Problem: Giannina Braschi (born February 5, 1953) is a Puerto Rican writer. She is credited with writing the first Spanglish novel Yo-Yo Boing! (1998), the post-modern poetry trilogy Empire of Dreams (Yale, 1994) and the philosophical fiction United States of Banana (AmazonCrossing, 2011), which chronicles the Latin American immigrants' experiences in the United States. "

In the 1970s, Giannina Braschi was a student of literature in Madrid, Rome, Paris and London, before she settled in New York City. She obtained a PhD in Hispanic Literatures (State University of New York, Stony Brook, 1980) and has taught at Rutgers University, City University of New York, and Colgate University, where she served as a Distinguished Chair of Creative Writing (1997). She was a foreign correspondent for Grazie magazine (2001-2002).  As an adolescent in San Juan, Giannina Braschi ranked first place in the U.S. Tennis Association's national tournament in Puerto Rico, becoming the youngest female tennis player to win the Women's Division (1966) on the island. Her father Euripides ("Pilo") Braschi was also a tennis champion. She was also a founding member of the San Juan Children's Choir ("Coro de ninos de San Juan") under music director Evy Lucio and a fashion model during her teen years.  In the 1980s, Braschi's early writings were scholarly in nature and focused on the titans of the Spanish Golden Age, as well as the vanguard poets of Latin America and Spain. She published a book on the Romantic poet Gustavo Adolfo Becquer and essays on Cervantes, Garcilaso, Cesar Vallejo, Juan Ramon Jimenez and Federico Garcia Lorca. She later became obsessed with the dramatic and philosophical works of French, German, Polish, Irish, and Russian authors. Though categorized as novels, her later mixed-genre works are experimental in style and format and celebratory of foreign influences. In the 50th anniversary edition of Evergreen Review, Braschi notes that she considers herself "more French than Beckett, Picasso and Gertrude Stein", and believes that she is the "granddaughter of Alfred Jarry and Antonin Artaud, bastard child of Samuel Beckett and James Joyce, half-sister to Heiner Muller, kissing cousin of Tadeusz Kantor, and lover of Witkiewicz".

for who?

Answer with quotes: Grazie magazine (2001-2002).

Question:
Namdev, also transliterated as Namdeo and Namadeva, (traditionally, c. 1270 - c. 1350) was a poet-saint from Maharashtra, India who is significant to the Varkari sect of Hinduism. He is also venerated in Sikhism, as well as Hindu warrior-ascetic traditions such as the Dadupanthis and the Niranjani Sampraday that emerged in north India during the Islamic rule. The details of Namdev's life are unclear. He is the subject of many miracle-filled hagiographies composed centuries after he died.
Namdev's padas are not mere poems, according to Callewaert and Lath. Like other Bhakti movement sants, Namdev composed bhajans, that is songs meant to be sung to music. A Bhajan literally means "a thing enjoyed or shared". Namdev's songs were composed to be melodious and carry a spiritual message. They built on one among the many ancient Indian traditions for making music and singing. Namdev's bhajans, note Callewaert and Lath, deployed particular species of Raag, used Bhanita (or Chhap, a stamp of the composer's name inside the poem, in his case Nama), applied a Tek (or dhruva, repeated refrain) and a meter than helps harmonise the wording with the musical instrument, all according to Sangita manuals refined from the 8th to 13th centuries.  The musical genre of Namdev's literary works was a form of Prabandha - itself a very large and rich genre that includes dhrupad, thumri, tappa, geet, bhajan and other species. In some species of Indian music, it is the music that dominates while words and their meaning are secondary. In contrast, in Namdev's bhajan the spiritual message in the words has a central role, and the structure resonates with the singing and music. The songs and music that went with Namdev's works, were usually transmitted verbally across generations, in a guru-sisya-parampara (teacher-student tradition), within singing gharanas (family-like musical units).  Callewaert and Lath state that, "each single song of Namdev is a musical and textual unit and this unit is the basis for textual considerations". The unit contained Antaras, which are the smallest independent unit within that can be shifted around, dropped or added, without affecting the harmony or meaning, when a bhajan is being sung with music. In Namdev's songs, the dominant pattern is Caturasra, or an avarta with the 4x4 square pattern of musical matras (beat).
Answer this question using a quote from the text above:

What is Bhajans?

Answer:
songs meant to be sung to music. A Bhajan literally means "a thing enjoyed or shared".