input: Religion held ancient Hawaiian society together, affecting habits, lifestyles, work methods, social policy and law. The legal system was based on religious kapu, or taboos. There was a correct way to live, to worship, and even to eat. Examples of kapu included the provision that men and women could not eat together (`Aikapu religion). Fishing was limited to specified seasons of the year. The shadow of the ali`i must not be touched as it was stealing his mana.  The rigidity of the kapu system might have come from a second wave of migrations in 1000-1300 from which different religions and systems were shared between Hawai`i and the Society Islands. Hawai`i would have been influenced by the Tahitian chiefs, the kapu system would have become stricter, and the social structure would have changed. Human sacrifice would have become a part of their new religious observance, and the ali`i would have gained more power over the counsel of experts on the islands.  Kapu was derived from traditions and beliefs from Hawaiian worship of gods, demigods and ancestral mana. The forces of nature were personified as the main gods of Ku (God of War), Kane (God of Light and Life), Kanaloa (God of Death), and Lono (God of peace and growth). Well-known lesser gods include Pele (Goddess of Fire) and her sister Hi`iaka (Goddess of Dance). In a famous creation story, the demigod Maui fished the islands of Hawai`i from the sea after a little mistake he made on a fishing trip. From Haleakala, Maui ensnared the sun in another story, forcing him to slow down so there were equal periods of darkness and light each day.  The Hawaiian mystical worldview allows for different gods and spirits to imbue any aspect of the natural world. From this mystical perspective, in addition to his presence in lightning and rainbows, the God of Light and Life, Kane, can be present in rain and clouds and a peaceful breeze (typically the "home" of Lono).  Although all food and drink had religious significance to the ancient Hawaiians, special cultural emphasis was placed on `awa (kava) due to its narcotic properties. This root-based beverage, a psychoactive and a relaxant, was used to consecrate meals and commemorate ceremonies. It is often referred to in Hawaiian chant. Different varieties of the root were used by different castes, and the brew served as an "introduction to mysticism".

Answer this question "What are some examples of kapu in their society?"
output: There was a correct way to live, to worship, and even to eat.

input: Hoffmann assimilated well with Polish society; the years spent in Prussian Poland he recognized as the happiest of his life. In Warsaw he found the same atmosphere he had enjoyed in Berlin, renewing his friendship with Zacharias Werner, and meeting his future biographer, a neighbour and fellow jurist called Julius Eduard Itzig (who changed his name to Hitzig after his baptism). Itzig had been a member of the Berlin literary group called the Nordstern, and he gave Hoffmann the works of Novalis, Ludwig Tieck, Achim von Arnim, Clemens Brentano, Gotthilf Heinrich von Schubert, Carlo Gozzi, and Calderon. These relatively late introductions marked his work profoundly.  He moved in the circles of August Wilhelm Schlegel, Adelbert von Chamisso, Friedrich de la Motte Fouque, Rahel Levin, and David Ferdinand Koreff.  His fortunate position was not to last: on 28 November 1806, during the War of the Fourth Coalition, Napoleon Bonaparte's troops captured Warsaw, and the Prussian bureaucrats lost their jobs. They divided the contents of the treasury between them and fled. In January 1807 his wife and two-year-old daughter Cacilia returned to Posen, while he pondered whether to move to Vienna or go back to Berlin. A delay of six months was caused by severe illness. Eventually the French authorities demanded that all former officials swear allegiance or leave the country. As they refused to grant him a passport to Vienna, he was forced to return to Berlin. He visited his family in Posen before arriving in Berlin on 18 June 1807, hoping to further his career there as an artist and writer.

Answer this question "Are there any other interesting aspects about this article?"
output: Hoffmann assimilated well with Polish society; the years spent in Prussian Poland he recognized as the happiest of his life.

input: When the Whistle Blows is the show-within-a-show sitcom created, co-written by and starring Andy Millman. It was first mentioned in episode 1.3, as a script that Millman had written and given to Darren, who neglected to read it (in a recurring joke, he would frequently forget the name of the show, often calling it Where the Wind Blows and even confusing it with The Wind in the Willows). The script was turned into a sitcom on BBC One in the first season finale, after Millman gave the script to Patrick Stewart. Excerpts from the sitcom are featured in the second season, and many of the Extras second season plotlines revolve around Millman's experiences on and around the show.  When the Whistle Blows is set in a Wigan factory canteen. The humour is broad and lowbrow in the manner of many catchphrase-based sitcoms. The main catchphrase of the show, "Are you 'avin' a laugh?," is spoken by Millman. The show is unpopular with critics but popular with the public. It does receive a BAFTA nomination, although Millman suspects it is there simply to make up the numbers, and in the end it loses to an unspecified programme by Stephen Fry.  Millman is deeply unhappy with the show, feeling that too many people have interfered with his original ideas in the hunt for ratings. It appears that Millman originally set out to do a comedy similar to The Office, with true-to-life characters in a realistic work environment, without a studio audience or canned laughter. After being forced to collaborate and compromise many of his ideas with producers at the BBC, the show is transformed into lowest common denominator fare with each character having his/her own catchphrase which are repeated ad nauseam to the delight of its 6 million viewers. The show is further debased by the unexplained guest appearance of Coldplay's Chris Martin, in episode 2.4, which bears no relation to the plot and which Millman openly opposes, going so far as to utter the on-camera line, "Chris Martin, what are you doing in a factory in Wigan? It's mental!"  The presence of studio audiences/canned laughter, and the reliance on funny wigs, costumes and catchphrases for humour is a comment on British comedy hits such as Little Britain and The League of Gentlemen. Many people that Millman sees at the recording of the pilot wear T-shirts displaying comedy catchphrases, such as "Wassup", "It's Chico Time", "I'm a lady!", "Am I bovvered?" and "Garlic bread?." (These shirts are not shown in the US version of Extras.) Some of the reviews that the show gets refer to it as a "time warp comedy", and Millman's character talks about 1970s catchphrases such as Mr Humphreys' "I'm Free" (from Are You Being Served?) and Frank Spencer's "Ooh Betty" (from Some Mothers Do 'Ave 'Em), suggesting that it is also partly sending up 1970s British comedy. In episode 2.5, Germaine Greer suggests that When the Whistle Blows is "sub Carry On".

Answer this question "Who does Millman feel interfered with his original ideas?"
output:
After being forced to collaborate and compromise many of his ideas with producers at the BBC, the show is transformed into lowest common denominator fare