IN: Steranko was born in Reading, Pennsylvania. According to Steranko's authorized biography, his grandparents emigrated from Ukraine to settle in the anthracite coal-mining region of eastern Pennsylvania. Steranko's father, one of nine siblings, began working in the mines at age 10, and as an adult became a tinsmith. Steranko later said his father and uncles "would bootleg coal - they would go up into a mountain and open up a shaft.

By his account, Steranko learned stage magic using paraphernalia from his father's stage magician act, and in his teens spent several summers working with circuses and carnivals, working his way up to sideshow performer as a fire-eater and in acts involving a bed of nails and sleight-of-hand. At school, he competed on the gymnastics team, on the rings and parallel bars, and later took up boxing and, under swordmaster Dan Phillips in New York City, fencing. At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.  Up through his early 20s, Steranko performed as an illusionist, escape artist, close-up magician in nightclubs, and musician, having played in drum and bugle corps in his teens before forming his own bands during the early days of rock and roll. Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name, claiming he used pseudonyms to help protect himself from enemies. He also claims to have put the first go-go girls onstage. The seminal rock and roll group Bill Haley and his Comets was based in nearby Philadelphia and Steranko, who played a Jazzmaster guitar, often performed in the same local venues, sometimes on the same bill, and became friendly with Haley guitarist Frank Beecher, who became a musical influence. By the late 1960s, Steranko was a member of a New York City magicians' group, the Witchdoctor's Club.  Comics historian Mark Evanier notes that the influential comic-book creator Jack Kirby, who "based some of his characters ... on people in his life or in the news", was "inspired" to create the escape artist character Mister Miracle "by an earlier career of writer-artist Jim Steranko".
QUESTION: Did he ever go back to being an illusionist/magician?
IN: Brown was born on July 28, 1891, in Holgate, Ohio, near Toledo, into a large family largely of Welsh descent. He spent most of his childhood in Toledo. In 1902, at the age of ten, he joined a troupe of circus tumblers known as the Five Marvelous Ashtons, who toured the country on both the circus and vaudeville circuits. Later he became a professional baseball player.

In late 1928, Brown began making films, starting the next year with Warner Bros.. He quickly became a favorite with child audiences, and shot to stardom after appearing in the first all-color all-talking musical comedy On with the Show (1929). He starred in a number of lavish Technicolor Warner Brothers musical comedies including: Sally (1929), Hold Everything (1930), Song of the West (1930), and Going Wild (1930). By 1931, Joe E. Brown had become such a star that his name was billed above the title in the films in which he appeared.  He appeared in Fireman, Save My Child (1932), a comedy in which he played a member of the St. Louis Cardinals, and in Elmer, the Great (1933) with Patricia Ellis and Claire Dodd and Alibi Ike (1935) with Olivia de Havilland, in both of which he portrayed ballplayers with the Chicago Cubs.  In 1933 he starred in Son of a Sailor with Jean Muir and Thelma Todd. In 1934, Brown starred in A Very Honorable Guy with Alice White and Robert Barrat, in The Circus Clown again with Patricia Ellis and with Dorothy Burgess, and with Maxine Doyle in Six-Day Bike Rider.  Brown was one of the few vaudeville comedians to appear in a Shakespeare film; he played Francis Flute in the Max Reinhardt/William Dieterle film version of Shakespeare's A Midsummer Night's Dream (1935) and was highly praised for his performance. He starred in Polo Joe (1936) with Carol Hughes and Richard "Skeets" Gallagher, and in Sons o' Guns. In 1933 and 1936, he became one of the top ten earners in films. He was sufficiently well known internationally by this point to be depicted in comic strips in the British comic Film Fun for twenty years from 1933.  He left Warner Brothers to work for producer David L. Loew, starring in When's Your Birthday? (1937). In 1938, he starred in The Gladiator, a loose film adaptation of Philip Gordon Wylie's 1930 novel Gladiator that influenced the creation of Superman. He gradually switched to making "B" pictures.
QUESTION: Who did he work for at the start of his career?
IN: Fonda was born in New York City, the only son of actor Henry Fonda (1905-1982) and his wife Frances Ford Seymour (1908-1950); he is the younger brother of actress Jane Fonda. He and Jane had a maternal half-sister, Frances de Villers Brokaw (1931-2008), from their mother's first marriage. Their mother committed suicide in a mental hospital when Peter, her youngest, was ten, although he did not discover the circumstances or location of her death until he was 55 years old. On his eleventh birthday, he accidentally shot himself in the stomach and nearly died.

In 1968, Fonda produced, co-wrote and starred in Easy Rider, directed by Dennis Hopper, which was Fonda's breakthrough role, and a critical and commercial success. Easy Rider is about two long-haired bikers traveling through the southwest and southern United States where they encounter intolerance and violence. Fonda played "Captain America," a charismatic, laconic man whose motorcycle jacket bore a large American flag across the back. Dennis Hopper played the garrulous "Billy". Jack Nicholson was nominated for an Academy Award for Best Supporting Actor for his turn as George Hanson, an alcoholic civil rights lawyer who rides along with them. Fonda co-wrote the screenplay with Terry Southern and Hopper.  Hopper filmed the cross-country road trip depicted almost entirely on location. Fonda had secured funding in the neighborhood of $360,000 - (largely based on the fact he knew that was the budget Roger Corman needed to make The Wild Angels).  The film was released in 1969 to international success. The guitarist and composer Robbie Robertson, of The Band, was so moved by an advance screening that he approached Fonda and tried to convince him to let him write a complete score, even though the film was nearly due for wide release. Fonda declined the offer, instead using Steppenwolf's "Born to Be Wild", Bob Dylan's "It's Alright Ma (I'm Only Bleeding)" sung by the Byrds' Roger McGuinn, and Robertson's own composition "The Weight" performed by The Band, among many other tracks. Fonda, Hopper and Southern were nominated for the Academy Award for Best Original Screenplay. The film grossed over $40 million.
QUESTION:
Did they win?