Background: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.
Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department.
Question: In what university do they think his where abouts are?
Answer: McDaniel died of breast cancer at age 57 on October 26, 1952,

Background: Michael Anthony Orlando Cassavitis (born April 3, 1944), known professionally as Tony Orlando, is an American singer, songwriter, producer, music executive, and actor, best known as the lead singer of the group Tony Orlando and Dawn in the 1970s. Orlando formed the doowop group The Five Gents in 1959 at the age of 15, with whom he recorded demos, and got the attention of music publisher and producer Don Kirshner. Kirshner hired him to songwrite at 1650 Broadway, Manhattan as part New York's thriving Brill Building songwriting community, along with other songwriters Carole King, Neil Sedaka, Toni Wine, Barry Mann, Cynthia Weil, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they later changed their name to Simon and Garfunkel. Orlando was also hired to sing on songwriter demos, and singles released with Orlando as a solo artist began to hit the charts in the US and the UK beginning in 1961 with "Halfway to Paradise" and "Bless You" when he was 16.
Context: Orlando was tempted back to a recording career when he was asked to record a demo record of "Candida", with backup singers including Toni Wine (who wrote the song) and Linda November. Concerned about a possible conflict of interest with his April-Blackwood duties, Orlando sang under the condition that his name not be associated with the project, so it was released under the simple name of "Dawn", the middle name of the daughter of Bell records executive Steve Wax.  The song became a hit, and Dawn, with Wine and November again singing backup, recorded another song, "Knock Three Times", which itself became a #1 hit. Orlando then wanted to go on tour, and asked two other session singers, Telma Hopkins and Joyce Vincent Wilson to join for the tour. Orlando then discovered that there were six touring groups using that name, so Dawn became "Dawn featuring Tony Orlando", which changed to Tony Orlando and Dawn in 1973.  The new group recorded more hits, including "Tie a Yellow Ribbon Round the Ole Oak Tree" (1973) and "He Don't Love You (Like I Love You)" (1975), a cover of the Jerry Butler hit, "He Will Break Your Heart". With a successful recording career, Orlando then set his sights on television. As described in The San Francisco Chronicle, "Tony Orlando and Dawn burst out of television sets during the Ford administration, a sunny antidote to the dark cynicism that followed Watergate. He represented simple, traditional values, a conservative return to pure entertainment. He drew a happy face in the "O" of his autograph. It was not terribly cool, but America loved him." The Tony Orlando and Dawn Show on CBS became a hit, a summer replacement for the Sonny & Cher show, and ran for four seasons from 1973 to 1976. It welcomed the biggest names in show business each week as Orlando's guests, including his boyhood idols, Jackie Gleason and Jerry Lewis.  At the 1976 Republican National Convention in Kansas City, Missouri, Orlando danced to the tune of "Tie a Yellow Ribbon" with then First Lady Betty Ford. The media stated that it was to divert attention as Nancy Reagan entered the Kemper Arena convention hall. However, in Orlando's book Halfway to Paradise, he states that Mrs. Reagan was asked what her favorite song was, which happened to be "Tie a Yellow Ribbon", so it was chosen as her entrance song. Ronald Reagan unsuccessfully challenged Gerald Ford, for the presidential nomination that year but came back in 1980 to claim the presidency itself. Ray Barnhart, a Reagan co-manager from Texas, criticized Mrs. Ford for having "danced a jig" with Orlando. Barbara Staff, another Texas co-chairman, called Betty Ford's behavior "a low, cheap shot". It was later confirmed that the Ford campaign slipped the song to the band when Nancy Reagan entered the hall.  On October 12, 2015, with Telma Hopkins and Joyce Vincent Wilson present, Pacific Pioneer Broadcasters honored Orlando with their Art Gilmore Career Achievement Award at a celebrity luncheon.
Question: How did the record do?
Answer:
The song became a hit, and Dawn, with Wine and November again singing backup, recorded another song, "Knock Three Times",