Question: Arnold Jacob Auerbach was one of the four children of Marie and Hyman Auerbach. Hyman was a Russian-Jewish immigrant from Minsk, Russia, and Marie Auerbach, nee Thompson, was American-born. Auerbach Sr. had left Russia when he was 13, and the couple owned a delicatessen store and later went into the dry-cleaning business. Little Arnold spent his whole childhood in Williamsburg, Brooklyn, playing basketball.

Prior to the 1950-51 NBA season, Walter Brown, owner of the Boston Celtics, was desperate to turn around his struggling and financially strapped franchise, which was reeling from a 22-46 record. Brown, in characteristic candor, said to a gathering of local Boston sportswriters, "Boys, I don't know anything about basketball. Who would you recommend I hire as coach?" The group vociferously answered that he get the recently available Auerbach, and Brown complied. In the 1950 NBA draft, Auerbach made some notable moves. First, he famously snubbed Hall-of-Fame New England point guard Bob Cousy in the 1950 NBA draft, infuriating the Boston crowd. He argued that the flashy Cousy lacked the poise necessary to make his team, taunting him as a "local yokel". Second, he drafted African-American Chuck Cooper, the first black player to be drafted by an NBA club. With that, Auerbach effectively broke down the color barrier in professional basketball.  In that year, the core of the Celtics consisted of Hall-of-Fame center Ed Macauley, Auerbach's old favorite McKinney, and an unlikely addition, Cousy. Cousy had refused to report to the club that had drafted him (ironically, the Blackhawks, Auerbach's old club), and because his next team (the Chicago Stags) folded, he ended up with the Celtics. With Auerbach's fast-break tactics, the Celtics achieved a 39-30 record but lost in the 1951 NBA Playoffs to the New York Knicks. However, the relationship between Auerbach and Cousy improved when the coach saw that the "Houdini of the Hardwood"--as the spectacular dribbler and flashy passer Cousy was lovingly called--became the first great playmaker of the fledgling NBA.  In the following 1951-52 NBA season, Auerbach made a remarkable draft pick of future Hall-of-Fame guard Bill Sharman. With the high-scoring Macauley, elite passer Cousy, and new prodigy Sharman, Auerbach had a core that provided high-octane fast-break basketball. Other notable players who joined the Celtics were forwards Frank Ramsey and Jim Loscutoff. In the next years until 1956, the Celtics would make the playoffs every year, but never won the title. In fact, the Celtics often choked in the playoffs, going a mere 10-17 in the postseason from 1951 through 1956. As Cousy put it: "We would get tired in the end and could not get the ball." As a result, Auerbach sought a defensive big man who could both get easy rebounds, initiate fast breaks, and close out games.

Using a quote from the above article, answer the following question: did he win any playoffs?
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Answer: tactics, the Celtics achieved a 39-30 record but lost in the 1951 NBA Playoffs to the New York Knicks.


Question: Hugo is a 2011 epic historical adventure drama film directed and co-produced by Martin Scorsese and adapted for the screen by John Logan. Based on Brian Selznick's book The Invention of Hugo Cabret, it is about a boy who lives alone in the Gare Montparnasse railway station in Paris in the 1930s. A co-production between Graham King's GK Films and Johnny Depp's Infinitum Nihil, the film stars Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloe Grace Moretz, Ray Winstone, Emily Mortimer, Jude Law, Helen McCrory, and Christopher Lee. Hugo is Scorsese's first film shot in 3D, of which the filmmaker remarked, "I found 3D to be really interesting, because the actors were more upfront emotionally.

The film currently holds a 94% "Certified Fresh" rating on aggregate review site Rotten Tomatoes based on 206 reviews, with an average score of 8.3/10. The site's main consensus reads, "Hugo is an extravagant, elegant fantasy with an innocence lacking in many modern kids' movies, and one that emanates an unabashed love for the magic of cinema." Metacritic gave the film an average score of 83 out of 100, based on 41 reviews, indicating "universal acclaim".  Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, saying "Hugo is unlike any other film Martin Scorsese has ever made, and yet possibly the closest to his heart: a big-budget, family epic in 3-D, and in some ways, a mirror of his own life. We feel a great artist has been given command of the tools and resources he needs to make a movie about--movies." Peter Rainer of The Christian Science Monitor gave it a "B+" grade and termed it as "an odd mixture: a deeply personal impersonal movie" and concluded that "Hugo is a mixed bag but one well worth rummaging through." Christy Lemire said that it had an "abundant love of the power of film; being a hardcore cinephile (like Scorsese) might add a layer of enjoyment, but it certainly isn't a prerequisite for walking in the door" besides being "slightly repetitive and overlong". Michael Phillips of the Chicago Tribune rated it three stars and described it as "rich and stimulating even when it wanders" explaining "every locale in Scorsese's vision of 1931 Paris looks and feels like another planet. The filmmaker embraces storybook artifice as wholeheartedly as he relays the tale's lessons in the importance of film preservation." Joe Morgenstern of The Wall Street Journal said that "visually Hugo is a marvel, but dramatically it's a clockwork lemon".  Hugo was selected for the Royal Film Performance 2011 with a screening at the Odeon, Leicester Square, in London on 28 November 2011 in the presence of the Prince of Wales and the Duchess of Cornwall in support of the Cinema and Television Benevolent Fund. Richard Corliss of Time named it one of the Top 10 Best Movies of 2011, saying, "Scorsese's love poem, rendered gorgeously in 3-D, restores both the reputation of an early pioneer and the glory of movie history--the birth of a popular art form given new life through a master's application of the coolest new techniques". James Cameron called Hugo "a masterpiece" and that the film had the best use of 3D he had seen, surpassing even his own acclaimed films.

Using a quote from the above article, answer the following question: How was Hugo received?
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Answer:
94% "Certified Fresh" rating on aggregate review site