Some context: Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964.  While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes.  In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death.  In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape.  During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.
When did she get married?
A: Chicago married Gerowitz in 1961.
Some context: Dick was born on December 21, 1965 in Charleston, South Carolina. He was adopted at birth by Allen and Sue Dick, and named Andrew Roane Dick. He was brought up Presbyterian. His father was in the Navy, As a child, he spent time living with his family in Connecticut, Pennsylvania, New York, and Yugoslavia before moving to Chicago in 1979.
One of his earliest film roles was a fictional version of himself the film adaptation of video game Double Dragon. In 1993, Dick played himself in the mockumentary The Making of... And God Spoke. He also starred alongside MTV comedian Pauly Shore in the 1994 war comedy film In the Army Now.  In 1997, Dick had a supporting role alongside Luke Wilson and Jack Black in Bongwater, as Luke Wilson's gay friend who gives him a place to stay after his house burns to the ground. In 1999, Dick played a warm-hearted yet cowardly scientist that helped Dr. Claw in the movie Inspector Gadget.  In 2000, he made a cameo role in the motion picture Dude, Where's My Car?. That same year, he also appeared in the teenage comedy film Road Trip, playing a motel clerk. In 2001, Dick made a cameo in Ben Stiller's comedy Zoolander as Olga the Masseuse (Dick also made a cameo in Stiller's directorial debut, Reality Bites, back in 1994).  In 2002, he was featured in the band Ash's music video "Envy" as a taxi cab driver. In 2003, he appeared in Will Ferrell's Old School as a gay sex education teacher, and as a villainous Santa in the movie The Hebrew Hammer. In 2005, Dick was featured in the documentary The Aristocrats. In 2006, he appeared in the film Employee of the Month as Lon, the optician who is strongly nearsighted. He also provided the voice Mombo in 2007's Happily N'Ever After and the voice of Boingo in Hoodwinked!.  His feature film directing debut was the 2006 film Danny Roane: First Time Director. In late December 2008, Dick announced on his official website that he had finished writing a script for a film starring his alter-ego Daphne Aguilera titled, Daphne Aguilera: Get Into It.
Did he direct any movies?
A:
His feature film directing debut was the 2006 film Danny Roane: First Time Director.