Problem: Michael "Jakko" Jakszyk (born Michael Lee Curran, 8 June 1958) is an English musician, record producer, and actor. He has released several solo albums as a singer, songwriter, and multi-instrumentalist and has been the lead singer for King Crimson since 2013. His work has been variously credited to "Jakko", "Jakko Jakszyk", and "Jakko M. Jakszyk". Before joining King Crimson, he led bands for over thirty years, including 64 Spoons, Dizrhythmia, 21st Century Schizoid Band, Jakszyk Fripp Collins, and Rapid Eye Movement.

By 1975, Jakszyk was leading an eccentric jazz-rock band called Soon After. His self-confessed "dictatorial tendencies" reduced a bigger line-up to a trio of "two screaming lead guitars and a trumpet" (the latter played by ex-National Youth Jazz Orchestra member Ted Emmett). The band reached the finals of the 1975 Melody Maker National Rock/Folk competition, finishing third to a heavy metal band featuring future Clash co-leader Mick Jones and to a big band featuring future saxophone session musician Gary Barnacle. When Soon After split up, Jakszyk toured with "a strange little band" which supported Camel, Stackridge, and Judas Priest, then briefly joined a Tring-based band called Synthesis which played progressive rock in the Canterbury-scene vein.  Jakszyk's first significant band was 64 Spoons, which he joined as guitarist and lead singer in 1976, co-writing much of the band's material. Between 1976 and 1980, 64 Spoons wrote and performed a blend of pop, progressive rock, jazz, and comedy (typified by their single "Ladies Don't Have Willies"). Boosted by an exuberant and funny live show, 64 Spoons proved popular with audiences but failed to gain an effective record deal or media breakthrough and split up in 1980. Their only album, Landing on a Rat Column, was eventually released in 1992, many years after it was recorded. Jakszyk would described them as "the wrong band at the wrong time".  64 Spoons's work did, however, lead to friendships with several of the musicians who had inspired the band, notably keyboard player Dave Stewart. Following the split of 64 Spoons, Jakszyk joined Stewart, Rick Biddulph, and Pip Pyle in the band Rapid Eye Movement. Jakszyk contributed several songs to the band's repertoire ("One More Time", "I'll Stand On My Own", "Ingmar Bergman on the Window Sill", "Straining Our Eyes", and "Dear Clare", the last of these a 64 Spoons song) and co-wrote material with Stewart ("This Is Not What I Want" and "'Allo Darlin' I Work on the Fair"). Between August 1980 and June 1981, Rapid Eye Movement toured Spain, France, and the UK and recorded material but split up due to Stewart's desire to concentrate on studio work (Jakszyk sang on the original version of Stewart's cover of "What Becomes of the Brokenhearted?", later a hit with a new vocal track by the Zombies' lead singer Colin Blunstone).  During this period, Jakszyk also contributed to sessions for the former Van der Graaf Generator saxophonist David Jackson's album The Long Hello Vol. 3 (eventually released in 1982).

What happened after that?

Answer with quotes: His self-confessed "dictatorial tendencies" reduced a bigger line-up to a trio of "two screaming lead guitars

Question:
Matthew Boulton  (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment.
Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death.  Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body."  Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence.  Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
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Was there any other community work that he did do?

Answer:
Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital.