Answer the question at the end by quoting:

Drazen Petrovic (pronounced [draZen petrovitc]; October 22, 1964 - June 7, 1993) was a Croatian professional basketball player. A shooting guard, he initially achieved success playing professional basketball in Europe in the 1980s, before joining the National Basketball Association (NBA) in 1989. A star on multiple stages, Petrovic earned two silver medals and one bronze in Olympic basketball, a gold and a bronze in the FIBA World Cup, a gold and a bronze in the FIBA EuroBasket, and two EuroLeague titles. He represented Yugoslavia's national team and, later, Croatia's national team.
Petrovic's national team debut came at the age of 15, at the Under-18 Balkan Championship in Turkey, where the Yugoslavian junior team won the bronze. The young man regularly played for the Yugoslavian national team in the Balkan Championships, also winning gold with the junior team and silver with the senior team. He also brought back the silver from the 1982 FIBA Europe Under-18 Championship in Bulgaria.  The 1984 Summer Olympics were Petrovic's first competition of a grand scale with the Yugoslav senior national team, and the bronze medal won in Los Angeles that summer became his first Olympic medal. Third place was also earned at the 1986 FIBA World Championship, remembered for the last minute thriller in the semi-final game against the Soviet Union. At the 1987 EuroBasket, Petrovic again returned with bronze, as Yugoslavia lost to the hosts and gold medalists Greece. The University Games, held in Zagreb in 1987, saw the Yugoslavian squad with Petrovic win the gold. In the 1988 Summer Olympics, Yugoslavia with Petrovic, earned 2nd place, as they lost once more to the Soviet powerhouse.  An excellent club season with Real Madrid was topped by Petrovic's 1989 accomplishment with the Yugoslav national team: at the EuroBasket in Zagreb, the young Yugoslavian team went all the way, defeating Greece more than comfortably in the championship game. Petrovic was the tournament's second leading scorer and most valuable player. The very next year, the summer in between the two most frustrating seasons of his professional career, as he struggled for playing time with the Trail Blazers, Petrovic was again making history with the national team, as Yugoslavia became world champions, after beating the Soviet Union for the gold in Buenos Aires, at the 1990 FIBA World Championship.

When did he leave the team?





Answer the question at the end by quoting:

"Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960-1961.
A crossroads or an intersection of rural roads is one of the few landmarks in the Mississippi Delta, a flat featureless plain between the Mississippi and Yazoo rivers. It is part of the local iconography and various businesses use the name, such as gas stations, banks, and retail shops. A crossroads is also where cars are more likely to slow down or stop, thus presenting the best opportunity for a hitchiker. In the simplest reading, Johnson describes his grief at being unable to catch a ride at an intersection before the sun sets. However, many see different levels of meaning and some have attached a supernatural significance to the song.  Both versions of the song open with the protagonist kneeling at a crossroads to ask God's mercy, while the second sections tells of his failed attempts to hitch a ride. In the third and fourth sections, he expresses apprehension at being stranded as darkness approaches and asks that his friend Willie Brown be advised that "I'm sinkin' down". The first take of the song, which was used for the single, includes a fifth verse that is not included in the second take. In it he laments not having a "sweet woman" in his distress.  The song has been used to perpetuate the myth of Johnson selling his soul to the Devil for his musical ability. The lyrics do not contain any references to Satan or a Faustian bargain, but they have been interpreted as a description of the singer's fear of losing his soul to the Devil (presumably in exchange for his talent). Music historian Elijah Wald believes that Johnson's verses do not support the idea. Delta bluesman Tommy Johnson promoted himself as having made a deal with the Devil and Southern folklore identifies a crossroads or graveyard as the site of such a pact, which Wald identifies as likely sources of the myth. However, musicologist Robert Palmer points out that Johnson was "fascinated with and probably obsessed by supernatural imagery." His song "Hellhound on My Trail" tells of trying to stay ahead of the demon hound which is pursuing him and in "Me and the Devil Blues" he sings, "Early this mornin' when you knocked upon my door, and I said 'Hello Satan I believe it's time to go'". These songs contribute to the Faustian myth; how much Johnson promoted the idea is debated, although many agree "the 'devil angle' made for good marketing".  Blues historian Samuel Charters sees the song as having elements of protest and social commentary. The second verse includes "the sun goin' down now boy, dark gon' catch me here", a reference to the "sundown laws" or curfew during racial segregation in the United States. Signs in the rural South advised "Nigger, don't let the sun set on you here". Johnson may be expressing a real fear of trumped up vagrancy charges or even lynchings that still took place. Others suggest that the song is about a deeper and more personal loneliness. Writers Barry Lee Pearson and Bill McCulloch argue that the fifth verse in the single version captures the essence of the song: "left alone, abandoned, or mistreated, he stands at the crossroad, looking this way or that for his woman".

How can the lyrics be interperted?
Johnson describes his grief at being unable to catch a ride at an intersection before the sun sets.