Problem: Background: Marvin Neil Simon (born July 4, 1927) is an American playwright, screenwriter and author. He has written more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer. Simon grew up in New York during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood.
Context: Simon's characters are typically portrayed as "imperfect, unheroic figures who are at heart decent human beings", according to Koprince, and she traces Simon's style of comedy to that of Menander, a playwright of ancient Greece. Menander, like Simon, also used average people in domestic life settings, the stories also blending humor and tragedy into his themes. Many of Simon's most memorable plays are built around two-character scenes, as in segments of California Suite and Plaza Suite.  Before writing, Simon tries to create an image of his characters. He says that the play, Star Spangled Girl which was a box-office failure, was "the only play I ever wrote where I did not have a clear visual image of the characters in my mind as I sat down at the typewriter." Simon considers "character building" as an obligation, stating that the "trick is to do it skillfully". While other writers have created vivid characters, they have not created nearly as many as Simon: "Simon has no peers among contemporary comedy playwrights," states biographer Robert Johnson.  Simon's characters often amuse the audience with sparkling "zingers," believable due to Simon's skill with writing dialogue. He reproduces speech so "adroitly" that his characters are usually plausible and easy for audiences to identify with and laugh at. His characters may also express "serious and continuing concerns of mankind ... rather than purely topical material". McGovern notes that his characters are always impatient "with phoniness, with shallowness, with amorality", adding that they sometimes express "implicit and explicit criticism of modern urban life with its stress, its vacuity, and its materialism." However, Simon's characters will never be seen thumbing his or her nose at society."
Question: What type of characters did he enjoy writing?
Answer: Simon's characters are typically portrayed as "imperfect, unheroic figures who are at heart decent human beings",

Problem: Background: Riya Sen (born Riya Dev Varma; 24 January 1981) is an Indian film actress and model. Riya, who comes from a family of actors including her grandmother Suchitra Sen, mother Moon Moon Sen and sister Raima Sen, began her acting career in 1991 as a child actress in the film Vishkanya. Her first commercial success in her film career was with Style, a 2001 Hindi low-budget comedy directed by N. Chandra. Some of her other notable films include producer Pritish Nandy's musical film, Jhankaar Beats (2003) in Hinglish,
Context: Riya first appeared as a child artist in the film Vishkanya in 1991, where she played the role of the young Pooja Bedi. At the age of 19, she did National Film Awards winning director Bharathiraja's Tamil film, Taj Mahal (2000), which did not achieve commercial success. She was scheduled to make her Bollywood film debut in Love You Hamesha, opposite actor Akshaye Khanna; however, the film was stalled, and she finally made her debut in N. Chandra's Style in 2001. This low-budget comedy was the first commercial success in over a decade for the director. A launch pad for Riya, cast in the female lead along with fellow-newcomers, Sharman Joshi, Sahil Khan and Shilpi Mudgal, the film pioneered a trend of commercial success for small budget films in India. Riya and the second female lead of the film were replaced by aspirant actresses Sonali Joshi and Jaya Seal in Xcuse Me'.  Her next success was Jhankaar Beats, comedy revolving around the music of legendary composer R D Burman, which saw her playing a small and glamorous role alongside Shayan Munshi, Juhi Chawla, Rahul Bose, Rinke Khanna and Sanjay Suri. Produced by Pritish Nandy, publishing director of The Times of India, the film was made on a budget of Rs. 25 million (US$525,000), marking the sixth in a row of small to medium budget films made by Pritish Nandy Communications (PNC). Despite being part of a wave of offbeat films that mostly failed to make an impact at the box office, it drew public attention upon its release, which led to a commercial success among a restricted audience targeted by a selective release in twenty cities. It was one of the first films made in Hinglish, a mixture of Hindi and English. In 2005, she starred in Shaadi No. 1, which had no female lead. This comedy, based on the theme of modern marriage, was directed by David Dhawan, a renowned film director from this genre.  Although films like Style and Jhankar Beats succeeded commercially, most of her later films have generated less revenue. A number of them remained unfinished. While many of her appearances have been item numbers and cameos, few of her leading roles have been in low-budget films. Though she had small roles in Dil Vil Pyar Vyar (2002), Qayamat (2003) and Plan (2004), attention was drawn to her item numbers in all three, especially the one in Qayamat that featured her in a bubble-bath. Besides this, she performed another item number in James (2005) on director-producer Ram Gopal Varma's behest, who has a history of casting aspirant actress-models like Sameera Reddy, Isha Koppikar and Koena Mitra in similar roles. Furthermore, she took part in a dance number for Sajid Khan's Heyy Babyy (2007) that featured several mainstream Bollywood actresses.
Question: How did Taj Mahal do at the box office?
Answer:
Bharathiraja's Tamil film, Taj Mahal (2000), which did not achieve commercial success.