IN: Arundhati Roy was born in Shillong, Meghalaya, India, to Mary Roy, a Malayali Syrian Christian women's rights activist from Kerala and Rajib Roy, a Bengali Hindu tea plantation manager from Calcutta. When she was two, her parents divorced and she returned to Kerala with her mother and brother. For a time, the family lived with Roy's maternal grandfather in Ooty, Tamil Nadu. When she was five, the family moved back to Kerala, where her mother started a school.

Roy has campaigned along with activist Medha Patkar against the Narmada dam project, saying that the dam will displace half a million people, with little or no compensation, and will not provide the projected irrigation, drinking water, and other benefits. Roy donated her Booker prize money, as well as royalties from her books on the project, to the Narmada Bachao Andolan. Roy also appears in Franny Armstrong's Drowned Out, a 2002 documentary about the project. Roy's opposition to the Narmada Dam project was criticised as "maligning Gujarat" by Congress and BJP leaders in Gujarat.  In 2002, Roy responded to a contempt notice issued against her by the Indian Supreme Court with an affidavit saying the court's decision to initiate the contempt proceedings based on an unsubstantiated and flawed petition, while refusing to inquire into allegations of corruption in military contracting deals pleading an overload of cases, indicated a "disquieting inclination" by the court to silence criticism and dissent using the power of contempt. The court found Roy's statement, which she refused to disavow or apologise for, constituted criminal contempt and sentenced her to a "symbolic" one day's imprisonment and fined Roy Rs. 2500. Roy served the jail sentence for a single day and opted to pay the fine rather than serve an additional three months for default.  Environmental historian Ramachandra Guha has been critical of Roy's Narmada dam activism. While acknowledging her "courage and commitment" to the cause, Guha writes that her advocacy is hyperbolic and self-indulgent, "Ms. Roy's tendency to exaggerate and simplify, her Manichaean view of the world, and her shrill hectoring tone, have given a bad name to environmental analysis". He faulted Roy's criticism of Supreme Court judges who were hearing a petition brought by the Narmada Bachao Andolan, as careless and irresponsible.  Roy counters that her writing is intentional in its passionate, hysterical tone: "I am hysterical. I'm screaming from the bloody rooftops. And he and his smug little club are going 'Shhhh... you'll wake the neighbours!' I want to wake the neighbours, that's my whole point. I want everybody to open their eyes".  Gail Omvedt and Roy have had fierce yet constructive discussions, in open letters, on Roy's strategy for the Narmada Dam movement. The activists disagree on whether to demand stopping the dam building altogether (Roy) or searching for intermediate alternatives (Omvedt).
QUESTION: Are there any other interesting aspects about this article?
IN: Hedwig and the Angry Inch is a rock musical about a fictional rock and roll band fronted by a transgender East German singer, Hedwig Robinson. The book is by John Cameron Mitchell, and the music and lyrics are by Stephen Trask. The story draws on Mitchell's life as the son of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was a Mitchell family babysitter and moonlighted as a prostitute at her Junction City, Kansas, trailer park home.

In August 2010, a Brazilian adaptation of Hedwig and the Angry Inch premiered in Rio de Janeiro, with Paulo Vilhena and Pierre Baitelli playing Hedwig. This was the first adaptation where there were two actors simultaneously playing Hedwig onstage. The play was translated by Jonas Calmon Klabin and directed by Evandro Mesquita, with musical direction by Danilo Timm and Evandro Mesquita. Eline Porto played Yitzhak, Alexandre Griva on the drums, Fabrizio Iorio on the keyboards, Patrick Laplan on the bass, and Pedro Nogueira playing the guitar.  The musical previews ran from August 10 to September 3, 2010 and the full show ran from September 15 to November 6, 2010, totaling 46 performances.  The same production reopened in Sao Paulo on August 26, 2011, and ran until October 16, 2011, for a total of 25 performances, now with actors Pierre Baitelli and Felipe Carvalhido playing Hedwig. Eline Porto played Yitzhak, Diego Andrade on the drums, Fabrizio Iorio on the keyboards, Melvin Ribeiro on the bass, and Pedro Nogueira playing the guitar. Nominated for Best Actor (Pierre Baitelli) and Best Musical direction (Danilo Timm and Evandro Mesquita) at the Premio Shell de Teatro. Winner of Best Actor (Pierre Baitelli and nominated for Best Production (Oz), Best Director (Evandro Mesquita), and Best Actress (Eline Porto) at the Premio Arte Qualidade Brasil. Also, one nomination for Best Musical in a Brazilian adaptation for the Premio Contigo de Teatro.  This same production performed again in Rio de Janeiro from April 4-22, 2012, and a tour to Curitiba, performing April 26-29, 2012, for a total of 16 performances. On November 24, 2012, John Cameron Mitchell performed a concert with the Brazilian Hedwig cast and guests and there were another two performances of Hedwig in Rio, November 23 and 25, and 4 performances in Fortaleza, November 29, 30, December 1 and 2, 2012. There were another 7 performances scheduled for February 2014 in Brasilia and Recife, finalizing the Brazilian Hedwig project with a total of 100 performances.
QUESTION:
Did he ever go back to Brazil after that?