Problem: Background: Kasem was born in Detroit, Michigan, on April 27, 1932, to Lebanese Druze immigrant parents, who had settled in Michigan, where they worked as grocers. Kasem was named after Turkish leader Mustafa Kemal Ataturk, a man Kasem said his father respected. In the 1940s, "Make Believe Ballroom" reportedly inspired Kasem to follow a career in radio and later host a national radio hits countdown show. Kasem received his first experience in radio covering sports at Northwestern High School in Detroit.
Context: On July 4, 1970, Kasem, along with Don Bustany, Tom Rounds, and Ron Jacobs, launched the weekly radio program American Top 40 (AT40). At the time, top 40 radio was on the decline as DJs preferred to play album-oriented progressive rock. Loosely based on the TV program Your Hit Parade, the show counted down from #40 on the pop charts to #1--the first #1 was Three Dog Night's "Mama Told Me (Not to Come)"--based on the Billboard Hot 100 each week. The show, however, was not just about the countdown. Kasem mixed in biographical information about the artists, flashback, and "long-distance dedication" segments where he read letters written by listeners to dedicate songs of their choice to far away loved ones. He often included trivia facts about songs he played and artists whose work he showcased. Frequently, he mentioned a trivia fact about an unnamed singer before a commercial break, then provided the name of the singer after returning from the break. Kasem ended the program with his signature sign-off, "Keep your feet on the ground and keep reaching for the stars."  The show debuted on seven stations, but on the back of Kasem's "always friendly and upbeat" baritone voice it soon went nationwide. In October 1978, the show expanded from three hours a week to four. American Top 40's success spawned several imitators including a weekly half-hour music video television show, America's Top 10, hosted by Kasem himself. "When we first went on the air, I thought we would be around for at least 20 years," he later remarked. "I knew the formula worked. I knew people tuned in to find out what the No. 1 record was." Due to his great knowledge of music, Kasem became known as not just a disc jockey, but also a music historian.  In 1971, Kasem provided the character voice of Peter Cottontail in the Rankin/Bass production of Here Comes Peter Cottontail. In the same year, he appeared in the low-budget film The Incredible 2-Headed Transplant, in what was probably his best remembered acting role. From 1973 until 1985, he voiced Robin on several SuperFriends franchise shows. In 1980, he voiced Merry in The Return of the King. He also voiced Alexander Cabot III on Josie and the Pussycats and Josie and the Pussycats in Outer Space, and supplied a number of voices for Sesame Street.  In the late 1970s, Kasem portrayed an actor who imitated Columbo in the Hardy Boys/Nancy Drew Mysteries two-part episode "The Mystery of the Hollywood Phantom." He portrayed a golf commentator in an episode of Charlie's Angels titled "Winning is for Losers", and appeared on Police Story, Quincy, M.E., and Switch. In 1977 he was initially hired as the narrator for the ABC sitcom Soap, but quit after the pilot episode due to the content. Rod Roddy took his place on the program. In 1984, Kasem made a cameo in Ghostbusters, reprising his role as the host of American Top 40. For a period in the late 1970s, Kasem was also the staff announcer for the NBC television network.
Question: What else is interesting about the Top 40?
Answer: Due to his great knowledge of music, Kasem became known as not just a disc jockey, but also a music historian.

Background: Henry Havelock Ellis, known as Havelock Ellis (2 February 1859 - 8 July 1939), was an English physician, writer, progressive intellectual and social reformer who studied human sexuality. He co-authored the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896.
Context: Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and pedophiles were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient.  However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favorable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts.  Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people...but what, I ask myself, is the practical alternative?"
Question: Does he propose an alternate solution?
Answer:
His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization