano's left eye, which would have awarded the victory to Zale, but Graziano's cutman, Morris ("Whitey") Bimstein, was able to stop the bleeding to let the fight continue. Graziano was battered around the ring, suffered a closed eye and appeared ready to lose by a knockout, then rallied and knocked Zale out in the sixth round, becoming world middleweight champion. Their last fight was held in New Jersey the following year (June 10, 1948). Zale regained his crown, winning the match by a knockout in the third round. The knockout blows consisted of a perfect combination of a right to Graziano's body, then a left hook to his jaw. He was knocked unconscious. His last attempt at the middleweight title came in April 1952, when he fought Sugar Ray Robinson. He dropped him to his knee with a right in the third round. Less than a minute later, Robinson knocked him out for the count with a right to the jaw. He retired after losing his very next fight, a 10-round decision to Chuck Davey.

Answer this question "Did he win any medals?"
output:
Graziano is most famous for his three title bouts with Tony Zale, all for the middleweight title.