input: The first substantive confirmation that the duo would reconvene to complete work on their fourth studio album came from Sandoval herself in a July 2009 interview with Rolling Stone magazine, where she was quoted as saying, "It's true we're still together. We're almost finished [with the record]. But I have no idea what that means." Later, in a September 2009 interview with Vancouver-based music website Straight.com, interviewer John Lucas wrote of the 8-year gap between Bavarian Fruit Bread and Through the Devil Softly, "That seems like a long time until you consider that Mazzy Star, Sandoval's partnership with guitarist David Roback, hasn't put an album out since 1996. Sandoval promises that will change; she and Roback have their very own Chinese Democracy in the works, but it won't see the light of day until The Warm Inventions have wrapped up their tour."  On October 12, 2011, Hope Sandoval's official website confirmed the duo would release their first new material in fifteen years later that same month. The double a-sided single "Common Burn"/"Lay Myself Down" was released digitally on October 31, 2011. A limited edition blue-coloured 7" vinyl was also announced for release on November 8, though a manufacturing delay resulted in its release being pushed back to January 24, 2012. Their fourth studio album was expected to be released in the latter half of 2012, following completion of a tour earlier in the year.  The band completed an 18-date Californian and European tour in 2012, their first since 2000. Performing at several major European festivals, the band consisted of original members Suki Ewers and Keith Mitchell, and were also joined by Sandoval's Warm Inventions band-mate Colm O Ciosoig and Keith Mitchell's son Paul, whose band the Brook Lee Catastrophe also served as the opening act of select shows. Pedal steel guitar was performed by Josh Yenne. After the final date of the tour in August 2012, David Roback stated that production on the album had completed and that it would see release "soon". In late 2012, several unreleased song titles composed by Hope Sandoval and David Roback were registered with the band's long-time publisher BMI, including "Flying Low" and "Spoon", both of which were performed multiple times on the tour. The band also launched an official merchandise store.  On July 13, 2013, the band announced details of their fourth studio album, Seasons of Your Day, which was released on September 23, 2013 in the UK, followed a day later on September 24 in the US. The album reached a career-high No. 24 on the UK albums chart. The band began a North American tour on November 3, 2013 in support of the album. On April 19, the band released two new songs as part of Record Store Day 2014. "I'm Less Here" and "Things" were released on 7" vinyl, with the run limited to 3,000 copies worldwide. On December 22, 2014, a 40-second clip of a previously unreleased song was posted on to the band's official Facebook account.

Answer this question "what other works were produced?"
output: The double a-sided single "Common Burn"/"Lay Myself Down" was released digitally on October 31, 2011.

Question: Muddy Waters' birthplace and date are not conclusively known. He stated that he was born in Rolling Fork, Mississippi, in 1915, but it is believed to be more likely that he was born in Jug's Corner, in neighboring Issaquena County, in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s, before his rise to fame, the year of his birth was reported as 1913 on his marriage license, recording notes, and musicians' union card. A 1955 interview in the Chicago Defender is the earliest in which he stated 1915 as the year of his birth, and he continued to say this in interviews from that point onward.

In August 1941, Alan Lomax went to Stovall, Mississippi, on behalf of the Library of Congress to record various country blues musicians. "He brought his stuff down and recorded me right in my house," Muddy recalled for Rolling Stone magazine, "and when he played back the first song I sounded just like anybody's records. Man, you don't know how I felt that Saturday afternoon when I heard that voice and it was my own voice. Later on he sent me two copies of the pressing and a check for twenty bucks, and I carried that record up to the corner and put it on the jukebox. Just played it and played it and said, 'I can do it, I can do it.'" Lomax came back in July 1942 to record him again. Both sessions were eventually released by Testament Records as Down on Stovall's Plantation. The complete recordings were reissued by Chess Records on CD as Muddy Waters: The Complete Plantation Recordings. The Historic 1941-42 Library of Congress Field Recordings in 1993 and remastered in 1997.  In 1943, Muddy Waters headed to Chicago with the hope of becoming a full-time professional musician. He lived with a relative for a short period while driving a truck and working in a factory by day and performing at night. Big Bill Broonzy, then one of the leading bluesmen in Chicago, had Muddy Waters open his shows in the rowdy clubs where Broonzy played. This gave Muddy Waters the opportunity to play in front of a large audience. In 1944, he bought his first electric guitar and then formed his first electric combo. He felt obliged to electrify his sound in Chicago because, he said, "When I went into the clubs, the first thing I wanted was an amplifier. Couldn't nobody hear you with an acoustic." His sound reflected the optimism of postwar African Americans. Willie Dixon said that "There was quite a few people around singing the blues but most of them was singing all sad blues. Muddy was giving his blues a little pep."  Three years later, in 1946, he recorded some songs for Mayo Williams at Columbia Records, with an old-fashioned combo consisting of clarinet, saxophone and piano; they were released a year later with Ivan Ballen's Philadelphia-based 20th Century label, billed as James "Sweet Lucy" Carter and his Orchestra - Muddy Waters' name was not mentioned on the label. Later that year, he began recording for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess. In 1947, he played guitar with Sunnyland Slim on piano on the cuts "Gypsy Woman" and "Little Anna Mae". These were also shelved, but in 1948, "I Can't Be Satisfied" and "I Feel Like Going Home" became hits, and his popularity in clubs began to take off. Soon after, Aristocrat changed its name to Chess Records. Muddy Waters's signature tune "Rollin' Stone" also became a hit that year.

Using a quote from the above article, answer the following question: What was his early career like?
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Answer:
"He brought his stuff down and recorded me right in my house," Muddy recalled