Background: As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the establishment of the band's first full lineup, which included drummer Jordan Mancino, occurred in 2001. As I Lay Dying has released six albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean
Context: Although As I Lay Dying has stated on numerous occasions that all of the members of the group are practicing Christians, the band is usually described by media as being in the metalcore genre, not Christian metal. The band's lyrics do not focus on Christian themes the way many praise music bands do, nor do they treat their music as a direct extension of their private Christian worship or proselytizing efforts. For example, not once do the names God or Jesus appear in any As I Lay Dying song, nor do any of their songs explicitly invoke Christian doctrine or quote the Bible. Most songs tend to address broader spiritual concepts like existential angst or the struggle between reason and spirituality.  Lyricist and lead singer Tim Lambesis has given mixed commentary on the subject: asked in 2008 if the members were "a Christian band" or "Christians in a band", Lambesis stated on the band's FAQ, "I'm not sure what the difference is between five Christians playing in a band and a Christian band, If you truly believe something, then it should affect every area of your life. All five of us are Christians. I believe that change should start with me first, and as a result, our lyrics do not come across very 'preachy.' Many of our songs are about life, struggles, mistakes, relationships and other issues that don't fit entirely in the spiritual category. However, all of these topics are written about through my perspective as a Christian." Furthermore, during an August 2010 radio interview on the Christian metal radio show The Full Armor of God Broadcast, Lambesis stated "I can only really write about what I'm passionate about in life, so naturally my faith, my belief in the teachings of Jesus and His resurrection come across in our lyrics."  However, in later years, Lambesis showed an increasing philosophical skepticism towards Christianity and religion in general: Court documents stated Lambesis emailed his wife Meggan in August 2012, while on tour with As I Lay Dying, asking for a divorce and stating he "no longer believed in God". In explaining some of the lyrics from Awakened, Lambesis stated that his studies of theology had led him to the conclusion that "tradition and truth are often at odds with each other", and while he "didn't hate all religious belief", he was finding it "very difficult for to outline exactly who it is that's worth siding with." He also quoted the book Pagan Christianity by George Barna and Frank Viola, claiming that both "Protestant and Catholic denominations have poisonous roots".  While on house arrest in July 2013, after being charged with soliciting his wife's murder, Lambesis published a blog post in which he obliquely confirmed his previous loss of faith in Christianity. However, since his arrest it has been reported that Lambesis "has spent much of the last year reevaluating what originally convinced him to abandon belief in God. After much brokenness and repentance he sees things differently, considers himself a follower of Jesus, someone submitted to the will of God."  In 2014 Lambesis said that although they were marketed as a Christian band, the members privately considered themselves atheists. Former guitarist Nick Hipa calls these claims slanderous and defamatory.
Question: Who was heir lyricist?
Answer: Lambesis stated "I can only really write about what I'm passionate about in life,

Background: Celtic Frost () were a Swiss heavy metal band from Zurich. They are known for their strong influence on the development of extreme metal. Formed in 1982 as Hellhammer, the band became Celtic Frost in 1984 and was active until 1993. It re-formed in 2001 and disbanded following frontman Tom Gabriel Fischer's departure in 2008.
Context: One of their more influential recordings was 1985's To Mega Therion which did not feature Ain on bass, but stand-in Dominic Steiner. The cover artwork is a painting by H.R. Giger entitled Satan I. The album was a major influence on the then-developing death metal and black metal genres. Ain did return after the album was recorded however. In 1987 followed Into the Pandemonium. The album is more varied than many of Celtic Frost's past LPs, with unlikely covers (Wall of Voodoo's "Mexican Radio"), emotionally charged love songs, the album's recurring industrial-influenced rhythmic songs of demons and destruction, traditional Frost styled songs about dreams and fear, and a dark, classical piece with female vocals.  The album is vastly different from the band's previous work and cemented its late 80s avant-garde metal term; it is also a departure from the extreme style found on the band's previous albums, Morbid Tales and To Mega Therion that Celtic Frost had become known for. However, it does have the recurring symphonic elements found on previous albums. The album has a more classic heavy metal style within the songs with elements of industrial, classical and gothic rock, and even has an industrial/electronic body music (EBM)-inspired rhythm in "One in Their Pride". It does have a few black metal elements remaining in Warrior's vocals, though, and some thrash-influenced guitar riffs.  These albums were some of the pivotal LPs for underground metal and introduced a new and more varied sound. Celtic Frost, along with Venom and Bathory were pioneers in the still underground black metal scene, although Celtic Frost were much more experimental with the addition of classical instruments, operatic female vocals and sampling. Celtic Frost was often labeled by critics as avant-garde metal.
Question: What was Celtic Frost doing in 1985?
Answer: One of their more influential recordings was 1985's To Mega Therion which did not feature Ain on bass,

Background: Migration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.
Context: In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.  Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.  Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques.
Question: Can you clarify how the art is portable?
Answer:
a preference instead for "mobile" art for personal display, usually also with a practical function,