Answer the question at the end by quoting:

Wang Leehom (born May 17, 1976), sometimes credited as Leehom Wang, is a Taiwanese-American singer-songwriter, record producer, actor and film director. Formally trained at the Eastman School of Music, Williams College and Berklee College of Music, his musical style is known for fusing Chinese elements (such as Beijing opera, traditional styles of ethnic minorities, Chinese classical orchestra) with hip-hop and R&B. Wang debuted in 1995 and since then has released over 25 albums, with sales of over 50 million copies. He is also a four-time winner and 19-time nominee of Taiwan's Golden Melody Awards, the "Grammys" of Chinese music.
Wang's contract with Decca Records was terminated after the release of his fourth album White Paper in the summer of 1997. After graduating with honors at Williams College, he released his first award-winning album Revolution under Sony Music Entertainment in August 1998. The album became his breakthrough album, immediately selling over 10,000 domestic units in the first week of release. Critics rated the album highly, and it won Wang two Golden Melody Awards--Best Producer and Best Mandarin Male Singer. He was the youngest artist to win in either of the two categories. Wang has been nominated the Best Mandarin Male Singer at the awards every year since the success of Revolution. The singles of Revolution also achieved similar success-"Revolution" became Wang Leehom's first No. 1 single, becoming one of the top 20 songs of the year on Channel V Taiwan.  He continued his studies by attending Berklee College of Music's Professional Music program, with voice as his principal instrument. In 1999, Wang released his sixth album Impossible to Miss You, which combined the catchy pop melodies of Revolution with a quirky style of new-found dance-pop. It became his then best-selling album, selling over 1 million copies. All of the album's promotional singles topped KTV charts and yearly music charts, including the upbeat "Julia" and the ballad "Crying Palm". His album also attracted international attention-Wang won three Best Male Vocalist awards at three different award ceremonies and was also awarded for his musical merit in the album at the 1st annual Asia Chinese Music Awards.  At the beginning of the millennium, Wang began filming for several Cantonese-language Hong Kong blockbusters, which inspired him to study the Cantonese language. He included a Cantonese track, "Love My Song," in the Hong Kong release of Forever's First Day (2000), his seventh album. Unlike his previous two albums, Forever's First Day consisted mainly of melodic R&B tunes. The album's eponymous single is a tragic romantic ballad, speaking of a separation of two individuals. Although raised in New York for most of his life, living in Taiwan made Wang realize the deep roots of his Chinese heritage. Forever's First Day yielded a cover of his uncle's signature song "Descendants of the Dragon"; Wang re-arranged the song with heavier rock and dance elements. The song also included a rap bridge that summarized experiences of his parents living as a Chinese American in New York.

Were his 2 other awards also from china?





Answer the question at the end by quoting:

Born in Dallas, Texas, into a family of Mexican ancestry, Trevino was raised by his mother, Juanita Trevino, and his grandfather, Joe Trevino, a gravedigger. Trevino never knew his father, Joseph Trevino, who left when his son was small. Trevino's childhood consisted of attending school occasionally and working to earn money for the family. At age 5, he started working in the cotton fields.
At age 49 in the 1989 Masters, Trevino shot an opening round five-under-par 67 to become the oldest man ever to lead the field after a round in the tournament. It came despite Trevino's words 20 years earlier, when he said after the 1969 Masters: "Don't talk to me about the Masters. I'm never going to play there again. They can invite me all they want, but I'm not going back. It's just not my type of course." Trevino said that he felt uncomfortable with the atmosphere at the Augusta National club and that he disliked the course because his style of play, where he liked to fade shots left to right, was not suited to the course.  Trevino did not accept invitations to the Masters in 1970, 1971 and again in 1974. In 1972, after forgoing the previous two Masters tournaments, he stored his shoes and other items in the trunk of his car, rather than use the locker room facilities in the clubhouse. Trevino complained that had he not qualified as a player, the club would not have let him onto the grounds except through the kitchen. But he later described his boycott of the Masters as "the greatest mistake I've made in my career" and called Augusta National "the eighth wonder of the world."  After his opening round of 67 in the 1989 Masters, Trevino finished the tournament tied for 18th place. His best finish at the Masters was a tie for 10th place twice: in 1975 and in 1985.

When did Lee go to the Masters?

His best finish at the Masters was a tie for 10th place twice: in 1975 and in 1985.



Answer the question at the end by quoting:

Color Me Badd is an American contemporary R&B group that was formed in Oklahoma City, Oklahoma. The original members of the group were lead singer Bryan Abrams (born November 16, 1969), second tenor Mark Calderon (born September 27, 1970), second tenor Sam Watters (born July 23, 1970) and baritone Kevin Thornton (born June 17, 1969). They formed in 1985 and broke up in 1998 before reuniting in 2010, with various lineups since. As of 2016, they operate as a trio with Abrams, Calderon and Adam Emil.
Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops.  The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members.  They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990.

Was the song successful?
Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990.