Some context: Jon Stewart was born Jonathan Stuart Leibowitz on November 28, 1962, in New York City, to Marian (nee Laskin), a teacher and later educational consultant, and Donald Leibowitz, a professor of physics at The College of New Jersey and Thomas Edison State College. Stewart's family are Litvak Jews who emigrated to America from Poland, Ukraine and Belarus. One of his grandfathers was born in Manzhouli (now part of Inner Mongolia). He is the second of four sons, with older brother Lawrence and younger brothers Dan and Matthew.
Throughout his tenure on The Daily Show, Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world." In November 2009, Stewart called out Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it actually was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson - a former Miss America and a Stanford graduate - for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw".  Stewart stepped up his criticism of Fox News in 2010; as of April 24, The Daily Show had 24 segments criticizing Fox News' coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring".  During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" after Wallace said that Stewart's earlier comparison of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by fact-checking site PolitiFact as false, with conditions. Stewart later accepted his error.  In 2014, Stewart engaged in an extended "call-out" of Fox News based on their perceived hypocritical coverage of food stamps and U.S. Government assistance. This culminated during the Bundy standoff involving multiple segments, across multiple episodes, specifically singling out Sean Hannity and Hannity's coverage of the event. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by calling out Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric towards Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart vehemently opposed the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri and the subsequent protests from citizens.
What was said about Carlson?
A: claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw".

Some context: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.
After 12th-century, Odia temples, monasteries and nearby institutions such as the Nalanda in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (1360-1361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility.  The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khurda.  During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannath temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations".  Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were dehumanized and stigmatized as prostitutes during the British period. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.
Were there ever any male dancers among the Odissi dancers?
A: