input: Mies served as the last director of Berlin's Bauhaus, and then headed the department of architecture, Illinois Institute of Technology in Chicago, where he developed the Second Chicago School. He played a significant role as an educator, believing his architectural language could be learned, then applied to design any type of modern building. He set up a new education at the department of architecture of the Illinois Institute of Technology in Chicago replacing the traditional Ecole des Beaux-Art curriculum by a three-step-education beginning with crafts of drawing and construction leading to planning skills and finishing with theory of architecture (compare Vitruvius: firmitas, utilitas, venustas). He worked personally and intensively on prototype solutions, and then allowed his students, both in school and his office, to develop derivative solutions for specific projects under his guidance.  Some of Mies' curriculum is still put in practice in the first and second year programs at IIT, including the precise drafting of brick construction details so unpopular with aspiring student architects. When none was able to match the quality of his own work, he agonized about where his educational method had gone wrong. Nevertheless, his achievements in creating a teachable architecture language that can be used to express the modern technological era survives until today.  Mies placed great importance on education of architects who could carry on his design principles. He devoted a great deal of time and effort leading the architecture program at IIT. Mies served on the initial Advisory Board of the Graham Foundation in Chicago. His own practice was based on intensive personal involvement in design efforts to create prototype solutions for building types (860 Lake Shore Drive, the Farnsworth House, Seagram Building, S. R. Crown Hall, The New National Gallery), then allowing his studio designers to develop derivative buildings under his supervision.  Mies's grandson Dirk Lohan and two partners led the firm after he died in 1969. Lohan, who had collaborated with Mies on the New National Gallery, continued with existing projects but soon led the firm on his own independent path. Other disciples continued Mies's architectural language for years, notably Gene Summers, David Haid, Myron Goldsmith, Y.C. Wong, Jacques Brownson, and other architects at the firms of C.F. Murphy and Skidmore, Owings & Merrill.  But while Mies' work had enormous influence and critical recognition, his approach failed to sustain a creative force as a style after his death and was eclipsed by the new wave of Post Modernism by the 1980s. Proponents of the Post Modern style attacked the Modernism with clever statements such as "less is a bore" and with captivating images such as Crown Hall sinking in Lake Michigan. Mies had hoped his architecture would serve as a universal model that could be easily imitated, but the aesthetic power of his best buildings proved impossible to match, instead resulting mostly in drab and uninspired structures rejected by the general public. The failure of his followers to meet his high standard may have contributed to demise of Modernism and the rise of new competing design theories following his death.

Answer this question "Did Ludwig build any buildings with his current or former students?"
output: 

input: Bring Me the Horizon's founding members came from diverse musical backgrounds within metal and rock. Matt Nicholls and Oliver Sykes had a common interest in American metalcore such as Norma Jean and Skycamefalling, and used to attend local hardcore punk shows. They later met Lee Malia, who spoke with them about thrash metal and melodic death metal bands like Metallica and At the Gates; Malia had also been part of a Metallica tribute band before meeting the pair. Bring Me the Horizon officially formed in March 2004, when the members were aged 15 to 17. Curtis Ward, who also lived in the Rotherham area, joined Sykes, Malia and Nicholls on drums. Bassist Matt Kean, who was in other local bands, completed the line-up. Their name was taken from the line in the film Pirates of the Caribbean: The Curse of the Black Pearl, where Captain Jack Sparrow says "Now, bring me that horizon."  In the months following their formation, Bring Me the Horizon created a demo album titled Bedroom Sessions. They followed this by releasing their first EP, This Is What the Edge of Your Seat Was Made For in September 2004 through local UK label Thirty Days of Night Records. Bring Me the Horizon were the label's first signing. It was recorded at Pristine Studios in Nottingham over the course of two weekends, with drums and bass guitar laid down over the first weekend, and guitars and vocals completed a week later.  UK label Visible Noise noticed the band after the release of their EP,  and signed them for a four-album deal, in addition to re-releasing the EP in January 2005. The re-release gained the band significant attention, eventually peaking at No. 41 on the UK album charts. The band was later awarded Best British Newcomer at the 2006 Kerrang! Awards ceremony.  The band's first tour was supporting The Red Chord across the United Kingdom. As with other early tours, they were able to get this slot by tricking venue promoters. Kean and Oliver's mother Carol Sykes were the de facto managers of the band at this time, a role they continued to occupy until 2008. For The Red Chord support, Kean emailed promoters and pretended they were opening on all the dates, when they were supposed to play only at their local show. This led them to being booked for the whole tour. In another case, Sykes created an e-mail account in the name of Johnny Truant vocalist Oliver Mitchell, which he used to contact a promoter requesting Bring Me the Horizon on their tour. Alcohol consumption fueled their live performances in their early history when the band would get so drunk they vomited on stage and damaged their equipment.

Answer this question "Did they add any other members?"
output: They later met Lee Malia, who spoke with them about thrash metal and melodic death metal bands

input: Later in 1970, Zappa formed a new version of the Mothers (from then on, he mostly dropped the "of Invention"). It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of the Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name "The Phlorescent Leech and Eddie", or "Flo & Eddie".  This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring the Mothers, the Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Co-directed by Zappa and Tony Palmer, it was filmed in a week at Pinewood Studios outside London. Tensions between Zappa and several cast and crew members arose before and during shooting. The film deals loosely with life on the road as a rock musician. It was the first feature film photographed on videotape and transferred to 35 mm film, a process which allowed for novel visual effects. It was released to mixed reviews. The score relied extensively on orchestral music, and Zappa's dissatisfaction with the classical music world intensified when a concert, scheduled at the Royal Albert Hall after filming, was canceled because a representative of the venue found some of the lyrics obscene. In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract.  After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East - June 1971 and Just Another Band From L.A.; the latter included the 20-minute track "Billy the Mountain", Zappa's satire on rock opera set in Southern California. This track was representative of the band's theatrical performances in which songs were used to build up sketches based on 200 Motels scenes as well as new situations often portraying the band members' sexual encounters on the road.

Answer this question "What was the connection between the Mothers of Invention and Flo and Eddie?"
output:
Zappa formed a new version of the Mothers (from then on, he mostly dropped the "of Invention").