IN: Robert Walls (born 21 July 1950) is a former Australian rules footballer who represented Carlton and Fitzroy in the Victorian Football League (VFL) during the 1960s and 1970s. In a playing career that spanned three decades Robert played a combined 259 games and kicked a total of 444 goals. Throughout the 1980s and 1990s he continued to coach in the VFL/AFL for a total of 347 games across four different clubs. As a coach, his greatest achievement came in 1987 when he coached Carlton to the 1987 VFL premiership, the same club he won premierships with as player in 1968, 1970 and 1972.

After he retired as a player, Walls immediately took over as coach of Fitzroy. With a major clean-out of older players who were clearly "past it" in the club's disappointing 1980 season, Walls lifted the Lions to their best era since winning a premiership in 1944. Robert would coach Fitzroy Football Club for 115 games (60 wins - 54 losses - 1 draw).  They improved from last in 1980 to fifth at the end of the home-and-away season in 1981, securing their finals berth with an upset win over Collingwood and then beating Essendon in the Elimination Final before failing by the narrowest of margins in the First Semi against the Magpies. 1982 was relatively disappointing due to a poor start, but with players like Gary Pert and Paul Roos from the club's recruiting zones and South Australian recruit Matt Rendell growing into stars, the Lions were back as a force at the end of the season. 1983 saw the Lions emerge after five rounds as favourites for the premiership and maintain that favouritism with a sensational win in a top-of-the-table clash with North by 150 points with Rendell kicking eight goals besides destroying Gary Dempsey in the ruck. However, inevitable overconfidence saw the Lions lose form and finish fourth after losing two hard-fought finals.  1984, with injuries plaguing the club and its lack of depth apparent, was initially disappointing but a remarkable recovery saw them enter the five after the final round only to be crushed by Collingwood. In 1985, the Lions' financial crisis emerged to threaten their future and this, along with more injuries, caused them to drop to ninth with only seven wins and two losses to last-placed St Kilda. After this, Walls moved to his former club Carlton in a swap with David Parkin.

What year did he begin coaching Fitzroy?

OUT: 1980

Answer the question at the end by quoting:

Charles Edward "Charlie" Haden (August 6, 1937 - July 11, 2014) was an American jazz double bass player, bandleader, composer and educator known for his deep, warm sound, and whose career spanned more than fifty years. In the late 1950s, Haden was an original member of the ground-breaking Ornette Coleman Quartet. Haden revolutionized the harmonic concept of bass playing in jazz. About him, German musicologist Joachim-Ernst Berendt commented, "His ability to create serendipitous harmonies by improvising melodic responses to Coleman's free-form solos (rather than sticking to predetermined harmonies) was both radical and mesmerizing.
In addition to his lyrical playing, Haden was known for his warm tone and subtle vibrato on the double bass. His approach to the bass stemmed from his belief that the bassist should move from an accompanying role to a more direct role in group improvisation. This is particularly clear in his work with the Ornette Coleman Quartet where he frequently improvised melodic responses to Coleman's free-form solos instead of playing previously written lines. He frequently closed his eyes while performing, and assumed a posture in which he bent himself around the bass until his head was almost at the bottom of the bridge of the bass.  In an interview with Haden, pianist Ethan Iverson noted that Haden's "combination of folk song, avant-garde sensibility, and Bach-like classical harmony is a stream in this music just as distinctive as Thelonious Monk or Elvin Jones."  Haden owned one three-quarter-sized bass, and one seven-eighth-sized bass. The larger bass is one of a small number of basses made by Jean-Baptiste Vuillaume, a French luthier, in the mid-nineteenth century. He greatly valued this bass, playing it only at recording sessions and jobs in close proximity to his home so as not to risk damaging it in transit. He attributed the bass's special and valuable nature to the varnish used by Vuillaume, which is similar to Italian varnish.  Haden suffered from tinnitus, a ringing in both ears that he believed he acquired from constant exposure to playing in proximity to drums, and possibly from an extremely loud concert in which he played during the late 1960s. He also suffered from hyperacousis, or sensitivity to loud noises. As a result, when he played with a drummer, he had to play behind a Plexiglass divider.  "American Quartet" pianist, Keith Jarrett, said of Charlie's way of playing, "He wanted to relate to the material in a very personal style all the time. He wasn't somebody to get into a groove and just enjoy it simply because it was a groove".

Was his musical style popular during his time?



input: In 1995, Hayes appeared as a Las Vegas minister impersonating himself in the comedy series The Fresh Prince of Bel-Air. He launched a comeback on the Virgin label in May 1995 with Branded, an album of new material that earned impressive sales figures as well as positive reviews from critics who proclaimed it a return to form. A companion album released around the same time, Raw and Refined, featured a collection of previously unreleased instrumentals, both old and new. Hayes worked on the theme for the 1996 theatrical release 'Beavis and Butt-Head Do America', producing a piece which was essentially a hybrid of 'The Theme From Shaft' and the theme from the original 'Beavis and Butt-Head' TV show.  Soon after, Hayes joined the founding cast of Comedy Central's animated TV series, South Park. Hayes provided the voice for the character of "Chef", the amorous elementary-school lunchroom cook, from the show's debut on August 13, 1997 (one week shy of his 55th birthday), through the end of its ninth season in 2006. The role of Chef drew on Hayes's talents both as an actor and as a singer, thanks to the character's penchant for making conversational points in the form of crudely suggestive soul songs. An album of songs from the series appeared in 1998 with the title Chef Aid: The South Park Album reflecting Chef's popularity with the show's fans, and the Chef song "Chocolate Salty Balls" became a number-one U.K. hit. However, when the South Park movie South Park: Bigger, Longer & Uncut was released the following year, Chef was the only major character who did not perform a showcase song in the film; his lone musical contribution was "Good Love," a track on the soundtrack album which originally appeared on Black Moses in 1971 and is not heard in the movie  In 2000, he appeared on the soundtrack of the French movie The Magnet on the song "Is It Really Home" written and composed by rapper Akhenaton (IAM) and composer Bruno Coulais. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame. After he played a set at the Glastonbury Festival, the same year a documentary highlighting Isaac's career and his impact on many of the Memphis artists in the 1960s onwards was produced, "Only The Strong Survive". In 2004, Hayes appeared in a recurring minor role as the Jaffa Tolok on the television series Stargate SG-1. The following year, he appeared in the critically acclaimed independent film Hustle & Flow. He also had a brief recurring role in UPN/The CW's Girlfriends as Eugene Childs (father of Toni).

Answer this question "What did he doo after he did the release"
output:
Hayes worked on the theme for the 1996 theatrical release 'Beavis and Butt-Head Do America