Answer the question at the end by quoting:

Mana (Spanish: "manna") is a Mexican Rock band from Guadalajara, Jalisco. The group's current line-up consists of vocalist/guitarist Fher Olvera, drummer Alex Gonzalez, guitarist Sergio Vallin, and bassist Juan Calleros. Mana has earned four Grammy Awards, eight Latin Grammy Awards, five MTV Video Music Awards Latin America, six Premios Juventud awards, nineteen Billboard Latin Music Awards and fifteen Premios Lo Nuestro awards.
In 1997, the group released Suenos Liquidos, an album about the highs and lows of love, with songs like "Clavado en un bar" and "En el Muelle de San Blas," recorded in Puerto Vallarta and released simultaneously in 36 countries. The recording received a Grammy Award as Best Latin Rock/Alternative Album. The group performed acoustically in Miami for Latin America's MTV Unplugged program. A final version of the performance was mixed at Conway Recording Studios in Hollywood, and the band released Mana MTV Unplugged on 22 June 1999. In the summer of 1999, the band co-headlined an 18-city tour of the United States with Carlos Santana. Mana also appeared on Santana's 1999 album Supernatural on the song "Corazon Espinado".  In 2002, in an effort to blend their sound with that of rock and roll from the sixties and seventies, the band recorded Revolucion de Amor. They won their fourth Grammy for the album. The band released a new version of "Eres mi Religion" for the Italian market in 2003, as a duet with Italian musician Zucchero, and also performed with Zucchero in a new recording of his "Baila Morena". This same year they participated in the annual Pavarotti & Friends concert, along with Queen, Deep Purple, Ricky Martin, Andrea Bocelli, Zucchero and Bono.  In 2006, after a four-year hiatus, they released their seventh studio album, Amar es Combatir. It reached #4 on the Billboard Top 200 in its first week, selling over 60,000 copies in the first week. Their first single off the album, "Labios Compartidos", rose to the top of the music charts upon its debut in July, when the group played the song live at the Premios Juventud. Amar es Combatir has sold over 644,000 copies, and the Amar es Combatir Tour in promotion of the album grossed more than $35 million. In 2008, Mana released a live album entitled Arde El Cielo, in both a CD and CD/DVD package. This release shows the band performing during the Amar es Combatir Tour in support of Amar es Combatir.

What is Suenos Liquidos?

In 1997, the group released Suenos Liquidos, an album about the highs and lows of love, with songs like "Clavado en un bar" and "En el Muelle de San Blas,"



Answer the question at the end by quoting:

Benjamin Lee Whorf (; April 24, 1897 - July 26, 1941) was an American linguist and fire prevention engineer. Whorf is widely known as an advocate for the idea that differences between the structures of different languages shape how their speakers perceive and conceptualize the world. This principle has frequently been called the "Sapir-Whorf hypothesis", after him and his mentor Edward Sapir, but Whorf called it the principle of linguistic relativity, because he saw the idea as having implications similar to Einstein's principle of physical relativity. Throughout his life Whorf was a chemical engineer by profession, but as a young man he took up an interest in linguistics.
If read superficially, some of Whorf's statements lend themselves to the interpretation that he supported linguistic determinism. For example, in an often-quoted passage Whorf writes:  We dissect nature along lines laid down by our native language. The categories and types that we isolate from the world of phenomena we do not find there because they stare every observer in the face; on the contrary, the world is presented in a kaleidoscope flux of impressions which has to be organized by our minds--and this means largely by the linguistic systems of our minds. We cut nature up, organize it into concepts, and ascribe significances as we do, largely because we are parties to an agreement to organize it in this way--an agreement that holds throughout our speech community and is codified in the patterns of our language. The agreement is of course, an implicit and unstated one, but its terms are absolutely obligatory; we cannot talk at all except by subscribing to the organization and classification of data that the agreement decrees. We are thus introduced to a new principle of relativity, which holds that all observers are not led by the same physical evidence to the same picture of the universe, unless their linguistic backgrounds are similar, or can in some way be calibrated.  The statements about the obligatory nature of the terms of language have been taken to suggest that Whorf meant that language completely determined the scope of possible conceptualizations. However neo-Whorfians argue that here Whorf is writing about the terms in which we speak of the world, not the terms in which we think of it. Whorf noted that to communicate thoughts and experiences with members of a speech community speakers must use the linguistic categories of their shared language, which requires moulding experiences into the shape of language to speak them--a process called "thinking for speaking". This interpretation is supported by Whorf's subsequent statement that "No individual is free to describe nature with absolute impartiality, but is constrained by certain modes of interpretation even when he thinks himself most free". Similarly the statement that observers are led to different pictures of the universe has been understood as an argument that different conceptualizations are incommensurable making translation between different conceptual and linguistic systems impossible. Neo-Whorfians argue this to be is a misreading since throughout his work one of his main points was that such systems could be "calibrated" and thereby be made commensurable, but only when we become aware of the differences in conceptual schemes through linguistic analysis.

What were the categories
categories of their shared language, which requires moulding experiences into the shape of language to speak them