input: Boucher's debut album as Grimes, Geidi Primes, a concept album inspired by the Dune series, was released on cassette in 2010. Later in 2010, Boucher released her second album, Halfaxa. After the release of Halfaxa, Boucher began publicly promoting Grimes and started touring beyond Montreal. In 2011 Boucher released five songs on her side of the split 12" with d'Eon, Darkbloom (through both Arbutus and Hippos in Tanks). Beginning in May 2011, Grimes opened for Lykke Li on her North American Tour, and the following August her debut album was re-released through No Pain in Pop Records, in CD and vinyl format for the first time. In 2011, she collaborated with DJ/producer Blood Diamonds.  Upon extensive touring and positive reception of her first two albums and her side of Darkbloom, Boucher signed with record label 4AD in January 2012. Widely considered Boucher's breakout record, Visions received critical acclaim from music critics and appeared on numerous music publications' year-end lists. NME included it on their 500 Greatest Albums of All Time list in 2013. Visions won the Electronic Album of the Year Award and Grimes was nominated for the Breakthrough Artist of the Year at the Junos. Grimes also won the Artist of the Year Award at the 2013 Webbys.  The album's second single, "Oblivion", also received critical acclaim and was produced into a music video co-directed by Emily Kai Bock and Grimes. Pitchfork ranked "Oblivion" at number one on their 200 Best Tracks of the Decade So Far list in 2014. In interviews following the album's release, Boucher explained that she was assigned a strict deadline by which to have her third album finished far before it was complete, resulting in her recording the bulk of Visions whilst isolated in her Montreal apartment for three consecutive weeks. Notably, this intensive recording session included a period of nine days without food, sleep, or company, with Boucher blacking out her windows since she generally could not make music as readily during the day. She described the writing process as being "equally enjoyable and tortuous", feeling that its difficulty contributed to its success.  In April 2013, Boucher posted a written statement addressing her experience as a female musician in an industry rife with sexism and expressed disappointment that her feminist stance was often interpreted as anti-male. When speaking about her preference to produce all her studio albums herself, she said, "I don't wanna be the face of this thing I built, I want to be the one who built it".  On December 17, 2013, Boucher posted to her Tumblr that she had employed the services of Jay Z's management company, Roc Nation.

Answer this question "What bands was she in?"
output: Boucher's debut album as Grimes, Geidi Primes, a concept album inspired by the Dune series,

Problem: Background: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.
Context: The success of the various productions of Journey's End brought Whale to the attention of movie producers. Coming at a time when motion pictures were making the transition from silent to talking, producers were interested in hiring actors and directors with experience with dialogue. Whale traveled to Hollywood in 1929 and signed a contract with Paramount Pictures. He was assigned as "dialogue director" for a film called The Love Doctor (1929). He completed work on the film in 15 days and his contract was allowed to expire. It was at around this time that he met David Lewis.  Whale was hired by independent film producer and aviation pioneer Howard Hughes, who planned to turn the previously silent Hughes production Hell's Angels (1930) into a talkie. Whale directed the dialogue sequences. When his work for Hughes was completed, he headed to Chicago to direct another production of Journey's End.  Having purchased the film rights to Journey's End, British producers Michael Balcon and Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film. The two partnered with a small American studio, Tiffany-Stahl, to shoot it in New York. Colin Clive reprised his role as Stanhope, and David Manners was cast as Raleigh. Filming got underway on 6 December 1929 and wrapped on 22 January 1930. Journey's End was released in Great Britain on 14 April and in the United States on 15 April. On both sides of the Atlantic the film was a tremendous critical and commercial success.
Question: Did people like this movie?
Answer: critical and commercial success.

Question: Merman was born in her maternal grandmother's house located at 359 4th Avenue in Astoria, Queens in New York City in 1908, though she would later emphatically insist that it was actually 1912. Her father, Edward Zimmermann (1879-1977), was an accountant with James H. Dunham & Company, a Manhattan wholesale dry-goods company, and her mother, Agnes (Gardner) Zimmermann (1883-1974), was a teacher. Edward Zimmermann had been raised in the Dutch Reformed Church and his wife was Presbyterian.

Merman was married and divorced four times. Her first marriage, in 1940, was to theatrical agent William Smith. They were divorced in 1941. Later that same year, Merman married newspaper executive Robert Levitt. The couple had two children: Ethel (July 20, 1942 - 1965) and Robert, Jr. (born August 11, 1945) Merman and Levitt were divorced in 1952. In March 1953, Merman married Robert Six, the president of Continental Airlines. They separated in December 1959 and were divorced in 1960.  Merman's fourth and final marriage was to actor Ernest Borgnine. They were married in Beverly Hills on June 27, 1964. They separated on August 7 and Borgnine filed for divorce on October 21. Merman filed a cross-complaint shortly thereafter charging Borgnine with extreme cruelty. She was granted a divorce on November 18, 1964. Borgnine later told fellow actor Frank Wilson that he spent most of his short marriage arguing with Merman. By the end, he recounted how she came back from a film one day and said, "The director said I looked sensational. He said I had the face of a 20-year-old, and the body and legs of a 30-year-old!" Borgnine replied, "Did he say anything about your old cunt?" "No," replied Merman, "he didn't mention you at all."  In a radio interview, she said of her many marriages: "We all make mistakes. That's why they put rubbers on pencils, and that's what I did. I made a few lulus!" In her autobiography Merman (1978), the chapter entitled "My Marriage to Ernest Borgnine" consists of one blank page.  Ethel Levitt, her daughter, died on August 23, 1967, of a drug overdose that was ruled accidental. Her son Robert, Jr. was married to actress Barbara Colby who was, while estranged from Robert, shot and killed along with her boyfriend in a parking garage in Los Angeles in July 1975 by apparent gang members who had no clear motive.

Using a quote from the above article, answer the following question: Who did she marry first?
HHHHHH
Answer:
Her first marriage, in 1940, was to theatrical agent William Smith.