Background: "Mr. Tambourine Man" is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.
Context: William Ruhlmann, writing for the AllMusic Web site, has suggested the following interpretation of the song's lyrics: "The time seems to be early morning following a night when the narrator has not slept. Still unable to sleep, though amazed by his weariness, he is available and open to Mr. Tambourine Man's song, and says he will follow him. In the course of four verses studded with internal rhymes, he expounds on this situation, his meaning often heavily embroidered with imagery, though the desire to be freed by the tambourine man's song remains clear."  While there has been speculation that the song is about drugs such as LSD or marijuana, particularly with lines such as "take me on a trip upon your magic swirling ship" and "the smoke rings of my mind", Dylan has always denied the song is about drugs. Though he was using marijuana at the time the song was written, Dylan was not introduced to LSD until a few months later. Other commentators have interpreted the song as a call to the singer's spirit or muse, or the singer's search for transcendence. In particular, biographer John Hinchey has suggested in his book Like a Complete Unknown that the singer is praying to his muse for inspiration; Hinchey notes that ironically the song itself is evidence the muse has already provided the sought-after inspiration. Mr. Tambourine Man has also been interpreted as a symbol for Jesus Christ and for the Pied Piper of Hamelin. The song may also reference gospel music, with Mr. Tambourine Man being the bringer of religious salvation.  Dylan has cited the influence of Federico Fellini's movie La Strada on the song, while other commentators have found echoes of the poetry of Arthur Rimbaud. Author Howard Sounes has identified the lyrics "in the jingle jangle morning I'll come following you" as having been taken from a Lord Buckley recording. Bruce Langhorne, who performs guitar on the track, has been cited by Dylan as the inspiration for the tambourine man image in the song. Langhorne used to play a giant, four-inch-deep "tambourine" (actually a Turkish frame drum), and had brought the instrument to a previous Dylan recording session.
Question: Was Mr. Tambourine Man interpreted in a way that Dylan did not mean?
Answer: 

Background: Richard was born on 2 October 1452 at Fotheringhay Castle, the twelfth of thirteen children of Richard Plantagenet, 3rd Duke of York and Cecily Neville at the beginning of what has traditionally been labelled the "Wars of the Roses", a period of "three or four decades of political instability and periodic open civil war in the second half of the fifteenth century", between supporters of Richard's father (a potential claimant to the throne of King Henry VI from birth)--"Yorkists"--in opposition to the regime of Henry VI and his wife, Margaret of Anjou, and those loyal to the crown ("Lancastrians"). When his father and the Nevilles were forced to flee to Ludlow in 1459, Richard and his older brother, George (later Duke of Clarence), were placed in the custody of the Duchess of Buckingham, and the Archbishop of Canterbury. When his father and elder brother Edmund, Earl of Rutland, were killed at the Battle of Wakefield on 30 December 1460, Richard, who was eight years old, and George were sent by his mother, the Duchess of York, to the Low Countries. They returned to England following the defeat of the Lancastrians at the Battle of Towton and participated in the coronation of Richard's eldest brother as King Edward IV in June 1461.
Context: Apart from Shakespeare, Richard appears in many other works of literature. Two other plays of the Elizabethan era predated Shakespeare's work. The Latin-language drama Richardus Tertius (first known performance in 1580) by Thomas Legge is believed to be the first history play written in England. The anonymous play The True Tragedy of Richard III (c. 1590), performed in the same decade as Shakespeare's work, was probably an influence on Shakespeare. Neither of the two plays places any emphasis on Richard's physical appearance, though the True Tragedy briefly mentions that he is "A man ill shaped, crooked backed, lame armed" adding that he is "valiantly minded, but tyrannous in authority". Both portray him as a man motivated by personal ambition, who uses everyone around him to get his way. Ben Jonson is also known to have written a play Richard Crookback in 1602, but it was never published and nothing is known about its portrayal of the king.  Marjorie Bowen's 1929 novel Dickon set the trend for pro-Ricardian literature. Particularly influential was The Daughter of Time (1951) by Josephine Tey, in which a modern detective concludes that Richard III is innocent in the death of the Princes. Other novelists such as Valerie Anand in the novel Crown of Roses (1989) have also offered alternative versions to the theory that he murdered them. Sharon Kay Penman, in her historical novel The Sunne in Splendour, attributes the death of the Princes to the Duke of Buckingham. In the mystery novel The Murders of Richard III by Elizabeth Peters (1974) the central plot revolves around the debate as to whether Richard III was guilty of these and other crimes. A sympathetic portrayal of Richard III is given in The Founding, the first volume in The Morland Dynasty series by Cynthia Harrod-Eagles.  One film adaptation of Shakespeare's play Richard III is the 1955 version directed and produced by Laurence Olivier, who also played the lead role. Also notable are the 1995 film version starring Ian McKellen, set in a fictional 1930s fascist England, and Looking for Richard, a 1996 documentary film directed by Al Pacino, who plays the title character as well as himself. The play has been adapted for television on several occasions.
Question: Are there other literary works?
Answer:
The Latin-language drama Richardus Tertius