Background: Frank Vincent Zappa (December 21, 1940 - December 4, 1993) was an American musician, composer, activist and filmmaker. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity, and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrete works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers.
Context: Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to one on Woodrow Wilson Drive. This was Zappa's home for the rest of his life. Despite being a success with fans in Europe, the Mothers of Invention were not faring well financially. Their first records were vocally oriented, but Zappa wrote more instrumental jazz and classical oriented music for the band's concerts, which confused audiences. Zappa felt that audiences failed to appreciate his "electrical chamber music".  In 1969 there were nine band members and Zappa was supporting the group himself from his publishing royalties whether they played or not. 1969 was also the year Zappa, fed up with MGM Records' interference, left them for Warner Bros. Records' Reprise subsidiary where Zappa/Mothers recordings would bear the Bizarre Records imprint.  In late 1969, Zappa broke up the band. He often cited the financial strain as the main reason, but also commented on the band members' lack of sufficient effort. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's concern for perfection at the expense of human feeling. Others were irritated by 'his autocratic ways', exemplified by Zappa's never staying at the same hotel as the band members. Several members played for Zappa in years to come. Remaining recordings with the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970).  After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, "Peaches en Regalia", which reappeared several times on future recordings. He was backed by jazz, blues and R&B session players including violinist Don "Sugarcane" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and previous member of the Mothers of Invention Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart (providing vocals to the only non-instrumental track, "Willie the Pimp"). It became a popular album in England, and had a major influence on the development of the jazz-rock fusion genre.
Question: did they release any albums or singles together?
Answer: Remaining recordings with the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970).

Background: Curly Howard was born Jerome Lester Horwitz in the Bensonhurst section of the Brooklyn borough of New York City, on October 22, 1903. Of Lithuanian Jewish ancestry, he was the youngest of the five sons of Jennie (Gorovitz) and Solomon Horwitz. Because he was the youngest, his brothers called him "Babe" to tease him. The name "Babe" stuck with him all his life, although when his elder brother Shemp Howard married Gertrude Frank, who was also nicknamed "Babe", the brothers called him "Curly" to avoid confusion.
Context: By 1944, Howard's energy began to wane. Films like Idle Roomers (1944) and Booby Dupes (1945) present a Curly whose voice was deeper and his actions slower. It is believed that he suffered the first of many strokes between the filming of Idiots Deluxe (October 1944) and If a Body Meets a Body (March 1945). After the filming of the feature length Rockin' in the Rockies (December 1944), he finally checked himself (at Moe Howard's insistence) into Cottage Hospital in Santa Barbara, California, on January 23, 1945, and was diagnosed with extreme hypertension, a retinal hemorrhage, and obesity. His ill health forced him to rest, leading to only five shorts being released in 1945 (the normal output was six to eight per year).  The Three Stooges: An Illustrated History, From Amalgamated Morons to American Icons by Michael Fleming, states that Moe Howard pleaded with Harry Cohn to allow his younger brother some time off upon discharge to regain his strength, but Cohn would not halt the production of his profitable Stooge shorts and flatly refused his request. Other sources state the Stooges had five months off between August 1945 and January 1946. They used that time to book themselves a feature film at Monogram, and then leave on a 2-month live performance commitment in New York City working shows 7 days per week. During that NYC appearance, Howard met and married his 3rd wife Marion Buxbaum, a bad relationship that further deteriorated his health and morale. Returning to L.A. in late November 1945, Howard was a shell of his former self. With two months rest, the team's 1946 schedule at Columbia commenced in late January, but involved only 24 days work during February - early May. In spite of 8 weeks' time off in that same period, Howard's condition continued to deteriorate.  By early 1946, Howard's voice had become even more coarse than before, and it was increasingly difficult for him to remember even the simplest dialogue. He had lost a considerable amount of weight, and lines had creased his face.
Question: Was he unable to work during this time?
Answer:
His ill health forced him to rest, leading to only five shorts being released in 1945