Question:
Carter was born in Clifton, New Jersey, the fourth of seven children. He acquired a criminal record and was sentenced to a juvenile reformatory for assault, having stabbed a man when he was 11. Carter escaped from the reformatory in 1954 and joined the Army. A few months after completing infantry basic training at Fort Jackson, South Carolina, he was sent to West Germany.
After his release from prison in September 1961, Carter became a professional boxer. At 5 ft 8 in (1.73 m), Carter was shorter than the average middleweight, but he fought all of his professional career at 155-160 lb (70-72.6 kg). His aggressive style and punching power (resulting in many early-round knockouts) drew attention, establishing him as a crowd favorite and earning him the nickname "Hurricane." After he defeated a number of middleweight contenders--such as Florentino Fernandez, Holley Mims, Gomeo Brennan, and George Benton--the boxing world took notice. The Ring first listed him as one of its "Top 10" middleweight contenders in July 1963. At the end of 1965, they ranked him as the number five middleweight.  He fought six times in 1963, winning four bouts and losing two. He remained ranked in the lower part of the top 10 until December 20, when he surprised the boxing world by flooring past and future world champion Emile Griffith twice in the first round and scoring a technical knockout. That win resulted in The Ring's ranking of Carter as the number three contender for Joey Giardello's world middleweight title. Carter won two more fights (one a decision over future heavyweight champion Jimmy Ellis) in 1964, before meeting Giardello in Philadelphia for a 15-round championship match on December 14. Carter landed a few solid rights to the head and staggered Giardello in the fourth, but was unable to follow them up, and Giardello took control of the fight in the fifth round. The judges awarded Giardello a unanimous decision.  After that fight, Carter's ranking in The Ring began to decline. He fought nine times in 1965, winning five but losing three of four against contenders Luis Manuel Rodriguez, Dick Tiger, and Harry Scott. Tiger, in particular, floored Carter three times in their match. "It was," Carter said, "the worst beating that I took in my life--inside or outside the ring." During his visit to London (to fight Scott) Carter was involved in an incident in which a shot was fired in his hotel room.  Carter's career record in boxing was 27 wins, 12 losses, and one draw in 40 fights, with 19 total knockouts (8 KOs and 11 TKOs). He received an honorary championship title belt from the World Boxing Council in 1993 (as did Joey Giardello at the same banquet) and was later inducted into the New Jersey Boxing Hall of Fame.
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When did he retire from boxing?

Answer:


input: Leno did not expect his show to beat competing first-run episodes, but to do better than reruns, in part because topical jokes benefit from the "immediacy" of the time slot versus 11:30 pm. A television analyst predicted that Leno would finish in "a safe third place" every night. NBC research before the show's debut indicated that fans of Leno would watch Leno two to three times a week.  NBC saw a 1.5 rating for the show in the 18-49 demographic as "viable" and a 1.8 as a "home run". NBC told Leno that at a 1.5 rating, NBC makes $300 million a year. Tonight at 11:30 pm earned about a 1.3 to 1.5; the television audience at 10 pm is 40% larger than at 11:30 pm, and the network hoped Leno's audience would also grow. Industry observers have cited a range of ratings, from 1.7 to 2, as being necessary for the show to succeed at 10 pm. By comparison, 2.5 is generally necessary for a 10 pm drama to succeed; those that earned a 1.7 or less during the 2008-2009 season were generally cancelled. NBC's prime-time dramas averaged about 2 during 2008-2009.  The first episode of The Jay Leno Show earned "fast national" estimates of 17.7 million viewers, an 11 Nielsen rating (5.1 among persons 18-49) and an 18 share, significantly above both his Tonight finale and the debut of The Tonight Show with Conan O'Brien in all categories. By the second week and competing against season premieres, the audience fell to six million viewers, still on par with or exceeding NBC projections. As of November 1, 2009, The Jay Leno Show has averaged a 1.98 in the adults 18-49 ratings and 6.594 million viewers. During the week before Christmas, the ratings dropped to 1.4 during the week. Prior to the controversy regarding the move of the Jay Leno Show to 11:35 p.m., viewership bottomed out at 4.799 million viewers, although there was a slight bump as word of the controversy broke.  Though the show had been meeting the network's projections for the show itself, it has been severely detrimental to the ratings of the late local news on NBC affiliates. Several stations across the country have seen what is known as the "Leno Effect", where the lower audience for Leno (as compared to NBC's scripted prime time offerings) translated directly into a domino effect of severe audience drops for late local news (on the order of 25-30%), effects that NBC had underestimated.

Answer this question "Are there any other interesting aspects about this article?"
output: Though the show had been meeting the network's projections for the show itself, it has been severely detrimental to the ratings of the late local news on NBC affiliates.

Answer the question at the end by quoting:

Gigi [ZiZi] is a 1958 American musical-romance film directed by Vincente Minnelli processed using MGM's Metrocolor. The screenplay by Alan Jay Lerner is based on the 1944 novella of the same name by Colette. The film features songs with lyrics by Lerner and music by Frederick Loewe, arranged and conducted by Andre Previn. In 1991, Gigi was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
In late April, Freed and Minnelli and their respective entourages arrived in Paris. The weather had become unseasonably hot, and working in unair-conditioned hotel rooms was uncomfortable. Minnelli began scouting locations while Freed and Lerner discussed the still incomplete script. Lerner had taken liberties with Colette's novella; the character of Honore, nonexistent in the original book and very minor in the Loos play, was now a major figure. Gigi's mother, originally a significant character, was reduced to a few lines of dialogue delivered off-screen. Lerner also expanded the focus on Gigi's relationship with her grandmother.  By mid-July, the composers had completed most of the score, but still were missing the title tune. Loewe was at the piano while Lerner was indisposed in the bathroom, and when the former began playing a melody the latter liked, he later recalled he jumped up, "[his] trousers still clinging to [his] ankles, and made his way to the living room. 'Play that again,' he said. And that melody ended up being the title song for Gigi."  In September, the cast and crew flew to California, where several interior scenes were filmed, among them the entire scene in Maxim's, which included a musical number by Jourdan. Lerner was unhappy with the look of the scene as it had been shot by Minnelli, and at considerable expense, the restaurant was recreated on a soundstage and the scene was reshot by director Charles Walters, since Minnelli was overseas working on a new project.  The film title design uses the artwork of Sem's work from the Belle Epoque.

Was it easy to come up with the title tune for the film?
By mid-July, the composers had completed most of the score, but still were missing the title tune.