input: Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with the Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, the Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd.  In early 1966 in Toronto, Young met Bruce Palmer, a Canadian who was playing bass for a group called the Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews--James Ambrose Johnson, Jr., later known as Rick James--was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal canceled, Young and Palmer headed for Los Angeles, where they encountered Stills.  Drummer Dewey Martin, who had played with garage rock group the Standells and country artists such as Patsy Cline and the Dillards, joined at the suggestion of the Byrds' manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on April 11, 1966, at The Troubadour in Hollywood. A few days later, they began a short tour of California as the opening act for the Dillards and the Byrds.

Answer this question "Who were some of the other acts they performed with?"
output: Drummer Dewey Martin, who had played with garage rock group the Standells and country artists such as Patsy Cline

input: Bobby Eaton later turned face, he teamed with "Stagger Lee" for a series of matches. During a tag-team tournament in 1983, the masked Stagger Lee teamed up with fellow face Norvell Austin to take on "Fargo's Fabulous Ones" (Tommy Rich and "Hot Stuff" Eddie Gilbert). During the course of the match Stagger Lee's mask was removed to reveal the man beneath it, prompting a heel turn for Ware. Austin and Ware became a regular tag team dubbed the Pretty Young Things or ("the PYT Express"). The two men soon began wearing red leather jackets, and each had a single white glove on, in an obvious imitation of Michael Jackson to further enhance their "pretty boy" image.  The team defeated Elijah Akeem and Kareem Mohammad for the AWA Southern Tag Team Championship in February 1984; almost two weeks later, Akeem and Mohammad regained the title. The PYT Express remained in Memphis for a period of time after this before moving on to other promotions such as Mid-South Wrestling, World Class Championship Wrestling in Texas and Championship Wrestling from Florida. On February 26, 1985 Austin and Ware defeated Jay and Mark Youngblood to win the NWA Florida United States Tag Team Championship. Two weeks later on March 5, 1985 the team re-lost the title to the Youngbloods. After dropping the gold in Florida, the Pretty Young Things returned to the federation that first put them together, the Continental Wrestling Association. There, they won the AWA Southern Tag Team title twice, both times from The Fabulous Ones (Steve Keirn and Stan Lane) as they feuded with the top face team of the promotion.  After the PYT's disbanded, Koko moved on to Bill Watts' Mid-South/UWF territory, where he started calling himself Koko B. Ware. Ware's persona was that of a face who entered the ring to the theme of Morris Day's "The Bird", doing an arm-flapping dance.

Answer this question "How popular was Pretty Young Things?"
output: The PYT Express remained in Memphis for a period of time

input: In 1980, Reed married British designer Sylvia Morales. Morales inspired Reed to write several songs, particularly "Think It Over" from 1980's Growing Up in Public and "Heavenly Arms" from 1982's The Blue Mask. After Legendary Hearts (1983) and New Sensations (1984), Reed was sufficiently reestablished as a public figure to become spokesman for Honda motorcycles. In the early 1980s, Reed worked with guitarists including Chuck Hammer on Growing Up in Public, and Robert Quine on The Blue Mask and Legendary Hearts.  The New York Times observed in 1998 that in the 1970s, Reed had a distinctive persona: "Back then he was publicly gay, pretended to shoot heroin onstage, and cultivated a 'Dachau panda' look, with cropped peroxide hair and black circles painted under his eyes." The newspaper wrote that in 1980, "Reed renounced druggy theatrics, even swore off intoxicants themselves, and became openly heterosexual, openly married."  On September 22, 1985, Reed performed at the first Farm Aid concert in Champaign, Illinois. He performed "Doin' the Things That We Want To", "I Love You, Suzanne", "New Sensations" and "Walk on the Wild Side" as his solo set, later playing bass for Roy Orbison during his set. In June 1986, Reed released Mistrial (co-produced with Fernando Saunders). To support the album, he released two music videos: "No Money Down" and "The Original Wrapper". In the same year, he joined Amnesty International's A Conspiracy of Hope short tour and was outspoken about New York City's political issues and personalities.  The 1989 album New York, which commented on crime, AIDS, Jesse Jackson, Kurt Waldheim and Pope John Paul II, became his second gold-certified work when it passed 500,000 sales in 1997. Reed was nominated for a Grammy Award for best male rock vocal performance for the album.

Answer this question "When did he get married?"
output:
In 1980, Reed married British designer Sylvia Morales.