Problem: Background: Dorothy Dandridge was born on November 9, 1922 in Cleveland, Ohio, to aspiring entertainer Ruby Dandridge (nee Butler) (March 3, 1900 - October 17, 1987) and Cyril Dandridge (October 25, 1895 - July 9, 1989), a cabinetmaker and Baptist minister, who had separated just before her birth. Ruby created a song-and-dance act for her two young daughters, Vivian and Dorothy, under the name The Wonder Children, that was managed by Geneva Williams. The sisters toured the Southern United States almost nonstop for five years (rarely attending school), while Ruby worked and performed in Cleveland.
Context: Dandridge married dancer and entertainer Harold Nicholas on September 6, 1942, and gave birth to her only child, Harolyn Suzanne Nicholas, on September 2, 1943. Unfortunately, Harolyn was born brain-damaged and required constant care. By 1948, their marriage had deteriorated and Nicholas abandoned his family. Due to his adultery and abandonment, the couple divorced in October 1951.  While filming Carmen Jones (1954), the director Otto Preminger began an affair with his film's star, Dandridge. It lasted four years, during which period he advised her on career matters, demanding she accept only starring roles, advice Dandridge later regretted accepting. She became pregnant by him in 1955, but was forced to have an abortion by the studio. She ended the affair when she realized that Preminger had no plans to leave his wife to marry her. Their affair was depicted in the HBO Films biopic, Introducing Dorothy Dandridge, in which Preminger was portrayed by Austrian actor Klaus Maria Brandauer.  Dandridge married Jack Denison on June 22, 1959. They divorced in 1962 amid financial setbacks and allegations of domestic violence. At this time, Dandridge discovered that the people who were handling her finances had swindled her out of $150,000 and that she was $139,000 in debt for back taxes. Forced to sell her Hollywood home and place her daughter in a state mental institution in Camarillo, California, Dandridge moved into a small apartment at 8495 Fountain Avenue in West Hollywood, California.  Dandridge became involved with the National Urban League and the National Association for the Advancement of Colored People. As a result of the racism she encountered in the industry, she developed an interest in activism.
Question: What happened with that affair?
Answer: during which period he advised her on career matters, demanding she accept only starring roles, advice Dandridge later regretted accepting.

Problem: Background: Anti-Flag are an American punk rock band from Pittsburgh, Pennsylvania, United States. The band is well known for politically charged lyrics and activism, focusing on anti-war activism, anti-imperialism, class struggle, human rights, and various sociopolitical sentiments. The line-up includes singer/guitarist Justin Sane and drummer Pat Thetic, who founded the band; later members are guitarist Chris Head, and singer/bassist Chris Barker (#2) who replaced Jamie "Cock" Towns, who had replaced original bassist Andy Flag in 1997 following his departure one year prior. Anti-Flag is known also for their advocacy of progressive political action groups such as Greenpeace and Amnesty International.
Context: In 1996, the band released their first album, Die For the Government, on New Red Archives. Andy Flag left the band in the summer of 1996 because of personal disputes between himself and Justin. For a brief time after Andy's departure in 1996, Sean Whelan of Pittsburgh band the Bad Genes filled in on bass. It was during this time that Sean was also playing in another band (57 Defective) with guitarist Chris Head, whom he introduced to the band.  In early 1997, Pittsburgh guitarist Chris Head began filling in on bass. In late 1997, Jamie Cock took over as the new bassist, moving Chris Head over to second guitar, which he preferred. The current line-up finalized in 1999 when Chris Barker, also known as Chris No. 2, replaced Jamie Cock on bass.  In 1998, the band released their second full-length release, Their System Doesn't Work For You. The album contained all nine Anti-Flag songs from the 1996 Anti-Flag/d.b.s. split album North America Sucks, as well as 10 new unreleased songs. The band decided to release the album independently, and Their System Doesn't Work For You became the debut release for the band's own A-F Records.  In 1999, Anti-Flag released the album A New Kind of Army on Go-Kart Records/A-F Records. The album addressed topics such as abortion, political corruption, racism, fascism, troubled youth, police brutality, and unity within the American youth. The cover art page unfolded into a poster featuring the phrase "Too smart to fight. Too smart to kill. Join now. A new kind of army." In addition to this, the band had a disclaimer at the bottom of its album cover saying,"Anti-Flag does not mean Anti-American. Anti-Flag means anti-war. Anti-Flag means unity."
Question: What are some of the songs of this album?
Answer: 

Problem: Background: Arthur Asher Miller (October 17, 1915 - February 10, 2005) was an American playwright, essayist, and figure in twentieth-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He also wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman has been numbered on the short list of finest American plays in the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Tennessee Williams's A Streetcar Named Desire.
Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred.
Question: How did the play do?
Answer:
was a success on Broadway