Problem: Background: Zelig is a 1983 American mockumentary film written and directed by Woody Allen and starring Allen and Mia Farrow. Allen plays Leonard Zelig, a nondescript enigma, who, out of his desire to fit in and be liked, takes on the characteristics of strong personalities around him. The film, presented as a documentary, recounts his intense period of celebrity in the 1920s and includes analyses from contemporary intellectuals. Zelig was photographed and narrated in the style of 1920s black-and-white newsreels, which are interwoven with archival footage from the era and re-enactments of real historical events.
Context: Zelig has an overall approval rating of 100% on the review aggregator Rotten Tomatoes based on reviews from 24 professional critics with an average score of 7.9/10. In his review in the New York Times, Vincent Canby observed:  [Allen's] new, remarkably self-assured comedy is to his career what ... Berlin Alexanderplatz is to Rainer Werner Fassbinder's and ... Fanny and Alexander is to Ingmar Bergman's ... Zelig is not only pricelessly funny, it's also, on occasion, very moving. It works simultaneously as social history, as a love story, as an examination of several different kinds of film narrative, as satire and as parody ... [It] is a nearly perfect - and perfectly original - Woody Allen comedy.  Variety said the film was "consistently funny, though more academic than boulevardier", and the Christian Science Monitor called it "amazingly funny and poignant". Time Out described it as "a strong contender for Allen's most fascinating film", while TV Guide said, "Allen's ongoing struggles with psychoanalysis and his Jewish identity - stridently literal preoccupations in most of his work - are for once rendered allegorically. The result is deeply satisfying".  In Empire magazine's poll of the 500 greatest movies ever made, Zelig was ranked number 408. Chris Nashawaty of Entertainment Weekly listed the work as one of Allen's finest, lauding it as "a spot-on homage to vintage newsreels and a seamless exercise in technique." The Daily Telegraph film critics Robbie Collin and Tim Robey also named it as a career highlight and argued, "The special effects, in which Allen is seamlessly inserted into vintage newsreels, are still astonishing, and draw out the aching tragicomedy of Zelig's plight. He's the original man who wasn't there." Calum Marsh of Slant magazine wrote, "We are infinitely pliable. That's the thesis of Zelig, Allen's wisest film, which has much to say about the way a person can be bent and contorted in the name of acceptance. Its ostensibly wacky conceit [...] is grounded in an emotional and psychological reality all too familiar to shrug of [sic] as farce. We'll go very far out of our way to avoid conflict. Zelig seizes on that weakness and forces us to recognize it."
Question: what was some things said about the movie?
Answer: Variety said the film was "consistently funny, though more academic than boulevardier", and the Christian Science Monitor called it "amazingly funny and poignant".

Background: Henry Havelock Ellis, known as Havelock Ellis (2 February 1859 - 8 July 1939), was an English physician, writer, progressive intellectual and social reformer who studied human sexuality. He co-authored the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896.
Context: Ellis returned to England in April 1879. He had decided to take up the study of sex, and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw.  The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes the sexual relations of homosexual males, including men with boys. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos.  In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it."  Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called.
Question: What year did he graduate?
Answer:
never had a regular medical practice.