input: It was generally felt in the court that the Emperor should marry and produce heirs as soon as possible. Various potential brides were considered: Princess Elisabeth of Modena, Princess Anna of Prussia and Princess Sidonia of Saxony. Although in public life Franz Joseph was the unquestioned director of affairs, in his private life his formidable mother still wielded crucial influence. Sophie wanted to strengthen the relationship between the Houses of Habsburg and Wittelsbach--descending from the latter house herself--and hoped to match Franz Joseph with her sister Ludovika's eldest daughter, Helene ("Nene"), who was four years the Emperor's junior. However, Franz Joseph fell deeply in love with Nene's younger sister Elisabeth ("Sisi"), a beautiful girl of fifteen, and insisted on marrying her instead. Sophie acquiesced, despite her misgivings about Sisi's appropriateness as an imperial consort, and the young couple were married on 24 April 1854 in St. Augustine's Church, Vienna.  Their marriage would prove to be an unhappy one; though Franz Joseph was passionately in love with his wife, the feeling was not mutual and Sisi never truly acclimatised to life at court, frequently having disagreements with the imperial family. Their first daughter Sophie died as an infant, and their only son Rudolf died by suicide in 1889 in the infamous Mayerling Incident.  In 1885 Franz Joseph met Katharina Schratt, a leading actress of the Vienna stage, and she became his friend and confidante. This relationship lasted the rest of his life, and was--to a certain degree--tolerated by Sisi. Franz Joseph built Villa Schratt in Bad Ischl for her, and also provided her with a small palace in Vienna. Though their relationship lasted for thirty-four years, it remained platonic.  The Empress was an inveterate traveller, horsewoman, and fashion maven who was rarely seen in Vienna. Sisi was obsessed about preserving her beauty, carrying out many bizarre routines and strenuous exercise, and as a result suffered from ill health. She was stabbed to death by an Italian anarchist in 1898 while on a visit to Geneva. A few days after the funeral, Robert of Parma wrote in a letter to his friend Tirso de Olazabal that "It was pitiful to look at the Emperor, he showed a great deal of energy in his immense pain, but at times one could see all the immensity of his grief." Franz Joseph never fully recovered from the loss. According to the future empress Zita of Bourbon-Parma he told his relatives: "You'll never know how important she was to me" or, according to some sources, "You will never know how much I loved this woman."

Answer this question "was he married?"
output: It was generally felt in the court that the Emperor should marry and produce heirs as soon as possible.

input: Skinny Puppy is noted for theatrical and controversial live performances which blend performance art with music, especially in an ambitious period that spanned their Head Trauma (1987-1988), VIVIsectVI (1988), Too Dark Park (1990), and Last Rights (1992) tours. Ogre has been critical of the bands early performances, telling Spin magazine in 1992 that "I would do things on stage that would blow-they just wouldn't work". Live performances involved periods of musical improvisation, film projections, and elaborate stage props and machines, many of which are designed and built by Ogre himself. While discussing Skinny Puppy's performances, Ogre once remarked that "our shows combine images with theater. It works better than just coming out and doing a horror magic routine".  On-stage theatrics included Ogre being suspended from racks and cables, play with a hangman's noose, Key cutting steel with an angle grinder, and mock executions of Ogre and George H.W. Bush. Following the 2004 Presidential Election in the United States, promoters began to ask the band to refrain from using fake blood during their performances. This reaction was prompted by the performance of a mock execution on stage, during which Ogre was decapitated by actors dressed as then U.S. President George W. Bush and Vice President Dick Cheney. The band was also asked by Samsung (who had been asked by Ogre to sponsor the band with a large flat screen) to "not insult the president" while performing on stage. In a 1987 television interview with Kim Clarke Champniss, Key explained that while Ogre follows a "rough guideline" during a live performance, a majority of his on-stage theatrics are thought up of spontaneously. Key told Champniss that Ogre's demeanor on stage could "range from just a sort of laid back kind of lurking to a rampant psycho". Ogre once remarked that touring was, for himself, like "dating hydrogen peroxide", referencing the numerous injuries which he would acquire over the course of touring.  Though Ogre and Key have remained the only constant members of Skinny Puppy's live act since the death of Dwayne Goettel, several other musicians have been hired to accompany the pair since 2004. They include drummer Justin Bennett, guitarist William Morrison, and guitarist Matthew Setzer.

Answer this question "when did skinny puppy's live performances begin?"
output: (1987-1988),

input: As part of her comedic training, Louis-Dreyfus appeared in The Second City, one of Chicago's best-known improvisation theatre groups (whose alumni include Alan Arkin, Steve Carell, Stephen Colbert, Tina Fey, Amy Poehler, and Shelley Long). It was her performance with The Practical Theatre Company at their "Golden 50th Anniversary Jubilee" that led to her being asked to join the cast of NBC's Saturday Night Live at the age of 21.  Louis-Dreyfus was subsequently made into a cast member on Saturday Night Live from 1982 to 1985, becoming the youngest female cast member in the history of the program at that time. During her time on SNL, she appeared alongside several actors who would later rise to prominence, such as Eddie Murphy, Jim Belushi, Billy Crystal, and Martin Short. It was during her third and final year on SNL that she met writer Larry David during his only year on the show, who would later co-create Seinfeld. Louis-Dreyfus has commented that her casting on SNL was a "Cinderella-getting-to-go-to-the-ball kind of experience"; however, she has also admitted that at times it was often quite tense, stating that she "didn't know how to navigate the waters of show business in general and specifically doing a live sketch-comedy show".  Following her 1985 departure from SNL, Louis-Dreyfus appeared in several films, including the Woody Allen-directed Hannah and Her Sisters (1986); Soul Man (1986), starring C. Thomas Howell; and National Lampoon's Christmas Vacation (1989), in which she starred alongside fellow SNL alum Chevy Chase. In 1987, Louis-Dreyfus appeared in the NBC sitcom pilot The Art of Being Nick, an intended spin-off from Family Ties starring Scott Valentine. When the pilot did not make it to series, Louis-Dreyfus was retained by producer Gary David Goldberg for a role on his new sitcom Day by Day, as the sarcastic and materialistic neighbor, Eileen Swift. Premiering in early 1988, Day by Day aired for two seasons on NBC before being cancelled.

Answer this question "Where did she begin her early career?"
output:
As part of her comedic training, Louis-Dreyfus appeared in The Second City, one of Chicago's best-known improvisation theatre groups