input: Lebanese Maronites are known to be specifically linked to the root of Lebanese Nationalism and opposition to Pan-Arabism in Lebanon, this being the case during 1958 Lebanon crisis. When Muslim Arab nationalists backed by Gamel Abdel Nasser tried to overthrow the then Maronite dominated government in power, due to displeasure at the government's pro-western policies and their lack of commitment and duty to the so-called "Arab brotherhood" by preferring keep Lebanon away from the Arab League and the political confrontations of the Middle East. A more hard-nosed nationalism among some Maronites leaders, who saw Lebanese nationalism more in terms of its confessional roots and failed to be carried away by Chiha's vision, clung to a more security-minded view of Lebanon. They regarded the national project as mainly a program for the security of Maronites and a bulwark against threats from Muslims and their hinterland.  The right-wing yet secular Guardians of the Cedars, with its exiled Leader and founder Etienne Saqr (also the father of singers Karol Sakr and Pascale Sakr) took no sectarian stance and even had Muslim members who joined in their radical stance against Arabism and Palestinian forces in Lebanon. Saqr summarized his party's view on the Arab Identity on their official ideological manifesto by stating;  On an Al Jazeera special dedicated to the political Christian clans of Lebanon and their struggle for power in the 2009 election entitled, Lebanon: The Family Business the issue of identity was brought up on several occasions, by various politicians including Druze leader Walid Jumblatt, who claimed that all Lebanese lack somewhat of a real identity and the country is yet to discover one everybody could agree on. Sami Gemayel, of the Gemayel clan and son of former president Amin Gemayel, stated he did not consider himself an Arab but instead identified himself as a Syriac Christian, going on to explain that to him and many Lebanese the "acceptance" of Lebanon's "Arab identity" according to the Taef Agreement wasn't something that they "accepted" but instead were forced into signing through pressure.  In a speech in 2009 to a crowd of Christian Kataeb supporters Gemayel declared that he felt there was importance in Christians in Lebanon finding an identity and went on to state what he finds identification with as a Lebanese Christian, concluding with a purposeful exclusion of Arabism in the segment. The speech met with an applause afterward from the audience;  Etienne Sakr, of the Guardians of the Cedars Lebanese party, in an interview responded "We are not Arabs" to an interview question about the Guardians of the Cedars' ideology of Lebanon being Lebanese. He continued by talking about how describing Lebanon as being not Arab was a crime in present-day Lebanon, about the Lebanese Civil War, and about Arabism as being first step towards Islamism, claiming that "the Arabs want to annex Lebanon" and in order to do this "to push the Christians out (out of Lebanon)", this being "the plan since 1975", among other issues.

Answer this question "Do they still dominate?"
output: 

input: The self-titled independent EP was well-received and brought the band to the attention of Atlantic Records which signed them. Ratt immediately started writing and recording their first full-length album. Out of the Cellar was released in March 1984 and was praised by both fans and critics. Pearcy's raspy yet bluesy vocals were noted for melding with the pyrotechnic guitar playing of twin leads Crosby and DeMartini, combining the then-prevalent Van Halen and Aerosmith-influenced bravado elements with the then-novel muted, staccato guitar-picking style of Judas Priest. Tawny Kitaen, who was previously in a relationship with Crosby, agreed to appear on the cover of their debut full-length album. She also appeared in their video for "Back for More" and on their EP from the previous year.  The album scored much radio and MTV play with songs like "Round and Round" (which peaked at No. 12 on the Billboard Hot 100 chart), "Wanted Man", "Back for More", and "Lack of Communication". Their music videos exposed them to an excited teen audience first tuning into the then fledgling MTV cable network. Milton Berle's guest appearance, dressed in his Uncle Miltie drag character, in the video for "Round and Round" helped draw even more attention to the band.  Out of the Cellar became a commercial success, going platinum many times over in the United States, as well as making Ratt stars at home and in the Far East. The album release was capped off by a successful world tour that saw the band sell out stadiums and arenas worldwide, sharing the stage with such acts as Billy Squier, Ozzy Osbourne, Blackfoot, Iron Maiden, Motley Crue, Twisted Sister and Lita Ford. Out of the Cellar is today widely regarded as the band's best work and a definitive moment in 80s heavy metal, while "Round and Round" scored at No. 61 on VH1's Greatest Hard Rock Songs Show.

Answer this question "What kind of music was played on out of the cellar?"
output:
Pearcy's raspy yet bluesy vocals were noted for melding with the pyrotechnic guitar playing of twin leads Crosby and DeMartini,