Question:
The Veterans Committee was the popular name of the National Baseball Hall of Fame Committee to Consider Managers, Umpires, Executives and Long-Retired Players; a former voting committee of the U.S. Baseball Hall of Fame that provided an opportunity for Hall of Fame enshrinement to all individuals who are eligible for induction but ineligible for consideration by the Baseball Writers' Association of America (BBWAA). The term "Veterans Committee" (was composed of four committees of baseball veterans) is taken from the body's former official name: National Baseball Hall of Fame Committee on Baseball Veterans (1953). In July 2010, the Veterans Committee name was changed by the Hall of Fame Board of Directors and its name was no longer officially used by the Hall of Fame, which called three new 16-member voting committees by era: the Expansion Era Committee (1973-present), the Golden Era Committee (1947-1972), and the Pre-Integration Era Committee (1876-1946) - each, "The Committee" (the term "Veterans Committee" is still being used by some sports media). The three committees met on a rotating cycle once every three years to elect candidates from each era to the Hall of Fame that have been "identified" by a BBWAA-appointed "Screening Committee" named the "Historical Overview Committee" (10-12 representatives; BBWAA members).
On May 9, 1949, it was announced that two pitchers had been selected:  Mordecai "Three Finger" Brown, whose career extended from 1903 to 1916, ending with 239 victories and a 2.06 ERA; he had been the main pitching star on the Chicago Cubs teams which dominated the National League between 1906 and 1910, with Brown winning 20 or more games each season as the club won four pennants. His shutout in Game 5 of the 1907 World Series clinched the championship for the Cubs. In twenty-five career matchups against Christy Mathewson, Brown won thirteen times, with Mathewson winning eleven. His partial loss of two fingers in a childhood farm accident had led to his pitches having an atypical motion.  Charles "Kid" Nichols, who won 360 games between 1890 and 1906, primarily with the five-time champion Boston Beaneaters; at age 30, he became the youngest man ever to win 300 games, and he retired with the third-most wins of any pitcher. He won over 20 games every year in the 1890s, and won 30 or more a record seven times. An incredibly strong-armed pitcher despite his small size (5'9", 170 pounds (77 kg)), he regularly pitched over 400 innings per year, and completed all but 30 of his 561 career starts - never being replaced by a relief pitcher.  Nichols was still living, but Brown had died February 14, 1948. They were formally inducted on June 13 along with Charlie Gehringer and the 1948 selections, Pie Traynor and the late Herb Pennock; Nichols and Traynor were in attendance.  The selection of these two pitchers from the period between 1890 and 1916 was roundly applauded, but it was noted that stars of the earlier era had been ignored once again, as well as position players from the same period.
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what was important about the selection process

Answer:
The selection of these two pitchers from the period between 1890 and 1916 was roundly applauded,


Question:
The Smiths were an English rock band formed in Manchester in 1982. The band consisted of vocalist Morrissey, guitarist Johnny Marr, bassist Andy Rourke and drummer Mike Joyce. Critics have called them one of the most important bands to emerge from the British independent music scene of the 1980s. NME named the Smiths the "most influential artist ever" in a 2002 poll.
In early 1987 the single "Shoplifters of the World Unite" was released and reached number 12 on the UK Singles Chart. It was followed by a second compilation, The World Won't Listen. The title was Morrissey's comment on his frustration with the band's lack of mainstream recognition, although the album reached number two in the charts. This was followed by the single "Sheila Take a Bow", the band's second (and last during the band's lifetime) UK top-10 hit. Another compilation, Louder Than Bombs, was intended for the overseas market and covered much the same material as The World Won't Listen, with the addition of "Sheila Take a Bow" and material from Hatful of Hollow which was yet to be released in the US.  Despite their continued success, tensions emerged within the band to threaten their split. Johnny Marr was exhausted and took a break from the band in June 1987, which he felt was negatively perceived by his bandmates. In July, Marr left the group because he erroneously thought an NME article entitled "Smiths to Split" was planted by Morrissey. That article, written by Danny Kelly, alleged that Morrissey disliked Marr working with other musicians, and that Marr and Morrissey's personal relationship had reached breaking point. Marr contacted NME to explain that he had not left the band due to personal tensions but because he wanted wider musical scope.  Former Easterhouse guitarist Ivor Perry was brought in to replace Marr, and the band recorded some material with him which was never completed, including an early version of "Bengali in Platforms", originally intended as the B-side of "Stop Me If You Think You've Heard This One Before". Perry was uncomfortable with the situation, stating "it was like they wanted another Johnny Marr", and the sessions ended with (according to Perry) "Morrissey running out of the studio". By the time the group's fourth album Strangeways, Here We Come was released in September, the band had split.  The breakdown in the relationship has been primarily attributed to Morrissey's irritation by Marr's work with other artists and Marr growing frustrated by Morrissey's musical inflexibility. Marr particularly hated Morrissey's obsession with covering 1960s pop artists such as Twinkle and Cilla Black. Marr recalled in 1992, "That was the last straw, really. I didn't form a group to perform Cilla Black songs." In a 1989 interview, Morrissey cited the lack of a managerial figure and business problems as reasons for the band's split.  Strangeways, Here We Come peaked at number two in the UK and was their most successful album in the US, reaching number 55 on the Billboard 200. It received a lukewarm reception from critics, but both Morrissey and Marr name it as their favourite Smiths album. A couple of further singles from Strangeways were released with live, session and demo tracks as B-sides. The following year the live recording Rank, recorded in 1986 with Craig Gannon on rhythm guitar, repeated the UK chart success of previous albums.
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Why was the work with Perry never completed?

Answer:
Perry was uncomfortable with the situation, stating "it was like they wanted another Johnny Marr