Answer the question at the end by quoting:

Pernell Whitaker (born January 2, 1964) is an American former professional boxer who competed from 1984 to 2001, and has since worked as a boxing trainer. He is a four-weight world champion, having won titles at lightweight, light welterweight, welterweight, and light middleweight; the undisputed lightweight title; and the lineal lightweight and welterweight titles. In 1989, Whitaker was named Fighter of the Year by The Ring magazine and the Boxing Writers Association of America. From 1993 to 1997, The Ring ranked him as the best active boxer in the world, pound for pound.
He met Oscar De La Hoya on April 12, 1997, in Las Vegas, Nevada. Whitaker, defending his WBC championship and the mythical status as the best boxer in the world, pound for pound, succeeded in making De La Hoya look bad through his crafty defense, but he was unable to mount a sufficient offense to convince the judges. Whitaker was awarded an official knockdown in the 9th round and, according to CompuBox stats, outlanded De La Hoya in overall punches and connect percentage, using the jab as his primary weapon; but De La Hoya threw and landed almost twice as many power punches & had a slightly higher power punch connect percentage than Whitaker, which may have been the key factor in De La Hoya winning by a disputed unanimous decision. At the end of the fight, the judges' scores were 111-115, 110-116, 110-116. The fight was a whole lot closer than what the final scorecards showed, and there were many boxing analysts and sportswriters at ringside who felt that Whitaker actually won the fight. It was another controversial decision against Whitaker, but it wasn't seen as a blatant robbery like the Ramirez or Chavez fights.  For his part, De La Hoya wasn't too pleased with his own performance against Whitaker and had hinted at a possible rematch to prove that he could do better against him. But Bob Arum, De La Hoya's promoter at that time, decided against it.  Whitaker's next bout was against Russian-born fighter Andrey Pestryaev in a world title elimination fight, where the winner would earn an automatic #1 contender spot for the WBA Welterweight crown, held at the time by Ike Quartey. Whitaker originally won the fight, but the win was nullified & changed to a No Decision after he failed a post-fight drug test.

Did they have another match after this?

Whitaker's next bout was against Russian-born fighter Andrey Pestryaev

Some context: Sevendust is an American alternative metal band from Atlanta, Georgia, formed in 1994 by bassist Vince Hornsby, drummer Morgan Rose and guitarist John Connolly. After their first demo, lead vocalist Lajon Witherspoon and guitarist Clint Lowery joined the group. Following a few name changes, the members settled on the name Sevendust and released their self-titled debut album on April 15, 1997. They have attained success with three consecutive RIAA gold certified albums, a Grammy nomination, and have sold millions of albums worldwide.
In 1994, bassist Vince Hornsby joined drummer Morgan Rose in a band called Snake Nation. John Connolly, a drummer, left his then band and joined Snake Nation as a guitarist. They recorded their first demo. Not happy with vocals, however, Snake Nation spent a year searching for a new singer before finding Lajon Witherspoon. Six months passed, Clint Lowery joined the band, and they renamed themselves Rumblefish.  Rumblefish was short-lived, however, because they found another band with the same name. They renamed themselves Crawlspace, and released "My Ruin" on the Mortal Kombat soundtrack album entitled More Kombat through TVT Records in 1996. Shortly after, another band named Crawlspac' sent notice that they wanted $2,500 for the rights to their name. Rather than purchase the rights, the band members chose to rename themselves Sevendust, a name inspired by the commercial insecticide brand "Sevin Dust". The song Rumble Fish was included on the band's second album, Home.  Sevendust released their self-titled debut, in-part produced by former Twisted Sister guitarist Jay Jay French, on April 15, 1997, known for its heavy riffs, angry vocals and thrash-like drumming, as in the songs "Black" and "Bitch". "Black" became the opening song for nearly every Sevendust concert until 2004. The debut album also contains the song "My Ruin", from the Mortal Kombat soundtrack. Sevendust appeared on the Billboard 200, remained there for sixteen weeks and peaked at 165 on April 4, 1998. The album went gold on May 19, 1999.  In 1998, Sevendust performed at Dynamo Open Air (May 29-31) and Ozzfest 1998 (July through August). In the same year they released a compilation called Live and Loud which featured live footage of the band's performance of September 16, 1998 at Chicago's Metro.
Did they receive any awards?
A: 

IN: Thelonious Sphere Monk was born two years after his sister Marion on October 10, 1917, in Rocky Mount, North Carolina, and was the son of Thelonious and Barbara Monk. His badly written birth certificate misspelled his first name as "Thelious" or "Thelius." It also did not list his middle name, taken from his maternal grandfather, Sphere Batts. A brother, Thomas, was born in January 1920.

In his early teens, Monk toured with an evangelist, playing the church organ, and in his late teens he began to find work playing jazz. In the early to mid-1940s, he was the house pianist at Minton's Playhouse, a Manhattan nightclub. Much of Monk's style was developed during his time at Minton's, when he participated in after-hours cutting contests, which featured many leading jazz soloists of the time. Monk's musical work at Minton's was crucial in the formulation of bebop, which would be furthered along by other artists, including Dizzy Gillespie, Charlie Christian, Kenny Clarke, Charlie Parker, and, later, Miles Davis. Monk is believed to be the pianist featured on recordings Jerry Newman made around 1941 at the club. Monk's style at this time was later described as "hard-swinging," with the addition of runs in the style of Art Tatum. Monk's stated influences included Duke Ellington, James P. Johnson, and other early stride pianists. In the documentary Thelonious Monk: Straight, No Chaser, it is stated that Monk lived in the same neighborhood in New York City as Johnson and knew him as a teenager.  Mary Lou Williams, who mentored Monk and his contemporaries, spoke of Monk's rich inventiveness in this period, and how such invention was vital for musicians, since at the time it was common for fellow musicians to incorporate overheard musical ideas into their own works without giving due credit. "So, the boppers worked out a music that was hard to steal. I'll say this for the 'leeches,' though: they tried. I've seen them in Minton's busily writing on their shirt cuffs or scribbling on the tablecloth. And even our own guys, I'm afraid, did not give Monk the credit he had coming. Why, they even stole his idea of the beret and bop glasses."  In 1944 Monk made his first studio recordings with the Coleman Hawkins Quartet. Hawkins was one of the earliest established jazz musicians to promote Monk, and the pianist later returned the favor by inviting Hawkins to join him on a 1957 session with John Coltrane.

How long did his career last?

OUT: