Background: Wang Leehom (born May 17, 1976), sometimes credited as Leehom Wang, is a Taiwanese-American singer-songwriter, record producer, actor and film director. Formally trained at the Eastman School of Music, Williams College and Berklee College of Music, his musical style is known for fusing Chinese elements (such as Beijing opera, traditional styles of ethnic minorities, Chinese classical orchestra) with hip-hop and R&B. Wang debuted in 1995 and since then has released over 25 albums, with sales of over 50 million copies. He is also a four-time winner and 19-time nominee of Taiwan's Golden Melody Awards, the "Grammys" of Chinese music.
Context: Born in Rochester, New York, Wang is the second of three sons of immigrants from Taiwan of waishengren heritage. His father, a pediatrician, and his mother, moved to the United States to further their college studies in the early 1960s. Influenced by his older brother, Leo Wang, who had been taking violin lessons since he was seven, Wang began to develop a curious interest towards the violin and its musical counterparts when he was three. He begged his mother to put him in violin lessons with his brother but his mother was against it, reasoning that he was too young. When Wang turned six, his mother enrolled him in violin classes, performing along with his brother. As he became a teenager, he began taking piano lessons, also teaching himself the guitar. He also worked several jobs to earn money to buy a second hand drum kit.  He attended Jefferson Road Elementary School, Pittsford Middle School, and Pittsford Sutherland High School in Pittsford, New York. He graduated from Pittsford Sutherland. Passionate for a career in music, he chose to attend Williams College double majoring in music and Asian studies. He joined an all-male a cappella group, The Springstreeters, and the group recorded several demo tracks.  In the summer of 1995, while Wang was visiting his grandparents in Taiwan, he was offered a professional recording contract by Bertelsmann Music Group (BMG) after he participated in a talent competition hosted by the label. Not wanting to lose the opportunity, he immediately began preparing for his debut, and released his debut album Love Rival, Beethoven (Qing Di Bei Duo Fen ) that December. The record received little limelight, forcing him to leave the label. He signed with Decca Records the following year, a label then famous for producing "powerful singers" (Shi Li Pai Ge Shou ) in Taiwan. Wanting to also have control in the idol market, the label initially planned to market Wang as the mainstream "romantic idol", like with their previous artist Mavis Fan. However, after discovering Wang's talent in music-making, Decca began promoting him as Taiwan's "quality idol" (You Zhi Ou Xiang ) instead. Wang released his second album If You Heard My Song in 1996, which included some of his own compositions. He co-wrote the album's eponymous title song, which earned positive responses from the audience. The album drew moderately successful sales, and he became a rising star in the idol market, also finding similar successes with his third and fourth albums. During this time, Wang was asked to leave his college studies to pursue a full-time singing career, but he insisted on finishing school first.
Question: Did he go to school?
Answer: He attended Jefferson Road Elementary School, Pittsford Middle School, and Pittsford Sutherland High School in Pittsford, New York.

Background: Ministry is an American industrial metal band, founded in 1981 by Al Jourgensen in Chicago, Illinois. Originally a synth-pop outfit, Ministry shifted its style to become one of the pioneers of industrial metal in the mid-to-late 1980s. The band's lineup has gone through many changes throughout its history, with Jourgensen remaining the only constant as the band's main producer, singer, songwriter, and instrumentalist. Notable musicians who have contributed to the band's studio or live activities include Paul Barker, Martin Atkins, Bill Rieflin, Chris Connelly, Nivek Ogre, Mike Scaccia, Rey Washam, Paul Raven, Tommy Victor, Jason Christopher, Tony Campos, Burton C. Bell and DJ Swamp.
Context: The follow-up, The Mind Is a Terrible Thing to Taste was supported by a tour from 1989 to 1990. Due to the complex nature of the album's drumming, a second drummer, Martin Atkins (formerly of Public Image Ltd. and Killing Joke), was used. In addition to Atkins, a ten piece touring line-up was formed, consisting of Chris Connelly (keyboards and vocals), Skinny Puppy vocalist Nivek Ogre (vocals and keyboards), Joe Kelly (vocals and backing vocals) and guitarists Mike Scaccia, Terry Roberts, and William Tucker, with Jourgensen, Barker and Rieflin serving as the group's core members. This tour was documented on In Case You Didn't Feel Like Showing Up. Two singles, "Burning Inside" (for which a video was made) and "So What" were released from the album.  Throughout the late 1980s Jourgensen and Barker expanded their ideas beyond Ministry into a seemingly endless parade of side projects and collaborations. Many of these bore Ministry's signature sound and the duo's "Hypo Luxa/Hermes Pan" production imprint. Foremost of these was Ministry's alter ego, the Revolting Cocks. "RevCo", as it is often referred to, essentially became the same band as it had originally featured Belgian musicians Richard 23 (of Front 242) and Luc Van Acker. Jourgensen and Barker also formed Lard with Dead Kennedys lead singer Jello Biafra, Acid Horse with Cabaret Voltaire, 1000 Homo DJs (which featured Nine Inch Nails' Trent Reznor doing vocals on a cover of Black Sabbath's "Supernaut"), PTP with Chris Connelly and Pailhead with Ian MacKaye of Minor Threat and Fugazi.  Barker released his own material as Lead into Gold and Jourgensen produced and played electric guitar on the Skinny Puppy 1989 album Rabies. Atkins and Rieflin also formed the band Pigface, which featured Barker on several tracks, as well. The smaller of these projects were later collected on the CD Side Trax (Rykodisc Records, 2004), and the RevCo discography was remastered and reissued.
Question: What did that equal to
Answer:
Throughout the late 1980s Jourgensen and Barker expanded their ideas beyond Ministry into a seemingly endless parade of side projects and collaborations.