Question:
Jim McLean was born into a working-class family in Larkhall, Lanarkshire on 2 August 1937, the second of three sons of Tom and Annie McLean, and grew up in the nearby village of Ashgill. His maternal grandfather William Yuille had been a professional footballer, playing for Rangers before the First World War. Tom McLean, a baker, had been a promising junior footballer before joining the Plymouth Brethren when he married. The three brothers, Willie, Jim and Tommy, who all went on to become professional football players and managers, had a strict religious upbringing.
Despite the progress he had made, few believed that McLean and United were potential Premier Division champions, Alex Ferguson's Aberdeen at that time were an emerging force in addition to the Old Firm. But in 1983, profiting from a late run which left those clubs in their wake, that is precisely what McLean's largely home-grown side did. At this time he additionally acted as assistant manager to Jock Stein with the Scotland national team.  Rangers, who had seen a decline in their fortunes over the previous few years, offered McLean the job as their manager in 1983. McLean engaged in early negotiations with the club; one of his main problems with the job offer was Rangers' policy of not signing Roman Catholics, a policy McLean found a ridiculous restriction for any employer as well as having signed many talented Catholics with Dundee United. Despite the Rangers chairman assuring him that this policy would be scrapped if he accepted the job, McLean decided that he was happy at Dundee United; his family were happily settled in the Broughty Ferry area of Dundee. McLean also turned down an offer to manage English club Newcastle United in June 1984.  Following his team's League success in 1983, Dundee United made their debut in the European Cup. McLean's counter-attacking tactics paired with a pressuring style brought some memorable results in that year's European campaign. McLean inspired United to the semi-finals of that year's competition, a penalty-kick denying them a place in the final. Three years later McLean took the team to a European final, this time in the UEFA Cup, although they were beaten by IFK Gothenburg of Sweden. For the rest of his managerial career McLean continued to secure United's high standing in domestic football, finishing outside the top four clubs only once, and taking the team to a further five Scottish Cup finals, but without winning the trophy.
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What the biggest success of the 1980s?

Answer:
But in 1983, profiting from a late run which left those clubs in their wake, that is precisely what McLean's largely home-grown side did.

input: Burton first appeared on television in a drama about a misunderstood deaf boy. LeVar Burton made his film acting debut in 1977 when he played Kunta Kinte in the ABC award-winning drama series Roots, based on the novel by Alex Haley. Burton's audition for the role of Kinte was the first of his professional career. As a result of his performance, he was nominated for the Emmy for Best Actor in a Drama Series. Burton reprised the role of Kunta Kinte in the 1988 television film Roots: The Gift. When asked about the societal impacts of Roots, Burton is quoted as saying, "It expanded the consciousness of people. Blacks and whites began to see each other as human beings, not as stereotypes. And if you throw a pebble into the pond, you're going to get ripples. I think the only constant is change, and it's always slow. Anything that happens overnight is lacking in foundation. Roots is part of a changing trend, and it's still being played out."  Burton played a role as a visitor to Fantasy Island, was a participant in Battle of the Network Stars, a guest of the Muppet Show's televised premiere party for the release of The Muppet Movie, and a frequent guest on several game shows. In 1986, he appeared in the music video for the song "Word Up!" by the funk/R&B group Cameo.  Burton accepted an invitation to host Rebop, a multicultural series designed for young people ages 9-15, produced by WGBH for PBS.

Answer this question "What other job titles did he hold besides acting?"
output: Burton accepted an invitation to host Rebop, a multicultural series designed for young people ages 9-15,

Answer the question at the end by quoting:

Michael Bennett (April 8, 1943 - July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical A Chorus Line.
Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story.  Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie.  Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince.  In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.

How many musicals did he work on in the early years?
Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo,