input: Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988).  With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career.  At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him.

Answer this question "Was his family supportive of his career and success?"
output: 

input: After Young Talent Time, Young continued in entertainment, he worked as a radio disc jockey and occasionally performed live. In 1999 he produced Cavalcade of Stars for Foxtel including repackaging segments of Young Talent Time and showcasing new Australian bands.  In December 2000, Young relocated to Perth to become the breakfast host on Perth AM station 6IX. During 2001 to 2004, he periodically performed with Rowe, Buddy England (ex-The Seekers, The Mixtures) and Marcie Jones (Marcie and The Cookies) as the 'Legends of Sixties Rock' at venues across Australia - all four had appeared on The Go-Show. While living in Perth, Young established a new outlet for his Johnny Young Talent School franchise. In 2001, the 30th anniversary of Young Talent Time was celebrated by Network Ten with a special documentary, Young Talent Time Tells All, which was followed on 4 November by a reunion party for former cast members. Young attended with his daughter Anna - who had appeared on the show. Back in Perth, Young hosted The Pet Show on ABC Television in 2006.  On 27 October 2010, Johnny Young was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame. On news of his impending induction Young said "I have always felt like the luckiest kid on the block to be able to continue working in the music industry for 50 years in so many areas when basically I am just a rock and roller. To receive this honour is the cherry on an amazing cake. I am very grateful to all those who supported and encouraged me." Young was inducted by Tina Arena, a former Young Talent Team member, who performed his song, "Here Comes the Star" as a musical tribute. Contemporary pop group, Short Stack performed Young's version of "Cara-Lyn"

Answer this question "what did he do in his later career?"
output: he worked as a radio disc jockey and occasionally performed live.

input: Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story.  Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie.  Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince.  In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.

Answer this question "Did he always stay in theatre?"
output: