Problem: Salvador Domingo Felipe Jacinto Dali i Domenech, Marquis of Dali de Pubol (11 May 1904 - 23 January 1989), known professionally as Salvador Dali ( Catalan: [s@lb@'do d@'li]; Spanish: [salba'dor da'li]), was a prominent Spanish surrealist born in Figueres, Catalonia, Spain. Dali was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.

Dali built a repertoire in the fashion and photography businesses as well. His cooperation with Italian fashion designer Elsa Schiaparelli was well-known, when Dali was commissioned to produce a white dress with a lobster print. Other designs Dali made for her include a shoe-shaped hat, and a pink belt with lips for a buckle. He was also involved in creating textile designs and perfume bottles. In 1950, Dali created a special "costume for the year 2045" with Christian Dior.  Photographers with whom he collaborated include Man Ray, Brassai, Cecil Beaton, and Philippe Halsman. With Man Ray and Brassai, Dali photographed nature; with the others, he explored a range of obscure topics, including (with Halsman) the Dali Atomica series (1948) -- inspired by his painting Leda Atomica -- which in one photograph depicts "a painter's easel, three cats, a bucket of water, and Dali himself floating in the air."  One of Dali's most unorthodox artistic creations may have been an entire persona, in addition to his own. At a French nightclub in 1965, Dali met Amanda Lear, a fashion model then known as Peki D'Oslo. Lear became his protegee and muse, later writing about their affair in her authorized biography My Life With Dali (1986). Transfixed by the mannish, larger-than-life Lear, Dali masterminded her successful transition from modeling to the music world, advising her on self-presentation and helping spin mysterious stories about her origin as she took the disco-art scene by storm. According to Lear, she and Dali were united in a "spiritual marriage" on a deserted mountaintop. She was referred to as Dali's "Frankenstein", and some observers believed Lear's assumed name was a pun on the French phrase "L'Amant Dali", or "Lover of Dali". Lear took the place of an earlier muse, Ultra Violet (Isabelle Collin Dufresne), who had left Dali's side to join The Factory of Andy Warhol.  Both former apprentices would go on to successfully promote their own careers in the arts. On April 10, 2005, they joined a panel discussion "Reminiscences of Dali: A Conversation with Friends of the Artist" as part of a symposium "The Dali Renaissance" for a major retrospective Dali show at the Philadelphia Museum of Art. Their conversation is recorded in the 236-page exhibition catalog The Dali Renaissance: New Perspectives on His Life and Art after 1940.

Were these hit only two times working with a designer?

Answer with quotes: At a French nightclub in 1965, Dali met Amanda Lear, a fashion model then known as Peki D'Oslo. Lear became his protegee and muse,


Problem: Pinhead is a fictional character from the Hellraiser series, first appearing as an unnamed figure in the Clive Barker novella The Hellbound Heart. The name "Pinhead" is derived from a sobriquet given to him by the crew of the first Hellraiser film; he is first credited as such in Hellbound: Hellraiser II. Nearly thirty years after The Hellbound Heart was published, the character was given the designations the Hell Priest and the Cold Man in the sequels that followed, The Scarlet Gospels and Hellraiser: The Toll. Pinhead is one of the leaders of the Cenobites, formerly humans but transformed into creatures which reside in an extradimensional realm, who travel to Earth through a puzzle box called the Lament Configuration in order to harvest human souls.

Described by Doug Bradley as stronger than Jason Voorhees and Michael Myers, Pinhead is an extremely powerful being, and as such, has several supernatural abilities. His preferred method of attack is by summoning hooks and chains to mutilate victims, often pulling said victims in several directions to tear them apart. These chains are subject to his total mental control and he may direct them at will. The chains may even change shape after having attached to a victim. Pinhead is highly resistant to damage and direct assault, being able to resist both gunshots and futuristic energy weapons. His magic is also used for creating objects out of thin air, teleporting, creating explosions at distances and deceiving opponents with illusions. He is capable of creating other cenobites from both living and dead victims.  In order to act in the physical world, Pinhead needs to have been purposely summoned through the Lament Configuration, though this in itself is not usually enough for Pinhead to target the puzzle-solver: in Hellbound: Hellraiser II, Pinhead stops the Cenobites from torturing an emotionally traumatised girl who was manipulated as a proxy into opening the Configuration, remarking "...it is not hands that call us, it is desire." In Hell on Earth, he temporarily eliminates these restraints when he is separated from the part of him that is Elliot Spencer, wreaking havoc indiscriminately upon every human subject he encounters until he is finally defeated when Spencer willingly merges with Pinhead once again, the combination binding Pinhead as Spencer keeps his extremes in check. During this incident his powers were apparently expanded beyond their normal limits allowing him to physically warp reality to his will.  Pinhead at first has no memory of his human past, though is reminded of it in Hellbound: Hellraiser II, which results in what screenwriter Peter Atkins described as him being "spiritually weakened" and subsequently killed by the Chanard Cenobite.

What were Pinhead's limitations?

Answer with quotes:
Peter Atkins described as him being "spiritually weakened" and subsequently killed by the Chanard Cenobite.