input: Big Star returned in 1993 with a new line-up when guitarist Jon Auer and bassist Ken Stringfellow joined Chilton and Stephens. Auer and Stringfellow remained members of the Posies, founded by the pair in 1986. Stringfellow is also known for his work with R.E.M. and the Minus 5. Hummel elected not to participate. First-era material dominated Big Star's performances, with the occasional addition of a song from the 2005 album In Space; Stringfellow recalled that during the 1990s, "We were working out the set list and we went to this little cafe. Little did I know we'd be playing that set for the next ten years". The resurrected band made its debut at the 1993 University of Missouri spring music festival. A recording of the performance was issued on CD by Zoo Records as Columbia: Live at Missouri University. The concert was followed by tours of Europe and Japan, as well as an appearance on The Tonight Show.  Big Star's first post-reunion studio recording was the song "Hot Thing", recorded in the mid-1990s for the Big Star tribute album Big Star, Small . As with their prior studio release, however, the tribute album was delayed for years due to its record company going under. Originally scheduled for a 1998 release on Ignition Records, the album was eventually released in 2006 on Koch Records.  In Space was released on September 27, 2005 on the Rykodisc label. Recorded during 2004, the album consisted of new material mostly co-written by Chilton, Stephens, Auer, and Stringfellow. Reviewing In Space, Rolling Stone's David Fricke first pointed out that the context of the release was now "a world expecting that American Beatles ideal all over again" from a band that "achieved its power-pop perfection when no one else was looking." In Fricke's estimation, this seemingly unrealistic expectation was met in part: "It's here - in the jangly longing and ice-wall harmonies of 'Lady Sweet'" - however, Fricke found that the successful songs were interleaved with "the eccentric R&B and demo-quality glam rock that have made Chilton's solo records a mixed blessing," and that "'A Whole New Thing' starts out like old T.Rex, then goes nowhere special." Warming nevertheless to "the rough sunshine" of "Best Chance", Fricke concluded, "In Space is no #1 Record, but at its brightest, it is Big Star in every way."  The band appeared at San Francisco's Fillmore Auditorium on October 20, 2007. San Francisco-based band Oranger, performed as opening act. Big Star performed at the 2008 Rhythm Festival, staged from August 29-31 in Bedfordshire, UK. On June 16, 2009, the #1 Record/Radio City double album was reissued in remastered form. The same month, it was announced that a film of Big Star's history, based on biographer Rob Jovanovic's book Big Star: The Story of Rock's Forgotten Band, was in pre-production. On July 1, 2009, Big Star performed at a concert in Hyde Park, London, UK. On September 15, 2009, Rhino Records issued a four-CD box set containing 98 recordings made between 1968 and 1975. Keep an Eye on the Sky included live and demo versions of Big Star songs, solo work, and material from Bell's earlier bands Rock City and Icewater. On November 18, 2009, the band performed at the Brooklyn Masonic Temple in New York City.

Answer this question "Were any of the other original members mentioned?"
output: Hummel elected not to participate.

input: LuPone opposes recording, photographs, and other electronic distractions in live theatre. "Where's the elegance?" she asked in a blog post on her official site. "I mean, I'm glad they show up because God knows it's a dying art form and I guess I'm glad they're all comfortable, sleeping, eating and drinking, things they should be doing at home and in a restaurant. But it's just not done in the theater or shouldn't be." LuPone has been the subject of some controversy due to the bluntness of her statements regarding this matter.  A related incident occurred at the second to last performance of Gypsy on January 10, 2009. LuPone, irritated by flash photography, stopped in the middle of "Rose's Turn" and loudly demanded that the interloper be removed from the theatre. After he was removed, LuPone restarted her number. The audience applauded her stance. The event was recorded by another audience member, who released it on YouTube. She later stated that such distractions drive "people in the audience nuts. They can't concentrate on the stage if, in their peripheral vision, they're seeing texting, they're seeing cameras, they're listening to phone calls. How can we do our job if the audience is distracted?", and also mentioned that "the interesting thing is I'm not the first one that's done it".  On July 8, 2015, during the second act of Shows for Days at the Lincoln Center Theater, LuPone grabbed an audience member's cellphone while leaving the stage as the audience member had been using their phone during the play. It was returned after the show. LuPone stated:  We work hard on stage to create a world that is being totally destroyed by a few, rude, self-absorbed and inconsiderate audience members who are controlled by their phones. They cannot put them down. When a phone goes off or when a LED screen can be seen in the dark it ruins the experience for everyone else - the majority of the audience at that performance and the actors on stage. I am so defeated by this issue that I seriously question whether I want to work on stage anymore. Now I'm putting battle gear on over my costume to marshal the audience as well as perform.

Answer this question "What live productions did she star in?"
output: Gypsy

input: Apart from Shakespeare, Richard appears in many other works of literature. Two other plays of the Elizabethan era predated Shakespeare's work. The Latin-language drama Richardus Tertius (first known performance in 1580) by Thomas Legge is believed to be the first history play written in England. The anonymous play The True Tragedy of Richard III (c. 1590), performed in the same decade as Shakespeare's work, was probably an influence on Shakespeare. Neither of the two plays places any emphasis on Richard's physical appearance, though the True Tragedy briefly mentions that he is "A man ill shaped, crooked backed, lame armed" adding that he is "valiantly minded, but tyrannous in authority". Both portray him as a man motivated by personal ambition, who uses everyone around him to get his way. Ben Jonson is also known to have written a play Richard Crookback in 1602, but it was never published and nothing is known about its portrayal of the king.  Marjorie Bowen's 1929 novel Dickon set the trend for pro-Ricardian literature. Particularly influential was The Daughter of Time (1951) by Josephine Tey, in which a modern detective concludes that Richard III is innocent in the death of the Princes. Other novelists such as Valerie Anand in the novel Crown of Roses (1989) have also offered alternative versions to the theory that he murdered them. Sharon Kay Penman, in her historical novel The Sunne in Splendour, attributes the death of the Princes to the Duke of Buckingham. In the mystery novel The Murders of Richard III by Elizabeth Peters (1974) the central plot revolves around the debate as to whether Richard III was guilty of these and other crimes. A sympathetic portrayal of Richard III is given in The Founding, the first volume in The Morland Dynasty series by Cynthia Harrod-Eagles.  One film adaptation of Shakespeare's play Richard III is the 1955 version directed and produced by Laurence Olivier, who also played the lead role. Also notable are the 1995 film version starring Ian McKellen, set in a fictional 1930s fascist England, and Looking for Richard, a 1996 documentary film directed by Al Pacino, who plays the title character as well as himself. The play has been adapted for television on several occasions.

Answer this question "What affect did Richard III have on culture?"
output:
Richard appears in many other works of literature.