Question: "Good Vibrations" is a song composed by Brian Wilson with words by Mike Love for the American rock band the Beach Boys, of which both were members. Released on October 10, 1966, the single was an immediate critical and commercial hit, topping record charts in several countries including the US and UK. Characterized by its complex soundscapes, episodic structure, and subversions of pop music formula, it was the costliest single ever recorded at the time of its release. "Good Vibrations" later became widely acclaimed as one of the greatest masterpieces of rock music.

Another tape splice occurs at 2:13, transitioning to an electric organ playing sustained chords set in the key of F accompanied by a maraca shaken on every beat. Sound on Sound highlights this change as the "most savage edit in the track ... most people would go straight into a big splash hook-line section. Brian Wilson decided to slow the track even further, moving into a 23-bar section of church organ ... Most arrangers would steer clear of this kind of drop in pace, on the grounds that it would be chart suicide, but not Brian." Harrison says:  The appearance of episode 1 was unusual enough but could be explained as an extended break between verse and refrain sections. Episode 2 however, makes that interpretation untenable, and both listener and analyst must entertain the idea that "Good Vibrations" develops under its own power, as it were, without the guidance of overdetermined formal patterns. Brian's  [sic] own description of the song--a three-and-a-half-minute 'pocket symphony'--is a telling clue about his formal ambitions here.  The slowed pace is complemented by the lyric ("Gotta keep those loving good vibrations a-happening with her"), sung once first as a solo voice, with the melody repeated an octave higher the second time with an accompanying harmony. This two-part vocal fades as a solo harmonica plays a melody on top of the persistent quarter-note bass line and maraca that maintain the only rhythm throughout Episode 2. The section ends with a five-part harmony vocalizing a whole-note chord that is sustained by reverb for a further four beats. Lambert calls it the song's "wake-up chord at the end of the meditation that transports the concept into a whole new realm: it's an iconic moment among iconic moments. As it rouses us from a blissful dream and echoes into the silence leading into the chorus, it seems to capture every sound and message the song has to say."

Using a quote from the above article, answer the following question: What happens to the song at 2:13 ?
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Answer: transitioning to an electric organ playing sustained chords set in the key of F accompanied by a maraca shaken on every beat.


Question: Gorillaz are an English virtual band created in 1998 by musician Damon Albarn and artist Jamie Hewlett. The band consists of four animated members: 2-D (lead vocals, keyboards), Murdoc Niccals (bass guitar), Noodle (guitar, keyboards), and Russel Hobbs (drums and percussion). These members are fictional and are not personas of any "real life" musicians involved in the project. Their fictional universe is explored through the band's music videos, as well as a number of other short cartoons.

Musician Damon Albarn and comic book artist Jamie Hewlett met in 1990 when guitarist Graham Coxon, a fan of Hewlett's work, asked him to interview Blur, a band Albarn and Coxon had recently formed. The interview was published in Deadline magazine, home of Hewlett's comic strip Tank Girl. Hewlett initially thought Albarn was "arsey, a wanker"; despite becoming acquaintances with the band, they often did not get on, especially after Hewlett began seeing Coxon's ex-girlfriend Jane Olliver. Despite this, Albarn and Hewlett started sharing a flat on Westbourne Grove in London in 1997. Hewlett had recently broken up with Olliver and Albarn was at the end of his highly publicised relationship with Justine Frischmann of Elastica.  The idea to create Gorillaz came about when Albarn and Hewlett were watching MTV. Hewlett said, "If you watch MTV for too long, it's a bit like hell - there's nothing of substance there. So we got this idea for a cartoon band, something that would be a comment on that." The band originally identified themselves as "Gorilla" and the first song they recorded was "Ghost Train" which was later released as a B-side on their single "Rock the House" and the B-side compilation G Sides. The musicians behind Gorillaz' first incarnation included Albarn, Del the Funky Homosapien, Dan the Automator and Kid Koala, who had previously worked together on the track "Time Keeps on Slipping" for Deltron 3030's eponymous debut album.  Although not released under the Gorillaz name, Albarn has said that "one of the first ever Gorillaz tunes" was Blur's 1997 single "On Your Own", which was released for their fifth studio album Blur.

Using a quote from the above article, answer the following question: What did Hewlett to help the band take off?
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Answer: The idea to create Gorillaz came about when Albarn and Hewlett were watching MTV. Hewlett said, "If you watch MTV for too long, it's a bit like hell -


Question: Bandura was born in Mundare, in Alberta, an open town of roughly four hundred inhabitants, as the youngest child, and only son, in a family of six. The limitations of education in a remote town such as this caused Bandura to become independent and self-motivated in terms of learning, and these primarily developed traits proved very helpful in his lengthy career. Bandura is of Polish and Ukrainian descent; his father was from Krakow, Poland whilst his mother was from Ukraine. Bandura's parents were a key influence in encouraging him to seek ventures out of the small hamlet they resided in.

Bandura has received more than sixteen honorary degrees, including those from the University of British Columbia, Alfred University, the University of Rome, the University of Lethbridge, the University of Salamanca in Spain, Indiana University, the University of New Brunswick, Penn State University, Leiden University, and Freie Universitat Berlin, the Graduate Center of the City University of New York, Universitat Jaume I in Spain, the University of Athens and the University of Alberta, and University of Catania.  He was elected a Fellow of the American Academy of Arts and Sciences in 1980. He received the Award for Distinguished Scientific Contributions from the American Psychological Association in 1980 for pioneering the research in the field of self-regulated learning. In 1999 he received the Thorndike Award for Distinguished Contributions of Psychology to Education from the American Psychological Association, and in 2001, he received the Lifetime Achievement Award from the Association for the Advancement of Behavior Therapy. He is the recipient of the Outstanding Lifetime Contribution to Psychology Award from the American Psychological Association and the Lifetime Achievement Award from the Western Psychological Association, the James McKeen Cattell Award from the American Psychological Society, and the Gold Medal Award for Distinguished Lifetime Contribution to Psychological Science from the American Psychological Foundation. In 2008, he received the University of Louisville Grawemeyer Award for contributions to psychology.  In 2014, he was made an Officer of the Order of Canada "for his foundational contributions to social psychology, notably for uncovering the influence of observation on human learning and aggression".

Using a quote from the above article, answer the following question: how did he feel about education
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Answer: