input: In May 2005 the first single from the upcoming second album "Streetcar" acted as the band's fourth consecutive top 20 single in the United Kingdom by debuting at number 15. On 14 June 2005, the band released their second album Hours through Atlantic Records. Produced by Terry Date, the album was recorded in two Seattle studios owned by the grunge band Pearl Jam and featured unusual methods of recording, for example Matt Davies' vocals were recorded whilst in a moving car and on a crowded Seattle street, for the song "Drive". Just two weeks after its release the album was certified a Silver over 60,000 sales and was awarded a Gold for over 100,000 sales on 23 December 2005. In August of the same year, the band won a Kerrang! Award for "Best British Band".  Funeral for a Friend performed several low-profile shows in Wales, including Bangor University and Bridgend Recreation Centre, prior to the release of Hours. In the United States, they played alongside bands such as Atreyu, Saosin, Hawthorne Heights and Thrice on the Maurice Stage of the 2005 Vans Warped Tour. The band headlined the British leg of Taste Of Chaos across November with support from The Used, Killswitch Engage, Rise Against and Story Of the Year. Funeral for a Friend released the third and last single from Hours, "History", which music video depicts the events of the miner strikes of the mid-1980s in South Wales.  Funeral For a Friend closed the promotional jaunt for Hours in the Summer of 2006, with a series of UK shows rescheduled from February. Most of the original dates had been cancelled because Matt Davies had suffered from a bout of laryngitis. Several other shows were scheduled in the UK to complement these rescheduled dates, and the tour culminated in a slot below headliners Guns N' Roses at the Download Festival at Donington Park. The rest of 2006 was spent writing and recording the band's third album.

Answer this question "Where did they perform gigs"
output: Funeral for a Friend performed several low-profile shows in Wales, including Bangor University and Bridgend Recreation Centre,

input: Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops.  When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be.  In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown.

Answer this question "What did the great leap forward consist of?"
output: All three books involved Koolhaas's students analysing what others would regard as "non-cities",

input: Crowded House were midway through a US tour when Paul Hester quit the band on 15 April 1994. He flew home to Melbourne to await the birth of his first child and indicated that he required more time with his family. Wally Ingram, drummer for support act Sheryl Crow, temporarily filled in until a replacement, Peter Jones (ex-Harem Scarem, Vince Jones, Kate Ceberano's Septet) was found. After the tour, the Finn Brothers released their album Finn in November 1995. In June 1996, at a press conference to announce the release of their greatest hits album Recurring Dream, Neil revealed that Crowded House were to disband. The June 1996 concerts in Europe and Canada were to be their final performances.  Recurring Dream contained four songs from each of the band's studio albums, along with three new songs. The album debuted at number one in Australia, New Zealand and the UK in July 1996. Early copies included a bonus CD of live material. The album's three new songs, which were released as singles, were "Instinct", "Not the Girl You Think You Are" and "Everything Is Good for You", which featured backing vocals from Pearl Jam's Eddie Vedder. Paul Hester returned to the band to play drums on the three new tracks.  Worried that their goodbye had been too low-key and had disregarded their home fans, the band performed the Farewell to the World concert on the steps of the Sydney Opera House on 24 November 1996, which raised funds for the Sydney Children's Hospital. The concert featured the line-up of Neil Finn, Nick Seymour, Mark Hart and Paul Hester. Tim Finn and Peter Jones both made guest appearances. Support bands on the day were Custard, Powderfinger and You Am I. The concert had one of the highest live audiences in Australian history with the crowd being estimated at between 120,000 and 250,000 people. Farewell to the World was released on VHS in December 1996. In 2007, a double CD and a DVD were issued as to commemorate the concert's tenth anniversary. The DVD featured newly recorded audio commentary by Finn, Hart and Seymour and other new bonus material.

Answer this question "What was the last venue they played at?"
output:
the World concert on the steps of the Sydney Opera House on 24 November 1996,