Question: Macaulay Carson Culkin was born in New York City. His father, Christopher Cornelius "Kit" Culkin, is a former actor known for his productions on Broadway and is the brother of actress Bonnie Bedelia. His mother is Patricia Brentrup, who never married Culkin. He was named Macaulay after Thomas Babington Macaulay and Carson after Kit Carson of the Old West.

Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone (1990), where he was reunited with Uncle Buck writer and director John Hughes and Uncle Buck co-star John Candy, who played the role of Polka band member, Gus Polinski. He was nominated for a Golden Globe Award, and won an American Comedy Award and a Young Artist Award for his role as Kevin McCallister.  In 1991, Culkin starred in an animated Saturday morning cartoon television series, Wish Kid, hosted Saturday Night Live and starred in Michael Jackson's "Black or White" music video. He starred as Thomas J. Sennett in the film, My Girl (1991), for which he was nominated for Best On-Screen Duo and won Best Kiss at the MTV Movie Awards, with Anna Chlumsky.  He reprised his role of Kevin McCallister in the sequel, Home Alone 2: Lost in New York (1992), for which he was nominated for a Kids' Choice Award. He played the role of Henry in the drama-thriller film, The Good Son (1993), which only did reasonably well (although he was nominated for MTV Movie Award in the category for Best Villain for his performance). He also appeared, while a student at the School of American Ballet, in a filmed version of The Nutcracker as the title role in 1993, which was staged by Peter Martins from the 1954 George Balanchine New York City Ballet version of the work.  He was in the films, Getting Even with Dad (1994), The Pagemaster (1994) and Richie Rich (1994), which were all only mildly successful at the box office.

Using a quote from the above article, answer the following question: What was his breakthrough?
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Answer: Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone


Question: Toru Takemitsu (Wu Man  Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.

In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence."  In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later.  In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland.

Using a quote from the above article, answer the following question: What films did he write for?
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Answer:
films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later.