Problem: Background: Santana is a Latin music and rock band formed in San Francisco, California in 1966 by Mexican-American guitarist Carlos Santana. The band came to public attention with their performance of "Soul Sacrifice" at Woodstock in 1969. This exposure helped propel their first album, also named Santana, into a hit, followed in the next two years by Abraxas and Santana III. Lineup changes were common.
Context: The follow-up to Supernatural came three years later and was highly anticipated by international media and fans alike. On October 22, 2002, Shaman was released worldwide. Although it initially sold briskly (298,973 copies in the US in its first week) and debuted at number 1 on the Billboard 200, the album's appeal quickly wore off and it soon slid down the charts. Despite this, it went on to sell 2x platinum in the US, and achieved platinum status in several other countries including Australia. The first single released from the album, "The Game of Love", which featured vocals from Michelle Branch, debuted at number 5 on the Hot 100. The album's next four singles failed to chart in most countries, but the final single, "Why Don't You & I", featuring the vocals of Alex Band, reached number 8 on the Hot 100. Musically, the album was a return to a more conventional sound for the group, with a mainly Latin rock-based sound.  With their renewed appeal worn off, another three-year wait saw the release of 2005's All That I Am. The album debuted at number 2 on the Billboard 200 but fared worse internationally, and quickly lost appeal. The album, a continuation of the Latin-rock influenced sound of Shaman, achieved gold certification in the US. A five-year break from recording saw the release of another studio album, 2010's Guitar Heaven. Musically it was a drastic change for the band, with a far heavier sound at its core and strong heavy metal influences. It debuted at number 5 on the Billboard 200 but marked another decline for the band, failing to achieve gold status.  In 2012 the group released Shape Shifter, which returned to the conventional Latin rock sound and was completely album-oriented, as no singles were released from it. It debuted at number 16 on the Billboard 200.
Question: Are there any other interesting aspects about this article?
Answer: In 2012 the group released Shape Shifter, which returned to the conventional Latin rock sound and was completely album-oriented,

Problem: Background: Enter Shikari are a British alternative rock band formed in St Albans, Hertfordshire, England in 1999 under the name Hybryd by bassist Chris Batten, lead vocalist and keyboardist Roughton "Rou" Reynolds, and drummer Rob Rolfe. In 2003, guitarist Liam "Rory" Clewlow joined the band to complete its current lineup, and it adopted its current name. In 2005, they performed to a growing fanbase at Download Festival as well as a sold-out concert at the London Astoria. Their debut studio album, Take to the Skies, was released in 2007 and reached number 4 in the Official UK Album Chart, and has since been certified gold in the UK.
Context: The band's debut album, Take to the Skies, was released on 19 March 2007 and on 25 March it reached number 4 in the UK Official Album Charts. It contained re-recordings of many of the songs that had featured on the demo EPs and singles that were released prior to the release of the album.  During the month of March 2007 it was announced they would be playing at Download Festival, Reading and Leeds Festivals, Give it a Name, Glastonbury Festival, Oxegen festival in Ireland and Rock am Ring in Germany. On 30 March 2007, Enter Shikari announced that their next single would be "Jonny Sniper" and would be released on 18 June. The song's video was premiered on 21 May. The single received bad reviews from NME.  Enter Shikari had performed over 500 times by 2007 and played on the Gibson/MySpace stage at 2006's Download Festival. On 14 May 2007, Enter Shikari started their first North America tour. This was followed by three more North American tours.  On 13 May 2008, the band released the first in a series of videos called "Enter Shikari: In the 'Low". The videos, posted on the band's YouTube page, showcased the band as they recorded their new single, "We Can Breathe In Space, They Just Don't Want Us To Escape", and demoed new material. One of the new songs set to feature on the album was 'Step Up', which was first performed at Milton Keynes Pitz on 28 June 2008, the warm up show to Projekt Revolution the following day.
Question: what songs were on the album
Answer: "Jonny Sniper"

Problem: Background: Callen Radcliffe "Cal" Tjader, Jr. ( CHAY-d@r; July 16, 1925 - May 5, 1982) was an American Latin jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform the music of Cuba, the Caribbean, and Latin America for the rest of his life. Tjader played the vibraphone primarily. He was accomplished on the drums, bongos, congas, timpani, and the piano.
Context: Tjader soon quit Shearing after a gig at the San Francisco jazz club the Blackhawk. In April 1954, he formed the Cal Tjader Modern Mambo Quintet. The members were brothers Manuel and Carlos Duran on piano and bass respectively, Bayardo "Benny" Velarde on timbales, bongos, and congas, and Edgard Rosales on congas (Luis Miranda replaced Rosales after the first year). Back in San Francisco and recording for Fantasy Records, the group produced several albums in rapid succession, including Mambo with Tjader.  The Mambo craze reached its pitch in the late 1950s, a boon to Tjader's career. Unlike the exotica of Martin Denny and Les Baxter, music billed as "impressions of" Oceania (and other locales), Tjader's bands featured seasoned Cuban players and top-notch jazz talent conversant in both idioms. He cut several notable straight-ahead jazz albums for Fantasy using various group names, most notably the Cal Tjader Quartet (composed of bassist Gene Wright, drummer Al Torre, and pianist Vince Guaraldi). Tjader is sometimes lumped in as part of the West Coast (or "cool") jazz sound, although his rhythms and tempos (both Latin and bebop) had little in common with the work of Los Angeles jazzmen Gerry Mulligan, Chet Baker, or Art Pepper.  Tjader and his band opened the second Monterey Jazz Festival in 1959 with an acclaimed "preview" concert. The first festival had suffered financially. Tjader is credited with bringing in big ticket sales for the second and saving the landmark festival before it had even really started. The Modern Mambo Quintet disbanded within a couple of years. Tjader formed several more small-combo bands, playing regularly at such San Francisco jazz clubs as the Blackhawk.
Question: What record label was he with at this time?
Answer: