Problem: George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).

Simultaneously with his work in the theatre, Welles worked extensively in radio as an actor, writer, director and producer, often without credit. Between 1935 and 1937 he was earning as much as $2,000 a week, shuttling between radio studios at such a pace that he would arrive barely in time for a quick scan of his lines before he was on the air. While he was directing the Voodoo Macbeth Welles was dashing between Harlem and midtown Manhattan three times a day to meet his radio commitments.  In addition to continuing as a repertory player on The March of Time, in the fall of 1936 Welles adapted and performed Hamlet in an early two-part episode of CBS Radio's Columbia Workshop. His performance as the announcer in the series' April 1937 presentation of Archibald MacLeish's verse drama The Fall of the City was an important development in his radio career and made the 21-year-old Welles an overnight star.  In July 1937, the Mutual Network gave Welles a seven-week series to adapt Les Miserables. It was his first job as a writer-director for radio, the radio debut of the Mercury Theatre, and one of Welles's earliest and finest achievements. He invented the use of narration in radio.  "By making himself the center of the storytelling process, Welles fostered the impression of self-adulation that was to haunt his career to his dying day," wrote critic Andrew Sarris. "For the most part, however, Welles was singularly generous to the other members of his cast and inspired loyalty from them above and beyond the call of professionalism."  That September, Mutual chose Welles to play Lamont Cranston, also known as The Shadow. He performed the role anonymously through mid-September 1938.

What pace?

Answer with quotes: a pace that he would arrive barely in time for a quick scan of his lines before he was on the air.

Question:
Francois-Rene (Auguste), vicomte de Chateaubriand (; French: [fRaswa R@ne d@ SatobRija]; September 4, 1768 - July 4, 1848), was a French writer, politician, diplomat and historian who is considered the founder of Romanticism in French literature. Descended from an old aristocratic family from Brittany, Chateaubriand was a royalist by political disposition; in an age when a number of intellectuals turned against the Church, he authored the Genie du christianisme in defense of the Catholic faith. His works include the autobiography Memoires d'Outre-Tombe ("Memoirs from Beyond the Grave", published posthumously in 1849-1850). In his early works, he used the name Auguste instead of Rene.
Chateaubriand took advantage of the amnesty issued to emigres to return to France in May 1800 (under the French Consulate); Chateaubriand edited the Mercure de France. In 1802, he won fame with Genie du christianisme ("The Genius of Christianity"), an apology for the Catholic Christian faith which contributed to the post-revolutionary religious revival in France. It also won him the favour of Napoleon Bonaparte, who was eager to win over the Catholic Church at the time.  Appointed secretary of the legation to the Holy See by Napoleon, he accompanied Cardinal Fesch to Rome. But the two men soon quarrelled and Chateaubriand was nominated as minister to Valais (in Switzerland). He resigned his post in disgust after Napoleon ordered the execution in 1804 of Louis XVI's cousin, Louis-Antoine-Henri de Bourbon-Conde, duc d'Enghien. Chateaubriand was, after his resignation, completely dependent on his literary efforts. However, and quite unexpectedly, he received a large sum of money from the Russian Tsarina Elizabeth Alexeievna. She had seen him as a defender of Christianity and thus worthy of her royal support.  Chateaubriand used his new-found wealth in 1806 to visit Greece, Asia Minor, Palestine, Egypt, Tunisia and Spain. The notes he made on his travels later formed part of a prose epic, Les Martyrs, set during the Roman persecution of early Christianity. His notes also furnished a running account of the trip itself, published in 1811 as the Itineraire de Paris a Jerusalem (Itinerary from Paris to Jerusalem). The Spanish stage of the journey inspired a third novella, Les aventures du dernier Abencerage (The Adventures of the Last Abencerrage), which appeared in 1826.  On his return to France, he published a severe criticism of Napoleon, comparing him to Nero and predicting the emergence of a new Tacitus. Napoleon famously threatened to have Chateaubriand sabered on the steps of the Tulieries Palace for it, but settled for merely banishing him from the city. Chateaubriand retired to a modest estate he called La Vallee aux Loups ("Wolf Valley"), in Chatenay-Malabry, 11 km (6.8 mi) south of central Paris. Here he finished Les Martyrs, which appeared in 1809, and began the first drafts of his memoirs. He was elected to the Academie francaise in 1811, but, given his plan to infuse his acceptance speech with criticism of the Revolution, he could not occupy his seat until after the Bourbon Restoration. His literary friends during this period included Madame de Stael, Joseph Joubert and Pierre-Simon Ballanche.
Answer this question using a quote from the text above:

What did they do when they arrived in rome?

Answer:
But the two men soon quarrelled and Chateaubriand was nominated as minister to Valais (in Switzerland).