Answer the question at the end by quoting:

Deborah Anne "Debby" Boone (born September 22, 1956), is an American singer, author, and actress. She is best known for her 1977 hit, "You Light Up My Life", which spent ten weeks at No. 1 on the Billboard Hot 100 chart and led to her winning the Grammy Award for Best New Artist the following year. Boone later focused her music career on country music resulting in the 1980 No. 1 country hit "Are You on the Road to Lovin' Me Again". In the 1980s, she recorded Christian music which garnered her four top 10 Contemporary Christian albums as well as two more Grammys.
With her older sisters married and younger sister Laury in college, Boone was actively encouraged by producer Mike Curb to launch a solo career. Boone released her first solo effort, "You Light Up My Life" (which had been featured in the film of the same name) in 1977. The song became the biggest hit of the 1970s spending ten consecutive weeks at No. 1 on the Billboard Hot 100 -- longer than any other song in Hot 100 history to that point. (In 2008, Billboard ranked the song No. 7 among all songs that charted in the 50-year history of the Hot 100.) The song earned Boone a Grammy Award for Best New Artist and an American Music Award for Favorite Pop Single of 1977. She also received Grammy nominations for Best Pop Vocal Performance - Female and Record of the Year won by, respectively, Barbra Streisand ("Love Theme From "A Star Is Born" (Evergreen)") and the Eagles ("Hotel California"). "You Light Up My Life" also succeeded on Billboard's Adult Contemporary (No. 1 for one week) and Country (No. 4) singles charts. The single and the album (No. 6 Pop, No. 6 Country) of the same name were both certified platinum.  The song, written and produced by Joe Brooks, was from the film of the same name. Brooks earned Song of the Year awards at both the 1978 Grammys and Oscars for writing the song. (Boone performed the song at both awards shows.) Boone's version was not used in the movie or featured on its soundtrack. The song was lip-synched in the film by its star, Didi Conn, performing to vocals recorded by Kacey Cisyk. It was written as a love song, but Boone interpreted the song as inspirational and stated that she recorded the song for God.  Boone's overnight success led to a tour with her father and frequent television appearances, but she was unable to maintain her success in pop music after "You Light Up My Life". Her follow-up single, "California" (also written and produced by Joe Brooks), peaked at No. 50 Pop and No. 20 AC. "California" was included on Boone's second album, Midstream, which faltered at No. 147 Pop. Her next single, the double-sided "God Knows"/"Baby I'm Yours", also struggled, peaking at No. 74 Pop, becoming her last entry on the Hot 100. However, the single charted AC (No. 14) and returned Boone to the country chart (No. 22). Boone then released another movie theme, "When You're Loved", from The Magic of Lassie. Like "You Light Up My Life", the song was nominated for an Academy Award for its composers, the Sherman Brothers, but it failed to replicate the success of her first single charting only No. 48 AC. Boone's wholesome persona contrasted with the image-conscious pop-music industry, leading her career in different musical directions.

Did she win any other awards?

Like "You Light Up My Life", the song was nominated for an Academy Award for its composers, the Sherman Brothers, but it failed to replicate



Answer the question at the end by quoting:

Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.
The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release" by Rotten Tomatoes, where it achieved a 93% positive review rating, based on reviews from 217 critics. The film received six Academy Award nominations, including Best Picture, Director (Clooney), and Actor (Strathairn).  Roger Ebert, in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless." Margaret Pomeranz and David Stratton from the ABC show At the Movies each gave the film five stars, making Good Night, and Good Luck the only other film besides Brokeback Mountain to receive such a score from the hosts in 2005. Both described the film as "beautiful" but also praised Clooney for the film's importance. Margaret commented that "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." David noted "Though [the film] is in black-and-white, there's nothing monochromatic about Clooney's passion for his subject or the importance of his message."  Jack Shafer, a libertarian-leaning columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow. Clooney's film gives the impression that Murrow brought down McCarthy single-handedly, while Shafer notes that in reality much of the mainstream media, many Democrats and some of McCarthy's Republican peers were condemning him before Murrow. Furthermore, Shafer writes, evidence obtained via the declassified Venona espionage program confirmed that many Soviet agents and sympathizers were in fact in positions of influence in the U.S. government, a disclosure the film entirely overlooks: "Clooney and company ignore the material that might argue against their simple-minded thesis about Murrow, the era, and the press to produce an after-school special".  One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.

What was the reception of the film?
The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release"