input: The band next approached the record company EMI for a contract, but were turned down. Morrissey and Marr subsequently visited London to hand a cassette of their recordings to Geoff Travis of the independent record label Rough Trade Records. Although not signing them to a contract straight away, he agreed to cut their song "Hand in Glove" as a single. Morrissey insisted that the cover image on the single was a homoerotic photograph by Jim French which he had found in Margaret Walters' The Nude Male. The single was released in May 1983, and would sell well for the next 18 months although never made it into the UK Top 40. This coincided with the band's second gig in London, at the University of London Union. Present at the gig was John Walters, the producer of John Peel's Radio 1 show; interested, he invited the band to record a session for the programme. Peel expressed the view that "I was impressed because unlike most bands... you couldn't immediately tell what records they'd been listening to. That's fairly unusual, very rare indeed... It was that aspect of the Smiths that I found most impressive." Following this radio exposure, the band gained their first interviews, in music magazines NME and Sounds.  The Smiths then agreed to sign a record contract with Rough Trade, with Travis travelling up to Manchester to meet the band at their Crazy Face rehearsal space; there they signed the contract. Only Morrissey and Marr signed it on behalf of the band, and there was no discussion at the time regarding how the band's earnings would be divided up, something that would lead to the eventual argument over royalties which resulted in the 1996 High Court case. To produce the band's first album, Travis brought in Troy Tate of The Teardrop Explodes, and under Tate's supervision the band recorded their first album, provisionally titled The Hand That Rocks the Cradle, at the Elephant Studios in Wapping, East London. Rough Trade were unhappy with the album that the band produced and Troy's production of it, ordering the band to redo it with a new producer, John Porter.  The band soon generated controversy when Gary Bushell of The Sun tabloid alleged that their B-side "Handsome Devil" was an endorsement of paedophilia. The band denied this, with Morrissey stating that the song "has nothing to do with children, and certainly nothing to do with child molesting".  The follow-up singles "This Charming Man" and "What Difference Does It Make?" fared better when they reached numbers 25 and 12 respectively on the UK Singles Chart. Aided by praise from the music press and a series of studio sessions for Peel and David Jensen at BBC Radio 1, the Smiths began to acquire a dedicated fan base.

Answer this question "Around what year was that?"
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Question: UFO are an English rock band that was formed in London in August 1969. They became a transitional group between early hard rock and heavy metal and the new wave of British heavy metal. The band's current lineup includes vocalist Phil Mogg, lead guitarist Vinnie Moore, bass guitarist Rob De Luca, keyboardist and rhythm guitarist Paul Raymond and drummer Andy Parker. They have gone through several line-up changes, leaving Mogg as the only constant member, and had two hiatuses (1983-1984 and again from 1989 to 1991).

After brief trial runs with Larry Wallis (February - October 1972) and Bernie Marsden (he toured with UFO in Europe and recorded a pair of demos, "Oh My" and "Sixteen") the band recruited Michael Schenker from Scorpions in June 1973. Schenker was only 18 at the time but was already a well-respected guitarist. On a new label, Chrysalis Records, the revamped UFO recorded a non-LP single in 1973, "Give Her The Gun" and "Sweet Little Thing" with producer Derek Lawrence. In 1974, under producer Leo Lyons (formerly of Ten Years After), UFO recorded Phenomenon, which highlighted the band's harder-edged guitar sound. Phenomenon contains many fan favorites such as "Doctor Doctor" (later a minor hit single as a live track) and "Rock Bottom" (which was extended live to provide a showcase for Schenker). By the time of the Phenomenon tour, ex-Skid Row guitarist Paul Chapman joined the group, but he left in January 1975 to form Lone Star.  Two later albums, Force It (July 1975) and No Heavy Petting (May 1976) (the last was recorded with a regular keyboardist, Danny Peyronel as well as harmony vocalist and also songwriter), and extensive touring brought UFO increased visibility with American audiences and increased their following in the UK. The song "Belladonna" from No Heavy Petting was very popular in the USSR after the cover version of Alexander Barykin.  In July 1976, the band recruited keyboardist and rhythm guitarist Paul Raymond from Savoy Brown to make 1977's Lights Out. This album was the pinnacle of UFO's studio career containing songs such as "Too Hot to Handle," "Lights Out," and the 7-minute opus "Love to Love." With Lights Out, the band received substantial critical acclaim. With their new-found success, the band went back into the studio to record Obsession in 1978. Later that year, the band went on tour in the USA and recorded a live album, Strangers In The Night, which was released in January 1979. Strangers was a critical and commercial success, reaching Number 8 in the UK Albums Chart in February 1979.

Using a quote from the above article, answer the following question: Did that make bill board charts?
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