IN: Dick was born on December 21, 1965 in Charleston, South Carolina. He was adopted at birth by Allen and Sue Dick, and named Andrew Roane Dick. He was brought up Presbyterian. His father was in the Navy, As a child, he spent time living with his family in Connecticut, Pennsylvania, New York, and Yugoslavia before moving to Chicago in 1979.

On May 15, 1999, Dick drove his car into a utility pole in Hollywood. He was charged with the possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving. He later pleaded guilty to the felony of cocaine possession and two other misdemeanor charges: cannabis possession and possession of a "smoking device". After Dick completed an 18-month drug diversion program, a judge dismissed the felony and misdemeanor drug charges against him.  On December 4, 2004, Dick was arrested for indecent exposure after he exposed his buttocks at a local McDonald's.  On July 16, 2008, Dick was arrested in Murrieta, California, on suspicion of drug possession and sexual battery. He exposed the breasts of a 17-year-old girl when he allegedly grabbed and pulled down her tank top and brassiere. During a search of his person, police reported finding a small quantity of cannabis and one alprazolam (Xanax) tablet (for which Dick did not have a prescription) in his front pants pocket. He was released from jail after posting $5,000 bail. Dick eventually pleaded guilty to misdemeanor battery and marijuana possession. He was sentenced to three years probation, had to pay about $700 in fines, and was ordered to wear an alcohol-monitoring bracelet for one year.  On January 23, 2010, Dick was arrested about 4 a.m. at a bar in Huntington, West Virginia, on charges of sexual abuse after reportedly groping a bartender and a patron. He was released from jail after pleading not guilty and posting $60,000 bail. On June 29, 2011, Dick was formally indicted by a Cabell County Grand Jury for two counts of first degree sexual abuse. Dick pleaded not guilty during a formal arraignment in Cabell County Circuit Court in Huntington on July 29, 2011. After receiving the not guilty plea, Judge Paul Ferrell set a trial date of January 17, 2012. After several delays, on May 21, 2012, Dick was given a six-month pre-trial diversion. An assistant prosecutor said that the agreement stated that if Dick would stay out of legal trouble for six months, the criminal charges would be dismissed. In January 2012, the two alleged victims filed a civil suit against Dick for unspecified damages.

Was he intoxicated or under the influence?

OUT: possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving.


IN: Eddie James "Son" House, Jr. (March 21, 1902 - October 19, 1988) was an American delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements and to accompany him to a 1930 recording session for Paramount Records.

In 1927, at the age of 25, House underwent a change of musical perspective as rapid and dramatic as a religious conversion. In a hamlet south of Clarksdale, he heard one of his drinking companions, either James McCoy or Willie Wilson (his recollections differed), playing bottleneck guitar, a style he had never heard before. He immediately changed his attitude about the blues, bought a guitar from a musician called Frank Hoskins, and within weeks was playing with Hoskins, McCoy and Wilson. Two songs he learned from McCoy would later be among his best known: "My Black Mama" and "Preachin' the Blues". Another source of inspiration was Rube Lacey, a much better known performer who had recorded for Columbia Records in 1927 (no titles were released) and for Paramount Records in 1928 (two titles were released). In an astonishingly short time, with only these four musicians as models, House developed to a professional standard a blues style based on his religious singing and simple bottleneck guitar style.  Around 1927 or 1928, he had been playing in a juke joint when a man went on a shooting spree, wounding House in the leg, and he allegedly shot the man dead. House received a 15-year sentence at the Mississippi State Penitentiary (Parchman Farm), of which he served two years between 1928 and 1929. He credited his re-examination and release to an appeal by his family, but also spoke of the intervention by the influential white planter for whom they worked. The date of the killing and the duration of his sentence are unclear; House gave different accounts to different interviewers, and searches by his biographer Daniel Beaumont found no details in the court records of Coahoma County or in the archive of the Mississippi Department of Corrections.  Upon his release in 1929 or early 1930, House was strongly advised to leave Clarksdale and stay away. He walked to Jonestown and caught a train to the small town of Lula, Mississippi, sixteen miles north of Clarksdale and eight miles from the blues hub of Helena, Arkansas. Coincidentally, the great star of Delta blues, Charley Patton, was also in virtual exile in Lula, having been expelled from his base on the Dockery Plantation. With his partner Willie Brown, Patton dominated the local market for professional blues performance. Patton watched House busking when he arrived penniless at Lula station, but did not approach him. He observed House's showmanship attracting a crowd to the cafe and bootleg whiskey business of a woman called Sara Knight. Patton invited House to be a regular musical partner with him and Brown. House formed a liaison with Knight, and both musicians profited from association with her bootlegging activities. The musical partnership is disputed by Patton's biographers Stephen Calt and Gayle Dean Wardlow. They consider that House's musicianship was too limited to play with Patton and Brown, who were also rumoured to be estranged at the time. They also cite one statement by House that he did not play for dances in Lula. Beaumont concluded that House became a friend of Patton's, traveling with him to gigs but playing separately.

Anything interesting happen to him?

OUT:
he allegedly shot the man dead.