Some context: Manorialism was an essential element of feudal society. It was the organizing principle of rural economy that originated in the Roman villa system of the Late Roman Empire, and was widely practiced in medieval western and parts of central Europe. It was slowly replaced by the advent of a money-based market economy and new forms of agrarian contract. Manorialism was characterised by the vesting of legal and economic power in a Lord of the Manor, supported economically from his own direct landholding in a manor (sometimes called a fief), and from the obligatory contributions of a legally subject part of the peasant population under the jurisdiction of himself and his manorial court.
The word derives from traditional inherited divisions of the countryside, reassigned as local jurisdictions known as manors or seigneuries; each manor being subject to a lord (French seigneur), usually holding his position in return for undertakings offered to a higher lord (see Feudalism). The lord held a manorial court, governed by public law and local custom. Not all territorial seigneurs were secular; bishops and abbots also held lands that entailed similar obligations.  By extension, the word manor is sometimes used in England to mean any home area or territory in which authority is held, often in a police or criminal context.  In the generic plan of a medieval manor from Shepherd's Historical Atlas, the strips of individually worked land in the open field system are immediately apparent. In this plan, the manor house is set slightly apart from the village, but equally often the village grew up around the forecourt of the manor, formerly walled, while the manor lands stretched away outside, as still may be seen at Petworth House. As concerns for privacy increased in the 18th century, manor houses were often located a farther distance from the village. For example, when a grand new house was required by the new owner of Harlaxton Manor, Lincolnshire, in the 1830s, the site of the existing manor house at the edge of its village was abandoned for a new one, isolated in its park, with the village out of view.  In an agrarian society, the conditions of land tenure underlie all social or economic factors. There were two legal systems of pre-manorial landholding. One, the most common, was the system of holding land "allodially" in full outright ownership. The other was a use of precaria or benefices, in which land was held conditionally (the root of the English word "precarious").  To these two systems, the Carolingian monarchs added a third, the aprisio, which linked manorialism with feudalism. The aprisio made its first appearance in Charlemagne's province of Septimania in the south of France, when Charlemagne had to settle the Visigothic refugees, who had fled with his retreating forces, after the failure of his Zaragoza expedition of 778. He solved this problem by allotting "desert" tracts of uncultivated land belonging to the royal fisc under direct control of the emperor. These holdings aprisio entailed specific conditions. The earliest specific aprisio grant that has been identified was at Fontjoncouse, near Narbonne (see Lewis, links). In former Roman settlements, a system of villas, dating from Late Antiquity, was inherited by the medieval world.
Are there any other interesting aspects about this article?
A: In the generic plan of a medieval manor from Shepherd's Historical Atlas, the strips of individually worked land in the open field system are immediately apparent.
Some context: Dreamgirls is a 2006 American romantic musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name by composer Henry Krieger and lyricist/librettist Tom Eyen, Dreamgirls is a film a clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit, Michigan girl group known as the Dreams and their manipulative record executive. The film adaptation of Dreamgirls stars Jamie Foxx, Beyonce, Eddie Murphy, and Jennifer Hudson, and also features Danny Glover, Anika Noni Rose and Keith Robinson.
Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs -- Harvey Mason, Jr. and Damon Thomas -- to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party".  Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen."  All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgangers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyonce Knowles, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film.  After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version.  The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film.
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