Answer the question at the end by quoting:

Immanuel Kant (; German: [I'ma:nue:l kant]; 22 April 1724 - 12 February 1804) was a German philosopher who is a central figure in modern philosophy. Kant argues that the human mind creates the structure of human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of human sensibility, and that the world as it is "in-itself" is independent of humanity's concepts of it. Kant took himself to have effected a "Copernican revolution" in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolves around the earth.
Immanuel Kant was born on April 22, 1724 in Konigsberg, Prussia (since 1946 the city of Kaliningrad, Kaliningrad Oblast, Russia). His mother, Anna Regina Reuter (1697-1737), was also born in Konigsberg to a father from Nuremberg. (Her name is sometimes erroneously given as Anna Regina Porter.) His father, Johann Georg Kant (1682-1746), was a German harness maker from Memel, at the time Prussia's most northeastern city (now Klaipeda, Lithuania). Immanuel Kant believed that his paternal grandfather Hans Kant was of Scottish origin. While scholars of Kant's life long accepted the claim, there is no evidence that Kant's paternal line was Scottish; it is more likely that the Kants got their name from the village of Kantwaggen (today part of Priekule) and were of Curonian origin. Kant was the fourth of nine children (four of them reached adulthood). Baptized 'Emanuel', he changed his name to 'Immanuel' after learning Hebrew.  Young Kant was a solid, albeit unspectacular, student. Kant was born into a Prussian German family of Lutheran Protestant faith in East Prussia. He was brought up in a Pietist household that stressed religious devotion, humility, and a literal interpretation of the Bible. His education was strict, punitive and disciplinary, and focused on Latin and religious instruction over mathematics and science. Kant maintained a belief in Christianity, in his work Groundwork of the Metaphysic of Morals he reveals a belief in human immortality as the necessary condition of our continued approach to the highest good possible. However, as Kant was skeptical about some of the arguments used prior to him in defence of Theism and maintained that human understanding is limited and can never attain knowledge about God or the soul, various commentators have labelled him a philosophical agnostic.  Common myths about Kant's personal mannerisms are listed, explained, and refuted in Goldthwait's introduction to his translation of Observations on the Feeling of the Beautiful and Sublime. It is often held that Kant lived a very strict and disciplined life, leading to an oft-repeated story that neighbors would set their clocks by his daily walks. He never married, but seemed to have a rewarding social life -- he was a popular teacher and a modestly successful author even before starting on his major philosophical works. He had a circle of friends whom he frequently met, among them Joseph Green, an English merchant in Konigsberg.  A common myth is that Kant never traveled more than 16 kilometres (9.9 mi) from Konigsberg his whole life. In fact, between 1750 and 1754 he worked as a tutor (Hauslehrer) in Judtschen (now Veselovka, Russia, approximately 20 km) and in Gross-Arnsdorf (now Jarnoltowo near Morag (German: Mohrungen), Poland, approximately 145 km).

where did he go to school?

Bible. His education was strict, punitive and disciplinary, and focused on Latin and religious instruction over mathematics and science.



Answer the question at the end by quoting:

Harry Partch (June 24, 1901 - September 3, 1974) was an American composer, music theorist, and creator of musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales. He built custom-made instruments in these tunings on which to play his compositions, and described his theory and practice in his book Genesis of a Music (1947). Partch composed with scales dividing the octave into 43 unequal tones derived from the natural harmonic series; these scales allowed for more tones of smaller intervals than in standard Western tuning, which uses twelve equal intervals to the octave.
Supported by Guggenheim and university grants, Partch took up residence at the University of Wisconsin from 1944 until 1947. This was a productive period, in which he lectured, trained an ensemble, staged performances, released his first recordings, and completed his book, now called Genesis of a Music. Genesis was completed in 1947 and published in 1949 by the University of Wisconsin Press. He left the university, as it never accepted him as a member of the permanent staff, and there was little space for his growing stock of instruments.  In 1949, pianist Gunnar Johansen allowed Partch to convert a smithy on his ranch to a studio. Partch worked there with support from the Guggenheim Foundation, and did recordings, primarily of his Eleven Intrusions (1949-1950). He was assisted for six months by composer Ben Johnston, who performed on Partch's recordings. In spring 1951, Partch moved to Oakland for health reasons, and prepared for a production of King Oedipus at Mills College, with the support of designer Arch Lauterer. Performances of King Oedipus in March were extensively reviewed, but a planned recording was blocked by the Yeats estate, which refused to grant permission to use Yeats's translation.  In February 1953, Partch founded the studio Gate 5 in an abandoned shipyard in Sausalito, California, where he composed, built instruments and staged performances. Subscriptions to raise money for recordings were organized by the Harry Partch Trust Fund, an organization put together by friends and supporters. The recordings were sold via mail order, as were later releases on the Gate 5 Records label. The money raised from these recordings became his main source of income. Partch's three Plectra and Percussion Dances, Ring Around the Moon (1949-1950), Castor and Pollux, and Even Wild Horses, premiered on Berkeley's KPFA radio in November 1953.  After completing The Bewitched in January 1955, Partch tried to find the means to put on a production of it. Ben Johnston introduced Danlee Mitchell to Partch at the University of Illinois; Mitchell later became Partch's heir. In March 1957, with the help of Johnston and the Fromm Foundation, The Bewitched was performed at the University of Illinois, and later at Washington University in St. Louis, though Partch was displeased with choreographer Alwin Nikolais's interpretation. Later in 1957, Partch provided the music for Madeline Tourtelot's film Windsong, the first of six film collaborations between the two. From 1959 to 1962, Partch received further appointments from the University of Illinois, and staged productions of Revelation in the Courthouse Park in 1961 and Water! Water! in 1962. Though these two works were based, as King Oedipus had been, on Greek mythology, they modernized the settings and incorporated elements of popular music. Partch had support from several departments and organizations at the university, but continuing hostility from the music department convinced him to leave and return to California.

what did he do at the university?
This was a productive period, in which he lectured, trained an ensemble, staged performances, released his first recordings, and completed his book, now called Genesis of a Music.