input: Latrobe arrived in Norfolk, Virginia, in mid-March 1796 after a harrowing four-month journey aboard the ship, which was plagued with food shortages under near-starvation conditions. Latrobe initially spent time in Norfolk, where he designed the "William Pennock House," then set out for Richmond, Virginia, in April 1796. Soon after arriving in Virginia, Latrobe became friends with Bushrod Washington, nephew of President George Washington, along with Edmund Randolph and other notable figures. Through Bushrod Washington, Latrobe was able to pay a visit to Mount Vernon to meet with the president in the summer of 1796.  Latrobe's first major project in the United States was the State Penitentiary in Richmond, commissioned in 1797. The penitentiary included many innovative ideas in penal reform, then being espoused by Thomas Jefferson and various other figures, including cells arranged in a semicircle, similar, but not identical to Jeremy Bentham's panopticon, that allowed for easy surveillance, as well as improved living conditions for sanitation and ventilation. He also pioneered the use of solitary confinement in the Richmond penitentiary. While in Virginia, Latrobe worked on the Green Spring mansion near Williamsburg, which had been built by Governor Sir William Berkeley in the seventeenth century but fell into disrepair after the American Revolutionary War. Latrobe created designs for Fort Nelson in Virginia in 1798. He also made drawings for a number of houses that were not built, including the "Mill Hill" plantation house near Richmond.  After spending a year in Virginia, the novelty of being in a new place wore off, and Latrobe was lonely and restless in Virginia. Giambattista Scandella, a friend, suggested Philadelphia as an ideal location for him. In April 1798, Latrobe visited Philadelphia for the first time, meeting with Bank of Pennsylvania president Samuel J. Fox, and presented to him a design for a new bank building. At the time, the political climate in Philadelphia was quite different than Virginia, with a strong division between the Federalists and Jefferson's Democratic-Republicans, along with anti-French sentiment, thus the city was not entirely welcoming for Latrobe. On his way to Philadelphia, Latrobe passed through the national capital city of Washington, D.C., then under construction (congress and the president would not arrive until the year 1800), where he met with the first architect of the capitol, William Thornton, and viewed the United States Capitol for the first time. He stopped by Washington again on his way back to Richmond. Latrobe remained in Richmond, Virginia, until November 1798, when his design was selected for the Bank of Pennsylvania. He moved to Philadelphia, so that he could supervise the construction, although he continued to do occasional projects for clients in Virginia.

Answer this question "Did Fox like the design?"
output: ideal

input: With the Confederacy defeated, South Carolina ratified a new constitution in 1865 that recognized the end of slavery, but basically left the pre-war elites in charge. African-American freedmen, who were the majority of South Carolina's population, were given no vote, and their new freedom was soon restricted by Black Codes that limited their civil rights and required black farm laborers to bind themselves with annual labor contracts. Congress was dissatisfied with this minimal change and required a new constitutional convention and elections with universal male suffrage. As African Americans generally favored the Republican Party at the time, that party controlled the biracial state legislature beginning with the 1868 elections. That campaign was marked by violence--19 Republican and Union League activists were killed in South Carolina's 3rd congressional district alone.  In 1873, two Edgefield lawyers and former Confederate generals, Martin Gary and Matthew C. Butler, began to advocate what became known as the "Edgefield Plan" or "Straightout Plan". They believed that the previous five years had shown it was not possible to outvote African Americans. Gary and Butler deemed compromises with black leaders to be misguided; they felt white men must be restored to their antebellum position of preeminent political power in the state. They proposed that white men form clandestine paramilitary organizations--known as "rifle clubs"--and use force and intimidation to drive the African American from power. Members of the new white groups became known as Red Shirts. Tillman was an early and enthusiastic recruit for his local organization, dubbed the Sweetwater Sabre Club. He became a devoted protege of Gary.  From 1873 to 1876, Tillman served as a member of the Sweetwater club, members of which assaulted and intimidated black would-be voters, killed black political figures, and skirmished with the African-American-dominated state militia. Economic coercion was used as well as physical force: most Edgefield planters would not employ black militiamen or allow them to rent land, and ostracized whites who did.

Answer this question "Was there any reason other than race for Tillman to not like the Republican Party?"
output: Congress was dissatisfied with this minimal change and required a new constitutional convention and elections with universal male suffrage.

input: In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins, the dominant tenor sax player of the day. One of Young's key influences was Frank Trumbauer, who came to prominence in the 1920s with Paul Whiteman and played the C-melody saxophone (between the alto and tenor in pitch).  Young left the Basie band to replace Hawkins in Fletcher Henderson's orchestra. He soon left Henderson to play in the Andy Kirk band (for six months) before returning to Basie. While with Basie, Young made small-group recordings for Milt Gabler's Commodore Records, The Kansas City Sessions. Although they were recorded in New York (in 1938, with a reunion in 1944), they are named after the group, the Kansas City Seven, and comprised Buck Clayton, Dicky Wells, Basie, Young, Freddie Green, Rodney Richardson, and Jo Jones. Young played clarinet as well as tenor in these sessions. Young is described as playing the clarinet in a "liquid, nervous style."  As well as the Kansas City Sessions, his clarinet work from 1938-39 is documented on recordings with Basie, Billie Holiday, Basie small groups, and the organist Glenn Hardman. Billie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St. At one point Lester moved into the apartment Billie shared with her mother, Sadie Fagan. Holiday always insisted their relationship was strictly platonic. She gave Lester the nickname "Prez" after President Franklin Roosevelt, the "greatest man around" in Billie's mind. Playing on her name, he would call her "Lady Day." Their famously empathetic classic recordings with Teddy Wilson date from this era.  After Young's clarinet was stolen in 1939, he abandoned the instrument until about 1957. That year Norman Granz gave him one and urged him to play it (with far different results at that stage in Young's life--see below).

Answer this question "what was it like with the count basie orchestra?"
output:
His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins,