IN: King was born in Long Beach, California, into a conservative Methodist family, the daughter of Betty (nee Jerman), a housewife, and Bill Moffitt, a firefighter. Billie Jean's family was athletic. Her mother excelled at swimming, her father played basketball, baseball and ran track. Her younger brother, Randy Moffitt, became a Major League Baseball pitcher, pitching for 12 years in the major leagues for the San Francisco Giants, Houston Astros, and Toronto Blue Jays.

In 1982, King was 38 years old and the twelfth-seed at Wimbledon. In her third round match with Tanya Harford of South Africa, King was down 7-5, 5-4 (40-0) before saving three match points to win the second set 7-6(2) and then the third set 6-3. King said in her post-match press conference, "I can't recall the previous time I have been so close to defeat and won. When I was down 4-5 and love-40, I told myself, 'You have been here 21 years, so use that experience and hang on.'" In the fourth round, King upset sixth-seeded Australian Wendy Turnbull in straight sets. King then upset third-seeded Tracy Austin in the quarterfinals 3-6, 6-4, 6-2 to become the oldest female semifinalist at Wimbledon since Dorothea Douglass Lambert Chambers in 1920. This was King's first career victory over Austin after five defeats and reversed the result of their 1979 Wimbledon quarterfinal. King said in her post-match press conference, "Today, I looked at the scoreboard when I was 2-0 in the third set and the '2' seemed to be getting bigger and bigger. In 1979, when I was up 2-0 at the same stage, I was tired and didn't have anything left. But today I felt so much better and was great mentally." Two days later in the semifinals, which was King's 250th career match at Wimbledon in singles, women's doubles, and mixed doubles, the second-seeded Chris Evert defeated King on her fifth match point 7-6(4), 2-6, 6-3. King was down a set and 2-1 in the second set before winning five consecutive games to even the match. King explained that she actually lost the match in the first set by failing to convert break points at 15-40 in the second and fourth games.  She reached the semifinals in her final appearance at Wimbledon, losing to Andrea Jaeger 6-1, 6-1 after beating Kathy Jordan in the quarterfinals, seventh-seeded Wendy Turnbull in the fourth round, and Rosemary Casals, her longtime doubles partner, in the third round. Jaeger claims that she was highly motivated to defeat King because King had defeated Turnbull, a favorite of Jaeger's, and because King refused a towel from an attendant just before her match with Jaeger, explaining, "I'm not going to sweat in this match."  King became the oldest WTA player to win a singles tournament when she won the Edgbaston Cup grass court tournament in Birmingham at 39 years, 7 months and 23 days after a straight-sets victory in the final against Alycia Moulton. The final official singles match of King's career was a second round loss to Catherine Tanvier at the 1983 Australian Open.

Where else did she play tennis during that time?

OUT: 


IN: Let's Get It On is the thirteenth studio album by American singer and songwriter Marvin Gaye. It was released on August 28, 1973, by Tamla Records. Recording sessions for the album took place during June 1970 to July 1973 at Hitsville U.S.A. and Golden World Studio in Detroit, and at Hitsville West in Los Angeles.

Gaye proceeded to record some more politically conscious material at the Golden World Records studio, known as Motown's Studio B, as well as the preliminary vocals and instrumentation for some of the material to be featured on Let's Get It On. Following the earlier sessions in Detroit at Golden World, Gaye recorded at Hitsville West in Los Angeles from February to July 1973. Accompanied by an experienced group of session musicians called The Funk Brothers, who had contributed to Gaye's What's Going On, and received their first official credit, Gaye recorded the unreleased songs "The World is Rated X" and "Where Are We Going" and the single "You're the Man" (1972) at Golden World. "Where Are We Going" was later covered by trumpeter Donald Byrd. Gaye had planned the release of an album titled You're the Man, but it was later shelved for unknown reasons. The songs that were to be included on it, along with other unreleased recordings from Hitsville West and Golden World, were later featured on the 2001 re-release of Let's Get It On.  The album's first recording, "Let's Get It On", was composed by Gaye with friend and former Motown label mate Ed Townsend. It was originally written by Gaye as a religious ode to life, but Motown singer-songwriter Kenneth Stover re-wrote it as a more political first draft. Upon hearing Gaye's preliminary mix of Stover's draft, Townsend protested and claimed that the song would be better suited with sexual and romantic overtones, particularly "about making sweet love." Gaye and Townsend rewrote the song's lyrics together with the original arrangements and musical accompaniment of the demo intact. The lyrics were inspired by Janis Hunter, whom Gaye had become infatuated with after meeting each other through Ed Townsend during the initial sessions. Townsend has cited Hunter's presence during the album's recording as an inspiration for Gaye. Gaye's intimate relationship with Hunter subsequently became the basis for his 1976 album I Want You. While recording the title track, he was inspired to revive unfinished recordings from his 1970 sessions at the Hitsville U.S.A. Studio.  Townsend assisted Gaye with producing the rest of the album, whose recording took place at several sessions throughout 1970 to 1973. They worked on four songs together, including the ballad "If I Should Die Tonight", while Gaye composed most of the other songs, including those from past sessions. "Just to Keep You Satisfied" was originally recorded by several Motown groups, including The Originals and The Monitors, as a song dedicated to long-standing love. With re-recording the song, he had re-written the arrangement and lyrics to address the demise of his volatile marriage to Anna Gordy Gaye, who happened to be the original song's co-writer. The background vocals for the album were sung by Gaye, with the exception of "Just to Keep You Satisfied", which were done by The Originals. Most of the instrumentation for the album was done by members of The Funk Brothers, including bassist James Jamerson, guitarists Robert White and Eddie Willis, and percussionist Eddie "Bongo" Brown. Gaye also contributed on piano during the sessions.

Was Let's get it on a single or an album?

OUT:
The album's first recording, "Let's Get It On",