Answer the question at the end by quoting:

Sir Lawrence Alma-Tadema,  (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.
Alma-Tadema's works are remarkable for the way in which flowers, textures and hard reflecting substances, like metals, pottery, and especially marble, are painted - indeed, his realistic depiction of marble led him to be called the 'marbellous painter'. His work shows much of the fine execution and brilliant colour of the old Dutch masters. By the human interest with which he imbues all his scenes from ancient life he brings them within the scope of modern feeling, and charms us with gentle sentiment and playfulness.  From early in his career, Alma-Tadema was particularly concerned with architectural accuracy, often including objects that he would see at museums - such as the British Museum in London - in his works. He also read many books and took many images from them. He amassed an enormous number of photographs from ancient sites in Italy, which he used for the most precise accuracy in the details of his compositions.  Alma-Tadema was a perfectionist. He worked assiduously to make the most of his paintings, often repeatedly reworking parts of paintings before he found them satisfactory to his own high standards. One humorous story relates that one of his paintings was rejected and instead of keeping it, he gave the canvas to a maid who used it as her table cover. He was sensitive to every detail and architectural line of his paintings, as well as the settings he was depicting. For many of the objects in his paintings, he would depict what was in front of him, using fresh flowers imported from across the continent and even from Africa, rushing to finish the paintings before the flowers died. It was this commitment to veracity that earned him recognition but also caused many of his adversaries to take up arms against his almost encyclopaedic works.  Alma-Tadema's work has been linked with that of European Symbolist painters. As an artist of international reputation, he can be cited as an influence on European figures such as Gustav Klimt and Fernand Khnopff. Both painters incorporate classical motifs into their works and use Alma-Tadema's unconventional compositional devices such as abrupt cut-off at the edge of the canvas. They, like Alma-Tadema, also employ coded imagery to convey meaning to their paintings.

What was the humorous story?

instead of keeping it, he gave the canvas to a maid who used it as her table cover.

Some context: Mao Asada (Qian Tian  Zhen Yang , Asada Mao, born September 25, 1990) is a former Japanese competitive figure skater. She is the 2010 Olympic silver medalist, a three-time World champion (2008, 2010, 2014), a three-time Four Continents champion (2008, 2010, 2013), and a four-time Grand Prix Final champion (2005-06, 2008-09, 2012-13, 2013-14). She is the only female figure skater who has landed three triple Axel jumps in one competition, which she achieved at the 2010 Winter Olympics.
During the summer of 2007, Asada received additional training in Russia from Tatiana Tarasova, while Arutyunyan remained her primary coach. At the 2007 Skate Canada International, Asada was third in the short program and first in the long, finishing with the gold medal ahead of silver medalist Yukari Nakano. Asada won her second gold at the 2007 Trophee Eric Bompard with over 21 points ahead of silver medalist Kimmie Meissner.  Asada advanced to the 2007-08 Grand Prix Final in Turin, Italy. In the short program, Asada did not do the jump out of footwork required element and placed 6th with a score of 59.04 points. But the next day, she rebounded in the free skating to win the free skating with 132.55 points. She executed a triple axel, a triple flip-triple toe loop combination, a triple loop, a triple flip-triple loop, a double axel-double loop-double loop combination, and a double axel, but had a change-of-edge error in triple lutz. She won the silver medal with 191.59 points, 5.24 behind gold medalist Yuna Kim, who repeated as champion.  As in the previous year, Asada won the 2007-08 Japan Championships. Her final score was 1.15 points ahead of silver medalist and reigning World champion Miki Ando. Asada was placed on the Japanese team for both the World and Four Continents Championships. Before Four Continents, she split with Arutyunyan and returned to Japan to practice on the new Aurora Rink at Chukyo University, where she had no problems obtaining ice time.  Asada competed at both ISU Championships without a coach but an official from the Japan Skating Federation accompanied her as needed. Competing for the first time at Four Continents Championships, Asada won both segments and finished 13.71 points ahead of silver medalist Joannie Rochette. In March 2008, at the Worlds Championships, Asada won her first World title. She was second in the short program, 0.18 behind Carolina Kostner. In the free skating, she was second to bronze medalist Yuna Kim by 1.92 points but 0.88 ahead of silver medalist Carolina Kostner.
did she win any championships during this season?
A: Asada was third in the short program and first in the long,

IN: Leslie Feist was born on 13 February 1976 in Amherst, Nova Scotia, Canada. Her parents are both artists. Her father, Harold Feist, is an American-Canadian abstract expressionist painter who taught at both the Alberta College of Art and Design and Mount Allison University in Sackville, New Brunswick. Her mother, Lyn Feist, was a student of ceramics from Saskatchewan.

In 1991, at age 15, Feist got her start in music when she founded and was the lead vocalist for a Calgary punk band called Placebo (not to be confused with the English band Placebo). She and her bandmates won a local Battle of the Bands competition and were awarded the opening slot at the festival Infest 1993, featuring the Ramones. At this concert she met Brendan Canning, whose band hHead performed immediately before hers, and with whom she joined in Broken Social Scene ten years later.  In 1995, Feist was forced to take time off from music to recover from vocal cord damage. She moved from Calgary to Toronto in 1996. That year she was asked by Noah Mintz of hHead to play bass in his solo project Noah's Arkweld. She played the bass guitar in Noah's Arkweld for a year despite never having played bass before. In 1998, she became the rhythm guitarist for the band By Divine Right and toured with them throughout 1998, 1999, and 2000. She also played guitar for some live performances by Bodega, but was never an official member of the band.  In 1999, Feist moved into a Queen West apartment above Come As You Are with a friend of a friend, Merrill Nisker, who then began to perform as electro-punk musician Peaches. Feist worked the back of the stage at Peaches' shows, using a sock puppet and calling herself "Bitch Lap Lap". The two also toured together in England from 2000-2001, staying with Justine Frischmann of Elastica and MIA Feist appeared as a guest vocalist on The Teaches of Peaches. Feist appears in Peaches' video for the song "Lovertits", suggestively rubbing and licking a bike. Later, Feist covered this song with Gonzales (whom she met while touring with Peaches) on her album Open Season. In 2006, Feist contributed backup vocals on a track entitled "Give 'Er", which appeared on Peaches' album Impeach My Bush.

What else happened this year

OUT:
That year she was asked by Noah Mintz of hHead to play bass in his solo project Noah's Arkweld.