IN: Steven Norman Carlton (born December 22, 1944), nicknamed "Lefty", is a former Major League Baseball left-handed pitcher. He pitched from 1965 to 1988 for six different teams in his career, but it is his time with the Philadelphia Phillies where he received his greatest acclaim as a professional and won four Cy Young Awards. He was elected to the Baseball Hall of Fame in 1994. Carlton has the second-most lifetime strikeouts of any left-handed pitcher (4th overall), and the second-most lifetime wins of any left-handed pitcher (11th overall).

Following a salary dispute, Cardinals owner Gussie Busch ordered Carlton traded. Eventually, he was traded to the Philadelphia Phillies before the 1972 season for pitcher Rick Wise.  The trade is now considered one of the most lopsided deals in baseball history. However, at the time, the trade appeared to make sense from the Cardinals' perspective. Carlton had won 77 games to Wise's 75, and both were considered among the game's best pitchers. Tim McCarver, who had caught for Carlton in St. Louis and for Wise in Philadelphia, described the trade as "a real good one for a real good one." He felt Carlton had more raw talent, but Wise had better command on the mound. Although Wise would stay in the majors for another 11 years (though only two of them were with the Cardinals), the trade is now reckoned as an epoch-making deal for the Phillies, as well as one of the worst trades in Cardinals history.  In Carlton's first season with Philadelphia, he led the league in wins (27), complete games (30), strikeouts (310), and ERA (1.97), despite playing for a team whose final record was 59-97. His 1972 performance earned him his first Cy Young Award and the Hickok Belt as the top professional athlete of the year. His having won 46% of his team's victories that season is a record in modern major league history. Carlton attributed his success to his grueling training regimen, which included Eastern martial arts techniques, the most famous of which was twisting his fist to the bottom of a 5-gallon bucket of rice.  Some highlights of Carlton's 1972 season included starting the season with 5 wins and 1 loss, then losing 5 games in a row, during which period the Phillies scored only 10 runs. At this point he began a 15-game winning streak. After it ended at a 20-6 record, he finished the final third of the year with 7 more wins and 4 losses, ending with 27 wins and 10 losses. Carlton also completed 30 of 41 starts.  During the 18 games of the winning streak (3 were no-decisions), Carlton pitched 155 innings, allowed 103 hits and 28 runs (only 17 in the 15 winning games), allowed 39 walks, and had 140 strikeouts. From July 23, 1972 to August 13, 1972 he pitched five complete game victories, allowed only 1 unearned run while only giving up 22 hits in 45 innings, and threw four shutouts. He had a fastball, a legendary slider, and a long looping curve ball; and later a change-up, then a screwball. Baseball commentators during 1972 regularly remarked that Carlton's slider was basically unhittable, while Pittsburgh Pirates slugger Willie Stargell once remarked, "Hitting Steve Carlton's slider is like trying to drink coffee with a fork". He was also a good hitter for a pitcher; at times he pinch-hit for the Phillies during 1972.

Which team had he played with before this/

OUT: Cardinals

Answer the question at the end by quoting:

The Replacements were an American rock band formed in Minneapolis, Minnesota in 1979. Initially a punk rock band, they are considered pioneers of alternative rock. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson and drummer Chris Mars for most of its career. Following several acclaimed albums, including Let It Be and Tim, Bob Stinson left the band in 1986, and Slim Dunlap joined as lead guitarist.
The Replacements' history began in Minneapolis in 1978, when nineteen-year-old Bob Stinson gave his eleven-year-old brother Tommy Stinson a bass guitar to keep him off the streets. That year Bob met Mars, a high school dropout. With Mars playing guitar and then switching to drums, the trio called themselves "Dogbreath" and began covering songs by Aerosmith, Ted Nugent and Yes without a singer. One day as Westerberg, a janitor in U.S. Senator David Durenberger's office, was walking home from work, he heard a band playing in the Stinsons' house. After being impressed by the band's performance, Westerberg regularly listened in after work. Mars knew Westerberg and invited him over to jam. Westerberg was unaware Mars drummed in Dogbreath.  Dogbreath auditioned several vocalists, including a hippie who read lyrics off a sheet. The band eventually found a vocalist, but Westerberg wanted to be the singer and took him aside one day to say, "The band doesn't like you." The vocalist soon left and Westerberg replaced him. Before Westerberg joined the band, Dogbreath often drank and took various drugs during rehearsals, playing songs as an afterthought. In contrast to the rest of the band, the relatively disciplined Westerberg appeared at rehearsals in neat clothes and insisted on practicing songs until he was happy with them.  After the band members discovered first-generation English punk bands like the Clash, the Jam, the Damned and the Buzzcocks, Dogbreath changed its name to the Impediments and played a drunken performance without Tommy Stinson at a church hall gig in June 1980. After being banned from the venue for disorderly behavior, they changed the name to the Replacements. In an unpublished memoir, Mars later explained the band's choice of name: "Like maybe the main act doesn't show, and instead the crowd has to settle for an earful of us dirtbags....It seemed to sit just right with us, accurately describing our collective 'secondary' social esteem".

Was that all of the members then?

The band eventually found a vocalist, but Westerberg wanted to be the singer

input: Audiences were still discovering them in 1961, four years after they arrived. However, at the height of their fame, they decided to discontinue their act that year and took their careers in different directions: Nichols became a leading film director; May became primarily a screenwriter and playwright, with some acting and directing. Among the reasons they decided to call it quits was that keeping their act fresh was becoming more difficult. Nichols explains:  Several things happened. One was that I, more than Elaine, became more and more afraid of our improvisational material. She was always brave. We never wrote a skit, we just sort of outlined it: I'll try to make you, or we'll fight--whatever it was. We found ourselves doing the same material over and over, especially in our Broadway show. This took a great toll on Elaine.  Nichols said that for him personally the breakup was "cataclysmic", and he went into a state of depression: "I didn't know what I was or who I was." It was not until 1996, thirty-five years later, that they would work together again as a team, when she wrote the screenplay and he directed The Birdcage. It "was like coming home, like getting a piece of yourself back that you thought you'd lost," he said. He adds that May had been very important to him from the moment he first saw her, adding that for her "improv was innate," and few people have that gift.  Director Arthur Penn said of their sudden breakup, "They set the standard and then they had to move on." To New York talk show host Dick Cavett, "They were one of the comic meteors in the sky."  They reunited for benefits for George McGovern for President in 1972.

Answer this question "Is there anything else notable about the break-up?"
output:
Director Arthur Penn said of their sudden breakup, "They set the standard and then they had to move on.