input: In 2000, Blyss re-recorded, remixed, and released twelve of the fifteen Diff's Lucky Day session demos as No Name Face, their debut major label release under the name of Lifehouse. On their choosing the band name, frontman Jason Wade said, "It's about what we do as a band and for me personally. Most of this record is about my life and about life's circumstances. Not only my life, but other peoples' lives. We thought Lifehouse was a good name for it."  No Name Face met significant commercial success and established the band, and eventually would sell in excess of 4 million copies worldwide. This was in part due to the success of "Hanging by a Moment", Lifehouse's first commercial single. Due to the charisma and talent of frontman Wade, DreamWork Record's focus was primarily on him. "Hanging by a Moment" was the third song in chart history to be named the "No. 1 Song of the Year" on the Billboard Hot 100 despite not having reached No. 1 on any weekly Billboard Hot 100 survey (after Sam the Sham & The Pharaohs' "Wooly Bully" in 1965 and Faith Hill's "Breathe" in 2000). The second single from the album, "Sick Cycle Carousel", was not as commercially successful as "Hanging by a Moment", peaking at No. 35 on the Billboard Modern Rock chart; the third and final single was "Breathing", a reworking of a song featured on Diff's Lucky Day.  The song "Everything" was the first of many Lifehouse songs to be featured in the future hit WB drama Smallville. Seven of the band's songs would be featured in episodes of the series' first four seasons, and the band itself would perform live at the Smallville prom at the end of the fourth-season episode "Spirit". The song "You and Me" would be released on the series' second soundtrack, Smallville: The Metropolis Mix, in an extended form, subtitled "Wedding Version" ("You and Me (Wedding Version)"). The song "Everything" was also used in the series' 200th episode, "Homecoming", in the show's 10th and final season, as an homage to the series pilot and first-season finale episodes.  The song "Somewhere in Between", also from No Name Face, was featured in the first-season episode of Falcon Beach, "The Blame Game".  By the time Lifehouse's first album was released, Palmer had left the band, and Wade and Andrade were the only remaining founding members. Soon after recording No Name Face, Wade and Andrade met Rick Woolstenhulme, who auditioned for the needed drummer part and joined the band as full-time drummer. Before the audition, Woolstenhulme had been rehearsing in an adjacent room to Lifehouse and frequently he and Wade would pass each other without meeting the other.

Answer this question "How did the album do sales wise?"
output: 

input: He entered the House of Commons as a Conservative on 22 August 1853, as MP for Stamford in Lincolnshire. He retained this seat until entering the peerage and it was not contested during his time as its representative. In his election address he opposed secular education and "ultramontane" interference with the Church of England which was "at variance with the fundamental principles of our constitution". He would oppose "any such tampering with our representative system as shall disturb the reciprocal powers on which the stability of our constitution rests". In 1867, after his brother Eustace complained of being addressed by constituents in a hotel, Cecil responded: "A hotel infested by influential constituents is worse than one infested by bugs. It's a pity you can't carry around a powder insecticide to get rid of vermin of that kind".  In December 1856 Cecil began publishing articles for the Saturday Review, to which he contributed anonymously for the next nine years. From 1861 to 1864 he published 422 articles in it; in total the weekly published 608 of his articles. The Quarterly Review was the foremost intellectual journal of the age and of the twenty-six issues published between spring 1860 and summer 1866, Cecil had anonymous articles in all but three of them. He also wrote lead articles for the Tory daily newspaper the Standard. In 1859 Cecil was a founding co-editor of Bentley's Quarterly Review, with John Douglas Cook and Rev. William Scott; but it closed after four issues.  Salisbury criticised the foreign policy of Lord John Russell, claiming he was "always being willing to sacrifice anything for peace... colleagues, principles, pledges... a portentous mixture of bounce and baseness... dauntless to the weak, timid and cringing to the strong". The lessons to be learnt from Russell's foreign policy, Salisbury believed, were that he should not listen to the opposition or the press otherwise "we are to be governed... by a set of weathercocks, delicately poised, warranted to indicate with unnerving accuracy every variation in public feeling". Secondly: "No one dreams of conducting national affairs with the principles which are prescribed to individuals. The meek and poor-spirited among nations are not to be blessed, and the common sense of Christendom has always prescribed for national policy principles diametrically opposed to those that are laid down in the Sermon on the Mount". Thirdly: "The assemblies that meet in Westminster have no jurisdiction over the affairs of other nations. Neither they nor the Executive, except in plain defiance of international law, can interfere [in the internal affairs of other countries]... It is not a dignified position for a Great Power to occupy, to be pointed out as the busybody of Christendom". Finally, Britain should not threaten other countries unless prepared to back this up by force: "A willingness to fight is the point d'appui of diplomacy, just as much as a readiness to go to court is the starting point of a lawyer's letter. It is merely courting dishonour, and inviting humiliation for the men of peace to use the habitual language of the men of war".

Answer this question "Are there any other interesting aspects about this article?"
output: In December 1856 Cecil began publishing articles for the Saturday Review, to which he contributed anonymously for the next nine years.

input: In June 2009, the band played a short set to launch This Book Is Broken at the North by Northeast festival. They played a mix of new songs from their then-upcoming album and old favourites, and were joined by Feist, who also joined them on their second visit to Mexico City in October.  During the band's free performance at the Harbourfront Centre on July 11, 2009, they were joined by nearly all past contributors, including Feist, Emily Haines and James Shaw, Amy Millan and Evan Cranley, John Crossingham, Jason Collett and Julie Penner. This revue-like show celebrated other projects by members as well as including material from the then-upcoming album. Emcee Bruce McDonald announced the filming of a documentary directed by him and written by Don McKellar, Titled This Movie Is Broken, it includes concert footage and a fictional romance. Although McDonald announced at the concert that film submitted by fans would be used in the movie, the final cut of the movie included only one submission, a front-row recording of "Major Label Debut".  Broken Social Scene released their fourth full-length album on May 4, 2010. Entitled Forgiveness Rock Record, it was recorded at Soma in Chicago, with John McEntire producing, and in Toronto at the studio of Sebastian Grainger and James Shaw. For the first time, Amy Millan, Emily Haines, and Leslie Feist recorded a track together (albeit at different times). This album was short-listed for the 2010 Polaris Music Prize.  In August 2010, Broken Social Scene initiated their "All to All" remix series, which included seven different versions of the track from Forgiveness Rock Record. Every Monday a new remix was released and available for 24 hours via a different online partner. The first version, "All to All (Sebastien Sexy Legs Grainger Remix)", by Sebastien Grainger, was released August 9 via Pitchfork.

Answer this question "was the album successful?"
output:
This album was short-listed for the 2010 Polaris Music Prize.