Some context: Motion City Soundtrack was an American rock band that formed in Minneapolis, Minnesota in 1997. The band's line-up consisted of vocalist and guitarist Justin Pierre, lead guitarist Joshua Cain, keyboardist Jesse Johnson, bassist Matthew Taylor, and drummer Tony Thaxton.
Motion City Soundtrack was formed in Minneapolis, Minnesota in 1997 by singer-songwriter Justin Pierre and guitarist Joshua Cain. Previously, the duo had separately played in a number of bands. Cain was in a group named the Saddest Girl Story, and recruited Pierre to join as a singer. He was subsequently in a band called Boxcar, and following its dissolution, he and Pierre founded Motion City Soundtrack together. The band's name was created by Cain's brother, Brian. Their early days were difficult, as they found it hard to break out of their local scene. When they could get weeks off from their jobs, they would tour. According to Cain, the members of the band soon realized that there "wasn't really anywhere to play [shows] in Minneapolis", and that they would have to "tour all the time" to rise in popularity. In its early years, the group went through several lineup changes. Through these, Cain and Pierre would often have to take over keyboard duties during shows. The group's first release was a 7" single, "Promenade / Carolina", released in 1999. Their next two releases, both extended plays--Kids for America and Back to the Beat--were released the following year.  Over the course of the early 2000s, the band continued to tour and shuffle through members. In late 2001, while touring in Milton, Pennsylvania with the band Submerge, they convinced two of its members--bassist Matthew Taylor and drummer Tony Thaxton--to join Motion City. Thaxton initially took about a year to convince to join the band. Jesse Johnson, a friend and co-worker of Cain's, joined the band as keyboardist just three weeks before the band recorded their first album. Johnson had never played the keyboard before but Cain taught him the parts that had already been written. After their first attempt at self-recording an album failed, the band culled together $6,000 to record with producer Ed Rose, best known for his work with the Get Up Kids. They recorded much of their debut album, I Am the Movie, in ten days. Initial copies were hand-packaged inside floppy disks, which were sold out of the back of their tour van for a year.  The band began receiving offers from various record labels, including Universal, Triple Crown Records, and Drive-Thru Records, and they performed at industry showcases. Meanwhile, Brett Gurewitz, founder of Epitaph Records, learned of the band from members of the group Matchbook Romance. He attended four of their shows in Los Angeles that Pierre later regarded as among his worst, as his voice was poor from constant touring. While they were interested in Universal, they chose to sign to Epitaph as they felt the contract was less restrictive and more honest. Eli Janney from Girls Against Boys helped the band secure management and a lawyer. Motion City became part of a slew of Epitaph signings, including Matchbook Romance, Scatter the Ashes and From First to Last, amid concerns the Southern California label had strayed too far from its roots, and seemed "a little too emo."
What bands did they tour with?
A: with the band Submerge,

Question: Reginald Martinez Jackson (born May 18, 1946) is an American former professional baseball right fielder who played 21 seasons for the Kansas City / Oakland Athletics, Baltimore Orioles, New York Yankees, and California Angels of Major League Baseball (MLB). Jackson was inducted into the National Baseball Hall of Fame in 1993. Jackson was nicknamed "Mr. October" for his clutch hitting in the postseason with the Athletics and the Yankees. He helped Oakland win five consecutive American League West divisional pennants, three consecutive American League pennants and three consecutive World Series titles, from 1971 to 1975.

In 1980, Jackson batted .300 for the only time in his career, and his 41 home runs tied with Ben Oglivie of the Milwaukee Brewers for the American League lead. However, the Yankees were swept in the ALCS by the Kansas City Royals.  As he entered the last year of his Yankee contract in 1981, Jackson endured several difficulties from George Steinbrenner. After the owner consulted Jackson about signing then-free agent Dave Winfield, Jackson expected Steinbrenner to work out a new contract for him as well. Steinbrenner never did (some say never intending to) and Jackson played the season as a free agent. Jackson started slowly with the bat, and when the 1981 Major League Baseball strike began, Steinbrenner invoked a clause in Jackson's contract forcing him to take a complete physical examination. Jackson was outraged and blasted Steinbrenner in the media. When the season resumed, Jackson's hitting improved, partly to show Steinbrenner he wasn't finished as a player. He hit a long home run into the upper deck in Game Five of the strike-forced 1981 American League Division Series with the Brewers, and the Yankees went on to win the pennant again. However, Jackson injured himself running the bases in Game Two of the 1981 ALCS and missed the first two games of the World Series, both of which the Yankees won.  Jackson was medically cleared to play Game Three, but manager Bob Lemon refused to start him or even play him, allegedly acting under orders from Steinbrenner. The Yankees lost that game and Jackson played the remainder of the series, hitting a home run in Game Four. However, they lost the last three games and the World Series to the Dodgers.  Jackson had faced the Dodgers four straight times in the World Series by 1981. No other player in Major League history has played against the same team more consecutive times in the Fall Classic.

Using a quote from the above article, answer the following question: Did Steinbrenner and Jackson butt heads about anything else?
HHHHHH
Answer: when the 1981 Major League Baseball strike began, Steinbrenner invoked a clause in Jackson's contract forcing him to take a complete physical examination.

Some context: Ambrose was born in Lovington, Illinois, to Rosepha Trippe Ambrose and Stephen Hedges Ambrose. His father was a physician who served in the U.S. Navy during World War II.
In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book.  Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense:  I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation.  I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from.  A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose.
what did he plagerise?
A:
Ambrose had taken passages from Wings of Morning: