Background: Rania Al-Abdullah (Arabic: rny l`bd llh, Raniya al-`Abd Allah; born Rania Al-Yassin on 31 August 1970) is the queen consort of Jordan. Born in Kuwait to a Palestinian family, she later moved to Jordan for work, where she met the then prince Abdullah. Since marrying the now King of Jordan in 1993, she has become known for her advocacy work related to education, health, community empowerment, youth, cross-cultural dialogue and micro-finance. She is also an avid user of social media and she maintains pages on Facebook, YouTube, Instagram and Twitter.
Context: Queen Rania has also been particularly vocal about the importance of cross cultural and interfaith dialogue to foster greater understanding, tolerance and acceptance across the world. She has used her status to correct what she sees as misconceptions in the West about the Arab world. Forbes magazine ranked her as one of the world's 100 most powerful women in 2011.  Queen Rania has played a significant role in reaching out to the global community to foster values of tolerance and acceptance, and increase cross-cultural dialogue. For example, regionally and internationally, Queen Rania has campaigned for a greater understanding between cultures in such high-profile forums as the Jeddah Economic Forum, the Kennedy School of Government at Harvard University, and the Skoll Foundation in the UK.  Queen Rania has also used YouTube as a way to promote intercultural dialogue by calling on young people around the world to engage in a global dialogue to dismantle stereotypes of Muslims and the Arab world. She has also made public appearances, including a half-hour television interview on The Oprah Winfrey Show on 17 May 2006, where she spoke about misconceptions about Islam and especially women in Islam. For her work in reaching out across cultures she received the North-South Prize from the Council of Europe in March 2009 and the first ever YouTube Visionary Award in November 2008. For her work in cross-cultural peace dialogue Queen Rania accepted the PeaceMaker Award. from the Non-Profit Seeds of Peace.  In May 2009, Queen Rania attended the fifth Young Global Leaders Summit at the Dead Sea, Jordan, to address socio-economic challenges facing the region and had trips organized for the Young Global Leaders in which they visited local Madrasati schools, the Jordan River Foundation, and other affiliated organizations.  When it comes to youth, in early 2002 Queen Rania joined the Board of Directors of the International Youth Foundation, based in Baltimore, Maryland, in the United States. In September 2006, Queen Rania also joined the United Nations Foundation Board of Directors. The UN Foundation builds and implements public-private partnerships to address the world's most pressing problems, and broadens support for the UN through advocacy and public outreach.
Question: Are there any other interesting aspects about this article?
Answer: in early 2002 Queen Rania joined the Board of Directors of the International Youth Foundation, based in Baltimore, Maryland,

Background: Oklahoma! is the first musical written by the team of composer Richard Rodgers and librettist Oscar Hammerstein II. The musical is based on Lynn Riggs' 1931 play, Green Grow the Lilacs. Set in Oklahoma Territory outside the town of Claremore in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancee, Ado Annie.
Context: The original production of Oklahoma! was an unprecedented critical and popular success. John Anderson of the New York Journal American pronounced the musical "a beautiful and delightful show, fresh and imaginative, as enchanting to the eye as Richard Rodgers's music is to the ear. It has, at a rough estimate, practically everything". In the New York Herald Tribune, Howard Barnes wrote, "Songs, dances, and a story have been triumphantly blended.... The Richard Rodgers score is one of his best, and that is saying plenty. Oscar Hammerstein 2nd has written a dramatically imaginative libretto and a string of catchy lyrics; Agnes de Mille has worked small miracles in devising original dances to fit the story and the tunes, while Rouben Mamoulian has directed an excellent company with great taste and craftsmanship." Louis Kronenberger of PM opined that "Mr. Hammerstein's lyrics have less crispness and wit than Lorenz Hart's at their best, but the songs in Oklahoma! call for less sophisticated words, and Mr. Hammerstein has found very likeable ones."  In the New York Daily News, Burns Mantle declared that "Oklahoma! really is different - beautifully different. With the songs that Richard Rodgers has fitted to a collection of unusually atmospheric and intelligible lyrics by Oscar Hammerstein 2nd, Oklahoma! seems to me to be the most thoroughly and attractively American musical comedy since Edna Ferber's Show Boat". New York World-Telegram critic Burton Rascoe particularly emphasized the groundbreaking choreography, stating that "Richard Rodgers has written for the show one of the finest musical scores any musical play ever had. Next to Mr. Rodgers, however, must stand the amazing Agnes de Mille, whose choreography, carried out to perfection by her ballet [corps], is actually the biggest hit of the show. The "Out of My Dreams" and "All Er Nuthin'" dances are such supreme aesthetic delights.... They are spinetingling, out of this world." In The New York Sun, Ward Morehouse commented that "Oklahoma! is charming and leisurely. And tunely. And certainly not topical," as other shows had been in the early years of World War II. "It reveals Mr. Rodgers, shorn only for the moment of Larry Hart, in good form indeed. And nobody in last night's audience seemed to have a better time than Mr. Hart himself, who applauded the proceedings from a seat in Row B." Lorenz Hart himself "pushed his way through the crowd at the after-show party in Sardi's restaurant and threw his arms around his ex-partner, grinning from ear to ear. He told Rodgers he had never had a better evening at the theater in his life."  The only negative review of the musical appeared in the New York Post: The critic wrote that "it all seemed just a trifle too cute", stating that the score consisted of "a flock of Mr. Rodgers's songs that are pleasant enough, but still manage to sound quite a bit alike ... without much variety in the presentation." She concluded that the show was "very picturesque in a studied fashion, reminding us that life on a farm is apt to become a little tiresome."
Question: What did critics say?
Answer:
"a beautiful and delightful show, fresh and imaginative, as enchanting to the eye as Richard Rodgers's music is to the ear. It has, at a rough estimate, practically everything".