IN: A disc jockey, often abbreviated as DJ, is a person who plays existing recorded music for a live audience. Most common types of DJs include radio DJ, club DJ who performs at a nightclub or music festival, and turntablist who uses record players, usually turntables, to manipulate sounds on phonograph records. Originally, the "disc" in "disc jockey" referred to gramophone records, but now "DJ" is used as an all-encompassing term to describe someone who mixes recorded music from any source, including cassettes, CDs, or digital audio files on a CDJ or laptop. The title "DJ" is commonly used by DJs in front of their real names or adopted pseudonyms or stage names.

In Western popular music, women musicians have achieved great success in singing and songwriting roles, however, there are relatively few women DJs or turntablists. Part of this may stem from a general low percentage of women in audio technology-related jobs. A 2013 Sound on Sound article stated that there are "...few women in record production and sound engineering." Ncube states that "[n]inety-five percent of music producers are male, and although there are female producers achieving great things in music, they are less well-known than their male counterparts." The vast majority of students in music technology programs are male. In hip hop music, the low percentage of women DJs and turntablists may stem from the overall male domination of the entire hip hop music industry. Most of the top rappers, MCs, DJs, record producers and music executives are men. There are a small number of high-profile women, but they are rare.  In 2007 Mark Katz's article "Men, Women, and Turntables: Gender and the DJ Battle," stated that "very few women [do turntablism] battle[s]; the matter has been a topic of conversation among hip-hop DJs for years." In 2010 Rebekah Farrugia states "the male-centricity of EDM culture" contributes to "a marginalisation of women in these [EDM] spaces."  While turntablism and broader DJ practices should not be conflated, Katz suggests use or lack of use of the turntable broadly by women across genres and disciplines is impacted upon by what he defines as "male technophilia." Historian Ruth Oldenziel concurs in her writing on engineering with this idea of socialization as a central factor in the lack of engagement with technology. She explains: "an exclusive focus on women's supposed failure to enter the field ... is insufficient for understanding how our stereotypical notions have come into being; it tends to put the burden of proof entirely on women and to blame them for their supposedly inadequate socialization, their lack of aspiration, and their want of masculine values. An equally challenging question is why and how boys have come to love things technical, how boys have historically been socialized as technophiles."  Lucy Green has focused on gender in relation to musical performers and creators, and specifically on educational frameworks as they relate to both. She suggests that women's alienation from "areas that have a strong technological tendency such as DJ-ing, sound engineering and producing" are "not necessarily about her dislike of these instruments but relates to the interrupting effect of their dominantly masculine delineations." Despite this, women and girls do increasingly engage in turntable and DJ practices, individually and collectively, and "carve out spaces for themselves in EDM and DJ Culture". A 2015 article cited a number of prominent female DJs: Hannah Wants, Ellen Allien, Miss Kittin, Monika Kruse, Nicole Moudaber, B.Traits, Magda, Nina Kraviz, Nervo, and Annie Mac.  There are various projects dedicated to the promotion and support of these practices such as Female DJs London. Some artists and collectives go beyond these practices to be more gender inclusive. For example, Discwoman, a New York-based collective and booking agency, describe themselves as "representing and showcasing cis women, trans women and genderqueer talent."

who was the first female DJ

OUT: 


IN: Joseph Fidler Walsh (born November 20, 1947) is an American singer, guitarist, and songwriter. In a career spanning more than forty years, he has been a member of five successful rock bands: James Gang, Barnstorm, Eagles, the Party Boys, and Ringo Starr & His All-Starr Band. In the 1990s, he was also a member of the short-lived supergroup the Best. Walsh has also experienced success both as a solo artist and prolific session musician, being featured on a wide array of other artists' recordings.

Joseph Fidler Walsh was born on November 20, 1947 in Wichita, Kansas, the son of Robert Newton Fidler and grandson of Alden Anderson Fidler and Dora Jay Newton. Walsh's mother was a classically trained pianist of Scottish and German ancestry, and Walsh was adopted by his stepfather at the age of five after his biological father was killed in a plane crash. In the 1950s, it was common practice for Social Security, school registration, and health records for children to take the name of their stepfather, but Walsh's birth father's last name was Fidler, so he took that as his middle name.  Walsh and his family lived in Columbus, Ohio, for a number of years during his youth. When Walsh was twelve years old, his family moved to New York City. Later, Walsh moved to Montclair, New Jersey, and he attended Montclair High School, where he played oboe in the school band.  Inspired by the success of the Beatles, he replaced Bruce Hoffman as the bass player in the locally popular group the Nomads in Montclair, beginning his career as a rock musician. After high school, Walsh attended Kent State University, where he spent time in various bands playing around the Cleveland area, including the Measles. The Measles recorded for Super K Productions' Ohio Express the songs "I Find I Think of You", "And It's True", and "Maybe" (an instrumental version of "And It's True"). Walsh majored in English and minored in music; he was present during the Kent State massacre in 1970. Walsh commented in 2012: "Being at the shootings really affected me profoundly. I decided that maybe I don't need a degree that bad." After one term, he dropped out of university to pursue his musical career.

did he attend college?

OUT:
Walsh attended Kent State University, where he spent time in various bands playing around the Cleveland area,