input: Veneman began her legal career as a staff attorney with the General Counsel's office of the Bay Area Rapid Transit District in Oakland, California, in 1976. In 1978, she returned to Modesto, where she served as a Deputy Public Defender. In 1980, she joined the Modesto law firm of Damrell, Damrell and Nelson, where she was an associate and later a partner.  Veneman joined the United States Department of Agriculture's Foreign Agricultural Service in 1986, serving as Associate Administrator until 1989. During this time she worked on the Uruguay Round talks for the General Agreement on Tariffs and Trade (GATT). She subsequently served as Deputy Undersecretary of Agriculture for International Affairs and Commodity Programs from 1989 to 1991. From 1991 to 1993, she served as United States Department of Agriculture's Deputy Secretary, the first woman appointed as the Department's second-highest-ranking official. At this point Veneman took a break from political and administrative office to practice with the law firm and lobby group Patton, Boggs & Blow and also served on several boards of directors and advisory groups.  In 1995 Veneman re-entered government, when she was appointed Secretary of the California Department of Food and Agriculture, again being the first woman to hold the position. From 1999 to 2001 Veneman was an attorney with Nossaman LLP, where she focused her attention on food, agriculture, environment, technology, and trade related issues. On 20 January 2001 she was unanimously confirmed by the United States Senate and sworn in as Secretary of Agriculture, a position she held until January 20, 2005.

Answer this question "what can you tell me about her corporate career?"
output: focused her attention on food, agriculture, environment, technology, and trade related issues.

input: In 2005, U.S. art and wine collector Bill Koch, who had bought some of the bottles attributed to Thomas Jefferson, prepared to exhibit items from his collection at the Boston Museum of Fine Arts, including the Jefferson bottles. The museum asked for provenance of the items to be displayed. Koch had bought four bottles in 1988, Chateau Lafite and Branne-Mouton (present-day Chateau Mouton-Rothschild) of the 1784 and 1787 vintages, at a U.S. wine auction house (Chicago Wine Company) and a UK rare wine dealer (Farr Vintners), and paid a total of about 500,000 U.S. dollars for them. When Koch's staff couldn't find anything except Michael Broadbent's authentification of the bottles to confirm their provenance, the Thomas Jefferson Foundation at Monticello, Charlottesville, Virginia was contacted. The foundation's curator replied that based on Jefferson's records, the foundation didn't think that the bottles had been in the possession of Thomas Jefferson. Inquiries at Chicago Wine Company and Farr Vintners came up with the result that all four of Koch's bottles originated with Rodenstock.  After initial attempts at contacts with Rodenstock gave no significant results, Koch hired a retired Federal Bureau of Investigation (FBI) agent to form a team to start private investigations into Rodenstock's sales of wine. David Molyneux-Berry, former head of Sotheby's wine department was hired as a consultant, and several forensic investigations were conducted on the wines, bottles, and engravings; Koch alleges that the engravings were made with an electric power tool, which would not have been possible in the eighteenth century and would indicate modern forgery.  On August 31, 2006, Koch filed a civil lawsuit against Rodenstock (a.k.a. Gorke) in a New York federal court, claiming that he had been the victim of fraud. The reason that Rodenstock personally was named as defendant, rather than Chicago Wine Company or Farr Vintners, was that Koch claimed that Rodenstock had orchestrated an ongoing scheme to defraud wine collectors. Koch's lawsuit included many results from his team's forensic investigations. This lawsuit was then the subject of many legal turns during 2007 and 2008, primarily focused on procedural and statutory issues. A default judgment was entered against Rodenstock in May 2010. Rodenstock refused to participate in the trial.

Answer this question "Are there any other interesting aspects about this article?"
output: David Molyneux-Berry, former head of Sotheby's wine department was hired as a consultant, and several forensic investigations were conducted on the wines, bottles,

input: "Smily/Biidama" was her first single to be released after Love Jam. Both songs from the single were used for commercials. "Smily/Biidama" sold 110,512 copies during its debut week and charted at first place. "Smily/Biidama" sold a total of 308,338 copies in 2005, placing it as the twenty-sixth single of that year.  It was during this time, in June 2005, that Otsuka made her acting debut with the drama Tokyo Friends. Unlike most dramas, the series was directly released on DVD and never aired on TV. The drama used three songs as its theme song, Boo Bee Benz's "To Me" and "Kimi to Iu Hana," as well the coupling song to her sixth single, "Friends: Sabakan Ver." All three tracks would eventually be included in the soundtrack for the drama's movie sequel.  Otsuka released her tenth single in 2005, "Neko ni Fusen" in middle of the year in July. "Neko ni Fusen" was her lowest single that year, only reaching third on the chart and selling 111,324 copies. It placed ninety-second on the 2005 yearly charts.  Otsuka's single "Planetarium", was released on September 20, 2005. This was her last single of that year. "Planetarium" sales of 315,669 was her second highest single second only to "Sakuranbo," before her third studio album was released. "Planetarium" was used as the insert song for the live action version of the drama Hana Yori Dango.  Love Cook, her third studio album, came out on December 14, 2005. In its first week, it sold 335,000 copies. The promotional videos for this album were filmed as mini-dramas. She also hosts a radio show on JOQR Recomen!! AM1134hHz called Otsuka Ai no ai-r jack.

Answer this question "Did they go on tour after the album?"
output: