input: Adams married former child actress Carol Nugent in 1959. Nugent had appeared in an episode of The Rebel. They had two children, Allyson and Jeb Stuart Adams.  Sometimes acrimonious marital problems reportedly interfered with his ability to get lucrative acting parts after 1963. While promoting Young Dillinger during a television appearance on The Les Crane Show in early 1965, Adams "shocked" the viewing audience with an announcement that he was leaving his wife--seemingly without telling her first. The couple publicly announced a reconciliation a week later, but his career and personal life following this episode have been characterized as a "tragic freefall".  Adams and actress Kumi Mizuno may have had a short affair while he was working in Japan. "That's one of the reasons my parents were divorced", his daughter, playwright Allyson Lee Adams, later said. "My dad had a penchant for becoming infatuated with his leading ladies. It was a way for him to take on the role he was playing at the time."  By July 1965, Adams and Nugent were legally separated; Nugent filed for divorce in September. The following month, while Adams was in Japan, Nugent was granted a divorce and custody of the children. In January 1966, Adams and Nugent announced another reconciliation on Bill John's Hollywood Star Notebook, a local television show. However, in November 1966, Nugent resumed the divorce proceedings and obtained a restraining order against him, alleging Adams was "prone to fits of temper", and in an affidavit, charged he had "choked her, struck her and threatened to kill her during the past few weeks." On January 20, 1967, Adams was waiting for a court hearing to start when he was served with a $110,000 defamation suit by Nugent's boyfriend, Paul Rapp, who later married Nugent. Nevertheless, nine days later he was granted temporary custody of the children. His son Jeb Adams later recalled, "He saw it as a competition, basically, more than anything of getting custody of us. But, a matter of a week or two later, he gave us back to my mom". Nugent later regained legal custody of the children.

Answer this question "What were his children's names?"
output: Allyson and Jeb Stuart Adams.

Question: She was born Rosa Ponzillo on January 22, 1897, in Meriden, Connecticut, the youngest of three children. The family lived on the city's west side in a neighborhood chiefly populated by immigrants from the south of Italy, first at the corner of Lewis Avenue and Bartlett Street, then on Foster Street, where Ponselle was born, moving when she was three to Springdale Avenue. Her parents were Italian immigrants from Caiazzo, near Caserta. Ponselle had an exceptionally mature voice at an early age and, at least in her early years, sang on natural endowment with little, if any, vocal training.

Rosa Ponselle made her Metropolitan Opera debut on November 15, 1918, just a few days after the Great War had finished, as Leonora in Verdi's La forza del destino, opposite Caruso. It was her first performance on any opera stage. She was quite intimidated for being in the presence of Caruso, and in spite of an almost paralyzing case of nervousness (which she suffered from throughout her operatic career), she scored a tremendous success, both with the public and with the critics. New York Times critic James Huneker wrote: "...what a promising debut! Added to her personal attractiveness, she possesses a voice of natural beauty that may prove a gold mine; it is vocal gold, anyhow, with its luscious lower and middle tones, dark, rich and ductile, brilliant in the upper register."  In addition to Leonora, Ponselle's roles in the 1918/19 season included Santuzza in Cavalleria rusticana, Rezia in Weber's Oberon, and Carmelita in the (unsuccessful) world premiere of Joseph Carl Breil's The Legend.  In the following Met seasons, Ponselle's roles included the lead soprano roles in La Juive (opposite Caruso's Eleazar, his last new role before he died), William Tell, Ernani, Il trovatore, Aida, La Gioconda, Don Carlos, L'Africaine, L'amore dei tre re, Andrea Chenier, La vestale, and in 1927 the role that many considered her greatest achievement, the title role in Bellini's Norma. In addition to her operatic activities, which were centered at the Met, Ponselle had a lucrative concert career. A tour of the West coast included an appearance at the Lobero Theatre in Santa Barbara on March 14, 1927 in the Artist Series of the Community Arts Association's Music Branch, accompanied by pianist Stuart Ross.

Using a quote from the above article, answer the following question: What else did she perform during her early career?
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Answer:
Santuzza in Cavalleria rusticana, Rezia in Weber's Oberon, and Carmelita in the (unsuccessful) world premiere of Joseph Carl Breil's The Legend.