input: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004).

Answer this question "What personal experiences did he use?"
output: ), Povenmire drew on his childhood in the Deep South to create

input: White was born in Memphis, Tennessee, on December 19, 1941. He grew up in South Memphis, where he lived with his grandmother in the Foote Homes Projects and was a childhood friend of Booker T Jones, with whom he formed a "cookin' little band" while attending Booker T. Washington High School. He made frequent trips to Chicago to visit his mother, Edna, and stepfather, Verdine Adams, who was a doctor and occasional saxophonist. In his teenage years, he moved to Chicago and studied at the Chicago Conservatory of Music, and played drums in local nightclubs. By the mid-1960s he found work as a session drummer for Chess Records. While at Chess, he played on the records of artists such as Etta James, Ramsey Lewis, Sonny Stitt, Muddy Waters, the Impressions, the Dells, Betty Everett, Sugar Pie DeSanto and Buddy Guy. White also played the drums on Fontella Bass's "Rescue Me" and Billy Stewart's "Summertime". In 1962, along with other studio musicians at Chess, he was a member of the Jazzmen, who later became the Pharaohs.  By 1966, he joined the Ramsey Lewis Trio, replacing Isaac "Red" Holt as the drummer. Holt and bassist Eldee Young left and formed Young-Holt Unlimited with pianist Hysear Don Walker. Young was replaced by Cleveland Eaton. As a member of the Ramsey Lewis Trio, Maurice played on nine of the group's albums, including Wade in the Water (1966), from which the track "Hold It Right There" won a Grammy Award for Best Rhythm & Blues Group Performance, Vocal or Instrumental in 1966. White featured on other Ramsey Lewis albums including: The Movie Album (1966), Goin' Latin (1967), Dancing in the Street (1967), Up Pops Ramsey Lewis (1967) and The Piano Player (1969). While in the Trio he was introduced in a Chicago drum store to the African thumb piano or kalimba and on the Trio's 1969 album Another Voyage's track "Uhuru" was featured the first recording of White playing the kalimba.  In 1969, White left the Trio and joined his two friends, Wade Flemons and Don Whitehead, to form a songwriting team who wrote songs for commercials in the Chicago area. The three friends got a recording contract with Capitol Records and called themselves the Salty Peppers. They had a moderate hit in the Midwest area with their single "La La Time", but their second single, "Uh Huh Yeah", was not as successful. White then moved from Chicago to Los Angeles, and altered the name of the band to Earth, Wind & Fire, the band's new name reflecting the elements in his astrological chart.

Answer this question "Did he live anywhere else?"
output: In his teenage years, he moved to Chicago

input: Before the Cars, members of the band performed together in several different incarnations. Ric Ocasek and Benjamin Orr met in Cleveland, Ohio in the 1960s after Ocasek saw Orr performing with his band the Grasshoppers on the Big 5 Show, a local musical variety program. The two were in various bands in Columbus, Ohio and Ann Arbor, Michigan before re-locating to Boston in the early 1970s. In Boston, Ocasek and Orr, along with lead guitarist Jas Goodkind, formed a Crosby, Stills and Nash-style folk rock band called Milkwood. They released one album, How's the Weather, on Paramount Records in 1973 that failed to chart.  After Milkwood, Ocasek and Orr formed the group Richard and the Rabbits, whose name was suggested by Jonathan Richman. The band included Greg Hawkes, who had studied at the Berklee School of Music and had played saxophone on Milkwood's album. Hawkes left to tour with Martin Mull and His Fabulous Furniture, a musical comedy act in which Mull played a variety of instruments. Ric Ocasek and Ben Orr then performed as an acoustic duo called simply Ocasek and Orr at the Idler coffeehouse in Cambridge. Some of the songs they played became the early Cars songs.  Later, Ocasek and Orr teamed up with guitarist Elliot Easton (who had also studied at Berklee) in the band Cap'n Swing. Cap'n Swing also featured drummer Glenn Evans, later followed by Kevin Robichaud, and a jazzy bass player, which clashed with Ocasek's more rock and roll leanings. Benjamin Orr was the lead vocalist and did not play an instrument. Cap'n Swing soon came to the attention of WBCN disc jockey Maxanne Sartori, who began playing songs from their demo tape on her show.  After being rejected by several record labels, Ocasek got rid of the bass player and drummer and decided to form a band that better fit his style of writing. Orr took over on bass and Robichaud was replaced by David Robinson, best known for his career with the Modern Lovers. Robinson had also played in DMZ and the Pop! Hawkes returned to play keyboards and the band became "The Cars," a name suggested by Robinson, whose sense of fashion would have a strong influence on the band's image.

Answer this question "Who was their producer?"
output: