Some context: "Trapped in the Closet" is the twelfth episode in the ninth season of the American animated television series South Park. The 137th episode of the series overall, it originally aired on Comedy Central in the United States on November 16, 2005. In the episode, Stan joins Scientology in an attempt to find something "fun and free". After the discovery of his surprisingly high "thetan levels", he is recognized as the reincarnation of L. Ron Hubbard, the founder of the church.
South Park had previously parodied Scientology in a spoof at the 2000 MTV Movie Awards. The MTV short was titled "The Gauntlet" and included "John Travolta and the Church of Scientology" arriving in a spaceship to defeat Russell Crowe (as a gladiator) and attempt to recruit the boys into Scientology. Travolta, along with his fellow Scientologists, was depicted as a Psychlo, as he appeared in the film Battlefield Earth. They had also made fun of Scientology in an earlier episode, titled "Super Best Friends", in which David Blaine formed his own cult, called "Blaintology". Parker and Stone have acknowledged that this is meant to be a reference to Scientology.  Parker stated that Isaac Hayes' membership had previously kept the show's creators from writing a full episode which parodies Scientology. However, the decision to ultimately produce a South Park episode satirizing Scientology was partially inspired by the friendship the show's creators have with Penn Jillette. Jillette was originally planning to do an episode of Bullshit! based on Scientology, but Showtime prohibited him from doing so to avoid the possibility of legal action from the Church of Scientology. Parker commented, "We're going, That's fucked up. And hearing other people say, 'You can't do that' - you can only say 'You can't do that' so many times to Matt and me before we're gonna do it. Finally, we just had to tell Isaac, 'Dude, we totally love working with you, and this is nothing personal, it's just we're South Park, and if we don't do this, we're belittling everything else we've ripped on.'"  Although some questions were raised prior to the episode's screening about whether it was wise to take swipes at Cruise and Scientology, Comedy Central declared that it supported Stone and Parker. A Comedy Central spokesman told Radar magazine in November 2005 that "they are free, and have been, to satirize anybody and anything they want to. They've made fun of MTV, they've made fun of Viacom, they've made fun of Comedy Central, and we've never interfered with them."  During production on the episode, investigative journalist Mark Ebner served as a consultant to Matt Stone and Trey Parker. Ebner had previously authored The New York Times best seller Hollywood, Interrupted, which includes an analysis of the Church of Scientology and its effects on the culture in Hollywood, and has a chapter on Tom Cruise and John Travolta's relationship to Scientology. On the official Comedy Central website for the South Park episode, it is asserted that the section of "Trapped in the Closet" that explains Scientology's portrayal and beliefs was not exaggerated: "Nothing about what you see here is exaggerated in the slightest. Seriously." The title is a reference to the R. Kelly song of the same name, and a depiction of R. Kelly appears in the episode to sing a parody of it.
what happens after the parody was sung?
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Some context: Radiohead are an English rock band from Abingdon, Oxfordshire, formed in 1985. The band consists of Thom Yorke (vocals, guitar, piano, keyboards), brothers Jonny Greenwood (lead guitar, keyboards, other instruments) and Colin Greenwood (bass), Ed O'Brien (guitar, backing vocals) and Philip Selway (drums, percussion). They have worked with producer Nigel Godrich and cover artist Stanley Donwood since 1994. After signing to EMI in 1991, Radiohead released their debut single "Creep" in 1992.
Radiohead recorded their debut release, the Drill EP, with Chris Hufford and Bryce Edge at Courtyard Studios. Released in May 1992, its chart performance was poor. The band enlisted Paul Kolderie and Sean Slade, who had worked with US indie bands Pixies and Dinosaur Jr., to produce their debut album, recorded quickly in an Oxford studio in 1992. With the release of the "Creep" single later that year, Radiohead began to receive attention in the British music press, not all of it favourable; NME described them as "a lily-livered excuse for a rock band", and "Creep" was blacklisted by BBC Radio 1 because it was deemed "too depressing".  Radiohead released their debut album, Pablo Honey, in February 1993. It stalled at number 22 in the UK charts, as "Creep" and its follow-up singles "Anyone Can Play Guitar" and "Stop Whispering" failed to become hits. "Pop Is Dead", a non-album single, also sold poorly. Some critics compared the band's early style to the wave of grunge music popular in the early 1990s, dubbing them "Nirvana-lite", and Pablo Honey failed to make a critical or a commercial impact upon its initial release. Despite shared influences with popular guitar acts, and some notice for Yorke's falsetto, Radiohead toured only British universities and clubs.  In early 1993, Radiohead began to attract listeners elsewhere. "Creep" had been played frequently on Israeli radio by influential DJ Yoav Kutner, and in March, after the song became a hit in that country, Radiohead were invited to Tel Aviv for their first live gig overseas. Around the same time, the San Francisco alternative radio station KITS added "Creep" to its playlist. Soon other radio stations along the west coast of the United States followed suit. By the time Radiohead began their first North American tour in June 1993, the music video for "Creep" was in heavy rotation on MTV. The song rose to number two on the US modern rock chart, entered the lower reaches of the top 40 pop chart, and hit number seven in the UK Singles Chart when EMI rereleased it in the UK in September.  Unexpected attention for the single in the US prompted EMI to improvise new promotional plans, and the band shuttled back and forth between continents, playing more than 150 concerts in 1993. Radiohead nearly broke up due to the pressure of sudden success as the Pablo Honey supporting tour extended into its second year. The band members described the tour as difficult to adjust to, saying that towards its end they were "still playing the same songs that [they had] recorded two years previously ... like being held in a time warp", when they were eager to work on new songs.
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The band members described the tour as difficult to adjust to, saying that towards its end they were "still playing the same songs