IN: Fredric Michael Lynn (born February 3, 1952) is an American former professional baseball player who played in Major League Baseball (MLB) from 1974 through 1990 as a center fielder with the Boston Red Sox, California Angels, Baltimore Orioles, Detroit Tigers and San Diego Padres. He is best known for being the first player to win MLB's Rookie of the Year Award and Most Valuable Player Award in the same year, which he accomplished in 1975 with the Red Sox. Lynn was inducted into the Boston Red Sox Hall of Fame in 2002 and to the College Baseball Hall of Fame in 2007.

Lynn made his major league debut on September 5, 1974, in a Boston loss to the Milwaukee Brewers. He appeared in 15 games through the end of the seasons, batting 18-for-43 (.419).  Lynn had an outstanding 1975 season; in 145 games with the Red Sox, he batted .331 with 21 home runs and 105 RBIs. He led the American League (AL) in doubles, runs scored, and slugging percentage, finished second in batting (Rod Carew of the Minnesota Twins hit .359), and won a Gold Glove Award for his defensive play. Lynn won both the Most Valuable Player Award and Rookie of the Year Award, becoming the first player to win both in the same season; the feat was later duplicated by then-Seattle Mariners right fielder Ichiro Suzuki in 2001. In a game on June 18 at Tiger Stadium, Lynn hit three home runs, had 10 RBIs, and 16 total bases in one game. Lynn and fellow rookie outfielder Jim Rice were dubbed as the "Gold Dust Twins". In the 1975 World Series, which Boston lost in seven games to the Cincinnati Reds, Lynn batted 7-for-25 (.280) with a home run and five RBIs.  Lynn won three more Gold Gloves (1978, 1979, and 1980), and in 1979 won the AL batting title with a .333 average and finished fourth in MVP voting. He was elected to the All-Star team each season from 1975 through 1980 with Boston. On May 13, 1980, he hit for the cycle.  In seven seasons with the Red Sox, Lynn batted .308 with 124 home runs and 521 RBIs in 828 games played.
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IN: Tapper was born in New York City and was raised in Queen Village in Philadelphia . He is the son of Theodore S. "Ted" and Helen Anne (nee Palmatier) Tapper.

In 1992, Tapper served as a Campaign Press Secretary for Democratic congressional candidate Marjorie Margolies-Mezvinsky (PA-13), and later served as her congressional press secretary. Tapper also worked for Powell Tate, a Washington, D.C., public relations firm run by Democrat Jody Powell and Republican Sheila Tate. Tapper also worked briefly for Handgun Control, Inc. (now the Brady Center to Prevent Gun Violence) in 1997.  Tapper wrote several articles as a freelance writer and then began his full-time journalism career in 1998; for two years, he was a Senior Writer for the Washington City Paper. While there, Tapper wrote an article about going on a date with Monica Lewinsky, which skewered Washington's culture of scandal. Tapper won a Society of Professional Journalists award for his work at the Washington City Paper.  Tapper was the Washington Correspondent for Salon.com from 1999 to 2002. Tapper's reports about Enron were nominated for a 2002 Columbia University School of Journalism online award, and he was an early questioner of the Bush administration's claims about Iraq having weapons of mass destruction.  In 2001, Tapper was host of the CNN news talk show, Take Five. Tapper was also a columnist for TALK Magazine, and has written for The New Yorker, The New York Times Magazine, The Washington Post, the Los Angeles Times, The Weekly Standard, and other publications. Tapper was a frequent contributor to National Public Radio's All Things Considered and his work was included in "The Best American Political Writing 2002." Tapper was the correspondent for a series of VH1 news specials in 2002.
QUESTION: What new opportunities or position did he gain from that award?
IN: The Joker is a fictional supervillain created by Bill Finger, Bob Kane, and Jerry Robinson who first appeared in the debut issue of the comic book Batman (April 25, 1940), published by DC Comics. Credit for the Joker's creation is disputed; Kane and Robinson claimed responsibility for the Joker's design, while acknowledging Finger's writing contribution. Although the Joker was planned to be killed off during his initial appearance, he was spared by editorial intervention, allowing the character to endure as the archenemy of the superhero Batman. In his comic book appearances, the Joker is portrayed as a criminal mastermind.

The Joker was one of the few popular villains continuing to appear regularly in Batman comics from the Golden Age into the Silver Age, as the series continued during the rise in popularity of mystery and romance comics. In 1951, Finger wrote an origin story for the Joker in Detective Comics #168, which introduced the characteristic of him formerly being the criminal Red Hood, and his disfigurement the result of a fall into a chemical vat.  By 1954, the Comics Code Authority had been established in response to increasing public disapproval of comic book content. The backlash was inspired by Frederic Wertham, who hypothesized that mass media (especially comic books) was responsible for the rise in juvenile delinquency, violence and homosexuality, particularly in young males. Parents forbade their children from reading comic books, and there were several mass burnings. The Comics Code banned gore, innuendo and excessive violence, stripping Batman of his menace and transforming the Joker into a goofy, thieving trickster without his original homicidal tendencies.  The character appeared less frequently after 1964, when Julius Schwartz (who disliked the Joker) became editor of the Batman comics. The character risked becoming an obscure figure of the preceding era until this goofy prankster version of the character was adapted into the 1966 television series Batman, in which he was played by Cesar Romero. The show's popularity compelled Schwartz to keep the comics in a similar vein. As the show's popularity waned, however, so did that of the Batman comics. After the TV series ended in 1968, the increase in public visibility had not stopped the comic's sales decline; editorial director Carmine Infantino resolved to turn things around, moving stories away from schoolboy-friendly adventures. The Silver Age introduced several of the Joker's defining character traits: lethal joy buzzers, acid-squirting flowers, trick guns, and goofy, elaborate crimes.
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