Some context: White Lies are an English post-punk band from Ealing, London. Formerly known as Fear of Flying, the core band members are Harry McVeigh (lead vocals, guitar), Charles Cave (bass guitar and backing vocals), and Jack Lawrence-Brown (drums). The band perform live as a five-piece, when sidemen Tommy Bowen and Rob Lee join the line up. White Lies' musical style has been described as dark yet uplifting by the media, drawing comparisons to Editors, Interpol, Joy Division, and The Killers.
In an interview with the BBC's Newsbeat programme, McVeigh stated that due to the nature of the band's songwriting techniques clashing with their difficult touring schedules, there will be no new White Lies material until 2010. Despite this, McVeigh has mentioned that the ambitious recording of "Nothing to Give" and "The Price of Love" (from To Lose My Life...) act as a taster of the different sound to come on their sophomore release. In September 2009, the band released "Taxidermy" as a digital download through iTunes for the first time. A live favourite amongst fans, the track had previously only been released on the (now deleted) vinyl release of "To Lose My Life". During the same month, the band supported Kings of Leon's tour of the United States, and Coldplay's tour of the United Kingdom. As well as this, the band played their own headline tour across Europe during October--November 2009, including some of their biggest shows to date in the UK. A number of the tour dates were later cancelled, due to McVeigh falling ill during their concert in Munich, Germany. Having fully recovered in time for the beginning of their UK dates, the tour continued as normal, with cancelled dates being rescheduled for February 2010.  On 13 February 2010, White Lies became the first high-profile artist to perform at the FAC251 music venue in Manchester. The band played there again on 14 February, with tickets for the second show made available exclusively through the band's website. The performances were the band's only scheduled headline performances of 2010. Both concerts sold out in a matter of minutes, with 38,000 people applying for the 400 tickets available. As well as this, the band showed their mutual love of Muse at a number of European stadium shows between June and September 2010, and played the 2010 V Festival in the United Kingdom.  During November 2010, White Lies confirmed that their second album, Ritual, had been completed and would be released on 17 January 2011. Produced by Alan Moulder, the album's first single "Bigger than Us" was released on 3 January 2011. An eleven date tour of the United Kingdom was also announced for February 2011.
Did they have any other major hits?
A: "Taxidermy"
Some context: Kenesaw Mountain Landis (; November 20, 1866 - November 25, 1944) was an American jurist who served as a federal judge from 1905 to 1922 and as the first Commissioner of Baseball from 1920 until his death. He is remembered for his handling of the Black Sox scandal, in which he expelled eight members of the Chicago White Sox from organized baseball for conspiring to lose the 1919 World Series and repeatedly refused their reinstatement requests. His firm actions and iron rule over baseball in the near quarter-century of his commissionership are generally credited with restoring public confidence in the game.
Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled:  The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments.  If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause."  Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates.
How long did he remain a judge?
A: