Background: Portugal. The Man is an American rock band from Wasilla, Alaska, currently residing in Portland, Oregon. The group consists of lead singer John Baldwin Gourley, Gourley's partner & back-up singer Zoe Manville, Zach Carothers, Kyle O'Quin, Jason Sechrist and Eric Howk. Gourley and Carothers met and began playing music together in 2001 at Wasilla High School in Wasilla.
Context: In April 2010, Portugal. The Man announced their signing to Atlantic Records. During the summer of 2010, the band went back into the studio to record their new album with producer John Hill. They recorded the album in El Paso, Texas, London, England, and San Diego, California. Andy Wallace mixed the album.  During their fall tour in 2010, Portugal. The Man played a new song known as "We Got It All". At SXSW 2011, they debuted another song titled "Senseless". Starting on April 7, 2011, Portugal. The Man began releasing one 30 second clip every week from their new album via their YouTube channel. The songs were "Once Was One", "All Your Light (Times Like These)" and "So American". On April 29, 2011, the first full track was released entitled "Got It All (This Can't Be Living Now)". They released their second song on May 5 entitled "Sleep Forever". The full album, In the Mountain in the Cloud, was released on July 19, 2011. Portugal. The Man's short film, "Sleep Forever", directed by Michael Ragen, clocks in at over 13 minutes and was shot entirely in Gourley's hometown of Willow, Alaska. "Sleep Forever" premiered via IFC on June 6, 2011.  Portugal. The Man made their second appearance at the Bonnaroo Music and Arts Festival for the festival's 10th year anniversary in June 2011, as well as another Lollapalooza appearance in August. On August 8, 2011, after their Lollapalooza show, the band's van and trailer were stolen. The van and trailer contained all of the band's instruments and performance gear. On August 9, the van was recovered, but the contents of the trailer were missing. A list of the missing equipment was made available by the band. John Gourley was reported saying that, "Basically every bit of money Portugal. The Man has made over the last five years was in that trailer." On August 12, much of the band's gear was recovered from the home of a man who claimed to have purchased it at a flea market, and the band subsequently posted a thank you note on their website saying, "it is more than just a win for PTM, it is also a win for Twitter, the world of social media, the Chicago police, and old school journalism." The man was charged with one felony count of theft for purchasing the stolen equipment.  In the fall of 2011, Portugal. The Man went on a US headlining tour with the addition of guitarist Noah Gersh to the band. They also went on to tour Europe in January, opening for The Black Keys and going on to Australia to headline and perform at St Jerome's Laneway Festival. In the spring of 2012, they headlined the Norman Music Festival in Norman, Oklahoma, as well as the Jagermeister Music Tour with The Lonely Forest.  On April 3, 2012, it was announced via Facebook that keyboardist Ryan Neighbors would be leaving the band to pursue his own music career with his new project Hustle and Drone. He was replaced by Kyle O'Quin. Drummer Jason Sechrist was replaced by former child actor and drummer Kane Ritchotte shortly after Neighbors' departure.
Question: did this have a positive effect on the band?
Answer: 

Problem: Background: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.
Context: Following his blues fusion with gospel and jazz influences on his earlier Atlantic material, which had brought him much fame and controversy, Charles sought to experiment with country music. As noted by himself in the liner notes for What'd I Say (1959), Charles was influenced by the genre in his youth, stating that he "used to play piano in a hillbilly band" and that he believed that he "could do a good job with the right hillbilly song today." At Atlantic, he attempted to incorporate this style and influence with his cover of country singer Hank Snow's "I'm Movin' On". Charles later said about the song, "When I heard Hank Snow sing 'Moving On', I loved it. And the lyrics. Keep in mind, I'm a singer, so I like lyrics. Those lyrics are great, so that's what made me want to do it." The "I'm Movin' On" sessions were his last for Atlantic.  Charles's recording of his acclaimed studio effort The Genius of Ray Charles (1959) brought him closer to expressing his jazz and pop crossover ambitions. Described by one music critic as "the most important of his albums for Atlantic", the record was the first to introduce Charles's musical approach of blending his brassy R&B sound with the more middle of the road, pop-oriented style, while performing in the presence of a big band ensemble. Recording of the album, as well his ABC-Paramount debut, The Genius Hits the Road (1960), a collection of place-name songs devoted to parts of the United States, expanded on Charles's thematic and conceptually-organized approach to albums rather than commercially successful singles production. Inspired by this approach and his recording of "I'm Movin' On", Charles originally made plans for a single-less concept album.  When Charles had announced that he wanted to work on an album of country music in 1961, during a period of racial segregation and tension in the United States, he received generally negative commentary and feedback from his peers, including fellow R&B musicians and ABC-Paramount executives. The country album concept, however, meant more to Charles as a test of his record label's faith in him and respect for his artistic freedom than as a test of social tolerance among listeners amid racial distinctions of country and R&B. Fueled by his esteem for creative control, Charles pitched the idea of a country album to ABC representatives. Following the successful lobby of the concept and a contract renewal in early 1962, which was linked to the launching of his own Tangerine label, Charles prepared his band for the recording sessions that produced Modern Sounds in Country and Western Music.
Question: Did he release a country sound?
Answer:
he attempted to incorporate this style and influence with his cover of country singer