Question:
Dethklok is a virtual death metal band featured in the Adult Swim animated television series Metalocalypse. The first official Dethklok album was released on September 25, 2007, entitled The Dethalbum. The album debuted at number 21 on Billboard Magazine's Top 200 list. The band released Dethalbum II on September 29, 2009, and toured with Mastodon, High on Fire and Converge.
Voiced by: Tommy Blacha, Mike Keneally (singing voice in Metalocalypse: The Doomstar Requiem)  Toki Wartooth is Dethklok's rhythm guitarist. He typically played a Gibson Flying V, but has switched to the Brendon Small "Snow Falcon" V for the fourth season. A native of "an abandoned town near Lillehammer", Norway, he was forced to constantly perform manual labor by his abusive parents. He has a distinct accent and often inappropriately pluralizes words, but refers to Pickles as "Pickle". Visually, he has a distinct Fu Manchu moustache, long brown hair, and very pale blue eyes.  Toki is the only Dethklok member with no prior band experience, as well as the only one not with the band in its initial form, having been chosen to replace the violent and egomaniacal Magnus Hammersmith. Small explains Toki's relationship with Skwisgaar as "...Norwegian to Skwisgaar's Swedish, pompous attitude. And, again, a second-class citizen in the same band", and compared his guitar playing style to that of Iron Maiden.  In contrast to the deep cynicism, grim outlook, promiscuity, and alcohol and drug abuse of the other band members, Toki's character is generally childlike, innocent, and good-natured. He has a boyish bedroom complete with action figures, stuffed animals, and wall posters, and a prominent hobby of his is building model planes. He is a Type 2 diabetic and requires insulin shots.  A recurring plot point is the death of people Toki grows fond of, including a guitar teacher and his father; the Tribunal has described him as an "angel of death". Any living thing that gets close to Toki - with the exception of Dr. Rockso and his bandmates - tends to die after a brief period of time.
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Did he sell any of those model planes to the public?

Answer:



Question:
Stefanie Graf was born on 14 June 1969, in Mannheim, Baden-Wurttemberg, West Germany, to Heidi Schalk and Peter Graf (18 June 1938 - 30 November 2013), a car and insurance salesman. When she was nine years old her family moved to the neighbouring town of Bruhl. She has a younger brother Michael. Graf was introduced to tennis by her father, an aspiring tennis coach, who taught his three-year-old daughter how to swing a wooden racket in the family's living room.
The main weapons in Graf's game were her powerful inside-out forehand drive (which earned her the moniker Fraulein Forehand) and her intricate footwork. She often positioned herself in her backhand corner and although this left her forehand wide open and vulnerable to attack, her court speed meant that only the most accurate shots wide to her forehand caused any trouble. Graf's technique on the forehand was unique and instantly recognizable: generating considerable racquet head speed with her swing, she reached the point of contact late and typically out of the air. As a result, she hit her forehand with exceptional pace and accuracy. According to her coaches Pavel Slozil and Heinz Gunthardt, Graf's superior sense of timing was the key behind the success of her forehand.  Graf also had a powerful backhand drive but over the course of her career tended to use it less frequently, opting more often for an effective backhand slice. Starting in the early 1990s, she used the slice almost exclusively in baseline rallies and mostly limited the topspin backhand to passing shots. Her accuracy with the slice, both cross-court and down the line and her ability to skid the ball and keep it low, enabled her to use it as an offensive weapon to set the ball up for her forehand put-aways. However, Graf admitted in 1995 that she would have preferred having a two-handed backhand in retrospect.  She built her powerful and accurate serve up to 174 km/h (108 mph), making it one of the fastest serves in women's tennis and was a capable volleyer.  An exceptionally versatile competitor, Graf remains the only player, male or female, to have won the calendar-year Grand Slam on three surfaces or to have won each Grand Slam at least four times. Eighteen-time Grand Slam champion and former rival Chris Evert opined, "Steffi Graf is the best all-around player. Martina [Navratilova] won more on fast courts and I won more on slow courts, but Steffi came along and won more titles on both surfaces." Her endurance and superior footwork allowed her to excel on clay courts, where, in addition to six French Open titles, she won 26 regular tour events, including a record eight titles at the German Open. Meanwhile, her naturally aggressive style of play, effective backhand slice and speed around the court made her even more dominant on fast surfaces such as hard courts, grass and carpet. Graf stated that grass was her favorite surface to play on, while clay was her least favorite.
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Did she win any other tournaments?

Answer:
she won 26 regular tour events, including a record eight titles at the German Open.


Question:
George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).
Simultaneously with his work in the theatre, Welles worked extensively in radio as an actor, writer, director and producer, often without credit. Between 1935 and 1937 he was earning as much as $2,000 a week, shuttling between radio studios at such a pace that he would arrive barely in time for a quick scan of his lines before he was on the air. While he was directing the Voodoo Macbeth Welles was dashing between Harlem and midtown Manhattan three times a day to meet his radio commitments.  In addition to continuing as a repertory player on The March of Time, in the fall of 1936 Welles adapted and performed Hamlet in an early two-part episode of CBS Radio's Columbia Workshop. His performance as the announcer in the series' April 1937 presentation of Archibald MacLeish's verse drama The Fall of the City was an important development in his radio career and made the 21-year-old Welles an overnight star.  In July 1937, the Mutual Network gave Welles a seven-week series to adapt Les Miserables. It was his first job as a writer-director for radio, the radio debut of the Mercury Theatre, and one of Welles's earliest and finest achievements. He invented the use of narration in radio.  "By making himself the center of the storytelling process, Welles fostered the impression of self-adulation that was to haunt his career to his dying day," wrote critic Andrew Sarris. "For the most part, however, Welles was singularly generous to the other members of his cast and inspired loyalty from them above and beyond the call of professionalism."  That September, Mutual chose Welles to play Lamont Cranston, also known as The Shadow. He performed the role anonymously through mid-September 1938.
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What pace?

Answer:
a pace that he would arrive barely in time for a quick scan of his lines before he was on the air.