Answer the question at the end by quoting:

Hardy Rodenstock (born December 7, 1941 in Marienwerder (Kwidzyn), legal name Meinhard Gorke ) is a former publisher and manager of pop and Schlager music in Germany and is a prominent wine collector, connoisseur, and trader, with a special interest in old and rare wines. He became famous for his allegedly uncanny ability to track down old and very rare wines, and for arranging extravagant wine tastings featuring these wines. It has been alleged that Rodenstock is the perpetrator of an elaborate wine fraud. In 1992, a German court found that Rodenstock had "knowingly offered adulterated wine" for sale.
In 2005, U.S. art and wine collector Bill Koch, who had bought some of the bottles attributed to Thomas Jefferson, prepared to exhibit items from his collection at the Boston Museum of Fine Arts, including the Jefferson bottles. The museum asked for provenance of the items to be displayed. Koch had bought four bottles in 1988, Chateau Lafite and Branne-Mouton (present-day Chateau Mouton-Rothschild) of the 1784 and 1787 vintages, at a U.S. wine auction house (Chicago Wine Company) and a UK rare wine dealer (Farr Vintners), and paid a total of about 500,000 U.S. dollars for them. When Koch's staff couldn't find anything except Michael Broadbent's authentification of the bottles to confirm their provenance, the Thomas Jefferson Foundation at Monticello, Charlottesville, Virginia was contacted. The foundation's curator replied that based on Jefferson's records, the foundation didn't think that the bottles had been in the possession of Thomas Jefferson. Inquiries at Chicago Wine Company and Farr Vintners came up with the result that all four of Koch's bottles originated with Rodenstock.  After initial attempts at contacts with Rodenstock gave no significant results, Koch hired a retired Federal Bureau of Investigation (FBI) agent to form a team to start private investigations into Rodenstock's sales of wine. David Molyneux-Berry, former head of Sotheby's wine department was hired as a consultant, and several forensic investigations were conducted on the wines, bottles, and engravings; Koch alleges that the engravings were made with an electric power tool, which would not have been possible in the eighteenth century and would indicate modern forgery.  On August 31, 2006, Koch filed a civil lawsuit against Rodenstock (a.k.a. Gorke) in a New York federal court, claiming that he had been the victim of fraud. The reason that Rodenstock personally was named as defendant, rather than Chicago Wine Company or Farr Vintners, was that Koch claimed that Rodenstock had orchestrated an ongoing scheme to defraud wine collectors. Koch's lawsuit included many results from his team's forensic investigations. This lawsuit was then the subject of many legal turns during 2007 and 2008, primarily focused on procedural and statutory issues. A default judgment was entered against Rodenstock in May 2010. Rodenstock refused to participate in the trial.

When was this investigation launched?

On August 31, 2006, Koch filed a civil lawsuit against Rodenstock (a.k.a. Gorke) in a New York federal court,

IN: Sir Lawrence Alma-Tadema,  (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.

Alma-Tadema's output decreased with time, partly on account of health, but also because of his obsession with decorating his new home, to which he moved in 1883. Nevertheless, he continued to exhibit throughout the 1880s and into the next decade, receiving a plentiful amount of accolades along the way, including the medal of Honour at the Paris Exposition Universelle of 1889, election to an honorary member of the Oxford University Dramatic Society in 1890, the Great Gold Medal at the International Exposition in Brussels of 1897. In 1899 he was Knighted in England, only the eighth artist from the Continent to receive the honour. Not only did he assist with the organisation of the British section at the 1900 Exposition Universelle in Paris, he also exhibited two works that earned him the Grand Prix Diploma. He also assisted with the St. Louis World's Fair of 1904 where he was well represented and received.  During this time, Alma-Tadema was very active with theatre design and production, designing many costumes. He also spread his artistic boundaries and began to design furniture, often modelled after Pompeian or Egyptian motifs, illustrations, textiles, and frame making. His diverse interests highlight his talents. Each of these exploits were used in his paintings, as he often incorporated some of his designed furniture into the composition, and must have used many of his own designs for the clothing of his female subjects. Through his last period of creativity Alma-Tadema continued to produce paintings, which repeat the successful formula of women in marble terraces overlooking the sea such as in Silver Favourites (1903). Between 1906 and his death six years later, Alma-Tadema painted less but still produced ambitious paintings like The Finding of Moses (1904).  On 15 August 1909 Alma-Tadema's wife, Laura, died at the age of fifty-seven. The grief-stricken widower outlived his second wife by less than three years. His last major composition was Preparation in the Coliseum (1912). In the summer of 1912, Alma Tadema was accompanied by his daughter Anna to Kaiserhof Spa, Wiesbaden, Germany where he was to undergo treatment for ulceration of the stomach. He died there on 28 June 1912 at the age of seventy-six. He was buried in a crypt in St Paul's Cathedral in London.

Was there anything else that he did that was artistic?

OUT:
He also assisted with the St. Louis World's Fair of 1904 where he was well represented and received.