Some context: Oingo Boingo  was an American new wave band, best known for their hits "Dead Man's Party" and "Weird Science". They are noted for their high energy live concerts, movie soundtrack contributions, and their mixture of genre, which can be described as including ska, pop, rock, and world music. The band was founded in 1972 as The Mystic Knights of the Oingo Boingo, a performance art group. The band was led by songwriter/vocalist Danny Elfman, who has since achieved success as a composer for film and television.
With the move to MCA, the band made two personnel switches: Mike Bacich took over on keyboards from departing member Richard Gibbs, and John Avila replaced Kerry Hatch on bass. Oingo Boingo appeared in a number of soundtracks in the early to mid-1980s, including Fast Times at Ridgemont High, which features "Goodbye, Goodbye". Their song charting highest on Billboard Hot 100, "Weird Science", was written for the John Hughes film of the same name, and was later included on their 1985 album Dead Man's Party.  Later, the band made an appearance playing their hit "Dead Man's Party" on stage in the film Back to School. In addition, they appeared in and performed several songs in the quirky 1984 Tom Hanks movie Bachelor Party, including "Who Do You Want to Be?", "Bachelor Party" and "Something Isn't Right". Then, starting with 1985's Pee-wee's Big Adventure, Danny Elfman began scoring major films with increasing frequency, including almost all of Tim Burton's films.  Oingo Boingo's 1987 album BOI-NGO was released as a follow-up to the popular Dead Man's Party, but its chart performance was considered an underperformance. After this album, Bacich was replaced by new keyboardist Carl Graves. The band's 1988 release Boingo Alive was actually recorded live on a soundstage, with no studio audience; it consisted of a selection of songs from earlier albums, plus two new compositions. The Boingo Alive track "Winning Side" became a No. 14 hit on US Modern Rock radio stations.  In 1990 the band released their seventh studio album, titled Dark at the End of the Tunnel.
What is MCA?
A: 
Some context: Reilly was born in The Bronx, New York City, New York, United States, North America, the son of Charles Joseph Reilly, an Irish Catholic commercial artist, and Signe Elvera Nelson, a Swedish Lutheran. When young, he would often make his own puppet theater to amuse himself. His mother, foreshadowing his future as an entertainer, often would tell him to "save it for the stage". At age 13, he survived the 1944 Hartford Circus Fire, which killed 169 people in Connecticut.
Magazine and newspaper profiles of Reilly throughout the 1970s and 1980s did not mention his personal life or sexuality. Many years after the cancellation of Match Game, he revealed his homosexuality in his theatrical one-man show, Save It for the Stage: The Life of Reilly.  Much like fellow game-show regular Paul Lynde of the same era, despite Reilly's off-camera silence, he gave signals on-camera of a campy persona. In many episodes of Match Game, he lampooned himself by briefly affecting "YO!" in a deep voice and the nickname "Chuck" and self-consciously describing how "butch" he was. Many years after his game show career ended, he mentioned in a 2002 interview with Entertainment Tonight that he felt no need to explain his joke about "Chuck", and that he never purposely hid being gay from anyone. Patrick Hughes III, a set decorator and dresser, was Reilly's domestic partner; the two met backstage while Reilly appeared on the game show Battlestars, although their partnership was not revealed publicly. They lived together in Beverly Hills.  Despite sporting what appeared to be a full head of hair for most of the prime of his television career, Reilly was in fact bald, wearing a toupee throughout most of his appearances in the 1970s and 1980s. During the taping of Match Game 74, his toupee became the joke of the filming when Reilly had to go to New York City to have his toupee adjusted. During the taping of several episodes, Reilly was seen wearing different hats because his toupee was back in New York waiting for him to be fitted. This was the start of the long-running jokes on Match Game about his hair. He abandoned the toupee in the late 1990s and appeared bald in public for the rest of his life. He dramatized the experience in his stage show The Life of Reilly. In one episode of Match Game '78, he took off his toupee and gave it to a bald contestant by putting it on his head. One can briefly see Reilly's bald head as he rushed back to his seat and put on a hat to cover up.  In one of his several appearances on The Tonight Show, Reilly publicly discussed having to fix or adjust his toupee before going out for the evening. Among his revelations to Carson while a guest on the show were: that he had nothing to wear but a specific tuxedo; his stories as a director of a play; and how wonderful many of the other guests on that night's panel were when Reilly had worked with them, either in film or in the theater.
Are there any other interesting aspects about this article?
A: Among his revelations to Carson while a guest on the show were: that he had nothing to wear but a specific tuxedo;
Some context: The Bee Gees were a pop music group formed in 1958. Their lineup consisted of brothers Barry, Robin, and Maurice Gibb. The trio were successful for most of their decades of recording music, but they had two distinct periods of exceptional success: as a popular music act in the late 1960s and early 1970s, and as prominent performers of the disco music era in the mid-to-late 1970s. The group sang recognisable three-part tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s.
At one point in 1978, the Gibb brothers were responsible for writing and/or performing nine of the songs in the Billboard Hot 100. In all, the Gibbs placed 13 singles onto the Hot 100 in 1978, with 12 making the Top 40. The Gibb brothers are fellows of the British Academy of Songwriters, Composers and Authors (BASCA). At least 2,500 artists have recorded their songs.  Singer-songwriter Gavin DeGraw spoke to the Bee Gees' influence with their own music as well as their songwriting:  "Let's talk about the Bee Gees. That's an iconic group. Not just a great band, but a great group of songwriters. Even long after the Bee Gees' success on the pop charts, they were still writing songs for other people, huge hit songs. Their talent went far beyond their moment of normal pop success. It is a loss to the music industry and a loss of an iconic group. The beauty of this industry is that we do pay tribute and every artist coming up is a fan of a generation prior to it, so there's a real tradition element to it".  Among the artists who have covered their songs are Michael Bolton, Boyzone, Eric Clapton, Billy Corgan, Destiny's Child, Faith No More, the Flaming Lips, John Frusciante, Al Green, Engelbert Humperdinck, Elton John, Tom Jones, Janis Joplin, Demi Lovato, Lulu, N-Trance, the Pet Shop Boys, Elvis Presley, Nina Simone, Percy Sledge, Robert Smith, Status Quo, Steps and Take That.  In 2009, as part of the Q150 celebrations, the Bee Gees were announced as one of the Q150 Icons of Queensland for their role as "Influential Artists".
why were they responsible
A:
The Gibb brothers are fellows of the British Academy of Songwriters, Composers and Authors (BASCA).