Problem: Background: George Edward Foreman (born January 10, 1949) is an American former professional boxer who competed from 1969 to 1977, and from 1987 to 1997. Nicknamed "Big George", he is a two-time world heavyweight champion and an Olympic gold medalist. Outside the sport he is an ordained minister, author, and entrepreneur. After a troubled childhood Foreman took up amateur boxing and won a gold medal in the heavyweight division at the 1968 Summer Olympics.
Context: In 1987, after 10 years away from the ring, Foreman surprised the boxing world by announcing a comeback at the age of 38. In his autobiography, he wrote that his primary motive was to raise money to fund the youth center he had created, which had required much of the money he had earned in the initial phase of his career. Another stated ambition was to fight Mike Tyson. For his first fight, he went to Sacramento, California, where he beat journeyman Steve Zouski by a knockout in four rounds. Foreman weighed 267 lb (121 kg) for the fight and looked badly out of shape. Although many thought his decision to return to the ring was a mistake, Foreman countered that he had returned to prove that age was not a barrier to people achieving their goals (as he said later, he wanted to show that age 40 is not a "death sentence"). He won four more bouts that year, gradually slimming down and improving his fitness. In 1988, he won nine times. Perhaps his most notable win during this period was a seventh-round knockout of former Light Heavyweight and Cruiserweight Champion Dwight Muhammad Qawi.  Having always been a deliberate fighter, Foreman had not lost much mobility in the ring since his first "retirement", although he found it harder to keep his balance after throwing big punches and could no longer throw rapid combinations. He was still capable of landing heavy single blows, however. The late-round fatigue that had plagued him in the ring as a young man now seemed to be unexpectedly gone, and he could comfortably compete for 12 rounds. Foreman attributed this to his new, relaxed fighting style (he has spoken of how, earlier in his career, his lack of stamina came from an enormous amount of nervous tension).  By 1989, while continuing his comeback, Foreman had sold his name and face for the advertising of various products, selling everything from grills to mufflers on TV. For this purpose his public persona was reinvented, and the formerly aloof, ominous Foreman had been replaced by a smiling, friendly George. He and Ali had become friends, and he followed in Ali's footsteps by making himself a celebrity outside the boundaries of boxing.  Foreman continued his string of victories, winning five more fights, the most impressive being a three-round win over Bert Cooper, who went on to contest the Undisputed Heavyweight title against Evander Holyfield.
Question: Where was the fight at?
Answer: Sacramento, California,

Problem: Background: Aeschylus (UK: , US: ; Greek: Aiskhulos Aiskhulos; Ancient Greek: [ais.khy.los]; c. 525/524 - c. 456/455 BC) was an ancient Greek tragedian. He is often described as the father of tragedy. Academics' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays.
Context: When Aeschylus first began writing, the theatre had only just begun to evolve, although earlier playwrights like Thespis had already expanded the cast to include an actor who was able to interact with the chorus. Aeschylus added a second actor, allowing for greater dramatic variety, while the chorus played a less important role. He is sometimes credited with introducing skenographia, or scene-decoration, though Aristotle gives this distinction to Sophocles. Aeschylus is also said to have made the costumes more elaborate and dramatic, and having his actors wear platform boots (cothurni) to make them more visible to the audience. According to a later account of Aeschylus's life, as they walked on stage in the first performance of the Eumenides, the chorus of Furies were so frightening in appearance that they caused young children to faint, patriarchs to urinate, and pregnant women to go into labour.  His plays were written in verse, no violence is performed on stage, and the plays have a remoteness from daily life in Athens, either by relating stories about the gods or by being set, like The Persians, in far-away locales. Aeschylus's work has a strong moral and religious emphasis. The Oresteia trilogy concentrated on man's position in the cosmos in relation to the gods, divine law, and divine punishment.  Aeschylus's popularity is evident in the praise the comic playwright Aristophanes gives him in The Frogs, produced some half-century after Aeschylus's death. Appearing as a character in the play, Aeschylus claims at line 1022 that his Seven against Thebes "made everyone watching it to love being warlike"; with his Persians, Aeschylus claims at lines 1026-7 that he "taught the Athenians to desire always to defeat their enemies." Aeschylus goes on to say at lines 1039ff. that his plays inspired the Athenians to be brave and virtuous.
Question: what did people say about this?
Answer:
the chorus of Furies were so frightening in appearance that they caused young children to faint, patriarchs to urinate, and pregnant women to go into labour.