Question: Juan Sebastian Veron (Spanish pronunciation: ['xwan sebas'tjam be'ron]; born 9 March 1975) is a retired Argentine footballer who as the chairman for Estudiantes de La Plata, where he had served as Director of Sports. A former midfielder, Veron's career started in Estudiantes, continued in Argentina's Boca Juniors, and included stints in several clubs in the Italian Serie A (where he won the Scudetto with Lazio and with Internazionale, and a UEFA Cup with Parma), and England's Manchester United and Chelsea. In 2006, Veron returned to Estudiantes, where he remained until his retirement in 2014, aside from a brief spell with Brandsen. He has announced his short return to first team will occur in Copa Libertadores 2017.

Veron was called up for the 1998 FIFA World Cup in France, where Argentina was eliminated by the Netherlands in the quarter-finals. A rumour (never confirmed) that Veron had failed an internal doping test, and allegations of laziness hampered his relationship with the media and fans. He was called up again for the 2002 World Cup in Korea/Japan, where Veron was regarded as a key player and captained the side in place of the injured Roberto Ayala. Some fans held him personally responsible for Argentina's dismal performance, which included a loss to England and elimination in the group phase.  After then-national coach Jose Pekerman omitted him from the 2006 World Cup squad, his replacement, Alfio Basile recalled Veron to the national squad in February 2007, based on his performance in Estudiantes's 2006 championship team. Veron was a starter in the Argentine team that reached the final of Copa America 2007. Due to injuries and Estudiantes's busy schedule, Veron did not feature in the immediate plans of national coach Diego Maradona, but was recalled to the Argentine squad as a second-half substitute in the 4-0 win over Venezuela on 28 March 2009, Maradona's first competitive game in charge of the national team. He also played in the starting XI in a 2010 FIFA World Cup qualifier against Colombia on 6 June 2009 and was selected by manager Diego Maradona in the final 23-man squad for the finals of the 2010 FIFA World Cup.  Veron started Argentina's first group match against Nigeria, and provided the assist for Gabriel Heinze's goal. After missing the match against South Korea due to injury, Veron returned to the starting line-up against Greece and played the full 90 minutes as Argentina won 2-0. He came on as a substitute for Carlos Tevez in the 69th minute in Argentina's 3-1 victory over Mexico in the Round of 16, but did not feature during the quarterfinal loss to Germany.  On 26 August 2010, Veron retired from international football. Nevertheless, Veron appeared again for Argentina in the 2011 Superclasico de las Americas, a two legged, non-FIFA sanctioned exhibition, between Argentina and Brazil's domestically-based players.

Using a quote from the above article, answer the following question: What was Juan's internatioanl career?
HHHHHH
Answer: Veron was called up for the 1998 FIFA World Cup in France,


Question: "Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960-1961.

A crossroads or an intersection of rural roads is one of the few landmarks in the Mississippi Delta, a flat featureless plain between the Mississippi and Yazoo rivers. It is part of the local iconography and various businesses use the name, such as gas stations, banks, and retail shops. A crossroads is also where cars are more likely to slow down or stop, thus presenting the best opportunity for a hitchiker. In the simplest reading, Johnson describes his grief at being unable to catch a ride at an intersection before the sun sets. However, many see different levels of meaning and some have attached a supernatural significance to the song.  Both versions of the song open with the protagonist kneeling at a crossroads to ask God's mercy, while the second sections tells of his failed attempts to hitch a ride. In the third and fourth sections, he expresses apprehension at being stranded as darkness approaches and asks that his friend Willie Brown be advised that "I'm sinkin' down". The first take of the song, which was used for the single, includes a fifth verse that is not included in the second take. In it he laments not having a "sweet woman" in his distress.  The song has been used to perpetuate the myth of Johnson selling his soul to the Devil for his musical ability. The lyrics do not contain any references to Satan or a Faustian bargain, but they have been interpreted as a description of the singer's fear of losing his soul to the Devil (presumably in exchange for his talent). Music historian Elijah Wald believes that Johnson's verses do not support the idea. Delta bluesman Tommy Johnson promoted himself as having made a deal with the Devil and Southern folklore identifies a crossroads or graveyard as the site of such a pact, which Wald identifies as likely sources of the myth. However, musicologist Robert Palmer points out that Johnson was "fascinated with and probably obsessed by supernatural imagery." His song "Hellhound on My Trail" tells of trying to stay ahead of the demon hound which is pursuing him and in "Me and the Devil Blues" he sings, "Early this mornin' when you knocked upon my door, and I said 'Hello Satan I believe it's time to go'". These songs contribute to the Faustian myth; how much Johnson promoted the idea is debated, although many agree "the 'devil angle' made for good marketing".  Blues historian Samuel Charters sees the song as having elements of protest and social commentary. The second verse includes "the sun goin' down now boy, dark gon' catch me here", a reference to the "sundown laws" or curfew during racial segregation in the United States. Signs in the rural South advised "Nigger, don't let the sun set on you here". Johnson may be expressing a real fear of trumped up vagrancy charges or even lynchings that still took place. Others suggest that the song is about a deeper and more personal loneliness. Writers Barry Lee Pearson and Bill McCulloch argue that the fifth verse in the single version captures the essence of the song: "left alone, abandoned, or mistreated, he stands at the crossroad, looking this way or that for his woman".

Using a quote from the above article, answer the following question: How can this be interpreted?
HHHHHH
Answer:
in "Me and the Devil Blues" he sings, "Early this mornin' when you knocked upon my door, and I said 'Hello Satan I believe it's time to go'".