Question: Dame Helen Lydia Mirren,  (nee Mironoff; born 26 July 1945) is an English actor. Mirren began her acting career with the Royal Shakespeare Company in 1967, and is one of the few performers who have achieved the Triple Crown of Acting. She won the Academy Award for Best Actress in 2007 for her performance as Queen Elizabeth II in The Queen and received the Olivier Award for Best Actress and Tony Award for Best Actress in a Play for the same role in The Audience. Mirren's other Academy Award nominations include The Madness of King George (1994), Gosford Park (2001) and The Last Station (2009).

In 2015, Mirren reunited with her former assistant Simon Curtis on Woman in Gold, co-starring Ryan Reynolds. The film was based on the true story of Jewish refugee Maria Altmann, who, together with her young lawyer Randy Schoenberg, fought the Austrian government to be reunited with Gustav Klimt's painting of her aunt, the famous Portrait of Adele Bloch-Bauer I. The film received mixed reviews from critics, although Mirren and Reynold's performances were widely praised. A commercial success, Woman in Gold became one of the highest-grossing specialty films of the year. The same year, Mirren appeared in Gavin Hood's thriller Eye in the Sky (2015), in which she played as a military intelligence officer who leads a secret drone mission to capture a terrorist group living in Nairobi, Kenya. Mirren last film that year was Jay Roach's biographical drama Trumbo, co-starring Bryan Cranston and Diane Lane. The actress played Hedda Hopper, the famous actress and gossip columnist, in the film, which received generally positive reviews from critics and garnered her a 14th Golden Globe nomination.  Mirren's only film of 2016 was Collateral Beauty, directed by David Frankel. Co-Starring Will Smith, Keira Knightley, and Kate Winslet, the ensemble drama follows a man who copes with his daughter's death by writing letters to time, death, and love. The film earned largely negative reviews from critics, who called it "well-meaning but fundamentally flawed." In 2017, Mirren narrated Cries from Syria, a documentary film about the Syrian Civil War, directed by Evgeny Afineevsky. Also that year, she made an uncredited cameo appearance in F. Gary Gray's The Fate of the Furious, the eighth installment in The Fast and the Furious franchise, playing Magdalene, the mother of Owen and Deckard Shaw. Mirren had a larger role in director Paolo Virzi's English-language debut The Leisure Seeker, based on the 2009 novel of the same name. On set, she was reunited with Donald Sutherland with whom she had not worked again since Bethune: The Making of a Hero (1990), portraying a terminally ill couple who escape from their retirement home and take one last cross-country adventure in a vintage van. At the 75th awards ceremony, Mirren received her 15th Golden Globe nomination.  In 2018, Mirren portrayed heiress Sarah Winchester in the supernatural horror film Winchester: The House That Ghosts Built, directed by The Spierig Brothers. She will also play Mother Ginger in Lasse Hallstrom and Disney's adaptation of The Nutcracker, titled The Nutcracker and the Four Realms, and is expected to appear in the ensemble film Berlin, I Love You and the French crime thriller film Anna, the latter directed and written by Luc Besson.

Using a quote from the above article, answer the following question: what movie was she in with ryan
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Answer: Woman in Gold,


Question: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.  Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion.  Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13-17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.

Using a quote from the above article, answer the following question: Did the band have any creative input?
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Answer: