IN: Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. He played for the Stapletons for four years from 1929 to 1932. While statistics are not available for the 1929 NFL season, Strong was regarded as one of the best backs in the NFL. He started all 10 games at halfback for the 1929 Stapletons. In his first NFL game, he threw a long forward pass to set up the Stapleton's first touchdown and scored all of the team's 12 points on two short touchdown runs. He also had a 70-yard run in a scoreless tie with the Orange Tornadoes on November 3, 1929. Two days later, Strong had a 50-yard touchdown run against the Providence Steam Roller. At the end of the 1929 season, Strong was selected by Collyer's Eye and the Green Bay Press-Gazette as a second-team All-Pro.  In 1930, Strong appeared in all 12 games for the Stapletons and scored 53 points on two rushing touchdowns, five receiving touchdowns, one field goal, and eight extra points. His point total ranked third in the NFL in 1930, trailing only Jack McBride (56 points) and Verne Lewellen (54 points). On September 28, 1930, he caught two touchdown passes, threw a 40-yard pass that set up a third touchdown, and kicked three extra points in a 21-0 victory over the Frankford Yellow Jackets. In December 1930, he led the Stapletons to a 16-7 victory over the New York Giants for the pro football championship of New York City; Strong accounted for all 16 Stapleton points, running 98 yards for a touchdown, passing for a second touchdown, and kicking a field goal and an extra point. He was selected as a first-team player on the 1930 All-Pro Team by Collyer's Eye and the Green Bay Press-Gazette.  In 1931, Strong appeared in all 11 games for the Stapletons and scored 53 points on six rushing touchdowns, one punt return for a touchdown, two field goals, and five extra points. His 53 points ranked fourth in the NFL, trailing only Johnny Blood (84 points), Ernie Nevers (66 points), and Dutch Clark (60 points). On November 22, 1931, Strong scored all 16 points in a 16-7 victory over Cleveland; he had two rushing touchdowns, including a 50-yard run and kicked a field goal and an extra point. At the end of the 1931 season, Strong was selected as an All-Pro for the second year in a row, receiving first-team honors from the United Press (UP) and Collyer's Eye.  Strong's output dropped off in 1932 as he moved to the fullback position. He appeared in 11 games and ranked sixth in the NFL with 375 rushing yards, but scored only 15 points on two touchdowns and three extra points. At the end of the 1932 season, the Stapletons team folded.
QUESTION: What position did he play?
IN: Stewart Armstrong Copeland was born in Alexandria, Virginia on July 16, 1952, the youngest of four children of CIA officer Miles Copeland, Jr. and Scottish archaeologist Lorraine Adie. The family moved to Cairo, Egypt, a few months after his birth, and Copeland spent his formative years in the Middle East. In 1957, his family moved to Beirut, Lebanon, and Copeland attended the American Community School there. He started taking drum lessons at age 12 and was playing drums for school dances within a year.

In late 1976, Copeland founded the Police with lead singer-bass guitarist Sting and guitarist Henry Padovani (who was soon replaced by Andy Summers), and they became one of the top bands of the 1980s. The Police's early track list was mostly made of Copeland's compositions, including the band's first single "Fall Out" (Illegal Records, 1977) and the B side "Nothing Achieving". Though Copeland's songwriting contribution was reduced to a couple of songs per album as Sting started writing more material, he continued to co-arrange all the Police's songs with his two bandmates. Amongst Copeland's most notable songs are "On Any Other Day" (where he sang lead vocals too), "Does Everyone Stare" (later to be used as the title of his documentary on the band Everyone Stares: The Police Inside Out), "Contact", "Bombs Away", "Darkness" and "Miss Gradenko". Copeland also co-wrote a number of songs with Sting, including "Peanuts", "Landlord", "It's Alright for You" and "Re-Humanize Yourself".  Copeland also recorded under the pseudonym Klark Kent, releasing several UK singles in 1978 with one ("Don't Care") entering the UK Singles Chart that year, along with an eponymously titled 10-inch album on green vinyl released in 1980. Recorded at Nigel Gray's Surrey Sound Studio, Copeland played all the instruments and sang the lead vocals himself. Kent's "Don't Care", which peaked at #48 UK in August 1978, actually predates the first chart single by the Police by several months ("Can't Stand Losing You", issued in October 1978) as "Don't Care" was released in early June 1978. In 1982 Copeland was involved in the production of a WOMAD benefit album called Music and Rhythm. Copeland's score for Rumble Fish secured him a Golden Globe nomination in 1983. The film, directed and produced by Francis Ford Coppola from the S. E. Hinton novel, also had a song released to radio on A&M Records "Don't Box Me In" (UK Singles Chart n. 91)--a collaboration between Copeland and singer/songwriter Stan Ridgway, leader of the band Wall of Voodoo--that received significant airplay upon release of the film that year.  The Police stopped touring in 1984, and during this brief hiatus he released a solo album, The Rhythmatist. The record was the result of a pilgrimage to Africa and its people, and it features local drums and percussion, with more drums, percussion, other musical instruments and occasional lead vocals added by Copeland. The album was the official soundtrack to the movie of the same name, which was co-written by Stewart. He also starred in the film, which is "A musical odyssey through the heart of Africa in search of the roots of rock & roll." (Copeland is seen playing the drums in a cage with lions surrounding him.)  The band attempted a reunion in 1986, but the project fell apart.
QUESTION:
Who was in the Police with Copeland?