Some context: Ranveer Singh Bhavnani (born 6 July 1985) is an Indian actor who appears in Hindi films. He is the recipient of several awards, including two Filmfare Awards, and is among the highest-paid actors in the country. After completing a bachelor's degree from Indiana University Bloomington, Singh returned to India to pursue his career in films. He made his acting debut in 2010 with a leading role in Yash Raj Films' romantic comedy Band Baaja Baaraat.
Singh was born on 6 July 1985 into a Sindhi family in Mumbai, to Anju and Jagjit Singh Bhavnani. His grandparents, Sunder Singh Bhavnani and Chand Burke, moved to Mumbai from Karachi, Sindh, (present-day Pakistan) during the Partition of India. He has an elder sister named Ritika Bhavnani. Singh is the maternal cousin of actress Sonam Kapoor and producer Rhea Kapoor, daughters of actor Anil Kapoor and wife Sunita Kapoor (nee Bhavnani). Singh explains that he dropped his surname Bhavnani, since he felt that the name would have been "too long, too many syllables", thus downplaying his brand as a "saleable commodity".  Singh always aspired to be an actor, participating in several school plays and debates. Once when he had gone for a birthday party, his grandmother asked him to dance and entertain her. Singh remembers that he suddenly jumped in the lawn and started dancing to the song "Chumma Chumma" from the 1991 action film, Hum. He felt the thrill of performing and was interested in acting and dancing. However, after he joined H.R. College of Commerce and Economics in Mumbai, Singh realised that getting a break in the film industry was not at all easy, as it was mostly people with a film background who got these opportunities. Feeling that the idea of acting was "too far-fetched", Singh focused on creative writing. He went to the United States where he received his Bachelor of Arts degree from Indiana University.  At the university, he decided to take acting classes and took up theatre as his minor. After completing his studies and returning to Mumbai in 2007, Singh worked for a few years in advertising as a copywriter, with agencies like O&M and J. Walter Thompson. He then worked as an assistant director, but left it to pursue acting. He then decided to send his portfolio to directors. He would go for all kinds of auditions, but did not get any good opportunities, while only getting calls for minor roles: "Everything was so bleak. It was very frustrating. There were times I would think whether I was doing the right thing or not."
Where is this
A: Pakistan

Some context: Joseph Frank "Buster" Keaton (October 4, 1895 - February 1, 1966) was an American actor, comedian, film director, producer, screenwriter, and stunt performer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies". His career declined afterward with a dispiriting loss of his artistic independence when he was hired by Metro-Goldwyn-Mayer and he descended into alcoholism, ruining his family life.
Keaton signed with Metro-Goldwyn-Mayer in 1928, a business decision that he would later call the worst of his life. He realized too late that the studio system MGM represented would severely limit his creative input. For instance, the studio refused his request to make his early project, Spite Marriage, as a sound film and after the studio converted, he was obliged to adhere to dialogue-laden scripts. However, MGM did allow Keaton some creative participation on his last originally developed/written silent film The Cameraman, 1928, which was his first project under contract with them, but hired Edward Sedgwick as the official director.  Keaton was forced to use a stunt double during some of the more dangerous scenes, something he had never done in his heyday, as MGM wanted badly to protect its investment. "Stuntmen don't get laughs," Keaton had said. Some of his most financially successful films for the studio were during this period. MGM tried teaming the laconic Keaton with the rambunctious Jimmy Durante in a series of films, The Passionate Plumber, Speak Easily, and What! No Beer? The latter would be Keaton's last starring feature in his home country. The films proved popular. (Thirty years later, both Keaton and Durante had cameo roles in It's a Mad Mad Mad Mad World, albeit not in the same scenes.)  In the first Keaton pictures with sound, he and his fellow actors would shoot each scene three times: one in English, one in Spanish, and one in either French or German. The actors would phonetically memorize the foreign-language scripts a few lines at a time and shoot immediately after. This is discussed in the TCM documentary Buster Keaton: So Funny it Hurt, with Keaton complaining about having to shoot lousy films not just once, but three times.  Keaton was so demoralized during the production of 1933's What! No Beer? that MGM fired him after the filming was complete, despite the film being a resounding hit. In 1934, Keaton accepted an offer to make an independent film in Paris, Le Roi des Champs-Elysees. During this period, he made another film, in England, The Invader (released in the United States as An Old Spanish Custom in 1936).
Any other films?
A:
Spite Marriage,