input: In 1960 he made his first recordings with his 17-year-old daughter Carla, for the Satellite label in Memphis, which changed its name to Stax the following year. The song, "Cause I Love You", featuring a rhythm borrowed from Jesse Hill's "Ooh Poo Pa Doo", was a regional hit; the musicians included Thomas' son Marvell on keyboards, Steinberg, and the 16-year-old Booker T. Jones. The record's success led to Stax gaining production and distribution deal with the much larger Atlantic Records.  Rufus Thomas continued to record for the label after Carla's record "Gee Whiz" reached the national R&B chart in 1961. He had his own hit with "The Dog", a song he had originally improvised in performance based on a Willie Mitchell bass line, complete with imitations of a barking dog. The 1963 follow-up, "Walking the Dog", engineered by Tom Dowd of Atlantic, became one of his most successful records, reaching #10 on the Billboard pop chart. He became the first, and still the only, father to debut in the Top 10 after his daughter had first appeared there. The song was recorded in early 1964 by the Rolling Stones on their debut album, and was a minor UK chart hit for Merseybeat group the Dennisons later that year.  As well as recording and appearing on radio and in clubs, Thomas continued to work as a boiler operator in the textile plant, where he claimed the noises sometimes suggested musical rhythms and lyrics to him, before he finally gave up the job in 1963, to focus on his role as a singer and entertainer. He recorded a series of novelty dance tracks, including "Can Your Monkey Do the Dog'" and '"Somebody Stole My Dog" for Stax, where he was often backed by Booker T. & the MGs or the Bar-Kays. He also became a mentor to younger Stax stars, giving advice on stage moves to performers like Otis Redding, who partnered daughter Carla on record.  After "Jump Back" in 1964, the hits dried up for several years, as Stax gave more attention to younger artists and musicians. However, in 1970 he had another big hit with "Do the Funky Chicken", which reached #5 on the R&B chart, #28 on the pop chart, and #18 in Britain where it was his only chart hit. Thomas improvised the song while performing with Willie Mitchell's band at a club in Covington, Tennessee, including a spoken word section that he regularly used as a shtick as a radio DJ: "Oh I feel so unnecessary - this is the kind of stuff that makes you feel like you wanna do something nasty, like waste some chicken gravy on your white shirt right down front." The recording was produced by Al Bell and Tom Nixon, and used the Bar-Kays, featuring guitarist Michael Toles. Thomas continued to work with Bell and Nixon as producers, and later in 1970 had his only number 1 R&B hit, and his highest pop charting record, with another dance song, "Do the Push and Pull". A further dance-oriented release in 1971, "The Breakdown", climbed to number 2 R&B and number 31 Pop. In 1972, he featured in the Wattstax concert, and he had several further, less successful, hits before Stax collapsed in 1976.

Answer this question "Did the record had any success ?"
output: The record's success led to Stax gaining production and distribution deal with the much larger Atlantic Records.

input: In Barry's first season in the NBA with the Warriors, the team improved from 17 to 35 victories. In the All-Star Game one season later, Barry erupted for 38 points as the West team stunned the East squad, which featured Wilt Chamberlain, Oscar Robertson, Bill Russell and head coach Red Auerbach among other all-time greats. Later that season, Barry and company extended the mighty Philadelphia 76ers to six highly competitive games in the NBA Finals, something that Russell and the Boston Celtics could not do in the Eastern Conference playoffs. That 76ers team is considered to be one of the greatest in basketball history.  Nicknamed the "Miami Greyhound" by longtime San Francisco-area broadcaster Bill King because of his slender physical build and remarkable quickness and instincts, the 6'7" Barry won the NBA Rookie of the Year Award after averaging 25.7 points and 10.6 rebounds per game in the 1965-66 season. The following year, he won the 1967 NBA All-Star Game MVP award with a 38-point outburst and led the NBA in scoring with a 35.6 point per game average -- which still ranks as the eighth- highest output in league annals. Teamed with star center Nate Thurmond in San Francisco, Barry helped take the Warriors to the 1967 NBA Finals, which they lost to the Philadelphia 76ers in six games. Including a 55-point outburst in Game 3, Barry averaged 40.8 points per game in the series, an NBA Finals record that stood for three decades.  Upset that he was not paid incentive monies that he believed due from Warriors owner Franklin Mieuli, Barry jumped to the ABA's Oakland Oaks, who offered him a lucrative contract and the chance to play for Bruce Hale, his then father-in-law. The three-year contract offer from Pat Boone, the singer and team owner, was estimated to be worth $500,000, with Barry saying "the offer Oakland made me was one I simply couldn't turn down" and that it would make him one of basketball's highest-paid players. The courts ordered Barry to sit out the 1967-68 season before he starred in the ABA, upholding the validity of the reserve clause in his contract. He preceded St. Louis Cardinals' outfielder Curt Flood, whose better-known challenge to the reserve clause went all the way to the U.S. Supreme Court, by two years as the first American major-league professional athlete to bring a court action against it. The ensuing negative publicity cast Barry in a negative light, portraying him as selfish and money-hungry. However, many NBA players at the time were looking at jumping to the ABA for more lucrative contracts. Barry would star in the ABA, twice averaging more than 30 points per game.

Answer this question "How many games did he play in the 1965-66 season?"
output:
Barry won the NBA Rookie of the Year Award after averaging 25.7 points and 10.6 rebounds per game in the 1965-66 season.