Answer the question at the end by quoting:

Charles Mingus Jr. (April 22, 1922 - January 5, 1979) was an American jazz double bassist, pianist, composer and bandleader. His compositions retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of Third Stream, free jazz, and classical music. He once cited Duke Ellington and church as his main influences. Mingus espoused collective improvisation, similar to the old New Orleans jazz parades, paying particular attention to how each band member interacted with the group as a whole.
In 1959 Mingus and his jazz workshop musicians recorded one of his best-known albums, Mingus Ah Um. Even in a year of standout masterpieces, including Dave Brubeck's Time Out, Miles Davis's Kind of Blue, John Coltrane's Giant Steps, and Ornette Coleman's prophetic The Shape of Jazz to Come, this was a major achievement, featuring such classic Mingus compositions as "Goodbye Pork Pie Hat" (an elegy to Lester Young) and the vocal-less version of "Fables of Faubus" (a protest against segregationist Arkansas governor Orval E. Faubus that features double-time sections). Also during 1959, Mingus recorded the album Blues & Roots, which was released the following year. As Mingus explained in his liner notes: "I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing."  Mingus witnessed Ornette Coleman's legendary--and controversial--1960 appearances at New York City's Five Spot jazz club. He initially expressed rather mixed feelings for Coleman's innovative music: "...if the free-form guys could play the same tune twice, then I would say they were playing something...Most of the time they use their fingers on the saxophone and they don't even know what's going to come out. They're experimenting." That same year, however, Mingus formed a quartet with Richmond, trumpeter Ted Curson and multi-instrumentalist Eric Dolphy. This ensemble featured the same instruments as Coleman's quartet, and is often regarded as Mingus rising to the challenging new standard established by Coleman. The quartet recorded on both Charles Mingus Presents Charles Mingus and Mingus. The former also features the version of "Fables of Faubus" with lyrics, aptly titled "Original Faubus Fables".  Only one misstep occurred in this era: 1962's Town Hall Concert. An ambitious program, it was plagued with troubles from its inception. Mingus's vision, now known as Epitaph, was finally realized by conductor Gunther Schuller in a concert in 1989, 10 years after Mingus's death.

What songs were on Blues and Roots

The former also features the version of "Fables of Faubus" with lyrics, aptly titled "Original Faubus Fables".

IN: Thomas Andrews Hendricks (September 7, 1819 - November 25, 1885) was an American politician and lawyer from Indiana who served as the 16th Governor of Indiana (1873-77) and the 21st Vice President of the United States (1885). Hendricks represented Indiana in the U.S. House of Representatives (1851-55) and the U.S. Senate (1863-69). He also represented Shelby County, Indiana, in the Indiana General Assembly (1848-50) and as a delegate to the 1851 Indiana constitutional convention. In addition, Hendricks served as commissioner of the General Land Office (1855-59).

Hendricks represented Indiana in the U.S. Senate (1863-69) during the final years of the American Civil War and part of the Reconstruction Era. Military reverses in the Civil War, some unpopular decisions in the Lincoln administration, and Democratic control of the Indiana General Assembly helped Hendricks win election to the U.S. Senate. His six years in the Senate covered the Thirty-eighth, Thirty-ninth, and Fortieth Congresses, where Hendricks was a leader of the small Democratic minority and a member of the opposition who was often overruled.  Hendricks challenged what he thought was radical legislation, including the military draft and issuing greenbacks; however, he supported the Union and prosecution of the war, consistently voting in favor of wartime appropriations. Hendricks adamantly opposed Radical Reconstruction. After the war he argued that the Southern states had never been out of the Union and were therefore entitled to representation in the U.S. Congress. Hendricks also maintained that Congress had no authority over the affairs of state governments.  Hendricks voted against the Thirteenth, Fourteenth, and Fifteenth Amendments to the U.S. Constitution that would, upon ratification, grant voting rights to males of all races and abolish slavery. Hendricks felt it was not the right time, so soon after the Civil War, to make fundamental changes to the U.S. Constitution. Although Hendricks supported freedom for African Americans, stating, "He is free; now let him remain free," he unsuccessfully opposed reconstruction legislation. Hendricks also opposed the attempt to remove President Andrew Johnson from office following his impeachment in the U.S. House of Representatives.  Hendricks's views were often misinterpreted by his political opponents in Indiana. When the Republicans regained a majority in the Indiana General Assembly in 1868, the same year Hendricks's U.S. Senate term expired, he lost reelection to a second term, and was succeeded by Republican Congressman-elect Daniel D. Pratt, who resigned the U.S. House seat to which he had been elected in 1868 in order to accept the Senate seat.

What did he oppose?

OUT:
Hendricks adamantly opposed Radical Reconstruction.