Answer the question at the end by quoting:

Musial was born in Donora, Pennsylvania, the fifth of the six children (four girls and two boys) of Lukasz and Mary (Lancos) Musial (, MOO-show). His mother was of Carpatho-Rusyn descent and his father was a Polish immigrant who chose the name Stanislaw Franciszek for his first son, though his father always referred to Musial using the Polish nickname Stasiu, pronounced "Stashu". Musial frequently played baseball with his brother Ed and other friends during his childhood, and considered Lefty Grove his favorite ballplayer. Musial also had the benefit of learning about baseball from his neighbor Joe Barbao, a former minor league pitcher.
Musial's rookie year with Williamson in 1938 was a period of adjustment both on and off the field. He began gaining more in-depth knowledge about baseball strategy while posting a 6-6 win-loss record and a 4.66 earned run average (ERA), to go along with a .258 batting average. Off the field, he experienced feelings of homesickness while learning to live comfortably and independently on his $65-per-month salary. Musial finished his high school education before returning to Williamson in spring 1939. That season his numbers improved to a 9-2 record, a 4.30 ERA, and a .352 batting average.  Musial spent the 1940 season with the Cardinals' other Class D team, the Daytona Beach Islanders, where he developed a lifelong friendship with manager Dickie Kerr. His pitching skills improved under the guidance of Kerr, who also recognized his hitting talent, playing him in the outfield between pitching starts. On May 25, 1940, Musial married fellow Donora resident, Lillian "Lil" Labash, in Daytona Beach, and the couple's first child followed in August. During late August, Musial suffered a shoulder injury while playing in the outfield, and later made an early exit as the starting pitcher in a 12-5 playoff game loss. For a while Musial considered leaving baseball entirely, complaining that he could not afford to support himself and his wife on the $16 a week pay. Kerr talked him out of it, and even took the Musials into his own home to relieve the financial burden. To repay the debt Musial bought Kerr a $20,000 home in Houston in 1958. In 113 games in 1940 he hit .311, while compiling an 18-5 pitching record that included 176 strikeouts and 145 walks.  Musial was assigned to the Class AA Columbus Red Birds to begin 1941, though manager, Burt Shotton, and Musial himself quickly realized that the previous year's injury had considerably weakened his arm. He was reassigned to the Class C Springfield Cardinals as a full-time outfielder, and he later credited manager Ollie Vanek for displaying confidence in his hitting ability. During 87 games with Springfield, Musial hit a league-leading .379 before being promoted to the Rochester Red Wings of the International League. He was noted for his unique batting stance, a crouch in which his back was seemingly square to the pitcher. This stance was later described by pitcher Ted Lyons as "a kid peeking around the corner to see if the cops were coming". According to a 1950 description by author Tom Meany, "The bent knees and the crouch give him the appearance of a coiled spring, although most pitchers think of him as a coiled rattlesnake." Musial continued to play well in Rochester--in one three-game stretch, he had 11 hits. He was called up to the Cardinals for the last two weeks of the 1941 season.

Did he do well?

6-6 win-loss record and a 4.66 earned run average (ERA), to go along with a .258 batting average.



Answer the question at the end by quoting:

Wentz was born Peter Lewis Kingston Wentz III, in Wilmette, Illinois, an affluent suburb of Chicago. He is the son of Dale (nee Lewis), a high school admissions counselor, and Pete Wentz II, an attorney. He is of English and German descent on his father's side and Afro-Jamaican on his mother's side. He has a younger sister, Hillary, and a younger brother, Andrew.
Wentz has written a book entitled The Boy With the Thorn in His Side, a story based on nightmares he had as a child. The title is a reference to a track on The Smiths' album The Queen Is Dead. Wentz explained that writing books serves as another mode of self-expression other than songwriting: "My inspiration and my ideas don't begin and end at the beginning and the ending of a song. It is too limiting." It was reported that he was to publish another book, entitled Rainy Day Kids, but years went by without any word on the book's progress, and Wentz even expressed on his  Twitter account that he didn't think it would ever come to fruition. However, in February 2012, he posted a photo on his personal blog of what appeared to be a rough draft of the book's manuscript, explaining that he was currently in the process of editing Rainy Day Kids and that it would be 40-50 pages longer than he originally expected. On December 13, 2012, Wentz revealed the cover for the book, now titled Gray, on his personal blog. The book, which was written with MTV News writer and former FNMTV co-host James Montgomery, was released on February 26, 2013.  In June 2009, it was announced that Wentz was working on a five-issue comic book mini-series called Fall Out Toy Works, to be published by Image Comics. The idea was conceived by Wentz and designer Darren Romanelli. The plot is loosely based on the Fall Out Boy song "Tiffany Blews" and focuses on "a mysterious toymaker, a cyborg gal named Tiffany and a kid in a bear suit that looks lifted from the cover of Fall Out Boy's Folie a Deux." With writing by Brett Lewis, and art by Sam Basri, the first issue was released on September 2, 2009.

How did the public take the book?