input: Longstanding rumors that the Giants engaged in systematic sign stealing during the second half of the 1951 season were confirmed in 2001. Several players told the Wall Street Journal that beginning on July 20, the team used a telescope, manned by coach Herman Franks in the Giants clubhouse behind center field, to steal the finger signals of opposing catchers. Stolen signs were relayed to the Giants dugout via a buzzer wire. Joshua Prager, the author of the Journal article, outlined the evidence in greater detail in a 2008 book.  Although Thomson always insisted that he had no foreknowledge of Branca's pitch, Sal Yvars told Prager that he relayed Rube Walker's fastball sign to Thomson. Branca was privately skeptical of Thomson's denials but made no public comment at the time. Later he told The New York Times, "I didn't want to diminish a legendary moment in baseball. And even if Bobby knew what was coming, he had to hit it.... Knowing the pitch doesn't always help." Whether the telescope-and-buzzer system contributed significantly to the Giants' late-season 37-7 win streak remains a subject of debate. Prager notes in his book that sign stealing was not specifically forbidden by MLB rules at the time and, moral issues aside, "...has been a part of baseball since its inception". Sign stealing using optical or other mechanical aids was outlawed by MLB in 1961.  Thomson however, late in his life, rebuked his prior claims of not receiving the sign on the Shot Heard 'Round the World, and admitted that the sign was received.

Answer this question "What was controversial about thomson?"
output: Although Thomson always insisted that he had no foreknowledge of Branca's pitch, Sal Yvars told Prager that he relayed Rube Walker's fastball sign to Thomson.

Problem: Background: Todd Bertuzzi (born February 2, 1975) is a Canadian retired professional ice hockey winger of the National Hockey League (NHL). Known as a power forward, he has played in the NHL for the New York Islanders, Vancouver Canucks, Florida Panthers, Anaheim Ducks, Calgary Flames and Detroit Red Wings. Selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft, he played at the junior level with the Guelph Storm of the Ontario Hockey League (OHL) for four seasons.
Context: Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros - a five-year, $6.7 million contract signed the previous summer.  During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4-4 tie with the Boston Bruins. Beginning the season on the team's top line with Zigmund Palffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995-96 and 1996-97.  Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996-97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997-98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics.  Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]."
Question: how did he mentor him?
Answer: 

Question: White was born Barry Eugene Carter in Galveston, Texas on September 12, 1944, and grew up in South Central Los Angeles. White was the older of two children. His brother Darryl was 13 months younger than Barry. He grew up listening to his mother's classical music collection and first took to the piano, emulating what he heard on the records.

White wanted to work with another act but decided to work with a solo male artist. While working on a few demos for a male singer, he made three song demos of himself singing and playing, but Nunes heard them and insisted that he re-record and release them himself as a solo recording artist. After arguing for days about it, White was finally persuaded to release the songs himself, although he was initially reluctant to step out in front of the microphone.  He then wrote several other songs and recorded them for what eventually became an entire album of music. He was going to use the name "White Heat," but decided on using his given name instead. White was still hesitating up to the time the label copy was made. It eventually became White's first solo album, 1973's I've Got So Much to Give. It included the title track and his first solo chart hit, "I'm Gonna Love You Just a Little More Baby", which also rose to #1 on the Billboard R&B charts as well as #3 on the Billboard Pop charts in 1973 and stayed in the top 40 for many weeks.  Other chart hits by White included "Never, Never Gonna Give You Up" (#2 R&B, #7 Pop in 1973), "Can't Get Enough of Your Love, Babe" (# 1 Pop and R&B in 1974), "You're the First, the Last, My Everything" (#1 R&B, #2 Pop in 1974), "What Am I Gonna Do with You" (#1 R&B, #8 Pop in 1975), "Let the Music Play" (#4 R&B in 1976), "It's Ecstasy When You Lay Down Next to Me" (#1 R&B, #4 Pop in 1977) and "Your Sweetness Is My Weakness" (#2 R&B in 1978) and others. White also had a strong following in the UK, where he scored five Top 10 hits and a #1 for "You're the First, the Last, My Everything".

Using a quote from the above article, answer the following question: Did he do any solo's?
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Answer:
White's first solo album, 1973's I've Got So Much to Give. It included the title track and his first solo chart hit,