Background: James Hudson Taylor (Chinese: Dai De Sheng ; 21 May 1832 - 3 June 1905) was a British Protestant Christian missionary to China and founder of the China Inland Mission (CIM, now OMF International). Taylor spent 51 years in China. The society that he began was responsible for bringing over 800 missionaries to the country who began 125 schools and directly resulted in 18,000 Christian conversions, as well as the establishment of more than 300 stations of work with more than 500 local helpers in all eighteen provinces.
Context: Due to health issues, Taylor remained in Switzerland, semi-retired with his wife. In 1900, Dixon Edward Hoste was appointed the Acting General Director of the CIM, and in 1902, Taylor formally resigned. His wife, Jennie, died of cancer in 1904 in Les Chevalleyres, Switzerland, and in 1905, Taylor returned to China for the eleventh and final time. There he visited Yangzhou and Zhenjiang and other cities, before dying suddenly while reading at home in Changsha. He was buried next to his first wife, Maria, in Zhenjiang, in the small English Cemetery near the Yangtze River.  The small cemetery was built over with industrial buildings in the 1960s and the grave markers were destroyed. However, the marker for Hudson Taylor was stored away in a local museum for years. His great-grandson, James Hudson Taylor III, found the marker and was able to help a local Chinese church re-erect it within their building in 1999.  His re-erected tombstone reads:  In 2013 the land for the cemetery was re-developed and the demolition of the old industrial buildings revealed that the Taylors' tombs were still intact. On 28 August the graves were excavated with the surrounding soil and moved to a local church where they will be reburied in a memorial garden.  Picture of gravestone and stele at Xuande Church in Zhenjiang. Gravestone is underground in a pit where the church is awaiting construction of a proper memorial hall - timeline for completion of memorial hall is postponed according to church officials. [1] Dedication marker is outside under a tarp covered up unless visitors know it is there. [2] Currently in possession of Xuan De Tang (Zhen Jiang Shi ) as of July 2016.
Question: What was wrong with his health?
Answer: 

Question:
Sylvia Jane Hutton (nee Kirby, born December 9, 1956), known simply by her first name Sylvia during the 1980s, is an American country music and country pop singer and songwriter. Some original source books have her birth name as Sylvia Kirby Allen; however, Allen was her first husband's last name. She consequently used only her first name. There was also a point in time that she used Sylvia Rutledge.
The release of her fourth album, Surprise, spurred her second foray into the Adult Contemporary charts, but neither its sound, nor her newly shorn locks courtesy Francesco Scavullo, were well received in country music. Surprise was the last of Sylvia's first four albums to be produced by Tom Collins, who also produced Mandrell, Charley Pride, and Ronnie Milsap. They have been described by critics as too slick for country music.  Her following album, One Step Closer, produced by The Judds' producer Brent Maher, had a more guitar-driven feel to it as opposed to her previously more orchestrated affairs. It was followed up by Sylvia's last top 40 country hit, "Nothin' Ventured, Nothin' Gained", from the unreleased album Knockin Around. The shelving of this album marked the end of Sylvia's tenure with RCA Records. The label did release a Greatest Hits compilation and a single from it titled "Straight from my Heart" (written with Jimmy Fortune of The Statler Brothers). The record received little promotion from RCA and the single charted in the low 60s. In the late 1980s, RCA began streamlining its roster of country-pop artists and the casualties included Sylvia, Dolly Parton, Louise Mandrell, Deborah Allen, Juice Newton, John Denver and Kenny Rogers.  Over an eight-year period, Sylvia crisscrossed America many times with her popular concert performances (over 200 per year), and she was a frequent guest on network television talk shows and specials -- from The Today Show and Good Morning, America to Dick Clark's American Bandstand and the Country Music Awards.  Her decision to stop touring and recording at the end of the 1980s was not fueled by the grueling schedule, as some might guess, but by her desire to bring more of herself to the music, she turned her energies to songwriting.
Answer this question using a quote from the text above:

Are there any other interesting aspects about this article?

Answer:
Her following album, One Step Closer, produced by The Judds' producer Brent Maher, had a more guitar-driven feel to it as opposed to her previously

Problem: Background: The Four Seasons is an American rock and pop band that became internationally successful in the 1960s and 1970s. Since 1970, they have also been known at times as Frankie Valli and the Four Seasons. In 1960, the band known as the Four Lovers evolved into the Four Seasons, with Frankie Valli as the lead singer, Bob Gaudio (formerly of the Royal Teens) on keyboards and tenor vocals, Tommy DeVito on lead guitar and baritone vocals, and Nick Massi on electric bass and bass vocals. The legal name of the organization is the Four Seasons Partnership, formed by Gaudio and Valli taken after a failed audition in 1960.
Context: The Four Seasons signed as artists to Crewe's production company, and they released their first Crewe-produced single under their new name in 1961 ("Bermuda"/"Spanish Lace" on Gone Records). The single did not chart. The band continued working with producer Bob Crewe as background vocalists, and sometimes leads under different band names, for productions on Crewe's own Topix label. As a follow-up, Bob Gaudio wrote a song that, after some discussion between Crewe and Gaudio, was titled "Sherry". After the song was recorded, Crewe and the members of the band solicited record labels to release it. It was Frankie Valli who spoke with Randy Wood, West Coast sales manager for Vee-Jay Records (not the founder of Dot Records) who, in turn, suggested the release of "Sherry" to the decision makers at Vee-Jay. "Sherry" made enough of an impression that Crewe was able to sign a deal between his production company and Vee-Jay for its release. They were the first white artists to sign with Vee-Jay.  In 1962, the band released their first album, featuring the single "Sherry", which was not only their first charted hit but also their first number-one song. Under the guidance of Bob Crewe, the Four Seasons followed up "Sherry" with several million-selling hits, generally composed by Crewe and Gaudio, including "Big Girls Don't Cry" (their second #1 hit), "Walk Like a Man" (their third #1), "Candy Girl", "Ain't That a Shame", and several others. In addition, they released a Christmas album in December 1962 and charted with a unique rendition of "Santa Claus Is Coming to Town".  From 1962 to early 1964, the Beach Boys were the only band to match the Four Seasons in record sales in the United States, and their first three Vee-Jay non-holiday single releases (i.e., ignoring their version of "Santa Claus Is Coming to Town") marked the first time that a rock band hit #1 on the Billboard singles charts with three consecutive entries.  In 1962, they were invited to perform their hit "Big Girls Don't Cry" on the show American Bandstand.
Question: Who were the band members at this time?
Answer: