input: After leaving his band Midnight, Gavin Rossdale met former King Blank guitarist Nigel Pulsford in 1992. The two bonded over an appreciation of the American alternative rock group the Pixies. The two formed a new band which they called Future Primitive. Describing the early sound of the group, one British record label executive said years later, "They weren't what they are today - they were a little like the more commercial side of INXS". The pair then recruited bassist Dave Parsons and drummer Robin Goodridge to complete the line-up. The group soon chose the name "Bush", naming themselves after Shepherd's Bush, London, where the band members used to live.  In 1993, the band was signed by Rob Kahane, who had a distribution deal with Disney's Hollywood Records. The band completed recording its debut album Sixteen Stone in early 1994. However, the death of Disney executive Frank G. Wells eliminated a supporter for Kahane, and executives at Hollywood deemed Bush's album unacceptable for release. As a result, the members of Bush took jobs performing menial labour. Interscope Records ultimately decided to release the album, and at the end of 1994, Kahane sent an advance copy of the album to a friend at influential Los Angeles radio station KROQ-FM, which added the song "Everything Zen" to its rotation.  On the Billboard Music Charts (North America), Sixteen Stone peaked at No. 4 on the Heatseekers and Billboard 200 charts. The album spawned two Top 40 singles. After about six months of promotion for Sixteen Stone, the album began to sell well, once "Comedown" and "Glycerine" struck America. Additionally, "Little Things" and "Machinehead" both charted well in North America.  In Canada, the band were initially forced to release Sixteen Stone under the name BushX, as the 1970s Canadian band Bush still held the rights to that name in the Canadian market. The dispute arose after the British band's lawyers threatened to intervene to prevent the Canadian band from reissuing its 1970 album, although it was entirely between the bands' lawyers as Rossdale and Domenic Troiano, the leader of the Canadian band, both expressed a willingness to negotiate a solution. In 1997, after the band's second album Razorblade Suitcase also bore the X, Rossdale and Troiano directly negotiated an agreement under which the British band were allowed to drop the X in exchange for donating $20,000 each to the Starlight Foundation and the Canadian Music Therapy Trust Fund. Both Sixteen Stone and Razorblade Suitcase were then reissued without the X.

Answer this question "who were the members of this band?"
output: Gavin Rossdale met former King Blank guitarist Nigel Pulsford in 1992.

input: Gaye proceeded to record some more politically conscious material at the Golden World Records studio, known as Motown's Studio B, as well as the preliminary vocals and instrumentation for some of the material to be featured on Let's Get It On. Following the earlier sessions in Detroit at Golden World, Gaye recorded at Hitsville West in Los Angeles from February to July 1973. Accompanied by an experienced group of session musicians called The Funk Brothers, who had contributed to Gaye's What's Going On, and received their first official credit, Gaye recorded the unreleased songs "The World is Rated X" and "Where Are We Going" and the single "You're the Man" (1972) at Golden World. "Where Are We Going" was later covered by trumpeter Donald Byrd. Gaye had planned the release of an album titled You're the Man, but it was later shelved for unknown reasons. The songs that were to be included on it, along with other unreleased recordings from Hitsville West and Golden World, were later featured on the 2001 re-release of Let's Get It On.  The album's first recording, "Let's Get It On", was composed by Gaye with friend and former Motown label mate Ed Townsend. It was originally written by Gaye as a religious ode to life, but Motown singer-songwriter Kenneth Stover re-wrote it as a more political first draft. Upon hearing Gaye's preliminary mix of Stover's draft, Townsend protested and claimed that the song would be better suited with sexual and romantic overtones, particularly "about making sweet love." Gaye and Townsend rewrote the song's lyrics together with the original arrangements and musical accompaniment of the demo intact. The lyrics were inspired by Janis Hunter, whom Gaye had become infatuated with after meeting each other through Ed Townsend during the initial sessions. Townsend has cited Hunter's presence during the album's recording as an inspiration for Gaye. Gaye's intimate relationship with Hunter subsequently became the basis for his 1976 album I Want You. While recording the title track, he was inspired to revive unfinished recordings from his 1970 sessions at the Hitsville U.S.A. Studio.  Townsend assisted Gaye with producing the rest of the album, whose recording took place at several sessions throughout 1970 to 1973. They worked on four songs together, including the ballad "If I Should Die Tonight", while Gaye composed most of the other songs, including those from past sessions. "Just to Keep You Satisfied" was originally recorded by several Motown groups, including The Originals and The Monitors, as a song dedicated to long-standing love. With re-recording the song, he had re-written the arrangement and lyrics to address the demise of his volatile marriage to Anna Gordy Gaye, who happened to be the original song's co-writer. The background vocals for the album were sung by Gaye, with the exception of "Just to Keep You Satisfied", which were done by The Originals. Most of the instrumentation for the album was done by members of The Funk Brothers, including bassist James Jamerson, guitarists Robert White and Eddie Willis, and percussionist Eddie "Bongo" Brown. Gaye also contributed on piano during the sessions.

Answer this question "Where was Let's get it on recorded?"
output:
at the Hitsville U.S.A. Studio.