IN: The Moody Blues are an English rock band formed in Birmingham, England in 1964. They first came to prominence playing rhythm and blues music, but their second album, Days of Future Passed, which was released in 1967, was a fusion of rock with classical music and established them as pioneers in the development of art rock and progressive rock. It has been described as a "landmark" and "one of the first successful concept albums". The band became known internationally with singles including "Go Now", "Nights in White Satin", "Tuesday Afternoon", and "Question".

For their next two albums, Every Good Boy Deserves Favour (1971) - from which Hayward's "The Story in Your Eyes" was taken as a US charting single (No. 23) - and Seventh Sojourn (1972) (which reached No. 1 in the US), the band returned to their signature orchestral sound which, while difficult to reproduce in concert, had become their trademark. The title "Every Good Boy Deserves Favour" was borrowed, tongue-in-cheek, from a mnemonic used to remember the musical notes that form the lines of the treble clef: EGBDF. The opening track "Procession" was the only item composed by all five band members, a fascinating track depicting the "evolution" of music, leading into Hayward's "Story in Your Eyes". Thomas's reflective "Our Guessing Game" and whimsical "Nice To Be Here" offset the deeper drama of Hayward's "You Can Never Go Home", Lodge's "One More Time To Live" and Pinder's "My Song". Edge, the long-standing drummer-poet, started writing lyrics intended to be sung, rather than verses to be spoken - his "After You Came" (1971) featured each of the four lead singers taking a vocal section. Then in 1972, Lodge's songs "Isn't Life Strange?" (No. 13) and "I'm Just a Singer (In a Rock and Roll Band)" (No. 36) were lifted from Seventh Sojourn as charting UK singles. Sojourn also saw Pinder using the new Chamberlin instrument in place of the mellotron and Edge using an electronic drum kit. Pinder's stirring lament "Lost in a Lost World" opened this last "Core Seven" outing, while his sympathetic ode to Timothy Leary "When You're a Free Man", Thomas's romantic "For My Lady", and Hayward's serene "New Horizons" all stood out.  In an interview following the release of Seventh Sojourn, Graeme Edge told Rolling Stone: "We've got two Christians, one Mystic, one Pedantic and one Mess, and we all get on a treat."  By this time, other bands were picking up their work. Pinder's songs "A Simple Game" (1968) and "So Deep Within You" (1969) were successfully covered by the Four Tops, Pinder winning an Ivor Novello Award for "A Simple Game", Elkie Brooks later covered Hayward's "Nights in White Satin". Pinder also appeared on John Lennon's "Imagine" album in 1971, providing additional percussion on "I Don't Wanna Be a Soldier (I Don't Want to Die)". The 1968 to 1972 album sleeves, plus several solo sets up to Ray Thomas's "Hopes, Wishes & Dreams" in 1976, were characterised by striking surreal scenic sleeve artwork (mostly gatefold sleeves) by artist Phil Travers.  In late 1972, a re-issue of the five-year-old "Nights in White Satin" became the Moody Blues' biggest US hit, soaring to number two on the Billboard Hot 100 and becoming a certified million-seller; the song had "bubbled under" the Hot 100 charts on its original release. The song also returned to the UK charts, reaching No. 9, ten places higher than its original release in 1967.

Were the albums popular?

OUT: which reached No. 1 in the US),

input: Ride released three EPs between January and September 1990, entitled Ride, Play and Fall. All three EPs made it into the UK top 75, with Play and Fall reaching the top 40. Ride's top-75 placing was a first for Creation Records. The first two EPs were released together as Smile in the USA in July 1990 (and later released in the UK in 1992), while the Fall EP was incorporated into the CD version of their first album, Nowhere, released in October 1990. The band were often labelled as part of the "shoegazing" scene, but the band rejected this, Bell stating "my first reaction was like, this is another boring tag. These days...that's pretty much still my reaction". Gardener said of the band's influences "We liked the noisy bands of the time. When we were at art college we went to see My Bloody Valentine, House of Love, Stone Roses and Sonic Youth. I think these all had a lot of influence on us in the early days as they were great gigs".  The band recorded two sessions for John Peel's BBC Radio 1 show in 1990, and their popularity with the show's listeners saw them with three tracks in the Festive Fifty that year, with "Dreams Burn Down" and "Like a Daydream" at numbers 3 and 4 respectively, and "Taste" at number 25.  Nowhere was a critical and commercial success, reaching No. 11 in the UK, and the media dubbed Ride "The brightest hope" for 1991. Demand for new material was high, and the band recorded another EP, Today Forever, released in March 1991. The EP marked a change in direction for the group away from the noisier early style. Ride made their first international tour to Japan, Australia and France later on that year. Tickets for the performances in Japan sold out within minutes.  In February 1992 the band broke into the UK top 10 with "Leave Them All Behind", and the following month saw the release of the band's second album Going Blank Again. The strain within the band was already apparent, Bell stating "By the time the second album came out we were touring too much. We were tired. We then took time off, but it was too much time off".

Answer this question "DId it make the charts?"
output:
No. 11 in the UK,