input: Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.  Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion.  Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13-17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.

Answer this question "Where did the idea come from?"
output: a film was intended to be made from it.

input: Kidd was traded to the Phoenix Suns with Tony Dumas and Loren Meyer for Michael Finley, A. C. Green, and Sam Cassell during the 1996-97 season. In his first full season with the Suns in 1997-98, the team's win total improved by 16 games. The Suns, who finished the season with a 56-26 record, had been recognized for their fast-paced style of play with Kidd frequently leading a small lineup of four guards (Kidd, Kevin Johnson, Rex Chapman and Steve Nash) being on the floor at the same time together with Antonio McDyess playing at center.  In the 1998-99 season, Kidd averaged 10.8 assists per game to dethrone Washington's Rod Strickland as the league's assists leader. He also led the NBA with seven triple-doubles (the rest of the league had just 11) and was second in the NBA with 41.2 minutes per game (behind Allen Iverson's 41.5 mpg). Kidd averaged career highs in points (16.9 ppg), field goal percentage (.444), rebounds (6.8 rpg, best among NBA guards) and steals (2.28 spg, fourth in the NBA) and was the only player to be ranked among the top 50 in the NBA in 10 different statistical categories. The Suns won all seven of the games in which he had triple-doubles.  The Suns acquired Penny Hardaway from the Orlando Magic before the start of the 1999-00 season in hope of creating the best backcourt duo in the league. Combination of Kidd and Hardaway in the starting lineup was often labeled as the BackCourt 2000. Despite a decent 53-29 record, the Suns' season was spoiled by injuries to both of their superstars. Kidd, who broke his ankle late in the regular season, returned during the playoffs to help his team to beat the defending champion San Antonio Spurs and advance to the second round for the first time in his career.  The 2000-01 season was affected by Kidd's personal problems as he was charged with domestic abuse of his wife. The Suns, who struggled in the middle part of the season, finished strongly with a 15-6 record to secure another 50-win season. Kidd took on more of the offensive load after his teammates encouraged him to be more selfish. He recorded 30-plus points six times on the year and five times in the last 19 games. In one particular hot stretch, he scored 36, 32 and 31 in three consecutive games in mid-March, prior to which he had never recorded consecutive 30-point games.  During his stay in Phoenix, Kidd made the All-Star Game in 1998, 2000, and 2001 (in 1999 it was not held because of a lockout) and led the NBA in assists for three consecutive years (1999-2001). It was also with the Suns that Kidd rose to the status of the league's best playmaker as he was voted to the All-NBA First Team three years in a row (1999-2001). On June 28, 2001, after five seasons in Phoenix in which the team made the playoffs each year, he was traded, along with Chris Dudley, to the New Jersey Nets for Stephon Marbury, Johnny Newman, and Soumaila Samake.

Answer this question "Did Jason Kidd win any games?"
output: the team's win total improved by 16 games.

input: The August 1939 Hitler-Stalin non-aggression pact drove Chambers to take action against the Soviet Union. In September 1939, at the urging of anti-Communist, Russian-born journalist Isaac Don Levine, Chambers and Levine met with Assistant Secretary of State Adolf A. Berle. Levine had introduced Chambers to Walter Krivitsky, who was already informing American and British authorities about Soviet agents who held posts in both governments. Krivitsky told Chambers it was their duty to inform. Chambers agreed to reveal what he knew on the condition of immunity from prosecution. During the meeting, which took place at Berle's home, Woodley Mansion in Washington, Chambers named 18 current and former government employees as spies or Communist sympathizers. Many names mentioned held relatively minor posts or were already under suspicion. Some names, however, were more significant and surprising: Alger Hiss, his brother Donald Hiss, and Laurence Duggan--who were all respected, mid-level officials in the State Department--and Lauchlin Currie, a special assistant to Franklin Roosevelt. Another person named had worked on a top secret bombsight project at the Aberdeen Proving Grounds.  Berle found Chambers' information tentative, unclear, and uncorroborated. He took the information to the White House, but the President dismissed it, to which Berle made little if any objection. Berle kept his notes, however (later, evidence during Hiss' perjury trials).  Berle notified the Federal Bureau of Investigation (FBI) of Chambers's information in March 1940. In February 1941, Krivitsky was found dead in his hotel room. While police ruled the death a suicide, it was widely speculated that Krivitsky had been killed by Soviet intelligence. Worried that the Soviets might try to kill Chambers too, Berle again told the FBI about his interview with Chambers. Nevertheless, the FBI took no immediate action, in line with the political orientation of the United States, which viewed the potential threat from the USSR as minor, when compared to that of Nazi Germany.  (The FBI did interview Chambers in May 1942 and June 1945, without further action. Only in November 1945, when Elizabeth Bentley defected and corroborated much of Chambers's story, did the FBI begin to take Chambers seriously).

Answer this question "When did this meeting occur?"
output:
In September 1939,