Background: Matthew Fontaine Maury (January 14, 1806 - February 1, 1873) was an American astronomer, United States Navy officer, historian, oceanographer, meteorologist, cartographer, author, geologist, and educator. He was nicknamed "Pathfinder of the Seas" and "Father of Modern Oceanography and Naval Meteorology" and later, "Scientist of the Seas" for his extensive works in his books, especially The Physical Geography of the Sea (1855), the first such extensive and comprehensive book on oceanography to be published. Maury made many important new contributions to charting winds and ocean currents, including ocean lanes for passing ships at sea.
Context: The war brought ruin to many in Fredericksburg, where Maury's immediate family lived. Thus, returning there was not immediately considered. After the war, after serving Maximilian in Mexico as "Imperial Commissioner of Immigration" and building Carlotta and New Virginia Colony for displaced Confederates and immigrants from other lands, Maury accepted a teaching position at the Virginia Military Institute, holding the chair of physics.  Maury advocated the creation of an agricultural college to complement the institute. That led to the establishment of the Virginia Agricultural and Mechanical College (Virginia Tech) in Blacksburg, Virginia, in 1872. Maury declined the offer to become its first president partly because of his age. He had previously been suggested as president of the College of William & Mary in Williamsburg, Virginia, in 1848 by Benjamin Blake Minor in his publication the Southern Literary Messenger. Maury considered becoming president of St. John's College in Annapolis Maryland, the University of Alabama, and the University of Tennessee. It appears that he preferred being close to General Robert E. Lee in Lexington from statements that Maury made in letters. Maury served as a pall bearer for Lee.  During his time at Virginia Military Institute, Maury wrote a book, entitled The Physical Geography of Virginia. He had once been a gold mining superintendent outside Fredericksburg and had studied geology intensely during that time and so was well equipped to write such a book. During the Civil War, more battles took place in Virginia than in any other state (Tennessee was second), and Maury's aim was to assist wartorn Virginia in discovering and extracting minerals, improving farming and whatever else could assist it to rebuild after such a massive destruction.  Maury later gave talks in Europe about co-operation on a weather bureau for land, just as he had charted the winds and predicted storms at sea many years before. He gave the speeches until his last days, when he collapsed giving a speech. He went home after he recovered and told Ann Hull Herndon-Maury, his wife, "I have come home to die."
Question: What brought him there?
Answer: considered. After the war, after serving Maximilian in Mexico as "Imperial Commissioner of Immigration" and building Carlotta and New Virginia Colony for displaced Confederates

Background: Eugene Louis Vidal was born in the cadet hospital of the U.S. Military Academy at West Point, New York, the only child of Eugene Luther Vidal (1895-1969) and Nina S. Gore (1903-1978). Vidal was born at the West Point cadet hospital because his first lieutenant father was the first aeronautics instructor of the military academy. The middle name, Louis, was a mistake on the part of his father, "who could not remember, for certain, whether his own name was Eugene Louis or Eugene Luther". In the memoir Palimpsest (1995), Vidal said, "My birth certificate says 'Eugene Louis Vidal': this was changed to Eugene Luther Vidal Jr.; then Gore was added at my christening [in 1939]; then, at fourteen, I got rid of the first two names."
Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius.
Question: did he do any TV screenplays?
Answer: