input: In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name.  Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week.  Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters.  In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.

Answer this question "Did he collaborate with any other producers?"
output: On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week.

input: After the disappointing performance of Millionaires the band chose to start anew in their approach to their next album, working with Eno once again. They spent most of 2000 recording the album; writing the songs, then performing them live before actually recording them. They embarked on a small-scale tour in the autumn of that year on which their set lists consisted almost entirely of new material. The album, Pleased To Meet You, was released in July 2001. The album's artwork featured a composite image of the faces of all the band members to create a new person. The album reached only number 11, the lowest position for a James studio album since their signing to Fontana.  Shortly after its release, James reached the end of their contract, and Tim Booth announced he was leaving the band to concentrate on other projects of his own. They played a farewell tour of the UK at the end of the year. Their final hometown gig, at the Manchester Evening News arena on 7 December, was recorded for a live CD and DVD, Getting Away With It... Live. Past members Larry Gott and Andy Diagram rejoined them for the tour, and Brian Eno also joined them onstage at London's Wembley Arena during the tour. The albums Gold Mother, Laid, and Whiplash (each containing bonus tracks) were re-released by Mercury Records the following year, as well as a B-sides compilation entitled B-Sides Ultra.  A planned compilation of material from the band's Factory and Sire years was announced in 2001, but the album, Strange Dancing, was never released. The first two James albums, Stutter and Strip-mine, were re-pressed in June 2007, but without any additional rarities.  Booth continued as a solo artist in 2004 with the release of his solo album Bone, co-written and produced by Lee Muddy Baker.  A new compilation album, The Collection was released in late 2004, and Seven - The Live Concert (a DVD version of a previously released video) in 2005.

Answer this question "what was one of the names of one of their albums?"
output:
The album, Pleased To Meet You,