input: See also (Economy of Hong Kong) and (Education in Hong Kong) The implementation of compulsory universal education in 1971, following with an extension to nine years in 1978, give rises to an increased number of women elites. Besides, the transform of social environment in Hong Kong also contribute to the rise of women education. In the past, if a family does not have enough money to send both their son and daughter to school, they will choose to educate the son over the daughter. Nonetheless, owing to the economic growth since 1960s, Hong Kong has become a wealthy society with a significant change in population at the same time. The birth rate in Hong Kong steadily decreased from 16.8% in 1981 to 8.6% in 2014. It reveals that the nuclear family structure nurturing only one to two children in a family is common, in which girls could receive better education due to the more concentrated resources within the family.  According to the report of Hong Kong Annual Digest of Statistics by Census and Statistics Department of Hong Kong, a trend of universalism for boys and girls could be observed since the 1970s; and girls' enrolment rate in general was higher than the boys' since the 1980s. The gap between male and female enrollment in post-secondary education has narrowed down and female students even outnumber male students in entering University Grants Committee (UGC) funded programmes in recent decades. The percentage of females and male students enrolled in UGC-funded programmes was 53.7% and 46.3% in 2014, which is quite different from 32.9% and 67.1% respectively in 1987.  However, when specifically comes to research postgraduate programmes, more male students were recorded since the programmes are largely related to sciences, technology, engineering and mathematics (STEM). People in Hong Kong have gender bias in STEM fields, perceiving women as less capable of mastering the STEM knowledge and pursuing related careers. Half of the teenage girls in Hong Kong were discouraged to focus on mathematics and sciences during secondary school, which lead to their lessened self-concept in STEM. Thus, the sex ratio of students enrolled in UGC-funded engineering and technology programmes is imbalance, which is 29.5% for female and 70.5% for male in 2016. The situation is not much improved as compared with 14.1% for female and 85.9% for male in 1996.

Answer this question "What is the education like?"
output: compulsory universal education in 1971, following with an extension to nine years in 1978, give rises to an increased number of women elites.

Problem: Background: Hideto Matsumoto (Song Ben  Xiu Ren , Matsumoto Hideto, December 13, 1964 - May 2, 1998), better known by his stage name hide, was a Japanese musician, singer and songwriter. He is primarily known for his work as lead guitarist of the heavy metal band X Japan.
Context: hide joined X Japan (then called X) in February 1987, becoming the band's lead guitarist and occasional songwriter, going on to compose songs like "Celebration", "Joker" and the single "Scars". X released their first album Vanishing Vision, through drummer Yoshiki's own Extasy Records, on April 14, 1988 and toured extensively in support of the record. They would become one of the first Japanese acts to achieve mainstream success while on an independent label, and later widely credited as one of the pioneers of visual kei.  X 's major label debut album, Blue Blood, was released on April 21, 1989 and debuted at number six on the Oricon chart. Its success earned the band the "Grand Prix New Artist of the Year" award at the 4th annual Japan Gold Disc Awards in 1990. Their third album Jealousy was released on July 1, 1991 and debuted at number one, selling over 600,000 copies. It was later certified million by the RIAJ.  Shortly after the release of Art of Life, which also topped the Oricon, the members of X Japan took a break, to start solo projects. Around that time, the group also dropped most of its original visual kei aesthetics, except hide who would still perform in wildly colorful outfits and with his trademark red, later pink, hair. Dahlia, which would become the band's last album, was released on November 4, 1996 and once again, it reached the number one spot. In September 1997 it was announced that X Japan would disband, they performed their farewell show, aptly titled The Last Live, at the Tokyo Dome on December 31, 1997.
Question: When did Hide join X Japan?
Answer: hide joined X Japan (then called X) in February 1987,

Question: Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.

For twenty years from the early 1980s, Anger released no new material. In 2000, at the dawn of the new millennium, Anger began screening a new short film, the anti-smoking Don't Smoke That Cigarette, followed a year later by The Man We Want to Hang, which comprised images of Aleister Crowley's paintings that had been exhibited at a temporary exhibition in Bloomsbury, London. In 2004, he began showing Anger Sees Red, a short surrealistic film starring himself, and the same year also began showing another work, Patriotic Penis. He soon followed this with a flurry of other shorts, including Mouse Heaven, which consisted of images of Mickey Mouse memorabilia, Ich Will! and Uniform Attraction, all of which he showed at various public appearances. Anger's most recent project has been the Technicolor Skull with musician Brian Butler, described as a "magick ritual of light and sound in the context of a live performance", in which Anger plays the theremin, and Butler plays the guitar and other electronic instruments, behind a psychedelic backdrop of colors and skulls.  Anger makes an appearance in the 2008 feature documentary by Nik Sheehan about Brion Gysin and the Dreamachine titled FLicKeR. Anger also appears alongside Vincent Gallo in the 2009 short film "Night of Pan" written and directed by Brian Butler. In 2009 his work was featured in a retrospective exhibition at the MoMA PS1 in New York City, and the following year a similar exhibition took place in London.  Anger has finished writing Hollywood Babylon III, but has not yet published it, fearing severe legal repercussions if he did so. Of this he has stated that "The main reason I didn't bring it out was that I had a whole section on Tom Cruise and the Scientologists. I'm not a friend of the Scientologists." Despite withholding legal action against the highly critical 2015 film Going Clear, the Church of Scientology was known on earlier occasions to heavily sue those making accusations against them.

Using a quote from the above article, answer the following question: Is it successful?
HHHHHH
Answer: