IN: DJ Jazzy Jeff & the Fresh Prince was an American hip hop duo from West Philadelphia, Pennsylvania. Rapper Will Smith (the Fresh Prince) met disc jockey Jeff Townes (DJ Jazzy Jeff) in the 1980s, when they were both trying to make names for themselves in West Philadelphia's local hip hop scene. They had as a support live member Clarence Holmes (Ready Rock C) - who was not officially credited to the duo. Holmes left the group in 1990 and later sued unsuccessfully for earnings, claiming a breach of oral contract.

Jeff Townes and Will Smith were introduced to each other by chance in 1985. One night, Townes was performing at a house party only a few doors down from Smith's residence, and he was missing his hype man. Smith decided to fill in. They both felt strong chemistry, and Townes was upset when his hype man finally made it to the party.  Soon after, the two decided to join forces. Smith enlisted a friend to join as the beatboxer of the group, Ready Rock C, who was not officially credited to the duo, only as a support live member. Philadelphia-based Word Up Records released their first single in late 1985 to 1986 when A&R man Paul Oakenfold introduced them to Word Up with their single "Girls Ain't Nothing but Trouble," a tale of funny misadventures that landed Smith and his former DJ and rap partner Mark Forrest (Lord Supreme) in trouble. The song sampled the theme song of "I Dream of Jeannie." Smith became known for light-hearted story-telling raps and capable, though profanity-free, "battle" rhymes. The single became a hit a month before Smith graduated from high school.  Based on this success, the duo were brought to the attention of Jive Records and Russell Simmons. The duo's first album, Rock the House, which was first released on Word Up in 1986 debuted on Jive in March of 1987. The album sold about 300,000 units. That same year, the band found themselves on their first major tour with Run DMC, Public Enemy, and others.

What was their first album called?

OUT: The duo's first album, Rock the House,

Answer the question at the end by quoting:

Janet Damita Jo Jackson (born May 16, 1966) is an American singer, songwriter, dancer, and actress. Known for sonically innovative, socially conscious and sexually provocative records, and elaborate stage shows, she has been a prominent figure in popular culture for over thirty years. The youngest child of the Jackson family, she began her career with the variety television series The Jacksons in 1976 and went on to appear in other television shows throughout the 1970s and early 1980s, including Good Times and Fame. After signing a recording contract with A&M Records in 1982, she became a pop icon following the release of her third studio album Control (1986).
After her second album, Jackson terminated business affairs with her family, commenting "I just wanted to get out of the house, get out from under my father, which was one of the most difficult things that I had to do." Attempting a third album, Jackson teamed with producers Jimmy Jam and Terry Lewis. They set out to achieve crossover pop appeal, while also creating a strong foundation within the urban market. Within six weeks, Jackson and the duo crafted her third studio album, Control, released in February 1986. The album shot to No. 1 on the Billboard 200, and was certified fivefold platinum by the Recording Industry Association of America (RIAA), selling over ten million copies worldwide.  Control was declared "remarkably nervy and mature" for a teenage act, also considered "an alternative to the sentimental balladry" which permeated radio, likening Jackson to Donna Summer's position of "unwilling to accept novelty status and taking her own steps to rise above it." The album spawned five top five singles, "What Have You Done for Me Lately", "Nasty", "When I Think of You", "Control", and "Let's Wait Awhile", and a top 15 hit with "The Pleasure Principle". "When I Think of You" became her first No. 1 hit on the Hot 100. Control received six Billboard Awards, including "Top Pop Singles Artist", and three Grammy nominations, most notably "Album of the Year". It also won four American Music Awards from twelve nominations, an unbroken record.  At this point, Jackson was successfully "shaking off the experience of being a shadow Jackson child", becoming "an artist in her own right".. The album's lyrical content included several themes of empowerment, inspired by an incident of sexual harassment, with Jackson recalling "the danger hit home when a couple of guys started stalking me on the street and Instead of running to Jimmy or Terry for protection, I took a stand. I backed them down. That's how songs like 'Nasty' and 'What Have You Done for Me Lately' were born, out of a sense of self-defense."  Its innovative fusion of dance-pop and industrial music with hip-hop and R&B undertones influenced the development of the new jack swing genre by bridging the gap between the latter two styles. The accompanying music videos shot for the album's singles became popular on MTV, and obtained a then-unknown Paula Abdul a recording contract for her choreography work with Jackson. Billboard stated "[Jackson's] accessible sound and spectacularly choreographed videos were irresistible to MTV, and helped the channel evolve from rock programming to a broader, beat-driven musical mix."

Should we call it an album or what?

The album spawned five top five singles,

input: In 1890, Nast published Thomas Nast's Christmas Drawings for the Human Race. He contributed cartoons in various publications, notably the Illustrated American, but was unable to regain his earlier popularity. His mode of cartooning had come to be seen as outdated, and a more relaxed style exemplified by the work of Joseph Keppler was in vogue. Health problems, which included pain in his hands which had troubled him since the 1870s, affected his ability to work.  In 1892, he took control of a failing magazine, the New York Gazette, and renamed it Nast's Weekly. Now returned to the Republican fold, Nast used the Weekly as a vehicle for his cartoons supporting Benjamin Harrison for president. The magazine had little impact and ceased publication seven months after it began, shortly after Harrison's defeat.  The failure of Nast's Weekly left Nast with few financial resources. He received a few commissions for oil paintings and drew book illustrations. In 1902, he applied for a job in the State Department, hoping to secure a consular position in western Europe. Although no such position was available, President Theodore Roosevelt was an admirer of the artist and offered him an appointment as the United States' Consul General to Guayaquil, Ecuador in South America. Nast accepted the position and traveled to Ecuador on July 1, 1902. During a subsequent yellow fever outbreak, Nast remained on the job, helping numerous diplomatic missions and businesses escape the contagion. He contracted the disease and died on December 7 of that year. His body was returned to the United States, where he was interred in the Woodlawn Cemetery in The Bronx, New York City.

Answer this question "Where was he working?"
output:
In 1902, he applied for a job in the State Department,