Background: Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 - December 19, 1929) was an American blues and gospel singer, songwriter, and musician. He was one of the most popular blues singers of the 1920s and has been called the "Father of the Texas Blues". Jefferson's performances were distinctive because of his high-pitched voice and the originality of his guitar playing. His recordings sold well, but he was not a strong influence on younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists.
Context: Largely because of the popularity of artists such as Jefferson and his contemporaries Blind Blake and Ma Rainey, Paramount became the leading recording company for the blues in the 1920s. Jefferson's earnings reputedly enabled him to buy a car and employ chauffeurs (this information has been disputed); he was given a Ford car "worth over $700" by Mayo Williams, Paramount's connection with the black community. This was a common compensation for recording rights in that market. Jefferson is known to have done an unusual amount of traveling for the time in the American South, which is reflected in the difficulty of placing his music in a single regional category.  Jefferson's "old-fashioned" sound and confident musicianship made it easy to market him. His skillful guitar playing and impressive vocal range opened the door for a new generation of male solo blues performers, such as Furry Lewis, Charlie Patton, and Barbecue Bob. He stuck to no musical conventions, varying his riffs and rhythm and singing complex and expressive lyrics in a manner exceptional at the time for a "simple country blues singer." According to the North Carolina musician Walter Davis, Jefferson played on the streets in Johnson City, Tennessee, during the early 1920s, at which time Davis and the entertainer Clarence Greene learned the art of blues guitar.  Jefferson was reputedly unhappy with his royalties (although Williams said that Jefferson had a bank account containing as much as $1500). In 1927, when Williams moved to Okeh Records, he took Jefferson with him, and Okeh quickly recorded and released Jefferson's "Matchbox Blues", backed with "Black Snake Moan". It was his only Okeh recording, probably because of contractual obligations with Paramount. Jefferson's two songs released on Okeh have considerably better sound quality than his Paramount records at the time. When he returned to Paramount a few months later, "Matchbox Blues" had already become such a hit that Paramount re-recorded and released two new versions, with the producer Arthur Laibly. In 1927, Jefferson recorded another of his classic songs, the haunting "See That My Grave Is Kept Clean" (again using the pseudonym Deacon L. J. Bates), and two other uncharacteristically spiritual songs, "He Arose from the Dead" and "Where Shall I Be". "See That My Grave Is Kept Clean" was so successful that it was re-recorded and re-released in 1928.
Question: How many records did the Blues sell with Paramount?
Answer: Jefferson's earnings reputedly enabled him to buy a car and employ chauffeurs (this information has been disputed); he was given a Ford car

Background: Gary Wright was born and raised in Cresskill, New Jersey. A child actor, he made his TV debut at the age of seven, on the show Captain Video and His Video Rangers, filmed in New York. Among other acting work, he appeared in TV and radio commercials, before being offered a part in the 1954 Broadway production of the musical Fanny. Wright played the role of Cesario, the son of Fanny, who was played by future Brady Bunch matriarch Florence Henderson.
Context: The only members from the original lineup, Wright and Mike Harrison relaunched Spooky Tooth with Jones and Graham from Wonderwheel, and Chris Stewart, formerly the bassist with English singer Terry Reid. Salewicz visited the band while they were recording at Island's Notting Hill studio and remarked of Wright's role in the group, "it is clear who is the leader of this brand of Spooky Tooth, and, I suspect, of the original, too"; Salewicz described Wright as "urbane, loquacious with the remnants of a New Jersey accent, and a touch of Dudley Moore about the face".  On their new album, You Broke My Heart So I Busted Your Jaw (1973), Wright composed six of the eight tracks, including "Cotton Growing Man", "Wildfire" and "Self Seeking Man", and co-wrote the remaining two. With the group's standing having been elevated since 1970 - a situation that music journalist Steven Rosen likened at the time to the Yardbirds, the Move and other 1960s bands after their break-up - Spooky Tooth toured extensively to promote the album. Rolling Stone reviewer Jon Tiven praised Wright's songwriting on You Broke My Heart, adding: "there is tremendous consistency to these originals ... and 'Wildfire' is ample proof that Gary could have written for the Temptations if he really wanted to."  The band released a follow-up, Witness, in November 1973, by which point Graham had departed, with Mike Kellie returning on drums. By February 1974, Stewart and Harrison had also left. In January that year, Wright accompanied George Harrison to India, where they journeyed to Varanasi (Benares), the Hindu spiritual capital of India, and home to Harrison's friend Ravi Shankar. The visit would influence the spiritual quality of Wright's lyrics when he returned to his solo career.  In England, he and Harrison worked together on The Place I Love (1974), the debut album by English duo Splinter. In addition to playing keyboards, Wright served as what author Simon Leng terms "a sounding board and musical amanuensis" on the project, which was the first album released on Harrison's Dark Horse record label. Wright regrouped with Spooky Tooth for a final album, The Mirror (1974), with Mike Patto as their new vocalist. Following further personnel changes, The Mirror was issued by Goodear Records in the UK in October 1974, a month after Wright had disbanded the group.
Question: Did they have any singles from this album?
Answer: