input: In January 1938, Guggenheim opened a gallery for modern art in London featuring Jean Cocteau drawings in its first show, and began to collect works of art. Guggenheim often purchased at least one object from each of her exhibitions at the gallery. After the outbreak of World War II, she purchased as much abstract and Surrealist art as possible.  Her first gallery was called Guggenheim Jeune, the name being ingeniously chosen to associate the epitome of a gallery, the French Bernheim-Jeune, with the name of her own well known family. The gallery on 30 Cork Street, next to Roland Penrose's and E. L. T. Mesens' show-case for the Surrealist movement, the London Gallery, proved to be successful, thanks to many friends who gave advice and who helped run the gallery. Marcel Duchamp, whom she had known since the early 1920s, when she lived in Paris with her first husband Laurence Vail, had introduced Guggenheim to the art world; it was through him that she met many artists during her frequent visits to Paris. He taught her about contemporary art and styles, and he conceived several of the exhibitions held at Guggenheim Jeune.  The Cocteau exhibition was followed by exhibitions on Wassily Kandinsky (his first one-man-show in England), Yves Tanguy, Wolfgang Paalen and several other well-known and some lesser-known artists. Peggy Guggenheim also held group exhibitions of sculpture and collage, with the participation of the now classic moderns Antoine Pevsner, Henry Moore, Henri Laurens, Alexander Calder, Raymond Duchamp-Villon, Constantin Brancusi, Jean Arp, Max Ernst, Pablo Picasso, Georges Braque and Kurt Schwitters. She also greatly admired the work of John Tunnard (1900-1971) and is credited with his discovery in mainstream international modernism.

Answer this question "Are there any other interesting aspects about this article?"
output: After the outbreak of World War II, she purchased as much abstract and Surrealist art as possible.

Problem: Background: A-Teens (stylized as A*Teens) were a Swedish pop music group from Stockholm, Sweden, formed by Niklas Berg in 1998 as an ABBA tribute band called ABBA Teens and later renamed A-Teens. The band members were Marie Serneholt, Amit Sebastian Paul, Dhani Lennevald and Sara Lumholdt. The band's debut album became a success around the world and in 2001 it was reported that the band had sold 6 million albums worldwide. After six years together, the band announced they would take a break in 2004 after the release of their Greatest Hits album.
Context: The band's second album, entitled "Teen Spirit", featured a compilation of tracks that were not ABBA covers and when it was finally released on 26 February 2001, it debuted at number two in the Swedish Charts. This pop sensation hit reached the top ten in other countries and entered at number eighty-three on the World Charts, number thirteen on the European Albums Chart, number fourteen on CNN's WorldBeat Album Charts and peaked at number fifty in the United States selling over 60,000 copies in its first two weeks, ensuring Gold Status for sales exceeding the 500,000 copies in the United States alone. Prior to the release of the album, the A-Teens became one of the first bands to broadcast one of their shows on MSN's Websites.  The UK releases were delayed due to A-Teens' failure with their previous album in that country. When "Upside Down" was released there in May 2001, it became their biggest hit in the country. The single peaked at number ten in the United Kingdom becoming their only top ten hit in that country. The album was delayed and released after the second single, "Halfway Around The World" in late October 2001. The single barely made the top thirty and the album did not chart in the top 75.  Before they started their concert tour in the U.S. the band went to promote their album to Asia, with stops in Japan, Singapore, Malaysia where they did show for MTV Asia and Thailand, with great success, especially in the former where Coca-Cola signed the band to become the face of the brand there and promote, "We were the first international artists ever to appear on a soda can there. They printed 15 million of them; we went home with ten!" Remembers Sara, The cans were distributed around the country that year. Also in 2001, the A-Teens performed as top billing during the Radio Disney Live! 2001 World Tour in Chicago and Philadelphia markets.  The group promoted their album with a forty-three-date tour with Aaron Carter around the U.S. Back in Europe, the band toured with No Angels in Germany. By the end of 2001, Teen Spirit went on to sell over 1 million copies worldwide and were invited by Walt Disney/Buena Vista to record the European soundtrack for the movie "The Princess Diaries". As the movie had already been released in North and South America, the movie was set to be released in Europe in the winter 2001. "Heartbreak Lullaby" a song written by Cathy Dennis (famous for writing Kylie Minogue's number one hit, "Can't Get You Out of My Head") and Kasmanaut, the video was shot in Germany in late October, in the middle of their tour. The single was released in December 2001 and it became another top ten hit for the band in their home country spending four months inside the charts.
Question: Did the group start touring after the album released?
Answer: the band went to promote their album to Asia, with stops in Japan, Singapore, Malaysia

Question: "Good Vibrations" is a song composed by Brian Wilson with words by Mike Love for the American rock band the Beach Boys, of which both were members. Released on October 10, 1966, the single was an immediate critical and commercial hit, topping record charts in several countries including the US and UK. Characterized by its complex soundscapes, episodic structure, and subversions of pop music formula, it was the costliest single ever recorded at the time of its release. "Good Vibrations" later became widely acclaimed as one of the greatest masterpieces of rock music.

"Good Vibrations" established a new method of operation for Wilson. Instead of working on whole songs with clear large-scale syntactical structures, Wilson limited himself to recording short interchangeable fragments (or "modules"). Through the method of tape splicing, each fragment could then be assembled into a linear sequence, allowing any number of larger structures and divergent moods to be produced at a later time. This was the same modular approach used during the sessions for Smile and Smiley Smile. To mask each tape edit, vast reverb decays were added at the mixing and sub-mixing stages.  For instrumentation, Wilson employed the services of "the Wrecking Crew", the nickname for a conglomerate of session musicians active in Los Angeles at that time. Production for "Good Vibrations" spanned more than a dozen recording sessions at four different Hollywood studios, at a time when most pop singles were typically recorded in a day or two. It was reported to have used over 90 hours of magnetic recording tape, with an eventual budget estimated between $50,000 and $75,000 (equivalent to $380,000 and $570,000 in 2017), at that time the largest sum spent on a single. In comparison, the whole of Pet Sounds had cost $70,000 ($530,000), itself an unusually high cost for an album. It is said that Wilson was so puzzled by "Good Vibrations" that he would often arrive at a session, consider a few possibilities, and then leave without recording anything, which exacerbated costs.  In 2018, Wilson disputed the $50,000 figure for "Good Vibrations", saying that the overall expenses were closer to $25,000 ($190,000). When asked in a 2005 interview if it was true that the Electro-Theremin work alone cost $100,000, he responded "No. $15,000."

Using a quote from the above article, answer the following question: How long did the recording session take?
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Answer:
It was reported to have used over 90 hours of magnetic recording tape, with an eventual budget estimated between $50,000 and $75,000