Question:
Memoirs of a Geisha is a 2005 American epic drama film based on the novel Memoirs of a Geisha, produced by Steven Spielberg's Amblin Entertainment and Spyglass Entertainment and by Douglas Wick's Red Wagon Productions. Directed by Rob Marshall, the film was released in the United States on December 9, 2005 by Columbia Pictures and DreamWorks Pictures; the latter was given studio credit only. It stars Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh, Youki Kudoh, Suzuka Ohgo, and Samantha Futerman. Production took place in southern and northern California and in several locations in Kyoto, including the Kiyomizu temple and the Fushimi Inari shrine.
Memoirs of a Geisha received mixed reviews from western critics. Illinois' Daily Herald said that the "[s]trong acting, meticulously created sets, beautiful visuals, and a compelling story of a celebrity who can't have the one thing she really wants make Geisha memorable". The Washington Times called the film "a sumptuously faithful and evocative adaption" while adding that "[c]ontrasting dialects may remain a minor nuisance for some spectators, but the movie can presumably count on the pictorial curiosity of readers who enjoyed Mr. Golden's sense of immersion, both harrowing and [a]esthetic, in the culture of a geisha upbringing in the years that culminated in World War II".  The film scored a 35% "Rotten" rating on Rotten Tomatoes; the consensus stated "Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera." On Metacritic, the film was given a 54/100 meaning "mixed or average review."  In the United States, the film managed $57 million during its box office run. The film peaked at 1,654 screens, facing off against King Kong, The Chronicles of Narnia, and Fun with Dick and Jane. During its first week in limited release, the film screening in only eight theaters tallied up an $85,313 per theater average which made it second in highest per theater averages behind Brokeback Mountain for 2005. International gross reached $158 million.  The New Statesman criticized Memoirs of a Geisha's plot, saying that after Hatsumomo leaves, "the plot loses what little momentum it had and breaks down into one pretty visual after another" and says that the film version "abandons the original's scholarly mien to reveal the soap opera bubbling below". The Journal praised Zhang Ziyi, saying that she "exudes a heartbreaking innocence and vulnerablity" but said "too much of the character's yearning and despair is concealed behind the mask of white powder and rouge". London's The Evening Standard compared Memoirs of a Geisha to Cinderella and praised Gong Li, saying that "Li may be playing the loser of the piece but she saves this film" and Gong "endows Hatsumomo with genuine mystery". Eighteen days later, The Evening Standard put Memoirs of a Geisha on its Top Ten Films list. Glasgow's Daily Record praised the film, saying the "geisha world is drawn with such intimate detail that it seems timeless until the war, and with it the modern world comes crashing in".
Answer this question using a quote from the text above:

what year was the film made?

Answer:
2005.

Answer the question at the end by quoting:

Emiliano Zapata Salazar (Spanish pronunciation: [emi'ljano sa'pata]; 8 August 1879 - 10 April 1919) was a leading figure in the Mexican Revolution, the main leader of the peasant revolution in the state of Morelos, and the inspiration of the agrarian movement called Zapatismo. Zapata was born in the rural village of Anenecuilco in Morelos State, where peasant communities were under increasing pressure from the small landowning class who monopolized land and water resources for sugar cane production with the support of dictator Porfirio Diaz. Zapata early on participated in political movements against Diaz and the landowning hacendados, and when the Revolution broke out in 1910 he was positioned as a central leader of the peasant revolt in Morelos. Cooperating with a number of other peasant leaders he formed the Liberation Army of the South of which he soon became the undisputed leader.
In mid-March 1919, Gen. Pablo Gonzalez ordered his subordinate Col. Jesus Guajardo to commence operations against the Zapatistas in the mountains around Huautla. But when Gonzalez later discovered Guajardo carousing in a cantina, he had him arrested, and a public scandal ensued. On March 21st, Zapata attempted to smuggle in a note to Guajardo, inviting him to switch sides. The note, however, never reached Guajardo but instead wound up on Gonzalez's desk. Gonzalez devised a plan to use this note to his advantage. He accused Guajardo of not only being a drunk, but of being a traitor. After reducing Guajardo to tears, Gonzalez explained to him that he could recover from this disgrace if he feigned a defection to Zapata. So Guajardo wrote to Zapata telling him that he would bring over his men and supplies if certain guarantees were promised. Zapata answered Guajardo's letter on April 1, 1919, agreeing to all of Guajardo's terms. Zapata suggested a mutiny on April 4. Guajardo replied that his defection should wait until a new shipment of arms and ammunition arrived sometime between the 6th and the 10th. By the 7th, the plans were set: Zapata ordered Guajardo to attack the Federal garrison at Jonacatepec because the garrison included troops who had defected from Zapata. Pablo Gonzalez and Guajardo notified the Jonacatepec garrison ahead of time, and a mock battle was staged on April 9. At the conclusion of the mock battle, the former Zapatistas were arrested and shot. Convinced that Guajardo was sincere, Zapata agreed to a final meeting where Guajardo would defect.  On April 10, 1919, Guajardo invited Zapata to a meeting, intimating that he intended to defect to the revolutionaries. However, when Zapata arrived at the Hacienda de San Juan, in Chinameca, Ayala municipality, Guajardo's men riddled him with bullets.  After he was gunned down, they then took his body to Cuautla to claim the bounty, where they are reputed to have been given only half of what was promised. Zapata's body was photographed, displayed for 24 hours, and then buried in Cuautla. Pablo Gonzalez wanted the body photographed, so that there would be no doubt that Zapata was dead: "it was an actual fact that the famous jefe of the southern region had died." Although Mexico City newspapers had called for Zapata's body to be brought to the capital, Carranza did not do so. However, Zapata's clothing was displayed outside a newspaper's office across from the Alameda Park in the capital.

Why did they display his clothing?