Problem: Ernst Theodor Amadeus Hoffmann (commonly abbreviated as E. T. A. Hoffmann; born Ernst Theodor Wilhelm Hoffmann; 24 January 1776 - 25 June 1822) was a Prussian Romantic author of fantasy and Gothic horror, a jurist, composer, music critic, draftsman and caricaturist. His stories form the basis of Jacques Offenbach's famous opera The Tales of Hoffmann, in which Hoffmann appears (heavily fictionalized) as the hero. He is also the author of the novella The Nutcracker and the Mouse King, on which Pyotr Ilyich Tchaikovsky's ballet The Nutcracker is based. The ballet Coppelia is based on two other stories that Hoffmann wrote, while Schumann's Kreisleriana is based on Hoffmann's character Johannes Kreisler.

From 1796 Hoffmann obtained employment as a clerk for his uncle, Johann Ludwig Doerffer, who lived in Glogau with his daughter Minna. After passing further examinations he visited Dresden, where he was amazed by the paintings in the gallery, particularly those of Correggio and Raphael. During the summer of 1798, his uncle was promoted to a court in Berlin, and the three of them moved there in August--Hoffmann's first residence in a large city. It was there that Hoffmann first attempted to promote himself as a composer, writing an operetta called Die Maske and sending a copy to Queen Luise of Prussia. The official reply advised to him to write to the director of the Royal Theatre, a man named Iffland. By the time the latter responded, Hoffmann had passed his third round of examinations and had already left for Posen (Poznan) in South Prussia in the company of his old friend Hippel, with a brief stop in Dresden to show him the gallery.  From June 1800 to 1803 he worked in Prussian provinces in the area of Greater Poland and Masovia. This was the first time he had lived without supervision by members of his family, and he started to become "what school principals, parsons, uncles, and aunts call dissolute."  His first job, at Posen, was endangered after Carnival on Shrove Tuesday 1802, when caricatures of military officers were distributed at a ball. It was immediately deduced who had drawn them, and complaints were made to authorities in Berlin, who were reluctant to punish the promising young official. The problem was solved by "promoting" Hoffmann to Plock in New East Prussia, the former capital of Poland (1079-1138), where administrative offices were relocated from Thorn (Torun). He visited the place to arrange lodging, before returning to Posen where he married "Mischa" (Maria, or Marianna Tekla Michalina Rorer, whose Polish surname was Trzcinska). They moved to Plock in August 1802.  Hoffmann despaired because of his exile, and drew caricatures of himself drowning in mud alongside ragged villagers. He did make use, however, of his isolation, by writing and composing. He started a diary on 1 October 1803. An essay on the theatre was published in Kotzebue's periodical, Die Freimuthige, and he entered a competition in the same magazine to write a play. Hoffmann's was called Der Preis ("The Prize"), and was itself about a competition to write a play. There were fourteen entries, but none was judged worthy of the award: 100 Friedrichs d'or. Nevertheless, his entry was singled out for praise. This was one of the few good times of a sad period of his life, which saw the deaths of his uncle J. L. Hoffmann in Berlin, his Aunt Sophie, and Cora Hatt in Konigsberg.  At the beginning of 1804 he obtained a post at Warsaw. On his way there, he passed through his hometown and met one of Cora Hatt's daughters. He was never to return to Konigsberg.

What happened to Hoffmann in the provinces?

Answer with quotes: and he started to become "what school principals, parsons, uncles, and aunts call dissolute."

Question:
Dion Francis DiMucci (born July 18, 1939), better known mononymously as Dion, is an American singer, songwriter whose work has incorporated elements of doo-wop, rock and R&B styles--and, most recently, straight blues. He was one of the most popular American rock and roll performers of the pre-British Invasion era. He had 39 Top 40 hits in the late 1950s and early 1960s as a solo performer, with the Belmonts or with the Del Satins. He is best remembered for the singles "Runaround Sue", "The Wanderer", "Ruby Baby" and "Lovers Who Wander", among his other hits.
By the end of 1960, Dion had released his first solo album on Laurie, Alone with Dion, and the single "Lonely Teenager," which rose to No. 12 in the US charts. The name on his solo releases was simply "Dion." Follow-ups "Havin' Fun" and "Kissin' Game" had less success, and the signs were that Dion would drift onto the cabaret circuit. However, he then recorded, with a new vocal group, the Del-Satins, an up-tempo number co-written with Ernie Maresca. The record, "Runaround Sue," stormed up the U.S. charts, reaching No. 1 in October 1961, and No. 11 in the UK, where he also toured. "Runaround Sue" sold over a million copies, achieving gold disc status.  For the next single, Laurie promoted the A-side, "The Majestic," but it was the B-side, Maresca's "The Wanderer," which received more radio play and climbed swiftly up the charts to reach No. 2 in the U.S. in February 1962 and No. 10 in the UK (the 1976 re-release made the UK Top 20). "The Wanderer" has been used in the post-apocalyptic role-playing game Fallout 4, both in-game and in a trailer of the same name released in 2015.  By the end of 1961, Dion had become a major star, touring worldwide and making an appearance in the Columbia Pictures musical film Twist Around the Clock. He followed with a string of singles - "Lovers Who Wander" (No. 3), "Little Diane" (No. 8), "Love Came to Me" (No. 10) - in 1962, several of which he wrote or co-wrote. He also had successful albums with Runaround Sue and Lovers Who Wander.  At the end of 1962, Dion moved from Laurie to Columbia Records; he was the first rock and roll artist signed to the label, which was an anomaly considering that its then-A&R director, Mitch Miller, passionately loathed that particular genre of music. The first Columbia single, Leiber and Stoller's "Ruby Baby" (originally a hit for the Drifters) reached No. 2, while "Donna the Prima Donna" and "Drip Drop" (another remake of a Drifters hit) both reached No. 6 in late 1963. (Dion also recorded an Italian version of "Donna the Prima Donna" using the identical backup vocals.) His other Columbia releases were less successful, and problems with his addiction and changing public tastes, especially The British Invasion, saw a period of commercial decline.
Answer this question using a quote from the text above:

Was there any other singles released ?

Answer:
He followed with a string of singles - "Lovers Who Wander" (No. 3), "Little Diane" (No. 8), "Love Came to Me" (No. 10) -