Answer the question at the end by quoting:

Tapper was born in New York City and was raised in Queen Village in Philadelphia . He is the son of Theodore S. "Ted" and Helen Anne (nee Palmatier) Tapper.
In 1992, Tapper served as a Campaign Press Secretary for Democratic congressional candidate Marjorie Margolies-Mezvinsky (PA-13), and later served as her congressional press secretary. Tapper also worked for Powell Tate, a Washington, D.C., public relations firm run by Democrat Jody Powell and Republican Sheila Tate. Tapper also worked briefly for Handgun Control, Inc. (now the Brady Center to Prevent Gun Violence) in 1997.  Tapper wrote several articles as a freelance writer and then began his full-time journalism career in 1998; for two years, he was a Senior Writer for the Washington City Paper. While there, Tapper wrote an article about going on a date with Monica Lewinsky, which skewered Washington's culture of scandal. Tapper won a Society of Professional Journalists award for his work at the Washington City Paper.  Tapper was the Washington Correspondent for Salon.com from 1999 to 2002. Tapper's reports about Enron were nominated for a 2002 Columbia University School of Journalism online award, and he was an early questioner of the Bush administration's claims about Iraq having weapons of mass destruction.  In 2001, Tapper was host of the CNN news talk show, Take Five. Tapper was also a columnist for TALK Magazine, and has written for The New Yorker, The New York Times Magazine, The Washington Post, the Los Angeles Times, The Weekly Standard, and other publications. Tapper was a frequent contributor to National Public Radio's All Things Considered and his work was included in "The Best American Political Writing 2002." Tapper was the correspondent for a series of VH1 news specials in 2002.

Any other interesting aspects?

he was an early questioner of the Bush administration's claims about Iraq having weapons of mass destruction.

Some context: Baudelaire was born in Paris, France, on April 9, 1821, and baptized two months later at Saint-Sulpice Roman Catholic Church. His father, Francois Baudelaire, a senior civil servant and amateur artist, was 34 years older than Baudelaire's mother, Caroline. Francois died during Baudelaire's childhood, in 1827. The following year, Caroline married Lieutenant Colonel Jacques Aupick, who later became a French ambassador to various noble courts.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness. This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations.  Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connects it more closely to the work of the contemporary "Parnassians". As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetic pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of "symbols" (images that take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarme, who acknowledge Baudelaire as a pioneer in this regard.  Beyond his innovations in versification and the theories of symbolism and "correspondences", an awareness of which is essential to any appreciation of the literary value of his work, aspects of his work that regularly receive much critical discussion include the role of women, the theological direction of his work and his alleged advocacy of "satanism", his experience of drug-induced states of mind, the figure of the dandy, his stance regarding democracy and its implications for the individual, his response to the spiritual uncertainties of the time, his criticisms of the bourgeois, and his advocacy of modern music and painting (e.g., Wagner, Delacroix). He made Paris the subject of modern poetry. He would bring the city's details to life in the eyes and hearts of his readers.
what style were his poems written in?
A: attention to the formal features of verse connects it more closely to the work of the contemporary "Parnassians".

IN: Martin Brodeur was born on May 6, 1972, in Montreal. He was one of five children of Denis and Mireille Brodeur. Denis played in the 1956 Olympics for Team Canada and won a bronze medal. After his playing career, Denis was a longtime photographer for the Montreal Canadiens.

In the 1991-92 NHL season, Brodeur spent most of his time with Saint-Hyacinthe in the QMJHL, but was called up to the NHL on an emergency basis for four games when New Jersey goaltenders Chris Terreri and Craig Billington became injured. Brodeur won his NHL debut against the Boston Bruins, 4-2, and played in one playoff game that season. Brodeur spent the following season with the Utica Devils of the American Hockey League (AHL). However, in the 1993-94 season, Brodeur returned to the NHL permanently and gained recognition when he won the Calder Trophy, an annual award for the best rookie in the NHL. He led the Devils to the second-best record in the league and the Eastern Conference Finals in the playoffs, where they lost to the New York Rangers in seven games. He finished 2nd in goals against average (GAA) (2.40) and 4th in save percentage (.915) in 47 games played during the regular season, helping him eventually land the starting job over Terreri.  In the 1994-95 NHL season, which was shortened to 48 games due to an extended lockout, the Devils finished tied for 9th overall, 5th in their conference. With the leadership of Brodeur, they defeated the Boston Bruins in the 1st round, shutting them out in three of their four wins. In the second round against the Pittsburgh Penguins, Brodeur gave up only nine goals and helped the Devils defeat the Penguins in five games. In the third round, the Devils defeated the Philadelphia Flyers in six games, giving them their first Stanley Cup Final appearance in franchise history, against the heavily favoured Detroit Red Wings. The strong play of Brodeur and the Devils' "trap" method of defence made the series lopsided in favour of New Jersey, who swept the Red Wings 4 games to 0 while holding them to just seven goals in four games. Brodeur won a Stanley Cup in only his second full season in the NHL. After the victory, he was quoted as saying:  In the last game against Detroit, the time from ten minutes left to one minute left was probably the longest nine minutes of my life. But from one to zero was probably the greatest time I've ever had. I didn't want the clock to run out. It was such a great feeling: people crying in the stands, people jumping up and down, people cheering. Guys couldn't even sit up on the bench. It was probably the best minute of my life.

any other team apart from that

OUT:
the Devils defeated the Philadelphia Flyers in six games, giving them their first Stanley Cup Final appearance in franchise history,