Some context: Jose Julio Sarria also known as The Grand Mere, Absolute Empress I de San Francisco, and the Widow Norton (December 13, 1922 - August 19, 2013) was an American political activist from San Francisco, California, who in 1961 became the first openly gay candidate for public office in the United States. He is also remembered for performing as a drag queen at the Black Cat Bar and as the founder of the Imperial Court System. Jose Sarria was born to Julio Sarria and Maria Dolores Maldonado.
Following the attack on Pearl Harbor, Sarria became determined to join the military, despite being, at just under five feet tall, too short to meet the Army's height requirement. He seduced a major who was attached to the San Francisco recruiting station on the condition that the major approve Sarria's enlistment. Jose Sarria was approved and entered the Army Reserve, continuing his studies as he waited to be called up to active duty. Shortly before he was scheduled for induction in the regular Army, his beloved second father, Charles Millen, died of a heart attack. Sarria's induction was delayed a month, then he was sworn in and ordered to Sacramento, California, for basic training with the Signal Corps.  Because of his fluency in several languages, Sarria was assigned to Intelligence School. However, following a routine background check for security clearance, he was advised that he would no longer be in the program. Sarria assumed that it was because investigators discovered his homosexuality. "I mean I had no lisp, but I wasn't the most masculine guy in town ... So I think that they figured that I was a little bit gay." Sarria officially remained attached to the Signal Corps but was ordered to Cooks and Bakers School and trained as a cook. After graduating from cooking school, he was assigned to train as a scout, but deliberately failed the training because of the dangerous nature of the assignment. He was then assigned to the motor pool.  Through his work at the motor pool, Sarria met a young officer named Major Mataxis. He became the major's orderly, eventually running an officers' mess in occupied Germany where he cooked for Mataxis and about ten other officers. He was discharged from the Army in 1947, at the rank of Staff Sergeant.  Upon Sarria's return from overseas, Kolish began to worry about their future. The United States had no legal recognition for same-sex relationships and Kolish looked for a way to provide for Sarria after Kolish's death. He proposed marriage to Sarria's mother Maria. Maria was willing, but Jose refused to allow it. Given no other choice, Kolish contacted his only remaining adult relative, a brother who lived in Hollywood, and left instructions for the care of Sarria and his family.  On Christmas Day 1947, Kolish and his son were struck by a drunk driver while driving to spend the holiday with Sarria and his family. Both were killed. The coroner determined that Jonathan died first, meaning that Paul's brother inherited everything. The brother ignored Paul's wishes regarding Sarria. "I would have gotten one of the houses", Sarria claimed, "but he only gave me a little money and one ring. He claimed that was all Paul wanted me to have. He was so evil. He said afterwards, 'If you expect anything else, you're not going to get it.' "
How was his life at the motor pool?
A: Through his work at the motor pool, Sarria met a young officer named Major Mataxis.

Some context: Evangelos Odysseas Papathanassiou (Greek: Euaggelos Odusseas Papathanasiou, IPA: [ev'anjelos odi'seas papathana'siu] (born 29 March 1943), best known professionally as Vangelis (), is a Greek composer of electronic, progressive, ambient, jazz, and orchestral music. He is best known for his Academy Award-winning score for the film Chariots of Fire, composing scores for the films Blade Runner, Missing, Antarctica, 1492: Conquest of Paradise, and Alexander, and the use of his music in the PBS documentary Cosmos:
When Vangelis was twelve years old he became interested in jazz music, and with the social movement to rock and roll. At fifteen years old he started to form early school bands, not to cover other musicians, but to have fun, resulting in the early 1960s being one of the founders of pop rock group The Forminx (or the Formynx), which became popular in Greece. Based in Athens, the five-piece band played a mixture of cover versions and their own material, the latter written mostly by Vangelis (with lyrics by DJ and record producer Nico Mastorakis) but still sung in English. The Forminx released nine hit singles and a Christmas EP before disbanding in 1966 at the peak of their success. A film being made about them at the time, which was initially directed by Theo Angelopoulos, was never fully completed, and the songs, composed for the movie, were never released. Vangelis spent the next two years mostly studio-bound, writing and producing for other Greek artists.  Around the time of the student riots in 1968, Vangelis founded progressive rock band Aphrodite's Child together with Demis Roussos, Loukas Sideras, and Anargyros "Silver" Koulouris. After an unsuccessful attempt to enter the UK, they found a home in Paris where they recorded their first single, a hit across much of Europe called "Rain and Tears". Other singles followed, including two albums, which, in total, sold over 20 million copies. The record sales led the record company to request a third album, and Vangelis went on to conceive the double-album 666, based on Revelation, the last book in the Bible. It is often listed as one of the best progressive rock albums. One of the many remarkable features of this album is Irene Papas's guest participation (vocal on "Infinity"). Tensions between members during the recording of 666 eventually caused the split of the band in 1971, but the album was still released in 1972. Despite the split, Vangelis has since produced several albums and singles for Demis Roussos, who, in turn, contributed vocals to the Blade Runner soundtrack. He often recalls on music industry:  I moved into the record industry. I was under the impression that in order to be alive and to be able to create what I had in mind I had to become successful. I realised that success and pure creativity are not very compatible... Instead of being able to move forward freely and do what you really wish, you find yourself stuck and obliged to repeat yourself and your previous success.
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