Problem: Background: Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team.
Context: At the time of his retirement, Tittle held the following NFL records:  Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943), Adrian Burk (1954), and George Blanda (1961). The feat has since been equaled by four more players: Joe Kapp (1969), Peyton Manning (2013), Nick Foles (2013), and Drew Brees (2015). Tittle, Manning and Foles did it without an interception. His 36 touchdown passes in 1963 set a record which stood for over two decades until it was surpassed by Dan Marino in 1984; as of 2016 it remains a Giants franchise record.  Despite record statistics and three straight championship game appearances, Tittle was never able to deliver a title to his team. His record as a starter in postseason games was 0-4. He threw four touchdown passes against 14 interceptions and had a passer rating of 33.8 in his postseason career, far below his regular season passer rating of 74.3. Seth Wickersham, writing for ESPN The Magazine in 2014, noted the dichotomy in the 1960s between two of New York's major sports franchises: "... Gifford, Huff and Tittle, a team of Hall of Famers known for losing championships as their peers on the Yankees--with whom they shared a stadium, a city, and many rounds of drinks--became renowned for winning them." The Giants struggled after Tittle's retirement, posting only two winning seasons from 1964 to 1980.  He made seven Pro Bowls, four first-team All-Pro teams, and four times was named the NFL's Most Valuable Player or Player of the Year: in 1957 and 1962 by the UPI; in 1961 by the NEA; and in 1963 by the AP and NEA. In a sports column in 1963, George Strickler for the Chicago Tribune remarked Tittle had "broken records that at one time appeared unassailable and he has been the hero of more second half rallies than Napoleon and the Harlem Globetrotters." He was featured on four Sports Illustrated covers: three during his playing career and one shortly after retirement. His first was with the 49ers in 1954. With the Giants, he graced covers in November 1961, and he was on the season preview issue for 1964; a two-page fold-out photo from the 1963 title game. Tittle was on a fourth cover in August 1965.  The trade of Tittle for Lou Cordileone is seen as one of the worst trades in 49ers history; it is considered one of the best trades in Giants franchise history. Cordileone played just one season in San Francisco.
Question: Did he ever win a super bowl?
Answer: Tittle was never able to deliver a title to his team.

Problem: Background: The Osmonds are an American family music group with a long and varied career. The Osmond Brothers began as a barbershop quartet consisting of brothers Alan, Wayne, Merrill and Jay Osmond. They were later joined by younger siblings Donny and Jimmy, both of whom enjoyed success as solo artists as well. With the addition of Donny, the group became known as The Osmonds, and enjoyed its greatest success as both a boy band and a hard rock ensemble.
Context: By 1976, though, the group's record sales were softening; Osmondmania had long faded and been replaced by "Rollermania", as the Bay City Rollers became the hot pop band of choice in the mid-1970s. Their 1975 album The Proud One sold poorly (despite the title track providing a chart-topping easy listening hit and the group's last U.S. top-40 hit to date), and MGM Records was sold to Polydor Records. Their first album under Polydor was the album Brainstorm; that album sold only slightly better than its predecessor, and its lead single, "I Can't Live a Dream," fell short of the top 40. Polydor would release two more albums from the family (a Christmas album that included all of the performing family members, and a greatest hits compilation).  The Osmonds poured themselves into a new venture: the older brothers began producing The Donny & Marie Show which was a hit on ABC from 1976-1979. But the success came at a cost. The family built and operated at great expense a first-class television studio in Orem, Utah, where the show was produced beginning in 1977. As a result, the Osmonds as a performing band became a lower priority to Donny and Marie. The older brothers deferred or gave up their dreams of being a rock-and-roll band. Donny experienced stage anxiety and Marie had a brief bout with an eating disorder after a network executive told her she looked heavy.  When the show was cancelled in 1979, the Osmonds were taken by surprise, as they had believed that the show would be renewed, and found themselves in debt and without a clear direction. The group left Polydor and attempted another album for Mercury Records, Steppin' Out, which was a major failure with neither the album nor any of its singles charting anywhere; it would be their only album on that label. Steppin' Out was a transitional album for the Osmonds and was produced under the auspices of Maurice Gibb; among its tracks was the first recorded version of "Rest Your Love on Me," a country song that would become a hit for Gibb's own band, the Bee Gees, and topped the country charts in a cover version by Conway Twitty. They produced two unsuccessful projects for Marie, a sitcom pilot that never aired and a variety show revival that lasted seven episodes in 1980 and 1981.  They recovered and eventually paid their debts and re-established their careers. Rather than go into bankruptcy, they resolved to honor all of their financial obligations. But the Osmond artists and enterprises began operating separately.
Question: How were album sales during the show's run?
Answer:
the Osmonds as a performing band became a lower priority to Donny and Marie.