input: One track from My Son, the Nut, a spoof of summer camp entitled "Hello Muddah, Hello Fadduh", became a surprise novelty hit, reaching No. 2 on the national Billboard Hot 100 chart for three weeks in late summer 1963. The lyrics were sung to the tune of one segment of Ponchielli's Dance of the Hours, familiar to the public because of its use in the Walt Disney film Fantasia. That December, Sherman's "The Twelve Gifts of Christmas" single appeared on Billboard's separate Christmas chart. Sherman had one other Top 40 hit, a 1965 take-off on the Petula Clark hit "Downtown" called "Crazy Downtown", which spent one week at #40. Two other Sherman singles charted in the lower regions of the Billboard 100: an updated "Hello Mudduh, Hello Fadduh" (#59 in 1964), and "The Drinking Man's Diet" (#98 in 1965). Sherman's "The End of a Symphony", spotlighting Arthur Fiedler's Boston Pops Orchestra, reached #113 on the "Bubbling Under" chart in 1964, but did not make the Hot 100.  The songs on Sherman's next album My Name Is Allan (1965) were thematically connected: except for a couple of original novelty songs with music by Sherman and Busch, all the songs on the album are parodies of songs that had won, or were nominated for, the Academy Award for Best Song. They included "That Old Black Magic", "Secret Love", "The Continental", "Chim Chim Cher-ee" and "Call Me Irresponsible". The cover of the album bore a childhood photograph of Sherman. That, and the album's title, were references to Barbra Streisand's album My Name Is Barbra, released earlier that year, which featured a cover photograph of the singer as a young girl.  During his brief heyday, Sherman's parodies were so popular that he had at least one contemporary imitator: My Son the Copycat was an album of song parodies performed by Stanley Ralph Ross, co-written by Ross and Bob Arbogast. Lest there be any doubt of whom Ross is copying, his album's cover bears a crossed-out photo of Sherman. One of the songs on this album is a fat man's lament, "I'm Called Little Butterball", parodying "I'm Called Little Buttercup" from Gilbert and Sullivan's operetta HMS Pinafore. Sherman would later parody this same song as "Little Butterball" - with the same subject matter - on his album Allan in Wonderland. The song may have had more poignancy for Sherman, as he, unlike Stanley Ross, was genuinely overweight. Sherman also parodied Gilbert and Sullivan's "Titwillow" from The Mikado, in the song "The Bronx Bird-Watcher" (on My Son, the Celebrity), as well as several other Gilbert and Sullivan songs.

Answer this question "Did it do well on the charts?"
output: "Hello Muddah, Hello Fadduh", became a surprise novelty hit, reaching No. 2 on the national Billboard Hot 100 chart for three weeks in late summer 1963.

Question: Guttermouth is an American punk rock band formed in 1988 in Huntington Beach, California and currently recording for Rude Records/Bird Attack Records. They have released nine full-length studio albums and two live albums and have toured extensively, including performances on the Vans Warped Tour. They are infamous for their outrageous lyrics and behavior which are deliberately explicit, offensive and intended to shock, though usually in a humorous and sarcastic manner. This behavior has sometimes resulted in high-profile problems for the band, such as being banned from performing in Canada for eighteen months and leaving the 2004 Warped Tour amidst controversy over their political views and attitudes towards other performers.

By 1994 Full Length had been available for almost four years and the members of Guttermouth were preparing to write a second album. They originally considered releasing the album themselves, but were soon approached with an offer from Offspring singer Dexter Holland, who in the wake of his own band's success was starting an independent record label and wanted to put out Guttermouth's next album as his first release. They agreed and recorded the album Friendly People as the first release on Holland's new label Nitro Records, and filmed an independent music video for the song "End on 9." Guttermouth would remain with Nitro over the next five years, releasing an album each year on the label.  1994 also found the band playing to a much larger audience. The success that year of The Offspring's album Smash and Green Day's Dookie had brought the southern California punk rock scene into the national spotlight. Thanks to their friendship with The Offspring and their new record deal with Nitro, Guttermouth found themselves embarking on their first national and world tours opening for larger punk bands. However, their typically outrageous behavior would often find them at odds with the other bands, audiences, and venues at which they played. After about six months of touring with this reputation the band found themselves banned from performing in numerous cities and clubs and blacklisted by many of the bands with whom they had hoped to tour. To the band, however, this behavior was typical and in keeping with the anarchic ideals that were at the core of the punk movement.  At one point the band found themselves ejected from a tour while in South Carolina, where they booked themselves at a club and recorded a performance which would later be released as Live From the Pharmacy. Adkins was arrested and briefly jailed in 1995 on charges of inciting a riot during a Guttermouth show at the Glen Helen Blockbuster Pavilion in San Bernardino, but evidence was insufficient to file charges.

Using a quote from the above article, answer the following question: How did the album do financially?
HHHHHH
Answer: