IN: Sir Lawrence Alma-Tadema,  (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.

Alma-Tadema's works are remarkable for the way in which flowers, textures and hard reflecting substances, like metals, pottery, and especially marble, are painted - indeed, his realistic depiction of marble led him to be called the 'marbellous painter'. His work shows much of the fine execution and brilliant colour of the old Dutch masters. By the human interest with which he imbues all his scenes from ancient life he brings them within the scope of modern feeling, and charms us with gentle sentiment and playfulness.  From early in his career, Alma-Tadema was particularly concerned with architectural accuracy, often including objects that he would see at museums - such as the British Museum in London - in his works. He also read many books and took many images from them. He amassed an enormous number of photographs from ancient sites in Italy, which he used for the most precise accuracy in the details of his compositions.  Alma-Tadema was a perfectionist. He worked assiduously to make the most of his paintings, often repeatedly reworking parts of paintings before he found them satisfactory to his own high standards. One humorous story relates that one of his paintings was rejected and instead of keeping it, he gave the canvas to a maid who used it as her table cover. He was sensitive to every detail and architectural line of his paintings, as well as the settings he was depicting. For many of the objects in his paintings, he would depict what was in front of him, using fresh flowers imported from across the continent and even from Africa, rushing to finish the paintings before the flowers died. It was this commitment to veracity that earned him recognition but also caused many of his adversaries to take up arms against his almost encyclopaedic works.  Alma-Tadema's work has been linked with that of European Symbolist painters. As an artist of international reputation, he can be cited as an influence on European figures such as Gustav Klimt and Fernand Khnopff. Both painters incorporate classical motifs into their works and use Alma-Tadema's unconventional compositional devices such as abrupt cut-off at the edge of the canvas. They, like Alma-Tadema, also employ coded imagery to convey meaning to their paintings.

Did he influence anyone after him?

OUT: he can be cited as an influence on European figures such as Gustav Klimt and Fernand Khnopff.

Answer the question at the end by quoting:

Hillary was born to Percival Augustus and Gertrude (nee Clark) Hillary in Auckland, New Zealand, on 20 July 1919. His family moved to Tuakau, south of Auckland, in 1920, after his father, who served at Gallipoli with the 15th (North Auckland) Regiment, was allocated land there. His grandparents had emigrated from Yorkshire to northern Wairoa in the mid-19th century.
Hillary climbed ten other peaks in the Himalayas on further visits in 1956, 1960-1961, and 1963-1965. He also reached the South Pole as part of the Commonwealth Trans-Antarctic Expedition, for which he led the New Zealand section, on 4 January 1958. His party was the first to reach the Pole overland since Amundsen in 1911 and Scott in 1912, and the first ever to do so using motor vehicles.  In 1960 Hillary organized an expedition to search for the fabled abominable snowman. Hillary was with the expedition for five months, although it lasted for ten. No evidence of Yetis was found, instead footprints and tracks were proven to be from other causes. During the expedition, Hillary travelled to remote temples which contained "Yeti scalps"; however after bringing back three relics, two were shown to be from bears and one from a goat antelope. Hillary said after the expedition: "The yeti is not a strange, superhuman creature as has been imagined. We have found rational explanations for most yeti phenomena".  In 1962 he was a guest on the television game show What's My Line?; he stumped the panel, comprising Dorothy Kilgallen, Arlene Francis, Bennett Cerf, and Merv Griffin. In 1977, he led a jetboat expedition, titled "Ocean to Sky", from the mouth of the Ganges River to its source. From 1977 to 1979 he commentated aboard Antarctic sightseeing flights operated by Air New Zealand. In 1985, he accompanied Neil Armstrong in a small twin-engined ski plane over the Arctic Ocean and landed at the North Pole. Hillary thus became the first man to stand at both poles and on the summit of Everest. This accomplishment inspired generations of explorers to compete over what later was defined as Three Poles Challenge. In January 2007, Hillary travelled to Antarctica as part of a delegation commemorating the 50th anniversary of the founding of Scott Base.

What did he find there?



input: The show's house band was The Max Weinberg 7, led by drummer Max Weinberg, who also served as a sounding board for O'Brien on the show (more so after Andy Richter's departure). The other six members were Mark Pender on trumpet, Richie "LaBamba" Rosenberg on trombone, Mike Merritt on bass, Jerry Vivino on saxophone and brother Jimmy Vivino on guitar, and Scott Healy on keyboards. James Wormworth served as backup drummer when Weinberg went on tour with Bruce Springsteen. With the departure of Andy Richter, Max Weinberg assumed a bigger role as an interlocutor for O'Brien's jokes. One common running gag was Max's awkwardness on camera and his apparent lack of chemistry with Conan. Weinberg was often used in sketches as well, which usually revolved around his purported sexual deviance (mostly a penchant for bedding barely legal groupies), although long-running sketches also spoofed Max's lack of knowledge of current affairs.  "LaBamba" was also used as the butt of many of Conan's jokes. These humorous sketches usually revolved around LaBamba's sizeable mustache, his poor acting skills, and his alleged inability to read written music. Mark Pender would often sing songs on the topic of a current event which ended with him screeching uncontrollably and climbing the risers into the audience. All members of the 7 had successful side careers as studio musicians.  As is common in the talk show format, the Max Weinberg 7 performed the show's opening and closing themes, played bumpers into and out of commercial breaks (they actually played through the entire break for the studio audience), and a short piece during O'Brien's crossover to his desk after his monologue (except for several months beginning in April 2008, where a commercial break was inserted at that point). The show's opening theme was written by Howard Shore and John Lurie (a finalist for the job as band leader). The show's closing theme was called "Cornell Knowledge", and was lifted from Jerry and Jimmy Vivino's first album together. However, on Late Night, it was played at a much quicker tempo than the album version.  The band played a wide variety of songs as bumpers--usually popular music from a variety of eras. Weinberg sometimes took extended leaves of absence to tour with Bruce Springsteen as the drummer for his E Street Band. During his absence, temporary replacement drummers were hired (most commonly James Wormworth), and the band was led by Jimmy Vivino ("Jimmy Vivino and the Max Weinberg 7").

Answer this question "Is there anything else interesting you can share from the article?"
output:
"LaBamba" was also used as the butt of many of Conan's jokes.