IN: Bill Laswell (born February 12, 1955, Salem, Illinois, and raised in Albion, Michigan) is an American bassist, producer and record label owner. Laswell has been involved in hundreds of recordings with many collaborators from all over the world. Laswell's music draws upon many different genres, most notably funk, various world music, jazz, dub and ambient styles. He has also played or produced music from the noisier, more aggressive end of the rock spectrum, such as hardcore punk and metal.

Within a few years of moving to New York, Laswell founded a recording studio with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records. Under the Material moniker (now also a production unit consisting of Laswell and Beinhorn - Maher being long gone - and by 1984 consisting solely of Laswell) Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s. During this time in the early to mid-1980s, Laswell was able to record some of his Material excursions (which ran the gamut from experimental jazz/funk to pop and R&B, featuring everyone from avant-jazz figures Henry Threadgill and Sonny Sharrock to Archie Shepp and pop star Whitney Houston) as well as projects such as Massacre, with Fred Frith and Fred Maher.  His association with Celluloid allowed some of his first forays into this so-called "collision music" - the term was coined for Laswell by the British writer Chris May, then editor of Black Music & Jazz Review and later a Celluloid staff member - and forays into world music. Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label. Celluloid also released a slew of 12" devoted to Hip-Hop, becoming a precursor to the popularity the form enjoyed starting in the mid-1980s. Fab 5 Freddy, Phase II and Afrika Bambaataa all appeared on the label. Criminally forgotten, Laswell also put together the very successful 12" World Destruction which paired PiL's John Lydon with Afrika Bambaataa - years before the Run-D.M.C./Aerosmith collaboration broke down the rock/hip-hop barrier. 1982 also saw Laswell's solo debut, Baselines.  Also recording a Laswell-helmed solo album for Celluloid was Ginger Baker, whom Laswell coaxed out of semi-retirement, giving the drummer's career a new boost. He likewise brought Sonny Sharrock out of semi-retirement and produced some of the guitarist's most acclaimed recordings, starting with the solo LP Guitar.

Why style of music did it predominately record?

OUT: Laswell was able to record some of his Material excursions (

Answer the question at the end by quoting:

Lennox grew up in the Roland Park section of Baltimore, Maryland, and attended Waldorf School of Baltimore through 8th grade, and Kimberton Waldorf School in Chester County, Pennsylvania for high school. His family moved frequently during his early years, owing to his father's studies to be an orthopedic surgeon. As a youth, he played sports, mainly soccer and basketball. His brother, Matt Lennox, was a leading player on the high school basketball team and Noah was also a team member, playing as point guard.
As a teen, Lennox began listening to electronic music styles such as house and techno, and artists such as Aphex Twin, all of which became a major influence on his later work. He recorded and performed music--solo and with friends. Lennox started using the name "Panda Bear" because he drew pictures of pandas for the artwork of his recordings.  Lennox had been friends with Deakin (Josh Dibb) since the second grade. Deakin introduced Lennox to his high school friends Avey Tare (Dave Portner) and Geologist (Brian Weitz). For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations. Lennox, along with Deakin moved to New York in 2000. The band then became more collaborative in nature and they finally settled on the name "Animal Collective".  Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows. He has named Black Dice as a major influence stating "Black Dice took us on our first tour and I feel like the wisest things I've learned about being in a band I learned by watching them." He said he looks to Black Dice "as a model for a band... I feel like as a band, I can't speak for the other guys [of Animal Collective], but certainly for myself, like I modelled the way I approach to everything with the band watching the way Black Dice did it." In addition to singing, Lennox played drums and occasionally guitar in Animal Collective's live performances. He cites Stewart Copeland as the biggest influence on his drumming style.

How long were they active?



input: In 1986, Norman's 11 worldwide victories that year included four wins in Australia and two regular PGA Tour events; the Panasonic Las Vegas Invitational and the Kemper Open (for the second time) but 1986 is remembered for the Norman Slam or the Saturday Slam. Norman held the lead for all four majors through 54 holes. This meant he played in the final group for every major and had perhaps the best chance in history of winning the single season Grand Slam. However, the only major victory Norman earned that year was in the 1986 Open Championship at Turnberry.  At the 1986 Masters, Norman started with the lead until he double-bogeyed the 10th hole. After making four consecutive birdies on holes 14 to 17, Norman was tied with Jack Nicklaus going to the 18th. Norman missed a par putt on the 18th that would have sent the two into a sudden death playoff. At the 1986 U.S. Open at Shinnecock Hills, Norman again led after 54 holes. However, Norman faltered on the final day, finishing with a final round 75 placing him six strokes behind the winner, Raymond Floyd.  Norman finally broke through at the 1986 Open Championship for his first major title. Norman shot an efficient second round of 63 on Friday at Turnberry. Only 15 players broke par in the second round. Tom Watson described Norman's feat as "the greatest round ever played in a tournament in which I was a competitor." Norman survived the weekend's brutal conditions at Turnberry, with a final round of 69 to win The Open by five shots. After being presented with the Claret Jug trophy, Norman said: "Outside of Australia, Britain was the first place that accepted me as a professional golfer. To win my first Open in front of the British public is the greatest feeling ever." Norman was again in contention at the 1986 PGA Championship. He was in the lead on the final day, but shot a final round 76 to finish 2 strokes behind the eventual winner, Bob Tway.  Norman's four wins in Australia in 1986 helped him to finish top of the Australian Order of Merit for the fifth time. He also topped the U.S. PGA Tour money list for the first time that year. In September 1986, Norman won the Panasonic European Open at Sunningdale Golf Club and the following month he had another victory in England, winning his third World Match Play Championship at Wentworth. Norman ended 1986 with eleven worldwide victories and was officially ranked number 1 in the brand new Official World Golf Rankings.

Answer this question "Did he win any awards for this performance?"
output:
Norman ended 1986 with eleven worldwide victories and was officially ranked number 1 in the brand new Official World Golf Rankings.