Question: , Malcolm Denzil Marshall (18 April 1958 - 4 November 1999) was a West Indian cricketer. Primarily a fast bowler, Marshall is regarded as one of the finest and fastest pacemen ever to have played Test cricket. His Test bowling average of 20.94 is the best of anyone who has taken 200 or more wickets. He achieved his bowling success despite being, by the standards of other fast bowlers, a short man - he stood at 5 feet 11 inches (1.80 m), while most of the great quicks have been well above 6 feet (1.8 m) and many great West Indian fast bowlers, such as Joel Garner, Curtly Ambrose and Courtney Walsh, were 6 feet 6 inches (1.98 m) or above.

Marshall made his Test debut in the Second Test at Bangalore on 15 December 1978. He immediately developed a career-long antipathy to Dilip Vengsarkar due to his aggressive appealing. Despite doing little of note in the three Tests he played on that tour, he did take 37 wickets in all first-class games, and Hampshire saw enough in him to take him on as their overseas player for 1979, remaining with the county until 1993. He was in West Indies' World Cup squad, but did not play a match in the tournament. Hampshire were not doing well at the time, but nevertheless he took 47 first-class wickets, as well as picking up 5-13 against Glamorgan in the John Player League.  Marshall came to prominence in 1980, when in the third Test at Old Trafford he accounted for Mike Gatting, Brian Rose and Peter Willey in short order to spark an England collapse, although the match was eventually drawn despite Marshall taking 7-24. After 1980/81 he was out of the Test side for two years, but an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire, saw him recalled and thereafter he remained a fixture until the end of his international career.  In seven successive Test series from 1982/83 to 1985/86 he took 21 or more wickets each time, in the last five of them averaging under 20. His most productive series in this period was the 1983/84 rubber against India, when he claimed 33 wickets as well as averaging 34 with the bat and making his highest Test score of 92 at Kanpur. A few months later he took five in an innings twice at home against Australia. At the peak of his career, he turned down an offer of US$1 million to join a rebel West Indies team on a tour to South Africa, still suffering international sporting isolation due to apartheid.

Using a quote from the above article, answer the following question: when did he start playing?
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Answer: Marshall came to prominence in 1980,

Problem: Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.

Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force.  Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s.  During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job".  Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.

What was his childhood like?

Answer with quotes: the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School

Problem: Garland was born Frances Ethel Gumm on June 10, 1922, in Grand Rapids, Minnesota. She was the youngest child of Ethel Marion (nee Milne) and Francis Avent "Frank" Gumm. Her parents were vaudevillians who settled in Grand Rapids to run a movie theater that featured vaudeville acts. She was of Irish, English, and Scottish ancestry, named after both of her parents and baptized at a local Episcopal church. "

In 1938, she was cast in her most memorable role, as the young Dorothy Gale in The Wizard of Oz (1939), a film based on the 1900 children's book by L. Frank Baum. In this film, she sang the song with which she would be identified, "Over the Rainbow". Although producers Arthur Freed and Mervyn LeRoy had wanted her from the start, studio chief Mayer first tried to borrow Shirley Temple from 20th Century Fox, but they declined. Deanna Durbin was then asked, but was unavailable, resulting in Garland being cast.  Garland was initially outfitted in a blonde wig for the part, but Freed and LeRoy decided against it shortly into filming. Her blue gingham dress was chosen for its blurring effect on her figure, which made her look younger. Shooting commenced on October 13, 1938, and was completed on March 16, 1939, with a final cost of more than US$2 million. With the conclusion of filming, MGM kept Garland busy with promotional tours and the shooting of Babes in Arms, directed by Busby Berkeley. Rooney and she were sent on a cross-country promotional tour, culminating in the August 17 New York City premiere at the Capitol Theater, which included a five-show-a-day appearance schedule for the two stars. Garland was forced into a strict diet during filming; she was given tobacco to suppress her appetite.  The Wizard of Oz was a tremendous critical success, though its high budget and promotions costs of an estimated $4 million (equivalent to $70.4 million in 2018), coupled with the lower revenue generated by discounted children's tickets, meant that the film did not make a profit until it was rereleased in the 1940s and in subsequent rereleases. At the 1939 Academy Awards ceremony, Garland received her only Academy Award, a Juvenile Award for her performances in 1939, including The Wizard of Oz and Babes in Arms. Following this recognition, she became one of MGM's most bankable stars.

Did she sing any songs?

Answer with quotes:
"Over the Rainbow".