input: Mies designed a series of four middle-income high-rise apartment buildings for developer Herbert Greenwald: the 860-880 (which was built between 1949 and 1951) and 900-910 Lake Shore Drive towers on Chicago's Lakefront. These towers, with facades of steel and glass, were radical departures from the typical residential brick apartment buildings of the time. Mies found their unit sizes too small for him, choosing instead to continue living in a spacious traditional luxury apartment a few blocks away. The towers were simple rectangular boxes with a non-hierarchical wall enclosure, raised on stilts above a glass-enclosed lobby.  The lobby is set back from the perimeter columns, which were exposed around the perimeter of the building above, creating a modern arcade not unlike those of the Greek temples. This configuration created a feeling of light, openness, and freedom of movement at the ground level that became the prototype for countless new towers designed both by Mies's office and his followers. Some historians argue that this new approach is an expression of the American spirit and the boundless open space of the frontier, which German culture so admired.  Once Mies had established his basic design concept for the general form and details of his tower buildings, he applied those solutions (with evolving refinements) to his later high-rise building projects. The architecture of his towers appears to be similar, but each project represents new ideas about the formation of highly sophisticated urban space at ground level. He delighted in the composition of multiple towers arranged in a seemingly casual non-hierarchical relation to each other.  Just as with his interiors, he created free flowing spaces and flat surfaces that represented the idea of an oasis of uncluttered clarity and calm within the chaos of the city. He included nature by leaving openings in the pavement, through which plants seem to grow unfettered by urbanization, just as in the pre-settlement environment.

Answer this question "Did he receive any formal recognition?"
output: a feeling of light, openness, and freedom of movement at the ground level that became the prototype for countless new towers designed both by Mies's office and his followers.

input: Burton was the host and executive producer of Reading Rainbow starting in 1983 for PBS. The series ran for 23 seasons, making it one of the longest-running children's programs on the network. The series garnered over 200 broadcast awards over its run, including a Peabody Award and 26 Emmy Awards, 11 of which were in the Outstanding Children's Series category. Burton himself won 12 Emmy awards as host and producer of the show.  After Reading Rainbow went off the air in 2006, Burton and his business partner, Mark Wolfe, acquired the global rights to the brand and formed RRKIDZ, a new media company for children. Reading Rainbow was reimagined as an all new application for the iPad in 2012, and was an immediate success, becoming the number-one educational application within 36 hours. At RRKIDZ, Burton serves as co-founder and curator-in-chief, ensuring that the projects produced under the banner meet the high expectations and trust of the Reading Rainbow brand.  On May 28, 2014, Burton and numerous coworkers from other past works started a Kickstarter campaign project to bring back Reading Rainbow. To keep with the changing formats to which young children are exposed, his efforts are being directed at making this new program web-based, following the success of the tablet application he helped create in recent years. His desire is to have the new Reading Rainbow be integrated into the classrooms of elementary schools across the country, and for schools in need to have free access. The Kickstarter campaign has since raised over $5 million, reaching triple its goal in only three days.

Answer this question "What audience was the show for?"
output: one of the longest-running children's programs on the network.

input: In 2007 Nash signed a record contract with Def Jam Recordings and began working on his debut studio album Love Hate. The album was produced by The-Dream, his production partner Tricky Stewart, and Los da Mystro, and featured Fabolous and Rihanna. The album was written and recorded in eight days with twelve tracks making the final cut. Released December 11, 2007, on The-Dream's Def Jam imprint Radio Killa Records, the album featured the singles "Shawty Is a 10", "Falsetto" and "I Luv Your Girl" and received generally positive reviews from critics, as Rolling Stone called it "one of the most likable R&B records of the year" and UrbanMusicReviews.com said that the singer had "hit a home run". In June 2008, The-Dream was named Best New Artist at the BET Awards.  Nash wrote and produced Beyonce's "Single Ladies (Put a Ring on It)", which was included on her third studio album I Am... Sasha Fierce and released in 2008. The song went on to win the Grammy Award for Song of the Year and Best R&B Song, becoming the first career wins at the Grammys for The Dream.  On March 10, 2009, The-Dream released his second album Love vs. Money. He re-teamed with Tricky Stewart, who produced most of the tracks on the album, and Los da Mystro. The album featured Mariah Carey, Kanye West, and Lil Jon and featured the singled "Rockin' That Shit", "Walkin' on the Moon" and "Sweat It Out". Upon its release, the album received general acclaim from most music critics, based on an aggregate score of 83/100 from Metacritic and it was more commercially successful than its predecessor, debuting at number two on the Billboard 200.  During the making of Love King, he recorded a song with T-Pain and expressed that he would like to make a collaborative album with Kanye West in the future. In January 2010, The-Dream stated he was finished recording the album and he called it the best of his three albums. The album was released on June 29, 2010. Before the album's release, The-Dream announced that Love King will be his last solo album. Once again produced by The-Dream, Christopher "Tricky" Stewart, and Los da Mystro, the album spawned the singles "Love King" and "Make Up Bag". Despite positive reviews from critics, the album was less commercially successful than Love vs. Money, and debuted at number four on the Billboard 200.

Answer this question "Did it win any awards?"
output:
The-Dream was named Best New Artist at the BET Awards.