Problem: Richard Allen Posner (; born January 11, 1939) is an American jurist and economist who was a United States Circuit Judge of the United States Court of Appeals for the Seventh Circuit in Chicago from 1981 until 2017, and is a Senior Lecturer at the University of Chicago Law School. He is a leading figure in the field of law and economics, and was identified by The Journal of Legal Studies as the most cited legal scholar of the 20th century. Posner is known for his scholarly range and for writing on topics outside of his primary field, law.

In Posner's youth and in the 1960s as law clerk to William J. Brennan he was generally counted as a liberal. However, in reaction to some of the perceived excesses of the late 1960s, Posner developed a strongly conservative bent. He encountered Chicago School economists Aaron Director and George Stigler while a professor at Stanford. Posner summarized his views on law and economics in his 1973 book The Economic Analysis of Law.  Today, although generally viewed as to the right in academia, Posner's pragmatism, his qualified moral relativism and moral skepticism, and his affection for the thought of Friedrich Nietzsche set him apart from most American conservatives. As a judge, with the exception of his rulings with respect to the sentencing guidelines and the recording of police actions, Posner's judicial votes have always placed him on the moderate-to-liberal wing of the Republican Party, where he has become more isolated over time. In July 2012, Posner stated, "I've become less conservative since the Republican Party started becoming goofy." Among Posner's judicial influences are the American jurists Oliver Wendell Holmes, Jr. and Learned Hand.  In June 2016, Posner was criticized by right-wing media organizations for a column he wrote for Slate in which he stated, "I see absolutely no value to a judge of spending decades, years, months, weeks, day, hours, minutes, or seconds studying the Constitution, the history of its enactment, its amendments, and its implementation."  He has called his approach to judging pragmatic. "I pay very little attention to legal rules, statutes, constitutional provisions... A case is just a dispute. The first thing you do is ask yourself -- forget about the law -- what is a sensible resolution of this dispute? The next thing...is to see if a recent Supreme Court precedent or some other legal obstacle stood in the way of ruling in favor of that sensible resolution. And the answer is that's actually rarely the case. When you have a Supreme Court case or something similar, they're often extremely easy to get around."

What important decisions has he made?

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Background: Richard Charles "Chuck" Bown Jr. (born February 22, 1954) is a former NASCAR champion. His last ride came in 1999. He currently lives with his wife in Asheboro, North Carolina. He is the brother of former fellow NASCAR competitor Jim Bown.
Context: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison. He won the pole for the Food City 500, setting a new track record. He was seriously injured in a wreck at Pocono Raceway which sidelined him for the season.  Bown returned to racing in 1995 in four Busch races, finishing ninth at Charlotte Motor Speedway in the No. 05 Key Motorsports Ford. He competed in nine Cup races in the No. 32 Chevrolet Monte Carlo for Active Motorsports, his best finish a 21st at Charlotte. In 1996, Bown drove for a variety of teams in the Busch Series, his best finish 21st at Darlington Raceway. He drove the Sadler Brothers Racing' No. 95 Ford in three Winston Cup Series events but only finished one race.  In 1997, Bown began racing in the Craftsman Truck Series, driving the No. 99 Ford F-150 for Roush Racing. Despite not winning a race, he had four top-fives and finished ninth in the standings. The next season, Bown qualified on the pole at the season opener at Walt Disney World Speedway, but finished 25th. After that race, he was released from Roush due to downsizing. He movted to the No. 57 CSG Motorsports Ford driving in six events before being released. He ended the season driving the No. 67 Chevrolet Silverado in a pair of races, finishing seventeenth at Phoenix.  In 1999, Bown returned to Hensley to drive their No. 63 Chevrolet. Despite a seventh-place finish at Charlotte, Bown was released from the team halfway into the season, and soon retired.
Question: DId he do anything before 1999?
Answer: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison.

Question:
Rubber Soul is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom, on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". The original North American version of the album was altered by Capitol Records to include a different selection of tracks.
Most of the album's songs were composed soon after the Beatles' return to London after their North American tour. The Beatles expanded their sound on the album, with influences drawn from African-American soul music, the contemporary folk rock of Bob Dylan and the Byrds, and the Who. Rubber Soul also saw the band expanding rock and roll's instrumental resources, most notably on "Norwegian Wood (This Bird Has Flown)" through George Harrison's use of the Indian sitar. Having been introduced to the instrument on the set of the band's 1965 film Help!, Harrison's interest was fuelled by fellow Indian music fans Roger McGuinn and David Crosby of the Byrds, partway through the Beatles' August 1965 US tour.  Taking support from French and Greek-influenced modalities for guitar lines on "Michelle" and "Girl", using fuzz bass on "Think for Yourself", and employing a piano made to sound like a baroque harpsichord on the instrumental bridge of "In My Life" added to the exotic brushstrokes on the album. During the sessions, the Beatles also made use of harmonium, marking that instrument's introduction into rock music. Lennon, McCartney and Harrison's three-part harmony singing was another musical detail that came to typify the Rubber Soul sound. Author Andrew Grant Jackson describes Rubber Soul as a "synthesis of folk, rock, soul, baroque, proto-psychedelia, and the sitar". According to The Encyclopedia of Country Music, building on the band's 1964 track "I Don't Want to Spoil the Party", the album can be seen in retrospect as an early example of country rock, anticipating the Byrds' Sweetheart of the Rodeo album.  Ringo Starr had frequently augmented Beatles tracks with percussion instruments such as maracas or tambourine, but on "I'm Looking Through You" he unusually used taps on a box of matches, perhaps influenced by a similar trick accomplished by Gene Krupa in the 1941 film Ball of Fire. In the main guitar riff to "If I Needed Someone", the Beatles returned the compliment paid to them earlier in 1965 by the Byrds, whose jangly guitar-based sound McGuinn had sourced from Harrison's playing the previous year. For the country-styled "What Goes On", Starr received his first songwriting credit (as Richard Starkey), as a co-composer with Lennon and McCartney.
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What was significant about their music?

Answer:
saw the band expanding rock and roll's instrumental resources,