Problem: Background: William Taylor (July 24, 1921 - December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C. A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he started in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America's elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina. Taylor was also a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador.
Context: Taylor was born in Greenville, North Carolina, but moved to Washington, D.C., when he was five years old. He grew up in a musical family and learned to play different instruments as a child, including guitar, drums and saxophone. He was most successful at the piano, and had classical piano lessons with Henry Grant, who had educated Duke Ellington a generation earlier. Taylor made his first professional appearance playing keyboard at the age of 13 and was paid one dollar.  Taylor attended Dunbar High School, the U.S.'s first high school for African-American students. He went to Virginia State College and majored in sociology. During his time he joined Kappa Alpha Psi fraternity. Pianist Undine Smith Moore noticed young Taylor's talent in piano and he changed his major to music, graduating with a degree in music in 1942.  Taylor moved to New York City after graduation and started playing piano professionally from 1944, first with Ben Webster's Quartet on New York's 52nd Street. The same night he joined Webster's Quartet, he met Art Tatum, who became his mentor. Among the other musicians Taylor worked with was Machito and his mambo band, from whom he developed a love for Latin music. After an eight-month tour with the Don Redman Orchestra in Europe, Taylor stayed there with his wife, Theodora, and worked in Paris and the Netherlands.  Taylor returned to New York later that year and cooperated with Bob Wyatt and Sylvia Syms at the Royal Roost jazz club and Billie Holiday in a successful show called Holiday on Broadway. A year later, he became the house pianist at Birdland and performed with Charlie Parker, J.J. Johnson, Stan Getz, Dizzy Gillespie and Miles Davis. Taylor played at Birdland longer than any other pianist in the history of the club. In 1949, Taylor published his first book, a textbook about bebop piano styles.
Question: Did he play in a band in High School?
Answer: 

IN: James was born in Holton, Kansas; his mother, died in 1954 when he was five. His father was a janitor and a handyman. After four years at the University of Kansas residing at Stephenson Scholarship hall, James joined the Army in 1971. He was the last person in Kansas to be sent to fight in the Vietnam War, although he never saw action there.

In his Baseball Book 1990, James heavily criticized the methodology of the Dowd Report, which was an investigation (commissioned by baseball commissioner Bart Giamatti) on the gambling activities of Pete Rose. James reproached commissioner Giamatti and his successor, Fay Vincent, for their acceptance of the Dowd Report as the final word on Rose's gambling. (James' attitude on the matter surprised many fans, especially after the writer had been deeply critical of Rose in the past, especially what James considered to be Rose's selfish pursuit of Ty Cobb's all-time record for base hits.)  James expanded his defense of Rose in his 2001 book The New Historical Baseball Abstract, with a detailed explanation of why he found the case against Rose flimsy. James wrote "I would characterize the evidence that Rose bet on baseball as...well, not quite non-existent. It is extremely weak." This countered the popular opinion that the case against Rose was a slam dunk, and several critics claimed that James misstated some of the evidence in his defense of Rose. Derek Zumsteg of Baseball Prospectus wrote an exhaustive review of the case James made and concluded: "James' defense of Rose is filled with oversights, errors in judgment, failures in research, and is a great disservice to the many people who have looked to him for a balanced and fair take on this complicated and important issue."  In 2004, Rose admitted publicly that he had bet on baseball and confirmed the Dowd Report was correct. James remained steadfast, continuing to insist that the evidence available to Dowd at the time was insufficient to reach the conclusion that it did.

Did James thinking Rose was cheating?

OUT: he found the case against Rose flimsy.

Background: Jones was born in Eatonville, Florida, and lived in a four-bedroom house with his family of ten. Jones attended Hungerford High School, where he played football, baseball, and basketball. During high school, Jones developed a lump in his thigh and learned that it was a tumor; he had surgery to remove it. When he was 14 years old, he witnessed a carload of white teenagers laughingly hit an elderly black church woman with a watermelon.
Context: Jones was considered by many to revolutionize the position of defensive end. He was credited with coining the phrase "sacking the quarterback". In 1999, Jones provided an L.A. Times reporter with some detailed imagery about his forte: "You take all the offensive linemen and put them in a burlap bag, and then you take a baseball bat and beat on the bag. You're sacking them, you're bagging them. And that's what you're doing with a quarterback."  What separated Jones from every other defensive end was his speed and his ability to make tackles from sideline to sideline, which was unheard of in his time. He also was the first pass rusher to use the head slap, a move that he said was, "...to give myself an initial head start on the pass rush, in other words an extra step. Because anytime you go upside a man's head ... or a woman; they may have a tendency to blink they [sic] eyes or close they eyes. And that's all I needed. " "The head slap was not my invention, but Rembrandt, of course, did not invent painting. The quickness of my hands and the length of my arms, it was perfect for me. It was the greatest thing I ever did, and when I left the game, they outlawed it."  Pro Football Weekly reported he accumulated 173 1/2  sacks over his career, which would be third on the all-time sack list. (Jones would have ranked first all-time at the time of his retirement, and since has been surpassed by two fellow Hall of Famers Bruce Smith and Reggie White.)  In 1967, Jones had 21 1/2  sacks in only 14 games; he tallied 22 sacks in 14 games the following year. If official, this would have stood as an NFL record until Harvey Martin's 1977 campaign, in which he totaled 23 sacks. (The term "sack" had not yet been coined at the time, and official sack statistics were not recorded by the NFL until 1982.)  (Source: St. Louis Rams, San Diego Chargers and Washington Redskins Media Guides)
Question: how did he get hurt ?
Answer: