Question: James Ware (born June 20, 1957), better known by his ring name Koko B. Ware is a retired American professional wrestler who made his professional wrestling debut in 1978. He rose in popularity during the mid 1980s, while appearing in the World Wrestling Federation, where he was initially a strong mid-carder before he eventually became a jobber to the stars. Ware came to the ring with a blue-and-yellow macaw named Frankie, and would flap his arms like a bird while dancing before and after his matches. Before joining the WWF, Ware worked as a part of several tag teams, first with Bobby Eaton in Memphis and then later on with Norvell Austin as one half of the P.Y.T. Express in several promotions.

Bobby Eaton later turned face, he teamed with "Stagger Lee" for a series of matches. During a tag-team tournament in 1983, the masked Stagger Lee teamed up with fellow face Norvell Austin to take on "Fargo's Fabulous Ones" (Tommy Rich and "Hot Stuff" Eddie Gilbert). During the course of the match Stagger Lee's mask was removed to reveal the man beneath it, prompting a heel turn for Ware. Austin and Ware became a regular tag team dubbed the Pretty Young Things or ("the PYT Express"). The two men soon began wearing red leather jackets, and each had a single white glove on, in an obvious imitation of Michael Jackson to further enhance their "pretty boy" image.  The team defeated Elijah Akeem and Kareem Mohammad for the AWA Southern Tag Team Championship in February 1984; almost two weeks later, Akeem and Mohammad regained the title. The PYT Express remained in Memphis for a period of time after this before moving on to other promotions such as Mid-South Wrestling, World Class Championship Wrestling in Texas and Championship Wrestling from Florida. On February 26, 1985 Austin and Ware defeated Jay and Mark Youngblood to win the NWA Florida United States Tag Team Championship. Two weeks later on March 5, 1985 the team re-lost the title to the Youngbloods. After dropping the gold in Florida, the Pretty Young Things returned to the federation that first put them together, the Continental Wrestling Association. There, they won the AWA Southern Tag Team title twice, both times from The Fabulous Ones (Steve Keirn and Stan Lane) as they feuded with the top face team of the promotion.  After the PYT's disbanded, Koko moved on to Bill Watts' Mid-South/UWF territory, where he started calling himself Koko B. Ware. Ware's persona was that of a face who entered the ring to the theme of Morris Day's "The Bird", doing an arm-flapping dance.

Using a quote from the above article, answer the following question: When did they disband?
HHHHHH
Answer: 


Question: The Buggles were an English new wave band formed in London, England in 1977 by singer and bassist Trevor Horn and keyboardist Geoffrey Downes. They are best known for their 1979 debut single "Video Killed the Radio Star" that topped the UK Singles Chart and reached number one in 15 other countries. The duo released their first album, The Age of Plastic, in January 1980 with "Video Killed the Radio Star" as its lead single. Soon after the album's release, Horn and Downes joined the progressive rock band

In early 1981, following the disbanding of Yes, Downes and Horn reconvened at Sarm East Studios to record The Buggles' second studio album, Adventures in Modern Recording. However, Downes left the group on the day the recording of the album was meant to begin to help form Asia with Howe citing musical differences. Horn was angry that Island Records renegotiated publishing terms for Downes to join Asia, but never did for Horn since, in his words, he was "washed up, career-wise". To fix this problem, Jill Sinclair made a deal with the French label Carrere, whose leader Claude Carrere, whom Horn described as a "very nice man", helped fund the album. Horn was now left to complete much of the album with several additional personnel.  Released in November 1981, Adventures in Modern Recording involved Horn experimenting with numerous production techniques, especially with the heavy use of sampling with the Fairlight CMI, with instruments from the computer such as the drums on "Inner City" and the big band jazz sounds on "Vermillion Sands". These same sampling techniques would later be used in records he produced such as Slave To The Rhythm by Grace Jones, Yes's 90125, Art of Noise's The Seduction of Claude Debussy and Frankie Goes To Hollywood's Welcome to the Pleasuredome. While the album garnered little attention in the United Kingdom, Horn recalled in 2010 that the album was a commercial success in France, and in the United States the album peaked at number 161 on the American Billboard 200. By the time of the album's release, when Horn was also producing ABC's album The Lexicon of Love, he decided to take Sinclair's advice that he always was meant to be a producer rather than a performer or songwriter, thus the performance of "Lenny" on a TV show in the Netherlands, with ABC as the backing band, marked the end of the Buggles. As Horn recalled when he was interviewed after the show:  "I'll never forget it because the guy said to me, 'well, things are not looking so good for you', and I said 'how do you mean?' And he said 'well, you know, your first record was a big hit now this record is number eleven, so your career is going downhill'. And I said 'well you know what? You see these guys, this is a band called ABC and I'm a producer now I don't really care about this stuff, I'm just doing it to promote the record. And I may be on the skids as an artist but things are looking up in other areas. End of interview. Fuck off.'"

Using a quote from the above article, answer the following question: What happened in 1981?
HHHHHH
Answer:
In early 1981, following the disbanding of Yes, Downes and Horn reconvened at Sarm East Studios to record The Buggles' second studio album,