Problem: Background: Thelonious Sphere Monk was born two years after his sister Marion on October 10, 1917, in Rocky Mount, North Carolina, and was the son of Thelonious and Barbara Monk. His badly written birth certificate misspelled his first name as "Thelious" or "Thelius." It also did not list his middle name, taken from his maternal grandfather, Sphere Batts. A brother, Thomas, was born in January 1920.
Context: In his early teens, Monk toured with an evangelist, playing the church organ, and in his late teens he began to find work playing jazz. In the early to mid-1940s, he was the house pianist at Minton's Playhouse, a Manhattan nightclub. Much of Monk's style was developed during his time at Minton's, when he participated in after-hours cutting contests, which featured many leading jazz soloists of the time. Monk's musical work at Minton's was crucial in the formulation of bebop, which would be furthered along by other artists, including Dizzy Gillespie, Charlie Christian, Kenny Clarke, Charlie Parker, and, later, Miles Davis. Monk is believed to be the pianist featured on recordings Jerry Newman made around 1941 at the club. Monk's style at this time was later described as "hard-swinging," with the addition of runs in the style of Art Tatum. Monk's stated influences included Duke Ellington, James P. Johnson, and other early stride pianists. In the documentary Thelonious Monk: Straight, No Chaser, it is stated that Monk lived in the same neighborhood in New York City as Johnson and knew him as a teenager.  Mary Lou Williams, who mentored Monk and his contemporaries, spoke of Monk's rich inventiveness in this period, and how such invention was vital for musicians, since at the time it was common for fellow musicians to incorporate overheard musical ideas into their own works without giving due credit. "So, the boppers worked out a music that was hard to steal. I'll say this for the 'leeches,' though: they tried. I've seen them in Minton's busily writing on their shirt cuffs or scribbling on the tablecloth. And even our own guys, I'm afraid, did not give Monk the credit he had coming. Why, they even stole his idea of the beret and bop glasses."  In 1944 Monk made his first studio recordings with the Coleman Hawkins Quartet. Hawkins was one of the earliest established jazz musicians to promote Monk, and the pianist later returned the favor by inviting Hawkins to join him on a 1957 session with John Coltrane.
Question: What did they mean hard-swinging?
Answer: he participated in after-hours cutting contests,

Background: Ara Raoul Parseghian (May 21, 1923 - August 2, 2017) was an American football player and coach who guided the University of Notre Dame to national championships in 1966 and 1973. He is noted for bringing Notre Dame's Fighting Irish football program from years of futility back into a national contender in 1964 and is widely regarded alongside Knute Rockne and Frank Leahy as a part of the "Holy Trinity" of Notre Dame head coaches. Parseghian grew up in Akron, Ohio, and played football beginning in his junior year of high school. He enrolled at the University of Akron, but soon quit to join the U.S. Navy for two years during World War II.
Context: Parseghian quickly turned things around in 1964; he re-established a sense of confidence and team spirit that had been lost under Kuharich and Devore. Practices were carefully planned and organized with the help of a coaching staff that consisted of three assistants from Northwestern and four former Notre Dame players. Parseghian listened to players' concerns about the program and addressed them. He invigorated the team's offense by favoring passing and bringing in smaller and quicker players. A rule change allowing unlimited substitutions starting in 1964 helped make this strategy successful; fast-running receivers could now be taken out of the game and rested as others replaced them.  Parseghian also recognized talent in quarterback John Huarte and wide receiver Jack Snow, who had been used only sparingly for two seasons by previous coaches. Huarte could throw far and accurately but was soft-spoken, a trait Parseghian and his staff helped change. Snow was large for a receiver of his era, but Parseghian thought his athleticism and sure hands would make him a good wideout. Still, expectations were muted for the 1964 season: Parseghian told his coaches that the team would have a 6-4 record if they were lucky. Sports Illustrated predicted a 5-5 record at best, and the team did not rank among the top 20 programs in the country in the pre-season AP Poll.  Notre Dame nonetheless opened the season with a 31-7 victory over heavily favored Wisconsin, a game in which Huarte threw for more yards than the team's leading passer had over the entire 1963 season. Notre Dame players carried Parseghian off the field after the win, which vaulted the team to ninth place in the polls. A string of victories followed, first against Purdue and then Air Force and UCLA. Notre Dame rose to first place in the national polls following a 40-0 win over Navy in October. The team went undefeated until the last game of the year against USC, who won 20-17 in the final minutes on a touchdown pass from Craig Fertig to Rod Sherman. The loss unseated Notre Dame from the top ranking in the national polls, but the team still won the MacArthur Trophy, a championship awarded by the National Football Foundation.  Huarte passed for 2,062 yards and set 12 school records in 1964, four of which still stood as of 2009. He also won the Heisman Trophy. Snow led the country in receptions, with 60. Parseghian, meanwhile, won numerous coach of the year awards for engineering the turnaround, including from the American Football Coaches Association, the Football Writers Association of America, the Washington Touchdown Club, the Columbus Touchdown Club, and Football News.  Huarte and Snow graduated after the 1964 season, and Notre Dame felt their absence the following year, posting a 7-2-1 record. While the team did not contend for a national title, defensive back Nick Rassas led the nation in punt returns and came in sixth in interceptions; he was named a first-team All-American by sportswriters.
Question: Any players of note?
Answer:
Parseghian also recognized talent in quarterback John Huarte and wide receiver Jack Snow, who had been used only sparingly for two seasons by previous coaches.