Problem: Background: Stefanie Graf was born on 14 June 1969, in Mannheim, Baden-Wurttemberg, West Germany, to Heidi Schalk and Peter Graf (18 June 1938 - 30 November 2013), a car and insurance salesman. When she was nine years old her family moved to the neighbouring town of Bruhl. She has a younger brother Michael. Graf was introduced to tennis by her father, an aspiring tennis coach, who taught his three-year-old daughter how to swing a wooden racket in the family's living room.
Context: The main weapons in Graf's game were her powerful inside-out forehand drive (which earned her the moniker Fraulein Forehand) and her intricate footwork. She often positioned herself in her backhand corner and although this left her forehand wide open and vulnerable to attack, her court speed meant that only the most accurate shots wide to her forehand caused any trouble. Graf's technique on the forehand was unique and instantly recognizable: generating considerable racquet head speed with her swing, she reached the point of contact late and typically out of the air. As a result, she hit her forehand with exceptional pace and accuracy. According to her coaches Pavel Slozil and Heinz Gunthardt, Graf's superior sense of timing was the key behind the success of her forehand.  Graf also had a powerful backhand drive but over the course of her career tended to use it less frequently, opting more often for an effective backhand slice. Starting in the early 1990s, she used the slice almost exclusively in baseline rallies and mostly limited the topspin backhand to passing shots. Her accuracy with the slice, both cross-court and down the line and her ability to skid the ball and keep it low, enabled her to use it as an offensive weapon to set the ball up for her forehand put-aways. However, Graf admitted in 1995 that she would have preferred having a two-handed backhand in retrospect.  She built her powerful and accurate serve up to 174 km/h (108 mph), making it one of the fastest serves in women's tennis and was a capable volleyer.  An exceptionally versatile competitor, Graf remains the only player, male or female, to have won the calendar-year Grand Slam on three surfaces or to have won each Grand Slam at least four times. Eighteen-time Grand Slam champion and former rival Chris Evert opined, "Steffi Graf is the best all-around player. Martina [Navratilova] won more on fast courts and I won more on slow courts, but Steffi came along and won more titles on both surfaces." Her endurance and superior footwork allowed her to excel on clay courts, where, in addition to six French Open titles, she won 26 regular tour events, including a record eight titles at the German Open. Meanwhile, her naturally aggressive style of play, effective backhand slice and speed around the court made her even more dominant on fast surfaces such as hard courts, grass and carpet. Graf stated that grass was her favorite surface to play on, while clay was her least favorite.
Question: whos playing style are we talking about in this story?
Answer: Graf's

Problem: Background: Kelis Rogers was born and raised in the Harlem neighborhood of Manhattan in the Frederick Douglass Houses. Her first name is a portmanteau of her father's name, Kenneth (1944-2000), and her mother's name, Eveliss. Her father Kenneth was an African American jazz musician and Pentecostal minister, and was formerly a professor at Wesleyan University. Her mother Eveliss is a Chinese-Puerto Rican fashion designer who inspired Kelis to pursue her singing career.
Context: Kelis began recording her debut album, Kaleidoscope, in mid-1998 and was finished within a year. Produced by The Neptunes and released by Virgin Records in 1999, the album peaked at number 144 on the U.S. Billboard 200 chart and reached the top five on the Top Heatseekers chart. As of 2006, the album had sold 249,000 copies, according to Nielsen SoundScan. Its lead and most notable single, "Caught Out There", became a top ten Hot R&B/Hip-Hop Songs hit and peaked at number 54 on the Billboard Hot 100. During this time, Kelis featured on Ol' Dirty Bastard's U.S. top 40 single "Got Your Money".  The album performed better in Europe, where "Caught out There" was a moderate hit and reached the top five on the UK Singles Chart. A second single, "Good Stuff" (featuring Terrar of Clipse), reached number 19; the third, "Get Along with You", was less successful, reaching number 51. The British Phonographic Industry certified Kaleidoscope gold for sales of 100,000 copies in the United Kingdom, where it reached number 43 on the UK Albums Chart.  In 2001, Kelis won the BRIT Award for International Breakthrough Act and the NME Award for Best R&B/Soul Act, before joining Moby and U2 on their Area:One and Elevation tours, respectively. Kelis and the Neptunes' output at this time was heralded as foreshadowing an innovation in contemporary R&B, but she later said, "I was never an R&B artist. People coined me one but that's because, especially if you're in the States, if you're black and you sing, then you're R&B". Her colorful style in both clothing and hair received considerable attention.  Kelis's second album, Wanderland, was released in 2001 in Europe, Asia, and Latin America, but did not receive a North American release. According to Kelis, her U.S. record company at the time, Virgin, had laid off those that worked on Kaleidoscope; their replacements did not understand or believe in Wanderland, which led her to leave the label around the time of the album's European release. A commercial failure, Wanderland peaked at number 78 in the UK, although its sole single release, "Young, Fresh n' New", was a top forty entry on the UK Singles Chart. The album, which was produced in its entirety by the Neptunes and features collaborations with members of Clipse and No Doubt, was well received by publications such as The Guardian and NME.  In 2002, Kelis recorded "So Be It" for the Red Hot Organization's Fela Kuti tribute CD, Red Hot and Riot, from which all proceeds were donated to AIDS awareness charities. The same year, she had a top 20 US club hit with a remix of "Young, Fresh 'n' New" remix produced by Timo Maas, who subsequently featured Kelis on his single "Help Me".
Question: Did she have any other albums reach the charts?
Answer:
Kelis's second album, Wanderland, was released in 2001