Problem: Jones was born on May 13, 1931 in a rural area of Crete, Indiana, to James Thurman Jones (1887-1951), a World War I veteran, and Lynetta Putnam (1902-1977). Jones was of Irish and Welsh descent; he later claimed partial Cherokee ancestry through his mother, but his maternal second cousin later stated this was likely untrue. Economic difficulties during the Great Depression necessitated that Jones' family move to the town of Lynn in 1934, where he grew up in a shack without plumbing.

In 1960, Indianapolis Mayor Charles Boswell appointed Jones director of the Human Rights Commission. Jones ignored Boswell's advice to keep a low profile, finding new outlets for his views on local radio and television programs. When the mayor and other commissioners asked Jones to curtail his public actions, he resisted and was wildly cheered at a meeting of the NAACP and Urban League when he yelled for his audience to be more militant, and then climaxed with, "Let my people go!"  During this time, Jones also helped to racially integrate churches, restaurants, the telephone company, the police department, a theater, an amusement park, and the Methodist Hospital. After swastikas were painted on the homes of two African-American families, Jones personally walked the neighborhood comforting local black people and counseling white families not to move, in order to prevent white flight.  Jones set up stings to catch restaurants refusing to serve black customers and wrote to American Nazi leaders and then leaked their responses to the media. When Jones was accidentally placed in the black ward of a hospital after a collapse in 1961, he refused to be moved; he began to make the beds and empty the bed pans of black patients. Political pressures resulting from Jones' actions caused hospital officials to desegregate the wards.  Jones received considerable criticism in Indiana for his integrationist views. White-owned businesses and locals were critical of him. A swastika was placed on the Temple, a stick of dynamite was left in a Temple coal pile, and a dead cat was thrown at Jones' house after a threatening phone call. Other incidents occurred, though some suspect that Jones himself may have been involved in at least some of them.

What did the mayor have to say to Jones?

Answer with quotes: When the mayor and other commissioners asked Jones to curtail his public actions, he resisted and was wildly cheered at a meeting of the NAACP and Urban League

Question:
Oingo Boingo  was an American new wave band, best known for their hits "Dead Man's Party" and "Weird Science". They are noted for their high energy live concerts, movie soundtrack contributions, and their mixture of genre, which can be described as including ska, pop, rock, and world music. The band was founded in 1972 as The Mystic Knights of the Oingo Boingo, a performance art group. The band was led by songwriter/vocalist Danny Elfman, who has since achieved success as a composer for film and television.
The Mystic Knights of the Oingo Boingo, formed in late 1972 by Richard Elfman, was a musical theater troupe in the tradition of Spike Jones and Frank Zappa, performing an eclectic repertoire ranging from Cab Calloway covers to instrumentals in the style of Balinese gamelan and Russian ballet music. The name was inspired by a fictional secret society on the Amos 'n' Andy TV series called The Mystic Knights of the Sea. Most of the members performed in whiteface and clown makeup, and a typical show contained music ranging from the 1890s to the 1950s, in addition to original material. This version of the band employed as many as 15 musicians at any given time, playing over 30 instruments, including some instruments built by band members. While this Richard Elfman-led incarnation of the group performed live, it did not issue any recordings.  As Richard Elfman's interest shifted to filmmaking, he passed leadership of the band to younger brother Danny Elfman, who had recently returned from spending time in Africa playing violin and studying percussion instruments. They gained a following in Los Angeles, and appeared as contestants on The Gong Show in 1976, winning the episode they appeared on with 24 points out of a possible 30. The Gong Show presentation included an accordion, a purple dragon and a gaseous rocket-man. Later in 1976, The Mystic Knights of the Oingo Boingo released a doo-wop styled novelty single about kidnapped heiress Patty Hearst entitled "You Got Your Baby Back". Both this track and the B-side "Ballad of the Caveman" were written and sung by Danny Elfman. They were featured in the 1976 Martin Brest film Hot Tomorrows; performing the songs St. James Infirmary and 42nd Street. The band appeared as extras in hallucinatory sequences in the 1977 movie I Never Promised You a Rose Garden.  When the group began to move away from its cabaret style towards a more pop/rock format, Richard Elfman made a film based on the band's stage performance, Forbidden Zone, which was released in 1980 and filmed in black and white with a cast mostly made up of band members and friends. In one scene, Danny, as Satan, sings a version of Calloway's "Minnie the Moocher" with modified lyrics integrated into the plot of the film. In another, Richard sings the 1920s novelty song "The Yiddishe Charleston". The movie attained cult status and provided a springboard for the film and music careers of Richard and Danny.
Answer this question using a quote from the text above:

what was their greatest accomplishment?

Answer:
When the group began to move away from its cabaret style towards a more pop/rock format, Richard Elfman made a film based on the band's stage performance, Forbidden Zone,