Question: Much of the information about the early years of Calamity Jane's life comes from the autobiographical booklet which she dictated in 1896, written for publicity purposes. She was about to begin a tour in which she appeared in dime museums around the United States, and it was intended to help attract audiences. Some of the information in the pamphlet is exaggerated or even completely inaccurate. Calamity Jane was born on May 1, 1852 as Martha Jane Canary (or Cannary) in Princeton, within Mercer County, Missouri.

On September 6, 1941, the U.S. Department of Public Welfare granted old age assistance to a Jean Hickok Burkhardt McCormick who claimed to be the legal offspring of Martha Jane Cannary and James Butler Hickok. She presented evidence that Calamity Jane and Wild Bill had married at Benson's Landing, Montana Territory (now Livingston, Montana) on September 25, 1873. The documentation was written in a Bible and presumably signed by two ministers and numerous witnesses. However, McCormick's claim has been vigorously challenged because of a variety of discrepancies.  McCormick later published a book with letters purported to be from Calamity Jane to her daughter. In them, Calamity Jane says that she had been married to Hickok and that Hickok was the father of McCormick, who was born September 25, 1873, and was given up for adoption to a Captain Jim O'Neil and his wife. During the period when the alleged child was born, Calamity Jane was allegedly working as a scout for the army, and at the time of Hickok's death, he had recently married Agnes Lake Thatcher.  Calamity Jane does seem to have had two daughters, although the father's identity is unknown. In the late 1880s, she returned to Deadwood with a child whom she claimed to be her daughter. At her request, a benefit was held in one of the theaters to raise money for her daughter's education in St. Martin's Academy at Sturgis, South Dakota, a nearby Catholic boarding school. The benefit raised a large sum; Jane got drunk and spent a considerable portion of the money that same night and left with the child the next day.  Estelline Bennett was living in Deadwood at that time and had spoken briefly with Jane a few days before the benefit. She thought that Jane honestly wanted her daughter to have an education and that the drunken binge was just an example of her inability to curb her impulses and carry through long-range plans (which Bennett saw as typical of her class). Bennett later heard that Jane's daughter did "get an education, and grew up and married well".

Using a quote from the above article, answer the following question: What was the conclusion of the claim?
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Answer: In the late 1880s, she returned to Deadwood with a child whom she claimed to be her daughter.

Problem: Robert Ervin Howard (January 22, 1906 - June 11, 1936) was an American author who wrote pulp fiction in a diverse range of genres. He is well known for his character Conan the Barbarian and is regarded as the father of the sword and sorcery subgenre. Howard was born and raised in Texas. He spent most of his life in the town of Cross Plains, with some time spent in nearby Brownwood.

In August 1930 Howard wrote a letter to Weird Tales praising a recent reprint of H. P. Lovecraft's "The Rats in the Walls" and discussing some of the obscure Gaelic references used within. Editor Farnsworth Wright forwarded the letter to Lovecraft, who responded warmly to Howard, and soon the two Weird Tales veterans were engaged in a vigorous correspondence that would last for the rest of Howard's life. By virtue of this, Howard quickly became a member of the "Lovecraft Circle", a group of writers and friends all linked via the immense correspondence of H.P. Lovecraft, who made it a point to introduce his many like-minded friends to one another and encourage them to share stories, utilize each other's invented fictional trappings, and help each other succeed in the pulp field. In time this circle of correspondents has developed a legendary patina about it rivaling similar literary conclaves such as The Inklings, the Bloomsbury Group, and the Beats.  Howard was given the affectionate nickname "Two-Gun Bob" by virtue of his long explications to Lovecraft about the history of his beloved Southwest, and during the ensuing years he contributed several notable elements to Lovecraft's Cthulhu Mythos of horror stories (beginning with "The Black Stone", his Mythos stories also included "The Cairn on the Headland", "The Children of the Night" and "The Fire of Asshurbanipal"). He also corresponded with other "Weird Tale" writers such as Clark Ashton Smith, August Derleth, and E. Hoffmann Price.  The correspondence between Howard and Lovecraft contained a lengthy discussion on a frequent element in Howard's fiction, barbarism versus civilization. Howard held that civilization was inherently corrupt and fragile. This attitude is summed up in his famous line from "Beyond the Black River": "Barbarism is the natural state of mankind. Civilization is unnatural. It is a whim of circumstance. And barbarism must always ultimately triumph." Lovecraft held the opposite viewpoint, that civilization was the peak of human achievement and the only way forward. Howard countered by listing many historical abuses of the citizenry by so-called 'civilized' leaders. Howard initially deferred to Lovecraft but gradually asserted his own views, even coming to deride Lovecraft's opinions.  In 1930, with his interest in Solomon Kane dwindling and his Kull stories not catching on, Howard applied his new sword-and-sorcery and horror experience to one of his first loves: the Picts. His story "Kings of the Night" depicted King Kull conjured into pre-Christian Britain to aid the Picts in their struggle against the invading Romans, and introduced readers to Howard's king of the Picts, Bran Mak Morn. Howard followed up this tale with the now-classic revenge nightmare "Worms of the Earth" and several other tales, creating horrific adventures tinged with a Cthulhu-esque gloss and notable for their memorable use of metaphor and symbolism.  With the onset of the Great Depression, many pulp markets reduced their schedules or went out of business entirely. Howard saw market after market falter and vanish. Weird Tales became a bimonthly publication and pulps such as Fight Stories, Action Stories and Strange Tales all folded. Howard was further hit when his savings were wiped out in 1931 when the Farmer's National Bank failed, and again, after transferring to another bank, when that one failed as well.

Is the Lovecraft Circle responsible for helping him?

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