input: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice.  Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative."  Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement.  Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in a near-fatal road accident. Hughes's documentary on Francisco Goya, Goya: Crazy Like a Genius (2002), was broadcast on the first night of the new British domestic digital service, BBC Four. He created a one-hour update to The Shock of the New, titled The New Shock of the New, which first aired in 2004. He published the first volume of his memoirs, Things I Didn't Know, in 2006.

Answer this question "What was Hughes first job?"
output: where he wrote for The Spectator,

Problem: Background: Bill Shankly was born in a small Ayrshire coal mining village, called Glenbuck, whose population in 1913, the year of Shankly's birth, was around 700. People born there would often move to find work in larger coal mines. As a result, Glenbuck became largely derelict and by the time Shankly's ghost writer John Roberts visited it in 1976, there were only 12 houses left, including a cottage owned by Shankly's sister, Elizabeth, whom Roberts described as "the last of the children of Glenbuck". Shankly's parents, John and Barbara, lived in one of the Auchenstilloch Cottages with their 10 children; five boys and five girls.
Context: Shankly had a single season, 1932-33, at Carlisle United, then relatively new to the Football League and playing in the Third Division North, their reserve side playing in the North Eastern League. Shankly was recommended by a scout called Peter Carruthers who had seen him playing for Cronberry. He was invited for a month's trial and said it was the first time he had left Scotland. He was signed after just one trial match for Carlisle's reserves against Middlesbrough reserves, even though Carlisle reserves lost the match 6-0. A local newspaper report said that "Shankly played strenuously and might develop into a useful left back" but, in fact, he developed into a top-class right-half.  Shankly made his senior debut on 31 December 1932 in a 2-2 draw against Rochdale and made 16 appearances for the first team. At the end of the season, the reserves won the North Eastern League Cup, defeating Newcastle United reserves 1-0 in the final. In his 1976 autobiography, Shankly stated: "I've still got the medal".  At this stage of his career, Shankly was assessed as "a hard running, gritty right-half" whose displays brought him much praise and credit and he was "earmarked as a key young player capable of taking Carlisle on to greater things". He was paid four pounds ten shillings a week at Carlisle which he considered a good wage as the top rate at that time was eight pounds. Shankly was happy at Carlisle which was close to his home at Glenbuck and he had settled in well with almost a guarantee of first team football. When the opportunity came for him to move on, he was not convinced he wanted to leave.
Question: Where did he go after that season?
Answer: 

Question: Anis Mohamed Youssef Ferchichi (born 28 September 1978), better known as Bushido, is a German rapper, producer and entrepreneur in real estate industry. The word "bushido" is Japanese and means "Way of the Warrior". He also uses the pseudonym Sonny Black, based on Dominic Napolitano. In 2004, he and fellow rapper D-

Bushido provoked much discussion through his use of controversial song lyrics, which can be interpreted as being misogynistic, homophobic, sexist and violence-glorifying. For example, the song "Nutte Bounce", from his demo album King of KingZ (2001), frequently uses the term "Nutte" (German for prostitute or "bitch"). When questioned, Bushido explained that he doesn't mean women in general but rather the "real bitches". The song "Berlin" from his debut Vom Bordstein bis zur Skyline (2003) has the following line, which can be interpreted as homophobic:  In November 2005, Bushido hit the headlines after he made a scornful remark about Paris Hilton in an interview with net.zeitung.de: "She is just a stupid piece of meat... I would like to have her for the sexual act: humiliating and then bye."  On ersguterjunge Sampler Vol. 2 - Vendetta (2006) he made a reference to Natascha Kampusch on the song "Eine Nummer fur sich", which has been criticized as "crude". Quoted as following:  In late August 2007, it also caused a lot criticism against Bushido's involvement on the concert Schau nicht weg, a campaign against violence at schools, organized by Bravo and VIVA. The critics argue that Bushido could not count as a role model because of his "homophobic and anti-women lyrics". But since 2006 he was, according to Bravo, very involved in the project, so his live performance could not be canceled. During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters by saying: "You fuckers can demonstrate, hang yourself - I don't give a shit". This led to more criticism and controversy.  In June 2009, after participants of the Kreuzberg Pride spotted Bushido on the Berlin U-Bahn Schlesisches Tor, a verbal conflict ensued between the rapper and the participants in which Bushido insulted individuals by referring to their sexual orientation. As result, he and his entourage were splashed with drinks and the organizers of the pride sued him for libel.

Using a quote from the above article, answer the following question: Were there any protests or anything like that?
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Answer:
During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters