Question: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.

The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire.  In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.

Using a quote from the above article, answer the following question: What were the two types of burlesque?
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Answer: High burlesque


Question: Born in Sheffield, England, he was the eldest of five children of professional cricketer Samuel Wright and his wife, Annie Tone Wright. His family emigrated to the U.S. when he was nearly three years old, and his father found work as a bowler, coach, and groundskeeper at the St George's Cricket Club in New York. Harry dropped out of school at age 14 to work for a jewelry manufacturer, and worked at Tiffany's for several years. Both Harry and George, twelve years younger, assisted their father, effectively apprenticing as cricket "club pros".

From an invitation in 1870 by Ivers Whitney Adams, the founder and President of the Boston Red Stockings, Wright moved from managing the "Cincinnati Red Stockings" to work professionally with the first-ever base ball team in Boston, the "Boston Red Stockings". The team was to play in the newly formed National Association of Professional Base Ball Players, now known more often as simply the National Association.  The Red Stockings finished third in the NA's inaugural season. Wright, now 36 years old and the second-oldest player in the league, was the team's regular center fielder, playing 30 of the team's 31 games at that position. He also pitched in nine games in relief of Albert Spalding, notching one win.  In 1872, the Red Stockings won its first championship, beating the Baltimore Canaries by 7 1/2  games. They won again the next season, finishing four games ahead of the Philadelphia Athletics.  1874 turned out to be Wright's last year as the team's regular center fielder. He had been the oldest player in the NA for three years running. It was also his third straight championship as manager. That year, he organized what turned out to be a fairly disastrous attempt to take baseball back home to the British Isles.  In 1875, the final year of the NA, the Red Stockings were an amazing 71-8, finishing a full 15 games ahead of the Athletics. Wright, now the oldest player in the league, continued to play regularly in center field for Boston until 1874. After that, he played in just three more games, one in each of the next three seasons.

Using a quote from the above article, answer the following question: What role did Wright play on his team?
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Answer:
center fielder.