IN: Zorro (Spanish for "fox") is a fictional character created in 1919 by American pulp writer Johnston McCulley, and appearing in works set in the Pueblo of Los Angeles during the era of Spanish California (1769-1821). He is typically portrayed as a dashing masked vigilante who defends the commoners and indigenous peoples of California against corrupt and tyrannical officials and other villains. His signature all-black costume includes a cape, a hat known as sombrero cordobes, and a domino mask that covers the upper part of his face. In the stories, Zorro has a high bounty on his head, but is too skilled and cunning for the bumbling authorities to catch, and he also delights in publicly humiliating them.

The character's visual motif is typically a black costume with a black flowing Spanish cape or cloak, a black flat-brimmed hat known as sombrero cordobes, and a black sackcloth mask that covers the top of the head from eye level upwards. Sometimes the mask is a two piece, the main item being a blindfold-type fabric with slits for the eyes, and the other item being a bandana over the head, so that it is covered even if the hat is removed: this is the mask worn in the movie The Mark of Zorro (1920) and in the television series Zorro (1957-1959). Other times, the mask is a one piece that unites both items described above: this mask was introduced in The Mark of Zorro (1940) and appears in many modern versions. Zorro's mask has also occasionally been shown as being a rounded domino mask, which he wore without also wearing a bandana. In his first appearance, Zorro's cloak is purple, his hat is generically referred to as a "wide sombrero," and his black cloth veil mask with slits for eyes covers his whole face. Other features of the costume may vary.  His favored weapon is a rapier, which he also uses to often leave his distinctive mark, a Z cut with three quick strokes, on his defeated foes and other objects. He also uses other weapons, including a bullwhip and a pistol.  The fox is never depicted as Zorro's emblem. It is used as a metaphor for the character's wiliness, such as in the lyrics "Zorro, 'the Fox', so cunning and free ..." from the Disney television show theme.  His heroic pose consists of rearing on his horse Tornado, often saluting with his hand or raising his sword high. The logo of the company Zorro Productions, Inc. uses an image of Zorro rearing on his horse, sword raised high.

Besides visual motifs, are there other motifs?

OUT: The logo of the company Zorro Productions, Inc. uses an image of Zorro rearing on his horse, sword raised high.

input: On the strength of his climbs in the Alps, Lafaille was invited on an expedition to Annapurna by Pierre Beghin, one of the leading French climbers of the day. The pair attempted the mountain's vast South Face following the monsoon season in October 1992 in Alpine style, with no Sherpa support, pre-stocked campsites or fixed ropes on the upper mountain. They had reached a height of 7,400 metres when bad weather forced them to descend. The pair made a series of abseils down the face, but due to their lightweight approach they had little protective equipment and were often forced to abseil from a single anchor to conserve equipment. On the fourth or fifth abseil, Beghin fell to his death when the single cam he was using as an anchor became dislodged from the rock. Beghin had been carrying most of the pair's technical equipment, including all the ropes, and Lafaille was left alone on the face, a vertical mile above safety.  With great difficulty, Lafaille managed to climb down the 75 degree face to the pair's last bivouac site, where he found 20 metres of thin rope, allowing him to make short abseils down some of the hardest parts. With no technical equipment to use as anchors he was forced to entrust his weight to tent pegs or, on one occasion, a plastic bottle. He finally reached what should have been the relative safety of the top of a fixed rope which he and Beghin had installed on a steep rock band, but almost immediately he was struck by a falling rock, which broke his right arm. Disabled and helpless, he lay on a ledge for two days in the hope that other climbers would rescue him. However, while there was a Slovenian team attempting a route on a different part of the South Face, they judged that a rescue attempt would be too dangerous to undertake, so help never came. The cruellest thing about the ordeal, Lafaille said, was being able to see life in the valley below, and by night, the flashbulbs of trekkers' cameras. In spite of this, he later agreed that the Slovenians had made the right decision in not trying to save him.  Eventually, with all hope of rescue gone, Lafaille resolved to continue down alone. He initially tried to continue abseiling, but unable to control the rope with only one hand and his teeth he reverted to downclimbing one-handed, and was utterly exhausted when he reached the Slovenian team's base camp. By that time the climbers at the base of the mountain had given up hope for him, and his first wife, Veronique, had already been told that he had died. Reinhold Messner later said that the survival instinct he showed was of the sort which defines the best mountaineers.

Answer this question "How long did he stay on the ledge?"
output:
for two days in the hope that other climbers would rescue him. However,