Problem: Background: William James Dixon (July 1, 1915 - January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar and was a capable singer, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post-World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated.
Context: Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.  Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.  In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records.
Question: Did he play any musical instruments?
Answer: Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.

Problem: Background: Emilie Autumn Liddell (born on September 22, 1979), better known by her stage name Emilie Autumn, is an American singer-songwriter, poet, violinist, and actress. Autumn's musical style has been described by her as "Fairy Pop", "Fantasy Rock" or "Victoriandustrial". It is influenced by glam rock and from plays, novels, and history, particularly the Victorian era. Performing with her all-female backup dancers
Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater.
Question: Is there a reason behind Right Like a girl?  Cancer Maybe?
Answer: the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage".

Problem: Background: Jonathan Luther "Casey" Jones (March 14, 1863 - April 30, 1900) from Jackson, Tennessee, was an American railroader who worked for the Illinois Central Railroad (IC). He was killed on April 30, 1900, when his train collided with a stalled freight train near Vaughan, Mississippi. His dramatic death while trying to stop his train and save the lives of his passengers made him a hero; he was immortalized in a popular ballad sung by his friend Wallace Saunders, an African-American engine wiper for the IC. As a boy, he lived near Cayce, Kentucky, where he acquired the nickname of "Cayce", which he chose to spell as "Casey".
Context: During the World's Columbian Exposition at Chicago, Illinois, in 1893, IC was charged with providing commuter service for the thousands of visitors to the fairground. A call was sent out for trainmen who wanted to work there. Jones answered it, spending a pleasant summer there with his wife. He shuttled many people from Van Buren Street to Jackson Park during the exposition. It was his first experience as an engineer in passenger service and he liked it.  At the fair (also called The Chicago World's Fair), he became acquainted with No. 638, a big new freight engine IC had on display as the latest and greatest technological advancement in trains. It had eight drive wheels and two pilot wheels, a 2-8-0 "Consolidation" type. At the closing of the fair, No. 638 was due to be sent to Water Valley for service in the Jackson District. Jones asked for permission to drive the engine back to Water Valley. His request was approved, and No. 638 ran its first 589 miles (948 km) with Jones at the throttle to Water Valley. Jones liked No. 638 and liked working in the Jackson District because his family was there. They had once moved to Water Valley, but returned to Jackson, which they felt was home.  Jones drove the engine until he transferred to Memphis in February 1900. No. 638 stayed in Water Valley. That year he drove the engine that became most closely associated with him, for one time. That was Engine No. 382, known affectionately as "Ole 382.", or "Cannonball". It was a steam-driven Rogers 4-6-0 "Ten Wheeler" with six drivers, each approximately six feet (1.8 m) high. Bought new in 1898 from the Rogers Locomotive Works, it was a very powerful engine for the time. When a potential disaster arose, all of Jones' skill and the engine's responsiveness were put to the greatest test.  His regular fireman on No. 638 was his close friend, John Wesley McKinnie, with whom he worked exclusively from about 1897 until he went to the passenger run out of Memphis. There he worked with his next and last fireman, Simeon T. "Sim" Webb in 1900.
Question: What happened at the expedition?
Answer: