Problem: Zazi was born in a village in Paktia Province, Afghanistan. He has two sisters and two brothers. At the age of 7 in 1992, he and his family moved to the city of Peshawar in Pakistan where they settled as Afghan refugees. In 1999, he and the family left Pakistan and immigrated to New York City.

On September 10, as he crossed the George Washington Bridge headed for New York City, Zazi was pulled over by Port Authority Police, acting at the FBI's request, for what he was told was a routine random drug search, and his car was searched. They did not find anything of note, and he was allowed to go. Afzali's lawyer later wrote the court: "Even though [Zazi] is not the brightest bulb in the terrorist chandelier, the thinly-transparent ruse of a 'random' checkpoint stop did not fool him."  On September 11, Afzali called Zazi's father. Zazi's father then spoke with Zazi, told him that "they" had shown Afzali his photos and photos of others, said Afzali would call him and he should speak with him as soon as possible, and added "So, before anything else, speak with [Afzali]. See if you need to go to [Afzali] or to make ... yourself aware, hire an attorney." Afzali called Zazi, and told him that the authorities had asked him about "you guys." He also asked Zazi for the telephone number of one of the other men whose photos he had been shown, and set up a meeting with him.  Later that day, Zazi's rental car was towed due to a parking violation, and was searched. Agents found a laptop with a JPEG image of nine handwritten pages on how to make initiating explosives, main explosive charges, detonators, and fuses. The FBI asserted the nine pages of handwritten notes were in Zazi's handwriting.  Zazi called Afzali, said his car had been stolen and he feared he was being "watched", and that the people watching him took his car. Afzali asked if there was any "evidence" in the car, and Zazi said no.  When Zazi realized they were under investigation, the group threw away their bomb-making materials.

When was he captured?

Answer with quotes: 


Problem: Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.

In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate." Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, Salt Lake City, Utah, Los Angeles, California, and Buffalo, New York. The elder Clooney also ran for Congress in 2004.  George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck., which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers. The film ultimately grossed more than $54 million worldwide.  The CBS offices and studios seen in the movie were all sets on a soundstage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license--the CBS executive offices at the time were located at 485 Madison Avenue. CBS News was located in an office building just north of Grand Central Terminal (demolished and now the site of the Met Life Building); and the See It Now studio was located in Grand Central Terminal itself, above the waiting room. For dramatic effect, all three areas were depicted as being in the same building.  Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film. A young Robert Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.

Who plays the role of Robert Kennedy?

Answer with quotes:
He was then a staff member on the Senate subcommittee chaired by McCarthy.