IN: Alfred Cellier (1 December 1844 - 28 December 1891) was an English composer, orchestrator and conductor. In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and on tour in Britain, America and Australia. He composed over a dozen operas and other works for the theatre, as well as for orchestra, but his 1886 comic opera, Dorothy, was by far his most successful work. It became the longest-running piece of musical theatre in the nineteenth century.

In December 1877 Cellier joined the D'Oyly Carte company as musical director at the Opera Comique in London. There he conducted The Sorcerer (1877), H.M.S. Pinafore (1878, for which he wrote the overture, based on themes from the opera), Trial by Jury (1878), George Grossmith's Cups and Saucers (1878-79), and three of his own one-act works: Dora's Dream (1877-78 revival), The Spectre Knight (1878), and After All! (1878-79). Cellier was conducting the performance of Pinafore during which the partners of The Comedy Opera Company attempted to repossess the set, and he was noted for his attempts to calm the audience during the fracas. His brother, Francois, succeeded him as musical director at the Opera Comique in 1879. Alfred Cellier was a conductor of a series of promenade concerts at the Queen's Theatre, Long Acre and, in 1878-1879 he was joint conductor, with Sullivan, of the Covent Garden Promenade Concerts.  In 1879, he travelled with Gilbert, Sullivan, and Carte to America, where he acted as conductor for Pinafore and The Pirates of Penzance, with Carte's first American touring company. Cellier prepared the overture to Pirates using Sullivan's music from the rest of the score. Back in London in July 1880, he directed the music at the Opera Comique for Pirates and another of his own pieces with Desprez, In the Sulks. In April 1881, he left the D'Oyly Carte company, ceding the baton to his brother. Cellier composed a three-act grand opera, Pandora, a version of Longfellow's The Masque of Pandora (with a libretto by B. C. Stephenson) that was presented in Boston in 1881. He returned to America later that year as music director of D'Oyly Carte's New York and touring productions of Billee Taylor (1882), Les Manteaux Noirs and Rip Van Winkle (both in the fall of 1882), and Iolanthe (1882-83), for the latter of which he prepared the New York overture.  In 1883, Cellier's setting of Gray's Elegy, in the form of a cantata, was produced at the Leeds music festival. In 1883, Cellier left the D'Oyly Carte company, but he was back for brief periods as music director with D'Oyly Carte's touring companies for Princess Ida (1884) and The Mikado (1885). In 1885, also, Cellier composed incidental music for a production of As You Like It. He composed two more companion pieces that had Savoy Theatre premieres: The Carp (performed with The Mikado and Ruddigore in 1886-87), and Mrs. Jarramie's Genie (composed together with his brother Francois, with libretti by Desprez, which played together with several different operas at the Savoy between 1887 and 1889).  While in London, Cellier conducted at several London theatres, including the Criterion, the St James's, and the Savoy. Later, as a result of ill health, he resided abroad, notably in America and Australia, where he was a representative for the D'Oyly Carte company.
QUESTION: what did he direct while there:?
IN: Randi was born on August 7, 1928 in Toronto, Ontario, Canada, the son of Marie Alice (nee Paradis) and George Randall Zwinge. He has a younger brother and sister. He took up magic after seeing Harry Blackstone Sr. and reading conjuring books while spending 13 months in a body cast following a bicycle accident. He confounded doctors who expected he would never walk again.

Randi is the author of ten books, among them Conjuring (1992), a biographical history of noted magicians. The book is subtitled Being a Definitive History of the Venerable Arts of Sorcery, Prestidigitation, Wizardry, Deception, & Chicanery and of the Mountebanks & Scoundrels Who have Perpetrated these Subterfuges on a Bewildered Public, in short, MAGIC! The book's cover says that it is by "James Randi, Esq., A Contrite Rascal Once Dedicated to these Wicked Practices but Now Almost Totally Reformed". The book selects the most influential magicians and tells some of their history, often in the context of strange deaths and careers on the road. This work expanded on Randi's second book titled Houdini, His Life and Art. This illustrated work was published in 1976 and was co-authored with Bert Sugar. It focuses on the professional and private life of Houdini.  Randi also wrote a children's book in 1989 titled The Magic World of the Amazing Randi, which introduced children to magic tricks. In addition to his magic books, he has written several educational works about paranormal and pseudoscientific claims. These include biographies of Uri Geller and Nostradamus as well as reference material on other major paranormal figures. He is currently working on A Magician in the Laboratory, which recounts his application of skepticism to science. He was a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his good friend Isaac Asimov's fictional group of mystery solvers, the Black Widowers.  Other books are Flim-Flam! (1982), The Faith Healers (1987), James Randi, Psychic Investigator (1991), Test Your ESP Potential (1982) and An Encyclopedia of Claims, Frauds, and Hoaxes of the Occult and Supernatural (1995).  Randi was a regular contributor to Skeptic magazine, penning the "'Twas Brillig..." column, and also served on its editorial board. He is also a frequent contributor to Skeptical Inquirer magazine, which is published by CSI, of which he is also a Fellow.
QUESTION:
what is the most interesting aspect of this section?