Question:
Kaine was born at Saint Joseph's Hospital in St. Paul, Minnesota. He is the eldest of three sons born to Mary Kathleen (nee Burns), a home economics teacher, and Albert Alexander Kaine, Jr., a welder and the owner of a small iron-working shop. He was raised Catholic. One of Kaine's great-grandparents was Scottish and the other seven were Irish.
After graduating from law school, Kaine was a law clerk for Judge R. Lanier Anderson III of the United States Court of Appeals for the Eleventh Circuit, in Macon, Georgia. Kaine then joined the Richmond law firm of Little, Parsley & Cluverius, P.C. In 1987, Kaine became a director with the law firm of Mezzullo & McCandlish, P.C. Kaine practiced law in Richmond for 17 years, specializing in fair housing law and representing clients discriminated against on the basis of race or disability. He was a board member of the Virginia chapter of Housing Opportunities Made Equal, which he represented in a landmark redlining discrimination lawsuit against Nationwide Mutual Insurance Co. arising from the company's practices in Richmond. Kaine won a $100.5 million verdict in the case; the judgment was overturned on appeal, and Kaine and his colleagues negotiated a $17.5 million settlement.  Kaine did regular pro bono work. In 1988, Kaine started teaching legal ethics as an adjunct professor at the University of Richmond School of Law. Kaine taught at the University of Richmond for six years, and his students included future Virginia Attorney General Mark Herring. He was a founding member of the Virginia Coalition to End Homelessness.  Kaine had a largely apolitical childhood, but became interested in politics in part due to the influence of his wife's family and his experience attending Richmond city council meetings. In May 1994, Kaine was elected to the city council of the independent city of Richmond, from the City's 2nd District. He defeated incumbent city councilman Benjamin P. A. Warthen by 97 votes. Kaine spent four terms on the council, the latter two as mayor.
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Where did Kaine attend law school?

Answer:



Question:
Eddie James "Son" House, Jr. (March 21, 1902 - October 19, 1988) was an American delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements and to accompany him to a 1930 recording session for Paramount Records.
In 1927, at the age of 25, House underwent a change of musical perspective as rapid and dramatic as a religious conversion. In a hamlet south of Clarksdale, he heard one of his drinking companions, either James McCoy or Willie Wilson (his recollections differed), playing bottleneck guitar, a style he had never heard before. He immediately changed his attitude about the blues, bought a guitar from a musician called Frank Hoskins, and within weeks was playing with Hoskins, McCoy and Wilson. Two songs he learned from McCoy would later be among his best known: "My Black Mama" and "Preachin' the Blues". Another source of inspiration was Rube Lacey, a much better known performer who had recorded for Columbia Records in 1927 (no titles were released) and for Paramount Records in 1928 (two titles were released). In an astonishingly short time, with only these four musicians as models, House developed to a professional standard a blues style based on his religious singing and simple bottleneck guitar style.  Around 1927 or 1928, he had been playing in a juke joint when a man went on a shooting spree, wounding House in the leg, and he allegedly shot the man dead. House received a 15-year sentence at the Mississippi State Penitentiary (Parchman Farm), of which he served two years between 1928 and 1929. He credited his re-examination and release to an appeal by his family, but also spoke of the intervention by the influential white planter for whom they worked. The date of the killing and the duration of his sentence are unclear; House gave different accounts to different interviewers, and searches by his biographer Daniel Beaumont found no details in the court records of Coahoma County or in the archive of the Mississippi Department of Corrections.  Upon his release in 1929 or early 1930, House was strongly advised to leave Clarksdale and stay away. He walked to Jonestown and caught a train to the small town of Lula, Mississippi, sixteen miles north of Clarksdale and eight miles from the blues hub of Helena, Arkansas. Coincidentally, the great star of Delta blues, Charley Patton, was also in virtual exile in Lula, having been expelled from his base on the Dockery Plantation. With his partner Willie Brown, Patton dominated the local market for professional blues performance. Patton watched House busking when he arrived penniless at Lula station, but did not approach him. He observed House's showmanship attracting a crowd to the cafe and bootleg whiskey business of a woman called Sara Knight. Patton invited House to be a regular musical partner with him and Brown. House formed a liaison with Knight, and both musicians profited from association with her bootlegging activities. The musical partnership is disputed by Patton's biographers Stephen Calt and Gayle Dean Wardlow. They consider that House's musicianship was too limited to play with Patton and Brown, who were also rumoured to be estranged at the time. They also cite one statement by House that he did not play for dances in Lula. Beaumont concluded that House became a friend of Patton's, traveling with him to gigs but playing separately.
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How did he get into Blues

Answer:
heard one of his drinking companions, either James McCoy or Willie Wilson (his recollections differed), playing bottleneck guitar,