IN: The Royal Philharmonic Orchestra (RPO), based in London, was formed by Sir Thomas Beecham in 1946. In its early days the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961 the orchestra's fortunes declined steeply; it battled for survival until the mid-1960s, when its future was secured after an Arts Council report recommended that it should receive public subsidy; a further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn. Since Beecham's death the RPO has had seven chief conductors, including Rudolf Kempe, Antal Dorati, Andre Previn and Vladimir Ashkenazy, and most recently Charles Dutoit.

From the RPO's earliest days to the end of Beecham's life, they made numerous recordings for His Master's Voice, CBS and RCA. Among the works they recorded EMI chose several to be reissued at the end of the twentieth century in its "Great Recordings of the Century" series. They included a Delius programme; a Grieg programme; French ballet music; short works by Bizet, Chabrier, Faure and Saint-Saens; Tchaikovsky's Symphony No 4 and Nutcracker Suite; Mozart's Jupiter Symphony, Clarinet Concerto (Brymer) and Bassoon Concerto (Brooke); and Schubert's 3rd, 5th and 6th Symphonies.  After Beecham's death the orchestra made many recordings for Decca, sometimes under pseudonyms such as the "Beecham Symphony Orchestra", the "London Festival Orchestra" and the "Metropolitan Symphony Orchestra". Among the conductors with whom the RPO recorded in the 1960s were Sir John Barbirolli, Fritz Reiner, Charles Munch, Georges Pretre, Kempe, Previn and Stokowski. Soloists included Earl Wild, Shura Cherkassky, Alan Civil and Luciano Pavarotti.  Igor Stravinsky recorded his opera The Rake's Progress with the RPO in 1964. Colin Davis made some of his earliest recordings with the orchestra, including Mozart and Rossini overtures, Beethoven's Seventh Symphony, and Stravinsky's Oedipus rex. From 1964 to 1979 the RPO was engaged by Decca to record Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. The orchestra has also recorded for Deutsche Grammophon, Lyrita, Philips, Pye and Unicorn-Kanchana.  In 1986, the orchestra launched RPO Records, claimed to be "the world's first record label to be owned by a symphony orchestra". Recordings available on the RPO label in 2013 ranged from core symphonic repertoire and Tchaikovsky ballet scores to film music by various composers, light music by Burt Bacharach and Richard Rodgers, and an album called "Symphonic Rock", described as "Over 3 hours of classic rock anthems and pop tracks with an orchestral twist".

Who wrote or was on Symphonic Rock album?

OUT: 


IN: Huey Lewis and the News is an American pop rock band based in San Francisco, California. They had a run of hit singles during the 1980s and early 1990s, eventually achieving 19 top ten singles across the Billboard Hot 100, Adult Contemporary, and Mainstream Rock charts. Their most successful album, Sports, was released in 1983. The album, along with its videos being featured on MTV, catapulted the group to worldwide fame.

In 1984, Ray Parker Jr. was signed by the producers of Ghostbusters to develop the film's title song. Later that year, Huey Lewis and the News sued Parker, citing the similarities between the "Ghostbusters" song and their earlier hit "I Want a New Drug." According to Huey Lewis and the News, this was especially damaging to them since "Ghostbusters" was so popular, rising to number one on the charts for three weeks. The dispute was ultimately settled out of court. Lewis has stated that his experiences with the producers of Ghostbusters were indirectly responsible for getting involved in the 1985 movie Back to the Future.  In the 2001 Behind the Music special, Huey Lewis stated: "The offensive part was not so much that Ray Parker Jr. had ripped this song off, it was kind of symbolic of an industry that wants something - they wanted our wave, and they wanted to buy it. ... [I]t's not for sale. ... In the end, I suppose they were right. I suppose it was for sale, because, basically, they bought it." As a result of this statement, Parker filed a suit against Lewis, claiming he violated the settlement's confidentiality agreement and sought an unspecified amount of compensatory and punitive damages as well as attorney's fees.  An issue of Premiere magazine would later feature an anniversary article about the movie Ghostbusters. In that article, the filmmakers at Columbia Pictures admit to using the song "I Want a New Drug" as temporary background music in many scenes. They then said that they had made an offer to Huey Lewis and the News to write the main theme, but the band declined. In a 2001 Behind the Music special, Lewis said that the band declined the filmmakers' offer because the band had a prior contractual obligation to do a long concert tour to promote the hugely successful Sports album, which had just been released at the time, and didn't have time to write a main theme for a movie. The filmmakers gave film footage - with the Huey Lewis song in the background - to Ray Parker Jr., to aid Parker in writing the theme song.

what was the worst part

OUT:
it was kind of symbolic of an industry that wants something - they wanted our wave, and they wanted to buy it.