Problem: Background: Women in Israel are women who live in or who are from the State of Israel, established in 1948. Israel does not have a constitution, but the Israeli Declaration of Independence states: "The State of Israel (...) will ensure complete equality of social and political rights to all its inhabitants irrespective of religion, race or sex." Israeli law prohibits discrimination based on gender in employment and wages, and provides for class action suits; nonetheless, there are complaints of significant wage disparities between men and women. In 2012, Israel ranked eleventh out of 59 developed nations for participation of women in the workplace.
Context: Since the founding of the State of Israel, relatively few women have served in the Israeli government, and fewer still have served in the leading ministerial offices. While Israel is one of a small number of countries where a woman--Golda Meir--has served as Prime Minister, it is behind most Western countries in the representation of women in both the parliament and government.  Although the Israeli Declaration of Independence states: "The State of Israel (...) will ensure complete equality of social and political rights to all its inhabitants irrespective of religion, race or sex," the Haredi political parties (Shas and United Torah Judaism) have never allowed women on their lists for Knesset elections. However, in December 2014, women activists in the Haredi community have threatened a boycott of Haredi parties in upcoming elections if women are not included in election slates.  As of 2016, women comprised 26.7% of Israel's 120-member Knesset, placing it 54th of 185 countries in which women are included in the legislature. For comparison, the female ratio in Scandinavia is over 40%, the European Union average is 17.6%, while in the Arab world it is 6.4%. Female representation varies significantly by demographics: most female politicians have represented secular parties, while very few have come from religious Jewish or Arab parties.  In January 1986 Israeli female teacher Leah Shakdiel was granted membership in the religious council of Yeruham, but the Minister of Religious Affairs Zvulun Hammer canceled her membership on the grounds that women should not serve in that capacity. In early 1987 a petition was submitted to the Israeli Supreme Court regarding this incident. The Supreme Court precedent-setting ruling was unanimously accepted in Shakdiel's favor, and in 1988 Shakdiel became the first woman in Israel to serve in a religious council.  In 2015, the first Israeli political party dedicated to ultra-Orthodox women was unveiled, called "U'Bizchutan: Haredi Women Making Change."
Question: Do any names stand out in the history of women in plitical positions in Israel?
Answer: In January 1986 Israeli female teacher Leah Shakdiel was granted membership in the religious council of Yeruham,

Background: The Smiths were an English rock band formed in Manchester in 1982. The band consisted of vocalist Morrissey, guitarist Johnny Marr, bassist Andy Rourke and drummer Mike Joyce. Critics have called them one of the most important bands to emerge from the British independent music scene of the 1980s. NME named the Smiths the "most influential artist ever" in a 2002 poll.
Context: In early 1987 the single "Shoplifters of the World Unite" was released and reached number 12 on the UK Singles Chart. It was followed by a second compilation, The World Won't Listen. The title was Morrissey's comment on his frustration with the band's lack of mainstream recognition, although the album reached number two in the charts. This was followed by the single "Sheila Take a Bow", the band's second (and last during the band's lifetime) UK top-10 hit. Another compilation, Louder Than Bombs, was intended for the overseas market and covered much the same material as The World Won't Listen, with the addition of "Sheila Take a Bow" and material from Hatful of Hollow which was yet to be released in the US.  Despite their continued success, tensions emerged within the band to threaten their split. Johnny Marr was exhausted and took a break from the band in June 1987, which he felt was negatively perceived by his bandmates. In July, Marr left the group because he erroneously thought an NME article entitled "Smiths to Split" was planted by Morrissey. That article, written by Danny Kelly, alleged that Morrissey disliked Marr working with other musicians, and that Marr and Morrissey's personal relationship had reached breaking point. Marr contacted NME to explain that he had not left the band due to personal tensions but because he wanted wider musical scope.  Former Easterhouse guitarist Ivor Perry was brought in to replace Marr, and the band recorded some material with him which was never completed, including an early version of "Bengali in Platforms", originally intended as the B-side of "Stop Me If You Think You've Heard This One Before". Perry was uncomfortable with the situation, stating "it was like they wanted another Johnny Marr", and the sessions ended with (according to Perry) "Morrissey running out of the studio". By the time the group's fourth album Strangeways, Here We Come was released in September, the band had split.  The breakdown in the relationship has been primarily attributed to Morrissey's irritation by Marr's work with other artists and Marr growing frustrated by Morrissey's musical inflexibility. Marr particularly hated Morrissey's obsession with covering 1960s pop artists such as Twinkle and Cilla Black. Marr recalled in 1992, "That was the last straw, really. I didn't form a group to perform Cilla Black songs." In a 1989 interview, Morrissey cited the lack of a managerial figure and business problems as reasons for the band's split.  Strangeways, Here We Come peaked at number two in the UK and was their most successful album in the US, reaching number 55 on the Billboard 200. It received a lukewarm reception from critics, but both Morrissey and Marr name it as their favourite Smiths album. A couple of further singles from Strangeways were released with live, session and demo tracks as B-sides. The following year the live recording Rank, recorded in 1986 with Craig Gannon on rhythm guitar, repeated the UK chart success of previous albums.
Question: Why was the work with Perry never completed?
Answer:
Perry was uncomfortable with the situation, stating "it was like they wanted another Johnny Marr