Background: Jean-Marie Le Pen (French pronunciation:  [Za ma.Ri l@.pen]; born 20 June 1928) is a French politician who has served as Honorary President of the National Front since January 2011 and a Member of the European Parliament (MEP) from France since 2004, previously between 1984 to 2003. He previously served as President of the National Front from 1972 to 2011.
Context: His marriage (29 June 1960 - 18 March 1987) to Pierrette Lalanne resulted in three daughters; these daughters have given him nine granddaughters. The break-up of the marriage was somewhat dramatic, with his ex-wife posing nude in the French edition of Playboy to ridicule him. Marie-Caroline, one of his daughters, broke with Le Pen, following her husband to join Bruno Megret, who split from the FN to found MNR, the rival Mouvement National Republicain (National Republican Movement). The youngest of Le Pen's daughters, Marine Le Pen, is leader of the Front National. On 31 May 1991, Jean-Marie Le Pen married Jeanne-Marie Paschos ("Jany"), of Greek descent. Born in 1933, Paschos was previously married to Belgian businessman Jean Garnier.  In 1977, Le Pen inherited a fortune from Hubert Lambert (1934-1976), son of the cement industrialist Leon Lambert (1877-1952), one of three sons of Lambert Cement founder Hilaire Lambert. Hubert Lambert was a political supporter of Le Pen and a monarchist as well. Lambert's will provided 30 million francs (approximatively 5 million euros) to Le Pen, as well as his opulent three-storey 11-room mansion at 8 Parc de Montretout, Saint-Cloud (the home had been built by Napoleon III for his chief of staff Jean-Francois Mocquard). With his wife, he also owns a two-story townhouse on the Rue Hortense in Rueil-Malmaison and another house in his hometown of La Trinite-sur-Mer.  In the early 1980s, Le Pen's personal security was assured by KO International Company, a subsidiary of VHP Security, a private security firm, and an alleged front organisation for SAC, the Service d'Action Civique (Civic Action Service), a Gaullist organisation. SAC allegedly employed figures with organized crime backgrounds and from the far-right movement.
Question: Are there any other interesting aspects about this article?
Answer: The break-up of the marriage was somewhat dramatic,

Problem: Background: Ralph Bakshi (born October 29, 1938) is an American director of animated and live-action films. In the 1970s, he established an alternative to mainstream animation through independent and adult-oriented productions. Between 1972 and 2015, he directed ten theatrically released feature films, six of which he wrote. He has been involved in numerous television projects as director, writer, producer and animator.
Context: In 1973, Bakshi and Ruddy began the production of Harlem Nights, which Paramount was originally contracted to distribute. While Fritz the Cat and Heavy Traffic proved that adult-oriented animation could be financially successful, animated films were still not respected, and Bakshi's pictures were considered to be "dirty Disney flicks" that were "mature" only for depicting sex, drugs and profanity. Harlem Nights, based on Bakshi's firsthand experiences with racism, was an attack on racist prejudices and stereotypes. Bakshi cast Scatman Crothers, Philip Michael Thomas, Barry White and Charles Gordone in live-action and voice roles, cutting in and out of animation abruptly rather than seamlessly because he wanted to prove that the two mediums could "coexist with neither excuse nor apology". He wrote a song for Crothers to sing during the opening title sequence: "Ah'm a Niggerman". Its structure was rooted in the history of the slave plantation: slaves would "shout" lines from poems and stories great distances across fields in unison, creating a natural beat. Bakshi has described its vocal style, backed by fast guitar licks, as an "early version of rap".  Bakshi intended to attack stereotypes by portraying them directly, culling imagery from blackface iconography. Early designs in which the main characters (Brother Rabbit, Brother Bear and Preacher Fox) resembled figures from The Wind in the Willows were rejected. Bakshi juxtaposed stereotypical designs of blacks with even more negative depictions of white racists, but the film's strongest criticism is directed at the Mafia. Bakshi said, "I was sick of all the hero worship these guys got because of The Godfather." Production concluded in 1973. During editing, the title was changed to Coonskin No More..., and finally to Coonskin. Bakshi hired several African American animators to work on Coonskin, including Brenda Banks, the first African American female animator. Bakshi also hired graffiti artists and trained them to work as animators. The film's release was delayed by protests from the Congress of Racial Equality, which called Bakshi and his film racist. After its distribution was contracted to the Bryanston Distributing Company, Paramount canceled a project that Bakshi and Ruddy were developing, The American Chronicles.  Coonskin, advertised as an exploitation film, was given limited distribution and soon disappeared from theaters. Initial reviews were negative; Playboy commented that "Bakshi seems to throw in a little of everything and he can't quite pull it together." Eventually, positive reviews appeared in The Hollywood Reporter, New York Amsterdam News (an African American newspaper) and elsewhere. The New York Times' Richard Eder said the film "could be [Bakshi's] masterpiece [...] a shattering successful effort to use an uncommon form--cartoons and live action combined to convey the hallucinatory violence and frustration of American city life, specifically black city life [...] lyrically violent, yet in no way [does it] exploit violence". Variety called it a "brutal satire from the streets". A reviewer for the Los Angeles Herald-Examiner wrote, "Certainly, it will outrage some and, indeed, it's not Disney. [...] The dialog it has obviously generated--if not the box office obstacles--seems joltingly healthy." Bakshi called Coonskin his best film.
Question: what group of people protested the film Coonskin, because of racism?
Answer:
reviewer for the Los Angeles Herald-Examiner