Answer the question at the end by quoting:

Elizabeth of York (11 February 1466 - 11 February 1503) was queen consort of England from 1486 until her death. As the wife of Henry VII, she was the first Tudor queen. She was the daughter of Edward IV and niece of Richard III, and she married the king following Henry's victory at the Battle of Bosworth which started the last phase of the Wars of the Roses. She was the mother of King Henry VIII.
Elizabeth's mother made an alliance with Lady Margaret Beaufort, mother of Henry Tudor, later King Henry VII, who had the closest claim to the throne of those in the Lancastrian party. Although Henry Tudor was descended from King Edward III, his claim to the throne was weak, due to an act of parliament passed during the reign of Richard II in the 1390s, that barred accession to the throne to any heirs of the legitimised offspring of Henry's great-great-grandparents, John of Gaunt and Katherine Swynford. Despite this, his mother and Elizabeth Woodville agreed Henry should move to claim the throne and, once he had taken it, marry Elizabeth of York to unite the two rival houses. In December 1483, in the cathedral in Rennes, Henry Tudor swore an oath promising to marry her and began planning an invasion.  In 1484, Elizabeth of York and her sisters left Westminster Abbey and returned to court when Elizabeth Woodville was reconciled with Richard III, which may suggest that Elizabeth Woodville believed Richard III to be innocent of any possible role in the murder of her two sons (although this is unlikely owing to her involvement in Henry Tudor's failed invasion of October 1483). It was rumoured that Richard III intended to marry Elizabeth of York because his wife, Anne Neville, was dying and they had no surviving children. The Crowland Chronicle claimed that Richard III was forced to deny this unsavoury rumour. Soon after Anne Neville's death, Richard III sent Elizabeth away from court to the castle of Sheriff Hutton and opened negotiations with King John II of Portugal to marry his sister, Joan, Princess of Portugal, and to have Elizabeth marry their cousin, the future King Manuel I of Portugal.  On 7 August 1485, Henry Tudor and his army landed in Wales and began marching inland. On 22 August 1485, Henry Tudor and Richard III fought the Battle of Bosworth Field. Richard III, despite having the larger army, was betrayed by one of his most powerful retainers, William Stanley, and died in battle. Henry Tudor took the crown by right of conquest as Henry VII.

What else happened to her in the article?

On 7 August 1485, Henry Tudor and his army landed in Wales and began marching inland.

IN: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.

Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.

When did Rameau stop making instrumental music?

OUT: