IN: A Hakka, Kate Tsui was born and raised in Hong Kong. Her father works in logistics, and while her mother is now a homemaker, she was a dancer when she was younger. Tsui also has an older sister, who is married with two kids. As of 2014, Tsui has expressed that with the exception of herself, her entire immediate family now resides in Taiwan.

Aside from her development in television acting, Tsui also experienced success in developing her career in the film industry. In 2007, through a series of auditions, Tsui was cast as the female lead, alongside A-list actors Tony Leung Ka-fai and Simon Yam, in Eye in the Sky, which is a film produced by Johnnie To and directed by Yau Nai-hoi. With her performance in the film,  Eye in the Sky was praised by professional Hong Kong film critic, Sek Kei, as the best Hong Kong film in the first half of 2007. The film was subsequently entered into the Berlin International Film Festival, as well as the Shanghai International Film Festival. Through her performance in the film, Tsui was widely acclaimed to be talented in acting and a rising actress worth looking out for.  With her performance in Eye in the Sky, Tsui earned the Best Newcomer - Gold Award from Hong Kong Film Directors' Guild 2007, as well as Hong Kong Film Award for Best New Performer from the 27th Hong Kong Film Awards, held in 2008. The latter is a particularly outstanding achievement, for Tsui is, so far, the only individual to have received a Hong Kong Film Award, while being fully contracted by TVB, since Anita Yuen, who coincidentally is also a Miss Hong Kong pageant winner, won the same award back in 1993.  Professional Taiwanese film critic, Mai Ruoyu, had openly criticized the Golden Horse Film Festival and Awards, a film festival and awards ceremony held in Taiwan, for excluding Tsui and her performance in Eye in the Sky from a nomination in the Best New Performer category. He had further praised that Tsui has the most potential and talent in acting among all of TVB's Miss Hong Kong-turned-actresses, since Maggie Cheung.

What she given award?

OUT: Golden Horse Film Festival


IN: The Naga people (pronounced [na:ga:]) are an ethnic group conglomerating of several tribes native to the North Eastern part of India and north-western Myanmar (Burma). The tribes have similar cultures and traditions, and form the majority ethnic group in the Indian state of Nagaland, with significant population in Manipur, Arunachal Pradesh and in Assam. The Naga speak various distinct Tibeto-Burman languages, including Anal, Angami, Ao, Chakhesang, Chang, Lotha, Mao (Emela), Maram, Phom, Pochuri, Poumai (Poula), Phom, Rengma, Rongmei (Ruangmei), Sangtam, Sumi, Tangkhul, Thangal and Zeme. In addition, the Naga have developed Nagamese Creole, which they use between various indigenous communities and villages, which each have their own dialect of language.

The Naga hills have been an area of continued resistance as they had long been isolated from outside cultures. The development of a spirit of nationalism and sense of a common identity are relatively new concepts among the Naga people. According to their traditions, each village is an independent republic; initially, they wanted to be free from all outside domination.  Modern education, together with Christian missions, contributed to the politicization of Naga ethnicity. In 1918, a group of educated Nagas formed Naga Club in 1918. The club wrote to the Simon Commission in 1929 demanding that "Nagas should not be included within the Reformed Scheme of India".  On 14 August 1947, the day before India gained independence from British rule, the Nagas were the first ethnic group from the northeast to declare their territory an independent state, not belonging to the new nation. Angami Zapu Phizo led the initial movement with the Naga National Council (NNC). In the last days of the British Raj, he held talks trying to achieve a sovereign Naga nation. In June 1947, a 9-point agreement was signed which promised to bring the Naga tribes under a single political administrative unit and recognised the Nagas' right to self-determination after 10 years. Disputes arose over the interpretation of the agreement, and many in the NNC opposed it.  Under Phizo, the NNC declared their independence from the British on 14 August 1947, a day before India. In May 1951, the NNC claimed that 99 per cent of the tribal people supported a referendum to secede from India, which was summarily rejected by the government in New Delhi. By 1952, the NNC, composed primarily of Nagaland Nagas, led a guerrilla movement. India responded by crushing it with their armed forces. Phizo escaped from the region through East Pakistan and went into exile to London. He continued to inspire the independence movement from there till his death in 1990.

What else can you tell me of significance?

OUT: Under Phizo, the NNC declared their independence from the British on 14 August 1947, a day before India.


IN: Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.

Parker's life was riddled with depression and heroin addiction. This addiction caused him to miss performances and be considered unemployable. He frequently resorted to busking, receiving loans from fellow musicians and admirers, and pawning his saxophones for drug money. Heroin use was rampant in the jazz scene, and users could acquire it with little difficulty.  Although he produced many brilliant recordings during this period, Parker's behavior became increasingly erratic. Heroin was difficult to obtain once he moved to California, where the drug was less abundant, so he used alcohol as a substitute. A recording for the Dial label from July 29, 1946, provides evidence of his condition. Before this session, Parker drank a quart of whiskey. According to the liner notes of Charlie Parker on Dial Volume 1, Parker missed most of the first two bars of his first chorus on the track, "Max Making Wax". When he finally did come in, he swayed wildly and once spun all the way around, away from his microphone. On the next tune, "Lover Man", producer Ross Russell physically supported Parker. On "Bebop" (the final track Parker recorded that evening) he begins a solo with a solid first eight bars; on his second eight bars, however, he begins to struggle, and a desperate Howard McGhee, the trumpeter on this session, shouts, "Blow!" at him. Charles Mingus considered this version of "Lover Man" to be among Parker's greatest recordings, despite its flaws. Nevertheless, Parker hated the recording and never forgave Ross Russell for releasing it. He re-recorded the tune in 1951 for Verve.  Parker's life took a turn for the worst when his 2 year old daughter tragically passed away from pneumonia. He attempted suicide twice in 1954, which landed him in a mental hospital.  When Parker received his discharge from the hospital, he was clean and healthy. Before leaving California, he recorded "Relaxin' at Camarillo" in reference to his hospital stay. He returned to New York, resumed his addiction to heroin and recorded dozens of sides for the Savoy and Dial labels, which remain some of the high points of his recorded output. Many of these were with his so-called "classic quintet" including Davis and Roach.

when did he start using heroin?

OUT:
July 29, 1946,