input: Nash debuted in World Championship Wrestling (WCW) as the orange-mohawked "Steel", one half of the tag team known as the Master Blasters. He was initially partnered Master Blaster Iron, with whom he made his debut at the Clash of the Champions on September 5, 1990, defeating Brad Armstrong and Tim Horner. At the following Worldwide taping on September 7, the Masters Blasters began a feud with Tim Horner and Mike Rotundo. They would defeat Horner and Rotundo on several house shows. On September 22, Nash's partner Master Blaster Iron was replaced by "Blade".  The reconstituted Master Blasters continued their undefeated streak in October. Meanwhile, Nash would have his first singles match on September 28 by defeating Tom Zenk. At Halloween Havoc on October 27, 1990, the Blasters upended The Southern Boys and began to move up the WCW tag team ratings. However, their winning streak would finally come to an end on November 22, when Tom Zenk and Brian Pillman handed them their first defeat with Pillman pinning Blade. They rebounded to go on another undefeated streak by defeating The Southern Boys as well as Alan Iron Eagle and Tim Horner, and earning a NWA United States Tag Team Championship title shot against then champions The Steiner Brothers, but were defeated in two occasions. They were squashed on television in 52 seconds by the Steiners in a match that aired on Worldwide on February 2, 1991. Following this loss, their momentum began to dissipate as the Blasters would suffer follow-up losses to The Southern Boys and Ricky Morton and Tommy Rich. The tag team disbanded at the end of the month.  Nash was then rebranded as simply The Master Blaster in February 1991 and suffered his first singles defeat on February 27, 1991 when he was pinned by The Junkyard Dog. He also lost to Brian Pillman in house show matches, while appearing in tag team matches with Stan Hansen and Arn Anderson. His final match in this guise was against Pillman at a house show on May 12.

Answer this question "What was wrong with this"
output: The Southern Boys and began to move up the WCW tag team ratings. However, their winning streak would finally come to an end on November 22,

input: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.

Answer this question "Can you tell me how many people were apart of the French school?"
output:
Couperin, Rameau is one of the two masters of the French school