Problem: Background: Pinhead is a fictional character from the Hellraiser series, first appearing as an unnamed figure in the Clive Barker novella The Hellbound Heart. The name "Pinhead" is derived from a sobriquet given to him by the crew of the first Hellraiser film; he is first credited as such in Hellbound: Hellraiser II. Nearly thirty years after The Hellbound Heart was published, the character was given the designations the Hell Priest and the Cold Man in the sequels that followed, The Scarlet Gospels and Hellraiser: The Toll. Pinhead is one of the leaders of the Cenobites, formerly humans but transformed into creatures which reside in an extradimensional realm, who travel to Earth through a puzzle box called the Lament Configuration in order to harvest human souls.
Context: According to Clive Barker, as the writing of the Hellraiser script took place during the height of the A Nightmare on Elm Street, Friday the 13th and Halloween film series, his intended portrayal of Pinhead as an articulate and intelligent character was initially not well received by the producers: some suggested that Pinhead should act more like Freddy Krueger and crack jokes, while others suggested that he be a silent character like Jason Voorhees and Michael Myers. Barker insisted that Pinhead's personality be more evocative of Christopher Lee's portrayal of Count Dracula: "Part of the chill of Dracula surely lies in the fact that he is very clearly and articulately aware of what he is doing - you feel that this is a penetrating intelligence - and I don't find dumb things terribly scary - I find intelligence scary, particularly twisted intelligence; it's one of the reasons why Hannibal Lecter is scary, isn't it? It's because you always feel that he's going to be three jumps ahead of you."  Though described by Pinhead's human half in Hellraiser III: Hell on Earth as being "very persuasive and very inventive", Pinhead prefers using coercive methods in order to obtain his goals, a fact which brings him into conflict with his ally, the demon Princess Angelique.  Pinhead can be reasoned and bargained with. In both Hellraiser and Hellraiser: Hellseeker, Kirsty Cotton bargains with Pinhead to offer him more "souls" in exchange for her own (in particular, her human adversaries), thus resulting in her life being spared. In Hellraiser: Revelations, Pinhead is prepared to take Emma to the cenobite realm for having opened the box before other characters explain that she was forced to open it at gunpoint by her boyfriend; Pinhead agrees to let Emma go and take Nico instead.  In his demonic incarnations, Pinhead is irreverent toward Christianity: in the third film, club owner J.P. Monroe exclaims "Jesus Christ," to which Pinhead mockingly replies, "Not quite.", and later on mockingly imitates the stigmata in a church, and states in the fourth "Do I look like someone who cares what God thinks?" In Clive Barker's Hellraiser comics published by BOOM! in 2011, Pinhead has reached a crisis point in his existence and now yearns for spiritual salvation and the opportunity to reach Heaven, and puts into motion a plan to destroy his fellow cenobites as a means of atonement.  Paul T. Taylor, who portrays Pinhead in Hellraiser: Judgment, described the character as "twisted and intelligent". Finding Pinhead's mannerisms and demeanor to be unique among horror icons, Taylor tried to capture that in his performance: "It's about the stillness. He's already so terrifying that when he makes a move, it means something. He's very economical and when he speaks, he's so eloquent." Taylor also incorporated the uncomfortable make-up and costume into his presentation of the sadomasochist, stating "Pinhead's always in agony so he likes it. I feel like I was in character the whole time, and I don't mean that in some sort of artistic, lofty way. I mean I maintained the demeanor the whole time because I had to."
Question: did he follow the suggestion?
Answer: Pinhead prefers using coercive methods in order to obtain his goals,

Problem: Background: R.E.M. was an American rock band from Athens, Georgia, that was formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist/backing vocalist Mike Mills, and lead vocalist Michael Stipe. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style, Stipe's distinctive vocal quality and obscure lyrics, Mills' melodic basslines and backing vocals, and Berry's tight, economical style of drumming. R.E.M. released its first single--"Radio Free Europe"--in 1981 on the independent record label Hib-Tone. The single was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records.
Context: In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing and played its first show on April 5, 1980, at a friend's birthday party held in a converted Episcopal church in Athens. After considering names like "Twisted Kites", "Cans of Piss", and "Negro Wives", the band settled on "R.E.M." (which is an acronym for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.  The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.  During the summer of 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. The single was released on the local independent record label Hib-Tone with an initial pressing of one thousand copies, which quickly sold out. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times.
Question: Whose idea was it to form R.E.M.?
Answer:
The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it".