Born as Paul Charles Caravello on July 12, 1950, to Albert and Connie Caravello, Carr was of Italian descent. He grew up in the Brownsville section of Brooklyn in New York City. Because his father worked most of the time, Carr didn't see that much of him, and "never went to a baseball game or that kind of stuff" with his father. He spent a lot of time alone in his room, playing with toy soldiers and toy monsters.

Caravello applied for Kiss, submitting a cassette tape of Kiss' current single "Shandi" but with his vocals over the music instead of Paul Stanley's vocals. "It sounded great!" he enthused years later. The application was put into a bright orange folder to make it stand out visually. Jane Grod, a KISS staffer, told him later she had noticed the brightly colored envelope and so picked it to be one reviewed from the pile.  While sitting outside the actual room used for the audition, Caravello watched the three members of Kiss -- Ace Frehley, Gene Simmons and Stanley -- walk by to enter the room. He was one of the few people outside of the band's circle of friends, family and music business partners, to see Kiss without make-up. "Paul, I knew right away", he told a fanzine in 1990. "The others I wasn't sure about."  Caravello was the last drummer to audition for the band and actually asked Stanley, Simmons and Frehley to autograph the list of Kiss songs he was to play with the band, in case he never saw them again. "But I knew I had it", he told a fanzine in 1990. According to Caravello, his audition was videotaped. He was also immediately comfortable, feeling the songs he had to play "...were a snap." He knew the arrangements better than the band did, from learning the recorded versions off Kiss' albums. "They had been on tour, and changed little things around," he said. He wasn't impressed with Kiss' performance at the audition. "They were awful!" he emphasized, "I had to remind them, "'No, I sing this harmony, you sing that one', stuff like that. It was great! Right away we were working together. I know it impressed them."  A significant advantage for Caravello may have been his relative anonymity, as it was important for the band to maintain the mystique surrounding the members. Said Paul Stanley, "It was really important to us that we got somebody who was unknown... We didn't want somebody who last week was in Rod Stewart's band or in Rainbow." The press release announcing the induction of Caravello into Kiss deducted three years from his actual age in part to confuse those seeking information about his true identity, but also to help create an identification with Caravello - a young fan chosen out of the crowd to be the new Kiss drummer.  Carr's first album with Kiss was 1981's Music from "The Elder", which marked a departure for the band toward a mystical art-rock direction. One of Carr's contributions to the album, "Under the Rose", is one of the few Kiss songs written in 6/8 time and featured a Gregorian chant-style chorus. Later, he would also have cowriter credits on "All Hell's Breakin' Loose", "Under the Gun", and "No, No, No", amongst others. Carr said he found writing lyrics harder than writing music.  Besides drumming, Carr also played guitar, bass guitar and piano and sang background vocals. Occasionally he sang lead vocals, such as on "Black Diamond" and "Young and Wasted" live with Kiss. His first lead vocal in the studio was a re-recording of "Beth" (a song originally sung by Peter Criss) for the 1988 compilation album Smashes, Thrashes & Hits. Carr recorded his version of the song in the same room in the Record Plant where the song was originally recorded, using the same backing track as Criss.  In 1989, he recorded a demo with Kiss lead guitarist Bruce Kulick. Carr wrote the music, played bass and drums, while Kulick played guitar. As Carr was not a proficient lyricist, he presented the demo to Simmons with the words to Marvin Gaye's 1965 classic "Ain't That Peculiar". Simmons wrote new lyrics, which Carr recorded for the subsequent Hot in the Shade release. The song was released as "Little Caesar". He performed the song a few times, but it wasn't performed beyond the first month of the tour. Carr's last live performance with Kiss was November 9, 1990 in New York City, at Madison Square Garden.  Carr's last recording with Kiss was for the song "God Gave Rock 'N' Roll to You II", which featured him on backing vocals. The last time Carr worked with Kiss was in July 1991 when Kiss filmed the video for "God Gave Rock 'N Roll to You" with Carr playing drums. Carr's last public appearance with the band was at the MTV Video Music Awards in September 1991.  Carr was a powerful hard-hitting drummer and one of the first drummers to adopt the classic 1980s snare drum sound: a highly reverberated and low-tuned sound. In his 1980 resume sent to Kiss, Carr stated that his drumming style ranged from heavy metal and hard rock to pop and new wave claiming that "I can adapt to most situations easily." He listed drummers John Bonham, Keith Moon and Lenny White as influences.  In addition, Carr was an avid fan of The Beatles and the band's drummer Ringo Starr. In an interview he recalled, "I was caught up in the whole Beatlemania thing. I guess I was attracted to the drums because of the feeling of the rhythm and how it moved you, just sitting in your seat. I loved the way Ringo moved. I identified with him at the time". Photographs of Carr during his high school years show him wearing his hair like Starr did.  Carr's interest in double bass drumming came from his admiration of Ginger Baker and John Bonham, once telling 16 magazine, "I just loved the way John Bonham played drums". Carr also had a love of all types of music; songwriter Adam Mitchell once described Carr as knowing a lot about folk, R&B and other non-rock styles. In a 1983 interview, Carr told USA Network interviewer Al Bandero that he listened to "a lot" of Neil Young, and liked many different types of music. Simmons has stated that Carr's harder drumming style pushed Kiss into becoming a heavier band than it had been when jazz-inspired Criss was the band's drummer.

Using a quote from the above article, answer the following question: How did he identify with him?