Problem: Thomas Stearns Eliot,  (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.

With the important exception of Four Quartets, Eliot directed much of his creative energies after Ash Wednesday to writing plays in verse, mostly comedies or plays with redemptive endings. He was long a critic and admirer of Elizabethan and Jacobean verse drama; witness his allusions to Webster, Thomas Middleton, William Shakespeare and Thomas Kyd in The Waste Land. In a 1933 lecture he said "Every poet would like, I fancy, to be able to think that he had some direct social utility . . . . He would like to be something of a popular entertainer, and be able to think his own thoughts behind a tragic or a comic mask. He would like to convey the pleasures of poetry, not only to a larger audience, but to larger groups of people collectively; and the theatre is the best place in which to do it."  After The Waste Land (1922), he wrote that he was "now feeling toward a new form and style". One project he had in mind was writing a play in verse, using some of the rhythms of early jazz. The play featured "Sweeney", a character who had appeared in a number of his poems. Although Eliot did not finish the play, he did publish two scenes from the piece. These scenes, titled Fragment of a Prologue (1926) and Fragment of an Agon (1927), were published together in 1932 as Sweeney Agonistes. Although Eliot noted that this was not intended to be a one-act play, it is sometimes performed as one.  A pageant play by Eliot called The Rock was performed in 1934 for the benefit of churches in the Diocese of London. Much of it was a collaborative effort; Eliot accepted credit only for the authorship of one scene and the choruses. George Bell, the Bishop of Chichester, had been instrumental in connecting Eliot with producer E. Martin Browne for the production of The Rock, and later commissioned Eliot to write another play for the Canterbury Festival in 1935. This one, Murder in the Cathedral, concerning the death of the martyr, Thomas Becket, was more under Eliot's control. Eliot biographer Peter Ackroyd comments that "for [Eliot], Murder in the Cathedral and succeeding verse plays offered a double advantage; it allowed him to practice poetry but it also offered a convenient home for his religious sensibility." After this, he worked on more "commercial" plays for more general audiences: The Family Reunion (1939), The Cocktail Party (1949), The Confidential Clerk, (1953) and The Elder Statesman (1958) (the latter three were produced by Henry Sherek and directed by E. Martin Browne). The Broadway production in New York of The Cocktail Party received the 1950 Tony Award for Best Play. Eliot wrote The Cocktail Party while he was a visiting scholar at the Institute for Advanced Study.  Regarding his method of playwriting, Eliot explained, "If I set out to write a play, I start by an act of choice. I settle upon a particular emotional situation, out of which characters and a plot will emerge. And then lines of poetry may come into being: not from the original impulse but from a secondary stimulation of the unconscious mind."

What did critics say?

Answer with quotes: The Broadway production in New York of The Cocktail Party received the 1950 Tony Award for Best Play. Eliot wrote


Problem: James Lance Bass (; born May 4, 1979) is an American pop singer, dancer, actor, film and television producer, and author. He grew up in Mississippi and rose to fame as the bass singer for the American pop boy band NSYNC. NSYNC's success led Bass to work in film and television. He starred in the 2001 film On the Line, which his company, Bacon & Eggs, also produced.

James Lance Bass was born in Laurel, Mississippi, to James Irvin Bass, Jr., a medical technologist, and Diane (nee Pulliam), a middle school mathematics, English, and career discovery teacher. Along with his older sister, Stacy, Bass grew up in adjacent Ellisville, Mississippi, and was raised as a Southern Baptist. Bass has described his family as devoutly Christian and conservative and has said that his childhood was "extremely happy". As a young boy, Bass developed an interest in space, and at age 9 traveled to Cape Canaveral, Florida, with his father to watch his first live space shuttle launch. Of this experience Bass said, "I was certain from then on that my future was to be involved with space." Shortly after, Bass attended space camp in Titusville, Florida, and aspired to attend college and study engineering, with the hope that he would one day work for NASA.  When Bass was 11 years old, his father was transferred to a different hospital, and the family moved to Clinton, Mississippi Bass began singing in his Baptist church choir, and was encouraged to audition for local performance groups by his childhood best friend, Darren Dale, the youngest child of former longtime Mississippi Insurance Commissioner George Dale. Bass joined the Mississippi Show Stoppers, a statewide music group sponsored by the Mississippi Agriculture and Forestry Museum, and the Attache Show Choir, a national-award-winning competitive show choir group at Clinton High School. He was also a member of a seven-man vocal group named Seven Card Stud, which competed at state fairs and performed at several social and political events for Senator Trent Lott.  At Clinton High School, Bass was elected vice president of his junior class and has said that he performed well in math and science. However, Bass later stated that his primary focus during high school was singing, and when looking back, he remembers "hardly anything" about academia.

What was his fathers name

Answer with quotes:
James Irvin Bass, Jr.,