IN: The New York Dolls were an American hard rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although their original line-up fell apart quickly, the band's first two albums--New York Dolls (1973) and Too Much Too Soon (1974)--became among the most popular cult records in rock.

Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways.  Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia.  The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert.
QUESTION: Was it successful?
IN: Rise Against is an American melodic hardcore band from Chicago, Illinois, formed in 1999. The band's current line-up comprises vocalist/rhythm guitarist Tim McIlrath, lead guitarist Zach Blair, bassist Joe Principe and drummer Brandon Barnes. Former members are guitarists Dan Wlekinski, Kevin White, Todd Mohney and Chris Chasse, and drummer Toni Tintari. The band spent its first four years signed to the independent record label Fat Wreck Chords, on which they released two studio albums, The Unraveling (2001) and Revolutions per Minute (2003).

Rise Against was formed in 1999, by bassist Joe Principe and guitarist Dan Wleklinski. Before Rise Against, Principe and Wleklinski were members of the Chicago punk rock band 88 Fingers Louie. This band toured and recorded to moderate success, but disbanded on two separate occasions in the late 1990s. Following the second breakup, Principe and Wleklinski decided to form a new band called Transistor Revolt, and recruited drummer Toni Tintari, guitarist Kevin White, and lead vocalist Tim McIlrath. Principe met McIlrath in Indianapolis while attending a Sick of It All concert, and recalled seeing him perform with his previous band Baxter. Impressed with McIlrath's gritty vocals, Principe gave him a seven track demo he had recorded, and invited him to join the nascent band. McIlrath accepted the invitation, and dropped out of Northeastern Illinois University.  The initial jam sessions were problematic, as McIlrath was unaccustomed to Principe and Wleklinski's fast-paced style of play. McIlrath described these early sessions as "the meeting of different worlds and worlds colliding", and noted how many of his friends questioned the future of the band. Despite these early issues, they were able to self-publish the extended play (EP) Transistor Revolt in 2000. The EP attracted the attention of the local punk community, including Fat Mike, the lead vocalist of NOFX and co-founder of the independent record label Fat Wreck Chords. Fat Mike offered to sign the band to a recording contract, with the stipulation that they change their name. He gave some suggestions, like Jimmy Cracked Corn And The I Don't Cares, although none of the band members liked them. Tintari suggested Rise Against, to which the band agreed upon.  After signing with Fat Wreck Chords, Tintari and White left the band. The remaining members then spent the next few months looking for another drummer capable of playing double-time beats at a rapid pace. During this period, the band Good Riddance found their new drummer, and sent Rise Against the audition tape of their number two choice, Brandon Barnes. A mutual friend gave Barnes' phone number to Principe, and after listening to Transistor Revolt, Barnes accepted the band's invitation.
QUESTION: Why did they disband?
IN: Robert Lee "Bobby" Dodd was born in 1908 in Galax, Virginia. He was named after Confederate General Robert E. Lee. Dodd was the youngest of Edwin and Susan Dodd's four children.

Another issue of concern for Dodd was Alabama's and other SEC schools' over-recruitment of players. Universities would recruit more players than available space on their rosters. During the summer the teams in question would cut the players well after signing day. This practice prevented the cut players from being able to play for other colleges during the following football season. Dodd appealed the SEC administration to punish the "tryout camps" of his fellow SEC members but the SEC did not. Finally, Dodd withdrew Georgia Tech from the SEC after 1963 football season. Tech would remain an independent like Notre Dame and Penn State (at the time) during the final three years of Dodd's coaching tenure.  Dodd insisted the only reason he left the SEC was due to the "140 Rule", which allowed colleges to over-recruit. The 140 Rule stated a college program could only have 140 football and basketball players on scholarship at any one time, but the teams were still allowed to sign up to 45 players a year. Therefore, if a school recruited its full allotment of players each year it would exceed the 140 maximum even with normal attrition. Dodd would sign about 30-32 football players a year to meet the guidelines, but the other schools in the SEC were offering 45 scholarships a year, and most were allotting all but a nominal amount to football. Players not good enough to fall under the 140 Rule had their scholarships withdrawn before the end of each year by the other schools. Dodd insisted the recruiting of athletes by this method amounted to nothing more than a tryout for a scholarship. Dodd would not allow any of the football players choosing Tech to be dismissed from Tech, because they were not the best players. Dodd said, "it is not the recruit's fault for not making the squad, it was the coaches' fault for misjudging their talents." If a recruit came to Tech, he would stay on a football scholarship until he graduated.  Dodd wanted the SEC to limit the amount of scholarships to about 32 per year, which would keep the other schools from offering 45 scholarships, picking the best, and withdrawing scholarships from the rest. A vote was to be taken by the presidents of the colleges on the issue, and Dodd made it clear that Tech would leave the SEC unless the rule was changed. Bear had promised Dodd he would get his president to vote for Dodd's position, which would have changed the rule; when the meeting was held on January 24, 1964, the Alabama president voted against Dodd's position and the 140 Rule was upheld when the presidents split 6-6. Tech's president immediately walked to the podium and announced Tech was withdrawing from the SEC.
QUESTION:
How did over-recruitment negatively impact the game?