input: In February 2017 the band revealed a teaser trailer for a new documentary entitled Escape from History, charting the band's journey from The Holy Bible, through to the disappearance of lyricist and guitarist Richey Edwards, to the huge success of Everything Must Go. The documentary aired on Sky Arts on 15 April. The band also stated that they would release a new album later in that year.  The band released a special edition of their album Send Away the Tigers on 12 May. 2017 marks the 10th anniversary of the record and the Manics said that "this is a very important album" in their career. The special edition featured a remastered album as well as b-sides and rarities spread over two discs, plus a DVD which features the band's 2007 Glastonbury performance, rehearsal footage, an album track-by-track, and promo videos.  On 17 November 2017, the band announced that their thirteenth album, Resistance Is Futile, would be released on 13 April 2018. After much delay, the band wrote "The main themes of 'Resistance is Futile' are memory and loss; forgotten history; confused reality and art as a hiding place and inspiration," the band say in a statement. "It's obsessively melodic - in many ways referencing both the naive energy of 'Generation Terrorists' and the orchestral sweep of 'Everything Must Go'. After delay and difficulties getting started, the record has come together really quickly over the last few months through a surge of creativity and some old school hard work." It is the first album to be recorded at the "Door to The River" new studio.  In January 2018, Manic Street Preachers signed a new publishing contract with Warner/Chappell Music, leaving their longtime home Sony/ATV Music Publishing.  On the new album the Manics launched their first single "International Blue" as a download on 8 December 2017. The second single "Distant Colours" was released also as a download on 16 February 2018. About the first single the band said that there's was certain naive energy and widescreen melancholia on the song that is reflected through the whole album, comparing it to Motorcycle Emptiness. Furthermore the album focused on "(...)things that make your life feel a little bit better. Rather than my internalised misery, I tried to put a sense of optimism into the lyrics by writing about things that we find really inspiring." Said Wire, taking inspiration from David Bowie and seen as almost an escape and a wave of optimism, just like the previoous album was described. On the other hand "Distant Colours" was written by James Dean Bradfield, rather than Nicky Wire, and inspired by disenchantment and Nye Bevan's old Labour. He said: "Musically, the verse is downcast and melancholic and the chorus is an explosion of disillusionment and tears." The third single "Dylan & Caitlin" was released as a download on 9 March 2018.

Answer this question "What is Resistance is Futile?"
output: the band announced that their thirteenth album, Resistance Is Futile, would be released on 13 April 2018.

input: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James.  Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director.  However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own.  Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks.  The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time.

Answer this question "Can you tell me something about the originas of the blues brothers film?"
output: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea

input: Hayes was a highly recruited athlete, and accepted a football scholarship from Florida A&M University a historically black college, where he excelled in track & field.  He never lost a race in the 100 yard or 100 meter competitions, but mainstream schools of the area still did not invite him to their sanctioned meets. In 1962 the University of Miami invited him to a meet on their campus, where he tied the world record of 9.2 seconds in the 100-yard dash, which had been set by Frank Budd of Villanova University the previous year. He also was the first person to break six seconds in the 60 yard dash with his indoor world record of 5.9 seconds.  In 1963, although he never used a traditional sprinter form, he broke the 100-yard dash record with a time of 9.1, a mark that would not be broken for eleven years (until Ivory Crockett ran a 9.0 in 1974). That same year, Hayes set the world best for 200 meters (20.5 seconds, although the time was never ratified) and ran the 220 yard dash in a time of 20.6 seconds (while running into an eight mph wind). He was selected to represent the United States in the 1964 Summer Olympics in Tokyo. His football coach Jake Gaither was not very high on giving Hayes time to train, which caused then president Lyndon B. Johnson to call him in order to allow Hayes time off and to keep him healthy.  He was the AAU 100 yard dash champion three years running, from 1962-1964, and in 1964 was the NCAA champion in the 200 meter dash. He missed part of his senior year because of his Olympic bid for the Gold medal.  In 1976, he was inducted into the inaugural class of the Florida A&M University Sports Hall of Fame. In 1996, he was inducted into the Southern Intercollegiate Athletic Conference Hall of Fame. In 2011, he was inducted into the Black College Football Hall of Fame.

Answer this question "Did Hayes win any other awards in his track and field career?"
output:
In 1976, he was inducted into the inaugural class of the Florida A&M University Sports Hall of Fame.