Question:
Mystique (Raven Darkholme) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by artist David Cockrum and writer Chris Claremont, she first appeared in the comic book Ms. Marvel #16, published in 1978. Mystique is a member of a subspecies of humanity known as mutants, who are born with superhuman abilities. Mystique is a shapeshifter who can mimic the appearance and voice of any person with exquisite precision, and her natural appearance includes blue skin and yellow eyes.
Mystique becomes the adoptive mother of the four-year-old girl Rogue. Rogue had run away from her home in rural Caldecott County, Mississippi. The girl was living alone in a wooded area, brandishing a shotgun and trusting no one, when Mystique found her. Destiny foresees that Rogue will be important to them and Mystique seeks her out, gains her trust, and takes her in. She and Destiny raise the girl, and Mystique grows to be very protective of her.  Mystique, as Raven Darkholme, rises rapidly through the United States Civil Service to the trusted position of Deputy Director of the Defense Advanced Research Projects Agency (DARPA) in the United States Department of Defense. This position gives her access to military secrets and advanced weaponry, both of which she uses for her own criminal and subversive purposes. In this position, she attempts the theft of the Centurion weaponry from S.H.I.E.L.D. She also beat Ms. Marvel's lover Michael Barnett to death, and sought to kill Ms. Marvel.  To help her in her criminal activities, Mystique organizes her own incarnation of the Brotherhood of Evil Mutants, consisting of herself, Avalanche, the Blob, Destiny, and Pyro. The Brotherhood attempts to assassinate Senator Robert Kelly, a notoriously anti-mutant politician. The X-Men thwart the assassination attempt, and all of the Brotherhood save Mystique herself are incarcerated.  Rogue is trained by Mystique and eventually joins the Brotherhood of Evil Mutants. Her mutant power is the ability to absorb the memories, personality, and skills or powers of whomever she touches. To free the other members of the Brotherhood, Mystique concocts a plan involving Rogue absorbing the powers of Ms. Marvel and the Avengers. Though the plan is successful, the Avengers ultimately defeat the Brotherhood of Evil Mutants, capturing all of them except Rogue and Mystique. Moreover, Rogue finds that she has absorbed Ms. Marvel's memories, personality, and powers permanently. In a further humiliation, a confrontation at the Pentagon ends with Mystique being defeated and turned over to the authorities by a powerless Ms. Marvel.  The Brotherhood of Evil Mutants eventually escape, and battle against Dazzler. In an act of revenge against Mystique, Mastermind unbalances Rogue's psyche with the one she absorbed from Ms. Marvel, which prompts her to defect to the X-Men. Because Rogue left without a word, Mystique assumes that Professor X, the X-Men's mentor, brainwashed her. The Brotherhood of Evil Mutants accordingly launches an attempt to kill Professor X. Rogue stops Mystique, and explains that she joined the X-Men because Professor X, as the world's most powerful telepath, is her best hope of healing for her fragmented psyche. Mystique reluctantly relinquishes her guardianship of Rogue.
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Anything else of importance or unique in any way?

Answer:
The Brotherhood attempts to assassinate Senator Robert Kelly, a notoriously anti-mutant politician.


Question:
Baker was born into a staunch Methodist family, the youngest son of Birmingham Gas Department's chief accountant, Charles Frederick Baker and Millie Baker. His early schooling was at King Edwards Grammar School. His elder brothers, Leonard and Norman studied law, and he had a sister, Edna who was the oldest of them all. In his teens Baker began to question what religion meant to him and decided to become a Quaker, since it was closer to what he believed in.
Throughout his practice, Baker became well known for designing and building low cost, high quality, beautiful homes, with a great portion of his work suited to or built for lower-middle to lower class clients. His buildings tend to emphasise prolific - at times virtuosic - masonry construction, instilling privacy and evoking history with brick jali walls, a perforated brick screen which invites a natural air flow to cool the buildings' interior, in addition to creating intricate patterns of light and shadow. Another significant Baker feature is irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind. Baker's designs invariably have traditional Indian sloping roofs and terracotta Mangalore tile shingling with gables and vents allowing rising hot air to escape. Curved walls enter Baker's architectural vocabulary as a means to enclose more volume at lower material cost than straight walls, and for Laurie, "building [became] more fun with the circle." A testament to his frugality, Baker was often seen rummaging through salvage heaps looking for suitable building materials, door and window frames, sometimes hitting a stroke of luck as evidenced by the intricately carved entry to the Chitralekha Film Studio (Aakulam, Trivandrum, 1974-76): a capricious architectural element found in a junk heap.  Baker made many simple suggestions for cost reduction including the use of Rat trap bond for brick walls, having bends in walls that increased the strength and provided readymade shelves, thin concrete roofs and even simple precautions like shifting dug up soil into the built area rather that out of it. He advocated the use of low energy consuming mud walls, using holes in the wall to get light, using overlaid brick over doorways, incorporating places to sit into the structure, simpler windows and a variety of roof construction approaches. He liked bare brick surfaces and considered plastering and other embellishments as superfluous.  Baker's architectural method is one of improvisation, in which initial drawings have only an idealistic link to the final construction, with most of the accommodations and design choices being made on-site by the architect himself. Compartments for milk bottles near the doorstep, windowsills that double as bench surfaces, and a heavy emphasis on taking cues from the natural condition of the site are just some examples. His Quaker-instilled respect for nature lead him to let the idiosyncrasies of a site inform his architectural improvisations, rarely is a topography line marred or a tree uprooted. This saves construction cost as well, since working around difficult site conditions is much more cost-effective than clear-cutting. ("I think it's a waste of money to level a well-moulded site") Resistant to "high-technology" that addresses building environment issues by ignoring natural environment, at the Centre for Development Studies (Trivandrum, 1971) Baker created a cooling system by placing a high, latticed, brick wall near a pond that uses air pressure differences to draw cool air through the building. Various features of his work such as using recycled material, natural environment control and frugality of design may be seen as sustainable architecture or green building with its emphasis on sustainability. His responsiveness to never-identical site conditions quite obviously allowed for the variegation that permeates his work.
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What did this do to him

Answer:
Baker's designs invariably have traditional Indian sloping roofs and terracotta Mangalore tile shingling with gables and vents allowing rising hot air to escape.