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Steven William Moffat  (; born 18 November 1961) is a Scottish television writer and producer, best known for his work as showrunner, writer and executive producer of British television series Doctor Who and Sherlock. Moffat's first television work was the teen drama series Press Gang. His first sitcom, Joking Apart, was inspired by the breakdown of his first marriage; conversely, his later sitcom Coupling was based upon the development of his relationship with television producer Sue Vertue.
He wrote the Hartswood Films drama series Jekyll, a modern version of The Strange Case of Dr Jekyll and Mr Hyde, which aired on BBC One in June and July 2007. In an interview with The Age, James Nesbitt, who played the eponymous character, called Moffat "an eccentric, shy fellow", while commending his writing as "inventive and dark and funny".  In June 2007 Moffat told The Stage that he was working on a new sitcom. Provisionally titled Adam and Eve, it concerned a boss and his personal assistant, who are long-term friends but never get together. In October 2007 it was reported that Moffat would be scripting a trilogy of The Adventures of Tintin: The Secret of the Unicorn films for directors Steven Spielberg and Peter Jackson. According to The Times newspaper, Moffat had to be "love bombed" by Spielberg into accepting the offer to write the films, with the director promising to shield him from studio interference with his writing. He had intended to complete work on the whole trilogy before resuming work on Doctor Who, but the intervening WGA strike meant he could submit a finished script for the first film only. Moffat says that Spielberg was "lovely" about his decision to return to Doctor Who instead of working on the second Tintin film. The script was completed by Edgar Wright and Joe Cornish, with a part of Moffat's script used in the film.  Moffat remains a writer for Hartswood Films even after his appointment as show-runner for Doctor Who. During their journeys from London to Cardiff for Doctor Who, Moffat and Mark Gatiss conceived a contemporary update of Sherlock Holmes, called Sherlock. Benedict Cumberbatch was cast as Holmes, with Martin Freeman as Dr Watson. A 60-minute pilot, written by Moffat, was filmed in January 2009. The pilot was not broadcast, but three 90-minute episodes were commissioned. Moffat wrote the first of these, "A Study in Pink", which was broadcast on 25 July 2010 on BBC One and BBC HD. A second series was broadcast in January 2012, for which Moffat wrote the episode "A Scandal in Belgravia", with a third following in January 2014. Moffat co-wrote the ninety-minute special "The Abominable Bride" with Gatiss, which aired on 1 January 2016. He also contributed to the fourth series, which was broadcast in January 2017.

When did the first movie come out?





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"Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960-1961.
Little is known about Johnson's life and musical career, although his recordings are well documented. In October 1936, Johnson auditioned for music store owner and sometime talent scout H. C. Speir in Jackson, Mississippi; Speir passed on Johnson's contact information to Ernie Oertle, who was a representative for ARC Records. After a second audition, Oertle arranged for Johnson to travel to San Antonio, Texas, for a recording session. Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936. During the first session, he recorded his most commercially appealing songs. They mostly represented his original pieces and reflected current, piano-influenced musical trends. The songs include "Terraplane Blues" (his first single and most popular record) along with "Sweet Home Chicago" and "I Believe I'll Dust My Broom", which became blues standards after others recorded them.  A second and third recording date took place in San Antonio after a two-day break. Johnson reached back into his long-standing repertoire for songs to record. The material reflects the styles of country blues performers Charley Patton and Son House, who influenced Johnson in his youth. The songs are among Johnson's most heartfelt and forceful, and music historian Ted Gioia sees a shift in the lyrical themes:  At the close of the San Antonio session, the darker, more apocalyptic side of Johnson's work emerges ... [he] evokes the themes of damnation and redemption, darkness and light ... glimpses into the musician's inner life, and all its attendant turmoils.  "Cross Road Blues" was recorded during Johnson's third session in San Antonio, on Friday November 27, 1936. The sessions continued at an improvised studio in Room 414 at the Gunter Hotel. ARC producers Art Satherley and Don Law supervised the recording and used a portable disc cutting machine. It is unknown what input, if any, they had into Johnson's selection of material to record or how to present it. Two similar takes of the song were recorded.

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At the close of the San Antonio session, the darker, more apocalyptic side of Johnson's work emerges