Problem: Background: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.
Context: Clarence White helped popularize the acoustic guitar as a lead instrument in bluegrass music, building on the work of guitarists such as Doc Watson. Prior to the advent of the more aggressive flatpicking style pioneered by guitarists like Watson and White, the guitar was strictly a rhythm instrument, save for a few exceptions (such as the occasional guitar track by banjoist Don Reno). Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice. Rice owns and plays White's highly modified 1935 Martin D-28. David Grier and Russ Barenberg are two other acoustic guitarists who were heavily influenced by White's guitar work. White's bluegrass playing with the Kentucky Colonels was also a considerable influence on Jerry Garcia of the Grateful Dead, who traveled with the band during 1964.  On the electric side of the guitar spectrum, White was similarly influential. Together with fellow Byrds bandmember Gene Parsons, White invented the B-Bender device. This device raises the B-string (second string) of the guitar a whole step by the use of pulleys and levers attached to both the upper strap knob and the second string on the guitar. It is activated by pushing down on the neck, and produces a "pedal steel" type sound. Arlen Roth, heavily influenced by this style, did not at the time know that White and Parsons had invented a B-bender, so instead developed his own unique all-finger bending version of this technique. This was heavily documented in his ground-breaking book, "Nashville Guitar", all of his recordings, as well as his book "Masters of the Telecaster". Subsequently, his Telecaster sound became as notable as his bluegrass playing. Marty Stuart, another guitarist influenced by White's playing, now owns and regularly plays White's 1954 Fender Telecaster with the prototype B-Bender.  Music archivist and writer Alec Palao has called White "one of a handful of true greats amongst the instrumentalists of 20th century popular music", before adding that "the waves created by the guitarist's idiosyncratic style are still forming ripples within bluegrass, country and rock 'n' roll." In 2003, White was ranked No. 41 on Rolling Stone magazine's list of the 100 Greatest Guitarists of All Time. In 2010, guitar manufacturer Gibson ranked White at No. 42 on their Top 50 Guitarists of All Time list.
Question: what was the musical influence on white
Answer: 

Problem: Background: Deborah Anne "Debby" Boone (born September 22, 1956), is an American singer, author, and actress. She is best known for her 1977 hit, "You Light Up My Life", which spent ten weeks at No. 1 on the Billboard Hot 100 chart and led to her winning the Grammy Award for Best New Artist the following year. Boone later focused her music career on country music resulting in the 1980 No. 1 country hit "Are You on the Road to Lovin' Me Again". In the 1980s, she recorded Christian music which garnered her four top 10 Contemporary Christian albums as well as two more Grammys.
Context: During 1981-82, Boone toured the United States in a production of the stage adaptation of the film Seven Brides for Seven Brothers. The play was a commercial and critical success nationwide before opening on Broadway in July 1982. The Broadway reviews were lackluster, but a scathing review by The New York Times led the show to close after just five performances. The day after the show's closing, several of the show's stars and theatergoers protested the closing outside the New York Times' building, hoping for a retraction of its review and the re-opening of the show. But, despite the enthusiastic reception of the show from Broadway theatergoers, the producers believed that the show could not overcome its reviews and the show remained closed.  Boone continued her theater work, appearing periodically in stage productions nationwide including lead roles in Camelot, Meet Me in St. Louis, Mississippi Love, South Pacific, The Human Comedy, and The King and I. Boone returned twice to the New York stage. She starred as Maria in the 1990 Lincoln Center production of The Sound of Music, which was nominated as Outstanding Musical Revival by the Drama Desk Awards. In 1996, Boone played against her image as Rizzo in the 1990s revival of Grease.  In 1978, Boone made her first foray into television with a musical adaptation of O. Henry's The Gift of the Magi co-starring John Rubinstein. She also headlined two of her own NBC television music specials - The Same Old Brand New Me (1980) and One Step Closer (1982). In 1984, Boone appeared in the television movie Sins of the Past co-starring Anthony Geary, Barbara Carrera and Kim Cattrall. In the film, Boone portrayed Clarissa Hope, a young prostitute who leaves her job after a fellow prostitute is murdered, and subsequently reforms herself as a Christian music singer. The film was a Top 10 Nielsen hit. Boone has since made guest appearances on several television shows including Step by Step and Baywatch Nights and was featured in the television films Come on, Get Happy: The Partridge Family Story and Treehouse Hostage.
Question: What was her most successful show
Answer:
The Sound of Music, which was nominated as Outstanding Musical Revival by the Drama Desk Awards.