input: As a teen, Lennox began listening to electronic music styles such as house and techno, and artists such as Aphex Twin, all of which became a major influence on his later work. He recorded and performed music--solo and with friends. Lennox started using the name "Panda Bear" because he drew pictures of pandas for the artwork of his recordings.  Lennox had been friends with Deakin (Josh Dibb) since the second grade. Deakin introduced Lennox to his high school friends Avey Tare (Dave Portner) and Geologist (Brian Weitz). For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations. Lennox, along with Deakin moved to New York in 2000. The band then became more collaborative in nature and they finally settled on the name "Animal Collective".  Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows. He has named Black Dice as a major influence stating "Black Dice took us on our first tour and I feel like the wisest things I've learned about being in a band I learned by watching them." He said he looks to Black Dice "as a model for a band... I feel like as a band, I can't speak for the other guys [of Animal Collective], but certainly for myself, like I modelled the way I approach to everything with the band watching the way Black Dice did it." In addition to singing, Lennox played drums and occasionally guitar in Animal Collective's live performances. He cites Stewart Copeland as the biggest influence on his drumming style.

Answer this question "Is there anything else that's interesting about Animal Collective?"
output: Lennox started using the name "Panda Bear" because he drew pictures of pandas for the artwork of his recordings.

Problem: Background: Mays was born in 1931 in Westfield, Alabama. His father, Cat Mays, was a talented baseball player with the Negro team for the local iron plant. His mother, Annie Satterwhite, was a gifted basketball and track star in high school. His parents never married.
Context: Mays began his major league career on a sour note, with no hits in his first 12 at bats. On his 13th at-bat, however, he hit a towering home run over the left field roof of the Polo Grounds off of future Hall of Famer Warren Spahn. Spahn later joked, "I'll never forgive myself. We might have gotten rid of Willie forever if I'd only struck him out." Mays's batting average improved steadily throughout the rest of the season. Although his .274 average, 68 RBI and 20 homers (in 121 games) were among the lowest of his career, he still won the 1951 Rookie of the Year Award. During the Giants' comeback in August and September 1951 to tie the Dodgers in the pennant race, Mays' fielding and strong throwing arm were instrumental to several important Giants victories. Mays was in the on-deck circle when Bobby Thomson hit the Shot Heard 'Round the World against Ralph Branca and the Brooklyn Dodgers to win the three-game playoff 2-1 after the teams were tied at the end of the regular season.  The Giants went on to meet the New York Yankees in the 1951 World Series. In Game 1, Mays, Hank Thompson and Hall of Famer Monte Irvin comprised the first all-African-American outfield in major league history four years after the color line was broken. Mays hit poorly while the Giants lost the series 4-2. The six-game set was the only time that Mays and retiring Yankee ace Joe DiMaggio would compete against each other.  Mays was a popular figure in Harlem. Magazine photographers were fond of chronicling his participation in local stickball games with kids. It was said that in the urban game of hitting a rubber ball with an adapted broomstick handle, Mays could hit a shot that measured "six sewers" (the distance of six consecutive New York City manhole covers, nearly 300 feet).
Question: How long did he play before he went into the major league?
Answer: 

Question: Chumbawamba  were a British band that formed in 1982 and dissolved in 2012. The band constantly shifted in musical style, drawing on genres such as punk rock, pop, folk, and experimental. Their anarchist or libertarian socialist political stance exhibited an irreverent attitude toward authority, and the band have been forthright in their stances on issues including animal rights, pacifism (early in their career) and later regarding class struggle, feminism, gay liberation, pop culture and anti-fascism. The band are best known for their song "Tubthumping", which was nominated for Best British Single at the 1998 Brit Awards.

By the mid-1980s Chumbawamba had begun to release material using the vinyl format on their own Agit-Prop record label, which had evolved from an earlier project, Sky and Trees Records. The first release was the Revolution EP in 1985, which quickly sold out of its initial run, and was re-pressed, reaching No. 4 in the UK Indie Chart, and staying in the chart for 34 weeks. The first LP, Pictures of Starving Children Sell Records (1986) was a critique of the Live Aid concert organised by Bob Geldof, which the band argued was primarily a cosmetic spectacle designed to draw attention away from the real political causes of world hunger.  The band toured Europe with Dutch band the Ex, and a collaboration between members of the two bands, under the name "Antidote", led to the release of an EP, Destroy Fascism!, inspired by hardcore punk band Heresy, with whom they had also toured. Both the Ex and Chumbawamba were released on cassette tape in Poland during this period, when music censorship was entrenched in Iron Curtain nations. The "RED" label, based in Wroclaw in south-west Poland during the late 1980s, only released cassette tapes and, despite the limits enforced by Polish authorities, was able to release Chumbawamba's music, in addition to bands from the USSR, East Germany and Czechoslovakia.  Chumbawamba's second album, Never Mind the Ballots...Here's the Rest of Your Lives, was released in 1987, coinciding with the general election, and questions the validity of the British democratic system of the time. The band adopted another moniker, Scab Aid, for the "Let It Be" song release that parodied a version of the Beatles song recorded by the popstar supergroup Ferry Aid to raise money for victims of the Zeebrugge ferry disaster.  The 1988 album English Rebel Songs 1381-1984, originally released as English Rebel Songs 1381-1914, was a recording of traditional songs.

Using a quote from the above article, answer the following question: How many records did they sell under that label?
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Answer:
and was re-pressed, reaching No. 4 in the UK Indie Chart, and staying in the chart for 34 weeks.