Question:
Charles John Huffam Dickens (; 7 February 1812 - 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the 20th century critics and scholars had recognised him as a literary genius.
On 8 June 1870, Dickens suffered another stroke at his home after a full day's work on Edwin Drood. He never regained consciousness, and the next day, five years to the day after the Staplehurst rail crash, he died at Gads Hill Place. Biographer Claire Tomalin has suggested Dickens was actually in Peckham when he suffered the stroke, and his mistress Ellen Ternan and her maids had him taken back to Gad's Hill so the public would not know the truth about their relationship. Contrary to his wish to be buried at Rochester Cathedral "in an inexpensive, unostentatious, and strictly private manner", he was laid to rest in the Poets' Corner of Westminster Abbey. A printed epitaph circulated at the time of the funeral reads:  To the Memory of Charles Dickens (England's most popular author) who died at his residence, Higham, near Rochester, Kent, 9 June 1870, aged 58 years. He was a sympathiser with the poor, the suffering, and the oppressed; and by his death, one of England's greatest writers is lost to the world.  His last words were: "On the ground", in response to his sister-in-law Georgina's request that he lie down. On Sunday, 19 June 1870, five days after Dickens was buried in the Abbey, Dean Arthur Penrhyn Stanley delivered a memorial elegy, lauding "the genial and loving humorist whom we now mourn", for showing by his own example "that even in dealing with the darkest scenes and the most degraded characters, genius could still be clean, and mirth could be innocent". Pointing to the fresh flowers that adorned the novelist's grave, Stanley assured those present that "the spot would thenceforth be a sacred one with both the New World and the Old, as that of the representative of literature, not of this island only, but of all who speak our English tongue."  In his will, drafted more than a year before his death, Dickens left the care of his PS80,000 estate to his longtime colleague John Forster and his "best and truest friend" Georgina Hogarth who, along with Dickens's two sons, also received a tax-free sum of PS8,000 (about PS800,000 in present terms). Although Dickens and his wife had been separated for several years at the time of his death, he provided her with an annual income of PS600 and made her similar allowances in his will. He also bequeathed PS19 19s to each servant in his employment at the time of his death.
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What was significant about his death?

Answer:
five years to the day after the Staplehurst rail crash, he died at Gads Hill Place.


Question:
The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.
The Birth of a Nation, even more than other films in the public domain, has been poorly represented in later releases. The problem, in part, is that Griffith and others have reworked the film, leaving no definitive version. According to the silent film website Brenton Film, "there are a multitude of poor quality DVDs with different edits, scores, running speeds and usually in definitely unoriginal black and white".  There are exceptions. Among them is film preservationist David Shepard's 1992 transfer of a 16mm print for VHS and laserdisc release via Image Entertainment. A short documentary, The Making of The Birth of a Nation, newly produced and narrated by Shepard, was also included. Both were released on DVD by Image in 1998 and the UK's Eureka Entertainment in 2000.  In the UK, Photoplay Productions restored the Museum of Modern Art's 35mm print that was the source of Shepard's 16 mm print, though they also augmented it with extra material from the British Film Institute. It was also given a full orchestral recording of the original Breil score. Though broadcast on Channel 4 television and theatrically screened many times, Photoplay's 1993 version was never released on home video.  Shepard's transfer and documentary were reissued in the US by Kino Video in 2002, this time in a 2-DVD set with added extras on the second disc. These included several Civil War shorts also directed by D.W. Griffith. In 2011, Kino prepared a HD transfer of a 35 mm negative from the Paul Killiam Collection. They added some material from the Library of Congress and gave it a new compilation score. This version was released on Blu-ray by Kino in the US, Eureka in the UK (as part of their "Masters of Cinema" collection) and Divisa Home Video in Spain.  In 2015, the year of the film's centenary, Photoplay Productions' Patrick Stanbury, in conjunction with the British Film Institute, carried out the first full restoration. It mostly used new 4K scans of the LoC's original camera negative, along with other early generation material. It, too, was given the original Breil score and featured the film's original tinting for the first time since its 1915 release. The restoration was released on a 2-Blu-ray set by the BFI, alongside a host of extras, including many other newly restored Civil War-related films from the period.
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How has the film been restored since?

Answer:
this time in a 2-DVD set with added extras on the second disc.