Answer the question at the end by quoting:

West Side Story is a musical with a book by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim and conception and choreography by Jerome Robbins. It was inspired by William Shakespeare's play Romeo and Juliet. The story is set in the Upper West Side neighborhood in New York City in the mid 1950s, an ethnic, blue-collar neighborhood (in the early 1960s, much of the neighborhood was cleared in an urban renewal project for the Lincoln Center, which changed the neighborhood's character). The musical explores the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds.
In addition to Bernstein's own West Side Story Suite, the music from the musical has been adapted by The Buddy Rich Big Band, which arranged and recorded "West Side Story Medley" on the 1966 album Buddy Rich's Swingin' New Big Band. The Stan Kenton Orchestra recorded Johnny Richards' 1961 Kenton's West Side Story, an album of jazz orchestrations based on the Bernstein scores. It won the 1962 Grammy Award for Best Jazz Recording by a Large Group. The 1996 album The Songs of West Side Story included covers by such diverse artists as Selena ("A Boy Like That"), Little Richard ("I Feel Pretty"), Trisha Yearwood ("I Have a Love") and Salt-n-Pepa, Def Jef, Lisa Lopes, the Jerky Boys, and Paul Rodriguez all collaborating on "Gee, Officer Krupke", as well as Chick Corea Elektric Band collaborating with Steve Vai's Monsters on "Rumble".  The television show Curb Your Enthusiasm extensively referenced West Side Story in the season seven episode "Officer Krupke". An episode of Welcome Back, Kotter, "Sweatside Story", parodies West Side Story when the Sweathogs engage in a rumble with students from rival New Utrecht High School. In the third season of the series Glee, three episodes feature characters auditioning, rehearsing and performing a school production of West Side Story. Songs from the musical are performed in episode 2 "I Am Unicorn", episode 3 "Asian F" and episode 5 "The First Time" and also given digital releases. The Animaniacs episode "West Side Pigeons" features a parody romance and rivalry that mirrors that of the Jets and the Sharks. In the Tom and Jerry Tales episode "The League of Cats", Tom's and Jerry's respective leagues act very similar to the Jets and the Sharks. They also perform a number similar to the "Jet Song".  In film, Pixar animator Aaron Hartline used the first meeting between Tony and Maria as inspiration for the moment when Ken meets Barbie in Toy Story 3. In the 2013 movie Teen Beach Movie, two teens are trapped inside a movie called Wet Side Story, in which a group of surfers and a group of bikers are competing in a turf war. Bring It On: In It to Win It has a plot that parallels West Side Story, and makes the reference explicit to the point where the two rival cheerleading squads are named the Jets and the Sharks. The 2005 short musical comedy film West Bank Story, which won the Academy Award for Best Live Action Short Film, concerns a love story between a Jew and a Palestinian and parodies several aspects of West Side Story.  In 1963, Mad Magazine published "East Side Story" set at the United Nations building on the East Side of Manhattan, a parody of the Cold War, with the two rival gangs led by John F. Kennedy and Nikita Khrushchev, by writer Frank Jacobs and illustrator Mort Drucker. From 1973 to 2004, Wild Side Story, a camp parody musical, based loosely on West Side Story and adapting parts of the musical's music and lyrics, was performed a total of more than 500 times in Miami Beach, Florida, Stockholm, Gran Canaria and Los Angeles. The show lampoons the musical's tragic love story, and also lip-synching and drag shows.

Can you tell me a little about the West Side Story?

". An episode of Welcome Back, Kotter, "Sweatside Story", parodies West Side Story when the Sweathogs engage in a rumble with students from rival New Utrecht High School.

IN: Marian Anderson (February 27, 1897 - April 8, 1993) was an African-American contralto and one of the most celebrated singers of the twentieth century. Music critic Alan Blyth said: "Her voice was a rich, vibrant contralto of intrinsic beauty." Most of her singing career was spent performing in concert and recital in major music venues and with famous orchestras throughout the United States and Europe between 1925 and 1965. Although offered roles with many important European opera companies, Anderson declined, as she had no training in acting.

In 1933, Anderson made her European debut in a concert at Wigmore Hall in London, where she was received enthusiastically. She spent the early 1930s touring throughout Europe where she did not encounter the racial prejudices she had experienced in America. In the summer of 1930, she went to Scandinavia, where she met the Finnish pianist Kosti Vehanen who became her regular accompanist and her vocal coach for many years. She also met Jean Sibelius through Vehanen after he had heard her in a concert in Helsinki. Moved by her performance, Sibelius invited them to his home and asked his wife to bring champagne in place of the traditional coffee. Sibelius commented to Anderson of her performance that he felt that she had been able to penetrate the Nordic soul. The two struck up an immediate friendship, which further blossomed into a professional partnership, and for many years Sibelius altered and composed songs for Anderson to perform. He created a new arrangement of the song "Solitude" and dedicated it to Anderson in 1939. Originally The Jewish Girl's Song from his 1906 incidental music to Belshazzar's Feast, it later became the "Solitude" section of the orchestral suite derived from the incidental music.  In 1934, impresario Sol Hurok offered Anderson a better contract than she previously had with Arthur Judson. He became her manager for the rest of her performing career and through his persuasion she came back to perform in America. In 1935, Anderson made her first recital appearance in New York at Town Hall, which received highly favorable reviews by music critics. She spent the next four years touring throughout the United States and Europe. She was offered opera roles by several European houses but, due to her lack of acting experience, Anderson declined all of those offers. She did, however, record a number of opera arias in the studio, which became bestsellers.  Anderson, accompanied by Vehanen, continued to tour throughout Europe during the mid-1930s. She visited Eastern European capitals and Russia and returned again to Scandinavia, where "Marian fever" had spread to small towns and villages where she had thousands of fans. She quickly became a favorite of many conductors and composers of major European orchestras. During a 1935 tour in Salzburg, the conductor Arturo Toscanini told her she had a voice "heard once in a hundred years".  In the late 1930s, Anderson gave about 70 recitals a year in the United States. Although by then quite famous, her stature did not completely end the prejudice she confronted as a young black singer touring the United States. She was still denied rooms in certain American hotels and was not allowed to eat in certain American restaurants. Because of this discrimination, Albert Einstein, a champion of racial tolerance, hosted Anderson on many occasions, the first being in 1937 when she was denied a hotel before performing at Princeton University. She last stayed with him months before he died in 1955.

Was there ever any conflicts?

OUT:
her stature did not completely end the prejudice she confronted as a young black singer touring the United States.