Problem: Background: "Good Vibrations" is a song composed by Brian Wilson with words by Mike Love for the American rock band the Beach Boys, of which both were members. Released on October 10, 1966, the single was an immediate critical and commercial hit, topping record charts in several countries including the US and UK. Characterized by its complex soundscapes, episodic structure, and subversions of pop music formula, it was the costliest single ever recorded at the time of its release. "Good Vibrations" later became widely acclaimed as one of the greatest masterpieces of rock music.
Context: Another tape splice occurs at 2:13, transitioning to an electric organ playing sustained chords set in the key of F accompanied by a maraca shaken on every beat. Sound on Sound highlights this change as the "most savage edit in the track ... most people would go straight into a big splash hook-line section. Brian Wilson decided to slow the track even further, moving into a 23-bar section of church organ ... Most arrangers would steer clear of this kind of drop in pace, on the grounds that it would be chart suicide, but not Brian." Harrison says:  The appearance of episode 1 was unusual enough but could be explained as an extended break between verse and refrain sections. Episode 2 however, makes that interpretation untenable, and both listener and analyst must entertain the idea that "Good Vibrations" develops under its own power, as it were, without the guidance of overdetermined formal patterns. Brian's  [sic] own description of the song--a three-and-a-half-minute 'pocket symphony'--is a telling clue about his formal ambitions here.  The slowed pace is complemented by the lyric ("Gotta keep those loving good vibrations a-happening with her"), sung once first as a solo voice, with the melody repeated an octave higher the second time with an accompanying harmony. This two-part vocal fades as a solo harmonica plays a melody on top of the persistent quarter-note bass line and maraca that maintain the only rhythm throughout Episode 2. The section ends with a five-part harmony vocalizing a whole-note chord that is sustained by reverb for a further four beats. Lambert calls it the song's "wake-up chord at the end of the meditation that transports the concept into a whole new realm: it's an iconic moment among iconic moments. As it rouses us from a blissful dream and echoes into the silence leading into the chorus, it seems to capture every sound and message the song has to say."
Question: Who made this statement about Brian Wilson ?
Answer: 

Problem: Background: Arthur Stanley Jefferson was born in his grandparents' house on 16 June 1890 at 3 Argyle Street, Ulverston, Lancashire in north west England. He had two brothers and a sister. His parents, Margaret (nee Metcalfe) and Arthur Jefferson, were both active in the theatre and always very busy. In his early years, the boy spent much time living with his maternal grandmother, Sarah Metcalfe.
Context: In 1941, Laurel and Hardy signed a contract at 20th Century Fox to make ten films over five years. During the war years, their work became more standardised and less successful, though The Bullfighters and Jitterbugs did receive some praise.  In 1947, Laurel returned to England when he and Hardy went on a six-week tour of the United Kingdom, and the duo were mobbed wherever they went. Laurel's homecoming to Ulverston took place in May, and the duo were greeted by thousands of fans outside the Coronation Hall. The Evening Mail noted: "Oliver Hardy remarked to our reporter that Stan had talked about Ulverston for the past 22 years and he thought he had to see it." The tour included a Royal Command Performance for King George VI and Queen Elizabeth in London. The success of the tour led them to spend the next seven years touring the UK and Europe.  Around this time, Stan found out that he had diabetes, so he encouraged Ollie to find solo projects and he did, taking parts in John Wayne and Bing Crosby films.  In 1950, Laurel and Hardy were invited to France to make a feature film. The film was a disaster, a Franco-Italian co-production titled Atoll K. (The film was entitled Utopia in the US and Robinson Crusoeland in the UK.) Both stars were noticeably ill during the filming. Upon returning to the United States, they spent most of their time recovering. In 1952, Laurel and Hardy toured Europe successfully, and they returned in 1953 for another tour of the continent. During this tour, Laurel fell ill and was unable to perform for several weeks.  In May 1954, Hardy had a heart attack and cancelled the tour. In 1955, they were planning to do a television series called Laurel and Hardy's Fabulous Fables based on children's stories. The plans were delayed after Laurel suffered a stroke on 25 April 1955, from which he recovered. But as the team was planning to get back to work, his partner Hardy had a massive stroke on 14 September 1956, which resulted in his being unable to return to acting.
Question: what films did they make during this period?
Answer:
The Bullfighters and Jitterbugs