Question:
Brotherhood of Man are a British pop group who achieved success in the 1970s. They won the 1976 Eurovision Song Contest with "Save Your Kisses for Me". Created in 1969 by songwriter and record producer Tony Hiller, Brotherhood of Man was initially an umbrella title for a frequently-changing line-up of session singers. Early on, they scored a worldwide hit with the song "United We Stand".
Brotherhood of Man were formed by record producer/composer Tony Hiller in 1969, and originally featured his co-writer John Goodison with Tony Burrows, Roger Greenaway, Sue Glover and Sunny Leslie. Greenaway was also a songwriter and had co-written hits such as "Something's Gotten Hold of My Heart" and "Melting Pot". Burrows was a well-known session singer, performing in various line-ups on hit singles such as the No.1 hit "Love Grows (Where My Rosemary Goes)" by Edison Lighthouse. The two female members, Glover and Leslie were an act in their own right, releasing singles as Sue and Sunny.  The group came together in 1969 and began recording some songs with Hiller. Their first single "Love One Another" failed to chart, but the follow-up "United We Stand" (released in January 1970) was a worldwide hit. "United We Stand" was heavily played on British radio, and broke into the American market. The single became a Top 20 hit in the UK, Canada, and US. The song has since been used as the closing theme for television's Brady Bunch Hour and as an anthem for various causes. Burrows left the group soon after and as a four-piece, The Brotherhood of Man followed "United We Stand" with another hit, "Where Are You Going to My Love". The song charted in the UK, Canada, and US and has since been covered by Olivia Newton-John and The Osmonds among others. A debut album United We Stand followed soon after.  Over the next two years, the group continued in varied line-ups. Goodison left the group at the beginning of 1971 and was replaced by American singer Hal Atkinson, Greenaway left soon after and was replaced by Russell Stone. They had one more minor hit in the US (1971's "Reach Out Your Hand"), but experienced no further success in the UK and split after being dropped by their record company.
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why did they leave

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input: In 1999, a new production had its pre-Broadway engagement at the Kennedy Center, Washington, D.C., from December 29, 1998 to January 24, 1999. Previews began on Broadway on February 2, 1999 at the Marquis Theatre, with an official opening on March 4, 1999, and closed on September 1, 2001 after 35 previews and 1,045 performances.  This revival starred Bernadette Peters as Annie and Tom Wopat as Frank, and Ron Holgate as Buffalo Bill, with direction by Graciela Daniele, choreographey by Jeff Calhoun, and music arrangements by John McDaniel. Peters won the 1999 Tony Award for Best Leading Actress in a Musical and the production won the Tony for Best Revival of a Musical.  This production had a revised book by Peter Stone and new orchestrations, and was structured as a "show-within-a-show", set as a Big Top travelling circus. "Frank Butler" is alone on stage and Buffalo Bill introduces the main characters, singing "There's No Business Like Show Business", which is reprised when "Annie" agrees to join the traveling Wild West show. The production dropped several songs (including "Colonel Buffalo Bill", "I'm A Bad, Bad Man", and "I'm an Indian Too"), but included "An Old-Fashioned Wedding". There were several major dance numbers added, including a ballroom scene. A sub-plot which had been dropped from the 1966 revival, the romance between Winnie and Tommy, her part-Native-American boyfriend, was also included. In the 1946 production, Winnie was Dolly's daughter, but the 1966 &1999 productions she is Dolly's younger sister. In this version, the final shooting match between Annie and Frank ends in a tie.

Answer this question "what is it about"
output: was structured as a "show-within-a-show", set as a Big Top travelling circus. "Frank Butler" is alone on stage and Buffalo Bill introduces the main characters,

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Lee was born on August 11, 1964 in Seoul, South Korea. He grew up in St. Louis, Missouri, where he lived a "typical middle-class childhood". Lee attended River Bend Elementary School in Chesterfield and later St. Louis Country Day School, where he drew posters for school plays. Having had to learn English when he first came to the U.S. presented the young Lee with the sense of being an outsider, as did the "preppy, upper-class" atmosphere of Country Day.
Enticed by the idea of being able to exert more control over his own work, in 1992, Lee accepted the invitation to join six other artists who broke away from Marvel to form Image Comics, which would publish their creator-owned titles. Lee's group of titles was initially called Aegis Entertainment before being christened Wildstorm Productions, and published Lee's initial title WildC.A.T.s, which Lee pencilled and co-wrote, and other series created by Lee in the same shared universe. The other major series of the initial years of Wildstorm, for which Lee either created characters, co-plotted or provided art for, included Stormwatch, Deathblow and Gen13.  In 1993, Lee and his friend, Valiant Comics publisher Steve Massarsky, arranged a Valiant-Image Comics crossover miniseries called Deathmate, in which the Valiant characters would interact with those of Wildstorm, and of Lee's fellow Image partner, Rob Liefeld. The miniseries would consist of four "center books", (each one denoted by a color rather than an issue number), two each produced by the respective companies, plus a prologue and epilogue book. Wildstorm produced Deathmate Black, with Lee himself contributing to the writing. He illustrated the covers for that book, the Deathmate Tourbook and the prologue book, as well as contributing to the prologue's interior inks.  Wildstorm would expand its line to include other ongoing titles whose creative work was handled by other writers and artists, some of which were spinoffs of the earlier titles, or properties owned by other creators, such as Whilce Portacio's Wetworks. As publisher, Lee later expanded his comics line creating two publishing imprints of Wildstorm, Homage and Cliffhanger (that years later merged and were replaced by a single Wildstorm Signature imprint), to publish creator-owned comics by some selected creators of the US comics industry.  Lee and Rob Liefeld, another Marvel-illustrator-turned-Image-founder, returned to Marvel in 1996 to participate in a reboot of several classic characters; the project was known as Heroes Reborn. While Liefeld reworked Captain America and The Avengers, Lee plotted Iron Man and plotted and illustrated Fantastic Four issues #1-6. Halfway through the project, Lee's studio took over Liefeld's two titles, finishing all four series. According to Lee, Marvel proposed continuing the Heroes Reborn lineup indefinitely, but under the condition that Lee would draw at least one of them himself, which he refused to do. Instead, he accepted an offer to re-imagine and relaunch (in the role of editor) three mainstream Marvel Universe titles: Defenders, Doctor Strange, and Nick Fury. Though scheduled to debut in December 1997, these three relaunches never appeared.  Lee returned to Wildstorm, where he would publish series such as The Authority and Planetary, as well as Alan Moore's imprint, America's Best Comics. Lee himself wrote and illustrated a 12-issue series called Divine Right: The Adventures of Max Faraday, in which an internet slacker inadvertently manages to download the secrets of the universe, and is thrown into a wild fantasy world.

Were these projects popular?