Background: Rose was born April 14, 1941, in Cincinnati, Ohio, one of four children born to Harry Francis "Pete" and LaVerne Rose. He was a member of the Order of DeMolay as a young boy and was encouraged by his parents to participate in sports. He played baseball and football at Western Hills High School. Although Rose was small for his age, he earned the starting running back position on his freshman football team.
Context: On April 23, 1964, Rose reached first base on an error in the top of the ninth inning of a scoreless game in Colt Stadium and scored on another error. The Colt .45s lost the game in the bottom of the ninth inning and Ken Johnson became the first pitcher to lose a complete game no-hitter. Rose slumped late in the season and was benched; he finished with a .269 average. In order to improve his batting, Rose played in the Venezuelan Winter League with Leones del Caracas team during 1964-1965 season. Rose came back in 1965, leading the league in hits (209) and at-bats (670), and finishing sixth in NL MVP balloting. It was the first of his ten seasons with 200-plus hits, and his .312 batting average was the first of nine consecutive .300 seasons. He hit a career-high 16 home runs in 1966, then switched positions from second base to right field the following year.  In 1968, Rose started the season with a 22-game hitting streak, missed three weeks (including the All-Star Game) with a broken thumb, then had a 19-game hit streak late in the season. He had to finish the season 6-for-9 to beat out Matty Alou and win the first of two close NL batting-title races with a .335 average. He finished second to St. Louis Cardinals pitcher Bob Gibson for the NL MVP award, earning six first place votes.  Rose had his best offensive season in 1969 (the year of the Miracle Mets), when he set a career-high in batting (.348) and tied his career-best 16 homers. As the Reds' leadoff man, he was the team's catalyst, rapping 218 hits, walking 88 times and pacing the league in runs with 120. He hit 33 doubles and 11 triples, drove in 82 runs, slugged .512 (by far the highest mark of his long career), and had a .432 OBP (also a career best). Rose and Roberto Clemente were tied for the batting title going into the final game; Rose bunted for a base hit in his last at-bat of the season to beat out Clemente (.345).
Question: What were his major accomplishments in his early years?
Answer: Rose slumped late in the season and was benched; he finished with a .269 average. In order to improve his batting, Rose played in the Venezuelan Winter League

Background: The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.
Context: The Birth of a Nation, even more than other films in the public domain, has been poorly represented in later releases. The problem, in part, is that Griffith and others have reworked the film, leaving no definitive version. According to the silent film website Brenton Film, "there are a multitude of poor quality DVDs with different edits, scores, running speeds and usually in definitely unoriginal black and white".  There are exceptions. Among them is film preservationist David Shepard's 1992 transfer of a 16mm print for VHS and laserdisc release via Image Entertainment. A short documentary, The Making of The Birth of a Nation, newly produced and narrated by Shepard, was also included. Both were released on DVD by Image in 1998 and the UK's Eureka Entertainment in 2000.  In the UK, Photoplay Productions restored the Museum of Modern Art's 35mm print that was the source of Shepard's 16 mm print, though they also augmented it with extra material from the British Film Institute. It was also given a full orchestral recording of the original Breil score. Though broadcast on Channel 4 television and theatrically screened many times, Photoplay's 1993 version was never released on home video.  Shepard's transfer and documentary were reissued in the US by Kino Video in 2002, this time in a 2-DVD set with added extras on the second disc. These included several Civil War shorts also directed by D.W. Griffith. In 2011, Kino prepared a HD transfer of a 35 mm negative from the Paul Killiam Collection. They added some material from the Library of Congress and gave it a new compilation score. This version was released on Blu-ray by Kino in the US, Eureka in the UK (as part of their "Masters of Cinema" collection) and Divisa Home Video in Spain.  In 2015, the year of the film's centenary, Photoplay Productions' Patrick Stanbury, in conjunction with the British Film Institute, carried out the first full restoration. It mostly used new 4K scans of the LoC's original camera negative, along with other early generation material. It, too, was given the original Breil score and featured the film's original tinting for the first time since its 1915 release. The restoration was released on a 2-Blu-ray set by the BFI, alongside a host of extras, including many other newly restored Civil War-related films from the period.
Question: Who originally wrote it
Answer: 

Background: Although Price claimed his birth was in Shropshire he was actually born in London in Red Lion Square on the site of the South Place Ethical Society's Conway Hall. He was educated in New Cross, first at Waller Road Infants School and then Haberdashers' Aske's Hatcham Boys School. At 15, Price founded the Carlton Dramatic Society and wrote plays, including a drama, about his early experience with a poltergeist which he said took place at a haunted manor house in Shropshire. According to Richard Morris, in his recent biography Harry Price:
Context: On 4 February 1922, Price with James Seymour, Eric Dingwall and William Marriott had proven the spirit photographer William Hope was a fraud during tests at the British College of Psychic Science. Price wrote in his SPR report "William Hope has been found guilty of deliberately substituting his own plates for those of a sitter ... It implies that the medium brings to the sitting a duplicate slide and faked plates for fraudulent purposes."  Price secretly marked Hope's photographic plates, and provided him with a packet of additional plates that had been covertly etched with the brand image of the Imperial Dry Plate Co. Ltd. in the knowledge that the logo would be transferred to any images created with them. Unaware that Price had tampered with his supplies, Hope then attempted to produce a number of Spirit photographs. Although Hope produced several images of spirits, none of his materials contained the Imperial Dry Plate Co. Ltd logo, or the marks that Price had put on Hope's original equipment, showing that he had exchanged prepared materials containing fake spirit images for the provided materials.  Price later re-published the Society's experiment in a pamphlet of his own called Cold Light on Spiritualistic "Phenomena" - An Experiment with the Crewe Circle. Due to the exposure of Hope and other fraudulent spiritualists, Arthur Conan Doyle led a mass resignation of eighty-four members of the Society for Psychical Research, as they believed the Society was opposed to spiritualism. Doyle threatened to have Price evicted from his laboratory and claimed if he persisted to write "sewage" about spiritualists, he would meet the same fate as Houdini. Doyle and other spiritualists attacked Price and tried for years to have Price take his pamphlet out of circulation. Price wrote "Arthur Conan Doyle and his friends abused me for years for exposing Hope."
Question: Are there any other interesting aspects of this article?
Answer:
Price later re-published the Society's experiment in a pamphlet of his own called Cold Light on Spiritualistic "Phenomena" - An Experiment with the Crewe Circle.