Question: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.

Clarence White helped popularize the acoustic guitar as a lead instrument in bluegrass music, building on the work of guitarists such as Doc Watson. Prior to the advent of the more aggressive flatpicking style pioneered by guitarists like Watson and White, the guitar was strictly a rhythm instrument, save for a few exceptions (such as the occasional guitar track by banjoist Don Reno). Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice. Rice owns and plays White's highly modified 1935 Martin D-28. David Grier and Russ Barenberg are two other acoustic guitarists who were heavily influenced by White's guitar work. White's bluegrass playing with the Kentucky Colonels was also a considerable influence on Jerry Garcia of the Grateful Dead, who traveled with the band during 1964.  On the electric side of the guitar spectrum, White was similarly influential. Together with fellow Byrds bandmember Gene Parsons, White invented the B-Bender device. This device raises the B-string (second string) of the guitar a whole step by the use of pulleys and levers attached to both the upper strap knob and the second string on the guitar. It is activated by pushing down on the neck, and produces a "pedal steel" type sound. Arlen Roth, heavily influenced by this style, did not at the time know that White and Parsons had invented a B-bender, so instead developed his own unique all-finger bending version of this technique. This was heavily documented in his ground-breaking book, "Nashville Guitar", all of his recordings, as well as his book "Masters of the Telecaster". Subsequently, his Telecaster sound became as notable as his bluegrass playing. Marty Stuart, another guitarist influenced by White's playing, now owns and regularly plays White's 1954 Fender Telecaster with the prototype B-Bender.  Music archivist and writer Alec Palao has called White "one of a handful of true greats amongst the instrumentalists of 20th century popular music", before adding that "the waves created by the guitarist's idiosyncratic style are still forming ripples within bluegrass, country and rock 'n' roll." In 2003, White was ranked No. 41 on Rolling Stone magazine's list of the 100 Greatest Guitarists of All Time. In 2010, guitar manufacturer Gibson ranked White at No. 42 on their Top 50 Guitarists of All Time list.

Using a quote from the above article, answer the following question: Did Clarence influence anyone?
HHHHHH
Answer: Clarence White helped popularize the acoustic guitar as a lead instrument in bluegrass music, building on the work of guitarists such as Doc Watson.


Question: The Sea Peoples are a purported seafaring confederation that attacked ancient Egypt and other regions of the East Mediterranean prior to and during the Late Bronze Age collapse (1200-900 BC). Following the creation of the concept in the nineteenth century, it became one of the most famous chapters of Egyptian history, given its connection with, in the words of Wilhelm Max Muller: "the most important questions of ethnography and the primitive history of classic nations." Their origins uncertain, the various Sea Peoples have been proposed to have originated from places that include western Asia Minor, the Aegean, the Mediterranean islands, and Southern Europe. Although the archaeological inscriptions do not include reference to a migration, the Sea Peoples are conjectured to have sailed around the eastern Mediterranean and invaded Anatolia, Syria, Canaan, Phoenicia, Cyprus, and Egypt toward the end of the Bronze Age.

The concept of the Sea Peoples was first described by Emmanuel de Rouge in 1855, then curator of the Louvre, in his work Note on Some Hieroglyphic Texts Recently Published by Mr. Greene, describing the battles of Ramesses III described on the Second Pylon at Medinet Habu, and based upon recent photographs of the temple by John Beasley Greene. De Rouge noted that "in the crests of the conquered peoples the Sherden and the Teresh bear the designation of the 'peuples de la mer'", in a reference to the prisoners depicted at the base of the Fortified East Gate. In 1867, de Rouge published his Excerpts of a memoire on the attacks directed against Egypt by the peoples of the Mediterranean in the 14th century BCE, which focused primarily on the battles of Ramesses II and Merneptah, and which proposed translations for many of the geographic names included in the hieroglyphic inscriptions. De Rouge later became chair of Egyptology at the College de France, and was succeeded by Gaston Maspero. Maspero built upon de Rouge's work, and published The Struggle of the Nations, in which he described the theory of the seaborne migrations in detail in 1895-6 for a wider audience, at a time when the idea of population migrations would have felt familiar to the general population.  The theory was taken up by other scholars such as Eduard Meyer, and became the generally accepted theory amongst Egyptologists and orientalists. Since the early 1990s, however, the theory has been brought into question by a number of scholars.  The historical narrative stems primarily from seven Ancient Egyptian sources, and although in these inscriptions the designation "of the sea" does not appear in relation to all of these peoples, the term "Sea Peoples" is commonly used to refer to the following nine peoples, in alphabetical order:

Using a quote from the above article, answer the following question: What did he think sea peoples were
HHHHHH
Answer:
the term "Sea Peoples" is commonly used to refer to the following nine peoples,