Question:
Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.
Parker died on March 12, 1955, in the suite of his friend and patroness Baroness Pannonica de Koenigswarter at the Stanhope Hotel in New York City, while watching The Dorsey Brothers' Stage Show on television. The official causes of death were lobar pneumonia and a bleeding ulcer, but Parker also had an advanced case of cirrhosis and had suffered a heart attack. The coroner who performed his autopsy mistakenly estimated Parker's 34-year-old body to be between 50 and 60 years of age.  Since 1950, Parker had been living with Chan Berg, the mother of his son Baird (who lived until 2014) and his daughter Pree (who died as an infant of cystic fibrosis). He considered Chan his wife although he never married her, nor did he divorce his previous wife, Doris, whom he had married in 1948. His marital status complicated the settling of Parker's estate and would ultimately serve to frustrate his wish to be quietly interred in New York City.  Dizzy Gillespie paid for the funeral arrangements and organized a lying-in-state, a Harlem procession officiated by Congressman and Reverend Adam Clayton Powell, Jr., as well as a memorial concert. Parker's body was flown back to Missouri, in accordance with his mother's wishes. Berg criticized Doris and Parker's family for giving him a Christian funeral, even though they knew he was a confirmed atheist. Parker was buried at Lincoln Cemetery in Missouri, in a hamlet known as Blue Summit, located close to I-435 and East Truman Road.  Parker's estate is managed by Jampol Artist Management.
Answer this question using a quote from the text above:

Where as he at when he died?

Answer:
in the suite of his friend and patroness Baroness Pannonica de Koenigswarter at the Stanhope Hotel in New York City, while watching The Dorsey Brothers'

input: The silver medals from the 2007 Osaka World Championships boosted Bolt's desire to sprint, and he took a more serious, more mature stance towards his career. Bolt continued to develop in the 100 m, and he decided to compete in the event at the Jamaica Invitational in Kingston. On 3 May 2008, Bolt ran a time of 9.76 s, with a 1.8 m/s tail wind, improving his personal best from 10.03 s. This was the second-fastest legal performance in the history of the event, second only to compatriot Asafa Powell's 9.74 s record set the previous year in Rieti, Italy. Rival Tyson Gay lauded the performance, especially praising Bolt's form and technique. Michael Johnson observed the race and said that he was shocked at how quickly Bolt had improved over the 100 m distance. The Jamaican surprised even himself with the time, but coach Glen Mills remained confident that there was more to come.  On 31 May 2008, Bolt set a new 100m world record at the Reebok Grand Prix in the Icahn Stadium in New York City. He ran 9.72s with a tail wind of 1.7 m/s. This race was Bolt's fifth senior 100 m. Gay again finished second and said of Bolt: "It looked like his knees were going past my face." Commentators noted that Bolt appeared to have gained a psychological advantage over fellow Olympic contender Gay.  In June 2008, Bolt responded to claims that he was a lazy athlete, saying that the comments were unjustified, and he trained hard to achieve his potential. However, he surmised that such comments stemmed from his lack of enthusiasm for the 400 metres event; he chose not to make an effort to train for that particular distance. Turning his efforts to the 200 m, Bolt proved that he could excel in two events--first setting the world-leading time in Ostrava, then breaking the national record for the second time with a 19.67 s finish in Athens, Greece. Although Mills still preferred that Bolt focus on the longer distances, the acceptance of Bolt's demand to run in the 100 m worked for both sprinter and trainer. Bolt was more focused in practice, and a training schedule to boost his top speed and his stamina, in preparation for the Olympics, had improved both his 100 m and 200 m times.

Answer this question "What helped him prepare?"
output: In June 2008, Bolt responded to claims that he was a lazy athlete, saying that the comments were unjustified, and he trained hard to achieve his potential.

Answer the question at the end by quoting:

Krishnan Nair (25 July 1939 - 16 November 1980), better known by his stage name Jayan, was an Indian film actor, naval officer, stunt performer and cultural icon of the 1970s. He starred in over 120 Malayalam films. During his film career, he was primarily an action star and was particularly famous for his macho image and unique style. He was reputed for his chauvinistic appeal and well known for performing stunts of a dangerous nature on his own.
In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death.  The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man."  A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future.

What was Jayan's best film?