Some context: Alecia Beth Moore (born September 8, 1979), known professionally as Pink (often stylized as P!nk), is an American singer, songwriter, dancer and actress. She was signed to her first record label with original R&B girl group, Choice, in 1995. The label, LaFace Records, saw great potential in Pink, offering her a solo deal. Choice disbanded in 1998.
Pink has been credited for breaking boundaries and pushing the envelope throughout her career. She is regarded as the "most trailblazing artist" of her pop generation. Robert Hilburn of the Los Angeles Times says, "Pink stood up for her music, broke the music industry's mold and scored a breakout hit, challenging a school of teen singers to find their own sounds as well." He adds, "[Pink] also started a race among other teen pop stars like Christina Aguilera to add substance to their own sound." Ann Powers refers to her as a "powerhouse vocalist", stating her mix of rebellion, emotional rawness, humor, and "infectious" dance beats created "a model for the mashup approach of latter-day divas such as Katy Perry, Kesha, and even Rihanna." Rob Sheffield of Rolling Stone commented: "I think people respond to her sense of independence and dedication. It inspires people... This is a prolific pop artist who is sometimes famous and successful, sometimes obscure, who nonetheless keeps making her own kind of music."  James Montgomery of MTV describes her as "a fabulously fearless pop artist" who can "out-sing almost anyone out there. She can out-crazy Gaga or Lily. She's the total pop-star package, everything you'd want in a singer/entertainer/icon. And still, she remains oddly off the radar. Such is the price of busting borders". Entertainment Weekly said: "She essentially invented the whole modern wave of Pop Diva Domination: You can draw a straight line from "Get This Party Started" to Katy Perry, Kesha, pre-messianic Lady Gaga, and post-weird Rihanna." Glamour Magazine wrote: "When Pennsylvania-born Alecia Moore debuted in 2000, pop was dominated by long-locked blonds like Britney Spears, Christina Aguilera and Jessica Simpson. Pink changed the game. Without her, the last 13-years of big-voiced, tough chick music is hard to imagine."  Following her performance at the American Music Awards of 2012, LZ Granderson of CNN wrote: "... our culture's biggest sin may well be the auto-tuned syrup we've allowed to dominate the pop charts. All-time chart records are handed to vacuous acts such as the Black Eyed Peas and singing awards are given to vocal lightweights such as Taylor Swift [...] But thank God for Pink. [...] While Christina Aguilera has a tendency to oversing, Britney Spears can't sing, and Lauryn Hill sorta stopped singing, Pink has managed to carve a brilliant 13-year-career by being something that is incredibly rare these days--an artist." British soul singer Adele considers Pink's performance at Brixton Academy in London as one of "the most defining moments" in her life, saying "It was the Missundaztood record, so I was about 13 or 14. I had never heard, being in the room, someone sing like that live. I remember sort of feeling like I was in a wind tunnel, her voice just hitting me. It was incredible."  Pink's work has inspired several other artists including Demi Lovato, Kelly Clarkson, Taylor Swift, Katy Perry, Tegan and Sara, Ashley Tisdale, Alessia Cara, Victoria Justice, Adele, Julia Michaels, and Dua Lipa.
What is she passionate about?
A: Pink stood up for her music, broke the music industry's mold and scored a breakout hit, challenging a school of teen singers to find their own sounds as well.

Some context: Helloween are a German power metal band founded in 1984 in Hamburg, Northern Germany by members of bands Iron Fist and Gentry. Its first line-up consisted of singer and rhythm guitarist Kai Hansen, bass guitarist Markus Grosskopf, lead guitarist Michael Weikath, and drummer Ingo Schwichtenberg. After the release of a self-titled EP and their debut album Walls of Jericho in 1985, it expanded into a quintet with the addition of singer Michael Kiske, Hansen choosing to focus on guitar instead. Under this line-up, they released the Keeper of the Seven Keys albums (1987 and 1988), which established Helloween as a notable heavy metal band and led to the creation of the power metal subgenre.
The year 2000 saw the release of The Dark Ride, a more experimental and darker album than their previous releases. It came complete with downtuned guitars and a gruffer singing style from Deris. Immediately following the tour, Helloween parted ways with guitarist Roland Grapow and drummer Uli Kusch. One version of events states that Weikath, Deris, and Grosskopf felt that Kusch and Grapow, in particular, were spending more time on and paying more attention to their new side-project, Masterplan (Grapow's output on Helloween albums had dropped to barely one song per album by that point); since the others believed that Kusch and Grapow were not one hundred percent dedicated to Helloween, they were dismissed.  They were replaced by guitarist Sascha Gerstner (ex-Freedom Call, Neumond) and drummer Mark Cross (ex-Metalium, Kingdom Come, At Vance, Firewind), culminating with the recording of another studio album, titled Rabbit Don't Come Easy, in 2003. The band met Sascha via a recommendation by producer Charlie Bauerfeind. According to Grosskopf, one day he was recording something with Freedom Call "and later on we called him up and he went to first meet Weiki because it was very important that Weiki finds a player that he can play with and also communicate and understand. [...] So we got him on the island where we recorded and let him hang out with us a little and then he decided 'Good, let's go'." Later in 2012, on an interview with Metal Shock Finland's Chief Editor, Mohsen Fayyazi, Roland stated:  Cross could not finish the album due to mononucleosis, completing only two tracks; the drum tracks were completed by Motorhead's Mikkey Dee. Stefan Schwarzmann, former drummer of Running Wild and Accept would shortly thereafter take over the drumming duties. Despite a somewhat tepid response to the album, Helloween nonetheless completed a successful world tour, highlighted by the return of classic songs such as "Starlight", "Murderer", "Keeper of the Seven Keys" and "How Many Tears" to the setlist. Additionally, the band toured the United States for the first time since 1989, playing to sold-out crowds at nearly every venue.
How did the band do with changes?
A:
So we got him on the island where we recorded and let him hang out with us a little and then he decided 'Good, let's go'."