IN: Abhay Charanaravinda Bhaktivedanta Swami Prabhupada (Abhoy Charonarobindo Bhoktibedanto Shwamy Probhupad; 1 September 1896 - 14 November 1977) was a Gaudiya Vaishnavism spiritual teacher (guru) and the founder preceptor (Acharya) of the International Society for Krishna Consciousness (ISKCON), commonly known as the "Hare Krishna Movement". Adherents of the ISKCON movement view Prabhupada as a divine avatar and messenger of Krishna. Born Abhay Charan De in Calcutta, he was educated at the Scottish Church College in Calcutta. Before adopting the life of a pious renunciant (vanaprastha) in 1950, he was married with children and owned a small pharmaceutical business.

In 1922, when he first met his spiritual master, Bhaktisiddhanta Sarasvati Thakura, he was requested to spread the message of Chaitanya Mahaprabhu in the English language. In 1933 he became a formally initiated disciple of Bhaktisiddhanta. In 1944, (from his front room at Sita Kanta Banerjee, Calcutta), he started the publication called Back to Godhead, for which he acted as writer, designer, publisher, editor, copy editor and distributor. He personally designed the logo, an effulgent figure of Chaitanya Mahaprabhu in the upper left corner, with the motto: "Godhead is Light, Nescience is darkness" greeting the readers. In his first magazine he wrote:  Under the circumstances since 1936 up to now, I was simply speculating whether I shall venture this difficult task and that without any means and capacity; but as none have discouraged me, I have now taken courage to take up the work.  In 1947, the Gaudiya Vaishnava Society recognised his scholarship with the title Bhaktivedanta, (bhakti-vedanta) meaning "one who has realised that devotional service to the Supreme Lord is the end of all knowledge" (with the words Bhakti, indicating devotion and Vedanta indicating conclusive knowledge).  His later well known name, Prabhupada, is a Sanskrit title, literally meaning "he who has taken the shelter of the lotus feet of the Lord" where prabhu denotes "Lord", and pada means "taking shelter." Also, "at whose feet masters sit". This name was used as a respectful form of address by his disciples from late 1967 early 1968 onwards. Previous to this, as with his early disciples, followers used to call him "Swamiji".  From 1950 onwards, he lived at the medieval Radha-Damodar mandir in the holy town of Vrindavan, where he began his commentary and translation work of the Sanskrit work Bhagavata Purana. Of all notable Vrindavana's temples, the Radha-Damodara mandir had at the time the largest collection of various copies of the original writings of the Six Gosvamis and their followers - more than two thousand separate manuscripts, many of them three hundred, some even four hundred years old. His guru, Bhaktisiddhanta Sarasvati Thakura, had always encouraged him to print books, and beholding his spiritual master, Abhay felt the words deeply enter his own life - "If you ever get money, print books."  referring to the need of literary presentation of the Vaishnava culture.

How long did he do that?

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IN: O'Keeffe was born on November 15, 1887, in a farmhouse located at 2405 Hwy T in the town of Sun Prairie, Wisconsin. Her parents, Francis Calyxtus O'Keeffe and Ida (Totto) O'Keeffe, were dairy farmers. Her father was of Irish descent. Her maternal grandfather George Victor Totto, for whom O'Keeffe was named, was a Hungarian count who came to the United States in 1848.

O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again."  Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon.  In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio.  During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s.  In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house.

What happen after the two paintings

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"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii.