Question: Eric Garth Hudson (born August 2, 1937) is a Canadian multi-instrumentalist. As the organist, keyboardist and saxophonist for Canadian-American rock group the Band, he was a principal architect of the group's unique sound. Hudson has been called "the most brilliant organist in the rock world" by Keyboard magazine. As of 2018, Hudson and fellow musician Robbie Robertson are the last original members of The Band who are still alive.

Under the strict supervision of Hawkins, the Hawks became an accomplished band. They split from Hawkins in 1963, recorded two singles and toured almost continually, playing in bars and clubs, usually billed as Levon and the Hawks. Hudson started work as a session musician in 1965, playing on John Hammond, Jr.'s So Many Roads along with Robertson (guitar) and Helm (drums).  In August 1965, they were introduced to Bob Dylan by manager Albert Grossman's assistant, Mary Martin. In October, Dylan and the Hawks recorded the single "Can You Please Crawl Out Your Window?", and in January 1966 they recorded material with Dylan for what would turn into the Blonde on Blonde album. Dylan recruited the band to accompany him on his controversial 1966 "electric" tour of the United States, Australia and Europe. (An album of Dylan's 1966 performance with his band, The "Royal Albert Hall" Concert, was finally released in 1998.) Subsequent to Bob Dylan's motorcycle accident in July 1966, the group settled in a pink house in West Saugerties, New York, near Woodstock. Dylan was a frequent visitor, and Hudson's recordings of their collaborations resulted in The Basement Tapes.  By 1968, the group recorded its debut album, Music from Big Pink. The album was recorded in Los Angeles (at Capitol) and New York (at A&R Studio). Capitol originally announced that the group would be called the Crackers, but when Music From Big Pink was released they were officially named the Band. The album includes Hudson's organ showcase, "Chest Fever", a song that in the Band's live shows would be vastly expanded by a solo organ introduction, entitled "The Genetic Method", an improvisational work that would be played differently at each performance. An example can be heard on the live album Rock of Ages. Hudson is also adept at the accordion, which he played on some of the group's recordings, such as "Rockin Chair", from "The Band"; the traditional "Ain't No More Cane", from "The Basement Tapes"; Dylan's "When I Paint My Masterpiece"; and Bobby Charles's "Down South in New Orleans" during the Last Waltz. His saxophone solo work can be heard on such songs as "Tears of Rage" (from Big Pink) and "Unfaithful Servant" (from The Band). Hudson is credited with playing all of the brass and woodwinds on the studio version of "Ophelia", from the 1975 album Northern Lights - Southern Cross as well. This album, the first to be recorded in the Band's Shangri-La recording studio in Malibu, California, also saw Hudson adding synthesizers to his arsenal of instruments.  Hudson provided innovative accompaniment. For example, the song "Up on Cripple Creek" features Hudson playing a clavinet through a wah-wah pedal to create a swampy sound reminiscent of a Jew's harp or the croak of a frog. This clavinet-wah wah pedal configuration was later adopted by many funk musicians.  After years of continuous touring, the Band made its final bow as a touring band with a lavish final concert on Thanksgiving Day 1976 at the Winterland Ballroom in San Francisco, an all-star tribute concert documented in The Last Waltz.

Using a quote from the above article, answer the following question: Did they make it to the charts?
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Answer: 


Question: Zelda Fitzgerald (nee Sayre; July 24, 1900 - March 10, 1948) was an American socialite, novelist, painter and wife of author F. Scott Fitzgerald. Born in Montgomery, Alabama, she was noted for her beauty and high spirits, and was dubbed by her husband as "the first American Flapper". She and Scott became emblems of the Jazz Age, for which they are still celebrated. The immediate success of Scott's first novel This Side of Paradise (1920) brought them into contact with high society, but their marriage was plagued by wild drinking, infidelity and bitter recriminations.

Born in Montgomery, Alabama, Zelda Sayre was the youngest of six children. Her mother, Minerva Buckner "Minnie" Machen (November 23, 1860 - January 13, 1958), named her after characters in two little-known stories: Jane Howard's "Zelda: A Tale of the Massachusetts Colony" (1866) and Robert Edward Francillon's "Zelda's Fortune" (1874). A spoiled child, Zelda was doted upon by her mother, but her father, Anthony Dickinson Sayre (1858-1931)--a justice of the Supreme Court of Alabama and one of Alabama's leading jurists--was a strict and remote man.  The family was descended from early settlers of Long Island, who had moved to Alabama before the Civil War. By the time of Zelda's birth, the Sayres were a prominent Southern family. Her great-uncle, John Tyler Morgan, served six terms in the United States Senate; her paternal grandfather edited a newspaper in Montgomery; and her maternal grandfather was Willis Benson Machen, who served a partial term as a U.S. senator from Kentucky. Her siblings were Anthony Dickinson Sayre, Jr. (1894-1933), Marjorie Sayre (Mrs. Minor Williamson Brinson) (1886-1960), Rosalind Sayre (Mrs. Newman Smith) (1889-1979), Clothilde Sayre (Mrs. John Palmer) (1891-1986), and Lenora Sayre (1897-1899), who died of diphtheria at age two.  As a child, Zelda Sayre was extremely active. She danced, took ballet lessons and enjoyed the outdoors. In 1914, Sayre began attending Sidney Lanier High School. She was bright, but uninterested in her lessons. Her work in ballet continued into high school, where she had an active social life. She drank, smoked and spent much of her time with boys, and she remained a leader in the local youth social scene. A newspaper article about one of her dance performances quoted her as saying that she cared only about "boys and swimming." She developed an appetite for attention, actively seeking to flout convention--whether by dancing the Charleston, or by wearing a tight, flesh-colored bathing suit to fuel rumors that she swam nude. Her father's reputation was something of a safety net, preventing her social ruin, but Southern women of the time were expected to be delicate, docile and accommodating. Consequently, Sayre's antics were shocking to many of those around her, and she became--along with her childhood friend and future Hollywood starlet Tallulah Bankhead--a mainstay of Montgomery gossip. Her ethos was encapsulated beneath her high-school graduation photo:  Why should all life be work, when we all can borrow?  Let's think only of today, and not worry about tomorrow.

Using a quote from the above article, answer the following question: Did anything major happened as a result of those rumors?
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Answer:
Her father's reputation was something of a safety net, preventing her social ruin,