Problem: Background: Journey is an American rock band that formed in San Francisco in 1973, composed of former members of Santana and Frumious Bandersnatch. The band has gone through several phases; its strongest commercial success occurred between 1978 and 1987. During that period, the band released a series of hit songs, including "Don't Stop Believin'" (1981), which in 2009 became the top-selling track in iTunes history among songs not released in the 21st century. Its parent studio album, Escape, the band's eighth and most successful, reached No. 1 on the Billboard 200 and yielded another of their most popular singles, "Open Arms".
Context: Journey's album sales did not improve and Columbia Records requested that they change their musical style and add a frontman, with whom keyboardist Gregg Rolie could share lead vocal duties. The band hired Robert Fleischman and transitioned to a more popular style, akin to that of Foreigner and Boston. Journey went on tour with Fleischman in 1977 and together the new incarnation of the band wrote the hit "Wheel in the Sky"; however, management differences resulted in Fleischman leaving within the year.  In late 1977, Journey hired Steve Perry as their new lead singer. Herbie Herbert, the band's manager, also hired Roy Thomas Baker as a producer to add a layered sound approach as Baker had done with his previous band, Queen. With their new lead singer and talented new producer, Journey released their fourth album, Infinity (1978). This album set Journey on their road to stardom with their first RIAA-certified platinum album. This album, with their hit song "Wheel in the Sky" (#57 U.S.), set Journey on a new path with a more mainstream sound to make their highest chart success to date.  In late 1978, manager Herbie Herbert fired drummer Aynsley Dunbar, who joined Bay Area rivals Jefferson Starship shortly thereafter. He was replaced by Berklee-trained jazz drummer Steve Smith. Perry, Schon, Rolie, Smith and Valory recorded Evolution (1979), which gave the band their first Billboard Hot 100 Top 20 single, "Lovin', Touchin', Squeezin'" (#16); and Departure (1980), which reached No. 8 on the album charts.  Journey's newfound success brought the band an almost entirely new fan base. During the 1980 Departure world tour, the band recorded a live album, Captured.  Keyboardist Gregg Rolie then left the band, the second time in his career he left a successful act. Keyboardist Stevie "Keys" Roseman was brought in to record the lone studio track for Captured, "The Party's Over (Hopelessly in Love)," but Rolie recommended pianist Jonathan Cain of The Babys as the permanent replacement. With Cain's replacement of Rolie's Hammond B-3 organ with his own synthesizers, the band was poised for a new decade in which they would achieve their greatest musical success.
Question: Did they release any albums during the 1977 to 1980 period?
Answer: Journey released their fourth album, Infinity (1978). This album set Journey on their road to stardom with their first RIAA-certified platinum album.

Problem: Background: Glover was born in San Francisco, the son of Carrie (Hunley) and James Glover. His parents, who worked as postal workers, were highly active in the National Association for the Advancement of Colored People (NAACP), working to advance equal rights. Glover's mother, daughter of a midwife, was born in Louisville, Georgia and graduated from Paine College in Augusta, Georgia. As an adolescent and a young adult, Glover suffered from epilepsy but has not suffered a seizure since age 35.
Context: Glover was an early supporter of former North Carolina Senator John Edwards in the 2008 Democratic presidential primaries until Edwards' withdrawal, although some news reports indicated that he had endorsed Ohio Congressman Dennis Kucinich, whom he had endorsed in 2004. After Edwards dropped out, Glover then endorsed Barack Obama. In February 2016, Glover endorsed Vermont Senator Bernie Sanders for the Democratic presidential nomination.  Glover was an outspoken critic of George W. Bush, calling him a known racist. "Yes, he's racist. We all knew that. As Texas's governor, Bush led a penitentiary system that executed more people than all the other U.S. states together. And most of the people who died were Afro-Americans or Hispanics."  Glover's support of California Proposition 7 (2008) led him to use his voice in an automated phone call to generate support for the measure before the election.  On the foreign policy of the Obama administration, Glover said: "I think the Obama administration has followed the same playbook, to a large extent, almost verbatim, as the Bush administration. I don't see anything different... On the domestic side, look here: What's so clear is that this country from the outset is projecting the interests of wealth and property. Look at the bailout of Wall Street. Why not the bailout of Main Street? He may be just a different face, and that face may happen to be black, and if it were Hillary Clinton, it would happen to be a woman.... But what choices do they have within the structure?"  Glover wrote the foreword to Phyllis Bennis' book, Challenging Empire: How People, Governments, and the UN Defy US Power. Glover is also a member of the board of directors of the Center for Economic and Policy Research, a think tank led by economist Dean Baker.
Question: How did people respond to Glover calling him racist?
Answer: 

Problem: Background: You Bet Your Life is an American comedy quiz series that aired on both radio and television. The original and best-known version was hosted by Groucho Marx of the Marx Brothers, with announcer and assistant George Fenneman. The show debuted on ABC Radio on October 27, 1947, then moved to CBS Radio debuting October 5, 1949, before making the transition to NBC-TV and NBC Radio on October 4, 1950. Because of its simple format, it was possible to broadcast the show simultaneously on radio and television.
Context: The mid-1940s was a lull in Groucho Marx's career. His radio show Blue Ribbon Town, sponsored by Pabst Blue Ribbon beer, had begun in March 1943 and had failed to catch on. Groucho left the program in June 1944, replaced by vocalist Kenny Baker until the show's end two months later. He also reluctantly appeared in two movies with brothers Chico and Harpo Marx, A Night in Casablanca and the lackluster Love Happy.  During a radio appearance with Bob Hope in March 1947, Marx ad-libbed most of his performance after being forced to stand by in a waiting room for 40 minutes before going live on the air. John Guedel, the Hope program's producer, formed an idea for a quiz show and approached Marx about the subject.  After initial reluctance by Marx, Guedel was able to convince him to host the program once Marx realized the quiz would be only a backdrop for his contestant interviews and the storm of ad-libbing that they would elicit. Guedel also convinced Marx to invest in 50% of the show, in part by saying that he was "untouchable" at ad-libbing, but not at following a script.  As Marx and the contestants were ad-libbing, he insisted that each show be filmed and edited before release to remove the risque or less interesting material. The show for the studio audience ran longer than the broadcast version. The president of Film Craft Productions, which did the filming, cited it as the first television show filmed before a live audience as part of a lengthy essay about production procedures.
Question: What happened after he talked to Marx?
Answer:
After initial reluctance by Marx, Guedel was able to convince him to host the program