Problem: Background: Randy Randall Rudy Quaid (born October 1, 1950) is an American film and television actor and Academy Award nominee known for his roles in both serious drama and light comedy. He was nominated for a Golden Globe Award, BAFTA Award and an Academy Award for his role in The Last Detail in 1973. In 1978 he co-starred as a prisoner in Midnight Express. Quaid also won a Golden Globe and was nominated for an Emmy Award for his portrayal of U.S. President Lyndon Johnson in LBJ:
Context: In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West.  In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it.  According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff."
Question: what was Quaid's response to the charges?
Answer: Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers

Problem: Background: Chester Charles Bennington was born on March 20, 1976, in Phoenix, Arizona. His mother was a nurse, while his father was a police detective who worked on child sexual abuse cases. Bennington took interest in music at a young age, citing the bands Depeche Mode and Stone Temple Pilots as his earliest inspirations, and dreamed of becoming a member of Stone Temple Pilots, which he later achieved when he became their lead singer. Bennington suffered sexual abuse from an older male friend when he was seven years old.
Context: Bennington was frustrated and almost ready to quit his musical career altogether when Jeff Blue, the vice president of artists and repertoire at Zomba Music in Los Angeles, offered him an audition with the future members of Linkin Park. Bennington quit his day job at a digital services firm and took his family to California, where he had a successful audition with Linkin Park, who were then called Xero. He managed to record the song for his audition in a day, missing his own birthday celebration in the process. Bennington and Mike Shinoda, the band's other vocalist, made significant progress together, but failed to find a record deal. After facing numerous rejections, Blue, now a vice president of artists and repertoire at Warner Bros., intervened again to help the band sign with Warner Bros. Records.  On October 24, 2000, Linkin Park released their debut album, Hybrid Theory, through Warner Bros. Records. Bennington and Shinoda wrote the lyrics to Hybrid Theory based on some early material. Shinoda characterized the lyrics as interpretations of universal feelings, emotions, and experiences, and as "everyday emotions you talk about and think about." Bennington later described the songwriting experience to Rolling Stone magazine in early 2002, "It's easy to fall into that thing - 'poor, poor me', that's where songs like 'Crawling' come from: I can't take myself. But that song is about taking responsibility for your actions. I don't say 'you' at any point. It's about how I'm the reason that I feel this way. There's something inside me that pulls me down."  Bennington primarily served as Linkin Park's lead vocalist, but occasionally shared the role with Shinoda. All Music Guide described Bennington's vocals as "higher-pitched" and "emotional", in contrast to Shinoda's hip-hop-style delivery. Both members also worked together to write lyrics for the band's songs.
Question: Is that the name of a group?
Answer: Bennington primarily served as Linkin Park's lead vocalist, but occasionally shared the role with Shinoda.

Problem: Background: Johnny Burnette was born to Willie May and Dorsey Burnett Sr. in Memphis, Tennessee. (The "e" at the end of his name was added later.) Johnny grew up with his parents and Dorsey Jr. in a public housing project in the Lauderdale Courts area of Memphis, which from 1948 until 1954 was also the home of Gladys and Vernon Presley and their son, Elvis.
Context: In 1952, the Burnette brothers and Burlison formed a group called the Rhythm Rangers. Johnny sang and played acoustic guitar, Dorsey played bass and Paul Burlison played lead guitar. For economic reasons, the three moved to New York in 1956 and managed to get an audition for Ted Mack's Original Amateur Hour. Winning the competition three times in a row gained them a place in the finals and a recording contract with Coral Records, and they renamed themselves the Rock and Roll Trio. They also gained a manager, the bandleader Henry Jerome, and a drummer, Tony Austin (a cousin of Carl Perkins).  Promotional appearances were arranged on Dick Clark's American Bandstand, Steve Allen's Tonight Show and Perry Como's Kraft Music Hall, together with a summer tour with Carl Perkins and Gene Vincent. On Sunday September 9, 1956, they appeared as finalists in the Original Amateur Hour at Madison Square Garden. Despite this activity, the three singles they released over this period failed to make the national charts.  In order to cover their living expenses, the Trio was forced to go on the road, for what seemed to be an endless stream of one-night stands. This exhausting regime led to squabbles, which were exacerbated in Dorsey's case by Jerome's use of the name Johnny Burnette and the Rock and Roll Trio on records and live dates. Things finally came to a head at a gig in Niagara Falls in autumn 1956, when, as a result of a fight, Dorsey quit the group a week before they were to appear in Alan Freed's film Rock, Rock, Rock.  Johnny Black, the brother of Elvis's bassist Bill Black, was rapidly recruited to fill Dorsey's place. Despite the film appearance and three more single releases and one LP release, the group failed to achieve any chart success. The Rock and Roll Trio disbanded in autumn 1957.
Question: when did the form the group?
Answer:
1952,