Problem: Michael David "Mike" McCready (born April 5, 1966) is an American musician who serves as the lead guitarist for the American rock band Pearl Jam. Along with Jeff Ament, Stone Gossard and Eddie Vedder, he is one of the founding members of Pearl Jam. McCready was also a member of the side project bands Flight to Mars, Temple of the Dog, Mad Season and The Rockfords. He is also the proprietor of HockeyTalker Records.

McCready prefers to play "by ear" rather than from a technical standpoint. He stated, "I'm so ignorant of this technical stuff...I'm not into being a tech-head." McCready's guitar style is usually of an aggressive bluesy nature, and was described by Greg Prato of Allmusic as "feel-oriented" and "rootsy." McCready has cited Ace Frehley, BB King, Ronnie Montrose, Alex Lifeson, Muddy Waters, Michael Schenker, Jimi Hendrix, Pete Townshend, David Gilmour, George Harrison, Joe Perry, Stevie Ray Vaughan, Eddie Van Halen, Joe Satriani, Jeff Beck, Brian May, Angus Young, Ritchie Blackmore, Chuck Berry, Eric Clapton, Jimmy Page, Eddie Hazel, UFO, and Randy Rhoads among his influences. When Pearl Jam supported The Rolling Stones in 1997, Vedder made a joke that McCready is such a big fan of the Stones that he would count the number of lines on the band's vinyl records. McCready is known to use a Fender Stratocaster, a Gibson Les Paul, and a Gibson Les Paul Junior. When the band started, Gossard and McCready were clearly designated as rhythm and lead guitarists, respectively. The dynamic began to change when Vedder started to play more rhythm guitar during the Vitalogy era. McCready said in 2006, "Even though there are three guitars, I think there's maybe more room now. Stone will pull back and play a two-note line and Ed will do a power chord thing, and I fit into all that." Of his live performances, McCready has said, "I can kind of get into a meditative state when I'm playing, something I don't get any other way...You might see me staring up in the sky with my eyes closed. I'm not faking it. That just kind of happens."  As time has gone on McCready has contributed more to Pearl Jam's songwriting process. McCready's first writing contribution for Pearl Jam was co-writing the music for the B-side "Yellow Ledbetter" (from the "Jeremy" single), which has since become a regular set closing song during Pearl Jam's live concerts. After co-writing material for Vs. and writing the music for the song "Present Tense" from the album No Code, he wrote the music for three of the tracks on the band's 1998 album, Yield, including one of the band's biggest hits, "Given to Fly". All but one ("Force of Nature", from Backspacer) of McCready's sole compositions for Pearl Jam use alternate tunings, such as open G on "Faithfull" (from Yield), a variation of open D on "Given to Fly", and a variation of open G on "Marker in the Sand" (from Pearl Jam). McCready made his first lyrical contribution for the band with the track "Inside Job", which closes the band's 2006 self-titled album.  McCready also cites punk rock band Social Distortion as a major influence, claiming to have seen them live over fifteen times. He also states that he wrote the music to Pearl Jam B-side "Down" after seeing them in concert.

What was the group's musical style?

Answer with quotes: McCready prefers to play "by ear" rather than from a technical standpoint. He stated, "I'm so ignorant of this technical stuff...I'm not into being a tech-head.


Problem: Terence Joseph "Terry" Nation (8 August 1930 - 9 March 1997) was a Welsh television writer and novelist. Nation first made his name as a comedy writer before becoming a prolific writer for drama, working on many of the most popular British series of the 1960s and 1970s. He made a significant contribution to the long-running BBC science-fiction series Doctor Who from its outset, creating the villainous Daleks which established its early popularity and later devising the recurring character of Davros.

Prior to this, Nation had declined an offer from scriptwriter David Whitaker to write for a new science-fiction programme that was entering production at the BBC; Whitaker had been impressed by a script that Nation had written for the ABC anthology series Out of this World. Now unemployed, and with a young family to support, Nation contacted Whitaker and accepted the offer, writing the second Doctor Who serial, The Daleks (also known as The Mutants and The Dead Planet). The serial introduced the eponymous extraterrestrial villains that would quickly become the series' most popular and enduring monsters, and resulted in a major merchandising success for the BBC.  Having risen in the public consciousness, Nation went on to contribute further scripts to Doctor Who. In 1965, Nation and Dennis Spooner co-wrote the 12-part serial The Daleks' Master Plan, after which Nation, who still held the copyright to the Daleks, attempted to launch a Dalek spin-off TV series in the United States. Various other Dalek tie-in material appeared, including comic strips in the children's weekly TV Century 21 and annuals; such material was frequently credited to Nation, even when written by others. Between 1966 and 1972, appearances by the Daleks in Doctor Who became less frequent and were written for the series by other authors.  In 1973, following an eight-year absence from scriptwriting for the series, Nation returned to writing for the Daleks on Doctor Who with the Third Doctor serial Planet of the Daleks. In 1998, readers of Doctor Who Magazine voted Nation's 1975 serial Genesis of the Daleks the greatest Doctor Who story of all time. In the story, Nation introduced the character of Davros, the creator of the Daleks, who went on to appear in further storylines.  Nation also wrote two non-Dalek scripts for Doctor Who, The Keys of Marinus in 1964, which introduced the Voord and The Android Invasion in 1975, which introduced the Kraal. During this time, Nation also worked in commercial TV, contributing scripts to series such as The Avengers, The Baron, The Champions, Department S, The Persuaders! and The Saint.  Nation's work on Doctor Who was the subject of the documentary Terror Nation, a special feature on the BBC DVD release of the serial Destiny of the Daleks.

How was his work on Doctor Who received?

Answer with quotes:
quickly become the series' most popular