Question:
A choir () (also known as a quire, chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the Medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm and face gestures.
Composers of the late 18th century became fascinated with the new possibilities of the symphony and other instrumental music, and generally neglected choral music. Mozart's choral works, though not as numerous as his works for other media, stand out as some of his greatest (such as the "Great" Mass in C minor and Requiem in D minor, the latter of which is often considered the greatest Requiem Mass of all time). Haydn became more interested in choral music near the end of his life following his visits to England in the 1790s, when he heard various Handel oratorios performed by large forces; he wrote a series of masses beginning in 1797 and his two great oratorios The Creation and The Seasons. Beethoven wrote only two masses, both intended for liturgical use, although his Missa solemnis is probably suitable only for the grandest ceremonies due to its length, difficulty and large-scale scoring. He also pioneered the use of chorus as part of symphonic texture with his Ninth Symphony and Choral Fantasia.  In the 19th century, sacred music escaped from the church and leaped onto the concert stage, with large sacred works unsuitable for church use, such as Berlioz's Te Deum and Requiem, and Brahms's Ein deutsches Requiem. Rossini's Stabat mater, Schubert's masses, and Verdi's Requiem also exploited the grandeur offered by instrumental accompaniment. Oratorios also continued to be written, clearly influenced by Handel's models. Berlioz's L'enfance du Christ and Mendelssohn's Elijah and St Paul are in the category. Schubert, Mendelssohn, and Brahms also wrote secular cantatas, the best known of which are Brahms's Schicksalslied and Nanie.  A few composers developed a cappella music, especially Bruckner, whose masses and motets startlingly juxtapose Renaissance counterpoint with chromatic harmony. Mendelssohn and Brahms also wrote significant a cappella motets. The amateur chorus (beginning chiefly as a social outlet) began to receive serious consideration as a compositional venue for the part-songs of Schubert, Schumann, Mendelssohn, Brahms, and others. These 'singing clubs' were often for women or men separately, and the music was typically in four-part (hence the name "part-song") and either a cappella or with simple instrumentation. At the same time, the Cecilian movement attempted a restoration of the pure Renaissance style in Catholic churches.
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What is most interesting about music of this type?

Answer:
In the 19th century, sacred music escaped from the church and leaped onto the concert stage, with large sacred works unsuitable for church use, such as

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The Darkness are an English rock band from Lowestoft, Suffolk, formed in 2000. The band consists of Justin Hawkins (lead vocals, guitar), his brother Dan Hawkins (guitar, backing vocals), Frankie Poullain (bass, backing vocals) and Rufus Tiger Taylor (drums). The Darkness came to prominence with the release of their debut album, Permission to Land, in 2003. Backed by the singles "I Believe in a Thing Called Love", "Growing on Me", "Get Your Hands off My Woman", and "Love is Only a Feeling", the album was certified quadruple platinum in the United Kingdom, with sales of over 1,300,000.
The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire. The Darkness were renowned for their live show, and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal.  The band already had music industry interest from their days as Empire through connections with Sue Whitehouse, who was based at Savage & Best in Camden. Joe Taylor, Aled Jones and Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002. They started Record of the Day, and featured the song again around the time of SXSW in March 2003. They wanted to feature Friday Night too but they were told the band was saving it for an album.  According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band, "There couldn't have been less of a buzz, and only two record labels showed any interest in them." He believes the reason for lack of interest was that "The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real." However, throughout their career critics around the world would label them as a "joke band." As part of Sony Music UK, Raphael had attempted to sign them but the band instead opted to go with Atlantic Records.

What is the history of The Darkness band?
The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire.