Some context: Eric Boucher was born in Boulder, Colorado, the son of Virginia (nee Parker), a librarian, and Stanley Wayne Boucher, a psychiatric social worker and poet. He had a sister, Julie J. Boucher, the Associate Director of the Library Research Service at the Colorado State Library (who died in a mountain-climbing accident on October 12, 1996). As a child, Eric developed an interest in international politics that was encouraged by his parents. An avid news watcher, one of his earliest memories was of the John F. Kennedy assassination.
In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial.
What did Jello Biafra was accused of doing ?
A: for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist.
Some context: William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting.  After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'."  Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead.  In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.
What did he say about them
A:
And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments,