Background: Coil were an English experimental music group, founded in 1982 by John Balance in London. Initially envisioned as a solo project by lead singer and songwriter Balance (born Geoffrey Burton) while he was in the band Psychic TV, Coil evolved into a full-time project with the addition of keyboardist Peter Christopherson--former member of seminal industrial band Throbbing Gristle who became Balance's creative and personal partner. Throughout the group's existence, Balance and Christopherson have been the only constant members; others members and contributors include, among others, Stephen Thrower, Danny Hyde, Drew McDowall, William Breeze, Thighpaulsandra (Tim Lewis), and Ossian Brown (Simon Norris). After the release of their debut extended play, titled How to Destroy Angels, Coil joined Some Bizzare Records, through which they released two full-length albums, Scatology (1984) and Horse Rotorvator (1986).
Context: The band's official recording debut, an extended play titled How to Destroy Angels, was released on the Good Friday (20 April) of 1984 by a Belgian-based label L.A.Y.L.A.H. Antirecords. Recorded on 19 February 1984 at Britannia Row Studios, the album was dedicated to Mars as the god of spring and war, using predominantely iron and steel instruments.  Following the release of How to Destroy Angels, Coil signed to Some Bizzare Records. Their first full-length studio album, Scatology, was recorded in 1984 with prominent appearance of JG Thirlwell and Stephen Thrower, and was finished and released in early 1985 with a 1984 copyright date. The album was largely based on the sound of industrial music as well as the Post-punk movement. While songs such as "Restless Day", "Panic" and "Tainted Love" are representative of a mainstream style, other tracks preview what would become Coil's unique electronic style. The single Panic/Tainted Love became the first AIDS benefit music release, as the profits from sales of the single were donated to the Terrence Higgins Trust. The "Tainted Love" music video, directed by Christopherson, is in the permanent collection of The Museum of Modern Art in New York, U.S.  Horse Rotorvator followed in 1986 as the next full-length release. Although songs such as "The Anal Staircase" and "Circles of Mania" sound like evolved versions of Scatology material, the album is characterized by slower tempos, and represented a new direction for the group. The album has a darker theme than previous releases, according to Balance:  Horse Rotorvator was this vision I'd had of this mechanical/flesh thing that ploughed up the earth and I really did have a vision of it--a real horrible, burning, dripping, jaw-like vision in the night ... The Four Horsemen of the Apocalypse killed their horses and use their jawbones to make this huge earth-moving machine."  The artwork features a photograph of the location of a notorious IRA bombing, in which a bomb was detonated on a military orchestra pavilion. Horse Rotorvator was in part influenced by the AIDS related deaths of some of their friends. Furthermore, the song "Ostia (The Death of Pasolini)", is about the mysterious death of Pier Paolo Pasolini, as well as what Balance described as "the number one suicide spot in the world", the white cliffs of Dover.
Question: did they produce any albums with them?
Answer: Their first full-length studio album, Scatology, was recorded in 1984 with prominent appearance of JG Thirlwell and Stephen Thrower,

Background: Kosciuszko was born in February 1746 in a manor house on the estate called "Mereczowszczyzna" near Kosow, (now Kosava, Belarus) in Nowogrodek Voivodeship, Grand Duchy of Lithuania, a part of the Polish-Lithuanian Commonwealth. His exact birthdate is unknown; commonly cited are February 4 and February 12. Kosciuszko was the youngest son of a member of the szlachta (nobility), Ludwik Tadeusz Kosciuszko, an officer in the Polish-Lithuanian Commonwealth Army, and his wife Tekla, nee Ratomska. The Kosciuszkos held the Polish Roch III coat of arms.
Context: In 1768, civil war broke out in the Polish-Lithuanian Commonwealth, when the Bar Confederation sought to depose King Stanislaw August Poniatowski. One of Kosciuszko's brothers, Jozef, fought on the side of the insurgents. Faced with a difficult choice between the rebels and his sponsors--the King and the Czartoryski family, who favored a gradualist approach to shedding Russian domination--Kosciuszko chose to leave Poland. In late 1769, he and a colleague, the noted artist Aleksander Orlowski, were granted royal scholarships, and on October 5 they set off for Paris. They wanted to further their military education, but as foreigners they were barred from enrolling in French military academies, and so they enrolled instead in the Royal Academy of Painting and Sculpture. There Kosciuszko pursued his interest in drawing and painting and took private lessons in architecture from the noted French architect Jean-Rodolphe Perronet.  Kosciuszko, however, did not give up on improving his military knowledge. He audited lectures for five years and frequented the libraries of the Paris military academies. His exposure to the French Enlightenment, along with the religious tolerance practiced in the Polish-Lithuanian Commonwealth, strongly influenced his later career. The French economic theory of physiocracy made a particularly strong impression on his thinking. He also developed his artistic skills, and while his career would take him in a different direction, all his life he continued drawing and painting.  In the First Partition of the Polish-Lithuanian Commonwealth in 1772, Russia, Prussia and Austria annexed large swaths of Polish-Lithuanian territory and gained influence over the internal politics of the reduced Polish and Lithuanian states. When Kosciuszko finally returned home in 1774, he found that his brother Jozef had squandered most of the family fortune, and there was no place for him in the Army, as he could not afford to buy an officer's commission. He took a position as tutor to the family of the magnate, province governor (voivode) and hetman Jozef Sylwester Sosnowski and fell in love with the governor's daughter Ludwika. Their elopement was thwarted by her father's retainers. Kosciuszko received a thrashing at their hands, an event that may have led to his later antipathy to class distinctions.  In the autumn of 1775, he decided to emigrate to avoid Sosnowski and his retainers. In late 1775, he attempted to join the Saxon army but was turned down and decided to return to Paris. There he learned of the outbreak of the American Revolutionary War, in which the British colonies in North America had revolted against the crown and begun their struggle for independence. The first American successes were well-publicized in France, and the French people and government openly supported the revolutionaries' cause.
Question: Was that the extent of his military learning?
Answer:
He also developed his artistic skills, and while his career would take him in a different direction, all his life he continued drawing and painting.