Problem: Susan Magdalane Boyle (born 1 April 1961) is a Scottish singer who came to international attention when she appeared as a contestant on the TV programme Britain's Got Talent on 11 April 2009, singing "I Dreamed a Dream" from Les Miserables. Her first album, I Dreamed a Dream, was released in November 2009 and became the UK's best-selling debut album of all time, beating the previous record held by Spirit by Leona Lewis. I Dreamed a Dream set a record for biggest first week sales by a debut album, according to the Official Chart Company in the United Kingdom.

On 9 July 2010, Boyle announced that her second album would be a Christmas album entitled The Gift. As part of the lead-up to the album, she held a competition called Susan's Search, the winner of which sang a duet with her on her new CD. The album was released on 8 November 2010.  The album was produced by Steve Mac, who said that "Now Susan's used to the studio and the recording process, this time round we might go even further down a traditional route of recording by getting a band together and rehearsing songs before we go into the studio to see what works, how she reacts with certain parts, and so we can change the arrangements that way. I think that's going to work much better....With Susan it's very important she connects with the public and the public connect with her. She doesn't want to sing anything that hasn't happened to her or she can't relate to."  In November 2010, Boyle became one of only three acts ever to top both the UK and US album charts twice in the same year. On 30 November 2010, in the United States, Boyle performed on ABC's The View singing "O Holy Night" and then on NBC's Christmas at Rockefeller Center program performing "Perfect Day" and "Away in a Manger". During her appearance on The View she was unable to finish her song, stating that she had a "frog in her throat"; she wanted to start the song over but was not allowed to. The audience applauded her anyway and she later performed an unaired version of the song which was uploaded to The View's YouTube account.  In October 2010 Boyle's autobiography The Woman I Was Born To Be - My Story was published.

Did he has any other single or any other album

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Problem: Tatchell was born in Melbourne, Australia. His father was a lathe operator and his mother worked in a biscuit factory. His parents divorced when he was four and his mother remarried soon afterwards. Since the family finances were strained by medical bills, he had to leave school at 16 in 1968.

In 1978, Tatchell joined the Labour Party and moved to a council flat in Bermondsey, south-east London. From October 1979, he became a leading member in a group of left-wingers planning to depose the right-wing caucus of Southwark councillors that controlled the Bermondsey Constituency Labour Party (CLP). At the CLP's AGM in February 1980, the left group won control and Tatchell was elected Secretary.  When the sitting Labour MP, Bob Mellish, announced his retirement in 1981, Tatchell was selected as his successor. The selection was a surprise, as Arthur Latham, a former MP and former Chairman of the Tribune Group, was the favourite. Later, the Militant group was cited as the reason for Tatchell's selection, but he has said that it had only a handful of members at that time in the constituency; he had never been a member and Militant did not support his selection. Tatchell ascribed his selection to the support of the "older, 'born and bred' working class; the younger professional and intellectual members swung behind Latham".  Due to Tatchell's support for direct action in the London Labour Briefing newsletter, Tatchell was denounced by party leader Michael Foot for allegedly supporting extra-parliamentary action against the Thatcher government; according to Tony Benn, Foot lied about Tatchell's alleged extremism in order to allow the Social Democratic Party to rejoin the Labour Party. Neil Kinnock stated that the whole affair was a matter of political judgement, asking "the question is: are we talking of extra-parliamentary or anti-parliamentary behaviour?" The fact that Tatchell was a gay man was also considered by some as a factor as to why Tatchell should not be supported. Labour subsequently allowed him to stand in the Bermondsey by-election, held in February 1983.

Why did he become involved in politics?

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Problem: Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.

Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches. As both a composer and conductor he was one of many (e.g., Wilhelm Furtwangler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding.  This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception. For example, Boulez's "complete" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's symphony with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work.  Gunter Wand's 1966 recording of the Cantata No. 1 (1938-40), op. 29, with the Symphonieorchester des Bayerischen Rundfunks et al., may likewise be contrasted with both of Boulez's renditions.

Did anyone else have a style similar to his?

Answer with quotes:
Boulez's "complete" recording of Webern's music