IN: Eric Garth Hudson (born August 2, 1937) is a Canadian multi-instrumentalist. As the organist, keyboardist and saxophonist for Canadian-American rock group the Band, he was a principal architect of the group's unique sound. Hudson has been called "the most brilliant organist in the rock world" by Keyboard magazine. As of 2018, Hudson and fellow musician Robbie Robertson are the last original members of The Band who are still alive.

Under the strict supervision of Hawkins, the Hawks became an accomplished band. They split from Hawkins in 1963, recorded two singles and toured almost continually, playing in bars and clubs, usually billed as Levon and the Hawks. Hudson started work as a session musician in 1965, playing on John Hammond, Jr.'s So Many Roads along with Robertson (guitar) and Helm (drums).  In August 1965, they were introduced to Bob Dylan by manager Albert Grossman's assistant, Mary Martin. In October, Dylan and the Hawks recorded the single "Can You Please Crawl Out Your Window?", and in January 1966 they recorded material with Dylan for what would turn into the Blonde on Blonde album. Dylan recruited the band to accompany him on his controversial 1966 "electric" tour of the United States, Australia and Europe. (An album of Dylan's 1966 performance with his band, The "Royal Albert Hall" Concert, was finally released in 1998.) Subsequent to Bob Dylan's motorcycle accident in July 1966, the group settled in a pink house in West Saugerties, New York, near Woodstock. Dylan was a frequent visitor, and Hudson's recordings of their collaborations resulted in The Basement Tapes.  By 1968, the group recorded its debut album, Music from Big Pink. The album was recorded in Los Angeles (at Capitol) and New York (at A&R Studio). Capitol originally announced that the group would be called the Crackers, but when Music From Big Pink was released they were officially named the Band. The album includes Hudson's organ showcase, "Chest Fever", a song that in the Band's live shows would be vastly expanded by a solo organ introduction, entitled "The Genetic Method", an improvisational work that would be played differently at each performance. An example can be heard on the live album Rock of Ages. Hudson is also adept at the accordion, which he played on some of the group's recordings, such as "Rockin Chair", from "The Band"; the traditional "Ain't No More Cane", from "The Basement Tapes"; Dylan's "When I Paint My Masterpiece"; and Bobby Charles's "Down South in New Orleans" during the Last Waltz. His saxophone solo work can be heard on such songs as "Tears of Rage" (from Big Pink) and "Unfaithful Servant" (from The Band). Hudson is credited with playing all of the brass and woodwinds on the studio version of "Ophelia", from the 1975 album Northern Lights - Southern Cross as well. This album, the first to be recorded in the Band's Shangri-La recording studio in Malibu, California, also saw Hudson adding synthesizers to his arsenal of instruments.  Hudson provided innovative accompaniment. For example, the song "Up on Cripple Creek" features Hudson playing a clavinet through a wah-wah pedal to create a swampy sound reminiscent of a Jew's harp or the croak of a frog. This clavinet-wah wah pedal configuration was later adopted by many funk musicians.  After years of continuous touring, the Band made its final bow as a touring band with a lavish final concert on Thanksgiving Day 1976 at the Winterland Ballroom in San Francisco, an all-star tribute concert documented in The Last Waltz.
QUESTION: What albums was he on?
IN: Hardy was born in Cameron, North Carolina, the son of Gilbert and Ruby Moore Hardy. He is the older brother of Jeff Hardy. Their mother died of brain cancer in 1986. Hardy played baseball as a child and throughout high school, but had stopped by his senior year.

Shortly after the departure of Matt and Jeff from TNA was made public, Matt's wife, Reby, went on a social media tirade in which she repeatedly slammed TNA, the company's new management and the way in which contract negotiations between the company and the Hardy family were conducted. A few weeks following this, the bad blood between the two sides intensified, so much so that the new management of TNA (now renamed Impact Wrestling) Anthem Sports & Entertainment issued a cease and desist letter to The Hardys' new promotion Ring of Honor (ROH), in which Anthem essentially ordered ROH as well as any broadcasting company airing ROH's 15th Anniversary pay-per-view show (on which The Hardys were to participate in a match) to not in any way speak of, indicate or acknowledge the existence of the Broken Matt and Brother Nero characters and instead to refer to The Hardys as simply Matt Hardy and Jeff Hardy. The issue with this is that while The Hardys were in TNA, they had full creative control over the Broken gimmick, with them even filming their own segments to air on TNA programming in some circumstances, thus making the Hardy family (in their belief) the owners of the Broken gimmick. It is believed that civil litigation will follow and a potential court hearing will take place regarding the final outcome on who owns the Broken gimmick: Anthem or the Hardy family. Until then, the status of the Broken gimmick remains undecided. Despite this, Matt continues to use the Broken gimmick through his social media accounts, but neither him or Jeff use the Broken gimmick at any professional wrestling shows for ROH or on the independent circuit, presumably until the results of the expected legal proceedings have been finalized.  Newly-appointed Impact Wrestling President Ed Nordholm credits the invention of and the vision behind the Broken gimmick to Jeremy Borash, Dave Lagana and Billy Corgan, and while Borash specifically had the most input into the gimmick of the three aside from Matt, the Hardy family deny that Borash was the sole person behind the gimmick. In November 2017, Impact Wrestling changed their policy, allowing all talent to retain complete ownership over their intellectual property, essentially forfeiting ownership of the "Broken" character to Hardy.  On January 31, 2018, the legal battle officially concluded when Matt legally acquired ownership of all trademarks related to the Broken universe and the Broken gimmick, which includes 'Broken Matt', 'Brother Nero', 'Broken Brilliance' and 'Vanguard1'. Matt is now able to use the Broken gimmick as he sees fit, regardless of the promotion he competes in with the one caveat being that the promotion green-lights the use of the gimmick in that promotion, which includes major domestic U.S. promotions such as WWE or ROH.
QUESTION:
What was the legal battle about?