Question:
Frey was born in Detroit, Michigan. Growing up in Royal Oak, Michigan, he studied piano at age five, later switched to guitar, and became part of the mid-1960s Detroit rock scene. One of his earliest bands was called the Subterraneans, named after Jack Kerouac's novel, and included fellow Dondero High School classmates Doug Edwards (later replaced by Lenny Mintz) on drums, Doug Gunsch and Bill Barnes on guitar and Jeff Hodge on bass. Immediately after graduating from Dondero in 1966, he was invited to join The Four of Us, a local band led by Gary Burrows who had seen him performing with the Subterraneans.
After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984, he recorded in collaboration with Harold Faltermeyer the worldwide hit, "The Heat Is On", the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed "You Belong to the City" (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin who also wrote "Peaceful Easy Feeling".  Frey was the first choice to record "Shakedown", the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying "At least we kept the money in Michigan!"  Frey also contributed the song "Flip City" to the Ghostbusters II soundtrack, and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. In 2005, he appeared on B.B. King & Friends: 80 on the track "Drivin' Wheel".  In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez. Frey never released any of his own work on the label and the company has since disbanded.  On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s.
Answer this question using a quote from the text above:

was that a popular song?

Answer:
top of the U.S. album charts for 11 weeks in 1985

Answer the question at the end by quoting:

Michael Kevin Taylor (born 17 January 1949) is an English musician, best known as a former member of John Mayall's Bluesbreakers (1966-69) and the Rolling Stones (1969-74). He has appeared on some of the Stones' classic albums including Let It Bleed, Sticky Fingers and Exile on Main St..
Taylor was born to a working-class family in Welwyn Garden City, but was raised in Hatfield, Hertfordshire, England, where his father worked as a fitter (machinist) for the De Havilland aircraft company. He began playing guitar at age nine, learning to play from his mother's younger brother. As a teenager, he formed bands with schoolmates and started performing concerts under names such as The Juniors and the Strangers. They also appeared on television and put out a single. Part of the band was recruited for a new group called The Gods, which included Ken Hensley (later of Uriah Heep fame). In 1966, The Gods opened for Cream at the Starlite Ballroom in Wembley.  In 1965, at age 16, Taylor went to see a John Mayall's Bluesbreakers performance at "The Hop" Woodhall Community Centre, Welwyn Garden City.  On the night in question, I had gone to The Hop with some guys from our band, former schoolmates and Ex-Juniors Mick Taylor and Alan Shacklock. It was after John Mayall had finished his first set without a guitarist that it became clear that for some reason Eric Clapton was not going to show up. A group of local musicians, which included myself, Robert 'Jab' Als, Herbie Sparks, and others, along with three local guitarists--Alan Shacklock, Mick Casey (formerly of the Trekkas) and Mick Taylor--were in attendance.  Taylor himself has said after seeing that Clapton hadn't appeared, but that his guitar had already been set up on the stage, he approached John Mayall during the interval to ask if he could play with them. Taylor mentioned that he'd heard their albums and knew some of the songs, and after a moment of deliberation, Mayall agreed. Taylor amended, "I wasn't thinking that this was a great opportunity... I just really wanted to get up on stage and play the guitar."  Taylor played the second set with Mayall's band, and after winning Mayall's respect, they exchanged phone numbers. This encounter proved to be pivotal in Taylor's career when Mayall began to look for a guitarist to fill Peter Green's vacancy the following year. Mayall contacted Taylor, and invited him to take Green's place. Taylor made his debut with the Bluesbreakers at the Manor House, an old blues club in north London. For those in the music scene the night was an event... "Let's go and see this 17-year-old kid try and replace Eric". Taylor toured and recorded the album Crusade with John Mayall's Bluesbreakers. From 1966 to 1969, Taylor developed a guitar style that is blues-based with Latin and jazz influences. He is the guitarist on the Bluesbreaker albums Diary of a Band, Bare Wires, and Blues from Laurel Canyon. Later on in his career, he further developed his skills as a slide guitarist.

Where was he born?
Taylor was born to a working-class family in Welwyn Garden City, but