Problem: Background: Born in Rochester, New York, Wambach was raised in the Rochester suburb of Pittsford. She is the youngest of seven siblings (with two sisters and four brothers) born to Pete and Judy Wambach. She began playing soccer at the age of four after her sister decided she wanted to try the sport. Their mother checked out a book from the library explaining how to play the game, and from then on soccer became part of their family tradition.
Context: In 2008, a new professional league was announced for women in the United States: Women's Professional Soccer (WPS). During the 2008 WPS Player Allocation in which twenty-one players from the United States national team player pool were assigned to the seven teams in the new league, Wambach was assigned to the Washington Freedom. She was voted WPS Player of the Week for the week of April 26 (Week 5) after scoring two goals in the Washington Freedom's 4-3 victory over the FC Gold Pride, the Freedom's first victory in the new league. During the Freedom's next game on May 3, 2009, she received a yellow card for a tackle on St. Louis Athletica midfielder Daniela that left Daniela with two damaged knee ligaments and a crack in the tibia and sidelined her for the rest of the season. Wambach was suspended for one game after the challenge was reviewed by the league commissioner.  Wambach won the WPS Player of the Week award for the week of July 28 (Week 18) for scoring two goals against the Chicago Red Stars and Sky Blue FC and for the week of Aug 11 (Week 20) for scoring two goals and having one assist against Sky Blue. She ended the 2009 season with eight goals more than any other American player in the WPS and was named to the 2010 WPS All-Star Team.  Wambach returned to the Washington Freedom for the 2010 WPS season, winning the WPS Player of the Week award in week 2 for scoring one goal and serving two assists against the Atlanta Beat. She was the top overall vote-getter in WPS All-Star voting, making her one of two captains for the 2010 WPS All-Star Game. Wambach received 100% of the media's and coaches' votes and received the most fans' votes-with 31%.  In 2011, the Freedom relocated to Boca Raton, Florida and became the magicJack under new ownership. On July 22, 2011, Wambach was named the player-coach for the magicJack for the rest of the 2011 WPS season. She was named WPS Player of the Week for the seventh time in August 2011.  On October 26, 2011, the Women's Professional Soccer League Governors voted to terminate the magicJack franchise. The league suspended operations in early 2012.
Question: what happened during the 2003 season?
Answer: 

Problem: Background: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.
Context: After 12th-century, Odia temples, monasteries and nearby institutions such as the Nalanda in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (1360-1361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility.  The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khurda.  During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannath temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations".  Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were dehumanized and stigmatized as prostitutes during the British period. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.
Question: Since Britain is a christian country, did that affect the culture?
Answer:
Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts.