input: A third milestone in Wodehouse's life came towards the end of 1915: his old songwriting partner Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator. Bolton and Kern had a musical, Very Good Eddie, running at the Princess Theatre in New York. The show was successful, but they thought the song lyrics weak and invited Wodehouse to join them on its successor. This was Miss Springtime (1916), which ran for 227 performances--a good run by the standards of the day. The team produced several more successes, including Leave It to Jane (1917), Oh, Boy! (1917-18) and Oh, Lady! Lady!! (1918), and Wodehouse and Bolton wrote a few more shows with other composers. In these musicals Wodehouse's lyrics won high praise from critics as well as fellow lyricists such as Ira Gershwin.  Unlike his original model, Gilbert, Wodehouse preferred the music to be written first, fitting his words into the melodies. Donaldson suggests that this is the reason why his lyrics have largely been overlooked in recent years: they fit the music perfectly, but do not stand on their own in verse form as Gilbert's do. Nonetheless, Donaldson adds, the book and lyrics for the Princess Theatre shows made the collaborators an enormous fortune and played an important part in the development of the American musical. In the Grove Dictionary of American Music Larry Stempel writes, "By presenting naturalistic stories and characters and attempting to integrate the songs and lyrics into the action of the libretto, these works brought a new level of intimacy, cohesion, and sophistication to American musical comedy." The theatre writer Gerald Bordman calls Wodehouse "the most observant, literate, and witty lyricist of his day". The composer Richard Rodgers wrote, "Before Larry Hart, only P.G. Wodehouse had made any real assault on the intelligence of the song-listening public."  In the years after the war, Wodehouse steadily increased his sales, polished his existing characters and introduced new ones. Bertie and Jeeves, Lord Emsworth and his circle, and Ukridge appeared in novels and short stories; Psmith made his fourth and last appearance; two new characters were the Oldest Member, narrating his series of golfing stories, and Mr Mulliner, telling his particularly tall tales to fellow patrons of the bar at the Angler's Rest. Various other young men-about-town appeared in short stories about members of the Drones Club.  The Wodehouses returned to England, where they had a house in London for some years, but Wodehouse continued to cross the Atlantic frequently, spending substantial periods in New York. He continued to work in the theatre. During the 1920s he collaborated on nine musical comedies produced on Broadway or in the West End, including the long-running Sally (1920, New York), The Cabaret Girl (1922, London) and Rosalie (1928, New York). He also wrote non-musical plays, including The Play's the Thing (1926), adapted from Ferenc Molnar, and A Damsel in Distress (1928), a dramatisation of his 1919 novel.  Though never a naturally gregarious man, Wodehouse was more sociable in the 1920s than at other periods. Donaldson lists among those with whom he was on friendly terms writers including A.A. Milne, Ian Hay, Frederick Lonsdale and E. Phillips Oppenheim, and stage performers including George Grossmith, Jr., Heather Thatcher and Dorothy Dickson.

Answer this question "How did the show do?"
output: The show was successful, but they thought the song lyrics weak and invited Wodehouse to join them on its successor.

input: On March 19, 2008; Rooney released wide receiver Cedrick Wilson from the Steelers, after he was arrested for punching his former girlfriend. However earlier that month, on March 8, Rooney failed to offer any type of discipline to linebacker James Harrison for slapping his girlfriend. When asked about the incident involving Wilson, Rooney stated that "the Steelers do not condone violence of any kind, especially against women,". However, he was then confronted about this by Ed Bouchette and Michael A. Fuoco of the Pittsburgh Post-Gazette, who asked why Harrison was not punished for committing the same crime.  Rooney said that the cases were different and stated that "I know many are asking the question of [why] we released Wilson and Harrison we kept. The circumstances--I know of the incidents, they are completely different. In fact, when I say we don't condone these things, we don't, but we do have to look at the circumstances that are involved with other players and things like that, so they're not all the same. What James Harrison was doing and how the incident occurred, what he was trying to do was really well worth it. He was doing something that was good, wanted to take his son to get baptized where he lived and things like that. She said she didn't want to do it."  Rooney later said that Harrison had no intention of harming his girlfriend when he went to her house to pick up his son. "The situation angered him. He didn't go there with intent." Meanwhile, Rooney stated that the Wilson case was different. According to Rooney "[Wilson] knew what he was doing. He knew where his [former] girlfriend was and went to the bar looking for her. When he got there he punched her. That's different and I understand he expressed no regret.  Afterwards Rooney was criticized by the Women's Center and Shelter of Pittsburgh as a result of his comments. ESPN's Matt Mosley later wrote that Rooney's attempt to "explain that Harrison's heart was in the right place ... had to be one of the worst Public Relations moments in club history."

Answer this question "what was his next step after letting the player go?"
output: Rooney was criticized by the Women's Center and Shelter of Pittsburgh as a result of his comments.

input: On June 23, 2008 during the 2008 WWE Draft, Ross was drafted from Raw to the SmackDown brand while Michael Cole was drafted from SmackDown to Raw, trading positions as commentators on each brand. This ended Ross' position as Monday Night Raw's play-by-play commentator after a nearly 12-year run. The following day Ross posted a blog on his official website saying initially he was not happy with the move and considered quitting the company since he was not told beforehand about the move, but that he would work "to make SmackDown the best program the WWE produces".  On September 23, 2008 episode of ECW on Syfy, Ross made an appearance on the ECW brand filling in for a sick Todd Grisham alongside Matt Striker.  On April 8, 2009, Ross announced on his WWE Universe blog that with the departure of Tazz from World Wrestling Entertainment, he would assume the role of SmackDown's color analyst, with ECW announcer Todd Grisham moving over to the brand as the play-by-play announcer. October 6, 2009 was his last broadcast as a full-time announcer for WWE.  Ross missed the SmackDown tapings on October 13, 2009, as he asked for a day off due to an anniversary. Seven days later, on October 20, Ross suffered his third Bell's palsy episode en route to Columbia, South Carolina for a SmackDown taping. After initially planning on working the tapings and reuniting with Lawler, Ross instead flew back to Oklahoma, missing the show--Lawler and Cole commentated SmackDown--and leaving his plans for Bragging Rights in the air. On October 21, 2009, Jim Ross announced that he would not be commentating the WWE Bragging Rights pay-per-view, but Grisham mentioned that SmackDown would give Ross the Bragging Rights trophy as a "get well" gift.

Answer this question "What did Todd Grisham do?"
output:
play-by-play announcer.