Answer the question at the end by quoting:

The John Butler Trio are an Australian roots/rock band led by guitarist and vocalist John Butler, an APRA and ARIA-award-winning musician. They formed in Fremantle in 1998 with Jason McGann on drums and Gavin Shoesmith on bass. By 2009, the trio consisted of Butler with Byron Luiters on bass and Nicky Bomba on drums and percussion, the latter being replaced by Grant Gerathy in 2013. The band's second studio album, Three (2001) reached the top 30 in the Australian album charts and achieved platinum sales.
In April 2001, John Butler Trio released Three and relocated to Melbourne to promote the record on the east coast. The track, "Betterman", was on high rotation by Triple J. Three peaked at No. 24 on the ARIA Charts. It also remained on the alternative charts for nine months reaching No. 3. At the ARIA Music Awards of 2001 the album won an award for 'Best Independent Release'. "Betterman" reached No. 5 on the Triple J Hottest 100, 2001.  Shoesmith left the trio to form his own band, The Groovesmiths, Butler replaced him with 19-year-old Rory Quirk, who was on their first tour of the United States in 2001. Quirk, in turn, left in 2002 to pursue a career with his band, Quirk. Andrew Fry joined as the next bass player.  The success of Three led to its release in the US in 2002 and two tours of the US followed. The band supported the Dave Matthews Band and John Mayer as well as playing at the Bonnaroo Music Festival and the South by Southwest Festival. The band also played at the Splendour in the Grass Festival in Australia. Butler, his manager Phil Stevens and fellow Western Australian folk artists, The Waifs, founded Jarrah Records in July 2002.  As a result of intensive touring, the band developed a great live reputation in Australia. The band released Living 2001-2002 in February 2003, a double live album which had a top ten debut in the ARIA album charts and went on to achieve platinum sales. Butler took a brief break after five years of solid work since 1997 for the birth of his daughter Banjo.

Did this album have any hit singles?

Betterman",

IN: Native women in Hong Kong used to be situated within the context of Chinese family and society, in which they were treated the same as Mainland women or Taiwanese women. Under the traditional Chinese patriarchy structure, the society was male-dominated, and women had a relatively subordinate familial role. However, there are cultural differences between Mainland Chinese citizens and citizens of Hong Kong. During the British colonial period the emergence of Western culture (i.e. "Westernization") created a mix of traditional Chinese culture and Western values.

See also (Economy of Hong Kong) and (Education in Hong Kong) The implementation of compulsory universal education in 1971, following with an extension to nine years in 1978, give rises to an increased number of women elites. Besides, the transform of social environment in Hong Kong also contribute to the rise of women education. In the past, if a family does not have enough money to send both their son and daughter to school, they will choose to educate the son over the daughter. Nonetheless, owing to the economic growth since 1960s, Hong Kong has become a wealthy society with a significant change in population at the same time. The birth rate in Hong Kong steadily decreased from 16.8% in 1981 to 8.6% in 2014. It reveals that the nuclear family structure nurturing only one to two children in a family is common, in which girls could receive better education due to the more concentrated resources within the family.  According to the report of Hong Kong Annual Digest of Statistics by Census and Statistics Department of Hong Kong, a trend of universalism for boys and girls could be observed since the 1970s; and girls' enrolment rate in general was higher than the boys' since the 1980s. The gap between male and female enrollment in post-secondary education has narrowed down and female students even outnumber male students in entering University Grants Committee (UGC) funded programmes in recent decades. The percentage of females and male students enrolled in UGC-funded programmes was 53.7% and 46.3% in 2014, which is quite different from 32.9% and 67.1% respectively in 1987.  However, when specifically comes to research postgraduate programmes, more male students were recorded since the programmes are largely related to sciences, technology, engineering and mathematics (STEM). People in Hong Kong have gender bias in STEM fields, perceiving women as less capable of mastering the STEM knowledge and pursuing related careers. Half of the teenage girls in Hong Kong were discouraged to focus on mathematics and sciences during secondary school, which lead to their lessened self-concept in STEM. Thus, the sex ratio of students enrolled in UGC-funded engineering and technology programmes is imbalance, which is 29.5% for female and 70.5% for male in 2016. The situation is not much improved as compared with 14.1% for female and 85.9% for male in 1996.

Are there any other interesting aspects about this article?

OUT:
The gap between male and female enrollment in post-secondary education has narrowed down and female students even outnumber male students in entering University Grants