input: Although Weston and Stafford had known each other since their introduction at the King Sisters' party, they did not become romantically involved until 1945, when Weston traveled to New York to see Stafford perform at La Martinique. They were married in a Roman Catholic ceremony on February 26, 1952, before which Stafford converted to Catholicism. The wedding was conducted at St Gregory's Catholic Church in Los Angeles by Father Joe Kearney, a former guitarist with the Bob Crosby band who left the music business, trained as a priest and served as head of the Catholic Labor Institute. The couple left for Europe for a combined honeymoon and business trip: Stafford had an engagement at the London Palladium. Stafford and Weston had two children: Tim was born in 1952, and Amy in 1956. Both children followed their parents into the music industry. Tim Weston became an arranger and producer who took charge of Corinthian Records, his father's music label, and Amy Weston became a session singer, performing with a trio, Daddy's Money, and singing in commercials.  In the 1950s, Stafford had a string of popular hits with Frankie Laine, six of which charted. Their duet of the Hank Williams song "Hey Good Lookin'" made the top ten in 1951. She had her best-known hits--"Jambalaya", "Shrimp Boats", "Make Love to Me", and "You Belong to Me"--around this time. "You Belong to Me" was Stafford's biggest hit, topping the charts in the United States and the United Kingdom. In the U.K., it was the first song by a female singer to top the chart. The record first appeared on U.S. charts on August 1, 1952, and remained there for 24 weeks. In the U.K., it entered the charts on November 14, 1952, at number 12, reached number one on January 16, 1953, and stayed on the charts for 19 weeks. In a July 1953 interview, Paul Weston said his wife's big hit was really the "B" side of the single "Pretty Boy", which both Weston and Columbia Records believed would be the big seller.  Stafford hosted the 15-minute The Jo Stafford Show on CBS-TV from 1954 to 1955, with Weston as her conductor and music arranger. She appeared on NBC's Club Oasis in 1958, and on the American Broadcasting Company (ABC) series The Pat Boone Chevy Showroom in 1959. In the early 1960s, Stafford hosted a series of television specials called The Jo Stafford Show, which were centered around music. The shows were produced in England and featured British and American guests including Claire Bloom, Stanley Holloway, Ella Fitzgerald, Mel Torme, and Rosemary Clooney.  Both Stafford and Weston returned to Capitol in 1961. During her second stint at Capitol, Stafford also recorded for Sinatra's label Reprise Records. The albums issued by Reprise were released between 1961 and 1964, and were mostly remakes of songs from her past. Sinatra sold Reprise to Warner Brothers in 1963, and they retargeted the label at a teenage audience, letting go many of the original artists who had signed up with Sinatra. In late 1965, both Stafford and Weston signed to Dot Records.

Answer this question "Who was Paul Weston?"
output: Although Weston and Stafford had known each other since their introduction at the King Sisters' party, they did not become romantically involved until 1945,

input: Matt Groening first conceived Marge and the rest of the Simpson family in 1986 in the lobby of producer James L. Brooks' office. Groening had been called to pitch a series of animated shorts for The Tracey Ullman Show, and had intended to present an adaptation of his Life in Hell comic strip. When he realized that animating Life in Hell would require him to rescind publication rights, Groening decided to go in another direction and hurriedly sketched out his version of a dysfunctional family, naming the characters after members of his own family. Marge was named after Groening's mother Margaret "Marge" Groening, who has said she bears little similarity to the character, stating, "It's really weird to have people think you're a cartoon." Marge's beehive hairstyle was inspired by the titular Bride in Bride of Frankenstein and the style that Margaret Groening wore during the 1960s, although her hair was never blue.  Marge debuted with the rest of the Simpson family on April 19, 1987, in The Tracey Ullman Show short "Good Night". In 1989, the shorts were adapted into The Simpsons, a half-hour series airing on the Fox Network. Marge and the Simpson family remained the main characters on this new show.  Matt Groening believes that episodes featuring Marge are among the most difficult episodes to write. Bill Oakley believes that the "junior" writers are usually given Marge episodes because he and writing partner Josh Weinstein were given several to write during their first season. During the third season of the show, most of the writers focused on Bart and Homer, so David M. Stern decided to write a Marge episode, which became "Homer Alone" (season three, 1992). He felt that they could achieve a "deeper vein" of comedy in an episode where Marge has a nervous breakdown, and James L. Brooks quickly approved.

Answer this question "Are there any other interesting aspects about this article?"
output: Matt Groening believes that episodes featuring Marge are among the most difficult episodes to write.

input: Establishing her professional career in the mid-1960s at the forefront of California's emerging folk rock and country rock movements - genres which defined post-1960s rock music - Ronstadt joined forces with Bobby Kimmel and Kenny Edwards and became the lead singer of a folk-rock trio, the Stone Poneys. Later, as a solo artist, she released Hand Sown ... Home Grown in 1969, which has been described as the first alternative country record by a female recording artist. Although fame eluded her during these years, Ronstadt actively toured with the Doors, Neil Young, Jackson Browne, and others, appeared numerous times on television shows, and began to contribute her singing to albums by other artists.  With the release of chart-topping albums such as Heart Like a Wheel, Simple Dreams, and Living in the USA, Ronstadt became the first female "arena class" rock star. She set records as one of the top-grossing concert artists of the decade. Referred to as the "First Lady of Rock" and the "Queen of Rock", Ronstadt was voted the Top Female Pop Singer of the 1970s. Her rock-and-roll image was as famous as her music; she appeared six times on the cover of Rolling Stone and on the covers of Newsweek and Time.  In the 1980s, Ronstadt went to Broadway and garnered a Tony nomination for her performance in The Pirates of Penzance, teamed with the composer Philip Glass, recorded traditional music, and collaborated with the conductor Nelson Riddle, an event at that time viewed as an original and unorthodox move for a rock-and-roll artist. This venture paid off, and Ronstadt remained one of the music industry's best-selling acts throughout the 1980s, with multi-platinum-selling albums such as What's New, Canciones de Mi Padre, and Cry Like a Rainstorm, Howl Like the Wind. She continued to tour, collaborate, and record celebrated albums, such as Winter Light and Hummin' to Myself, until her retirement in 2011. Most of Ronstadt's albums are certified gold, platinum, or multi-platinum. Having sold in excess of 100 million records worldwide and setting records as one of the top-grossing concert performers for over a decade, Ronstadt was the most successful female singer of the 1970s and stands as one of the most successful female recording artists in U.S. history. Ronstadt opened many doors for women in rock and roll and other musical genres by championing songwriters and musicians, pioneering her chart success onto the concert circuit, and being at the vanguard of many musical movements.

Answer this question "What tv shows did she appear on?"
output:
The Pirates of Penzance,