Problem: Background: Judas Priest are an English heavy metal band formed in West Bromwich in 1969. The band have sold over 50 million copies of their albums to date. They are frequently ranked as one of the greatest metal bands of all time. Despite an innovative and pioneering body of work in the latter half of the 1970s, the band struggled with indifferent record production, repeated changes of drummer, and lack of major commercial success or attention until 1980, when they adopted a more simplified sound on the album British Steel, which helped shoot them to rock superstar status.
Context: Judas Priest were formed in 1969 in industrial West Bromwich, in the Black Country, by vocalist Al Atkins and bassist Brian "Bruno" Stapenhill, with John Perry on guitar and John "Fezza" Partridge on drums. Perry soon died in a road accident, and amongst the replacements the band auditioned were future Judas Priest guitarist Kenny "K. K." Downing; at the time, they turned him down in favour of 17-year-old multi-instrumentalist Ernest Chataway, who had played with Birmingham band Black Sabbath when they were still called Earth. Stapenhill came up with the name Judas Priest from Bob Dylan's song "The Ballad of Frankie Lee and Judas Priest" on the album John Wesley Harding. No member of that early lineup lasted long enough to play on the band's recordings, though several songs co-written by Atkins appeared on their first two albums.  The band gained a three-album recording contract with the label Immediate in late 1969 after a gig in Walsall, but the label went out of business before an album could be recorded, and the band split in 1970. Late in the year, Atkins found a heavy rock band rehearsing without a singer called Freight, made up of K. K. Downing on guitar, his childhood friend Ian "Skull" Hill on bass, and drummer John Ellis. He joined them, and they took on Atkins' defunct band's name. Their first gig was on 6 March 1971. Ellis quit later that year and was replaced with Alan Moore. Early shows included Hendrix and Quatermass covers, and in 1972 the set list included the originals "Never Satisfied", "Winter", and the show-closer "Caviar and Meths".  Moore left and was replaced with Christopher Louis "Congo" Campbell, and the band joined Black Sabbath guitarist Tony Iommi's management agency Iommi Management Agency. Atkins continued to write material for the band--including "Whiskey Woman", which became the base for the Judas Priest staple "Victim of Changes"--but as finances were tight and he had a family to support, he played his last gigs with the band in December 1972. Campbell left soon afterwards, and the band enlisted two members of the band Hiroshima: drummer John Hinch and vocalist Rob Halford, the brother of Hill's girlfriend. Judas Priest made their first tour of continental Europe in early 1974 and returned to England that April to sign a recording deal with the label Gull. Gull suggested adding a fifth member to fill out the band's sound; they took on as a second lead guitarist Glenn Tipton, whose group The Flying Hat Band were also managed by Iommi's agency.
Question: Where was the band formed?
Answer: West Bromwich,

Problem: Background: Huey Lewis and the News is an American pop rock band based in San Francisco, California. They had a run of hit singles during the 1980s and early 1990s, eventually achieving 19 top ten singles across the Billboard Hot 100, Adult Contemporary, and Mainstream Rock charts. Their most successful album, Sports, was released in 1983. The album, along with its videos being featured on MTV, catapulted the group to worldwide fame.
Context: In 1984, Ray Parker Jr. was signed by the producers of Ghostbusters to develop the film's title song. Later that year, Huey Lewis and the News sued Parker, citing the similarities between the "Ghostbusters" song and their earlier hit "I Want a New Drug." According to Huey Lewis and the News, this was especially damaging to them since "Ghostbusters" was so popular, rising to number one on the charts for three weeks. The dispute was ultimately settled out of court. Lewis has stated that his experiences with the producers of Ghostbusters were indirectly responsible for getting involved in the 1985 movie Back to the Future.  In the 2001 Behind the Music special, Huey Lewis stated: "The offensive part was not so much that Ray Parker Jr. had ripped this song off, it was kind of symbolic of an industry that wants something - they wanted our wave, and they wanted to buy it. ... [I]t's not for sale. ... In the end, I suppose they were right. I suppose it was for sale, because, basically, they bought it." As a result of this statement, Parker filed a suit against Lewis, claiming he violated the settlement's confidentiality agreement and sought an unspecified amount of compensatory and punitive damages as well as attorney's fees.  An issue of Premiere magazine would later feature an anniversary article about the movie Ghostbusters. In that article, the filmmakers at Columbia Pictures admit to using the song "I Want a New Drug" as temporary background music in many scenes. They then said that they had made an offer to Huey Lewis and the News to write the main theme, but the band declined. In a 2001 Behind the Music special, Lewis said that the band declined the filmmakers' offer because the band had a prior contractual obligation to do a long concert tour to promote the hugely successful Sports album, which had just been released at the time, and didn't have time to write a main theme for a movie. The filmmakers gave film footage - with the Huey Lewis song in the background - to Ray Parker Jr., to aid Parker in writing the theme song.
Question: What else happen with the lawsuit
Answer: The dispute was ultimately settled out of court.

Problem: Background: The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Since 1995, the orchestra has been based in the Royal Festival Hall. The Philharmonia also has residencies at De Montfort Hall, Leicester; the Marlowe Theatre, Canterbury; the Corn Exchange, Bedford; and The Anvil, Basingstoke.
Context: The Philharmonia is one of the most recorded orchestras in the world, with over one thousand recordings on such labels as EMI, CBS, Deutsche Grammophon, and Naxos, and more recently several self-produced recordings. One of its earliest recordings was the last concert ever conducted by Richard Strauss in 1947 in a programme which included his youthful work Burleske.  Antal Dorati conducted the orchestra in recordings for Mercury Living Presence (Tchaikovsky Suites for Orchestra, 1966) and EMI (Bartok Violin Concerto No. 1 featuring Yehudi Menuhin, 1965). Esa-Pekka Salonen has conducted several commercial recordings with the Philharmonia, including music of Berlioz and of Schoenberg. The Philharmonia has a partnership with Signum Records, which releases live recordings of the orchestra's concerts, including Lorin Maazel's cycle of Mahler symphonies, Christoph von Dohnanyi's recordings of Brahms's symphonies, and works by Elgar, Bruckner, Berlioz, Bartok, and others.  The Philharmonia has also been heard on the soundtracks of many films, performing the musical scores of such classics as David Lean's film version of Oliver Twist (1948). The Philharmonia recorded two out of the eight pieces in the Walt Disney film Fantasia 2000 ("Rhapsody in Blue" and "The Sorcerer's Apprentice"). More recently, the Philharmonia has recorded soundtracks for such films as Avengers: Age of Ultron, Fury, Thor: The Dark World, and Iron Man 3.  The Philharmonia has recorded many video game soundtracks, including those for all of EA Games' Harry Potter video games, as well as the Fable and Medal of Honor games, Battlefield, Lord of the Rings: War in the North, Star Wars: The Old Republic, and more.
Question: What kind of video games?
Answer:
EA Games' Harry Potter video games, as well as the Fable and Medal of Honor games, Battlefield, Lord of the Rings: