input: Steve Winwood left to form Traffic in 1967; his brother, Muff, moved into the music industry as A&R man at Island Records. In a joint venture the soundtrack to the film Here We Go Round the Mulberry Bush featured both the Spencer Davis Group and Traffic. After the Winwoods' departures, the Spencer Davis Group regrouped with the addition of guitarist Phil Sawyer (ex-Les Fleur de Lys) and keyboardist/vocalist Eddie Hardin (ex-A Wild Uncertainty). This line-up recorded several tunes for Here We Go Round The Mulberry Bush and released the "Time Seller" single in July 1967; the b-side, "Don't Want You No More," also received radio airplay.  This was followed by "Mr. Second-Class" in late 1967, which received heavy airplay on Radio Caroline (at that time one of the two remaining pirate radio ships off the British coast), and the album "With Their New Face On" in 1968. At that time Ray Fenwick had replaced Phil Sawyer. The group's last minor hit, "After Tea", was released at the same time by the German band The Rattles, providing competition that led finally to a temporary stop to all activities of the band. The song was originally recorded by the Dutch group After Tea, which included guitarist/singer Fenwick amongst its members.  After one further single ("Short Change"), at that time Eddie Hardin and Pete York had left to form the duo Hardin & York. They were replaced by future Elton John Band member Dee Murray on bass and Dave Hynes on drums. Nigel Olsson replaced Hynes, and this lineup produced the album "Funky" in 1969 (only released in the USA on DATE, a sub-label of CBS) before splintering.

Answer this question "When did the group break up?"
output: Steve Winwood left to form Traffic in 1967;

input: Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting.  After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'."  Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead.  In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.

Answer this question "Did he stay with that group long?"
output:
Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures.