input: The band released their debut single "Finetime" in July 1995, which went straight in at No. 17. The follow-up single "Alright", a song originally written and performed a handful of times whilst still in The La's under the original title "Fly On" became the band's first Top 15 hit in the UK, peaking at No. 13 in the singles chart.  The band's debut album All Change, released October 1995 was produced by John Leckie who had previously worked with The Stone Roses and The Verve and had also previously worked with Power in The La's. The album shot to No. 7 in the UK charts, reaching double platinum and went on to become the fastest selling debut album in the history of the Polydor label, outselling the likes of The Jimi Hendrix Experience, The Who and The Jam. A further two singles were taken from the album in "Sandstorm" (#8) and "Walkaway" (#9), both top ten hits.  A stand-alone single was released in October 1996 titled "Flying", which reached No. 4 on the UK singles chart, giving the band their highest chart position in the UK yet.  With their second album Mother Nature Calls, released April 1997 the "rockier material was now sounding looser and cockier in a Stonesy or Faces-ish way and the moodier tracks awash with melancholic atmosphere". The band worked again with John Leckie. The album peaked at No. 3, reaching platinum and stayed in the Top 40 for over 6 months. The album spawned three top ten hits in "Free Me" (#7), "Guiding Star" (#9), "Live the Dream" (#7) and one top twenty hit with the 4th single from the album "I'm So Lonely" (#14), a ballad written during a period of bleak loneliness in a Japanese hotel room. Power revealed that the album title was supposed to be tongue in cheek, because Mother Nature is always calling because of man's mortality, but also because he was on the toilet at the time he came up with the name. Although The Daily Telegraph proclaimed "Employing the spiritual terms of Power's lyrics, Cast may be the perfect Taoist band. They don't seem to try. Cast just are.", the album received largely mixed reviews in the press, Power later blamed this on the fact that it was more of a slow burner than the more instant All Change and claimed that a number of critics later told him that repeated listens had changed their perceptions of the album.

Answer this question "What were some of the singles to come from this album?"
output: Fly On

input: Although ostensibly retired from racing since 1962, Moss did make a number of one-off appearances in professional motorsport events in the following two decades. He also competed in the 1974 London-Sahara-Munich World Cup Rally in a Mercedes-Benz, but retired from the event in the Algerian Sahara. The Holden Torana he shared with Jack Brabham in the 1976 Bathurst 1000 was hit from behind on the grid and eventually retired with engine failure. Moss, at the wheel of the Torana when the V8 engine let go, was criticised by other drivers for staying on the racing line for over  2/3  of the 6.172 km long circuit while returning to the pits as the car was dropping large amounts of oil onto the road. He also shared a Volkswagen Golf GTI with Denny Hulme in the 1979 Benson & Hedges 500 at Pukekohe Park Raceway in New Zealand.  In 1980 he made a comeback to regular competition, in the British Saloon Car Championship with the works-backed GTi Engineering Audi team. For the 1980 season Moss was the team's number two driver to team co-owner Richard Lloyd. For the 1981 season Moss stayed with Audi, as the team moved to Tom Walkinshaw Racing management, driving alongside Martin Brundle.  Throughout his retirement he raced in events for historic cars, driving on behalf of and at the invitation of others, as well as campaigning his own OSCA FS 372 and other vehicles.  On 9 June 2011 during qualifying for the Le Mans Legends race, Moss announced on Radio Le Mans that he had finally retired from racing, saying that he had scared himself that afternoon. He was 81.

Answer this question "Did he win many races after that?"
output: Radio Le Mans that he had finally retired from racing, saying that he had scared himself that afternoon. He was 81.

input: Stekel contrasted what he called "normal fetishes" from extreme interests: "They become pathological only when they have pushed the whole love object into the background and themselves appropriate the function of a love object, e.g., when a lover satisfies himself with the possession of a woman's shoe and considers the woman herself as secondary or even disturbing and superfluous (p. 3). Stekel also deals differently than Freud with the problem of perversion. A lot of perversions are defense mechanisms (Schutzbauten) of the moral "self"; they represent hidden forms of asceticism. To Freud, the primal sexual venting meant health, while neuroses were created because of repressing sexual drives. Stekel, on the other hand, points out the significance of the repressed religious "self" in neuroses and indicates that apart from the repressed sexuality type, there is also a repressed morality type. This type is created in the conditions of sexual licentiousness while being opposed to doing it at the same time. In the latter instance, 'Stekel holds that fetichism is the patient's unconscious religion'. "Normal" fetishes for Stekel contributed more broadly to choice of lifestyle: thus "choice of vocation was actually an attempt to solve mental conflicts through the displacement of them", so that doctors for Stekel were "voyeurs who have transferred their original sexual current into the art of diagnosis".  Complaining of Freud's tendency to indiscretion, Ernest Jones wrote that he had told him "the nature of Stekel's sexual perversion, which he should not have and which I have never repeated to anyone". Stekel's "elaboration of the idea that everyone, and in particular every neurotic, has a peculiar form of sexual gratification which is alone adequate" may thus have been grounded in personal experience.  On sado-masochism, "Stekel has described the essence of the sadomasochistic act to be humiliation".

Answer this question "what were specific elements of the theory?"
output:
the significance of the repressed religious "self" in neuroses and indicates that apart from the repressed sexuality type, there is also a repressed morality type.