IN: Jared Joseph Leto was born on December 26, 1971, in Bossier City, Louisiana, to Constance Leto (nee Metrejon). His mother has Cajun ancestry. "Leto" is the surname of his stepfather. His parents divorced when he was a child, and he and his older brother, Shannon Leto, lived with their mother and their maternal grandparents, Ruby (Russell) and William Lee Metrejon.

Leto formed the rock band Thirty Seconds to Mars in 1998 in Los Angeles, California with his brother Shannon. When the group first started, Jared Leto did not allow his position of Hollywood actor to be used in promotion of the band. Their debut album had been in the works for a couple of years, with Leto writing the majority of the songs. Their work led to a number of record labels being interested in signing Thirty Seconds to Mars, which eventually signed to Immortal Records.  In 1999, Leto played a gay high school teacher who attracts the attentions of Robert Downey, Jr. in Black and White, and got a supporting role in the drama Girl, Interrupted, an adaptation of the memoir of the same name by Susanna Kaysen. He then portrayed Angel Face in Fight Club (1999), a film adaptation of Chuck Palahniuk's novel of the same name, directed by David Fincher. He began dating actress Cameron Diaz in 1999 and the couple became engaged in 2000.  Leto played Paul Allen, a rival of Patrick Bateman, in the psychological thriller American Psycho (2000). Though the film polarized audiences and critics, Leto's performance was well received. The same year, he starred as heroin addict Harry Goldfarb in Requiem for a Dream, an adaptation of Hubert Selby, Jr.'s novel of the same name, directed by Darren Aronofsky and co-starring Ellen Burstyn, Jennifer Connelly, and Marlon Wayans. To prepare for his role, Leto lived on the streets of New York City and refrained from having sex for two months prior to shooting. He starved himself for months, losing 28 pounds to realistically play his heroin addict character. After the shooting of the film, Leto moved to Portugal and lived in a monastery for several months to gain weight. His performance received critical acclaim by film critics who notably praised the actor's emotional courage in portraying the character's physical and mental degradation. Peter Travers from Rolling Stone commented that Leto "excels by going beyond Harry's gaunt look to capture his grieving heart. His scenes with Ellen Burstyn as Sara, Harry's widowed mother, achieve a rare poignancy as son and mother drown in delusions."  Leto next appeared in the independent film Highway. Set in 1994, Leto is caught with the wife of his employer, a Vegas thug, and flees to Seattle with his best friend Jake Gyllenhaal in the week preceding Kurt Cobain's suicide. Filming finished in early 2000, but the film was not released until March 2002 on home video formats, although originally scheduled for a theatrical release.  During this period Leto focused increasingly on his music career, working with producers Bob Ezrin and Brian Virtue on his band's debut album 30 Seconds to Mars, which was released on August 27, 2002, in the United States through Immortal and Virgin. It reached number 107 on the US Billboard 200 and number one on the US Top Heatseekers. Upon its release, 30 Seconds to Mars was met with mostly positive reviews; music critic Megan O'Toole felt that the band managed to "carve out a unique niche for themselves in the rock realm." The album was a slow-burning success, and eventually sold two million copies worldwide.

What label did they sign too

OUT: Immortal Records.


IN: Edward Henry Weston (March 24, 1886 - January 1, 1958) was a 20th-century American photographer. He has been called "one of the most innovative and influential American photographers..." and "one of the masters of 20th century photography." Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and specially Californian, approach to modern photography" because of his focus on the people and places of the American West.

Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred early in his career, since at that time the platinum papers required ultra-violet light to activate. Weston did not have an artificial ultra-violet light source, so he had to place the contact print directly in sunlight in order to expose it. This limited him to printing only on sunny days.  When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size. This process was very labor-intensive; he once wrote in his Daybooks "I am utterly exhausted tonight after a whole day in the darkroom, making eight contact negatives from the enlarged positives."  In 1924 Weston wrote this about his darkroom process, "I have returned, after several years use of Metol-Hydroquinine open-tank" developer to a three-solution Pyro developer, and I develop one at a time in a tray instead of a dozen in a tank." Each sheet of film was viewed under either a green or an orange safelight in his darkroom, allowing him to control the individual development of a negative. He continued to use this technique for the rest of his life.  Weston was known to extensively use dodging and burning to achieve the look he wanted in his prints.

Did he ever teach anyone his skills?

OUT: