input: Recorded in the wake of California Music's demise, a supergroup that would have involved Brian Wilson, Bruce Johnston, and record producer Terry Melcher, 15 Big Ones (1976) marked Brian's return as a major force in the group. The album included new songs by Brian, as well as cover versions of oldies such as "Rock and Roll Music", "Blueberry Hill", and "In the Still of the Night". "Rock and Roll Music" peaked at No. 5 in the U.S. Brian and Love's "It's O.K." was in the vein of their early sixties style, and was a moderate hit. The album was publicized by an August 1976 NBC-TV special, simply titled The Beach Boys. The special, produced by Saturday Night Live (SNL) creator Lorne Michaels, featured appearances by SNL cast members John Belushi and Dan Aykroyd.  The album was generally disliked by fans and critics upon release. During its sessions, Brian's production role was belittled as group members overdubbed and remixed tracks to fight against his desire for a rough, unfinished sound. Carl and Dennis disparaged the album to the press while Brian admitted, "[Undoubtedly] the new album is nothing too deep", but remained hopeful that their next release would be on par with the group's "Good Vibrations".  For the remainder of 1976 to early 1977, Brian spent his time making sporadic public appearances and producing the band's next album The Beach Boys Love You (1977), a quirky collection of 14 songs mostly written, arranged and produced by Brian. Brian later called Love You one of his favorite Beach Boys releases, saying that "That's when it all happened for me. That's where my heart lies." Jardine credited Carl and Dennis with having "the most to do with that album ... [they were] paying tribute to their brother." Love You peaked at No. 28 in the UK and No. 53 in the US and developed a cult following; regarded as one of the band's best albums by fans and critics alike, and an early work of synthpop.  Referring to "naysayers" of the album, the underground fanzine Scram wrote, "Fuck [them] ... [the album showcases] a truly original mix of humor and sadness. The original numbers always dance just a step away from the cliche, dealing with simple lyrical themes that make you wonder why they had never been explored before." The A.V. Club - considering the album in "the same vein" as Tonight's the Night (1975), Pussy Cats (1974), The Madcap Laughs (1970), and Barrett (1970) - described Love You as: "something almost desperately optimistic ... Wilson sings frayed songs about roller-skating, road-tripping, and Johnny Carson - like a frazzled man sitting in a corner chanting 'calm blue ocean' over and over. It's a beautiful, noisy, funny, heartbreaking work of art - one not for everybody, yet vital for anyone who wants to understand Wilson's overall worldview."

Answer this question "what are some of the singles from 15 big ones?"
output: ". "Rock and Roll Music" peaked at No. 5 in the U.S.

input: After his match at WrestleMania XX in March 2004, Lesnar sidelined his career in WWE to pursue a career in the National Football League (NFL) despite not playing American football since high school. The WWE issued this statement on their official website, WWE.com, following his departure:  Brock Lesnar has made a personal decision to put his WWE career on hold to prepare to tryout for the National Football League this season. Brock has wrestled his entire professional career in the WWE and we are proud of his accomplishments and wish him the best in his new endeavor.  Lesnar later told a Minnesota radio show that he had "three wonderful years" in WWE, but had grown unhappy and always wanted to play professional football, adding that he did not want to be 40 years old and wondering if he could have "made it" in football. In an interview about the NFL, he stated:  This is no load of bull; it's no WWE stunt. I am dead serious about this. I ain't afraid of anything and I ain't afraid of anybody. I've been an underdog in athletics since I was five. I got zero college offers for wrestling. Now people say I can't play football, that it's a joke. I say I can. I'm as good an athlete as a lot of guys in the NFL, if not better. I've always had to fight for everything. I wasn't the best technician in amateur wrestling but I was strong, had great conditioning, and a hard head. Nobody could break me. As long as I have that, I don't give a damn what anybody else thinks.  Lesnar had a great showing at the NFL Combine, but on April 17 a minivan collided with his motorbike and he suffered a broken jaw and left hand, a bruised pelvis and a pulled groin. Several NFL teams expressed interest in watching Lesnar work out. The Minnesota Vikings worked out Lesnar on June 11, but he was hampered by the groin injury suffered in the April motorcycle accident. On July 24 it was reported that he was nearly recovered from his groin injury. He signed with the Vikings on July 27 and played in several preseason games for the team. He was released by the Vikings on August 30. Lesnar received an invitation to play as a representative for the Vikings in NFL Europa, but declined due to his desire to stay in the United States with his family. He had several football cards produced of him during his time with the Vikings.

Answer this question "did the accident change him?"
output: Nobody could break me. As long as I have that, I don't give a damn what anybody else thinks.

input: During the Renaissance, sacred choral music was the principal type of formally notated music in Western Europe. Throughout the era, hundreds of masses and motets (as well as various other forms) were composed for a cappella choir, though there is some dispute over the role of instruments during certain periods and in certain areas. Some of the better-known composers of this time include Guillaume Dufay, Josquin des Prez, Giovanni Pierluigi da Palestrina, John Dunstable, and William Byrd; the glories of Renaissance polyphony were choral, sung by choirs of great skill and distinction all over Europe. Choral music from this period continues to be popular with many choirs throughout the world today.  The madrigal, a partsong conceived for amateurs to sing in a chamber setting, originated at this period. Although madrigals were initially dramatic settings of unrequited-love poetry or mythological stories in Italy, they were imported into England and merged with the more dancelike balletto, celebrating carefree songs of the seasons, or eating and drinking. To most English speakers, the word madrigal now refers to the latter, rather than to madrigals proper, which refers to a poetic form of lines consisting of seven and eleven syllables each.  The interaction of sung voices in Renaissance polyphony influenced Western music for centuries. Composers are routinely trained in the "Palestrina style" to this day, especially as codified by the 18c music theorist Johann Joseph Fux. Composers of the early 20th century also wrote in Renaissance-inspired styles. Herbert Howells wrote a Mass in the Dorian mode entirely in strict Renaissance style, and Ralph Vaughan Williams's Mass in G minor is an extension of this style. Anton von Webern wrote his dissertation on the Choralis Constantinus of Heinrich Isaac and the contrapuntal techniques of his serial music may be informed by this study.

Answer this question "Were there any other composers who used this style?"
output:
Anton von Webern wrote his dissertation on the Choralis Constantinus of Heinrich Isaac and the contrapuntal techniques of his serial music may be informed by this study.