input: Leno had a contract for five years  for the show. NBC reportedly had an option to cancel after two years, but had committed to at least one or two years regardless of ratings, although later chose to end the show after less than five months. He could have earned up to $30 million each year depending on ratings for Leno, compared to a $20 million annual salary during his last years at Tonight.  NBC expected to benefit by offering an inexpensive comedic alternative to the procedurals ("100% more comedy and 98% fewer murders!") and other one-hour dramas that typically air at 10 pm, and by offering new episodes 46 weeks each year versus 22. While Leno was not necessarily expected to be competitive with the higher-rated scripted shows on ABC and CBS in its time slot, its projected cost of production was far lower and thus it was expected to be profitable to the network, and product integration intended to make the show "as DVR-proof as you can be on television in this era". Each airing of Leno cost about $350,000 to $400,000 versus up to $3 million for an hour-long drama, saving NBC $13 million each week without the network needing the show to beat its competitors. Those costs include the services of 22 writers, whom Leno called the "top 5% of the highest-paid . . . in the Guild."  McDonald's became the first buying advertiser for the program, tying in their "Million Dollar Roll" nightly in October 2009 promoting that year's version of McDonald's Monopoly.

Answer this question "Was the show financially successful?"
output: He could have earned up to $30 million each year depending on ratings for Leno, compared to a $20 million annual salary during his last years at Tonight.

input: When he first played with Mingus, Waldron was a follower of Horace Silver's style, which used added chords and passing notes, as well as Bud Powell's, which contained many runs. Mingus encouraged him to strip away these things and concentrate on basic and altered harmonies. Before his breakdown, Waldron played in a lyrical way, but after it, "I couldn't find that lyricism inside myself any more, so I became a very angular player", becoming more like Thelonious Monk in playing and composition style.  From the time he moved to Europe, Waldron played mostly in a free style, while being able to play in a more traditional style when the audience or situation required it. He used thick chords in the lower bass register; his emphasis on weight, texture and frequent repetition of a single and simple motif as opposed to linear and melodic improvisation gave a heavy and dark color to his sound. One facet of his playing was, according to The Penguin Guide to Jazz, "likened to American minimalism: a slow accretion of almost subliminal harmonic and rhythmic shifts steadily pile up until the music seems ready to overbalance".  As an accompanist to vocalists Holiday, Lincoln, Lee and others, Waldron was described by critic and musician Alyn Shipton as "one of the most sublime accompanists in jazz".  Waldron's own assessment of his style was that it was partly a reflection of his personality: "It's part of my personality to be very economical with what I have and to use it in all variations before I move to the next set of notes". He acknowledged the influences of Holiday (on his conception of space and playing behind the beat), Mingus (for the importance of individuality), and Roach (on the value of time signatures other than the usual 4/4), as well as pianists Duke Ellington, Monk, Powell and Art Tatum.

Answer this question "what did he play?"
output: 

input: The blue-tinted sunglasses (Persol 714) worn by McQueen in the 1968 movie The Thomas Crown Affair sold at a Bonhams & Butterfields auction in Los Angeles for $70,200 in 2006. One of his motorcycles, a 1937 Crocker, sold for a world-record price of $276,500 at the same auction. McQueen's 1963 metallic-brown Ferrari 250 GT Lusso Berlinetta sold for US$2.31 million at auction on August 16, 2007. Except for three motorcycles sold with other memorabilia in 2006, most of McQueen's collection of 130 motorcycles was sold four years after his death. The 1970 Porsche 911S purchased while making the film Le Mans and appearing in the opening sequence was sold at auction in August 2011 for $1.375 million. The Rolex Explorer II, Reference 1655, known as Rolex Steve McQueen in the horology collectors' world, the Rolex Submariner, Reference 5512, which McQueen was often photographed wearing in private moments, sold for $234,000 at auction on June 11, 2009, a world-record price for the reference. McQueen was left-handed and wore the watch on his right wrist. From 1995 to 2011, McQueen's red 1957 Chevrolet fuel-injected convertible was displayed at the Petersen Automotive Museum in Los Angeles in a special Cars of Steve McQueen exhibit. It is now in the collection of actress Ruth Buzzi and her husband Kent Perkins.  McQueen was a sponsored ambassador for Heuer watches. In the 1970 film Le Mans, he famously wore a blue-faced Monaco 1133B Caliber 11 Automatic, which led to its cult status among watch collectors. His sold for $87,600 at auction on June 11, 2009. Tag Heuer continues to promote its Monaco range with McQueen's image.  From 2009, Triumph Motorcycles Ltd, licensed by his estate, marketed a line of clothing inspired by McQueen's association with their brand, particularly his 1964 ISDT participation.  British heritage clothing brand J. Barbour and Sons created a Steve McQueen collection, based on his ownership of a Barbour International motorbike jacket.  Steve McQueen was the second album by English pop band Prefab Sprout, which was released in June 1985. It was released in the United States under the title Two Wheels Good due to a legal conflict with McQueen's estate.

Answer this question "What price did the sunglasses sell for?"
output:
at a Bonhams & Butterfields auction in Los Angeles for $70,200 in 2006.