IN: Caray was born Harry Christopher Carabina to an Italian father and Romanian mother in St. Louis. He was an infant when his father died. His mother remarried with a French-American, but after her death when Caray was eight, he went to live with his aunt Doxie at 1909 LaSalle Street in a tough, working-class section of St. Louis. As a young man, Caray played baseball at the semi-pro level for a short time before auditioning for a radio job at the age of 19.

At his funeral, the organ played "Take Me Out to the Ball Game." Harry Caray's body is interred in All Saints Cemetery in Des Plaines, Illinois.  Following his death, during the entire 1998 season the Cubs wore a patch on the sleeves of their uniforms depicting a caricature of Caray. Cubs slugger Sammy Sosa dedicated each of his 66 home runs that season to Caray.  Caray had five children, three with his first wife, Dorothy, and two with his second wife, Marian. He married his third wife Delores "Dutchie" (Goldmann) on May 19, 1975. His son Skip Caray followed him into the booth as a baseball broadcaster with the Atlanta Braves until his death on August 3, 2008. Caray's broadcasting legacy was extended to a third generation, as his grandson Chip Caray replaced Harry as the Cubs' play-by-play announcer from 1998 to 2004. Chip later returned to work with his father Skip on Atlanta Braves broadcasts, where he had worked for a while in the early 1990s.  In what Harry Caray said was one of his proudest moments, he worked some innings in the same broadcast booth with his son and grandson, during a Cubs/Braves game on May 13, 1991. On-air in a professional setting, the younger men would refer to their seniors by their first names. During 1998, Chip would refer to the departed Harry in third person as "Granddad".  When the Cubs defeated the Cleveland Indians in seven games to win the 2016 World Series, Budweiser produced a celebratory commercial entitled "Harry Caray's Last Call" featuring Caray's call of the game using archived footage.
QUESTION: What year did he announce for the baseball team?
IN: Hedwig and the Angry Inch is a rock musical about a fictional rock and roll band fronted by a transgender East German singer, Hedwig Robinson. The book is by John Cameron Mitchell, and the music and lyrics are by Stephen Trask. The story draws on Mitchell's life as the son of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was a Mitchell family babysitter and moonlighted as a prostitute at her Junction City, Kansas, trailer park home.

The character of Hedwig was originally a supporting character in the piece. She was loosely inspired by a German female babysitter/prostitute who worked for Mitchell's family when he was a teenager in Junction City, Kansas. The character of Tommy, originally conceived as the main character, was based on Mitchell himself: both were gay, the sons of an army general, deeply Roman Catholic, and fascinated with mythology. Hedwig became the story's protagonist when Trask encouraged Mitchell to showcase their earliest material in 1994 at NYC's drag-punk club Squeezebox, where Trask headed the house band and Mitchell's boyfriend, Jack Steeb, played bass.  They agreed the piece should be developed through band gigs in clubs rather than in a theater setting in order to preserve a rock energy. Mitchell was deeply influenced by Squeezebox's roster of drag performers who performed rock covers. The setlists of Hedwig's first gigs included many covers with lyrics rewritten by Mitchell to tell Hedwig's story: Fleetwood Mac's "Oh Well"; Television's "See No Evil"; Wreckless Eric's "Whole Wide World"; Yoko Ono's "Death of Samantha"; Pere Ubu's "Non-Alignment Pact"; Cher's "Half Breed"; David Bowie's "Boys Keep Swinging"; Mott the Hoople's "All the Young Dudes"; and the Velvet Underground's "Femme Fatale." A German glam rendition of Debby Boone's "You Light Up My Life" once served as the musical's finale.  Mitchell's second gig was as fill-in host at Squeezebox on a bill featuring singer Deborah Harry of Blondie. It was for this occasion that Mike Potter first designed Hedwig's trademark wig, which was initially constructed from toilet paper rolls wrapped with synthetic blond hair. Mitchell, Trask, and the band Cheater (Jack Steeb, Chris Wielding, Dave McKinley, and Scott Bilbrey) continued to workshop material at venues such as Fez Nightclub and Westbeth Theater Center for four years before premiering the completed musical Off-Broadway in 1998.  Mitchell has explained that Hedwig is not a trans woman, but a genderqueer character. "She's more than a woman or a man," he has said. "She's a gender of one and that is accidentally so beautiful."
QUESTION: Was there rock music in the musical?
IN: Edgar Yipsel "Yip" Harburg (born Isidore Hochberg, Yiddish: ysydvr hvkbrg; April 8, 1896 - March 5, 1981) was an American popular song lyricist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?"

Harburg and Gorney were offered a contract with Paramount: in Hollywood, Harburg worked with composers Harold Arlen, Vernon Duke, Jerome Kern, Jule Styne, and Burton Lane, and later wrote the lyrics for The Wizard of Oz, one of the earliest known "integrated musicals," for which he won the Academy Award for Best Music, Original Song for "Over the Rainbow."  Of his work on The Wizard of Oz, his son (and biographer) Ernie Harburg has said:  So anyhow, Yip also wrote all the dialogue in that time and the setup to the songs and he also wrote the part where they give out the heart, the brains and the nerve, because he was the final script editor. And he--there were eleven screenwriters on that--and he pulled the whole thing together, wrote his own lines and gave the thing a coherence and unity which made it a work of art. But he doesn't get credit for that. He gets lyrics by E. Y. Harburg, you see. But nevertheless, he put his influence on the thing.  Working in Hollywood did not stop Harburg's career on Broadway. In the 1940s, he wrote a series of "book" musicals with social messages, including the successful Bloomer Girl (1944), set during the Civil War, which was about temperance and women's rights activist Amelia Bloomer. Harburg's best known Broadway show, Finian's Rainbow (1947) was, in its original production, possibly the first Broadway musical with a racially integrated chorus line, and features his "When the Idle Poor Become the Idle Rich." It was made into a film in 1968 starring Fred Astaire and Petula Clark, directed by Francis Ford Coppola.
QUESTION:
Did he actually act or was part of the shows?