IN: Michael Anthony Sobolewski (born June 20, 1954 and legally shortened his name to Michael Anthony in 1978), is an American musician who is currently the bass player in the rock supergroup Chickenfoot and the Circle. Anthony is best known as the former bass player for the hard rock band Van Halen. Anthony is known for his stage antics, his effects-laden live solos, his number of custom-made bass guitars, including a Jack Daniel's model shaped like a whiskey bottle, and his background vocals in Van Halen. He also has a signature Schecter Guitar Research bass-guitar series.

As early as 1996, rumors periodically surfaced that Anthony had been fired from Van Halen, despite claims to the contrary. He continued working with the band. These rumors persisted until his final departure after the 2004 reunion tour with Hagar.  Anthony's involvement in recording the 1998 album Van Halen III was dramatically less than previous albums. Anthony played bass on only three songs, with Eddie Van Halen playing the bass parts for the remainder. Anthony is credited as a songwriter for the album along with the rest of the band, as is always the case for Van Halen albums. Anthony performed with the band for the 1998 tour, and was credited on messages from the band thereafter. He participated in the band's three reunion efforts with David Lee Roth in 2000 and 2001. Anthony's name was also credited in a few band newsletters and appeared in band interviews during this time. Sometime after this, Anthony disappeared from public view until the 2004 reunion.  In interviews, Eddie and Alex Van Halen suggested they were jamming and writing/recording new material during this time period but appeared to be working without Anthony.  Anthony began periodic appearances with Sammy Hagar during his solo tours. He usually played as part of both the Waboritas and Los Tres Gusanos, two of Hagar's bands. During 2002's David Lee Roth/Sammy Hagar tour, both Michael Anthony and ex-Van Halen vocalist Gary Cherone made guest appearances at concerts, sometimes together.  In 2002, Anthony, Hagar, Neal Schon, Deen Castronovo, and Joe Satriani formed the "supergroup" Planet Us and Anthony began making more frequent performances at Sammy Hagar concerts. Planet Us recorded two songs, including "Psycho Vertigo," which was intended for the original Spider-Man soundtrack but ultimately did not make the album. That and the other Planet Us song written for the band, "Peephole," were later released on the 2008 Sammy Hagar solo album Cosmic Universal Fashion.
QUESTION: What were the rumors about?
IN: Rahul Bose was born to Rupen and Kumud Bose on 27 July 1967. He describes himself as "...half Bengali; one-fourth Punjabi and one-fourth Maharashtrian." Bose's first acting role was at age six when he played the lead in a school play, Tom, the Piper's Son.

Bose assisted in the relief efforts in the Andaman and Nicobar Islands after the 2004 Boxing Day tsunami. As a result of this work, Bose launched the Andaman and Nicobar Scholarship Initiative through his NGO, The Foundation. The scholarship program provides for the education of underprivileged children from the Andaman and Nicobar Islands.  Bose is associated with several charitable organizations such as Teach for India, Akshara Centre, Breakthrough, Citizens for Justice and Peace and the Spastics Society of India. He is closely associated with the Teach For India movement to eradicate inequity in education. In addition, he became the first Indian Oxfam global ambassador in 2007. He is the founder and chairman of The Group of Groups, an umbrella organisation for 51 Mumbai charitable organisations and NGOs. He is also an ambassador for the American India Foundation, the World Youth Peace Movement and Planet Alert. He was also a vocal proponent of Narmada Bachao Andolan and its efforts to halt the construction of the Narmada dam. He also recorded the Terre des hommes audio book Goodgoodi karna, gale lagana; Sparsh ke niyam sikhiye (English: Tickle and hugs: Learning the touching rules), which is designed to give children resources against sexual abuse.  Bose has given lectures on gender equality and human rights at Oxford and during the 2004 World Youth Peace Summit. In 2009, he toured Canada lecturing on global climate change under the auspices of Climate Action Network and demonstrated with protesters at the Copenhagen Climate Change Summit. In 2011, he worked in conjunction with Bhaichung Bhutia to raise funds for victims of the Sikkim earthquake.  At the 8th convocation of BRAC University Bangladesh on 17 February 2013, Bose delivered the convocation speech.
QUESTION: What was the scholarship for?
IN: The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential music band. Rooted in skiffle, beat and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways. In 1963 their enormous popularity first emerged as "Beatlemania"; as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's evolution into an art form and to the development of the counterculture of the 1960s.

Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.  In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.  During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated.
QUESTION:
What does this mean