input: In early 2014, LaBeouf began collaborating with British artist and author of The Metamodernist Manifesto, Luke Turner, and Finnish artist Nastja Sade Ronkko, embarking on a series of actions described by Dazed as "a multi-platform meditation on celebrity and vulnerability". Since then, LaBeouf, Ronkko & Turner have engaged in numerous high-profile performance art projects, including #IAMSORRY (2014), #ALLMYMOVIES (2015), #TOUCHMYSOUL (2015), #TAKEMEANYWHERE (2016), and HEWILLNOTDIVIDE.US (2017-ongoing).  On February 9, 2014, the artists caused controversy at the Berlin Film Festival when LaBeouf arrived at the red carpet wearing a brown paper bag over his head with the words "I AM NOT FAMOUS ANYMORE" written on it. In a conversation conducted as part of the trio's #INTERVIEW piece in November 2014, LaBeouf said that he was "heartbroken" and "genuinely remorseful and full of shame and guilt" at the start of their subsequent #IAMSORRY performance, in which he occupied a Los Angeles gallery for six days wearing the paper bag and silently crying in front of visitors, but that "in the end I felt cared for however it came--it was beautiful, it blew me away." He revealed, however, that one woman had proceeded to sexually assault him during the February performance, while Ronkko and Turner later clarified that they had prevented the assault by intervening as soon as they were aware of the incident starting to occur.  In 2015, LaBeouf appeared in #INTRODUCTIONS, a half-hour video made by LaBeouf, Ronkko & Turner in collaboration with Central Saint Martins Fine Art students, comprising a series of short monologues performed by LaBeouf in front of a green screen. One segment in the form of an exaggerated motivational speech, dubbed "Just Do It" after the Nike slogan, became an Internet meme after going viral within days of being released, spawning numerous remixes and parodies, and becoming the most searched for GIF of 2015 according to Google.

Answer this question "What was the reaction of the public?"
output: an exaggerated motivational speech, dubbed "Just Do It" after the Nike slogan, became an Internet meme after going viral within days of being released,

input: The Huasteca region of Mexico extends from the easternmost limestone ranges of the Sierra Madre Oriental, across the coastal plain and the Otontepec hills to the Gulf of Mexico, in northern Veracruz state, eastern San Luis Potosi state, and (by some definitions) southern Tamaulipas. At least three indigenous languages are spoken in parts of the region today: Nahuatl (a Uto-Aztecan language), spoken especially in Veracruz, but also in San Luis Potosi; Pame (an Oto-Manguean language). spoken in the hilly borderlands of San Luis Potosi and Queretaro; and Huastec (Wastek) (a Maya language), spoken in San Luis Potosi and northernmost Veracruz, and formerly in Tamaulipas. Some would include the Totonac-speaking area, in north-central Veracruz, as part of the Huasteca. The Huastec region was known to the Aztecs (ancestors of today's Nahuatl speakers, who arrived in the Huasteca around 1450) for its fertile abundance, and includes the northernmost patches of tropical moist forest and cloud forest in the Americas.  The Huastecs arrived in the Huasteca between 1500 BCE and 900 BCE. The linguistic evidence is corroborated by archaeological discoveries. In 1954, Richard Stockton MacNeish found ceramics and figurines in the Middle Formative period, called "Pavon de Panuco" in the Panuco River sites of the Huasteca, which resemble Preclassic objects from Uaxactun, a Peten-region Maya site. A date of no earlier than 1100 BCE for the Huastecs' arrival at their present location seems most likely, since they probably had not arrived at the north-central Veracruz site of Santa Luisa until about 1200 BCE, the phase at the end of the Early Formative period known locally as the "Ojite phase." Artifacts of the period include Panuco-like basalt manos and metates. (The Huastecs remained in Santa Luisa, located east of Papantla near the Gulf coast, until supplanted or absorbed by the Totonacs around AD 1000).  One nexus of carved iconographic traditions, the "yoke-palm-axe" complex, was found from Jaina Island in coastal Campeche to the Huasteca (and in between, in Aparicio, Veracruz), in association with the pelota ballgame, decapitation, and tooth mutilation; however, this may reflect coastal trade contacts after the Huastecs were established in the Huasteca.

Answer this question "did alot of people die?"
output: 

input: The youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son. His father, Clarence, worked on the railway and played trumpet. Allen Toussaint learned piano as a child and took informal music lessons from an elderly neighbor, Ernest Pinn. In his teens he played in a band, the Flamingos, with the guitarist Snooks Eaglin, before dropping out of school. A significant early influence on Toussaint was the syncopated "second-line" piano style of Professor Longhair.  After a lucky break at age 17, in which he stood in for Huey "Piano" Smith at a performance with Earl King's band in Prichard, Alabama, Toussaint was introduced to a group of local musicians led by Dave Bartholomew, who performed regularly at the Dew Drop Inn, a nightclub on Lasalle Street in Uptown New Orleans. His first recording was in 1957 as a stand-in for Fats Domino on Domino's record "I Want You to Know", on which Toussaint played piano and Domino overdubbed his vocals. His first success as a producer also came in 1957 with Lee Allen's "Walking with Mr. Lee". He began performing regularly in Bartholomew's band, and he recorded with Fats Domino, Smiley Lewis, Lee Allen and other leading New Orleans performers.  After being spotted as a sideman by the A&R man Danny Kessler, he initially recorded for RCA Records as Al Tousan. In early 1958 he recorded an album of instrumentals, The Wild Sound of New Orleans, with a band including Alvin "Red" Tyler (baritone sax), either Nat Perrilliat or Lee Allen (tenor sax), either Justin Adams or Roy Montrell (guitar), Frank Fields (bass), and Charles "Hungry" Williams (drums). The recordings included Toussaint and Tyler's composition "Java", which first charted for Floyd Cramer in 1962 and became a number 4 pop hit for Al Hirt (also on RCA) in 1964. Toussaint also recorded and co-wrote songs with Allen Orange in the early 1960s.

Answer this question "Where was he born?"
output:
Toussaint was born in 1938 in New Orleans