Question: The Twilight Sad are a Scottish post-punk/indie rock band, comprising James Graham (vocals) and Andy MacFarlane (guitar). The band are currently signed to Fat Cat Records and have released four full-length albums, as well as several EPs and singles. Their 2007 debut album, Fourteen Autumns & Fifteen Winters, drew widespread acclaim from critics, who noted Graham's thick Scottish accent and MacFarlane's dense sonic walls of shoegazing guitar and wheezing accordion. The Twilight Sad's notoriously loud live performances have been described as "completely ear-splitting," and the band toured for the album across Europe and the United States throughout 2007 and 2008.

Whilst on tour with Errors in October 2010, vocalist James Graham stated that "the next [album] is not going to be anything like the first two. [...] The wall of sound is kinda gone. Andy [MacFarlane]'s demos involve a lot of keyboards, and it's a lot more considered." Additional musician Martin "Dok" Doherty also stated that "the band who make the same record over and over don't have a very long career." The band returned to the studio in January 2011. In April 2011, the band released a free acoustic EP on their official blog. The release featured stripped-back renditions of tracks from both Forget the Night Ahead and The Wrong Car.  The Twilight Sad's third album, No One Can Ever Know, was released on 6 February 2012. Andy MacFarlane describes the album's sound as "sparser... with a colder, slightly militant feel," and the band received some production assistance from producer Andrew Weatherall, who helped in their experimenting with analog synthesizers. The band released a new song, the album's closing track "Kill It in the Morning", for free on their new website and SoundCloud page on 21 September 2011. The first proper single from the album, "Sick", was made available as a 7" vinyl single and digital download on 14 November 2011. Second single "Another Bed" followed the album's release on 20 February 2012.  In August 2012, the band announced that touring keyboardist Martin "Dok" Doherty would no longer be performing with the band, stating "[An] end of an era as our next two gigs will be Dok's last with the band. One of our best friends and one of the most talented people we know! [...] Been a pleasure and a privilege to share the stage, be on the road [and] have many a drunken night in foreign lands over the past five years with you, Dok." Later that month, Doherty's replacement was revealed to be Brendan Smith, previously of the bands Julia Thirteen and The Unwinding Hours. Regarding the band's line-up changes over the past six years, James Graham noted, "The good thing about the line up changes is that we all remain friends with each other and when someone has left it's been for a good reason and the right choice for them. We've lucked out with Johnny [Docherty] and Brendan who are maniacs in the best possible way, but they are also brilliant musicians as were Dok and Craig [Orzel] and they all put the likes of me to shame." Doherty left the band to further pursue his electropop project Chvrches with former Aereogramme guitarist Iain Cook and singer Lauren Mayberry.  Along with nationwide tours of the United States and the United Kingdom, as well as European festivals during the summer and a headlining gig at Barrowland Ballroom in December, the band released a collection of remixes entitled No One Can Ever Know: The Remixes in November 2012. In December 2013, The Twilight Sad and The Skinny released a free digital download single and video of the band performing "The Wrong Car" with the Royal Scottish National Orchestra, recorded live at Paisley Abbey in October 2013.

Using a quote from the above article, answer the following question: How did No one can ever know do?
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Question: Manorialism was an essential element of feudal society. It was the organizing principle of rural economy that originated in the Roman villa system of the Late Roman Empire, and was widely practiced in medieval western and parts of central Europe. It was slowly replaced by the advent of a money-based market economy and new forms of agrarian contract. Manorialism was characterised by the vesting of legal and economic power in a Lord of the Manor, supported economically from his own direct landholding in a manor (sometimes called a fief), and from the obligatory contributions of a legally subject part of the peasant population under the jurisdiction of himself and his manorial court.

The term is most often used with reference to medieval Western Europe. Antecedents of the system can be traced to the rural economy of the later Roman Empire (Dominate). With a declining birthrate and population, labor was the key factor of production. Successive administrations tried to stabilise the imperial economy by freezing the social structure into place: sons were to succeed their fathers in their trade, councilors were forbidden to resign, and coloni, the cultivators of land, were not to move from the land they were attached to. The workers of the land were on their way to becoming serfs.  Several factors conspired to merge the status of former slaves and former free farmers into a dependent class of such coloni: it was possible to be described as servus et colonus, "both slave and colonus". Laws of Constantine I around 325 both reinforced the semi-servile status of the coloni and limited their rights to sue in the courts; the Codex Theodosianus promulgated under Theodosius II extended these restrictions. The legal status of adscripti, "bound to the soil", contrasted with barbarian foederati, who were permitted to settle within the imperial boundaries, remaining subject to their own traditional law.  As the Germanic kingdoms succeeded Roman authority in the West in the fifth century, Roman landlords were often simply replaced by Germanic ones, with little change to the underlying situation or displacement of populations.  The process of rural self-sufficiency was given an abrupt boost in the eighth century, when normal trade in the Mediterranean Sea was disrupted. The thesis put forward by Henri Pirenne, while disputed widely, supposes that the Arab conquests forced the medieval economy into even greater ruralization and gave rise to the classic feudal pattern of varying degrees of servile peasantry underpinning a hierarchy of localised power centers.

Using a quote from the above article, answer the following question: What did the public think of this ?
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