Some context: Marco Antonio Rubio (; born May 28, 1971) is an American politician, attorney, and the junior United States Senator for Florida. A Republican Party member, he was previously Speaker of the Florida House of Representatives. Rubio is a Cuban American from Miami, with a B.A. from the University of Florida and a J.D. from the University of Miami School of Law. In the late 1990s, he was a City Commissioner for West Miami and was elected to the Florida House of Representatives in 2000, representing the 111th House district.
Later in 2000, the majority leader of the House, Mike Fasano, promoted Rubio to be one of two majority whips. National Journal described that position as typically requiring a lot of arm-twisting, but said Rubio took a different approach that relied more on persuading legislators and less on coercing them.  Fasano resigned in September 2001 as majority leader of the House due to disagreements with the House speaker, and the speaker passed over Rubio to appoint a more experienced replacement for Fasano. Rubio volunteered to work on redistricting, which he accomplished by dividing the state into five regions, then working individually with the lawmakers involved, and this work helped to cement his relationships with GOP leaders.  In December 2002, Rubio was appointed House Majority Leader by Speaker Johnnie Byrd. He persuaded Speaker Byrd to restructure the job of Majority Leader, so that legislative wrangling would be left to the whip's office, and Rubio would become the main spokesperson for the House GOP.  According to National Journal, during this period Rubio did not entirely adhere to doctrinaire conservative principles, and some colleagues described him as a centrist "who sought out Democrats and groups that don't typically align with the GOP". He co-sponsored legislation that would have let farm workers sue growers in state court if they were shortchanged on pay, and co-sponsored a bill for giving in-state tuition rates to the children of undocumented immigrants. In the wake of the September 11 attacks, he voiced suspicion about expanding police detention powers, and helped defeat a GOP bill that would have required colleges to increase reporting to the state about foreign students.  As a state representative, Rubio requested legislative earmarks (called "Community Budget Issue Requests" in Florida), totaling about $145 million for 2001 and 2002, but none thereafter. Additionally, an office in the executive branch compiled a longer list of spending requests by legislators, including Rubio, as did the non-profit group Florida TaxWatch. Many of those listed items were for health and social programs that Rubio has described as "the kind of thing that legislators would get attacked on if we didn't fund them." A 2010 report by the Tampa Bay Times and Miami Herald said that some of Rubio's spending requests dovetailed with his personal interests. For example, Rubio requested a $20 million appropriation for Jackson Memorial Hospital to subsidize care for the poor and uninsured, and Rubio later did work for that hospital as a consultant. A spokesman for Rubio has said that the items in question helped the whole county, that Rubio did not lobby to get them approved, that the hospital money was necessary and non-controversial, and that Rubio is "a limited-government conservative ... not a no-government conservative".
Are there any other interesting aspects about this article?
A: According to National Journal, during this period Rubio did not entirely adhere to doctrinaire conservative principles,
Some context: Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. Celtic art is a difficult term to define, covering a huge expanse of time, geography and cultures. A case has been made for artistic continuity in Europe from the Bronze Age, and indeed the preceding Neolithic age; however archaeologists generally use "Celtic" to refer to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire of most of the territory concerned, and art historians typically begin to talk about "Celtic art" only from the La Tene period (broadly 5th to 1st centuries BC) onwards. Early Celtic art is another term used for this period, stretching in Britain to about 150 AD.
The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival".
What is Celtic art ?
A:
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe