input: It is known that van Eyck was considered revolutionary within his lifetime; his designs and methods were heavily copied and reproduced. His motto, one of the first and still most distinctive signatures in art history, ALS IK KAN ("AS I CAN"), a pun on his name, first appeared in 1433 on Portrait of a Man in a Turban, which can be seen as indicative of his emerging self-confidence at the time. The years between 1434 and 1436 are generally considered his high point when he produced works including the Madonna of Chancellor Rolin, Lucca Madonna and Virgin and Child with Canon van der Paele. He married the much younger Margaret probably around 1432, about the same time he bought a house in Bruges; she is unmentioned before he relocated, while the first of their two children was born in 1434. Very little is known of Margaret, even her maiden name is lost - contemporary records refer to her mainly as Damoiselle Marguerite. She is thought to have been of aristocratic birth, though from the lower nobility, evidenced from her clothes in this portrait which are fashionable but not of the sumptuousness worn by the bride in the Arnolfini Portrait. Later, as the widow of a renowned painter Margaret was afforded a modest pension by the city of Bruges after Jan's death. At least some of this income was invested in lottery.  Van Eyck undertook a number of journeys on Philip the Duke of Burgundy's behalf between 1426 and 1429, journeys described in records as "secret" commissions, for which he was paid multiples of his annual salary. Their precise nature is still unknown, but they seem to involve his acting as envoy of the court. In 1426 he departed for "certain distant lands", possibly to the Holy Land, a theory given weight by the topographical accuracy of Jerusalem in The Three Marys at the Tomb, a painting completed by members of his workshop c. 1440.  A better documented commission was the journey to Lisbon along with a group intended to prepare the ground for the Duke's wedding to Isabella of Portugal. Van Eyck's was tasked with painting the bride, so that the Duke could visualise her before their marriage. Because Portugal was ridden with plague, their court was itinerant and the Dutch party met them at the out of the way castle of Avis. Van Eyck spent nine months there, returning to the Netherlands with Isabella as a bride to be; the couple married on Christmas Day of 1429. The princess was probably not particularly attractive, and that is exactly how Van Eyck conveyed her in the now lost portrait. Typically he showed his sitters as dignified, yet did not hide their imperfections. After his return, he was preoccupied with completing the Ghent Altarpiece, which was consecrated on 6 May 1432 at Saint Bavo Cathedral during an official ceremony for Philip. Records from 1437 say that he was held in high esteem by the upper ranks of Burgundian nobility and was employed in foreign commissions.

Answer this question "any other successes?"
output: Virgin and Child with Canon van der Paele.

Question: The Illyrians (Ancient Greek: Illurioi, Illyrioi; Latin: Illyrii or Illyri) were a group of Indo-European tribes in antiquity, who inhabited part of the western Balkans.  The territory the Illyrians inhabited came to be known as Illyria to Greek and Roman authors, who identified a territory that corresponds to Croatia, Bosnia and Herzegovina, Slovenia, Montenegro, part of Serbia and most of central and northern Albania, between the Adriatic Sea in the west, the Drava river in the north, the Morava river in the east and the mouth of the Aoos river in the south. The first account of Illyrian peoples comes from the Periplus of Pseudo-Scylax, an ancient Greek text of the middle of the 4th century BC that describes coastal passages in the Mediterranean. The name "Illyrians", as applied by the ancient Greeks to their northern neighbors, may have referred to a broad, ill-defined group of peoples, and it is today unclear to what extent they were linguistically and culturally homogeneous.

Illyria appears in Greco-Roman historiography from the 4th century BC. The Illyrians formed several kingdoms in the central Balkans, and the first known Illyrian king was Bardyllis. Illyrian kingdoms were often at war with ancient Macedonia, and the Illyrian pirates were also a significant danger to neighbouring peoples. At the Neretva Delta, there was a strong Hellenistic influence on the Illyrian tribe of Daors. Their capital was Daorson located in Osanici near Stolac in Herzegovina, which became the main center of classical Illyrian culture. Daorson, during the 4th century BC, was surrounded by megalithic, 5 meter high stonewalls, composed out of large trapeze stones blocks. Daors also made unique bronze coins and sculptures. The Illyrians even conquered Greek colonies on the Dalmatian islands. Queen Teuta was famous for having waged wars against the Romans.  After Philip II of Macedon defeated Bardylis (358 BC), the Grabaei under Grabos became the strongest state in Illyria. Philip II killed 7,000 Illyrians in a great victory and annexed the territory up to Lake Ohrid. Next, Philip II reduced the Grabaei, and then went for the Ardiaei, defeated the Triballi (339 BC), and fought with Pleurias (337 BC).  In the Illyrian Wars of 229 BC, 219 BC and 168 BC Rome overran the Illyrian settlements and suppressed the piracy that had made the Adriatic unsafe for Italian commerce. There were three campaigns, the first against Teuta the second against Demetrius of Pharos and the third against Gentius. The initial campaign in 229 BC marks the first time that the Roman Navy crossed the Adriatic Sea to launch an invasion.  The Roman Republic subdued the Illyrians during the 2nd century BC. An Illyrian revolt was crushed under Augustus, resulting in the division of Illyria in the provinces of Pannonia in the north and Dalmatia in the south.

Using a quote from the above article, answer the following question: Were they peaceful or warlike?
HHHHHH
Answer:
After Philip II of Macedon defeated Bardylis (358 BC), the Grabaei under Grabos became the strongest state in Illyria.