IN: Enrique Miguel Iglesias Preysler (; Spanish pronunciation: [en'rike mi'gel i'glesjas 'preizler]; born 8 May 1975) is a Spanish singer, songwriter, actor and record producer. He is widely regarded as the King of Latin Pop.

Iglesias was born in Madrid, Spain, and is the third and youngest child of Spanish singer Julio Iglesias and Filipina-Spanish socialite and magazine journalist Isabel Preysler. He was raised with two older siblings: Chabeli and Julio Jr.. One of his mother Preysler's aunts is actress Neile Adams, the first wife of American actor Steve McQueen, mother of actor Chad McQueen, and grandmother of actor Steven R. McQueen. His father Julio Iglesias' family are from Galicia and Andalusia - his father also claims Jewish and Puerto Rican ancestry on his mother's side. The parents divorced in 1979.  At first, Iglesias and his two siblings stayed with their mother, but in December 1981, Iglesias' grandfather, Dr. Julio Iglesias Puga, was kidnapped by the armed Basque terrorist group ETA. For their safety, Enrique and his brother Julio were sent to live with their father in Miami. There, they were brought up mostly by the nanny, Elvira Olivares, to whom he later dedicated his first album. He also lived in Belgrade, Yugoslavia, for one year with his mother. As his father's career kept him on the road, the young Iglesias was raised by the family nanny. He attended the prestigious Gulliver Preparatory School and later went on to study business at the University of Miami.  Iglesias did not want his father to know about his plans for a musical career and did not want his famous surname to help advance his career. He borrowed money from his family nanny and he recorded a demo cassette tape which consisted of a Spanish song and two English songs. Approaching his father's former publicist, Fernan Martinez, the two promoted the songs under the stage name 'Enrique Martinez' with the backstory of being an unknown singer from Guatemala. Iglesias was signed on to Fonovisa Records. After dropping out of college, he traveled to Toronto to record his first album.

Were they able to get his grandather back?

OUT: 


IN: Gustaf V was born in Drottningholm Palace in Ekero, Stockholm County, the son of Prince Oscar and Princess Sofia of Nassau. At birth Gustaf was created Duke of Varmland. Upon his father's accession to the throne in 1872, Gustaf became crown prince of both Sweden and Norway. On 8 December 1907, he succeeded his father on the Swedish throne, which had been separated from the Norwegian throne two years earlier.

According to Prime Minister Per Albin Hansson during the Midsummer crisis, the King in a private conversation had threatened to abdicate if the Government did not approve a German request to transfer a fighting infantry division - the so-called Engelbrecht Division - through Swedish territory from southern Norway to northern Finland in June 1941, around Midsummer. The accuracy of this claim is debated, and the King's intention (if he did in fact make this threat) is sometimes alleged to be his desire to avoid conflict with Germany. This event has later received considerable attention from Swedish historians and is known as midsommarkrisen, the Midsummer Crisis.  Confirmation of the King's action is contained in German Foreign Policy documents captured at the end of the war. On 25 June 1941, the German Minister in Stockholm sent a "Most Urgent-Top Secret" message to Berlin in which he stated that the King had just informed him that the transit of German troops would be allowed. He added:  The King's words conveyed the joyful emotion he felt. He had lived through anxious days and had gone far in giving his personal support to the matter. He added confidentially that he had found it necessary to go so far as to mention his abdication.  According to Ernst Wigforss, both Gustaf V and Prince Gustav Adolf attempted to persuade the Swedish Government to allow the Allies to transport troops through Sweden, though this was rejected by the Government because it was felt it would cause retributions from Germany.

What was the infantry division that was agreed up to be sent?

OUT: a fighting infantry division - the so-called Engelbrecht Division -


IN: Gilliam was born in Minneapolis, Minnesota, the son of Beatrice (nee Vance) and James Hall Gilliam. His father was a travelling salesman for Folgers before becoming a carpenter. Soon after, they moved to nearby Medicine Lake, Minnesota. The family moved to the Los Angeles neighbourhood of Panorama City in 1952.

Gilliam's films have a distinctive look, not only in mise-en-scene but even more so in photography, often recognisable from just a short clip; to create a surreal atmosphere of psychological unrest and a world out of balance, he frequently uses unusual camera angles, particularly low-angle shots, high-angle shots, and Dutch angles. Roger Ebert said that "his world is always hallucinatory in its richness of detail." Most of his movies are shot almost entirely with rectilinear ultra-wide-angle lenses with focal lengths of 28mm or less to achieve a distinctive style defined by extreme perspective distortion and extremely deep focus. Gilliam's long-time director of photography Nicola Pecorini has said, "with Terry and me, a long lens means something between a 40mm and a 65mm." This attitude markedly differs from the common definition in photography, by which 40 to 65 mm is the focal length of a normal lens, resembling the natural human field of view, unlike Gilliam's signature style, defined by extreme perspective distortion due to his usual choice of focal length. The 14-mm lens has become informally known as "The Gilliam" among filmmakers because of his frequent use of it at least since Brazil. Gilliam has explained his preference for using wide-angle lenses in his films:  The wide-angle lenses, I think I choose them because it makes me feel like I'm in the space of the film, I'm surrounded. My prevalent vision is full of detail, and that's what I like about it. It's actually harder to do, it's harder to light. The other thing I like about wide-angle lenses is that I'm not forcing the audience to look at just the one thing that is important. It's there, but there's other things to occupy, and some people don't like that because I'm not pointing things out as precisely as I could if I was to use a long lens where I'd focus just on the one thing and everything else would be out of focus. ...  [M]y films, I think, are better the second and third time, frankly, because you can now relax and go with the flow that may not have been as apparent as the first time you saw it and wallow in the details of the worlds we're creating. ... I try to clutter [my visuals] up, they're worthy of many viewings.  In another interview, Gilliam mentioned, in relation to the 9.8-mm Kinoptic lens he had first used on Brazil, that wide-angle lenses make small film sets "look big". The widest lens he has used so far is an 8-mm Zeiss lens employed in filming The Imaginarium of Doctor Parnassus.

What or who influenced his style?

OUT: