IN: Steeleye Span are an English folk rock band formed in 1969. Still active today, along with Fairport Convention, they are amongst the best known acts of the British folk revival, and were among the most commercially successful, thanks to their hit singles "Gaudete" and "All Around My Hat". They had four Top 40 albums and achieved a certified gold record with sales of "All Around My Hat". Throughout their history, Steeleye Span have seen many personnel changes.

In 1995, almost all the past and present members of the band reunited for a concert to celebrate the 25th Anniversary of the band (which would later be released as The Journey). The only former members not present were founding member Terry Woods, Mark Williamson, and Chris Staines.  A by-product of this gig was founding vocalist Gay Woods rejoining the band full-time, partly because Prior was experiencing vocal problems, and for a while Steeleye toured with two female singers, and released the album Time 1996, their first new studio album in seven years.  There were doubts over the future of the band when Prior announced her departure in 1997, but Steeleye continued in a more productive vein than for many years, with Woods as lead singer, releasing Horkstow Grange (1998), and then Bedlam Born (2000). Fans of Steeleye's "rock" element felt that Horkstow Grange was too quiet and folk-oriented, while fans of the band's "folk" element complained that Bedlam Born was too rock-heavy. Woods received considerable criticism from fans, many of whom did not realise that she was one of the founding members and who compared her singing style unfavourably to Prior's. There was also disagreement among the band about what material to perform; Woods advocated performing old favourites such as "All Around My Hat" and "Alison Gross", while Johnson favoured a set that emphasised their newer material.  Liam Genockey had also left the band in 1997, and on these albums the drum kit was manned by Dave Mattacks, who was not an official member of the band.
QUESTION: Was there any scandals leading up to Prior leaving?
IN: Charles Dillon Stengel was born on July 30, 1890, in Kansas City, Missouri. His ancestry involves German and Irish; his parents--Louis Stengel and Jennie (Wolff) Stengel--were from the Quad Cities area of Illinois and Iowa, and had moved to Kansas City soon after their 1886 wedding so Louis could take an insurance job. "Charlie" was the youngest of three children, and the second son. Charlie Stengel played sandlot baseball as a child, and also played baseball, football and basketball at Kansas City's Central High School.

The 1963 season unfolded for the Mets much like the previous year's, though they lost only eight games to begin the season, rather than nine, but they still finished 51-111, in last place. One highlight, though it did not count in the standings, was the Mayor's Trophy Game on June 20 at Yankee Stadium. Stengel played to win; the Yankees under Houk possibly less so, and the Mets beat the Yankees, 6-2.  In 1964, the Mets moved into the new Shea Stadium; Stengel commented that "the park is lovelier than my team". The Mets finished 53-109, again in last place. By this time, the fans were starting to be impatient with the losing, and a number of people, including sportscaster Howard Cosell and former Dodger Jackie Robinson, criticized Stengel as ineffective and prone to fall asleep on the bench. Stengel was given a contract for 1965, though Creamer suggested that Weiss, Grant and Payson would have preferred that the 74-year-old Stengel retire.  The early part of the 1965 season saw similar futility. On July 25, the Mets had a party at Toots Shor's for the invitees to the following day's Old-Timers' Game. Sometime during that evening, Stengel fell and broke his hip. The circumstances of his fall are not known with certainty, as he did not realize he had been severely injured until the following day. Stengel spent his 75th birthday in the hospital. Recognizing that considerable rehabilitation would be required, he retired as manager of the Mets on August 30, replaced by Wes Westrum, one of his coaches. The Mets would again finish in last place.
QUESTION: What else happen in 1964
IN: Migration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.

In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.  Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.  Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques.
QUESTION:
Did the style migrate at all?