IN: Matthew Boulton  (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment.

Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death.  Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body."  Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence.  Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
QUESTION: Was there much crime where he did the community work?
IN: Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.

Gingold was born in Carlton Hill, Maida Vale, London, the elder daughter of a prosperous Vienna-born Jewish stockbroker James Gingold and his wife, Kate (nee Walter). Her paternal grandparents were the Ottoman-born British subject, Moritz "Maurice" Gingold, a London stockbroker, and his Austrian-born wife, Hermine, after whom Hermione was named (Gingold mentions in her autobiography that her mother might have got Hermione from the Shakespeare's play The Winter's Tale, which she was reading shortly before her birth). On her father's side, she was descended from the celebrated Solomon Sulzer, a famous synagogue cantor and Jewish liturgical composer in Vienna. Her mother was from a "well-to-do Jewish family". James felt that religion was something children needed to decide on for themselves, and Gingold grew up with no particular religious beliefs.  Gingold first appeared on stage in a kindergarten staging of Shakespeare's Henry VIII, in the role of Wolsey. Her professional debut was in 1908 when she had just turned eleven. She played the herald in Herbert Beerbohm Tree's production of Pinkie and the Fairies by W. Graham Robertson, in a cast including Ellen Terry, Frederick Volpe, Marie Lohr and Viola Tree. She was promoted to the leading role of Pinkie for a provincial tour. Tree cast her as Falstaff's page, Robin, in The Merry Wives of Windsor. She attended Rosina Filippi's stage school in London. In 1911 she was cast in the original production of Where the Rainbow Ends which opened to very good reviews on 21 December 1911. Among her colleagues as child-actors in "Where the Rainbow Ends" were Philip Tonge and Noel Coward.  On 10 December 1912, the day after her fifteenth birthday, Gingold played Cassandra in William Poel's production of Troilus and Cressida at the King's Hall, Covent Garden, with Esme Percy as Troilus and Edith Evans as Cressida. The following year she appeared in a musical production, The Marriage Market, in a small role in a cast that included Tom Walls, W H Berry, and Gertie Millar. In 1914 she played Jessica in The Merchant of Venice at the Old Vic. In 1918 Gingold married the publisher Michael Joseph, with whom she had two sons, the younger of whom, Stephen, became a pioneer of theatre in the round in Britain.
QUESTION:
What was her next show after that?