Some context: All About Eve is a 1950 American drama film written and directed by Joseph L. Mankiewicz, and produced by Darryl F. Zanuck. It was based on the 1946 short story "The Wisdom of Eve" by Mary Orr, although screen credit was not given for it. The film stars Bette Davis as Margo Channing, a highly regarded but aging Broadway star. Anne Baxter plays Eve Harrington, an ambitious young fan who insinuates herself into Channing's life, ultimately threatening Channing's career and her personal relationships.
The story of All About Eve originated in an anecdote related to Mary Orr by actress Elisabeth Bergner. While performing in The Two Mrs. Carrolls during 1943 and 1944, Bergner allowed a young fan, Martina Lawrence, to become part of her household and employed her as an assistant, but later regretted her generosity when the woman attempted to undermine her. Referring to her only as "the terrible girl," Bergner related the events to Orr, who used it as the basis for her short story "The Wisdom of Eve" (1946). In the story, Orr gives the girl a more ruthless character and allows her to succeed in stealing the older actress' career. Bergner later confirmed the basis of the story in her autobiography Bewundert viel, und viel gescholten (Greatly Admired and Greatly Scolded).  In 1949, Mankiewicz was considering a story about an aging actress and, upon reading "The Wisdom of Eve," felt the conniving girl would be a useful added element. He sent a memo to Darryl F. Zanuck saying it "fits in with an original idea [of mine] and can be combined. Superb starring role for Susan Hayward." Mankiewicz presented a film treatment of the combined stories under the title Best Performance. He changed the main character's name from Margola Cranston to Margo Channing and retained several of Orr's characters -- Eve Harrington, Lloyd and Karen Richards, and Miss Casswell -- while removing Margo Channing's husband completely and replacing him with a new character, Bill Sampson. The intention was to depict Channing in a new relationship and allow Eve Harrington to threaten both Channing's professional and personal lives. Mankiewicz also added the characters Addison DeWitt, Birdie Coonan, Max Fabian, and Phoebe.  Zanuck was enthusiastic and provided numerous suggestions for improving the screenplay. In some sections, he felt Mankiewicz's writing lacked subtlety or provided excessive detail. He suggested diluting Birdie Coonan's jealousy of Eve so the audience would not recognize Eve as a villain until much later in the story. Zanuck reduced the screenplay by about 50 pages and chose the title All About Eve from the opening scenes in which Addison DeWitt says he will soon tell "more of Eve ... All about Eve, in fact."
who was a part of the development?
A: Zanuck was enthusiastic and provided numerous suggestions for improving the screenplay.

Question: A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences.

"Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song.  During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know".  In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written.  As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours.

Using a quote from the above article, answer the following question: What else can you tell me about this song?
HHHHHH
Answer: Mercury would usually rededicate the song to "a real motherfucker of a gentleman

Some context: Nomo was born into the working-class Osaka family of Shizuo, a fisherman and postal worker, and Kayoko, a part-time supermarket employee. As a youth, Nomo was shy and withdrawn, although passionate about baseball. He developed his corkscrew-style pitching motion in order to impress his father while playing catch. He believed that rotating from having his back turned to his target would help him add speed to his pitches.
The tornado delivery that baffled batters in Japan had the same effect on major league hitters, and he led the league in strikeouts in 1995 (while finishing second in walks) and was second with a 2.54 ERA. He struck out 11.101 batters per 9 innings to break Sandy Koufax's single-season franchise record of 10.546 in 1962. He also started that year's All-Star Game, striking out three of the six batters he faced. But he only barely won NL Rookie of the Year honors that year over future MVP Chipper Jones, as many voters felt that his Japanese success made him anything but a rookie, although he qualified by Major League rules. Nomo had another fine season in 1996 which was capped by a no-hitter thrown on September 17 in the unlikeliest of places, Denver's Coors Field, a park notoriously known as being a hitters' park because of its high elevation, semi-arid climate, and lack of foul territory. He was the last Dodger to throw a no-hitter until Josh Beckett completed one on May 25, 2014.  Nomo also found commercial success in America. Nomo had a signature sneaker, called the Air Max Nomo, produced by Nike in 1996. Also, he appeared on a Segata Sanshiro commercial for the Sega Saturn in 1997.  As batters caught on to his delivery, his effectiveness waned a bit in 1997, although he still went 14-12, joining Dwight Gooden as the only other pitcher to strike out at least 200 batters in each of his first three seasons.
What team did he play for?
A:
Dodger