Question: Anal Cunt, also known as AxCx and A.C., was an American grindcore band that formed in Newton, Massachusetts in 1988. Since its inception, the band underwent a number of line-up changes. Known for its grindcore musical style and controversial lyrics, Anal Cunt released eight full-length studio albums in addition to a number of compilations and extended plays. Anal Cunt disbanded in 2011 after the group's founder and frontman, Seth Putnam, died of a suspected heart attack.

Anal Cunt was formed on March 1, 1988, in the city of Newton, Massachusetts, near Boston, by Seth Putnam, who had previously been a member of bands such as Executioner and Satan's Warriors. The name Anal Cunt came from Seth Putnam's attempt "to get the most offensive, stupid, dumb, etc. name possible". A common misconception is that the band is named after the song "Anal Cunt" by GG Allin, but in fact Allin's song was written years after the band had started. The band did, however, later in their career render tribute to him by recording a version of "I'll Slice Your Fucking Throat (If You Fuck with Me)", originally recorded by Allin and The Murder Junkies.  In Q magazine's 2005 book The Greatest Rock & Pop Miscellany Ever!, Anal Cunt was included in a list of "25 Band Names That Should Have Stayed on the Drawing Board". The band was meant as a joke, and was supposed to only record one demo and do one show; however, they were active up to 2011, despite several brief break-ups.  Originally, the band was to produce a form of 'anti-music', without rhythm, beats, riffs, lyrics, song titles or any other of the normal features of a band, an approach exemplified by the 5643 Song EP. Anal Cunt was not the first such band Seth Putnam had created; as early as 1980, Putnam formed a noisecore band with his cousin Michael, originally named The Losers, and then later renamed Noise. The problem was most of these bands consisted of the same few members, and so Putnam wanted to form a new band with different people.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: Originally, the band was to produce a form of 'anti-music',


Question: Departures (Japanese: okuribito, Hepburn: Okuribito, "one who sends off") is a 2008 Japanese drama film directed by Yojiro Takita and starring Masahiro Motoki, Ryoko Hirosue, and Tsutomu Yamazaki. Loosely based on Coffinman, a memoir by Shinmon Aoki, the film follows a young man who returns to his hometown after a failed career as a cellist and stumbles across work as a nokanshi--a traditional Japanese ritual mortician. He is subjected to prejudice from those around him, including from his wife, because of strong social taboos against people who deal with death. Eventually he earns their respect and learns the importance of interpersonal connections through the beauty and dignity of his work.

Japanese funerals are highly ritualized affairs which are generally--though not always--conducted in accordance with Buddhist rites. In preparation for the funeral, the body is washed and the orifices are blocked with cotton or gauze. The encoffining ritual (called nokan), as depicted in Departures, is rarely performed, and even then only in rural areas. This ceremony is not standardized, but generally involves professional morticians (Na Guan Shi , nokanshi) ritually preparing the body, dressing the dead in white, and sometimes applying make-up. The body is then put on dry ice in a casket, along with personal possessions and items necessary for the trip to the afterlife.  Despite the importance of death rituals, in traditional Japanese culture the subject is considered unclean as everything related to death is thought to be a source of kegare (defilement). After coming into contact with the dead, individuals must cleanse themselves through purifying rituals. People who work closely with the dead, such as morticians, are thus considered unclean, and during the feudal era those whose work was related to death became burakumin (untouchables), forced to live in their own hamlets and discriminated against by wider society. Despite a cultural shift since the Meiji Restoration of 1868, the stigma of death still has considerable force within Japanese society, and discrimination against the untouchables has continued.  Until 1972, most deaths were dealt with by families, funeral homes, or nokanshi. As of 2014, about 80% of deaths occur in hospitals, and preparation of the bodies is frequently done by hospital staff; in such cases, the family often does not see the body until the funeral. A 1998 survey found that 29.5% of the Japanese population believed in an afterlife, and a further 40% wanted to believe; belief was highest among the young. Belief in the existence of a soul (54%) and a connection between the worlds of the living and the dead (64.9%) was likewise common.

Using a quote from the above article, answer the following question: What else can you tell me about the cultural background for the film?
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Answer:
Despite the importance of death rituals, in traditional Japanese culture the subject is considered unclean as everything related to death is thought to be a source of kegare (defilement).