Answer the question at the end by quoting:

Joseph Guilherme Raposo, OIH (February 8, 1937 - February 5, 1989) was a Portuguese-American composer, songwriter, pianist, television writer and lyricist, best known for his work on the children's television series Sesame Street, for which he wrote the theme song, as well as classic songs such as "Bein' Green" and "C Is For Cookie". He also wrote music for television shows such as The Electric Company, Shining Time Station and the sitcoms Three's Company and The Ropers, including their theme songs. In addition to these works, Raposo also composed extensively for the DePatie-Freleng Enterprises such as Halloween Is Grinch Night, Pontoffel Pock, Where Are You? and The Grinch Grinches the Cat in the Hat.
In 1971, Children's Television Workshop created the show The Electric Company, meant to help teach reading to children who had outgrown Sesame Street. Raposo served as the musical director of the show for its first three seasons, and contributed songs throughout the show's run, until 1977.  Raposo performed joke characters for film segments on The Electric Company similar in style to what he had done on Sesame Street. One segment showed him attempting to get dressed in jacket and necktie against a white wall under the word "dressing", until the prefix "un-" appears and attaches itself to the prior word, forcing him to engage in a mock striptease which ends with him modestly hopping off-screen and tossing the remainder of his clothing into an empty chair left on-screen. In a variation of this film, he is shown packing a suitcase when the "un-" prefix returns and pesters him using the behavior of a meddling fly until, exasperated, Raposo strikes the word with a hammer, knocking it unconscious into the suitcase, which he then triumphantly slams shut with a smirk.  Raposo enjoyed doing animation voicework. Other forays of his into the craft included both the tenor singing role of "master pickler" Gil Gickler in DePatie-Freleng's Dr. Seuss cartoon program Pontoffel Pock, Where Are You? and Gickler's spoken dialogue. Raposo also performed at least three other character voices in the cartoon, including a Groogen musician whose "flugel bugle" is destroyed by Pontoffel in an attack flyover, as the ancient Senior Fairy above McGillicuddy who oversees the fairy squadron's worldwide search for the missing Pock and his piano, and as an angry Groogen dairywoman spilt milk upon by a too-close fly-by of Pontoffel's.  The HBO animated adaptation of Madeline, for which Raposo composed the music and songs (with writer/lyricist Judy Rothman), aired four months after Raposo's death; the cartoon The Smoggies, for which Raposo wrote the theme song, premiered in Canada.

How many years did he write songs?

1977.



Answer the question at the end by quoting:

A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.
The first major female tennis star to turn professional, Lenglen was paid US$50,000 by American entrepreneur Charles C. Pyle to tour the United States in a series of matches against Mary K. Browne. Browne, winner of the US Championships from 1912 to 1914, was 35 and considered to be past her prime, although she had reached the French final earlier that year (losing to Lenglen 6-1, 6-0).  For the first time in tennis history, the women's match was the headline event of the tour (which also featured male players). In their first match in New York City, Lenglen put on a performance that New York Times writer Allison Danzig lauded as "one of the most masterly exhibitions of court generalship that has been seen in this country." When the tour ended in February 1927, Lenglen had defeated Browne, 38 matches to 0. She was exhausted from the lengthy tour, and a physician advised Lenglen that she needed a lengthy period away from the game to recover.  Instead, Lenglen chose to retire from competitive tennis to run a Paris tennis school, which she set up with the help and money of her lover Jean Tillier. The school, located next to the courts of Roland Garros, slowly expanded and was recognised as a federal training centre by the French tennis federation in 1936. During this period, Lenglen also wrote several books on tennis.  Lenglen was criticised widely for her decision to turn professional, and the All England Club at Wimbledon even revoked her honorary membership. Lenglen, however, described her decision as "an escape from bondage and slavery" and said in the tour programme, "In the twelve years I have been champion I have earned literally millions of francs for tennis and have paid thousands of francs in entrance fees to be allowed to do so.... I have worked as hard at my career as any man or woman has worked at any career. And in my whole lifetime I have not earned $5,000 - not one cent of that by my specialty, my life study - tennis.... I am twenty-seven and not wealthy - should I embark on any other career and leave the one for which I have what people call genius? Or should I smile at the prospect of actual poverty and continue to earn a fortune - for whom?" As for the amateur tennis system, Lenglen said, "Under these absurd and antiquated amateur rulings, only a wealthy person can compete, and the fact of the matter is that only wealthy people do compete. Is that fair? Does it advance the sport? Does it make tennis more popular - or does it tend to suppress and hinder an enormous amount of tennis talent lying dormant in the bodies of young men and women whose names are not in the social register?"

Did she do any coaching?