Some context: This page is about the San Diego punk rock band Rocket from the Crypt. For the Cleveland protopunk band, see Rocket from the Tombs. Rocket from the Crypt is an American rock band from San Diego, California, originally active from 1989 to 2005, then active during 2011 and again from 2013 to the present. The band gained critical praise and the attention of major record labels after the release of their 1992 album Circa: Now!, leading to a recording contract with Interscope Records.
After the breakup of his post-hardcore band Pitchfork in 1990, singer/guitarist John Reis formed both Rocket from the Crypt and Drive Like Jehu. Envisioned as a punk-inspired rock and roll band, Rocket from the Crypt's original lineup consisted of Reis, guitarist Andy Stamets, bassist Pete Reichert, drummer Sean, and backing vocalist Elaina. The band took their name from the then defunct 1970s underground punk band Rocket from the Tombs. This lineup lasted roughly six months and recorded the band's debut album Paint as a Fragrance, released in 1991 on local label Cargo Music. At this time Reis began to use the pseudonym "Speedo" when working with the band. He was also simultaneously performing in Drive Like Jehu, who recorded their debut album around the same time. When Sean and Elaina moved away from San Diego, drummer Adam Willard joined the band under the stage name "Atom." The rest of the band also assumed stage monikers, with Stamets performing as "ND" and Reichert as "Petey X."  The band soon added a horn section, recruiting saxophone player Paul "Apollo 9" O'Beirne. They developed a reputation for their creative and energetic live shows, taking unusual measures to encourage audience participation such as handing out homemade lyric booklets and noisemakers. They released many vinyl singles around this time and began to attract a dedicated underground following. Reis recalls:  "It was really immediate; that's why we loved putting out singles early on. We recorded some songs for Sympathy for the Record Industry, and two weeks later, we had some finished copies of them. The turnaround time was amazing. And by the time people were able to get them, it was still under a month. They're hearing something that is completely fresh-this is something we're doing at the moment. We did that for, like, a three-year period."  Their second album Circa: Now! was released in 1992, followed by their first tour and music videos for the songs "Ditchdigger" and "Sturdy Wrist." The band also added a second member to its horn section, bringing in trumpeter Jason "JC 2000" Crane. Around this time Reis announced in a fanzine that all fans with Rocket from the Crypt tattoos would be allowed into the band's shows for free, for life, causing tattoos of their logo to become an international phenomenon.
What songs were on this album
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Some context: James Lawrence Levine (; born June 23, 1943) is an American conductor and pianist. He is primarily known for his tenure as Music Director of the Metropolitan Opera (the "Met"), a position he held for 40 years (1976-2016). He was formally terminated by the Met from all his positions and affiliations with the company on March 12, 2018 over sexual misconduct allegations which he denies.
Levine made his Metropolitan Opera (the "Met") debut at age 28 on June 5, 1971, leading a June Festival performance of Tosca. Following further appearances with the company, he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975. In 1983, he served as conductor and musical director for the Franco Zeffirelli screen adaptation of La Traviata, which featured the Met orchestra and chorus members. He became the company's first artistic director in 1986, and relinquished the title in 2004. In 2005, Levine's combined salary from the Boston Symphony Orchestra and the Met made him the highest-paid conductor in the country, at $3.5 million.  During Levine's tenure, the Metropolitan Opera orchestra expanded its activities into the realms of recording, and separate concert series for the orchestra and chamber ensembles from The Met Orchestra at Carnegie Hall. Levine led the Metropolitan Opera on many domestic and international tours. For the 25th anniversary of his Met debut, Levine conducted the world premiere of John Harbison's The Great Gatsby, commissioned especially to mark the occasion. On his appointment as general manager of the Met, Peter Gelb emphasized that Levine was welcome to remain as long as he wanted to direct music there. Levine was paid $2.1 million by the Met in 2010.  Following a series of injuries that began with a fall (see below), Levine's subsequent health problems led to his withdrawal from many Metropolitan Opera conducting engagements. Following a May 2011 performance of Die Walkure, Levine formally withdrew from all conducting engagements at the Met. After two years of physical therapy, Levine returned to conducting with a May 2013 concert with the Metropolitan Opera Orchestra at Carnegie Hall. On September 25, 2013, Levine conducted his first Met performance since May 2011, in a revival production of Cosi fan tutte. Levine was scheduled to conduct three productions at the opera house and three concerts at Carnegie Hall in the 2013-14 season. On April 14, 2016, Met management announced that Levine would step down from his position as Music Director at the end of the 2015-16 season. Levine was paid $1.8 million by the Met for the 2015/16 season. He assumed the new title of Music Director Emeritus, which he held until December 2017, when in the wake of allegations that Levine had sexually abused four young men, the Met suspended its relationship with him and cancelled all his future scheduled performances with the company.
What was his role at the Metropolitan Opera?
A:
he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975.