Background: Of Irish descent, Donovan was born in Buffalo, New York, to Anna Letitia "Tish" Donovan (nee Lennon) and Timothy P. Donovan, both American-born children of Irish immigrants. The Lennons were from Ulster, the Donovans from County Cork. Donovan's grandfather Timothy O'Donovan (Sr.) was from the town of Skibbereen; raised by an uncle who was a parish priest, he married Donovan's grandmother Mary Mahoney, who belonged to a propertied family of substantial means that disapproved of him.
Context: During World War I, Major Donovan led the 1st battalion, 165th Regiment of the 42nd Division. Serving in France, he suffered a shrapnel wound in one leg and was almost blinded by gas. After performing a rescue under fire, he was offered the Croix de Guerre, but turned it down because a Jewish soldier who had taken part in the rescue had not also been awarded the honor. When this insult was corrected, Donovan accepted the distinction. He also was awarded the Distinguished Service Cross for leading an assault during the Aisne-Marne campaign, in which hundreds of members of his regiment died, including his acting adjutant, the poet Joyce Kilmer. The events of this Battle and the 69th Infantry Regiment were dramatised in the James Cagney movie, "The Fighting 69th".  Donovan's remarkable level of endurance, which far exceeded that of the much younger soldiers under his command, led those men to give him the nickname "Wild Bill", which stuck with him for the rest of his life. Although he "professed annoyance with the nickname," his wife "knew that deep down he loved it."  Appointed chief of staff of the 165th Regiment, Donovan fought in another battle that took place near Landres-et-Saint-Georges on October 14-15, 1918. Going into battle, Donovan "ignored the officers' custom of covering or stripping off insignia of rank (targets for snipers) and instead sallied forth wearing his medals", according to Evan Thomas. "They can't hit me and they won't hit you!" he told his men. Struck in the knee by a bullet, he "refused to be evacuated and continued to direct his men until even American tanks were turning back under withering German fire." After lobbying by his friend Father Francis Duffy, a famous and widely revered Army chaplain, Donovan was awarded an Oak Leaf Cluster of the Distinguished Service Cross (i.e., a second DSC) for his service in that battle. After the Armistice, Donovan remained in Europe as part of the occupation. On returning to New York in April 1919, Donovan, now a colonel, was widely discussed as a possible candidate for governor, but he rejected the idea, proclaiming his intention to return to Buffalo and resume the practice of law.
Question: Was he proud of his role in the armed services?
Answer: He also was awarded the Distinguished Service Cross for leading an assault during the Aisne-Marne campaign,

Background: Kevin Moore (born May 26, 1967) is an American keyboardist, vocalist, composer, and founder of the Chroma Key music project. He is also a former member of the American progressive metal/rock band Dream Theater, co-founder of the progressive rock supergroup O.S.I. and has composed film soundtracks. Throughout his career, he has become known for his emotional music and lyrics, nomadic lifestyle and use of spoken word samples. Moore started his music career in progressive metal band Dream Theater.
Context: Dream Theater's debut studio album was 1989's When Dream and Day Unite, which earned the group comparisons to well-known progressive rock bands such as Rush and Queensryche. Their big breakthrough, however, came in 1992 with the album Images and Words, featuring the band's highest charting single to date, "Pull Me Under". The song, which included lyrics by Moore, reached #10 on the Billboard Mainstream Rock Tracks chart. Following their relentless touring in support of the second album, the band also went on to release a live album, Live at the Marquee, and a video, Images and Words: Live In Tokyo. The video's extensive documentary footage would subsequently introduce many fans to Moore's ironic sense of humor.  In 1994, the band released its third studio album, Awake, which was the band's highest charting album to date with Moore, reaching #32. The album featured Moore's signature song, a haunting piano-driven ballad called "Space-Dye Vest." Shortly before the album was mixed, though, Moore announced to the rest of the band that he wished to concentrate on his own musical interests and would be quitting Dream Theater. According to Portnoy, Moore became interested in the independence of working on his own as opposed to the compromise of a band environment. Although Dream Theater has since invited him to play reunion shows, Moore has said he prefers to move forward as opposed to looking back. He also declined to take part in the official Dream Theater biography titled Lifting Shadows.  During his time in Dream Theater, Moore wrote the lyrics to songs on each of the band's albums and also to some of the band's demos and b-sides. On When Dream and Day Unite, he wrote "Light Fuse and Get Away" and "Only a Matter of Time." On Images and Words, he penned "Pull Me Under", "Surrounded", "Wait for Sleep", and parts of "Take the Time." On Awake, the songs "6:00", "Lie", and "Space-Dye Vest" all featured his lyrics. Demos with his lyrics include "Don't Look Past Me," the final verse of "To Live Forever '94," "A Vision," "Vital Star," and "Two Far."
Question: Was that album ever released?
Answer:
In 1994, the band released its third studio album, Awake,