Question:
Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
For twenty years from the early 1980s, Anger released no new material. In 2000, at the dawn of the new millennium, Anger began screening a new short film, the anti-smoking Don't Smoke That Cigarette, followed a year later by The Man We Want to Hang, which comprised images of Aleister Crowley's paintings that had been exhibited at a temporary exhibition in Bloomsbury, London. In 2004, he began showing Anger Sees Red, a short surrealistic film starring himself, and the same year also began showing another work, Patriotic Penis. He soon followed this with a flurry of other shorts, including Mouse Heaven, which consisted of images of Mickey Mouse memorabilia, Ich Will! and Uniform Attraction, all of which he showed at various public appearances. Anger's most recent project has been the Technicolor Skull with musician Brian Butler, described as a "magick ritual of light and sound in the context of a live performance", in which Anger plays the theremin, and Butler plays the guitar and other electronic instruments, behind a psychedelic backdrop of colors and skulls.  Anger makes an appearance in the 2008 feature documentary by Nik Sheehan about Brion Gysin and the Dreamachine titled FLicKeR. Anger also appears alongside Vincent Gallo in the 2009 short film "Night of Pan" written and directed by Brian Butler. In 2009 his work was featured in a retrospective exhibition at the MoMA PS1 in New York City, and the following year a similar exhibition took place in London.  Anger has finished writing Hollywood Babylon III, but has not yet published it, fearing severe legal repercussions if he did so. Of this he has stated that "The main reason I didn't bring it out was that I had a whole section on Tom Cruise and the Scientologists. I'm not a friend of the Scientologists." Despite withholding legal action against the highly critical 2015 film Going Clear, the Church of Scientology was known on earlier occasions to heavily sue those making accusations against them.
Answer this question using a quote from the text above:

What was his best film work recently?

Answer:
Anger has finished writing Hollywood Babylon III, but has not yet published it,

Answer the question at the end by quoting:

Cronin was born in Cardross, Dunbartonshire, Scotland, the only child of a Protestant mother, Jessie Cronin (nee Montgomerie), and a Catholic father, Patrick Cronin. Cronin often wrote of young men from similarly mixed backgrounds. His paternal grandparents had emigrated from County Armagh, Ireland, and become glass and china merchants in Alexandria. Owen Cronin, his grandfather, had had his surname changed from Cronague in 1870.
The Citadel (1937), a tale of a mining company doctor's struggle to balance scientific integrity with social obligations, helped to incite the establishment of the National Health Service (NHS) in the United Kingdom by exposing the inequity and incompetence of medical practice at the time. In the novel Cronin advocated a free public health service in order to defeat the wiles of those doctors who "raised guinea-snatching and the bamboozling of patients to an art form." Dr Cronin and Aneurin Bevan had both worked at the Tredegar Cottage Hospital in Wales, which served as one of the bases for the NHS. The author quickly made enemies in the medical profession, and there was a concerted effort by one group of specialists to get The Citadel banned. Cronin's novel, which was the highest-selling book ever published by Victor Gollancz, informed the public about corruption within the medical system, planting a seed that eventually led to reform. Not only were the author's pioneering ideas instrumental in the creation of the NHS, but the historian Raphael Samuel asserted in 1995 that the popularity of Cronin's novels played a substantial role in the Labour Party's landslide victory in 1945.  By contrast, according to one of Cronin's biographers, Alan Davies, the book's reception was mixed. A few of the more vociferous medical practitioners of the day took exception to one of its many messages: that a few well-heeled doctors in fashionable practices were ripping off their equally well-off patients. Some pointed to the lack of balance between criticism and praise for hard-working doctors. The majority accepted it for what it was, a topical novel. The press attempted to incite passions within the profession in an attempt to sell copy, while Victor Gollancz followed suit in an attempt to promote the book, all overlooking the fact that it was a work of fiction, not a scientific piece of research, and not autobiographical.  In the United States The Citadel won the National Book Award, Favorite Fiction of 1937, voted by members of the American Booksellers Association. According to a Gallup poll conducted in 1939, The Citadel was voted the most interesting book readers had ever read.

Was cronins work accepted?
The author quickly made enemies in the medical profession, and there was a concerted effort by one group of specialists to get The Citadel banned.