input: Although ostensibly retired from racing since 1962, Moss did make a number of one-off appearances in professional motorsport events in the following two decades. He also competed in the 1974 London-Sahara-Munich World Cup Rally in a Mercedes-Benz, but retired from the event in the Algerian Sahara. The Holden Torana he shared with Jack Brabham in the 1976 Bathurst 1000 was hit from behind on the grid and eventually retired with engine failure. Moss, at the wheel of the Torana when the V8 engine let go, was criticised by other drivers for staying on the racing line for over  2/3  of the 6.172 km long circuit while returning to the pits as the car was dropping large amounts of oil onto the road. He also shared a Volkswagen Golf GTI with Denny Hulme in the 1979 Benson & Hedges 500 at Pukekohe Park Raceway in New Zealand.  In 1980 he made a comeback to regular competition, in the British Saloon Car Championship with the works-backed GTi Engineering Audi team. For the 1980 season Moss was the team's number two driver to team co-owner Richard Lloyd. For the 1981 season Moss stayed with Audi, as the team moved to Tom Walkinshaw Racing management, driving alongside Martin Brundle.  Throughout his retirement he raced in events for historic cars, driving on behalf of and at the invitation of others, as well as campaigning his own OSCA FS 372 and other vehicles.  On 9 June 2011 during qualifying for the Le Mans Legends race, Moss announced on Radio Le Mans that he had finally retired from racing, saying that he had scared himself that afternoon. He was 81.

Answer this question "When did Stirling leave racing?"
output: Moss announced on Radio Le Mans that he had finally retired from racing, saying that he had scared himself that afternoon. He was 81.

Problem: Background: Woo was born Wu Yu-seng (Ng Yu-sum in Cantonese) in Guangzhou, China, amidst the chaos of the Chinese Civil War at the end of October 1946. Due to school age restrictions, his mother changed his birth date to 22 September 1948, which is what remains on his passport. The Woo family, Christians faced with persecution during Mao Zedong's early anti-bourgeois purges after the communist revolution in China, fled to Hong Kong when he was five. Impoverished, the Woo family lived in the slums at Shek Kip Mei.
Context: An emigre in 1993, the director experienced difficulty in cultural adjustment while contracted with Universal Studios to direct Jean-Claude Van Damme in Hard Target. As characteristics of other foreign national film directors confronted the Hollywood environment, Woo was unaccustomed to pervasive management concerns, such as limitations on violence and completion schedules. When initial cuts failed to yield an "R" rated film, the studio assumed control of the project and edited footage to produce a cut "suitable for American audiences". A "rough cut" of the film, supposedly the original unrated version, is still circulated among his admirers.  A three-year hiatus saw Woo next direct John Travolta and Christian Slater in Broken Arrow. A frenetic chase-themed film, the director once again found himself hampered by studio management and editorial concerns. Despite a larger budget than his previous Hard Target, the final feature lacked the trademark Woo style. Public reception saw modest financial success.  Reluctant to pursue projects which would necessarily entail front-office controls, the director cautiously rejected the script for Face/Off several times until it was rewritten to suit him. (The futuristic setting was changed to a contemporary one.) Paramount Pictures also offered the director significantly more freedom to exercise his speciality: emotional characterisation and elaborate action. A complex story of adversaries--each of whom surgically alters their identity--law enforcement agent John Travolta and terrorist Nicolas Cage play a cat-and-mouse game, trapped in each other's outward appearance. Face/Off opened in 1997 to critical acclaim and strong attendance. Grosses in the United States exceeded $100 million. Face/Off was also nominated for an Academy Award in the category Sound Effects Editing (Mark Stoeckinger) at the 70th Academy Awards.  In 2003, Mr. Woo directed a television pilot entitled The Robinsons: Lost in Space for The WB Television Network, based on the 1960s television series Lost in Space. The pilot was not purchased, although bootleg copies have been made available by fans.  John Woo has made three additional films in Hollywood: Mission: Impossible 2, Windtalkers and Paycheck. Mission: Impossible 2 was the highest-grossing film in America in 2000, but received mixed reviews. Windtalkers and Paycheck fared poorly at the box office and were summarily dismissed by critics. Woo directed and produced a videogame called Stranglehold for games consoles and PC. It is a sequel to his 1992 film, Hard Boiled. He also produced the 2007 anime movie, Appleseed: Ex Machina, the sequel to Shinji Aramaki's 2004 film Appleseed.
Question: Did he do any other non-film projects?
Answer: He also produced the 2007 anime movie, Appleseed: Ex Machina, the sequel to Shinji Aramaki's 2004 film Appleseed.

Question: Ambrose was born in Lovington, Illinois, to Rosepha Trippe Ambrose and Stephen Hedges Ambrose. His father was a physician who served in the U.S. Navy during World War II.

In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book.  Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense:  I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation.  I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from.  A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose.

Using a quote from the above article, answer the following question: Did he get in trouble for it?
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Answer: