Background: Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team.
Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989.
Question: What was the famous photo?
Answer: A photo of a dazed Tittle in the end zone

Question:
Eric Boucher was born in Boulder, Colorado, the son of Virginia (nee Parker), a librarian, and Stanley Wayne Boucher, a psychiatric social worker and poet. He had a sister, Julie J. Boucher, the Associate Director of the Library Research Service at the Colorado State Library (who died in a mountain-climbing accident on October 12, 1996). As a child, Eric developed an interest in international politics that was encouraged by his parents. An avid news watcher, one of his earliest memories was of the John F. Kennedy assassination.
In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial.
Answer this question using a quote from the text above:

Are there any other interesting aspects about this article?

Answer:
but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album.

Problem: Background: Sir Reginald Carey "Rex" Harrison (5 March 1908 - 2 June 1990) was an English actor of stage and screen. Harrison began his career on the stage in 1924. He served in the Royal Air Force during World War II, reaching the rank of flight lieutenant. He won his first Tony Award for his performance as Henry VIII in the play Anne of the Thousand Days in 1949.
Context: Harrison was born at Derry House in Huyton, Lancashire, the son of Edith Mary (nee Carey) and William Reginald Harrison, a cotton broker. He was educated at Liverpool College. After a bout of childhood measles, Harrison lost most of the sight in his left eye, which on one occasion caused some on-stage difficulty. He first appeared on the stage in 1924 in Liverpool. Harrison's acting career was interrupted during World War II while serving in the Royal Air Force, reaching the rank of Flight Lieutenant. He acted in various stage productions until 11 May 1990. He acted in the West End of London when he was young, appearing in the Terence Rattigan play French Without Tears, which proved to be his breakthrough role.  He alternated appearances in London and New York in such plays as Bell, Book and Candle (1950), Venus Observed, The Cocktail Party, The Kingfisher and The Love of Four Colonels, which he also directed. He won his first Tony Award for his appearance at the Shubert Theatre as Henry VIII in Maxwell Anderson's play Anne of the Thousand Days and international superstardom (and a second Tony) for his portrayal of Henry Higgins in the musical My Fair Lady, where he appeared opposite Julie Andrews.  Later appearances included Pirandello's Henry IV, a 1984 appearance at the Haymarket Theatre with Claudette Colbert in Frederick Lonsdale's Aren't We All?, and one on Broadway at the Brooks Atkinson Theatre presented by Douglas Urbanski, at the Haymarket in J. M. Barrie's The Admirable Crichton with Edward Fox. He returned as Henry Higgins in the revival of My Fair Lady directed by Patrick Garland in 1981, cementing his association with the plays of George Bernard Shaw, which included a Tony nominated performance as Shotover in Heartbreak House, Julius Caesar in Caesar and Cleopatra, and General Burgoyne in a Los Angeles production of The Devil's Disciple.
Question: what was he most well known for early on
Answer:
He won his first Tony Award for his appearance at the Shubert Theatre as Henry VIII