Some context: No Doubt is an American ska band from Anaheim, California, that formed in 1986. Since 1994, the group has consisted of vocalist Gwen Stefani, bassist and keyboardist Tony Kanal, guitarist and keyboardist Tom Dumont, and drummer Adrian Young. Since the mid-1990s in live performances and the studio, they have been supported by keyboardist and trombonist Gabrial McNair and keyboardist and trumpeter Stephen Bradley. The ska sound of their song, "Trapped in a Box" (1992), that was featured on their first album
The band began work on its next album the next year, but Interscope rejected much of its material, and the band was paired with producer Matthew Wilder. Eric did not like to relinquish creative control to someone outside the band and eventually stopped recording and rehearsing. He left No Doubt in 1994 to resume an animation career with the cartoon TV series The Simpsons. Kanal then ended his seven-year relationship with Gwen, saying that he needed "space." Unsure of what to do with the band, Interscope sublicensed the project to Trauma Records in 1993. No Doubt released The Beacon Street Collection, consisting of outtakes from its previous recording sessions, that year on its own label, Beacon Street Records. Mixing 1980s punk rock and some grunge influences into the band's sound, the album contains a rawer sound than No Doubt, and it sold more than three times as many copies as its predecessor. Later that year, the label released Tragic Kingdom, much of which dealt with the relationship between Tony Kanal and Gwen Stefani.  The release of 1995's Tragic Kingdom and the single "Just a Girl" allowed the group to achieve mainstream commercial success. No Doubt began touring in support of the album late that year, and it grew into a 27-month international tour. In 1996, the second single, "Spiderwebs", was successful, and "Don't Speak", a ballad written by Gwen and Eric Stefani about Gwen and Kanal's break-up, was released as the third single and broke the previous record when it topped the Billboard Hot 100 Airplay for sixteen weeks. No Doubt was nominated for two Grammy Awards for Best New Artist and Best Rock Album at the 1997 Grammy Awards. By the end of the year, half of the songs on Tragic Kingdom had been released as singles, and the album was certified eight times platinum. Later, they were nominated for two more Grammys for Song of the Year and Best Pop Performance by a Duo or Group with Vocal, both for "Don't Speak". The Recording Industry Association of America certified the album diamond in February 1999, and with worldwide sales of sixteen million, it is one of the best-selling albums in history. The band's self-titled debut album began selling copies again off of the success of Tragic Kingdom and reached total sales of over a quarter of a million copies.  The album's release fueled a dispute between Trauma and Interscope Records over No Doubt's recording contract. Trauma sued for US$100 million for breach of contract, fraud, and extortion and sought to have its joint venture agreement ended, claiming that Interscope had reneged on its contract after the band had become more successful than expected. No Doubt had previously stated that it had switched to Trauma Records and that the transition was "really great...because now we have the attention and the focus of a small indie label." The case was settled out of court with a $3 million payment.
Who was he relinquishing control to?
A: but Interscope rejected much of its material, and the band was paired with producer Matthew Wilder.
Some context: Alicia Christian "Jodie" Foster (born November 19, 1962) is an American actress, director, and producer. Foster began her professional career as a child model when she was three years old in 1965, and two years later she moved to acting in television series, when she debuted the sitcom Mayberry R.F.D. In the late 1960s and early 1970s, she worked in several primetime television series and starred in children's films. Foster's breakthrough came with Martin Scorsese's Taxi Driver (1976), in which she played a teenage prostitute and at the age of 14, received a nomination for the Academy Award for Best Supporting Actress.
Foster's first project of the new decade was Keith Gordon's film Waking the Dead (2000), which she produced. She declined to reprise her role as Clarice Starling in Hannibal (2001), with the part going instead to Julianne Moore, and concentrated on a new directorial project, Flora Plum. It was to focus on a 1930s circus and star Claire Danes and Russell Crowe, but had to be shelved after Crowe was injured on set and could not complete filming on schedule; Foster unsuccessfully attempted to revive the project several times in the following years. Controversially, she also expressed interest in directing and starring in a biopic of Nazi film director Leni Riefenstahl, who did not like the idea. In addition to these setbacks, Foster shut down Egg Pictures in 2001, stating that producing was "just a really thankless, bad job". The company's last production, The Dangerous Lives of Altar Boys, premiered at the Sundance Film Festival in January 2002. It received good reviews, and had a limited theatrical release in the summer.  After the cancellation of Flora Plum, Foster took on the main role in David Fincher's thriller Panic Room after its intended star, Nicole Kidman, had to drop out due to an injury on set. Before filming resumed, Foster was given only a week to prepare for the role of a woman who moves with her daughter to a house fitted with a panic room, which they have to use on their first night due to a home invasion. It grossed over $30 million on its North American opening weekend in March 2002, thus becoming the most successful film opening of Foster's career as of 2015. In addition to being a box office success, the film also received largely positive reviews.  After a minor appearance in the French period drama A Very Long Engagement (2004), Foster starred in three more thrillers. The first was Flightplan (2005), in which she played a woman whose daughter vanishes during an overnight flight. It became a global box office success, but received mainly negative reviews. It was followed by Spike Lee's critically and commercially successful Inside Man (2006), about a bank heist on Wall Street, which co-starred Denzel Washington and Clive Owen. The third thriller, The Brave One (2007), prompted some comparisons to Taxi Driver, as Foster played a New Yorker who becomes a vigilante after being seriously injured and losing her fiance and dog in a random street attack. It was not a success, but earned Foster her sixth Golden Globe nomination. Her last film role of the decade was in the children's adventure film Nim's Island (2008), in which she portrayed an agoraphobic writer opposite Gerard Butler and Abigail Breslin. It was the first comedy that she had starred in since Maverick (1994), and was a commercial success but a critical failure. In 2009, she provided the voice for Maggie in a tetralogy episode of The Simpsons titled "Four Great Women and a Manicure".
What was a career setback?
A:
She declined to reprise her role as Clarice Starling in Hannibal (2001), with the part going instead to Julianne Moore,