Question: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.

Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.

Using a quote from the above article, answer the following question: Was his first book successful?
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Problem: The Romani (also spelled Romany , ), or Roma, are a traditionally itinerant ethnic group, living mostly in Europe and the Americas and originating from the northern Indian subcontinent, from the Rajasthan, Haryana, Punjab and Sindh regions of modern-day India and Pakistan. A DNA study conducted by Indian and Estonian research facilities shows that the Roma/Romani/Gypsy and Sinti people originate from the so-called "Untouchable" Dalit community from India. The Romani are widely known among English-speaking people by the exonym Gypsies (or Gipsies), which some people consider pejorative due to its connotations of illegality and irregularity. They are a dispersed people, but their most concentrated populations are located in Europe, especially Central, Eastern and Southern Europe (including Turkey, Spain and Southern France).

The English term Gypsy (or Gipsy) originates from the Middle English gypcian, short for Egipcien. The Spanish term Gitano and French Gitan have similar etymologies. They are ultimately derived from the Greek Aiguptioi (Aigyptioi), meaning Egyptian, via Latin. This designation owes its existence to the belief, common in the Middle Ages, that the Romani, or some related group (such as the Middle Eastern Dom people), were itinerant Egyptians. According to one narrative they were exiled from Egypt as punishment for allegedly harbouring the infant Jesus. As described in Victor Hugo's novel The Hunchback of Notre Dame, the medieval French referred to the Romanies as Egyptiens. The word Gypsy in English has become so pervasive that many Romani organizations use it in their own organizational names.  This exonym is sometimes written with capital letter, to show that it designates an ethnic group. However, the word is sometimes considered derogatory because of its negative and stereotypical associations. The Council of Europe consider that 'Gypsy' or equivalent terms, as well as administrative terms such as 'Gens du Voyage' (referring in fact to an ethnic group but not acknowledging ethnic identification) are not in line with European recommendations. In North America, the word Gypsy is most commonly used as a reference to Romani ethnicity, though lifestyle and fashion are at times also referenced by using this word.  Another common designation of the Romani people is Cingane (alt. Tsinganoi, Zigar, Zigeuner), which likely derives from Athinganoi, the name of a Christian sect with whom the Romani (or some related group) became associated in the Middle Ages.

In what other ways are the Romani people designated?

Answer with quotes:
the medieval French referred to the Romanies as Egyptiens. The word Gypsy in English has become so pervasive that many Romani organizations use it in their own organizational names.