Background: Born in Venice, Ohio, Alson spent much of his childhood on a farm in Morning Sun; when he was a teenager, the family moved to Darrtown. Alston attended Milford Township High School in Darrtown, and received the nickname "Smokey" as a high school pitcher, owing to the speed of his fastball. He graduated from high school in 1929 and married longtime girlfriend Lela Vaughn Alexander the next year. In 1935, Alston graduated with a degree in industrial arts and physical education from Miami University in Oxford, Ohio.
Context: The team finished 21 games back in seventh place (71-83 (.461)) in 1958, the club's first season in Los Angeles. Criticism of Alston had begun to mount during that season, but he led the Dodgers to a world championship in 1959. Six players on the 1959 team finished with double-digit totals in home runs, while 22-year-old Don Drysdale led the team's pitchers with 17 wins. Several Los Angeles players, including Wally Moon, characterized Alston as indecisive in the late 1950s and 1960s. However, Moon later came to describe Alston as a good manager who had gotten "good mileage" out of his players.  Managing the NL All-Star Team in 1960, Alston attracted some controversy when he left ]]1960 Milwaukee Braves season|Milwaukee Braves]] pitchers Warren Spahn and Lew Burdette off the roster. An Associated Press report said the omission may have been a snub directed at Dressen, who was the manager in Milwaukee. The 1960 Dodgers finished in fourth place. The following year, the team finished in second place after veteran Duke Snider missed two months with a broken arm. The Dodgers lost the lead in the 1962 NL pennant race and rumors surfaced that Alston and coach Leo Durocher might be fired, but the team retained both for 1963.  The Dodgers swept the World Series in 1963, the first time that the New York Yankees had lost a World Series in four games. Alston's pitchers excelled, as Koufax struck out 23 batters over two games and Drysdale threw a shutout in Game 3. Over the four games, Alston employed only four pitchers: three starters and one reliever. The 1964 team was 80-82, its first losing season in several years. Alston used the team's 1964 performance to motivate them moving forward. In spring training before the 1965 season, he said that he would not let his team forget the difficulties they had in the previous season.  The Dodgers returned to the World Series in 1965 against Minnesota. Alston could not start his number one pitcher, Koufax, in the opening game on October 6 because Koufax was observing Yom Kippur. Instead, Alston turned to Drysdale, who struggled and surrendered seven runs in just 2 2/3  innings. When Alston came to the mound to remove him in the bottom of the third, Drysdale quipped, "I bet right now you wish I was Jewish, too." The team recovered from losing that first game and they won the World Series in seven games. Koufax appeared in three games during the series, registering two shutouts.  Alston's Dodgers teams of the 1960s benefited from the strong pitching by Drysdale and Koufax. In 1966, both players held out of spring training and demanded three-year contracts each worth $500,000, which was more money than anyone was making in baseball at the time. The players were eventually signed for lesser amounts. Drysdale struggled that year, but Koufax won 27 games. The Dodgers returned to the World Series, but were swept by the Baltimore Orioles. Koufax retired after the season on the advice of doctors who examined his sore arm. Drysdale retired three years later. Both men had pitched their entire major league careers for Alston.
Question: What else happened during his early years in LA?
Answer: Several Los Angeles players, including Wally Moon, characterized Alston as indecisive in the late 1950s and 1960s.

Background: The Bravery was an American rock band formed in New York City in 2003 that consisted of lead vocalist Sam Endicott, guitarist Michael Zakarin, keyboardist John Conway, bassist Mike Hindert and drummer Anthony Burulcich. It released three studio albums: The Bravery (2005), The Sun and the Moon (2007) and Stir the Blood (2009). It also released a remixed edition of its second album called The Sun and the Moon Complete in 2008 and an Internet live album called Live at the Wiltern Theater in 2010. Their music can be best described as post-punk dance influenced rock and roll.
Context: Frontman-songwriter Sam Endicott and keyboardist John Conway were classmates at Vassar College in Poughkeepsie, New York. As freshmen, their musical partnership began while playing local bars in numerous recording projects, sometimes including future CSI: Miami star Jonathan Togo. After graduating, Endicott and Conway moved to New York City, where Endicott switched from bass guitar to vocals and began writing music that would later become "The Bravery".  Guitarist Michael Zakarin joined after answering an advert in a local paper, and brought with him bassist Mike Hindert, a classmate of his from Georgetown University in Washington, DC. Drummer Anthony Burulcich was living in Boston, Massachusetts where he had studied percussion at Berklee College of Music. After his sister's death, Burulcich moved back to his childhood home in Long Island New York to be with his family. On the day Burulcich was moving, while driving with his belongings in a U-Haul truck, Endicott called him. Endicott and Burulcich were introduced by mutual friends from the New York band Bishop Allen. Though Burulcich is the official drummer for the band, many of the drums on the debut album were recorded prior to Burulcich joining the band, by Steven Lourie of Boston band Lincoln Conspiracy.  The band played their first gig at the Stinger Club in Brooklyn in November 2003. To promote their local shows, they manufactured 1,000 posters and 3 song cd samplers containing the songs "An Honest Mistake", "No Brakes" and "Public Service Announcement". Both items featured the iconic "Phoenix" image by New York artist C. Finley. The same artwork later became the cover of The Bravery's debut album. The band self promoted themselves by handing out CDs and postering the Lower East Side of Manhattan and Brooklyn. The band also promoted themselves on the internet and were one of the first bands on MySpace to have a profile. Their MySpace profile pointed to thebravery.com, where the same 3 songs were available as downloadable MP3s.
Question: what was the rising fame of the bravery?
Answer:
Endicott and Conway moved to New York City, where Endicott switched from bass guitar to vocals and began writing music that would later become "The Bravery".