Problem: Background: Indigenous languages of the Americas are spoken by indigenous peoples from Alaska and Greenland to the southern tip of South America, encompassing the land masses that constitute the Americas. These indigenous languages consist of dozens of distinct language families, as well as many language isolates and unclassified languages. Many proposals to group these into higher-level families have been made, such as Joseph Greenberg's Amerind hypothesis. This scheme is rejected by nearly all specialists, due to the fact that some of the languages differ too significantly to draw any connections between them.
Context: Thousands of languages were spoken by various peoples in North and South America prior to their first contact with Europeans. These encounters occurred between the beginning of the 11th century (with the Nordic settlement of Greenland and failed efforts in Newfoundland and Labrador) and the end of the 15th century (the voyages of Christopher Columbus). Several indigenous cultures of the Americas had also developed their own writing systems, the best known being the Maya script. The indigenous languages of the Americas had widely varying demographics, from the Quechuan languages, Aymara, Guarani, and Nahuatl, which had millions of active speakers, to many languages with only several hundred speakers. After pre-Columbian times, several indigenous creole languages developed in the Americas, based on European, indigenous and African languages.  The European colonizers and their successor states had widely varying attitudes towards Native American languages. In Brazil, friars learned and promoted the Tupi language. In many Latin American colonies, Spanish missionaries often learned local languages and culture in order to preach to the natives in their own tongue and relate the Christian message to their indigenous religions. In the British American colonies, John Eliot of the Massachusetts Bay Colony translated the Bible into the Massachusett language, also called Wampanoag, or Natick (1661-1663; he published the first Bible printed in North America, the Eliot Indian Bible.  The Europeans also suppressed use of indigenous American languages, establishing their own languages for official communications, destroying texts in other languages, and insisting that indigenous people learn European languages in schools. As a result, indigenous American languages suffered from cultural suppression and loss of speakers. By the 18th and 19th centuries, Spanish, English, Portuguese, French, and Dutch, brought to the Americas by European settlers and administrators, had become the official or national languages of modern nation-states of the Americas.  Many indigenous languages have become critically endangered, but others are vigorous and part of daily life for millions of people. Several indigenous languages have been given official status in the countries where they occur, such as Guarani in Paraguay. In other cases official status is limited to certain regions where the languages are most spoken. Although sometimes enshrined in constitutions as official, the languages may be used infrequently in de facto official use. Examples are Quechua in Peru and Aymara in Bolivia, where in practice, Spanish is dominant in all formal contexts.  In North America and the Arctic region, Greenland in 2009 adopted Kalaallisut as its sole official language. In the United States, the Navajo language is the most spoken Native American language, with more than 200,000 speakers in the Southwestern United States. The US Marine Corps recruited Navajo men, who were established as code talkers during World War II, to transmit secret US military messages. Neither the Germans nor Japanese ever deciphered the Navajo code, which was a code using the Navajo language. Today, governments, universities, and indigenous peoples are continuing to work for the preservation and revitalization of indigenous American languages.
Question: Which language was typically spoken?
Answer: The Europeans also suppressed use of indigenous American languages,

Background: Patsy Cline (born Virginia Patterson Hensley; September 8, 1932 - March 5, 1963) was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully "crossed over" to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer.
Context: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later.  Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling.  Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.  According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star.
Question: Who was her manager at the time?
Answer:
Bill Peer, her second manager,