Answer the question at the end by quoting:

The Cardigans are a Swedish rock band formed in Jonkoping, Sweden, in 1992, by guitarist Peter Svensson, bassist Magnus Sveningsson, drummer Bengt Lagerberg, keyboardist Lars-Olof Johansson and lead singer Nina Persson, with the line-up remaining unchanged to this day. Their debut album Emmerdale (1994) gave them a solid base in their home country and enjoyed some success abroad, especially in Japan. It was not until their second album Life (1995) that an international reputation was secured. Their popularity rose when their single "Lovefool", from the album First Band on the Moon (1996), was included in the soundtrack to the 1996 film Romeo + Juliet.
The remainder of 1994 was spent touring Europe and recording Life, which was released worldwide in 1995. Life became an international success, selling more than a million copies and achieving platinum status in Japan. In 1996, Life was released under the label Minty Fresh in the US, but this release was essentially a compilation of tracks from Emmerdale and Life.  After their success with Life, The Cardigans signed with Mercury Records, under which they released First Band on the Moon worldwide in 1996. "Lovefool" was a hit worldwide, particularly in the US and Japan, where the album reached platinum status in three weeks. The album also achieved gold sales status in the US. "Lovefool" was shown on MTV in the late 1990s as a music video with clips from the 1996 hit film Romeo + Juliet starring Leonardo DiCaprio and Claire Danes. It also featured in the film Cruel Intentions (1999).  In 1997, the band played themselves on the graduation episode of Beverly Hills, 90210 as the featured entertainment at the fictional California High School's graduation party, hosted by Kelly Taylor's dad, Bill Taylor. The band performed "Lovefool" and "Been It."  1998's Gran Turismo was followed by a long hiatus during which the band members pursued solo side projects. The same year they also released a compilation album of rare B-sides, The Other Side of the Moon as a Japan-only release. The video of the song "My Favourite Game" was censored by MTV for showing reckless driving. Despite this, it went on to become their second global hit song. "My Favourite Game" was featured on the soundtrack of the PlayStation video game Gran Turismo 2 in the intro movie on CD1. That year also saw their song "Deuce" appearing on The X-Files: The Album. Their song "Erase/Rewind" was featured in the 1999 films Never Been Kissed and The Thirteenth Floor.  In 1999 the Cardigans recorded a duet cover of Talking Heads' "Burning Down the House" with Tom Jones for his album Reload.

Who wrote the songs?





Answer the question at the end by quoting:

Ralph Bakshi (born October 29, 1938) is an American director of animated and live-action films. In the 1970s, he established an alternative to mainstream animation through independent and adult-oriented productions. Between 1972 and 2015, he directed ten theatrically released feature films, six of which he wrote. He has been involved in numerous television projects as director, writer, producer and animator.
In 1973, Bakshi and Ruddy began the production of Harlem Nights, which Paramount was originally contracted to distribute. While Fritz the Cat and Heavy Traffic proved that adult-oriented animation could be financially successful, animated films were still not respected, and Bakshi's pictures were considered to be "dirty Disney flicks" that were "mature" only for depicting sex, drugs and profanity. Harlem Nights, based on Bakshi's firsthand experiences with racism, was an attack on racist prejudices and stereotypes. Bakshi cast Scatman Crothers, Philip Michael Thomas, Barry White and Charles Gordone in live-action and voice roles, cutting in and out of animation abruptly rather than seamlessly because he wanted to prove that the two mediums could "coexist with neither excuse nor apology". He wrote a song for Crothers to sing during the opening title sequence: "Ah'm a Niggerman". Its structure was rooted in the history of the slave plantation: slaves would "shout" lines from poems and stories great distances across fields in unison, creating a natural beat. Bakshi has described its vocal style, backed by fast guitar licks, as an "early version of rap".  Bakshi intended to attack stereotypes by portraying them directly, culling imagery from blackface iconography. Early designs in which the main characters (Brother Rabbit, Brother Bear and Preacher Fox) resembled figures from The Wind in the Willows were rejected. Bakshi juxtaposed stereotypical designs of blacks with even more negative depictions of white racists, but the film's strongest criticism is directed at the Mafia. Bakshi said, "I was sick of all the hero worship these guys got because of The Godfather." Production concluded in 1973. During editing, the title was changed to Coonskin No More..., and finally to Coonskin. Bakshi hired several African American animators to work on Coonskin, including Brenda Banks, the first African American female animator. Bakshi also hired graffiti artists and trained them to work as animators. The film's release was delayed by protests from the Congress of Racial Equality, which called Bakshi and his film racist. After its distribution was contracted to the Bryanston Distributing Company, Paramount canceled a project that Bakshi and Ruddy were developing, The American Chronicles.  Coonskin, advertised as an exploitation film, was given limited distribution and soon disappeared from theaters. Initial reviews were negative; Playboy commented that "Bakshi seems to throw in a little of everything and he can't quite pull it together." Eventually, positive reviews appeared in The Hollywood Reporter, New York Amsterdam News (an African American newspaper) and elsewhere. The New York Times' Richard Eder said the film "could be [Bakshi's] masterpiece [...] a shattering successful effort to use an uncommon form--cartoons and live action combined to convey the hallucinatory violence and frustration of American city life, specifically black city life [...] lyrically violent, yet in no way [does it] exploit violence". Variety called it a "brutal satire from the streets". A reviewer for the Los Angeles Herald-Examiner wrote, "Certainly, it will outrage some and, indeed, it's not Disney. [...] The dialog it has obviously generated--if not the box office obstacles--seems joltingly healthy." Bakshi called Coonskin his best film.

Did anyone protest the Coonskin film?