Background: Paul Klee (German: [paUl 'kle:]; 18 December 1879 - 29 June 1940) was a Swiss German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture.
Context: During his twelve-day educational trip to Tunis in April 1914 Klee produced with Macke and Moilliet watercolor paintings, which implement the strong light and color stimulus of the North African countryside in the fashion of Paul Cezanne and Robert Delaunays' cubistic form concepts. The aim was not to imitate nature, but to create compositions analogous to nature's formative principle, as in the works In den Hausern von Saint-Germain (In the Houses of Saint-Germain) and Strassencafe (Streetcafe). Klee conveyed the scenery in a grid, so that it dissolves into colored harmony. He also created abstract works in that period such as Abstract and Farbige Kreise durch Farbbander verbunden (Colored Circles Tied Through Inked Ribbons). He never abandoned the object; a permanent segregation never took place. It took over ten years that Klee worked on experiments and analysis of the color, resulting to an independent artificial work, whereby his design ideas were based on the colorful oriental world.  Fohn im Marc'schen Garten (Foehn at Marc's Garden) was made after the Turin trip. It indicates the relations between color and the stimulus of Macke and Delaunay. Although elements of the garden are clearly visible, a further steering towards abstraction is noticeable. In his diary Klee wrote the following note at that time:  In the large molding pit are lying ruins, on which one partially hangs. They provide the material for the abstraction. [...] The terrible the world, the abstract the art, while a happy world produces secularistic art.  Under the impression of his military service he created the painting Trauerblumen (Velvetbells) in 1917, which, with its graphical signs, vegetal and phantastic shapes, is a forerunner of his future works, harmonically combining graphic, color and object. For the first time birds appear in the pictures, such as in Blumenmythos (Flower Myth) from 1918, mirroring the flying and falling planes he saw in Gersthofen, and the photographed plane crashes.  In the 1918 watercolor painting Einst dem Grau der Nacht enttaucht, a compositional implemented poem, possible written by Klee, he incorporated letters in small, in terms of color separated squares, cutting off the first verse from the second one with silver paper. At the top of the cardboard, which carries the picture, the verses are inscribed in manuscript form. Here, Klee did not lean on Delaunay's colors, but on Marc's, although the picture content of both painters does not correspond with each other. Herwarth Walden, Klee's art dealer, saw in them a "Wachablosung" (changing of the guard) of his art. Since 1919 he often used oil colors, with which he combined watercolors and colored pencil. The Villa R (Kunstmuseum Basel) from 1919 unites visible realities such as sun, moon, mountains, trees and architectures, as well as surreal pledges and sentiment readings.
Question: Why was the Mystical-abstract period special?
Answer: strong light and color stimulus

Background: Chrisye was born Christian Rahardi in Jakarta on 16 September 1949 to Laurens Rahadi, a Chinese-Betawi entrepreneur, and Hanna Rahadi, a Chinese-Sundanese housewife. He was the second of three sons born to the couple; his brothers were Joris and Vicky. The family lived on Talang Street near Menteng, Central Jakarta, until 1954, when they moved to Pegangsaan Street (also in Menteng). While attending GIKI Elementary School, Chrisye befriended the neighbouring Nasution family; he became especially close to Bamid Gauri, with whom he played badminton and flew kites.
Context: In July 2005 Chrisye was admitted to Pondok Indah Hospital, complaining of breathing difficulties. After 13 days of treatment he was moved to the Mount Elizabeth Hospital in Singapore, where he was diagnosed with lung cancer. Although concerned about losing his hair, which he considered part of his image, he underwent the first of six rounds of chemotherapy on 2 August 2005.  Chrisye's health improved in 2006 and in May and November he undertook long interview sessions with his biographer Alberthiene Endah. He also released two compilation albums, Chrisye by Request and Chrisye Duets; however, he reportedly did not feel well enough to release new songs. By February 2007 his health was again in decline.  Chrisye died on 30 March 2007 at his home in Cipete, South Jakarta. He was buried in Jeruk Purut Public Cemetery, South Jakarta. His funeral was attended by hundreds, including Indonesian celebrities such as his collaborator Erwin Gutawa and singers Titiek Puspa, Ahmad Albar, Sophia Latjuba, and Ikang Fawzi.  One hundred days after Chrisye's death Musica released two compilation albums. Entitled Chrisye in Memoriam - Greatest Hits and Chrisye in Memoriam - Everlasting Hits, they contained fourteen hits from albums ranging from Sabda Alam to Senyawa. On 1 August 2008 Chrisye's last single "Lirih" ("Gentle Voice"), written by Aryono Huboyo Djati, was released. The song's existence had been kept secret, and the recording date is unknown; Djati has said that it was recorded "for fun". A music video directed by Vicky Sianipar and featuring Ariel Peterpan, Giring from Nidji, and Chrisye's widow was released later.
Question: Was it treatable?
Answer:
he underwent the first of six rounds of chemotherapy on