input: Walsh is active in charity work and has performed in a number of concerts to raise money for charitable causes. He has also been a personal contributor to a number of charity causes including halfway houses for displaced adult women in Wichita, Kansas. Walsh funded the first talent-based scholarship at Kent State University in 2008.  Walsh's love of Santa Cruz Island grew into a lifelong commitment to conserve the environment there, and he has been active in preserving the island's parks. He is President of the Santa Cruz Island Foundation, and has served on the Foundation's board since the 1980s.  Walsh had often joked about running for office, announcing a mock presidential campaign in 1980 and a vice presidential campaign in 1992. Walsh ran for President of the United States in 1980, promising to make "Life's Been Good" the new national anthem if he won, and ran on a platform of "Free Gas For Everyone". Though Walsh was only 32 at the time of the election and thus would not have met the 35-year-old requirement to actually assume office, he said that he wanted to raise public awareness of the election. In 1992 Walsh ran for vice president with Rev. Goat Carson under the slogan "We Want Our Money Back!"  In an interview to promote his album Analog Man in 2012, Walsh revealed he was considering a serious bid for political office. "I think I would run seriously, and I think I would run for Congress," Walsh told WASH in Washington, D.C. "The root of the problem is that Congress is so dysfunctional. We're dead in the water until Congress gets to work and passes some new legislation to change things."  In 2017, Walsh contacted others in the music industry Zac Brown Band, Gary Clark Jr., Keith Urban to try to organize and perform what became VetsAid  - a concert series along the lines of the Farm Aid program spearheaded by country entertainer Willie Nelson.

Answer this question "Are there any other interesting aspects about this article?"
output: He has also been a personal contributor to a number of charity causes including halfway houses for displaced adult women in Wichita, Kansas.

input: "Her Majesty" was recorded by McCartney on 2 July when he arrived before the rest of the group at Abbey Road. It was included in a rough mix of the side two medley, appearing between "Mean Mr. Mustard" and "Polythene Pam". McCartney disliked the way the medley sounded when it included "Her Majesty", so he asked for it to be cut. The second engineer, John Kurlander, had been instructed not to throw out anything, so after McCartney left, he attached the track to the end of the master tape after 20 seconds of silence. The tape box bore an instruction to leave "Her Majesty" off the final product, but the next day when mastering engineer Malcolm Davies received the tape, he (also trained not to throw anything away) cut a playback lacquer of the whole sequence, including "Her Majesty". The Beatles liked this effect and included it on the album.  "Her Majesty" opens with the final, crashing chord of "Mean Mr. Mustard", while the final note of "Her Majesty" remained buried in the mix of "Polythene Pam". This is the result of "Her Majesty" being snipped off the reel during a rough mix of the medley on 30 July. The medley was subsequently mixed again from scratch although "Her Majesty" was not touched again and still appears in its rough mix on the album.  Original US and UK pressings of Abbey Road do not list "Her Majesty" on the album's cover nor on the record label, making it a hidden track. The song title appears on the inlay card and disc of the 1987 remastered CD reissue, as track 17. It also appears on the sleeve, booklet and disc of the 2009 remastered CD reissue, but not on the cover or record label of the 2012 vinyl reissue.

Answer this question "What was the effect that the Beatles' liked?"
output: cut a playback lacquer of the whole sequence, including "Her Majesty".

input: In 1995, Stradlin began recording material for his second solo album, 117deg. Released in March 1998, the album was recorded in fits and starts over a period of two years and featured his former band mates Duff McKagan and Rick Richards, as well as former Reverend Horton Heat drummer Taz Bentley, whose work Stradlin admired. As before, Stradlin had little interest in promoting his music; he did few interviews and played no live performances. The album turned out to be his last release on his long-time label Geffen; as a result of the merge between Geffen and Interscope, Stradlin was dropped from the label's roster.  In December 1999, Stradlin's third solo album, Ride On, was released on the Universal Victor label in Japan. It featured the same line-up as his previous release. To promote the album, Stradlin--with McKagan, Richards, and Bentley--played four shows in Japan the following April. With the addition of keyboardist Ian McLagan, the group recorded two more albums: River, which was released in May 2001 on Sanctuary, and a second Japan-only release, On Down the Road, which followed in August 2002 on JVC Victor.  Stradlin was then asked by his former Guns N' Roses band mates Duff McKagan, Slash, and Matt Sorum to join the supergroup Velvet Revolver. Although he contributed to the songwriting process while the band was in its formative stage, Stradlin ultimately declined to join due to his aversion to life on the road and his unwillingness to work with a lead singer, although he offered to share vocal duties with McKagan.

Answer this question "did they make any songs?"
output:
Stradlin ultimately declined to join due to his aversion to life on the road and his unwillingness to work with a lead singer,