IN: Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and "beat boom" of the 1960s.

Barber and Monty Sunshine (clarinet) formed a band in 1953, calling it Ken Colyer's Jazzmen to capitalise on their trumpeter's recent escapades in New Orleans: the group also included Donegan, Jim Bray (bass), Ron Bowden (drums) and Barber on trombone. The band played Dixieland jazz, and later ragtime, swing, blues and R&B. Pat Halcox took over on trumpet in 1954 when Colyer moved on after musical differences and the band became "The Chris Barber Band".  In April 1953 the band made its debut in Copenhagen, Denmark. There Chris Albertson recorded several sides for the new Danish Storyville label, including some featuring only Sunshine, Donegan and Barber on double bass. In 1959 the band's version of Sidney Bechet's "Petite Fleur", a clarinet solo by Monty Sunshine with Barber on string bass, spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc. After 1959 he toured the United States many times (where "Petite Fleur" charted at #5).  In the late 1950s and early 1960s Barber was mainly responsible for arranging the first UK tours of blues artists Big Bill Broonzy, Sonny Terry and Brownie McGhee and Muddy Waters. This, with the encouragement of local enthusiasts such as Alexis Korner and John Mayall, sparked young musicians such as Peter Green, Eric Clapton and the Rolling Stones. British rhythm and blues powered the British invasion of the USA charts in the 1960s, yet Dixieland itself remained popular: in January 1963 the British music magazine, NME reported the biggest trad jazz event in Britain at Alexandra Palace. It included George Melly, Diz Disley, Acker Bilk, Alex Welsh, Kenny Ball, Ken Colyer, Sunshine, Bob Wallis, Bruce Turner, Mick Mulligan and Barber.  Barber stunned traditionalists in 1964 by introducing blues guitarist John Slaughter into the line up who, apart from a break between April 1978 and August 1986, when Roger Hill took over the spot, played in the band until shortly before his death in 2010. Barber next added a second clarinet/saxophone and this line-up continued until 1999. Then Barber added fellow trombonist/arranger Bob Hunt and another clarinet and trumpet. This eleven-man "Big Chris Barber Band" offered a broader range of music while reserving a spot in the programme for the traditional six-man New Orleans line-up.  A recording of the Lennon-McCartney composition "Catswalk" can be heard, retitled "Cat Call", on The Songs Lennon and McCartney Gave Away. Written by Paul McCartney the song was recorded in late July 1967 and released as a single in the UK on 20 October 1967.
QUESTION: How else did Barber's music career evolve?
IN: The Wallflowers are an American rock band formed in Los Angeles in 1989 by singer-songwriter Jakob Dylan and guitarist Tobi Miller. The band has gone through a number of personnel changes but has remained centered on Dylan. After releasing their eponymous debut album in 1992, the Wallflowers released what would become their best-known and highest-selling album, Bringing Down the Horse in 1996, which featured songs such as "One Headlight" and "6th Avenue Heartache". They went on to release an additional three albums before going on a seven-year hiatus, beginning in 2006.

In 2001, Jakob Dylan began writing for the Wallflowers' fourth album, Red Letter Days. Later that year while on tour with John Mellencamp, the band began recording using portable equipment. Some recording was also done at keyboardist Rami Jaffee's house. Once the band was finished touring for the year they began recording the bulk of the new record at Jackson Browne's studio in Santa Monica. By the time the Wallflowers had gotten into Browne's studio, Michael Ward had left the band, leaving them without a lead guitarist for the recording process. Dylan took on much of the lead guitar duties with Mike McCready, Rusty Anderson and Val McCallum also contributing on guitar. Moe Z M.D., who had been touring with Mellencamp, contributed additional percussion and background vocals to the album.Red Letter Days was produced by founding Wallflowers member Tobi Miller along with Bill Appleberry. Recording continued through the new year and was completed on April 12, 2002. The album was mixed by Tom Lord-Alge, who had mixed the band's previous two albums. Mixing was completed on May 15, 2002.  While the Wallflowers were working on Red Letter Days, they recorded a cover of the Beatles' 1965 song "I'm Looking Through You" for the soundtrack to the 2001 film I Am Sam. The soundtrack was released on January 8, 2002.  The first single from the Red Letter Days, "When You're On Top," was released to radio on August 16, 2002. A music video directed by Marc Webb followed. After a few false starts, Red Letter Days was released on November 5, 2002. The album was met with mixed to positive reviews. Many critics noted the harder rock sound and catchy melodies used throughout the album. Commercial performance was relatively mixed as well, peaking at No.32 on the Billboard 200. Around the time of Red Letter Days' release the Wallflowers embarked on a monthlong U.S. tour stretching into early December. After another U.S. tour in January 2003, the Wallflowers toured in several European countries in February including Spain, Italy, Germany and Great Britain. After this tour, the Wallflowers' drummer since 1995, Mario Calire announced he was parting ways with the band.  In 2003, the Wallflowers were featured on the soundtrack for the film American Wedding. The band recorded a cover of Van Morrison's 1970 song "Into the Mystic". The film's music department weren't able to secure the licensing rights to use Morrison's version so they enlisted the Wallflowers to cover the song. Both versions of the song were, however, featured in the film.
QUESTION:
Does the article indicate where they played?