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Raymond William Stacy Burr was born May 21, 1917, in New Westminster, British Columbia, Canada. His father, William Johnston Burr (1889-1985), was a hardware salesman; his mother, Minerva Annette (nee Smith, 1892-1974), was a pianist and music teacher who was born in Chicago, Illinois. Burr's ancestry included Lebanese, Irish, English, Scottish, and German. When Burr was six, his parents divorced.
Burr appeared in more than 50 feature films between 1946 and 1957, creating an array of villains that established him as an icon of film noir. Film historian Alain Silver concluded that Burr's most significant work in the genre is in these ten films: Desperate (1947), Sleep, My Love (1948), Raw Deal (1948), Pitfall (1948), Abandoned (1949), Red Light (1950), M (1951), His Kind of Woman (1951), The Blue Gardenia (1953) and Crime of Passion (1957). Silver described Burr's private detective in Pitfall as "both reprehensible and pathetic", a characterization also cited by film historian Richard Schickel as a prototype of film noir, in contrast with the appealing television characters for which Burr later became famous.  "He tried to make you see the psychosis below the surface, even when the parts weren't huge," said film historian James Ursini. "He was able to bring such complexity and different levels to those characters, and create sympathy for his characters even though they were doing reprehensible things."  Other titles in Burr's film noir legacy include Walk a Crooked Mile (1948), Borderline (1950), Unmasked (1950), The Whip Hand (1951), FBI Girl (1951), Meet Danny Wilson (1952), Rear Window (1954), They Were So Young (1954), A Cry in the Night (1956) and Affair in Havana (1957). Beyond noir, Burr's villains were also seen in Westerns, period dramas, horror films and adventure films.  "I was just a fat heavy," Burr told journalist James Bawden. "I split the heavy parts with Bill Conrad. We were both in our twenties playing much older men. I never got the girl but I once got the gorilla in a 3-D picture called Gorilla at Large. I menaced Claudette Colbert, Lizabeth Scott, Paulette Goddard, Anne Baxter, Barbara Stanwyck. Those girls would take one look at me and scream and can you blame them? I was drowned, beaten, stabbed and all for my art. But I knew I was horribly overweight. I lacked any kind of self esteem. At 25 I was playing the fathers of people older than me."  Burr's occasional roles on the right side of the law include the aggressive prosecutor in A Place in the Sun (1951). His courtroom performance in that film made an impression on Gail Patrick and her husband Cornwell Jackson, who had Burr in mind when they began casting the role of Los Angeles district attorney Hamilton Burger in the CBS-TV series Perry Mason.
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Paul Heyman was born on September 11, 1965 in Westchester County, New York, to Richard S. Heyman (died June 25, 2013), a prominent personal injury attorney, and Sulamita Heyman (died February 27, 2009). His family was Jewish, and his mother was a Holocaust survivor. By age 11, he was running a mail order business selling celebrity and sports memorabilia from his home. While still a teenager, he fast-talked his way backstage at a World Wide Wrestling Federation event at Madison Square Garden as a photojournalist.
Heyman decided he wanted to work in professional wrestling when he saw Vince McMahon interviewing Superstar Billy Graham. He began as a photographer when he was 13 and bought his own photo lab to take photos of pro wrestlers in New York. He published his own newsletter, The Wrestling Times Magazine, and wrote for third-party wrestling publications such as Pro Wrestling Illustrated. At the age of 14, he called Capitol Wrestling Corporation, the parent company of the World Wide Wrestling Federation, and obtained a backstage pass for Madison Square Garden, his first official work in pro wrestling. Heyman met Dusty Rhodes at a Jim Crockett Promotions taping, when he entered a production meeting. In 1985, Heyman was hired by New York Studio 54 as photographer. The same year, he became producer of Studio 54 and hosted the first Wrestle Party 85 show. He called Jim Crockett, who sent Ric Flair, Dusty Rhodes and Magnum TA. The show featured Bam Bam Bigelow's debut and an award to Flair.  At the urging of Bigelow, Heyman made his managerial debut on January 2, 1987, initially appearing on the Northeast independent circuit before moving to a more high-profile stint with Championship Wrestling from Florida in February 1987. There, he joined forces with Kevin Sullivan and Oliver Humperdink, and acquired the name Paul E. Dangerously because of his resemblance to Michael Keaton's character in Johnny Dangerously. After CWF was absorbed by Jim Crockett Promotions, Bigelow brought him to Memphis and the Continental Wrestling Association to manage Tommy Rich and Austin Idol in a heated feud with Jerry Lawler, a war which later carried over to the American Wrestling Association (AWA), with the Original Midnight Express (Dennis Condrey and Randy Rose) taking over for Idol and the face-turned Rich.  The Paul E. Dangerously gimmick was an extension of Heyman's own personality: a brash New Yorker with a yuppie attitude, often seen holding a mobile phone, which was occasionally used as a "foreign object" (according to Heyman, he decided to use the mobile phone as a weapon when he watched Gordon Gekko in Wall Street). After departing the AWA, Heyman went to the Alabama-based Continental Wrestling Federation. Heyman joined with Eddie Gilbert's Hot Stuff Inc. stable. Behind the scenes, Gilbert was the head booker of the promotion, and Heyman became his assistant. Heyman was also the head booker for Windy City Wrestling in Chicago and started developing a reputation as being an innovative television writer and producer.
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The Paul E. Dangerously gimmick was an extension of Heyman's own personality: a brash New Yorker with a yuppie attitude,