Problem: Background: Ranbir Kapoor (pronounced [r@'nbi:r k@'pu:r]; born 28 September 1982) is an Indian actor and film producer. Through his career in Hindi films, he has become one of the most popular celebrities and one of the highest-paid actors in India. He is the recipient of several awards, including five Filmfare Awards. The son of actors Rishi and Neetu, and the grandson of actor-director Raj, Kapoor pursued filmmaking and method acting at the School of Visual Arts and the Lee Strasberg Theatre and Film Institute, respectively.
Context: Ranbir Kapoor was born on 28 September 1982 in Mumbai to Rishi and Neetu, both actors of the Hindi film industry. He is the great-grandson of Prithviraj and the grandson of actor-director Raj. His elder sister, Riddhima (born 1980), is an interior and fashion designer. The actresses Karisma and Kareena are his first cousins. Kapoor was educated at the Bombay Scottish School in Mahim. As a student, he found little interest in academics and would rank low among his peers.  Kapoor has been vocal about how his parent's troubled marriage affected him as a child: "Sometimes the fights would get really bad. I would be sitting on the steps, my head between my knees, till five or six in the morning, waiting for them to stop". These experiences led to a "reservoir of emotions building up inside [him]", which he said compelled him to develop an interest in film. In his early years, Kapoor was close to his mother, but had a dysfunctional relationship with his father. After completing his tenth standard examinations, he worked as an assistant director to his father on the film Aa Ab Laut Chalen (1999), during which he developed a closer bond with him.  After completing his pre-university education from the H.R. College of Commerce and Economics, Kapoor relocated to New York City to learn film-making at the School of Visual Arts, and subsequently pursued method acting at the Lee Strasberg Theatre and Film Institute. In film school, Kapoor directed and starred in two short films, entitled Passion to Love and India 1964. The loneliness of living alone in New York City coupled with his experience in film school, which he described as "useless", inspired him to pursue a career in Bollywood. Upon returning to Mumbai, Kapoor was hired as an assistant director to Sanjay Leela Bhansali on the 2005 film Black. He described the experience: "I was getting beaten up, abused, doing everything from cleaning the floor to fixing the lights from 7 am to 4 am, but I was learning every day." He later remarked that his motive for working on Black was to get Bhansali to offer him an acting job.
Question: where was he born?
Answer: Mumbai

Background: Orchestral Manoeuvres in the Dark (OMD) are an English electronic music band formed in Wirral, Merseyside in 1978. Spawned by earlier group The Id, the outfit is composed of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (various instruments) and Stuart Kershaw (drums); McCluskey is the only constant member. OMD released their debut single, "Electricity", in 1979, and gained popularity throughout Europe with the 1980 anti-war song "Enola Gay".
Context: Critic Hugo Lindgren wrote that OMD have cultivated a "legacy as musical innovators". In February 2007 a Scotsman journalist said: "If Kraftwerk were the Elvis Presley of synth-pop, then Orchestral Manoeuvres in the Dark were its Beatles." In 2008, American publication The A.V. Club noted that McCluskey and Humphreys were "often labeled as the 'Lennon-McCartney of synth-pop'." In a 2008 piece on OMD, The Quietus magazine editor John Doran called them "the only Liverpool band to come near to living up to the monolithic standards of productivity and creativity set in place by the Beatles", and asserted: "Orchestral Manouevres in the Dark are not one of the best synth bands ever: they are one of the best bands ever." Veteran BBC DJ Simon Mayo described OMD as "the fathers of electronic music in this country [the UK]."  OMD's experimental brand of synth-pop has garnered limited mainstream attention. The group generally eschew choruses, replacing them with synthesizer lines, and opt for unconventional lyrical subjects such as war and machinery; the BBC wrote that "OMD were always more intellectual" than "contemporaries like Duran Duran and Eurythmics". The band also rejected celebrity status and strove "to have no image". Despite the group's experimentation, they had an established knack for pop hooks; AllMusic critic Mike DeGagne wrote that OMD's music was "a step above other keyboard pop music of the time, thanks to the combination of intelligently crafted hooks and colorful rhythms". DeGagne's colleague Jon O'Brien remarked that the outfit were "ahead of their time".  McCluskey in 2010 opined that OMD had become "the forgotten band" (he had predicted in 1981, at the peak of the group's popularity, that they would soon be forgotten). The band have nonetheless earned a growing cult following. OMD have come to be regarded as one of the great Liverpool acts of the 1980s, and pioneers of the synth-pop genre. Architecture & Morality (1981), regarded as the group's seminal work, had sold more than 4 million copies by early 2007; Sugar Tax (1991), the album that marked a commercial renaissance for the band, had sold more than 3 million by the same time period. The experimental Dazzle Ships (1983), while not as commercially successful, has retrospectively been praised by critics, according to The Oxford Times and Fact. OMD's overall record sales stand in excess of 40 million.  The group regularly features on 1980s compilation albums and box sets; multiple OMD tracks feature on each of the three volumes of Ministry of Sound's Anthems: Electronic 80s series. The band's songs (and samples of their work) have featured in films such as Urgh! A Music War (1982), Weird Science (1985), Pretty in Pink (1986), Arthur 2: On the Rocks (1988) as well as in television shows including Scrum V, Ashes to Ashes, Top Gear, Chuck, Cold Case, Modern Family, The Goldbergs and Castle. Cover versions of "If You Leave" have appeared in the film Not Another Teen Movie (2001) and the TV series The O.C.; a season 6 episode of Degrassi: The Next Generation was named after the track. The 2015 film Ex Machina also incorporated their song Enola Gay. Additionally, every episode of the TV show Hunters is named after an OMD song.
Question: What was their legacy?
Answer: