Background: Judd Apatow (; born December 6, 1967) is an American producer, writer, director, stand-up comedian and actor. He is the founder of Apatow Productions, through which he produced and developed the television series Freaks and Geeks, Undeclared, Girls, Love, and Crashing and directed the films The 40-Year-Old Virgin (2005), Knocked Up (2007), Funny People (2009), This Is 40 (2012), and Trainwreck (2015).
Context: In 2007 New York magazine noted that [former Apatow associate] Mike White ... was "disenchanted" by Apatow's later films, "objecting to the treatment of women and gay men in Apatow's recent movies", saying of Knocked Up: "At some point it starts feeling like comedy of the bullies, rather than the bullied." In a highly publicized Vanity Fair interview, lead actress Katherine Heigl admitted that though she enjoyed working with Apatow, she had a hard time enjoying Knocked Up herself, calling the movie "a little sexist", saying that the film "paints the women as shrews, as humorless and uptight". In response to accusations of sexism, Apatow told an interviewer that the characters in the film Knocked Up "are sexist at times... but it's really about immature people who are afraid of women and relationships and learn to grow up."  Kristen Wiig, in a speech presenting Apatow with the Herb Sargent Award for Comedy Excellence in February 2012 said that he was an "incredible collaborator and supporter" and in a 2011 interview with Elle, television actress and writer Lena Dunham, who has collaborated often with Apatow said of his work, "Knocked Up is really about love. ... His movies are about people trying to get closer to themselves. He's the perfect match for a story about being 25, because that's all 25-year-olds are interested in. The other problems they encounter--money issues, conflicts at work--don't matter."  Alyssa Rosenberg of ThinkProgress praised Apatow for his "wonderfully refreshing" approach to women and comedy, quoting Apatow as saying "I got bored of penises. I said, 'enough of that.' No, I just like immaturity, I like to show people struggle and try to figure out who they are. I'm a guy and so it leaned guy for a while. But one of the projects I'm most proud of is Freaks and Geeks, which is about a woman in high school struggling to figure out which group she wants to belong to, so for me, it goes back and forth. ..."
Question: What year was that movie from?
Answer: 

Problem: Background: Muddy Waters' birthplace and date are not conclusively known. He stated that he was born in Rolling Fork, Mississippi, in 1915, but it is believed to be more likely that he was born in Jug's Corner, in neighboring Issaquena County, in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s, before his rise to fame, the year of his birth was reported as 1913 on his marriage license, recording notes, and musicians' union card. A 1955 interview in the Chicago Defender is the earliest in which he stated 1915 as the year of his birth, and he continued to say this in interviews from that point onward.
Context: Initially, the Chess brothers would not allow Muddy Waters to use his working band in the recording studio; instead, he was provided with a backing bass by Ernest "Big" Crawford or by musicians assembled specifically for the recording session, including "Baby Face" Leroy Foster and Johnny Jones. Gradually, Chess relented, and by September 1953 he was recording with one of the most acclaimed blues groups in history: Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums, and Otis Spann on piano. The band recorded a series of blues classics during the early 1950s, some with the help of the bassist and songwriter Willie Dixon, including "Hoochie Coochie Man", "I Just Want to Make Love to You", and "I'm Ready".  Along with his former harmonica player Little Walter Jacobs and recent southern transplant Howlin' Wolf, Muddy Waters reigned over the early 1950s Chicago blues scene, his band becoming a proving ground for some of the city's best blues talent. Little Walter continued a collaborative relationship long after he left Muddy Waters's band in 1952, appearing on most of the band's classic recordings in the 1950s. Muddy Waters developed a long-running, generally good-natured rivalry with Wolf. The success of his ensemble paved the way for others in his group to make their own solo careers. In 1952, Little Walter left when his single "Juke" became a hit, and in 1955, Rogers quit to work exclusively with his own band, which had been a sideline until that time.  During the mid-1950s, Muddy Waters' singles were frequently on Billboard magazine's various Rhythm & Blues charts including "Sugar Sweet" in 1955 and "Trouble No More", "Forty Days and Forty Nights", and "Don't Go No Farther" in 1956. 1956 also saw the release of one of his best-known numbers, "Got My Mojo Working", although it did not appear on the charts. However, by the late 1950s, his singles success had come to an end, with only "Close to You" reaching the chart in 1958. Also in 1958, Chess released Muddy Waters' first album, The Best of Muddy Waters, which collected twelve of his singles up to 1956.
Question: what instruments did he play?
Answer: