input: Koko spent his early days in the sport in the Mid-South, Georgia and other NWA territories. Early in his career, Koko Ware (as he was then known) did not find great success, learning the ropes and paying his dues both in Jerry Jarrett's Continental Wrestling Association and Nick Gulas' territory in the south.  It was not until late in 1980 that Koko's fortune changed when he participated in a battle royal to crown the first ever Mid-American Television Champion. The crowd favorite was Jimmy Valiant, who Koko accidentally knocked into Danny Davis and eliminated Valiant. Moments later, Koko dumped Davis to the floor and won his first title. After the match, Jimmy Valiant returned to the ring and beat Koko down. Koko's feud with Jimmy Valiant was quickly expanded to include the heel Tojo Yamamoto and Koko ally Tommy Rich. When Dutch Mantel returned to the CWA in early 1981 he quickly defeated Koko for the TV title making Koko's first run with the gold a short one.  Koko floundered until September 1981 when he was chosen to referee a Southern Heavyweight Championship title match between Jerry Lawler and "The Dream Machine". Ware unfairly counted Lawler out to give the Dream Machine the victory, a decision that did not sit well with Lawler nor the fans in Memphis. Koko quickly aligned himself with manager Jimmy Hart and his First Family and changed his name to Sweet Brown Sugar. Sugar never got the best of Lawler but did taste tag-team success alongside Steve Keirn and then with Bobby Eaton. Eaton & Sugar won the AWA Southern Tag Team Championship.

Answer this question "Was Koko ever a referee again?"
output: 

input: Herbert Alexander Simon was born in Milwaukee, Wisconsin, on June 15, 1916. His father, Arthur Simon (1881-1948), was an electrical engineer who had come to the United States from Germany in 1903 after earning his engineering degree from the Technische Hochschule of Darmstadt. An inventor who was granted "several dozen patents", his father also was an independent patent attorney. His mother, Edna Marguerite Merkel, was an accomplished pianist whose ancestors had come from Prague and Cologne. His European ancestors had been piano makers, goldsmiths, and vintners. Simon's father was Jewish and his mother came from a family with Jewish, Lutheran, and Catholic backgrounds. Simon called himself an atheist.  Simon was educated in the Milwaukee public school system, where he developed an interest in science. He found schoolwork to be interesting and easy. Unlike many children, Simon was exposed to the idea that human behavior could be studied scientifically at a relatively young age due to the influence of his mother's younger brother, Harold Merkel, who had studied economics at the University of Wisconsin-Madison under John R. Commons. Through his uncle's books on economics and psychology, Simon discovered the social sciences. Among his earliest influences, Simon has cited Richard Ely's economics textbook, Norman Angell's The Great Illusion, and Henry George's Progress and Poverty. At that time, Simon argued "from conviction, rather than cussedness" in favor of George's controversial "single tax" on land rents.  In 1933, Simon entered the University of Chicago, and following those early influences, he studied the social sciences and mathematics. He was interested in biology, but chose not to study it because of his "color-blindness and awkwardness in the laboratory". He chose instead to focus on political science and economics. His most important mentor was Henry Schultz, an econometrician and mathematical economist. Simon received both his B.A. (1936) and his Ph.D. (1943) in political science, from the University of Chicago, where he studied under Harold Lasswell, Nicholas Rashevsky, Rudolf Carnap, Henry Schultz, and Charles Edward Merriam.  After enrolling in a course on "Measuring Municipal Governments", Simon was invited to be a research assistant for Clarence Ridley, with whom he coauthored Measuring Municipal Activities in 1938. Eventually his studies led him to the field of organizational decision-making, which would become the subject of his doctoral dissertation.

Answer this question "Did he graduate with any honors?"
output: Simon received both his B.A. (1936) and his Ph.D. (1943) in political science,

input: Among Bring Me the Horizon's earliest influences were bands like At the Gates, Carcass, Pantera, Metallica, The Dillinger Escape Plan, Every Time I Die, Norma Jean, Skycamefalling and Poison the Well; and genres death metal, grindcore, and emo have been cited by AllMusic writer Steward Mason. However, as their sound developed, the band started to take influences from progressive rock, post-rock, dubstep and electronica. The band's musical style has been described mainly as metalcore and - though they have since moved on from the genre - their early material was considered deathcore. Across their career the band has also been said to play within the genres post-hardcore, hardcore punk, technical metal, heavy metal, and emo.  Bring Me the Horizon have attempted to grow and change with each album, believing they should be different. Raziq Rauf, writing for Drowned In Sound, described Count Your Blessings as possessing "Norma Jean-style thunderous riffs mixed with some dastardly sludgy doom moments and more breakdowns than your dad's old Nissan Sunny." Metal Hammer described Suicide Season as a "creative, critical and commercial success" for the band as they started to adopt a more eclectic style, with its "crushingly heavy party deathcore". Leading up to its release Oliver Sykes described it as "100% different to Count Your Blessings" and noted the album sounds "more rock than metal". As time went by, Bring Me the Horizon began rejecting their debut album Count Your Blessings and considered Suicide Season as their "Year Zero[...] [their] wipe-the-slate-clean time".  Bring Me the Horizon then moved even further away from deathcore with their third album There Is a Hell, which incorporated electronica, classical music and pop music into their metalcore style. This required more ambitious production feats, such as using a full choir, a synthesised orchestra and glitched out vocals and breakdowns that were also toned down, favouring quiet atmospheric passages in song breaks. For the writing of Sempiternal, the band pooled far broader influences such as post-rock acts like This Will Destroy You and Explosions In The Sky and from pop music.  Bring Me the Horizon has experimented with its music in recent years, mixing pop with metal music, leading the band to be labeled a "pop metal" act. With the release of That's the Spirit, their sound shifted towards alternative metal and alternative rock, also incorporated other genres such as pop rock and nu metal, while completely abandoning the metalcore sound of their earlier albums.

Answer this question "Have they always had the same musical style and influences?"
output:
However, as their sound developed, the band started to take influences from progressive rock, post-rock, dubstep and electronica.