Problem: Bruno Latour (French: [latuR]; born 22 June 1947) is a French philosopher, anthropologist and sociologist. He is especially known for his work in the field of science and technology studies (STS). After teaching at the Ecole des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he became Professor at Sciences Po Paris (2006-2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017.

After his early career efforts, Latour shifted his research interests to focus on laboratory scientists. Latour rose in importance following the 1979 publication of Laboratory Life: the Social Construction of Scientific Facts with co-author Steve Woolgar. In the book, the authors undertake an ethnographic study of a neuroendocrinology research laboratory at the Salk Institute. This early work argued that naive descriptions of the scientific method, in which theories stand or fall on the outcome of a single experiment, are inconsistent with actual laboratory practice.  In the laboratory, Latour and Woolgar observed that a typical experiment produces only inconclusive data that is attributed to failure of the apparatus or experimental method, and that a large part of scientific training involves learning how to make the subjective decision of what data to keep and what data to throw out. Latour and Woolgar argued that, for untrained observers, the entire process resembles not an unbiased search for truth and accuracy but a mechanism for ignoring data that contradicts scientific orthodoxy.  Latour and Woolgar produced a highly heterodox and controversial picture of the sciences. Drawing on the work of Gaston Bachelard, they advance the notion that the objects of scientific study are socially constructed within the laboratory--that they cannot be attributed with an existence outside of the instruments that measure them and the minds that interpret them. They view scientific activity as a system of beliefs, oral traditions and culturally specific practices-- in short, science is reconstructed not as a procedure or as a set of principles but as a culture. Latour's 1987 book Science in Action: How to Follow Scientists and Engineers through Society is one of the key texts of the sociology of scientific knowledge in which he famously wrote his Second Principle as follows: "Scientist and engineers speak in the name of new allies that they have shaped and enrolled; representatives among other representatives, they add these unexpected resources to tip the balance of force in their favor."  Some of Latour's position and findings in this era provoked vehement rebuttals. Gross and Leavitt argue that Latour's position becomes absurd when applied to non-scientific contexts: e.g., if a group of coworkers in a windowless room were debating whether or not it were raining outside and went outdoors to discover raindrops in the air and puddles on the soil, Latour's hypothesis would assert that the rain was socially constructed. Similarly, philosopher John Searle argues that Latour's "extreme social constructivist" position is seriously flawed on several points, and furthermore has inadvertently "comical results."

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Answer with quotes: This early work argued that naive descriptions of the scientific method, in which theories stand or fall on the outcome of a single experiment, are inconsistent with actual laboratory practice.

Question:
Deborah Anne "Debby" Boone (born September 22, 1956), is an American singer, author, and actress. She is best known for her 1977 hit, "You Light Up My Life", which spent ten weeks at No. 1 on the Billboard Hot 100 chart and led to her winning the Grammy Award for Best New Artist the following year. Boone later focused her music career on country music resulting in the 1980 No. 1 country hit "Are You on the Road to Lovin' Me Again". In the 1980s, she recorded Christian music which garnered her four top 10 Contemporary Christian albums as well as two more Grammys.
With her older sisters married and younger sister Laury in college, Boone was actively encouraged by producer Mike Curb to launch a solo career. Boone released her first solo effort, "You Light Up My Life" (which had been featured in the film of the same name) in 1977. The song became the biggest hit of the 1970s spending ten consecutive weeks at No. 1 on the Billboard Hot 100 -- longer than any other song in Hot 100 history to that point. (In 2008, Billboard ranked the song No. 7 among all songs that charted in the 50-year history of the Hot 100.) The song earned Boone a Grammy Award for Best New Artist and an American Music Award for Favorite Pop Single of 1977. She also received Grammy nominations for Best Pop Vocal Performance - Female and Record of the Year won by, respectively, Barbra Streisand ("Love Theme From "A Star Is Born" (Evergreen)") and the Eagles ("Hotel California"). "You Light Up My Life" also succeeded on Billboard's Adult Contemporary (No. 1 for one week) and Country (No. 4) singles charts. The single and the album (No. 6 Pop, No. 6 Country) of the same name were both certified platinum.  The song, written and produced by Joe Brooks, was from the film of the same name. Brooks earned Song of the Year awards at both the 1978 Grammys and Oscars for writing the song. (Boone performed the song at both awards shows.) Boone's version was not used in the movie or featured on its soundtrack. The song was lip-synched in the film by its star, Didi Conn, performing to vocals recorded by Kacey Cisyk. It was written as a love song, but Boone interpreted the song as inspirational and stated that she recorded the song for God.  Boone's overnight success led to a tour with her father and frequent television appearances, but she was unable to maintain her success in pop music after "You Light Up My Life". Her follow-up single, "California" (also written and produced by Joe Brooks), peaked at No. 50 Pop and No. 20 AC. "California" was included on Boone's second album, Midstream, which faltered at No. 147 Pop. Her next single, the double-sided "God Knows"/"Baby I'm Yours", also struggled, peaking at No. 74 Pop, becoming her last entry on the Hot 100. However, the single charted AC (No. 14) and returned Boone to the country chart (No. 22). Boone then released another movie theme, "When You're Loved", from The Magic of Lassie. Like "You Light Up My Life", the song was nominated for an Academy Award for its composers, the Sherman Brothers, but it failed to replicate the success of her first single charting only No. 48 AC. Boone's wholesome persona contrasted with the image-conscious pop-music industry, leading her career in different musical directions.
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Did it receive any other awards?

Answer:
She also received Grammy nominations for Best Pop Vocal Performance - Female and Record of the Year won by, respectively, Barbra Streisand