Problem: Stevens was born in Detroit, Michigan, and lived there until the age of nine, when his family moved to Petoskey, in the northern part of the Lower Peninsula of Michigan. He was raised by his father Rasjid and his stepmother Pat, only occasionally visiting his mother, Carrie, in Oregon after she married her second husband Lowell Brams. His mother is deceased. Brams later became the head of Stevens' record label Asthmatic Kitty.

On May 31, 2007, Asthmatic Kitty announced that Stevens would be premiering a new project titled The BQE in early November 2007. The project, dubbed a "symphonic and cinematic exploration of New York City's infamous Brooklyn-Queens Expressway", was manifested in a live show. The BQE featured an original film by Stevens (shot in Super 8 mm film and standard 16 mm), while Stevens and a backing orchestra provided the live soundtrack. The performance used 36 performers which included a small band, a wind and brass ensemble, string players, horn players, and hula hoopers. There were no lyrics to the music. The BQE was commissioned by the Brooklyn Academy of Music as part of their Next Wave Festival and performed on three consecutive nights from November 1-3, 2007.  The performance sold out the 2,109 seat BAM Opera House without any advertising. After three weeks of rehearsing the piece with the three dozen musicians involved, he presented the 30-minute composition. The BQE was followed by an additional one hour of concert by Stevens and his orchestra. The BQE won the 2008 Brendan Gill Prize.  The multimedia package was released on October 20, 2009. The release included a CD of the show's soundtrack, a DVD of Brooklyn-Queens Expressway footage that accompanied the original performance (not a film of the performance itself), a 40-page booklet with liner notes and photos, and a stereoscopic 3D View-Master reel. A limited edition version that features the soundtrack on 180-gram vinyl and a 40-page BQE-themed comic book starring the show's hula hooping wonder women, the Hooper Heroes, was also released.

Was the show successful?

Answer with quotes: The performance sold out the 2,109 seat BAM Opera House without any advertising.


Problem: David "Davy" Crockett (August 17, 1786 - March 6, 1836) was a 19th-century American folk hero, frontiersman, soldier, and politician. He is commonly referred to in popular culture by the epithet "King of the Wild Frontier". He represented Tennessee in the U.S. House of Representatives and served in the Texas Revolution. Crockett grew up in East Tennessee, where he gained a reputation for hunting and storytelling.

On October 25, 1824, Crockett notified his constituents of his intention to run in the 1825 election for a seat in the U.S. House of Representatives. He lost that election to incumbent Adam Rankin Alexander. A chance meeting in 1826 gained him the encouragement of Memphis mayor Marcus Brutus Winchester to try again to win a seat in Congress. The Jackson Gazette published a letter from Crockett on September 15, 1826 announcing his intention of again challenging Rankin, and stating his opposition to the policies of President John Quincy Adams and Secretary of State Henry Clay and to Rankin's position on the cotton tariff. Militia veteran William Arnold also entered the race, and Crockett easily defeated both political opponents for the 1827-29 term. He arrived in Washington D.C. and took up residence at Mrs. Ball's Boarding House, where a number of other legislators lived when Congress was in session. Jackson was elected as President in 1828. Crockett continued his legislative focus on settlers getting a fair deal for land titles, offering H.R. 27 amendment to a bill sponsored by James K. Polk.  Crockett was re-elected for the 1829-31 session, once again defeating Adam Rankin Alexander. He introduced H.R. 185 amendment to the land bill on January 29, 1830, but it was defeated on May 3. On February 25, 1830, he introduced a resolution to abolish the United States Military Academy at West Point, New York because he felt that it was public money going to benefit the sons of wealthy men. He spoke out against Congress giving $100,000 to the widow of Stephen Decatur, citing that Congress was not empowered to do that. He opposed Jackson's 1830 Indian Removal Act and was the only member of the Tennessee delegation to vote against it. Cherokee chief John Ross sent him a letter on January 13, 1831 expressing his thanks for Crockett's vote. His vote was not popular with his own district, and he was defeated in the 1831 election by William Fitzgerald.  Crockett ran against Fitzgerald again in the 1833 election and was returned to Congress, serving until 1835. On January 2, 1834, he introduced the land title resolution H.R. 126, but it never made it as far as being debated on the House floor. He was defeated for re-election in the August 1835 election by Adam Huntsman. During his last term in Congress, he collaborated with Kentucky Congressman Thomas Chilton to write his autobiography, which was published by E. L. Carey and A. Hart in 1834 as A Narrative of the Life of David Crockett, Written by Himself, and he went east to promote the book. In 1836, newspapers published the now-famous quotation attributed to Crockett upon his return to his home state:  I told the people of my district that I would serve them as faithfully as I had done; but if not, they might go to hell, and I would go to Texas.

when was he elected

Answer with quotes: Crockett easily defeated both political opponents for the 1827-29 term.


Problem: Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

Ellington was shortlisted for the Pulitzer Prize for Music in 1965 but no prize was ultimately awarded that year. Then 66 years old, he joked: "Fate is being kind to me. Fate doesn't want me to be famous too young." In 1999 he was posthumously awarded a special Pulitzer Prize "commemorating the centennial year of his birth, in recognition of his musical genius, which evoked aesthetically the principles of democracy through the medium of jazz and thus made an indelible contribution to art and culture."  In September 1965, he premiered the first of his Sacred Concerts. He created a jazz Christian liturgy. Although the work received mixed reviews, Ellington was proud of the composition and performed it dozens of times. This concert was followed by two others of the same type in 1968 and 1973, known as the Second and Third Sacred Concerts. These generated controversy in what was already a tumultuous time in the United States. Many saw the Sacred Music suites as an attempt to reinforce commercial support for organized religion, though Ellington simply said it was "the most important thing I've done". The Steinway piano upon which the Sacred Concerts were composed is part of the collection of the Smithsonian's National Museum of American History. Like Haydn and Mozart, Ellington conducted his orchestra from the piano - he always played the keyboard parts when the Sacred Concerts were performed.  Despite his advancing age (he turned 65 in the spring of 1964), Ellington showed no sign of slowing down as he continued to make vital and innovative recordings, including The Far East Suite (1966), New Orleans Suite (1970), Latin American Suite (1972) and The Afro-Eurasian Eclipse (1971), much of it inspired by his world tours. It was during this time that he recorded his only album with Frank Sinatra, entitled Francis A. & Edward K. (1967).  Although he made two more stage appearances before his death, Ellington performed what is considered his final full concert in a ballroom at Northern Illinois University on March 20, 1974.  The last three shows Ellington and his orchestra performed were one on March 21, 1973 at Purdue University's Hall of Music and two on March 22, 1973 at the Sturges-Young Auditorium in Sturgis, Michigan.

When did he die?

Answer with quotes: