Problem: Leonard, the fifth of seven children of Cicero and Getha Leonard, was born in Wilmington, North Carolina. He was named after Ray Charles, his mother's favorite singer. The family moved to Washington, D.C., when he was three, and they settled permanently in Palmer Park, Maryland when he was ten. His father worked as a supermarket night manager and his mother was a nurse.

On December 7, 1989, Leonard defended the title against Roberto Duran, who was the reigning WBC Middleweight Champion. Duran was guaranteed $7.6 million and Leonard's arrangement guaranteed him over $13 million.  For the Duran fight, Leonard cut his entourage from twenty-one to six. Dave Jacobs was one of the people let go, leaving Correa as the sole trainer. Correa was instructed not to spare the whip. "For the first time in a long time, I allowed someone to push me", Leonard said.  The fight took place at the new Mirage Hotel in Las Vegas. Leonard used constant lateral movement and won by a lopsided twelve-round unanimous decision over a listless Duran. The scores were 120-110, 119-109, and 116-111. In a fight that many considered to be very boring, both fighters were booed often by the fans and many left the arena before the decision was announced. Pat Putnam of Sports Illustrated wrote, "Leonard gave them artistic perfection when they wanted heated battle, and they booed lustily. Most fight fans would not spend a dime to watch Van Gogh paint Sunflowers, but they would fill Yankee Stadium to see him cut off his ear." Although Leonard dominated the fight, he suffered several cuts. His lower lip was cut from a headbutt in the fourth round, his left eye was cut in the eleventh round, and his right eye was cut in the twelfth round. The cuts required a total of 60 stitches.  In January 1990, Leonard relinquished the WBC Super Middleweight Championship, saying that he was unsure whether he would fight again. When Leonard decided to continue his career, he offered Hagler a rematch, but Hagler decided to stay retired. He then offered Hearns a third fight, but Hearns said he could no longer make the weight and moved up to the light heavyweight division.

Did he keep his title?

Answer with quotes: Although Leonard dominated the fight,


Problem: Louis "Louison" Bobet (pronounced [lwi.zo bo.be]; 12 March 1925 - 13 March 1983) was a French professional road racing cyclist. He was the first great French rider of the post-war period and the first rider to win the Tour de France in three successive years, from 1953 to 1955. His career included the national road championship (1950 and 1951), Milan-San Remo (1951), Giro di Lombardia (1951), Criterium International (1951 & 52), Paris-Nice (1952), Grand Prix des Nations (1952), world road championship (1954), Tour of Flanders (1955), Criterium du Dauphine Libere (1955), Tour de Luxembourg (1955), Paris-Roubaix (1956) and Bordeaux-Paris (1959).

The most striking feature of Bobet the man rather than rider was his ambition to behave like a Hollywood matinee idol, a sort of David Niven character in a dinner suit tuxedo. It brought him much ribbing from other French riders. Geminiani says Bobet's diffident and elegant manner made him less popular even in his own Brittany than the more rustic, forthright manners of other Breton people such as Jean Robic. The British professional Brian Robinson called Bobet "a private man and a little moody" and said he would sulk if things went wrong. The French journalist Rene de Latour said of Bobet in Sporting Cyclist that "he didn't look good on a bike" and that he had "the legs of a football [soccer] player".  Bobet spoke out against French involvement in a war against communists in Indo-China. He said he wasn't a Marxist but a pacifist. Geminiani said Bobet lacked humility. "He really thought that, after him, there'd be no more cycling in France", he said. Bobet occasionally talked of himself in the third person.  Bobet was driven by personal hygiene and refused to accept his first yellow jersey because it had not been made with the pure wool he believed the only healthy material for a sweating and dusty rider. Synthetic thread or blends were added in 1947 following the arrival of Sofil as a sponsor. Sofil made artificial yarn. The race organiser, Jacques Goddet wrote:  It produced a real drama. Our contract with Sofil was crumbling away. If the news had got out, the commercial effect would have been disastrous for the manufacturer. I remember debating it with him a good part of the night. Louison was always exquisitely courteous but his principles were as hard as the granite blocks of his native Brittany coast.  Goddet had to get Sofil to produce another jersey overnight, its logo still visible but artificial fabric absent. Bobet's concern with hygiene and clothing was accentuated by frequent problems with saddle sores.

What else is note worthy about his personality?

Answer with quotes: Bobet spoke out against French involvement in a war against communists in Indo-China.


Problem: Charles Edward "Charlie" Haden (August 6, 1937 - July 11, 2014) was an American jazz double bass player, bandleader, composer and educator known for his deep, warm sound, and whose career spanned more than fifty years. In the late 1950s, Haden was an original member of the ground-breaking Ornette Coleman Quartet. Haden revolutionized the harmonic concept of bass playing in jazz. About him, German musicologist Joachim-Ernst Berendt commented, "His ability to create serendipitous harmonies by improvising melodic responses to Coleman's free-form solos (rather than sticking to predetermined harmonies) was both radical and mesmerizing.

In addition to his lyrical playing, Haden was known for his warm tone and subtle vibrato on the double bass. His approach to the bass stemmed from his belief that the bassist should move from an accompanying role to a more direct role in group improvisation. This is particularly clear in his work with the Ornette Coleman Quartet where he frequently improvised melodic responses to Coleman's free-form solos instead of playing previously written lines. He frequently closed his eyes while performing, and assumed a posture in which he bent himself around the bass until his head was almost at the bottom of the bridge of the bass.  In an interview with Haden, pianist Ethan Iverson noted that Haden's "combination of folk song, avant-garde sensibility, and Bach-like classical harmony is a stream in this music just as distinctive as Thelonious Monk or Elvin Jones."  Haden owned one three-quarter-sized bass, and one seven-eighth-sized bass. The larger bass is one of a small number of basses made by Jean-Baptiste Vuillaume, a French luthier, in the mid-nineteenth century. He greatly valued this bass, playing it only at recording sessions and jobs in close proximity to his home so as not to risk damaging it in transit. He attributed the bass's special and valuable nature to the varnish used by Vuillaume, which is similar to Italian varnish.  Haden suffered from tinnitus, a ringing in both ears that he believed he acquired from constant exposure to playing in proximity to drums, and possibly from an extremely loud concert in which he played during the late 1960s. He also suffered from hyperacousis, or sensitivity to loud noises. As a result, when he played with a drummer, he had to play behind a Plexiglass divider.  "American Quartet" pianist, Keith Jarrett, said of Charlie's way of playing, "He wanted to relate to the material in a very personal style all the time. He wasn't somebody to get into a groove and just enjoy it simply because it was a groove".

What style of music did Hadden prefer

Answer with quotes:
In addition to his lyrical playing, Haden was known for his warm tone and subtle vibrato on the double bass.