Background: The Replacements were an American rock band formed in Minneapolis, Minnesota in 1979. Initially a punk rock band, they are considered pioneers of alternative rock. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson and drummer Chris Mars for most of its career. Following several acclaimed albums, including Let It Be and Tim, Bob Stinson left the band in 1986, and Slim Dunlap joined as lead guitarist.
Context: The Goo Goo Dolls' vocalist and guitarist Johnny Rzeznik cites Paul Westerberg as an "obvious influence" on his music. The Goo Goo Dolls toured in support for The Replacement's final tour. They also co-wrote the song "We Are the Normal" with Westerberg for their 1993 album Superstar Car Wash. Members of The Cribs have cited The Replacements as a key influence. Members of the alternative country groups Uncle Tupelo and Whiskeytown have said that The Replacements were an important influence on them. Brian Fallon of Gaslight Anthem said in a 2009 interview that "without The Replacements, there would be no Gaslight Anthem" and that they were inspired by the song "Left of the Dial". The band They Might Be Giants made a tribute song to them called "We're The Replacements".  1234 Go! Records released We'll Inherit the Earth: A Tribute to The Replacements on October 3, 2006. The album contains twenty-three covers of The Replacements songs by various rock, punk, pop and country artists.  On October 16, 2013, the band was announced as one of the 2014 Rock and Roll Hall of Fame nominees, but they were not inducted.  "Alex Chilton" appears as a playable song in Harmonix's music videogame Rock Band 2 for all consoles. "Kids Don't Follow" was also released for the game as downloadable content.  Their songs have been used in many feature films. "Treatment Bound" was used in the official soundtrack for Jackass Number Two. The 1998 teen comedy film Can't Hardly Wait is named after their single, and the song itself plays over the end credits. The song "I Will Dare" is sung by Keanu Reeves and Cameron Diaz in the car in Feeling Minnesota. Lou and Nick contemplate their lives and the possibility of changing the past in the 2010 comedy Hot Tub Time Machine while "I Will Dare" plays in the background. "I'll Be You" plays during Jerry's bachelor party in the 1996 romantic comedy-drama sports film Jerry Maguire. The 2009 Greg Mottola film, Adventureland, opens with "Bastards of Young". The song "Unsatisfied" is also used in the film during the bus ride to New York. The song was also featured in the 1994 film Airheads. The fictional band the Fingers, in the movie Losers Take All, gets its big break by securing a gig opening for The Replacements. "Within Your Reach" was used in the 1989 film Say Anything. "Here Comes A Regular" was on the episode "Rigby's Graduation Day Special" on Cartoon Network's Regular Show. Here Comes A Regular was on the episode "The Wind That Blew My Heart Away" on One Tree Hill. Peyton's mother describes the song as "the happiest" and it is heard playing in the episode.
Question: What is The Replacements legacy?
Answer: The Goo Goo Dolls' vocalist and guitarist Johnny Rzeznik cites Paul Westerberg as an "obvious influence" on his music.

Background: The Olmecs were the earliest known major civilization in Mexico following a progressive development in Soconusco. They lived in the tropical lowlands of south-central Mexico, in the present-day states of Veracruz and Tabasco. It has been speculated that the Olmecs derive in part from neighboring Mokaya or Mixe-Zoque. The Olmecs flourished during Mesoamerica's formative period, dating roughly from as early as 1500 BCE to about 400 BCE. Pre-
Context: While the actual ethno-linguistic affiliation of the Olmec remains unknown, various hypotheses have been put forward. For example, in 1968 Michael D. Coe speculated that the Olmec were Mayan predecessors.  In 1976, linguists Lyle Campbell and Terrence Kaufman published a paper in which they argued a core number of loanwords had apparently spread from a Mixe-Zoquean language into many other Mesoamerican languages. Campbell and Kaufman proposed that the presence of these core loanwords indicated that the Olmec - generally regarded as the first "highly civilized" Mesoamerican society - spoke a language ancestral to Mixe-Zoquean. The spread of this vocabulary particular to their culture accompanied the diffusion of other Olmec cultural and artistic traits that appears in the archaeological record of other Mesoamerican societies.  Mixe-Zoque specialist Soren Wichmann first critiqued this theory on the basis that most of the Mixe-Zoquean loans seemed to originate only from the Zoquean branch of the family. This implied the loanword transmission occurred in the period after the two branches of the language family split, placing the time of the borrowings outside of the Olmec period. However, new evidence has pushed back the proposed date for the split of Mixean and Zoquean languages to a period within the Olmec era. Based on this dating, the architectural and archaeological patterns and the particulars of the vocabulary loaned to other Mesoamerican languages from Mixe-Zoquean, Wichmann now suggests that the Olmecs of San Lorenzo spoke proto-Mixe and the Olmecs of La Venta spoke proto-Zoque.  At least the fact that the Mixe-Zoquean languages are still spoken in an area corresponding roughly to the Olmec heartland, and are historically known to have been spoken there, leads most scholars to assume that the Olmec spoke one or more Mixe-Zoquean languages.
Question: What else did they do as a society?
Answer:
The spread of this vocabulary particular to their culture accompanied the diffusion of other Olmec cultural and artistic traits that appears in the archaeological record of other Mesoamerican societies.