Question: Domenikos Theotokopoulos (Greek: Domenikos Theotokopoulos [do'minikos theoto'kopulos]; 1541 -  7 April 1614), most widely known as El Greco ("The Greek"), was a painter, sculptor and architect of the Spanish Renaissance. "El Greco" was a nickname, a reference to his Greek origin, and the artist normally signed his paintings with his full birth name in Greek letters, Domenikos Theotokopoulos (Domenikos Theotokopoulos), often adding the word Kres (Kres, "Cretan"). El Greco was born in the Kingdom of Candia, which was at that time part of the Republic of Venice, and the center of Post-Byzantine art.

Born in 1541, in either the village of Fodele or Candia (the Venetian name of Chandax, present day Heraklion) on Crete, El Greco was descended from a prosperous urban family, which had probably been driven out of Chania to Candia after an uprising against the Catholic Venetians between 1526 and 1528. El Greco's father, Georgios Theotokopoulos (d. 1556), was a merchant and tax collector. Nothing is known about his mother or his first wife, also Greek. El Greco's older brother, Manoussos Theotokopoulos (1531 - 13 December 1604), was a wealthy merchant and spent the last years of his life (1603-1604) in El Greco's Toledo home.  El Greco received his initial training as an icon painter of the Cretan school, a leading center of post-Byzantine art. In addition to painting, he probably studied the classics of ancient Greece, and perhaps the Latin classics also; he left a "working library" of 130 books at his death, including the Bible in Greek and an annotated Vasari. Candia was a center for artistic activity where Eastern and Western cultures co-existed harmoniously, where around two hundred painters were active during the 16th century, and had organized a painters' guild, based on the Italian model. In 1563, at the age of twenty-two, El Greco was described in a document as a "master" ("maestro Domenigo"), meaning he was already a master of the guild and presumably operating his own workshop. Three years later, in June 1566, as a witness to a contract, he signed his name as maIstros Menegos Theotokopoulos sgouraphos ("Master Menegos Theotokopoulos, painter").  Most scholars believe that the Theotokopoulos "family was almost certainly Greek Orthodox", although some Catholic sources still claim him from birth. Like many Orthodox emigrants to Catholic areas of Europe, some assert that he may have transferred to Catholicism after his arrival, and possibly practiced as a Catholic in Spain, where he described himself as a "devout Catholic" in his will. The extensive archival research conducted since the early 1960s by scholars, such as Nikolaos Panayotakis, Pandelis Prevelakis and Maria Constantoudaki, indicates strongly that El Greco's family and ancestors were Greek Orthodox. One of his uncles was an Orthodox priest, and his name is not mentioned in the Catholic archival baptismal records on Crete. Prevelakis goes even further, expressing his doubt that El Greco was ever a practicing Roman Catholic.  Important for his early biography, El Greco, still in Crete, painted his Dormition of the Virgin near the end of his Cretan period, probably before 1567. Three other signed works of "Domenicos" are attributed to El Greco (Modena Triptych, St. Luke Painting the Virgin and Child, and The Adoration of the Magi). In 1563, at the age of twenty-two, El Greco was already an enrolled master of the local guild, presumably in charge of his own workshop. He left for Venice a few years later, and never returned to Crete. His Dormition of the Virgin, of before 1567 in tempera and gold on panel was probably created near the end of El Greco's Cretan period. The painting combines post-Byzantine and Italian Mannerist stylistic and iconographic elements, and incorporates stylistic elements of the Cretan School.

Using a quote from the above article, answer the following question: What did he do as a child?
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Answer: El Greco received his initial training as an icon painter of the Cretan school, a leading center of post-Byzantine art.

Problem: The Bretons (Breton: Bretoned, Breton pronunciation: [bre'tonet]) are an ethnic group located in the region of Brittany in France. They trace much of their heritage to groups of Brittonic speakers who immigrated from southwestern Great Britain, particularly Cornwall and Devon, to expand their territory onto the continent. They also descend in some parts from Vikings. They migrated in waves from the 3rd to 9th century (most heavily from 450-600) into Armorica, which was subsequently named Brittany after them.

In the late 4th century, large numbers of British auxiliary troops in the Roman army may have been stationed in Armorica. The 9th-century Historia Brittonum states that the emperor Magnus Maximus, who withdrew Roman forces from Britain, settled his troops in the province. Nennius and Gildas mention a second wave of Britons settling in Armorica in the following century to escape the invading Anglo-Saxons and Scoti. Modern archaeology also supports a two-wave migration.  It is generally accepted that the Brittonic speakers who arrived gave the region its current name as well as the Breton language, Brezhoneg, a sister language to Welsh and Cornish.  There are numerous records of Celtic Christian missionaries migrating from Britain during the second wave of Breton colonisation, especially the legendary seven founder-saints of Brittany as well as Gildas. As in Cornwall, many Breton towns are named after these early saints. The Irish saint Columbanus was also active in Brittany and is commemorated accordingly at Saint-Columban in Carnac.  In the Early Middle Ages, Brittany was divided into three kingdoms -- Domnonee, Cornouaille (Kernev), and Bro Waroc'h (Broerec) -- which eventually were incorporated into the Duchy of Brittany. The first two kingdoms seem to derive their names from the homelands of the migrating tribes in Britain, Cornwall (Kernow) and Devon (Dumnonia). Bro Waroc'h ("land of Waroch", now Bro Gwened) derives from the name of one of the first known Breton rulers, who dominated the region of Vannes (Gwened). The rulers of Domnonee, such as Conomor, sought to expand their territory, claiming overlordship over all Bretons, though there was constant tension between local lords.  Bretons were the most prominent of the non-Norman forces in the Norman conquest of England. A number of Breton families were of the highest rank in the new society and were tied to the Normans by marriage. The Scottish Clan Stewart and the royal House of Stuart have Breton origins. Alan Rufus, also known as Alan the Red, was both a cousin and knight in the retinue of William the Conqueror. Following his service at Hastings, he was rewarded with large estates in Yorkshire. At the time of his death, he was by far the richest noble in England. His manorial holding at Richmond ensured a Breton presence in northern England. The Earldom of Richmond later became an appanage of the Dukes of Brittany.

what were the historical origins of the bretons?

Answer with quotes:
In the late 4th century, large numbers of British auxiliary troops in the Roman army may have been stationed in Armorica.