IN: Eddie James "Son" House, Jr. (March 21, 1902 - October 19, 1988) was an American delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements and to accompany him to a 1930 recording session for Paramount Records.

House was born in the hamlet of Lyon, north of Clarksdale, Mississippi, the second of three brothers, and lived in the rural Mississippi Delta until his parents separated, when he was about seven or eight years old. His father, Eddie House, Sr., was a musician, playing the tuba in a band with his brothers and sometimes playing the guitar. He was a church member but also a drinker; he left the church for a time, on account of his drinking, but then gave up alcohol and became a Baptist deacon. Young Eddie House adopted the family commitment to religion and churchgoing. He also absorbed the family love of music but confined himself to singing, showing no interest in the family instrumental band, and hostile to the blues on religious grounds.  When House's parents separated, his mother took him to Tallulah, Louisiana, across the Mississippi River from Vicksburg, Mississippi. When he was in his early teens, they moved to Algiers, New Orleans. Recalling these years, he would later speak of his hatred of blues and his passion for churchgoing (he described himself as "churchy" and "churchified"). At fifteen, probably while living in Algiers, he began preaching sermons.  At the age of nineteen, while living in the Delta, he married Carrie Martin, an older woman from New Orleans. This was a significant step for House; he married in church and against family opposition. The couple moved to her hometown of Centerville, Louisiana, to help run her father's farm. After a couple of years, feeling used and disillusioned, House recalled, "I left her hanging on the gatepost, with her father tellin' me to come back so we could plow some more." Around the same time, probably 1922, House's mother died. In later years, he was still angry about his marriage and said of Carrie, "She wasn't nothin' but one of them New Orleans whores".  House's resentment of farming extended to the many menial jobs he took as a young adult. He moved frequently, on one occasion taking off to East Saint Louis to work in a steel plant. The one job he enjoyed was on a Louisiana horse ranch, which later he celebrated by wearing a cowboy hat in his performances. He found an escape from manual labor when, following a conversion experience ("getting religion") in his early twenties, he was accepted as a paid pastor, first in the Baptist Church and then in the Colored Methodist Episcopal Church. However, he fell into habits which conflicted with his calling--drinking like his father and probably also womanizing. This led him after several years of conflict to leave the church, ceasing his full-time commitment, although he continued to preach sermons from time to time.

what is the sun house biography?

OUT: House was born in the hamlet of Lyon, north of Clarksdale, Mississippi,

input: Jean announced plans to begin a solo career with 1997's Wyclef Jean Presents the Carnival Featuring the Refugee All-Stars (generally called The Carnival). The album's guests included Lauryn Hill and Pras along with Jean's siblings' group Melky Sedeck; the I Threes (back-up vocals for Bob Marley); The Neville Brothers and Celia Cruz. The album was a hit, as were two singles: "We Trying to Stay Alive" (adapted from the Bee Gees' "Stayin' Alive") and "Gone Till November" (recorded with the New York Philharmonic Orchestra).  Released in 2000, Jean's second solo album The Ecleftic: 2 Sides II a Book was recorded with guests including Youssou N'Dour; Earth, Wind & Fire; Kenny Rogers; The Rock; and Mary J. Blige. With Blige he released "911" as a single. He was nominated for Best Hip-Hop Act at the 2000 MTV Europe Music Awards.  Following the terrorist attacks of September 11, 2001, Jean participated in the benefit concert America: A Tribute to Heroes contributing a cover of the Bob Marley song "Redemption Song". His third album, Masquerade, was released in 2002. His fourth album, The Preacher's Son, was released in November 2003 as the follow-up to his first solo album, The Carnival. In 2004, he released his fifth album, Sak Pase Presents: Welcome to Haiti (Creole 101) (released in the United States by Koch Records). Most of its songs are in his native language of Haitian Creole like "Fanm Kreyol" with the French Caribbean Admiral T. He also figured on the album Mozaik Kreyol of this one in the song "Secret Lover". Then he covered Creedence Clearwater Revival's song "Fortunate Son" for the soundtrack of the 2004 film remake of The Manchurian Candidate and wrote the song "Million Voices" for the film Hotel Rwanda.  Jean also produced and wrote songs for the soundtrack to Jonathan Demme's 2003 documentary The Agronomist, about the Haitian activist and radio personality Jean Dominique. With Jerry 'Wonder' Duplessis, Jean also composed the score of the documentary Ghosts of Cite Soleil, He helped produce the film and he appears briefly onscreen speaking by telephone in 2004 to a "chimere" gang-leader and aspiring rapper, Winston "2Pac" Jean.

Answer this question "Did he release any more solo albums?"
output:
His third album, Masquerade, was released in 2002.