Some context: Ayaan Hirsi Ali (; Dutch: [a:'ja:n 'hi:rsi 'a:li] ( listen); born Ayaan Hirsi Magan, 13 November 1969) is a Somali-born Dutch-American activist, feminist, author, scholar and former politician.
Hirsi Ali arrived in the Netherlands in 1992. That year she had travelled from Kenya to visit her family in Dusseldorf and Bonn, Germany and gone to the Netherlands to escape an alleged arranged marriage. Once there, she requested political asylum and obtained a residence permit. She used her paternal grandfather's early surname on her application and has since been known in the West as Ayaan Hirsi Ali. She received a residence permit within three or four weeks of arriving in the Netherlands.  At first she held various short-term jobs, ranging from cleaning to sorting post. She worked as a translator at a Rotterdam refugee center which, according to a friend interviewed in 2006 by The Observer newspaper, marked her deeply.  As an avid reader, in the Netherlands she found new books and ways of thought that both stretched her imagination and frightened her. Sigmund Freud's work introduced her to an alternative moral system that was not based on religion. During this time she took courses in Dutch and a one-year introductory course in social work at the De Horst Institute for Social Work in Driebergen. She has said that she was impressed with how well Dutch society seemed to function. To better understand its development, she studied at Leiden University, obtaining an MSc degree in political science in 2000.  Between 1995 and 2001, Hirsi Ali also worked as an independent Somali-Dutch interpreter and translator, frequently working with Somali women in asylum centers, hostels for abused women, and at the Dutch immigration and naturalization service (IND, Immigratie en Naturalisatiedienst). While working for the IND, she became critical of the way it handled asylum seekers. As a result of her education and experiences, Hirsi Ali speaks six languages: English, Somali, Arabic, Swahili, Amharic, and Dutch.
anything else intersting
A: she studied at Leiden University, obtaining an MSc degree in political science in 2000.
Some context: Pinky and the Brain is an American animated television series. It was the first animated television series to be presented in Dolby Surround and the fourth collaboration of Steven Spielberg with his production company, Amblin Television, and produced by Warner Bros. Animation. The characters first appeared in 1993 as a recurring segment on Animaniacs. It was later picked up as a series due to its popularity, with 65 episodes produced.
As with Animaniacs, Pinky and the Brain was scored by a team of talented composers, led by Emmy-Award-winning composer Richard Stone. This team included Steven Bernstein and Julie Bernstein, who also orchestrated and sometimes conducted the 40-piece orchestra. The recordings were done on Stage A on the Warner Bros lot, the same stage (and with the same piano) where Carl Stalling recorded his Looney Tunes music. The theme music for Pinky and the Brain was composed by Richard Stone with lyrics by Tom Ruegger.  Two versions of the opening sequence and theme, with slightly different lyrics, were used during Animaniacs shorts. In the first version, Yakko, Wakko, and Dot (voiced respectively by Paulsen, Harnell, and MacNeille) popped up in the lab and sang the theme while letting the two mice out of their cage. The second, later version had the singers off-camera as the Brain picked the lock on the cage door with a small needle to free himself and Pinky. On the Pinky and the Brain show, the theme gained an additional two verses and was sung by Harnell, Dorian Harewood, Jim Cummings, and Paulsen.  The score sometimes includes references to classical music. For example, in the episode where the Brain builds a new Papier-mache Earth, the theme from the 2nd and 4th movements of Dvorak's 'New World Symphony' can be heard throughout the episode. The episode Napoleon Brainaparte makes frequent reference to the French anthem, La Marseillaise, while in the episode in which Pinky becomes the artist "Pinkasso" Mussorgsky's Pictures at an Exhibition can be heard.
Are there additional references like that?
A: The episode Napoleon Brainaparte makes frequent reference to the French anthem, La Marseillaise, while in the episode in which Pinky becomes the artist "Pinkasso" Mussorgsky's Pictures at an Exhibition
Some context: Cheri Honkala was born in Minneapolis, Minnesota, in 1963. Her father, Maynard Duane Honkala, was of Finnish ancestry, and her mother had Cheyenne Native American ancestry. She grew up watching her mother suffer from domestic violence. Honkala's mother quietly endured this abuse for fear of losing her kids.
Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."  She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999).  Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine.  Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation.
Who wrote that book ?
A:
Mary Bricker-Jenkins,