Some context: Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy.
Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat.  Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes.  At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes.  It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879.
Did he have any collaborations with other artists or photographers?
A: 

Some context: Lane was born Morton Donald Isaacson at the Manhattan "Flower Hospital" in New York City to a Jewish father (Jacob) and a Catholic mother (Dolly), who later converted to Judaism. Jacob "Jack" Isaacson was a sergeant in the New York City Police Department (NYPD) and Dolly was a homemaker. He was raised in The Bronx, where he attended DeWitt Clinton High School and was classmates with Judd Hirsch and Garry Marshall. By his mid-teens, due to his mother's influential personality, Isaacson had decided he wanted to be in show business.
After leaving college, Isaacson formed a double act with his best friend Manny Glasser called "Donny and the Duke". The duo worked in local New York nightclubs for a few months before Isaacson was drafted into the US Army at age 21. He was commissioned as an officer and served in the artillery. While in the army he formed a double act with fellow soldier Murray Levine, Isaacson usually playing the comic while his partner was the straight man. The double act went on to win the All-Army entertainment contest and earned them an appearance on The Ed Sullivan Show in 1955. One year later Isaacson won the All-Army entertainment contest again as a solo act. After his mandatory service in the army, he later toured for two years entertaining troops all over the United States.  After touring the country entertaining the troops as a solo performer, Isaacson started to work his act in the New York nightclubs. It was at this time that he adopted the stage name of "Don Lane", after fellow entertainer Frankie Laine. Lane worked his act in nightclubs throughout New York, Los Angeles and the showrooms in Las Vegas. During his stint in Las Vegas, he worked alongside Wayne Newton and was often a supporting act for performers such as Sammy Davis Jr.. While in Los Angeles, Lane also worked as an actor and featured in national commercials for Coca-Cola, which Lane said "paid the bills for years". He then returned to New York and performed at weddings, nightclubs and parties.  In 1964 Lane was offered a contract to be the headline act at The Dunes Nightclub in Honolulu, Hawaii. This was his first offer to become a headliner and first guaranteed contract as a solo performer. Due to the lucrative offer The Dunes Nightclub made to him, he quickly relocated to Honolulu, where he first started to enjoy success as a headline performer. It was in Hawaii that he met his first wife, Gina, who was an exotic dancer.
did they perform in the USA?
A:
After touring the country entertaining the troops as a solo performer, Isaacson started to work his act in the New York nightclubs.