input: The couple moved to New York in 1927, where Etting made her Broadway debut in the Ziegfeld Follies of 1927. Irving Berlin had recommended her to showman Florenz Ziegfeld. Etting nervously prepared to sing for Ziegfeld at the audition. However, he did not ask her to sing at all; only to walk up and down the room. She was hired on that basis because Ziegfeld did not hire women with big ankles. While the original plan for the show was for Etting to do a tap dance after singing "Shaking the Blues Away", she later remembered she was not a very good dancer. At the show's final rehearsal, Flo Ziegfeld told her, "Ruth, when you get through singing, just walk off the stage". Etting also appeared in Ziegfeld's last "Follies" in 1931.  She went on to appear in a number of other hit shows in rapid succession, including Ziegfeld's Simple Simon and Whoopee!. Etting was not originally signed to perform in Simple Simon; she became part of the cast at the last minute when vocalist Lee Morse was too intoxicated to perform. Ziegfeld asked Etting to replace Morse; she hurried to Boston, where the show was being tried out prior to Broadway. When Etting arrived, songwriters Rodgers and Hart discovered that the song "Ten Cents a Dance" was not written for Etting's voice range. The three spent the night rewriting the song so Etting could perform it.  Toward the end of Simple Simon's Broadway run, Etting persuaded Ziegfeld to add "Love Me Or Leave Me" to the show though the song was originally written for Whoopee!. She had recorded the song in 1928, but Etting's new version of it was impressive enough to earn her a Vitaphone contract to make film shorts.  In Hollywood, Etting made a long series of movie shorts between 1929 and 1936, and three feature movies in 1933 and 1934. She described the short films as either having a simple plot to allow for her to sing two songs or with no plot at all. The idea was to have Etting sing at least two songs in the film. While she received a marquee billing for Roman Scandals, Etting had only two lines in the film and sang just one song. Etting believed she might have had more success in full-length films if she had been given some acting lessons. Her perception was that the studios viewed her only as a vocalist. She later recalled, "I was no actress, and I knew it. But I could sell a song". In 1936, she appeared in London in Ray Henderson's Transatlantic Rhythm. Etting quit the show because she and the other performers had not been paid.  Etting was first heard on radio station WLS when she was living in Chicago. Her appearance drew so much fan mail, the station signed her to a year's contract for twice weekly performances. She had her own twice weekly 15 minute radio show on CBS in the 1930s. By 1934, she was on NBC with sports announcer Ted Husing doing the announcing and Oldsmobile sponsoring her program.

Answer this question "Who did Etting design costumes for?"
output: 

input: In 1891, Wells married his cousin Isabel Mary Wells. The couple agreed to separate in 1894 when he fell in love with one of his students, Amy Catherine Robbins (later known as Jane), with whom he moved to Woking, Surrey in May 1895. They lived in a rented house, 'Lynton', (now No.141) Maybury Road in the town centre for just under 18 months and married at St Pancras register office in October 1895. His short period in Woking was perhaps the most creative and productive of his whole writing career, for while there he planned and wrote The War of the Worlds and The Time Machine, completed The Island of Dr Moreau, wrote and published The Wonderful Visit and The Wheels of Chance, and began writing two other early books, When The Sleeper Wakes and Love and Mr Lewisham.  In late summer 1896, Wells and Jane moved to a larger house in Worcester Park, near Kingston upon Thames for two years until his poor health took them to Sandgate, near Folkestone, where in 1901 he constructed a large family home: Spade House. He had two sons with Jane: George Philip (known as "Gip") in 1901 (died 1985) and Frank Richard in 1903 (died 1982).  With his wife Jane's consent, Wells had affairs with a number of women, including the American birth control activist Margaret Sanger, adventurer and writer Odette Keun, Soviet spy Moura Budberg and novelist Elizabeth von Arnim. In 1909, he had a daughter, Anna-Jane, with the writer Amber Reeves, whose parents, William and Maud Pember Reeves, he had met through the Fabian Society; and in 1914, a son, Anthony West (1914-1987), by the novelist and feminist Rebecca West, 26 years his junior. After Beatrice Webb voiced disapproval of Wells' "sordid intrigue" with the daughter of veteran Fabian Sidney Olivier, he responded by lampooning Beatrice Webb and her husband Sidney Webb in his 1911 novel The New Machiavelli as 'Altiora and Oscar Bailey', a pair of short-sighted, bourgeois manipulators. In Experiment in Autobiography (1934), Wells wrote: "I was never a great amorist, though I have loved several people very deeply". David Lodge's novel A Man of Parts (2011) - a 'narrative based on factual sources' (author's note) - gives a convincing and generally sympathetic account of Wells's relations with the women mentioned above, and others. Director Simon Wells (born 1961), the author's great-grandson, was a consultant on the future scenes in Back to the Future Part II (1989).

Answer this question "Are there any other interesting aspects about this article?"
output: In 1891, Wells married his cousin Isabel Mary Wells. The couple agreed to separate in 1894 when he fell in love with one of his students,

input: Murray filed a lawsuit against the Baltimore City Public School System (Murray v. Curlett) in 1960 in which she asserted that it was unconstitutional for her son William to be required to participate in Bible readings at Baltimore public schools. In this litigation, she stated that her son's refusal to partake in the Bible readings had resulted in bullying being directed against him by classmates and that administrators condoned it.  After consolidation with Abington School District v. Schempp, the lawsuit reached the Supreme Court of the United States in 1963. The Court voted 8-1 in Schempp's favor, which effectively banned mandatory Bible verse recitation at public schools in the United States. Prayer in schools other than Bible-readings had already been ended in 1962 by the Court's ruling in Engel v. Vitale.  O'Hair filed a lawsuit with the National Aeronautics and Space Administration (NASA) in regard to the Apollo 8 Genesis reading. The case was rejected by the U.S. Supreme Court for lack of jurisdiction. The impact of the suit was limited: Although NASA asked Buzz Aldrin to refrain from quoting the Bible in the Apollo 11 mission, he was allowed to conduct the first Communion service in space.  O'Hair appeared on The Phil Donahue Show several times, including the first episode in 1967, following which Phil Donahue said O'Hair was unpleasant and had mocked him off camera for being a Catholic, although after O'Hair's death, Donahue described her message of atheism as "very important". She appeared on the show again in March 1970 to debate Preacher Bob Harrington, "The Chaplain of Bourbon Street".  O'Hair endorsed Jimmy Carter in the 1976 presidential election because of Carter's opposition to mandatory school prayer, his support for sex education in public schools, and his stance on ecological matters.

Answer this question "Why did he say she was unpleasant?"
output:
Phil Donahue said O'Hair was unpleasant and had mocked him off camera for being a Catholic,