input: On June 20, 2011, at around 3:30 a.m. EDT, Dunn and Zachary Hartwell, a production assistant on Jackass Number Two, were killed when Dunn's Porsche 911 GT3 veered off the road, hit a tree, and burst into flames in West Goshen Township, Chester County, Pennsylvania. Dunn turned 34 nine days prior. He was buried at Highland Drive Cemetery, Brecksville, Ohio.  Hours before the crash, Dunn had posted a photo to his Twitter account of himself and Hartwell drinking at a West Chester bar. Dunn was identified in the police report as the vehicle's driver, and a subsequent toxicology report showed Dunn had a blood alcohol level of 0.196 g/dL - more than twice the state's maximum legal limit of 0.08%. The police report stated "speed may have been a contributing factor in the crash" and preliminary investigations suggested the car had been traveling between 132 and 140 miles per hour (212 and 225 km/h) in a 55 miles per hour (89 km/h) zone.  In August 2012, the parents of Zachary Hartwell filed a civil suit in the Court of Common Pleas of Philadelphia County, naming the co-administrators of Dunn's estate as defendants, along with Barnaby's West Chester, the Pennsylvania bar where Dunn drank prior to the fatal crash. The suit claims negligence and recklessness, as well as wrongful death in the incident that killed 30-year-old Hartwell.  The plaintiffs claim that Mr. Dunn displayed negligence and recklessness in failing to have his vehicle under adequate and proper control, operating his vehicle under the influence of alcohol, operating his vehicle at an excessive speed and violently veering off a road and into a tree, among other alleged transgressions. They are seeking unspecified punitive and compensatory damages, as well as interest, court costs and "delay damages as the law may allow."

Answer this question "Was the lawsuit awarded?"
output: They are seeking unspecified punitive and compensatory damages, as well as interest, court costs and "delay damages as the law may allow."

input: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department.

Answer this question "Did any of her fellow actors from Gone with the Wind attend her funeral?"
output: 

input: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog."

Answer this question "who was the next to do this"
output:
melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead