Background: A Hakka, Kate Tsui was born and raised in Hong Kong. Her father works in logistics, and while her mother is now a homemaker, she was a dancer when she was younger. Tsui also has an older sister, who is married with two kids. As of 2014, Tsui has expressed that with the exception of herself, her entire immediate family now resides in Taiwan.
Context: 2012 is arguably Tsui's peak year in her TV career. In Highs and Lows, Tsui portrays an extremely tragic character that struggled with substance abuse, gang rape, and eventually, drug dealing. Tsui described her experience of filming this drama as "being on an emotional roller coaster", to the extent that she did not wish to speak to anyone or pick up the phone after work. The producer of the drama, Lam Chi Wah, referred to Tsui's role in Highs and Lows as the greatest breakthrough in her career and applauded her for setting down her image as a beauty pageant winner to dive into such a complex character in the drama. Film director, Patrick Kong, also noted in his column that Tsui's acting has greatly matured in Highs and Lows, particularly in her portrayal of emotional scenes.  The role at last earned her the Favourite Female Character award for the TVB Anniversary Awards 2012. Tsui was also nominated in the Best Actress category and was one of the top 5 finalists for the award. Aside from the aforementioned Hong Kong TVB-based awards show, Tsui also received a nomination for Best Actress in a Leading Role for the Asian Television Awards, which is an awards show held in Singapore that recognizes production excellence in over 15 Asian countries.  In 2014, Tsui took part in a TVB-produced micro film, A Time of Love, which consists of four individual stories, each with a separate theme. Tsui starred opposite Taiwanese actors, James Wen and Chris Wang, in the "sorrow" themed story. After the airing of the micro film, TVB received 39 individual viewer statements that commended Tsui of her outstanding performance in the micro film. Column writer, Ko Leung, of Macao Daily, also stated Tsui portrayed her character in the micro film perfectly and that Tsui's acting is comparable to that of Bai Baihe in The Stolen Years.  In 2015, Tsui's management contract with TVB ended. However, Tsui said that she is still on very good terms with TVB, and TVB has settled job arrangements for her up until February 2016. Despite having received several offers, Tsui stated that she will not finalize any management contract agreements until she has completed her jewelry design courses.
Question: When did this air?
Answer: 2014,

Background: Marvin Neil Simon (born July 4, 1927) is an American playwright, screenwriter and author. He has written more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer. Simon grew up in New York during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood.
Context: Simon's characters are typically portrayed as "imperfect, unheroic figures who are at heart decent human beings", according to Koprince, and she traces Simon's style of comedy to that of Menander, a playwright of ancient Greece. Menander, like Simon, also used average people in domestic life settings, the stories also blending humor and tragedy into his themes. Many of Simon's most memorable plays are built around two-character scenes, as in segments of California Suite and Plaza Suite.  Before writing, Simon tries to create an image of his characters. He says that the play, Star Spangled Girl which was a box-office failure, was "the only play I ever wrote where I did not have a clear visual image of the characters in my mind as I sat down at the typewriter." Simon considers "character building" as an obligation, stating that the "trick is to do it skillfully". While other writers have created vivid characters, they have not created nearly as many as Simon: "Simon has no peers among contemporary comedy playwrights," states biographer Robert Johnson.  Simon's characters often amuse the audience with sparkling "zingers," believable due to Simon's skill with writing dialogue. He reproduces speech so "adroitly" that his characters are usually plausible and easy for audiences to identify with and laugh at. His characters may also express "serious and continuing concerns of mankind ... rather than purely topical material". McGovern notes that his characters are always impatient "with phoniness, with shallowness, with amorality", adding that they sometimes express "implicit and explicit criticism of modern urban life with its stress, its vacuity, and its materialism." However, Simon's characters will never be seen thumbing his or her nose at society."
Question: did he win any awards for his writing?
Answer: 

Background: "Mr. Tambourine Man" is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.
Context: William Ruhlmann, writing for the AllMusic Web site, has suggested the following interpretation of the song's lyrics: "The time seems to be early morning following a night when the narrator has not slept. Still unable to sleep, though amazed by his weariness, he is available and open to Mr. Tambourine Man's song, and says he will follow him. In the course of four verses studded with internal rhymes, he expounds on this situation, his meaning often heavily embroidered with imagery, though the desire to be freed by the tambourine man's song remains clear."  While there has been speculation that the song is about drugs such as LSD or marijuana, particularly with lines such as "take me on a trip upon your magic swirling ship" and "the smoke rings of my mind", Dylan has always denied the song is about drugs. Though he was using marijuana at the time the song was written, Dylan was not introduced to LSD until a few months later. Other commentators have interpreted the song as a call to the singer's spirit or muse, or the singer's search for transcendence. In particular, biographer John Hinchey has suggested in his book Like a Complete Unknown that the singer is praying to his muse for inspiration; Hinchey notes that ironically the song itself is evidence the muse has already provided the sought-after inspiration. Mr. Tambourine Man has also been interpreted as a symbol for Jesus Christ and for the Pied Piper of Hamelin. The song may also reference gospel music, with Mr. Tambourine Man being the bringer of religious salvation.  Dylan has cited the influence of Federico Fellini's movie La Strada on the song, while other commentators have found echoes of the poetry of Arthur Rimbaud. Author Howard Sounes has identified the lyrics "in the jingle jangle morning I'll come following you" as having been taken from a Lord Buckley recording. Bruce Langhorne, who performs guitar on the track, has been cited by Dylan as the inspiration for the tambourine man image in the song. Langhorne used to play a giant, four-inch-deep "tambourine" (actually a Turkish frame drum), and had brought the instrument to a previous Dylan recording session.
Question: Are there any other interesting aspects about this article?
Answer:
Bruce Langhorne, who performs guitar on the track, has been cited by Dylan as the inspiration for the tambourine man image in the song.