IN: Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success as a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music.

In 1983, at the suggestion of ECM head Manfred Eicher, Jarrett asked bassist Gary Peacock and drummer Jack DeJohnette, with whom he had worked on Peacock's 1977 album Tales of Another, to record an album of jazz standards, simply titled Standards, Volume 1. Two more albums, Standards, Volume 2 and Changes, both recorded at the same session, followed soon after. The success of these albums and the group's ensuing tour, which came as traditional acoustic post-bop was enjoying an upswing in the early 1980s, led to this new standards trio becoming one of the premier working groups in jazz, and certainly one of the most enduring, continuing to record and tour for more than 25 years. The trio has recorded numerous live and studio albums consisting primarily of jazz repertory material.  The Jarrett-Peacock-DeJohnette trio also produced recordings that consist largely of challenging original material, including 1987's Changeless. Several of the standards albums contain an original track or two, some attributed to Jarrett, but most are group improvisations. The live recordings Inside Out and Always Let Me Go (released in 2001 and 2002 respectively) marked a renewed interest by the trio in wholly improvised free jazz. By this point in their history, the musical communication among these three men had become nothing short of telepathic, and their group improvisations frequently take on a complexity that sounds almost composed. The standards trio undertakes frequent world tours of recital halls (the only venues in which Jarrett, a notorious stickler for acoustics, will play) and is one of the few truly successful jazz groups to play both straight-ahead (as opposed to smooth) and free jazz.  A related recording, At the Deer Head Inn (1992), is a live album of standards recorded with Paul Motian replacing DeJohnette, at the venue in Delaware Water Gap, Pennsylvania, 40 miles from Jarrett's hometown, where he had his first job as a jazz pianist. It was the first time Jarrett and Motian had played together since the demise of the American quartet sixteen years earlier.

did they work with anyone?

OUT: A related recording, At the Deer Head Inn (1992), is a live album of standards recorded with Paul Motian replacing DeJohnette,

Answer the question at the end by quoting:

Tosca (Italian pronunciation: ['toska; 'toska]) is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias.
According to the libretto, the action of Tosca occurs in Rome in June 1800. Sardou, in his play, dates it more precisely; La Tosca takes place in the afternoon, evening, and early morning of 17 and 18 June 1800.  Italy had long been divided into a number of small states, with the Pope in Rome ruling the Papal States in central Italy. Following the French Revolution, a French army under Napoleon invaded Italy in 1796, entering Rome almost unopposed on 11 February 1798 and establishing a republic there. Pope Pius VI was taken prisoner, and was sent into exile on February 20, 1798. (Pius VI would die in exile in 1799, and his successor, Pius VII, who was elected in Venice on 14 March 1800, would not enter Rome until July 3. There is thus neither a Pope nor papal government in Rome during the days depicted in the opera.) The new republic was ruled by seven consuls; in the opera this is the office formerly held by Angelotti, whose character may be based on the real-life consul Liborio Angelucci. In September 1799 the French, who had protected the republic, withdrew from Rome. As they left, troops of the Kingdom of Naples occupied the city.  In May 1800 Napoleon, by then the undisputed leader of France, brought his troops across the Alps to Italy once again. On 14 June his army met the Austrian forces at the Battle of Marengo (near Alessandria). Austrian troops were initially successful; by mid-morning they were in control of the field of battle. Their commander, Michael von Melas, sent this news south towards Rome. However, fresh French troops arrived in late afternoon, and Napoleon attacked the tired Austrians. As Melas retreated in disarray with the remains of his army, he sent a second courier south with the revised message. The Neapolitans abandoned Rome, and the city spent the next fourteen years under French domination.

What historical context is within Tosca?

According to the libretto, the action of Tosca occurs in Rome in June 1800. Sardou, in his play, dates it more precisely;

input: Ashton Kutcher received widespread criticism for his appearance in a Popchips ad campaign in May 2012. The campaign featured Kutcher as an Indian man "looking for love" in a dating ad-style spoof. Kutcher's use of brown face paint and a stereotypical Indian accent was deemed racially insensitive and offensive and received backlash from online viewers and members of the Indian-American community.  Emmy-award winning comedian Aziz Ansari featured the commercial in his 2015 Netflix comedy-drama Master of None, to make a point that South Asian discrimination is taken less seriously than Black discrimination although they are both forms of racism. "Asians and Indians are the new clownable minority," comedian Hasan Minhaj, now a correspondent on The Daily Show, lamented in a YouTube response to Popchips. "You have a s--ty accent and you're not even being racist correctly. If you're gonna be racist, come correct with your racism."  Ravi Patel gave his argument in a 2015 interview, "I don't find stereotypical roles to always be offensive. I think stereotypes are there for a reason and are a very big part of comedy. It's interesting, [Aziz's] issue is specifically with Indian stereotypes, but you don't see him walking away from other [racial] stereotypes," Patel said. "You need to look at it on a case-by-case basis. Like in Transformers, Michael Bay wanted me to wear a turban. I was like 'Why do you want me to wear a turban?' And he said, 'Because it's funny,' and I said 'Well, that's not a good enough reason to wear a turban.' I've stood up for stuff that's offensive every time."

Answer this question "what is the brownface controversy?"
output:
The campaign featured Kutcher as an Indian man "looking for love" in a dating ad-style spoof. Kutcher's use of brown face paint and a stereotypical Indian accent