Problem: Jared Joseph Leto was born on December 26, 1971, in Bossier City, Louisiana, to Constance Leto (nee Metrejon). His mother has Cajun ancestry. "Leto" is the surname of his stepfather. His parents divorced when he was a child, and he and his older brother, Shannon Leto, lived with their mother and their maternal grandparents, Ruby (Russell) and William Lee Metrejon.

In 1992, Leto moved to Los Angeles to pursue a career in directing, intending to take acting roles on the side. He found minor roles on television shows but his first break came in 1994, after he was cast opposite Claire Danes as Jordan Catalano, her love interest, in the short-lived but well-reviewed ABC teen drama My So-Called Life. The show was praised for its portrayal of adolescence and gained a strong cult following, despite being canceled after only one season. The same year, he made his television film debut starring alongside Alicia Silverstone in Cool and the Crazy, and landed his first film role in the 1995 drama How to Make an American Quilt. He later co-starred with Christina Ricci in The Last of the High Kings (1996) and got a supporting role in Switchback (1997).  In 1997, Leto starred in the biopic Prefontaine in which he played the role of Olympic hopeful Steve Prefontaine. For the preparation of the role, Leto immersed himself in the runner's life, training for six weeks and meeting with members of his family and friends. He bore a striking resemblance to the real Prefontaine, also adopting the athlete's voice and upright running style. His portrayal received positive reviews from critics and is often considered his breakthrough role. Peter Stack of the San Francisco Chronicle noted how Leto played the athlete with raw vitality; "With hypnotic blue eyes and dirty blond hair, Leto captures the rock-star style Prefontaine affected, and he looks natural in fiery performances on the track, as well as off, where Pre affected a brash, confrontational style."  After landing the lead role of a British aristocrat in the 1998 drama Basil, Leto starred in the horror Urban Legend. The film was poorly received by most movie critics, however, it was a financial success. The same year, Terrence Malick cast Leto for a supporting role in the war film The Thin Red Line alongside Sean Penn and Adrien Brody. It garnered mostly positive reviews and was a moderate success in the box office. It received multiple awards and nominations, including seven Academy Award nominations; Leto shared a Satellite Award with the rest of the cast.

Where did he go to start his career off?

Answer with quotes: In 1992, Leto moved to Los Angeles to pursue a career in directing,


Problem: Joseph Frank "Buster" Keaton (October 4, 1895 - February 1, 1966) was an American actor, comedian, film director, producer, screenwriter, and stunt performer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies". His career declined afterward with a dispiriting loss of his artistic independence when he was hired by Metro-Goldwyn-Mayer and he descended into alcoholism, ruining his family life.

Keaton signed with Metro-Goldwyn-Mayer in 1928, a business decision that he would later call the worst of his life. He realized too late that the studio system MGM represented would severely limit his creative input. For instance, the studio refused his request to make his early project, Spite Marriage, as a sound film and after the studio converted, he was obliged to adhere to dialogue-laden scripts. However, MGM did allow Keaton some creative participation on his last originally developed/written silent film The Cameraman, 1928, which was his first project under contract with them, but hired Edward Sedgwick as the official director.  Keaton was forced to use a stunt double during some of the more dangerous scenes, something he had never done in his heyday, as MGM wanted badly to protect its investment. "Stuntmen don't get laughs," Keaton had said. Some of his most financially successful films for the studio were during this period. MGM tried teaming the laconic Keaton with the rambunctious Jimmy Durante in a series of films, The Passionate Plumber, Speak Easily, and What! No Beer? The latter would be Keaton's last starring feature in his home country. The films proved popular. (Thirty years later, both Keaton and Durante had cameo roles in It's a Mad Mad Mad Mad World, albeit not in the same scenes.)  In the first Keaton pictures with sound, he and his fellow actors would shoot each scene three times: one in English, one in Spanish, and one in either French or German. The actors would phonetically memorize the foreign-language scripts a few lines at a time and shoot immediately after. This is discussed in the TCM documentary Buster Keaton: So Funny it Hurt, with Keaton complaining about having to shoot lousy films not just once, but three times.  Keaton was so demoralized during the production of 1933's What! No Beer? that MGM fired him after the filming was complete, despite the film being a resounding hit. In 1934, Keaton accepted an offer to make an independent film in Paris, Le Roi des Champs-Elysees. During this period, he made another film, in England, The Invader (released in the United States as An Old Spanish Custom in 1936).

Were any of these films critical acclaimed?

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