Question: Laurence Kerr Olivier, Baron Olivier,  (; 22 May 1907 - 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.

Olivier had intended to step down from the directorship of the National Theatre at the end of his first five-year contract, having, he hoped, led the company into its new building. By 1968 because of bureaucratic delays construction work had not even begun, and he agreed to serve for a second five-year term. His next major role, and his last appearance in a Shakespeare play, was as Shylock in The Merchant of Venice, his first appearance in the work. He had intended Guinness or Scofield to play Shylock, but stepped in when neither was available. The production by Jonathan Miller, and Olivier's performance, attracted a wide range of responses. Two different critics reviewed it for The Guardian: one wrote "this is not a role which stretches him, or for which he will be particularly remembered"; the other commented that the performance "ranks as one of his greatest achievements, involving his whole range".  In 1969 Olivier appeared in two war films, portraying military leaders. He played Field Marshal French in the First World War film Oh! What a Lovely War, for which he won another BAFTA award, followed by Air Chief Marshal Hugh Dowding in Battle of Britain. In June 1970 he became the first actor to be created a peer for services to the theatre. Although he initially declined the honour, Harold Wilson, the incumbent prime minister, wrote to him, then invited him and Plowright to dinner, and persuaded him to accept.  After this Olivier played three more stage roles: James Tyrone in Eugene O'Neill's Long Day's Journey into Night (1971-72), Antonio in Eduardo de Filippo's Saturday, Sunday, Monday and John Tagg in Trevor Griffiths's The Party (both 1973-74). Among the roles he hoped to play, but could not because of ill-health, was Nathan Detroit in the musical Guys and Dolls. In 1972 he took leave of absence from the National to star opposite Michael Caine in Joseph L. Mankiewicz's film of Anthony Shaffer's Sleuth, which The Illustrated London News considered to be "Olivier at his twinkling, eye-rolling best"; both he and Caine were nominated for the Academy Award for Best Actor, losing to Marlon Brando in The Godfather.  The last two stage plays Olivier directed were Jean Giradoux's Amphitryon (1971) and Priestley's Eden End (1974). By the time of Eden End, he was no longer director of the National Theatre; Peter Hall took over on 1 November 1973. The succession was tactlessly handled by the board, and Olivier felt that he had been eased out--although he had declared his intention to go--and that he had not been properly consulted about the choice of successor. The largest of the three theatres within the National's new building was named in his honour, but his only appearance on the stage of the Olivier Theatre was at its official opening by the Queen in October 1976, when he made a speech of welcome, which Hall privately described as the most successful part of the evening.

Using a quote from the above article, answer the following question: did anything happen to him in 1968 or 1969?
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Answer: By 1968 because of bureaucratic delays construction work had not even begun, and he agreed to serve for a second five-year term.


Question: Dinesh Joseph D'Souza (; born April 25, 1961) is an Indian American right-wing political commentator, author, and filmmaker. From 2010 to 2012, he was president of The King's College, a Christian school in New York City. Born in Bombay, D'Souza came to the United States as an exchange student and graduated from Dartmouth College. He became a naturalized citizen in 1991.

On July 25, 2016, D'Souza released the documentary film Hillary's America: The Secret History of the Democratic Party. The film criticizes the Democratic Party and Hillary Clinton, the presumptive (and ultimate) Democratic nominee for President of the United States in 2016.  The film was universally panned by professional film critics. On review aggregator Rotten Tomatoes, the film has an approval rating of 4%, based on 27 professional reviews, with an average rating of 1.7/10. The critics consensus on the site reads, "Hillary's America: The Secret History of the Democratic Party finds Dinesh D'Souza once again preaching to the right-wing choir--albeit less effectively than ever." On Metacritic, which assigns a normalized rating, the film has a score of 2 out of 100, based on 17 critics, indicating "overwhelming dislike". The film has the fifth lowest score of all films on the site. Peter Sobczynski wrote, "Hillary's America may well be the single dumbest documentary that I have ever seen in my life." A July 2016 review in Variety characterized D'Souza as "a right-wing conspiracy wingnut, the kind of "thinker" who takes off from Barack Obama birther theories and just keeps going, spinning out a web of comic-book liberal evil."  Other critics and figures viewed the film positively. John Fund of the National Review stated that "[the film] is over the top in places and definitely selective, but the troubling facts are accurate and extensively documented in the D'Souza book that accompanies the movie." He also called the film "intensely patriotic". On July 23, 2016, Donald Trump, who was then running as the Republican presidential nominee against Clinton, called on supporters to see the film.  On January 23, 2017 the film was nominated for five Razzies including: Worst Picture, Worst Actor (Dinesh D'Souza), Worst Actress (Becky Turner), Worst Director (Dinesh D'Souza and Bruce Schooley), and Worst Screenplay. In response to the Razzie nominations, D'Souza stated that he was "actually quite honored" and called the nominations "petty revenge" in response to Trump's election victory, also stating that "the film might have played an important role in the election." After "winning" four of the five possible Razzies, D'Souza repeated his view that the nominations were awarded in response to Trump's election victory.

Using a quote from the above article, answer the following question: what other razzles?
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Answer:
Worst Actor (Dinesh D'Souza), Worst Actress (Becky Turner), Worst Director (Dinesh D'Souza and Bruce Schooley), and Worst Screenplay.