input: Julia Stephen fell ill with influenza in February 1895, and never properly recovered, dying on 5 May, when Virginia was only 13. This was a pivotal moment in her life and the beginning of her struggles with mental illness. Essentially, her life had fallen apart. The Duckworths were travelling abroad at the time of their mother's death, and Stella returned immediately to take charge and assume her role. That summer, rather than return to the memories of St Ives, the Stephens went to Freshwater, Isle of Wight, where a number of their mother's family lived. It was there that Virginia had the first of her many nervous breakdowns, and Vanessa was forced to assume some of her mother's role in caring for Virginia's mental state. Stella became engaged to Jack Hills the following year and they were married on 10 April 1897, making Virginia even more dependent on her older sister.  George Duckworth also assumed some of their mother's role, taking upon himself the task of bringing them out into society. First Vanessa, then Virginia, in both cases an equal disaster, for it was not a rite of passage which resonated with either girl and attracted a scathing critique by Virgina regarding the conventional expectations of young upper class women "Society in those days was a perfectly competent, perfectly complacent, ruthless machine. A girl had no chance against its fangs. No other desires - say to paint, or to write - could be taken seriously". Rather her priorities were to escape from the Victorian conventionality of the downstairs drawing room to a "room of one's own" to pursue her writing aspirations. She would revisit this criticism in her depiction of Mrs Ramsay stating the duties of a Victorian mother in To the Lighthouse "an unmarried woman has missed the best of life".  The death of Stella Duckworth, her pregnant surrogate mother, on 19 July 1897, after a long illness, was a further blow to Virginia's sense of self, and the family dynamics. Woolf described the period following the death of both her mother and Stella as "1897-1904 -- the seven unhappy years", referring to "the lash of a random unheeding flail that pointlessly and brutally killed the two people who should, normally and naturally, have made those years, not perhaps happy but normal and natural". In April 1902 their father became ill, and although he underwent surgery later that year he never fully recovered, dying on 22 February 1904. Virginia's father's death precipitated a further breakdown. Later, Virginia would describe this time as one in which she was dealt successive blows as a "broken chrysalis" with wings still creased. Chrysalis occurs many times in Woolf's writing but the "broken chrysalis" was an image that became a metaphor for those exploring the relationship between Woolf and grief. At his death, Leslie Stephen's net worth was PS15,715 6s. 6d. (probate 23 March 1904)

Answer this question "Did Virginia Woolf have any works published?"
output: 

input: In 1986, Jarmusch wrote and directed Down by Law, starring musicians John Lurie and Tom Waits, and Italian comic actor Roberto Benigni (his introduction to American audiences) as three convicts who escape from a New Orleans jailhouse. Shot like the director's previous efforts in black and white, this constructivist neo-noir was Jarmusch's first collaboration with Dutch cinematographer Robby Muller, who had been known for his work with Wenders.  His next two films each experimented with parallel narratives: Mystery Train (1989) told three successive stories set on the same night in and around a small Memphis hotel, and Night on Earth (1991) involved five cab drivers and their passengers on rides in five different world cities, beginning at sundown in Los Angeles and ending at sunrise in Helsinki. Less bleak and somber than Jarmusch's earlier work, Mystery Train nevertheless retained the director's askance conception of America. He wrote Night on Earth in about a week, out of frustration at the collapse of the production of another film he had written and the desire to visit and collaborate with friends such as Benigni, Gena Rowlands, Winona Ryder and Isaach de Bankole.  As a result of his early work, Jarmusch became an influential representative of the trend of the American road movie. Not intended to appeal to mainstream filmgoers, these early Jarmusch films were embraced by art house audiences, gaining a small but dedicated American following and cult status in Europe and Japan. Each of the four films had its premiere at the New York Film Festival, while Mystery Train was in competition at the 1989 Cannes Film Festival. Jarmusch's distinctive aesthetic and auteur status fomented a critical backlash at the close of this early period, however; though reviewers praised the charm and adroitness of Mystery Train and Night On Earth, the director was increasingly charged with repetitiveness and risk-aversion.  A film appearance in 1989 as a used car dealer in the cult comedy Leningrad Cowboys Go America further solidified his interest and participation in the road movie genre. In 1991 Jarmusch appeared as himself in Episode One of John Lurie's cult television series Fishing With John.

Answer this question "Did he win any awards for Mystery Train?"
output: 

input: Hagen was a dashing and assertive character who raised the status of professional golfers and improved their earnings as well. Throughout his career, he played hundreds of exhibition matches, all across the United States and around the world; these tours popularized golf to an immense degree. Hagen was also widely known for his dashing wardrobe while playing; this featured expensive tailored clothes in bright colors and plush fabrics. As one of the world's top players, Hagen found his skills were much in demand with this exhibition format, and concluded it was much more lucrative than playing most tournaments.  Hagen also made significant money endorsing golf equipment, and played a major role in helping to design clubs for Wilson Sports, which bore his name (either "Walter Hagen" or "Haig Ultra"). His work with Wilson produced some of the first matched sets of irons, around the same time that his great rival Bobby Jones was performing similar work for the Spalding company. The improved equipment expanded golf's appeal, brought high-quality clubs within the price range of many more players, and raised the standard of play.  Hagen may have been the first sportsman to earn a million dollars in his career. He once stated that he "never wanted to be a millionaire, just to live like one". Hagen once expressed his creed in these words: "Don't hurry, don't worry, you're only here for a short visit, so be sure to smell the flowers along the way." Gene Sarazen, who was ten years Hagen's junior commented, "All the professionals ... should say a silent thanks to Walter Hagen each time they stretch a check between their fingers. It was Walter who made professional golf what it is." On the notion of golf as a financial endeavor, Hagen wrote in his autobiography, "My game was my business and as a business it demanded constant playing in the championship bracket, for a current title was my selling commodity."

Answer this question "What did he do with all his wealth?"
output:
first sportsman to earn a million dollars in his career. He once stated that he "never wanted to be a millionaire, just to live like one".