Problem: Background: Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]
Context: In 1833, Wagner's brother Albert managed to obtain for him a position as choir master at the theatre in Wurzburg. In the same year, at the age of 20, Wagner composed his first complete opera, Die Feen (The Fairies). This work, which imitated the style of Weber, went unproduced until half a century later, when it was premiered in Munich shortly after the composer's death in 1883.  Having returned to Leipzig in 1834, Wagner held a brief appointment as musical director at the opera house in Magdeburg during which he wrote Das Liebesverbot (The Ban on Love), based on Shakespeare's Measure for Measure. This was staged at Magdeburg in 1836 but closed before the second performance; this, together with the financial collapse of the theatre company employing him, left the composer in bankruptcy. Wagner had fallen for one of the leading ladies at Magdeburg, the actress Christine Wilhelmine "Minna" Planer and after the disaster of Das Liebesverbot he followed her to Konigsberg, where she helped him to get an engagement at the theatre. The two married in Tragheim Church on 24 November 1836. In May 1837, Minna left Wagner for another man, and this was but only the first debacle of a tempestuous marriage. In June 1837, Wagner moved to Riga (then in the Russian Empire), where he became music director of the local opera; having in this capacity engaged Minna's sister Amalie (also a singer) for the theatre, he presently resumed relations with Minna during 1838.  By 1839, the couple had amassed such large debts that they fled Riga on the run from creditors. Debts would plague Wagner for most of his life. Initially they took a stormy sea passage to London, from which Wagner drew the inspiration for his opera Der fliegende Hollander (The Flying Dutchman), with a plot based on a sketch by Heinrich Heine. The Wagners settled in Paris in September 1839 and stayed there until 1842. Wagner made a scant living by writing articles and short novelettes such as A pilgrimage to Beethoven, which sketched his growing concept of "music drama", and An end in Paris, where he depicts his own miseries as a German musician in the French metropolis. He also provided arrangements of operas by other composers, largely on behalf of the Schlesinger publishing house. During this stay he completed his third and fourth operas Rienzi and Der fliegende Hollander.
Question: Did he write any symphonic works when he was young?
Answer: 

Problem: Background: Guttermouth is an American punk rock band formed in 1988 in Huntington Beach, California and currently recording for Rude Records/Bird Attack Records. They have released nine full-length studio albums and two live albums and have toured extensively, including performances on the Vans Warped Tour. They are infamous for their outrageous lyrics and behavior which are deliberately explicit, offensive and intended to shock, though usually in a humorous and sarcastic manner. This behavior has sometimes resulted in high-profile problems for the band, such as being banned from performing in Canada for eighteen months and leaving the 2004 Warped Tour amidst controversy over their political views and attitudes towards other performers.
Context: The following year found the band returning home to California and experiencing a lineup change. Clint Weinrich married in the spring of 1995, and to fill in for him on a European tour the band recruited Steve "Stever" Rapp, a college friend of Nunn's who was playing in a band called The Grabbers. Things worked out well with Rapp on this tour and he soon became the band's permanent bass player. The new lineup entered the studio and recorded their third album Teri Yakimoto. By all accounts the recording process was plagued with problems, and at one point most of the recordings were scrapped and re-recorded with a new producer. The result was an album that continued the fast and sarcastic Guttermouth tradition but was more melodic and pop-influenced than their previous albums. The band continued to tour and expand their fan base, and filmed a music video for the song "Whiskey." With their popularity growing Nitro Records re-released Full Length in CD format with bonus tracks under the title The Album Formerly Known as Full Length LP.  In 1997 the band recorded Musical Monkey, an album which captured their chaotic energy and sharp sense of humor. It is considered by many to be the best representation of their "classic" sound, and songs such as "Lucky the Donkey," "Do the Hustle," "Lipstick" and "Perfect World" became staples in their live set. The following year they released Live From the Pharmacy, a recording of a live show from 1994 that also included four new songs engineered by Vandals guitarist Warren Fitzgerald and liner notes written by Nunn recounting the band's history. In 1998 Guttermouth was banned from performing in Canada for one year on charges of public indecency after Adkins exposed himself onstage in Saskatoon. According to Adkins: "oh, I was guilty [...] What I would do is grab two young girls out of the audience and I would have them hold up this sheet in front of me, and Jamie, the drummer at the time, would say this magical incantation, if you will, and I would be standing there stark naked." Combined with a drunk driving charge from the United States, the incident led Adkins to be arrested on immigration charges, detained for five days, and then deported, though Guttermouth would return to Canada a few years later. After obtaining a full pardon from the Canadian judicial system known as the crown. No record remains on file.  Rapp left the band in 1999, at which point Nunn moved from drums to bass and new drummer William "Ty" Smith was brought in. That year the band recorded and released Gorgeous, their most aggressive album to date and their final album for Nitro.
Question: Did the lineup change in any other way?
Answer:
The new lineup entered the studio and recorded their third album Teri Yakimoto.