Answer the question at the end by quoting:

Mojo is a fictional character, a supervillain appearing in American comic books published by Marvel Comics, usually those featuring the X-Men family of characters. Created by writer Ann Nocenti and artist Arthur Adams, Mojo first appeared in Longshot #4 (December 1985), as the titular hero's archenemy, and subsequently a villain to the X-Men and their various sub-groups as well. Mojo is one of the "Spineless Ones," an alien race that is immobile without advanced technology.
Mojo appeared in the X-Men episodes "Mojovision" and "Longshot" voiced by Peter Wildman. This version of Mojo had the ability of shooting laser blasts from a cannon installed at the tip of his mechanical tail.  Mojo first appears in the Wolverine and the X-Men episode "X-Calibre" voiced by Charlie Adler. He sends Spiral and the Reavers to ships bound to Genosha to pick out the mutants for his program. After Spiral was thwarted by Nightcrawler and sees the X-Men, Mojo plans to abduct them. In "Hunting Grounds," Mojo abducts Nightcrawler and Scarlet Witch and forces them to fight a mind-controlled Wolverine. Eventually all three X-Men escape the show and attack Mojo himself, but he and Spiral teleport to safety. Mojo declares that "This demands a sequel!", indicating that they will be back.  Mojo appears in Avengers Assemble episode "Mojo World," voiced by Ralph Garman. Mojo's "Mojo Adams" incarnation used as a simulation to conceal his actual appearance from his viewing audience. Intending to capture Hulk for his tournaments, alongside the other combatants he abducted and threatened to fight by taking their planets hostage, Mojo finds his minions unintentionally abduct Hawkeye in the process as he pit the Earth hero against Torgo. After Hulk and Hawkeye forfeit an all-out fight, Mojo teleports them back to Earth and then plans to destroy it. With help from the other Avengers, Hulk and Hawkeye managed to defeat Mojo, and his hover-cameras end up showing his true appearance across the airwaves. Embarrassed, he ends up teleporting away from his ship. Torgo tells the Avengers that he will take the prisoners back to their worlds and have a bounty placed on Mojo's head.

Sometimes superheros have more than one power. Does he have another power?

This version of Mojo had the ability of shooting laser blasts from a cannon installed at



Answer the question at the end by quoting:

Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. One of the leading contemporary recording artists, she is known for narrative songs about her personal life, which have received widespread media coverage. Born and raised in Pennsylvania, Swift moved to Nashville, Tennessee at the age of 14 to pursue a career in country music. She signed with the label Big Machine Records and became the youngest artist ever signed by the Sony/ATV Music publishing house.
Swift uses her life experiences as an inspiration in her work. In her songs, Swift often addresses the "anonymous crushes of her high school years" and celebrities. Swift frequently criticizes ex-boyfriends, an aspect of her songwriting downplayed by The Village Voice: "Being told What Songs Mean is like having a really pushy professor. And it imperils a true appreciation of Swift's talent, which is not confessional, but dramatic." However, New York believes the media scrutiny over her decision to "mine her personal life for music ... is sexist, inasmuch as it's not asked of her male peers". The singer herself has said that not all her songs are factual and that they are sometimes based on observations. Aside from her liner note clues, Swift tries not to talk about song subjects specifically "because these are real people. You try to give insight as to where you were coming from as a writer without completely throwing somebody under the bus".  For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that's taking something that potentially should be celebrated--a woman writing about her feelings in a confessional way--that's taking it and turning it and twisting it into something that is frankly a little sexist.  The Guardian has praised Swift for writing about teenage years "with a kind of wistful, sepia-toned nostalgia" over the course of her first two albums. New York has remarked that many singer-songwriters have made great records as teens, but "none made great records so explicitly about their teens". The magazine has also compared her work to Brian Wilson. In Fearless, Swift featured fairy tale imagery and explored the disconnect "between fairy tales and the reality of love". Her later albums address more adult relationships. In addition to romance and love, Swift's songs have discussed parent-child relationships, friendships, alienation, fame, and career ambitions. Swift frequently includes "a tossed-off phrase to suggest large and serious things that won't fit in the song, things that enhance or subvert the surface narrative".  Rolling Stone describes Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture". According to The Village Voice, she uses third-verse point of view reversals frequently. In terms of imagery, repetition is evident in Swift's songwriting. In The Guardian's words, "she spends so much time kissin' in the rain that it seems a miracle she hasn't developed trenchfoot". Slant Magazine adds, "to Swift's credit, she explores new lyrical motifs over the course of [her fourth] album". Although reviews of Swift's work are "almost uniformly positive", The New Yorker has said she is generally portrayed "more as a skilled technician than as a Dylanesque visionary".

Why does she use third-verse point of view reversals?
Rolling Stone describes Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture".