Answer the question at the end by quoting:

Celtic Frost () were a Swiss heavy metal band from Zurich. They are known for their strong influence on the development of extreme metal. Formed in 1982 as Hellhammer, the band became Celtic Frost in 1984 and was active until 1993. It re-formed in 2001 and disbanded following frontman Tom Gabriel Fischer's departure in 2008.
One of their more influential recordings was 1985's To Mega Therion which did not feature Ain on bass, but stand-in Dominic Steiner. The cover artwork is a painting by H.R. Giger entitled Satan I. The album was a major influence on the then-developing death metal and black metal genres. Ain did return after the album was recorded however. In 1987 followed Into the Pandemonium. The album is more varied than many of Celtic Frost's past LPs, with unlikely covers (Wall of Voodoo's "Mexican Radio"), emotionally charged love songs, the album's recurring industrial-influenced rhythmic songs of demons and destruction, traditional Frost styled songs about dreams and fear, and a dark, classical piece with female vocals.  The album is vastly different from the band's previous work and cemented its late 80s avant-garde metal term; it is also a departure from the extreme style found on the band's previous albums, Morbid Tales and To Mega Therion that Celtic Frost had become known for. However, it does have the recurring symphonic elements found on previous albums. The album has a more classic heavy metal style within the songs with elements of industrial, classical and gothic rock, and even has an industrial/electronic body music (EBM)-inspired rhythm in "One in Their Pride". It does have a few black metal elements remaining in Warrior's vocals, though, and some thrash-influenced guitar riffs.  These albums were some of the pivotal LPs for underground metal and introduced a new and more varied sound. Celtic Frost, along with Venom and Bathory were pioneers in the still underground black metal scene, although Celtic Frost were much more experimental with the addition of classical instruments, operatic female vocals and sampling. Celtic Frost was often labeled by critics as avant-garde metal.

did they record anything else?

Morbid Tales and To Mega Therion that Celtic Frost had become known for.



Answer the question at the end by quoting:

Kimberley Ann "Kim" Deal (born June 10, 1961) is an American singer, songwriter and musician, best known as the former bassist and backing vocalist of the alternative rock band Pixies, and the lead vocalist and rhythm guitarist for The Breeders. Deal joined Pixies in January 1986 as the band's bassist, adopting the stage name Mrs. John Murphy for the albums Come on Pilgrim and Surfer Rosa. Following Doolittle and The Pixies' hiatus, she formed The Breeders with Tanya Donelly, Josephine Wiggs and later introduced her identical twin sister Kelley Deal. The Pixies broke up in early 1993, and Deal returned her focus to The Breeders, who released the platinum-selling album Last Splash in 1993.
Deal was born in Dayton, Ohio. Her father was a laser physicist who worked at the nearby Wright-Patterson Air Force Base. Kim and her identical twin sister Kelley were introduced to music at a young age; the two sang to a "two-track, quarter-inch, tape" when they were "four or five" years old, and grew up listening to hard rock bands such as AC/DC and Led Zeppelin. When Deal was 11, she learned Roger Miller's "King of the Road" on the acoustic guitar. In high school, at Wayne High School in Huber Heights, she was a cheerleader and often got into conflicts with authority. "We were popular girls," Kelley explained. "We got good grades and played sports." Living in Dayton was for her like living in Russia: a friend of Kelley's living in California used to send them cassettes of artists like James Blood Ulmer, Undertones, [Elvis] Costello, Sex Pistols and Siouxsie [and the Banshees]. "These tapes were our most treasured possession, the only link with civilization".  As a teenager, she formed a folk rock band named The Breeders with her sister. She then became a prolific songwriter, as she found it easier to write songs than cover them. Deal later commented on her songwriting output: "I got like a hundred songs when I was like 16, 17 ... The music is pretty good, but the lyrics are just like, OH MY GOD. We were just trying to figure out how blue rhymes with you. When I was writing them, they didn't have anything to do with who I was." The Deals bought microphones, an eight-track tape recorder, a mixer, speakers, and amps for a bedroom studio. According to Kelley, they "had the whole thing set up by the time we were 17". They later bought a drum machine "so it would feel like we were more in a band".  Following high school, Deal went to seven different colleges, including The Ohio State University, but did not graduate from any of them. She eventually received an associate degree in medical technology from Kettering College of Medical Arts and took several jobs in cellular biology, including working in a hospital laboratory and a biochemical lab.

Where did she grow up?

Deal was born in Dayton, Ohio.



Answer the question at the end by quoting:

Benjamin Ryan Tillman (August 11, 1847 - July 3, 1918) was a politician of the Democratic Party who served as Governor of South Carolina from 1890 to 1894, and a United States Senator from 1895 until his death in 1918. A white supremacist who opposed civil rights for blacks, Tillman led a paramilitary group of Red Shirts during South Carolina's violent 1876 election. On the floor of the U.S. Senate, he frequently ridiculed blacks, and boasted of having helped to kill them during that campaign. In the 1880s, Tillman, a wealthy landowner, became dissatisfied with the Democratic leadership and led a movement of white farmers calling for reform.
With the Confederacy defeated, South Carolina ratified a new constitution in 1865 that recognized the end of slavery, but basically left the pre-war elites in charge. African-American freedmen, who were the majority of South Carolina's population, were given no vote, and their new freedom was soon restricted by Black Codes that limited their civil rights and required black farm laborers to bind themselves with annual labor contracts. Congress was dissatisfied with this minimal change and required a new constitutional convention and elections with universal male suffrage. As African Americans generally favored the Republican Party at the time, that party controlled the biracial state legislature beginning with the 1868 elections. That campaign was marked by violence--19 Republican and Union League activists were killed in South Carolina's 3rd congressional district alone.  In 1873, two Edgefield lawyers and former Confederate generals, Martin Gary and Matthew C. Butler, began to advocate what became known as the "Edgefield Plan" or "Straightout Plan". They believed that the previous five years had shown it was not possible to outvote African Americans. Gary and Butler deemed compromises with black leaders to be misguided; they felt white men must be restored to their antebellum position of preeminent political power in the state. They proposed that white men form clandestine paramilitary organizations--known as "rifle clubs"--and use force and intimidation to drive the African American from power. Members of the new white groups became known as Red Shirts. Tillman was an early and enthusiastic recruit for his local organization, dubbed the Sweetwater Sabre Club. He became a devoted protege of Gary.  From 1873 to 1876, Tillman served as a member of the Sweetwater club, members of which assaulted and intimidated black would-be voters, killed black political figures, and skirmished with the African-American-dominated state militia. Economic coercion was used as well as physical force: most Edgefield planters would not employ black militiamen or allow them to rent land, and ostracized whites who did.

Was there any reason other than race for Tillman to not like the Republican Party?
Congress was dissatisfied with this minimal change and required a new constitutional convention and elections with universal male suffrage.