Answer the question at the end by quoting:

Wladyslaw Gomulka (Polish: [vwa'diswaf go'muwka]; 6 February 1905 - 1 September 1982) was a Polish communist politician. He was the de facto leader of post-war Poland until 1948. Following the Polish October he became leader again from 1956 to 1970. Gomulka was initially very popular for his reforms; his seeking a "Polish way to socialism"; and giving rise to the period known as "Gomulka's thaw".
In the fall of 1943, the PPR leadership began discussing the creation of a Polish quasi-parliamentary, communist-led body, to be named the State National Council (Krajowa Rada Narodowa, KRN). After the Battle of Kursk the expectation was of a Soviet victory and liberation of Poland and the PPR wanted to be ready to assume power. Gomulka came up with the idea of a national council and imposed his point of view on the rest of the leadership. The PPR intended to obtain consent from the Cominterm leader and their Soviet contact Georgi Dimitrov. However, in November the Gestapo arrested Finder and Malgorzata Fornalska, who possessed the secret codes for communication with Moscow and the Soviet response remained unknown. In the absence of Finder, on 23 November Gomulka was elected general secretary (chief) of the PPR and Bierut joined the three-person inner leadership.  The founding meeting of the State National Council took place in the late evening of 31 December 1943. The new body's chairman Bierut was becoming Gomulka's main rival. In mid-January 1944 Dimitrov was finally informed of the KRN's existence, which surprised both him and the Polish communist leaders in Moscow, increasingly led by Jakub Berman, who had other, competing ideas concerning the establishment of a Polish communist ruling party and government.  Gomulka felt that the Polish communists in occupied Poland had a better understanding of Polish realities than their brethren in Moscow and that the State National Council should determine the shape of the future executive government of Poland. Nevertheless, to gain a Soviet approval and to clear any misunderstandings a KRN delegation left Warsaw in mid-March heading for Moscow, where it arrived two months later. By that time Stalin concluded that the existence of the KRN was a positive development and the Poles arriving from Warsaw were received and greeted by him and other Soviet dignitaries. The Union of Polish Patriots and the Central Bureau of Polish Communists in Moscow were now under pressure to recognize the primacy of the PPR, the KRN and Wladyslaw Gomulka, which they ultimately did only in mid-July.  On 20 July, the Soviet forces under Marshal Konstantin Rokossovsky forced their way across the Bug River and on that same day the combined meeting of Polish communists from the Moscow and Warsaw factions finalized the arrangements regarding the establishment (on 21 July) of the Polish Committee of National Liberation (PKWN), a temporary government headed by Edward Osobka-Morawski, a socialist allied with the communists. Gomulka and other PPR leaders left Warsaw and headed for the Soviet-controlled territory, arriving in Lublin on 1 August, the day the Warsaw Uprising erupted in the Polish capital.

did he oppose gomulka?

Bierut was becoming Gomulka's main rival.

IN: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.

After the armistice he returned to Birmingham and tried to find work as a cartoonist. He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position. Later that year he embarked on a professional stage career. Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director. In 1922, while with Playfair, he met Doris Zinkeisen. They were considered a couple for some two years, despite Whale's living as an openly gay man. They were reportedly engaged in 1924, but by 1925 the engagement was off.  In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I. The key conflict is between Capt. Stanhope, the company commander, and Lt. Raleigh, the brother of Stanhope's fiancee. Whale offered the part of Stanhope to the then barely known Laurence Olivier. Olivier initially declined the role, but after meeting the playwright agreed to take it on. Maurice Evans was cast as Raleigh. The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929. A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste. The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations. As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years.  With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh. Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929. The play ran for over a year and cemented its reputation as the greatest play about World War I.

Did he continue to direct?

OUT:
After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years.