input: "Hound Dog" (G2WW-5935) was initially released as the B-side to the single "Don't Be Cruel" (G2WW-5936) on July 13, 1956. Soon after the single was re-released with "Hound Dog" first and in larger print than "Don't Be Cruel" on the record sleeve. Both sides of the record topped Billboard's Best Sellers in Stores and Most Played in Jukeboxes charts alongside "Don't Be Cruel", while "Hound Dog" on its own merit topped the country & western and rhythm & blues charts and peaked at number two on Billboard's main pop chart, the Top 100. Later reissues of the single by RCA in the 1960s designated the pair as double-A-sided.  While Presley was performing "Hound Dog" on television and his record was scaling the charts, Stoller, who had been on vacation in Europe, was returning on the ill-fated final voyage of the Andrea Doria. On July 26, 1956, Leiber met the just-rescued Stoller on the docks and told him, "We got a smash hit on Hound Dog," Stoller said, "Big Mama's record?" And Leiber replied: '"No. Some white guy named Elvis Presley." Stoller added: "And I heard the record and I was disappointed. It just sounded terribly nervous, too fast, too white. But you know, after it sold seven or eight million records it started to sound better." Leiber and Stoller tired of explaining that Presley had dropped most of their lyrics. For example, Leiber complained about Presley adding the line, "You ain't caught a rabbit, and you ain't no friend of mine", calling it "inane...It doesn't mean anything to me." Forty years later, Leiber told music journalist Rikky Rooksby that Presley had stamped the hit with his own identity: "(A) white singer from Memphis who's a hell of a singer--he does have some black attitudes--takes the song over ... But here's the thing: we didn't make it. His version is like a combination of country and skiffle. It's not black. He sounds like Hank Snow. In most cases where we are attributed with rock and roll, it's misleading, because what we did is usually the original record--which is R&B--and some other producer (and a lot of them are great) covered our original record."  By August 18, 1956, Peacock Records re-released Big Mama Thornton's original recording of "Hound Dog", backing it with "Rock-a-Bye Baby" (Peacock 5-1612), but it failed to chart.

Answer this question "Who heard it"
output: Stoller,

input: Burr appeared in more than 50 feature films between 1946 and 1957, creating an array of villains that established him as an icon of film noir. Film historian Alain Silver concluded that Burr's most significant work in the genre is in these ten films: Desperate (1947), Sleep, My Love (1948), Raw Deal (1948), Pitfall (1948), Abandoned (1949), Red Light (1950), M (1951), His Kind of Woman (1951), The Blue Gardenia (1953) and Crime of Passion (1957). Silver described Burr's private detective in Pitfall as "both reprehensible and pathetic", a characterization also cited by film historian Richard Schickel as a prototype of film noir, in contrast with the appealing television characters for which Burr later became famous.  "He tried to make you see the psychosis below the surface, even when the parts weren't huge," said film historian James Ursini. "He was able to bring such complexity and different levels to those characters, and create sympathy for his characters even though they were doing reprehensible things."  Other titles in Burr's film noir legacy include Walk a Crooked Mile (1948), Borderline (1950), Unmasked (1950), The Whip Hand (1951), FBI Girl (1951), Meet Danny Wilson (1952), Rear Window (1954), They Were So Young (1954), A Cry in the Night (1956) and Affair in Havana (1957). Beyond noir, Burr's villains were also seen in Westerns, period dramas, horror films and adventure films.  "I was just a fat heavy," Burr told journalist James Bawden. "I split the heavy parts with Bill Conrad. We were both in our twenties playing much older men. I never got the girl but I once got the gorilla in a 3-D picture called Gorilla at Large. I menaced Claudette Colbert, Lizabeth Scott, Paulette Goddard, Anne Baxter, Barbara Stanwyck. Those girls would take one look at me and scream and can you blame them? I was drowned, beaten, stabbed and all for my art. But I knew I was horribly overweight. I lacked any kind of self esteem. At 25 I was playing the fathers of people older than me."  Burr's occasional roles on the right side of the law include the aggressive prosecutor in A Place in the Sun (1951). His courtroom performance in that film made an impression on Gail Patrick and her husband Cornwell Jackson, who had Burr in mind when they began casting the role of Los Angeles district attorney Hamilton Burger in the CBS-TV series Perry Mason.

Answer this question "What are the examples of such films?"
output:
Desperate (1947), Sleep, My Love (1948), Raw Deal (1948), Pitfall (1948), Abandoned (1949), Red Light (1950),