Answer the question at the end by quoting:

Rudolph Van Gelder (November 2, 1924 - August 25, 2016) was an American recording engineer who specialized in jazz. Regarded as the most important recording engineer of jazz by some observers, Van Gelder recorded several thousand jazz sessions, including many recognized as classics, in a career which spanned more than half a century. Van Gelder recorded many of the great names in the genre, including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Joe Henderson, Freddie Hubbard, Wayne Shorter, and Horace Silver, among many others. He worked with many record companies but was most closely associated with Blue Note Records.
Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen, ran a women's clothing store in Passaic. His interest in microphones and electronics can be traced to a youthful enthusiasm for amateur radio. A longtime jazz fan (his uncle, for whom Rudy was named, had been the drummer for Ted Lewis's band in the mid-1930s), Van Gelder took lessons on the trumpet. Van Gelder trained as an optometrist at the Pennsylvania College of Optometry, in Philadelphia, because he did not think he could earn a living as a recording engineer. From 1943, after graduating, Van Gelder had an optometry practice in Teaneck, New Jersey, and recorded local musicians in the evenings who wanted 78-rpm recordings of their work. He became a full-time recording engineer in 1959. From 1946, Van Gelder recorded in his parents' house in Hackensack, New Jersey, in which a control room was built adjacent to the living room, which served as the musicians' performing area. The dry acoustics of this working space were partly responsible for Van Gelder's inimitable recording aesthetic.  "When I first started, I was interested in improving the quality of the playback equipment I had," Van Gelder commented in 2005; "I never was really happy with what I heard. I always assumed the records made by the big companies sounded better than what I could reproduce. So that's how I got interested in the process. I acquired everything I could to play back audio: speakers, turntables, amplifiers". One of Van Gelder's friends, the baritone saxophonist Gil Melle, introduced him to Alfred Lion, a producer for Blue Note Records, in 1953.  Within a few years Van Gelder was in demand by many other independent labels based around New York City, such as Prestige Records. Bob Weinstock, owner of Prestige, recalled in 1999, "Rudy was very much an asset. His rates were fair and he didn't waste time. When you arrived at his studio he was prepared. His equipment was always ahead of its time and he was a genius when it came to recording". According to a JazzTimes article in August 2016, "jazz lore has formed the brands into a yin and yang of sorts: The Blue Note albums involved more original music, with rehearsal and the stringent, consistent oversight of Lion; Weinstock was more nonchalant, organizing what were essentially blowing sessions for some of the best musicians in jazz history". Van Gelder said in 2012, "Alfred was rigid about how he wanted Blue Note records to sound. But Bob Weinstock of Prestige was more easygoing, so I'd experiment on his dates and use what I learned on the Blue Note sessions". He also worked for Savoy Records in this period, among others. "To accommodate everyone, I assigned different days of the week to different labels".  In the 1950s Van Gelder also performed engineering and mastering for the classical label Vox Records. Thelonious Monk composed and recorded a tribute to Van Gelder entitled "Hackensack".

Did he win any awards during his early career?



IN: Luis Antonio Gokim Tagle (Tagalog: [lU'wis an'tonIo 'tagle]; born June 21, 1957) is the 32nd Archbishop of Manila. He has been Archbishop since December 12, 2011, and a cardinal since November 24, 2012. He also serves as President of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation. Tagle has become involved in many social issues in the Philippines with emphasis on helping the poor while maintaining opposition against what he terms "practical atheism", abortion, and contraception (equated with abortion in the Philippines).

Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank.  Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalia, which were the elite prior to the 1896 Philippine Revolution. Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner.  After attending elementary and high school at Saint Andrew's School in Paranaque, he was influenced by priest friends to enter the Jesuit San Jose Seminary, which sent him for studies at the Jesuit Ateneo de Manila University.  Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology. Tagle earned his Doctorate in Sacred Theology at the Catholic University of America from 1987 to 1991. He wrote his dissertation under the direction of Joseph A. Komonchak on the development of the concept of episcopal collegiality at the Second Vatican Council and the influence of Pope Paul VI. Tagle also attended doctrinal courses at the Institute of Pope Paul VI University. In Komonchak's estimation, Tagle was "one of the best students I had in over 40 years of teaching" and "could have become the best theologian in the Philippines, or even in all of Asia" had he not been appointed bishop. Tagle has received honorary degrees from Catholic Theological Union  and La Salle University.

When did he actually be come a priest?

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