Question:
Criss Angel was born on December 19, 1967, at Hempstead General Hospital in Hempstead, on Long Island, New York. He is of Greek descent. Angel was raised in Elmont until fourth grade, when his family moved to East Meadow, New York. His father, John Sarantakos, owned a restaurant and doughnut shop.
On October 20, 2002, Angel performed in the ABC Family television special named Criss Angel Mindfreak: Postmodern illusionist, an hour-long performance and tribute to Harry Houdini. The special aired again on December 24, 2002 on Channel 4 in the UK. The Birmingham Evening Mail reviewed the show, writing, "Criss Angel is currently making a name for himself as a more provocative, darker alternative to [other illusionists]. He walks the streets of New York, hypnotising passers-by, turning cups of take-away coffee into cockroaches and suspending himself from the ceiling by inserting hooks into his back. The piece de resistance of all these mind games is an update of the Houdini underwater trick - an attempt to stay in a (cell) tank of water for 24 hours, padlocked and restrained. All seems to be going well, until the filter system breaks down and the water begins to heat up."  On October 31, 2003 SciFi Channel aired the one-hour special Supernatural starring Angel. Kate O'Hare said of the special that, "Filmed in part at Universal Theme Park in Orlando, Fla., "Supernatural" finds Angel crawling up buildings, passing a quarter through his skin, spontaneously combusting and having otherworldly creatures burst from his chest." When asked about his process in creating television specials, Angel said that, "I like to have my hand in everything on my TV specials. I'm the executive producer; I direct it; I create it. I write all the music for my TV specials and my live performances. It's on my label. I write it; I produce it." During the special Angel performed stunts including lighting himself on fire and making a tarantula emerge from a pedestrian's soda can. In 2003, Angel was also featured in the two-hour TBS special Made in Japan.  In early 2003, Angel performed at the release of the new branding for Miller Lite beer in Milwaukee, Wisconsin on the 80th anniversary of Houdini's last performance in that city. For the performance, he was suspended ten stories in the air and bound in a straitjacket, from which he escaped. He also performed an illusion at Ozzfest in 2005. During this period Angel also earned money selling signed merchandise, making up to $50,000 a day.
Answer this question using a quote from the text above:

Did he perform on tv

Answer:
Angel performed in the ABC Family television special named Criss Angel Mindfreak: Postmodern illusionist,

Answer the question at the end by quoting:

At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released in July 1971 in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "
At Fillmore East was recorded over two nights -- March 12 and 13, 1971 -- for which the band was paid $1250 each show. The shows were typical performances for the band, and regarded as slightly above average by drummer Jai Johanny Johanson. Ads for the shows read: "Bill Graham Presents in New York -- Johnny Winter And, Elvin Bishop Group, Extra Added Attraction: Allman Brothers." While Winter was billed as headliner, by the third night the Allman Brothers were closing the show.  Tom Dowd produced At Fillmore East; he had previously worked on their second studio album, Idlewild South. He had recently returned from Africa from working on the film Soul to Soul, and stayed in New York several days to oversee the live recording. "It was a good truck, with a 16-track machine and a great, tough-as-nails staff who took care of business," recalled Dowd. He gave the staff suggestions and noted the band had two lead guitarists and two drummers, "which was unusual, and it took some foresight to properly capture the dynamics." Things went smoothly until the band unexpectedly brought out saxophonist Rudolph "Juicy" Carter, an unknown horn player, and longstanding "unofficial" band member Thom Doucette on harmonica. "I was just hoping we could isolate them, so we could wipe them and use the songs, but they started playing and the horns were leaking all over everything, rendering the songs unusable," said Dowd. He rushed to Duane during the break to tell him to cut the horn players; while Duane loved the players, he put up no fight with Dowd. The final show was delayed because of a bomb scare, and did not end until 6 am.  Each night following the shows, the musicians and Dowd would "grab some beers and sandwiches" and head to Manhattan's Atlantic Studios to go over the performances. Set lists for following shows were crafted by listening to the recordings and going over what they could keep and what they would need to capture once more. "We wanted to give ourselves plenty of times to do it because we didn't want to go back and overdub anything, because then it wouldn't have been a real live album," said Gregg Allman, and in the end, the band only edited out Doucette's harmonica when it didn't fit. "That was our pinnacle," said Dickey Betts later. "The Fillmore days are definitely the most cherished memories that I have. If you asked everybody in the band, they would probably say that."  On June 27, the Fillmore East closed, and the band were invited to play a final, invitation-only concert, along with Edgar Winter, the Beach Boys and Country Joe McDonald. The Beach Boys initially refused to perform unless they headlined the event, but Graham refused, telling them that the Allman Brothers would be closing the show, and they were free to leave if they disagreed. The Allman Brothers' performance was used for additional tracks when an expanded version of At Fillmore East, The Fillmore Concerts, was reissued on CD.

was this an expensive album to produce?
the band was paid $1250 each show. The shows were typical performances for the band,