Problem: Interpol is an American rock band from New York City. Formed in 1997, the band's original line-up consisted of Paul Banks (vocals, rhythm guitar), Daniel Kessler (lead guitar, vocals), Carlos Dengler (bass guitar, keyboards) and Greg Drudy (drums, percussion). Drudy left the band in 2000 and was replaced by Sam Fogarino. In 2010, shortly after recording finished for the band's fourth album, Dengler left to pursue personal projects.

On March 6, 2009, the band announced on its website that it was working on songs for a fourth album. The album was recorded in Electric Lady Studios during spring 2009. In an interview, Fogarino referred to the album as having gone back to the original sound of Turn On the Bright Lights. It was later claimed by Banks that it would not sound anything like their debut album and that there is some very "classical stuff going on" with it. No news about the album surfaced until late April when the band sent an email directing users to a free download of "Lights", the first officially released song. Citing management changes at the label, the band left Capitol records prior to the album's release, signing again with Matador Records.  The band's fourth album (self-titled) was officially released on September 7, 2010. It was Dengler's last effort with Interpol. In an announcement on the band's website on May 9, 2010, it was revealed that he had left the band sometime after the album's completion. When the remaining members toured in support, he was replaced by multiple players, including David Pajo (formerly of Slint and many other bands) on bass, and Brandon Curtis of The Secret Machines on keyboards and vocals. The album was released on Matador Records in the US, and on Cooperative Music for Europe, Australia and Japan. On February 2011, Pajo announced that he was no longer touring with Interpol, in order to dedicate more time to his family. Pajo was subsequently replaced by Brad Truax.  The band was announced as the opener for the third and fourth legs of U2's 360deg Tour, and subsequently the band announced eighteen US shows to take place over the third leg of U2's 360deg Tour, but only three of them went ahead after Bono's back injury cancelled U2's entire third leg. The band toured the UK and Ireland in November and December 2010.  On June 22, 2010, a promotional video for "Lights", directed by Charlie White and featuring Lola Blanc, was made available for free download on the band's official website.  The band opened for U2 on their rescheduled tour date at Soldier Field in Chicago, Illinois, on July 5, 2011, and remained on U2's 360deg Tour for the remainder of the summer.

What was the last album that Carlos Denger performed with Interpol?

Answer with quotes: The band's fourth album (self-titled) was officially released on September 7, 2010. It was Dengler's last effort with Interpol.

Question:
Anquetil was the son of a builder in Mont-Saint-Aignan, in the hills above Rouen in Normandy, north-west France. He lived there with his parents, Ernest and Marie, and his brother Philippe and then at Boisguillaume in a two-storey house, "one of those houses with exposed beams that tourists think are pretty but those who live there find uncomfortable." In 1941, his father refused contracts to work on military installations for the German occupiers and his work dried up. Other members of the family worked in strawberry farming and Anquetil's father followed them, moving to the hamlet of Bourguet, near Quincampoix.
Anquetil unfailingly beat Raymond Poulidor in the Tour de France and yet Poulidor remained the more popular. Divisions between their fans became marked, which two sociologists studying the impact of the Tour on French society say became emblematic of France old and new.  The extent of those divisions is shown in a story, perhaps apocryphal, told by Pierre Chany, who was close to Anquetil:  The Tour de France has the major fault of dividing the country, right down to the smallest hamlet, even families, into two rival camps. I know a man who grabbed his wife and held her on the grill of a heated stove, seated and with her skirts held up, for favouring Jacques Anquetil when he preferred Raymond Poulidor. The following year, the woman became a Poulidor-iste. But it was too late. The husband had switched his allegiance to Gimondi. The last I heard they were digging in their heels and the neighbours were complaining.  Jean-Luc Boeuf and Yves Leonard, in their study, wrote:  Those who recognised themselves in Jacques Anquetil liked his priority of style and elegance in the way he rode. Behind this fluidity and the appearance of ease was the image of France winning and those who took risks identified with him. Humble people saw themselves in Raymond Poulidor, whose face - lined with effort - represented the life they led on land they worked without rest or respite. His declarations, full of good sense, delighted the crowds: a race, even a difficult one, lasts less time than a day bringing in the harvest. A big part of the public therefore finished by identifying with the one who symbolised bad luck and the eternal position of runner-up, an image that was far from true for Poulidor, whose record was particularly rich. Even today, the expression of the eternal second and of a Poulidor Complex is associated with a hard life, as an article by Jacques Marseille showed in Le Figaro when it was headlined "This country is suffering from a Poulidor Complex".
Answer this question using a quote from the text above:

Are there any other interesting aspects about this article?

Answer:
Behind this fluidity and the appearance of ease was the image of France winning and those who took risks identified with him.