IN: Limp Bizkit is an American rap rock band from Jacksonville, Florida, formed in 1994. Their lineup consists of Fred Durst (lead vocals), Sam Rivers (bass, backing vocals), John Otto (drums, percussion), and Wes Borland (guitars, backing vocals). Their music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks and uniforms, also plays a large role in the band's elaborate live shows.

Borland is known for performing in costumes and body paint during concerts, appearing in bunny and kung fu suits, and painted as a skeleton and what he describes as a "burnt match". Describing the character, he stated, "I go onstage wearing almost nothing. I have underwear and my boots on, and I paint my whole head black--from the neck up--and I have the black contacts. All you can see is these glowing teeth." Borland's black contacts were customized for him by a company noted for making contacts for the science fiction TV series Babylon 5.  In addition to Borland's visual appearance, the band has also used elaborate stage setups in their performances. Their Ladies Night in Cambodia club tour visually paid tribute to the film Apocalypse Now, with an elaborate stage setup which featured an empty Jeep, camouflage mesh and palm trees. During the band's tour with Primus, Limp Bizkit took inspiration from Primus' trademark self-deprecatory slogan "Primus sucks": Durst, Borland, Rivers, Otto and Lethal took the stage with middle fingers raised. According to Borland, "they finger us back--and you know what that means to us--that they love us. It's kind of like saying something is bad when you really mean good. Les Claypool came out the first night of the tour and got a big kick out of it. We figured it was the right idea. It makes hecklers go 'huh.'"  During the band's sets at Ozzfest, audience members at the tour heckled Limp Bizkit, leading the band to use a 30-foot toilet as a stage prop, which they would emerge from during each performance; the band punctuated their sets by "flushing" cardboard cutouts of pop stars like Hanson and the Spice Girls. During their appearance at the first Family Values Tour, Limp Bizkit performed on a set which the Los Angeles Times described as "a mix of The War Of The Worlds and Mars Attacks". The band emerged from a spaceship during the tour, and Borland continued to experiment with visual appearances. During the band's Halloween performance on the tour, each of the band's members dressed as Elvis Presley at various stages in his career.

Why was it described as a mix of the War of the Worlds?

OUT: ". The band emerged from a spaceship during the tour, and Borland continued to experiment with visual appearances.


IN: Paul Klee (German: [paUl 'kle:]; 18 December 1879 - 29 June 1940) was a Swiss German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture.

In 1919, Klee applied for a teaching post at the Academy of Art in Stuttgart. This attempt failed but he had a major success in securing a three-year contract (with a minimum annual income) with dealer Hans Goltz, whose influential gallery gave Klee major exposure, and some commercial success. A retrospective of over 300 works in 1920 was also notable.  Klee taught at the Bauhaus from January 1921 to April 1931. He was a "Form" master in the bookbinding, stained glass, and mural painting workshops and was provided with two studios. In 1922, Kandinsky joined the staff and resumed his friendship with Klee. Later that year the first Bauhaus exhibition and festival was held, for which Klee created several of the advertising materials. Klee welcomed that there were many conflicting theories and opinions within the Bauhaus: "I also approve of these forces competing one with the other if the result is achievement."  Klee was also a member of Die Blaue Vier (The Blue Four), with Kandinsky, Lyonel Feininger, and Alexej von Jawlensky; formed in 1923, they lectured and exhibited together in the USA in 1925. That same year, Klee had his first exhibits in Paris, and he became a hit with the French Surrealists. Klee visited Egypt in 1928, which impressed him less than Tunisia. In 1929, the first major monograph on Klee's work was published, written by Will Grohmann.  Klee also taught at the Dusseldorf Academy from 1931 to 1933, and was singled out by a Nazi newspaper, "Then that great fellow Klee comes onto the scene, already famed as a Bauhaus teacher in Dessau. He tells everyone he's a thoroughbred Arab, but he's a typical Galician Jew." His home was searched by the Gestapo and he was fired from his job. His self-portrait Struck from the List (1933) commemorates the sad occasion. In 1933-4, Klee had shows in London and Paris, and finally met Pablo Picasso, whom he greatly admired. The Klee family emigrated to Switzerland in late 1933.  Klee was at the peak of his creative output. His Ad Parnassum (1932) is considered his masterpiece and the best example of his pointillist style; it is also one of his largest, most finely worked paintings. He produced nearly 500 works in 1933 during his last year in Germany. However, in 1933, Klee began experiencing the symptoms of what was diagnosed as scleroderma after his death. The progression of his fatal disease, which made swallowing very difficult, can be followed through the art he created in his last years. His output in 1936 was only 25 pictures. In the later 1930s, his health recovered somewhat and he was encouraged by a visit from Kandinsky and Picasso. Klee's simpler and larger designs enabled him to keep up his output in his final years, and in 1939 he created over 1,200 works, a career high for one year. He used heavier lines and mainly geometric forms with fewer but larger blocks of color. His varied color palettes, some with bright colors and others sober, perhaps reflected his alternating moods of optimism and pessimism. Back in Germany in 1937, seventeen of Klee's pictures were included in an exhibition of "Degenerate art" and 102 of his works in public collections were seized by the Nazis.

Is there anything else important about his career?

OUT:
and was singled out by a Nazi newspaper,