Question:
Kerli Koiv was born in Elva on February 7, 1987. Her mother, Piret Koiv, was a social worker, and her father, Toivo Koiv, was an auto mechanic. Her parents separated when she was 16. Kerli has stated that when she wrote "Supergirl"--a song about domestic violence written for Utopia--she "put [herself] in [her] mother's body, and said things that [she] wished that [her mother] would've said to her dad when [she] was little".
In 2006, Kerli worked with producer, songwriter, and mixer David Maurice on an autobiographical set of songs, the first set of which were released on a self-titled EP in 2007. She finally released her debut album, titled Love Is Dead on July 8, 2008, following her debut single "Walking on Air" (which charted at number 75 on the European Hot 100.) and "Creepshow", a promotional single. "Creepshow" was featured in the TV series Fringe, The City, as well as in the video game Burnout Paradise. The music video for the song "Love Is Dead" was released on February 29, 2008 and the music video for "Walking on Air" premiered on MTV Overdrive on May 20, 2008. "Walking on Air" was downloaded 550,000 times when it was featured as iTunes' "Single of the Week", which was a record at the time. The song appeared twice on So You Think You Can Dance? as well in an advertisement for Fringe. Love Is Dead charted at number 126 on the Billboard 200 for the week of July 26.  Later in 2008, she was selected to perform a song titled "When Nobody Loves You" for the video game 007: Quantum of Solace, as well as the song "Bulletproof" on the official soundtrack of Punisher: War Zone.  In 2009, Kerli performed at the Estonian music festival Ollesummer in Tallinn. On September 10, 2009 Island Def Jam announced Kerli's iPhone application and the first song, Saima was released the following month. Kerli re-released her song "The Creationist"as a duet with the Italian songwriter Cesare Cremonini.  Kerli received a European Border Breakers Award for the success of the album Love Is Dead in Estonia.
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what were some of the singles on love is dead?

Answer:
Walking on Air" (


Question:
Ross James Brawn OBE (born 23 November 1954) is the Formula One Managing Director of Motorsports and technical director. He is also a former motorsport engineer and Formula One team principal. He had worked for a number of Formula One teams, serving as the technical director of the championship-winning Benetton and Ferrari teams. He took a sabbatical from the sport in 2007 but returned to F1 for the 2008 season as Team Principal of Honda.
His career in motorsport began in 1976 when he joined March Engineering in the town of Bicester as a milling machine operator. Soon afterwards he joined their Formula 3 racing team as a mechanic. Brawn was hired by Sir Frank Williams in 1978 as a machinist for the newly formed Williams team. He quickly moved up through the ranks, working in the R&D department with Frank Dernie and as an aerodynamicist in the team's wind tunnel.  Brawn joined the Haas Lola team in 1985 and was part of Neil Oatley's design team at FORCE that produced both the Lola THL1 and THL2 cars used by the team. However, with the 4 cylinder Hart engine in the THL1 and the new Ford V6 turbo powering the THL2, results were scarce against teams like McLaren and Williams with their TAG-Porsche and Honda turbo engines. This was despite the cars generally being regarded by most in the F1 paddock as being the best handling cars on the grid, as well as having 1980 World Champion Alan Jones and former factory Ferrari and Renault driver Patrick Tambay as the drivers. When the Haas team left F1 at the end of the 1986 season, Brawn moved to Arrows. There he designed the Megatron powered Arrows A10 and its update, the A10B for the 1987 and 1988 seasons respectively and the Ford V8 powered Arrows A11 used in 1989.  Later in 1989 Brawn moved to the Jaguar Sportscar racing division, and was lead designer on the Jaguar XJR-14 which won the 1991 World Sportscar Championship.
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What did he do there?

Answer:
team at FORCE that produced both the Lola THL1 and THL2 cars used by the team.


Question:
Bill Laswell (born February 12, 1955, Salem, Illinois, and raised in Albion, Michigan) is an American bassist, producer and record label owner. Laswell has been involved in hundreds of recordings with many collaborators from all over the world. Laswell's music draws upon many different genres, most notably funk, various world music, jazz, dub and ambient styles. He has also played or produced music from the noisier, more aggressive end of the rock spectrum, such as hardcore punk and metal.
Within a few years of moving to New York, Laswell founded a recording studio with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records. Under the Material moniker (now also a production unit consisting of Laswell and Beinhorn - Maher being long gone - and by 1984 consisting solely of Laswell) Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s. During this time in the early to mid-1980s, Laswell was able to record some of his Material excursions (which ran the gamut from experimental jazz/funk to pop and R&B, featuring everyone from avant-jazz figures Henry Threadgill and Sonny Sharrock to Archie Shepp and pop star Whitney Houston) as well as projects such as Massacre, with Fred Frith and Fred Maher.  His association with Celluloid allowed some of his first forays into this so-called "collision music" - the term was coined for Laswell by the British writer Chris May, then editor of Black Music & Jazz Review and later a Celluloid staff member - and forays into world music. Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label. Celluloid also released a slew of 12" devoted to Hip-Hop, becoming a precursor to the popularity the form enjoyed starting in the mid-1980s. Fab 5 Freddy, Phase II and Afrika Bambaataa all appeared on the label. Criminally forgotten, Laswell also put together the very successful 12" World Destruction which paired PiL's John Lydon with Afrika Bambaataa - years before the Run-D.M.C./Aerosmith collaboration broke down the rock/hip-hop barrier. 1982 also saw Laswell's solo debut, Baselines.  Also recording a Laswell-helmed solo album for Celluloid was Ginger Baker, whom Laswell coaxed out of semi-retirement, giving the drummer's career a new boost. He likewise brought Sonny Sharrock out of semi-retirement and produced some of the guitarist's most acclaimed recordings, starting with the solo LP Guitar.
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How do celluloid records have anything to do with Laswell?

Answer:
Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s.