Answer the question at the end by quoting:

The Corrs are an Irish band that combine pop rock with traditional Irish themes within their music. The group consists of the Corr siblings; Andrea (lead vocals, tin whistle, ukulele); Sharon (violin, vocals); Caroline (drums, percussion, piano, bodhran, vocals) and Jim (guitar, piano, keyboards, vocals). They are from Dundalk, County Louth, Ireland. The Corrs have released seven studio albums and numerous singles, which have reached Platinum in many countries, and have sold 40 million albums worldwide.
When asked to describe their genre, Caroline Corr said it was a "blend of modern rhythms and technology with acoustic instruments, violin, tin whistle, drums and of course the voices, the marrying of these instruments is our sound". The Corrs' music is typically categorised as folk rock. This is evident in their first two albums, Forgiven, Not Forgotten and Talk on Corners, although Andrea described the genre of Talk on Corners by saying "it [has] got more of an edgy feel, a little bit more guitar-orientated and also an Irish sound, which is in Forgiven, Not Forgotten."  In Blue moved towards mainstream pop, placing heavy emphasis on synthesizers. The move attracted criticism from many; one Entertainment Weekly critic called it "a disheartening example of musical ethnic cleansing". A USA Today critic called it "the best mainstream pop album you're likely to come across".  Borrowed Heaven placed heavier emphasis on guitars, while retaining the original folk rock genre. Home is a traditional Irish album, where the band covered many traditional Irish songs. The album contained songs from different eras of Irish music, including a 1982 song written by Phil Lynott ("Old Town") while the 1,000-year-old "Return to Fingal" featured as a bonus track on the Japanese, limited German and Spanish editions.  The Corrs' main influences were their parents who were musicians and encouraged them to learn instruments. They drew inspiration from musicians such as The Eagles, The Police, The Carpenters, Simon and Garfunkel and Fleetwood Mac, which Sharon said in an interview with CNN is the reason "our songs are very, very melodic and [harmonious]".

What in particular about the voices was unique?

the marrying of these instruments is our sound". The Corrs' music is typically categorised as folk rock.



Answer the question at the end by quoting:

Heifetz was born into a Russian-Jewish family in Vilna, Lithuania then part of the Russian Empire. His father, Reuven Heifetz, son of Elie, was a local violin teacher and served as the concertmaster of the Vilnius Theatre Orchestra for one season before the theatre closed down. While Jascha was an infant, his father did a series of tests, observing how his son responded to his fiddling. This convinced him that Jascha had great potential, and before Jascha was two years old, his father bought him a small violin, and taught him bowing and simple fingering.
Heifetz made his first recordings in Russia during 1910-11, while still a student of Leopold Auer. The existence of these recordings was not widely known until after Heifetz's death, when several sides, including Francois Schubert's L'Abeille, were reissued on an LP included as a supplement to The Strad magazine.  Shortly after his Carnegie Hall debut on 7 November 1917, Heifetz made his first recordings for the Victor Talking Machine Company/RCA Victor where he would remain for most of his career. For several years, in the 1930s, Heifetz recorded primarily for HMV in the UK because RCA Victor cut back on expensive classical recording sessions during the Great Depression; these discs were issued in the US by RCA Victor. Heifetz often enjoyed playing chamber music. Various critics have blamed his limited success in chamber ensembles to the fact that his artistic personality tended to overwhelm his colleagues. Some notable collaborations include his 1941 recordings of piano trios by Beethoven, Schubert, and Brahms with cellist Emanuel Feuermann and pianist Arthur Rubinstein as well as a later collaboration with Rubinstein and cellist Gregor Piatigorsky, with whom he recorded trios by Maurice Ravel, Tchaikovsky, and Felix Mendelssohn. Both formations were sometimes referred to as the Million Dollar Trio. Heifetz also recorded some string quintets with violinist Israel Baker, violists William Primrose and Virginia Majewski, and Piatigorsky.  He recorded the Beethoven Violin Concerto in 1940 with the NBC Symphony Orchestra conducted by Arturo Toscanini, and again in stereo in 1955 with the Boston Symphony Orchestra conducted by Charles Munch. A live performance of an NBC radio broadcast from 9 April 1944, of Heifetz playing the Mendelssohn Violin Concerto, with Toscanini and the NBC Symphony, has also been released.  He performed and recorded Erich Wolfgang Korngold's Violin Concerto at a time when Korngold's scoring of numerous films for Warner Brothers prompted many classical musicians to develop the scarcely warranted opinion that Korngold was not a "serious" composer and to avoid his music in order to avoid being associated with him.

When was his last music recorded?





Answer the question at the end by quoting:

Edward Albert Heimberger was born in Rock Island, Illinois, on April 22, 1906, the oldest of the five children of Frank Daniel Heimberger, a realtor, and his wife, Julia Jones. His year of birth is often given as 1908, but this is incorrect. His parents were not married when Albert was born, and his mother altered his birth certificate after her marriage. When he was one year old, his family moved to Minneapolis, Minnesota.
When he graduated, he embarked on a business career. However, the stock market crash in 1929 left him essentially unemployed. He then took odd jobs, working as a trapeze performer, an insurance salesman, and a nightclub singer. Albert stopped using his last name professionally, since it invariably was mispronounced as "Hamburger". He moved to New York City in 1933, where he co-hosted a radio show, The Honeymooners - Grace and Eddie Show, which ran for three years. At the show's end, he was offered a film contract by Warner Bros.  In the 1930s, Albert performed in Broadway stage productions, including Brother Rat, which opened in 1936. He had lead roles in Room Service (1937-1938) and The Boys from Syracuse (1938-1939). In 1936, Albert had also become one of the earliest television actors, performing live in one of RCA's first television broadcasts in association with NBC, a promotion for their New York City radio stations.  Performing regularly on early television, Albert wrote and performed in the first teleplay, The Love Nest, written for television. Done live (not recorded on film), this production took place November 6, 1936, and originated in Studio 3H (now 3K) in the GE Building at Rockefeller Center (then called the RCA Building) in New York City and was broadcast over NBC's experimental television station W2XBS (now WNBC). Hosted by Betty Goodwin, The Love Nest starred Albert, Hildegarde, The Ink Spots, Ed Wynn, and actress Grace Brandt. Before this time, television productions were adaptations of stage plays.  Albert landed the starring role in the 1938 Broadway musical The Boys from Syracuse when he met Burl Ives, who had a small role in the play. The two later briefly shared an apartment in the Beachwood Canyon community of Hollywood after Ives moved west the following year. Also in 1938, Albert made his feature-film debut in the Hollywood version of Brother Rat with Ronald Reagan and Jane Wyman, reprising his Broadway role as cadet "Bing" Edwards. The next year, he starred in On Your Toes, adapted for the screen from the Broadway smash by Rodgers and Hart.

Was this his child hood dream?
When he graduated, he embarked on a business career. However, the stock market crash in 1929 left him essentially unemployed.