input: Auden was born in York, England, to George Augustus Auden (1872-1957), a physician, and Constance Rosalie Auden (nee Bicknell; 1869-1941), who had trained (but never served) as a missionary nurse. He was the third of three sons; the eldest, George Bernard Auden (1900-1978), became a farmer, while the second, John Bicknell Auden (1903-1991), became a geologist.  Auden, whose grandfathers were both Church of England clergymen, grew up in an Anglo-Catholic household that followed a "High" form of Anglicanism with doctrine and ritual resembling those of Roman Catholicism. He traced his love of music and language partly to the church services of his childhood. He believed he was of Icelandic descent, and his lifelong fascination with Icelandic legends and Old Norse sagas is evident in his work.  In 1908 his family moved to Homer Road, Solihull, near Birmingham, where his father had been appointed the School Medical Officer and Lecturer (later Professor) of Public Health. Auden's lifelong psychoanalytic interests began in his father's library. From the age of eight he attended boarding schools, returning home for holidays. His visits to the Pennine landscape and its declining lead-mining industry figure in many of his poems; the remote decaying mining village of Rookhope was for him a "sacred landscape", evoked in a late poem, "Amor Loci". Until he was fifteen he expected to become a mining engineer, but his passion for words had already begun. He wrote later: "words so excite me that a pornographic story, for example, excites me sexually more than a living person can do."

Answer this question "did he ever make a family of his own"
output: 

input: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles.

Answer this question "What is the records?"
output: Throughout the season Capriati set multiple "youngest ever" records.

input: While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964.  While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes.  In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death.  In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape.  During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.

Answer this question "Did she create a famous piece during her early years?"
output:
These early works were called Bigamy, and represented the death of her husband.