input: Ayaan was born in 1969 in Mogadishu, Somalia. Her father, Hirsi Magan Isse, was a prominent member of the Somali Salvation Democratic Front and a leading figure in the Somalian Revolution. Shortly after she was born, her father was imprisoned due to his opposition to the Siad Barre government. Hirsi Ali's father had studied abroad and was opposed to female genital mutilation, but while he was imprisoned, Hirsi Ali's grandmother had a man perform the procedure on her, when Hirsi Ali was five years old. According to Hirsi Ali, she was fortunate that her grandmother could not find a woman to do the procedure, as the mutilation was "much milder" when performed by men.  After her father escaped from prison, he and the family left Somalia in 1977, going to Saudi Arabia and then to Ethiopia, before settling in Nairobi, Kenya by 1980. There he established a comfortable upper-class life for them. Hirsi Ali attended the English-language Muslim Girls' Secondary School. By the time she reached her teens, Saudi Arabia was funding religious education in numerous countries and its religious views were becoming influential among many Muslims. A charismatic religious teacher, trained under this aegis, joined Hirsi Ali's school. She inspired the teenaged Ayaan, as well as some fellow students, to adopt the more rigorous Saudi Arabian interpretations of Islam, as opposed to the more relaxed versions then current in Somalia and Kenya. Hirsi Ali said later that she had long been impressed by the Qur'an and had lived "by the Book, for the Book" throughout her childhood.  She sympathised with the views of the Islamist Muslim Brotherhood, and wore a hijab with her school uniform. This was unusual at the time but has become more common among some young Muslim women. At the time, she agreed with the fatwa proclaimed against British Indian writer Salman Rushdie in reaction to the portrayal of the Islamic prophet Muhammad in his novel The Satanic Verses. After completing secondary school, Hirsi Ali attended a secretarial course at Valley Secretarial College in Nairobi for one year. As she was growing up, she also read English-language adventure stories, such as the Nancy Drew series, with modern heroine archetypes who pushed the limits of society. Also, remembering her grandmother refusing soldiers entry into her house, Hirsi Ali associated with Somalia "the picture of strong women: the one who smuggles in the food, and the one who stands there with a knife against the army and says, 'You cannot come into the house.' And I became like that. And my parents and my grandmother don't appreciate that now - because of what I've said about the Qur'an. I have become them, just in a different way."

Answer this question "Did she go to college?"
output: Hirsi Ali attended a secretarial course at Valley Secretarial College in Nairobi for one year.

input: Schickele divides P. D. Q. Bach's fictional musical output into three periods: the Initial Plunge, the Soused Period, and Contrition. During the Initial Plunge, P. D. Q. Bach wrote the Traumerei for solo piano, an Echo Sonata for "two unfriendly groups of instruments", and a Gross Concerto for Divers Flutes, two Trumpets, and Strings. During the Soused (or Brown-Bag) Period, P. D. Q. Bach wrote a Concerto for Horn & Hardart, a Sinfonia Concertante, a Pervertimento for Bicycle, Bagpipes, and Balloons, a Serenude, a Peruckenstuck (literally German for "Hairpiece"), a Suite from The Civilian Barber (spoofing Rossini's The Barber of Seville), a Schleptet in E-flat major, the half-act opera The Stoned Guest (the character of "The Stone Guest" from Mozart's Don Giovanni), a Concerto for Piano vs. Orchestra, Erotica Variations (Beethoven's Eroica Variations), Hansel and Gretel and Ted and Alice, an opera in one unnatural act (Humperdinck's Hansel and Gretel and the 1969 film Bob & Carol & Ted & Alice), The Art of the Ground Round (Bach's The Art of Fugue), a Concerto for Bassoon vs. Orchestra, and a Grand Serenade for an Awful Lot of Winds and Percussion.  During the Contrition Period, P. D. Q. Bach wrote the cantata Iphigenia in Brooklyn (Gluck's Iphigenia in Aulis, etc.), the oratorio The Seasonings (Haydn's The Seasons), Diverse Ayres on Sundrie Notions, a Sonata for Viola Four Hands, the chorale prelude Should, a Notebook for Betty Sue Bach (Bach's Notebook for Anna Magdalena Bach and Buddy Holly's "Peggy Sue"), the Toot Suite, the Grossest Fugue (Beethoven's Grosse Fuge), a Fanfare for the Common Cold (Copland's Fanfare for the Common Man) and the canine cantata Wachet Arf! (Bach's Wachet auf).  A final work is the mock religious work Missa Hilarious (Beethoven's Missa Solemnis) (Schickele no. N2O - the chemical formula of nitrous oxide or "laughing gas").

Answer this question "What was the first period?"
output: the Initial Plunge,

input: On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers.  Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault.  In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter.

Answer this question "Did he get taken to court?"
output: