IN: Osceola was named Billy Powell at birth in 1804 in the Creek village of Talisi. now known as Tallassee, Alabama, in current Elmore County. "The people in the town of Tallassee...were mixed-blood Native American/English/Irish/Scottish, and some were black. Billy was all of these."

After Osceola's death, army doctor Frederick Weedon persuaded the Seminole to allow him to make a death mask of Osceola, this being a European-American custom at the time for prominent people. Later he removed Osceola's head and embalmed it. For some time, Weedon kept the head and a number of personal objects Osceola had given him. Later, Weedon gave the head to his son-in-law Daniel Whitehurst. In 1843, Whitehurst sent the head to Valentine Mott, a New York physician. Mott placed it in his collection at the Surgical and Pathological Museum. It was presumably lost when a fire destroyed the museum in 1866. Some of Osceola's belongings are still held by the Weedon family, while others have disappeared.  Captain Pitcairn Morrison sent the death mask and some other objects collected by Weedon to an army officer in Washington. By 1885, the death mask and some of Osceola's belongings had arrived in the anthropology collection of the Smithsonian Institution, where they are still held.  In 1966, Miami businessman Otis W. Shriver claimed he had dug up Osceola's grave and put his bones into a bank vault to rebury them at a tourist site at the Rainbow Springs. Shriver traveled around the state in 1967 to gather support for his project. Archaeologists later proved that Shriver had dug up animal remains; Osceola's body was still in its coffin.  In 1979 the Seminole Nation of Oklahoma bought Osceola's bandolier and other personal items from a Sotheby's auction. Because of the chief's significance, over time some people have created forgeries of Osceola's belongings. Rumors persist that his embalmed head has been found in various locations.
QUESTION: Why did he sent the head to the physician?
IN: Ministry is an American industrial metal band, founded in 1981 by Al Jourgensen in Chicago, Illinois. Originally a synth-pop outfit, Ministry shifted its style to become one of the pioneers of industrial metal in the mid-to-late 1980s. The band's lineup has gone through many changes throughout its history, with Jourgensen remaining the only constant as the band's main producer, singer, songwriter, and instrumentalist. Notable musicians who have contributed to the band's studio or live activities include Paul Barker, Martin Atkins, Bill Rieflin, Chris Connelly, Nivek Ogre, Mike Scaccia, Rey Washam, Paul Raven, Tommy Victor, Jason Christopher, Tony Campos, Burton C. Bell and DJ Swamp.

The follow-up, The Mind Is a Terrible Thing to Taste was supported by a tour from 1989 to 1990. Due to the complex nature of the album's drumming, a second drummer, Martin Atkins (formerly of Public Image Ltd. and Killing Joke), was used. In addition to Atkins, a ten piece touring line-up was formed, consisting of Chris Connelly (keyboards and vocals), Skinny Puppy vocalist Nivek Ogre (vocals and keyboards), Joe Kelly (vocals and backing vocals) and guitarists Mike Scaccia, Terry Roberts, and William Tucker, with Jourgensen, Barker and Rieflin serving as the group's core members. This tour was documented on In Case You Didn't Feel Like Showing Up. Two singles, "Burning Inside" (for which a video was made) and "So What" were released from the album.  Throughout the late 1980s Jourgensen and Barker expanded their ideas beyond Ministry into a seemingly endless parade of side projects and collaborations. Many of these bore Ministry's signature sound and the duo's "Hypo Luxa/Hermes Pan" production imprint. Foremost of these was Ministry's alter ego, the Revolting Cocks. "RevCo", as it is often referred to, essentially became the same band as it had originally featured Belgian musicians Richard 23 (of Front 242) and Luc Van Acker. Jourgensen and Barker also formed Lard with Dead Kennedys lead singer Jello Biafra, Acid Horse with Cabaret Voltaire, 1000 Homo DJs (which featured Nine Inch Nails' Trent Reznor doing vocals on a cover of Black Sabbath's "Supernaut"), PTP with Chris Connelly and Pailhead with Ian MacKaye of Minor Threat and Fugazi.  Barker released his own material as Lead into Gold and Jourgensen produced and played electric guitar on the Skinny Puppy 1989 album Rabies. Atkins and Rieflin also formed the band Pigface, which featured Barker on several tracks, as well. The smaller of these projects were later collected on the CD Side Trax (Rykodisc Records, 2004), and the RevCo discography was remastered and reissued.
QUESTION: When was the album The Mind is a Terrible Thing to Taste release?
IN: Raymond William Stacy Burr was born May 21, 1917, in New Westminster, British Columbia, Canada. His father, William Johnston Burr (1889-1985), was a hardware salesman; his mother, Minerva Annette (nee Smith, 1892-1974), was a pianist and music teacher who was born in Chicago, Illinois. Burr's ancestry included Lebanese, Irish, English, Scottish, and German. When Burr was six, his parents divorced.

As a young man Burr weighed more than 300 lbs., which limited his on-screen roles. "But in radio this presented no problems, given the magnificent quality of his voice," reported The Globe and Mail. "He played romantic leads and menacing villains with equal authority, and he earned a steady and comfortable income."  Working steadily in radio since the 1940s, often uncredited, Burr was a leading player on the West Coast. He had a regular role in Jack Webb's first radio show, Pat Novak for Hire (1949), and in Dragnet (1949-50) he played Joe Friday's boss, Ed Backstrand, chief of detectives. Burr worked on other Los Angeles-based series including Suspense, Screen Directors Playhouse, Yours Truly, Johnny Dollar, Family Theater, Hallmark Playhouse and Hallmark Hall of Fame. He performed in five episodes of the experimental dramatic radio anthology series CBS Radio Workshop, and had what is arguably his best radio role in "The Silent Witness" (1957), in which his is the only voice.  In 1956 Burr was the star of CBS Radio's Fort Laramie, an adult Western drama produced, written and directed by the creators of Gunsmoke. He played the role of Lee Quince, captain of the cavalry, in the series set at a post-Civil War military post where disease, boredom, the elements and the uncharted terrain were the greatest enemies of "ordinary men who lived in extraordinary times". The half-hour transcribed program aired Sundays at 5:30 p.m. ET January 22 - October 28, 1956. Burr told columnist Sheilah Graham that he had received 1,500 fan letters after the first broadcasts, and he continued to receive letters praising the show's authenticity and presentation of human dignity.  In August 1956, CBS announced that Burr would star in the television series Perry Mason. Although the network wanted Burr to continue work on Fort Laramie as well, the TV series required an extraordinary commitment and the radio show ended.  Known for his loyalty and consciousness of history, Burr went out of his way to employ his radio colleagues in his television programs. Some 180 radio celebrities appeared on Perry Mason during the first season alone.
QUESTION:
what did he do on the radio