Problem: John William Heisman (October 23, 1869 - October 3, 1936) was a player and coach of American football, baseball, and basketball, as well as a sportswriter and actor. He served as the head football coach at Oberlin College, Buchtel College (now known as the University of Akron), Auburn University, Clemson University, Georgia Tech, the University of Pennsylvania, Washington & Jefferson College, and Rice University, compiling a career college football record of 186-70-18. In 1917, Heisman's Georgia Tech Golden Tornado were recognized as the national champion. Heisman was also the head basketball coach at Georgia Tech, tallying a mark of 9-14, and the head baseball coach at Buchtel, Clemson, and Georgia Tech, amassing a career college baseball record of 199-108-7.

The 1906 Georgia Tech team beat Auburn for the first time, and in a loss to Sewanee first used Heisman's jump shift offense, which became known as the Heisman shift. In the jump shift, all but the center may shift into various formations, with a jump before the snap. A play started with only the center on the line of scrimmage. The backfield would be in a vertical line, as if in an I-formation with an extra halfback, or a giant T. After the shift, a split second elapsed, and then the ball was snapped. In one common instance of the jump shift, the line shifted to put the center between guard and tackle. The three backs nearest the line of scrimmage would shift all to one side, and the center snapped it to the tailback.  The 1907 team played its games at Ponce de Leon Park, where the Atlanta Crackers also played. The team went 4-4, and suffered Heisman's worst loss at Georgia Tech, 54-0 to Vanderbilt. "Twenty Percent" Davis, considered twenty percent of the team's worth, was selected All-Southern.  Chip Robert was captain of the 1908 team which went 6-3, including a 44-0 blowout loss to Auburn in which Lew Hardage returned a kickoff 108 yards for a touchdown. Davis again was All-Southern. Georgia attacked Georgia Tech's recruitment tactics in football. Georgia alumni incited an SIAA investigation, claiming that Georgia Tech had created a fraudulent scholarship fund. The SIAA ruled in favor of Georgia Tech, but the 1908 game was cancelled that season due to bad blood between the rivals. Davis was captain of the 1909 team, which won seven games but was shutout by SIAA champion Sewanee and Auburn.

what happened in 1906?

Answer with quotes: Georgia Tech team beat Auburn for the first time, and in a loss to Sewanee first used Heisman's jump shift offense,


Problem: Namdev, also transliterated as Namdeo and Namadeva, (traditionally, c. 1270 - c. 1350) was a poet-saint from Maharashtra, India who is significant to the Varkari sect of Hinduism. He is also venerated in Sikhism, as well as Hindu warrior-ascetic traditions such as the Dadupanthis and the Niranjani Sampraday that emerged in north India during the Islamic rule. The details of Namdev's life are unclear. He is the subject of many miracle-filled hagiographies composed centuries after he died.

Namdev's padas are not mere poems, according to Callewaert and Lath. Like other Bhakti movement sants, Namdev composed bhajans, that is songs meant to be sung to music. A Bhajan literally means "a thing enjoyed or shared". Namdev's songs were composed to be melodious and carry a spiritual message. They built on one among the many ancient Indian traditions for making music and singing. Namdev's bhajans, note Callewaert and Lath, deployed particular species of Raag, used Bhanita (or Chhap, a stamp of the composer's name inside the poem, in his case Nama), applied a Tek (or dhruva, repeated refrain) and a meter than helps harmonise the wording with the musical instrument, all according to Sangita manuals refined from the 8th to 13th centuries.  The musical genre of Namdev's literary works was a form of Prabandha - itself a very large and rich genre that includes dhrupad, thumri, tappa, geet, bhajan and other species. In some species of Indian music, it is the music that dominates while words and their meaning are secondary. In contrast, in Namdev's bhajan the spiritual message in the words has a central role, and the structure resonates with the singing and music. The songs and music that went with Namdev's works, were usually transmitted verbally across generations, in a guru-sisya-parampara (teacher-student tradition), within singing gharanas (family-like musical units).  Callewaert and Lath state that, "each single song of Namdev is a musical and textual unit and this unit is the basis for textual considerations". The unit contained Antaras, which are the smallest independent unit within that can be shifted around, dropped or added, without affecting the harmony or meaning, when a bhajan is being sung with music. In Namdev's songs, the dominant pattern is Caturasra, or an avarta with the 4x4 square pattern of musical matras (beat).

Are there any other interesting aspects about this article?

Answer with quotes:
In Namdev's songs, the dominant pattern is Caturasra, or an avarta with the 4x4 square pattern of musical matras (beat).