input: Jackson was influenced by musicians including Little Richard, James Brown, Jackie Wilson, Diana Ross, Fred Astaire, Sammy Davis Jr., Gene Kelly, David Ruffin, the Isley Brothers, and the Bee Gees. While Little Richard had a substantial influence on Jackson, James Brown was his greatest inspiration; he said: "Ever since I was a small child, no more than like six years old, my mother would wake me no matter what time it was, if I was sleeping, no matter what I was doing, to watch the television to see the master at work. And when I saw him move, I was mesmerized. I had never seen a performer perform like James Brown, and right then and there I knew that was exactly what I wanted to do for the rest of my life because of James Brown."  Jackson owed his vocal technique in large part to Diana Ross, especially his use of the oooh interjection, which he used from a young age; Ross had used this effect on many of the songs recorded with the Supremes. Not only a mother figure to him, she was often observed in rehearsal as an accomplished performer. He said: "I got to know her well. She taught me so much. I used to just sit in the corner and watch the way she moved. She was art in motion. I studied the way she moved, the way she sang - just the way she was." He told her: "I want to be just like you, Diana." She said: "You just be yourself."  According to choreographer David Winters, who met and befriended Jackson while choreographing the 1971 Diana Ross TV special Diana!, Jackson watched the musical West Side Story almost every week, and it was his favorite film; he paid tribute to it in "Beat It" and the "Bad" video.

Answer this question "Who are Michael's influences?"
output: including Little Richard, James Brown, Jackie Wilson, Diana Ross, Fred Astaire, Sammy Davis Jr., Gene Kelly, David Ruffin, the Isley Brothers, and the Bee Gees.

input: Sepultura was formed in 1984 in Belo Horizonte, the capital city of Minas Gerais, Brazil. The band was founded by teen brothers Max and Igor Cavalera, the impoverished sons of Vania, a model, and Graciliano, a well-to-do Italian diplomat whose fatal heart attack left his family in financial ruin. Graciliano's death deeply affected his sons, inspiring them to form a band after Max heard the album Black Sabbath Vol. 4 the very same day. They chose the band name Sepultura, the Portuguese word for "grave", when Max translated the lyrics of the Motorhead song "Dancing on Your Grave".  The brothers' early influences included Led Zeppelin, Black Sabbath and Deep Purple, and metal and hard rock artists of the early 1980s, such as Van Halen, Iron Maiden, Motorhead, AC/DC, Judas Priest, Ozzy Osbourne and V8. They would travel to a record shop in Sao Paulo that mixed tapes of the latest records by American bands. Their listening habits changed dramatically after being introduced to Venom. As Igor Cavalera put it:  The Cavalera brothers started listening to bands such as Hellhammer, Celtic Frost, Kreator, Sodom, Megadeth, Exodus and Exciter. They also had influences on Brazilian metal from bands like Stress, Sagrado Inferno and Dorsal Atlantica. By 1984, they had dropped out of school. After several early membership changes, Sepultura established a stable lineup of Max on guitar, Igor on drums, vocalist Wagner Lamounier, and bassist Paulo Jr. Lamounier departed in March 1985 after disagreements with the band, and moved on to become the leader of the pioneering Brazilian black metal band Sarcofago. After his departure, Max took over the vocal duties. Jairo Guedes was invited to join the band as lead guitarist.

Answer this question "What was one of their albums?"
output: 

input: In 1934 Blount was offered his first full-time musical job by Ethel Harper--his biology teacher from the high school, who had organized a band to pursue a career as a singer. Blount joined a musicians' trade union and toured with Harper's group through the US Southeast and Midwest. When Harper left the group mid-tour to move to New York (she later was a member of the modestly successful singing group the Ginger Snaps), Blount took over leadership of the group, renaming it the Sonny Blount Orchestra. They continued touring for several months before dissolving as unprofitable. Though the first edition of the Sonny Blount Orchestra was not financially successful, they earned positive notice from fans and other musicians. Blount afterward found steady employment as a musician in Birmingham.  Birmingham clubs often featured exotic trappings, such as vivid lighting and murals with tropical or oasis scenes. Some believe these influenced the elements Sun Ra incorporated in his later stage shows. Playing for the big bands gave black musicians a sense of pride and togetherness, and they were highly regarded in the black community. They were expected to be disciplined and presentable, and in the segregated South, black musicians had wide acceptance in white society. They often played for elite white society audiences (though they were typically forbidden from associating with the audience).  In 1936, Whatley's intercession led to Blount's being awarded a scholarship at Alabama Agricultural and Mechanical University. He was a music education major, studying composition, orchestration, and music theory. He dropped out after a year.

Answer this question "Did he do any collaborations?"
output:
When Harper left the group mid-tour to move to New York