input: The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire.  In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.

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output: Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras,

Question: Field Marshal Sir Claude John Eyre Auchinleck  (21 June 1884 - 23 March 1981) was a British Army commander during the Second World War. He was a career soldier who spent much of his military career in India, where he rose to become Commander-in-Chief of the Indian Army by early 1941. In July 1941 he was appointed Commander-in-Chief of the Middle East theatre, but after initial successes the war in North Africa turned against the British, and he was relieved of the post in 1942 during the crucial Alamein campaign. In June 1943 he was once more appointed Commander-in-Chief, India, where his support through the organisation of supply, maintenance and training for Slim's Fourteenth Army played an important role in its success.

Auchinleck continued as Commander-in-Chief of the Indian Army after the end of the war helping, though much against his own convictions, to prepare the future Indian and Pakistani armies for the Partition of India: in November 1945 he was forced to commute the more serious judicial sentences awarded against officers of the Indian National Army in face of growing unease and unrest both within the Indian population, and the British Indian Army. On 1 June 1946 he was promoted to field marshal, but he refused to accept a peerage, lest he be thought associated with a policy (i.e. Partition) that he thought fundamentally dishonourable.  Sending a report to British Government on 28 September 1947 Auchinleck wrote: "I have no hesitation, whatever, in affirming that the present Indian Cabinet are implacably determined to do all in their power to prevent the establishment of the Dominion of Pakistan on firm basis." He stated in the second, political part of his assessment, "Since 15th August, the situation has steadily deteriorated and the Indian leaders, cabinet ministers, civil officials and others have persistently tried to obstruct the work of partition of the armed forces."  When partition was effected in August 1947, Auchinleck was appointed Supreme Commander of all British forces remaining in India and Pakistan and remained in this role until the winding up and closure of the Supreme H.Q. at the end of November 1948. This marked his effective retirement from the army (although technically field marshals in the British Army never retire, remaining on the active list on half pay). He left India on 1 December.  After a brief period in Italy in connection with an unsuccessful business project, Auchinleck retired to London, where he occupied himself with a number of charitable and business interests and became a respectably skilled watercolour painter. In 1960 he settled in Beccles in the county of Suffolk, remaining there for seven years until, at the age of eighty-four, he decided to emigrate and set up home in Marrakesh, where he died on 23 March 1981.

Using a quote from the above article, answer the following question: What did Auchinleck do during his later years?
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Answer:
Auchinleck continued as Commander-in-Chief of the Indian Army after the end of the war