Some context: Snow Patrol are a Northern Irish rock band formed in 1993, consisting of Gary Lightbody (vocals, guitar), Nathan Connolly (guitar, backing vocals), Paul Wilson (bass guitar, backing vocals), Jonny Quinn (drums), and Johnny McDaid (piano, guitar, backing vocals). Initially an indie rock band, the band rose to prominence in the early-mid 2000s as part of the post-Britpop movement. The band were founded at the University of Dundee in 1993 by Lightbody, Michael Morrison, and Mark McClelland as Shrug. After briefly using the name Polarbear and released the EP Starfighter Pilot (1997) and losing Morrison as a member, the band became Snow Patrol in 1997 and added Quinn to its line-up.
Snow Patrol said they would enter its "next phase" with their sixth album. The band took a new musical direction, and Connolly advised fans to keep an open mind regarding the new material. On 12 January 2011, Lightbody launched a blog to give details about the progress of the next release from the band.  Snow Patrol released the single "Called Out in the Dark" (remixed by Fatboy Slim) for radio airplay on Thursday 21 July 2011 on BBC Radio 1 on Zane Lowe's radio show. According to official sources, the single itself would be released independently and as part of an EP later on and the UK release date was said to be 4 September. More details on the EP were announced on 3 August, when the group's website revealed the artwork and track list contents. Along with the new single, the release contained three new tracks entitled "My Brothers", "I'm Ready", and "Fallen Empires". In addition, it was revealed that the EP was intended to be a digital release limited to the UK and Ireland.  Shortly after the premiere of the new lead single, the quintet's official website confirmed the news that the name of the new album would be Fallen Empires. Fallen Empires was released on 14 November 2011 in the UK and was launched at O2 Shepherd's Bush Empire. Singer-songwriter Johnny McDaid joined the band during the recording of the album.  The second single from Fallen Empires was "This Isn't Everything You Are", released on 13 November 2011.
What kind of sound was this album?
A: The band took a new musical direction, and Connolly advised fans to keep an open mind regarding the new material.

Question: Stanley Donen ( DAWN-@n; born April 13, 1924) is an American film director and choreographer whose most celebrated works are Singin' in the Rain and On the Town, both of which he co-directed with actor and dancer Gene Kelly. Other noteworthy films include Royal Wedding, Seven Brides for Seven Brothers, Funny Face, Indiscreet, Damn Yankees!, Charade, and Two for the Road. He began his career in the chorus line on Broadway for director George Abbott, where he befriended Kelly.

After the success of Take Me Out to the Ball Game, Freed gave Donen and Kelly the chance to direct On the Town, released in 1949. The film was an adaptation of the Betty Comden and Adolph Green Broadway musical about sailors on leave in New York City and was the first musical to be filmed on location. Donen and Kelly had wanted to shoot the entire film in New York, but Freed would only allow them to spend one week away from the studio.  That week produced the film's famous opening number New York, New York. Away from both studio interference and sound stage constrictions, Donen and cinematographer Harold Rosson shot a scene on the streets of New York City that pioneered many cinematic techniques that would not be used again until they were popularized by the French New Wave ten years later. These techniques included spatial jump cuts, 360-degree pans, hidden cameras, abrupt changes of screen direction and non-professional actors. Donen's biographer Joseph A. Casper stated that the scene avoids being gratuitous or amateurish, while still "developing plot, describing the setting while conveying its galvanizing atmosphere and manic mood, introducing and delineating character." Casper also said that "Today the film is regarded as a turning point: the first bona fide musical that moved dance, as well as the musical genre, out of the theater and captured it with and for film rather than on film; the first to make the city an important character; and the first to abandon the chorus."  On the Town starred Kelly, Sinatra and Munshin as three sailors on a 24-hour shore leave in New York whose romantic pursuits lead them to Ann Miller, Betty Garrett and Vera-Ellen. The film was a success both financially and critically. It won the Academy Award for Best Music, Scoring of a Musical Picture and screenwriters Comden and Green won the Writers Guild of America Award for Best Written American Musical. Like Orson Welles, Donen made his directorial debut at 25. Donen stated that Kelly was "responsible for most of the dance movements. I was behind the camera in the dramatic and musical sequences." Kelly believed that he and Donen "were a good team. I thought we complemented each other very well."

Using a quote from the above article, answer the following question: Were there any songs that became popular in it ?
HHHHHH
Answer: It won the Academy Award for Best Music, Scoring of a Musical Picture and screenwriters Comden

Some context: Sergei Vasilievich Rachmaninoff (1 April [O.S. 20 March] 1873 - 28 March 1943) was a Russian pianist, composer, and conductor of the late Romantic period, some of whose works are among the most popular in the Romantic repertoire. Born into a musical family, Rachmaninoff took up the piano at age four. He graduated from the Moscow Conservatory in 1892 having already composed several piano and orchestral pieces.
Rachmaninoff ranked among the finest pianists of his time, along with Leopold Godowsky, Ignaz Friedman, Moriz Rosenthal, Josef Lhevinne, and Josef Hofmann, and he was famed for possessing a clean and virtuosic technique. His playing was marked by precision, rhythmic drive, notable use of staccato and the ability to maintain clarity when playing works with complex textures. Rachmaninoff applied these qualities in music by Chopin, including the B-flat minor Piano Sonata. Rachmaninoff's repertoire, excepting his own works, consisted mainly of standard 19th century virtuoso works plus music by Bach, Beethoven, Borodin, Debussy, Grieg, Liszt, Mendelssohn, Mozart, Schubert, Schumann and Tchaikovsky.  Rachmaninoff possessed extremely large hands, with which he could easily maneuver through the most complex chordal configurations. His left hand technique was unusually powerful. His playing was marked by definition--where other pianists' playing became blurry-sounding from overuse of the pedal or deficiencies in finger technique, Rachmaninoff's textures were always crystal clear. Only Josef Hofmann and Josef Lhevinne shared this kind of clarity with him. All three men had Anton Rubinstein as a model for this kind of playing--Hofmann as a student of Rubinstein's, Rachmaninoff from hearing his famous series of historical recitals in Moscow while studying with Zverev, and Lhevinne from hearing and playing with him.  The two pieces Rachmaninoff singled out for praise from Rubinstein's concerts became cornerstones for his own recital programs. The compositions were Beethoven's Appassionata and Chopin's Funeral March Sonata. He may have based his interpretation of the Chopin sonata on Rubinstein's. Rachmaninoff biographer Barrie Martyn points out similarities between written accounts of Rubinstein's interpretation and Rachmaninoff's audio recording of the work.  As part of his daily warm-up exercises, Rachmaninoff would play the technically difficult Etude in A-flat, Op. 1, No. 2, attributed to Paul de Schlozer.
Did he have any practice or warm up drills or routines he would play in order to become better?
A:
His playing was marked by precision, rhythmic drive, notable use of staccato and the ability to maintain clarity when playing works with complex textures.