Background: The Moody Blues are an English rock band formed in Birmingham, England in 1964. They first came to prominence playing rhythm and blues music, but their second album, Days of Future Passed, which was released in 1967, was a fusion of rock with classical music and established them as pioneers in the development of art rock and progressive rock. It has been described as a "landmark" and "one of the first successful concept albums". The band became known internationally with singles including "Go Now", "Nights in White Satin", "Tuesday Afternoon", and "Question".
Context: In the spring of 1974, after completing a vast world tour that culminated with a tour of Asia, the group took an extended break, erroneously reported as a break-up at the time, because of the other band members feeling exhausted and overshadowed (this was said by Hayward in the final issue of Higher & Higher magazine 2006). Although the band had typically featured four lead vocalists (with Edge also contributing vocally), Hayward was the principal guitarist/vocalist whilst Pinder was considered to be the person most responsible for their symphonic sound, arrangements, and overall conceptual direction. Pinder and Thomas also doubled as the Moodies' onstage MCs (as the 1969 "Caught Live + 5" album displayed).  Before the band's 1973-74 world tour (their last with Pinder), Hayward wrote a song called "Island" with the intention of including it on a potential follow-up album, which the Moodies recorded in 1973 before ultimately going their separate ways. An additional cause of the hiatus were the long tours that had by this time strained Pinder, who needed a rest. In 1974 the band oversaw preparation of the compilation album This Is The Moody Blues which was released that year.  Hayward and Lodge released a duo album, the very successful Blue Jays (1975), and a UK chart single, "Blue Guitar" (no. 8), which was credited to Hayward and Lodge even though it was just Hayward with 10cc backing him. The album had originally been a projected liaison between Hayward and Pinder, but after Pinder dropped out, John Lodge stepped in. (Tony Clarke produced it.) The members then released solo albums. Pinder said he hoped to get the band back together that year. "Having moved to California in 1974, I returned to Britain for a visit in summer 1975. I was trying to get the band to do an album, but the response was so weak I returned to California with my two new Mk5 mellotrons and began work on my solo album The Promise." Edge produced two albums with guitarist Adrian Gurvitz, Kick Off Your Muddy Boots (1975) and Paradise Ballroom (1976); Hayward composed the acoustically textured Songwriter (1977), which was followed up in later years by Night Flight (1980), Moving Mountains (1985), (which Hayward dedicated to Peter Knight) Classic Blue (1989), The View From The Hill (1996) and Live in San Juan Capistrano (1998); Lodge released Natural Avenue (1977); Pinder produced The Promise (1976); and Thomas collaborated on two projects with songwriter Nicky James, producing From Mighty Oaks (1975) and Hopes, Wishes and Dreams (1976).
Question: Did the band split up during this time?
Answer: In the spring of 1974, after completing a vast world tour that culminated with a tour of Asia, the group took an extended break,

Problem: Background: Thomas Wesley Pentz (born November 10, 1978), better known by his stage name Diplo, is an American DJ, record producer, rapper and songwriter based in Los Angeles, California. He is the co-creator and lead member of the electronic dancehall music project Major Lazer, and along with producer and DJ Skrillex, part of the electronic duo Jack U. He founded and manages record company Mad Decent, as well as co-founding the non-profit organization Heads Decent. Among other jobs, he has worked as a school teacher in Philadelphia.
Context: Diplo was born on November 10, 1978, in Tupelo, Mississippi, the son of Barbara Jean (nee Cox) and Thomas Pentz. He is of German and English descent. The influence of home-grown rap played a key role in helping shape his production style. He spent the majority of his youth in Miami, where he got a taste for the characteristic Miami bass. He began attending the University of Central Florida in 1997, and then moved to Philadelphia to continue his studies at Temple University, where he first garnered attention as a DJ. After frequently running into fellow DJ Low Budget, the two began throwing parties under the Hooked on Hollertronix moniker in 2003 as a way of maintaining control of what they were able to play during DJ gigs in Philadelphia. The success of these parties allowed the two to release mixtapes, both separate and together, gathering acclaim across the country. One such mixtape, Never Scared, was named one of the New York Times top ten albums of 2003, and the Hollertronix name became synonymous with parties featuring guests like Maluca Mala, Bun B, Spank Rock, M.I.A., among others. Hollertronix's sound has been described as "disparate genres to be smashed together for maximum attention-grabbing impact" an aesthetic which takes from the "organic, cohesive, whole" aesthetic of acts such as Bun B, Lil Jon, Drama, M.I.A., Bjork, Busta Rhymes, and others.  Diplo accentuated the club aesthetic of his Hollertronix music for a more reflective sound on his solo debut, Florida, which was released on the Ninja Tune imprint, Big Dada Records. The album Florida was pressed twice, first with a CD and the second with a CD and DVD. The DVD was created by System D-128, another artist who has collaborated with Diplo on some audio and video projects. Before Florida's DVD accompaniment, another DVD surfaced called Diplo: "Banned in Libya" which was released by Money Studies, the first label to release a solo project by Diplo under his original DJ name Diplodocus. It was a 45 rpm record called "Thingamajawn" for which there is also a music video System D-128 directed. Similar to the Florida DVD, "Banned in Libya" is an experimental audio and video mix of some of Diplo's original music blended with a number of other unidentified sources. His particular affinity for one genre of music called baile funk, or favela funk, would spawn a series of mixtapes (Favela on Blast, Favela Strikes Back), which served to bring the Brazilian dance music of the ghettos to the United States.  It was not long before his Hooked on Hollertronix parties would provide him the success necessary to move to the next logical step and build a studio where music would become his full-time focus. With this goal in mind, Diplo built "The Mausoleum," a video studio, recording studio, record label office, gallery, and event space in Philadelphia. Since its inception, The Mausoleum has become the home to recordings by artists like Christina Aguilera, Shakira, M.I.A., Santigold, Spank Rock, Plastic Little, Blaqstarr, Paper Route Gangstaz, and hosted concerts by Glass Candy, Skream, Boys Noize, Nicos Gun, and more.
Question: When did he get his big break?
Answer:
It was not long before his Hooked on Hollertronix parties would provide him the success necessary to move to the next logical step and build a studio