Question:
Benjamin Lee Whorf (; April 24, 1897 - July 26, 1941) was an American linguist and fire prevention engineer. Whorf is widely known as an advocate for the idea that differences between the structures of different languages shape how their speakers perceive and conceptualize the world. This principle has frequently been called the "Sapir-Whorf hypothesis", after him and his mentor Edward Sapir, but Whorf called it the principle of linguistic relativity, because he saw the idea as having implications similar to Einstein's principle of physical relativity. Throughout his life Whorf was a chemical engineer by profession, but as a young man he took up an interest in linguistics.
If read superficially, some of Whorf's statements lend themselves to the interpretation that he supported linguistic determinism. For example, in an often-quoted passage Whorf writes:  We dissect nature along lines laid down by our native language. The categories and types that we isolate from the world of phenomena we do not find there because they stare every observer in the face; on the contrary, the world is presented in a kaleidoscope flux of impressions which has to be organized by our minds--and this means largely by the linguistic systems of our minds. We cut nature up, organize it into concepts, and ascribe significances as we do, largely because we are parties to an agreement to organize it in this way--an agreement that holds throughout our speech community and is codified in the patterns of our language. The agreement is of course, an implicit and unstated one, but its terms are absolutely obligatory; we cannot talk at all except by subscribing to the organization and classification of data that the agreement decrees. We are thus introduced to a new principle of relativity, which holds that all observers are not led by the same physical evidence to the same picture of the universe, unless their linguistic backgrounds are similar, or can in some way be calibrated.  The statements about the obligatory nature of the terms of language have been taken to suggest that Whorf meant that language completely determined the scope of possible conceptualizations. However neo-Whorfians argue that here Whorf is writing about the terms in which we speak of the world, not the terms in which we think of it. Whorf noted that to communicate thoughts and experiences with members of a speech community speakers must use the linguistic categories of their shared language, which requires moulding experiences into the shape of language to speak them--a process called "thinking for speaking". This interpretation is supported by Whorf's subsequent statement that "No individual is free to describe nature with absolute impartiality, but is constrained by certain modes of interpretation even when he thinks himself most free". Similarly the statement that observers are led to different pictures of the universe has been understood as an argument that different conceptualizations are incommensurable making translation between different conceptual and linguistic systems impossible. Neo-Whorfians argue this to be is a misreading since throughout his work one of his main points was that such systems could be "calibrated" and thereby be made commensurable, but only when we become aware of the differences in conceptual schemes through linguistic analysis.
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What were the categories

Answer:
categories of their shared language, which requires moulding experiences into the shape of language to speak them


Question:
Lifehouse is an American rock band from Los Angeles comprising Jason Wade (lead vocals, guitar), Rick Woolstenhulme, Jr. (drums, percussion), and Bryce Soderberg (bass, vocals). The band came to mainstream prominence in 2001 with the hit single "Hanging by a Moment" from their debut studio album, No Name Face. The song was number one for three weeks on the Billboard Modern Rock Tracks chart and peaked at number 2 on the Billboard Hot 100 charts, and the single won a Billboard Music Award for Hot 100 Single of the Year, having spent twenty weeks in the top 10 and more than a year on the charts. In 2002, Lifehouse released their follow-up album Stanley Climbfall.
In 2000, Blyss re-recorded, remixed, and released twelve of the fifteen Diff's Lucky Day session demos as No Name Face, their debut major label release under the name of Lifehouse. On their choosing the band name, frontman Jason Wade said, "It's about what we do as a band and for me personally. Most of this record is about my life and about life's circumstances. Not only my life, but other peoples' lives. We thought Lifehouse was a good name for it."  No Name Face met significant commercial success and established the band, and eventually would sell in excess of 4 million copies worldwide. This was in part due to the success of "Hanging by a Moment", Lifehouse's first commercial single. Due to the charisma and talent of frontman Wade, DreamWork Record's focus was primarily on him. "Hanging by a Moment" was the third song in chart history to be named the "No. 1 Song of the Year" on the Billboard Hot 100 despite not having reached No. 1 on any weekly Billboard Hot 100 survey (after Sam the Sham & The Pharaohs' "Wooly Bully" in 1965 and Faith Hill's "Breathe" in 2000). The second single from the album, "Sick Cycle Carousel", was not as commercially successful as "Hanging by a Moment", peaking at No. 35 on the Billboard Modern Rock chart; the third and final single was "Breathing", a reworking of a song featured on Diff's Lucky Day.  The song "Everything" was the first of many Lifehouse songs to be featured in the future hit WB drama Smallville. Seven of the band's songs would be featured in episodes of the series' first four seasons, and the band itself would perform live at the Smallville prom at the end of the fourth-season episode "Spirit". The song "You and Me" would be released on the series' second soundtrack, Smallville: The Metropolis Mix, in an extended form, subtitled "Wedding Version" ("You and Me (Wedding Version)"). The song "Everything" was also used in the series' 200th episode, "Homecoming", in the show's 10th and final season, as an homage to the series pilot and first-season finale episodes.  The song "Somewhere in Between", also from No Name Face, was featured in the first-season episode of Falcon Beach, "The Blame Game".  By the time Lifehouse's first album was released, Palmer had left the band, and Wade and Andrade were the only remaining founding members. Soon after recording No Name Face, Wade and Andrade met Rick Woolstenhulme, who auditioned for the needed drummer part and joined the band as full-time drummer. Before the audition, Woolstenhulme had been rehearsing in an adjacent room to Lifehouse and frequently he and Wade would pass each other without meeting the other.
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When did the album debut?

Answer:
In 2000,