input: If you can't cop a bit of emotional stuff then you should go and get the lamp shade extracted from your arse. If you don't think there is enough rock in your life then let me know and I will personally come around to your house and chuck stones at you.  --Bernard FanningIn response to "My Happiness" being described by fans as "like Lauryn Hill, bland and boring Top 40 bullshit".  The lyrics for "My Happiness" were written by Bernard Fanning, Powderfinger's lead singer and songwriter. The rest of the band are co-credited with Fanning for composing the track. The song describes feelings of love and separation; Sain's Pennie Dennison said it described "the pining feeling you experience when you spend time away from the one you love". Fanning called it "a sad story of touring and the absence loneliness that comes with it". The extensive time spent touring took its toll on the band, and it was on the back of this that Fanning wrote "My Happiness". Thus, he expressed confusion at its being considered a romantic song.  "My Happiness" was attacked by some fans as being "like Lauryn Hill, bland and boring Top 40 bullshit"; guitarist Ian Haug rebutted by pointing out that the song was an example of the new emotional level on which Powderfinger made music, while Fanning was more aggressive in his defence of the song. In response to being dubbed "Mr Miserable" by The Sun-Herald's Peter Holmes for the lyrics of "My Happiness" and "These Days", Fanning pointed out that the songs could be construed either as melancholy, or as part of "the most hopeful record ... in a long time".  Much of Fanning's writing is inspired by non-rock music, and "My Happiness" is no exception. Gospel and soul music that is "unashamedly about love and how good it makes you feel" was common during the Odyssey Number Five recording sessions. Powderfinger worked hard in those sessions to ensure a more polished work than Internationalist; guitarist Darren Middleton concluded that "My Happiness", "The Metre", and "Up & Down & Back Again" were more "complete" because of the band's efforts. The lighter elements of "My Happiness" in comparison to some of the band's earlier work saw Fanning reveal his passion for several other musicians, such as James Taylor--something that "five years ago ... would have been an embarrassing thing to say".

Answer this question "What was the inspiration for the song ?"
output: The song describes feelings of love and separation;

input: West's recording career started in the early 1930s with releases of her film songs on shellac 78 rpm records. Most of her film songs were released as 78s, as well as sheet music. In 1955, she recorded her first album, The Fabulous Mae West. In 1965, she recorded two songs, "Am I Too Young" and "He's Good For Me", for a 45 rpm record released by Plaza Records. She recorded several tongue-in-cheek songs, including "Santa, Come Up to See Me", on the album Wild Christmas, which was released in 1966 and reissued as Mae in December in 1980. Demonstrating her willingness to keep in touch with the contemporary scene, in 1966 she recorded Way Out West, the first of her two rock-and-roll albums. The second, released in 1972 on MGM Records and titled Great Balls of Fire, covered songs by The Doors, among others, and had songs written for West by English songwriter-producer Ian Whitcomb.  The April 18, 1969 issue of Life featured West at age 75, with images by child star, actor, and professional photographer Roddy McDowall.  After a 27-year absence from motion pictures, West appeared as Leticia Van Allen in Gore Vidal's Myra Breckinridge (1970) with Raquel Welch, Rex Reed, Farrah Fawcett, and Tom Selleck in a small part. The movie was intended to be deliberately campy sex change comedy, but had serious production problems, resulting in a botched film that was both a box-office and critical failure. Author Vidal, at great odds with inexperienced and self-styled "art film" director Michael Sarne, later called the film "an awful joke". Though Mae West was given star billing to attract ticket buyers, her scenes were truncated by the inexperienced film editor, and her songs were filmed as though they were merely side acts. Despite Myra Breckinridge's mainstream failure, it continued to find an audience on the cult film circuit where West's films were regularly screened and West herself was dubbed "the queen of camp". Mae West's counterculture appeal included the young and hip, and by 1971, the student body of UCLA voted Mae West "Woman of the Century" in honor of her relevance as a pioneering advocate of sexual frankness and courageous crusader against censorship.  In 1975, West released her book Sex, Health, and ESP (William Allen & Sons, publisher), and Pleasure Man (Dell publishers) based on her 1928 play of the same name. Her autobiography, Goodness Had Nothing to Do with It, was also updated and republished in the 1970s.

Answer this question "did she write anything else?"
output: Pleasure Man (Dell publishers)

input: Ptolemy's Almagest is the only surviving comprehensive ancient treatise on astronomy. Babylonian astronomers had developed arithmetical techniques for calculating astronomical phenomena; Greek astronomers such as Hipparchus had produced geometric models for calculating celestial motions. Ptolemy, however, claimed to have derived his geometrical models from selected astronomical observations by his predecessors spanning more than 800 years, though astronomers have for centuries suspected that his models' parameters were adopted independently of observations. Ptolemy presented his astronomical models in convenient tables, which could be used to compute the future or past position of the planets. The Almagest also contains a star catalogue, which is a version of a catalogue created by Hipparchus. Its list of forty-eight constellations is ancestral to the modern system of constellations, but unlike the modern system they did not cover the whole sky (only the sky Hipparchus could see). Across Europe, the Middle East and North Africa in the Medieval period, it was the authoritative text on astronomy, with its author becoming an almost mythical figure, called Ptolemy, King of Alexandria. The Almagest was preserved, like most of extant Classical Greek science, in Arabic manuscripts (hence its familiar name). Because of its reputation, it was widely sought and was translated twice into Latin in the 12th century, once in Sicily and again in Spain. Ptolemy's model, like those of his predecessors, was geocentric and was almost universally accepted until the appearance of simpler heliocentric models during the scientific revolution.  His Planetary Hypotheses went beyond the mathematical model of the Almagest to present a physical realization of the universe as a set of nested spheres, in which he used the epicycles of his planetary model to compute the dimensions of the universe. He estimated the Sun was at an average distance of 1,210 Earth radii, while the radius of the sphere of the fixed stars was 20,000 times the radius of the Earth.  Ptolemy presented a useful tool for astronomical calculations in his Handy Tables, which tabulated all the data needed to compute the positions of the Sun, Moon and planets, the rising and setting of the stars, and eclipses of the Sun and Moon. Ptolemy's Handy Tables provided the model for later astronomical tables or zijes. In the Phaseis (Risings of the Fixed Stars), Ptolemy gave a parapegma, a star calendar or almanac, based on the hands and disappearances of stars over the course of the solar year.

Answer this question "Was he able to predict movement of the stars"
output:
The Almagest also contains a star catalogue, which is a version of a catalogue created by Hipparchus. Its list of forty-eight constellations is ancestral to the modern system of constellations,