Background: Peter Rene Baumann (born 5 January 1968), better known as DJ BoBo, is a Swiss singer-songwriter, dancer and music producer. He has sold 14 million records worldwide and has released 12 studio albums as well as a few compilation albums which have included his previous hits in a reworked format. DJ BoBo has also released as many as 34 singles to date, some of which have charted high, not only in German speaking countries, but also in other European territories. As a dance music producer, his first big success came with the single "Somebody Dance with Me", which borrows its melody from Rockwell's Somebody's Watching Me.
Context: Rene gained immense international popularity when he released his Europe-wide smash hit "Somebody Dance with Me" in November 1992. Employing catchy refrains by Emel Aykanat as well as rap performance by himself, the single shot to number 1 in Switzerland and Sweden, while it landed in the top-5 in numerous other European countries including Germany. "Somebody Dance with Me" was certified Gold in Germany for selling well over 250,000 units. His second hit "Keep on Dancing", which followed the same technique as its predecessor, reached the top-5 both at home and in Germany, and landed in the top-10 in other parts of Europe. The single reached a Gold status in Germany for sales of 250,000 units sold. The long-awaited album, Dance with Me was released in October 1993 and remained in the charts all over Europe for quite some time which was followed by another single, "Take Control", again from his debut album, earning him yet another Gold-award in Germany for sales of over 250,000 units, which also entered the top-20 in numerous countries. While DJ BoBo appeared to have already separated himself from one-hit wonders, he released his next single "Everybody", in the summer of 1994, which climbed as high as No.2 in Germany and was certified Platinum for selling 500,000 units there. "Everybody" differed from the previously released singles in terms of its structure, it diverged from house, leaning towards a mixture of house and hip-hop (hip house) with female vocalists performing the chorus and rap verses performed again by Rene.  In the fall of 1994, his second studio album There Is a Party was released. While the album peaked at No.4 in Switzerland where it was certified Platinum for selling over 50,000 units, it entered the top 10 in Germany, where it spent total of 26 weeks on the chart eventually reaching a Gold status for selling over 250,000 units. The first single "Let the Dream Come True" from the album topped the charts in Switzerland and entered the top-5 in Germany, where it was certified Gold for sales over 250,000 units. While the follow-up second single "Love Is All Around" entered the top-20 in Switzerland, Austria, Belgium, Sweden, and Norway, it was certified Gold in Germany being the sixth golden record in a row. During the course of this ongoing success, in 1995, DJ BoBo represented Switzerland in the World Music Awards in Monaco with his "Everybody" for being the "World's Best Selling Swiss Artist of the Year."  In the summer of 1995, DJ BoBo went on a tour which took place in most parts of Asia which was followed by a promotional tour in Australia. Later that year, DJ BoBo also traveled all over Europe performing before as many as 400,000 spectators.  DJ BoBo released his first ballad "Love Is the Price" in January 1996, which was introduced in Thomas Gottschalk's TV show Wetten, dass..?. Baumann, later that year, ended up again at the World Music Awards in Monaco for being the "World's Best Selling Swiss Artist of the Year" performing there two songs back to back, "Freedom" (which was his eighth Golden Record in a row in Germany) as well as his newly released ballad "Love Is the Price".
Question: How did this album do on the charts?
Answer: remained in the charts all over Europe for quite some time

Background: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.
Context: Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.  Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion.  Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13-17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.
Question: Where did the idea come from?
Answer:
a film was intended to be made from it.