Question:
Helen Fielding is an English novelist and screenwriter, best known as the creator of the fictional character Bridget Jones, and a sequence of novels and films beginning with the life of a thirtysomething singleton in London trying to make sense of life and love. Bridget Jones's Diary (1996) and Bridget Jones: The Edge of Reason (1999) were published in 40 countries and sold more than 15 million copies. The two films of the same name achieved international success.
Fielding grew up in Morley, West Yorkshire, a textile town on the outskirts of Leeds in the north of England. Her father was managing director of a textile factory, next door to the family home, that produced cloth for miners' donkey jackets. He died in 1982 and her mother, Nellie, still lives in Yorkshire. Fielding attended Wakefield Girls' High School, one of the Grammar Schools in the Wakefield Grammar School Foundation. She has three siblings, Jane, David and Richard. Fielding studied English at St Anne's College, Oxford and was part of the Oxford revue at the 1978 Edinburgh Festival, forming a continuing friendship with a group of comic performers and writers including Richard Curtis and Rowan Atkinson.  Fielding began work at the BBC in 1979 as a regional researcher on the news magazine Nationwide. She progressed to working as a production manager on various children's and light entertainment shows. In 1985 Fielding produced a live satellite broadcast from a refugee camp in Eastern Sudan for the launch of Comic Relief. She also wrote and produced documentaries in Africa for the first two Comic Relief fundraising broadcasts. In 1989 she was a researcher for an edition of the Thames TV This Week series "Where Hunger is a Weapon" about the Southern Sudan rebel war. These experiences formed the basis for her debut novel, Cause Celeb.  From 1990 - 1999 she worked as a journalist and columnist on several national newspapers, including The Sunday Times, The Independent and The Telegraph. Her best-known work, Bridget Jones's Diary, began its life as an unattributed column in The Independent in 1995. The success of the column led to two novels and their film adaptations. Fielding was part of the scriptwriting team for both.
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Where did Helen Fielding grow up ?

Answer:
Fielding grew up in Morley, West Yorkshire, a textile town on the outskirts of Leeds in the north of England.

input: Stig Anderson still thought Gardestad had some international potential, and he and his brother Kenneth travelled to Hollywood in late 1977 to record Gardestad's first English-language album Blue Virgin Isles. The west coast rock orientated album featured contributions from American and English musicians including Jeff Porcaro, Steve Porcaro, Jim Keltner, David Hungate, Jay Graydon, Dr. John and John Mayall, many of whom were Gardestad's personal idols. Blue Virgin Isles was released worldwide in late 1978 on Epic Records, and produced the singles "Take Me Back To Hollywood", an English version of "Chapeau-Clacque", and "Love, You're Making All The Fools". Despite the expensive production and the big push to launch Gardestad--including promotional appearances alongside ABBA--his Swedish success did not translate internationally. In Sweden, the album peaked at No. 29 and spent one week on the chart. Thirty years after its original release, Blue Virgin Isles remains Gardestad 's only studio album that has not been re-released on CD by Polar Music/PolyGram/Universal Music Group.  In early 1979, Ted and Kenneth Gardestad had a fourth attempt at Melodifestivalen and won with the song "Satellit", a mid-tempo rock track whose arrangement bore resemblances to Toto's 1978 hit "Hold the Line". The similarities caused speculation of plagiarism in the Swedish media and disqualification from the contest. The connection between the two songs was that the song's producer Janne Schaffer had heard four of the future Toto members, Steve Porcaro, Jeff Porcaro, David Hungate and Steve Lukather, experimenting with a guitar and bass riff during the Blue Virgin Isles sessions in Los Angeles, which eventually evolved into "Hold the Line". Schaffer was inspired by what he had heard when he wrote the arrangement for "Satellit", but at that point neither "Hold the Line" nor Toto's debut eponymous album had been released. Jeff Porcaro told Swedish newspaper Aftonbladet in February 1979: "No, it's not a rip-off, Ted did not steal our song. Those piano triplets and that bass and guitar line go back to the 1950s and the fact that we both have happened to use variations on the same theme in our songs right now is purely coincidental." Consequently, Ted represented Sweden at the Eurovision Song Contest held in Jerusalem in March 1979. After having competed four times in the pre-selection before winning and with his personal connection to ABBA, hopes and expectations were high. The song scored eight points and finished seventeenth out of nineteen participating entries, making it Sweden's then-second-lowest placing in the contest. The Swedish-language single became a Top 10 hit back home in Sweden and "Satellit" is regarded as one of Ted's signature tunes. The English-language version of the track never charted and neither did the re-issue of Blue Virgin Isles, which included both versions, making it clear that Ted's Scandinavian audiences favoured his Swedish-language material.  After an unsuccessful return to Melodifestivalen in 1980, with "Lat solen varma dig" ("Let the Sun Warm You") with then girlfriend Annica Boller and disappointing sales of his 1981 album Stormvarning (#31, 2 weeks)--which was internationally released as I'd Rather Write a Symphony on the Polydor label in a few countries and equally overlooked--Gardestad left the music scene at the age of 25.

Answer this question "What did he after he left the scene"
output: 

Answer the question at the end by quoting:

Richards was born to Malcolm and Gretel Richards in St. John's, Antigua, then part of the British Leeward Islands. He attended St. John's Boys School and then Antigua Grammar School on a scholarship. Richards discovered cricket at a young age. His brothers, Mervyn and Donald, both played the game, representing Antigua as amateurs, and they encouraged him to play.
Quiet and self-contained away from the pitch, Richards was a very powerful right-handed batsman with an extremely attacking style, "possibly the most destructive batsman the sport has ever seen". He was also an excellent fielder and a more than competent off-spin bowler. He is often regarded as the most physically devastating and exciting batsman that ever played the game by cricketers, journalists, fans and others alike, and played his entire 17-year career without a helmet.  His fearless and aggressive style of play, and relaxed but determined demeanor made him a great crowd favourite and an intimidating prospect for opposition bowlers all over the world. The word "swagger" is frequently used to describe his batting style. His batting often completely dominated opposing bowlers. He had the ability to drive good-length balls from outside off-stump through midwicket, his trademark shot, and was one of the great exponents of the hook shot.  Viv Richards was notorious for punishing bowlers that dared to sledge him. So much so, that many opposing captains banned their players from the practice. However playing for Somerset in a county game against Glamorgan, Greg Thomas attempted to sledge Richards after he had played and missed at several balls in a row. He sarcastically informed Richards: "It's red, round and it's about five ounces, in case you were wondering." Richards then hammered the next delivery for 6, straight out of the stadium and into a nearby river. Turning back to the bowler, he commented: "You know what it looks like, now go and find it."

How would you describe his playing style?
Quiet and self-contained away from the pitch, Richards was a very powerful right-handed batsman with an extremely attacking style, "