Question: Marc Zakharovich Chagall ( sh@-GAHL; born Moishe Zakharovich Shagal; 6 July [O.S. 24 June] 1887 - 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists".

Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection.

Using a quote from the above article, answer the following question: what did he do to intergrate this roots in his art?
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Answer: his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers...


Question: Steven Noel Wariner was born on Christmas Day of 1954 in Noblesville, Indiana. Influenced at an early age by George Jones and Chet Atkins, Wariner started performing in his father's band, and later moved on to playing in local clubs. By age 17, he had been hired by Dottie West as a bass guitarist, and played on her single "Country Sunshine". He also worked with Glen Campbell, who he has cited as a major influence on his work.

1991 saw the release of Wariner's first album for Arista Records. Entitled I Am Ready, this was also the first album of his career to be certified gold for shipping 500,000 copies in the United States. Singles from it included "Leave Him Out of This", "The Tips of My Fingers" (a cover of Bill Anderson's 1960 single), "A Woman Loves", "Crash Course in the Blues" and "Like a River to the Sea". These first three singles were all Top 10 hits. In 1992, Wariner received his first Grammy Award, for Best Country Vocal Collaboration, as a guest vocalist and guitarist alongside Vince Gill, Ricky Skaggs and fiddler Mark O'Connor on the single "Restless", a No. 25-peaking single from O'Connor's album The New Nashville Cats. He also collaborated with O'Connor on the No. 71-peaking "Now It Belongs to You" on the same album.  His second album for Arista was 1993's Drive. Leading off this album was the Top 10 "If I Didn't Love You". After it came the Top 30 hits "Drivin' and Cryin'" and "It Won't Be Over You", although the album's title track stopped at No. 63. Wariner, along with Lee Roy Parnell and Diamond Rio, recorded a cover of Merle Haggard's "Workin' Man's Blues" as the fictional band Jed Zeppelin for the late-1994 tribute album Mama's Hungry Eyes: A Tribute to Merle Haggard. This cover peaked at No. 48 and was made into a music video. A year later, Wariner contributed a cover of the song "Get Back" to Come Together: America Salutes The Beatles, a tribute album which included country music covers of songs by The Beatles. His rendition charted at No. 72 on the country charts and was also a music video shot primarily at Union Station in Nashville.  An instrumental album, No More Mr. Nice Guy followed in 1996. His final Arista release, it produced no singles, although one of the tracks, "Brickyard Boogie", was nominated for Best Country Instrumental at the 1997 Grammy Awards. This track was a collaboration with Bryan White, Jeffrey Steele, Bryan Austin and former Pearl River guitarist Derek George. Despite exiting Arista in 1997, Wariner made a guest appearance along with Mac McAnally in the music video for Sawyer Brown's 1997 single "This Night Won't Last Forever", a cover of the Michael Johnson song.

Using a quote from the above article, answer the following question: When was the album released?
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Answer:
1991