Some context: Jane Jacobs  (born Jane Butzner; May 4, 1916 - April 25, 2006) was an American-Canadian journalist, author, and activist who influenced urban studies, sociology, and economics. Her book The Death and Life of Great American Cities (1961) argued that urban renewal did not respect the needs of city-dwellers. It also introduced the sociological concepts "eyes on the street" and "social capital". Jacobs organized grassroots efforts to protect neighborhoods from "slum clearance", in particular Robert Moses' plans to overhaul her own Greenwich Village neighborhood.
She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ...
What happened after this
A: then a reporter for Amerika,
Some context: Mortimer was born in Hampstead, London, the only child of Kathleen May (nee Smith) and Clifford Mortimer, a barrister who became blind in 1936 when he hit his head on the door frame of a London taxi but still pursued his career. Clifford's loss of sight was not acknowledged openly by the family. John Mortimer was educated at the Dragon School in Oxford and Harrow School, where he joined the Communist Party, forming a one-member cell. Originally Mortimer intended to be an actor (his lead role in the Dragon's 1937 production of Richard II gained glowing reviews in The Draconian) and then a writer, but his father persuaded him against it, advising: "My dear boy, have some consideration for your unfortunate wife...
With weak eyes and doubtful lungs, Mortimer was classified as medically unfit for military service in World War II. He worked for the Crown Film Unit under Laurie Lee, writing scripts for propaganda documentaries.  I lived in London and went on journeys in blacked-out trains to factories and coal-mines and military and air force installations. For the first and, in fact, the only time in my life I was, thanks to Laurie Lee, earning my living entirely as a writer. If I have knocked the documentary ideal, I would not wish to sound ungrateful to the Crown Film Unit. I was given great and welcome opportunities to write dialogue, construct scenes and try and turn ideas into some kind of visual drama.  He based his first novel, Charade, on his experiences with the Crown Film Unit.  Mortimer made his radio debut as a dramatist in 1955 with his adaptation of his own novel Like Men Betrayed for the BBC Light Programme. But he made his debut as an original playwright with The Dock Brief starring Michael Hordern as a hapless barrister, first broadcast in 1957 on BBC Radio's Third Programme, later televised with the same cast and subsequently presented in a double bill with What Shall We Tell Caroline? at the Lyric Hammersmith in April 1958 before transferring to the Garrick Theatre. It was revived by Christopher Morahan in 2007 as part of a touring double bill, Legal Fictions.  His play A Voyage Round My Father, given its first radio broadcast in 1963, is autobiographical, recounting his experiences as a young barrister and his relationship with his blind father. It was memorably televised by BBC Television in 1969 with Mark Dignam in the title role. In a slightly longer version the play later became a stage success (first at Greenwich Theatre in 1979 with Dignam, then a year later at the Theatre Royal Haymarket, now starring Alec Guinness). In 1981 it was remade by Thames Television with Laurence Olivier as the father and Alan Bates as young Mortimer. In 1965, he and his wife wrote the screenplay for the Otto Preminger film Bunny Lake is Missing, which also starred Olivier.
When did he write that play?
A: its first radio broadcast in 1963,
Some context: Ahmet Ertegun (, Turkish spelling: Ahmet Ertegun ([ah'met erte'jyn]); (July 31 [O.S. 18 July] 1923 - December 14, 2006) was a Turkish-American businessman, songwriter and philanthropist. He was best known as the co-founder and president of Atlantic Records, and for discovering and championing many leading rhythm and blues and rock musicians. He also wrote classic blues and pop songs, and served as the chairman of the Rock and Roll Hall of Fame and museum, located in Cleveland, Ohio. Ertegun has been described as "one of the most significant figures in the modern recording industry."
A memorial service for Ertegun was held in New York on April 17, 2007. A large part of the evening was given over to musical performances. Wynton Marsalis opened the tribute with the jazz standard "Didn't He Ramble", Eric Clapton and Dr. John performed "Drinkin' Wine Spo-Dee-O-Dee", and other performers included Solomon Burke, Ben E. King, Sam Moore, Stevie Nicks, Crosby, Stills, Nash & Young, and Phil Collins.  Another informal salute to him took place in Los Angeles on July 31, 2007, the anniversary of his birth. The tribute took place at Grauman's Egyptian Theatre in Hollywood. Several of his friends shared anecdotes about their experiences with him and the assembled gathering then saw a special screening of the American Masters documentary Atlantic Records: The House That Ahmet Built. Among those who paid tribute to Ertegun in person were: Solomon Burke, Jerry Leiber & Mike Stoller, Keith Emerson, Peter Asher, Spencer Davis, the film's producer (and longtime friend) Phil Carson, Taylor Hackford and event producer Martin Lewis. Yusuf Islam, formerly known as Cat Stevens, came to America after a 20-year hiatus to attend the ceremonies.  The Martin Scorsese film "Shine a Light" about The Rolling Stones concert held at the Beacon Theatre in New York contains a dedication to Ertegun and Andrea Corr's solo album Ten Feet High is dedicated "To the memory of Ahmet Ertegun".  In honor of the barriers the Ertegun brothers broke during their time in segregated Washington, the current Turkish Ambassador to the U.S., Namik Tan, hosts a series of jazz concerts at the historical residence on Sheridan Circle in Washington, D.C. The "Ertegun Jazz Series," in collaboration with Jazz at Lincoln Center, revives the brothers' legacy of bridging cultures and bringing people together with one common objective: celebrating music. In that same spirit, Ambassador Tan is opening the doors of his home to residents of D.C. from various backgrounds - Members of Congress, Administration officials, academia, the media, business leaders, and others.
How did he die?
A: