Background: Color Me Badd is an American contemporary R&B group that was formed in Oklahoma City, Oklahoma. The original members of the group were lead singer Bryan Abrams (born November 16, 1969), second tenor Mark Calderon (born September 27, 1970), second tenor Sam Watters (born July 23, 1970) and baritone Kevin Thornton (born June 17, 1969). They formed in 1985 and broke up in 1998 before reuniting in 2010, with various lineups since. As of 2016, they operate as a trio with Abrams, Calderon and Adam Emil.
Context: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops.  The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members.  They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990.
Question: What was the inspiration for the song?
Answer: The producers advised that, being a multicultural group, they write a half-English, half-Spanish song.

Background: Hasek started playing hockey at the age of six in his native Czechoslovakia. As he explains: They held a tryout for 5-year-old boys and my father took me there. I didn't even have real skates. I had those blades that you screwed onto the soles of your shoes, but I was tall, and the 9-year-olds didn't have a goalie, so they put me in with them and thats where I fell in love with the game of hockey.
Context: After his contract with the Red Wings expired, Hasek announced his intention to play for a Stanley Cup contender, and specifically named the Ottawa Senators as a possibility. On July 6, 2004, after trading Patrick Lalime to the St. Louis Blues, the Senators signed Hasek to a one-year deal.  During the 2004-05 NHL lockout, Hasek toured with the Primus Worldstars. Similar to the tour Wayne Gretzky and IMG formed during the 1994-95 NHL lockout, the Primus Worldstars Tour ran December 7-23, playing in seven different countries (Riga, Latvia; Moscow and St Petersburg, Russia; Bratislava, Slovakia; Bern, Switzerland; Karlstad, Jonkoping and Linkoping, Sweden; Oslo, Norway; Katowice, Poland) in ten scheduled games. The tour competed against all-star teams or club teams of each country.  Hasek played increasingly well for the Senators up until the 2006 Winter Olympics in Turin. During the season, he reached 300 career wins, and his GAA and save percentage were the second-best in the league. Upon departure to Turin, Hasek's equipment was accidentally left behind in Ottawa. This caused Hasek to miss a number of practices with the Czech national team. At the Winter Olympics, he injured his right adductor muscle while making a save in the first qualifying match against Germany, forcing him to leave the game after only 9 minutes and 25 seconds. Hasek's injury caused him to miss the rest of the regular season and post-season, despite several rumours that he would return in time for the playoffs. He said that if he were to be re-signed, he would play for a base salary of $500,000 with bonuses.  After the Senators were eliminated in the second round, they opted not to re-sign Hasek.
Question: what was the 1st team he played with
Answer: Red Wings

Background: Tosca (Italian pronunciation: ['toska; 'toska]) is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias.
Context: According to the libretto, the action of Tosca occurs in Rome in June 1800. Sardou, in his play, dates it more precisely; La Tosca takes place in the afternoon, evening, and early morning of 17 and 18 June 1800.  Italy had long been divided into a number of small states, with the Pope in Rome ruling the Papal States in central Italy. Following the French Revolution, a French army under Napoleon invaded Italy in 1796, entering Rome almost unopposed on 11 February 1798 and establishing a republic there. Pope Pius VI was taken prisoner, and was sent into exile on February 20, 1798. (Pius VI would die in exile in 1799, and his successor, Pius VII, who was elected in Venice on 14 March 1800, would not enter Rome until July 3. There is thus neither a Pope nor papal government in Rome during the days depicted in the opera.) The new republic was ruled by seven consuls; in the opera this is the office formerly held by Angelotti, whose character may be based on the real-life consul Liborio Angelucci. In September 1799 the French, who had protected the republic, withdrew from Rome. As they left, troops of the Kingdom of Naples occupied the city.  In May 1800 Napoleon, by then the undisputed leader of France, brought his troops across the Alps to Italy once again. On 14 June his army met the Austrian forces at the Battle of Marengo (near Alessandria). Austrian troops were initially successful; by mid-morning they were in control of the field of battle. Their commander, Michael von Melas, sent this news south towards Rome. However, fresh French troops arrived in late afternoon, and Napoleon attacked the tired Austrians. As Melas retreated in disarray with the remains of his army, he sent a second courier south with the revised message. The Neapolitans abandoned Rome, and the city spent the next fourteen years under French domination.
Question: What date does Sardou state in his play?
Answer:
La Tosca takes place in the afternoon, evening, and early morning of 17 and 18 June 1800.