Problem: Background: Richard was born on 2 October 1452 at Fotheringhay Castle, the twelfth of thirteen children of Richard Plantagenet, 3rd Duke of York and Cecily Neville at the beginning of what has traditionally been labelled the "Wars of the Roses", a period of "three or four decades of political instability and periodic open civil war in the second half of the fifteenth century", between supporters of Richard's father (a potential claimant to the throne of King Henry VI from birth)--"Yorkists"--in opposition to the regime of Henry VI and his wife, Margaret of Anjou, and those loyal to the crown ("Lancastrians"). When his father and the Nevilles were forced to flee to Ludlow in 1459, Richard and his older brother, George (later Duke of Clarence), were placed in the custody of the Duchess of Buckingham, and the Archbishop of Canterbury. When his father and elder brother Edmund, Earl of Rutland, were killed at the Battle of Wakefield on 30 December 1460, Richard, who was eight years old, and George were sent by his mother, the Duchess of York, to the Low Countries. They returned to England following the defeat of the Lancastrians at the Battle of Towton and participated in the coronation of Richard's eldest brother as King Edward IV in June 1461.
Context: Richard's Council of the North, described as his "one major institutional innovation", derived from his ducal council following his own viceregal appointment by Edward IV; when Richard himself became king, he maintained the same conciliar structure in his absence. It officially became part of the royal council machinery under the presidency of John de la Pole, Earl of Lincoln in April 1484, based at Sandal Castle in Wakefield. It is considered to have greatly improved conditions for northern England, as it was, in theory at least, intended to keep the peace and punish law breakers, as well as resolving land disputes. Bringing regional governance directly under the control of central government, it has been described as the king's "most enduring monument", surviving unchanged until 1641.  In December 1483, Richard instituted what later became known as the Court of Requests, a court to which poor people who could not afford legal representation could apply for their grievances to be heard. He also improved bail in January 1484, to protect suspected felons from imprisonment before trial and to protect their property from seizure during that time. He founded the College of Arms in 1484, he banned restrictions on the printing and sale of books, and he ordered the translation of the written Laws and Statutes from the traditional French into English. He ended the arbitrary benevolences (a device by which Edward IV raised funds), made it punishable to conceal from a buyer of land that a part of the property had already been disposed of to somebody else, required that land sales be published, laid down property qualifications for jurors, restricted the abusive Courts of Piepowders, regulated cloth sales, instituted certain forms of trade protectionism, prohibited the sale of wine and oil in fraudulent measure, and prohibited fraudulent collection of clergy dues, among others. Churchill implies he improved the law of trusts.  Richard's death at Bosworth resulted in the end of the Plantagenet dynasty, which had ruled England since the succession of Henry II in 1154. The last legitimate male Plantagenet, Richard's nephew, Edward, Earl of Warwick (son of Richard III's brother Clarence), was executed by Henry VII in 1499. The only extant direct male line of Plantagenets is the House of Beaufort, headed today by Henry Somerset, 12th Duke of Beaufort. But the Beaufort line was barred from the succession by Henry IV.
Question: How did he accomplish that?
Answer: when Richard himself became king, he maintained the same conciliar structure in his absence. It officially became part of the royal council machinery

Background: Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader Eva Peron, the second wife of Argentine president Juan Peron. The story follows Evita's early life, rise to power, charity work, and eventual death. The musical began as a rock opera concept album released in 1976.
Context: In 1972, Robert Stigwood proposed that Andrew Lloyd Webber and Tim Rice develop a new musical version of Peter Pan, but they abandoned the project.  Travelling late to a meal one night in 1973, though, Rice heard the end of a radio show about Eva Peron which intrigued him. As a child stamp collector, he had been fascinated by her image on the Argentine stamps, but was unaware of her significance in Argentina's history. He began research and was introduced by a Cinema International Corporation executive to the Argentine film director Carlos Pasini Hansen who had produced the TV film Queen of Hearts, which had aired in the UK on 24 October 1972. The executive also arranged for Rice to see the film at Thames Television which he did "at least twenty times" saying also that "by that time I had seen Pasini's superbly researched film, I was hooked." The more Rice investigated Eva Peron, going so far as to travel to Buenos Aires to research her life with many documents and contacts that Pasini had supplied, the more fascinated he became by the woman; he even named his first daughter after her.  Rice suggested the idea of a musical based on the subject to Lloyd Webber, but although the idea of writing a score including tangos, pasos dobles, and similar Latin flavours intrigued him, Lloyd Webber ultimately rejected the idea. He decided instead to collaborate with Alan Ayckbourn on Jeeves, a traditional Rodgers and Hart-style musical based on the P. G. Wodehouse character, which proved to be a critical and commercial failure. After Jeeves, Lloyd Webber returned to Rice, and they began developing Rice's proposed musical.  The authors of the 1996 book Evita: The Real Life of Eva Peron claim the musical was based on Mary Main's biography The Woman with the Whip, which was extremely critical of Eva Peron. Though Rice praised the Main biography, it was never officially credited as source material. Rice created a character, Che, to serve as a narrator and Greek chorus. Although he had recently discovered Che Guevara was Argentine, he did not necessarily intend that the character be based upon him, despite inserting specific biographical details into the lyrics that clearly apply to Guevara. When Harold Prince later became involved with the project, he insisted that the actors portraying Che should use Guevara as a role model. In the 1996 film adaptation, the character returned to his more anonymous roots. This was also the case for the 2006 London revival.  Lloyd Webber and the conductor Anthony Bowles presented the musical at the second Sydmonton Festival before making the recording with the London Philharmonic Orchestra.
Question: What did he do in honor of her
Answer:
he even named his first daughter after her.