Background: The Flaming Lips are an American rock band formed in 1983 in Oklahoma City, Oklahoma. The group recorded several albums and EPs on an indie label, Restless, in the 1980s and early 1990s. After signing to Warner Brothers, they released their first record with Warner, "Hit to Death in the Future Head" (1992). They later released The Soft Bulletin (1999), which was NME magazine's Album of the Year, and then Yoshimi Battles the Pink Robots (2002).
Context: The Flaming Lips formed in Norman, Oklahoma in 1983 with Wayne Coyne on guitar, his brother Mark singing lead vocals, Michael Ivins on bass and Dave Kotska on drums. The band debuted at Oklahoma City's Blue Note Lounge. After they got Dave Kotska as the drummer, Richard English joined the band in 1984. That same year they recorded their only release with Mark Coyne singing lead vocals-The Flaming Lips.  After his brother's departure, Wayne assumed the vocal duties and the band released their first full-length album, Hear It Is, on Pink Dust Records (the psychedelic-rock imprint of Enigma Records) in 1986. This line-up recorded two more albums: 1987's Oh My Gawd!!! and 1989's Telepathic Surgery, the latter originally planned to be a 30-minute sound collage.  Drummer Nathan Roberts replaced English and guitarist Jonathan Donahue (also a member of the alternative rock band Mercury Rev) joined in 1989. In a Priest Driven Ambulance, their first album with producer Dave Fridmann, was recorded at the State University of New York in Fredonia for $5 an hour on a $10,000 budget. The album was host to a marked expansion in the band's sound and their previous experiments in tape loops and effects were given a more prominent role. During this period, Coyne made his transition to a higher, more strained vocal style akin to Neil Young, which he first used on Telepathic Surgery's "Chrome Plated Suicide" and has employed ever since.  In 1990 the band caught the attention of Warner Bros. Records and were signed promptly after a representative of the label witnessed a show at which the band almost burned down the venue (American Legion Hall in Norman, Oklahoma) with the use of pyrotechnics.
Question: Are there any other interesting aspects about this article?
Answer: The Flaming Lips formed

Background: Albert Ayler (; July 13, 1936 - November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.
Context: Ayler routinely showcased his highly untraditional personal saxophone style in very conventional musical contexts, including children's songs, march melodies, and gospel hymns. However, Ayler's wild energy and intense improvisations transformed them into something nearly unrecognizable. Ayler took a deconstructive approach to his music, which was characteristic of the free jazz era. Phil Hardy says that Ayler "dismantled" melody and harmony in order to more deeply explore "the physical properties" of his saxophone. Ayler wished to free himself and his bandmates to improvise, relate to one another, and relate to their instruments on a more raw, "primal" level.  The intensely spiritual aspect of Ayler's music was clearly aligned with the beliefs of jazz saxophonist John Coltrane, who was profoundly affected by the "otherworldly" sounds of Ayler's music. This effect is especially evident in Coltrane's albums Meditations and Stellar Regions. Coltrane served as a mentor throughout Ayler's life, providing financial and professional support. This intensity, the extremes to which Ayler took his tenor saxophone, is the most defining aspect of his sound. His style is characterized by timbre variations, including squeaks, honks, and improvisation in very high and very low registers. He possessed a deep blistering tone--achieved by using the stiff plastic Fibrecane no. 4 reeds on his tenor saxophone--and used a broad, pathos-filled vibrato.  Ayler experimented with microtonality in his improvisations, seeking to explore the sounds that fall between the notes in a traditional scale. This technique was best showcased when he played, as he often did, without a piano, backed only by bass and drums. Ayler also resisted the standard swing beat, and instead built momentum through the frenetic speed of his improvisatory lines, which he forcefully overblew from his saxophone. Jazz historian Ted Gioia describes Ayler as a "virtuoso of the coarse and anomalous," and claims that Ayler aimed to break away from the constraints of playing notes and instead to "enter into a new realm in which the saxophone created "sound"." Ayler undeniably succeeded in doing this; he produced sounds that were unlike any made by jazz saxophonists before him. However, while some found a powerful artistic voice, even musical genius, in these sounds, others found only noise.
Question: What musical contexts?
Answer: very conventional musical contexts, including children's songs, march melodies, and gospel hymns.

Background: John Owen Brennan (born September 22, 1955) was the Director of the Central Intelligence Agency (CIA) from March 2013 to January 2017. He served as chief counterterrorism advisor to U.S. President Barack Obama; his title was Deputy National Security Advisor for Homeland Security and Counterterrorism, and Assistant to the President. His responsibilities included overseeing plans to protect the country from terrorism and respond to natural disasters, and he met with the President daily. Previously, he advised President Obama on foreign policy and intelligence issues during the 2008 presidential campaign and transition.
Context: United States President Barack Obama twice nominated Brennan to serve as Director of the Central Intelligence Agency.  Morris Davis, a former Chief Prosecutor for the Guantanamo Military Commissions compared Brennan to Canadian Omar Khadr, who was convicted of "committing murder in violation of the law of war". He suggested that Brennan's role in targeting individuals for CIA missile strikes was no more authorized than the throwing of the grenade of which Khadr was accused.  On February 27, 2013, the Senate Intelligence Committee postponed a vote, expected to be taken the next day on the confirmation of Brennan until the following week. On March 5, the Intelligence Committee approved the nomination 12-3. The Senate was set to vote on Brennan's nomination on March 6, 2013. However, Kentucky Senator Rand Paul began a talking Senate filibuster of the vote, citing President Barack Obama and his administration's use of combat drones against Americans, stating "No one politician should be allowed to judge the guilt, to charge an individual, to judge the guilt of an individual and to execute an individual. It goes against everything that we fundamentally believe in our country." Paul's filibuster continued for 13 hours, ending with the words: "I'm hopeful that we have drawn attention to this issue, that this issue will not fade away, and that the president will come up with a response." After the filibuster, Brennan was confirmed by a vote of 63-34.  Brennan was sworn into the office of CIA Director on March 8, 2013. in a 63-44 vote.
Question: Was this a popular vote among others?
Answer:
On March 5, the Intelligence Committee approved the nomination 12-3.