Question:
Charlie Ward Jr. (born October 12, 1970) is a retired American professional NBA basketball player, college football Heisman Trophy winner, Davey O'Brien Award winner and a Major League Baseball draftee. Despite his NCAA football success, Ward was one of the very few players who won a Heisman trophy but was not drafted in the NFL draft. He won the College Football National Championship Game with the Florida State University Seminoles. Ward played several years with the New York Knicks and started in the NBA Finals.
Upon graduation, Ward stated he was undecided about professional basketball or football and made it clear that he would not consider playing in the NFL unless selected in the first round of the 1994 NFL Draft. Ward proclaimed that he "deserved to" be a first-rounder. Ward's mother reported that the family was told he "was probably a third- to fifth-round pick." Because teams did not want to waste a first-round pick on a player that might eventually choose the NBA, and because of his smaller stature, Ward was not selected in the first round of the NFL Draft. Instead of pursuing a career as a football player in the NFL, and having been chosen in the 1st round (26th overall) of the 1994 NBA Draft by the New York Knicks, he began his career in the NBA as a point guard. An inquiry was made during Ward's rookie year with the Knicks for him to become the backup quarterback for Joe Montana of the Kansas City Chiefs, but Ward declined. To this day, Ward is the only Heisman Trophy winner to play in the NBA.  Ward played sparingly in his rookie year under head coach Pat Riley, but the Knicks organization referred to him as "the point guard of the future." When assistant coach Jeff Van Gundy took over the head coaching position, Ward's time on the floor began to increase, becoming the primary backup for point guard Derek Harper. He became a fan favorite in New York for his hard work ethic and unselfish play. During his NBA career, Ward established himself as a good three-point shooter, a reliable ball distributor, and a respected floor leader. Ward was selected to participate in the 1998 NBA All-Star three-point competition, finishing fourth in the event. He soon helped the Knicks reach the 1999 NBA Finals before falling to the San Antonio Spurs. Ward was traded to the Phoenix Suns in February 2004 as part of the blockbuster trade that brought Stephon Marbury to the Knicks and was promptly cut by the Suns for salary purposes. Ward spent the remainder of the season with the Spurs and signed a contract with the Houston Rockets the following summer. After maintaining relatively good health over his first decade in the league, injuries caused Ward to miss most of the 2004-05 season. Because of his injuries Ward retired.  During his time with the Knicks, Ward was often called the "best quarterback in New York" due to the struggles that the New York Jets and New York Giants had at the position.  Off the court, Ward became known for his extensive charitable work through groups like the Fellowship of Christian Athletes. In 2011, at the NCAA Final Four, Ward received the John Wooden Keys to Life award given for continued excellence and integrity on and off the court.  Ward established The aWard Foundation to enhance the lives of young people through sports based mentoring and educational programs.
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Did he gain any recognition during that time?

Answer:
An inquiry was made during Ward's rookie year with the Knicks for him to become the backup quarterback for Joe Montana of the Kansas City Chiefs,


Question:
Sherman was born in Chicago, to Percy Copelon and Rose Sherman. Percy was an auto mechanic and race car driver who, like his son, suffered from obesity (he weighed over 350 pounds), and died while attempting a 100-day diet. His family was Jewish. Sherman's parents divorced when he was in grade school, and the son adopted his mother's maiden name.
One track from My Son, the Nut, a spoof of summer camp entitled "Hello Muddah, Hello Fadduh", became a surprise novelty hit, reaching No. 2 on the national Billboard Hot 100 chart for three weeks in late summer 1963. The lyrics were sung to the tune of one segment of Ponchielli's Dance of the Hours, familiar to the public because of its use in the Walt Disney film Fantasia. That December, Sherman's "The Twelve Gifts of Christmas" single appeared on Billboard's separate Christmas chart. Sherman had one other Top 40 hit, a 1965 take-off on the Petula Clark hit "Downtown" called "Crazy Downtown", which spent one week at #40. Two other Sherman singles charted in the lower regions of the Billboard 100: an updated "Hello Mudduh, Hello Fadduh" (#59 in 1964), and "The Drinking Man's Diet" (#98 in 1965). Sherman's "The End of a Symphony", spotlighting Arthur Fiedler's Boston Pops Orchestra, reached #113 on the "Bubbling Under" chart in 1964, but did not make the Hot 100.  The songs on Sherman's next album My Name Is Allan (1965) were thematically connected: except for a couple of original novelty songs with music by Sherman and Busch, all the songs on the album are parodies of songs that had won, or were nominated for, the Academy Award for Best Song. They included "That Old Black Magic", "Secret Love", "The Continental", "Chim Chim Cher-ee" and "Call Me Irresponsible". The cover of the album bore a childhood photograph of Sherman. That, and the album's title, were references to Barbra Streisand's album My Name Is Barbra, released earlier that year, which featured a cover photograph of the singer as a young girl.  During his brief heyday, Sherman's parodies were so popular that he had at least one contemporary imitator: My Son the Copycat was an album of song parodies performed by Stanley Ralph Ross, co-written by Ross and Bob Arbogast. Lest there be any doubt of whom Ross is copying, his album's cover bears a crossed-out photo of Sherman. One of the songs on this album is a fat man's lament, "I'm Called Little Butterball", parodying "I'm Called Little Buttercup" from Gilbert and Sullivan's operetta HMS Pinafore. Sherman would later parody this same song as "Little Butterball" - with the same subject matter - on his album Allan in Wonderland. The song may have had more poignancy for Sherman, as he, unlike Stanley Ross, was genuinely overweight. Sherman also parodied Gilbert and Sullivan's "Titwillow" from The Mikado, in the song "The Bronx Bird-Watcher" (on My Son, the Celebrity), as well as several other Gilbert and Sullivan songs.
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Did he have other hits?

Answer:
"The End of a Symphony", spotlighting Arthur Fiedler's Boston Pops Orchestra, reached #113 on the "Bubbling Under" chart in 1964, but did not make the Hot 100.