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The New York Public Library (NYPL) is a public library system in New York City. With nearly 53 million items and 92 locations, the New York Public Library is the second largest public library in the United States (behind the Library of Congress), and fourth largest in the world. It is a private, non-governmental, independently managed, nonprofit corporation operating with both private and public financing. The library has branches in the boroughs of Manhattan, The Bronx, and Staten Island, and affiliations with academic and professional libraries in the metropolitan area of New York State.
The New York Public Library was not created by government statute. From its earliest days, the library was formed from a partnership of city government with private philanthropy. As of 2010, the research libraries in the system are largely funded with private money, and the branch or circulating libraries are financed primarily with city government funds. Until 2009, the research and branch libraries operated almost entirely as separate systems, but that year various operations were merged. By early 2010, the NYPL staff had been reduced by about 16 percent, in part through the consolidations.  In 2010, as part of the consolidation program, the NYPL moved various back-office operations to a new Library Services Center building in Long Island City. A former warehouse was renovated for this purpose for $50 million. In the basement, a new, $2.3 million book sorter uses bar codes on library items to sort them for delivery to 132 branch libraries. At two-thirds the length of a football field, the machine is the largest of its kind in the world, according to library officials. Books located in one branch and requested from another go through the sorter, which use has cut the previous waiting time by at least a day. Together with 14 library employees, the machine can sort 7,500 items an hour (or 125 a minute). On the first floor of the Library Services Center is an ordering and cataloging office; on the second, the digital imaging department (formerly at the Main Branch building) and the manuscripts and archives division, where the air is kept cooler; on the third, the Barbara Goldsmith Preservation Division, with a staff of 10 (as of 2010) but designed for as many as 30 employees.  The NYPL maintains a force of NYC special patrolmen, who provide security and protection to various libraries, and NYPL special investigators, who oversee security operations at the library facilities. These officials have on-duty arrest authority granted by the New York Penal Law. Some library branches contract for security guards.
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Was any other recent history added to this library?

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In 2010, as part of the consolidation program, the NYPL moved various back-office operations to a new Library Services Center building in Long Island City.


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Jeanette Anna MacDonald (June 18, 1903 - January 14, 1965) was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (The Love Parade, Love Me Tonight, The Merry Widow and One Hour With You) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (
Unlike Nelson Eddy, who came from opera to film, MacDonald in the 1940s yearned to reinvent herself in opera. She began training for this goal with Lotte Lehmann, one of the leading opera stars of the early 20th century.  "When Jeanette MacDonald approached me for coaching lessons", wrote Lehmann, "I was really curious how a glamorous movie star, certainly spoiled by the adoration of a limitless world, would be able to devote herself to another, a higher level of art. I had the surprise of my life. There couldn't have been a more diligent, a more serious, a more pliable person than Jeanette. The lessons which I had started with a kind of suspicious curiosity, turned out to be sheer delight for me. She studied Marguerite with me--and lieder. These were the ones which astounded me most. I am quite sure that Jeanette would have developed into a serious and successful lieder singer if time would have allowed it."  MacDonald made her opera debut singing Juliette in Gounod's Romeo et Juliette in Montreal at His Majesty's Theatre (May 8 and 10, 1943). She quickly repeated the role in Quebec City (May 12), Ottawa, and Toronto. Her U.S. debut with the Chicago Opera Company (November 4, 11 and 15, 1944) was in the same role. She also sang Marguerite in Gounod's Faust with the Chicago Opera. In November 1945, she did two more performances of Romeo et Juliette and one of Faust in Chicago, and two Fausts for the Cincinnati Opera. On December 12, 1951, she did one performance of Faust with the Philadelphia Civic Grand Opera Company at the Academy of Music.  Claudia Cassidy, the music critic of the Chicago Tribune wrote: "Her Juliet is breathtakingly beautiful to the eye and dulcet to the ear." The same critic reviewed Faust: "From where I sit at the opera, Jeanette MacDonald has turned out to be one of the welcome surprises of the season... her Marguerite was better than her Juliet...beautifully sung with purity of line and tone, a good trill, and a Gallic inflection that understood Gounod's phrasing....You felt if Faust must sell his soul to the devil, at least this time he got his money's worth."
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When was her last performance?

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Gisele Caroline Bundchen (; Portuguese pronunciation: [Zi'zeli karo'lini 'bitSej], German pronunciation: [gi'zel@ kaRo'li:n@ 'bYntcn]; born 20 July 1980) is a Brazilian supermodel and actress. Since 2004, Bundchen has been among the highest-paid models in the world, and as of 2007 was the 16th richest woman in the entertainment industry. In 2012, she placed first on the Forbes top-earning models list.
Bundchen appeared on the book covers of Mario de Janeiro by Mario Testino and a Russell James retrospective. Also that year Time said she was "one of the few runway models whom straight men can name". For spring 2000 fashion week she opened Marc Jacobs, Michael Kors, Dolce & Gabbana, Christian Dior, and Valentino shows in New York, Milan and Paris. From 1998-2003, Bundchen was in every Dolce & Gabbana fashion campaign, totaling 11 consecutive campaigns with the brand. In 2006-2009, she returned as the face of the brand's fragrance, in a campaign titled "Dolce & Gabbana The One".  In 2000, Bundchen wore the most expensive Victoria's Secret Fantasy bra of all time, the "Red Hot Fantasy Bra", worth $15 million and listed in Guinness World Records as the most expensive lingerie ever created. In February 2001, her Got Milk? ad campaign debuted in the 2001 Sports Illustrated Swimsuit Issue.  Photographed by Steven Meisel, she was presented on the September 2004 cover of American Vogue as one of the "Models of the Moment". In 2004, Bundchen co-starred with Queen Latifah and Jimmy Fallon in the 2004 remake of Taxi. In 2005, she was chosen to wear the Victoria's Secret Fantasy Bra again, the Sexy Splendor Fantasy Bra. At the time, it was the second-most expensive bra ever made, valued at $12.5 million. In its December 2005 issue, New York magazine list Bundchen as No. 43 in its list of 123 reasons to love New York City.  In 2006, she played Serena, a minor character in The Devil Wears Prada. In February 2007, Bundchen returned to the Milan runway by opening the Dolce & Gabbana's show. She was chosen by Time magazine in 2007 as one of the 100 Most Influential People in the World. In September 2007, Bundchen was featured on the cover of Vanity Fair's style issue, photographed by Mario Testino. The issue was one of the bestsellers that year.
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What else can you tell me about her modeling breakthrough?

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From 1998-2003, Bundchen was in every Dolce & Gabbana fashion campaign, totaling 11 consecutive campaigns with the brand.