input: In late 1987, Slayer returned to the studio to record their fourth studio album. To contrast the speed of Reign in Blood, the band consciously decided to slow down the tempos, and incorporate more melodic singing. According to Hanneman, "We knew we couldn't top Reign in Blood, so we had to slow down. We knew whatever we did was gonna be compared to that album, and I remember we actually discussed slowing down. It was weird--we've never done that on an album, before or since."  Released in July 1988, South of Heaven received mixed responses from both fans and critics, although it was Slayer's most commercially successful release at the time, debuting at number 57 on the Billboard 200, and their second album to receive gold certification in the United States. Press response to the album was mixed, with AllMusic citing the album as "disturbing and powerful," and Kim Nelly of Rolling Stone calling it "genuinely offensive satanic drivel." King said "that album was my most lackluster performance," although Araya called it a "late bloomer" which eventually grew on people.  Slayer returned to the studio in spring 1990 with co-producer Andy Wallace to record its fifth studio album. Following the backlash created by South of Heaven, Slayer returned to the "pounding speed of Reign in Blood, while retaining their newfound melodic sense." Seasons in the Abyss, released on October 25, 1990, was the first Slayer album to be released under Rubin's new Def American label, as he had parted ways with Def Jam owner Russell Simmons over creative differences. The album debuted at number 44 on the Billboard 200, and was certified gold in 1992. The album spawned Slayer's first music video for the album's title track, which was filmed in front of the Giza pyramids in Egypt.  Slayer returned as a live act in September 1990 to co-headline the European Clash of the Titans tour with Megadeth, Suicidal Tendencies, and Testament. During the sold out European leg of this tour tickets fetched up to 1,000 Deutschmark ($680 USD) on the black market. With the popularity of American thrash at its peak, the tour was extended to the US beginning in May 1991, with Megadeth, Anthrax and opening act Alice in Chains. The band released a double live album, Decade of Aggression in 1991, to celebrate ten years since their formation. The compilation debuted at number 55 on the Billboard 200.  In May 1992, Lombardo quit the band due to conflicts with other members, as well as his desire to be off tour for the birth of his first child. Lombardo formed his own band Grip Inc, with Voodoocult guitarist Waldemar Sorychta, and Slayer recruited former Forbidden drummer Paul Bostaph to take his place. Slayer made its debut appearance with Bostaph at the 1992 Monsters of Rock festival at Castle Donington. Bostaph's first studio effort was a medley of three Exploited songs, "War," "UK '82," and "Disorder," with rapper Ice-T, for the Judgment Night movie soundtrack in 1993.

Answer this question "Was this their first album they did?"
output: Slayer returned to the studio to record their fourth studio album.

input: Tendulkar began his career writing for newspapers. He had already written a play, Amcyavar Kon Prem Karnar (aamcyaavrr konn prem krnnaar Who will Love us?), and he wrote the play, Grhastha (The Householder), in his early 20s. The latter did not receive much recognition from the audience, and he vowed never to write again.  Breaking the vow, in 1956 he wrote Srimant, which established him as a good writer. Srimant jolted the conservative audience of the times with its radical storyline, wherein an unmarried young woman decides to keep her unborn child while her rich father tries to "buy" her a husband in an attempt to save his social prestige.  Tendulkar's early struggle for survival and living for some time in tenements ("cal/chawls") in Mumbai provided him first-hand experience about the life of urban lower middle class. He thus brought new authenticity to their depiction in Marathi theatre. Tendulkar's writings rapidly changed the storyline of modern Marathi theatre in the 1950s and the 60s, with experimental presentations by theatre groups like Rangayan. Actors in these theatre groups like Shriram Lagoo, Mohan Agashe, and Sulabha Deshpande brought new authenticity and power to Tendulkar's stories while introducing new sensibilities in Marathi theatre.  Tendulkar wrote the play Gidhade (The Vultures) in 1961, but it was not produced until 1970. The play was set in a morally collapsed family structure and explored the theme of violence. In his following creations, Tendulkar explored violence in its various forms: domestic, sexual, communal, and political. Thus, Gidhade proved to be a turning point in Tendulkar's writings with regard to establishment of his own unique writing style.  Based on a 1956 short story, Die Panne ("Traps") by Friedrich Durrenmatt, Tendulkar wrote the play, Santata! Court Calu Ahe ("Silence! The Court Is in Session"). It was presented on the stage for the first time in 1967 and proved as one of his finest works. Satyadev Dubey presented it in movie form in 1971 with Tendulkar's collaboration as the screenplay writer.

Answer this question "Was that a play or novel?"
output: and he wrote the play,

input: Silverman played Geraldine alongside Michelle Williams and Seth Rogen in Take This Waltz, written and directed by Sarah Polley. The film was well received when it premiered in Toronto in 2011 and was picked up by Magnolia for U.S. distribution in summer 2012. At the Toronto International Film Festival, she told the press she'd deliberately gained weight for the part, which required a nude scene, emphasizing that Polley wanted "real bodies and real women." In interviews, she warned fans not to expect too much. However, she later told podcaster and author Julie Klausner that she had not really gained weight for the role and that the statements were meant as self-deprecating humor.  On September 20, 2012, Silverman made a public service announcement (PSA) criticizing new voter identification laws that create obstacles to the ability of certain groups to vote in the November presidential election, i.e., young, old, poor, and minority citizens. The project was financed by the Jewish Council for Education & Research (JCER) and was co-produced by Mik Moore and Ari Wallach (the pair that also co-produced The Great Schlep and Scissor Sheldon).  Silverman voiced Vanellope von Schweetz, one of the main characters in the 2012 Disney animated film, Wreck-It Ralph. She is in the creative team that writes and produces the content for the YouTube comedy channel called Jash. The other partners are Michael Cera, Reggie Watts, and Tim Heidecker and Eric Wareheim (also known as Tim & Eric). The JASH channel premiered online March 10, 2013. In Seth MacFarlane's western comedy film, A Million Ways to Die in the West, she played Ruth, a prostitute, who is in love with Edward (Giovanni Ribisi). It was released on May 30, 2014.  In 2013, HBO announced that Silverman would star with Patti LuPone and Topher Grace in a situation comedy pilot called People in New Jersey, produced by SNL's Lorne Michaels. The pilot was not picked up for a series order.  In 2017, Silverman became the host of a new talk show on Hulu called I Love You, America.

Answer this question "What else has she played in?"
output:
In 2013, HBO announced that Silverman would star with Patti LuPone and Topher Grace in a situation comedy pilot called People in New Jersey,