input: In the late 1970s, Capote was in and out of drug rehabilitation clinics, and news of his various breakdowns frequently reached the public. In 1978, talk show host Stanley Siegel did an on-air interview with Capote, who, in an extraordinarily intoxicated state, confessed that he had been awake for 48 hours and when questioned by Siegel, "What's going to happen unless you lick this problem of drugs and alcohol?", Capote responded: "The obvious answer is that eventually, I mean, I'll kill myself ... without meaning to." The live broadcast made national headlines. One year later, when he felt betrayed by Lee Radziwill in a feud with perpetual nemesis Gore Vidal, Capote arranged a return visit to Stanley Siegel's show, this time to deliver a bizarrely comic performance revealing an incident wherein Vidal was thrown out of the Kennedy White House due to intoxication. Capote also went into salacious details regarding the personal life of Lee Radziwill and her sister, Jacqueline Kennedy Onassis.  Andy Warhol, who had looked up to the writer as a mentor in his early days in New York and often partied with Capote at Studio 54, agreed to paint Capote's portrait as "a personal gift" in exchange for Capote's contributing short pieces to Warhol's Interview magazine every month for a year in the form of a column, Conversations with Capote. Initially the pieces were to consist of tape-recorded conversations, but soon Capote eschewed the tape recorder in favor of semi-fictionalized "conversational portraits". These pieces formed the basis for the bestselling Music for Chameleons (1980). Capote underwent a facelift, lost weight and experimented with hair transplants. Despite this, Capote was unable to overcome his reliance upon drugs and liquor and had grown bored with New York by the beginning of the 1980s.  After the revocation of his driver's license (the result of speeding near his Long Island residence) and a hallucinatory seizure in 1980 that required hospitalization, Capote became fairly reclusive. These hallucinations continued unabated and medical scans eventually revealed that his brain mass had perceptibly shrunk. On the rare occasions when he was lucid, he continued to promote Answered Prayers as being nearly complete and was reportedly planning a reprise of the Black and White Ball to be held either in Los Angeles or a more exotic locale in South America. On a few occasions, he was still able to write. In 1982, a new short story, "One Christmas," appeared in the December issue of Ladies' Home Journal; the following year it became, like its predecessors A Christmas Memory and The Thanksgiving Visitor, a holiday gift book. In 1983, "Remembering Tennessee," an essay in tribute to Tennessee Williams, who had died in February of that year, appeared in Playboy magazine.

Answer this question "How was that received?"
output: 

input: Rise Against was formed in 1999, by bassist Joe Principe and guitarist Dan Wleklinski. Before Rise Against, Principe and Wleklinski were members of the Chicago punk rock band 88 Fingers Louie. This band toured and recorded to moderate success, but disbanded on two separate occasions in the late 1990s. Following the second breakup, Principe and Wleklinski decided to form a new band called Transistor Revolt, and recruited drummer Toni Tintari, guitarist Kevin White, and lead vocalist Tim McIlrath. Principe met McIlrath in Indianapolis while attending a Sick of It All concert, and recalled seeing him perform with his previous band Baxter. Impressed with McIlrath's gritty vocals, Principe gave him a seven track demo he had recorded, and invited him to join the nascent band. McIlrath accepted the invitation, and dropped out of Northeastern Illinois University.  The initial jam sessions were problematic, as McIlrath was unaccustomed to Principe and Wleklinski's fast-paced style of play. McIlrath described these early sessions as "the meeting of different worlds and worlds colliding", and noted how many of his friends questioned the future of the band. Despite these early issues, they were able to self-publish the extended play (EP) Transistor Revolt in 2000. The EP attracted the attention of the local punk community, including Fat Mike, the lead vocalist of NOFX and co-founder of the independent record label Fat Wreck Chords. Fat Mike offered to sign the band to a recording contract, with the stipulation that they change their name. He gave some suggestions, like Jimmy Cracked Corn And The I Don't Cares, although none of the band members liked them. Tintari suggested Rise Against, to which the band agreed upon.  After signing with Fat Wreck Chords, Tintari and White left the band. The remaining members then spent the next few months looking for another drummer capable of playing double-time beats at a rapid pace. During this period, the band Good Riddance found their new drummer, and sent Rise Against the audition tape of their number two choice, Brandon Barnes. A mutual friend gave Barnes' phone number to Principe, and after listening to Transistor Revolt, Barnes accepted the band's invitation.

Answer this question "Did they tour?"
output: This band toured and recorded to moderate success,

input: An early collection of his poems appeared as The Tinder Spark (Saqt al-zand; sqT lznd). The collection of poems included praise of notable people of Aleppo and the Hamdanid ruler Sa'd al-Dawla. It gained great popularity and established his reputation as a poet. A few poems in the collection were about armour.  A second, more original collection appeared under the title Unnecessary Necessity (Luzum ma lam yalzam lzwm m l ylzm 'w llzwmyt), also simply Luzumiyat or Necessities. The title refers to how al-Ma'arri saw the business of living and alludes to the unnecessary complexity of the rhyme scheme used.  His third famous work is a work of prose known as The Epistle of Forgiveness (Resalat Al-Ghufran rsl@ lGfrn). The work was written as a direct response to the Arabic poet Ibn al-Qarih, whom al-Ma'arri mocks for his religious views. In this work, the poet visits paradise and meets the Arab poets of the pagan period, contrary to Muslim doctrine which holds that only those who believe in God can find salvation. Because of the aspect of conversing with the deceased in paradise, the Resalat Al-Ghufran has been compared to the Divine Comedy of Dante which came hundreds of years after. The work has also been noted to be similar to Ibn Shuhayd's Risala al-tawabi' wa al-zawabi, though there is no evidence that al-Ma'arri was inspired by Ibn Shahayd nor is there any evidence that Dante was inspired by al-Ma'arri. Algeria reportedly banned The Epistle of Forgiveness from the International Book Fair held in Algiers in 2007.  Paragraphs and Periods (Al-Fusul wa al-ghayat) is a collection of homilies. The work has also been called a parody of the Quran.

Answer this question "What other work he did"
output:
A second, more original collection appeared under the title Unnecessary Necessity