Answer the question at the end by quoting:

Kennedy was born in Inverness, the son of Mary and Ian. He was brought up as a Roman Catholic, and was educated at Lochaber High School in Fort William. He went on to study for a Master of Arts degree in Politics and Philosophy at the University of Glasgow. At university he became politically active, joining the SDP, as well as the Dialectic Society.
In his last general election as leader, in May 2005, he extended his strategy from the 2001 election targeting the seats held by the most senior and/or highly regarded Conservative MPs, dubbed a "decapitation" strategy. The expectation was that without these "key" figures, the Conservatives would be discredited as the official opposition allowing Kennedy and the Liberal Democrats to claim that they were the "effective opposition". At the same time they also hoped to capture marginal Labour seats attracting (particularly Muslim) Labour voters who were dissatisfied because of the invasion of Iraq which Kennedy's party had opposed. They had succeeded with this tactic in by-elections, taking Brent East and Leicester South from Labour.  Just before the election, it had been anticipated by the media and opinion polls that the Liberal Democrats could win up to 100 seats and place them close to the Conservatives in terms of seats as well as votes. They won 62 seats (22.1% of the vote), their greatest number of seats since 1923 but significantly less than most observers had expected the party to win.  They made a net loss of seats to the Conservatives, only managing to win three seats from them (Solihull, Taunton and Westmorland and Lonsdale) with their biggest "scalp" being that of the Shadow Education Secretary Tim Collins. They failed to unseat leading Conservatives such as the Shadow Chancellor of the Exchequer Oliver Letwin, Shadow Home Secretary David Davis, Shadow Secretary of State for the Family Theresa May and the Leader of the Opposition Michael Howard. The "decapitation" strategy was widely seen to have failed.  They won significant numbers of seats from Labour, winning particularly in student areas such as Bristol, Cardiff and Manchester, but did not see the breakthrough in areas with large Asian populations that some had expected, and even lost Leicester South. They succeeded in regaining the seat of Ceredigion, their first gain from the Welsh party Plaid Cymru.  Kennedy heralded the Liberal Democrats, who now had a total of 62 seats, as the "national party of the future", but in the wake of the general election, Kennedy's leadership came under increased criticism from those who felt that the Liberal Democrats could have surged forward with the official opposition Conservative Party having been relatively weak. Many pointed the finger of blame at Kennedy for failing to widen the party's appeal. Others, like the former Deputy Chairman of the Federal Liberal Democrat Party, Donnachadh McCarthy, resigned, citing the party's shift to the right of the political spectrum under Kennedy in pursuit of Conservative votes.

Who did he win seats from?

They won significant numbers of seats from Labour, winning particularly in student areas such as Bristol, Cardiff and Manchester,



Answer the question at the end by quoting:

She was born Marem-Ides Leventon (Russian name Adelaida Yakovlevna Leventon) in Yalta, Crimea, Russian Empire. Her stage name Alla Nazimova was a combination of Alla (a diminutive of Adelaida) and the surname of Nadezhda Nazimova, the heroine of the Russian novel Children of the Streets. She was widely known as just Nazimova, and also went under the name Alia Nasimoff. She was the youngest of three children of Jewish parents Yakov Abramovich Leventon, a pharmacist, and Sofia (Sara) Lvovna Horowitz, who moved to Yalta in 1870 from Kishinev.
Nazimova's theater career blossomed early; and by 1903 she was a major star in Moscow and Saint Petersburg. She toured Europe, including London and Berlin, with her boyfriend Pavel Orlenev, a flamboyant actor and producer. In 1905 they moved to New York City and founded a Russian-language theater on the Lower East Side. The venture was unsuccessful; and Orlenev returned to Russia while Nazimova stayed in New York.  She was signed up by the American producer Henry Miller and made her Broadway debut in New York City in 1906 to critical and popular success. Her English-language premiere in November 1906 was in the title role of Hedda Gabler. She quickly became extremely popular (a theater was named after her) and remained a major Broadway star for years, often acting in the plays of Henrik Ibsen and Anton Chekhov. Dorothy Parker described her as the finest Hedda Gabler she had ever seen.  Due to her notoriety in a 35-minute 1915 play entitled War Brides, Nazimova made her silent film debut in 1916 in the filmed version of the play, which was produced by Lewis J. Selznick. A young actor with a bit part in the movie was Richard Barthelmess, whose mother taught Nazimova English. Nazimova had encouraged him to try out for movies and he later became a star. In 1917, she negotiated a contract with Metro Pictures, a precursor to MGM, that included a weekly salary of $13,000. She moved from New York to Hollywood, where she made a number of highly successful films for Metro that earned her considerable money. In 1927, she became a naturalized citizen of the United States.  Nazimova soon felt confident enough in her abilities to begin producing and writing films in which she also starred. In her film adaptations of works by such notable writers as Oscar Wilde and Ibsen, she developed her own filmmaking techniques, which were considered daring at the time. Her projects, including A Doll's House (1922), based on Ibsen, and Salome (1923), based on Wilde's play, were critical and commercial failures.  By 1925 Nazimova could no longer afford to invest in more films; and financial backers withdrew their support. Left with few options, she gave up on the film industry, returning to perform on Broadway, notably starring as Natalya Petrovna in Rouben Mamoulian's 1930 New York production of Turgenev's A Month in the Country and an acclaimed performance as Mrs. Alving in Ibsen's Ghosts, which the critic Pauline Kael later described as the greatest performance she had ever seen on the American stage. In the early 1940s, she appeared in a few more films, playing Robert Taylor's mother in Escape (1940) and Tyrone Power's mother in Blood and Sand (1941). This late return to motion pictures fortunately preserves Nazimova and her art on sound film.

was it successful?
She quickly became extremely popular (a theater was named after her) and remained a major Broadway star for years,