Answer the question at the end by quoting:

Bowring was born in Exeter of Charles Bowring (1769-1856), a wool merchant whose main market was China, from an old Unitarian family, and Sarah Jane Anne (d. 1828), the daughter of Thomas Lane, vicar of St Ives, Cornwall. His last formal education was at a Unitarian school in Moretonhampstead and he started work in his father's business at age 13. Bowring at one stage wished to become a Unitarian minister. Espousal of Unitarian faith was illegal in Britain until Bowring had turned 21.
Bowring had begun contributing to the newly founded Westminster Review and had been appointed its editor by Bentham in 1825. By his contributions to the Review he attained considerable repute as a political economist and parliamentary reformer. He advocated in its pages the cause of free trade long before it was popularized by Richard Cobden and John Bright, co-founders of the Anti-Corn Law League in Manchester in 1838.  He pleaded earnestly on behalf of parliamentary reform, Catholic emancipation, and popular education. Bentham failed in an attempt to have Bowring appointed professor of English or History at University College London in 1827 but, after Bowring visited the Netherlands in 1828, the University of Groningen conferred on him the degree of doctor of laws in February the next year for his Sketches of the Language and Literature of Holland. In 1830, he was in Denmark, preparing for the publication of a collection of Scandinavian poetry. As a member of the 1831 Royal Commission, he advocated strict parliamentary control on public expenditure, and considered the ensuing reform one of his main achievements. Till 1832, he was Foreign Secretary of the British and Foreign Unitarian Association.  Bowring was appointed Jeremy Bentham's literary executor a week before the latter's 1832 death in his arms, and was charged with the task of preparing a collected edition of his works. The appointment was challenged by a nephew but Bowring prevailed in court. The work appeared in eleven volumes in 1843, notably omitting Bentham's most controversial works on female sexuality and homosexuality.  Free trade took on the dimensions of faith to Bowring who, in 1841, quipped, "Jesus Christ is free trade and free trade is Jesus Christ", adding, in response to consternation at the proposition, that it was "intimitely associated with religious truth and the exercise of religious principles."

What did he do as an economist?

He pleaded earnestly on behalf of parliamentary reform, Catholic emancipation, and popular education.

IN: Marc Alexander Hunter was born in Taumarunui on 7 September 1953. In the late 1950s his family performed publicly where his father, Stuart, played saxophone, his mother, Voi, on piano and his older brother, Todd Hunter (born 1951), on guitar with Marc providing drums. He also grew up with two younger brothers, Ross and Brett. Hunter remembered, "We got guitars for Christmas one year, I broke mine but Todd played his.

Marc Hunter travelled overseas to recuperate, he visited Morocco and London. Back in Australia he signed a recording deal with CBS, which issued his debut solo album, Fiji Bitter, in November 1979. For the sessions he used Todd on bass guitar, John Annas on drums (ex-Kevin Borich Express), Harvey James on guitar (from Sherbet), and Terry Wilson on guitar (ex-Original Batter-sea Heroes, Wasted Daze).  Fiji Bitter was recorded at Studio 301, Sydney with Richard Lush producing and engineering - Hunter wrote or co-wrote most of its tracks. The album's lead single, "Island Nights" (July), peaked at No. 20. He formed Marc Hunter and the Romantics, with Annas and James, to promote the album. Two more singles, "Don't Take Me" (November) and "When You Walk in the Room" (January 1980), appeared - neither reached the top 50.  In 1980 Hunter, on lead vocals, formed an R&B group in Sydney, the Headhunters, with Todd on bass guitar (by then ex-Dragon), Kevin Borich on guitar, Mick Cocks on guitar (ex-Rose Tattoo), John Watson on drums (ex-Kevin Borich Express). Australian musicologist, Ian McFarlane, described them as "an ad hoc aggregation of musicians who were drawn together by a love of playing raucous R&B".  Hunter resumed his solo career with his second album, Big City Talk, which appeared in August 1981 on PolyGram/Mercury labels. It was co-produced by Hunter and Todd. Debbie Muir of The Canberra Times, felt it "covered a wide range of material that bore some resemblance to his last album, Fiji Bitter, but was totally different to his old, Dragon days." He had used session musicians: Borich, Dave Mason (of The Reels) and Mark Punch (ex-Renee Geyer Band). Muir's fellow journalist at The Canberra Times, Garry Raffaele, opined that it "is flat, directionless, unexciting, effete rock and roll. It is devoid of feeling."  On working as a solo artist, he declared, "I am happier now on my own. I was in a wretched state of mind when I was in the band... I miss the camaraderie involved but then I prefer to make my own decisions." The title track, "Big City Talk", was released as a single in July and reached No. 25. Follow up singles, "(Rock'n'Roll is) a Loser's Game" (September), "Side Show" (November) and "Nothing but a Lie" (May 1982) did not chart. In 1981 he formed the Marc Hunter Band and in October they toured Australia with Renee Geyer; the set included a duet by Hunter and Geyer. During 1982 Hunter was working with US-born keyboardist and record producer, Alan Mansfield. In March of that year he was arrested for "$4500 in unpaid parking fines", he described his jail cell as "unbelievably filthy."

Who were the members of Marc Hunter and the Romantics?

OUT:
with Annas and James,