input: French film historians rediscovered her films in the early 1950s, proclaiming her as an actress who surpassed even Marlene Dietrich and Greta Garbo as a film icon, much to her amusement. It would lead to the still ongoing Louise Brooks film revivals, and rehabilitated her reputation in her home country.  James Card, the film curator for the George Eastman House, discovered Brooks living as a recluse in New York City about this time, and persuaded her to move to Rochester, New York to be near the George Eastman House film collection. With his help, she became a noted film writer in her own right. A collection of her writings, Lulu in Hollywood, was published in 1982. She was profiled by the film writer Kenneth Tynan in his essay, "The Girl in The Black Helmet", the title of which was an allusion to her bobbed hair, worn since childhood, a hairstyle she helped popularize, along with earlier actresses such as Colleen Moore.  She rarely gave interviews, but had special relationships with film historians John Kobal and Kevin Brownlow. In the 1970s she was interviewed extensively, on film, for the documentaries Memories of Berlin: The Twilight of Weimar Culture (1976), produced and directed by Gary Conklin, and for the documentary series Hollywood (1980) by Brownlow and David Gill. Lulu in Berlin (1984) is another rare filmed interview, produced by Richard Leacock and Susan Woll, released a year before her death, but filmed a decade earlier. Author Tom Graves was allowed into Brooks' apartment for an interview in 1982, and later wrote about the at times awkward and tense conversation in his article "My Afternoon With Louise Brooks" that is the lead piece in his book Louise Brooks, Frank Zappa, & Other Charmers & Dreamers.

Answer this question "What led to Louise's rediscovery?"
output: French film historians rediscovered her films in the early 1950s, proclaiming her as an actress who surpassed even Marlene Dietrich and Greta Garbo as a film icon,

input: After City College, Salk enrolled in New York University to study medicine. According to Oshinsky, NYU based its modest reputation on famous alumni, such as Walter Reed, who helped conquer yellow fever. Tuition was "comparatively low, better still, it did not discriminate against Jews, ... while most of the surrounding medical schools--Cornell, Columbia, University of Pennsylvania, and Yale--had rigid quotas in place." Yale, for example, accepted 76 applicants, in 1935, out of a pool of 501. Although 200 of the applicants were Jewish, only five got in. During his years at New York University Medical School, Salk worked as a laboratory technician during the school year and as a camp counselor in the summer.  During Salk's medical studies, he stood out from his peers, according to Bookchin, "not just because of his continued academic prowess--he was Alpha Omega Alpha, the Phi Beta Kappa Society of medical education--but because he had decided he did not want to practice medicine." Instead, he became absorbed in research, even taking a year off to study biochemistry. He later focused more of his studies on bacteriology which had replaced medicine as his primary interest. He said his desire was to help humankind in general rather than single patients. "It was the laboratory work, in particular, that gave new direction to his life."  According to Salk: "My intention was to go to medical school, and then become a medical scientist. I did not intend to practice medicine, although in medical school, and in my internship, I did all the things that were necessary to qualify me in that regard. I had opportunities along the way to drop the idea of medicine and go into science. At one point at the end of my first year of medical school, I received an opportunity to spend a year in research and teaching in biochemistry, which I did. And at the end of that year, I was told that I could, if I wished, switch and get a Ph.D. in biochemistry, but my preference was to stay with medicine. And, I believe that this is all linked to my original ambition, or desire, which was to be of some help to humankind, so to speak, in a larger sense than just on a one-to-one basis."  Concerning his last year of medical school Salk says: "I had an opportunity to spend time in elective periods in my last year in medical school, in a laboratory that was involved in studies on influenza. The influenza virus had just been discovered about a few years before that. And, I saw the opportunity at that time to test the question as to whether we could destroy the virus infectivity and still immunize. And so, by carefully designed experiments, we found it was possible to do so."

Answer this question "what time period did he go there"
output: in 1935,

input: Deal became the bassist and backing vocalist for Pixies in January 1986, after answering an advertisement in the Boston Phoenix that said, ""Band seeks bassist into Husker Du and Peter, Paul and Mary. Please - no chops." Deal was the only person to call them, even though her main instrument was guitar. She borrowed her sister Kelley's bass guitar to use in the band. To complete the lineup, she suggested they hire David Lovering as drummer, a friend of her husband, whom she met at her wedding reception. For the release of the band's first recording Come on Pilgrim (1987), Deal used the nom de disque "Mrs. John Murphy" in the liner notes. She chose the name as an ironic feminist joke, after conversing with a lady who wished to be called only by her husband's name as a form of respect.  For Surfer Rosa (1988), Deal sang lead vocals on the album's only single, "Gigantic" ( sample ), which she co-wrote with Black Francis. Doolittle followed a year later, with Deal contributing the song "Silver" and appearing on slide guitar. By this time, however, tensions began to develop between her and Francis, with bickering and standoffs between the two marring the album's recording sessions. This led to increased stress between the band members. Murphy commented that during the sessions, it "went from just all fun to work". Exhaustion, from releasing three records in two years and constant touring, contributed to the friction, particularly between Francis and Deal.  The tension and exhaustion culminated at the end of the US "Fuck or Fight" tour, where they were too tired to attend the end-of-tour party. The band soon announced a hiatus.

Answer this question "What did this do"
output:
complete the lineup, she suggested they hire David Lovering as drummer, a friend of her husband, whom she met at her wedding reception.