Background: George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).
Context: Breaking with the Federal Theatre Project in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. Welles was executive producer, and the original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Arlene Francis, Martin Gabel, John Hoyt, Norman Lloyd, Vincent Price, Stefan Schnabel and Hiram Sherman.  "I think he was the greatest directorial talent we've ever had in the [American] theater," Lloyd said of Welles in a 2014 interview. "When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything. We had not had such a man in our theater. He was the first and remains the greatest."  The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar -- streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage wall was painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Lloyd.  Beginning January 1, 1938, Caesar was performed in repertory with The Shoemaker's Holiday; both productions moved to the larger National Theatre. They were followed by Heartbreak House (April 29, 1938) and Danton's Death (November 5, 1938). As well as being presented in a pared-down oratorio version at the Mercury Theatre on Sunday nights in December 1937, The Cradle Will Rock was at the Windsor Theatre for 13 weeks (January 4-April 2, 1938). Such was the success of the Mercury Theatre that Welles appeared on the cover of Time magazine, in full makeup as Captain Shotover in Heartbreak House, in the issue dated May 9, 1938--three days after his 23rd birthday.
Question: How were their shows received?
Answer: Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear."

Background: Hopkins was born at 512 Tenth Street in Sioux City, Iowa, the fourth child of four sons and one daughter of David Aldona and Anna (nee Pickett) Hopkins. His father, born in Bangor, Maine, ran a harness shop (after an erratic career as a salesman, prospector, storekeeper and bowling-alley operator), but his real passion was bowling, and he eventually returned to it as a business. Anna Hopkins, born in Hamilton, Ontario, had moved at an early age to Vermillion, South Dakota, where she married David. She was deeply religious and active in the affairs of the Methodist church.
Context: In 1915, New York City Mayor John Purroy Mitchel appointed Hopkins executive secretary of the Bureau of Child Welfare which administered pensions to mothers with dependent children.  Hopkins at first opposed America's entrance into World War I, but, when war was declared in 1917, he supported it enthusiastically. He was rejected for the draft because of a bad eye. Hopkins moved to New Orleans where he worked for the American Red Cross as director of Civilian Relief, Gulf Division. Eventually, the Gulf Division of the Red Cross merged with the Southwestern Division and Hopkins, headquartered now in Atlanta, was appointed general manager in 1921. Hopkins helped draft a charter for the American Association of Social Workers (AASW) and was elected its president in 1923.  In 1922, Hopkins returned to New York City, where the AICP was involved with the Milbank Memorial Fund and the State Charities Aid Association in running three health demonstrations in New York State. Hopkins became manager of the Bellevue-Yorkville health project and assistant director of the AICP. In mid-1924 he became executive director of the New York Tuberculosis Association. During his tenure, the agency grew enormously and absorbed the New York Heart Association.  In 1931, New York Governor Franklin D. Roosevelt named R. H. Macy's department store president Jesse Straus as president of the Temporary Emergency Relief Administration (TERA). Straus named Hopkins, then unknown to Roosevelt, as TERA's executive director. His efficient administration of the initial $20 million outlay to the agency gained Roosevelt's attention, and in 1932, he promoted Hopkins to the presidency of the agency. Hopkins and Eleanor Roosevelt began a long friendship, which strengthened his role in relief programs.
Question: Are there any other interesting aspects about this article?
Answer: In 1915, New York City Mayor John Purroy Mitchel appointed Hopkins executive secretary of the Bureau of Child Welfare which administered pensions to mothers with dependent children.

Background: Cancer Bats are a Canadian hardcore punk band from Toronto, Ontario. They have released five studio albums and six extended plays. The band is composed of vocalist Liam Cormier, guitarist Scott Middleton, drummer Mike Peters and bassist Jaye R. Schwarzer. Cancer Bats take a wide variety of influences from heavy metal subgenres and fuse them into hardcore and punk rock, and also include elements of Southern rock.
Context: Cancer Bats was founded in May 2004 by singer Liam Cormier and guitarist Scott Middleton, a former member of Toronto heavy metal band At the Mercy of Inspiration. The two wanted to form a project that combined their favorite parts of bands like Entombed, Refused, Black Flag, Led Zeppelin and Down, among others. The lineup was completed with the addition of Andrew McCracken on bass and Joel Bath on drums, with Cormier moving to vocals. The four-piece wrote and recorded songs for a self-released demo that saw light in January 2005, and led to Canadian independent record label Distort Entertainment signing the band.  The story is that the band considered the names Cancer Bats and Pneumonia Hawk after deciding that a combination of illness and animal name would give the best band name. Soon after, Mike Peters replaced Bath on the drums and the band began playing throughout Southern Ontario, playing live shows with bands like Billy Talent, Every Time I Die, Nora, Alexisonfire, Haste the Day, It Dies Today, Bane, Comeback Kid, Buried Inside, Attack in Black, Misery Signals, This Is Hell, Rise Against, The Bronx and Gallows.  On June 2, 2006, the band took part in a short interview and then played a free CD release show at The Edge 102.1 (CFNY-FM) and then on June 6 Birthing the Giant was released into major record stores. The album includes guest vocals by George Pettit of Alexisonfire. On June 7, 2006 they hosted All Things Rock, a show on MTV Canada, and had their own video played at the end of the show.
Question: Are there any other interesting aspects about this article?
Answer:
band considered the names Cancer Bats and Pneumonia Hawk after deciding that a combination of illness and animal name would give the best band name.