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Herman Northrop Frye  (July 14, 1912 - January 23, 1991) was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century. Frye gained international fame with his first book, Fearful Symmetry (1947), which led to the reinterpretation of the poetry of William Blake. His lasting reputation rests principally on the theory of literary criticism that he developed in Anatomy of Criticism (1957), one of the most important works of literary theory published in the twentieth century. The American critic Harold Bloom commented at the time of its publication that Anatomy established Frye as "the foremost living student of Western literature."
Frye's international reputation allowed him to champion Canadian literature at a time when to do so was considered provincial. Frye argued that regardless of the formal quality of the writing, it was imperative to study Canadian literary productions in order to understand the Canadian imagination and its reaction to the Canadian environment. During the 1950s, Frye wrote annual surveys of Canadian poetry for the University of Toronto Quarterly, which led him to observe recurrent themes and preoccupations in Canadian poetry. Subsequently, Frye elaborated on these observations, especially in his conclusion to Carl F. Klinck's Literary History of Canada (1965). In this work, Frye presented the idea of the "garrison mentality" as the attitude from which Canadian literature has been written. The garrison mentality is the attitude of a member of a community that feels isolated from cultural centres and besieged by a hostile landscape. Frye maintained that such communities were peculiarly Canadian, and fostered a literature that was formally immature, that displayed deep moral discomfort with "uncivilized" nature, and whose narratives reinforced social norms and values.  Frye collected his disparate writings on Canadian writing and painting in The Bush Garden: Essays on the Canadian Imagination (1971). He coined phrases like "the Garrison Mentality", a theme that summarizes Canadian Literature. Margaret Atwood adopted his approach and elaborated on this in her book Survival (1972). Frye also aided James Polk in compiling Divisions on a Ground: Essays on Canadian Culture (1982). In the posthumous Collected Works of Northrop Frye, his writings on Canada occupy the thick 12th volume.  Based on his observations of Canadian literature, Frye concluded that, by extension, Canadian identity was defined by a fear of nature, by the history of settlement and by unquestioned adherence to the community. However, Frye perceived the ability and advisability of Canadian (literary) identity to move beyond these characteristics. Frye proposed the possibility of movement beyond the literary constraints of the garrison mentality: growing urbanization, interpreted as greater control over the environment, would produce a society with sufficient confidence for its writers to compose more formally advanced detached literature.
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was he published?

Answer:
writing and painting in The Bush Garden: Essays on the Canadian Imagination (1971).


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Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and "beat boom" of the 1960s.
The 2017 line up is; Chris Barber and Bob Hunt (trombones); Mike Henry and Pete Rudeforth (trumpets), Bert Brandsma, Nick White and Ian Killoran (clarinets and alto sax, tenor sax, baritone sax). John Watson (drums), John Day (double bass), Joe Farler (banjo & guitar) Pat Halcox, trumpeter with the Chris Barber Band since 31 May 1954, retired after playing his last gig with the Big Chris Barber Band on 16 July 2008. Halcox and Barber were together in the band for 54 years - the longest continuous partnership in the history of jazz, exceeding even that of Duke Ellington and Harry Carney (48 years between 1926 and 1974). Tony Carter (reeds) also left the band at this time. Vic Pitt (double bass) retired in January 2007 after 30 years with the band.  His feature duet with the drummers of the day - "Big Noise From Winnetka" was not only a feature of the Barber concerts, but also his time with the Kenny Ball band immediately before. When Amy Roberts joined the band in 2011, she was still a student at Royal Northern College of Music and thus not always able to be present. On several tours Bert Brandsma (reeds) replaced her. Brandsma joined as a permanent member in 2012.  At St Luke's, London, on 9 June 2007 Barber appeared in the horn section of Nick Lowe's band during a concert. In 2008 Barber, along with Eric Clapton and others, were involved in a new co-operative record company, Blues Legacy. On 23 July 2009, Barber, Bilk and Ball played a one-off concert at Indigo2 at the O2 in Greenwich. The concert was presented by the British Music Experience. He performed at De Doelen in Rotterdam, the Netherlands, on 12 December 2010.
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What is some of his recent work?

Answer:
He performed at De Doelen in Rotterdam, the Netherlands, on 12 December 2010.