input: Bleeding Through was formed in 1999 in Woodlake, California. The band's roots can be traced back to 1998, when Breakneck was founded by Brandan "Ohrly" Schieppati (Eighteen Visions / Throwdown), Javier Van Huss (Eighteen Visions / The Mistake / Enewetak), guitarist Scott Danough, bass guitarist Chad Tafolla and drummer Troy Born (Taken). They made their live debut as the supporting act to Throwdown and Adamantium. As the band witnessed lineup changes, the departure of Van Huss and subsequent recruitment of Marc Jackson (Throwdown / Cold War) to cover bass whilst Tafolla reverted to guitar, they decided to expand their current hardcore sound and added elements of death metal to their music. The origin of the band's name was explained in an interview as follows: "Well, it is summed up by the explanation that whether black, white, red, brown, yellow, religious preference, straight or gay, we all bleed the same, and we bleed through this life the same. Thus Bleeding Through."  Their 2000's demo was followed by a full-length album released through Prime Directive Records entitled Dust to Ashes in April 2001. Just prior to entering the studio, Vijay Kumar (of Roundhouse and Cat Burglar) took the bass position and Molly Street enrolled as keyboard player. The addition of keyboards was an unconventional move for a metalcore act as it brought some black metal influences into the music. Just as the album saw issue Born quit the band but a quickfire substitute was located in Derek Youngsma of Cast in Stone repute.  Severing ties with both Eighteen Visions and Throwdown, Schieppati opted to pursue Bleeding Through as a priority upon completion of the Indecision Records 2002 offering Portrait of the Goddess. At this juncture the group comprised the guitar pairing of Scott Danough and Brian Leppke, bassist Ryan Wombacher (replacing Vijay Kumar who played on Portrait of the Goddess) and drummer Derek Youngsma.

Answer this question "what was Portrait of the Goddess?"
output: Bleeding Through as a priority upon completion of the Indecision Records 2002 offering Portrait of the Goddess.

Question: Brian Wayne Transeau (born October 4, 1971), better known by his stage name BT, is an American music producer, composer, technologist, audio technician, multi-instrumentalist, singer, and songwriter. An artist in the electronica music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." He also creates music within many other styles, such as classical, film composition and bass music. BT is also known for pioneering the stutter edit.

In 1999, BT released his third album, Movement in Still Life, and continued his previous experimentation outside of the trance genre. The album features a strong element of nu skool breaks, a genre he helped define with "Hip-Hop Phenomenon" in collaboration with Tsunami One aka Adam Freeland and Kevin Beber. Along with trance collaborations with Paul van Dyk and DJ Rap, Movement includes pop ("Never Gonna Come Back Down" with M. Doughty on vocals), progressive house ("Dreaming" with Kirsty Hawkshaw on vocals) and hip hop-influenced tracks ("Madskill - Mic Chekka", which samples Grandmaster Flash and the Furious Five's "The Message", and "Smartbomb", a mix of funky, heavy riffs from both synthesizers and guitars woven over a hip-hop break). "Shame" and "Satellite" lean toward an alt-rock sound, while "Godspeed" and "Dreaming" fall into classic trance ranks. "Running Down the Way Up", a collaboration with fellow electronic act Hybrid, features sultry vocals and acoustic guitars heavily edited into a progressive breakbeat track.  "Dreaming" and "Godspeed" reached #5 and #10 on the Billboard Dance Club Songs chart, respectively, "Never Gonna Come Back Down" reached #9 the Billboard Dance Club Songs chart and #16 on Billboard's Alternative Songs chart, and the album reached #166 on the Billboard 200 album charts.  Long interested in branching out into film scoring, BT got the opportunity when director Doug Liman asked him to score Go, a 1999 film about dance music culture. Shortly after creating the score, BT moved to Los Angeles in order to further pursue film scoring. He also began writing music for string quartets to prove his capabilities beyond electronic music. He was then hired to score the film Under Suspicion with a 60-piece string section. For The Fast and the Furious, BT's score featured a 70-piece ensemble, along with polyrhythmic tribal sounds produced by orchestral percussionists banging on car chassis.  In 1999, BT collaborated with Peter Gabriel on the album OVO, the soundtrack to the Millennium Dome Show in London. In 2001, he produced NSYNC's hit single "Pop", which won a 2001 Teen Choice Award for Choice Single, won four MTV Video Music Awards, and reached #19 on the Billboard Hot 100 and #9 on the UK Singles chart. In 2002, BT released the compilation album 10 Years in the Life, a two-disc collection of rarities and remixes, including "The Moment of Truth", the first track he ever recorded.

Using a quote from the above article, answer the following question: Did he win any awards?
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Answer:
In 2001, he produced NSYNC's hit single "Pop", which won a 2001 Teen Choice Award for Choice Single, won four MTV Video Music Awards,