Answer the question at the end by quoting:

Vijay Dhondopant Tendulkar was born on 6 January 1928 in Girgaon, Mumbai, Maharashtra, where his father held a clerical job and ran a small publishing business. The literary environment at home prompted young Vijay to take up writing. He wrote his first story at age six. He grew up watching western plays and felt inspired to write plays himself.
Tendulkar began his career writing for newspapers. He had already written a play, Amcyavar Kon Prem Karnar (aamcyaavrr konn prem krnnaar Who will Love us?), and he wrote the play, Grhastha (The Householder), in his early 20s. The latter did not receive much recognition from the audience, and he vowed never to write again.  Breaking the vow, in 1956 he wrote Srimant, which established him as a good writer. Srimant jolted the conservative audience of the times with its radical storyline, wherein an unmarried young woman decides to keep her unborn child while her rich father tries to "buy" her a husband in an attempt to save his social prestige.  Tendulkar's early struggle for survival and living for some time in tenements ("cal/chawls") in Mumbai provided him first-hand experience about the life of urban lower middle class. He thus brought new authenticity to their depiction in Marathi theatre. Tendulkar's writings rapidly changed the storyline of modern Marathi theatre in the 1950s and the 60s, with experimental presentations by theatre groups like Rangayan. Actors in these theatre groups like Shriram Lagoo, Mohan Agashe, and Sulabha Deshpande brought new authenticity and power to Tendulkar's stories while introducing new sensibilities in Marathi theatre.  Tendulkar wrote the play Gidhade (The Vultures) in 1961, but it was not produced until 1970. The play was set in a morally collapsed family structure and explored the theme of violence. In his following creations, Tendulkar explored violence in its various forms: domestic, sexual, communal, and political. Thus, Gidhade proved to be a turning point in Tendulkar's writings with regard to establishment of his own unique writing style.  Based on a 1956 short story, Die Panne ("Traps") by Friedrich Durrenmatt, Tendulkar wrote the play, Santata! Court Calu Ahe ("Silence! The Court Is in Session"). It was presented on the stage for the first time in 1967 and proved as one of his finest works. Satyadev Dubey presented it in movie form in 1971 with Tendulkar's collaboration as the screenplay writer.

Was that a play or novel?

and he wrote the play,



Answer the question at the end by quoting:

AKB48 (pronounced A.K.B. Forty-eight) are a Japanese idol girl group named after the Akihabara (Akiba for short) area in Tokyo, where the group's theater is located. The group has expanded since then to include over 130 members as of December 2015, aged from their early teens to their mid-20s. AKB48's producer, Yasushi Akimoto, wanted to form a girl group with its own theater (unlike pop groups performing occasional concerts and seen on television) and performing daily so fans could always see them live. This "idols you can meet" concept includes teams which can rotate performances and perform simultaneously at several events and "handshake" events, where fans can meet group members.
The group has publicized special events to choose the promotional and recording lineups for some of its singles. In 2009, the concept of senbatsu sosenkyo (Xuan Ba Zong Xuan Ju , "selection general election") was introduced, which allowed fans to vote their favorite members into the promotional line up or senbatsu (Xuan Ba , "selection") for one of their annual singles. Ballots are obtained by purchasing the group's latest "election single", or, alternatively, through the group's mobile app products and fan club subscriptions. Top vote getting members are heavily promoted, with the winner getting the centerpiece of the group's live performances of the single. The total pool of votes counted has exceeded three million votes for individual events since 2015. Fans have reportedly bought hundreds of copies of singles to vote for their favorite members.  Another selection method, AKB48's rock-paper-scissors tournaments, was introduced in 2010 for the group's 19th single ("Chance no Junban") and has recurred as an annual event. Members of AKB48 and its sister groups compete in the knockout tournament to be part of the recording and promotional lineup for the group's next single, with participants wearing a variety of costumes. Starting with 2014, the tournament does not determine the promotional line up of a single anymore. Instead, the winner would debut as a soloist or, if she was already a soloist, would perform a solo concert.  AKB48 has also used the general election scheme to determine set lists for an annual Request Hour (rikuesutoawa, rikuesuto awa) show. Other annual events include an AKB48 group only version of Kohaku Uta Gassen and the AKB group draft meeting (AKB48gurupu dorahutoHui Yi , AKB48 gurupu dorafuto kaigi), in which all teams from any of the sister groups chose new members from a pre-selected group of applicants.

did they have any other events?
AKB48 has also used the general election scheme to determine set lists