IN: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians.
QUESTION: WHat did he decide to put on the album?
IN: Harry Dexter White was born in Boston, Massachusetts, the seventh and youngest child of Jewish Lithuanian immigrants, Joseph Weit and Sarah Magilewski, who had settled in America in 1885. In 1917 he enlisted in the U.S. Army, and was commissioned as lieutenant and served in France in a non-combat capacity in World War I. He did not begin his university studies until age 30, first at Columbia University, then at Stanford University, where he earned a first degree in economics. After completing a Ph.D. in economics at Harvard University at 38 years of age, White taught four years at Lawrence University in Wisconsin.

In November 1941, White sent a memorandum to Morgenthau that was widely circulated and influenced State Department planning. White called for a comprehensive peaceful solution of rapidly escalating tensions between the United States and Japan, calling for major concessions on both sides. Langer and Gleason report that White's proposals were totally rewritten by the State Department and that the American key demand had been formulated long before White. It was an insistence on Japanese withdrawal from China, which Japan totally refused to consider. The complex negotiations at the top ranks of the US government, and its key allies of Britain and China, took place in late November 1941 with no further input from White or Morgenthau. White's proposals were never presented to Japan. Revisionist historians have argued, however, that White manipulated Morgenthau and Roosevelt to provoke war with Japan in order to protect Stalin's Far Eastern front. Historian Eric Rauchway rejects that argument, claiming it is supported by fake documents.  After the U.S. entered the war in December 1941, Secretary Morgenthau appointed White to act as liaison between the Treasury and the State Department on all matters bearing on foreign relations. He was also made responsible for the Exchange Stabilization Fund. White eventually came to be in charge of wartime international matters for the Treasury, with access to extensive confidential information about the economic situation of the USA and its wartime allies. He passed numerous secret documents to men he knew were Soviet spies.  White was a dedicated internationalist, and his energies were directed at continuing the Grand Alliance with the USSR and maintaining peace through trade. He believed that powerful, multilateral institutions could avoid the mistakes of the Treaty of Versailles and prevent another worldwide depression. As head of the independently-funded Office of Monetary Research, White was able to hire staff without the normal civil service regulations or background enquiries. He probably was unaware that several of his hires were spies for the USSR.
QUESTION: Are there any other interesting aspects about this article?
IN: Jon Steven Young (born October 11, 1961) is a former professional American football quarterback who played 15 seasons in the National Football League (NFL) and is best known for his 13 seasons with the San Francisco 49ers. He also played for the NFL Tampa Bay Buccaneers and the Los Angeles Express of the United States Football League (USFL). Young played college football for Brigham Young University, setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX.

By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half and guided the 49ers to victory.  Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31-14 win. The following week, San Francisco lost 34-31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history there were zero punts from either team.  Young recovered and led the 49ers on a five-game winning streak, capped off by a 56-17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24-14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14-2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20-13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30-20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided.  Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new Offensive Coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions.
QUESTION:
What did he do?