Some context: Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators.
By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded.
Were there other songs from this album?
A: Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".
Some context: Of Irish descent, Donovan was born in Buffalo, New York, to Anna Letitia "Tish" Donovan (nee Lennon) and Timothy P. Donovan, both American-born children of Irish immigrants. The Lennons were from Ulster, the Donovans from County Cork. Donovan's grandfather Timothy O'Donovan (Sr.) was from the town of Skibbereen; raised by an uncle who was a parish priest, he married Donovan's grandmother Mary Mahoney, who belonged to a propertied family of substantial means that disapproved of him.
While British authorities and the US military and State Department were relatively indifferent to the question of trying war criminals after the war, Donovan was lobbying Roosevelt as early as October 1943 to arrange for such prosecutions. Roosevelt tasked Donovan with looking into the legalities and technicalities, and in the months that followed Donovan collected testimonies about war criminals and related information from a wide range of sources. In addition to seeking justice, Donovan wanted to exact retribution for the torture and killing of OSS agents. When Truman named Supreme Court Justice Robert Jackson to serve as chief U.S. counsel in the prosecution of Nazi war criminals, Jackson, discovering that the OSS was the only agency that had seriously explored the issue, invited Donovan to join his trial staff.  On May 17, 1945, Donovan flew to Europe to prepare for the prosecutions, and eventually brought 172 OSS officers onto Jackson's team, interviewing Auschwitz survivors, tracking down SS and Gestapo documents, and uncovering other evidence. Donovan, whose idea it was to hold the trials in Nuremberg, also introduced Jackson to useful foreign officials and even released OSS funds to bankroll the prosecution effort. Eventually, Jackson, who had been a political rival of Donovan's in New York State, considered him a "godsend"; in return for Donovan's help, but also because the OSS had proven "vital for the prosecution team," Jackson lobbied Truman in person to approve of Donovan's plans for a permanent postwar intelligence agency. The effort, however, was unsuccessful. On September 20, 1945, Truman signed an executive order abolishing the OSS.  In Nuremberg, Donovan interrogated many prisoners, including Hermann Goring, whom he spoke with ten times. But eventually Donovan fell out with Jackson. The latter wanted to indict the entire German High Command, not just men who had personally ordered or committed war crimes; Donovan considered this a violation of American principles of fairness. Donovan, a former prosecutor, also criticized Jackson's lack of skill and experience at putting together a strong case and at courtroom examination and cross-examination. Jackson removed him from the team, and Donovan returned to the U.S., where in January 1946 Truman presented him with the Distinguished Service Medal.
Did Truman approve the plans?
A:
The effort, however, was unsuccessful. On September 20, 1945, Truman signed an executive order abolishing the OSS.