Question:
Steranko was born in Reading, Pennsylvania. According to Steranko's authorized biography, his grandparents emigrated from Ukraine to settle in the anthracite coal-mining region of eastern Pennsylvania. Steranko's father, one of nine siblings, began working in the mines at age 10, and as an adult became a tinsmith. Steranko later said his father and uncles "would bootleg coal - they would go up into a mountain and open up a shaft.
By his account, Steranko learned stage magic using paraphernalia from his father's stage magician act, and in his teens spent several summers working with circuses and carnivals, working his way up to sideshow performer as a fire-eater and in acts involving a bed of nails and sleight-of-hand. At school, he competed on the gymnastics team, on the rings and parallel bars, and later took up boxing and, under swordmaster Dan Phillips in New York City, fencing. At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.  Up through his early 20s, Steranko performed as an illusionist, escape artist, close-up magician in nightclubs, and musician, having played in drum and bugle corps in his teens before forming his own bands during the early days of rock and roll. Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name, claiming he used pseudonyms to help protect himself from enemies. He also claims to have put the first go-go girls onstage. The seminal rock and roll group Bill Haley and his Comets was based in nearby Philadelphia and Steranko, who played a Jazzmaster guitar, often performed in the same local venues, sometimes on the same bill, and became friendly with Haley guitarist Frank Beecher, who became a musical influence. By the late 1960s, Steranko was a member of a New York City magicians' group, the Witchdoctor's Club.  Comics historian Mark Evanier notes that the influential comic-book creator Jack Kirby, who "based some of his characters ... on people in his life or in the news", was "inspired" to create the escape artist character Mister Miracle "by an earlier career of writer-artist Jim Steranko".
Answer this question using a quote from the text above:

When did he get into music?

Answer:
Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name,

input: Parker's life was riddled with depression and heroin addiction. This addiction caused him to miss performances and be considered unemployable. He frequently resorted to busking, receiving loans from fellow musicians and admirers, and pawning his saxophones for drug money. Heroin use was rampant in the jazz scene, and users could acquire it with little difficulty.  Although he produced many brilliant recordings during this period, Parker's behavior became increasingly erratic. Heroin was difficult to obtain once he moved to California, where the drug was less abundant, so he used alcohol as a substitute. A recording for the Dial label from July 29, 1946, provides evidence of his condition. Before this session, Parker drank a quart of whiskey. According to the liner notes of Charlie Parker on Dial Volume 1, Parker missed most of the first two bars of his first chorus on the track, "Max Making Wax". When he finally did come in, he swayed wildly and once spun all the way around, away from his microphone. On the next tune, "Lover Man", producer Ross Russell physically supported Parker. On "Bebop" (the final track Parker recorded that evening) he begins a solo with a solid first eight bars; on his second eight bars, however, he begins to struggle, and a desperate Howard McGhee, the trumpeter on this session, shouts, "Blow!" at him. Charles Mingus considered this version of "Lover Man" to be among Parker's greatest recordings, despite its flaws. Nevertheless, Parker hated the recording and never forgave Ross Russell for releasing it. He re-recorded the tune in 1951 for Verve.  Parker's life took a turn for the worst when his 2 year old daughter tragically passed away from pneumonia. He attempted suicide twice in 1954, which landed him in a mental hospital.  When Parker received his discharge from the hospital, he was clean and healthy. Before leaving California, he recorded "Relaxin' at Camarillo" in reference to his hospital stay. He returned to New York, resumed his addiction to heroin and recorded dozens of sides for the Savoy and Dial labels, which remain some of the high points of his recorded output. Many of these were with his so-called "classic quintet" including Davis and Roach.

Answer this question "Was he ever treated for depression?"
output: When Parker received his discharge from the hospital, he was clean and healthy.

Answer the question at the end by quoting:

Chris Palko was born in Wurzburg, Germany, to American parents. His father was stationed on a West German military base as a member of the military police. Palko lived there until the age of four when his father was dishonorably discharged for selling and using heroin, and the family was sent back to the United States where they lived in Middletown, New York. His father would often force Palko to pull homemade tourniquets around his arm as he injected heroin.
When Palko was released from the hospital at eighteen, he pursued a career as a rapper, giving himself the stagename "Alex", after the protagonist of Anthony Burgess' novel A Clockwork Orange. After hiring a manager and recording a demo, he was introduced to rapper Pete Nice, and Cage was featured on the 1993 album Dust to Dust. Pete Nice also introduced Palko to radio personality Bobbito Garcia, who featured Palko on his program several times, increasing his reputation among New York's underground hip hop scene, where he became associated with KMD, Kurious Jorge, K-Solo, Godfather Don, Necro, Artifacts, Pharoahe Monch and El-P. Palko signed a recording contract with Columbia Records, but frequently recorded while intoxicated, and the label found his efforts to be unsatisfactory. Palko briefly put his career on hold and his drug use increased.  When Garcia founded the label Fondle 'Em Records, he offered Palko a record deal, and Cage released a single featuring the songs "Radiohead" and "Agent Orange" in 1997, to success and acclaim. Following the release of The Slim Shady EP in December 1997, Palko accused Detroit-based rapper Eminem of imitating his style.  After several more singles with Fondle 'Em, Palko met Mr. Eon and DJ Mighty Mi of The High & Mighty, and the trio formed the group Smut Peddlers, releasing the album Porn Again on Rawkus Records in 2001. The album peaked at #10 on the Billboard Heatseekers chart, #43 on the Top R&B/Hip-Hop Albums chart, and #184 on the Billboard 200, while its single "That Smut" peaked at #9 on the Hot Rap Singles chart and #96 on the Hot R&B/Hip-Hop Singles & Tracks chart. In 2001, Palko's music was featured on the soundtrack to the psychological crime film Bully.

Are there any other interesting aspects about this article?
When Garcia founded the label Fondle 'Em Records, he offered Palko a record deal,