Problem: Background: Belushi's mother, Agnes Demetri (Samaras), was the daughter of Albanian immigrants, and his father, Adam Anastos Belushi, was an Albanian immigrant from Qyteze. Born in Humboldt Park, a neighborhood on the West Side of Chicago, Illinois, John was raised in Wheaton, a suburb west of Chicago, along with his three siblings: younger brothers Billy and Jim, and sister Marian. Belushi was raised in the Albanian Orthodox Church and attended Wheaton Community High School, where he met his future wife, Judith Jacklin. In 1965, Belushi formed a band, the Ravens, together with four fellow high school students (Dick Blasucci, Michael Blasucci, Tony Pavolonis and Phil Special).
Context: In 1975 Chevy Chase and writer Michael O'Donoghue recommended Belushi to Lorne Michaels as a potential member for a television show Michaels was about to produce called Saturday Night a.k.a. Saturday Night Live (SNL). Michaels was initially undecided, as he was not sure if Belushi's physical humor would fit with what he was envisioning, but he changed his mind after giving Belushi an audition.  Over his four-year tenure at SNL, Belushi developed a series of successful characters, including the belligerent Samurai Futaba, Henry Kissinger, Ludwig van Beethoven, the Greek owner of the Olympia Cafe, Captain James T. Kirk, and a contributor of furious opinion pieces on Weekend Update, during which he coined his catchphrase, "But N-O-O-O-O-O-O-O-O-O!" With Aykroyd, Belushi created Jake and Elwood, the Blues Brothers. Originally intended to warm up the crowd before the show, the Blues Brothers were eventually featured as music guests. Belushi also reprised his Lemmings imitation of Joe Cocker. Cocker himself joined Belushi in 1976 to sing together Feeling Alright.  Like many of his SNL fellow cast members, Belushi began experimenting heavily with drugs to deal with the constant pressure. His unpredictable temper caused him to be fired (and immediately re-hired) by Michaels a number of times. In Rolling Stone's February 2015 appraisal of all 141 SNL cast members to that time, Belushi received the top ranking. "Belushi was the 'live' in Saturday Night Live," they wrote, "the one who made the show happen on the edge ... Nobody embodied the highs and lows of SNL like Belushi."
Question: How long was he on Saturday Night Live?
Answer: Over his four-year tenure at SNL, Belushi developed a series of successful characters,

Problem: Background: Marion Eleanor Zimmer Bradley (June 3, 1930 - September 25, 1999) was an American author of fantasy, historical fantasy, science fiction, and science fantasy novels, and is best known for the Arthurian fiction novel The Mists of Avalon, and the Darkover series. While some critics have noted a feminist perspective in her writing, her popularity has been posthumously marred by multiple accusations against her of child sexual abuse and rape by two of her children, Mark and Moira Greyland, among many others. Zimmer Bradley's first child, David R. Bradley, and her brother, Paul Edwin Zimmer, also became published science fiction and fantasy authors.
Context: Born on a farm in Albany, New York, during the Great Depression, she began writing in 1947. She was married to Robert Alden Bradley from October 26, 1949 until their divorce on May 19, 1964. They had a son, David Robert Bradley (1950-2008). During the 1950s she was introduced to the cultural and campaigning lesbian group the Daughters of Bilitis.  After her divorce, Bradley married numismatist Walter H. Breen on June 3, 1964. They had a daughter, Moira Greyland, who is a professional harpist and singer, and a son, Mark Greyland.  In 1965, Bradley graduated with a Bachelor of Arts degree from Hardin-Simmons University in Abilene, Texas. Afterward, she moved to Berkeley, California, to pursue graduate studies at the University of California, Berkeley between 1965 and 1967. In 1966, she helped found and named the Society for Creative Anachronism and was involved in developing several local groups, some in New York after her move to Staten Island.  Bradley and Breen separated in 1979 but remained married, and continued a business relationship and lived on the same street for over a decade. They officially divorced on May 9, 1990, the year Breen was arrested on child molestation charges after a 13-year-old boy reported that Breen had been molesting him for four years. She had edited Breen's book Greek Love, which was dedicated to her, and in 1965 had contributed an article, "Feminine Equivalents of Greek Love in Modern Literature", to Breen's journal The International Journal of Greek Love. She had known about Breen's sexual interests and previously accepted his sexual abuse of a 14-year-old boy.
Question: Where was she born?
Answer: Albany, New York,

Problem: Background: The Dark Side of the Moon is the eighth studio album by English rock band Pink Floyd, released on 1 March 1973 by Harvest Records. The album built on ideas explored in earlier recordings and live shows, but lacks the extended instrumental excursions that characterised their earlier work. Its themes explore conflict, greed, the passage of time, and mental illness, the latter partly inspired by the deteriorating mental state of founding member and principal contributor, Syd Barrett. Developed during live performances, an early version was premiered several months before recording began; new material was recorded in two sessions in 1972 and 1973 at Abbey Road in London.
Context: The album features metronomic sound effects during "Speak to Me", and tape loops opening "Money". Mason created a rough version of "Speak to Me" at his home, before completing it in the studio. The track serves as an overture and contains cross-fades of elements from other pieces on the album. A piano chord, replayed backwards, serves to augment the build-up of effects, which are immediately followed by the opening of "Breathe". Mason received a rare solo composing credit for "Speak to Me".  The sound effects on "Money" were created by splicing together Waters' recordings of clinking coins, tearing paper, a ringing cash register, and a clicking adding machine, which were used to create a 7-beat effects loop (later adapted to four tracks in order to create a "walk around the room" effect in quadraphonic presentations of the album). At times the degree of sonic experimentation on the album required the engineers and band to operate the mixing console's faders simultaneously, in order to mix down the intricately assembled multitrack recordings of several of the songs (particularly "On the Run").  Along with the conventional rock band instrumentation, Pink Floyd added prominent synthesizers to their sound. For example, the band experimented with an EMS VCS 3 on "Brain Damage" and "Any Colour You Like", and a Synthi A on "Time" and "On the Run". They also devised and recorded unconventional sounds, such as an assistant engineer running around the studio's echo chamber (during "On the Run"), and a specially treated bass drum made to simulate a human heartbeat (during "Speak to Me", "On the Run", "Time" and "Eclipse"). This heartbeat is most prominent as the intro and the outro to the album, but it can also be heard sporadically on "Time" and "On the Run". "Time" features assorted clocks ticking, then chiming simultaneously at the start of the song, accompanied by a series of Rototoms. The recordings were initially created as a quadraphonic test by Parsons, who recorded each timepiece at an antique clock shop. Although these recordings had not been created specifically for the album, elements of this material were eventually used in the track.
Question: What other different techniques did they use?
Answer:
The sound effects on "Money" were created by splicing together Waters' recordings of clinking coins, tearing paper, a ringing cash register, and a clicking adding machine,