IN: Dean Edwards Smith (February 28, 1931 - February 7, 2015) was an American men's college basketball head coach. Called a "coaching legend" by the Basketball Hall of Fame, he coached for 36 years at the University of North Carolina at Chapel Hill. Smith coached from 1961 to 1997 and retired with 879 victories, which was the NCAA Division I men's basketball record at that time.

Smith next served a stint in the United States Air Force in Germany, later working as a head coach of United States Air Force Academy's baseball and golf teams. Yet, Smith's big break would come in the United States. In 1958, North Carolina coach Frank McGuire asked Smith to join his staff as an assistant coach. Smith served under McGuire for three years until 1961, when McGuire was forced to resign by Chancellor William Aycock in the wake of a major recruiting scandal, and consequently, an NCAA mandated probation. Aycock told WNCN that McGuire told him he was leaving on a Saturday, and Aycock called in Smith and hired him later on that day.  Smith's elevation occurred amid rumors of a point shaving scandal involving UNC players. Smith was told that wins and losses didn't matter as much as running a clean program and representing the university well.  The Atlantic Coast Conference (ACC) had canceled the Dixie Classic, an annual basketball tournament in Raleigh, North Carolina, due to a national point-shaving scandal including a North Carolina player (Lou Brown). As a result of the scandal, North Carolina de-emphasized basketball by cutting their regular-season schedule. In Smith's first season, North Carolina played only 17 games and went 8-9. This was the only losing season he endured during his career. In 1965, he was famously hanged in effigy on the university campus following a disappointing loss to Wake Forest. After that game, UNC would win nine of their last eleven games, and Smith would subsequently go on to turn the program into a consistent success. From 1965-66 onward, Smith's teams never finished worse than tied for third in the ACC. For the first 21 of those years, they did not finish worse than a tie for second. By comparison, during that time the ACC's other charter members each finished last at least once.  His first major successes came in the late 1960s, when his teams won consecutive regular-season and ACC tournament championships, and went to three straight Final Fours. However, this run occurred in the middle of UCLA's stretch of 10 titles in 12 years, and in fact Smith lost to UCLA's John Wooden in the 1968 title game.
QUESTION: Was the team successful?
IN: Labelle is an American all-female singing group who were a popular vocal group of the 1960s and 1970s. The group was formed after the disbanding of two rival girl groups in the Philadelphia/Trenton areas, the Ordettes and the Del-Capris, forming as a new version of the former group, later changing their name to The Blue Belles (later Bluebelles). The founding members were Patti LaBelle (formerly Patricia Holt), Cindy Birdsong, Nona Hendryx and Sarah Dash. As The Bluebelles, and later Patti LaBelle and the Bluebelles, the group found success with ballads in the doo-wop genre, most notably "Down the Aisle (The Wedding Song)", "You'll Never Walk Alone" and "Over the Rainbow".

In 1959, a fifteen-year-old teenager, Patricia "Patti" Holt won her first talent contest in high school. Following this, she sought to form her own singing group the following year called the Ordettes. Holt formed the group with singers Jean Brown, Yvonne Hogen and Johnnie Dawson. The group gained a local following. Dawson was eventually replaced by Sundray Tucker. By 1961, Jean Brown and Yvonne Hogan had ditched the group to get married and Patti and Sundray carried on as soloists.  Later in 1961, Patti and Sundray's manager Bernard Montague contacted two singers from the Trenton, NJ singing group the Del-Capris, Nona Hendryx and Sarah Dash. Eventually Hendryx and Dash became official replacements for Brown and Hogan as the Ordettes. The group soon began working diligently by musician Morris Bailey. Bailey and Montague's schedule led to Tucker's parents to disband her from the group. Eventually, another singer, Cindy Birdsong, from Camden, New Jersey, was allowed to join the group after an audition, under the advice of Patti. The group soon toured the chitlin' circuit, gaining a following in the eastern U.S.  In 1962, Chicago-based group The Starlets had traveled to Philadelphia to do sessions for producer Bobby Martin and record label owner Harold Robinson, president of Newtown Records. One of the sessions included a cover of the standard, "I Sold My Heart to the Junkman". At the time of the song's release, the group had a hit with the song "Better Tell Him No" and were unable to promote the song due to them being signed to another label. The song was credited under the name "The Blue Belles". The Ordettes auditioned by singing the song. Before hearing the group, Robinson turned them down due to being unimpressed with Patti's looks but upon hearing Patti singing, he changed his mind and signed the group to Newtown.  When "I Sold My Heart" became popular, Robinson sent the Ordettes to promote it under the assumed name of the Blue Belles. After a televised performance at American Bandstand featuring the Ordettes, the Starlets' manager sued Harold Robinson and Bobby Martin. Around the same time, Robinson was also sued for having another group use the name "Blue Belles". Following the aftermath of the ordeals, Robinson gave Patti Holt a new name, "Patti LaBelle", and the group's name was rechristened as "Patti LaBelle and The Blue Belles".
QUESTION: Were there any other members along the way?
IN: Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz pianist/electric keyboardist and composer. His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.

In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers.
QUESTION:
What songs did they duet to?