IN: Michael Bennett (April 8, 1943 - July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical A Chorus Line.

Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story.  Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie.  Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince.  In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.
QUESTION: was any of his work a success?
IN: Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released in mid 1966, on Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album--"One of Us Must Know (

Most accounts of recording Blonde on Blonde, including those by Dylan scholars Clinton Heylin and Michael Gray, agree that there were two blocks of recording sessions: February 14-17 and March 8-10, 1966. This chronology is based on the logs and files kept by Columbia Records.  Dylan and the Hawks performed concerts in Ottawa, Montreal, and Philadelphia in February and March, and then Dylan resumed recording in Nashville on March 8. On that date, Dylan and the musicians recorded the take of "Absolutely Sweet Marie" that Dylan selected for the album. Historian Sean Wilentz observed that "with the sound of 'Sweet Marie', Blonde on Blonde entered fully and sublimely into what is now considered classic rock and roll". The same day saw the successful takes of "Just Like a Woman", and "Pledging My Time", the latter "driven by Robertson's screaming guitar".  According to Wilentz the final recording session, on March 9-10, produced six songs in 13 hours of studio time. The first number to be recorded to Dylan's satisfaction was "Most Likely You Go Your Way and I'll Go Mine", when McCoy reinforced on trumpet a musical phrase Dylan played on his harmonica, changing the sound of the song radically. Dylan and his band then quickly recorded "Temporary Like Achilles". The session atmosphere began to "get giddy" around midnight when Dylan roughed out "Rainy Day Women #12 & 35" on the piano. Johnston recalled commenting; "That sounds like the damn Salvation Army band". Dylan replied; "Can you get one?" Johnston then telephoned trombonist Wayne Butler, the only additional musician required, and Dylan and the band, with McCoy again on trumpet, played a high-spirited version of the song.  In quick succession Dylan and the musicians then recorded "Obviously 5 Believers" and a final take of "Leopard-Skin Pill-Box Hat" powered by Robertson's lead guitar. The session concluded with "I Want You" on which, as Wilentz notes, "Wayne Moss's rapid-fire sixteenth notes on the guitar" are an impressive element of the recording.
QUESTION: How long was one of their songs?
IN: Samuel Dale Brownback (born September 12, 1956) is an American lawyer, politician, diplomat and the current United States Ambassador-at-Large for International Religious Freedom since 2018. Brownback previously served as the 46th Governor of Kansas, as a U.S. Senator from Kansas, as a member of the U.S. House of Representatives, and as the Secretary of Agriculture of Kansas. A member of the Republican Party, he was elected to the U.S. House of Representatives during the Republican Revolution of 1994, representing Kansas's 2nd congressional district for a single term, before running in a 1996 special election for the U.S. Senate seat previously held by Bob Dole. He won the special election and the following two regular elections, serving until 2011.

Brownback was a member of the Judiciary Committee, the Senate Appropriations Committee (where he chaired the Subcommittee on District of Columbia when the Republicans were in the majority), the Joint Economic Committee, and the Commission on Security and Cooperation in Europe, also known as the Helsinki Commission, which he at one time chaired. The Helsinki Commission monitors compliance with international agreements reached in cooperation with Organization for Security and Co-operation in Europe.  In 2000, Brownback and Congressman Chris Smith led the effort to enact the Trafficking Victims Protection Act. President Clinton signed the legislation in October 2000. According to Christianity Today, the stronger enforcement increased the number of U.S. federal trafficking cases eightfold in the five years after enactment.  As of August 12, 2007, in the 110th Session of Congress, Brownback had missed 123 votes due to campaigning (39.7 percent) - surpassed only by Tim Johnson (D) of South Dakota who due to a critical illness had missed 100% of the votes of the 110th Session, and John McCain (R) of Arizona with 149 votes missed due to campaigning (48.1 percent).  As of April 2012, Brownback had an approval rating of 34 percent according to a Survey USA Poll. A Republican polling company found his approval rating to be 51 percent in May 2012. In November 2015, Brownback had an approval rating of 26 percent according to a Morning Consult poll, the lowest among all governors in the United States.  In 2006, Brownback blocked a confirmation vote on a George W. Bush federal appeals court nominee from Michigan, judge Janet T. Neff. He objected to her joining the bench solely for her having attended a same-sex commitment ceremony in Massachusetts in 2002 which involved a next door neighbor who was a close childhood friend of Neff's daughters. His action had blocked confirmation votes on an entire slate of appointments that already had been approved by a bipartisan group of Senators. In July 2007, he finally lifted his block that had prevented the vote, and the Senate confirmed her by 83-4. Brownback was joined in opposition by just three other conservatives, then-Senators Jim Bunning, Jon Kyl, and Mel Martinez.
QUESTION:
What was the ourcome of this block?