Problem: Chumbawamba  were a British band that formed in 1982 and dissolved in 2012. The band constantly shifted in musical style, drawing on genres such as punk rock, pop, folk, and experimental. Their anarchist or libertarian socialist political stance exhibited an irreverent attitude toward authority, and the band have been forthright in their stances on issues including animal rights, pacifism (early in their career) and later regarding class struggle, feminism, gay liberation, pop culture and anti-fascism. The band are best known for their song "Tubthumping", which was nominated for Best British Single at the 1998 Brit Awards.

By the late 1980s and early 1990s, Chumbawamba had begun to absorb influences from techno music and rave culture. The band members quit their day jobs to begin concentrating on music full-time as they could now guarantee sales of 10,000 and they moved away from their original anarcho-punk roots, evolving a pop sensibility with releases such as Slap! (1990) and the sample-heavy Shhh (1992) (originally intended to be released as Jesus H Christ!, this album had to be withdrawn and re-recorded because of copyright problems). They also toured the United States for the first time in 1990.  When Jason Donovan took The Face magazine to court that same year for claiming he was lying by denying he was gay, Chumbawamba responded by printing up hundreds of 'Jason Donovan - Queer As Fuck' T-shirts and giving them away free with the single "Behave".  After signing to the independent One Little Indian record label, Anarchy (1994) lyrically remained as politically uncompromising as ever, continuing to address issues such as homophobia (see song "Homophobia", the music video of which features the Sisters of Perpetual Indulgence), the Criminal Justice Act and the rise of fascism in the UK following the election of Derek Beackon, a British National Party councillor in south-east London in 1993. The album was the band's biggest success to date reaching the top 30 in the UK and the singles "Timebomb" and "Enough Is Enough" both entering the low end of the UK Singles Chart. The latter featured Credit to the Nation's rapper MC Fusion. The live shows to support the album were recorded and went to make up their first live album Showbusiness!, released in 1995. One Little Indian also decided to re-release Chumbawamba's back catalogue, which meant that the first three albums were released on CD format for the first time. The first two, Pictures of Starving Children Sell Records (1985) and Never Mind the Ballots (1987) were repackaged as one disc under the title First 2.  Chumbawamba parted with One Little Indian during the recording of the 1996 album Swingin' With Raymond, although they did release one last CD entitled Portraits of Anarchists which came with copies of Casey Orr's book of the same name.

Is there anything else interesting I should know?

Answer with quotes: They also toured the United States for the first time in 1990.


Problem: Giuseppe Fortunino Francesco Verdi (Italian: [dZu'zeppe 'verdi]; 9 or 10 October 1813 - 27 January 1901) was an Italian opera composer. He was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini, whose works significantly influenced him. By his 30s, he had become one of the pre-eminent opera composers in history.

Having achieved some fame and prosperity, Verdi began in 1859 to take an active interest in Italian politics. His early commitment to the Risorgimento movement is difficult to estimate accurately; in the words of the music historian Philip Gossett "myths intensifying and exaggerating [such] sentiment began circulating" during the nineteenth century. An example is the claim that when the "Va, pensiero" chorus in Nabucco was first sung in Milan, the audience, responding with nationalistic fervour, demanded an encore. As encores were expressly forbidden by the government at the time, such a gesture would have been extremely significant. But in fact the piece encored was not "Va, pensiero" but the hymn "Immenso Jehova".  The growth of the "identification of Verdi's music with Italian nationalist politics" perhaps began in the 1840s. In 1848, the nationalist leader Giuseppe Mazzini, (whom Verdi had met in London the previous year) requested Verdi (who complied) to write a patriotic hymn. The opera historian Charles Osborne describes the 1849 La battaglia di Legnano as "an opera with a purpose" and maintains that "while parts of Verdi's earlier operas had frequently been taken up by the fighters of the Risorgimento...this time the composer had given the movement its own opera" It was not until 1859 in Naples, and only then spreading throughout Italy, that the slogan "Viva Verdi" was used as an acronym for Viva Vittorio Emanuele Re D'Italia (Viva Victor Emmanuel King of Italy), (who was then king of Piedmont). After Italy was unified in 1861, many of Verdi's early operas were increasingly re-interpreted as Risorgimento works with hidden Revolutionary messages that perhaps had not been originally intended by either the composer or his librettists.  In 1859, Verdi was elected as a member of the new provincial council, and was appointed to head a group of five who would meet with King Vittorio Emanuele II in Turin. They were enthusiastically greeted along the way and in Turin Verdi himself received much of the publicity. On 17 October Verdi met with Cavour, the architect of the initial stages of Italian unification. Later that year the government of Emilia was subsumed under the United Provinces of Central Italy, and Verdi's political life temporarily came to an end. Whilst still maintaining nationalist feelings, he declined in 1860 the office of provincial council member to which he had been elected in absentia. Cavour however was anxious to convince a man of Verdi's stature that running for political office was essential to strengthening and securing Italy's future. The composer confided to Piave some years later that "I accepted on the condition that after a few months I would resign." Verdi was elected on 3 February 1861 for the town of Borgo San Donnino (Fidenza) to the Parliament of Piedmont-Sardinia in Turin (which from March 1861 became the Parliament of the Kingdom of Italy), but following the death of Cavour in 1861, which deeply distressed him, he scarcely attended. Later, in 1874, Verdi was appointed a member of the Italian Senate, but did not participate in its activities.

How long did he serve?

Answer with quotes:
), but following the death of Cavour in 1861, which deeply distressed him, he scarcely attended.