Some context: Big Star was an American rock band formed in Memphis, Tennessee, in 1971 by Alex Chilton, Chris Bell, Jody Stephens, and Andy Hummel. The group broke up in 1974, and reorganized with a new line-up nearly 20 years later. In its first era, the band's musical style drew on the vocal harmonies of the Beatles, as well as the swaggering rhythms of the Rolling Stones and the jangling guitars of the Byrds. To the resulting power pop, Big Star added dark, existential themes, and produced a style that foreshadowed the alternative rock of the 1980s and 1990s.
Three months after Chilton's death, Hummel died of cancer on July 19, 2010. Asked about the band's plans after the death of Chilton and Hummel, Stephens told Billboard, "It's music we all really love to play, and we love to play it together, so we're trying to figure out a way forward where we can keep doing it." In a Rolling Stone interview, Stephens said that the May 2010 tribute performance would be the group's final show as Big Star, although not his last show with Auer and Stringfellow, stating, "I can't see us going out as Big Star ... But I would hate to compound the loss of Alex by saying,'That's it' for Ken and Jon, too. I can't imagine not playing with them. There's so much fun--but an emotional bond there too."  In December 2010, under the billing "Big Star's Third", Stephens teamed with Mitch Easter, Stamey, and Mills, along with a string section, to perform a live tribute performance of Big Star's album Third/Sister Lovers in Chapel Hill, North Carolina. Joined by additional performers such as Matthew Sweet, Big Star's Third was performed in a similar tribute concert in New York City on March 26, 2011, and at the Barbican in London on May 28, 2012. The project continued with concerts in Chicago and New York in 2013, a January 2014 concert in Sydney, Australia, and a series of U.S. shows that included Seattle's Bumbershoot festival on August 31, 2014. In November 2014, Auer and Stringfellow rejoined Stephens, Easter, Stamey, and Mills for a free benefit performance in Athens, Georgia. As of 2017, Big Star's Third continues to perform.  On April 21, 2017, Concord Records released a Big Star's Third live concert documentary on two DVDs, along with a three-CD live album, both titled Thank You, Friends: Big Star's Third Live... and More. The concert was performed in April 2016 at Glendale, California's Alex Theatre.
Was the documentary successful?
A: 
Some context: Ani DiFranco (; born Angela Maria DiFranco; September 23, 1970) is an American singer, multi-instrumentalist, poet, songwriter, and feminist icon. She has released more than 20 albums. DiFranco has received positive feedback from critics for much of her career. Although DiFranco's music has been classified as folk rock and alternative rock she has added punk, funk, hip hop and jazz influences.
Ani cites her anti-corporate ethos for the main reason she decided to start her own label. This has allowed her a considerable degree of creative freedom over the years, including, for example, providing all instrumentals and vocals and recording the album herself at her home on an analog 8-track reel to reel, and handling much of the artwork and packaging design for her 2004 album Educated Guess. She has referenced this independence from major labels in song more than once, including "The Million You Never Made" (Not a Pretty Girl), which discusses the act of turning down a lucrative contract, "The Next Big Thing" (Not So Soft), which describes an imagined meeting with a label head-hunter who evaluates the singer based on her looks, and "Napoleon" (Dilate), which sympathizes sarcastically with an unnamed friend who did sign with a label.  The business grew organically starting in 1990 with the first cassette tape. Connections were made when women in colleges started duplicating and sharing tapes. Offers to play at colleges started coming in and her popularity grew largely by word of mouth and through women's groups or organizations. Zango and Goldenrod, two music distributors specializing in women's music, started carrying DiFranco's music. In general they sold music to independent music stores and women's book stores. In 1995 Righteous Babe Records signed with Koch International for DiFranco's release of Not a Pretty Girl. Her records could then be found in large and small record stores alike.  DiFranco has occasionally joined with Prince in discussing publicly the problems associated with major record companies. Righteous Babe Records employs a number of people in her hometown of Buffalo. In a 1997 open letter to Ms. magazine she expressed displeasure that what she considers a way to ensure her own artistic freedom was seen by others solely in terms of its financial success.
What type of connections were made with those women?
A:
Offers to play at colleges started coming in and her popularity grew largely by word of mouth and through women's groups or organizations.