Answer the question at the end by quoting:

Jo Elizabeth Stafford (November 12, 1917 - July 16, 2008) was an American traditional pop music singer and occasional actress, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song "You Belong to Me" topped the charts in the United States and United Kingdom, the record becoming the first by a female artist to reach number one on the U.K. Singles Chart.
While Stafford was still working for Dorsey, Johnny Mercer told her, "Some day I'm going to have my own record company, and you're going to record for me." She subsequently became the first solo artist signed to Capitol after leaving the Pied Pipers in 1944. A key figure in helping Stafford to develop her solo career was Mike Nidorf, an agent who first heard her as a member of the Pied Pipers while he was serving as a Captain with the United States Army. Having previously discovered artists such as Glenn Miller, Artie Shaw, and Woody Herman, Nidorf was impressed by Stafford's voice, and contacted her when he was demobilized in 1944. After she agreed to let him represent her, he encouraged her to reduce her weight and arranged a string of engagements that raised her profile, and confidence.  The success of Stafford's solo career led to a demand for personal appearances, and from February 1945 she embarked on a six-month residency at New York's La Martinique nightclub. Her performance was well-received--an article in the July 1945 edition of Band Leaders magazine described it as "sensational"--but Stafford did not enjoy singing before live audiences, and it was the only nightclub venue she ever played. Speaking about her discomfort with live performances, Stafford told a 1996 interview with The New Yorker's Nancy Franklin, "I'm basically a singer, period, and I think I'm really lousy up in front of an audience--it's just not me."  Stafford's tenure with the United Service Organizations (USO) during World War II--which often saw her perform for soldiers stationed in the U.S.--led to her acquiring the nickname "G.I. Jo". On returning from the Pacific theater, a veteran told Stafford that the Japanese would play her records on loudspeakers in an attempt to make the U.S. troops homesick enough to surrender. She replied personally to all the letters she received from servicemen. Stafford was a favorite of many servicemen during both World War II and the Korean War; her recordings received extensive airplay on the American Forces radio and in some military hospitals at lights-out. Stafford's involvement with servicemen led to an interest in military history and a sound knowledge of it. Years after World War II, Stafford was a guest at a dinner party with a retired naval officer. When the discussion turned to a wartime action off Mindanao, the officer tried to correct Stafford, who held to her point. He countered her by saying, "Madame, I was there". A few days after the party, Stafford received a note of apology from him, saying he had re-read his logs and that she was correct.

Did they have Children while in the organization?





Answer the question at the end by quoting:

Lisa Marie Simpson is a fictional character in the animated television series The Simpsons. She is the middle child and most intelligent of the Simpson family. Voiced by Yeardley Smith, Lisa was born as a character in The Tracey Ullman Show short "Good Night" on April 19, 1987. Cartoonist Matt Groening created and designed her while waiting to meet James L. Brooks.
In The Tracey Ullman Show shorts, Lisa was something of a "female Bart": equally mischievous but lacking unique traits. As the series progressed, Lisa began to develop into a more intelligent and more emotional character. She demonstrates her intellect in the 1990 episode "Krusty Gets Busted" (season one), by helping Bart reveal Sideshow Bob's plot to frame Krusty the Clown for armed robbery. Many episodes focusing on Lisa have an emotional nature, such as "Moaning Lisa" (season one, 1990). The idea for the episode was pitched by James L. Brooks, who wanted to do an emotional episode involving Lisa's sadness, to complement the many "jokey episodes" in the first season.  In the seventh-season episode "Lisa the Vegetarian" (1995), Lisa permanently becomes a vegetarian, distinguishing her as one of the first primetime television characters to make such a choice. The episode was written by David S. Cohen (in his first solo writing credit) who jotted down the idea one day while eating lunch. Then-executive producer David Mirkin, who had recently become a vegetarian, quickly approved the idea. Several of Lisa's experiences in the episode are based on Mirkin's own experiences. The episode guest stars musician Paul McCartney, a committed vegetarian and animal rights activist. McCartney's condition for appearing was that Lisa would remain a vegetarian for the rest of the series and would not revert the next week (as is common on situation comedies). The trait stayed and is one of the few permanent character changes made in the show. In the season 13 episode "She of Little Faith" (2001), Lisa underwent another permanent character change when she converted to Buddhism.  Lisa plays the baritone saxophone, and some episodes use that as a plot device. According to Matt Groening, the baritone saxophone was chosen because he found the thought of an eight-year-old girl playing it amusing. He added, "But she doesn't always play a baritone sax because the animators don't know what it looks like, so it changes shape and color from show to show." One of the hallmarks of the show's opening sequence is a brief solo Lisa plays on her saxophone after being thrown out of music class. The Simpsons composer Alf Clausen said that the session musicians who perform her solos do not try to play at the second grade level and instead "think of Lisa as a really good player."

How was she like Bart?
": equally mischievous but lacking unique traits.