Question: Jane Jacobs  (born Jane Butzner; May 4, 1916 - April 25, 2006) was an American-Canadian journalist, author, and activist who influenced urban studies, sociology, and economics. Her book The Death and Life of Great American Cities (1961) argued that urban renewal did not respect the needs of city-dwellers. It also introduced the sociological concepts "eyes on the street" and "social capital". Jacobs organized grassroots efforts to protect neighborhoods from "slum clearance", in particular Robert Moses' plans to overhaul her own Greenwich Village neighborhood.

She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ...

Using a quote from the above article, answer the following question: What is this
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Answer: a publication of the U.S. State Department.


Question: Macaulay Carson Culkin was born in New York City. His father, Christopher Cornelius "Kit" Culkin, is a former actor known for his productions on Broadway and is the brother of actress Bonnie Bedelia. His mother is Patricia Brentrup, who never married Culkin. He was named Macaulay after Thomas Babington Macaulay and Carson after Kit Carson of the Old West.

Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone (1990), where he was reunited with Uncle Buck writer and director John Hughes and Uncle Buck co-star John Candy, who played the role of Polka band member, Gus Polinski. He was nominated for a Golden Globe Award, and won an American Comedy Award and a Young Artist Award for his role as Kevin McCallister.  In 1991, Culkin starred in an animated Saturday morning cartoon television series, Wish Kid, hosted Saturday Night Live and starred in Michael Jackson's "Black or White" music video. He starred as Thomas J. Sennett in the film, My Girl (1991), for which he was nominated for Best On-Screen Duo and won Best Kiss at the MTV Movie Awards, with Anna Chlumsky.  He reprised his role of Kevin McCallister in the sequel, Home Alone 2: Lost in New York (1992), for which he was nominated for a Kids' Choice Award. He played the role of Henry in the drama-thriller film, The Good Son (1993), which only did reasonably well (although he was nominated for MTV Movie Award in the category for Best Villain for his performance). He also appeared, while a student at the School of American Ballet, in a filmed version of The Nutcracker as the title role in 1993, which was staged by Peter Martins from the 1954 George Balanchine New York City Ballet version of the work.  He was in the films, Getting Even with Dad (1994), The Pagemaster (1994) and Richie Rich (1994), which were all only mildly successful at the box office.

Using a quote from the above article, answer the following question: was home alone 2 successful?
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Answer: he was nominated for a Kids' Choice Award.


Question: The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.

Thomas Dixon, Jr. was a former classmate of then-president Woodrow Wilson at Johns Hopkins University. Dixon arranged a screening of The Birth of a Nation at the White House for Wilson, members of his cabinet, and their families, in one of the first ever screenings at the White House. Wilson was falsely reported to have said of the film, "It is like writing history with lightning. And my only regret is that it is all so terribly true". Wilson's aide, Joseph Tumulty, denied the claims and said that "the President was entirely unaware of the nature of the play before it was presented and at no time has expressed his approbation of it." Historians believe the quote attributed to Wilson originated with Dixon, who was relentless in publicizing the film. After controversy over the film had grown, Wilson wrote that he disapproved of the "unfortunate production".  Besides having the film screened at the White House, Dixon persuaded all nine justices of the Supreme Count to attend a screening of The Birth of a Nation as well as many members of Congress. With the help of the Navy Secretary, Josephus Daniels, Dixon was able to meet the Chief Justice of the Supreme Court, Edward Douglass White. Initially Justice White was not interested in seeing the film, but when Dixon told him it was the "true story" of Reconstruction and the Klan's role in "saving the South", White, recalling his youth in Louisiana, jumped to attention and said: "I was a member of the Klan, sir". With White agreeing to see the film, the rest of the Supreme Court followed. Dixon was clearly rattled and upset by criticism by African-Americans that the film version of his books was projecting hatred against them, and wanted the endorsement of many powerful men as possible to offset such criticism. Dixon always vehemently denied having anti-black prejudices--despite the way his books promoted white supremacy--and stated: "My books are hard reading for a Negro, and yet the Negroes, in denouncing them, are unwittingly denouncing one of their greatest friends".  In a letter sent on May 1, 1915, to Joseph P. Tumulty, the press secretary to President Wilson, Dixon wrote: "The real purpose of my film was to revolutionize Northern sentiments by a presentation of history that would transform every man in the audience into a good Democrat...Every man who comes out of the theater is a Southern partisan for life!" In a letter to President Wilson sent on September 5, 1915, Dixon boasted: "This play is transforming the entire population of the North and the West into sympathetic Southern voters. There will never be an issue of your segregation policy". Dixon was alluding to the fact that Wilson upon becoming president in 1913 had imposed segregation on federal workplaces in Washington D.C. while reducing the number of black employees through demotion or dismissal.

Using a quote from the above article, answer the following question: Who arranged the screening?
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Answer:
Thomas Dixon, Jr.