Some context: James Bond Stockdale (December 23, 1923 - July 5, 2005) was a United States Navy vice admiral and aviator awarded the Medal of Honor in the Vietnam War, during which he was a prisoner of war for over seven years. Commander Stockdale was the senior naval officer held captive in Hanoi, North Vietnam. He had led aerial attacks from the carrier USS Ticonderoga (CVA-14) during the 1964 Gulf of Tonkin Incident. On his next deployment, while Commander of Carrier Air Wing Sixteen aboard the carrier USS Oriskany (CV-34), his A-4 Skyhawk jet was shot down in North Vietnam on September 9, 1965.
On 2 August 1964, while on a DESOTO patrol in the Tonkin Gulf, the destroyer USS Maddox (DD-731) engaged 3 North Vietnamese Navy P-4 torpedo boats from the 135th Torpedo Squadron. After fighting a running gun and torpedo battle, in which Maddox fired over 280 5-inch (130 mm) shells, and the torpedo boats expended their 6 torpedoes (all misses) and hundreds of rounds of 14.5mm machinegun fire; the combatants broke contact. As the torpedo boats turned for their North Vietnamese coastline, four F-8 Crusader fighter aircraft from USS Ticonderoga (CV-14) arrived, and immediately attacked the retreating torpedo boats.  Stockdale (commander VF-51 (Fighter Squadron 51)), with Lieutenant (Junior Grade) Richard Hastings attacked torpedo boats T-333 and T-336, while Commander R. F. Mohrhardt and Lieutenant Commander C. E. Southwick attacked torpedo boat T-339. The four F-8 pilots reported scoring no hits with their Zuni rockets, but reported hits on all three torpedo boats with their 20mm cannon.  Two nights later, on 4 August 1964, Stockdale was overhead during the second reported attack in the Tonkin Gulf. Unlike the first event, which was an actual sea battle, no Vietnamese forces were, however, believed to have been involved in the second engagement. In the early 1990s, he recounted: "[I] had the best seat in the house to watch that event, and our destroyers were just shooting at phantom targets--there were no PT boats there.... There was nothing there but black water and American fire power."  The next morning, on 5 August 1964, President Johnson ordered bombing raids on North Vietnamese military targets which he announced were retaliation for the alleged incident of 4 August. When Stockdale was awoken in the early morning and was told he was to lead these attacks he responded: "Retaliation for what?" Later, while a prisoner of war, he was concerned that he would be forced to reveal this secret about the Vietnam War.
What happened after that to them?
A: Two nights later, on 4 August 1964, Stockdale was overhead during the second reported attack in the Tonkin Gulf.
Some context: "Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre.
A rapid series of rhythmic and harmonic changes introduces a pseudo-operatic midsection, which contains the bulk of the elaborate vocal multi-tracking, depicting the narrator's descent into hell. While the underlying pulse of the song is maintained, the dynamics vary greatly from bar to bar, from only Mercury's voice accompanied by a piano to a multi-voice choir supported by drums, bass, piano and Timpani. The choir effect was created by having May, Mercury, and Taylor repeatedly sing their vocal parts, resulting in 180 separate overdubs. These overdubs were then combined into successive submixes. According to Roger Taylor, the voices of May, Mercury and himself combined created a wide vocal range: "Brian could get down quite low, Freddie had a powerful voice through the middle, and I was good at the high stuff." The band wanted to create "a wall of sound, that starts down and goes all the way up". The band used the bell effect for lyrics "Magnifico" and "Let me go". Also, on "Let him go", Taylor singing the top section carries his note on further after the rest of the "choir" have stopped singing.  Lyrical references in this passage include Scaramouche, the fandango, Galileo Galilei, Figaro, Beelzebub and Bismillah, as rival factions fight over the narrator's soul. The section concludes with a full choral treatment of the lyric "Beelzebub has a devil put aside for me!", on a block B major chord. Roger Taylor tops the final chord with a falsetto B in the fifth octave (B5).  Using the 24-track technology available at the time, the "opera" section took about three weeks to finish. Producer Roy Thomas Baker said "Every time Freddie came up with another 'Galileo', I would add another piece of tape to the reel." Baker recalls that they kept wearing out the tape, which meant having to do transfers.
Where was the song recorded?
A: