Question: Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".

Fischer next lived in Detroit, Michigan, whereupon, after first hearing the vocal quartet The Hi-Lo's in a live performance, he promptly offered his services. Over the next five years, Fischer recorded several albums with the group, serving as pianist and, on occasion, arranger. In addition, he contributed several vocal arrangements, making his debut in that capacity; it was these arrangements that Herbie Hancock would later point to as a major influence:  [T]hat's when I really learned some much farther-out voicings - like the harmonies I used on Speak Like a Child - just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... I heard some of his last records, and he was still doing amazing harmonic stuff. And, of course, he was a wonderful pianist, too. But it was those vocal harmonies that were the first thing I heard. I was in awe of him.  When Fischer moved to Hollywood in 1958, he went to East L.A. to play and learn more about Latin-Jazz. He started in a charanga group with Modesto Duran as leader and played with many different groups. On November 2, 1959, he made a particularly fruitful connection within this genre when he appeared with the Hi-lo's at the First Annual Los Angeles Jazz Festival on the same bill with the already popular Latin jazz group led by vibraphonist Cal Tjader. Both his playing and arranging made an immediate impression on Tjader, who went on to employ Fischer in both capacities on several recordings over the next three years; the two would reunite in the mid-seventies, leading eventually to the formation of Fischer's own Latin jazz unit, Salsa Picante.  In 1961, Fischer became interested in Brazilian music through the recordings of Elizete Cardoso and Joao Gilberto. This discovery, coupled with his introduction to the music of Mexican composer Mario Ruiz Armengol, led to Fischer's subsequent collaboration with Cal Tjader, a 1962 LP devoted jointly to Armengol's music and that of assorted contemporary Brazilian composers. Over the following year, Fischer collaborated on two Bossa Nova-themed LPs with saxophonist Bud Shank, and arranged another for pianist George Shearing.  While with The Hi-Lo's, Fischer arranged a record by trumpeter Donald Byrd, which, by virtue of Fischer's use of strings and harps, imbued well-known standards with an unaccustomed, melancholic quality. Although it would be twenty-five years before the album was finally released, September Afternoon paid immediate dividends when Byrd played a copy for Dizzy Gillespie. In turn, Gillespie hired Fischer to write arrangements for a small ensemble featuring brass and woodwinds for his own album, A Portrait of Duke Ellington, which was well received. In 1960 albums for vibraphonist Cal Tjader and pianist George Shearing followed, as did an eight-year career of writing music for commercials, as well as the signing of Fischer's first record contract.

Using a quote from the above article, answer the following question: What was her role?
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Answer: Over the next five years, Fischer recorded several albums with the group, serving as pianist and, on occasion, arranger.

Problem: Ara Raoul Parseghian (May 21, 1923 - August 2, 2017) was an American football player and coach who guided the University of Notre Dame to national championships in 1966 and 1973. He is noted for bringing Notre Dame's Fighting Irish football program from years of futility back into a national contender in 1964 and is widely regarded alongside Knute Rockne and Frank Leahy as a part of the "Holy Trinity" of Notre Dame head coaches. Parseghian grew up in Akron, Ohio, and played football beginning in his junior year of high school. He enrolled at the University of Akron, but soon quit to join the U.S. Navy for two years during World War II.

Parseghian quickly turned things around in 1964; he re-established a sense of confidence and team spirit that had been lost under Kuharich and Devore. Practices were carefully planned and organized with the help of a coaching staff that consisted of three assistants from Northwestern and four former Notre Dame players. Parseghian listened to players' concerns about the program and addressed them. He invigorated the team's offense by favoring passing and bringing in smaller and quicker players. A rule change allowing unlimited substitutions starting in 1964 helped make this strategy successful; fast-running receivers could now be taken out of the game and rested as others replaced them.  Parseghian also recognized talent in quarterback John Huarte and wide receiver Jack Snow, who had been used only sparingly for two seasons by previous coaches. Huarte could throw far and accurately but was soft-spoken, a trait Parseghian and his staff helped change. Snow was large for a receiver of his era, but Parseghian thought his athleticism and sure hands would make him a good wideout. Still, expectations were muted for the 1964 season: Parseghian told his coaches that the team would have a 6-4 record if they were lucky. Sports Illustrated predicted a 5-5 record at best, and the team did not rank among the top 20 programs in the country in the pre-season AP Poll.  Notre Dame nonetheless opened the season with a 31-7 victory over heavily favored Wisconsin, a game in which Huarte threw for more yards than the team's leading passer had over the entire 1963 season. Notre Dame players carried Parseghian off the field after the win, which vaulted the team to ninth place in the polls. A string of victories followed, first against Purdue and then Air Force and UCLA. Notre Dame rose to first place in the national polls following a 40-0 win over Navy in October. The team went undefeated until the last game of the year against USC, who won 20-17 in the final minutes on a touchdown pass from Craig Fertig to Rod Sherman. The loss unseated Notre Dame from the top ranking in the national polls, but the team still won the MacArthur Trophy, a championship awarded by the National Football Foundation.  Huarte passed for 2,062 yards and set 12 school records in 1964, four of which still stood as of 2009. He also won the Heisman Trophy. Snow led the country in receptions, with 60. Parseghian, meanwhile, won numerous coach of the year awards for engineering the turnaround, including from the American Football Coaches Association, the Football Writers Association of America, the Washington Touchdown Club, the Columbus Touchdown Club, and Football News.  Huarte and Snow graduated after the 1964 season, and Notre Dame felt their absence the following year, posting a 7-2-1 record. While the team did not contend for a national title, defensive back Nick Rassas led the nation in punt returns and came in sixth in interceptions; he was named a first-team All-American by sportswriters.

Were there any problems or controversies during the season?

Answer with quotes:
Sports Illustrated predicted a 5-5 record at best, and the team did not rank among the top 20 programs in the country in the pre-season AP Poll.