Some context: Zelda Fitzgerald (nee Sayre; July 24, 1900 - March 10, 1948) was an American socialite, novelist, painter and wife of author F. Scott Fitzgerald. Born in Montgomery, Alabama, she was noted for her beauty and high spirits, and was dubbed by her husband as "the first American Flapper". She and Scott became emblems of the Jazz Age, for which they are still celebrated. The immediate success of Scott's first novel This Side of Paradise (1920) brought them into contact with high society, but their marriage was plagued by wild drinking, infidelity and bitter recriminations.
Zelda first met the future novelist F. Scott Fitzgerald in July 1918, when he had volunteered for the army, and was stationed at Camp Sheridan, outside Montgomery. Scott began to call her daily, and came into Montgomery on his free days. He talked of his plans to be famous, and sent her a chapter of a book he was writing. He was so taken by Zelda that he redrafted the character of Rosalind Connage in This Side of Paradise to resemble her. He wrote, "all criticism of Rosalind ends in her beauty," and told Zelda that "the heroine does resemble you in more ways than four." Zelda was more than a mere muse, however--after she showed Scott her personal diary, he used verbatim excerpts from it in his novel. At the conclusion of This Side of Paradise, the soliloquy of the protagonist Amory Blaine in the cemetery, for example, is taken directly from her journal. Gloria Patch, in The Beautiful and the Damned, is also known to be a permutation of the "subjects of statement" that appear in Zelda's letters.  F. Scott Fitzgerald was known to appreciate and take from Zelda's letters, even at one point borrowing her diary while he was writing This Side of Paradise. In 1918, Scott showed her diary to his friend Peevie Parrot who then shared it with George Jean Nathan. There was allegedly discussion between the men of publishing it under the name of "The Diary of a Popular Girl". Zelda's letters stand out for their "spontaneous turn of phrase and lyrical style" and tendency to use dashes, visually similar to the poems by Emily Dickinson, and experimental grammar.  According to Nancy Milford, Scott and Zelda's first encounter was at a country club dance in Montgomery, which Scott fictionalised in his novel, The Great Gatsby, when he describes Jay Gatsby's first encounter with Daisy Buchanan, although he transposed the location in the novel to a train station. Scott was not the only man courting Zelda, and the competition only drove Scott to want her more. In the ledger that he meticulously maintained throughout his life, Scott noted in 1918, on September 7, that he had fallen in love. Ultimately, she would do the same. Her biographer Nancy Milford wrote, "Scott had appealed to something in Zelda which no one before him had perceived: a romantic sense of self-importance which was kindred to his own."  Their courtship was briefly interrupted in October when he was summoned north. He expected to be sent to France, but was instead assigned to Camp Mills, Long Island. While he was there, the Armistice with Germany was signed. He then returned to the base near Montgomery, and by December they were inseparable. Scott would later describe their behavior as "sexual recklessness." On February 14, 1919, he was discharged from the military and went north to establish himself in New York City.  They wrote frequently, and by March 1920, Scott had sent Zelda his mother's ring, and the two had become engaged. Many of Zelda's friends and members of her family were wary of the relationship, as they did not approve of Scott's excessive drinking, and Zelda's Episcopalian family did not like the fact that he was a Catholic.
Did the couple have any children?
A: 
Some context: The Waterboys are a Scottish/Irish folk rock band formed in Edinburgh in 1983 by Scottish musician Mike Scott. The band's membership, past and present, has been composed mainly of musicians from Scotland and Ireland with Edinburgh, Dublin, Spiddal, New York and Findhorn, serving as homes for the group. Mike Scott has remained as the only constant member throughout the band's career. They have explored a number of different styles, but their music is mainly a mix of Celtic folk music with rock and roll.
At the invitation of new member Steve Wickham, Mike Scott moved to Dublin and quickly became influenced by the traditional Irish music there as well as by country and gospel. The band's line-up changed once again with Scott, Wickham and Thistlethwaite now joined by Trevor Hutchinson on bass and Peter McKinney on drums. The new band, which the official Waterboys' website refers to as the "Raggle Taggle band" line-up, spent 1986 and 1987 recording in Dublin and touring the UK, Ireland, Europe and Israel. Some of these performances were released in 1998 on The Live Adventures of the Waterboys, including a famous Glastonbury performance in 1986.  In 1988 Scott took the band to Spiddal in the west of Ireland where they set up a recording studio in Spiddal House to finish recording their new album. Fisherman's Blues was released in October 1988 and showcased many guest musicians that had played with the band in Dublin and Spiddal. Critics and fans were split between those embracing the new influence of Irish and Scottish folk music and others disappointed after hoping for a continuation of the style of This Is the Sea. World Music: The Rough Guide notes that "some cynics claim that Scotsman Mike Scott gave Irish music back to the Irish... his impact can't be underestimated", but Scott himself explains that it was the Irish tradition that influenced him; "I was in love with Ireland. Every day was a new adventure, it was mythical... Being part of a brotherhood of musicians was a great thing in those days, with all the many musicians of all stripes we befriended in Ireland. I still have that connection to the Irish musicians and tap into it..." Owing to the large number of tracks that were recorded in the three years between This Is the Sea and Fisherman's Blues, The Waterboys released a second album of songs from this period in 2001, titled Too Close to Heaven (or Fisherman's Blues, Part 2 in North America), and more material was released as bonus tracks for the 2006 reissue of the remastered Fisherman's Blues album.  After further touring the band returned to Spiddal to record a new album. The Waterboys now consisted of Mike Scott, Steve Wickham, Anthony Thistlethwaite, Colin Blakey on whistle, flute and piano, Sharon Shannon on accordion, Trevor Hutchinson on bass and Noel Bridgeman on drums. Their fifth album, Room to Roam was released in September 1990. One of the album's tracks was a recording of the traditional ballad "The Raggle Taggle Gypsy".  Just before Room to Roam was released, Wickham left over a disagreement with Scott and Thistlethwaite regarding the future direction of the band's sound. Scott and Thistlethwaite wanted to move the band back to a more rock and roll style, and Wickham disagreed. His departure started the band's dissolution, and in his wake Shannon and Blakey both left. Scott, Thistlethwaite and Hutchinson recruited Ken Blevins on drums to fulfil the group's tour dates.
What changed
A:
The band's line-up changed once again with