Question:
Hole was an American alternative rock band formed by singer and guitarist Courtney Love and lead guitarist Eric Erlandson in Los Angeles, California in 1989. Influenced by Los Angeles' punk rock scene, and produced by Kim Gordon of Sonic Youth, the band's debut album, Pretty on the Inside (1991), attracted critical interest from British and American alternative press. Their second album, Live Through This, released 1994 by DGC Records, which featured less aggressive melodies and more restrained lyrical content, was widely acclaimed and reached platinum status within a year of its release. Their third album, Celebrity Skin (1998), which garnered them four Grammy nominations, marked a notable departure from their earlier punk influences, boasting a more commercially viable, "mature" sound.
Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage. The band often destroyed equipment and guitars at the end of concerts, and Love would ramble between songs, bring fans onstage, and stage dive, sometimes returning with her clothes torn off of her or sustaining injuries. In a 1995 New York Magazine article, journalist John Homans addressed Love's frequent stage diving during Hole's concerts:  The most shocking, frightening, and fascinating image in rock in the last few years is Courtney Love's stage dive... When some male performers do it, it looks like muscular, frat-boy fun, controlled aggression... For obvious reasons, the practice was strictly no-girls-allowed, but Love, typically, decided that she wanted to do it, too. Groped, ravaged, she compared the experience to being raped, wrote a song about it, and now does it just about every show.  Nina Gordon of Veruca Salt, who toured with Hole in 1995, recalled Love's erratic behavior onstage, saying "She would just go off and [the rest of the band] would just kind of stand there." The majority of Love's chaotic behavior onstage was a result of heavy drug use at the time, which she admitted: "I was completely high on dope; I cannot remember much about it." She later criticized her behavior during that time, saying: "I [saw] pictures of how I looked. It's disgusting. I'm ashamed. There's death and there's disease and there's misery and there's giving up your soul... The human spirit mixed with certain powders is not the person, it's [a] demonic presence."  Love's stage attire also garnered notoriety, influenced in part by Carroll Baker's wardrobe in the film Baby Doll (1956). The style was later dubbed "kinderwhore" by the media, and consisted of babydoll dresses, slips and nightgowns, and smeared makeup. Kurt Loder likened her onstage attire to a "debauched ragdoll", and John Peel noted in his review of the band's 1994 Reading Festival performance, that "[Love], swaying wildly and with lipstick smeared on her face, hands and, I think, her back, as well as on the collar of her dress, [...] would have drawn whistles of astonishment in Bedlam. The band teetered on the edge of chaos, generating a tension which I cannot remember having felt before from any stage." Rolling Stone referred to the style as "a slightly more politically charged version of grunge; apathy turned into ruinous angst, which soon became high fashion's favorite pose."  The band's set lists for live shows were often loose, featuring improvisational jams and rough performances of unreleased songs. By 1998, their live performances had become less aggressive and more restrained, although Love continued to bring fans onstage, and would often go into the crowd while singing.
Answer this question using a quote from the text above:

What else is interesting about their performances?

Answer:
The majority of Love's chaotic behavior onstage was a result of heavy drug use at the time, which she admitted:

Answer the question at the end by quoting:

John F. Stossel was born on March 6, 1947, in Chicago Heights, Illinois, the younger of two sons, to Jewish parents who left Germany before Hitler rose to power. They joined a Congregationalist church in the U.S., and Stossel was raised Protestant. He grew up on Chicago's affluent North Shore and graduated from New Trier High School. Stossel characterizes his older brother, Tom, as "the superstar of the family", commenting, "While I partied and played poker, he studied hard, got top grades, and went to Harvard Medical School."
Progressive organizations such as Fairness and Accuracy In Reporting (FAIR) and Media Matters for America (MMfA) have criticized Stossel's work, for what they perceived as a lack of balance of coverage and distortion of facts. For example, Stossel was criticized for a segment on his October 11, 1999, show during which he argued that AIDS research has received too much funding, "25 times more than on Parkinson's, which kills more people." FAIR responded that AIDS had killed more people in the United States in 1999, but Stossel was speaking in more broad terms than a single country over a single year.  In a February 2000 Salon.com feature on Stossel entitled "Prime-time propagandist", David Mastio wrote that Stossel has a conflict of interest in donating profits from his public speaking engagements to, among others, a non-profit called "Stossel in the Classroom" which includes material for use in schools, some of which uses material made by Stossel.  University of Texas economist James K. Galbraith has alleged that Stossel, in his September 1999 special Is America #1?, used an out-of-context clip of Galbraith to convey the notion that Galbraith advocated the adoption by Europe of the free market economics practiced by the United States, when in fact Galbraith actually advocated that Europe adopt some of the United States' social benefit transfer mechanisms such as Social Security, which is the economically opposite view. Stossel denied any misrepresentation of Galbraith's views and stated that it was not his intention to convey that Galbraith agreed with all of the special's ideas. However, he re-edited that portion of the program for its September 2000 repeat, in which Stossel paraphrased, "Even economists who like Europe's policies, like James Galbraith, now acknowledge America's success."

Who was criticising him?
Progressive organizations such as Fairness and Accuracy In Reporting (FAIR) and Media Matters for America (MMfA)