Problem: Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy.

Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat.  Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes.  At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes.  It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879.

What were some of the titles of this series?

Answer with quotes: Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874),

Question:
Anthony Neil Wedgwood Benn (3 April 1925 - 14 March 2014), originally known as Anthony Wedgwood Benn, but later as Tony Benn, was a British politician, writer, and diarist. He was a Member of Parliament (MP) for 47 years between the 1950 and 2001 general elections and a Cabinet minister in the Labour governments of Harold Wilson and James Callaghan in the 1960s and 1970s. Originally a moderate, he was identified as being on the party's hard left from the early 1980s, and was widely seen as a key proponent of democratic socialism within the party. Benn inherited a peerage on his father's death (as 2nd Viscount Stansgate), which prevented his continuing as an MP.
In 1997, the Labour Party under Tony Blair won the election. Despite later calling Labour under Tony Blair "the idea of a Conservative group who had taken over Labour" and saying "[Blair] set up a new political party, New Labour", Benn's political diaries Free at Last show that Benn was initially somewhat sympathetic to Blair, welcoming a change of government. Benn supported the introduction of the national minimum wage, and welcomed the progress towards peace and security in Northern Ireland (particularly under Mo Mowlam). He was supportive of the extra public money given to public services in the New Labour years but believed it to be under the guise of privatisation. Overall, his concluding judgement on New Labour is highly critical; he describes its evolution as a way of retaining office by abandoning socialism and distancing the party from the trade union movement, adopting a presidentialist style of politics, overriding the concept of the collective ministerial responsibility by reducing the power of the Cabinet, eliminated any effective influence from the annual conference of the Labour Party and "hinged its foreign policy on support for one of the worst presidents in US history".  Benn strongly objected to the "immoral" bombing of Iraq in December 1998, saying: "Aren't Arabs terrified? Aren't Iraqis terrified? Don't Arab and Iraqi women weep when their children die? Does bombing strengthen their determination? ... Every Member of Parliament tonight who votes for the government motion will be consciously and deliberately accepting the responsibility for the deaths of innocent people if the war begins, as I fear it will."  Several months prior to his retirement, Benn was a signatory to a letter, alongside Niki Adams (Legal Action for Women), Ian Macdonald QC, Gareth Peirce, and other legal professionals, that was published in The Guardian newspaper on 22 February 2001 "condemning" raids of more than 50 brothels in the central London area of Soho. At the time, a police spokesman said: "As far as we know, this is the biggest simultaneous crackdown on brothels and prostitution in this country in recent times", the arrest of 28 people in an operation that involved around 110 police officers. The letter read:  In the name of "protecting" women from trafficking, about 40 women, including a woman from Iraq, were arrested, detained and in some cases summarily removed from Britain. If any of these women have been trafficked ... they deserve protection and resources, not punishment by expulsion. ... Having forced women into destitution, the government first criminalised those who begged. Now it is trying to use prostitution as a way to make deportation of the vulnerable more acceptable. We will not allow such injustice to go unchallenged.
Answer this question using a quote from the text above:

what is a signatory?

Answer: