Question:
The Man with the Golden Arm is a 1955 American drama film with elements of film noir, based on the novel of the same name by Nelson Algren, which tells the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute "most contemporary and modern sources assume that it is heroin", in contrast to Algren's book which named the drug as morphine. The film stars Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang and Darren McGavin. It was adapted for the screen by Walter Newman, Lewis Meltzer and Ben Hecht (uncredited), and directed by Otto Preminger.
Preminger decided to release the finished film prior to submitting it for a Code seal of approval. He contended that his film would not entice any viewers to take drugs, since drug use was depicted as having severely negative consequences. The black-and-white film was also the first to portray heroin use as a serious literary topic, rejecting the standard "dope fiend" approach of the time. United Artists, which had invested $1 million in the film's production, opted to distribute the film, even though doing so could result in the company being fined $25,000 by the Motion Picture Association of America (MPAA). The president of United Artists, Arthur Krim, expressed the company's hope that the PCA would make an exception to its usual rules and grant the film approval because of the film's "immense potential for public service." The film received several advance bookings in November and early December 1955, before the PCA had made a decision on whether to grant a Code seal.  However, in early December 1955, the PCA denied the film a Code seal, and the decision was upheld upon appeal to the MPAA. As a result, United Artists resigned from the MPAA that same month (although the company re-joined a few years later). The National Legion of Decency also showed disagreement with the PCA ruling by rating the film as a "B" meaning "morally objectionable in part for all", instead of a "C" meaning "condemned", which was the rating normally given to films that were denied a Code seal. Large theater circuits including Loews also refused to ban the film and instead showed it despite the lack of a Code seal. As a result of the controversy, the MPAA investigated and revised production codes, allowing later movies more freedom to deeply explore hitherto taboo subjects such as drug abuse, kidnapping, miscegenation, abortion, and prostitution.  In the end, The Man With The Golden Arm finally received the Production Code seal number 17011 in June 1961, which permitted the film to be reissued and sold for television broadcast.
Answer this question using a quote from the text above:

Was United Artists fined for the release?

Answer:
United Artists resigned from the MPAA that same month (although the company re-joined a few years later).

Answer the question at the end by quoting:

The Veterans Committee was the popular name of the National Baseball Hall of Fame Committee to Consider Managers, Umpires, Executives and Long-Retired Players; a former voting committee of the U.S. Baseball Hall of Fame that provided an opportunity for Hall of Fame enshrinement to all individuals who are eligible for induction but ineligible for consideration by the Baseball Writers' Association of America (BBWAA). The term "Veterans Committee" (was composed of four committees of baseball veterans) is taken from the body's former official name: National Baseball Hall of Fame Committee on Baseball Veterans (1953). In July 2010, the Veterans Committee name was changed by the Hall of Fame Board of Directors and its name was no longer officially used by the Hall of Fame, which called three new 16-member voting committees by era: the Expansion Era Committee (1973-present), the Golden Era Committee (1947-1972), and the Pre-Integration Era Committee (1876-1946) - each, "The Committee" (the term "Veterans Committee" is still being used by some sports media). The three committees met on a rotating cycle once every three years to elect candidates from each era to the Hall of Fame that have been "identified" by a BBWAA-appointed "Screening Committee" named the "Historical Overview Committee" (10-12 representatives; BBWAA members).
When the National Baseball Museum opened on June 12, 1939 in Cooperstown New York, it remained to be determined how the membership in its Hall of Fame would be determined in the future. The Baseball Writers' Association of America (BBWAA) had determined to vote every three years rather than annually, although it had voted in special election to consider Lou Gehrig. That move was a widely criticized, as observers generally agreed that it was a good pace to elect about three recent players annually, as from 1936 to 1939.  After the Centennial Committee made six selections in 1939 from the figures of the 19th century, baseball's Commissioner Landis completely revised the committee's membership, designating it the Hall of Fame Committee and establishing it as the institution's permanent governing body. From 1939 to 1944 its four members were Athletics owner and manager Connie Mack, Yankees president Ed Barrow, Braves president Bob Quinn, and sportswriter Sid Mercer. This committee was responsible, in its function as the Old-Timers Committee, for selecting additional worthy candidates from the 19th century, but it never convened during this five-year period, and thereby selected no one. Inaction fostered greater complaints that the stars of the 1880s and 1890s were being ignored. The relative slight was small considering the baseball writers voted only once between 1939 and 1945 and elected only one recent player.  There was no regular election in 1944 to select inductees to the Baseball Hall of Fame; in 1939 the Baseball Writers' Association of America (BBWAA) had moved to hold elections every three years rather than annually, and the next scheduled election was to be in 1945. In addition, the four-member Old-Timers Committee formed in late 1939 to select deserving individuals from the 19th century had still never met for that purpose, and criticism of the lack of honorees from that period was increasing.

Was anything eventually decided about the membership?
The Baseball Writers' Association of America (BBWAA) had determined to vote every three years rather than annually,