input: Nelson Piquet and the number 1 went to a stagnating Lotus team in 1988, and his career took a nose dive despite the Camel sponsored Lotus 100T having the same specification Honda V6 turbo that powered the McLarens of Ayrton Senna and Alain Prost. Nelson, who had 20 wins and 3 World Championships following the 1987 season, began to lose his reputation when he had no wins in 1988, losing his number one status to fellow Brazilian Senna, who won 8 races and the championship for McLaren (Prost won 7 races, while Piquet could only manage three 3rd-place finishes for the season).  In early 1988 he resorted to using the media to attack his rivals and gained a reputation as an outspoken "loose cannon", such as attacking Mansell and his wife, calling Mansell "an uneducated blockhead" (and insulting his wife's looks), and calling fellow Senna "the Sao Paulo taxi driver" and stating that he "doesn't like women". Piquet retracted his comments when both threatened legal action. He also earned the ire of the Tifosi at the San Marino Grand Prix when he said in an interview with Playboy that Scuderia Ferrari might do better as a team if the boss (Enzo Ferrari) was a younger man instead of the 90-year-old one who rarely attended races due to his age and failing health. Piquet claims he was badly misquoted in the interview, which also had him questioning Alain Prost's standing as the best driver in the world. On the official FIA video review of the 1988 season, Piquet left no doubts that the article got it wrong in his comments about Ferrari (saying that at 90, Enzo Ferrari had to be a strong man to run a Formula One team), and that he considered Prost to be the world's best driver.  Piquet had a dismal 1989 season, driving a Judd V8-powered Lotus which had 125 less hp than the Honda V10s used by McLaren. He (and teammate Satoru Nakajima) once again had no wins and they both even failed to qualify for the 1989 Belgian Grand Prix, Piquet's first non-qualification since the 1982 Detroit Grand Prix. On what was his last attempt to qualify at Spa, Piquet lost his chance when he was slowed by rookie Frenchman Olivier Grouillard, who had gained a reputation throughout the season as a blocker.

Answer this question "what was the outcome of their migration?"
output: 

input: He moved into television with scripts for Danger, The Gulf Playhouse and Manhunt. Philco Television Playhouse producer Fred Coe saw the Danger and Manhunt episodes and enlisted Chayefsky to adapt the story It Happened on the Brooklyn Subway about a photographer on a New York subway train who reunites a concentration camp survivor with his long-lost wife. Chayefsky's first script to be telecast was a 1949 adaptation of Budd Schulberg's What Makes Sammy Run? for Philco.  Since he had always wanted to use a synagogue as backdrop, he wrote Holiday Song, telecast in 1952 and also in 1954. He submitted more work to Philco, including Printer's Measure, The Bachelor Party (1953) and The Big Deal (1953). One of these teleplays, Mother (April 4, 1954), received a new production October 24, 1994 on Great Performances with Anne Bancroft in the title role. Curiously, original teleplays from the 1950s are almost never revived for new TV productions, so the 1994 production of Mother was a conspicuous rarity.  In 1953, Chayefsky wrote Marty, which was premiered on The Philco Television Playhouse, with Rod Steiger and Nancy Marchand. Marty is about a decent, hard-working Bronx butcher, pining for the company of a woman in his life but despairing of ever finding true love in a relationship. Fate pairs him with a plain, shy schoolteacher named Clara whom he rescues from the embarrassment of being abandoned by her blind date in a local dance hall. The production, the actors and Chayefsky's naturalistic dialogue received much critical acclaim and influenced subsequent live television dramas. Chayefsky had a unique clause in his Marty contract that stated that only he could write the screenplay, which he did for the 1955 movie.  Chayefsky's The Great American Hoax was broadcast May 15, 1957 during the second season of The 20th Century Fox Hour. This was actually a rewrite of his earlier Fox film, As Young as You Feel (1951) with Monty Woolley and Marilyn Monroe. The Great American Hoax was shown on the FX channel after Fox restored some The 20th Century Fox Hour episodes and telecast them under the new title Fox Hour of Stars beginning in 2002.

Answer this question "How was Paddy Chayefsky's television career?"
output: He moved into television with scripts for Danger, The Gulf Playhouse and Manhunt.

input: The literary works of Namdev were influenced by Vaishnava philosophy and a belief in Vithoba. Along with the Jnanesvari, a sacred work of Jnanesvar, and of Bhakti movement teacher-writers such as Tukaram, the writings of Namdev form the basis of the beliefs held by the Varkari sect of Hinduism. He was thus among those responsible for disseminating the monotheistic Varkari faith that had emerged first in Karnataka in the mid-to-late 12th century and then spread to Pandharpur in Maharashtra.  Namdev and Jnanesvar used the Marathi language to convey their beliefs rather than using the traditional Sanskrit language that was essentially a buttress for the pre-eminence of the Brahmin priests. Namdev's style was to compose simply worded praise for Vithoba and to use a melodic device called samkirtana, both of which were accessible to common people. Shima Iwao says that "He taught that all can be saved equally, without regard to caste, through devotion (bhakti) to Vithoba" and that he greatly influenced groups of people who were forbidden by the Brahmin elite from studying the Vedas, such as women and members of the Shudra and untouchable communities.  The earliest anthological record of Namdev's works occurs in the Guru Granth Sahib, the Sikh scriptures compiled in 1604, although Novetzke notes that while the manuscript records of Namdev mostly date from the 17th and 18th centuries, there exists a manuscript from 1581 that presents a rarely recounted variant version of Namdev's Tirthavli, a Marathi-language autobiographical piece. It is evident that the Guru Granth record is an accurate rendition of what Namdev wrote: the oral tradition probably accounts significantly for the changes and additions that appear to have been made by that time. The numerous subsequently produced manuscripts also show variant texts and additions that are attributed to him. Of around 2500 abhangs that were credited to him and written in the Marathi language, perhaps only 600 - 700 are authentic. The surviving manuscripts are geographically dispersed and of uncertain provenance.

Answer this question "Does anyone question his teachings?"
output:
He was thus among those responsible for disseminating the monotheistic Varkari faith that had emerged first in Karnataka in the mid-to-late 12th century