Answer the question at the end by quoting:

Joseph Guilherme Raposo, OIH (February 8, 1937 - February 5, 1989) was a Portuguese-American composer, songwriter, pianist, television writer and lyricist, best known for his work on the children's television series Sesame Street, for which he wrote the theme song, as well as classic songs such as "Bein' Green" and "C Is For Cookie". He also wrote music for television shows such as The Electric Company, Shining Time Station and the sitcoms Three's Company and The Ropers, including their theme songs. In addition to these works, Raposo also composed extensively for the DePatie-Freleng Enterprises such as Halloween Is Grinch Night, Pontoffel Pock, Where Are You? and The Grinch Grinches the Cat in the Hat.
In 1971, Children's Television Workshop created the show The Electric Company, meant to help teach reading to children who had outgrown Sesame Street. Raposo served as the musical director of the show for its first three seasons, and contributed songs throughout the show's run, until 1977.  Raposo performed joke characters for film segments on The Electric Company similar in style to what he had done on Sesame Street. One segment showed him attempting to get dressed in jacket and necktie against a white wall under the word "dressing", until the prefix "un-" appears and attaches itself to the prior word, forcing him to engage in a mock striptease which ends with him modestly hopping off-screen and tossing the remainder of his clothing into an empty chair left on-screen. In a variation of this film, he is shown packing a suitcase when the "un-" prefix returns and pesters him using the behavior of a meddling fly until, exasperated, Raposo strikes the word with a hammer, knocking it unconscious into the suitcase, which he then triumphantly slams shut with a smirk.  Raposo enjoyed doing animation voicework. Other forays of his into the craft included both the tenor singing role of "master pickler" Gil Gickler in DePatie-Freleng's Dr. Seuss cartoon program Pontoffel Pock, Where Are You? and Gickler's spoken dialogue. Raposo also performed at least three other character voices in the cartoon, including a Groogen musician whose "flugel bugle" is destroyed by Pontoffel in an attack flyover, as the ancient Senior Fairy above McGillicuddy who oversees the fairy squadron's worldwide search for the missing Pock and his piano, and as an angry Groogen dairywoman spilt milk upon by a too-close fly-by of Pontoffel's.  The HBO animated adaptation of Madeline, for which Raposo composed the music and songs (with writer/lyricist Judy Rothman), aired four months after Raposo's death; the cartoon The Smoggies, for which Raposo wrote the theme song, premiered in Canada.

Did he work with any famous people on the show?





Answer the question at the end by quoting:

All About Eve is a 1950 American drama film written and directed by Joseph L. Mankiewicz, and produced by Darryl F. Zanuck. It was based on the 1946 short story "The Wisdom of Eve" by Mary Orr, although screen credit was not given for it. The film stars Bette Davis as Margo Channing, a highly regarded but aging Broadway star. Anne Baxter plays Eve Harrington, an ambitious young fan who insinuates herself into Channing's life, ultimately threatening Channing's career and her personal relationships.
Among the actresses originally considered to play Margo Channing were Mankiewicz's original inspiration, Susan Hayward, who was rejected by Zanuck as "too young," Marlene Dietrich, dismissed as "too German," and Gertrude Lawrence, who was ruled out of contention when her lawyer insisted that Lawrence not have to drink or smoke in the film, and that the script would be rewritten to allow her to sing a torch song. Zanuck favored Barbara Stanwyck, but she was not available. Tallulah Bankhead was also considered, as was Joan Crawford, who was already working on the film The Damned Don't Cry.  Eventually, the role went to Claudette Colbert, but she withdrew after an injury shortly before filming began. Mankiewicz briefly considered Ingrid Bergman for the aging diva role, before giving it to Bette Davis. Davis, who had recently ended an 18-year association with Warner Bros. after several poorly received films, immediately accepted the role after realizing it was one of the best she had ever read. Channing had originally been conceived as genteel and knowingly humorous, but with the casting of Davis, Mankiewicz revised the character to be more abrasive. Mankiewicz praised Davis both for her professionalism and for the caliber of her performance.  Anne Baxter had spent a decade in supporting roles and had won the 1946 Academy Award for Best Supporting Actress for The Razor's Edge. She got the role of Eve Harrington after the first choice, Jeanne Crain, became pregnant. Crain was at the height of her popularity and had established a career playing likable heroines; Zanuck believed she lacked the "bitch virtuosity" required by the part and that audiences would not accept her as a deceitful character.  The role of Bill Sampson was originally intended for John Garfield or Ronald Reagan. Reagan's future wife Nancy Davis was considered for Karen Richards and Jose Ferrer for Addison DeWitt. Zsa Zsa Gabor actively sought the role of Phoebe without realizing the producers were considering her, along with Angela Lansbury, for Miss Casswell.  Mankiewicz greatly admired Thelma Ritter and wrote the character of Birdie Coonan for her after working with her on A Letter to Three Wives in 1949. As Coonan was the only one immediately suspicious of Eve Harrington, he was confident Ritter would contribute a shrewd characterization casting doubt on Eve and providing a counterpoint to the more "theatrical" personalities of the other characters. Marilyn Monroe, relatively unknown at the time, was cast as Miss Casswell, referred to by DeWitt as a "graduate of the Copacabana School of Dramatic Art." Monroe got the part after a lobbying campaign by her agent, despite Zanuck's initial antipathy and belief that she was better suited to comedy. Angela Lansbury had been originally considered for the role. The inexperienced Monroe was cowed by Bette Davis, and it took 11 takes to complete the scene in the theatre lobby with the star; when Davis barked at her, Monroe left the set to vomit. Smaller roles were filled by Gregory Ratoff as the producer Max Fabian, Barbara Bates as Phoebe, a young fan of Eve Harrington, and Walter Hampden as the master of ceremonies at an award presentation.

Did anyone else audition?
Zanuck favored Barbara Stanwyck, but she was not available. Tallulah Bankhead was also considered, as was Joan Crawford, who was already working on the film