Problem: Allen was born in San Francisco, California, to George Allen and Margaret Theresa ("Molly") Allen (nee Darragh; later Mrs. Edward Pidgeon), who were both of Irish Catholic extraction. She made her first appearance on stage at age three and was given her first role on the radio by Eddie Cantor. She was educated at the Star of the Sea Convent School and during that time became a talented dancer.

In the early 1930s, Burns and Allen made several short films, preserving several of their classic vaudeville routines on celluloid. They also made two films with W. C. Fields--International House (1933) and Six of a Kind (1934). In 1937, Burns and Allen starred with Fred Astaire in A Damsel in Distress, a musical with an original score by George Gershwin, which introduced the song "A Foggy Day". It was Astaire's first RKO film without dancing partner Ginger Rogers.  Astaire's co-star Joan Fontaine was not a dancer, and he was reluctant to dance on screen alone. He also felt the script needed more comic relief to enhance the overall appeal of the film. Burns and Allen had each worked in vaudeville as dancers ("hoofers") before forming their act, and when word of the project reached them, they called Astaire and he asked them to audition.  Burns contacted an act he had once seen that performed a dance using brooms. For the next several weeks, he and Allen worked at home to learn the complicated routine for their audition. When they presented the "Whisk Broom Dance" to Astaire, he was so taken by it, that he had them teach it to him and it was added to the film. Their talents were further highlighted as they matched Astaire step by step in the demanding "Funhouse Dance". Throughout the picture, Burns and Allen amazed audiences and critics as they "effortlessly" kept pace with the most famous dancer in films, as many did not know either of them could dance.

Why did they do running gags?

Answer with quotes: did not know

Background: Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
Context: Hill's debut album was Take Me as I Am (1993); sales were strong, buoyed by the chart success of "Wild One". Hill became the first female country singer in 30 years to hold Billboard's number one position for four consecutive weeks when "Wild One" managed the feat in 1994. Her version of "Piece of My Heart", also went to the top of the country charts in 1994. The album sold a total of 3 million copies. Other singles from the album include "Take Me as I Am".  The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords. It Matters to Me finally appeared in 1995 and was another success, with the title track becoming her third number-one country single. Several other top 10 singles followed, and more than 3 million copies of the album were sold. The fifth single from the album, "I Can't Do That Anymore", was written by country music artist Alan Jackson. Other singles from the album include "You Can't Lose Me", "Someone Else's Dream", and "Let's Go to Vegas". During this period, Hill appeared on the acclaimed PBS music program Austin City Limits.  In spring 1996, Hill began the Spontaneous Combustion Tour with country singer Tim McGraw. At that time, Hill had recently become engaged to her former producer, Scott Hendricks, and McGraw had recently broken an engagement. McGraw and Hill were quickly attracted to each other and began an affair. After discovering that Hill was pregnant with their first child, the couple married on October 6, 1996. The couple have three daughters together: Gracie Katherine (born 1997), Maggie Elizabeth (born 1998) and Audrey Caroline (born 2001). Since their marriage, Hill and McGraw have endeavored never to be apart for more than three consecutive days.  After the release of It Matters to Me, Hill took a three-year break from recording to give herself a rest from four years of touring and to begin a family with McGraw. During her break, she joined forces with her husband for their first duet, "It's Your Love". The song stayed at number one for six weeks, and won awards from both the Academy of Country Music and the Country Music Association. Hill has remarked that sometimes when they perform the song together, "it [doesn't] feel like anybody else was really watching."
Question: Are there any other important things to know?
Answer: In spring 1996, Hill began the Spontaneous Combustion Tour with country singer Tim McGraw.

Question:
Stallman was born to Alice Lippman, a school teacher, and Daniel Stallman, a printing press broker, in 1953 in New York City. Stallman had a difficult relationship with his parents, as his father had a drinking habit and verbally abused his stepmother. He later came to describe his parents as "tyrants". He was interested in computers at a young age; when Stallman was a pre-teen at a summer camp, he read manuals for the IBM 7094.
Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues.  Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues.  These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying.  An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list:  I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages).
Answer this question using a quote from the text above:

What would he prefer "intellectual property" be called?

Answer:
He asks people to say free software and GNU/Linux,