Problem: Background: Meader was born in Waterville, Maine during one of the worst floods ever to hit New England: he often said he was born on "the night the West Bridge washed out". He was the only child of Charles Vaughn Meader, a millworker, and Mary Ellen Abbott. After his father broke his neck and drowned in a diving accident when Meader was only eighteen months old, his mother moved to Boston to work as a cocktail waitress, leaving Meader behind with relatives. A sometimes unruly and troubled child, Meader was sent to live with his mother in Boston at the age of five
Context: In November 1963, Meader was busy recording a new comedy record, written by a different group of writers and not involving his Kennedy impersonation. On November 22, 1963, President Kennedy was assassinated in Dallas, Texas, and Kennedy's death effectively ended Meader's career. Copies of The First Family were pulled from stores and a JFK-related Christmas single by Meader that had been released by MGM's Verve Records shortly before the assassination was quickly withdrawn. Appearances that were already booked were canceled, including one for the Grammy Awards ceremony. An episode of The Joey Bishop Show was also pulled, which Meader filmed one week before the assassination. The episode was never aired and was reportedly destroyed.  Meader reportedly first learned of President Kennedy's assassination after hailing a taxicab in Milwaukee, Wisconsin. The driver, recognizing his celebrity passenger, asked "Did you hear about Kennedy?" Meader thought the driver was telling a joke and responded "No, how does it go?" The driver then informed him of the sad news, and from the taxi's radio Meader heard the breaking news bulletins for the first time.  According to several sources, standup comedian Lenny Bruce went on with his November 22 nightclub show as scheduled. Just hours after Kennedy's death, Bruce walked onstage, stood silently for several moments, then said sadly, "Boy, is Vaughn Meader fucked." The joke proved true. Meader discovered that he was so completely typecast as a Kennedy impersonator that he could not find anyone willing to hire him for any of his other talents.  His non-Kennedy album for Verve Records, Have Some Nuts!!!, came out to minimal attention in early 1964. A similar follow-up If The Shoe Fits... was released in late 1964, and included sketches on almost everything except the Kennedys, but sales were meager at best. Meader's income evaporated, new-found friends and associates stopped calling, and by 1965 Meader was virtually broke. Sinking into depression, he became addicted to alcohol and drugs, and was forced to take whatever work he could find.  He reunited with Earle Doud in 1971 for an album called The Second Coming, a comedic look at what life would be like for Jesus if he had returned to earth around the time of Jesus Christ Superstar, but airplay and sales were virtually nonexistent.
Question: Did he ever beat his addiction?
Answer: He reunited with Earle Doud in 1971 for an album called The Second Coming,

Background: Joseph Frank "Buster" Keaton (October 4, 1895 - February 1, 1966) was an American actor, comedian, film director, producer, screenwriter, and stunt performer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies". His career declined afterward with a dispiriting loss of his artistic independence when he was hired by Metro-Goldwyn-Mayer and he descended into alcoholism, ruining his family life.
Context: Keaton's personal life had stabilized with his 1940 marriage, and now he was taking life a little easier, abandoning Columbia for the less strenuous field of feature films. Throughout the 1940s, Keaton played character roles in both "A" and "B" features. He made his last starring feature El Moderno Barba Azul (1946) in Mexico; the film was a low budget production, and it may not have been seen in the United States until its release on VHS in the 1980s, under the title Boom in the Moon. Critics rediscovered Keaton in 1949 and producers occasionally hired him for bigger "prestige" pictures. He had cameos in such films as In the Good Old Summertime (1949), Sunset Boulevard (1950), and Around the World in 80 Days (1956). In In The Good Old Summertime, Keaton personally directed the stars Judy Garland and Van Johnson in their first scene together where they bump into each other on the street. Keaton invented comedy bits where Johnson keeps trying to apologize to a seething Garland, but winds up messing up her hairdo and tearing her dress.  Keaton also had a cameo as Jimmy, appearing near the end of the film It's a Mad, Mad, Mad, Mad World (1963). Jimmy assists Spencer Tracy's character, Captain C. G. Culpepper, by readying Culpepper's ultimately-unused boat for his abortive escape. (The restored version of that film, released in 2013, contains a restored scene where Jimmy and Culpeper talk on the telephone. Lost after the comedy epic's "roadshow" exhibition, the audio of that scene was discovered, and combined with still pictures to recreate the scene.) Keaton was given more screen time in A Funny Thing Happened on the Way to the Forum (1966). The appearance, since it was released after his death, was his posthumous swansong.  Keaton also appeared in a comedy routine about two inept stage musicians in Charlie Chaplin's Limelight (1952), recalling the vaudeville of The Playhouse. With the exception of Seeing Stars, a minor publicity film produced in 1922, Limelight was the only time in which the two would ever appear together on film.  In 1949, comedian Ed Wynn invited Keaton to appear on his CBS Television comedy-variety show, The Ed Wynn Show, which was televised live on the West Coast. Kinescopes were made for distribution of the programs to other parts of the country since there was no transcontinental coaxial cable until September 1951.
Question: Great. What else?
Answer:
Sunset Boulevard (1950),