Question: Ernest Edward "Ernie" Kovacs (January 23, 1919 - January 13, 1962) was an American comedian, actor, and writer. Kovacs's visually experimental and often spontaneous comedic style influenced numerous television comedy programs for years after his death. Many individuals and shows, such as Johnny Carson, David Letterman, Rowan and Martin's Laugh-In, Saturday Night Live, Monty Python's Flying Circus, Jim Henson, Max Headroom, Chevy Chase, Conan O'Brien, Jimmy Kimmel, Captain Kangaroo, Sesame Street, The Electric Company, Dave Garroway, Uncle Floyd, and many others have credited Kovacs as an influence. Chevy Chase thanked Kovacs during his acceptance speech for his Emmy award for Saturday Night Live.

A frequent critic of the U.S. tax system, Kovacs owed the Internal Revenue Service several hundred thousand dollars in back taxes, due to his simple refusal to pay the bulk of them. Up to 90% of his earnings were garnished as a result. His long battles with the IRS inspired Kovacs to invest his money in a convoluted series of paper corporations in the U.S. and Canada. He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company". In 1961, Kovacs was served with a $75,000 lien for back taxes; that same day he bought the California Racquet Club with the apparent hope of being able to use it as a tax write-off. The property had mortgages at the time of purchase which were later paid by Edie Adams.  His tax woes also affected Kovacs's career, forcing him to take any offered work to pay his debt. This included the ABC game show Take A Good Look, appearances on variety shows such as NBC's The Ford Show, Starring Tennessee Ernie Ford, and some of his less memorable movie roles. He also filmed an unaired 1962 pilot episode for a proposed CBS series, Medicine Man (co-starring Buster Keaton, pilot episode titled "A Pony For Chris"). Kovacs's role was that of Dr. P. Crookshank, a traveling medicine salesman in the 1870s selling Mother McGreevy's Wizard Juice, also known as "man's best friend in a bottle". This was abandoned after his death, which occurred the day after filming some scenes for the pilot in Griffith Park. CBS initially intended to broadcast the show as part of a summer replacement program, The Comedy Spot, but decided against it due to problems with Kovacs's estate. The pilot is part of the public collection of the Paley Center for Media.  Some of the issues regarding Kovacs's tax problems were still unresolved years after his death. Kovacs had purchased two insurance policies in 1951; his mother was named as the primary beneficiary of them. The IRS placed a lien against them both for their cash value in 1961. To stop the actions being taken against her, Mary Kovacs had to go to Federal court. The court's early 1966 ruling resolved the issue, with the last sentence of the document reading: "Prima facie, it looks as if, within the limits of discretion permitted the government by the relevant statutes, an injustice is being done Mary Kovacs."  Adams, who married and divorced twice after Kovacs's death, refused help from celebrity friends who planned a benefit for the purpose. Saying "I can take care of my own children", and being determined to accept offers only from those who wanted to hire her for her talents, Adams managed to pay all of Kovacs' debts.

Using a quote from the above article, answer the following question: Did he have any other financial problems?
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Answer: He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company

Problem: William James Dixon (July 1, 1915 - January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar and was a capable singer, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post-World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated.

Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones.

did he find any new talent?

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