IN: "Vogue" is a song by American singer Madonna from her second soundtrack album I'm Breathless (1990). It was released as the first single from the album on March 27, 1990, by Sire Records. Madonna was inspired by vogue dancers and choreographers Jose Gutierez Xtravaganza and Luis Xtravaganza from the Harlem "House Ball" community, the origin of the dance form, and they introduced "Vogueing" to her at the Sound Factory club in New York City. "

The video was directed by David Fincher and shot at The Burbank Studios in Burbank, California on February 10-11, 1990. According to Lucy O'Brien in her book Madonna: Like an Icon, the video was brought together after a "huge casting call" in Los Angeles where hundreds of different sorts of dancers appeared.  Filmed in black-and-white, the video recalls the look of films and photography from The Golden Age of Hollywood with the use of artwork by the Art Deco artist Tamara de Lempicka and an Art Deco set design. Many of the scenes are recreations of photographs taken by noted photographer Horst P. Horst, including his famous Mainbocher Corset, Lisa with Turban (1940), and Carmen Face Massage (1946). Horst was reportedly "displeased" with Madonna's video because he never gave his permission for his photographs to be used and received no acknowledgement from Madonna. Some of the close-up poses recreate noted portraits of such stars as Marilyn Monroe, Veronica Lake, Greta Garbo, Marlene Dietrich, Katharine Hepburn, Judy Garland and Jean Harlow. (Additionally, several stars of this era were name-checked in the song's lyrics.) Several famous Hollywood portrait photographers whose style and works are referenced include George Hurrell, Eugene Robert Richee, Don English, Whitey Schafer, Ernest Bachrach, Scotty Welbourne, Laszlo Willinger, and Clarence Sinclair Bull.  The video features the dancers for Madonna's then-upcoming Blond Ambition Tour - Donna De Lory, Niki Harris, Luis Xtravaganza Camacho, Jose Gutierez Xtravaganza, Salim Gauwloos, Carlton Wilborn, Gabriel Trupin, Oliver Crumes and Kevin Stea. The choreography was set by "Punk Ballerina" Karole Armitage. The video premiered worldwide on MTV on March 29, 1990, and it also premiered on BET on November 22 that same year, making itthe first video by Madonna to air on an African-American channel.  There are two versions of the video, the regularly aired television music video, and the 12-inch remix, which is the extended version over three minutes longer.

why two versions?

OUT: the regularly aired television music video, and the 12-inch remix, which is the extended version over three minutes longer.

Answer the question at the end by quoting:

Mircea Eliade (Romanian: ['mirtSea eli'ade]; March 9 [O.S. February 24] 1907 - April 22, 1986) was a Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago. He was a leading interpreter of religious experience, who established paradigms in religious studies that persist to this day. His theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and profane space and time, has proved influential.
After completing his primary education at the school on Mantuleasa Street, Eliade attended the Spiru Haret National College in the same class as Arsavir Acterian, Haig Acterian, and Petre Viforeanu (and several years the senior of Nicolae Steinhardt, who eventually became a close friend of Eliade's). Among his other colleagues was future philosopher Constantin Noica and Noica's friend, future art historian Barbu Brezianu.  As a child, Eliade was fascinated with the natural world, which formed the setting of his very first literary attempts, as well as with Romanian folklore and the Christian faith as expressed by peasants. Growing up, he aimed to find and record what he believed was the common source of all religious traditions. The young Eliade's interest in physical exercise and adventure led him to pursue mountaineering and sailing, and he also joined the Romanian Boy Scouts.  With a group of friends, he designed and sailed a boat on the Danube, from Tulcea to the Black Sea. In parallel, Eliade grew estranged from the educational environment, becoming disenchanted with the discipline required and obsessed with the idea that he was uglier and less virile than his colleagues. In order to cultivate his willpower, he would force himself to swallow insects and only slept four to five hours a night. At one point, Eliade was failing four subjects, among which was the study of the Romanian language.  Instead, he became interested in natural science and chemistry, as well as the occult, and wrote short pieces on entomological subjects. Despite his father's concern that he was in danger of losing his already weak eyesight, Eliade read passionately. One of his favorite authors was Honore de Balzac, whose work he studied carefully. Eliade also became acquainted with the modernist short stories of Giovanni Papini and social anthropology studies by James George Frazer.  His interest in the two writers led him to learn Italian and English in private, and he also began studying Persian and Hebrew. At the time, Eliade became acquainted with Saadi's poems and the ancient Mesopotamian Epic of Gilgamesh. He was also interested in philosophy--studying, among others, Socrates, Vasile Conta, and the Stoics Marcus Aurelius and Epictetus, and read works of history--the two Romanian historians who influenced him from early on were Bogdan Petriceicu Hasdeu and Nicolae Iorga. His first published work was the 1921 Inamicul viermelui de matase ("The Silkworm's Enemy"), followed by Cum am gasit piatra filosofala ("How I Found the Philosophers' Stone"). Four years later, Eliade completed work on his debut volume, the autobiographical "Diary of a Short-Sighted Adolescent" translated into English and published by Istros Books in 2016.

What was the title of his literary debut?

Inamicul viermelui de matase ("The Silkworm's Enemy"),

input: Washington's introduction to surveying began at an early age through school exercises that taught him the basics of the profession, followed by practical experience in the field. His first experiences at surveying occurred in the territory surrounding Mount Vernon. His first opportunity as a surveyor occurred in 1748 when he was invited to join a survey party organized by his neighbor and friend George Fairfax of Belvoir. Fairfax organized a professional surveying party to lay out large tracts of land along the border of western Virginia, where Washington gained invaluable experience in the field.  Washington began his professional career in 1749 at the age of 17, when he was appointed county surveyor of Culpeper County, Virginia. He subsequently received a commission and surveyor's license from the College of William & Mary. He completed his first survey in less than two days, plotting a 400-acre parcel of land. He was subsequently able to purchase land in the Shenandoah Valley, the first of his many land acquisitions in western Virginia.  For the next four years, Washington worked surveying land in Western Virginia for the Ohio Company, a land investment company funded by Virginia investors. He came to the notice of the new lieutenant governor of Virginia Robert Dinwiddie, thanks to Lawrence's position as commander of the Virginia militia. In October 1750, Washington resigned his position as an official surveyor, though he continued to survey professionally for two more years before receiving a military appointment as adjutant for southern Virginia. By 1752, Washington completed close to 200 surveys on numerous properties totaling more than 60,000 acres. He continued to survey at different times throughout his life and as late as 1799.

Answer this question "Did he go to school for surveying?"
output:
school exercises that taught him the basics of the profession, followed by practical experience in the field.