Problem: Background: Color Me Badd is an American contemporary R&B group that was formed in Oklahoma City, Oklahoma. The original members of the group were lead singer Bryan Abrams (born November 16, 1969), second tenor Mark Calderon (born September 27, 1970), second tenor Sam Watters (born July 23, 1970) and baritone Kevin Thornton (born June 17, 1969). They formed in 1985 and broke up in 1998 before reuniting in 2010, with various lineups since. As of 2016, they operate as a trio with Abrams, Calderon and Adam Emil.
Context: Kevin Thornton left the group in October 1998 to pursue the ministry. He became a licensed minister, and has since served as an evangelist, youth pastor and worship leader at his home church, Without Walls Church, in Fort Worth, Texas. He operates Kevin Thornton Ministries in Texas. In 2008, he released a solo album, Conversions, blending contemporary hip-hop/rap with gospel and soul music.  Sam Watters pursued a career as a record producer, achieving success producing for Jessica Simpson, Celine Dion, Fantasia, Anastacia, Natasha Bedingfield, Kelly Clarkson, 98 Degrees, Blake Lewis, and others. Watters is a member of the production/songwriting team The Runaways, which also includes Rico Love, Wayne Wilkins, Ryan Tedder, and Louis Biancaniello. He married R&B singer and former American Idol contestant Tamyra Gray in 2006.  Mark Calderon worked with artists such as Stevie Brock, whose 2002 remake of "All 4 Love" reached number 1 on the Disney charts; and with IPV, who is signed with Wright Entertainment and had songs played on the television series House and Knight Rider. In 1992, Calderon married Lisa Smedley-Calderon, who was formerly Color Me Badd's fashion stylist.  In 2001, Bryan Abrams released a solo album entitled Welcome to Me. In 2007, he co-starred on the VH1 reality TV series Mission: Man Band, which also included former boy band members Jeff Timmons of 98 Degrees, Chris Kirkpatrick of *NSYNC and Rich Cronin of Lyte Funkie Ones, seeing if they could make it as a new group. The show was canceled after seven episodes. In 2007, after being approached by Violent J and Shaggy 2 Dope, Abrams co-wrote and recorded an appearance on the Insane Clown Posse song "Truth Dare", which was released on the compilations Psychopathics from Outer Space 3 (2007) and Featuring Freshness (2011). In 2010, Abrams wrote three songs for Kool & the Gang, singing lead on all three tracks.  On August 22, 2000, Giant Records released the compilation album The Best of Color Me Badd.
Question: Did Conversions do well
Answer: 

Background: Verity Ann Lambert  (27 November 1935 - 22 November 2007) was an English television and film producer. She was the founding producer of the science-fiction series Doctor Who and she had a long association with Thames Television. Her many credits include Adam Adamant Lives!
Context: Later in 1974 Lambert became Head of Drama at Thames Television. During her time in this position she oversaw several high-profile and successful contributions to the ITV network, including The Naked Civil Servant (1975), Rock Follies (1976-77), Rumpole of the Bailey (1978-92) and Edward and Mrs Simpson (1978). In 1976 she was also made responsible for overseeing the work of Euston Films, Thames' subsidiary film production company, at the time best known as the producers of The Sweeney. In 1979 she transferred to Euston full-time as the company's Chief Executive, overseeing productions such as Quatermass (1979), Minder (1979-94) and Widows (1983).  At Thames and Euston, Lambert enjoyed the most sustained period of critical and popular success of her career. The Naked Civil Servant won a British Academy Television Award (BAFTA) for its star John Hurt as well as a Broadcasting Press Guild Award and a prize at the Prix Italia; Rock Follies won a BAFTA and a Royal Television Society Award, while Widows also gained BAFTA nominations and ratings of over 12 million--unusually for a drama serial, it picked up viewers over the course of its six-week run. Minder went on to become the longest-running series produced by Euston Films, surviving for over a decade following Lambert's departure from the company.  Television historian Lez Cooke described Lambert's time in control of the drama department at Thames as "an adventurous period for the company, demonstrating that it was not only the BBC that was capable of producing progressive television drama during the 1970s. Lambert wanted Thames to produce drama series 'which were attempting in one way or another to tackle modern problems and life,' an ambition which echoed the philosophy of her mentor Sydney Newman." Howard Schuman, the writer of Rock Follies, also later praised the bravery of Lambert's commissioning. "Verity Lambert had just arrived as head of drama at Thames TV and she went for broke," he told The Observer newspaper in 2002. "She commissioned a serial, Jennie: Lady Randolph Churchill, for safety, but also Bill Brand, one of the edgiest political dramas ever, and us ... Before we had even finished making the first series, Verity commissioned the second."  Lambert's association with Thames and Euston Films continued into the 1980s. In 1982, she rejoined the staff of parent company Thames Television as director of drama, and was given a seat on the company's board. In November 1982 she left Thames, but remained as chief executive at Euston until leaving in November of the following year to take up her first post in the film industry, as director of production for Thorn EMI Screen Entertainment. Her job here was somewhat frustrating as the British film industry was in one of its periodic states of flux, but she did produce several feature films, including Clockwise (1986). Lambert later expressed some regret on her time in the film industry in a feature for The Independent newspaper. "Unfortunately, the person who hired me left, and the person who came in didn't want to produce films and didn't want me. While I managed to make some films I was proud of--Dennis Potter's Dreamchild, and Clockwise with John Cleese--it was terribly tough and not a very happy experience."  Lambert was Chair of the British Film Institute Production Board from 1981-82.
Question: What was her most successful project?
Answer:
In 1976 she was also made responsible for overseeing the work of Euston Films, Thames' subsidiary film production company, at the time best known as the producers of The Sweeney.