input: The first season featured some of the first music videos seen on network TV, with cast members appearing in films set to the music of the Nitty Gritty Dirt Band, the Bee Gees, the Temptations, the Strawberry Alarm Clock, and the First Edition.  During the September 16, 1968, episode, Richard Nixon, running for president, appeared for a few seconds with a disbelieving vocal inflection, asking "Sock it to me?" Nixon was not doused or assaulted. An invitation was extended to Nixon's opponent, Vice President Hubert Humphrey, but he declined. According to George Schlatter, the show's creator, "Humphrey later said that not doing it may have cost him the election", and "[Nixon] said the rest of his life that appearing on Laugh-In is what got him elected. And I believe that. And I've had to live with that." In an episode of the ill-fated 1977 revival, a Nixon impersonator says "I invited the American people to sock-it-to-me.... you can stop now".  On multiple occasions, producer George Schlatter attempted to get William F. Buckley Jr. to appear on the show, only to be refused each time until he suddenly agreed to an appearance. In the episode that aired December 28, 1970, Buckley appeared in an unusual sit-down segment (portions of which were scattered throughout the episode) flanked by Rowan and Martin and fielding questions from the cast (which included Lily Tomlin doing her Fast Talker shtick) and giving humorous answers to each. Near the end, when Rowan asked Buckley why he finally agreed to appear on the show, Buckley explained that Schlatter had written him "an irresistable letter" in which he promised to fly Buckley out to California "in an airplane with two right wings". At the end, Rowan thanked him for appearing, noting that "you can't be that smart without having a sense of humor, and you have a delightful one".

Answer this question "did he accept?"
output: Hubert Humphrey, but he declined.

Problem: Background: Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.
Context: On July 11, 2016, vocalist, guitarist and founding member Paulo Miklos announced he would leave the band to focus on his personal projects. He was then replaced by session member Beto Lee, son of Brazilian notorious rock singer Rita Lee.  His first recording with the band is a version of "Pro Dia Nascer Feliz", originally by Barao Vermelho, for the soundtrack of the 24th season of Malhacao, a Rede Globo series. With Lee's inclusion, the band recovered some old songs for its live setlists, including Titanomaquia's "Sera Que E Disso Que Eu Necessito?" and " Nem Sempre se Pode Ser Deus". They also started to have Bellotto sing in some songs.  Also in 2016, the band announced a new album for a possible 2017 release. According to Bellotto, it will be a rock opera, and the band intended to enter the studio until mid-2017 so the album could be released in the year's second half. Drawing inspiration from albums such as The Who's Quadrophenia and Green Day's American Idiot, the over 30-track rock opera will have its story written by Hugo Possolo and Marcelo Rubens Paiva. By April 2017, Mello said a handful of tracks were ready.  Also in April, the band started a tour called "Uma Noite no Teatro" (A Night at the Theater) with a show that was also the inaugurating event of Shopping Villa-Lobos' theater Opus. The tour included three new songs: "Me Estuprem" (Rape Me), about sexual harassment and rape; "12 Flores Amarelas" (12 Yellow Flowers); and "A Festa" (The Party). By that time, none of them were expected to be featured in the band's next album. On 23 September, however, the band performed them again during their show at the Rock in Rio 7, and this time they were announced as part of the new project. On December 2017, they announced that they had already started recording the album and that it would be released via Universal Music. In January 31, they announced that the opera rock would be released in early 2018 and that its title would be 12 Flores Amarelas.
Question: anything else interesting in the article?
Answer: the band started a tour called "Uma Noite no Teatro" (A Night at the Theater)

Question: Bernard Herrmann (born Max Herman; June 29, 1911 - December 24, 1975) was an American composer best known for his work in composing for motion pictures. As a conductor, he championed the music of lesser-known composers. An Academy Award-winner (for The Devil and Daniel Webster, 1941; later renamed All That Money Can Buy), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed scores for many other movies, including Citizen Kane, The Day the Earth Stood Still, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver.

While at CBS, Herrmann met Orson Welles, and wrote or arranged scores for radio shows in which Welles appeared or wrote, such as the Columbia Workshop, Welles's Mercury Theatre on the Air and Campbell Playhouse series (1938-1940), which were radio adaptations of literature and film. He conducted the live performances, including Welles's famous adaptation of H. G. Wells's The War of the Worlds broadcast on October 30, 1938, which consisted entirely of pre-existing music. Herrmann used large sections of his score for the inaugural broadcast of The Campbell Playhouse, an adaptation of Rebecca, for the feature film Jane Eyre (1943), the third film in which Welles starred.  When Welles gained his RKO Pictures contract, Herrmann worked for him. He wrote his first film score for Citizen Kane (1941) and received an Academy Award nomination for Best Score of a Dramatic Picture. He composed the score for Welles's second film, The Magnificent Ambersons (1942); like the film itself, the music was heavily edited by the studio, RKO Pictures. When more than half of his score was removed from the soundtrack, Herrmann bitterly severed his ties with the film and promised legal action if his name were not removed from the credits.  Herrmann also created the music for Welles's CBS radio series the Orson Welles Show (1941-1942), which included the debut of his wife Lucille Fletcher's suspense classic, The Hitch-Hiker; Ceiling Unlimited (1942), a program conceived to glorify the aviation industry and dramatize its role in World War II; and The Mercury Summer Theatre on the Air (1946). "Benny Herrmann was an intimate member of the family," Welles told filmmaker Peter Bogdanovich.  Herrmann was among those who rebutted the charges Pauline Kael made in her 1971 essay "Raising Kane", in which she revived controversy over the authorship of the screenplay for Citizen Kane and denigrated Welles's contributions.

Using a quote from the above article, answer the following question: When did they start working together?
HHHHHH
Answer:
When Welles gained his RKO Pictures contract, Herrmann worked for him. He wrote his first film score for Citizen Kane (1941)