input: In the late 1980s, Jones and Gramm each put out solo efforts on Atlantic. Gramm released Ready or Not in January 1987 and shortly after its release, rehearsals for Foreigner's next album had started but ground to a halt as Lou's status with the group was uncertain. But after the promotion and concert dates for Lou's album were finished, cooler heads prevailed and Lou rejoined Foreigner in the studio for Inside Information, which was out at the end of 1987. Jones had Mick Jones in August 1989, then Gramm followed with his second solo release, Long Hard Look (October 1989), and decided to leave the group in May 1990 while preparing to tour behind Long Hard Look as the opener for Steve Miller Band. After finishing this tour, Gramm went on to form the short-lived band Shadow King, which put out one eponymous album on Atlantic in October 1991.  Meanwhile, Jones brought in a new lead singer, Johnny Edwards (formerly of the bands Buster Brown, Montrose, King Kobra, Northrup and Wild Horses). Edwards made his first live appearance with Foreigner at the Long Island club Stephen Talkhouse on August 15, 1990, where he, Jones, Dennis Elliott and Rick Wills appeared, joined by special guests Terry Thomas (on guitar, who produced their next album) and Eddie Mack on harmonica.  The new edition of Foreigner released the album Unusual Heat in June 1991. This was at the time their worst selling album and only climbed as high as No. 117 on the Billboard 200, although "Lowdown and Dirty" was a minor mainstream rock hit, reaching No. 4 on that chart.  In July 1991, the new lineup of Foreigner played some European dates then made its official US debut on August 9 performing on the second night of a Billy Joel benefit concert at Deep Hollow Ranch in Montauk, New York to raise funds for the preservation of Montauk Point Lighthouse.  For their 1991 tour, Jeff Jacobs, who had played in Joel's band, was brought in as the new keyboardist and Mark Rivera returned. But during the fall leg of this tour, Elliott decided to leave the group after a concert at The Ritz in NYC on November 14, 1991 and embark on a career as a wood sculptor. Larry Aberman was then recruited as a temporary replacement until Mark Schulman arrived in 1992 to hold down the drum throne for the next three years. Scott Gilman (guitar, sax, flute) joined the touring band in 1992 and Thom Gimbel took over from Gilman and Rivera in late 1992 after they departed. When Gimbel went to Aerosmith in 1993, Gilman returned to handle the guitar/sax/flute duties until Gimbel came back permanently in the spring of 1995.

Answer this question "What else is interesting?"
output: Elliott decided to leave the group after a concert at The Ritz in NYC on November 14, 1991 and embark on a career as a wood sculptor.

input: In 1960, Joe Banashak, of Minit Records and later Instant Records, hired Toussaint as an A&R man and record producer. He also did freelance work for other labels, such as Fury. Toussaint played piano, wrote, arranged and produced a string of hits in the early and mid-1960s for New Orleans R&B artists such as Ernie K-Doe, Chris Kenner, Irma Thomas (including "It's Raining"), Art and Aaron Neville, the Showmen, and Lee Dorsey, whose first hit "Ya Ya" he produced in 1961.  The early to mid-1960s are regarded as Toussaint's most creatively successful period. Notable examples of his work are Jessie Hill's "Ooh Poo Pah Doo" (written by Hill and arranged and produced by Toussaint), Ernie K-Doe's "Mother-in-Law", and Chris Kenner's "I Like It Like That". A two-sided 1962 hit by Benny Spellman comprised "Lipstick Traces (on a Cigarette)" (covered by the O'Jays, Ringo Starr, and Alex Chilton) and the simple but effective "Fortune Teller" (covered by various 1960s rock groups, including the Rolling Stones, the Nashville Teens, the Who, the Hollies, the Throb, and ex-Searchers founder Tony Jackson). "Ruler of My Heart", written under his pseudonym Naomi Neville, first recorded by Irma Thomas for the Minit label in 1963, was adapted by Otis Redding under the title "Pain in My Heart" later that year, prompting Toussaint to file a lawsuit against Redding and his record company, Stax (the claim was settled out of court, with Stax agreeing to credit Naomi Neville as the songwriter). Redding's version of the song was also recorded by the Rolling Stones on their second album. In 1964, "A Certain Girl" (originally by Ernie K-Doe) was the B-side of the first single release by the Yardbirds. The song was released again in 1980 by Warren Zevon, as the single from the album Bad Luck Streak in Dancing School it reached 57 on Billboard's Hot 100. Mary Weiss, former lead singer of The Shangri-Las, released it as "A Certain Guy" in 2007.  Toussaint credited about twenty songs to his parents, Clarence and Naomi, sometimes using the pseudonym "Naomi Neville". These include "Fortune Teller", first recorded by Benny Spellman in 1961, and "Work, Work, Work", recorded by the Artwoods in 1966. Alison Krauss and Robert Plant covered "Fortune Teller" on their 2007 album Raising Sand.

Answer this question "When was that released?"
output: 1963,

input: While attending the University of Chicago Law School, Patsy met hydrologist John Mink while playing bridge at the International House. He would become her husband and lifelong partner. Unable to find work as a married, female, Asian-American attorney, she returned to her student job at the University of Chicago Law School library while her husband found work immediately with the United States Steel Corporation. In 1952, Patsy gave birth to daughter Gwendolyn (Wendy), who later became a prominent author and educator on labor and women's issues. The family soon moved Hawaii in August 1952.  By law, Patsy was required to take the residency status of her husband after marriage and needed to re-establish her Hawaiian residency in order to prove that she was eligible to take the Hawaii bar exam. After challenging the statute as sexist, Hawaii's attorney general ruled that since she had not ever physically resided in Pennsylvania, she had not assumed her husband's Philadelphia residency status.  After passing the bar exam in June 1953, Mink continued to face gender discrimination in finding work as an attorney in the private or public sector. She created a solo practice with the help of her father. She was the first Japanese woman to practice law in Hawaiian territory. Mink founded the Everyman Organization, a group that served as the hub of the Young Democrats club on Oahu. She was elected chairman of the territory-wide Young Democrats, "a group that would wield a remarkable influence over Hawaiian politics for several decades." In 1954, Patsy worked to help elect John A. Burns to Congress. The following year, she worked as staff attorney during the 1955 legislative session and drafted statutes and observed the inner-workings of the legislature.  As the Territory of Hawaii debated statehood in 1956, Mink was elected to the Hawaii Territorial Legislature representing her district in the territorial House of Representatives. In 1958, she was elected to serve in the territorial Senate. In 1959, Hawaii became the 50th state of the Union. From 1962-1964, Mink served in the Hawaii State Senate.  At the 1960 Democratic National Convention, a speech by Mink, a Hawaiian delegate, persuaded two-thirds of the party to keep their progressive stance on civil rights.

Answer this question "Did she do anything interesting as a legislator?"
output:
Mink served in the Hawaii State Senate.