Question: Fred Astaire (born Frederick Austerlitz; May 10, 1899 - June 22, 1987) was an American dancer, singer, actor, choreographer and television presenter. He is widely regarded as one of the most influential dancers in the history of film and television musicals. His stage and subsequent film and television careers spanned a total of 76 years, during which he starred in more than 10 Broadway and London musicals, made 31 musical films, 4 television specials, and issued numerous recordings.

Retirement didn't last long. Astaire returned to the big screen to replace the injured Kelly in Easter Parade (1948) opposite Judy Garland, Ann Miller, and Peter Lawford and for a final reunion with Rogers (replacing Judy Garland) in The Barkleys of Broadway (1949). Both of these films revived Astaire's popularity and in 1950 he starred in two musicals - one for M-G-M - Three Little Words with Vera-Ellen and Red Skelton and one on loan-out to Paramount - Let's Dance with Betty Hutton. While Three Little Words did quite well at the box office, Let's Dance was a financial disappointment. Royal Wedding (1951) with Jane Powell and Peter Lawford proved to be very successful, but The Belle of New York (1952) with Vera-Ellen was a critical and box-office disaster. The Band Wagon (1953), which is considered to be one of the finest musicals ever made, received rave reviews from critics and drew huge crowds. But because of its excessive cost, it failed to make a profit on its first release. Soon after, Astaire, along with all the other remaining stars at M-G-M, was let go from his contract because of the advent of television and the downsizing of film production. In 1954, Astaire was about to start work on a new musical, Daddy Long Legs (1955) with Leslie Caron at 20th Century Fox, when his wife Phyllis became ill and suddenly died of lung cancer. Astaire was so bereaved that he wanted to shut down the picture and offered to pay the production costs out of his own pocket. However, Johnny Mercer (the film's composer) and Fox studio executives convinced him that work would be the best thing for him at that time. When Daddy Long Legs was released in 1955, it did only moderately well at the box office. His next film for Paramount, Funny Face (1957), teamed him with Audrey Hepburn and Kay Thompson and despite the sumptuousness of the production and the strong reviews from critics, it failed to make back its cost. Similarly, Astaire's next project - his final musical at M-G-M, Silk Stockings (1957), in which he co-starred with Cyd Charisse, also lost money at the box office. As a result, Astaire withdrew from motion pictures for two years.  During 1952, Astaire recorded The Astaire Story, a four-volume album with a quintet led by Oscar Peterson. The album, produced by Norman Granz, provided a musical overview of Astaire's career. The Astaire Story later won the Grammy Hall of Fame Award in 1999, a special Grammy award to honor recordings that are at least twenty-five years old and that have "qualitative or historical significance."  His legacy at this point was 30 musical films in 25 years. Afterwards, Astaire announced that he was retiring from dancing in film to concentrate on dramatic acting, scoring rave reviews for the nuclear war drama On the Beach (1959).

Using a quote from the above article, answer the following question: What was Astaire's role in The Band Wagon?
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Question: Florence Leontine Mary Welch was born in Camberwell, London on 28 August 1986. Her father is Nick Russell Welch, an advertising executive. Her mother, Evelyn Welch (nee Evelyn Kathleen Samuels), is an American emigrant from New York City who was educated at Harvard University and the Warburg Institute, University of London. Evelyn is currently Professor of Renaissance Studies and Vice-Principal for Arts and Sciences at King's College London.

During interviews, Welch has cited Grace Slick and Alanis Morissette as influences and "heroes." She listed in her early influences the likes of John Cale, Siouxsie, David Byrne, Lou Reed, In a review of Ceremonials, Jody Rosen of Rolling Stone described Florence and the Machine's style as "dark, robust and romantic", deeming the ballad "Only If for a Night" as a mix of "classic soul and midnight-on-the-moors English art rock". Welch stated that her lyrics related to Renaissance artists : "We're dealing with all of the same things they did : love and death, time and pain, heaven and hell". Welch has used religious imagery in her music and performances, though she has stated "I'm not a religious person. Sex, violence, love, death, are the topics that I'm constantly wrestling with, it's all connected back to religion."  Nick Welch, her father, contributed a "rock and roll element to the family mix"; in his twenties, he lived in a West End squat and attended the Squatters' Ball organised by Heathcote Williams where The 101ers played regularly. A self-confessed "frustrated performer", if Nick, as he put it, "nudged Flo in any way, it's only been to listen to the Ramones rather than Green Day". Evelyn had an equally strong yet completely different influence on her daughter. A visit to one of her mother's lectures left teenage Florence deeply impressed. She explained, "I aspire to something like that but with music. I hope that my music has some of the big themes--sex, death, love, violence--that will still be part of the human story in 200 years' time".  Welch has stated she is an avid reader, and has been influenced by authors such as Gwendoline Riley, Kirsten Reed and David Vann. The art of literature is important to her. She actively participates in a fan run book club, 'Between Two Books'. Every few months, she will recommend a book to the club which they will read collectively. Welch enjoys poetry, and has mentioned that the poet Ted Hughes was a big influence on her first album, 'Lungs'.

Using a quote from the above article, answer the following question: Who else did she site as a mentor
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She listed in her early influences the likes of John Cale, Siouxsie, David Byrne, Lou Reed,