Some context: Sir George Henry Martin  (3 January 1926 - 8 March 2016) was an English record producer, arranger, composer, conductor, audio engineer, and musician. He was referred to as the "Fifth Beatle", including by Paul McCartney, in reference to his extensive involvement on each of the Beatles' original albums. Martin produced 30 number-one hit singles in the United Kingdom and 23 number-one hits in the United States. Martin produced comedy and novelty records in the early 1950s, working with Peter Sellers, Spike Milligan, and Bernard Cribbins, among others.
Following his graduation, he worked for the BBC's classical music department, then joined EMI in 1950 as an assistant to Oscar Preuss, the head of EMI's Parlophone Records from 1950 to 1955. Although having been regarded by EMI as a vital German imprint in the past, it was then not taken seriously and only used for EMI's insignificant acts. After taking over Parlophone, as head of artists and repertoire, when Preuss retired in 1955, Martin recorded classical and Baroque music, original cast recordings, and regional music from around Britain and Ireland.  Martin also produced numerous comedy and novelty records. His first hit for Parlophone was the "Mock Mozart" single by Peter Ustinov with Antony Hopkins - a record reluctantly released in 1952 by EMI, only after Preuss insisted they give his young assistant, Martin, a chance. Later that decade Martin worked with Peter Sellers on two very popular comedy LPs. One was released on 10 format and called The Best Of Sellers, the second was released in 1957, being called Songs for Swinging Sellers (a spoof on Frank Sinatra's LP Songs for Swingin' Lovers!). As he had worked with Sellers, he also came to know Spike Milligan, with whom he became a firm friend, and best man at Milligan's second marriage: "I loved The Goon Show, and issued an album of it on my label Parlophone, which is how I got to know Spike." The album was Bridge on the River Wye. It was a spoof of the film The Bridge on the River Kwai, being based on the 1957 Goon Show episode "An African Incident." It was intended to have the same name as the film, but shortly before its release, the film company threatened legal action if the name was used. Martin edited out the 'K' every time the word Kwai was spoken, with Bridge on the River Wye being the result. The River Wye is a river that runs through England and Wales. The album featured Milligan, Sellers, Jonathan Miller, and Peter Cook, playing various characters.  Other comedians Martin worked with included Bernard Cribbins, Charlie Drake, Terry Scott, Bruce Forsyth, Michael Bentine, Dudley Moore, Flanders and Swann, Lance Percival, Joan Sims, Bill Oddie, and The Alberts. Martin worked with both Jim Dale and the Vipers Skiffle Group, with whom he had a number of hits. In early 1962, under the pseudonym "Ray Cathode," Martin released an early electronic dance single, "Time Beat" - recorded at the BBC Radiophonic Workshop. As Martin wanted to add rock and roll to Parlophone's repertoire, he struggled to find a "fireproof" hit-making pop artist or group.  As a producer, Martin recorded the two-man show featuring Michael Flanders and Donald Swann, At the Drop of a Hat, which sold steadily for twenty-five years, although Martin's breakthrough as a producer came with the Beyond the Fringe show cast album, which starred Peter Cook, Dudley Moore, Alan Bennett, and Jonathan Miller, and he would also produce the accompanying soundtrack album for David Frost's satirical BBC TV show That Was the Week That Was in 1963. Martin's work transformed the profile of Parlophone from a "sad little company" to a very profitable business.
What band created the Beyond the Fringe album?
A: which starred Peter Cook, Dudley Moore, Alan Bennett, and Jonathan Miller,
Some context: Reilly was born in The Bronx, New York City, New York, United States, North America, the son of Charles Joseph Reilly, an Irish Catholic commercial artist, and Signe Elvera Nelson, a Swedish Lutheran. When young, he would often make his own puppet theater to amuse himself. His mother, foreshadowing his future as an entertainer, often would tell him to "save it for the stage". At age 13, he survived the 1944 Hartford Circus Fire, which killed 169 people in Connecticut.
Magazine and newspaper profiles of Reilly throughout the 1970s and 1980s did not mention his personal life or sexuality. Many years after the cancellation of Match Game, he revealed his homosexuality in his theatrical one-man show, Save It for the Stage: The Life of Reilly.  Much like fellow game-show regular Paul Lynde of the same era, despite Reilly's off-camera silence, he gave signals on-camera of a campy persona. In many episodes of Match Game, he lampooned himself by briefly affecting "YO!" in a deep voice and the nickname "Chuck" and self-consciously describing how "butch" he was. Many years after his game show career ended, he mentioned in a 2002 interview with Entertainment Tonight that he felt no need to explain his joke about "Chuck", and that he never purposely hid being gay from anyone. Patrick Hughes III, a set decorator and dresser, was Reilly's domestic partner; the two met backstage while Reilly appeared on the game show Battlestars, although their partnership was not revealed publicly. They lived together in Beverly Hills.  Despite sporting what appeared to be a full head of hair for most of the prime of his television career, Reilly was in fact bald, wearing a toupee throughout most of his appearances in the 1970s and 1980s. During the taping of Match Game 74, his toupee became the joke of the filming when Reilly had to go to New York City to have his toupee adjusted. During the taping of several episodes, Reilly was seen wearing different hats because his toupee was back in New York waiting for him to be fitted. This was the start of the long-running jokes on Match Game about his hair. He abandoned the toupee in the late 1990s and appeared bald in public for the rest of his life. He dramatized the experience in his stage show The Life of Reilly. In one episode of Match Game '78, he took off his toupee and gave it to a bald contestant by putting it on his head. One can briefly see Reilly's bald head as he rushed back to his seat and put on a hat to cover up.  In one of his several appearances on The Tonight Show, Reilly publicly discussed having to fix or adjust his toupee before going out for the evening. Among his revelations to Carson while a guest on the show were: that he had nothing to wear but a specific tuxedo; his stories as a director of a play; and how wonderful many of the other guests on that night's panel were when Reilly had worked with them, either in film or in the theater.
What was interesting about his personal life?
A:
Many years after the cancellation of Match Game, he revealed his homosexuality in his theatrical one-man show, Save It for the Stage: The Life of Reilly.