input: Laurence Olivier saw Leigh in The Mask of Virtue, and a friendship developed after he congratulated her on her performance. Olivier and Leigh began an affair while acting as lovers in Fire Over England (1937), but Olivier was still married to actress Jill Esmond. During this period, Leigh read the Margaret Mitchell novel Gone with the Wind and instructed her American agent to recommend her to David O. Selznick, who was planning a film version. She remarked to a journalist, "I've cast myself as Scarlett O'Hara", and The Observer film critic C. A. Lejeune recalled a conversation of the same period in which Leigh "stunned us all" with the assertion that Olivier "won't play Rhett Butler, but I shall play Scarlett O'Hara. Wait and see."  Despite her relative inexperience, Leigh was chosen to play Ophelia to Olivier's Hamlet in an Old Vic Theatre production staged at Elsinore, Denmark. Olivier later recalled an incident when her mood rapidly changed as she was preparing to go onstage. Without apparent provocation, she began screaming at him before suddenly becoming silent and staring into space. She was able to perform without mishap, and by the following day she had returned to normal with no recollection of the event. It was the first time Olivier witnessed such behaviour from her. They began living together, as their respective spouses had each refused to grant either of them a divorce. Under the moral standards then enforced by the film industry, their relationship had to be kept from public view.  Leigh appeared with Robert Taylor, Lionel Barrymore and Maureen O'Sullivan in A Yank at Oxford (1938), which was the first of her films to receive attention in the United States. During production, she developed a reputation for being difficult and unreasonable, partly because she disliked her secondary role but mainly because her petulant antics seemed to be paying dividends. After dealing with the threat of a lawsuit brought over a frivolous incident, Korda, however, instructed her agent to warn her that her option would not be renewed if her behaviour did not improve. Her next role was in Sidewalks of London, also known as St. Martin's Lane (1938), with Charles Laughton.  Olivier had been attempting to broaden his film career. He was not well known in the United States despite his success in Britain, and earlier attempts to introduce him to American audiences had failed. Offered the role of Heathcliff in Samuel Goldwyn's production of Wuthering Heights (1939), he travelled to Hollywood, leaving Leigh in London. Goldwyn and the film's director, William Wyler, offered Leigh the secondary role of Isabella, but she refused, preferring the role of Cathy, which went to Merle Oberon.

Answer this question "did they have kids?"
output: 

input: Sinatra was known for his sense of style. He always dressed immaculately, both in his professional and private life. He felt that as he was the best, he had to give his best to the audience, and would wear expensive custom-tailored tuxedos on stage as a sign of respect and to look important. He spent lavishly on stylish pin-striped suits and other clothing, and later said that clothing made him feel wealthy and important, bolstering his ego. He was also obsessed with cleanliness--while with the Tommy Dorsey band he developed the nickname "Lady Macbeth", because of frequent showering and switching his outfits. His deep blue eyes earned him the popular nickname "Ol' Blue Eyes".  For Santopietro, Sinatra was the personification of America in the 1950s: "cocky, eye on the main chance, optimistic, and full of the sense of possibility". Barbara Sinatra wrote that "A big part of Frank's thrill was the sense of danger that he exuded, an underlying, ever-present tension only those closest to him knew could be defused with humor". Cary Grant, a friend of Sinatra's, stated that Sinatra was the "most honest person he'd ever met", who spoke "a simple truth, without artifice which scared people", and was often moved to tears by his performances. Jo-Caroll Dennison commented that he possessed "great inner strength", and that his energy and drive was "enormous". A workaholic, he reportedly only slept for four hours a night on average. Throughout his life, Sinatra had mood swings and bouts of mild to severe depression, admitting to an interviewer in the 1950s that "I have an over-acute capacity for sadness as well as elation". Barbara Sinatra stated that he would "snap at anyone for the slightest misdemeanor", while Van Heusen said that when Sinatra got drunk it was "best to disappear".  Sinatra's mood swings often developed into violence, directed at people he felt had crossed him, particularly journalists who gave him scathing reviews, publicists, and photographers. According to Rojek he was "capable of deeply offensive behavior that smacked of a persecution complex". He received negative press for fights with Lee Mortimer in 1947, photographer Eddie Schisser in Houston in 1950, Judy Garland's publicist Jim Byron on the Sunset Strip in 1954, and for a confrontation with Washington Post journalist Maxine Cheshire in 1973, in which he implied that she was a cheap prostitute. In contrast, Sinatra was known for his generosity, particularly after his comeback. Kelley notes that when Lee J. Cobb nearly died from a heart attack in June 1955, Sinatra flooded him with "books, flowers, delicacies", paid his hospital bills, and visited him daily, telling him that his "finest acting" was yet to come. In another instance, after an argument with manager Bobby Burns, rather than apologize, Sinatra bought him a brand new Cadillac.

Answer this question "what was his style?"
output:
He always dressed immaculately, both in his professional and private life.