IN: Leslie Townes "Bob" Hope, KBE, KC*SG, KSS (May 29, 1903 - July 27, 2003) was an American comedian, vaudevillian, actor, singer, dancer, athlete and author. With a career that spanned nearly 80 years, Hope appeared in more than 70 short and feature films, with 54 feature films with Hope as star, including a series of seven "Road" musical comedy movies with Bing Crosby as Hope's top-billed partner. In addition to hosting the Academy Awards show nineteen times, more than any other host, he appeared in many stage productions and television roles, and was the author of 14 books.

In 1998, five years before his death, a prepared obituary written by the Associated Press inadvertently was released, resulting in Hope's death being announced on the floor of the U.S. House of Representatives. However, Hope remained in relatively good health until late in his old age, though he became somewhat frail in his last few years. In June 2000, he spent nearly a week in a California hospital being treated for gastrointestinal bleeding. In August 2001, he spent close to two weeks in a hospital recovering from pneumonia.  On the morning of July 27, 2003, Hope died of pneumonia aged 100 at his home in Toluca Lake, California. His grandson Zach Hope told TV interviewer Soledad O'Brien that, when asked on his deathbed where he wanted to be buried, Hope told his wife, Dolores, "Surprise me." He was interred in the Bob Hope Memorial Garden at San Fernando Mission Cemetery in Los Angeles, joined in 2011 by Dolores when she died--four months after her 102nd birthday. After his death, newspaper cartoonists worldwide paid tribute to his work for the USO, and some featured drawings of Bing Crosby, who had died in 1977, welcoming Hope to Heaven.  As a final honor and tribute to his life of service to the USO and to men and women of the United States Military, on July 30, 2003, the United States Congress passed the Bob Hope Arlington Honors Act of 2003, which "Directs the Secretary of the Army to permit the burial of Leslie Townes (Bob) Hope of California, an honorary veteran of the armed forces, in Arlington National Cemetery, Virginia, upon the request of his family."
QUESTION: Did he have any honors or memorials after his death?
IN: John Griffith "Jack" London (born John Griffith Chaney; January 12, 1876 - November 22, 1916) was an American novelist, journalist, and social activist. A pioneer in the world of commercial magazine fiction, he was one of the first writers to become a worldwide celebrity and earn a large fortune from writing. He was also an innovator in the genre that would later become known as science fiction.

London was vulnerable to accusations of plagiarism, both because he was such a conspicuous, prolific, and successful writer and because of his methods of working. He wrote in a letter to Elwyn Hoffman, "expression, you see--with me--is far easier than invention." He purchased plots and novels from the young Sinclair Lewis and used incidents from newspaper clippings as writing material.  In July 1901, two pieces of fiction appeared within the same month: London's "Moon-Face", in the San Francisco Argonaut, and Frank Norris' "The Passing of Cock-eye Blacklock", in Century Magazine. Newspapers showed the similarities between the stories, which London said were "quite different in manner of treatment, [but] patently the same in foundation and motive." London explained both writers based their stories on the same newspaper account. A year later, it was discovered that Charles Forrest McLean had published a fictional story also based on the same incident.  Egerton Ryerson Young claimed The Call of the Wild (1903) was taken from Young's book My Dogs in the Northland (1902). London acknowledged using it as a source and claimed to have written a letter to Young thanking him.  In 1906, the New York World published "deadly parallel" columns showing eighteen passages from London's short story "Love of Life" side by side with similar passages from a nonfiction article by Augustus Biddle and J. K Macdonald, titled "Lost in the Land of the Midnight Sun".  London noted the World did not accuse him of "plagiarism", but only of "identity of time and situation", to which he defiantly "pled guilty".  The most serious charge of plagiarism was based on London's "The Bishop's Vision", Chapter 7 of his novel The Iron Heel (1908). The chapter is nearly identical to an ironic essay that Frank Harris published in 1901, titled "The Bishop of London and Public Morality". Harris was incensed and suggested he should receive 1/60th of the royalties from The Iron Heel, the disputed material constituting about that fraction of the whole novel. London insisted he had clipped a reprint of the article, which had appeared in an American newspaper, and believed it to be a genuine speech delivered by the Bishop of London.
QUESTION: What newspaper?
IN: Brown was born on July 28, 1891, in Holgate, Ohio, near Toledo, into a large family largely of Welsh descent. He spent most of his childhood in Toledo. In 1902, at the age of ten, he joined a troupe of circus tumblers known as the Five Marvelous Ashtons, who toured the country on both the circus and vaudeville circuits. Later he became a professional baseball player.

In late 1928, Brown began making films, starting the next year with Warner Bros.. He quickly became a favorite with child audiences, and shot to stardom after appearing in the first all-color all-talking musical comedy On with the Show (1929). He starred in a number of lavish Technicolor Warner Brothers musical comedies including: Sally (1929), Hold Everything (1930), Song of the West (1930), and Going Wild (1930). By 1931, Joe E. Brown had become such a star that his name was billed above the title in the films in which he appeared.  He appeared in Fireman, Save My Child (1932), a comedy in which he played a member of the St. Louis Cardinals, and in Elmer, the Great (1933) with Patricia Ellis and Claire Dodd and Alibi Ike (1935) with Olivia de Havilland, in both of which he portrayed ballplayers with the Chicago Cubs.  In 1933 he starred in Son of a Sailor with Jean Muir and Thelma Todd. In 1934, Brown starred in A Very Honorable Guy with Alice White and Robert Barrat, in The Circus Clown again with Patricia Ellis and with Dorothy Burgess, and with Maxine Doyle in Six-Day Bike Rider.  Brown was one of the few vaudeville comedians to appear in a Shakespeare film; he played Francis Flute in the Max Reinhardt/William Dieterle film version of Shakespeare's A Midsummer Night's Dream (1935) and was highly praised for his performance. He starred in Polo Joe (1936) with Carol Hughes and Richard "Skeets" Gallagher, and in Sons o' Guns. In 1933 and 1936, he became one of the top ten earners in films. He was sufficiently well known internationally by this point to be depicted in comic strips in the British comic Film Fun for twenty years from 1933.  He left Warner Brothers to work for producer David L. Loew, starring in When's Your Birthday? (1937). In 1938, he starred in The Gladiator, a loose film adaptation of Philip Gordon Wylie's 1930 novel Gladiator that influenced the creation of Superman. He gradually switched to making "B" pictures.
QUESTION:
what was his first flm