Question:
The Shadow is the name of a collection of serialized dramas, originally in 1930s pulp novels, and then in a wide variety of media, and it is also used to refer to the character featured in The Shadow media. One of the most famous adventure heroes of the 20th century United States, the Shadow has been featured on the radio, in a long-running pulp magazine series, in American comic books, comic strips, television, serials, video games, and at least five films. The radio drama included episodes voiced by Orson Welles. Originally simply a mysterious radio narrator who hosted a program designed to promote magazine sales for Street and Smith Publications, The Shadow was developed into a distinctive literary character, later to become a pop culture icon, by writer Walter B. Gibson in 1931.
In 1994 the character was adapted once again into a feature film, The Shadow, starring Alec Baldwin as Lamont Cranston and Penelope Ann Miller as Margo Lane. As the film opens, Cranston has become the evil and corrupt Yin-Ko (literally "Dark Eagle"), a brutal warlord and opium smuggler in early 1930s Mongolia. Yin-Ko is kidnapped by agents of the mysterious Tulku, who begins to reform the warlord using the psychic power of his evolved mind to restore Cranston's humanity. The Tulku also teaches him the ability to "cloud men's minds" using psychic power in order to fight evil in the world. Cranston eventually returns to his native New York City and takes up the guise of the mysterious crime fighter "The Shadow", in payment to humanity for his past evil misdeeds: "Who knows what evil lurks in the hearts of men? The Shadow knows..."  His nemesis in the film is adapted from the pulp series' long-running Asian villain (and for the film, a fellow telepath), the evil Shiwan Khan (John Lone), a descendant of Genghis Khan. He seeks to finish his ancestor's legacy of conquering the world by first destroying New York City, using a newly developed atomic bomb, in a show of his power. Khan nearly succeeds in this, but he is thwarted by The Shadow in a final psychic duel of death: Cranston, as The Shadow, imposes his will on, and defeats, Khan during a psychokinetically enhanced battle in a mirrored room, which has exploded into thousands of flying mirror shards. Focusing his mind's psychokinetic power, The Shadow flips a flying piece of jagged mirror in mid-air and then hurls it directly at a spot on Khan's forehead; this does not kill him, it renders him unconscious. To save both the warlord and the world, The Shadow secretly arranges with one of his agents, an administrative doctor at an unidentified New York asylum for the criminally insane, to have Khan locked away permanently in a padded cell; Khan's badly-injured frontal lobe, which controlled his psychic powers, having been surgically removed.  The film combines elements from The Shadow pulp novels and comic books with the aforementioned ability to cloud minds described only on the radio show. In the film Alec Baldwin, as The Shadow, wears a red-lined black cloak and a long red scarf that covers his mouth and chin; he also wears a black, double-breasted trench coat and a wide-brimmed, black slouch hat; as in the pulp novels, he is armed with a pair of Browning .45-caliber semi-automatic pistols that for the film have longer barrels, are nickel-plated, and have ivory handles. The film also displays a first: Cranston's ability to conjure a false face whenever he is in his guise as The Shadow, in keeping with his physical portrayal in the pulps and the comics.  The film was financially and critically unsuccessful.
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How did the film do at the box office?

Answer:
The film was financially and critically unsuccessful.


Question:
Tori Amos (born Myra Ellen Amos, August 22, 1963) is an American singer-songwriter, pianist, and composer. She is a classically trained musician with a mezzo-soprano vocal range. Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She was expelled at the age of eleven for what Rolling Stone described as "musical insubordination.
With her Atlantic contract fulfilled after a 15-year stint, Amos signed to Epic in late 2001. In October 2002, Amos released Scarlet's Walk, another concept album. Described as a "sonic novel", the album explores Amos's alter ego, Scarlet, intertwined with her cross-country concert tour following 9/11. Through the songs, Amos explores such topics as the history of America, American people, Native American history, pornography, masochism, homophobia and misogyny. The album had a strong debut at No. 7 on the Billboard 200. Scarlet's Walk is Amos's last album to date to reach certified gold status from the RIAA.  Not long after Amos was ensconced with her new label, she received unsettling news when Polly Anthony resigned as president of Epic Records in 2003. Anthony had been one of the primary reasons Amos signed with the label and as a result of her resignation, Amos formed the Bridge Entertainment Group. Further trouble for Amos occurred the following year when her label, Epic/Sony Music Entertainment, merged with BMG Entertainment as a result of the industry's decline. Amos would later hint in interviews that during the creation of her next album, those in charge at the label following the aforementioned merger were interested "only in making money", the effects of which on the album have not been disclosed.  Amos released two more albums with the label, The Beekeeper (2005) and American Doll Posse (2007). Both albums received generally favorable reviews. The Beekeeper was conceptually influenced by the ancient art of beekeeping, which she considered a source of female inspiration and empowerment. Through extensive study, Amos also wove in the stories of the Gnostic gospels and the removal of women from a position of power within the Christian church to create an album based largely on religion and politics. The album debuted at No. 5 on the Billboard 200, placing her in an elite group of women who have secured five or more US Top 10 album debuts. While the newly merged label was present throughout the production process of The Beekeeper, Amos and her crew nearly completed her next project, American Doll Posse, before inviting the label to listen to it. American Doll Posse, another concept album, is fashioned around a group of girls (the "posse") who are used as a theme of alter-egos of Amos's. Musically and stylistically, the album saw Amos return to a more confrontational nature. Like its predecessor, American Doll Posse debuted at No. 5 on the Billboard 200.  During her tenure with Epic Records, Amos also released a retrospective collection titled Tales of a Librarian (2003) through her former label, Atlantic Records; a two-disc DVD set Fade to Red (2006) containing most of Amos's solo music videos, released through the Warner Bros. reissue imprint Rhino; a five disc box set titled A Piano: The Collection (2006), celebrating Amos's 15-year solo career through remastered album tracks, remixes, alternate mixes, demos, and a string of unreleased songs from album recording sessions, also released through Rhino; and numerous official bootlegs from two world tours, The Original Bootlegs (2005) and Legs & Boots (2007) through Epic Records.
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Did the album perform well?

Answer:
had a strong debut at No. 7 on the Billboard 200. Scarlet's Walk is Amos's last album to date to reach certified gold status