Background: Art Donovan, born June 5, 1924, was the son of Arthur Donovan, Sr., a boxing referee, and the grandson of Professor Mike Donovan, the world middleweight boxing champion in the 1870s. Art attended Mount Saint Michael Academy in the Bronx. He received a scholarship to the University of Notre Dame in 1942 but left after one semester to join the United States Marine Corps, enlisting in April 1943. He served four years, to include service in the Pacific Theatre during World War II.
Context: In each of his first three seasons, Donovan played for a team which went out of business. He started out with the first Baltimore Colts, who folded after his rookie season in 1950, followed by the New York Yanks in 1951, and their successor, the Dallas Texans, in 1952. After the Texans franchise was moved to Baltimore in 1953 and became the second Baltimore Colts, Donovan played with that team. He became one of the stars in an outstanding defense and was selected to five straight Pro Bowls, from 1953 through 1957. The Colts won back-to-back championships in 1958 and 1959. He was selected to the Pro Football Hall of Fame in 1968.  During his career, Donovan played in what many believe was one of the most important games in NFL history, the 1958 title game between the Colts and the New York Giants. The contest between the two teams took place on December 28, 1958 and ended in a 17-17 tie. Because it was the championship game, it went into overtime, the first NFL game to do so. Donovan made an important tackle during the overtime, stopping the Giants and allowing Johnny Unitas to lead the Colts on an 80-yard scoring drive to win the game.  "The NFL's first overtime game, witnessed by 40 million viewers on nationwide television, captured the public imagination and became known as the "greatest game ever played." Donovan was one of 12 Hall of Fame players to take part - six of them Colts - but at the time he was not aware of the game's significance"
Question: did he stay with the texans for the rest of his career?
Answer: After the Texans franchise was moved to Baltimore in 1953 and became the second Baltimore Colts, Donovan played with that team.

Background: Stanley Kirk Burrell (born March 30, 1962), better known by his stage name MC Hammer (or simply Hammer), is an American hip hop recording artist, dancer, record producer and entrepreneur. He had his greatest commercial success and popularity from the late 1980s, until the early 1990s. Remembered for his rapid rise to fame, Hammer is known for hit records (such as "U Can't Touch This" and "2 Legit 2 Quit"), flashy dance movements, choreography and eponymous Hammer pants. A multi-award winner, M.C. Hammer is considered a "forefather/pioneer" and innovator of pop rap (incorporating elements of freestyle music), and is the first hip hop artist to achieve diamond status for an album.
Context: In the mid-1980s while rapping in small venues and after a record deal went sour, Hammer borrowed US$20,000 each from former Oakland A's players Mike Davis and Dwayne Murphy to start a record label business called Bust It Productions. He kept the company going by selling records from his basement and car. Bust It spawned Bustin' Records, the independent label of which Hammer was CEO. Together, the companies had more than 100 employees. Recording singles and selling them out of the trunk of his car, he marketed himself relentlessly. Coupled with his dance abilities, Hammer's style was unique at the time.  Now billing himself as "M.C. Hammer", he recorded his debut album, Feel My Power, which was produced between 1986 and 1987 and released independently in 1987 on his Oaktown Records label (Bustin'). It was produced by Felton Pilate (of Con Funk Shun), and sold over 60,000 copies and was being distributed by City Hall Records. In the spring of 1988, a 107.7 KSOL Radio DJ Tony Valera played the track "Let's Get It Started" in his mix-shows--a song in which he declared he was "second to none, from Doug E. Fresh, LL Cool J, or DJ Run"--after which the track began to gain popularity in clubs. (He would continue to call out other East Coast rappers in future projects as well.)  Hammer also released a single called "Ring 'Em", and largely on the strength of tireless street marketing by Hammer and his wife, plus continued radio mix-show play, it achieved considerable popularity at dance clubs in the San Francisco Bay Area. Heartened by his rising prospects, Hammer launched into seven-day-a-week rehearsals with the growing troupe of dancers, musicians, and backup vocalists he had hired. It was Hammer's stage show, and his infectious stage presence, that led to his big break in 1988 while performing in an Oakland club. There he impressed a record executive who "didn't know who he was, but knew he was somebody", according to the New Rolling Stone Encyclopedia of Rock & Roll.  M.C.Hammer had received several offers from major record labels before (which he initially declined due to his personal success), but after the successful release of this independent album and elaborate live dance show amazed the Capitol Records executive, Hammer agreed to sign a record deal soon after. Hammer took home a US$1,750,000 advance and a multi-album contract. It didn't take long for Capitol to recoup its investment.
Question: Did he tour with the release of this album?
Answer: