Question: Philip Chapman Lesh (born March 15, 1940) is a musician and a founding member of the Grateful Dead, with whom he played bass guitar throughout their 30-year career. After the band's disbanding in 1995, Lesh continued the tradition of Grateful Dead family music with side project Phil Lesh and Friends, which paid homage to the Dead's music by playing their originals, common covers, and the songs of the members of his band. Lesh operates a music venue called Terrapin Crossroads. He scaled back his touring regimen in 2014 but continues to perform with Phil Lesh & Friends at select venues.

Lesh was an innovator in the new role that the electric bass developed during the mid-1960s. Contemporaries such as Casady, Bruce, James Jamerson and Paul McCartney adopted a more melodic, contrapuntal approach to the instrument; before this, bass players in rock had generally played a conventional timekeeping role within the beat of the song, and within (or underpinning) the song's harmonic or chord structure. While not abandoning these aspects, Lesh took his own improvised excursions during a song or instrumental. This was a characteristic aspect of the so-called San Francisco Sound in the new rock music. In many Dead jams, Lesh's bass is, in essence, as much a lead instrument as Garcia's guitar.  Lesh was not a prolific composer or singer with the Grateful Dead, although some of the songs he did contribute--"New Potato Caboose", "Box of Rain", "Unbroken Chain", and "Pride of Cucamonga"--are among the best-known in the band's repertoire. Lesh's high tenor voice contributed to the Grateful Dead's three-part harmony sections in their group vocals in the early days of the band, until he largely relinquished singing high parts to Donna Godchaux (and thence Brent Mydland and Vince Welnick) in 1976 due to vocal cord damage from improper singing technique. In 1985, he resumed singing lead vocals on select songs as a baritone. Throughout the Grateful Dead's career, his interest in avant-garde music remained a crucial influence on the group.  In 1994, he was inducted into The Rock and Roll Hall of Fame as a member of the Grateful Dead.

Using a quote from the above article, answer the following question: was he given award
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Answer: In 1994, he was inducted into The Rock and Roll Hall of Fame as a member of the Grateful Dead.


Question: James Byron Dean was born on February 8, 1931, at the Seven Gables apartment on the corner of 4th Street and McClure Street in Marion, Indiana, the only child of Winton Dean and Mildred Marie Wilson. He was primarily of English descent, with smaller amounts of German, Irish, Scottish, and Welsh ancestry. Six years after his father had left farming to become a dental technician, Dean and his family moved to Santa Monica, California. He was enrolled at Brentwood Public School in the Brentwood neighborhood of Los Angeles, California, but transferred soon afterward to the McKinley Elementary School.

In 1953, director Elia Kazan was looking for a substantive actor to play the emotionally complex role of 'Cal Trask', for screenwriter Paul Osborn's adaptation of John Steinbeck's 1952 novel East of Eden. The lengthy novel deals with the story of the Trask and Hamilton families over the course of three generations, focusing especially on the lives of the latter two generations in Salinas Valley, California, from the mid-19th century through the 1910s. In contrast to the book, the film script focused on the last portion of the story, predominantly with the character of Cal. Though he initially seems more aloof and emotionally troubled than his twin brother Aron, Cal is soon seen to be more worldly, business savvy, and even sagacious than their pious and constantly disapproving father (played by Raymond Massey) who seeks to invent a vegetable refrigeration process. Cal is bothered by the mystery of their supposedly dead mother, and discovers she is still alive and a brothel-keeping 'madam'; the part was played by actress Jo Van Fleet.  Before casting Cal, Elia Kazan said that he wanted "a Brando" for the role and Osborn suggested Dean, a relatively unknown young actor. Dean met with Steinbeck, who did not like the moody, complex young man personally, but thought him to be perfect for the part. Dean was cast in the role and on April 8, 1954, left New York City and headed for Los Angeles to begin shooting.  Much of Dean's performance in the film is unscripted, including his dance in the bean field and his fetal-like posturing while riding on top of a train boxcar (after searching out his mother in nearby Monterey).  The most famous improvisation of the film occurs when Cal's father rejects his gift of $5,000, money Cal earned by speculating in beans before the US became involved in World War I. Instead of running away from his father as the script called for, Dean instinctively turned to Massey and in a gesture of extreme emotion, lunged forward and grabbed him in a full embrace, crying. Kazan kept this and Massey's shocked reaction in the film. Dean's performance in the film foreshadowed his role as Jim Stark in Rebel Without A Cause. Both characters are angst-ridden protagonists and misunderstood outcasts, desperately craving approval from their fathers.  In recognition of his performance in East of Eden, Dean was nominated posthumously for the 1956 Academy Awards as Best Actor in a Leading Role of 1955, the first official posthumous acting nomination in Academy Awards history. (Jeanne Eagels was nominated for Best Actress in 1929, when the rules for selection of the winner were different.) East of Eden was the only film starring Dean that he would see released in his lifetime.

Using a quote from the above article, answer the following question: What role did Dean have in the novel?
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Answer:
Cal,