Problem: Background: Steeleye Span are an English folk rock band formed in 1969. Still active today, along with Fairport Convention, they are amongst the best known acts of the British folk revival, and were among the most commercially successful, thanks to their hit singles "Gaudete" and "All Around My Hat". They had four Top 40 albums and achieved a certified gold record with sales of "All Around My Hat". Throughout their history, Steeleye Span have seen many personnel changes.
Context: For much of the 1980s, the members of the band tended to focus on outside projects of various sorts. Johnson opened a restaurant and then studied for a degree in psychology at the University of Hertfordshire. Pegrum ran a music studio. Prior and Kemp devoted much energy to their own band (The Maddy Prior Band; see Maddy Prior (solo albums)), recording 4 albums, and also had children together. The result was that the band's output dropped sharply, producing only three albums over the space of ten years (including a concert album), although the band continued touring.  After a quiet spell, the group's 12th studio album (and first without Tim Hart) Back in Line was released on the Flutterby label in 1986. With no "relaunch" as such, the band retained a low profile, although their recording of "Blackleg Miner" (previously an obscure song from an 1844 strike) became a political anthem for the NUM during the miners' strike of 1984-5 and was used to intimidate working miners. Steeleye Span continued to perform the song live and included a different version on their 1986 release Back in Line, which put greater stress on the line that threatens death against blacklegs.  In 1989, two long-term members departed. One was bassist Rick Kemp, who needed to recover from a serious shoulder injury, exacerbated by playing bass on stage. His eventual replacement (after two tours, each with a different bassist) was Tim Harries, who was brought in less than two weeks before the band was scheduled to start a tour. A friend of Pegrum's, Harries was a self-taught rock bassist, as well as a classically trained pianist and double bassist. With Harries on board, Steeleye released Tempted and Tried (1989), an album that formed the basis for their live set for many years to come.  Not long after recording Tempted, drummer Nigel Pegrum emigrated to Australia for personal relationship reasons. He was replaced by eccentric drummer Liam Genockey of Gillan, easily identified by his long, plaited beard. He and Knight were simultaneously members of "Moire Music", a free-jazz band with a classical flavour, led by Trevor Watts. Unlike Pegrum, who employed a traditional rock drumming style, Genockey favoured a more varied drumming style, influenced by both Irish and African drumming, in which he hit, brushed, and rubbed the various surfaces of his drums and cymbals, creating a more varied range of sounds. Consequently, when the band embarked on their 20th Anniversary Tour, they did so with a totally new rhythm section.  Both Harries and Genockey were interested in experimenting with the band's sound, and they helped re-energise the other members' interest in Steeleye. The band began reworking some of their earlier material, seeking new approaches to traditional favourites. For example, Johnson experimented with an arrangement of "Tam Lin" that involved a heavy Bulgarian influence, inspired by Eastern European versions of the Tam Lin legend. In 1992, the band released Tonight's the Night...Live, which demonstrates some of this new energy and direction. The band continued to tour the UK every year, and frequently toured overseas as well.
Question: what was the name of an album produced during this time?
Answer: Back in Line

Problem: Background: "Ode to Billie Joe" is a 1967 song written and recorded by Bobbie Gentry, a singer-songwriter from Chickasaw County, Mississippi. The single, released in late July, was a number-one hit in the United States, and became a big international seller. Billboard ranked the record as the No. 3 song for 1967 (the other two were #2 "The Letter" by the Box Tops and #1 "To Sir With Love" by Lulu). The song is ranked #412 on Rolling Stone's list of "the 500 Greatest Songs of All Time" and at #144 in Pitchfork's 200 Best Songs of the 1960s.
Context: The song is a first-person narrative to "sparse"  musical accompaniment. It reveals a tale, mostly in the form of brief dialog extracts by the narrator's family at dinnertime, on the day that a local boy - and apparently friend of the narrator - jumped to his death from a nearby bridge. Throughout the song, the suicide and other tragedies are contrasted against the banality of everyday routine and polite conversation. The final verse conveys the quick passage of events and other deaths in a year's time.  The song begins with the narrator, her brother and her father returning, after agricultural morning chores, to the family house for dinner (on June 3). After cautioning them about tracking in dirt, "Mama" says that she "got some news this mornin' from Choctaw Ridge" that "Billie Joe McAllister jumped off the Tallahatchie Bridge".  At the dinner table, the narrator's father appears unmoved and almost dismissive; he comments that "Billie Joe never had a lick o' [meaning, any] sense", and asks for the biscuits to be passed to him, and comments that he has "five more acres in the lower forty" to plow. Her brother seems somewhat taken aback ("I saw him at the sawmill yesterday ... And now you tell me Billie Joe has jumped off the Tallahatchie Bridge"), but follows the comment by asking for a second slice of pie. He recalls a prank that he and his friends played on the narrator, and that he saw her and Billie Joe talking after church a few days previously.  The only person who seems genuinely upset is the narrator. Her mother - who eventually notices the narrator's abrupt and complete change of mood at the news - seems unable to realize she is affected by the news ("Child, what's happened to your appetite? I been cookin' all mornin' and you haven't touched a single bite"). She shares other news instead, that a local preacher visited earlier in the day, and almost as an aside, that the preacher had mentioned seeing Billie Joe and a girl who looked very much like the narrator herself "throwin' somethin' off the Tallahatchie Bridge" - the object they were throwing is not identified. But again, the narrator's mother fails to connect this in any way to her daughter's emotional distress.  In the song's final verse, a year has passed, and brought more harm and pain. The narrator's brother has married Becky Thompson, but they have moved away to another town ("bought a store in Tupelo"). Their father died from an unspecified viral infection, and their mother has been depressed and despondent, and "doesn't seem to wanna do much of anything". The narrator is also affected by the malaise; the main change she describes in her own life, is that she often visits Choctaw Ridge and picks flowers there to drop from the Tallahatchie Bridge into the murky waters of the river where Billy Joe jumped to his death.
Question: What does her mother do?
Answer:
She shares other news instead, that a local preacher visited earlier in the day, and almost as an aside,