Question: William Harold Southworth (March 9, 1893 - November 15, 1969) was an American right fielder, center fielder and manager in Major League Baseball (MLB). Playing in 1913 and 1915 and from 1918 to 1929, he batted left-handed and threw right-handed. Southworth managed in 1929 and from 1940 through 1951.

Southworth was born in Harvard, Nebraska, to Orlando and Marriah Southworth. He was raised in Columbus, Ohio. He had four older brothers who played baseball. Before he was old enough to play with them, Southworth would give his old socks to his brothers so they could create makeshift balls. Southworth decided to play baseball against his father's wishes. Orlando Southworth had wanted his son to attend college. At the age of 19, he signed a contract with the Portsmouth team in the Ohio State League. He joined the Cleveland Indians in 1913, but only appeared in one game, entering as a replacement on defense.  In 1914, Southworth married Lida Brooks. She was a minister's daughter and they had met while Southworth was playing for Portsmouth. The couple's son, William Brooks Southworth, was born during Southworth's early playing career. Billy Southworth, Jr. later became a professional baseball player for several seasons. The elder Southworth returned to the Cleveland Indians in 1915 and appeared in 60 games. He played for the Birmingham Barons in 1917 and part of 1918, when he made the Pittsburgh Pirates and played in 64 major league games.  Southworth played more regularly in 1919, appearing in 121 games and leading the league with 14 triples. With the exception of two seasons, Southworth played in at least that many games through 1926. In 1926, Southworth's offensive production increased and he finished the season with a .320 batting average, 16 home runs and 99 RBI. He ran into difficulty with New York manager John McGraw that year, as Southworth's independent style became incompatible with McGraw's strict leadership. He was traded from the New York Giants to the St. Louis Cardinals in the middle of the season. Southworth suffered a 1927 rib injury that limited his playing time. The Cardinals' leadership began to look for a role for Southworth beyond his playing career.

Using a quote from the above article, answer the following question: What was his batting average towards the end?
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Answer: he finished the season with a .320 batting average, 16 home runs and 99 RBI.


Question: Therapy? are an alternative metal band from Northern Ireland. The band was formed in 1989 by guitarist-vocalist Andy Cairns from Ballyclare and drummer-vocalist Fyfe Ewing from Larne, Northern Ireland. The band initially recorded their first demo with Cairns filling in on bass guitar. To complete the lineup, the band recruited Larne bassist Michael McKeegan.

While attending a charity gig at the Jordanstown Polytechnic in early 1989, Andy Cairns noticed Fyfe Ewing playing drums in a punk covers band. The two spoke afterwards and agreed to meet for rehearsal in Fyfe's house in Larne with Andy playing a small practice amp and Fyfe playing his kit with brushes. In the summer they recorded a four track demo tape (Thirty Seconds of Silence) with Andy playing a bass guitar borrowed from Fyfe's classmate Michael McKeegan. Deciding to play live, they recruited McKeegan and played their debut gig at the Belfast Art College supporting Decadence Within on 20 August 1989. They followed this up with another four track demo tape (Meat Abstract). Their sound was becoming highly influenced by artists of the indie rock movement such as The Jesus Lizard, Big Black, and The Membranes as well as new beat disco acts such as Belgian outfit Erotic Dissidents.  Therapy? released its first single, called Meat Abstract in July 1990. The single was limited to 1000 copies, and released on the bands' own Multifuckinational Records. During the summer of that year, the band made its first tour through the United Kingdom with The Beyond, catching the attention of influential DJ John Peel along the way. The band's early years followed the familiar pattern of hard graft on the local alternative music scene, with Cairns often putting in a full day at the Michelin tyre factory (where he worked as a quality controller), then speeding across Northern Ireland in order to make it to gigs. The band also took whatever support slot they could, opening for the likes of Loop, Ride, Teenage Fanclub, Inspiral Carpets, Tad, Fugazi and Ned's Atomic Dustbin. Therapy? quickly came to the attention of local music fans with their distinctively uncompromising style. Their use of guitar feedback as a "fourth instrument" and unconventional song structures, combined with a darkly original approach to lyrics and imaginative use of samples pulled from cult movies and obscure documentaries, led them to be spotted in 1990 by London-based independent label Wiiija Records. The move was helped by Lesley Rankine of Silverfish, who passed the band's first single on to Gary Walker of Wiiija.  The band's first album, July 1991's Babyteeth, and its January 1992 follow up, Pleasure Death, were successful enough to earn the band a major label deal with A&M Records. Both albums were underground successes, hitting number 1 in the UK Indie Charts. The attention led to support slots with both Babes In Toyland and Hole on their respective UK tours. A compilation of the two albums entitled Caucasian Psychosis was prepared for the North American market, and the band embarked on their first U.S. tour in October 1992.  Their debut A&M record, Nurse, made its way into UK's Top 40 Album Chart in November 1992, while lead single "Teethgrinder" became the band's first Top 40 single in both the UK and Ireland. The grunge revolution was in full swing, with US outfit Nirvana leading the way. Predictably, the media began to draw comparisons between the two bands. The heavy guitars and inventive drumming that was swiftly becoming Therapy?'s trademark led them more towards the grunge camp than away from it.

Using a quote from the above article, answer the following question: What did DJ John Peel do?
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Answer: