IN: The Maronites are a Christian group who adhere to the Syriac Maronite Church with the largest population around Mount Lebanon in Lebanon. The Maronite Church is an Eastern Catholic sui iuris particular church in full communion with the Pope and the Catholic Church, with self-governance under the Code of Canons of the Eastern Churches, one of more than a dozen individual churches in full communion with the Holy See. They derive their name from the Syriac Christian saint Maron, whose followers migrated to the area of Mount Lebanon from their previous location of residence around the area of Antioch, establishing the nucleus of the Syriac Maronite Church. Some Maronites argue that they are of Mardaite ancestry, but most historians reject such claims.

Lebanese Maronites are known to be specifically linked to the root of Lebanese Nationalism and opposition to Pan-Arabism in Lebanon, this being the case during 1958 Lebanon crisis. When Muslim Arab nationalists backed by Gamel Abdel Nasser tried to overthrow the then Maronite dominated government in power, due to displeasure at the government's pro-western policies and their lack of commitment and duty to the so-called "Arab brotherhood" by preferring keep Lebanon away from the Arab League and the political confrontations of the Middle East. A more hard-nosed nationalism among some Maronites leaders, who saw Lebanese nationalism more in terms of its confessional roots and failed to be carried away by Chiha's vision, clung to a more security-minded view of Lebanon. They regarded the national project as mainly a program for the security of Maronites and a bulwark against threats from Muslims and their hinterland.  The right-wing yet secular Guardians of the Cedars, with its exiled Leader and founder Etienne Saqr (also the father of singers Karol Sakr and Pascale Sakr) took no sectarian stance and even had Muslim members who joined in their radical stance against Arabism and Palestinian forces in Lebanon. Saqr summarized his party's view on the Arab Identity on their official ideological manifesto by stating;  On an Al Jazeera special dedicated to the political Christian clans of Lebanon and their struggle for power in the 2009 election entitled, Lebanon: The Family Business the issue of identity was brought up on several occasions, by various politicians including Druze leader Walid Jumblatt, who claimed that all Lebanese lack somewhat of a real identity and the country is yet to discover one everybody could agree on. Sami Gemayel, of the Gemayel clan and son of former president Amin Gemayel, stated he did not consider himself an Arab but instead identified himself as a Syriac Christian, going on to explain that to him and many Lebanese the "acceptance" of Lebanon's "Arab identity" according to the Taef Agreement wasn't something that they "accepted" but instead were forced into signing through pressure.  In a speech in 2009 to a crowd of Christian Kataeb supporters Gemayel declared that he felt there was importance in Christians in Lebanon finding an identity and went on to state what he finds identification with as a Lebanese Christian, concluding with a purposeful exclusion of Arabism in the segment. The speech met with an applause afterward from the audience;  Etienne Sakr, of the Guardians of the Cedars Lebanese party, in an interview responded "We are not Arabs" to an interview question about the Guardians of the Cedars' ideology of Lebanon being Lebanese. He continued by talking about how describing Lebanon as being not Arab was a crime in present-day Lebanon, about the Lebanese Civil War, and about Arabism as being first step towards Islamism, claiming that "the Arabs want to annex Lebanon" and in order to do this "to push the Christians out (out of Lebanon)", this being "the plan since 1975", among other issues.

Do they still dominate?

OUT: 


IN: George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).

Breaking with the Federal Theatre Project in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. Welles was executive producer, and the original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Arlene Francis, Martin Gabel, John Hoyt, Norman Lloyd, Vincent Price, Stefan Schnabel and Hiram Sherman.  "I think he was the greatest directorial talent we've ever had in the [American] theater," Lloyd said of Welles in a 2014 interview. "When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything. We had not had such a man in our theater. He was the first and remains the greatest."  The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar -- streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage wall was painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Lloyd.  Beginning January 1, 1938, Caesar was performed in repertory with The Shoemaker's Holiday; both productions moved to the larger National Theatre. They were followed by Heartbreak House (April 29, 1938) and Danton's Death (November 5, 1938). As well as being presented in a pared-down oratorio version at the Mercury Theatre on Sunday nights in December 1937, The Cradle Will Rock was at the Windsor Theatre for 13 weeks (January 4-April 2, 1938). Such was the success of the Mercury Theatre that Welles appeared on the cover of Time magazine, in full makeup as Captain Shotover in Heartbreak House, in the issue dated May 9, 1938--three days after his 23rd birthday.

What did the company do?

OUT:
Welles was executive producer,