input: Memoirs of a Geisha received mixed reviews from western critics. Illinois' Daily Herald said that the "[s]trong acting, meticulously created sets, beautiful visuals, and a compelling story of a celebrity who can't have the one thing she really wants make Geisha memorable". The Washington Times called the film "a sumptuously faithful and evocative adaption" while adding that "[c]ontrasting dialects may remain a minor nuisance for some spectators, but the movie can presumably count on the pictorial curiosity of readers who enjoyed Mr. Golden's sense of immersion, both harrowing and [a]esthetic, in the culture of a geisha upbringing in the years that culminated in World War II".  The film scored a 35% "Rotten" rating on Rotten Tomatoes; the consensus stated "Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera." On Metacritic, the film was given a 54/100 meaning "mixed or average review."  In the United States, the film managed $57 million during its box office run. The film peaked at 1,654 screens, facing off against King Kong, The Chronicles of Narnia, and Fun with Dick and Jane. During its first week in limited release, the film screening in only eight theaters tallied up an $85,313 per theater average which made it second in highest per theater averages behind Brokeback Mountain for 2005. International gross reached $158 million.  The New Statesman criticized Memoirs of a Geisha's plot, saying that after Hatsumomo leaves, "the plot loses what little momentum it had and breaks down into one pretty visual after another" and says that the film version "abandons the original's scholarly mien to reveal the soap opera bubbling below". The Journal praised Zhang Ziyi, saying that she "exudes a heartbreaking innocence and vulnerablity" but said "too much of the character's yearning and despair is concealed behind the mask of white powder and rouge". London's The Evening Standard compared Memoirs of a Geisha to Cinderella and praised Gong Li, saying that "Li may be playing the loser of the piece but she saves this film" and Gong "endows Hatsumomo with genuine mystery". Eighteen days later, The Evening Standard put Memoirs of a Geisha on its Top Ten Films list. Glasgow's Daily Record praised the film, saying the "geisha world is drawn with such intimate detail that it seems timeless until the war, and with it the modern world comes crashing in".

Answer this question "What were the reviews in the US?"
output: Memoirs of a Geisha received mixed reviews from western critics.

Problem: Background: Fogerty was born in Berkeley, California, and grew up in El Cerrito, California, one of five sons born to Galen Robert and Edith Lucile Fogerty. His father, Galen Fogerty, was a native of South Dakota and worked as a Linotype operator for the Berkeley Gazette. Lucile Fogerty was from Great Falls, Montana. When John was two years old his parents both converted to Catholicism.
Context: Fogerty was discharged from the Army in July 1967. In the same year, the band changed its name to Creedence Clearwater Revival. At this time, he took his brother's place as lead singer for the band. By 1968, things started to pick up for the band. The band released their eponymous debut album and also had their first hit single, "Susie Q". Many other hit singles and albums followed, beginning with "Proud Mary" and the album Bayou Country.  Fogerty, as writer of the songs for the band (as well as lead singer and lead guitarist), felt that his musical opinions should count for more than those of the others, leading to resentments within the band. These internal rifts, and Tom's feeling that he was being taken for granted, caused Tom to leave the group in January 1971. The two other group members, bassist Stu Cook and drummer Doug Clifford, wanted a greater role in the band's future. Fogerty, in an attempt to keep things together, insisted Cook and Clifford share equal songwriting and vocal time on what became the band's final album, Mardi Gras, released in April 1972, which included the band's last two singles, the 1971 hit "Sweet Hitch-Hiker", and "Someday Never Comes", which barely made it into the Billboard Top 20.  Cook and Clifford told Fogerty that the fans would not accept "Mardi Gras" as a CCR LP, but he said, "My voice is a unique instrument, and I will not lend it to your songs." He gave them an ultimatum: either they would do it or he would quit immediately. They accepted his ultimatum, but the album received poor reviews. It was a commercial success, however, peaking at #12 and achieving gold record status. It generated weaker sales than their previous albums. The group disbanded shortly afterwards.  The only reunion of all four original members was at Tom Fogerty's wedding in 1980. Fogerty, Doug and Stu played a 45-minute set at their 20th class reunion in 1983, and Fogerty and Doug were reunited again for a brief set at their 25th class reunion.
Question: Why did they break up?
Answer: " He gave them an ultimatum: either they would do it or he would quit immediately.

Question: Judith Miller (born January 2, 1948) is an American journalist and commentator. She worked in The New York Times' Washington bureau before joining Fox News. Accused by, among others, Edward Said, for a purported anti-Islamic bias in her writing, Miller became embroiled in controversy after her coverage of Iraq's Weapons of Mass Destruction (WMD) program both before and after the 2003 invasion was discovered to have been based on the inaccurate information in the intelligence investigations, particularly those stories that were based on sourcing from the now-disgraced Ahmed Chalabi. The New York Times later determined that a number of stories she had written for the paper were inaccurate.

On October 12, 2001, Miller opened an anthrax hoax letter mailed to her New York Times office. The 2001 anthrax attacks had begun occurring in the wake of the September 11 attacks in 2001, with anthrax-laced letters sent to ABC News, CBS News, NBC News, and the New York Post, all in New York City, as well as the National Enquirer in Boca Raton, Florida. Two additional letters (with a higher grade of anthrax) were sent on October 9, 2001, to Senators Tom Daschle and Patrick Leahy in Washington. Twenty-two people were infected; five died. In 2008, the government's investigation of these mailings focused on Bruce Ivins, who later committed suicide, with the investigation determining that Ivins acted alone.  Miller was the only major U.S. media reporter, and The New York Times the only major U.S. media organization, to be victimized by a fake anthrax letter in the fall of 2001. Miller had reported extensively on the subject of biological threats and had co-authored, with Stephen Engelberg and William Broad, a book on bio-terrorism, Germs: Biological Weapons and America's Secret War which was published on October 2, 2001. Miller co-authored an article on Pentagon plans to develop a more potent version of weaponized anthrax, "U.S. Germ Warfare Research Pushes Treaty Limits", published in The New York Times on September 4, 2001, weeks before the first anthrax mailings.  Miller also participated in a senior-level bio-terror attack simulation on Oklahoma City conducted on June 22 and June 23, 2001, called "Operation Dark Winter"; her role was media reporter/observer.

Using a quote from the above article, answer the following question: What was the content of those letters?
HHHHHH
Answer:
additional letters (with a higher grade of anthrax)