input: In American English, "phonograph", properly specific to machines made by Edison, was sometimes used in a generic sense as early as the 1890s to include cylinder-playing machines made by others. But it was then considered strictly incorrect to apply it to Emile Berliner's upstart Gramophone, a very different machine which played discs. "Talking machine" was the comprehensive generic term, but in the early 20th century the general public was increasingly applying the word "phonograph" indiscriminately to both cylinder and disc machines and to the records they played. By the time of the First World War, the mass advertising and popularity of the Victor Talking Machine Company's Victrolas (a line of disc-playing machines characterized by their concealed horns) was leading to widespread generic use of the word "victrola" for any machine that played discs, which were however still called "phonograph records" or simply "records", almost never "victrola records".  After electrical disc-playing machines started appearing on the market during the second half of the 1920s, usually sharing the same cabinet with a radio receiver, the term "record player" was increasingly favored by users when referring to the device. Manufacturers, however, typically advertised such combinations as "radio-phonographs". Portable record players (no radio included), with a latched cover and an integrated power amplifier and loudspeaker, were fairly common as well, especially in schools and for use by children and teenagers.  In the years following the Second World War, as "hi-fi" (high-fidelity, monophonic) and, later, "stereo" (stereophonic) component sound systems slowly evolved from an exotic specialty item into a common feature of American homes, the description of the record-spinning component as a "record changer" (which could automatically play through a stacked series of discs) or a "turntable" (which could hold only one disc at a time) entered common usage. By about 1980 the use of a "record changer", which might damage the stacked discs, was widely disparaged. So, the "turntable" emerged triumphant and retained its position to the end of the 20th century and beyond. Through all these changes, however, the discs have continued to be known as "phonograph records" or, much more commonly, simply as "records".  The brand name Gramophone was not used in the USA after 1901, and the word fell out of use there, although it has survived in its nickname form, Grammy, as the name of the Grammy Awards. The Grammy trophy itself is a small rendering of a gramophone, resembling a Victor disc machine with a taper arm.  Modern amplifier-component manufacturers continue to label the input jack which accepts the output from a modern magnetic pickup cartridge as the "phono" input, abbreviated from "phonograph".

Answer this question "Besides Edison, were there any other people known for their connection to phonographs?"
output: Emile Berliner's

Question: Clinton Richard Dawkins  (born 26 March 1941) is an English ethologist, evolutionary biologist, and author. He is an emeritus fellow of New College, Oxford, and was the University of Oxford's Professor for Public Understanding of Science from 1995 until 2008. Dawkins first came to prominence with his 1976 book The Selfish Gene, which popularised the gene-centred view of evolution and introduced the term, meme. With his book The Extended Phenotype (1982), he introduced into evolutionary biology the influential concept that the phenotypic effects of a gene are not necessarily limited to an organism's body, but can stretch far into the environment.

Dawkins is a prominent critic of creationism, a religious belief that humanity, life, and the universe were created by a deity without recourse to evolution. He has described the Young Earth creationist view that the Earth is only a few thousand years old as "a preposterous, mind-shrinking falsehood"; and his 1986 book, The Blind Watchmaker, contains a sustained critique of the argument from design, an important creationist argument. In the book, Dawkins argues against the watchmaker analogy made famous by the eighteenth-century English theologian William Paley via his book Natural Theology, in which Paley argues that just as a watch is too complicated and too functional to have sprung into existence merely by accident, so too must all living things--with their far greater complexity--be purposefully designed. Dawkins shares the view generally held by scientists that natural selection is sufficient to explain the apparent functionality and non-random complexity of the biological world, and can be said to play the role of watchmaker in nature, albeit as an automatic, unguided by any designer, nonintelligent, blind watchmaker.  In 1986, Dawkins and biologist John Maynard Smith participated in an Oxford Union debate against A. E. Wilder-Smith (a Young Earth creationist) and Edgar Andrews (president of the Biblical Creation Society). In general, however, Dawkins has followed the advice of his late colleague Stephen Jay Gould and refused to participate in formal debates with creationists because "what they seek is the oxygen of respectability", and doing so would "give them this oxygen by the mere act of engaging with them at all". He suggests that creationists "don't mind being beaten in an argument. What matters is that we give them recognition by bothering to argue with them in public." In a December 2004 interview with American journalist Bill Moyers, Dawkins said that "among the things that science does know, evolution is about as certain as anything we know." When Moyers questioned him on the use of the word theory, Dawkins stated that "evolution has been observed. It's just that it hasn't been observed while it's happening." He added that "it is rather like a detective coming on a murder after the scene... the detective hasn't actually seen the murder take place, of course. But what you do see is a massive clue... Huge quantities of circumstantial evidence. It might as well be spelled out in words of English."  Dawkins has opposed the inclusion of intelligent design in science education, describing it as "not a scientific argument at all, but a religious one". He has been referred to in the media as "Darwin's Rottweiler", a reference to English biologist T. H. Huxley, who was known as "Darwin's Bulldog" for his advocacy of Charles Darwin's evolutionary ideas. (The contrasting sobriquet of "God's Rottweiler" was given to Pope Benedict XVI while he was a cardinal working for the Congregation for the Doctrine of the Faith.) He has been a strong critic of the British organisation Truth in Science, which promotes the teaching of creationism in state schools, and whose work Dawkins has described as an "educational scandal". He plans to subsidise schools through the Richard Dawkins Foundation for Reason and Science with the delivery of books, DVDs, and pamphlets that counteract their work.

Using a quote from the above article, answer the following question: Why was he referred to as Darwin's Rottweiler?
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Answer:
for his advocacy of Charles Darwin's evolutionary ideas. (