IN: CBC Radio 3 is a radio network that consists of two parts devoted to Canadian arts and music: a radio service which is available on Sirius XM Satellite Radio and streaming audio, and several daily and weekly podcasts from the CBC Radio 3 website. The audio stream is available from both CBC Music and from iTunes Radio, but geographical restrictions are in place to prevent access outside of Canada. The network evolved out of programming on CBC Radio 2, which also simulcasted the satellite network on Saturday and Sunday nights from its debut in December 2005 until March 17, 2007. Radio 3 is no longer heard on terrestrial radio, but is still available through its satellite radio and Internet operations.

From 2005 to 2009, the Icecast stream available from the network's website was not a simulcast of the satellite radio broadcast, but was programmed separately. Initially, the webstream consisted exclusively of music with the occasional identification break, but on September 14, 2007 it was relaunched with hosts and feature content, similar to but still programmed separately from the satellite radio station. Due to funding cuts, however, the two services were merged in June 2009, such that the webstream is now a straight simulcast of the satellite radio channel.  Prior to the merger, the two services had slightly different programming strategies - the satellite radio station aired a music mix of 85 per cent Canadian and 15 per cent international, while the web service's mix was 100 per cent Canadian. With the merger of the two services, the station announced that the program mix would be 100 per cent Canadian music on both platforms, although exceptions will be permitted for international music with some Canadian character - such as international artists covering Canadian songs, collaborations between Canadian and non-Canadian artists, international artists appearing on the bill with Canadian artists when the network is airing a live concert, or "honourary [sic] Canadian" artists such as Neko Case and Rose Melberg.  In February 2009, CBC Radio 3 participated with Exclaim! and aux.tv to launch X3, a new collaborative cross-promotional platform which sees all three outlets air feature content spotlighting a particular "Artist of the Month". X3 artists of the month have included K'naan, Malajube, Thunderheist, Japandroids, Apostle of Hustle, The Rural Alberta Advantage, Owen Pallett, and Jenn Grant.  In addition to the service's conventional radio programming, any song in the network's music library can also be played on demand from the artist's profile page on the site. In May 2011, Joel Plaskett became the first artist in the network's history to reach one million on-demand plays.  In 2012, CBC Radio 3 was integrated into the new CBC Music service.
QUESTION: Did they add more later?
IN: Francis George Steiner, FBA (born April 23, 1929) is a French-born American literary critic, essayist, philosopher, novelist, and educator. He has written extensively about the relationship between language, literature and society, and the impact of the Holocaust. An article in The Guardian described Steiner as a "polyglot and polymath", saying that he is either "often credited with recasting the role of the critic", or a "pretentious namedropper" whose "range comes at the price of inaccuracy" and "complacency". Among his admirers, Steiner is ranked "among the great minds in today's literary world."

In 1956 Steiner returned to the United States, where for two years he was a scholar at the Institute for Advanced Study in Princeton, New Jersey. He also held a Fulbright professorship in Innsbruck, Austria from 1958 to 1959. In 1959, he was appointed Gauss Lecturer at Princeton, where he lectured for another two years. He then became a founding fellow of Churchill College at the University of Cambridge in 1961. Steiner was initially not well received at Cambridge by the English faculty. Many disapproved of this charismatic "firebrand with a foreign accent" and questioned the relevance of the Holocaust he constantly referred to in his lectures. Bryan Cheyette, professor of 20th-century literature at the University of Southampton said that at the time, "Britain [...] didn't think it had a relationship to the Holocaust; its mythology of the war was rooted in the Blitz, Dunkirk, the Battle of Britain." While Steiner received a professorial salary, he was never made a full professor at Cambridge with the right to examine. He had the option of leaving for professorships in the United States, but Steiner's father objected, saying that Hitler, who said no one bearing their name would be left in Europe, would then have won. Steiner remained in England because "I'd do anything rather than face such contempt from my father." He was elected an Extraordinary Fellow at Cambridge in 1969.  After several years as a freelance writer and occasional lecturer, Steiner accepted the post of Professor of English and Comparative Literature at the University of Geneva in 1974; he held this post for 20 years, teaching in four languages. He lived by Goethe's maxim that "no monoglot truly knows his own language." He became Professor Emeritus at Geneva University on his retirement in 1994, and an Honorary Fellow at Balliol College at Oxford University in 1995. He has since held the positions of the first Lord Weidenfeld Professor of Comparative European Literature and Fellow of St Anne's College at Oxford University from 1994 to 1995, and Norton Professor of Poetry at Harvard University from 2001 to 2002.  Steiner has been called "an intelligent and intellectual critic and essayist." He was active on undergraduate publications while at the University of Chicago and later become a regular contributor of reviews and articles to many journals and newspapers including the Times Literary Supplement and The Guardian. He has written for The New Yorker for over thirty years, contributing over two hundred reviews.  While Steiner generally takes things very seriously, he also reveals an unexpected deadpan humor: when he was once asked if he had ever read anything trivial as a child, he replied, Moby-Dick.
QUESTION: What did this lead to
IN: Orrico was born in Seattle, Washington to Patti (nee Schmautz) and Dean Orrico. She is of Italian descent, born to a close Italian-American family. The family later moved to Denver, Colorado, where Orrico took piano lessons from Cathy Paquette. Orrico is the middle child of five: her siblings are Jesse, Rachel, Alicia, and Joshua.

Her next effort, the more mainstream and self-titled album Stacie Orrico, was released in 2003 and charted on the US Billboard 200 (debuting at No. 67), Australian ARIA Albums Chart and the UK Albums Chart. The first mainstream single from this album was "Stuck", which became a worldwide hit, reaching the Top 5 on the majority of the world's charts. This was followed by the single "(There's Gotta Be) More to Life", which peaked in the top 20 in Australia (No. 11) and the UK (No. 12), although, overall, "Stuck" charted better, the exception being in the US. This was then followed by "I Promise", written by Orrico (top 30 in the UK), and the final mainstream single "I Could Be the One" (top 40 in the UK on June 2004). Both singles were given limited releases and limited promotion, meaning they did not fare as well as the first two singles. The last three singles were only released to Christian radio in addition to "Strong Enough", which reached No. 1 as the CD's very first single. Stacie Orrico sold over 500,000 copies in the US, enough sales for a Gold certification. The album also sold 600,000 in Japan and an estimated 3.4 million copies worldwide.  In 2004, Orrico's songs "(There's Gotta Be) More to Life" and "Stuck" appeared on the Barbie Hit Mix.  She was nominated in 2004 for the first time at the 46th Annual Grammy Awards in the category Best Pop/Contemporary Gospel Album, but the award was given to Michael W. Smith.
QUESTION:
What other singles were released?