Background: A marching band is a group in which instrumental musicians perform while marching, often for entertainment or competition. Instrumentation typically includes brass, woodwind, and percussion instruments. Most marching bands wear a uniform, often of a military style, that includes an associated school or organization's colors, name or symbol. Most high school marching bands, and some college marching bands, are accompanied by a color guard, a group of performers who add a visual interpretation to the music through the use of props, most often flags and rifles.
Context: Traditional Style bands, also known as Show Bands, are marching bands geared primarily towards crowd entertainment and perform on football fields. Typically, they perform a routine before the game, another at halftime, and sometimes after the game as well. Competitive show bands perform only one show that is continually refined throughout a season, while bands that focus on entertainment rather than competition usually perform a unique show for each game. These shows normally consists of three to five musical pieces accompanied by formations rooted in origin from Patterns in Motion, a book penned by band director William C. "Bill" Moffit, bandmaster of Purdue University All-American Marching Band and University of Houston Spirit of Houston.  A recognizable style of show band is the one fielded by historically black colleges and universities (HBCUs). HBCU bands utilize the traditional "ankle-knee" high step and music selections are largely based on R&B, hip-hop, and contemporary popular music. In addition to traditional drill formations, HBCU bands feature heavily choreographed dance routines as part of their performances. Many of these bands may have a twirler line and/or a dancer line, but not necessarily flag twirlers. One of the most notable depictions of HBCU bands is the film Drumline. HBCU bands are a significant part of African-American musical culture and HBCU bands often surpass their associated football teams in popularity, a phenomenon that is uncommon among collegiate and high school marching bands. In 1989, as part of the celebrations for the bicentennial of the French Revolution, the Florida A&M University Marching 100, one of the most prolific HBCU bands in the country, was selected as the official representative of the United States in the bicentennial parade.  Another style of show band is that used by many of the Big Ten Conference marching bands, a semi-military and semi-corps style. These bands perform a show that is designed to entertain the audience, but feature more traditional symphonic styles of music (marches, film scores, jazz, or older pop music) as well as some contemporary music. Big Ten style show bands have been influential in creating some of the earliest marching band innovations, and the style is used in high schools throughout much of the United States.  Most show bands of either type include the traditional military band instrumentation of woodwinds, brass, and battery percussion. Some also include the front ensemble keyboard percussion, and may also incorporate the use of a color guard for flag, and rifle routines as well as a dance line.
Question: Where else do they perform?
Answer: bicentennial parade.

Background: Cosby was born on July 12, 1937 in Philadelphia, Pennsylvania. He is one of four sons of Anna Pearl (nee Hite), a maid, and William Henry Cosby Sr., who served as a mess steward in the U.S. Navy. During much of Cosby's early childhood, his father was away from home in Navy service and especially during WWII. As a student, he described himself as a class clown.
Context: In 1965, Cosby was cast alongside Robert Culp in the I Spy espionage adventure series on NBC. I Spy became the first weekly dramatic television series to feature an African-American in a starring role. At first, Cosby and NBC executives were concerned that some affiliates might be unwilling to carry the series. At the beginning of the 1965 season, four stations declined the show; they were in Georgia, Florida, and Alabama. Viewers were taken with the show's exotic locales and the authentic chemistry between the stars, and it became one of the ratings hits of that television season. I Spy finished among the twenty most-watched shows that year, and Cosby would be honored with three consecutive Emmy Awards for Outstanding Lead Actor in a Drama Series. When accepting his third Emmy for the show, Cosby told the audience: "Let the message be known to bigots and racists that they don't count!"  During the series run, Cosby continued to do standup comedy performances and recorded a half dozen record albums for Warner Bros. Records. He also began to dabble in singing, recording Silver Throat: Bill Cosby Sings in 1967.  In June 1968, Billboard reported that Cosby had turned down a five-year, US$3.5 million contract renewal offer and would leave the label in August that year to record for his own record label.  In July 1968, Cosby narrated "Black History: Lost, Stolen, or Strayed", a CBS documentary addressing the representation of blacks in popular culture. Andy Rooney wrote the Emmy awarded script for Bill Cosby to read. Michael Eric Dyson said it was one of "the rare exceptions when Cosby took off the gloves and blinders, to discuss race in public with candor and discernment." Due to its popularity and controversial nature, it was rebroadcast less than a month later.  Tetragrammaton Records was a division of the Campbell, Silver, Cosby (CSC) Corporation, the Los Angeles-based production company founded by Cosby, his manager Roy Silver, and filmmaker Bruce Post Campbell. It produced films as well as records, including Cosby's television specials, the Fat Albert cartoon special and series and several motion pictures. CSC hired Artie Mogull as President of the label and Tetragrammaton was fairly active during 1968-69 (its most successful signing was British heavy rock band Deep Purple) but it quickly went into the red and ceased trading during 1970.
Question: when was it released
Answer:
In 1965,