Background: The Temptations are an American vocal group who released a series of successful singles and albums with Motown Records during the 1960s and 1970s; their work with producer Norman Whitfield, which started with the Top 10 hit single "Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and flashy wardrobe. Having sold tens of millions of albums, the Temptations are one of the most successful groups in music history. Featuring five male vocalists and dancers (save for brief periods with fewer or more members), the group formed in 1960 in Detroit, Michigan under the name The Elgins.
Context: In May 1971, the Temptations finally found a permanent replacement for the first tenor position in twenty-year-old Baltimore native Damon Harris. Otis Williams, Edwards, Franklin, Street, and Harris continued recording and performing, and Norman Whitfield continued producing hits for them. There were Top 40 hits such as "Superstar (Remember How You Got Where You Are)" (1971), a message from the Temptations to David Ruffin and Eddie Kendricks, and "Take a Look Around" (1972). During this period, the group toured with Quiet Elegance as their back-up singers. Quiet Elegance featured Lois Reeves, the sister of Martha Reeves, alongside Frankie Gearing and Millie Vaney-Scott.  Late 1972 saw the release of "Papa Was a Rollin' Stone", a magnum opus written by Norman Whitfield and Barrett Strong and produced by Whitfield. Originally a three-minute record written and produced for the Undisputed Truth, Whitfield took the somber tune and created a sprawling, dramatic twelve-minute version for the Temptations--a forerunner of the extended single, soon to become popular in clubs and discotheques. An edited seven-minute version was released as a single and became one of the longest hit singles in music history: it hit number 1 on the pop charts and number 5 on the R&B charts. In 1973, "Papa Was a Rollin' Stone" won the Temptations their second Grammy for Best R&B Performance by a Group. Whitfield and arranger/conductor Paul Riser won the award for Best R&B Instrumental Performance for the instrumental version on the B-side, and Whitfield and Barrett Strong won the songwriting Grammy for Best R&B Song.  After "Papa Was a Rollin' Stone", Whitfield stopped working with Barrett Strong, and began writing the Temptations' material on his own. The success of "Papa" led Whitfield to create more elongated, operatic pieces, including the Top 10 hit "Masterpiece" (1973) and several of the tracks on the resulting Masterpiece album. Tensions developed between Whitfield and the group, who found Whitfield arrogant and difficult to work with, and the group citing his habitual tardiness, his emphasis of the instrumental tracks at the expense of their vocals on many of his productions, and the declining singles and albums sales as other sources of conflict, sought to change producers. Otis Williams complained about Whitfield's actions and the Temptations' stagnant sales to Berry Gordy; as a result, the group was reassigned to Jeffrey Bowen, co-producer of the 1967 In a Mellow Mood album.  The final Norman Whitfield-produced Temptations album, 1990, was released in December 1973, and included the Top 30 single "Let Your Hair Down". Shortly afterwards, Whitfield left Motown, and in 1975 established Whitfield Records, taking the Undisputed Truth and Willie Hutch with him, along with Rose Royce---who performed an instrumental track for "Let Your Hair Down" before recording their 1976 smash "Car Wash."
Question: Are there any other interesting aspects about this article?
Answer: " (1972). During this period, the group toured with Quiet Elegance as their back-up singers.

Background: Tool is an American rock band from Los Angeles, California. Formed in 1990, the group's line-up includes drummer Danny Carey, guitarist Adam Jones, and vocalist Maynard James Keenan. Justin Chancellor has been the band's bassist since 1995, replacing their original bassist Paul D'Amour. Tool has won three Grammy Awards, performed worldwide tours, and produced albums topping the charts in several countries.
Context: During the 1980s, each of the future members of Tool moved to Los Angeles. Both Paul D'Amour and Adam Jones wanted to enter the film industry, while Maynard James Keenan found employment remodeling pet stores after having studied visual arts in Michigan. Danny Carey and Keenan performed for Green Jelly, and Carey played with Carole King and Pigmy Love Circus.  Keenan and Jones met through a mutual friend in 1989. After Keenan played a tape recording for Jones of his previous band project, Jones was so impressed by his voice that he eventually talked his friend into forming their own band. They started jamming together and were on the lookout for a drummer and a bass player. Carey happened to live above Keenan and was introduced to Jones by Tom Morello, an old high school friend of Jones and former member of Electric Sheep. Carey began playing in their sessions because he "felt kinda sorry for them," as other invited musicians were not showing up. Tool's lineup was completed when a friend of Jones introduced them to bassist D'Amour. Early on, the band fabricated the story that they formed because of the pseudophilosophy "lachrymology". Although "lachrymology" was also cited as an inspiration for the band's name, Keenan later explained their intentions differently: "Tool is exactly what it sounds like: It's a big dick. It's a wrench. ... we are ... your tool; use us as a catalyst in your process of finding out whatever it is you need to find out, or whatever it is you're trying to achieve."  After almost two years of practicing and performing locally in the Los Angeles area, the band was approached by record companies, and eventually signed a record deal with Zoo Entertainment. In March 1992, Zoo published the band's first effort, Opiate. Described by the band as "slam and bang" heavy music and the "hardest sounding" six songs they had written to that point, the EP included the singles "Hush" and "Opiate". The band's first music video, "Hush", promoted their dissenting views about the then-prominent Parents Music Resource Center and its advocacy of the censorship of music. The video featured the band members naked with their genitalia covered by parental advisory stickers and their mouths covered by duct tape. The band began touring with Rollins Band, Fishbone, Rage Against the Machine, White Zombie, and Corrosion of Conformity, to positive responses, which Janiss Garza of RIP Magazine summarized in September 1992 as a "buzz" and "a strong start".
Question: Who were some band members?
Answer:
Tool's lineup was completed when a friend of Jones introduced them to bassist D'Amour.