IN: Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves and the Vandellas) were an American all-female vocal group formed in 1957. The group achieved fame in the 1960s with Motown. Selected Members of the group were inducted into the Rock and Roll Hall of Fame in 1995. Formed in 1957 by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962.

Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named The Del-Phis. Ashford & Beard, along with then-lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks.  The group originally had up to six members, shortened to four. After another member left the group, she was replaced by Alabama-born vocalist Martha Reeves, who had been a member of a rival group, the Fascinations and had also been a member of another group, the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know". The record flopped. The group then recorded for Checkmate Records, a subsidiary of Chess Records, recording their first take of "There He Is (At My Door)". That record, featuring Williams on lead vocals, also flopped.  Briefly separated, Reeves returned to a solo career performing under the name Martha LaVaille, in hopes of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson noticed Reeves singing at a prominent Detroit club, he offered her his business card for an audition. Reeves showed up at Motown on a wrong date (Motown auditions were held at Thursdays, while Reeves showed up to Motown's Hitsville USA studios on a Tuesday). Stevenson, initially upset, told Reeves to look out for clients and other matters. Soon Reeves became Stevenson's secretary and later was responsible for helping acts audition for the label. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals - and Martha's lead vocals in the song - that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves renamed themselves The Vandellas, after Detroit's Van Dyke Street and Reeves' favorite singer, Della Reese.

Did she get a contract with Motown?

OUT: After Motown staffer Mickey Stevenson noticed Reeves singing at a prominent Detroit club, he offered her his business card for an audition.

input: Cake's fifth album, Pressure Chief, was recorded in June 2004 in a converted house in Sacramento; the album was again released on Columbia Records. Before its official release date on October 5, the band played at the Austin City Limits Music Festival and KBCO's World Class Rockfest. The album was also preceded by its first single, "No Phone", which hit number 13 on Billboard's Modern Rock Tracks chart; the song covered the ubiquitous and privacy-invading use of cell phones, and was described by Jeremy Mahadevan of the New Straits Times as "a traditionally minimalist Cake anthem, with a killer melody and, unique to this album, fairly extensive use of synths". A second single, "Wheels", was also released but failed to chart. Pressure Chief itself hit number 17 on the Billboard top 200, spending 7 weeks in the charts, and received mixed reviews from critics. Although it was acknowledged as a continuation of their old work, albeit with an increased use of synthesisers, Sam Spies of the Richmond Times-Dispatch noted that "the experiments in style that made Cake fun to listen to have all but disappeared from 'Pressure Chief' ... What's left is mostly uninspired, so-called alternative rock", and Graeme Hammond of the Sunday Herald Sun wrote that "the melodies are listless, the album bereft of anything with the verve of Short Skirt/Long Jacket or Comfort Eagle".  Other critics were more generous; Doug Elfman of the Las Vegas Review-Journal called it "another great and bizarre, twangy album of alternative-singer-songwriting stories about cars and horrible relationships", while a reviewer in the New Straits Times noted its "smart, subtly dissident, and always catchy pop". Following Pressure Chief's release, the band toured North America, playing in cities including Albany, New York, and Montreal. A second tour, in 2005, saw the band headline the 20-city Virgin College Mega Tour, playing alongside Gomez; while the Tour was in California, the band announced that it had been dropped from Columbia Records. This was followed by a tour of Europe, as well as concerts in Australia and Jakarta, along with a 2006 repeat of the Unlimited Sunshine Tour, featuring Cake, Tegan and Sara and Gogol Bordello.  Cake later formed its own label, Upbeat Records, which allowed the band to release the compilation album B-Sides and Rarities on August 14, 2007. This was followed by a series of concerts, including at the IndigO2 in London, and a performance in Anchorage, Alaska. Reviews of B-Sides and Rarities were generally good; Devin Grant of The Post and Courier wrote that "For an album full of odds and ends, this Cake release is every bit as good, and every bit as fun, as the band's previous studio releases", while Catherine P. Lewis of The Washington Post noted that, although several live tracks reduced the album's strength, "there are still enough charming nuggets to make this album less disposable than the typical rarities compilation".

Answer this question "What happened in 2004?"
output:
Cake's fifth album, Pressure Chief, was recorded in June 2004