input: Swift uses her life experiences as an inspiration in her work. In her songs, Swift often addresses the "anonymous crushes of her high school years" and celebrities. Swift frequently criticizes ex-boyfriends, an aspect of her songwriting downplayed by The Village Voice: "Being told What Songs Mean is like having a really pushy professor. And it imperils a true appreciation of Swift's talent, which is not confessional, but dramatic." However, New York believes the media scrutiny over her decision to "mine her personal life for music ... is sexist, inasmuch as it's not asked of her male peers". The singer herself has said that not all her songs are factual and that they are sometimes based on observations. Aside from her liner note clues, Swift tries not to talk about song subjects specifically "because these are real people. You try to give insight as to where you were coming from as a writer without completely throwing somebody under the bus".  For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that's taking something that potentially should be celebrated--a woman writing about her feelings in a confessional way--that's taking it and turning it and twisting it into something that is frankly a little sexist.  The Guardian has praised Swift for writing about teenage years "with a kind of wistful, sepia-toned nostalgia" over the course of her first two albums. New York has remarked that many singer-songwriters have made great records as teens, but "none made great records so explicitly about their teens". The magazine has also compared her work to Brian Wilson. In Fearless, Swift featured fairy tale imagery and explored the disconnect "between fairy tales and the reality of love". Her later albums address more adult relationships. In addition to romance and love, Swift's songs have discussed parent-child relationships, friendships, alienation, fame, and career ambitions. Swift frequently includes "a tossed-off phrase to suggest large and serious things that won't fit in the song, things that enhance or subvert the surface narrative".  Rolling Stone describes Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture". According to The Village Voice, she uses third-verse point of view reversals frequently. In terms of imagery, repetition is evident in Swift's songwriting. In The Guardian's words, "she spends so much time kissin' in the rain that it seems a miracle she hasn't developed trenchfoot". Slant Magazine adds, "to Swift's credit, she explores new lyrical motifs over the course of [her fourth] album". Although reviews of Swift's work are "almost uniformly positive", The New Yorker has said she is generally portrayed "more as a skilled technician than as a Dylanesque visionary".

Answer this question "What kind of observations?"
output: In addition to romance and love, Swift's songs have discussed parent-child relationships, friendships, alienation, fame, and career ambitions.

input: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians.

Answer this question "How did they react"
output: According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians.

input: From 2009 until its ending in 2015, Michele starred in the Fox musical comedy-drama series Glee as Rachel Berry, the show's female lead and star singer. The role was written specifically for Michele by co-creator Ryan Murphy. Michele won a number of awards for portraying Rachel, including the 2009 Satellite Award for Best Actress - Television Series Musical or Comedy. She was also nominated for the 2009 Golden Globe Award for Best Actress - Television Series Musical or Comedy, and the 2010 Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series.  Michele was included on Time's list of the 100 Most Influential People In the World for 2010. In December 2010, she received Billboard's first-ever Triple Threat Award. Several songs performed by Michele on the show were released as singles available for digital download. Her cover of The All-American Rejects' song "Gives You Hell" reached the top 40 on the Billboard Hot 100. Michele was featured as lead singer for 14 of the top 20 best-selling Glee cast songs as of 2010. In 2011, she was nominated for two Grammy Awards, for Best Pop Performance by a Duo or Group with Vocals ("Don't Stop Believin'") and Best Compilation Soundtrack Album (Glee: The Music, Volume 1). That same year, Michele was nominated again for the Golden Globe Award for Best Actress - Television Series Musical or Comedy. In 2012 and 2013, she won the People's Choice Award for Favorite TV Comedy Actress.  In May 2010, Michele and the cast of Glee embarked on a music tour of the United States, playing 10 shows in Phoenix, Los Angeles, Chicago, and New York City. The final show of 2010 was at Radio City Music Hall. Jonathan Groff, who played Michele's love interest Jesse St. James on the show, performed with her at the Los Angeles and New York City shows. Glee Live! In Concert! then expanded a year later to include 22 shows across North America and 9 shows in England and Ireland. The cast acted in character for the concerts, which were met with positive reviews.  In October 2010, Michele and co-star Matthew Morrison performed as Janet Weiss and Brad Majors, respectively, in the 35th anniversary benefit concert of The Rocky Horror Picture Show. The event benefited The Painted Turtle and also starred Jack Nicholson and Danny DeVito. In February 2011, Michele performed at The Grammys' MusiCares Person of the Year event in Los Angeles, honoring Barbra Streisand. She sang "My Man" from the Streisand film Funny Girl. Before the Super Bowl XLV on February 6, 2011, Michele performed "America the Beautiful" with the United States Air Force Tops In Blue. She then starred in Garry Marshall's romantic comedy film New Year's Eve, portraying Elise, a back-up singer and the love interest of Ashton Kutcher's character. The film was released worldwide on December 9, 2011.

Answer this question "What TV roles did Lea Michele play?"
output:
Michele starred in the Fox musical comedy-drama series Glee as Rachel Berry, the show's female lead and star singer.