Some context: Count Dracula is the title character of Bram Stoker's 1897 gothic horror novel Dracula. He is considered to be both the prototypical and the archetypal vampire in subsequent works of fiction. He is also depicted in the novel to be the origin of werewolf legends. Some aspects of the character are believed to have been inspired by the 15th-century Wallachian Prince Vlad the Impaler, who was also known as Dracula.
Count Dracula is portrayed in the novel using many different supernatural abilities, and is believed to have gained his abilities through dealings with the Devil. Chapter 18 of the novel describes many of the abilities, limitations and weaknesses of vampires and Dracula in particular. Dracula has superhuman strength which, according to Van Helsing, is equivalent to that of 20 strong men. He does not cast a shadow or have a reflection from mirrors. He is immune to conventional means of attack; a sailor tries to stab him in the back with a knife, but the blade goes through his body as though it is air. Why Harker's and Morris' physical attacks are able to harm him in other parts of the book is never explained although it is noteworthy that the failed stabbing by the sailor occurred at night and the successful attacks were during daylight hours. The Count can defy gravity to a certain extent and possesses superhuman agility, able to climb vertical surfaces upside down in a reptilian manner. He can travel onto "unhallowed" ground such as the graves of suicides and those of his victims. He has powerful hypnotic, telepathic and illusionary abilities. He also has the ability to "within limitations" vanish and reappear elsewhere at will. If he knows the path, he can come out from anything or into anything regardless of how close it is bound even if it is fused with fire.  He has amassed cunning and wisdom throughout centuries, and he is unable to die by the mere passing of time alone.  He can command animals such as rats, owls, bats, moths, foxes and wolves. However, his control over these animals is limited, as seen when the party first enters his house in London. Although Dracula is able to summon thousands of rats to swarm and attack the group, Holmwood summons his trio of terriers to do battle with the rats. The dogs prove very efficient rat killers, suggesting they are Manchester terriers trained for that purpose. Terrified by the dogs' onslaught, the rats flee and any control which Dracula had over them is gone.  Dracula can also manipulate the weather and, within his range, is able to direct the elements, such as storms, fog and mist.
Is that all the power he have ?
A: The Count can defy gravity to a certain extent and possesses superhuman agility, able to climb vertical surfaces upside down in a reptilian manner.

Some context: Premiata Forneria Marconi (PFM) (translation: Award-winning Marconi Bakery) is an Italian progressive rock band. PFM were the first Italian group to have success abroad, entering both the British and American charts. Between 1973 and 1977 they released five albums with English lyrics. They also had several successful European and American tours, playing at the popular Reading Festival in England and on a very popular national television program in the United States.
The lack of a strong lead vocalist had always been considered PFM's biggest liability so, for this reason, they enrolled Bernardo Lanzetti, who was previously with the group Acqua Fragile. While a college student, Lanzetti had lived in Austin, Texas for a few years. But most importantly he had a powerful and distinctive voice and could speak fluent English.  The first release by the six-piece band was Chocolate Kings in 1975. Featuring a harder rock sound, it had modest success at home but was their least popular album in Italy so far. The same album was released with different cover art by Manticore in the UK and by Asylum Records in the US. The controversial US/UK cover showed a chocolate bar in a partially peeled Stars and Stripes wrapper on the front, along with the crumpled and discarded wrapper on the back. PFM appeared on the BBC television show The Old Grey Whistle Test in 1976 performing the title track to the album. The album reached the UK top 20 but was less successful internationally. Mauro Pagani left the group following Chocolate Kings to pursue a solo career.  Lanzetti also appeared on Jet Lag (1977), an album highly influenced by the Jazz-fusion movement, which was recorded in Los Angeles. This was their last album with English lyrics and the last album released in the U.S., also on Asylum. Violinist Gregory Bloch, previously with the group It's a Beautiful Day, replaced Mauro Pagani and helped the band acquire notoriety in the US before leaving to join the Saturday Night Live Band in 1979.  For Passpartu (1978) PFM added two new percussion players and shifted stylistic direction once again. The album contains seven songs in Italian and one instrumental, characterized by an international pop music style; an early example of what today is known as 'Worldbeat'. The album contains mostly acoustic guitar and draws from Italian folk and Latin music as well as Jazz-Pop styles, somewhat like Steely Dan. This was the last album to feature Lanzetti, who then left to pursue a solo career.
How did the album Jet Lag turn out?
A:
This was their last album with English lyrics and the last album released in the U.S.,