Background: Albrecht Durer (; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. Durer is commemorated by both the Lutheran and Episcopal Churches.
Context: Durer was born on 21 May 1471, third child and second son of his parents, who had at least fourteen and possibly as many as eighteen children. His father, Albrecht Durer the Elder (originally Albrecht Ajtosi), was a successful goldsmith who in 1455 had moved to Nuremberg from Ajtos, near Gyula in Hungary. One of Albrecht's brothers, Hans Durer, was also a painter and trained under him. Another of Albrecht's brothers, Endres Durer, took over their father's business and was a master goldsmith. The German name "Durer" is a translation from the Hungarian, "Ajtosi". Initially, it was "Turer", meaning doormaker, which is "ajtos" in Hungarian (from "ajto", meaning door). A door is featured in the coat-of-arms the family acquired. Albrecht Durer the Younger later changed "Turer", his father's diction of the family's surname, to "Durer", to adapt to the local Nuremberg dialect. Albrecht Durer the Elder married Barbara Holper, the daughter of his master when he himself became a master in 1467.  Durer's godfather was Anton Koberger, who left goldsmithing to become a printer and publisher in the year of Durer's birth and quickly became the most successful publisher in Germany, eventually owning twenty-four printing-presses and having many offices in Germany and abroad. Koberger's most famous publication was the Nuremberg Chronicle, published in 1493 in German and Latin editions. It contained an unprecedented 1,809 woodcut illustrations (albeit with many repeated uses of the same block) by the Wolgemut workshop. Durer may have worked on some of these, as the work on the project began while he was with Wolgemut.  Because Durer left autobiographical writings and became very famous by his mid-twenties, his life is well documented by several sources. After a few years of school, Durer started to learn the basics of goldsmithing and drawing from his father. Though his father wanted him to continue his training as a goldsmith, he showed such a precocious talent in drawing that he started as an apprentice to Michael Wolgemut at the age of fifteen in 1486. A self-portrait, a drawing in silverpoint, is dated 1484 (Albertina, Vienna) "when I was a child", as his later inscription says. Wolgemut was the leading artist in Nuremberg at the time, with a large workshop producing a variety of works of art, in particular woodcuts for books. Nuremberg was then an important and prosperous city, a centre for publishing and many luxury trades. It had strong links with Italy, especially Venice, a relatively short distance across the Alps.
Question: Did he have children?
Answer: 

Problem: Background: Grandaddy is an American indie rock band from Modesto, California. The group was formed in 1992, and featured Jason Lytle, Aaron Burtch, Jim Fairchild, Kevin Garcia and Tim Dryden. After several self-released records and cassettes, the band signed to Will Records in the US and later the V2 subsidiary Big Cat Records in the UK, going on to sign an exclusive deal with V2. The bulk of the band's recorded output was the work of Lytle, who worked primarily in home studios.
Context: In March 2012, it was announced that Grandaddy had reformed and were to play a limited number of shows, including London on September 4, and headlining the End of the Road Festival in the UK. Grandaddy also played San Francisco's Outside Lands Music and Arts Festival and Paris's Rock en Seine Festival in August 2012. On August 7, 2012, to kick off their reunion tour, they played a "secret" show at the Partisan venue in Merced, California, but were billed as "The Arm of Roger". The next day they played as Grandaddy at the Henry Miller Library, Big Sur.  Regarding the band's reunion, Lytle noted, "The bargain I made myself regarding the 'brief reunion and couple of shows' situation was that I wasn't gonna talk too much about it. I was just gonna stew on it, and then do it. That's the good thing about festivals. No need for me to sell anything here. Get in, rock out, get paid, get out. There are just going to be a few shows. Festival-type thingies. Perhaps the odd 'warm up gig' in someone's hair salon or something. Money was a motivating factor (resurfacing my indoor tennis court, oil change for my 4x4 Ferrari) but the idea of playing and hanging out with each other is something all of the guys are pretty stoked about."  Lytle later noted, "It was actually Jim [Fairchild]'s fault. He suggested that we consider playing some shows, and I went, 'No', [but] he convinced me it might be a good idea. We talked about it for a little while. I didn't think anyone else in the band would be into it, [and] he checked around and it turns out they were all enthusiastic. I think I was the last one to say yes. ... I was actually blown away that they even wanted to. Once I found that out, I said 'OK, let's start doing the work, figure out how to play the songs.' The weird moment was when he had the first rehearsal; I had no idea how it was going to turn out. After five days of playing together it actually sounded really good. It was too easy, and we were actually really having a good time together."  Lytle also noted that he was likely to record a new Grandaddy album, stating, "It's probably going to happen. ... If anyone knows anything about Grandaddy, they realise that my [solo] music and Grandaddy's music is slightly interchangeable. I think if I were to focus on making a Grandaddy record [it would be] a full-blown Grandaddy record, and I like the idea of that. I'd like to give it a shot." In early 2013, Lytle elaborated: "I love the idea of making another Grandaddy record, but I wouldn't want it hanging over my head like 'Okay, you made this record, now are you guys going to get out there and tour in support of it?' ... I'm hoping for this dream scenario where I can make Grandaddy records every so often and not have all this messy stuff that goes along with it. I already did that and it's just not appealing to me any more."
Question: Did the band enjoy playing together again?
Answer:
the idea of playing and hanging out with each other is something all of the guys are pretty stoked about."