Answer the question at the end by quoting:

Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario, Canada. He was the fourth of eight children of Doris Marguerite (Wardell) and Rupert Loebig Hartmann, a salesman specializing in building materials. His parents were Catholic and raised their children in that faith. As a child Hartman found affection hard to earn and stated: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere."
Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". Citing the need for a more social outlet for his talents, Hartman, aged 27, began in 1975 to attend evening comedy classes run by the California-based improvisational comedy group The Groundlings. While watching one of the troupe's performances, Hartman impulsively decided to climb on stage and join the cast. After several years of training, paying his way by re-designing the group's logo and merchandise, Hartman formally joined the cast of The Groundlings; by 1979 he had become one of the show's stars.  Hartman met comedian Paul Reubens and the two became friends, often collaborating on writing and comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a stage performance which also aired on HBO in 1981. Hartman played Captain Carl on The Pee-wee Herman Show and returned in the role for the children's show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter in the film. Although he had considered quitting acting at the age of 36 due to limited opportunities, the success of Pee-wee's Big Adventure brought new possibilities and changed his mind. After a creative falling-out with Reubens, Hartman left the Pee-Wee Herman project to pursue other roles.  In addition to his work with Reubens, Hartman recorded a number of voice-over roles. These included appearances on The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and voicing characters Henry Mitchell and George Wilson on Dennis the Menace. Additionally Hartman developed a strong persona providing voice-overs for advertisements.

Was there any other movies they did together?

After a creative falling-out with Reubens, Hartman left the Pee-Wee Herman project to pursue other roles.



Answer the question at the end by quoting:

Hedy Lamarr (; born Hedwig Eva Maria Kiesler, November 9, 1914 -  January 19, 2000) was an Austrian-born American film actress and inventor. At the beginning of World War II, Lamarr and composer George Antheil developed a radio guidance system for Allied torpedoes, which used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. Although the US Navy did not adopt the technology until the 1960s, the principles of their work are arguably incorporated into Bluetooth technology, and are similar to methods used in legacy versions of CDMA and Wi-Fi.
On August 10, 1933, Lamarr married Mandl, an Austrian military arms merchant and munitions manufacturer who was reputedly the third-richest man in Austria. She was 18 years old and he was 33. In her autobiography Ecstasy and Me, she described Mandl as an extremely controlling husband who strongly objected to her simulated orgasm scene in Ecstasy and prevented her from pursuing her acting career. She claimed she was kept a virtual prisoner in their castle home, Schloss Schwarzenau.  Mandl had close social and business ties to the fascist government of Italy, selling munitions to Mussolini, and although like Hedy, his own father was Jewish, had ties to the Nazi government of Germany, as well. Lamarr wrote that Mussolini and Hitler attended lavish parties at the Mandl home. Lamarr accompanied Mandl to business meetings, where he conferred with scientists and other professionals involved in military technology. These conferences were her introduction to the field of applied science and nurtured her latent talent in science.  Lamarr's marriage to Mandl eventually became unbearable, and she decided to separate herself from both him and her country. In her autobiography, she wrote that she disguised herself as her maid and fled to Paris, but by other accounts, she persuaded Mandl to let her wear all of her jewelry for a dinner party, then disappeared afterward. She writes about her marriage:  I knew very soon that I could never be an actress while I was his wife.... He was the absolute monarch in his marriage.... I was like a doll. I was like a thing, some object of art which had to be guarded--and imprisoned--having no mind, no life of its own.

Where were they married?