IN: The 5th Dimension is an American popular music vocal group, whose repertoire includes pop, R&B, soul, jazz, light opera and Broadway--the melange was coined as "Champagne Soul." Formed as The Versatiles in late 1965, the group changed its name to the hipper "The 5th Dimension" by 1966. They became well-known during the late 1960s and early 1970s for their popular hits: "Up, Up and Away", "Stoned Soul Picnic", "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)", "Wedding Bell Blues", "Never My Love", "One Less Bell to Answer", "(Last Night)

The members began rehearsing as the Versatiles in late 1965 and auditioned for Marc Gordon, who headed Motown's Los Angeles office. Although Motown rejected the group's demo tape, Gordon agreed to manage them and brought them to the attention of Johnny Rivers, who had just started his own label, Soul City Records. Their first Soul City single, "I'll Be Lovin' You Forever", was a successful single.  In 1965 The Mamas & the Papas' first single, lead member John Phillips' "Go Where You Wanna Go", failed to open the foursome's chart career. At the suggestion of Rivers and their manager Marc Gordon, the 5th Dimension covered the same song virtually note-for-note (except for the last verse's upward modulation), and their early 1967 version climbed into the top 20 on R&B and pop stations and peaked at #16 on the Hot 100, opening the quintet's chart career.  The budding songwriter Jimmy Webb supplied the group with their breakthrough hit, "Up, Up and Away", a mid-1967 #7 hit that won five Grammy Awards. The following year, the group scored major hit singles with Laura Nyro's songs "Stoned Soul Picnic" (U.S. #3) and "Sweet Blindness" (U.S. #13). The group received a gold record for their album Stoned Soul Picnic.  That album included "California Soul", which peaked at #25 in February 1969. Weeks later the group's success broke wide open, with "Aquarius/Let the Sunshine In" from the musical Hair topping the Hot 100 for six straight weeks in April and May, and another Nyro song, "Wedding Bell Blues", doing the same for the first three full weeks in November. Their cover of Neil Sedaka's "Workin' On a Groovy Thing" went to #20 in between. Those four singles kept the group on the Hot 100 for all but four weeks in 1969. By some reckonings, "Aquarius/Let the Sunshine In" was the biggest hit single for 1969.  Later top 20 hits included 1970's "One Less Bell to Answer" (U.S. #2), 1971's "Love's Lines, Angles and Rhymes" (U.S. #19) and "Never My Love" (U.S. #12), 1972's "(Last Night) I Didn't Get to Sleep at All" (U.S. #8) and "If I Could Reach You" (U.S. #10). The group had seven other top 40 hits, the last being 1973's "Living Together, Growing Together" (U.S. #32) from the film Lost Horizon.
QUESTION: What year was it released?
IN: Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards.

Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister".
QUESTION:
how did this album perform?