Answer the question at the end by quoting:

Mary Kay Bergman was born on June 5, 1961, in Los Angeles. She was the only child of musicians David "Dave" Bergman and Patricia Paris "Pat" McGowan. She grew up around the corner from the home of Adriana Caselotti, the original voice of Snow White. Her parents performed as a singing duo at lounges and clubs in Reno and Las Vegas and in Los Angeles.
Bergman worked on over 400 television commercials, including the voice of Mrs. Butterworth in Mrs. Butterworth's syrup commercials. She had roles in many Disney films, including Beauty and the Beast, as the Bimbettes, The Hunchback of Notre Dame, as Quasimodo's mother, Hercules, as several female characters, Mulan, as the female ancestors, and the posthumously released Toy Story 2, where she provided the yodeling for Joan Cusack's Jessie the Yodeling Cowgirl, as well as the voice of Jessie for the line of Toy Story 2 talking toys and games. Her video games roles included The Curse of Monkey Island and the English version of Tenchu 2: Birth of the Stealth Assassins.  She worked on other series including Jay Jay the Jet Plane, Oh Yeah! Cartoons, The Fairly OddParents, and several female voices in The Tick animated series. She also provided the voice of Gwen Stacy in the final episode of Spider-Man. Bergman voiced the Scooby-Doo character Daphne Blake in Scooby-Doo on Zombie Island (1998), Scooby-Doo! and the Witch's Ghost (1999) and Scooby-Doo and the Alien Invaders (2000), this last one being a posthumous release and final film role, dedicated to her. Bergman's other film role was in Balto II: Wolf Quest (2002) released three years after her death, in which she voiced a vixen and a wolverine.  Bergman contributed vocals to the "Weird Al" Yankovic song "Pretty Fly for a Rabbi", alongside Tress MacNeille. Al stated:  Originally I had Mary Kay come in to sing the whole song. I basically wanted her to do the voice of Kyle's mom from South Park. Her agent wouldn't let her do it (thinking that it might get her in trouble with Comedy Central)--so Mary Kay wound up doing kind of a squeaky voice instead. Later, I decided that the "squeaky voice" thing really wasn't what I was looking for, so I called in my old friend Tress to do her Fran Drescher impersonation instead. The part that you can still hear Mary Kay on is the line in the middle of the song where she does the very Gentile-sounding "for a Rab-bi...".

Are there any other interesting aspects about this article?

Bergman contributed vocals to the "Weird Al" Yankovic song "Pretty Fly for a Rabbi", alongside Tress MacNeille. Al stated:

IN: The Black Seminoles are black Indians associated with the Seminole people in Florida and Oklahoma. They are the descendants of free blacks and of escaped slaves (called maroons) who allied with Seminole groups in Spanish Florida. Historically, the Black Seminoles lived mostly in distinct bands near the Native American Seminole. Some were held as slaves of particular Seminole leaders; but they had more freedom than did slaves held by whites in the South and by other Native American tribes, including the right to bear arms.

The Black Seminole culture that took shape after 1800 was a dynamic mixture of African, Native American, Spanish, and slave traditions. Adopting certain practices of the Native Americans, maroons wore Seminole clothing and ate the same foodstuffs prepared the same way: they gathered the roots of a native plant called coontie, grinding, soaking, and straining them to make a starchy flour similar to arrowroot, as well as mashing corn with a mortar and pestle to make sofkee, a sort of porridge often used as a beverage, with water added-- ashes from the fire wood used to cook the sofkee were occasionally added to it for extra flavor. They also introduced their Gullah staple of rice to the Seminole, and continued to use it as a basic part of their diets. Rice remained part of the diet of the Black Seminoles who moved to Oklahoma.  Initially living apart from the Native Americans, the maroons developed their own unique African-American culture, based in the Gullah culture of the Lowcountry. Black Seminoles inclined toward a syncretic form of Christianity developed during the plantation years. Certain cultural practices, such as "jumping the broom" to celebrate marriage, hailed from the plantations; other customs, such as some names used for black towns, reflected African heritage.  As time progressed, the Seminole and Blacks had limited intermarriage, but historians and anthropologists have come to believe that generally the Black Seminoles had independent communities. They allied with the Seminole at times of war. The Seminole society was based on a matrilineal kinship system, in which inheritance and descent went through the maternal line. Children were considered to belong to the mother's clan, so those born to ethnic African mothers would have been considered black by the Seminole. While the children might integrate customs from both parents' cultures, the Seminole believed they belonged to the mother's group more than the father's.  African Americans adopted some elements of the European-American patriarchal system. But, under the South's adoption of the principle of partus sequitur ventrem in the 17th century and incorporated into slavery law in slave states, children of slave mothers were considered legally slaves. Under the Fugitive Slave Law of 1850, even if the mother escaped to a free state, she and her children were legally considered slaves and fugitives. As a result, the Black Seminoles born to slave mothers were always at risk from slave raiders.

What were some of their rituals?

OUT:
maroons wore Seminole clothing and ate the same foodstuffs prepared the same way: