Problem: Willson was born in Mason City, Iowa, to John David Willson and Rosalie Reiniger Willson, and he had a brother two years his senior, John Cedrick, and a sister 12 years his senior, the children's author Dixie Willson. He attended Frank Damrosch's Institute of Musical Art (which later became the Juilliard School) in New York City. He married his high school sweetheart, Elizabeth "Peggy" Wilson, on August 29, 1920. A flute and piccolo player, Willson was a member of John Philip Sousa's band (1921-1923), and the New York Philharmonic Orchestra under Arturo Toscanini (1924-1929).

His work in films included composing the score for Charlie Chaplin's The Great Dictator (1940) (Academy Award nomination for Best Original Score), and arranging music for the score of William Wyler's The Little Foxes (1941) (Academy Award nomination for Best Music Score of a Dramatic Picture).  During World War II, he worked for the United States' Armed Forces Radio Service. His work with the AFRS teamed him with George Burns, Gracie Allen and Bill Goodwin. He would work with all three as the bandleader, and a regular character, on the Burns and Allen radio program. He played a shy man, always trying to get advice on women. His character was ditsy as well, basically a male version of Gracie Allen's character.  In 1942, Willson had his own program on NBC. Meredith Willson's Music was a summer replacement for Fibber McGee and Molly. Sparkle Time, which ran on CBS in 1946-47, was Willson's first full-season radio program.  Returning to network radio after WWII, he created the Talking People, a choral group that spoke in unison while delivering radio commercials. He also became the musical director for The Big Show, a prestigious comedy-variety program hosted by actress Tallulah Bankhead and featuring some of the world's most respected entertainers. Willson himself became part of one of the show's very few running gags, beginning replies to Bankhead's comments or questions with "well, sir, Miss Bankhead . . ." Willson wrote the song "May the Good Lord Bless and Keep You" for the show. Bankhead spoke the lyrics over the music at the end of each show. He also worked on Jack Benny's radio program, and hosted his own program in 1949. For a few years in the early 1950s, Willson was a regular panelist on the Goodson-Todman game show The Name's the Same.  In 1950 Willson served as Musical Director for The California Story, the Golden State's centennial production at the Hollywood Bowl. Through working on this production, Willson met writer Franklin Lacey who proved instrumental in developing the story line for a musical Willson had been working on, soon to be known as The Music Man. The California Story spectacular was followed by two more state centennial collaborations with stage director Vladimir Rosing: The Oregon Story in 1959 and The Kansas Story in 1961.

What other movies did he compose for?

Answer with quotes: and arranging music for the score of William Wyler's The Little Foxes (1941) (Academy Award nomination for Best Music Score of a Dramatic Picture).


Problem: Born in Drew, Mississippi, Manning was the son of Jane Elizabeth (nee Nelson) and Elisha Archibald Manning Jr. He grew up heavily involved in football, basketball, baseball, and track. His father, known as "Buddy", was interested in Archie's sports activities, but the nature of his job left him little if any time for attending games. Instead, Archie III drew his inspiration from a local high school sports star, James Hobson.

Manning was the second overall pick in the 1971 NFL Draft and played for the Saints for ten full seasons. During his tenure in New Orleans, the Saints had nine losing seasons. They only managed to get to .500 once, in 1979, which was also the only season they finished higher than third in their division. Nevertheless, he was well respected by NFL peers. For example, he was sacked 337 times during his Saints career. According to Sports Illustrated senior writer Paul Zimmerman, it should have been much more than that. However, Zimmerman wrote, opposing defensive linemen, "Jack Youngblood in particular", were known to take it easy on the poorly protected Manning and not hit him as hard.  For his part Manning seemed to appreciate Youngblood's kindness, telling the Los Angeles Times, on September 23, 1974, "The Rams front four is the best I ever faced . . . I've got to say that Youngblood was nice enough to pick me up every time he knocked my ass off." Today, Manning jokes that Youngblood's career would not have been as successful without him. He even suggested that Youngblood should have let him be his presenter when he was inducted into the Pro Football Hall of Fame in 2001, saying, "He wouldn't have gotten in without having me to sack."  In 1972, he led the league in pass attempts and completions and led the National Football Conference in passing yards, though the team's record was only 2-11-1. Archie sat out the entire 1976 season after corrective surgery on his right shoulder, spending the second half of that season in the team's radio booth after Dick Butkus abruptly quit his position as color commentator. In 1978, he was named the NFC Player of the Year by UPI after leading the Saints to a 7-9 record. That same year, Archie was also named All-NFC by both the UPI and The Sporting News.  Manning was selected to the Pro Bowl in 1978 and 1979. He went on to conclude his career with the Houston Oilers (1982-1983), and the Minnesota Vikings (1983-1984). He ended his 13-year career having completed 2,011 of 3,642 passes for 23,911 yards and 125 touchdowns, with 173 interceptions. He also rushed for 2,197 yards and 18 touchdowns. His 2,011 completions ranked 17th in NFL history upon his retirement. His record as a starter was 35-101-3 (26.3%), the worst in NFL history among QBs with at least 100 starts. He retired having never played on a team that notched a winning record nor made the playoffs.  The Saints have not reissued Manning's No. 8 since he left the team midway through the 1982 season.

Did he retire after playing for the Vikings?

Answer with quotes: