IN: John Anthony Frusciante ( ( listen); born March 5, 1970) is an American guitarist, singer, producer and composer. He is best known as the former guitarist of the rock band Red Hot Chili Peppers, from 1988 until 1992, and again from 1998 until 2009. He recorded five studio albums with them. Frusciante has an active solo career, having released eleven solo albums and five EPs; his recordings include elements ranging from experimental rock and ambient music to new wave and electronica.

Frusciante was born in Queens, New York, on March 5, 1970. His father, John Sr., is a Juilliard-trained pianist, and his mother Gail was a promising vocalist who gave up her career to be a stay-at-home mother. Frusciante's family moved to Tucson, Arizona, and then Florida, where his father served as a Broward County judge until October 2010. His parents separated, and he and his mother moved to Santa Monica, California. Frusciante is of Italian descent; his paternal great-grandfather Generoso Frusciante emigrated from Benevento.  A year later, Frusciante and his mother moved to Mar Vista, Los Angeles with his new stepfather who, he says, "really supported me and made me feel good about being an artist." Like many young people in the area, he became intimately involved in the L.A. punk rock scene. At nine he was infatuated with the Germs, wearing out several copies of their record (GI). By ten, he had taught himself how to play most of (GI)'s songs. He has stated that he did not really know what he was doing, and that he would play every chord with a single-finger barre.  Frusciante began studying guitarists like Jeff Beck, Jimmy Page, David Gilmour and Jimi Hendrix at eleven. He discovered Frank Zappa, whose work he would study for hours. Frusciante first heard of the Red Hot Chili Peppers around 1984 when his guitar instructor was auditioning as a guitarist for that band. He dropped out of high school at sixteen with the permission of his parents and completion of a proficiency test. With their support, he moved to Los Angeles to develop his musicianship. He began taking classes at the Guitar Institute of Technology, but turned to punching in without actually attending and left shortly thereafter.
QUESTION: When was he born?
IN: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.  Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion.  Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13-17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.
QUESTION: What was his role going to be?
IN: Payton was one of three children born to Peter and Alyne Payton in Columbia, Mississippi. His father was a factory worker who had played semi-professional baseball. Payton was an active member of the Boy Scouts, Little League, and his local church. At John J. Jefferson High School, Payton played drums in the marching band, participated in the track team and sang in the school choir.

Payton's motto was "Never Die Easy", which is also the title of his posthumously published autobiography. Payton attributed this motto to Bob Hill, his coach at Jackson State. In practice, this meant that Payton refused to deliberately run out-of-bounds and always delivered some punishment to his tacklers before being forced off the field or forced down.  One of Payton's signature maneuvers was the "stutter-step", a high-stepping, irregularly paced run. He developed this as a way to distract his pursuers during long runs, saying that it startled them into thinking and gave him some advantage over players who were actually faster runners. In his autobiography, he likened the stutter step to a kind of "option play": when he was stutter-stepping, defenders would have to commit to a pursuit angle based upon whether they thought he would accelerate after the stutter-step, or cut -- he would read this angle and do the opposite of what the defender had committed to.  He re-invented the practice of stiff-arming his tacklers, which had gone out of favor among running backs in the 1970s. At times, he used his high school experience as a long jumper to leap over his opponents, landing on his head in the end zone to gain a touchdown in a game against the Buffalo Bills. His running gait was somewhat unusual, as his knees were minimally bent, and the motion was largely powered from the hip. This may have given his knees, a football player's most vulnerable joints, some protection, although he underwent arthroscopic surgery on both knees in 1983. He referred to this procedure as an 11,000-yard checkup.  After scoring touchdowns, Payton declined to celebrate; instead, he would often hand the ball to his teammates or the official. He disapproved of the growing practice of touchdown celebrations; he preferred post-game antics such as rushing into the locker room and locking his teammates out in the cold while taking a long shower. Although Payton would have won the respect of his peers and coaches by his running alone, he retired as the career leader in receptions for a running back with 492 for over 4,500 yards, and still holds the career record for a running back with 8 touchdown passes.
QUESTION:
What else did he do?