input: John Power was previously the bass player, backing vocalist and only constant member along with Lee Mavers in The La's. He left the band on 13 December 1991 after becoming frustrated with the ever-increasing number of aborted studio sessions, having played essentially the same set of songs since 1986 and emerging as a songwriter in his own right. Power later commented that by that point he was more interested in his own songs "than anyone else's".  Having switched from bass to rhythm guitar whilst residing at Brucklay House - a near derelict squat in Mossley Hill, where the seeds of legendary dance label 3 Beat Records were sown, Power began jamming with friends and with an ever-changing line-up began to form Cast. The first addition to the band was ex-Shack bassist Peter Wilkinson who had seen Power performing acoustically at a free festival in Liverpool, and who Power had seen around town.". Embryonic lineups of the band, featuring several guitarists including Ged Malley, ex-La's members Barry Sutton and Cammy and drummer Russell Brady started gigging in mid 1992 and supported the likes of Pele and The Stairs. Power would later state that he was never happy with these lineups. Unhappy with the band and the demos recorded with Who sound engineer Bob Pridden, he split the band up and extricated himself from his Go! Discs contract in Summer 1993, with whom he was still signed to following his departure from The La's and set about forming a new lineup with Wilkinson.  The first new member to be recruited was Keith O'Neill who had previously played in The Empty Hours, The Windmills and Tommy Scott's pre-Space band The Australians and who Power had seen playing in local band The Windmills, fronted by Howie Payne later of The Stands and then guitarist Liam 'Skin' Tyson, who Wilkinson knew from college and had previously played in Pyramid Dream. When approached to join the band, Tyson initially declined as he had sold all of his musical equipment to teach canoeing at an outdoor centre in Alston in Cumbria. Tyson, who witnessed one of the band's early London shows and commented that "John had these songs, but not the band", joined the band in November 1993 and the new lineup played their first gig in Hull in January 1994. Within months the band secured high-profile support slots with Elvis Costello on two UK tours, including 2 nights at the Royal Albert Hall and Oasis. It was during the tour with Oasis that Polydor head of A&R Paul Adam, surprised that the band had not already been snapped up, approached the band to sign them. The band signed to Polydor on 13 December 1994, three years to the day that Power left The La's.

Answer this question "how did they get the band name?"
output: 

input: Canadian cartoonists often found it hard to succeed in the field of comic strips without moving to the US, but in 1921, Jimmy Frise, one of Ernest Hemingway's drinking buddies during the journalist's days in Toronto, sold Life's Little Comedies to the Toronto Star's Star Weekly. This strip was later retitled Birdseye Center, and became the longest-running strip in English Canadian history. In 1947, Frise brought the strip to the Montreal Standard, where it was renamed Juniper Junction. Nova Scotia-born artist J. R. Williams single-panel strip about rural and small-town life, Out Our Way, began in 1922 and was syndicated in 700 newspapers at its peak.  Two new comic strips appeared on the same day in 1929 in American newspapers and fed the public's desire for escapist entertainment at the dawn of the Great Depression. They were the first non-humorous adventure strips, and both were adaptations. One was Buck Rogers; the other, Tarzan, by Halifax native Hal Foster, who had worked as illustrator for catalogues from Eaton's and the Hudson's Bay Company before moving to the US in his late 20s. Other adventure strips soon followed and paved the way for the genre diversity that was seen in comic strips in the 1930s. In 1937, Foster began his own strip, Prince Valiant, which has become his best-known work for Foster's dextrous, realistic artwork. After struggling to support himself at various Toronto-based publications, Richard Taylor, under the pen name "Ric", became a regular at The New Yorker and relocated to the US, where the pay and opportunities for cartoonists were better.  The Toronto Telegram began to run Men of the Mounted in 1933, the first home-grown adventure strip, written by Ted McCall and drawn by Harry Hall. McCall later penned the strip Robin Hood and Company, which made its appearance in comic books when McCall founded Anglo-American Publishing in 1941.

Answer this question "Who is one of Ernest Hemingway's drinking buddies?"
output: Jimmy Frise, one of Ernest Hemingway's drinking buddies

input: If you can't cop a bit of emotional stuff then you should go and get the lamp shade extracted from your arse. If you don't think there is enough rock in your life then let me know and I will personally come around to your house and chuck stones at you.  --Bernard FanningIn response to "My Happiness" being described by fans as "like Lauryn Hill, bland and boring Top 40 bullshit".  The lyrics for "My Happiness" were written by Bernard Fanning, Powderfinger's lead singer and songwriter. The rest of the band are co-credited with Fanning for composing the track. The song describes feelings of love and separation; Sain's Pennie Dennison said it described "the pining feeling you experience when you spend time away from the one you love". Fanning called it "a sad story of touring and the absence loneliness that comes with it". The extensive time spent touring took its toll on the band, and it was on the back of this that Fanning wrote "My Happiness". Thus, he expressed confusion at its being considered a romantic song.  "My Happiness" was attacked by some fans as being "like Lauryn Hill, bland and boring Top 40 bullshit"; guitarist Ian Haug rebutted by pointing out that the song was an example of the new emotional level on which Powderfinger made music, while Fanning was more aggressive in his defence of the song. In response to being dubbed "Mr Miserable" by The Sun-Herald's Peter Holmes for the lyrics of "My Happiness" and "These Days", Fanning pointed out that the songs could be construed either as melancholy, or as part of "the most hopeful record ... in a long time".  Much of Fanning's writing is inspired by non-rock music, and "My Happiness" is no exception. Gospel and soul music that is "unashamedly about love and how good it makes you feel" was common during the Odyssey Number Five recording sessions. Powderfinger worked hard in those sessions to ensure a more polished work than Internationalist; guitarist Darren Middleton concluded that "My Happiness", "The Metre", and "Up & Down & Back Again" were more "complete" because of the band's efforts. The lighter elements of "My Happiness" in comparison to some of the band's earlier work saw Fanning reveal his passion for several other musicians, such as James Taylor--something that "five years ago ... would have been an embarrassing thing to say".

Answer this question "What was the inspiration for the song ?"
output:
The song describes feelings of love and separation;