IN: Abelardo Dennis Florencio Ho (born 12 May 1981), more widely known as Dennis Trillo, is a Filipino actor, model and recording artist. Trillo is currently a contract star of GMA Network. He was known for his role as Eric del Mundo in the first ever gay-themed series on Philippine TV, My Husband's Lover aired on GMA Network in 2013. Trillo received his first acting award in 2004 for his role as a cross-dressing spy in the 2004 war film Aishite Imasu 1941: Mahal Kita.

After transferring to GMA Network and becoming a contract star, he landed his first role for the network in the youth-oriented drama Kahit Kailan where he played a supporting character named David. He was also cast in several outings like Twin Hearts and Love to Love.  In 2004, he had his first main character role in the fantasy show' Mulawin. He played Gabriel, a half-Human and half-Ravena who became the third wheel in Alwina (Angel Locsin) and Agiluz' (Richard Gutierrez) romance. The same year, he had his breakthrough performance when he starred in the Metro Manila Film Festival official entry Aishite Imasu 1941: Mahal Kita as a transgender woman during World War II. In this film he received his first acting award as Best Supporting Actor in the 30th Metro Manila Film Festival.  Following this recognition, he received five more Best Actor trophies from the Film Academy of the Philippines, the Filipino Academy of Movie Arts and Sciences (FAMAS), the PMPC Star Awards for Movies, Golden Screen Awards and the Young Critics Circle. He was also included in the third installment of Mano Po.  The following year, 2005, Trillo officially became a leading man when he was paired with Angel Locsin in the television adaptation of the iconic superhero Darna. He also starred in an afternoon family drama Now and Forever: Agos where he received a Best Drama Actor nomination from PMPC Star Awards for TV. That same year, he reprised his role for Mulawin: The Movie, and appeared in the film Blue Moon.
QUESTION: When did the show air?
IN: War (originally called Eric Burdon and War) is an American funk band from Long Beach, California, known for several hit songs (including "Spill the Wine", "The World Is a Ghetto", "The Cisco Kid", "Why Can't We Be Friends?", "Low Rider", and "Summer"). Formed in 1969, War is a musical crossover band which fuses elements of rock, funk, jazz, Latin, rhythm and blues, and reggae. Their album The World Is a Ghetto was the best-selling album of 1973. The band also transcended racial and cultural barriers with a multi-ethnic line-up.

Eric Burdon and War toured extensively across Europe and the United States. A reviewer from New Musical Express called War "the best live band I ever saw" after their first UK gig in London's Hyde Park. Their show at Ronnie Scott's Club in London on September 18, 1970 is historically notable for being the very last public performance for Jimi Hendrix, who joined them onstage for the last 35 minutes of Burdon's & War's 2nd set; a day later he was dead. A second Eric Burdon and War album, a two-disc set titled The Black-Man's Burdon was released in 1970, before Burdon left the band in the middle of its European tour. They finished the tour without him and returned to record their first album as War.  War (1971) met with only modest success, but later that year, the band released All Day Music which included the singles "All Day Music" and "Slippin' into Darkness". The latter single sold over one million copies, and was awarded a gold disc by the R.I.A.A. in June 1972. In 1972 they released The World Is a Ghetto which was even more successful. Its second single, "The Cisco Kid" shipped gold, and the album attained the number two spot on Billboard Hot 100 chart, and was Billboard magazine's Album of the Year as the best-selling album of 1973.  The next album, Deliver the Word (1973) contained the hits "Gypsy Man" and a studio version of "Me and Baby Brother" (previously issued as a live recording), which peaked at #8 and #15 on the Billboard chart. The album went on to sell nearly two million copies. The next album, Why Can't We Be Friends? was released in 1975. It included "Low Rider" and the title track, which were among the band's biggest hits.  In 1976, War released a greatest hits record which contained one new song "Summer", which, as a single, went gold and peaked at number 7 on the Billboard chart. Also released that year were Love is All Around by Eric Burdon and War, containing mostly unreleased recordings from 1969 and 1970, and Platinum Jazz, a one-off album for jazz label Blue Note. The latter double album had cover art to match the greatest hits album, and was half new material and half compilation, focusing on (but not restricted to) instrumental music. The group continued to attain success with their next album, Galaxy (1977) whose title single was inspired by Star Wars. War's next project was a soundtrack album for the movie Youngblood in 1978.
QUESTION: What album was Slippin Into Darkness from?
IN: Clinton Richard Dawkins  (born 26 March 1941) is an English ethologist, evolutionary biologist, and author. He is an emeritus fellow of New College, Oxford, and was the University of Oxford's Professor for Public Understanding of Science from 1995 until 2008. Dawkins first came to prominence with his 1976 book The Selfish Gene, which popularised the gene-centred view of evolution and introduced the term, meme. With his book The Extended Phenotype (1982), he introduced into evolutionary biology the influential concept that the phenotypic effects of a gene are not necessarily limited to an organism's body, but can stretch far into the environment.

In his book, The Selfish Gene, Dawkins coined the word meme (the behavioural equivalent of a gene) as a way to encourage readers to think about how Darwinian principles might be extended beyond the realm of genes. It was intended as an extension of his "replicators" argument, but it took on a life of its own in the hands of other authors, such as Daniel Dennett and Susan Blackmore. These popularisations then led to the emergence of memetics, a field from which Dawkins has distanced himself.  Dawkins's meme refers to any cultural entity that an observer might consider a replicator of a certain idea or set of ideas. He hypothesised that people could view many cultural entities as capable of such replication, generally through communication and contact with humans, who have evolved as efficient (although not perfect) copiers of information and behaviour. Because memes are not always copied perfectly, they might become refined, combined, or otherwise modified with other ideas; this results in new memes, which may themselves prove more or less efficient replicators than their predecessors, thus providing a framework for a hypothesis of cultural evolution based on memes, a notion that is analogous to the theory of biological evolution based on genes.  Although Dawkins invented the term meme, he has not claimed that the idea was entirely novel, and there have been other expressions for similar ideas in the past. For instance, John Laurent has suggested that the term may have derived from the work of the little-known German biologist Richard Semon. In 1904, Semon published Die Mneme (which appeared in English in 1924 as The Mneme). This book discusses the cultural transmission of experiences, with insights parallel to those of Dawkins. Laurent also found the term, mneme, used in Maurice Maeterlinck's The Life of the White Ant (1926), and has highlighted the similarities to Dawkins's concept. James Gleick describes Dawkins's concept of the meme as "his most famous memorable invention, far more influential than his selfish genes or his later proselytising against religiosity".
QUESTION:
Why didn't he claim that it was a novel idea?