input: Cousy took up basketball at the age of 13 as a student at St. Pascal's elementary school, and was "immediately hooked". The following year, he entered Andrew Jackson High School in St Albans. His basketball success was not immediate, and in fact he was cut from the school team in his first year. Later that year, he joined the St. Albans Lindens of the Press League, a basketball league sponsored by the Long Island Press, where he began to develop his basketball skills and gained much-needed experience. The next year, however, he was again cut during the tryouts for the school basketball team.  That same year, he fell out of a tree and broke his right hand. The injury forced him to play left-handed until his hand healed, making him effectively ambidextrous. In retrospect, he described this accident as "a fortunate event" and cited it as a factor in making him more versatile on the court. During a Press League game, the high school basketball coach saw him play. He was impressed by the budding star's two-handed ability and invited Cousy to come to practice the following day to try out for the junior varsity team. He did well enough to become a permanent member of the JV squad. He continued to practice day and night, and by his junior year was sure he was going to be promoted to the varsity; but failing his citizenship course made him ineligible for the first semester. He joined the varsity squad midway through the season, however, scoring 28 points in his first game. He had no intention of attending college, but after he started to make a name for himself on the basketball court he started to focus on improving in both academics and basketball skills to make it easier for him to get into college.  He again excelled in basketball his senior year, leading his team to the Queens divisional championship and amassing more points than any other New York City high school basketball player. He was even named captain of the Journal-American All-Scholastic team. He then began to plan for college. His family had wanted him to attend a Catholic school, and he wanted to go somewhere outside New York City. Boston College recruited him, and he considered accepting the BC offer, but it had no dormitories, and he was not interested in being a commuter student. Soon afterward, he received an offer from the College of the Holy Cross in Worcester, Massachusetts about forty miles (64 kilometers) west of Boston. He was impressed by the school, and accepted the basketball scholarship it offered him. He spent the summer before matriculating working at Tamarack Lodge in the Catskill Mountains and playing in a local basketball league along with a number of established college players.

Answer this question "Did he ever make it on to his high school basketball team?"
output: The next year, however, he was again cut during the tryouts for the school basketball team.

input: Meanwhile, Matt Parkman, regretting his actions, is haunted by Sylar, who claims to have lingered in Parkman's mind after Parkman "sucked" all his memories and replaced them with Nathan's. Though Parkman had resolved not to use his powers anymore, Sylar eventually tempts him into using them again. Following this, Sylar escalates his tormenting of Parkman, using his own telepathy against him to force Parkman to use his powers to save himself. Sylar then gives a defeated Parkman an ultimatum: either continue to live with Sylar in his mind or return Sylar's mind to his body.  Matt decides to keep Sylar in his mind, which begins to have consequences when Sylar's control over Matt advances, where Sylar has sex with Matt's wife Janice while Matt was asleep. Scared of what Sylar could do to his family (which Sylar himself alludes to), Matt tells Janice the truth, and Janice agrees to let Matt try to exorcise Sylar by leaving the house. During another conversation, Sylar appears pained whenever Parkman drinks alcohol, giving Parkman the idea to drink into a stupor. Sylar appears successfully removed as he fades from Matt's mind, and Matt remains conscious long enough to see his partner and Janice return. In actuality, Sylar simply tricked Parkman into knocking himself out. Now much more powerful, Sylar takes full control of Parkman's body, leaving Matt trapped in his own head. Despite his control over the body, Matt's personality constantly hampers Sylar from reaching his body, including letting Sylar be arrested and "withholding" Sylar's ability to use Matt's telepathy. In response, Sylar threatens to murder innocent civilians if Parkman doesn't cooperate. Faced with an ultimatum, Parkman attempts to commit suicide by cop.  The attempt appears to almost work, but "Nathan" and Peter arrive to revive Matt. Once revived, Matt is surprised to see Nathan and Peter, as is Sylar. Desperate to return to his original body, Sylar forcefully takes over Parkman's body, only needing to touch Nathan in order to jump back into his own body. While "Nathan's" confidence in who he is is shattered (Matt reveals that "Nathan" is Sylar), Sylar uses Parkman's telepathy to bring Nathan closer to him, with intuitive aptitude forcing Nathan to throw Peter telekinetically and proceed to get closer, to understand who he is. Although the event is temporarily stalled by an incoming guard, Nathan brushes hands with Matt, freeing him from Sylar's hold, and leaving Nathan fearful that Sylar will soon take over his body once more.

Answer this question "Does Matt find out about Sylar's actions with Matt's wife?"
output: Scared of what Sylar could do to his family (which Sylar himself alludes to), Matt tells Janice the truth, and Janice agrees to let Matt try to exorcise Sylar

input: In the early 1970s, Corea took a profound stylistic turn from avant-garde to a crossover jazz fusion style that incorporated Latin jazz with Return to Forever. Named after their eponymous 1972 album, the band relied on both acoustic and electronic instrumentation and drew upon Latin American styles more than on rock music. On their first two records, Return to Forever consisted of Flora Purim on vocals, Joe Farrell on flute and soprano saxophone, Airto Moreira on drums , and Stanley Clarke on double bass. Drummer Lenny White and guitarist Bill Connors later joined Corea and Clarke to form the second version of the group, which expanded the earlier Latin jazz elements with a more rock and funk-oriented sound inspired by the Mahavishnu Orchestra, led by his Bitches Brew bandmate John McLaughlin. This incarnation of the group recorded the album Hymn of the Seventh Galaxy, before Connors' departure and replacement by Al Di Meola, who was present on the subsequent releases Where Have I Known You Before, No Mystery, and Romantic Warrior.  Corea's composition "Spain" appeared on the 1972 Return to Forever album Light as a Feather. This is probably his most popular piece, and it has been recorded by a variety of artists. There are also a variety of recordings by Corea himself. These included an arrangement for piano and symphony orchestra that appeared in 1999 and a collabration with vocalist Bobby McFerrin on the 1992 album Play. Corea usually performs "Spain" with a prelude based on Joaquin Rodrigo's Concierto de Aranjuez (1940), which earlier received a jazz orchestration on Davis and Gil Evans' Sketches of Spain.  In 1976, he issued My Spanish Heart, influenced by Latin American music and featuring vocalist Gayle Moran (Corea's wife) and electric violinist Jean-Luc Ponty. The album combined jazz and flamenco, supported by Minimoog backup and a horn section.

Answer this question "What does jazz with return to forever mean"
output:
Named after their eponymous 1972 album,