Some context: Aretha Louise Franklin was born in Memphis, Tennessee, to Barbara (nee Siggers) and Clarence LaVaughn "C. L." Franklin. Her father was an itinerant preacher originally from Shelby, Mississippi, while her mother was an accomplished piano player and vocalist. Alongside Franklin, her parents had three other children while both C. L. and Barbara had children from outside their marriage. The family relocated to Buffalo, New York when Franklin was two.
In November 1966, choosing not to renew her Columbia contract after six years with the company, Franklin signed to Atlantic Records. In January 1967, she traveled to Muscle Shoals, Alabama to record at FAME Studios to record the song, "I Never Loved a Man (The Way I Love You)" in front of the musicians of the famed Muscle Shoals Rhythm Section. The song was later issued that February and shot up to number-one on the R&B chart, while also peaking at number nine on the Billboard Hot 100, giving Franklin her first top ten pop single. The song's b-side, "Do Right Woman, Do Right Man", reached the R&B top 40, peaking at number 37. In April, Atlantic issued her frenetic version of Otis Redding's "Respect", which shot to number-one on both the R&B and pop charts and later became her signature song and was later hailed as a civil rights and feminist anthem.  Franklin's debut Atlantic album, I Never Loved a Man the Way I Love You, also became commercially successful, later going gold. Franklin scored two more top ten singles in 1967 including "Baby I Love You" and "(You Make Me Feel Like A) Natural Woman". Franklin's rapport with producer Jerry Wexler helped in the creation of the majority of Franklin's peak recordings with Atlantic. In 1968, she issued the top-selling albums, Lady Soul and Aretha Now, which included some of Franklin's most popular hit singles including "Chain of Fools", "Ain't No Way", "Think" and "I Say a Little Prayer". In February 1968, Franklin earned the first two of her Grammys including the debut category for Best Female R&B Vocal Performance. On February 16, 1968, Franklin was honored with a day in her honor and was greeted by longtime friend Martin Luther King, Jr. who gave her the SCLC Drum Beat Award for Musicians just two months before his death. In June 1968, she appeared on the cover of Time magazine.  Franklin's success expanded during the early 1970s in which she recorded top ten singles such as "Spanish Harlem", "Rock Steady" and "Day Dreaming" as well as the acclaimed albums, Spirit in the Dark, Young, Gifted & Black and her gospel album, Amazing Grace, which sold over two million copies. In 1971, Franklin became the first R&B performer to headline Fillmore West, later recording the live album, Aretha Live at Fillmore West. Franklin's career began to experience problems while recording the album, Hey Now Hey, which featured production from Quincy Jones. Despite the success of the single, "Angel", the album bombed upon its release in 1973. Franklin continued having R&B success with songs such as "Until You Come Back to Me" and "I'm in Love" but by 1975, her albums and songs were no longer top sellers. After Jerry Wexler left Atlantic for Warner Bros. Records in 1976, Franklin worked on the soundtrack to the film, "Sparkle", with Curtis Mayfield. The album yielded Franklin's final top 40 hit of the decade, "Something He Can Feel", which also peaked at number-one on the R&B chart. Franklin's follow-up albums for Atlantic including Sweet Passion, Almighty Fire and La Diva bombed on the charts and in 1979, Franklin opted to leave the company.
What were the Grammys for?
A: for Best Female R&B Vocal Performance.
Some context: Thor Heyerdahl (Norwegian pronunciation: [tu:r 'haei@da:l]; October 6, 1914 - April 18, 2002) was a Norwegian adventurer and ethnographer with a background in zoology, botany, and geography. He became notable for his Kon-Tiki expedition in 1947, in which he sailed 8,000 km (5,000 mi) across the Pacific Ocean in a hand-built raft from South America to the Tuamotu Islands. The expedition was designed to demonstrate that ancient people could have made long sea voyages, creating contacts between separate cultures. This was linked to a diffusionist model of cultural development.
In 1955-1956, Heyerdahl organized the Norwegian Archaeological Expedition to Rapa Nui (Easter Island). The expedition's scientific staff included Arne Skjolsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Rapa Nui investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller.  In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonized by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation.  Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies.  As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that (almost) all Long Ears were killed in a civil war is true, as the islanders story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline.
What else did this dig produce
A:
two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island).