Problem: Background: Born in Dallas, Texas, into a family of Mexican ancestry, Trevino was raised by his mother, Juanita Trevino, and his grandfather, Joe Trevino, a gravedigger. Trevino never knew his father, Joseph Trevino, who left when his son was small. Trevino's childhood consisted of attending school occasionally and working to earn money for the family. At age 5, he started working in the cotton fields.
Context: Throughout his career, Trevino was seen as approachable and humorous, and was frequently quoted by the press. Late in his career, he remarked, "I played the tour in 1967 and told jokes and nobody laughed. Then I won the Open the next year, told the same jokes, and everybody laughed like hell."  At the beginning of Trevino's 1971 U.S. Open playoff against Jack Nicklaus, he threw a rubber snake that his daughter had put in his bag as a joke, at Nicklaus, who later admitted that he asked Trevino to throw it to him so he could see it. Trevino grabbed the rubbery object and playfully tossed it at Nicklaus, getting a scream from a nearby woman and a hearty laugh from Nicklaus. Trevino shot a 68 to defeat Nicklaus by three strokes.  During one tournament, Tony Jacklin, paired with Trevino, said: "Lee, I don't want to talk today." Trevino retorted: "I don't want you to talk. I just want you to listen."  After he was struck by lightning at the 1975 Western Open, Trevino was asked by a reporter what he would do if he were out on the course and it began to storm again. Trevino answered he would take out his 1 iron and point it to the sky, "because not even God can hit the 1-iron." Trevino said later in an interview with David Feherty that he must have tempted God the week before by staying outside during a lightning delay to entertain the crowds, saying "I deserved to get hit...God can hit a 1-iron."  Trevino said: "I've been hit by lightning and been in the Marine Corps for four years. I've traveled the world and been about everywhere you can imagine. There's not anything I'm scared of except my wife."
Question: What was important about Lee's humor?
Answer: Throughout his career, Trevino was seen as approachable and humorous, and was frequently quoted by the press.

Problem: Background: "I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967; it went to number two in the Billboard chart. The Miracles recorded the song first and included their version on their 1968 album, Special Occasion. The Marvin Gaye version was placed on his 1968 album In the Groove, where it gained the attention of radio disc jockeys, and Motown founder Berry Gordy finally agreed to its release as a single in October 1968, when it went to the top of the Billboard Pop Singles chart for seven weeks from December 1968 to January 1969 and became for a time the biggest hit single on the Motown label (Tamla).
Context: Producer Norman Whitfield recorded "I Heard It Through the Grapevine" with various Motown artists. The first known recording is with the Miracles on August 6, 1966, though there may also have been a recording with the Isley Brothers, or at least Whitfield intended to record it with them; however a track has not turned up - some Motown historians believe that a session may have been scheduled but cancelled. The Miracles' version was not released as a single due to Berry Gordy's veto during Motown's weekly quality control meetings; Gordy advised Whitfield and Strong to create a stronger single. The Miracles version later appeared on their 1968 Special Occasion album, and a slightly different take, possibly from the same session but unreleased, appeared on the 1998 compilation album, Motown Sings Motown Treasures.  Marvin Gaye's version was recorded in spring 1967, and is the second known recording, though was also rejected by Gordy as a single, and would also later go onto an album, In the Groove. The third recording was in 1967 with Gladys Knight and the Pips in a new, faster arrangement. Gordy accepted the new arrangement and the Gladys Knight version was released as a single in September 1967, reaching number 2 in the charts. When Gaye's album with his version of Grapevine was released in August 1968, radio disc jockeys were playing the song, so Gordy had it released as a single in October, and it went to number one in December.  In 1968, Bobby Taylor & the Vancouvers recorded a version for their debut album based on Gladys' recent hit; however, after hearing the Marvin Gaye version, they felt they'd made the wrong choice. In 1969, Whitfield produced a version for the Temptations "psychedelic soul" album, Cloud Nine, in which he "brought compelling percussion to the fore, and relegated the piano well into the wings". In 1971, the Undisputed Truth recorded the song in a Marvin-styled version as did Bettye Lavette on her 1982 Motown album, Tell Me a Lie.
Question: Was that the last recording?
Answer:
Bettye Lavette on her 1982 Motown album, Tell Me a Lie.