Question: Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968 by Track Records/Polydor, and Reprise Records in North America. The double album was the only record from the band produced by Jimi Hendrix. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. Electric Ladyland was the Experience's most commercially successful release and their only number one album.

According to music journalist David Stubbs, Electric Ladyland is "undoubtedly a rock album, albeit rock on the point of evolving into something else." Uncut magazine's John Robinson said that its music reconciles the psychedelic pop of Hendrix's earlier recordings with the aggressive funk he would explore on his 1970 album Band of Gypsys. During its recording, Kramer experimented with innovative studio techniques such as backmasking, chorus effect, echo, and flanging, which AllMusic's Cub Koda said recontextualized Hendrix's psychedelic and funk sounds on the album.  Electric Ladyland is a cross-section of Hendrix's wide range of musical talent. It includes examples of several genres and styles of music: the psychedelic "Burning of the Midnight Lamp", a UK single the previous summer (1967), the extended blues jam "Voodoo Chile", the New Orleans-style R&B of Earl King's "Come On", the epic studio production of "1983... (A Merman I Should Turn to Be)", the social commentary of "House Burning Down", and the Sixties-era Britpop of Noel Redding's "Little Miss Strange". The album also features an electric reworking of the Bob Dylan classic "All Along the Watchtower", which has been well received by critics as well as by Dylan himself, and also "Voodoo Child (Slight Return)", a staple of both radio and guitar repertoire. Rolling Stone's Holly George-Warren praised "Crosstown Traffic" for its hard rock guitar riff.  "All Along the Watchtower" became the band's highest-selling single and their only US top 40 hit, peaking at number 20; it reached number five in the UK. The album also included one of Hendrix's most prominent uses of a wah-wah pedal, on "Burning of the Midnight Lamp", which reached number 18 in the UK charts.

Using a quote from the above article, answer the following question: what other singles?
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Answer: All Along the Watchtower", which has been well received by critics as well as by Dylan himself, and also "Voodoo Child (Slight Return)",

Problem: Robert Wilson "Robb" Royer (born December 6, 1942 in Los Angeles, California) is an American musician and songwriter, best known as a founding member of Bread from 1968 to 1971. While he was with the band, they had a #5 UK/#1 US hit single with "Make It With You". He was replaced by Larry Knechtel in 1971.

In 1982 Royer wrote the song "Quittin' Time" (co-written with Roger Linn) which eight years later was recorded by Mary Chapin Carpenter and won an ASCAP Airplay award. Royer traveled to Nashville to receive the award and stayed with Griffin, who had previously relocated from L.A. to Nashville. Larry Knechtel had also been living and working as a session musician in Nashville. Royer relocated to Nashville in 1994.  Todd Cerney was already a grammy-nominated songwriter when Royer met him in 1994 at Jim Della Croce's house. Cerney had written two top-forty songs (Loverboy's "Notorious" and Restless Heart's "I'll Still Be Loving You," which reached number one on the Country charts). Cerney had established a private recording studio in his home where he engineered a number of other singer-songwriters' albums.  Griffin, Royer and Cerney first collaborated by co-writing the song "Kyrie" in 1994. Knechtel later joined the trio and together they performed and co-wrote songs (including the 1995 song "Slow Train") under the band name "Toast". Toast performed at various Nashville venues including the Bluebird, Third and Lindsley, and 12th & Porter. They wrote and performed their own songs including such titles as "Road Kill," "Knechtelodeon," "No More Smokin'," "Grenadine," "Magdelena," and "Radio Dixie." The group used session drummers for their recordings and performances. The group would later be known as Radio Dixie in 1998. The name change was intended to help with promotion of the group, but the group disbanded by the end of 1998. Royer and Cerney continued to write together, generating additional titles including "Hurtin' Cowboy," "New Orleans Prayer," "I Believe I Kissed an Angel," and "Beside Myself."

why did they disband?

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