Background: Eric Aaron Bischoff (born May 27, 1955) is an American entrepreneur, television producer, professional wrestling booker, on-screen personality, occasional wrestler and retired amateur wrestler. He is best known for serving as Executive Producer and later President of World Championship Wrestling (WCW) and subsequently, the General Manager of World Wrestling Entertainment's Raw brand. Bischoff has also worked with Total Nonstop Action Wrestling (TNA) where he served as Executive Producer of Impact Wrestling. With an amateur background in taekwondo, Bischoff also sporadically performed as an in-ring competitor, and is a former WCW Hardcore Champion.
Context: When WWF rebranded their product as "WWF Attitude" and began to focus on new superstars such as Stone Cold Steve Austin, Mick Foley, and The Rock, and made longtime announcer Vince McMahon into a character, this eventually resulted in a ratings turnaround for WWF. On April 13, 1998, WWF finally ended WCW's year and a half run on top of the ratings war. Despite losing in the ratings to WWF, WCW continued to post strong ratings, attendance, and PPV buyrates throughout 1998. In 1998 WCW built one of its first homegrown superstars in Bill Goldberg, and gave him the WCW World Heavyweight Championship on July 6, 1998 at the Georgia Dome in front of 39,919 people on Nitro.  In early 1999, Eric Bischoff promoted Kevin Nash to head booker. Despite Bill Goldberg drawing at the box office and doing three shows in December/January that did nearly a $1,000,000 gate, the decision was made to end Bill Goldberg's undefeated streak and put the belt on Kevin Nash. On the January 4 Nitro, at the Georgia Dome, Kevin Nash dropped the title to Hollywood Hogan in a match that became known as the Fingerpoke of Doom, and the nWo was rebranded. By March ratings began dropping, and WCW began experiencing an endless streak of ratings losses.  Throughout 1999, Eric Bischoff reverted to focusing back completely around aging WCW stars in their 40's such as Hollywood Hogan, Diamond Dallas Page, Randy Savage, Sting, Rowdy Roddy Piper, Kevin Nash, Ric Flair, and Sid Vicious. In an effort to improve ratings, WCW also began to focus heavily on several celebrities such as Master P., Chad Brock, Megadeth, Dennis Rodman, and Kiss. One of the last deals Eric Bischoff structured was a deal with the members of the rock band Kiss to have their own wrestling character known as The Kiss Demon.  By late 1999, WCW began losing around five million dollars a month. Attendance, PPV buys and ratings were down significantly. On September 10, 1999, the decision was made to relieve Eric Bischoff of power.
Question: Why were they loosing money
Answer: On April 13, 1998, WWF finally ended WCW's year and a half run on top of the ratings war.

Background: Albrecht Durer (; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. Durer is commemorated by both the Lutheran and Episcopal Churches.
Context: Despite the regard in which he was held by the Venetians, Durer returned to Nuremberg by mid-1507, remaining in Germany until 1520. His reputation had spread throughout Europe and he was on friendly terms and in communication with most of the major artists including Raphael, Giovanni Bellini and--mainly through Lorenzo di Credi--Leonardo da Vinci.  Between 1507 and 1511 Durer worked on some of his most celebrated paintings: Adam and Eve (1507), The Martyrdom of the Ten Thousand (1508, for Frederick of Saxony), Virgin with the Iris (1508), the altarpiece Assumption of the Virgin (1509, for Jacob Heller of Frankfurt), and Adoration of the Trinity (1511, for Matthaeus Landauer). During this period he also completed two woodcut series, the Great Passion and the Life of the Virgin, both published in 1511 together with a second edition of the Apocalypse series. The post-Venetian woodcuts show Durer's development of chiaroscuro modelling effects, creating a mid-tone throughout the print to which the highlights and shadows can be contrasted.  Other works from this period include the thirty-seven woodcut subjects of the Little Passion, published first in 1511, and a set of fifteen small engravings on the same theme in 1512. Indeed, complaining that painting did not make enough money to justify the time spent when compared to his prints, he produced no paintings from 1513 to 1516. However, in 1513 and 1514 Durer created his three most famous engravings: Knight, Death, and the Devil (1513, probably based on Erasmus's treatise Enchiridion militis Christiani), St. Jerome in his Study, and the much-debated Melencolia I (both 1514). Further outstanding pen and ink drawings of Durer's period of art work of 1513 were drafts for his friend Willibald Prickheimer. These drafts were later used to design the famous chandeliers lusterweibchen.  In 1515, he created his woodcut of a Rhinoceros which had arrived in Lisbon from a written description and sketch by another artist, without ever seeing the animal himself. An image of the Indian rhinoceros, the image has such force that it remains one of his best-known and was still used in some German school science text-books as late as last century. In the years leading to 1520 he produced a wide range of works, including the woodblocks for the first western printed star charts in 1515 and portraits in tempera on linen in 1516.
Question: Who were his influences in his art?
Answer: