Question: Heaven Shall Burn are a German extreme metal band from Saalfeld, formed in 1996. The band consists of vocalist Marcus Bischoff, guitarists Maik Weichert and Alexander Dietz, bassist Eric Bischoff and drummer Christian Bass. They are currently signed to Century Media. They have released eight studio albums, as well as a number of other records.

In January 2013, Heaven Shall Burn announced they had finished writing their next album and were about to start recording it. On February 20 they revealed their new album Veto, which was released April 19, in Germany and April 30, in North America. To promote the album's release a music video was shot for "Hunters Will Be Hunted" and a lyric video was made for "Godiva". The release of the album was celebrated with shows at the Impericon Festivals in Leipzig and Vienna and the Loudfest in Zurich. Veto entered the official German Album Charts at #2. Heaven Shall Burn appeared on some European Summer Festivals in 2013, among these festivals were Graspop Metal Meeting and the first edition of Rock'n'Heim at the Hockenheimring. In support of Veto Heaven Shall burn embarked a headlining tour through Europe in November and December 2013, supporting acts were Hypocrisy, Dying Fetus and Bleed from Within. Before the tour began drummer Matthias Voigt released a statement and announced that he was about to step down as drummer of Heaven Shall Burn and live drummer Christian Bass would take his position.  In February 2014, Heaven Shall Burn toured South America with Parkway Drive. Heaven Shall Burn played several festivals across Europe in the Summer of 2014 including Rock am Ring and Rock im Park, Wacken Open Air, Deichbrand and Summer Breeze Open Air. Later the same year Heaven Shall Burn were special guest on Parkway Drive's European Tour 2014, along with Carnifex and Northlane. Parkway Drive shared headlining duties with Heaven Shall Burn in Germany, Austria and Switzerland.  On April 30, 2015, Heaven Shall Burn became the sponsor for the tricots of football team FC Carl Zeiss Jena. It is part of their campaign "Support Your Local Team", which should encourage people to support their local clubs, not only top class clubs. May 3, was the first time Jena played in their new tricots.  As many summers before Heaven Shall Burn appeared on various European festivals during summer 2015, including Greenfield Festival, With Full Force, Resurrection Fest and Brutal Assault.

Using a quote from the above article, answer the following question: How did the album do on the charts?
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Answer: Veto entered the official German Album Charts at #2.

Problem: Eddie James "Son" House, Jr. (March 21, 1902 - October 19, 1988) was an American delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements and to accompany him to a 1930 recording session for Paramount Records.

In 1927, at the age of 25, House underwent a change of musical perspective as rapid and dramatic as a religious conversion. In a hamlet south of Clarksdale, he heard one of his drinking companions, either James McCoy or Willie Wilson (his recollections differed), playing bottleneck guitar, a style he had never heard before. He immediately changed his attitude about the blues, bought a guitar from a musician called Frank Hoskins, and within weeks was playing with Hoskins, McCoy and Wilson. Two songs he learned from McCoy would later be among his best known: "My Black Mama" and "Preachin' the Blues". Another source of inspiration was Rube Lacey, a much better known performer who had recorded for Columbia Records in 1927 (no titles were released) and for Paramount Records in 1928 (two titles were released). In an astonishingly short time, with only these four musicians as models, House developed to a professional standard a blues style based on his religious singing and simple bottleneck guitar style.  Around 1927 or 1928, he had been playing in a juke joint when a man went on a shooting spree, wounding House in the leg, and he allegedly shot the man dead. House received a 15-year sentence at the Mississippi State Penitentiary (Parchman Farm), of which he served two years between 1928 and 1929. He credited his re-examination and release to an appeal by his family, but also spoke of the intervention by the influential white planter for whom they worked. The date of the killing and the duration of his sentence are unclear; House gave different accounts to different interviewers, and searches by his biographer Daniel Beaumont found no details in the court records of Coahoma County or in the archive of the Mississippi Department of Corrections.  Upon his release in 1929 or early 1930, House was strongly advised to leave Clarksdale and stay away. He walked to Jonestown and caught a train to the small town of Lula, Mississippi, sixteen miles north of Clarksdale and eight miles from the blues hub of Helena, Arkansas. Coincidentally, the great star of Delta blues, Charley Patton, was also in virtual exile in Lula, having been expelled from his base on the Dockery Plantation. With his partner Willie Brown, Patton dominated the local market for professional blues performance. Patton watched House busking when he arrived penniless at Lula station, but did not approach him. He observed House's showmanship attracting a crowd to the cafe and bootleg whiskey business of a woman called Sara Knight. Patton invited House to be a regular musical partner with him and Brown. House formed a liaison with Knight, and both musicians profited from association with her bootlegging activities. The musical partnership is disputed by Patton's biographers Stephen Calt and Gayle Dean Wardlow. They consider that House's musicianship was too limited to play with Patton and Brown, who were also rumoured to be estranged at the time. They also cite one statement by House that he did not play for dances in Lula. Beaumont concluded that House became a friend of Patton's, traveling with him to gigs but playing separately.

Where was his first performance?

Answer with quotes:
He immediately changed his attitude about the blues, bought a guitar from a musician called Frank Hoskins, and within weeks was playing with Hoskins, McCoy and Wilson.