Some context: Data ( DAY-t@) is a character in the fictional Star Trek franchise. He appears in the television series Star Trek: The Next Generation (TNG) and the feature films Star Trek Generations (1994), Star Trek: First Contact (1996), Star Trek: Insurrection (1998), and Star Trek: Nemesis (2002). Data is portrayed by actor Brent Spiner. Data was found by Starfleet in 2338 as the sole survivor on Omicron Theta in the rubble of a colony left after an attack from the Crystalline Entity.
Gene Roddenberry told Brent Spiner that over the course of the series, Data was to become "more and more like a human until the end of the show, when he would be very close, but still not quite there. That was the idea and that's the way that the writers took it." Spiner felt that Data exhibited the Chaplinesque characteristics of a sad, tragic clown. To get into his role as Data, Spiner used the character of Robby the Robot from the film Forbidden Planet as a role model.  Commenting on Data's perpetual albino-like appearance, he said: "I spent more hours of the day in make-up than out of make-up", so much so that he even called it a way of method acting. Spiner also portrayed Data's manipulative and malignant brother Lore (a role he found much easier to play, because the character was "more like me"), and Data's creator, Dr. Noonien Soong. Additionally, he portrayed another Soong-type android, B-4, in the film Star Trek Nemesis, and also one of Soong's ancestors in three episodes of Star Trek: Enterprise. Spiner said his favorite Data scene takes place in "Descent", when Data plays poker on the holodeck with a re-creation of the famous physicist Stephen Hawking, played by Hawking himself.  Spiner reprised his role of Data in the Star Trek: Enterprise series finale "These Are the Voyages..." in an off-screen speaking part. Spiner felt that he had visibly aged out of the role and that Data was best presented as a youthful figure.
was Robby The Robot popular?
A: from the film Forbidden Planet as a role model.

Some context: King's X is an American rock band that combines progressive metal, funk and soul with vocal arrangements influenced by gospel, blues, and British Invasion rock groups. The band's lyrics are largely based on the members' struggles with religion and self-acceptance. King's X was ranked No. 83 on VH1's 100 Greatest Artists of Hard Rock.
The band was moved up to Megaforce's parent label Atlantic Records for the release of their fourth album, King's X, in early 1992. However, rising tensions with Taylor led the band to eschew the upbeat approach of previous albums and turn out a darker, more introspective effort. Unfortunately, despite critical praise, their new style did not translate well among the record-buying public, thus garnering fewer sales than Faith, Hope, Love. "Black Flag", the album's lone single, received only moderate airplay on MTV and radio. Not long after the release of King's X, the band parted ways with Taylor. The details of the split were not made public, but it was believed to be rather bitter. Taylor would admit in 1996 that his company Wilde Silas MusicWorks was growing and, as a result, he was no longer giving King's X, whom he considered "the top dogs," the attention they deserved. In the aftermath, King's X took over a year off to consider their collective future together. The band members followed other, non-musical pursuits; most notably, guitarist Ty Tabor took up semi-professional motocross motorcycle racing.  With grunge at the peak of its popularity, and Pearl Jam's bassist Jeff Ament declaring that "King's X invented grunge" (despite the group's trademark sound being very different from that of the commercially successful grunge acts), the band went looking for a new sound upon their return. They enlisted veteran producer Brendan O'Brien, who had recently produced albums for Stone Temple Pilots and Pearl Jam. The resulting album, 1994's Dogman, showcased a much more muscular and heavy sound from the group, along with less abstract and spiritual lyrics. The record received a heavier promotional push from Atlantic including a compilation promotional CD entitled: Building Blox, as King's X enjoyed a successful tour, capped by an appearance at the Woodstock '94 festival in August. They also toured in support of such bands as the Scorpions, Pearl Jam, Motley Crue and Type O Negative, but despite a return to the Top 100 for the group, the album failed to sell as well as Atlantic had hoped, and the label's support for the group quickly faded.  The band's third release under Atlantic, 1996's Ear Candy, would also be their last for the label (not including a subsequent Best of King's X compilation). Although it sold to the band's sizeable core following, it lacked the relative mainstream success of previous efforts. The record was soon out of print, and it seemed that the group's chance for commercial success had come and gone.
Was this release successful?
A:
). Although it sold to the band's sizeable core following, it lacked the relative mainstream success of previous efforts.