Problem: Background: Muhammad Ali (; born Cassius Marcellus Clay Jr.; January 17, 1942 - June 3, 2016) was an American professional boxer and activist. He is widely regarded as one of the most significant and celebrated sports figures of the 20th century. From early in his career, Ali was known as an inspiring, controversial, and polarizing figure both inside and outside the ring. Cassius Clay was born and raised in Louisville, Kentucky, and began training as an amateur boxer when he was 12 years old.
Context: Clay made his professional debut on October 29, 1960, winning a six-round decision over Tunney Hunsaker. From then until the end of 1963, Clay amassed a record of 19-0 with 15 wins by knockout. He defeated boxers that included Tony Esperti, Jim Robinson, Donnie Fleeman, Alonzo Johnson, George Logan, Willi Besmanoff, LaMar Clark, Doug Jones and Henry Cooper. Clay also beat his former trainer and veteran boxer Archie Moore in a 1962 match.  These early fights were not without trials. Clay was knocked down both by Sonny Banks and Cooper. In the Cooper fight, Clay was floored by a left hook at the end of round four and was saved by the bell, going on to win in the predicted 5th round due to Cooper's severely cut eye. The fight with Doug Jones on March 13, 1963 was Clay's toughest fight during this stretch. The number-two and -three heavyweight contenders respectively, Clay and Jones fought on Jones' home turf at New York's Madison Square Garden. Jones staggered Clay in the first round, and the unanimous decision for Clay was greeted by boos and a rain of debris thrown into the ring (watching on closed-circuit TV, heavyweight champ Sonny Liston quipped that if he fought Clay he might get locked up for murder). The fight was later named "Fight of the Year" by The Ring magazine.  In each of these fights, Clay vocally belittled his opponents and vaunted his abilities. He called Jones "an ugly little man" and Cooper a "bum". He was embarrassed to get in the ring with Alex Miteff. Madison Square Garden was "too small for me". Clay's behavior provoked the ire of many boxing fans. His provocative and outlandish behavior in the ring was inspired by professional wrestler "Gorgeous George" Wagner. Ali stated in a 1969 interview with the Associated Press' Hubert Mizel that he met with Gorgeous George in Las Vegas in 1961 and that the wrestler inspired him to use wrestling jargon when he did interviews.  After Clay left Moore's camp in 1960, partially due to Clay's refusing to do chores such as dish-washing and sweeping, he hired Angelo Dundee, whom he had met in February 1957 during Ali's amateur career, to be his trainer. Around this time, Clay sought longtime idol Sugar Ray Robinson to be his manager, but was rebuffed.
Question: Was he ever sponsored?
Answer: 

Problem: Background: Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.
Context: Following his work for Fred Zinnemann on The Men (1950), Tiomkin composed the score for the same director's High Noon (1952). His theme song was "Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). At its opening preview to the press, the film, which starred Gary Cooper and Grace Kelly, did badly. Tiomkin writes that "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture." Tiomkin bought the rights to the song and released it as a single for the popular music market, with singer Frankie Laine. The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with the words sung by country western star Tex Ritter. The film received seven Academy Award nominations and won four awards, including two for Tiomkin: Best Original Music and Best Song. Walt Disney presented him with both awards that evening.  According to film historian Arthur R. Jarvis, Jr., the score "has been credited with saving the movie." Another music expert, Mervyn Cooke, agrees, adding that "the song's spectacular success was partly responsible for changing the course of film-music history". Tiomkin was the second composer to receive two Oscars (score and song) for the same dramatic film. (The first was Leigh Harline, who won Best Original Score for Disney's Pinocchio and Best Song for "When You Wish Upon a Star". Ned Washington wrote its lyrics as he did for "Do Not Forsake Me, Oh My Darlin".)  The song's lyrics briefly tell High Noon's entire story arc, a tale of cowardice and conformity in a small Western town. Tiomkin composed his entire score around this single western-style ballad. He also eliminated violins from the ensemble. He added a subtle harmonica in the background, to give the film a "rustic, deglamorized sound that suits the anti-heroic sentiments" expressed by the story.  According to Russian film historian Harlow Robinson, building the score around a single folk tune was typical of many Russian classical composers. Robinson adds that the source of Tiomkin's score, if indeed folk, has not been proven. However, the Encyclopedia of Modern Jewish Culture, on page 124, states: "The fifty-year period in the USA between 1914, the start of the First World War and the year of Irving Berlin's first full score, Watch Your Step, and 1964, the premiere of Boek and Hamick's Fiddler on the Roof, is informed by a rich musical legacy from Yiddish folk tunes (for example Mark Warshavsky's "Di milners trem," The miller's tears: and Dimitri Tiomkin's "Do Not Forsake Me." High Noon)..." The composer worked again for Zinnemann on The Sundowners (1960).  Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A. Wellman, and featuring John Wayne; and The Old Man and the Sea (1958), adapted from an Ernest Hemingway novel. During the 1955 ceremonies, Tiomkin thanked all of the earlier composers who had influenced him, including Beethoven, Tchaikovsky, Rimsky-Korsakov, and other names from the European classical tradition.
Question: did he win any other awrads?
Answer: