Answer the question at the end by quoting:

Glucks was born 1889 in Odenkirchen (now part of Monchengladbach) in the Rhineland. Having completed gymnasium in Dusseldorf, he worked in his father's business, a fire insurance agency. In 1909, Glucks joined the army for one year as a volunteer, serving in the artillery. In 1913, he was in England, and later moved to Argentina as a trader.
Just a few days after the Wannsee Conference in January 1942, Himmler ordered Glucks to prepare the camps for the immediate arrival of 100,000 Jewish men and 50,000 women being evacuated from the Reich as labourers in lieu of the diminishing availability of Russian prisoners. In July 1942, he participated in a planning meeting with Himmler on the topic of medical experiments on camp inmates. From several visits to the Auschwitz concentration camps, Glucks was well aware of the mass murders and other atrocities committed there. Correspondingly, Auschwitz Kommandant Rudolf Hoss routinely informed Glucks on the status of the extermination activities. During one of his inspection-tour visits to Auschwitz in 1943, Glucks complained about the unfavorable location of the crematoria since all types of people would be able to "gaze" at the structures. Responding to this observation, Hoss ordered a row of trees planted between Crematorias I and II. When visits from high officials from the Reich or the Nazi Party took place, the administration was instructed by Glucks to avoid showing the crematorias to them; if questions arose about smoke coming from the chimneys, the installation personnel were to tell the visitors that corpses were being burned as a result of epidemics.  In 1942, the CCI became "Amt D" of the Wirtschafts- und Verwaltungshauptamt (SS Economic and Administrative Department; WVHA) under SS-Obergruppenfuhrer Oswald Pohl. Glucks continued to manage the camp administration until the end of the war. Therefore, the entire concentration camp system was placed under the authority of the WVHA with the Inspector of Concentration Camps now a subordinate to the Chief of the WVHA.  According to historian Leni Yahil, Glucks was "the RSHA man responsible for the entire network of concentration camps" and his authority extended to the largest and most infamous of them all, Auschwitz. From what historian Martin Broszat relates, nearly all the important matters concerning the concentration camps were "decided directly between the Inspector of Concentration Camps and the Reichsfuhrer-SS." In January 1945, Glucks was decorated for his contributions to the Reich in managing the fifteen largest camps and the five-hundred satellite camps which employed upwards of 40,000 members of the SS. Glucks' role in the Holocaust "cannot be over-emphasized" as he, together with Pohl, oversaw the entire Nazi camp system and the persecution network it represented.

How many deaths were there under his direction?



Some context: Louis Thomas Hardin (May 26, 1916 - September 8, 1999), also known as Moondog, was an American musician, composer, theoretician, poet and inventor of several musical instruments. He was blind from the age of 16. Hardin lived in New York from the late 1940s until 1972, and during this time he could often be found on 6th Avenue, between 52nd and 55th Streets, wearing a cloak and a horned helmet sometimes busking or selling music, but often just standing silently on the sidewalk. He was widely recognized as "the Viking of 6th Avenue" by thousands of passersby and residents who weren't aware of his musical career.
Born to an Episcopalian family in Marysville, Kansas, Hardin started playing a set of drums that he made from a cardboard box at the age of five. His family relocated to Wyoming and his father opened a trading post at Fort Bridger. He attended school in a couple of small towns. At one point, his father took him to an Arapaho Sun Dance where he sat on the lap of Chief Yellow Calf and played a tom-tom made from buffalo skin.  Hardin played drums for the high school band in Hurley, Missouri before losing his sight at the age of 16 in a farm accident on July 4, 1932, involving a dynamite cap. After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition. He studied with Burnet Tuthill and at the Iowa School for the Blind.  He then moved to Batesville, Arkansas where he lived until 1942, when he got a scholarship to study in Memphis, Tennessee. Although the majority of his musical training was self-taught by ear, he learned some music theory from books in braille there.  In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini, as well as legendary jazz performer-composers such as Charlie Parker and Benny Goodman, whose upbeat tempos and often humorous compositions would influence Hardin's later work. One of his early street posts was near the famed 52nd Street nightclub strip, and he was well-known to many jazz musicians and fans. By 1947 Hardin had adopted the name "Moondog" in honor of a dog "who used to howl at the moon more than any dog I knew of".
When did he gain recognition?
A: In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini,

IN: Tucker was born Sofya "Sonya" Kalish (in Russian, Sof'ia <<Sonia>> Kalish) in 1887 to a Jewish family en route to America from Tulchyn, Podolia Governorate, Russian Empire, now Vinnytsia Oblast, Ukraine. ("Sonya" is a nickname for the name "Sofya", the Russian form of the name Sophie.) The family adopted the surname Abuza, settled in Hartford, Connecticut, and opened a restaurant. At a young age, she began singing at her parents' restaurant for tips.

By the 1920s, Tucker's success had spread to Europe, and she began a tour of England, performing for King George V and Queen Mary at the London Palladium in 1926. Tucker re-released her hit song "Some of These Days", backed by Ted Lewis and his band, which stayed at the number 1 position of the charts for five weeks beginning 23 November 1926. It sold over one million copies and was awarded a gold disc by the RIAA.  Tucker was strongly affected by the decline of vaudeville. Speaking about performing in the final show at E. F. Albee's Palace in New York City, she remarked, "Everyone knew the theater was to be closed down, and a landmark in show business would be gone. That feeling got into the acts. The whole place, even the performers, stank of decay. I seemed to smell it. It challenged me. I was determined to give the audience the idea: why brood over yesterday? We have tomorrow. As I sang I could feel the atmosphere change. The gloom began to lift, the spirit which formerly filled the Palace and which made it famous among vaudeville houses the world over came back. That's what an entertainer can do." During this time, Tucker began to look to film and radio as possible extensions of her career.  In 1929, she made her first movie appearance, in the sound picture Honky Tonk. During the 1930s, Tucker brought elements of nostalgia for the early years of 20th century into her show. She was billed as "The Last of the Red Hot Mamas," as her hearty sexual appetite was a frequent subject of her songs, unusual for female performers of the day after the decline of vaudeville.  The Beatles once introduced the song "Till There Was You" as previously being performed "by our favorite American group, Sophie Tucker."  The cartoon The Woods Are Full of Cuckoos caricatures Tucker as "Sophie Turkey".

What other songs she released

OUT: