input: See The Impact of Legalized Abortion on Crime for a detailed discussion of the issue.  Revisiting a question first studied empirically in the 1960s, Donohue and Levitt argued that the legalization of abortion can account for almost half of the reduction in crime witnessed in the 1990s. This paper has sparked much controversy, to which Levitt has said  "The numbers we're talking about, in terms of crime, are absolutely trivial when you compare it to the broader debate on abortion. From a pro-life view of the world: If abortion is murder then we have a million murders a year through abortion. And the few thousand homicides that will be prevented according to our analysis are just nothing--they are a pebble in the ocean relative to the tragedy that is abortion. So, my own view, when we [did] the study and it hasn't changed is that: our study shouldn't change anybody's opinion about whether abortion should be legal and easily available or not. It's really a study about crime, not abortion."  In 2003, Theodore Joyce argued that legalized abortion had little impact on crime, contradicting Donohue and Levitt's results ("Did Legalized Abortion Lower Crime?" Journal of Human Resources, 2003, 38(1), pp. 1 -37.). In 2004, the authors published a response, in which they claimed Joyce's argument was flawed due to omitted-variable bias.  In November 2005, Federal Reserve Bank of Boston economist Christopher Foote and his research assistant Christopher Goetz, published a working paper, in which they argued that the results in Donohue and Levitt's abortion and crime paper were due to statistical errors made by the authors: the omission of state-year interactions and the use of the total number of arrests instead of the arrest rate in explaining changes in the murder rate. When the corrections were made, Foote and Goetz argued that abortion actually increased violent crime instead of decreasing it and did not affect property crime. They even concluded that the majority of women who had abortions in the 1970s were middle class whites rather than low income minorities as Levitt stated; this was, they stated, because white middle class women had the financial means for an abortion. The Economist remarked on the news of the errors that "for someone of Mr Levitt's iconoclasm and ingenuity, technical ineptitude is a much graver charge than moral turpitude. To be politically incorrect is one thing; to be simply incorrect quite another." In January 2006, Donohue and Levitt published a response, in which they admitted the errors in their original paper but also pointed out Foote and Goetz's correction was flawed due to heavy attenuation bias. The authors argued that, after making necessary changes to fix the original errors, the corrected link between abortion and crime was now weaker but still statistically significant, contrary to Foote and Goetz's claims. Foote and Goetz, however, soon produced a rebuttal of their own and showed that even after analyzing the data using the methods that Levitt and Donohue recommend, the data does not show a positive correlation between abortion rates and crime rates. They are quick to point out that this does not necessarily disprove Levitt's thesis, however, and emphasize that with data this messy and incomplete, it is in all likelihood not even possible to prove or disprove Donohue and Levitt's conclusion.

Answer this question "Who was Theodore Joyce?"
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Question: Tracey Ullman was born Trace Ullman in Slough, Buckinghamshire, the younger of two daughters, to Dorin (nee Cleaver) and Antony John Ullman. Her mother was British, with Roma ancestry, and her father was a Roman Catholic Pole. On the subject of the spelling of her name: "My real name is Trace Ullman, but I added the 'y.' My mother said it was spelled the American way, but I don't think she can spell!

Along with her television work, Ullman has featured in many films throughout her career. Her first theatrical film was a small role in Paul McCartney's 1984 film Give My Regards to Broad Street. This was followed by a supporting role in the 1985 Meryl Streep drama Plenty. She re-teamed with Streep for 1992's Death Becomes Her, playing Toni, a bartender who runs away with Ernest (Bruce Willis) and lives happily ever after. Director Robert Zemeckis decided to re-shoot the ending, opting for a darker, "more risky ending." This meant that Ullman's scenes would have to be cut. "We were all heartbroken over losing the character. (She) was so great." Despite the cut, some of her scenes were released in an early trailer for the film. Death Becomes Her is one of two instances in which her scenes in a film have ended up on the cutting room floor. Due to time constraints, her song in 1996's Everyone Says I Love You was deleted.  She made her big screen leading role debut in 1990's I Love You to Death acting alongside Kevin Kline, River Phoenix and Joan Plowright. She subsequently appeared in lead and supporting roles in films such as Robin Hood: Men in Tights, Nancy Savoca's Household Saints, Bullets over Broadway, Small Time Crooks and A Dirty Shame. She was nominated for a Golden Globe Award in the category of Best Actress - Motion Picture Musical or Comedy for her work in Small Time Crooks in 2001.  Her voice work in film includes Tim Burton's Corpse Bride and the computer-animated The Tale of Despereaux. She acted as creative consultant on the 2006 DreamWorks feature, Flushed Away.  In 2014, she played Jack's Mother in the film adaptation of the Broadway musical Into the Woods.  Ullman was under serious consideration for a number of roles: Betty Rubble in 1994's The Flintstones; Effie Trinket in The Hunger Games. Director Adrian Lyne asked her to screen test for his film Fatal Attraction. She passed on the idea and the role went to Glenn Close. She was also sought for reuniting with her Plenty co-star Meryl Streep in She-Devil. The part ultimately went to comedian Roseanne Barr.

Using a quote from the above article, answer the following question: what movies were performed in?
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Answer:
Her first theatrical film was a small role in Paul McCartney's 1984 film Give My Regards to Broad Street.