IN: Johnnie Mae Young was born in Sand Springs, Oklahoma on March 12, 1923. She was the youngest of eight children (one died at birth). Her mother Lilly Mae Young was a single mother (her partner left to find work and never returned) living during the Great Depression. Young's oldest sister Inie was severely disabled by whooping cough at a very young age.

While still in high school, Young went to a professional wrestling show and challenged then-champion Mildred Burke when she visited Tulsa to wrestle Gladys Gillem. Because the promoters told her she could not wrestle the champion, she wrestled Gillem in a shoot fight, beating her within seconds. After the fight, promoter Billy Wolfe wanted Young to become a professional wrestler. She left home two years later to wrestle professionally. Young later travelled to Charlotte, North Carolina where she met and trained with The Fabulous Moolah and also met Ed "Strangler" Lewis whom told her "I don't like girl wrestlers, women should be in the kitchen, but after seeing you, you was born to be a wrestler."  There have been conflicting reports as to the year in which Young began her career. Young claimed her first match was August 20, 1939, while WWE said she "started her professional career" this year. However, Young also once said her first match was March 22, 1940. According to Dave Meltzer of The Wrestling Observer, historians have been unable to find any records that she began in 1939 and that her first match was most likely in 1941. Meltzer wrote, "In reality, Young is believed to have competed in seven decades, matching the record held by Lou Thesz. [...] You really couldn't call [her] 2010 match anything resembling a pro wrestling match, even giving as much leeway as possible. While she always claimed to have started in 1939, at 16, historians researching have been unable to find any records of her wrestling prior to 1941, when she turned 18 and went on tour with Billy Wolfe's troupe."  In 1941, Young, along with Mildred Burke, opened up Canada for female wrestling. In Canada, they worked for Stu Hart. She was wrestling in Memphis, Tennessee on December 7, 1941, the day that Pearl Harbor was bombed by the Japanese, which led to the United States entering World War II. During the war, Young helped women take advantage of the fact that the men were fighting overseas by expanding their role in the sport.

Where was her first professional appearance?

OUT: There have been conflicting reports as to the year in which Young began her career. Young claimed her first match was August 20, 1939, while WWE said

Answer the question at the end by quoting:

Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.
Parker's life was riddled with depression and heroin addiction. This addiction caused him to miss performances and be considered unemployable. He frequently resorted to busking, receiving loans from fellow musicians and admirers, and pawning his saxophones for drug money. Heroin use was rampant in the jazz scene, and users could acquire it with little difficulty.  Although he produced many brilliant recordings during this period, Parker's behavior became increasingly erratic. Heroin was difficult to obtain once he moved to California, where the drug was less abundant, so he used alcohol as a substitute. A recording for the Dial label from July 29, 1946, provides evidence of his condition. Before this session, Parker drank a quart of whiskey. According to the liner notes of Charlie Parker on Dial Volume 1, Parker missed most of the first two bars of his first chorus on the track, "Max Making Wax". When he finally did come in, he swayed wildly and once spun all the way around, away from his microphone. On the next tune, "Lover Man", producer Ross Russell physically supported Parker. On "Bebop" (the final track Parker recorded that evening) he begins a solo with a solid first eight bars; on his second eight bars, however, he begins to struggle, and a desperate Howard McGhee, the trumpeter on this session, shouts, "Blow!" at him. Charles Mingus considered this version of "Lover Man" to be among Parker's greatest recordings, despite its flaws. Nevertheless, Parker hated the recording and never forgave Ross Russell for releasing it. He re-recorded the tune in 1951 for Verve.  Parker's life took a turn for the worst when his 2 year old daughter tragically passed away from pneumonia. He attempted suicide twice in 1954, which landed him in a mental hospital.  When Parker received his discharge from the hospital, he was clean and healthy. Before leaving California, he recorded "Relaxin' at Camarillo" in reference to his hospital stay. He returned to New York, resumed his addiction to heroin and recorded dozens of sides for the Savoy and Dial labels, which remain some of the high points of his recorded output. Many of these were with his so-called "classic quintet" including Davis and Roach.

was he ever in rehab



input: Journey's album sales did not improve and Columbia Records requested that they change their musical style and add a frontman, with whom keyboardist Gregg Rolie could share lead vocal duties. The band hired Robert Fleischman and transitioned to a more popular style, akin to that of Foreigner and Boston. Journey went on tour with Fleischman in 1977 and together the new incarnation of the band wrote the hit "Wheel in the Sky"; however, management differences resulted in Fleischman leaving within the year.  In late 1977, Journey hired Steve Perry as their new lead singer. Herbie Herbert, the band's manager, also hired Roy Thomas Baker as a producer to add a layered sound approach as Baker had done with his previous band, Queen. With their new lead singer and talented new producer, Journey released their fourth album, Infinity (1978). This album set Journey on their road to stardom with their first RIAA-certified platinum album. This album, with their hit song "Wheel in the Sky" (#57 U.S.), set Journey on a new path with a more mainstream sound to make their highest chart success to date.  In late 1978, manager Herbie Herbert fired drummer Aynsley Dunbar, who joined Bay Area rivals Jefferson Starship shortly thereafter. He was replaced by Berklee-trained jazz drummer Steve Smith. Perry, Schon, Rolie, Smith and Valory recorded Evolution (1979), which gave the band their first Billboard Hot 100 Top 20 single, "Lovin', Touchin', Squeezin'" (#16); and Departure (1980), which reached No. 8 on the album charts.  Journey's newfound success brought the band an almost entirely new fan base. During the 1980 Departure world tour, the band recorded a live album, Captured.  Keyboardist Gregg Rolie then left the band, the second time in his career he left a successful act. Keyboardist Stevie "Keys" Roseman was brought in to record the lone studio track for Captured, "The Party's Over (Hopelessly in Love)," but Rolie recommended pianist Jonathan Cain of The Babys as the permanent replacement. With Cain's replacement of Rolie's Hammond B-3 organ with his own synthesizers, the band was poised for a new decade in which they would achieve their greatest musical success.

Answer this question "Did it have a hit single?"
output:
their hit song "Wheel in the Sky" (#