Answer the question at the end by quoting:

Edward de Vere, 17th Earl of Oxford (; 12 April 1550 - 24 June 1604) was an English peer and courtier of the Elizabethan era. Oxford was heir to the second oldest earldom in the kingdom, a court favourite for a time, a sought-after patron of the arts, and noted by his contemporaries as a lyric poet and court playwright, but his reckless and volatile temperament precluded him from attaining any courtly or governmental responsibility and contributed to the dissipation of his estate. Since the 1920s he has been among the most popular alternative candidates proposed for the authorship of Shakespeare's works.
De Vere was born heir to the second oldest earldom in England at the de Vere ancestral home, Hedingham Castle, in Essex, north-east of London. He was the only son of John de Vere, 16th Earl of Oxford, and his second wife, Margery Golding. He was probably named to honour Edward VI, from whom he received a gilded christening cup. He had an older half-sister, Katherine, the child of his father's first marriage to Dorothy Neville, and a younger sister, Mary de Vere. Both his parents had established court connections: the 16th Earl accompanying Princess Elizabeth from house arrest at Hatfield to the throne, and the countess being appointed a maid of honour in 1559.  De Vere was styled Viscount Bulbeck and raised in the Protestant reformed faith. Like many children of the nobility, he was raised by surrogate parents, in his case in the household of Sir Thomas Smith. At eight he entered Queens' College, Cambridge, as an impubes, or immature fellow-commoner, later transferring to St John's. Thomas Fowle, a former fellow of St John's College, Cambridge, was paid PS10 annually as de Vere's tutor.  His father died on 3 August 1562, shortly after making his will. Because he held lands from the Crown by knight service, his son became a royal ward of the Queen and was placed in the household of Sir William Cecil, her secretary of state and chief advisor. At 12, de Vere had become the 17th Earl of Oxford, Lord Great Chamberlain of England, and heir to an estate whose annual income, though assessed at approximately PS2,500, may have run as high as PS3,500 (PS1.08 million as of 2018).

when did he marry?





Answer the question at the end by quoting:

The Colbert Report () is an American late-night talk and news satire television program hosted by Stephen Colbert that aired four days a week on Comedy Central from October 17, 2005 to December 18, 2014 for 1,447 episodes. The show focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character, described by Colbert as a "well-intentioned, poorly informed, high-status idiot", is a caricature of televised political pundits. Furthermore, the show satirized conservative personality-driven political talk programs, particularly Fox News's The O'Reilly Factor.
Reviews of The Colbert Report upon its 2005 premiere were positive, although critics were generally skeptical that the character could extend beyond one season without growing tiresome. While positively reviewing the program as a whole, Maureen Ryan of the Chicago Tribune echoed these sentiments: "The biggest question hanging over The Colbert Report is whether the show's sendup of the pomposity and fear-mongering of cable news blowhards will be as appealing in the long term." Melanie McFarland of the Seattle Post-Intelligencer summarized the show's early reaction: "Critics and bloggers either loved the premiere or declared themselves to be unmoved, but that's the standard reaction after any late-night program's debut. A truer measure will be seen in coming weeks, after the hype wears off and the ratings lose their exuberance."  Gilbert Cruz of Entertainment Weekly noted that "Colbert proves that the line between serious TV journalism and utter nonsense is a very thin one indeed." Heather Havrilesky of Salon was effusive, remarking, "Not only does Colbert maintain his persona without skipping a beat throughout the entire show, but he's got great comic timing, the show's writers are brilliant, and the whole thing is pure foolish, bizarre, idiotic fun." Barry Garron of The Hollywood Reporter dubbed it an "auspicious debut", writing, "The new show dovetails nicely with its lead-in to present a solid hour of skewered news and punctured pomposity." Variety's Brian Lowry commented that the show had an "impressive start with a topnotch premiere followed by a respectable second outing." Paul Brownfield of the Los Angeles Times wrote, "In the run-up to the show it all sounded a bit hard to get your head around, but in the flesh the show zinged, at least this first week."  The Boston Globe's Matthew Gilbert praised the show's wordplay, summarizing, "Colbert's a clever creation, and a necessary one, and he deserves an opportunity to offend as many people as possible with his pompous blather." Alessandra Stanley of The New York Times commented that the show was a welcome addition to the Comedy Central lineup, remarking, "What puts Mr. Colbert over the top is that he is not just impersonating well known television personalities, he also uses parody to score larger points about politics and the press." Nevertheless, there were more negative reviews: USA Today's Robert Bianco opined that the show "tried too hard", writing, "Unfortunately, in just two weeks on the air, this half-hour spoof of a no-spin-zone type show has already stretched Colbert's character and the artifice that supports it past its natural breaking point."

What other good reviews did he get?
"Not only does Colbert maintain his persona without skipping a beat throughout the entire show, but he's got great comic timing, the show's writers are brilliant,