IN: The Apples in Stereo, styled as The Apples in stereo, are an American rock band associated with Elephant Six Collective, a group of bands also including Neutral Milk Hotel and The Olivia Tremor Control. The band is largely a product of lead vocalist/guitarist/producer Robert Schneider, who writes the majority of the band's music and lyrics. Currently, The Apples in Stereo also includes longstanding members John Hill (rhythm guitar) and Eric Allen (bass), as well as more recent members John Dufilho (drums), John Ferguson (keyboards), and Ben Phelan (keyboards/guitar/trumpet). The band's sound draws comparisons to the psychedelic rock of The Beatles and The Beach Boys during the 1960s, as well as to bands such as Electric Light Orchestra and Pavement, and also draws from lo-fi, garage rock, new wave, R&B, bubblegum pop, power pop, punk, electro-pop and experimental music.

In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado. Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys -- a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who was also already in a band at the time that Schneider unsuccessfully auditioned for on bass. Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys.  Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company). It was also at this time that the name "The Apples" came about, inspired by the Pink Floyd song "Apples and Oranges".  The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes. From February to April 1993, the band recorded their debut 7" EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo.
QUESTION: What did the two do together?
IN: Jeremy Webster "Fred" Frith (born 17 February 1949) is an English multi-instrumentalist, composer, and improvisor. Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittova, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag.

Fred Frith has used a number of different guitars, including homemade instruments, over the years, depending on the type of music he is playing. For the more structured and refined music he has often used a Gibson ES-345, for example on his solo album, Gravity. For the heavier "rock" sound, as in Massacre, he has used an old 1961 solid body Burns guitar, created by the British craftsman Jim Burns. On his landmark Guitar Solos album, Frith used a modified 1936 Gibson K-11 guitar (q.v. for details).  For Frith's early unstructured music, as with Henry Kaiser on With Friends Like These, and his early table-top guitar solo performances, he used a homemade six- and eight-string double-neck guitar created by a friend, Charles Fletcher. Frith told DownBeat magazine in 1983: "It was the one and only guitar that he ever built ... he constructed it mainly out of old pieces from other guitars that I had, and for the body I think he used an old door." The possibilities offered by homemade instruments prompted Frith to start creating his own guitars, basically slabs of wood on which he mounted a pickup, a bridge, and strings stretched over metal screws. "The basic design of the instrument is supposed to be as rudimentary and flexible as possible," Frith said, "so I can use an electric drill to bore holes into the body of it to achieve certain sounds ... ."  Frith uses a variety of implements to play guitar, from traditional guitar picks to violin bows, drum sticks, egg beaters, paint brushes, lengths of metal chain, and other found objects. Frith remarked: "It's more to do with my interest in found objects and the use of certain kinds of textures which have an effect on the string ... the difference between the touch of stone, the touch of glass, the touch of wood, the touch of paper - those kinds of basic elements that you're using against the surface of the strings which produce different sounds."  In a typical solo improvising concert, Frith would lay a couple of his homemade guitars flat on a table and play them with a collection of found objects (varying from concert to concert). He would drop objects, like ball bearings, dried beans, and rice on the strings while stroking, scraping, and hitting them with whatever was on hand. Later he added a live sampler to his on-stage equipment, which he controlled with pedals. The sampler enabled him to dynamically capture and loop guitar sounds, over which he would capture and loop new sounds, and so on, until he had a bed of repeated patterns on top of which he would then begin his solo performance.
QUESTION:
Is this guitar expensive?