Problem: Background: Kisan Baburao Hazare was born on 15 June 1937 (some sources say 15 January 1940) in Bhingar, near Ahmednagar. He was the eldest son of Baburao Hazare and Laxmi Bai. He has two sisters and four brothers. He later adopted the name Anna, which in Marathi means "elder person" or "father".
Context: Hazare was drafted in the Indian Army in April 1960, where he initially worked as an army truck driver and was later attested as a soldier. He undertook army training at Aurangabad.  During the Indo-Pakistani War of 1965, Hazare was posted at the border in the Khem Karan sector. He was the sole survivor of an enemy attack--variously claimed to have been a bomb, an aerial assault and an exchange of fire at the border--while he was driving a truck. The experiences of wartime, coupled with the poverty from which he had come, affected him. He considered suicide at one point but turned instead to pondering the meaning of life and death. He said of the truck attack, "[It] sent me thinking. I felt that God wanted me to stay alive for some reason. I was reborn in the battlefield of Khem Karan. And I decided to dedicate my new life to serving people." At a book stand in New Delhi railway station, he came across Swami Vivekananda's booklet "Call to the youth for nation building" which inspired him to think deeper. He spent his spare time reading the works of Swami Vivekananda, Gandhi, and Vinoba Bhave. In a blog post, Hazare expressed his views on Kashmir by saying that it was his "active conviction that Kashmir is an integral part of India" and that if required once again for service, he would remain "ready to take part in war against Pakistan."  During his fifteen-year career in the army (1960-75), Anna Hazare was posted at several locations, including Punjab (Indo Pak war 1965), Nagaland, Bombay (1971) and Jammu (1974)  During the Indo pak war, Hazare survived a road crash while driving for the army. He interpreted his survival as a further sign that his life was intended to be dedicated to service. He had another escape in Nagaland, where one night, underground Naga rebels attacked his post and killed all the inmates. He had a miraculous escape as he had gone out to return nature's call and hence turned out to be the lone survivor.  Official records show that he was honourably discharged in 1975 after completing 12 years of service.
Question: How did he serve the people?
Answer: he would remain "ready to take part in war against Pakistan."

Problem: Background: Daryl Hall and John Oates, often referred to as Hall & Oates, are an American musical duo. Daryl Hall is generally the lead vocalist; John Oates primarily plays electric guitar and provides backing vocals. The two write most of the songs they perform, separately or in collaboration. They achieved their greatest fame from the late 1970s to the mid-1980s with a fusion of rock and roll and rhythm and blues.
Context: Their next album, H2O, a very polished, synth-heavy effort, became the duo's most successful album, with US sales eventually approaching four million copies. H2O reached #3 on the Billboard album chart (where it held for 15 weeks) and spawned three Top 10 singles. "Maneater", the biggest hit of their career, reached Number 1 on December 18, 1982 and stayed there for four weeks.  The soulful ballad "One on One" and a cover of Mike Oldfield's "Family Man" reached Number 7 and Number 6 in March and June 1983, respectively.  According to John Oates, they recorded approximately 20 songs for the album, of which 9 didn't make the final cut. He went on to say they usually would have 5 or 6 tracks left over per album.  "One On One," with its clever mixed-metaphorical references to romance and basketball, was used in NBA commercials of the period. The commercial featured numerous players, including Hall of Famer James Worthy performing a 360-degree slow-motion lay-up during the saxophone solo.  For the H2O album, Hall and Oates made some permanent changes to their current band. Drummer Mickey Curry, who had appeared on some Private Eyes tracks, including the title song, replaced Jerry Marotta full-time. Bassist Tom "T-Bone" Wolk, who had mimed John Siegler's bass line in the "Private Eyes" video, replaced Siegler full-time. These two joined the band's holdovers--lead guitar player G.E. Smith, and saxophonist Charlie "Mr. Casual" DeChant. De Chant and Wolk continued to perform with the duo until Wolk's death in early 2010, while Curry returned for the Do It for Love sessions.
Question: What else was significant?
Answer: "Maneater", the biggest hit of their career, reached Number 1 on December 18, 1982 and stayed there for four weeks.

Problem: Background: Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
Context: Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole."  Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont".  It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
Question: Were any of these songs successful?
Answer: