input: The mature Chimu culture developed in roughly the same territory where the Mochica had existed centuries before. The Chimu was also a coastal culture. It was developed in the Moche Valley north of present-day Lima, northeast of Huarmey, and finishing in central present-day Trujillo. Later, it expanded to Arequipa.  The Chimu appeared in the year 900: Chimor, also known as the Kingdom of Chimor, had its capital "at the great site now called Chanchan, between Trujillo and the sea, and we may assume that Taycanamo founded his kingdom there. His son, Guacri-caur, conquered the lower part of the valley and was succeeded by a son named Nancen-pinco who really laid the foundations of the Kingdom by conquering the head of the valley of Chimor and the neighboring valleys of Sana, Pacasmayo, Chicama, Viru, Chao and Santa."  The estimated founding date of the last Chimu kingdom is in the first half of the 14th century. Nacen-pinco was believed to have ruled around 1370 and was followed by seven rulers whose names are not yet known. Minchancaman followed these rulers, and was ruling around the time of the Inca conquest (between 1462 and 1470). This great expansion is believed to have occurred during the late period of Chimu civilization, called: Late Chimu, but the development of the Chimu territory spanned a number of phases and more than a single generation. Nacen-pinco, "may have pushed the imperial frontiers to Jequetepeque and to Santa, but conquest of the entire region was an agglutinative process initiated by earlier rulers." (17)  The Chimu expanded to include a vast area and many different ethnic groups. At its peak, the Chimu advanced to the limits of the desert coast to the valley of the Jequetepeque River in the north. Pampa Grande in the Lambayeque Valley was also ruled by the Chimu.  To the south, they expanded as far as Carabayallo. Their expansion southward was stopped by the military power of the great valley of Lima. Historians and archeologists contest how far south they managed to expand.

Answer this question "What was day to day life like in the desert coast?"
output: 

input: In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London. Unable to find a strong enough East Asian actress/singer in the United Kingdom, the producers scoured many countries looking for the lead. For her audition, the then 17-year-old Salonga chose to sing Boublil and Claude-Michel Schonberg's "On My Own" from Les Miserables and was later asked to sing "Sun and Moon", impressing the audition panel. Salonga has sometimes credited "On My Own" as the starting point of her international career. She competed for the role with childhood friend and fellow Repertory Philippines performer Monique Wilson. Salonga won the lead role, while Wilson was named her understudy and given the role of the bar girl Mimi.  For her performance as Kim, Salonga won the 1990 Laurence Olivier Award for Best Performance by an Actress in a Musical. When Miss Saigon opened on Broadway in 1991, she again played the role of Kim, winning the Drama Desk, Outer Critics Circle and Theatre World Awards and becoming the first woman of Asian descent to win a Tony Award. In 1993 and 1996, she returned to play Kim on Broadway. In 1999, she was invited back to London to close the West End production, and in 2001, at the age of 29 and after finishing the Manila run of the musical, Salonga returned to Broadway to close that production.  In 1990, Salonga performed in a homecoming concert in Manila entitled A Miss Called Lea. She also received a Presidential Award of Merit from President Corazon Aquino. In 1991, she was named as one of People magazine's 50 Most Beautiful People. In 1992, she performed the singing voice of Princess Jasmine in Disney's animated film Aladdin.

Answer this question "did she have media recognition?"
output: In 1991, she was named as one of People magazine's 50 Most Beautiful People.

input: Screen rights to Algren's novel were first acquired in 1949 on behalf of John Garfield, who planned to star in the film version. However, production was delayed because the Production Code Authority (PCA) refused to approve the script, with Joseph Breen stating that the basic story was "unacceptable" because of the Code's prohibition on showing illegal drug trafficking and drug addiction. The ability to obtain PCA approval was critical because at that time, many movie theaters would not show films that had not received approval. The PCA further predicted that the subject would also be unacceptable to the National Legion of Decency (a Catholic film censor board), Federal authorities, and state and local censor boards in the United States and abroad. Garfield died in 1952 and director Otto Preminger acquired the rights from his estate.  Preminger had previously released The Moon Is Blue (1953), which succeeded at the box office despite being denied the Production Code seal of approval due to its sexual subject matter. He told Peter Bogdanovich why he was attracted to Algren's novel: "I think there's a great tragedy in any human being who gets hooked on something, whether it's heroin or love or a woman or whatever." Although United Artists (UA) had a distribution contract with Preminger, a clause in the contract allowed them to withdraw if a film failed to get Code approval. Preminger stated that in that event, he would set up his own company to handle distribution of The Man With The Golden Arm. Preminger continued to have problems with the PCA during the making of the film.  Although the novel's author, Nelson Algren, was initially brought to Hollywood to work on the screenplay, he and Preminger did not get along, and he was quickly replaced by Walter Newman. Preminger and Newman went on to make significant changes to Algren's original story, and the film was eventually released as "A Film By Otto Preminger". In 1956, Algren sued Preminger and others seeking an injunction to keep Preminger from claiming authorship of the film, but had to drop the suit because he could not afford the legal fees.  Frank Sinatra jumped at a chance to star in the film before reading the entire script. The script was given to Marlon Brando around the same time as Sinatra, who still harbored some anger at Brando for beating out Sinatra for the lead role in On the Waterfront. To prepare for his role, Sinatra spent time at drug rehabilitation clinics observing addicts going cold turkey. He also learned to play drums from drummer Shelly Manne. The picture was shot in six weeks at RKO Studios in Hollywood from September 26 through November 4, 1955.  Saul Bass designed the crooked arm symbol used in the film's advertising campaign, which Preminger liked so much that he threatened to pull the picture if an exhibitor changed the advertisements. Bass also created the animated title sequence for the film, the first of many such sequences that he created for films by Preminger, Alfred Hitchcock, and others.

Answer this question "When did production begin for the film?"
output:
The picture was shot in six weeks at RKO Studios in Hollywood from September 26 through November 4, 1955.