Problem: Background: The Olmecs were the earliest known major civilization in Mexico following a progressive development in Soconusco. They lived in the tropical lowlands of south-central Mexico, in the present-day states of Veracruz and Tabasco. It has been speculated that the Olmecs derive in part from neighboring Mokaya or Mixe-Zoque. The Olmecs flourished during Mesoamerica's formative period, dating roughly from as early as 1500 BCE to about 400 BCE. Pre-
Context: The beginnings of Olmec civilization have traditionally been placed between 1400 and 1200 BCE. Past finds of Olmec remains ritually deposited at El Manati shrine (near San Lorenzo) moved this back to "at least" 1600-1500 BCE. It seems that the Olmec had their roots in early farming cultures of Tabasco, which began between 5100 BCE and 4600 BCE. These shared the same basic food crops and technologies of the later Olmec civilization.  What is today called Olmec first appeared fully within the city of San Lorenzo Tenochtitlan, where distinctive Olmec features occurred around 1400 BCE. The rise of civilization was assisted by the local ecology of well-watered alluvial soil, as well as by the transportation network provided by the Coatzacoalcos River basin. This environment may be compared to that of other ancient centers of civilization: the Nile, Indus, and Yellow River valleys, and Mesopotamia. This highly productive environment encouraged a densely concentrated population, which in turn triggered the rise of an elite class. The elite class created the demand for the production of the symbolic and sophisticated luxury artifacts that define Olmec culture. Many of these luxury artifacts were made from materials such as jade, obsidian, and magnetite, which came from distant locations and suggest that early Olmec elites had access to an extensive trading network in Mesoamerica. The source of the most valued jade was the Motagua River valley in eastern Guatemala, and Olmec obsidian has been traced to sources in the Guatemala highlands, such as El Chayal and San Martin Jilotepeque, or in Puebla, distances ranging from 200 to 400 km (120-250 miles) away, respectively.  The state of Guerrero, and in particular its early Mezcala culture, seem to have played an important role in the early history of Olmec culture. Olmec-style artifacts tend to appear earlier in some parts of Guerrero than in the Veracruz-Tabasco area. In particular, the relevant objects from the Amuco-Abelino site in Guerrero reveal dates as early as 1530 BCE. The city of Teopantecuanitlan in Guerrero is also relevant in this regard.
Question: Are there any other interesting aspects about this article?
Answer: This highly productive environment encouraged a densely concentrated population, which in turn triggered the rise of an elite class.

Background: George Michael Cohan (July 3, 1878 - November 5, 1942), known professionally as George M. Cohan, was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and producer. Cohan began his career as a child, performing with his parents and sister in a vaudeville act known as "The Four Cohans." Beginning with Little Johnny Jones in 1904, he wrote, composed, produced, and appeared in more than three dozen Broadway musicals. Cohan published more than 300 songs during his lifetime, including the standards "Over There", "Give My Regards to Broadway", "The Yankee Doodle Boy" and "You're a Grand Old Flag".
Context: Cohan was born in 1878 in Providence, Rhode Island, to Irish Catholic parents. A baptismal certificate from St. Joseph's Roman Catholic Church (which gave the wrong first name for his mother) indicated that he was born on July 3, but Cohan and his family always insisted that George had been "born on the Fourth of July!" George's parents were traveling vaudeville performers, and he joined them on stage while still an infant, first as a prop, learning to dance and sing soon after he could walk and talk.  Cohan started as a child performer at age 8, first on the violin and then as a dancer. He was the fourth member of the family vaudeville act called The Four Cohans, which included his father Jeremiah "Jere" (Keohane) Cohan (1848-1917), mother Helen "Nellie" Costigan Cohan (1854-1928) and sister Josephine "Josie" Cohan Niblo (1876-1916). In 1890, he toured as the star of a show called Peck's Bad Boy and then joined the family act; The Four Cohans mostly toured together from 1890 to 1901. He and his sister made their Broadway debut in 1893 in a sketch called The Lively Bootblack. Temperamental in his early years, Cohan later learned to control his frustrations. During these years, Cohan originated his famous curtain speech: "My mother thanks you, my father thanks you, my sister thanks you, and I thank you."  As a child, Cohan and his family toured most of the year and spent summer vacations from the vaudeville circuit at his grandmother's home in North Brookfield, Massachusetts, where Cohan befriended baseball player Connie Mack. The family generally gave a performance at the town hall there each summer, and Cohan had a chance to gain some more normal childhood experiences, like riding his bike and playing sandlot baseball. Cohan's memories of those happy summers inspired his 1907 musical 50 Miles from Boston, which is set in North Brookfield and contains one of his most famous songs, "Harrigan". As Cohan matured through his teens, he used the quiet summers there to write. When he returned to the town in the cast of Ah, Wilderness! in 1934, he told a reporter, "I've knocked around everywhere, but there's no place like North Brookfield."
Question: What state
Answer:
Rhode Island,