Some context: Christina Maria Aguilera (born December 18, 1980) is an American singer, songwriter, actress, reality show personality and television personality. Born in Staten Island, New York and raised in Rochester and Wexford, Pennsylvania, she appeared on the television series Star Search and The Mickey Mouse Club in her early years. After recording "Reflection", the theme for Disney's 1998 film Mulan, Aguilera signed with RCA Records. She rose to prominence with her 1999 self-titled debut album that spawned the US Billboard Hot 100 number-one singles "Genie in a Bottle", "What a Girl Wants", and "Come On Over Baby
When planning her fourth studio album, Aguilera leaned towards a new artistic direction that she felt had more musical and lyrical depth. She named the album Stripped and explained that the title represented "a new beginning, a re-introduction of [herself] as a new artist in a way". For the album, Aguilera served as executive producer and co-wrote most of the songs. The album was preceded by the single "Dirrty", which was released to shed Aguilera's teen pop image and express her sexuality and aggression. Its accompanying music video generated controversy for depicting various sexual fetishes and concepts. Aguilera's new image presented in the video started to overshadow her music, generating widespread criticism from both her peers including Shakira and Jessica Simpson and the public. Aguilera defended her new image, explaining that "I'm in the power position, in complete command of everything and everybody around me. To be totally balls-out like that is, for me, the measure of a true artist."  The final cut of Stripped incorporated various genres from flamenco and R&B to rock and lyrically revolved around the theme of self-esteem while also discussing sex and gender equality. It was released in October 2002 to mixed critical reviews; Jancee Dunn from the Rolling Stone praised Aguilera's vocals yet panned the album for its lack of musical concentration. The album was nonetheless a commercial success, peaking at number two on the Billboard 200 and has sold over 4.3 million copies in the United States. It was a major success in the United Kingdom, having sold 2 million copies and became the second highest-selling album by a female US artist of the 2000s decade, behind Norah Jones with Come Away with Me. Stripped has sold over 12 million copies worldwide. The album was followed by four singles, "Beautiful", "Fighter", "Can't Hold Us Down", and "The Voice Within". "Beautiful" received universal acclaim for positive portrayal of the LGBT community and was the album's most commercially successful single, peaking at number two on the Billboard Hot 100. It earned Aguilera a Grammy Award for Best Female Pop Vocal Performance at the 2004 ceremony. The song was later listed at number 52 among the 100 Best Songs of the 2000s by the Rolling Stone in 2011.  During the promotion of Stripped, Aguilera cultivated a new image by adopting the alter ego Xtina, dyeing her hair black, and debuting several tattoos and piercings. She co-headlined the Justified and Stripped Tour alongside Justin Timberlake from June to September 2003 in support of Stripped and Timberlake's album Justified, before embarking on her solo The Stripped Tour until December. Aguilera garnered media attention after attending the 2003 MTV Video Music Awards in August, where she and Britney Spears kissed Madonna during their performance of "Like a Virgin" and "Hollywood". Later that year, she was the host of the 2003 MTV Europe Music Awards, where she won an award for Best Female. Billboard also announced Aguilera as the Top Female Pop Act of 2003.
Did she tour to promote this album?
A: 
Some context: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.
Following his blues fusion with gospel and jazz influences on his earlier Atlantic material, which had brought him much fame and controversy, Charles sought to experiment with country music. As noted by himself in the liner notes for What'd I Say (1959), Charles was influenced by the genre in his youth, stating that he "used to play piano in a hillbilly band" and that he believed that he "could do a good job with the right hillbilly song today." At Atlantic, he attempted to incorporate this style and influence with his cover of country singer Hank Snow's "I'm Movin' On". Charles later said about the song, "When I heard Hank Snow sing 'Moving On', I loved it. And the lyrics. Keep in mind, I'm a singer, so I like lyrics. Those lyrics are great, so that's what made me want to do it." The "I'm Movin' On" sessions were his last for Atlantic.  Charles's recording of his acclaimed studio effort The Genius of Ray Charles (1959) brought him closer to expressing his jazz and pop crossover ambitions. Described by one music critic as "the most important of his albums for Atlantic", the record was the first to introduce Charles's musical approach of blending his brassy R&B sound with the more middle of the road, pop-oriented style, while performing in the presence of a big band ensemble. Recording of the album, as well his ABC-Paramount debut, The Genius Hits the Road (1960), a collection of place-name songs devoted to parts of the United States, expanded on Charles's thematic and conceptually-organized approach to albums rather than commercially successful singles production. Inspired by this approach and his recording of "I'm Movin' On", Charles originally made plans for a single-less concept album.  When Charles had announced that he wanted to work on an album of country music in 1961, during a period of racial segregation and tension in the United States, he received generally negative commentary and feedback from his peers, including fellow R&B musicians and ABC-Paramount executives. The country album concept, however, meant more to Charles as a test of his record label's faith in him and respect for his artistic freedom than as a test of social tolerance among listeners amid racial distinctions of country and R&B. Fueled by his esteem for creative control, Charles pitched the idea of a country album to ABC representatives. Following the successful lobby of the concept and a contract renewal in early 1962, which was linked to the launching of his own Tangerine label, Charles prepared his band for the recording sessions that produced Modern Sounds in Country and Western Music.
what label did he go with?
A:
his own Tangerine label,