Question: Robert Clark Seger (, born May 6, 1945) is an American singer-songwriter, guitarist and pianist. As a locally successful Detroit-area artist, he performed and recorded as Bob Seger and the Last Heard and Bob Seger System throughout the 1960s. By the early 1970s, he had dropped the 'System' from his recordings and continued to strive for broader success with various other bands. In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan.

After Mongrel (1970) failed to live up to the success of Ramblin' Gamblin' Man (1969), The System dissipated. For a short period of time following the breakup, Seger had ambitions to be a one-man act. In 1971, Seger released his first solo album, the all-acoustic Brand New Morning. The album was a commercial failure and led to Seger's departure from Capitol Records.  Seger, having regained an eye for bands, began playing with the duo Teegarden & Van Winkle, who in 1970 had a hit single with "God, Love and Rock & Roll". Together they recorded Smokin' O.P.'s (1972), released on Punch Andrews' own Palladium Records. The album mainly consisted of covers, spawning a minor hit with a version of Tim Hardin's "If I Were a Carpenter" (#76 US), though it did feature "Someday", a new Seger original, and a re-release of "Heavy Music". The album reached 180 on the Billboard 200.  After spending the better part of 1972 touring with Teegarden & Van Winkle, Seger left the duo to put together a new backing band, referred to as both My Band and the Borneo Band, made up of musicians from Tulsa, Oklahoma. Jamie Oldaker, Dick Sims, and Marcy Levy were all members of My Band before joining Eric Clapton's backing band. In 1973, Seger put out Back in '72, recorded partly with the Muscle Shoals Rhythm Section, a renowned group of session musicians who had recorded with the likes of J. J. Cale and Aretha Franklin. According to Seger, there was a financial misunderstanding with the musicians: they offered to record him "for $1500 a side", which he took to mean $1500 per album side. When he found out that they meant $1500 per song, he left after recording three songs but resolved to work with them in the future. Back in '72 featured the studio version of Seger's later live classic "Turn the Page"; "Rosalie", a song Seger wrote about CKLW music director Rosalie Trombley (and which was later recorded by Thin Lizzy); and "I've Been Working", a song originally by Van Morrison, a strong influence on Seger's musical development. Despite the strength of Seger's backup musicians, the album only reached 188 on the US charts and has since faded into obscurity. Even so, Back in '72 and its supporting tour mark the beginnings of Seger's long-time relationships with future Silver Bullet Band saxophonist Alto Reed, powerhouse female vocalist Shaun Murphy, and the Muscle Shoals Rhythm Section. Over the tour, My Band would prove to be unreliable, which frustrated Seger. By the end of 1973, Seger had left My Band in search of a new backing band. Throughout 1974-75, Seger continued to perform in local venues around his hometown while known as the Bob Seger Group including one renowned concert in Davisburg, MI called the 'Battle of the Bands'.

Using a quote from the above article, answer the following question: Did he release any albums or singles?
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Answer: better


Question: A synthesizer (often abbreviated as synth, also spelled synthesiser) is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate traditional musical instruments like piano, Hammond organ, flute, vocals; natural sounds like ocean waves, etc.; or generate novel electronic timbres. They are often played with a musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled via USB, MIDI or CV/gate using a controller device, often a MIDI keyboard or other controller.

In the 1970s, electronic music composers such as Jean Michel Jarre, Vangelis and Isao Tomita, released successful synthesizer-led instrumental albums. Over time, this helped influence the emergence of synthpop, a subgenre of new wave, from the late 1970s to the early 1980s. The work of German krautrock bands such as Kraftwerk and Tangerine Dream, British acts such as John Foxx, Gary Numan and David Bowie, African-American acts such as George Clinton and Zapp, and Japanese electronic acts such as Yellow Magic Orchestra and Kitaro, were influential in the development of the genre. Gary Numan's 1979 hits "Are 'Friends' Electric?" and "Cars" made heavy use of synthesizers. OMD's "Enola Gay" (1980) used distinctive electronic percussion and a synthesized melody. Soft Cell used a synthesized melody on their 1981 hit "Tainted Love". Nick Rhodes, keyboardist of Duran Duran, used various synthesizers including the Roland Jupiter-4 and Jupiter-8.  Chart hits include Depeche Mode's "Just Can't Get Enough" (1981), The Human League's "Don't You Want Me" and Giorgio Moroder's Take My Breath Away (1986) for Berlin. Other notable synthpop groups included New Order, Visage, Japan, Men Without Hats, Ultravox, Spandau Ballet, Culture Club, Eurythmics, Yazoo, Thompson Twins, A Flock of Seagulls, Heaven 17, Erasure, Soft Cell, Pet Shop Boys, Bronski Beat, Kajagoogoo, ABC, Naked Eyes, Devo, and the early work of Tears for Fears and Talk Talk. Giorgio Moroder, Brian Eno, Phil Collins, Howard Jones, Stevie Wonder, Peter Gabriel, Thomas Dolby, Kate Bush, Enya, Mike Oldfield, Donal Lunny, Frank Zappa and Todd Rundgren all made use of synthesizers.  The synthesizer became one of the most important instruments in the music industry.

Using a quote from the above article, answer the following question: Any notable artist use them?
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Answer:
Gary Numan and David Bowie, African-American acts such as George Clinton and Zapp,