Problem: Background: Cass Robert Sunstein FBA (born September 21, 1954) is an American legal scholar, particularly in the fields of constitutional law, administrative law, environmental law, and law and behavioral economics, who was the Administrator of the White House Office of Information and Regulatory Affairs in the Obama administration from 2009 to 2012. For 27 years, Sunstein taught at the University of Chicago Law School. Sunstein is the Robert Walmsley University Professor at Harvard Law School. He is Honorary Doctor at Copenhagen Business School.
Context: Sunstein is a proponent of judicial minimalism, arguing that judges should focus primarily on deciding the case at hand, and avoid making sweeping changes to the law or decisions that have broad-reaching effects. Some view him as liberal, despite Sunstein's public support for George W. Bush's judicial nominees Michael W. McConnell and John G. Roberts, as well as providing strongly maintained theoretical support for the death penalty.  Much of his work also brings behavioral economics to bear on law, suggesting that the "rational actor" model will sometimes produce an inadequate understanding of how people will respond to legal intervention.  Sunstein has collaborated with academics who have training in behavioral economics, most notably Daniel Kahneman, Richard Thaler, and Christine M. Jolls, to show how the theoretical assumptions of law and economics should be modified by new empirical findings about how people actually behave.  According to Sunstein, the interpretation of federal law should be made not by judges but by the beliefs and commitments of the U.S. president and those around him. "There is no reason to believe that in the face of statutory ambiguity, the meaning of federal law should be settled by the inclinations and predispositions of federal judges. The outcome should instead depend on the commitments and beliefs of the President and those who operate under him," argued Sunstein.  Sunstein (along with his coauthor Richard Thaler) has elaborated the theory of libertarian paternalism. In arguing for this theory, he counsels thinkers/academics/politicians to embrace the findings of behavioral economics as applied to law, maintaining freedom of choice while also steering people's decisions in directions that will make their lives go better. With Thaler, he coined the term "choice architect."
Question: What else did he support
Answer: providing strongly maintained theoretical support for the death penalty.

IN: Edward Leo Peter McMahon Jr. (March 6, 1923 - June 23, 2009) was an American announcer, game show host, comedian, actor and singer. McMahon and Johnny Carson began their long association in their first TV series, the ABC game show Who Do You Trust?, running from 1957 to 1962. Then afterwards, McMahon would make his famous thirty-year mark as Carson's sidekick, announcer and second banana on NBC's highly successfully The Tonight Show Starring Johnny Carson from 1962 to 1992.

McMahon hoped to become a United States Marine Corps fighter pilot. Prior to the US entry into World War II, however, both the Army and Navy required two years of college for their pilots program. McMahon enrolled into classes at Boston College and studied there from 1940 to 1941. On The Howard Stern Show in 2001, McMahon stated that after Pearl Harbor was attacked, the college requirement was not lifted and he still had to finish his two years of college before applying for Marine Corps flight training.  After completing the college requirement, McMahon was able to enlist as he previously wished. His primary flight training was in Dallas, followed by fighter training in Pensacola, where he also earned his carrier landing qualifications. He was a Marine Corps flight instructor in F4U Corsairs for two years, finally being ordered to the Pacific fleet in 1945. However, his orders were canceled after the atomic bomb was dropped on Hiroshima and Nagasaki, forcing Japan's surrender unconditionally.  As an officer in the reserves, McMahon was recalled to active duty during the Korean War. This time, he flew the OE-1 (the original Marine designation for the Cessna O-1 Bird Dog), an unarmed single-engine spotter plane. He functioned as an artillery spotter for the Marine batteries on the ground and as a forward controller for the Navy and Marine fighter bombers. He flew a total of 85 combat missions, earning six Air Medals. After the war, he stayed with the Marines as a reserve officer, retiring in 1966 as a colonel. In 1982, McMahon received a state commission as a brigadier general in the California Air National Guard, an honorary award to recognize his support for the National Guard and Reserves.

Was he married while in the military?

OUT: 

Background: The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1978 to 1983. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their music has been described by critic Simon Reynolds as gothic, and their single "Release the Bats" was particularly influential on the emerging gothic scene.
Context: The nucleus of the band first met at the private boys school Caulfield Grammar School, in suburban Melbourne, in the early seventies. A rock group was formed in 1973, with Nick Cave (vocals), Mick Harvey (guitar), and Phill Calvert (drums), with other students John Cocivera, Brett Purcell and Chris Coyne (on guitar, bass and saxophone respectively). Most were also members of the school choir. The band played under various names at parties and school functions with a mixed repertoire of David Bowie, Lou Reed, Roxy Music, Alice Cooper and the Sensational Alex Harvey Band, among others.  After their final school year in 1975 the band decided to continue as a four-piece group, with friend Tracy Pew picking up the bass. Greatly affected by the punk explosion of 1976 which saw Australian bands The Saints and Radio Birdman making their first recordings and tours, The Boys Next Door, as they were now called, began performing punk and proto-punk cover versions, such as "Blitzkrieg Bop" and "Gloria", and a few original songs. By November 1977 their set was dominated by fast original new wave material, such as "Sex Crimes" and "Masturbation Generation".  The Boys' second guitarist, Rowland S. Howard, joined in 1978, and about this time, the group's sound changed dramatically. The addition of Howard's guitar was certainly a catalyst (his later use of audio feedback being a hallmark of the group) but there were other changes, as well: their sound drew upon punk, rockabilly, free jazz and the rawest blues, but defied concise categorization. Many songs were driven by prominent, repetitive basslines and frenetic, yet minimalist, drumming. Though the band was tightly rehearsed, the instrumentalists often sounded as if they were on the verge of collapse, this quality only emphasising the newfound mania of Cave's singing, and his expressionist lyrics. In producer/engineer Tony Cohen they found a willing accomplice to their experimentation and their refusal to repeat themselves; and in manager Keith Glass they found an enthusiastic financial backer. Glass' label Missing Link Records released all of the early Birthday Party records.
Question: How did they know each other?
Answer:
The nucleus of the band first met at the private boys school Caulfield Grammar School,