Some context: The Colbert Report () is an American late-night talk and news satire television program hosted by Stephen Colbert that aired four days a week on Comedy Central from October 17, 2005 to December 18, 2014 for 1,447 episodes. The show focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character, described by Colbert as a "well-intentioned, poorly informed, high-status idiot", is a caricature of televised political pundits. Furthermore, the show satirized conservative personality-driven political talk programs, particularly Fox News's The O'Reilly Factor.
The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy.  Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Report, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening.  The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show.
who did he perform with
A: Steve Carell
Some context: Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success as a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music.
In 1983, at the suggestion of ECM head Manfred Eicher, Jarrett asked bassist Gary Peacock and drummer Jack DeJohnette, with whom he had worked on Peacock's 1977 album Tales of Another, to record an album of jazz standards, simply titled Standards, Volume 1. Two more albums, Standards, Volume 2 and Changes, both recorded at the same session, followed soon after. The success of these albums and the group's ensuing tour, which came as traditional acoustic post-bop was enjoying an upswing in the early 1980s, led to this new standards trio becoming one of the premier working groups in jazz, and certainly one of the most enduring, continuing to record and tour for more than 25 years. The trio has recorded numerous live and studio albums consisting primarily of jazz repertory material.  The Jarrett-Peacock-DeJohnette trio also produced recordings that consist largely of challenging original material, including 1987's Changeless. Several of the standards albums contain an original track or two, some attributed to Jarrett, but most are group improvisations. The live recordings Inside Out and Always Let Me Go (released in 2001 and 2002 respectively) marked a renewed interest by the trio in wholly improvised free jazz. By this point in their history, the musical communication among these three men had become nothing short of telepathic, and their group improvisations frequently take on a complexity that sounds almost composed. The standards trio undertakes frequent world tours of recital halls (the only venues in which Jarrett, a notorious stickler for acoustics, will play) and is one of the few truly successful jazz groups to play both straight-ahead (as opposed to smooth) and free jazz.  A related recording, At the Deer Head Inn (1992), is a live album of standards recorded with Paul Motian replacing DeJohnette, at the venue in Delaware Water Gap, Pennsylvania, 40 miles from Jarrett's hometown, where he had his first job as a jazz pianist. It was the first time Jarrett and Motian had played together since the demise of the American quartet sixteen years earlier.
did they work with anyone?
A: A related recording, At the Deer Head Inn (1992), is a live album of standards recorded with Paul Motian replacing DeJohnette,
Some context: Clarence Edwin "Cito" Gaston (; born March 17, 1944) is a former Major League Baseball outfielder and manager. His major league career as a player lasted from 1967 to 1978, most notably for the San Diego Padres and the Atlanta Braves. He spent his entire managerial career with the Toronto Blue Jays, becoming the first African-American manager in Major League history to win a World Series title. Cito Gaston managed the Toronto Blue Jays from 1989 to 1997, and again from 2008 to 2010.
As a coach and manager, Gaston was considered a player's manager. He was a soft-spoken and steady influence during years that saw a large group of talented, high-salaried players grace the Blue Jays uniform. The franchise led the Major Leagues in attendance each year from 1989 to 1992, setting new records each of the latter three years, riding high from a dedicated fan base and a new stadium to play in when Gaston took the helm. The Jays opened the SkyDome a few weeks after Gaston became manager and the financial success translated into major free agent signings, including pitcher Jack Morris, outfielder Dave Winfield, and designated hitter Paul Molitor. They also retained core All-Stars such as Joe Carter, Devon White, Roberto Alomar, and John Olerud. Joe Carter credits Gaston for the team's championships:  Cito knows how to work with each individual, treating everyone like a human being. He knows exactly what to say, when to say it, what to do and how to go about doing it. When you have a manager like that, it makes you want to play for the guy. We'd go to war for him. What Cito has done for the Blue Jays can't be taken lightly.  Gaston had worked with players at an individual level as a hitting instructor and transferred this to the job of manager. He was known for his open communication with his players. He was a successful game strategist, effectively handling National League rules during World Series games in Atlanta and Philadelphia. In the six games the Blue Jays played in those places during World Series play, the Jays went 4-2, including the title clincher in Game 6 of the 1992 World Series in Atlanta. The 1992 World Series victory was widely recognized as the first for a non-American team, and Gaston was the first ever African-American manager to win a World Series. The Blue Jays followed their 1992 success with a repeat victory in the 1993 World Series.
What else did Cito do
A:
Gaston had worked with players at an individual level as a hitting instructor and transferred this to the job of manager.