Background: The North American fur trade was the industry and activities related to the acquisition, trade, exchange, and sale of animal furs in North America. Aboriginal peoples in Canada and Native Americans in the United States of different regions traded among themselves in the Pre-Columbian Era, but Europeans participated in the trade beginning from the time of their arrival in the New World and extended its reach to Europe. The French started trading in the 16th century, the English established trading posts on Hudson Bay in present-day Canada in the 17th century, and the Dutch had trade by the same time in New Netherland. The 19th-century North American fur trade, when the industry was at its peak of economic importance, involved the development of elaborate trade networks.
Context: At the beginning of the 18th century, more organized violence than in previous decades occurred between the Native Americans involved in the deerskin trade and white settlers, most famously the Yamasee War. This uprising of Indians against fur traders almost wiped out the European colonists in the southeast. The British promoted competition between tribes, and sold guns to both Creeks and Cherokees. This competition sprang out of the slave demand in the southeast - tribes would raid each other and sell prisoners into the slave trade of the colonizers. France tried to outlaw these raids because their allies, the Choctaws, Chickasaws, and Yazoos, bore the brunt of the slave trade. Guns and other modern weapons were essential trading items for the Native Americans to protect themselves from slave raids; motivation which drove the intensity of the deerksin trade. The need for Indian slaves decreased as African slaves began to be imported in larger quantities, and the focus returned to deerskins. The drive for Indian slaves also was diminished after the Yamasee War to avoid future uprisings.  The Yamasees had collected extensive debt in the first decade of the 1700s due to buying manufactured goods on credit from traders, and then not being able to produce enough deerskins to pay the debt later in the year. Indians who were not able to pay their debt were often enslaved. The practice of enslavement extended to the wives and children of the Yamasees in debt as well. This process frustrated the Yamasees and other tribes, who lodged complaints against the deceitful credit-loaning scheme traders had enforced, along with methods of cheating or trade. The Yamasees were a coastal tribe in the area that is now known as South Carolina, and most of the white-tailed deer herds had moved inland for the better environment. The Yamasees rose up against the English in South Carolina, and soon other tribes joined them, creating combatants from almost every nation in the South. The British were able to defeat the Indian coalition with help from the Cherokees, cementing a pre-existing trade partnership.  After the uprisings, the Native Americans returned to making alliances with the European powers, using political savvy to get the best deals by playing the three nations off each other. The Creeks were particularly good at manipulation - they had begun trading with South Carolina in the last years of the 17th century and became a trusted deerskin provider. The Creeks were already a wealthy tribe due to their control over the most valuable hunting lands, especially when compared to the impoverished Cherokees. Due to allying with the British during the Yamasee War, the Cherokees lacked Indian trading partners and could not break with Britain to negotiate with France or Spain.
Question: What impact did the Yamasee War and other fighting have on the fur trade?
Answer: Indians who were not able to pay their debt were often enslaved.

Background: Bruce Randall Hornsby (born November 23, 1954) is an American singer and pianist. Hornsby draws frequently from classical, jazz, bluegrass, folk, Motown, gospel, rock, blues, and jam band musical traditions. Hornsby's recordings have been recognized on a number of occasions with industry awards, including the 1987 Grammy Award for Best New Artist with Bruce Hornsby and the Range, the 1990 Grammy Award for Best Bluegrass Album, and the 1994 Grammy Award for Best Pop Instrumental Performance. Hornsby has also achieved recognition for his solo albums and performances, his touring band Bruce Hornsby and the Noisemakers, his bluegrass project with Ricky Skaggs and his appearances as a session and guest musician.
Context: Hornsby played more than 100 shows with the Grateful Dead from 1988 until Jerry Garcia's death in 1995. At some shows in 1988 and 1989, he joined the band as a special guest and played accordion or synthesizer. Starting in the fall of 1990, he played piano (and frequently accordion) at many gigs following the death of longtime Grateful Dead keyboardist Brent Mydland, who died suddenly in July 1990. Mydland's place was filled in September 1990 by Vince Welnick, who became the sole keyboardist by March 1992, although Hornsby still sat in with the band on occasion.  Hornsby's own music evolved significantly during this time period. Critics have suggested that the Dead's vibrant tradition of melding folk music and the blues with psychedelic rock in "loose-knit expressions" and extended jamming "further pushed [Hornsby] outside the confines of mainstream pop." Critics have also commented upon the "close musical connection" formed between Hornsby and Jerry Garcia, suggesting that Hornsby's particular style of jazz-fueled improvisation added to the band's repertoire, and helped to revitalize and refocus Jerry Garcia's guitar solos in the band's sound. Hornsby's friendship with Garcia continued, both inside and outside the band, as the two "challenged" each other to expand their musicianship through several other album and live collaborations. Above all, Hornsby's musical versatility and ability to slip in and out of extended freeform jams won over longtime Grateful Dead fans.  Since his first involvement with the Grateful Dead, Hornsby's live shows have drawn Deadheads and Hornsby has commented: "I've always liked the group of fans that we've drawn from the Grateful Dead time, because those fans are often adventurous music listeners." He has performed a number of their songs at his concerts and as homages on studio and live albums, while Hornsby originals "The Valley Road," and "Stander on the Mountain," appeared several times in the Dead's setlists. Hornsby also co-performed the improvisation "Silver Apples of the Moon" for the Grateful Dead's Infrared Roses.  Hornsby was the presenter when the Grateful Dead were inducted into the Rock and Roll Hall of Fame in 1994 and in 2005 he participated in "Comes a Time", a tribute concert to Jerry Garcia. He continues to work with Dead-related projects, such as Bob Weir's Ratdog, Mickey Hart's solo projects. He performed as part of The Other Ones in 1998 and 2000, and on occasion sat in with The Dead. Hornsby continues to be involved in the Grateful Dead and Furthur community, having opened All Good Music Festival in 2012 featured with Bob Weir on rhythm guitar. In mid-2013, Hornsby performed with Grateful Dead-influenced bluegrass group Railroad Earth. Hornsby reunited with surviving members of the Grateful Dead along with Trey Anastasio from Phish and Jeff Chimenti at Levi's Stadium in Santa Clara, California, and later at Soldier Field in Chicago, Illinois, in July 2015.
Question: Where did they perform?
Answer: