IN: Glover was born in San Francisco, the son of Carrie (Hunley) and James Glover. His parents, who worked as postal workers, were highly active in the National Association for the Advancement of Colored People (NAACP), working to advance equal rights. Glover's mother, daughter of a midwife, was born in Louisville, Georgia and graduated from Paine College in Augusta, Georgia. As an adolescent and a young adult, Glover suffered from epilepsy but has not suffered a seizure since age 35.

Glover was an early supporter of former North Carolina Senator John Edwards in the 2008 Democratic presidential primaries until Edwards' withdrawal, although some news reports indicated that he had endorsed Ohio Congressman Dennis Kucinich, whom he had endorsed in 2004. After Edwards dropped out, Glover then endorsed Barack Obama. In February 2016, Glover endorsed Vermont Senator Bernie Sanders for the Democratic presidential nomination.  Glover was an outspoken critic of George W. Bush, calling him a known racist. "Yes, he's racist. We all knew that. As Texas's governor, Bush led a penitentiary system that executed more people than all the other U.S. states together. And most of the people who died were Afro-Americans or Hispanics."  Glover's support of California Proposition 7 (2008) led him to use his voice in an automated phone call to generate support for the measure before the election.  On the foreign policy of the Obama administration, Glover said: "I think the Obama administration has followed the same playbook, to a large extent, almost verbatim, as the Bush administration. I don't see anything different... On the domestic side, look here: What's so clear is that this country from the outset is projecting the interests of wealth and property. Look at the bailout of Wall Street. Why not the bailout of Main Street? He may be just a different face, and that face may happen to be black, and if it were Hillary Clinton, it would happen to be a woman.... But what choices do they have within the structure?"  Glover wrote the foreword to Phyllis Bennis' book, Challenging Empire: How People, Governments, and the UN Defy US Power. Glover is also a member of the board of directors of the Center for Economic and Policy Research, a think tank led by economist Dean Baker.

Did Bush respond?

OUT: 


IN: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Following his blues fusion with gospel and jazz influences on his earlier Atlantic material, which had brought him much fame and controversy, Charles sought to experiment with country music. As noted by himself in the liner notes for What'd I Say (1959), Charles was influenced by the genre in his youth, stating that he "used to play piano in a hillbilly band" and that he believed that he "could do a good job with the right hillbilly song today." At Atlantic, he attempted to incorporate this style and influence with his cover of country singer Hank Snow's "I'm Movin' On". Charles later said about the song, "When I heard Hank Snow sing 'Moving On', I loved it. And the lyrics. Keep in mind, I'm a singer, so I like lyrics. Those lyrics are great, so that's what made me want to do it." The "I'm Movin' On" sessions were his last for Atlantic.  Charles's recording of his acclaimed studio effort The Genius of Ray Charles (1959) brought him closer to expressing his jazz and pop crossover ambitions. Described by one music critic as "the most important of his albums for Atlantic", the record was the first to introduce Charles's musical approach of blending his brassy R&B sound with the more middle of the road, pop-oriented style, while performing in the presence of a big band ensemble. Recording of the album, as well his ABC-Paramount debut, The Genius Hits the Road (1960), a collection of place-name songs devoted to parts of the United States, expanded on Charles's thematic and conceptually-organized approach to albums rather than commercially successful singles production. Inspired by this approach and his recording of "I'm Movin' On", Charles originally made plans for a single-less concept album.  When Charles had announced that he wanted to work on an album of country music in 1961, during a period of racial segregation and tension in the United States, he received generally negative commentary and feedback from his peers, including fellow R&B musicians and ABC-Paramount executives. The country album concept, however, meant more to Charles as a test of his record label's faith in him and respect for his artistic freedom than as a test of social tolerance among listeners amid racial distinctions of country and R&B. Fueled by his esteem for creative control, Charles pitched the idea of a country album to ABC representatives. Following the successful lobby of the concept and a contract renewal in early 1962, which was linked to the launching of his own Tangerine label, Charles prepared his band for the recording sessions that produced Modern Sounds in Country and Western Music.

Can you tell me a little about the Conception of the album?

OUT:
Charles sought to experiment with country music.