input: After the legislature refused to increase spending for security, Ventura attracted criticism when he decided not to live in the governor's mansion during his tenure, choosing instead to shut it down and stay at his home in Maple Grove. Critics pointed to the loss of jobs for several working-class people at the mansion and the extra cost of reopening the mansion later.  In 1999, a group of disgruntled citizens petitioned to recall Governor Ventura, alleging, among other things, that "the use of state security personnel to protect the governor on a book promotion tour constituted illegal use of state property for personal gain." The petition was denied. The proposed petition was dismissed by order of the Chief Justice of the Supreme Court of Minnesota. Under Minnesota law, a proposed petition for recall is required to be reviewed by the Chief Justice for legal sufficiency, and, upon such review, the Chief Justice determined that it did not allege the commission of any act that violated Minnesota law. Ventura sought attorney's fees as a sanction for the filing of a frivolous petition for recall, but that request was denied, on the ground that there was no statutory authority for such an award.  In November 2011, Ventura held a press conference in relation to a lawsuit he had filed against the Transportation Security Administration. During that press conference, Ventura stated that he would "never stand for a national anthem again, I will turn my back and raise a fist the same way Tommy Smith and John Carlos did in the '68 Olympics, Jesse Ventura will do that today."  During his tenure as governor, Ventura drew frequent fire from the press in the Twin Cities. He referred to reporters as "media jackals," a term that even appeared on the press passes required to enter the governor's press area. Shortly after Ventura's election as governor, author and humorist Garrison Keillor wrote a satirical book about the event, spoofing Ventura as "Jimmy (Big Boy) Valente," a self-aggrandizing former "Navy W.A.L.R.U.S. (Water Air Land Rising Up Suddenly)" turned professional wrestler turned politician. Initially, Ventura responded angrily to the satire, but later, in a conciliatory vein, said that Keillor "makes Minnesota proud". During his term, Ventura appeared on the Late Show with David Letterman, in which he responded controversially to the following question: "So which is the better city of the Twin Cities, Minneapolis or St. Paul?". Ventura responded, "Minneapolis. Those streets in St. Paul must have been designed by drunken Irishmen". He later apologized for the remark, adding that it was not intended to be taken seriously.

Answer this question "What did they have against Jesse?"
output: that "the use of state security personnel to protect the governor on a book promotion tour constituted illegal use of state property for personal gain.

Question: Charles Michael "Chuck" Schuldiner (May 13, 1967 - December 13, 2001) was an American singer, songwriter, and guitarist. He founded the pioneering band Death in 1983. Schuldiner is often referred to as "The Godfather of death metal", and his obituary in the January 5, 2002 issue of UK's Kerrang! magazine said that "Chuck Schuldiner was one of the most significant figures in the history of metal."

Schuldiner formed Death as Mantas in 1983 when he was just 16 years old. Original members were Schuldiner (guitar), Rick Rozz (guitar) and Kam Lee (drums and vocals). In January 1986, Schuldiner moved to Toronto and temporarily joined the Canadian band Slaughter. However, he quickly returned to continue the formation of Death.  Death underwent many lineup changes. With Chris Reifert, Schuldiner eventually released the first Death album, titled Scream Bloody Gore, in 1987. He continued with 1988's Leprosy with the line-up of former Mantas guitarist Rick Rozz and rhythm section Terry Butler on bass and Bill Andrews on drums, and 1990's Spiritual Healing, where guitarist James Murphy had replaced the fired Rozz in 1989.  After Spiritual Healing, Schuldiner stopped working with full-time band members, preferring to work with studio and live venue musicians, due to bad relationships with Death's previous rhythm section and guitarists. This earned Schuldiner something of a 'perfectionist' reputation in the metal community. Schuldiner had also fired his manager Eric Greif but settled and re-hired him before the recording of his next, influential release.  Death's breakthrough album, Human saw the band evolving to a more technical and progressive style, in which Schuldiner displayed his guitar skills more than ever. He continued in this style (and continued the success of the band) with 1993's Individual Thought Patterns, 1995's Symbolic, and finally The Sound of Perseverance in 1998. Throughout his career, Schuldiner was not afraid to take on controversial lyrical subjects, taking an anti-drug stance on "Living Monstrosity" and writing about abortion in "Altering the Future".  He put Death on hold after this to continue Control Denied, which he had been putting together prior to the release of The Sound of Perseverance, and released The Fragile Art of Existence in 1999. Control Denied also had other players from the latest Death album but featured a melodic metal vocalist. Schuldiner also played guitar in the "supergroup" Voodoocult on the album Jesus Killing Machine in 1994 and played a guest solo on Naphobia's 1995 release, Of Hell on the track "As Ancients Evolve" as a favor to the band's bassist at the time who was a friend of Schuldiner's. Schuldiner was also asked to be one of the many guest vocalists on Dave Grohl's 2001 Probot. Grohl, Napalm Death, Ozzy Osbourne, and Anthrax all increased efforts to raise funds for Schuldiner's medical bills with Grohl trying to involve Schuldiner on an album he was working on. In a 1999 interview Schuldiner spoke about why he didn't sing on the album The Fragile Art of Existence "...these vocals are all I ever wanted to do in Death but couldn't. I've had this dream of recording like that for years, and it seems like a dream come true. Tim Aymar is an amazing singer and this is the main difference. I think people will be surprised at the violence and strength of the album. Many people are expecting something like Iron Maiden, but, despite being one of my favorite bands, I didn't want to make an Iron Maiden-like album. I wanted to make an unpredictable album, just like I did in Death, I guess. I don't like to make predictable albums."

Using a quote from the above article, answer the following question: did he work with other bands or musicians?
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Answer:
Control Denied also had other players from the latest Death album but featured a melodic metal vocalist. Schuldiner also played guitar in the "supergroup" Voodoocult