Background: The son of Kevin and Lynne, Carey was one of five children who grew up in Wagga Wagga, New South Wales. His mother and father separated when Carey was aged six, with his mother taking four of the children to Adelaide, living in a homeless shelter. According to Carey's autobiography, his father was a violent man who had spent time at Mannus Correctional Centre and was troubled by alcoholism. A few months later, Kevin Carey retrieved the children from his estranged wife and they returned to Wagga Wagga.
Context: After playing only four games in his debut year, Carey burst onto the scene in 1990 as a goal-kicking centre half-forward and as perfect support to their full forward in Longmire (who was that year's Coleman Medallist as the AFL's leading goal-kicker). Carey immediately drew the attention of the football world and built a reputation early in his career as an aggressive, big marking and long kicking key position player. That year, Carey would become the 1990 season runner up in North Melbourne's best and fairest, behind Longmire. In round 13, a then 19-year-old Carey took 8 marks, had 22 disposals and kicked 7 goals in a big win over Sydney. It was the first of many times Carey would dominate up forward for North. In 21 games in 1990 Carey averaged 5 marks, 14 disposals and 1.8 goals.  The 1991 season started very promisingly for Carey and after nine rounds he was averaging 7 marks, 16 disposals and 2.4 goals. At that stage he was leading North Melbourne's best and fairest and, despite still being a teenager, was arguably the Kangaroos' most important player. In Round 10 against Footscray, Carey started brilliantly, kicking two first quarter goals, before an injury to his right shoulder forced him to sit out the rest of that game and the next eight. He struggled to regain form when he returned for the last 5 rounds.  Early in 1992 Carey considered leaving North Melbourne and returning to Adelaide due to internal unrest within the leadership of the club. He was convinced to stay by the coaching staff and, in the latter half of the season, Carey began to show signs that he was destined for greatness. In the second half of 1992 Carey would put a string of outstanding performances to close the season out. By season's end Carey was dominating Centre Half Forward like no one else in the league, his play trademarked by big marks and long goals. He finished the year with an impressive 7 goal performance against Fitzroy and averaged 10 marks, 20 disposals and 3.3 goals during North Melbourne's last 8 games. For the season, he averaged 7 marks, 18 disposals and 2.2 goals per game. Carey had his first top five finish in the Brownlow Medal, claimed his first club best and fairest and was named club captain by new coach Denis Pagan ahead of the 1993 season.
Question: Is there any other interesting information about him?
Answer: Carey started brilliantly, kicking two first quarter goals, before an injury to his right shoulder forced him to sit out the rest of that game and the next eight.

Background: The Iberians (Latin: Hiberi, from Greek: Iberes, Iberes) were a set of peoples that Greek and Roman sources (among others, Hecataeus of Miletus, Avienus, Herodotus and Strabo) identified with that name in the eastern and southern coasts of the Iberian peninsula, at least from the 6th century BC. The Roman sources also use the term Hispani to refer to the Iberians. The term Iberian, as used by the ancient authors, had two distinct meanings. One, more general, referred to all the populations of the Iberian peninsula without regard to ethnic differences (Pre-Indo-European, Celts and non-Celtic Indo-Europeans).
Context: The Iberians produced sculpture in stone and bronze, most of which was much influenced by the Greeks and Phoenicians, and other cultures such as Assyrian, Hittite and Egyptian influences. The styles of Iberian sculpture are divided geographically into Levantine, Central, Southern, and Western groups, of which the Levantine group displays the most Greek influence. Iberian pottery and painting was also distinct and widespread throughout the region.  The Iberian polytheistic religion was influenced by the Greek and Phoenician practices, as it is evident in their sculptures. The man-bull Bicha of Balazote (possibly a fertility deity) and various depictions of sphinxes and lions bear a resemblance to eastern Mediterranean mythological creatures. The Lady of Elche and Lady of Guardamar show clear Hellenistic influence. Phoenician and Greek deities like Tanit, Baal, Melkart, Artemis, Demeter and Asclepius were known in the region and worshiped. Currently few native Iberian gods are known, though the oracular healing deity "Betatun" is known from a Latin inscription at Fuertes del Rey. There was clearly an important female deity associated with the earth and regeneration as depicted by the Lady of Baza and linked with birds, flowers and wheat. The horse was also an important religious figure and an important sanctuary dedicated to Horses has been found in Mula (Murcia). There are many depictions of a "horse taming god" or "lord of the horses" (despotes hippon). The female goddess Ataegina is also widely attested in the inscriptions.  Iberians performed their rites in the open and also maintained sanctuaries in holy places like groves, springs and caves. Archaeological evidence suggests the existence of a priestly class and Silius Italicus mentions priests in the region of Tartessos at a temple of Melqart. Evidence from pottery reveals some information about Iberian myth and ritual. Common themes are a celebratory ritual dance described by Strabo [c.f. 3.3.7.] and seen in a relief from Fuerte del Rey known as the "Bastetania dance" and the confrontation between the deceased and a wolf figure. Ritual sacrifice of animals was also common.  The Iberians incinerated their dead and placed their ashes in ceremonial urns, the remains were then placed in stone tombs.  Iberians venerated the war god Cariociecus.
Question: What other interesting things can you tell me?
Answer:
Archaeological evidence suggests the existence of a priestly class and Silius Italicus mentions priests in the region of Tartessos at a temple of Melqart.