IN: Mumtaz Mahal (Urdu: mumtz mHal ), ([mum'ta:z me'hel]; meaning "the Exalted One of the palace"; Arjumand Banu; 27 April 1593 - 17 June 1631) was Empress consort of the Mughal Empire from 19 January 1628 to 17 June 1631 as the chief consort of the Mughal emperor Shah Jahan. The UNESCO World Heritage Site Taj Mahal in Agra, often cited as one of the Wonders of the World, was commissioned to act as her final resting place. Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility.

Upon his accession to the throne in 1628, Shah Jahan designated Mumtaz as his chief empress with the title of 'Malika-i-Jahan' ("Queen of the World") and 'Malika-uz-Zamani' ("Queen of the Age"). Mumtaz's tenure as empress was brief (spanning a period of only three years due to her untimely death), nonetheless Shah Jahan bestowed her with luxuries that no other empress was given before her. For example, no other empress' residence was as decorated as Khas Mahal (part of Agra Fort), where Mumtaz lived with Shah Jahan. It was decorated with pure gold and precious stones and had rose water fountains of its own. Each wife of the Mughal emperor was given regular monthly allowance for her gastos (housekeeping or travelling expenses). The highest allowance on record is 10 lakh rupees per year given to Mumtaz Mahal under Shah Jahan.  Shah Jahan consulted Mumtaz in both private matters and the affairs of the state and she served as his close confidante and trusted adviser. At her intercession, he forgave enemies or commuted death sentences. His trust in her was so great that he gave her the highest honour of the land -- his imperial seal, the Mehr Uzaz, which validated imperial decrees. Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign.  A great influence on him, often intervening on behalf of the poor and destitute, she also enjoyed watching elephant and combat fights performed for the court. Mumtaz also patronized a number of poets, scholars and other talented persons. A noted Sanskrit poet, Vansidhara Mishra, was the Empress' favourite. On the recommendation of her principal lady-in-waiting, Sati-un-Nissa, Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men. It was quite common for women of noble birth to commission architecture in the Mughal Empire, so Mumtaz devoted some time to a riverside garden in Agra, which is now known as Zahara Bagh. It is the only architectural foundation which can be connected to her patronage.
QUESTION: did they have any children?
IN: Salvador Domingo Felipe Jacinto Dali i Domenech, Marquis of Dali de Pubol (11 May 1904 - 23 January 1989), known professionally as Salvador Dali ( Catalan: [s@lb@'do d@'li]; Spanish: [salba'dor da'li]), was a prominent Spanish surrealist born in Figueres, Catalonia, Spain. Dali was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.

Dali employed extensive symbolism in his work. For instance, the hallmark "melting watches" that first appear in The Persistence of Memory suggest Einstein's theory that time is relative and not fixed. The idea for clocks functioning symbolically in this way came to Dali when he was staring at a runny piece of Camembert cheese on a hot August day.  The elephant is also a recurring image in Dali's works. It appeared in his 1944 work Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening. The elephants, inspired by Gian Lorenzo Bernini's sculpture base in Rome of an elephant carrying an ancient obelisk, are portrayed "with long, multijointed, almost invisible legs of desire" along with obelisks on their backs. Coupled with the image of their brittle legs, these encumbrances, noted for their phallic overtones, create a sense of phantom reality. "The elephant is a distortion in space", one analysis explains, "its spindly legs contrasting the idea of weightlessness with structure." "I am painting pictures which make me die for joy, I am creating with an absolute naturalness, without the slightest aesthetic concern, I am making things that inspire me with a profound emotion and I am trying to paint them honestly." --Salvador Dali, in Dawn Ades, Dali and Surrealism.  The egg is another common Daliesque image. He connects the egg to the prenatal and intrauterine, thus using it to symbolize hope and love; it appears in The Great Masturbator and The Metamorphosis of Narcissus. The Metamorphosis of Narcissus also symbolized death and petrification. There are also giant sculptures of eggs in various locations at Dali's house in Port Lligat as well as at the Dali Theatre and Museum in Figueres.  Various other animals appear throughout his work as well: ants point to death, decay, and immense sexual desire; the snail is connected to the human head (he saw a snail on a bicycle outside Freud's house when he first met Sigmund Freud); and locusts are a symbol of waste and fear.  Both Dali and his father enjoyed eating sea urchins, freshly caught in the sea near Cadaques. The radial symmetry of the sea urchin fascinated Dali, and he adapted its form to many art works. Other foods also appear throughout his work.
QUESTION:
What type of symbolism did Dali use?