IN: Birth of the Cool is a compilation album by American jazz musician Miles Davis, released in 1957 on Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title suggests, these recordings are considered seminal in the history of cool jazz.

In 1947, Miles Davis was playing in Charlie Parker's quintet, replacing Dizzy Gillespie, who had left in 1945 due to Parker's growing alcohol and drug problems. Davis recorded several albums worth of material with Parker at this time, including Parker's Sessions for the Savoy and Dial labels. Davis' first records sold under his own name were recorded with Parker's band, in 1947, and were more arranged and rehearsed than Parker's usual approach to recording. By 1948, Davis had three years of bebop playing under his belt, but he struggled to match the speed and ranges of the likes of Gillespie and Parker, choosing instead to play in the mid range of his instrument. In 1948, Davis, becoming increasingly concerned about growing tensions within the Parker quintet, left the group and began looking for a new band to work with.  At the same time, arranger Gil Evans began hosting informal salons at his apartment, located on 55th Street in Manhattan, three blocks away from the jazz nightclubs of 52nd Street. Evans had gained a reputation in the jazz world for his orchestration of bebop tunes for the Claude Thornhill orchestra in the mid-1940s. Keeping an open door policy, Evans' apartment came to host many of the young jazz artists of late-1940s New York. The salon featured discussions about the future of jazz, including a proposed group with a new sound. According to jazz historian Ted Gioia:  [The salon members] were developing a range of tools that would change the sound of contemporary music. In their work together, they relied on a rich palette of harmonies, many of them drawn from European impressionist composers. They explored new instrumental textures, preferring to blend the voices of the horns like a choir rather than pit them against each other as the big bands had traditionally done with their thrusting and parrying sections. They brought down the tempos of their music . . . they adopted a more lyrical approach to improvisation . . .

Why were there tensions?

OUT: Dizzy Gillespie, who had left in 1945 due to Parker's growing alcohol and drug problems.

Answer the question at the end by quoting:

John Bruce "Jack" Thompson (born July 25, 1951) is an American activist and disbarred attorney, based in Coral Gables, Florida. Thompson is known for his role as an anti-video-game activist, particularly against violence and sex in video games. During his time as an attorney, Thompson focused his legal efforts against what he perceives as obscenity in modern culture. This included rap music, broadcasts by shock jock Howard Stern, the content of computer and video games and their alleged effects on children.
Thompson was involved in a similar suit in Alabama in 2005 on behalf of the families of police personnel killed by Devin Moore, a teenager who was reportedly a compulsive Grand Theft Auto player. The lawyer's participation in the case, however, ran into a dispute over his pro hac vice, or temporary, admission to practice in that state. The opposing attorneys sought removal of the privilege by arguing that Thompson's conduct was unethical and claiming that he had threatened and harassed them in letters and emails. The judge added that Thompson had violated his gag order during Moore's criminal trial. Thompson tried to withdraw from the case, but his request was denied by the judge, who went ahead and revoked Thompson's temporary admission to the state bar.  For his part, Thompson said he thought the judge was trying to protect Moore's criminal conviction at any cost. He also complained about the judge's ethics, saying a local attorney who claimed to have influence on the judge had assured him the case would be dismissed unless the attorney was on Thompson's team, and also claimed that Rockstar Entertainment and Take Two Interactive posted slanderous comments about him on their website.  In the aftermath of this lawsuit, Thompson lobbied Alabama attorney general Troy King to file a civil suit and call on retailers not to sell "cop-killing games". After the slaying of another police officer in Gassville, Arkansas by Jacob D. Robida, an 18-year-old fugitive, Thompson again raised the possibility of a connection to Grand Theft Auto, but investigators found no evidence that video games were involved.

What did Moore do?

The opposing attorneys sought removal of the privilege by arguing that Thompson's conduct was unethical and claiming that he had threatened and harassed them in letters and emails.

input: A roommate of Wu-Tang founder RZA, Ghostface helped bring together the other seven members. In 1995, Ghostface guest-starred extensively on fellow Clan member Raekwon's debut album, Only Built 4 Cuban Linx..., appearing on almost every song and receiving nearly equal billing. He also contributed songs to the Sunset Park and Don't Be a Menace to South Central While Drinking Your Juice in the Hood soundtracks, which would be included on his first solo LP, Ironman, in 1996. The album, which debuted at #2 on the Billboard 200, had a more pronounced soul influence (particularly 1970s soul) than previous Wu-Tang releases, and Ghostface's future albums would continue to feature this stylistic trait.  In 2000, he released his second studio album Supreme Clientele. The album was well received by critics and peaked #7 on the Billboard 200. It included "Apollo Kids", a popular single which featured Raekwon and had a sample of "Cool Breeze" by Solomon Burke. "Cherchez LaGhost", another single off the album, became a minor club hit. Supreme Clientele would be a turning point in RZA's influence on his sound, as only six songs are produced by the RZA, compared to Ironman, its predecessor where every song but one is produced by him. Though he contributed fewer beats to the project, RZA personally oversaw the mixing and production of the album as a whole, contributing to Supreme Clientele's unified sound.  Ghostface wasted little time in recording his next album, the heavily R&B-influenced Bulletproof Wallets, released a year after Supreme Clientele. Its feature single, "Never Be the Same Again", featured Carl Thomas and Raekwon. He had another minor club hit with "Flowers", which featured guest vocals from fellow Wu-Tang members Method Man and Raekwon, and a popular single "Ghost Showers" which featured Madame Majestic, who also sung on the popular Wu-Tang track "Gravel Pit".

Answer this question "How did critics take his early albums?"
output:
The album was well received by critics and peaked #7 on the Billboard 200.