Question: Walter Francis O'Malley (October 9, 1903 - August 9, 1979) was an American sports executive who owned the Brooklyn/Los Angeles Dodgers team in Major League Baseball from 1950 to 1979. In 1958, as owner of the Dodgers, he brought major league baseball to the West Coast, moving the Dodgers from Brooklyn to Los Angeles despite the Dodgers being the 2nd most profitable team in baseball from 1946-1956, and coordinating the move of the New York Giants to San Francisco at a time when there were no teams west of Kansas City, Missouri. For this, he was long vilified by Brooklyn Dodgers fans. However, Pro-O'Malley parties describe him as a visionary for the same business action, and many authorities cite him as one of the most influential sportsmen of the 20th century.

Walter O'Malley was the only child of Edwin Joseph O'Malley (1883-1955), who worked as a cotton goods salesman in the Bronx in 1903. Edwin O'Malley later became the Commissioner of Public Markets for New York City. Walter's mother was Alma Feltner (1882-1940). O'Malley grew up as a Bronx-born New York Giants fan. He frequently attended Giants games at the Polo Grounds with his uncle Clarence. O'Malley was a Boy Scout who rose to the rank of Star.  O'Malley attended Jamaica High School in Queens from 1918 to 1920 and then the Culver Academy (the eventual high school alma mater of future New York Yankees owner George Steinbrenner) in Indiana. He managed both the baseball and tennis teams, served on the executive staff of the student newspaper, was a member of the Hospital Visitation Committee as well as the debate team, Bible Discipline Committee and the YMCA. At Culver, his baseball career was ended with a baseball that hit him on the nose.  Later, he attended the University of Pennsylvania (Penn) and graduated in 1926 as the senior class Salutatorian. At Penn, he was initiated into Theta Delta Chi, and he also served as president of the Phi Deuteron Charge. Upon his graduation from the University of Pennsylvania School of Engineering and Applied Science his father gave him a cabin cruiser that slept eight. He was also Junior and Senior class president. O'Malley originally enrolled at Columbia University in New York City for law school, but after his family lost their money in the Wall Street Crash of 1929, he switched from Columbia Law School to night school at Fordham University. Edwin O'Malley's dry goods business was failing and Walter had to help run the business.

Using a quote from the above article, answer the following question: Did he attend college?
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Answer: he attended the University of Pennsylvania


Question: Gary Wright was born and raised in Cresskill, New Jersey. A child actor, he made his TV debut at the age of seven, on the show Captain Video and His Video Rangers, filmed in New York. Among other acting work, he appeared in TV and radio commercials, before being offered a part in the 1954 Broadway production of the musical Fanny. Wright played the role of Cesario, the son of Fanny, who was played by future Brady Bunch matriarch Florence Henderson.

In 1988, Wright released Who I Am on A&M-distributed Cypress Records. Among the album's contributors were Western musicians such as Harrison, White and Keltner, a group of South Indian percussionists, and Indian classical violinists L. Subramaniam and L. Shankar. The previous year, Wright had contributed to Harrison's album Cloud Nine (1987), for which he co-wrote "That's What It Takes" with Harrison and Jeff Lynne, and played keyboards on songs such as "When We Was Fab". One of the tracks from Who I Am, "Blind Alley", was used in the 1988 horror film Spellbinder.  Wright's next solo album was First Signs of Life (1995), recorded in Rio de Janeiro and at his own High Wave Studios in Los Angeles, and issued on the Triloka/Worldly record label. The album combined Brazilian rhythms with elements of African vocal tradition, creating what AllMusic's reviewer describes as "an infectious worldbeat hybrid", where "the musicians' performances radiate sincerity and joy". First Signs of Life featured guest appearances from drummer Terry Bozzio, Brazilian guitarist Ricardo Silveira and Harrison. The song "Don't Try to Own Me", co-written with Duane Hitchings, was later included on Rhino Records' Best of Gary Wright: The Dream Weaver - a 1998 compilation spanning his solo career from 1970 onwards, and featuring extensive liner notes by Wright.  Human Love (1999) included new versions of "Wildfire" and "The Wrong Time", as well as "If You Believe in Heaven", a song written with Graham Gouldman that had first appeared on Best of Gary Wright. The album was co-produced by German world-music producer Marlon Klein and released on the High Wave Music label. Contributors to the sessions, held at High Wave and at Exil Musik in Bielefeld, included Hindustani classical vocalist Lakshmi Shankar, Lynne and German composer Roman Bunka.

Using a quote from the above article, answer the following question: Was first signs of life his next album?
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Answer: Wright's next solo album was First Signs of Life (1995), recorded in Rio de Janeiro


Question: Carl Franklin was raised outside of San Francisco, in Richmond, California. He never had the opportunity to know his biological father, who had died before Carl was born. Franklin was raised by his mother and stepfather. While Franklin speaks highly of his stepfather and has called him "very loving," he has spoken out about his stepfather's abusive tendencies, linking his outbursts to alcohol use.

Franklin supports the portrayal of African-American history in films, and has been quoted as saying "I am interested in the universal values of the black experience." However, just because Franklin is a filmmaker who is African American does not mean that all of his films are racially motivated. Not all of his films revolve around a central theme of culture: some of his films cover racial issues, while others do not. Franklin maintains a wide subject range in his films, choosing not to focus solely on his heritage.  As a prominent African-American filmmaker, Franklin stands apart from the rest in his careful selection of projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race. Explaining to The L.A Times, "My ethnicity is a plus, a tool. It gives me ammunition in terms of the way I view the world. There are certain stories in the black community that inform us all." Combining his humanitarian instincts and personal experiences, Franklin stands out as a visionary for community improvement through his films. However, a large part of Franklin's remarkable journey revolves around the fact that he is black. Discussing the realities for African Americans in the television and film industry, Franklin said: "When I came up, the only legitimate dramatic actor was Sidney Poitier, the bankable star was Richard Pryor and the other choice roles were action parts that went to Jim Brown. Even someone as good as Billy Dee Williams had a couple of great moments and then couldn't get a decent part." With a very small window of opportunity for African Americans at the time that Franklin was getting his start, his skills and educational background contributed to his success.  Franklin is a standout filmmaker regardless of his race, yet he is often praised for his ability to overcome adversity, and is recognized for his highly regarded opinion as well as his relevant contributions. In February 2000, Franklin was featured as a Black History Month guest speaker at Indiana University's ''Black Film Center/Archive''. The group hosted an event called A Night with Filmmaker Carl Franklin, which gave Franklin the opportunity to talk about his experience in the movie industry as well as show a preview of his film Devil in a Blue Dress. Franklin's appearance was highly regarded by many students who were honored to meet him in person.

Using a quote from the above article, answer the following question: Did he do anything with any black charities?
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Answer: