input: The group was inactive for a 6-month period after Paint Your Wagon, then reformed with Jimmy Ibbotson replacing Chris Darrow. With William McEuen as producer and a renegotiated contract that gave the band more artistic freedom, the band recorded and released Uncle Charlie & His Dog Teddy, issued in 1970. Embracing a straight, traditional country and bluegrass sound, the album included the group's best-known singles; a cover version of Jerry Jeff Walker's "Mr. Bojangles", Michael Nesmith's "Some of Shelley's Blues", and four Kenny Loggins songs including "House at Pooh Corner", the first recordings of Loggins's songs. Their version of "Mr. Bojangles" became the group's first hit, peaking at #9 on Billboard's all genre Hot 100 chart, with an unusual 36 weeks on the charts.  The next album, All The Good Times, released during early 1972, had a similar style.  Nitty Gritty Dirt Band next sought to solidify its reputation as a country band when band member John McEuen asked Earl Scruggs if he would record with the group. Earl's "yes" was followed the next week when John asked Doc Watson the same question, receiving the same answer of 'yes'. This set in motion the further addition of other artists, and with the help of Earl and Louise Scruggs, they set to traveling to Nashville, Tennessee and recording what was to become a triple album, Will the Circle Be Unbroken with Nashville stalwarts Roy Acuff, Earl Scruggs, and Jimmy Martin, country pioneer Mother Maybelle Carter, folk-blues guitarist Doc Watson, Merle Travis, Norman Blake, and others. The title is from the song, "Will the Circle Be Unbroken (By and By)", as adapted by A. P. Carter, and reflects the album's theme of trying to tie together three generations of musicians: long-haired boys from California and older veterans of the middle American establishment. The track "I Saw the Light" with Acuff singing, was a success, and the album received two nominations for Grammy Award. Veteran fiddler Vassar Clements was introduced to a wider audience by the album and gave him a new career. The band also toured Japan twice soon after this period.  After the next album Les Thompson left the group, making the band a foursome. Stars & Stripes Forever was a live album that mixed old successes such as "Buy for Me the Rain" and "Mr. Bojangles" with Circle collaborations (fiddler Vassar Clements was a guest performer) and long storytelling spoken-word monologues. A studio album, Dream, was also released.  During July 1974, the band was among the headline acts at the Ozark Music Festival at the Missouri State Fairgrounds in Sedalia, Missouri. Some estimates put the crowd at 350,000 people, which would make this one of the largest music events in history. At another concert, the band opened for the rock band Aerosmith.

Answer this question "Were they on tour in 1969"
output: 

input: Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways.  Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia.  The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert.

Answer this question "Did they cut any albums?"
output: An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls.

input: Pecknold said that he would have liked the album to be released in 2009; however, the band's touring schedule delayed rehearsals of the new songs until February 2009. These sessions took place in a rented house outside Seattle, but were mostly scrapped, losing the band $60,000 of their own money. Further delays ensued because the drummer, Tillman, was scheduled to play a solo tour in Europe and North America throughout the 2009-10 winter. Pecknold later sent some demos to producer Phil Ek and expressed the hope that the second LP would emerge in late 2010.  In December 2009, Pecknold said he wanted the new LP to sound "less poppy, less upbeat and more groove-based". He referenced the 12-string guitar sound from Roy Harper's folk album Stormcock, saying, "That will be the primary sonic distancing from the last record." He wanted the band to record very quickly, with "vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. Van Morrison's Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling." The band eventually began recording in April 2010 in various locations (including West Hurley, New York) and decided to scrap the earlier idea of a fast recording (though according to the band many of the initial vocals were done in one take). The album features a new six-piece band line up, with the addition of the former Blood Brothers bassist Morgan Henderson on upright bass and woodwind instruments.  The album, Helplessness Blues, was released on May 3, 2011 with a cover illustrated by the Seattle artist Toby Liebowitz and painted by Christopher Alderson. The title track was released via free download on January 31, 2011, and the album's fourth track, "Battery Kinzie", was premiered in the UK on Zane Lowe's radio show on March 22, 2011. The Sub Pop record label released a downloadable music video of the track "Grown Ocean", with footage of the album's recording, on its website in support of the album. A 12" vinyl double A-side single of "Helplessness Blues" and "Grown Ocean" was released for Record Store Day on April 16, 2011. On November 1, 2011, Pecknold's brother, Sean Pecknold, released the official music video for "The Shrine / An Argument".  On January 18, 2012, after the band had finished touring for the album, drummer Tillman announced that he had left the band. He would go on to reinvent himself and record several albums as Father John Misty, notable for his ironic sense of humor in lyrics and media as well as often criticizing both the record industry and society in interviews and on stage.  Helplessness Blues was nominated as Best Folk Album at the 2012 Grammy Awards, held February 12, 2012.

Answer this question "What was the second album called?"
output:
Helplessness Blues,