Question: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians.

Using a quote from the above article, answer the following question: What was recording like
HHHHHH
Answer: The recording sessions for the album took place at three sessions in mid-February 1962.


Question: Brown was born on May 3, 1933, in Barnwell, South Carolina, to 16-year-old Susie (nee Behling, 1917-2003) and 22-year-old Joseph Gardner Brown (1911-1993), in a small wooden shack. Brown's name was supposed to have been Joseph James Brown, but his first and middle names were mistakenly reversed on his birth certificate. He later legally changed his name to remove "Jr." His parents were both African-American; in his autobiography, Brown stated that he also had Chinese and Native American ancestry.

On December 23, 2006, Brown became very ill and arrived at his dentist's office in Atlanta, Georgia, several hours late. His appointment was for dental implant work. During that visit, Brown's dentist observed that he looked "very bad... weak and dazed." Instead of performing the work, the dentist advised Brown to see a doctor right away about his medical condition.  Brown went to the Emory Crawford Long Memorial Hospital the next day for medical evaluation and was admitted for observation and treatment. According to Charles Bobbit, his longtime personal manager and friend, Brown had been struggling with a noisy cough since returning from a November trip to Europe. Yet, Bobbit said, the singer had a history of never complaining about being sick and often performed while ill. Although Brown had to cancel upcoming concerts in Waterbury, Connecticut, and Englewood, New Jersey, he was confident that the doctor would discharge him from the hospital in time for his scheduled New Year's Eve shows at the Count Basie Theatre in New Jersey and the B. B. King Blues Club in New York, in addition to performing a song live on CNN for the Anderson Cooper New Year's Eve special. Brown remained hospitalized, however, and his condition worsened throughout the day.  On Christmas Day, 2006, Brown died at approximately 1:45 am EST (06:45 UTC), at age 73, from congestive heart failure, resulting from complications of pneumonia. Bobbit was at his bedside and later reported that Brown stuttered, "I'm going away tonight," then took three long, quiet breaths and fell asleep before dying.

Using a quote from the above article, answer the following question: When was his death?
HHHHHH
Answer: On Christmas Day, 2006,


Question: Juan Alberto Gonzalez Vazquez (born October 20, 1969), nicknamed "Igor", is a former Major League Baseball right fielder. During his 16 years in the league, Gonzalez played for four teams, but is more remembered for his two stints with the Texas Rangers (1989-1999, 2002-2003). One of the premier run producers and most feared hitters of the 1990s, Gonzalez averaged 37 HR and 117 runs batted in per season from 1991 to 1999. He won the AL MVP award twice in that time span, 1996 and 1998.

Gonzalez grew up in a rough area of Puerto Rico, where he learned to hit bottlecaps and corks with a broomstick handle in the Alto de Cuba barrio. In the Puerto Rico youth league, Gonzalez batted cleanup behind future Yankee center fielder Bernie Williams, where both competed against Gonzalez's future teammate Ivan Rodriguez. When the Yankees scouted Williams, eventually signing him, they declined to pursue Gonzalez, who they perceived as not serious about baseball.  The Texas Rangers signed Gonzalez as an amateur free agent on May 30, 1986, at the age of 16. Gonzalez has always wanted to serve as a role model for the kids of Puerto Rico, as they are faced with the downfalls of drugs and prostitution frequently. Gonzalez avoided such temptations growing up. His father, a math teacher, and mother, a housewife, made sure Gonzalez and his two sisters behaved properly and stayed away from negative influences. Gonzalez moved his family out of the barrio early in his MLB career. He paid utility bills for down-on-their-luck friends and plans on working to construct recreation facilities and a baseball diamond in his home town. One of Juan's managers, Johnny Oates, believed that until you've walked where Juan Gonzalez has walked, you just won't understand. Speaking from experience, as Oates has walked the streets of Vega Baja, Puerto Rico, during visits multiple times, he had this to say: "I don't think you can appreciate how far he's come until you've been there", Oates said. "We might be making choices between going to the movies or going to the skating rink. But look at the choices the kids there were faced with growing up - do you want to do drugs or get beaten up? I think it says so much about him that he was able to rise above the peer pressure in Vega Baja. He had enough intelligence to say, 'I don't want to do that.'"  In Puerto Rico he is known as "Igor", the nickname he has carried since he was a nine-year-old fascinated by the professional wrestler "Igor the Magnificent." "I watched wrestling all the time and I still like it", Gonzalez said. "One day when I was nine, I told another guy, 'I'm Igor.' And he said,'Okay, your name is Igor from now on.' And I've been Igor since then."

Using a quote from the above article, answer the following question: Did he play any other sports?
HHHHHH
Answer:
Gonzalez has always wanted to serve as a role model for the kids of Puerto Rico,