Some context: Ann Hart Coulter was born on December 8, 1961, in New York City, to John Vincent Coulter (1926-2008), an FBI agent of Irish-German heritage, who was a native of Albany, New York; and Nell Husbands Coulter (nee Martin; 1928-2009), a native of Paducah, Kentucky. Her family later moved to New Canaan, Connecticut, where Coulter and her two older brothers, James and John, were raised. She was brought up in a conservative household in Connecticut by Republican parents, with a father who loved Joseph McCarthy. Coulter says that she has identified as a conservative since kindergarten.
After law school, Coulter served as a law clerk, in Kansas City, for Pasco Bowman II of the United States Court of Appeals for the Eighth Circuit. After a short time working in New York City in private practice, where she specialized in corporate law, Coulter left to work for the United States Senate Judiciary Committee after the Republican Party took control of Congress in 1994. She handled crime and immigration issues for Senator Spencer Abraham of Michigan and helped craft legislation designed to expedite the deportation of aliens convicted of felonies. She later became a litigator with the Center for Individual Rights.  In 2000, Coulter considered running for Congress in Connecticut on the Libertarian Party ticket to serve as a spoiler in order to throw the seat to the Democratic candidate and see that Republican Congressman Christopher Shays failed to gain re-election, as a punishment for Shays' vote against Clinton's impeachment. The leadership of the Libertarian Party of Connecticut, after meeting with Coulter, declined to endorse her. As a result, her self-described "total sham, media-intensive, third-party Jesse Ventura campaign" did not take place. Shays subsequently won the election, and held the seat until 2009.  Coulter's career is highlighted by the publication of twelve books, as well as the weekly syndicated newspaper column that she publishes. She is particularly known for her polemical style, and describes herself as someone who likes to "stir up the pot. I don't pretend to be impartial or balanced, as broadcasters do". She has been compared to Clare Boothe Luce, one of her idols, for her satirical style. She also makes numerous public appearances, speaking on television and radio talk shows, as well as on college campuses, receiving both praise and protest. Coulter typically spends 6-12 weeks of the year on speaking engagement tours, and more when she has a book coming out. In 2010, she made an estimated $500,000 on the speaking circuit, giving speeches on topics of modern conservatism, gay marriage, and what she describes as the hypocrisy of modern American liberalism. During one appearance at the University of Arizona, a pie was thrown at her. Coulter has, on occasion, in defense of her ideas, responded with inflammatory remarks toward hecklers and protestors who attend her speeches.
What year did her career begin?
A: After law school, Coulter served as a law clerk, in Kansas City,
Some context: Paul Cezanne (US:  or UK: ; French: [pol sezan]; 19 January 1839 - 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavor to a new and radically different world of art in the 20th century. Cezanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cezanne's intense study of his subjects.
Cezanne's paintings were shown in the first exhibition of the Salon des Refuses in 1863, which displayed works not accepted by the jury of the official Paris Salon. The Salon rejected Cezanne's submissions every year from 1864 to 1869. He continued to submit works to the Salon until 1882. In that year, through the intervention of fellow artist Antoine Guillemet, he exhibited Portrait de M. L. A., probably Portrait of Louis-Auguste Cezanne, The Artist's Father, Reading "L'Evenement", 1866 (National Gallery of Art, Washington, D.C.), his first and last successful submission to the Salon.  Before 1895 Cezanne exhibited twice with the Impressionists (at the first Impressionist exhibition in 1874 and the third Impressionist exhibition in 1877). In later years a few individual paintings were shown at various venues, until 1895, when the Parisian dealer, Ambroise Vollard, gave the artist his first solo exhibition. Despite the increasing public recognition and financial success, Cezanne chose to work in increasing artistic isolation, usually painting in the south of France, in his beloved Provence, far from Paris.  He concentrated on a few subjects and was equally proficient in each of these genres: still lifes, portraits, landscapes and studies of bathers. For the last, Cezanne was compelled to design from his imagination, due to a lack of available nude models. Like the landscapes, his portraits were drawn from that which was familiar, so that not only his wife and son but local peasants, children and his art dealer served as subjects. His still lifes are at once decorative in design, painted with thick, flat surfaces, yet with a weight reminiscent of Gustave Courbet. The 'props' for his works are still to be found, as he left them, in his studio (atelier), in the suburbs of modern Aix.  Cezanne's paintings were not well received among the petty bourgeoisie of Aix. In 1903 Henri Rochefort visited the auction of paintings that had been in Zola's possession and published on 9 March 1903 in L'Intransigeant a highly critical article entitled "Love for the Ugly". Rochefort describes how spectators had supposedly experienced laughing fits, when seeing the paintings of "an ultra-impressionist named Cezanne". The public in Aix was outraged, and for many days, copies of L'Intransigeant appeared on Cezanne's door-mat with messages asking him to leave the town "he was dishonouring".
Did he have a favorite subject?
A:
Like the landscapes, his portraits were drawn from that which was familiar,