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Leslie Feist was born on 13 February 1976 in Amherst, Nova Scotia, Canada. Her parents are both artists. Her father, Harold Feist, is an American-Canadian abstract expressionist painter who taught at both the Alberta College of Art and Design and Mount Allison University in Sackville, New Brunswick. Her mother, Lyn Feist, was a student of ceramics from Saskatchewan.
In 1991, at age 15, Feist got her start in music when she founded and was the lead vocalist for a Calgary punk band called Placebo (not to be confused with the English band Placebo). She and her bandmates won a local Battle of the Bands competition and were awarded the opening slot at the festival Infest 1993, featuring the Ramones. At this concert she met Brendan Canning, whose band hHead performed immediately before hers, and with whom she joined in Broken Social Scene ten years later.  In 1995, Feist was forced to take time off from music to recover from vocal cord damage. She moved from Calgary to Toronto in 1996. That year she was asked by Noah Mintz of hHead to play bass in his solo project Noah's Arkweld. She played the bass guitar in Noah's Arkweld for a year despite never having played bass before. In 1998, she became the rhythm guitarist for the band By Divine Right and toured with them throughout 1998, 1999, and 2000. She also played guitar for some live performances by Bodega, but was never an official member of the band.  In 1999, Feist moved into a Queen West apartment above Come As You Are with a friend of a friend, Merrill Nisker, who then began to perform as electro-punk musician Peaches. Feist worked the back of the stage at Peaches' shows, using a sock puppet and calling herself "Bitch Lap Lap". The two also toured together in England from 2000-2001, staying with Justine Frischmann of Elastica and MIA Feist appeared as a guest vocalist on The Teaches of Peaches. Feist appears in Peaches' video for the song "Lovertits", suggestively rubbing and licking a bike. Later, Feist covered this song with Gonzales (whom she met while touring with Peaches) on her album Open Season. In 2006, Feist contributed backup vocals on a track entitled "Give 'Er", which appeared on Peaches' album Impeach My Bush.
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Are there any other interesting aspects about this article?

Answer:
In 1995, Feist was forced to take time off from music to recover from vocal cord damage.


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Bruce Randall Hornsby (born November 23, 1954) is an American singer and pianist. Hornsby draws frequently from classical, jazz, bluegrass, folk, Motown, gospel, rock, blues, and jam band musical traditions. Hornsby's recordings have been recognized on a number of occasions with industry awards, including the 1987 Grammy Award for Best New Artist with Bruce Hornsby and the Range, the 1990 Grammy Award for Best Bluegrass Album, and the 1994 Grammy Award for Best Pop Instrumental Performance. Hornsby has also achieved recognition for his solo albums and performances, his touring band Bruce Hornsby and the Noisemakers, his bluegrass project with Ricky Skaggs and his appearances as a session and guest musician.
Hornsby played more than 100 shows with the Grateful Dead from 1988 until Jerry Garcia's death in 1995. At some shows in 1988 and 1989, he joined the band as a special guest and played accordion or synthesizer. Starting in the fall of 1990, he played piano (and frequently accordion) at many gigs following the death of longtime Grateful Dead keyboardist Brent Mydland, who died suddenly in July 1990. Mydland's place was filled in September 1990 by Vince Welnick, who became the sole keyboardist by March 1992, although Hornsby still sat in with the band on occasion.  Hornsby's own music evolved significantly during this time period. Critics have suggested that the Dead's vibrant tradition of melding folk music and the blues with psychedelic rock in "loose-knit expressions" and extended jamming "further pushed [Hornsby] outside the confines of mainstream pop." Critics have also commented upon the "close musical connection" formed between Hornsby and Jerry Garcia, suggesting that Hornsby's particular style of jazz-fueled improvisation added to the band's repertoire, and helped to revitalize and refocus Jerry Garcia's guitar solos in the band's sound. Hornsby's friendship with Garcia continued, both inside and outside the band, as the two "challenged" each other to expand their musicianship through several other album and live collaborations. Above all, Hornsby's musical versatility and ability to slip in and out of extended freeform jams won over longtime Grateful Dead fans.  Since his first involvement with the Grateful Dead, Hornsby's live shows have drawn Deadheads and Hornsby has commented: "I've always liked the group of fans that we've drawn from the Grateful Dead time, because those fans are often adventurous music listeners." He has performed a number of their songs at his concerts and as homages on studio and live albums, while Hornsby originals "The Valley Road," and "Stander on the Mountain," appeared several times in the Dead's setlists. Hornsby also co-performed the improvisation "Silver Apples of the Moon" for the Grateful Dead's Infrared Roses.  Hornsby was the presenter when the Grateful Dead were inducted into the Rock and Roll Hall of Fame in 1994 and in 2005 he participated in "Comes a Time", a tribute concert to Jerry Garcia. He continues to work with Dead-related projects, such as Bob Weir's Ratdog, Mickey Hart's solo projects. He performed as part of The Other Ones in 1998 and 2000, and on occasion sat in with The Dead. Hornsby continues to be involved in the Grateful Dead and Furthur community, having opened All Good Music Festival in 2012 featured with Bob Weir on rhythm guitar. In mid-2013, Hornsby performed with Grateful Dead-influenced bluegrass group Railroad Earth. Hornsby reunited with surviving members of the Grateful Dead along with Trey Anastasio from Phish and Jeff Chimenti at Levi's Stadium in Santa Clara, California, and later at Soldier Field in Chicago, Illinois, in July 2015.
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Did the fans like him?

Answer:
Above all, Hornsby's musical versatility and ability to slip in and out of extended freeform jams won over longtime Grateful Dead fans.