input: Radio was released to critical acclaim, both for production innovation and LL's powerful rap. Released November 18, 1985, on Def Jam Recordings in the United States, Radio earned a significant amount of commercial success and sales for a hip hop record at the time. Shortly after its release, the album sold over 500,000 copies in its first five months, eventually selling over 1 million copies by 1988, according to the Recording Industry Association of America. Radio peaked at number 6 on the Top R&B/Hip-Hop Albums chart and at number 46 on the Billboard 200 albums chart. It entered the Top R&B/Hip-Hop Albums chart on December 28, 1985, and remained there for forty-seven weeks, while also entering the Pop Albums chart on January 11, 1986. Radio remained on the chart for thirty-eight weeks. By 1989, the album had earned platinum status from the Recording Industry Association of America (RIAA), after earning a gold certification in the United States on April 14, 1986, with sales exceeding one million copies. "I Can't Live Without My Radio" and "Rock the Bells" were singles that helped the album go platinum. It eventually reached 1,500,000 in US sales.  With the breakthrough success of his hit single "I Need a Beat" and the Radio LP, LL Cool J became one of the first hip-hop acts to achieve mainstream success along with Kurtis Blow and Run-D.M.C.. Gigs at larger venues were offered to LL as he would join the 1986-'87 Raising Hell tour, opening for Run-D.M.C. and the Beastie Boys. Another milestone of LL's popularity was his appearance on American Bandstand as the first hip hop act on the show, as well as an appearance on Diana Ross' 1987 television special, Red Hot Rhythm & Blues.  The album's success also helped in contributing to Rick Rubin's credibility and repertoire as a record producer. Radio, along with Raising Hell (1986) and Licensed to Ill (1986), would form a trilogy of New York City-based, Rubin-helmed albums that helped to diversify hip-hop. Rubin's production credit on the back cover reads "REDUCED BY RICK RUBIN", referring to his minimalist production style, which gave the album its stripped-down and gritty sound. This style would serve as one of Rubin's production trademarks and would have a great impact on future hip-hop productions. Rubin's early hip hop production work, before his exit from Def Jam to Los Angeles, helped solidify his legacy as a hip hop pioneer and establish his reputation in the music industry.

Answer this question "Who else was he featured on"
output: Radio, along with Raising Hell (1986) and Licensed to Ill (1986), would form a trilogy of New York City-based, Rubin-helmed albums that helped to diversify hip-hop.

input: Barkley is known for his compulsive gambling. In an interview with ESPN's Trey Wingo, Barkley revealed that he lost approximately $10 million through gambling. In addition, he also admitted to losing $2.5 million "in a six-hour period" while playing blackjack. Although Barkley openly admits to his problem, he claims it is not serious since he can afford to support the habit. When approached by fellow TNT broadcaster Ernie Johnson about the issue, Barkley replied, "It's not a problem. If you're a drug addict or an alcoholic, those are problems. I gamble for too much money. As long as I can continue to do it I don't think it's a problem. Do I think it's a bad habit? Yes, I think it's a bad habit. Am I going to continue to do it? Yes, I'm going to continue to do it."  Despite suffering big losses, Barkley also claims to have won on several occasions. During a trip to Las Vegas, he claims to have won $700,000 from playing blackjack and betting on the Indianapolis Colts to defeat the Chicago Bears in Super Bowl XLI. He went on to state, however, "No matter how much I win, it ain't a lot. It's only a lot when I lose. And you always lose. I think it's fun, I think it's exciting. I'm gonna continue to do it, but I have to get to a point where I don't try to break the casino 'cause you never can."  In May 2008, the Wynn Las Vegas casino filed a civil complaint against Barkley, alleging that he had failed to pay a $400,000 debt stemming from October 2007. Barkley responded by taking blame for letting time lapse on the repayment of the debt and promptly paid the casino. After repaying his debt, Barkley stated during a pregame show on TNT, "I've got to stop gambling...I am not going to gamble anymore. For right now, the next year or two, I'm not going to gamble... Just because I can afford to lose money doesn't mean I should do it."

Answer this question "Who won the Super Bowl?"
output: 

input: The Gathering released their third album (and first to feature Anneke van Giersbergen) Mandylion in 1995 through Century Media; proving to be their breakthrough and selling over 130,000 copies in Europe. Two singles were released from Mandylion, "Adrenaline/Leaves" and "Strange Machines" (which charted in the Netherlands) further helped raise the group's popularity in Europe and the United States. Tours of Belgium and Germany, as well as appearances at the Dynamo Open Air and Pinkpop Festivals further established the bands presence in the European metal scene. 1997's Nighttime Birds was stylistically and musically a companion piece to Mandylion sold over 90,000 copies and saw the group tour throughout Europe.  In 1998 the group acknowledged their growing influences and their need to experiment with a double-album How to Measure a Planet?. Produced by Attie Bauw, the album is a radical departure from the group's established sound, characteristically experimental alternative, trip rock. Upon release, the album received excellent reviews from critics who appreciated the band's absorption of new styles such as shoegaze and trip hop into its sound. Positive reactions came from all over the world, including the United States, where they played 14 shows during the summer of 1999.  In 1999 the band formed their own record label, Psychonaut Records, with the view of releasing their own music and taking creative control over how their music is marketed and distributed. Always... was re-released in 1999, followed by Almost a Dance in 2000, both re-mastered and fitted with new artwork. However, the band were still under contract with Century Media, they released a live album Superheat (2000) which was recorded in several Dutch venues during 1999.  Another successful chapter in The Gathering's career followed with the release of if then else (2000). The album is filled with diverse, intense and emotional rock songs, more compact than its predecessor. Fifteen months of touring ensued, taking them to virtually every nook and cranny of Europe, with a little sidestep to Mexico, and ending with a small Dutch club tour in October 2001.

Answer this question "Did they tour with the album?"
output:
Tours of Belgium and Germany, as well as appearances at the Dynamo Open Air and Pinkpop Festivals further established the bands presence