Some context: La Strada (lit. "The Road") is a 1954 Italian drama film directed by Federico Fellini from his own screenplay co-written with Tullio Pinelli and Ennio Flaiano. The film portrays a naive young woman (Giulietta Masina) bought from her mother by a brutish strongman (Anthony Quinn) who takes her with him on the road. Fellini has called La Strada "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever."
In later years, Fellini explained that from "a sentimental point of view," he was "most attached" to La Strada: "Above all, because I feel that it is my most representative film, the one that is the most autobiographical; for both personal and sentimental reasons, because it is the film that I had the greatest trouble in realizing and that gave me the most difficulty when it came time to find a producer." Of all the imaginary beings he had brought to the screen, Fellini felt closest to the three principals of La Strada, "especially Zampano." Anthony Quinn found working for Fellini invaluable: "He drove me mercilessly, making me do scene after scene over and over again until he got what he wanted. I learned more about film acting in three months with Fellini than I'd learned in all the movies I'd made before then." Long afterwards, in 1990, Quinn sent a note to the director and his co-star: "The two of you are the highest point in my life -- Antonio."  Critic Roger Ebert, in his book The Great Movies, has described the current critical consensus as holding that La Strada was the high point of Fellini's career and that, after this film, "his work ran wild through the jungles of Freudian, Christian, sexual and autobiographical excess". (Ebert, himself, disagrees, seeing La Strada as "part of a process of discovery that led to the masterpieces La Dolce Vita (1960), 8 1/2 (1963) and Amarcord (1974)".)  The years since its initial release have solidified the high estimation of La Strada. It holds a 97% rating on the review aggregator website Rotten Tomatoes from 31 reviewers who, on average, scored it 8.7 on a scale of 10. Its numerous appearances on lists of best films include the 1992 Directors' poll of the British Film Institute (4th best), the New York Times "Best 1,000 Movies Ever Made", and the "Greatest Films" list of They Shoot Pictures, Don't They (# 67) - a website that statistically calculates the most well-received movies.  In 1995, the Catholic Church's Pontifical Commission for Social Communications issued a list of 45 films representing a "...cross section of outstanding films, chosen by a committee of twelve international movie scholars." This has come to be known as the Vatican film list, and includes La Strada as one of 15 films in the sub-category labeled Art. Pope Francis, has said it is "the movie that perhaps I loved the most," because of his personal identification with its implicit reference to his namesake, Francis of Assisi.
What else did they derive from the retrospective inspection of La Strada ?
A: " Of all the imaginary beings he had brought to the screen, Fellini felt closest to the three principals of La Strada, "especially Zampano."

Some context: Steven Lee Lukather (born October 21, 1957) is an American guitarist, singer, songwriter, arranger and record producer, best known for his work with the rock band Toto. A prolific session musician, Lukather has recorded guitar tracks for more than 1,500 albums representing a broad array of artists and genres. He has also contributed to albums and hit singles as a songwriter, arranger and producer. Lukather has released seven solo albums, the latest of which, Transition, was released in January 2013.
The 1989 album Lukather came about after Toto had been recording and playing for 11 years, and the consensus among the band members was to take a break. As Lukather had written a number of songs that did not appear on Toto albums, he decided to pursue a solo album, with the intention of presenting a dimension of his music that fans would be unfamiliar with. He collaborated with many notable musicians, including Eddie Van Halen, Richard Marx, Jan Hammer, Steve Stevens, and fellow Toto members Jeff Porcaro and David Paich. Lukather has said that the album was produced very simply, and that a lot of ambient studio noise--counting off on various tracks, for instance--is audible on it. He also credits bands Pink Floyd, Cream, Led Zeppelin, and guitarists Jimi Hendrix, David Gilmour, Jeff Beck, and Eric Clapton as influences on the album. The single "Swear Your Love" came from the album.  Candyman, recorded and mastered from March 1993 through November 1993, was a collaboration of musicians who were for the most part also in Lukather's band Los Lobotomys. Toto familiars Simon Phillips and David Paich participated as well as David Garfield, John Pena, Chris Trujillo, Lenny Castro, Larry Klimas, Fee Waybill, Richard Page, and Paul Rodgers. Lukather recorded the album in mostly live takes with little overdubbing. Some international fans were confused about whether Candyman was a Steve Lukather album or a Los Lobotomys album. The Japanese and US releases of Candyman were under the Los Lobotomys name rather than Lukather's; the Japanese release also featured a version of the Hendrix song "Red House". The European release of Candyman was credited to Lukather alone. Additionally, the touring band for the album was sometimes introduced as "Steve Lukather and Los Lobotomys" and sometimes as just "Los Lobotomys". The song "Borrowed Time" was released as a single in Europe and included "Red House" as a B-side.  Lukather describes 1997's Luke as a much different and more "introspective" album than his previous two solo efforts. The album is a concentrated collection of many of Lukather's musical influences, and he deliberately let those influences come out on the album. Luke is an experimental album, and like Candyman it was recorded mostly in live sessions with minimal overdubbing and processing afterwards. Luke also features instrumentation not heard on previous Lukather albums: pedal steel, Harmonicas, Mellotrons, and experimental guitar, bass, and drum sounds. The US version of Luke includes a version of the Jeff Beck song "The Pump". The song "Hate Everything About U" was released as a single.
Which musicians did he collaborate with?
A:
He collaborated with many notable musicians, including Eddie Van Halen, Richard Marx, Jan Hammer, Steve Stevens,