input: Foster's first project of the new decade was Keith Gordon's film Waking the Dead (2000), which she produced. She declined to reprise her role as Clarice Starling in Hannibal (2001), with the part going instead to Julianne Moore, and concentrated on a new directorial project, Flora Plum. It was to focus on a 1930s circus and star Claire Danes and Russell Crowe, but had to be shelved after Crowe was injured on set and could not complete filming on schedule; Foster unsuccessfully attempted to revive the project several times in the following years. Controversially, she also expressed interest in directing and starring in a biopic of Nazi film director Leni Riefenstahl, who did not like the idea. In addition to these setbacks, Foster shut down Egg Pictures in 2001, stating that producing was "just a really thankless, bad job". The company's last production, The Dangerous Lives of Altar Boys, premiered at the Sundance Film Festival in January 2002. It received good reviews, and had a limited theatrical release in the summer.  After the cancellation of Flora Plum, Foster took on the main role in David Fincher's thriller Panic Room after its intended star, Nicole Kidman, had to drop out due to an injury on set. Before filming resumed, Foster was given only a week to prepare for the role of a woman who moves with her daughter to a house fitted with a panic room, which they have to use on their first night due to a home invasion. It grossed over $30 million on its North American opening weekend in March 2002, thus becoming the most successful film opening of Foster's career as of 2015. In addition to being a box office success, the film also received largely positive reviews.  After a minor appearance in the French period drama A Very Long Engagement (2004), Foster starred in three more thrillers. The first was Flightplan (2005), in which she played a woman whose daughter vanishes during an overnight flight. It became a global box office success, but received mainly negative reviews. It was followed by Spike Lee's critically and commercially successful Inside Man (2006), about a bank heist on Wall Street, which co-starred Denzel Washington and Clive Owen. The third thriller, The Brave One (2007), prompted some comparisons to Taxi Driver, as Foster played a New Yorker who becomes a vigilante after being seriously injured and losing her fiance and dog in a random street attack. It was not a success, but earned Foster her sixth Golden Globe nomination. Her last film role of the decade was in the children's adventure film Nim's Island (2008), in which she portrayed an agoraphobic writer opposite Gerard Butler and Abigail Breslin. It was the first comedy that she had starred in since Maverick (1994), and was a commercial success but a critical failure. In 2009, she provided the voice for Maggie in a tetralogy episode of The Simpsons titled "Four Great Women and a Manicure".

Answer this question "What problems did Jodie Foster encounter in 2000?"
output: on a new directorial project, Flora Plum. It was to focus on a 1930s circus and star Claire Danes and Russell Crowe,

input: York was born and raised in Glasgow, Scotland, as Robert Millar. At one time destined for a career as a factory engineer, York attended Shawlands Academy in the south of the city. In 2017, York revealed that she had first felt "different" aged five, but was unaware that this difference came from discomfort with her gender.  She initially began riding for Glenmarnock Wheelers cycling club and quickly established herself as a leading amateur road racing rider. As Robert Millar, she was a relatively small man meaning she had comparatively less weight to carry uphill and she excelled as a specialist hill and mountain cyclist. She won the Scottish junior title in 1976 and was Scottish hill-climb champion the following year. In 1978, York established herself on the British scene. She was twenty-first in the Milk Race, and won the British amateur road race championship. She moved to France in 1979 to join the Athletic Club de Boulogne Billancourt (A.C.B.B.), one of Europe's top amateur teams. York was as ever focused and quickly began winning races such the Grand Prix de la Ville de Lillers. This success brought her the admiration of her A.C.B.B. manager Claude Escalon.  In 1979, after retaining her British road title, taking fourth place in the world amateur road championship, claiming five wins in France and winning the French 'Best Amateur' Trophy, she turned professional for the Peugeot cycling team, and as a climbing specialist focused on single-day road races and stage races in hilly or mountainous terrain. York was happy to travel abroad and wasn't homesick. As Millar, she married a French woman and lived with her in France.

Answer this question "What else did she win?"
output:
Grand Prix de la Ville de Lillers.