Problem: Cameron was born in 1954 in Kapuskasing, Ontario, Canada, the son of Shirley (nee Lowe), an artist and nurse, and Phillip Cameron, an electrical engineer. His paternal great-great-great-grandfather emigrated from Balquhidder, Scotland, in 1825. Cameron grew up in Chippawa, Ontario, and attended Stamford Collegiate School in Niagara Falls, Ontario. His family moved to Brea, California in 1971, when Cameron was 17 years old.

In June 2005, Cameron was announced to be working on a project tentatively titled "Project 880" (now known to be Avatar) in parallel with another project, Alita: Battle Angel (an adaptation of the manga series Battle Angel Alita). Both movies were to be shot in 3D. By December, Cameron stated that he wanted to film Battle Angel first, followed by Avatar. However, in February 2006, he switched goals for the two film projects and decided to film Avatar first. He mentioned that if both films were successful, he would be interested in seeing a trilogy being made for both. Alita: Battle Angel eventually began production in 2016 with Cameron writing and producing and Robert Rodriguez directing.  Avatar had an estimated budget of over $300 million and was released on December 18, 2009. This marked his first feature film since 1997's Titanic. It is composed almost entirely of computer-generated animation, using a more-advanced version of the "performance capture" technique used by director Robert Zemeckis in The Polar Express. James Cameron had written an 80-page scriptment for Avatar in 1995 and announced in 1996 that he would make the film after completing Titanic. In December 2006, Cameron explained that the delay in producing the film since the 1990s had been to wait until the technology necessary to create his project was advanced enough, since at the time no studio would finance for the development of the visual effects. The film was originally scheduled to be released in May 2009 but was pushed back to December 2009 to allow more time for post-production on the complex CGI and to give more time for theatres worldwide to install 3D projectors. Cameron originally intended Avatar to be 3D-only.  Avatar broke several box office records during its initial theatrical run. It grossed $749.7 million in the United States and Canada and more than $2.74 billion worldwide, becoming the highest-grossing film of all time in the United States and Canada, surpassing Cameron's Titanic. Avatar also became the first movie to ever earn more than $2 billion worldwide. Including revenue from the re-release of Avatar featuring extended footage, it grossed $760.5 million in the United States and Canada and more than $2.78 billion worldwide. It was nominated for nine Academy Awards, including Best Picture and Best Director, and won three for Best Art Direction, Best Cinematography and Best Visual Effects.  Avatar's success made Cameron the highest earner in Hollywood for 2010, netting him $257 million as reported by Vanity Fair.  Disney announced in September 2011 that it would adapt James Cameron's film Avatar into Pandora-The World of Avatar, a themed area at Disney's Animal Kingdom in Lake Buena Vista, Florida.

any intresting thing about the article

Answer with quotes: Avatar's success made Cameron the highest earner in Hollywood for 2010,


Problem: Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards.

In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish.  In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year.  Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds.  In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.

When did the quartet return?

Answer with quotes:
In April 1997,