IN: Nightcrawler (Kurt Wagner) is a fictional superhero appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by writer Len Wein and artist Dave Cockrum, he debuted in the comic book Giant-Size X-Men #1 (May 1975). Nightcrawler is a member of a fictional subspecies of humanity known as mutants, who are born with superhuman abilities. Nightcrawler possesses superhuman agility, the ability to teleport, and adhesive hands and feet.

For a time, Kitty Pryde and Nightcrawler express some resentment over the X-Men's failing to contact them after their supposed deaths. Following the wedding of Captain Britain and Meggan, Excalibur disbands and Nightcrawler returns to the X-Men with Shadowcat and Colossus. Yet, as soon as they return, they face a group of impostors following Cerebro, in the guise of Professor X.  Wanting to devote more time to priesthood, Nightcrawler shares team leadership with Archangel. However, his work as a priest is retconned to be an illusion; he had, in fact, never attained priesthood. He has also met his half-brothers Nils Styger, alias Abyss, and Kiwi Black. With them, Nightcrawler defeated his father Azazel, who had tried to use him as a pawn in escaping his prison.  Later, Nightcrawler served as the new leader of the Uncanny X-Men team alongside Wolverine, Bishop, Psylocke, Cannonball, and Marvel Girl. In the last mission against the Foursaken, Nightcrawler took Marvel Girl, Psylocke, Bishop, and Cannonball to Central Park. He later helped Storm liberate Africa from her uncle's control.  Afterwards, Professor X recruited him, along with Darwin, Havok, Marvel Girl, Warpath, and Polaris, to participate in a space mission to stop Vulcan from laying waste to the Shi'ar empire. During the battle with Vulcan, Nightcrawler helps get the injured Professor X and Darwin back to their spaceship. While there, trying to save Professor X, Lilandra sent the ship on its way back to Earth, leaving half the team behind.  Kurt is still part of Professor X's team, helping Charles find Magneto before the government does, while the rest of the team search for the Morlocks.

who else did he work with?

OUT: Wolverine, Bishop,

input: Bernstein recorded extensively from the mid-1940s until just a few months before his death. Aside from those 1940s recordings, which were made for RCA Victor, Bernstein recorded primarily for Columbia Masterworks Records, especially when he was music director of the New York Philharmonic between 1958 and 1971. His typical pattern of recording at that time was to record major works in the studio immediately after they were presented in the orchestra's subscription concerts or on one of the Young People's Concerts, with any spare time used to record short orchestral showpieces and similar works. Many of these performances were digitally remastered and reissued by Sony as part of their 100 Volume, 125 CDs "Royal Edition" and their later "Bernstein Century" series. In 2010 many of these recordings were repackaged in a 60 CD "Bernstein Symphony Edition".  His later recordings (starting with Bizet's Carmen in 1972) were mostly made for Deutsche Grammophon, though he would occasionally return to the Columbia Masterworks label. Notable exceptions include recordings of Gustav Mahler's Song of the Earth and Mozart's 15th piano concerto and "Linz" symphony with the Vienna Philharmonic Orchestra for Decca Records (1966); Berlioz's Symphonie fantastique and Harold in Italy (1976) for EMI; and Wagner's Tristan und Isolde (1981) for Philips Records, a label that like Deutsche Grammophon was part of PolyGram at that time. Unlike his studio recordings for Columbia Masterworks, most of his later Deutsche Grammophon recordings were taken from live concerts (or edited together from several concerts with additional sessions to correct errors). Many replicate repertoire that he recorded in the 1950s and 60s.  In addition to his audio recordings, many of Bernstein's concerts from the 1970s onwards were recorded on motion picture film by the German film company Unitel. This included a complete cycle of the Mahler symphonies (with the Vienna Philharmonic and London Symphony Orchestra), as well as complete cycles of the Beethoven, Brahms and Schumann symphonies recorded at the same series of concerts as the audio recordings by Deutsche Grammophon. Many of these films appeared on Laserdisc and are now on DVD.  In total Bernstein was awarded 16 Grammys for his recordings in various categories, including several for posthumously released recordings. He was also awarded a Lifetime Achievement Grammy in 1985.

Answer this question "What influences did he have?"
output:
Aside from those 1940s recordings, which were made for RCA Victor, Bernstein recorded primarily for Columbia Masterworks Records,