Problem: Background: Donnie Iris (born Dominic Ierace on February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!"
Context: Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981.  The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material.  Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor.  Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984.  Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty.
Question: What was donnie's cruisers' peak years?
Answer: 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart.

Problem: Background: Although Price claimed his birth was in Shropshire he was actually born in London in Red Lion Square on the site of the South Place Ethical Society's Conway Hall. He was educated in New Cross, first at Waller Road Infants School and then Haberdashers' Aske's Hatcham Boys School. At 15, Price founded the Carlton Dramatic Society and wrote plays, including a drama, about his early experience with a poltergeist which he said took place at a haunted manor house in Shropshire. According to Richard Morris, in his recent biography Harry Price:
Context: Price claimed to have attended a private seance on 15 December 1937 in which a small six-year-old girl called Rosalie appeared. Price wrote he controlled the room by placing starch powder over the floor, locking the door and taping the windows before the seance. However, the identity of the sitters, or the locality where the seance was held was not revealed due to the alleged request of the mother of the child. During the seance Price claimed a small girl emerged, she spoke and he took her pulse. Price was suspicious that the supposed spirit of the child was no different than a human being but after the seance had finished the starch powder was undisturbed and none of the seals had been removed on the window. Price was convinced no one had entered the room via door or window during the seance. Price's Fifty Years of Psychical Research (1939) describes his experiences at the sitting and includes a diagram of the seance room.  Eric Dingwall and Trevor Hall wrote the Rosalie seance was fictitious and Price had lied about the whole affair but had based some of the details on the description of the house from a sitting he attended at a much earlier time in Brockley, South London where he used to live. K. M. Goldney who had criticized Price over his investigation into Borley Rectory wrote after the morning of the Rosalie sitting she found Price "shaken to the core by his experience." Goldney believed Price had told the truth about the seance and informed the Two Worlds spiritualist weekly newspaper that she believed the Rosalie sitting to be genuine.  In 1985, Peter Underwood published a photograph of part of an anonymous letter that was sent to the SPR member David Cohen in the 1960s which claimed to be from a seance sitter who attended the seance. The letter confessed to having impersonated the Rosalie child in the sitting by the request of the father who had owed the mother of the child money. In 2017, Paul Adams published details of the location of the Rosalie seance and identities of the family involved.
Question: Did he write about this event?
Answer:
Price's Fifty Years of Psychical Research (1939) describes his experiences at the sitting and includes a diagram of the seance room.