Some context: The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".
With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway.
What year was that?
A: winter 1994,

Question: The Riddler (Edward Nigma) is a fictional supervillain appearing in American comic books published by DC Comics, commonly as an adversary of the superhero Batman. The character made his first appearance in Detective Comics #140 (October, 1948) and was created by Bill Finger and Dick Sprang. Depicted as a Gotham City criminal mastermind, the Riddler takes delight in incorporating riddles and puzzles into his plots, and leaves them as clues for the authorities and Batman to solve. The character is one of Batman's most enduring enemies and belongs to the collective of adversaries that make up Batman's rogues gallery.

In the 12-part storyline "Hush", it is revealed that Riddler suffers from cancer, which also afflicted the mother of Dr. Thomas Elliot. Riddler uses one of Ra's al Ghul's Lazarus Pits to rid himself of the disease, and offers Elliot the chance to cure his mother as well, provided he pays a large sum of money. However, Elliott is in fact eager for his mother to die in order to inherit her fortune. Elliott, who goes on to secretly become the masked criminal Hush, explains he wants to get revenge on his childhood friend Bruce Wayne. The two of them agree to work together and Riddler sets Killer Croc, Poison Ivy, Harley Quinn, Joker, Clayface and Scarecrow out to destroy Batman, with Ra's and Talia al Ghul and Lady Shiva being temporarily drawn into the scheme as well.  During the psychotic break that follows exposure to the Lazarus Pit, the Riddler deduces Batman's secret identity and that the late Jason Todd was once Robin; he then reveals his knowledge to Hush. He has Clayface shapeshift into the form of Todd in order to torment Batman haunted by the former Robin's death. Batman first thinks that Riddler had stolen Todd's corpse and hid it outside of Gotham Cemetery, but it was revealed in a later storyline, Batman: Under the Hood, that Todd was alive the whole time and had personally played a role in Riddler and Hush's scheme.  When the Riddler threatens to expose Batman's secret identity, the Caped Crusader mockingly labels it an empty threat, pointing out that if Riddler revealed the answer to the riddle "who is Batman?", it would become worthless, something Riddler would not be able to stand. In addition, Batman warns him that if he reveals the secret, it would give Ra's al Ghul a vital clue that he used a Lazarus Pit without his permission, and the League of Assassins would subsequently retaliate against him.

Using a quote from the above article, answer the following question: Does Ellliott's mother die?
HHHHHH
Answer: Elliott, who goes on to secretly become the masked criminal Hush, explains he wants to get revenge on his childhood friend Bruce Wayne.

Some context: John F. Stossel was born on March 6, 1947, in Chicago Heights, Illinois, the younger of two sons, to Jewish parents who left Germany before Hitler rose to power. They joined a Congregationalist church in the U.S., and Stossel was raised Protestant. He grew up on Chicago's affluent North Shore and graduated from New Trier High School. Stossel characterizes his older brother, Tom, as "the superstar of the family", commenting, "While I partied and played poker, he studied hard, got top grades, and went to Harvard Medical School."
Stossel has written three books. Give Me a Break: How I Exposed Hucksters, Cheats, and Scam Artists and Became the Scourge of the Liberal Media is a 2005 autobiography from Harper Perennial documenting his career and philosophical transition from liberalism to libertarianism. It describes his opposition to government regulation, his belief in free market and private enterprise, support for tort reform, and advocacy for shifting social services from the government to private charities. It was a New York Times bestseller for 11 weeks. Myths, Lies, and Downright Stupidity: Get Out the Shovel - Why Everything You Know Is Wrong, which was published in 2007 by Hyperion, questions the validity of various conventional wisdoms, and argues that the belief he is conservative is untrue. On April 10, 2012, Threshold Editions, an imprint of Simon & Schuster, published Stossel's third book No, They Can't: Why Government Fails - But Individuals Succeed. It argues that government policies meant to solve problems instead produce new ones, and that free individuals and the private sector perform tasks more efficiently than the government does.  With financial support from the libertarian Palmer R. Chitester Fund, Stossel and ABC News launched a series of educational materials for public schools in 1999 entitled "Stossel in the Classroom". It was taken over in 2006 by the Center for Independent Thought and releases a new DVD of teaching materials annually. In 2006, Stossel and ABC released Teaching Tools for Economics, a video series based on the National Council of Economics Education standards.  Since February 2011, Stossel has written a weekly newspaper column for Creators Syndicate. His articles appear in such online publications as Newsmax, Reason, and Townhall.
What was this publication called?
A:
Myths, Lies, and Downright Stupidity: Get Out the Shovel - Why Everything You Know Is Wrong,