input: Frankie Valli's first commercial release was "My Mother's Eyes" (as Frankie Valley) in 1953. The following year, he and guitarist Tommy DeVito formed The Variatones (with Hank Majewski, rhythm guitar, Frank Cattone, accordion, and Billy Thompson, drums), which between 1954 and 1956 performed and recorded under a variety of names before settling on the name The Four Lovers. The same year, the quartet released their first record, "You're the Apple of My Eye", which appeared on the Billboard Top 100 singles chart, peaking at #62. Five additional Four Lovers singles (on RCA Victor) were released over the next year, with virtually no sales, airplay, or jukebox play. In 1957, the band's seventh single (this time on Epic) had a similar lack of success.  From 1956 until 1958, the band stayed together, performing in clubs and lounges as the Four Lovers and recording on various record labels with various names: Frankie Tyler, Frankie Valley, Frankie Valley and the Travelers, Frankie Valley and the Romans, the Village Voices, and the Topics are some of the 18 "stage names" used individually or collectively by the members of the band. In 1958, Charles Calello replaced Nick Massi on bass in the lineup.  In 1959, the band started working with producer/songwriter Bob Crewe, primarily for session work (Crewe wrote "I Go Ape", which Valli recorded with the intention of releasing it as a "solo" single). Later that year, the Four Lovers were performing in Baltimore on the same stage as the Royal Teens, who were riding the wave of success of "Short Shorts", a song co-written by then-15-year-old Bob Gaudio, who was also the Royal Teens' keyboardist. In late 1959, Gaudio was added to the Four Lovers on keyboards and guitar, as a replacement for rhythm guitarist Hank Majewski. Early the following year, Nick Massi returned to replace Calello, who remained the band's musical arranger.  In 1960, despite the changes of personnel, the fortunes of the Four Lovers had not changed--they failed an audition for a lounge at a Union Township, Union County, New Jersey bowling establishment. According to Gaudio, "We figured we'll come out of this with something. So we took the name of the bowling alley. It was called the Four Seasons." Despite the last few years of frustration of the Four Lovers, this proved to be the turning point for the band. Later, on a handshake agreement between keyboardist/composer Bob Gaudio and lead singer Frankie Valli, the Four Seasons Partnership was formed.

Answer this question "Did they change the type of music they played?"
output: Early the following year, Nick Massi returned to replace Calello, who remained the band's musical arranger.

Question: Zorro (Spanish for "fox") is a fictional character created in 1919 by American pulp writer Johnston McCulley, and appearing in works set in the Pueblo of Los Angeles during the era of Spanish California (1769-1821). He is typically portrayed as a dashing masked vigilante who defends the commoners and indigenous peoples of California against corrupt and tyrannical officials and other villains. His signature all-black costume includes a cape, a hat known as sombrero cordobes, and a domino mask that covers the upper part of his face. In the stories, Zorro has a high bounty on his head, but is too skilled and cunning for the bumbling authorities to catch, and he also delights in publicly humiliating them.

The historical figure most often associated with the Zorro character is Joaquin Murrieta, whose life was fictionalized in an 1854 dime novel by John Rollin Ridge. In the 1998 film The Mask of Zorro Murrieta's (fictitious) brother Alejandro succeeds Diego as Zorro. As a hero with a secret identity who taunts his foes by signing his deeds, Zorro finds a direct literary predecessor in Sir Percival Blakeney, hero of the Scarlet Pimpernel pulp series by Emma Orczy.  The character recalls other figures, such as Robin Hood, Reynard the Fox, Salomon Pico, Manuel Rodriguez Erdoiza, and Tiburcio Vasquez. Another possible historical inspiration is William Lamport, an Irish soldier who lived in Mexico in the seventeenth century. His life was the subject of a fictive book by Vicente Riva Palacio; The Irish Zorro (2004) is a recent biography. Another is Estanislao, a Yokuts man who led a revolt against the Mission San Jose in 1827.  The 1890s penny dreadful treatment of the Spring-heeled Jack character as a masked avenger may have inspired some aspects of Zorro's heroic persona. Spring Heeled Jack was portrayed as a nobleman who created a flamboyant, masked alter ego to fight injustice, frequently demonstrated exceptional athletic and combative skills, maintained a hidden lair and was known to carve the letter "S" into walls with his rapier as a calling card.  Like Sir Percy in The Scarlet Pimpernel, Don Diego avoids suspicion by playing the role of an effete dandy who wears lace, writes poetry, and shuns violence. The all-black Fairbanks film costume, which with variations has remained the standard costume for the character, was likely adapted from the Arrow serial film character The Masked Rider (1919). This character was the first Mexican black-clad masked rider on a black horse to appear on the silver screen. Fairbanks's costume in The Mark of Zorro, released the following year, resembled that of the Rider with only slight differences in the mask and hat.

Using a quote from the above article, answer the following question: What were some of the inspirations behind the character of Zorro?
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Answer:
Joaquin Murrieta, whose life was fictionalized in an 1854 dime novel by John Rollin Ridge.