input: Despite playing at a lower level, he impressed England manager Alf Ramsey sufficiently to give him his debut against East Germany in November 1970. England won 3-1. Little more than six months later, Leicester were promoted back to the First Division.  His second England cap came in a goalless draw against Wales at Wembley; and his first competitive match for his country was his third appearance as England drew 1-1 with Switzerland in a qualifying game for the 1972 European Championships. At this stage, Banks was still England's first choice keeper, but the remaining brace of back-ups from the 1970 World Cup, Peter Bonetti and Alex Stepney, had been cast aside by Ramsey so Shilton could begin to regard himself as his country's number two goalkeeper at the age of 22.  Life with Leicester City continued uneventfully as Shilton's England career progressed. His fourth and fifth England caps came towards the end of 1972 (England had failed to qualify for the European Championship competition) before a tragic incident suddenly saw Shilton propelled into the limelight as England's number one keeper.  In October 1972, Gordon Banks was involved in a car crash which resulted in the loss of the sight in one eye and thus ended his career. Liverpool goalkeeper Ray Clemence was called up to make his debut a month later for England's opening qualifier for the 1974 World Cup, (a 1-0 win over Wales). Shilton ended up with over 100 caps compared to Clemence's 61.  Shilton in the summer of 1973 kept three clean sheets as England defeated Northern Ireland, Wales and Scotland. Against Scotland Shilton made a right handed save diving to his left from Kenny Dalglish's shot that Shilton considered among his best saves. While drawing with Czechoslovakia earned Shilton his tenth cap - as a warm-up to a crucial World Cup qualifier against Poland in Chorzow a week later. This went badly for England, with Shilton unable to stop both goals in a 2-0 defeat and therefore making victory in the final qualifier, against the same opposition at Wembley four months later, a necessity if England were to make the finals.

Answer this question "What did he play?"
output: Shilton unable to stop both goals

input: As a comedian and actress, Lawrence is known for her work on The Carol Burnett Show, of which she was a part from 1967 to 1978. She was the only cast member, except for Burnett herself, who stayed on the show for the entire 11 seasons. After The Carol Burnett Show ended in 1978, Lawrence and her husband Al Schultz moved with their children to Maui, Hawaii, but after a few years, returned to Los Angeles, where they have remained.  Her portrayal of the Mama character on The Carol Burnett Show's "The Family" sketches was so popular that NBC subsequently created the sitcom Mama's Family, elaborating on the Mama character. (Burnett reprised the Eunice Higgins character for the sitcom from time to time.) The series ran from 1983 to 1985 on NBC; after its cancellation from NBC, it was renewed from 1986 to 1990 in first-run syndication. The show was more successful in the renewed version. She also reprised the Mama character on stage for Vicki Lawrence & Mama: A Two-Woman Show.  Lawrence has made appearances on other programs, such as the sitcoms Laverne & Shirley, Major Dad, Roseanne, Hannah Montana, and Yes, Dear. Between the NBC and syndication runs of Mama's Family, Lawrence starred in the 1985 comedy pilot Anything for Love, which aired as a special on CBS that summer and co-starred Lauren Tewes and Rebeca Arthur. Lawrence has also appeared with Burnett, Korman, and Tim Conway in the Burnett show retrospectives that were broadcast in 1993, 2001, and 2004. Lawrence played Sister Mary Paul (Sister Amnesia) in the TV special based on Nunsense Jamboree that originally aired on TNN in 1998.  Lawrence played Mamaw Stewart (the mother of Robby Ray Stewart and grandmother of Jackson and Miley Stewart) in the hit Disney series Hannah Montana alongside Billy Ray Cyrus and his daughter Miley Cyrus.  Lawrence recently played as Mama in an Ohio commercial, promoting a constitutional amendment that would permit casino gambling in Ohio. Lawrence played Dan's old high-school flame, Phyllis, in an episode of Roseanne. She also appeared in a special celebrity-edition episode of the Anne Robinson version of The Weakest Link. Playing for a charity, she made it to the final two, but ended up losing to Ed Begley, Jr.

Answer this question "Did she star in any movies?"
output: She also appeared in a special celebrity-edition episode

input: In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name.  Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week.  Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters.  In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.

Answer this question "how well did it do at the box office?"
output: