Some context: Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. After signing with Capitol Records in 1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the group. In addition to his lifelong struggles with mental illness, Wilson is known for his unorthodox approaches to pop composition and mastery of recording techniques, and he is widely acknowledged as one of the most innovative and significant songwriters of the late 20th century. The Beach Boys were formed by Brian, his brothers Carl and Dennis, their cousin Mike Love, and friend Al Jardine.
Recording sessions for the band's first album took place in Capitol's basement studios in the famous tower building in August 1962, but early on Brian lobbied for a different place to cut Beach Boy tracks. The large rooms were built to record the big orchestras and ensembles of the 1950s, not small rock groups. At Brian's insistence, Capitol agreed to let the Beach Boys pay for their own outside recording sessions, to which Capitol would own all the rights, and in return the band would receive a higher royalty rate on their record sales. Additionally, during the taping of their first LP Brian fought for, and won, the right to be in charge of the production - though this fact was not acknowledged with an album liner notes production credit.  In January 1963, the Beach Boys recorded their first top-ten (cresting at number three in the United States) single, "Surfin' U.S.A.", which began their long run of highly successful recording efforts at Hollywood's United Western Recorders on Sunset Boulevard. It was during the sessions for this single that Brian made the production decision from that point on to use double tracking on the group's vocals, resulting in a deeper and more resonant sound. The Surfin' U.S.A. album was also a big hit in the United States, reaching number two on the national sales charts by early July 1963. The Beach Boys had become a top-rank recording and touring band.  Brian was for the first time officially credited as the Beach Boys' producer on the Surfer Girl album, recorded in June and July 1963 and released that September. This LP reached number seven on the national charts, containing singles that were top 15 hits. Feeling that surfing songs had become limiting, Brian decided to produce a set of largely car-oriented tunes for the Beach Boys' fourth album, Little Deuce Coupe, which was released in October 1963, only three weeks after the Surfer Girl LP. The departure of guitarist David Marks from the band that month meant that Brian was forced to resume touring with the Beach Boys, for a time reducing his availability in the recording studio.  For much of the decade, Brian attempted to establish himself as a record producer by working with various artists. On July 20, 1963, "Surf City", which he co-wrote with Jan Berry of Jan and Dean, was his first composition to reach the top of the US charts. The resulting success pleased Brian, but angered both Murry and Capitol Records. Murry went so far as to order his oldest son to sever any future collaborations with Jan and Dean. Brian's other non-Beach Boy work in this period included tracks by the Castells, Donna Loren, Sharon Marie, the Timers, and the Survivors. The most notable group to which Wilson would attach himself in this era would be the Honeys, which Wilson intended as the female counterpart to the Beach Boys, and as an attempt to compete with Phil Spector-led girl groups such as the Crystals and the Ronettes. He continued juggling between recording with the Beach Boys and producing records for other artists, but with less success at the latter--except for Jan and Dean.
What was the first record Wilson produced?
A: The Surfin' U.S.A. album
Some context: Jennifer Maria Capriati (born March 29, 1976) is an American former professional tennis player. A member of the International Tennis Hall of Fame, she won three singles championships in Grand Slam tournaments, was the gold medalist at the 1992 Summer Olympics, reached the World No. 1 ranking, and is considered one of the greatest tennis players of all time. Capriati set a number of youngest-ever records at the start of her career. She made her professional debut in 1990 at the age of 13 years 11 months, reaching the final of the hard-court tournament in Boca Raton, Florida.
1999 was Capriati's best season in several years. She won her first title in six years at Strasbourg, defeating ninth ranked Nathalie Tauziat in a quarterfinal for her first win over a top 10 player in two years. She defeated Russian Elena Likhovtseva in the final. She won her second title of the year at Quebec City, defeating American Chanda Rubin in the final. She also reached the round of 16 at both Roland Garros and US Open. She finished the year at No. 23.  At the 2000 Australian Open, Capriati reached her first Grand Slam semifinal in nine years before losing to eventual champion Lindsay Davenport in straight sets.  At the Miami Masters, Capriati defeated World No. 6 Serena Williams for her first win over a player ranked in the top six in four years en route to a quarterfinal finish. Shortly after, Capriati was sidelined with right Achilles tendonitis in April and an elbow injury in June.  Capriati had a strong fall season, winning her ninth career title at Luxembourg, defeating Magdalena Maleeva. She also finished runner up in Quebec City to Chanda Rubin and was a semifinalist in Zurich. These results propelled Capriati back into the top 20 for the first time since April 1994. She qualified for the season-ending championships for the first time in seven years. Her year-end ranking was 14, her highest in seven years. Capriati was also a member of the US Fed Cup Team, winning a singles and doubles rubber in the US's victory over Spain in the final.
What did she do in 1999?
A:
She won her first title in six years at Strasbourg, defeating ninth ranked Nathalie Tauziat in a quarterfinal for her first win over a top 10 player in two years.