Some context: Madikizela-Mandela's Xhosa name was Nomzamo ("She who tries"). She was born in the village of Mbongweni, Bizana, Pondoland, in what is now the Eastern Cape province. She was the fourth of eight children, seven sisters and a brother. Her parents, Columbus and Gertrude, who had a white father, and Xhosa mother, were both teachers.
She met the lawyer and anti-apartheid activist Nelson Mandela in 1957, when he was still married to Evelyn Mase.  She was 22 years old and standing at a bus stop in Soweto when Mandela first saw her and charmed her, securing a lunch date the following week. The couple married in 1958 and had two daughters, Zenani (born 1958) and Zindziwa (born 1960). Mandela was arrested and jailed in 1963, and was not released until 1990.  The couple separated in 1992. They finalised their divorce in March 1996 with an unspecified out-of-court settlement. During the divorce hearing, Nelson Mandela rejected Madikizela-Mandela's assertion that arbitration could salvage the marriage, and cited her infidelity as a cause of the divorce, saying "... I am determined to get rid of the marriage". Her attempt to obtain a settlement up to US$5million (R70 million) -- half of what she claimed her ex-husband was worth -- was dismissed when she failed to appear in court for a settlement hearing.  When asked in a 1994 interview about the possibility of reconciliation, she said: "I am not fighting to be the country's First Lady. In fact, I am not the sort of person to carry beautiful flowers and be an ornament to everyone."  Madikizela-Mandela was involved in a lawsuit at the time of her death, claiming that she was entitled to Mandela's homestead in Qunu, through customary law, despite her divorce from Nelson Mandela in 1996. Her case was dismissed by the Mthatha High Court in 2016, and she was reportedly preparing to appeal to the Constitutional Court at the time of her death, after failing at the Supreme Court of Appeal in January 2018.
What happened after the divorce?
A: When asked in a 1994 interview about the possibility of reconciliation, she said: "I am not fighting to be the country's First Lady.

Some context: Robert Dennis Crumb (; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture. Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics.
In January 1967 Crumb came across two friends in a bar who were about to leave for San Francisco; Crumb was interested in the work of San Francisco-based psychedelic poster artists, and on a whim asked if he could join them. There, he contributed upbeat LSD-inspired countercultural work to underground newspapers. The work was popular, and Crumb was flooded with requests, including to illustrate a full issue of Philadelphia's Yarrowstalks.  Independent publisher Don Donahue invited Crumb to make a comic book; Crumb drew up two issues of Zap Comix, and Donahue published the first in February 1968 under the publisher name Apex Novelties. Crumb had difficulty at first finding retailers who would stock it, and at first his wife took to selling the first run herself out of a baby carriage.  Crumb met cartoonist S. Clay Wilson, an art school graduate who saw himself as a rebel against middle-class American values and whose comics were violent and grotesque. Wilson's attitude inspired Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression; in particular, his work soon became sexually explicit, as in the pornographic Snatch he and Wilson produced late in 1968.  The second issue of Zap appeared in June with contributions from Wilson and poster artists Victor Moscoso and Rick Griffin. In December, Donahue published the still-unreleased issue as #0 and a new third issue with Gilbert Shelton joining the roster of regulars. Zap was financially successful, and developed a market for underground comix.  Crumb was a prolific cartoonist in the late 1960s and early 1970s; at his peak point of output he produced 320 pages over two years. He produced much of his best-known work then, including his Keep on Truckin' strip, and strips featuring characters such as the bohemian Fritz the Cat, spiritual guru Mr. Natural, and oversexed African-American stereotype Angelfood McSpade. During this period, he launched a series of solo titles, including Despair, Uneeda (both published by Print Mint in 1969), Big Ass Comics, R. Crumb's Comics and Stories, Motor City Comics (all published by Rip Off Press in 1969), Home Grown Funnies (Kitchen Sink Press, 1971) and Hytone Comix (Apex Novelties, 1971), in addition to founding the pornographic anthologies Jiz and Snatch (both Apex Novelties, 1969).
did he comply with the requests?
A:
The work was popular, and Crumb was flooded with requests, including to illustrate a full issue of Philadelphia's Yarrowstalks.