IN: Rodgers and Hammerstein refers to composer Richard Rodgers (1902-1979) and lyricist-dramatist Oscar Hammerstein II (1895-1960), who together were an influential, innovative and successful American musical theatre writing team. They created a string of popular Broadway musicals in the 1940s and 1950s, initiating what is considered the "golden age" of musical theatre. Five of their Broadway shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music, were outstanding successes, as was the television broadcast of Cinderella (1957). Of the other four that the team produced on Broadway during their lifetimes, Flower Drum Song was well-received, and none was an outright flop.

Independently of each other, Rodgers and Hammerstein had been attracted to making a musical based on Lynn Riggs' stage play Green Grow the Lilacs. When Jerome Kern declined Hammerstein's offer to work on such a project and Hart refused Rodgers' offer to do the same, Rodgers and Hammerstein began their first collaboration. The result, Oklahoma! (1943), marked a revolution in musical drama. Although not the first musical to tell a story of emotional depth and psychological complexity, Oklahoma! introduced a number of new storytelling elements and techniques. These included its use of song and dance to convey and advance both plot and character rather than act as a diversion from the story and the firm integration of every song into the plot-line.  Oklahoma! was originally called Away We Go! and opened at the Shubert Theatre in New Haven in March 1943. Only a few changes were made before it opened on Broadway, but three would prove significant: the addition of a show-stopping number, "Oklahoma!"; the deletion of the musical number "Boys and Girls Like You and Me", which would soon after be replaced with a reprise of "People Will Say We're in Love"; and the decision to re-title the musical after the song.  The original Broadway production opened on March 31, 1943, at the St. James Theatre. Although the typical musical of the time was usually written around the talents of a specific performer, such as Ethel Merman or Fred Astaire, no stars were used in the production. Ultimately the original cast included Alfred Drake (Curly), Joan Roberts (Laurey), Celeste Holm (Ado Annie), Howard Da Silva (Jud Fry), Betty Garde (Aunt Eller), Lee Dixon (Will Parker) and Joseph Bulloff (Ali Hakim). Marc Platt danced the role of "Dream Curly", and Katharine Sergava danced the part of "Dream Laurey". In Oklahoma!, the story and the songs were considered more important than sheer star power. Nevertheless, the production ran for a then-unprecedented 2,212 performances, finally closing on May 29, 1948. Many enduring musical standards come from this show, among them "Oh, What a Beautiful Mornin'", "The Surrey with the Fringe on Top", "I Cain't Say No", the aforementioned "People Will Say We're in Love", and "Oklahoma!".  In 1955 it was made into an Academy Award-winning musical film, the first feature shot with the Todd-AO 70 mm widescreen process. The film starred Gordon MacRae and Shirley Jones, and its soundtrack was #1 on the 1956 album charts.  After their initial success with Oklahoma!, the pair took a break from working together and Hammerstein concentrated on the musical Carmen Jones, a Broadway version of Bizet's Carmen with the characters changed to African Americans in the contemporary South, for which he wrote the book and lyrics. The musical was adapted to the screen in 1954, and scored a Best Actress Oscar nomination for leading lady Dorothy Dandridge.

what was Oklahoma?

OUT: The result, Oklahoma! (1943), marked a revolution in musical drama.


IN: The son of Kevin and Lynne, Carey was one of five children who grew up in Wagga Wagga, New South Wales. His mother and father separated when Carey was aged six, with his mother taking four of the children to Adelaide, living in a homeless shelter. According to Carey's autobiography, his father was a violent man who had spent time at Mannus Correctional Centre and was troubled by alcoholism. A few months later, Kevin Carey retrieved the children from his estranged wife and they returned to Wagga Wagga.

After playing only four games in his debut year, Carey burst onto the scene in 1990 as a goal-kicking centre half-forward and as perfect support to their full forward in Longmire (who was that year's Coleman Medallist as the AFL's leading goal-kicker). Carey immediately drew the attention of the football world and built a reputation early in his career as an aggressive, big marking and long kicking key position player. That year, Carey would become the 1990 season runner up in North Melbourne's best and fairest, behind Longmire. In round 13, a then 19-year-old Carey took 8 marks, had 22 disposals and kicked 7 goals in a big win over Sydney. It was the first of many times Carey would dominate up forward for North. In 21 games in 1990 Carey averaged 5 marks, 14 disposals and 1.8 goals.  The 1991 season started very promisingly for Carey and after nine rounds he was averaging 7 marks, 16 disposals and 2.4 goals. At that stage he was leading North Melbourne's best and fairest and, despite still being a teenager, was arguably the Kangaroos' most important player. In Round 10 against Footscray, Carey started brilliantly, kicking two first quarter goals, before an injury to his right shoulder forced him to sit out the rest of that game and the next eight. He struggled to regain form when he returned for the last 5 rounds.  Early in 1992 Carey considered leaving North Melbourne and returning to Adelaide due to internal unrest within the leadership of the club. He was convinced to stay by the coaching staff and, in the latter half of the season, Carey began to show signs that he was destined for greatness. In the second half of 1992 Carey would put a string of outstanding performances to close the season out. By season's end Carey was dominating Centre Half Forward like no one else in the league, his play trademarked by big marks and long goals. He finished the year with an impressive 7 goal performance against Fitzroy and averaged 10 marks, 20 disposals and 3.3 goals during North Melbourne's last 8 games. For the season, he averaged 7 marks, 18 disposals and 2.2 goals per game. Carey had his first top five finish in the Brownlow Medal, claimed his first club best and fairest and was named club captain by new coach Denis Pagan ahead of the 1993 season.

Where did he go from being club captain?

OUT: