input: Prior to the start of the 2010-11 season, Durant announced via Twitter that he had signed a five-year contract extension with the Thunder worth approximately $86 million. For the second consecutive year, he led the NBA in scoring, averaging 27.7 points a game. Behind his leadership, the Thunder won 55 games and earned the fourth seed in the Western Conference. In the playoffs, Oklahoma City defeated the Denver Nuggets and Memphis Grizzlies en route to a Conference Finals match-up versus the Dallas Mavericks, losing in five games.  On February 19 of the lockout-shortened 2011-12 season, Durant recorded his first career 50-point game, scoring 51 points against the Denver Nuggets. At the All-Star Game, he scored 36 points and was awarded the NBA All-Star Game Most Valuable Player Award. He finished the year with a scoring average of 28 points per game, representing his third straight scoring title. Behind his play, the Thunder won 47 games and entered the playoffs as the Western Conference's second seed. In Game 1 of the first round against the Mavericks, Durant hit a game-winner with 1.5 seconds remaining. Oklahoma City would go on to defeat Dallas, the Lakers, and the San Antonio Spurs before losing to the Miami Heat in the Finals. For the NBA Finals, Durant led all players with 30.6 points per game, doing so on a 54.8 shooting rate.  With a scoring average of 28.1 points per game to finish the 2012-13 season, Durant failed to defend his scoring title; however, with a 51 percent shooting rate, a 41.6 percent three point shooting rate, and a 90.5 free throw shooting rate, he became the youngest player in NBA history to join the 50-40-90 club. Finishing the year with a 60-22 record, Oklahoma City earned the first seed in the Western Conference. In the first round of the playoffs against the Houston Rockets, Russell Westbrook tore his meniscus, forcing him to miss the remainder of the postseason. Without Westbrook, Durant was given more responsibility, averaging a career-high 30.8 points per game throughout the playoffs, but Oklahoma City were eventually eliminated in the second round by the Memphis Grizzlies in five games.

Answer this question "Where was he before being with THunder?"
output: 

input: The Kinks started out playing the then popular R&B and blues styles; then, under the influence of The Kingsmen's "Louie Louie" recording, developed louder rock and hard rock sounds -- due to their pioneering contribution to the field, they have often been labelled as "the original punks". Dave Davies was "really bored with this guitar sound - or lack of an interesting sound" so he purchased "a little green amplifier ... an Elpico" from a radio spares shop in Muswell Hill, and "twiddled around with it", including "taking the wires going to the speaker and putting a jack plug on there and plugging it straight into my AC30" (a larger amplifier), but didn't get the sound he wanted until he got frustrated and "got a single-sided Gillette razorblade and cut round the cone [from the centre to the edge] ... so it was all shredded but still on there, still intact. I played and I thought it was amazing." The jagged sound of the amplifier was replicated in the studio; the Elpico was plugged into the Vox AC30, and the resulting effect became a mainstay in The Kinks' early recordings--most notably on "You Really Got Me" and "All Day and All of the Night".  From 1966 onwards, The Kinks came to be known for their adherence to traditions of English music and culture, during a period when many other British bands dismissed their heritage in favour of American blues, R&B and pop styles. Ray Davies recalled that at a distinct moment in 1965 he decided to break away from the American scene, and write more introspective and intelligent songs. "I decided I was going to use words more, and say things. I wrote 'Well Respected Man'. That was the first real word-oriented song I wrote. ... [I also] abandoned any attempt to Americanise my accent." The Kinks' allegiance to English styles was strengthened by the ban placed on them by the American Federation of Musicians. The ban cut them off from the American record buying public, the world's largest musical market, forcing them to focus on Britain and mainland Europe. The Kinks expanded on their English sound throughout the remainder of the 1960s, incorporating elements of music hall, folk, and baroque music through use of harpsichord, acoustic guitar, mellotron, and horns, and creating some of the most influential and important music of the period.  Beginning with Everybody's In Show-biz (1972), Ray Davies began exploring theatrical concepts on the group's albums; these themes became manifest on the 1973 album Preservation Act 1 and continued through Schoolboys In Disgrace (1976). The Kinks found little success with these conceptual works, and reverted to a traditional rock format throughout the remainder of the 1970s. Sleepwalker (1977), which heralded their return to commercial success, featured a mainstream, relatively slick production style that would become their norm. The band returned to hard rock for Low Budget (1979), and continued to record within the genre throughout the remainder of their career.

Answer this question "did they have any hit albums?"
output: Sleepwalker (1977), which heralded their return to commercial success,

input: In May 2005 the first single from the upcoming second album "Streetcar" acted as the band's fourth consecutive top 20 single in the United Kingdom by debuting at number 15. On 14 June 2005, the band released their second album Hours through Atlantic Records. Produced by Terry Date, the album was recorded in two Seattle studios owned by the grunge band Pearl Jam and featured unusual methods of recording, for example Matt Davies' vocals were recorded whilst in a moving car and on a crowded Seattle street, for the song "Drive". Just two weeks after its release the album was certified a Silver over 60,000 sales and was awarded a Gold for over 100,000 sales on 23 December 2005. In August of the same year, the band won a Kerrang! Award for "Best British Band".  Funeral for a Friend performed several low-profile shows in Wales, including Bangor University and Bridgend Recreation Centre, prior to the release of Hours. In the United States, they played alongside bands such as Atreyu, Saosin, Hawthorne Heights and Thrice on the Maurice Stage of the 2005 Vans Warped Tour. The band headlined the British leg of Taste Of Chaos across November with support from The Used, Killswitch Engage, Rise Against and Story Of the Year. Funeral for a Friend released the third and last single from Hours, "History", which music video depicts the events of the miner strikes of the mid-1980s in South Wales.  Funeral For a Friend closed the promotional jaunt for Hours in the Summer of 2006, with a series of UK shows rescheduled from February. Most of the original dates had been cancelled because Matt Davies had suffered from a bout of laryngitis. Several other shows were scheduled in the UK to complement these rescheduled dates, and the tour culminated in a slot below headliners Guns N' Roses at the Download Festival at Donington Park. The rest of 2006 was spent writing and recording the band's third album.

Answer this question "When did they do these shows"
output:
prior to the release of Hours. In the United States, they played alongside bands such as Atreyu, Saosin, Hawthorne Heights and Thrice on the Maurice