input: This job was as a part-time assistant in Booklovers' Corner, a second-hand bookshop in Hampstead run by Francis and Myfanwy Westrope, who were friends of Nellie Limouzin in the Esperanto movement. The Westropes were friendly and provided him with comfortable accommodation at Warwick Mansions, Pond Street. He was sharing the job with Jon Kimche, who also lived with the Westropes. Blair worked at the shop in the afternoons and had his mornings free to write and his evenings free to socialise. These experiences provided background for the novel Keep the Aspidistra Flying (1936). As well as the various guests of the Westropes, he was able to enjoy the company of Richard Rees and the Adelphi writers and Mabel Fierz. The Westropes and Kimche were members of the Independent Labour Party, although at this time Blair was not seriously politically active. He was writing for the Adelphi and preparing A Clergyman's Daughter and Burmese Days for publication.  At the beginning of 1935 he had to move out of Warwick Mansions, and Mabel Fierz found him a flat in Parliament Hill. A Clergyman's Daughter was published on 11 March 1935. In early 1935 Blair met his future wife Eileen O'Shaughnessy, when his landlady, Rosalind Obermeyer, who was studying for a master's degree in psychology at University College London, invited some of her fellow students to a party. One of these students, Elizaveta Fen, a biographer and future translator of Chekhov, recalled Orwell and his friend Richard Rees "draped" at the fireplace, looking, she thought, "moth-eaten and prematurely aged." Around this time, Blair had started to write reviews for the New English Weekly.  In June, Burmese Days was published and Cyril Connolly's review in the New Statesman prompted Orwell (as he then became known) to re-establish contact with his old friend. In August, he moved into a flat in Kentish Town, which he shared with Michael Sayers and Rayner Heppenstall. The relationship was sometimes awkward and Orwell and Heppenstall even came to blows, though they remained friends and later worked together on BBC broadcasts. Orwell was now working on Keep the Aspidistra Flying, and also tried unsuccessfully to write a serial for the News Chronicle. By October 1935 his flatmates had moved out and he was struggling to pay the rent on his own. He remained until the end of January 1936, when he stopped working at Booklovers' Corner.

Answer this question "When was he in Hampstead"
output: At the beginning of 1935 he had to move out of Warwick Mansions, and Mabel Fierz found him a flat in Parliament Hill.

input: The band often utilized a wide variety of state-of-the-art electronic music equipment immediately as they were made available. Yellow Magic Orchestra and Ryuichi Sakamoto's Thousand Knives were one of the earliest popular music albums to utilize the Roland MC-8 Microcomposer, which was programmed by Hideki Matsutake during recording sessions. Roland called the MC-8 a "computer music composer" and it was the first stand-alone microprocessor-based music sequencer. It also introduced features such as a keypad to enter note information and 16 KB of RAM which allowed a maximum sequence length of 5200 notes, a huge step forward from the 8-16 step sequencers of the era. While it was commercially unsuccessful due to its high price, the band were among the few bands at the time to utilize the MC-8, which they described as, along with its music programmer Hideki Matsutake, an "inevitable factor" in both their music production and live performances. "Behind the Mask" (1979) made use of synthesizers for the melodies and digital gated reverb for the snare drums.  They were also the very first band to utilize the Roland TR-808 Rhythm Composer, one of the first and most influential programmable drum machines, as soon as it was released in 1980. While the machine was initially unsuccessful due to its lack of digital sampling that the rival Linn LM-1 offered, the TR-808 featured various unique artificial percussion sounds, including a deep bass kick drum, "tinny handclap sounds", "the ticky snare, the tishy hi-hats (open and closed)", and "the spacey cowbell", which YMO utilized and demonstrated in their music, as early as its year of release in 1980, paving the way for the TR-808's mainstream popularity several years later, after which it would be used for more hit records than any other drum machine and continue to be widely used through to the present day.  At the time, Billboard noted that the use of such computer-based technology in conjunction with synthesizers allowed YMO to create new sounds that were not possible until then. Yellow Magic Orchestra was also the first computer-themed music album, coming before Kraftwerk's Computer World (1981) by several years. As a result of such innovations, YMO were credited at the time for having "ushered in the age of the computer programmer as rock star."  Other electronic equipment used by the group included the LMD-649 sampler (see Sampling above), Roland MC-4 Microcomposer sequencer, Pollard Syndrum electronic drums, Roland VP-330 and Korg VC-10 vocoders, Yamaha CS-80 and DX7 synthesizers, Korg PS-3100 and PS-3300 synthesizers, Moog III-C and Polymoog synthesizers, and ARP Odyssey, Oberheim 8 Voice and E-mu Emulator synthesizers. Electric instruments were also used, the Fender Rhodes piano and Fender Jazz Bass.

Answer this question "What other features did it have?"
output: They were also the very first band to utilize the Roland TR-808 Rhythm Composer, one of the first and most influential programmable drum machines,

input: Her big break came when writer/director James Cameron picked Alba from a pool of 1,200 candidates for the role of the genetically engineered super-soldier, Max Guevara, on the Fox sci-fi television series Dark Angel. Co-created by Cameron, the series starred Alba, and ran for two seasons until 2002. Alba earned critical acclaim for her role in the show, receiving a Golden Globe nomination as well as the Teen Choice Award for "Choice Actress" and Saturn Award for Best Actress.  Alba's film roles have included playing an aspiring dancer-choreographer in Honey, and an exotic dancer Nancy Callahan in Sin City, for which she received an MTV Movie Award for "Sexiest Performance." Alba portrayed the Marvel Comics character Sue Storm, the Invisible Woman, in Fantastic Four and its sequel. She also starred in Into the Blue (2005), Good Luck Chuck (2007) and Awake (2007).  Alba hosted the 2006 MTV Movie Awards and performed sketches spoofing the movies King Kong, Mission: Impossible III, and The Da Vinci Code. In February 2008, she hosted the Academy of Motion Picture Arts and Sciences' Science and Technical Awards. Alba has been represented by Brad Cafarelli.  Also in 2008, Alba made her acting transition to the horror-film genre in The Eye, a remake of the Hong Kong original. The film was released on February 1, 2008. Though the film was not well received by critics, Alba's performance itself received mixed reviews. She won a Teen Choice for Choice Movie Actress: Horror/Thriller  and a Razzie Award for Worst Actress-nomination. Later in 2008, Alba starred alongside Mike Myers and Justin Timberlake in The Love Guru.

Answer this question "was she successful in her role?"
output:
Alba earned critical acclaim for her role in the show,