Background: Gautam Gambhir ( pronunciation ; born 14 October 1981) is an Indian cricketer, who played all formats of the game. He is a left-handed opening batsman who plays domestic cricket for Delhi, and captained Kolkata Knight Riders in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late-2010 to late-2011 with India winning all six matches.
Context: Gambhir scored two successive double-hundreds in 2002 (one of them against the visiting Zimbabweans) made him a strong contender for India's opening slot in all three forms of the game. He made his ODI debut against Bangladesh in the TVS Cup in 2003. In his third match, he scored 71 and was named Man of the Match. His maiden century (103 off 97 balls) came against Sri Lanka in 2005. In 2004, he made his Test debut against Australia in the fourth and last Test match of the Border Gavaskar Trophy but did himself no favours by getting out for 3 and 1. He made amends in his second Test, however, scoring 96 against the South Africans. His maiden Test century came against Bangladesh in December 2004. Gambhir then made a number of starts in the home series against Pakistan in 2005, but was able to make only one half-century in six innings. He made 97 in Zimbabwe later that year, but failed to reach 30 against Sri Lanka at home, repeatedly struggling against Chaminda Vaas, and was subsequently dropped from the Test team. He was replaced in Tests by Wasim Jaffer, who made a double hundred and a hundred in seven Tests.  While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past.  Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final.
Question: Did he have any notable losses?
Answer: but failed to reach 30 against Sri Lanka at home, repeatedly struggling against Chaminda Vaas, and was subsequently dropped from the Test team.

Background: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
Context: The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire.  In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.
Question: Did burlesque stay true to its original development or were there changes?
Answer:
17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner