input: Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances.

Answer this question "When did his his interest begin in playing violin?"
output: when in bed with the measles, I had tried myself out on the little violin

input: In 1922, when he first met his spiritual master, Bhaktisiddhanta Sarasvati Thakura, he was requested to spread the message of Chaitanya Mahaprabhu in the English language. In 1933 he became a formally initiated disciple of Bhaktisiddhanta. In 1944, (from his front room at Sita Kanta Banerjee, Calcutta), he started the publication called Back to Godhead, for which he acted as writer, designer, publisher, editor, copy editor and distributor. He personally designed the logo, an effulgent figure of Chaitanya Mahaprabhu in the upper left corner, with the motto: "Godhead is Light, Nescience is darkness" greeting the readers. In his first magazine he wrote:  Under the circumstances since 1936 up to now, I was simply speculating whether I shall venture this difficult task and that without any means and capacity; but as none have discouraged me, I have now taken courage to take up the work.  In 1947, the Gaudiya Vaishnava Society recognised his scholarship with the title Bhaktivedanta, (bhakti-vedanta) meaning "one who has realised that devotional service to the Supreme Lord is the end of all knowledge" (with the words Bhakti, indicating devotion and Vedanta indicating conclusive knowledge).  His later well known name, Prabhupada, is a Sanskrit title, literally meaning "he who has taken the shelter of the lotus feet of the Lord" where prabhu denotes "Lord", and pada means "taking shelter." Also, "at whose feet masters sit". This name was used as a respectful form of address by his disciples from late 1967 early 1968 onwards. Previous to this, as with his early disciples, followers used to call him "Swamiji".  From 1950 onwards, he lived at the medieval Radha-Damodar mandir in the holy town of Vrindavan, where he began his commentary and translation work of the Sanskrit work Bhagavata Purana. Of all notable Vrindavana's temples, the Radha-Damodara mandir had at the time the largest collection of various copies of the original writings of the Six Gosvamis and their followers - more than two thousand separate manuscripts, many of them three hundred, some even four hundred years old. His guru, Bhaktisiddhanta Sarasvati Thakura, had always encouraged him to print books, and beholding his spiritual master, Abhay felt the words deeply enter his own life - "If you ever get money, print books."  referring to the need of literary presentation of the Vaishnava culture.

Answer this question "were his writings famous?"
output: 

input: Goldfrapp's second album Black Cherry was released in April 2003. The band recorded the album in a darkened studio in Bath, England. The album focused more heavily on dance music and glam rock-inspired synths than its predecessor. Alison Goldfrapp commented that the album differed from Felt Mountain because the band "felt that we really didn't want to repeat what we had done...we kind of wanted to do something that felt equally as fresh to us as the first one felt fresh to us, and we wanted to put more kind of "oomph" in it." The album received positive reviews from critics. The Guardian found it to be an "unexpected delight" and About.com called it a "rare electronica album of warmth and depth...the ultimate chillout pleasure". Black Cherry peaked at number 19 on the UK Albums Chart and number four on the Billboard Top Electronic Albums chart in the United States. It sold well, reaching platinum status in the UK and selling 52,000 copies in the US as of August 2006.  The first single released from the album was "Train", which reached number 23 on the UK Singles Chart. The song's lyrics discuss obsession and overindulgence and were inspired by Goldfrapp's visit to Los Angeles while touring in support of Felt Mountain. "Strict Machine" was released as the album's second single. The song proved successful on several formats, and reached number one on the US Hot Dance Club Play chart. In 2004, "Strict Machine" won an Ivor Novello Award for "Best Dance Single". The third single released from Black Cherry was "Twist", a song inspired by a fantasy that Goldfrapp had about a boy who worked in a fairground. The title track was released as the album's fourth single and reached number 28 in the UK.  In 2003, Alison Goldfrapp modified her image, from a sophisticated Marlene Dietrich inspired look to that of a new wave diva. The reinvented image included false eyelashes, customised T-shirts, military uniforms and fishnet stockings. Starting in March 2003, the band toured the album, with a concert series entitled Black Cherry Tour. In 2004, the band further toured Australia, Japan, Europe and North America and embarked on the Wonderful Electric Tour. Sections of the stage show featured Goldfrapp in a white dress wearing a horse tail and dancers with deer heads, and were inspired by Goldfrapp's interest in animals and mythology.

Answer this question "Did they tour with other bands or artists?"
output:
In 2004, the band further toured Australia, Japan, Europe and North America and embarked on the Wonderful Electric Tour.