Problem: The Osmonds are an American family music group with a long and varied career. The Osmond Brothers began as a barbershop quartet consisting of brothers Alan, Wayne, Merrill and Jay Osmond. They were later joined by younger siblings Donny and Jimmy, both of whom enjoyed success as solo artists as well. With the addition of Donny, the group became known as The Osmonds, and enjoyed its greatest success as both a boy band and a hard rock ensemble.

By 1976, though, the group's record sales were softening; Osmondmania had long faded and been replaced by "Rollermania", as the Bay City Rollers became the hot pop band of choice in the mid-1970s. Their 1975 album The Proud One sold poorly (despite the title track providing a chart-topping easy listening hit and the group's last U.S. top-40 hit to date), and MGM Records was sold to Polydor Records. Their first album under Polydor was the album Brainstorm; that album sold only slightly better than its predecessor, and its lead single, "I Can't Live a Dream," fell short of the top 40. Polydor would release two more albums from the family (a Christmas album that included all of the performing family members, and a greatest hits compilation).  The Osmonds poured themselves into a new venture: the older brothers began producing The Donny & Marie Show which was a hit on ABC from 1976-1979. But the success came at a cost. The family built and operated at great expense a first-class television studio in Orem, Utah, where the show was produced beginning in 1977. As a result, the Osmonds as a performing band became a lower priority to Donny and Marie. The older brothers deferred or gave up their dreams of being a rock-and-roll band. Donny experienced stage anxiety and Marie had a brief bout with an eating disorder after a network executive told her she looked heavy.  When the show was cancelled in 1979, the Osmonds were taken by surprise, as they had believed that the show would be renewed, and found themselves in debt and without a clear direction. The group left Polydor and attempted another album for Mercury Records, Steppin' Out, which was a major failure with neither the album nor any of its singles charting anywhere; it would be their only album on that label. Steppin' Out was a transitional album for the Osmonds and was produced under the auspices of Maurice Gibb; among its tracks was the first recorded version of "Rest Your Love on Me," a country song that would become a hit for Gibb's own band, the Bee Gees, and topped the country charts in a cover version by Conway Twitty. They produced two unsuccessful projects for Marie, a sitcom pilot that never aired and a variety show revival that lasted seven episodes in 1980 and 1981.  They recovered and eventually paid their debts and re-established their careers. Rather than go into bankruptcy, they resolved to honor all of their financial obligations. But the Osmond artists and enterprises began operating separately.

Was there anything notable about the show?

Answer with quotes: The family built and operated at great expense a first-class television studio in Orem, Utah, where the show was produced beginning in 1977.


Problem: Paul Dryden Warfield (born November 28, 1942) is a former professional American football wide receiver who played in the National Football League (NFL) from 1964 to 1977 for the Cleveland Browns and Miami Dolphins, except for a year in the World Football League (WFL) with the Memphis Southmen. He was known for his speed, fluid moves, grace, and jumping ability. A consistent big-play threat throughout his career, his 20.1 average yards per reception is the highest in NFL history among players with at least 300 receptions. As a star halfback in college for the Ohio State Buckeyes football team, Warfield was twice named to the All-Big Ten Conference team.

Paul Dryden Warfield was born in Warren, Ohio. His father, Dryden Warfield, was a deacon in a Baptist church. Warfield attended Warren G. Harding High School in Warren, where he was a star running back and defensive back for the Panthers. He scored 92 points as a junior in 1958, a campaign highlighted by a 6-0 victory over powerhouse Massillon Washington High School. The following season, as a senior he scored 93 points, including all three of his team's touchdowns in the final game of the season. As a basketball player he was noted for his speed, often leading fast breaks. He also ran track and field at Warren G. Harding, and was the state broad jump champion in 1957. He set state records in the broad jump, 100-yard dash, and 180-yard hurdles.  Warfield then attended Ohio State University, where he played for the Ohio State Buckeyes football team under coach Woody Hayes. As he did in high school, he continued to star as both a running back and defensive back. As the secondary ball-carrier behind fullback Bob Ferguson during Ohio State's national championship season in 1961, Warfield carried 77 times for 420 yards and five touchdowns. He was a third-team All-Big Ten Conference selection by the conference's coaches. In 1962 he rushed for 367 yards and two touchdowns, and his 6.4 yards-per-carry average led the Big Ten. As a senior in 1963 he rushed for 260 yards and a touchdown and caught 22 passes for 266 yards and three touchdowns. He was voted by the Big Ten's coaches as the first-team halfback on both the 1962 and 1963 All-Big Ten teams.  A two-time letterman in track and field at Ohio State, Warfield competed as a broad jumper, hurdler, and sprinter. He excelled as a broad jumper, recording a personal best of 26 feet 2 inches, and was an Olympic prospect before he decided to play professional football.

Is there anything else interesting?

Answer with quotes:
He excelled as a broad jumper, recording a personal best of 26 feet 2 inches, and was an Olympic prospect before he decided to play professional football.