Answer the question at the end by quoting:

Jean-Christophe Lafaille (31 March 1965 - 27 January 2006 [presumed]) was a French mountaineer noted for a number of difficult ascents in the Alps and Himalaya, and for what has been described as "perhaps the finest self-rescue ever performed in the Himalaya", when he was forced to descend the mile-high south face of Annapurna alone with a broken arm, after his climbing partner had been killed in a fall. He climbed eleven of the fourteen eight-thousand-metre peaks, many of them alone or by previously unclimbed routes, but disappeared during a solo attempt to make the first winter ascent of Makalu, the world's fifth highest mountain.
After Annapurna, Lafaille resolved never to climb again, but during his long physical and psychological recovery he began scrambling in the foothills of the Alps, and eventually returned to extreme climbing. In the Alps he carried out an enchainment of nine north faces in fifteen days, skiing from mountain to mountain, and made the first ascent of the Lafaille Route on the Petit Dru, which at the time was considered the hardest route in the Alps, but his most important climbs were in the Himalaya.  A year after his accident on Annapurna, he climbed Cho Oyu, and then in 1994 he climbed a new route, solo, on the north face of Shishapangma. It was the first of many solo ascents of 8000 meter peaks, including consecutive ascents of Gasherbrum I and Gasherbrum II in four days in 1996, and Manaslu in 2001.  Annapurna remained an obsession for Lafaille, and he would later call his autobiography Prisoner of Annapurna. He returned to the mountain three times. The first time he made a solo attempt on the British line on the South Face, which failed due to poor snow conditions. In 1998 he returned to the same route with a larger team, but the expedition was abandoned when a team member was killed in an avalanche. He finally reached the summit in 2002 with Alberto Inurrategi via the long, committing east ridge.  By 2003 Lafaille had decided to try to climb all fourteen 8000-metre peaks; but unlike many of the mountaineers who take on this goal, he had no desire simply to climb them by well established routes, in large expeditions and with bottled oxygen. He preferred to continue trying to achieve new routes or solo ascents, or to climb in the more demanding winter season. In 2003 he climbed Nanga Parbat, Dhaulagiri (solo) and Broad Peak in a two-month period. The last of these nearly killed him when he fell into a crevasse and then developed high altitude pulmonary edema. He was rescued by Ed Viesturs and Denis Urubko.  In December 2004 he made a solo ascent of Shishapangma. It was intended to be the first winter ascent of the mountain, but he reached the summit on 11 December which was seen as too early to be classed as a true winter ascent. By this point he had completed eleven of the fourteen peaks, and needed Everest, Kanchenjunga and Makalu to complete his goal.

what is interesting about this section?

By 2003 Lafaille had decided to try to climb all fourteen 8000-metre peaks;

IN: Once is a 2007 Irish romantic musical drama film written and directed by John Carney. The film stars Glen Hansard and Marketa Irglova as two struggling musicians in Dublin, Ireland. Hansard and Irglova had previously performed music as the Swell Season, and composed and performed the film's original songs. Once spent years in development with the Irish Film Board and was made for a budget of EUR112,000.

Once was met with extremely positive reviews from critics. Upon its March 2007 release in Ireland, RTE's Caroline Hennessy gave the film 4 out of 5 stars and termed it "an unexpected treasure". About the acting, this Irish reviewer commented, "Once has wonderfully natural performances from the two leads. Although musicians first and actors second, they acquit themselves well in both areas. Irglova, a largely unknown quantity alongside the well-known and either loved or loathed Hansard, is luminous." Michael Dwyer of The Irish Times gave the film the same rating, calling it "irresistibly appealing" and noting that "Carney makes the point - without ever labouring it - that his protagonists are living in a changing city where the economic boom has passed them by. His keen eye for authentic locations is ... evident".  In May, on Ebert & Roeper, both Richard Roeper and guest critic Michael Phillips of the Chicago Tribune gave enthusiastic reviews. Phillips called it, "the most charming thing I've seen all year", "the Brief Encounter for the 21st century", his favorite music film since 1984's Stop Making Sense and said, "It may well be the best music film of our generation". Roeper referred to the film's recording studio scene as "more inspirational and uplifting than almost any number of Dreamgirls or Chicago or any of those multi-zillion dollar musical showstopping films. In its own way, it will blow you away." Once won very high marks from U.S. critics; it is rated 97% "fresh" by the film review aggregation site Rotten Tomatoes and scored a grade of 88 ("universal acclaim") according to Metacritic.  In late 2007, Amy Simmons of Time Out London wrote, "Carney's highly charged, urban mise-en-scene with its blinking street lamps, vacant shops and dishevelled bed-sits provides ample poetic backdrop for the film's lengthy tracking shots, epitomised in a sequence where the Girl walks to the corner shop in pyjamas and slippers while listening to one of the Guy's songs on her personal stereo. With outstanding performances from Hansard and new-comer Irglova, Carney has created a sublime, visual album of unassuming and self-assured eloquence." The Telegraph's Sukhdev Sandhu said, "Not since Before Sunset has a romantic film managed to be as touching, funny or as hard to forget as Once. Like Before Sunset, it never outstays its welcome, climaxing on a note of rare charm and unexpectedness."  The film appeared on many North American critics' top ten lists of the best films of 2007:  In 2008, the film placed third on Entertainment Weekly's "25 Best Romantic Movies of the Past 25 Years".

What was the critical response to once?

OUT:
extremely positive reviews from critics.