Question: The Nitty Gritty Dirt Band, an American country rock band, has existed in various forms since its founding in Long Beach, California in 1966. The group's membership has had at least a dozen changes over the years, including a period from 1976 to 1981 when the band performed and recorded as the Dirt Band. Constant members since the early times are singer-guitarist Jeff Hanna and drummer Jimmie Fadden. Multi-instrumentalist John McEuen was with the band from 1966 to 1986 and returned during 2001 departing once again in November 2017.

The group was inactive for a 6-month period after Paint Your Wagon, then reformed with Jimmy Ibbotson replacing Chris Darrow. With William McEuen as producer and a renegotiated contract that gave the band more artistic freedom, the band recorded and released Uncle Charlie & His Dog Teddy, issued in 1970. Embracing a straight, traditional country and bluegrass sound, the album included the group's best-known singles; a cover version of Jerry Jeff Walker's "Mr. Bojangles", Michael Nesmith's "Some of Shelley's Blues", and four Kenny Loggins songs including "House at Pooh Corner", the first recordings of Loggins's songs. Their version of "Mr. Bojangles" became the group's first hit, peaking at #9 on Billboard's all genre Hot 100 chart, with an unusual 36 weeks on the charts.  The next album, All The Good Times, released during early 1972, had a similar style.  Nitty Gritty Dirt Band next sought to solidify its reputation as a country band when band member John McEuen asked Earl Scruggs if he would record with the group. Earl's "yes" was followed the next week when John asked Doc Watson the same question, receiving the same answer of 'yes'. This set in motion the further addition of other artists, and with the help of Earl and Louise Scruggs, they set to traveling to Nashville, Tennessee and recording what was to become a triple album, Will the Circle Be Unbroken with Nashville stalwarts Roy Acuff, Earl Scruggs, and Jimmy Martin, country pioneer Mother Maybelle Carter, folk-blues guitarist Doc Watson, Merle Travis, Norman Blake, and others. The title is from the song, "Will the Circle Be Unbroken (By and By)", as adapted by A. P. Carter, and reflects the album's theme of trying to tie together three generations of musicians: long-haired boys from California and older veterans of the middle American establishment. The track "I Saw the Light" with Acuff singing, was a success, and the album received two nominations for Grammy Award. Veteran fiddler Vassar Clements was introduced to a wider audience by the album and gave him a new career. The band also toured Japan twice soon after this period.  After the next album Les Thompson left the group, making the band a foursome. Stars & Stripes Forever was a live album that mixed old successes such as "Buy for Me the Rain" and "Mr. Bojangles" with Circle collaborations (fiddler Vassar Clements was a guest performer) and long storytelling spoken-word monologues. A studio album, Dream, was also released.  During July 1974, the band was among the headline acts at the Ozark Music Festival at the Missouri State Fairgrounds in Sedalia, Missouri. Some estimates put the crowd at 350,000 people, which would make this one of the largest music events in history. At another concert, the band opened for the rock band Aerosmith.

Using a quote from the above article, answer the following question: What other singles did they release?
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Answer: House at Pooh Corner",

Problem: Richard Edgar Pipes (born July 11, 1923) is a Polish-American academic who specializes in Russian history, particularly with respect to the Soviet Union, who espoused a strong anti-communist point of view throughout his career. In 1976 he headed Team B, a team of analysts organized by the Central Intelligence Agency who analyzed the strategic capacities and goals of the Soviet military and political leadership. Pipes is the father of American historian and expert on American foreign policy and the Middle East, Daniel Pipes. Pipes was born to a Jewish family in Cieszyn, Poland, which fled the country as refugees after it was invaded by Nazi Germany.

The writings of Richard Pipes have provoked criticism in the scholarly community, for example in The Russian Review.  Criticism of Pipes's interpretation of the events of 1917 has come mostly from "revisionist" Soviet historians, who under the influence of the French Annales school, have tended since the 1970s to center their interpretation of the Russian Revolution on social movements from below in preference to parties and their leaders and interpreted political movements as responding to pressures from below rather than directing them. Among members of this school, Lynne Viola and Sheila Fitzpatrick claim that Pipes has focused too narrowly on intellectuals as causal agents. Peter Kenez (a one-time PhD student of Pipes') argued that Pipes has approached Soviet History as a prosecutor, intent solely on proving the criminal intent of the "defendant" to the exclusion of anything else. Pipes' critics argued that his historical writings perpetuated the Soviet Union as "evil empire" narrative in an attempt "to put the clock back a few decades to the times when Cold War demonology was the norm".  Other critics have written that Pipes writes at length about what Pipes describes as Lenin's "unspoken" assumptions and conclusions, while neglecting what Lenin actually said. Alexander Rabinowitch writes that whenever a document can serve Pipes' long-standing crusade to demonize Lenin, Pipes will comment on it at length; if the document allows Lenin to be seen in a less negative light, Pipes passes over it without comment.  Pipes, in his turn - following the demise of the USSR - has charged the revisionists with skewing their research, by means of statistics, to support their preconceived ideological interpretation of events, which made the results of their research "as unreadable as they were irrelevant for the understanding of the subject" to provide intellectual cover for Soviet terror and acting as simpletons and /or Communist dupes. He has also stated that their attempt at "history from below" only obfuscated the fact that "Soviet citizens were the helpless victims of a totalitarian regime driven primarily by a lust for power".

How did others in the CIA view Pipes?

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