input: Paz formed Jedi Mind Tricks with high school friend Stoupe the Enemy of Mankind, a producer and DJ also from Philadelphia, Pennsylvania, in 1993. They released their first EP in 1996 called Amber Probe through the Label Superegular Records, which featured three original tracks, two remixes and one instrumental all produced by Stoupe the Enemy of Mankind. Jedi Mind Tricks' first official album came out the following year. It was called The Psycho-Social, Chemical, Biological & Electro-Magnetic Manipulation of Human Consciousness, "The Psycho-Social" for short. The album originally sold 1000 vinyl copies through Superegular Records, but was re-released in 2003 to combine for 25,000 sales. The album focuses mostly on astronomy, history and physics.  Jedi Mind Tricks added two new members DJ Kwestion from Philadelphia in 1997, and Jus Allah from Camden, New Jersey in 1999. They went on to record seven studio albums with sales totaling over 250,000 in the US and 450,000 worldwide (only some including Jus Allah and DJ Kwestion). They also recorded fourteen EPs/singles.  The group has collaborated with many other mostly underground east coast rappers including GZA, Kool G Rap, 7L & Esoteric, Sean Price, Ras Kass, Canibus, Percee P, Killah Priest, Immortal Technique, Virtuoso, Louis Logic, R.A. the Rugged Man, Tragedy Khadafi, and Ill Bill.  After a falling out with Babygrande Records, the group created their own record label called Enemy Soil. They produce for artists such as Reef the Lost Cauze, Dutch, and Army of the Pharaohs. Jedi Mind Tricks released its most recent album titled Violence Begets Violence in 2011.

Answer this question "what was his third studio album released?"
output: Jedi Mind Tricks released its most recent album titled Violence Begets Violence in 2011.

input: Lamarr was born Hedwig Eva Maria Kiesler in 1914 in Vienna, Austria-Hungary, the only child of Gertrud "Trude" Kiesler (nee Lichtwitz; 1894-1977) and Emil Kiesler (1880-1935). Her father was born to a Jewish family in Lemberg (now Lviv in Ukraine) and was a successful bank director.  Her mother Gertrud was a pianist and Budapest native who came from an upper-class Jewish family; she had converted from Judaism to Catholicism and was described as a "practicing Christian", who raised her daughter as a Christian. Lamarr helped get her mother out of Austria (then under Nazi domination) and to the United States, and she later became an American citizen. Gertrud Kiesler put "Hebrew" as her race on her petition for naturalization as an American citizen.  In the late 1920s, Lamarr was discovered as an actress and brought to Berlin by producer Max Reinhardt. Following her training in the theater, she returned to Vienna to work in the film industry, first as a script girl, and soon as an actress. In early 1933, at age 18, she starred in Gustav Machaty's film, Ecstasy (Ekstase in German, Extase in Czech). Her role was that of a neglected young wife married to an indifferent older man. The film became both celebrated and notorious for showing Lamarr's face in the throes of orgasm as well as close-up and brief nude scenes, a result of her being "duped" by the director and producer, who used high-power telephoto lenses.  Although she was dismayed and now disillusioned about taking other roles, the film gained world recognition after winning an award in Rome. Throughout Europe, the film was considered an artistic work, while in America, it was considered overly sexual and received negative publicity, especially among women's groups. It was banned there and in Germany.  She went on to play a number of stage roles, including a starring one in Sissy, a play about Austrian royalty produced in Vienna, which won accolades from critics. Admirers sent roses to her dressing room and tried to get backstage to meet her. She sent most of them away, including a man who was more insistent, Friedrich Mandl. He became obsessed with getting to know her. She fell for his charming and fascinating personality, partly due to his immense financial status. Her parents, both of Jewish descent, did not approve, due to Mandl's ties to Mussolini, and later, Hitler, but could not stop the headstrong Hedy.

Answer this question "Where was she born?"
output: Vienna, Austria-Hungary,

input: The original Iron Man title explored Cold War themes, as did other Stan Lee projects in the early years of Marvel Comics. Where The Fantastic Four and The Incredible Hulk respectively focused on American domestic and government responses to the Communist threat, Iron Man explored industry's role in the struggle. Tony Stark's real-life model, Howard Hughes, was a significant defense contractor who developed new weapons technologies. Hughes was an icon both of American individualism and of the burdens of fame.  Historian Robert Genter, in The Journal of Popular Culture, writes that Tony Stark specifically presents an idealized portrait of the American inventor. Where earlier decades had seen important technological innovations come from famous individuals (e.g., Nikola Tesla, Thomas Edison, Alexander Graham Bell, the Wright brothers), the 1960s saw new technologies (including weapons) being developed mainly by the research teams of corporations. As a result, little room remained for the inventor who wanted credit for, and creative and economic control over, his/her own creations.  Issues of entrepreneurial autonomy, government supervision of research, and ultimate loyalty figured prominently in early Iron Man stories -- the same issues affecting American scientists and engineers of that era. Tony Stark, writes Genter, is an inventor who finds motive in his emasculation as an autonomous creative individual. This blow is symbolized by his chest wound, inflicted at the moment he is forced to invent things for the purposes of others, instead of just himself. To Genter, Stark's transformation into Iron Man represents Stark's effort to reclaim his autonomy, and thus his manhood. The character's pursuit of women in bed or in battle, writes Genter, represents another aspect of this effort. The pattern finds parallels in other works of 1960s popular fiction by authors such as "Ian Fleming (creator of James Bond), Mickey Spillane (Mike Hammer), and Norman Mailer, who made unregulated sexuality a form of authenticity."

Answer this question "And what are some of the other themes?"
output:
Historian Robert Genter, in The Journal of Popular Culture, writes that Tony Stark specifically presents an idealized portrait of the American inventor.