Problem: Background: Harel Skaat was born on 8 August 1981, in Kfar Saba, Israel, to a family of Yemenite-Jewish and Iraqi-Jewish descent. When he was six years old, he won a national children's festival competition entitled "A Star for the Evening - Singing Big" in his hometown and while still a child he appeared in an episode of a popular Israeli television show called Parpar Nehmad (prpr nkhmd, Nice Butterfly). Throughout his youth, he continued to appear at festivals and television shows, and at the age of 15 he was the lead singer of both the Kfar Saba city band and his high school band. At 18, he sang with the Israel Defense Forces' Communications Corps.
Context: In 2006, Skaat began a concert tour to promote his debut album, performing throughout Israel, including a concert at the Frederic R. Mann Auditorium in Tel Aviv (home to the Israel Philharmonic Orchestra). The tour eventually passed the 200 concert mark, an achievement which has been widely noted in the Israeli media. In 2009 Skaat began a second concert tour to promote the Dmuyot album. Reuters' music writer and critic, Assaf Nevo began his review of the launch of that tour by noting that if a computer were to create the ultimate Israeli pop singer it would resemble Skaat, who he wrote combined the charisma of Shlomo Artzi, the star quality of Ivri Lider, the vocal clarity of Izhar Cohen, the cuteness of Evitar Banai, and the sensitivity of Rami Kleinstein. While Nevo viewed Skaat as a good pop singer, he believed that Skaat's music did not extend beyond this genre.  Skaat has also frequently appeared at the Zappa night clubs in Tel Aviv and Herzliya, which regularly features live music from both Israeli and international musicians.  One of Skaat's first major appearances after Eurovision was on 28 July 2010 in Tel Aviv at a tribute to the French singer, Serge Gainsbourg. Skaat had been scheduled to perform at the opening ceremony of the XIX International Festival of Arts, "Slavianski Bazaar in Vitebsk" in Belarus on 9 July 2010, but his appearance was canceled by the organizers two days before the event. The organizers cited a need to downsize the number of concerts as a reason for the cancellation, but Israeli diplomatic sources alleged that the cancellation was due to political reasons and the Israeli ambassador to Belarus refused to attend the opening ceremony in protest. In March 2011, Skaat took part in a unique collaboration: singing three of his songs live in the Sharon Levi's Barcelona Dance Company's tap dance show, "Fragments", which debuted in Paris.
Question: Are there any other interesting aspects about this article?
Answer: Skaat took part in a unique collaboration: singing three of his songs live in the Sharon Levi's Barcelona Dance Company's

Problem: Background: The King's College Choir is one of today's most accomplished and renowned representatives of the great English choral tradition. It was created by King Henry VI, who founded King's College, Cambridge, in 1441, to provide daily singing in his Chapel, which remains the main task of the choir to this day. Today the choir is directed by Stephen Cleobury and derives much of its fame from the Festival of Nine Lessons and Carols, broadcast worldwide to millions on Christmas Eve every year, and the TV service Carols from King's which accompanies it. The choir commissions a carol from a contemporary composer for each year's Festival.
Context: By the 1860s it was recognised that musical standards in the choir needed improvement.John Jebb's 1843 enquiry into Anglican choirs found that "in Cambridge, the Choral Service has suffered mutilation in every place where it is retained. King's College has reduced the original number of its Conduct Chaplains from three to one; and though retaining its sixteen Choristers (which evidently were intended to be proportionate to a more numerous body of adult singers), there are but a small number of Clerks, too weak for the magnificent organ which accompanies them, and for the unrivalled Chapel where they minister. The Choir indeed attends twice daily; but the prayers are not chanted (a very modern innovation), and at the Sunday morning service the Nicene Creed is not sung.". Amongst the lay clerks, whose duties were at this time divided by also singing at Trinity, indiscipline and absenteeism were common.  Reform began after the passing of the Cambridge University Act 1856, which enabled the statutes and governance of the college to be altered. Two chaplains and twelve lay clerks were specified, and sharing duties with Trinity was ended in 1871. The same year a new Master over the Choristers was appointed, who was tasked with being "watchful of their moral conduct" and "maintaining disciple without undue severity at all times". Conditions for choristers were improved with the intention of recruiting boys from a higher social background. They were given instruction in instrumental music and financial assistance upon leaving.  To further widen the field for selection it was decided to open a boarding school instead of paying for choristers to be lodged with local families. From 1876 it was decreed that choristerships should be open to all candidates "whether resident in Cambridge or elsewhere" with those resident outside the city lodged at the expense of the college, and a purpose-built King's College School was opened two years later. Also in 1876 it was decided that choral scholarships were to be awarded, with students replacing the permanently employed lay clerks. Existing contracts meant this was a slow process, with the last clerk leaving in 1928.  1876 also saw the appointment of a new organist on an increased salary, Arthur Henry Mann. There was little if any formal training of choir instructors at this time in England - most were organists who taught the choir following whatever technique they themselves had been subjected to as former choristers. Mann was fortunate in this regard having been a chorister at Norwich Cathedral under the renowned Zechariah Buck. Mann was therefore an outstanding choir trainer himself and greatly improved the reputation of King's College Choir. He worked on improving the diction and timing of the choir to allow them to work with the acoustic of the chapel and its particularly lengthy reverb. He also opened up services to the public, where previously visitors needed written permission to attend.
Question: what other reforms happened?
Answer:
Two chaplains and twelve lay clerks were specified, and sharing duties with Trinity was ended in 1871.