input: He moved into television with scripts for Danger, The Gulf Playhouse and Manhunt. Philco Television Playhouse producer Fred Coe saw the Danger and Manhunt episodes and enlisted Chayefsky to adapt the story It Happened on the Brooklyn Subway about a photographer on a New York subway train who reunites a concentration camp survivor with his long-lost wife. Chayefsky's first script to be telecast was a 1949 adaptation of Budd Schulberg's What Makes Sammy Run? for Philco.  Since he had always wanted to use a synagogue as backdrop, he wrote Holiday Song, telecast in 1952 and also in 1954. He submitted more work to Philco, including Printer's Measure, The Bachelor Party (1953) and The Big Deal (1953). One of these teleplays, Mother (April 4, 1954), received a new production October 24, 1994 on Great Performances with Anne Bancroft in the title role. Curiously, original teleplays from the 1950s are almost never revived for new TV productions, so the 1994 production of Mother was a conspicuous rarity.  In 1953, Chayefsky wrote Marty, which was premiered on The Philco Television Playhouse, with Rod Steiger and Nancy Marchand. Marty is about a decent, hard-working Bronx butcher, pining for the company of a woman in his life but despairing of ever finding true love in a relationship. Fate pairs him with a plain, shy schoolteacher named Clara whom he rescues from the embarrassment of being abandoned by her blind date in a local dance hall. The production, the actors and Chayefsky's naturalistic dialogue received much critical acclaim and influenced subsequent live television dramas. Chayefsky had a unique clause in his Marty contract that stated that only he could write the screenplay, which he did for the 1955 movie.  Chayefsky's The Great American Hoax was broadcast May 15, 1957 during the second season of The 20th Century Fox Hour. This was actually a rewrite of his earlier Fox film, As Young as You Feel (1951) with Monty Woolley and Marilyn Monroe. The Great American Hoax was shown on the FX channel after Fox restored some The 20th Century Fox Hour episodes and telecast them under the new title Fox Hour of Stars beginning in 2002.

Answer this question "What other interesting things happened for Paddy during his career in television?"
output: Chayefsky wrote Marty, which was premiered on The Philco Television Playhouse, with Rod Steiger and Nancy Marchand.

input: Jason Flom, Atlantic Records's head of A&R, recommended that they meet David Foster, a Canadian musician, producer, composer and arranger. The Corrs played live for Foster and he agreed to sign them to Atlantic Records. They extended their stay in the US for over five months to record their debut album, Forgiven, Not Forgotten. It featured six instrumental selections among its Celtic-influenced tracks. The album sold well in Ireland, Australia, Japan, Norway and Spain. Major success in the US and the UK, however, was not immediately forthcoming. Eventually, the album reached Platinum status in the UK and Australia, and 4x Platinum in Ireland, making it one of the most successful debuts by an Irish group.  The Corrs' next album, 1997's Talk on Corners, was produced by Glen Ballard, who was respected for his collaboration with Alanis Morissette. The Corrs also collaborated with Carole Bayer Sager, Oliver Leiber, Rick Nowels and Billy Steinberg. The album met with lukewarm response. It was successful in Ireland and entered the Australian album charts at number 3.  After the band recorded a version of Dreams for a Fleetwood Mac tribute album, they re-released Talk on Corners, with new remixes of "What Can I Do?", "So Young" and "Runaway". The special edition topped the charts worldwide and again reached multi-Platinum status in the UK and Australia.  In June 1998, The Corrs participated in the Pavarotti and Friends for the Children of Liberia charity concert. The concert was held in Modena, Italy and was hosted by Luciano Pavarotti. Other performers included Jon Bon Jovi, Celine Dion, Spice Girls and Stevie Wonder. The concert aimed to raise money to build the Pavarotti and Friends Liberian Children's Village, to provide refuge for children in Liberia.  The following year, The Corrs received a BRIT Award for Best International Band. They performed live on MTV's Unplugged on 5 October 1999 at Ardmore Studios, Co. Wicklow, Ireland. The resulting CD and DVD sold 2.7 million copies and featured live performances of previously released songs, plus a new song, "Radio", later featured on their third album, In Blue.

Answer this question "What happened in 1995-1999 with The Corrs?"
output: The Corrs' next album, 1997's Talk on Corners, was produced by Glen Ballard, who was respected for his collaboration with Alanis Morissette.

input: In late 1987, Slayer returned to the studio to record their fourth studio album. To contrast the speed of Reign in Blood, the band consciously decided to slow down the tempos, and incorporate more melodic singing. According to Hanneman, "We knew we couldn't top Reign in Blood, so we had to slow down. We knew whatever we did was gonna be compared to that album, and I remember we actually discussed slowing down. It was weird--we've never done that on an album, before or since."  Released in July 1988, South of Heaven received mixed responses from both fans and critics, although it was Slayer's most commercially successful release at the time, debuting at number 57 on the Billboard 200, and their second album to receive gold certification in the United States. Press response to the album was mixed, with AllMusic citing the album as "disturbing and powerful," and Kim Nelly of Rolling Stone calling it "genuinely offensive satanic drivel." King said "that album was my most lackluster performance," although Araya called it a "late bloomer" which eventually grew on people.  Slayer returned to the studio in spring 1990 with co-producer Andy Wallace to record its fifth studio album. Following the backlash created by South of Heaven, Slayer returned to the "pounding speed of Reign in Blood, while retaining their newfound melodic sense." Seasons in the Abyss, released on October 25, 1990, was the first Slayer album to be released under Rubin's new Def American label, as he had parted ways with Def Jam owner Russell Simmons over creative differences. The album debuted at number 44 on the Billboard 200, and was certified gold in 1992. The album spawned Slayer's first music video for the album's title track, which was filmed in front of the Giza pyramids in Egypt.  Slayer returned as a live act in September 1990 to co-headline the European Clash of the Titans tour with Megadeth, Suicidal Tendencies, and Testament. During the sold out European leg of this tour tickets fetched up to 1,000 Deutschmark ($680 USD) on the black market. With the popularity of American thrash at its peak, the tour was extended to the US beginning in May 1991, with Megadeth, Anthrax and opening act Alice in Chains. The band released a double live album, Decade of Aggression in 1991, to celebrate ten years since their formation. The compilation debuted at number 55 on the Billboard 200.  In May 1992, Lombardo quit the band due to conflicts with other members, as well as his desire to be off tour for the birth of his first child. Lombardo formed his own band Grip Inc, with Voodoocult guitarist Waldemar Sorychta, and Slayer recruited former Forbidden drummer Paul Bostaph to take his place. Slayer made its debut appearance with Bostaph at the 1992 Monsters of Rock festival at Castle Donington. Bostaph's first studio effort was a medley of three Exploited songs, "War," "UK '82," and "Disorder," with rapper Ice-T, for the Judgment Night movie soundtrack in 1993.

Answer this question "When was this album released?"
output:
Released in July 1988,