Some context: Kwon Bo-ah (Korean: gweonboa, born November 5, 1986), known professionally as BoA, is a South Korean singer, dancer, composer and actress active in South Korea and Japan. She is referred to as the Queen of Korean Pop. Born and raised in Gyeonggi-do, South Korea, she was discovered by SM Entertainment talent agents when she accompanied her older brother to a talent search.
BoA's second Japanese studio album, Valenti (2003), became her best-selling album, with over 1,249,000 copies sold. In support of the album, BoA launched BoA 1st Live Tour Valenti, her first Japanese concert tour. Later that year, she released two Korean albums, Atlantis Princess and the mini-album Shine We Are!. The former was the fifth-best-selling South Korean record of the year with around 345,000 units sold; the latter sold around 58,000 units.  Her third Japanese studio album, Love & Honesty (2004) was a musical "change in direction": it contained a rock-dance song ("Rock with You") and "harder" R&B. Though the album failed to match Valenti in sales, it topped the Oricon chart for two weeks and became RIAJ-certified triple-platinum. In support of the album, BoA held a tour, Live Concert Tour 2004: Love & Honesty. In contrast with 1st Live Tour, which "emphasized exotic Asian design", the Love & Honesty tour had an "outer-space, sci-fi" theme; among the props were a three-story-high space ship and the robot Asimo. The tour, which started in Saitama and ended in Yokohama, spanned nine performances and attracted approximately 105,000 attendants. Her first compilation album, Best of Soul (2005), however, sold over a million copies, making BoA the first non-Japanese Asian singer to have two million-selling albums in Japan.  BoA reinvented her image on her fourth Korean album, My Name (2004); she left the "cute" and "youthful" style that had characterized previous years and presented herself as "sexy" and "sultry". The album was the beginning of a foray into the Chinese market and contained two songs sung in Mandarin Chinese. The sales of BoA's Korean albums began to decline: the album sold 191,000 units and became the eleventh-best-selling South Korean album of the year. In September 2004, BoA instigated controversy in Japan when she donated W50 million to a memorial project for Korean independence activist and nationalist An Jung-geun.  Her fifth Korean album, Girls on Top (2005), continued her image change. The album portrayed the singer as more "mature and self-confident" and was a "declaration of war on male chauvinism"; the "bohemian" look of the cover photograph represented "freedom and depth", while music videos and album photographs that portrayed BoA in traditional Korean dress brought the "idea of Korean womanhood" into her music. The album also continued BoA's foray into the Chinese market and, like the previous album, contained Mandarin Chinese songs. The album sold less than the previous album; it was the fourteenth-best-selling record of the year in South Korea with 113,000 units sold.
What else did you find interesting?
A: Her third Japanese studio album, Love & Honesty (2004) was a musical "change in direction":
Some context: The Whitney Museum of American Art - known informally as the "Whitney" - is an art museum located in Manhattan. It was founded in 1931 by Gertrude Vanderbilt Whitney (1875-1942), a wealthy and prominent American socialite and art patron after whom the museum is named. The Whitney focuses on 20th- and 21st-century American art. Its permanent collection comprises more than 21,000 paintings, sculptures, drawings, prints, photographs, films, videos, and artifacts of new media by more than 3,000 artists.
Gertrude Vanderbilt Whitney, the museum's namesake and founder, was herself a well-regarded sculptor as well as a serious art collector. As a patron of the arts, she had already achieved some success as the creator of the "Whitney Studio Club", a New York-based exhibition space which she created in 1918 to promote the works of avant-garde and unrecognized American artists. Whitney favored the radical art of the American artists of the Ashcan School such as John Sloan, George Luks and Everett Shinn, as well as others such as Edward Hopper, Stuart Davis, Charles Demuth, Charles Sheeler, and Max Weber.  With the aid of her assistant, Juliana R. Force, Whitney had collected nearly 700 works of American art. In 1929, she offered to donate over 500 works of art to the Metropolitan Museum of Art, but the museum declined the gift. This, along with the apparent preference for European modernism at the recently opened Museum of Modern Art, led Whitney to start her own museum, exclusively for American art, in 1929.  Whitney Library archives from 1928 reveal that during this time the Studio Club utilized the gallery space of Wilhelmina Weber Furlong of the Art Students League to exhibit traveling shows featuring Modernist works. In 1931, architect Noel L. Miller converted three row houses on West 8th Street in Greenwich Village - one of which had been the location of the "Studio Club" - to be the museum's home as well as a residence for Whitney. Force became the first director of the museum, and under her guidance, the museum concentrated on displaying the works of new and contemporary American artists.  In 1954, the museum left its original location and moved to a small structure on 54th Street connected to and behind the Museum of Modern Art on 53rd Street. On April 15, 1958, a fire on the second floor of MOMA that killed one person forced the evacuation of paintings and staff on MOMA's upper floors to the Whitney. Among the paintings moved in the evacuation was A Sunday Afternoon on the Island of La Grande Jatte which had been on loan from the Art Institute of Chicago.
What did she name the  museum?
A:
Whitney.