IN: Sir Horace Curzon Plunkett  (24 October 1854 - 26 March 1932), was an Anglo-Irish agricultural reformer, pioneer of agricultural cooperatives, Unionist MP, supporter of Home Rule, Irish Senator and author. Plunkett, a younger son of the Baron of Dunsany, was a member of the Congested Districts Board for Ireland for over 27 years, founder of the Recess Committee and the Irish Agricultural Organisation Society (IAOS), Vice-President (operational head) of the Department of Agriculture and Technical Instruction (DATI) for Ireland (predecessor to the Department of Agriculture) from October 1899 to May 1907, MP for South Dublin in the House of Commons of the United Kingdom from 1892 to 1900, and Chairman of the Irish Convention of 1917-18. An adherent of Home Rule, in 1919 he founded the Irish Dominion League, still aiming to keep Ireland united, and in 1922 he became a member of the first formation of Seanad Eireann, the upper chamber in the Parliament of the new Irish Free State.

Public opinion, initially lukewarm, grew hostile in some sectors as the cooperative movement developed, and shopkeepers, butter-buyers and sections of the press led a campaign of virulent opposition. Cooperatives and Plunkett were denounced for supposedly ruining the dairy industry but the movement caught hold, with the mass of farmers benefitting. Plunkett and his colleagues including the poet and painter George William Russell (AE) made a good working team, writing widely on economic and cultural development, and on the role of labour.  As early as 1894, when his campaign reached a size too big to be directed by a few individuals, Plunkett founded the Irish Agricultural Organisation Society (IAOS), with Lord Monteagle, Thomas A. Finlay and others. Robert A Anderson acted as secretary, with AE and PJ Hannon his assistants. IAOS soon became the powerhouse of co-operation, with 33 affiliated dairy cooperative societies and cooperative banks, introducing co-operation among Irish farmers by proving the benefits obtainable through more economical and efficient management. The following year he and Russell began publishing its journal The Irish Homestead to spread information on farming. Four years later there were 243 affiliated societies. Within a decade 800 societies were in existence, with a trade turnover of three million pounds sterling (over 300 million sterling in today's money, and the turnover of the resulting companies is in excess of a billion euro).  Plunkett's task was frustrating. He was a pioneer of the concept of systematic rural development, who, in spite of his role in Irish affairs being often overlooked, influenced many international reformers, and can be credited as one of the few who had a long-term vision for the development of rural Ireland. He was apt to remind audiences that, even if full peasant proprietorship was achieved and Home Rule was implemented, rural underdevelopment would still have to be faced. But class conflict between farmers and shopkeepers intervened to frustrate much of what he aimed to do.
QUESTION: what did he do to help the movement?
IN: Three Days Grace is a Canadian rock band formed in Norwood, Ontario in 1997. Based in Toronto, the band's original line-up consisted of guitarist and lead vocalist Adam Gontier, drummer and backing vocalist Neil Sanderson, and bassist Brad Walst. In 2003, Barry Stock was recruited as the band's lead guitarist, making Three Days Grace a four-member band. In 2013, Gontier left the band and was replaced by My Darkest Days' vocalist Matt Walst, who is also bassist Brad Walst's brother.

Three Days Grace has its origins in a five-piece band called "Groundswell", formed in Norwood, Ontario, in 1992. Groundswell released one full-length album, Wave of Popular Feeling. The band's line-up consisted of lead vocalist Adam Gontier, drummer Neil Sanderson, bassist Brad Walst, lead guitarist Phil Crowe, and rhythm guitarist Joe Grant. Most of the members were attending high school when the band formed. By the end of 1995, the band had broken up.  In 1997, Gontier, Sanderson, and Walst regrouped as "Three Days Grace". According to Gontier, the name refers to a sense of urgency, with the question being whether someone could change something in their life if they had only three days to make a change. Once in Toronto, the band became acquainted with local producer Gavin Brown. The band gave him several years of material which they had created, and he "...picked out what he called 'the golden nuggets'", according to Gontier. Brown and the band polished the songs, and created a demo album, which they gave to EMI Music Publishing Canada. The record label wanted to hear more material, and with Brown producing, the band created the song, "I Hate Everything About You", which attracted the interest of several record labels. The band was soon signed to Jive Records after being sought out by the company's president.  The band moved to Long View Farm, a studio in North Brookfield, Massachusetts, to record their debut album. The self-titled album was finished in Woodstock, New York and released on July 22, 2003.  It was met with mixed to favourable reviews. Dave Doray of IGN said of the album, "Mistakes? There's not many." Allmusic reviewer Heather Phares said that on Three Days Grace, "the band's focus and adherence to alt-metal's formulas - coupled with tight songwriting and some unexpectedly pretty choruses - results in a strong tracks  [sic] that are more memorable than the work of many of their peers". She did criticize the album for its simplicity, concluding, "Three Days Grace are definitely one of the most accessible alt-metal bands of the 2000s; they just need to add some more distinctiveness to their sound."  To support the eponymous album, in 2003 Three Days Grace released its first single, "I Hate Everything About You" (the song whose demo had gotten the band its record deal). The song received heavy airplay and rapidly became a widely recognizable song, and was labelled as the band's "breakout hit". After Barry Stock joined as lead guitarist in late 2003, Three Days Grace toured continuously and extensively for nearly two years in support of their major label debut. The album peaked at number nine on the Canadian Albums Chart and number 69 on the Billboard 200, and was certified platinum in the U.S. by the RIAA in December 2004 and double platinum in Canada by the CRIA.
QUESTION:
When did they start the band?