Problem: The Khmer Krom (Khmer: khmaerkroom, Vietnamese: Kho Me Crom) are ethnically Khmer people living in the south western part of Vietnam, where they are recognized as one of Vietnam's fifty-three ethnic minorities. In the Khmer language, Krom means "lower" or "below", as it refers to an area of 89,000 square kilometres (34,363 sq mi) around modern day Saigon and the Mekong Delta, which used to be the southeasternmost territory of the Khmer Empire until its incorporation into Vietnam under the Nguyen lords in the early 18th century. This marks the final stage of the Vietnamese "March to the South" (nam tien).

In the 17th century a weakened Khmer state left the Mekong Delta poorly administered after repeated warfare with Siam. Concurrently Vietnamese refugees fleeing the Trinh-Nguyen War in Vietnam migrated into the area. In 1623 Cambodian king Chey Chettha II (1618-1628) officially sanctioned the Vietnamese immigrants to operate a custom house at Prey Nokor, then a small fishing village. The settlement steadily grew soon becoming a major regional port, attracting even more settlers.  In 1698 the Nguyen Lords of Hue commissioned Nguyen Huu Canh, a Vietnamese noble to organize the territory along Vietnamese administrative lines, thus by de facto detaching it from the Kingdom of Cambodia and incorporating it into Vietnam.  With the loss of the port of Prey Nokor, then renamed Sai Gon, Cambodia's control of the area grew increasingly tenuous while increasing waves of Vietnamese settlers to the Delta isolated the Khmer of the Mekong Delta from the Cambodian kingdom. By 1757 the Vietnamese had absorbed the provinces of Psar Dek (renamed Sa Dec in Vietnamese) on the Mekong itself, and Moat Chrouk (Vietnamized to Chau Doc) on the Bassac River.  Minh Mang enacted assimilation policies upon the Khmer such as forcing them to adopt Sino-Vietnamese surnames, culture, and clothing. Minh Mang sinicized ethnic minorities including the Cambodians, in line with Confucianism as he diffused Vietnamese culture with China's Han civilization using the term Han people Han Ren  for the Vietnamese. Minh Mang declared that "We must hope that their barbarian habits will be subconsciously dissipated, and that they will daily become more infected by Han [Sino-Vietnamese] customs." These policies were directed at the Khmer and hill tribes.  On June 4, 1949 the French President Vincent Auriol signed the accord reincorporating Cochinchina to Vietnam. This was done without consulting the indigenous Khmer-Krom. The legal transfer of control cut Cambodia off from the sea via the Mekong River as the Delta administered by an independent Vietnam. Left within the borders of Vietnam were the communities of Khmer people, nowadays Khmer Krom.

What else is significant about this event?

Answer with quotes: Minh Mang enacted assimilation policies upon the Khmer such as forcing them to adopt Sino-Vietnamese surnames, culture, and clothing.

Question:
Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards.
Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister".
Answer this question using a quote from the text above:

What is the name of a record company that they were with?

Answer:
Warner Bros.,