Background: Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz pianist/electric keyboardist and composer. His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.
Context: In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers.
Question: Were the albums successful?
Answer: A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009.

Background: Miranda was born in New York City and raised in the neighborhood of Inwood, the son of Luz Towns, a clinical psychologist, and Luis A. Miranda, Jr., a Democratic Party consultant who advised New York City mayor Ed Koch. Miranda has one older sister, Luz, who is the Chief Financial Officer of the MirRam Group. During childhood and his teens, he spent at least one month each year with his grandparents in Vega Alta, Puerto Rico. He is of mostly Puerto Rican descent.
Context: Miranda co-wrote the music and lyrics for Bring It On: The Musical with Tom Kitt and Amanda Green. Bring It On premiered at the Alliance Theatre in Atlanta, Georgia in January 2011. The musical began a US national tour on October 30, 2011 in Los Angeles, California. It then played a limited engagement on Broadway at the St. James Theatre, beginning previews on July 12, and officially opening on August 1, 2012. It closed on December 30, 2012. It was nominated for Tony Awards in the categories of Best Musical and Best Choreography.  In 2011, Miranda appeared on the TV series Modern Family in the episode "Good Cop Bad Dog". He appeared as Charley in an Encores! staged concert of Merrily We Roll Along at New York City Center in February 2012. Later that year, he appeared in a small role in The Odd Life of Timothy Green as Reggie and played the recurring role Ruben Marcado on the 2013 NBC drama Do No Harm.  In 2013, Miranda appeared in the episode "Bedtime Stories" (Season 9, Episode 11) on the CBS sitcom How I Met Your Mother. Later that year, he submitted a six-song demo package to Walt Disney Animation Studios; in spring 2014, the studio hired him to help write the songs for its 2016 animated feature film, Moana. In 2014, he performed with comedy duo The Skivvies, and participated in This American Life at the Brooklyn Academy of Music on June 7, 2014 and broadcast on the radio on June 20, 2014, writing the music and lyrics for, and playing The Narrator in, the one-act 21 Chump Street: The Musical. Also in 2014, Miranda appeared in the Encores! revival of Tick, Tick... Boom! under the artistic direction of Jeanine Tesori. The show was directed by Oliver Butler. Miranda won a 2014 Emmy Award for co-composing (with Tom Kitt) the song "Bigger!", the opening number at the 67th Tony Awards in 2013.
Question: What else interesting happened during this time period?
Answer: Also in 2014, Miranda appeared in the Encores! revival of Tick, Tick... Boom! under the artistic direction of Jeanine Tesori.

Background: Bill "Bojangles" Robinson (May 25, 1878 - November 25, 1949) was an American tap dancer and actor, the best known and most highly paid African-American entertainer in the first half of the twentieth century. His long career mirrored changes in American entertainment tastes and technology. He started in the age of minstrel shows and moved to vaudeville, Broadway, the recording industry, Hollywood, radio, and television.
Context: The idea for bringing a black dancer to Fox to star with Temple in The Little Colonel was actually first proposed by Fox head Winfield Sheehan after a discussion with D. W. Griffith. Sheehan set his sights on Robinson but, unsure of his ability as an actor, arranged for a contract that was void if Robinson failed the dramatic test. Robinson passed the test and was brought in to both star with Temple and to teach her tap dancing. They quickly hit it off, as Temple recounted years later:  Robinson walked a step ahead of us, but when he noticed me hurrying to catch up, he shortened his stride to accommodate mine. I kept reaching up for his hand, but he hadn't looked down and seemed unaware. Fannie called his attention to what I was doing, so he stopped short, bent low over me, his eyes wide and rows of brilliant teeth showing in a wide smile. When he took my hand in his, it felt large and cool. For a few moments, we continued walking in silence. "Can I call you Uncle Billy?" I asked. "Why sure you can", he replied... "But then I get to call you darlin.'" It was a deal. From then on, whenever we walked together it was hand in hand, and I was always his "darlin.'"  Temple had already appeared in five films released in 1934, and had performed a tap routine with James Dunn in Stand Up and Cheer! After Robinson was signed by 20th Century Fox, it was decided that he would perform his famous stair dance with Temple. While Robinson liked the idea, he quickly realized that he could not teach his complex stair dance to a seven-year-old in the few days permitted by the shooting schedule. Instead, he taught Temple to kick the riser (face) of each stairstep with her toe. After watching her practice his choreography, Robinson modified his routine to mimic her movements, so that it appeared on film that she was imitating his steps. The sequence was the highlight of the film.  Robinson and Temple became the first interracial dance partners in Hollywood history. The scene was controversial for its time, and was cut out in the south along with all other scenes showing the two making physical contact. Temple and Robinson appeared in four films together: The Little Colonel, The Littlest Rebel, Rebecca of Sunnybrook Farm and Just Around the Corner.  Robinson and Temple became close friends as a result of his dance coaching and acting with her. Robinson carried pictures of Temple with him wherever he traveled, and Temple considered him a lifelong friend, saying in an interview "Bill Robinson treated me as an equal, which was very important to me. He didn't talk down to me, like to a little girl. And I liked people like that. And Bill Robinson was the best of all."
Question: Did they respond to this?
Answer: