Some context: Clyde Austin "The Glide" Drexler (born June 22, 1962) is an American retired professional basketball player. During his career, he was a ten-time All-Star, and named one of the 50 Greatest Players in NBA History. Drexler won an Olympic gold medal in 1992 as part of the 1992 United States men's Olympic basketball team ("The Dream Team") and an NBA Championship in 1995 with the Houston Rockets. He is a two-time Naismith Memorial Basketball Hall of Fame inductee (being inducted 2004 for his individual career, and in 2010 as a member of the "Dream Team")
Drexler and Young, along with Larry Micheaux and new recruit Hakeem Olajuwon (known then as Akeem Olajuwon), comprised the "Phi Slama Jama" basketball fraternity that gained national attention for its acrobatic, above-the-rim play. New players were "initiated" into the fraternity by having to stand underneath the basket as Drexler drove in from halfcourt and threw down a tomahawk slam over them. Houston made the first of Drexler's two straight Final Four appearances in 1982, where they lost to eventual champions North Carolina. He averaged 15.2 points and 10.5 rebounds (second in the Southwest Conference) per game as a small forward as Houston finished 25-8.  The 1982-83 campaign saw Houston return to the Final Four ranked No. 1. They were matched up against No. 2 Louisville and the "Doctors of Dunk" in the semifinals, which Houston won 94-81 following a brilliant dunking display by both sides, including a double-pump slam by Drexler that Sports Illustrated writer Curry Kirkpatrick called "your basic play of the century". He finished with 21 points, seven rebounds and six assists, but in the championship game against North Carolina State, Drexler failed to make an impact after picking up four fouls before halftime, and scored only four points on one-of-five shooting and two free throws in NC State's upset victory.  Drexler declared for the NBA draft as a junior, leaving Houston with career averages of 14.4 points, 3.3 assists and 9.9 rebounds in three seasons. In addition to being named the Southwestern Conference Player of the Year and a first-team All American his final season, he remains the only player in school history with combined totals of at least 1,000 career points, 900 rebounds and 300 assists, in addition to being Houston's all-time steals leader with 268.
What position did he play in college?
A: Drexler drove in from halfcourt and threw down a tomahawk slam over them.
Some context: Criss Angel was born on December 19, 1967, at Hempstead General Hospital in Hempstead, on Long Island, New York. He is of Greek descent. Angel was raised in Elmont until fourth grade, when his family moved to East Meadow, New York. His father, John Sarantakos, owned a restaurant and doughnut shop.
On October 20, 2002, Angel performed in the ABC Family television special named Criss Angel Mindfreak: Postmodern illusionist, an hour-long performance and tribute to Harry Houdini. The special aired again on December 24, 2002 on Channel 4 in the UK. The Birmingham Evening Mail reviewed the show, writing, "Criss Angel is currently making a name for himself as a more provocative, darker alternative to [other illusionists]. He walks the streets of New York, hypnotising passers-by, turning cups of take-away coffee into cockroaches and suspending himself from the ceiling by inserting hooks into his back. The piece de resistance of all these mind games is an update of the Houdini underwater trick - an attempt to stay in a (cell) tank of water for 24 hours, padlocked and restrained. All seems to be going well, until the filter system breaks down and the water begins to heat up."  On October 31, 2003 SciFi Channel aired the one-hour special Supernatural starring Angel. Kate O'Hare said of the special that, "Filmed in part at Universal Theme Park in Orlando, Fla., "Supernatural" finds Angel crawling up buildings, passing a quarter through his skin, spontaneously combusting and having otherworldly creatures burst from his chest." When asked about his process in creating television specials, Angel said that, "I like to have my hand in everything on my TV specials. I'm the executive producer; I direct it; I create it. I write all the music for my TV specials and my live performances. It's on my label. I write it; I produce it." During the special Angel performed stunts including lighting himself on fire and making a tarantula emerge from a pedestrian's soda can. In 2003, Angel was also featured in the two-hour TBS special Made in Japan.  In early 2003, Angel performed at the release of the new branding for Miller Lite beer in Milwaukee, Wisconsin on the 80th anniversary of Houdini's last performance in that city. For the performance, he was suspended ten stories in the air and bound in a straitjacket, from which he escaped. He also performed an illusion at Ozzfest in 2005. During this period Angel also earned money selling signed merchandise, making up to $50,000 a day.
Any other interesting sections in this article?
A: he was suspended ten stories in the air and bound in a straitjacket, from which he escaped.
Some context: A disc jockey, often abbreviated as DJ, is a person who plays existing recorded music for a live audience. Most common types of DJs include radio DJ, club DJ who performs at a nightclub or music festival, and turntablist who uses record players, usually turntables, to manipulate sounds on phonograph records. Originally, the "disc" in "disc jockey" referred to gramophone records, but now "DJ" is used as an all-encompassing term to describe someone who mixes recorded music from any source, including cassettes, CDs, or digital audio files on a CDJ or laptop. The title "DJ" is commonly used by DJs in front of their real names or adopted pseudonyms or stage names.
Several techniques are used by DJs as a means to better mix and blend recorded music. These techniques primarily include the cueing, equalization and audio mixing of two or more sound sources. The complexity and frequency of special techniques depends largely on the setting in which a DJ is working. Radio DJs are less likely to focus on advanced music-mixing procedures than club DJs, who rely on a smooth transition between songs using a range of techniques. However, some radio DJs are experienced club DJs, so they use the same sophisticated mixing techniques.  Club DJ turntable techniques include beatmatching, phrasing and slip-cueing to preserve energy on a dance floor. Turntablism embodies the art of cutting, beat juggling, scratching, needle drops, phase shifting, back spinning and more to perform the transitions and overdubs of samples in a more creative manner (although turntablism is often considered a use of the turntable as a musical instrument rather than a tool for blending recorded music). Professional DJs may use harmonic mixing to choose songs that are in compatible musical keys.  Recent advances in technology in both DJ hardware and software can provide assisted or automatic completion of some traditional DJ techniques and skills. Examples include phrasing and beatmatching, which can be partially or completely automated by utilizing DJ software that performs automatic synchronization of sound recordings, a feature commonly labelled "sync". Most DJ mixers now include a beat-counter which analyzes the tempo of an incoming sound source and displays its tempo in beats per minute (BPM), which may assist with beatmatching analog sound sources.  In the past, being a DJ has largely been a self-taught craft but with the complexities of new technologies and the convergence with music production methods, there are a growing number of schools and organizations that offer instruction on the techniques.
What is the biggest DJ School?
A: