Some context: Stephanie Lynn Nicks (born May 26, 1948) is an American singer-songwriter who is often referred to as the Queen of Rock and Roll. Nicks is best known for her work with Fleetwood Mac, and for her chart-topping solo career. She is known for her distinctive voice, mystical stage persona and poetic, symbolic lyrics. Collectively, her work both as a member of Fleetwood Mac and as a solo artist has produced over 40
Stephanie "Stevie" Nicks was born at Good Samaritan Hospital in Phoenix, Arizona, to Jess Nicks (July 2, 1925 - August 10, 2005), former president of Greyhound's Armour-Dial, and Barbara Nicks (November 12, 1927 - December 29, 2011), a homemaker. Nicks's grandfather, Aaron Jess "A.J." Nicks, Sr. (May 18, 1892 - August 1, 1974), a struggling country music singer, taught Nicks to sing duets with him by the time she was four years old. Nicks's mother was so protective that she kept her at home "more than most people" and during that time fostered in her daughter a love of fairy tales. The infant Stephanie could pronounce her own name only as "tee-dee," which led to her nickname of "Stevie". Her father's frequent relocation as a food business executive had the family living in Phoenix, Albuquerque, El Paso, Salt Lake City, Los Angeles, and San Francisco during Nicks's youth. With the Goya guitar that she received for her 16th birthday, Nicks wrote her first song, "I've Loved and I've Lost, and I'm Sad But Not Blue". She spent her adolescence playing records constantly, and lived in her "own little musical world." While attending Arcadia High School in Arcadia, California, she joined her first band, the Changing Times, a folk rock group focused on vocal harmonies.  Nicks first met her future musical and romantic partner, Lindsey Buckingham, during her senior year at Menlo-Atherton High School. When she saw Buckingham playing "California Dreamin'" at Young Life club, she joined him in harmony. She later recalled, "I was a senior in high school and Lindsey was a junior. And we went to a Young Life meeting - which was a religious meeting that simply got you out of the house on Wednesday nights - and um, he was there and I was there and we sat down and played California Dreaming. I thought he was a darling. I didn't see him again for two years and he called me up and asked if I wanted to be in a band... And so, I was in this band with him for three and a half years - a band called Fritz."  Buckingham was in a psychedelic rock band named Fritz, but two of its musicians were leaving for college. He asked Nicks in mid-1967 to replace the lead singer, a guitarist named Jody Moreing. For the next three years Fritz was composed of Nicks on lead vocals, Buckingham on bass and vocals, Brian Kane on lead guitar, Javier Pacheco on keyboards, and Bob Aguirre on drums. Pacheco was the main songwriter in the group, with a psychedelic bent, but Nicks's own compositions brought a country rock flair to the group. Fritz became popular as a live act when it opened for both Jimi Hendrix and Janis Joplin from 1968 until 1971. Nicks credits each of those acts as having inspired her own stage intensity and performance. Both Nicks and Buckingham attended San Jose State University, where Nicks majored in speech communication and planned to become an English teacher. Nicks dropped out of college the semester before graduation.
What type of band was she in after Changing Times?
A: Buckingham was in a psychedelic rock band named Fritz,
Some context: James Lawrence Levine (; born June 23, 1943) is an American conductor and pianist. He is primarily known for his tenure as Music Director of the Metropolitan Opera (the "Met"), a position he held for 40 years (1976-2016). He was formally terminated by the Met from all his positions and affiliations with the company on March 12, 2018 over sexual misconduct allegations which he denies.
Levine made his Metropolitan Opera (the "Met") debut at age 28 on June 5, 1971, leading a June Festival performance of Tosca. Following further appearances with the company, he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975. In 1983, he served as conductor and musical director for the Franco Zeffirelli screen adaptation of La Traviata, which featured the Met orchestra and chorus members. He became the company's first artistic director in 1986, and relinquished the title in 2004. In 2005, Levine's combined salary from the Boston Symphony Orchestra and the Met made him the highest-paid conductor in the country, at $3.5 million.  During Levine's tenure, the Metropolitan Opera orchestra expanded its activities into the realms of recording, and separate concert series for the orchestra and chamber ensembles from The Met Orchestra at Carnegie Hall. Levine led the Metropolitan Opera on many domestic and international tours. For the 25th anniversary of his Met debut, Levine conducted the world premiere of John Harbison's The Great Gatsby, commissioned especially to mark the occasion. On his appointment as general manager of the Met, Peter Gelb emphasized that Levine was welcome to remain as long as he wanted to direct music there. Levine was paid $2.1 million by the Met in 2010.  Following a series of injuries that began with a fall (see below), Levine's subsequent health problems led to his withdrawal from many Metropolitan Opera conducting engagements. Following a May 2011 performance of Die Walkure, Levine formally withdrew from all conducting engagements at the Met. After two years of physical therapy, Levine returned to conducting with a May 2013 concert with the Metropolitan Opera Orchestra at Carnegie Hall. On September 25, 2013, Levine conducted his first Met performance since May 2011, in a revival production of Cosi fan tutte. Levine was scheduled to conduct three productions at the opera house and three concerts at Carnegie Hall in the 2013-14 season. On April 14, 2016, Met management announced that Levine would step down from his position as Music Director at the end of the 2015-16 season. Levine was paid $1.8 million by the Met for the 2015/16 season. He assumed the new title of Music Director Emeritus, which he held until December 2017, when in the wake of allegations that Levine had sexually abused four young men, the Met suspended its relationship with him and cancelled all his future scheduled performances with the company.
Did he do anything else for them?
A:
company, he was named principal conductor of the Metropolitan Opera