Problem: Anthony David McPartlin  (born 18 November 1975) is an English television presenter, producer and actor. He is best known for working alongside Declan Donnelly as part of the presenting duo Ant & Dec. McPartlin came to prominence, alongside Donnelly, in the children's drama series Byker Grove, with both men establishing successful careers as television presenters, in which they are most known for presenting SMTV Live (between 1998-2001), I'm a Celebrity...Get Me Out of Here!

McPartlin's first appearance on television was on the children's workshop programme Why Don't You?, but his big break came when he rose to prominence playing the character of PJ in the CBBC series Byker Grove. It was during his time on the programme that he first met Declan Donnelly, who was cast in the part of Duncan. The pair formed a close friendship on the programme, both socially and professionally, with the men performing as their characters until their departure from the programme in 1993. During their tenure, the pair created a number of hit records under the label of "PJ & Duncan AKA", including the song "Tonight I'm Free" that had been performed on Byker Grove.  From that part onwards, McPartlin and Donnely worked together on television, creating the presenting duo of Ant & Dec. Initially, the pair continued to work in children's television with the Saturday morning hit SMTV Live, before they eventually branched out into gameshows - Friends Like These, PokerFace and Push the Button - along with talent shows - Pop Idol, and Britain's Got Talent - and entertainment programmes - I'm a Celebrity... Get Me Out of Here!, and Ant & Dec's Saturday Night Takeaway. The pair continued to maintain work in acting, starring in a tribute to The Likely Lads, in the form of a remake of an episode from the show's sequel Whatever Happened to the Likely Lads? entitled "No Hiding Place". In 2006, McPartlin and Donnelly starred together in the film Alien Autopsy.  In 2007, it was discovered that two shows, Ant & Dec's Gameshow Marathon and Ant & Dec's Saturday Night Takeaway, which he co-presented with Donnelly, had defrauded viewers participating in phone-ins. The latter was produced by the pair's own production company.  In April 2009, Ant & Dec achieved wide international exposure when, as backstage commentators for Britain's Got Talent, they interviewed contestant Susan Boyle, whose audition would become the most viewed YouTube video of the year and whose record album topped sales charts in dozens of countries.

Did they achieve anything together?

Answer with quotes: with the men performing as their characters until their departure from the programme in 1993.

Question:
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836-1911) and the composer Arthur Sullivan (1842-1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known. Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion--fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray. Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos.
Sullivan was born in London on 13 May 1842. His father was a military bandmaster, and by the time Arthur had reached the age of eight, he was proficient with all the instruments in the band. In school he began to compose anthems and songs. In 1856, he received the first Mendelssohn Scholarship and studied at the Royal Academy of Music and then at Leipzig, where he also took up conducting. His graduation piece, completed in 1861, was a suite of incidental music to Shakespeare's The Tempest. Revised and expanded, it was performed at the Crystal Palace in 1862 and was an immediate sensation. He began building a reputation as England's most promising young composer, composing a symphony, a concerto, and several overtures, among them the Overture di Ballo, in 1870.  His early major works for the voice included The Masque at Kenilworth (1864); an oratorio, The Prodigal Son (1869); and a dramatic cantata, On Shore and Sea (1871). He composed a ballet, L'Ile Enchantee (1864) and incidental music for a number of Shakespeare plays. Other early pieces that were praised were his Symphony in E, Concerto for Cello and Orchestra, and Overture in C (In Memoriam) (all three of which premiered in 1866). These commissions, however, were not sufficient to keep Sullivan afloat. He worked as a church organist and composed numerous hymns, popular songs, and parlour ballads.  Sullivan's first foray into comic opera was Cox and Box (1866), written with librettist F. C. Burnand for an informal gathering of friends. Public performance followed, with W. S. Gilbert (then writing dramatic criticism for the magazine Fun) saying that Sullivan's score "is, in many places, of too high a class for the grotesquely absurd plot to which it is wedded." Nonetheless, it proved highly successful, and is still regularly performed today. Sullivan and Burnand's second opera, The Contrabandista (1867) was not as successful.
Answer this question using a quote from the text above:

When was he born?

Answer:
13 May 1842.