Problem: Background: Robert Montgomery Knight (born October 25, 1940) is a retired American basketball coach. Nicknamed "The General", Knight won 902 NCAA Division I men's college basketball games, the most all-time at the time of his retirement and currently third all-time, behind his former player and assistant coach Mike Krzyzewski of Duke University, and Jim Boeheim of Syracuse University. Knight is best known as the head coach of the Indiana Hoosiers from 1971 to 2000.
Context: Knight was born in Massillon, Ohio, and grew up in Orrville, Ohio. Knight began playing organized basketball at Orrville High School. He continued at Ohio State in 1958 when he played for Basketball Hall of Fame coach Fred Taylor. Despite being a star player in high school, he played a reserve role as a forward on the 1960 Ohio State Buckeyes team that won the NCAA Championship and featured future Hall of Fame players John Havlicek and Jerry Lucas. The Buckeyes lost to the Cincinnati Bearcats in each of the next two NCAA Championship games, of which Knight was also a part.  Due in part to the star power of those Ohio State teams, Knight usually received scant playing time, but that did not prevent him from making an impact. In the 1961 NCAA Championship game, Knight came off the bench with 1:41 on the clock and Cincinnati leading Ohio State, 61-59. In the words of then-Ohio State assistant coach Frank Truitt,  Knight got the ball in the left front court and faked a drive into the middle. Then [he] crossed over like he worked on it all his life and drove right in and laid it up. That tied the game for us, and Knight ran clear across the floor like a 100-yard dash sprinter and ran right at me and said, 'See there, coach, I should have been in that game a long time ago!'  To which Truitt replied, "Sit down, you hot dog. You're lucky you're even on the floor."  In addition to lettering in basketball at Ohio State, it has been claimed that Knight also lettered in football and baseball; however, the official list of Ohio State football letter earners does not include Knight. Knight graduated with a degree in history and government in 1962.
Question: Who else was there
Answer: Knight usually received scant playing time, but that did not prevent him from making an impact.

Background: Elmo Hope was born on June 27, 1923, in New York City. His parents, Simon and Gertrude Hope, were immigrants from the Caribbean, and had several children. Elmo began playing the piano aged seven. He had classical music lessons as a child, and won solo piano recital contests from 1938.
Context: Unable to earn a living in New York because of the performance ban, Hope toured with trumpeter Chet Baker in 1957 and then began living in Los Angeles. He soon found other musicians who had been influenced by bebop, including saxophonist Harold Land and bassist Curtis Counce. Hope played with Rollins again, and, in October 1957, recorded a session known as The Elmo Hope Quintet Featuring Harold Land which Pacific Jazz did not release until 1962, along with the contents of a 1957 Jazz Messengers album. In March of the following year, Hope became part of Counce's band, and went on to record two albums with the bassist. Hope also did some arranging for others around this time, including for Land's 1958 Harold in the Land of Jazz. Hope also had his own band, with personnel that varied, and in 1959 he played with Lionel Hampton in Hollywood. Later that year, after performances in San Francisco with two quartets - the first containing Rollins, bassist Scott LaFaro, and drummer Lenny McBrowne; the other with Rollins replaced by Land - Hope travelled north with the Land group to play at a venue in Vancouver.  Back in Los Angeles in August 1959, Hope was pianist for Land's quintet album The Fox; he also wrote four of the album's compositions. This recording, along with Elmo Hope Trio from the same year, were, in the opinion of jazz historian David Rosenthal, illustrative of Hope's musical development on the West Coast. The trio album received a rare five-star review from Down Beat magazine, with the comment that Hope's aesthetic was "a sort of bitter-sweet melancholy that seems to lie at the core of other jazzmen [...] who sometimes find the world 'a bit much', as the English say, to cope with."  In 1960, Hope married the pianist Bertha Rosemond (better known as Bertha Hope), whom he met in California. As a jazz musician on the West Coast, Hope found his life frustrating. In his only major published interview (written up for Down Beat in January 1961 and entitled "Bitter Hope"), he criticized the lack of creativity in the then-popular church-influenced soul jazz, complained about the shortage of good musicians in Los Angeles, and lamented the lack of work opportunities in the few jazz clubs in the area. Hope left Los Angeles later in 1961. His wife recounted that he was no longer working with Land, had recording offers from companies based on the East Coast, and still preferred it to Los Angeles, so the couple and their baby daughter moved to New York.
Question: did it win awards?
Answer: