Question: Griffey was born in Donora, Pennsylvania, on November 21, 1969. (He shares a birthday with another Donora native and Hall-of-Famer, Stan Musial.) His family moved to Cincinnati, Ohio, where his father, Ken Griffey Sr., played for the Cincinnati Reds, when Ken Jr. was six years old. Ken Jr. was in the clubhouse during his father's back-to-back championships in the 1975 and 1976 World Series.

As a free agent, Griffey was courted by the Mariners and the Atlanta Braves. The national media was dubious about Griffey's declining skills, with The Washington Post noting "...the Mariners are not about to sign Griffey for baseball reasons; they're bringing him back to Seattle to sell tickets." Griffey ultimately accepted a contract offer from the Mariners on February 18, 2009, after "agonizing" over the decision. Griffey indicated he was motivated by sentimental reasons toward Seattle, where he received an overwhelmingly positive reception when he last played there as a Cincinnati Red in June 2007, but was inclined towards the Braves for its proximity to his home in Orlando, Florida, and his desire to be with his family during the season. Apparently, Griffey was very close to signing with the Braves; however, a premature report emerged from The Atlanta Journal-Constitution that an Atlanta deal was done and a conversation with Willie Mays and his own 13-year-old daughter played a factor in his choice. Griffey once again sported #24 with the Mariners; the team had not issued the number to any player or coach in the nine years between his two stints in Seattle.  Griffey went 1-2 with a home run in his regular season debut against the Minnesota Twins. The home run was Griffey's eighth Opening Day home run; as of 2013, he is tied with Frank Robinson and Adam Dunn for first place in this category. On April 15, 2009, Griffey hit his 400th home run as a Mariner (613th of career), off Los Angeles Angels pitcher Jered Weaver, becoming the first MLB player to hit 400 home runs with one club (Mariners) and 200 home runs with another (Reds). AP stated, "Griffey returned to the Mariners in 2009 and almost single-handedly transformed what had been a fractured, bickering clubhouse with his leadership, energy and constant pranks."  On June 23, 2009, at Safeco Field, Griffey hit the 5,000th home run in franchise history, off San Diego Padres pitcher Chad Gaudin. This was Griffey's 619th career home run. On September 1, Griffey hit career home run #621 at the new Yankee Stadium, off Yankees pitcher Andy Pettitte in the sixth inning. It marked the 44th different ballpark in which he had hit a home run. On August 12, 2009, against his former team, the Chicago White Sox, he hit an RBI single in the bottom of the 14th inning to win the game, 1-0, for the Mariners.  Griffey returned to the Mariners for the 2010 campaign with a similar contract to that of 2009, but struggled offensively over the first two months while posting a .184 batting average. On April 27, Griffey passed Andre Dawson for 45th on the career hit list. On May 20, 2010, in a game against the Toronto Blue Jays, Griffey hit an RBI single off Blue Jays' closer Kevin Gregg to win the game, 4-3, for the Mariners. After starting the ninth inning trailing 3-1, the Mariners rallied in the bottom of the ninth to load the bases on two singles and a walk, then tied the game via a walk and a sacrifice fly. The walk-off single was the final hit and RBI of Griffey's Major League Baseball career, and moved him past Rafael Palmeiro to 14th on the all-time RBI list.

Using a quote from the above article, answer the following question: who were some of his teammates?
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Question: Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. One of the leading contemporary recording artists, she is known for narrative songs about her personal life, which have received widespread media coverage. Born and raised in Pennsylvania, Swift moved to Nashville, Tennessee at the age of 14 to pursue a career in country music. She signed with the label Big Machine Records and became the youngest artist ever signed by the Sony/ATV Music publishing house.

Swift uses her life experiences as an inspiration in her work. In her songs, Swift often addresses the "anonymous crushes of her high school years" and celebrities. Swift frequently criticizes ex-boyfriends, an aspect of her songwriting downplayed by The Village Voice: "Being told What Songs Mean is like having a really pushy professor. And it imperils a true appreciation of Swift's talent, which is not confessional, but dramatic." However, New York believes the media scrutiny over her decision to "mine her personal life for music ... is sexist, inasmuch as it's not asked of her male peers". The singer herself has said that not all her songs are factual and that they are sometimes based on observations. Aside from her liner note clues, Swift tries not to talk about song subjects specifically "because these are real people. You try to give insight as to where you were coming from as a writer without completely throwing somebody under the bus".  For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that's taking something that potentially should be celebrated--a woman writing about her feelings in a confessional way--that's taking it and turning it and twisting it into something that is frankly a little sexist.  The Guardian has praised Swift for writing about teenage years "with a kind of wistful, sepia-toned nostalgia" over the course of her first two albums. New York has remarked that many singer-songwriters have made great records as teens, but "none made great records so explicitly about their teens". The magazine has also compared her work to Brian Wilson. In Fearless, Swift featured fairy tale imagery and explored the disconnect "between fairy tales and the reality of love". Her later albums address more adult relationships. In addition to romance and love, Swift's songs have discussed parent-child relationships, friendships, alienation, fame, and career ambitions. Swift frequently includes "a tossed-off phrase to suggest large and serious things that won't fit in the song, things that enhance or subvert the surface narrative".  Rolling Stone describes Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture". According to The Village Voice, she uses third-verse point of view reversals frequently. In terms of imagery, repetition is evident in Swift's songwriting. In The Guardian's words, "she spends so much time kissin' in the rain that it seems a miracle she hasn't developed trenchfoot". Slant Magazine adds, "to Swift's credit, she explores new lyrical motifs over the course of [her fourth] album". Although reviews of Swift's work are "almost uniformly positive", The New Yorker has said she is generally portrayed "more as a skilled technician than as a Dylanesque visionary".

Using a quote from the above article, answer the following question: Has Swift spoken of any other influences for her lyrics?
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Answer:
Swift often addresses the "anonymous crushes of her high school years" and celebrities.