input: In July 2006, Licciardello faced charges of "offensive conduct" from the New South Wales Police Force, after turning up at a rugby league football match between the Canterbury Bulldogs and the St George Illawarra Dragons on 14 July 2006 dressed up as a Bulldogs fan and attempting to sell fake knives, knuckledusters and balaclavas for a War on Everything sketch.  In April 2007, a 15-year-old boy duped YouTube into deleting all clips posted from The Chaser's War On Everything by claiming to be a representative of the ABC. They were later reinstated.  At the 2007 Logie Awards some of the Chaser team were "manhandled" by Crown Casino security staff on the red carpet before being closely supervised for the rest of the evening.  During Dick Cheney's visit to Australia in 2007, members of The Chaser team were included on the official list of terrorists, anarchists, and protesters deemed to pose a threat to the US Vice-President.  The Chaser team gained notoriety and considerable media attention over "The Eulogy Song", written by Chris Taylor and performed by Andrew Hansen on 17 October 2007 episode of The Chaser's War On Everything. The song satirised the media's posthumous praise of deceased celebrities, regardless of their behaviour in life, and mentioned among others John Lennon, Peter Brock, Stan Zemanek, Princess Diana, Steve Irwin, Donald Bradman, and Kerry Packer. The song attracted comment from both the media and politicians including Kevin Rudd and John Howard, the latter of whom used reference to the song in remarks during a sketch later aired on the programme.

Answer this question "were they arrested any other times?"
output: 

input: In Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever, Scott Schinder and Andy Schwartz describe the Beatles' musical evolution:  In their initial incarnation as cheerful, wisecracking moptops, the Fab Four revolutionised the sound, style, and attitude of popular music and opened rock and roll's doors to a tidal wave of British rock acts. Their initial impact would have been enough to establish the Beatles as one of their era's most influential cultural forces, but they didn't stop there. Although their initial style was a highly original, irresistibly catchy synthesis of early American rock and roll and R&B, the Beatles spent the rest of the 1960s expanding rock's stylistic frontiers, consistently staking out new musical territory on each release. The band's increasingly sophisticated experimentation encompassed a variety of genres, including folk-rock, country, psychedelia, and baroque pop, without sacrificing the effortless mass appeal of their early work.  In The Beatles as Musicians, Walter Everett describes Lennon and McCartney's contrasting motivations and approaches to composition: "McCartney may be said to have constantly developed - as a means to entertain - a focused musical talent with an ear for counterpoint and other aspects of craft in the demonstration of a universally agreed-upon common language that he did much to enrich. Conversely, Lennon's mature music is best appreciated as the daring product of a largely unconscious, searching but undisciplined artistic sensibility."  Ian MacDonald describes McCartney as "a natural melodist - a creator of tunes capable of existing apart from their harmony". His melody lines are characterised as primarily "vertical", employing wide, consonant intervals which express his "extrovert energy and optimism". Conversely, Lennon's "sedentary, ironic personality" is reflected in a "horizontal" approach featuring minimal, dissonant intervals and repetitive melodies which rely on their harmonic accompaniment for interest: "Basically a realist, he instinctively kept his melodies close to the rhythms and cadences of speech, colouring his lyrics with bluesy tone and harmony rather than creating tunes that made striking shapes of their own." MacDonald praises Harrison's lead guitar work for the role his "characterful lines and textural colourings" play in supporting Lennon and McCartney's parts, and describes Starr as "the father of modern pop/rock drumming".

Answer this question "What is notable about their music style?"
output:
". His melody lines are characterised as primarily "vertical", employing wide, consonant intervals which express his "extrovert energy and optimism".