Question: Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.

I scored 114 in the first innings and 97 in the second. I will not claim that the first innings was a particularly good one, as it took me almost seven hours. But neither would I pretend that it was not immensely satisfying. I took ball after ball, blow after blow on that improvised body-shield but was able to stand firm...The second innings was the best I ever played. From the firm foundations of real confidence I was able to get after the bowling and repay Hall, particularly, for some of the anguish he had caused me. I had one glorious hour against him...I hooked him twice in a row and reduced him to the kind of despair which, but a fortnight earlier, had been exclusively mine.  After the poor tour of Australia the previous year a revamped England team was taken to the Caribbean under the management of the forthright Walter Robins. Cowdrey was roped in to open the innings with Geoff Pullar as May thought he was the best player of fast bowling. Even though it was not to Cowdrey's liking he made 491 runs (54.55) and two centuries. England won the Second Test by 256 runs despite play being held up by a riot, but May suffered an internal injury and had to go to hospital every morning before play. May soldiered on, but Cowdrey knew he would soon be in charge and was so affected by nerves before the Third Test that he "would have given anything not to have played". To face the fast bowlers he wore rubber padding sewn into his shirt and recovered to make 114 and 97 despite Wes Hall taking 7/69 in England's first innings of 277, no one else making over 30. May had to fly home for treatment (and was unfit to play for 18 months) so Cowdrey took charge in the Fourth Test, winning the toss and top scoring with 65 in England's 295 as Hall took 6/90. The West Indies overtook this with 402, but Ted Dexter (110) and Raman Subba Row (100) saved the match. In the Fifth Test Brian Statham flew home to his sick son, but Cowdrey won the toss and again chose to bat, top scoring with 119 in England's 393.  Trailing 1-0 the West Indies needed a win to even the series and Gerry Alexander declared at 338/8 to force a result. Cowdrey was out for a duck and England were 148/6 before they were saved by M.J.K. Smith (96) and Jim Parks (101). Cowdrey declared at 350/7 leaving the West Indies 406 to win in 52 overs and their 209/5 gave England their first series win in the West Indies. Even so, Robins publicly upbraided Cowdrey for not making an earlier declaration to make an exciting finish.

Using a quote from the above article, answer the following question: What was his playing style?
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Answer: I took ball after ball, blow after blow on that improvised body-shield but was able to stand firm...The second innings was the best I ever played.

Problem: Leonard Bernstein ( BURN-styne; August 25, 1918 - October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."

While Bernstein was very well known for his music compositions and conducting, he was also known for his outspoken political views and his strong desire to further social change. His first aspirations for social change were made apparent in his producing (as a student) a recently banned opera, The Cradle Will Rock, by Marc Blitzstein, about the disparity between the working and upper class. His first opera, Trouble in Tahiti, was dedicated to Blitzstein and has a strong social theme, criticizing American civilization and suburban upper-class life in particular. As he went on in his career Bernstein would go on to fight for everything from the influences of "American Music" to the disarming of western nuclear weapons.  Like many of his friends and colleagues, Bernstein had been involved in various left wing causes and organizations since the 1940s. He was blacklisted by the US State Department and CBS in the early 1950s, but unlike others his career was not greatly affected, and he was never required to testify before the House Un-American Activities Committee. His political life received substantial press coverage though in 1970, due to a gathering hosted at his Manhattan apartment on January 14, 1970. Bernstein and his wife held the event seeking to raise awareness and money for the defense of several members of the Black Panther Party against a variety of charges. The New York Times initially covered the gathering as a lifestyle item, but later posted an editorial harshly unfavorable to Bernstein following generally negative reaction to the widely publicized story. This reaction culminated in June 1970 with the appearance of "Radical Chic: That Party at Lenny's", an essay by satirist Tom Wolfe featured on the cover of the magazine New York. The article contrasted the Bernsteins' comfortable lifestyle in one of the world's most expensive neighborhoods with the anti-establishment politics of the Black Panthers. It led to the popularization of "radical chic" as a critical term. Both Bernstein and his wife Felicia responded to the criticism, arguing that they were motivated not by a shallow desire to express fashionable sympathy but by their concern for civil liberties.  Bernstein was named in the book Red Channels: The Report of Communist Influence in Radio and Television (1950) as a Communist along with Aaron Copland, Lena Horne, Pete Seeger, Artie Shaw and other prominent figures of the performing arts. Red Channels was issued by the right-wing journal Counterattack and was edited by Vincent Hartnett, who was later found to have libeled and defamed the noted radio personality John Henry Faulk.

What was Bernstein's involvement with social activism?

Answer with quotes:
he was also known for his outspoken political views and his strong desire to further social change.