Problem: Joe Jackson Gibbs (born November 25, 1940) is a former American football coach, current NASCAR Championship team owner, and former NHRA team owner. He was the 20th and 26th head coach in the history of the Washington Redskins (1981-1992, 2004-2007). Well known for his long hours and work ethic, Gibbs constructed what Steve Sabol has called, "The most diverse dynasty in NFL history", building championship teams with many players who have had mediocre to average careers while playing for other NFL teams. During his first stint in the National Football League, he coached the Redskins for 12 seasons and led them to eight playoff appearances, four NFC Championship titles, and three Super Bowl titles.

Although Gibbs helped craft a passing-oriented attack during his time in San Diego, his Redskins teams were known to incorporate a smash-mouth, rushing-oriented attack like the counter trey. By building a strong offensive line (known as "The Hogs") Gibbs was able to control the line of scrimmage, allowing workhorse running backs such as John Riggins, George Rogers, and Earnest Byner to power the ground game. Gibbs added a deep passing attack to this which complemented the ground game, utilizing agile receivers such as Art Monk, Gary Clark, and Ricky Sanders. Gibbs' offense was aided during his tenure by aggressive defensive units under the direction of defensive coordinator Richie Petitbon.  Gibbs' system and offensive scheme were robust enough to be successful without a Hall-of-Fame-caliber quarterback at the helm. The Redskins' Super Bowl victories were won featuring Joe Theismann, Doug Williams, and Mark Rypien--capable players who were very successful along with their strong supporting cast.  Gibbs is credited with inventing the single back, double or triple tight end set. He used it to neutralize Hall of Fame linebacker Lawrence Taylor, realizing that to successfully block him with a running back was impossible; an extra tight end and a tackle were required as well. The extra tight end provided additional protection for the quarterback. Gibbs was also credited for creating the Trips formation; stacking three wide receivers to one side. Gibbs incorporated the shifting and motions for which his offenses were known. The formations created mismatches and confusion for the opposing defenses that would then be exploited. He is also one of few coaches that utilized the H-back position prominently in his offense.

When did he begin using "The Hogs"?

Answer with quotes: during his time in San Diego,


Problem: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.

The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.

What did Rodgers say about the music?

Answer with quotes: Rodgers cut it from the score immediately after the studio recording was made.


Problem: Benjamin Henry Boneval Latrobe (May 1, 1764 - September 3, 1820) was a British subject and neoclassical architect who emigrated to the United States. He was one of the first formally trained, professional architects in the new United States, drawing on influences from his travels in Italy, as well as British and French Neoclassical architects such as Claude Nicolas Ledoux. In his thirties, he emigrated to the new United States and designed the United States Capitol, on "Capitol Hill" in Washington, D.C., as well as the Old Baltimore Cathedral or The Baltimore Basilica, (later renamed the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary). It is the first Roman Catholic Cathedral constructed in the United States.

Latrobe returned to England in 1784, and was apprenticed to John Smeaton, an engineer known for designing Eddystone Lighthouse. Then in 1787 or 1788, he worked in the office of neoclassical architect Samuel Pepys Cockerell for a brief time. In 1790, Latrobe was appointed Surveyor of the Public Offices in London, and established his own private practice in 1791. Latrobe was commissioned in 1792 to design Hammerwood Park, near East Grinstead in Sussex, his first independent work, and he designed nearby Ashdown House in 1793. Latrobe was involved in construction of the Basingstoke Canal in Surrey, together with engineers John Smeaton and William Jessop. In spring 1793, Latrobe was hired to plan improvements to the River Blackwater from Maldon to Beeleigh, so that the port of Maldon could compete with the Chelmer and Blackwater Navigation, which bypassed the town. The project lasted until early 1795, when Parliament denied approval of his plan. Latrobe had problems getting payment for his work on the project, and faced bankruptcy.  In February 1790, Latrobe married Lydia Sellon, and they lived a busy social life in London. The couple had a daughter (Lydia Sellon Latrobe) and a son (Henry Sellon Boneval Latrobe), before she died giving birth during November 1793. Lydia had inherited her father's wealth, which in turn was to be left to the children through a trust with the children's uncles, but never ended up going to the children. In 1795, Latrobe suffered a breakdown and decided to emigrate to America, departing on November 25 aboard the Eliza.  In America, Latrobe was known for his series of topological and landscape watercolors; the series started with a view of the White Cliffs of the south coast of England viewed from the Eliza. The series was preceded by a watercolor of East Grinstead, dated September 8, 1795.

Did he avoid bankrucy?

Answer with quotes: