Background: "Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960-1961.
Context: Little is known about Johnson's life and musical career, although his recordings are well documented. In October 1936, Johnson auditioned for music store owner and sometime talent scout H. C. Speir in Jackson, Mississippi; Speir passed on Johnson's contact information to Ernie Oertle, who was a representative for ARC Records. After a second audition, Oertle arranged for Johnson to travel to San Antonio, Texas, for a recording session. Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936. During the first session, he recorded his most commercially appealing songs. They mostly represented his original pieces and reflected current, piano-influenced musical trends. The songs include "Terraplane Blues" (his first single and most popular record) along with "Sweet Home Chicago" and "I Believe I'll Dust My Broom", which became blues standards after others recorded them.  A second and third recording date took place in San Antonio after a two-day break. Johnson reached back into his long-standing repertoire for songs to record. The material reflects the styles of country blues performers Charley Patton and Son House, who influenced Johnson in his youth. The songs are among Johnson's most heartfelt and forceful, and music historian Ted Gioia sees a shift in the lyrical themes:  At the close of the San Antonio session, the darker, more apocalyptic side of Johnson's work emerges ... [he] evokes the themes of damnation and redemption, darkness and light ... glimpses into the musician's inner life, and all its attendant turmoils.  "Cross Road Blues" was recorded during Johnson's third session in San Antonio, on Friday November 27, 1936. The sessions continued at an improvised studio in Room 414 at the Gunter Hotel. ARC producers Art Satherley and Don Law supervised the recording and used a portable disc cutting machine. It is unknown what input, if any, they had into Johnson's selection of material to record or how to present it. Two similar takes of the song were recorded.
Question: When did this get recorded?
Answer: Cross Road Blues" was recorded during Johnson's third session in San Antonio, on Friday November 27, 1936.

Background: The Kooks are an English pop rock band formed in 2004 in Brighton. The band currently consists of Luke Pritchard (vocals/rhythm guitar), Hugh Harris (lead guitar/synth), Alexis Nunez (drums), and Peter Denton (bass guitar). The original bassist was Max Rafferty, and the founding drummer was Paul Garred. The lineup of the band remained constant until the departure of Rafferty in 2008.
Context: The Kooks have mentioned drawing on a number of varied sources to create their sound, listing the Rolling Stones, the Beatles, Bob Dylan and Chris de Burgh among influences on songwriting style and musical presentation over the course of their four albums.  The band's debut album Inside In/Inside Out was touted as a typical Britpop record, and was influenced by the Libertines, Thin Lizzy, the Police and containing elements of the 60s British pop movement. Pritchard's lyrical style was compared to that of a "younger, less pathetic version of Pete Doherty's mush-mouth style". The band themselves felt the album was not consistent in its direction. "The first record was definitely genre-hopping. [...] The first album was finding its feet, it was gadabout", said Harris in an interview for The Sunday Business Post.  On the follow-up Konk, the band attempted to find a more mature and polished sound. Drawing on a much wider choice of material for the album (about 80 to 90 new songs had been accumulated within the band's repertoire by this stage), the band began to incorporate more a hard-edged rock focus into their music. Critics drew comparisons to the work of The Kinks throughout the album, it being recorded at the studio owned by Ray Davies. Also noted were the band's growing similarities in musical direction to The Fratellis and the Arctic Monkeys. "I think we've made a dynamic album", Pritchard said. "Every song has its own character. It's a good pop album."  The most recent album, Listen, includes much more percussion and cross rhythms than previous material. Pritchard described the band's most recent album Listen as "percussion sonnets". "The first couple albums I made I never really thought about rhythms, I focused on the recording and the lyrics", Pritchard said.
Question: Who described their style in that way?
Answer: The band themselves

Background: Walter Bruce Willis was born on March 19, 1955, in the town of Idar-Oberstein, West Germany. His father, David Willis, was an American soldier. His mother, Marlene, was German, born in Kassel. Willis is the oldest of four children with a sister named Florence and two brothers, Robert (who is deceased) and David.
Context: Throughout his film career, Willis has depicted several military characters in films such as In Country, The Siege, Hart's War, Tears of the Sun, Grindhouse, and G.I. Joe: Retaliation. Growing up in a military family, Willis has publicly sold Girl Scout cookies for the United States armed forces. In 2002, Willis's then 8-year-old daughter, Tallulah, suggested that he purchase Girl Scout cookies to send to troops. Willis purchased 12,000 boxes of cookies, and they were distributed to sailors aboard USS John F. Kennedy and other troops stationed throughout the Middle East at the time.  In 2003, Willis visited Iraq as part of the USO tour, singing to the troops with his band, The Accelerators. Willis considered joining the military to help fight the second Iraq war, but was deterred by his age. It was believed he offered $1 million to any noncombatant who turns in terrorist leaders Osama bin Laden, Ayman al-Zawahiri, or Abu Musab al-Zarqawi; in the June 2007 issue of Vanity Fair, however, he clarified that the statement was made hypothetically and not meant to be taken literally. Willis has also criticized the media for its coverage of the war, complaining that the press were more likely to focus on the negative aspects of the war:  I went to Iraq because what I saw when I was over there was soldiers--young kids for the most part--helping people in Iraq; helping getting the power turned back on, helping get hospitals open, helping get the water turned back on and you don't hear any of that on the news. You hear, 'X number of people were killed today,' which I think does a huge disservice. It's like spitting on these young men and women who are over there fighting to help this country.  Willis stated in 2005 that he wanted to "make a pro-war film in which American soldiers will be depicted as brave fighters for freedom and democracy." The film would follow members of Deuce Four, the 1st Battalion, 24th Infantry, who spent considerable time in Mosul and were decorated heavily for it. The film is to be based on the writings of blogger Michael Yon, a former United States Army Special Forces soldier who was embedded with Deuce Four and sent regular dispatches about their activities. Willis described the plot of the film as "these guys who do what they are asked for very little money to defend and fight for what they consider to be freedom."
Question: any other military movies?
Answer: