Some context: Baker was born into a staunch Methodist family, the youngest son of Birmingham Gas Department's chief accountant, Charles Frederick Baker and Millie Baker. His early schooling was at King Edwards Grammar School. His elder brothers, Leonard and Norman studied law, and he had a sister, Edna who was the oldest of them all. In his teens Baker began to question what religion meant to him and decided to become a Quaker, since it was closer to what he believed in.
While at Pithoragarh, Baker found his English construction education to be inadequate for the types of issues and materials he was faced with: termites and the yearly monsoon, as well as laterite, cow dung, and mud walls, respectively, Baker had no choice but to observe and learn from the methods and practices of vernacular architecture. He soon learned that the indigenous architecture and methods of these places were in fact the only viable means to deal with local problems.  Inspired by his discoveries (which he modestly admitted were 'discoveries' only for him, and mere common knowledge to those who developed the practices he observed), he realized that unlike the Modernist architectural movement that was gaining popularity at the time denouncing all that was old just because it was old didn't make sense. Baker adopted local craftsmanship, traditional techniques and materials but then combined it with modern design principles and technology wherever it made sense to do so. This prudent adoption of modern technology helped local architecture retain its cultural identity and kept costs low due to the use of local materials. It also revived the local economy due to the use of local labour for both construction of the buildings and for manufacture of construction materials such as brick and lime surkhi.  Baker built several schools, chapels and hospitals in the hills. Eventually, as word spread of his cost-effective buildings more clients from the plains started to contact Baker. One of the early clients was Welthy Fisher, who sought to set up a 'Literacy Village' in which she intended to use puppetry, music and art as teaching methods to help illiterate and newly-literate adults add to their skills. An ageing woman who risked her health to visit Laurie, she refused to leave until she received plans for the village. More and more hospital commissions were received as medical professionals realised that the surroundings for their patients were as much a part of the healing process as any other form of treatment, and that Baker seemed the only architect who cared enough to become familiarised with how to build what made Indian patients comfortable with those surroundings. His presence would also soon be required on-site at Ms. Fisher's "Village," and he became well known for his constant presence on the construction sites of all his projects, often finalising designs through hand-drawn instructions to masons and labourers on how to achieve certain design solutions.
What did he learn
A: He soon learned that the indigenous architecture and methods of these places were in fact the only viable means to deal with local problems.

Question: Visage were a British synthpop band, formed in London in 1978. The band became closely linked to the burgeoning New Romantic fashion movement of the early 1980s, and are best known for their hit "Fade to Grey" which was released in late 1980. In the UK, the band achieved two Top 20 albums (Visage and The Anvil) and five Top 30 singles before the commercial failure of their third album (Beat Boy) led to their break-up in 1985. The band has seen various line-up changes over the years, all fronted by vocalist Steve Strange, who resurrected the band name in the 2000s.

On 8 January 2013, Strange appeared as a guest on the Channel 4 News programme to discuss the forthcoming David Bowie album The Next Day. During the interview he mentioned that a new Visage album was also due for release in Spring 2013.  Also on 8 January 2013, Visage launched their new website, Twitter, Facebook and Soundcloud accounts and announced their new line-up to consist of Steve Strange and Steve Barnacle along with Robin Simon (former guitarist in Ultravox from 1978-79 and Magazine in 1980) and Lauren Duvall on vocals. A single from the album, "Shameless Fashion", was made available as a free download from the band's Facebook page, and a physical CD-single was released on 6 May 2013. The band's new album, Hearts and Knives, was released on 20 May 2013. A second single from the album, "Dreamer I Know", was released in July 2013, and a third single, "Never Enough", was released in December. Throughout the second half of 2013, the band also embarked on a series of live dates in the UK and Europe. "Hidden Sign" was the fourth single to be taken from Hearts and Knives, released in May 2014 and "She's Electric (Coming Around)" was released as the fifth and final single in August 2014.  In December 2014, Visage released Orchestral, a mostly live album containing twelve Visage songs remade with a symphony orchestra. A single of the orchestral version of "Fade To Grey" was released ahead of the album in November 2014.  On 12 February 2015, frontman Steve Strange died of a heart attack while on holiday in Egypt. While Strange's death ultimately meant the end of Visage, the band opted to complete the album they had already been working with Strange on prior to his death. On 2 September 2015, an organisation known as The Steve Strange Collective was announced. Run by Strange's friends and relatives, they oversaw the release of the final album Visage album, Demons to Diamonds, which was released on 6 November 2015.

Using a quote from the above article, answer the following question: what happened in 2012?
HHHHHH
Answer: 

Some context: For the theatre adaptation, see Shakespeare in Love (play). Shakespeare in Love is a 1998 American romantic period comedy-drama film directed by John Madden, written by Marc Norman and playwright Tom Stoppard. The film depicts an imaginary love affair involving Viola de Lesseps (Gwyneth Paltrow) and playwright William Shakespeare (Joseph Fiennes) while he was writing Romeo and Juliet. Several characters are based on historical figures, and many of the characters, lines, and plot devices allude to Shakespeare's plays.
The original idea for Shakespeare in Love came to screenwriter Marc Norman in the late 1980s after a rudimentary pitch from his son Zachary. Norman wrote a draft screenplay which he presented to director Edward Zwick, which attracted Julia Roberts, who agreed to play Viola. However, Zwick disliked Norman's screenplay and hired the playwright Tom Stoppard to improve it (Stoppard's first major success had been with the Shakespeare-themed play Rosencrantz & Guildenstern Are Dead).  The film went into production in 1991 at Universal, with Zwick as director, but although sets and costumes were in construction, Shakespeare had not yet been cast, because Roberts insisted that only Daniel Day-Lewis could play the role. Day-Lewis was uninterested, and when Roberts failed to persuade him, she withdrew from the film, six weeks before shooting was due to begin. The production went into turnaround, and Zwick was unable to persuade other studios to take up the screenplay.  Eventually, Zwick got Miramax interested in the screenplay, but Miramax chose John Madden as director. Miramax boss Harvey Weinstein acted as producer, and persuaded Ben Affleck to take a small role as Ned Alleyn.  The film was considerably reworked after the first test screenings. The scene with Shakespeare and Viola in the punt was re-shot, to make it more emotional, and some lines were re-recorded to clarify the reasons why Viola had to marry Wessex. The ending was re-shot several times, until Stoppard eventually came up with the idea of Viola suggesting to Shakespeare that their parting could inspire his next play.  Among the locations used in the production were Hatfield House, Hertfordshire (for the fireworks scene), Broughton Castle, Oxfordshire (which played the role of the de Lesseps home), the beach at Holkham in Norfolk, the chapel at Eton College, Berkshire, and the Great Hall of Middle Temple, London.
Which location(s) was it filmed?
A:
Among the locations used in the production were Hatfield House, Hertfordshire (for the fireworks scene), Broughton Castle, Oxfordshire