Some context: Top of the Pops, also known as TOTP, is a British music chart television programme, made by the BBC and originally broadcast weekly between 1 January 1964 and 30 July 2006. It was traditionally shown every Thursday evening on BBC One, except for a short period on Fridays in mid-1973 before being again moved to Fridays in 1996 and then to Sundays on BBC Two in 2005. Each weekly programme consisted of performances from some of that week's best-selling popular music artists, with a rundown of that week's singles chart. Additionally, there was a special edition of the programme on Christmas Day (and usually, until 1984, a second such edition a few days after Christmas), featuring some of the best-selling singles of the year.
From 1967, the show had become closely associated with the BBC radio station Radio 1, usually being presented by DJs from the station, and between 1988 and 1991 the programme was simulcast on the radio station in FM stereo. However, during the last few years of the 1980s the association became less close, and was severed completely (although not permanently) in a radical shake-up known as the 'Year Zero' revamp.  Following a fall in viewing figures and a general perception that the show had become 'uncool' (acts like The Clash had refused to appear in the show in previous years), a radical new format was introduced by incoming executive producer Stanley Appel (who had worked on the programme since 1966 as cameraman, production assistant, director and stand-in producer) in October 1991, in which the Radio 1 DJs were replaced by a team of relative unknowns, such as Claudia Simon and Tony Dortie who had previously worked for Children's BBC, 17-year-old local radio DJ Mark Franklin, Steve Anderson, Adrian Rose and Elayne Smith, who was replaced by Femi Oke in 1992. A brand new theme tune ('Now Get Out Of That'), title sequence and logo were introduced, and the entire programme moved from BBC Television Centre in London to BBC Elstree Centre in Borehamwood.  The new presenting team would take turns hosting (initially usually in pairs but sometimes solo), and would often introduce acts in an out-of-vision voiceover over the song's instrumental introduction. They would sometimes even conduct short informal interviews with the performers, and initially the Top 10 countdown was run without any voiceover. Rules relating to performance were also altered meaning acts had to sing live as opposed to the backing tracks for instruments and mimed vocals for which the show was known. To incorporate the shift of dominance towards American artists, more use was made of out-of-studio performances, with acts in America able to transmit their song to the Top of the Pops audience "via satellite". These changes were widely unpopular and much of the presenting team were axed within a year, leaving the show hosted solely by Dortie and Franklin (apart from the Christmas Day editions, when both presenters appeared) from October 1992, on a week-by-week rotation.
What caused them to be less close?
A: Following a fall in viewing figures and a general perception that the show had become 'uncool' (

Some context: Jacqueline DeLois Moore (born January 6, 1964) is an American professional wrestler and professional wrestling manager. She is best known for her time in WWE (back-then Federation/Entertainment) from 1998 to 2004, as well as working for World Championship Wrestling in 1997-98 and later Total Nonstop Action Wrestling as a wrestler, manager and road agent. She began her career in World Class Championship Wrestling, but was well known in the United States Wrestling Association, where she was a fourteen-time USWA Women's Champion. She later moved to World Championship Wrestling, where she briefly managed the team Harlem Heat.
Moore and Mero separated on the November 22 episode of Sunday Night Heat, and the jilted Moore formed a new alliance of women known as the Pretty Mean Sisters (PMS) with Terri Runnels, who was separated from her husband, Goldust. During a match between Mero and Goldust on the November 23 episode of Raw, Jacqueline and Terri entered the ring and low-blowed both men.  They originally formed an alliance with D'Lo Brown and Mark Henry, accompanying them to the ring for a match against Val Venis and The Godfather in December at Rock Bottom: In Your House. In January, Terri claimed to have suffered a miscarriage after she was knocked off of the ring apron by Brown. The guilty Brown became a servant to PMS, who forced him to wrestle his friend, Mark Henry. The deception lasted until February 1, when the ringside doctor told Brown that Terri had not been pregnant. PMS then feuded with Brown by costing him matches and attacking his new manager, Ivory. Jacqueline returned to the women's division in March, and on the April 12 episode of Raw, she, Ivory, Tori, and Sable took part in a four-way match for the Women's Championship. The match was declared a no-contest after Sable's bodyguard Nicole Bass stormed the ring and chokeslammed the three challengers.  In May, however, the women had switched their allegiance to a wrestler named Meat. That same month, the stable expanded once more to incorporate Ryan Shamrock, who had been spurned by the womanizing Val Venis. As part of the storyline, the three women used Meat for his body as a "love slave", forcing him to have sex with them and wear wrestling tights that resembled a pair of tight underwear. After Shamrock left the WWF, Terri and Jacqueline continued to assist Meat in his matches. However, tension began to grow between the two women as Terri, in storyline, exhausted Meat with hours of sex before his matches and then berated her fatigued lover when he lacked the energy to win matches and Moore finally end the alliance by July.
Why were the PMS jilted that caused them to form the alliance?
A: