input: The band originated on June 3, 2005, as The Kids from a song titled "Hollywood" (Later released as "The Kids") that Jorel Decker (J-Dog), Aron Erlichman (Deuce), and Jeff Phillips (Shady Jeff) posted on the band's MySpace profile to positive reviews, leading them to form the group Hollywood Undead with their friends George "Johnny 3 Tears" Ragan, Jordon "Charlie Scene" Terrell, Dylan "Funny Man" Alvarez, and Matthew "Da Kurlzz" Busek. In an interview with Shave magazine, J-Dog explained that when forming the band "Whoever was in the room at the time and played an instrument was in the band." Phillips later left the group because of conflict with Erlichman.  The band only took one year working on their debut album, Swan Songs. The other two years were spent looking for a company that wouldn't try to censor the album. They first signed a record contract with MySpace Records in 2005 but they left the label after the label tried to censor their first album. They then signed a contract with A&M/Octone Records and their first album, Swan Songs was released on September 2, 2008, and reached No.22 on the Billboard 200 in its first week of release, selling 21,000 copies; which was later on released in the United Kingdom on May 18, 2009, with two bonus tracks. In April 2009, the band toured with American electronic musician Skrillex as "Sonny and the Blood Monkeys". On June 23, 2009, Hollywood Undead released Swan Songs B-Sides EP through iTunes.  The band released a CD/DVD set entitled Desperate Measures on November 10, 2009. The set includes a CD of previously unreleased six new songs, three of which are cover songs, as well a previously unreleased remix of "Everywhere I Go", and six live recordings of songs from Swan Songs, and a DVD of a full live performance by the band. In December 2009, the band won Best Crunk/Rock Rap Artist at the Rock on Request Awards. In its first week of release, Desperate Measures reached No. 29 on the Billboard 200. It also peaked at No. 10 on the Billboard's Rock Albums chart, No. 8 on the Alternative Albums chart, No. 5 on the Hard Rock albums chart, and No. 15 on the Digital Albums chart.

Answer this question "What kind of conflict"
output: 

input: Julia Stephen fell ill with influenza in February 1895, and never properly recovered, dying on 5 May, when Virginia was only 13. This was a pivotal moment in her life and the beginning of her struggles with mental illness. Essentially, her life had fallen apart. The Duckworths were travelling abroad at the time of their mother's death, and Stella returned immediately to take charge and assume her role. That summer, rather than return to the memories of St Ives, the Stephens went to Freshwater, Isle of Wight, where a number of their mother's family lived. It was there that Virginia had the first of her many nervous breakdowns, and Vanessa was forced to assume some of her mother's role in caring for Virginia's mental state. Stella became engaged to Jack Hills the following year and they were married on 10 April 1897, making Virginia even more dependent on her older sister.  George Duckworth also assumed some of their mother's role, taking upon himself the task of bringing them out into society. First Vanessa, then Virginia, in both cases an equal disaster, for it was not a rite of passage which resonated with either girl and attracted a scathing critique by Virgina regarding the conventional expectations of young upper class women "Society in those days was a perfectly competent, perfectly complacent, ruthless machine. A girl had no chance against its fangs. No other desires - say to paint, or to write - could be taken seriously". Rather her priorities were to escape from the Victorian conventionality of the downstairs drawing room to a "room of one's own" to pursue her writing aspirations. She would revisit this criticism in her depiction of Mrs Ramsay stating the duties of a Victorian mother in To the Lighthouse "an unmarried woman has missed the best of life".  The death of Stella Duckworth, her pregnant surrogate mother, on 19 July 1897, after a long illness, was a further blow to Virginia's sense of self, and the family dynamics. Woolf described the period following the death of both her mother and Stella as "1897-1904 -- the seven unhappy years", referring to "the lash of a random unheeding flail that pointlessly and brutally killed the two people who should, normally and naturally, have made those years, not perhaps happy but normal and natural". In April 1902 their father became ill, and although he underwent surgery later that year he never fully recovered, dying on 22 February 1904. Virginia's father's death precipitated a further breakdown. Later, Virginia would describe this time as one in which she was dealt successive blows as a "broken chrysalis" with wings still creased. Chrysalis occurs many times in Woolf's writing but the "broken chrysalis" was an image that became a metaphor for those exploring the relationship between Woolf and grief. At his death, Leslie Stephen's net worth was PS15,715 6s. 6d. (probate 23 March 1904)

Answer this question "how did stella die?"
output: The death of Stella Duckworth, her pregnant surrogate mother, on 19 July 1897, after a long illness,

input: The Jam formed in Woking, Surrey, England, in 1972. The line-up was fluid at this stage, consisting of Paul Weller on bass and lead vocals together with various friends at Sheerwater Secondary School. They played their first gigs at Michael's, a local club. The line-up began to solidify in the mid-1970s with Weller, guitarist Steve Brookes and drummer Rick Buckler. In their early years, their sets consisted of covers of early American rock and roll songs by the likes of Chuck Berry and Little Richard. They continued in this vein until Weller discovered The Who's debut album My Generation and became fascinated with Mod music and lifestyle. As he said later, "I saw that through becoming a Mod it would give me a base and an angle to write from, and this we eventually did. We went out and bought suits and started playing Motown, Stax and Atlantic covers. I bought a Rickenbacker guitar, a Lambretta GP 150 and tried to style my hair like Steve Marriott's circa '66." Eventually Brookes left the band, and was not replaced. Up to this point Weller had been playing bass and Foxton had been the band's second guitar player; he persuaded Foxton to take over bass duties and developed a combined lead/rhythm guitar style influenced by The Who's Pete Townshend as well as Dr. Feelgood guitarist Wilko Johnson. The line-up of Weller, Foxton, and Buckler would persist until the end of The Jam's career.  Throughout, the band were managed by Weller's father, John Weller, who then managed Paul's career until he (John) died in 2009.  In the following two years, The Jam gained a small following around London from playing minor gigs, becoming one of the new lights on the nascent punk scene. In many ways, however, they stood out from their punk peers. Though they shared an "angry young men" outlook, short hair, crushing volume and lightning-fast tempos, the Jam wore neatly tailored suits where others wore ripped clothes, played professionally where others were defiantly amateurish, and displayed clear 1960s rock influences where others were disdainful (at least ostensibly) of such music (which had been a major influence on the "stadium rock" and "prog rock" of the 1970s). Indeed, the band were tagged by some journalists as "revivalists". They were signed to Polydor Records by Chris Parry in early 1977.

Answer this question "How was the Jam different from other bands?"
output:
the Jam wore neatly tailored suits where others wore ripped clothes, played professionally where others were defiantly amateurish,