Problem: Jean-Michel Basquiat was born in Brooklyn, New York, on December 22, 1960, shortly after the death of his elder brother, Max. He was the second of four children of Matilde Andrades (July 28, 1934 - November 17, 2008) and Gerard Basquiat (1930 - July 7, 2013). He had two younger sisters: Lisane, born in 1964, and Jeanine, born in 1967. His father, Gerard Basquiat, was born in Port-au-Prince, Haiti, and his mother, Matilde Basquiat, who was of Puerto Rican descent, was born in Brooklyn, New York.

"Basquiat's canon revolves around single heroic figures: athletes, prophets, warriors, cops, musicians, kings and the artist himself. In these images the head is often a central focus, topped by crowns, hats, and halos. In this way the intellect is emphasized, lifted up to notice, privileged over the body and the physicality of these figures (i.e. black men) commonly represent in the world."  Fred Hoffman hypothesizes that underlying Basquiat's sense of himself as an artist was his "innate capacity to function as something like an oracle, distilling his perceptions of the outside world down to their essence and, in turn, projecting them outward through his creative acts." Additionally, continuing his activities as a graffiti artist, Basquiat often incorporated words into his paintings. Before his career as a painter began, he produced punk-inspired postcards for sale on the street, and became known for the political-poetical graffiti under the name of SAMO. On one occasion Basquiat painted his girlfriend's dress with the words "Little Shit Brown". He would often draw on random objects and surfaces, including other people's property. The conjunction of various media is an integral element of Basquiat's art. His paintings are typically covered with text and codes of all kinds: words, letters, numerals, pictograms, logos, map symbols, diagrams and more.  A middle period from late 1982 to 1985 featured multi-panel paintings and individual canvases with exposed stretcher bars, the surface dense with writing, collage and imagery. The years 1984-85 were also the main period of the Basquiat-Warhol collaborations, even if, in general, they were not very well received by the critics.  A major reference source used by Basquiat throughout his career was the book Gray's Anatomy, which his mother had given him while he was in the hospital at age seven. It remained influential in his depictions of internal human anatomy, and in its mixture of image and text. Other major sources were Henry Dreyfuss' Symbol Sourcebook, Leonardo da Vinci's notebooks, and Brentjes' African Rock Art.  Basquiat doodled often and some of his later pieces exhibited this; they were often colored pencil on paper with a loose, spontaneous, and dirty style much like his paintings. His work across all mediums displays a childlike fascination with the process of creating.

How long did he continue making street art?

Answer with quotes: Basquiat doodled often and some of his later pieces exhibited this; they were often colored pencil on paper with a loose, spontaneous, and dirty style much like his paintings.

Question:
Paul Duane Beauregard, (born January 12, 1977) better known by his stage name DJ Paul, is an American rapper, record producer, DJ, songwriter and entrepreneur from Memphis, Tennessee. He is a founding member of hip-hop group Three 6 Mafia and Da Mafia 6iX and the half-brother of the late rapper Lord Infamous. DJ Paul started his career in the late 1980s as a DJ and released a number of solo tapes, as well as three collaboration albums with Lord Infamous as The Serial Killaz. Juicy J was introduced and the three founded the group Three 6 Mafia, going on to achieve national success in the late 1990s and early 2000s.
In 2006, DJ Paul, Juicy J, and Crunchy Black won an Academy Award for Best Original Song for "It's Hard out Here for a Pimp" from the film Hustle & Flow. The song, which they co-wrote with HCP member Frayser Boy, was also ranked at number 80 on VH1's "100 Greatest Songs of Hip Hop".  After Three 6 Mafia released their 2008 album Last 2 Walk, the group had conflicts with their label Sony about their music style, which led DJ Paul and Juicy J to pursue other ventures and their solo careers.  In 2009, Paul released The Weigh In - his first mixtape since the Volume series in the early 1990s. A few months later he followed up with his second solo album Scale-A-Ton, released under Paul's newly founded label Scale-A-Ton Entertainment. The album was received well by critics, earning a positive review and an "Album pick" by AllMusic. In 2010, Paul released his second mixtape Too Kill Again, hosted by DJ Scream and DJ Whoo Kid. The mixtape features many upcoming and new Memphis artists such as Lion Heart, Thug Therapy, Partee and Miscellaneous. DJ Paul stated the tape was a preview to his upcoming album, also titled Too Kill Again, which however was never released. Instead, in 2011, Paul made a new collaboration mixtape with rapper Ya Boy and producer Lil Lody, called Pray For Forgiveness. A few months later Paul released a retail No-DJ version with bonus songs to iTunes.  In 2012, Paul announced he was working on an experimental dub-hop EP called A Person of Interest. Later he changed it into a full featured album, which was released on October 22. A Person of Interest was packed with a bonus DVD, including a self-titled short movie, music videos and behind the scenes footage. Paul released videos for a number of songs from the album, including "What I Look Like (W.I.L.L.)", "Wit Tha Shit", "Trap Back Jumpin", "E&J" and a remix of "I'm Dat Raw" with Snow Tha Product. Paul called A Person of Interest his favorite solo album, stating that he loved the production and the "raw" sound of the album.
Answer this question using a quote from the text above:

Were they a hit?

Answer: