input: Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens.  The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books.  In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle.  His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba.

Answer this question "What role did politics play in his life?"
output: Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884.

input: Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015.  In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci.  In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant.  In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.

Answer this question "Did he produce any albums from 2010- on?"
output: In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records;

input: On November 26, 2014, following termination by the CBC, Ghomeshi turned himself in to Toronto Police and was charged with four counts of sexual assault and one count of overcoming resistance by choking, after an investigation that began on October 31, 2014. The charges concern three separate women. He appeared in court on the same day and was released on $100,000 bail on the conditions that he surrender his passport, stay within Ontario and live with his mother.  Ghomeshi appeared in court again on January 8, 2015, and was charged with three additional counts of sexual assault related to three more women. In a court appearance on February 26, 2015, a judicial pretrial was set for March 27, 2015, and was later put over to April 28, 2015. His lawyer, Marie Henein, stated that he would plead not guilty to all charges. On October 1, 2015, Ghomeshi pleaded not guilty to one count of choking and four counts of sexual assault.  The trial of Ghomeshi began on February 1, 2016, and lasted eight days. On March 24, 2016, the judge acquitted Ghomeshi of all charges on the basis that there was insufficient evidence to establish proof beyond a reasonable doubt. The inconsistency and "outright deception" of the witness' testimony had irreparably weakened the prosecution's case. Judge William Horkins accused the complainants of "lying or trying to conceal evidence from the court".  A second trial for one additional charge was scheduled for June 2016. On May 11, 2016, however, the Crown withdrew the last remaining charge, re: the alleged sexual assault against Borel, after Ghomeshi signed a peace bond which does not include an admission of guilt. (The publication ban as to the name of the victim, Borel, was lifted on May 11, 2016.) According to Borel, Henein approached Borel's representation to ask for an alternative to a trial, and after several exchanges Ghomeshi agreed to apologize to Borel and did so formally.  Afterwards, Borel issued a formal statement to the media, maintaining that Ghomeshi was guilty of sexual assault but that "a trial would have maintained his lie, the lie that he was not guilty, and would have further subjected me to the very same pattern of abuse that I am currently trying to stop".

Answer this question "What was he in trouble for?"
output:
2014, following termination by the CBC, Ghomeshi turned himself in to Toronto Police and was charged with four counts of sexual assault and one count of overcoming resistance by choking,