Question: Ai Kago (Jia Hu  Ya Yi , Kago Ai), born February 7, 1988 in Yamatotokada, Nara, Japan, is a Japanese singer, actress, author, and former Guinness World Record holder. Kago began her career at the age of 12 as a member of the idol group Morning Musume. In the same year, she became a founding member of Minimoni.

After Kago departed from Up-Front Agency, her mother attempted to sign her to a new talent agency in her hometown, Nara. Later that year, Josei Seven published an interview with her mother, revealing that Kago left Japan and started residing in New York City. Kago herself later revealed that she had actually not gone to New York, but rather to Los Angeles for three months because she felt like a criminal in Japan. During her stay, she met people who encouraged her, including Winona Ryder, and was able to reflect on her situation. She also considered suicide and cut her wrists.  Kago made a well-publicized return to the entertainment industry in 2008  with plans of pursuing an acting career. She began appearing in multiple Hong Kong movies, including Kung Fu Chefs. On August 25, 2008, Kago released a book entitled Kago Ai Live--Miseinen Hakusho (LIVE--Wei Cheng Nian Bai Shu ). On her blog, she described the book as "a book where I talk to young teens about their various troubles and dreams."  During 2009, Kago also focused on rebuilding her music career. On June 24, 2009, she released her first solo single "No HesitAtIon" [sic] on independent record label In Da Groove. On February 16, 2010, she held her first jazz concert at bar JZ Brat in Tokyo. Kago's first jazz album, Ai Kago meets Jazz: The First Door, was released on March 31, 2010 through P-Vine Records and Avex Marketing. In August 2010 she was invited to perform at music festival Summer Sonic.

Using a quote from the above article, answer the following question: Did she write any other books?
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Answer: 


Question: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.

Clarence White helped popularize the acoustic guitar as a lead instrument in bluegrass music, building on the work of guitarists such as Doc Watson. Prior to the advent of the more aggressive flatpicking style pioneered by guitarists like Watson and White, the guitar was strictly a rhythm instrument, save for a few exceptions (such as the occasional guitar track by banjoist Don Reno). Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice. Rice owns and plays White's highly modified 1935 Martin D-28. David Grier and Russ Barenberg are two other acoustic guitarists who were heavily influenced by White's guitar work. White's bluegrass playing with the Kentucky Colonels was also a considerable influence on Jerry Garcia of the Grateful Dead, who traveled with the band during 1964.  On the electric side of the guitar spectrum, White was similarly influential. Together with fellow Byrds bandmember Gene Parsons, White invented the B-Bender device. This device raises the B-string (second string) of the guitar a whole step by the use of pulleys and levers attached to both the upper strap knob and the second string on the guitar. It is activated by pushing down on the neck, and produces a "pedal steel" type sound. Arlen Roth, heavily influenced by this style, did not at the time know that White and Parsons had invented a B-bender, so instead developed his own unique all-finger bending version of this technique. This was heavily documented in his ground-breaking book, "Nashville Guitar", all of his recordings, as well as his book "Masters of the Telecaster". Subsequently, his Telecaster sound became as notable as his bluegrass playing. Marty Stuart, another guitarist influenced by White's playing, now owns and regularly plays White's 1954 Fender Telecaster with the prototype B-Bender.  Music archivist and writer Alec Palao has called White "one of a handful of true greats amongst the instrumentalists of 20th century popular music", before adding that "the waves created by the guitarist's idiosyncratic style are still forming ripples within bluegrass, country and rock 'n' roll." In 2003, White was ranked No. 41 on Rolling Stone magazine's list of the 100 Greatest Guitarists of All Time. In 2010, guitar manufacturer Gibson ranked White at No. 42 on their Top 50 Guitarists of All Time list.

Using a quote from the above article, answer the following question: Who did he influence on the electric side?
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Answer:
White invented the B-Bender device.