Answer the question at the end by quoting:

D'Angelo was born Michael Eugene Archer, in Richmond, Virginia on February 11, 1974, to a Pentecostal preacher father. He was raised in an entirely Pentecostal family. Archer's musical talents were discovered very early on. At 3, he was spotted by his 10-year-old brother Luther, playing the house piano.
D'Angelo signed a publishing deal with EMI Music in 1991 after catching the attention of record executives through a demo tape, which was originally by the group. After an impressive audition for EMI execs, a three-hour impromptu piano recital, D'Angelo was signed to a recording contract in 1993. A&R-man Gary Harris was primarily responsible for his signing, while manager Kedar Massenburg helped negotiate the contract as well. Massenburg became D'Angelo's manager after hearing of him through "the buzz on the streets". He had previously managed hip hop group Stetsasonic and formed the artist management-firm Kedar Entertainment in 1991, which he diversified into production, music publishing and publicity.  In 1994, his first significant success came in the form of the hit single "U Will Know". D'Angelo co-wrote and co-produced the song for the all-male R&B supergroup Black Men United, which featured R&B singers such as Brian McKnight, Usher, R. Kelly, Boyz II Men, Raphael Saadiq and Gerald Levert. D'Angelo composed the music for "U Will Know", while his brother, Luther Archer, wrote the lyrics. Originally featured on the soundtrack to the film Jason's Lyric (1994), the single peaked at number 5 on the Hot R&B/Hip-Hop Singles & Tracks and at number 28 on the Billboard Hot 100. The music video for "U Will Know" featured D'Angelo as the group's choir director; he reprised the role for the live performance of the song at the Soul Train Music Awards. That same year, he wrote and produced the song "Overjoyed" for the Boys Choir of Harlem, which appeared on their studio album The Sound of Hope (1994). The success of "U Will Know" helped build the buzz surrounding D'Angelo, which was followed by a number of highly promoted showcases, and added to the buzz among music industry insiders.  Brown Sugar was released in June 1995. Although sales were sluggish at first, the album was eventually a hit. The album debuted at number six on the US Billboard Top R&B Albums chart in the week of July 22, 1995. It ultimately peaked at number four in the week of February 24, 1996, and spent a total of 54 weeks on the chart. Brown Sugar also spent 65 weeks on the Billboard 200 and peaked at number 22 on the chart. It sold 300,000 copies within its two months of release. The album had been selling 35,000 to 40,000 copies a week through to November 1995, and by January 1996, it had sold 400,000 copies. With the help of its four singles, including the gold-selling Billboard Hot 100 hit "Lady" and R&B top-ten singles "Brown Sugar" and "Cruisin", the album reached sales of 500,000 copies in the United States by October 1995. On February 7, 1996, it was certified platinum by the Recording Industry Association of America, following shipments in excess of one million copies in the U.S. The album was certified gold in Canada on May 9, 2000. Its total sales have been estimated within the range of 1.5 million to over two million copies.

What happened in 1992



IN: Skyhooks were an Australian rock band formed in Melbourne in March 1973 by mainstays Greg Macainsh on bass guitar and backing vocals, and Imants "Freddie" Strauks on drums. They were soon joined by Bob "Bongo" Starkie on guitar and backing vocals, and Red Symons on guitar, vocals and keyboards; Graeme "Shirley" Strachan became lead vocalist in March 1974. Described as a glam rock band, because of flamboyant costumes and make-up, Skyhooks addressed teenage issues including buying drugs "Carlton (Lygon Street Limbo)", suburban sex "Balwyn Calling", the gay scene "Toorak Cowboy" and loss of girlfriends "Somewhere in Sydney" by namechecking Australian locales.

For Skyhooks, the replacement of Hill by Strachan was a pivotal moment, as Strachan had remarkable vocal skills, and a magnetic stage and screen presence. Alongside Macainsh's lyrics, another facet of the group was the twin-guitar sound of Starkie and Symons. Adopting elements of glam rock in their presentation, and lyrics that presented frank depictions of the social life of young Australia in the 1970s, the band shocked conservative middle Australia with their outrageous (for the time) costumes, make-up, lyrics, and on-stage activities. A 1.2 metre (4 ft) high mushroom-shaped phallus was confiscated by Adelaide police after a performance. Six of the ten tracks on their debut album, Living in the 70's, were banned by the Federation of Australian Commercial Broadcasters for their sex and drug references, "Toorak Cowboy", "Whatever Happened to the Revolution?", "You Just Like Me Cos I'm Good in Bed", "Hey What's the Matter", "Motorcycle Bitch" and "Smut". Much of the group's success derived from its distinctive repertoire, mostly penned by bass guitarist Macainsh, with an occasional additional song from Symons--who wrote "Smut" and performed its lead vocals. Although Skyhooks were not the first Australian rock band to write songs in a local setting--rather than ditties about love or songs about New York or other foreign lands--they were the first to become commercially successful doing so. Skyhooks songs addressed teenage issues including buying drugs ("Carlton (Lygon Street Limbo)"), suburban sex ("Balwyn Calling"), the gay scene ("Toorak Cowboy") and loss of girlfriends ("Somewhere in Sydney") by namechecking Australian locales. Radio personality, Billy Pinnell described the importance of their lyrics in tackling Australia's cultural cringe:  [Macainsh] broke down all the barriers [...] opening the door for Australian rock 'n' roll songwriters to write about local places and events. He legitimised Australian songwriting and it meant that Australians became themselves.  The first Skyhooks single, "Living in the 70's", was released in August, ahead of the album, and peaked at #7 on the Australian Kent Music Report Singles Charts. Living in the 70's initially charted only in Melbourne upon its release on 28 October 1974. It went on to spend 16 weeks at the top of the Australian Kent Music Report Albums Charts from February to June 1975. The album was produced by Wilson, and became the best selling Australian album, to that time, with 226,000 copies sold in Australia.  Skyhooks returned to the Sunbury Pop Festival in January 1975. They were declared the best performers by Rolling Stone Australia and The Age reviewers, and Gudinski now took over their management. The second single, "Horror Movie", reached #1 for two weeks in March. The band's success was credited by Gudinski with saving his struggling Mushroom Records and enabled it to develop into the most successful Australian label of its time.  The success of the album was also due to support by a new pop music television show Countdown on national public broadcaster ABC Television, rather than promotion by commercial radio. "Horror Movie" was the first song played on the first colour transmission of Countdown in early 1975. Despite the radio ban, the ABC's newly established 24-hour rock music station Double Jay chose the album's fifth track, the provocatively titled "You Just Like Me Cos I'm Good in Bed", as its first ever broadcast on 19 January.

How did the album do on the charts?

OUT:
peaked at #7 on the Australian Kent Music Report Singles Charts.