Problem: Background: Nando Reis (Portuguese pronunciation: ['nadu 'Rejs], born Jose Fernando Gomes dos Reis; January 12, 1963) is a Brazilian musician and producer, best known as the former bassist and one of the lead singers of Brazilian rock band Titas and for his successful solo career, with his own band called Os Infernais. He has also produced a few albums, including some related to Cassia Eller, who has made several significant partnerships with him, and Marisa Monte. In 2012, Nando Reis was listed among the top ten Brazilian artists at the ECAD list of artists who earned the most from copyright in the first semester of that year.
Context: Nando Reis was born in Sao Paulo to Cecilia Leonel and Jose Carlos Galvao Gomes dos Reis. He was given his prename "Jose" just like his brothers, Jose Carlos, the oldest of the children, and Jose Luiz (who is deaf), the younger. His two sisters also shared the same prenames: Maria Cecilia, the older, and Maria Luiza, the youngest of the five, which developed cerebral palsy.  His mother was an acoustic guitar teacher and his father was an engineer. Jose Carlos taught him a little bit of Rock 'n' Roll, showing him Rolling Stones's album Between the Buttons. Maria Cecilia taught him to play the acoustic guitar and took him to a show of Gal Costa and Gilberto Gil.  He was given his first acoustic guitar by his grandmother, at the age of 7, and was taught his first chords by his sister. However, most of his skills were acquired alone, when he learned songs of Caetano Veloso all by himself.  Some friends of Jose Carlos played in a rock band. Once, he took Nando to a small performance at the garage of the bassist house. Impressed with the solos of the guitarist, he asked him to teach him, but he never made it. He also tried the drums, but gave up. He decided then to play the bass guitar, as his attempts to play the electric guitar and the drums failed. Other artists, such as The Beatles, Led Zeppelin and Alice Cooper kept joining his main influences. At the age of eleven, he had classes of classic guitar and harmony with Alexandre ("Maranhao"), a friend of Jose Carlos. His first compositions were all based on poems. Most of them were long, showing his appreciation for long songs.  In 1978, he entered Equipe School. There, he formed a band called "Os Camaroes" (The Shrimps) with some friends, and managed to win a local music festival. When he met Paulo Miklos and Arnaldo Antunes, who took part of the festival, he made the first compositions with what would later become Titas. When the high school was over, he waited three years to pass the Mathematics vestibular. Even though Titas where already planning their first show, the university occupied most of his time. Therefore, he decided to quit it.
Question: Which school did he attend?
Answer: In 1978, he entered Equipe School. There, he formed a band called "Os Camaroes" (The Shrimps) with some friends, and managed to win a local music festival.

Background: John Hoyer Updike (March 18, 1932 - January 27, 2009) was an American novelist, poet, short story writer, art critic, and literary critic. One of only three writers to win the Pulitzer Prize for Fiction more than once (the others were Booth Tarkington and William Faulkner), Updike published more than twenty novels, more than a dozen short-story collections, as well as poetry, art and literary criticism and children's books during his career.
Context: The principal themes in Updike's work are religion, sex, and America as well as death. Often he would combine them, frequently in his favored terrain of "the American small town, Protestant middle class", of which he once said, "I like middles. It is in middles that extremes clash, where ambiguity restlessly rules."  For example, the decline of religion in America is chronicled in In the Beauty of the Lilies (1996) alongside the history of cinema, and Rabbit Angstrom contemplates the merits of sex with the wife of his friend Reverend Jack Eccles while the latter is giving his sermon in Rabbit, Run (1960).  Critics have often noted that Updike imbued language itself with a kind of faith in its efficacy, and that his tendency to construct narratives spanning many years and books--the Rabbit series, the Henry Bech series, Eastwick, the Maples stories--demonstrates a similar faith in the transcendent power of fiction and language. Updike's novels often act as dialectical theological debates between the book itself and the reader, the novel endowed with theological beliefs meant to challenge the reader as the plot runs its course. Rabbit Angstrom himself acts as a Kierkegaardian Knight of Faith.  Describing his purpose in writing prose, Updike himself, in the introduction to his Early Stories: 1953-1975 (2004), wrote that his aim was always "to give the mundane its beautiful due." Elsewhere he famously said, "When I write, I aim my mind not towards New York but towards a vague spot east of Kansas." Some have suggested that the "best statement of Updike's aesthetic comes in his early memoir 'The Dogwood Tree'" (1962): "Blankness is not emptiness; we may skate upon an intense radiance we do not see because we see nothing else. And in fact there is a color, a quiet but tireless goodness that things at rest, like a brick wall or a small stone, seem to affirm."
Question: Did he have any issue with the court system?
Answer: