IN: Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The band released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals).

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood.  The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year.  In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc.,
QUESTION: Was it a successful recording?
IN: George Robert Stephanopoulos (born February 10, 1961) is an American journalist, political commentator and former Democratic political operative and advisor. Stephanopoulos is currently the chief anchor and the chief political correspondent for ABC News, a co-anchor of Good Morning America, and the host of ABC's Sunday morning This Week. Stephanopoulos is a regular substitute anchor for ABC World News Tonight. Prior to his career as a journalist, Stephanopoulos was an advisor to the Democratic Party.

In 1994, columnist Jack Anderson reported that Stephanopoulos sealed an $835,000 commercial real estate deal consisting of a two-story apartment, including an eyewear retailer, with a below-market loan rate from a bank owned by Hugh McColl, who had been called by President Clinton "the most enlightened banker in America". A NationsBank commercial loan officer said that this loan did "not fit our product matrix" as banks typically offer such loans for only those customers who have deep pockets and on a short-term adjustable rate basis. Stephanopoulos's real estate agent explained that "nobody making $125,000 could qualify for the property without the commercial property (lease)." One former senior bank regulator told Anderson that, "If his name were George Smith, and he didn't work in the White House, this loan wouldn't have gotten made."  Regarding the controversy, NationsBank stated, "The loan described by Jack Anderson as a commercial loan to George Stephanopoulos was, in fact, a residential mortgage loan. At the time the loan commitment was made, Mr. Anderson (or his imaginary 'George Smith' who 'doesn't work in the White House') could have walked into any NationsBank Mortgage Company office in the D.C. area and received the same excellent rate and term for the same deal."  However, Stephanopoulos's realtor states that he would not have qualified for the loan without the commercial property rent. One NationsBank source states that the issuance of a residential loan on mixed-use properties is such a rarity that it was not even addressed in the "NationsBank Mortgage Corporation's Program Summary" or its "Credit Policy Manual." A NationsBank underwriting memo revealed that one of the three restrictions for mixed-use properties is that "the borrower must be the owner of the business entity." The source claims that NationsBank told the listing agent that, "We're not (interested in mixed-use properties), but we do have an appetite for this particular loan." NationsBank's primary regulator at the time was Comptroller of the Currency Eugene Ludwig, a Rhodes scholar who attended Yale Law School with President Clinton, and who had been asked to investigate NationsBank by Democratic congressmen Henry B. Gonzalez and John Dingell.
QUESTION:
Was he directly involved?