Background: Michael Craig Judge (born October 17, 1962) is an American actor, animator, writer, producer, director and musician. Judge is the creator of the television series Beavis and Butt-Head (1993-97, 2011), and co-creator of the television series King of the Hill (1997-2010), The Goode Family (2009), Silicon Valley (2014-present), and Mike Judge Presents: Tales from the Tour Bus (2017). He also wrote and directed the films Beavis and Butt-Head Do America (1996), Office Space (1999), Idiocracy (2006) and Extract (2009). Raised in New Mexico, Judge graduated from University of California, San Diego, where he studied physics.
Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes.
Question: What did this mean to him
Answer: The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"),

Problem: Background: William Clark Styron Jr. (June 11, 1925 - November 1, 2006) was an American novelist and essayist who won major literary awards for his work. Styron was best known for his novels, including: Lie Down in Darkness (1951), his acclaimed first work, published when he was 26; The Confessions of Nat Turner (1967), narrated by Nat Turner, the leader of an 1831 Virginian slave revolt; Sophie's Choice (1979), a story "told through the eyes of a young aspiring writer from the South, about a Polish Catholic survivor of Auschwitz and her brilliant but psychotic Jewish lover in postwar Brooklyn". In 1985, he suffered from his first serious bout with depression.
Context: Styron's next two novels, published between 1967 and 1979, sparked much controversy. Feeling wounded by his first truly harsh reviews, for Set This House on Fire, Styron spent the years after its publication researching and writing his next novel, the fictitious memoirs of the historical Nathaniel "Nat" Turner, a slave who led a slave rebellion in 1831.  During the 1960s, Styron became an eyewitness to another time of rebellion in the United States, living and writing at the heart of that turbulent decade, a time highlighted by the counterculture revolution with its political struggle, civil unrest, and racial tension. The public response to this social upheaval was furious and intense: battle lines were being drawn. In 1968, Styron signed the "Writers and Editors War Tax Protest" pledge, a vow refusing to pay taxes as a protest against the Vietnam War.  In this atmosphere of dissent, many had criticized Styron's friend James Baldwin for his novel Another Country, published in 1962. Among the criticisms was outrage over a black author choosing a white woman as the protagonist in a story that tells of her involvement with a black man. Baldwin was Styron's house guest for several months following the critical storm generated by Another Country. During that time, he read early drafts of Styron's new novel, and predicted that Styron's book would face even harsher scrutiny than Another Country. "Bill's going to catch it from both sides," he told an interviewer immediately following the 1967 publication of The Confessions of Nat Turner.  Baldwin's prediction was correct, and despite public defenses of Styron by leading artists of the time, including Baldwin and Ralph Ellison, numerous other black critics reviled Styron's portrayal of Turner as racist stereotyping. The historian and critic John Henrik Clarke edited and contributed to a polemical anthology, William Styron's Nat Turner: Ten Black Writers Respond, published in 1968 by Beacon Press. Particularly controversial was a passage in which Turner fantasizes about raping a white woman. Styron also writes of a situation where Turner and another slave boy have a homosexual encounter while alone in the woods. Several critics pointed to this as a dangerous perpetuation of a traditional Southern justification for lynching. Despite the controversy, the novel was a runaway critical and financial success, and won both the 1968 Pulitzer Prize for Fiction, and the William Dean Howells Medal in 1970.
Question: Did William apologize for his portrayal?
Answer: