input: Yao was pressured to enter the NBA draft in 1999 by Li Yaomin, the deputy general manager of the Shanghai Sharks. Li also influenced Yao to sign a contract for Evergreen Sports Inc. to serve as his agent. The agreement entitled Evergreen to 33% of Yao's earnings, but the contract was later determined to be invalid.  When Yao decided to enter the 2002 NBA draft, a group of advisers was formed that came to be known as "Team Yao". The team consisted of Yao's negotiator, Erik Zhang; his NBA agent, Bill Duffy; his Chinese agent, Lu Hao; University of Chicago economics professor John Huizinga; and the vice president for marketing at BDA Sports Management, Bill Sanders. Yao was widely predicted to be picked number one overall. However, some teams were concerned about Yao's NBA eligibility because of uncertainty over whether the CBA would let Yao play in the United States.  Shortly after Wang Zhizhi refused to return to China to play for the national team and was subsequently banned from playing for China, the CBA stipulated that Yao would have to return to play for the national team. They also said they would not let him go to the United States unless the Houston Rockets would take him first overall. After assurances from Team Yao that the Rockets would draft Yao with their number one pick, the CBA gave permission on the morning of the draft for Yao to play in the U.S. When the Rockets selected Yao with the first pick of the draft, he became the first international player ever to be selected first overall without having previously played U.S. college basketball.

Answer this question "Are any of the advisers named in the article?"
output: Erik Zhang; his NBA agent, Bill Duffy; his Chinese agent, Lu Hao;

input: Young left the Basie band in late 1940. He is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons spurring his dismissal, although Young and drummer Jo Jones would later state that his departure had been in the works for months. He subsequently led a number of small groups that often included his brother, drummer Lee Young, for the next couple of years; live and broadcast recordings from this period exist.  During this period Young accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period) and also made a small set of recordings with Nat "King" Cole (their first of several collaborations) in June 1942. His studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the recording ban by the American Federation of Musicians. Small record labels not bound by union contracts continued to record and he recorded some sessions for Harry Lim's Keynote label in 1943.  In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (see below). Recordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed, which tended to give his playing a somewhat heavier, breathier tone (although still quite smooth compared to that of many other players). While he never abandoned the cane reed, he used the plastic reed a significant share of the time from 1943 until the end of his life. Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry "Sweets" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues.

Answer this question "Is there anything else he did during this time?"
output: In August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry "Sweets" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues.

input: In 1989, Brian Warner was a college student working towards a degree in journalism at Broward College, gaining experience by writing music articles for the South Florida lifestyle magazine 25th Parallel. It was in this capacity that he met several of the musicians to whom his own band would later be compared, including My Life with the Thrill Kill Kult and Trent Reznor of Nine Inch Nails. That December, he met Scott Putesky, who proposed that the two form a band together after reading some lyrics and poems written by Putesky, who wanted to be the vocalist of the proposed band. Warner, guitarist Putesky and bassist Brian Tutunick recorded their first demo tape as Marilyn Manson & the Spooky Kids in 1990, taking on the stage names of Marilyn Manson, Daisy Berkowitz and Olivia Newton Bundy, respectively. Bundy left the band soon after, and was replaced by Gidget Gein, born Brad Stewart. They were later joined on keyboard by Stephen Bier, who called himself Madonna Wayne Gacy. In 1991, drummer Fred Streithorst joined the band under the name Sara Lee Lucas.  The stage names adopted by each member were representative of a concept the band considered central: the dichotomy of good and evil, and the existence of both, together, in every whole. "Marilyn Monroe had a dark side", explained Manson in his autobiography, "just as Charles Manson has a good, intelligent side." Over the next six years, all of the band's members would adopt names that combined the first name of a female sex symbol and the surname of a serial killer. Images of both Monroe and Manson, as well as of other famous and infamous figures, were common in the band's early promotional materials.  The Spooky Kids' popularity in the area grew quickly and because of the band's highly visual concerts, which drew from performance art and used many shock techniques such as "naked women nailed to a cross, a child in a cage, or bloody animal body parts." Band members variously performed in women's clothing or bizarre costumes; and, for lack of a professional pyrotechnician, would set their own stage props on fire. The band would contrast these theatrics with elements drawn from their youth: characters from 1970s and '80s children's television made regular, often grotesquely altered, appearances on band flyers and newsletters, and were frequently sampled in their music. They continued to perform and release cassettes - shortening their name to Marilyn Manson in 1992 - until the summer of 1993, when they drew the attention of Reznor, who had just founded his own label, Nothing Records.

Answer this question "Who produced it?"
output: