input: King Crimson have been influential both on the early 1970s progressive rock movement and numerous contemporary artists. Genesis and Yes were directly influenced by the band's initial style of symphonic Mellotron rock, and many King Crimson band members were involved in other notable bands: Lake in Emerson, Lake & Palmer, of which some of their songs can be seen as Lake's attempt to continue the early work of King Crimson; McDonald in Foreigner; Burrell in Bad Company, and Wetton in UK and Asia. Canadian rock band Rush cites King Crimson as a strong early influence on their sound; drummer Neil Peart credits the adventurous and innovative style of Michael Giles on his own approach to percussion.  King Crimson's influence extends to many bands from diverse genres, especially of the 1990s and 2000s. Tool are known to be heavily influenced by King Crimson, with vocalist Maynard James Keenan joking on a tour with them: "Now you know who we ripped off. Just don't tell anyone, especially the members of King Crimson." Modern progressive, experimental, psychedelic and indie rock bands have cited them as an influence as well, including the Mars Volta, Porcupine Tree, Primus, Mystery Jets, Fanfarlo, and Anekdoten, who first practiced together playing King Crimson songs. Steven Wilson, the leader of Porcupine Tree, was responsible for remixing King Crimson's back catalog in surround sound and said that the process had an enormous influence on his solo albums. In November 2012 the Flaming Lips in collaboration with Stardeath and White Dwarfs released a track-by-track reinterpretation of In the Court of the Crimson King entitled Playing Hide and Seek with the Ghosts of Dawn. Colin Newman of Wire, said he saw King Crimson perform many times, and they influenced him deeply. The seminal hardcore punk group Black Flag acknowledge Wetton-era King Crimson as an influence on their experimental period in the mid-1980s. Melvin Gibbs said that the Rollins Band was influenced most by King Crimson, using similar chords. Bad Religion cites the lyrics of "21st Century Schizoid Man" on their single "21st Century (Digital Boy)" and the name of their record label, Epitaph (founded by their guitarist Brett Gurewitz), comes from the song of the same name of Crimson's debut album.  King Crimson have frequently been cited as pioneers of progressive metal and as an influence on bands of this genre, including Mastodon, Between the Buried and Me, Leprous, Haken, the Ocean, Caligula's Horse, Last Chance to Reason, and Indukti. Members of metal bands Mudvayne, Voivod, Enslaved, Yob, Pyrrhon, and Pallbearer have cited King Crimson as an influence. Heavy experimental and avant-garde acts like the Dillinger Escape Plan, Neurosis, Zeni Geva, Ancestors, and Oranssi Pazuzu all cite King Crimson's influence.  Other artists affected by King Crimson include noise music artist Masami Akita of Merzbow, jazz guitarist Dennis Rea of Land, folktronica exponent Juana Molina, hip hop producer RJD2, hip hop and soul composer Adrian Younge, film director Hal Hartley, and folk-pop singer Ian Kelly.

Answer this question "how was he influencing?"
output: influenced by the band's initial style of symphonic Mellotron rock,

Question: Akina Nakamori (Zhong Sen Ming Cai , Nakamori Akina, born July 13, 1965) is a Japanese pop singer and actress. She was one of the most popular singers of the 1980s in Japan. She is known for her deep, power-house voice. In 2011, one of the most famous Japanese music program "Music Station" held a special programme where they counted down the Top 50 Idols of All-Time (list spans over 4 decades) based on their sales total - Akina Nakamori was in the 3rd position, with total sales of 25,340,000 copies.

Nakamori kicked off 1985 with "Meu Amore," another great success for her, debuting #1 with 631,000 copies sold ultimately and also winning Nakamori the Grand Prix award at the 27th Japan Record Awards. She became the youngest person at the time (20) to be awarded such an honor. Originally, the single was to be titled "Akaitori Nigeta fly away" (The red bird flies away), but the producers felt that the lyrics were not Samba-ish enough. "Meu Amore" was the result of the newly penned lyrics. "Akaiatori Nigeta fly away" was released as a 12-inch single instead, making the No.1 spot as well. Despite the superb b-side song of Babylon which was remixed, it sold a dismal 354,000 overall. She then released "Sand Beige - Sabaku e" which sold 461,000 copies and debuted at number 1. Her next single, "Solitude" also debuted at number 1, but sold merely 336,000 copies.  She also released two albums in 1985. Firstly, Bitter and Sweet, which contained the album version of the earlier hit of "Kazari Janai No Yo Namida Wa" and "BABYLON." It sold 556,000 copies and debuted at number 1 again. Her next album, D404ME, only had a remix version of the hit single "Meu Amore" included. Yet this album sold an impressive 651,000 copies and debuted at number 1.  In 1986, at 21, Nakamori matured in her singing style and choice of songs. The first single of that year, "Desire - jonetsu," proved to be one of the highlights in Nakamori's career. This was also the theme song of PIONEER PRIVATE commercial, and was awarded the Grand Prix at the 28th Japan Record Awards in 1986. She became the youngest winner for two consecutive years. It sold 516,000 copies and debuted at number 1. Her next single "Gypsy Queen" was a calmer song than "Desire - jonetsu" and sold a mere 358,000 copies, but still debuted at number 1. The single "Fin" followed, and sold less than its predecessor, at 318,000 copies. Again, it debuted at number 1.  To commemorate her first 4 years in the business, Nakamori released her first "BEST" album. It sold impressively, 766,000 copies and a comfortable number 1 debut spot. Then Nakamori released Fushigi, a concept album with echoing singing and obscure musical arrangement. It caused quite a stir amongst the mainly conservative Japanese public and thus sold 464,000 copies, nearly 200,000 less than Crimson, an entire album composed by only women, which sold 601,000 copies. But both managed to debut at number 1, Fushigi stayed number 1 for only 3 weeks, while Crimson stayed number 1 for 4.

Using a quote from the above article, answer the following question: was that her biggest seller?
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Answer:
She became the youngest person at the time (20) to be awarded such an honor. Originally, the single was to be titled "Akaitori Nigeta fly away" (