input: Rakim retreated to his Connecticut estate to work leisurely on music. Not having released an album since 1999, he eschewed touring in favor of infrequent gigs. Rakim was able to retain the tracks he had made with Dr. Dre and, in 2006, announced that he would release a new studio album, The Seventh Seal. The album was delayed into 2009; instead, he followed up with a live album, The Archive: Live, Lost & Found, in 2008. In an interview with Billboard in 2007, when asked about story behind The Seventh Seal's title, Rakim said,  The number 7 has a lot of significance. The seventh letter of the [Supreme] alphabet is G--that stands for God. There are seven continents, seven seas. The Seventh Seal deals with that and also some revelations in the Bible. Some call it the end of the world, but for me it's the end of the old and the beginning of the new. By me naming my album that, I'm using it metaphorically in hip hop. I'm hoping to kill the old state of hip hop and start with the new.  In another interview with Billboard in 2009, he stated,  The seals are from the Bible--Revelations and the coming of the Apocalypse. But Islam, Judaism, Christianity--all have a version of the same events. The Lion of Judah breaks the seven seals one by one, each imparting knowledge and inflicting catastrophe, ending with seven trumpets announcing the end of Times. After the Apocalypse, God rises from the ashes to recreate the Kingdom, taking only the greatest elements from the past with them. When you look at Hip-Hop, I want to do that: to spit fire and take our best from the ashes to build our kingdom; to recognize all the regional styles, conscious lyrics, the tracks, underground, mainstream, the way we treat each other. Lose the garbage and rebuild our scene. I've always tried to insert consciousness and spirituality in my records, interpreting the writings of all cultures and religions and how they apply to life in modern times.  The Seventh Seal was released on November 17, 2009, after several delays on Rakim's own Ra Records, TVM, and SMC Recordings and distributed through Fontana and Universal Music Group. Considered a comeback album after a ten-year gap between releases, the album features the two singles: "Holy Are You", which was released on July 14, 2009, and "Walk These Streets" which was released on October 7, 2009. It features production from several renowned hip hop artists, including Nottz, J. Wells, Needlz, Jake One, and Nick Wiz The album sold 12,000 copies in the United States by November 22, 2009, according to SoundScan. Upon its release, The Seventh Seal received generally mixed or average reviews from most music critics; it holds an aggregate score of 59/100 at Metacritic.

Answer this question "WWhat other music did he work on?"
output: Rakim was able to retain the tracks he had made with Dr. Dre and, in 2006, announced that he would release a new studio album,

input: Having considered the possibility at the end of the second season, Cleese left the Flying Circus at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese- and Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."  The rest of the group carried on for one more "half" season before calling a halt to the programme in 1974. The name Monty Python's Flying Circus appears in the opening animation for season four, but in the end credits, the show is listed as simply "Monty Python". Although Cleese left the show, he was credited as a writer for three of the six episodes, largely concentrated in the "Michael Ellis" episode, which had begun life as one of the many drafts of the "Holy Grail" motion picture. When a new direction for "Grail" was decided upon, the subplot of Arthur and his knights wandering around a strange department store in modern times was lifted out and recycled as the aforementioned TV episode.  While the first three seasons contained 13 episodes each, the fourth ended after just six. Extremely keen to keep the now massively popular show going, the BBC had offered the troupe a full 13 episodes, but the truncated troupe (now under the unspoken 'leadership' of Terry Jones) had come to a common agreement while writing the fourth series that there was only enough material, and more importantly only enough enthusiasm, to shoot the six that were made.

Answer this question "why did the circus close?"
output: there was only enough material, and more importantly only enough enthusiasm, to shoot the six that were made.

input: In 2012, amongst a wide range of American and international centennial celebrations, an eight-day festival was held in Washington DC, with venues found notably more amongst the city's art museums and universities than performance spaces. Earlier in the centennial year, conductor Michael Tilson Thomas presented Cage's Song Books with the San Francisco Symphony at Carnegie Hall in New York. Another celebration came, for instance, in Darmstadt, Germany, which in July 2012 renamed its central station the John Cage Railway Station during the term of its annual new-music courses. At the Ruhrtriennale in Germany, Heiner Goebbels staged a production of Europeras 1 & 2 in a 36,000 sq ft converted factory and commissioned a production of Lecture on Nothing created and performed by Robert Wilson. Jacaranda Music had four concerts planned in Santa Monica, California, for the centennial week. John Cage Day was the name given to several events held during 2012 to mark the centenary of his birth.  A 2012 project was curated by Juraj Kojs to celebrate the centenary of Cage's birth, titled On Silence: Homage to Cage. It consisted of 13 commissioned works created by composers from around the global such as Kasia Glowicka, Adrian Knight and Henry Vega, each being 4 minutes and 33 seconds long in honor of Cage's famous 1952 opus, 4'33''. The program was supported by the Foundation for Emerging Technologies and Arts, Laura Kuhn and the John Cage Trust.  In a homage to Cage's dance work, the Bill T. Jones/Arnie Zane Dance Company in July 2012 "performed an engrossing piece called 'Story/Time'. It was modeled on Cage's 1958 work 'Indeterminacy', in which [Cage and then Jones, respectively,] sat alone onstage, reading aloud ... series of one-minute stories [they]'d written. Dancers from Jones's company performed as [Jones] read."

Answer this question "How long did it take to put together?"
output:
each being 4 minutes and 33 seconds long in honor of Cage's famous 1952 opus, 4'33''.