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Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, short story writer, and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life, and his whaling novel Moby-Dick (1851). His work was almost forgotten during his last 30 years. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change.
In 1884, Mrs. Melville received a legacy, which enabled her to allow Melville a monthly sum of $25 to spend on books and prints. While Melville had his steady customs job, he no longer showed signs of depression, which recurred after the death of his second son. On 23 February 1886, Stanwix Melville died in San Francisco at age 36. Melville retired on 31 December 1885, after several of his wife's relatives died and left the couple more legacies which Mrs. Melville administered with skill and good fortune. In 1889 Melville became a member of the New York Society Library.  As English readers, pursuing the vogue for sea stories represented by such writers as G. A. Henty, rediscovered Melville's novels in the late nineteenth century, the author had a modest revival of popularity in England, though not in the United States. He wrote a series of poems, with prose head notes, inspired by his early experiences at sea. He published them in two collections, each issued in a tiny edition of 25 copies for his relatives and friends. Of these, scholar Robert Milder calls John Marr and Other Poems (1888), "the finest of his late verse collections". The second privately printed volume is Timoleon (1891).  Intrigued by one of these poems, Melville began to rework the headnote, expanding it first as a short story and eventually as a novella. He worked on it on and off for several years, but when he died in September 1891, the piece was unfinished. Also left unpublished were another volume of poetry, Weeds and Wildings, and a sketch, "Daniel Orme." To Billy Budd, his widow added notes and edited it, but the manuscript was not discovered until 1919, by Raymond Weaver, his first biographer. He worked at transcribing and editing a full text, which he published in 1924 as Billy Budd, Sailor. It was an immediate critical success in England and soon one in the United States. The authoritative version was published in 1962, after two scholars studied the papers for several years. In 1951 it was adapted as a stage play on Broadway, and as an opera by English composer Benjamin Britten with assistance on the libretto by E. M. Forster. In 1961 Peter Ustinov released a movie based on the stage play and starring Terence Stamp.
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Intrigued by one of these poems, Melville began to rework the headnote, expanding it first as a short story and eventually as a novella.


Question:
Carlos Santana  audio  (born July 20, 1947) is a Mexican and American musician who first became famous in the late 1960s and early 1970s with his band, Santana, which pioneered a fusion of rock and Latin American jazz. The band's sound featured his melodic, blues-based guitar lines set against Latin and African rhythms featuring percussion instruments such as timbales and congas not generally heard in rock music. Santana continued to work in these forms over the following decades. He experienced a resurgence of popularity and critical acclaim in the late 1990s.
Carlos Santana's distinctive guitar tone is produced by PRS Santana signature guitars plugged into multiple amplifiers. The amps consist of a Mesa Boogie Mark I, Dumble Overdrive Reverb and more recently a Bludotone amplifier. Santana compares the tonal qualities of each amplifier to that of a singer producing head/nasal tones, chest tones, and belly tones. A three-way amp switcher is employed on Carlos's pedal board to enable him to switch between amps. Often the unique tones of each amplifier are blended together, complementing each other producing a richer tone.  He also put the "Boogie" in Mesa Boogie. Santana is credited with coining the popular Mesa amplifier name when he tried one and exclaimed, "That little thing really Boogies!"  Specifically, Santana combines a Mesa/Boogie Mark I head running through a Boogie cabinet with Altec 417-8H (or recently JBL E120s) speakers, and a Dumble Overdrive Reverb and/or a Dumble Overdrive Special running through a Brown or Marshall 4x12 cabinet with Celestion G12M "Greenback" speakers, depending on the desired sound. Shure KSM-32 microphones are used to pick up the sound, going to the PA. Additionally, a Fender Cyber-Twin Amp is mostly used at home.  During his early career Santana used a GMT transistor amplifier stack and a silverface Fender Twin. The GMT 226A rig was used at the Woodstock concert as well as during recording Santana's debut album. During this era Santana had also begun to use the Fender Twin, which was also used on the debut and proceedingly at the recording sessions of Abraxas.
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What is Amplifiers?

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Carlos Santana's distinctive guitar tone is produced by PRS Santana signature guitars plugged into multiple amplifiers.