input: The song opens with the guitar riff, which is joined by the bass halfway through. It is repeated three times with the drums and acoustic guitar before the vocal enters with the line: "I can't get no satisfaction". The key is E major, but with the 3rd and 7th degree occasionally lowered, creating - in the first part of the verses ("I can't get no ...") - a distinctive mellow sound. The accompanying chords (i.e. E major, D major and A major) are borrowed from the E mixolydian scale, which is often used in blues and rock.  The title line is an example of a negative concord. Jagger sings the verses in a tone hovering between cynical commentary and frustrated protest, and then leaps half singing and half yelling into the chorus, where the guitar riff reappears. The lyrics outline the singer's irritation with the increasing commercialism of the modern world, where the radio broadcasts "useless information" and a man on television tells him "how white my shirts can be - but he can't be a man 'cause he doesn't smoke the same cigarettes as me." Jagger also describes the stress of being a celebrity, and the tensions of touring. The reference in the verse to not getting any "girl reaction" was fairly controversial in its day, interpreted by some listeners (and radio programmers) as meaning a girl willing to have sex. Jagger commented that they "didn't understand the dirtiest line", as afterwards the girl asks him to return the following week as she is "on a losing streak," an apparent reference to menstruation. The song closes with a fairly subdued repetition of the song's title, followed suddenly by a full shout of the line, with the final words repeated into the fade-out.  In its day the song was perceived as disturbing because of both its sexual connotations and the negative view of commercialism and other aspects of modern culture; critic Paul Gambaccini stated: "The lyrics to this were truly threatening to an older audience. This song was perceived as an attack on the status quo". When the Rolling Stones performed the song on Shindig! in 1965, the line "trying to make some girl" was censored, although a performance on The Ed Sullivan Show on 13 February 1966 was uncensored. Forty years later, when the band performed three songs during the February 2006 Super Bowl XL halftime show, "Satisfaction" was the only one of the three songs not censored as it was broadcast.

Answer this question "What can you tell me about the lyrics?"
output: Jagger sings the verses in a tone hovering between cynical commentary and frustrated protest, and then leaps half singing and half yelling into the chorus,

input: Refused started as a "fresh-faced positive hardcore band" and their music became increasingly progressive and radical, as did their lyrics. The record This Just Might Be the Truth was characterized for its "massive hardcore sound", mostly influenced by various bands from the New York hardcore scene (such as Earth Crisis). On its follow-up, Songs to Fan the Flames of Discontent, the band had a heavier, more intricate style, which is generally attributed to their Slayer inspiration, and Lyxzen adopted screaming vocals rather than shouting. With the third album, The Shape of Punk to Come, "came the leap into the unknown" as the band mixed their previous style with unorthodox chord progressions, sampling, "ambient textures, jazz breakdowns", electronica and monologues, and other deviations from the hardcore punk music.  Refused's lyrics soon began to focus on far-left politics, drawing on anarchism, socialism, among others ideologies. By the time of their first album, the band already had a strong anti-establishment profile. The group's members were all vegan straight edge until their last show in 1998 and a couple of their songs dealt with these topics. Today, some of them no longer follow these lifestyles. In their live performances, vocalist Lyxzen usually delivers political speeches between songs. Before the Umea hardcore phenomenon went into full bloom, the band was seen as part of the scene centered around youth-oriented venue Galaxen, along with the punk-rock scene as well as metal bands such as Meshuggah.  Among the biggest influences of Refused were ManLiftingBanner, Born Against, Slayer, and Ian Svenonius's projects (The Make-Up, The Nation of Ulysses and Cupid Car Club). Other bands that have influenced them are Fugazi, Inside Out, and Snapcase.

Answer this question "Is There a specific song that is mentioned?"
output: The record This Just Might Be the Truth was characterized for its "massive hardcore sound

input: Leto formed the rock band Thirty Seconds to Mars in 1998 in Los Angeles, California with his brother Shannon. When the group first started, Jared Leto did not allow his position of Hollywood actor to be used in promotion of the band. Their debut album had been in the works for a couple of years, with Leto writing the majority of the songs. Their work led to a number of record labels being interested in signing Thirty Seconds to Mars, which eventually signed to Immortal Records.  In 1999, Leto played a gay high school teacher who attracts the attentions of Robert Downey, Jr. in Black and White, and got a supporting role in the drama Girl, Interrupted, an adaptation of the memoir of the same name by Susanna Kaysen. He then portrayed Angel Face in Fight Club (1999), a film adaptation of Chuck Palahniuk's novel of the same name, directed by David Fincher. He began dating actress Cameron Diaz in 1999 and the couple became engaged in 2000.  Leto played Paul Allen, a rival of Patrick Bateman, in the psychological thriller American Psycho (2000). Though the film polarized audiences and critics, Leto's performance was well received. The same year, he starred as heroin addict Harry Goldfarb in Requiem for a Dream, an adaptation of Hubert Selby, Jr.'s novel of the same name, directed by Darren Aronofsky and co-starring Ellen Burstyn, Jennifer Connelly, and Marlon Wayans. To prepare for his role, Leto lived on the streets of New York City and refrained from having sex for two months prior to shooting. He starved himself for months, losing 28 pounds to realistically play his heroin addict character. After the shooting of the film, Leto moved to Portugal and lived in a monastery for several months to gain weight. His performance received critical acclaim by film critics who notably praised the actor's emotional courage in portraying the character's physical and mental degradation. Peter Travers from Rolling Stone commented that Leto "excels by going beyond Harry's gaunt look to capture his grieving heart. His scenes with Ellen Burstyn as Sara, Harry's widowed mother, achieve a rare poignancy as son and mother drown in delusions."  Leto next appeared in the independent film Highway. Set in 1994, Leto is caught with the wife of his employer, a Vegas thug, and flees to Seattle with his best friend Jake Gyllenhaal in the week preceding Kurt Cobain's suicide. Filming finished in early 2000, but the film was not released until March 2002 on home video formats, although originally scheduled for a theatrical release.  During this period Leto focused increasingly on his music career, working with producers Bob Ezrin and Brian Virtue on his band's debut album 30 Seconds to Mars, which was released on August 27, 2002, in the United States through Immortal and Virgin. It reached number 107 on the US Billboard 200 and number one on the US Top Heatseekers. Upon its release, 30 Seconds to Mars was met with mostly positive reviews; music critic Megan O'Toole felt that the band managed to "carve out a unique niche for themselves in the rock realm." The album was a slow-burning success, and eventually sold two million copies worldwide.

Answer this question "What did he not allow"
output:
Jared Leto did not allow his position of Hollywood actor to be used in promotion of the band.