Answer the question at the end by quoting:

Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.
Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.

What else happened after the release of his book?

After this, he only composed a single piece for the harpsichord: "La Dauphine" (



Answer the question at the end by quoting:

We the Kings is an American rock band from Bradenton, Florida. The band's self-titled full-length debut album, released in 2007, included the platinum single "Check Yes Juliet", and went on to sell over 250,000 copies in the US. The group's second album Smile Kid (2009) included Top 40 singles "Heaven Can Wait" and "We'll Be a Dream" (featuring Demi Lovato), as well as the single "She Takes Me High".
In September 2016, Travis Clark announced that he was writing music for a new We The Kings album in his studio in Orlando, Florida. He also posted pictures to Instagram with the caption "This is what writing/recording through all hours of the night looks like for new We The Kings music. Yay for more/new songs! Yay for the studio being in my house! Who's excited? "  On December 5, 2016, We The Kings announced a tour that will commemorate the ten year anniversary of their debut album, We The Kings, that was released in 2007. The tour will go from February to May 2017 with 32 dates in the U.S., 3 dates in the U.K., and 1 date in Canada.  On September 12, 2017, We The Kings released a tenth anniversary album called Self-Titled Nostalgia. The album is composed of reworked versions of all the songs that appeared on the band's debut studio album, We The Kings.It also includes one new song called "Planes, Trains, and Cars".  On December 1, 2017, We The Kings released a new single called "Festival Music."  In December 2017, We The Kings released a video announcing the start of production for their sixth studio album. The album will include "Planes, Trains, and Cars", "Festival Music", and eight to ten more songs. like the last two we the kings records, this album will be released without a label. To fund the album, the band is offering multiple packages for fans to buy on PledgeMusic. The packages include items such as a vinyl record of the album, the ability to name a song on the album, a bass used by Charles Trippy, a guitar used by Travis Clark, and more. Each person who buys a package will have their face placed on the album cover along with the band's faces in a yearbook format. The album is set to release at some point in 2018.

is Nostalgia the name of an album?
We The Kings released a tenth anniversary album called Self-Titled Nostalgia.