IN: Lata Mangeshkar ( pronunciation ) (born 28 September 1929) is an Indian playback singer and occasional music composer. She is one of the best-known and most respected playback singers in India. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Marathi and Hindi. She is the recipient of three National Film Awards, 12 Bengal Film Journalists' Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, Filmfare Lifetime Achievement Award and many more.

In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar Jaikishan, Naushad Ali, S. D. Burman, Pandit Amarnath Husan Lal Bhagat Ram (in films like Bari Behan, Meena Bazaar, Afsana, Aadhi Raat, Ansoo, Chhoti Bhabi, Adal-e-Jehangir), C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna. She made her debut in Tamil playback singing with Vanaradham in 1956 (Uran Khotala dubbed in Tamil) with the Tamil song "Enthan Kannalan" picturised on Nimmi in the dubbed version composed by Naushad.  Mangeshkar sang many raga-based songs for Naushad in movies such as Deedar (1951), Baiju Bawra (1952), Amar (1954), Uran Khatola (1955) and Mother India (1957). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Barsaat (1949), Aah (1953), Shree 420 (1955) and Chori Chori (1956). Before 1957, composer S. D. Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.  Mangeshkar won a Filmfare Award for Best Female Playback Singer for Salil Chowdhury's composition "Aaja Re Pardesi" from Madhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Albela (1951), Shin Shinkai Bublaa Boo (1952), Anarkali (1953), Pehli Jhhalak (1954), Azad (1955), Asha (1957) and Amardeep (1958). For Madan Mohan, she performed for films like Baagi (1953), Railway Platform (1955), Pocketmar (1956), Mr. Lambu (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959) and Chacha Zindabad (1959).

What other types of songs did she sing?

OUT: compositions


IN: Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed by Kevin Drew and Brendan Canning. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett.

In June 2009, the band played a short set to launch This Book Is Broken at the North by Northeast festival. They played a mix of new songs from their then-upcoming album and old favourites, and were joined by Feist, who also joined them on their second visit to Mexico City in October.  During the band's free performance at the Harbourfront Centre on July 11, 2009, they were joined by nearly all past contributors, including Feist, Emily Haines and James Shaw, Amy Millan and Evan Cranley, John Crossingham, Jason Collett and Julie Penner. This revue-like show celebrated other projects by members as well as including material from the then-upcoming album. Emcee Bruce McDonald announced the filming of a documentary directed by him and written by Don McKellar, Titled This Movie Is Broken, it includes concert footage and a fictional romance. Although McDonald announced at the concert that film submitted by fans would be used in the movie, the final cut of the movie included only one submission, a front-row recording of "Major Label Debut".  Broken Social Scene released their fourth full-length album on May 4, 2010. Entitled Forgiveness Rock Record, it was recorded at Soma in Chicago, with John McEntire producing, and in Toronto at the studio of Sebastian Grainger and James Shaw. For the first time, Amy Millan, Emily Haines, and Leslie Feist recorded a track together (albeit at different times). This album was short-listed for the 2010 Polaris Music Prize.  In August 2010, Broken Social Scene initiated their "All to All" remix series, which included seven different versions of the track from Forgiveness Rock Record. Every Monday a new remix was released and available for 24 hours via a different online partner. The first version, "All to All (Sebastien Sexy Legs Grainger Remix)", by Sebastien Grainger, was released August 9 via Pitchfork.

did they tour?

OUT:
were joined by Feist, who also joined them on their second visit to Mexico City in October.