Question:
Ed the Happy Clown is a graphic novel by Canadian cartoonist Chester Brown. Its title character is a large-headed, childlike children's clown who undergoes one horrifying affliction after another. The story is a dark, humorous mix of genres and features scatological humour, sex, body horror, extreme graphic violence, and blasphemous religious imagery. Central to the plot are a man who cannot stop defecating; the head of a miniature, other-dimensional Ronald Reagan attached to the head of Ed's penis; and a female vampire who seeks revenge on her adulterous lover who had murdered her to escape his sins.
Ed spans a range of Brown's interests, from political skepticism to scatological humour to vampires and werewolves. The story is dark and surreal, desperate and humorous.  Christian elements especially--largely sacriligeous--are prominent in the book. They are at first innocuous and unimportant: a zombie named Christian, another character who believes he has found Christ's face on a piece of adhesive tape. With the fourth issue of Yummy Fur, Brown's surreal take on Christianity becomes central: the cover depicts the Virgin Mary holding not just the infant Christ, but also a severed hand. Within is the story of Saint Justin, whose amputation becomes a key motif: Chet loses his own hand and finds another; his own appears mysteriously under Ed's pillow. Only by praying for forgiveness for his adultery and by murdering his lover is Chet's hand miraculously restored. According to the Lives of the Saints, the fictional Saint Justin severed his own hand, but in another version Brown presents, Justin's wife cuts it off with a woodaxe when she catches her husband masturbating after rejecting her advances. Despite Saint Justin's story's exposure to the reader as a fraud, Chet's faith in the official version restores his severed hand. The altered ending from 1992 has both Josie and Chet reunited in Hell, and the ghost of Chet's sister becomes a devil. As Brown mixes surreal sacrilege with the sort of moralism that compels him to condemn Josie for her bloody revenge, Brian Evenson calls Brown "deft at muddying the waters in a way that makes it very hard to pin him down as either belieever or satirist, as either anti-religionist or apologist".  While not part of the Ed story, Brown had been serializing straight adaptations in Yummy Fur of the Gospels of Mark and of Matthew during most of Ed's run. R. Fiore called these adaptations "the best exploration of Christian mythology since Justin Green's Binky Brown", comparing Chet's excessive Christian guilt with the "almost childlike retelling" of Mark. Yummy Fur readers also found "I Live in the Bottomless Pit", a short strip in which a man discovers the Antichrist, who after millennia underground has forgotten his mission--a paradoxical one, as he states his orders were from God.  Ed prominently features transgressive content including nudity, graphic violence, racist imagery, blasphemy, and profanity. Brown grew up in a strictly Baptist household in which he was not allowed to swear, as depicted in Brown's graphic novel I Never Liked You (1994). Brown challenged his own anxieties by tackling subjects such as scatological humour. Imagery such as the recurring Pygmy characters and their "ooga booga" language, Chris Lanier asserted, reinforce "old colonial imaging of 'third world natives' ".
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What is an example of a Christian element in the book?

Answer:
a zombie named Christian,

Answer the question at the end by quoting:

Alexander Bell was born in Edinburgh, Scotland, on March 3, 1847. The family home was at 16 South Charlotte Street, and has a stone inscription marking it as Alexander Graham Bell's birthplace. He had two brothers: Melville James Bell (1845-70) and Edward Charles Bell (1848-67), both of whom would die of tuberculosis. His father was Professor Alexander Melville Bell, a phonetician, and his mother was Eliza Grace (nee Symonds).
As a child, young Bell displayed a natural curiosity about his world, resulting in gathering botanical specimens as well as experimenting even at an early age. His best friend was Ben Herdman, a neighbour whose family operated a flour mill, the scene of many forays. Young Bell asked what needed to be done at the mill. He was told wheat had to be dehusked through a laborious process and at the age of 12, Bell built a homemade device that combined rotating paddles with sets of nail brushes, creating a simple dehusking machine that was put into operation and used steadily for a number of years. In return, Ben's father John Herdman gave both boys the run of a small workshop in which to "invent".  From his early years, Bell showed a sensitive nature and a talent for art, poetry, and music that was encouraged by his mother. With no formal training, he mastered the piano and became the family's pianist. Despite being normally quiet and introspective, he revelled in mimicry and "voice tricks" akin to ventriloquism that continually entertained family guests during their occasional visits. Bell was also deeply affected by his mother's gradual deafness (she began to lose her hearing when he was 12), and learned a manual finger language so he could sit at her side and tap out silently the conversations swirling around the family parlour. He also developed a technique of speaking in clear, modulated tones directly into his mother's forehead wherein she would hear him with reasonable clarity. Bell's preoccupation with his mother's deafness led him to study acoustics.  His family was long associated with the teaching of elocution: his grandfather, Alexander Bell, in London, his uncle in Dublin, and his father, in Edinburgh, were all elocutionists. His father published a variety of works on the subject, several of which are still well known, especially his The Standard Elocutionist (1860), which appeared in Edinburgh in 1868. The Standard Elocutionist appeared in 168 British editions and sold over a quarter of a million copies in the United States alone. In this treatise, his father explains his methods of how to instruct deaf-mutes (as they were then known) to articulate words and read other people's lip movements to decipher meaning. Bell's father taught him and his brothers not only to write Visible Speech but to identify any symbol and its accompanying sound. Bell became so proficient that he became a part of his father's public demonstrations and astounded audiences with his abilities. He could decipher Visible Speech representing virtually every language, including Latin, Scottish Gaelic, and even Sanskrit, accurately reciting written tracts without any prior knowledge of their pronunciation.

Did anyone help Bell invent the dehusking machine?
His best friend was Ben Herdman,