Problem: Point of Grace is an all-female Contemporary Christian music vocal group. The trio consists of Shelley Breen, Denise Jones, and Leigh Cappillino. The group started out as a quartet in 1991, with original members Breen and Jones, as well as Terry Jones and Heather Payne. In November 2003, Terry Jones decided to spend more time with her family after giving birth to her third child, and left the group, with Cappillino joining in March 2004 for their 2004 release

In July 1995, the girls signed a major book deal with Simon & Schuster. They had been featured in major publications such as the Ladies Home Journal and TIME Magazine. The book was written by the girls along with Davin Seay. In it, each member told her life story, and the other chapters were divided into question-and-answer sections were the girls addressed topics like dating, sex, clothes, family life, and friends.  Along with the book, the girls also began work on their third album. This project was a growing pain of sorts for them. John Mays, the man who had signed them to Word Records, had left his position there as A&R to join Sparrow Records. The girls were left to make all major decisions, and for the first time, were executive producers of their album. They took their time with the record, and the result was Life Love & Other Mysteries, released on September 9, 1996. The book was also released that same day, subtitled "Advice and Inspiration from Christian Music's No. 1 Pop Group."  On the day of the album release, Word Records chartered the Dallas Mavericks' DC-9 jet and the girls flew to five different cities in one day to promote their album. During each stop they performed their current single, "Keep The Candle Burning", which went No. 1 on the day their album released. It became the girls' twelfth consecutive No. 1 single. A music video with footage from their whirlwind promo tour was released a few months later. The girls announced that they would be co-headlining an arena tour with 4Him, who had just released their album The Message. The tour hit major markets and was very successful, leading both groups to add a spring leg, which went into early summer of 1997. In 1996, the girls contributed the song "Follow the Star" to the album Emmanuel: A Musical Celebration of the Life of Christ. They were not able to go on the tour, with Avalon taking their place.  Life Love & Other Mysteries has been one of their most successful albums to date. It was certified gold by the RIAA in 1997 and platinum in 1999. The album debuted at No. 1 and stayed at the top of the charts for 10 weeks. It was one of the Top 5 selling albums throughout 1997 and one of the Top 10 selling albums in 1998. The album was nominated for a Grammy for Best Pop/Contemporary Gospel Album in 1997. The girls were also nominated for the 1997 Group of the Year at the Dove Awards and "Keep The Candle Burning" was nominated for Song of the Year. The girls gave a memorable performance of the song during the live The Nashville Network broadcast from the Sommet Center, with the whole audience swaying little flashlights back and forth. The girls continued touring until September of that year and took some time off when Denise's first child arrived in October.

was the album a hit?

Answer with quotes: Keep The Candle Burning", which went No. 1 on the day their album released.


Problem: Departures (Japanese: okuribito, Hepburn: Okuribito, "one who sends off") is a 2008 Japanese drama film directed by Yojiro Takita and starring Masahiro Motoki, Ryoko Hirosue, and Tsutomu Yamazaki. Loosely based on Coffinman, a memoir by Shinmon Aoki, the film follows a young man who returns to his hometown after a failed career as a cellist and stumbles across work as a nokanshi--a traditional Japanese ritual mortician. He is subjected to prejudice from those around him, including from his wife, because of strong social taboos against people who deal with death. Eventually he earns their respect and learns the importance of interpersonal connections through the beauty and dignity of his work.

Japanese funerals are highly ritualized affairs which are generally--though not always--conducted in accordance with Buddhist rites. In preparation for the funeral, the body is washed and the orifices are blocked with cotton or gauze. The encoffining ritual (called nokan), as depicted in Departures, is rarely performed, and even then only in rural areas. This ceremony is not standardized, but generally involves professional morticians (Na Guan Shi , nokanshi) ritually preparing the body, dressing the dead in white, and sometimes applying make-up. The body is then put on dry ice in a casket, along with personal possessions and items necessary for the trip to the afterlife.  Despite the importance of death rituals, in traditional Japanese culture the subject is considered unclean as everything related to death is thought to be a source of kegare (defilement). After coming into contact with the dead, individuals must cleanse themselves through purifying rituals. People who work closely with the dead, such as morticians, are thus considered unclean, and during the feudal era those whose work was related to death became burakumin (untouchables), forced to live in their own hamlets and discriminated against by wider society. Despite a cultural shift since the Meiji Restoration of 1868, the stigma of death still has considerable force within Japanese society, and discrimination against the untouchables has continued.  Until 1972, most deaths were dealt with by families, funeral homes, or nokanshi. As of 2014, about 80% of deaths occur in hospitals, and preparation of the bodies is frequently done by hospital staff; in such cases, the family often does not see the body until the funeral. A 1998 survey found that 29.5% of the Japanese population believed in an afterlife, and a further 40% wanted to believe; belief was highest among the young. Belief in the existence of a soul (54%) and a connection between the worlds of the living and the dead (64.9%) was likewise common.

Are there any other interesting aspects about this article?

Answer with quotes:
Despite the importance of death rituals, in traditional Japanese culture the subject is considered unclean as everything related to death is thought to be a source of kegare (defilement).