Problem: Graham Douglas McKenzie (born 24 June 1941) - commonly called Garth McKenzie after the comic strip hero - is an Australian cricketer who played for Western Australia (1960-74), Leicestershire (1969-75), Transvaal (1979-80) and Australia (1961-71) and was a Wisden Cricketer of the Year in 1965. He succeeded Alan Davidson as Australia's premier fast bowler and was in turn succeeded by Dennis Lillee, playing with both at either end of his career. McKenzie was particularly noted for his muscular physique (hence his nickname) and ability to take wickets on good batting tracks. His father Eric McKenzie and uncle Douglas McKenzie played cricket for Western Australia and Garth was chosen for the Ashes tour of England in 1961 aged only 19.

The 1960-61 season began with McKenzie's third first-class match, against the West Indies. He did not bowl in the first innings but took 4/41 in the second to seal a 94 run win, prompting West Indies captain Frank Worrell to predict a bright future.  Further strong performances during the Shield season saw him selected at age 19 for the 1961 Ashes tour under Richie Benaud. Following an injury to Benaud, Australia replaced him with a third seamer, allowing McKenzie to make his debut in the Second Test at Lord's during the "Battle of the Ridge". In his first innings, he made 34 on his twentieth birthday batting at number 10 on a difficult pitch. The last two wickets added 102 and Australia gained a lead of 134. In England's second innings, McKenzie captured the prized wickets of Ted Dexter and Peter May, and took the last three wickets in twelve balls to give 5/37 on debut. Australia went on to win by five wickets. After losing the Third Test at Headingley, Australia won the fourth Test at Old Trafford with McKenzie again making a valuable contribution with the bat. With a lead of only 177 with nine wickets down in the second innings, McKenzie joined Alan Davidson. He held his end for 32 runs while Davidson's powerful hitting saw 98 added for Australia's highest tenth wicket partnership on English soil. This allowed Benaud to bowl Australia to victory on the final day. The youngest member of the touring party, McKenzie was one of eight bowlers to take at least fifty wickets.  When Dexter's Englishmen toured Australia in 1962-63, McKenzie was promoted to share the new ball with Davidson. Playing in all five Tests, he did not trouble the batsmen to the same extent as his partner, taking 20 wickets for 30.95. He was noted for his ability to contain the opposition by bowling long spells. Davidson retired at the end of the series and McKenzie became the pace spearhead when South Africa toured in 1963-64. He was Australia's leading bowler with 16 wickets at 43.06. In the Third Test in Sydney, he hit his highest Test score of 76.

What was the score?

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Problem: Gurney was born on November 1, 1930 in Buffalo, New York to Albert Ramsdell Gurney, Sr. (1896-1977), who was president of Gurney, Becker and Bourne, an insurance and real estate company in Buffalo, and Marion Spaulding (1908-2001). His parents had three children, of which Gurney was the middle: (1) Evelyn Gurney Miller (b. 1929), (2) Albert Ramsdell Gurney, Jr. (b. 1930), and (3) Stephen S. Gurney (b. 1933).

Gurney's plays often explore the theme of declining upper-class "WASP" (White Anglo-Saxon Protestant) life in contemporary America. The Wall Street Journal has called his works "penetratingly witty studies of the WASP ascendancy in retreat." Several of his works are loosely based on his patrician upbringing, including The Cocktail Hour and Indian Blood. The New York Times drama critic Frank Rich, in his review of The Dining Room, wrote, "As a chronicler of contemporary America's most unfashionable social stratum -- upper-middle-class WASPs, this playwright has no current theatrical peer."  In his 1988 play, "The Cocktail Hour", the lead character tells her playwright son that theater critics "don't like us.... They resent us. They think we're all Republicans, all superficial and all alcoholics. Only the latter is true." The New York Times described the play as witty observations about a nearly extinct patrician class that regards psychiatry as an affront to good manners, underpaid hired help as a birthright.  In a 1989 interview with the New York Times, Gurney said, "Just as it's mentioned in The Cocktail Hour,' my great-grandfather hung up his clothes one day and walked into the Niagara River and no one understood why." Gurney added that "he was a distinguished man in Buffalo. My father could never mention it, and it affected the family well into the fourth generation as a dark and unexplainable gesture. It made my father and his father desperate to be accepted, to be conventional, and comfortable. It made them commit themselves to an ostensibly easy bourgeois world. They saw it so precariously, but the reason was never mentioned. I first learned about it after my father died."  Gurney told the Washington Post in 1982:  WASPs do have a culture -- traditions, idiosyncrasies, quirks, particular signals and totems we pass on to one another. But the WASP culture, or at least that aspect of the culture I talk about, is enough in the past so that we can now look at it with some objectivity, smile at it, and even appreciate some of its values. There was a closeness of family, a commitment to duty, to stoic responsibility, which I think we have to say weren't entirely bad."

did he ever act in his plays?

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