Answer the question at the end by quoting:

Michael Bennett (April 8, 1943 - July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical A Chorus Line.
Unlike his more famous contemporary Bob Fosse, Bennett was not known for a particular choreographic style. Instead, Bennett's choreography was motivated by the form of the musical involved, or the distinct characters interpreted.  In Act 2 of Company, Bennett defied the usual choreographic expectations by deliberately taking the polish off the standard Broadway production number. The company stumbled through the steps of a hat and cane routine ("Side By Side") and thus revealed to the audience the physical limitations of the characters' singing and dancing. Bennett made the audience aware that this group had been flung together to perform, and that they were in over their heads. He intended the number to be not about the routine, but rather the characters behind it.  The song "One" from A Chorus Line functions in a different way. The various phases of construction/rehearsal of the number are shown, and because the show is about professional dancers, the last performance of the song-and-dance routine has all the gloss and polish expected of Broadway production values. Bennett's choreography also reveals the cost of the number to the people behind it.  Bennett was influenced by the work of Jerome Robbins. "What Michael Bennett perceived early in Robbins' work was totality, all the sums of a given piece adding to a unified whole". In Dreamgirls, Bennett's musical staging was described as a "mesmerizing sense of movement":  The most thrilling breakthrough of the extraordinary show is that whereas in A Chorus Line Michael Bennett choreographed the cast, in Dreamgirls he has choreographed the set.... Bennett's use of [the plexiglass towers that dominated the set] was revolutionary. The towers moved to create constantly changing perspectives and space, like an automated ballet.... They energized the action, driving it forcefully along. It's why there were no set-piece dance routines in the show: Dance and movement were organic to the entire action. But Bennett had made the mechanical set his dancers."

What were some strong points regarding his choreographic style?

Bennett's choreography was motivated by the form of the musical involved, or the distinct characters interpreted.



Answer the question at the end by quoting:

Loki is a fictional character appearing in American comic books published by Marvel Comics. Created by writer Stan Lee, scripter Larry Lieber, and penciller Jack Kirby, a version of the character first appeared in Venus #6 (August 1949). The modern day incarnation of Loki first appeared in Journey into Mystery #85 (October 1962). He is the adopted brother and often the enemy of the superhero Thor.
With the Asgardian population other than Thor still wary of Loki, Loki revealed to his brother that he was attempting to learn more about Earth and humans, to which Thor approves. When a magpie exploded in his quarters carrying a key, it led to a chain of events where at the end, Loki was contacted by an echo of his former incarnation, who revealed he chose to sacrifice himself fighting the Void as part of a greater plan which would involve his death and return. The child Loki refused to follow this path, wanting to be his own person, and transformed the spirit of his former self into a magpie named Ikol. On returning to Earth, he witnessed Odin striking down Thor.  Odin prepared all of Asgard for an unknown battle and imprisoned Thor for attempting to protect Midgard from being scoured. Loki, who disagreed with Odin's actions, was put to work by Volstagg into cleaning the stables of Thor's goats to keep him out of trouble and danger. Using the wool of one of the goats, Loki descended into the roots of the World Tree at the advice of Ikol to ask questions from the Nornish women who live there. After receiving his answers, Loki wept but decided to turn to the imprisoned Thor for his opinion before making his final decision. Breaking into the prison by stealth, Loki asked his brother what he would do if he had to let something bad happen in order to prevent something worse from happening and what if it cost him everything. With Thor's answer, Loki decided to free one of the imprisoned Hel Wolves and bind it to him in servitude using the bridle of Thor's goats. He revealed he needed help from one more 'personage' before heading for the realm of Hela.  Having recovered Thor's hammer after he was killed and erased from memory following the war against the Serpent, Loki was able to work with the Silver Surfer to restore the hammer to its natural state and send it to Thor in the afterlife, restoring his memory and allowing him to fight his way back into the realm of the living. After Thor's return, Ikol would afterwards reveal that circumstances had been manipulated to force the young Loki to allow his former personality to subsume him and live again, his former slate wiped clean by the "new" Loki's actions. During his adventures, the young Loki had inadvertently helped create and was tied to a powerful artifact that was about to be used by Mephisto to conquer all the Hells and ultimately everything. However, if the new Loki ceased to be, the artifact would lose all power. Seeing no other option, Loki allowed Ikol to become Loki again, ceasing to be, but he warned beforehand that the Ikol personality was incapable of true change and believed this older persona would ultimately be stopped by those who always stopped him before, his brother included.

What did Odin did next?
Odin prepared all of Asgard for an unknown battle and imprisoned Thor for attempting to protect Midgard from being scoured.