Answer the question at the end by quoting:

Lionel Andres Messi was born on 24 June 1987 in Rosario, the third of four children of Jorge Messi, a steel factory manager, and his wife Celia Cuccittini, who worked in a magnet manufacturing workshop. On his father's side, he is of Italian and Spanish descent, the great-grandson of immigrants from the northcentral Adriatic Marche region of Italy and Catalonia, and on his mother's side, he has primarily Italian ancestry. Growing up in a tight-knit, football-loving family, "Leo" developed a passion for the sport from an early age, playing constantly with his older brothers, Rodrigo and Matias, and his cousins, Maximiliano and Emanuel Biancucchi, both of whom became professional footballers. At the age of four he joined local club Grandoli, where he was coached by his father, though his earliest influence as a player came from his maternal grandmother, Celia, who accompanied him to training and matches.
As Messi maintained his goalscoring form into the second half of the season, the year 2012 saw him break several longstanding records. On 7 March, two weeks after scoring four goals in a league fixture against Valencia, he scored five times in a Champions League last 16-round match against Bayer Leverkusen, an unprecedented achievement in the history of the competition. In addition to being the joint top assist provider with five assists, this feat made him top scorer with 14 goals, tying Jose Altafini's record from the 1962-63 season, as well as becoming only the second player after Gerd Muller to be top scorer in four campaigns. Two weeks later, on 20 March, Messi became the top goalscorer in Barcelona's history at 24 years old, overtaking the 57-year record of Cesar Rodriguez's 232 goals with a hat-trick against Granada.  Despite Messi's individual form, Barcelona's four-year cycle of success under Guardiola - one of the greatest eras in the club's history - drew to an end. Although Barcelona won the Copa del Rey against Athletic Bilbao on 25 May, its 14th title of that period, the team had lost the league to Real Madrid and was eliminated in the Champions League semi-finals by the eventual champions, Chelsea, with Messi sending a crucial second-leg penalty kick against the crossbar. In Barca's last home league match on 5 May, against Espanyol, Messi scored all four goals before approaching the bench to embrace Guardiola, who had announced his resignation as manager. He finished the season as league top scorer in Spain and Europe for a second time, with 50 goals, an all-time La Liga record, while his 73 goals in all competitions surpassed Gerd Muller's 67 goals in the 1972-73 Bundesliga season, making him the single-season top scorer in the history of European club football.  Under manager Tito Vilanova, who had first coached him aged 14 at La Masia, Messi helped the club achieve its best-ever start to a La Liga season during the second half of 2012, amassing 55 points by the competition's midway point, a record in Spanish football. A double scored on 9 December against Real Betis saw Messi break two longstanding records: he surpassed Cesar Rodriguez's record of 190 league goals, becoming Barcelona's all-time top scorer in La Liga, and Gerd Muller's record of most goals scored in a calendar year, overtaking his 85 goals scored in 1972 for Bayern Munich and Germany. Messi sent Muller a number 10 Barcelona shirt, signed "with respect and admiration", after breaking his 40-year record. At the close of the year, Messi had scored a record 91 goals in all competitions for Barcelona and Argentina. Although FIFA did not acknowledge the achievement, citing verifiability issues, he received the Guinness World Records title for most goals scored in a calendar year. As the odds-on favourite, Messi again won the FIFA Ballon d'Or, becoming the only player in history to win the Ballon d'Or four times.

What was a goal he broke this year?

on 20 March, Messi became the top goalscorer in Barcelona's history at 24 years old,



Answer the question at the end by quoting:

Jeanette Anna MacDonald (June 18, 1903 - January 14, 1965) was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (The Love Parade, Love Me Tonight, The Merry Widow and One Hour With You) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (
Unlike Nelson Eddy, who came from opera to film, MacDonald in the 1940s yearned to reinvent herself in opera. She began training for this goal with Lotte Lehmann, one of the leading opera stars of the early 20th century.  "When Jeanette MacDonald approached me for coaching lessons", wrote Lehmann, "I was really curious how a glamorous movie star, certainly spoiled by the adoration of a limitless world, would be able to devote herself to another, a higher level of art. I had the surprise of my life. There couldn't have been a more diligent, a more serious, a more pliable person than Jeanette. The lessons which I had started with a kind of suspicious curiosity, turned out to be sheer delight for me. She studied Marguerite with me--and lieder. These were the ones which astounded me most. I am quite sure that Jeanette would have developed into a serious and successful lieder singer if time would have allowed it."  MacDonald made her opera debut singing Juliette in Gounod's Romeo et Juliette in Montreal at His Majesty's Theatre (May 8 and 10, 1943). She quickly repeated the role in Quebec City (May 12), Ottawa, and Toronto. Her U.S. debut with the Chicago Opera Company (November 4, 11 and 15, 1944) was in the same role. She also sang Marguerite in Gounod's Faust with the Chicago Opera. In November 1945, she did two more performances of Romeo et Juliette and one of Faust in Chicago, and two Fausts for the Cincinnati Opera. On December 12, 1951, she did one performance of Faust with the Philadelphia Civic Grand Opera Company at the Academy of Music.  Claudia Cassidy, the music critic of the Chicago Tribune wrote: "Her Juliet is breathtakingly beautiful to the eye and dulcet to the ear." The same critic reviewed Faust: "From where I sit at the opera, Jeanette MacDonald has turned out to be one of the welcome surprises of the season... her Marguerite was better than her Juliet...beautifully sung with purity of line and tone, a good trill, and a Gallic inflection that understood Gounod's phrasing....You felt if Faust must sell his soul to the devil, at least this time he got his money's worth."

What other Opera shows did she perform in?
Her U.S. debut with the Chicago Opera Company (November 4, 11 and 15, 1944) was in the same role.