input: From March to August 2008, and from January to April 2009, Three Days Grace recorded their third album at The Warehouse Studio in Vancouver, British Columbia, and in Los Angeles, again with producer Howard Benson who had worked with them on their previous releases. The album, entitled Life Starts Now, was released on September 22, 2009. Critics as well as band members have noted the album's departure from the angry tone of the band's previous releases into a lyrical style that is perceived as more optimistic. This album reflects the maturity of the band members as they overcome problems such as sickness and death within their families in which they stated, "We had to be inspired by it, but the outcome is this: It's a new beginning. It's life starting over."  According to guitarist Barry Stock, the album's theme centres around "a new sense of freshness" and the idea that "you don't have to be stuck in whatever it is you're dealing with. Whether it's good or bad, it's your choice to make a change".  Life Starts Now debuted at number three on the Billboard 200, Three Days Grace's highest chart position to date, and sold 79,000 copies in its first week. The album was met with mostly positive reviews. Ben Rayner of the Toronto Star gave the album a negative review, saying it possesses "no sound of its own, just a shallow range between Linkin Park and Nickelback". According to Allmusic reviewer James Christopher Monger, who gave the album three out of five stars, Life Starts Now "...continues the theme of One-X, Gontier's personal demons, but with a 'hint of sunlight'." He complimented the album, saying it "...treats the well-worn metal themes of anger, isolation, heartache, and redemption with the kind of begrudging respect they deserve, pumping out a competent flurry of fist-bump anthems and world-weary, mid-tempo rockers".  The first single release from the album, "Break", was released on September 1, 2009. In support of the album, Three Days Grace embarked on a 20 date Canadian tour lasting through November and December 2009. They co-headlined a January-February 2010 tour of the U.S. with Breaking Benjamin and Flyleaf.  Life Starts Now was nominated for "Best Rock Album" at the 2010 Juno Awards, but lost to Billy Talent III.  Three Days Grace went on tour with Nickelback and Buckcherry on the "Dark Horse Fall 2010 Tour". They toured with My Darkest Days starting in March 2011.

Answer this question "What other rewards did they earn?"
output: Life Starts Now was nominated for "Best Rock Album" at the 2010 Juno Awards,

input: Grandaddy was formed in 1992 by singer, guitarist and keyboardist Jason Lytle, bassist Kevin Garcia and drummer Aaron Burtch. The group was initially influenced by US punk bands such as Suicidal Tendencies and Bad Brains. Lytle was a former professional skateboarder, who had turned to music after a knee injury forced him to stop skating, working at a sewage treatment works to fund the purchase of equipment, and several of the band's early live performances were at skateboarding competitions.  The band members constructed a studio at the Lytle family home, and the band's first release was the self-produced cassette Complex Party Come Along Theories in April 1994. Singles "Could This Be Love" and "Taster" followed later that year. In 1995, guitarist Jim Fairchild (another ex-pro-skater who had guested with the band before) and keyboardist Tim Dryden joined the band. A second cassette, Don't Sock the Tryer was withdrawn, with the band instead releasing debut mini-album A Pretty Mess by This One Band in April 1996 on the Seattle-based Will label.  In 1997 they released their debut full-length album Under the Western Freeway, and, with the help of Howe Gelb, signed a UK deal with Big Cat Records (by then a subsidiary of V2), who reissued the album the following year. The album included the single "A.M. 180", which was featured during a sequence in the 2002 British film 28 Days Later. It was also used for the theme song for the BBC Four television series Charlie Brooker's Screenwipe, and in an advertisement for Colin Murray's BBC Radio 1 show. "A.M. 180" was also used in television commercials for the Dodge Journey automobile. One of the album's singles, "Summer Here Kids", was rated as "Single of the Week" by popular British music magazine NME, and was also used as the theme music for another Charlie Brooker-fronted show, BBC Radio 4's So Wrong It's Right. The album led to an increase in the band's popularity in Europe, and a main stage performance at the Reading Festival in 1998. The album was only a success in the US when later reissued by V2. With the band busy touring in 1999, their next release was the compilation The Broken Down Comforter Collection.

Answer this question "What early releases did Grandaddy do?"
output: first release was the self-produced cassette Complex Party Come Along Theories in April 1994.

input: According to his birth certificate he was named Fred King, and his parents were Ella Mae King and J. T. Christian. When Freddie was six years old, his mother and his uncle began teaching him to play the guitar. In autumn 1949, he and his family moved from Dallas to the South Side of Chicago.  In 1952 King started working in a steel mill. In the same year he married another Texas native, Jessie Burnett. They had seven children.  Almost as soon as he had moved to Chicago, King started sneaking into South Side nightclubs, where he heard blues performed by Muddy Waters, Howlin' Wolf, T-Bone Walker, Elmore James, and Sonny Boy Williamson. King formed his first band, the Every Hour Blues Boys, with the guitarist Jimmie Lee Robinson and the drummer Frank "Sonny" Scott. In 1952, while employed at a steel mill, the eighteen-year-old King occasionally worked as a sideman with such bands as the Little Sonny Cooper Band and Earl Payton's Blues Cats. In 1953 he recorded with the latter for Parrot Records, but these recordings were never released. As the 1950s progressed, King played with several of Muddy Waters's sidemen and other Chicago mainstays, including the guitarists Jimmy Rogers, Robert Lockwood Jr., Eddie Taylor, and Hound Dog Taylor; the bassist Willie Dixon; the pianist Memphis Slim; and the harmonicist Little Walter.  In 1956 he cut his first record as a leader, for El-Bee Records. The A-side was "Country Boy", a duet with Margaret Whitfield. The B-side was a King vocal. Both tracks feature the guitar of Robert Lockwood, Jr., who during these years was also adding rhythm backing and fills to Little Walter's records.  King was repeatedly rejected in auditions for the South Side's Chess Records, the premier blues label, which was the home of Muddy Waters, Howlin' Wolf, and Little Walter. The complaint was that King sang too much like B.B. King. A newer blues scene, lively with nightclubs and upstart record companies, was burgeoning on the West Side, though. The bassist and producer Willie Dixon, during a period of estrangement from Chess in the late 1950s, asked King to come to Cobra Records for a session, but the results have never been heard. Meanwhile, King established himself as perhaps the biggest musical force on the West Side. He played along with Magic Sam and reputedly played backing guitar, uncredited, on some of Sam's tracks for Mel London's Chief and Age labels, though King does not stand out on them.

Answer this question "Did he ever marry?"
output:
In the same year he married another Texas native, Jessie Burnett.