Question: The Gaither Vocal Band is an American southern gospel vocal group, named after its founder and leader Bill Gaither. On March 1, 2017, it was announced that the Gaither Vocal Band lineup consisted of Reggie Smith, Wes Hampton, Adam Crabb, Todd Suttles, and Bill Gaither, as of April 1. Although the group started out recording contemporary Christian music in the 1980s, it became known for southern gospel after the popularity of the Gaither Homecoming videos. The lineup of the band changes often, with artists leaving to work on solo careers, and new and old ones coming to replace them.

The Gaither Vocal Band is named after gospel legend and leader Bill Gaither. It was the successor-group of the Bill Gaither Trio. By the 1980s, Bill Gaither, along with wife Gloria Gaither, were both very successful songwriters. For example, their song, "He Touched Me" was covered by Elvis Presley, after which he even named his album He Touched Me. Presley won a Grammy for the album. Bill Gaither felt that his trio had reached its peak in the mid-1980s, but his desire to make another gospel hit kept the trio going.  The original Vocal Band (called the New Gaither Vocal Band) was formed spontaneously, backstage of a Gaither Trio concert. It consisted of Bill Gaither and Gary McSpadden of the trio, along with two of the trio's backup singers, Steve Green and Lee Young. The quartet sang "Your First Day in Heaven" on stage that night. Their debut album, the self-titled The New Gaither Vocal Band, debuted in 1981.  According to the liner notes of the CD compilation The Best of the GVB, the term "vocal band" was used instead of "quartet" because it did not limit Gaither in terms of sound or number of group members. According to Steve Green on the Gaither Vocal Band Reunion video, he came up with the name and convinced Gaither to use it because he, at the time, did not want to be associated with "quartet music".  Lee Young left the group in 1982, and Jon Mohr was hired as the new bass singer. They then recorded the album Passin' The Faith Along. Later, tenor Steve Green left and Larnelle Harris was hired. This group cut the New Point Of View album before Mohr left.

Using a quote from the above article, answer the following question: What kind of music did they play?
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Answer: Vocal Band

Problem: Pitchford was born in Honolulu, where he attended Catholic schools, graduating in 1968 from Saint Louis High School. He began his performance career as an actor and a singer with the Honolulu Community Theatre (now Diamond Head Theatre), the Honolulu Symphony Orchestra and the Honolulu Theatre for Youth, among others. While studying at Yale University, Pitchford performed with numerous campus drama groups, but his focus gradually turned off-campus, where he worked with the Wooster Square Revival, an experimental theatre company that offered acting opportunities to recovering addicts and alcoholics. In 1969, Pitchford returned to Honolulu as an assistant to authors Faye Hammel and Sylvan Levey in updating the popular guidebook Hawai'i on $5 and $10 A Day, and researching Trans World Airlines' Budget Guide to Hawai'i, the first of a series of guidebooks that would eventually turn into the popular series TWA Getaway Guides.

As a result of performing his early songwriting efforts in cabarets around Manhattan, he was invited to write with such composers as Stephen Schwartz, Alan Menken and Rupert Holmes. In 1979, he collaborated with recording artist and cabaret performer Peter Allen to write new songs for Allen's one-man Broadway revue, Up In One.  With composer Michael Gore, Pitchford collaborated on three songs for Alan Parker's 1980 motion picture Fame; these were "Red Light," a disco hit for singer Linda Clifford; the symphonic/rock finale "I Sing the Body Electric;" and the title song "Fame," which became a multi-platinum, international best seller for Irene Cara. That song earned Gore and Pitchford an Oscar, a Golden Globe, and a Grammy nomination for Song of the Year (1981). They also received a Grammy nomination for Best Soundtrack Album for a Motion Picture, Television or Other Visual Media.  When Pitchford was signed by Warner Brothers Publishing (1981) he began collaborating with a variety of songwriters. Among the first songs whose lyrics he wrote in collaboration with composer Tom Snow was "Don't Call It Love," which was first recorded by Kim Carnes on her 1981 album Mistaken Identity; the selection charted in the U.S. country singles top-ten for Dolly Parton in 1985 and was named the BMI Country Song of the Year.  For the ill-fated 1981 movie The Legend of the Lone Ranger, Pitchford wrote a narrative ballad, "The Man In the Mask." This was spoken (throughout the movie) and sung (at its beginning and end) by Merle Haggard.  "You Should Hear How She Talks About You," another Snow/Pitchford composition, was a Top 5 hit for Melissa Manchester for which she won the Grammy Award for Best Female Pop Vocal Performance in 1983. That same year, Pitchford, Kenny Loggins and Steve Perry wrote and composed "Don't Fight It," a Top 20 hit that was Grammy-nominated in the Best Pop Vocal Duo category. With musical director Michael Miller, he wrote the theme song for the weekly dance-music show Solid Gold (1980-88).

when did he start songwriting?

Answer with quotes:
In 1979, he collaborated with recording artist and cabaret performer Peter Allen to write new songs for Allen's one-man Broadway revue, Up In One.