input: Courbet finished his prison sentence on 2 March 1872, but his problems caused by the destruction of the Vendome Column were still not over. In 1873, the newly elected president of the Republic, Patrice Mac-Mahon, announced plans to rebuild the column, with the cost to be paid by Courbet. Unable to pay, Courbet went into a self-imposed exile in Switzerland to avoid bankruptcy. In the following years, he participated in Swiss regional and national exhibitions. Surveilled by the Swiss intelligence service, he enjoyed in the small Swiss art world the reputation as head of the "realist school" and inspired younger artists such as Auguste Baud-Bovy and Ferdinand Hodler.  Important works from this period include several paintings of trout, "hooked and bleeding from the gills", that have been interpreted as allegorical self-portraits of the exiled artist. In his final years, Courbet painted landscapes, including several scenes of water mysteriously emerging from the depths of the earth in the Jura Mountains of the France-Switzerland border. Courbet also worked on sculpture during his exile. Previously, in the early 1860s, he had produced a few sculptures, one of which--the Fisherman of Chavots (1862)--he donated to Ornans for a public fountain, but it was removed after Courbet's arrest.  On 4 May 1877, Courbet was told the estimated cost of reconstructing the Vendome Column; 323,091 francs and 68 centimes. He was given the option paying the fine in yearly installments of 10,000 francs for the next 33 years, until his 91st birthday. On 31 December 1877, a day before the first installment was due, Courbet died, aged 58, in La Tour-de-Peilz, Switzerland, of a liver disease aggravated by heavy drinking.

Answer this question "oh wow when did he die?"
output: On 31 December 1877, a day before the first installment was due, Courbet died, aged 58,

Problem: Background: Eric Arthur Blair (25 June 1903 - 21 January 1950), better known by his pen name George Orwell, was an English novelist, essayist, journalist, and critic. His work is marked by lucid prose, awareness of social injustice, opposition to totalitarianism, and outspoken support of democratic socialism. Orwell wrote literary criticism, poetry, fiction, and polemical journalism. He is best known for the allegorical novella Animal Farm (1945) and the dystopian novel Nineteen Eighty-Four (1949).
Context: This job was as a part-time assistant in Booklovers' Corner, a second-hand bookshop in Hampstead run by Francis and Myfanwy Westrope, who were friends of Nellie Limouzin in the Esperanto movement. The Westropes were friendly and provided him with comfortable accommodation at Warwick Mansions, Pond Street. He was sharing the job with Jon Kimche, who also lived with the Westropes. Blair worked at the shop in the afternoons and had his mornings free to write and his evenings free to socialise. These experiences provided background for the novel Keep the Aspidistra Flying (1936). As well as the various guests of the Westropes, he was able to enjoy the company of Richard Rees and the Adelphi writers and Mabel Fierz. The Westropes and Kimche were members of the Independent Labour Party, although at this time Blair was not seriously politically active. He was writing for the Adelphi and preparing A Clergyman's Daughter and Burmese Days for publication.  At the beginning of 1935 he had to move out of Warwick Mansions, and Mabel Fierz found him a flat in Parliament Hill. A Clergyman's Daughter was published on 11 March 1935. In early 1935 Blair met his future wife Eileen O'Shaughnessy, when his landlady, Rosalind Obermeyer, who was studying for a master's degree in psychology at University College London, invited some of her fellow students to a party. One of these students, Elizaveta Fen, a biographer and future translator of Chekhov, recalled Orwell and his friend Richard Rees "draped" at the fireplace, looking, she thought, "moth-eaten and prematurely aged." Around this time, Blair had started to write reviews for the New English Weekly.  In June, Burmese Days was published and Cyril Connolly's review in the New Statesman prompted Orwell (as he then became known) to re-establish contact with his old friend. In August, he moved into a flat in Kentish Town, which he shared with Michael Sayers and Rayner Heppenstall. The relationship was sometimes awkward and Orwell and Heppenstall even came to blows, though they remained friends and later worked together on BBC broadcasts. Orwell was now working on Keep the Aspidistra Flying, and also tried unsuccessfully to write a serial for the News Chronicle. By October 1935 his flatmates had moved out and he was struggling to pay the rent on his own. He remained until the end of January 1936, when he stopped working at Booklovers' Corner.
Question: Did he stay there long?
Answer: At the beginning of 1935 he had to move out of Warwick Mansions,

Question: Robert Schumann (; 8 June 1810 - 29 July 1856) was a German composer and an influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck, a German pianist, that he could become the finest pianist in Europe, but a hand injury ended this dream.

During Eastertide 1830, he heard the Italian violinist, violist, guitarist, and composer Niccolo Paganini play in Frankfurt. In July he wrote to his mother, "My whole life has been a struggle between Poetry and Prose, or call it Music and Law." By Christmas he was back in Leipzig, at age 20 taking piano lessons from his old master Friedrich Wieck, who assured him that he would be a successful concert pianist after a few years' study with him.  During his studies with Wieck, it has been claimed that Schumann permanently injured a finger on his right hand. Wieck claimed that Schumann damaged his finger by the use of a mechanical device designed to strengthen the weakest fingers, a device which held back one finger while he exercised the others. This claim has been discredited by Clara Schumann, who said that the disability was not due to a mechanical device, and Robert Schumann himself refers to it as "an affliction of the whole hand". Some have argued that, as the disability appeared to have been chronic and have affected the hand, and not just a finger, it was unlikely to have been caused by a finger strengthening device.  Schumann abandoned the idea of a concert career and devoted himself instead to composition. To this end he began a study of music theory under Heinrich Dorn, a German composer six years his senior and, at that time, conductor of the Leipzig Opera. About this time Schumann considered composing an opera on the subject of Hamlet.

Using a quote from the above article, answer the following question: Why did he abandon the idea of a concert career?
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Answer:
During his studies with Wieck, it has been claimed that Schumann permanently injured a finger on his right hand.