Problem: Background: Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.
Context: Gingold's adult stage career was slow to take off. She played Liza in If at the Ambassador's in May 1921, and the Old Woman in Ben Travers's farcical comedy The Dippers produced by Sir Charles Hawtrey at the Criterion in August 1922.  In 1926 Gingold divorced from Joseph. Later in the same year she married the writer and lyricist Eric Maschwitz, whom she divorced in 1945. She underwent a vocal crisis in the late 1920s and early 1930s: she had hitherto described herself as "Shakespearian and soprano", but nodules on her vocal cords brought a drastic drop in pitch, about which she commented, "One morning it was Mozart and the next 'Old Man River'". The critic J. C. Trewin described her voice as "powdered glass in deep syrup". During this period she broadcast frequently for the BBC and established herself at the experimental theatre-club the Gate Theatre Studio in London, first as a serious actress and later in the genre for which she became famous, revue. According to The Times it was in Spread It Abroad (1936) a revue at another theatre, the Saville, with material by Herbert Farjeon that she truly found her milieu.  In the ten years from 1938 Gingold concentrated on revue, appearing in nine different productions in the West End. The first four were The Gate Revue (transferred from the Gate to the Ambassador's, 1939), Swinging the Gate (1940), Rise Above It (1941) and Sky High (1942). During this period she and Hermione Baddeley established a stage partnership of what The Times called "briskly sustained mock-rivalry". In June 1943 she opened in a revue at the Ambassadors, Sweet and Low, which was continually revised and refreshed over a run of almost six years, first as Sweeter and Lower and then Sweetest and Lowest. In her sketches she tended, as the writer of the shows, Alan Melville, recalled, to portray "grotesque and usually unfortunate ladies of dubious age and occasionally, morals; the unhappy female painted by Picasso who found herself lumberered with an extra limb or two ... the even less fortunate female who, after years of playing the cello in Palm Court orchestras, ended up bow-legged beyond belief." In a biographical sketch, Ned Sherrin writes, "Gingold became a special attraction for American soldiers and 'Thanks, Yanks' was one of her most appropriate numbers. During the astringent, name-dropping 'Sweet' series, she played 1,676 performances, before 800,000 people, negotiating 17,010 costume changes."
Question: What album was the song off of?
Answer: 

Background: Geronimo (Mescalero-Chiricahua: Goyaale [koja:le] "the one who yawns"; June 16, 1829 - February 17, 1909) was a prominent leader and medicine man from the Bedonkohe band of the Chiricahua Apache tribe.
Context: Geronimo was born to the Bedonkohe band of the Apache, near Turkey Creek, a tributary of the Gila River in the modern-day state of New Mexico, then part of Mexico, though the Apache disputed Mexico's claim. His grandfather, Mahko, had been chief of the Bedonkohe Apache. He had three brothers and four sisters.  His parents raised him according to Apache traditions; after the death of his father, his mother took him to live with the Tchihende and he grew up with them. Geronimo married a woman named Alope, from the Nedni-Chiricahua band of Apache when he was 17; they had three children. She was the first of nine wives. On March 5, 1858, a company of 400 Mexican soldiers from Sonora led by Colonel Jose Maria Carrasco attacked Geronimo's camp outside Janos (Kas-Ki-Yeh in Apache) while the men were in town trading. Among those killed were his wife, children and mother. The loss of his family led Geronimo to hate all Mexicans for the rest of his life; he and his followers would frequently attack and kill any group of Mexicans that they encountered. Recalling that at the time his band was at peace with the Mexicans, Geronimo remembered the incident as follows:  Late one afternoon when returning from town we were met by a few women and children who told us that Mexican troops from some other town had attacked our camp, killed all the warriors of the guard, captured all our ponies, secured our arms, destroyed our supplies, and killed many of our women and children. Quickly we separated, concealing ourselves as best we could until nightfall, when we assembled at our appointed place of rendezvous -- a thicket by the river. Silently we stole in one by one, sentinels were placed, and when all were counted, I found that my aged mother, my young wife, and my three small children were among the slain.  Geronimo's chief, Mangas Coloradas, sent him to Cochise's band for help in his revenge against the Mexicans. It was during this incident that the name Geronimo came about. This appellation stemmed from a battle in which, ignoring a deadly hail of bullets, he repeatedly attacked Mexican soldiers with a knife. The origin of the name is a source of controversy with historians, some writing that it was appeals by the soldiers to Saint Jerome ("Jeronimo!") for help. Others source it as the mispronunciation of his name by the Mexican soldiers.
Question: Did he ever have a goal in lifeq
Answer: