IN: Benjamin Solomon Carson Sr. (born September 18, 1951) is an American neurosurgeon, author and politician serving as the 17th and current United States Secretary of Housing and Urban Development since 2017, under the Trump Administration. Prior to his cabinet position, he was a candidate for President of the United States in the Republican primaries in 2016. Born in Detroit, Michigan, and a graduate of Yale University and the University of Michigan Medical School, Carson has authored numerous books on his medical career and political stances.

Carson and his wife are members of the Seventh-day Adventist Church (SDA). Carson was baptized at Burns Seventh-day Adventist Church on Detroit's eastside. A few years later, he told the pastor at a church he was attending in Inkster, Michigan that he had not fully understood his first baptism and wanted to be baptized again, so he was. He has served as a local elder and Sabbath School teacher in the Seventh-day Adventist Church. His mother is a devout Seventh-day Adventist. Although Carson is an Adventist, the church has officially cautioned church employees to remain politically neutral.  In keeping with his Seventh-day Adventist faith Carson announced in 2014 his belief, "that the United States will play a big role" in the coming apocalypse. He went on to say, "I hope by that time I'm not around anymore."  In an interview with Katie Couric, Carson said that Jesus Christ came to Earth to redeem the world through his atoning sacrifice and that all people are sinners and need his redemption.  Carson has stated he does not believe in hell as understood by some Christians: "You know, I see God as a very loving individual. And why would he torment somebody forever who only had a life of 60 or 70 or 80 years? Even if they were evil. Even if they were only evil for 80 years?". This is fully in line with Adventist teaching, which promotes annihilationism.  Carson endorsed Seventh-day Adventist theology, which includes belief in a literal reading of the first chapters of Genesis. In a 2013 interview with Adventist News Network, Carson said "You know, I'm proud of the fact that I believe what God has said, and I've said many times that I'll defend it before anyone. If they want to criticize the fact that I believe in a literal, six-day creation, let's have at it because I will poke all kinds of holes in what they believe." Carson's Adventism was raised as an issue by his then-primary rival Donald Trump. Some Adventists have argued that Carson's political positions on gun rights and religious liberty conflict with historic Adventist teachings in favor of nonviolence, pacifism, and the separation of church and state.
QUESTION: what was his religion?
IN: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Following his blues fusion with gospel and jazz influences on his earlier Atlantic material, which had brought him much fame and controversy, Charles sought to experiment with country music. As noted by himself in the liner notes for What'd I Say (1959), Charles was influenced by the genre in his youth, stating that he "used to play piano in a hillbilly band" and that he believed that he "could do a good job with the right hillbilly song today." At Atlantic, he attempted to incorporate this style and influence with his cover of country singer Hank Snow's "I'm Movin' On". Charles later said about the song, "When I heard Hank Snow sing 'Moving On', I loved it. And the lyrics. Keep in mind, I'm a singer, so I like lyrics. Those lyrics are great, so that's what made me want to do it." The "I'm Movin' On" sessions were his last for Atlantic.  Charles's recording of his acclaimed studio effort The Genius of Ray Charles (1959) brought him closer to expressing his jazz and pop crossover ambitions. Described by one music critic as "the most important of his albums for Atlantic", the record was the first to introduce Charles's musical approach of blending his brassy R&B sound with the more middle of the road, pop-oriented style, while performing in the presence of a big band ensemble. Recording of the album, as well his ABC-Paramount debut, The Genius Hits the Road (1960), a collection of place-name songs devoted to parts of the United States, expanded on Charles's thematic and conceptually-organized approach to albums rather than commercially successful singles production. Inspired by this approach and his recording of "I'm Movin' On", Charles originally made plans for a single-less concept album.  When Charles had announced that he wanted to work on an album of country music in 1961, during a period of racial segregation and tension in the United States, he received generally negative commentary and feedback from his peers, including fellow R&B musicians and ABC-Paramount executives. The country album concept, however, meant more to Charles as a test of his record label's faith in him and respect for his artistic freedom than as a test of social tolerance among listeners amid racial distinctions of country and R&B. Fueled by his esteem for creative control, Charles pitched the idea of a country album to ABC representatives. Following the successful lobby of the concept and a contract renewal in early 1962, which was linked to the launching of his own Tangerine label, Charles prepared his band for the recording sessions that produced Modern Sounds in Country and Western Music.
QUESTION:
Are there any other interesting aspects about this article?