Background: "Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre.
Context: The New York Times commented that "the song's most distinct feature is the fatalistic lyrics". Mercury refused to explain his composition other than saying it was about relationships; the band is still protective of the song's secret. Brian May supports suggestions that the song contained veiled references to Mercury's personal traumas. He recalls "Freddie was a very complex person: flippant and funny on the surface, but he concealed insecurities and problems in squaring up his life with his childhood. He never explained the lyrics, but I think he put a lot of himself into that song." May, though, says the band had agreed that the core of a lyric was a private issue for the composer. In a BBC Three documentary about the making of "Bohemian Rhapsody", Roger Taylor maintains that the true meaning of the song is "fairly self-explanatory with just a bit of nonsense in the middle".  When the band released a Greatest Hits cassette in Iran, a leaflet in Persian was included with translation and explanations (refers to a book published in Iran called The March of the Black Queen by Sarah Sefati and Farhad Arkani, which included the whole biography of the band and complete lyrics with Persian translation (2000)). In the explanation, Queen states that "Bohemian Rhapsody" is about a young man who has accidentally killed someone and, like Faust, sold his soul to the devil. On the night before his execution, he calls for God saying, "Bismillah" ("In the name of God" in Arabic), and with the help of angels, regains his soul from Shaitan (the devil in Islam).  Despite this, critics, both journalistic and academic, have speculated over the meaning behind the song's lyrics. Some believe the lyrics describe a suicidal murderer haunted by demons or depict events just preceding an execution. The latter explanation points to Albert Camus's novel The Stranger, in which a young man confesses to an impulsive murder and has an epiphany before he is executed, as probable inspiration. Others believe the lyrics were only written to fit with the music, and have no meaning; Kenny Everett quoted Mercury as claiming the lyrics were simply "random rhyming nonsense".  Still, others interpreted them as Mercury's way of dealing with personal issues. Music scholar Sheila Whiteley observes that Mercury reached a turning point in his personal life in the year he wrote "Bohemian Rhapsody". He had been living with Mary Austin for seven years but had just embarked on his first love affair with a man. She suggests that the song provides an insight into Mercury's emotional state at the time, "living with Mary ('Mamma', as in Mother Mary) and wanting to break away ('Mamma Mia let me go')".
Question: When was the song released?
Answer: which included the whole biography of the band and complete lyrics with Persian translation (2000)).

Question:
Rogers Clark Ballard Morton (September 19, 1914 - April 19, 1979) was an American politician who served as the U.S. Secretary of the Interior and Secretary of Commerce during the administrations of Presidents Richard M. Nixon and Gerald R. Ford, Jr., respectively. He also served as a member of the U.S. House of Representatives from Maryland. Though he was born in Louisville, Kentucky, Morton moved to a farm on the Eastern Shore of Maryland in the early 1950s. In 1962, he was elected to the House of Representatives, in which capacity he established an environmental record.
In 1947, Morton spent a great deal of time helping his brother Thruston in his ultimately successful campaign for election to the House of Representatives in Kentucky. After this initial exposure to politics, Morton moved to the Eastern Shore of Maryland in the early 1950s, where he set up a 1,400 acres (5.7 km2) cattle farm along the Wye River in Talbot County. In 1962, Morton decided to challenge Democratic incumbent Thomas Francis Johnson of Maryland's 1st congressional district. Johnson, who was reeling from a political scandal, lost to Morton in the general election. Morton was lauded for not making Johnson's legal troubles his primary campaign issue.  Morton was re-elected to Congress four more times, and served from 1963 until 1971. In Congress, Morton worked to enact legislation that would preserve the Chesapeake Bay, including laws reducing pollution into the Bay, working for the creation of a national park on Assateague Island, and providing funds to the Army Corps of Engineers to model how the Bay functions as an estuary. Concerning civil rights, Morton voted for the Civil Rights Act of 1964, but not the Act of 1968.  During the 1968 Republican National Convention, Morton served as the floor manager for eventual presidential nominee Richard Nixon. Morton also delivered the speech nominating Spiro Agnew, then-Governor of Maryland, as the vice presidential candidate.  Due to his role in Nixon's election campaign and his environmental advocacy, Morton expected to be appointed as Secretary of the Interior in 1969. However, he was passed over for the position in favor of a westerner. He had also been considered for Nixon's vice presidential running mate, but lost out to Agnew. In January 1969, to recognize his efforts, Nixon appointed Morton as chairman of the Republican National Committee. As chairman, Morton was granted ex officio Cabinet rank by Nixon, an unprecedented practice that ultimately continued through the administration of Gerald Ford.
Answer this question using a quote from the text above:

How long has he been in congress?

Answer:
and served from 1963 until 1971.

Problem: Background: Patrick Michael Rafter (born 28 December 1972) is an Australian former professional tennis player. He reached the Association of Tennis Professionals (ATP) world No. 1 singles ranking on July 26, 1999. His career highlights include consecutive US Open titles in 1997 and 1998 and consecutive runner-up at Wimbledon in 2000 and 2001.
Context: His ranking had fallen to No. 21 by the time he reached the Wimbledon final in July 2000. In the semifinals, Rafter defeated Agassi 7-5, 4-6, 7-5, 4-6, 6-3. The match was hailed as a classic, particularly because of their contrasting playing styles, with Agassi playing primarily from the baseline and Rafter attacking the net. Rafter faced Sampras in the final, who was gunning for a record-breaking seventh Wimbledon title overall (and seven in the past eight years). While Rafter made a strong start to the match and took the first set, after the match he would claim that he had "choked" part way through the second set, and was then not able to get back into his game. Sampras won in four sets.  In 2001, Rafter reached the semifinals of the Australian Open, but despite holding a two sets to one lead and having the support of the home crowd, Rafter lost the match to Agassi in five sets. Later in the year, Rafter again reached the Wimbledon final. For the third straight year, he faced Agassi in the semifinals and won in yet another five-setter, 2-6, 6-3, 3-6, 6-2, 8-6. Much like the previous year's semifinal, this match also received praise for the quality of play that the two men displayed. In the final, he squared off against Goran Ivanisevic, who had reached the Wimbledon final three times before but had slid down the rankings to World No. 125 following injury problems. In a five-set struggle that lasted just over three hours, Ivanisevic prevailed. He played his last match before his unexpected retirement at the Davis Cup final, winning the singles rubber but losing the doubles rubber.  Rafter announced his retirement at the end of the year, stating that he had lost all motivation to compete at the top level, after not playing any matches during the season to recover from injuries.
Question: What were these semifinals for
Answer:
Wimbledon final