Problem: Background: James Travis Tritt was born on February 9, 1963 in Marietta, Georgia, to James and Gwen Tritt. He first took interest in singing after his church's Sunday school choir performed "Everything Is Beautiful." He received his first guitar at age eight and taught himself how to play it; in the fourth grade, he performed "Annie's Song" and "King of the Road" for his class, and later got invited to play for other classrooms in his school. At age fourteen, his parents bought him another guitar, and he learned more songs from his uncle, Sam Lockhart.
Context: In 1991, Tritt received a second Horizon Award nomination, which he won that year. He also released his second album, It's All About to Change. The album went on to become his best-selling, with a triple-platinum certification from the RIAA for shipments of three million copies. All four of its singles reached the top five on the country music charts. "Here's a Quarter (Call Someone Who Cares)" and the Marty Stuart duet "The Whiskey Ain't Workin'," respectively the first and third singles, both reached number two, with the number-one "Anymore" in between. "Nothing Short of Dying" was the fourth single, with a peak at number four on Billboard; both it and "The Whiskey Ain't Working" went to Number One on Radio & Records. "Bible Belt," another cut from the album (recorded in collaboration with Little Feat), appeared in the 1992 film My Cousin Vinny (the lyrics for the song, however, were changed for the version played in the movie to match the story line). Although not released as a single, it peaked at number 72 country based on unsolicited airplay and was the b-side to "Nothing Short of Dying." "Bible Belt" was inspired by a youth pastor whom Tritt knew in his childhood.  Stuart offered "The Whiskey Ain't Workin' Anymore" to Tritt backstage at the CMA awards show, and they recorded it as a duet through the suggestion of Tritt's record producer, Gregg Brown. The duet won both artists the next year's Grammy Award for Best Country Collaboration with Vocals. Tritt and Stuart charted a second duet, "This One's Gonna Hurt You (For a Long, Long Time)," which went to number seven in mid-1992 and appeared on Stuart's album This One's Gonna Hurt You. This song won the 1992 CMA award for Vocal Event of the Year.  In June 1992, Tritt received media attention when he criticized Billy Ray Cyrus' "Achy Breaky Heart" at a Fan Fair interview, saying that he did not think that Cyrus' song made a "statement". The following January, Cyrus responded at the American Music Awards by making reference to Tritt's "Here's a Quarter". Tritt later apologized to Cyrus, but said that he defended his opinion on the song.
Question: any singles?
Answer: All four of its singles reached the top five on the country music charts. "Here's a Quarter (Call Someone Who Cares)" and the Marty Stuart duet "The Whiskey Ain't Workin',"

Background: Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. Celtic art is a difficult term to define, covering a huge expanse of time, geography and cultures. A case has been made for artistic continuity in Europe from the Bronze Age, and indeed the preceding Neolithic age; however archaeologists generally use "Celtic" to refer to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire of most of the territory concerned, and art historians typically begin to talk about "Celtic art" only from the La Tene period (broadly 5th to 1st centuries BC) onwards. Early Celtic art is another term used for this period, stretching in Britain to about 150 AD.
Context: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival".
Question: What does the word mean?
Answer:
The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic.