input: Summitt won 16 Southeastern Conference regular season titles with the Lady Vols, as well as 16 tournament titles. Summitt's Lady Vols made an appearance in every NCAA Tournament from 1982 until her retirement, advanced to the Sweet 16 every year except 2009, and appeared 18 times in the Final Four. When Summitt made her 13th trip to the Final Four as a coach in 2002, she surpassed John Wooden as the NCAA coach with the most trips to the Final Four. Summitt was a seven-time SEC Coach of the year and a 7-time NCAA Coach of the year and won eight national titles, including three consecutive titles from 1996 to 1998. Summitt was known for scheduling tough opponents for her team to play in the regular season, in order to prepare them for the post-season. In her years of coaching, her teams played top ten ranked teams over 250 times.  In the 1997-98 season, her team went unbeaten, winning all 30 regular and 9 tournament games, earning Summitt's sixth championship. After the championship game, opposing Louisiana Tech head coach Leon Balmore proclaimed the Tennessee team to be the "best ever", echoing a similar claim made by Old Dominion University Hall of Famer Nancy Lieberman in 1998.  Summitt and the 1996-97 championship team were the subject of an HBO documentary titled A Cinderella Season: The Lady Vols Fight Back. That year, the Lady Vols posted a 23-10 record heading into the NCAA tournament, with two losses to Louisiana Tech, setbacks against national powers Georgia, Stanford and UConn, and losses to SEC lesser opponents Arkansas, Auburn, and LSU (which was 7-20 just two seasons prior and had not yet established itself as a perennial national power). However, Tennessee righted itself during the tournament, shocking previously undefeated UConn in the regional final, 91-81, before defeating Notre Dame and Old Dominion in the Final Four in Cincinnati.

Answer this question "Did she win any awards?"
output: Summitt was a seven-time SEC Coach of the year and a 7-time NCAA Coach of the year and won eight national titles, including three consecutive titles from 1996 to 1998.

input: Obree had built frames for his bike shop and made another for his record attempt. Instead of traditional dropped handlebars it had straight bars like those of a mountain bike. He placed them closer to the saddle than usual and rode with the bars under his chest, his elbows bent and tucked into his sides like those of a skier. Watching a washing machine spin at 1,200rpm led him to take the bearings, which he assumed must be of superior quality, and fit them to his bike. Obree later regretted admitting to the bearings experiment, because journalists referred to that before his achievements and other innovations.  Obree called his bike "Old Faithful". It has a narrow bottom bracket, around which the cranks revolve, to bring his legs closer together, as he thought this is the "natural" position. As shown in the film, he thought a tread of "one banana" would be ideal. The bike has no top tube, so that his knees did not hit the frame. The chainstays are not horizontal to the ground. Thus the cranks can pass with a narrow bottom bracket. The fork had only one blade, carefully shaped to be as narrow as possible. A French writer who tried it said the narrow handlebars made it hard to accelerate the machine in a straight line but, once it was at speed, he could hold the bars and get into Obree's tucked style.  At a high enough speed, [I could] tuck in my arms. And, above all, get in a very forward position on the bike, on the peak of the saddle. The Obree position isn't advantageous simply aerodynamically, it also allows, by pushing the point of pedalling towards the rear, to benefit from greater pressure while remaining in the saddle. You soon get an impression of speed, all the greater because you've got practically nothing [deux fois rien] between your hands. Two other things I noticed after a few hundred metres: I certainly didn't have the impression of turning 53 x 13, and the Obree position is no obstruction to breathing. But I wasn't pedalling at 55kmh, 100 turns of the pedals a minute, yet my arms already hurt.

Answer this question "What was special about his bike?"
output: Watching a washing machine spin at 1,200rpm led him to take the bearings, which he assumed must be of superior quality, and fit them to his bike.

input: Mumford & Sons were formed in December 2007 by multi-instrumentalists Marcus Mumford, Ben Lovett, Winston Marshall and Ted Dwane. Band members play acoustic guitar, drums, keyboard instruments, bass guitar, and traditional folk instruments such as banjo, mandolin and resonator guitar. The band name originates from Marcus Mumford being the most visible member, organizing the band and their performances. Lovett indicated that the name was meant to invoke the sense of an "antiquated family business name".  A handful of similar bands were increasing their visibility in West London around the same time, giving rise to the label "West London folk scene". Mumford downplays that characterisation as an exaggeration--Mumford & Sons and a few other folk acts just happened to be operating in the same general area at the time. In an interview with the Herald Sun, Marcus Mumford said, "It's not folk really. Well, some of it is, and it's certainly not a scene. Someone got over-excited about a few bands who live in a hundred-mile radius and put it in a box to sell it as a package. It's a community, not a scene. It's not exclusive." Having developed in the same musical and cultural environment, Mumford & Sons' sound has been compared to that of artists such as Noah and the Whale, Johnny Flynn and Laura Marling, whose backing band had included Marshall, Mumford, and Dwane.  In early 2008, the band began working with manager Adam Tudhope, who, as part of management company Everybody's, also represents Keane and Laura Marling. It was through Tudhope's connection that Mumford & Sons were exposed to their future A&R at Island, Louis Bloom, who began monitoring the band. Bloom told HitQuarters that they were still at a fledgling state and not yet ready for a label deal: "There was no one there for it, just a few friends, and they needed time to develop. Over the next six months I kept going to see them and they were literally picking up fans every time."  In February 2008, the band completed an extensive UK tour with support from Alessi's Ark, Sons of Noel and Adrian, Peggy Sue and others. June 2008 marked the band's first appearance at the Glastonbury Festival. They also toured Australia with Laura Marling, whose disinclination to interact with audiences encouraged Mumford into the spotlight. The experience helped inform his attitude towards Mumford & Sons audiences, which is to interact frequently and to try to create a comfortable, casual atmosphere. Mumford & Sons' first project was an EP entitled Love Your Ground which took a year to complete and was released in November 2008 on Chess Club Records.

Answer this question "Any other music releases during this time?"
output:
In February 2008, the band completed an extensive UK tour with support from Alessi's Ark, Sons of Noel and Adrian, Peggy Sue and others.