Problem: Background: Orrin Grant Hatch (born March 22, 1934) is an American attorney and politician serving as the senior United States Senator for Utah who has been the President pro tempore of the United States Senate since 2015. Having been a senator since 1977, Hatch is the longest-serving Republican Senator in U.S. history. Hatch served as either the chair or ranking minority member of the Senate Judiciary Committee from 1993 to 2005. He previously served as chairman of the Senate Committee on Health, Education, Labor, and Pensions from 1981 to 1987 and currently serves as Chairman of the Senate Finance Committee as well as serving on the board of directors for the United States Holocaust Memorial Museum.
Context: Hatch has long been a proponent of expanding intellectual property rights, and introduced the Senate version of the Copyright Term Extension Act in 1997. Hatch believes intellectual property laws should, in general, more closely mirror real property laws, and offer greater protections to authors and creators.  Hatch caused an overnight controversy on June 17, 2003 by proposing that copyright owners should be able to destroy the computer equipment and information of those suspected of copyright infringement, including file sharing, he stated that "This may be the only way you can teach somebody about copyrights." In the face of criticism, especially from technology and privacy advocates, Hatch withdrew his suggestion days later, after it was discovered that Sen. Hatch's official website was using an unlicensed JavaScript menu from United Kingdom-based software developer Milonic Solutions. Milonic founder Andy Woolley stated that "We've had no contact with them. They are in breach of our licensing terms." Shortly after the publication of that story in Wired magazine, the company that runs Hatch's website contacted Milonic to start registration.  One year later, he proposed the controversial INDUCE Act that attempted to make illegal all tools that could be used for copyright infringement if said tools were intentionally used for illegal copyright infringement.  On September 20, 2010, Hatch once again attempted to outlaw websites which could be used for trademark and copyright infringement through the Combating Online Infringement and Counterfeits Act (COICA). This bill would authorize the United States Department of Justice to blacklist and censor all websites that the department deemed to be dedicated to "infringing activities".
Question: What work has Hatch done related ot intellectual property?
Answer: Hatch has long been a proponent of expanding intellectual property rights, and introduced the Senate version of the Copyright Term Extension Act in 1997.

Problem: Background: McGinnity's father, Peter, was born in Dublin, Ireland. His last name was McGinity before he came to United States. He changed it by adding an "n" after he emigrated to the United States in 1861. Peter worked in coal mines and on the farm owned by John and Rebecca Denning, and they accepted him, allowing him to move in with them in their Henry County farm.
Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season.
Question: Did joe have a special pitching technique in his later career?
Answer: 

Problem: Background: A choir () (also known as a quire, chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the Medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm and face gestures.
Context: During the Renaissance, sacred choral music was the principal type of formally notated music in Western Europe. Throughout the era, hundreds of masses and motets (as well as various other forms) were composed for a cappella choir, though there is some dispute over the role of instruments during certain periods and in certain areas. Some of the better-known composers of this time include Guillaume Dufay, Josquin des Prez, Giovanni Pierluigi da Palestrina, John Dunstable, and William Byrd; the glories of Renaissance polyphony were choral, sung by choirs of great skill and distinction all over Europe. Choral music from this period continues to be popular with many choirs throughout the world today.  The madrigal, a partsong conceived for amateurs to sing in a chamber setting, originated at this period. Although madrigals were initially dramatic settings of unrequited-love poetry or mythological stories in Italy, they were imported into England and merged with the more dancelike balletto, celebrating carefree songs of the seasons, or eating and drinking. To most English speakers, the word madrigal now refers to the latter, rather than to madrigals proper, which refers to a poetic form of lines consisting of seven and eleven syllables each.  The interaction of sung voices in Renaissance polyphony influenced Western music for centuries. Composers are routinely trained in the "Palestrina style" to this day, especially as codified by the 18c music theorist Johann Joseph Fux. Composers of the early 20th century also wrote in Renaissance-inspired styles. Herbert Howells wrote a Mass in the Dorian mode entirely in strict Renaissance style, and Ralph Vaughan Williams's Mass in G minor is an extension of this style. Anton von Webern wrote his dissertation on the Choralis Constantinus of Heinrich Isaac and the contrapuntal techniques of his serial music may be informed by this study.
Question: Who was this song composed by?
Answer: