input: Originally known as A Day in the Life, their first record was a demo entitled Four Bullets for One Girl. After one album (Nine Reasons to Say Goodbye), an EP, Paper Chromatography: The Fade from Dark to Light (which was later re-released as part of the compilation From Ohio With Love), and significant line-up changes, the band changed its name to Hawthorne Heights. On the DVD portion of The Silence in Black and White, drummer Eron Bucciarelli states that the band took their current name from the author Nathaniel Hawthorne. Vocalist and guitarist JT Woodruff is the only original member.  Their first album The Silence in Black and White, was recorded over a four-week period, and was released in 2004. The album was slow to build sales at first; however, soon the video for the song "Ohio Is for Lovers" began getting airplay on MTV, and the band enjoyed breakout success at radio as well as a growing nationwide fan base, and the album became Victory Records' highest selling debut. The Silence in Black and White peaked at number 56 on the Billboard charts. The singles "Niki FM" and "Silver Bullet" were released in 2005.  When their second album If Only You Were Lonely was released on Feb 28, 2006, it debuted at number 3 on the Billboard charts, powered by the lead single "Saying Sorry" which has received regular airplay on MTV, VH1 and Fuse. The Legion of Doom remixed a song from the album, entitled "Where Can I Stab Myself in the Ears?" and it appeared on the Underworld: Evolution Original Motion Picture Soundtrack. The remix was re-titled "Where Do I Stab Myself in the Ears".  The band performed on the 2006 Nintendo Fusion Tour. A live CD/DVD was intended to be recorded from this tour, but was cancelled, likely due to complications with Victory.

Answer this question "Any intresting thing i should know"
output: The band performed on the 2006 Nintendo Fusion Tour.

Problem: Background: Vlachs (English:  or , or rarely ) is a historical term and exonym used for the Eastern Romance-speaking peoples especially in the Balkans. The term also became a synonym in the Balkans for the social category of shepherds, and was also used for non-Romance-speaking peoples, in recent times in the western Balkans derogatively. Apart from the Romanians and Moldovans, there are indigenous Romance-speaking groups in Greece, Albania and Macedonia, such as the Aromanians and Megleno-Romanians. "Vlachs" were initially identified and described during the 11th century by George Kedrenos.
Context: The word "Vlach" is etymologically derived from the ethnonym of a Celtic tribe, adopted into Proto-Germanic *Walhaz which meant "stranger", from *Wolka- (Caesar's Latin: Volcae, Strabo and Ptolemy's Greek: Ouolkai).  Via Latin, in Gothic, as *walhs, the ethnonym took on the meaning "foreigner" or "Romance-speaker", and was adopted into Greek Vlahi (Blakhoi), Slavic Vlah, Hungarian olah and olasz, etc. The root word was notably adopted in Germanic for Wales and Walloon (German: Welsch), and in Poland Wlochy became an exonym for Italians. Via both Germanic and Latin, the term started to signify "stranger, foreigner" also in the Balkans, where it in its early form was used for Romance-speakers, but the term eventually took on the meaning of "shepherd, nomad". The Romance-speaking communities themselves however used the endonym (they called themselves) "Romans". During the early history of the Ottoman Empire in the Balkans, there was a social class of Vlachs in Serbia and Macedonia, made up of Christians who served as auxiliary forces and had the same rights as Muslims. In Croatia, the term became derogatory, and Vlasi was used for the ethnic Serb community.  Romanian scholars have suggested that the term Vlach appeared for the first time in the Eastern Roman Empire and was subsequently spread to the Germanic- and then Slavic-speaking worlds through the Norsemen (possibly by Varangians), who were in trade and military contact with Byzantium during the early Middle Ages (see also Blakumen).  The term "Vlach" is used in scholarship for the Romance-speaking communities in the Balkans, especially those in Greece, Albania and Macedonia.
Question: What traits do they have?
Answer: 

Question: Horslips are an Irish Celtic rock band that compose, arrange and perform songs frequently inspired by traditional Irish airs, jigs and reels. The group are regarded as 'founding fathers of Celtic rock' for their fusion of traditional Irish music with rock music and went on to inspire many local and international acts. They formed in 1970 and 'retired' in 1980 for an extended period. The name originated from a spoonerism on The Four Horsemen of the Apocalypse which became "The Four Poxmen of The Horslypse".

In March 2004, three Horslips enthusiasts, Jim Nelis, Stephen Ferris and Paul Callaghan, put on an exhibition of Horslips memorabilia in The Orchard Gallery in Derry. It was opened by the band, who played five songs acoustically. Buoyed by this first public appearance in 24 years, Horslips returned to the studio in Westmeath to produce a studio album, Roll Back, in the summer of 2004. Described as "Horslips Unplugged", the album contained acoustic reworkings of many of their best-known songs.  The same exhibition moved to Drogheda in October 2005, courtesy of longtime fan Paddy Goodwin, and was formally opened on 6 October by a tribute band, Horslypse, composed of nine teenage musicians. Horslips did a version of "Furniture". The exhibition moved to Belfast in February and March 2006 and there were plans for a New York showing in 2007. In February 2008, the exhibition opened in Ballinamore in County Leitrim, and in July it opened in Ballybofey in Donegal.  A double DVD entitled Return of the Dancehall Sweethearts came out in November 2005. Disc one is a documentary and disc two was live footage of the band from the 1970s, including promo videos and slots on The Old Grey Whistle Test.  In December 2005, the band played in front of an invited audience for the recording of the RTE television program Other Voices in Dingle in County Kerry. Part of the set included three songs done "full-on" - the first time the band had played live and electric since October 1980.  The last Horslips' event in this phase of their career was a TG4 tribute show recorded and broadcast live on 25 March 2006 before a live invited studio audience. A number of Irish personalities were interviewed, in Irish, about what the band meant to them and how Horslips shaped modern Irish music.

Using a quote from the above article, answer the following question: how did the horslips return?
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Answer:
Buoyed by this first public appearance in 24 years, Horslips returned to the studio