Question:
Edward Wadie Said (Arabic: dwrd wdy` s`yd [waedi:? sae?i:d], Idward Wadi' Sa'id; 1 November 1935 - 25 September 2003) was a professor of literature at Columbia University, a public intellectual, and a founder of the academic field of postcolonial studies. A Palestinian American born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran.
Orientalism provoked much professional and personal criticism for Said among academics. Traditional Orientalists, such as Albert Hourani, Robert Graham Irwin, Nikki Keddie, Bernard Lewis, and Kanan Makiya, suffered negative consequences, because Orientalism affected public perception of their intellectual integrity and the quality of their Orientalist scholarship. The historian Keddie said that Said's critical work about the field of Orientalism had caused, in their academic disciplines:  Some unfortunate consequences ... I think that there has been a tendency in the Middle East [studies] field to adopt the word Orientalism as a generalized swear-word, essentially referring to people who take the "wrong" position on the Arab-Israeli dispute, or to people who are judged "too conservative." It has nothing to do with whether they are good or not good in their disciplines. So, Orientalism, for many people, is a word that substitutes for thought, and enables people to dismiss certain scholars and their works. I think that is too bad. It may not have been what Edward Said meant, at all, but the term has become a kind of slogan.  In Orientalism, Said described Bernard Lewis, the Anglo-American Orientalist, as "a perfect exemplification [of an] Establishment Orientalist [whose work] purports to be objective, liberal scholarship, but is, in reality, very close to being propaganda against his subject material."  Lewis responded with a harsh critique of Orientalism accusing Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving "free rein" to his biases.  Said retorted that in The Muslim Discovery of Europe (1982), Lewis responded to his thesis with the claim that the Western quest for knowledge about other societies was unique in its display of disinterested curiosity, which Muslims did not reciprocate towards Europe. Lewis was saying that "knowledge about Europe [was] the only acceptable criterion for true knowledge." The appearance of academic impartiality was part of Lewis's role as an academic authority for zealous "anti-Islamic, anti-Arab, Zionist, and Cold War crusades." Moreover, in the Afterword to the 1995 edition of the book, Said replied to Lewis's criticisms of the first edition of Orientalism (1978).
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What unfortunate consequences did Said's work cause?

Answer:
a tendency in the Middle East [studies] field to adopt the word Orientalism as a generalized swear-word, essentially referring to people who take the "wrong" position on the Arab-Israeli dispute,


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Patti Ann LuPone (born April 21, 1949) is an American actress and singer, best known for her work in stage musicals. She is a two-time Grammy Award winner and a two-time Tony Award winner. She is also a 2006 American Theater Hall of Fame inductee. LuPone began her professional career with The Acting Company in 1972 and made her Broadway debut in Three Sisters in 1973.
LuPone opposes recording, photographs, and other electronic distractions in live theatre. "Where's the elegance?" she asked in a blog post on her official site. "I mean, I'm glad they show up because God knows it's a dying art form and I guess I'm glad they're all comfortable, sleeping, eating and drinking, things they should be doing at home and in a restaurant. But it's just not done in the theater or shouldn't be." LuPone has been the subject of some controversy due to the bluntness of her statements regarding this matter.  A related incident occurred at the second to last performance of Gypsy on January 10, 2009. LuPone, irritated by flash photography, stopped in the middle of "Rose's Turn" and loudly demanded that the interloper be removed from the theatre. After he was removed, LuPone restarted her number. The audience applauded her stance. The event was recorded by another audience member, who released it on YouTube. She later stated that such distractions drive "people in the audience nuts. They can't concentrate on the stage if, in their peripheral vision, they're seeing texting, they're seeing cameras, they're listening to phone calls. How can we do our job if the audience is distracted?", and also mentioned that "the interesting thing is I'm not the first one that's done it".  On July 8, 2015, during the second act of Shows for Days at the Lincoln Center Theater, LuPone grabbed an audience member's cellphone while leaving the stage as the audience member had been using their phone during the play. It was returned after the show. LuPone stated:  We work hard on stage to create a world that is being totally destroyed by a few, rude, self-absorbed and inconsiderate audience members who are controlled by their phones. They cannot put them down. When a phone goes off or when a LED screen can be seen in the dark it ruins the experience for everyone else - the majority of the audience at that performance and the actors on stage. I am so defeated by this issue that I seriously question whether I want to work on stage anymore. Now I'm putting battle gear on over my costume to marshal the audience as well as perform.
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Why does she oppose recording?

Answer:
"Where's the elegance?"