Question: Charles George "Charlie" Macartney (27 June 1886  - 9 September 1958) was an Australian cricketer who played in 35 Tests between 1907 and 1926. He was known as "The Governor-General" in reference to his authoritative batting style and his flamboyant strokeplay, which drew comparisons with his close friend and role model Victor Trumper, regarded as one of the most elegant batsmen in cricketing history. Sir Donald Bradman--generally regarded as the greatest batsman in history--cited Macartney's dynamic batting as an inspiration in his cricket career. He started his career as a bowling all-rounder.

World War I interrupted Macartney's career as competitive cricket was cancelled. In January 1916, he enlisted in the Australian Imperial Force (AIF). In July 1917 he was posted to France as a temporary Warrant Officer in the 3rd Division Artillery. In 1918, he was awarded the Meritorious Service Medal for gallantry and reached the rank of corporal. The death of his father later in the year led to his repatriation from Britain and prevented his appearance with the AIF cricket team.  The war years divided Macartney's career in two. Prior to the war, he was primarily known as a bowling all-rounder. In 21 Tests, he had taken 34 wickets at 26 and scored 879 runs at 27, with one century. After the war, Macartney transformed himself into one of the greatest batsmen of his era. In his 14 post-war Tests, he scored 1,252 runs at nearly 70, with six centuries. His bowling became more sporadic, taking just 11 more wickets, averaging 32.  Macartney resumed Test cricket when Australia hosted England in 1920-21, and was one of only four players remaining from before the war. However, he only played in two of the Tests due to illness and injury. His early season form was ominous for the tourists. Macartney scored 161 in guiding New South Wales to a successful run-chase of 4/335 over the Englishmen. He then scored 96 and 30 for an Australian XI against the tourists in a dress rehearsal for the Tests.  In the First Test, playing as an opening batsman, he struck 19 in the first innings. Australia's new post-war skipper Warwick Armstrong felt that Macartney would be more effective at number three, and in the second innings, he made a free-flowing 69 in a 111-run second-wicket stand with Herbie Collins as Australia went on to inflict a 377-run defeat. Macartney's return to form was interrupted by an illness, which caused him to miss the following three Test matches. After a two-month layoff, Macartney struck 130 in a match for his state against England.  He returned for the Fifth and final Test, where he recorded his highest Test innings of 170 on his home ground, the Sydney Cricket Ground. Among the spectators was a 12-year-old Don Bradman, who had been taken to watch Macartney by his father. Eight decades later, Bradman recalled the innings, "as if it were yesterday", describing it as full of "delicate leg-glances, powerful pulls, cuts and glorious drives" and concluding that it was one of the best innings he had seen in his lifetime. Bradman cited the innings as an inspiration for his career. Macartney headed the Australian Test averages with 260 runs at 86.66 as Australia won the Ashes 5-0. It was the only such Ashes whitewash until 2006-07. Macartney has amassed 821 runs at 68.42 for the season. He took only three wickets at 56.33.

Using a quote from the above article, answer the following question: What happened post-war?
HHHHHH
Answer: Macartney resumed Test cricket when Australia hosted England in 1920-21,

Problem: Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and "beat boom" of the 1960s.

Barber and Monty Sunshine (clarinet) formed a band in 1953, calling it Ken Colyer's Jazzmen to capitalise on their trumpeter's recent escapades in New Orleans: the group also included Donegan, Jim Bray (bass), Ron Bowden (drums) and Barber on trombone. The band played Dixieland jazz, and later ragtime, swing, blues and R&B. Pat Halcox took over on trumpet in 1954 when Colyer moved on after musical differences and the band became "The Chris Barber Band".  In April 1953 the band made its debut in Copenhagen, Denmark. There Chris Albertson recorded several sides for the new Danish Storyville label, including some featuring only Sunshine, Donegan and Barber on double bass. In 1959 the band's version of Sidney Bechet's "Petite Fleur", a clarinet solo by Monty Sunshine with Barber on string bass, spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc. After 1959 he toured the United States many times (where "Petite Fleur" charted at #5).  In the late 1950s and early 1960s Barber was mainly responsible for arranging the first UK tours of blues artists Big Bill Broonzy, Sonny Terry and Brownie McGhee and Muddy Waters. This, with the encouragement of local enthusiasts such as Alexis Korner and John Mayall, sparked young musicians such as Peter Green, Eric Clapton and the Rolling Stones. British rhythm and blues powered the British invasion of the USA charts in the 1960s, yet Dixieland itself remained popular: in January 1963 the British music magazine, NME reported the biggest trad jazz event in Britain at Alexandra Palace. It included George Melly, Diz Disley, Acker Bilk, Alex Welsh, Kenny Ball, Ken Colyer, Sunshine, Bob Wallis, Bruce Turner, Mick Mulligan and Barber.  Barber stunned traditionalists in 1964 by introducing blues guitarist John Slaughter into the line up who, apart from a break between April 1978 and August 1986, when Roger Hill took over the spot, played in the band until shortly before his death in 2010. Barber next added a second clarinet/saxophone and this line-up continued until 1999. Then Barber added fellow trombonist/arranger Bob Hunt and another clarinet and trumpet. This eleven-man "Big Chris Barber Band" offered a broader range of music while reserving a spot in the programme for the traditional six-man New Orleans line-up.  A recording of the Lennon-McCartney composition "Catswalk" can be heard, retitled "Cat Call", on The Songs Lennon and McCartney Gave Away. Written by Paul McCartney the song was recorded in late July 1967 and released as a single in the UK on 20 October 1967.

What is the name of one of Chris Barber songs?

Answer with quotes:
Petite Fleur