Background: Giuseppe Fortunino Francesco Verdi (Italian: [dZu'zeppe 'verdi]; 9 or 10 October 1813 - 27 January 1901) was an Italian opera composer. He was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini, whose works significantly influenced him. By his 30s, he had become one of the pre-eminent opera composers in history.
Context: The writer Friedrich Schiller (four of whose plays were adapted as operas by Verdi) distinguished two types of artist in his 1795 essay On Naive and Sentimental Poetry. The philosopher Isaiah Berlin ranked Verdi in the 'naive' category--"They are not...self-conscious. They do not...stand aside to contemplate their creations and express their own feelings....They are able...if they have genius, to embody their vision fully." (The 'sentimentals' seek to recreate nature and natural feelings on their own terms--Berlin instances Wagner--"offering not peace, but a sword.") Verdi's operas are not written according to an aesthetic theory, or with a purpose to change the tastes of their audiences. In conversation with a German visitor in 1887 he is recorded as saying that, whilst "there was much to be admired in [Wagner's operas] Tannhauser and Lohengrin...in his recent operas [Wagner] seemed to be overstepping the bounds of what can be expressed in music. For him "philosophical" music was incomprehensible." Although Verdi's works belong, as Rosselli admits "to the most artificial of genres...[they] ring emotionally true: truth and directness make them exciting, often hugely so."  That is not to say his operas did not come as great innovations. What sounds to a modern listener as derivative of the bel canto, his first major success, Nabucco, came as a something entirely new. Never before had opera been so harmonically complex and direct. No longer was there the empty vocal display of the bel canto period composers. Granted, there is a significant amount of vocal fireworks, but they exist for the purpose of drama, not to show off singers. Aside from this, his use of the chorus was entirely new. Before Nabucco, an opera's chorus was limited to be only a background voice, another instrument. In Nabucco, this is abolished; he uses the chorus as character, to show the suffering and consensus of the people. The famous "Va, pensiero" is an example of this.  The first of his "big three" operas, Rigoletto, followed by La Traviata, and ending with Il Trovatore, also was revolutionary. In a letter to Rigoletto's librettist, Francesco Maria Piave, he says, "I conceived Rigoletto almost without arias, without finales but only an unending string of duets." And that it is. Rigoletto is one of, if not the earliest operas to abandon the traditional distinction between the sung aria, and the more speech-like recitative.  After these three operas, his works took an increasing amount of time to finish, were significantly longer, and more masterfully orchestrated.
Question: Was his work well received?
Answer: 

Problem: Background: Javier Adelmar Zanetti was born in Buenos Aires with Italian origins to working-class parents and grew up in the harbour area in the Dock Sud district, one of the city's most notorious areas. His father Rodolfo was a bricklayer and his mother Violeta Bonnazola was a cleaner. He began playing football on a field in the city suburbs, maintaining the pitch in his spare time. When he was a teenager, he tried out for local club Independiente's youth academy but was ultimately rejected and told that he lacked the physique to succeed in the game.
Context: After the arrival of Maicon at the beginning of the 2006-07 season, Zanetti was moved from the right-back position into midfield. He ended a four-year goal drought when he scored on 5 November 2006 at a home match against Ascoli, having previously scored on 6 November 2002 at an away match against Empoli. On 27 September 2006, against Bayern Munich, Zanetti played his 500th professional match for Inter and on 22 November 2006, he appeared in his 100th UEFA match, against Sporting Clube de Portugal.  Zanetti celebrated his 600th match for Inter on 24 September 2008 with a 1-0 win over newly promoted Lecce. Minutes before the match, he was presented with a commemorative plate by former vice-captain Ivan Cordoba to mark the occasion.  Though Zanetti is more often classified as a defender, he played mostly in midfield during the first half of the 2008-09 season. For the last several weeks of October 2008, with Inter coach Jose Mourinho facing a midfield crisis due to injuries to key midfielders Esteban Cambiasso and Sulley Muntari, he was moved again to the midfield for the matches against Genoa and Fiorentina. During that period, Mourinho played him in the midfield due to the presence of Maicon, Lucio, Walter Samuel and Cristian Chivu in the back four.  The 2009-10 season began well for Zanetti and Inter, especially after a 4-0 thrashing of crosstown rivals Milan in the Derby della Madonnina. In the match against Genoa on 17 October, he started off the counter-attack that led to Inter's second goal after dispossessing a Genoa player. Inter became the first team of the season to win by a five-goal margin. On 24 October, he reached Giacinto Facchetti's record of 476 Serie A appearances when he turned out for the match against Catania, which ended in a 2-1 win for the Nerazzurri. He also currently holds a club record of 149 consecutive appearances.  Inter won the 2010 Champions League final 2-0 against Bayern Munich on 22 May 2010. This was Zanetti's 700th appearance for Inter, and it made him the first player to captain an Italian club to a treble of the Scudetto, Coppa Italia and Champions League.
Question: who did they beat by 5 goals
Answer:
The 2009-10 season began well for Zanetti and Inter, especially after a 4-0 thrashing of crosstown rivals Milan in