Background: Wagner was born to German immigrants Peter and Katheryn Wagner in the borough of Chartiers, in what is now Carnegie, Pennsylvania. Wagner was one of nine children. As a child, he was called Hans by his mother, which later evolved into Honus. "Hans" was also an alternate nickname during his major league career.
Context: In 1910, Wagner's average fell to .320, his lowest average since 1898. Nevertheless, he aged exceptionally well; the three highest OPS+ seasons by any shortstop aged 35 or older belong to Wagner, and even his age-41 season ranks 8th on the list.  Wagner won the 1911 batting title by the narrowest of margins. He went hitless in a 1-0 win against the Cubs on May 30, but a successful league protest by the Cubs wiped out the result (and Wagner's at-bats). Wagner ended up edging the Boston Rustlers' Doc Miller, .334 to .333. The Pirates were in contention into August, but an ankle injury sidelined Wagner for 25 games and the team slid from the race.  By 1912, Wagner was the oldest player in the National League. On June 9, 1914, at age 40, Wagner recorded his 3,000th hit, a double off Philadelphia's Erskine Mayer, the second player in baseball history to reach the figure, after Cap Anson, and Nap Lajoie joined them three months later. This accomplishment, however, came during a down period for Wagner and Pirates. Wagner hit only .252 in 1914, the lowest average of his career. In July 1915, he became the oldest player to hit a grand slam, a record which stood for 70 years until topped by 43-year-old Tony Perez. In 1916, Wagner became the oldest player to hit an inside-the-park home run.  In 1917, following another retirement, Wagner returned for his final, abbreviated season. Returning in June, he was spiked in July and played only sparingly for the remainder of the year, batting .265. He briefly held the role of interim manager, but after going 1-4, Wagner told owner Dreyfuss the job was not for him. He retired as the NL's all-time hit leader, with 3,430. (Subsequent research has since revised this total to 3,418.) It took 45 years for St. Louis' Stan Musial to surpass Wagner's hit total.  Wagner has been considered one of the very best all-around players to ever play baseball since the day he retired in 1917. Baseball historian and statistician Bill James named Honus Wagner as the second best player of all time after Babe Ruth, rating him as the best major league player in 1900 and each year from 1902 to 1908. Statisticians John Thorn and Pete Palmer rate Wagner as ninth all-time in their "Total Player Ranking". Many of the greats who played or managed against Wagner, including Babe Ruth, Ty Cobb, Rogers Hornsby, and Walter Johnson, list him at shortstop on their All-Time teams.
Question: What did he do late in his career?
Answer: In 1910, Wagner's average fell to .320, his lowest average since 1898.

Background: Cafe Tacuba (stylized Cafe Tacvba) is a band from Ciudad Satelite, Mexico. The group gained popularity in the early 1990s. They were founded in 1989, before they had the current lineup of Ruben Isaac Albarran Ortega (lead vocals, rhythm guitar), Emmanuel del Real Diaz (keyboards, piano, programming, rhythm guitar, melodica, vocals), Jose Alfredo
Context: Previously known as "Alicia ya no vive aqui" (a tribute to Martin Scorsese's Alice Doesn't Live Here Anymore), the band took its final name from a coffee shop (el Cafe de Tacuba) located in downtown Mexico City. The cafe, which opened in 1912 and had its heyday in the 1940s and 1950s, was representative of the Pachuco scene at the time, something the band would later acknowledge as an influence. The Cafe de Tacuba is still in operation as a coffee shop and restaurant on Tacuba Street, in Mexico City's Historic Center. The band changed its name to Cafe Tacvba (changing the u for a v) in order to avoid legal issues with the coffee shop.  Singer Ruben Albarran and guitarist Jose Alfredo Rangel met while studying graphic design at Metropolitan Autonomous University in Mexico City. Rangel's brother, Enrique, completed the band's lineup in 1989. The group began playing music in the garage of a house in their neighborhood, Satelite, an upper-middle-class suburban area in the Naucalpan municipality, in the northern region of the Mexico City metropolitan area. Cafe Tacvba was principally influenced by alternative rock bands of the 1980s such as The Cure, The Clash, The Smiths, and Violent Femmes. Despite their English-language influences, the band members wanted to represent their native culture, so they incorporated Mexican influences into their music. The group began singing primarily in Spanish and changed their name to Cafe Tacvba.  Cafe Tacvba went from being a garage band to a concert act in 1989, when they joined the scene surrounding El Hijo del Cuervo, a cultural club in Coyoacan featuring writers and musicians. As they performed in various venues around Mexico City, they were discovered by Argentinian music producer Gustavo Santaolalla, who at the time was producing albums for leading bands of the burgeoning Rock en Espanol movement of the time. Santaolalla arranged a contract for the band with Warner Music Latina (WEA), with plans to produce its debut album himself. Cafe Tacvba in turn proceeded to record their first song for commercial release, "Tamales de Iguanita," which WEA released as part of a Christmas-themed rock en espanol compilation, Diciembre 25, in 1990.
Question: Did it take them long to get well known?
Answer:
Cafe Tacvba went from being a garage band to a concert act in 1989, when they joined the scene surrounding El Hijo del Cuervo,