Question: Polly Jean Harvey was born on 9 October 1969 in Bridport, Dorset, the second child of Ray and Eva Harvey, who owned a stone quarrying business, and grew up on the family's farm in Corscombe. During her childhood, she attended school in nearby Beaminster, where she received guitar lessons from folk singer-songwriter Steve Knightley, and her parents introduced her to music that would later influence her work, including blues music, Captain Beefheart and Bob Dylan. Her parents were avid music fans and regularly arranged get-togethers and small gigs; among their oldest friends was Ian Stewart. As a teenager, Harvey began learning saxophone and joined an eight-piece instrumental group Bologne, based in Dorset.

As Harvey embarked on her solo career, she explored collaborations with other musicians. In 1995 she released her third studio album, To Bring You My Love, featuring former bandmate John Parish, Bad Seeds multi-instrumentalist Mick Harvey and French drummer Jean-Marc Butty, all of whom would continue to perform and record with Harvey throughout her career. The album was also her first material to be produced by Flood. Simultaneously a more blues-influenced and more futuristic record than its predecessors, To Bring You My Love showcased Harvey broadening her musical style to include strings, organs and synthesisers. Rolling Stone said in its review that "Harvey sings the blues like Nick Cave sings gospel: with more distortion, sex and murder than you remember. To Bring You My Love was a towering goth version of grunge." During the successive tours for the album, Harvey also experimented with her image and stage persona.  The record generated a surprise modern rock radio hit in the United States with its lead single, "Down by the Water." Three consecutive singles -- "C'mon Billy", "Send His Love to Me" and "Long Snake Moan" -- were also moderately successful. The album was a commercial success selling one million copies worldwide including 370,000 in the United States. It was also certified Silver in the United Kingdom within seven months of its release, having sold over 60,000 copies. In the United States, the album was voted Album of the Year by The Village Voice, Rolling Stone, USA Today, People, The New York Times and the Los Angeles Times. Rolling Stone also named Harvey 1995's Artist of the Year and Spin ranked the album third in The 90 Greatest Albums of the '90s, behind Nirvana's Nevermind (1991) and Public Enemy's Fear of a Black Planet (1990).  In 1996, following the international success of To Bring You My Love and other collaborations, Harvey began composing material that would end up on her fourth studio album, during what she referred to as "an incredibly low patch." The material diverged significantly from her former work and introduced electronica elements into her song-writing. During recording sessions in 1997 original PJ Harvey Trio drummer Rob Ellis rejoined Harvey's band, and Flood was hired again as producer. The sessions, which continued into April the following year, resulted in Is This Desire? (1998). Though originally released to mixed reviews in September 1998, the album was a success and received a Grammy Award nomination for Best Alternative Music Performance. The album's lead single, "A Perfect Day Elise," was moderately successful in the United Kingdom, peaking at number 25 on the UK Singles Chart, her most successful single to date.

Using a quote from the above article, answer the following question: What was her fourth studio album?
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Answer: Is This Desire? (


Question: Migration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.

The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art.

Using a quote from the above article, answer the following question: what happened in 1904
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Answer:
The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904.