Background: Charles Mingus Jr. (April 22, 1922 - January 5, 1979) was an American jazz double bassist, pianist, composer and bandleader. His compositions retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of Third Stream, free jazz, and classical music. He once cited Duke Ellington and church as his main influences. Mingus espoused collective improvisation, similar to the old New Orleans jazz parades, paying particular attention to how each band member interacted with the group as a whole.
Context: In 1952 Mingus co-founded Debut Records with Max Roach so he could conduct his recording career as he saw fit. The name originated from his desire to document unrecorded young musicians. Despite this, the best-known recording the company issued was of the most prominent figures in bebop. On May 15, 1953, Mingus joined Dizzy Gillespie, Parker, Bud Powell, and Roach for a concert at Massey Hall in Toronto, which is the last recorded documentation of Gillespie and Parker playing together. After the event, Mingus chose to overdub his barely audible bass part back in New York; the original version was issued later. The two 10" albums of the Massey Hall concert (one featured the trio of Powell, Mingus and Roach) were among Debut Records' earliest releases. Mingus may have objected to the way the major record companies treated musicians, but Gillespie once commented that he did not receive any royalties "for years and years" for his Massey Hall appearance. The records, however, are often regarded as among the finest live jazz recordings.  One story has it that Mingus was involved in a notorious incident while playing a 1955 club date billed as a "reunion" with Parker, Powell, and Roach. Powell, who suffered from alcoholism and mental illness (possibly exacerbated by a severe police beating and electroshock treatments), had to be helped from the stage, unable to play or speak coherently. As Powell's incapacitation became apparent, Parker stood in one spot at a microphone, chanting "Bud Powell...Bud Powell..." as if beseeching Powell's return. Allegedly, Parker continued this incantation for several minutes after Powell's departure, to his own amusement and Mingus's exasperation. Mingus took another microphone and announced to the crowd, "Ladies and Gentleman, please don't associate me with any of this. This is not jazz. These are sick people." This was Parker's last public performance; about a week later he died after years of substance abuse.  Mingus often worked with a mid-sized ensemble (around 8-10 members) of rotating musicians known as the Jazz Workshop. Mingus broke new ground, constantly demanding that his musicians be able to explore and develop their perceptions on the spot. Those who joined the Workshop (or Sweatshops as they were colorfully dubbed by the musicians) included Pepper Adams, Jaki Byard, Booker Ervin, John Handy, Jimmy Knepper, Charles McPherson and Horace Parlan. Mingus shaped these musicians into a cohesive improvisational machine that in many ways anticipated free jazz. Some musicians dubbed the workshop a "university" for jazz.
Question: What did he say about these Pepper Adams, Jaki Byard, Booker Ervin, John Handy, Jimmy Knepper, Charles McPherson and Horace Parlan?
Answer: Mingus shaped these musicians into a cohesive improvisational machine that in many ways anticipated free jazz.

Background: Sylar (Gabriel Gray) is a fictional character and a primary antagonist of the NBC science fiction drama series Heroes. Portrayed by Zachary Quinto, he is a superpowered serial killer who targets other superhumans in order to steal their powers. He served as the primary villain of the first season and then as a recurring antagonist. Over the course of seasons two, three and four, the writers depicted Sylar attempting at various times and under different circumstances to become a hero or curb his desire to kill, undergoing relapses at various stages.
Context: Meanwhile, Matt Parkman, regretting his actions, is haunted by Sylar, who claims to have lingered in Parkman's mind after Parkman "sucked" all his memories and replaced them with Nathan's. Though Parkman had resolved not to use his powers anymore, Sylar eventually tempts him into using them again. Following this, Sylar escalates his tormenting of Parkman, using his own telepathy against him to force Parkman to use his powers to save himself. Sylar then gives a defeated Parkman an ultimatum: either continue to live with Sylar in his mind or return Sylar's mind to his body.  Matt decides to keep Sylar in his mind, which begins to have consequences when Sylar's control over Matt advances, where Sylar has sex with Matt's wife Janice while Matt was asleep. Scared of what Sylar could do to his family (which Sylar himself alludes to), Matt tells Janice the truth, and Janice agrees to let Matt try to exorcise Sylar by leaving the house. During another conversation, Sylar appears pained whenever Parkman drinks alcohol, giving Parkman the idea to drink into a stupor. Sylar appears successfully removed as he fades from Matt's mind, and Matt remains conscious long enough to see his partner and Janice return. In actuality, Sylar simply tricked Parkman into knocking himself out. Now much more powerful, Sylar takes full control of Parkman's body, leaving Matt trapped in his own head. Despite his control over the body, Matt's personality constantly hampers Sylar from reaching his body, including letting Sylar be arrested and "withholding" Sylar's ability to use Matt's telepathy. In response, Sylar threatens to murder innocent civilians if Parkman doesn't cooperate. Faced with an ultimatum, Parkman attempts to commit suicide by cop.  The attempt appears to almost work, but "Nathan" and Peter arrive to revive Matt. Once revived, Matt is surprised to see Nathan and Peter, as is Sylar. Desperate to return to his original body, Sylar forcefully takes over Parkman's body, only needing to touch Nathan in order to jump back into his own body. While "Nathan's" confidence in who he is is shattered (Matt reveals that "Nathan" is Sylar), Sylar uses Parkman's telepathy to bring Nathan closer to him, with intuitive aptitude forcing Nathan to throw Peter telekinetically and proceed to get closer, to understand who he is. Although the event is temporarily stalled by an incoming guard, Nathan brushes hands with Matt, freeing him from Sylar's hold, and leaving Nathan fearful that Sylar will soon take over his body once more.
Question: What happens to Sylar after he is removed?
Answer:
In actuality, Sylar simply tricked Parkman into knocking himself out. Now much more powerful, Sylar takes full control of Parkman's body,