Answer the question at the end by quoting:

Heitor Villa-Lobos (Portuguese: [ej,toR ,vila 'lobus]; March 5, 1887 - November 17, 1959) was a Brazilian composer, described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces).
Heitor Villa-Lobos was born in Rio de Janeiro. His father, Raul, was a civil servant, an educated man of Spanish extraction, a librarian, and an amateur astronomer and musician. In Villa-Lobos's early childhood, Brazil underwent a period of social revolution and modernisation, abolishing slavery in 1888 and overthrowing the Empire of Brazil in 1889. The changes in Brazil were reflected in its musical life: previously European music had been the dominant influence, and the courses at the Conservatorio de Musica were grounded in traditional counterpoint and harmony. Villa-Lobos underwent very little of this formal training. After a few abortive harmony lessons, he learnt music by illicit observation from the top of the stairs of the regular musical evenings at his house arranged by his father. He learned to play cello, guitar and clarinet. When his father died suddenly in 1899 he earned a living for his family by playing in cinema and theatre orchestras in Rio.  Around 1905 Villa-Lobos started explorations of Brazil's "dark interior", absorbing the native Brazilian musical culture. Serious doubt has been cast on some of Villa-Lobos's tales of the decade or so he spent on these expeditions, and about his capture and near escape from cannibals, with some believing them to be fabrications or wildly embellished romanticism. After this period, he gave up any idea of conventional training and instead absorbed the musical influences of Brazil's indigenous cultures, themselves based on Portuguese and African, as well as American Indian elements. His earliest compositions were the result of improvisations on the guitar from this period.  Villa-Lobos played with many local Brazilian street-music bands; he was also influenced by the cinema and Ernesto Nazareth's improvised tangos and polkas. For a time Villa-Lobos became a cellist in a Rio opera company, and his early compositions include attempts at Grand Opera. Encouraged by Arthur Napoleao, a pianist and music publisher, he decided to compose seriously.

where did he grow up?

Rio de Janeiro.



Answer the question at the end by quoting:

Edward Albert Heimberger was born in Rock Island, Illinois, on April 22, 1906, the oldest of the five children of Frank Daniel Heimberger, a realtor, and his wife, Julia Jones. His year of birth is often given as 1908, but this is incorrect. His parents were not married when Albert was born, and his mother altered his birth certificate after her marriage. When he was one year old, his family moved to Minneapolis, Minnesota.
In 1971, Albert guest-starred in a season-one Columbo episode called "Dead Weight", which also featured guest star Suzanne Pleshette, as a highly-decorated retired US Marine Corps major general, and combat war hero from the Korean War, who murders his adjutant to cover up an illegal quid pro quo contracting conspiracy scheme.  In 1972, Albert resumed his film career and was nominated for an Oscar for Best Supporting Actor for his performance as an overprotective father in The Heartbreak Kid (1972), and delivered a memorable performance as an evil prison warden in 1974's The Longest Yard. In a lighter vein, Albert portrayed the gruff though soft-hearted Jason O'Day in the successful Disney film Escape to Witch Mountain in 1975.  Albert appeared in such 1980s films as How to Beat the High Co$t of Living (1980), Yesterday (1981), Take This Job and Shove It (1981), Rooster (1982 television film), and Yes, Giorgio (1982), and as the US President in Dreamscape (1984). His final feature film role was a cameo appearance in The Big Picture (1989). He also appeared in many all-star television miniseries, including Evening in Byzantium (1978), The Word (1978), Peter and Paul (1981), Goliath Awaits (1981) and War and Remembrance (1988).  In the mid-1980s, Albert was reunited with longtime friend and co-star of the Brother Rat and An Angel from Texas films, Jane Wyman, in a recurring role as the villainous Carlton Travis in the popular 1980s soap opera Falcon Crest. He also guest-starred on an episode of the '80s television series Highway to Heaven, as well as Murder, She Wrote, and in 1990, he reunited with Eva Gabor for a Return to Green Acres. In 1993, he guest-starred for several episodes on the ABC daytime soap opera General Hospital as Jack Boland, and also made a guest appearance on the Golden Girls spin-off The Golden Palace the same year.

Did he star in any other movies?
In 1972, Albert resumed his film career and was nominated for an Oscar for Best Supporting Actor for his performance as an overprotective father in The Heartbreak Kid (1972),