Question:
Martin Brodeur was born on May 6, 1972, in Montreal. He was one of five children of Denis and Mireille Brodeur. Denis played in the 1956 Olympics for Team Canada and won a bronze medal. After his playing career, Denis was a longtime photographer for the Montreal Canadiens.
In the 1991-92 NHL season, Brodeur spent most of his time with Saint-Hyacinthe in the QMJHL, but was called up to the NHL on an emergency basis for four games when New Jersey goaltenders Chris Terreri and Craig Billington became injured. Brodeur won his NHL debut against the Boston Bruins, 4-2, and played in one playoff game that season. Brodeur spent the following season with the Utica Devils of the American Hockey League (AHL). However, in the 1993-94 season, Brodeur returned to the NHL permanently and gained recognition when he won the Calder Trophy, an annual award for the best rookie in the NHL. He led the Devils to the second-best record in the league and the Eastern Conference Finals in the playoffs, where they lost to the New York Rangers in seven games. He finished 2nd in goals against average (GAA) (2.40) and 4th in save percentage (.915) in 47 games played during the regular season, helping him eventually land the starting job over Terreri.  In the 1994-95 NHL season, which was shortened to 48 games due to an extended lockout, the Devils finished tied for 9th overall, 5th in their conference. With the leadership of Brodeur, they defeated the Boston Bruins in the 1st round, shutting them out in three of their four wins. In the second round against the Pittsburgh Penguins, Brodeur gave up only nine goals and helped the Devils defeat the Penguins in five games. In the third round, the Devils defeated the Philadelphia Flyers in six games, giving them their first Stanley Cup Final appearance in franchise history, against the heavily favoured Detroit Red Wings. The strong play of Brodeur and the Devils' "trap" method of defence made the series lopsided in favour of New Jersey, who swept the Red Wings 4 games to 0 while holding them to just seven goals in four games. Brodeur won a Stanley Cup in only his second full season in the NHL. After the victory, he was quoted as saying:  In the last game against Detroit, the time from ten minutes left to one minute left was probably the longest nine minutes of my life. But from one to zero was probably the greatest time I've ever had. I didn't want the clock to run out. It was such a great feeling: people crying in the stands, people jumping up and down, people cheering. Guys couldn't even sit up on the bench. It was probably the best minute of my life.
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what happened in 1993 season

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He led the Devils to the second-best record in the league and the Eastern Conference Finals in the playoffs,


Question:
Jean Desire Gustave Courbet (French: [gystav kuRbe]; 10 June 1819 - 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
In the Salon of 1857 Courbet showed six paintings. These included Young Ladies on the Banks of the Seine (Summer), depicting two prostitutes under a tree, as well as the first of many hunting scenes Courbet was to paint during the remainder of his life: Hind at Bay in the Snow and The Quarry.  Young Ladies on the Banks of the Seine, painted in 1856, provoked a scandal. Art critics accustomed to conventional, "timeless" nude women in landscapes were shocked by Courbet's depiction of modern women casually displaying their undergarments.  By exhibiting sensational works alongside hunting scenes, of the sort that had brought popular success to the English painter Edwin Landseer, Courbet guaranteed himself "both notoriety and sales". During the 1860s, Courbet painted a series of increasingly erotic works such as Femme nue couchee.  This culminated in The Origin of the World (L'Origine du monde) (1866), which depicts female genitalia and was not publicly exhibited until 1988, and Sleep (1866), featuring two women in bed. The latter painting became the subject of a police report when it was exhibited by a picture dealer in 1872.  Until about 1861, Napoleon's regime had exhibited authoritarian characteristics, using press censorship to prevent the spread of opposition, manipulating elections, and depriving Parliament the right to free debate or any real power. In the 1860s, however, Napoleon III made more concessions to placate his liberal opponents. This change began by allowing free debates in Parliament and public reports of parliamentary debates. Press censorship, too, was relaxed and culminated in the appointment of the Liberal Emile Ollivier, previously a leader of the opposition to Napoleon's regime, as the de facto Prime Minister in 1870. As a sign of appeasement to the Liberals who admired Courbet, Napoleon III nominated him to the Legion of Honour in 1870. His refusal of the cross of the Legion of Honour angered those in power but made him immensely popular with those who opposed the prevailing regime.
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were the paintings doing well?

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