Some context: Madikizela-Mandela's Xhosa name was Nomzamo ("She who tries"). She was born in the village of Mbongweni, Bizana, Pondoland, in what is now the Eastern Cape province. She was the fourth of eight children, seven sisters and a brother. Her parents, Columbus and Gertrude, who had a white father, and Xhosa mother, were both teachers.
Mandela was portrayed by Alfre Woodard in the 1987 HBO TV movie, Mandela. Ms Woodard earned both a CableACE Award and an NAACP Image Award for her performance, as did costar Danny Glover, who portrayed Nelson Mandela.  Tina Lifford played her in the 1997 TV film Mandela and de Klerk. Sophie Okonedo portrayed her in the BBC drama Mrs Mandela, first broadcast on BBC Four on 25 January 2010.  Jennifer Hudson played her in Winnie Mandela, directed by Darrell Roodt, released in Canada by D Films on 16 September 2011. Roodt, Andre Pieterse, and Paul L. Johnson based the film's script on Anne Marie du Preez Bezdrob's biography, Winnie Mandela: A Life. The Creative Workers Union of South Africa opposed the choice of Hudson in the title role, saying the use of foreign actors to tell the country's stories undermined efforts to develop the national film industry.  In 2007, an opera based on her life called The Passion of Winnie was produced in Canada, however, she was declined a visa to attend its world premiere and associated gala fundraising concert.  Mandela was again portrayed in the 2013 film Mandela: Long Walk to Freedom by actress Naomie Harris (British actor Idris Elba played Nelson Mandela). On viewing the film, Madikizela-Mandela told Harris it was "the first time she felt her story had been captured on film". Gugulethu okaMseleku, writing in The Guardian, stated that the film had returned Winnie Mandela to her rightful place, recognising her role in "the struggle" that, "for South African women ... was more fundamental than her husband's."
What year was this drama made?
A: 2010.

Question: Paul Cezanne (US:  or UK: ; French: [pol sezan]; 19 January 1839 - 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavor to a new and radically different world of art in the 20th century. Cezanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cezanne's intense study of his subjects.

Cezanne's paintings were shown in the first exhibition of the Salon des Refuses in 1863, which displayed works not accepted by the jury of the official Paris Salon. The Salon rejected Cezanne's submissions every year from 1864 to 1869. He continued to submit works to the Salon until 1882. In that year, through the intervention of fellow artist Antoine Guillemet, he exhibited Portrait de M. L. A., probably Portrait of Louis-Auguste Cezanne, The Artist's Father, Reading "L'Evenement", 1866 (National Gallery of Art, Washington, D.C.), his first and last successful submission to the Salon.  Before 1895 Cezanne exhibited twice with the Impressionists (at the first Impressionist exhibition in 1874 and the third Impressionist exhibition in 1877). In later years a few individual paintings were shown at various venues, until 1895, when the Parisian dealer, Ambroise Vollard, gave the artist his first solo exhibition. Despite the increasing public recognition and financial success, Cezanne chose to work in increasing artistic isolation, usually painting in the south of France, in his beloved Provence, far from Paris.  He concentrated on a few subjects and was equally proficient in each of these genres: still lifes, portraits, landscapes and studies of bathers. For the last, Cezanne was compelled to design from his imagination, due to a lack of available nude models. Like the landscapes, his portraits were drawn from that which was familiar, so that not only his wife and son but local peasants, children and his art dealer served as subjects. His still lifes are at once decorative in design, painted with thick, flat surfaces, yet with a weight reminiscent of Gustave Courbet. The 'props' for his works are still to be found, as he left them, in his studio (atelier), in the suburbs of modern Aix.  Cezanne's paintings were not well received among the petty bourgeoisie of Aix. In 1903 Henri Rochefort visited the auction of paintings that had been in Zola's possession and published on 9 March 1903 in L'Intransigeant a highly critical article entitled "Love for the Ugly". Rochefort describes how spectators had supposedly experienced laughing fits, when seeing the paintings of "an ultra-impressionist named Cezanne". The public in Aix was outraged, and for many days, copies of L'Intransigeant appeared on Cezanne's door-mat with messages asking him to leave the town "he was dishonouring".

Using a quote from the above article, answer the following question: What exhibitions did he participate in?
HHHHHH
Answer: Aix. In 1903 Henri Rochefort visited the auction of paintings that had been in Zola's possession and published on 9 March 1903

Some context: Aleksandr Isayevich Solzhenitsyn (; 11 December 1918 - 3 August 2008) was a Russian novelist, historian, and short story writer. He was an outspoken critic of the Soviet Union and communism and helped to raise global awareness of its Gulag forced labor camp system. He was allowed to publish only one work in the Soviet Union, One Day in the Life of Ivan Denisovich (1962), in the periodical Novy Mir.
During the war, Solzhenitsyn served as the commander of a sound-ranging battery in the Red Army, was involved in major action at the front, and was twice decorated. He was awarded the Order of the Red Star on 8 July 1944 for sound-ranging two German artillery batteries and adjusting counterbattery fire onto them, resulting in their destruction.  A series of writings published late in his life, including the early uncompleted novel Love the Revolution!, chronicles his wartime experience and his growing doubts about the moral foundations of the Soviet regime.  While serving as an artillery officer in East Prussia, Solzhenitsyn witnessed war crimes against local German civilians by Soviet military personnel. The noncombatants and the elderly were robbed of their meager possessions and women and girls were gang-raped to death. A few years later, in the forced labor camp, he memorized a poem titled "Prussian Nights" about these incidents. In this poem, which describes the gang-rape of a Polish woman whom the Red Army soldiers mistakenly thought to be a German, the first-person narrator comments on the events with sarcasm and refers to the responsibility of official Soviet writers like Ilya Ehrenburg.  In The Gulag Archipelago, Solzhenitsyn wrote, "There is nothing that so assists the awakening of omniscience within us as insistent thoughts about one's own transgressions, errors, mistakes. After the difficult cycles of such ponderings over many years, whenever I mentioned the heartlessness of our highest-ranking bureaucrats, the cruelty of our executioners, I remember myself in my Captain's shoulder boards and the forward march of my battery through East Prussia, enshrouded in fire, and I say: 'So were we any better?'"
What else happened while he was in the war?
A:
While serving as an artillery officer in East Prussia, Solzhenitsyn witnessed war crimes against local German civilians by Soviet military personnel.