IN: Martin Sandberg (born 26 February 1971), known professionally as Max Martin, is a Swedish songwriter, record producer and singer. He rose to prominence in the second half of the 1990s after making a string of major hits for artists such as the Backstreet Boys, Britney Spears and NSYNC. Some of his earlier hits include "...Baby One More Time" (1998)

Sandberg was born in Stockholm and grew up in the suburb Stenhamra, Ekero Municipality.  As a child, Martin was a student of Sweden's public music-education program, and once said he had "public music education to thank for everything." Other alumni of the program include Andreas Carlsson, Rami Yacoub, and Anders Bagge.  As a teenager he sang in a variety of bands before joining a glam-style metal band called It's Alive in 1985 as their singer and frontman. It's Alive were formed by ex-LAZY members Per Aldeheim and Kim Bjorkgren on guitars, and John Rosth who had been a member of Lineout. Martin eventually dropped out of high school to pursue a career in music with his band under the nickname "Martin White." In 1988 they participated in the national rock championships and played as the in-house band at a disco in Cyprus. The band got a breakthrough in 1991, as Dave Constable of Megarock Records offered them to make a demo-record. The later debut album was originally pressed in 1,000 copies and later on given away as a free cover tape in the UK by the Metal Forces magazine.  The decision to focus on a music career paid off as they landed a record deal on producer Denniz PoP's label Cheiron Records, a BMG affiliate. After recording their second album Earthquake Visions, they released three singles in conjunction with the record and toured through Europe in 1994 supporting Kingdom Come. Earthquake Visions eventually sold a disappointing 30,000 copies, despite being released in as many as 30 countries. More importantly though, Martin also began collaborating on songs with PoP. Recognizing a talent for writing pop songs in the young rocker, PoP renamed his new protege Max Martin and eventually became Martin's mentor.
QUESTION: Are there other bands?
IN: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.

Young left the Basie band in late 1940. He is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons spurring his dismissal, although Young and drummer Jo Jones would later state that his departure had been in the works for months. He subsequently led a number of small groups that often included his brother, drummer Lee Young, for the next couple of years; live and broadcast recordings from this period exist.  During this period Young accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period) and also made a small set of recordings with Nat "King" Cole (their first of several collaborations) in June 1942. His studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the recording ban by the American Federation of Musicians. Small record labels not bound by union contracts continued to record and he recorded some sessions for Harry Lim's Keynote label in 1943.  In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (see below). Recordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed, which tended to give his playing a somewhat heavier, breathier tone (although still quite smooth compared to that of many other players). While he never abandoned the cane reed, he used the plastic reed a significant share of the time from 1943 until the end of his life. Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry "Sweets" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues.
QUESTION: Why did he change to a plastic reed?
IN: Eleanor Rosalynn Smith was born on August 18, 1927 in Plains, Georgia. She was the eldest of four children of Wilburn Edgar Smith, an auto mechanic and farmer, and Allethea "Allie" Murray Smith, a dressmaker. Her brothers were William Jerrold "Jerry" Smith (1929-2003), an engineer, and Murray Lee Smith (1932-2003), a teacher and minister. Her sister, Lillian Allethea (Smith) Wall (born 1936), is a real estate broker.

When her husband's gubernatorial term ended in January 1975, Rosalynn, Jimmy and Amy Carter returned to Plains. Jimmy had already announced his plans to run for President of the United States. Rosalynn returned to the campaign trail, this time on a national quest to gather support for her husband. She campaigned alone on his behalf in 41 states. Because of her husband's obscurity at the time, she often had to answer the question, "Jimmy who?" She promoted the establishment of additional daycare facilities and adjustments to "Social Security and so many other things to help the elderly."  During the months when she was campaigning across the country, she was elected to the board of directors of the National Association of Mental Health, honored by the National Organization for Women with an Award of Merit for her vigorous support for the Equal Rights Amendment, and received the Volunteer of the Year Award from the Southwestern Association of Volunteer Services.  Rosalynn sat in the balcony at Madison Square Garden with friends and family the night of the nomination while her husband was with his mother and daughter. She had "butterflies in her stomach," until the Ohio delegation announced its votes were for her husband. Rosalynn wished she could have been with him at that time. The Carters met with all the potential running mates, and instantly gained affinity for Walter Mondale after meeting with him and his wife Joan. Following the election, the Carters traveled to the White House and met with President Ford and First Lady Betty Ford, the latter becoming a role model for Rosalynn.
QUESTION:
who was the current president?