Question:
Goring was born on 12 January 1893 at the Marienbad Sanatorium in Rosenheim, Bavaria. His father, Heinrich Ernst Goring (31 October 1839 - 7 December 1913), a former cavalry officer, had been the first Governor-General of the German protectorate of South-West Africa (modern-day Namibia). Heinrich had five children from a previous marriage. Goring was the fourth of five children by Heinrich's second wife, Franziska Tiefenbrunn (1859-15 July 1943), a Bavarian peasant.
During the first year of World War I, Goring served with his infantry regiment in the area of Mulhausen, a garrison town less than 2 km from the French frontier. He was hospitalized with rheumatism, a result of the damp of trench warfare. While he was recovering, his friend Bruno Loerzer convinced him to transfer to what would become, by October 1916, the Luftstreitkrafte ("air combat forces") of the German army, but his request was turned down. Later that year, Goring flew as Loerzer's observer in Feldflieger Abteilung 25 (FFA 25) - Goring had informally transferred himself. He was discovered and sentenced to three weeks' confinement to barracks, but the sentence was never carried out. By the time it was supposed to be imposed, Goring's association with Loerzer had been made official. They were assigned as a team to FFA 25 in the Crown Prince's Fifth Army. They flew reconnaissance and bombing missions, for which the Crown Prince invested both Goring and Loerzer with the Iron Cross, first class.  After completing the pilot's training course, Goring was assigned to Jagdstaffel 5. Seriously wounded in the hip in aerial combat, he took nearly a year to recover. He then was transferred to Jagdstaffel 26, commanded by Loerzer, in February 1917. He steadily scored air victories until May, when he was assigned to command Jagdstaffel 27. Serving with Jastas 5, 26, and 27, he continued to win victories. In addition to his Iron Crosses (1st and 2nd Class), he received the Zaehring Lion with swords, the Friedrich Order, the House Order of Hohenzollern with swords third class, and finally, in May 1918, the coveted Pour le Merite. According to Hermann Dahlmann, who knew both men, Goring had Loerzer lobby for the award. He finished the war with 22 victories. A thorough post-war examination of Allied loss records showed that only two of his awarded victories were doubtful. Three were possible and 17 were certain, or highly likely.  On 7 July 1918, following the death of Wilhelm Reinhard, successor to Manfred von Richthofen, Goring was made commander of the famed "Flying Circus", Jagdgeschwader 1. His arrogance made him unpopular with the men of his squadron.  In the last days of the war, Goring was repeatedly ordered to withdraw his squadron, first to Tellancourt airdrome, then to Darmstadt. At one point, he was ordered to surrender the aircraft to the Allies; he refused. Many of his pilots intentionally crash-landed their planes to keep them from falling into enemy hands.  Like many other German veterans, Goring was a proponent of the Stab-in-the-back legend, the belief which held that the German Army had not really lost the war, but instead was betrayed by the civilian leadership: Marxists, Jews, and especially the Republicans, who had overthrown the German monarchy.
Answer this question using a quote from the text above:

How good of a soldier was Hermann Goring?

Answer:
Goring was assigned to Jagdstaffel 5. Seriously wounded in the hip in aerial combat, he took nearly a year to recover. He then was transferred to Jagdstaffel 26,

Answer the question at the end by quoting:

Marguerite "Peggy" Guggenheim (August 26, 1898 - December 23, 1979) was an American art collector, bohemian and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the Titanic in 1912, and the niece of Solomon R. Guggenheim, who would establish the Solomon R. Guggenheim Foundation. Peggy Guggenheim created a noted art collection in Europe and America primarily between 1938 and 1946. She exhibited this collection as she built it and in 1949, settled in Venice, where she lived and exhibited her collection for the rest of her life.
When Peggy Guggenheim realized that her gallery, although well received, had made a loss of PS600 in the first year, she decided to spend her money in a more practical way. A museum for contemporary arts was exactly the institution she could see herself supporting. Most certainly on her mind also were the adventures in New York City of her uncle, Solomon R. Guggenheim, who, with the help and encouragement of Hilla Rebay, had created the Solomon R. Guggenheim Foundation two years earlier. The main aim of this foundation had been to collect and to further the production of abstract art, resulting in the opening of the Museum of Non-objective Painting (from 1952: The Solomon R. Guggenheim Museum) earlier in 1939 on East 54th Street in Manhattan. Peggy Guggenheim closed Guggenheim Jeune with a farewell party on 22 June 1939, at which colour portrait photographs by Gisele Freund were projected on the walls. She started making plans for a Museum of Modern Art in London together with the English art historian and art critic Herbert Read. She set aside $40,000 for the museum's running costs. However, these funds were soon overstretched with the organisers' ambitions.  In August 1939, Peggy Guggenheim left for Paris to negotiate loans of artworks for the first exhibition. In her luggage was a list drawn up by Herbert Read for this occasion. Shortly after her departure the Second World War broke out, and the events following 1 September 1939 made her abandon the scheme, willingly or not. She then "decided now to buy paintings by all the painters who were on Herbert Read's list. Having plenty of time and all the museum's funds at my disposal, I put myself on a regime to buy one picture a day." When finished, she had acquired ten Picassos, forty Ernsts, eight Miros, four Magrittes, three Man Rays, three Dalis, one Klee, one Wolfgang Paalen and one Chagall among others. In the meantime, she had also made new plans and in April 1940 had rented a large space in the Place Vendome as a new home for her museum.  A few days before the Germans reached Paris, Peggy Guggenheim had to abandon her plans for a Paris museum, and fled to the south of France, from where, after months of safeguarding her collection and artist friends, she left Europe for New York in the summer of 1941. There, in the following year, she opened a new gallery which actually was in part a museum at 30 West 57th Street. It was called The Art of This Century Gallery. Three of the four galleries were dedicated to Cubist and Abstract art, Surrealism and Kinetic art, with only the fourth, the front room, being a commercial gallery. Peggy Guggenheim held important shows, such as the show for 31 Women artists, at the gallery as well.  Her interest in new art was instrumental in advancing the careers of several important modern artists including the American painters Jackson Pollock and William Congdon, the Austrian surrealist Wolfgang Paalen, the sound poet Ada Verdun Howell and the German painter Max Ernst, whom she married in December 1941. She had assembled her collection in only seven years.

Was she successful in her plans?
The main aim of this foundation had been to collect and to further the production of abstract art,