Some context: Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. One of the leading contemporary recording artists, she is known for narrative songs about her personal life, which have received widespread media coverage. Born and raised in Pennsylvania, Swift moved to Nashville, Tennessee at the age of 14 to pursue a career in country music. She signed with the label Big Machine Records and became the youngest artist ever signed by the Sony/ATV Music publishing house.
Swift uses her life experiences as an inspiration in her work. In her songs, Swift often addresses the "anonymous crushes of her high school years" and celebrities. Swift frequently criticizes ex-boyfriends, an aspect of her songwriting downplayed by The Village Voice: "Being told What Songs Mean is like having a really pushy professor. And it imperils a true appreciation of Swift's talent, which is not confessional, but dramatic." However, New York believes the media scrutiny over her decision to "mine her personal life for music ... is sexist, inasmuch as it's not asked of her male peers". The singer herself has said that not all her songs are factual and that they are sometimes based on observations. Aside from her liner note clues, Swift tries not to talk about song subjects specifically "because these are real people. You try to give insight as to where you were coming from as a writer without completely throwing somebody under the bus".  For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that's taking something that potentially should be celebrated--a woman writing about her feelings in a confessional way--that's taking it and turning it and twisting it into something that is frankly a little sexist.  The Guardian has praised Swift for writing about teenage years "with a kind of wistful, sepia-toned nostalgia" over the course of her first two albums. New York has remarked that many singer-songwriters have made great records as teens, but "none made great records so explicitly about their teens". The magazine has also compared her work to Brian Wilson. In Fearless, Swift featured fairy tale imagery and explored the disconnect "between fairy tales and the reality of love". Her later albums address more adult relationships. In addition to romance and love, Swift's songs have discussed parent-child relationships, friendships, alienation, fame, and career ambitions. Swift frequently includes "a tossed-off phrase to suggest large and serious things that won't fit in the song, things that enhance or subvert the surface narrative".  Rolling Stone describes Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture". According to The Village Voice, she uses third-verse point of view reversals frequently. In terms of imagery, repetition is evident in Swift's songwriting. In The Guardian's words, "she spends so much time kissin' in the rain that it seems a miracle she hasn't developed trenchfoot". Slant Magazine adds, "to Swift's credit, she explores new lyrical motifs over the course of [her fourth] album". Although reviews of Swift's work are "almost uniformly positive", The New Yorker has said she is generally portrayed "more as a skilled technician than as a Dylanesque visionary".
Why does she use third-verse point of view reversals?
A: Rolling Stone describes Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture".

Some context: Robert Arthur Talbot Gascoyne-Cecil, 3rd Marquess of Salisbury,  (3 February 1830 - 22 August 1903), styled Lord Robert Cecil before 1865 and Viscount Cranborne from June 1865 until April 1868, was a British statesman of the Conservative Party, serving as Prime Minister three times for a total of over thirteen years. He was the last Prime Minister to head his full administration from the House of Lords. Lord Robert Cecil was first elected to the House of Commons in 1854 and served as Secretary of State for India in Lord Derby's Conservative government from 1866 until his resignation in 1867 over its introduction of Benjamin Disraeli's Reform Bill that extended the suffrage to working-class men. In 1868 upon the death of his father, Cecil was elevated to the House of Lords.
Lord Robert Cecil was born at Hatfield House, the second son of James Gascoyne-Cecil, 2nd Marquess of Salisbury and Frances Mary Gascoyne. He was a patrilineal descendant of Lord Burghley and the 1st Earl of Salisbury, chief ministers of Elizabeth I. The family owned vast rural estates in Hertfordshire and Dorset. This wealth increased sharply in 1821, when he married the rich heiress of a merchant prince who had bought up large estates in Essex and Lancashire.  Robert had a miserable childhood, with few friends; he filled his time with reading. He was bullied unmercifully at the schools he attended. In 1840, he went to Eton College, where he did well in French, German, Classics, and Theology; however, he left in 1845 because of intense bullying. The unhappy schooling shaped his pessimistic outlook on life and his negative views on democracy. He decided that most people were cowardly and cruel, and that the mob would run roughshod over sensitive individuals.  In December 1847 he went to Christ Church, Oxford, where he received an honorary fourth class in mathematics conferred by nobleman's privilege due to ill health. Whilst at Oxford he found the Oxford movement or "Tractarianism" to be an intoxicating force; he had an intense religious experience that shaped his life.  In April 1850 he joined Lincoln's Inn but subsequently did not enjoy law. His doctor advised him to travel for his health, and so in July 1851 to May 1853 Cecil travelled through Cape Colony, Australia, including Tasmania, and New Zealand. He disliked the Boers and wrote that free institutions and self-government could not be granted to the Cape Colony because the Boers outnumbered the British three-to-one, and "it will simply be delivering us over bound hand and foot into the power of the Dutch, who hate us as much as a conquered people can hate their conquerors". He found the Kaffirs "a fine set of men - whose language bears traces of a very high former civilisation", similar to Italian. They were "an intellectual race, with great firmness and fixedness of will" but "horribly immoral" as they lacked theism.  In the Bendigo goldmine of Australia, he claimed that "there is not half as much crime or insubordination as there would be in an English town of the same wealth and population". Ten thousand miners were policed by four men armed with carbines, and at Mount Alexander 30,000 people were protected by 200 policemen, with over 30,000 ounces of gold mined per week. He believed that there was "generally far more civility than I should be likely to find in the good town of Hatfield" and claimed this was due to "the government was that of the Queen, not of the mob; from above, not from below. Holding from a supposed right (whether real or not, no matter)" and from "the People the source of all legitimate power," Cecil said of the Maori of New Zealand: "The natives seem when they have converted to make much better Christians than the white man". A Maori chief offered Cecil five acres near Auckland, which he declined.
Where did he travel to?
A:
so in July 1851 to May 1853 Cecil travelled through Cape Colony, Australia, including Tasmania, and New Zealand.