Problem: Bloc Party are an English rock band, currently composed of Kele Okereke (lead vocals, rhythm guitar, keyboards, sampler), Russell Lissack (lead guitar, keyboards), Justin Harris (bass guitar, keyboards, saxophones, backing vocals) and Louise Bartle (drums, percussion). Former members Matt Tong and Gordon Moakes left the band in 2013 and 2015 respectively. Their brand of music, whilst rooted in rock, retains elements of other genres such as electronica and house music. The band was formed at the 1999 Reading Festival by Okereke and Lissack.

Bloc Party's debut album, Silent Alarm, was released in February 2005 and was met with universal critical acclaim. It was voted 'Album of the Year' for 2005 by NME, and reached number 3 on the UK Albums Chart before being certified platinum. The first single from the album, "So Here We Are/Positive Tension", made the top 5 on the UK Top 40 chart. Further singles "Banquet" (which reached number 13 in NME's 'Top 50 Singles of 2005'), "Helicopter", and "Pioneers", whilst failing to repeat this success, still managed to reach the UK top 20. The animated video for "Pioneers," made by the Shoreditch-based Minivegas design agency, was top of the NME video charts for four weeks. NME tagged them as "art-rock" at that time but the band felt it was too limited.  The band received positive reviews from critics in the United States and they toured there heavily in the 18 months that followed the release of Silent Alarm. In early 2006, they finished their tour with sold out shows in Los Angeles, Miami and Berkeley. The album went on to sell more than 350,000 copies in North America and over a million worldwide. After this success, the established electronic group, The Chemical Brothers, soon collaborated with Okereke for "Believe", a track on their Push the Button album. An album of remixes of tracks from Silent Alarm had also been released at the end of August 2005 in the UK. This remix album, entitled Silent Alarm Remixed, retained the album's original track list and includes remixes from the likes of Ladytron, M83, Death from Above 1979, Four Tet, and Mogwai.  During July 2005, Bloc Party recorded two new tracks with Silent Alarm producer Paul Epworth. The songs were released as a single with a B-side, titled "Two More Years", to coincide with the band's October 2005 UK tour. The tour was also accompanied by a re-issue of Silent Alarm, which included "Two More Years" and former single "Little Thoughts" as bonus tracks. A remix of "Banquet" by The Streets, as well as a music video for the song, were included in the "Two More Years" single. Bloc Party also contributed the track "The Present" to the Help!: A Day in the Life compilation, the profits of which benefited the War Child charity.

What is silent alarm?

Answer with quotes: Bloc Party's debut album,

Question:
Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.
He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world."  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before."
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Answer:
Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast,