Answer the question at the end by quoting:

Vijay Dhondopant Tendulkar was born on 6 January 1928 in Girgaon, Mumbai, Maharashtra, where his father held a clerical job and ran a small publishing business. The literary environment at home prompted young Vijay to take up writing. He wrote his first story at age six. He grew up watching western plays and felt inspired to write plays himself.
Tendulkar began his career writing for newspapers. He had already written a play, Amcyavar Kon Prem Karnar (aamcyaavrr konn prem krnnaar Who will Love us?), and he wrote the play, Grhastha (The Householder), in his early 20s. The latter did not receive much recognition from the audience, and he vowed never to write again.  Breaking the vow, in 1956 he wrote Srimant, which established him as a good writer. Srimant jolted the conservative audience of the times with its radical storyline, wherein an unmarried young woman decides to keep her unborn child while her rich father tries to "buy" her a husband in an attempt to save his social prestige.  Tendulkar's early struggle for survival and living for some time in tenements ("cal/chawls") in Mumbai provided him first-hand experience about the life of urban lower middle class. He thus brought new authenticity to their depiction in Marathi theatre. Tendulkar's writings rapidly changed the storyline of modern Marathi theatre in the 1950s and the 60s, with experimental presentations by theatre groups like Rangayan. Actors in these theatre groups like Shriram Lagoo, Mohan Agashe, and Sulabha Deshpande brought new authenticity and power to Tendulkar's stories while introducing new sensibilities in Marathi theatre.  Tendulkar wrote the play Gidhade (The Vultures) in 1961, but it was not produced until 1970. The play was set in a morally collapsed family structure and explored the theme of violence. In his following creations, Tendulkar explored violence in its various forms: domestic, sexual, communal, and political. Thus, Gidhade proved to be a turning point in Tendulkar's writings with regard to establishment of his own unique writing style.  Based on a 1956 short story, Die Panne ("Traps") by Friedrich Durrenmatt, Tendulkar wrote the play, Santata! Court Calu Ahe ("Silence! The Court Is in Session"). It was presented on the stage for the first time in 1967 and proved as one of his finest works. Satyadev Dubey presented it in movie form in 1971 with Tendulkar's collaboration as the screenplay writer.

was the film successful?

It was presented on the stage for the first time in 1967 and proved as one of his finest works.



Answer the question at the end by quoting:

Sean Michael Leonard Anderson (born March 25, 1988), known professionally as Big Sean, is an American rapper. Sean signed with Kanye West's GOOD Music in 2007, Def Jam Recordings in 2008 and Roc Nation in 2014. After releasing a number of mixtapes, Sean released his debut studio album, Finally Famous, in 2011. He released his second studio album, Hall of Fame, in 2013.
Big Sean dated his high school sweetheart, Ashley Marie, whom he met when he was sixteen and started dating at nineteen until their break-up in early 2013. He subsequently began dating actress Naya Rivera, whom he first met over Twitter; their relationship became public in April 2013, though Big Sean told Complex that they had been dating for a while beforehand. Big Sean and Rivera announced their engagement in October 2013, but ended the engagement in April 2014. In October 2014, singer Ariana Grande confirmed that she and Big Sean were dating. Sean and Grande made their red carpet debut at the 2015 Grammys. In April 2015, the couple ended their relationship after eight months of dating. Big Sean was rumored to be dating Jhene Aiko since 2016, and their relationship was later confirmed in an Instagram post. They have continued to be in a relationship since then.  In late October 2008, Big Sean was featured in The Source and headlined the "Style" section of the magazine. In the article Sean talks about his own personal style and states that his favorite clothing brands are 10 Deep, Billionaire Boys Club, and Bape. Big Sean has posed in the Winter 2008 Billionaire Boys Club lookbook, and is a consistent representative of Ti$A clothing and hats, along with Chris Brown and Tyga. He also has an endorsement deal with Adidas through which he has released his own "Detroit Player" line of sneakers  and is a follower of the Rosewood clothing style. In 2013, Big Sean launched his own clothing company, Aura Gold.  On November 28, 2017, Big Sean purchased an 11,000 square foot, 7 bedroom and 8 bathroom home in Beverly Hills. The house was previously owned by Guns and Roses guitarist Slash. Originally listed at $11 million, Big Sean acquired it for $8.7 million.

What is notable about his persona llife?

In late October 2008, Big Sean was featured in The Source and headlined the "Style" section of the magazine.



Answer the question at the end by quoting:

Manorialism was an essential element of feudal society. It was the organizing principle of rural economy that originated in the Roman villa system of the Late Roman Empire, and was widely practiced in medieval western and parts of central Europe. It was slowly replaced by the advent of a money-based market economy and new forms of agrarian contract. Manorialism was characterised by the vesting of legal and economic power in a Lord of the Manor, supported economically from his own direct landholding in a manor (sometimes called a fief), and from the obligatory contributions of a legally subject part of the peasant population under the jurisdiction of himself and his manorial court.
The term is most often used with reference to medieval Western Europe. Antecedents of the system can be traced to the rural economy of the later Roman Empire (Dominate). With a declining birthrate and population, labor was the key factor of production. Successive administrations tried to stabilise the imperial economy by freezing the social structure into place: sons were to succeed their fathers in their trade, councilors were forbidden to resign, and coloni, the cultivators of land, were not to move from the land they were attached to. The workers of the land were on their way to becoming serfs.  Several factors conspired to merge the status of former slaves and former free farmers into a dependent class of such coloni: it was possible to be described as servus et colonus, "both slave and colonus". Laws of Constantine I around 325 both reinforced the semi-servile status of the coloni and limited their rights to sue in the courts; the Codex Theodosianus promulgated under Theodosius II extended these restrictions. The legal status of adscripti, "bound to the soil", contrasted with barbarian foederati, who were permitted to settle within the imperial boundaries, remaining subject to their own traditional law.  As the Germanic kingdoms succeeded Roman authority in the West in the fifth century, Roman landlords were often simply replaced by Germanic ones, with little change to the underlying situation or displacement of populations.  The process of rural self-sufficiency was given an abrupt boost in the eighth century, when normal trade in the Mediterranean Sea was disrupted. The thesis put forward by Henri Pirenne, while disputed widely, supposes that the Arab conquests forced the medieval economy into even greater ruralization and gave rise to the classic feudal pattern of varying degrees of servile peasantry underpinning a hierarchy of localised power centers.

What is the historical and geographical distribution?
The term is most often used with reference to medieval Western Europe.