IN: Thomas Andrews Hendricks (September 7, 1819 - November 25, 1885) was an American politician and lawyer from Indiana who served as the 16th Governor of Indiana (1873-77) and the 21st Vice President of the United States (1885). Hendricks represented Indiana in the U.S. House of Representatives (1851-55) and the U.S. Senate (1863-69). He also represented Shelby County, Indiana, in the Indiana General Assembly (1848-50) and as a delegate to the 1851 Indiana constitutional convention. In addition, Hendricks served as commissioner of the General Land Office (1855-59).

Hendricks represented Indiana in the U.S. Senate (1863-69) during the final years of the American Civil War and part of the Reconstruction Era. Military reverses in the Civil War, some unpopular decisions in the Lincoln administration, and Democratic control of the Indiana General Assembly helped Hendricks win election to the U.S. Senate. His six years in the Senate covered the Thirty-eighth, Thirty-ninth, and Fortieth Congresses, where Hendricks was a leader of the small Democratic minority and a member of the opposition who was often overruled.  Hendricks challenged what he thought was radical legislation, including the military draft and issuing greenbacks; however, he supported the Union and prosecution of the war, consistently voting in favor of wartime appropriations. Hendricks adamantly opposed Radical Reconstruction. After the war he argued that the Southern states had never been out of the Union and were therefore entitled to representation in the U.S. Congress. Hendricks also maintained that Congress had no authority over the affairs of state governments.  Hendricks voted against the Thirteenth, Fourteenth, and Fifteenth Amendments to the U.S. Constitution that would, upon ratification, grant voting rights to males of all races and abolish slavery. Hendricks felt it was not the right time, so soon after the Civil War, to make fundamental changes to the U.S. Constitution. Although Hendricks supported freedom for African Americans, stating, "He is free; now let him remain free," he unsuccessfully opposed reconstruction legislation. Hendricks also opposed the attempt to remove President Andrew Johnson from office following his impeachment in the U.S. House of Representatives.  Hendricks's views were often misinterpreted by his political opponents in Indiana. When the Republicans regained a majority in the Indiana General Assembly in 1868, the same year Hendricks's U.S. Senate term expired, he lost reelection to a second term, and was succeeded by Republican Congressman-elect Daniel D. Pratt, who resigned the U.S. House seat to which he had been elected in 1868 in order to accept the Senate seat.
QUESTION: What did he stand for?
IN: Regine Velasquez was born in Tondo, Manila, on April 22, 1970. Her father, Gerardo Velasquez, was a construction estimator, and her mother, Teresita (nee Ansong), was a homemaker. The singer has three younger sisters, Cacai, Diane and Deca, and a younger brother, Jojo. The family moved to Hinundayan, Southern Leyte where Velasquez spent the early years of her life.

After winning Ang Bagong Kampeon, Velasquez was signed to OctoArts International (now PolyEast Records). She was introduced as 'Chona' Velasquez--her nickname--and recorded the single "Love Me Again", which was released in early 1986. However, the single was commercially unsuccessful. On February 16, 1986, at the behest of another OctoArts recording artist, Pops Fernandez, Velasquez was invited to appear on her live late night musical television show, The Penthouse Live!  While she was rehearsing for the live show, the producer and talent manager Ronnie Henares showed interest and signed her. At the suggestion of Fernandez's husband and the show's co-host, Martin Nievera, Velasquez adopted the stage name "Regine".  Under Henares' management, Velasquez was introduced to the head of VIVA Records, Vicente del Rosario Jr., who signed her and started production of her debut album. Del Rosario enlisted top songwriters, including Joaquin Francisco Sanchez, Vehnee Saturno and Christine Bendebel. He and Henares, who were both serving as executive producers, planned to market Velasquez as one of their main female pop artists, hoping to attain commercial success as they had done with Nora Aunor and Sharon Cuneta. After Velasquez completed her debut album, Regine, VIVA released the lead single "Kung Maibabalik Ko Lang" in 1987. Despite a weak start, the album gained mainstream appeal after Velasquez's promotional appearances on the ABS-CBN television variety shows Triple Treat and Teen Pan Alley. The album produced two more singles--"Urong Sulong" and "Isang Lahi".  Two years after the release of her debut album, Velasquez represented the Philippines in the 1989 Asia Pacific Singing Contest. She was initially apprehensive and skeptical of the idea of participating in another competition at that stage in her career. At Henares' urging she agreed to compete and won the contest in Hong Kong, performing the songs "You'll Never Walk Alone" from the 1945 Rodgers and Hammerstein musical Carousel and "And I Am Telling You I'm Not Going" from the musical Dreamgirls.
QUESTION: Did she have any other successes at that label?
IN: A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.

Prior to Lenglen, female tennis matches drew little fan interest, which quickly changed as she became her sport's greatest drawing card. Tennis devotees and new fans to the game began lining up in droves to buy tickets to her matches. Temperamental, flamboyant, she was a passionate player whose intensity on court could lead to an unabashed display of tears. But for all her flamboyance, she was a gifted and brilliant player who used extremely agile footwork, speed and a deadly accurate shot to dominate female tennis for seven straight years. Her excellent play and introduction of glamour to the tennis court increased the interest in women's tennis, and women's sports in general.  In 1997 the second court at the Roland Garros Stadium, site of the French Open, was renamed Court Suzanne Lenglen in her honour. In addition, the trophy awarded to the winner of the Women's Singles competition at the French Open is the Coupe Suzanne Lenglen. In 2001 the French Tennis Federation organised the first Suzanne Lenglen Cup for women in the over-35 age class. First played in France, the annual event is now held in a different country each year.  Lenglen, who was elected to the International Tennis Hall of Fame in 1978, continues to be held by many as one of the best players in tennis history. For example, the All England Lawn Tennis and Croquet Club, organiser of the Wimbledon Championships, ranks her among the five greatest Wimbledon champions.  On 24 May 2016, Google had a doodle in celebration for Suzanne's 117th birthday. In 2017, a Google Doodle honored her on International Women's Day.
QUESTION:
Are there any other interesting aspects about this article?