Some context: Tamannaah Bhatia was born on 21 December 1989 in Mumbai, Maharashtra, India, to Santhosh and Rajani Bhatia. She has an elder brother, Anand. Her father is a diamond merchant. She is of Sindhi descent.
Tamannaah's first release of 2013 was Sajid Khan's Himmatwala, co-starring Ajay Devgan, which was the remake of the 1983 Hindi film of the same name where she reprises the role of Sridevi from the original. Khan chose her considering her popularity in the South Indian cinema and the film marked her comeback to Hindi cinema. The film opened to negative reviews from critics, who felt that she matched Sridevi in terms of glamour but failed in terms of acting skills which they termed as "below average". Himmatwala became a commercial failure at the box office.  Her other release of 2013 was Kishore Kumar Pardasany's Tadakha, co-starring Naga Chaitanya, Sunil and Andrea Jeremiah, the official Telugu remake of N. Lingusamy's Vettai where she reprises the role played by Amala Paul in the original. The film opened to moderate reviews from critics, and was commercially successful. She earned a nomination at the 3rd South Indian International Movie Awards in the Best Actor Female category.  She made her comeback to Tamil cinema in 2014 after a sabbatical of three years with Siva's Veeram, co-starring Ajith Kumar. She said in an interview that she was in talks for a lot of Tamil films and would be signing a few soon. Veeram received positive reviews from critics, and became one of the highest grossing Tamil films of 2014. She again collaborated with Sajid Khan for the film Humshakals as one of the female leads. The film co-starred Saif Ali Khan, Ram Kapoor, Riteish Deshmukh, Bipasha Basu and Esha Gupta. The film received poor reviews from critics, and flopped at the box office.  She performed her first item number in V. V. Vinayak's Alludu Seenu featuring Bellamkonda Sreenivas and Samantha Ruth Prabhu in the lead roles which she accepted to do upon Vinayak's request after walking out of the film initially due to changes in its script. That song, titled "Labbar Bomma", was well received by the audience.  In her next release Entertainment directed by Sajid-Farhad, co-starring Akshay Kumar, she played the role of a television actress. While the film was a semi-hit at the box office, Tamannaah received a nomination at the 7th Golden Kela Awards in the worst actress category. Her last release of 2014 was Srinu Vaitla's Aagadu, co-starring Mahesh Babu, in which she played the role of a village belle owning a chain of sweet shops. The film opened to mixed reviews and was a commercial failure at the box office.
What else did she do after that
A: In her next release Entertainment directed by Sajid-Farhad, co-starring Akshay Kumar, she played the role of a television actress.
Some context: Lilyan Tashman (October 23, 1896 - March 21, 1934) was an American vaudeville, Broadway, and film actress. Tashman was best known for her supporting roles as tongue-in-cheek villainesses and the vindictive "other woman." She made 66 films over the course of her Hollywood career and although she never obtained superstar status, her cinematic performances are described as "sharp, clever and have aged little over the decades." Tall, blonde, and slender with fox-like features and a throaty voice, Tashman freelanced as a fashion and artist's model in New York City.
Lilyan Tashman's entertainment career began in vaudeville, and by 1914 she was an experienced performer, appearing in Song Revue in Milwaukee, Wisconsin, with rising stars Eddie Cantor and Al Lee. In 1916, she played Viola in a Shakespeare-inspired number for the Ziegfeld Follies and remained with the Follies for the 1917 and 1918 seasons. In 1919, producer David Belasco gave her a supporting role in Avery Hopwood's comedy The Gold Diggers. The show ran two years with Tashman acting as an understudy, and occasionally filling in, for star Ina Claire.  In 1921, Tashman made her film debut playing Pleasure in an allegorical segment of Experience, and when The Gold Diggers closed she appeared in the plays The Garden of Weeds and Madame Pierre. In 1922, she had a small role in the Mabel Normand film Head Over Heels. Her personal and professional lives in 1922 were not entirely satisfactory (best friend Edmund Lowe moved to Hollywood, for example, and she was fired from Madame Pierre) so she relocated to California and quickly found work in films. In 1924, she appeared in five films (including a cinematic adaptation of The Garden of Weeds) and received good reviews for Nellie, the Beautiful Cloak Model and Winner Take All. She freelanced, moving from studio to studio, but signed a long-term contract in 1931 with Paramount. She made nine films for the studio.  In 1925, she appeared in 10 films, including Pretty Ladies with Joan Crawford and Myrna Loy. From 1926 to 1929, she appeared in numerous films, became a valued supporting player, and starred in the independent Rocking Moon (1926) and The Woman Who Did Not Care (1927). She played supporting roles in Ernst Lubitsch's farce So This Is Paris (1926), Camille with Norma Talmadge (1926), A Texas Steer with Will Rogers (1927), director Dorothy Arzner's Manhattan Cocktail (1928), and Hardboiled (1929). Her Variety reviews were good.  She easily managed the transition to sound films, making a total of 28, and appeared in some of the very first, including United Artists's Bulldog Drummond (1929), The Trial of Mary Dugan (1929), the now-lost color musical Gold Diggers of Broadway (1929), and New York Nights (1930) with Norma Talmadge. She starred as a murderess in the melodrama Murder by the Clock, as a self-sacrificing mother in The Road to Reno (1931), and as a chorus girl in Wine, Women and Song (1933). In 1932, her health began to fail but she appeared in The Wiser Sex, Those We Love, the film on the Russian Revolution, Scarlet Dawn, Mama Loves Papa with Charlie Ruggles (1933), and the musical Too Much Harmony (1933). In early 1934, she appeared in Riptide with Norma Shearer. Her last film, Frankie and Johnny, was released posthumously in 1936. Director George Cukor described Tashman as "a very diverting creature [...] outrageous and cheerful and goodhearted."
how did her career start?
A:
Lilyan Tashman's entertainment career began in vaudeville, and by 1914 she was an experienced performer,