input: At the beginning of the season, Oudin lost in the first round of qualifying at the Australian Open to Laura Robson.  Oudin qualified for the Family Circle Cup losing in the first round to 10th seed Anabel Medina Garrigues 4-6, 6-4, 0-6. On April 29th, she won the ITF 50k Boyd Tinsley Women's Clay Court Classic defeating 2nd seed and fellow American Irina Falconi in the final 7-6(0), 3-6, 6-1. She was awarded the USTA French Open Wild Card an account of her performance in the USTA Pro Circuit. At the French Open, Oudin drew Johanna Larsson of Sweden in the first round and won 6-3, 6-3. It was her first win ever at the French Open. In the second round, she lost to 21st seed and eventual finalist Sara Errani 6-2, 6-3.  Oudin began her grass court season at the Aegon Trophy. After qualifying for the main draw, Oudin lost in the first round to Heather Watson 6-4, 1-6, 6-7(5). Next, Oudin competed at the Aegon Classic. She qualified for the main draw beating 8th seed Bibiane Schoofs and 16th seed Gail Brodsky. In the main draw, Oudin advanced to her 1st WTA fina defeating 10th seed Sorana Cirstea, qualifier Michelle Larcher De Brito, Elena Vesnina, Irina Falconi, and 8th seed Ekaterina Makarova. The tournament was filled with rain delays and Oudin had to cope with the difficulty of coming off and on the court. She then defeated 5th seed Jelena Jankovic 6-4, 6-2 in the final to win her first WTA title. Winning the tournament bumped up her ranking from 208 to 122. Her performance earned her a wildcard at Wimbledon. At Wimbledon, she was given one of seven wildcard entries into the main draw. In the first round, she lost to world No. 69 Timea Babos of Hungary in three sets 4-6, 6-4, 3-6.  At the US Open on August 27, No. 107 ranked Oudin was unseeded and lost to fifteenth seed Lucie Safarova of the Czech Republic in straight sets 4-6, 0-6. In the women's doubles, she also lost in the first round teaming up with Grace Min.  With the 2012 season coming to a close, Oudin played several tournaments on the ITF tour. At the National Bank Challenger Saguenay 50k in Canada, she advanced to the semifinals before losing to Eugenie Bouchard 2-6, 2-6. At the John Newcombe Women's Pro Challenge in New Braunfels, Texas, she defeated wildcard Victoria Duval in the first round. With wins over Ulrikke Eikeri and Madison Keys, she made it to the final where she defeated Mariana Duque 6-1, 6-1. In this tournament, Oudin didn't drop a set.

Answer this question "What is she doing now?"
output: 

input: Although Dudley and Jeczalik had already dissolved the group, in 1990 they assisted in the promotion of the lightly remixed compilation The Ambient Collection, which the China label released to cash in on the burgeoning ambient house scene. Jeczalik approved the remixes that appeared on The FON Mixes the following year. The rest of the decade saw China Records releasing further Art of Noise compilations: The Drum and Bass Collection, Art Works, and reissues of Best of without the ZTT-era tracks. Some of these featured new remixes by other artists.  According to an interview with J.J. Jeczalik reported in the ZTT fanzine Outside World in 1991, Jeczalik, Dudley and Langan were inspired by the commercial success of The FON Mixes and had discussed reuniting the group as a trio again. In preparation to record a new album, Jeczalik and Langan travelled to Cuba to gather new source material. However, no new recordings were produced with the new line-up, and the Art of Noise remained defunct.  Dudley became well known for composing numerous film and television scores during the 1990s. The most famous of these is probably The Full Monty, which won an Academy Award for Original Music Score. She also collaborated with Killing Joke's Jaz Coleman on the 1990 album Songs from the Victorious City (inspired by a trip the two made to Egypt) and produced two tracks for the 1993 Deborah Harry album Debravation ("Strike Me Pink", which she also co-wrote and played keyboards on) and "Mood Ring"). She has scored orchestrations for dozens of pop releases over the years, and both scored and produced the album Voice for her neighbour Alison Moyet. Cathy Dennis added lyrics to one of Dudley's compositions and recorded it as "Too Many Walls", which became a US Top 10 hit in 1991.  In 1995-1997, Jeczalik and In No Sense? Nonsense! coengineer Bob Kraushaar produced a number of instrumentals oriented toward dance clubs under the name Art of Silence, issuing an album titled artofsilence.co.uk. Jeczalik also embarked on a new career in trading in futures contracts.  The Art of Noise also received a full writing credit for The Prodigy's "Firestarter", which samples the female "hey, hey" voice from "Close to the Edit". The Prodigy also contributed the remix "Instruments of Darkness (All of Us are One People)" to the 1991 compilation The FON Mixes. Also, an edited version of "Close to the Edit" is featured on the monthly educational Amiga game, Ready Robot Club. The Art of Noise are also credited for the music to the ITV series The Krypton Factor.

Answer this question "did they get back together as a group?"
output: Jeczalik, Dudley and Langan were inspired by the commercial success of The FON Mixes and had discussed reuniting the group as a trio again.

input: After two years of their satirical newspaper, which also included various radio roles, The Chaser had attracted the attention of Australian Broadcasting Corporation (ABC) star Andrew Denton. Denton signed them with ABC and stated "They've got the talent, the work ethic, the fearlessness, the desire". Denton then helped the Chaser to perform their first television program The Election Chaser, on ABC TV, which was to be based on the 2001 Australian federal election and in the format of the national tallyroom. Four episodes were broadcast and the show was nominated for the 2002 Logie for "Most Outstanding Comedy Program". Denton acted as executive producer and script editor for The Election Chaser and would also do so for CNNNN.  The Chaser team have gone on to create other television shows for ABC TV, including the Logie Award winning CNNNN in 2002-3 and The Chaser Decides in 2004. CNNNN was a satire of not only the popular American news networks CNN and Fox News, but also incorporated Australian and world current affairs into the programme. The Election Chaser inspired a similar programme covering the 2004 election, The Chaser Decides. The coverage, as with all the Chaser productions, was satirical, but a different view on the way the election was covered by the local media.  The Chaser Decides returned again in 2007 to cover the 24 November election. It purported to be broadcasting from Australian Electoral Commission's National Tally Room.  In 2004-5, Taylor and Reucassel hosted the Triple J radio drive programme Today Today. In 2005 the rest of the team produced Chaser News Alert (CNA), aired on ABC2. Episodes of this series were only a few minutes long. Between July 2006 and January 2007 Taylor and Reucassel returned to Triple J to host Bloody Sunday, filling the This Sporting Life time slot while Roy & HG were on leave from the station. Chas Licciardello and Knight also did a brief fill in show on Triple M called Chas and Dom from 'The Chaser'.

Answer this question "What was the next tv appearance?"
output:
the Logie Award winning CNNNN in 2002-3