Problem: Background: Rodney George Laver  (born 9 August 1938) is an Australian former tennis player widely regarded as one of the greatest in the history of the sport. He was the No. 1 ranked professional from 1964 to 1970, spanning four years before and three years after the start of the Open Era in 1968. He also was the No. 1 ranked amateur in 1961-62. Laver's 200 singles titles are the most in tennis history.
Context: Laver had a long-running, friendly rivalry with Ken Rosewall between 1963, when he started out as a pro, and 1976, when both were semi-retired from the main tour. Including tournaments and one-night stands, they played over 130 matches, all of them as professionals, with some results from the barnstorming pro tours lost or badly recorded. Overall a match score of 79-63 in favour of Laver can be documented.  Against the older Pancho Gonzales, whom he played 1964 to 1970 on the pro tour, Laver had a lead of 35-19 or 38-21, depending on the source.  Laver had another, even longer rivalry with his fellow Queenslander Roy Emerson. They met first on the senior amateur tour in 1958 and dominated the amateur circuit until 1962, before Laver turned pro. When open tennis arrived in 1968, Emerson joined the pro tour, and had many new battles with Laver. Overall the score is 49-18 in favour of Laver, with 7-2 in major Grand Slam tournaments.  Laver had also many battles with Lew Hoad in his first years on the pro circuit 1963-1966. Although he lost the first 8 matches in January 1963, Laver later in the year began to turn around their rivalry, and until 1966, he had built a 38-21 lead. Against Arthur Ashe, Laver had a head-to-head lead of 21-3, winning all of the first 18 matches. Ashe's first win came in 1974, when Laver was 35. Another younger rival in the Open Era was John Newcombe, whom Laver led 16-5 in their head-to-head score.
Question: Who did he play 130 matches against?
Answer: all of them as professionals,

IN: Florence Leontine Mary Welch was born in Camberwell, London on 28 August 1986. Her father is Nick Russell Welch, an advertising executive. Her mother, Evelyn Welch (nee Evelyn Kathleen Samuels), is an American emigrant from New York City who was educated at Harvard University and the Warburg Institute, University of London. Evelyn is currently Professor of Renaissance Studies and Vice-Principal for Arts and Sciences at King's College London.

According to Welch, the band name "Florence + the Machine" had "started off as a private joke that got out of hand. I made music with my friend, who we called Isabella Machine, to which I was Florence Robot. When I was about an hour away from my first gig, I still didn't have a name, so I thought 'Okay, I'll be Florence Robot/Isa Machine', before realising that name was so long it'd drive me mad". In 2006, Welch's performances with Isabella Summers in small London venues under the joint name Florence Robot/Isa Machine began to attract notice. In 2007, Welch recorded with a band named Ashok, who released an album titled Plans on the Filthy Lucre/About Records label. This album included the earliest version of her later hit "Kiss with a Fist", which at this point was titled "Happy Slap".  Florence and the Machine released their debut album Lungs in the United Kingdom on 6 July 2009. The album was officially launched with a set at the Rivoli Ballroom in Brockley, South East London. It peaked at number one in the UK and number two in Ireland. As of 6 August 2009, the album had sold over 100,000 copies in the UK and by 10 August it had been at number two for five consecutive weeks. Following its 25 July 2009 release for download in the United States, the album debuted at number seventeen on the Billboard Heatseekers Albums chart, ultimately peaking at number one. The album was released physically in the US on 20 October by Universal Republic. The album was produced by James Ford, Paul Epworth, Steve Mackey and Charlie Hugall.  Welch contributed vocals to David Byrne and Fatboy Slim's 2010 album Here Lies Love, an album about Imelda Marcos. As of January 2011, Welch was working with Drake on material slated for his upcoming album.  On 27 February 2011, Welch replaced pregnant Dido and sang her portion of Best Original Song nominee "If I Rise" (from 127 Hours) with A. R. Rahman at the 83rd Academy Awards.

So how lond did this last

OUT: In 2006, Welch's performances with Isabella Summers in small London venues under the joint name Florence Robot/Isa Machine began to attract notice.

Background: Dinesh Joseph D'Souza (; born April 25, 1961) is an Indian American right-wing political commentator, author, and filmmaker. From 2010 to 2012, he was president of The King's College, a Christian school in New York City. Born in Bombay, D'Souza came to the United States as an exchange student and graduated from Dartmouth College. He became a naturalized citizen in 1991.
Context: In March 2013, D'Souza announced work on a documentary film titled America: Imagine the World Without Her for release in 2014. America was marketed to political conservatives and through Christian marketing firms. The Washington Times states that D'Souza is saying that Americans no longer have past heroes like Washington, Lincoln, and Reagan, but "we do have us" in "our struggle for the restoration of America."  Lions Gate Entertainment released America in three theaters on June 27, 2014 and expanded its distribution on the weekend of the U.S. holiday Independence Day on July 4, 2014. CinemaScore reported that the opening-weekend audiences gave the film an "A+" grade. The film grossed $14.4 million, which made it the highest-grossing documentary in the United States in 2014.  The film review website Metacritic surveyed 11 movie critics and assessed 10 reviews as negative and 1 as mixed, with none being positive. It gave an aggregate score of 15 out of 100, which indicates "overwhelming dislike". The similar website Rotten Tomatoes surveyed 24 critics and, categorizing the reviews as positive or negative, assessed 22 as negative and 2 as positive. Of the 24 reviews, it determined an average rating of 2.9 out of 10. The website gave the film an overall score of 8% and said of the consensus, "Passionate but poorly constructed, America preaches to the choir." The Hollywood Reporter's Paul Bond said the film performed well in its limited theatrical release, "overcoming several negative reviews in the mainstream media". Bond reported, "Conservatives... seem thrilled with the movie."  John Fund of National Review said the documentary was a response to U.S. progressive critique of the country, "D'Souza's film and his accompanying book are a no-holds-barred assault on the contemporary doctrine of political correctness." Fund said D'Souza's message was "deeply pessimistic" but concluded, "Most people will leave the theater with a more optimistic conclusion: Much of the criticism of America taught in the nation's schools is easily refuted, America is worth saving, and we have the tools to do so in our DNA, just waiting to be harnessed." National Review's Jay Nordlinger said, "Dinesh is the anti-Moore: taking to the big screen to press conservative points... The shame narrators (let's call them) focus on maybe 20 percent of the American story. Dinesh simply puts the other 80 percent back in." In a second article, Jay Nordlinger said, "The second movie confirms for me that one of Dinesh's great advantages is that he is absolutely clear-eyed about the Third World. While liberal Americans romanticize it, he has lived it."
Question: How well was the documentary received?
Answer:
The film review website Metacritic surveyed 11 movie critics and assessed 10 reviews as negative and 1 as mixed, with none being positive.