Problem: Alfred Cellier (1 December 1844 - 28 December 1891) was an English composer, orchestrator and conductor. In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and on tour in Britain, America and Australia. He composed over a dozen operas and other works for the theatre, as well as for orchestra, but his 1886 comic opera, Dorothy, was by far his most successful work. It became the longest-running piece of musical theatre in the nineteenth century.

In 1885, Cellier composed a song, "There once was a time, my darling", for a piece produced by George Edwardes, Little Jack Sheppard (1885). Meanwhile he had composed what would become his greatest success, the comic opera Dorothy, with a libretto by B. C. Stephenson. To create the score, Cellier repurposed some of his music from his 1876 failure, Nell Gwynne, which had, nevertheless, received praise for its music. Dorothy had been announced for production at the Royalty Theatre in 1884, but ultimately Edwardes mounted it at his Gaiety Theatre on 25 September 1886. Cellier was in Australia from February 1886 to February 1887, conducting The Mikado and other Gilbert and Sullivan operas for the J. C. Williamson organization and was absent from London during the productions of The Carp, at the Savoy, and Dorothy. Neither the music nor the libretto of Dorothy initially attracted critical praise. The Times wrote, "Gentility reigns supreme, and with it unfortunately also a good deal of the refined feebleness and the ineptitude which are the defects of that quality." Stephenson rewrote the lyrics of one of Cellier's old songs, "Old Dreams" as "Queen of My Heart"; this helped the work to find success after it transferred in December to the Prince of Wales Theatre. The following year H. J. Leslie took over the production from Edwardes and introduced new stars, including Marie Tempest. Dorothy became an even greater success at the box office and transferred in December 1888 to the Lyric Theatre, built using the profits from the production, where it ran into 1889. Its initial run of a total of 931 performances was the longest of any piece of musical theatre up to that time, longer than even The Mikado, a fact that caused consternation to Cellier's friend Arthur Sullivan. Some critics reconsidered their earlier condemnation, the work became regarded as a classic Victorian piece, and the initially despised plot was traced seriously back to the Restoration playwrights David Garrick and Aphra Behn, and to Oliver Goldsmith and even Shakespeare. Its success led to revivals of some of Cellier's earlier works.  Cellier returned to Australia in 1888 to conduct Dorothy and made a final brief visit there for health reasons in early 1891, together with Stephenson. His last comic operas, Doris (1889, with Stephenson) and The Mountebanks (with Gilbert, produced in January 1892, a few days after the composer's death), were both modestly successful. Also after Cellier's death, Rutland Barrington used some of his music in his 1902 adaptation of Water Babies. Often in ill health throughout his life, Cellier was unable to finish The Mountebanks, and Ivan Caryll completed the score.  Cellier owed much to the influence of Sullivan. He was a fertile melodist, and his writing exhibited elegance and refinement, although he was not able to infuse his music with humour in the way that Sullivan did.  Cellier died at his home in Bloomsbury, London, at the age of 47. He was buried in West Norwood Cemetery.

Was this the end of his career?

Answer with quotes: The Mountebanks (with Gilbert, produced in January 1892, a few days after the composer's death),


Problem: Sir Joseph Rotblat  (4 November 1908 - 31 August 2005) was a Polish physicist, a self-described "Pole with a British passport". Rotblat worked on Tube Alloys and the Manhattan Project during World War II, but left the Los Alamos Laboratory after the war with Germany ended. His work on nuclear fallout was a major contribution toward the ratification of the 1963 Partial Nuclear Test Ban Treaty. A signatory of the 1955 Russell-Einstein Manifesto, he was secretary-general of the Pugwash Conferences on Science and World Affairs from their founding until 1973, and shared, with the Pugwash Conferences, the 1995 Nobel Peace Prize "for efforts to diminish the part played by nuclear arms in international affairs and, in the longer run, to eliminate such arms."

Rotblat returned to Britain to become senior lecturer and acting director of research in nuclear physics at the University of Liverpool. Most of his family had survived the war. With the help of a Polish man, his brother-in-law Mieczyslaw (Mietek) Pokorny had created false Polish Catholic identities for Rotblat's sister Ewa and niece Halina. Ewa, taking advantage of the fact that she was an ash blonde who, like Rotblat, spoke fluent Polish as well as Yiddish, smuggled the rest of the family out of the Warsaw Ghetto. Mietek, Rotblat's brother Mordecai (Michael) and Michael's wife Manya, Rotblat's mother Scheindel, and two Russian soldiers lived in a concealed bunker underneath a house near Otwock, in which Ewa and Halina lived with a Polish family. Displays of Polish anti-Semitism that she witnessed during the Warsaw Ghetto uprising embittered Ewa towards Poland, and she petitioned Rotblat to help the family emigrate to England. He therefore now accepted Chadwick's offer of British citizenship so he could help them escape from Poland. They lived with him in London for some time before becoming established. Halina would go on to graduate from Somerville College, Oxford and University College London, and become an editor of the Dictionary of National Biography.  Rotblat felt betrayed by the use of atomic weapons against Japan, and gave a series of public lectures in which he called for a three-year moratorium on all atomic research. Rotblat was determined that his research should have only peaceful ends, and so became interested in the medical and biological uses of radiation. In 1949, he became Professor of Physics at St Bartholomew's Hospital ("Barts"), London, a teaching hospital associated with the University of London. He remained there for the rest of his career, becoming a professor emeritus in 1976. He received his PhD from Liverpool in 1950, having written his thesis on the "Determination of a number of neutrons emitted from a source". He also worked on several official bodies connected with nuclear physics, and arranged the Atom Train, a major travelling exhibition for schools on civil nuclear energy.  At St Bartholomew's, Rotblat worked on the effects of radiation on living organisms, especially on ageing and fertility. This led him to an interest in nuclear fallout, especially strontium-90 and the safe limits of ionising radiation. In 1955, he demonstrated that the contamination caused by the fallout after the Castle Bravo test at Bikini Atoll nuclear test by the United States would have been far greater than that stated officially. Until then the official line had been that the growth in the strength of atomic bombs was not accompanied by an equivalent growth in radioactivity released. Japanese scientists who had collected data from a fishing vessel, the Lucky Dragon, which had inadvertently been exposed to fallout, disagreed with this. Rotblat was able to deduce that the bomb had three stages and showed that the fission phase at the end of the explosion increased the amount of radioactivity by forty times. His paper was taken up by the media and contributed to the public debate that resulted in the ending of atmospheric tests by the Partial Nuclear Test Ban Treaty.

Why did he feel that way?

Answer with quotes:
Rotblat was determined that his research should have only peaceful ends, and so became interested in the medical and biological uses of radiation.