Background: Paul Vaughn Butterfield (December 17, 1942 - May 4, 1987) was an American blues harmonica player and singer. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.
Context: After the breakup of the Butterfield Blues Band and no longer under contract with Elektra, Butterfield retreated to Woodstock, New York, where he eventually formed his next band, Paul Butterfield's Better Days, with drummer Chris Parker, guitarist Amos Garrett, singer Geoff Muldaur, pianist Ronnie Barron and bassist Billy Rich. In 1972-1973, the group recorded the albums Paul Butterfield's Better Days and It All Comes Back, released by Albert Grossman's Bearsville Records. The albums reflected the influence of the participants and explored more roots- and folk-based styles. Although without an easily defined commercial style, both reached the album chart. The band did not last to record a third studio album, but its album Live at Winterland Ballroom, recorded in 1973, was released in 1999.  Butterfield next pursued a solo career and appeared as a sideman in several different musical settings. In 1975, he again joined Muddy Waters to record Waters's last album for Chess Records, The Muddy Waters Woodstock Album. The album was recorded at Levon Helm's Woodstock studio with Garth Hudson and members of Waters's touring band. In 1976, Butterfield performed at the Band's final concert, "The Last Waltz", accompanying the Band on the song "Mystery Train" and backing Muddy Waters on "Mannish Boy". Butterfield kept up his association with former members of the Band, touring and recording with Levon Helm and the RCO All Stars in 1977 and touring with Rick Danko in 1979. A 1984 live performance with Danko and Richard Manuel was recorded and released as Live at the Lonestar in 2011.  As a solo act with backing musicians, Butterfield continued to tour and recorded the misguided and overproduced Put It in Your Ear in 1976 and North South in 1981, with strings, synthesizers, and pale funk arrangements. In 1986, he released his final studio album, The Legendary Paul Butterfield Rides Again, which again was a poor attempt at a comeback with an updated rock sound. On April 15, 1987, he participated in the concert "B.B. King & Friends", with Eric Clapton, Etta James, Albert King, Stevie Ray Vaughan, and others.
Question: and what year did he venture out to be a solo artist?
Answer: Butterfield next pursued a solo career and appeared as a sideman in several different musical settings. In 1975,

Question:
John William Money (8 July 1921 - 7 July 2006) was a psychologist, sexologist and author, specializing in research into sexual identity and biology of gender. He was one of the first scientists to study the psychology of sexual fluidity and how the societal constructs of "gender" affect an individual. More recent academic studies have criticized Money's work in many respects, particularly in regards to his involvement with the sex-reassignment of David Reimer and his eventual suicide. Money's writing has been translated into many languages, and includes around 2,000 articles, books, chapters and reviews.
In this book (Oxford 1988: 116), Money develops a conception of 'bodymind,' as a way for scientists, in developing a science about sexuality, to move on from the platitudes of dichotomy between nature versus nurture, innate versus the acquired, biological versus the social, and psychological versus the physiological. He suggests that all of these capitalize on the ancient, pre-Platonic, pre-biblical conception of body versus the mind, and the physical versus the spiritual. In coining the term "bodymind", in this sense, Money wishes to move beyond these very ingrained principles of our folk or vernacular psychology.  Money also develops here (Oxford 1988: 114-119) a view of "Concepts of Determinism," which, transcultural, transhistorical, and universal, all people have in common, sexologically or otherwise. These include pairbondage, troopbondage, abidance, ycleptance, foredoomance, with these coping strategies: adhibition (engagement), inhibition, explication.  Money suggests that the concept of threshold (Oxford 1988: 115) - the release or inhibition of sexual (or other) behavior - is most useful for sex research as a substitute for any concept of motivation. Moreover, it confers the distinct advantage of having continuity and unity to what would otherwise be a highly disparate and varied field of research. It also allows for the classification of sexual behavior. For Money, the concept of threshold has great value because of the wide spectrum to which it applies. "It allows one to think developmentally or longitudinally, in terms of stages or experiences that are programmed serially, or hierarchically, or cybernetically (i.e. regulated by mutual feedback)." (Oxford 1988: 116)
Answer this question using a quote from the text above:

What is bodymind?

Answer:
He suggests that all of these capitalize on the ancient, pre-Platonic, pre-biblical conception of body versus the mind,

Problem: Background: The Verve were an English rock band formed in Wigan in 1990 by lead vocalist Richard Ashcroft, guitarist Nick McCabe, bass guitarist Simon Jones and drummer Peter Salisbury. Guitarist and keyboard player Simon Tong later became a member. Beginning with a psychedelic sound with their debut LP
Context: 1993's A Storm in Heaven was the band's full-length debut, produced by record producer John Leckie. "Blue" was released as the lead single and again managed to enter in the UK Top 75 at No. 69 and reached No. 2 in the Indie charts. The album was a critical success, but was only a moderate commercial success, reaching No. 27 in the UK album chart that summer. The second single from the album, "Slide Away", topped the UK indie rock charts. During this period the band played a number of gigs with Oasis who, at the time, were relatively unknown.. Furthermore, the band supported The Smashing Pumpkins on the European Part of their Siamese Dream Tour in autumn of 1993..  In 1994, the band released the album No Come Down, a compilation of b-sides plus a live version of "Gravity Grave" performed at Glastonbury Festival in 1993. It was the band's first release under the name "The Verve", following legal difficulties with the jazz label Verve Records.  The band then played on the travelling US alternative rock festival, Lollapalooza, in the summer of 1994. A new mix of "Blue" was released in the US to promote the band. The tour became notorious for the events of 11 July - Ashcroft was hospitalised for dehydration after a massive session of drinking, and Salisbury was arrested for destroying a hotel room in Kansas in a drug-fuelled delirium. However, the band were performing again the very next day. Ashcroft later recalled: "At the start, it was an adventure, but America nearly killed us."
Question: Are there any other interesting aspects about this article?
Answer:
The band then played on the travelling US alternative rock festival, Lollapalooza,