Question:
Richard George Rogers, Baron Rogers of Riverside  (born 23 July 1933) is a British architect noted for his modernist and functionalist designs in high-tech architecture. Rogers is perhaps best known for his work on the Pompidou Centre in Paris, the Lloyd's building and Millennium Dome both in London, the Senedd in Cardiff, and the European Court of Human Rights building in Strasbourg. He is a winner of the RIBA Gold Medal, the Thomas Jefferson Medal, the RIBA Stirling Prize, the Minerva Medal and Pritzker Prize. He is a Senior Partner at Rogers Stirk Harbour + Partners, previously known as the Richard Rogers Partnership.
Richard Rogers was born in Florence (Tuscany) in 1933 into an Anglo-Italian family. His father, William Nino Rogers (1906-1993), was the cousin of Italian architect Ernesto Nathan Rogers. His ancestors moved from Sunderland to Venice in about 1800, then settling in Trieste, Milan and Florence. In 1939 William Nino Rogers decided to come back to England. Upon moving to England, Richard Rogers went to St Johns School, Leatherhead. Rogers did not excel academically, which made him believe that he were "stupid because he could not read or memorize his school work" and as a consequence he stated that he became "very depressed". He wasn't able to read until the age of 11, and it was not until after he had his first child that he realised that he was dyslexic. After leaving St Johns School, he undertook a foundation course at Epsom School of Art (now University for the Creative Arts) before going into National Service between 1951 and 1953. He then attended the Architectural Association School of Architecture in London, where he gained the Architectural Association's Diploma (AA Dipl) from 1954 until 1959, subsequently graduating with a master's degree (M Arch) from the Yale School of Architecture in 1962 on a Fulbright Scholarship. While studying at Yale, Rogers met fellow architecture student Norman Foster and planning student Su Brumwell.  After leaving Yale he joined Skidmore, Owings & Merrill in New York. On returning to England in 1963, he, Norman Foster and Brumwell set up architectural practice as Team 4 with Wendy Cheeseman (Brumwell later married Rogers, Cheeseman married Foster). Rogers and Foster earned a reputation for what was later termed by the media high-tech architecture.  By 1967, Team 4 had split up, but Rogers continued to collaborate with Su Rogers, along with John Young and Laurie Abbott. In early 1968 he was commissioned to design a house and studio for Humphrey Spender near Maldon, Essex, a glass cube framed with I-beams. He continued to develop his ideas of prefabrication and structural simplicity to design a Wimbledon house for his parents. This was based on ideas from his conceptual Zip-Up House, such as the use of standardized components based on refrigerator panels to make energy-efficient buildings.  Rogers subsequently joined forces with Italian architect Renzo Piano, a partnership that was to prove fruitful. His career leapt forward when he, Piano and Gianfranco Franchini won the design competition for the Pompidou Centre in July 1971, alongside a team from Ove Arup that included Irish engineer Peter Rice.  This building established Rogers's trademark of exposing most of the building's services (water, heating and ventilation ducts, and stairs) on the exterior, leaving the internal spaces uncluttered and open for visitors to the centre's art exhibitions. This style, dubbed "Bowellism" by some critics, was not universally popular at the time the centre opened in 1977, but today the Pompidou Centre is a widely admired Parisian landmark. Rogers revisited this inside-out style with his design for London's Lloyd's building, completed in 1986 - another controversial design which has since become a famous and distinctive landmark in its own right.
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What year was Richard Rogers was in Paris ?

Answer:
1977,


Question:
Kenneth Duva Burke (May 5, 1897 - November 19, 1993) was an American literary theorist, as well as poet, essayist, and novelist, who wrote on 20th-century philosophy, aesthetics, criticism, and rhetorical theory. As a literary theorist, Burke was best known for his analyses based on the nature of knowledge. Furthermore, he was one of the first individuals to stray away from more traditional rhetoric and view literature as "symbolic action." Burke was unorthodox, concerning himself not only with literary texts, but with the elements of the text that interacted with the audience: social, historical, political background, author biography, etc.
He was born on May 5 in Pittsburgh, Pennsylvania, and graduated from Peabody High School, where his friend Malcolm Cowley was also a student. While he attended Ohio State University to pursue courses in French, German, Greek, and Latin, he later dropped out to move closer to New York City where he enrolled at Columbia University. During his time there, he was a member of the Boar's Head Society. Due to the constraining learning environment, however, Burke also left Columbia, never receiving a college diploma. In Greenwich Village he kept company with avant-garde writers such as Hart Crane, Malcolm Cowley, Gorham Munson, and later Allen Tate. Raised by a Christian Science mother, Burke later became an avowed agnostic.  In 1919, he married Lily Mary Batterham, with whom he had three daughters: the late feminist, Marxist anthropologist Eleanor Leacock (1922-1987); musician (Jeanne) Elspeth Chapin Hart (b. 1920); and writer and poet France Burke (b. ~1925). He would later marry her sister Elizabeth Batterham in 1933 and have two sons, Michael and Anthony. Burke served as the editor of the modernist literary magazine The Dial in 1923, and as its music critic from 1927-1929. Kenneth himself was an avid player of the piano. He received the Dial Award in 1928 for distinguished service to American literature. He was the music critic of The Nation from 1934-1936, and was awarded a Guggenheim Fellowship in 1935.  His work on criticism was a driving force for placing him back into the university spotlight. As a result, he was able to teach and lecture at various colleges, including Bennington College, while continuing his literary work. Many of Kenneth Burke's personal papers and correspondence are housed at Pennsylvania State University's Special Collections Library. However, despite his stint lecturing at Universities, Burke was an autodidact and a self-taught scholar.  In later life, his New Jersey farm was a popular summer retreat for his extended family, as reported by his grandson Harry Chapin, a contemporary popular song artist. He died of heart failure at his home in Andover, New Jersey.
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What other books did he write?

Answer:
Many of Kenneth Burke's personal papers and correspondence are housed at Pennsylvania State University's Special Collections Library.