Background: Born in Rochester, New York, Wambach was raised in the Rochester suburb of Pittsford. She is the youngest of seven siblings (with two sisters and four brothers) born to Pete and Judy Wambach. She began playing soccer at the age of four after her sister decided she wanted to try the sport. Their mother checked out a book from the library explaining how to play the game, and from then on soccer became part of their family tradition.
Context: In 2002, Wambach was selected second during the first round of the 2002 WUSA Draft by the Washington Freedom for the second season of the Women's United Soccer Association (WUSA). After tying with the Carolina Courage for last place during the previous season, the Freedom hoped to turn things around in 2002. With Mia Hamm out for the first half of the season for knee surgery and recovery, the Freedom found themselves in sixth place. After Hamm's return, the team finished the remainder of the season 9-1-2, finishing third with a berth into the playoffs. Of the team's turnaround, Wambach noted, "Early on in the season it was difficult to get everyone on the same page. Mia was out, we had just started playing with the Chinese players, Steffi hadn't come yet. There were so many factors that went into us not playing as well. Since people have returned, and we have been able to grasp what exactly one another was doing out there, it's been easier to get results." During the semifinals, the Freedom upset the Philadelphia Charge 1-0. During the final against the Carolina Courage, the Freedom lost in front of 12,000 spectators at Herndon Stadium in Atlanta. Wambach assisted on Hamm's 64th-minute goal, the team's second goal, after the Courage's Danielle Fotopoulos scored an own goal in the 31st minute; however, it was not enough to equalize Carolina's three goals. After leading all first-year players in the league in scoring, Wambach was named WUSA Rookie of the Year in 2002. She was Washington's leading scorer with ten goals and ten assists and finished tied for fourth for scoring in the WUSA.  During the 2003 season, Wambach tied with Freedom teammate, Mia Hamm for the league's scoring lead with 33 points. Her contributions in Washington helped to propel the Freedom to a victory in the Founders Cup III, where Wambach was named the MVP. During the seventh minute of regulation time, she scored the second-fastest goal in Founders Cup history after she headed the ball into the lower left side of the net past Beat goalkeeper and national team teammate, Brianna Scurry. She scored the game-winning goal in the sixth minute of overtime off a cross from Jenny Meier, leading the Freedom to defeat the Atlanta Beat 2-1 during the championship match.  Five days before the 2003 FIFA Women's World Cup, the first World Cup that Wambach would play in, the WUSA folded citing financial difficulties and a lack of sponsorship.
Question: What other games did she play in in the 2003 season?
Answer: Her contributions in Washington helped to propel the Freedom to a victory in the Founders Cup III, where Wambach was named the MVP.

Background: A disc jockey, often abbreviated as DJ, is a person who plays existing recorded music for a live audience. Most common types of DJs include radio DJ, club DJ who performs at a nightclub or music festival, and turntablist who uses record players, usually turntables, to manipulate sounds on phonograph records. Originally, the "disc" in "disc jockey" referred to gramophone records, but now "DJ" is used as an all-encompassing term to describe someone who mixes recorded music from any source, including cassettes, CDs, or digital audio files on a CDJ or laptop. The title "DJ" is commonly used by DJs in front of their real names or adopted pseudonyms or stage names.
Context: Several techniques are used by DJs as a means to better mix and blend recorded music. These techniques primarily include the cueing, equalization and audio mixing of two or more sound sources. The complexity and frequency of special techniques depends largely on the setting in which a DJ is working. Radio DJs are less likely to focus on advanced music-mixing procedures than club DJs, who rely on a smooth transition between songs using a range of techniques. However, some radio DJs are experienced club DJs, so they use the same sophisticated mixing techniques.  Club DJ turntable techniques include beatmatching, phrasing and slip-cueing to preserve energy on a dance floor. Turntablism embodies the art of cutting, beat juggling, scratching, needle drops, phase shifting, back spinning and more to perform the transitions and overdubs of samples in a more creative manner (although turntablism is often considered a use of the turntable as a musical instrument rather than a tool for blending recorded music). Professional DJs may use harmonic mixing to choose songs that are in compatible musical keys.  Recent advances in technology in both DJ hardware and software can provide assisted or automatic completion of some traditional DJ techniques and skills. Examples include phrasing and beatmatching, which can be partially or completely automated by utilizing DJ software that performs automatic synchronization of sound recordings, a feature commonly labelled "sync". Most DJ mixers now include a beat-counter which analyzes the tempo of an incoming sound source and displays its tempo in beats per minute (BPM), which may assist with beatmatching analog sound sources.  In the past, being a DJ has largely been a self-taught craft but with the complexities of new technologies and the convergence with music production methods, there are a growing number of schools and organizations that offer instruction on the techniques.
Question: Does the technique have anything to do with what equipment they have?
Answer:
Turntablism embodies the art of cutting, beat juggling, scratching, needle drops, phase shifting, back spinning and more to perform the transitions and overdubs of samples in a more creative manner