IN: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.

Thalberg was born in Brooklyn, to German Jewish immigrant parents, William and Henrietta (Haymann). Shortly after birth, he was diagnosed with "blue baby syndrome," caused by a congenital disease that limited the oxygen supply to his heart. The prognosis from the family's doctor and specialists was that he might live to age twenty, or at most, age thirty.  During his high school years in Brooklyn, he began having attacks of chest pains, dizziness and fatigue. This affected his ability to study, though until that time he was a good student. When he was 17, he contracted rheumatic fever, and was confined to bed for a year. His mother, Henrietta, to prevent him falling too far behind other students, brought him homework from school, books, and tutors to teach him at home. She also hoped that the schoolwork and reading would distract him from the "tantalizing sounds" of children playing outside his window.  With little to entertain him, he read books as a main activity. He devoured popular novels, classics, plays, and biographies. His books, of necessity, replaced the streets of New York, and led to his interest in classical philosophy and philosophers, such as William James.  When Thalberg returned to school, he finished high school but lacked the stamina for college, which he felt would have required constant late-night studying and cramming for exams. Instead, he took part-time jobs as a store clerk, and in the evenings, to gain some job skills, taught himself typing, shorthand and Spanish at a night vocational school. When he turned 18, he placed an ad with the local newspaper hoping to find better work:  "Situation Wanted: Secretary, stenographer, Spanish, English, high school education, no experience; $15."

what was his greatest accomplishment?

OUT: 

input: Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a leine (a loose-fitting, long-sleeved tunic made of linen). For men the leine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The leine was hitched up to knee level. (Gaelicattire.com) Women wore the leine at full length. Men sometimes wore tight-fitting trews (Gaelic triubhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles.  Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair--for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life.  Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied - the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times.

Answer this question "What other things did they wear?"
output:
Women wore the leine at full length.