Background: Allen Toussaint (; January 14, 1938 - November 10, 2015) was an American musician, songwriter, arranger and record producer, who was an influential figure in New Orleans R&B from the 1950s to the end of the century, described as "one of popular music's great backroom figures." Many musicians recorded Toussaint's compositions, including "Java", "Mother-in-Law", "I Like It
Context: The youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son. His father, Clarence, worked on the railway and played trumpet. Allen Toussaint learned piano as a child and took informal music lessons from an elderly neighbor, Ernest Pinn. In his teens he played in a band, the Flamingos, with the guitarist Snooks Eaglin, before dropping out of school. A significant early influence on Toussaint was the syncopated "second-line" piano style of Professor Longhair.  After a lucky break at age 17, in which he stood in for Huey "Piano" Smith at a performance with Earl King's band in Prichard, Alabama, Toussaint was introduced to a group of local musicians led by Dave Bartholomew, who performed regularly at the Dew Drop Inn, a nightclub on Lasalle Street in Uptown New Orleans. His first recording was in 1957 as a stand-in for Fats Domino on Domino's record "I Want You to Know", on which Toussaint played piano and Domino overdubbed his vocals. His first success as a producer also came in 1957 with Lee Allen's "Walking with Mr. Lee". He began performing regularly in Bartholomew's band, and he recorded with Fats Domino, Smiley Lewis, Lee Allen and other leading New Orleans performers.  After being spotted as a sideman by the A&R man Danny Kessler, he initially recorded for RCA Records as Al Tousan. In early 1958 he recorded an album of instrumentals, The Wild Sound of New Orleans, with a band including Alvin "Red" Tyler (baritone sax), either Nat Perrilliat or Lee Allen (tenor sax), either Justin Adams or Roy Montrell (guitar), Frank Fields (bass), and Charles "Hungry" Williams (drums). The recordings included Toussaint and Tyler's composition "Java", which first charted for Floyd Cramer in 1962 and became a number 4 pop hit for Al Hirt (also on RCA) in 1964. Toussaint also recorded and co-wrote songs with Allen Orange in the early 1960s.
Question: Did he continue to develop his music abilities?
Answer: In his teens he played in a band, the Flamingos, with the guitarist Snooks Eaglin, before dropping out of school.

Background: Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
Context: Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors.  Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.  While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher).  Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.
Question: what was that show about?
Answer: