IN: Masami Akita (Qiu Tian  Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.

Merzbow's sounds employ the use of distortion, feedback, and noises from synthesizers, machinery, and home-made noisemakers. While much of Merzbow's output is intensely harsh in character, Akita does occasionally make forays into ambient music. Vocals are employed sometimes, but never in a lyrical sense. Contrary to most harsh noise music, Akita also occasionally uses elements of melody and rhythm.  Akita's early work consisted of industrial noise music made from tape loops and conventional instruments. Similar to his present albums, he produced lengthy, disorienting pieces. He also became famous for the sheer volume of his releases.  The avant-garde nature of Akita's work made acceptance by mainstream and unprepared audiences difficult. When he performed with Kiyoshi Mizutani in 1988 at the Jazz-on-Amur festival in Khabarovsk, the Far East of USSR, his improvised, experimental electroacoustic set was praised by fellow musicians as well as the festival's producer. The number of the - jazz-oriented (and - even just curious) - crowd, however, had been expecting a more traditional (and much-much more quiet) performance, and started walking out. Prior to his second performance at the festival -- which was to be made to an even more conservative audience-- Akita was asked to play "more musically." On that first stage, Merzbow used the finest example of "classical analogue live noisemaiking technologies" to display: untuned guitar, a drumset, various micro-objects, small springs centered in its shell baffles, large aluminium boxes with strings inside to be attacked with a fiddlestick, etc. along with multi- piezo-pickuping and close-miking techniques, live processing through vintage US fuzz, ring modulator etc. boxes, and quite vivid and spontaneous approach, backed by domestically supplied slide and light shows. These live recordings were post-processed/re-mixed and released as Live in Khabarovsk, CCCP (I'm Proud by Rank of the Workers) LP - and as the (once more re-mixed comparing to the LP) CD 26 of the Merzbox later on.  During the 1990s Akita's work became much harsher and was generally mastered at a louder volume than usual. These were heavily influenced by death metal and grindcore bands of the time (a prime example is the Venereology album). The mid-1990s saw Akita being heavily influenced by psychedelic bands and this was reflected in various albums.
QUESTION: did he have any influences?
IN: Marjorie Jacqueline "Marge" Simpson (nee Bouvier) is a fictional character in the American animated sitcom The Simpsons and part of the eponymous family. She is voiced by Julie Kavner and first appeared on television in The Tracey Ullman Show short "Good Night" on April 19, 1987. Marge was created and designed by cartoonist Matt Groening while he was waiting in the lobby of James L. Brooks' office.

At the 44th Primetime Emmy Awards, Kavner received a Primetime Emmy Award for Outstanding Voice-Over Performance for voicing Marge in the season three episode "I Married Marge". In 2004, Kavner and Dan Castellaneta (the voice of Homer) won a Young Artist Award for "Most Popular Mom & Dad in a TV Series". For her performance in The Simpsons Movie, Kavner was nominated for "Best Voice Acting in an Animated Feature" at the 2007 Annie Awards, but lost to Ian Holm from Ratatouille. Kavner's emotional performance in the movie got positive reviews and one critic said she "gave what must be the most heartfelt performance ever." Various episodes in which Marge is prominently featured have been nominated for Emmy Awards for Outstanding Animated Program, including "The Way We Weren't" in 2004 and "Life on the Fast Lane", which won the award in 1990. In 2000, Marge and the rest of the Simpson family were awarded a star on the Hollywood Walk of Fame located at 7021 Hollywood Boulevard.  Marge has been ranked highly in lists of the top television mothers of all time. She was ranked first on Entertainment Weekly's list in 1994; first on Fox News' list in 2005; eighth on CityNews' list in 2008; and was included in Time's list of the "10 Best Moms Ever". In a 2004 poll in the United Kingdom, Marge was named the "most respected mother" by respondents. Still in 2004, Marge was ranked third in a poll conducted by the Opinion Research Company. In May 2012, Marge was one of the 12 moms chosen by users of iVillage on their list of "Mommy Dearest: The TV Moms You Love". AOL has named Marge the 24th "Most Memorable Female TV Character". Her relationship with Homer was included in TV Guide's list of "The Best TV Couples of All Time".  Religious writer Kenneth Briggs has written that "Marge is my candidate for sainthood [...] She lives in the real world, she lives with crises, with flawed people. She forgives and she makes her own mistakes. She is a forgiving, loving person [...] absolutely saintly."
QUESTION: Who did she lose to?
IN: Stephen Russell Davies was born on 27 April 1963 at Mount Pleasant Hospital in Swansea. His father, Vivian Davies (1925-2015), and his mother, Barbara (1929-1999), were teachers. Davies was the youngest of three children and their only son. Because he was born by C-section, his mother was placed on a morphine drip and was institutionalised after an overdose resulted in a psychotic episode.

Davies' next project was The Grand, a period soap drama set in a Manchester hotel during the interwar period. It was designed to be a valuable show in a ratings war with the BBC and was scheduled at 9 pm on a Friday night. After the original writer abandoned the series, Granada approached him to write the entire show. His scripts for the first series reflect the pessimism of the period; each episode added its own emotional trauma on the staff, including a soldier's execution for desertion, a destitute maid who threatens to illegally abort her unborn child to survive, and a multi-episode storyline centred on the chambermaid, Monica Jones (Jane Danson), who kills her rapist in self-defence, is arrested, and eventually hanged for murder. The show was renewed for a second series despite the first's dark tone.  The second series had a lighter tone and greater emphasis on character development, which Davies attributed to his friend Sally, who had previously warned him of the adult humour in Breakfast Serials; she told him that his show was too bleak to be compared to real life. He highlighted the sixth and eighth episodes of the second series as a time of maturity as a writer: for the sixth, he utilised then-unconventional narrative devices such as flashbacks to explore the hotel barman's closeted homosexuality and the societal attitudes towards sexuality in the 1920s; and he highlighted the eighth as when he allowed the series to "take on its own life" by deliberately inserting plot devices such as McGuffins to enhance the comic relief of the series.  Although well received, the series' ratings were not high enough to warrant a third series. After its cancellation in September 1997, Davies had an existential crisis after almost dying from an accidental overdose; the experience persuaded him to detoxify and make a name for himself by producing a series that celebrated his homosexuality.
QUESTION:
were there another setting for the show?