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Alexisonfire (pronounced "Alexis on fire") is a five-piece Canadian post-hardcore band that formed in St. Catharines, Ontario in 2001. The band consists of George Pettit (unclean vocals), Dallas Green (clean vocals, rhythm guitar, piano), Wade MacNeil (lead guitar, vocals), Chris Steele (bass guitar), and Jordan Hastings (drums, percussion). They describe their music as "the sound of two Catholic high-school girls in mid-knife-fight" (a reference to their song "A Dagger Through the Heart of St. Angeles", also the inspiration for their debut album cover art).
Alexisonfire had attracted considerable attention from major record labels, due to the success of their self-titled debut. However, when they started considering making a second album, the band felt that, for artistic reasons, they should remain independent, as it would give them better chances of developing and deciding their direction. They would remain with Distort Entertainment, and instead of using a famous producer, they recorded the album with Julius Butty at his studio near Hamilton, Ontario.  Watch Out! was released on June 29, 2004, and was immediately successful. It debuted at No. 6 on the Nielsen Soundscan Top 200, and received gold certification in Canada in twelve weeks. The good critical reception came from the fact that the band was more focused from the eighteen months of touring, helping them harness more aggression, release more emotion, and fine-tune all the tracks. This lay in comparison to their debut album, which was mostly first drafts.  On June 14, 2005 Alexisonfire posted a statement on their website revealing that founding drummer Jesse Ingelevics was leaving the band. The statement explained that the band and Ingelevics had slowly grown apart, and that he wanted to spend more time with his family and his fiancee.  While touring in support of the album with Johnny Truant and The Blood Roses in Glasgow, Scotland in October 2005, each member of all three bands had the word "Yeti" tattooed on themselves. On an episode of the MuchMusic program The New Music, Pettit and Green revealed that the inspiration for their "Yeti" tattoos came from the 1988 Gary Oldman film The Firm.
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Was this their first album?

Answer:
self-titled debut.


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Born in Glen Dale, West Virginia, Brett was the youngest of four sons of a sports-minded family which included Ken, the second oldest, a major league pitcher who pitched in the 1967 World Series at age 19. Brothers John (eldest) and Bobby had brief careers in the minor leagues. Although his three older brothers were born in Brooklyn, George was born in the northern panhandle of West Virginia. Jack and Ethel Brett then moved the family to the Midwest and three years later to El Segundo, California, a suburb of Los Angeles, just south of Los Angeles International Airport.
On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history.
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Why did they protest the game?

Answer:
reasoning that the bat should have been excluded from future use but the home run should not have been nullified.


Question:
Matthew Paris, known as Matthew of Paris (Latin: Matthaeus Parisiensis, lit. "Matthew the Parisian"; c. 1200 - 1259), was a Benedictine monk, English chronicler, artist in illuminated manuscripts and cartographer, based at St Albans Abbey in Hertfordshire. He wrote a number of works, mostly historical, which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, some in Anglo-Norman or French verse.
From 1235, the point at which Wendover dropped his pen, Paris continued the history on the plan which his predecessors had followed. He derived much of his information from the letters of important people, which he sometimes inserts, but much more from conversation with the eyewitnesses of events. Among his informants were Richard, Earl of Cornwall and King Henry III, with whom he appears to have been on intimate terms.  The king knew that Paris was writing a history, and wanted it to be as exact as possible. In 1257, in the course of a week's visit to St Albans, Henry kept the chronicler beside him night and day, "and guided my pen," says Paris, "with much goodwill and diligence." It is curious that the Chronica majora gives so unfavourable an account of the king's policy. Henry Richards Luard supposes that Paris never intended his work to be read in its present form. Many passages of the autograph have written next to them, the note offendiculum, which shows that the writer understood the danger which he ran. On the other hand, unexpurgated copies were made in Paris's lifetime. Although the offending passages are duly omitted or softened in his abridgment of his longer work, the Historia Anglorum (written about 1253), Paris's real feelings must have been an open secret. There is no ground for the old theory that he was an official historiographer.  Naturalists have praised his descriptions of the English wildlife of his time, brief though they are: in particular his valuable description of the first irruption into England in 1254 of the common crossbill.
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When did he start writing?

Answer:
From 1235,