Some context: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.
Clarence White helped popularize the acoustic guitar as a lead instrument in bluegrass music, building on the work of guitarists such as Doc Watson. Prior to the advent of the more aggressive flatpicking style pioneered by guitarists like Watson and White, the guitar was strictly a rhythm instrument, save for a few exceptions (such as the occasional guitar track by banjoist Don Reno). Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice. Rice owns and plays White's highly modified 1935 Martin D-28. David Grier and Russ Barenberg are two other acoustic guitarists who were heavily influenced by White's guitar work. White's bluegrass playing with the Kentucky Colonels was also a considerable influence on Jerry Garcia of the Grateful Dead, who traveled with the band during 1964.  On the electric side of the guitar spectrum, White was similarly influential. Together with fellow Byrds bandmember Gene Parsons, White invented the B-Bender device. This device raises the B-string (second string) of the guitar a whole step by the use of pulleys and levers attached to both the upper strap knob and the second string on the guitar. It is activated by pushing down on the neck, and produces a "pedal steel" type sound. Arlen Roth, heavily influenced by this style, did not at the time know that White and Parsons had invented a B-bender, so instead developed his own unique all-finger bending version of this technique. This was heavily documented in his ground-breaking book, "Nashville Guitar", all of his recordings, as well as his book "Masters of the Telecaster". Subsequently, his Telecaster sound became as notable as his bluegrass playing. Marty Stuart, another guitarist influenced by White's playing, now owns and regularly plays White's 1954 Fender Telecaster with the prototype B-Bender.  Music archivist and writer Alec Palao has called White "one of a handful of true greats amongst the instrumentalists of 20th century popular music", before adding that "the waves created by the guitarist's idiosyncratic style are still forming ripples within bluegrass, country and rock 'n' roll." In 2003, White was ranked No. 41 on Rolling Stone magazine's list of the 100 Greatest Guitarists of All Time. In 2010, guitar manufacturer Gibson ranked White at No. 42 on their Top 50 Guitarists of All Time list.
Are there specific  artists that were influenced?
A: Music archivist and writer Alec Palao has called White "one of a handful of true greats amongst the instrumentalists of 20th century popular music",
Some context: David Mark Winfield (born October 3, 1951) is an American former Major League Baseball (MLB) right fielder. He is currently special assistant to the executive director of the Major League Baseball Players Association. Over his 22-year career, he played for six teams: the San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves.
Winfield was born the same day Bobby Thomson hit his pennant-winning home run for the New York Giants, known as "the shot heard 'round the world". He grew up in St. Paul, Minnesota. His parents divorced when he was three years old, leaving him and his older brother Stephen to be raised by their mother, Arline, and a large extended family of aunts, uncles, grandparents and cousins.  The Winfield brothers honed their athletic skills in St. Paul's Oxford playground, where coach Bill Peterson was one of the first to take the young Winfield under his wing. Winfield did not become a formidable 6'6" athlete until his senior year of high school.  He earned a full baseball scholarship to the University of Minnesota in 1969, where he starred in baseball and basketball for the Golden Gophers. His college baseball coach was former MLB player Dick Siebert. His basketball coach was Bill Musselman, who was later a head coach in the American Basketball Association and National Basketball Association and who later referred to Winfield as the best rebounder he ever coached. Winfield's 1972 Minnesota team won a Big Ten basketball championship, the school's first in 53 years. During the 1972 season, he also was involved in a brawl when Minnesota played Ohio State.  Winfield also played for the Alaska Goldpanners for two seasons (1971-72) and was the MVP in 1972. In 1973, he was named All-American and voted MVP of the College World Series--as a pitcher. Following college, Winfield was drafted by four teams in three different sports. The San Diego Padres selected him as a pitcher with the fourth overall pick in the MLB draft and both the Atlanta Hawks (NBA) and the Utah Stars (ABA) drafted him. Though he never played college football, the Minnesota Vikings selected Winfield in the 17th round of the NFL draft. He is one of six players ever to be drafted by three professional sports (the others being George Carter, Jo Jo White, Noel Jenke, Mickey McCarty and Dave Logan) and one of three athletes along with Carter and McCarty to be drafted by four leagues.
Who did he play for right after college?
A:
Winfield also played for the Alaska Goldpanners for two seasons (1971-72) and was the MVP in 1972.