IN: Harold Frederick Shipman (14 January 1946 - 13 January 2004) was a British general practitioner and one of the most prolific serial killers in recorded history. On 31 January 2000, a jury found Shipman guilty of fifteen murders for killing patients under his care. He was sentenced to life imprisonment with the recommendation that he never be released. The Shipman Inquiry, a two-year-long investigation of all deaths certified by Shipman, which was chaired by Dame Janet Smith, examined Shipman's crimes.

Shipman's trial began at Preston Crown Court on 5 October 1999. Shipman was charged with the murders of Marie West, Irene Turner, Lizzie Adams, Jean Lilley, Ivy Lomas, Muriel Grimshaw, Marie Quinn, Kathleen Wagstaff, Bianka Pomfret, Norah Nuttall, Pamela Hillier, Maureen Ward, Winifred Mellor, Joan Melia and Kathleen Grundy by lethal injections of diamorphine, all between 1995 and 1998. His legal representatives tried, but failed, to have the Grundy case, where a clear motive was alleged, tried separately from the others, where no motive was apparent.  On 31 January 2000, after six days of deliberation, the jury found Shipman guilty of 15 counts of murder and one count of forgery. Mr Justice Forbes subsequently sentenced Shipman to life imprisonment on all 15 counts of murder, with a recommendation that he never be released, to be served concurrently with a sentence of four years for forging Grundy's will. On 11 February 2000, ten days after his conviction, the General Medical Council formally struck Shipman off its register. Two years later, Home Secretary David Blunkett confirmed the judge's whole life tariff, just months before British government ministers lost their power to set minimum terms for prisoners.  While many additional charges could have been brought, authorities concluded that a fair hearing would be impossible in view of the enormous publicity surrounding the original trial. Furthermore, the 15 life sentences already handed down rendered further litigation unnecessary.  Shipman consistently denied his guilt, disputing the scientific evidence against him. He never made any public statements about his actions. Shipman's wife, Primrose, steadfastly maintained her husband's innocence, even after his conviction.  Shipman is the only doctor in the history of British medicine found guilty of murdering his patients. John Bodkin Adams was charged in 1957 with murdering a patient, amid rumours he had killed dozens more over a ten-year period and "possibly provided the role model for Shipman". However, he was acquitted. Historian Pamela Cullen has argued that because of Adams' acquittal, there was no impetus to examine the flaws in the British system until the Shipman case.

What was his wife's reaction to these accusations?

OUT: Shipman's wife, Primrose, steadfastly maintained her husband's innocence, even after his conviction.

input: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later.  Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling.  Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.  According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star.

Answer this question "Did that record have any big hits?"
output: