Some context: Owen was born in Chester, Cheshire, the fourth child of Jeanette and Terry Owen. His father is a former professional footballer and played for clubs such as Chester City and Everton. Owen was introduced to football at the age of seven by his father who soon saw Michael as the most promising athlete in the family. A boyhood Everton fan, Owen attended Rector Drew Primary School in Hawarden, Flintshire, north Wales and by the age of ten, some of the nation's leading scouts were monitoring his progress.
On 3 July 2009, it was announced that Owen had signed a two-year deal with reigning Premier League champions Manchester United. He said that the approach from manager Alex Ferguson came from "out of the blue". He signed a pay-as-you-play deal and was handed the number 7 shirt vacated by the departure of Cristiano Ronaldo to Real Madrid. The shirt had previously been worn by many of United's other illustrious players over the years, including Johnny Berry, George Best, Steve Coppell, Bryan Robson, Eric Cantona and David Beckham.  Owen scored his first goal for United on his debut, scoring an 84th-minute winner after coming on as a substitute in a pre-season friendly against a Malaysian XI; he followed this up by scoring three more goals in United's pre-season games. Owen made his league debut for United when he came on as a substitute against Birmingham City on 16 August in a 1-0 win, and scored his first competitive goal in a Manchester United shirt against Wigan Athletic on 22 August in a 5-0 away win. On 20 September, Owen scored his first goal at Old Trafford as he netted in the sixth minute of stoppage time against local rivals Manchester City to give United a 4-3 derby win. This meant that Owen had now scored in his fourth derby, after netting in the Merseyside derby, El Clasico and the Tyne-Wear derby in previous years. Owen struggled to recall the moments immediately after the goal, and said that it ranked as one of his most important.  On 27 October, Owen notched a goal in the 2-0 away win against Barnsley to qualify United past the fourth round of the League Cup. On 3 November, Owen scored his first Champions League goal for Manchester United, as he grabbed United's first in the 3-3 draw against CSKA Moscow. Owen's seemingly slim chances of earning a place in Fabio Capello's England squad for the 2010 World Cup finals in 2010 received a boost when on 8 December 2009, Owen scored his first hat-trick for Manchester United in a 3-1 away win against VfL Wolfsburg in the Champions League, his first hat-trick since 2005. On 28 February 2010, Owen scored United's first goal in their 2-1 victory over Aston Villa in the 2010 League Cup final, but had to be substituted after pulling up on 42 minutes. Originally thought to be a minor injury, on 5 March it was announced Owen required surgery on his hamstring, ruling him out for the rest of the season.
Did he play again?
A: ruling him out for the rest of the season.

Some context: Harry Partch (June 24, 1901 - September 3, 1974) was an American composer, music theorist, and creator of musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales. He built custom-made instruments in these tunings on which to play his compositions, and described his theory and practice in his book Genesis of a Music (1947). Partch composed with scales dividing the octave into 43 unequal tones derived from the natural harmonic series; these scales allowed for more tones of smaller intervals than in standard Western tuning, which uses twelve equal intervals to the octave.
Supported by Guggenheim and university grants, Partch took up residence at the University of Wisconsin from 1944 until 1947. This was a productive period, in which he lectured, trained an ensemble, staged performances, released his first recordings, and completed his book, now called Genesis of a Music. Genesis was completed in 1947 and published in 1949 by the University of Wisconsin Press. He left the university, as it never accepted him as a member of the permanent staff, and there was little space for his growing stock of instruments.  In 1949, pianist Gunnar Johansen allowed Partch to convert a smithy on his ranch to a studio. Partch worked there with support from the Guggenheim Foundation, and did recordings, primarily of his Eleven Intrusions (1949-1950). He was assisted for six months by composer Ben Johnston, who performed on Partch's recordings. In spring 1951, Partch moved to Oakland for health reasons, and prepared for a production of King Oedipus at Mills College, with the support of designer Arch Lauterer. Performances of King Oedipus in March were extensively reviewed, but a planned recording was blocked by the Yeats estate, which refused to grant permission to use Yeats's translation.  In February 1953, Partch founded the studio Gate 5 in an abandoned shipyard in Sausalito, California, where he composed, built instruments and staged performances. Subscriptions to raise money for recordings were organized by the Harry Partch Trust Fund, an organization put together by friends and supporters. The recordings were sold via mail order, as were later releases on the Gate 5 Records label. The money raised from these recordings became his main source of income. Partch's three Plectra and Percussion Dances, Ring Around the Moon (1949-1950), Castor and Pollux, and Even Wild Horses, premiered on Berkeley's KPFA radio in November 1953.  After completing The Bewitched in January 1955, Partch tried to find the means to put on a production of it. Ben Johnston introduced Danlee Mitchell to Partch at the University of Illinois; Mitchell later became Partch's heir. In March 1957, with the help of Johnston and the Fromm Foundation, The Bewitched was performed at the University of Illinois, and later at Washington University in St. Louis, though Partch was displeased with choreographer Alwin Nikolais's interpretation. Later in 1957, Partch provided the music for Madeline Tourtelot's film Windsong, the first of six film collaborations between the two. From 1959 to 1962, Partch received further appointments from the University of Illinois, and staged productions of Revelation in the Courthouse Park in 1961 and Water! Water! in 1962. Though these two works were based, as King Oedipus had been, on Greek mythology, they modernized the settings and incorporated elements of popular music. Partch had support from several departments and organizations at the university, but continuing hostility from the music department convinced him to leave and return to California.
Was he angry about this?
A: