Some context: Sudano was born in Flatbush, Brooklyn, New York to Margaret Alessio (1924-2012) and Louis Sudano (1923-2008). At the age of four, Sudano learned to play his first instrument, the accordion. He later taught himself to play piano and guitar. He soon developed a reputation in his community as a talented musician and got his first paid gig at the age of twelve.
In 1977, Sudano, Esposito and Hokenson moved to Los Angeles, formed the band Brooklyn Dreams and signed a recording deal with Millennium Records. That same year, Skip Konte of Three Dog Night produced their first self-titled debut. The trio scored a modest hit with the single "Music, Harmony and Rhythm", which they performed on American Bandstand.  On March 13, 1977, Sudano met Donna Summer, who was signed to Casablanca Records. Casablanca was the distributor for Sudano's label Millennium Records. The Brooklyn Dreams and Summer immediately began writing songs together and within a few months Sudano and Summer were dating. In 1978, the band penned "Take It to the Zoo" with Summer for the Thank God It's Friday soundtrack. The same year, the Brooklyn Dreams appeared in the movie American Hot Wax performing as the Planotones, a group created for the movie with long time friend Kenny Vance. They scored a Top 5 hit when they appeared on the single "Heaven Knows" with Esposito and Summer singing a duet. The song peaked at #4 on the Billboard Hot 100 chart and became a certified million-selling Gold single in 1979.  In 1979, Brooklyn Dreams and Summer wrote the title track "Bad Girls" for the best selling album of Summers' career Bad Girls. In addition to the title track, Sudano also co-wrote the songs "Lucky" and "On My Honor" with Summer and Harold Faltermeyer as well as "Can't Get to Sleep At Night" with Bob Conti. He then wrote the song "I'm A Rainbow", which was the title track to Summer's next LP. Unfortunately, it was shelved by Geffen Records and not released until 1996.  When Millennium Records changed their distribution to RCA, the Brooklyn Dreams contract was transferred to Casablanca Records. Under their new recording contract, Brooklyn Dreams recorded three more studio LPs. They released two albums in 1979: Sleepless Nights, produced by Bob Esty, and Joyride produced by Jurgen Koppers, an engineer for Giorgio Moroder. In 1980, they made their fourth and final album Won't Let Go, which they produced themselves. A song from this record, "Hollywood Knights" became the title track for the comedy The Hollywood Knights starring Tony Danza, Michelle Pfeiffer and Fran Drescher. In 2008, "Hollywood Knights" was sampled by Snoop Dogg on his song "Deez Hollywood Nights".  Brooklyn Dreams amicably disbanded in 1980 when Hokensen returned to New York after his mother died. Sudano and Summer continued writing songs together and were married the same year.
Did he end his career with these two ?
A: Brooklyn Dreams amicably disbanded in 1980 when Hokensen returned to New York after his mother died.
Some context: Ruth Etting (November 23, 1897 - September 24, 1978) was an American singing star and actress of the 1920s and 1930s, who had over 60 hit recordings and worked in stage, radio, and film. Known as "America's sweetheart of song", her signature tunes were "Shine On, Harvest Moon", "Ten Cents a Dance" and "Love Me or Leave Me". Her other popular recordings included "Button Up Your Overcoat", "Mean to Me", "Exactly Like You" and "Shaking the Blues Away". As a young girl in Nebraska, Etting had wanted to be an artist; she drew and sketched everywhere she was able.
The couple moved to New York in 1927, where Etting made her Broadway debut in the Ziegfeld Follies of 1927. Irving Berlin had recommended her to showman Florenz Ziegfeld. Etting nervously prepared to sing for Ziegfeld at the audition. However, he did not ask her to sing at all; only to walk up and down the room. She was hired on that basis because Ziegfeld did not hire women with big ankles. While the original plan for the show was for Etting to do a tap dance after singing "Shaking the Blues Away", she later remembered she was not a very good dancer. At the show's final rehearsal, Flo Ziegfeld told her, "Ruth, when you get through singing, just walk off the stage". Etting also appeared in Ziegfeld's last "Follies" in 1931.  She went on to appear in a number of other hit shows in rapid succession, including Ziegfeld's Simple Simon and Whoopee!. Etting was not originally signed to perform in Simple Simon; she became part of the cast at the last minute when vocalist Lee Morse was too intoxicated to perform. Ziegfeld asked Etting to replace Morse; she hurried to Boston, where the show was being tried out prior to Broadway. When Etting arrived, songwriters Rodgers and Hart discovered that the song "Ten Cents a Dance" was not written for Etting's voice range. The three spent the night rewriting the song so Etting could perform it.  Toward the end of Simple Simon's Broadway run, Etting persuaded Ziegfeld to add "Love Me Or Leave Me" to the show though the song was originally written for Whoopee!. She had recorded the song in 1928, but Etting's new version of it was impressive enough to earn her a Vitaphone contract to make film shorts.  In Hollywood, Etting made a long series of movie shorts between 1929 and 1936, and three feature movies in 1933 and 1934. She described the short films as either having a simple plot to allow for her to sing two songs or with no plot at all. The idea was to have Etting sing at least two songs in the film. While she received a marquee billing for Roman Scandals, Etting had only two lines in the film and sang just one song. Etting believed she might have had more success in full-length films if she had been given some acting lessons. Her perception was that the studios viewed her only as a vocalist. She later recalled, "I was no actress, and I knew it. But I could sell a song". In 1936, she appeared in London in Ray Henderson's Transatlantic Rhythm. Etting quit the show because she and the other performers had not been paid.  Etting was first heard on radio station WLS when she was living in Chicago. Her appearance drew so much fan mail, the station signed her to a year's contract for twice weekly performances. She had her own twice weekly 15 minute radio show on CBS in the 1930s. By 1934, she was on NBC with sports announcer Ted Husing doing the announcing and Oldsmobile sponsoring her program.
What show was Ruth best known for performing on stage ?
A:
Etting made her Broadway debut in the Ziegfeld Follies