Problem: Background: "Jesus Is Just Alright" is a gospel song written by Arthur Reid Reynolds and first recorded by Reynolds' own group, The Art Reynolds Singers, on their 1966 album, Tellin' It Like It Is. The song's title makes use of the American slang term "all-right", which during the 1960s was used to describe something that was considered 'cool' or very good. The song has been covered by a number of bands and artists over the years, including The Byrds, Underground Sunshine, The Doobie Brothers, Alexis Korner, The Ventures, DC Talk, Stryper, Shelagh McDonald, and Robert Randolph (featuring Eric Clapton). The first cover version of the song was recorded by the Los Angeles band The Byrds on their 1969 album, Ballad of Easy Rider.
Context: The Byrds' version of "Jesus Is Just Alright" was recorded on June 17, 1969 during the sessions for the band's eighth studio album, Ballad of Easy Rider. It was first released as part of that album but was subsequently issued as a single on December 15, 1969. The single stalled at No. 97 on the Billboard Hot 100 and failed to chart in the United Kingdom. Despite this lack of commercial success, The Doobie Brothers' later hit version of the song featured an arrangement that was heavily influenced by The Byrds' own recording.  The song was introduced to The Byrds by the band's drummer, Gene Parsons, who had been present in the studio when The Art Reynolds Singers had recorded it. The Byrds had added the song to their live concert repertoire some months prior to the start of the Ballad of Easy Rider recording sessions and it had quickly become an audience favorite. In concert, The Byrds rendition of "Jesus Is Just Alright" began with a wordless vocal introduction that built up and led into the first iteration of the song's chorus. This distinctive vocal arrangement had been devised by Parsons but once the band were in the studio, record producer Terry Melcher dispensed with this extended intro, choosing instead to give the song a more pop-oriented arrangement.  "Jesus Is Just Alright" became a staple of The Byrds' concert repertoire between 1969 and 1971 but appears to have been performed only rarely after that. Additionally, the band performed the song on the U.S. television programs Memphis Talent Party and The Midnight Special in 1970 and 1972 respectively.  Besides its appearance on the Ballad of Easy Rider album, "Jesus Is Just Alright" can also be found on several Byrds' compilations, including The Best of The Byrds: Greatest Hits, Volume II, History of The Byrds, The Byrds, The Essential Byrds, and There Is a Season. Live recordings of the song are included on the expanded edition of The Byrds' (Untitled) album as well as on Live at Royal Albert Hall 1971.
Question: Did audiences like the song?
Answer: 

Problem: Background: Jo Elizabeth Stafford (November 12, 1917 - July 16, 2008) was an American traditional pop music singer and occasional actress, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song "You Belong to Me" topped the charts in the United States and United Kingdom, the record becoming the first by a female artist to reach number one on the U.K. Singles Chart.
Context: Although Weston and Stafford had known each other since their introduction at the King Sisters' party, they did not become romantically involved until 1945, when Weston traveled to New York to see Stafford perform at La Martinique. They were married in a Roman Catholic ceremony on February 26, 1952, before which Stafford converted to Catholicism. The wedding was conducted at St Gregory's Catholic Church in Los Angeles by Father Joe Kearney, a former guitarist with the Bob Crosby band who left the music business, trained as a priest and served as head of the Catholic Labor Institute. The couple left for Europe for a combined honeymoon and business trip: Stafford had an engagement at the London Palladium. Stafford and Weston had two children: Tim was born in 1952, and Amy in 1956. Both children followed their parents into the music industry. Tim Weston became an arranger and producer who took charge of Corinthian Records, his father's music label, and Amy Weston became a session singer, performing with a trio, Daddy's Money, and singing in commercials.  In the 1950s, Stafford had a string of popular hits with Frankie Laine, six of which charted. Their duet of the Hank Williams song "Hey Good Lookin'" made the top ten in 1951. She had her best-known hits--"Jambalaya", "Shrimp Boats", "Make Love to Me", and "You Belong to Me"--around this time. "You Belong to Me" was Stafford's biggest hit, topping the charts in the United States and the United Kingdom. In the U.K., it was the first song by a female singer to top the chart. The record first appeared on U.S. charts on August 1, 1952, and remained there for 24 weeks. In the U.K., it entered the charts on November 14, 1952, at number 12, reached number one on January 16, 1953, and stayed on the charts for 19 weeks. In a July 1953 interview, Paul Weston said his wife's big hit was really the "B" side of the single "Pretty Boy", which both Weston and Columbia Records believed would be the big seller.  Stafford hosted the 15-minute The Jo Stafford Show on CBS-TV from 1954 to 1955, with Weston as her conductor and music arranger. She appeared on NBC's Club Oasis in 1958, and on the American Broadcasting Company (ABC) series The Pat Boone Chevy Showroom in 1959. In the early 1960s, Stafford hosted a series of television specials called The Jo Stafford Show, which were centered around music. The shows were produced in England and featured British and American guests including Claire Bloom, Stanley Holloway, Ella Fitzgerald, Mel Torme, and Rosemary Clooney.  Both Stafford and Weston returned to Capitol in 1961. During her second stint at Capitol, Stafford also recorded for Sinatra's label Reprise Records. The albums issued by Reprise were released between 1961 and 1964, and were mostly remakes of songs from her past. Sinatra sold Reprise to Warner Brothers in 1963, and they retargeted the label at a teenage audience, letting go many of the original artists who had signed up with Sinatra. In late 1965, both Stafford and Weston signed to Dot Records.
Question: Did Stafford and Weston record together?
Answer:
Records.