Problem: Michael John Harrison (born 26 July 1945), known for publication purposes primarily as M. John Harrison, is an English author and literary critic. His work includes the Viriconium sequence of novels and short stories (1971-1984), Climbers (1989), and the Kefahuchi Tract trilogy, which consists of Light (2002), Nova Swing (2006) and Empty Space (2012). He is widely considered one of the major stylists of modern fantasy and science fiction, and a "genre contrarian". The Times Literary Supplement described him as 'a singular stylist' and the Literary Review called him 'a witty and truly imaginative writer'.

Harrison's enduring fantasy sequence concerning the fictitious city of Viriconium consists of three novels and various short stories and novels written between 1971 and 1984. Viriconium is known as the Pastel City. Both universal and particular, the city has a shifting topography and history, and is sometimes known by names such as 'Uroconium'.  The first book, The Pastel City (1971), presents a civilization in decline where medieval social patterns clash with the advanced technology and superscience energy weapons that the citizens of the city know how to use but have forgotten how to engineer. The more complex second novel is A Storm of Wings (1982). It is set eighty years later than The Pastel City. and stylistically it is far denser and more elaborate. A race of intelligent insects is invading Earth as human interest in survival wanes. Harrison brilliantly depicts the workings of civilization on the verge of collapse and the heroic efforts of individuals to help it sustain itself a little longer.  The third novel, In Viriconium (1982) (US title: The Floating Gods), was nominated for the Guardian Fiction Prize during 1982. It is a moody portrait of artistic subcultures in a city beset by a mysterious plague. Where the previous books in the series held some sword and sorcery elements, In Viriconium goes beyond black humour into a coma of despair.  The short story "A Young Man's Journey to Viriconium" (1985; later retitled "A Young Man's Journey to London") is set in our world. It explains that Viriconium can be visited via a mirror in a bathroom in a cafe in England.

what is storm of wings about?

Answer with quotes: A race of intelligent insects is invading Earth as human interest in survival wanes.


Problem: Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836-1911) and the composer Arthur Sullivan (1842-1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known. Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion--fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray. Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos.

Sullivan was born in London on 13 May 1842. His father was a military bandmaster, and by the time Arthur had reached the age of eight, he was proficient with all the instruments in the band. In school he began to compose anthems and songs. In 1856, he received the first Mendelssohn Scholarship and studied at the Royal Academy of Music and then at Leipzig, where he also took up conducting. His graduation piece, completed in 1861, was a suite of incidental music to Shakespeare's The Tempest. Revised and expanded, it was performed at the Crystal Palace in 1862 and was an immediate sensation. He began building a reputation as England's most promising young composer, composing a symphony, a concerto, and several overtures, among them the Overture di Ballo, in 1870.  His early major works for the voice included The Masque at Kenilworth (1864); an oratorio, The Prodigal Son (1869); and a dramatic cantata, On Shore and Sea (1871). He composed a ballet, L'Ile Enchantee (1864) and incidental music for a number of Shakespeare plays. Other early pieces that were praised were his Symphony in E, Concerto for Cello and Orchestra, and Overture in C (In Memoriam) (all three of which premiered in 1866). These commissions, however, were not sufficient to keep Sullivan afloat. He worked as a church organist and composed numerous hymns, popular songs, and parlour ballads.  Sullivan's first foray into comic opera was Cox and Box (1866), written with librettist F. C. Burnand for an informal gathering of friends. Public performance followed, with W. S. Gilbert (then writing dramatic criticism for the magazine Fun) saying that Sullivan's score "is, in many places, of too high a class for the grotesquely absurd plot to which it is wedded." Nonetheless, it proved highly successful, and is still regularly performed today. Sullivan and Burnand's second opera, The Contrabandista (1867) was not as successful.

What was another success of his?

Answer with quotes: The Masque at Kenilworth (1864); an oratorio, The Prodigal Son (1869); and a dramatic cantata, On Shore and Sea (1871).


Problem: Thomas Sowell (; born June 30, 1930) is an American economist, social theorist, political philosopher, and author. He is currently Senior Fellow at the Hoover Institution, Stanford University. Sowell was born in North Carolina, but grew up in Harlem, New York.

Sowell has also written a trilogy of books on ideologies and political positions, including A Conflict of Visions, where he speaks about the origins of political strife; The Vision of the Anointed, where he compares the conservative/libertarian and liberal/progressive worldviews; and The Quest for Cosmic Justice, where, as in many of his other writings, he outlines his thesis of the need for intellectuals, politicians and leaders to fix and perfect the world in utopian, and ultimately he posits, disastrous fashions. Separate from the trilogy, but also in discussion of the subject, he wrote Intellectuals and Society, where, building on his earlier work, he discusses what he argues to be the blind hubris and follies of intellectuals in a variety of areas.  Sowell challenges the notion that black progress is due to progressive government programs or policies, in The Economics and Politics of Race, (1983), Ethnic America (1981), Affirmative Action Around the World (2004), and other books. He claims that many problems identified with blacks in modern society are not unique, either in terms of American ethnic groups, or in terms of a rural proletariat struggling with disruption as it became urbanized, as discussed in his book Black Rednecks and White Liberals (2005).  In Affirmative Action Around the World Sowell holds that affirmative action covers most of the American population, particularly women, and has long since ceased to favor blacks.  Sowell described his serious study of Karl Marx in his autobiography. He opposes Marxism, providing a critique in his book Marxism: Philosophy and Economics (2011).  Sowell also favors decriminalization of all drugs.

How did his books sale

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