IN: Johan August Strindberg (; Swedish: [2strInd,baerj] ( listen); 22 January 1849 - 14 May 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg's career spanned four decades, during which time he wrote over sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics.

Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens.  The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books.  In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle.  His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba.

What are the names of his politically oriented works?

OUT: The changing nature of his political positions shows in his changing stance on the women's rights issue.

Answer the question at the end by quoting:

Born in Riverside, California to Patricia (nee Howard) and former major leaguer Bobby Bonds, Bonds grew up in San Carlos and attended Junipero Serra High School in San Mateo, where he excelled in baseball, basketball, and football. He played on the junior varsity team during his freshman year and the remainder of his high school career on the varsity team. He garnered a .467 batting average his senior year, and was named prep All-American. The Giants drafted Bonds in the second round of the 1982 MLB draft as a high school senior, but the Giants and Bonds were unable to agree on contract terms when Tom Haller's maximum offer was $70,000 ($177,510 today) and Bond's minimum to go pro was $75,000, so Bonds instead decided to attend college.
Since 2003, Bonds has been a key figure in the Bay Area Laboratory Co-operative (BALCO) scandal. BALCO marketed tetrahydrogestrinone ("the Clear"), a performance-enhancing anabolic steroid that was undetectable by doping tests. He was under investigation by a federal grand jury regarding his testimony in the BALCO case, and was indicted on perjury and obstruction of justice charges on November 15, 2007. The indictment alleges that Bonds lied while under oath about his alleged use of steroids.  In 2003, Bonds first became embroiled in a scandal when Greg Anderson of the Bay Area Laboratory Co-operative (BALCO), Bonds's trainer since 2000, was indicted by a federal grand jury in the United States District Court for the Northern District of California and charged with supplying anabolic steroids to athletes, including a number of baseball players. This led to speculation that Bonds had used performance-enhancing drugs during a time when there was no mandatory testing in Major League Baseball. Bonds declared his innocence, attributing his changed physique and increased power to a strict regimen of bodybuilding, diet, and legitimate supplements.  During grand jury testimony on December 4, 2003, Bonds said that he used a clear substance and a cream that he received from his personal strength trainer, Greg Anderson, who told him they were the nutritional supplement flaxseed oil and a rubbing balm for arthritis. This testimony, as reported by Lance Williams and Mark Fainaru-Wada, has frequently been misrepresented. Later reports on Bonds's leaked grand-jury testimony contend that he admitted to unknowingly using "the cream" and "the clear".  In July 2005, all four defendants in the BALCO steroid scandal trial, including Anderson, struck deals with federal prosecutors that did not require them to reveal names of athletes who may have used banned drugs.

What were the charges?

The indictment alleges that Bonds lied while under oath about his alleged use of steroids.

input: Winkler's audition for the Yale School of Drama was to be a Shakespeare monologue, which he promptly forgot, so he made up his own Shakespeare monologue. Out of a class of 25 actors, 11 finished. During summers, he and his classmates opened a summer stock theater called New Haven Free Theater, putting on various plays including Woyzeck, and an improv night. The company put on a production of The American Pig at the Joseph Papp Public Theater for the New York Shakespeare Festival in New York City. In June 1970, after graduating from Yale, Winkler was asked to be part of the Yale Repertory Theatre company, which included James Naughton and Jill Eikenberry.  During his time there, Cliff Robertson, who had seen him perform in East Hampton, offered him a part in his film The Great Northfield Minnesota Raid. Winkler had to decline because he had no understudy for his current role, and thus was unable to leave. He stayed with the Yale Repertory Theatre for a year and a half.  In 1971, Winkler got a job at the Arena Stage in Washington, D.C. to work on the play, Moonchildren, but was fired by director, Alan Schneider.  In 1977, Winkler appeared in a TV special, "Henry Winkler Meets William Shakespeare," part of the CBS Festival of Lively Arts for Young People instructional series for children. With the assistance of Tom Aldredge as Shakespeare, Winkler, as himself, introduced an audience of children to Romeo and Juliet, The Taming of the Shrew, Hamlet, and Henry IV and explained to them how Shakespeare's plays were produced at the Globe Theatre in London in the 17th century. He also played Romeo in the scene from Romeo and Juliet in which Romeo slays Tybalt in a sword duel.

Answer this question "What plays did he do with the Yale Repertory Theatre?"
output:
During his time there, Cliff Robertson, who had seen him perform in East Hampton, offered him a part in his film The Great Northfield Minnesota Raid.