Background: Louis Burton Lindley Jr. was born in Kingsburg, California, the son of Sally Mosher (nee Turk) and Louis Bert Lindley Sr., a Texas-born dairy farmer. Young Lindley was an excellent horse rider from an early age. Known as "Bert" to his family and friends, he grew bored with dairy farming and began to make a few dollars by riding broncos and roping steers in his early teens. His father found out and forbade this activity but he took no notice, went to compete in a rodeo, and was told by the doubtful rodeo manager that there would be "slim pickin's" for him.
Context: Pickens played B-52 pilot Major T. J. "King" Kong. in Dr. Strangelove. Stanley Kubrick cast Pickens after Peter Sellers, who played three other roles in the film, sprained his ankle and was unable to perform in the role due to having to work in the cramped cockpit set. Pickens was chosen because his accent and comic sense were perfect for the role of Kong, a cartoonishly patriotic and gung-ho B-52 commander. He was not given the script to the entire film, but only those portions in which he played a part. Three memorable scenes featuring Pickens were:  A monologue meant to steel the crew for their duty after he receives the definitive inflight order to bomb a strategic target in the USSR  Reading aloud to his crew the contents of their survival kits (possibly the first mention of condoms in a Hollywood film): After listing the contents usable for barter with Russian women (prophylactics, nylons, lipstick, etc.), as well as a .45 automatic pistol, Major Kong said, "Shoot, a fella could have a pretty good time in Big D [Dallas] with all this stuff." This line had to be looped (the reference to Dallas changed to "weekend in Vegas") after the November 22, 1963, screening for critics was cancelled due to President John F. Kennedy's assassination.  Best known of all, Pickens riding a dropped H-bomb to a certain death, whooping and waving his cowboy hat (in the manner of a rodeo performer bronc riding or bull riding), not knowing its detonation will trigger a Russian doomsday device  Pickens credited Dr. Strangelove as a turning point in his career. Previously, he was "Hey you" on sets and afterward he was addressed as "Mr. Pickens". He once said, "After Dr. Strangelove, the roles, the dressing rooms, and the checks all started gettin' bigger." Pickens said he was amazed at the difference a single movie could make. However, Pickens also said that working with Stanley Kubrick proved too difficult due to Kubrick's perfectionist style of directing with multiple takes for nearly every shot, especially with the climactic H-bomb riding scene, which was done in just over 100 takes. In the late 1970s, Pickens was offered the part of Dick Hallorann in Kubrick's adaptation of Stephen King's The Shining, but Pickens stipulated that he would appear in the film only if Kubrick was required to shoot Pickens' scenes in fewer than 100 takes. Instead, Pickens' agent showed the script to Don Schwartz, the agent of Scatman Crothers, and Crothers accepted the role.
Question: what did he play a part in without a script?
Answer: "King" Kong.

Background: Remment Lucas "Rem" Koolhaas (Dutch pronunciation: [rem ko:lha:s]; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. Koolhaas studied at the Architectural Association School of Architecture in London and at Cornell University in Ithaca, New York. Koolhaas is the founding partner of OMA, and of its research-oriented counterpart AMO based in Rotterdam, the Netherlands. In 2005, he co-founded Volume Magazine together with Mark Wigley and Ole Bouman.
Context: Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops.  When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be.  In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown.
Question: What good did the EU do for their country?
Answer: