Answer the question at the end by quoting:

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.
From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) drawn from his then-15-man orchestra and he composed pieces intended to feature a specific instrumentalist, as with "Jeep's Blues" for Johnny Hodges, "Yearning for Love" for Lawrence Brown, "Trumpet in Spades" for Rex Stewart, "Echoes of Harlem" for Cootie Williams and "Clarinet Lament" for Barney Bigard. In 1937, Ellington returned to the Cotton Club which had relocated to the mid-town Theater District. In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, although his situation improved the following year.  After leaving agent Irving Mills, he signed on with the William Morris Agency. Mills though continued to record Ellington. After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937, Mills placed Ellington back on Brunswick and those small group units on Vocalion through to 1940. Well known sides continued to be recorded, "Caravan" in 1937, and "I Let a Song Go Out of My Heart" the following year.  Billy Strayhorn, originally hired as a lyricist, began his association with Ellington in 1939. Nicknamed "Swee' Pea" for his mild manner, Strayhorn soon became a vital member of the Ellington organization. Ellington showed great fondness for Strayhorn and never failed to speak glowingly of the man and their collaborative working relationship, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine". Strayhorn, with his training in classical music, not only contributed his original lyrics and music, but also arranged and polished many of Ellington's works, becoming a second Ellington or "Duke's doppelganger". It was not uncommon for Strayhorn to fill in for Duke, whether in conducting or rehearsing the band, playing the piano, on stage, and in the recording studio. The 1930s ended with a very successful European tour just as World War II loomed in Europe.

were the song successful?



IN: Steven Van Zandt (born November 22, 1950) is an American musician and actor, who frequently goes by the stage names Little Steven or Miami Steve. He is a member of Bruce Springsteen's E Street Band, in which he plays guitar and mandolin. He is also known for his roles on television dramas such as Silvio Dante on The Sopranos (1999-2007) and Frank Tagliano / Giovanni "Johnny" Henriksen on Lilyhammer (2012-2014). Van Zandt also has had his own solo band called Little Steven and The Disciples of Soul, active on and off since the 1980s.

Van Zandt became a songwriter and producer for fellow Jersey shore act Southside Johnny and the Asbury Jukes in 1974, penning their signature song "I Don't Want to Go Home", co-writing other songs for them with Springsteen, and producing their most-acclaimed record, Hearts of Stone. As such, Van Zandt became a key contributor to the Jersey Shore sound. He also produced two Gary U.S. Bonds' albums. Van Zandt then went on to share production credits on the classic Springsteen albums The River and Born in the U.S.A. The first Springsteen song he co-produced was "Hungry Heart." In 1989, Jackson Browne covered the 1983 Van Zandt composition "I Am A Patriot" on his World in Motion album. Van Zandt has produced a number of other records, including an uncredited effort on the Iron City Houserockers' Have A Good Time (But Get Out Alive). Less successful was his work on Lone Justice's second album Shelter, which was a career-ending flop for the Los Angeles cowpunk band.  In 1989, Van Zandt wrote "While You Were Looking at Me" for Michael Monroe's album Not Fakin' It and co-wrote videohits "Dead, Jail or Rock'n Roll" and "Smoke Screen". He was an arranger and backing vocalist for a few songs on the album. In 1992, he produced Austin TX-based Arc Angels' debut album. In 1991 Van Zandt produced a successful album, Spirit of Love, for Nigerian superstar and raggae icon, Majek Fashek. In 1993, Van Zandt wrote and produced "All Alone on Christmas" for the soundtrack of the Chris Columbus film Home Alone 2: Lost in New York, which yielded singer Darlene Love her first hit since "A Fine, Fine Boy" from 1963, thirty-one years earlier.  In 1994, Van Zandt produced the eponymous debut album of the punk rock band Demolition 23 which featured ex-Hanoi Rocks members Michael Monroe and Sami Yaffa. Van Zandt also co-wrote six songs for the album with Monroe and Jude Wilder. In 1995, Van Zandt aided Meat Loaf with the song "Amnesty Is Granted" off of his Welcome to the Neighborhood album. In 2004, he contributed the song "Baby Please Don't Go" to Nancy Sinatra's self-titled album.

What else did he produce?

OUT:
In 1989, Van Zandt wrote "While You Were Looking at Me" for Michael Monroe's album Not Fakin' It and co-wrote videohits "Dead, Jail or Rock'n Roll" and "Smoke Screen".