input: Strauss wrote two early symphonies: Symphony No. 1 (1880) and Symphony No. 2 (1884). However, Strauss's style began to truly develop and change when, in 1885, he met Alexander Ritter, a noted composer and violinist, and the husband of one of Richard Wagner's nieces. It was Ritter who persuaded Strauss to abandon the conservative style of his youth and begin writing tone poems. He also introduced Strauss to the essays of Wagner and the writings of Arthur Schopenhauer. Strauss went on to conduct one of Ritter's operas, and at Strauss's request Ritter later wrote a poem describing the events depicted in Strauss's tone poem Death and Transfiguration.  The new influences from Ritter resulted in what is widely regarded as Strauss's first piece to show his mature personality, the tone poem Don Juan (1888), which displays a new kind of virtuosity in its bravura orchestral manner. Strauss went on to write a series of increasingly ambitious tone poems: Death and Transfiguration (1889), Till Eulenspiegel's Merry Pranks (1895), Thus Spoke Zarathustra (1896), Don Quixote (1897), Ein Heldenleben (1898), Symphonia Domestica (1903) and An Alpine Symphony (1911-1915). One commentator has observed of these works that "no orchestra could exist without his tone poems, written to celebrate the glories of the post-Wagnerian symphony orchestra."  James Hepokoski notes a shift in Strauss's technique in the tone poems, occurring between 1892 and 1893. It was after this point that Strauss rejected the philosophy of Schopenhauer and began more forcefully critiquing the institution of the symphony and the symphonic poem, thereby differentiating the second cycle of tone poems from the first.

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output: James Hepokoski notes a shift in Strauss's technique in the tone poems, occurring between 1892 and 1893.

input: After the Police disbanded, Copeland established a career composing soundtracks for movies (Airborne, Talk Radio, Wall Street, Riff Raff, Raining Stones, Surviving the Game, See No Evil, Hear No Evil, Highlander II: The Quickening, The Leopard Son, She's Having a Baby, The First Power, Fresh, Taking Care of Business, West Beirut, I am David, Good Burger), television (The Equalizer, Dead Like Me, Star Wars: Droids, the pilot for Babylon 5 (1993), Nickelodeon's The Amanda Show, The Life and Times of Juniper Lee), operas (Holy Blood and Crescent Moon, commissioned by Cleveland Opera) and ballets (Prey' Ballet Oklahoma, Casque of Amontillado, Noah's Ark/Solcheeka, commissioned by the Seattle Symphony Orchestra, King Lear, commissioned by the San Francisco Ballet Company, Emilio).  Copeland also occasionally played drums for other artists. Peter Gabriel employed Copeland to perform on his songs "Red Rain" and "Big Time" from his 1986 album So. He has also performed with Mike Rutherford and Tom Waits. That year he also teamed with Adam Ant to record the title track and video for the Anthony Michael Hall movie Out of Bounds. In 1989, Copeland formed Animal Logic with jazz bassist Stanley Clarke and singer-songwriter Deborah Holland. The trio had success with their first album and world tour but the follow-up recording sold poorly, and the band did not continue.  In 1993 he composed the music for Channel 4's Horse Opera and director Bob Baldwin. In 1999, he provided the voice of an additional American soldier in the animated musical comedy war film South Park: Bigger, Longer & Uncut (1999).

Answer this question "Did he work with other musicians?"
output: Copeland also occasionally played drums for other artists.

input: On 17 May 1977 the Likud, headed by Begin, won the Knesset elections by a landslide, becoming the biggest party in the Knesset. Popularly known as the Mahapakh ("upheaval"), the election results had seismic ramifications as for the first time in Israeli history a party other than the Alignment/Mapai was in a position to form a government, effectively ending the left's hitherto unrivalled domination over Israeli politics. Likud's electoral victory signified a fundamental restructuring of Israeli society in which the founding socialist Ashkenazi elite was being replaced by a coalition representing marginalized Mizrahi and Jewish-religious communities, promoting a socially conservative and economically liberal agenda.  The Likud campaign leading up to the election centered on Begin's personality. Demonized by the Alignment as totalitarian and extremist, his self-portrayal as a humble and pious leader struck a chord with many who felt abandoned by the ruling party's ideology. In the predominantly Jewish Mizrahi working class urban neighborhoods and peripheral towns, the Likud won overwhelming majorities, while disillusionment with the Alignment's corruption prompted many middle and upper class voters to support the newly founded centrist Democratic Movement for Change ("Dash") headed by Yigael Yadin. Dash won 15 seats out of 120, largely at the expense of the Alignment, which was led by Shimon Peres and had shrunk from 51 to 32 seats. Well aware of his momentous achievement and employing his trademark sense for drama, when speaking that night in the Likud headquarters Begin quoted from the Gettysburg Address and the Torah, referring to his victory as a 'turning point in the history of the Jewish people'.  With 43 seats, the Likud still required the support of other parties in order to reach a parliamentary majority that would enable it to form a government under Israel's proportionate representation parliamentary system. Though able to form a narrow coalition with smaller Jewish religious and ultra-orthodox parties, Begin also sought support from centrist elements in the Knesset to provide his government with greater public legitimacy. He controversially offered the foreign affairs portfolio to Moshe Dayan, a former IDF Chief of Staff and Defense Minister, and a prominent Alignment politician identified with the old establishment. Begin was sworn in as Prime Minister of Israel on 20 June 1977. Dash eventually joined his government several months later, thus providing it with the broad support of almost two thirds of the Knesset. While Prime Minister, Yehuda Avner served as Begin's speech writer.

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output:
On 17 May 1977 the Likud, headed by Begin, won the Knesset elections by a landslide, becoming the biggest party in the Knesset.