Question: Born in Riverside, California to Patricia (nee Howard) and former major leaguer Bobby Bonds, Bonds grew up in San Carlos and attended Junipero Serra High School in San Mateo, where he excelled in baseball, basketball, and football. He played on the junior varsity team during his freshman year and the remainder of his high school career on the varsity team. He garnered a .467 batting average his senior year, and was named prep All-American. The Giants drafted Bonds in the second round of the 1982 MLB draft as a high school senior, but the Giants and Bonds were unable to agree on contract terms when Tom Haller's maximum offer was $70,000 ($177,510 today) and Bond's minimum to go pro was $75,000, so Bonds instead decided to attend college.

During his playing career, Bonds was frequently described as a difficult person, surly, standoffish and ungrateful, among other unflattering adjectives. However, in one interview with Terence Moore in 2016, he acknowledged regret over the persona which he had created. He attributed it to a response to the pressure he felt to perform as a young player with the Pirates. Remarked Bonds,  Hell, I kick myself now, because I'm getting great press [since being more cooperative], and I could have had a trillion more endorsements, but that wasn't my driving force. The problem was, when I tried to give in a little bit, it never got better. I knew I was in the midst of that image, and I determined at that point that I was never going to get out of it.  So I just said, 'I've created this fire around me, and I'm stuck in it, so I might as well live with the flames'.  Bonds reports that for a short time during his playing days with the Giants he changed his demeanor at the behest of a group of teammates, resulting in him smiling much more frequently and engaging more with others with a pleasant demeanor. Shortly thereafter, Bonds says, in the midst of a slump, the same group of teammates pleaded that he revert, having seemingly lost his competitive edge, and causing the team lose more. In spite of his protest that they would not appreciate the results, his teammates insisted. Bonds says he complied, maintaining that familiar standoffish edge the rest of his playing career.

Using a quote from the above article, answer the following question: What did he change to?
HHHHHH
Answer: resulting in him smiling much more frequently and engaging more with others with a pleasant demeanor.


Question: Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued ten LPs, one collaborative LP, numerous EPs and singles, and gained an international audience following extensive touring. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal."

In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle.  Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981.  The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments:  ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start.  Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists.

Using a quote from the above article, answer the following question: Were they always into music
HHHHHH
Answer:
younger brother John, eight years his junior, played drums in the school jazz band.