input: Having seen Dublin in a cup tie, Manchester United manager Alex Ferguson signed him for PS1 million on 7 August 1992, fighting off competition from Chelsea and Everton. Dublin was something of a surprise purchase for United, after Ferguson had tried to sign Alan Shearer from Southampton but lost out to Blackburn Rovers.  He scored in United's fourth Premier League game of the 1992-93 season, a last minute winner in United's first Premier league victory - 1-0 against Southampton at The Dell. However, on 2 September, he suffered a broken leg against Crystal Palace in a 1-0 win at Old Trafford, after a tackle by Eric Young, and was out of action for six months. By the time he had recovered, however, United had signed Eric Cantona and the Frenchman was firmly established as first choice strike partner to Mark Hughes. United won the league that season for the first time since 1967, but Dublin failed to make the 10 Premier League appearances required to automatically gain a title winner's medal. However, he was given a medal as a result of special dispensation from the Premier League.  In the 1993-94 season, Dublin regained his fitness, but his first team chances were restricted by partnership of Cantona and Hughes. In December 1993, Ferguson agreed a deal with Everton manager Howard Kendall, that would have seen Dublin moving to Goodison Park, but a member of Everton's board of directors, apparently feeling that Dublin was not worth the money Kendall had offered United, intervened to prevent the transfer going through - this incident led directly to Kendall's resignation as Everton manager and Dublin ended up staying at Old Trafford until the end of the season.  He managed five league appearances that season, scoring once in a 3-2 home win over Oldham Athletic in early April. He also managed a further goal in the Football League Cup second round first leg, as United were beaten 2-1 by Stoke City at the Victoria Ground. The goal against Oldham was the only competitive goal that Dublin scored for United at Old Trafford. He was left out of the FA Cup winning team, and failed to make enough appearances to merit another Premier League title winners medal, and shortly after the start of the 1994-95 season, he was sold to Coventry City for PS2 million.

Answer this question "When did he join Manchester United?"
output: 7 August 1992,

input: One of Hunter's first films for Warners was The Sea Chase (1955), supporting John Wayne and Lana Turner. It was a big hit, but Hunter's part was relatively small. Rushes were seen by William Wellman, who cast Hunter to play the younger brother of Robert Mitchum in Track of the Cat (1955). It was a solid hit and Hunter began to get more notice.  His breakthrough role came when he was cast as the young Marine Danny in 1955's World War II drama Battle Cry. His character has an affair with an older woman, but ends up marrying the girl next door. It was based on a bestseller by Leon Uris and became Warner Bros largest grossing film of that year, cementing Hunter's position as one of Hollywood's top young romantic leads.  In September 1955 the tabloid magazine Confidential reported Hunter's 1950 arrest for disorderly conduct. The innuendo-laced article, and a second one focusing on Rory Calhoun's prison record, were the result of a deal Henry Willson had brokered with the scandal rag in exchange for not revealing his more prominent client Rock Hudson's sexual orientation to the public.  Not only did this have no negative effect on Hunter's career, a few months later he was named Most Promising New Personality in a nationwide poll sponsored by the Council of Motion Picture Organizations. In 1956, he received 62,000 Valentines. Hunter, James Dean and Natalie Wood were the last of the actors placed under exclusive studio contract to Warner Bros. Warners decided to promote him to star status, teaming him with Natalie Wood in two back-to-back films, a Western, The Burning Hills (1956), directed by Heisler, and The Girl He Left Behind (1956), a service comedy. These films also proved to be hits with audiences and Warners planned a third teaming of Hunter and Wood. Hunter rejected the third picture, thus ending Warner's attempt to make Tab and Natalie the William Powell and Myrna Loy of the 1950s. Hunter was Warner Bros.' most popular male star from 1955-1959.

Answer this question "Did he win awards for acting"
output: Hunter was Warner Bros.' most popular male star from 1955-1959.

input: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog."

Answer this question "who whote that"
output:
Smiley Lewis's