Question: Manorialism was an essential element of feudal society. It was the organizing principle of rural economy that originated in the Roman villa system of the Late Roman Empire, and was widely practiced in medieval western and parts of central Europe. It was slowly replaced by the advent of a money-based market economy and new forms of agrarian contract. Manorialism was characterised by the vesting of legal and economic power in a Lord of the Manor, supported economically from his own direct landholding in a manor (sometimes called a fief), and from the obligatory contributions of a legally subject part of the peasant population under the jurisdiction of himself and his manorial court.

The term is most often used with reference to medieval Western Europe. Antecedents of the system can be traced to the rural economy of the later Roman Empire (Dominate). With a declining birthrate and population, labor was the key factor of production. Successive administrations tried to stabilise the imperial economy by freezing the social structure into place: sons were to succeed their fathers in their trade, councilors were forbidden to resign, and coloni, the cultivators of land, were not to move from the land they were attached to. The workers of the land were on their way to becoming serfs.  Several factors conspired to merge the status of former slaves and former free farmers into a dependent class of such coloni: it was possible to be described as servus et colonus, "both slave and colonus". Laws of Constantine I around 325 both reinforced the semi-servile status of the coloni and limited their rights to sue in the courts; the Codex Theodosianus promulgated under Theodosius II extended these restrictions. The legal status of adscripti, "bound to the soil", contrasted with barbarian foederati, who were permitted to settle within the imperial boundaries, remaining subject to their own traditional law.  As the Germanic kingdoms succeeded Roman authority in the West in the fifth century, Roman landlords were often simply replaced by Germanic ones, with little change to the underlying situation or displacement of populations.  The process of rural self-sufficiency was given an abrupt boost in the eighth century, when normal trade in the Mediterranean Sea was disrupted. The thesis put forward by Henri Pirenne, while disputed widely, supposes that the Arab conquests forced the medieval economy into even greater ruralization and gave rise to the classic feudal pattern of varying degrees of servile peasantry underpinning a hierarchy of localised power centers.

Using a quote from the above article, answer the following question: What was the expected outcome of this distribution?
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Answer: Several factors conspired to merge the status of former slaves and former free farmers into a dependent class of such coloni:

Problem: Janis Lyn Joplin (; January 19, 1943 - October 4, 1970) was an American rock singer and songwriter; one of the most successful and widely-known female rock stars of her era. After releasing three albums, she died of a heroin overdose at the age of 27. A fourth album, Pearl, was released in January 1971, just over three months after her death.

Joplin appeared at Woodstock starting at approximately 2:00 a.m., on Sunday, August 17, 1969. Joplin informed her band that they would be performing at the concert as if it were just another gig. On Saturday afternoon, when she and the band were flown by helicopter with the pregnant Joan Baez and Baez's mother from a nearby motel to the festival site and Joplin saw the enormous crowd, she instantly became extremely nervous and giddy. Upon landing and getting off the helicopter, Joplin was approached by reporters asking her questions. She referred them to Caserta as she was too excited to speak. Initially Joplin was eager to get on the stage and perform, but was repeatedly delayed as bands were contractually obliged to perform ahead of Joplin. Faced with a ten-hour wait after arriving at the backstage area, Joplin shot heroin and drank alcohol with Caserta, and by the time of reaching the stage, Joplin was "three sheets to the wind". During her performance, Joplin's voice became slightly hoarse and wheezy, and she struggled to dance.  Joplin pulled through, however, and engaged frequently with the crowd, asking them if they had everything they needed and if they were staying stoned. The audience cheered for an encore, to which Joplin replied and sang "Ball and Chain". Pete Townshend, who performed with the Who later in the same morning after Joplin finished, witnessed her performance and said the following in his 2012 memoir: "She had been amazing at Monterey, but tonight she wasn't at her best, due, probably, to the long delay, and probably, too, to the amount of booze and heroin she'd consumed while she waited. But even Janis on an off-night was incredible."  Janis remained at Woodstock for the remainder of the festival. Starting at approximately 3:00 a.m. on Monday, August 18, Joplin was among many Woodstock performers who stood in a circle behind Crosby, Stills & Nash during their performance, which was the first time anyone at Woodstock ever had heard the group perform with Neil Young. This information was published by David Crosby in 1988. Later in the morning of August 18, Joplin and Joan Baez sat in Joe Cocker's van and witnessed Hendrix's close-of-show performance, according to Baez's memoir And a Voice to Sing With (1989).  Still photographs in color show Joplin backstage with Grace Slick the day after Joplin's performance, wherein Joplin appears to be very happy. Joplin was ultimately unhappy with her performance, however, and blamed Caserta. Her singing was not included (by her own insistence) in the 1970 documentary film or the soundtrack for Woodstock: Music from the Original Soundtrack and More, although the 25th anniversary director's cut of Woodstock includes her performance of "Work Me, Lord". The documentary film of the festival that was released to theaters in 1970 includes, on the left side of a split screen, 37 seconds of footage of Joplin and Caserta walking toward Joplin's dressing room tent.

How did she feel about performing at WoodStock?

Answer with quotes:
Joplin saw the enormous crowd, she instantly became extremely nervous and giddy.