Background: O'Keeffe was born on November 15, 1887, in a farmhouse located at 2405 Hwy T in the town of Sun Prairie, Wisconsin. Her parents, Francis Calyxtus O'Keeffe and Ida (Totto) O'Keeffe, were dairy farmers. Her father was of Irish descent. Her maternal grandfather George Victor Totto, for whom O'Keeffe was named, was a Hungarian count who came to the United States in 1848.
Context: O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again."  Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon.  In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio.  During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s.  In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house.
Question: Where was she before she went to New Mexico?
Answer: 

Background: Jerry Fulton Cantrell Jr. (born March 18, 1966) is an American musician who is best known as the founder, lead guitarist, co-lead vocalist and main songwriter for the rock band Alice in Chains. The band rose to international fame in the early 1990s during Seattle's grunge movement, and is known for its distinctive vocal style, and the harmonized vocals between Cantrell and Layne Staley (and later Cantrell and William DuVall). Cantrell started to sing lead vocals on Alice in Chains' 1992 EP Sap. After Staley's death in 2002, Cantrell took the role of Alice in Chains' lead singer on most of the songs from the band's two albums without Staley, Black Gives Way to Blue (2009) and The Devil Put Dinosaurs Here (2013), with DuVall harmonizing with him in the new songs and singing Staley's vocals in the old songs.
Context: Cantrell has been most famously seen playing a G&L Guitars' Rampage model. The two models most closely identified with Cantrell are instruments manufactured in the 1980s. They feature a maple body, maple neck and ebony fingerboard. The bridge is a Kahler Tremolo as opposed to a Floyd Rose tremolo which was commonly seen on instruments made throughout the 1980s and 90s. The guitars feature a single-bridge humbucker wired to a volume pickup.  G&L Guitars makes two Jerry Cantrell Signature guitars available to the general public for purchase. The first is a Rampage model which is very similar to the instrument most closely identified with Cantrell, known as the "Blue Dress Rampage" for having an image of a vintage pin-up girl wearing a blue dress, which Cantrell taped to the top of his first guitar. The second is a guitar called the 'Superhawk'. This guitar features a fixed bridge and the addition of a neck pickup.  Cantrell used the original "Blue Dress" guitar on the music videos for "Man in the Box", "We Die Young", "Sea of Sorrow", "Grind", and "Again". The guitar can also be seen in the movie Singles. In 2011, Cantrell told that he had to retire the guitar due to a hairline crack from the neck all the way through the back of the body. Before that, he had never gone on tour without it.  Apart from his signature G&L Guitars, Cantrell has also been seen playing a Les Paul and a Telecaster  Cantrell used a variety of amplifiers such as those made by Bogner, Mesa Boogie and Marshall throughout his career. He has most recently been using a signature amp called the, 'JJ100' made for him by Friedman Amplification.
Question: What are those two guitars?
Answer:
The first is a Rampage model which is very similar to the instrument most closely identified with Cantrell, known as the "Blue Dress Rampage"