IN: Womack was born and raised in Jacksonville, Texas. At an early age, she was interested in country music. Her father, a disc jockey, often took his daughter to work with him to help choose records to play on the air. Womack was the second of two daughters.

Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year.  In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after.  That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999.
QUESTION: Was this song well received?
IN: William Patrick Corgan Jr. (born March 17, 1967) is an American musician, songwriter, producer, poet, and professional wrestling magnate. He is best known as the lead singer, primary songwriter, guitarist, and sole permanent member of The Smashing Pumpkins. Formed by Corgan and guitarist James Iha in Chicago, Illinois, in 1988, the band quickly gained steam with the addition of bassist D'arcy Wretzky and drummer Jimmy Chamberlin. Strong album sales and large-scale tours propelled the band's increasing fame in the 1990s until their break-up in 2000.

Following a brief stint touring with New Order in the summer , Corgan reunited with Chamberlin to form the band Zwan with Corgan's old friend Matt Sweeney in late 2001. According to Neil Strauss of New York Times, during his few live performances with the band, Corgan says "is still a work in progress." The lineup was completed with guitarist David Pajo and bassist Paz Lenchantin. The band had two distinct incarnations, the primary approach being an upbeat rock band with a three-guitar-driven sound, the second, a folk and gospel inspired acoustic side with live strings. The quintet performed throughout 2002, and their debut album, Mary Star of the Sea, was released in early 2003 to generally positive reviews. In the midst of their supporting tour for the album, mounting conflict between Corgan and Chamberlin, and the other band members led to the cancellation of the rest of the tour as the band entered an apparent hiatus, formally announcing a breakup in September 2003.  In 2004 Corgan began writing revealing autobiographical posts on his website and his MySpace page, blaming Iha for the breakup of the Smashing Pumpkins, calling Wretzky "a mean spirited drug addict," and criticizing his former Zwan bandmates' fixation with "indie cred" and calling them "filthy", opportunistic, and selfish.  On September 17, 2003, Billy first presented his poetry at the Art Institute of Chicago's Rubloff Auditorium. In late 2004, Corgan published Blinking with Fists, a book of poetry. Despite mixed reviews, the book debuted on the New York Times Best Seller list. Around this time, he began posting autobiographical writings online under the title The Confessions of Billy Corgan.  Also in 2004, he began a solo music career, landing on an electronic/shoegaze/alternative rock sound for his first solo album, TheFutureEmbrace, co-produced and arranged by Bon Harris of Nitzer Ebb. Released on June 21, 2005, through Reprise Records, it garnered mixed reviews from the press and only sold 69,000 copies. Corgan toured behind his solo album with a touring band that included Linda Strawberry, Brian Liesegang and Matt Walker in 2005. This tour was not as extensive as previous Smashing Pumpkins or Zwan tours. Prior to recording TheFutureEmbrace, Corgan had recorded some 72 songs inspired by Chicago history for the largely acoustic ChicagoSongs project, which have yet to be released.
QUESTION: what is he doing now
IN: Anquetil was the son of a builder in Mont-Saint-Aignan, in the hills above Rouen in Normandy, north-west France. He lived there with his parents, Ernest and Marie, and his brother Philippe and then at Boisguillaume in a two-storey house, "one of those houses with exposed beams that tourists think are pretty but those who live there find uncomfortable." In 1941, his father refused contracts to work on military installations for the German occupiers and his work dried up. Other members of the family worked in strawberry farming and Anquetil's father followed them, moving to the hamlet of Bourguet, near Quincampoix.

Anquetil unfailingly beat Raymond Poulidor in the Tour de France and yet Poulidor remained the more popular. Divisions between their fans became marked, which two sociologists studying the impact of the Tour on French society say became emblematic of France old and new.  The extent of those divisions is shown in a story, perhaps apocryphal, told by Pierre Chany, who was close to Anquetil:  The Tour de France has the major fault of dividing the country, right down to the smallest hamlet, even families, into two rival camps. I know a man who grabbed his wife and held her on the grill of a heated stove, seated and with her skirts held up, for favouring Jacques Anquetil when he preferred Raymond Poulidor. The following year, the woman became a Poulidor-iste. But it was too late. The husband had switched his allegiance to Gimondi. The last I heard they were digging in their heels and the neighbours were complaining.  Jean-Luc Boeuf and Yves Leonard, in their study, wrote:  Those who recognised themselves in Jacques Anquetil liked his priority of style and elegance in the way he rode. Behind this fluidity and the appearance of ease was the image of France winning and those who took risks identified with him. Humble people saw themselves in Raymond Poulidor, whose face - lined with effort - represented the life they led on land they worked without rest or respite. His declarations, full of good sense, delighted the crowds: a race, even a difficult one, lasts less time than a day bringing in the harvest. A big part of the public therefore finished by identifying with the one who symbolised bad luck and the eternal position of runner-up, an image that was far from true for Poulidor, whose record was particularly rich. Even today, the expression of the eternal second and of a Poulidor Complex is associated with a hard life, as an article by Jacques Marseille showed in Le Figaro when it was headlined "This country is suffering from a Poulidor Complex".
QUESTION:
Are there any other interesting aspects about this article?