Question:
A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences.
"I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording.  Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end".  When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury.  The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar.
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What is Im in love with my car?

Answer:
song

input: On the recommendation of Michal Urbaniak, Zawinul and Shorter recruited the 23-year-old drummer Omar Hakim, a talented session player and multi-instrumentalist, who had played with a variety of musicians (including Mike Mainieri, David Bowie, and Carly Simon). Hakim was immediately entrusted with recruiting the rest of the new rhythm section. Having failed to secure Marcus Miller as bass guitarist, he selected Victor Bailey (a recent graduate from the Berklee College of Music, with whom Hakim had played while backing Miriam Makeba). Hakim also recruited percussion/concertina player Jose Rossy, with whom he had worked in Labelle.  The new Weather Report went straight onto tour. The music developed on tour was later recorded for the 1983 album Procession, which showed the band beginning to make something of a return to the "world music", which it had pioneered in the mid-1970s, and featured a cameo appearance from The Manhattan Transfer.  Continuing with the same lineup, Weather Report recorded the Domino Theory album in 1984, with Hakim stepping into Jaco Pastorius' old role as Zawinul's co-producer. The album was Weather Report's first album to employ drum machines and samplers (the Emulator), furthering developing the band's involvement with technology, and also featured a guest vocal from Carl Anderson. The band was beginning to suffer from the revival of more traditionally styled jazz at the time, which made it harder to market jazz fusion.  Percussionist and singer Mino Cinelu replaced Rossy in the spring of 1984 and appeared on the band's video release Live in Japan (reissued on DVD in 2007). The same lineup played on 1985's Sportin' Life album, which included a cover of Marvin Gaye's "What's Going On" and appearances by Bobby McFerrin and Carl Anderson. In keeping with Zawinul's technological curiosity, the album heralded the arrival of MIDI, which allowed him to rapidly and inexpensively write, demonstrate, and record music via a set of synthesizers.  By the time of the release of Sportin' Life Shorter and Zawinul had opted not to tour the material. Instead, they took a break for long-delayed solo projects.

Answer this question "What took place in 1982?"
output: On the recommendation of Michal Urbaniak, Zawinul and Shorter recruited the 23-year-old drummer Omar Hakim,

Answer the question at the end by quoting:

Benjamin Lee Whorf (; April 24, 1897 - July 26, 1941) was an American linguist and fire prevention engineer. Whorf is widely known as an advocate for the idea that differences between the structures of different languages shape how their speakers perceive and conceptualize the world. This principle has frequently been called the "Sapir-Whorf hypothesis", after him and his mentor Edward Sapir, but Whorf called it the principle of linguistic relativity, because he saw the idea as having implications similar to Einstein's principle of physical relativity. Throughout his life Whorf was a chemical engineer by profession, but as a young man he took up an interest in linguistics.
Whorf's distinction between "overt" (phenotypical) and "covert" (cryptotypical) grammatical categories has become widely influential in linguistics and anthropology. British linguist Michael Halliday wrote about Whorf's notion of the "cryptotype", and the conception of "how grammar models reality", that it would "eventually turn out to be among the major contributions of twentieth century linguistics".  Furthermore, Whorf introduced the concept of the allophone, a word that describes positional phonetic variants of a single superordinate phoneme; in doing so he placed a cornerstone in consolidating early phoneme theory. The term was popularized by G. L. Trager and Bernard Bloch in a 1941 paper on English phonology and went on to become part of standard usage within the American structuralist tradition. Whorf considered allophones to be another example of linguistic relativity. The principle of allophony describes how acoustically different sounds can be treated as reflections of a single phoneme in a language. This sometimes makes the different sound appear similar to native speakers of the language, even to the point that they are unable to distinguish them auditorily without special training. Whorf wrote that: "[allophones] are also relativistic. Objectively, acoustically, and physiologically the allophones of [a] phoneme may be extremely unlike, hence the impossibility of determining what is what. You always have to keep the observer in the picture. What linguistic pattern makes like is like, and what it makes unlike is unlike".(Whorf, 1940)  Central to Whorf's inquiries was the approach later described as metalinguistics by G. L. Trager, who in 1950 published four of Whorf's essays as "Four articles on Metalinguistics". Whorf was crucially interested in the ways in which speakers come to be aware of the language that they use, and become able to describe and analyze language using language itself to do so. Whorf saw that the ability to arrive at progressively more accurate descriptions of the world hinged partly on the ability to construct a metalanguage to describe how language affects experience, and thus to have the ability to calibrate different conceptual schemes. Whorf's endeavors have since been taken up in the development of the study of metalinguistics and metalinguistic awareness, first by Michael Silverstein who published a radical and influential rereading of Whorf in 1979 and subsequently in the field of linguistic anthropology.

What languages and cultures did he helped with?