Answer the question at the end by quoting:

Fibber McGee and Molly was an American radio comedy series. A staple of the NBC Red Network for the show's entire run and one of the most popular and enduring radio series of its time, the prime time situation comedy ran as a standalone series from 1935 to 1956, then continued as a short-form series as part of the weekend Monitor from 1957 to 1959. The title characters were created and portrayed by Jim and Marian Jordan, a real-life husband and wife team that had been working in radio since the 1920s. Fibber McGee and Molly, which followed up the Jordans' previous radio sitcom Smackout, followed the adventures of a working-class couple, the habitual storyteller Fibber McGee and his sometimes terse but always loving wife
Fibber McGee and Molly spun two supporting characters off into their own shows. By far the most successful and popular was Harold Peary's Gildersleeve, spun into The Great Gildersleeve in 1941. This show introduced single parenthood of a sort to creative broadcasting: the pompous, previously married Gildersleeve now moved to Summerfield, became single (although the missing wife was never explained), and raised his orphaned, spirited niece and nephew, while dividing his time between running his manufacturing business and (eventually) becoming the town water commissioner. In one episode, the McGees arrived in Summerfield for a visit with their old neighbor with hilarious results: McGee inadvertently learns Gildersleeve is engaged, and he practically needs to be chloroformed to perpetuate the secret a little longer.  Peary returned the favor in a memorable 1944 Fibber McGee & Molly episode in which neither of the title characters appeared: Jim Jordan was recovering from a bout of pneumonia (this would be written into the show the following week, when the Jordans returned), and the story line involved Gildersleeve and nephew Leroy hoping to visit the McGees at home during a train layover in Wistful Vista, but finding Fibber and Molly not at home. At the end of the episode, Gildersleeve discovers the couple had left in a hurry that morning when they received Gildy's letter saying he would be stopping over in Wistful Vista.  Marlin Hurt's Beulah was also spun off, leading to both a radio and television show that would eventually star Hattie McDaniel and Ethel Waters.  Jim and Marian Jordan themselves occasionally appeared on other programs, away from their Fibber and Molly characters. One memorable episode of Suspense ("Backseat Driver", 02-03-1949) cast the Jordans as victims of a car-jacking; Jim Jordan's tense, interior monologues were especially dramatic.

What were the names of the shows?

By far the most successful and popular was Harold Peary's Gildersleeve, spun into The Great Gildersleeve in 1941.



Answer the question at the end by quoting:

La Malinche (Spanish pronunciation: [la ma'lintSe]; c. 1496 or c. 1501 - c. 1529), known also as Malinalli [mali'nal:i], Malintzin [ma'lintsin] or Dona Marina ['dona ma'rina], was a Nahua woman from the Mexican Gulf Coast, who played a role in the Spanish conquest of the Aztec Empire, acting as an interpreter, advisor, and intermediary for the Spanish conquistador, Hernan Cortes. She was one of 20 women slaves given to the Spaniards by the natives of Tabasco in 1519. Later, she gave birth to Cortes' first son, Martin, who is considered one of the first Mestizos (people of mixed European and indigenous American ancestry). The historical figure of Marina has been intermixed with Aztec legends (such as La Llorona, a ghost woman who weeps for her lost children).
For the conquistadores, having a reliable interpreter was important enough, but there is evidence that Marina's role and influence were larger still. Bernal Diaz del Castillo, a soldier who, as an old man, produced the most comprehensive of the eye-witness accounts, the Historia Verdadera de la Conquista de la Nueva Espana ("True Story of the Conquest of New Spain"), speaks repeatedly and reverentially of the "great lady" Dona Marina (always using the honorific title Dona). "Without the help of Dona Marina," he writes, "we would not have understood the language of New Spain and Mexico." Rodriguez de Ocana, another conquistador, relates Cortes' assertion that after God, Marina was the main reason for his success.  The evidence from indigenous sources is even more interesting, both in the commentaries about her role, and in her prominence in the codex drawings made of conquest events. Although to some Marina may be known as a traitor, she was not viewed as such by all the Tlaxcalan. In some depictions they portrayed her as "larger than life", sometimes larger than Cortes, in rich clothing, and an alliance is shown between her and the Tlaxcalan instead of them and the Spaniards. They respected and trusted her and portrayed her in this light generations after the Spanish conquest.  In the Lienzo de Tlaxcala (History of Tlaxcala), for example, not only is Cortes rarely portrayed without Marina poised by his side, but she is shown at times on her own, seemingly directing events as an independent authority. If she had been trained for court life, as in Diaz's account, her relationship to Cortes may have followed the familiar pattern of marriage among native elite classes. The role of the Nahua wife acquired through an alliance would have been to assist her husband achieve his military and diplomatic objectives.  Today's historians give great credit to Marina's diplomatic skills, with some "almost tempted to think of her as the real conqueror of Mexico." In fact, old conquistadors on various occasions would remember that one of her greatest skills had been her ability to convince other Indians of what she herself could see clearly, which was that it was useless in the long run to stand against Spanish metal and Spanish ships. In contrast with earlier parts of Diaz del Castillo's account, after Marina's diplomacy began assisting Cortes, the Spanish were forced into combat on one more occasion.  Had La Malinche not been part of the Conquest of Mexico for her linguistic gift, communication between the Spanish and the Indigenous would have been much harder. La Malinche knew to speak in different registers and tones between certain Indigenous tribes and people. For the Nahua audiences, she spoke rhetorically, formally, and high-handedly. This shift into formality give the Nahua the impression that she was a noblewoman who knew what she was talking about.

What was the role of La Malinche in the conquest of Mexico?
Although to some Marina may be known as a traitor, she was not viewed as such by all the Tlaxcalan.