Background: Bertram "Bertie" Wilberforce Wooster is a recurring fictional character in the comedic Jeeves stories of British author P. G. Wodehouse. A young English gentleman, one of the "idle rich", Bertie appears alongside his valet, Jeeves, whose intelligence manages to save Bertie or one of his friends from numerous awkward situations. As the first-person narrator of ten novels and over 30 short stories, Bertie Wooster ranks as one of the most vivid comic creations in popular literature. Bertie Wooster is the central figure in all but one of Wodehouse's Jeeves short stories and novels, which were published between 1915 and 1974.
Context: Bertie is approximately 24 years old when he first meets Jeeves in "Jeeves Takes Charge". His age is not stated in any other story. In the reference work Wodehouse in Woostershire by Wodehouse scholars Geoffrey Jaggard and Tony Ring, it is speculated that Bertie's age ranges from appproximately 24 to 29 over the course of the stories, excluding Ring for Jeeves. Nigel Cawthorne, author of A Brief Guide to Jeeves and Wooster, also suggested that Bertie is approximately 29 at the end of the saga.  Tall and slim, Bertie is elegantly dressed, largely because of Jeeves. He has blue eyes. Normally clean-shaven, he grows a moustache in two different stories, and ultimately loses the moustache, as Jeeves does not think a moustache suits Bertie. It seems that he has an innocent-looking appearance; when Bertie wants to wear an alpine hat in Stiff Upper Lip, Jeeves, he states, "I was prepared to concede that it would have been more suitable for rural wear, but against this had to be set the fact that it unquestionably lent a diablerie to my appearance, and mine is an appearance that needs all the diablerie it can get." Bertie has an expressive face that Jeeves can read easily.  In illustrations, Bertie Wooster has frequently been depicted wearing a monocle. However, this is probably merely a stereotypical depiction of an upper-class gentleman, as Bertie does not seem to wear a monocle in the original stories. The only evidence of Bertie wearing a monocle occurs in "The Spot of Art", when Bertie sees a portrait of himself, wearing a monocle, in a poster advertising soup. Bertie is revolted by the image, which gives him a look of "bestial greed". The monocle seems to exaggerate this expression, and Bertie makes fun of how large the monocle looks, calling it "about six inches in circumference". Bertie is never described as wearing a monocle elsewhere. It is unlikely that Bertie would wear a monocle that would not be mentioned, since the glasses of other characters, particularly Bertie's friend Gussie Fink-Nottle, are well-described, and another prominent Wodehouse character, Psmith, has a distinctive monocle that is mentioned many times.
Question: what else was special about their appearance?
Answer: ultimately loses the moustache, as Jeeves does not think a moustache suits Bertie. It seems that he has an innocent-looking appearance; when Bertie wants to wear

Background: Pinhead is a fictional character from the Hellraiser series, first appearing as an unnamed figure in the Clive Barker novella The Hellbound Heart. The name "Pinhead" is derived from a sobriquet given to him by the crew of the first Hellraiser film; he is first credited as such in Hellbound: Hellraiser II. Nearly thirty years after The Hellbound Heart was published, the character was given the designations the Hell Priest and the Cold Man in the sequels that followed, The Scarlet Gospels and Hellraiser: The Toll. Pinhead is one of the leaders of the Cenobites, formerly humans but transformed into creatures which reside in an extradimensional realm, who travel to Earth through a puzzle box called the Lament Configuration in order to harvest human souls.
Context: Described by Doug Bradley as stronger than Jason Voorhees and Michael Myers, Pinhead is an extremely powerful being, and as such, has several supernatural abilities. His preferred method of attack is by summoning hooks and chains to mutilate victims, often pulling said victims in several directions to tear them apart. These chains are subject to his total mental control and he may direct them at will. The chains may even change shape after having attached to a victim. Pinhead is highly resistant to damage and direct assault, being able to resist both gunshots and futuristic energy weapons. His magic is also used for creating objects out of thin air, teleporting, creating explosions at distances and deceiving opponents with illusions. He is capable of creating other cenobites from both living and dead victims.  In order to act in the physical world, Pinhead needs to have been purposely summoned through the Lament Configuration, though this in itself is not usually enough for Pinhead to target the puzzle-solver: in Hellbound: Hellraiser II, Pinhead stops the Cenobites from torturing an emotionally traumatised girl who was manipulated as a proxy into opening the Configuration, remarking "...it is not hands that call us, it is desire." In Hell on Earth, he temporarily eliminates these restraints when he is separated from the part of him that is Elliot Spencer, wreaking havoc indiscriminately upon every human subject he encounters until he is finally defeated when Spencer willingly merges with Pinhead once again, the combination binding Pinhead as Spencer keeps his extremes in check. During this incident his powers were apparently expanded beyond their normal limits allowing him to physically warp reality to his will.  Pinhead at first has no memory of his human past, though is reminded of it in Hellbound: Hellraiser II, which results in what screenwriter Peter Atkins described as him being "spiritually weakened" and subsequently killed by the Chanard Cenobite.
Question: What are some of these abilities?
Answer:
His preferred method of attack is by summoning hooks and chains to mutilate victims,