Some context: Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.
Gingold's adult stage career was slow to take off. She played Liza in If at the Ambassador's in May 1921, and the Old Woman in Ben Travers's farcical comedy The Dippers produced by Sir Charles Hawtrey at the Criterion in August 1922.  In 1926 Gingold divorced from Joseph. Later in the same year she married the writer and lyricist Eric Maschwitz, whom she divorced in 1945. She underwent a vocal crisis in the late 1920s and early 1930s: she had hitherto described herself as "Shakespearian and soprano", but nodules on her vocal cords brought a drastic drop in pitch, about which she commented, "One morning it was Mozart and the next 'Old Man River'". The critic J. C. Trewin described her voice as "powdered glass in deep syrup". During this period she broadcast frequently for the BBC and established herself at the experimental theatre-club the Gate Theatre Studio in London, first as a serious actress and later in the genre for which she became famous, revue. According to The Times it was in Spread It Abroad (1936) a revue at another theatre, the Saville, with material by Herbert Farjeon that she truly found her milieu.  In the ten years from 1938 Gingold concentrated on revue, appearing in nine different productions in the West End. The first four were The Gate Revue (transferred from the Gate to the Ambassador's, 1939), Swinging the Gate (1940), Rise Above It (1941) and Sky High (1942). During this period she and Hermione Baddeley established a stage partnership of what The Times called "briskly sustained mock-rivalry". In June 1943 she opened in a revue at the Ambassadors, Sweet and Low, which was continually revised and refreshed over a run of almost six years, first as Sweeter and Lower and then Sweetest and Lowest. In her sketches she tended, as the writer of the shows, Alan Melville, recalled, to portray "grotesque and usually unfortunate ladies of dubious age and occasionally, morals; the unhappy female painted by Picasso who found herself lumberered with an extra limb or two ... the even less fortunate female who, after years of playing the cello in Palm Court orchestras, ended up bow-legged beyond belief." In a biographical sketch, Ned Sherrin writes, "Gingold became a special attraction for American soldiers and 'Thanks, Yanks' was one of her most appropriate numbers. During the astringent, name-dropping 'Sweet' series, she played 1,676 performances, before 800,000 people, negotiating 17,010 costume changes."
What were other aspects that affected her career?
A: nodules on her vocal cords brought a drastic drop in pitch, about which she commented, "One morning it was Mozart and the next 'Old Man River'".
Some context: Switchfoot is an American alternative rock band from San Diego, California. The band's members are Jon Foreman (lead vocals, guitar), Tim Foreman (bass guitar, backing vocals), Chad Butler (drums, percussion), Jerome Fontamillas (guitar, keyboards, backing vocals), and Drew Shirley (guitar, backing vocals). After early successes in the Christian rock scene, Switchfoot first gained mainstream recognition with the inclusion of four of their songs in the 2002 movie A Walk to Remember. This recognition led to their major label debut, The Beautiful Letdown, which was released in 2003 and featured the hits "Meant to Live" and "Dare You to Move".
Following the exposure that came from A Walk to Remember, Switchfoot attracted attention from multiple record labels, and ultimately signed with Columbia Records/SonyBMG. Their major label debut, The Beautiful Letdown, under Columbia Records/Red Ink, represented the band's evolution from the predominantly lo-fi, indie rock sound of their early albums, toward a more layered, synth-influenced sound that helped launch the band to mainstream popularity. This shift sonically could be attributed to the fact that the album was the first to include keyboardist Jerome Fontamillas, formerly of industrial bands Mortal and Fold Zandura. Fontamillas had been touring with Switchfoot since 2000, following the release of Learning to Breathe.  The Beautiful Letdown has since been certified double platinum, selling more than 2.6 million copies, on the strength of constant touring and the huge mainstream radio hits "Meant to Live" and "Dare You to Move". A live DVD depicting one of the band's live concerts, Live in San Diego, went platinum as well, and a third single, "This Is Your Life" was released to radio. In addition, the song "Gone" received major airplay on Christian radio stations as well.  Following the runaway success of The Beautiful Letdown, a compilation titled The Early Years: 1997-2000 was released, which featured Switchfoot's first three indie albums released under Re:think records including the original artwork for all the albums. This collection has since been certified Gold, with total sales of over 500,000 copies.  Switchfoot also received five 2005 Dove Award nominations, and won four, including Artist of the year.
did the band win any awards?
A:
won four, including Artist of the year.