IN: Paul Reubens (ne Rubenfeld; born August 27, 1952) is an American actor, writer, film producer, game show host, and comedian, best known for his character Pee-wee Herman. Reubens joined the Los Angeles troupe The Groundlings in the 1970s and started his career as an improvisational comedian and stage actor. In 1982, Reubens put up a show about a character he had been developing for years.

Reubens auditioned for Saturday Night Live for the 1980-1981 season, but Gilbert Gottfried, who was a close friend of the show's producer and had the same acting style as Reubens, got the place (ironically, Gottfried would later get in trouble for joking about Reubens' indecent exposure arrest as an award presenter at the Emmys). Reubens was so angry and bitter that he decided he would borrow money and start his own show in Los Angeles using the character he had been developing during the last few years, "Pee-wee Herman".  With the help of other Groundlings like John Paragon, Phil Hartman and Lynne Marie Stewart, Pee-wee acquired a small group of followers and Reubens took his show to The Roxy Theatre where "The Pee-wee Herman Show" ran for five sellout months, doing midnight shows for adults and weekly matinees for children, moving into the mainstream when HBO aired The Pee-wee Herman Show in 1981 as part of their series On Location. Reubens also appeared as Pee-wee in the 1980 film Cheech & Chong's Next Movie. Although it was Reubens in the role of Pee-Wee, the end credits of the movie billed him as Hamburger Dude. Reubens' act had mainly positive reactions and quickly acquired a group of fans, despite being described as "bizarre", and Reubens being described as "the weirdest comedian around". Pee-wee was both "corny" and "hip", "retrograde" and "avant-garde".  When Pee-wee's fame started growing, Reubens started to move away from the spotlight, keeping his name under wraps and making all his public appearance and interviews in character while billing Pee-wee as playing himself; Reubens was trying to "get the public to think that that was a real person". Later on he would even prefer his parents be known only as Honey Herman and Herman Herman. In the early and mid-1980s, Reubens made several guest appearances on Late Night with David Letterman as Pee-wee Herman which gave Pee-wee an even bigger following. During the mid-1980s, Reubens traveled the United States with a whole new The Pee-wee Herman Show, playing notably at the Guthrie Theater in Minneapolis, Caroline's in New York City and, in 1984, in front of a full Carnegie Hall.

Did the show have a lot of viewers?

OUT: act had mainly positive reactions and quickly acquired a group of fans, despite being described as "bizarre",


IN: Marc Zakharovich Chagall ( sh@-GAHL; born Moishe Zakharovich Shagal; 6 July [O.S. 24 June] 1887 - 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists".

Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection.

amazing has he done anything famous?

OUT: 


IN: Abdul was born in San Fernando, California, to Jewish parents. Abdul's father, Harry Abdul, was born into the Syrian Jewish community in Aleppo, Syria, was raised in Brazil, and subsequently immigrated to the United States. Her mother, the concert pianist Lorraine M. Rykiss, grew up in one of the two Jewish families in Minnedosa, Manitoba, and has Ashkenazi Jewish ancestors from Ukraine. She has a sister named Wendy.

Abdul was discovered by The Jacksons, after a few of the band members had watched her while attending a Los Angeles Lakers game. She was signed to do the choreography for the video to their single "Torture". "My only problem was how to tell the Jacksons how to dance," Abdul later recalled. "Imagine me telling them what routines to do. I was young, I was scared. I'm not quite sure how I got through that." The success of the choreography in the video led to Abdul's career of choreographer in music videos. It was also due to the success of the video that Abdul was chosen to be the choreographer for the Jacksons' Victory tour.  Abdul choreographed videos for several singers throughout the 1980s, including many videos for Janet Jackson during her Control era. In 1995, Abdul released a dance workout video entitled Paula Abdul's Get Up and Dance! (re-released on DVD in 2003), a fast-paced, hip-hop style workout. In 1998, she released a second video called Cardio Dance (re-released on DVD in 2000). In December 2005, Abdul launched a cheerleading/fitness/dance DVD series called Cardio Cheer, which is marketed to children and teenage girls involved with cheerleading and dance.  In film, Abdul choreographed sequences for the giant keyboard scene involving Tom Hanks's character in Big. Other credits include appearances in Coming to America, Action Jackson, Jerry Maguire, The Running Man, American Beauty, Can't Buy Me Love, and Oliver Stone's The Doors. Her television appearances include The Tracey Ullman Show, American Music Awards, the Academy Awards, and several commercials, such as The King's touchdown celebration, as seen in a string of popular Burger King television commercials that aired during the 2005-06 NFL season.

What did she realse next

OUT:
released a dance workout video entitled Paula Abdul's Get Up and Dance