input: The French playwright Victorien Sardou wrote more than 70 plays, almost all of them successful, and none of them performed today. In the early 1880s Sardou began a collaboration with actress Sarah Bernhardt, whom he provided with a series of historical melodramas. His third Bernhardt play, La Tosca, which premiered in Paris on 24 November 1887, and in which she starred throughout Europe, was an outstanding success, with more than 3,000 performances in France alone.  Puccini had seen La Tosca at least twice, in Milan and Turin. On 7 May 1889 he wrote to his publisher, Giulio Ricordi, begging him to get Sardou's permission for the work to be made into an opera: "I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music."  Ricordi sent his agent in Paris, Emanuele Muzio, to negotiate with Sardou, who preferred that his play be adapted by a French composer. He complained about the reception La Tosca had received in Italy, particularly in Milan, and warned that other composers were interested in the piece. Nonetheless, Ricordi reached terms with Sardou and assigned the librettist Luigi Illica to write a scenario for an adaptation.  In 1891, Illica advised Puccini against the project, most likely because he felt the play could not be successfully adapted to a musical form. When Sardou expressed his unease at entrusting his most successful work to a relatively new composer whose music he did not like, Puccini took offence. He withdrew from the agreement, which Ricordi then assigned to the composer Alberto Franchetti. Illica wrote a libretto for Franchetti, who was never at ease with the assignment.  When Puccini once again became interested in Tosca, Ricordi was able to get Franchetti to surrender the rights so he could recommission Puccini. One story relates that Ricordi convinced Franchetti that the work was too violent to be successfully staged. A Franchetti family tradition holds that Franchetti gave the work back as a grand gesture, saying, "He has more talent than I do." American scholar Deborah Burton contends that Franchetti gave it up simply because he saw little merit in it and could not feel the music in the play. Whatever the reason, Franchetti surrendered the rights in May 1895, and in August Puccini signed a contract to resume control of the project.

Answer this question "How was it received?"
output: La Tosca, which premiered in Paris on 24 November 1887, and in which she starred throughout Europe, was an outstanding success,

Question: Gabriel Omar Batistuta (Spanish pronunciation: [ga'brjel o'mar batis'tuta]; born 1 February 1969), nicknamed Batigol [bati'gol] as well as El Angel Gabriel [el ,aNGxel ga'brjel] (Spanish for Angel Gabriel), is a retired Argentine professional footballer. After beginning his career in Argentina in 1988, where he won titles playing for Newell's Old Boys, River Plate, and subsequently Boca Juniors, the prolific striker played most of his club football with Fiorentina in Italy; he is the twelfth-highest scorer of all-time in the Italian Serie A, with 184 goals in 318 matches. When his club Fiorentina was relegated to Serie B in 1993, Batistuta stayed with the club and helped it return to the top-flight league a year later.

While playing for Argentina in the 1991 Copa America, the vice-president of Fiorentina was impressed by Batistuta's skills and signed him. He had a fine start in Serie A, scoring 13 goals in his debut season. However, the following season, in 1992-93, Fiorentina lost in the relegation battle and were demoted to Serie B, despite Batistuta's 16 league goals. The club returned to Serie A after one season in Serie B, with the contribution of 16 goals from Batistuta and the management of Claudio Ranieri, as Fiorentina captured the 1993-94 Serie B title.  At Fiorentina, Batistuta found his best form. He was the top scorer of the 1994-95 Serie A season with 26 goals, and he broke Ezio Pascutti's 30-year-old record by scoring in all of the first 11 matches of the season. In the 1995-96 season, Batistuta, alongside Manuel Rui Costa and Francesco Baiano, helped the club to go on a 15-match unbeaten run, as they eventually ended the season with a fourth-place league finish. Fiorentina also won the Coppa Italia and Supercoppa Italiana over Milan; in the two-legged Coppa Italia final against Atalanta, Batistuta scored a goal in each fixture as Fiorentina won 3-0 on aggregate. The next season was less successful, as Fiorentina finished in a disappointing ninth place in the league, although the team managed to reach the semi-finals of the 1996-97 UEFA Cup Winners' Cup, losing out to eventual champions Barcelona, despite scoring a goal in a 1-1 away draw in the first leg.  After his failure to win the Italian championship with Fiorentina, Batistuta started considering a transfer to a bigger team. In an effort to keep Batistuta, Fiorentina hired Giovanni Trapattoni as coach and promised to do everything to win the Scudetto. After an excellent start to the season, Batistuta suffered an injury that kept him out of action for more than a month. Losing momentum, Fiorentina lost the lead and finished the season in third place, although the result enabled them to participate in the Champions League the following season.

Using a quote from the above article, answer the following question: What teams did he play?
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Answer:
in the two-legged Coppa Italia final against Atalanta,