input: The band achieved its biggest hit in 1990 with the three-week number-one single "Next to You, Next to Me." Written by then-solo singers Robert Ellis Orrall and Curtis Wright, this was the first of five singles from Shenandoah's third album, Extra Mile. "Ghost in This House," "I Got You" (co-written by Teddy Gentry of the band Alabama) and "The Moon Over Georgia" all peaked in the Billboard top ten between late 1990 and mid-1991, with the latter two reaching number one on Gavin Report; "When You Were Mine," the fifth single, stopped at number 38 on Billboard in 1991. Also that year, the band won the Academy of Country Music's Vocal Group of the Year award.  Alanna Nash of Entertainment Weekly gave Extra Mile a B rating, saying that it was "unflinchingly commercial" but adding that "the band goes beyond Alabama's jingoistic flag-waving and Restless Heart's vapid mood-brighteners to showcase intelligent ballads and jaunty rhythm numbers." An uncredited review in the Pittsburgh Post-Gazette said that the band "proved that no matter how overcrowded the field is, there's always room for quality."  Extra Mile earned a gold certification in the United States.  Following the release of Extra Mile, a band from Kentucky threatened to sue Shenandoah over the use of the name Shenandoah. After a financial settlement was made with the Kentucky band, two other bands filed lawsuits over Shenandoah's name. The lawsuits depleted the money earned by the band on the road, which led to the band asking the label and their production company to all pay one-third of their legal costs. The production company refused, and Shenandoah was forced to filed for Chapter 11 bankruptcy in early 1991 after paying more than 2 million dollars on court settlements and legal fees. Although the lawsuits allowed Shenandoah to keep its name, the bankruptcy filing terminated the contract with Columbia after a 1992 Greatest Hits package. The production company's officials then filed a lawsuit against the band, claiming that it had tried to void its agreement with them. After Shenandoah's departure, there were no other bands on Columbia's Nashville division; as a result, producer Larry Strickland assembled three musicians to create a new band called Matthews, Wright & King in an attempt to keep a commercially successful band on the label.

Answer this question "Did they have to change their name?"
output: Although the lawsuits allowed Shenandoah to keep its name, the bankruptcy filing terminated the contract with Columbia after a 1992 Greatest Hits package.

input: McPartlin's first appearance on television was on the children's workshop programme Why Don't You?, but his big break came when he rose to prominence playing the character of PJ in the CBBC series Byker Grove. It was during his time on the programme that he first met Declan Donnelly, who was cast in the part of Duncan. The pair formed a close friendship on the programme, both socially and professionally, with the men performing as their characters until their departure from the programme in 1993. During their tenure, the pair created a number of hit records under the label of "PJ & Duncan AKA", including the song "Tonight I'm Free" that had been performed on Byker Grove.  From that part onwards, McPartlin and Donnely worked together on television, creating the presenting duo of Ant & Dec. Initially, the pair continued to work in children's television with the Saturday morning hit SMTV Live, before they eventually branched out into gameshows - Friends Like These, PokerFace and Push the Button - along with talent shows - Pop Idol, and Britain's Got Talent - and entertainment programmes - I'm a Celebrity... Get Me Out of Here!, and Ant & Dec's Saturday Night Takeaway. The pair continued to maintain work in acting, starring in a tribute to The Likely Lads, in the form of a remake of an episode from the show's sequel Whatever Happened to the Likely Lads? entitled "No Hiding Place". In 2006, McPartlin and Donnelly starred together in the film Alien Autopsy.  In 2007, it was discovered that two shows, Ant & Dec's Gameshow Marathon and Ant & Dec's Saturday Night Takeaway, which he co-presented with Donnelly, had defrauded viewers participating in phone-ins. The latter was produced by the pair's own production company.  In April 2009, Ant & Dec achieved wide international exposure when, as backstage commentators for Britain's Got Talent, they interviewed contestant Susan Boyle, whose audition would become the most viewed YouTube video of the year and whose record album topped sales charts in dozens of countries.

Answer this question "Are there any other interesting aspects about this article?"
output: In April 2009, Ant & Dec achieved wide international exposure

input: Harburg and Gorney were offered a contract with Paramount: in Hollywood, Harburg worked with composers Harold Arlen, Vernon Duke, Jerome Kern, Jule Styne, and Burton Lane, and later wrote the lyrics for The Wizard of Oz, one of the earliest known "integrated musicals," for which he won the Academy Award for Best Music, Original Song for "Over the Rainbow."  Of his work on The Wizard of Oz, his son (and biographer) Ernie Harburg has said:  So anyhow, Yip also wrote all the dialogue in that time and the setup to the songs and he also wrote the part where they give out the heart, the brains and the nerve, because he was the final script editor. And he--there were eleven screenwriters on that--and he pulled the whole thing together, wrote his own lines and gave the thing a coherence and unity which made it a work of art. But he doesn't get credit for that. He gets lyrics by E. Y. Harburg, you see. But nevertheless, he put his influence on the thing.  Working in Hollywood did not stop Harburg's career on Broadway. In the 1940s, he wrote a series of "book" musicals with social messages, including the successful Bloomer Girl (1944), set during the Civil War, which was about temperance and women's rights activist Amelia Bloomer. Harburg's best known Broadway show, Finian's Rainbow (1947) was, in its original production, possibly the first Broadway musical with a racially integrated chorus line, and features his "When the Idle Poor Become the Idle Rich." It was made into a film in 1968 starring Fred Astaire and Petula Clark, directed by Francis Ford Coppola.

Answer this question "Did he win awards for any of his songs?"
output:
The Wizard of Oz, one of the earliest known "integrated musicals," for which he won the Academy Award for Best Music,