input: Although Dudley and Jeczalik had already dissolved the group, in 1990 they assisted in the promotion of the lightly remixed compilation The Ambient Collection, which the China label released to cash in on the burgeoning ambient house scene. Jeczalik approved the remixes that appeared on The FON Mixes the following year. The rest of the decade saw China Records releasing further Art of Noise compilations: The Drum and Bass Collection, Art Works, and reissues of Best of without the ZTT-era tracks. Some of these featured new remixes by other artists.  According to an interview with J.J. Jeczalik reported in the ZTT fanzine Outside World in 1991, Jeczalik, Dudley and Langan were inspired by the commercial success of The FON Mixes and had discussed reuniting the group as a trio again. In preparation to record a new album, Jeczalik and Langan travelled to Cuba to gather new source material. However, no new recordings were produced with the new line-up, and the Art of Noise remained defunct.  Dudley became well known for composing numerous film and television scores during the 1990s. The most famous of these is probably The Full Monty, which won an Academy Award for Original Music Score. She also collaborated with Killing Joke's Jaz Coleman on the 1990 album Songs from the Victorious City (inspired by a trip the two made to Egypt) and produced two tracks for the 1993 Deborah Harry album Debravation ("Strike Me Pink", which she also co-wrote and played keyboards on) and "Mood Ring"). She has scored orchestrations for dozens of pop releases over the years, and both scored and produced the album Voice for her neighbour Alison Moyet. Cathy Dennis added lyrics to one of Dudley's compositions and recorded it as "Too Many Walls", which became a US Top 10 hit in 1991.  In 1995-1997, Jeczalik and In No Sense? Nonsense! coengineer Bob Kraushaar produced a number of instrumentals oriented toward dance clubs under the name Art of Silence, issuing an album titled artofsilence.co.uk. Jeczalik also embarked on a new career in trading in futures contracts.  The Art of Noise also received a full writing credit for The Prodigy's "Firestarter", which samples the female "hey, hey" voice from "Close to the Edit". The Prodigy also contributed the remix "Instruments of Darkness (All of Us are One People)" to the 1991 compilation The FON Mixes. Also, an edited version of "Close to the Edit" is featured on the monthly educational Amiga game, Ready Robot Club. The Art of Noise are also credited for the music to the ITV series The Krypton Factor.

Answer this question "were any of her songs hits?"
output: Dudley's compositions and recorded it as "Too Many Walls", which became a US Top 10 hit in 1991.

Question: Ventura was born James George Janos on July 15, 1951 in Minneapolis, Minnesota, the son of George William Janos and his wife, Bernice Martha (nee Lenz). Both of his parents were World War II veterans. Ventura has an older brother who served in the Vietnam War. Ventura has described himself as Slovak, since his father's parents were from what is now Slovakia; his mother was of German descent.

After the legislature refused to increase spending for security, Ventura attracted criticism when he decided not to live in the governor's mansion during his tenure, choosing instead to shut it down and stay at his home in Maple Grove. Critics pointed to the loss of jobs for several working-class people at the mansion and the extra cost of reopening the mansion later.  In 1999, a group of disgruntled citizens petitioned to recall Governor Ventura, alleging, among other things, that "the use of state security personnel to protect the governor on a book promotion tour constituted illegal use of state property for personal gain." The petition was denied. The proposed petition was dismissed by order of the Chief Justice of the Supreme Court of Minnesota. Under Minnesota law, a proposed petition for recall is required to be reviewed by the Chief Justice for legal sufficiency, and, upon such review, the Chief Justice determined that it did not allege the commission of any act that violated Minnesota law. Ventura sought attorney's fees as a sanction for the filing of a frivolous petition for recall, but that request was denied, on the ground that there was no statutory authority for such an award.  In November 2011, Ventura held a press conference in relation to a lawsuit he had filed against the Transportation Security Administration. During that press conference, Ventura stated that he would "never stand for a national anthem again, I will turn my back and raise a fist the same way Tommy Smith and John Carlos did in the '68 Olympics, Jesse Ventura will do that today."  During his tenure as governor, Ventura drew frequent fire from the press in the Twin Cities. He referred to reporters as "media jackals," a term that even appeared on the press passes required to enter the governor's press area. Shortly after Ventura's election as governor, author and humorist Garrison Keillor wrote a satirical book about the event, spoofing Ventura as "Jimmy (Big Boy) Valente," a self-aggrandizing former "Navy W.A.L.R.U.S. (Water Air Land Rising Up Suddenly)" turned professional wrestler turned politician. Initially, Ventura responded angrily to the satire, but later, in a conciliatory vein, said that Keillor "makes Minnesota proud". During his term, Ventura appeared on the Late Show with David Letterman, in which he responded controversially to the following question: "So which is the better city of the Twin Cities, Minneapolis or St. Paul?". Ventura responded, "Minneapolis. Those streets in St. Paul must have been designed by drunken Irishmen". He later apologized for the remark, adding that it was not intended to be taken seriously.

Using a quote from the above article, answer the following question: What was the outcome of all the criticism?
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Answer:
The proposed petition was dismissed by order of the Chief Justice of the Supreme Court of Minnesota.