input: Memoirs of a Geisha received mixed reviews from western critics. Illinois' Daily Herald said that the "[s]trong acting, meticulously created sets, beautiful visuals, and a compelling story of a celebrity who can't have the one thing she really wants make Geisha memorable". The Washington Times called the film "a sumptuously faithful and evocative adaption" while adding that "[c]ontrasting dialects may remain a minor nuisance for some spectators, but the movie can presumably count on the pictorial curiosity of readers who enjoyed Mr. Golden's sense of immersion, both harrowing and [a]esthetic, in the culture of a geisha upbringing in the years that culminated in World War II".  The film scored a 35% "Rotten" rating on Rotten Tomatoes; the consensus stated "Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera." On Metacritic, the film was given a 54/100 meaning "mixed or average review."  In the United States, the film managed $57 million during its box office run. The film peaked at 1,654 screens, facing off against King Kong, The Chronicles of Narnia, and Fun with Dick and Jane. During its first week in limited release, the film screening in only eight theaters tallied up an $85,313 per theater average which made it second in highest per theater averages behind Brokeback Mountain for 2005. International gross reached $158 million.  The New Statesman criticized Memoirs of a Geisha's plot, saying that after Hatsumomo leaves, "the plot loses what little momentum it had and breaks down into one pretty visual after another" and says that the film version "abandons the original's scholarly mien to reveal the soap opera bubbling below". The Journal praised Zhang Ziyi, saying that she "exudes a heartbreaking innocence and vulnerablity" but said "too much of the character's yearning and despair is concealed behind the mask of white powder and rouge". London's The Evening Standard compared Memoirs of a Geisha to Cinderella and praised Gong Li, saying that "Li may be playing the loser of the piece but she saves this film" and Gong "endows Hatsumomo with genuine mystery". Eighteen days later, The Evening Standard put Memoirs of a Geisha on its Top Ten Films list. Glasgow's Daily Record praised the film, saying the "geisha world is drawn with such intimate detail that it seems timeless until the war, and with it the modern world comes crashing in".

Answer this question "Were there any specific things that the reviewers did not like?"
output: Memoirs of a Geisha's plot, saying that after Hatsumomo leaves, "the plot loses what little momentum it had and breaks down into one pretty visual after another"

input: Longstanding rumors that the Giants engaged in systematic sign stealing during the second half of the 1951 season were confirmed in 2001. Several players told the Wall Street Journal that beginning on July 20, the team used a telescope, manned by coach Herman Franks in the Giants clubhouse behind center field, to steal the finger signals of opposing catchers. Stolen signs were relayed to the Giants dugout via a buzzer wire. Joshua Prager, the author of the Journal article, outlined the evidence in greater detail in a 2008 book.  Although Thomson always insisted that he had no foreknowledge of Branca's pitch, Sal Yvars told Prager that he relayed Rube Walker's fastball sign to Thomson. Branca was privately skeptical of Thomson's denials but made no public comment at the time. Later he told The New York Times, "I didn't want to diminish a legendary moment in baseball. And even if Bobby knew what was coming, he had to hit it.... Knowing the pitch doesn't always help." Whether the telescope-and-buzzer system contributed significantly to the Giants' late-season 37-7 win streak remains a subject of debate. Prager notes in his book that sign stealing was not specifically forbidden by MLB rules at the time and, moral issues aside, "...has been a part of baseball since its inception". Sign stealing using optical or other mechanical aids was outlawed by MLB in 1961.  Thomson however, late in his life, rebuked his prior claims of not receiving the sign on the Shot Heard 'Round the World, and admitted that the sign was received.

Answer this question "WHere ther any penalties for this?"
output: 

input: The Cardigans returned in 2002 to record Long Gone Before Daylight (2003), a collection of songs mainly written by Persson and Svensson. Long Gone Before Daylight became one of the best selling albums in Sweden in 2003. After a two-year hiatus from their last album, it was released in Japan on March 19, 2003 and in Europe on March 24, 2003. Later it was also released in Canada (April 22, 2003) and the United States (May 25, 2004).  The album differs from the band's earlier works. Their familiar "happy" pop sound takes on a change to pop songs with more of an American country music influence. It is a much darker album than their previous works, and quieter than Gran Turismo. Indeed, even lead singer Nina Persson dyed her once light blonde hair to jet black, reflecting the band's change of mood. The album was produced by Per Sunding after the group's regular producer Tore Johanssen stepped down, feeling himself unable to provide the country sound the group wanted.  Criticism was generally mixed to positive. Some found the change of direction welcome, and felt the band had matured, making songs that were even better than other experienced country-pop styled artists. Others missed the old pop sound, and accused the band of possibly being ashamed of their former "happy" pop sound. The first single of the album, "For What It's Worth" was released on February 17, 2003. The second single was "You're the Storm" released on June 2, 2003. The third and final single was "Live and Learn" released on December 3, 2003. In the summer of 2004, The Cardigans toured with Liz Phair, Katy Rose and Charlotte Martin on the Chicks With Attitude tour.  On 28 April 2005 the band's iTunes Originals album was released through iTunes. On 19 October 2005 the band released their sixth album Super Extra Gravity to generally favourable reviews. Super Extra Gravity went straight to the #1 spot on the Swedish album chart and was certified gold (sales over 40,000). After the band finished promotional activities in fall 2006, the band entered an extended hiatus and devoted themselves to other projects.

Answer this question "Did the band tour during this time period?"
output:
After the band finished promotional activities in fall 2006, the band entered an extended hiatus and devoted themselves to other projects.