IN: Cooper was born on May 7, 1901, in Helena, Montana to Alice (nee Brazier, 1873-1967) and Charles Henry Cooper (1865-1946). His father had emigrated from Houghton Regis, Bedfordshire and was a prominent lawyer, rancher, and (later) a Montana Supreme Court justice. His mother had emigrated from Gillingham, Kent and married Charles in Montana. In 1906, Charles purchased the 600-acre (240 ha) Seven-Bar-Nine cattle ranch about fifty miles (eighty kilometers) north of Helena near the town of Craig on the Missouri River.

For me the really satisfying things I do are offered me, free, for nothing. Ever go out in the fall and do a little hunting? See the frost on the grass and the leaves turning? Spend a day in the hills alone, or with good companions? Watch a sunset and a moonrise? Notice a bird in the wind? A stream in the woods, a storm at sea, cross the country by train, and catch a glimpse of something beautiful in the desert, or the farmlands? Free to everybody ...  Cooper's twenty-year friendship with Ernest Hemingway began at Sun Valley in October 1940. The previous year, Hemingway drew upon Cooper's image when he created the character of Robert Jordan for the novel For Whom the Bell Tolls. The two shared a passion for the outdoors, and for years they hunted duck and pheasant, and skied together in Sun Valley. Both men admired the work of Rudyard Kipling--Cooper kept a copy of the poem "If--" in his dressing room--and retained as adults Kipling's sense of boyish adventure. As well as admiring Cooper's hunting skills and knowledge of the outdoors, Hemingway believed his character matched his screen persona, once telling a friend, "If you made up a character like Coop, nobody would believe it. He's just too good to be true." They saw each other often, and their friendship remained strong through the years.  Cooper's social life generally centered on sports, outdoor activities, and dinner parties with his family and friends from the film industry, including directors Henry Hathaway, Howard Hawks, William Wellman, and Fred Zinnemann, and actors Joel McCrea, James Stewart, Barbara Stanwyck, and Robert Taylor. As well as hunting, Cooper enjoyed riding, fishing, skiing, and later in life, scuba diving. He never abandoned his early love for art and drawing, and over the years, he and his wife acquired a private collection of modern paintings, including works by Pierre-Auguste Renoir, Paul Gauguin, and Georgia O'Keeffe. Cooper owned several works by Pablo Picasso, whom he met in 1956. Cooper also had a lifelong passion for automobiles, with a collection that included a 1930 Duesenberg.  Cooper was naturally reserved and introspective, and loved the solitude of outdoor activities. Not unlike his screen persona, his communication style frequently consisted of long silences with an occasional "yup" and "shucks". He once said, "If others have more interesting things to say than I have, I keep quiet." According to his friends, Cooper could also be an articulate, well-informed conversationalist on topics ranging from horses, guns, and Western history to film production, sports cars, and modern art. He was modest and unpretentious, frequently downplaying his acting abilities and career accomplishments. His friends and colleagues described him as charming, well-mannered, and thoughtful, with a lively boyish sense of humor. Cooper maintained a sense of propriety throughout his career and never misused his movie star status--never sought special treatment or refused to work with a director or leading lady. His close friend Joel McCrea recalled, "Coop never fought, he never got mad, he never told anybody off that I know of; everybody that worked with him liked him."
QUESTION: How did he become friends with Hemingway?
IN: Baron Giulio Cesare Andrea Evola (Italian: ['e:vola]; 19 May 1898 - 11 June 1974), better known as Julius Evola (), was an Italian philosopher, painter, and esotericist. According to the scholar Franco Ferraresi, "Evola's thought can be considered one of the most radical and consistent anti-egalitarian, anti-liberal, anti-democratic, and anti-popular systems in the twentieth century. It is a singular (though not necessarily original) blend of several schools and traditions, including German idealism, Eastern doctrines, traditionalism, and the all-embracing Weltanschauung of the interwar conservative revolutionary movement with which Evola had a deep personal involvement".

Thomas Sheehan wrote that "Evola's first philosophical works from the 'twenties were dedicated to reshaping neo-idealism from a philosophy of Absolute Spirit and mind into a philosophy of the "absolute individual" and action." Accordingly, Evola developed the doctrine of "magical idealism", which held that "the Ego must understand that everything that seems to have a reality independent of it is nothing but an illusion, caused by its own deficiency." For Evola, this ever-increasing unity with the "absolute individual" was consistent with unconstrained liberty, and therefore unconditional power. In his 1925 work Essays on Magical Idealism, Evola declared that "God does not exist. The Ego must create him by making itself divine."  According to Sheehan, Evola discovered the power of metaphysical mythology while developing his theories. This led to his advocacy of supra-rational intellectual intuition over discursive knowledge. In Evola's view, discursive knowledge separates man from Being. Sheehan stated that this position is a theme in certain interpretations of Western philosophers such as Plato, Thomas Aquinas, and Martin Heidegger that was exaggerated by Evola. Evola would later write:  The truths that allow us to understand the world of Tradition are not those that can be "learned" or "discussed." They either are or are not. We can only remember them, and that happens when we are freed from the obstacles represented by various human constructions (chief among these are the results and methods of the authorized "researchers") and have awakened the capacity to see from the nonhuman viewpoint, which is the same as the Traditional viewpoint ... Traditional truths have always been held to be essentially non-human.  Evola developed a doctrine of the "two natures": the natural world and the primordial "world of 'Being'". He believed that these "two natures" impose form and quality on lower matter and create a hierarchical "great chain of Being." He understood "spiritual virility" as signifying orientation towards this postulated transcendent principle. He held that the State should reflect this "ordering from above" and the consequent hierarchical differentiation of individuals according to their "organic preformation". By "organic preformation" he meant that which "gathers, preserves, and refines one's talents and qualifications for determinate functions."
QUESTION:
Was he well known?