Question: Selim III (Ottoman Turkish: slym thlth Selim-i salis) (24 December 1761 - 28 July 1808) was the reform-minded Sultan of the Ottoman Empire from 1789 to 1807. The Janissaries eventually deposed and imprisoned him, and placed his cousin Mustafa on the throne as Mustafa IV. Selim was subsequently killed by a group of assassins.

The talents and energy with which Selim III was endowed had endeared him to the people, and great hopes were founded on his accession. He had associated much with foreigners, and was thoroughly persuaded of the necessity of reforming his state.  However, Austria and Russia gave him no time for anything but defense, and it was not until the Peace of Iasi (1792) that a breathing space was allowed him in Europe, while Napoleon's invasion of Egypt and Syria soon called for Turkey's strongest efforts.  Selim III profited by the respite to abolish the military tenure of fiefs; he introduced salutary reforms into the administration, especially in the fiscal department, sought by well-considered plans to extend the spread of education, and engaged foreign officers as instructors, by whom a small corps of new troops called nizam-i-jedid were collected and drilled in 1797. This unit was composed of Turkish peasant youths from Anatolia and supplied with modern weaponry.  These troops were able to hold their own against rebellious Janissaries in the Balkan provinces such as the Sanjak of Smederevo against its appointed Vizier Hadzi Mustafa Pasha, where disaffected governors made no scruple of attempting to make use of them against the reforming sultan.  Emboldened by this success, Selim III issued an order that in future picked men should be taken annually from the Janissaries to serve in the nizam-i-jedid. Selim III was unable to integrate the nizam-i jedid with the rest of the army which overall limited its role in the defense of the state.

Using a quote from the above article, answer the following question: What else was the reforms known to do
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Answer: engaged foreign officers as instructors,


Question: The Human Torch is a fictional superhero appearing in American comic books published by Marvel Comics. The character is a founding member of the Fantastic Four. He is writer Stan Lee and artist Jack Kirby's reinvention of a similar, previous character, the android Human Torch of the same name and powers was created in 1939 by writer-artist Carl Burgos for Marvel Comics' predecessor company, Timely Comics. Like the rest of the Fantastic Four, Jonathan "Johnny" Storm gained his powers on a spacecraft bombarded by cosmic rays.

Growing up in Glenville, New York, a fictional Long Island suburban town, Johnny Storm lost his mother due to a car accident from which his father, surgeon Franklin Storm, escaped unharmed. Franklin Storm spiraled into alcoholism and financial ruin, and was imprisoned after killing a loan shark in self-defense. Johnny Storm was then raised by his older sister, Sue Storm.  At 16, Storm joined his sister and her fiance, Reed Richards, in a space flight in which cosmic radiation transformed those three and spacecraft pilot Ben Grimm into superpowered beings who would become the celebrated superhero team the Fantastic Four. Storm, with the ability to become a flaming human with the power of flight and the ability to project fire, dubs himself the Human Torch, in tribute to the World War II-era hero of that name. In The Fantastic Four #4, it is Storm who discovers an amnesiac hobo whom he helps regain his memory as the antihero Namor the Sub-Mariner, one of the three most popular heroes of Marvel Comics' 1940s forerunner, Timely Comics, returning him to modern continuity.  Though a member of a world-famous team, Storm still lived primarily in Glenville and attended Glenville High School. Here he thought he maintained a secret identity, although his fellow townsfolk were well aware of his being a member of the Fantastic Four and simply humored him. This series introduced what would become the recurring Fantastic Four foes the Wizard and Paste-Pot Pete, later known as the Trapster. In Storm's home life, Mike Snow, a member of the high-school wrestling squad, bullied Storm until an accidental flare-up of the Torch's powers scarred Snow's face. Storm dated fellow student Dorrie Evans, although she eventually grew tired of his constant disappearances and broke off their relationship.

Using a quote from the above article, answer the following question: Did he come out to the public?
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Answer: 


Question: Sergio Santos Mendes (Portuguese pronunciation: ['seRZju 'satuZ 'medZiS]; born February 11, 1941) is a Brazilian musician. He has over 55 releases, and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Academy Award for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio. Mendes is married to Gracinha Leporace, who has performed with him since the early 1970s.

Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums.

Using a quote from the above article, answer the following question: What was the name of one of the albums?
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Answer:
while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."