Answer the question at the end by quoting:

Horslips are an Irish Celtic rock band that compose, arrange and perform songs frequently inspired by traditional Irish airs, jigs and reels. The group are regarded as 'founding fathers of Celtic rock' for their fusion of traditional Irish music with rock music and went on to inspire many local and international acts. They formed in 1970 and 'retired' in 1980 for an extended period. The name originated from a spoonerism on The Four Horsemen of the Apocalypse which became "The Four Poxmen of The Horslypse".
Horslips designed their own artwork, wrote sleeve-notes and researched the legends that they made into concept albums. They established their own record label, Oats, and licensed the recordings through Atco, RCA and DJM for release outside Ireland. They kept their base in Ireland, unlike previous Irish bands.  In October 1972 Horslips went to Longfield House in Tipperary and recorded their first album, Happy To Meet, Sorry To Part, in the Rolling Stones Mobile Studio. They then released another single, "Green Gravel". On the first album the melodies were mostly traditional. Jim Lockhart was on keyboards and gradually mastered other instruments including uillean pipes. Eamon Carr was on drums, including the Irish bodhran. Happy To Meet, Sorry To Part was the fastest-selling album for eight years in Ireland. The sleeve was an elaborate concertina-shaped fold-out design.  The Abbey Theatre in Dublin asked the band to provide the background for a stage adaptation of "The Tain". They leapt at the opportunity. "Tain Bo Cuailnge" (The Cattle-Raid of Cooley) is a tenth-century story written in Old and Middle Irish. It tells of an ancient war between Ulster and Connacht. The Tain was released in 1973 and had more original material alongside the traditional tunes, and greater emphasis on rock. In the same year a single, "Dearg Doom", went to number one in Germany.  Dancehall Sweethearts followed in 1974, and also balanced folk with rock. Their fourth album, The Unfortunate Cup of Tea, drifted toward pop music and was generally considered less successful. RCA ended their funding deal for the group in 1975. The group funded their next venture themselves and went back to basics. Drive The Cold Winter Away (also 1975) was their most traditional album to date. They signed with DJM Records worldwide through A&R man Frank Neilson. The Book of Invasions: A Celtic Symphony (1976), like The Tain, was an adaptation of Irish legends built into a complex story. It became their only entry in the UK Albums Chart to date, where it peaked at No. 39 in 1977.  Ever ambitious, the band now tried to make it in the United States. They brought in Jim Slye to become their manager. He later sold their publishing rights to William McBurney for PS4,000. In 1977 they produced Aliens, about the experience of the Irish in nineteenth-century America, which included very little folk music. They toured Britain, Germany, Canada and the United States. The night they played the Albert Hall in London was described by one critic as the loudest gig there since Hendrix. The Man Who Built America (1978), produced by Steve Katz of Blood, Sweat and Tears and Blues Project fame, concerned Irish emigration to the USA and was commercially their most successful album. The heavier sound did bring some acceptance in America but they lost their folk base and their freshness. Short Stories, Tall Tales (1979) was their last studio album and was panned by the record company and critics alike.

Who did they sign with?

Jim Lockhart was on keyboards and gradually mastered other instruments including uillean pipes. Eamon Carr was on drums, including the Irish bodhran.



Answer the question at the end by quoting:

M. Bison, also known as Dictator, is a video game character created by Capcom. First introduced in Street Fighter II: The World Warrior, he is a recurring character and villain in the Street Fighter series of fighting games, acting as one of the series' primary antagonists. A would-be world dictator and megalomaniac, M. Bison's ultimate ambition is to control the world's governments through his covert crime syndicate, Shadaloo (shiyadoru, Shadoru, sometimes spelled as "Shadoloo", "Shadowloo" or "Shadowlaw"). He serves as the host of Street Fighter II's fighting tournament and is the last opponent fought in the game.
In Japan, the character is named Vega (bega, Bega), derived from the star of the same name. However, during localization of Street Fighter II for the English language market, Capcom's North American branch felt that the name did not sound threatening enough to North American audiences for the game's final boss, and thus was more suitable for the Spanish cage fighter Vega (Street Fighter). At this same time, another concern arose that the name of another character, Mike Bison, conceived as a parody of real-life boxer Mike Tyson, would be a legal liability for Capcom. As a result, the characters swapped names, and the game's final boss was dubbed M. Bison for international appearances of the character. Though the "M" originally stood for "Mike" in Japan, Capcom has never explained what it stands for in Western releases, calling it "part of the character's mystery". Regardless, Bison has been addressed as Master Bison in Street Fighter Alpha 3 repeatedly, as well as in the animated movie. In his introduction before a fight in (Super) Street Fighter IV, he refers to himself as "The Mighty Bison". In endings in Alpha 2, he is referred to by a henchman as Commander Bison. In Street Fighter V, he is referred to by F.A.N.G as Lord Bison.  When developing Street Fighter II: The Animated Movie, it was decided to give him a more muscular appearance, rather than have him resemble "a middle aged man", while his face was modified to appear somewhat demonic. This appearance was later carried onto the Street Fighter Alpha series, featured as his original appearance before the Street Fighter II series.  The first source of inspiration for M. Bison's design came from the character General Washizaki, one of the main villains of the popular martial arts manga Riki-Oh. However the final realized concept (especially the characters mysticism) is widely believed to be a homage to Yasunori Kato, the supernatural villain of the influential Teito Monogatari franchise.

Did this legal issue get resolved?
As a result, the characters swapped names, and the game's final boss was dubbed M. Bison