Some context: The Golden Hill Paugussett is a state-recognized Native American tribe in Connecticut. Granted reservations in a number of towns in the 17th century, their land base was whittled away until they were forced to reacquire a small amount of territory in the 19th century. Today they retain a state-recognized reservation in the town of Trumbull, and have an additional reservation acquired in 1978 and 1980 in Colchester, Connecticut. They descend from the historic Paugussett, an Algonguian-speaking nation who historically occupied much of western Connecticut prior to the arrival of European colonists.
According to Bridgeport City Historian Charles Brilvitch's history of the Golden Hill tribe, beginning in the 1820s a number of Paugussett, under the leadership of Joel Freeman, a Turkey Hill Indian from Derby, relocated to Bridgeport. They settled in the city's South End. The area became known as Ethiope or Liberia. While this community consisted substantially of residents who identified as Paugussett, it included Natives from the Mahican, Shinnecock, Nehantic, and Munsee-Delaware nations as well. Freeman was followed by two of his sisters, Mary and Eliza, who built houses in 1848 that are still standing. They have been listed in the National Register of Historic Places.  During the antebellum period, the Paugussett and other Native Americans achieved a substantial degree of economic success. Many of the men worked on whaling ships and West Indies trading vessels, while many women residents worked as cooks and waitstaff on the steamboats plying Long Island Sound and the Hudson River. Two churches, a Masonic lodge, resort hotel, school and other community institutions were built in the village.  Only one individual named "Joel Freeman" was recorded in Census and vital records of the state of Connecticut during this period. Nevertheless, the Bureau of Indian Affairs disputed whether the man who led the Ethiope-Liberia community was the same individual listed as a signatory on Turkey Hill Indian deeds. Because the National Register of Historic Places nomination for the Mary and Eliza Freeman Houses identified the builders as African Americans, the BIA disputed whether the sisters and Joel Freeman could be considered members of the Paugusset community. However, Charles Brilvitch, who ironically had authored the 1998 nomination, maintains that his African American identification was merely a mistaken attempt to interpret the term "colored" used in documents of the period  The confusion about cultural identification as Native Americans has affected other communities that have worked to demonstrate cultural continuity. Native American nations were used to absorbing people of other ethnicities and intermarried with neighbors. There has been disagreement among groups over an interpretation of the term "mulatto," which has a primary association of African-European mixed race but has frequently been applied to other people of color.
Does Ethiope have an English translation?
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Some context: Ivor Armstrong Richards (26 February 1893 - 7 September 1979), known as I. A. Richards, was an English educator, literary critic, and rhetorician whose work contributed to the foundations of the New Criticism, a formalist movement in literary theory, which emphasized the close reading of a literary text, especially poetry, in an effort to discover how a work of literature functions as a self-contained, self-referential aesthetic object. Richards' intellectual contributions to the establishment of the literary methodology of the New Criticism are presented in the books The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism (1923), by C. K. Ogden and I. A. Richards, Principles of Literary Criticism (1926), Practical Criticism (1929), and The Philosophy of Rhetoric (1936).
The life and intellectual influence of I. A. Richards approximately corresponds to his intellectual interests; many endeavours were in collaboration with the linguist, philosopher, and writer Charles Kay Ogden (C.K. Ogden), notably in four books:  I. Foundations of Aesthetics (1922) presents the principles of aesthetic reception, the bases of the literary theory of "harmony"; aesthetic understanding derives from the balance of competing psychological impulses. The structure of the Foundations of Aesthetics--a survey of the competing definitions of the term aesthetic--prefigures the multiple-definitions work in the books Basic Rules of Reason (1933), Mencius on the Mind: Experiments in Multiple Definition (1932), and Coleridge on Imagination (1934)  II. The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism (1923) presents the triadic theory of semiotics that depends upon psychological theory, and so anticipates the importance of psychology in the exercise of literary criticism. Semioticians, such as Umberto Eco, acknowledged that the methodology of the triadic theory of semiotics improved upon the methodology of the dyadic theory of semiotics presented by Ferdinand de Saussure (1857-1913).  III. Basic English: A General Introduction with Rules and Grammar (1930) and IV. the Times of India Guide to Basic English (1938) developed the Basic English program in effort to develop an international language, an interlanguage based upon a vocabulary of 850 English words.  Richards' travels, especially in China, effectively situated him as the advocate for an international program, such as Basic English. Moreover, at Harvard University, to his international pedagogy, the instructor I. A. Richards began to integrate the available new media for mass communications, especially television.
what was ogden's speciality?
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