Problem: Haruki Murakami (Cun Shang  Chun Shu , Murakami Haruki, born January 12, 1949) is a Japanese writer. His books and stories have been bestsellers in Japan as well as internationally, with his work being translated into 50 languages and selling millions of copies outside his native country. The critical acclaim for his fiction and non-fiction has led to numerous awards, in Japan and internationally, including the World Fantasy Award (2006) and the Frank O'Connor International Short Story Award (2006). His oeuvre received, for example, the Franz Kafka Prize (2006) and the Jerusalem Prize (2009).

Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works.

Does Murakami reference popular culture in his writing?

Answer with quotes: 


Problem: Ella Marija Lani Yelich-O'Connor (born 7 November 1996), known professionally as Lorde (pronounced lord), is a New Zealand singer, songwriter, and record producer who holds both New Zealand and Croatian citizenship. Born in the Auckland suburb of Takapuna and raised in neighbouring Devonport, she became interested in performing as a child. In her early teens, she signed with Universal Music Group and was later paired with songwriter and record producer Joel Little. At the age of sixteen, she released her first extended play, The Love Club EP (2012), reaching number two on the national record charts in both New Zealand and Australia. "

In May 2009, Lorde and musician friend Louis McDonald won the Belmont Intermediate School annual talent show as a duo. On 13 August 2009, Lorde and McDonald were invited in for a chat on Jim Mora's Afternoons show on Radio New Zealand. There, they performed covers of Pixie Lott's "Mama Do (Uh Oh, Uh Oh)" and Kings of Leon's "Use Somebody". McDonald's father Ian sent both his home audio recording of her and Louis McDonald covering Duffy's song "Warwick Avenue" and his home video recording of the pair singing Pixie Lott's "Mama Do" to Universal Music Group (UMG)'s A&R Scott Maclachlan. In 2009 Maclachlan signed her to UMG for development. Lorde was also part of the Belmont Intermediate School band Extreme; the band placed third in the North Shore Battle of the Bands finals at the Bruce Mason Centre, Takapuna, Auckland on 18 November 2009.  In 2010 Lorde and McDonald performed covers live on a regular basis as a duet called "Ella & Louis", playing at The Leigh Sawmill Cafe on 15 August, at Roasted Addiqtion Cafe in Kingsland on 20 August, at The Vic Unplugged at Victoria Theatre, Devonport on 27 October, and at Devonstock in Devonport on 12 December. While working on her music career, she attended Takapuna Grammar School from 2010 to 2013, completing Year twelve. She later chose not to return in 2014 to finish Year thirteen.  In 2011, UMG hired vocal coach Frances Dickinson to give Lorde singing lessons twice a week for a year. During this time, she began writing songs and was set up with a succession of songwriters, but without success. At the age of fourteen, Lorde started reading short fiction and learned how to "put words together". She performed her own original songs publicly for the first time at The Vic Unplugged II on the Devonport Victoria Theatre main stage on 16 November 2011. In December 2011, MacLachlan paired Lorde with Joel Little, a songwriter, record producer, and former Goodnight Nurse lead singer. The pair recorded five songs for an EP at Little's Golden Age Studios in Morningside, Auckland, and finished within three weeks.

Who else has she has worked with?

Answer with quotes: Frances Dickinson


Problem: Carroll was born in Joliet, Illinois on May 18, 1945. His father worked in a coal processing plant. The family moved to San Diego in 1954 where Carroll grew up. He describes his early years in Ocean Beach as an ideal childhood.

Carroll did not believe in an omnipotent, omniscient, omnipresent god. However, in his essay "Why I am not an atheist", Carroll described his dislike of the term "atheist" because he feels that the term is being exploited by theists and used as a straw man argument. He felt that the term implies a dogmatic set of beliefs and carries its own share of negative baggage. So, Carroll suggested that atheists might as well adopt the term "Brights" with all its negative connotations.  The only religion that Carroll found attractive after abandoning Catholicism, despite never following it, is Buddhism as taught by the Dalai Lama.  Carroll has always maintained the opinion that people have to be more skeptical of religion than they are now. He said in multiple interviews that religion is an area that skeptics don't target enough, and that pure faith is winning the race against critical thinking.  Carroll tended to have a moderate outlook on religion. He believed that religion has a role to play in people's lives and he didn't condemn religion for terrorism. When asked about the relationship between violence and religion he said that he can't recall anything negative about his religious upbringing, and that maybe Catholicism can provide more good than harm. He didn't believe religion causes wars, he rather believed that it serves as an excuse for people who will go to war regardless of religion's existence. Carroll believed that some people rely on religion as their only source of morality and as a source of comfort. However, he found it distressing that some people are unable to find meaning in their lives without religion. In an interview with Beyond a Doubt he said  "There is nothing dull about a life without fairies, Easter bunnies, devils, ghosts, magic crystals, etc. Life is only boring to boring people."

Why did he dislike that term?

Answer with quotes:
" because he feels that the term is being exploited by theists and used as a straw man argument. He felt that the term implies a dogmatic set of beliefs