input: During World War I, Major Donovan led the 1st battalion, 165th Regiment of the 42nd Division. Serving in France, he suffered a shrapnel wound in one leg and was almost blinded by gas. After performing a rescue under fire, he was offered the Croix de Guerre, but turned it down because a Jewish soldier who had taken part in the rescue had not also been awarded the honor. When this insult was corrected, Donovan accepted the distinction. He also was awarded the Distinguished Service Cross for leading an assault during the Aisne-Marne campaign, in which hundreds of members of his regiment died, including his acting adjutant, the poet Joyce Kilmer. The events of this Battle and the 69th Infantry Regiment were dramatised in the James Cagney movie, "The Fighting 69th".  Donovan's remarkable level of endurance, which far exceeded that of the much younger soldiers under his command, led those men to give him the nickname "Wild Bill", which stuck with him for the rest of his life. Although he "professed annoyance with the nickname," his wife "knew that deep down he loved it."  Appointed chief of staff of the 165th Regiment, Donovan fought in another battle that took place near Landres-et-Saint-Georges on October 14-15, 1918. Going into battle, Donovan "ignored the officers' custom of covering or stripping off insignia of rank (targets for snipers) and instead sallied forth wearing his medals", according to Evan Thomas. "They can't hit me and they won't hit you!" he told his men. Struck in the knee by a bullet, he "refused to be evacuated and continued to direct his men until even American tanks were turning back under withering German fire." After lobbying by his friend Father Francis Duffy, a famous and widely revered Army chaplain, Donovan was awarded an Oak Leaf Cluster of the Distinguished Service Cross (i.e., a second DSC) for his service in that battle. After the Armistice, Donovan remained in Europe as part of the occupation. On returning to New York in April 1919, Donovan, now a colonel, was widely discussed as a possible candidate for governor, but he rejected the idea, proclaiming his intention to return to Buffalo and resume the practice of law.

Answer this question "When did he practice law originally?"
output: 

input: At the outset of the 1959 Tibetan uprising, fearing for his life, the Dalai Lama and his retinue fled Tibet with the help of the CIA's Special Activities Division, crossing into India on 30 March 1959, reaching Tezpur in Assam on 18 April. Some time later he set up the Government of Tibet in Exile in Dharamshala, India, which is often referred to as "Little Lhasa". After the founding of the government in exile he re-established the approximately 80,000 Tibetan refugees who followed him into exile in agricultural settlements. He created a Tibetan educational system in order to teach the Tibetan children the language, history, religion, and culture. The Tibetan Institute of Performing Arts was established in 1959 and the Central Institute of Higher Tibetan Studies became the primary university for Tibetans in India in 1967. He supported the refounding of 200 monasteries and nunneries in an attempt to preserve Tibetan Buddhist teachings and the Tibetan way of life.  The Dalai Lama appealed to the United Nations on the rights of Tibetans. This appeal resulted in three resolutions adopted by the General Assembly in 1959, 1961, and 1965, all before the People's Republic was allowed representation at the United Nations. The resolutions called on China to respect the human rights of Tibetans. In 1963, he promulgated a democratic constitution which is based upon the Universal Declaration of Human Rights, creating an elected parliament and an administration to champion his cause. In 1970, he opened the Library of Tibetan Works and Archives in Dharamshala which houses over 80,000 manuscripts and important knowledge resources related to Tibetan history, politics and culture. It is considered one of the most important institutions for Tibetology in the world.  In 2016, there were demands from Indian politicians of different political parties and citizens to confer His Holiness The Dalai Lama the prestigious Bharat Ratna, the highest civilian honour of India which has only been awarded to a Non-Indian citizen twice in its history.

Answer this question "What did the resolution call on"
output: China to respect the human rights of Tibetans.

input: Rachmaninoff ranked among the finest pianists of his time, along with Leopold Godowsky, Ignaz Friedman, Moriz Rosenthal, Josef Lhevinne, and Josef Hofmann, and he was famed for possessing a clean and virtuosic technique. His playing was marked by precision, rhythmic drive, notable use of staccato and the ability to maintain clarity when playing works with complex textures. Rachmaninoff applied these qualities in music by Chopin, including the B-flat minor Piano Sonata. Rachmaninoff's repertoire, excepting his own works, consisted mainly of standard 19th century virtuoso works plus music by Bach, Beethoven, Borodin, Debussy, Grieg, Liszt, Mendelssohn, Mozart, Schubert, Schumann and Tchaikovsky.  Rachmaninoff possessed extremely large hands, with which he could easily maneuver through the most complex chordal configurations. His left hand technique was unusually powerful. His playing was marked by definition--where other pianists' playing became blurry-sounding from overuse of the pedal or deficiencies in finger technique, Rachmaninoff's textures were always crystal clear. Only Josef Hofmann and Josef Lhevinne shared this kind of clarity with him. All three men had Anton Rubinstein as a model for this kind of playing--Hofmann as a student of Rubinstein's, Rachmaninoff from hearing his famous series of historical recitals in Moscow while studying with Zverev, and Lhevinne from hearing and playing with him.  The two pieces Rachmaninoff singled out for praise from Rubinstein's concerts became cornerstones for his own recital programs. The compositions were Beethoven's Appassionata and Chopin's Funeral March Sonata. He may have based his interpretation of the Chopin sonata on Rubinstein's. Rachmaninoff biographer Barrie Martyn points out similarities between written accounts of Rubinstein's interpretation and Rachmaninoff's audio recording of the work.  As part of his daily warm-up exercises, Rachmaninoff would play the technically difficult Etude in A-flat, Op. 1, No. 2, attributed to Paul de Schlozer.

Answer this question "Did he have any practice or warm up drills or routines he would play in order to become better?"
output:
His playing was marked by precision, rhythmic drive, notable use of staccato and the ability to maintain clarity when playing works with complex textures.