input: Hamilton began her long career in public health and workplace safety in 1910, when Illinois governor Charles S. Deneen appointed her as a medical investor to the newly-formed Illinois Commission on Occupational Diseases. Hamilton lead the commission's investigations, which focused on industrial poisons such as lead and other toxins. She also authored the "Illinois Survey," the commission's report that documented its findings of industrial processes that exposed workers to lead poisoning and other illnesses. The commission's efforts resulted in the passage of the first workers' compensation laws in Illinois in 1911, in Indiana in 1915, and occupational disease laws in other states. The new laws required employers to take safety precautions to protect workers.  By 1916 Hamilton had become America's leading authority on lead poisoning. For the next decade she investigated a range of issues for a variety of state and federal health committees. Hamilton focused her explorations on occupational toxic disorders, examining the effects of substances such as aniline dyes, carbon monoxide, mercury, tetraethyl lead, radium, benzene, carbon disulfide and hydrogen sulfide gases. In 1925, at a Public Health Service conference on the use of lead in gasoline, she testified against the use of lead and warned of the danger it posed to people and the environment. Nevertheless, leaded gasoline was allowed. The EPA in 1988 estimated that over the previous 60 years that 68 million children suffered high toxic exposure to lead from leaded fuels. Her work on the manufacture of white lead and lead oxide, as a special investigator for the U.S. Bureau of Labor Statistics, is considered a "landmark study". Relying primarily on "shoe leather epidemiology" (her process of making personal visits to factories, conducting interviews with workers, and compiling details of diagnosed poisoning cases) and the emerging laboratory science of toxicology, Hamilton pioneered occupational epidemiology and industrial hygiene. She also created the specialized field of industrial medicine in the United States. Her findings were scientifically persuasive and influenced sweeping health reforms that changed laws and general practice to improve the health of workers.  During World War I, the US Army tasked her with solving a mysterious ailment striking workers at a munitions plant in New Jersey. She led a team that included George Minot, a Professor at Harvard Medical School. She deduced that the workers were being sickened through contact with the explosive trinitrotoluene (TNT). Her recommendations that workers wear protective clothing that should be removed and washed at the end of each shift solved the problem.  Hamilton's best-known research included her studies on carbon monoxide poisoning among American steelworkers, mercury poisoning of hatters, and "a debilitating hand condition developed by workers using jackhammers." At the request of the U.S. Department of Labor, she also investigated industries involved in developing high explosives, "spastic anemia known as 'dead fingers'" among Bedford, Indiana, limestone cutters, and the "unusually high incidence of pulmonary tuberculosis" among tombstone carvers working in the granite mills of Quincy, Massachusetts, and Barre, Vermont. Hamilton was also a member of the Committee for the Scientific Investigation of the Mortality from Tuberculosis in Dusty Trades, whose efforts "laid the groundwork for further studies and eventual widespread reform in the industry."

Answer this question "did she struggle with being a woman?"
output: 

input: Danzig has said he wishes to avoid extensive and exhaustive touring in the future, preferring instead to focus on his various music, film and comic book projects: "I don't really want to tour. My reason for not doing it is because I'm bored of it. I like being onstage, but I don't like sitting around all day doing nothing. I could be home, working." Danzig has started work on a third Black Aria album, and a covers album is set for release by the end of 2013. Danzig hopes to record a dark blues album involving Jerry Cantrell and Hank III. He is currently working on new Danzig material with Tommy Victor and Johnny Kelly.  In 2014, Danzig filed a lawsuit against Misfits bassist Jerry Only claiming Only registered trademarks for everything Misfits-related in 2000 behind Danzig's back, misappropriating exclusive ownership over the trademarks for himself, including the band's iconic "Fiend Skull" logo, violating a 1994 contract the two had. Danzig claims that after registering the trademarks, Only secretly entered into deals with various merchandisers and cut him out of any potential profits in the process. On August 6, 2014, a U.S. district judge in California dismissed Danzig's lawsuit.  On October 21, 2015 during an interview with Loudwire, Danzig stated his current tour with Superjoint could be his last.  On May 12, 2016 Danzig, Only, and Frankenstein announced they would perform together as the Misfits for the first time in 33 years in two headlining shows at the September 2016 Riot Fest in Chicago and Denver. He later noted that he would be "open to possibly doing some more shows". Danzig returned to the 2017 Riotfest with his band, Danzig.  The newest Danzig album Black Laden Crown was released on May 26, 2017.

Answer this question "Did he ever go on tour?"
output: Danzig has said he wishes to avoid extensive and exhaustive touring in the future,

input: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia. In 1966, the level of social and artistic correspondence among British and American rock musicians dramatically accelerated for bands like the Beatles, the Beach Boys and the Byrds who fused elements of cultivated music with the vernacular traditions of rock. According to Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums Rubber Soul and Revolver "encouraged a legion of young bands that were to create progressive rock in the early 1970s". Academics Paul Hegarty and Martin Halliwell identify the Beatles "not merely as precursors of prog but as essential developments of progressiveness in its early days". After the release of Rubber Soul, many "baroque-rock" works would soon appear, particularly due to its track "In My Life".  Citing a quantitative study of tempos in music from the era, musicologist Walter Everett identifies Rubber Soul as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. Although the Kinks, the Yardbirds and the Beatles themselves (with "Ticket To Ride") had incorporated droning guitars to mimic the qualities of the sitar, Rubber Soul's "Norwegian Wood (This Bird Has Flown)" is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s -- a trend which would later be associated with the growth of raga rock, Indian rock, and the essence of psychedelic rock. In terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the most pivotal. Revolver ensured that psychedelic pop emerged from its underground roots and into the mainstream.  Author Carys Wyn Jones locates Sgt. Pepper's, along with Pet Sounds, to the beginning of art rock. Both albums are largely viewed as beginnings in the progressive rock genre due to their lyrical unity, extended structure, complexity, eclecticism, experimentalism and influences derived from classical music forms. For several years following Sgt. Pepper's release, straightforward rock and roll was supplanted by a growing interest in extended form. Several of the English psychedelic bands who followed in the wake of the Beatles' Sgt. Pepper's developed characteristics of the Beatles' music (specifically their classical influence) further than either the Beatles or contemporaneous West Coast psychedelic bands. AllMusic states that the first wave of art rock musicians were inspired by Sgt. Pepper's and believed that for rock music to grow artistically, they should incorporate elements of European and classical music to the genre.

Answer this question "What is progressiveness?"
output:
Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia.