Background: Piers Morgan was born Piers Stefan O'Meara on 30 March 1965 in Newick, Sussex, England, to Vincent Eamonn O'Meara, an Irish-born dentist, originally from County Offaly, and Gabrielle Georgina Sybille (nee Oliver). He took his stepfather's surname and became known as Piers Stefan Pughe-Morgan. He attended the independent school Cumnor House from the ages of seven to thirteen, and then Chailey School, a comprehensive secondary school in Chailey, near Lewes, East Sussex, followed by Priory School for sixth form. Morgan studied journalism at Harlow College.
Context: As editor of the Daily Mirror, in 1996 Morgan was forced to apologise on television for the headline (rendered in upper case) "Achtung Surrender! For You Fritz Ze Euro Championship Is Over" on 25 June 1996, a day before England met Germany in a semi-final of the Euro '96 football championships.  A PS16 million package of investment in the title was rolled out from January, including the dropping of "Daily" from the masthead in February, which was later reversed. Roy Greenslade wrote in August 1999 that Morgan's editorship "has made a huge difference: his enormous enthusiasm, determination and focus is a major plus".  Morgan was the subject of an investigation in 2000 after Suzy Jagger wrote an article for The Daily Telegraph revealing that he had bought PS20,000 worth of shares in the computer company Viglen soon before the Mirror 's "City Slickers" column tipped Viglen as a good buy. Morgan was found by the Press Complaints Commission to have breached the Code of Conduct on financial journalism, but kept his job. The "City Slickers" columnists, Anil Bhoyrul and James Hipwell, were both found to have committed further breaches of the Code and were sacked before the inquiry concluded. Further enquiry by the Department of Trade and Industry in 2004 cleared Morgan of any charges. On 7 December 2005, Bhoyrul and Hipwell were convicted of conspiracy to breach the Financial Services Act. During the trial it emerged that Morgan had bought PS67,000 worth of Viglen shares, emptying his bank account and investing under his (first) wife's name, too.  The Mirror attempted to move mid-market in 2002, claiming to eschew the more trivial stories of show-business and gossip. Morgan rehired John Pilger, who had been sacked in 1985 early in Robert Maxwell's ownership of the Mirror titles.  In the wake of the Abu Ghraib torture scandal, Morgan was fired as Editor of the Daily Mirror "with immediate effect" on 14 May 2004, after refusing to apologise to Sly Bailey, then head of Trinity Mirror, for authorising the newspaper's publication of photographs which had been shown to be false. These were alleged to show Iraqi prisoners being abused by British Army soldiers from the Queen's Lancashire Regiment. When, within days the photographs were shown to be crude fakes, under the headline "SORRY..WE WERE HOAXED", the Mirror responded that it had fallen victim to a "calculated and malicious hoax" and apologised for the publication of the photographs. However, Morgan has refused to admit that the photographs were faked, and has stated that the abuse shown in the photographs is similar to the sort of abuse which was happening in the British Army in Iraq at the time.
Question: What happen next
Answer: the Mirror responded that it had fallen victim to a "calculated and malicious hoax"

Problem: Background: Cleese was born in Weston-super-Mare, Somerset, the only child of Reginald Francis Cleese (1893-1972), an insurance salesman, and his wife Muriel Evelyn (nee Cross; 1899-2000). His family's surname was originally Cheese, but his father had thought it was embarrassing and changed it when he enlisted in the Army during the First World War. As a child, Cleese supported Bristol City FC and Somerset County Cricket Club. Cleese was educated at St Peter's Preparatory School, where he received a prize for English and did well at cricket and boxing.
Context: Along with Gilliam's animations, Cleese's work with Graham Chapman provided Python with its darkest and angriest moments, and many of his characters display the seething suppressed rage that later characterised his portrayal of Basil Fawlty.  Unlike Palin and Jones, Cleese and Chapman wrote together in the same room; Cleese claims that their writing partnership involved Cleese doing most of the work, while Chapman sat back, not speaking for long periods before suddenly coming out with an idea that often elevated the sketch to a new level. A classic example of this is the "Dead Parrot sketch", envisaged by Cleese as a satire on poor customer service, which was originally to have involved a broken toaster and later a broken car (this version was actually performed and broadcast on the pre-Python special How to Irritate People). It was Chapman's suggestion to change the faulty item into a dead parrot, and he also suggested that the parrot be specifically a "Norwegian Blue", giving the sketch a surreal air which made it far more memorable.  Their humour often involved ordinary people in ordinary situations behaving absurdly for no obvious reason. Like Chapman, Cleese's poker face, clipped middle class accent, and intimidating height allowed him to appear convincingly as a variety of authority figures, such as policemen, detectives, Nazi officers or government officials--which he would then proceed to undermine. Most famously, in the "Ministry of Silly Walks" sketch (actually written by Palin and Jones), Cleese exploits his stature as the crane-legged civil servant performing a grotesquely elaborate walk to his office.  Chapman and Cleese also specialised in sketches where two characters would conduct highly articulate arguments over completely arbitrary subjects, such as in the "cheese shop", the "dead parrot" sketch and "Argument Clinic", where Cleese plays a stone-faced bureaucrat employed to sit behind a desk and engage people in pointless, trivial bickering. All of these roles were opposite Palin (who Cleese often claims is his favourite Python to work with)--the comic contrast between the towering Cleese's crazed aggression and the shorter Palin's shuffling inoffensiveness is a common feature in the series. Occasionally, the typical Cleese-Palin dynamic is reversed, as in "Fish Licence", wherein Palin plays the bureaucrat with whom Cleese is trying to work.  Though the programme lasted four series, by the start of series 3, Cleese was growing tired of dealing with Chapman's alcoholism. He felt, too, that the show's scripts had declined in quality. For these reasons, he became restless and decided to move on. Though he stayed for the third series, he officially left the group before the fourth season. Despite this, he remained friendly with the group, and all six began writing Monty Python and the Holy Grail; Cleese received a credit on three episodes of the fourth series which used material from these sessions, though he was officially unconnected with the fourth series. Cleese returned to the troupe to co-write and co-star in the Monty Python films Monty Python and the Holy Grail, Monty Python's Life of Brian and Monty Python's The Meaning of Life, and participated in various live performances over the years.
Question: What are some activities that Graham and John did when they wrote together?
Answer:
Cleese claims that their writing partnership involved Cleese doing most of the work, while Chapman sat back, not speaking for long periods before suddenly coming out with an idea