Background: Jose Julian Marti Perez (January 28, 1853 - May 19, 1895) was a Cuban National Hero and an important figure in Latin American literature. During his life, he worked as a poet, essayist, journalist, translator, professor, and publisher. He was very politically active, and is considered an important revolutionary philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence against Spain in the 19th century, and is referred to as the "Apostle of Cuban Independence."
Context: Jose Marti is usually honored as a great poet, patriot and martyr of Cuban Independence, but he was also a translator of some note. Although he translated literary material for the sheer joy of it, much of the translating he did was imposed on him by economic necessity during his many years of exile in the United States. Marti learned English at an early age, and had begun to translate at thirteen. He continued translating for the rest of his life, including his time as a student in Spain, although the period of his greatest productivity was during his stay in New York from 1880 until he returned to Cuba in 1895.  In New York he was what we would call today a "freelancer" as well as an "in house" translator. He translated several books for the publishing house of D. Appleton, and did a series of translations for newspapers. As a revolutionary activist in Cuba's long struggle for independence he translated into English a number of articles and pamphlets supporting that movement. In addition to fluent English, Marti also spoke French, Italian, Latin and Classical Greek fluently, the latter learned so he could read the Greek classical works in the original.  There was clearly a dichotomy in Marti's feeling about the kind of work he was translating. Like many professionals, he undertook for money translation tasks which had little intellectual or emotional appeal for him. Although Marti never presented a systematic theory of translation nor did he write extensively about his approach to translation, he did jot down occasional thoughts on the subject, showcasing his awareness of the translator's dilemma of the faithful versus the beautiful and stating that "translation should be natural, so that it appears that the book were written in the language to which it has been translated".
Question: Did he learn different languages in school or was he self taught?
Answer: sheer joy of it, much of the translating he did was imposed on him by economic necessity during his many years of exile in the United

Background: Hooker's date of birth is a subject of debate; the years 1912, 1915, 1917, 1920, and 1923 have been suggested. Most sources give 1917, though at times Hooker stated he was born in 1920. Information in the 1920 and 1930 censuses indicates that he was born in 1912. In 2017, a series of events took place to celebrate the purported centenary of his birth.
Context: Hooker's recording career began in 1948, when Modern Records, based in Los Angeles, released a demo he had recorded for Bernie Besman in Detroit. The single, "Boogie Chillen'", became a hit and the best-selling race record of 1949. Despite being illiterate, Hooker was a prolific lyricist. In addition to adapting traditional blues lyrics, he composed original songs. In the 1950s, like many black musicians, Hooker earned little from record sales, and so he often recorded variations of his songs for different studios for an up-front fee. To evade his recording contract, he used various pseudonyms, including John Lee Booker (for Chess Records and Chance Records in 1951-1952), Johnny Lee (for De Luxe Records in 1953-1954), John Lee, John Lee Cooker, Texas Slim, Delta John, Birmingham Sam and his Magic Guitar, Johnny Williams, and the Boogie Man.  His early solo songs were recorded by Bernie Besman. Hooker rarely played with a standard beat, but instead he changed tempo to fit the needs of the song. This often made it difficult to use backing musicians, who were not accustomed to Hooker's musical vagaries. As a result, Besman recorded Hooker playing guitar, singing and stomping on a wooden pallet in time with the music.  For much of this period he recorded and toured with Eddie Kirkland. In Hooker's later sessions for Vee-Jay Records in Chicago, studio musicians accompanied him on most of his recordings, including Eddie Taylor, who could handle his musical idiosyncrasies. "Boom Boom" and "Dimples", two popular songs by Hooker, were originally released by Vee-Jay.
Question: did he write his own songs?
Answer: Despite being illiterate, Hooker was a prolific lyricist. In addition to adapting traditional blues lyrics, he composed original songs.

Background: Scott Kevin Walker (born November 2, 1967) is an American politician serving as the 45th and current Governor of Wisconsin since 2011. First elected Wisconsin Governor in the 2010 general election, he won a 2012 recall election and was reelected a second time in 2014. He is a former member of the Wisconsin State Assembly and a former Milwaukee County Executive. Born in Colorado Springs, Colorado, Walker was raised in Iowa and in Delavan, Wisconsin, before attending Marquette University.
Context: In 2011, the WEDC was created by Walker as a quasi-public entity to replace the state's Department of Commerce with the objective of incenting job creation in Wisconsin. A 2013 report from the state's Legislative Audit Committee indicated that the organization gave some "grants, loans, and tax credits to ineligible recipients, for ineligible projects, and for amounts that exceeded specified limits." It also reported that WEDC "did not consistently perform statutorily required program oversight duties such as monitoring the contractually specified performance of award recipients". According to Wisconsin Public Radio, "The agency has been plagued by mismanagement and questions about handing out loans without properly vetting recipients."  In June 2015, it was reported that under Walker, WEDC gave out $124 million between the years 2011 and 2013 without formal review. Based on the 27 awards during that period, 2,100 jobs had been created to date out of a total expected of 6,100. $62.5 million was awarded to Kohl's to create 3,000 jobs as part of a headquarters expansion but only 473 had been created, $18 million was awarded to Kestrel Aircraft which was supposed to create 665 jobs but only created 24, and $15 million went to Plexus Corp. to create 350 jobs, but created zero. In July 2013, WEDC adopted a new policy requiring written reviews on all program awards. According to WEDC, it had approved more than 760 reviewed awards under the new policy by June 2015.  Walker introduced a state budget in February 2015 which removed all of the elected officials from the board. This included removing himself from chairmanship of WEDC. This was revised by the Legislature's budget committee who altered it to only remove Walker. Walker signed the budget in July 2015.
Question: Was he in charge of finances ?
Answer:
reported that under Walker, WEDC gave out $124 million between the years 2011 and 2013