Question:
The Animals are an English rhythm and blues and rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic No. 1 hit single, "House of the Rising Sun", as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "I'm Crying" and "Don't Let Me Be Misunderstood". The band balanced tough, rock-edged pop singles against rhythm and blues-orientated album material.
The original Animals line-up of Burdon, Price, Valentine, Chandler and Steel reunited for a benefit concert in Newcastle in December 1968 and re-formed in late 1975 to record again. Burdon later said nobody understood why they did this short reunion. They did a mini-tour in 1976 and shot a few videos of their new songs like "Lonely Avenue" and "Please Send Me Someone to Love". They released the album in 1977 aptly called Before We Were So Rudely Interrupted. The album received critical praise. Burdon and Valentine also recorded some demos at that time, which were never released. On 12 December 1982, Burdon performed together with Alan Price and a complete line-up, foreshadowing later events.  All five original band members reunited again in 1983 for the album Ark and a world concert tour, supplemented by Zoot Money on keyboards, Nippy Noya on percussion, Steve Gregory on saxophone and Steve Grant on guitar. The first single "The Night" reached #48 at the US Pop Singles and #34 at the Mainstream Rock Charts, also gaining success in Greece. They released a second single called "Love Is For All Time".  The Ark tour consisted of about one-third material from the original 1960s and two-thirds material from Ark or other songs. The latter included the songs "Heart Attack", "No More Elmore" (both released a year earlier by Burdon), "Oh Lucky Man" (from the 1973 soundtrack album to O Lucky Man! by Price), "It's Too Late", "Tango", and "Young Girls" (later released on Burdon's compilation, The Night). On 9 September, they had their first show in New York at the Mid-Hudson Civic Center, the tickets for which sold out. A Wembley Arena concert followed on 31 December (supporting The Police) which was released on the Rip it To Shreds live album in 1984 after they had disbanded again. Their concert at the Royal Oak Theatre in Royal Oak, Michigan on 29 November 1983 was released on 27 February 2008, as Last Live Show. A film about the reunion tour was shot but never released.  Chas Chandler died from an aneurysm in 1996, putting an end to any possibility of another reunion of the full original line-up.
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After the reunion did they do another incarnation?

Answer:
Chas Chandler died from an aneurysm in 1996, putting an end to any possibility of another reunion of the full original line-up.

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Eleanora Fagan (April 7, 1915 - July 17, 1959), better known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills, which made up for her limited range and lack of formal music education.
In 1935 Holiday was signed to Brunswick Records by John Hammond to record current pop tunes with Teddy Wilson in the new swing style for the growing jukebox trade. They were given free rein to improvise the material. Holiday's improvisation of melody to fit the emotion was revolutionary. Their first collaboration included "What a Little Moonlight Can Do" and "Miss Brown to You". "What a Little Moonlight Can Do" has been deemed her "claim to fame." Brunswick did not favor the recording session, because producers wanted Holiday to sound more like Cleo Brown. After "What a Little Moonlight Can Do" garnered success, however, the company began considering Holiday an artist in her own right. She began recording under her own name a year later (on the 35-cent Vocalion label), producing a series of extraordinary performances with groups comprising the swing era's finest musicians. The sessions were co-produced by Hammond and Bernie Hanighen.  With their arrangements, Wilson and Holiday took pedestrian pop tunes, such as "Twenty-Four Hours a Day" (number 6 Pop) and "Yankee Doodle Went to Town", and turned them into jazz classics. Most of Holiday's recordings with Wilson or under her own name during the 1930s and early 1940s are regarded as important parts of the jazz vocal library. She was then in her twenties.  Another frequent accompanist was the tenor saxophonist Lester Young, who had been a boarder at her mother's house in 1934 and with whom Holiday had a special rapport. He said, "I think you can hear that on some of the old records, you know. Some time I'd sit down and listen to 'em myself, and it sound like two of the same voices, if you don't be careful, you know, or the same mind, or something like that." Young nicknamed her "Lady Day", and she called him "Prez".  Hammond spoke about the commercial impact of the Wilson-Holiday sides from 1935 to 1938, calling them a great asset to Brunswick. The record label, according to Hammond, was broke and unable to record many jazz tunes. Wilson, Holiday, Young, and other musicians came into the studio without musical arrangements and improvised as they performed, dispensing with the expense of having written arrangements, so that the records they produced were cheap. Holiday was never given any royalties for her work, instead being paid a flat fee, which saved the company money. Some of the records produced were successful, such as "I Cried for You", which sold 15,000 copies. Hammond said of the record, "15,000 ... was a giant hit for Brunswick in those days. I mean a giant hit. Most records that made money sold around three to four thousand."

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Holiday was never given any royalties for her work, instead being paid a flat fee, which saved the company money.