IN: Eugene Louis Vidal was born in the cadet hospital of the U.S. Military Academy at West Point, New York, the only child of Eugene Luther Vidal (1895-1969) and Nina S. Gore (1903-1978). Vidal was born at the West Point cadet hospital because his first lieutenant father was the first aeronautics instructor of the military academy. The middle name, Louis, was a mistake on the part of his father, "who could not remember, for certain, whether his own name was Eugene Louis or Eugene Luther". In the memoir Palimpsest (1995), Vidal said, "My birth certificate says 'Eugene Louis Vidal': this was changed to Eugene Luther Vidal Jr.; then Gore was added at my christening [in 1939]; then, at fourteen, I got rid of the first two names."

In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius.
QUESTION: Are there any other interesting aspects about this article?
IN: Erich Mielke was born in a tenement in Berlin-Wedding, Kingdom of Prussia, German Empire, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD).

Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month.
QUESTION:
What did Mielke do after being released from prison?