input: Pfeiffer's subsequent career choices have met with varying degrees of success. After The Age of Innocence, she played the role of Laura Alden opposite Jack Nicholson in Wolf (1994), a horror film that garnered a mixed critical reception. The New York Times wrote: "Ms. Pfeiffer's role is underwritten, but her performance is expert enough to make even diffidence compelling". The movie grossed US$65 million (equivalent to $107.3 million) at the domestic box office and US$131 million worldwide (equivalent to $216.3 million). Her next role was that of high school teacher and former US Marine LouAnne Johnson in the surprise box office hit Dangerous Minds (1995), which was co-produced under Pfeiffer's film production company Via Rosa Productions. She appeared as her character in the music video for the soundtrack's lead single, "Gangsta's Paradise" by Coolio (featuring L.V.), which was used by the producer Jerry Bruckheimer for television advertising. A 60-second version was aired on music channels, while a 30-second cut was aired in the rest of the networks. The song won the 1996 Grammy Award for Best Rap Solo Performance, and the video won the MTV Video Music Award for Best Rap Video.  In 1996, she turned down the Golden Globe Award-winning role of Eva Peron in the biopic Evita, which went to Madonna. Pfeiffer then portrayed Sally Atwater in the romantic drama Up Close & Personal (1996) opposite Robert Redford. The film's screenplay, co-written by husband and wife team John Gregory Dunne and Joan Didion, was intended to be a biographical account of the career of news anchor Jessica Savitch, but the final version had almost nothing to do with Savitch's life, leading Dunne to write an expose of his eight-year battle with the Hollywood producers, Monster: Living Off the Big Screen.  She took the role of Gillian Lewis in To Gillian on Her 37th Birthday (1996), which was adapted by her husband David Kelley from Michael Brady's play of the same name. Pfeiffer and her producing partner Guinzburg were on a winning streak of producing three back to back films next under their Via Rosa Productions header that included, One Fine Day (1996), A Thousand Acres (1997) and The Deep End of the Ocean (1998). She served as an executive producer and starred as the divorced single mother architect Melanie Parker in the romantic comedy One Fine Day (1996) opposite George Clooney, Subsequent performances included Rose Cook Lewis in the film adaptation of Jane Smiley's Pulitzer Prize-winning novel A Thousand Acres (1997) with Jessica Lange and Jennifer Jason Leigh; Beth Cappadora in The Deep End of the Ocean (1998) about a married couple who found their son who was kidnapped nine years ago; Titania the Queen of the Fairies in A Midsummer Night's Dream (1999) with Kevin Kline, Rupert Everett and Stanley Tucci; and Katie Jordan in Rob Reiner's comedy-drama The Story of Us (1999) opposite Bruce Willis.

Answer this question "Did she regret this choice?"
output: 

Question: Todd McFarlane was born on March 16, 1961 in Calgary, Alberta, Canada, to Bob and Sherlee McFarlane. He has two brothers, Curtis and Derek. Bob worked in the printing business, which led him to take work where he could find it, and as a result, during McFarlane's childhood, the family lived in thirty different places from Alberta to California. McFarlane began drawing as a hobby at an early age, and developed an interest in comics, acquiring as many as he could, and learning to draw from them.

McFarlane lost judgments in two lawsuits in the 2000s. The first was a 2002 suit which McFarlane contested with writer Neil Gaiman over the rights to some supporting Spawn characters created by Gaiman in issue No. 9 of the Spawn series and over payment for later works featuring those characters. In 1997 the two signed a deal in which Gaiman would give his share of characters Angela, Medieval Spawn and Cogliostro to McFarlane in exchange for McFarlane's share of British superhero Marvelman (in reality, what McFarlane actually owned were two trademarks for Miracleman logos, not the character, which would become clear only after the lawsuit concluded). This deal was broken by McFarlane, which motivated Gaiman to start the lawsuit. The jury was unanimous in favor of Gaiman. The two were involved in a lengthy dispute over ownership of Miracleman, but no lawsuit has been filed in that dispute. In 2009, Marvel Comics resolved the matter by purchasing the property.  The second was a December 2004 suit in which hockey player Tony Twist sued McFarlane because he named a mobster character in Spawn after Twist. The lawsuit was settled out of court for $5 million.  As of late 2012, McFarlane was suing a former employee whose name is the same as the alter ego of Spawn, Al Simmons. According to a lawsuit lodged in Arizona federal court, the real Al Simmons published a book called The Art of Being Spawn, in which Simmons purportedly suggests that his own life was the inspiration for the Spawn character. McFarlane's position was that Simmons violated the terms of his employment pact and breached his duty of loyalty. The lawsuit was settled in December 2012 when McFarlane came to an agreement with Simmons. The terms of any settlement were not made public.

Using a quote from the above article, answer the following question: Did he ever lose a lawsuit?
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Answer:
The jury was unanimous in favor of Gaiman.