Question: The Algonquin Round Table was a group of New York City writers, critics, actors, and wits. Gathering initially as part of a practical joke, members of "The Vicious Circle", as they dubbed themselves, met for lunch each day at the Algonquin Hotel from 1919 until roughly 1929. At these luncheons they engaged in wisecracks, wordplay, and witticisms that, through the newspaper columns of Round Table members, were disseminated across the country. Daily association with each other, both at the luncheons and outside of them, inspired members of the Circle to collaborate creatively.

Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff.  No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play."  The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood.  With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances.

Using a quote from the above article, answer the following question: On what date did No Sirree start?
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Answer: No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue


Question: Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.

Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors.  Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.  While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher).  Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.

Using a quote from the above article, answer the following question: what did he do in animation?
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Answer:
Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.