input: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James.  Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director.  However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own.  Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks.  The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time.

Answer this question "Are there any other interesting aspects about this article?"
output: The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume

input: In 2006, Sanjiv Bhattacharya interviewed the duo for The Guardian and asked about where their band name came from, to which Green replied: "You ask me why we're called Gnarls Barkley and I'm asking you 'why not?'...The name Gnarls Barkley isn't anchored down. It's a drifter. A High Plains drifter, I might add". Danger Mouse said: "There's no story behind it...The name doesn't have anything to do with anything". Although many people believe that their name has something to do with former NBA player Charles Barkley, the duo dismiss that idea. Sanjiv asked them about it, saying "Not even Charles Barkley, the basketball player?", to which Danger Mouse replied: "Nope. It's just like everything else on this record. There was no conscious decision about stuff".  According to a Billboard article: "Burton and CeeLo have been cagey about what the name of the act means, and each live performance is an opportunity to play dress-up as tennis players, astronauts and chefs, among many other get-ups. The costuming extends to photo shoots, as Burton and Cee Lo would rather impersonate characters from such films as Back to the Future or Wayne's World. They also have dressed up as characters from films A Clockwork Orange and Napoleon Dynamite.  About Gnarls Barkley, Green said in an interview:  That is that electric industrial Euro soul, that's what I call it... if I can call it anything. It truly is shapeless and formless. My style and my approach is still water, and it runs so deep. So, with that project I got a chance to be a lil' zany, of course a continuation of eccentricity, abstract and vague, and all of those wonderful things that make art exactly what it is. And that's subject to interpretation. As far as the artiste himself, it does cater to and extend the legacy of Cee Lo Green, and showcase the diversity and range and intention of Cee Lo Green. It is a great project that I'm very, very proud of.

Answer this question "whats the most interesting aspect of this album?"
output: 

input: As a four-year-old in 1979, Affirmed started the season with a third place in the Malibu Stakes and a second in the San Fernando Stakes. He had a five race losing sequence prior to starting in the Charles H. Strub Stakes at Santa Anita Park. Laz Barrera replaced Cauthen with Pincay and Affirmed didn't lose again and would dominate the handicaps the rest of the year.  Affirmed won the Strub Stakes, and then ran in the Santa Anita Handicap against Exceller, who had defeated Seattle Slew in 1978. Affirmed won easily, running the  1 1/4 miles in 1:58 3/5, setting a stakes record in California's most important stakes race that stood until 2014. Affirmed then went to Hollywood Park, where he won the Californian Stakes, carrying 132 pounds, he then won the Hollywood Gold Cup in a three horse finish, from Sirlad and Text, setting an all time earnings record and running the 1 1/4  miles in a fast 1:58 2/5. Affirmed picked up the Woodward Stakes at Belmont Park, and then faced one more all-time great horse, three-year-old Spectacular Bid, in the Jockey Club Gold Cup, also at Belmont. Spectacular Bid, like Alydar, preferred to run off the pace, and once again, Affirmed was allowed to set a slow pace, going the first half mile in 49 seconds. Spectacular Bid issued challenges at Affirmed, but Affirmed won. Spectacular Bid was undefeated during the rest of his racing career.  Affirmed was named Horse of the Year and the American Champion Older Male Horse of 1979, having won 7 of 9 starts with 1 second and 1 third as a four-year-old and earning $1,148,800. In his career, Affirmed earned a then record $2,393,818 (the first Thoroughbred in North America to win over $2 million) with 22 wins, 5 seconds and 1 third from 29 starts.  His trainer, Laz Barrera, once said: "Affirmed is greater than Secretariat, or any Triple Crown winner, because only Affirmed had to face Alydar."

Answer this question "How did the season start off?"
output:
Affirmed started the season with a third place in the Malibu Stakes and a second in the San Fernando Stakes.