input: On May 1, 1972, the show was moved from Thirty Rockefeller Plaza, New York, to Burbank, California, because of the studio's proximity to the celebrities. Carson often joked about "beautiful downtown Burbank" and referred to "beautiful downtown Bakersfield", which prompted Bakersfield Mayor Mary K. Shell to chide Carson and invite him to her city to see improvements made during the early 1980s.  From July 1971, Carson stopped hosting five shows per week. Instead, Mondays featured a guest host, leaving Carson to host the other four weeknights. Shows were videotaped in Burbank at 5:30 pm, fed from there to the Central and Eastern time zone stations via cross-country television line at 8:30 pm Pacific time (11:30 pm Eastern time), and later sent from Burbank to the Pacific time zone stations at 11:30 pm Pacific time. Since only two feeds originated from Burbank, Central time zone stations received the Eastern feed one hour earlier at 10:30 pm local time, and Mountain time stations received the Pacific time zone feed one hour later at 12:30 am local time.  In 1980, at Carson's request, the show cut its 90-minute format to 60 minutes on September 16; Tom Snyder's Tomorrow added a half-hour to fill the vacant time. Joan Rivers became the "permanent" guest host from September 1983 until 1986. The Tonight Show returned to using rotating guest hosts, including comic George Carlin. Jay Leno then became the exclusive guest host in fall 1987. Leno joked that although other guest hosts had upped their fees, he had kept his low, assuring himself more bookings. Eventually, Monday night was for Leno, Tuesday for The Best of Carson--rebroadcasts usually dating from a year earlier, but occasionally from the 1970s.  Although Carson's work schedule became more attenuated, Tonight remained so successful that his compensation from NBC continued to rise; by the mid-1970s, he had become the highest-paid personality on television, earning about $4 million a year ($15,008,000 today), not including nightclub appearances and his other businesses. He refused many offers to appear in films, including title roles in The Thomas Crown Affair and Gene Wilder's role in Blazing Saddles. He also declined director Martin Scorsese's offer to co-star with Robert De Niro in the 1983 film The King of Comedy, the role of a TV talk-show host then going to Jerry Lewis.  In recognition of his 25th anniversary on The Tonight Show, Carson received a personal Peabody Award, the board saying he had "become an American institution, a household word, [and] the most widely quoted American." They also said they "felt the time had come to recognize the contributions that Johnny has made to television, to humor, and to America."

Answer this question "Why did it move?"
output: because of the studio's proximity to the celebrities.

input: Dali employed extensive symbolism in his work. For instance, the hallmark "melting watches" that first appear in The Persistence of Memory suggest Einstein's theory that time is relative and not fixed. The idea for clocks functioning symbolically in this way came to Dali when he was staring at a runny piece of Camembert cheese on a hot August day.  The elephant is also a recurring image in Dali's works. It appeared in his 1944 work Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening. The elephants, inspired by Gian Lorenzo Bernini's sculpture base in Rome of an elephant carrying an ancient obelisk, are portrayed "with long, multijointed, almost invisible legs of desire" along with obelisks on their backs. Coupled with the image of their brittle legs, these encumbrances, noted for their phallic overtones, create a sense of phantom reality. "The elephant is a distortion in space", one analysis explains, "its spindly legs contrasting the idea of weightlessness with structure." "I am painting pictures which make me die for joy, I am creating with an absolute naturalness, without the slightest aesthetic concern, I am making things that inspire me with a profound emotion and I am trying to paint them honestly." --Salvador Dali, in Dawn Ades, Dali and Surrealism.  The egg is another common Daliesque image. He connects the egg to the prenatal and intrauterine, thus using it to symbolize hope and love; it appears in The Great Masturbator and The Metamorphosis of Narcissus. The Metamorphosis of Narcissus also symbolized death and petrification. There are also giant sculptures of eggs in various locations at Dali's house in Port Lligat as well as at the Dali Theatre and Museum in Figueres.  Various other animals appear throughout his work as well: ants point to death, decay, and immense sexual desire; the snail is connected to the human head (he saw a snail on a bicycle outside Freud's house when he first met Sigmund Freud); and locusts are a symbol of waste and fear.  Both Dali and his father enjoyed eating sea urchins, freshly caught in the sea near Cadaques. The radial symmetry of the sea urchin fascinated Dali, and he adapted its form to many art works. Other foods also appear throughout his work.

Answer this question "What does the egg symbolize?"
output:
He connects the egg to the prenatal and intrauterine, thus using it to symbolize hope and love;