Problem: Ford was born at the Swedish Covenant Hospital in Chicago, Illinois to Christopher Ford (born John William Ford), an advertising executive and former actor, and Dorothy (nee Nidelman), a former radio actress. His father is Irish and his mother is Jewish. A younger brother, Terence, was born in 1945. Ford's paternal grandparents, John Fitzgerald Ford and Florence Veronica Niehaus, were of Irish Catholic and German descent, respectively.

In 1964, after a season of summer stock with the Belfry Players in Wisconsin, Ford traveled to Los Angeles to apply for a job in radio voice-overs. He did not get it, but stayed in California and eventually signed a $150-a-week contract with Columbia Pictures' New Talent program, playing bit roles in films. His first known role was an uncredited one as a bellhop in Dead Heat on a Merry-Go-Round (1966). There is little record of his non-speaking roles (or "extra" work) in film. Ford was at the bottom of the hiring list, having offended producer Jerry Tokovsky after he played a bellboy in the feature. He was told by Tokovsky that when actor Tony Curtis delivered a bag of groceries, he did it like a movie star; Ford felt his job was to act like a bellboy. Ford managed to secure other roles in movies, such as A Time for Killing (The Long Ride Home), starring Glenn Ford; George Hamilton; and Inger Stevens.  His speaking roles continued next with Luv (1967), though he was still uncredited. He was finally credited as "Harrison J. Ford" in the 1967 Western film A Time for Killing, but the "J" did not stand for anything, since he has no middle name. It was added to avoid confusion with a silent film actor named Harrison Ford, who appeared in more than 80 films between 1915 and 1932 and died in 1957. Ford later said that he was unaware of the existence of the earlier actor until he came upon a star with his own name on the Hollywood Walk of Fame. Ford soon dropped the "J" and worked for Universal Studios, playing minor roles in many television series throughout the late 1960s and early 1970s, including Gunsmoke, Ironside, The Virginian, The F.B.I., Love, American Style, and Kung Fu. He appeared in the western Journey to Shiloh (1968) and had an uncredited, non-speaking role in Michelangelo Antonioni's 1970 film Zabriskie Point as an arrested student protester. Not happy with the roles being offered to him, Ford became a self-taught professional carpenter to support his then-wife and two young sons.  Casting director and fledgling producer Fred Roos championed the young Ford and secured him an audition with George Lucas for the role of Bob Falfa, which Ford went on to play in American Graffiti (1973). Ford's relationship with Lucas would profoundly affect his career later on. After director Francis Ford Coppola's film The Godfather was a success, he hired Ford to expand his office and gave him small roles in his next two films, The Conversation (1974) and Apocalypse Now (1979); in the latter film he played an army officer named "G. Lucas".

How did his career get started?

Answer with quotes: signed a $150-a-week contract with Columbia Pictures' New Talent program, playing bit roles in films.


Problem: Earvin "Magic" Johnson Jr. (born August 14, 1959) is an American retired professional basketball player and current president of basketball operations of the Los Angeles Lakers of the National Basketball Association (NBA). He played point guard for the Lakers for 13 seasons. After winning championships in high school and college, Johnson was selected first overall in the 1979 NBA draft by the Lakers. He won a championship and an NBA Finals Most Valuable Player Award in his rookie season, and won four more championships with the Lakers during the 1980s.

Johnson and Larry Bird were first linked as rivals after Johnson's Michigan State squad defeated Bird's Indiana State team in the 1979 NCAA finals. The rivalry continued in the NBA, and reached its climax when Boston and Los Angeles met in three out of four NBA Finals from 1984 to 1987. Johnson asserted that for him, the 82-game regular season was composed of 80 normal games, and two Lakers-Celtics games. Similarly, Bird admitted that Johnson's daily box score was the first thing he checked in the morning.  Several journalists hypothesized that the Johnson-Bird rivalry was so appealing because it represented many other contrasts, such as the clash between the Lakers and Celtics, between Hollywood flashiness ("Showtime") and Boston/Indiana blue collar grit ("Celtic Pride"), and between blacks and whites. The rivalry was also significant because it drew national attention to the faltering NBA. Prior to Johnson and Bird's arrival, the NBA had gone through a decade of declining interest and low TV ratings. With the two future Hall of Famers, the league won a whole generation of new fans, drawing both traditionalist adherents of Bird's dirt court Indiana game and those appreciative of Johnson's public park flair. According to sports journalist Larry Schwartz of ESPN, Johnson and Bird saved the NBA from bankruptcy.  Despite their on-court rivalry, Johnson and Bird became close friends during the filming of a 1984 Converse shoe advertisement that depicted them as enemies. Johnson appeared at Bird's retirement ceremony in 1992, and described Bird as a "friend forever"; during Johnson's Hall of Fame ceremony, Bird formally inducted his old rival.  In 2009, Johnson and Bird collaborated with journalist Jackie MacMullan on a non-fiction book titled When the Game Was Ours. The book detailed their on-court rivalry and friendship with one another.

What were some highlights of their rivalry?

Answer with quotes:
The rivalry continued in the NBA, and reached its climax when Boston and Los Angeles met in three out of four NBA Finals from 1984 to 1987.