input: For the next six years, Harvest and Epic/Legacy reissued ELO's back catalogue. Included amongst the remastered album tracks were unreleased songs and outtakes, including two new singles. The first was "Surrender" which registered on the lower end of the UK Singles Chart at number 81, some 30 years after it was written in 1976. The other single was "Latitude 88 North".  On 9 August 2010, Eagle Rock Entertainment released Live - The Early Years in the UK as a DVD compilation that included Fusion - Live in London (1976) along with never before released live performances at Brunel University (1973) and on a German TV show Rockpalast (1974). The US had a slightly edited release on 24 August 2010. The Essential Electric Light Orchestra artwork was re-jigged to feature two different covers. The US and Australian releases shared one design, while the rest of the world featured the other for a new double album release in October 2011.  Mr. Blue Sky: The Very Best of Electric Light Orchestra was released on 8 October 2012. It is an album of new recordings of ELO's greatest hits by Lynne; along with a new song "Point of No Return", released to coincide with Lynne's second solo album release Long Wave. These new 2012 albums contained advertisement cards, announcing the re-release of expanded and remastered versions of both the 2001 album Zoom and Lynne's debut solo album Armchair Theatre, originally released in 1990. Both albums were re-released in April 2013 with various bonus tracks. Also released was the live album, Electric Light Orchestra Live, showcasing songs from the Zoom tour. All three releases also featured new studio recordings as bonus tracks.  Lynne and Tandy reunited again on 12 November 2013 to perform, under the name Jeff Lynne and Friends, "Livin' Thing" and "Mr Blue Sky" at the Children in Need Rocks concert at Hammersmith Eventim Apollo, London. The backing orchestra was the BBC Concert Orchestra, with Chereene Allen on lead violin.

Answer this question "What non-performing work did the Orchestra do?"
output: Wave. These new 2012 albums contained advertisement cards, announcing the re-release of expanded and remastered versions of both the 2001 album Zoom and Lynne's debut solo album Armchair Theatre,

input: Barber and Monty Sunshine (clarinet) formed a band in 1953, calling it Ken Colyer's Jazzmen to capitalise on their trumpeter's recent escapades in New Orleans: the group also included Donegan, Jim Bray (bass), Ron Bowden (drums) and Barber on trombone. The band played Dixieland jazz, and later ragtime, swing, blues and R&B. Pat Halcox took over on trumpet in 1954 when Colyer moved on after musical differences and the band became "The Chris Barber Band".  In April 1953 the band made its debut in Copenhagen, Denmark. There Chris Albertson recorded several sides for the new Danish Storyville label, including some featuring only Sunshine, Donegan and Barber on double bass. In 1959 the band's version of Sidney Bechet's "Petite Fleur", a clarinet solo by Monty Sunshine with Barber on string bass, spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc. After 1959 he toured the United States many times (where "Petite Fleur" charted at #5).  In the late 1950s and early 1960s Barber was mainly responsible for arranging the first UK tours of blues artists Big Bill Broonzy, Sonny Terry and Brownie McGhee and Muddy Waters. This, with the encouragement of local enthusiasts such as Alexis Korner and John Mayall, sparked young musicians such as Peter Green, Eric Clapton and the Rolling Stones. British rhythm and blues powered the British invasion of the USA charts in the 1960s, yet Dixieland itself remained popular: in January 1963 the British music magazine, NME reported the biggest trad jazz event in Britain at Alexandra Palace. It included George Melly, Diz Disley, Acker Bilk, Alex Welsh, Kenny Ball, Ken Colyer, Sunshine, Bob Wallis, Bruce Turner, Mick Mulligan and Barber.  Barber stunned traditionalists in 1964 by introducing blues guitarist John Slaughter into the line up who, apart from a break between April 1978 and August 1986, when Roger Hill took over the spot, played in the band until shortly before his death in 2010. Barber next added a second clarinet/saxophone and this line-up continued until 1999. Then Barber added fellow trombonist/arranger Bob Hunt and another clarinet and trumpet. This eleven-man "Big Chris Barber Band" offered a broader range of music while reserving a spot in the programme for the traditional six-man New Orleans line-up.  A recording of the Lennon-McCartney composition "Catswalk" can be heard, retitled "Cat Call", on The Songs Lennon and McCartney Gave Away. Written by Paul McCartney the song was recorded in late July 1967 and released as a single in the UK on 20 October 1967.

Answer this question "What else did he achieve in the 1950s?"
output: After 1959 he toured the United States many times (where "Petite Fleur" charted at #5).

input: Heifetz made his first recordings in Russia during 1910-11, while still a student of Leopold Auer. The existence of these recordings was not widely known until after Heifetz's death, when several sides, including Francois Schubert's L'Abeille, were reissued on an LP included as a supplement to The Strad magazine.  Shortly after his Carnegie Hall debut on 7 November 1917, Heifetz made his first recordings for the Victor Talking Machine Company/RCA Victor where he would remain for most of his career. For several years, in the 1930s, Heifetz recorded primarily for HMV in the UK because RCA Victor cut back on expensive classical recording sessions during the Great Depression; these discs were issued in the US by RCA Victor. Heifetz often enjoyed playing chamber music. Various critics have blamed his limited success in chamber ensembles to the fact that his artistic personality tended to overwhelm his colleagues. Some notable collaborations include his 1941 recordings of piano trios by Beethoven, Schubert, and Brahms with cellist Emanuel Feuermann and pianist Arthur Rubinstein as well as a later collaboration with Rubinstein and cellist Gregor Piatigorsky, with whom he recorded trios by Maurice Ravel, Tchaikovsky, and Felix Mendelssohn. Both formations were sometimes referred to as the Million Dollar Trio. Heifetz also recorded some string quintets with violinist Israel Baker, violists William Primrose and Virginia Majewski, and Piatigorsky.  He recorded the Beethoven Violin Concerto in 1940 with the NBC Symphony Orchestra conducted by Arturo Toscanini, and again in stereo in 1955 with the Boston Symphony Orchestra conducted by Charles Munch. A live performance of an NBC radio broadcast from 9 April 1944, of Heifetz playing the Mendelssohn Violin Concerto, with Toscanini and the NBC Symphony, has also been released.  He performed and recorded Erich Wolfgang Korngold's Violin Concerto at a time when Korngold's scoring of numerous films for Warner Brothers prompted many classical musicians to develop the scarcely warranted opinion that Korngold was not a "serious" composer and to avoid his music in order to avoid being associated with him.

Answer this question "What type of music did he usually perform?"
output:
Heifetz often enjoyed playing chamber music.