Problem: Background: Nilsson was born in Bedford-Stuyvesant, Brooklyn in 1941. His paternal grandparents were Swedish circus performers and dancers, especially known for their "aerial ballet" (which is the title of one of Nilsson's albums). His maternal grandparents were the cornerstone of his young life. While his grandmother played piano, his grandfather Charlie supported the family in a tiny railroad apartment on Jefferson St in Brooklyn.
Context: Nilsson's disregard for commercialism in favor of artistic satisfaction showed itself in his next release, A Little Touch of Schmilsson in the Night (1973). Performing a selection of pop standards by the likes of Berlin, Kalmar and Ruby, Nilsson sang in front of an orchestra arranged and conducted by veteran Gordon Jenkins in sessions produced by Derek Taylor. This musical endeavor did not do well commercially. The session was filmed, and broadcast as a television special by the BBC in the UK.  1973 found Nilsson back in California, and when John Lennon moved there during his separation from Yoko Ono, the two musicians rekindled their earlier friendship. Lennon was intent upon producing Nilsson's next album, much to Nilsson's delight. However, their time together in California became known much more for heavy drinking than it did for musical collaboration. In a widely publicized incident, the two were ejected from the Troubadour nightclub in West Hollywood for drunken heckling of the Smothers Brothers.  To make matters worse, at a late night party and jam session during the recording of the album, attended by Lennon, McCartney, Danny Kortchmar, and other musicians, Nilsson ruptured a vocal cord, but he hid the injury for fear that Lennon would call a halt to the production. The resulting album was Pussy Cats. In an effort to clean up, Lennon, Nilsson and Ringo Starr first rented a house together, then Lennon and Nilsson left for New York. After the relative failure of his latest two albums, RCA Records considered dropping Nilsson's contract. In a show of friendship, Lennon accompanied Nilsson to negotiations, and both intimated to RCA that Lennon and Starr might want to sign with them, once their Apple Records contracts with EMI expired in 1975, but would not be interested if Nilsson were no longer with the label. RCA took the hint and re-signed Nilsson (adding a bonus clause, to apply to each new album completed), but neither Lennon nor Starr signed with RCA.  Nilsson's voice had mostly recovered by his next release, Duit on Mon Dei (1975), but neither it nor its follow-ups, Sandman and ...That's the Way It Is (both 1976), met with chart success. Finally, Nilsson recorded what he later considered to be his favorite album Knnillssonn (1977). With his voice strong again, and his songs exploring musical territory reminiscent of Harry or The Point!, Nilsson anticipated Knnillssonn to be a comeback album. RCA seemed to agree, and promised Nilsson a substantial marketing campaign for the album. However, the death of Elvis Presley caused RCA to ignore everything except meeting demand for Presley's back catalog, and the promised marketing push never happened. This, combined with RCA releasing a Nilsson Greatest Hits collection without consulting him, prompted Nilsson to leave the label.
Question: Did Nilsson record anything good during this time?
Answer: This musical endeavor did not do well commercially.

Problem: Background: Paul Dryden Warfield (born November 28, 1942) is a former professional American football wide receiver who played in the National Football League (NFL) from 1964 to 1977 for the Cleveland Browns and Miami Dolphins, except for a year in the World Football League (WFL) with the Memphis Southmen. He was known for his speed, fluid moves, grace, and jumping ability. A consistent big-play threat throughout his career, his 20.1 average yards per reception is the highest in NFL history among players with at least 300 receptions. As a star halfback in college for the Ohio State Buckeyes football team, Warfield was twice named to the All-Big Ten Conference team.
Context: The Cleveland Browns selected Warfield with the eleventh pick of the 1964 NFL Draft. Browns owner Paul Brown intended for Warfield to play as a defensive back. But during workouts prior to the season, his play as a wide receiver impressed head coach Blanton Collier, and he was converted to the position. In his rookie season, he caught 52 passes for 920 yards and nine touchdowns. He averaged 17.8 yards per reception, and his speed served to compliment the power of star running back Jim Brown. The Browns finished the season atop the East Division with a 10-3-1 record, and defeated the Baltimore Colts 27-0 in the 1964 NFL Championship Game. Warfield was invited to his first Pro Bowl and was named a first-team All-Pro by the Newspaper Enterprise Association (NEA).  In the 1965 Chicago College All-Star Game, which annually pitted the reigning NFL champion against star college players, Warfield shattered his collarbone and missed the majority of the 1965 season as a result. He returned for the penultimate game of the season and caught three passes for 30 yards before bruising his collarbone, causing him to miss the final game of the regular season. The Browns returned to the NFL Championship Game in 1965, in which Warfield caught two passes for 30 yards in a 23-12 loss to the Green Bay Packers.  Warfield returned to form in 1966, catching 36 passes for 741 yards and five touchdowns, and in 1967 recorded 32 receptions for 702 yards and eight touchdowns. In 1968, Warfield caught 50 passes and for the only time in his career eclipsed 1,000 receiving yards, finishing with 1,067. His career-high 12 receiving touchdowns led the league that year. The Browns again reached the NFL Championship Game, where they were shutout by the Baltimore Colts, 34-0. Warfield earned first-team All-Pro honors from the Associated Press (AP), United Press International (UPI), Pro Football Weekly, and NEA, and made another Pro Bowl appearance.  After another NFL championship game appearance for the Browns and Pro Bowl season for Warfield in 1969, he was traded to the Miami Dolphins for the third pick in the 1970 draft. The trade came as a shock to Warfield, who had established himself as one of the Browns' most popular players. "I have to admit going to Miami was not a place I desired to go," said Warfield 30 years later. The Browns used the pick acquired in the trade on Purdue University quarterback Mike Phipps. The trade is considered one of the most lopsided in NFL history, as Phipps had only limited success for the Browns, while Warfield was a major factor in the Dolphins' championships in the early 1970s.
Question: Are there any other interesting aspects about this article?
Answer:
Warfield was invited to his first Pro Bowl