Problem: Background: Cabaret is a 1972 American musical drama film which was directed by Bob Fosse and which starred Liza Minnelli, Michael York, and Joel Grey. Situated in Berlin during the Weimar Republic in 1931, under the presence of the growing Nazi Party, the film is loosely based on the 1966 Broadway musical Cabaret by Kander and Ebb, which was adapted from the novel The Berlin Stories / Goodbye to Berlin (1939) by Christopher Isherwood and the 1951 play I Am a Camera adapted from the same book. Only a few numbers from the stage score were used for the film; Kander and Ebb wrote new ones to replace those that were discarded. In the traditional manner of musical theater, called an "integrated musical", every significant character in the stage version sings to express his or her own emotion and to advance the plot.
Context: In 1995, Cabaret was the ninth live-action musical film selected by the Library of Congress for preservation in the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant".  Cabaret is cited on TV Guide's greatest films on TV and Video, and in Movieline magazine as one of the 100 Best Movies Ever. It was included in FilmFour's 100 Greatest Films of All Time at number 78 and in San Francisco Chronicle's film critics' "Hot 100 Films of the Past", being hailed as "The last great musical. Liza Minnelli plays Sally Bowles, an American adrift in pre-Nazi Berlin, in Bob Fosse's stylish, near-perfect film."  David Benedict from The Observer has written about Cabaret's influence in musical films: "Back then, musicals were already low on filmgoers' lists, so how come it was such a success? Simple: Cabaret is the musical for people who hate them. Given the vibrancy of its now iconic numbers - Liza Minnelli in bowler and black suspenders astride a bentwood chair belting out 'Mein Herr' or shimmying and shivering with pleasure over 'Money' with Joel Grey - it sounds strange to say it but one of the chief reasons why Cabaret is so popular is that it's not shot like a musical."  The film has been listed as one of the most important for queer cinema for its depictions of homosexuality, revolutionary at the time of its release. It turned Liza Minnelli into a gay icon. Film blogs have elected it as "the gayest winner in the history of the Academy".
Question: what was the film Legacy?
Answer: Cabaret was the ninth live-action musical film

IN: John F. Stossel was born on March 6, 1947, in Chicago Heights, Illinois, the younger of two sons, to Jewish parents who left Germany before Hitler rose to power. They joined a Congregationalist church in the U.S., and Stossel was raised Protestant. He grew up on Chicago's affluent North Shore and graduated from New Trier High School. Stossel characterizes his older brother, Tom, as "the superstar of the family", commenting, "While I partied and played poker, he studied hard, got top grades, and went to Harvard Medical School."

Progressive organizations such as Fairness and Accuracy In Reporting (FAIR) and Media Matters for America (MMfA) have criticized Stossel's work, for what they perceived as a lack of balance of coverage and distortion of facts. For example, Stossel was criticized for a segment on his October 11, 1999, show during which he argued that AIDS research has received too much funding, "25 times more than on Parkinson's, which kills more people." FAIR responded that AIDS had killed more people in the United States in 1999, but Stossel was speaking in more broad terms than a single country over a single year.  In a February 2000 Salon.com feature on Stossel entitled "Prime-time propagandist", David Mastio wrote that Stossel has a conflict of interest in donating profits from his public speaking engagements to, among others, a non-profit called "Stossel in the Classroom" which includes material for use in schools, some of which uses material made by Stossel.  University of Texas economist James K. Galbraith has alleged that Stossel, in his September 1999 special Is America #1?, used an out-of-context clip of Galbraith to convey the notion that Galbraith advocated the adoption by Europe of the free market economics practiced by the United States, when in fact Galbraith actually advocated that Europe adopt some of the United States' social benefit transfer mechanisms such as Social Security, which is the economically opposite view. Stossel denied any misrepresentation of Galbraith's views and stated that it was not his intention to convey that Galbraith agreed with all of the special's ideas. However, he re-edited that portion of the program for its September 2000 repeat, in which Stossel paraphrased, "Even economists who like Europe's policies, like James Galbraith, now acknowledge America's success."

Do you think Stossel's criticism of government stems from the german government his family had to flee?

OUT: 

Background: Samuel de Champlain (also known as "The Father of New France) (French: [samYel d@ Saple] born Samuel Champlain; on or before August 13, 1574 - December 25, 1635), "The Father of New France", was a French navigator, cartographer, draftsman, soldier, explorer, geographer, ethnologist, diplomat, and chronicler. He made from 21-29 trips across the Atlantic, and founded New France and Quebec City on July 3, 1608. He is important to Canadian history because he made the first accurate map of the coast and he helped found the settlements.
Context: In the spring of 1608, Dugua wanted Champlain to start a new French colony and fur trading center on the shores of the St. Lawrence. Dugua equipped, at his own expense, a fleet of three ships with workers, that left the French port of Honfleur. The main ship, called the Don-de-Dieu (French for the Gift of God), was commanded by Champlain. Another ship, the Levrier (the Hunt Dog), was commanded by his friend Du Pont. The small group of male settlers arrived at Tadoussac on the lower St. Lawrence in June. Because of the dangerous strength of the Saguenay River ending there, they left the ships and continued up the "Big River" in small boats bringing the men and the materials.  On July 3, 1608, Champlain landed at the "point of Quebec" and set about fortifying the area by the erection of three main wooden buildings, each two stories tall, that he collectively called the "Habitation", with a wooden stockade and a moat 12 feet (4 m) wide surrounding them. This was the very beginning of Quebec City. Gardening, exploring, and fortifying this place became great passions of Champlain for the rest of his life.  In the 1620s, the Habitation at Quebec was mainly a store for the Compagnie des Marchands (Traders Company), and Champlain lived in the wooden Fort Saint Louis newly built up the hill (south from the present-day Chateau Frontenac Hotel), near the only two houses built by the two settler families (the ones of Louis Hebert and Guillaume Couillard, his son-in-law).
Question: Are there any other interesting aspects about this article?
Answer:
In the spring of 1608, Dugua wanted Champlain to start a new French colony and fur trading center on the shores of the St. Lawrence.