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Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. After signing with Capitol Records in 1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the group. In addition to his lifelong struggles with mental illness, Wilson is known for his unorthodox approaches to pop composition and mastery of recording techniques, and he is widely acknowledged as one of the most innovative and significant songwriters of the late 20th century. The Beach Boys were formed by Brian, his brothers Carl and Dennis, their cousin Mike Love, and friend Al Jardine.
Recording sessions for the band's first album took place in Capitol's basement studios in the famous tower building in August 1962, but early on Brian lobbied for a different place to cut Beach Boy tracks. The large rooms were built to record the big orchestras and ensembles of the 1950s, not small rock groups. At Brian's insistence, Capitol agreed to let the Beach Boys pay for their own outside recording sessions, to which Capitol would own all the rights, and in return the band would receive a higher royalty rate on their record sales. Additionally, during the taping of their first LP Brian fought for, and won, the right to be in charge of the production - though this fact was not acknowledged with an album liner notes production credit.  In January 1963, the Beach Boys recorded their first top-ten (cresting at number three in the United States) single, "Surfin' U.S.A.", which began their long run of highly successful recording efforts at Hollywood's United Western Recorders on Sunset Boulevard. It was during the sessions for this single that Brian made the production decision from that point on to use double tracking on the group's vocals, resulting in a deeper and more resonant sound. The Surfin' U.S.A. album was also a big hit in the United States, reaching number two on the national sales charts by early July 1963. The Beach Boys had become a top-rank recording and touring band.  Brian was for the first time officially credited as the Beach Boys' producer on the Surfer Girl album, recorded in June and July 1963 and released that September. This LP reached number seven on the national charts, containing singles that were top 15 hits. Feeling that surfing songs had become limiting, Brian decided to produce a set of largely car-oriented tunes for the Beach Boys' fourth album, Little Deuce Coupe, which was released in October 1963, only three weeks after the Surfer Girl LP. The departure of guitarist David Marks from the band that month meant that Brian was forced to resume touring with the Beach Boys, for a time reducing his availability in the recording studio.  For much of the decade, Brian attempted to establish himself as a record producer by working with various artists. On July 20, 1963, "Surf City", which he co-wrote with Jan Berry of Jan and Dean, was his first composition to reach the top of the US charts. The resulting success pleased Brian, but angered both Murry and Capitol Records. Murry went so far as to order his oldest son to sever any future collaborations with Jan and Dean. Brian's other non-Beach Boy work in this period included tracks by the Castells, Donna Loren, Sharon Marie, the Timers, and the Survivors. The most notable group to which Wilson would attach himself in this era would be the Honeys, which Wilson intended as the female counterpart to the Beach Boys, and as an attempt to compete with Phil Spector-led girl groups such as the Crystals and the Ronettes. He continued juggling between recording with the Beach Boys and producing records for other artists, but with less success at the latter--except for Jan and Dean.

Was this album produced with the Beach Boys?

the band's first album



Answer the question at the end by quoting:

Brahmabandhab Upadhyay was born as Bhavani Charan Bandyopadhyay in a Kulin Brahmin family. The term Kulin indicates to a cult in barhmanical Hindu society of early era when a person was allowed to marry any number of wives. His grand father was known to have married fifty six wives. His father, Debi Charan Bandyopadhyay was a police officer of the British regime.
When he was in the high school, Bhavani Charan became inclined towards the Indian nationalist movement for freedom, and during his college education, he plunged into the freedom movement. His biographer, Julius Lipner, says that Brahmabandhab "made a significant contribution to the shaping of the new India whose identity began to emerge from the first half of the nineteenth century". He was contemporary to and friend of the poet Rabindranath Tagore and Vivekananda. According to Lipner, "Vivekananda lit the sacrificial flame or revolution, Brahmabandhab in fuelling it, safeguarded and fanned the sacrifice."  Brahmabandhab Upadhyay acted as editor of Sandhya, till the last day of his life. After the movement of partition of Bengal in 1905, there was a boost in nationalist ideologies and several publications took active and fierce role in propagating them, including Sandhya.  In March 1907, Sandhya elaborated its motto as, "If death comes in the striving, the death will be converted to immortality." In May 1907, Sandhya reported, "People are soundly thrashing a feringhi whenever they are coming across one. And here whenever a feringhi is seen the boys throw a brickbat at him. And thrashing of European soldiers are continuing..." Further it added, "Listen and you will hear the Mother's trumpet are sounding. Mother's son do not tarry, but to get ready; go about from village to village and prepare the Indians for death." In September 1907 Sandhya wrote, "God gives opportunities to all nations to to [sic] free themselves from their stupor and strength to make the necessary beginning." Bramhabandhab wrote in Sandhya on 26 October 1907, a day before his death, "I will not got to the jail of the feringhi to work as a prisoner.. I had never been at any one's beck and call. I obeyed none. At the fag end of my old age they will send me to jail for law's sake, and I will work for nothing. Impossible! I won't go to jail, I have been called."

What else is interesting about the article?
Sandhya reported, "People are soundly thrashing a feringhi whenever they are coming across one. And here whenever a feringhi is seen the boys throw a brickbat at him.