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Kureishi was born in Bromley, South London, to a Pakistani father, Rafiushan (Shanoo) Kureishi, and an English mother, Audrey Buss. His father was from a wealthy Madras family, most of whose members moved to Pakistan after the Partition of British India in 1947. Rafiushan came to the UK in 1950 to study law but for financial reasons worked at the Pakistani embassy instead. Here he met his wife-to-be, Buss.
Kureishi has twin boys (from his relationship with film producer Tracey Scoffield) and a younger son. Kureishi currently lives in West London. He was appointed Commander of the Order of the British Empire (CBE) in the 2008 New Year Honours. In 2013, Kureishi lost his life savings, intended to cover "the ups and downs of being a writer", in a suspected fraud. Although he acknowledges his father's Pakistani roots (originating in Madras, in British India, present-day Chennai, India), he rarely visits Pakistan. Upon a 2012 visit sponsored by the British Council, he acknowledged that it was his first trip to Pakistan in 20 years.  Kureishi's family have accused him of exploiting them with thinly disguised references in his work; Kureishi has denied the claims. His sister Yasmin has accused him of selling her family "down the line". She wrote, in a letter to The Guardian, that if her family's history had to become public, she would not stand by and let it be "fabricated for the entertainment of the public or for Hanif's profit". She says that his description of her family's working-class roots are fictitious. Their grandfather was not "cloth cap working class", their mother never worked in a shoe factory, and their father, she says, was not a bitter old man. Yasmin takes up issues with her brother not merely for his thinly disguised autobiographical references in his first novel, The Buddha of Suburbia, but also for the image of his own past that he portrays in newspaper interviews. She wrote: "My father was angry when The Buddha of Suburbia came out as he felt that Hanif had robbed him of his dignity, and he didn't speak to Hanif for about a year." Kureishi and his father did not speak for many months during the controversy. There was further furore with the publication of Intimacy, as the story was assumed to be autobiographical.  In 2013 Kureishi was appointed as a professor in the creative writing department at Kingston University in London, where he was a Writer in Residence. However, at The Independent Bath Literature Festival, 2 March 2014, he stated that creative writing courses were a "waste of time" and commented that 99.9 per cent of his students were talentless. In 2014 the British Library announced that they would be acquiring the archive of Kureishi's documents spanning 40 years of his writing life. The body of work will include diaries, notebooks and drafts.  Major influences on Kureishi's writing include P. G. Wodehouse and Philip Roth. Kureishi's uncle was the writer, columnist and Pakistani cricket commentator and team manager Omar Kureishi. The poet Maki Kureishi was his aunt.
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How old was he when he died?

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Brian Wayne Transeau (born October 4, 1971), better known by his stage name BT, is an American music producer, composer, technologist, audio technician, multi-instrumentalist, singer, and songwriter. An artist in the electronica music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." He also creates music within many other styles, such as classical, film composition and bass music. BT is also known for pioneering the stutter edit.
In 1999, BT released his third album, Movement in Still Life, and continued his previous experimentation outside of the trance genre. The album features a strong element of nu skool breaks, a genre he helped define with "Hip-Hop Phenomenon" in collaboration with Tsunami One aka Adam Freeland and Kevin Beber. Along with trance collaborations with Paul van Dyk and DJ Rap, Movement includes pop ("Never Gonna Come Back Down" with M. Doughty on vocals), progressive house ("Dreaming" with Kirsty Hawkshaw on vocals) and hip hop-influenced tracks ("Madskill - Mic Chekka", which samples Grandmaster Flash and the Furious Five's "The Message", and "Smartbomb", a mix of funky, heavy riffs from both synthesizers and guitars woven over a hip-hop break). "Shame" and "Satellite" lean toward an alt-rock sound, while "Godspeed" and "Dreaming" fall into classic trance ranks. "Running Down the Way Up", a collaboration with fellow electronic act Hybrid, features sultry vocals and acoustic guitars heavily edited into a progressive breakbeat track.  "Dreaming" and "Godspeed" reached #5 and #10 on the Billboard Dance Club Songs chart, respectively, "Never Gonna Come Back Down" reached #9 the Billboard Dance Club Songs chart and #16 on Billboard's Alternative Songs chart, and the album reached #166 on the Billboard 200 album charts.  Long interested in branching out into film scoring, BT got the opportunity when director Doug Liman asked him to score Go, a 1999 film about dance music culture. Shortly after creating the score, BT moved to Los Angeles in order to further pursue film scoring. He also began writing music for string quartets to prove his capabilities beyond electronic music. He was then hired to score the film Under Suspicion with a 60-piece string section. For The Fast and the Furious, BT's score featured a 70-piece ensemble, along with polyrhythmic tribal sounds produced by orchestral percussionists banging on car chassis.  In 1999, BT collaborated with Peter Gabriel on the album OVO, the soundtrack to the Millennium Dome Show in London. In 2001, he produced NSYNC's hit single "Pop", which won a 2001 Teen Choice Award for Choice Single, won four MTV Video Music Awards, and reached #19 on the Billboard Hot 100 and #9 on the UK Singles chart. In 2002, BT released the compilation album 10 Years in the Life, a two-disc collection of rarities and remixes, including "The Moment of Truth", the first track he ever recorded.
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Did he release any EP after this album?

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