Question: Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan. It was released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing 11-minute ballad, "Desolation Row".

In May 1965, Dylan returned from his tour of England feeling exhausted and dissatisfied with his material. He told journalist Nat Hentoff: "I was going to quit singing. I was very drained." The singer added, "It's very tiring having other people tell you how much they dig you if you yourself don't dig you."  As a consequence of his dissatisfaction, Dylan wrote 20 pages of verse he later described as a "long piece of vomit". He reduced this to a song with four verses and a chorus--"Like a Rolling Stone". He told Hentoff that writing and recording the song washed away his dissatisfaction, and restored his enthusiasm for creating music. Describing the experience to Robert Hilburn in 2004, nearly 40 years later, Dylan said: "It's like a ghost is writing a song like that ... You don't know what it means except the ghost picked me to write the song."  Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan. The first block, June 15 and June 16, was produced by Tom Wilson and resulted in the single "Like a Rolling Stone". On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance. Four days after Newport, Dylan returned to the recording studio. From July 29 to August 4, he and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston.

Using a quote from the above article, answer the following question: What year was Highway 61 revisited?
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Answer: 1965,

Problem: Miranda was born Maria do Carmo Miranda da Cunha in Varzea da Ovelha e Aliviada, a village in the northern Portuguese municipality of Marco de Canaveses. She was the second daughter of Jose Maria Pinto da Cunha (17 February 1887 - 21 June 1938) and Maria Emilia Miranda (10 March 1886, Rio de Janeiro - 9 November 1971). In 1909, when Miranda was ten months old, her father emigrated to Brazil and settled in Rio de Janeiro, where he opened a barber shop.

Desiring creative freedom, Miranda decided to produce her own film in 1947 and played opposite Groucho Marx in Copacabana. The film's budget was divided into about ten investors' shares. A Texan investor who owned one of the shares sent his brother, David Sebastian (23 November 1907 - 11 September 1990), to keep an eye on Miranda and his interests on the set. Sebastian befriended her, and they began dating.  Miranda and Sebastian married on 17 March 1947 at the Church of the Good Shepherd in Beverly Hills, with Patrick J. Concannon officiating. In 1948 Miranda became pregnant, but miscarried after a show. Although the marriage was brief, Miranda (who was Catholic) did not want a divorce. Her sister, Aurora, said in the documentary Bananas is My Business: "He married her for selfish reasons; she got very sick after she married and lived with a lot of depression". The couple announced their separation in September 1949, but reconciled several months later.  Miranda was discreet, and little is known about her private life. Before she left for the U.S., she had relationships with Mario Cunha, Carlos da Rocha Faria (son of a traditional family in Rio de Janeiro) and Aloysio de Oliveira, a member of the Bando da Lua. In the U.S., Miranda maintained relationships with John Payne, Arturo de Cordova, Dana Andrews, Harold Young, John Wayne, Donald Buka and Carlos Niemeyer. During her later years, in addition to heavy smoking and alcohol consumption, she began taking amphetamines and barbiturates and they took a toll on her health.

when did she die

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Problem: The Undertones are a punk rock/new wave band formed in Derry, Northern Ireland, in 1974. From 1975 to 1983, the Undertones consisted of Feargal Sharkey (vocals), John O'Neill (rhythm guitar, vocals), Damian O'Neill (lead guitar, vocals), Michael Bradley (bass, vocals) and Billy Doherty (drums). Much of the earlier Undertones material drew influence from punk rock and new wave; the Undertones also incorporated elements of rock, glam rock and post-punk into material released after 1979, before citing soul and Motown as the influence for the material released upon their final album. The Undertones released thirteen singles and four studio albums between 1978 and 1983 before Sharkey announced his intention to leave the band in May 1983, citing musical differences as the reason for the break up.

The Undertones formed in Derry, Northern Ireland in 1974. The band members were five friends from Creggan and the Bogside, who originally drew inspiration from such artists as the Beatles, Small Faces and Lindisfarne. The band initially rehearsed cover versions at the home of the guitarists, brothers John and Vincent O'Neill, and in the shed of a neighbour. (In early 1976, before the band had played gigs at any venues, Vincent O'Neill left the band; being replaced by his younger brother Damian.)  Beginning in February 1976 the group, at this stage still unnamed, began playing gigs at various minor local venues, including schools, parish halls and Scout huts, where the band's lead singer, Feargal Sharkey, was a local Scout leader. Sharkey was also responsible for giving the band their first name: at the introduction to a gig at Saint Joseph's Secondary School in Derry on 16 March 1976, Feargal Sharkey was asked the name of the band and quickly replied "The Hot Rods". At a later gig, Sharkey named the band "Little Feat": another name already used by another group.  Later that year, drummer Billy Doherty proposed an alternate name for the group: The Undertones, which Doherty had discovered in a history book. The other members of the band agreed to the proposal.  With the arrival of punk rock in late 1976, the artistic focus of the band changed. Artists such as the Adverts, Sex Pistols, the Buzzcocks and, particularly, the Ramones became major influences on the Undertones.  In addition to being a scout leader, Feargal Sharkey worked as a television repairman and delivery man. The van which Sharkey drove in this employment was used by the Undertones to transport their equipment to and from various venues.

Where did the band mates grow up?

Answer with quotes:
The band members were five friends from Creggan and the Bogside,