Some context: Swans () are an American experimental rock band formed in 1982 by singer, songwriter and multi-instrumentalist Michael Gira. One of few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for a unique, ever-changing sound which has contributed to the development of genres such as noise rock, post-punk, industrial and post-rock. Initially, their music was known for its sonic brutality and misanthropic lyrics. Following the addition of singer, songwriter and keyboardist Jarboe, who first appeared on the 1986 single "Time Is Money (Bastard)" and debuted as a songwriter on the 1987 album Children of God, Swans began to incorporate more melody and intricacy into their music.
Michael Gira has repeatedly stated he took the moniker Swans as it described the sound he wanted best. Gira's summation of the name follows along the lines of: "Swans are majestic, beautiful looking creatures. With really ugly temperaments."  The earliest known lineup of Swans comprised Gira on bass guitar and vocals, Jonathan Kane on drums, Sue Hanel on guitar, Mojo on percussion and tape loops and either Thurston Moore, Dan Braun or Jon Tessler on the second bass guitar. Jon Tessler also played percussion and tape loops. Hanel's only recordings with the group are on the compilation Body to Body, Job to Job, but the ambiguous personnel credits do not make it clear on which songs she performed. Kane stated that "Sue was the most fearsome guitarist we'd ever heard in New York. She was unbelievable."  Hanel did not stay long in the group, and by the time of their recording debut she had been replaced by Bob Pezzola. This lineup of the group also featured saxophonist Daniel Galli-Duani, who had previously played with Kane as the avant-garde duo Transmission. The debut EP, Swans, released on Labor, is markedly different from anything they would do later. The plodding tempos and distorted, detuned guitar work is reminiscent of such post-punk outfits as Joy Division. However, the minimal chord structures owe more to blues, while the jazz instrumentation and awkward time signatures are evidence of Swans' roots in the no wave scene of the late 1970s, which had more or less collapsed by the release of 1984's Cop.
When did they come together?
A: The earliest known lineup of Swans comprised Gira on bass guitar and vocals, Jonathan Kane on drums, Sue Hanel on guitar, Mojo on percussion
Some context: Krakauer was born in Brookline, Massachusetts, as the third of five children of Carol Ann (nee Jones) and Lewis Joseph Krakauer. His father was Jewish and his mother was a Unitarian, of Scandinavian descent. He was raised in Corvallis, Oregon, from the age of two. His father introduced the young Krakauer to mountaineering at the age of eight.
In 2003, Under the Banner of Heaven became Krakauer's third non-fiction bestseller. The book examines extremes of religious belief, specifically fundamentalist offshoots of Mormonism. Krakauer looks at the practice of polygamy in these offshoots and scrutinizes it in the context of the Latter Day Saints religion throughout history. Much of the focus of the book is on the Lafferty brothers, who murdered in the name of their fundamentalist faith.  In 2006, Tom Elliott and Pawel Gula produced a documentary inspired by the book, Damned to Heaven.  Robert Millet, Professor of Religious Understanding at Brigham Young University, an LDS institution, reviewed the book and described it as confusing, poorly organized, misleading, erroneous, prejudicial and insulting. Mike Otterson, Director of Media Relations for The Church of Jesus Christ of Latter-day Saints (LDS), told the Associated Press, "This book is not history, and Krakauer is no historian. He is a storyteller who cuts corners to make the story sound good. His basic thesis appears to be that people who are religious are irrational, and that irrational people do strange things."  In response, Krakauer criticized the LDS Church hierarchy, citing the opinion of D. Michael Quinn, a historian who was excommunicated in 1993, who wrote that "The tragic reality is that there have been occasions when Church leaders, teachers, and writers have not told the truth they knew about difficulties of the Mormon past, but have offered to the Saints instead a mixture of platitudes, half-truths, omissions, and plausible denials". Krakauer wrote, "I happen to share Dr. Quinn's perspective".
What was the focus of the book?
A: The book examines extremes of religious belief, specifically fundamentalist offshoots of Mormonism.
Some context: Edgar Yipsel "Yip" Harburg (born Isidore Hochberg, Yiddish: ysydvr hvkbrg; April 8, 1896 - March 5, 1981) was an American popular song lyricist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?"
Harburg, the youngest of four surviving children (out of ten), was born Isidore Hochberg on the Lower East Side of New York City on April 8, 1896. His parents, Lewis Hochberg and Mary Ricing, were Yiddish-speaking Orthodox Jews who had emigrated from Russia.  He later adopted the name Edgar Harburg, and came to be best known as Edgar "Yip" Harburg. He attended Townsend Harris High School, where he and Ira Gershwin, who met over a shared fondness for Gilbert and Sullivan, worked on the school paper and became lifelong friends. According to his son Ernie Harburg, Gilbert and Irish dramatist George Bernard Shaw taught his father, a "democratic socialist, [and] sworn challenger of all tyranny against the people, that 'humor is an act of courage' and dissent".  After World War I, Harburg returned to New York and graduated from City College (later part of the City University of New York), which Ira Gershwin had initially attended with him, in 1921. After Harburg married and had two children, he started writing light verse for local newspapers. He became a co-owner of Consolidated Electrical Appliance Company, but the company went bankrupt following the crash of 1929, leaving Harburg "anywhere from $50,000 - $70,000 in debt," which he insisted on paying back over the course of the next few decades. At this point, Harburg and Ira Gershwin agreed that Harburg should start writing song lyrics.  Gershwin introduced Harburg to Jay Gorney, who collaborated with him on songs for an Earl Carroll Broadway review (Earl Carroll's Sketchbook): the show was successful and Harburg was engaged as lyricist for a series of successful revues, including Americana in 1932, for which he wrote the lyrics of "Brother, Can You Spare a Dime?" to the tune of a lullaby Gorney had learned as a child in Russia. This song swept the nation, becoming an anthem of the Great Depression.  Harburg was a staunch critic of religion and an atheist. He wrote a poem entitled "Atheist" that summarized his views on god and religion.
Was there anything else interesting in the article?
A:
Harburg was a staunch critic of religion and an atheist.