Problem: Background: Marshall Bruce Mathers III (born October 17, 1972), known professionally as Eminem (often stylized as EMIN3M), is an American rapper, songwriter, record producer, record executive, and actor. Eminem is the best-selling artist of the 2000s in the United States. Throughout his career, he has had 10 number-one albums on the Billboard 200 and five number-one singles on the Billboard Hot 100. With 47.4 million albums sold in the US and 220 million records globally, he is among the world's best-selling artists of all time.
Context: Eminem attracted more attention when he developed Slim Shady, a sadistic, violent alter ego. The character allowed him to express his anger with lyrics about drugs, rape, and murder. In the spring of 1997 he recorded his debut EP, the Slim Shady EP, which was released that winter by Web Entertainment. The EP, with frequent references to drug use, sexual acts, mental instability and violence, also explored the more-serious themes of dealing with poverty and marital and family difficulties and revealed his direct, self-deprecating response to criticism. Hip-hop magazine The Source featured Eminem in its "Unsigned Hype" column in March 1998.  After he was evicted from his home, Eminem went to Los Angeles to compete in the 1997 Rap Olympics, an annual, nationwide battle rap competition. He placed second, and Interscope Records staff in attendance sent a copy of the Slim Shady EP to company CEO Jimmy Iovine. Iovine played the tape for record producer Dr. Dre, founder of Aftermath Entertainment and founding member of hip-hop group N.W.A. Dre recalled, "In my entire career in the music industry, I have never found anything from a demo tape or a CD. When Jimmy played this, I said, 'Find him. Now.'" Although his associates criticized him for hiring a white rapper, he was confident in his decision: "I don't give a fuck if you're purple; if you can kick it, I'm working with you." Eminem had idolized Dre since listening to N.W.A. as a teenager, and was nervous about working with him on an album: "I didn't want to be starstruck or kiss his ass too much ... I'm just a little white boy from Detroit. I had never seen stars, let alone Dr. Dre." He became more comfortable working with Dre after a series of productive recording sessions.  Eminem released The Slim Shady LP in February 1999. Although it was one of the year's most popular albums (certified triple platinum by the end of the year), he was accused of imitating the style and subject matter of underground rapper Cage. The album's popularity was accompanied by controversy over its lyrics; in "'97 Bonnie and Clyde" Eminem describes a trip with his infant daughter when he disposes of his wife's body, and in "Guilty Conscience" which encourages a man to murder his wife and her lover. "Guilty Conscience" marked the beginning of a friendship and musical bond between Dr. Dre and Eminem. The label-mates later collaborated on a number of hit songs ("Forgot About Dre" and "What's the Difference" from Dr. Dre's album 2001, "Bitch Please II" from The Marshall Mathers LP, "Say What You Say" from The Eminem Show, "Encore/Curtains Down" from Encore, and "Old Time's Sake" and "Crack a Bottle" from Relapse), and Dre made at least one guest appearance on each of Eminem's Aftermath albums. The Slim Shady LP has been certified quadruple platinum by the RIAA.
Question: Were there any other hits from the album?
Answer: "'97 Bonnie and Clyde" Eminem describes a trip with his infant daughter when he disposes of his wife's body, and in "Guilty Conscience"

Background: Dinesh Joseph D'Souza (; born April 25, 1961) is an Indian American right-wing political commentator, author, and filmmaker. From 2010 to 2012, he was president of The King's College, a Christian school in New York City. Born in Bombay, D'Souza came to the United States as an exchange student and graduated from Dartmouth College. He became a naturalized citizen in 1991.
Context: In March 2013, D'Souza announced work on a documentary film titled America: Imagine the World Without Her for release in 2014. America was marketed to political conservatives and through Christian marketing firms. The Washington Times states that D'Souza is saying that Americans no longer have past heroes like Washington, Lincoln, and Reagan, but "we do have us" in "our struggle for the restoration of America."  Lions Gate Entertainment released America in three theaters on June 27, 2014 and expanded its distribution on the weekend of the U.S. holiday Independence Day on July 4, 2014. CinemaScore reported that the opening-weekend audiences gave the film an "A+" grade. The film grossed $14.4 million, which made it the highest-grossing documentary in the United States in 2014.  The film review website Metacritic surveyed 11 movie critics and assessed 10 reviews as negative and 1 as mixed, with none being positive. It gave an aggregate score of 15 out of 100, which indicates "overwhelming dislike". The similar website Rotten Tomatoes surveyed 24 critics and, categorizing the reviews as positive or negative, assessed 22 as negative and 2 as positive. Of the 24 reviews, it determined an average rating of 2.9 out of 10. The website gave the film an overall score of 8% and said of the consensus, "Passionate but poorly constructed, America preaches to the choir." The Hollywood Reporter's Paul Bond said the film performed well in its limited theatrical release, "overcoming several negative reviews in the mainstream media". Bond reported, "Conservatives... seem thrilled with the movie."  John Fund of National Review said the documentary was a response to U.S. progressive critique of the country, "D'Souza's film and his accompanying book are a no-holds-barred assault on the contemporary doctrine of political correctness." Fund said D'Souza's message was "deeply pessimistic" but concluded, "Most people will leave the theater with a more optimistic conclusion: Much of the criticism of America taught in the nation's schools is easily refuted, America is worth saving, and we have the tools to do so in our DNA, just waiting to be harnessed." National Review's Jay Nordlinger said, "Dinesh is the anti-Moore: taking to the big screen to press conservative points... The shame narrators (let's call them) focus on maybe 20 percent of the American story. Dinesh simply puts the other 80 percent back in." In a second article, Jay Nordlinger said, "The second movie confirms for me that one of Dinesh's great advantages is that he is absolutely clear-eyed about the Third World. While liberal Americans romanticize it, he has lived it."
Question: Does the film address religion?
Answer:
harnessed." National Review's Jay Nordlinger said, "Dinesh is the anti-Moore: taking to the big screen to press conservative points...