Question: Spurrier was born on April 20, 1945, in Miami Beach, Florida. He is the second son of a Presbyterian minister, J. Graham Spurrier, and his wife Marjorie. Graham Spurrier changed congregations repeatedly during Steve Spurrier's early childhood, resulting in several moves for the family. The Spurriers left Miami Beach before Steve Spurrier's first birthday, moving to Charlotte, North Carolina to live near his paternal grandparents.

NCAA rules in the 1960s forbade college freshmen from participating in varsity sports competition. Spurrier therefore spent his first year at Florida practicing with the varsity team and playing on the freshman team, which scheduled four scrimmages against other schools' freshman squads as a way for young players to gain experience. In 1963, Spurrier led the "Baby Gators" to a 45-12 victory over Georgia's freshman team at Florida Field, a game which he half-jokingly claimed as a home win years later.  Spurrier had been considered for the starting quarterback position leading up to his sophomore year of 1964, but a serious knee injury suffered during spring drills caused him to lose practice time and allowed returning senior starter Tommy Shannon to keep the job. Coach Ray Graves still felt the need to get the future star on the field, so he decided to alternate his two quarterbacks as the flow of the game dictated. Spurrier entered the season opening game against SMU in the second quarter. After two unsuccessful running plays called from the sidelines left the Gators in a third down and long situation, Coach Graves told Spurrier to call the next play himself. The young quarterback responded by completing a fifty-six yard screen pass on his first collegiate attempt and a touchdown on his second pass. Spurrier would add another touchdown pass during the second half of his varsity debut. The following week on the road at Mississippi State, Spurrier entered a tied game late in the fourth quarter and led the Gators down the field for a game-winning field goal.  Spurrier continued to alternate with starter Tommy Shannon as the season progressed, gaining more playing time every week. After being named SEC Back of the Week for a two touchdown performance in a 30-14 upset over Ole Miss in October, Spurrier was given the starting nod for the undefeated Gators' next game against undefeated and #3 ranked and eventual national champion Alabama in Tuscaloosa. Though Spurrier threw a touchdown pass and was the Gators' offensive star, his team fell short when another late fourth quarter comeback attempt ended in a missed field goal and a 17-14 Alabama win. Spurrier remained the Gators' starter for the remainder of the season and was sometimes brilliant but inconsistent. He led the Gators to a 14-0 home win over rival Auburn and a 20-6 upset of #7 LSU in Baton Rouge, but he did not play well in losses to rivals Georgia and Florida State. Nevertheless, he was named the SEC's Sophomore of the Year for 1964.

Using a quote from the above article, answer the following question: Was he injured at during the seasons?
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Answer: Spurrier had been considered for the starting quarterback position leading up to his sophomore year of 1964, but a serious knee injury suffered

Problem: George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).

Breaking with the Federal Theatre Project in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. Welles was executive producer, and the original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Arlene Francis, Martin Gabel, John Hoyt, Norman Lloyd, Vincent Price, Stefan Schnabel and Hiram Sherman.  "I think he was the greatest directorial talent we've ever had in the [American] theater," Lloyd said of Welles in a 2014 interview. "When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything. We had not had such a man in our theater. He was the first and remains the greatest."  The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar -- streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage wall was painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Lloyd.  Beginning January 1, 1938, Caesar was performed in repertory with The Shoemaker's Holiday; both productions moved to the larger National Theatre. They were followed by Heartbreak House (April 29, 1938) and Danton's Death (November 5, 1938). As well as being presented in a pared-down oratorio version at the Mercury Theatre on Sunday nights in December 1937, The Cradle Will Rock was at the Windsor Theatre for 13 weeks (January 4-April 2, 1938). Such was the success of the Mercury Theatre that Welles appeared on the cover of Time magazine, in full makeup as Captain Shotover in Heartbreak House, in the issue dated May 9, 1938--three days after his 23rd birthday.

What was said of this performance?

Answer with quotes:
"When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything.