Answer the question at the end by quoting:

Brian Wayne Transeau (born October 4, 1971), better known by his stage name BT, is an American music producer, composer, technologist, audio technician, multi-instrumentalist, singer, and songwriter. An artist in the electronica music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." He also creates music within many other styles, such as classical, film composition and bass music. BT is also known for pioneering the stutter edit.
In 1999, BT released his third album, Movement in Still Life, and continued his previous experimentation outside of the trance genre. The album features a strong element of nu skool breaks, a genre he helped define with "Hip-Hop Phenomenon" in collaboration with Tsunami One aka Adam Freeland and Kevin Beber. Along with trance collaborations with Paul van Dyk and DJ Rap, Movement includes pop ("Never Gonna Come Back Down" with M. Doughty on vocals), progressive house ("Dreaming" with Kirsty Hawkshaw on vocals) and hip hop-influenced tracks ("Madskill - Mic Chekka", which samples Grandmaster Flash and the Furious Five's "The Message", and "Smartbomb", a mix of funky, heavy riffs from both synthesizers and guitars woven over a hip-hop break). "Shame" and "Satellite" lean toward an alt-rock sound, while "Godspeed" and "Dreaming" fall into classic trance ranks. "Running Down the Way Up", a collaboration with fellow electronic act Hybrid, features sultry vocals and acoustic guitars heavily edited into a progressive breakbeat track.  "Dreaming" and "Godspeed" reached #5 and #10 on the Billboard Dance Club Songs chart, respectively, "Never Gonna Come Back Down" reached #9 the Billboard Dance Club Songs chart and #16 on Billboard's Alternative Songs chart, and the album reached #166 on the Billboard 200 album charts.  Long interested in branching out into film scoring, BT got the opportunity when director Doug Liman asked him to score Go, a 1999 film about dance music culture. Shortly after creating the score, BT moved to Los Angeles in order to further pursue film scoring. He also began writing music for string quartets to prove his capabilities beyond electronic music. He was then hired to score the film Under Suspicion with a 60-piece string section. For The Fast and the Furious, BT's score featured a 70-piece ensemble, along with polyrhythmic tribal sounds produced by orchestral percussionists banging on car chassis.  In 1999, BT collaborated with Peter Gabriel on the album OVO, the soundtrack to the Millennium Dome Show in London. In 2001, he produced NSYNC's hit single "Pop", which won a 2001 Teen Choice Award for Choice Single, won four MTV Video Music Awards, and reached #19 on the Billboard Hot 100 and #9 on the UK Singles chart. In 2002, BT released the compilation album 10 Years in the Life, a two-disc collection of rarities and remixes, including "The Moment of Truth", the first track he ever recorded.

What was the name of the album?

Movement in Still Life,



Answer the question at the end by quoting:

Michael Bennett (April 8, 1943 - July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical A Chorus Line.
Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story.  Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie.  Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince.  In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.

What did he produce that did well with this company?
Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco