Question: Aretha Louise Franklin was born in Memphis, Tennessee, to Barbara (nee Siggers) and Clarence LaVaughn "C. L." Franklin. Her father was an itinerant preacher originally from Shelby, Mississippi, while her mother was an accomplished piano player and vocalist. Alongside Franklin, her parents had three other children while both C. L. and Barbara had children from outside their marriage. The family relocated to Buffalo, New York when Franklin was two.

In November 1966, choosing not to renew her Columbia contract after six years with the company, Franklin signed to Atlantic Records. In January 1967, she traveled to Muscle Shoals, Alabama to record at FAME Studios to record the song, "I Never Loved a Man (The Way I Love You)" in front of the musicians of the famed Muscle Shoals Rhythm Section. The song was later issued that February and shot up to number-one on the R&B chart, while also peaking at number nine on the Billboard Hot 100, giving Franklin her first top ten pop single. The song's b-side, "Do Right Woman, Do Right Man", reached the R&B top 40, peaking at number 37. In April, Atlantic issued her frenetic version of Otis Redding's "Respect", which shot to number-one on both the R&B and pop charts and later became her signature song and was later hailed as a civil rights and feminist anthem.  Franklin's debut Atlantic album, I Never Loved a Man the Way I Love You, also became commercially successful, later going gold. Franklin scored two more top ten singles in 1967 including "Baby I Love You" and "(You Make Me Feel Like A) Natural Woman". Franklin's rapport with producer Jerry Wexler helped in the creation of the majority of Franklin's peak recordings with Atlantic. In 1968, she issued the top-selling albums, Lady Soul and Aretha Now, which included some of Franklin's most popular hit singles including "Chain of Fools", "Ain't No Way", "Think" and "I Say a Little Prayer". In February 1968, Franklin earned the first two of her Grammys including the debut category for Best Female R&B Vocal Performance. On February 16, 1968, Franklin was honored with a day in her honor and was greeted by longtime friend Martin Luther King, Jr. who gave her the SCLC Drum Beat Award for Musicians just two months before his death. In June 1968, she appeared on the cover of Time magazine.  Franklin's success expanded during the early 1970s in which she recorded top ten singles such as "Spanish Harlem", "Rock Steady" and "Day Dreaming" as well as the acclaimed albums, Spirit in the Dark, Young, Gifted & Black and her gospel album, Amazing Grace, which sold over two million copies. In 1971, Franklin became the first R&B performer to headline Fillmore West, later recording the live album, Aretha Live at Fillmore West. Franklin's career began to experience problems while recording the album, Hey Now Hey, which featured production from Quincy Jones. Despite the success of the single, "Angel", the album bombed upon its release in 1973. Franklin continued having R&B success with songs such as "Until You Come Back to Me" and "I'm in Love" but by 1975, her albums and songs were no longer top sellers. After Jerry Wexler left Atlantic for Warner Bros. Records in 1976, Franklin worked on the soundtrack to the film, "Sparkle", with Curtis Mayfield. The album yielded Franklin's final top 40 hit of the decade, "Something He Can Feel", which also peaked at number-one on the R&B chart. Franklin's follow-up albums for Atlantic including Sweet Passion, Almighty Fire and La Diva bombed on the charts and in 1979, Franklin opted to leave the company.

Using a quote from the above article, answer the following question: Did she make any other music during this time?
HHHHHH
Answer: In April, Atlantic issued her frenetic version of Otis Redding's "Respect", which shot to number-one on both the R&B and pop charts and later became her signature song


Question: Toru Takemitsu (Wu Man  Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.

Takemitsu was born in Tokyo on October 8, 1930; a month later his family moved to Dalian in the Chinese province of Liaoning. In 1938 he returned to Japan to attend elementary school, but his education was cut short by military conscription in 1944. Takemitsu described his experience of military service at such a young age, under the Japanese Nationalist government, as "... extremely bitter". Takemitsu first became really conscious of Western classical music during his term of military service, in the form of a popular French Song ("Parlez-moi d'amour") which he listened to with colleagues in secret, played on a gramophone with a makeshift needle fashioned from bamboo.  During the post-war U.S. occupation of Japan, Takemitsu worked for the U.S. Armed Forces, but was ill for a long period. Hospitalised and bed-ridden, he took the opportunity to listen to as much Western music as he could on the U.S. Armed Forces network. While deeply affected by these experiences of Western music, he simultaneously felt a need to distance himself from the traditional music of his native Japan. He explained much later, in a lecture at the New York International Festival of the Arts, that for him Japanese traditional music "always recalled the bitter memories of war".  Despite his almost complete lack of musical training, and taking inspiration from what little Western music he had heard, Takemitsu began to compose in earnest at the age of 16: "... I began [writing] music attracted to music itself as one human being. Being in music I found my raison d'etre as a man. After the war, music was the only thing. Choosing to be in music clarified my identity." Though he studied briefly with Yasuji Kiyose beginning in 1948, Takemitsu remained largely self-taught throughout his musical career.

Using a quote from the above article, answer the following question: Was he interested in music from an early age?
HHHHHH
Answer:
Takemitsu first became really conscious of Western classical music during his term of military service,