input: Claude Levi-Strauss was born to French Jewish parents who were living in Brussels at the time, where his father was working as a portrait painter. He grew up in Paris, living on a street of the upscale 16th arrondissement named after the artist Claude Lorrain, whose work he admired and later wrote about. During the First World War, he lived with his maternal grandfather, who was the rabbi of the synagogue of Versailles. He attended the Lycee Janson de Sailly and the Lycee Condorcet.  At the Sorbonne in Paris, Levi-Strauss studied law and philosophy. He did not pursue his study of law, but passed the agregation in philosophy in 1931. In 1935, after a few years of secondary-school teaching, he took up a last-minute offer to be part of a French cultural mission to Brazil in which he would serve as a visiting professor of sociology at the University of Sao Paulo while his then wife, Dina, served as a visiting professor of ethnology.  The couple lived and did their anthropological work in Brazil from 1935 to 1939. During this time, while he was a visiting professor of sociology, Claude undertook his only ethnographic fieldwork. He accompanied Dina, a trained ethnographer in her own right, who was also a visiting professor at the University of Sao Paulo, where they conducted research forays into the Mato Grosso and the Amazon Rainforest. They first studied the Guaycuru and Bororo Indian tribes, staying among them for a few days. In 1938, they returned for a second, more than half-year-long expedition to study the Nambikwara and Tupi-Kawahib societies. At this time, his wife suffered an eye infection that prevented her from completing the study, which he concluded. This experience cemented Levi-Strauss's professional identity as an anthropologist. Edmund Leach suggests, from Levi-Strauss's own accounts in Tristes Tropiques, that he could not have spent more than a few weeks in any one place and was never able to converse easily with any of his native informants in their native language, which is uncharacteristic of anthropological research methods of participatory interaction with subjects to gain a full understanding of a culture.  In the 1980s, he suggested why he became vegetarian in pieces published in Italian daily newspaper La Repubblica and other publications anthologized in the posthumous book Nous sommes tous des cannibales (2013): "A day will come when the thought that to feed themselves, men of the past raised and massacred living beings and complacently exposed their shredded flesh in displays shall no doubt inspire the same repulsion as that of the travellers of the 16th and 17th century facing cannibal meals of savage American primitives in America, Oceania or Africa."  Claude Levi-Strauss was an atheist.

Answer this question "what was his education?"
output: Sorbonne in Paris, Levi-Strauss studied law and philosophy.

Question: Aaron Benjamin Sorkin (born June 9, 1961) is an American screenwriter, director, producer, and playwright. His works include the Broadway plays A Few Good Men and The Farnsworth Invention; the television series Sports Night, The West Wing, Studio 60 on the Sunset Strip, and The Newsroom; and the films A Few Good Men, The American President, Charlie Wilson's War, Moneyball, and Steve Jobs. For writing The Social Network, he won the Oscar for Best Adapted Screenplay, among other awards. He made his feature directorial debut in 2017 with Molly's Game, which he also wrote.

Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.  In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.  Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it.

Using a quote from the above article, answer the following question: Where did A Few Good Men premiere ?
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Answer:
on Broadway at the Music Box Theatre.