Background: Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.
Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals.
Question: What year did this happen?
Answer: published in 1975 and 1976 respectively.

Background: Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards.
Context: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister".
Question: what was their first recording ?
Answer: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989),

Background: Rose was born April 14, 1941, in Cincinnati, Ohio, one of four children born to Harry Francis "Pete" and LaVerne Rose. He was a member of the Order of DeMolay as a young boy and was encouraged by his parents to participate in sports. He played baseball and football at Western Hills High School. Although Rose was small for his age, he earned the starting running back position on his freshman football team.
Context: During a spring training game against the Chicago White Sox in 1963, the Reds' regular second baseman, Don Blasingame, pulled a groin muscle; Rose got his chance and made the most of it. During another spring training game against the New York Yankees, Whitey Ford gave him the derisive nickname "Charlie Hustle" after Rose sprinted to first base after drawing a walk. Despite (or perhaps because of) the manner in which Ford intended it, Rose adopted that nickname as a badge of honor. In Ken Burns' documentary Baseball, Mickey Mantle claimed that Ford gave Rose the nickname after Rose, playing in left field, made an effort to climb the fence to try to catch a Mantle home run that everyone could see was headed over everything.  Rose made his major league debut on April 8, 1963 (Opening Day) against the Pittsburgh Pirates and drew a walk in his first plate appearance. After going 0-for-11, Rose got his first Major League hit on April 13, a triple off Pittsburgh's Bob Friend. He hit .273 for the year and won the National League Rookie of the Year Award, collecting 17 of 20 votes.  Rose entered the US Army Reserves after the 1963 baseball season. He was assigned to Fort Knox for six months of active duty, which was followed by six years of regular attendance with a 478th Engineering Battalion USAR at Fort Thomas, Kentucky. At Fort Knox, he was a platoon guide and graduated from United States Army Basic Training January 18, 1964, one week before his marriage to Karolyn. Rose then remained at Fort Knox to assist the sergeant in training the next platoon and to help another sergeant train the Fort's baseball team. Later in his Fort Thomas service, Rose served as company cook which entailed coming in early for the one weekend/month meeting so that he could get out early enough to participate in local Reds games. Other Reds players in the unit included Johnny Bench, Bobby Tolan and Darrel Chaney.
Question: Where did the nickname come from
Answer:
Whitey Ford gave him the derisive nickname "Charlie Hustle" after Rose sprinted to first base after drawing a walk.