input: Tierney had reportedly started smoking after a screening of her first movie to lower her voice, because she felt, "I sound like an angry Minnie Mouse." She subsequently became a heavy smoker.  With difficult events in her personal life, Tierney struggled for years with episodes of manic depression. In 1943, she gave birth to a daughter, Daria, who was deaf and mentally disabled, the result of a fan breaking a rubella quarantine and infecting the pregnant Tierney while she volunteered at the Hollywood Canteen. In 1953, she suffered problems with concentration, which affected her film appearances. She dropped out of Mogambo and was replaced by Grace Kelly. While playing Anne Scott in The Left Hand of God (1955), opposite Humphrey Bogart, Tierney became ill. Bogart's sister Frances (known as Pat) had suffered from mental illness, so he showed Tierney great sympathy, feeding her lines during the production and encouraging her to seek help.  Tierney consulted a psychiatrist and was admitted to Harkness Pavilion in New York. Later, she went to the Institute of Living in Hartford, Connecticut. After some 27 shock treatments, intended to alleviate severe depression, Tierney fled the facility, but was caught and returned. She later became an outspoken opponent of shock treatment therapy, claiming it had destroyed significant portions of her memory.  In late December 1957, Tierney, from her mother's apartment in Manhattan, stepped onto a ledge 14 stories above ground and remained for about 20 minutes in what was considered a suicide attempt. Police were called, and afterwards Tierney's family arranged for her to be admitted to the Menninger Clinic in Topeka, Kansas. The following year, after treatment for depression, she was released. Afterwards, she worked as a sales girl in a local dress shop with hopes of integrating back into society, but she was recognized by a customer, resulting in sensational newspaper headlines.  Later in 1958, 20th Century-Fox offered Tierney a lead role in Holiday for Lovers (1959), but the stress upon her proved too great, so only days into production, she dropped out of the film and returned to Menninger for a time.

Answer this question "How old was she when she was diagnosed with her health problems?"
output: While playing Anne Scott in The Left Hand of God (1955), opposite Humphrey Bogart, Tierney became ill.

input: Flutie played football for Boston College, the only Division I-A school to recruit him, from 1981 to 1984, and won the Heisman Trophy, Maxwell Award, and the Davey O'Brien National Quarterback Award in his senior year (1984). Flutie became the first quarterback to win the Heisman since Pat Sullivan in 1971. Flutie left school as the NCAA's all-time passing yardage leader with 10,579 yards and was a consensus All-American as a senior. He earned Player of the Year awards from UPI, Kodak, The Sporting News, and the Maxwell Football Club. The quarterback coach for Boston College from 1981 - 1983 was Tom Coughlin.  Flutie gained national attention in 1984 when he led the Eagles to victory in a high-scoring, back-and-forth game against the Miami Hurricanes (led by QB Bernie Kosar). The game was nationally televised on CBS the day after Thanksgiving and thus had a huge audience. Miami staged a dramatic drive to take the lead, 45-41, in the closing minute of the game. Boston College then took possession at its own 22-yard line with 28 seconds to go. After two passes moved the ball another 30 yards, only 6 seconds remained. On the last play of the game, Flutie scrambled away from the defense and threw a "Hail Mary pass" that was caught in the end zone by Gerard Phelan, giving BC a 47-45 win. Flutie won the Heisman trophy a week later, but the voting had finished before the game; Flutie said, however, that "without the Hail Mary pass I think I could have been very easily forgotten".  The subsequent rise in applications for admission to Boston College after Flutie's "Hail Mary" gave rise to the admissions phenomenon known as the "Flutie Effect". This idea essentially states that a winning sports team can increase the recognition value of a school enough to make it more attractive to potential applicants.  In addition to his collegiate athletic achievement, Flutie maintained a distinguished academic record at Boston College. He was a candidate for a Rhodes Scholarship, for which he was named a finalist in 1984. Upon graduating, Flutie won a National Football Foundation post-graduate scholarship.  In November 2008, Flutie was honored by Boston College with a statue of him throwing his famous "Hail Mary" pass outside of Alumni Stadium. His number, 22, has been retired by the Boston College football program.

Answer this question "Did he get visited by NFL scouts?"
output: Flutie won a National Football Foundation post-graduate scholarship.

input: The following month, Williams & Walker had their greatest success to date with Sons of Ham, a broad farce that was perhaps most notable for its lack of the extreme "darkie" stereotypes which were then common. One of the show's songs, "Miss Hannah from Savannah," even touched upon class divisions within the black community. The pair had already begun to transition away from racial minstrel conventions to a more human style of comedy. In 1901, they recorded 13 discs for the Victor Talking Machine Company. Some of these, such as "The Phrenologist Coon," were standard blackface material, but the financial lament "When It's All Going Out and Nothing Coming In" was race-blind, and became one of Williams' best-known songs. Another Williams composition, "Good Morning Carrie", was covered by many artists, becoming one of the biggest hits of 1901. These discs existed only in pressings of fewer than 1,000, and were not heard by very many listeners. Sons of Ham ran for two years.  In September 1902, Williams & Walker debuted their next vehicle, In Dahomey, which was an even bigger hit. In 1903 the production, with music by Will Marion Cook and lyrics by Paul Laurence Dunbar moved to New York City, where it became the first black musical to open on Broadway. Part of the inspiration for the show was Williams' copy of a 1670 book, Africa, in which author John Ogilby traced the history of the continent's tribes and peoples. "With this volume, I could prove that every Pullman porter is the descendant of a king," said Williams.  This was a landmark event, but seating inside the theater was segregated. One of the musical's songs, "I'm a Jonah Man," helped codify Williams' hard-luck persona and tales of woe. It helped to establish the character Williams played most frequently in his career: the slow-talking, deep-thinking victim of life's misfortunes. "Even if it rained soup," Williams later explained, "[my character] would be found with a fork in his hand and no spoon in sight." However, Williams and Walker were ebullient about their Broadway breakthrough, which came years after they had established themselves as profitable stage stars. Williams wrote, "We'd get near enough to hear the Broadway audiences applaud sometimes, but it was some one else they were applauding. I used to be tempted to beg for a $15 job in a chorus just for one week so as to be able to say I'd been on Broadway once." Walker recalled, "Some years ago we were doing a dance before an east side audience. They gave us a hand, and I called out to them, "Some day we'll do this dance on Broadway!" Then they gave us the laugh. Just the same we gave Broadway that same dance."  In Dahomey then traveled to London, where it was enthusiastically received. A command performance was given at Buckingham Palace in June 1903. The show's British tour continued through June 1904. In May, Williams and Walker were both initiated into the Edinburgh Lodge of the Freemasons; the Scottish Masons did not racially discriminate as the United States chapters did, including the northern states.

Answer this question "So did he join the Masons?"
output: