Answer the question at the end by quoting:

Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued ten LPs, one collaborative LP, numerous EPs and singles, and gained an international audience following extensive touring. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal."
In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle.  Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981.  The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments:  ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start.  Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists.

did any members leave on good terms



IN: Martin Brodeur was born on May 6, 1972, in Montreal. He was one of five children of Denis and Mireille Brodeur. Denis played in the 1956 Olympics for Team Canada and won a bronze medal. After his playing career, Denis was a longtime photographer for the Montreal Canadiens.

During his NHL career, Brodeur set numerous league records. He ended his career with 691 wins, 140 more than Roy, who is second on the NHL's all-time list. Brodeur extended his record shutout total to 125, 22 more than second-place Sawchuk. After his final season, he had played in 1,266 regular season games, a total more than 200 above that of any other goalie. In nine seasons, Brodeur was the NHL wins leader, and in five other seasons he was among the top five goalies in the category. Brodeur's honors include three Vezina Trophy wins as the top goalie in the NHL, and the 1993-94 Calder Trophy as rookie of the year. His total of five Jennings Trophies is tied for the most in NHL history, matching Roy's record. In postseason play, he had the most shutouts of any NHL goalie (24), and his 113 playoff wins ranks second all-time.  Sportswriters and players have called Brodeur one of the greatest goalies in NHL history. USA Today's Kevin Allen placed Brodeur in a group including Roy and Sawchuk as the leading NHL goalie, noting that Brodeur had the advantage in wins. Writer Steve Politi noted Brodeur's longevity as an advantage on other top all-time goalies such as Roy; Brodeur played 70 or more games in 12 seasons, compared to 0 for Roy. Sportsnet's Chris Boyle, after running a statistical analysis, placed Brodeur eighth in his all-time goaltending list; he offered the rationale that Brodeur's teammates helped him achieve his major records, while goalies such as Roy and Hasek had superior stats in their best seasons.  Brodeur is remembered for his playing style: writer Katie Strang called him "one of the most innovative [goalies] ever to play the game", due to his "superior puck-handling skills". Scott Gomez, a former teammate of Brodeur in New Jersey, considered his goalie to be the equivalent of an extra defenceman. The Brodeur Rule, which his play helped inspire the league to institute starting in the 2005-06 season, remains in place. His playing style proved uncommon among goalies of his era, as most of his competitors used a butterfly style exclusively. Brodeur is considered a likely candidate for induction into the Hockey Hall of Fame once he becomes eligible to appear on the ballot.

How many post season games did he play in?

OUT: