input: In November 1985, Spacemen 3 played a gig at a leisure centre in Coventry to an audience of fewer than ten people. Nevertheless, encouraged by the support of Pat Fish, they determined that they ought to record a new demo tape. By this time they had reconfigured and honed their musical style, and their repertoire consisted of newer songs and re-worked older ones. "The band's sound had crystallised into the intense, hypnotic, overloaded psychedelia which characterised their early [record] output, and which would serve as a template for their live act throughout their existence" (Ian Edmond, Record Collector).  At Pierce's instigation, Pete Bain rejoined the band on bass in order to fill out their sound. Despite being a 4-piece again, they would retain the name 'Spacemen 3'. Kember and Pierce opted to upgrade their guitar equipment ahead of recording the new demos. Kember purchased a Burns Jazz electric guitar and 1960s Vox Conqueror amplifier; whilst Pierce bought a Fender Telecaster and a 1970s HH amplifier. Both of their new amplifiers included distortion/fuzz and tremolo; these two effects were key components of Spacemen 3's signature sound.  In January 1986, Spacemen 3 attended the home studio of Carlo Marocco at Piddington, outside Northampton, to record their new demo tape. They spent three-and-a-half days at the 16-track studio. Recording live as a group, with minimal overdubs, they managed to get demos for approximately seven songs. Kember and Pierce handled the production. These "fine set of performances" (Ned Raggett, AllMusic) would later be unofficially released as the vinyl album Taking Drugs to Make Music to Take Drugs To on the Father Yod label in 1990 (albeit described incorrectly as "rehearsals in Rugby").  Spacemen 3 managed to obtain a record deal shortly after producing their new demos. Pat Fish had given a copy of the demo tape to Dave Barker, the owner of the independent record label Glass Records, to whom Fish's band The Jazz Butcher were signed. Spacemen 3 signed a three-year, two-album recording contract with Glass Records in early 1986.

Answer this question "Is there anything else?"
output: They spent three-and-a-half days at the 16-track studio. Recording live as a group, with minimal overdubs,

input: Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC Radio in 1950, featuring his trio (himself, Ford and rhythm player Eddie Stapleton) and his electronics, recorded from their home and with gentle humor between Paul and Ford bridging musical selections, some of which had already been successful on records, some of which anticipated the couple's recordings, and many of which presented re-interpretations of such jazz and pop selections as "In the Mood", "Little Rock Getaway", "Brazil", and "Tiger Rag". Over ten of these shows survive among old-time radio collectors today.  The show also appeared on television a few years later with the same format, but excluding the trio and retitled The Les Paul & Mary Ford Show (also known as Les Paul & Mary Ford at Home) with "Vaya Con Dios" as the theme song. Sponsored by Warner-Lambert's Listerine mouthwash, it was aired on NBC television during 1954-1955, and then syndicated until 1960. The show aired five times a day, five days a week for only five minutes (one or two songs) long, and therefore was used as a brief interlude or fill-in in programming schedules. Since Paul created the entire show himself, including audio and video, he maintained the original recordings and was in the process of restoring them to current quality standards until his death.  During his radio shows, Paul introduced the fictional "Les Paulverizer" device, which multiplies anything fed into it, such as a guitar sound or a voice. It was Paul's way of explaining how his single guitar could be multiplied to become a group of guitars. The device even became the subject of comedy, with Ford multiplying herself and her vacuum cleaner with it so she could finish the housework faster. Later, Paul created a real Les Paulverizer that he attached to his guitar. The invention allowed Paul to access pre-recorded layers of songs during live performances so he could replicate his recorded sound on stage.

Answer this question "What was his first radio show?"
output: Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC

input: In 1887, eighteen years after the rift formed in the American women's rights movement, Stone proposed a merger of the two groups. Plans were drawn up, and, at their annual meetings, propositions were heard and voted on, then passed to the other group for evaluation. By 1890, the organizations resolved their differences and merged to form the National American Woman Suffrage Association (NAWSA). Stone was too weak with heart problems and respiratory illness to attend its first convention but was elected chair of the executive committee. Stanton was president of the new organization, but Anthony, who had the title of vice president, was its leader in practice.  Starting early in January, 1891, Carrie Chapman Catt visited Stone repeatedly at Pope's Hill, for the purpose of learning from Stone about the ways of political organizing. Stone had previously met Catt at an Iowa state woman's suffrage convention in October, 1889, and had been impressed at her ambition and sense of presence, saying "Mrs. Chapman will be heard from yet in this movement." Stone mentored Catt the rest of that winter, giving her a wealth of information about lobbying techniques and fund-raising. Catt later used the teaching to good effect in leading the final drive to gain women the vote in 1920.  Catt, Stone and Blackwell went together to the January, 1892 NAWSA convention in Washington, DC. Along with Isabella Beecher Hooker, Stone, Stanton and Anthony, the "triumvirate" of women's suffrage, were called away from the convention's opening hours by an unexpected woman suffrage hearing before the United States House Committee on the Judiciary. Stone told the assembled congressmen "I come before this committee with the sense which I always feel, that we are handicapped as women in what we try to do for ourselves by the single fact that we have no vote. This cheapens us. You do not care so much for us as if we had votes..." Stone argued that men should work to pass laws for equality in property rights between the sexes. Stone demanded an eradication of coverture, the folding of a wife's property into that of her husband. Stone's impromptu speech paled in comparison to Stanton's brilliant outpouring which preceded hers. Stone later published Stanton's speech in its entirety in the Woman's Journal as "Solitude of Self". Back at the NAWSA convention, Anthony was elected president, with Stanton and Stone becoming honorary presidents.

Answer this question "Where or when was the suffrage hearing?"
output:
1892