Question: O'Neill was born in a hotel, the Barrett House, at Broadway and 43rd Street, on what was then Longacre Square (now Times Square). A commemorative plaque was first dedicated there in 1957. The site is now occupied by 1500 Broadway, which houses offices, retail, and ABC Studios. He was the son of Irish immigrant actor James O'Neill and Mary Ellen Quinlan, who was also of Irish descent.

After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp.

Using a quote from the above article, answer the following question: When did he die?
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Answer: O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65.

Problem: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.

The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.

why were they retained?

Answer with quotes: The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film,

Problem: Dan Gerhard Brown was born on June 22, 1964 in Exeter, New Hampshire. He has a younger sister, Valerie (born 1968) and brother, Gregory (born 1975). Brown attended Exeter's public schools until the ninth grade. He grew up on the campus of Phillips Exeter Academy, where his father, Richard G. Brown, was a teacher of mathematics and wrote textbooks from 1968 until his retirement in 1997.

In August 2005 author Lewis Perdue unsuccessfully sued Brown for plagiarism, on the basis of claimed similarity between The Da Vinci Code and his novels, The Da Vinci Legacy (1983) and Daughter of God (2000). Judge George Daniels said, in part: "A reasonable average lay observer would not conclude that The Da Vinci Code is substantially similar to Daughter of God."  In April 2006 Brown's publisher, Random House, won a copyright infringement case brought by authors Michael Baigent and Richard Leigh, who claimed that Brown stole ideas from their 1982 book Holy Blood Holy Grail for his 2003 novel The Da Vinci Code. It was in the book Holy Blood Holy Grail that Baigent, Leigh, and co-author Henry Lincoln had advanced the theory that Jesus and Mary Magdalene married and had a child and that the bloodline continues to this day. Brown apparently alluded to the two authors' names in his book. Leigh Teabing, a lead character in both the novel and the film, uses Leigh's name as the first name, and anagrammatically derives his last name from Baigent's. Mr Justice Peter Smith found in Brown's favor in the case, and as a private amusement, embedded his own Smithy code in the written judgment.  On March 28, 2007, Brown's publisher, Random House, won an appeal copyright infringement case. The Court of Appeal of England and Wales rejected the efforts from Baigent and Leigh, who became liable for paying legal expenses of nearly US$6 million.  Brown has been sued twice in U.S. Federal courts by the author Jack Dunn who claims Brown copied a huge part of his book The Vatican Boys to write The Da Vinci Code (2006-07) and Angels & Demons (2011-12). Both lawsuits were not allowed to go to a jury trial. In 2017, in London, another claim was begun against Brown by Jack Dunn who claimed that Justice was not served in the U.S. lawsuits.

What was his involvement with copyright infringement?

Answer with quotes:
In August 2005 author Lewis Perdue unsuccessfully sued Brown for plagiarism, on the basis of claimed similarity between The Da Vinci Code and his novels,