Problem: Background: Mackinac Island ( MAK-in-aw) is an island and resort area, covering 3.8 square miles (9.8 km2) in land area, in the U.S. state of Michigan. It is located in Lake Huron, at the eastern end of the Straits of Mackinac, between the state's Upper and Lower Peninsulas. The island was home to an Odawa settlement before European exploration began in the 17th century. It served a strategic position as a center on the commerce of the Great Lakes fur trade.
Context: During the War of 1812, the British captured the fort in the Siege of Fort Mackinac, the first battle of the conflict, because the Americans had not yet heard that war had been declared. The victorious British attempted to protect their prize by building Fort George on the high ground behind Fort Mackinac. In 1814, the Americans and British fought a second battle on the north side of the island. The American second-in-command, Major Andrew Holmes, was killed and the Americans failed to recapture the island.  Despite this outcome, the Treaty of Ghent of 1815 forced the British to return the island and surrounding mainland to the U.S. The United States reoccupied Fort Mackinac, and renamed Fort George as Fort Holmes, after Major Holmes. Fort Mackinac remained under the control of the United States government until 1895 and provided volunteers to defend the Union during the American Civil War. The fort was used as a prison for three Confederate States of America sympathizers.  John Jacob Astor's American Fur Company was centered on Mackinac Island after the War of 1812 and exported beaver pelts for thirty years. By the middle of the 19th century, commercial fishing for common whitefish and lake trout began to replace the fur trade as the island's primary industry. As sport fishing became more popular in the 1880s, hotels and restaurants accommodated tourists coming by train or lake boat from Detroit.  Following the Civil War, the island became a popular tourist destination for residents of cities on the Great Lakes. Much of the federal land on Mackinac Island was designated as the second national park, Mackinac National Park, in 1875, just three years after Yellowstone National Park was named as the first national park. To accommodate an influx of tourists in the 1880s, the boat and railroad companies built hotels, including the Grand Hotel. Souvenir shops began to spring up as a way for island residents to profit from the tourists. Many wealthy business magnates built summer "cottages" along the island's bluffs for extended stays. When the federal government left the island in 1895, all of the federal land, including Fort Mackinac, was given to the state of Michigan and became Michigan's first state park. The Mackinac Island State Park Commission appointed to oversee the island has limited private development in the park and requires leaseholders to maintain the island's distinctive Victorian architecture.  Motor vehicles were restricted at the end of the 19th century because of concerns for the health and safety of the island's residents and horses after local carriage drivers complained that automobiles startled their horses. This ban continues to the present with exceptions only for emergency and construction vehicles.
Question: What did he try and do
Answer: Despite this outcome, the Treaty of Ghent of 1815 forced the British to return the island and surrounding mainland to the U.S.

Problem: Background: Gary Barlow OBE (born 20 January 1971) is an English singer, songwriter and record producer. He is best known as the lead singer of the British pop group Take That. Barlow also served as head judge of The X Factor UK in 2011, 2012 and 2013 and Let It Shine in 2017. Barlow is one of Britain's most successful songwriters, having written fourteen number one singles and twenty-four top 10 hits.
Context: On 25 June 2013, it was announced that Barlow had been signed up to work on a new musical version of Finding Neverland and will co-write the score for the theatre project, which is being developed by Hollywood producer Harvey Weinstein. Barlow said of the project: "This is something I've always wanted to do so it's a real privilege to be involved. I'm really enjoying working with the team and I love the story; it's also great to be working with a legendary creative like Harvey Weinstein." Weinstein echoed the sentiment by expressing his admiration for Barlow, whom he described as "one of the finest songwriters in the world".  On 1 March 2014, Barlow attended the Bob and Harvey Weinstein's pre-Academy Awards party at the Montage in Beverly Hills to perform a selection of songs from the musical score he had written for Finding Neverland. He played the lead role of Peter Pan author J. M. Barrie, and sung a duet with noted British musical actress Laura Michelle Kelly along with four back-up artists featured in the Oscar-nominated documentary 20 Feet from Stardom. Barlow's performance was well received, and after a successful performance run in Boston, Finding Neverland opened on Broadway in spring 2015. On its first Broadway preview, the show sold out the theatre and posted a box office performance that, if it continued for a whole week of performances, would have seen the show top $1 million.  Gary has also co-written a musical alongside hometown friend Tim Firth, titled The Girls, which opened at the Phoenix Theatre, London in January 2017.
Question: Did Barlow write songs for the show or perform in the show?
Answer: He played the lead role of Peter Pan author J. M. Barrie,

Problem: Background: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.
Context: Unlike Lully, who collaborated with Philippe Quinault on almost all his operas, Rameau rarely worked with the same librettist twice. He was highly demanding and bad-tempered, unable to maintain longstanding partnerships with his librettists, with the exception of Louis de Cahusac, who collaborated with him on several operas, including Les fetes de l'Hymen et de l'Amour (1747), Zais (1748), Nais (1749), Zoroastre (1749; revised 1756), La naissance d'Osiris (1754), and Anacreon (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, Les Boreades (c. 1763).  Many Rameau specialists have regretted that the collaboration with Houdar de la Motte never took place, and that the Samson project with Voltaire came to nothing because the librettists Rameau did work with were second-rate. He made his acquaintance of most of them at La Poupliniere's salon, at the Societe du Caveau, or at the house of the Comte de Livry, all meeting places for leading cultural figures of the day.  Not one of his librettists managed to produce a libretto on the same artistic level as Rameau's music: the plots were often overly complex or unconvincing. But this was standard for the genre, and is probably part of its charm. The versification, too, was mediocre, and Rameau often had to have the libretto modified and rewrite the music after the premiere because of the ensuing criticism. This is why we have two versions of Castor et Pollux (1737 and 1754) and three of Dardanus (1739, 1744, and 1760).
Question: What other librettists did he work with?
Answer:
Voltaire