Problem: Background: Cooper was born on May 7, 1901, in Helena, Montana to Alice (nee Brazier, 1873-1967) and Charles Henry Cooper (1865-1946). His father had emigrated from Houghton Regis, Bedfordshire and was a prominent lawyer, rancher, and (later) a Montana Supreme Court justice. His mother had emigrated from Gillingham, Kent and married Charles in Montana. In 1906, Charles purchased the 600-acre (240 ha) Seven-Bar-Nine cattle ranch about fifty miles (eighty kilometers) north of Helena near the town of Craig on the Missouri River.
Context: In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name.  Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week.  Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters.  In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.
Question: Was the film successful?
Answer: 

Background: White Lies are an English post-punk band from Ealing, London. Formerly known as Fear of Flying, the core band members are Harry McVeigh (lead vocals, guitar), Charles Cave (bass guitar and backing vocals), and Jack Lawrence-Brown (drums). The band perform live as a five-piece, when sidemen Tommy Bowen and Rob Lee join the line up. White Lies' musical style has been described as dark yet uplifting by the media, drawing comparisons to Editors, Interpol, Joy Division, and The Killers.
Context: In an interview with the BBC's Newsbeat programme, McVeigh stated that due to the nature of the band's songwriting techniques clashing with their difficult touring schedules, there will be no new White Lies material until 2010. Despite this, McVeigh has mentioned that the ambitious recording of "Nothing to Give" and "The Price of Love" (from To Lose My Life...) act as a taster of the different sound to come on their sophomore release. In September 2009, the band released "Taxidermy" as a digital download through iTunes for the first time. A live favourite amongst fans, the track had previously only been released on the (now deleted) vinyl release of "To Lose My Life". During the same month, the band supported Kings of Leon's tour of the United States, and Coldplay's tour of the United Kingdom. As well as this, the band played their own headline tour across Europe during October--November 2009, including some of their biggest shows to date in the UK. A number of the tour dates were later cancelled, due to McVeigh falling ill during their concert in Munich, Germany. Having fully recovered in time for the beginning of their UK dates, the tour continued as normal, with cancelled dates being rescheduled for February 2010.  On 13 February 2010, White Lies became the first high-profile artist to perform at the FAC251 music venue in Manchester. The band played there again on 14 February, with tickets for the second show made available exclusively through the band's website. The performances were the band's only scheduled headline performances of 2010. Both concerts sold out in a matter of minutes, with 38,000 people applying for the 400 tickets available. As well as this, the band showed their mutual love of Muse at a number of European stadium shows between June and September 2010, and played the 2010 V Festival in the United Kingdom.  During November 2010, White Lies confirmed that their second album, Ritual, had been completed and would be released on 17 January 2011. Produced by Alan Moulder, the album's first single "Bigger than Us" was released on 3 January 2011. An eleven date tour of the United Kingdom was also announced for February 2011.
Question: What did he say
Answer:
techniques clashing with their difficult touring schedules, there will be no new White Lies material until 2010.