input: In 1929, he moved to Chicago, Illinois to become President of the University of Chicago at the age of 30, becoming the youngest president of a university in the country. Over the next several years, Hutchins came to question Legal Realism, which he had previously championed, and grew skeptical of the ability of empirical research in the social sciences to solve social problems, especially in the face of the Great Depression. Particularly through contact with Mortimer Adler, he became convinced that the solution to the philosophical problems facing the university lay in Aristotelianism and Thomism. In the late 1930s, Hutchins attempted to reform the curriculum of the University of Chicago along Aristotelian-Thomist lines, only to have the faculty reject his proposed reforms three times.  Hutchins served as President of the University of Chicago until 1945, and as the University's Chancellor until 1951. During his Chancellorship, he recruited a commission to inquire into the proper function of the media. By 1947, the Hutchins Commission issued their report on the "social responsibility" of the press.  Hutchins was notable as a defender of academic freedom. When the University was accused of fostering communism in 1935 (by Charles Rudolph Walgreen, who claimed his niece had been indoctrinated with communist ideas whilst studying there) and again in 1949, Hutchins defended the right of the University's faculty to teach as they wished, arguing that the best way to defeat communism was through open debate and scrutiny, rather than suppression. "Hutchins stood behind his faculty and their right to teach and believe as they wished, insisting that communism could not withstand the scrutiny of public analysis and debate."  Hutchins was able to implement his ideas regarding a two-year, generalist bachelors during his tenure at Chicago, and subsequently had designated those studying in depth in a field as masters students. He moreover pulled Chicago out of the Big Ten Conference and eliminated the school's football program, which he saw as a campus distraction. Hutchins heaped scorn upon schools which received more press coverage for their sports teams than for their educational programs, and the trustees provided the support he needed to drop football in 1939. The decision was hailed by many, and Hutchins today serves as a model for those who argue that commercialized college sports are incompatible with the academic and intellectual aims of institutions of higher learning.  He also worked to eliminate fraternities and religious organizations for the same reason. While he exhibited great fervor for his curricular project and numerous notable alumni were produced during the period, nevertheless, the business community as well as donors became highly skeptical of the value of the program, and eventually were able to have the four-year, traditional A.B. and S.B. reinstated (and in time, football). The College's financial clout, which had been considerable prior to his tenure, underwent a serious downgrading with decreased collegiate enrollment and a drying up of donations from the school's principal Chicago area benefactors. As such, his critics view him as a dangerous idealist who pushed the school out of the national limelight and temporarily thwarted its possible expansion, while his supporters argue that it was his changes that kept Chicago intellectually unique and from taking on the vocational inclinations that he denigrated in his writings.

Answer this question "Why did he move to Chicago?"
output: to become President of the University of Chicago

input: The Clark Sisters were born and raised in Detroit, Michigan. They each began singing at an early age, and by the late 1960s they were all performing together in church services, usually singing songs written and arranged by their mother. A few years later, Dr. Mattie Moss Clark turned over control of the group to Twinkie, who would then go on to write, arrange, conduct, and produce all of the Clark Sisters' recordings. In 1973, the sisters recorded their first album, Jesus Has A Lot To Give, on their uncle's local label Billesse Records.  The following year, Dr. Mattie Moss Clark Presents The Clark Sisters was released and people around Detroit began to take notice of the group. The Clark Sisters signed to Sound of Gospel Records in 1974. Under this association, the group released albums such as Unworthy, Count It All Joy, and He Gave Me Nothing to Lose. It was not until the early 1980s that The Clark Sisters began to become more widely known. Their popularity soared with the release of the live recording Is My Living In Vain. The first live recording by The Clark Sisters spent an entire year at number one on Billboard's Gospel Music chart. Opening with the bluesy title track, each sister vocally declares that their dedication to Christ is not a useless effort. The innovative "Hi ya" was funky enough to find its way into a Tonex produced track over two decades later. Karen Clark's lead on "Speak Lord" expresses deep faith while the call to worship is raised on "Now Is The Time". Another hit from this release, "Expect Your Miracle", is still a staple in black churches across the country.  Their next release You Brought the Sunshine would prove to be a monster hit via the title track. Reminiscent of Stevie Wonder's "Master Blaster (Jammin')," the song became a hit in church houses and on dance floors, including New York's Studio 54. "Sunshine" was picked up from its original independent gospel record label Sounds of Gospel and distributed by both Westbound Records and Elektra Records. In 1983, the song peaked at #16 on the Black Singles chart, #27 on the Club Play Charts, and #80 on the Hot R&B Charts driving the album to Gold sales. This album continues to display Twinkie's signature blend of scripture with unprecedented vocal and musical arrangements on biblically based songs like "Psalms 31." The album's other songs include the sincere prayer found within the lyrics of both "Center of Thy Will" and "Endow Me," featuring a young but already vocally mature Karen, as well as "Overdose of the Holy Ghost", showcasing Dorinda's vocal dexterity. The disco-inspired "He Keeps Me Company" is noted for its bubbly syncopation.  The sisters delivered another progressive effort in 1982, Sincerely, which included "Name It And Claim It" and the politically charged "World." Though its success was overshadowed by the previous hit "You Brought The Sunshine", the album received a Grammy nomination.

Answer this question "Where there any hits?"
output:
Their next release You Brought the Sunshine would prove to be a monster hit via the title track.