input: Pasteur was awarded 1,500 francs in 1853 by the Pharmaceutical Society for the synthesis of racemic acid. In 1856 the Royal Society of London presented him the Rumford Medal for his discovery of the nature of racemic acid and its relations to polarized light, and the Copley Medal in 1874 for his work on fermentation. He was elected a Foreign Member of the Royal Society (ForMemRS) in 1869.  The French Academy of Sciences awarded Pasteur the 1859 Montyon Prize for experimental physiology in 1860, and the Jecker Prize in 1861 and the Alhumbert Prize in 1862 for his experimental refutation of spontaneous generation. Though he lost elections in 1857 and 1861 for membership to the French Academy of Sciences, he won the 1862 election for membership to the mineralogy section. He was elected to permanent secretary of the physical science section of the academy in 1887 and held the position until 1889.  In 1873 Pasteur was elected to the Academie Nationale de Medecine and was made the commander in the Brazilian Order of the Rose. In 1881 he was elected to a seat at the Academie francaise left vacant by Emile Littre. Pasteur received the Albert Medal from the Royal Society of Arts in 1882. In 1883 he became foreign member of the Royal Netherlands Academy of Arts and Sciences. On June 8, 1886, the Ottoman Sultan Abdul Hamid II awarded Pasteur with the Order of the Medjidie (I Class) and 10000 Ottoman liras. Pasteur won the Leeuwenhoek Medal from the Royal Netherlands Academy of Arts and Sciences for his contributions to microbiology in 1895.  Pasteur was made a Chevalier of the Legion of Honour in 1853, promoted to Officer in 1863, to Commander in 1868, to Grand Officer in 1878 and made a Grand Cross of the Legion of Honor in 1881.

Answer this question "What was the last honor he was given?"
output: Pasteur was made a Chevalier of the Legion of Honour in 1853, promoted to Officer in 1863, to Commander in 1868, to Grand Officer in 1878

Problem: Background: Stanley Donen ( DAWN-@n; born April 13, 1924) is an American film director and choreographer whose most celebrated works are Singin' in the Rain and On the Town, both of which he co-directed with actor and dancer Gene Kelly. Other noteworthy films include Royal Wedding, Seven Brides for Seven Brothers, Funny Face, Indiscreet, Damn Yankees!, Charade, and Two for the Road. He began his career in the chorus line on Broadway for director George Abbott, where he befriended Kelly.
Context: Stanley Donen was born in Columbia, South Carolina to Mordecai Moses Donen, a dress-shop manager, and Helen (Cohen), the daughter of a jewelry salesman. His younger sister Carla Donen Davis was born in August 1937. Although born to Jewish parents, he became an atheist in his youth. Donen described his childhood as lonely and unhappy as one of the few Jews in Columbia, and he was occasionally bullied by anti-semitic classmates at school. To help cope with his isolation, he spent much of his youth in local movie theaters and was especially fond of Westerns, comedies and thrillers. The film that had the strongest impact on him was the 1933 Fred Astaire and Ginger Rogers musical Flying Down to Rio. Donen said that he "must have seen the picture thirty or forty times. I was transported into some sort of fantasy world where everything seemed to be happy, comfortable, easy and supported. A sense of well-being filled me." He shot and screened home movies with an 8 mm camera and projector that his father bought for him.  Inspired by Astaire, Donen took dance lessons in Columbia and performed at the local Town Theater. His family often traveled to New York City during summer vacations where he saw Broadway musicals and took further dance lessons. One of his early instructors in New York was Ned Wayburn, who had taught eleven-year-old Astaire in 1910. After graduating from high school at sixteen, Donen attended the University of South Carolina for one summer semester, studying psychology. Encouraged by his mother, he moved to New York City to pursue dancing on stage in the fall of 1940. After two auditions he was cast as a chorus dancer in the original Broadway production of Rodgers and Hart's Pal Joey, directed by the legendary George Abbott. The titular Pal Joey was played by the young up-and-comer Gene Kelly, who became a Broadway star in the role.  Abbott cast Donen in the chorus of his next Broadway show Best Foot Forward. He became the show's assistant stage manager, and Kelly asked him to be his assistant choreographer. Eventually Donen was fired from Best Foot Forward, but in 1942 was the stage manager and assistant choreographer for Abbott's next show Beat the Band. In 1946, Donen briefly returned to Broadway to help choreograph dance numbers for Call Me Mister.
Question: Did he go to college ?
Answer: Donen attended the University of South Carolina

Question: George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).

Breaking with the Federal Theatre Project in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. Welles was executive producer, and the original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Arlene Francis, Martin Gabel, John Hoyt, Norman Lloyd, Vincent Price, Stefan Schnabel and Hiram Sherman.  "I think he was the greatest directorial talent we've ever had in the [American] theater," Lloyd said of Welles in a 2014 interview. "When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything. We had not had such a man in our theater. He was the first and remains the greatest."  The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar -- streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage wall was painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Lloyd.  Beginning January 1, 1938, Caesar was performed in repertory with The Shoemaker's Holiday; both productions moved to the larger National Theatre. They were followed by Heartbreak House (April 29, 1938) and Danton's Death (November 5, 1938). As well as being presented in a pared-down oratorio version at the Mercury Theatre on Sunday nights in December 1937, The Cradle Will Rock was at the Windsor Theatre for 13 weeks (January 4-April 2, 1938). Such was the success of the Mercury Theatre that Welles appeared on the cover of Time magazine, in full makeup as Captain Shotover in Heartbreak House, in the issue dated May 9, 1938--three days after his 23rd birthday.

Using a quote from the above article, answer the following question: What was Mercury Theatre?
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Answer:
in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre.