IN: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.

Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.
QUESTION: what is his musical style?
IN: Francois-Marie Arouet (French: [fRa.swa ma.Ri aR.we]; 21 November 1694 - 30 May 1778), known by his nom de plume Voltaire (; French: [vol.te:R]), was a French Enlightenment writer, historian and philosopher famous for his wit, his attacks on the established Catholic Church and Christianity as a whole and his advocacy of freedom of religion, freedom of speech and separation of church and state.

Francois-Marie Arouet was born in Paris, the youngest of the five children of Francois Arouet (19 August 1649 - 1 January 1722), a lawyer who was a minor treasury official, and his wife, Marie Marguerite Daumard (c. 1660 - 13 July 1701), whose family was on the lowest rank of the French nobility. Some speculation surrounds Voltaire's date of birth, because he claimed he was born on 20 February 1694 as the illegitimate son of a nobleman, Guerin de Rochebrune or Roquebrune. Two of his older brothers--Armand-Francois and Robert--died in infancy, and his surviving brother Armand and sister Marguerite-Catherine were nine and seven years older, respectively. Nicknamed "Zozo" by his family, Voltaire was baptized on 22 November 1694, with Francois de Castagnere, abbe de Chateauneuf, and Marie Daumard, the wife of his mother's cousin, standing as godparents. He was educated by the Jesuits at the College Louis-le-Grand (1704-1711), where he was taught Latin, theology, and rhetoric; later in life he became fluent in Italian, Spanish, and English.  By the time he left school, Voltaire had decided he wanted to be a writer, against the wishes of his father, who wanted him to become a lawyer. Voltaire, pretending to work in Paris as an assistant to a notary, spent much of his time writing poetry. When his father found out, he sent Voltaire to study law, this time in Caen, Normandy. But the young man continued to write, producing essays and historical studies. Voltaire's wit made him popular among some of the aristocratic families with whom he mixed. In 1713, his father obtained a job for him as a secretary to the new French ambassador in the Netherlands, the marquis de Chateauneuf, the brother of Voltaire's godfather. At The Hague, Voltaire fell in love with a French Protestant refugee named Catherine Olympe Dunoyer (known as 'Pimpette'). Their affair, considered scandalous, was discovered by de Chateauneuf and Voltaire was forced to return to France by the end of the year.  Most of Voltaire's early life revolved around Paris. From early on, Voltaire had trouble with the authorities for critiques of the government. As a result, he was twice sentenced to prison and once to temporary exile to England. One satirical verse, in which Voltaire accused the Regent of incest with his daughter, resulted in an eleven-month imprisonment in the Bastille. The Comedie-Francaise had agreed in January 1717 to stage his debut play, OEdipe, and it opened in mid-November 1718, seven months after his release. Its immediate critical and financial success established his reputation. Both the Regent and King George I of Great Britain presented Voltaire with medals as a mark of their appreciation.  He mainly argued for religious tolerance and freedom of thought. He campaigned to eradicate priestly and aristo-monarchical authority, and supported a constitutional monarchy that protects people's rights.
QUESTION:
Why did his dad want him to be a writer?