Answer the question at the end by quoting:

Lata Mangeshkar ( pronunciation ) (born 28 September 1929) is an Indian playback singer and occasional music composer. She is one of the best-known and most respected playback singers in India. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Marathi and Hindi. She is the recipient of three National Film Awards, 12 Bengal Film Journalists' Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, Filmfare Lifetime Achievement Award and many more.
In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar Jaikishan, Naushad Ali, S. D. Burman, Pandit Amarnath Husan Lal Bhagat Ram (in films like Bari Behan, Meena Bazaar, Afsana, Aadhi Raat, Ansoo, Chhoti Bhabi, Adal-e-Jehangir), C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna. She made her debut in Tamil playback singing with Vanaradham in 1956 (Uran Khotala dubbed in Tamil) with the Tamil song "Enthan Kannalan" picturised on Nimmi in the dubbed version composed by Naushad.  Mangeshkar sang many raga-based songs for Naushad in movies such as Deedar (1951), Baiju Bawra (1952), Amar (1954), Uran Khatola (1955) and Mother India (1957). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Barsaat (1949), Aah (1953), Shree 420 (1955) and Chori Chori (1956). Before 1957, composer S. D. Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.  Mangeshkar won a Filmfare Award for Best Female Playback Singer for Salil Chowdhury's composition "Aaja Re Pardesi" from Madhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Albela (1951), Shin Shinkai Bublaa Boo (1952), Anarkali (1953), Pehli Jhhalak (1954), Azad (1955), Asha (1957) and Amardeep (1958). For Madan Mohan, she performed for films like Baagi (1953), Railway Platform (1955), Pocketmar (1956), Mr. Lambu (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959) and Chacha Zindabad (1959).

Was playback singing her main thing?

Mangeshkar sang many raga-based songs



Answer the question at the end by quoting:

Stewart Armstrong Copeland was born in Alexandria, Virginia on July 16, 1952, the youngest of four children of CIA officer Miles Copeland, Jr. and Scottish archaeologist Lorraine Adie. The family moved to Cairo, Egypt, a few months after his birth, and Copeland spent his formative years in the Middle East. In 1957, his family moved to Beirut, Lebanon, and Copeland attended the American Community School there. He started taking drum lessons at age 12 and was playing drums for school dances within a year.
After the Police disbanded, Copeland established a career composing soundtracks for movies (Airborne, Talk Radio, Wall Street, Riff Raff, Raining Stones, Surviving the Game, See No Evil, Hear No Evil, Highlander II: The Quickening, The Leopard Son, She's Having a Baby, The First Power, Fresh, Taking Care of Business, West Beirut, I am David, Good Burger), television (The Equalizer, Dead Like Me, Star Wars: Droids, the pilot for Babylon 5 (1993), Nickelodeon's The Amanda Show, The Life and Times of Juniper Lee), operas (Holy Blood and Crescent Moon, commissioned by Cleveland Opera) and ballets (Prey' Ballet Oklahoma, Casque of Amontillado, Noah's Ark/Solcheeka, commissioned by the Seattle Symphony Orchestra, King Lear, commissioned by the San Francisco Ballet Company, Emilio).  Copeland also occasionally played drums for other artists. Peter Gabriel employed Copeland to perform on his songs "Red Rain" and "Big Time" from his 1986 album So. He has also performed with Mike Rutherford and Tom Waits. That year he also teamed with Adam Ant to record the title track and video for the Anthony Michael Hall movie Out of Bounds. In 1989, Copeland formed Animal Logic with jazz bassist Stanley Clarke and singer-songwriter Deborah Holland. The trio had success with their first album and world tour but the follow-up recording sold poorly, and the band did not continue.  In 1993 he composed the music for Channel 4's Horse Opera and director Bob Baldwin. In 1999, he provided the voice of an additional American soldier in the animated musical comedy war film South Park: Bigger, Longer & Uncut (1999).

Did his soundtracks win any awards?