Problem: Benjamin Solomon Carson Sr. (born September 18, 1951) is an American neurosurgeon, author and politician serving as the 17th and current United States Secretary of Housing and Urban Development since 2017, under the Trump Administration. Prior to his cabinet position, he was a candidate for President of the United States in the Republican primaries in 2016. Born in Detroit, Michigan, and a graduate of Yale University and the University of Michigan Medical School, Carson has authored numerous books on his medical career and political stances.

Carson was born in Detroit, Michigan, to Robert Solomon Carson, Jr. (1914-1992), a World War II U.S. Army veteran, and his wife, Sonya Carson (nee Copeland; 1928-2017). Robert Carson was a Baptist minister, but later a Cadillac automobile plant laborer. Both of his parents came from large families in rural Georgia, and they were living in rural Tennessee when they met and married. Carson's mother was 13 and his father was 28 when they married, and after his father finished his military service, they moved from Chattanooga, Tennessee to Detroit, where they lived in a large house in the Indian Village neighborhood. Carson's older brother, Curtis, was born in 1949, when his mother was 20. In 1950, Carson's parents purchased a new 733-square foot single-family detached home on Deacon Street in the Boynton neighborhood in southwest Detroit.  Carson's Detroit Public Schools education began in 1956 with kindergarten at the Fisher School, and continued through first, second, and the first half of third grade, during which time he was an average student. When Carson was five, his mother learned that his father had a prior family and had not divorced his first wife. In 1959, when Carson was eight, his parents separated and he moved with mother and brother to live for two years with his mother's Seventh-day Adventist older sister and her sister's husband in multi-family dwellings in the Dorchester and Roxbury neighborhoods of Boston. In Boston, Carson's mother attempted suicide, had several psychiatric hospitalizations for depression, and for the first time began working outside the home as a domestic worker, while Carson and his brother attended a two-classroom school at the Berea Seventh-day Adventist church where two teachers taught eight grades, and the vast majority of time was spent singing songs and playing games.  In 1961, when Carson was ten, he moved with his mother and brother back to southwest Detroit, where they lived in a multi-family dwelling in a primarily white neighborhood (Springwells Village) across the railroad tracks from the Delray neighborhood, while renting out their house on Deacon Street which his mother received in a divorce settlement. When they returned to Detroit public schools, Carson and his brother's academic performance initially lagged far behind their new classmates, having essentially lost a year of school by attending a Seventh-day Adventist church school in Boston, but both improved when their mother limited their time watching television and required them to read and write book reports on two library books per week. Carson attended the predominantly white Higgins Elementary School for fifth and sixth grades and the predominantly white Wilson Junior High School for seventh and the first half of eighth grade. In 1965, when Carson was 13, he moved with his mother and brother back to their house on Deacon Street. He attended the predominantly black Hunter Junior High School for the second half of eighth grade. When he was eight, Carson had dreamed of becoming a missionary doctor, but five years later he aspired to the lucrative lifestyles of psychiatrists portrayed on television, and his brother bought him a subscription to Psychology Today for his 13th birthday.

What was their relationship

Answer with quotes: when Carson was ten, he moved with his mother and brother back to southwest Detroit,


Problem: Coil were an English experimental music group, founded in 1982 by John Balance in London. Initially envisioned as a solo project by lead singer and songwriter Balance (born Geoffrey Burton) while he was in the band Psychic TV, Coil evolved into a full-time project with the addition of keyboardist Peter Christopherson--former member of seminal industrial band Throbbing Gristle who became Balance's creative and personal partner. Throughout the group's existence, Balance and Christopherson have been the only constant members; others members and contributors include, among others, Stephen Thrower, Danny Hyde, Drew McDowall, William Breeze, Thighpaulsandra (Tim Lewis), and Ossian Brown (Simon Norris). After the release of their debut extended play, titled How to Destroy Angels, Coil joined Some Bizzare Records, through which they released two full-length albums, Scatology (1984) and Horse Rotorvator (1986).

The band's official recording debut, an extended play titled How to Destroy Angels, was released on the Good Friday (20 April) of 1984 by a Belgian-based label L.A.Y.L.A.H. Antirecords. Recorded on 19 February 1984 at Britannia Row Studios, the album was dedicated to Mars as the god of spring and war, using predominantely iron and steel instruments.  Following the release of How to Destroy Angels, Coil signed to Some Bizzare Records. Their first full-length studio album, Scatology, was recorded in 1984 with prominent appearance of JG Thirlwell and Stephen Thrower, and was finished and released in early 1985 with a 1984 copyright date. The album was largely based on the sound of industrial music as well as the Post-punk movement. While songs such as "Restless Day", "Panic" and "Tainted Love" are representative of a mainstream style, other tracks preview what would become Coil's unique electronic style. The single Panic/Tainted Love became the first AIDS benefit music release, as the profits from sales of the single were donated to the Terrence Higgins Trust. The "Tainted Love" music video, directed by Christopherson, is in the permanent collection of The Museum of Modern Art in New York, U.S.  Horse Rotorvator followed in 1986 as the next full-length release. Although songs such as "The Anal Staircase" and "Circles of Mania" sound like evolved versions of Scatology material, the album is characterized by slower tempos, and represented a new direction for the group. The album has a darker theme than previous releases, according to Balance:  Horse Rotorvator was this vision I'd had of this mechanical/flesh thing that ploughed up the earth and I really did have a vision of it--a real horrible, burning, dripping, jaw-like vision in the night ... The Four Horsemen of the Apocalypse killed their horses and use their jawbones to make this huge earth-moving machine."  The artwork features a photograph of the location of a notorious IRA bombing, in which a bomb was detonated on a military orchestra pavilion. Horse Rotorvator was in part influenced by the AIDS related deaths of some of their friends. Furthermore, the song "Ostia (The Death of Pasolini)", is about the mysterious death of Pier Paolo Pasolini, as well as what Balance described as "the number one suicide spot in the world", the white cliffs of Dover.

did any albums win any awards?

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