IN: Allen Neal Jones was born at Marine Corps Base Camp Lejeune in Jacksonville, North Carolina on June 2, 1977. He grew up in poverty with an abusive, alcoholic father. The family's poverty was such that they could not afford cable television, which resulted in Jones being unable to watch professional wrestling. He attended Johnson High School in Gainesville, Georgia, graduating in the class of 1996.

Styles returned to Ring of Honor at the Third Anniversary Celebration: Part Two to wrestle Jimmy Rave, who accused him of stealing the Styles Clash (which he called the Rave Clash) from him, though he was unsuccessful in defeating Rave. During his feud with Rave and The Embassy, Styles formed an alliance with Generation Next, who were also feuding with The Embassy. At Glory by Honor IV, Styles defeated Rave with Mick Foley in his corner, with the stipulation that the loser could no longer use the Rave/Styles Clash in Ring of Honor. At This Means War, he defeated Generation Next leader Austin Aries, who was attacked by The Embassy following the show. At Vendetta, Styles had his final match against The Embassy when he, along with Austin Aries, Jack Evans and Matt Sydal were defeated by Abyss, Alex Shelley, Jimmy Rave, and Prince Nana in an eight-man tag match.  Following his feud with The Embassy, Styles set his sights on winning a championship. At A Night of Tribute, Styles faced Christopher Daniels and Matt Sydal in a three-way match, which Daniels won. On the first show of 2006, Styles wrestled and defeated Matt Sydal, after which the two agreed to form a tag team and challenge for the ROH Tag Team Championship, which were held by Sydal's Generation Next teammates Austin Aries and Roderick Strong. Before receiving a shot at the tag team title, Styles received a shot at the ROH World Championship when he was handpicked by Bryan Danielson, but he was unsuccessful. At the Fourth Anniversary Show, Styles and Sydal received their shot at the ROH Tag Team Championship, but were unable to defeat the champions.  After an absence, Styles returned at Death Before Dishonor IV, defeating Davey Richards. Styles returned at Time to Man Up, losing to Samoa Joe. In a pre-taped promo, Styles said he would be taking several months off from ROH following the match; however, ROH commentators continually referred to the match as his final match and even played a special tribute to him after it.

Were there any other fights with Jimmy Rave?

OUT: At Glory by Honor IV, Styles defeated Rave with Mick Foley in his corner,


IN: Sir Pelham Grenville Wodehouse  (; 15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time.

A third milestone in Wodehouse's life came towards the end of 1915: his old songwriting partner Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator. Bolton and Kern had a musical, Very Good Eddie, running at the Princess Theatre in New York. The show was successful, but they thought the song lyrics weak and invited Wodehouse to join them on its successor. This was Miss Springtime (1916), which ran for 227 performances--a good run by the standards of the day. The team produced several more successes, including Leave It to Jane (1917), Oh, Boy! (1917-18) and Oh, Lady! Lady!! (1918), and Wodehouse and Bolton wrote a few more shows with other composers. In these musicals Wodehouse's lyrics won high praise from critics as well as fellow lyricists such as Ira Gershwin.  Unlike his original model, Gilbert, Wodehouse preferred the music to be written first, fitting his words into the melodies. Donaldson suggests that this is the reason why his lyrics have largely been overlooked in recent years: they fit the music perfectly, but do not stand on their own in verse form as Gilbert's do. Nonetheless, Donaldson adds, the book and lyrics for the Princess Theatre shows made the collaborators an enormous fortune and played an important part in the development of the American musical. In the Grove Dictionary of American Music Larry Stempel writes, "By presenting naturalistic stories and characters and attempting to integrate the songs and lyrics into the action of the libretto, these works brought a new level of intimacy, cohesion, and sophistication to American musical comedy." The theatre writer Gerald Bordman calls Wodehouse "the most observant, literate, and witty lyricist of his day". The composer Richard Rodgers wrote, "Before Larry Hart, only P.G. Wodehouse had made any real assault on the intelligence of the song-listening public."  In the years after the war, Wodehouse steadily increased his sales, polished his existing characters and introduced new ones. Bertie and Jeeves, Lord Emsworth and his circle, and Ukridge appeared in novels and short stories; Psmith made his fourth and last appearance; two new characters were the Oldest Member, narrating his series of golfing stories, and Mr Mulliner, telling his particularly tall tales to fellow patrons of the bar at the Angler's Rest. Various other young men-about-town appeared in short stories about members of the Drones Club.  The Wodehouses returned to England, where they had a house in London for some years, but Wodehouse continued to cross the Atlantic frequently, spending substantial periods in New York. He continued to work in the theatre. During the 1920s he collaborated on nine musical comedies produced on Broadway or in the West End, including the long-running Sally (1920, New York), The Cabaret Girl (1922, London) and Rosalie (1928, New York). He also wrote non-musical plays, including The Play's the Thing (1926), adapted from Ferenc Molnar, and A Damsel in Distress (1928), a dramatisation of his 1919 novel.  Though never a naturally gregarious man, Wodehouse was more sociable in the 1920s than at other periods. Donaldson lists among those with whom he was on friendly terms writers including A.A. Milne, Ian Hay, Frederick Lonsdale and E. Phillips Oppenheim, and stage performers including George Grossmith, Jr., Heather Thatcher and Dorothy Dickson.

What is the name of the show?

OUT: