Problem: Background: Nomo was born into the working-class Osaka family of Shizuo, a fisherman and postal worker, and Kayoko, a part-time supermarket employee. As a youth, Nomo was shy and withdrawn, although passionate about baseball. He developed his corkscrew-style pitching motion in order to impress his father while playing catch. He believed that rotating from having his back turned to his target would help him add speed to his pitches.
Context: The tornado delivery that baffled batters in Japan had the same effect on major league hitters, and he led the league in strikeouts in 1995 (while finishing second in walks) and was second with a 2.54 ERA. He struck out 11.101 batters per 9 innings to break Sandy Koufax's single-season franchise record of 10.546 in 1962. He also started that year's All-Star Game, striking out three of the six batters he faced. But he only barely won NL Rookie of the Year honors that year over future MVP Chipper Jones, as many voters felt that his Japanese success made him anything but a rookie, although he qualified by Major League rules. Nomo had another fine season in 1996 which was capped by a no-hitter thrown on September 17 in the unlikeliest of places, Denver's Coors Field, a park notoriously known as being a hitters' park because of its high elevation, semi-arid climate, and lack of foul territory. He was the last Dodger to throw a no-hitter until Josh Beckett completed one on May 25, 2014.  Nomo also found commercial success in America. Nomo had a signature sneaker, called the Air Max Nomo, produced by Nike in 1996. Also, he appeared on a Segata Sanshiro commercial for the Sega Saturn in 1997.  As batters caught on to his delivery, his effectiveness waned a bit in 1997, although he still went 14-12, joining Dwight Gooden as the only other pitcher to strike out at least 200 batters in each of his first three seasons.
Question: did he work with any other products?
Answer: Also, he appeared on a Segata Sanshiro commercial for the Sega Saturn in 1997.

Problem: Background: Orci was born in Mexico City on July 20, 1973, to a Mexican father and a Cuban mother. His mother immigrated to the United States with her parents after Fidel Castro came to power. Orci grew up in Mexico, and moved with his family to the United States at the age of 10. He was raised in Texas, Los Angeles and Canada.
Context: Orci's first credit solely as a producer came with the film Eagle Eye, where he worked once again alongside Kurtzman. He said in an interview with the magazine Extra that he had previously been involved in productions where the producers had writing backgrounds and had looked to them for help, and he was happy to provide that same support to the writers on Eagle Eye. The director of the film, D. J. Caruso, praised the duo saying that "What's unusually cool about them is that they have maintained the producer-writer power that they earned in television and carried that over into the feature film area, and that is extremely rare." Following their work on Eagle Eye, they were executive producers on the Sandra Bullock film, The Proposal.  Despite their film careers, Orci and Kurtzman continued to create television series. These included Sleepy Hollow, which they developed alongside Phillip Iscove. They pitched the series to a number of networks, and it was picked up by Fox. Orci took five years to bring the series Matador to television, with it originating from a conversation with his cousin Andrew. It was created for Robert Rodriguez's El Rey Network, and Rodriguez's one demand of the show was that he could direct the pilot episode. Orci later explained in an interview that it was an easy decision, and he needed to pretend to consider it.  Orci and Kurtzman also worked together as executive producers on the animated television series, Transformers: Prime, due to their involvement with the live action movies. Following the end of the series they were hopeful to be involved in a future animated series based on the premise, which Orci saw less like a reboot of the show and more of a continuation in a different guise. He felt that while Prime was sophisticated, there were concerns that it was leaving younger viewers behind because of its complexity and intensity.
Question: why did it take 5 years
Answer: