input: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works.

Answer this question "What else is notable about his writing style?"
output: He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy.

Problem: Background: Cosmo Kramer, usually referred to as simply "Kramer", is a fictional character on the American television sitcom Seinfeld (1989-1998), played by Michael Richards. The character is loosely based on comedian Kenny Kramer, Larry David's ex-neighbor across the hall. Kramer is the friend and neighbor of main character Jerry, residing in Apartment 5B, and is friends with George and Elaine. Of the series' four central characters, only Kramer has no visible means of support; what few jobs he holds seem to be nothing more than larks.
Context: The character of Kramer was originally based on the real-life Kenny Kramer, a neighbor of co-creator Larry David from New York. However, Michael Richards did not in any way base his performance on the real Kramer, to the point of refusing to meet him. This was later parodied in "The Pilot" when the actor that is cast to play him in Jerry and George's sitcom refuses to base the character on the real Cosmo Kramer. At the time of the shooting of the original Seinfeld pilot, "The Seinfeld Chronicles," Kenny Kramer had not yet given consent to use his name, and so Kramer's character was originally known as "Kessler."  Larry David was hesitant to use Kenny Kramer's real name because he suspected that Kramer would take advantage of this. David's suspicion turned out to be correct; Kenny Kramer created the "Kramer Reality Tour", a New York City bus tour that points out actual locations of events or places featured in Seinfeld. The "Kramer Reality Tour" is itself spoofed on Seinfeld in "The Muffin Tops." In the episode, when Kramer's real-life stories are used by Elaine to pad the biography of J. Peterman she was ghostwriting, he develops a reality bus tour called "The Peterman Reality Tour" and touts himself as "The Real J. Peterman," even though, as Jerry notes, reality is the last thing Kramer is qualified to give a tour on.  Richards' physicality can be seen in his early 1980s appearances on The Tonight Show, the early 1980s ABC sketch comedy show "Fridays", and his appearance in the film "Young Doctors in Love" where he plays a hit man; a nod to this appears in the "Air Conditioner" episode.
Question: Why did he use Kenny Kramer?
Answer: 

Question: Hanson is an American pop rock band from Tulsa, Oklahoma, United States, formed by brothers Isaac (guitar, bass, piano, vocals), Taylor (keyboards, piano, guitar, drums, vocals), and Zac (drums, piano, guitar, vocals). Supporting members include Dimitrius Collins (keyboards, guitar), and Andrew Perusi (bass) who have toured and performed live with the band since 2007. They are best known for the 1997 hit song "MMMBop" from their debut album released through Mercury, Polygram, Middle of Nowhere, which earned three Grammy nominations. Despite the enormous commercial success of Middle of Nowhere, the band suffered from the merger that eliminated their label, Mercury Records .

In the early to mid-1990s, Isaac, Taylor and Zac sang a cappella and recorded such classic songs as "Rockin' Robin", "Splish Splash" and "Johnny B. Goode", as well as their own material. Their first performance as a professional group took place in 1992 at the Mayfest Arts Festival in Tulsa. They were known as the Hanson Brothers, before shortening the name to Hanson in 1993.  Hanson also appeared on Carman's Yo! Kidz: The Vidz, which cast Taylor as a young Biblical David facing Goliath, Isaac as an event announcer, and Zac and other members of the family in the stands cheering on this "sporting event".  All three boys started their musical careers as pianists, but Isaac eventually started playing guitar and Zac started playing drums, while Taylor continued as the keyboard player. The band recorded two independent albums in their hometown of Tulsa, Boomerang (recorded in autumn 1994, released in 1995) and MMMBop (released in 1996). The latter featured the original version of the song "MMMBop", which would later become the runaway single on their debut commercial record Middle of Nowhere. The boys then found themselves at the South By Southwest (aka SXSW) music festival in Austin, Texas. There, they were promptly signed by manager Christopher Sabec. He shopped them to several record companies, most of which dismissed the band as either a novelty or fraud before Steve Greenberg, an A&R representative for Mercury Records, heard them play a set at the Wisconsin State Fair. After this performance, they were signed almost immediately by Mercury. They soon became a worldwide sensation with the release of their first major-label album, Middle of Nowhere, which was produced by Stephen Lironi and the Dust Brothers.

Using a quote from the above article, answer the following question: Who was in the group
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Answer:
Isaac, Taylor and Zac