Problem: Background: Janis Lyn Joplin (; January 19, 1943 - October 4, 1970) was an American rock singer and songwriter; one of the most successful and widely-known female rock stars of her era. After releasing three albums, she died of a heroin overdose at the age of 27. A fourth album, Pearl, was released in January 1971, just over three months after her death.
Context: Joplin appeared at Woodstock starting at approximately 2:00 a.m., on Sunday, August 17, 1969. Joplin informed her band that they would be performing at the concert as if it were just another gig. On Saturday afternoon, when she and the band were flown by helicopter with the pregnant Joan Baez and Baez's mother from a nearby motel to the festival site and Joplin saw the enormous crowd, she instantly became extremely nervous and giddy. Upon landing and getting off the helicopter, Joplin was approached by reporters asking her questions. She referred them to Caserta as she was too excited to speak. Initially Joplin was eager to get on the stage and perform, but was repeatedly delayed as bands were contractually obliged to perform ahead of Joplin. Faced with a ten-hour wait after arriving at the backstage area, Joplin shot heroin and drank alcohol with Caserta, and by the time of reaching the stage, Joplin was "three sheets to the wind". During her performance, Joplin's voice became slightly hoarse and wheezy, and she struggled to dance.  Joplin pulled through, however, and engaged frequently with the crowd, asking them if they had everything they needed and if they were staying stoned. The audience cheered for an encore, to which Joplin replied and sang "Ball and Chain". Pete Townshend, who performed with the Who later in the same morning after Joplin finished, witnessed her performance and said the following in his 2012 memoir: "She had been amazing at Monterey, but tonight she wasn't at her best, due, probably, to the long delay, and probably, too, to the amount of booze and heroin she'd consumed while she waited. But even Janis on an off-night was incredible."  Janis remained at Woodstock for the remainder of the festival. Starting at approximately 3:00 a.m. on Monday, August 18, Joplin was among many Woodstock performers who stood in a circle behind Crosby, Stills & Nash during their performance, which was the first time anyone at Woodstock ever had heard the group perform with Neil Young. This information was published by David Crosby in 1988. Later in the morning of August 18, Joplin and Joan Baez sat in Joe Cocker's van and witnessed Hendrix's close-of-show performance, according to Baez's memoir And a Voice to Sing With (1989).  Still photographs in color show Joplin backstage with Grace Slick the day after Joplin's performance, wherein Joplin appears to be very happy. Joplin was ultimately unhappy with her performance, however, and blamed Caserta. Her singing was not included (by her own insistence) in the 1970 documentary film or the soundtrack for Woodstock: Music from the Original Soundtrack and More, although the 25th anniversary director's cut of Woodstock includes her performance of "Work Me, Lord". The documentary film of the festival that was released to theaters in 1970 includes, on the left side of a split screen, 37 seconds of footage of Joplin and Caserta walking toward Joplin's dressing room tent.
Question: Why did she blame Caserta for her performance?
Answer: Faced with a ten-hour wait after arriving at the backstage area, Joplin shot heroin and drank alcohol with Caserta,

Background: Louis "Louison" Bobet (pronounced [lwi.zo bo.be]; 12 March 1925 - 13 March 1983) was a French professional road racing cyclist. He was the first great French rider of the post-war period and the first rider to win the Tour de France in three successive years, from 1953 to 1955. His career included the national road championship (1950 and 1951), Milan-San Remo (1951), Giro di Lombardia (1951), Criterium International (1951 & 52), Paris-Nice (1952), Grand Prix des Nations (1952), world road championship (1954), Tour of Flanders (1955), Criterium du Dauphine Libere (1955), Tour de Luxembourg (1955), Paris-Roubaix (1956) and Bordeaux-Paris (1959).
Context: The most striking feature of Bobet the man rather than rider was his ambition to behave like a Hollywood matinee idol, a sort of David Niven character in a dinner suit tuxedo. It brought him much ribbing from other French riders. Geminiani says Bobet's diffident and elegant manner made him less popular even in his own Brittany than the more rustic, forthright manners of other Breton people such as Jean Robic. The British professional Brian Robinson called Bobet "a private man and a little moody" and said he would sulk if things went wrong. The French journalist Rene de Latour said of Bobet in Sporting Cyclist that "he didn't look good on a bike" and that he had "the legs of a football [soccer] player".  Bobet spoke out against French involvement in a war against communists in Indo-China. He said he wasn't a Marxist but a pacifist. Geminiani said Bobet lacked humility. "He really thought that, after him, there'd be no more cycling in France", he said. Bobet occasionally talked of himself in the third person.  Bobet was driven by personal hygiene and refused to accept his first yellow jersey because it had not been made with the pure wool he believed the only healthy material for a sweating and dusty rider. Synthetic thread or blends were added in 1947 following the arrival of Sofil as a sponsor. Sofil made artificial yarn. The race organiser, Jacques Goddet wrote:  It produced a real drama. Our contract with Sofil was crumbling away. If the news had got out, the commercial effect would have been disastrous for the manufacturer. I remember debating it with him a good part of the night. Louison was always exquisitely courteous but his principles were as hard as the granite blocks of his native Brittany coast.  Goddet had to get Sofil to produce another jersey overnight, its logo still visible but artificial fabric absent. Bobet's concern with hygiene and clothing was accentuated by frequent problems with saddle sores.
Question: Are there any other interesting aspects about this article?
Answer:
Geminiani says Bobet's diffident and elegant manner made him less popular even in his own Brittany than the more rustic,