IN: Criss Angel was born on December 19, 1967, at Hempstead General Hospital in Hempstead, on Long Island, New York. He is of Greek descent. Angel was raised in Elmont until fourth grade, when his family moved to East Meadow, New York. His father, John Sarantakos, owned a restaurant and doughnut shop.

Angel has said that, "I stayed away from magicians when I was younger because I didn't want to think like them and wanted to create my own style." His first television appearance was in 1994, where he performed as a part of a one-hour ABC primetime special entitled Secrets. One of the early supporters of Angel was horror director Clive Barker. In 1995, Barker asked Angel to work with him on his film Lord of Illusions. He also later recorded the intro to Angel's album World of Illusion: System One. Barker said of Angel in the mid-1990s that, "Criss Angel is extraordinary, a spectacular mix of visionary magic. This is the future, and it can't come quickly enough." During that year, he collaborated with musician Klayton to form Angeldust, a show that combined magic with music. They released their first album Musical Conjurings from the World of Conjuring in 1998. Also that year, Angel performed a ten-minute show over the course of the "World of Illusion" conference in Madison Square Garden, performing sixty shows per day. However, by 2000, Klayton's name was removed from Angel's website.  Angel also starred in the 1997 television movie The Science of Magic and its 2003 sequel The Science of Magic II. Criss Angel Mindfreak, which would later become Angel's first television series, was originally an off-Broadway show by Angel, which in 2001 was picked up by the World Underground Theatre. When not performing the show, Angel worked the streets promoting the show to pedestrians. Criss Angel Mindfreak ran for more than 600 performances between 2001 and 2003 at the World Underground Theater in Times Square. His twenty-four hours in a tank of water set a world record for the longest amount of time for a human to be completely submerged under water. This performance would also become a part of his first television special.  Angel has also been known to actively discourage a belief in mediumship, stating that there is no way for mediums to speak with people beyond the dead. He has said, "If somebody's doing that for entertainment purposes, that's one thing. But if they claim to be communicating with the dead, I don't care if they're from my hometown, I don't care if they're my family members: I'll expose them and tell them what they really are."
QUESTION: Did he do any other collaborations?
IN: Thomas Chatterton (20 November 1752 - 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He became a heroic tragic figure in Romantic art. Although fatherless and raised in poverty, he was an exceptionally studious child, publishing mature work by the age of 11. He was able to pass off his work as that of an imaginary 15th-century poet called Thomas Rowley, chiefly because few people at the time were familiar with medieval poetry, though he was denounced by Horace Walpole.

Chatterton already was known to the readers of the Middlesex Journal as a rival of Junius under the nom de plume of Decimus. He also had been a contributor to Hamilton's Town and Country Magazine, and speedily found access to the Freeholder's Magazine, another political miscellany supportive of John Wilkes and liberty. His contributions were accepted, but the editors paid little or nothing for them.  He wrote hopefully to his mother and sister, and spent his first earnings in buying gifts for them. Wilkes had noted his trenchant style "and expressed a desire to know the author"; and Lord Mayor William Beckford graciously acknowledged a political address of his, and greeted him "as politely as a citizen could." He was abstemious and extraordinarily diligent. He could assume the style of Junius or Tobias Smollett, reproduce the satiric bitterness of Charles Churchill, parody James Macpherson's Ossian, or write in the manner of Alexander Pope or with the polished grace of Thomas Gray and William Collins.  He wrote political letters, eclogues, lyrics, operas and satires, both in prose and verse. In June 1770, after nine weeks in London, he moved from Shoreditch, where he had lodged with a relative, to an attic in Brook Street, Holborn (now beneath Alfred Waterhouse's Holborn Bars building). He was still short of money; and now state prosecutions of the press rendered letters in the Junius vein no longer admissible, and threw him back on the lighter resources of his pen. In Shoreditch, he had shared a room; but now, for the first time, he enjoyed uninterrupted solitude. His bed-fellow at Mr Walmsley's, Shoreditch, noted that much of the night was spent by him in writing; and now he could write all night. The romance of his earlier years revived, and he transcribed from an imaginary parchment of the old priest Rowley his "Excelente Balade of Charitie." This poem, disguised in archaic language, he sent to the editor of the Town and Country Magazine, where it was rejected.  Mr Cross, a neighbouring apothecary, repeatedly invited him to join him at dinner or supper; but he refused. His landlady also, suspecting his necessity, pressed him to share her dinner, but in vain. "She knew," as she afterwards said, "that he had not eaten anything for two or three days." But he assured her that he was not hungry. The note of his actual receipts, found in his pocket-book after his death, shows that Hamilton, Fell and other editors who had been so liberal in flattery, had paid him at the rate of a shilling for an article, and less than eightpence each for his songs; much which had been accepted was held in reserve and still unpaid for. According to his foster-mother, he had wished to study medicine with Barrett, and in his desperation he wrote to Barrett for a letter to help him to an opening as a surgeon's assistant on board an African trader.
QUESTION:
why did he refuse?