Some context: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.
Unlike Lully, who collaborated with Philippe Quinault on almost all his operas, Rameau rarely worked with the same librettist twice. He was highly demanding and bad-tempered, unable to maintain longstanding partnerships with his librettists, with the exception of Louis de Cahusac, who collaborated with him on several operas, including Les fetes de l'Hymen et de l'Amour (1747), Zais (1748), Nais (1749), Zoroastre (1749; revised 1756), La naissance d'Osiris (1754), and Anacreon (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, Les Boreades (c. 1763).  Many Rameau specialists have regretted that the collaboration with Houdar de la Motte never took place, and that the Samson project with Voltaire came to nothing because the librettists Rameau did work with were second-rate. He made his acquaintance of most of them at La Poupliniere's salon, at the Societe du Caveau, or at the house of the Comte de Livry, all meeting places for leading cultural figures of the day.  Not one of his librettists managed to produce a libretto on the same artistic level as Rameau's music: the plots were often overly complex or unconvincing. But this was standard for the genre, and is probably part of its charm. The versification, too, was mediocre, and Rameau often had to have the libretto modified and rewrite the music after the premiere because of the ensuing criticism. This is why we have two versions of Castor et Pollux (1737 and 1754) and three of Dardanus (1739, 1744, and 1760).
Was he friends with Louis de Cahusac?
A: Louis de Cahusac, who collaborated with him on several operas,

Some context: Scarlett Ingrid Johansson was born in the Manhattan borough of New York City, New York. Her father, Karsten Olaf Johansson, is an architect originally from Copenhagen, Denmark, and her paternal grandfather, Ejner Johansson, was an art historian, screenwriter and film director, whose own father was Swedish. Johansson's mother, Melanie Sloan, a producer, comes from an Ashkenazi Jewish family of Polish and Belarusian descent. She has an older sister, Vanessa, also an actress; an older brother, Adrian; and a twin brother, Hunter.
Johansson has been called "ScarJo" by the media and fans, but dislikes the nickname, finding it lazy, flippant and insulting. She is described as a sex symbol by the media, which considers her lips, green eyes, and voice among her trademarks. The Sydney Morning Herald describes Johansson as "the embodiment of male fantasy". During the filming of Match Point, director Woody Allen commented on her attractiveness. In 2014, New Yorker film critic Anthony Lane wrote that "she is evidently, and profitably, aware of her sultriness, and of how much, down to the last inch, it contributes to the contours of her reputation." Johansson said that she disliked being sexualized, and that a preoccupation with a person's attractiveness does not last. She lost the lead role in The Girl with the Dragon Tattoo (2011) as its director David Fincher thought she was "too sexy" for the part.  Johansson ranks highly in several beauty listings. Maxim included her in their Hot 100 from 2006 to 2014. She has been named "Sexiest Woman Alive" twice by Esquire (2006 and 2013), and has been included in similar listings by Playboy (2007), Men's Health (2011), and FHM (since 2005). She was named GQ's Babe of the Year in 2010. Madame Tussauds New York museum installed a wax sculpture of her in 2015.  Johansson was invited to join the Academy of Motion Picture Arts and Sciences in June 2004. In 2006, Johansson appeared on Forbes' Celebrity 100, and again in 2014 and 2015. Johansson received a star on the Hollywood Walk of Fame in May 2012. In 2014, 2015, and 2016, she was one of the highest-paid actresses, with annual earnings of $17 million, $35.5  million, and $25 million, respectively. She was the highest-grossing actor of 2016, with a total of $1.2 billion. As a result, IndieWire praised her for taking on risky roles. As of May 2017, Johansson is the highest-grossing actress of all time in North America, with her films making over $3.6 billion.  Johansson has appeared in advertising campaigns for Calvin Klein, Dolce & Gabbana, L'Oreal, and Louis Vuitton, and has represented the Spanish brand Mango since 2009. Johansson was the first Hollywood celebrity to represent a champagne producer, appearing in advertisements for Moet & Chandon. In January 2014, the Israeli company SodaStream, which makes home-carbonation products, hired Johansson as its first global brand ambassador, a relationship that commenced with a television commercial during Super Bowl XLVIII on February 2, 2014. This proved controversial, as SodaStream is based in Israeli-occupied territory in the West Bank.
what does people think of her?
A:
The Sydney Morning Herald describes Johansson as "the embodiment of male fantasy".