Problem: Andy Warhol (; born Andrew Warhola; August 6, 1928 - February 22, 1987) was an American artist, director and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture, and advertising that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental film Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966-67). Born and raised in Pittsburgh, Warhol initially pursued a successful career as a commercial illustrator.

In the mid-1960s, Warhol adopted the band the Velvet Underground, making them a crucial element of the Exploding Plastic Inevitable multimedia performance art show. Warhol, with Paul Morrissey, acted as the band's manager, introducing them to Nico (who would perform with the band at Warhol's request). In 1966 he "produced" their first album The Velvet Underground & Nico, as well as providing its album art. His actual participation in the album's production amounted to simply paying for the studio time. After the band's first album, Warhol and band leader Lou Reed started to disagree more about the direction the band should take, and their artistic friendship ended. In 1989, after Warhol's death, Reed and John Cale re-united for the first time since 1972 to write, perform, record and release the concept album Songs for Drella, a tribute to Warhol.  Warhol designed many album covers for various artists starting with the photographic cover of John Wallowitch's debut album, This Is John Wallowitch!!! (1964). He designed the cover art for The Rolling Stones' albums Sticky Fingers (1971) and Love You Live (1977), and the John Cale albums The Academy in Peril (1972) and Honi Soit in 1981. One of Warhol's last works was a portrait of Aretha Franklin for the cover of her 1986 gold album Aretha, which was done in the style of the Reigning Queens series he had completed the year before.  Warhol strongly influenced the new wave/punk rock band Devo, as well as David Bowie. Bowie recorded a song called "Andy Warhol" for his 1971 album Hunky Dory. Lou Reed wrote the song "Andy's Chest", about Valerie Solanas, the woman who shot Warhol, in 1968. He recorded it with the Velvet Underground, and this version was released on the VU album in 1985. Bowie would later play Warhol in the 1996 movie, Basquiat. Bowie recalled how meeting Warhol in real life helped him in the role, and recounted his early meetings with him:  I met him a couple of times, but we seldom shared more than platitudes. The first time we saw each other an awkward silence fell till he remarked my bright yellow shoes and started talking enthusiastically. He wanted to be very superficial. And seemingly emotionless, indifferent, just like a dead fish. Lou Reed described him most profoundly when he once told me they should bring a doll of Andy on the market: a doll that you wind up and doesn't do anything. But I managed to observe him well, and that was a helping hand for the film [Basquiat]. ... We borrowed his clothes from the museum in Pittsburgh, and they were intact, unwashed. Even the pockets weren't emptied: they contained pancake, white, deadly pale fond de teint which Andy always smeared on his face, a check torn in pieces, someone's address, lots of homeopathic pills and a wig. Andy always wore those silver wigs, but he never admitted it were wigs. One of his hairdressers has told me lately that he had his wigs regularly cut, like it were real hair. When the wig was trimmed, he put on another next month as if his hair had grown.

When did velvet underground form?

Answer with quotes: In the mid-1960s,

Question:
Sir Arthur John Evans  (8 July 1851 - 11 July 1941) was an English archaeologist and pioneer in the study of Aegean civilization in the Bronze Age. He is most famous for unearthing the palace of Knossos on the Greek island of Crete. Evans continued Heinrich Schliemann's concept of a Mycenaean civilization, but found that he needed to distinguish another civilization, the Minoan, from the structures and artifacts found there and throughout the eastern Mediterranean. Evans was also the first to define Cretan scripts Linear A and Linear B, as well as an earlier pictographic writing.
Arthur Evans was born in Nash Mills, England, the first child of John Evans (1823-1908) and Harriet Ann Dickinson (born 1824), his first cousin, the daughter of John's employer, the inventor and founder of Messrs John Dickinson, a paper mill. John Evans came from a family of men who were both educated and intellectually active; they were nevertheless undistinguished by either wealth or aristocratic connection. John's father, Arthur Benoni Evans, Arthur's grandfather, had been headmaster of Market Bosworth Grammar School. John knew Latin and could quote the classical authors.  In 1840, instead of going to college, John started work in the mill owned by his maternal uncle, John Dickinson. He married his cousin, Harriet, in 1850, which entitled him, in 1851, to a junior partnership in the family business. Profits from the mill would eventually help fund Arthur's excavations, restorations at Knossos, and resulting publications. For the time being they were an unpretentious and affectionate family. They moved into a brick row house built for the purpose near the mill, which came to be called the "red house" because it lacked the sooty patina of the other houses. Harriet called her husband "Jack." Grandmother Evans called Arthur "darling Trot," asserting in a note that, compared to his father, he was "a bit of a dunce." In 1856, with Harriet's declining health and Jack's growing reputation and prosperity, they moved into Harriet's childhood home, a mansion with a garden, where the children ran free.  John maintained his status as an officer in the company, which eventually became John Dickinson Stationery, but also became distinguished for his pursuits in numismatics, geology and archaeology. His interest in geology came from an assignment by the company to study the diminishing water resources in the area with a view toward protecting the company from lawsuits. The mill consumed large amounts of water, which was also needed for the canals. He became an expert and a legal consultant. However, collecting was endemic to the family; his father and grandfather both had done it. He was more interested in the stone-age artifacts he was discovering while mapping stream beds. As Arthur grew older, he was allowed to assist John in looking for artifacts and later classifying the collection.  Ultimately John became a distinguished antiquary, publishing numerous books and articles. In 1859 he conducted a geological survey of the Somme Valley with Joseph Prestwich. His connections and invaluable advice were indispensable to Arthur's career throughout the remainder of his long life.  Arthur's mother, Harriet, died in 1858 when Arthur was seven. He had two brothers, Philip Norman (1854) and Lewis (1853), and two sisters, Alice (1858) and Harriet (1857). He would remain on excellent terms with all of them all of his life. He was raised by a stepmother, Fanny (Frances), nee Phelps, with whom he also got along very well. She had no children of her own and also predeceased her husband. John's third wife was a classical scholar, Maria Millington Lathbury. When he was 70 they had a daughter, Joan, who would become an art historian. John died in 1908 at 85, when Arthur was 57. His close support and assistance had been indispensable in excavating and conceptualizing Minoan civilization.
Answer this question using a quote from the text above:

What else occured in his family

Answer:
He was raised by a stepmother, Fanny (Frances), nee Phelps, with whom he also got along very well. She had no children of her own