Some context: Dame Helen Lydia Mirren,  (nee Mironoff; born 26 July 1945) is an English actor. Mirren began her acting career with the Royal Shakespeare Company in 1967, and is one of the few performers who have achieved the Triple Crown of Acting. She won the Academy Award for Best Actress in 2007 for her performance as Queen Elizabeth II in The Queen and received the Olivier Award for Best Actress and Tony Award for Best Actress in a Play for the same role in The Audience. Mirren's other Academy Award nominations include The Madness of King George (1994), Gosford Park (2001) and The Last Station (2009).
As a result of her work for the National Youth Theatre, Mirren was invited to join the Royal Shakespeare Company (RSC). While with the RSC, she played Castiza in Trevor Nunn's 1966 staging of The Revenger's Tragedy, Diana in All's Well That Ends Well (1967), Cressida in Troilus and Cressida (1968), Rosalind in As You Like It (1968), Julia in The Two Gentlemen of Verona (1970), Tatiana in Gorky's Enemies at the Aldwych (1971), and the title role in Miss Julie at The Other Place (1971). She also appeared in four productions, directed by Braham Murray for Century Theatre at the University Theatre in Manchester, between 1965 and 1967.  In 1970, the director/producer John Goldschmidt made a documentary film, Doing Her Own Thing, about Mirren during her time with the Royal Shakespeare Company. The film was made for ATV and shown on the ITV Network in the UK. In 1972 and 1973, Mirren worked with Peter Brook's International Centre for Theatre Research, and joined the group's tour in North Africa and the US, during which they created The Conference of the Birds. She then rejoined the RSC, playing Lady Macbeth at Stratford in 1974 and at the Aldwych Theatre in 1975.  Sally Beauman reported, in her 1982 history of the RSC, that Mirren--while appearing in Nunn's Macbeth (1974), and in a highly publicised letter to The Guardian newspaper--had sharply criticised both the National Theatre and the RSC for their lavish production expenditure, declaring it "unnecessary and destructive to the art of the Theatre," and adding, "The realms of truth, emotion and imagination reached for in acting a great play have become more and more remote, often totally unreachable across an abyss of costume and technicalities..." According to Beauman, there were no discernible repercussions for this rebuke of the RSC.
What significant events occurred during her early years?
A: As a result of her work for the National Youth Theatre, Mirren was invited to join the Royal Shakespeare Company (RSC).
Some context: Robert Walls (born 21 July 1950) is a former Australian rules footballer who represented Carlton and Fitzroy in the Victorian Football League (VFL) during the 1960s and 1970s. In a playing career that spanned three decades Robert played a combined 259 games and kicked a total of 444 goals. Throughout the 1980s and 1990s he continued to coach in the VFL/AFL for a total of 347 games across four different clubs. As a coach, his greatest achievement came in 1987 when he coached Carlton to the 1987 VFL premiership, the same club he won premierships with as player in 1968, 1970 and 1972.
Walls coached the Brisbane Bears from 1991-1995. It took until the early 2000s for Robert's style of coaching to surface as a method that had become outdated, and criticised in the football and wider community. Robert would coach Brisbane Bears for 109 games (30 wins - 78 losses - 1 draw).  It was revealed in the video "Passion To Play" that in Walls first year as Bears coach in 1991, as disciplinary action Walls authorised his players to don boxing gloves and beat 21-year-old teammate Shane Strempel repetitively in the head until he was severely bashed and bloodied after which Strempel quit playing football. Walls' coaching style was criticised about the incident by Kevin Sheedy who has several times questioned his credibility as a football coach.  In his last season, 1995, he had been told after Round 15 that with 4 wins and 11 losses for the season, he would not be re-appointed for 1996. But a major turning point in the season for the Bears soon came. In Round 16, against Hawthorn, Brisbane trailed by 45 points at 3-quarter time and ended up winning by 7, which remains a VFL/AFL record for the biggest 3-quarter time deficit turned into a win.  From there, the Bears continued their run and won 6 of their next 7 games. They found themselves in eighth position, and qualifying for the finals, after being second-last just 7 weeks earlier. They faced Carlton, the top ranked side in week one of the finals, and went down by just 13 points, a monumental achievement considering Carlton won the next two weeks by more than 10 goals to claim the premiership. Despite this turnaround, a change of heart was not considered, and Walls moved to Richmond the following year to coach.
Were any team mates  arrested for the assault?
A: 
Some context: The Bravery was an American rock band formed in New York City in 2003 that consisted of lead vocalist Sam Endicott, guitarist Michael Zakarin, keyboardist John Conway, bassist Mike Hindert and drummer Anthony Burulcich. It released three studio albums: The Bravery (2005), The Sun and the Moon (2007) and Stir the Blood (2009). It also released a remixed edition of its second album called The Sun and the Moon Complete in 2008 and an Internet live album called Live at the Wiltern Theater in 2010. Their music can be best described as post-punk dance influenced rock and roll.
Frontman-songwriter Sam Endicott and keyboardist John Conway were classmates at Vassar College in Poughkeepsie, New York. As freshmen, their musical partnership began while playing local bars in numerous recording projects, sometimes including future CSI: Miami star Jonathan Togo. After graduating, Endicott and Conway moved to New York City, where Endicott switched from bass guitar to vocals and began writing music that would later become "The Bravery".  Guitarist Michael Zakarin joined after answering an advert in a local paper, and brought with him bassist Mike Hindert, a classmate of his from Georgetown University in Washington, DC. Drummer Anthony Burulcich was living in Boston, Massachusetts where he had studied percussion at Berklee College of Music. After his sister's death, Burulcich moved back to his childhood home in Long Island New York to be with his family. On the day Burulcich was moving, while driving with his belongings in a U-Haul truck, Endicott called him. Endicott and Burulcich were introduced by mutual friends from the New York band Bishop Allen. Though Burulcich is the official drummer for the band, many of the drums on the debut album were recorded prior to Burulcich joining the band, by Steven Lourie of Boston band Lincoln Conspiracy.  The band played their first gig at the Stinger Club in Brooklyn in November 2003. To promote their local shows, they manufactured 1,000 posters and 3 song cd samplers containing the songs "An Honest Mistake", "No Brakes" and "Public Service Announcement". Both items featured the iconic "Phoenix" image by New York artist C. Finley. The same artwork later became the cover of The Bravery's debut album. The band self promoted themselves by handing out CDs and postering the Lower East Side of Manhattan and Brooklyn. The band also promoted themselves on the internet and were one of the first bands on MySpace to have a profile. Their MySpace profile pointed to thebravery.com, where the same 3 songs were available as downloadable MP3s.
what was their biggest hit?
A: