Answer the question at the end by quoting:

Carl August Nielsen (Danish: [ka:l 'nelsn]; 9 June 1865 - 3 October 1931) was a Danish musician, conductor and violinist, widely recognized as his country's most prominent composer. Brought up by poor but musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. He initially played in a military band before attending the Royal Danish Academy of Music in Copenhagen from 1884 until December 1886.
Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances.

When did his his interest begin in playing violin?

when in bed with the measles, I had tried myself out on the little violin



Answer the question at the end by quoting:

Stephen Edelston Toulmin (; 25 March 1922 - 4 December 2009) was a British philosopher, author, and educator. Influenced by Ludwig Wittgenstein, Toulmin devoted his works to the analysis of moral reasoning. Throughout his writings, he sought to develop practical arguments which can be used effectively in evaluating the ethics behind moral issues.
Throughout many of his works, Toulmin pointed out that absolutism (represented by theoretical or analytic arguments) has limited practical value. Absolutism is derived from Plato's idealized formal logic, which advocates universal truth; accordingly, absolutists believe that moral issues can be resolved by adhering to a standard set of moral principles, regardless of context. By contrast, Toulmin contends that many of these so-called standard principles are irrelevant to real situations encountered by human beings in daily life.  To develop his contention, Toulmin introduced the concept of argument fields. In The Uses of Argument (1958), Toulmin claims that some aspects of arguments vary from field to field, and are hence called "field-dependent," while other aspects of argument are the same throughout all fields, and are hence called "field-invariant." The flaw of absolutism, Toulmin believes, lies in its unawareness of the field-dependent aspect of argument; absolutism assumes that all aspects of argument are field invariant.  In Human Understanding (1972), Toulmin suggests that anthropologists have been tempted to side with relativists because they have noticed the influence of cultural variations on rational arguments. In other words, the anthropologist or relativist overemphasizes the importance of the "field-dependent" aspect of arguments, and neglects or is unaware of the "field-invariant" elements. In order to provide solutions to the problems of absolutism and relativism, Toulmin attempts throughout his work to develop standards that are neither absolutist nor relativist for assessing the worth of ideas.  In Cosmopolis (1990), he traces philosophers' "quest for certainty" back to Rene Descartes and Thomas Hobbes, and lauds John Dewey, Wittgenstein, Martin Heidegger, and Richard Rorty for abandoning that tradition.

Is there any other interesting information regarding is objection to absolutism and relativism?

Toulmin attempts throughout his work to develop standards that are neither absolutist nor relativist for assessing the worth of ideas.



Answer the question at the end by quoting:

Jean was born in Croix-des-Bouquets, Haiti. In 1982, he immigrated with his family as a thirteen-year-old boy to the United States; after living in Brooklyn, New York, they settled in East Orange and Newark, New Jersey. He began to make music as a child and has cited reggae artist Bigga Haitian as one of his early influences, as well as neighborhood heroes MC Tiger Paw Raw and producer Lobster v. Crab. His mother recognized his musical talent and bought him a guitar when he was in his teens; he played music to earn respect.
Jean announced plans to begin a solo career with 1997's Wyclef Jean Presents the Carnival Featuring the Refugee All-Stars (generally called The Carnival). The album's guests included Lauryn Hill and Pras along with Jean's siblings' group Melky Sedeck; the I Threes (back-up vocals for Bob Marley); The Neville Brothers and Celia Cruz. The album was a hit, as were two singles: "We Trying to Stay Alive" (adapted from the Bee Gees' "Stayin' Alive") and "Gone Till November" (recorded with the New York Philharmonic Orchestra).  Released in 2000, Jean's second solo album The Ecleftic: 2 Sides II a Book was recorded with guests including Youssou N'Dour; Earth, Wind & Fire; Kenny Rogers; The Rock; and Mary J. Blige. With Blige he released "911" as a single. He was nominated for Best Hip-Hop Act at the 2000 MTV Europe Music Awards.  Following the terrorist attacks of September 11, 2001, Jean participated in the benefit concert America: A Tribute to Heroes contributing a cover of the Bob Marley song "Redemption Song". His third album, Masquerade, was released in 2002. His fourth album, The Preacher's Son, was released in November 2003 as the follow-up to his first solo album, The Carnival. In 2004, he released his fifth album, Sak Pase Presents: Welcome to Haiti (Creole 101) (released in the United States by Koch Records). Most of its songs are in his native language of Haitian Creole like "Fanm Kreyol" with the French Caribbean Admiral T. He also figured on the album Mozaik Kreyol of this one in the song "Secret Lover". Then he covered Creedence Clearwater Revival's song "Fortunate Son" for the soundtrack of the 2004 film remake of The Manchurian Candidate and wrote the song "Million Voices" for the film Hotel Rwanda.  Jean also produced and wrote songs for the soundtrack to Jonathan Demme's 2003 documentary The Agronomist, about the Haitian activist and radio personality Jean Dominique. With Jerry 'Wonder' Duplessis, Jean also composed the score of the documentary Ghosts of Cite Soleil, He helped produce the film and he appears briefly onscreen speaking by telephone in 2004 to a "chimere" gang-leader and aspiring rapper, Winston "2Pac" Jean.

Did he release any more solo albums?
His third album, Masquerade, was released in 2002.