input: Walston was popular with Margo Jones's team of actors before he traveled to Cleveland, Ohio, where he spent 3 years with the Cleveland Play House. He then traveled to New York City, where he made his Broadway debut in a 1945 production of Hamlet. Three years later, Walston became one of the first members admitted to the newly formed Actors Studio.  In 1949, he appeared in the short-lived play Mrs. Gibbons' Boys, directed by George Abbott, who later cast him as Satan (who bore the name "Mr. Applegate") in the 1955 musical Damn Yankees opposite Gwen Verdon as his sexy aide Lola. The chemistry between the two was such that they both garnered critical success and won awards for their roles. After a decade in New York theater, he won a Tony Award.  He starred as Luther Billis in the 1951 London production of South Pacific. He reprised that role in the 1958 film adaptation. He and Juanita Hall (as Bloody Mary) were the only cast members to appear in both the stage and movie versions. Additional Broadway credits included The Front Page, Summer and Smoke, King Richard III, Wish You Were Here, and House of Flowers. In 1957, Actress and Producer Katharine Cornell placed him in a role on Broadway in Robert E. Sherwood's Pulitzer Prize winning play about the Hungarian Revolution of 1956, There Shall Be No Night. The play was adapted for television for a Hallmark Hall of Fame production. He had a prominent role in the Rodgers & Hammerstein musical Me and Juliet, portraying the stage manager of the musical-within-the-musical, but his character did not participate in any of the musical numbers.

Answer this question "how did he do in that show?"
output: 

input: Arthur signed a new recording contract with Vector Recordings and began recording his fourth studio album, Our Shadows Will Remain across New Orleans, New York City, London, and Prague. The album was released in September 2004, and was Arthur's first album to feature string arrangements, provided by the City of Prague Philharmonic. The album was released to widespread critical acclaim; Allmusic's Thom Jurek awarded the album 4.5 out of 5 stars, praising that, "Arthur is in a class of his own and Our Shadows Will Remain is a monstrous, memorable outing, his finest moment in a career that is thus far full of them." Entertainment Weekly gave the album an A rating, hailing the album as "especially forceful and cohesive"; The Guardian hailed that Joseph "might just be a genuine mad genius"; Stylus Magazine gave the album an A- rating; and Chris Rubin of Rolling Stone named Our Shadows Will Remain as the number 1 album of the year 2004 in the year-end critics' pick list.  Arthur toured the US alone and with Joan Wasser to promote the album, and a new EP called And the Thieves Are Gone, which collected unreleased tracks from the Shadows recording sessions, came out in December. Shortly afterward, Arthur went on a brief tour of Europe with R.E.M.. Our Shadows Will Remain was picked up by 14th Floor Records for distribution in the United Kingdom in 2005, which yielded the release of four singles: "Can't Exist" in July, "Even Tho" in September, "Devil's Broom" in February 2006 to coincide with his first headlining appearance at London's Shepherds Bush Empire, and a reissue of "Can't Exist" in May 2006, although none of the singles charted on the UK Singles Chart.  In August 2006, Joseph was invited to help launch the project A River Blue, where a group of young people in northern Uganda were brought together to participate in a music, drama, and art festival. Joseph also recorded the song "A River Blue" for the foundation.

Answer this question "Was there any touring for the album?"
output: Arthur toured the US alone and with Joan Wasser to promote the album,

input: In 2004, Kurstin was introduced to singer Inara George by a mutual friend, Mike Andrews. Then producing George's solo debut, Andrews hired Kurstin as a pianist for the album. Kurstin and George clicked musically in the studio and together they formed The Bird and the Bee (stylized as "the bird and the bee"). Shortly thereafter, they were signed by Blue Note Records chairman Bruce Lundvall. Described by Entertainment Weekly as "space-age pop that cunningly combines bossa nova languidity with Beach Boys-style lushness", they have since released four albums and an EP. Kurstin was nominated for a Grammy Award for Best Engineered Album for the Bird and the Bee's 2015 release, Recreational Love.  After working on tracks with artists including Peaches, All Saints, Pink, the Flaming Lips, and Kylie Minogue, Kurstin was introduced to Lily Allen. Along with other musicians, co-writers, producers and engineers, he worked on her 2006 debut, Alright, Still, which went on to achieve platinum status. For her second album It's Not Me, It's You, Allen worked exclusively with Kurstin; he co-wrote every song and played all of the instruments on the record, which he also engineered and produced. The album's first single, "The Fear", spent four weeks at number 1 in the UK, and the album hit number 5 in the US and charted in the top 10 in eight other countries. With Allen, Kurstin won three Ivor Novello Awards for his work on the double-platinum It's Not Me, It's You. Based in part on the album's success, as well as his work on a bird and the bee record, Kurstin was nominated for his first Producer of the Year Grammy in 2010.  Kurstin's first commercially available collaboration with Sia was "Death by Chocolate", released on her 2008 album Some People Have Real Problems. In 2010, he produced Sia's fifth album, We Are Born. It reached number 2 in Australia and number 37 in the US. It won ARIA Music Awards for Best Pop Album and Best Independent Release.

Answer this question "Who or what is Sia?"
output:
Kurstin's first commercially available collaboration with Sia was "Death by Chocolate", released on her 2008 album Some People Have Real Problems.