Some context: Patrick Joseph Buchanan (; born November 2, 1938) is an American paleoconservative political commentator, author, syndicated columnist, politician, and broadcaster. Buchanan was a senior advisor to U.S. Presidents Richard Nixon, Gerald Ford, and Ronald Reagan, and was an original host on CNN's Crossfire. He sought the Republican presidential nomination in 1992 and 1996. He ran on the Reform Party ticket in the 2000 presidential election.
Buchanan wrote that it was impossible for 850,000 Jews to be killed by diesel exhaust fed into the gas chamber at Treblinka in a column for the New York Post in 1990. Buchanan once argued Treblinka "was not a death camp but a transit camp used as a 'pass-through point' for prisoners". In fact, some 900,000 Jews had died at Treblinka. When George Will challenged him about it on TV, Buchanan did not reply. In 1991 William F. Buckley, Jr. wrote a 40,000-word National Review article discussing anti-Semitism among conservative commentators focused largely on Buchanan; the article and many responses to it were collected in the book In Search of Anti-Semitism (1992). He concluded: "I find it impossible to defend Pat Buchanan against the charge that what he did and said during the period under examination amounted to anti-Semitism."  The Anti-Defamation League has called Buchanan an "unrepentant bigot" who "repeatedly demonizes Jews and minorities and openly affiliates with white supremacists." "There's no doubt," said Pulitzer Prize-winning columnist Charles Krauthammer, "he makes subliminal appeals to prejudice." Buchanan denies that he is antisemitic, and a number of his journalistic colleagues, including Murray Rothbard, Justin Raimondo, Jack Germond, Al Hunt and Mark Shields, have defended him against the charge. As a member of the Reagan White House, he is accused of having suppressed the Reagan Justice Department's investigation into Nazi scientists brought to America by the OSS's Operation Paperclip. In the context of the Gulf War, on September 15, 1990, Buchanan appeared on The McLaughlin Group and said that "there are only two groups that are beating the drums for war in the Middle East - the Israeli defense ministry and its 'amen corner' in the United States." He also said: "The Israelis want this war desperately because they want the United States to destroy the Iraqi war machine. They want us to finish them off. They don't care about our relations with the Arab world." Furthermore, on The McLaughlin Group Buchanan has also made such comments as "'Capitol Hill is Israeli occupied territory' and 'If you want to know ethnicity and power in the United States Senate, 13 members of the Senate are Jewish folks who are from 2 percent of the population. That is where real power is at...'"  Buchanan supported President Reagan's plan to visit a German military cemetery at Bitburg in 1985, where among buried Wehrmacht soldiers were the graves of 48 Waffen SS members. At the insistence of German Chancellor Helmut Kohl and over the vocal objections of Jewish groups, the trip went through.  In an interview, author Elie Wiesel described attending a White House meeting of Jewish leaders about the trip: "The only one really defending the trip was Pat Buchanan, saying, 'We cannot give the perception of the President being subjected to Jewish pressure.'"  Buchanan accused Wiesel of fabricating the story in an ABC interview in 1992: "I didn't say it and Elie Wiesel wasn't even in the meeting [...] That meeting was held three weeks before the Bitburg summit was held. If I had said that, it would have been out of there within hours and on the news".
What did he do to be accused?
A: F. Buckley, Jr. wrote a 40,000-word National Review article discussing anti-Semitism among conservative commentators focused largely on Buchanan;

Some context: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire.  In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.
what other works were made as burlesque?
A:
playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works.