Question: Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

Ellington was shortlisted for the Pulitzer Prize for Music in 1965 but no prize was ultimately awarded that year. Then 66 years old, he joked: "Fate is being kind to me. Fate doesn't want me to be famous too young." In 1999 he was posthumously awarded a special Pulitzer Prize "commemorating the centennial year of his birth, in recognition of his musical genius, which evoked aesthetically the principles of democracy through the medium of jazz and thus made an indelible contribution to art and culture."  In September 1965, he premiered the first of his Sacred Concerts. He created a jazz Christian liturgy. Although the work received mixed reviews, Ellington was proud of the composition and performed it dozens of times. This concert was followed by two others of the same type in 1968 and 1973, known as the Second and Third Sacred Concerts. These generated controversy in what was already a tumultuous time in the United States. Many saw the Sacred Music suites as an attempt to reinforce commercial support for organized religion, though Ellington simply said it was "the most important thing I've done". The Steinway piano upon which the Sacred Concerts were composed is part of the collection of the Smithsonian's National Museum of American History. Like Haydn and Mozart, Ellington conducted his orchestra from the piano - he always played the keyboard parts when the Sacred Concerts were performed.  Despite his advancing age (he turned 65 in the spring of 1964), Ellington showed no sign of slowing down as he continued to make vital and innovative recordings, including The Far East Suite (1966), New Orleans Suite (1970), Latin American Suite (1972) and The Afro-Eurasian Eclipse (1971), much of it inspired by his world tours. It was during this time that he recorded his only album with Frank Sinatra, entitled Francis A. & Edward K. (1967).  Although he made two more stage appearances before his death, Ellington performed what is considered his final full concert in a ballroom at Northern Illinois University on March 20, 1974.  The last three shows Ellington and his orchestra performed were one on March 21, 1973 at Purdue University's Hall of Music and two on March 22, 1973 at the Sturges-Young Auditorium in Sturgis, Michigan.

Using a quote from the above article, answer the following question: When did he die?
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Question: Jean was born in Croix-des-Bouquets, Haiti. In 1982, he immigrated with his family as a thirteen-year-old boy to the United States; after living in Brooklyn, New York, they settled in East Orange and Newark, New Jersey. He began to make music as a child and has cited reggae artist Bigga Haitian as one of his early influences, as well as neighborhood heroes MC Tiger Paw Raw and producer Lobster v. Crab. His mother recognized his musical talent and bought him a guitar when he was in his teens; he played music to earn respect.

Jean and other musicians formed a group in the 1980s under the name Tranzlator Crew. After they signed with Ruffhouse Records and Columbia Records in 1993, they renamed their group as Fugees - an abbreviation of "refugees", and also a reference to Haitian immigrants. The group's debut album, Blunted on Reality, was released in 1994. It achieved limited commercial success, peaking at number 62 on the US Top R&B/Hip-Hop Albums chart. The album peaked at number 122 on the UK Albums Chart in 1997, and it was certified gold by the Syndicat National de l'Edition Phonographique (SNEP). Blunted on Reality spawned three singles: "Boof Baf", "Nappy Heads" and "Vocab." "Nappy Heads" was the Fugees' first single to be ranked on the US Billboard Hot 100, charting at number 49.  In 1996, the Fugees released their second album, titled The Score. The album achieved significant commercial success in the United States, topping the US Billboard 200. It was later certified as six-times platinum by the Recording Industry Association of America (RIAA). It performed well in several overseas nations, topping the Austrian, Canadian, French, German and Swiss albums charts, while also peaking at number two in Sweden and the United Kingdom. Four commercially successful singles were released from The Score; "Fu-Gee-La", the first single from the album, peaked at number 29 on the Billboard Hot 100 and was certified gold by the RIAA and by the Bundesverband Musikindustrie (BVMI). The other three singles - "Killing Me Softly", "Ready or Not" and "No Woman, No Cry" - did not appear on the Billboard Hot 100 as they were not released for commercial sale, making them ineligible to appear on the chart, although they all received sufficient airplay to appear on the Hot 100 Airplay and Hot R&B/Hip-Hop Airplay charts. "Killing Me Softly", a cover of the Roberta Flack song "Killing Me Softly with His Song", performed strongly in other territories, topping the singles charts in Australia, Austria, Germany and the United Kingdom, among several others.  "Ready or Not" peaked at number one in the UK and at number three in Sweden. "No Woman, No Cry" - a cover of the Bob Marley & The Wailers song of the same name - topped the singles chart in New Zealand. Fugees collaborated with singer Bounty Killer on the single "Hip-Hopera" and recorded the single "Rumble in the Jungle" for the soundtrack to the film When We Were Kings in 1997: although they have not released any studio albums since The Score, a compilation album, Greatest Hits, was released in 2003, and spawned the single "Take It Easy".

Using a quote from the above article, answer the following question: What happened in 1988?
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