input: Born in Morrinsville, New Zealand, to a family of English and Welsh descent, Money initially studied psychology at Victoria University of Wellington, graduating with a double master's degree in psychology and education in 1944. Money was a junior member of the psychology faculty at the University of Otago in Dunedin, but in 1947, at the age of 26, he emigrated to the United States to study at the Psychiatric Institute of the University of Pittsburgh. He left Pittsburgh and earned his PhD from Harvard University in 1952. He was married briefly in the 1950s but had no children.  Money proposed and developed several theories and related terminology, including gender identity, gender role, gender-identity/role, and lovemap. He coined the term paraphilia (appearing in the DSM-III) to replace perversions and introduced the term sexual orientation in place of sexual preference, arguing that attraction is not necessarily a matter of free choice. Money was a professor of pediatrics and medical psychology at Johns Hopkins University from 1951 until his death. He also established the Johns Hopkins Gender Identity Clinic in 1965 along with Claude Migeon who was the head of plastic surgery at Johns Hopkins. The hospital began performing sexual reassignment surgery in 1966. At Johns Hopkins, Money was also involved with the Sexual Behaviors Unit, which ran studies on sex-reassignment surgery. He received the Magnus Hirschfeld Medal in 2002 from the German Society for Social-Scientific Sexuality Research.  Money was an early supporter of New Zealand's arts, both literary and visual. He was a noted friend and supporter of author Janet Frame. In 2002, as his Parkinson's disease worsened, Money donated a substantial portion of his art collection to the Eastern Southland Art Gallery in Gore, New Zealand. In 2003, the New Zealand Prime Minister, Helen Clark, opened the John Money wing at the Eastern Southland Gallery.  Money died 7 July 2006, one day before his 85th birthday, in Towson, Maryland, of complications from Parkinson's disease.

Answer this question "did he use his degree?"
output: Money proposed and developed several theories and related terminology, including gender identity, gender role, gender-identity/role, and lovemap.

input: Filming began in June 1990 and took eight weeks (a third less time than required by Miller's Crossing), and the estimated final budget for the film was US$9 million. The Coens worked well with Deakins, and they easily translated their ideas for each scene onto film. "There was only one moment we surprised him," Joel Coen recalled later. An extended scene called for a tracking shot out of the bedroom and into a sink drain "plug hole" in the adjacent bathroom as a symbol of sexual intercourse. "The shot was a lot of fun and we had a great time working out how to do it," Joel said. "After that, every time we asked Roger to do something difficult, he would raise an eyebrow and say, 'Don't be having me track down any plug-holes now.'"  Three weeks of filming were spent in the Hotel Earle, a set created by art director Dennis Gassner. The film's climax required a huge spreading fire in the hotel's hallway, which the Coens originally planned to add digitally in post-production. When they decided to use real flames, however, the crew built a large alternate set in an abandoned aircraft hangar at Long Beach. A series of gas jets were installed behind the hallway, and the wallpaper was perforated for easy penetration. As Goodman ran through the hallway, a man on an overhead catwalk opened each jet, giving the impression of a fire racing ahead of Charlie. Each take required a rebuild of the apparatus, and a second hallway (sans fire) stood ready nearby for filming pick-up shots between takes. The final scene was shot near Zuma Beach, as was the image of a wave crashing against a rock.  The Coens edited the film themselves, as is their custom. "We prefer a hands-on approach," Joel explained in 1996, "rather than sitting next to someone and telling them what to cut." Because of rules for membership in film production guilds, they are required to use a pseudonym; "Roderick Jaynes" is credited with editing Barton Fink. Only a few filmed scenes were removed from the final cut, including a transition scene to show Barton's movement from New York to Hollywood. (In the film, this is shown enigmatically with a wave crashing against a rock.) Several scenes representing work in Hollywood studios were also filmed, but edited out because they were "too conventional".

Answer this question "Was that a new thing for them?"
output: "The shot was a lot of fun and we had a great time working out how to do it," Joel said. "

input: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial.

Answer this question "Did they found him guilty ?"
output:
The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped.