Question:
Thomas Lawton was born on 6 October 1919 to Elizabeth Riley and Thomas Lawton senior in Farnworth, Lancashire. His father was a railway signalman of Irish extraction, and his mother worked as a weaver at Harrowby Mill. His father left the family 18 months after Lawton was born, and Elizabeth moved back into her parents' home in Bolton. Elizabeth's father, James Hugh "Jim" Riley, became Lawton's surrogate father.
In November 1947, Lawton was sold to Notts County of the Third Division South for a British record transfer fee of PS20,000 (equivalent to PS718,100 in 2016). He made the surprise decision to drop down two divisions so as to be reunited with manager Arthur Stollery, his former masseur and friend at Chelsea, and because he was promised a job outside of football upon his retirement by vice-chairman Harold Walmsley. Walmsley told the Nottingham Guardian Journal that "we are prepared to spend to the limit to put this old club back where it belongs". He scored two goals on his home debut, a 4-2 win over Bristol Rovers in front of 38,000 spectators at Meadow Lane - a huge increase on previous home games of typically 6,000 to 7,000 supporters. He ended the 1947-48 season with 24 goals in as many games, though was resented by the club's directors after he insisted on pay rises for his teammates and stopped the practice of director's friends and family travelling to away games on the team coach.  He formed a productive forward partnership with Jackie Sewell in the 1948-49 campaign, and scored 23 goals in 40 league and cup appearances. County finished in mid-table despite scoring 102 goals, 15 more than champions Swansea. Stollery was sacked and upon Lawton's suggestion the club appointed Eric Houghton as manager after Lawton turned down the role as player-manager. Lawton and Sewell's understanding grew throughout the 1949-50 campaign, and Lawton finished as the division's top-scorer with 31 goals in 37 league games as County won promotion as champions, seven points ahead of second-placed Northampton Town. Promotion was secured with a 2-0 win over local rivals Nottingham Forest at Meadow Lane on 22 April.  However he struggled with poor form during the 1950-51 season as his first marriage was coming to an end and he came into increasing conflict with his teammates. He was angered when the club sold Jackie Sewell to Sheffield Wednesday in March 1951 - breaking Lawton's own transfer record in the process - as he felt the move showed a lack of ambition from the club's directors. He also found that the well paid job he was promised outside of football did not transpire. His tally of nine goals in 31 games in 1950-51 and 13 goals in 31 games in 1951-52 was disappointing, and he was made available for transfer.
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Why was his marriage ending?

Answer:
He was angered when the club sold Jackie Sewell to Sheffield Wednesday in March 1951 - breaking Lawton's own transfer record in the process -


Question:
Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario, Canada. He was the fourth of eight children of Doris Marguerite (Wardell) and Rupert Loebig Hartmann, a salesman specializing in building materials. His parents were Catholic and raised their children in that faith. As a child Hartman found affection hard to earn and stated: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere."
In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see."  He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen."  Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be".  Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic."
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did he act in movies?

Answer: