input: The band released their third album, Just Enough Education to Perform, in April 2001. The album included the track "Mr. Writer", which includes lyrics that criticise a critic who the band believe gave them a negative review. The album also contained one of the band's most famous tracks, "Have a Nice Day", which reached number five in the UK charts. To promote the new album, Just Enough Education to Perform, the Stereophonics played a two-day festival, which was called A Day at the Races. This event was held in Donington Park on the first day and at Cardiff's Millennium Stadium on the second. The concerts were supported by Ash, Black Crowes and the Crocketts, with Proud Mary playing Donington only. Over 200,000 separate tickets were sold for the weekend festival. The performance was released on a DVD in 2002.  2003 saw the release of their fourth album, titled You Gotta Go There to Come Back. In September 2003, drummer Stuart Cable was sacked. According to reports, it was because of his lack of commitment to the band. Cable, at the time, presented a TV show called "Cable TV" and felt that the band would never improve. Because of this, he missed several rehearsals and live concerts. He was eventually replaced by Javier Weyler. Steve Gorman, from the Black Crowes, stood in for Cable during the band's live performances until Weyler was appointed. When asked about Cable leaving the band in a 2010 interview with Rip It Up magazine, Kelly Jones admitted to the difficulty of the situation.  Towards the end of the year, Stereophonics did a sold-out tour of the UK, ending with a Christmas show at the Millennium Stadium, Cardiff, supported by Feeder, Ocean Colour Scene and Adam Masterson. The show was closed with a live version of "Merry Xmas Everybody", originally recorded by Slade. The group took a break after their 2003-2004 world tour, which included a set at the Manchester Move Festival in July 2004.

Answer this question "were there any singles on that album?"
output: The album included the track "Mr. Writer",

input: Motion City Soundtrack was formed in Minneapolis, Minnesota in 1997 by singer-songwriter Justin Pierre and guitarist Joshua Cain. Previously, the duo had separately played in a number of bands. Cain was in a group named the Saddest Girl Story, and recruited Pierre to join as a singer. He was subsequently in a band called Boxcar, and following its dissolution, he and Pierre founded Motion City Soundtrack together. The band's name was created by Cain's brother, Brian. Their early days were difficult, as they found it hard to break out of their local scene. When they could get weeks off from their jobs, they would tour. According to Cain, the members of the band soon realized that there "wasn't really anywhere to play [shows] in Minneapolis", and that they would have to "tour all the time" to rise in popularity. In its early years, the group went through several lineup changes. Through these, Cain and Pierre would often have to take over keyboard duties during shows. The group's first release was a 7" single, "Promenade / Carolina", released in 1999. Their next two releases, both extended plays--Kids for America and Back to the Beat--were released the following year.  Over the course of the early 2000s, the band continued to tour and shuffle through members. In late 2001, while touring in Milton, Pennsylvania with the band Submerge, they convinced two of its members--bassist Matthew Taylor and drummer Tony Thaxton--to join Motion City. Thaxton initially took about a year to convince to join the band. Jesse Johnson, a friend and co-worker of Cain's, joined the band as keyboardist just three weeks before the band recorded their first album. Johnson had never played the keyboard before but Cain taught him the parts that had already been written. After their first attempt at self-recording an album failed, the band culled together $6,000 to record with producer Ed Rose, best known for his work with the Get Up Kids. They recorded much of their debut album, I Am the Movie, in ten days. Initial copies were hand-packaged inside floppy disks, which were sold out of the back of their tour van for a year.  The band began receiving offers from various record labels, including Universal, Triple Crown Records, and Drive-Thru Records, and they performed at industry showcases. Meanwhile, Brett Gurewitz, founder of Epitaph Records, learned of the band from members of the group Matchbook Romance. He attended four of their shows in Los Angeles that Pierre later regarded as among his worst, as his voice was poor from constant touring. While they were interested in Universal, they chose to sign to Epitaph as they felt the contract was less restrictive and more honest. Eli Janney from Girls Against Boys helped the band secure management and a lawyer. Motion City became part of a slew of Epitaph signings, including Matchbook Romance, Scatter the Ashes and From First to Last, amid concerns the Southern California label had strayed too far from its roots, and seemed "a little too emo."

Answer this question "What was the name of their first release?"
output: "Promenade / Carolina

input: Shortly after leaving his position at Warner Bros., Webb teamed with Universal Television to begin work on a new Dragnet series. A pilot telefilm, based on the Harvey Glatman serial killings, was produced in 1966 for NBC, with Webb's Sgt. Joe Friday joined by Harry Morgan as Officer Bill Gannon. (Webb had tried to get Ben Alexander to reprise his role as Frank Smith, but he was unable to get Alexander to leave the ABC series Felony Squad.)  The new Dragnet premiered as a midseason replacement series on January 12, 1967, and aired until April 16, 1970. To distinguish it from the original series, the year of production was added to the title (Dragnet 1967, Dragnet 1968, etc.). The revival emphasized crime prevention and outreach to the public. Its attempts to address the contemporary youth-drug culture (such as "The LSD Story" episode, guest-starring Michael Burns as Benjamin John "Blue Boy" Carver, voted 85th-best TV episode of all time by TV Guide and TV Land) have led certain episodes on the topic to achieve cult status due to their strained attempts to be "with-it", such as Joe Friday grilling "Blue Boy" by asking him, "You're pretty high and far out, aren't you? What kind of kick are you on, son?" Don Dubbins, who had acted alongside Webb in The D.I. in 1957, was another featured actor in Mark VII Limited programs beginning in the 1960s.  In 1968, Webb and his production partner R.A. Cinader launched Adam-12 on NBC. A spinoff of Dragnet, Adam-12 starred Martin Milner and Kent McCord as a pair of LAPD beat cops, and followed their escapades while on patrol. Running till 1975, for a total of seven seasons, Adam-12 was Webb's second-longest running television series, with the eight seasons recorded by the original Dragnet being the longest.  Also in 1968, Webb and Johnny Carson performed a sketch on The Tonight Show that has since become known as the "Copper Clapper Caper" sketch. Webb, in character as Joe Friday, was working on the case of a robbery at a school-bell factory. Carson played the owner of the factory and victim of the theft, which consisted of each bell being relieved of its clapper (the device that makes the bell ring). The sketch's dialogue consisted of Webb and Carson discussing the situation in deadpan style and using alliteration and tongue twisters to describe the incident, each word having either a "c" or "cl" sound at the beginning. Both Webb and Carson tried desperately not to lose composure, but both did, near the end of the sketch.

Answer this question "What did Joe Friday do in Dragnet?"
output:
Don Dubbins, who had acted alongside Webb