Question: Clemens was born in Dayton, Ohio, the fifth child of Bill and Bess (Lee) Clemens. He is of German descent, his great-grandfather Joseph Clemens having immigrated in the 1880s. Clemens's parents separated when he was an infant. His mother soon married Woody Booher, whom Clemens considers his father.

In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings.

Using a quote from the above article, answer the following question: What was his final year playing with Boston?
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Problem: "Man on the Moon" is a song by the American alternative rock band R.E.M., released as the second single from their 1992 album Automatic for the People. The lyrics were written by lead singer Michael Stipe, and the music by drummer Bill Berry and guitarist Peter Buck, and credited to the whole band as usual. The song was well received by critics and peaked at number 30 on the Billboard Hot 100 and number 18 on the UK Singles Chart. It remains one of R.E.M.'s most popular songs and was included on the compilations In Time:

The song's lyrics do not tell a conventional story, and may instead been seen as a collection of cultural references, images and ideas. There are repeated mentions of Andy Kaufman, including references to his Elvis impersonation and work with wrestlers Fred Blassie and Jerry Lawler. Some critics find the song also invokes the conspiracy theories surrounding the moon landing and Elvis Presley as an indirect nod to the persistent rumors that Kaufman faked his own death. Speaking in 2017 to the NME, Mills explained that the perceived ambiguity of Kaufman's legacy, including questions of whether he was a comedian or a performance artist, and whether or not his work was funny or irritating, was a way to frame other questions about life within the song:  "He's the perfect ghost to lead you through this tour of questioning things. Did the moon landing really happen? Is Elvis really dead? He was kind of an ephemeral figure at that point so he was the perfect guy to tie all this stuff together as you journey through childhood and touchstones of life."  Other lyrical references include persons from the history of science and religion, as well as board-games and the rock band Mott the Hoople of whom Stipe had been a fan in his youth, and whose music he associated with the years of Kaufman's original television broadcasts. Regarding the cryptic lyrics, critic Greg Kot wrote that the song "presents a surreal vision of heaven." According to Ann Powers, "Mentioning Kaufman in the same breath as Moses and Sir Isaac Newton, Stipe makes a game of human endeavor, insisting that it all ends in dust. 'Let's play Twister, let's play Risk,' Stipe jokes to the notables he's invoked. 'I'll see you in heaven if you make the list.'"  The lyrics to Man on the Moon also feature a prominent repeated refrain of "Yeah, yeah, yeah, yeah". Stipe has explained that his friend Kurt Cobain was in the habit of placing "yeah" in the lyrics to the songs of his band, Nirvana, and that Stipe intended to outdo him, even to the extent of counting the "yeahs".

what are the lyrics about

Answer with quotes: The song's lyrics do not tell a conventional story, and may instead been seen as a collection of cultural references, images and ideas.

Problem: In music, sampling is the act of taking a portion, or sample, of one sound recording and reusing it as an instrument or a sound recording in a different song or piece. Sampling was originally developed by experimental musicians working with musique concrete and electroacoustic music, who physically manipulated tape loops or vinyl records on a phonograph. By the late 1960s, the use of tape loop sampling influenced the development of minimalist music and the production of psychedelic rock and jazz fusion. Hip hop music was the first popular music genre based on the art of sampling - being born from 1970s DJs who experimented with manipulating vinyl on two turntables and an audio mixer.

Usually taken from movies, television, or other non-musical media, spoken word samples are often used to create atmosphere, to set a mood, or even comic effect. The American composer Steve Reich used samples from interviews with Holocaust survivors as a source for the melodies on the 1988 album Different Trains, performed by the Kronos Quartet.  Many genres utilize sampling of spoken word to induce a mood, and Goa trance often employs samples of people speaking about the use of psychoactives, spirituality, or science fiction themes. Industrial is known for samples from horror/sci-fi movies, news broadcasts, propaganda reels, and speeches by political figures. The band Ministry frequently samples George W. Bush. Paul Hardcastle used recordings of a news reporter, as well as a soldier and ambient noise of a protest, in his single "Nineteen," a song about Vietnam war veterans and Posttraumatic stress disorder. The band Negativland samples from practically every form of popular media, ranging from infomercials to children's records. In the song "Civil War", Guns N' Roses samples from the 1967 film Cool Hand Luke, on the album Use Your Illusion II. Sludge band Dystopia make frequent use of samples, including news clips and recordings of junkies to create a bleak and nihilistic atmosphere.  Other bands that frequently used samples in their work are noise rockers Steel Pole Bath Tub and death metal band Skinless. The extreme metal band Mortician makes extensive usage of horror movie samples, which can sometimes be longer than the actual song itself. The American rapper and producer MF Doom frequently uses spoken word samples, taken from anything from old Spider-Man and Fantastic Four cartoons to Charles Bukowski's "Dinosauria, We" poem. Oasis used a clip from a John Lennon interview for their song "I'm Outta Time". Living Colour samples Malcolm X, John F. Kennedy, and Franklin D. Roosevelt in "Cult of Personality".

Where are the spoken words usually gotten from?

Answer with quotes:
Usually taken from movies, television, or other non-musical media, spoken word samples are often used to create atmosphere, to set a mood, or even comic effect.