IN: Meredith was born in 1907 in Cleveland, Ohio, the son of Ida Beth (nee Burgess) and Dr. William George Meredith, a Canadian-born physician, of English descent. His mother came from a long line of Methodist revivalists, a religion to which he adhered throughout his lifetime. Meredith graduated from Hoosac School in 1926 and then attended Amherst College (class of 1931). He left Amherst, and became a reporter for the Stamford Advocate.

Early in his career, Meredith attracted favorable attention, especially for playing George in a 1939 adaptation of John Steinbeck's Of Mice and Men and as war correspondent Ernie Pyle in The Story of G.I. Joe (1945). He was featured in many 1940s films, including three -- Second Chorus (1940), Diary of a Chambermaid (1946), and On Our Merry Way (1948) -- co-starring then-wife Paulette Goddard. He also played alongside Lana Turner in Madame X. As a result of the House Committee on Un-American Activities investigation, Meredith was placed on the Hollywood blacklist, and was largely absent from film for the next decade, though he remained involved in stage plays and radio during this time.  Meredith was a favorite of director Otto Preminger, who cast him in Advise and Consent (1962), The Cardinal (1963), In Harm's Way (1965), Hurry Sundown (1967), Skidoo (1968), and Such Good Friends (1971). He was in Stay Away Joe (1968), appearing as the father of Elvis Presley's character. In 1975, he received critical acclaim for his performance as Harry Greene in The Day of the Locust and received nominations for the BAFTA, Golden Globe, and Academy Award for best supporting actor. Meredith then played Rocky Balboa's trainer, Mickey Goldmill, in the first three Rocky films (1976, 1979, and 1982). Though his character died in the third Rocky film, he returned briefly in a flashback in the fifth film, Rocky V (1990). His portrayal in the first film earned him his second consecutive nomination for the Academy Award for Best Supporting Actor.  Meredith played an old Korean War veteran Captain J.G. Williams in The Last Chase with Lee Majors. He appeared in Ray Harryhausen's last stop-motion feature Clash of the Titans (1981), in a supporting role. Meredith appeared in Santa Claus: The Movie (1985), and was a voice actor in G.I. Joe: The Movie (1989). In his last years, he played Jack Lemmon's character's sex-crazed 95-year-old father in Grumpy Old Men (1993) and its sequel, Grumpier Old Men (1995).  Meredith directed the movie The Man on the Eiffel Tower (1949) starring Charles Laughton, which was produced by Irving Allen. Meredith also was billed in a supporting role in this film. In 1970, he directed (as well as co-wrote and played a supporting role in) The Yin and the Yang of Mr. Go, an espionage caper starring James Mason and Jeff Bridges.
QUESTION: for which film?
IN: James Vernon Taylor (born March 12, 1948) is an American singer-songwriter and guitarist. A five-time Grammy Award winner, he was inducted into the Rock and Roll Hall of Fame in 2000. He is one of the best-selling music artists of all time, having sold more than 100 million records worldwide. Taylor achieved his breakthrough in 1970 with the No. 3 single "Fire and Rain" and had his first No. 1 hit the following year with "

Simon announced her separation from Taylor in September 1981 saying, "Our needs are different; it seem[s] impossible to stay together" and their divorce finalized in 1983. Their breakup was highly publicized. At the time, Taylor was living on West End Avenue in Manhattan and on a methadone maintenance program to cure him of his drug addiction. Over the course of four months starting in September 1983, spurred on in part by the deaths of his friends John Belushi and Dennis Wilson and in part by the desire to be a better father to his children Sally and Ben, he discontinued methadone and overcame his heroin habit.  Taylor had thoughts of retiring by the time he played the Rock in Rio festival in Rio de Janeiro in January 1985. He was encouraged by the nascent democracy in Brazil at the time, buoyed by the positive reception he got from the large crowd and other musicians, and musically energized by the sounds and nature of Brazilian music. "I had... sort of bottomed-out in a drug habit, my marriage with Carly had dissolved, and I had basically been depressed and lost for a while," he recalled in 1995. "I sort of hit a low spot. I was asked to go down to Rio de Janeiro to play in this festival down there. We put the band together and went down and it was just an amazing response. I played to 300,000 people. They not only knew my music, they knew things about it and were interested in aspects of it that to that point had only interested me. To have that kind of validation right about then was really what I needed. It helped get me back on track." The song "Only a Dream in Rio" was written in tribute to that night, with lines like I was there that very day and my heart came back alive. The October 1985 album, That's Why I'm Here, from which that song came, started a series of studio recordings that, while spaced further apart than his previous records, showed a more consistent level of quality and fewer covers, most notably the Buddy Holly song "Everyday", released as a single reached No. 61. On the album track "Only You," the backing vocals were performed by an all star duo of Joni Mitchell and Don Henley.  Taylor's next albums were partially successful; in 1988, he released Never Die Young, highlighted with the charting title track, and in 1991, the platinum New Moon Shine provided Taylor some popular songs with the melancholic "Copperline" and the upbeat "(I've Got to) Stop Thinkin' About That", both hit singles on Adult Contemporary radio. In the late 1980s, he began touring regularly, especially on the summer amphitheater circuit. His later concerts feature songs spanning his career and are marked by the musicianship of his band and backup singers. The 1993 two-disc Live album captures this, with a highlight being Arnold McCuller's descants in the codas of "Shower the People" and "I Will Follow". In 1995, Taylor performed the role of the Lord in Randy Newman's Faust.
QUESTION:
What was one of his new beginnings?