Some context: Norman Percevel Rockwell (February 3, 1894 - November 8, 1978) was a 20th-century American author, painter and illustrator. His works have a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem
Norman Rockwell was born on February 3, 1894, in New York City, to Jarvis Waring Rockwell and Anne Mary "Nancy" Rockwell, born Hill. His earliest American ancestor was John Rockwell (1588-1662), from Somerset, England, who immigrated to colonial North America, probably in 1635, aboard the ship Hopewell and became one of the first settlers of Windsor, Connecticut. He had one brother, Jarvis Waring Rockwell, Jr., older by a year and a half. Jarvis Waring, Sr., was the manager of the New York office of a Philadelphia textile firm, George Wood, Sons & Company, where he spent his entire career.  Rockwell transferred from high school to the Chase Art School at the age of 14. He then went on to the National Academy of Design and finally to the Art Students League. There, he was taught by Thomas Fogarty, George Bridgman, and Frank Vincent DuMond; his early works were produced for St. Nicholas Magazine, the Boy Scouts of America (BSA) publication Boys' Life, and other youth publications. As a student, Rockwell was given small jobs of minor importance. His first major breakthrough came at age 18 with his first book illustration for Carl H. Claudy's Tell Me Why: Stories about Mother Nature.  After that, Rockwell was hired as a staff artist for Boys' Life magazine. In this role, he received 50 dollars' compensation each month for one completed cover and a set of story illustrations. It is said to have been his first paying job as an artist. At 19, he became the art editor for Boys' Life, published by the Boy Scouts of America. He held the job for three years, during which he painted several covers, beginning with his first published magazine cover, Scout at Ship's Wheel, which appeared on the Boys' Life September edition.
For how long did he work for Boys' Life magazine?
A: three years,
Some context: Bernard Mathew Leadon III (pronounced led-un; born July 19, 1947) is an American musician and songwriter, best known as a founding member of the Eagles. Prior to the Eagles, he was a member of three pioneering and highly influential country rock bands: Hearts & Flowers, Dillard & Clark, and the Flying Burrito Brothers. He is a multi-instrumentalist (guitar, banjo, mandolin, steel guitar, dobro) coming from a bluegrass background. He introduced elements of this music to a mainstream audience during his tenure with the Eagles.
Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar.  As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963.  His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon).  A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year.
Who are his parents?
A: Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon,
Some context: Cameron was born in 1954 in Kapuskasing, Ontario, Canada, the son of Shirley (nee Lowe), an artist and nurse, and Phillip Cameron, an electrical engineer. His paternal great-great-great-grandfather emigrated from Balquhidder, Scotland, in 1825. Cameron grew up in Chippawa, Ontario, and attended Stamford Collegiate School in Niagara Falls, Ontario. His family moved to Brea, California in 1971, when Cameron was 17 years old.
He was the director, writer, producer, and production designer for Xenogenesis (1978). He then became an uncredited production assistant on Rock and Roll High School in 1979. While continuing to educate himself in filmmaking techniques, Cameron started working as a miniature model maker at Roger Corman Studios. Making rapidly produced, low-budget productions taught Cameron to work efficiently. He soon found employment as an art director in the sci-fi movie Battle Beyond the Stars (1980). He did special effects work design and direction on John Carpenter's Escape from New York (1981), acted as production designer on Galaxy of Terror (1981), and consulted on the design of Android (1982).  Cameron was hired as the special effects director for the sequel to Piranha, entitled Piranha II: The Spawning in 1981. The original director, Miller Drake, left the project due to creative differences with producer Ovidio Assonitis, who then gave Cameron his first job as director. The interior scenes were filmed in Rome, Italy, while the underwater sequences were shot at Grand Cayman Island.  The movie was to be produced in Jamaica. On location, production slowed due to numerous problems and adverse weather. James Cameron was fired after failing to get a close up of Carole Davis in her opening scene. Ovidio ordered Cameron to do the close-up the next day before he started on that day's shooting. Cameron spent the entire day sailing around the resort, reproducing the lighting but still failed to get the close-up. After he was fired, Ovidio invited Cameron to stay on location and assist in the shooting. Once in Rome, Ovidio took over the editing when Cameron was stricken with food poisoning. During his illness, Cameron had a nightmare about an invincible robot hitman sent from the future to kill him, giving him the idea for The Terminator, which later catapulted his film career.
What other films did he produce in his early career?
A: