input: Wladyslaw Gomulka was born on 6 February 1905 in Bialobrzegi Franciszkanskie village on the outskirts of Krosno, into a worker's family living in the Austrian Partition (the Galicia region). His parents had met and married in the United States, where each had emigrated in search of work in the late 19th century, but returned to occupied Poland in the early 20th century because Wladyslaw's father Jan was unable to find gainful employment in America. Jan Gomulka then worked as a laborer in the Subcarpathian oil industry. Wladyslaw's older sister Jozefa, born in the US, returned there upon turning eighteen to join her extended family, most of whom had emigrated, and to preserve her US citizenship. Wladyslaw and his two other siblings experienced a childhood of the proverbial Galician poverty: they lived in a dilapidated hut and ate mostly potatoes. Wladyslaw received only rudimentary education before being employed in the oil industry of the region.  Gomulka attended schools in Krosno for six or seven years, until the age of thirteen, when he had to start an apprenticeship in a metalworks shop. Throughout his life Gomulka was an avid reader and accomplished a great deal of self-education, but remained a subject of jokes because of his lack of formal education and demeanor.  In 1922, Gomulka passed his apprenticeship exams and began working at a local refinery. The re-established Polish state of Gomulka's teen years was a scene of growing political polarization and radicalization. The young worker developed connections with the radical Left, joining the Sila (Power) youth organization in 1922 and the Independent Peasant Party in 1925. Gomulka was known for his activism in the metal workers and, from 1922, chemical industry unions. He was involved in union-organized strikes and in 1924, during a protest gathering in Krosno, participated in a polemical debate with Herman Lieberman. He published radical texts in leftist newspapers. In May 1926 the young Gomulka was for the first time arrested, but soon released because of worker demands. The incident was the subject of a parliamentary intervention by the Peasant Party. In October 1926, Gomulka became a secretary of the managing council in the Chemical Industry Workers Union for the Drohobych District and remained involved with that communist-dominated union until 1930. He around this time learned on his own basic Ukrainian.

Answer this question "Where was he born?"
output: in Bialobrzegi Franciszkanskie village on the outskirts of Krosno,

input: Questions arose among listeners: what did Billie Joe and his girlfriend throw off the Tallahatchie Bridge, and why did Billie Joe commit suicide? Speculation ran rampant after the song hit the airwaves. Gentry said in a November 1967 interview that it was the question most asked of her by everyone she met. She named flowers, an engagement ring, a draft card, a bottle of LSD pills, and an aborted baby as the most often guessed items. Although she knew definitely what the item was, she would not reveal it, saying only "Suppose it was a wedding ring."  "It's in there for two reasons," she said. "First, it locks up a definite relationship between Billie Joe and the girl telling the story, the girl at the table. Second, the fact that Billie Joe was seen throwing something off the bridge - no matter what it was - provides a possible motivation as to why he jumped off the bridge the next day."  When Herman Raucher met Gentry in preparation for writing a novel and screenplay based on the song, she said that she had no idea why Billie Joe killed himself. Gentry has, however, commented elsewhere on the song, saying that its real theme was indifference:  Those questions are of secondary importance in my mind. The story of Billie Joe has two more interesting underlying themes. First, the illustration of a group of people's reactions to the life and death of Billie Joe, and its subsequent effect on their lives, is made. Second, the obvious gap between the girl and her mother is shown when both women experience a common loss (first Billie Joe, and later, Papa), and yet Mama and the girl are unable to recognize their mutual loss or share their grief.  The bridge mentioned in this song collapsed in June 1972. It crossed the Tallahatchie River at Money, about ten miles (16 km) north of Greenwood, Mississippi, and has since been replaced. The November 10, 1967, issue of Life Magazine contained a photo of Gentry crossing the original bridge.

Answer this question "Are there any other interesting aspects about this article?"
output: The story of Billie Joe has two more interesting underlying themes.

input: During the comeback portion of his career, Phoenix went back to his given name Joaquin and was often cast in supporting roles as conflicted, insecure characters with a dark side. In 1995, he co-starred in To Die For, as the disturbed young man Jimmy who gets seduced by Suzanne Stone (Nicole Kidman) to commit murder. Directed by Gus Van Sant, the film was screened out of competition at the 1995 Cannes Film Festival and became a financial and critical success, resulting in a domestic box office total of $21 million. New York Times critic Janet Maslin praised Phoenix's performance, writing "So pity poor Jimmy. Rivetingly played by Mr. Phoenix with a raw, anguished expressiveness that makes him an actor to watch for, Jimmy is both tempted and terrified by Suzanne's slick amorality. In that, he speaks for us all."  In 1997, Phoenix played a small-town troublemaker in Oliver Stone's U Turn, and a poor man in love with a rich woman in Inventing the Abbotts. The films were received with mostly mixed and negative reviews, respectively, and neither performed well at the box office.  The following year, Phoenix starred in Clay Pigeons (1998) as a young man in a small town who befriends a serial killer. Budgeted at $8 million, the film became a box office flop, grossing only $1 million and was, like Phoenix's previous projects, not well received by critics.  In his next film, 8mm (1999), Phoenix co-starred as an adult video store employee who helps Tom Welles (Nicolas Cage) penetrate the underworld of illegal pornography. The film turned out be a box office success, grossing $96 million worldwide, but found few admirers among critics.

Answer this question "Why did Phoenix have to make a return to acting?"
output:
Phoenix went back to his given name Joaquin and was often cast in supporting roles as conflicted, insecure characters with a dark side.