Problem: Background: He was a son of Lt-Gen Sir Richard Strachey and Lady (Jane) Strachey, called the enfant miracle as his father was 70 and his mother 47. Some of his nieces and nephews, who were considerably older than James, called him Jembeau or Uncle Baby. His parents had thirteen children, of whom ten lived to adulthood.
Context: In one of his last letters to Freud, Ernest Jones wrote that 'You probably know you have the reputation of not being the easiest author to translate'. Certainly when translation into English first began, 'the earliest versions were not always felicitous ... casual and at times fearfully inaccurate'. With the coming of the Stracheys, however, 'translations began to improve: in 1924 and 1925, a small English team brought out Freud's Collected Papers, in four volumes' which have been described as 'the most vigorous translations into English' of all time.  Nevertheless, the 24 volume Standard Edition remains Strachey's crowning glory. 'It is a heroic enterprise. Where necessary, it offers variorum texts; it wrestles with intractable material ... and it introduces each work, even the slightest paper, with indispensable bibliographical and historical information'.  The most 'obvious flaw in this translation was the substitution of esoteric neologisms for the plain German terms Freud preferred', so that for example his "I" and his "It" become the Ego and the Id. Lacan took particular exception to "the translation of instinct for Trieb [drive] ... thus basing the whole edition on a complete misunderstanding since Trieb and instinct have nothing in common". Bruno Bettelheim went still further, arguing that "anyone who reads Freud only in Strachey's English translation cannot understand Freud's concern with man's soul".  While accepting that "Strachey's translation was also an act of interpretation and it has not been hard to find spots where he went astray", the fact remains that "Freud was delighted with the work Strachey succeeded in doing"; whilst even into the twenty-first century "the German editions have relied on Strachey's editorial apparatus, which should be a testimony to what he accomplished".
Question: Are this translations still used today?
Answer: Nevertheless, the 24 volume Standard Edition remains Strachey's crowning glory. 'It is a heroic enterprise.

IN: Born in Mumbai Genelia is an East Indian, a Marathi speaking Christian from North Konkan. She was raised in the Bandra suburb of Mumbai. Her mother Jeanette D'Souza was a managing director of the Pharma Multinational corporation. She left her job in 2004 to help Genelia with her career.

D'Souza was a part of Tamil director Mani Ratnam's stage show, Netru, Indru, Naalai, an event which seeks to raise funds for The Banyan, a voluntary organisation which rehabilitates homeless women with mental illness in Chennai. She was one of the judges at the grand finale of Gladrags Mega Model and Manhunt 2009 contest on 28 March 2009. She also walked the ramp alongside Tushar Kapoor for fashion designer Manish Malhotra at the Lakme Fashion Week 2009 on 28 March 2009. On 5 April 2009, D'Souza was among several Bollywood celebrities to perform at the Pantaloons Femina Miss India 2009 finale in Mumbai. In October 2009, she appeared as a showstopper for jewellery designer Farah Khan Ali on the second season of Housing Development and Infrastructure Limited (HDIL) India Couture Week, a platform created to celebrate India's fashion heritage by showcasing the country's leading couture designers. On 24 October 2009, D'Souza began hosting Big Switch, a television show based on slum kids on UTV Bindass channel to reach a bigger audience.  She has unveiled Spinz Black Magic deodorant on 7 October 2009 in Mumbai, and the Ceres Store retail outlet. At the Chennai International Fashion Week (CIFW) in December 2009, she appeared as a showstopper for designer Ishita Singh's spring-summer indigenous collection of 2010, showcasing the best of Indian and Western dresses. She also holds a Limca world record of delivering four different super hit films in four different languages, Ready (Telugu), Satya in Love (Kannada), Santosh Subramaniam (Tamil), and Jaane Tu... Ya Jaane Na (Hindi) in a span of one calendar year.  She was a part of online market portal eBay's 2010 "Dream House" challenge, where she transformed an empty three-room apartment in Bandra into an attractive home with online shopping. She had been provided a budget of Rs450,000 (US$6,900) and two weeks to create a look she wants with items on sale on the website. On the occasion of Children's Day (14 November), D'Souza auctioned a few items from the apartment. All proceeds received from the auction was given to Aseema, a Non-governmental organization (NGO), which aims to provide education to underprivileged children.

Did she do anything else?

OUT: She also walked the ramp alongside Tushar Kapoor for fashion designer Manish Malhotra at the Lakme Fashion Week 2009 on 28 March 2009.

Background: Migration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.
Context: In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.  Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.  Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques.
Question: Can you clarify how the art is portable?
Answer:
a preference instead for "mobile" art for personal display, usually also with a practical function,