input: Vieira became the first host of the American syndicated version of Who Wants to Be a Millionaire on September 16, 2002; prior to that, American audiences had known it as a primetime show on ABC hosted by Regis Philbin. Rosie O'Donnell (who would later succeed Vieira on The View) was originally offered to host the syndicated version, but rejected it almost immediately. Vieira won two Daytime Emmy Awards for Outstanding Game Show Host for her hosting duties on Millionaire (one in 2005, the other in 2009); as such, she is the second woman ever to win an Emmy Award in this category (after Betty White for Just Men! in 1983), and the first to win multiple times. In addition to hosting the show, Vieira also served as its co-executive producer, a title that she would hold from 2005 until her departure from the show.  ABC originally offered Vieira hosting duties on the syndicated Millionaire to sweeten one of her re-negotiations for The View. When the show was honored by GSN on its 2007 Gameshow Hall of Fame special, one of the show's executive producers, Leigh Hampton, said that when the syndicated version was being developed, the production team felt that it was not feasible for Philbin to continue hosting, as the show recorded four episodes in a single day, and that the team was looking for qualities in a new host: it had to be somebody who would love the contestants and be willing to root for them. After O'Donnell declined the opportunity to host the syndicated version, Vieira was the one that the team settled on, because she had the above-mentioned qualities. On the special, Vieira herself gave the following explanation for why she decided to host the syndicated Millionaire:  I did the show because I fell in love with the show, and really, first and foremost, as a parent, [I feel that] there aren't that many shows on television that you can watch as a family. And when [the U.S. version's executive producer] Michael Davies approached me and said, "Would you be interested in hosting the syndicated version?", I said, "Just point me toward the contract! I am so there!"  Prior to hosting the syndicated version of Millionaire, Vieira was a celebrity contestant in a special tournament on the third season of the original primetime version, winning $250,000 for her selected charitable organization, the Windows of Hope Family Relief Fund. Seven and three-quarter years later, she would even turn the tables on Philbin himself with her surprise appearance on the finale of the show's 10th anniversary primetime revival on August 23, 2009--hosting its final segment while giving him the opportunity to answer one question in order to win $50,000 for his selected organization, Cardinal Hayes High School in the Bronx.  On January 10, 2013, Vieira announced that after eleven seasons with the syndicated Millionaire, throughout which she had hosted more than 1,800 episodes and offered a vast multitude of contestants a combined total of over $70,000,000, she would be leaving the show as part of an effort to focus on other projects in her career. She finalized taping of her last episodes with the show in November 2012.

Answer this question "What happened leading up to being on Millionaire?"
output: 

input: In 1989, brothers Mike (bass) and Noel (guitar) Hogan formed The Cranberry Saw Us with drummer Fergal Lawler and singer Niall Quinn, in Limerick, Ireland. Less than a year later, Quinn left the band. The remaining band members then placed an advertisement for a female singer. Dolores O'Riordan responded to the advertisement and auditioned by writing lyrics and melodies to some existing demos. When she returned with a rough version of "Linger", she was hired, and they recorded Nothing Left At All, a three-track EP released on tape by local record label Xeric Records, which sold 300 copies. The group changed their name to "The Cranberries". The owner of Xeric Studios, Pearse Gilmore, became their manager and provided the group with studio time to complete another demo tape, which he produced. It featured early versions of "Linger" and "Dreams", which were sent to record companies throughout the UK.  This demo earned the attention of both the UK press and record industry and sparked a bidding war between major British record labels. Eventually, the group signed with Island Records. The Cranberries headed back into studio with Gilmore as their producer to record their first EP Uncertain and created a music video for the title track, which was not released. The EP received poor reviews in the press and led to tension between the group and Gilmore. After a difficult recording session intended for their first Island records album in January 1992, the band scrapped their work and fired Gilmore. After hiring Geoff Travis as their new manager, the Cranberries headed back into the studio in Dublin in March 1992 to restart working on their first LP with Stephen Street, who had previously worked with The Smiths.  During that time period, the Cranberries toured in Ireland and the UK, getting the attention of the British press. The band also recorded several studio and live sessions intended for Irish and British radio and television shows, including 2fm's The Dave Fanning Show and BBC Radio 1's John Peel Show.

Answer this question "what was a song that they sung?"
output: Linger" and "Dreams

input: Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. He played for the Stapletons for four years from 1929 to 1932. While statistics are not available for the 1929 NFL season, Strong was regarded as one of the best backs in the NFL. He started all 10 games at halfback for the 1929 Stapletons. In his first NFL game, he threw a long forward pass to set up the Stapleton's first touchdown and scored all of the team's 12 points on two short touchdown runs. He also had a 70-yard run in a scoreless tie with the Orange Tornadoes on November 3, 1929. Two days later, Strong had a 50-yard touchdown run against the Providence Steam Roller. At the end of the 1929 season, Strong was selected by Collyer's Eye and the Green Bay Press-Gazette as a second-team All-Pro.  In 1930, Strong appeared in all 12 games for the Stapletons and scored 53 points on two rushing touchdowns, five receiving touchdowns, one field goal, and eight extra points. His point total ranked third in the NFL in 1930, trailing only Jack McBride (56 points) and Verne Lewellen (54 points). On September 28, 1930, he caught two touchdown passes, threw a 40-yard pass that set up a third touchdown, and kicked three extra points in a 21-0 victory over the Frankford Yellow Jackets. In December 1930, he led the Stapletons to a 16-7 victory over the New York Giants for the pro football championship of New York City; Strong accounted for all 16 Stapleton points, running 98 yards for a touchdown, passing for a second touchdown, and kicking a field goal and an extra point. He was selected as a first-team player on the 1930 All-Pro Team by Collyer's Eye and the Green Bay Press-Gazette.  In 1931, Strong appeared in all 11 games for the Stapletons and scored 53 points on six rushing touchdowns, one punt return for a touchdown, two field goals, and five extra points. His 53 points ranked fourth in the NFL, trailing only Johnny Blood (84 points), Ernie Nevers (66 points), and Dutch Clark (60 points). On November 22, 1931, Strong scored all 16 points in a 16-7 victory over Cleveland; he had two rushing touchdowns, including a 50-yard run and kicked a field goal and an extra point. At the end of the 1931 season, Strong was selected as an All-Pro for the second year in a row, receiving first-team honors from the United Press (UP) and Collyer's Eye.  Strong's output dropped off in 1932 as he moved to the fullback position. He appeared in 11 games and ranked sixth in the NFL with 375 rushing yards, but scored only 15 points on two touchdowns and three extra points. At the end of the 1932 season, the Stapletons team folded.

Answer this question "When did he start playing for the Stapletons?"
output:
1929