Question:
Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin.
Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified.  The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit.  Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure.  The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.
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Answer:
referred to Monroe as the "father" of bluegrass.

input: White was in many senses a trailblazer: popular country bluesman in the early 1930s, responsible for introducing a mass white audience to folk-blues in the 1940s, and the first black singer-guitarist to star in Hollywood films and on Broadway. On one hand he was famous for his civil rights songs, which made him a favorite of the Roosevelts, and on the other he was known for his sexy stage persona (a first for a black male artist).  He was the first black singer to give a White House command performance (1941), to perform in previously segregated hotels (1942), to get a million-selling record ("One Meatball", 1944), and the first to make a solo concert tour of America (1945). He was also the first folk and blues artist to perform in a nightclub, the first to tour internationally, and (along with Lead Belly and Woody Guthrie) the first to be honored with a US postage stamp.  White and Libby Holman became the first mixed-race male and female artists to perform together, record together and tour together in previously segregated venues across the United States. They continued performing off and on for the next six years, while making an album and a film together.  White was seen as an influence on hundreds of artists of diverse musical styles, including: Pete Seeger, Lee Hays, Oscar Brand, Ed McCurdy, Lonnie Donegan, Alexis Korner, Cy Coleman, Elvis Presley, Merle Travis, Joel Grey, Bob Gibson, Dave Van Ronk, Phish, Clancy Brothers and Tommy Makem, Shel Silverstein, John Fahey, Bob Dylan, Peter, Paul and Mary, Judy Collins, Roger McGuinn, David Crosby, Mike Bloomfield, Danny Kalb, Ry Cooder, John Fogerty, Don McLean, Robert Plant and Eva Cassidy; in addition to those African-American artists, such as Blind Boy Fuller, Robert Johnson, Brownie McGhee, Lena Horne, Nat King Cole, Pearl Primus, Josephine Premice, Eartha Kitt, Harry Belafonte, Odetta, Ray Charles, Josh White, Jr., Jackie Washington, the Chambers Brothers, and Richie Havens, who in the footsteps of White were also able to break considerable barriers that had hampered African-American artists in the past.

Answer this question "What year was this"
output: 1942

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Judy Kay "Juice" Newton (born February 18, 1952) is an American pop and country singer, songwriter, and musician. To date, Newton has received five Grammy Award nominations in the Pop and Country Best Female Vocalist categories (winning once in 1983), as well as an ACM Award for Top New Female Artist and two Billboard Female Album Artist of the Year awards (won consecutively). Newton's other awards include a People's Choice Award for "Best Female Vocalist" and the Australian Music Media's "Number One International Country Artist." Newton has several Gold and Platinum records to her credit, including Juice, Quiet Lies and her first Greatest Hits album.
Newton had always been moderately popular in country music; she responded to her waning popularity in the pop market by targeting her next album, 1985's Old Flame, solely to country audiences. The strategic move was a success; the album revitalized her career, reached No. 12 on the Billboard album chart and featured six Top-10 country hits, including the No. 1s "You Make Me Want to Make You Mine", "Hurt," and "Both to Each Other (Friends and Lovers)" (with Eddie Rabbitt), none of which (unlike her previous efforts) appeared at all on the pop charts. The duet was released to the public before the pop version "Friends and Lovers" by Gloria Loring and Carl Anderson; the pop version was released to radio and stores two weeks after Newton and Rabbitt's version first appeared, even though it was recorded first. Newton's version was originally available only on a special edition of the Old Flame album and on the Eddie Rabbitt album Rabbitt Traxx. The "Old Flame" album produced hit singles for more than sixteen months, with the final release being "What Can I Do with My Heart" (written by Otha Young), which reached the Top 10 in early 1987.  Newton returned to the Top 10 in 1988 with "Tell Me True" from her 1987 album Emotion. The album's lead single, the progressive-country tune "First Time Caller," stalled at No. 24. Her final album of the decade, Ain't Gonna Cry (1989), was not promoted by the label and did not chart. But it did spawn her final Top-40 country hit to date, "When Love Comes Around the Bend," which RCA refused to release as a single because Newton's contract had not been renewed.  After being dropped by RCA Records in 1989 (along with several other country artists, including Dolly Parton and Kenny Rogers, as country music as a whole was about to undergo momentous change), Newton took time to focus on her family life. Newton took a hiatus from recording albums, touring sporadically until returning to the music scene in late 1990s when she released the albums "The Trouble with Angels" (1998) and "American Girl" (1999).

Did it reach the charts
the album revitalized her career, reached No. 12 on the Billboard album chart