IN: Ayaan Hirsi Ali (; Dutch: [a:'ja:n 'hi:rsi 'a:li] ( listen); born Ayaan Hirsi Magan, 13 November 1969) is a Somali-born Dutch-American activist, feminist, author, scholar and former politician.

In early 2014 Brandeis University in Massachusetts announced that Ali would be given an honorary degree at the graduation commencement ceremony. In early April, the university rescinded its offer following a review of her statements that was carried out in response to protests by the Council on American-Islamic Relations (CAIR) and lobbying by Joseph E. B. Lumbard, Head of the Islamic Studies Department, other faculty members and several student groups that accused Hirsi Ali of "hate speech". University president Frederick M. Lawrence said that "certain of her past statements" were inconsistent with the university's "core values" because they were "Islamophobic." Others expressed opinions both for and against this decision. The university said she was welcome to come to the campus for a dialogue in the future.  The university's withdrawal of its invitation generated controversy and condemnation among some. But, The Economist noted at the time that Hirsi Ali's "Wholesale condemnations of existing religions just aren't done in American politics." It said that "The explicit consensus in America is ecumenical and strongly pro-religious..." The university was distinguishing between an open intellectual exchange, which could occur if Hirsi Ali came to campus for a dialogue, and appearing to celebrate her with an honorary degree.  A Brandeis spokesperson said that Ali had not been invited to speak at commencement but simply to be among honorary awardees. She claimed to have been invited to speak and expressed shock at Brandeis' action. Hirsi Ali said CAIR's letter misrepresented her and her work, but that it has long been available on the Internet. She said that the "spirit of free expression" has been betrayed and stifled.  David Bernstein, a law professor at George Mason University, criticised the Brandeis decision as an attack on academic values of freedom of inquiry and intellectual independence.  Among the commenters, Jeffrey Herf, a Brandeis alumnus and historian, published an open letter criticizing Lawrence's decision, saying it had "done deep and long-lasting damage to a university." Lawrence J. Haas, the former communications director and press secretary for Vice President Al Gore, published an open letter saying that Lawrence "succumbed to political correctness and interest group pressure in deciding that Islam is beyond the pale of legitimate inquiry... that such a decision is particularly appalling for a university president, for a campus is precisely the place to encourage free discussion even on controversial matters."
QUESTION: Why was this?
IN: Wilbur Dorsey "Buck" Clayton (November 12, 1911 - December 8, 1991) was an American jazz trumpet player who was a leading member of Count Basie's "Old Testament" orchestra and a leader of mainstream-oriented jam session recordings in the 1950s. His principal influence was Louis Armstrong. The Penguin Guide to Jazz says that he "synthesi[zed] much of the history of jazz trumpet up to his own time, with a bright brassy tone and an apparently limitless facility for melodic improvisation". Clayton worked closely with Li Jinhui, father of Chinese popular music in Shanghai.

The English critic Stanley Dance coined the term "mainstream" in the 1950s to describe the style of those swing era players who fell between the revivalist and modernist camps. Clayton was precisely one of the players to whom this appellation most applied. In December 1953 Clayton embarked on a series of jam session albums for Columbia, which had been the idea of John Hammond, though George Avakian was the principal producer. The recording sessions for these albums lasted until 1956. The tracks could last the length of an LP side, and it had been the new format that had given Hammond the idea, but sometimes this led to unfortunate anomalies. The title track on the Jumping at the Woodside album was compiled from two takes recorded four months apart, each with a completely different rhythm section. Clayton's Jazz Spectacular album from this series (with Kai Winding, J. J. Johnson and vocals by Frankie Laine) is loved by jazz and pop fans alike. Clayton also recorded at this time for Vanguard, with Hammond producing, under his own name and on dates led by Ruby Braff, Mel Powell and Sir Charles Thompson.  In 1955 he appeared in The Benny Goodman Story, also working with Goodman in New York at the Waldorf-Astoria Hotel two years later. In 1958 he was at the World Fair in Brussels for concerts with Sidney Bechet, and toured Europe the following year and annually through the 1960s. For the Swingville label (a subsidiary of Prestige Records) he co-led two albums with former Basie colleague Buddy Tate and supported Pee Wee Russell on his own outing for the label.  In 1964 he performed in Japan, Australia and New Zealand with Eddie Condon, with whom he had already occasionally worked for several years. In 1965 he toured England with trombonist Vic Dickenson and blues singer Big Joe Turner accompanied by British trumpeter Humphrey Lyttelton and his Band. This group featured on Jazz 625 for BBC television (later released on DVR). He made numerous visits to England thereafter and recorded three albums with Lyttelton. In order to hoodwink the musicians' union in the UK, it was necessary to claim that these albums were recorded in Switzerland. A live audio recording made on a club date with Lyttelton was released on Lyttelton's own Calligraph Records label (CLG CD 048).
QUESTION: When did his music become mainstream?
IN: Hubert Neal McGaughey Jr. was born on July 30, 1958, in Jacksonville, Texas, to a Filipina American mother and Irish-American father. Inspired by the variety of music that his parents listened to, which included country, rock, disco and R&B, McGaughey first sang in his church choir before founding an R&B band. He later switched his focus to country music, performing in various bars and clubs in Texas. McGaughey, after attending junior college near his hometown, found work selling shoes at a shopping mall.

He then signed to Atlantic Records in 1990, changing his surname to McCoy per the label's request, as fans had already begun to refer to him as McCoy. His debut album, At This Moment, was released that year. None of the three singles made the country Top 40, although the lead-off single "If I Built You a Fire" was a Top 20 country hit in Canada. The other two releases were the title track, a cover of Billy Vera and the Beaters' hit song from 1987, and "This Time I've Hurt Her More Than She Loves Me", which was co-written by Earl Thomas Conley and originally recorded by Conway Twitty. McCoy continued touring and developed a "reputation for exciting, freewheeling live shows."  A second album for Atlantic, Where Forever Begins, followed in 1992. This album produced his first American Top 40 country hit in its No. 40-peaking title track, followed by "There Ain't Nothin' I Don't Like About You" at No. 57, and "Now I Pray for Rain" at No. 26. The album was also his first entry on Top Country Albums, at No. 58.  Working with producer Barry Beckett for the first time, McCoy released No Doubt About It in 1994. The album produced his only number 1 country hits in its title track and "Wink", both of which also made minor entries on the Billboard Hot 100. The album also earned a platinum certification from the Recording Industry Association of America (RIAA) and gold certification from the Canadian Recording Industry Association (CRIA). Its final single was "The City Put the Country Back in Me" at No. 5.
QUESTION:
how did it do?