Question:
Hough was born in Orem, Utah, the youngest of five children in a Latter-day Saints (Mormon) family. Her parents are Marianne and Bruce Hough; her father was twice chairman of the Utah Republican Party. Her brother, Derek Hough, is also a professional dancer. She also has three older sisters: Sharee, Marabeth and Katherine.
On March 18, 2014, Hough and her brother Derek announced a summer tour of over 40 cities across the U.S. and Canada, called "Move Live on Tour", which would include dancing and singing from both of them, and the appearance of a group of dancers employed by the Houghs who earned their jobs through auditions. They embarked on the sold out tour on May 25, 2014 in Park City, Kansas and ended it in Los Angeles on July 26, 2014. Due to the success of ticket sales and several sold out venues before the tour had officially kicked off, several more shows were added to the tour schedule, which also sold out. For the tour choreography, the Hough siblings collaborated with Nappytabs.  Following the success of the 2014 tour and high demand, the Houghs announced the return of "Move Live on Tour" in the summer of 2015. Spanning from June 12, 2015 to August 8, 2015, the sold out tour visited over 40 cities throughout the U.S. and Canada, and visited larger venues than in the previous year. Tabitha and Napoleon D'umo "Nappytabs" returned as collaborating choreographers alongside the Hough siblings. Auditions were also held to recruit a new group of dancers to join the Houghs, although some back-up dancers from the previous year returned.  On July 9, 2016, the Houghs held a free fitness pop-up event called 'Move Interactive' in Los Angeles, which they announced would be the first of many. The event started off in Sherman Oaks with a workout session at Pulse Fitness Studios led by celebrity personal trainer and owner, Mark Harari. The participants then took part in a two-mile run along Ventura Blvd, before finishing off with a dance-fitness class at JustDance Los Angeles. According to Hough, the motivation behind the event was to "bring health, love, community and human interaction into our everyday lives." The following week, on July 14, the Hough's held a second free Move Interactive event in Fryman Canyon, LA, which included a hike and team building exercises.  On December 14, 2016, they announced, via social media, that they would be going on a new tour, MOVE BEYOND Live on Tour, in 2017.
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Was the 2015 tour successful?

Answer:
sold out tour


Question:
Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.
Unlike Lully, who collaborated with Philippe Quinault on almost all his operas, Rameau rarely worked with the same librettist twice. He was highly demanding and bad-tempered, unable to maintain longstanding partnerships with his librettists, with the exception of Louis de Cahusac, who collaborated with him on several operas, including Les fetes de l'Hymen et de l'Amour (1747), Zais (1748), Nais (1749), Zoroastre (1749; revised 1756), La naissance d'Osiris (1754), and Anacreon (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, Les Boreades (c. 1763).  Many Rameau specialists have regretted that the collaboration with Houdar de la Motte never took place, and that the Samson project with Voltaire came to nothing because the librettists Rameau did work with were second-rate. He made his acquaintance of most of them at La Poupliniere's salon, at the Societe du Caveau, or at the house of the Comte de Livry, all meeting places for leading cultural figures of the day.  Not one of his librettists managed to produce a libretto on the same artistic level as Rameau's music: the plots were often overly complex or unconvincing. But this was standard for the genre, and is probably part of its charm. The versification, too, was mediocre, and Rameau often had to have the libretto modified and rewrite the music after the premiere because of the ensuing criticism. This is why we have two versions of Castor et Pollux (1737 and 1754) and three of Dardanus (1739, 1744, and 1760).
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How was Rameau's relation with his librettists?

Answer:
Rameau rarely worked with the same librettist twice.


Question:
Count Dracula is the title character of Bram Stoker's 1897 gothic horror novel Dracula. He is considered to be both the prototypical and the archetypal vampire in subsequent works of fiction. He is also depicted in the novel to be the origin of werewolf legends. Some aspects of the character are believed to have been inspired by the 15th-century Wallachian Prince Vlad the Impaler, who was also known as Dracula.
Count Dracula is depicted as the "King Vampire", and can control other vampires. To punish Mina and the party for their efforts against him, Dracula bites her on at least three occasions. He also forces her to drink his blood; this act curses her with the effects of vampirism and gives him a telepathic link to her thoughts. However, hypnotism was only able to be done before dawn. Van Helsing refers to the act of drinking blood by both the vampire and the victim "the Vampire's Baptism of Blood".  The effects changes Mina' physically and mentally over time. A few moments after Dracula attacks her, Van Helsing takes a wafer of sacramental bread and places it on her forehead to bless her; when the bread touches her skin, it burns her and leaves a scar on her forehead. Her teeth start growing longer but do not grow sharper. She begins to lose her appetite, feeling repulsed by normal food, begins to sleep more and more during the day; cannot wake unless at sunset and stops writing in her diary. When Van Helsing later crumbles the same bread in a circle around her, she is unable to cross or leave the circle, discovering a new form of protection.  Dracula's death can release the curse on any living victim of eventual transformation into vampire. However, Van Helsing reveals that were he to successfully escape, his continued existence would ensure that even if he did not victimize Mina further, she would transform into a vampire upon her eventual natural death.
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what was draculas greatest accomplishment?

Answer: