Problem: Background: Mario Lanza (born Alfredo Arnold Cocozza; January 31, 1921 - October 7, 1959) was an American tenor of Italian ancestry, and an actor and Hollywood film star of the late 1940s and the 1950s. Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing.
Context: Lanza returned to an active film career in 1955 in Serenade, released by Warner Bros. However the film was not as successful as his previous films, despite its strong musical content, including arias from Der Rosenkavalier, Fedora, L'arlesiana, and Otello, as well as the Act I duet from Otello with soprano Licia Albanese. Ms. Albanese said of Lanza in 1980:  I had heard all sorts of stories about Mario [Lanza]. That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera; in fact, that he couldn't even sing a full aria, that his recordings were made by splicing together various portions of an aria. None of it is true! He had the most beautiful lirico spinto voice. It was a gorgeous, beautiful, powerful voice. I should know because I sang with so many tenors. He had everything that one needs. The voice, the temperament, perfect diction. ... Vocally he was very secure. All he needed was coaching. Everything was so easy for him. He was fantastic!  He then moved to Rome, Italy in May 1957, where he worked on the film Seven Hills of Rome, and returned to live performing in November of that year, singing for Queen Elizabeth II at the Royal Variety Show at the London Palladium. From January to April 1958, Lanza gave a concert tour of the UK, Belgium, the Netherlands, France and Germany. He gave a total of 22 concerts on this tour, receiving mostly positive reviews for his singing. Despite a number of cancellations, which resulted from his failing health during this period, Lanza continued to receive offers for operatic appearances, concerts, and films.  In September 1958, he made a number of operatic recordings at the Rome Opera House for the soundtrack of what would turn out to be his final film, For the First Time. It was then that he came to the attention of that opera house's artistic director, Riccardo Vitale, who promptly offered the tenor carte blanche in his choice of operatic roles. Lanza also received offers to sing in any opera of his choosing from the San Carlo in Naples. At the same time, however, his health continued to decline, with the tenor suffering from a variety of ailments, including phlebitis and acute high blood pressure. His old habits of overeating and crash dieting, coupled with binge drinking, compounded his problems.
Question: what was his part in the movie?
Answer: He had the most beautiful lirico spinto voice.

Background: Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
Context: In 1887, eighteen years after the rift formed in the American women's rights movement, Stone proposed a merger of the two groups. Plans were drawn up, and, at their annual meetings, propositions were heard and voted on, then passed to the other group for evaluation. By 1890, the organizations resolved their differences and merged to form the National American Woman Suffrage Association (NAWSA). Stone was too weak with heart problems and respiratory illness to attend its first convention but was elected chair of the executive committee. Stanton was president of the new organization, but Anthony, who had the title of vice president, was its leader in practice.  Starting early in January, 1891, Carrie Chapman Catt visited Stone repeatedly at Pope's Hill, for the purpose of learning from Stone about the ways of political organizing. Stone had previously met Catt at an Iowa state woman's suffrage convention in October, 1889, and had been impressed at her ambition and sense of presence, saying "Mrs. Chapman will be heard from yet in this movement." Stone mentored Catt the rest of that winter, giving her a wealth of information about lobbying techniques and fund-raising. Catt later used the teaching to good effect in leading the final drive to gain women the vote in 1920.  Catt, Stone and Blackwell went together to the January, 1892 NAWSA convention in Washington, DC. Along with Isabella Beecher Hooker, Stone, Stanton and Anthony, the "triumvirate" of women's suffrage, were called away from the convention's opening hours by an unexpected woman suffrage hearing before the United States House Committee on the Judiciary. Stone told the assembled congressmen "I come before this committee with the sense which I always feel, that we are handicapped as women in what we try to do for ourselves by the single fact that we have no vote. This cheapens us. You do not care so much for us as if we had votes..." Stone argued that men should work to pass laws for equality in property rights between the sexes. Stone demanded an eradication of coverture, the folding of a wife's property into that of her husband. Stone's impromptu speech paled in comparison to Stanton's brilliant outpouring which preceded hers. Stone later published Stanton's speech in its entirety in the Woman's Journal as "Solitude of Self". Back at the NAWSA convention, Anthony was elected president, with Stanton and Stone becoming honorary presidents.
Question: Where or when was the suffrage hearing?
Answer:
1892