Problem: Background: Gilliam was born in Minneapolis, Minnesota, the son of Beatrice (nee Vance) and James Hall Gilliam. His father was a travelling salesman for Folgers before becoming a carpenter. Soon after, they moved to nearby Medicine Lake, Minnesota. The family moved to the Los Angeles neighbourhood of Panorama City in 1952.
Context: Gilliam was a part of Monty Python's Flying Circus from its outset, credited at first as an animator (his name was listed separately after the other five in the closing credits) and later as a full member. His cartoons linked the show's sketches together and defined the group's visual language in other media (such as LP and book covers and the title sequences of their films). His animations mix his own art, characterised by soft gradients and odd, bulbous shapes, with backgrounds and moving cutouts from antique photographs, mostly from the Victorian era.  In 1978, Gilliam published Animations of Mortality, an illustrated, tongue-in-cheek, semi-autobiographical how-to guide to his animation techniques and the visual language in them. Roughly 15 years later, between the release of the CD-ROM game Monty Python's Complete Waste of Time in 1994, which used many of Gilliam's animation templates, and the making of Gilliam's film Fear and Loathing in Las Vegas (1998), Gilliam was in negotiations with Enteractive, a software company, to tentatively release in the autumn of 1996 a CD-ROM under the same title as his 1978 book, containing all of his thousands of 1970s animation templates as license-free clip arts for people to create their own flash animations, but the project hovered in limbo for years, probably because Enteractive was about to downsize greatly in mid-1996 and changed its focus from CD-ROM multimedia presentations to internet business solutions and web hosting in 1997 (in the introduction to their 2004 book Terry Gilliam: Interviews, David Sterrit and Lucille Rhodes claimed that the internet had overwhelmed the "computer-communications market" and gave this as the reason that the Animations of Mortality CD-ROM never materialised). Around the time of Gilliam's film The Imaginarium of Doctor Parnassus (2009), the project had changed into the idea of releasing his 1970s animation templates as a license-free download of Adobe After Effects or similar files.  Besides creating the animations, he also appeared in several sketches, though he rarely had main roles and did considerably less acting in the sketches. He did, however, have some notable sketch roles, such as Cardinal Fang of the Spanish Inquisition; the bespectacled commenter who said, "I can't add anything to that!" in the sketch "Election Night Special"; Kevin Garibaldi, the brat on the couch shouting "I want more beans!" in the sketch "Most Awful Family in Britain 1974" (episode 45); the Screaming Queen in a cape and mask in The Visitors; and Percy Bysshe Shelly in Ant Poetry Reading. More frequently, he played parts that no one else wanted to play, generally because they required a lot of makeup or uncomfortable costumes (such as the recurring character of a knight in armour who ended sketches by walking on and hitting one of the other characters over the head with a plucked chicken). He took a number of small roles in the films, including Patsy in Monty Python and the Holy Grail (which he co-directed with Terry Jones; Gilliam was responsible for photography, while Jones guided the actors' performances) and the jailer in Monty Python's Life of Brian. He also designed the covers of most of the Monty Python albums, including Another Monty Python Record, The Monty Python Matching Tie and Handkerchief and Monty Python Live at Drury Lane, and their film soundtrack albums.
Question: anything else in this article of interest?
Answer: Besides creating the animations, he also appeared in several sketches,

Problem: Background: Villa told a number of conflicting stories about his early life, and his "early life remains shrouded in mystery." According to most sources, he was born on 5 June 1878, and named Jose Doroteo Arango Arambula at birth. His father was a sharecropper named Agustin Arango, and his mother was Micaela Arambula. He grew up at the Rancho de la Coyotada, one of the largest haciendas in the state of Durango.
Context: Villa was a brilliant tactician on the battle field, which translated to political support. In 1913, local military commanders elected him provisional governor of the state of Chihuahua against the wishes of First Chief Carranza, who wished to name Manuel Chao instead.  As Governor of Chihuahua, Villa recruited more experienced generals, including Toribio Ortega, Porfirio Talamantes, and Calixto Contreras to his military staff and achieved more success than ever. Villa's secretary, Perez Rul, divided his army into two groups, one led by Ortega, Contreras, and Orestes Pereira and the other led by Talamantes and Contreras' former deputy, Severianco Ceniceros.  Villa's war tactics were studied by the United States Army and a contract with Hollywood was made whereby Hollywood would be allowed to film Villa's movements and 50% of Hollywood's profit would be paid to Villa to support the Revolution.  As governor of Chihuahua, Villa raised more money for a drive to the south against Huerta's Federal Army by various methods. He printed his own currency and decreed that it could be traded and accepted at par with gold Mexican pesos. He forced the wealthy to give loans to fund the revolutionary war machinery. He confiscated gold from several banks, and in the case of the Banco Minero he held a member of the bank's owning family, the wealthy Terrazas clan, as a hostage until the location of the bank's hidden gold reserves was revealed. He also appropriated land owned by the hacendados (owners of the haciendas) and redistributed it to the widows and family of dead revolutionaries.  Villa's political stature at that time was so high that banks in El Paso, Texas, accepted his paper pesos at face value. His generalship drew enough admiration from the U.S. military that he and Alvaro Obregon were invited to Fort Bliss to meet Brigadier General John J. Pershing. Returning to Mexico, Villa gathered supplies for a drive to the south.  With so many sources of money, Villa expanded and modernized his forces, purchasing draft animals, cavalry horses, arms, ammunition, mobile hospital facilities (railroad cars and horse ambulances staffed with Mexican and foreign volunteer doctors, known as Servicio sanitario), and other supplies, and rebuilt the railroad south of Chihuahua City. He also recruited fighters from Chihuahua and Durango and created a large army known as the Division del Norte (Division of the North), the most powerful and feared military unit in all of Mexico. The rebuilt railroad transported Villa's troops and artillery south, where he defeated the Federal Army forces in a series of battles at Gomez Palacio, Torreon, and eventually at the heart of Huerta's regime in Zacatecas.
Question: Who were they fighting at this time
Answer:
the Federal Army forces in a series of battles at Gomez Palacio, Torreon, and eventually at the heart of Huerta's regime in Zacatecas.