input: Hunter had a 1957 hit record with the song "Young Love," which was No. 1 on the Billboard Hot 100 chart for six weeks (seven weeks on the UK Chart) and became one of the larger hits of the Rock 'n' Roll era. It sold over one million copies, and was awarded a gold disc by the RIAA.  He had the hit, "Ninety-Nine Ways," which peaked at No. 11 in the US and No. 5 in the UK. His success prompted Jack L. Warner to enforce the actor's contract with the Warner Bros. studio by banning Dot Records, the label for which Hunter had recorded the single (and which was owned by rival Paramount Pictures), from releasing a follow-up album he had recorded for them. He established Warner Bros. Records specifically for Hunter.  Hunter's acting career was also at its zenith. William Wellman used him again in a war film, Lafayette Escadrille (1958). Columbia Pictures borrowed him for a Western, Gunman's Walk (1958), a film that Hunter considers his favorite role.  Hunter starred in the 1958 musical film Damn Yankees, in which he played Joe Hardy of Washington, D.C.'s American League baseball club. The film had originally been a Broadway show, but Hunter was the only one in the film version who had not appeared in the original cast. The show was based on the 1954 best-selling book The Year the Yankees Lost the Pennant by Douglass Wallop. Hunter later said the filming was hellish because director George Abbott was only interested in recreating the stage version word for word.  He also starred in They Came to Cordura (1959), with Gary Cooper and Rita Hayworth. Sidney Lumet starred him opposite Sophia Loren in That Kind of Woman (1959).

Answer this question "Where did it land on the charts?"
output: 1957

Problem: Background: Fernando Alvarez de Toledo y Pimentel (29 October 1507 - 11 December 1582), known as the Grand Duke of Alba in Spain and the Iron Duke in the Netherlands, was a Spanish noble, general, and diplomat. He was titled the 3rd Duke of Alba de Tormes, 4th Marquis of Coria, 3rd Count of Salvatierra de Tormes, 2nd Count of Piedrahita, 8th Lord of Valdecorneja, Grandee of Spain, and a Knight of the Order of the Golden Fleece. His motto in Latin was Deo patrum Nostrorum, which in English means "To the God of our fathers". He was an adviser of King Charles I of Spain (Charles V, Holy Roman Emperor), and his successor, Philip II of Spain, Mayordomo mayor of both, member of their Councils of State and War, governor of the Duchy of Milan (1555-1556), viceroy of the Kingdom of Naples (1556-1558), governor of the Netherlands (1567-1573) and viceroy and constable of the Kingdom of Portugal (1580-1582).
Context: Fernando was born in Piedrahita, Province of Avila, on 29 October 1507. He was the son of Garcia Alvarez de Toledo y Zuniga, heir of Fadrique Alvarez de Toledo and Enriquez de Quinones, II Duke of Alba de Tormes, and of Beatriz Pimentel, daughter of Rodrigo Alonso Pimentel, IV Count - I Duke of Benavente and his wife, Maria Pacheco. Fernando was orphaned at age three when his father, Garcia, died during a campaign on the island of Djerba in Africa in 1510. At the age of six, Fernando accompanied his grandfather, the second duke of Alba on a military mission to capture Navarre.  His youth and education were typical for Castilian nobility of the age. He was educated at the ducal court of the House of Alba, located in the Castle Palace of Alba de Tormes, by two Italian preceptors, Bernardo Gentile - a Sicilian Benedictine - and Severo Marini and by the Spanish Renaissance poet and writer Juan Boscan. He was educated in Roman Catholicism and humanism. He mastered Latin and knew French, English and German.  In 1524, when he was seventeen, he joined the troops of Constable of Castile, Inigo Fernandez de Velasco, II Duke of Frias, during the capture of Fuenterrabia, then occupied by France and Navarre. For his role in the siege, Fernando was appointed governor of Fuenterrabia.  When his grandfather Fadrique died in 1531, the ducal title passed to Fernando as the firstborn son of Garcia. Throughout his adulthood, he served the Spanish monarchs Charles I and his successor Philip II.
Question: Did he have any struggles growing up?
Answer: At the age of six, Fernando accompanied his grandfather, the second duke of Alba on a military mission to capture Navarre.

Question: Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan. It was released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing 11-minute ballad, "Desolation Row".

In his memoir Chronicles: Volume One, Dylan described the kinship he felt with the route that supplied the title of his sixth album: "Highway 61, the main thoroughfare of the country blues, begins about where I began. I always felt like I'd started on it, always had been on it and could go anywhere, even down in to the deep Delta country. It was the same road, full of the same contradictions, the same one-horse towns, the same spiritual ancestors ... It was my place in the universe, always felt like it was in my blood."  When he was growing up in the 1950s, Highway 61 stretched from the Canada-US border through Duluth, where Dylan was born, and St. Paul all the way down to New Orleans. Along the way, the route passed near the birthplaces and homes of influential musicians such as Muddy Waters, Son House, Elvis Presley and Charley Patton. The "empress of the blues", Bessie Smith, died after sustaining serious injuries in an automobile accident on Highway 61. Critic Mark Polizzotti points out that blues legend Robert Johnson is alleged to have sold his soul to the devil at the highway's crossroads with Route 49. The highway had also been the subject of several blues recordings, notably Roosevelt Sykes' "Highway 61 Blues" (1932) and Mississippi Fred McDowell's "61 Highway" (1964).  Dylan has stated that he had to overcome considerable resistance at Columbia Records to give the album its title. He told biographer Robert Shelton: "I wanted to call that album Highway 61 Revisited. Nobody understood it. I had to go up the fucking ladder until finally the word came down and said: 'Let him call it what he wants to call it'." Michael Gray has suggested that the very title of the album represents Dylan's insistence that his songs are rooted in the traditions of the blues: "Indeed the album title Highway 61 Revisited announces that we are in for a long revisit, since it is such a long, blues-travelled highway. Many bluesmen had been there before [Dylan], all recording versions of a blues called 'Highway 61'."

Using a quote from the above article, answer the following question: When did Dylan record Highway 61?
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Answer:
" (1932)