Some context: Mel Brooks (born Melvin Kaminsky; June 28, 1926) is an American actor, writer, producer, director, comedian, and composer. He is known as a creator of broad film farces and comic parodies. Brooks began his career as a comic and a writer for the early TV variety show Your Show of Shows. He created, with Buck Henry, the hit television comedy series Get Smart, which ran from 1965 to 1970.
Brooks was born Melvin Kaminsky on June 28, 1926, in Brooklyn, New York City, to Max and Kate (nee Brookman) Kaminsky, and grew up in Williamsburg. His father's family were German Jews from Danzig (present-day Gdansk, Poland); his mother's family were Jews from Kiev, in the Pale of Settlement of the Russian Empire (present-day Ukraine). He had three older brothers: Irving, Lenny, and Bernie. Brooks' father died of kidney disease at 34 when Brooks was 2 years old. He has said of his father's death, "There's an outrage there. I may be angry at God, or at the world, for that. And I'm sure a lot of my comedy is based on anger and hostility. Growing up in Williamsburg, I learned to clothe it in comedy to spare myself problems--like a punch in the face."  Brooks was a small, sickly boy who often was bullied and teased by his classmates because of his size. He grew up in tenement housing. At age 9, Brooks went to a Broadway show with his uncle Joe--a taxi driver who would drive the Broadway doormen back to Brooklyn for free and was given the tickets in gratitude--and saw Anything Goes with William Gaxton, Ethel Merman and Victor Moore at the Alvin Theater. After the show, he told his uncle that he was not going to work in the Garment District like everyone else but was absolutely going into show business. He was taught by Buddy Rich (who had also grown up in Williamsburg) how to play the drums and started earning money at it when he was 14.  After attending Abraham Lincoln High School for a year, Brooks graduated from Eastern District High School and then spent a year at Brooklyn College as a psychology major before being drafted into the army in 1944. He attended the Army Specialized Training Program conducted at the Virginia Military Institute (although not as a VMI cadet), and served in the United States Army as a corporal in the 1104 Engineer Combat Battalion, 78th Infantry Division, defusing land mines during World War II.
Where did he go from there?
A: drafted into the army in 1944.

Some context: Alfred Cellier (1 December 1844 - 28 December 1891) was an English composer, orchestrator and conductor. In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and on tour in Britain, America and Australia. He composed over a dozen operas and other works for the theatre, as well as for orchestra, but his 1886 comic opera, Dorothy, was by far his most successful work. It became the longest-running piece of musical theatre in the nineteenth century.
In December 1877 Cellier joined the D'Oyly Carte company as musical director at the Opera Comique in London. There he conducted The Sorcerer (1877), H.M.S. Pinafore (1878, for which he wrote the overture, based on themes from the opera), Trial by Jury (1878), George Grossmith's Cups and Saucers (1878-79), and three of his own one-act works: Dora's Dream (1877-78 revival), The Spectre Knight (1878), and After All! (1878-79). Cellier was conducting the performance of Pinafore during which the partners of The Comedy Opera Company attempted to repossess the set, and he was noted for his attempts to calm the audience during the fracas. His brother, Francois, succeeded him as musical director at the Opera Comique in 1879. Alfred Cellier was a conductor of a series of promenade concerts at the Queen's Theatre, Long Acre and, in 1878-1879 he was joint conductor, with Sullivan, of the Covent Garden Promenade Concerts.  In 1879, he travelled with Gilbert, Sullivan, and Carte to America, where he acted as conductor for Pinafore and The Pirates of Penzance, with Carte's first American touring company. Cellier prepared the overture to Pirates using Sullivan's music from the rest of the score. Back in London in July 1880, he directed the music at the Opera Comique for Pirates and another of his own pieces with Desprez, In the Sulks. In April 1881, he left the D'Oyly Carte company, ceding the baton to his brother. Cellier composed a three-act grand opera, Pandora, a version of Longfellow's The Masque of Pandora (with a libretto by B. C. Stephenson) that was presented in Boston in 1881. He returned to America later that year as music director of D'Oyly Carte's New York and touring productions of Billee Taylor (1882), Les Manteaux Noirs and Rip Van Winkle (both in the fall of 1882), and Iolanthe (1882-83), for the latter of which he prepared the New York overture.  In 1883, Cellier's setting of Gray's Elegy, in the form of a cantata, was produced at the Leeds music festival. In 1883, Cellier left the D'Oyly Carte company, but he was back for brief periods as music director with D'Oyly Carte's touring companies for Princess Ida (1884) and The Mikado (1885). In 1885, also, Cellier composed incidental music for a production of As You Like It. He composed two more companion pieces that had Savoy Theatre premieres: The Carp (performed with The Mikado and Ruddigore in 1886-87), and Mrs. Jarramie's Genie (composed together with his brother Francois, with libretti by Desprez, which played together with several different operas at the Savoy between 1887 and 1889).  While in London, Cellier conducted at several London theatres, including the Criterion, the St James's, and the Savoy. Later, as a result of ill health, he resided abroad, notably in America and Australia, where he was a representative for the D'Oyly Carte company.
what happened to him
A: