input: In the fall of 1870, Crazy Horse invited Black Buffalo Woman to accompany him on a buffalo hunt in the Slim Buttes area of present-day northwestern South Dakota. She was the wife of No Water, who had a reputation for drinking too much. It was Lakota custom to allow a woman to divorce her husband at any time. She did so by moving in with relatives or with another man, or by placing the husband's belongings outside their lodge. Although some compensation might be required to smooth over hurt feelings, the rejected husband was expected to accept his wife's decision. No Water was away from camp when Crazy Horse and Black Buffalo Woman left for the buffalo hunt.  No Water tracked down Crazy Horse and Black Buffalo Woman in the Slim Buttes area. When he found them in a teepee, he called Crazy Horse's name from outside. When Crazy Horse answered, No Water stuck a pistol into the teepee and aimed for Crazy Horse. Touch the Clouds, Crazy Horse's first cousin and son of Lone Horn, was sitting in the teepee nearest the entry. He knocked the pistol upward as No Water fired, deflecting the bullet to Crazy Horse's upper jaw. No Water left, with Crazy Horse's relatives in hot pursuit. No Water ran his horse until it died and continued on foot until he reached the safety of his own village.  Several elders convinced Crazy Horse and No Water that no more blood should be shed. As compensation for the shooting, No Water gave Crazy Horse three horses. Because Crazy Horse was with a married man's wife, he was stripped of his title as Shirt Wearer (leader).

Answer this question "What happened because of the invitation?"
output: No Water stuck a pistol into the teepee and aimed for Crazy Horse.

Problem: Background: Timmons was born in Philadelphia, Pennsylvania, the son of a minister. He had a sister, Eleanor. Both of his parents, and several aunts and uncles, played the piano. From an early age Timmons studied music with an uncle, Robert Habershaw, who also taught McCoy Tyner.
Context: Timmons moved to New York in 1954. He played with Kenny Dorham in 1956, making his recording debut with the trumpeter in a live set in May of that year. He went on to play and record with Chet Baker in 1956-57 (bassist Scott LaFaro was part of this band for a time), Sonny Stitt in 1957, and Maynard Ferguson in 1957-58. He also recorded as a sideman with hornmen Curtis Fuller, Hank Mobley, and Lee Morgan, all for Blue Note Records in 1957.  Timmons became best known as a member of Art Blakey's band the Jazz Messengers, which he was first part of from July 1958 to September 1959, including for a tour of Europe. He was recruited for the Messengers by saxophonist Benny Golson, who said that "He was inventive, [...] He could play bebop and he could play funky - he could play a lot of things, and I thought it was the element that Art needed. He hadn't had anybody quite like Bobby, who could go here or go there, rather than walking in a single corridor." By late 1958 Timmons was sharing bandmate Morgan's East Sixth Street apartment and the pair had bought a piano, allowing Timmons to practice and Morgan to work on composing. From around the time he joined Blakey, Timmons, along with some of his fellow band members, was a heroin user. After leaving Blakey, Timmons joined Cannonball Adderley's band, in October 1959.  Timmons was also known as a composer during this period: The Encyclopedia of Jazz states that his compositions "Moanin'" (from the 1958 album of the same title), "This Here", and "Dat Dere" "helped generate the gospel-tinged 'soul jazz' style of [the] late '50s and early '60s." The first was written when Timmons was first with Blakey; the others were composed when he was with Adderley. "This Here" (sometimes "Dis Here") was a surprise commercial success for Adderley: recorded in concert in 1959, it was released as part of The Cannonball Adderley Quintet in San Francisco album while the band was still on tour, and they discovered its popularity only when they arrived back in New York and found crowds outside the Village Gate, where they were due to play.  Timmons was reported to be dissatisfied with the money he had received from "This Here", and was enticed in February 1960 into leaving Adderley and returning to Blakey's band by the offer of more pay. Timmons then appeared on further well-known albums with the drummer, including A Night in Tunisia, The Freedom Rider and The Witch Doctor. His own recording debut as sole leader was This Here Is Bobby Timmons in 1960, which contained his first versions of his best-known compositions. In the same year, he played on recordings led by Nat Adderley, Arnett Cobb, and Johnny Griffin, among others; on the first of these, Work Song, Timmons did not appear on all of the tracks, because he had been drinking heavily.
Question: What year did he move
Answer: 1954.

Question: Stevens was born in Detroit, Michigan, and lived there until the age of nine, when his family moved to Petoskey, in the northern part of the Lower Peninsula of Michigan. He was raised by his father Rasjid and his stepmother Pat, only occasionally visiting his mother, Carrie, in Oregon after she married her second husband Lowell Brams. His mother is deceased. Brams later became the head of Stevens' record label Asthmatic Kitty.

On May 31, 2007, Asthmatic Kitty announced that Stevens would be premiering a new project titled The BQE in early November 2007. The project, dubbed a "symphonic and cinematic exploration of New York City's infamous Brooklyn-Queens Expressway", was manifested in a live show. The BQE featured an original film by Stevens (shot in Super 8 mm film and standard 16 mm), while Stevens and a backing orchestra provided the live soundtrack. The performance used 36 performers which included a small band, a wind and brass ensemble, string players, horn players, and hula hoopers. There were no lyrics to the music. The BQE was commissioned by the Brooklyn Academy of Music as part of their Next Wave Festival and performed on three consecutive nights from November 1-3, 2007.  The performance sold out the 2,109 seat BAM Opera House without any advertising. After three weeks of rehearsing the piece with the three dozen musicians involved, he presented the 30-minute composition. The BQE was followed by an additional one hour of concert by Stevens and his orchestra. The BQE won the 2008 Brendan Gill Prize.  The multimedia package was released on October 20, 2009. The release included a CD of the show's soundtrack, a DVD of Brooklyn-Queens Expressway footage that accompanied the original performance (not a film of the performance itself), a 40-page booklet with liner notes and photos, and a stereoscopic 3D View-Master reel. A limited edition version that features the soundtrack on 180-gram vinyl and a 40-page BQE-themed comic book starring the show's hula hooping wonder women, the Hooper Heroes, was also released.

Using a quote from the above article, answer the following question: What was the BQE?
HHHHHH
Answer:
"symphonic and cinematic exploration of New York City's infamous Brooklyn-Queens Expressway",