Question: Betty Boop is an animated cartoon character created by Max Fleischer, with help from animators including Grim Natwick. She originally appeared in the Talkartoon and Betty Boop film series, which were produced by Fleischer Studios and released by Paramount Pictures. She has also been featured in comic strips and mass merchandising. A caricature of a Jazz Age flapper, Betty Boop was described in a 1934 court case as: "combin[ing] in appearance the childish with the sophisticated--a large round baby face with big eyes and a nose like a button, framed in a somewhat careful coiffure, with a very small body of which perhaps the leading characteristic is the most self-confident little bust imaginable".

Betty Boop made her first appearance on August 9, 1930, in the cartoon Dizzy Dishes, the seventh installment in Fleischer's Talkartoon series. Although Clara Bow is often given as being the model for Boop, she actually began as a caricature of singer Helen Kane. The character was originally created as an anthropomorphic French poodle. Betty Boop appeared as a supporting character in ten cartoons as a flapper girl with more heart than brains. In individual cartoons, she was called "Nancy Lee" or "Nan McGrew"--derived from the 1930 Helen Kane film Dangerous Nan McGrew--usually serving as a girlfriend to studio star, Bimbo.  Within a year, Betty made the transition from an incidental human-canine breed to a completely human female character. While much credit has been given to Grim Natwick for her creation, her transformation into the cute cartoon girl was due to the work of Berny Wolf, Otto Feuer, Seymour Kneitel, "Doc" Crandall, Willard Bowsky, and James "Shamus" Culhane. By the release of Any Rags Betty Boop was forever established as a human character. Her floppy poodle ears became hoop earrings, and her black poodle nose became a girl's button-like nose.  Betty's voice was first performed by Margie Hines, and was later performed by several different voice actresses, including Kate Wright, Bonnie Poe, Ann Rothschild (also known as Little Ann Little), and most notably, Mae Questel. Questel, who began voicing Betty Boop in Bimbo's Silly Scandals (1931), and continued with the role until 1938, returning 50 years later in Disney's Who Framed Roger Rabbit. Today, Betty is voiced by Tress MacNeille, Sandy Fox and Cindy Robinson in commercials.  Although it has been assumed that Betty's first name was established in the 1931 Screen Songs cartoon, Betty Co-ed, this "Betty" is an entirely different character. Even though the song may have led to Betty's eventual christening, any reference to Betty Co-ed as a Betty Boop vehicle is incorrect although the official Betty Boop website describes the titular character as a "prototype" of Betty. There are at least 12 Screen Songs cartoons that featured Betty Boop or a similar character. Betty appeared in the first "Color Classic" cartoon Poor Cinderella, her only theatrical color appearance in 1934. In the film, she was depicted with red hair as opposed to her typical black hair. Betty also made a cameo appearance in the feature film Who Framed Roger Rabbit (1988), in which she appeared in her traditional black and white and was voiced by Mae Questel.  Betty Boop was the star of the Talkartoons by 1932 and was given her own series that same year, beginning with Stopping the Show. From that point on, she was crowned "The Queen of the Animated Screen". The series was popular throughout the 1930s, lasting until 1939.

Using a quote from the above article, answer the following question: How betty was portrayed in the press or elsewhere?
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Answer: she was crowned "The Queen of the Animated Screen".


Question: Although the date and place of her birth are not documented, scholars believe that Phillis Wheatley was born in 1753 in West Africa, most likely in present-day Gambia or Senegal. Wheatley was sold by a local chief to a visiting trader, who took her to Boston in the British colony of Massachusetts, on July 11, 1761, on a ship called The Phillis. It was owned by Timothy Fitch and captained by Peter Gwinn. On arrival she was re-sold to the wealthy Boston merchant and tailor John Wheatley, who bought the young girl as a servant for his wife Susanna.

In 1773, at the age of 20, Phillis accompanied Nathaniel Wheatley to London in part for her health, but also because Susanna believed she would have a better chance publishing her book of poems there. She had an audience with the Lord Mayor of London (an audience with George III was arranged, but Phillis returned home beforehand), as well as with other significant members of British society. Unfortunately, she was never able to personally meet Selina Hastings, the Countess of Huntingdon, who served as the patron of Wheatley's volume of poems, which was published in the summer of 1773. In 1774, Phillis Wheatley wrote a letter to Reverend Samson Occom, commending him on his ideas and beliefs of how the slaves should be given their natural born rights in America. Wheatley also exchanged letters with the British philanthropist John Thornton, who in turn discussed Wheatley and her poetry in his correspondence with John Newton. Along with her poetry, she was able to express her thoughts, comments and concerns to others. In 1775, Phillis Wheatley sent a copy of a poem entitled, "To His Excellency, George Washington" to him. In 1776, Washington invited Wheatley to visit him at his headquarters in Cambridge, Massachusetts, which she did in March 1776. Thomas Paine republished the poem in the Pennsylvania Gazette in April 1776.  In 1773, sometime between July and October, Wheatley was emancipated by the Wheatley family shortly after her book, Poems on Subjects Religious and Moral, was published in London. Susanna Wheatley died in the spring of 1774. John Wheatley's death followed in 1778. Shortly after, Phillis Wheatley met and married John Peters, a free black grocer. They struggled with poor living conditions and the deaths of two babies.  In 1779, Wheatley submitted a proposal for a second volume of poems, but was unable to publish it because of her financial circumstances, the loss of patrons after her emancipation (often publication of books was based on gaining subscriptions for guaranteed sales beforehand), and the Revolutionary War. However, some of her poems that were to be published in that volume were later published in pamphlets and newspapers.  Her husband John Peters was improvident, and imprisoned for debt in 1784, leaving an impoverished Wheatley with a sickly infant son. She went to work as a scullery maid at a boarding house to support them, a kind of domestic labor that she had not been accustomed to, even before becoming a free person. Wheatley died on December 5, 1784, at the age of 31.

Using a quote from the above article, answer the following question: Did she ever get it published later?
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Answer:
However, some of her poems that were to be published in that volume were later published in pamphlets and newspapers.