IN: Petty was born October 20, 1950, in Gainesville, Florida, the first of two sons of Kitty (nee Avery), a local tax office worker, and Earl Petty, who worked in a grocery store. He had a brother, Bruce, who was seven years younger. His interest in rock and roll music began at age ten when he met Elvis Presley. In the summer of 1961, his uncle was working on the set of Presley's film Follow That Dream, in nearby Ocala, and invited Petty to watch the shoot.

Petty's first appearance in film took place in 1978, when he had a cameo in FM. He later had a small part in 1987's Made in Heaven and appeared in several episodes of It's Garry Shandling's Show between 1987 and 1990, playing himself as one of Garry Shandling's neighbors. Petty was also featured in Shandling's other show, The Larry Sanders Show, as one of the Story within a story final guests. In the episode, Petty gets bumped from the show and nearly comes to blows with Greg Kinnear.  Petty appeared in the 1997 film The Postman, directed by and starring Kevin Costner, as the Bridge City Mayor (from the dialogue it is implied that he is playing a future history version of himself). In 2002, he appeared on The Simpsons in the episode "How I Spent My Strummer Vacation", along with Mick Jagger, Keith Richards, Lenny Kravitz, Elvis Costello, and Brian Setzer. In it, Petty spoofed himself as a tutor to Homer Simpson on the art of lyric writing, composing a brief song about a drunk girl driving down the road while concerned with the state of public schools. Later in the episode, he loses a toe during a riot.  Petty had a recurring role as the voice of Elroy "Lucky" Kleinschmidt in the animated comedy series King of the Hill from 2004 to 2009. In 2010, Petty made a five-second cameo appearance with comedian Andy Samberg in a musical video titled "Great Day" featured on the bonus DVD as part of The Lonely Island's new album Turtleneck & Chain.

What did he do after 2009

OUT: In 2010, Petty made a five-second cameo appearance with comedian Andy Samberg in a musical video titled "Great Day" featured

Answer the question at the end by quoting:

Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:
In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society.  Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time".  Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater.  Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.

Did she write a book or is this a spoken theory?

In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble.

input: By the time the Bojinka plot was discovered, Mohammed had returned to Qatar and his job as a project engineer at the country's Ministry of Electricity and Water. He traveled in 1995 to Sudan, Yemen, Malaysia, and Brazil to visit elements of the worldwide jihadist community, although no evidence connects him to specific terrorist actions in any of those locations. On his trip to Sudan, he attempted to meet with Osama Bin Laden, who was at the time living there, aided by Sudanese political leader Hassan al-Turabi. After the US asked the Qatari government to arrest Mohammed in January 1996, he fled to Afghanistan, where he renewed his alliance with Abdul Rasul Sayyaf. Later that year, he formed a working relationship with Bin Laden, who had settled there.  Bin Laden and his colleagues relocated their operations to Afghanistan at this time. Abu Hafs al-Masri/Mohammed Atef, bin Laden's chief of operations, arranged a meeting between bin Laden and Mohammed in Tora Bora sometime in mid-1996, in which Mohammed outlined a plan that would eventually become the quadruple hijackings of 2001. Bin Laden urged Mohammed to become a full-fledged member of Al Qaeda, but he continued to refuse such a commitment until around early 1999, after the 1998 U.S. embassy bombings in Nairobi and Dar es Salaam.  Mohammed moved his family from Iran to Karachi, Pakistan, in 1997. That year, he tried unsuccessfully to join mujahideen leader Ibn al-Khattab in Chechnya, another area of special interest to Mohammed. Unable to travel to Chechnya, he returned to Afghanistan. He ultimately accepted bin Laden's invitation to move to Kandahar and join al-Qaeda as a full-fledged member. Eventually, he became leader of Al Qaeda's media committee.

Answer this question "Did Khalid work with anyone else in his planning?"
output:
Abu Hafs al-Masri/Mohammed Atef,