Answer the question at the end by quoting:

David "Davy" Crockett (August 17, 1786 - March 6, 1836) was a 19th-century American folk hero, frontiersman, soldier, and politician. He is commonly referred to in popular culture by the epithet "King of the Wild Frontier". He represented Tennessee in the U.S. House of Representatives and served in the Texas Revolution. Crockett grew up in East Tennessee, where he gained a reputation for hunting and storytelling.
On October 25, 1824, Crockett notified his constituents of his intention to run in the 1825 election for a seat in the U.S. House of Representatives. He lost that election to incumbent Adam Rankin Alexander. A chance meeting in 1826 gained him the encouragement of Memphis mayor Marcus Brutus Winchester to try again to win a seat in Congress. The Jackson Gazette published a letter from Crockett on September 15, 1826 announcing his intention of again challenging Rankin, and stating his opposition to the policies of President John Quincy Adams and Secretary of State Henry Clay and to Rankin's position on the cotton tariff. Militia veteran William Arnold also entered the race, and Crockett easily defeated both political opponents for the 1827-29 term. He arrived in Washington D.C. and took up residence at Mrs. Ball's Boarding House, where a number of other legislators lived when Congress was in session. Jackson was elected as President in 1828. Crockett continued his legislative focus on settlers getting a fair deal for land titles, offering H.R. 27 amendment to a bill sponsored by James K. Polk.  Crockett was re-elected for the 1829-31 session, once again defeating Adam Rankin Alexander. He introduced H.R. 185 amendment to the land bill on January 29, 1830, but it was defeated on May 3. On February 25, 1830, he introduced a resolution to abolish the United States Military Academy at West Point, New York because he felt that it was public money going to benefit the sons of wealthy men. He spoke out against Congress giving $100,000 to the widow of Stephen Decatur, citing that Congress was not empowered to do that. He opposed Jackson's 1830 Indian Removal Act and was the only member of the Tennessee delegation to vote against it. Cherokee chief John Ross sent him a letter on January 13, 1831 expressing his thanks for Crockett's vote. His vote was not popular with his own district, and he was defeated in the 1831 election by William Fitzgerald.  Crockett ran against Fitzgerald again in the 1833 election and was returned to Congress, serving until 1835. On January 2, 1834, he introduced the land title resolution H.R. 126, but it never made it as far as being debated on the House floor. He was defeated for re-election in the August 1835 election by Adam Huntsman. During his last term in Congress, he collaborated with Kentucky Congressman Thomas Chilton to write his autobiography, which was published by E. L. Carey and A. Hart in 1834 as A Narrative of the Life of David Crockett, Written by Himself, and he went east to promote the book. In 1836, newspapers published the now-famous quotation attributed to Crockett upon his return to his home state:  I told the people of my district that I would serve them as faithfully as I had done; but if not, they might go to hell, and I would go to Texas.

How long was he in politics?

In 1836, newspapers published the now-famous quotation attributed to Crockett upon his return to his home state:



Answer the question at the end by quoting:

Cooper was born on May 7, 1901, in Helena, Montana to Alice (nee Brazier, 1873-1967) and Charles Henry Cooper (1865-1946). His father had emigrated from Houghton Regis, Bedfordshire and was a prominent lawyer, rancher, and (later) a Montana Supreme Court justice. His mother had emigrated from Gillingham, Kent and married Charles in Montana. In 1906, Charles purchased the 600-acre (240 ha) Seven-Bar-Nine cattle ranch about fifty miles (eighty kilometers) north of Helena near the town of Craig on the Missouri River.
In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name.  Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week.  Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters.  In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.

were there any other co-stars?
In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss