Question: Grandaddy is an American indie rock band from Modesto, California. The group was formed in 1992, and featured Jason Lytle, Aaron Burtch, Jim Fairchild, Kevin Garcia and Tim Dryden. After several self-released records and cassettes, the band signed to Will Records in the US and later the V2 subsidiary Big Cat Records in the UK, going on to sign an exclusive deal with V2. The bulk of the band's recorded output was the work of Lytle, who worked primarily in home studios.

Grandaddy was formed in 1992 by singer, guitarist and keyboardist Jason Lytle, bassist Kevin Garcia and drummer Aaron Burtch. The group was initially influenced by US punk bands such as Suicidal Tendencies and Bad Brains. Lytle was a former professional skateboarder, who had turned to music after a knee injury forced him to stop skating, working at a sewage treatment works to fund the purchase of equipment, and several of the band's early live performances were at skateboarding competitions.  The band members constructed a studio at the Lytle family home, and the band's first release was the self-produced cassette Complex Party Come Along Theories in April 1994. Singles "Could This Be Love" and "Taster" followed later that year. In 1995, guitarist Jim Fairchild (another ex-pro-skater who had guested with the band before) and keyboardist Tim Dryden joined the band. A second cassette, Don't Sock the Tryer was withdrawn, with the band instead releasing debut mini-album A Pretty Mess by This One Band in April 1996 on the Seattle-based Will label.  In 1997 they released their debut full-length album Under the Western Freeway, and, with the help of Howe Gelb, signed a UK deal with Big Cat Records (by then a subsidiary of V2), who reissued the album the following year. The album included the single "A.M. 180", which was featured during a sequence in the 2002 British film 28 Days Later. It was also used for the theme song for the BBC Four television series Charlie Brooker's Screenwipe, and in an advertisement for Colin Murray's BBC Radio 1 show. "A.M. 180" was also used in television commercials for the Dodge Journey automobile. One of the album's singles, "Summer Here Kids", was rated as "Single of the Week" by popular British music magazine NME, and was also used as the theme music for another Charlie Brooker-fronted show, BBC Radio 4's So Wrong It's Right. The album led to an increase in the band's popularity in Europe, and a main stage performance at the Reading Festival in 1998. The album was only a success in the US when later reissued by V2. With the band busy touring in 1999, their next release was the compilation The Broken Down Comforter Collection.

Using a quote from the above article, answer the following question: How did they get together?
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Answer: The group was initially influenced by US punk bands such as Suicidal Tendencies and Bad Brains.


Question: Feeder are a Welsh rock band formed in Newport, Wales. They have released ten studio albums, twelve compilations, four EPs, and 40 singles. They have spent a total of 182 weeks on the singles and albums charts combined as of 2017, and have accumulated 25 top 75 singles between 1997 and 2012. At their peak of commercial success, Feeder won two Kerrang!

For 1999's Yesterday Went Too Soon, the band decided to self-produce the album, brought in Matt Sime for engineering duties and had the album mixed in New York by Andy Wallace. "Dry" was re-recorded as a full band version after the original acoustic version appeared on "Suffocate" as a b-side. That single's b-sides featured tracks from the sessions for that album, therefore revealing what sort of direction it would take on. The working title for the album was originally A Life Through Headphones, and was originally set to be a double album. The name change was due to former Take That singer Robbie Williams releasing his solo debut album Life Thru a Lens, with the band not wanting to be compared to him.  When the album was released, the band's reputation was on the rise and it entered the UK albums chart at number eight, which was at the time an unexpected chart position for the band. Before that, the band had released the album's first single, "Day In Day Out", in March 1999 which charted at #31 followed by "Insomnia" at #22, resulting in their first appearance on Top of the Pops. A week before the album's release, the band played the main stage of the Reading and Leeds festivals, while the title track from the album was at #20 in the singles chart. The album was then released on 30 August 1999. Only one single was lifted from the album after its release, in which a re-recorded version of "Paperfaces" charted at #41.  Some of the album's lyrical themes were derived from Grant's personal perspective of working in a menial supermarket job on a daily basis ("Day in Day Out"), his experiences after gigs on their US tour ("Insomnia" and "You're My Evergreen"), past relationships (the title track and "Dry"), the music industry ("Hole in My Head") and "fear of commitment in relationships" ("Anaesthetic") amongst others. Musically, the album employed an indie rock feel to it, which also featured extended appearances of an acoustic guitar on some of its tracks.  The album was due for release in June, but this was delayed until August to include material written after its completion which the band felt was too good to leave off. Upon its release, the UK music press immediately warmed to the album, which also received Melody Maker 's Album of the Week accolade. The year ended with the band providing support for the Red Hot Chili Peppers at Wembley Arena and Manic Street Preachers at the Millennium Stadium. As of March 2003, the album has been certified gold shipping 100,000 units in the UK, with total counter sales standing at 110,000 as of February 2005. The album was Melody Maker's #24 album of 1999, while Metal Hammer placed the album in at #6 and Kerrang! ranked it at #16.

Using a quote from the above article, answer the following question: Was there a hit single on it?
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Answer:
the band had released the album's first single, "Day In Day Out", in March 1999 which charted at #31 followed by "Insomnia" at #22,