Background: Karen Horney was born Karen Danielsen on 16 September 1885 in Blankenese, Germany, near Hamburg. Her father, Berndt Wackels Danielsen (1836-1910), was Norwegian but had German citizenship. He was a ship's captain in the merchant marine, and a Protestant traditionalist (his children nicknamed him "the Bible-thrower", as he did indeed throw Bibles). Her mother, Clotilde, nee van Ronzelen (1853-1911), known as "Sonni", was also Protestant, of Dutch origin.
Context: Horney was also a pioneer in the discipline of feminine psychiatry. As one of the first female psychiatrists, she was the first known woman to present a paper regarding feminine psychiatry. The fourteen papers she wrote between 1922 and 1937 were amalgamated into a single volume titled Feminine Psychology. As a woman, she felt that the mapping out of trends in female behaviour was a neglected issue. In her essay entitled "The Problem of Feminine Masochism", Horney felt she proved that cultures and societies worldwide encouraged women to be dependent on men for their love, prestige, wealth, care and protection. She pointed out that in the society, a will to please, satiate and overvalue men had emerged. Women were regarded as objects of charm and beauty--at variance with every human being's ultimate purpose of self-actualization.  Women, according to Horney, traditionally gain value only through their children and the wider family. She touched further on this subject in her essay "The Distrust Between the Sexes" in which she compared the husband-wife relationship to a parent-child relationship--one of misunderstanding and one which breeds detrimental neuroses. Most notably, her work "The Problem of the Monogamous Ideal" was fixed upon marriage, as were six other of Horney's papers. Her essay "Maternal Conflicts" attempted to shed new light on the problems women experience when raising adolescents.  Horney believed that both men and women have a drive to be ingenious and productive. Women are able to satisfy this need normally and internally--to do this they become pregnant and give birth. Men please this need only through external ways; Horney proposed that the striking accomplishments of men in work or some other field can be viewed as compensation for their inability to give birth to children.  Horney developed her ideas to the extent that she released one of the first "self-help" books in 1946, entitled Are You Considering Psychoanalysis?. The book asserted that those, both male and female, with relatively minor neurotic problems could, in effect, be their own psychiatrists. She continually stressed that self-awareness was a part of becoming a better, stronger, richer human being.
Question: What is feminine psychology?
Answer: Women were regarded as objects of charm and beauty--at variance with every human being's ultimate purpose of self-actualization.

Background: Victor Jara was born in 1932 in Lonquen, near Santiago, to two peasants, Manuel Jara and Amanda Martinez. His father was illiterate and encouraged his children to work from an early age to help the family survive, rather than attend school. By the age of 6, Jara was already working on the land. His father could not support the family on his earnings as a peasant at the Ruiz-Tagle estate, nor was he able to find stable work.
Context: After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater. He subsequently joined the university's theater program and earned a scholarship for talent. He appeared in several of the university's plays, gravitating toward those with social themes, such as Russian playwright Maxim Gorky's The Lower Depths, a depiction of the hardships of lower-class life.  In 1957, he met Violeta Parra, a singer who had steered folk music in Chile away from the rote reproduction of rural materials toward modern song composition rooted in traditional forms, and who had established musical community centers called penas to incorporate folk music into the everyday life of modern Chileans. Jara absorbed these lessons and began singing with a group called Cuncumen, with whom he continued his explorations of Chile's traditional music. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda.  In the 1960s, Jara started specializing in folk music and sang at Santiago's La Pena de Los Parra, owned by Angel Parra. Through these activities, he became involved in the Nueva Cancion movement of Latin American folk music. He released his first album, Canto a lo humano, in 1966, and by 1970, he had left his theater work in favor of a career in music. His songs were inspired by a combination of traditional folk music and left-wing political activism. From this period, some of his best-known songs are "Plegaria a un Labrador" ("Prayer to a Worker") and "Te Recuerdo Amanda" ("I Remember You Amanda").
Question: Did Jara do anything besides music?
Answer:
theater