IN: Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz pianist/electric keyboardist and composer. His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.

In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers.

What style were the Hancock duets performed in?

OUT: In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station.

input: Mirren's first film of the 2000s was Joel Hershman's Greenfingers (2000), a comedy based on the true story about the award-winning prisoners of HMP Leyhill, a minimum-security prison. Mirren portrayed a devoted plantswoman in the film, who coaches a team of prison gardeners, led by Clive Owen, to victory at a prestigious flower show. The project garnered largely lukewarm reviews from critics, who felt that it added "nothing new to this already saturated genre" of British feel-good films. The same year, she began work on the mystery film The Pledge, actor Sean Penn's second directorial effort, in which she played a child psychologist. A critical success, the ensemble film tanked at the box office. Also the year, she filmed the American-Icelandic satirical drama No Such Thing opposite Sarah Polley. Directed by Hal Hartley, Mirren portrayed a soulless television producer in the film, who strives for sensationalistic stories. It was largely panned by critics.  Her biggest critical and commercial success, released in 2001, became Robert Altman's all-star ensemble mystery film Gosford Park. An homage to writer Agatha Christie's whodunit style, the story follows a party of wealthy Britons and an American, and their servants, who gather for a shooting weekend at an English country house, resulting in an unexpected murder. Widely acclaimed by critics, it received multiple awards and nominations, including a second Academy Award nomination and first Screen Actors Guild Award win for Mirren's portrayal of the sternly devoted head servant Mrs. Wilson. Mirren's last film that year was Fred Schepisi's dramedy film Last Orders opposite Michael Caine and Bob Hoskins.  In 2003, Mirren starred in Nigel Cole's comedy Calendar Girls, inspired by the true story of a group of Yorkshire women who produced a nude calendar to raise money for Leukaemia Research under the auspices of the Women's Institutes. Mirren was initially resistant to join the project, at first dismissing it as another middling British picture, but rethought her decision upon learning of the casting of co-star Julie Walters. The film garnered generally positive reactions by film critics, and grossed $96,000,000 worldwide. In addition, the picture earned Satellite, Golden Globe, and European Film Award nominations for Mirren. Her other film that year was the Showtime television film The Roman Spring of Mrs. Stone opposite Olivier Martinez, and Anne Bancroft, based on the 1950 novel of the same title by Tennessee Williams.

Answer this question "What year was that film?"
output:
(2000),