Some context: At the Drive-In is an American post-hardcore band from El Paso, Texas, formed in 1994. The band currently consists of Cedric Bixler (vocals), Omar Rodriguez (guitar, vocals), Paul Hinojos (bass), Tony Hajjar (drums) and Keeley Davis (guitar, vocals). After several early line-up changes, the band solidified into a five-piece, consisting of Bixler, Rodriguez, Jim Ward, Hinojos and Hajjar. At the Drive-In released three studio albums and five EPs before breaking up in 2001.
On November 12, 2000, At the Drive-In was involved in a motor vehicle accident when their touring van skidded out of control on ice and flipped onto its roof. Though the accident left the band shaken, none of the members sustained serious injury - Hajjar and Bixler-Zavala were taken to the hospital for minor injuries and released. In January 2001, At the Drive-In traveled to Australia for the Big Day Out music festival. While performing in Sydney, they left partway through their set after telling the attendance to calm down and observe the safety rules against moshing. After the refusal of the crowd, frontman Cedric Bixler-Zavala told them "You're a robot, you're a sheep!" and bleated at them several times before the band left the stage after performing only three songs. "I think it's a very, very sad day when the only way you can express yourself is through slam-dancing," he proclaimed. The following month, At the Drive-In cancelled the last five dates of its European tour, citing "complete mental and physical exhaustion" of the members.  In March 2001--less than a month away from a United States tour set to commence on April 14--at the peak of their popularity and following a world tour, At the Drive-In broke up, initially referring to the split as an "indefinite hiatus." The band played their last show at Groningen's Vera venue on February 21, 2001. A combination of excessive hype, relentless touring, artistic differences, and Rodriguez-Lopez and Bixler-Zavala's drug habits contributed to the demise of the band. Commenting on the hiatus, guitarist Rodriguez said: "After a non-stop six-year cycle of record/tour/record/tour, we are going on an indefinite hiatus. We need time to rest up and re-evaluate, just to be human beings again and to decide when we feel like playing music again."  Cedric Bixler took responsibility for the breakup, saying repeatedly in interviews that he felt almost as if At the Drive-In was holding him back and that he didn't want his music to be confined to punk or hardcore -- that it should encompass many genres and be even more progressive, alternative, and "against-the-grain." Bixler-Zavala and Rodriguez-Lopez had stated that they wanted their next album to sound like Pink Floyd's The Piper at the Gates of Dawn, while the other members were intent on progressing in a more alternative rock direction.
what was their music style?
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Some context: Cheri Honkala was born in Minneapolis, Minnesota, in 1963. Her father, Maynard Duane Honkala, was of Finnish ancestry, and her mother had Cheyenne Native American ancestry. She grew up watching her mother suffer from domestic violence. Honkala's mother quietly endured this abuse for fear of losing her kids.
Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."  She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999).  Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine.  Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation.
Who else photographed Honkala ?
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Honkala has been extensively documented by photographer Harvey Finkle.