IN: James Stanley Brakhage ( BRAK-@j; January 14, 1933 - March 9, 2003), better known as Stan Brakhage, was an American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality, and innocence.

Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving.

did he go to college?

OUT: Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films.


IN: ABBA (Swedish pronunciation: [2ab:a]) were a Swedish pop group, formed in Stockholm in 1972 by Agnetha Faltskog, Bjorn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad: the group name derives from the first letter in each of their names. They became one of the most commercially successful acts in the history of popular music, topping the charts worldwide from 1974 to 1982. ABBA won the Eurovision Song Contest 1974 at The Dome in Brighton, UK, giving Sweden its first triumph in the contest. They are the most successful group to have taken part in the competition.

In March 1976, the band released the compilation album Greatest Hits, despite having had only six top 40 hits in the United Kingdom and the United States. Nevertheless, it became their first UK number-one album, and also took ABBA into the Top 50 on the US album charts for the first time, eventually selling more than a million copies there. At the same time, Germany released a compilation named The Very Best of ABBA, also becoming a number-one album there whereas the Greatest Hits compilation followed a few months later to number-two on the German charts, despite all similarities with The Very Best album. Also included on Greatest Hits was a new single, "Fernando", which went to number-one in at least thirteen countries worldwide, including the United Kingdom, Germany and Australia, and the single went on to sell over 10 million copies worldwide. In Australia, the song occupied the top position for 14 weeks (and stayed in the chart for 40 weeks), tying with the Beatles' "Hey Jude" for longest-running number-one, and making "Fernando" one of the best-selling singles of all time in Australia. That same year, the group received its first international prize, with "Fernando" being chosen as the "Best Studio Recording of 1975". In the United States, "Fernando" reached the Top 10 of the Cashbox Top 100 singles chart and number 13 on the Billboard Hot 100. It also topped the Billboard Adult Contemporary chart, ABBA's first American number-one single on any chart.  The group's fourth studio album, Arrival, a number-one best-seller in Europe and Australia, represented a new level of accomplishment in both songwriting and studio work, prompting rave reviews from more rock-oriented UK music weeklies such as Melody Maker and New Musical Express, and mostly appreciative notices from US critics. Hit after hit flowed from Arrival: "Money, Money, Money", another number-one in Germany and Australia, and "Knowing Me, Knowing You", ABBA's sixth consecutive German number-one as well as another UK number-one. The real sensation was "Dancing Queen", not only topping the charts in loyal markets the UK, Germany and Australia, but also reaching number-one in the United States. In South Africa, ABBA had astounding success with "Fernando", "Dancing Queen" and "Knowing Me, Knowing You" being among the top 20 best-selling singles for 1976-77. In 1977, Arrival was nominated for the inaugural BRIT Award in the category "Best International Album of the Year". By this time ABBA were popular in the United Kingdom, most of Western Europe, Australia and New Zealand. In Frida - The DVD, Lyngstad explains how she and Faltskog developed as singers, as ABBA's recordings grew more complex over the years.  The band's popularity in the United States would remain on a comparatively smaller scale, and "Dancing Queen" became the only Billboard Hot 100 number-one single ABBA had there (they did, however, get three more singles to the number-one position on other Billboard charts, including Billboard Adult Contemporary and Hot Dance Club Play). Nevertheless, Arrival finally became a true breakthrough release for ABBA on the US album market where it peaked at number 20 on the Billboard 200 chart and was certified gold by RIAA.

what was it called?

OUT:
Greatest Hits,