input: Steve Winwood left to form Traffic in 1967; his brother, Muff, moved into the music industry as A&R man at Island Records. In a joint venture the soundtrack to the film Here We Go Round the Mulberry Bush featured both the Spencer Davis Group and Traffic. After the Winwoods' departures, the Spencer Davis Group regrouped with the addition of guitarist Phil Sawyer (ex-Les Fleur de Lys) and keyboardist/vocalist Eddie Hardin (ex-A Wild Uncertainty). This line-up recorded several tunes for Here We Go Round The Mulberry Bush and released the "Time Seller" single in July 1967; the b-side, "Don't Want You No More," also received radio airplay.  This was followed by "Mr. Second-Class" in late 1967, which received heavy airplay on Radio Caroline (at that time one of the two remaining pirate radio ships off the British coast), and the album "With Their New Face On" in 1968. At that time Ray Fenwick had replaced Phil Sawyer. The group's last minor hit, "After Tea", was released at the same time by the German band The Rattles, providing competition that led finally to a temporary stop to all activities of the band. The song was originally recorded by the Dutch group After Tea, which included guitarist/singer Fenwick amongst its members.  After one further single ("Short Change"), at that time Eddie Hardin and Pete York had left to form the duo Hardin & York. They were replaced by future Elton John Band member Dee Murray on bass and Dave Hynes on drums. Nigel Olsson replaced Hynes, and this lineup produced the album "Funky" in 1969 (only released in the USA on DATE, a sub-label of CBS) before splintering.

Answer this question "When did the group break up?"
output: Steve Winwood left to form Traffic in 1967;

input: On March 30, 1900, Robinson entered a buck-and-wing dance contest at the Bijou Theater in Brooklyn, New York, winning a gold medal and defeating Harry Swinton, star of the show In Old Kentucky and considered the best dancer of his day. The resulting publicity helped Robinson to get work in numerous traveling shows, sometimes in a troupe, more frequently with a partner, though not always as a dancer (Robinson also sang and performed two-man comedy routines).  By 1912, Robinson was a full partner in the duo, which had become primarily a tap dancing act, booked on both the Keith and Orpheum Circuits. The team broke up in 1914, and vaudeville performer Rae Samuels, who had performed in shows with Robinson, convinced him to meet with her manager (and husband), Marty Forkins. Under Forkins' tutelage, Robinson matured and began working as a solo act, increasing his earnings to an estimated $3,500 per week. Forkins accomplished this by inventing an alternate history for Robinson, promoting him as already being a solo act. This technique succeeded, making Robinson one of the first performers to break vaudeville's two colored rule, which forbade solo black acts.  When the U.S. entered World War I, the War Department set up a series of Liberty Theaters in the training camps. The Keith and Orpheum Circuits underwrote vaudeville acts at reduced fees, but Robinson volunteered to perform gratis for thousands of troops, in both black and white units of the Expeditionary Forces, receiving a commendation from the War Department in 1918.  Throughout the early 1920s, Robinson continued his career on the road as a solo vaudeville act, touring throughout the country and most frequently visiting Chicago, where Marty Forkins, his manager, lived. From 1919-1923 he was fully booked on the Orpheum Circuit, and was signed full-time by the Keith in 1924 and 1925. In addition to being booked for 50-52 weeks (an avid baseball fan, he took a week off for the World Series), Robinson did multiple shows per night, frequently on two different stages.

Answer this question "How long did he perform solo?"
output: Throughout the early 1920s, Robinson continued his career on the road as a solo vaudeville act,

input: She starred in Vidhu Vinod Chopra's love saga 1942: A Love Story (1994) and Mani Ratnam's Tamil drama Bombay (1995).  Her performance in the film Bombay was a milestone in her career which won her the Filmfare Award for Best Tamil Actress and Filmfare Critics Award for Best Performance. She was seriously noticed by Bollywood after the release of 1942: A Love Story which was a year earlier than the release of Bombay. She also starred in Mansoor Khan's romantic musical Akele Hum Akele Tum (1995) as the ignored wife who leaves her husband and child to fulfill her singing talent and subsequently becomes a popular star. In 1996, she received positive reviews for her performance in the drama Agni Sakshi, as a battered wife on the run from her mentally ill husband. The film became one of the biggest hits of that year at the Indian box office. Later that year, she acted in Sanjay Leela Bhansali's directorial debut Khamoshi: The Musical, where she played the role of Annie, a caring daughter to deaf and mute parents.  A critic from Channel 4 wrote: "Koirala... demonstrates the full range of her acting ability, rather than playing against it as she has had to do in more traditional films. The scene where she shouts at her father through the door, screaming and using sign language even though she knows he can neither see nor hear her, is extremely powerful." Filmfare magazine later included her performance in the film on its "80 Iconic Performances" list. In 1997, she played the leading role alongside Kajol and Bobby Deol in the thriller Gupt: The Hidden Truth, which was one of the biggest hits that year.

Answer this question "What character was she playing?"
output:
The Musical, where she played the role of Annie, a caring daughter to deaf and mute parents.