input: In the 2008 miniseries X-Infernus, Pixie summons her Souldagger and stabs Kurt in the chest, knocking him out. When Pixie removes her Souldagger, Magik's Soulsword emerges from his chest.  Magik teleports away after taking out Pixie, Mercury, Rockslide, and Beast. Kurt wakes up and stops Pixie from going after her and Pixie breaks down and apologizes for stabbing him. Later the X-Men gather and Kurt is put in charge of a team of X-Men to go help save Magik.  Upon entering Limbo, Kurt, Mercury, Colossus, Rockslide, Pixie, and Wolverine fight their way through many demons. Pixie, Mercury, and Rockslide are horrified at how brutal the older X-Men are towards the demons. An octopus type creature attacks Kurt until Pixie jumps in and kills it with her Souldagger.  Hearing the screams from the castle, Kurt teleports the X-Men into the throne room. Once there, Witchfire turns Colossus and Wolverine against Mercury and Rockslide. Kurt notices Illyana chained to a pillar and she asks him to stab her with Pixie's Souldagger, as it's the only way and he is the only one to do it because he is attuned to magic.He apologizes and he stabs her; at that moment Colossus punches Kurt, and Witchfire finishes making her fifth and final Bloodstone from the now demonic Pixie.  The fact however that Colossus and Wolverine have not killed him, makes Kurt realize they are not fully under her control. Using Pixie's Dagger, Kurt then pulls Illyana's Soulsword from her, and uses it to free Wolverine and Colossus of Witchfire's control. Unfortunately, the demon manages to use the Bloodstones to summon the Elder Gods. Through their combined efforts, the X-Men and Magik managed to banish both Witchfire and the Elder Gods, but not without losing four of the five Bloodstones. Furious at losing another part of her soul, Pixie flees. Being told by Illyana to let her go, Kurt consoles Magik about the theology of a soul, before she teleports them back to Earth. Kurt, along with Colossus, Cyclops, and the former New Mutants team, convinces her to stay with them and join the X-Men.

Answer this question "what of importance occurred in this series?"
output: Later the X-Men gather and Kurt is put in charge of a team of X-Men to go help save Magik.

input: In July 1978, the band returned to the management of Douglas Smith, who secured a one-off singles deal with Bronze Records. The resulting "Louie Louie" single was issued in September peaking at number 68 on the UK Singles Chart, and the band toured the UK to promote it, recorded a BBC Radio 1 John Peel in session on 18 September (these tracks were later issued on the 2005 BBC Live & In-Session album), and appeared for the first time on BBC Television's Top of the Pops on 25 October. Chiswick capitalised on this new level of success by re-issuing the debut album Motorhead on white vinyl through EMI Records.  The single's success led to Bronze extending their contract, and put the band back into the studio to record an album, this time with producer Jimmy Miller at Roundhouse Studios. A hint of what the band had recorded for the album came on 9 March 1979 when the band played "Overkill" on Top of the Pops to support the release of the single ahead of the Overkill album, which was released on 24 March. It became Motorhead's first album to break into the top 40 of the UK Albums chart, reaching number 24, with the single reaching number 39 on the UK Singles Chart. These releases were followed by the "Overkill" UK tour which began on 23 March. A subsequent single was released in June, coupling the album track "No Class" as the A-side with the previously unreleased song "Like a Nightmare" on the B-side. It fared worse than both the album and previous single but reached number 61 on the UK singles chart.  During July and August, except for a break to appear at the Reading Festival, the band were working on their next album, Bomber. Released on 27 October, it reached number 12 on the UK Albums Chart. On 1 December, it was followed by the "Bomber" single, which reached number 34 on the UK Singles Chart. The "Bomber" Europe and UK tour followed, with support from Saxon. The stage show featured a spectacular aircraft bomber-shaped lighting rig. During the "Bomber" tour, United Artists put together tapes recorded during the Rockfield Studios sessions in 1975-1976 and released them as the album On Parole, which peaked at number 65 on the UK Albums Chart in December.  On 8 May 1980, while the band were on tour in Europe, Bronze released The Golden Years, which sold better than any of their previous releases, reaching number eight on the UK Singles Chart. The band had, however, preferred the title Flying Tonight, in reference to the "Bomber" lighting rig. On 20 August, the band (40 minutes) and Girlschool (20 minutes) were filmed performing live at the Nottingham Theatre Royal for the Rockstage programme, broadcast on UK television by the ATV station on 4 April 1981.

Answer this question "What was the results of that single"
output: peaking at number 68 on the UK Singles Chart,

input: After the success of Take Me Out to the Ball Game, Freed gave Donen and Kelly the chance to direct On the Town, released in 1949. The film was an adaptation of the Betty Comden and Adolph Green Broadway musical about sailors on leave in New York City and was the first musical to be filmed on location. Donen and Kelly had wanted to shoot the entire film in New York, but Freed would only allow them to spend one week away from the studio.  That week produced the film's famous opening number New York, New York. Away from both studio interference and sound stage constrictions, Donen and cinematographer Harold Rosson shot a scene on the streets of New York City that pioneered many cinematic techniques that would not be used again until they were popularized by the French New Wave ten years later. These techniques included spatial jump cuts, 360-degree pans, hidden cameras, abrupt changes of screen direction and non-professional actors. Donen's biographer Joseph A. Casper stated that the scene avoids being gratuitous or amateurish, while still "developing plot, describing the setting while conveying its galvanizing atmosphere and manic mood, introducing and delineating character." Casper also said that "Today the film is regarded as a turning point: the first bona fide musical that moved dance, as well as the musical genre, out of the theater and captured it with and for film rather than on film; the first to make the city an important character; and the first to abandon the chorus."  On the Town starred Kelly, Sinatra and Munshin as three sailors on a 24-hour shore leave in New York whose romantic pursuits lead them to Ann Miller, Betty Garrett and Vera-Ellen. The film was a success both financially and critically. It won the Academy Award for Best Music, Scoring of a Musical Picture and screenwriters Comden and Green won the Writers Guild of America Award for Best Written American Musical. Like Orson Welles, Donen made his directorial debut at 25. Donen stated that Kelly was "responsible for most of the dance movements. I was behind the camera in the dramatic and musical sequences." Kelly believed that he and Donen "were a good team. I thought we complemented each other very well."

Answer this question "What other actors were in On the town?"
output:
On the Town starred Kelly, Sinatra and Munshin as three sailors