Problem: Background: Michael Craig Judge (born October 17, 1962) is an American actor, animator, writer, producer, director and musician. Judge is the creator of the television series Beavis and Butt-Head (1993-97, 2011), and co-creator of the television series King of the Hill (1997-2010), The Goode Family (2009), Silicon Valley (2014-present), and Mike Judge Presents: Tales from the Tour Bus (2017). He also wrote and directed the films Beavis and Butt-Head Do America (1996), Office Space (1999), Idiocracy (2006) and Extract (2009). Raised in New Mexico, Judge graduated from University of California, San Diego, where he studied physics.
Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes.
Question: What notable things did the band do?
Answer: He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up

Problem: Background: MC5 was an American rock band from Lincoln Park, Michigan, formed in 1964. The original band line-up consisted of vocalist Rob Tyner, guitarists Wayne Kramer and Fred "Sonic" Smith, bassist Michael Davis, and drummer Dennis Thompson. "Crystallizing the counterculture movement at its most volatile and threatening", according to AllMusic critic Stephen Thomas Erlewine, the MC5's leftist political ties and anti-establishment lyrics and music positioned them as emerging innovators of the punk movement in the United States.
Context: The origins of MC5 can be traced to the friendship between guitarists Wayne Kramer and Fred Smith. Friends since their teen years, they were both fans of R&B music, blues, Chuck Berry, Dick Dale, The Ventures, and what would later be called garage rock: they adored any music with speed, energy and a rebellious attitude. Each guitarist/singer formed and led a rock group (Smith's Vibratones and Kramer's Bounty Hunters). As members of both groups left for college or straight jobs, the most committed members eventually united (under Kramer's leadership and the "Bounty Hunters" name) with Billy Vargo on guitar and Leo LeDuc on drums (at this point Smith played bass), and were popular and successful enough in and around Detroit that the musicians were able to quit their day jobs and make a living from the group.  Kramer felt they needed a manager, which led him to Rob Derminer, a few years older than the others, and deeply involved in Detroit's hipster and left-wing political scenes. Derminer originally auditioned as a bass guitarist (a role which he held briefly in 1964, with Smith switching to guitar to replace Vargo and with Bob Gaspar replacing LeDuc), though they quickly realized that his talents could be better used as a lead singer: Though not conventionally attractive and rather paunchy by traditional frontman standards, he nonetheless had a commanding stage presence, and a booming baritone voice that evidenced his abiding love of American soul and gospel music. Derminer renamed himself Rob Tyner (after Coltrane's pianist McCoy Tyner). Tyner also invented their new name, MC5: it reflected their Detroit roots (it was short for "Motor City Five'). In some ways the group was similar to other garage bands of the period, composing soon-to-be historic workouts such as "Black to Comm" during their mid-teens in the basement of the home of Kramer's mother. Upon Tyner's switch from bassist to vocalist, he was initially replaced by Patrick Burrows, however the lineup was stabilised in 1965 by the arrival of Michael Davis and Dennis Thompson to replace Burrows and Gaspar respectively.  The music also reflected Smith and Kramer's increasing interest in free jazz--the guitarists were inspired by the likes of Albert Ayler, Archie Shepp, Sun Ra and late period John Coltrane, and tried to imitate the ecstatic sounds of the squealing, high-pitched saxophonists they adored. MC5 even later opened for a few U.S. midwest shows for Sun Ra, whose influence is obvious in "Starship". Kramer and Smith were also deeply inspired by Sonny Sharrock, one of the few electric guitarists working in free jazz, and they eventually developed a unique interlocking style that was like little heard before: Kramer's solos often used a heavy, irregular vibrato, while Smith's rhythms contained an uncommon explosive energy, including patterns that conveyed great excitement, as evidenced in "Black to Comm" and many other songs.
Question: What city were they from
Answer:
Detroit roots (