Question:
Margaret Mead (December 16, 1901 - November 15, 1978) was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and 1970s. She earned her bachelor's degree at Barnard College in New York City and her M.A. and Ph.D. degrees from Columbia University. Mead was a respected and often controversial academic who popularized the insights of anthropology in modern American and Western culture. Her reports detailing the attitudes towards sex in South Pacific and Southeast Asian traditional cultures influenced the 1960s sexual revolution.
After her death Mead's Samoan research was criticized by anthropologist Derek Freeman, who published a book that argued against many of Mead's conclusions. Freeman argued that Mead had misunderstood Samoan culture when she argued that Samoan culture did not place many restrictions on youths' sexual explorations. Freeman argued instead that Samoan culture prized female chastity and virginity and that Mead had been misled by her female Samoan informants. Freeman's critique was met with a considerable backlash and harsh criticism from the anthropology community, whereas it was received enthusiastically by communities of scientists who believed that sexual mores were more or less universal across cultures. Some anthropologists who studied Samoan culture argued in favor of Freeman's findings and contradicted those of Mead, whereas others argued that Freeman's work did not invalidate Mead's work because Samoan culture had been changed by the integration of Christianity in the decades between Mead's and Freeman's fieldwork periods. While Mead was careful to shield the identity of all her subjects for confidentiality Freeman was able to find and interview one of her original participants, and Freeman reported that she admitted to having wilfully misled Mead. She said that she and her friends were having fun with Mead and telling her stories.  On the whole, anthropologists have rejected the notion that Mead's conclusions rested on the validity of a single interview with a single person, finding instead that Mead based her conclusions on the sum of her observations and interviews during her time in Samoa, and that the status of the single interview did not falsify her work. Some anthropologists have however maintained that even though Freeman's critique was invalid, Mead's study was not sufficiently scientifically rigorous to support the conclusions she drew.  Mead's reputation and significance as an anthropologist have not been diminished by Freeman's criticisms. In her book Galileo's Middle Finger, Alice Dreger argues that Freeman's accusations were unfounded and misleading. A detailed review of the controversy by Paul Shankman, published by the University of Wisconsin Press in 2009, supports the contention that Mead's research was essentially correct, and concludes that Freeman cherry-picked his data and misrepresented both Mead and Samoan culture.
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What was the controversy?

Answer:
Freeman argued that Mead had misunderstood Samoan culture when she argued that Samoan culture did not place many restrictions on youths' sexual explorations.


Question:
Hunter was born in New York City, the son of Gertrude (nee Gelien) and Charles Kelm. His mother, from Hamburg, was a German Roman Catholic immigrant, and his father was Jewish. Hunter's father was reportedly abusive, and within a few years of his birth, his parents divorced. Tab grew up in California with his mother, older brother Walter, and maternal grandparents, John Henry and Ida (nee Sonnenfleth)
One of Hunter's first films for Warners was The Sea Chase (1955), supporting John Wayne and Lana Turner. It was a big hit, but Hunter's part was relatively small. Rushes were seen by William Wellman, who cast Hunter to play the younger brother of Robert Mitchum in Track of the Cat (1955). It was a solid hit and Hunter began to get more notice.  His breakthrough role came when he was cast as the young Marine Danny in 1955's World War II drama Battle Cry. His character has an affair with an older woman, but ends up marrying the girl next door. It was based on a bestseller by Leon Uris and became Warner Bros largest grossing film of that year, cementing Hunter's position as one of Hollywood's top young romantic leads.  In September 1955 the tabloid magazine Confidential reported Hunter's 1950 arrest for disorderly conduct. The innuendo-laced article, and a second one focusing on Rory Calhoun's prison record, were the result of a deal Henry Willson had brokered with the scandal rag in exchange for not revealing his more prominent client Rock Hudson's sexual orientation to the public.  Not only did this have no negative effect on Hunter's career, a few months later he was named Most Promising New Personality in a nationwide poll sponsored by the Council of Motion Picture Organizations. In 1956, he received 62,000 Valentines. Hunter, James Dean and Natalie Wood were the last of the actors placed under exclusive studio contract to Warner Bros. Warners decided to promote him to star status, teaming him with Natalie Wood in two back-to-back films, a Western, The Burning Hills (1956), directed by Heisler, and The Girl He Left Behind (1956), a service comedy. These films also proved to be hits with audiences and Warners planned a third teaming of Hunter and Wood. Hunter rejected the third picture, thus ending Warner's attempt to make Tab and Natalie the William Powell and Myrna Loy of the 1950s. Hunter was Warner Bros.' most popular male star from 1955-1959.
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did he have a bigger role in this film?

Answer:
His breakthrough role came when he was cast as the young Marine Danny in 1955's World War II drama Battle Cry.