input: Hall was born in Saint Michael, Barbados--"just outside the walls of [HM Prison] Glendairy"--to a teenaged mother, his father a sometime light-heavyweight boxer. Hall began his schooling at St Giles' Boys' School and later obtained a place at the renowned Combermere School thanks to a free scholarship. At Combermere, he played for the school cricket team initially as a wicketkeeper/batsman. At the time the leading schools in Barbados played against grown men in the elite Division 1 of the Barbados Cricket Association and Hall was exposed to a high standard of cricket at an early age. One of his teammates at Combermere was the school groundskeeper, the West Indian Test cricketer Frank King.  After completing his schooling, Hall found employment with the cable office in Bridgetown. Hall played for the Cable Office cricket team and it was there that Hall took up fast bowling. In a match against Wanderers, Hall was asked to fill in when his team's regular opening bowler was absent. He took six wickets that day and decided that bowling would be his path to the West Indies team. His talent was soon recognised and in 1956 he was included in the Barbados team to play E. W. Swanton's XI in 1956. Hall, still very young and inexperienced, did not take a wicket in the match, his first-class cricket debut. Hall was unlucky, however, not to pick up a wicket having Colin Cowdrey dropped by Kenneth Branker at first slip. Despite the lack of success Hall did catch the eye of Swanton who marked him down as a bowler of "great promise".  Based partly on this promise, Hall was selected in the West Indian squad to tour England in 1957. Despite great enthusiasm, Hall struggled in the unfamiliar surroundings, unable to pitch the ball anywhere near the wicket. Hall remarked later "When I hit the softer wickets I was like a fish out of water." Hall did not play in any of the Test matches and in first-class matches on the tour as a whole took 27 wickets at an average of 33.55. Hall's lack of success in England saw him overlooked for the entire home Test series against Pakistan in 1957-58.

Answer this question "What happened after 1958?"
output: 

Problem: Background: Van der Graaf Generator are an English progressive rock band, formed in 1967 in Manchester by singer-songwriters Peter Hammill and Chris Judge Smith and the first act signed by Charisma Records. They did not experience much commercial success in the UK, but became popular in Italy during the 1970s. In 2005 the band reformed. The band formed at Manchester University, but settled in London where they signed with Charisma.
Context: Though the group have generally been commercially unsuccessful outside of early 1970s Italy, they have inspired several notable musicians, including Rush, John Lydon, Marc Almond, Graham Coxon, Luca Prodan, Mark E. Smith, John Frusciante, Bruce Dickinson and Julian Cope. Dickinson, who has been a fan of the band since he saw them at Oundle School aged 13, said that Hammill was one of his childhood heroes. Coxon is particularly fond of "House with No Door" from H to He (1970), saying the track is "extremely beautiful, with Jackson's truly lovely sax-and-flute instrumental section." Almond recalled hearing "Killer" for the first time saying, "I'd never heard anything like it before. It wasn't just Peter's snarling operatic vocal, it was the mix of instruments ... I became an instant fan." Mentioning their reputation as something of an acquired taste, Lydon said, "There's a few Van Der Graaf things I like, but I'm not going to recommend anything to anyone. It might not be for them. Music doesn't come with a set of guidelines."  Although generally categorised as a progressive rock group, Cope is keen to distance the band from that movement, stating "Their music was like some Brechtian bar band - the opposite of prog rock, really". Nevertheless, the band have been acknowledged as an influence on the neo-progressive rock subgenre which emerged in the 1980s and featured Marillion as its most successful band. Marillion singer Fish thought highly of Hammill and invited him to be the support on the band's early tours.  The Canadian new wave band Men Without Hats have a song titled "The Van der Graaf Generator Blues" on their 1991 album Sideways.
Question: When was the group popular?
Answer: Though the group have generally been commercially unsuccessful outside of early 1970s Italy,

Question: William James Dixon (July 1, 1915 - January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar and was a capable singer, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post-World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated.

Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.  Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.  In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records.

Using a quote from the above article, answer the following question: did he play any other instruments?
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