Problem: Background: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.
Context: The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.
Question: Did it win any awards or accolades?
Answer: Kenrick judges the 1994 recording the best all-around performance of Carousel on disc,

Problem: Background: The Wildhearts are an English rock group, formed in 1989 in Newcastle upon Tyne. The band's sound is a mixture of hard rock and melodic pop music, often described in the music press as combining influences as diverse as The Beatles and 1980s-era Metallica. However, this characterization is denied by the band, who see their influences as being far broader, as shown in the song "29 X The Pain", which lists many of group leader Ginger's influences. Despite several top 20 singles and one top 10 album in Britain, the Wildhearts have not achieved major commercial success, owing in part to difficulties with record companies and many internal problems often relating to recreational drugs and depression.
Context: The Wildhearts next planned a double album, but East West vetoed this plan during the recording sessions. Instead the band released a collection of six of the more eclectic tracks on a fan club-only release entitled Fishing For Luckies in early 1995. This EP, which would be re-released in 1996 with more studio outtakes as Fishing for More Luckies, included the notable track "Geordie In Wonderland". Ginger offered this track to Kevin Keegan and Newcastle United F.C. as a potential team anthem, but was graciously turned down. The track was performed on Top of the Pops with Wolfsbane's Jeff Hateley, painted in Toon Army colours, on mandolin. Other noteworthy tracks included "If Life Is Like A Lovebank, I Want An Overdraft", also released as a single, and the 11:24 epic "Sky Babies." Despite frequent fan requests, this track was rarely performed live, reputedly because of Danny McCormack's inability to remember his bass parts throughout the entire song. In 2003-2004 the band began to play "Sky Babies" at nearly every show with new bassist Jon Poole.  The second album proper was to be known as P.H.U.Q.. Midway through the recording sessions, Ginger (in a move he later claimed to regret) fired guitarist CJ, and some of the album's tracks were recorded without a second guitarist. P.H.U.Q. was released in May 1995 and reached #6 in the British charts, making it the band's most successful album. Shortly after the album's release, Mark Keds of Senseless Things was drafted as second guitarist, but lasted just one recording session, in which he appeared on the B-sides for the single "Just in Lust". Within a few weeks Keds was sacked after disappearing to Japan for a farewell tour with his old band. The Wildhearts were again down to a three-piece (Ginger, McCormack, and Battersby) for a few months, and performed a few gigs in this incarnation. The band resolved to return to a two-guitar formation, and after requesting demos and holding auditions, hired the previously unknown Jef Streatfield.  By late 1995 the band were finally fed up with their record label and set out to tour Japan and the UK, determined that they would split up unless East West would release them from their contract. The tours were a resounding success and eventually the band managed to escape their record contract.
Question: What year was their last tour
Answer: