Question:
Mortimer was born in Hampstead, London, the only child of Kathleen May (nee Smith) and Clifford Mortimer, a barrister who became blind in 1936 when he hit his head on the door frame of a London taxi but still pursued his career. Clifford's loss of sight was not acknowledged openly by the family. John Mortimer was educated at the Dragon School in Oxford and Harrow School, where he joined the Communist Party, forming a one-member cell. Originally Mortimer intended to be an actor (his lead role in the Dragon's 1937 production of Richard II gained glowing reviews in The Draconian) and then a writer, but his father persuaded him against it, advising: "My dear boy, have some consideration for your unfortunate wife...
With weak eyes and doubtful lungs, Mortimer was classified as medically unfit for military service in World War II. He worked for the Crown Film Unit under Laurie Lee, writing scripts for propaganda documentaries.  I lived in London and went on journeys in blacked-out trains to factories and coal-mines and military and air force installations. For the first and, in fact, the only time in my life I was, thanks to Laurie Lee, earning my living entirely as a writer. If I have knocked the documentary ideal, I would not wish to sound ungrateful to the Crown Film Unit. I was given great and welcome opportunities to write dialogue, construct scenes and try and turn ideas into some kind of visual drama.  He based his first novel, Charade, on his experiences with the Crown Film Unit.  Mortimer made his radio debut as a dramatist in 1955 with his adaptation of his own novel Like Men Betrayed for the BBC Light Programme. But he made his debut as an original playwright with The Dock Brief starring Michael Hordern as a hapless barrister, first broadcast in 1957 on BBC Radio's Third Programme, later televised with the same cast and subsequently presented in a double bill with What Shall We Tell Caroline? at the Lyric Hammersmith in April 1958 before transferring to the Garrick Theatre. It was revived by Christopher Morahan in 2007 as part of a touring double bill, Legal Fictions.  His play A Voyage Round My Father, given its first radio broadcast in 1963, is autobiographical, recounting his experiences as a young barrister and his relationship with his blind father. It was memorably televised by BBC Television in 1969 with Mark Dignam in the title role. In a slightly longer version the play later became a stage success (first at Greenwich Theatre in 1979 with Dignam, then a year later at the Theatre Royal Haymarket, now starring Alec Guinness). In 1981 it was remade by Thames Television with Laurence Olivier as the father and Alan Bates as young Mortimer. In 1965, he and his wife wrote the screenplay for the Otto Preminger film Bunny Lake is Missing, which also starred Olivier.
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Was Charade successful?

Answer:
I was given great and welcome opportunities to write dialogue, construct scenes and try and turn ideas into some kind of visual drama.


Question:
Mumtaz Mahal (Urdu: mumtz mHal ), ([mum'ta:z me'hel]; meaning "the Exalted One of the palace"; Arjumand Banu; 27 April 1593 - 17 June 1631) was Empress consort of the Mughal Empire from 19 January 1628 to 17 June 1631 as the chief consort of the Mughal emperor Shah Jahan. The UNESCO World Heritage Site Taj Mahal in Agra, often cited as one of the Wonders of the World, was commissioned to act as her final resting place. Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility.
Upon his accession to the throne in 1628, Shah Jahan designated Mumtaz as his chief empress with the title of 'Malika-i-Jahan' ("Queen of the World") and 'Malika-uz-Zamani' ("Queen of the Age"). Mumtaz's tenure as empress was brief (spanning a period of only three years due to her untimely death), nonetheless Shah Jahan bestowed her with luxuries that no other empress was given before her. For example, no other empress' residence was as decorated as Khas Mahal (part of Agra Fort), where Mumtaz lived with Shah Jahan. It was decorated with pure gold and precious stones and had rose water fountains of its own. Each wife of the Mughal emperor was given regular monthly allowance for her gastos (housekeeping or travelling expenses). The highest allowance on record is 10 lakh rupees per year given to Mumtaz Mahal under Shah Jahan.  Shah Jahan consulted Mumtaz in both private matters and the affairs of the state and she served as his close confidante and trusted adviser. At her intercession, he forgave enemies or commuted death sentences. His trust in her was so great that he gave her the highest honour of the land -- his imperial seal, the Mehr Uzaz, which validated imperial decrees. Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign.  A great influence on him, often intervening on behalf of the poor and destitute, she also enjoyed watching elephant and combat fights performed for the court. Mumtaz also patronized a number of poets, scholars and other talented persons. A noted Sanskrit poet, Vansidhara Mishra, was the Empress' favourite. On the recommendation of her principal lady-in-waiting, Sati-un-Nissa, Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men. It was quite common for women of noble birth to commission architecture in the Mughal Empire, so Mumtaz devoted some time to a riverside garden in Agra, which is now known as Zahara Bagh. It is the only architectural foundation which can be connected to her patronage.
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What is Mughal empress?

Answer:
Shah Jahan designated Mumtaz as his chief empress with the title of 'Malika-i-Jahan' ("Queen of the World")