Answer the question at the end by quoting:

Alexandru Macedonski (Romanian pronunciation: [alek'sandru matSe'donski]; also rendered as Al. A. Macedonski, Macedonschi or Macedonsky; March 14, 1854 - November 24, 1920) was a Wallachian, later Romanian poet, novelist, dramatist and literary critic, known especially for having promoted French Symbolism in his native country, and for leading the Romanian Symbolist movement during its early decades. A forerunner of local modernist literature, he is the first local author to have used free verse, and claimed by some to have been the first in modern European literature. Within the framework of Romanian literature, Macedonski is seen by critics as second only to national poet Mihai Eminescu; as leader of a cosmopolitan and aestheticist trend formed around his Literatorul journal, he was diametrically opposed to the inward-looking traditionalism of Eminescu and his school.
Macedonski also returned with a new volume of poetry, Excelsior (consecutive editions in 1895 and 1896), and founded Liga Ortodoxa ("The Orthodox League"), a magazine noted for hosting the debut of Tudor Arghezi, later one of the most celebrated figures in Romanian literature. Macedonski commended his new protege for reaching "the summit of poetry and art" at "an age when I was still prattling verses". Liga Ortodoxa also hosted articles against Caragiale, which Macedonski signed with the pseudonym Sallustiu ("Sallustius"). The magazine was additional proof of Macedonski's return to conservatism, and largely dedicated to defending the cause of Romanian Orthodox Metropolitan Ghenadie, deposed by the Romanian Synod following a political scandal. It defended Ghenadie up until he chose to resign, and subsequently went out of print. Macedonski was shocked to note that Ghenadie had given up his own defense.  In 1895, his Casa cu nr. 10 was translated into French by the Journal des Debats, whose editors reportedly found it picturesque. Two years later, Macedonski himself published French-language translations of his earlier poetry under the title Bronzes, a volume prefaced by his disciple, the critic and promoter Alexandru Bogdan-Pitesti. Although it was positively reviewed by Mercure de France magazine, Bronzes was largely unnoticed by the French audience, a fact which Tudor Vianu attributes to Bogdan-Pitesti's lack of qualification for the cultural mission Macedonski had trusted him with. By that time, his circle had come to be frequented with regularity by Bogdan-Pitesti's friend and collaborator, the celebrated painter Stefan Luchian, who was in the Symbolist and Art Nouveau stage of his career.  By 1898, Macedonski was again facing financial difficulties, and his collaborators resorted to organizing a fundraiser in his honor. His rejection of the Orthodox establishment was documented by his political tract, published that year as Falimentul clerului ortodox. Between that time and 1900, he focused on researching esoteric, occult and pseudoscientific subjects. Traian Demetrescu, who recorded his visits with Macedonski, recalled his former mentor being opposed to his positivist take on science, claiming to explain the workings of the Universe in "a different way", through "imagination", but also taking an interest in Camille Flammarion's astronomy studies. Macedonski was determined to interpret death through parapsychological means, and, in 1900, conferenced at the Atheneum on the subject Sufletul si viata viitoare ("The Soul and the Coming Life"). The focal point of his vision was that man could voluntarily stave off death with words and gestures, a concept he elaborated upon in his later articles. In one such piece, Macedonski argued: "man has the power [...] to compact the energy currents known as thoughts to the point where he changes them, according to his own will, into objects or soul-bearing creatures." He also attempted to build a machine for extinguishing chimney fires. Later, Nikita Macedonski registered the invention of nacre-treated paper, which is sometimes attributed to his father.

Where did he study literature?





Answer the question at the end by quoting:

Exodus is an American thrash metal band formed in 1979 in Richmond, California. The band has gone through numerous lineup changes, two extended hiatuses, and the deaths of two former band members. Their current lineup consists of guitarists Gary Holt and Lee Altus, bassist Jack Gibson, drummer Tom Hunting, and lead vocalist Steve "Zetro" Souza. Hunting is one of the original members, and departed from Exodus twice, in 1989 and 2004, but rejoined in 2007.
The initial lineup of Exodus was formed in the late 1970s by guitarists Kirk Hammett and Tim Agnello, drummer/vocalist Tom Hunting, and vocalist Keith Stewart while attending high school together. The band added bass guitarist Carlton Melson in 1980, and the quintet began making a name for themselves playing backyard parties and various school functions. They played mostly cover songs in the vein of 1970s hard rock and New wave of British heavy metal (NWOBHM) acts but also developed some of their own original songs. Things with Stewart did not work out, and Hunting became the band's sole vocalist for some time. Carlton Melson was replaced in 1981 by bass guitarist Geoff Andrews. Tim Agnello would leave the group soon after to pursue a life of ministry in Stockton, California, leaving Exodus to perform as a power trio until a replacement was found in Hammett's friend and Exodus roadie Gary Holt.  Also in 1981, Hammett met El Cerrito resident Paul Baloff at a North Berkeley house party, a friendship that was started - according to Hammett - by their shared admiration for punk rock and 1970s heavy metal music. Baloff became the band's lead vocalist and the quintet recorded a 3-track demo tape in 1982 consisting of the songs "Whipping Queen", "Death and Domination" and "Warlord", a release which would be Hammett's only recording with Exodus. The band's music began to incorporate elements of hardcore punk into their NWOBHM roots, and Exodus were considered the pioneers of the Bay Area thrash metal scene. In November 1982, Exodus opened a show at San Francisco's Old Waldorf venue for Metallica, a then-relatively unknown (and unsigned) band from Los Angeles. As the band began playing more shows in Bay Area clubs, they gained a large, fervent fan base known for their violent concert behavior.  In early 1983, Hammett left Exodus to join Metallica on the recommendation of Mark Whitaker, leaving Gary Holt to effectively take creative control of the band. Hammett was replaced short term by Mike Maung, followed by Evan McCaskey, before the band finally found a permanent replacement in guitarist Rick Hunolt. Geoff Andrews also left to start an early incarnation of pioneering death metal band Possessed, and was replaced by bass guitarist Rob McKillop.  In the spring of 1984, Exodus entered Turk Street Studios with producer Doug Piercy to record demos of songs that would later appear on their debut album. The band was signed to New York-based Torrid Records and Exodus prepared to enter Prairie Sun Recording Studios that summer.

How succesful were they in their early years?