input: Hazare was drafted in the Indian Army in April 1960, where he initially worked as an army truck driver and was later attested as a soldier. He undertook army training at Aurangabad.  During the Indo-Pakistani War of 1965, Hazare was posted at the border in the Khem Karan sector. He was the sole survivor of an enemy attack--variously claimed to have been a bomb, an aerial assault and an exchange of fire at the border--while he was driving a truck. The experiences of wartime, coupled with the poverty from which he had come, affected him. He considered suicide at one point but turned instead to pondering the meaning of life and death. He said of the truck attack, "[It] sent me thinking. I felt that God wanted me to stay alive for some reason. I was reborn in the battlefield of Khem Karan. And I decided to dedicate my new life to serving people." At a book stand in New Delhi railway station, he came across Swami Vivekananda's booklet "Call to the youth for nation building" which inspired him to think deeper. He spent his spare time reading the works of Swami Vivekananda, Gandhi, and Vinoba Bhave. In a blog post, Hazare expressed his views on Kashmir by saying that it was his "active conviction that Kashmir is an integral part of India" and that if required once again for service, he would remain "ready to take part in war against Pakistan."  During his fifteen-year career in the army (1960-75), Anna Hazare was posted at several locations, including Punjab (Indo Pak war 1965), Nagaland, Bombay (1971) and Jammu (1974)  During the Indo pak war, Hazare survived a road crash while driving for the army. He interpreted his survival as a further sign that his life was intended to be dedicated to service. He had another escape in Nagaland, where one night, underground Naga rebels attacked his post and killed all the inmates. He had a miraculous escape as he had gone out to return nature's call and hence turned out to be the lone survivor.  Official records show that he was honourably discharged in 1975 after completing 12 years of service.

Answer this question "Did he serve in any war or conflict?"
output: During the Indo-Pakistani War of 1965, Hazare was posted at the border in the Khem Karan sector.

input: Hollywood discovered Rogers in 1918, as Samuel Goldwyn gave him the title role in Laughing Bill Hyde. A three-year contract with Goldwyn, at triple the Broadway salary, moved Rogers west. He bought a ranch in Pacific Palisades and set up his own production company. While Rogers enjoyed film acting, his appearances in silent movies suffered from the obvious restrictions of silence, as he had gained his fame as a commentator on stage. He wrote many of the title cards appearing in his films. In 1923, he began a one-year stint for Hal Roach and made 12 pictures. Among the films he made for Roach in 1924 were three directed by Rob Wagner: Two Wagons Both Covered, Going to Congress, and Our Congressman. He made two other feature silents and a travelogue series in 1927. After that, he did not return to the screen until beginning work in the 'talkies' in 1929.  Rogers made 48 silent movies, but with the arrival of sound in 1929, he became a top star in that medium. His first sound film, They Had to See Paris (1929), gave him the chance to exercise his verbal wit. He played a homespun farmer (State Fair) in 1933, an old-fashioned doctor (Dr. Bull) in 1933, a small town banker (David Harum ) in 1934, and a rustic politician (Judge Priest) in 1934. He was also in County Chairman (1935), Steamboat 'Round the Bend (1935), and In Old Kentucky (1935). His favorite director was John Ford.  Rogers appeared in 21 feature films alongside such noted performers as Lew Ayres, Billie Burke, Richard Cromwell, Jane Darwell, Andy Devine, Janet Gaynor, Rochelle Hudson, Boris Karloff, Myrna Loy, Joel McCrea, Hattie McDaniel, Ray Milland, Maureen O'Sullivan, ZaSu Pitts, Dick Powell, Bill "Bojangles" Robinson, Mickey Rooney, and Peggy Wood. He was directed three times by John Ford. He appeared in three films with his friend Stepin Fetchit (aka Lincoln T. Perry): David Harum (1934), Judge Priest (1934) and The County Chairman (1935).  With his voice becoming increasingly familiar to audiences, Rogers essentially played himself in each film, without film makeup, managing to ad-lib and sometimes work in his familiar commentaries on politics. The clean moral tone of his films resulted in various public schools taking their classes to attend special showings during the school day. His most unusual role may have been in the first talking version of Mark Twain's novel A Connecticut Yankee in King Arthur's Court. His popularity soared to new heights with films including Young As You Feel, Judge Priest, and Life Begins at 40, with Richard Cromwell and Rochelle Hudson.

Answer this question "did he ever make movies with sound?"
output: His first sound film, They Had to See Paris (1929), gave him the chance to exercise his verbal wit.

input: The Birth of a Nation, even more than other films in the public domain, has been poorly represented in later releases. The problem, in part, is that Griffith and others have reworked the film, leaving no definitive version. According to the silent film website Brenton Film, "there are a multitude of poor quality DVDs with different edits, scores, running speeds and usually in definitely unoriginal black and white".  There are exceptions. Among them is film preservationist David Shepard's 1992 transfer of a 16mm print for VHS and laserdisc release via Image Entertainment. A short documentary, The Making of The Birth of a Nation, newly produced and narrated by Shepard, was also included. Both were released on DVD by Image in 1998 and the UK's Eureka Entertainment in 2000.  In the UK, Photoplay Productions restored the Museum of Modern Art's 35mm print that was the source of Shepard's 16 mm print, though they also augmented it with extra material from the British Film Institute. It was also given a full orchestral recording of the original Breil score. Though broadcast on Channel 4 television and theatrically screened many times, Photoplay's 1993 version was never released on home video.  Shepard's transfer and documentary were reissued in the US by Kino Video in 2002, this time in a 2-DVD set with added extras on the second disc. These included several Civil War shorts also directed by D.W. Griffith. In 2011, Kino prepared a HD transfer of a 35 mm negative from the Paul Killiam Collection. They added some material from the Library of Congress and gave it a new compilation score. This version was released on Blu-ray by Kino in the US, Eureka in the UK (as part of their "Masters of Cinema" collection) and Divisa Home Video in Spain.  In 2015, the year of the film's centenary, Photoplay Productions' Patrick Stanbury, in conjunction with the British Film Institute, carried out the first full restoration. It mostly used new 4K scans of the LoC's original camera negative, along with other early generation material. It, too, was given the original Breil score and featured the film's original tinting for the first time since its 1915 release. The restoration was released on a 2-Blu-ray set by the BFI, alongside a host of extras, including many other newly restored Civil War-related films from the period.

Answer this question "What was the public's reaction?"
output: