Some context: Turner was born June 19, 1954, in Springfield, Missouri, the daughter of Patsy (nee Magee 1923-2015) and Allen Richard Turner, a U.S. Foreign Service officer who grew up in China (where Turner's great-grandfather had been a Methodist missionary). She has a sister, Susan, and two brothers. Turner was raised in a strict conservative Christian household, and her interest in performing was discouraged by both of her parents: "My father was of missionary stock," she later explained, "so theater and acting were just one step up from being a streetwalker, you know? So when I was performing in school, he would drive my mom [there] and sit in the car.
After Body Heat, Turner steered away from femme fatale roles to "prevent typecasting" and "because femme fatale roles had a shelf-life." Consequently, her first project after this was the 1983 comedy The Man With Two Brains. Turner co-starred in Romancing the Stone with Michael Douglas and Danny DeVito. The film critic Pauline Kael wrote of her performance as writer Joan Wilder, "Turner knows how to use her dimples amusingly and how to dance like a woman who didn't know she could; her star performance is exhilarating." Romancing the Stone was a surprise hit: she won a Golden Globe for her role in the film, and it became one of the top-ten-grossing movies of 1984. Turner teamed with Douglas and DeVito again the following year for its sequel, The Jewel of the Nile.  Several months before Jewel, Turner starred in Prizzi's Honor with Jack Nicholson, winning a second Golden Globe award, and later starred in Peggy Sue Got Married, which co-starred Nicolas Cage. For Peggy Sue, she received the award for Best Actress from the U.S. National Board of Review of Motion Pictures as well as an Academy Award nomination for Best Actress.  In 1988's toon-noir Who Framed Roger Rabbit, she was the speaking voice of cartoon femme fatale Jessica Rabbit, intoning the famous line, "I'm not bad, I'm just drawn that way." Her uncredited, sultry performance was acclaimed as "the kind of sexpot ball-breaker she was made for." (Amy Irving provided Jessica Rabbit's singing voice in the scene in which the character first appears in the movie.) That same year Turner also appeared in Switching Channels, which was a loose remake of the 1940 hit film His Girl Friday; this, in turn, was a loose remake of the Ben Hecht-Charles MacArthur comedy The Front Page.  Turner appeared in the 1986 song "The Kiss of Kathleen Turner" by Austrian techno-pop singer Falco. In 1989, Turner teamed with Douglas and DeVito for a third time, in The War of the Roses, but this time as Douglas's disillusioned wife, with DeVito in the role of a divorce attorney who told their shared story. The New York Times praised the trio, saying that "Mr. Douglas and Ms. Turner have never been more comfortable a team ... each of them is at his or her comic best when being as awful as both are required to be here ... [Kathleen Turner is] evilly enchanting." In that film, Turner played a former gymnast and, as in other roles, did many of her own stunts. (She broke her nose two years after filming 1991's V.I. Warshawski.)
What is Stardom?
A: she won a Golden Globe for her role in the film, and it became one of the top-ten-grossing movies of 1984.

Some context: Xenomania is an English songwriting and production team founded by Brian Higgins and based in Kent, England. Formed after Higgins met Miranda Cooper, Xenomania has written and produced for renowned artists such as Cher, Kylie Minogue, Dannii Minogue, Sophie Ellis-Bextor, Pet Shop Boys, The Saturdays and the Sugababes. In particular, all but one of Girls Aloud's studio albums have been entirely written and produced by Xenomania. Sugababes' "Round Round" and Girls Aloud's "Sound of the Underground" have been credited with reshaping British pop music for the 2000s.
Xenomania worked with American pop singer Britney Spears in 2003 during sessions for her fourth album In the Zone. The song submitted, "Graffiti My Soul", was not chosen for the album. While the record company loved the song, Spears felt that it needed more of a chorus. Higgins said that they wanted "essentially 'Sound of the Underground 2'." It later appeared on Girls Aloud's What Will the Neighbours Say?.  The production team were due to work with rock bands New Order and Franz Ferdinand, but both sessions proved fruitless. Xenomania was due to produce for New Order's Waiting for the Sirens' Call, but Peter Hook said they "scrapped the Brian Higgins stuff because we didn't like it. I thought he did quite a good job on Girls Aloud but he didn't do a good job on us." Franz Ferdinand's drummer Paul Thomson said, "We wrote with Higgins for a while and initially we thought we'd work more with him but it didn't really work out. We just realized that we're not really a pop group."  Xenomania were reported to have written five songs for Leona Lewis's second album, Echo (2009), described by Cooper as "tragic songs with a twist". The songs did not make the album. In 2012, Xenomania were reported to be working with Christina Aguilera.  Higgins spoke of bad experiences with bigger artists to Literally magazine in 2009:  "Everything about us is about enormous enthusiasm for something. And therefore big artists can come in and they think "they're the flavour of the whatever, let's take their thing and then we'll do what we want with it..." Well, no, that's not acceptable anyway. I've had that experience happen where the big artists were fine until they got into the mix room and then they basically pulled the record to pieces. So I took my name off the record and the writing credits off the record. Because they're assholes. And they sold about 20,000 copies, and they've never been seen since. So big artists are often jerks of the biggest order. And often people say don't meet your heroes because you'll be let down, and I sort of understand why people would say that."
Is there anything else they said about working with Xenomania ?
A:
Higgins spoke of bad experiences with bigger artists to Literally magazine in 2009: