Problem: Carl Franklin was raised outside of San Francisco, in Richmond, California. He never had the opportunity to know his biological father, who had died before Carl was born. Franklin was raised by his mother and stepfather. While Franklin speaks highly of his stepfather and has called him "very loving," he has spoken out about his stepfather's abusive tendencies, linking his outbursts to alcohol use.

Franklin supports the portrayal of African-American history in films, and has been quoted as saying "I am interested in the universal values of the black experience." However, just because Franklin is a filmmaker who is African American does not mean that all of his films are racially motivated. Not all of his films revolve around a central theme of culture: some of his films cover racial issues, while others do not. Franklin maintains a wide subject range in his films, choosing not to focus solely on his heritage.  As a prominent African-American filmmaker, Franklin stands apart from the rest in his careful selection of projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race. Explaining to The L.A Times, "My ethnicity is a plus, a tool. It gives me ammunition in terms of the way I view the world. There are certain stories in the black community that inform us all." Combining his humanitarian instincts and personal experiences, Franklin stands out as a visionary for community improvement through his films. However, a large part of Franklin's remarkable journey revolves around the fact that he is black. Discussing the realities for African Americans in the television and film industry, Franklin said: "When I came up, the only legitimate dramatic actor was Sidney Poitier, the bankable star was Richard Pryor and the other choice roles were action parts that went to Jim Brown. Even someone as good as Billy Dee Williams had a couple of great moments and then couldn't get a decent part." With a very small window of opportunity for African Americans at the time that Franklin was getting his start, his skills and educational background contributed to his success.  Franklin is a standout filmmaker regardless of his race, yet he is often praised for his ability to overcome adversity, and is recognized for his highly regarded opinion as well as his relevant contributions. In February 2000, Franklin was featured as a Black History Month guest speaker at Indiana University's ''Black Film Center/Archive''. The group hosted an event called A Night with Filmmaker Carl Franklin, which gave Franklin the opportunity to talk about his experience in the movie industry as well as show a preview of his film Devil in a Blue Dress. Franklin's appearance was highly regarded by many students who were honored to meet him in person.

Did he do anything with any black charities?

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Background: King was born in Long Beach, California, into a conservative Methodist family, the daughter of Betty (nee Jerman), a housewife, and Bill Moffitt, a firefighter. Billie Jean's family was athletic. Her mother excelled at swimming, her father played basketball, baseball and ran track. Her younger brother, Randy Moffitt, became a Major League Baseball pitcher, pitching for 12 years in the major leagues for the San Francisco Giants, Houston Astros, and Toronto Blue Jays.
Context: When the open era began, King campaigned for equal prize money in the men's and women's games. In 1971, with ideas for the formation of an eight player women's group from her husband, Larry King, financial backing of World Tennis magazine founder, Gladys Heldman, and the sponsorship of Virginia Slims Chairman Joe Coleman, King became the first woman athlete to earn over US$100,000 in prize money; however, inequalities continued. King won the US Open in 1972 but received US$15,000 less than the men's champion Ilie Nastase. She stated that she would not play the next year if the prize money were not equal. In 1973, the US Open became the first major tournament to offer equal prize money for men and women.  King led player efforts to support the first professional women's tennis tour in the 1970s called the Virginia Slims, founded by Gladys Heldman and funded by Joseph Cullman of Philip Morris. Once the tour took flight, King worked tirelessly to promote it even though many of the other top players were not supportive. "For three years we had two tours and because of their governments [Martina] Navratilova and Olga Morozova had to play the other tour. Chris [Evert], Margaret [Court], Virginia [Wade], they let us do the pioneering work and they weren't very nice to us. If you go back and look at the old quotes; they played for the love of the game, we played for the money. When we got backing and money, we were all playing together - I wonder why? I tried not to get upset with them. Forgiveness is important. Our job was to have one voice and win them over."  In 1973, King became the first President of the women's players union - the Women's Tennis Association. In 1974, she, with husband Larry King and Jim Jorgensen, founded womenSports magazine and started the Women's Sports Foundation. Also in 1974, World TeamTennis began, founded by Larry King, Dennis Murphy, Frank Barman and Jordan Kaiser. She became league commissioner in 1982 and major owner in 1984.  King is a member of the Board of Honorary Trustees for the Sports Museum of America, which opened in 2008. The museum is the home of the Billie Jean King International Women's Sports Center, a comprehensive women's sports hall of fame and exhibit.
Question: Why so much less?
Answer: She stated that she would not play the next year if the prize money were not equal.

Question:
Rudolph Van Gelder (November 2, 1924 - August 25, 2016) was an American recording engineer who specialized in jazz. Regarded as the most important recording engineer of jazz by some observers, Van Gelder recorded several thousand jazz sessions, including many recognized as classics, in a career which spanned more than half a century. Van Gelder recorded many of the great names in the genre, including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Joe Henderson, Freddie Hubbard, Wayne Shorter, and Horace Silver, among many others. He worked with many record companies but was most closely associated with Blue Note Records.
In 1967, Alfred Lion retired from running Blue Note, and the company's owners, Liberty Records (from 1965), began to use other engineers more regularly. Prestige, too, had started to use other studios a few years earlier. Van Gelder remained active in music recording, working as the engineer for most of Creed Taylor's CTI Records releases, a series of proto-smooth jazz albums that were financially successful, but not always well received by critics.  Though his output slowed, Van Gelder remained active as a recording engineer into the new century. In the late 1990s he worked as a recording engineer for some of the songs featured on the soundtrack to the TV Show Cowboy Bebop. From 1999, he remastered the analog Blue Note recordings he made several decades earlier into 24-bit digital recordings in its RVG Edition series and also a similar series of remasters of some of the Prestige albums he recorded for its current owners, Concord Records. He was positive about the switch from analog to digital technology. He told Audio magazine in 1995:  The biggest distorter is the LP itself. I've made thousands of LP masters. I used to make 17 a day, with two lathes going simultaneously, and I'm glad to see the LP go. As far as I'm concerned, good riddance. It was a constant battle to try to make that music sound the way it should. It was never any good. And if people don't like what they hear in digital, they should blame the engineer who did it. Blame the mastering house. Blame the mixing engineer. That's why some digital recordings sound terrible, and I'm not denying that they do, but don't blame the medium.  Van Gelder resided in Englewood Cliffs into this century. He died at his Engelwood Cliffs home on August 25, 2016.
Answer this question using a quote from the text above:

Did he start his own recording studio?

Answer: