input: Ripken owns several minor league baseball teams. In 2002, he purchased the Utica Blue Sox of the New York-Penn League and moved them to his hometown of Aberdeen, renaming them the Aberdeen IronBirds. The team is the Short-season Single-A affiliate team in the Orioles' system and plays at Ripken Stadium. On June 28, 2005, he announced that he was purchasing the Augusta GreenJackets of the South Atlantic League, a Single-A affiliate of the San Francisco Giants. At the end of the 2008 season, Ripken purchased the Vero Beach Devil Rays of the Single-A advanced Florida State League and moved them to Port Charlotte, Florida, where they were renamed the Charlotte Stone Crabs.  On January 10, 2007, Ripken expressed interest in purchasing the Baltimore Orioles if current owner Peter Angelos were to sell the team. He had yet to be approached about the potential purchase of the team. Though he has not purchased them, Ripken was quoted in a July 17, 2010, Associated Press article as saying he would consider rejoining the Orioles part-time as an advisor and full-time after his son graduated from high school in 2012.  In October 2007, Ripken began working as a studio analyst for TBS Sports during the 2007 Major League Baseball playoffs. He has continued to serve in this role since then.  Ripken is on the Board of Directors of ZeniMax Media. On February 28, 2008, Ripken announced his venture into the massively multiplayer online sports game market with "Cal Ripken's Real Baseball".  The Ripken Experience is a group of sports complexes. The first opened in Aberdeen, Maryland. A second location with nine baseball fields is located in Myrtle Beach, South Carolina. Opened in 2006, it cost $26 million with $7 million more spent since then. A third location is set to open in summer 2016 in Pigeon Forge, Tennessee.

Answer this question "What team does he own?"
output: he purchased the Utica Blue Sox of the New York-Penn League and moved them to his hometown of Aberdeen, renaming them the Aberdeen IronBirds.

input: Houdini performed at least three variations on a buried alive stunt during his career. The first was near Santa Ana, California in 1915, and it almost cost Houdini his life. Houdini was buried, without a casket, in a pit of earth six feet deep. He became exhausted and panicked while trying to dig his way to the surface and called for help. When his hand finally broke the surface, he fell unconscious and had to be pulled from the grave by his assistants. Houdini wrote in his diary that the escape was "very dangerous" and that "the weight of the earth is killing."  Houdini's second variation on buried alive was an endurance test designed to expose mystical Egyptian performer Rahman Bey, who had claimed to use supernatural powers to remain in a sealed casket for an hour. Houdini bettered Bey on August 5, 1926, by remaining in a sealed casket, or coffin, submerged in the swimming pool of New York's Hotel Shelton for one and a half hours. Houdini claimed he did not use any trickery or supernatural powers to accomplish this feat, just controlled breathing. He repeated the feat at the YMCA in Worcester, Massachusetts on September 28, 1926, this time remaining sealed for one hour and eleven minutes.  Houdini's final buried alive was an elaborate stage escape that featured in his full evening show. Houdini would escape after being strapped in a straitjacket, sealed in a casket, and then buried in a large tank filled with sand. While posters advertising the escape exist (playing off the Bey challenge by boasting "Egyptian Fakirs Outdone!"), it is unclear whether Houdini ever performed buried alive on stage. The stunt was to be the feature escape of his 1927 season, but Houdini died on October 31, 1926. The bronze casket Houdini created for buried alive was used to transport Houdini's body from Detroit to New York following his death on Halloween.

Answer this question "How did he escape?"
output: When his hand finally broke the surface, he fell unconscious and had to be pulled from the grave by his assistants.

input: The Four Seasons signed as artists to Crewe's production company, and they released their first Crewe-produced single under their new name in 1961 ("Bermuda"/"Spanish Lace" on Gone Records). The single did not chart. The band continued working with producer Bob Crewe as background vocalists, and sometimes leads under different band names, for productions on Crewe's own Topix label. As a follow-up, Bob Gaudio wrote a song that, after some discussion between Crewe and Gaudio, was titled "Sherry". After the song was recorded, Crewe and the members of the band solicited record labels to release it. It was Frankie Valli who spoke with Randy Wood, West Coast sales manager for Vee-Jay Records (not the founder of Dot Records) who, in turn, suggested the release of "Sherry" to the decision makers at Vee-Jay. "Sherry" made enough of an impression that Crewe was able to sign a deal between his production company and Vee-Jay for its release. They were the first white artists to sign with Vee-Jay.  In 1962, the band released their first album, featuring the single "Sherry", which was not only their first charted hit but also their first number-one song. Under the guidance of Bob Crewe, the Four Seasons followed up "Sherry" with several million-selling hits, generally composed by Crewe and Gaudio, including "Big Girls Don't Cry" (their second #1 hit), "Walk Like a Man" (their third #1), "Candy Girl", "Ain't That a Shame", and several others. In addition, they released a Christmas album in December 1962 and charted with a unique rendition of "Santa Claus Is Coming to Town".  From 1962 to early 1964, the Beach Boys were the only band to match the Four Seasons in record sales in the United States, and their first three Vee-Jay non-holiday single releases (i.e., ignoring their version of "Santa Claus Is Coming to Town") marked the first time that a rock band hit #1 on the Billboard singles charts with three consecutive entries.  In 1962, they were invited to perform their hit "Big Girls Don't Cry" on the show American Bandstand.

Answer this question "Did they receive any notable awards for these?"
output:
marked the first time that a rock band hit #1 on the Billboard singles charts with three consecutive entries.