Problem: Background: Sir Pelham Grenville Wodehouse  (; 15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time.
Context: A third milestone in Wodehouse's life came towards the end of 1915: his old songwriting partner Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator. Bolton and Kern had a musical, Very Good Eddie, running at the Princess Theatre in New York. The show was successful, but they thought the song lyrics weak and invited Wodehouse to join them on its successor. This was Miss Springtime (1916), which ran for 227 performances--a good run by the standards of the day. The team produced several more successes, including Leave It to Jane (1917), Oh, Boy! (1917-18) and Oh, Lady! Lady!! (1918), and Wodehouse and Bolton wrote a few more shows with other composers. In these musicals Wodehouse's lyrics won high praise from critics as well as fellow lyricists such as Ira Gershwin.  Unlike his original model, Gilbert, Wodehouse preferred the music to be written first, fitting his words into the melodies. Donaldson suggests that this is the reason why his lyrics have largely been overlooked in recent years: they fit the music perfectly, but do not stand on their own in verse form as Gilbert's do. Nonetheless, Donaldson adds, the book and lyrics for the Princess Theatre shows made the collaborators an enormous fortune and played an important part in the development of the American musical. In the Grove Dictionary of American Music Larry Stempel writes, "By presenting naturalistic stories and characters and attempting to integrate the songs and lyrics into the action of the libretto, these works brought a new level of intimacy, cohesion, and sophistication to American musical comedy." The theatre writer Gerald Bordman calls Wodehouse "the most observant, literate, and witty lyricist of his day". The composer Richard Rodgers wrote, "Before Larry Hart, only P.G. Wodehouse had made any real assault on the intelligence of the song-listening public."  In the years after the war, Wodehouse steadily increased his sales, polished his existing characters and introduced new ones. Bertie and Jeeves, Lord Emsworth and his circle, and Ukridge appeared in novels and short stories; Psmith made his fourth and last appearance; two new characters were the Oldest Member, narrating his series of golfing stories, and Mr Mulliner, telling his particularly tall tales to fellow patrons of the bar at the Angler's Rest. Various other young men-about-town appeared in short stories about members of the Drones Club.  The Wodehouses returned to England, where they had a house in London for some years, but Wodehouse continued to cross the Atlantic frequently, spending substantial periods in New York. He continued to work in the theatre. During the 1920s he collaborated on nine musical comedies produced on Broadway or in the West End, including the long-running Sally (1920, New York), The Cabaret Girl (1922, London) and Rosalie (1928, New York). He also wrote non-musical plays, including The Play's the Thing (1926), adapted from Ferenc Molnar, and A Damsel in Distress (1928), a dramatisation of his 1919 novel.  Though never a naturally gregarious man, Wodehouse was more sociable in the 1920s than at other periods. Donaldson lists among those with whom he was on friendly terms writers including A.A. Milne, Ian Hay, Frederick Lonsdale and E. Phillips Oppenheim, and stage performers including George Grossmith, Jr., Heather Thatcher and Dorothy Dickson.
Question: What did he do with Guy Bolton?
Answer: and Bolton wrote a few more shows with other composers.

Problem: Background: Sara Lynn Evans (born February 5, 1971) is an American country music singer and songwriter. Evans has released eight studio albums: Three Chords and the Truth (1997), No Place That Far (1998), Born to Fly (2000), Restless (2003), Real Fine Place (2005), Stronger (2011), Slow Me Down (2014), Words (2017), plus one Christmas album, At Christmas (2014).
Context: Evans was born in Boonville, Missouri, in 1971, and is of Welsh, English, Irish, and Native American descent. She was raised on a farm near New Franklin, Missouri, the eldest girl of seven children. By five, she was singing weekends in her family's band. At the age of eight, she was struck by an automobile in front of the family home, and her legs suffered multiple fractures. Recuperating for months in a wheelchair, she continued singing to help pay her medical bills. When she was 16, she began performing at a nightclub near Columbia, Missouri, a gig that lasted two years.  Evans moved to Nashville, Tennessee, in 1991 to be a country music artist. She met fellow musician Craig Schelske and left Nashville with him in 1992, moving to Oregon. They married in 1993. She returned to Nashville in 1995 and began recording demos. Nashville songwriter Harlan Howard was impressed by her demo of his song "Tiger by the Tail". He decided to help her music career, leading to a signed contract with RCA Nashville.  In 1997, Evans released her debut album for RCA, Three Chords and the Truth. Although none of its three singles ("True Lies," the title track, and "Shame About That") reached the Top 40 of the Billboard Hot Country Songs chart, the album received critical praise for its neotraditional country sound. In 1998, Evans released her second album, No Place That Far. The album's lead single, "Cryin' Game," also failed to reach the Top 40. However, the album's second single and title track, gave Evans her first Number One hit on the Hot Country Songs chart in March 1999. The album was eventually certified Gold by the RIAA, and produced one additional Top 40 country hit in "Fool, I'm a Woman."
Question: Was she raised there?
Answer:
She was raised on a farm near New Franklin, Missouri,