input: In 2015, Mirren reunited with her former assistant Simon Curtis on Woman in Gold, co-starring Ryan Reynolds. The film was based on the true story of Jewish refugee Maria Altmann, who, together with her young lawyer Randy Schoenberg, fought the Austrian government to be reunited with Gustav Klimt's painting of her aunt, the famous Portrait of Adele Bloch-Bauer I. The film received mixed reviews from critics, although Mirren and Reynold's performances were widely praised. A commercial success, Woman in Gold became one of the highest-grossing specialty films of the year. The same year, Mirren appeared in Gavin Hood's thriller Eye in the Sky (2015), in which she played as a military intelligence officer who leads a secret drone mission to capture a terrorist group living in Nairobi, Kenya. Mirren last film that year was Jay Roach's biographical drama Trumbo, co-starring Bryan Cranston and Diane Lane. The actress played Hedda Hopper, the famous actress and gossip columnist, in the film, which received generally positive reviews from critics and garnered her a 14th Golden Globe nomination.  Mirren's only film of 2016 was Collateral Beauty, directed by David Frankel. Co-Starring Will Smith, Keira Knightley, and Kate Winslet, the ensemble drama follows a man who copes with his daughter's death by writing letters to time, death, and love. The film earned largely negative reviews from critics, who called it "well-meaning but fundamentally flawed." In 2017, Mirren narrated Cries from Syria, a documentary film about the Syrian Civil War, directed by Evgeny Afineevsky. Also that year, she made an uncredited cameo appearance in F. Gary Gray's The Fate of the Furious, the eighth installment in The Fast and the Furious franchise, playing Magdalene, the mother of Owen and Deckard Shaw. Mirren had a larger role in director Paolo Virzi's English-language debut The Leisure Seeker, based on the 2009 novel of the same name. On set, she was reunited with Donald Sutherland with whom she had not worked again since Bethune: The Making of a Hero (1990), portraying a terminally ill couple who escape from their retirement home and take one last cross-country adventure in a vintage van. At the 75th awards ceremony, Mirren received her 15th Golden Globe nomination.  In 2018, Mirren portrayed heiress Sarah Winchester in the supernatural horror film Winchester: The House That Ghosts Built, directed by The Spierig Brothers. She will also play Mother Ginger in Lasse Hallstrom and Disney's adaptation of The Nutcracker, titled The Nutcracker and the Four Realms, and is expected to appear in the ensemble film Berlin, I Love You and the French crime thriller film Anna, the latter directed and written by Luc Besson.

Answer this question "did it get awards"
output: At the 75th awards ceremony, Mirren received her 15th Golden Globe nomination.

input: In the 1980s, a grave of an Eleanor Rigby was "discovered" in the graveyard of St Peter's Parish Church in Woolton, Liverpool, and a few yards away from that, another tombstone with the last name "McKenzie" scrawled across it. During their teenage years, McCartney and Lennon spent time sunbathing there, within earshot of where the two had met for the first time during a fete in 1957. Many years later, McCartney stated that the strange coincidence between reality and the lyrics could be a product of his subconscious (cryptomnesia), rather than being a meaningless fluke.  An actual Eleanor Rigby was born on 29 August 1895 and lived in Liverpool, possibly in the suburb of Woolton, where she married a man named Thomas Woods on Boxing Day 1930. She died on 10 October 1939 of a brain haemorrhage at the age of 44 and was buried three days later. Regardless of whether this Eleanor was the inspiration for the song or not, her tombstone has become a landmark to Beatles fans visiting Liverpool. A digitised version was added to the 1995 music video for the Beatles' reunion song "Free as a Bird".  In June 1990, McCartney donated to Sunbeams Music Trust a document dating from 1911 which had been signed by the 16-year-old Eleanor Rigby; this instantly attracted significant international interest from collectors because of the coincidental significance and provenance of the document. The nearly 100-year-old document was sold at auction in November 2008 for PS115,000. The Daily Telegraph reported that the uncovered document "is a 97-year-old salary register from Liverpool City Hospital". The name "E. Rigby" is printed on the register, and she is identified as a scullery maid. She also did many things for the Liverpool City Hospital.

Answer this question "How does the salary register factor into the song?"
output: ". The name "E. Rigby" is printed on the register, and she is identified as a scullery maid. She

input: The duo's fourth studio album, Bookends, was recorded in fits and starts over various periods from late 1966 to early 1968. The duo were signed under an older contract that specified the label pay for sessions, and Simon & Garfunkel took advantage of this indulgence, hiring viola and brass players, as well as percussionists. The record's brevity reflects its concise and perfectionist production. The team spent over 50 studio hours recording "Punky's Dilemma", for example, and re-recorded vocal parts, sometimes note by note, until they were satisfied. Garfunkel's songs and voice took a lead role on some of the songs, and the harmonies for which the duo was known gradually disappeared. For Simon, Bookends represented the end of the collaboration and became an early indicator of his intentions to go solo. Although the album had been planned long in advance, work did not begin in earnest until the late months of 1967.  Prior to release, the band helped put together and performed at the Monterey Pop Festival, which signaled the beginning of the Summer of Love on the West Coast. "Fakin' It" was issued as a single that summer and found only modest success on AM radio; the duo were much more focused on the rising FM format, which played album cuts and treated their music with respect. In January 1968, the duo appeared on a Kraft Music Hall special, Three for Tonight, performing ten songs largely culled from their third album. Bookends was released by Columbia Records in April 1968. In an historical context, this was just 24 hours before the assassination of civil rights movement activist Martin Luther King Jr., which spurred nationwide outrage and riots. The album debuted on the Billboard Top LPs in the issue dated April 27, 1968, climbing to number one and staying at that position for seven non-consecutive weeks; it remained on the chart as a whole for 66 weeks. Bookends received such heavy orders weeks in advance of its release that Columbia was able to apply for award certification before copies left the warehouse, a fact it touted in magazine ads. The record became the duo's best-selling album to date: it fed off the buzz created by the release of The Graduate soundtrack album ten weeks earlier, creating an initial combined sales figure of over five million units.  Davis had predicted this fact, and suggested raising the list price of Bookends by one dollar to $5.79, above the then standard retail price, to compensate for including a large poster included in vinyl copies. Simon instead scoffed and viewed it as charging a premium on "what was sure to be that year's best-selling Columbia album". According to biographer Marc Eliot, Davis was "offended by what he perceived as their lack of gratitude for what he believed was his role in turning them into superstars". Rather than implement Davis' price increase plan, Simon & Garfunkel signed a contract extension with Columbia that guaranteed them a higher royalty rate. The lead single "Mrs. Robinson" became, at the 1969 Grammy Awards the first rock and roll song to receive Record of the Year; it was also awarded Best Contemporary Pop Performance by a Duo or Group.

Answer this question "did the albums sell well?"
output:
For Simon, Bookends represented the end of the collaboration and became an early indicator of his intentions to go solo.