IN: Ashanti Shequoiya Douglas was born on October 13, 1980, in Glen Cove, New York. Her mother, Tina Douglas, is a former dance teacher, and her father, Ken-Kaide Thomas Douglas, is a former singer. Her mother named her after the Ashanti Empire in Ghana; in this nation, women had power and influence, and Tina wanted Ashanti to follow that model. Her grandfather, James, was a civil rights activist who associated with Martin Luther King, Jr. in the 1960s.

After a four-year hiatus, Ashanti released the song "Never Too Far Away", which was featured in Morgan Creek's film Dream House starring Daniel Craig, Rachel Weisz with Naomi Watts. The lead single from her fifth studio album, "The Woman You Love" featuring American rapper Busta Rhymes, was released online on December 15, 2011. Ashanti teamed up with Meek Mill and French Montana for the second single "No One Greater", which was produced by 7 Aurelius, Irv Gotti and Chink Santana. In April 2013, she released another single called "Never Should Have", which later won "Best Independent R&B/Soul Performance" at the 2013 Soul Train Awards. A music video for the track was also released.  In November 2012, it was reported that she had landed her first series regular role in the seventh season of Army Wives in which she played Latasha Montclair. The series was cancelled on September 24, 2013. In the fall of 2013, she appeared in a guest spot on Law & Order: Special Victims Unit alongside Clay Aiken and Taylor Hicks. She starred in the Lifetime film Christmas in the City which premiered on December 7, 2013.  In August 2013, Ashanti announced her plans to work with Ja Rule again, who'd been released from prison in July of that year after a six-year sentence stemming from a gun charge. On January 8, 2014, she revealed the official cover art and release date for Braveheart, her fifth album, which was released on March 4, 2014. In January 2014, Ashanti shot the video for the official first single from Braveheart titled "I Got It" featuring Rick Ross. The video was shot in Miami, Florida and was directed by Eif Rivera. In July, Ashanti announced that the second official single from BraveHeart would be "Early in the Morning" featuring French Montana. Upon release, the album garnered favorable reviews, with music critics describing Braveheart's sound as an "evolution of R&B" and praising the themes of empowerment, but criticizing the romantic cliches and lack of interesting moments on the album. On the charts, Braveheart opened at number ten on the U.S. Billboard 200, becoming Ashanti's fifth consecutive top-ten album, as well as her first Independent Albums chart topper. It also debuted in the top-thirty of the UK R&B Albums Chart and top-forty of the UK Indie Albums Chart.  In 2015, she announced that she has been working on new music for her sixth album, with an unknown release date. Ashanti also teamed with Michelle Obama and her Let's Move campaign to spread awareness of drinking water with her new video and song "Let's Go". The video is also available at www.drinkupashanti.com. In 2016, she appeared on The Hamilton Mixtape, singing "Helpless", in which Eliza is introduced to Hamilton, whose part was rapped by Ja Rule.  In 2017, she announced her sixth studio album, set to be released in 2018. On November 6, 2017, she released the first single, "Say Less" feat. Ty Dolla $ign.
QUESTION: Waht was she working on
IN: Ralph Bakshi (born October 29, 1938) is an American director of animated and live-action films. In the 1970s, he established an alternative to mainstream animation through independent and adult-oriented productions. Between 1972 and 2015, he directed ten theatrically released feature films, six of which he wrote. He has been involved in numerous television projects as director, writer, producer and animator.

In 1973, Bakshi and Ruddy began the production of Harlem Nights, which Paramount was originally contracted to distribute. While Fritz the Cat and Heavy Traffic proved that adult-oriented animation could be financially successful, animated films were still not respected, and Bakshi's pictures were considered to be "dirty Disney flicks" that were "mature" only for depicting sex, drugs and profanity. Harlem Nights, based on Bakshi's firsthand experiences with racism, was an attack on racist prejudices and stereotypes. Bakshi cast Scatman Crothers, Philip Michael Thomas, Barry White and Charles Gordone in live-action and voice roles, cutting in and out of animation abruptly rather than seamlessly because he wanted to prove that the two mediums could "coexist with neither excuse nor apology". He wrote a song for Crothers to sing during the opening title sequence: "Ah'm a Niggerman". Its structure was rooted in the history of the slave plantation: slaves would "shout" lines from poems and stories great distances across fields in unison, creating a natural beat. Bakshi has described its vocal style, backed by fast guitar licks, as an "early version of rap".  Bakshi intended to attack stereotypes by portraying them directly, culling imagery from blackface iconography. Early designs in which the main characters (Brother Rabbit, Brother Bear and Preacher Fox) resembled figures from The Wind in the Willows were rejected. Bakshi juxtaposed stereotypical designs of blacks with even more negative depictions of white racists, but the film's strongest criticism is directed at the Mafia. Bakshi said, "I was sick of all the hero worship these guys got because of The Godfather." Production concluded in 1973. During editing, the title was changed to Coonskin No More..., and finally to Coonskin. Bakshi hired several African American animators to work on Coonskin, including Brenda Banks, the first African American female animator. Bakshi also hired graffiti artists and trained them to work as animators. The film's release was delayed by protests from the Congress of Racial Equality, which called Bakshi and his film racist. After its distribution was contracted to the Bryanston Distributing Company, Paramount canceled a project that Bakshi and Ruddy were developing, The American Chronicles.  Coonskin, advertised as an exploitation film, was given limited distribution and soon disappeared from theaters. Initial reviews were negative; Playboy commented that "Bakshi seems to throw in a little of everything and he can't quite pull it together." Eventually, positive reviews appeared in The Hollywood Reporter, New York Amsterdam News (an African American newspaper) and elsewhere. The New York Times' Richard Eder said the film "could be [Bakshi's] masterpiece [...] a shattering successful effort to use an uncommon form--cartoons and live action combined to convey the hallucinatory violence and frustration of American city life, specifically black city life [...] lyrically violent, yet in no way [does it] exploit violence". Variety called it a "brutal satire from the streets". A reviewer for the Los Angeles Herald-Examiner wrote, "Certainly, it will outrage some and, indeed, it's not Disney. [...] The dialog it has obviously generated--if not the box office obstacles--seems joltingly healthy." Bakshi called Coonskin his best film.
QUESTION:
What type of film is Coonskin advertised as?