input: Johnny Fean continued to play live music with Stephen Travers, formerly of The Miami Showband.  After his retirement, Eamon Carr went on to become a producer of young rock talent in the mid-1980s, and also forming his own record label called Hotwire (which sponsored noted acts such as the punk rock group The Golden Horde). He also did a number of specialist DJ slots on radio before morphing into a music/sports journalist with the Evening Herald in Dublin. More recently he presented on a Dublin station 'Carr's Cocktail Shack' in which he played American music of the 1950s and 1960s. In 2008, Carr and Henry McCullough co-wrote a new bunch of songs. A resulting album entitled Poor Man's Moon was released on 1 September 2008. Also in 2008, Carr released his first book, The Origami Crow, Journey Into Japan, World Cup Summer 2002, a book that is at once a travel log about his journey to Japan, a poetry collection, an homage to Japanese poet Basho, heralded by many as the creator of Haiku, and also has some sports commentary thrown in.  Barry Devlin directed for the screen and been a drama writer for radio and screen, as can be seen from his credits on the IMDB and for the radio detective drama Baldi He produced a number of U2 videos in the mid-1980s. Examples of his screen writing are evident in the joint RTE/BBC production Ballykissangel and ITV's The Darling Buds of May.  Jim Lockhart is head of production at RTE 2fm and has also done some production work and music arrangement.  Charles O'Connor owns two antique shops in Whitby, England. O'Connor continued to record folk and traditional music in his home recording studio.

Answer this question "Has he directed anything notable?"
output: Examples of his screen writing are evident in the joint RTE/BBC production Ballykissangel and ITV's The Darling Buds of May.

input: When the war started Seward turned his attention to making sure that foreign powers did not interfere in the conflict. When in April 1861, the Confederacy announced that it would authorize privateers, Seward sent word to the American representatives abroad that the U.S. would become party to the Paris Declaration Respecting Maritime Law of 1856, outlawing such vessels, but Britain required that, if the U.S. were to become a party, the ratification would not require action to be taken against Confederate vessels.  The Palmerston government considered recognizing the Confederacy as an independent nation. Seward was willing to wage war against Britain if it did, and drafted a strong letter for the American Minister in London, Charles Francis Adams, to read to the Foreign Secretary, Lord Russell. Seward submitted it to Lincoln, who, realizing that the Union was in no position to battle both the South and Britain, toned it down considerably, and made it merely a memorandum for Adams's guidance.  In May 1861, Britain and France declared the South to be belligerents by international law, and their ships were entitled to the same rights as U.S.-flagged vessels to remain 24 hours in neutral ports. Nevertheless, Seward was pleased that both nations would not meet with Confederate commissioners or recognize the South as a nation. Britain did not challenge the Union blockade of Confederate ports, and Seward wrote that if Britain continued to avoid interfering in the war, he would not be overly sensitive to what wording they used to describe their policies.  In November 1861, the USS San Jacinto, commanded by Union Captain Charles Wilkes, intercepted the British mail ship RMS Trent and removed two Confederate diplomats, James Mason and John Slidell. They were held in Boston amid jubilation in the North and outrage in Britain. The British minister in Washington, Lord Lyons, demanded their release, as the U.S. had no right to stop a British-flagged ship traveling between neutral ports. The British drew up war plans to attack New York and sent reinforcements to Canada. Seward worked to defuse the situation. He persuaded Lyons to postpone delivering an ultimatum, and told Lincoln that the prisoners would have to be released. Lincoln did let them go, reluctantly, on technical grounds. Relations between the U.S. and Britain soon improved; in April 1862, Seward and Lyons signed a treaty they had negotiated allowing each nation to inspect the other's ships for contraband slaves. In November 1862, with America's image in Britain improved by the issuance of the preliminary Emancipation Proclamation, the British cabinet decided against recognition of the Confederacy as a nation.  Confederate agents in Britain had arranged for the construction of Confederate ships, most notably the CSS Alabama, which ravaged Union shipping after her construction in 1862. With two more such vessels under construction the following year, supposedly for French interests, Seward pressed Palmerston not to allow them to leave port, and, nearly complete, they were seized by British officials in October 1863.

Answer this question "What were his views about the war?"
output: 

input: When the band's first album, Sorry Ma, Forgot to Take Out the Trash, was released in August 1981, it received positive reviews in local fanzines. Option's Blake Gumprecht wrote, "Westerberg has the ability to make you feel like you're right in the car with him, alongside him at the door, drinking from the same bottle." The album contained the band's first single, "I'm in Trouble", Westerberg's "first truly good song". Sorry Ma included the song, "Somethin to Du", a homage to another Minneapolis punk band, Husker Du. The Replacements had a friendly rivalry with the band, which started when Twin/Tone chose the Replacements over Husker Du, and Husker Du landed an opening slot at a Johnny Thunders gig that the Replacements had wanted. Husker Du also influenced the band's music. The Replacements began playing faster and became more influenced by hardcore punk. Despite this, the band did not feel part of the hardcore scene. As Mars later stated, "We were confused about what we were."  Sometime in late 1981, the Replacements played a song called "Kids Don't Follow". Jesperson was convinced the song sounded like a hit and pleaded with the Twin/Tone co-owners Stark and Hallman, "I will do anything to get this out. I will hand-stamp jackets if I have to." The partners agreed to fund the recording, but Jesperson and virtually everyone he knew had to hand-stamp ten thousand white record jackets. The band recorded eight tracks within a week, with Jesperson as producer. Their "balls-to-the-wall hardcore punk attempt", their first EP Stink, containing "Kids Don't Follow" and seven other songs, was released in June 1982, six months after the Chicago show.  The Replacements began to distance themselves from the hardcore punk scene after the release of Stink. "We write songs rather than riffs with statements," Westerberg later stated. Inspired by other rock subgenres, he had been writing songs that incorporated a wide range of musical styles. He even wrote an acoustic ballad, "You're Getting Married One Night", but when he played it to the rest of the band, it was met with silence. "Save that for your solo album, Paul," Bob Stinson said. "That ain't the Replacements". The track remained unreleased for years. Westerberg realized his toughest audience was the band itself, later saying, "If it doesn't rock enough, Bob will scoff at it, and if it isn't catchy enough, Chris won't like it, and if it isn't modern enough, Tommy won't like it."

Answer this question "What was one of their first releases?"
output:
Sorry Ma, Forgot to Take Out the Trash,