input: Since retiring, Pele has continued to be lauded by players, coaches, journalists and others. Brazilian attacking midfielder Zico, who represented Brazil at the 1978, 1982 and 1986 FIFA World Cup, stated; "This debate about the player of the century is absurd. There's only one possible answer: Pele. He's the greatest player of all time, and by some distance I might add". French three time Balon D'or winner Michel Platini said; "There's Pele the man, and then Pele the player. And to play like Pele is to play like God." Joint FIFA Player of the Century, Argentina's 1986 FIFA World Cup-winning captain Diego Maradona stated; "It's too bad we never got along, but he was an awesome player". Prolific Brazilian striker Romario, winner of the 1994 FIFA World Cup and player of the tournament; "It's only inevitable I look up to Pele. He's like a God to us". Five-time FIFA Ballon d'Or winner Cristiano Ronaldo said: "Pele is the greatest player in football history, and there will only be one Pele", while Jose Mourinho, two-time UEFA Champions League winning manager, commented; "I think he is football. You have the real special one - Mr. Pele." Real Madrid honorary president and former player, Alfredo Di Stefano, opined; "The best player ever? Pele. Lionel Messi and Cristiano Ronaldo are both great players with specific qualities, but Pele was better".  Presenting Pele a lifetime achievement award, former South African president Nelson Mandela said; "To watch him play was to watch the delight of a child combined with the extraordinary grace of a man in full." US politician and political scientist Henry Kissinger stated, "Performance at a high level in any sport is to exceed the ordinary human scale. But Pele's performance transcended that of the ordinary star by as much as the star exceeds ordinary performance." After a reporter asked if his fame compared to that of Jesus, Pele in response quipped, "There are parts of the world where Jesus Christ is not so well known."  In 1999, the International Federation of Football History & Statistics (IFFHS) voted Pele the World Player of the Century. That same year, the International Olympic Committee elected him the Athlete of the Century. According to the IFFHS, Pele is the most successful league goal-scorer in the world, scoring 1281 goals in 1363 games, which included unofficial friendlies and tour games. In 1999, Time magazine named Pele one of the 100 Most Important People of the 20th Century. During his playing days, Pele was for a period the highest-paid athlete in the world. Pele's "electrifying play and penchant for spectacular goals" made him a star around the world. To take full advantage of his popularity, his teams toured internationally. During his career, he became known as "The Black Pearl" (A Perola Negra), "The King of Football" (O Rei do Futebol), "The King Pele" (O Rei Pele) or simply "The King" (O Rei).

Answer this question "what other people said things about him?"
output: In 1999, Time magazine named Pele one of the 100 Most Important People of the 20th Century.

input: An aspiring writer and obsessive fan, James began writing baseball articles after leaving the United States Army in his mid-twenties. Many of his first baseball writings came while he was doing night shifts as a security guard at the Stokely-Van Camp's pork and beans cannery. Unlike most writers, his pieces did not recount games in epic terms or offer insights gleaned from interviews with players. A typical James piece posed a question (e.g., "Which pitchers and catchers allow runners to steal the most bases?"), and then presented data and analysis written in a lively, insightful, and witty style that offered an answer.  Editors considered James's pieces so unusual that few believed them suitable for their readers. In an effort to reach a wider audience, James began self-publishing an annual book titled The Bill James Baseball Abstract beginning in 1977. The first edition, titled 1977 Baseball Abstract: Featuring 18 categories of statistical information that you just can't find anywhere else, presented 68 pages of in-depth statistics compiled from James's study of box scores from the preceding season and was offered for sale through a small advertisement in The Sporting News. Seventy-five people purchased the booklet. The 1978 edition, subtitled The 2nd annual edition of baseball's most informative and imaginative review, sold 250 copies. Beginning in 1979, James wrote an annual preview of the baseball season for Esquire, and continued to do so through 1984.  The first three editions of the Baseball Abstract garnered respect for James's work, including a very favorable review by Daniel Okrent in Sports Illustrated. New annual editions added essays on teams and players. By 1982 sales had increased tenfold, and a media conglomerate agreed to publish and distribute future editions.  While writers had published books about baseball statistics before (most notably Earnshaw Cook's Percentage Baseball, in the 1960s), few had ever reached a mass audience. Attempts to imitate James's work spawned a flood of books and articles that continues to this day.

Answer this question "How many did he write?"
output: The first three editions of the Baseball Abstract garnered respect for James's work,

input: Friml wrote his most famous operettas in the 1920s. In 1924, he wrote Rose-Marie. This operetta, on which Friml collaborated with lyricists Oscar Hammerstein II and Otto Harbach and co-composer Herbert Stothart, was a hit worldwide, and a few of the songs from it also became hits including "The Mounties" and "Indian Love Call". The use of murder as part of the plot was ground-breaking among operettas and musical theatre pieces at the time.  After Rose-Marie's success came two other hit operettas, The Vagabond King in 1925, with lyrics by Brian Hooker and William H. Post, and The Three Musketeers in 1928, with lyrics by P. G. Wodehouse and Clifford Grey, based on Alexandre Dumas's famous swashbuckling novel. In addition, Friml contributed to the Ziegfeld Follies of 1921 and 1923.  Friml wrote music for many films during the 1930s, often songs adapted from previous work. The Vagabond King, Rose-Marie and The Firefly were all made into films and included at least some of Friml's music. Oddly enough, his operetta version of The Three Musketeers was never filmed, despite the fact that the novel itself has been filmed many times. In 1930, he wrote a new operetta score for film, The Lottery Bride. Like his contemporary, Ivor Novello, Friml was sometimes ridiculed for the sentimental and insubstantial nature of his compositions and was often called trite. Friml was also criticized for the old-fashioned, Old World sentiments found in his works. Friml's last stage musical was Music Hath Charms in 1934. During the 1930s, Friml's music fell out of fashion on Broadway and in Hollywood.

Answer this question "Was there another great release?"
output:
"The Mounties" and "Indian Love Call".