Question: James Stanley Brakhage ( BRAK-@j; January 14, 1933 - March 9, 2003), better known as Stan Brakhage, was an American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality, and innocence.

Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving.

Using a quote from the above article, answer the following question: Where did he go to school?
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Answer: Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts.


Question: William Randolph Hearst Sr. (; April 29, 1863 - August 14, 1951) was an American businessman, politician, and newspaper publisher who built the nation's largest newspaper chain and media company Hearst Communications and whose flamboyant methods of yellow journalism influenced the nation's popular media by emphasizing sensationalism and human interest stories. Hearst entered the publishing business in 1887 after being given control of The San Francisco Examiner by his wealthy father.

Beginning in 1919, Hearst began to build Hearst Castle, which he never completed, on a 240,000 acres (97,000 hectares) ranch at San Simeon, California, which he furnished with art, antiques and entire rooms brought from the great houses of Europe. He also used the ranch for an Arabian horse breeding operation. San Simeon was also used in the 1960 film Spartacus as the estate of Marcus Licinius Crassus (played by Laurence Olivier).  He also had a property on the McCloud River in Siskiyou County, in far northern California, called Wyntoon. Wyntoon was designed by famed architect Julia Morgan, who also designed Hearst Castle and worked in collaboration with William J. Dodd on a number of other projects.  In 1947, Hearst paid $120,000 for an H-shaped Beverly Hills mansion, (located at 1011 N Beverly Dr, Beverly Hills CA 90210) on 3.7 acres three blocks from Sunset Boulevard. This home, known as Beverly House, was once perhaps the "most expensive" private home in the U.S., valued at $165 million (PS81.4 million). It has 29 bedrooms, three swimming pools, tennis courts, its own cinema and a nightclub. Lawyer and investor Leonard Ross has owned it since 1976. The estate went on the market for $95 million at the end of 2010. The property had not sold by 2012 but was then listed at a significantly increased asking price of $135 million. The Beverly House, as it has come to be known, has some cinematic connections. It was the setting for the gruesome scene in the film The Godfather depicting a horse's severed head in the bed of film-producer, Jack Woltz. The character was head of a film company called International, the name of Hearst's early film company. According to Hearst Over Hollywood, John and Jacqueline Kennedy stayed at the house for part of their honeymoon. They watched their first film together as a married couple in the mansion's cinema. It was a Hearst-produced film from the 1920s.  In the early 1890s, Hearst began building a mansion on the hills overlooking Pleasanton, California on land purchased by his father a decade earlier. Hearst's mother took over the project, hired Julia Morgan to finish it as her home, and named it Hacienda del Pozo de Verona. After her death, it served as the clubhouse for Castlewood Country Club from 1925 to 1969, when it was destroyed in a massive fire.

Using a quote from the above article, answer the following question: What are the California properties?
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Answer:
Beginning in 1919, Hearst began to build Hearst Castle, which he never completed, on a 240,000 acres (97,000 hectares) ranch at San Simeon,