Some context: Abraham Ortelius (; also Ortels, Orthellius, Wortels; 14 April 1527 - 28 June 1598) was a Flemish cartographer and geographer, conventionally recognized as the creator of the first modern atlas, the Theatrum Orbis Terrarum (Theatre of the World). Ortelius is often considered one of the founders of the Netherlandish school of cartography and one of the most notable representatives of the school in its golden age (approximately 1570s-1670s). The publication of his atlas in 1570 is often considered as the official beginning of the Golden Age of Netherlandish cartography.
On 20 May 1570, Gilles Coppens de Diest at Antwerp issued Ortelius' Theatrum Orbis Terrarum, the "first modern atlas" (of 53 maps). Three Latin editions of this (besides a Dutch, a French and a German edition) appeared before the end of 1572; twenty-five editions came out before Ortelius' death in 1598; and several others were published subsequently, for the atlas continued to be in demand until about 1612. Most of the maps were admittedly reproductions (a list of 87 authors is given in the first Theatrum by Ortelius himself, growing to 183 names in the 1601 Latin edition), and many discrepancies of delineation or nomenclature occur. Errors, of course, abound, both in general conceptions and in detail; thus South America is initially very faulty in outline, but corrected in the 1587 French edition, and in Scotland the Grampians lie between the Forth and the Clyde; but, taken as a whole, this atlas with its accompanying text was a monument of rare erudition and industry. Its immediate precursor and prototype was a collection of thirty-eight maps of European lands, and of Asia, Africa, Tartary and Egypt, gathered together by the wealth and enterprise, and through the agents, of Ortelius' friend and patron, Gillis Hooftman (1521-1581), lord of Cleydael and Aertselaer: most of these were printed in Rome, eight or nine only in the Southern Netherlands.  In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book (also in 1573, published by Philippe Galle of Antwerp) Deorum dearumque capita ... ex Museo Ortelii (reprinted in 1582, 1602, 1612, 1680, 1683 and finally in 1699 by Gronovius, Thesaurus Graecarum Antiquitatum. vol. vii).  The Theatrum Orbis Terrarum inspired a six volume work entitled Civitates orbis terrarum edited by Georg Braun and illustrated by Frans Hogenberg with the assistance of Ortelius himself, who visited England to see his friend John Dee in Mortlake in 1577 and Braun tells of Ortelius putting pebbles in cracks in Temple Church, Bristol, being crushed by the vibration of the bells in the description on the back of 'Brightovve' Map 2, Third Edition 1581
What is the title of the work inspired?
A: entitled Civitates orbis terrarum edited by
Some context: Eurythmics were a British music duo consisting of members Annie Lennox and David A. Stewart. Stewart and Lennox were both previously in the band The Tourists (originally known as The Catch), who split up in 1980; Eurythmics were formed that year in Wagga Wagga. The duo released their first album, In the Garden, in 1981 to little fanfare, but went on to achieve global success with their second album Sweet Dreams
Eurythmics released their next album, Revenge, in 1986. The album continued their move towards a band sound, verging on an AOR-pop/rock sound. Sales continued to be strong in the UK and internationally, but were somewhat slower in the U.S., though "Missionary Man" reached number 14 on the U.S. Hot 100 chart and went all the way to No. 1 on the US Album Oriented Rock chart (AOR). Revenge would eventually certify double Platinum in the UK and Gold in the U.S. The band went on a massive worldwide tour in support of the album, and a live concert video from the Australian leg of the tour was released.  In 1987, Lennox and Stewart released the album Savage. This saw a fairly radical change within the group's sound, being based mainly around programmed samples and drum loops (Lennox would later say that where Revenge was more of a Stewart album in sound, Savage was more of a Lennox one). Lyrically the songs showed an even darker, more obsessive side to Lennox's writing. A video album was also made, directed by Sophie Muller, with a video for each song. This was largely a concept piece, following characters portrayed by Lennox, specifically one of a frustrated housewife-turned-vamp (as exemplified in "Beethoven (I Love to Listen To)", a UK top 30 hit). The brazen, sexually charged rocker "I Need a Man" remains a Eurythmics staple, as does "You Have Placed a Chill in My Heart". Much less commercial than the two previous albums, Savage was mostly ignored in the U.S., although rock radio in more progressive markets supported "I Need a Man". In the duo's native UK however, the album was a top 10 success and was certified Platinum.  In 1989, Eurythmics released the album We Too Are One, which entered the UK album chart at no.1 (their second no.1 album after Touch) and gave the duo four UK Top 30 hit singles. The album was a return to the rock/pop sound of their mid-80s albums and was certified Double Platinum in the UK, but was less successful in the U.S. (although the single "Don't Ask Me Why" grazed the Billboard Top 40). Other singles from the album included "Revival", "The King and Queen of America" and "Angel". The duo also conducted a world tour for the album in late 1989.
was that album successful?
A:
the album was a top 10 success and was certified Platinum.