Problem: Background: Percy Tyrone Sledge (November 25, 1940 - April 14, 2015) was an American R&B, soul and gospel singer. He is best known for the song "When a Man Loves a Woman", a No. 1 hit on both the Billboard Hot 100 and R&B singles charts in 1966. It was awarded a million-selling, Gold-certified disc from the RIAA. Having previously worked as a hospital orderly in the early 1960s, Sledge achieved his strongest success in the late 1960s and early 1970s with a series of emotional soul songs.
Context: Sledge's career enjoyed a renaissance in the 1980s when "When a Man Loves a Woman" re-entered the UK Singles Chart, peaking at No. 2 behind the reissued Ben E. King classic "Stand by Me", after being used in a Levi's commercial. In the early 1990s, Michael Bolton brought "When a Man Loves a Woman" back into the limelight again on his hit album Time, Love, & Tenderness. On the week of November 17 to November 23, 1991, Bolton's version also hit No. 1 on the Billboard Hot 100 singles chart, exactly 25 1/2  years to the week after Percy's did in 1966.  In 1994, Saul Davis and Barry Goldberg produced Sledge's album, Blue Night, for Philippe Le Bras' Sky Ranch label and Virgin Records. It featured Bobby Womack, Steve Cropper, and Mick Taylor among others. Blue Night received a Grammy nomination for Best Contemporary Blues Album, Vocal or Instrumental, and in 1996 it won the W.C. Handy Award for best soul or blues album.  In 2004, Davis and Goldberg also produced the Shining Through the Rain album, which preceded his induction into the Rock & Roll Hall of Fame. Songs on the CD were written by Mikael Rickfors, Steve Earle, the Bee Gees, Carla Olson, Denny Freeman, Allan Clarke and Jackie Lomax. The same year Percy recorded a live album with his band Sunset Drive entitled Percy Sledge and Sunset Drive - Live in Virginia on WRM Records produced by Warren Rodgers.  In May 2007, Percy was inducted into The Louisiana Music Hall Of Fame in his home city of Baton Rouge, LA.  In December 2010, Rhino Handmade issued a four-CD retrospective, The Atlantic Recordings, which covers all of the issued Atlantic masters, as well as many of the tracks unissued in the United States (although some were simply the mono versions of songs originally issued in stereo; Disc 1 comprises Sledge's first two LPs which were not recorded on stereo equipment). In 2011 Sledge toured with Sir Cliff Richard during his Soulicious tour, performing "I'm Your Puppet".
Question: Are there any other interesting aspects about this article?
Answer: In December 2010, Rhino Handmade issued a four-CD retrospective, The Atlantic Recordings, which covers all of the issued Atlantic masters,

Problem: Background: Redd Foxx was born John Elroy Sanford on December 9, 1922, in St. Louis, Missouri and raised on Chicago's South Side. His father, Fred Sanford, an electrician and auto mechanic from Hickman, Kentucky, left his family when Foxx was four years old. He was raised by his half-Seminole Indian mother, Mary Hughes from Ellisville, Mississippi, his grandmother and his minister. Foxx attended DuSable High School in Chicago's Bronzeville neighborhood with future Chicago mayor Harold Washington.
Context: Foxx achieved his most widespread fame starring in the television sitcom Sanford and Son, an adaptation of the BBC series Steptoe and Son. He used his starring role on Sanford and Son to help get jobs for his acquaintances such as LaWanda Page, Slappy White, Gregory Sierra, Don Bexley, Beah Richards, Stymie Beard, Leroy Daniels, Ernest Mayhand and Noriyuki "Pat" Morita.  The series premiered on the NBC television network on January 14, 1972 and was broadcast for six seasons. The final episode aired on March 25, 1977. Foxx played the role of Fred G. Sanford ("Fred Sanford" was actually Foxx's father's and brother's name), while Foxx's co-star Demond Wilson played the role of his son Lamont. In this sitcom, Fred and Lamont were owners of a junk/salvage store in Watts who dealt with many humorous situations that would arise. The series was notable for its racial humor and overt prejudices which helped redefine the genre of black situation comedy.  The show also had several running gags. When angry with Lamont, Fred would often say "You big dummy" or would often fake heart attacks by putting his hand on his chest and saying (usually while looking up at the sky) "It's the big one, I'm coming to join ya honey/Elizabeth" (referring to his late wife). Fred would also complain about having "arthur-itis" to get out of working by showing Lamont his cramped hand. Foxx depicted a character in his 60s, although in real-life he was a decade younger.  Demond Wilson had responded if he kept in touch with everybody from Sanford & Son; esp. the series' star, himself, after the series was canceled: "No. I saw Redd Foxx once before he died, circa 1983, and I never saw him again. At the time I was playing tennis at the Malibu Racquet Club and I was approached by some producers about doing a Redd Foxx 50th Anniversary Special. I hadn't spoken to him since 1977, and I called the club where (Redd) was playing. And we met at Redd's office, but he was less than affable. I told those guys it was a bad idea. I never had a cross word with him. People say I'm protective of Redd Foxx in my book (Second Banana, Wilson's memoir of the Sanford years). I had no animosity toward Foxx for (quitting the show in 1977) because I had a million dollar contract at CBS to do Baby I'm Back. My hurt was that he didn't come to me about throwing the towel in - I found out in the hallway at NBC from a newscaster. I forgave him and I loved Redd, but I never forgot that. The love was there. You can watch any episode and see that."
Question: was fred's business successful?
Answer: