Some context: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.
Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.
what is the name of one of his works?
A: ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses

Some context: Frey was born in Detroit, Michigan. Growing up in Royal Oak, Michigan, he studied piano at age five, later switched to guitar, and became part of the mid-1960s Detroit rock scene. One of his earliest bands was called the Subterraneans, named after Jack Kerouac's novel, and included fellow Dondero High School classmates Doug Edwards (later replaced by Lenny Mintz) on drums, Doug Gunsch and Bill Barnes on guitar and Jeff Hodge on bass. Immediately after graduating from Dondero in 1966, he was invited to join The Four of Us, a local band led by Gary Burrows who had seen him performing with the Subterraneans.
Frey met drummer Don Henley in 1970. They were signed to the same label, Amos Records, at that time and both spent time at the Troubadour. When Linda Ronstadt needed a backup band for an upcoming tour, her manager John Boylan hired Frey because he needed someone who could play rhythm guitar and sing. Don Henley was approached by Frey to join Ronstadt. Randy Meisner and Bernie Leadon were also hired, although as the backing band personnel changed through the tour, the four had only played once together at a gig at Disneyland. Frey and Henley decided to form a band together while on the tour, and they were joined by Meisner on bass and Leadon on guitar, banjo, steel guitar, mandolin and dobro, forming the Eagles, with Frey playing guitar and keyboards and Henley playing drums. The band went on to become one of the world's best-selling groups of all time. Frey wrote or co-wrote (often with Henley) many of the group's songs, and sang the lead vocals on a number of Eagles hits including "Take It Easy", "Peaceful Easy Feeling", "Already Gone", "Tequila Sunrise", "Lyin' Eyes", "New Kid in Town", "Heartache Tonight" and "How Long".  The Eagles broke up around 1980 and reunited in 1994, when they released a new album titled Hell Freezes Over. The album had live tracks and four new songs. The Hell Freezes Over Tour followed. In 2012 on The Tavis Smiley Show, Frey told Smiley, "When the Eagles broke up, people used to ask me and Don, 'When are the Eagles getting back together?' We used to answer, 'When Hell freezes over.' We thought it was a pretty good joke. People have the misconception that we were fighting a lot. It is not true. We had a lot of fun. We had a lot more fun than I think people realize." At their first live concert of 1994, Frey told the crowd, "For the record, we never broke up. We just took a 14-year vacation."  The Eagles' album Long Road Out of Eden was released in 2007, and Frey participated in the Eagles' Long Road Out of Eden Tour (2008-2011).  In May 2012, Frey was awarded an honorary Doctorate of Music from Berklee College of Music along with Henley, Joe Walsh and Timothy B. Schmit.  In 2013, the two-part documentary History of the Eagles, directed by Alison Ellwood and co-produced by Academy Award winner Alex Gibney, was aired on Showtime. The documentary won an Emmy Award in 2013 for Outstanding Sound Mixing For Nonfiction Programming. An accompanying two-year History of the Eagles world tour ended on July 29, 2015 at Bossier City, Louisiana, a concert which would be Frey's final public appearance with the band.
who else joined?
A:
Frey and Henley