Problem: Background: Paul Vaughn Butterfield (December 17, 1942 - May 4, 1987) was an American blues harmonica player and singer. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.
Context: Butterfield was born in Chicago and raised in the city's Hyde Park neighborhood. The son of a lawyer and a painter, he attended the University of Chicago Laboratory Schools, a private school associated with the University of Chicago. Exposed to music at an early age, he studied classical flute with Walfrid Kujala, of the Chicago Symphony Orchestra. Butterfield was also athletic and was offered a track scholarship to Brown University. However, a knee injury and a growing interest in blues music sent him in a different direction. He met guitarist and singer songwriter Nick Gravenites, who shared an interest in authentic blues music. By the late 1950s, they were visiting blues clubs in Chicago, where musicians such as Muddy Waters, Howlin' Wolf, Little Walter, and Otis Rush, encouraged them and occasionally let them sit in on jam sessions. The pair were soon performing as Nick and Paul in college-area coffee houses.  In the early 1960s, Butterfield met aspiring blues guitarist Elvin Bishop. Bishop recalled:  He [Butterfield] was playing more guitar than harp when I first met him. But in about six months he became serious about the harp, and he seemed to get about as good as he got in that six months. He was just a natural genius. This was in 1960 or 1961. By this time Butter had been hanging out in the ghetto for a couple of years, and he was part of the scene and getting accepted.  Eventually, Butterfield, on vocals and harmoica, and Bishop, accompanying him on guitar, were offered a regular gig at Big John's, a folk club in the Old Town district on Chicago's North Side. With this booking, they persuaded bassist Jerome Arnold and drummer Sam Lay (both from Howlin' Wolf's touring band) to form a group with them in 1963. Their engagement at the club was highly successful and brought the group to the attention of record producer Paul A. Rothchild.
Question: How did Paul Butterfield start playing music ?
Answer: He met guitarist and singer songwriter Nick Gravenites, who shared an interest in authentic blues music.

Background: Frenzal Rhomb is an Australian punk rock band that formed in 1992, with Jason Whalley on lead vocals and rhythm guitar during this entire period. In 1996, Lindsay McDougall joined the line-up on lead guitar and backing vocals. Three of the group's albums have entered the top 20 on the ARIA Albums Chart: A Man's Not a Camel (1999),
Context: Frenzal Rhomb formed in 1992 in the Sydney suburb of Newtown with Alexis 'Lex' Feltham on bass guitar and Jason Whalley on vocals. Feltham and Whalley had been school mates at St Ives High School in St Ives. Whalley had commenced a Bachelor of Arts course in philosophy at Sydney University when he formed Frenzal Rhomb as a punk rock band. The band was formed to take part in a battle of the bands and at that stage was not seen as a permanent project.The name is a reference to a band member's pet rat, which in turn was named for the Fresnel rhomb, which is a prism-like device invented by the 19th Century French engineer, Augustin-Jean Fresnel. By 1993, the group's line-up was Feltham, Whalley, Ben Costello on guitar and Karl Perske on drums. They played at the Sydney venue for the Big Day Out in January.  In March 1994, the band issued a seven-track EP, Dick Sandwich. Its cover had "a graphic drawing of the offending flaccid appendage draped over a sesame seed bun with lashings of bloody sauce." Posters with a similar image that advertised the group had them banned at some venues. National youth radio station Triple J criticised the group as being immature and told them to "grow up". The EP was described as having "good songs but it sounds like it was recorded under a doona" and had the group banned from some radio stations and retail outlets. One of its tracks, "I Wish I Was as Credible as Roger Climpson" (aka "Roger"), attracted attention of its subject, Roger Climpson - a Seven News anchor on TV - who posed with the group for a photo. The E.P also features fan favourites "Chemotherapy", and a cover of the TV series theme "Home And Away". The E.P featured an alternate cover depicting rabbits on the flipside of the liftout to appease record stores or people who may have been offended by the original artwork. In October of that year, they released a single, "Sorry About the Ruse", on their own label, How Much Did I Fucking Pay For This Records? The group were the local support act on the Australian leg of separate tours by United States punk rockers Bad Religion, The Offspring, and Blink-182.  In March 1995, Frenzal Rhomb released their first studio album, Coughing Up a Storm, on Shock Records' sub-label Shagpile Records. Perske was replaced by Nat Nykyruj on drums before the album appeared. The album features live fan favourite "Genius". In October 1997, it was retitled Once a Jolly Swagman Always a Jolly Swagman and issued with additional tracks by the US label Liberation Records. In mid-1995, the group supported NOFX on their national tour. Fat Mike, a member of NOFX, was also the owner of Fat Wreck Chords, and he signed the band to his label, which released the 4 Litres EP in the US.
Question: When did they release their first album?
Answer:
In March 1994,