Answer the question at the end by quoting:

Maria Lea Carmen Imutan Salonga, KLD (born February 22, 1971), known as Lea Salonga (), is a Filipina singer and actress best known for her roles in musical theatre, for supplying the singing voices of two Disney Princesses, and as a recording artist and television performer. At age 18, she originated the lead role of Kim in the musical Miss Saigon, first in the West End and then on Broadway, winning the Olivier and Theatre World Awards, and becoming the first Asian woman to win a Tony Award. Salonga is the first Filipino artist to sign with an international record label (Atlantic Records in 1993). She is also the first Philippine-based artist to have received a major album release and distribution deal in the United States, and one of the best-selling Filipino artists of all time, having sold over 19 million copies of her albums worldwide.
In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London. Unable to find a strong enough East Asian actress/singer in the United Kingdom, the producers scoured many countries looking for the lead. For her audition, the then 17-year-old Salonga chose to sing Boublil and Claude-Michel Schonberg's "On My Own" from Les Miserables and was later asked to sing "Sun and Moon", impressing the audition panel. Salonga has sometimes credited "On My Own" as the starting point of her international career. She competed for the role with childhood friend and fellow Repertory Philippines performer Monique Wilson. Salonga won the lead role, while Wilson was named her understudy and given the role of the bar girl Mimi.  For her performance as Kim, Salonga won the 1990 Laurence Olivier Award for Best Performance by an Actress in a Musical. When Miss Saigon opened on Broadway in 1991, she again played the role of Kim, winning the Drama Desk, Outer Critics Circle and Theatre World Awards and becoming the first woman of Asian descent to win a Tony Award. In 1993 and 1996, she returned to play Kim on Broadway. In 1999, she was invited back to London to close the West End production, and in 2001, at the age of 29 and after finishing the Manila run of the musical, Salonga returned to Broadway to close that production.  In 1990, Salonga performed in a homecoming concert in Manila entitled A Miss Called Lea. She also received a Presidential Award of Merit from President Corazon Aquino. In 1991, she was named as one of People magazine's 50 Most Beautiful People. In 1992, she performed the singing voice of Princess Jasmine in Disney's animated film Aladdin.

what was her roll in Aladdin?

In 1992, she performed the singing voice of Princess Jasmine in Disney's animated film Aladdin.



Answer the question at the end by quoting:

Chayefsky was born in The Bronx, New York City to Russian Jewish immigrants Harry and Gussie Stuchevsky Chayefsky who came from Moscow to New York in 1907. He had two older brothers, William and Isidor. He spent part of his youth in Mount Vernon, New York.
He moved into television with scripts for Danger, The Gulf Playhouse and Manhunt. Philco Television Playhouse producer Fred Coe saw the Danger and Manhunt episodes and enlisted Chayefsky to adapt the story It Happened on the Brooklyn Subway about a photographer on a New York subway train who reunites a concentration camp survivor with his long-lost wife. Chayefsky's first script to be telecast was a 1949 adaptation of Budd Schulberg's What Makes Sammy Run? for Philco.  Since he had always wanted to use a synagogue as backdrop, he wrote Holiday Song, telecast in 1952 and also in 1954. He submitted more work to Philco, including Printer's Measure, The Bachelor Party (1953) and The Big Deal (1953). One of these teleplays, Mother (April 4, 1954), received a new production October 24, 1994 on Great Performances with Anne Bancroft in the title role. Curiously, original teleplays from the 1950s are almost never revived for new TV productions, so the 1994 production of Mother was a conspicuous rarity.  In 1953, Chayefsky wrote Marty, which was premiered on The Philco Television Playhouse, with Rod Steiger and Nancy Marchand. Marty is about a decent, hard-working Bronx butcher, pining for the company of a woman in his life but despairing of ever finding true love in a relationship. Fate pairs him with a plain, shy schoolteacher named Clara whom he rescues from the embarrassment of being abandoned by her blind date in a local dance hall. The production, the actors and Chayefsky's naturalistic dialogue received much critical acclaim and influenced subsequent live television dramas. Chayefsky had a unique clause in his Marty contract that stated that only he could write the screenplay, which he did for the 1955 movie.  Chayefsky's The Great American Hoax was broadcast May 15, 1957 during the second season of The 20th Century Fox Hour. This was actually a rewrite of his earlier Fox film, As Young as You Feel (1951) with Monty Woolley and Marilyn Monroe. The Great American Hoax was shown on the FX channel after Fox restored some The 20th Century Fox Hour episodes and telecast them under the new title Fox Hour of Stars beginning in 2002.

Did he write this show, or act?

first script to be telecast



Answer the question at the end by quoting:

Marvin Neil Simon (born July 4, 1927) is an American playwright, screenwriter and author. He has written more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer. Simon grew up in New York during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood.
Simon's characters are typically portrayed as "imperfect, unheroic figures who are at heart decent human beings", according to Koprince, and she traces Simon's style of comedy to that of Menander, a playwright of ancient Greece. Menander, like Simon, also used average people in domestic life settings, the stories also blending humor and tragedy into his themes. Many of Simon's most memorable plays are built around two-character scenes, as in segments of California Suite and Plaza Suite.  Before writing, Simon tries to create an image of his characters. He says that the play, Star Spangled Girl which was a box-office failure, was "the only play I ever wrote where I did not have a clear visual image of the characters in my mind as I sat down at the typewriter." Simon considers "character building" as an obligation, stating that the "trick is to do it skillfully". While other writers have created vivid characters, they have not created nearly as many as Simon: "Simon has no peers among contemporary comedy playwrights," states biographer Robert Johnson.  Simon's characters often amuse the audience with sparkling "zingers," believable due to Simon's skill with writing dialogue. He reproduces speech so "adroitly" that his characters are usually plausible and easy for audiences to identify with and laugh at. His characters may also express "serious and continuing concerns of mankind ... rather than purely topical material". McGovern notes that his characters are always impatient "with phoniness, with shallowness, with amorality", adding that they sometimes express "implicit and explicit criticism of modern urban life with its stress, its vacuity, and its materialism." However, Simon's characters will never be seen thumbing his or her nose at society."

What does his characters look like ?