input: The Cordes brothers' father died of pneumonia when they were children. Further family tragedy occurred when their baby brother, Duncan, drowned at the age of two. The two elder brothers were raised by their mother and their stepfather George Brown, a founding member of Kool & the Gang.  Attrell Cordes began DJing parties and composing songs in ninth grade. Cordes, known by his stage name Prince Be, and his younger brother, Jarrett Cordes, known as DJ Minutemix, formed P.M. Dawn in 1988. The group's first demo tape was created using $600 that Prince Be had earned through his job as a night security guard at a homeless shelter.  They first approached Tommy Boy Records, the rap music subsidiary of Warner Brothers, with their demo, but they were told that they were too much like alternative hip-hoppers De La Soul, and not hardcore or ghetto, and were turned away. Eventually, Warlock, an independent record label, issued a debut single, "Ode to a Forgetful Mind", in 1989, but it went unnoticed.  The record label that released the single in the United Kingdom, Gee Street Records, found greater success. Gee Street mixed and marketed the song so that it earned considerable attention from music reviewers, and P.M. Dawn found themselves courted not just by Gee Street's head, Jon Baker, but also by most of the major UK record labels. Gee Street brought the brothers to London in 1990 to record tracks for an album; however, the label found itself facing bankruptcy during the recording. The entire Gee Street operation, along with P.M. Dawn's recording contract, was sold to the highest bidder, Island Records. Island issued a few more singles in the United Kingdom before releasing their debut album, Of the Heart, of the Soul and of the Cross: The Utopian Experience.

Answer this question "When was their first performance?"
output: Prince Be, and his younger brother, Jarrett Cordes, known as DJ Minutemix, formed P.M. Dawn in 1988.

input: From the 1940s to the 1970s, Mangeshkar sang duets with Asha Bhosle, Suraiya, Usha Mangeshkar, Mohammed Rafi, Kishore Kumar, Mukesh, Manna Dey, Hemant Kumar, and Mahendra Kapoor. In 1964, she sang "Chanda Se Hoga" with P.B. Sreenivas from Main Bhi Ladki Hoon.  Mukesh died in 1976. The 1980s saw the deaths of Mohammed Rafi and Kishore Kumar. Mangeshkar's last duets with Mohammed Rafi were during the 1980s; she continued to sing with Shabbir Kumar, Shailendra Singh, Nitin Mukesh (Mukesh's son), Manhar Udhas, Amit Kumar (Kishore Kumar's son), Mohammed Aziz, Vinod Rathod, and S.P. Balasubrahmanyam.  In the 1990s, Mangeshkar began singing duets with Pankaj Udhas, Mohammed Aziz, Abhijeet Bhattacharya, Udit Narayan, Kumar Sanu, and Suresh Wadkar. Her most notable work of the 90s was Dilwale Dulhania Le Jayenge with songs such as "Mere Khwabon Mein Jo Aaye", "Ho Gaya Hai Tujhko To Pyaar Sajna", "Tujhe Dekha To Yeh Janam Sanam", and "Mehdni Laga Ke Rakhna".  In the 2000s, Mangeshkar's duets were mainly with Udit Narayan and Sonu Nigam. 2005-06 were the years of her last well-known songs: "Kaise Piya Se" from Bewafa and "Shayad Yehi To Pyaar Hai" from Lucky: No Time for Love, with Adnan Sami and " Lukka Chhupi" in Rang De Basanti (2006 film) with A.R.Rahman. She sang "Ek Tu Hi Bharosa" from Pukar. Other notable songs of this decade were from Veer-Zaara, sung with Udit Narayan, Sonu Nigam, Jagjit Singh, Roop Kumar Rathod, and Gurdas Mann. One of her latest songs was "Jeena Hai Kya" from Dunno Y2 (2014).

Answer this question "What was some of the songs she sang?"
output: Her most notable work of the 90s was Dilwale Dulhania Le Jayenge with songs such as "Mere Khwabon Mein Jo Aaye", "Ho Gaya Hai Tujhko To Pyaar Sajna",

input: Houdini performed at least three variations on a buried alive stunt during his career. The first was near Santa Ana, California in 1915, and it almost cost Houdini his life. Houdini was buried, without a casket, in a pit of earth six feet deep. He became exhausted and panicked while trying to dig his way to the surface and called for help. When his hand finally broke the surface, he fell unconscious and had to be pulled from the grave by his assistants. Houdini wrote in his diary that the escape was "very dangerous" and that "the weight of the earth is killing."  Houdini's second variation on buried alive was an endurance test designed to expose mystical Egyptian performer Rahman Bey, who had claimed to use supernatural powers to remain in a sealed casket for an hour. Houdini bettered Bey on August 5, 1926, by remaining in a sealed casket, or coffin, submerged in the swimming pool of New York's Hotel Shelton for one and a half hours. Houdini claimed he did not use any trickery or supernatural powers to accomplish this feat, just controlled breathing. He repeated the feat at the YMCA in Worcester, Massachusetts on September 28, 1926, this time remaining sealed for one hour and eleven minutes.  Houdini's final buried alive was an elaborate stage escape that featured in his full evening show. Houdini would escape after being strapped in a straitjacket, sealed in a casket, and then buried in a large tank filled with sand. While posters advertising the escape exist (playing off the Bey challenge by boasting "Egyptian Fakirs Outdone!"), it is unclear whether Houdini ever performed buried alive on stage. The stunt was to be the feature escape of his 1927 season, but Houdini died on October 31, 1926. The bronze casket Houdini created for buried alive was used to transport Houdini's body from Detroit to New York following his death on Halloween.

Answer this question "What was the second variation?"
output:
Houdini's second variation on buried alive was an endurance test designed to expose mystical Egyptian performer Rahman Bey,