Some context: The Whitney Museum of American Art - known informally as the "Whitney" - is an art museum located in Manhattan. It was founded in 1931 by Gertrude Vanderbilt Whitney (1875-1942), a wealthy and prominent American socialite and art patron after whom the museum is named. The Whitney focuses on 20th- and 21st-century American art. Its permanent collection comprises more than 21,000 paintings, sculptures, drawings, prints, photographs, films, videos, and artifacts of new media by more than 3,000 artists.
In 1961, the museum began seeking a site for a larger building. The Whitney settled in 1966 at the southeast corner of Madison Avenue at 75th Street in Manhattan's Upper East Side. The building, planned and built 1963-1966 by Marcel Breuer and Hamilton P. Smith in a distinctively modern style, is easily distinguished from the neighboring townhouses by its staircase facade made from granite stones and its external upside-down windows. In 1967, Mauricio Lasansky showed The Nazi Drawings. The exhibition traveled to the Whitney Museum of American Art in New York, where they appeared with shows by Louise Nevelson and Andrew Wyeth as the first exhibits installed in the new museum.  The institution grappled with space problems for decades. From 1973 to 1983 the Whitney operated its first branch at 55 Water Street, in a building owned by Harold Uris who gave the museum a lease for $1 a year. In 1983 Philip Morris installed a Whitney branch in the lobby of its Park Avenue headquarters. In 1981 the museum opened an exhibition space in Stamford, Connecticut, that was housed in Champion International Corporation. In the late 1980s, the Whitney entered into arrangements with Park Tower Realty, I.B.M. and The Equitable Life Assurance Society of the United States, setting up satellite museums with rotating exhibitions in the lobbies of their buildings. Each museum had its own director, and all plans were to be approved by a Whitney committee.  The institution has tried to expand its landmark building and in 1978 commissioned UK architects Derek Walker and Norman Foster to design a tall tower alongside, the first of several proposals from leading architects. But each time the effort was abandoned, either because of the cost or the design or both. In order to secure additional space for the museum's collections, then-director Thomas N. Armstrong III developed plans for a 10-story, $37.5-million addition to the Whitney's main building. The proposed addition, designed by Michael Graves and announced in 1985, drew immediate opposition. Graves had proposed demolishing the flanking brownstones down to the East 74th Street corner for a complementary addition. After the project gradually lost the support of many of the museum's trustees, the plans were dropped in 1989. Between 1995 and 1998, the building underwent a renovation and addition by Richard Gluckman. In 2001, Rem Koolhaas was commissioned to submit two designs for a $200 million expansion; plans were dropped again in 2003, causing director Maxwell L. Anderson to resign. New York restaurateur Danny Meyer opened Untitled, a restaurant in the museum in March 2011. The space was designed by the Rockwell Group.
How is the new building better than the old
A: distinctively modern style, is easily distinguished from the neighboring townhouses by its staircase facade made from granite stones and its external upside-down windows.

Some context: Hasek started playing hockey at the age of six in his native Czechoslovakia. As he explains: They held a tryout for 5-year-old boys and my father took me there. I didn't even have real skates. I had those blades that you screwed onto the soles of your shoes, but I was tall, and the 9-year-olds didn't have a goalie, so they put me in with them and thats where I fell in love with the game of hockey.
After his contract with the Red Wings expired, Hasek announced his intention to play for a Stanley Cup contender, and specifically named the Ottawa Senators as a possibility. On July 6, 2004, after trading Patrick Lalime to the St. Louis Blues, the Senators signed Hasek to a one-year deal.  During the 2004-05 NHL lockout, Hasek toured with the Primus Worldstars. Similar to the tour Wayne Gretzky and IMG formed during the 1994-95 NHL lockout, the Primus Worldstars Tour ran December 7-23, playing in seven different countries (Riga, Latvia; Moscow and St Petersburg, Russia; Bratislava, Slovakia; Bern, Switzerland; Karlstad, Jonkoping and Linkoping, Sweden; Oslo, Norway; Katowice, Poland) in ten scheduled games. The tour competed against all-star teams or club teams of each country.  Hasek played increasingly well for the Senators up until the 2006 Winter Olympics in Turin. During the season, he reached 300 career wins, and his GAA and save percentage were the second-best in the league. Upon departure to Turin, Hasek's equipment was accidentally left behind in Ottawa. This caused Hasek to miss a number of practices with the Czech national team. At the Winter Olympics, he injured his right adductor muscle while making a save in the first qualifying match against Germany, forcing him to leave the game after only 9 minutes and 25 seconds. Hasek's injury caused him to miss the rest of the regular season and post-season, despite several rumours that he would return in time for the playoffs. He said that if he were to be re-signed, he would play for a base salary of $500,000 with bonuses.  After the Senators were eliminated in the second round, they opted not to re-sign Hasek.
what else did he do?
A:
Upon departure to Turin, Hasek's equipment was accidentally left behind in Ottawa.