Question:
Eddie James "Son" House, Jr. (March 21, 1902 - October 19, 1988) was an American delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements and to accompany him to a 1930 recording session for Paramount Records.
In 1927, at the age of 25, House underwent a change of musical perspective as rapid and dramatic as a religious conversion. In a hamlet south of Clarksdale, he heard one of his drinking companions, either James McCoy or Willie Wilson (his recollections differed), playing bottleneck guitar, a style he had never heard before. He immediately changed his attitude about the blues, bought a guitar from a musician called Frank Hoskins, and within weeks was playing with Hoskins, McCoy and Wilson. Two songs he learned from McCoy would later be among his best known: "My Black Mama" and "Preachin' the Blues". Another source of inspiration was Rube Lacey, a much better known performer who had recorded for Columbia Records in 1927 (no titles were released) and for Paramount Records in 1928 (two titles were released). In an astonishingly short time, with only these four musicians as models, House developed to a professional standard a blues style based on his religious singing and simple bottleneck guitar style.  Around 1927 or 1928, he had been playing in a juke joint when a man went on a shooting spree, wounding House in the leg, and he allegedly shot the man dead. House received a 15-year sentence at the Mississippi State Penitentiary (Parchman Farm), of which he served two years between 1928 and 1929. He credited his re-examination and release to an appeal by his family, but also spoke of the intervention by the influential white planter for whom they worked. The date of the killing and the duration of his sentence are unclear; House gave different accounts to different interviewers, and searches by his biographer Daniel Beaumont found no details in the court records of Coahoma County or in the archive of the Mississippi Department of Corrections.  Upon his release in 1929 or early 1930, House was strongly advised to leave Clarksdale and stay away. He walked to Jonestown and caught a train to the small town of Lula, Mississippi, sixteen miles north of Clarksdale and eight miles from the blues hub of Helena, Arkansas. Coincidentally, the great star of Delta blues, Charley Patton, was also in virtual exile in Lula, having been expelled from his base on the Dockery Plantation. With his partner Willie Brown, Patton dominated the local market for professional blues performance. Patton watched House busking when he arrived penniless at Lula station, but did not approach him. He observed House's showmanship attracting a crowd to the cafe and bootleg whiskey business of a woman called Sara Knight. Patton invited House to be a regular musical partner with him and Brown. House formed a liaison with Knight, and both musicians profited from association with her bootlegging activities. The musical partnership is disputed by Patton's biographers Stephen Calt and Gayle Dean Wardlow. They consider that House's musicianship was too limited to play with Patton and Brown, who were also rumoured to be estranged at the time. They also cite one statement by House that he did not play for dances in Lula. Beaumont concluded that House became a friend of Patton's, traveling with him to gigs but playing separately.
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When did son started his blue performance?

Answer:
In 1927, at the age of 25, House underwent a change of musical perspective


Question:
Farrow was born in Los Angeles, California, the third child and eldest daughter of Australian film director John Farrow (John Villiers Farrow) and Irish actress Maureen O'Sullivan. Both Farrow's mother and father were from Catholic families. She is one of seven children, with older brothers Michael Damien (1939-1958), Patrick (1942-2009), younger brother John Charles (born 1946); and younger sisters Prudence and actresses Stephanie and Tisa. Her eldest brother, Michael Farrow, died in a plane crash in 1958, at age 19; Patrick, a sculptor, committed suicide in 2009; and John Charles was in 2013 sentenced to 25 years in prison for child molestation, for sexually abusing two boys over a period of eight years.
In the 1980s and early 1990s, Farrow's relationship with director Woody Allen resulted in numerous film collaborations. She appeared in nearly all of Allen's films during this period, including leading roles in Zelig, Broadway Danny Rose, The Purple Rose of Cairo, Hannah and Her Sisters, Radio Days and Alice (1990). Farrow played Alura, mother of Kara (Helen Slater), in Supergirl (1984) and voiced the title role in the animated film The Last Unicorn (1982). She narrated several of the animated Stories to Remember. Allen said that the way she played her character in Broadway Danny Rose was a "very, very brave thing for her to do," as she had to play her role without ever using her eyes.  Citing the need to devote herself to raising her young children, Farrow worked less frequently during the 1990s. Nonetheless, she appeared in leading roles in several films, including the Irish film Widows' Peak (1994), Miami Rhapsody (1995) and Reckless (also 1995). She appeared in several independent features and made-for-television films throughout the late 1990s and early 2000s and wrote an autobiography, What Falls Away, in 1997.  Farrow appeared as Mrs. Baylock, the Satanic nanny, in the remake of The Omen (2006). Although the film itself received a lukewarm critical reception, Farrow's performance was widely praised, with the Associated Press declaring "thank heaven for Mia Farrow" and calling her performance "a rare instance of the new Omen improving on the old one." Filmcritic.com added "it is Farrow who steals the show", and the Seattle Post-Intelligencer described her performance as "a truly delicious comeback role for Rosemary herself, Mia Farrow, who is chillingly believable as a sweet-talking nanny from hell." She worked on several films released in 2007, including the romantic comedy The Ex and the first part of director Luc Besson's trilogy of fantasy films, Arthur and the Invisibles. In 2008, in director Michel Gondry's Be Kind Rewind, she appeared opposite Jack Black, Mos Def and Danny Glover. In 2011, Farrow appeared in the film Dark Horse, directed by Todd Solondz.  In September 2014, Farrow returned to Broadway in the play Love Letters. The play was well received by critics with the New York Times calling Farrow's performance "utterly extraordinary... as the flighty, unstable and writing-averse Melissa Gardner."
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What are other movies that she acted in?

Answer:
Broadway Danny Rose, The Purple Rose of Cairo, Hannah and Her Sisters,