Answer the question at the end by quoting:

Carl Franklin was raised outside of San Francisco, in Richmond, California. He never had the opportunity to know his biological father, who had died before Carl was born. Franklin was raised by his mother and stepfather. While Franklin speaks highly of his stepfather and has called him "very loving," he has spoken out about his stepfather's abusive tendencies, linking his outbursts to alcohol use.
Franklin supports the portrayal of African-American history in films, and has been quoted as saying "I am interested in the universal values of the black experience." However, just because Franklin is a filmmaker who is African American does not mean that all of his films are racially motivated. Not all of his films revolve around a central theme of culture: some of his films cover racial issues, while others do not. Franklin maintains a wide subject range in his films, choosing not to focus solely on his heritage.  As a prominent African-American filmmaker, Franklin stands apart from the rest in his careful selection of projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race. Explaining to The L.A Times, "My ethnicity is a plus, a tool. It gives me ammunition in terms of the way I view the world. There are certain stories in the black community that inform us all." Combining his humanitarian instincts and personal experiences, Franklin stands out as a visionary for community improvement through his films. However, a large part of Franklin's remarkable journey revolves around the fact that he is black. Discussing the realities for African Americans in the television and film industry, Franklin said: "When I came up, the only legitimate dramatic actor was Sidney Poitier, the bankable star was Richard Pryor and the other choice roles were action parts that went to Jim Brown. Even someone as good as Billy Dee Williams had a couple of great moments and then couldn't get a decent part." With a very small window of opportunity for African Americans at the time that Franklin was getting his start, his skills and educational background contributed to his success.  Franklin is a standout filmmaker regardless of his race, yet he is often praised for his ability to overcome adversity, and is recognized for his highly regarded opinion as well as his relevant contributions. In February 2000, Franklin was featured as a Black History Month guest speaker at Indiana University's ''Black Film Center/Archive''. The group hosted an event called A Night with Filmmaker Carl Franklin, which gave Franklin the opportunity to talk about his experience in the movie industry as well as show a preview of his film Devil in a Blue Dress. Franklin's appearance was highly regarded by many students who were honored to meet him in person.

what awas the name of the short film he created in 1989?





Answer the question at the end by quoting:

Born in Drouin to Alfred and Colleen Ablett, Gary Ablett grew up in the Latrobe Valley in Victoria's Gippsland region alongside his four elder brothers and three sisters. Ablett displayed a love for sport at an early age, winning the state school high jump at 10 years of age. He was also awarded both club and competition best and fairest awards for Drouin at the under-11s, under-12s and under-14s levels. After citing waning interest in school, Ablett dropped out of high school at the age of 15 years to become a bricklayer's labourer.
The 1989 season was marked by the arrival of Ablett's third coach, former North Melbourne Brownlow Medallist Malcolm Blight. Ablett helped the Cats reach the finals on the back of a ten match winning streak to end the regular season. In a 134-point victory against Richmond, Ablett scored 14 goals, breaking a 22-year club record, and moving club legend and former club premiership coach Bobby Davis to laud Ablett as the equal of the legendary Graham 'Polly' Farmer, the finest footballers he had seen at Geelong. His season lowlight occurred in Round 12 when he was suspended for 3 matches after he controversially felled the Melbourne captain, Gary Lyon behind the play.  In his first ever final, the Qualifying Final at the MCG versus Essendon, Gary Ablett kicked three goals, but this was not enough. The Bombers humbled Geelong by 76 points to force the Cats into a sudden-death Semi Final showdown with Melbourne. The Cats posted a 63-point win against the Demons. Ablett kicked seven goals, and helped set up another meeting with Essendon in the Preliminary Final. Ablett kicked 8 goals this time, as the Cats crushed Essendon by 94 points to advance to their first Grand Final since 1967.  Against the reigning premiers Hawthorn in the 1989 VFL Grand Final, Ablett asserted himself from the opening bounce, leading out from full forward, marking the first centre clearance kick and slotting through the game's first goal. By half-time, Ablett had kicked four goals, but the Cats trailed at the main break by 37 points. Ablett kicked a further five goals in the second half, which saw an injury-depleted Hawthorn's lead reduced to just 6 points with less than a minute to go. However, the Cats fell short, and Hawthorn held on to defeat Geelong in one of the toughest Grand Finals of the modern era, winning by 6 points. Ablett's performance in kicking 9 goals earned him the Norm Smith Medal, and in doing so became only the second member of the losing team in VFL/AFL history to be awarded the honour - a performance regarded by many as unrivalled on football's biggest stage. Ablett's 9 goals also saw him equal Gordon Coventry's goals record set in the 1928 Grand Final.

What other honors did he accumulate?
Ablett kicked 8 goals this time, as the Cats crushed Essendon by 94 points to advance to their first Grand Final since 1967.