Background: The Iberians (Latin: Hiberi, from Greek: Iberes, Iberes) were a set of peoples that Greek and Roman sources (among others, Hecataeus of Miletus, Avienus, Herodotus and Strabo) identified with that name in the eastern and southern coasts of the Iberian peninsula, at least from the 6th century BC. The Roman sources also use the term Hispani to refer to the Iberians. The term Iberian, as used by the ancient authors, had two distinct meanings. One, more general, referred to all the populations of the Iberian peninsula without regard to ethnic differences (Pre-Indo-European, Celts and non-Celtic Indo-Europeans).
Context: After the First Punic war, the massive war debt suffered by Carthage led them to attempt to expand their control over the Iberian peninsula. Hamilcar Barca began this conquest from his base at Cadiz by conquering the Tartessian Guadalquivir river region, which was rich in silver. After Hamilcar's death, his son-in-law Hasdrubal continued his incursions into Iberia, founding the colony of Qart Hadasht (modern Cartagena) and extending his influence all the way to the southern bank of the river Ebro. After Hasdrubal's assassination in 221 BC, Hannibal assumed command of the Carthaginian forces and spent two years completing the conquest of the Iberians south of the Ebro. In his first campaign, Hannibal defeated the Olcades, the Vaccaei and the Carpetani expanding his control over the river Tagus region. Hannibal then laid siege to Roman ally of Saguntum and this led to the beginning of the Second Punic War. The Iberian theater was a key battleground during this war and many Iberian and Celtiberian warriors fought for both Rome and Carthage, though most tribes sided with Carthage.  Rome sent Gnaeus and Publius Cornelius Scipio to conquer Iberia from Carthage. Gnaeus subsequently defeated the Iberian Ilergetes tribe north of the Ebro who were allied with Carthage, conquered the Iberian oppidum of Tarraco and defeated the Carthaginian fleet. After the arrival of Publius Scipio, Tarraco was fortified and, by 211 BC, the Scipio brothers had overrun the Carthaginian and allied forces south of the Ebro. However, during this campaign, Publius Scipio was killed in battle and Gnaeus died in the retreat. The tide turned with the arrival of Publius Cornelius Scipio Africanus in 210 BC. Scipio attacked and conquered Carthago Nova and defeated the army of Hasdrubal Barca at the Battle of Baecula (209-208). The war dragged on with Carthage sending more reinforcements until the Battle of Ilipa (modern Alcala del Rio in Sevilla province), which was a decisive victory for Publius Scipio Africanus. The Carthaginians retreated to Gades, and Publius Scipio gained control over the entire south of the peninsula. After this victory, the Ilergetes and other Iberian tribes revolted and it was only after this revolt that the Romans conquered the rest of the Carthaginian territories in southern Spain.  After the Carthaginian defeat, the Iberian territories were divided into two major provinces, Hispania Ulterior and Hispania Citerior. In 197 BC, the Iberian tribes revolted once again in the H. Citerior province. After securing these regions, Rome invaded and conquered Lusitania and Celtiberia. The Romans fought a long and drawn out campaign for the conquest of Lusitania. Wars and campaigns in the northern regions of the Iberian peninsula would continue until 16 BC, when the final rebellions of the Cantabrian Wars were defeated.
Question: Are there any other interesting aspects about this article?
Answer: Wars and campaigns in the northern regions of the Iberian peninsula would continue until 16 BC, when the final rebellions of the Cantabrian Wars were defeated.

Background: Camille Pissarro (French: [kamij pisaRo]; 10 July 1830 - 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
Context: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force."  He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.  To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man".
Question: Who were some of the other impressionist  he had dealings with?
Answer:
Cezanne, Monet, Manet, Renoir, and Degas.