Some context: Michael Bernard Bloomfield (July 28, 1943 - February 15, 1981) was an American guitarist and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues legends before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. He was ranked number 22 on Rolling Stone's list of "100 Greatest Guitarists of All Time" in 2003 and number 42 by the same magazine in 2011. He was inducted into the Blues Hall of Fame in 2012 and, as a member of the Paul Butterfield Blues Band, was inducted into the Rock and Roll Hall of Fame in 2015.
Bloomfield was born into a wealthy Chicago Jewish-American family. Bloomfield's father, Harold Bloomfield, was born in Chicago in 1914. After pursuing business ventures in California during the 1920s, he returned to the city in the early 1930s. Harold Bloomfield began manufacturing restaurant supplies, and by the latter part of the decade his company, Bloomfield Industries, was making pie cases, kitchen utensils, salt and pepper shakers, and sugar pourers. By the early 1940s Bloomfield Industries had acquired more manufacturing and warehouse space. The company expanded during World War II by manufacturing supplies needed for the war effort. Working with his brother, Daniel, and his father, Samuel, Harold Bloomfield built up Bloomfield Industries into a thriving business. Michael Bloomfield's mother was born Dorothy Klein in Chicago in 1918 and married Harold Bloomfield in 1940. She came from an artistic, musical family, and worked as an actor and a model before marrying Bloomfield. Michael Bloomfield's brother Allen Bloomfield was born in Chicago on Dec. 24, 1944.  Bloomfield's family lived in various locations around Chicago before settling at 424 West Melrose Street on the North Side. When he was twelve his family moved to suburban Glencoe, Illinois, where he attended New Trier High School for two years. During this time, he began playing in local bands, and Bloomfield put together a group called the Hurricanes, named after Ohio rock band Johnny and the Hurricanes. New Trier High School expelled Bloomfield after his band performed a raucous rock and roll song at a 1959 school gathering. He attended Cornwall Academy in Massachusetts for one year and then returned to Chicago, where he spent his last year of education at a local YMCA school, Central YMCA High School.  Bloomfield had attended a 1957 Chicago performance by blues singer Josh White, and began spending time in Chicago's South Side blues clubs and playing guitar with such black bluesmen as Sleepy John Estes, Yank Rachell, and Little Brother Montgomery. He first sat in with a black blues band in 1959, when he performed with Luther "Guitar Junior" Johnson at a Chicago club called the Place. He performed with Howlin' Wolf, Muddy Waters, and many other Chicago blues performers during the early 1960s.  Writing in 2001, keyboardist, songwriter and record producer Al Kooper said Bloomfield's talent "was instantly obvious to his mentors. They knew this was not just another white boy; this was someone who truly understood what the blues were all about." Among his early supporters were B.B. King, Muddy Waters, Bob Dylan and Buddy Guy. "Michael used to say, 'It's a natural. Black people suffer externally in this country. Jewish people suffer internally. The suffering's the mutual fulcrum for the blues.'"
What was life like growing up?
A: Bloomfield's family lived in various locations around Chicago before settling at 424 West Melrose Street on the North Side.

Some context: Screeching Weasel is an American punk rock band originally from the Chicago suburb of Prospect Heights, Illinois. The band was formed in 1986 by Ben Weasel and John Jughead. Since their formation, Screeching Weasel have broken up and reformed numerous times with numerous line-up changes. Ben Weasel has been the only constant member, though Jughead was present in every incarnation of the band until 2009.
After the break-up, Weasel and Jughead formed a new band called The Gore Gore Girls, and Ben briefly performed in the original incarnation of The Vindictives. In 1991, the members of Screeching Weasel reunited for what was intended as a one-off gig to pay off debts the band incurred from the recording of Boogadaboogadaboogada!. The line-up consisted of Ben, Jughead, Vapid, Vermin, and Ward. After the show, Vapid discussed the idea of reforming Screeching Weasel with Jughead. All of the band's members agreed to reform, with the exceptions of Brian Vermin and Douglas Ward. To replace Vermin, drummer Dan Panic (Dan Sullivan) was brought in. Before recording their third studio album, My Brain Hurts (1991) for Lookout! Records, Weasel decided that he wanted to focus on singing and would no longer be playing guitar in the band. Vapid switched instruments from bass to guitar, and former Gore Gore Girls bassist Dave Naked joined the band. The recording sessions for the album also produced the extended play Pervo Devo.  After recording My Brain Hurts, Dave Naked was fired from the band and Scott "Gub" Conway, Panic's former bandmate, was brought in as the band's bassist to tour. After the tour, Johnny Personality of The Vindictives became the band's bassist, as Gub was committed to another band. By late 1992, the band had recorded the follow-up to My Brain Hurts, Wiggle, which also marked their first collaboration with producer Mass Giorgini, who went on to produce the vast majority of the Screeching Weasel catalog, and also became the bassist of the band from 1998 to 2004. Personality then left the band to focus on The Vindictives. Instead of adding a new member, Weasel moved back to guitar, and Vapid moved back to bass.  The band was then asked to record a cover of an entire Ramones album, Ramones (1992), followed later that year by Anthem for a New Tomorrow. Shortly after the record's release, Weasel decided that he no longer wanted to perform live, and Vapid left after falling out with the rest of the band. Screeching Weasel enlisted the help of Green Day bassist Mike Dirnt to record what they intended to be their final studio album. After the release of How to Make Enemies and Irritate People (1994), the band broke up for the second time.
How did they reform?
A:
After the show, Vapid discussed the idea of reforming Screeching Weasel with Jughead. All of the band's members agreed to reform, with the exceptions of Brian Vermin and Douglas Ward.