Question:
Stanley Kirk Burrell (born March 30, 1962), better known by his stage name MC Hammer (or simply Hammer), is an American hip hop recording artist, dancer, record producer and entrepreneur. He had his greatest commercial success and popularity from the late 1980s, until the early 1990s. Remembered for his rapid rise to fame, Hammer is known for hit records (such as "U Can't Touch This" and "2 Legit 2 Quit"), flashy dance movements, choreography and eponymous Hammer pants. A multi-award winner, M.C. Hammer is considered a "forefather/pioneer" and innovator of pop rap (incorporating elements of freestyle music), and is the first hip hop artist to achieve diamond status for an album.
Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988).  With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career.  At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him.
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At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him.

input: The week of January 9, 2011, the group ventured into the studio to begin recording for their third studio album. In an interview with Entertainment Weekly, Charles Kelley said, "We actually just went ahead and decided we're gonna take two, two and a half months straight in the studio to create this thing and not have all this distraction. Hopefully that will be a good thing".  On May 2, 2011, the group released the first single from their upcoming album, titled "Just a Kiss". The group performed the single on stage on American Idol's result show on May 5, 2011. It was a commercial and critical success, debuting and peaking at number 7 on the Billboard Hot 100, making it their highest debut on the chart. It also topped the Billboard Hot Country Songs, making it their fifth number-one single on the chart. On June 7, 2011, they announced the title of third album; called Own the Night, it was released on September 13, 2011. The album cover and track listing was released on July 18, 2011. All together four singles were released from Own the Night. Follow up singles were "We Owned the Night", "Dancin' Away with My Heart" and "Wanted You More" which charted moderally in the Hot Country Songs.  Lady A released a "Lady Hazed" version of Jason Aldean's song "Dirt Road Anthem" entitled "Country Club Anthem" on their installment of Webisode Wednesdays on August 10, 2011. On October 1, 2011, the group performed as the musical guests on Saturday Night Live.  Lady Antebellum released their first Christmas album On This Winter's Night on October 22, 2012.

Answer this question "DId they collaborate with anyone?"
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The son of a physician, Kunstler was born in New York City and attended DeWitt Clinton High School. He was educated at Yale College, graduating Phi Beta Kappa in 1941, and Columbia University Law School from which he graduated in 1948. While in school, Kunstler was an avid poet and represented Yale in the Glascock Prize competition at Mount Holyoke College. Kunstler served in the U.S. Army during World War II in the Pacific theater, attaining the rank of Major, and received the Bronze Star.
Kunstler gained national renown for defending the Chicago Seven (originally Chicago Eight), in a five-month trial in 1969-1970, against charges of conspiring to incite riots in Chicago during the 1968 Democratic National Convention. Under cross-examination, Kunstler got a key police witness to contradict his previous testimony and admit that he had not witnessed Jerry Rubin, but had rather been given his name two weeks later by the FBI. Another prosecution witness, photographer Louis Salzberg, admitted under Kunstler's cross-examination that he was still on the payroll of the FBI.  The trial was marked by frequent clashes between Kunstler and U.S. Attorney Thomas Foran, with Kunstler taking the opportunity to accuse the government of failing to "realize the extent of antiwar sentiment". Kunstler also sparred with Judge Julius Hoffman, on one occasion remarking (with respect to the number of federal marshals): "this courtroom has the appearance of an armed camp. I would note that the Supreme Court has ruled that the appearance of an armed camp is a reversible error". During one heated exchange, Kunstler informed Hoffman that his entry in Who's Who was three times longer than the judge's, to which the judge replied "I hope you get a better obituary". Kunstler and co-defense attorney Leonard Weinglass were cited for contempt (the convictions were later overturned unanimously by the Seventh Circuit). If Hoffman's contempt conviction had been allowed to stand, Kunstler would have been imprisoned for an unprecedented four years.  The progress of the trial--which had many aspects of guerrilla theater--was covered on the nightly news and made Kunstler the best-known lawyer in the country, and something of a folk hero. After much deadlock, the jury acquitted all seven on the conspiracy charge, but convicted five of violating the anti-riot provisions of the Civil Rights Act of 1968. The Seventh Circuit overturned all the convictions on November 21, 1972 due to Hoffman's refusal to let defense lawyers question the prospective jurors on racial and cultural biases; the Justice Department did not retry the case.

Was there baclash?