Question: The Mongolian language (in Mongolian script: monggol qele MoNGgol kele; in Mongolian Cyrillic: mongol khel, mongol khel) is the official language of Mongolia and both the most widely-spoken and best-known member of the Mongolic language family. The number of speakers across all its dialects may be 5.2 million, including the vast majority of the residents of Mongolia and many of the Mongolian residents of the Inner Mongolia Autonomous Region. In Mongolia, the Khalkha dialect, written in Cyrillic (and at times in Latin for social networking), is predominant, while in Inner Mongolia, the language is dialectally more diverse and is written in the traditional Mongolian script. In the discussion of grammar to follow, the variety of Mongolian treated is Standard Khalkha Mongolian (i.e., the standard written language as formalized in the writing conventions and in the school grammar), but much of what is to be said is also valid for vernacular (spoken) Khalkha and for other Mongolian dialects, especially Chakhar.

The noun phrase has the order: demonstrative pronoun/numeral, adjective, noun. Attributive sentences precede the whole NP. Titles or occupations of people, low numerals indicating groups, and focus clitics are put behind the head noun. Possessive pronouns (in different forms) may either precede or follow the NP. Examples:  The verbal phrase consists of the predicate in the center, preceded by its complements and by the adverbials modifying it and followed (mainly if the predicate is sentence-final) by modal particles, as in the following example with predicate bicsen:  In this clause the adverbial, helehgujgeer 'without saying [so]' must precede the predicate's complement, uunijg 'it-accusative' in order to avoid syntactic ambiguity, since helehgujgeer is itself derived from a verb and hence an uunijg preceding it could be construed as its complement. If the adverbial was an adjective such as hurdan 'fast', it could optionally immediately precede the predicate. There are also cases in which the adverb must immediately precede the predicate.  For Khalkha, the most complete treatment of the verbal forms is Luvsanvandan (ed.) 1987. However, the analysis of predication presented here, while valid for Khalkha, is adapted from the description of Khorchin by Matsuoka 2007.  Most often, of course, the predicate consists of a verb. However, there are several types of nominal predicative constructions, with or without a copula. Auxiliaries that express direction and aktionsart (among other meanings) can with the assistance of a linking converb occupy the immediate postverbal position, e.g. uuz orhison drink-converb leave-perfect 'drank up'. The next position is filled by converb suffixes in connection with the auxiliary, baj- 'to be', e.g. ter gujz bajna s/he run-converb be-nonpast 'she is running'. Suffixes occupying this position express grammatical aspect, e.g., progressive and resultative. In the next position, participles followed by baj- may follow, e.g., ter irsen bajna s/he come-perfect be-nonpast 'he has come'. Here, an explicit perfect and habituality can be marked, which is aspectual in meaning as well. This position may be occupied by multiple suffixes in a single predication, and it can still be followed by a converbal Progressive. The last position is occupied by suffixes that express tense, evidentiality, modality, and aspect.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: However, there are several types of nominal predicative constructions,


Question: Serling was born on December 25, 1924, in Syracuse, New York, to a Jewish family. He was the second of two sons born to Esther (nee Cooper) and Samuel Lawrence Serling. Serling's father had worked as a secretary and amateur inventor before having children, but took on his father-in-law's profession as a grocer to earn a steady income. Sam Serling later became a butcher after the Great Depression forced the store to close.

Serling moved from radio to television, as a writer for WKRC-TV in Cincinnati. His duties included writing testimonial advertisements for dubious medical remedies and scripts for a comedy duo. He continued at WKRC after graduation and, amidst the mostly dreary day-to-day work, also created a series of scripts for a live TV program, The Storm, as well as for other anthology dramas (a format which was in demand by networks based in New York). Following a full day of classes (or, in later years, work), he spent evenings on his own, writing. He sent manuscripts to publishers and received forty rejection slips during these early years.  In 1950, Serling hired Blanche Gaines as an agent. His radio scripts received more rejections, so he began rewriting them for television. Whenever a script was rejected by one program, he would resubmit it to another, eventually finding a home for many in either radio or television.  As Serling's college years ended, his scripts began to sell. He continued to write for television and eventually left WKRC to become a full-time freelance writer. He recalled, "Writing is a demanding profession and a selfish one. And because it is selfish and demanding, because it is compulsive and exacting, I didn't embrace it. I succumbed to it."  According to his wife, Serling "just up and quit one day, during the winter of 1952, about six months before our first daughter Jody was born--though he was also doing some freelancing and working on a weekly dramatic show for another Cincinnati station." He and his family moved to Connecticut in early 1953. Here he made a living by writing for the live dramatic anthology shows that were prevalent at the time, including Kraft Television Theatre, Appointment with Adventure and Hallmark Hall of Fame. By the end of 1954, his agent convinced him he needed to move to New York, "where the action is."  The writer Marc Scott Zicree, who spent years researching his book The Twilight Zone Companion, noted, "Sometimes the situations were cliched, the characters two-dimensional, but always there was at least some search for an emotional truth, some attempt to make a statement on the human condition."

Using a quote from the above article, answer the following question: did he write popular books?
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Answer: