IN: Curtis Mayfield was born on June 3, 1942 in Chicago, Illinois, the son of Marion Washington and Kenneth Mayfield, one of five children. Mayfield's father left the family when Curtis was five; his mother (and maternal grandmother) moved the family into several Chicago public housing projects before settling in Cabrini-Green during his teen years. Mayfield attended Wells Community Academy High School before dropping out his sophomore year. His mother taught him piano and, along with his grandmother, encouraged him to enjoy gospel music.

Curtis Mayfield was known for introducing social consciousness into African-American music. Having been raised in the Cabrini-Green projects of Chicago, he witnessed many of the tragedies of the urban ghetto first hand, and was quoted saying "With everything I saw on the streets as a young black kid, it wasn't hard during the later fifties and sixties for me to write my heartfelt way of how I visualized things, how I thought things ought to be."  Following the passing of the Civil Rights Act of 1964, his group the Impressions produced music that became the soundtrack to a summer of revolution. It is even said that "Keep On Pushing" became the number one sing along during the Freedom Rides. Black students sang their songs as they marched to jail or protested outside their universities, while King often used "Keep On Pushing", "People Get Ready" and "We're A Winner" because of their ability to motivate and inspire marchers. Mayfield had quickly become a civil rights hero with his ability to inspire hope and courage.  Mayfield was unique in his ability to fuse relevant social commentary with melodies and lyrics that instilled a hopefulness for a better future in his listeners. He wrote and recorded the soundtrack to the 1972 blaxploitation film Super Fly with the help of producer Johnny Pate. The soundtrack for Super Fly is regarded as an all-time great body of work that captured the essence of life in the ghetto while criticizing the tendency of young people to glorify the "glamorous" lifestyles of drug dealers and pimps, and illuminating the dark realities of drugs, addiction, and exploitation. His work influenced many, and it is said that Mayfield truly introduced a new style of black music.  Mayfield, along with several other soul and funk musicians, spread messages of hope in the face of oppression, pride in being a member of the black race and gave courage to a generation of people who were demanding their human rights, without abandoning the struggle for equality. He has been compared to Martin Luther King, Jr. for making a lasting impact in the civil rights struggle with his inspirational music. By the end of the decade Mayfield was a pioneering voice in the black pride movement, along with James Brown and Sly Stone. Paving the way for a future generation of rebel thinkers, Mayfield paid the price, artistically and commercially, for his politically charged music. Mayfield's "Keep On Pushing" was actually banned from several radio stations when riots began flaring up in some cities. Regardless of the persistent radio bans and loss of revenue, he continued his quest for equality right until his death. His lyrics on racial injustice, poverty and drugs became the poetry of a generation.  Mayfield was also a descriptive social commentator. As the influx of drugs ravaged through black America in the late 1960s and 1970s his bittersweet descriptions of the ghetto would serve as warnings to the impressionable. "Freddie's Dead" is a graphic tale of street life, while "Pusherman" revealed the role of drug dealers in the urban ghettos.

Did he have a lot of fans?

OUT: 


IN: Dame Jane Morris Goodall  (; born Valerie Jane Morris-Goodall, 3 April 1934), formerly Baroness Jane van Lawick-Goodall, is a British primatologist and anthropologist.

In 1977, Goodall established the Jane Goodall Institute (JGI), which supports the Gombe research, and she is a global leader in the effort to protect chimpanzees and their habitats. With nineteen offices around the world, the JGI is widely recognised for community-centred conservation and development programs in Africa. Its global youth program, Roots & Shoots began in 1991 when a group of 16 local teenagers met with Goodall on her back porch in Dar es Salaam, Tanzania. They were eager to discuss a range of problems they knew about from first-hand experience that caused them deep concern. The organisation now has over 10,000 groups in over 100 countries.  Due to an overflow of handwritten notes, photographs, and data piling up at Jane's home in Dar es Salaam in the mid-1990s, the Jane Goodall Institute's Center for Primate Studies was created at the University of Minnesota to house and organise this data. Currently all of the original Jane Goodall archives reside there and have been digitised and analysed and placed in an online database. On 17 March 2011, Duke University spokesman Karl Bates announced that the archives will move to Duke, with Anne E. Pusey, Duke's chairman of evolutionary anthropology, overseeing the collection. Pusey, who managed the archives in Minnesota and worked with Goodall in Tanzania, had worked at Duke for a year.  Today, Goodall devotes virtually all of her time to advocacy on behalf of chimpanzees and the environment, travelling nearly 300 days a year. Goodall is also a board member for the world's largest chimpanzee sanctuary outside of Africa, Save the Chimps in Fort Pierce, Florida.

what else does she do?

OUT: Goodall is also a board member for the world's largest chimpanzee sanctuary outside of Africa, Save the Chimps in Fort Pierce, Florida.


IN: Mircea Eliade (Romanian: ['mirtSea eli'ade]; March 9 [O.S. February 24] 1907 - April 22, 1986) was a Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago. He was a leading interpreter of religious experience, who established paradigms in religious studies that persist to this day. His theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and profane space and time, has proved influential.

In his work on the history of religion, Eliade is most highly regarded for his writings on Alchemy, Shamanism, Yoga and what he called the eternal return--the implicit belief, supposedly present in religious thought in general, that religious behavior is not only an imitation of, but also a participation in, sacred events, and thus restores the mythical time of origins. Eliade's thinking was in part influenced by Rudolf Otto, Gerardus van der Leeuw, Nae Ionescu and the writings of the Traditionalist School (Rene Guenon and Julius Evola). For instance, Eliade's The Sacred and the Profane partially builds on Otto's The Idea of the Holy to show how religion emerges from the experience of the sacred, and myths of time and nature.  Eliade is known for his attempt to find broad, cross-cultural parallels and unities in religion, particularly in myths. Wendy Doniger, Eliade's colleague from 1978 until his death, has observed that "Eliade argued boldly for universals where he might more safely have argued for widely prevalent patterns". His Treatise on the History of Religions was praised by French philologist Georges Dumezil for its coherence and ability to synthesize diverse and distinct mythologies.  Robert Ellwood describes Eliade's approach to religion as follows. Eliade approaches religion by imagining an ideally "religious" person, whom he calls homo religiosus in his writings. Eliade's theories basically describe how this homo religiosus would view the world. This does not mean that all religious practitioners actually think and act like homo religiosus. Instead, it means that religious behavior "says through its own language" that the world is as homo religiosus would see it, whether or not the real-life participants in religious behavior are aware of it. However, Ellwood writes that Eliade "tends to slide over that last qualification", implying that traditional societies actually thought like homo religiosus.

What is homo religiosus?

OUT:
it means that religious behavior "says through its own language" that the world is as homo religiosus would see