Background: Michael Bernard Bloomfield (July 28, 1943 - February 15, 1981) was an American guitarist and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues legends before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. He was ranked number 22 on Rolling Stone's list of "100 Greatest Guitarists of All Time" in 2003 and number 42 by the same magazine in 2011. He was inducted into the Blues Hall of Fame in 2012 and, as a member of the Paul Butterfield Blues Band, was inducted into the Rock and Roll Hall of Fame in 2015.
Context: Bloomfield also made an impact through his work with Al Kooper, who had played with Bloomfield on Dylan's "Like a Rolling Stone". Kooper had become an A&R man for Columbia Records, and Bloomfield and Kooper had played piano on Moby Grape's 1968 Grape Jam, an instrumental album that had been packaged with the group's Wow collection.  "Why not do an entire jam album together?" Kooper remembered in 1998, writing the booklet notes for the Bloomfield anthology Don't Say That I Ain't Your Man: Essential Blues, 1964-1969. "At the time, most jazz albums were made using this modus operandi: pick a leader or two co-leaders, hire appropriate sidemen, pick some tunes, make some up and record an entire album on the fly in one or two days. Why not try and legitimize rock by adhering to these standards? In addition, as a fan, I was dissatisfied with Bloomfield's recorded studio output up until then. It seemed that his studio work was inhibited and reined in, compared to his incendiary live performances. Could I put him in a studio setting where he could feel free to just burn like he did in live performances?"  The result was Super Session, a jam album that spotlighted Bloomfield's guitar skills on one side. Bloomfield, who suffered from insomnia, left the sessions after the first day. Guitarist Stephen Stills completed the album with Kooper. It received excellent reviews and became the best-selling album of Bloomfield's career. Its success led to a live sequel, The Live Adventures of Mike Bloomfield and Al Kooper, recorded over three nights at Fillmore West in September 1968.
Question: what other careers or hobbies did mike do/have in his life?
Answer: 

Background: The Principalia or noble class was the ruling and usually educated upper class in the pueblos of the Spanish Philippines, comprising the gobernadorcillo (who had functions similar to a town mayor), and the cabezas de barangay (heads of the barangays) who governed the districts. The distinction or status of being part of the principalia was a hereditary right. However, it could also be acquired, as attested by the royal decree of 20 December 1863 (signed in the name of Queen Isabella II by the Minister of the Colonies, Jose de la Concha). This distinguished upper class was exempted from tribute (tax) to the Spanish crown during the colonial period.
Context: With the recognition of the Spanish monarchs came the privilege of being addressed as Don or Dona. - a mark of esteem and distinction in Europe reserved for a person of noble or royal status during the colonial period. Other honors and high regard were also accorded to the Christianized Datus by the Spanish Empire. For example, the Gobernadorcillos (elected leader of the Cabezas de Barangay or the Christianized Datus) and Filipino officials of justice received the greatest consideration from the Spanish Crown officials. The colonial officials were under obligation to show them the honor corresponding to their respective duties. They were allowed to sit in the houses of the Spanish Provincial Governors, and in any other places. They were not left to remain standing. It was not permitted for Spanish Parish Priests to treat these Filipino nobles with less consideration.  The Gobernadorcillos exercised the command of the towns. They were Port Captains in coastal towns. They also had the rights and powers to elect assistants and several lieutenants and alguaciles, proportionate in number to the inhabitants of the town.  On the day on which the gobernadorcillo would take on government duties, his town would hold a grand celebration. A festive banquet would be offered in the municipal or city hall where he would occupy a seat, adorned by the coat of arms of Spain and with fanciful designs, if his social footing was of a respectable antiquity.  On holy days the town officials would go to the church, together in one group. The principalia and cuadrilleros (police patrol or assistance) formed two lines in front of the Gobernadorcillo. They would be preceded by a band playing the music as they process towards the church, where the Gobernadorcillo would occupy a seat in precedence among those of the chiefs or cabezas de barangay, who had benches of honor. After the mass, they would usually go to the parish rectory to pay their respects to the parish priest. Then, they would return to the tribunal (municipal hall or city hall) in the same order, and still accompanied by the band playing a loud double quick march called paso doble.  The gobernadorcillo was always accompanied by an alguacil or policia (police officer) whenever he went about the streets of his town.
Question: what were the duties of the Gobernadorcillos?
Answer:
The Gobernadorcillos exercised the command of the towns. They were Port Captains in coastal towns.