IN: Nobuo Uematsu (Zhi Song  Shen Fu , Uematsu Nobuo, born March 21, 1959) is a Japanese video game composer, best known for scoring most of the titles in the Final Fantasy series by Square Enix. He is considered to be one of the most well known composers in the video game industry. Sometimes referred to as the "Beethoven of video games music", he appeared five times in the top 20 of the annual Classic FM Hall of Fame. Uematsu, a self-taught musician, began playing the piano at the age of twelve, with English singer-songwriter Elton John as his biggest influence.

Uematsu joined Square in 1985, and composed the soundtrack to Cruise Chaser Blassty in 1986, his first. While working at Square, he met Hironobu Sakaguchi, who asked him if he wanted to create music for some of his games, which Uematsu agreed to. For the next year, he created music for a number of games which did not achieve widespread success, including titles like Genesis and Alpha. In 1987, Uematsu and Sakaguchi collaborated on what was originally to be Sakaguchi's last contribution for Square, Final Fantasy, a game that turned out to be a huge success.  Final Fantasy's popularity sparked Uematsu's career in video game music, and he would go on to compose music for over 30 titles, most prominently the subsequent games in the Final Fantasy series. He scored the first installment in the SaGa series, The Final Fantasy Legend, in 1989. For the second game in the series, Final Fantasy Legend II he was assisted by Kenji Ito. In late 1994, Uematsu signed on to finish the soundtrack for the critically acclaimed title Chrono Trigger after the game's composer, Yasunori Mitsuda, contracted peptic ulcers. In 1996, he co-composed the soundtrack to Front Mission: Gun Hazard, and created the entire score for DynamiTracer. He also created music for three of the games in the Hanjuku Hero series.  Outside video games, he has composed the main theme for the 2000 animated film Ah! My Goddess: The Movie and co-composed the anime Final Fantasy: Unlimited (2001) with Final Fantasy orchestrator Shiro Hamaguchi. He also inspired the Ten Plants concept albums, and released a solo album in 1994, entitled Phantasmagoria. Feeling gradually more dissatisfied and uninspired, Uematsu requested the assistance of composers Masashi Hamauzu and Junya Nakano for the score to Final Fantasy X in 2001. This marked the first time that Uematsu did not compose an entire main-series Final Fantasy soundtrack. For Final Fantasy XI from 2002, he was joined by Naoshi Mizuta, who composed the majority of the soundtrack, and Kumi Tanioka; Uematsu was responsible for only eleven tracks. In 2003, he assisted Hitoshi Sakimoto in scoring Final Fantasy Tactics Advance by providing the main theme.  In 2002, fellow Square colleagues Kenichiro Fukui and Tsuyoshi Sekito asked Uematsu to join them in forming a rock band that focused on reinterpreting and expanding on Uematsu's compositions. He declined their offer at first because he was too busy with work; however, after agreeing to perform with Fukui and Sekito in a live performance as a keyboardist, he decided to join them in making a band. Another employee at Square, Mr. Matsushita, chose the name The Black Mages for their band. In 2003, Keiji Kawamori, Arata Hanyuda, and Michio Okamiya also joined the band. The Black Mages released three studio albums, and appeared at several concerts to promote their albums.

Did the Black Mages release any albums ?

OUT: The Black Mages released three studio albums,

input: Upon release, Girls was met with criticism regarding the all-white main cast in the otherwise culturally diverse setting of New York City (the only black actors in the pilot were a homeless man and a taxi driver, and the only Asian actress had the sole trait of being good at Photoshop). Agreeing that there is a lack of racial diversity on Girls, a comment from The Huffington Post argued that the issue is the industry as a whole.  Lesley Arfin, a writer for the show, responded sarcastically to the controversy with the tweeted comment about a movie that highlights an African-American girl's rise from incestuous sexual abuse while living in Harlem: "What really bothered me most about Precious was that there was no representation of ME." Arfin later deleted the comment following criticism on social media claiming her tweet was racist.  Dunham spoke publicly about the issues on several occasions. In an interview with IndieWire, she said:  I am a half-Jew, half-WASP, and I wrote two Jews and two WASPs. Something I wanted to avoid was tokenism in casting. If I had one of the four girls, if, for example, she was African-American, I feel like -- not that the experience of an African-American girl and a white girl are drastically different, but there has to be specificity to that experience [that] I wasn't able to speak to. I really wrote the show from a gut-level place, and each character was a piece of me or based on someone close to me. And only later did I realize that it was four white girls. As much as I can say it was an accident, it was only later as the criticism came out, I thought, 'I hear this and I want to respond to it.' And this is a hard issue to speak to because all I want to do is sound sensitive and not say anything that will horrify anyone or make them feel more isolated, but I did write something that was super-specific to my experience, and I always want to avoid rendering an experience I can't speak to accurately.  Donald Glover guest starred as Sandy, a black Republican and Hannah's love interest, in the first two episodes of season two, which was criticized as tokenism in response to the initial backlash from the first season.

Answer this question "How did she respond to that?"
output:
I really wrote the show from a gut-level place, and each character was a piece of me or based on someone close to me.