Question: Joseph Conrad (Polish pronunciation: ['juzef ,kon.rad]; born Jozef Teodor Konrad Korzeniowski; 3 December 1857 - 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. He joined the British merchant marine in 1878, and was granted British citizenship in 1886. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe.

Conrad was a Russian subject, having been born in the Russian part of what had once been the Polish-Lithuanian Commonwealth. In December 1867, with the Russian government's permission, his father Apollo had taken him to the Austrian part of the former Commonwealth, which enjoyed considerable internal freedom and a degree of self-government. After the father's death, Conrad's uncle Bobrowski had attempted to secure Austrian citizenship for him - to no avail, probably because Conrad had not received permission from Russian authorities to remain abroad permanently and had not been released from being a Russian subject. Conrad could not return to Ukraine, in the Russian Empire - he would have been liable to many years' military service and, as the son of political exiles, to harassment.  In a letter of 9 August 1877, Conrad's uncle Bobrowski broached two important subjects: the desirability of Conrad's naturalisation abroad (tantamount to release from being a Russian subject) and Conrad's plans to join the British merchant marine. "[D]o you speak English?... I never wished you to become naturalized in France, mainly because of the compulsory military service... I thought, however, of your getting naturalized in Switzerland..." In his next letter, Bobrowski supported Conrad's idea of seeking citizenship of the United States or of "one of the more important Southern Republics".  Eventually Conrad would make his home in England. On 2 July 1886 he applied for British nationality, which was granted on 19 August 1886. Yet, in spite of having become a subject of Queen Victoria, Conrad had not ceased to be a subject of Tsar Alexander III. To achieve the latter, he had to make many visits to the Russian Embassy in London and politely reiterate his request. He would later recall the Embassy's home at Belgrave Square in his novel The Secret Agent. Finally, on 2 April 1889, the Russian Ministry of Home Affairs released "the son of a Polish man of letters, captain of the British merchant marine" from the status of Russian subject.

Using a quote from the above article, answer the following question: whats important about the article
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Answer: Eventually Conrad would make his home in England.


Question: Ludwig Mies van der Rohe ( MEESS; German: [mi:s]; born Maria Ludwig Michael Mies; March 27, 1886 - August 17, 1969) was a German-American architect. He is commonly referred to and was addressed as Mies, his surname.

Mies served as the last director of Berlin's Bauhaus, and then headed the department of architecture, Illinois Institute of Technology in Chicago, where he developed the Second Chicago School. He played a significant role as an educator, believing his architectural language could be learned, then applied to design any type of modern building. He set up a new education at the department of architecture of the Illinois Institute of Technology in Chicago replacing the traditional Ecole des Beaux-Art curriculum by a three-step-education beginning with crafts of drawing and construction leading to planning skills and finishing with theory of architecture (compare Vitruvius: firmitas, utilitas, venustas). He worked personally and intensively on prototype solutions, and then allowed his students, both in school and his office, to develop derivative solutions for specific projects under his guidance.  Some of Mies' curriculum is still put in practice in the first and second year programs at IIT, including the precise drafting of brick construction details so unpopular with aspiring student architects. When none was able to match the quality of his own work, he agonized about where his educational method had gone wrong. Nevertheless, his achievements in creating a teachable architecture language that can be used to express the modern technological era survives until today.  Mies placed great importance on education of architects who could carry on his design principles. He devoted a great deal of time and effort leading the architecture program at IIT. Mies served on the initial Advisory Board of the Graham Foundation in Chicago. His own practice was based on intensive personal involvement in design efforts to create prototype solutions for building types (860 Lake Shore Drive, the Farnsworth House, Seagram Building, S. R. Crown Hall, The New National Gallery), then allowing his studio designers to develop derivative buildings under his supervision.  Mies's grandson Dirk Lohan and two partners led the firm after he died in 1969. Lohan, who had collaborated with Mies on the New National Gallery, continued with existing projects but soon led the firm on his own independent path. Other disciples continued Mies's architectural language for years, notably Gene Summers, David Haid, Myron Goldsmith, Y.C. Wong, Jacques Brownson, and other architects at the firms of C.F. Murphy and Skidmore, Owings & Merrill.  But while Mies' work had enormous influence and critical recognition, his approach failed to sustain a creative force as a style after his death and was eclipsed by the new wave of Post Modernism by the 1980s. Proponents of the Post Modern style attacked the Modernism with clever statements such as "less is a bore" and with captivating images such as Crown Hall sinking in Lake Michigan. Mies had hoped his architecture would serve as a universal model that could be easily imitated, but the aesthetic power of his best buildings proved impossible to match, instead resulting mostly in drab and uninspired structures rejected by the general public. The failure of his followers to meet his high standard may have contributed to demise of Modernism and the rise of new competing design theories following his death.

Using a quote from the above article, answer the following question: Why did Ludwig decide to begin teaching?
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Answer:
believing his architectural language could be learned, then applied to design any type of modern building.