input: As biographer Ben Proctor explains:  During the 1920s he became an avowed Jeffersonian Democrat, warning his fellow citizens against the dangers of big government, of unchecked federal power that could infringe on the individual rights of Americans, especially if a charismatic leader was in charge....[After supporting FDR in 1932] Hearst soon became highly critical of the New Deal. With increasing frequency Hearst newspapers supported big business to the detriment of organized labor. With unabated vigor they condemned higher income tax legislation as a persecution of the "successful."  Hearst broke with FDR in spring 1935 when the president vetoed the Patman Bonus Bill for veterans and tried to enter the World Court. Hearst's papers were his weapon. They carried the publisher's rambling, vitriolic, all-capital-letters editorials, but he no longer employed the energetic reporters, editors, and columnists who might have made a serious attack. He reached 20 million readers in the mid 1930s, but they included much of the working class that Roosevelt had swept by three-to-one margins in the 1936 election. The Hearst papers--like most major chains--had supported the Republican Alf Landon that year.  In 1934, after checking with Jewish leaders to ensure a visit would be to their benefit, Hearst visited Berlin to interview Adolf Hitler. When Hitler asked why he was so misunderstood by the American press, Hearst retorted: "Because Americans believe in democracy, and are averse to dictatorship." Hearst's papers ran columns without rebuttal by Nazi leader Hermann Goring and Hitler himself, as well as Mussolini and other dictators in Europe and Latin America.

Answer this question "How did americans react to the interview"
output: 

Problem: Background: William John Evans ( , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Born in Plainfield, New Jersey, in 1929, he was classically trained, and studied at Southeastern Louisiana University and the Mannes School of Music, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell.
Context: In July 1955, Evans returned to New York City and enrolled in the Mannes College of Music for a three-semester postgraduate course in musical composition. He also wrote classical settings of poems by William Blake. Along with his studies, Evans played in mostly low-profile "Tuxedo gigs" at the Friendship Club and the Roseland Ballroom, as well as Jewish weddings, intermission spots, and over-40 dances. However, better opportunities also arose, such as playing solo opposite the Modern Jazz Quartet at the Village Vanguard, where one day he saw Miles Davis listening to him. During this period, Evans also met Thelonious Monk.  Evans soon began to perform in Greenwich Village clubs with Don Elliott, Tony Scott, and Mundell Lowe; as well as with bandleader Jerry Wald. While Evans may have played on some of Wald's discs, his first proven Wald recording was Listen to the Music of Jerry Wald, which also featured his future drummer Paul Motian.  In early 1955, singer Lucy Reed moved to New York City to play at the Village Vanguard and The Blue Angel, and in August she recorded The Singing Reed with a group which included Evans. During this period, he met two of Reed's friends: manager Helen Keane, who, seven years later, would become his own agent; and George Russell, with whom he would soon work. That year, he also made his first recording, in a small ensemble, in Dick Garcia's A Message from Garcia. In parallel, Evans kept with his work with Scott, playing in Preview's Modern Jazz Club in Chicago during December-January 1956/7, and recording The Complete Tony Scott. After the Complete sessions, Scott left for a long overseas tour.
Question: Are there any other interesting aspects about this article?
Answer: In early 1955, singer Lucy Reed moved to New York City to play at the Village Vanguard and The Blue Angel,

Question: The Jay Leno Show is an American talk show created by and starring Jay Leno. Premiering on NBC on September 14, 2009, the program aired on weeknights at 10:00 p.m. ET/PT through February 9, 2010. The program was modeled upon the format of a late night talk show--specifically, Jay Leno's incarnation of The Tonight Show, opening with a comedic monologue, followed by interviews with celebrity guests and other comedy segments. Sketches from The Tonight Show (including Headlines and Jaywalking) were carried over to The Jay Leno Show, along with new sketches.

NBC became the first large United States network to broadcast the same show every weekday during prime time since ABC's Who Wants to Be a Millionaire? marathons in 1999 and only the second since DuMont aired Captain Video and His Video Rangers from 1949 to 1955. More recently, the upstart MyNetwork TV had attempted, upon its launch in 2006, to air the same telenovelas every night of the week, a programming strategy that proved to be very unsuccessful. NBC's executives called the decision "a transformational moment in the history of broadcasting" and "in effect, launching five shows." An industry observer said that Leno, "in all my years, is the biggest risk a network has ever taken." According to former NBC president Fred Silverman, "If the Leno Show works, it will be the most significant thing to happen in broadcast television in the last decade."  Although NBC had not developed a new hit show at 10 pm in years, industry executives criticized the network for abandoning a history of airing quality dramas at that hour such as Hill Street Blues, St. Elsewhere, and ER, which made NBC "the gold standard for sophisticated programming . . . the No. 1 network for affluent and well-educated young viewers" during the 1980s and 1990s. In addition, critics predicted that the decision would hurt NBC by undermining a reputation built on successful scripted shows. Other networks believed NBC's decision created an opportunity, and planned their 2009-2010 schedules accordingly. For example, the show competed with The Mentalist, CSI: Miami, CSI: NY, and Numb3rs, four of television's most popular series, on CBS (the first of those four series was moved to 10:00 PM to directly compete with Leno's show, and significantly improved the ratings for that timeslot compared to its predecessor). Leno was also not easily sold overseas.  The January 29, 2010 issue of Entertainment Weekly listed the show at the top of a list of the 50 Biggest Bombs in television history. The comment made by the network executives about "launching five shows" was ultimately transformed into the joke that its removal was like "cancelling five shows". TV Guide similarly listed the show as the biggest blunder in television history in its November 1, 2010 edition.

Using a quote from the above article, answer the following question: Is there anything else interesting?
HHHHHH
Answer:
Other networks believed NBC's decision created an opportunity, and planned their 2009-2010 schedules accordingly.