Problem: Bernard Lewis, FBA (born 31 May 1916) is a British American historian specializing in oriental studies. He is also known as a public intellectual and political commentator. Lewis is the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis' expertise is in the history of Islam and the interaction between Islam and the West.

Lewis' influence extends beyond academia to the general public. He is a pioneer of the social and economic history of the Middle East and is famous for his extensive research of the Ottoman archives. He began his research career with the study of medieval Arab, especially Syrian, history. His first article, dedicated to professional guilds of medieval Islam, had been widely regarded as the most authoritative work on the subject for about thirty years. However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in the Arab countries, where they were suspected of espionage. Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers. A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics.  Lewis argues that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization. In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that "Crusader successes were due in no small part to Muslim weakness." Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like "cultural arrogance," which was a barrier to creative borrowing, rather than external pressures like the Crusades.  In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986). In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian civil war (1992-98), and the Iran-Iraq War (1980-88).  In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995). In the wake of the September 11, 2001 attacks, the interest in Lewis's work surged, especially his 1990 essay The Roots of Muslim Rage. Three of his books were published after 9/11: What Went Wrong? (written before the attacks), which explored the reasons of the Muslim world's apprehension of (and sometimes outright hostility to) modernization; The Crisis of Islam; and Islam: The Religion and the People.

Are there any other interesting aspects about this article?

Answer with quotes: Lewis wrote several influential books accessible to the general public:


Problem: Bon Jovi is an American rock band from Sayreville, New Jersey. Formed in 1983, Bon Jovi consists of lead singer and namesake Jon Bon Jovi, pianist and keyboardist David Bryan, drummer Tico Torres, lead guitarist Phil X, and bassist Hugh McDonald. The band's lineup has remained mostly static during its history, with the only exceptions being the 1994 dismissal of bass player Alec John Such, who was unofficially replaced by Hugh McDonald, and the departure of longtime guitarist and co-songwriter Richie Sambora in 2013. Phil X and McDonald both became official members in 2016.

After two moderately successful albums, the group changed their approach and hired professional songwriter Desmond Child as a collaborator. Bruce Fairbairn was chosen to produce and, in early 1986, Bon Jovi moved to Vancouver, Canada to spend six months recording a third album. They named it Slippery When Wet after visiting a strip club in Vancouver.  "We were getting a lot of hassle from everyone around us to make the perfect third album," Jon Bon Jovi recalled. "We kept being told that it had to sell, or the band's career would stall."  On August 16, 1986, Slippery When Wet was released. It spent eight weeks atop the Billboard 200. The first two singles from the album, "You Give Love a Bad Name" and "Livin' on a Prayer", both hit number one on the Billboard Hot 100.  Slippery... was named 1987's top-selling album by Billboard "Livin' On A Prayer" won an MTV Video Music Award for Best Stage Performance. The band won an award for Favorite Pop/Rock Band at the American Music Awards and an award for Favorite Rock Group at the People's Choice Awards. When Slippery When Wet was released in August 1986, Bon Jovi was the support act for 38 Special.  By the end of 1986, Bon Jovi were well into six months of headline dates in arenas across America. In August 1987, they headlined England's Monsters of Rock festival. During their set, Dee Snider, Bruce Dickinson and Paul Stanley guested to perform "We're an American Band". The band ended the year having headlined 130 shows in the "Tour Without End", grossing $28,400,000. Asked what this breakthrough to worldwide fame meant, Jon Bon Jovi said, "Everything is bigger, and it moves twice as fast. You're recognized twice as often. This is bigger, the whole world gets bigger. You have to sell more records, be huger. You get smarter and you understand the business a little more, so it's more responsibility. You understand it now, and you want to make sure everything goes right".

where did Bon Jovie perform?

Answer with quotes:
By the end of 1986, Bon Jovi were well into six months of headline dates in arenas across America.