Problem: David John Matthews was born on January 9, 1967 in Johannesburg, the third of four children of parents John and Valerie Matthews. At the age of two years, Matthews moved with his family to Yorktown Heights in Westchester County, New York, where his father, a physicist, started working for IBM. In 1974, the Matthews family moved to Cambridge, England for a year before returning to New York, where his father died from lung cancer in 1977. Biographer Nevin Martell argues that Dave's father's death may be an impetus for his "carpe diem" lyrics.

Matthews focused primarily on songwriting and performances with the Dave Matthews Band from 1990 to 2003. DMB is an artistic blend of acoustic guitar, bass, sax, drums and fiddle music. In 1994, DMB signed with RCA Records. Since that period, he has occasionally ventured outside the band in various solo performances and records. Matthews sang on the track "Sing Along" on Blue Man Group's second album The Complex in 2003. Later that year he released a solo album, "Some Devil", which went platinum; its single, "Gravedigger", won a Grammy Award in 2004. To support the album, Matthews toured with a group of musicians (many of whom performed on "Some Devil") under the name Dave Matthews & Friends.  Dave has close friendship with banjoist Bela Fleck, the frontman and namesake of Bela Fleck and the Flecktones, and with whom Matthews appears as guest vocalist on their 1998 release, Left of Cool and both Fleck and the Flecktones' bassist Victor Wooten have made numerous appearances both live and in studio with the Dave Matthews Band. Wooten soloed in the second part of the Daniel Lanois song, "The Maker", and also in "#41" on the 1998 live album Live in Chicago. The Flecktones also opened for DMB on several tours. Matthews performed a duet with Emmylou Harris on "My Antonia" on her 2000 album, Red Dirt Girl. They also appeared together on the musical television show CMT Crossroads, where the two performed Matthews' "Gravedigger" and the folk song "Long Black Veil", a song popularized by The Band.  Matthews played a cover of Neil Young's song, "The Needle and the Damage Done" at the 2010 tribute, MusiCares Person of the Year honoring Young on January 29, 2010. The Dave Matthews Band opened for The Rolling Stones on their Bridges to Babylon Tour-1997-1998, and Matthews sang "Wild Horses", and "Memory Motel" alongside vocalist Mick Jagger.

Was Dave Matthews an Actor?

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Problem: Bruce Randall Hornsby (born November 23, 1954) is an American singer and pianist. Hornsby draws frequently from classical, jazz, bluegrass, folk, Motown, gospel, rock, blues, and jam band musical traditions. Hornsby's recordings have been recognized on a number of occasions with industry awards, including the 1987 Grammy Award for Best New Artist with Bruce Hornsby and the Range, the 1990 Grammy Award for Best Bluegrass Album, and the 1994 Grammy Award for Best Pop Instrumental Performance. Hornsby has also achieved recognition for his solo albums and performances, his touring band Bruce Hornsby and the Noisemakers, his bluegrass project with Ricky Skaggs and his appearances as a session and guest musician.

Hornsby played more than 100 shows with the Grateful Dead from 1988 until Jerry Garcia's death in 1995. At some shows in 1988 and 1989, he joined the band as a special guest and played accordion or synthesizer. Starting in the fall of 1990, he played piano (and frequently accordion) at many gigs following the death of longtime Grateful Dead keyboardist Brent Mydland, who died suddenly in July 1990. Mydland's place was filled in September 1990 by Vince Welnick, who became the sole keyboardist by March 1992, although Hornsby still sat in with the band on occasion.  Hornsby's own music evolved significantly during this time period. Critics have suggested that the Dead's vibrant tradition of melding folk music and the blues with psychedelic rock in "loose-knit expressions" and extended jamming "further pushed [Hornsby] outside the confines of mainstream pop." Critics have also commented upon the "close musical connection" formed between Hornsby and Jerry Garcia, suggesting that Hornsby's particular style of jazz-fueled improvisation added to the band's repertoire, and helped to revitalize and refocus Jerry Garcia's guitar solos in the band's sound. Hornsby's friendship with Garcia continued, both inside and outside the band, as the two "challenged" each other to expand their musicianship through several other album and live collaborations. Above all, Hornsby's musical versatility and ability to slip in and out of extended freeform jams won over longtime Grateful Dead fans.  Since his first involvement with the Grateful Dead, Hornsby's live shows have drawn Deadheads and Hornsby has commented: "I've always liked the group of fans that we've drawn from the Grateful Dead time, because those fans are often adventurous music listeners." He has performed a number of their songs at his concerts and as homages on studio and live albums, while Hornsby originals "The Valley Road," and "Stander on the Mountain," appeared several times in the Dead's setlists. Hornsby also co-performed the improvisation "Silver Apples of the Moon" for the Grateful Dead's Infrared Roses.  Hornsby was the presenter when the Grateful Dead were inducted into the Rock and Roll Hall of Fame in 1994 and in 2005 he participated in "Comes a Time", a tribute concert to Jerry Garcia. He continues to work with Dead-related projects, such as Bob Weir's Ratdog, Mickey Hart's solo projects. He performed as part of The Other Ones in 1998 and 2000, and on occasion sat in with The Dead. Hornsby continues to be involved in the Grateful Dead and Furthur community, having opened All Good Music Festival in 2012 featured with Bob Weir on rhythm guitar. In mid-2013, Hornsby performed with Grateful Dead-influenced bluegrass group Railroad Earth. Hornsby reunited with surviving members of the Grateful Dead along with Trey Anastasio from Phish and Jeff Chimenti at Levi's Stadium in Santa Clara, California, and later at Soldier Field in Chicago, Illinois, in July 2015.

How did Hornsby come to know the grateful dead?

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