input: By the late 1960s Clinton had assembled a touring band to back up the Parliaments, the first stable lineup of which included Billy Bass Nelson (bass), Eddie Hazel (lead guitarist), Tawl Ross (guitarist), Tiki Fulwood (drums), and Mickey Atkins (keyboards). After a contractual dispute in which Clinton temporarily lost the rights to the name "The Parliaments," Clinton brought the backing musicians forward. When the band relocated to Detroit, their guitar-based, raw funk sound, with its heavy psychedelic rock influences, inspired "Billy Bass" Nelson, who coined the name "Funkadelic". Clinton signed Funkadelic to Westbound Records, and the five Parliaments singers were credited as "guests" while the five musicians were listed as the main group members. The debut album Funkadelic was released in 1970.  Meanwhile, Clinton regained the rights to the name "The Parliaments" and initiated another new entity, now known as Parliament, with the same five singers and five musicians but this time as a smoother R&B-based funk ensemble that Clinton positioned as a counterpoint to the more rock-oriented Funkadelic. Parliament recorded Osmium for Invictus Records in 1970, and after a hiatus in which Clinton focused on Funkadelic, Parliament was signed to Casablanca Records and released its debut for that label Up for the Down Stroke in 1974. The two bands began to tour together under the collective name "Parliament-Funkadelic."  By this time the original ten-member lineup of Parliament-Funkadelic had begun to splinter, but many others joined for various album releases by either band, leading to a collective with a fluid and rapidly expanding membership. Notable members to join during this period include keyboardist Bernie Worrell, bassist Bootsy Collins, guitarist Garry Shider, and The Horny Horns.  In the 1975-1979 period, both Parliament and Funkadelic achieved several high-charting albums and singles on both the R&B and Pop charts. Many members of the collective began to branch out into side bands and solo projects under George Clinton's tutelage, including Bootsy's Rubber Band, Parlet, and The Brides of Funkenstein, while longtime members like Eddie Hazel recorded solo albums with songwriting and studio help from the collective. The Parliament albums of this period had become concept albums with themes from science fiction and afro-futurism, elaborate political and sociological themes, and an evolving storyline with recurring fictional characters. Parliament-Funkadelic stage shows (particularly the P-Funk Earth Tour of 1976) were expanded to include imagery from science fiction and a stage prop known as the Mothership. These concepts came to be known as the P-Funk mythology.  By the late 1970s the Parliament-Funkadelic collective became over-extended and several key members departed acrimoniously over disagreements with Clinton and his management style. Original Parliaments members Fuzzy Haskins, Calvin Simon, and Grady Thomas departed in 1977 after becoming disillusioned with the influx of new members, and later recorded an album under the name Funkadelic. Other members departed and formed new funk bands that detached themselves from P-Funk and even criticized the collective, such as Quazar (formed by guitarist Glenn Goins) and Mutiny (formed by drummer Jerome Brailey). Due to financial difficulties and the collapse of Casablanca Records (Parliament's label), Clinton dissolved Parliament and Funkadelic as separate entities. Many members of the collective continued to work for Clinton, first on his solo albums and later as Parliament-Funkadelic or the P-Funk All Stars.

Answer this question "Are there any other interesting aspects about this article?"
output: Other members departed and formed new funk bands that detached themselves from P-Funk and even criticized the collective,

input: After receiving offers from A.S. Roma and A.C. Milan, moving to Italy seemed right and a four-million dollar proposal from Udinese was on the table. Such amount of money made bigger clubs pressure the FIGC (Italian Football Federation) that blocked the transfer expecting financial guarantees. This caused a commotion in Udine as enraged Friulians flocked to the streets in protest against the Italian federation and the federal government. Historical reasons would make them shout "O Zico, o Austria!" ("Either Zico or Austria"). At the end of the controversy, the deal went through and though leaving Flamengo fans in sadness, Zico made the Friulians fans finally dream of better days.  In the 1983-84 Serie A, his first in Italy, his partnership with Franco Causio promised to take Udinese to a higher level, gaining respect from giants Juventus and Roma. His free kicks caused such an impact that TV sports programs would debate how to stop them. Despite his excellent performance, the club's season ended in disappointment as Udinese, in spite of scoring almost twice as many goals as the previous year, only gathered 32 points and was ninth in the final standing, losing three places in comparison to 1982-83. His personal top scoring dispute against Juventus's Michel Platini was exciting - Zico scored 19 goals, one fewer than top scorer Platini, having played 4 fewer matches than the French footballer due to an injury. Plus, he was voted 1983 Player of the Year by World Soccer Magazine.  His following season would be punctuated by injuries and suspensions for openly attacking referees. He also used to complain about the board's lack of ambition for not signing competitive players, which made the team too dependent on him. Furthermore, Italian tax officials pressed charges against him for tax evasion. Pressured, Zico delivered an amazing display against Diego Maradona's Napoli, his last match as a bianconero, and returned to Brazil and Flamengo, sponsored by a group of companies.  He became a fan favorite with his spectacular goals and is still adored now by all Udinese fans.

Answer this question "was he a player or a coach on the team?"
output: He became a fan favorite with his spectacular goals

input: The Caddoan Mississippian area, a regional variant of the Mississippian culture, covered a large territory, including what is now eastern Oklahoma, western Arkansas, northeastern Texas, and northwestern Louisiana. Archaeological evidence has led to a scholarly consensus that the cultural continuity is unbroken from prehistory to the present, and that the Caddo and related Caddo language speakers in prehistoric times and at first European contact are the direct ancestors of the modern Caddo Nation of Oklahoma.  The climate in this area was drier than areas in the eastern woodlands, hindering maize production, and the lower population on the plains to the west may have meant fewer neighboring competing chiefdoms to contend with. Major sites such as Spiro and the Battle Mound Site are in the Arkansas River and Red River Valleys, the largest and most fertile of the waterways in the Caddoan region, where maize agriculture would have been the most productive. The sites generally lacked wooden palisade fortifications often found in the major Middle Mississippian towns. Living on the western edge of the Mississippian world, the Caddoans may have faced fewer military threats from their neighbors. Their societies may also have had a somewhat lower level of social stratification.  The Caddoan people were speakers of one of the many Caddoan languages. The Caddoan languages once had a broad geographic distribution, but many are now extinct. The modern languages in the Caddoan family include Caddo and Pawnee, now spoken mainly by elderly people.  Hernando de Soto led an expedition into the area in the early 1540s, he encountered several native groups now thought to have been Caddoan. Composed of many tribes, the Caddo were organized into three confederacies, the Hasinai, Kadohadacho, and Natchitoches, which were all linked by their similar languages.

Answer this question "What is Caddoan Mississippian?"
output:
a regional variant of the Mississippian culture,