Problem: Blanc was born in San Francisco, California to Russian-Jewish parents Frederick and Eva Blank, the younger of two children. He grew up in the neighborhood of Western Addition in San Francisco, and later in Portland, Oregon, where he attended Lincoln High School. Growing up, he had a fondness for voices and dialect which he began voicing at the age of 10. He claimed that he changed the spelling of his name when he was 16, from "Blank" to "Blanc", because a teacher told him that he would amount to nothing and be like his name, a "blank".

In the 1970s, Blanc gave a series of college lectures across the US and appeared in commercials for American Express. He also collaborated on a special with the Boston-based Shriners Burns Institute called Ounce of Prevention, which became a 30-minute TV special.  Throughout the 1980s, Blanc performed his Looney Tunes characters for bridging sequences in various compilation films of Golden-Age-era Warner Bros. cartoons, such as The Looney Looney Looney Bugs Bunny Movie, Bugs Bunny's 3rd Movie: 1001 Rabbit Tales, Daffy Duck's Fantastic Island, and Daffy Duck's Quackbusters. His final performance of his "Looney Tunes" roles was in Bugs Bunny's Wild World of Sports (1989). After spending most of two seasons voicing the diminutive robot Twiki in Buck Rogers in the 25th Century, Blanc's last original character was Heathcliff, in the early 1980s.  In the 1983 live-action film Strange Brew, Blanc voiced the father of Bob and Doug MacKenzie, at the request of comedian Rick Moranis.  In the 1988 live-action/animated movie Who Framed Roger Rabbit, Blanc reprised several of his classic "Looney Tunes" roles (Bugs, Daffy, Porky, Tweety, and Sylvester), but left Yosemite Sam to Joe Alaskey (who later became one of Blanc's regular replacements until his death in 2016). As Disney produced the film, the company had to obtain permission from Warner Bros. and other studios in order to feature the non-Disney characters in the movie. The film was also one of very few Disney projects Blanc was involved in. Blanc died just a year after the film's release. His final recording session was for Jetsons: The Movie (1990).

Did he work in radio ?

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Background: Thomas Edward Lawrence was born on 16 August 1888 in Tremadog, Carnarvonshire (now Gwynedd), Wales in a house named Gorphwysfa, now known as Snowdon Lodge. His Anglo-Irish father Thomas Chapman had left his wife Edith after he fell in love and had a son with Sarah Junner, a young Scotswoman who had been engaged as governess to his daughters. Sarah was the daughter of Elizabeth Junner and John Lawrence, who worked as a ship's carpenter and was a son of the household in which Elizabeth had been a servant. She was dismissed four months before Sarah was born.
Context: The chief elements of the Arab strategy, developed chiefly by Faisal and Lawrence, were firstly to avoid capturing Medina, and secondly to extend northwards through Maan and Deraa to Damascus and beyond. The Emir Faisal wanted to lead regular attacks against the Ottomans, which Lawrence persuaded him to drop. Lawrence wrote about the Bedouin as a fighting force:  "The value of the tribes is defensive only and their real sphere is guerilla warfare. They are intelligent, and very lively, almost reckless, but too individualistic to endure commands, or fight in line, or to help each other. It would, I think, be possible to make an organized force out of them...The Hejaz war is one of dervishes against regular forces-and we are on the side of the dervishes. Our text-books do not apply to its conditions at all".  Medina was an attractive target for the revolt as Islam's second-holiest site, and because its Ottoman garrison was weakened by disease and isolation. It became clear that it was advantageous to leave it there rather than try to capture it, while continually attacking, but not permanently breaking, the Hejaz railway south from Damascus. This prevented the Ottomans from making effective use of their troops at Medina, and forced them to dedicate many resources to defending and repairing the railway line.  The movement north to Damascus and eventually Aleppo is interesting in the context of the Sykes-Picot agreement. While it is not known when Lawrence learned the details of Sykes-Picot, nor if or when he briefed Faisal on what he knew, there is good reason to think that both these things happened, and earlier rather than later. In particular, the Arab strategy of northward extension makes perfect sense given the Sykes-Picot language that spoke of an independent Arab entity in Syria, which would only be granted if the Arabs liberated the territory themselves. The French, and some of their British Liaison officers, were specifically uncomfortable about the northward movement, as it would weaken French colonial claims.
Question: Was there any other strategy they applied?
Answer: The Emir Faisal wanted to lead regular attacks against the Ottomans, which Lawrence persuaded him to drop.

Question:
Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. Beginning his professional career with Buffalo Springfield, he composed one of their few hits "For What It's Worth," which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You
Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967.  During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three."  The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young.  Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s.
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How long was the group together for?

Answer: