Question: Rasputin was born a peasant in the small village of Pokrovskoye, along the Tura River in the Tobolsk guberniya (now Tyumen Oblast) in Siberia. According to official records, he was born on 21 January [O.S. 9 January] 1869, and christened the following day. He was named for St. Gregory of Nyssa, whose feast was celebrated on January 10. There are few records of Rasputin's parents.

Word of Rasputin's activity and charisma began to spread in Siberia during the early 1900s. Sometime between 1902 and 1904, he travelled to the city of Kazan on the Volga river, where he acquired a reputation as a wise and perceptive starets, or holy man, who could help people resolve their spiritual crises and anxieties. Despite rumors that Rasputin was having sex with some of his female followers, he won over the father superior of the Seven Lakes Monastery outside Kazan, as well as a local church officials Archimandrite Andrei and Bishop Chrysthanos, who gave him a letter of recommendation to Bishop Sergei, the rector of the St. Petersburg Theological Seminary at the Alexander Nevsky Monastery, and arranged for him to travel to St. Petersburg, either in 1903 or in the winter of 1904-1905.  Upon meeting Sergei at the Nevsky Monastery, Rasputin was introduced to a number of different church leaders, including Archimandrite Feofan, who was the inspector of the theological seminary, was well-connected in St. Petersburg society, and later served as confessor to the Tsar and his wife. Feofan was so impressed with Rasputin that he invited him to stay in his home, and became one of Rasputin's most important and influential friends in St. Petersburg.  According to Joseph T. Fuhrmann, Rasputin stayed in St. Petersburg for only a few months on his first visit, and returned to Prokovskoye in the fall of 1903. Historian Douglas Smith, however, argues that it is impossible to know whether Rasputin stayed in St. Petersburg or returned to Prokovskoye at some point between his first arrival there and 1905. Regardless, by 1905 Rasputin had formed friendships with several members of the aristocracy, including the "Black Princesses," Militsa and Anatasia of Montenegro, who had married the Tsar's cousins (Grand Duke Peter Nikolaevich and Grand Duke Nikolai Nikolaevich), and were instrumental in introducing Rasputin to the Tsar and his family.  Rasputin first met the Tsar on November 1, 1905, at the Peterhof Palace. The tsar recorded the event in his diary, writing that he and Alexandra had "made the acquaintance of a man of God - Grigory, from Tobolsk province." Rasputin would not meet the Tsar and his wife again for some months: he returned to Prokovskoye shortly after their first meeting, and did not return to St. Petersburg until July 1906. On his return, Rasputin sent Nicholas a telegram asking to present the tsar with an icon of Simeon of Verkhoturye. He met with Nicholas and Alexandra on July 18, and again in October, when he first met Nicholas and Alexandra's children. Joseph Fuhrmann has speculated that it was in October that Rasputin was first asked to pray for the health of Alexei.  By December 1906, Rasputin had become close enough to the royal family to ask a special favor of the Tsar - that he be permitted to change his surname to Rasputin-Novyi (Rasputin-New). Nicholas granted the request and the name change was speedily processed, suggesting that the Tsar viewed - and treated - Rasputin favorably at that time.

Using a quote from the above article, answer the following question: Who was sergei
HHHHHH
Answer: the rector of the St. Petersburg Theological Seminary at the Alexander Nevsky Monastery,


Question: Laurence Kerr Olivier, Baron Olivier,  (; 22 May 1907 - 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.

Olivier had intended to step down from the directorship of the National Theatre at the end of his first five-year contract, having, he hoped, led the company into its new building. By 1968 because of bureaucratic delays construction work had not even begun, and he agreed to serve for a second five-year term. His next major role, and his last appearance in a Shakespeare play, was as Shylock in The Merchant of Venice, his first appearance in the work. He had intended Guinness or Scofield to play Shylock, but stepped in when neither was available. The production by Jonathan Miller, and Olivier's performance, attracted a wide range of responses. Two different critics reviewed it for The Guardian: one wrote "this is not a role which stretches him, or for which he will be particularly remembered"; the other commented that the performance "ranks as one of his greatest achievements, involving his whole range".  In 1969 Olivier appeared in two war films, portraying military leaders. He played Field Marshal French in the First World War film Oh! What a Lovely War, for which he won another BAFTA award, followed by Air Chief Marshal Hugh Dowding in Battle of Britain. In June 1970 he became the first actor to be created a peer for services to the theatre. Although he initially declined the honour, Harold Wilson, the incumbent prime minister, wrote to him, then invited him and Plowright to dinner, and persuaded him to accept.  After this Olivier played three more stage roles: James Tyrone in Eugene O'Neill's Long Day's Journey into Night (1971-72), Antonio in Eduardo de Filippo's Saturday, Sunday, Monday and John Tagg in Trevor Griffiths's The Party (both 1973-74). Among the roles he hoped to play, but could not because of ill-health, was Nathan Detroit in the musical Guys and Dolls. In 1972 he took leave of absence from the National to star opposite Michael Caine in Joseph L. Mankiewicz's film of Anthony Shaffer's Sleuth, which The Illustrated London News considered to be "Olivier at his twinkling, eye-rolling best"; both he and Caine were nominated for the Academy Award for Best Actor, losing to Marlon Brando in The Godfather.  The last two stage plays Olivier directed were Jean Giradoux's Amphitryon (1971) and Priestley's Eden End (1974). By the time of Eden End, he was no longer director of the National Theatre; Peter Hall took over on 1 November 1973. The succession was tactlessly handled by the board, and Olivier felt that he had been eased out--although he had declared his intention to go--and that he had not been properly consulted about the choice of successor. The largest of the three theatres within the National's new building was named in his honour, but his only appearance on the stage of the Olivier Theatre was at its official opening by the Queen in October 1976, when he made a speech of welcome, which Hall privately described as the most successful part of the evening.

Using a quote from the above article, answer the following question: does it say if he did anything besides acting during this time?
HHHHHH
Answer:
but his only appearance on the stage of the Olivier Theatre was at its official opening by the Queen in October 1976, when he made a speech of welcome,