Problem: Anthony Neil Wedgwood Benn (3 April 1925 - 14 March 2014), originally known as Anthony Wedgwood Benn, but later as Tony Benn, was a British politician, writer, and diarist. He was a Member of Parliament (MP) for 47 years between the 1950 and 2001 general elections and a Cabinet minister in the Labour governments of Harold Wilson and James Callaghan in the 1960s and 1970s. Originally a moderate, he was identified as being on the party's hard left from the early 1980s, and was widely seen as a key proponent of democratic socialism within the party. Benn inherited a peerage on his father's death (as 2nd Viscount Stansgate), which prevented his continuing as an MP.

Benn's father had been created Viscount Stansgate in 1942 when Winston Churchill increased the number of Labour peers to aid political work in the House of Lords; at this time, Benn's elder brother Michael was intending to enter the priesthood and had no objections to inheriting a peerage. However, Michael was later killed in an accident while on active service in the Second World War, and this left Benn as the heir to the peerage. He made several unsuccessful attempts to renounce the succession.  In November 1960, Lord Stansgate died. Benn automatically became a peer, preventing him from sitting in the House of Commons. The Speaker of the Commons, Sir Harry Hylton-Foster, did not allow him to deliver a speech from the bar of the House of Commons in April 1961 when the by-election was being called. Continuing to maintain his right to abandon his peerage, Benn fought to retain his seat in a by-election caused by his succession on 4 May 1961. Although he was disqualified from taking his seat, he was re-elected. An election court found that the voters were fully aware that Benn was disqualified, and declared the seat won by the Conservative runner-up, Malcolm St Clair, who was at the time also the heir presumptive to a peerage.  Benn continued his campaign outside Parliament. Within two years, though, the Conservative Government of the time, which had members in the same or similar situation to Benn's (i.e., who were going to receive title, or who had already applied for writs of summons), changed the law. The Peerage Act 1963, allowing lifetime disclaimer of peerages, became law shortly after 6 pm on 31 July 1963. Benn was the first peer to renounce his title, doing so at 6.22 pm that day. St Clair, fulfilling a promise he had made at the time of his election, then accepted the office of Steward of the Manor of Northstead, disqualifying himself from the House (outright resignation not being possible). Benn returned to the Commons after winning a by-election on 20 August 1963.

Are there any other interesting aspects about this article?

Answer with quotes: Benn fought to retain his seat in a by-election caused by his succession on 4 May 1961.


Problem: The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.

Although The Birth of a Nation is commonly regarded as a landmark for its dramatic and visual innovations, its use of music was arguably no less revolutionary. Though film was still silent at the time, it was common practice to distribute musical cue sheets, or less commonly, full scores (usually for organ or piano accompaniment) along with each print of a film.  For The Birth of a Nation, composer Joseph Carl Breil created a three-hour-long musical score that combined all three types of music in use at the time: adaptations of existing works by classical composers, new arrangements of well-known melodies, and original composed music. Though it had been specifically composed for the film, Breil's score was not used for the Los Angeles premiere of the film at Clune's Auditorium; rather, a score compiled by Carli Elinor was performed in its stead, and this score was used exclusively in West Coast showings. Breil's score was not used until the film debuted in New York at the Liberty Theatre, and was the score utilized in all showings save those on the West Coast.  Outside of original compositions, Breil adapted classical music for use in the film, including passages from Der Freischutz by Carl Maria von Weber, Leichte Kavallerie by Franz von Suppe, Symphony No. 6 by Ludwig van Beethoven, and "Ride of the Valkyries" by Richard Wagner, the latter used as a leitmotif during the ride of the KKK. Breil also arranged several traditional and popular tunes that would have been recognizable to audiences at the time, including many Southern melodies; among these songs were "Maryland, My Maryland", "Dixie", "Old Folks at Home", "The Star-Spangled Banner", "America the Beautiful", "The Battle Hymn of the Republic", "Auld Lang Syne", and "Where Did You Get That Hat?". DJ Spooky has called Breil's score, with its mix of Dixieland songs, classical music and "vernacular heartland music" "an early, pivotal accomplishment in remix culture." He has also cited Breil's use of music by Richard Wagner as influential on subsequent Hollywood films, including Star Wars (1977) and Apocalypse Now (1979); the latter film also makes use of "Ride of the Valkyries".  In his original compositions for the film, Breil wrote numerous leitmotifs to accompany the appearance of specific characters. The principal love theme that was created for the romance between Elsie Stoneman and Ben Cameron was published as "The Perfect Song" and is regarded as the first marketed "theme song" from a film; it was later used as the theme song for the popular radio and television sitcom Amos 'n' Andy.

Whta did they use instead

Answer with quotes:
compiled by Carli Elinor was performed in its stead, and this score was used exclusively in West Coast showings.