Some context: Tool is an American rock band from Los Angeles, California. Formed in 1990, the group's line-up includes drummer Danny Carey, guitarist Adam Jones, and vocalist Maynard James Keenan. Justin Chancellor has been the band's bassist since 1995, replacing their original bassist Paul D'Amour. Tool has won three Grammy Awards, performed worldwide tours, and produced albums topping the charts in several countries.
The following year, at a time when alternative rock and grunge was at its height, Tool released their first full-length album, Undertow (1993). It expressed more diverse dynamics than Opiate and included songs the band had chosen not to publish on their previous release, when they had opted for a heavier sound. The band began touring again as planned, with an exception in May 1993. Tool was scheduled to play at the Garden Pavilion in Hollywood but learned at the last minute that the venue belonged to L. Ron Hubbard's Church of Scientology, which was perceived as a clash with "the band's ethics about how a person should not follow a belief system that constricts their development as a human being." Keenan "spent most of the show baa-ing like a sheep at the audience."  Tool later played several concerts during the Lollapalooza festival tour, and were moved from the second stage to the main stage by their manager and the festival co-founder Ted Gardner. At the last concert of Lollapalooza in Tool's hometown Los Angeles, comedian Bill Hicks introduced the band. Hicks had become a friend of the band members and an influence on them after being mentioned in Undertow's liner notes. He jokingly asked the audience of 10,000 people to stand still and help him look for a lost contact lens. The boost in popularity gained from these concerts helped Undertow to be certified gold by the RIAA in September 1993 and to achieve platinum status in 1995, despite being sold with a censored album cover by distributors such as Wal-Mart. The single "Sober" became a hit single by March 1994 and won the band Billboard's "Best Video by a New Artist" award for the accompanying stop motion music video.  With the release of Tool's follow-up single "Prison Sex", the band again became the target of censorship. The song's lyrics and video dealt with child abuse, which sparked controversial reactions; Keenan's lyrics begin with: "It took so long to remember just what happened. I was so young and vestal then, you know it hurt me, but I'm breathing so I guess I'm still alive ... I've got my hands bound and my head down and my eyes closed and my throat wide open." The video was created primarily by guitarist Adam Jones, who saw it as his "surrealistic interpretation" of the subject matter. And while some contemporary journalists praised the video and described the lyrics as "metaphoric", the American branch of MuchMusic asked Keenan to represent the band in a hearing. It deemed the music video too graphic and obscene, and MTV stopped airing it after a few showings.  In September 1995, the band started writing and recording their second studio album. At that time Tool experienced its only lineup change to date, with bassist D'Amour leaving the band amicably to pursue other projects. Justin Chancellor, a member of former tourmates Peach, eventually replaced D'Amour, having been chosen over competitors such as Kyuss's Scott Reeder, Filter's Frank Cavanaugh, Pigmy Love Circus's E. Shepherd Stevenson, Jane's Addiction's Eric Avery and ZAUM's Marco Fox.
why did they become a target?
A: The song's lyrics and video dealt with child abuse, which sparked controversial reactions;
Some context: Kasem was born in Detroit, Michigan, on April 27, 1932, to Lebanese Druze immigrant parents, who had settled in Michigan, where they worked as grocers. Kasem was named after Turkish leader Mustafa Kemal Ataturk, a man Kasem said his father respected. In the 1940s, "Make Believe Ballroom" reportedly inspired Kasem to follow a career in radio and later host a national radio hits countdown show. Kasem received his first experience in radio covering sports at Northwestern High School in Detroit.
On July 4, 1970, Kasem, along with Don Bustany, Tom Rounds, and Ron Jacobs, launched the weekly radio program American Top 40 (AT40). At the time, top 40 radio was on the decline as DJs preferred to play album-oriented progressive rock. Loosely based on the TV program Your Hit Parade, the show counted down from #40 on the pop charts to #1--the first #1 was Three Dog Night's "Mama Told Me (Not to Come)"--based on the Billboard Hot 100 each week. The show, however, was not just about the countdown. Kasem mixed in biographical information about the artists, flashback, and "long-distance dedication" segments where he read letters written by listeners to dedicate songs of their choice to far away loved ones. He often included trivia facts about songs he played and artists whose work he showcased. Frequently, he mentioned a trivia fact about an unnamed singer before a commercial break, then provided the name of the singer after returning from the break. Kasem ended the program with his signature sign-off, "Keep your feet on the ground and keep reaching for the stars."  The show debuted on seven stations, but on the back of Kasem's "always friendly and upbeat" baritone voice it soon went nationwide. In October 1978, the show expanded from three hours a week to four. American Top 40's success spawned several imitators including a weekly half-hour music video television show, America's Top 10, hosted by Kasem himself. "When we first went on the air, I thought we would be around for at least 20 years," he later remarked. "I knew the formula worked. I knew people tuned in to find out what the No. 1 record was." Due to his great knowledge of music, Kasem became known as not just a disc jockey, but also a music historian.  In 1971, Kasem provided the character voice of Peter Cottontail in the Rankin/Bass production of Here Comes Peter Cottontail. In the same year, he appeared in the low-budget film The Incredible 2-Headed Transplant, in what was probably his best remembered acting role. From 1973 until 1985, he voiced Robin on several SuperFriends franchise shows. In 1980, he voiced Merry in The Return of the King. He also voiced Alexander Cabot III on Josie and the Pussycats and Josie and the Pussycats in Outer Space, and supplied a number of voices for Sesame Street.  In the late 1970s, Kasem portrayed an actor who imitated Columbo in the Hardy Boys/Nancy Drew Mysteries two-part episode "The Mystery of the Hollywood Phantom." He portrayed a golf commentator in an episode of Charlie's Angels titled "Winning is for Losers", and appeared on Police Story, Quincy, M.E., and Switch. In 1977 he was initially hired as the narrator for the ABC sitcom Soap, but quit after the pilot episode due to the content. Rod Roddy took his place on the program. In 1984, Kasem made a cameo in Ghostbusters, reprising his role as the host of American Top 40. For a period in the late 1970s, Kasem was also the staff announcer for the NBC television network.
Did he have a lot of voice acting roles?
A:
In the same year, he appeared in the low-budget film The Incredible 2-Headed Transplant, in what was probably his best remembered acting role.