Question: Miriam Johnson was born in 1943 in Phoenix, Arizona and raised in a strict Pentecostal home. Her mother was a Pentecostal preacher and her father was a race-car driver. At age 11, Colter became the pianist at her church. After graduating from Mesa High, Ariz. in 1961, she began singing in local clubs in Phoenix.

In 2006, Colter returned to recording with a new studio album released on the Shout! Factory label, Out of the Ashes. "Out of the Ashes" was Colter's first studio album in over 20 years. The album was produced by Don Was and reflected on Jennings' death. Jennings had an unused vocal, "Out of the Rain," which was featured on the track.  The album was given many positive reviews, including Allmusic, which gave the album four out of five stars in 2006. Out of the Ashes was her first album since 1981 to chart on the Top Country Albums chart, peaking at No. 61. In 2007 Colter recorded a duet version of her 1975 hit "I'm Not Lisa" with Deana Carter on her 2007 album, The Chain.  In 2017, Colter and Jan Howard provided guest vocals to a track appearing on Written In Song, an album by Jeannie Seely. The song, called "We're Still Hangin' In There Ain't We Jessi", references how Seely and Colter are seemingly two of the only women in country music who managed to have a successful marriage.  Colter's first album in eleven years, The Psalms was released on March 24 via Legacy Recordings. The album consisted of Colter's favourite Book of Psalms passages put to music and was produced by Lenny Kaye, who recalled an evening when he, Colter, Jennings and Patti Smith were having dinner together in 1995 when Colter began to sing passages of the Bible. Kaye stated that he was "transfixed" and kept the evening in his mind until he convinced Colter to record those renditions in 2007, with the album being recorded over the course of two sessions, along with a further two in 2008. Of the album, Kate stated that "we tried to choose songs that weren't about warring peoples but more about comfort and reconciliation". On April 11, 2017, Colter released a tell-all memoir titled "An Outlaw and a Lady: A Memoir of Music, Life with Waylon, and the Faith That Brought Me Home".

Using a quote from the above article, answer the following question: what was the album about?
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Answer: album consisted of Colter's favourite Book of Psalms passages put to music

Problem: Weather Report was an American jazz fusion band of the 1970s and early 1980s. The band was initially co-led by the Austrian-born keyboard player Joe Zawinul, the American saxophonist Wayne Shorter and Czech bassist Miroslav Vitous. Due to creative and financial disagreements, Vitous left the band after a few years. Zawinul took increasing control and steered the band towards a more funk, R&B oriented sound.

Joe Zawinul and Wayne Shorter had first met and become friends in 1959 while they were playing in Maynard Ferguson's Big Band. Zawinul went on to play with Cannonball Adderley's group in the 1960s, while Shorter joined Art Blakey's Jazz Messengers and then, in 1964, Miles Davis' second great quintet. During this decade, both men made names for themselves as being among the best composers in jazz.  Zawinul later joined Shorter in contributing to the initial fusion music recordings of Miles Davis, and both men were part of the studio groups, which recorded the key Davis albums In a Silent Way (1969) and Bitches Brew (1970). In consequence, Weather Report has often been seen as a spin-off from the Miles Davis bands of the late 1960s and early 1970s, although Zawinul was never part of Davis's touring line-up. Weather Report was initially formed to explore a more impressionistic and individualistic music (or, as Zawinul put it, "away from all that eight bars shit and then you go to the bridge...")  Zawinul and Shorter recruited another Miles Davis associate, the classically trained Czech-born bass player Miroslav Vitous, who had previously played with Zawinul, as well as with Herbie Mann, Bob Brookmeyer, Stan Getz, and Chick Corea (Vitous has subsequently claimed that in fact Shorter and he had founded Weather Report, with Shorter bringing in Zawinul afterwards.) All three men composed, and formed the core of the project. To complete the band, the trio brought in former McCoy Tyner drummer Alphonse Mouzon and set about looking for a full-time auxiliary percussionist as they began to record their debut album. The initial recruits were session player Don Alias and symphony orchestra percussionist Barbara Burton. During recording, Alias quarreled with Zawinul (allegedly due to Zawinul being too dictatorial over the percussion approach) and the innovative Brazilian percussionist Airto Moreira (yet another Davis alumnus) was brought in to complete the record. John McLaughlin was also invited to join the group, but decided to pursue his solo career, instead.

do you think the weather is normal

Answer with quotes: 

Problem: Gifford Pinchot (August 11, 1865 - October 4, 1946) was an American forester and politician. Pinchot served as the first Chief of the United States Forest Service from 1905 until his firing in 1910, and was the 28th Governor of Pennsylvania, serving from 1923 to 1927, and again from 1931 to 1935. He was a member of the Republican Party for most of his life, though he also joined the Progressive Party for a brief period. Pinchot is known for reforming the management and development of forests in the United States and for advocating the conservation of the nation's reserves by planned use and renewal.

Pinchot hand-picked William Greeley, the son of a Congregational minister, who finished at the top of that first Yale forestry graduating class of 1904, to be the Forest Service's Region 1 forester, with responsibility over 41 million acres (170,000 km2) in 22 National Forests in four western states (all of Montana, much of Idaho, Washington, and a corner of South Dakota).  One year after the 1910 forest fire inferno, Great Fire of 1910, the religious Greeley succeeded in receiving a promotion to a high administration job in Washington. In 1920, he became Chief of the Forest Service. The fire of 1910 convinced him that Satan was at work, the fire converted him into a fire extinguishing partisan who elevated firefighting to the raison d'etre -- the overriding mission -- of the Forest Service. Under Greeley, the Service became the fire engine company, protecting trees so the timber industry could cut them down later at government expense. Pinchot was appalled. The timber industry successfully oriented the Forestry Service toward policies favorable to large-scale harvesting via regulatory capture, and metaphorically, the timber industry was now the fox in the chicken coop. Pinchot and Roosevelt had envisioned, at the least, that public timber should be sold only to small, family-run logging outfits, not to big syndicates. Pinchot had always preached of a "working forest" for working people and small-scale logging at the edge, preservation at the core. In 1928 Bill Greeley left the Forest Service for a position in the timber industry, becoming an executive with the West Coast Lumberman's Association.  When Pinchot traveled west in 1937, to view those forests with Henry S. Graves, what they saw "tore his heart out." Greeley's legacy, combining modern chain saws and government-built forest roads, had allowed industrial-scale clear-cuts to become the norm in the western national forests of Montana and Oregon. Entire mountainsides, mountain after mountain, were treeless. "So this is what saving the trees was all about." "Absolute devastation", Pinchot wrote in his diary. "The Forest Service should absolutely declare against clear- cutting in Washington and Oregon as a defensive measure", Pinchot wrote.

What happened next to Greeley after being assigned?

Answer with quotes:
In 1920, he became Chief of the Forest Service.