Problem: Bill Laswell (born February 12, 1955, Salem, Illinois, and raised in Albion, Michigan) is an American bassist, producer and record label owner. Laswell has been involved in hundreds of recordings with many collaborators from all over the world. Laswell's music draws upon many different genres, most notably funk, various world music, jazz, dub and ambient styles. He has also played or produced music from the noisier, more aggressive end of the rock spectrum, such as hardcore punk and metal.

Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios.

What did the music sound like?

Answer with quotes: The first contained airy, ambient dub translations of some of Marley's Island catalog,

Background: Born in Oakland, California, Sheila E. is the daughter of Juanita Gardere, a dairy factory worker, and percussionist Pete Escovedo, with whom she frequently performs. Her mother is Creole-French/African mix, and her father is of Mexican origin. Sheila E's uncle is Alejandro Escovedo, and Tito Puente was Escovedo's godfather. She also is niece to Javier Escovedo, founder of seminal San Diego punk act The Zeros.
Context: Prince met Sheila E. at a concert in 1978, when she was performing with her father. After the show he met her and told her that he and his bassist Andre Cymone "were just fighting about which one of us would be the first to be your husband." He also vowed that one day she would join his band. The two would eventually join forces during the Purple Rain recording sessions. She provided vocals on the B-side to "Let's Go Crazy", "Erotic City" in 1984. Though taken under Prince's wing, she proved to be a successful artist in her own right.  In June 1984, she released her debut album The Glamorous Life. The album's title-track single "The Glamorous Life" peaked at number 7 the Hot 100 and also topped the dance charts for two weeks in August 1984. The video for the song would bring three MTV Award nominations for Best Female Video, Best New Artist, and Best Choreography. She also received two Grammy Award nominations for Best New Artist and Best Pop Vocal Performance Female. Her second single "The Belle of St. Mark" charted at number 34 on Billboard Hot 100 and later became NME's "Single of the Week". She also toured as the opening act for Prince's Purple Rain Tour and the duo simultaneously began a brief romantic relationship, while Prince was still seeing Susannah Melvoin, twin sister of The Revolution band member, Wendy Melvoin. They would later become briefly engaged in the late '80s, during Prince's Lovesexy Tour.  In 1985, she released Romance 1600. The lead single "Sister Fate" peaked at number 36 on the R&B charts. The album's second single "A Love Bizarre" became her signature song, peaking at number 11 the Hot 100 and also topped the dance charts. The non-album track "Holly Rock" made its way to live shows and into the film Krush Groove. Sheila later served as Prince's drummer and musical director in his band during the tours from 1987 to 1989. In July 1986, her self-titled album Sheila E. was released. The ballad single "Hold Me" peaked at number 3 on R&B charts. She appeared in four films, Krush Groove with Run-D.M.C., LL Cool J and Blair Underwood in 1985, Prince's concert film, Sign "O" the Times in 1987 The Adventures of Ford Fairlane and Chasing Papi in 2003.
Question: When did she come out with "A Love Bizarre"?
Answer: 

Question:
Jarrod Vincenzo Rebecchi (commonly known as "Toadfish" or "Toadie") is a fictional character from the Australian soap opera Neighbours, played by Ryan Moloney. He made his first screen appearance during the episode broadcast on 23 January 1995. Toadie was created by writer Elizabeth Packett. Moloney had previously auditioned for another role in the show and had played a minor character, before being cast as Toadie.
Toadie's nickname was derived from the toadfishes of Australia. The serial's official website described a young Toadie as "fun-loving, mischievous and the class clown." TV Week branded Toadie "another troubled-teen-turned-good" who was "fond of a practical joke". Soap opera reporting website, Holy Soap, said he was "initially a bit of a layabout" that "got his act together and qualified as a lawyer." He also observed him as coming in "as a rough bloke and now he's a nancy." Toadie is portrayed as an "unlucky in love character". He would often be played as the "third-wheel" alongside Billy Kennedy (Jesse Spencer), who was more popular with female characters. In 2003, Moloney said: "Billy always got the chicks and it annoyed me because I wanted a chance at pashing someone... and now it's all making up for lost time." Moloney said when Toadie is "not in love and when he's not heartbroken" he has the ability to do anything he wants.  Toadie's persona is similar to Moloney's in the sense that they both "mess around". He further added, "In fact he is me, seeing how much fun and frivolity I can get away with." Molony documented Toadie changing from "a bit of a bad boy" into a "lawyer who's supposedly a responsible member of the community." He felt that to begin with Toadie was not a good lawyer, because many his clients would receive prison sentences. On Toadie's professionalism, Moloney said he is the type of lawyer that "probably likes to take his pants off behind the desk."  Toadie's image has changed repeatedly during his tenure. When he first appeared in 1995, he had long hair. He used to style a mullet similar to Scott Robinson's (Jason Donovan) hairstyle. Moloney jested that it appeared as though a possum was on his head.
Answer this question using a quote from the text above:

What was his humor like?

Answer:
clown.