input: In 2002, Eminem heard Jackson's Guess Who's Back? CD, received from Jackson's attorney (who was working with Eminem's manager, Paul Rosenberg). Impressed, Eminem invited Jackson to fly to Los Angeles and introduced him to Dr. Dre. After signing a $1 million record deal, Jackson released No Mercy, No Fear. The mixtape featured one new track, "Wanksta", which appeared on Eminem's 8 Mile soundtrack. Jackson was also signed by Chris Lighty's Violator Management and Sha Money XL's Money Management Group.  Jackson released his debut album, Get Rich or Die Tryin' (described by AllMusic as "probably the most hyped debut album by a rap artist in about a decade"), in February 2003. Rolling Stone noted its "dark synth grooves, buzzy keyboards and a persistently funky bounce", with Jackson complementing the production in "an unflappable, laid-back flow". It debuted at number one on the Billboard 200, selling 872,000 copies in its first four days. The lead single, "In da Club" (noted by The Source for its "blaring horns, funky organs, guitar riffs and sparse hand claps"), set a Billboard record as the most listened-to song in radio history within a week.  Interscope gave Jackson his own label, G-Unit Records, in 2003. He signed Lloyd Banks, Tony Yayo and Young Buck as members of G-Unit, and The Game was later signed in a joint venture with Dr. Dre's Aftermath Entertainment. In March 2005 Jackson's second commercial album, The Massacre, sold 1.14 million copies in its first four days (the highest in an abbreviated sales cycle) and was number one on the Billboard 200 for six weeks. He was the first solo artist with three singles in the Billboard top five in the same week with "Candy Shop", "Disco Inferno" and "How We Do". According to Rolling Stone, "50's secret weapon is his singing voice - the deceptively amateur-sounding tenor croon that he deploys on almost every chorus".  After The Game's departure Jackson signed Olivia and rap veterans Mobb Deep to G-Unit Records, with Spider Loc, M.O.P., 40 Glocc and Young Hot Rod later joining the label, who all eventually departed the label. Jackson expressed an interest in working with rappers other than G-Unit, such as Lil' Scrappy of BME, LL Cool J of Def Jam, Mase of Bad Boy and Freeway of Roc-A-Fella, and recorded with several.

Answer this question "What happened to 50 Cent in 2002?"
output: Eminem invited Jackson to fly to Los Angeles and introduced him to Dr. Dre.

input: In 1951, Angelou married Greek electrician, former sailor, and aspiring musician Tosh Angelos, despite the condemnation of interracial relationships at the time and the disapproval of her mother. She took modern dance classes during this time, and met dancers and choreographers Alvin Ailey and Ruth Beckford. Angelou and Ailey formed a dance team, calling themselves "Al and Rita", and performed modern dance at fraternal black organizations throughout San Francisco, but never became successful. Angelou, her new husband, and her son moved to New York City so she could study African dance with Trinidadian dancer Pearl Primus, but they returned to San Francisco a year later.  After Angelou's marriage ended in 1954, she danced professionally in clubs around San Francisco, including the nightclub the Purple Onion, where she sang and danced to calypso music. Up to that point she went by the name of "Marguerite Johnson", or "Rita", but at the strong suggestion of her managers and supporters at the Purple Onion she changed her professional name to "Maya Angelou" (her nickname and former married surname), a "distinctive name" that set her apart and captured the feel of her calypso dance performances. During 1954 and 1955, Angelou toured Europe with a production of the opera Porgy and Bess. She began her practice of learning the language of every country she visited, and in a few years she gained proficiency in several languages. In 1957, riding on the popularity of calypso, Angelou recorded her first album, Miss Calypso, which was reissued as a CD in 1996. She appeared in an off-Broadway review that inspired the 1957 film Calypso Heat Wave, in which Angelou sang and performed her own compositions.  Angelou met novelist John Oliver Killens in 1959 and, at his urging, moved to New York to concentrate on her writing career. She joined the Harlem Writers Guild, where she met several major African-American authors, including John Henrik Clarke, Rosa Guy, Paule Marshall, and Julian Mayfield, and was published for the first time. In 1960, after meeting civil rights leader Martin Luther King Jr. and hearing him speak, she and Killens organized "the legendary" Cabaret for Freedom to benefit the Southern Christian Leadership Conference (SCLC), and she was named SCLC's Northern Coordinator. According to scholar Lyman B. Hagen, her contributions to civil rights as a fundraiser and SCLC organizer were successful and "eminently effective". Angelou also began her pro-Castro and anti-apartheid activism during this time.

Answer this question "Are there any other interesting aspects about this article?"
output: She took modern dance classes during this time, and met dancers and choreographers Alvin Ailey and Ruth Beckford.

input: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations.

Answer this question "When did he join bread"
output:
Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968.