Question:
The Algonquin Round Table was a group of New York City writers, critics, actors, and wits. Gathering initially as part of a practical joke, members of "The Vicious Circle", as they dubbed themselves, met for lunch each day at the Algonquin Hotel from 1919 until roughly 1929. At these luncheons they engaged in wisecracks, wordplay, and witticisms that, through the newspaper columns of Round Table members, were disseminated across the country. Daily association with each other, both at the luncheons and outside of them, inspired members of the Circle to collaborate creatively.
In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly. The group was devoted to games, including cribbage and poker. The group had its own poker club, the Thanatopsis Literary and Inside Straight Club, which met at the hotel on Saturday nights. Regulars at the game included Kaufman, Adams, Broun, Ross and Woollcott, with non-Round Tablers Herbert Bayard Swope, silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner sometimes sitting in. The group also played charades (which they called simply "The Game") and the "I can give you a sentence" game, which spawned Dorothy Parker's memorable sentence using the word horticulture: "You can lead a horticulture but you can't make her think."  Members often visited Neshobe Island, a private island co-owned by several "Algonks"--but governed by Woollcott as a "benevolent tyrant", as his biographer Samuel Hopkins Adams charitably put it--located on several acres in the middle of Lake Bomoseen in Vermont. There they would engage in their usual array of games including Wink murder, which they called simply "Murder", plus croquet.  A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another. As time went on the jokes became ever more elaborate. Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself. They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out and then later comment to Woollcott "What on earth is wrong with your portrait?" until Woollcott was beside himself. Eventually they returned the original portrait.
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Did they participate in any other activities?

Answer:
Members often visited Neshobe Island,


Question:
William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products. Young Hogarth also took a lively interest in the street life of the metropolis and the London fairs, and amused himself by sketching the characters he saw. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St John's Gate, was imprisoned for debt in Fleet Prison for five years.
In 1743-1745, Hogarth painted the six pictures of Marriage a-la-mode (National Gallery, London), a pointed skewering of upper-class 18th-century society. This moralistic warning shows the miserable tragedy of an ill-considered marriage for money. This is regarded by many as his finest project and may be among his best-planned story serials.  Marital ethics were the topic of much debate in 18th-century Britain. The many marriages of convenience and their attendant unhappiness came in for particular criticism, with a variety of authors taking the view that love was a much sounder basis for marriage. Hogarth here painted a satire - a genre that by definition has a moral point to convey - of a conventional marriage within the English upper class. All the paintings were engraved and the series achieved wide circulation in print form. The series, which is set in a Classical interior, shows the story of the fashionable marriage of Viscount Squanderfield, the son of bankrupt Earl Squander, to the daughter of a wealthy but miserly city merchant, starting with the signing of a marriage contract at the Earl's mansion and ending with the murder of the son by his wife's lover and the suicide of the daughter after her lover is hanged at Tyburn for murdering her husband.  William Makepeace Thackeray wrote:  This famous set of pictures contains the most important and highly wrought of the Hogarth comedies. The care and method with which the moral grounds of these pictures are laid is as remarkable as the wit and skill of the observing and dexterous artist. He has to describe the negotiations for a marriage pending between the daughter of a rich citizen Alderman and young Lord Viscount Squanderfield, the dissipated son of a gouty old Earl ... The dismal end is known. My lord draws upon the counselor, who kills him, and is apprehended while endeavouring to escape. My lady goes back perforce to the Alderman of the City, and faints upon reading Counsellor Silvertongue's dying speech at Tyburn (place of execution in old London), where the counselor has been 'executed for sending his lordship out of the world. Moral: don't listen to evil silver-tongued counselors; don't marry a man for his rank, or a woman for her money; don't frequent foolish auctions and masquerade balls unknown to your husband; don't have wicked companions abroad and neglect your wife, otherwise you will be run through the body, and ruin will ensue, and disgrace, and Tyburn.
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what were these made on?

Answer:



Question:
Maurice Daniel Robert Malpas (born 3 August 1962) is a Scottish football player and coach. He signed for Dundee United in 1979 and spent his entire professional playing career with the club until his retirement in 2000. With him United were Scottish champions in 1983 and Scottish Cup winners in 1994. European runs there included reaching the 1983-84 European Cup semi final and the 1987 UEFA Cup Final.
After retiring as a player, Malpas assumed full-time coaching duties at Tannadice, having been acting as player/coach since 1991. He was part of the temporary management team following the dismissal of Alex Smith in October 2002, but left the club in January 2003.  He initially joined Motherwell as assistant manager to former coaching colleague Terry Butcher. Malpas became Motherwell manager in May 2006, following Butcher's departure to coach Sydney FC. He left the club in June 2007 after one season in charge, having taken the team from a comfortable mid-table position to one that narrowly avoided relegation. Malpas became caretaker manager of the Scotland under-21 team in August 2007, but missed out on the permanent position to Billy Stark.  In January 2008, Malpas became manager of Swindon Town after the takeover of the club by local businessman Andrew Fitton, replacing former Dundee United teammate Paul Sturrock. Malpas was sacked by chairman Andrew Fitton on 14 November 2008 after a poor run of results and shock exits in the FA Cup to Histon and in the Football League Trophy within a week. He joined Terry Butcher again as assistant, this time at SPL club Inverness Caledonian Thistle. In 2013, Malpas moved with Butcher to Hibernian, rejecting the chance to manage Inverness. Butcher and Malpas both left Hibernian in June 2014, after the club had been relegated from the Scottish Premiership.  Malpas became director of football at Raith Rovers on 26 December 2014. He left Raith Rovers on 22 May 2015 and was inducted to the Scottish Football Hall of Fame in October 2015.  Malpas returned to Inverness Caledonian Thistle in April 2017, working for manager Richie Foran.
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Did he do well as a manager during this time?

Answer: