Question:
"Hey Jude" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon-McCartney. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's son, Julian, during his parents' divorce. "Hey Jude" begins with a verse-bridge structure incorporating McCartney's vocal performance and piano accompaniment; further instrumentation is added as the song progresses. After the fourth verse, the song shifts to a fade-out coda that lasts for more than four minutes. "
Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off.
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How did the Beatles respond to the final mix of the song?

Answer:
Lennon gleefully crowed, 'but I insisted we leave it


Question:
Thalia was born on 26 August 1971, in Mexico City, Mexico. She is the youngest of five daughters of Yolanda Miranda Mange (d. 2011), a painter who was Thalia's manager from 1980 to 1999; and Ernesto Sodi Pallares (d. 1977), a scientist, doctor of pathology, criminologist, and writer. Her four sisters are Laura Zapata (daughter of Guillermo Zapata Perez de Utrera), Federica, Gabriela, and Ernestina Sodi. When she turned one, Thalia appeared in her first TV commercial in Mexico.
In 1981, when Thalia was nine years old, she was incorporated as a vocalist in a children's group named Pac Man, which was formed in order to participate in a popular music festival known as Juguemos a cantar ("Let's play while singing"), a TV program by Televisa. Later, Pac Man changed their band name to "Din-Din". Thalia performed various times along with Din-Din in occasional events and parties, touring all over Mexico. The band recorded a total of 4 studio albums between 1982 and 1983 (En accion, Recordando el Rock and Roll, Somos alguien muy especial and Pitubailando), and later it was disbanded.  After Din-Din broke up in 1984, Thalia participated as a solo artist in two annual music festivals of Juguemos a cantar. In 1984, she placed second there with her interpretation of "Moderna nina del rock" ("Modern rock girl"); this brought her the opportunity to participate in the chorus of the popular musical Vaselina, a child version of the successful musical Grease, in which the band Timbiriche was acting and singing. The line-up of the band consisted of Sasha Sokol, Benny Ibarra, Erik Rubin, Diego Schoening, Mariana Garza and Paulina Rubio. Timbiriche was highly promoted at the time by Televisa, one of the most massive media enterprises globally and the most important in the Spanish-speaking world. Some time later, Thalia obtained the protagonist role of Sandy Dee in the musical, and she performed in 500 theater presentations of Vaselina along with Timbiriche.  In 1986, after the departure of Sasha Sokol from Timbiriche, Thalia became a member of the band. By that time, Timbiriche had already recorded five albums. In the following year, Thalia was invited to participate in the telenovela Pobre senorita Limantour; this production was actually Thalia's debut as a TV actress. However, she appeared in only one episode. In the same year, she recorded with Timbiriche the principal theme of the juvenile telenovela Quinceanera ("Fifteen-year-old"), in which Thalia was the co-protagonist with the role of Beatriz. The TV series was awarded as the "Best telenovela" by "Premios TVyNovelas" in 1988 and Thalia was awarded as "the best new actress of 1988".  With Timbiriche, Thalia recorded four studio albums: Timbiriche VII (1987), the double album Timbiriche VIII & IX (1988) and Los clasicos de Timbiriche (1989). The last one is a compilation of the band's greatest hits, recorded originally in 1987, with new symphonic arrangements as it included the participation of Mexico's philharmonic orchestra. In 1989, Thalia departed from Timbiriche. In that year, she also starred in another TV series, Luz y sombra ("Light and shadow"), which was her first protagonist role. Some time later she visited Los Angeles in order to take English courses in the University of California. She also attended music, singing, acting and dancing classes before beginning her career as a solo artist.
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how long was she in that band?

Answer:
After Din-Din broke up in 1984,