Background: The Wildhearts are an English rock group, formed in 1989 in Newcastle upon Tyne. The band's sound is a mixture of hard rock and melodic pop music, often described in the music press as combining influences as diverse as The Beatles and 1980s-era Metallica. However, this characterization is denied by the band, who see their influences as being far broader, as shown in the song "29 X The Pain", which lists many of group leader Ginger's influences. Despite several top 20 singles and one top 10 album in Britain, the Wildhearts have not achieved major commercial success, owing in part to difficulties with record companies and many internal problems often relating to recreational drugs and depression.
Context: The Wildhearts formed in late 1989, after Ginger was sacked from the Quireboys. An often-told story from this time period is that Ginger decided to start his own band after falling down a flight of stairs with a bottle of Jack Daniel's but emerging with the bottle intact. Had the bottle smashed, he would have slit his wrists with the shards, but instead he resolved to form a band in which he could exercise his songwriting skills, rather than just playing guitar as in his previous bands. Throughout the band's career, Ginger has written almost all the songs himself.  Initially called the Wild Hearts (two words), the band originally included singers Snake (ex-Tobruk) and Dunken F. Mullett (ex-Mournblade), who both joined for short periods. Nine demos were recorded in 1989 and 1990 with Snake singing on four and Dunken on five. These demos remain unreleased and displayed a sound resembling Guns N' Roses, with the Wildhearts sound still to be developed. Some of the demos were produced by Ric Browde and intended for an EP release that never materialized, though these demos are occasionally found on unofficial releases. In March 1991, Ginger reluctantly took over on lead vocals despite his reservations, as he has never thought himself a good singer.  After many early personnel changes, the line-up solidified around Ginger on guitar and vocals, CJ (Christopher Jagdhar) on guitar and vocals, Danny McCormack on bass and vocals, and Dogs D'Amour drummer Bam. This line-up released two EPs in 1992, Mondo Akimbo a-Go-Go and Don't Be Happy...Just Worry.  The Wildhearts next planned a double album, but East West vetoed this plan during the recording sessions. Instead the band released a collection of six of the more eclectic tracks on a fan club-only release entitled Fishing For Luckies in early 1995. This EP, which would be re-released in 1996 with more studio outtakes as Fishing for More Luckies, included the notable track "Geordie In Wonderland". Ginger offered this track to Kevin Keegan and Newcastle United F.C. as a potential team anthem, but was graciously turned down. The track was performed on Top of the Pops with Wolfsbane's Jeff Hateley, painted in Toon Army colours, on mandolin. Other noteworthy tracks included "If Life Is Like A Lovebank, I Want An Overdraft", also released as a single, and the 11:24 epic "Sky Babies." Despite frequent fan requests, this track was rarely performed live, reputedly because of Danny McCormack's inability to remember his bass parts throughout the entire song. In 2003-2004 the band began to play "Sky Babies" at nearly every show with new bassist Jon Poole.  The second album proper was to be known as P.H.U.Q.. Midway through the recording sessions, Ginger (in a move he later claimed to regret) fired guitarist CJ, and some of the album's tracks were recorded without a second guitarist. P.H.U.Q. was released in May 1995 and reached #6 in the British charts, making it the band's most successful album. Shortly after the album's release, Mark Keds of Senseless Things was drafted as second guitarist, but lasted just one recording session, in which he appeared on the B-sides for the single "Just in Lust". Within a few weeks Keds was sacked after disappearing to Japan for a farewell tour with his old band. The Wildhearts were again down to a three-piece (Ginger, McCormack, and Battersby) for a few months, and performed a few gigs in this incarnation. The band resolved to return to a two-guitar formation, and after requesting demos and holding auditions, hired the previously unknown Jef Streatfield.  By late 1995 the band were finally fed up with their record label and set out to tour Japan and the UK, determined that they would split up unless East West would release them from their contract. The tours were a resounding success and eventually the band managed to escape their record contract.  Due to their large output of songs, but shortage of album opportunities due to conflicts with East West Records, the Wildhearts have long been known for a large number of extra tracks released as B-sides on CD singles. Prior to 1997 the band would release one version of a single which would contain two or three B-sides, and the B-sides were never album outtakes but would be recorded specifically for the single. Some of the A-sides, such as "Caffeine Bomb", were also recorded specifically as singles and did not originally appear on an album.  Starting in 1997 the Wildhearts began to release multiple formats of singles. Previously, the band had been strenuously against multi-formatting, regarding the practice as a rip-off to fans. However, during the Endless, Nameless period the band released the two singles from the album in multiple formats, including two CD singles with two B-sides on each, and a 7" single with one B-side, with all the songs from the "Anthem" single being cover versions. Many of the band's fans were angry about this practice, with some even handing out fliers against the practice outside Wildhearts shows. Ginger reacted with frustration, saying that they were simply trying to bring more music to the fans. A change in chart eligibility for singles was probably also responsible, as a four-track single (or EP) would no longer be allowed to qualify for the British singles charts, but multiple formats were allowed with a maximum of three tracks or unlimited remixes so long as the running time was under 20 minutes. The band's label may have insisted on these changes as the only way to compete in the singles market of that time.  The band have continued to multi-format since 1997, in particular with "Top Of The World" in 2003, consisting of three CD singles, two with two B-sides and one with one B-side and the video for the song. The band have also continued to specifically re-enter the studio to record brand new songs for B-sides. During the band's reformation in the 2001-2004 period, they amassed enough B-sides for Gut Records to release a full-length album consisting only of B-sides, Coupled With.
Question: what albums did they create?

Answer:
This EP, which would be re-released in 1996 with more studio outtakes as Fishing for More Luckies,