input: William Shawcross wrote in his book The Quality of Mercy: Cambodia, Holocaust and Modern Conscience (1984) about Pilger's series of articles about Cambodia in the Daily Mirror during August 1979:  "A rather interesting quality of the articles was their concentration on Nazism and the holocaust. Pilger called Pol Pot 'an Asian Hitler' -- and said he was even worse than Hitler . . . Again and again Pilger compared the Khmer Rouge to the Nazis. Their Marxist-Leninist ideology was not even mentioned in the Mirror, except to say they were inspired by the Red Guards. Their intellectual origins were described as 'anarchist' rather than Communist".  Ben Kiernan, in his review of Shawcross's book, notes that Pilger did compare Pol Pot's Khmer Rouge to Stalin's terror, as well as to Mao's Red Guards. Kiernan notes instances where other writers' comparisons of Pol Pot to Hitler or the Vietnamese to the Nazis are either accepted by Shawcross in his account, or not mentioned.  Shawcross wrote in The Quality of Mercy that "Pilger's reports underwrote almost everything that refugees along the Thai border had been saying about the cruelty of Khmer Rouge rule since 1975, and that had already appeared in the books by the Readers Digest and Francois Ponchaud. Nonetheless, the reaction to the stories in Britain was as if they were something quite new." Oliver Kamm asserted in 2006: "Pilger's documentaries are full of falsehoods. They operate by misdirection, simultaneously denouncing one form of injustice while ignoring or denying others". In Heroes, Pilger disputes Francois Ponchaud and Shawcross's account of Vietnamesse atrocities during the Vietnamese invasion and near famine as being "unsubstantiated". Ponchard had interviewed members of anti-communist groups living in the Thai refugee border camps. According to Pilger, "At the very least the effect of Shawcross's 'expose'" of Cambodian's treatment at the hands of the Vietnamese "was to blur the difference between Cambodia under Pol Pot and Cambodia liberated by the Vietnamese: in truth. a difference of night and day". In his book, Shawcross himself doubted that anyone had died of starvation.

Answer this question "Are there any other interesting aspects about this article?"
output: William Shawcross wrote in his book The Quality of Mercy:

input: In 1987, I.R.S. Records founder and original Wishbone manager Miles Copeland III began a series of albums entitled No Speak, which featured all instrumental music. To launch the label successfully, Copeland needed a big name band that would bring publicity to the project. Copeland approached the four founding members of Wishbone Ash about having the original line-up record an all-instrumental album. For the first time in fourteen years, Andy Powell and Steve Upton joined forces with Martin Turner and Ted Turner to record the album Nouveau Calls, released in February 1988. The original line-up's tour of 1988 was a huge success, as the band played large venues for the first time since the late 1970s. In August 1989, the band released a reunion album with vocals entitled Here to Hear, featuring mainly songs written by Ted and Martin Turner.  In 1990 the band went back into the studio to record the follow-up to Here to Hear. The band were shocked when founding member Upton, the band's drummer for their entire career, announced his retirement from the music industry. They enlisted drummer Robbie France, but replaced him with Ray Weston when it was determined that personal conflicts between France and Martin Turner could not be resolved. Strange Affair was released in May 1991.  Later in 1991, the band decided to continue without founding member Martin Turner, with the bassist/vocalist being replaced by returnee Andy Pyle, who had been in the band years earlier. The band toured throughout 1992/93, releasing the live album The Ash Live in Chicago. 1994 saw the second and final departure of Ted Turner. Following Turner's departure, Pyle and Weston also left the band.

Answer this question "What was special about the series of albums?"
output: all instrumental music. To launch the label successfully, Copeland needed a big name band that would bring publicity to the project. Copeland approached

input: After extensive international touring, the band took a break from performing, appearing only at charity events. They put on shows for the Tiger Woods Foundation and the Breathe Benefit Concert in Los Angeles after Jenkins' mother was diagnosed with breast cancer. During the four-year gap between albums, the band also built a recording studio in 2002 in San Francisco called "Morningwood" Studios. The band wanted to make a studio where they could feel comfortable recording in anticipation for their next album. Both before and after the release of the third album, the band worked for years on an EP entitled Symphony of Decay, though the album was delayed for years and never formally released.  In 2003, the band released Out of the Vein. Two singles were released from the album: "Blinded" and "Crystal Baller." Out of the Vein did not sell as well as its predecessors, with numbers estimated around 500,000 copies as of March 2007. Elektra Records was being absorbed into Atlantic Records at the time, and the only music video created from the album was for the single "Blinded." Due to the merger, the band found themselves without label support; as Jenkins said, "Our record company ceased to exist. The month the record was released, Elektra Records imploded." In May 2004, Warner Music cut Third Eye Blind, along with over 80 other acts, from its roster. While no specific reason was given for Third Eye Blind being cut, Atlantic co-chairman Craig Kallman said the cuts were made to get Atlantic's roster down to an appropriate size where "we can give each of our acts top priority."  It would be over six years after the release of Out of the Vein until the band would release another full-length album. In the meantime, the band did release A Collection in 2006. This album was a collection of songs from the first three albums. Jude Gold, associate editor of Guitar Player Magazine, recognized that the liner notes falsely credited guitarist Tony Fredianelli with the creative work of former guitarist Kevin Cadogan, who was completely omitted from the band's biography included in the liner notes, which state: "As always, the band profited from the musical interplay between Tony Fredianelli, Stephan Jenkins, Arion Salazar and Brad Hargreaves." In regards to this, Gold stated, "It's like saying Guns N' Roses music always profited from the interplay between Axl Rose and guitarist Bucket Head."  In 2006, Salazar left the group. Abe Millett, bassist for Inviolet Row, was added to the band's tour lineup; the band refrained from immediately adding a permanent replacement because they wanted to leave the position vacant in case Salazar desired to return.

Answer this question "When was it released?"
output:
2003,