Answer the question at the end by quoting:

Robert Charles Benchley (September 15, 1889 - November 21, 1945) was an American humorist best known for his work as a newspaper columnist and film actor. From his beginnings at The Harvard Lampoon while attending Harvard University, through his many years writing essays and articles for Vanity Fair and The New Yorker and his acclaimed short films, Benchley's style of humor brought him respect and success during his life, from his peers at the Algonquin Round Table in New York City to contemporaries in the burgeoning film industry. Benchley is best remembered for his contributions to The New Yorker, where his essays, whether topical or absurdist, influenced many modern humorists. He also made a name for himself in Hollywood, when his short film How to Sleep was a popular success and won Best Short Subject at the 1935 Academy Awards, and through his many memorable appearances in films such as Alfred Hitchcock's Foreign Correspondent (1940) and Nice Girl?
1939 was a bad year for Benchley's career. Besides the cancellation of his radio show, Benchley learned that MGM did not plan to renew his contract, and The New Yorker, frustrated with Benchley's film career taking precedence over his theatre column, appointed Wolcott Gibbs to take over in his stead. Following his final New Yorker column in 1940, Benchley signed with Paramount Pictures for another series of one-reel shorts, all filmed at Paramount's Long Island studio in Astoria, New York. Most of them were adapted from his old essays ("Take the Witness!," with Benchley fantasizing about conquering a tough cross-examination, was filmed as The Witness; "The Real Public Enemies," showing the criminal tendencies of sinister household objects, was filmed as Crime Control, etc.). In 1940 Benchley appeared in Alfred Hitchcock's Foreign Correspondent for which he is also credited as one of the dialogue writers. In 1941 Benchley received two more feature-length roles: Walt Disney's The Reluctant Dragon, in which Benchley tours the various departments of the Disney studio, and Nice Girl? with Deanna Durbin, noteworthy for a rare dramatic performance by Benchley.  Benchley's roles primarily came as a freelance actor, as his Paramount shorts contract didn't pay as well as feature films. Benchley was cast in minor roles for various romantic comedies, some shoots going better than others. He appeared in prominent roles with Fred Astaire in You'll Never Get Rich (1941) and The Sky's the Limit (1943). Paramount did not renew his contract in 1943, and Benchley signed back with MGM with an exclusive contract. The situation was not positive for Benchley, as the studio "mishandled" him and kept Benchley too busy to complete his own work. His contract concluded with only four short films completed and no chance of signing another contract. Following the printing of two books of his old New Yorker columns, Benchley gave up writing for good in 1943, signing one more contract with Paramount in December of that year.  While Benchley's books and Paramount contract were giving him financial security, he was still unhappy with the turn his career had taken. By 1944 he was taking thankless roles in the studio's least distinguished films, like the rustic musical National Barn Dance. By this time Robert Benchley's screen image was established as a comic lecturer who tried but failed to clarify any given topic. In this capacity Paramount cast him in the 1945 Bob Hope-Bing Crosby comedy Road to Utopia; Benchley interrupts the action periodically to "explain" the nonsensical storyline. On April 22, 1945, he guest starred on the Blue Network's (soon to be ABC) top-rated radio series The Andrews Sisters Show, sponsored by Nash motor cars & Kelvinator home appliances.

What other films besides these

In 1941 Benchley received two more feature-length roles: Walt Disney's The Reluctant Dragon,



Answer the question at the end by quoting:

Rascal Flatts is an American country band formed in Columbus, Ohio in 1999. It is composed of Gary LeVox, his second cousin Jay DeMarcus and Joe Don Rooney. DeMarcus is also a brother-in-law of country music singer James Otto, and formerly one-half of the Christian music duo East to West. They are best known for performing a cover of Tom Cochrane's "Life Is a Highway".
Rascal Flatts' founding was at Fiddle and Steel Guitar Bar in Nashville, Tennessee. Gary LeVox and Jay DeMarcus are second cousins from a musical family. DeMarcus moved to Nashville in 1992, earning his first record deal as part of a Christian group called East to West; his brother-in-law, James Otto, is also a country music singer. In 1997, DeMarcus called LeVox, and convinced him to come to Nashville and provide some harmonies on Michael English's album Gospel, which he was producing. They engineered the album together, and became English's back-up band.  At the same time, DeMarcus had become the bandleader of Chely Wright's band, where he met Joe Don Rooney, the guitarist in that band. DeMarcus and LeVox were working in a Printer's Alley nightclub and when their part-time guitarist could not make it one night, DeMarcus invited Rooney to join them. Jim Riley was the drummer and bandleader for the band. The group covered the hit Shenandoah single The Church on Cumberland Road that night. To the group's recollection, a bond was formed instantly.  Singer Mila Mason recommended the group to record producers Mark Bright and Marty Williams, who played Lyric Street Records A&R Doug Howard a three-song demo and Howard thought they were "just incredible." After he'd heard the demos, the band went into the Lyric Street offices the next day, sat down with acoustic guitars, and played a couple of songs. According to Howard in an interview with HitQuarters: "The vocals and harmonies, it was all there--I was just blown away. The lead singer has such a unique and compelling voice." The band was signed to Lyric Street in late 1999.

How long was he with that group?
In 1997, DeMarcus called LeVox, and convinced him to come to Nashville and provide some harmonies