input: In November 1988, drummer Whelan became involved in an on-stage fight with Booth and was asked to leave the band. He was replaced by David Baynton-Power a few months later. During the following year James greatly expanded their lineup and sound palette by hiring three new members -- guitarist-violinist-percussionist Saul Davies (whom Gott recruited from an amateur blues night), keyboard player Mark Hunter and onetime Diagram Brothers/ Dislocation Dance / The Cotton Singers Pale Fountains trumpeter/percussionist Andy Diagram (the latter a noted avant-garde musician). This new seven-piece line-up went into the studio to record the third James album.  New singles "Sit Down" and "Come Home" became strong hits in the independent charts, and the latter featured on the compilation album Happy Daze. The album Gold Mother was intended to be released on Rough Trade but the owner of the label, Geoff Travis, believed James could only reach an audience of 20,000 to 30,000. The band believed they had more potential than this and bought the rights to the album from Rough Trade. A successful winter tour in 1989 attracted a deal with Fontana Records, and the band ended a difficult decade on an optimistic note.  Gold Mother was released in June 1990, just as the 'Madchester' movement, with its wave of popular Manchester-based indie bands, focused public attention on James and won them mainstream recognition. Singles "How Was It for You", the remixed "Come Home" and "Lose Control" all made the Top 40, and the band's newfound success was re-affirmed when they played two sell-out dates at the Manchester G-Mex at the end of the year. In March 1991, when the popularity of "Sit Down" led to a re-recorded version being released as a single, reaching number 2 in the UK Singles Chart. Gold Mother was re-released to include "Sit Down" and previous single "Lose Control", and the album sold ten times more copies than Travis originally predicted. The song became one of the biggest-selling singles of the year.  The band members spent the rest of the year recording their next album, Seven, which was released in February 1992. It reached number 2 in the UK Albums Chart (its lead single, "Sound", had followed "Sit Down" into the top 10 a few months earlier) and earned the band some recognition in the US as they embarked on their first Stateside tour. The band's activities culminated in a sell-out show to 30,000 people at the Alton Towers theme park in July, broadcast live on BBC Radio 1, following which Andy Diagram left the group.

Answer this question "Are there any other interesting aspects about this article?"
output: The band's activities culminated in a sell-out show to 30,000 people at the Alton Towers theme park in July,

Question: Kintaro Hayakawa (June 10, 1889 - November 23, 1973), known professionally as Sessue Hayakawa, was a Japanese actor. He was one of the biggest stars in Hollywood during the silent film era of the 1910s and 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a leading man in the United States and Europe. His "broodingly handsome" good looks and typecasting as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male sex symbols of Hollywood.

Hayakawa was born Kintaro Hayakawa (Zao Chuan  Jin Tai Lang , Hayakawa Kintaro) in the village of Nanaura, now part of a town called Chikura, in the city of Minamiboso in Chiba Prefecture, Japan, on June 10, 1889.  From an early age, Hayakawa's family intended him to become an officer in the Imperial Japanese Navy. However, while a student at the naval academy in Etajima, he swam to the bottom of a lagoon (he grew up in a shellfish diving community) on a dare and ruptured his eardrum. The injury caused him to fail the navy physical. His father felt shame and embarrassment by his son's failure and this drove a wedge between them. The strained relationship drove the 18-year-old Hayakawa to attempt seppuku (ritual suicide). One evening, Hayakawa entered a shed on his parents' property and prepared the venue. He put his dog outside and attempted to uphold his family's samurai tradition by stabbing himself more than 30 times in the abdomen. The barking dog brought Hayakawa's parents to the scene and his father used an axe to break down the door, saving his life.  After he recovered from the suicide attempt, Hayakawa began to study political economics at the University of Chicago to fulfill his family's new wish that he become a banker. While a student, he played quarterback for the football team and was once penalized for using jujitsu to bring down an opponent.  Hayakawa graduated from the University of Chicago in 1912, and subsequently made plans to return to Japan. He traveled to Los Angeles and awaited a transpacific steamship. During his stay, he discovered the Japanese Theatre in Little Tokyo and became fascinated with acting and performing plays. It was around this time that Hayakawa first assumed the stage name Sessue (Xue Zhou , Sesshu), meaning "snowy field" (Xue  means "snow" and Zhou  means "north field"). One of the productions in which Hayakawa performed was called The Typhoon. Tsuru Aoki, a member of the acting troupe, was so impressed with Hayakawa's abilities and enthusiasm that she enticed film producer Thomas H. Ince to see the play. Ince saw the production and offered to turn it into a silent film with the original cast. Anxious to return to Japan, Hayakawa tried to dissuade Ince by requesting the then-astronomic fee of $500 a week, but Ince agreed to his request.  The Typhoon (1914) became an instant hit and was followed by two additional pictures produced by Ince, The Wrath of the Gods (1914) co-starring Hayakawa's new wife, Aoki, and The Sacrifice (1914). With Hayakawa's rising stardom, Jesse L. Lasky soon offered Hayakawa a contract, which he accepted, making him part of Famous Players-Lasky (now Paramount Pictures).

Using a quote from the above article, answer the following question: When did he start his acting career?
HHHHHH
Answer:
1914