Problem: The Turkana are a Nilotic people native to the Turkana District in northwest Kenya, a semi-arid climate region bordering Lake Turkana in the east, Pokot, Rendille and Samburu people to the south, Uganda to the west, and South Sudan and Ethiopia to the north. They refer to their land as Turkan. According to the 2009 Kenyan census, Turkana number 855,399, or 2.5% of the Kenyan population, making the Turkana the third largest Nilotic ethnic group in Kenya, after the Kalenjin and the Luo, slightly more numerous than the Maasai, and the tenth largest ethnicity in all of Kenya. Although this figure was initially controversial and rejected as too large by Planning Minister Wycliffe Oparanya, a court ruling (Feb 7, 2012) by Justice Mohammed Warsame (judge) stated that the Kenyan government accepts the 2009 census figures for Turkana.

The Turkana entered Turkana basin from the north as one unit of the Ateker confederation. This cluster split as a result of internal differences, leading to the emergence of distinct independent groups. The Turkana people emerged as a victorious group in the subsequent conflict, which led to enmity between the Turkana and other Ateker cluster groups, who formed military alliances against the Turkana. The Turkana emerged victorious again by co-opting young people from conquered groups. The military power and wealth of the Turkana increased in what is now the northern plains of Turkana.  The establishment of the Turkana people developed as a distinct group which expanded southwards conquering ethnic nations south of its borders. The Turkana people easily conquered groups it came in contact with by employing superior tactics of war, better weapons and military organization. By the 1600s, the Turkana basin had been fully occupied by the Turkana and their allies.  There was a relative long period of peace among indigenous ethnic communities around Turkana until the onset of European colonization of Africa. Sporadic conflicts involved Turkana fights against Arab, Swahili and Abyssinian slave raiders and ivory traders. European colonization brought a new dimension to conflict with Turkana putting up a lasting resistance to a complex enemy, the British. The Turkana put up and maintained active resistance to British colonial advances leading to a passive presence of colonial administration. By the outbreak of World War I, few parts of Turkana had been put under colonial administration.  From World War I through to the end of World War II, Turkana actively participated in the wars as allies of Britain against invading Italy. Turkana was used as the launching pad for the war against invading Italian forces leading to the liberation of Abyssinia.  After World War II, the British led disarmament and pacification campaigns in Turkana, leading to massive disruptions and dispossession of Turkana pastoralists. The colonial administration practiced a policy of deliberate segregation of Turkana people by categorizing Turkana Province as a closed district. This led to marginalization and underdevelopment in the lead up to Kenya's independence.

What language do the Turkana speak?

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Question:
Gurney was born on November 1, 1930 in Buffalo, New York to Albert Ramsdell Gurney, Sr. (1896-1977), who was president of Gurney, Becker and Bourne, an insurance and real estate company in Buffalo, and Marion Spaulding (1908-2001). His parents had three children, of which Gurney was the middle: (1) Evelyn Gurney Miller (b. 1929), (2) Albert Ramsdell Gurney, Jr. (b. 1930), and (3) Stephen S. Gurney (b. 1933).
Gurney's plays often explore the theme of declining upper-class "WASP" (White Anglo-Saxon Protestant) life in contemporary America. The Wall Street Journal has called his works "penetratingly witty studies of the WASP ascendancy in retreat." Several of his works are loosely based on his patrician upbringing, including The Cocktail Hour and Indian Blood. The New York Times drama critic Frank Rich, in his review of The Dining Room, wrote, "As a chronicler of contemporary America's most unfashionable social stratum -- upper-middle-class WASPs, this playwright has no current theatrical peer."  In his 1988 play, "The Cocktail Hour", the lead character tells her playwright son that theater critics "don't like us.... They resent us. They think we're all Republicans, all superficial and all alcoholics. Only the latter is true." The New York Times described the play as witty observations about a nearly extinct patrician class that regards psychiatry as an affront to good manners, underpaid hired help as a birthright.  In a 1989 interview with the New York Times, Gurney said, "Just as it's mentioned in The Cocktail Hour,' my great-grandfather hung up his clothes one day and walked into the Niagara River and no one understood why." Gurney added that "he was a distinguished man in Buffalo. My father could never mention it, and it affected the family well into the fourth generation as a dark and unexplainable gesture. It made my father and his father desperate to be accepted, to be conventional, and comfortable. It made them commit themselves to an ostensibly easy bourgeois world. They saw it so precariously, but the reason was never mentioned. I first learned about it after my father died."  Gurney told the Washington Post in 1982:  WASPs do have a culture -- traditions, idiosyncrasies, quirks, particular signals and totems we pass on to one another. But the WASP culture, or at least that aspect of the culture I talk about, is enough in the past so that we can now look at it with some objectivity, smile at it, and even appreciate some of its values. There was a closeness of family, a commitment to duty, to stoic responsibility, which I think we have to say weren't entirely bad."
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did he ever act in his plays?

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