Problem: Background: George Best (22 May 1946 - 25 November 2005) was a Northern Irish professional footballer who played as a winger for Manchester United and the Northern Ireland national team. In 1968, he won the European Cup with Manchester United, and was named the European Footballer of the Year and FWA Footballer of the Year. The Irish Football Association described him as the "greatest player to ever pull on the green shirt of Northern Ireland". Born and brought up in Belfast, Best began his club career in England with Manchester United, with the scout who had spotted his talent at the age of 15 sending a telegram to manager Matt Busby which read: "I think I've found you a genius."
Context: Best suffered from alcoholism for most of his adult life, leading to numerous controversies and, eventually, his death. In 1981, while playing in the United States, Best stole money from the handbag of a woman he did not know in order to fund a drinking session. "We were sitting in a bar on the beach, and when she got up to go to the toilet I leaned over and took all the money she had in her bag."  In 1984, Best received a three-month prison sentence for drunk driving, assaulting a police officer and failing to answer bail. He spent Christmas of 1984 behind bars at Ford Open Prison. Contrary to popular belief and urban legend he never played football for the prison team. In September 1990, Best appeared on the primetime BBC chat show Wogan in which he was heavily drunk and swore, at one point saying to the host, "Terry, I like screwing". He later apologised and said this was one of the worst episodes of his alcoholism.  Best was diagnosed with severe liver damage in March 2000. His liver was said to be functioning at only 20%. In 2001, he was admitted to hospital with pneumonia. In August 2002, he had a successful liver transplant at King's College Hospital in London. He haemorrhaged so badly during the operation that he nearly died. The transplant was performed at public expense on the NHS, a decision which was controversial due to Best's alcoholism. The controversy was reignited in 2003 when he was spotted openly drinking white wine spritzers. On 2 February 2004, Best was convicted of another drink-driving offence and banned from driving for 20 months.
Question: what was another controversy?
Answer: Best was diagnosed with severe liver damage in March 2000.

Problem: Background: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.
Context: Young left the Basie band in late 1940. He is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons spurring his dismissal, although Young and drummer Jo Jones would later state that his departure had been in the works for months. He subsequently led a number of small groups that often included his brother, drummer Lee Young, for the next couple of years; live and broadcast recordings from this period exist.  During this period Young accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period) and also made a small set of recordings with Nat "King" Cole (their first of several collaborations) in June 1942. His studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the recording ban by the American Federation of Musicians. Small record labels not bound by union contracts continued to record and he recorded some sessions for Harry Lim's Keynote label in 1943.  In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (see below). Recordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed, which tended to give his playing a somewhat heavier, breathier tone (although still quite smooth compared to that of many other players). While he never abandoned the cane reed, he used the plastic reed a significant share of the time from 1943 until the end of his life. Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry "Sweets" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues.
Question: Are there any other interesting aspects about this article?
Answer: In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (

Problem: Background: Matthew Paris, known as Matthew of Paris (Latin: Matthaeus Parisiensis, lit. "Matthew the Parisian"; c. 1200 - 1259), was a Benedictine monk, English chronicler, artist in illuminated manuscripts and cartographer, based at St Albans Abbey in Hertfordshire. He wrote a number of works, mostly historical, which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, some in Anglo-Norman or French verse.
Context: From 1235, the point at which Wendover dropped his pen, Paris continued the history on the plan which his predecessors had followed. He derived much of his information from the letters of important people, which he sometimes inserts, but much more from conversation with the eyewitnesses of events. Among his informants were Richard, Earl of Cornwall and King Henry III, with whom he appears to have been on intimate terms.  The king knew that Paris was writing a history, and wanted it to be as exact as possible. In 1257, in the course of a week's visit to St Albans, Henry kept the chronicler beside him night and day, "and guided my pen," says Paris, "with much goodwill and diligence." It is curious that the Chronica majora gives so unfavourable an account of the king's policy. Henry Richards Luard supposes that Paris never intended his work to be read in its present form. Many passages of the autograph have written next to them, the note offendiculum, which shows that the writer understood the danger which he ran. On the other hand, unexpurgated copies were made in Paris's lifetime. Although the offending passages are duly omitted or softened in his abridgment of his longer work, the Historia Anglorum (written about 1253), Paris's real feelings must have been an open secret. There is no ground for the old theory that he was an official historiographer.  Naturalists have praised his descriptions of the English wildlife of his time, brief though they are: in particular his valuable description of the first irruption into England in 1254 of the common crossbill.
Question: did he write about anybody important in history?
Answer:
Richard, Earl of Cornwall and King Henry III,