Some context: Remment Lucas "Rem" Koolhaas (Dutch pronunciation: [rem ko:lha:s]; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. Koolhaas studied at the Architectural Association School of Architecture in London and at Cornell University in Ithaca, New York. Koolhaas is the founding partner of OMA, and of its research-oriented counterpart AMO based in Rotterdam, the Netherlands. In 2005, he co-founded Volume Magazine together with Mark Wigley and Ole Bouman.
Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops.  When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be.  In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown.
How successful was the 720-page and what greatness came after?
A: firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002).
Some context: Bobby Darin (born Walden Robert Cassotto; May 14, 1936 - December 20, 1973) was an American singer, songwriter, multi-instrumentalist, and actor in film and television. He performed jazz, pop, rock and roll, folk, swing, and country music. He started his career as a songwriter for Connie Francis.
Born Walden Robert Cassotto in the East Harlem neighborhood of New York City, Bobby Darin was reared by his maternal grandmother, whom he believed was his mother. Darin's birth mother, Vanina Juliette "Nina" Cassotto (born November 30, 1917), became pregnant with him in the summer of 1935 when she was 17. Presumably because of the scandalous nature of out-of-wedlock pregnancies in that era, Nina and her mother hatched a plan to pass her baby off as Nina's younger brother. Years later, when Nina finally told Darin the truth about his upbringing, she refused to reveal the identity of his biological father, and kept the secret to her death in 1983. Darin's maternal grandfather, Saverio Antonio "Big Sam Curly" Cassotto (born January 26, 1882), was of Italian descent and a would-be mobster who died in prison from pneumonia a year before Darin's birth. His maternal grandmother, Vivian Fern Walden (also born in 1882), who called herself Polly, was of English ancestry and a vaudeville singer. From his birth, Darin always believed Nina to be his older sister and Polly his mother. But in 1968, when he was 32, Nina told Darin the truth, reportedly devastating him.  By the time he was a teenager, Darin could play several instruments, including piano, drums, and guitar. He later added harmonica and xylophone.  Darin moved to the Bronx early in his life (with a rented summer home in Staten Island) and graduated from the prestigious Bronx High School of Science. In later years he attributed his arrogance to his experiences there, where he was surrounded by brighter students who teased him. He then enrolled at Hunter College and soon gravitated to the drama department. After only two semesters, he dropped out to pursue an acting career.
What year did he graduated from Bronx High School of Science ?
A: