input: Benn's father had been created Viscount Stansgate in 1942 when Winston Churchill increased the number of Labour peers to aid political work in the House of Lords; at this time, Benn's elder brother Michael was intending to enter the priesthood and had no objections to inheriting a peerage. However, Michael was later killed in an accident while on active service in the Second World War, and this left Benn as the heir to the peerage. He made several unsuccessful attempts to renounce the succession.  In November 1960, Lord Stansgate died. Benn automatically became a peer, preventing him from sitting in the House of Commons. The Speaker of the Commons, Sir Harry Hylton-Foster, did not allow him to deliver a speech from the bar of the House of Commons in April 1961 when the by-election was being called. Continuing to maintain his right to abandon his peerage, Benn fought to retain his seat in a by-election caused by his succession on 4 May 1961. Although he was disqualified from taking his seat, he was re-elected. An election court found that the voters were fully aware that Benn was disqualified, and declared the seat won by the Conservative runner-up, Malcolm St Clair, who was at the time also the heir presumptive to a peerage.  Benn continued his campaign outside Parliament. Within two years, though, the Conservative Government of the time, which had members in the same or similar situation to Benn's (i.e., who were going to receive title, or who had already applied for writs of summons), changed the law. The Peerage Act 1963, allowing lifetime disclaimer of peerages, became law shortly after 6 pm on 31 July 1963. Benn was the first peer to renounce his title, doing so at 6.22 pm that day. St Clair, fulfilling a promise he had made at the time of his election, then accepted the office of Steward of the Manor of Northstead, disqualifying himself from the House (outright resignation not being possible). Benn returned to the Commons after winning a by-election on 20 August 1963.

Answer this question "Did Benn worked with anyone else to approve this law?"
output: St Clair,

input: After the publication of Chance in 1913, Conrad was the subject of more discussion and praise than any other English writer of the time. He had a genius for companionship, and his circle of friends, which he had begun assembling even prior to his first publications, included authors and other leading lights in the arts, such as Henry James, Robert Bontine Cunninghame Graham, John Galsworthy, Edward Garnett, Garnett's wife Constance Garnett (translator of Russian literature), Stephen Crane, Hugh Walpole, George Bernard Shaw, H. G. Wells, Arnold Bennett, Norman Douglas, Jacob Epstein, T. E. Lawrence, Andre Gide, Paul Valery, Maurice Ravel, Valery Larbaud, Saint-John Perse, Edith Wharton, James Huneker, anthropologist Bronislaw Malinowski, Jozef Retinger (later a founder of the European Movement, which led to the European Union, and author of Conrad and His Contemporaries). Conrad encouraged and mentored younger writers. In the early 1900s he composed a short series of novels in collaboration with Ford Madox Ford.  In 1919 and 1922 Conrad's growing renown and prestige among writers and critics in continental Europe fostered his hopes for a Nobel Prize in Literature. Interestingly, it was apparently the French and Swedes - not the English - who favoured Conrad's candidacy.  In April 1924 Conrad, who possessed a hereditary Polish status of nobility and coat-of-arms (Nalecz), declined a (non-hereditary) British knighthood offered by Labour Party Prime Minister Ramsay MacDonald.  Conrad kept a distance from official structures -- he never voted in British national elections -- and seems to have been averse to public honours generally; he had already refused honorary degrees from Cambridge, Durham, Edinburgh, Liverpool, and Yale universities.  In the Polish People's Republic, translations of Conrad's works were openly published, except for Under Western Eyes, which in the 1980s was published as an underground "bibula".  Conrad's narrative style and anti-heroic characters have influenced many authors, including T. S. Eliot, Maria Dabrowska, F. Scott Fitzgerald, William Faulkner, Gerald Basil Edwards, Ernest Hemingway, Antoine de Saint-Exupery, Andre Malraux, George Orwell, Graham Greene, William Golding, William Burroughs, Saul Bellow, Gabriel Garcia Marquez, Peter Matthiessen, John le Carre, V. S. Naipaul, Philip Roth, Joan Didion, Thomas Pynchon J. M. Coetzee, and Salman Rushdie. Many films have been adapted from, or inspired by, Conrad's works.

Answer this question "Did he influence any other authors?"
output: F. Scott Fitzgerald, William Faulkner,

input: 50 Cent signed to Interscope Records. Due to the success of his commercial debut album, Get Rich or Die Tryin', he was granted his own record label. This was when G-Unit Records was created. G-Unit gained more popularity when a remix to 50 Cent's "P.I.M.P." was released, featuring Snoop Dogg and G-Unit.  But before the group had a chance to record its debut album, Tony Yayo was sentenced to prison for a gun-possession charge as well as bail-jumping. During Tony Yayo's prison sentence, 50 Cent signed Tennessee-based rapper Young Buck to G-Unit Records and subsequently added him to the group.  In 2003, the group's debut album Beg for Mercy, was released. However, while the album was being recorded, Tony Yayo was sentenced to jail on charges of gun possession. Therefore, he only makes two appearances, both were pre-recorded tracks. His face is seen on the brick wall of the album cover because he could not be photographed on account of his jail sentence. Beg for Mercy went on to sell 2.3 million copies in the US and 4 million copies worldwide. The only guest appearances on the album were R&B singers Joe and Butch Cassidy. The album's production was handled by high-profile producers such as Hi-Tek, Dr. Dre and Scott Storch, among several others. 50 Cent also served as the album's executive producer.  West Coast rapper The Game was originally placed into G-Unit by Dr. Dre and Jimmy Iovine of Interscope Records. Their plan was to market The Game as a devotee, or a card-carrying member of 50 Cent's "camp.". However, after a while, tensions began to rise between The Game and 50 Cent. 50 Cent also claimed that he did not receive proper credit for co-writing most of the songs on Game's debut album The Documentary (2005).

Answer this question "What was the name of G-Unit's debut album?"
output:
Beg for Mercy,