Answer the question at the end by quoting:

Orville Willis Forte IV was born in Alameda County, California. His father, Orville Willis Forte III, is a financial broker, and his mother, Patricia C. (nee Stivers), is an artist and former schoolteacher. He was raised in Moraga, before moving to Lafayette. He went by Billy in his early years until he was teased at school for it also being a girl's name, at which point he decided he would from there on be known as Will.
After Will Ferrell left Saturday Night Live in the following spring, Forte joined the cast, premiering at the beginning of the show's twenty-eighth season in the fall. He was promoted to repertory player after his first year. His early years on the program were characterized by stage fright and an inability to properly interpret sketches that he did not write himself. He had to "re-learn" performing after years as a writer, and later felt his natural tendency to "overthink" things improved his performance. He was particularly uncomfortable portraying President George W. Bush, as he felt he was not the best impressionist and it paled in comparison to Ferrell's impersonation of Bush. His only role was often Bush, leaving him no chance for more "absurd" pieces he favored. He was nearly fired from the program following his third season (2004-05), but after two three-week extensions to decide his fate, he was brought back. Forte estimated it took five seasons for him to feel fully comfortable performing on the show. In 2004, he made his film debut in Around the World in 80 Days.  Forte's humor at SNL has been described as bizarre, and he became known for many "10-to-1" sketches: pieces deemed too odd that air at the bottom of the show, preceding its conclusion. Among these were a sketch titled "Potato Chip", in which Forte plays an NASA recruiter that warns a candidate (Jason Sudeikis) not to touch a bowl of potato chips on his desk, or his turn as Jeff Montgomery, a sex offender posing as one for Halloween. He was also well known for his character Tim Calhoun, a politician, and the Falconer. Forte's favorite sketch on the show was one in which he played a motivational coach alongside football star Peyton Manning. He also co-starred with Andy Samberg in the first SNL Digital Short, "Lettuce". He often spent long hours crafting his sketches for the program, passing deadlines, but his pieces were often greeted warmly at table reads. During his time at the show, he costarred in and wrote the 2007 film The Brothers Solomon. The film was originally a pilot for Carsey-Werner, and its creation was an extension of his agreement to terminate his contract to appear on SNL.  Forte's best-known character on SNL was MacGruber, a special operations agent who is tasked in each episode with deactivating a ticking bomb but becomes distracted by personal issues. The sketches were based on the television series MacGyver. It was created by writer Jorma Taccone, who pitched the idea relentlessly to Forte. He was initially reluctant to commit to the sketch, deeming it too dumb, but accepted after persuasion from Taccone. The first sketch aired in January 2007, and led to multiple more segments in the following years. In 2009, the sketches were spun off into a series of commercials sponsored by Pepsi premiering during Super Bowl XLIII that featured the actor behind MacGyver, Richard Dean Anderson, as MacGruber's father. The advertisements led the character and sketches to receive a wider level of popularity. Following the success of the advertisements, creator Lorne Michaels approached Forte, Taccone, and writer John Solomon with the idea to produce a MacGruber film.  Regarding his experiences on SNL, Forte has remarked:

Did he have any disguised name in the show?





Answer the question at the end by quoting:

Verity Ann Lambert  (27 November 1935 - 22 November 2007) was an English television and film producer. She was the founding producer of the science-fiction series Doctor Who and she had a long association with Thames Television. Her many credits include Adam Adamant Lives!
Later in 1974 Lambert became Head of Drama at Thames Television. During her time in this position she oversaw several high-profile and successful contributions to the ITV network, including The Naked Civil Servant (1975), Rock Follies (1976-77), Rumpole of the Bailey (1978-92) and Edward and Mrs Simpson (1978). In 1976 she was also made responsible for overseeing the work of Euston Films, Thames' subsidiary film production company, at the time best known as the producers of The Sweeney. In 1979 she transferred to Euston full-time as the company's Chief Executive, overseeing productions such as Quatermass (1979), Minder (1979-94) and Widows (1983).  At Thames and Euston, Lambert enjoyed the most sustained period of critical and popular success of her career. The Naked Civil Servant won a British Academy Television Award (BAFTA) for its star John Hurt as well as a Broadcasting Press Guild Award and a prize at the Prix Italia; Rock Follies won a BAFTA and a Royal Television Society Award, while Widows also gained BAFTA nominations and ratings of over 12 million--unusually for a drama serial, it picked up viewers over the course of its six-week run. Minder went on to become the longest-running series produced by Euston Films, surviving for over a decade following Lambert's departure from the company.  Television historian Lez Cooke described Lambert's time in control of the drama department at Thames as "an adventurous period for the company, demonstrating that it was not only the BBC that was capable of producing progressive television drama during the 1970s. Lambert wanted Thames to produce drama series 'which were attempting in one way or another to tackle modern problems and life,' an ambition which echoed the philosophy of her mentor Sydney Newman." Howard Schuman, the writer of Rock Follies, also later praised the bravery of Lambert's commissioning. "Verity Lambert had just arrived as head of drama at Thames TV and she went for broke," he told The Observer newspaper in 2002. "She commissioned a serial, Jennie: Lady Randolph Churchill, for safety, but also Bill Brand, one of the edgiest political dramas ever, and us ... Before we had even finished making the first series, Verity commissioned the second."  Lambert's association with Thames and Euston Films continued into the 1980s. In 1982, she rejoined the staff of parent company Thames Television as director of drama, and was given a seat on the company's board. In November 1982 she left Thames, but remained as chief executive at Euston until leaving in November of the following year to take up her first post in the film industry, as director of production for Thorn EMI Screen Entertainment. Her job here was somewhat frustrating as the British film industry was in one of its periodic states of flux, but she did produce several feature films, including Clockwise (1986). Lambert later expressed some regret on her time in the film industry in a feature for The Independent newspaper. "Unfortunately, the person who hired me left, and the person who came in didn't want to produce films and didn't want me. While I managed to make some films I was proud of--Dennis Potter's Dreamchild, and Clockwise with John Cleese--it was terribly tough and not a very happy experience."  Lambert was Chair of the British Film Institute Production Board from 1981-82.

Did she win any notable awards?