Question:
Kevin Moore (born May 26, 1967) is an American keyboardist, vocalist, composer, and founder of the Chroma Key music project. He is also a former member of the American progressive metal/rock band Dream Theater, co-founder of the progressive rock supergroup O.S.I. and has composed film soundtracks. Throughout his career, he has become known for his emotional music and lyrics, nomadic lifestyle and use of spoken word samples. Moore started his music career in progressive metal band Dream Theater.
After leaving Dream Theater, Moore moved to Santa Fe, New Mexico and started writing material for his solo album. A demo tape known as Music Meant to Be Heard was shared among fans, and the songs included many spoken-word samples from interviews Moore recorded during his cross-country travels. Most of these songs were later released in 1999 on a limited-edition CD called This is a Recording.  In 1998, Moore released his first solo album, Dead Air For Radios, under the name Chroma Key on his self-created record label, Fight Evil Records. Mark Zonder and Joey Vera of Fates Warning served as his support musicians for that record. The album featured a dark, ambient sound, closer to Peter Gabriel and Tori Amos than the complex and intricate Dream Theater style. In hindsight, Dream Theater fans noticed that Moore had subtly explored this style of composition in "Space-Dye Vest."  In 2000, Moore moved to Los Angeles, California, where he recorded the digitally-themed You Go Now. The line-up for that record was Moore, David Iscove (guitars) and Steve Tushar (loops, programming). During his westcoast stay, Moore earned a BFA at California Institute of the Arts, where he created a little-known documentary called Octember Revolution, which depicted a Southern California gated community intervention. He then moved to Costa Rica, where he worked for Radio For Peace International, producing a bi-weekly activist radio program. In fact, some of Moore's work on Radio for Peace International was later released in an internet-only album called Memory Hole 1.  In 2004, Moore scoured public domain films looking for one that exuded a certain mood, intending to write a pseudo-soundtrack to it. The film he chose was Age 13, an educational film from the 1950s, originally for use in schools. He took the existing film, slowed it to half speed, and let it dictate the moods, textures, and even running times of the songs he wrote to it. The resulting album is titled Graveyard Mountain Home, which included a DVD containing the movie set to Moore's music.
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What did he do in LA?

Answer:
During his westcoast stay, Moore earned a BFA at California Institute of the Arts, where he created a little-known documentary


Question:
Gary Wright was born and raised in Cresskill, New Jersey. A child actor, he made his TV debut at the age of seven, on the show Captain Video and His Video Rangers, filmed in New York. Among other acting work, he appeared in TV and radio commercials, before being offered a part in the 1954 Broadway production of the musical Fanny. Wright played the role of Cesario, the son of Fanny, who was played by future Brady Bunch matriarch Florence Henderson.
In 1988, Wright released Who I Am on A&M-distributed Cypress Records. Among the album's contributors were Western musicians such as Harrison, White and Keltner, a group of South Indian percussionists, and Indian classical violinists L. Subramaniam and L. Shankar. The previous year, Wright had contributed to Harrison's album Cloud Nine (1987), for which he co-wrote "That's What It Takes" with Harrison and Jeff Lynne, and played keyboards on songs such as "When We Was Fab". One of the tracks from Who I Am, "Blind Alley", was used in the 1988 horror film Spellbinder.  Wright's next solo album was First Signs of Life (1995), recorded in Rio de Janeiro and at his own High Wave Studios in Los Angeles, and issued on the Triloka/Worldly record label. The album combined Brazilian rhythms with elements of African vocal tradition, creating what AllMusic's reviewer describes as "an infectious worldbeat hybrid", where "the musicians' performances radiate sincerity and joy". First Signs of Life featured guest appearances from drummer Terry Bozzio, Brazilian guitarist Ricardo Silveira and Harrison. The song "Don't Try to Own Me", co-written with Duane Hitchings, was later included on Rhino Records' Best of Gary Wright: The Dream Weaver - a 1998 compilation spanning his solo career from 1970 onwards, and featuring extensive liner notes by Wright.  Human Love (1999) included new versions of "Wildfire" and "The Wrong Time", as well as "If You Believe in Heaven", a song written with Graham Gouldman that had first appeared on Best of Gary Wright. The album was co-produced by German world-music producer Marlon Klein and released on the High Wave Music label. Contributors to the sessions, held at High Wave and at Exil Musik in Bielefeld, included Hindustani classical vocalist Lakshmi Shankar, Lynne and German composer Roman Bunka.
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Was first signs of life his next album?

Answer:
Wright's next solo album was First Signs of Life (1995), recorded in Rio de Janeiro


Question:
That Was the Week That Was, informally TWTWTW or TW3, was a satirical television comedy programme on BBC Television in 1962 and 1963. It was devised, produced and directed by Ned Sherrin and presented by David Frost. An American version by the same name aired on NBC from 1964 to 1965, also featuring Frost. The programme is considered a significant element of the satire boom in the UK in the early 1960s.
A Canadian show, This Hour Has Seven Days, aired from 1964 to 1966 on CBC. Although partially inspired by That Was The Week That Was, the Canadian show mixed satirical aspects with more serious journalism. It proved controversial and was cancelled after two series amid allegations of political interference. This Hour Has 22 Minutes, created by Newfoundland comic Mary Walsh, has been running since 1992 although the two are not related.  An Australian show, The Mavis Bramston Show, aired from 1964 to 1968 on the Seven Network. It grew out of the recent local theatrical tradition of topical satirical revue--most notably the popular revues staged at Sydney's Phillip Street Theatre in the 1950s and 1960s--but it was also strongly influenced by the British satire boom and especially TW3 and Not Only... But Also.  The New Zealand show A Week Of It ran from 1977 to 1979, hosted by Ken Ellis, and featuring comedians David McPhail, Peter Rowley and Chris McVeigh and comedian/musicians Jon Gadsby and Annie Whittle. The series lampooned news and politics and featured songs, usually by McPhail and Gadsby, who continued with their own show, McPhail and Gadsby in similar vein.  A Dutch version, Zo is het toevallig ook nog 's een keer, aired from November 1963 to 1966. It became controversial after the fourth edition, which included a parody of the Lord's Prayer ("Give us this day our daily television"). Angry viewers directed their protests especially against the most popular cast member: Mies Bouwman. After receiving several threats to her life she decided to quit the show. The show was praised as well: in 1966 it received the Gouden Televizier-ring, a prestigious audience award--though it turned out afterward that the election was rigged.  An Indian version titled The Week That Wasn't was launched and hosted by Cyrus Broacha.
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did it show in other countries?

Answer:
An Indian version titled The Week That Wasn't was launched and hosted by Cyrus Broacha.