Question:
Albrecht Durer (; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. Durer is commemorated by both the Lutheran and Episcopal Churches.
Durer was born on 21 May 1471, third child and second son of his parents, who had at least fourteen and possibly as many as eighteen children. His father, Albrecht Durer the Elder (originally Albrecht Ajtosi), was a successful goldsmith who in 1455 had moved to Nuremberg from Ajtos, near Gyula in Hungary. One of Albrecht's brothers, Hans Durer, was also a painter and trained under him. Another of Albrecht's brothers, Endres Durer, took over their father's business and was a master goldsmith. The German name "Durer" is a translation from the Hungarian, "Ajtosi". Initially, it was "Turer", meaning doormaker, which is "ajtos" in Hungarian (from "ajto", meaning door). A door is featured in the coat-of-arms the family acquired. Albrecht Durer the Younger later changed "Turer", his father's diction of the family's surname, to "Durer", to adapt to the local Nuremberg dialect. Albrecht Durer the Elder married Barbara Holper, the daughter of his master when he himself became a master in 1467.  Durer's godfather was Anton Koberger, who left goldsmithing to become a printer and publisher in the year of Durer's birth and quickly became the most successful publisher in Germany, eventually owning twenty-four printing-presses and having many offices in Germany and abroad. Koberger's most famous publication was the Nuremberg Chronicle, published in 1493 in German and Latin editions. It contained an unprecedented 1,809 woodcut illustrations (albeit with many repeated uses of the same block) by the Wolgemut workshop. Durer may have worked on some of these, as the work on the project began while he was with Wolgemut.  Because Durer left autobiographical writings and became very famous by his mid-twenties, his life is well documented by several sources. After a few years of school, Durer started to learn the basics of goldsmithing and drawing from his father. Though his father wanted him to continue his training as a goldsmith, he showed such a precocious talent in drawing that he started as an apprentice to Michael Wolgemut at the age of fifteen in 1486. A self-portrait, a drawing in silverpoint, is dated 1484 (Albertina, Vienna) "when I was a child", as his later inscription says. Wolgemut was the leading artist in Nuremberg at the time, with a large workshop producing a variety of works of art, in particular woodcuts for books. Nuremberg was then an important and prosperous city, a centre for publishing and many luxury trades. It had strong links with Italy, especially Venice, a relatively short distance across the Alps.
Answer this question using a quote from the text above:

Are his parents names known?

Answer:
His father, Albrecht Durer the Elder (originally Albrecht Ajtosi), was a successful goldsmith


Question:
Archduke Charles of Austria, Duke of Teschen (German: Erzherzog Carl Ludwig Johann Joseph Laurentius von Osterreich, Herzog von Teschen; 5 September 1771 - 30 April 1847) was an Austrian field-marshal, the third son of Emperor Leopold II and his wife, Maria Luisa of Spain. He was also the younger brother of Francis II, Holy Roman Emperor. Despite being epileptic, Charles achieved respect both as a commander and as a reformer of the Austrian army.
In 1797 he was sent to arrest the victorious march of General Bonaparte in Italy, and he conducted the retreat of the over-matched Austrians with the highest skill. In the campaign of 1799 he once more opposed Jourdan, whom he defeated in the battles of Ostrach and Stockach, following up his success by invading Switzerland and defeating Massena in the First Battle of Zurich, after which he re-entered Germany and drove the French once more over the Rhine.  Ill-health, however, forced him to retire to Bohemia, but he was soon recalled to undertake the task of checking Moreau's advance on Vienna. The result of the Battle of Hohenlinden had, however, foredoomed the attempt, and the archduke had to make the armistice of Steyr. His popularity was now such that the Perpetual Diet of Regensburg, which met in 1802, resolved to erect a statue in his honor and to give him the title of savior of his country, but Charles refused both distinctions.  In the short and disastrous war of 1805 Archduke Charles commanded what was intended to be the main army in Italy, but events made Germany the decisive theatre of operations; Austria sustained defeat on the Danube, and the archduke was defeated by Massena in the Battle of Caldiero. With the conclusion of peace he began his active work of army reorganization, which was first tested on the field in 1809.  In 1806 Francis II (now Francis I of Austria) named the Archduke Charles, already a field marshal, as Commander in Chief of the Austrian army and Head of the Council of War. Supported by the prestige of being the only general who had proved capable of defeating the French, he promptly initiated a far-reaching scheme of reform, which replaced the obsolete methods of the 18th century. The chief characteristics of the new order were the adoption of the nation in arms principle and the adoption of French war organization and tactics. The army reforms were not yet completed by the war of 1809, in which Charles acted as commander in chief, yet even so it proved a far more formidable opponent than the old and was only defeated after a desperate struggle involving Austrian victories and large loss of life on both sides.  Its initial successes were neutralized by the reverses of Abensberg, Landshut and Eckmuhl but, after the evacuation of Vienna, the archduke won a strong victory at the Battle of Aspern-Essling but soon afterwards lost at the Battle of Wagram. At the end of the campaign the archduke gave up all his military offices.
Answer this question using a quote from the text above:

What happened with Moreau's advance in Vienna?

Answer:
The result of the Battle of Hohenlinden had, however, foredoomed the attempt, and the archduke had to make the armistice of Steyr.