IN: The Daily Show is an American late-night talk and news satire television program. It airs each Monday through Thursday on Comedy Central. Describing itself as a fake news program, The Daily Show draws its comedy and satire from recent news stories, political figures, media organizations, and often uses self-referential humor as well. The half-hour-long show premiered on July 21, 1996, and was first hosted by Craig Kilborn until December 17, 1998.

The monologue segment is often followed by a segment featuring an exchange with a correspondent--typically introduced as the show's "senior" specialist in the subject at hand--either at the anchor desk with the host or reporting from a false location in front of a greenscreen showing stock footage. Their stated areas of expertise vary depending on the news story that is being discussed, and can range from relatively general (such as Senior Political Analyst) to absurdly specific (such as Senior Religious Registry Correspondent). The cast of correspondents is quite diverse, and many often sarcastically portray extreme stereotypes of themselves to poke fun at a news story, such as "Senior Latino Correspondent", "Senior Youth Correspondent" or "Senior Black Correspondent". They typically present absurd or humorously exaggerated takes on current events against the host's straight man.  While correspondents stated to be reporting abroad are usually performing in-studio in front of a greenscreen background, on rare occasions, cast members have recorded pieces on location. For instance, during the week of August 20, 2007, the show aired a series of segments called "Operation Silent Thunder: The Daily Show in Iraq" in which correspondent Rob Riggle reported from Iraq. In August 2008, Riggle traveled to China for a series of segments titled "Rob Riggle: Chasing the Dragon", which focused on the 2008 Beijing Olympics.  Jason Jones traveled to Iran in early June 2009 to report on the Iranian elections, and John Oliver traveled to South Africa for the series of segments "Into Africa" to report on the 2010 FIFA World Cup. In March 2012, John Oliver traveled to Gabon, on the west African coast, to report on the Gabonese government's decision to donate $2 million to UNESCO after the United States cut its funding for UNESCO earlier that year. On July 19, 2016, Roy Wood Jr. reported live from the Republican National Convention and talked about Donald Trump's African-American support.  Correspondent segments feature a rotating supporting cast, and involve the show's members travelling to different locations to file comedic reports on current news stories and conduct interviews with people related to the featured issue. Topics have varied widely; during the early years of the show they tended toward character-driven human interest stories such as Bigfoot enthusiasts. Since Stewart began hosting in 1999, the focus of the show has become more political and the field pieces have come to more closely reflect current issues and debates. Under Kilborn and the early years of Stewart, most interviewees were either unaware or not entirely aware of the comedic nature of The Daily Show. However, as the show began to gain popularity--particularly following its coverage of the 2000 and 2004 presidential elections--most of the subjects now interviewed are aware of the comedic element.
QUESTION: When did they start the correspondent segments
IN: Curtis Mayfield was born on June 3, 1942 in Chicago, Illinois, the son of Marion Washington and Kenneth Mayfield, one of five children. Mayfield's father left the family when Curtis was five; his mother (and maternal grandmother) moved the family into several Chicago public housing projects before settling in Cabrini-Green during his teen years. Mayfield attended Wells Community Academy High School before dropping out his sophomore year. His mother taught him piano and, along with his grandmother, encouraged him to enjoy gospel music.

Curtis Mayfield was known for introducing social consciousness into African-American music. Having been raised in the Cabrini-Green projects of Chicago, he witnessed many of the tragedies of the urban ghetto first hand, and was quoted saying "With everything I saw on the streets as a young black kid, it wasn't hard during the later fifties and sixties for me to write my heartfelt way of how I visualized things, how I thought things ought to be."  Following the passing of the Civil Rights Act of 1964, his group the Impressions produced music that became the soundtrack to a summer of revolution. It is even said that "Keep On Pushing" became the number one sing along during the Freedom Rides. Black students sang their songs as they marched to jail or protested outside their universities, while King often used "Keep On Pushing", "People Get Ready" and "We're A Winner" because of their ability to motivate and inspire marchers. Mayfield had quickly become a civil rights hero with his ability to inspire hope and courage.  Mayfield was unique in his ability to fuse relevant social commentary with melodies and lyrics that instilled a hopefulness for a better future in his listeners. He wrote and recorded the soundtrack to the 1972 blaxploitation film Super Fly with the help of producer Johnny Pate. The soundtrack for Super Fly is regarded as an all-time great body of work that captured the essence of life in the ghetto while criticizing the tendency of young people to glorify the "glamorous" lifestyles of drug dealers and pimps, and illuminating the dark realities of drugs, addiction, and exploitation. His work influenced many, and it is said that Mayfield truly introduced a new style of black music.  Mayfield, along with several other soul and funk musicians, spread messages of hope in the face of oppression, pride in being a member of the black race and gave courage to a generation of people who were demanding their human rights, without abandoning the struggle for equality. He has been compared to Martin Luther King, Jr. for making a lasting impact in the civil rights struggle with his inspirational music. By the end of the decade Mayfield was a pioneering voice in the black pride movement, along with James Brown and Sly Stone. Paving the way for a future generation of rebel thinkers, Mayfield paid the price, artistically and commercially, for his politically charged music. Mayfield's "Keep On Pushing" was actually banned from several radio stations when riots began flaring up in some cities. Regardless of the persistent radio bans and loss of revenue, he continued his quest for equality right until his death. His lyrics on racial injustice, poverty and drugs became the poetry of a generation.  Mayfield was also a descriptive social commentator. As the influx of drugs ravaged through black America in the late 1960s and 1970s his bittersweet descriptions of the ghetto would serve as warnings to the impressionable. "Freddie's Dead" is a graphic tale of street life, while "Pusherman" revealed the role of drug dealers in the urban ghettos.
QUESTION:
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