input: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals.

Answer this question "What happened next in his career?"
output: Throughout much of the 1980s, Unger worked on his magnum opus, Politics:

input: In January 1985, two armed robbers broke into Drescher and Jacobson's Los Angeles apartment. While one ransacked their home, Drescher and a female friend were raped by the other at gunpoint. Jacobson was also physically attacked, tied up, and forced to witness the entire ordeal. It took Drescher many years to recover, and it took her even longer to tell her story to the press. She was paraphrased as saying in an interview with Larry King that although it was a traumatic experience, she found ways to turn it into something positive. In her book Cancer Schmancer, the actress writes: "My whole life has been about changing negatives into positives." Her rapist, who was on parole at the time of the crime, was returned to prison and given two life sentences.  After separating in 1996, Drescher and Jacobson divorced in 1999. They had no children. Drescher stated, "I would have been able to conceive but not hold on." Drescher has worked to support LGBT rights issues after her former husband came out. Drescher has stated that the primary reason for the divorce was her need to change directions in life. Drescher and Jacobson remain friends and business partners. She has stated that "we choose to be in each other's lives in any capacity. Our love is unique, rare, and unconditional; unless he's being annoying."  On September 7, 2014, Drescher and scientist and conservative politician Shiva Ayyadurai participated in a ceremony at Drescher's beach house. Both tweeted that they had married, and the event was widely reported as such. Ayyadurai later said it was not "a formal wedding or marriage", but a celebration of their "friendship in a spiritual ceremony with close friends and her family." The couple parted ways two years later.

Answer this question "Why did they part ways?"
output: ", but a celebration of their "friendship in a spiritual ceremony with close friends and her family."

input: Their next album, H2O, a very polished, synth-heavy effort, became the duo's most successful album, with US sales eventually approaching four million copies. H2O reached #3 on the Billboard album chart (where it held for 15 weeks) and spawned three Top 10 singles. "Maneater", the biggest hit of their career, reached Number 1 on December 18, 1982 and stayed there for four weeks.  The soulful ballad "One on One" and a cover of Mike Oldfield's "Family Man" reached Number 7 and Number 6 in March and June 1983, respectively.  According to John Oates, they recorded approximately 20 songs for the album, of which 9 didn't make the final cut. He went on to say they usually would have 5 or 6 tracks left over per album.  "One On One," with its clever mixed-metaphorical references to romance and basketball, was used in NBA commercials of the period. The commercial featured numerous players, including Hall of Famer James Worthy performing a 360-degree slow-motion lay-up during the saxophone solo.  For the H2O album, Hall and Oates made some permanent changes to their current band. Drummer Mickey Curry, who had appeared on some Private Eyes tracks, including the title song, replaced Jerry Marotta full-time. Bassist Tom "T-Bone" Wolk, who had mimed John Siegler's bass line in the "Private Eyes" video, replaced Siegler full-time. These two joined the band's holdovers--lead guitar player G.E. Smith, and saxophonist Charlie "Mr. Casual" DeChant. De Chant and Wolk continued to perform with the duo until Wolk's death in early 2010, while Curry returned for the Do It for Love sessions.

Answer this question "What else happened with this album?"
output:
The soulful ballad "One on One" and a cover of Mike Oldfield's "Family Man" reached Number 7 and Number 6 in March and June 1983, respectively.