Question:
Robert Stanley Crewe (November 12, 1930 - September 11, 2014) was an American songwriter, dancer, singer, manager, and record producer. He was known for producing, and co-writing with Bob Gaudio, a string of Top 10 singles for the Four Seasons. As a songwriter, his most successful songs include "Silhouettes" (co-written with Frank Slay); "Big Girls Don't Cry", "Walk Like a Man", "Rag Doll", "Silence Is Golden", "The Sun Ain't Gonna Shine (Anymore)",
In 1953, Crewe met and partnered professionally with Frank Slay Jr., a young pianist from Texas. Their collaboration created several hit songs (as well as a small record label, XYZ), for which Crewe performed as the demo singer. Crewe and Slay's 1957 recording session with the Rays for XYZ (picked up nationally by Cameo Records) produced two major hit songs. "Silhouettes", produced by Crewe, became a doo-wop anthem of the era. Climbing to #3 on the Billboard Hot 100 in 1957, "Silhouettes" displayed the flair for story-driven lyrics, innovative musical hooks, and final lyrical twists that were to become known as Crewe trademarks. In 1965, with a slightly faster tempo, "Silhouettes" again became a hit, this time for the British group Herman's Hermits, reaching #5 on the Billboard Hot 100. Bob Dylan recorded "Silhouettes" during his legendary Basement Tapes sessions of the late 1960s, although his version was not released until 2014.  "Daddy Cool" was the B-side of the Rays' "Silhouettes" single. Written and produced by Crewe and Slay at the same 1957 session, it achieved considerable note. Both "Daddy Cool" and "Silhouettes" were covered the same year by the Canadian group the Diamonds, whose version of "Daddy Cool" reached #10 on the Billboard charts. In 1961, Guy "Daddy Cool" Darrell released another single version on the Warwick label, and in 1977, the UK band Darts made the song their first-ever studio recording, scoring a #6 hit.  Crewe and Slay built on their success by signing a deal with new, Philadelphia-based Swan Records. Sessions with Billy and Lillie (singers Billy Ford and Lillie Bryant) produced the 1958 hit "Lah Dee Dah", which reached the #9 position on the Billboard Hot 100; the following year, Billy and Lillie's recording of "Lucky Ladybug" hit #14. Crewe and Slay also wrote two Top 10 hits - "Tallahassee Lassie" and "Okefenokee" - for Swan's rising star Freddy Cannon.
Answer this question using a quote from the text above:

what were some of the hit songs in 1950s?

Answer:
Daddy Cool" was the B-side of the Rays' "Silhouettes" single.

Answer the question at the end by quoting:

Mircea Eliade (Romanian: ['mirtSea eli'ade]; March 9 [O.S. February 24] 1907 - April 22, 1986) was a Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago. He was a leading interpreter of religious experience, who established paradigms in religious studies that persist to this day. His theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and profane space and time, has proved influential.
In his work on the history of religion, Eliade is most highly regarded for his writings on Alchemy, Shamanism, Yoga and what he called the eternal return--the implicit belief, supposedly present in religious thought in general, that religious behavior is not only an imitation of, but also a participation in, sacred events, and thus restores the mythical time of origins. Eliade's thinking was in part influenced by Rudolf Otto, Gerardus van der Leeuw, Nae Ionescu and the writings of the Traditionalist School (Rene Guenon and Julius Evola). For instance, Eliade's The Sacred and the Profane partially builds on Otto's The Idea of the Holy to show how religion emerges from the experience of the sacred, and myths of time and nature.  Eliade is known for his attempt to find broad, cross-cultural parallels and unities in religion, particularly in myths. Wendy Doniger, Eliade's colleague from 1978 until his death, has observed that "Eliade argued boldly for universals where he might more safely have argued for widely prevalent patterns". His Treatise on the History of Religions was praised by French philologist Georges Dumezil for its coherence and ability to synthesize diverse and distinct mythologies.  Robert Ellwood describes Eliade's approach to religion as follows. Eliade approaches religion by imagining an ideally "religious" person, whom he calls homo religiosus in his writings. Eliade's theories basically describe how this homo religiosus would view the world. This does not mean that all religious practitioners actually think and act like homo religiosus. Instead, it means that religious behavior "says through its own language" that the world is as homo religiosus would see it, whether or not the real-life participants in religious behavior are aware of it. However, Ellwood writes that Eliade "tends to slide over that last qualification", implying that traditional societies actually thought like homo religiosus.

What else did Eliade say about homo religiosus?
Eliade "tends to slide over that last qualification", implying that traditional societies actually thought like homo religiosus.