input: Hall had a magnificent, bounding approach, eyes bulging, teeth glinting, crucifix flying, climaxing in a classical cartwheel action and intimidating followthrough.  Hall was a tall and muscular cricketer, 6 feet 5 inches (196 cm) tall and bearing the "physique and strength of a bodybuilder." He had a graceful, classical action and one of the longest run-ups in Test cricket. A genuinely fast bowler, he was timed at 91 miles per hour (146 km/h). Hall was able to sustain pace and hostility for very long spells--during the Test against England at Lord's in 1963 he bowled unchanged for over three hours on the final day. While Hall was an aggressive fast bowler, he was not one to set out to injure the batsman. The England cricketer Ted Dexter--himself hit several times by Hall--said "there was never a hint of malice in [Hall] or in his bowling". Hall himself said after one of his deliveries fractured Australian cricketer Wally Grout's jaw "It made me sick to see Wal leaving and it made me sicker to hear some jokers in the crowd ranting on as though I had intentionally hurt [Grout]".  While Hall could never be described as an all-rounder, on occasions he was an effective batsman. His one century in first-class cricket was against Cambridge University Cricket Club at Fenners--scored in 65 minutes, the fastest century of the 1963 English season. Wisden said of this innings, "[Hall's] batting promised so much ... [he] made his runs in the classic mould, not in the unorthodox manner usually adopted by fast bowlers." With his characteristic humour, Hall said of this innings, "Ah, but it wasn't any old hundred, it was against the intelligentsia."  Hall was one of the most popular cricketers of his day. The Australian commentator Johnnie Moyes described Hall as "a rare box-office attraction, a man who caught and held the affections of the paying public." Hall was particularly popular in Australia. When invited back to play for Queensland in the Sheffield Shield in 1961-62, Hall arrived in Brisbane to "scenes more in keeping with the arrival of a pop star, a thousand people jamming the old terminal building at Eagle Farm airport to welcome him." Hall was fond of a bet and was a keen follower of horseracing. Hall is known as a good humoured man; C. L. R. James observed "Hall simply exudes good nature at every pore." Tony Cozier states "[Hall] is renowned for his entertaining, if prolonged oratory, as well as for his tardiness."

Answer this question "What else happened as a result of him being a fast bowler?"
output: on occasions he was an effective batsman.

input: Keith Carradine met Shelley Plimpton in the Broadway musical Hair. She was married to actor Steve Curry, albeit separated, and she and Carradine became romantically involved. After Carradine left the show and was in California he learned that Shelley was pregnant and had reunited with Curry. He met his daughter, Martha Plimpton, when she was four years old, after Shelley and Steve Curry had divorced. He said of Shelley, "She did a hell of a job raising Martha. I was not there. I was a very young man, absolutely terrified. She just took that in, and then she welcomed me into Martha's life when I was ready."  Carradine married Sandra Will on February 6, 1982. They were separated in 1993, before Will filed for divorce in 1999. The couple had two children: Cade Richmond Carradine (born July 19, 1982) and Sorel Johannah Carradine (born June 18, 1985). In 2006, Will pleaded guilty to two counts of perjury for lying to a grand jury about her involvement in the Anthony Pellicano wire tap scandal. She hired, then became romantically involved with Pellicano after her divorce from Carradine. According to FBI documents, Pellicano tapped Keith Carradine's telephone and recorded calls between him and girlfriend Hayley Leslie DuMond at Will's request, along with DuMond's parents. Carradine filed a civil lawsuit against Will and Pellicano which was settled in 2013 before it went to trial.  On November 18, 2006, Keith Carradine married actress Hayley DuMond, in Turin, Italy. They met in 1997 when they co-starred in the Burt Reynolds film The Hunter's Moon.

Answer this question "Where was he born?"
output: 

input: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world."  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before."

Answer this question "Did he work anywhere else?"
output:
Laemmle told him to take charge of the Los Angeles studio,