Answer the question at the end by quoting:

Robert Stanley Crewe (November 12, 1930 - September 11, 2014) was an American songwriter, dancer, singer, manager, and record producer. He was known for producing, and co-writing with Bob Gaudio, a string of Top 10 singles for the Four Seasons. As a songwriter, his most successful songs include "Silhouettes" (co-written with Frank Slay); "Big Girls Don't Cry", "Walk Like a Man", "Rag Doll", "Silence Is Golden", "The Sun Ain't Gonna Shine (Anymore)",
In 1953, Crewe met and partnered professionally with Frank Slay Jr., a young pianist from Texas. Their collaboration created several hit songs (as well as a small record label, XYZ), for which Crewe performed as the demo singer. Crewe and Slay's 1957 recording session with the Rays for XYZ (picked up nationally by Cameo Records) produced two major hit songs. "Silhouettes", produced by Crewe, became a doo-wop anthem of the era. Climbing to #3 on the Billboard Hot 100 in 1957, "Silhouettes" displayed the flair for story-driven lyrics, innovative musical hooks, and final lyrical twists that were to become known as Crewe trademarks. In 1965, with a slightly faster tempo, "Silhouettes" again became a hit, this time for the British group Herman's Hermits, reaching #5 on the Billboard Hot 100. Bob Dylan recorded "Silhouettes" during his legendary Basement Tapes sessions of the late 1960s, although his version was not released until 2014.  "Daddy Cool" was the B-side of the Rays' "Silhouettes" single. Written and produced by Crewe and Slay at the same 1957 session, it achieved considerable note. Both "Daddy Cool" and "Silhouettes" were covered the same year by the Canadian group the Diamonds, whose version of "Daddy Cool" reached #10 on the Billboard charts. In 1961, Guy "Daddy Cool" Darrell released another single version on the Warwick label, and in 1977, the UK band Darts made the song their first-ever studio recording, scoring a #6 hit.  Crewe and Slay built on their success by signing a deal with new, Philadelphia-based Swan Records. Sessions with Billy and Lillie (singers Billy Ford and Lillie Bryant) produced the 1958 hit "Lah Dee Dah", which reached the #9 position on the Billboard Hot 100; the following year, Billy and Lillie's recording of "Lucky Ladybug" hit #14. Crewe and Slay also wrote two Top 10 hits - "Tallahassee Lassie" and "Okefenokee" - for Swan's rising star Freddy Cannon.

Did he make any television appearances?





Answer the question at the end by quoting:

Jean Desire Gustave Courbet (French: [gystav kuRbe]; 10 June 1819 - 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation."  The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary.  Without expanding on the greater or lesser accuracy of a name which nobody, I should hope, can really be expected to understand, I will limit myself to a few words of elucidation in order to cut short the misunderstandings.  I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality.  To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art - this is my goal. (Gustave Courbet, 1855)

What was included in the Realist Manifesto?
translate the customs, the ideas, the appearance of my time, according to my own estimation;