According to author Edward A. Berlin, "One tenacious myth tells us that Joplin was born in Texarkana, Texas, on November 24, 1868. The location is easily dispensed with: Texarkana was not established until 1873." But, based on a letter discovered by musicologist John Tennison in 2015 in the December 19, 1856 edition of the Times-Picayune, it is clear that Texarkana was established as a place-name at least as early as 1856. Consequently, it appears possible that Joplin, born 12 years later, could have been born in Texarkana.

Joplin and his fellow ragtime composers rejuvenated American popular music, fostering an appreciation for African-American music among European-Americans by creating exhilarating and liberating dance tunes. "Its syncopation and rhythmic drive gave it a vitality and freshness attractive to young urban audiences indifferent to Victorian proprieties ... Joplin's ragtime expressed the intensity and energy of a modern urban America."  Joshua Rifkin, a leading Joplin recording artist, wrote, "A pervasive sense of lyricism infuses his work, and even at his most high-spirited, he cannot repress a hint of melancholy or adversity ... He had little in common with the fast and flashy school of ragtime that grew up after him." Joplin historian Bill Ryerson adds that, "In the hands of authentic practitioners like Joplin, ragtime was a disciplined form capable of astonishing variety and subtlety ... Joplin did for the rag what Chopin did for the mazurka. His style ranged from tones of torment to stunning serenades that incorporated the bolero and the tango." Biographer Susan Curtis wrote that Joplin's music had helped to "revolutionise American music and culture" by removing Victorian restraint.  Composer and actor Max Morath found it striking that the vast majority of Joplin's work did not enjoy the popularity of the "Maple Leaf Rag", because while the compositions were of increasing lyrical beauty and delicate syncopation they remained obscure and unheralded during his lifetime. Joplin apparently realized that his music was ahead of its time: As music historian Ian Whitcomb mentions that Joplin, "...opined that "Maple Leaf Rag" would make him 'King of Ragtime Composers' but he also knew that he would not be a pop hero in his own lifetime. 'When I'm dead twenty-five years, people are going to recognize me,' he told a friend." Just over thirty years later he was recognized, and later historian Rudi Blesh wrote a large book about ragtime, which he dedicated to the memory of Joplin.  Although he was penniless and disappointed at the end of his life, Joplin set the standard for ragtime compositions and played a key role in the development of ragtime music. And as a pioneer composer and performer, he helped pave the way for young black artists to reach American audiences of both races. After his death, jazz historian Floyd Levin noted: "Those few who realized his greatness bowed their heads in sorrow. This was the passing of the king of all ragtime writers, the man who gave America a genuine native music."Answer this question using a quote from the following article:

Are there any other interesting aspects about this article?
And as a pioneer composer and performer, he helped pave the way for young black artists to reach American audiences of both races.