IN: Sia Kate Isobelle Furler (; born 18 December 1975) is an Australian singer-songwriter, record producer and music video director. She started her career as a singer in the local Adelaide acid jazz band Crisp in the mid-1990s. In 1997, when Crisp disbanded, she released her debut studio album titled OnlySee in Australia. She then moved to London, England, and provided lead vocals for the British duo Zero 7.

Sia's music incorporates hip hop, funk and soul music as a base for her vocal styling. About her early influences, she stated "When I was on tour with Zero 7, they would listen to music. We would be on the tour bus and the Kings of Convenience would be playing, and then I made Colour the Small One which couldn't be more derivative of Kings of Convenience and James Taylor and the things that Zero 7 were playing on the bus. I'm very easily influenced."  1000 Forms of Fear is primarily a pop album, with influences of hip hop, reggae and electropop. This Is Acting is mostly composed of songs written by Sia with other female pop artists in mind, but the artists did not include the songs on their albums. Sia described songwriting for others as "play-acting." The Guardian's Kitty Empire commented that the latter album "provides an obvious counterpoint to Sia's more personal album of 2014, 1000 Forms of Fear, whose stonking single, "Chandelier", tackled her intoxicated past. This Is Acting makes plain the fact of manufacture - a process akin to bespoke tailoring."  In her 2016 live performances, Sia's music is part of performance-art-like shows that involve dance and theatrical effects. For an MTV News writer "Sia's throaty, slurred vocals are her norm," while a The Fader contributor noted "In the Billboard Hot 100 landscape, Sia's songwriting voice, which deals with depression and addiction, is singular--her actual voice even more so."  Sia has received an array of accolades, including ARIA Awards, an MTV Video Music Award and nine nominations for Grammy Awards.
QUESTION: What year did she recieve her first award
IN: Woo was born Wu Yu-seng (Ng Yu-sum in Cantonese) in Guangzhou, China, amidst the chaos of the Chinese Civil War at the end of October 1946. Due to school age restrictions, his mother changed his birth date to 22 September 1948, which is what remains on his passport. The Woo family, Christians faced with persecution during Mao Zedong's early anti-bourgeois purges after the communist revolution in China, fled to Hong Kong when he was five. Impoverished, the Woo family lived in the slums at Shek Kip Mei.

An emigre in 1993, the director experienced difficulty in cultural adjustment while contracted with Universal Studios to direct Jean-Claude Van Damme in Hard Target. As characteristics of other foreign national film directors confronted the Hollywood environment, Woo was unaccustomed to pervasive management concerns, such as limitations on violence and completion schedules. When initial cuts failed to yield an "R" rated film, the studio assumed control of the project and edited footage to produce a cut "suitable for American audiences". A "rough cut" of the film, supposedly the original unrated version, is still circulated among his admirers.  A three-year hiatus saw Woo next direct John Travolta and Christian Slater in Broken Arrow. A frenetic chase-themed film, the director once again found himself hampered by studio management and editorial concerns. Despite a larger budget than his previous Hard Target, the final feature lacked the trademark Woo style. Public reception saw modest financial success.  Reluctant to pursue projects which would necessarily entail front-office controls, the director cautiously rejected the script for Face/Off several times until it was rewritten to suit him. (The futuristic setting was changed to a contemporary one.) Paramount Pictures also offered the director significantly more freedom to exercise his speciality: emotional characterisation and elaborate action. A complex story of adversaries--each of whom surgically alters their identity--law enforcement agent John Travolta and terrorist Nicolas Cage play a cat-and-mouse game, trapped in each other's outward appearance. Face/Off opened in 1997 to critical acclaim and strong attendance. Grosses in the United States exceeded $100 million. Face/Off was also nominated for an Academy Award in the category Sound Effects Editing (Mark Stoeckinger) at the 70th Academy Awards.  In 2003, Mr. Woo directed a television pilot entitled The Robinsons: Lost in Space for The WB Television Network, based on the 1960s television series Lost in Space. The pilot was not purchased, although bootleg copies have been made available by fans.  John Woo has made three additional films in Hollywood: Mission: Impossible 2, Windtalkers and Paycheck. Mission: Impossible 2 was the highest-grossing film in America in 2000, but received mixed reviews. Windtalkers and Paycheck fared poorly at the box office and were summarily dismissed by critics. Woo directed and produced a videogame called Stranglehold for games consoles and PC. It is a sequel to his 1992 film, Hard Boiled. He also produced the 2007 anime movie, Appleseed: Ex Machina, the sequel to Shinji Aramaki's 2004 film Appleseed.
QUESTION: Did he make any more successful films?
IN: Thomas Jacob "Tommy" Hilfiger (born March 24, 1951) is an American fashion designer best known for founding the lifestyle brand Tommy Hilfiger Corporation in 1985. After starting his career by co-founding a chain of record stores in upstate New York in the 1970s, he began designing preppy sportswear for his own eponymous menswear line in the 1980s. The company later expanded into women's clothing and various luxury items such as perfumes, and went public in 1992. In 1997, Hilfiger published his first book, titled All American: A Style Book, and he has written several since, including Tommy Hilfiger through Assouline in 2010.

In 1995 Hilfiger launched The Tommy Hilfiger Corporate Foundation. With an emphasis on health, educational and cultural programs, the organization supports charities that focus on at-risk American youth. In 1998 Hilfiger was one of several sponsors along with Moet and Chandon, Christie's Auction House, and The Advocate of the charity LIFEbeat - The Music Industry Fights AIDS. He is also personally involved in charities and causes such as Autism Speaks and the MLK, Jr. National Memorial Project Foundation, and he has served on the board of directors for The Fresh Air Fund, a New York-based group that helps underprivileged children attend summer camp. The Fresh Air Fund's Camp Pioneer program was renamed Camp Tommy in 1999, in honor of Hilfiger's patronage.  Since 2008, Hilfiger has designed limited-edition handbags in support Breast Health International (BHI), an international organization focused on finding a cure for breast cancer. A portion of the handbag sales proceeds are donated to BHI's Fund For Living program, with celebrity ambassadors appointed for each seasonal campaign. In 2013, Claudia Schiffer and Naomi Campbell modeled the BHI bag in a photo shoot with photographer Patrick Demarchelier.  Millennium Promise, a non-profit organization focused on eradicating extreme poverty, hunger and preventable disease in impoverished regions, classifies Hilfiger as a Millennium Promise MDG Global Leader, and in 2009 Hilfiger made a five-year $2 million commitment to Millennium Promise. The donation went towards relief efforts in a Ugandan city, with the aim of improving residents' access to necessities like clean water, education, and farming techniques. In 2012, all philanthropic activities of The Tommy Hilfiger Corporate Foundation were renamed Tommy Cares, a wider-reaching global initiative that further integrates the brand's non-profit partnerships, charitable contributions, and employee involvement. On a global scale, Tommy Cares continues to support organizations such as Save the Children, the World Wildlife Fund, War Child, and Millennium Promise. Hilfiger and his wife are on the board of Autism Speaks as of 2012, and through the organization, Hilfiger became a sponsor of the Golden Door Film Festival in September 2014.
QUESTION:
What other things did the foundation do?