Question:
Lilyan Tashman (October 23, 1896 - March 21, 1934) was an American vaudeville, Broadway, and film actress. Tashman was best known for her supporting roles as tongue-in-cheek villainesses and the vindictive "other woman." She made 66 films over the course of her Hollywood career and although she never obtained superstar status, her cinematic performances are described as "sharp, clever and have aged little over the decades." Tall, blonde, and slender with fox-like features and a throaty voice, Tashman freelanced as a fashion and artist's model in New York City.
In 1932, Tashman entered the hospital in New York City for an appendectomy that is now considered a concealment for abdominal cancer. She left the hospital thin and weak. Although she made five films in her last years, performing with her usual artistry and professionalism, she weakened significantly in the months following her hospitalization and her role in Riptide was trimmed because of her ever-worsening health.  In February 1934, she flew to New York City to film Frankie and Johnny for All Star Productions (released by Republic Pictures) but her condition necessitated a week of rest in Connecticut with Lowe. She resumed work in March, completing her film role on March 8 and then appearing at the Israel Orphan's Home benefit on March 10. When she entered the hospital for surgery on March 16, it was too late for the doctors to help her.  Tashman died of cancer at Doctor's Hospital in New York City on March 21, 1934 at the age of 37. Her funeral was held on March 22 in New York City synagogue Temple Emanu-El with Sophie Tucker, Mary Pickford, Fanny Brice, Cecil Beaton, Jack Benny, and other distinguished celebrities in attendance. Eddie Cantor delivered the eulogy. The burial in Brooklyn's Washington Cemetery attracted 10,000 fans, mourners, and curious onlookers; it became a near riot when people were injured and a gravestone was toppled. Tashman left no will, but the distribution of her $31,000 in cash and $121,000 in furs and jewels provoked contentious discussion among her husband and sisters, Hattie and Jennie. Her last film, Frankie and Johnny, was released posthumously in May 1936 with her role as Nellie Bly cut to a cameo.
Answer this question using a quote from the text above:

Was there anything else interesting surrounding her death?

Answer:
she flew to New York City to film Frankie and Johnny for All Star Productions (released by Republic Pictures) but her condition necessitated a week of rest

input: After Young Talent Time, Young continued in entertainment, he worked as a radio disc jockey and occasionally performed live. In 1999 he produced Cavalcade of Stars for Foxtel including repackaging segments of Young Talent Time and showcasing new Australian bands.  In December 2000, Young relocated to Perth to become the breakfast host on Perth AM station 6IX. During 2001 to 2004, he periodically performed with Rowe, Buddy England (ex-The Seekers, The Mixtures) and Marcie Jones (Marcie and The Cookies) as the 'Legends of Sixties Rock' at venues across Australia - all four had appeared on The Go-Show. While living in Perth, Young established a new outlet for his Johnny Young Talent School franchise. In 2001, the 30th anniversary of Young Talent Time was celebrated by Network Ten with a special documentary, Young Talent Time Tells All, which was followed on 4 November by a reunion party for former cast members. Young attended with his daughter Anna - who had appeared on the show. Back in Perth, Young hosted The Pet Show on ABC Television in 2006.  On 27 October 2010, Johnny Young was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame. On news of his impending induction Young said "I have always felt like the luckiest kid on the block to be able to continue working in the music industry for 50 years in so many areas when basically I am just a rock and roller. To receive this honour is the cherry on an amazing cake. I am very grateful to all those who supported and encouraged me." Young was inducted by Tina Arena, a former Young Talent Team member, who performed his song, "Here Comes the Star" as a musical tribute. Contemporary pop group, Short Stack performed Young's version of "Cara-Lyn"

Answer this question "Was his family ever a reason for a break"
output: 

Answer the question at the end by quoting:

Lyndon Baines Johnson (; August 27, 1908 - January 22, 1973), often referred to by his initials LBJ, was an American politician who served as the 36th President of the United States from 1963 to 1969, assuming the office after having served as the 37th Vice President of the United States from 1961 to 1963. A Democrat from Texas, he also served as a United States Representative and as the Majority Leader in the United States Senate. Johnson is one of only four people who have served in all four federal elected positions.
Johnson, whose own ticket out of poverty was a public education in Texas, fervently believed that education was a cure for ignorance and poverty, and was an essential component of the American dream, especially for minorities who endured poor facilities and tight-fisted budgets from local taxes. He made education the top priority of the Great Society agenda, with an emphasis on helping poor children. After the 1964 landslide brought in many new liberal Congressmen, LBJ launched a legislative effort which took the name of the Elementary and Secondary Education Act (ESEA) of 1965. The bill sought to double federal spending on education from $4 billion to $8 billion.; with considerable facilitating by the White House, it passed the House by a vote of 263 to 153 on March 26 and then it remarkably passed without change in the Senate, by 73 to 8, without going through the usual conference committee. This was an historic accomplishment by the president, with the billion dollar bill passing as introduced just 87 days before.  For the first time, large amounts of federal money went to public schools. In practice ESEA meant helping all public school districts, with more money going to districts that had large proportions of students from poor families (which included all the big cities). For the first time private schools (most of them Catholic schools in the inner cities) received services, such as library funding, comprising about 12 percent of the ESEA budget. Though federal funds were involved, they were administered by local officials, and by 1977 it was reported that less than half of the funds were actually applied toward the education of children under the poverty line. Dallek further reports that researchers cited by Hugh Davis Graham soon found that poverty had more to do with family background and neighborhood conditions than the quantity of education a child received. Early studies suggested initial improvements for poor children helped by ESEA reading and math programs, but later assessments indicated that benefits faded quickly and left pupils little better off than those not in the schemes. Johnson's second major education program was the Higher Education Act of 1965, which focused on funding for lower income students, including grants, work-study money, and government loans.  Although ESEA solidified Johnson's support among K-12 teachers' unions, neither the Higher Education Act nor the new endowments mollified the college professors and students growing increasingly uneasy with the war in Vietnam. In 1967, Johnson signed the Public Broadcasting Act to create educational television programs to supplement the broadcast networks.  In 1965, Johnson also set up the National Endowment for the Humanities and the National Endowment for the Arts, to support academic subjects such as literature, history, and law, and arts such as music, painting, and sculpture (as the WPA once did).

Did he pass any other BILL for education during this time frame?
In 1967, Johnson signed the Public Broadcasting Act