Some context: Nightcrawler (Kurt Wagner) is a fictional superhero appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by writer Len Wein and artist Dave Cockrum, he debuted in the comic book Giant-Size X-Men #1 (May 1975). Nightcrawler is a member of a fictional subspecies of humanity known as mutants, who are born with superhuman abilities. Nightcrawler possesses superhuman agility, the ability to teleport, and adhesive hands and feet.
X-Men writer Chris Claremont had intended to reveal that Nightcrawler was the son of Nightmare early in his run. Roger Stern recounted, "It happened when I was the writer of Dr. Strange, back when writers were still occasionally listened to. Chris had come up with the latest of several crazy ideas and declared that Nighcrawler's father was Nightmare. And I replied with something like, 'No, he's not. I'm not going to let you appropriate one of my character's major villains.' As I recall, Len Wein crossed the room and shook my hand. And not too long after, I [became] the X-Men editor and was able to make sure that didn't happen for long enough that Chris eventually changed his mind." Claremont's new plan was for the mutant terrorist Mystique and her lover Destiny to have been Nightcrawler's biological parents. Mystique, being a shapeshifter, would have taken the form of a man and impregnated Destiny. However, Marvel felt the idea to be too controversial and an alternative origin was developed.  After hinting for many years that Mystique was indeed Nightcrawler's biological mother, it was confirmed by writer Scott Lobdell in X-Men Unlimited #4. In 2003, it was revealed that although Mystique was married to a wealthy German, Herr Wagner, Nightcrawler's father was Azazel, a member of a race of demonic-looking mutants known as the Neyaphem which date back to Biblical times that were banished to another dimension by a race of angelic mutants. The storyline was furthered by the revelation that fellow X-Man Archangel's healing blood did not heal Nightcrawler, and in fact caused him great pain.  Nightcrawler's siblings include his adoptive sister Rogue and half-brother Graydon Creed by Mystique; and Abyss and Kiwi Black from Azazel.  It is also revealed that in a parallel universe, an alternate Nightcrawler fathered a daughter with an alternate Scarlet Witch; this girl, named Nocturne, is a dimensionally-stranded mutant bearing traits similar to Nightcrawler himself. Nocturne has since referred to Nightcrawler as her father. The demeanor of Nightcrawler is very similar to that of the Nightcrawler from Nocturne's reality, so the two developed a close bond that resembles a father-daughter relationship.
what can you tell me about the Family relations?
A: After hinting for many years that Mystique was indeed Nightcrawler's biological mother, it was confirmed by writer Scott Lobdell in X-Men Unlimited #4.
Some context: Michael John Kells Fleetwood was born in Redruth, second child to John Joseph Kells Fleetwood and Bridget Maureen (nee Brereton) Fleetwood. His elder sister Susan Fleetwood, who died of cancer in 1995, became an actress. In early childhood Fleetwood and his family followed his father, a Royal Air Force fighter pilot, to Egypt. After about six years, they moved to Norway where his father was posted on a NATO deployment.
In November 1977 Fleetwood and Nicks began having an affair. It would continue sporadically for the next two years during the fallout from the end of Fleetwood's relationship with Boyd, until the pair mutually decided to end the affair. "Never in a million years could you have told me that [her affair with Fleetwood] would happen," Nicks later stated. "Everybody was angry, because Mick was married to a wonderful girl and had two wonderful children. I was horrified. I loved these people. I loved his family. So it couldn't possibly work out. And it didn't. I just couldn't." Boyd and Fleetwood had in fact begun living together once more in 1976, and would remarry temporarily to assist their children with emigration to the United States. However they quickly divorced for the second time some months later. In November 1978 Fleetwood moved into a Bel Air home with Sara Recor, mutual friend of Fleetwood and Nicks who was at the time married to another music producer. Meanwhile, Fleetwood began working on a charity project to get Fleetwood Mac to tour the Soviet Union, however the Soviet War in Afghanistan later made the tour untenable.  Tusk, Fleetwood Mac's 12th studio album, was released in 1979. The work represented a more experimental direction taken by Buckingham. Fleetwood, recently diagnosed as having diabetes after suffering recurring bouts of hypoglycemia during several live shows, was again instrumental in maintaining the band's cohesion. He placated Buckingham over feelings of creative claustrophobia and discomfort playing alongside Nicks. On the issue of Buckingham taking creative control away from the other members of the group for the creation of Tusk, Fleetwood recounts that his three-day discussion with Buckingham culminated in him telling the latter that "if it's good, then go ahead." Though the nature of the album strained relationships again within the band - particularly John McVie, a long-established blues musician who disliked the experimental nature of the album - Fleetwood himself rates the album as his favourite by Fleetwood Mac, and cites the freedom of creative expression allotted to each band member as integral to the survival of the group. The album sold four million copies worldwide, a return noticeably poorer than Rumours. Though Buckingham was blamed by the record labels, Fleetwood linked the album's relative failure to the RKO radio chain playing the album in its entirety prior to release, thus allowing mass home taping.  Later that year, Fleetwood Mac embarked on a lengthy tour that brought them across America, Canada, Australia, New Zealand, Japan, France, Germany, Switzerland, Belgium, the Netherlands, and the UK. The tour lasted from October 1979 to September 1980, consisting of 113 concerts.
Who played on the album Tusk?
A:
a more experimental direction taken by Buckingham. Fleetwood,