Some context: Mark Lavon "Levon" Helm (May 26, 1940 - April 19, 2012) was an American musician and actor who achieved fame as the drummer and one of the vocalists for The Band. Helm was known for his deeply soulful, country-accented voice, multi-instrumental ability, and creative drumming style, highlighted on many of the Band's recordings, such as "The Weight", "Up on Cripple Creek", and "The Night They Drove Old Dixie Down". Helm also had a successful career as a film actor, appearing as Loretta Lynn's father in Coal Miner's Daughter, as Chuck Yeager's friend and colleague Captain Jack Ridley in The Right Stuff, and as a Tennessee firearms expert in Shooter. In 1998, Helm was diagnosed with throat cancer, which caused him to lose his singing voice.
Helm returned to the group, then referred to simply as "the band", as it was known around Woodstock. While contemplating a recording contract, Helm had dubbed the band "the Crackers." However, when Robertson and their new manager Albert Grossman worked out the contracts, the group's name was given as "the Band." Under these contracts, the Band was contracted to Grossman, who in turn contracted their services to Capitol Records. This arrangement allowed the Band to release recordings on other labels if the work was done in support of Dylan. Thus the Band was able to play on Dylan's Planet Waves album and to release The Last Waltz, both on other labels. The Band also recorded their own album Music from Big Pink (1968), which catapulted them into stardom.  On Music from Big Pink, Manuel was the most prominent vocalist and Helm sang backup and harmony, with the exception of "The Weight." However, as Manuel's health deteriorated and Robbie Robertson's songwriting increasingly looked to the South for influence and direction, subsequent albums relied more and more on Helm's vocals, alone or in harmony with Danko. Helm was primarily a drummer and vocalist and increasingly sang lead, although, like all his bandmates, he was also a multi-instrumentalist. On occasion, Manuel switched to drums while Helm played mandolin, guitar, or bass guitar (while Danko played fiddle) on some songs. Helm played the 12-string guitar backdrop to "Daniel and the Sacred Harp".  Helm remained with the Band until their farewell performance on Thanksgiving Day, November 25, 1976, which was the subject of the documentary film The Last Waltz, directed by Martin Scorsese. Helm repudiated his involvement with The Last Waltz shortly after the completion of its final scenes. In his autobiography, Helm criticized the film and Robertson, who produced it.
Did  The band have a name or was its name "The Band"
A: referred to simply as "the band",
Some context: William Tatem Tilden II (February 10, 1893 - June 5, 1953), nicknamed "Big Bill," was an American male tennis player. He is often considered one of the greatest tennis players of all time. Tilden was the World No. 1 player for six years from 1920 through 1925. He won 15 Major singles titles including ten Grand Slam events, one World Hard Court Championships and four Pro Slam tournaments.
Tilden went to the prep school Germantown Academy where he wasn't known for his tennis nor was he eventually good enough to play on his college team. The shy, self-absorbed, sometimes arrogant young man dropped out of the University of Pennsylvania and in 1910 began to practice his game against a backboard, and he also became a dedicated student of the game. The following year he won his first tournaments; the junior singles and doubles title of Germantown. He later enrolled at the Peirce School of Business. In just three years, he worked his way up the ranks. His first national title was winning the mixed doubles championships with Mary Browne in 1913 and they successfully defended the title in 1914.  From 1914 to 1917, Tilden won the Philadelphia championship. Prior to 1920, he had won a number of Canadian doubles titles, but at the U.S. National Championships in 1918 and 1919 he lost the singles final to Robert Lindley Murray and "Little Bill" Johnston, respectively in straight sets. He won six consecutive U.S. singles championships from 1920-1925 and seven in total, making him the co-record holder with Richard Sears and Bill Larned. In the winter of 1919-20, he moved to Rhode Island where, on an indoor court, he devoted himself to remodeling his relatively ineffective backhand into a much more effective one. With this change, he became the world no. 1 tennis player and the first male American to win the Wimbledon singles championship. In the mid 1920s Tilden came into conflict with the USLTA regarding alleged violations of the amateur rule, specifically relating to the monetary compensation he received for writing tennis articles.  In the late 1920s, the great French players known as the "Four Musketeers" finally wrested the Davis Cup away from Tilden and the United States, as well as his domination of the singles titles at Wimbledon and Forest Hills. Tilden had long been at odds with the rigid amateur directors of the United States Lawn Tennis Association about his income derived from newspaper articles about tennis. He won his last major championship at Wimbledon in 1930 at the age of 37, but was no longer able to win titles at will.
When did he start playing tennis?
A: in 1910 began to practice his game against a backboard,
Some context: Zelig is a 1983 American mockumentary film written and directed by Woody Allen and starring Allen and Mia Farrow. Allen plays Leonard Zelig, a nondescript enigma, who, out of his desire to fit in and be liked, takes on the characteristics of strong personalities around him. The film, presented as a documentary, recounts his intense period of celebrity in the 1920s and includes analyses from contemporary intellectuals. Zelig was photographed and narrated in the style of 1920s black-and-white newsreels, which are interwoven with archival footage from the era and re-enactments of real historical events.
Allen used newsreel footage and inserted himself and other actors into the footage using bluescreen technology. To provide an authentic look to his scenes, Allen and cinematographer Gordon Willis used a variety of techniques, including locating some of the antique film cameras and lenses used during the eras depicted in the film, and even going so far as to simulate damage, such as crinkles and scratches, on the negatives to make the finished product look more like vintage footage. The virtually seamless blending of old and new footage was achieved almost a decade before digital filmmaking technology made such techniques in films like Forrest Gump (1994) and various television advertisements much easier to accomplish.  The film uses cameo appearances by real figures from academia and other fields for comic effect. Contrasting the film's vintage black-and-white film footage, these persons appear in color segments as themselves, commenting in the present day on the Zelig phenomenon as if it really happened. They include essayist Susan Sontag, psychoanalyst Bruno Bettelheim, Nobel Prize-winning novelist Saul Bellow, political writer Irving Howe, historian John Morton Blum, and the Paris nightclub owner Bricktop.  Also appearing in the film's vintage footage are Charles Lindbergh, Al Capone, Clara Bow, William Randolph Hearst, Marion Davies, Charlie Chaplin, Josephine Baker, Fanny Brice, Carole Lombard, Dolores del Rio, Adolf Hitler, Joseph Goebbels, Hermann Goring, James Cagney, Jimmy Walker, Lou Gehrig, Babe Ruth, Adolphe Menjou, Claire Windsor, Tom Mix, Marie Dressler, Bobby Jones, and Pope Pius XI.  In the time it took to complete the film's special effects, Allen filmed A Midsummer Night's Sex Comedy and Broadway Danny Rose.
Besides the celebrities that you listed, are there any more in the film?
A:
Joseph Goebbels, Hermann Goring, James Cagney, Jimmy Walker, Lou Gehrig, Babe Ruth, Adolphe Menjou,