IN: "Pride (In the Name of Love)" is a song by Irish rock band U2. The second track on the band's 1984 album, The Unforgettable Fire, it was released as the album's lead single in September 1984. Written about Martin Luther King Jr., the song received mixed critical reviews at the time, but it was a major commercial success for the band and has since become one of the band's most popular songs. "Pride" appeared on the compilation

"Pride" reached #3 on the UK Singles Chart and #8 on the Dutch Singles Chart. The song was the band's first top 40 hit in the United States where it peaked at #33. It gained considerable US album-oriented rock radio airplay and its video was on heavy rotation on MTV, thus helping U2 continue its commercial breakthrough begun with the War album. It reached #1 in New Zealand, the first time a U2 single topped a country's singles chart.  Initial critical reactions to "Pride" were mixed, especially in regards to the lyrics. Robert Christgau in The Village Voice complained of "the moralism with the turn-somebody-else's-cheek glorification of Martin Luther King's martyrdom." Meanwhile, Kurt Loder of Rolling Stone wrote that "'Pride' gets over only on the strength of its resounding beat and big, droning bass line, not on the nobility of its lyrics, which are unremarkable."  But the 1984 Pazz & Jop poll of 240 music critics ranked "Pride" as the 12th best single of that year, a higher ranking than the overall album, which finished 29th. The single's ranking remained the highest of any U2 single until "One" achieved 8th in 1992. And in 1989, Spin named the song the 65th-greatest single in history. Rolling Stone magazine later (2010) placed the song at number 388 in their list "The 500 Greatest Songs of All Time". The Rock and Roll Hall of Fame selected "Pride (In the Name of Love)" as one of 500 Songs that Shaped Rock and Roll. Music television network VH1 ranked the song number 38 on the "100 Greatest Songs of the 80s" countdown in its series The Greatest. In 2004, Mojo placed the song at number 63 on its list of the "100 Epic Rock Tracks".  In 2007, the Roots covered "Pride" in a medley with "Sunday Bloody Sunday" for an NAACP dinner honoring Bono. The band also mixed in some of their own "False Media" and bits of Edwin Starr's "War."

Has the song become more popular throughout the years?

OUT: In 2004, Mojo placed the song at number 63 on its list of the "100 Epic Rock Tracks".


IN: At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released in July 1971 in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "

At Fillmore East was recorded over two nights -- March 12 and 13, 1971 -- for which the band was paid $1250 each show. The shows were typical performances for the band, and regarded as slightly above average by drummer Jai Johanny Johanson. Ads for the shows read: "Bill Graham Presents in New York -- Johnny Winter And, Elvin Bishop Group, Extra Added Attraction: Allman Brothers." While Winter was billed as headliner, by the third night the Allman Brothers were closing the show.  Tom Dowd produced At Fillmore East; he had previously worked on their second studio album, Idlewild South. He had recently returned from Africa from working on the film Soul to Soul, and stayed in New York several days to oversee the live recording. "It was a good truck, with a 16-track machine and a great, tough-as-nails staff who took care of business," recalled Dowd. He gave the staff suggestions and noted the band had two lead guitarists and two drummers, "which was unusual, and it took some foresight to properly capture the dynamics." Things went smoothly until the band unexpectedly brought out saxophonist Rudolph "Juicy" Carter, an unknown horn player, and longstanding "unofficial" band member Thom Doucette on harmonica. "I was just hoping we could isolate them, so we could wipe them and use the songs, but they started playing and the horns were leaking all over everything, rendering the songs unusable," said Dowd. He rushed to Duane during the break to tell him to cut the horn players; while Duane loved the players, he put up no fight with Dowd. The final show was delayed because of a bomb scare, and did not end until 6 am.  Each night following the shows, the musicians and Dowd would "grab some beers and sandwiches" and head to Manhattan's Atlantic Studios to go over the performances. Set lists for following shows were crafted by listening to the recordings and going over what they could keep and what they would need to capture once more. "We wanted to give ourselves plenty of times to do it because we didn't want to go back and overdub anything, because then it wouldn't have been a real live album," said Gregg Allman, and in the end, the band only edited out Doucette's harmonica when it didn't fit. "That was our pinnacle," said Dickey Betts later. "The Fillmore days are definitely the most cherished memories that I have. If you asked everybody in the band, they would probably say that."  On June 27, the Fillmore East closed, and the band were invited to play a final, invitation-only concert, along with Edgar Winter, the Beach Boys and Country Joe McDonald. The Beach Boys initially refused to perform unless they headlined the event, but Graham refused, telling them that the Allman Brothers would be closing the show, and they were free to leave if they disagreed. The Allman Brothers' performance was used for additional tracks when an expanded version of At Fillmore East, The Fillmore Concerts, was reissued on CD.

were there any conflicts?

OUT:
Things went smoothly until the band unexpectedly brought out saxophonist Rudolph "Juicy" Carter,