Question: The Mississippian culture was a mound-building Native American civilization archeologists date from approximately 800 CE to 1600 CE, varying regionally. It was composed of a series of urban settlements and satellite villages (suburbs) linked together by a loose trading network, the largest city being Cahokia, believed to be a major religious center. The civilization flourished from the southern shores of the Great Lakes at Western New York and Western Pennsylvania in what is now the Eastern Midwest, extending south-southwest into the lower Mississippi Valley and wrapping easterly around the southern foot of the Appalachians barrier range into what is now the Southeastern United States. The Mississippian way of life began to develop in the Mississippi River Valley (for which it is named).

The Caddoan Mississippian area, a regional variant of the Mississippian culture, covered a large territory, including what is now eastern Oklahoma, western Arkansas, northeastern Texas, and northwestern Louisiana. Archaeological evidence has led to a scholarly consensus that the cultural continuity is unbroken from prehistory to the present, and that the Caddo and related Caddo language speakers in prehistoric times and at first European contact are the direct ancestors of the modern Caddo Nation of Oklahoma.  The climate in this area was drier than areas in the eastern woodlands, hindering maize production, and the lower population on the plains to the west may have meant fewer neighboring competing chiefdoms to contend with. Major sites such as Spiro and the Battle Mound Site are in the Arkansas River and Red River Valleys, the largest and most fertile of the waterways in the Caddoan region, where maize agriculture would have been the most productive. The sites generally lacked wooden palisade fortifications often found in the major Middle Mississippian towns. Living on the western edge of the Mississippian world, the Caddoans may have faced fewer military threats from their neighbors. Their societies may also have had a somewhat lower level of social stratification.  The Caddoan people were speakers of one of the many Caddoan languages. The Caddoan languages once had a broad geographic distribution, but many are now extinct. The modern languages in the Caddoan family include Caddo and Pawnee, now spoken mainly by elderly people.  Hernando de Soto led an expedition into the area in the early 1540s, he encountered several native groups now thought to have been Caddoan. Composed of many tribes, the Caddo were organized into three confederacies, the Hasinai, Kadohadacho, and Natchitoches, which were all linked by their similar languages.

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Answer: covered a large territory, including what is now eastern Oklahoma,


Question: Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards.

In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish.  In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year.  Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds.  In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.

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Answer: