Question:
Stuart Pearce, MBE (born 24 April 1962) is an English football manager and player. He is an assistant manager to David Moyes at West Ham United. Pearce was the manager of the England national under-21 team from 2007 to 2013 and also managed the Great Britain Olympic football team at the 2012 Olympics. As a player, Pearce played as a defender and appeared for Wealdstone, Coventry City, Newcastle United, West Ham United and Manchester City, but is best known for his spell at Nottingham Forest, where he regularly captained the team and became the club's most capped International, making 76 of his 78 appearances for England while with the club and captaining the national side on nine occasions.
Two years later in 1985 Pearce was brought to Nottingham Forest by manager Brian Clough. Pearce was the makeweight in a PS300,000 deal that saw Coventry centre-back Ian Butterworth move to Forest. Indeed, so unsure was Pearce of his footballing future that, after the transfer, he actually advertised his services as an electrician in Forest's match-day programme.  Pearce spent 12 years at Forest, most of it as club captain. During his playing career, he won two League Cups and the Full Members Cup, while also scoring from a free-kick in the 1991 FA Cup final, when Forest were beaten by Tottenham Hotspur. In his time at the City Ground, Pearce was one of the Forest players who had to cope with the horrors of the Hillsborough disaster during the opening minutes of their FA Cup semi-final against Liverpool. Pearce played in the rescheduled match at Old Trafford, which Liverpool won 3-1. He helped them finish third in the league that year (as they had done a year earlier), and also contributed to their victories in the League Cup and Full Members Cup. He helped them retain the League Cup a year later and in 1991 he had his first crack at the FA Cup, and despite giving Forest an early lead against Tottenham in a match most remembered for the knee injury suffered by Pearce's opponent Paul Gascoigne, Pearce ended up on the losing side as Spurs came back to win 2-1. He was on the losing side at Wembley Stadium again the following year when Forest lost 1-0 to Manchester United in the 1992 League Cup final.  Despite their relegation from the top flight in 1993, Pearce decided to stay, helping Forest to gain promotion the following season, including scoring a header to secure promotion, under new manager Frank Clark following the retirement of Brian Clough after 18 years at the helm. He helped Forest finish third in the Premier League in the season following promotion and reach the UEFA Cup quarter-finals a year later.  Pearce was appointed caretaker player-manager of Forest in December 1996, after Clark resigned with Forest bottom of the FA Premier League. His first match was at home to Arsenal. He admitted in an interview with Match of the Day that, in his first attempt at picking a starting XI, he did not realise until it was pointed out to him by his wife that he had omitted goalkeeper Mark Crossley. Forest, however, won the match 2-1, coming from behind after an Ian Wright goal with two goals from Alf-Inge Haland. Despite winning Manager of the Month award in January 1997, the club were relegated from the Premier League. He had relinquished managerial duties in March 1997 on the appointment of Dave Bassett.  Pearce opted to leave the club at the end of the 1996-97 season after 12 years at the City Ground.
Answer this question using a quote from the text above:

what is nottingham?

Answer:
He helped Forest finish third in the Premier League

Answer the question at the end by quoting:

A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire.  In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.

Where did they do some of the early shows after development?
In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among