Problem: Bowring was born in Exeter of Charles Bowring (1769-1856), a wool merchant whose main market was China, from an old Unitarian family, and Sarah Jane Anne (d. 1828), the daughter of Thomas Lane, vicar of St Ives, Cornwall. His last formal education was at a Unitarian school in Moretonhampstead and he started work in his father's business at age 13. Bowring at one stage wished to become a Unitarian minister. Espousal of Unitarian faith was illegal in Britain until Bowring had turned 21.

By 1847, Bowring had assembled an impressive array of credentials: honorary diplomas from universities in Holland and Italy, fellowships of the Linnaean Society of London and Paris, the Historical Institute of the Scandinavian and Icelandic Societies, the Royal Institute of the Netherlands, the Royal Society of Hungary, the Royal Society of Copenhagen, and of the Frisian and Athenian Societies. Numerous translations and works on foreign languages, politics and economy had been published. His zeal in Parliament and standing as a literary man were well known.  In 1849, he was appointed British consul at Canton (today's Guangzhou), and superintendent of trade in China. Arriving on the HMS Medea on 12 April 1849, he took up the post in which he was to remain for four years the next day. His son John Charles had preceded him to China, arriving in Hong Kong in 1842, had been appointed Justice of the Peace and was at one point a partner in Jardines.  Bowring was quickly appalled by endemic corruption and frustrated by finding himself powerless in the face of Chinese breaches of the Treaty of Nanking and refusal to receive him at the diplomatic level or permit him to travel to Peking, and by his being subordinate to the Governor of Hong Kong who knew nothing of his difficulties.  For almost a year from 1852 to 1853, he acted as Britain's Plenipotentiary and Superintendent of Trade and Governor of Hong Kong in the absence on leave of Sir George Bonham, who he was later to succeed.  Bowring was instrumental in the formation in 1855 of the Board of Inspectors established under the Qing Customs House, operated by the British to gather statistics on trade on behalf of the Qing government and, later, as the Chinese Imperial Maritime Customs Service, to collect all customs duties, a vital reform which brought an end to the corruption of government officials and led modernisation of China's international trade. Concerned for the welfare of coolies being exported to Australia, California, Cuba and the West Indies, and disturbed by the coolie revolt in Amoy in May 1852, Bowring tightened enforcement of the Passenger Act so as to improve coolie transportation conditions and ensure their voluntariness.

Was his time in Canton a success?

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Background: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.
Context: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre.
Question: who was jean-paul?
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Question:
Lyman Frank Baum (May 15, 1856 - May 6, 1919), better known as L. Frank Baum, was an American author chiefly famous for his children's books, particularly The Wonderful Wizard of Oz and its sequels. He wrote a total of 14 novels in the Oz series, plus 41 other novels, 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and the nascent medium of film; the 1939 adaptation of the first Oz book would become a landmark of 20th century cinema. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high-risk and action-heavy occupations (Mary Louise in the Country), police corruption and false evidence (Phoebe Daring), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).
Baum embarked on his lifetime infatuation--and wavering financial success--with the theater. A local theatrical company duped him into replenishing their stock of costumes on the promise of leading roles coming his way. Disillusioned, Baum left the theater -- temporarily -- and went to work as a clerk in his brother-in-law's dry goods company in Syracuse. This experience may have influenced his story "The Suicide of Kiaros", first published in the literary journal The White Elephant. A fellow clerk one day was found locked in a store room dead, probably from suicide.  Baum could never stay away long from the stage. He performed in plays under the stage names of Louis F. Baum and George Brooks. In 1880, his father built him a theater in Richburg, New York, and Baum set about writing plays and gathering a company to act in them. The Maid of Arran proved a modest success, a melodrama with songs based on William Black's novel A Princess of Thule. Baum wrote the play and composed songs for it (making it a prototypical musical, as its songs relate to the narrative), and acted in the leading role. His aunt Katharine Gray played his character's aunt. She was the founder of Syracuse Oratory School, and Baum advertised his services in her catalog to teach theater, including stage business, play writing, directing, translating (French, German, and Italian), revision, and operettas.  On November 9, 1882, Baum married Maud Gage, a daughter of Matilda Joslyn Gage, a famous women's suffrage and feminist activist. While Baum was touring with The Maid of Arran, the theater in Richburg caught fire during a production of Baum's ironically titled parlor drama Matches, destroying the theater as well as the only known copies of many of Baum's scripts, including Matches, as well as costumes.
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Did they have any children?

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