input: From 2005 to 2009, the Icecast stream available from the network's website was not a simulcast of the satellite radio broadcast, but was programmed separately. Initially, the webstream consisted exclusively of music with the occasional identification break, but on September 14, 2007 it was relaunched with hosts and feature content, similar to but still programmed separately from the satellite radio station. Due to funding cuts, however, the two services were merged in June 2009, such that the webstream is now a straight simulcast of the satellite radio channel.  Prior to the merger, the two services had slightly different programming strategies - the satellite radio station aired a music mix of 85 per cent Canadian and 15 per cent international, while the web service's mix was 100 per cent Canadian. With the merger of the two services, the station announced that the program mix would be 100 per cent Canadian music on both platforms, although exceptions will be permitted for international music with some Canadian character - such as international artists covering Canadian songs, collaborations between Canadian and non-Canadian artists, international artists appearing on the bill with Canadian artists when the network is airing a live concert, or "honourary [sic] Canadian" artists such as Neko Case and Rose Melberg.  In February 2009, CBC Radio 3 participated with Exclaim! and aux.tv to launch X3, a new collaborative cross-promotional platform which sees all three outlets air feature content spotlighting a particular "Artist of the Month". X3 artists of the month have included K'naan, Malajube, Thunderheist, Japandroids, Apostle of Hustle, The Rural Alberta Advantage, Owen Pallett, and Jenn Grant.  In addition to the service's conventional radio programming, any song in the network's music library can also be played on demand from the artist's profile page on the site. In May 2011, Joel Plaskett became the first artist in the network's history to reach one million on-demand plays.  In 2012, CBC Radio 3 was integrated into the new CBC Music service.

Answer this question "Did they do any webcasts after Icecast?"
output: X3,

input: After concluding touring duties for the first record, the band were taken off the road to start writing the follow up. However, the Cribs decided they still wanted to tour and took to posting their phone numbers and email addresses on the internet, professing to play anywhere for fuel money and a crate of beer. This DIY approach is something the band and label now feel was a key factor in their success, as it helped nurture a very strong, passionate fanbase.  The New Fellas, the band's second album release, was recorded with Edwyn Collins, the singer-songwriter and guitarist from Glasgow's influential Orange Juice in London at his own West Heath Studios. Again, it was a comparatively unpolished record sonically, as both the producer Collins and the band themselves were achieving sounds similar to those heard on the Orange Juice records. This was, however, the intention and the reason the band and producer were put together. "They had definite ideas what they wanted the record to sound like...They had this work ethic, there was nothing spoiled about them - they were proper indie; everything done on a shoe-string and they just got on with it....they were tremendous" - Edwyn Collins. One song, "Haunted", was even recorded on Scarborough beach on a whim, after hearing a Steve Martin ukulele duet recorded on a beach.  The first release from the record was the single "Hey Scenesters!" on 18 April 2005. It reached no. 27 in the UK charts, and started their run of 7 consecutive top 40 singles. The album followed on 20 June 2005 although it had leaked onto the internet several months prior to the official release date, hampering its first week sales. The record has however, gone on to be certified Silver by the BPI, and in a recent poll held by the NME was proved to be the overall fans favourite record. The other singles released from the record were "Mirror Kissers", "Martell", and non album track "You're Gonna Lose Us" (produced by Bernard Butler), which was paired with "The Wrong Way To Be" as a AA side. The extensive New Fellas world tour took in several UK tours, Europe, United States, Canada, Japan, Australia, Scandinavia, and their first trip to Iceland. They appeared at numerous festivals at this time, including an appearance on the main stage at Reading and Leeds Festivals (becoming the first band to ever progress through all three stages in consecutive years), headlining the tent at T in the Park, Fuji Rock festival in Japan as well as an extensive USA arena tour with Death Cab for Cutie and Franz Ferdinand. A European tour during this period with ex Pavement man Stephen Malkmus and The Jicks would introduce Gary to his future wife Joanna Bolme.  Shortly before their appearance at the Fuji Rock festival, the Cribs released a Japan-only mini album called Arigato Cockers, made up of B-sides and rarities from both the first and second albums.  In their year-end issue, the NME made The New Fellas the No. 11 album of the year, and Hey Scenesters a single of the year.

Answer this question "What were some songs from the album?"
output: One song, "Haunted",

input: After signing to Doghouse, the band drove to Chicago to record their debut full-length album with producer Bob Weston of Shellac. The album was recorded in only two days, with the band leaving on Friday after Ryan Pope got out of school and finishing in the early hours of Sunday morning. Two months after recording the album, the band embarked on their first national tour with Braid and Ethel Meserve with the first date of the tour taking place the day after Ryan's high school graduation.  It was on that tour that the band met James Dewees, the new drummer for Coalesce while the bands were playing together in Wilkes-Barre, Pennsylvania. After the show, the members of the two bands became close friends, eventually leading them to record a split 7-inch produced by Ed Rose entitled "The Get Up Kids / Coalesce". For the split, each band covered one of the other's songs in their own style. Coalesce did a post-hardcore cover of "Second Place", and The Get Up Kids recorded a power-pop rendition of "Harvest of Maturity".  A few months later, the band released their debut full-length record Four Minute Mile, bringing a great deal of attention from critics, fans and labels alike. The band was invited to join Braid on their 1998 tour of Europe and the band rapidly created an overseas fanbase.  While the band was receiving rapidly increasing national and international attention, they became unhappy with Doghouse Records' ability to keep up with the increasing popularity of the band. The Get Up Kids' announcement to leave Doghouse Records brought interest from prominent record labels including Sub Pop, Geffen and Mojo Records. The band made a decision to sign to Mojo, but before the contracts were signed, they began to have second thoughts. The main issue was over the label's insistence on owning merchandising rights, a large source of the band's income. Moreover, the band was insulted the label requested they re-record "Don't Hate Me" from Four Minute Mile for their next record, feeling that the label believed it was "the best that [they could] write". Before the deal with Mojo was official, the band met Rich Egan, founder of Los Angeles-based Vagrant Records. He convinced the band to sign to Vagrant instead, offering them $50,000 to record a second album, as well as their own imprint, Heroes & Villains Records.

Answer this question "Who were the artists in the band?"
output: