Problem: Cameron Ezike Giles (born February 4, 1976), better known by his stage name Cam'ron (formerly Killa Cam), is an American rapper, actor and entrepreneur from Harlem, New York. He is the de facto leader of East Coast hip hop group The Diplomats (also known as Dipset), and is a member of the duo U.N. (Us Now). Cam'ron was also a part of the group Children of the Corn before they disbanded in 1997.

In 2003 Cam'ron teamed up with his fellow Diplomats Members Jim Jones, Juelz Santana, and Freekey Zeeky to release the Diplomats' debut double disc album, Diplomatic Immunity, in 2003 under Roc-A-Fella/Diplomat Records, which was quickly certified gold by the RIAA. The album featured the lead single "Dipset Anthem", a remix to Cam'rons hit "Hey Ma" and the (street anthem) single "I Really Mean It", as well as boasting production from Kanye West, Just Blaze, and The Heatmakerz. A year later, the Diplomats released their second album, Diplomatic Immunity 2. Although not as successful as their debut, it still was boosted to gold status. Around this time in the height of his mainstream fame, Cam'ron was known for popularizing the color pink. During this period, Cam'ron was always seen wearing pink clothing and even bought an all-pink Range Rover, which can be seen in his video for "Killa Cam". Cam'ron's fourth studio album, Purple Haze, was released on December 7, 2004 on Def Jam/Roc-A-Fella Records. It featured collaborations with Kanye West, Jaheim, Twista, Juelz Santana, and various other artists and ultimately reached gold status. The album was also a critical success, being ranked 114th on Pitchfork Media's Top 200 Albums of the first decade of the 21st century List, and 10th on Rhapsody's Hip Hop's Best Albums Of The Decade List. However, after feeling that the album was poorly promoted and that his projects were not receiving the attention they deserved, Cam'ron requested his release from Roc-A-Fella Records.  On April 28, 2005, Cam'Ron officially joined the Warner Music Group under the Asylum Records imprint. He began work on what would be his first project for the new label. Cam'ron's fifth studio album, titled Killa Season, was released on May 16, 2006 featuring production from long term collaborators The Heatmakerz, Charlmagne and Ty Fyffe, as well as others such as Alchemist and I.N.F.O.. Along with the album, Cam'ron released his first film, in which he wrote, directed and starred in, also titled "Killa Season". Despite selling 112,000 units in the first week and debuting at number 2 on the charts, Killa Season failed to have the same sales strength as his two previous releases, but Killa Season became certified gold.  After the release of Killa Season and his feud with 50 Cent in 2007, Cam'ron took a three-year hiatus from music after his mother suffered three strokes which left her paralyzed on her left side. He moved to Florida with her to set up her rehabilitation and therapy, and stayed there until she had fully recovered. Cam'ron's 2009 album, Crime Pays was released on Asylum/Diplomat Records, featuring the majority of the production handled by Skitzo and AraabMuzik. Although none of the singles from, the album managed to chart, the album still reached number 3 on the Billboard 200 but only sold 150,000 units, making this the lowest selling album of his career. In 2009 Cam'ron formed a new label, Dipset West and new group the U.N..

How did that album do?

Answer with quotes: which was quickly certified gold by the RIAA.


Problem: Joseph Frank "Buster" Keaton (October 4, 1895 - February 1, 1966) was an American actor, comedian, film director, producer, screenwriter, and stunt performer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies". His career declined afterward with a dispiriting loss of his artistic independence when he was hired by Metro-Goldwyn-Mayer and he descended into alcoholism, ruining his family life.

Keaton's personal life had stabilized with his 1940 marriage, and now he was taking life a little easier, abandoning Columbia for the less strenuous field of feature films. Throughout the 1940s, Keaton played character roles in both "A" and "B" features. He made his last starring feature El Moderno Barba Azul (1946) in Mexico; the film was a low budget production, and it may not have been seen in the United States until its release on VHS in the 1980s, under the title Boom in the Moon. Critics rediscovered Keaton in 1949 and producers occasionally hired him for bigger "prestige" pictures. He had cameos in such films as In the Good Old Summertime (1949), Sunset Boulevard (1950), and Around the World in 80 Days (1956). In In The Good Old Summertime, Keaton personally directed the stars Judy Garland and Van Johnson in their first scene together where they bump into each other on the street. Keaton invented comedy bits where Johnson keeps trying to apologize to a seething Garland, but winds up messing up her hairdo and tearing her dress.  Keaton also had a cameo as Jimmy, appearing near the end of the film It's a Mad, Mad, Mad, Mad World (1963). Jimmy assists Spencer Tracy's character, Captain C. G. Culpepper, by readying Culpepper's ultimately-unused boat for his abortive escape. (The restored version of that film, released in 2013, contains a restored scene where Jimmy and Culpeper talk on the telephone. Lost after the comedy epic's "roadshow" exhibition, the audio of that scene was discovered, and combined with still pictures to recreate the scene.) Keaton was given more screen time in A Funny Thing Happened on the Way to the Forum (1966). The appearance, since it was released after his death, was his posthumous swansong.  Keaton also appeared in a comedy routine about two inept stage musicians in Charlie Chaplin's Limelight (1952), recalling the vaudeville of The Playhouse. With the exception of Seeing Stars, a minor publicity film produced in 1922, Limelight was the only time in which the two would ever appear together on film.  In 1949, comedian Ed Wynn invited Keaton to appear on his CBS Television comedy-variety show, The Ed Wynn Show, which was televised live on the West Coast. Kinescopes were made for distribution of the programs to other parts of the country since there was no transcontinental coaxial cable until September 1951.

Any other titles from the 1940's that you like to tell me about?

Answer with quotes:
El Moderno Barba Azul (1946)