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The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1978 to 1983. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their music has been described by critic Simon Reynolds as gothic, and their single "Release the Bats" was particularly influential on the emerging gothic scene.
The nucleus of the band first met at the private boys school Caulfield Grammar School, in suburban Melbourne, in the early seventies. A rock group was formed in 1973, with Nick Cave (vocals), Mick Harvey (guitar), and Phill Calvert (drums), with other students John Cocivera, Brett Purcell and Chris Coyne (on guitar, bass and saxophone respectively). Most were also members of the school choir. The band played under various names at parties and school functions with a mixed repertoire of David Bowie, Lou Reed, Roxy Music, Alice Cooper and the Sensational Alex Harvey Band, among others.  After their final school year in 1975 the band decided to continue as a four-piece group, with friend Tracy Pew picking up the bass. Greatly affected by the punk explosion of 1976 which saw Australian bands The Saints and Radio Birdman making their first recordings and tours, The Boys Next Door, as they were now called, began performing punk and proto-punk cover versions, such as "Blitzkrieg Bop" and "Gloria", and a few original songs. By November 1977 their set was dominated by fast original new wave material, such as "Sex Crimes" and "Masturbation Generation".  The Boys' second guitarist, Rowland S. Howard, joined in 1978, and about this time, the group's sound changed dramatically. The addition of Howard's guitar was certainly a catalyst (his later use of audio feedback being a hallmark of the group) but there were other changes, as well: their sound drew upon punk, rockabilly, free jazz and the rawest blues, but defied concise categorization. Many songs were driven by prominent, repetitive basslines and frenetic, yet minimalist, drumming. Though the band was tightly rehearsed, the instrumentalists often sounded as if they were on the verge of collapse, this quality only emphasising the newfound mania of Cave's singing, and his expressionist lyrics. In producer/engineer Tony Cohen they found a willing accomplice to their experimentation and their refusal to repeat themselves; and in manager Keith Glass they found an enthusiastic financial backer. Glass' label Missing Link Records released all of the early Birthday Party records.
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Who left the band?

Answer:



Question:
Kenneth Elton Kesey (; September 17, 1935 - November 10, 2001) as Ken Kesey was an American novelist, essayist, and countercultural figure. He considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s.
While still enrolled at the University of Oregon in 1957, Kesey wrote End of Autumn; according to Rick Dogson, the novel "focused on the exploitation of college athletes by telling the tale of a football lineman who was having second thoughts about the game." Although Kesey came to regard the unpublished work as juvenilia, an excerpt served as his Stanford Creative Writing Center application sample.  During his Woodrow Wilson Fellowship year, Kesey wrote Zoo, a novel about the beatniks living in the North Beach community of San Francisco, but it was never published.  The inspiration for One Flew Over the Cuckoo's Nest came while working on the night shift with Gordon Lish at the Menlo Park Veterans' Hospital. There, Kesey often spent time talking to the patients, sometimes under the influence of the hallucinogenic drugs with which he had volunteered to experiment. Kesey did not believe that these patients were insane, but rather that society had pushed them out because they did not fit the conventional ideas of how people were supposed to act and behave. Published under the guidance of Cowley in 1962, the novel was an immediate success; in 1963, it was adapted into a successful stage play by Dale Wasserman, and in 1975, Milos Forman directed a screen adaptation, which won the "Big Five" Academy Awards: Best Picture, Best Actor (Jack Nicholson), Best Actress (Louise Fletcher), Best Director (Forman) and Best Adapted Screenplay (Lawrence Hauben and Bo Goldman).  Kesey originally was involved in creating the film, but left two weeks into production. He claimed never to have seen the movie because of a dispute over the $20,000 he was initially paid for the film rights. Kesey loathed the fact that, unlike the book, the film was not narrated by the Chief Bromden character, and he disagreed with Jack Nicholson's being cast as Randle McMurphy (he wanted Gene Hackman). Despite this, Faye Kesey has stated that her husband was generally supportive of the film and pleased that it was made.
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what was the novel about?

Answer:
society had pushed them out because they did not fit the conventional ideas of how people were supposed to act and behave.


Question:
Weezer is an American rock band formed in Los Angeles in 1992, consisting of Rivers Cuomo (lead vocals, lead guitar), Patrick Wilson (drums), Brian Bell (rhythm guitar, backing vocals, keyboards), and Scott Shriner (bass, backing vocals). After signing to Geffen Records in 1993, Weezer released their debut self-titled album, also known as the "Blue Album", in 1994. Backed by successful music videos for the singles "Buddy Holly", "Undone - The Sweater Song" and "Say It Ain't So", the Blue Album became a quadruple-platinum success.
Vocalist and lead guitarist Rivers Cuomo, drummer Patrick Wilson, bassist Matt Sharp and guitarist Jason Cropper formed Weezer in 1992. The band had its first practice on February 14 of that year; their first gig was closing for Keanu Reeves' band Dogstar shortly after. Weezer signed with Geffen Records on June 25, 1993, and the group recorded its debut album with producer Ric Ocasek at Electric Lady Studios in New York City. During the recording, Cropper left the band and was replaced by guitarist Brian Bell.  Weezer (also referred to as the "Blue Album") was released in May 1994. Geffen originally did not wish to release a single, to see what sales could be generated by word-of-mouth alone. DJ Marco Collins of the Seattle radio station The End started playing "Undone - The Sweater Song", leading Geffen to release it as the first single. The music video was directed by Spike Jonze. Filmed in an unbroken take, it featured Weezer performing on a sound stage with little action, bar a pack of dogs swarming the set. The video became an instant hit on MTV.  Jonze also directed the band's second video, "Buddy Holly", splicing footage from the 1970s television sitcom Happy Days with Weezer performing in a remade "Arnold's Drive-In." The video achieved heavy rotation on MTV and went on to win four MTV Video Music Awards, including Breakthrough Video and Best Alternative Music Video, and two Billboard Music Video Awards. The video was also featured on the companion CD for the Microsoft Windows 95 computer operating system. A third single, "Say It Ain't So", followed. Weezer is certified quadruple platinum in the United States, making it Weezer's best-selling album. It is certified triple platinum in Canada.
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What was the biggest song from the Blue Album?

Answer:
Jonze also directed the band's second video, "Buddy Holly", splicing footage from the 1970s television sitcom Happy Days with Weezer performing in a remade "Arnold's Drive-In."