IN: Kate O'Mara (10 August 1939 - 30 March 2014) was an English film, stage and television actress, and writer. O'Mara made her stage debut in a 1963 production of The Merchant of Venice. Her other stage roles included Elvira in Blithe Spirit (1974), Lady Macbeth in Macbeth (1982), Cleopatra in Antony & Cleopatra (1982), Goneril in King Lear (1987) and Marlene Dietrich in Lunch with Marlene (2008). Her films included two 1970 Hammer Horror films: The Vampire Lovers and The Horror of Frankenstein.

O'Mara spoke on several occasions about her experience with the casting couch. On an episode of The Word in 1994, O'Mara claimed that American producer Judd Bernard pulled down her panties during a hotel-room audition for the Elvis Presley vehicle Double Trouble. In her autobiography Vamp Until Ready: A Life Laid Bare, O'Mara described this incident and "many other close encounters with... this very unpleasant and humiliating procedure", including with a well-known television casting director, the boss of Associated Television at Elstree Studios, and the director of Great Catherine.  O'Mara continued to make television appearances throughout the 1990s, including Cluedo (1990), and playing Jackie Stone (Patsy's older sister) in two episodes of Absolutely Fabulous (1995-2003). In 2001, she had a recurring role in the ITV prison drama series Bad Girls before appearing in the short-lived revival of the soap opera Crossroads. She continued to perform on stage and in March 2008 she played Marlene Dietrich in a stage play entitled Lunch with Marlene. From August to November 2008, she played Mrs Cheveley in Oscar Wilde's stage play An Ideal Husband directed by Peter Hall and produced by Bill Kenwright. She performed in radio and audio plays. In 2000 she reprised her role as the Rani in the BBV audio play The Rani Reaps the Whirlwind, and in 2006 she made a guest appearance in the radio comedy series Nebulous.  In 2012, O'mara appeared in a theater adaptation of Agatha Christie's Death on the Nile.  She became a vegetarian and animal rights activist.

did she write anything else?

OUT: In her autobiography Vamp Until Ready: A Life Laid Bare,

Answer the question at the end by quoting:

James Ware (born June 20, 1957), better known by his ring name Koko B. Ware is a retired American professional wrestler who made his professional wrestling debut in 1978. He rose in popularity during the mid 1980s, while appearing in the World Wrestling Federation, where he was initially a strong mid-carder before he eventually became a jobber to the stars. Ware came to the ring with a blue-and-yellow macaw named Frankie, and would flap his arms like a bird while dancing before and after his matches. Before joining the WWF, Ware worked as a part of several tag teams, first with Bobby Eaton in Memphis and then later on with Norvell Austin as one half of the P.Y.T. Express in several promotions.
Bobby Eaton later turned face, he teamed with "Stagger Lee" for a series of matches. During a tag-team tournament in 1983, the masked Stagger Lee teamed up with fellow face Norvell Austin to take on "Fargo's Fabulous Ones" (Tommy Rich and "Hot Stuff" Eddie Gilbert). During the course of the match Stagger Lee's mask was removed to reveal the man beneath it, prompting a heel turn for Ware. Austin and Ware became a regular tag team dubbed the Pretty Young Things or ("the PYT Express"). The two men soon began wearing red leather jackets, and each had a single white glove on, in an obvious imitation of Michael Jackson to further enhance their "pretty boy" image.  The team defeated Elijah Akeem and Kareem Mohammad for the AWA Southern Tag Team Championship in February 1984; almost two weeks later, Akeem and Mohammad regained the title. The PYT Express remained in Memphis for a period of time after this before moving on to other promotions such as Mid-South Wrestling, World Class Championship Wrestling in Texas and Championship Wrestling from Florida. On February 26, 1985 Austin and Ware defeated Jay and Mark Youngblood to win the NWA Florida United States Tag Team Championship. Two weeks later on March 5, 1985 the team re-lost the title to the Youngbloods. After dropping the gold in Florida, the Pretty Young Things returned to the federation that first put them together, the Continental Wrestling Association. There, they won the AWA Southern Tag Team title twice, both times from The Fabulous Ones (Steve Keirn and Stan Lane) as they feuded with the top face team of the promotion.  After the PYT's disbanded, Koko moved on to Bill Watts' Mid-South/UWF territory, where he started calling himself Koko B. Ware. Ware's persona was that of a face who entered the ring to the theme of Morris Day's "The Bird", doing an arm-flapping dance.

When did they start Pretty Young Things?

During a tag-team tournament in 1983,

input: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.  In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.  During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated.

Answer this question "How did they deal with racial segregation?"
output:
Lennon stated: "We never play to segregated audiences and we aren't going to start now ...