IN: Katherine Anne "Kitty" Pryde is a fictional superhero appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. The character first appeared in Uncanny X-Men #129 (January 1980) and was co-created by writer-artist John Byrne and Chris Claremont. A mutant, Pryde possesses a "phasing" ability that allows her, as well as objects or people she is in contact with, to become intangible. This power also disrupts any electrical field she passes through, and lets her simulate levitation.

Kitty Pryde was introduced into the X-Men title as the result of an editorial dictate that the book was supposed to depict a school for mutants. Uncanny X-Men artist John Byrne named Kitty Pryde after a classmate he met in art school, Alberta College of Art and Design in Calgary in 1973. He had told Pryde he liked her name and asked for permission to use it, promising to name his first original comics character after her. Byrne drew the character to slightly resemble an adolescent Sigourney Weaver.  The fictional Kitty Pryde first appeared in Uncanny X-Men #129 (January 1980), by writer Chris Claremont and artist Byrne, as a highly intelligent 13-year-old girl. Claremont said several elements of the character's personality were derived from those of X-Men editor Louise Simonson's daughter, Julie. Claremont and Byrne made the new character a full-fledged X-Man in issue #139, where she was codenamed "Sprite". She was the main character in issues #141-142, the "Days of Future Past" storyline, where she is possessed by her older self, whose consciousness time travels to the past to prevent a mass extermination of mutants. The six-issue miniseries Kitty Pryde and Wolverine (1984-1985), written by Claremont, is a coming-of-age storyline in which she matures from a girl to a young woman, adopting the new name "Shadowcat".  In the late '80s, she joined the British-based super team, Excalibur, where she remained for roughly ten years before coming back to the X-Men. In the early 2000s, she disappeared from the spotlight after semi-retiring from superhero work. She was featured in the 2002 mini-series Mekanix and came back to the main X-Men books in 2004 under the pen of Joss Whedon in Astonishing X-Men. She remained a part of the X-Men books until 2008 when she left again for roughly 2 years. After coming back, she was featured in Jason Aaron's Wolverine and the X-Men and Brian Michael Bendis' All-New X-Men books.  In early 2015, she joined the Guardians of the Galaxy. After the Secret Wars event, she adopted her new alias, Star-Lord (first believed to be Star-Lady).  Shadowcat's popularity had a profound effect on the real-life Kitty Pryde: the latter became so overwhelmed by attention from Shadowcat fans, she abbreviated her name to K.D. Pryde to avoid association with her fictional counterpart. She has since stated she has mixed feelings about her fame, saying she values Byrne's comics for their entertainment and artistic value, but wishes more people would appreciate her as more than just Shadowcat's namesake.
QUESTION: Who introduced the character Kitty Pryde?
IN: Blanc was born in San Francisco, California to Russian-Jewish parents Frederick and Eva Blank, the younger of two children. He grew up in the neighborhood of Western Addition in San Francisco, and later in Portland, Oregon, where he attended Lincoln High School. Growing up, he had a fondness for voices and dialect which he began voicing at the age of 10. He claimed that he changed the spelling of his name when he was 16, from "Blank" to "Blanc", because a teacher told him that he would amount to nothing and be like his name, a "blank".

Blanc began his radio career at the age of 19 in 1927, when he made his acting debut on the KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. He moved to Los Angeles in 1932, where he met Estelle Rosenbaum (1909-2003), whom he married a year later, before returning to Portland. He moved to KEX in 1933 to produce and co-host his Cobweb and Nuts show with his wife Estelle, which debuted on June 15. The program played Monday through Saturday from 11:00 pm to midnight, and by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm.  With his wife's encouragement, Blanc returned to Los Angeles and joined Warner Bros.-owned KFWB in Hollywood in 1935. He joined The Johnny Murray Show, but the following year switched to CBS Radio and The Joe Penner Show.  Blanc was a regular on the NBC Red Network show The Jack Benny Program in various roles, including voicing Benny's Maxwell automobile (in desperate need of a tune-up), violin teacher Professor LeBlanc, Polly the Parrot, Benny's pet polar bear Carmichael, the tormented department store clerk, and the train announcer. The first role came from a mishap when the recording of the automobile's sounds failed to play on cue, prompting Blanc to take the microphone and improvise the sounds himself. The audience reacted so positively that Benny decided to dispense with the recording altogether and have Blanc continue in that role. One of Blanc's most memorable characters from Benny's radio (and later TV) programs was "Sy, the Little Mexican", who spoke one word at a time. The famous "Si ... Sy ... Sue ... sew" routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny. Blanc continued to work with him on radio until the series ended in 1955 and followed the program into television from Benny's 1950 debut episode through guest spots on NBC specials in the 1970s. They last appeared together on a Johnny Carson Tonight Show in January 1974. A few months later, Blanc spoke highly of Benny on a Tom Snyder Tomorrow show special aired the night of the comedian's death.  By 1946, Blanc appeared on over 15 radio programs in supporting roles. His success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946, to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, as well as his young cousin Zookie.  Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen, and as August Moon on Point Sublime. During World War II, he appeared as Private Sad Sack on various radio shows, including G.I. Journal. Blanc recorded a song titled "Big Bear Lake".
QUESTION:
Did he have his own radio show?