input: On October 29, 2013, Daddy Yankee released a mixtape entitled "King Daddy", produced by Los De La Nazza (Musicologo & Menes), as part the Imperio Nazza Mixtapes series and was released as a digital-format only. The mixtape was made because of the high demand from the fans and is a return to his original reggaeton roots. It includes 11 tracks with collaborations from J Alvarez, Arcangel, Yandel, Farruko, and Divino. According to Ayala, "King Daddy" was recorded in two and a half weeks, because there was "a lot of inspiration". The song "La Rompe Carros" has garnered popularity among the public, but his hit single was "La Nueva y La Ex" which has been widely received all over South America, Europe, and North America. During a press conference earlier this year, Daddy Yankee announced the physical release of King Daddy scheduled for later this year with 3 or 4 bonus tracks for a total of 14 or 15 songs included.  From May 13 to June 22, 2014, Ayala performed on his King Daddy Tour, touring several cities in Europe. He has also toured in South and North American cities. In Spain, his concerts were on the 4o position in the box-office ranking, being the first Latin artist on the top 5 in this country, underneath Iron Maiden and The Rolling Stones, and over artists like Beyonce, Miley Cyrus and Michael Buble.  On June 17, 2014 the single "Ora Por Mi" (Spanish for "Pray For Me") was released as part of the King Daddy's bonus tracks and uses the Scorpions' "Send Me An Angel" instrumental, with a rap sampler. The official video for "Ora Por Mi" was released on June 24, 2014. It was filmed in many locations in San Juan, Puerto Rico, and talks about Ayala's life and the dark side of fame. According to Ayala, it is the most personal song of his career. On September 2, 2014, it was released another single called "Palabras Con Sentido" (Spanish for "Words With Sentiments"), which defends reggaeton and urban music of all the accusations of being a "society poison". Daddy Yankee expressed that all music has something good to give, even urban music. On his single, he also says that urban music saves lives, like his own, and the solution would be that churches have to remain, journalists have to tell the truth, artists have to have more inspiration, and the rich people have to help the poor ones. On September 9, 2014 he released his first totally English single called "This Is Not A Love Song" featuring new rapper Duncan.

Answer this question "Was this song popular?"
output: According to Ayala, it is the most personal song of his career.

input: The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009.  In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s.  In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.

Answer this question "How did this come about"
output: Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s.

input: In some movies he is credited as "Larry Crabbe" or "Larry (Buster) Crabbe". Crabbe's role in the Tarzan serial, Tarzan the Fearless (1933), began a career in which he starred in more than a hundred movies. In King of the Jungle (1933), Jungle Man (1941), and the serial King of the Congo (1952), he played typical "jungle man" roles. He starred in several popular films at this time, including The Sweetheart of Sigma Chi alongside Betty Grable (1933) and Search for Beauty (1934).  In 1936 he was picked over several stars to play Flash Gordon in the very successful Flash Gordon serial, followed by two sequels, released by Universal in 1938 and 1940. The series was shown later extensively on American television in the 1950s and 1960s, then edited for release on home video. He also starred as Buck Rogers for Universal playing the role with dark hair unlike Flash Gordon's blonde hair. In 1939, Crabbe reunited with Betty Grable for a lead role in the mainstream comedy Million Dollar Legs.  Crabbe starred at the Billy Rose's Aquacade at the New York World's Fair in its second year of 1940, replacing a fellow Olympic swimmer and Tarzan actor Johnny Weissmuller.  During World War II Crabbe was contracted to Producers Releasing Corporation in lead roles from 1942-1946 where he portrayed a Western folk-hero version of Billy the Kid in 13 films and 23 as Billy Carson with his sidekick played by actor Al St. John. As a 34 year old married man, Crabbe had a deferment from the draft but made Army training films for the field artillery at Ft. Sill, Oklahoma along with Fuzzy St. John. Crabbe also played some jungle roles for the studio.  Following the war Crabbe appeared opposite Weissmuller as a rival in two jungle films, Swamp Fire (1946) and Captive Girl (1950). Crabbe returned to the jungle for his final serial playing the role of Thun'da in King of the Congo (1952).

Answer this question "Did that film do well with him as the lead?"
output:
released by Universal in 1938 and 1940. The series was shown later extensively on American television in the 1950s and 1960s,