Problem: Background: Buena Vista Social Club is an ensemble of Cuban musicians established in 1996 to revive the music of pre-revolutionary Cuba. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos Gonzalez. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzon, they recruited a dozen veteran musicians, many of whom had been retired for years.
Context: The Buenavista Social Club was a members-only club originally located in Buenavista (literally good view), a quarter in the current neighbourhood of Playa (before 1976 part of Marianao), one of the 15 municipalities in Cuba's capital, Havana. The original club was founded in 1932 in a small wooden venue at calle Consulado y paisaje "A" (currently calle 29, n. 6007). In 1939, due to lack of space the club relocated to number 4610 on Avenue 31, between calles 46 and 48, in Almendares, Marianao. This location is recalled by Juan Cruz, former director of the Marianao Social Club and master of ceremonies at the Salon Rosado de la Tropical (other nightclubs in Havana). As seen in the Buena Vista Social Club documentary, when musicians Ry Cooder, Compay Segundo and a film crew attempted to identify the location of the club in the 1990s, local people could not agree on where it had stood.  At the time, clubs in Cuba were segregated; there were sociedades del blancos (white societies), sociedades de negros (black societies), etc. The Buenavista Social Club operated as a black society, which was rooted in a cabildo. Cabildos were fraternities organized during the 19th century by African slaves. The existence of many other black societies such as Marianao Social Club, Union Fraternal, Club Atenas (whose members included doctors and engineers), and Buenavista Social Club, exemplified the remnants of institutionalized racial discrimination against Afro-Cubans. These societies operated as recreational centers were workers went to drink, play games, dance and listen to music. In the words of Ry Cooder,  Society in Cuba and in the Caribbean including New Orleans, as far as I know, was organized around these fraternal social clubs. There were clubs of cigar wrappers, clubs for baseball players and they'd play sports and cards--whatever it is they did in their club--and they had mascots, like dogs. At the Buena Vista Social Club, musicians went there to hang out with each other, like they used to do at musicians' unions in the U.S., and they'd have dances and activities.  As a music venue, the Buenavista Social Club experienced the peak of Havana's nightclub life, when charangas and conjuntos, played several sets every night, going from club to club over the course of a week. Often, bands would dedicate songs to the clubs were the played. In the case of the Buenavista Social Club, an eponymous danzon was composed by Israel Lopez "Cachao" in 1938, and performed with Arcano y sus Maravillas. In addition, Arsenio Rodriguez dedicated "Buenavista en guaguanco" to the same place. Together with Orquesta Melodias del 40, the Maravillas and Arsenio's conjunto were known as Los Tres Grandes (The Big Three), drawing the largest audiences wherever they played. These vibrant times in Havana were described by pianist Ruben Gonzalez, who played in Arsenio's conjunto, as "an era of real musical life in Cuba, when there was very little money to earn, but everyone played because they really wanted to".
Question: What happened to the original club?
Answer: In 1939, due to lack of space the club relocated to number 4610 on Avenue 31,

Problem: Background: Lawrence was born Victoria Ann Axelrad in Inglewood, California, the daughter of Anne Alene (nee Loyd) and Howard Axelrad, a certified public accountant for Max Factor. The family surname was legally changed to "Lawrence" when Vicki was young. She is a graduate of Morningside High School in Inglewood, class of 1967. Lawrence had originally planned on being a dental hygienist.
Context: As a comedian and actress, Lawrence is known for her work on The Carol Burnett Show, of which she was a part from 1967 to 1978. She was the only cast member, except for Burnett herself, who stayed on the show for the entire 11 seasons. After The Carol Burnett Show ended in 1978, Lawrence and her husband Al Schultz moved with their children to Maui, Hawaii, but after a few years, returned to Los Angeles, where they have remained.  Her portrayal of the Mama character on The Carol Burnett Show's "The Family" sketches was so popular that NBC subsequently created the sitcom Mama's Family, elaborating on the Mama character. (Burnett reprised the Eunice Higgins character for the sitcom from time to time.) The series ran from 1983 to 1985 on NBC; after its cancellation from NBC, it was renewed from 1986 to 1990 in first-run syndication. The show was more successful in the renewed version. She also reprised the Mama character on stage for Vicki Lawrence & Mama: A Two-Woman Show.  Lawrence has made appearances on other programs, such as the sitcoms Laverne & Shirley, Major Dad, Roseanne, Hannah Montana, and Yes, Dear. Between the NBC and syndication runs of Mama's Family, Lawrence starred in the 1985 comedy pilot Anything for Love, which aired as a special on CBS that summer and co-starred Lauren Tewes and Rebeca Arthur. Lawrence has also appeared with Burnett, Korman, and Tim Conway in the Burnett show retrospectives that were broadcast in 1993, 2001, and 2004. Lawrence played Sister Mary Paul (Sister Amnesia) in the TV special based on Nunsense Jamboree that originally aired on TNN in 1998.  Lawrence played Mamaw Stewart (the mother of Robby Ray Stewart and grandmother of Jackson and Miley Stewart) in the hit Disney series Hannah Montana alongside Billy Ray Cyrus and his daughter Miley Cyrus.  Lawrence recently played as Mama in an Ohio commercial, promoting a constitutional amendment that would permit casino gambling in Ohio. Lawrence played Dan's old high-school flame, Phyllis, in an episode of Roseanne. She also appeared in a special celebrity-edition episode of the Anne Robinson version of The Weakest Link. Playing for a charity, she made it to the final two, but ended up losing to Ed Begley, Jr.
Question: What was the special-celebrity edition episode of?
Answer:
Anne Robinson version of The Weakest Link. Playing for a charity, she made it to the final two, but ended up losing to Ed Begley, Jr.