IN: Rudolf Nureyev was born on a Trans-Siberian train near Irkutsk, Siberia, Soviet Union, while his mother, Feride, was travelling to Vladivostok, where his father Hamit, a Red Army political commissar, was stationed. He was raised as the only son with three older sisters in a Tatar Muslim family. When his mother took Rudolf Nureyev and his sisters into a performance of the ballet Song of the Cranes, he fell in love with dance. As a child he was encouraged to dance in Bashkir folk performances and his precocity was soon noticed by teachers who encouraged him to train in Saint Petersburg.

When AIDS appeared in France's news around 1982, Nureyev took little notice. The dancer tested positive for HIV in 1984, but for several years he simply denied that anything was wrong with his health. However, by the late 1980s his diminished capabilities disappointed his admirers who had fond memories of his outstanding prowess and skill. Nureyev began a marked decline only in the summer of 1991 and entered the final phase of the disease in the spring of 1992.  In March 1992, living with advanced AIDS, he visited Kazan and appeared as a conductor in front of the audience at Musa Calil Tatar Academic Opera and Ballet Theater, which now presents the Rudolf Nureyev Festival in Tatarstan. Returning to Paris, with a high fever, he was admitted to the hospital Notre Dame du Perpetuel Secours in Levallois-Perret, a suburb northwest of Paris, and was operated on for pericarditis, an inflammation of the membranous sac around the heart. At that time, what inspired him to fight his illness was the hope that he could fulfill an invitation to conduct Prokofiev's Romeo and Juliet at an American Ballet Theatre benefit on 6 May 1992 at the Metropolitan Opera House in New York. He did so and was elated at the reception.  In July 1992, Nureyev showed renewed signs of pericarditis but determined to forswear further treatment. His last public appearance was on 8 October 1992, at the premiere at Palais Garnier of a new production of La Bayadere that he choreographed after Marius Petipa for the Paris Opera Ballet. Nureyev had managed to obtain a photocopy of the original score by Minkus when in Russia in 1989. The ballet was a personal triumph although the gravity of his condition was evident. The French Culture Minister, Jack Lang, presented him that evening on stage with France's highest cultural award, the Commandeur de l'Ordre des Arts et des Lettres.
QUESTION: What other activities was Nureyev involved in?
IN: Ryan was born in Refugio, south of Victoria in south Texas, the youngest of six children, to Lynn Nolan Ryan Sr. (1907-1970), and the former Martha Lee Hancock (1913-1990). The senior Ryan operated a newspaper delivery service for the Houston Post that required him to rise in the early morning hours to prepare 1,500 newspapers for delivery over a 55-mile route. The children were expected to help with the daily tasks.

In 1965, after graduating from Alvin High School, Ryan was drafted by the New York Mets in the 12th round of the 1965 Major League Baseball draft. He was assigned the minor league Marion Mets in the Appalachian League. When Ryan was called up to the New York club the following year, he was the second-youngest player in the league. His first strikeout was Pat Jarvis, and he gave up his first major league home run to Joe Torre, a future NL MVP and Hall of Fame big-league manager.  Ryan missed much of the 1967 season due to illness, an arm injury, and service with the Army Reserve; he pitched only 7 innings for the Mets' minor league affiliate in Jacksonville. Ryan returned to the major leagues to stay starting with the 1968 season. Ryan was unable to crack the Mets' pitching rotation, led by Tom Seaver and Jerry Koosman. Ryan was used more as a reliever and spot starter by the 1969 Mets. To deal with frequent blisters on his throwing hand he often soaked his fingers in pickle brine, although the technique's effectiveness was questioned by Ryan's teammates and coaches.  Ryan pitched well for the Miracle Mets in the 1969 postseason. Against the Braves in the NLCS, Ryan completed a Mets sweep by throwing seven innings of relief in Game 3, getting his first playoff win (it would take him 12 years to get another). Then in the 1969 World Series, Ryan saved Game 3, pitching 2 1/3  shutout innings against the Baltimore Orioles. The Game 3 victory gave the Mets a 2-1 lead in the Series, which they went on to win in five games. It would be Ryan's only World Series appearance in his career.  On April 18, 1970, Ryan tied a Mets record by striking out 15 batters in one game. Four days later, Ryan's teammate, Tom Seaver, topped it with a then MLB record 19 against the San Diego Padres (though Ryan would tie this record four years later). Ryan has credited his time with Seaver and the Mets with turning him from just a flamethrower to a pitcher. Contrary to popular belief, Ryan never wanted to be traded from the Mets and felt betrayed by the team that drafted him. His views on this only calmed once he started running the Rangers and gained a better understanding of the business side of baseball.
QUESTION:
What accomplishments did he have on the team?