Question: Wladyslaw Gomulka (Polish: [vwa'diswaf go'muwka]; 6 February 1905 - 1 September 1982) was a Polish communist politician. He was the de facto leader of post-war Poland until 1948. Following the Polish October he became leader again from 1956 to 1970. Gomulka was initially very popular for his reforms; his seeking a "Polish way to socialism"; and giving rise to the period known as "Gomulka's thaw".

In the fall of 1943, the PPR leadership began discussing the creation of a Polish quasi-parliamentary, communist-led body, to be named the State National Council (Krajowa Rada Narodowa, KRN). After the Battle of Kursk the expectation was of a Soviet victory and liberation of Poland and the PPR wanted to be ready to assume power. Gomulka came up with the idea of a national council and imposed his point of view on the rest of the leadership. The PPR intended to obtain consent from the Cominterm leader and their Soviet contact Georgi Dimitrov. However, in November the Gestapo arrested Finder and Malgorzata Fornalska, who possessed the secret codes for communication with Moscow and the Soviet response remained unknown. In the absence of Finder, on 23 November Gomulka was elected general secretary (chief) of the PPR and Bierut joined the three-person inner leadership.  The founding meeting of the State National Council took place in the late evening of 31 December 1943. The new body's chairman Bierut was becoming Gomulka's main rival. In mid-January 1944 Dimitrov was finally informed of the KRN's existence, which surprised both him and the Polish communist leaders in Moscow, increasingly led by Jakub Berman, who had other, competing ideas concerning the establishment of a Polish communist ruling party and government.  Gomulka felt that the Polish communists in occupied Poland had a better understanding of Polish realities than their brethren in Moscow and that the State National Council should determine the shape of the future executive government of Poland. Nevertheless, to gain a Soviet approval and to clear any misunderstandings a KRN delegation left Warsaw in mid-March heading for Moscow, where it arrived two months later. By that time Stalin concluded that the existence of the KRN was a positive development and the Poles arriving from Warsaw were received and greeted by him and other Soviet dignitaries. The Union of Polish Patriots and the Central Bureau of Polish Communists in Moscow were now under pressure to recognize the primacy of the PPR, the KRN and Wladyslaw Gomulka, which they ultimately did only in mid-July.  On 20 July, the Soviet forces under Marshal Konstantin Rokossovsky forced their way across the Bug River and on that same day the combined meeting of Polish communists from the Moscow and Warsaw factions finalized the arrangements regarding the establishment (on 21 July) of the Polish Committee of National Liberation (PKWN), a temporary government headed by Edward Osobka-Morawski, a socialist allied with the communists. Gomulka and other PPR leaders left Warsaw and headed for the Soviet-controlled territory, arriving in Lublin on 1 August, the day the Warsaw Uprising erupted in the Polish capital.

Using a quote from the above article, answer the following question: What is the Polish Committee of National Liberation?
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Answer: ), a temporary government headed by Edward Osobka-Morawski, a socialist allied with the communists.


Question: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.  Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion.  Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13-17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.

Using a quote from the above article, answer the following question: can you tell me about the developement?
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Answer:
the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes.