IN: The Beatles were an English rock band, formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential act of the rock era. In the early 1960s, their enormous popularity first emerged as "Beatlemania", but as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's evolution into an art form and to the development of the counterculture of the 1960s. Their continued commercial and critical success assisted many cultural movements--including a shift from American artists' global dominance of rock and roll to British acts (British Invasion), the proliferation of young musicians in the 1960s who formed new bands, the album as the dominant form of record consumption over singles, the term "Beatlesque" used to describe similar-sounding artists, and several fashion trends.

The Beatles' impact on the US was particularly strong, where a garage rock phenomenon had already begun, with hits such as "Louie Louie" by the Kingsmen. The movement received a major lift following the group's historic appearance on The Ed Sullivan Show watched by a record-breaking viewing audience of a nation mourning the recent death of President John F. Kennedy. Bill Dean writes: "It's impossible to say just how many of America's young people began playing guitars and forming bands in the wake of The Beatles' appearance on the Sullivan show. But the anecdotal evidence suggests thousands - if not hundreds of thousands or even more - young musicians across the country formed bands and proceeded to play."  Tom Petty, who played in two garage bands in Gainesville, Florida during the 1960s, is quoted mentioning the Beatles' appearance on The Ed Sullivan Show and how it influenced him to be in a band. According to him: "Within weeks of that, you could drive through literally any neighborhood in Gainesville and you would hear the strains of garage bands playing ... I mean everywhere. And I'd say by a year from that time, Gainesville probably had 50 bands." For many, particularly young baby boomers, the Beatles' visit reignited the sense of excitement and possibility that had been momentarily taken by Kennedy's assassination. Much of this new excitement would be expressed in music, sometimes much to the chagrin of parents and elders, as kids raced to start bands by thousands, and this proliferation of new groups was not limited to the United States.  While the Beatles are often credited for sparking a musical revolution, research conducted by the Queen Mary University of London and Imperial College London suggests that the changes sparked by the band were already developing long before they entered the US. The study, which looks at shifts in chord progressions, beats, lyrics and vocals, shows that American music in the beginning of the 1960s was already moving away from mellow sounds like doo-wop and into more energetic rock styles. Professor Armand Lero argues that the Beatles' innovations have been overstated by music historians: "They didn't make a revolution or spark a revolution, they joined one. The trend is already emerging and they rode that wave, which accounts for their incredible success." Beatles biographer Mark Lewisohn disagreed with the research by Queen Mary University, saying it "[doesn't] stack up ... Speak to anyone who was a young person in the US when The Beatles arrived and they will tell you how much of a revolution it was. They were there and they will tell you that the Beatles revolutionised everything."

What about their appearance?

OUT: According to him: "Within weeks of that, you could drive through literally any neighborhood in Gainesville and you would hear the strains of garage bands playing

input: In 2004, Kurstin was introduced to singer Inara George by a mutual friend, Mike Andrews. Then producing George's solo debut, Andrews hired Kurstin as a pianist for the album. Kurstin and George clicked musically in the studio and together they formed The Bird and the Bee (stylized as "the bird and the bee"). Shortly thereafter, they were signed by Blue Note Records chairman Bruce Lundvall. Described by Entertainment Weekly as "space-age pop that cunningly combines bossa nova languidity with Beach Boys-style lushness", they have since released four albums and an EP. Kurstin was nominated for a Grammy Award for Best Engineered Album for the Bird and the Bee's 2015 release, Recreational Love.  After working on tracks with artists including Peaches, All Saints, Pink, the Flaming Lips, and Kylie Minogue, Kurstin was introduced to Lily Allen. Along with other musicians, co-writers, producers and engineers, he worked on her 2006 debut, Alright, Still, which went on to achieve platinum status. For her second album It's Not Me, It's You, Allen worked exclusively with Kurstin; he co-wrote every song and played all of the instruments on the record, which he also engineered and produced. The album's first single, "The Fear", spent four weeks at number 1 in the UK, and the album hit number 5 in the US and charted in the top 10 in eight other countries. With Allen, Kurstin won three Ivor Novello Awards for his work on the double-platinum It's Not Me, It's You. Based in part on the album's success, as well as his work on a bird and the bee record, Kurstin was nominated for his first Producer of the Year Grammy in 2010.  Kurstin's first commercially available collaboration with Sia was "Death by Chocolate", released on her 2008 album Some People Have Real Problems. In 2010, he produced Sia's fifth album, We Are Born. It reached number 2 in Australia and number 37 in the US. It won ARIA Music Awards for Best Pop Album and Best Independent Release.

Answer this question "Did Some People Have Real Problems win any awards?"
output:
It reached number 2 in Australia and number 37 in the US. It won ARIA Music Awards for Best Pop Album and Best Independent Release.