input: Ayler routinely showcased his highly untraditional personal saxophone style in very conventional musical contexts, including children's songs, march melodies, and gospel hymns. However, Ayler's wild energy and intense improvisations transformed them into something nearly unrecognizable. Ayler took a deconstructive approach to his music, which was characteristic of the free jazz era. Phil Hardy says that Ayler "dismantled" melody and harmony in order to more deeply explore "the physical properties" of his saxophone. Ayler wished to free himself and his bandmates to improvise, relate to one another, and relate to their instruments on a more raw, "primal" level.  The intensely spiritual aspect of Ayler's music was clearly aligned with the beliefs of jazz saxophonist John Coltrane, who was profoundly affected by the "otherworldly" sounds of Ayler's music. This effect is especially evident in Coltrane's albums Meditations and Stellar Regions. Coltrane served as a mentor throughout Ayler's life, providing financial and professional support. This intensity, the extremes to which Ayler took his tenor saxophone, is the most defining aspect of his sound. His style is characterized by timbre variations, including squeaks, honks, and improvisation in very high and very low registers. He possessed a deep blistering tone--achieved by using the stiff plastic Fibrecane no. 4 reeds on his tenor saxophone--and used a broad, pathos-filled vibrato.  Ayler experimented with microtonality in his improvisations, seeking to explore the sounds that fall between the notes in a traditional scale. This technique was best showcased when he played, as he often did, without a piano, backed only by bass and drums. Ayler also resisted the standard swing beat, and instead built momentum through the frenetic speed of his improvisatory lines, which he forcefully overblew from his saxophone. Jazz historian Ted Gioia describes Ayler as a "virtuoso of the coarse and anomalous," and claims that Ayler aimed to break away from the constraints of playing notes and instead to "enter into a new realm in which the saxophone created "sound"." Ayler undeniably succeeded in doing this; he produced sounds that were unlike any made by jazz saxophonists before him. However, while some found a powerful artistic voice, even musical genius, in these sounds, others found only noise.

Answer this question "What musical contexts?"
output: very conventional musical contexts, including children's songs, march melodies, and gospel hymns.

input: A succession of injuries hindered Safin's progress throughout his career.  In 2003, he missed the majority of the season due to a wrist injury.  During the 2005 clay-court season, Safin suffered a knee injury, which he played through all the way up to Wimbledon with the help of pain killers and anti-inflammatories. Safin was subsequently defeated in the early rounds of each of the seven tournaments he played between the Australian Open and the French Open, culminating in an early round defeat at the French Open. Safin made a surprise finals appearance at the Wimbledon tune-up tournament in Halle on grass. He lost the final narrowly to the defending champion, Federer. He only played one tournament in the summer hard-court season, in Cincinnati, where he lost in the quarterfinals to Robby Ginepri. He also missed the Tennis Masters Cup.  Injuries continued to bother Safin in 2006. Although Safin made appearances at the 2006 ATP Masters tournaments at Indian Wells, Miami, Monte Carlo, Rome and Hamburg, his ranking plummeted to as low as No. 104. He began to recover in time for the 2006 US Open, in which Safin defeated Argentine David Nalbandian, who was then world No. 4 in a riveting second-round match. Safin then lost in the fourth round to former world No. 2 German Tommy Haas, also in a fifth-set tiebreaker. Positive performances at the Thailand Open, where he was narrowly edged out by No. 7 seed, James Blake, and the Kremlin Cup in Moscow, the first all-Russian final at that event, losing to compatriot, Ukrainian-born Nikolay Davydenko, marked Safin's recovery. Despite the injury, Safin still posted 7 wins against top ten players in 2006, fourth-most on the ATP tour behind just Federer (19), Nadal (10), and Blake (8).

Answer this question "Has he needed surgery for any of his injuries?"
output: 

input: On 16 December 2011 Eunhyuk and Donghae released digital single Oppa, Oppa, where they first performed it at Super Junior's Super Show 4 Seoul concert on 19 November 2011. This marks the first release of their collaborations. The single was also released in Japanese with an original Japanese music video on 4 April 2012. On the day of its release, it reached number two on Oricon Daily Chart with 42,114 copies sold. While also preparing for Super Junior's first world tour Super Show 4, the pair held a fan meeting, Premium Mini Live Event, in support of the single on 11 April at Shibuya-AX, Tokyo.  Eunhyuk is MC for MBC every1's Super Junior Foresight, along with fellow members Leeteuk, Kyuhyun, Yesung and Shindong. From 23 March 2012, he took over as MC for the last three live shows of singing-survival program Great Birth 2, better known as MBC Star Audition, on MBC. As of the 10 April 2012 broadcast, following the change in MCs and the departure of Shindong from Strong Heart, the show was re-vamped with Leeteuk and Eunhyuk billed as two of the 'six-fixed guests'.  In June 2012, Eunhyuk reunited with his Super Junior bandmates for their sixth studio album, Sexy, Free & Single released on 4 July. On 21 June 2012, the first teaser photo of Eunhyuk was released showing him in a white shirt, blue jeans, styled with a mullet-like hairstyle and blindfolded with white and pink flowers. In October SM Entertainment and Hyundai partnered up to release the "Maxstep" featuring Eunhyuk and other SM artists Super Junior-M's Henry Lau, SHINee's Lee Taemin, EXO-K's Kai, EXO-M's Luhan and Girl's Generation's Hyoyeon. The group became the official dance unit; Younique Unit. The official cover of Zedd's Spectrum was released via SBS Gayo Daejeon held on December 29, 2012, with Eunhyuk featuring. The single was performed by the members of SM The Performance and also included Donghae, along with TVXQ's Yunho, Shinee's Taemin and Minho and EXO's Kai and Lay.

Answer this question "Did he have any other live shows?"
output:
Super Junior's first world tour Super Show 4, the pair held a fan meeting, Premium Mini Live Event, in support of the single on 11 April at Shibuya-AX, Tokyo.