Some context: Carlos Santana  audio  (born July 20, 1947) is a Mexican and American musician who first became famous in the late 1960s and early 1970s with his band, Santana, which pioneered a fusion of rock and Latin American jazz. The band's sound featured his melodic, blues-based guitar lines set against Latin and African rhythms featuring percussion instruments such as timbales and congas not generally heard in rock music. Santana continued to work in these forms over the following decades. He experienced a resurgence of popularity and critical acclaim in the late 1990s.
More radio-friendly singles followed from Santana and the band. "Winning" in 1981 (from Zebop) and "Hold On" (a remake of Canadian artist Ian Thomas' song) in 1982 both reached the top twenty. After his break with Sri Chinmoy, Santana went into the studio to record another solo album with Keith Olson and legendary R&B producer Jerry Wexler. The 1983 album Havana Moon revisited Santana's early musical experiences in Tijuana with Bo Diddley's "Who Do You Love" and the title cut, Chuck Berry's "Havana Moon". The album's guests included Booker T. Jones, the Fabulous Thunderbirds, Willie Nelson and even Santana's father's mariachi orchestra. Santana again paid tribute to his early rock roots by doing the film score to La Bamba, which was based on the life of rock and roll legend Ritchie Valens and starred Lou Diamond Phillips.  The band Santana returned in 1985 with a new album, Beyond Appearances, and two years later with Freedom.  Growing weary of trying to appease record company executives with formulaic hit records, Santana took great pleasure in jamming and making guest appearances with notables such as the jazz fusion group Weather Report, jazz pianist McCoy Tyner, Blues legend John Lee Hooker, Frank Franklin, Living Colour guitarist Vernon Reid, and West African singer Salif Keita. He and Mickey Hart of the Grateful Dead later recorded and performed with Nigerian drummer Babatunde Olatunji, who conceived one of Santana's famous 1960s drum jams, "Jingo". In 1988 Santana organized a reunion with past members from the Santana band for a series of concert dates. CBS records released a 20-year retrospective of the band's accomplishments with Viva Santana! double CD compilation. That same year Santana formed an all-instrumental group featuring jazz legend Wayne Shorter on tenor and soprano saxophone. The group also included Patrice Rushen on keyboards, Alphonso Johnson on bass, Armando Peraza and Chepito Areas on percussion, and Leon "Ndugu" Chancler on drums. They toured briefly and received much acclaim from the music press, who compared the effort with the era of Caravanserai (1972). Santana released another solo record, Blues for Salvador (1987), which won a Grammy Award for Best Rock Instrumental Performance.  In 1990, Santana left Columbia Records after twenty-two years and signed with Polygram. The following year he made a guest appearance on Ottmar Liebert's album, Solo Para Ti (1991), on the songs "Reaching out 2 U" and on a cover of his own song, "Samba Pa Ti". In 1992 Santana hired jam band Phish as his opening act.
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A: Growing weary of trying to appease record company executives with formulaic hit records, Santana took great pleasure in jamming and making guest appearances

Some context: Gloria Estefan (nee Fajardo; born September 1, 1957) is a Cuban-American singer, songwriter, actress, and businesswoman. She started off her career as the lead singer in the group called "Miami Latin Boys" which was eventually known as Miami Sound Machine. Estefan's breakthrough success with "Conga" in 1985 made her known worldwide. The song became Estefan's signature song and led to the Miami Sound Machine winning the grand prix in the 15th annual Tokyo Music Festival in 1986.
Starting in 1977, Miami Sound Machine began recording and releasing various albums and 45s on the Audiofon Records label in Miami. The first album from 1977 was entitled Live Again/Renacer and was released with two different covers. After several more releases on the Audiofon label as well as the RCA Victor label and Miami Sound Machine's own label MSM Records, the band was signed to Discos CBS International and released several albums, 45s, and 12"s beginning with the 1978 self-titled album Miami Sound Machine. Growing in popularity in both the U.S. and around the world, the group would continue recording and issuing various works for Discos CBS International through 1985.  In 1984, Miami Sound Machine released their first Epic/Columbia album, Eyes of Innocence, which contained the dance hit "Dr. Beat" as well as the ballad "I Need Your Love". Their more successful follow-up album Primitive Love was released in 1985 launching three Top 10 hits on the Billboard Hot 100: "Conga" (U.S. No. 10), "Words Get in the Way" (U.S. No. 5), and "Bad Boy" (U.S. No. 8), as well as "Falling in Love (Uh-Oh)" (U.S. No. 25) which became follow up hits in the U.S. and around the world. "Words Get in the Way" reached No. 1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes. The song "Hot Summer Nights" was also released that year and was part of the film Top Gun.  Their next album, 1987's Let It Loose, went multi-platinum, with three million copies sold in the US alone. It featured the following hits: "Anything for You" (No. 1 Hot 100), "1-2-3" (No. 3 Hot 100), "Betcha Say That" (No. 36 Hot 100), "Rhythm Is Gonna Get You" (No. 5 Hot 100), and "Can't Stay Away from You" (No. 6 Hot 100). "Can't Stay Away From You", "Anything for You", and "1-2-3" were all No. 1 Adult Contemporary hits as well. In that same year, Estefan took top billing and the band's name changed to Gloria Estefan and Miami Sound Machine.  In 1989, the group's name was dropped, and Estefan has been credited as a solo artist ever since. In 1988, after the worldwide chart success of single "Anything for You", her Let it Loose album was repackaged as Anything for You.
Which album was this?
A:
Eyes of Innocence,