IN: Winchell was born Paul Wilchinsky in New York City on December 21, 1922, to Solomon Wilchinsky and Clara Fuchs. His father was a tailor; his grandparents were Jewish immigrants from Russian Poland and Austria-Hungary. Winchell's initial ambition was to become a doctor, but the Depression wiped out any chance of his family's ability to afford medical school tuition. At age 13, he contracted polio; while recovering, he happened upon a magazine advertisement offering a ventriloquism kit for ten cents.

Winchell's career after 1968 included various voice roles for animated television series. For Hanna-Barbera, he played the character Dick Dastardly in multiple series (including Wacky Races and Dastardly and Muttley in their Flying Machines); Clyde and Softy on Wacky Races and The Perils of Penelope Pitstop; and Fleegle on The Banana Splits Adventure Hour, and Gargamel on The Smurfs.  He also provided the voice of Bubi Bear in Help!... It's the Hair Bear Bunch! in 1971, the voice of Revs on Wheelie and the Chopper Bunch, as Moe on The Robonic Stooges (a role he previously played on The New Scooby Doo Movies), and Shake on The CB Bears. In 1973, he did the voice of Goober the Dog on the H-B show Goober and the Ghost Chasers and also guest starred as the rain-making villain on an episode of Hong Kong Phooey. For Disney, Winchell voiced Tigger in Disney's Winnie-the-Pooh featurettes, and won a Grammy Award for his performance in Winnie the Pooh and Tigger Too.  Beginning with the television series The New Adventures of Winnie the Pooh, he alternated in the role with Jim Cummings, the current voice of Pooh. Winchell's final performances as Tigger were in 1999 for Winnie the Pooh: A Valentine for You and The Many Adventures of Winnie the Pooh attraction at Walt Disney World. Following his retirement, Cummings permanently took over the role of Tigger starting with Sing a Song with Pooh Bear in 1999 (though some of Winchell's vocals from previous Pooh animations were included). Other Disney roles included parts in The Aristocats as a Siamese cat named Shun Gon, and The Fox and the Hound as Boomer the woodpecker. He was also the original voice of Zummi Gummi on the TV series Disney's Adventures of the Gummi Bears for seasons 1-5; Jim Cummings took over for the final season in 1990.  Winchell provided the voices of Sam-I-Am and the unnamed character Sam pesters in Green Eggs and Ham from the animated television special Dr. Seuss on the Loose in 1973. He played Fleabag on The Oddball Couple, Fearless Freddy the Shark Hunter on the Pink Panther spin-off Misterjaw in 1976, as well as a number of one-shot characters in The Blue Racer series. In commercials, he voiced the character of Burger Chef for the fast food chain of the same name, the Scrubbing Bubbles for Dow Chemicals and Mr. Owl for Tootsie Roll Pops.  From 1981-89, Winchell voiced Gargamel on The Smurfs as well as on several Smurfs television movies. During the 1980s, he was called upon by Hanna-Barbera to reprise his role of Dick Dastardly on Yogi's Treasure Hunt (which was a tour-de-force featuring all of the H-B characters) and later on Wake, Rattle and Roll (which was a Wacky Races spin-off). Also on the animated movie Yogi Bear and the Magical Flight of the Spruce Goose, he did the voice of the Dread Baron, who was previously voiced by John Stephenson on the Laugh-a-Lympics.

Did he win any awards for his voice acting?

OUT: won a Grammy Award for his performance in Winnie the Pooh and Tigger Too.


IN: "Sympathy for the Devil" is a samba rock song by the Rolling Stones, written by Mick Jagger and Keith Richards. Sung by Jagger, the song refers to the Devil, written in the first-person narrative, recounting atrocities committed throughout the history of humanity as if they were somehow "inspired" (or at least witnessed) by him. Although it has been deemed by some as "a homage", in reality, no admiration (or even sympathy, for that matter) is declared for the Devil in the song -other than his "own" request. It is performed in a rock arrangement with a samba rhythm, first appearing as the opening track on their 1968 album Beggars Banquet.

The recording of "Sympathy for the Devil" began at London's Olympic Sound Studios on 4 June 1968 and continued into the next day; overdubs were done on 8, 9 and 10 June. Personnel included on the recording include Nicky Hopkins on piano, Rocky Dijon on congas and Bill Wyman on maracas. Marianne Faithfull, Anita Pallenberg, Brian Jones, Charlie Watts, producer Jimmy Miller, Wyman and Richards performed backup vocals, singing the "woo woos". Richards plays bass on the original recording, and also electric guitar. Brian Jones plays a mostly mixed out acoustic guitar, although in isolated tracks of the studio cut, it is audible playing along with the piano.  In the 2003 book According to the Rolling Stones, Watts commented:  "Sympathy" was one of those sort of songs where we tried everything. The first time I ever heard the song was when Mick was playing it at the front door of a house I lived at in Sussex ... He played it entirely on his own ... and it was fantastic. We had a go at loads of different ways of playing it; in the end I just played a jazz Latin feel in the style of Kenny Clarke would have played on "A Night in Tunisia" - not the actual rhythm he played, but the same styling.  On the overall power of the song, Jagger continued in Rolling Stone:  It has a very hypnotic groove, a samba, which has a tremendous hypnotic power, rather like good dance music. It doesn't speed up or slow down. It keeps this constant groove. Plus, the actual samba rhythm is a great one to sing on, but it is also got some other suggestions in it, an undercurrent of being primitive--because it is a primitive African, South American, Afro-whatever-you-call-that rhythm (candomble). So to white people, it has a very sinister thing about it. But forgetting the cultural colors, it is a very good vehicle for producing a powerful piece. It becomes less pretentious because it is a very unpretentious groove. If it had been done as a ballad, it wouldn't have been as good.

When was it recorded?

OUT:
4 June 1968 and continued into the next day;