IN: The Kinks were an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies. They are regarded as one of the most important and influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.

The Kinks are regarded as one of the most important and influential rock acts of the 1960s and early 1970s. Stephen Thomas Erlewine called The Kinks "one of the most influential bands of the British Invasion". They were ranked 65th on Rolling Stone Magazine's "100 Greatest Artists of All Time" list.  Artists influenced by The Kinks include punk rock groups such as the Ramones, The Clash, and The Jam, heavy metal acts including Van Halen and Britpop groups such as Oasis, Blur and Pulp. Craig Nicholls, singer and guitarist of The Vines, described the Kinks as "great songwriters, so underrated". Pete Townshend, guitarist with the Kinks' contemporaries the Who, credited Ray Davies with inventing "a new kind of poetry and a new kind of language for pop writing that influenced me from the very, very, very beginning." Jon Savage wrote that The Kinks were an influence on late 1960s American psychedelic rock groups "like The Doors, Love and Jefferson Airplane". Music writers and other musicians have acknowledged the influence of the Kinks on the development of hard rock and heavy metal. Musicologist Joe Harrington stated: "'You Really Got Me', 'All Day and All of the Night' and 'I Need You' were predecessors of the whole three-chord genre... [T]he Kinks did a lot to help turn rock 'n' roll (Jerry Lee Lewis) into rock (Led Zeppelin, Black Sabbath, The Stooges)." Queen guitarist Brian May credited the band with planting "the seed which grew into riff-based music."  A musical, Sunny Afternoon, based on the early life of Ray Davies and the formation of the Kinks, opened at the Hampstead Theatre in April 2014. The musical's name came from the band's 1966 hit single "Sunny Afternoon" and features songs from the band's back catalogue.  In 2015, it was reported that Julien Temple would direct a biopic of The Kinks titled You Really Got Me, with singer-songwriter Johnny Flynn and actor George MacKay cast to play Ray and Dave Davies, respectively.

Did they win any awards?

OUT: 

Answer the question at the end by quoting:

Peter Forsberg was born in Ornskoldsvik, Sweden, the son of Kent Forsberg, a former coach of Modo Hockey and the Swedish national team. Forsberg was coached by his father for a significant part of his career: the two teamed up from 1991-94 with Modo and later for the national team in the 1996 World Cup, 1998 Olympics and 1998 World Championship, which Sweden won. Forsberg played minor hockey alongside boyhood friend Markus Naslund, who was also born in Ornskoldsvik. Born ten days apart, the two were well-acquainted while playing on separate youth teams before joining together on the regional Angermanland all-star team for the under-16 TV-pucken national championship in 1988.
On 21 January 2011, it was announced that Forsberg had begun training with the Colorado Avalanche in attempt to make a comeback in the NHL.  On 6 February, the Avalanche announced that they had come to terms on a contract with Forsberg worth $1 million for the remainder of the 2010-11 season. Forsberg played his first game back with the Avalanche in Nationwide Arena against the Columbus Blue Jackets on 11 February. He was in the starting lineup at left wing, a departure from his natural center, with 2001 Stanley Cup-winning teammate Milan Hejduk, as well as Matt Duchene. In the two road games he played in, Forsberg was on the ice for 17 minutes and 38 seconds, with zero points and a -4 plus-minus rating. The Avalanche lost both games. After the latter game, Avalanche Head Coach Joe Sacco stated Forsberg was the best player on the ice.  The Avalanche, in the midst of a losing season, heavily advertised tickets for Forsberg's first home game back as a member of the team. However, on 14 February 2011, hours before he was scheduled to play in front of the Avalanche's home fans at the Pepsi Center, Forsberg announced his retirement from hockey. The Avalanche's official website stated that Forsberg would hold a press conference later that day, formally announcing his retirement. In the press conference, Forsberg cited an "inability to defend (himself)" on the ice, with foot problems also playing a role in his decision.  On 8 October 2011, Forsberg had his jersey number retired prior to the Avalanche's 2011-12 season opener at the Pepsi Center.

Why did he return to the NHL in 2011?

in attempt to make a comeback in the NHL.

input: Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood.  The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year.  In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc.,

Answer this question "Was the album a success?"
output:
made little impact outside Los Angeles, where it reached the Top 25.