Question:
Patricia Sue Summitt (nee Head; June 14, 1952 - June 28, 2016) was an American women's college basketball head coach who accrued 1,098 career wins, the most in college basketball history upon her retirement. She served as the head coach of the University of Tennessee Lady Vols basketball team from 1974 to 2012, before retiring at age 59 because of a diagnosis of early-onset Alzheimer's disease. She won eight NCAA championships (a NCAA women's record when she retired) and the third most all time. Summitt won a silver medal at the 1976 Summer Olympics in Montreal as a member of the United States women's national basketball team.
Summitt won 16 Southeastern Conference regular season titles with the Lady Vols, as well as 16 tournament titles. Summitt's Lady Vols made an appearance in every NCAA Tournament from 1982 until her retirement, advanced to the Sweet 16 every year except 2009, and appeared 18 times in the Final Four. When Summitt made her 13th trip to the Final Four as a coach in 2002, she surpassed John Wooden as the NCAA coach with the most trips to the Final Four. Summitt was a seven-time SEC Coach of the year and a 7-time NCAA Coach of the year and won eight national titles, including three consecutive titles from 1996 to 1998. Summitt was known for scheduling tough opponents for her team to play in the regular season, in order to prepare them for the post-season. In her years of coaching, her teams played top ten ranked teams over 250 times.  In the 1997-98 season, her team went unbeaten, winning all 30 regular and 9 tournament games, earning Summitt's sixth championship. After the championship game, opposing Louisiana Tech head coach Leon Balmore proclaimed the Tennessee team to be the "best ever", echoing a similar claim made by Old Dominion University Hall of Famer Nancy Lieberman in 1998.  Summitt and the 1996-97 championship team were the subject of an HBO documentary titled A Cinderella Season: The Lady Vols Fight Back. That year, the Lady Vols posted a 23-10 record heading into the NCAA tournament, with two losses to Louisiana Tech, setbacks against national powers Georgia, Stanford and UConn, and losses to SEC lesser opponents Arkansas, Auburn, and LSU (which was 7-20 just two seasons prior and had not yet established itself as a perennial national power). However, Tennessee righted itself during the tournament, shocking previously undefeated UConn in the regional final, 91-81, before defeating Notre Dame and Old Dominion in the Final Four in Cincinnati.
Answer this question using a quote from the text above:

any intresting thing

Answer:
Summitt and the 1996-97 championship team were the subject of an HBO documentary titled A Cinderella Season: The Lady Vols Fight Back.

input: In 1887, James W. Bryan vacated his seat in the Kentucky Senate to pursue the office of lieutenant governor. Goebel decided to seek election to the vacant seat representing the Covington area. His platform of railroad regulation and championing labor causes, combined with the influence of Stevenson, his former partner, should have given Goebel an easy victory, but this was not to be. A third political party, the Union Labor party, had risen to power in the area with a platform similar to Goebel's. However, while Goebel had to stick close to his allies in the Democratic party, the Union Labor party courted the votes of both Democrats and Republicans, and made the election close - decided in Goebel's favor by a mere fifty-six votes.  With only the two years remaining in former senator Bryan's term to distinguish himself before a re-election bid, Goebel took aim at a large and popular target: the Louisville and Nashville Railroad. A proposal from pro-railroad legislators in the Kentucky House of Representatives to abolish Kentucky's Railroad Commission was passed and sent to the Senate. Senator Cassius M. Clay responded by proposing a committee to investigate lobbying by the railroad industry. Goebel served on the committee, which uncovered significant violations by the railroad lobby. Goebel also helped defeat the bill to abolish the Railroad Commission in the Senate. These actions made him a hero in his district. He ran for a full term as senator unopposed in 1889, and won another term in 1893 by a three-to-one margin over his Republican opponent.  In 1890, Goebel was a delegate to Kentucky's fourth constitutional convention, which produced the current Kentucky Constitution. Despite the high honor of being chosen as a delegate, Goebel showed little interest in participating in the process of creating a new constitution. The convention was in session for 250 days; Goebel was present for just 100 of them. He did, however, successfully secure the inclusion of the Railroad Commission in the new constitution. As a constitutional entity, the Commission could only be abolished by an amendment ratified by popular vote. This would effectively protect the Commission from ever being unilaterally dismantled by the General Assembly.

Answer this question "What was his political career like"
output: Goebel decided to seek election to the vacant seat representing the Covington area.

Answer the question at the end by quoting:

The Ink Spots were an American pop vocal group who gained international fame in the 1930s and 1940s. Their unique musical style led to the rhythm and blues and rock and roll musical genres, and the subgenre doo-wop. The Ink Spots were widely accepted in both the white and black communities, largely due to the ballad style introduced to the group by lead singer Bill Kenny. In 1989, the Ink Spots (Bill Kenny, Deek Watson, Charlie Fuqua and Hoppy Jones) were inducted into the Rock and Roll Hall of Fame, and in 1999 they were inducted into the Vocal Group Hall of Fame.
In 1936, Jerry Daniels was replaced by a 21-year-old singer from Baltimore, Bill Kenny, who signed on with the Ink Spots after winning first place in an amateur contest at Harlem's Savoy Ballroom. Three years later, Kenny was credited for bringing the group to global success with his unusual high tenor ballad singing.  In 1938, after being in the group for two years, Bill Kenny started to introduce the group to a new format that he called "Top & Bottom". This format was used primarily for ballads rather than the uptempo "jive" songs the group was used to performing. This format called for the tenor (Bill Kenny or Deek Watson) to sing the lead for one chorus followed by a chorus performed by bass singer Hoppy Jones reciting the lyrics rather than singing them. After a chorus of the "talking bass" the lead tenor sang the rest of the song until the end. The earliest example of their "Top & Bottom" format is from a radio broadcast from 1938. The song entitled "Tune In on My Heart" features Bill Kenny taking the lead and Hoppy Jones performing the talking bass.  The year 1938 also saw Bill Kenny taking his first feature solo in Decca studios. His feature was on a song entitled "I Wish You the Best of Everything". Although it wasn't in the "Top & Bottom" format it was a ballad and used the signature Ink Spots guitar intro. Even though it got a good response, it wasn't very successful in terms of record sales and didn't reach the pop charts.

What was Top and Bottom ?
This format called for the tenor (Bill Kenny or Deek Watson) to sing the lead for one chorus