Question:
Bernhard was born Bernhard Leopold Friedrich Eberhard Julius Kurt Karl Gottfried Peter, Count of Biesterfeld in Jena, Saxe-Weimar-Eisenach, German Empire on 29 June 1911, the elder son of Prince Bernhard of Lippe and his wife, Armgard von Cramm. He was a grandson of Ernest, Count of Lippe-Biesterfeld, who was regent of the Principality of Lippe until 1904. He was also a nephew of the principality's last sovereign Leopold IV, Prince of Lippe.
Prince Bernhard was a member of the "Reiter-SS", a mounted unit of the SS and joined the Nazi party. He later also joined the National Socialist Motor Corps.  Various members of his family and friends were aligned with the Nazis prior to the Second World War, a number of whom attended the royal wedding. Protocol demanded that the prospective Prince-Consort be invited to an audience with his head of state, who at the time was Adolf Hitler. Hitler himself gives an account of the conversation he had with Bernhard in his Tischgesprache (Table Conversations). Table Conversations was a collection of monologues, remarks, and speeches Hitler gave during lunch or dinner to those invited to the table by him. Bernhard himself called Hitler a tyrant in a public speech on the BBC on 25 June 1940 after France fell to Germany.  The Prince's brother, Prince Aschwin of Lippe-Biesterfeld, was an officer in the German Army. Although the secret services on both sides were interested in this peculiar pair of brothers, no improper contacts or leaks of information were ever discovered. The Prince proved himself to be a loyal Dutch citizen and officer. He cut off relations with those members of his family who were enthusiastic Nazis. As a sign of his "Dutchness" he spoke only Dutch when negotiating the surrender of German forces in the Netherlands. The Prince was known to be very fond of smart uniforms and medals. He made a point of wearing his medals in the English court style, even though members of the Dutch armed forces wear their medals in the Prussian style.  The Prince's mother was no admirer of the Nazis and got into trouble for refusing to hoist the swastika flag on her country seat at Reckenwalde.
Answer this question using a quote from the text above:

What did he do while in the "Reiter-SS?"

Answer:
He later also joined the National Socialist Motor Corps.

input: "People in the Midwest are my people and I wanted to be back among them...And, of course, I don't have to tell you what I think of Big Ten football. It's the best in the country." With those words, Evashevski left the Palouse in eastern Washington to become the University of Iowa's 19th head football coach.  Evashevski nearly took the head coaching job at Indiana University, but Fritz Crisler urged him to consider Iowa. He felt that it would be easier to attain statewide support at Iowa than in Indiana, where Purdue University and the University of Notre Dame shared the spotlight. Evashevski was familiar with Iowa City from his stint with the Naval Pre-Flight School. Crisler was the man who recommended Evashevski to Iowa's athletic director, Paul Brechler. Crisler did warn Brechler, however, that Evashevski was "a tough, stubborn Polack, and you might have to put the reins on him."  In 1952, Iowa football had only had three winning seasons in the previous 16 years. Iowa had also gone without a Big Ten Conference title for three decades. A United Press International story named three football programs in 1952 with new coaches that would struggle to ever be competitive: Iowa, Indiana, and Pittsburgh. Iowa's first two opponents in 1952 were Pittsburgh and Indiana, and Iowa lost to both, starting the year 0-2. But Evashevski knew the Hawkeye program could be resurrected. When he came to Iowa, Evashevski was asked by a writer, "Do you think Iowa could ever really have a consistently winning team?" Evashevski snapped, "Why in the hell do you think I took the job?" Afterwards, a photographer noted, "I think that man truly believes he's the savior of Iowa football."

Answer this question "Did he have any major wins?"
output: 

Answer the question at the end by quoting:

Amy Marcy Cheney Beach (September 5, 1867 - December 27, 1944) was an American composer and pianist. She was the first successful American female composer of large-scale art music. Her "Gaelic" Symphony, premiered by the Boston Symphony Orchestra in 1896, was the first symphony composed and published by an American woman. She was one of the first American composers to succeed without the benefit of European training, and one of the most respected and acclaimed American composers of her era.
A major compositional success came with her Mass in E-flat major, which was performed in 1892 by the Handel and Haydn Society orchestra, which since its foundation in 1815 had never performed a piece composed by a woman. Newspaper music critics responded to the Mass by declaring Beach one of America's foremost composers, comparing the piece to Masses by Cherubini and Bach.  Beach followed this up with an important milestone in music history: her Gaelic Symphony, the first symphony composed and published by an American woman. It premiered October 30, 1896, performed by the Boston Symphony "with exceptional success," although "whatever the merits or defects of the symphony were thought to be, critics went to extraordinary lengths in their attempts to relate them to the composer's sex." Composer George Whitefield Chadwick (1854-1931) wrote to Beach that he and his colleague Horatio Parker (1863-1919) had attended the Gaelic Symphony's premiere and much enjoyed it: "I always feel a thrill of pride myself whenever I hear a fine work by any of us, and as such you will have to be counted in, whether you [like it] or not - one of the boys." These "boys" were a group of composers unofficially known as the Second New England School, and included not only Chadwick and Parker but also John Knowles Paine (1839-1926), Arthur Foote (1853-1937), and Edward MacDowell (1860-1908). With the addition of Beach, they collectively became known as the Boston Six, of whom Beach was the youngest.  In 1900, the Boston Symphony premiered Beach's Piano Concerto, with the composer as soloist. It has been suggested that the piece suggests Beach's struggles against her mother and husband for control of her musical life.

Did she have other well received pieces?
Beach followed this up with an important milestone in music history: her Gaelic Symphony,