Problem: Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. After signing with Capitol Records in 1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the group. In addition to his lifelong struggles with mental illness, Wilson is known for his unorthodox approaches to pop composition and mastery of recording techniques, and he is widely acknowledged as one of the most innovative and significant songwriters of the late 20th century. The Beach Boys were formed by Brian, his brothers Carl and Dennis, their cousin Mike Love, and friend Al Jardine.

Brian Douglas Wilson was born on June 20, 1942, at Centinela Hospital in Inglewood, California, the eldest son of Audree Neva (nee Korthof) and Murry Wilson. His two younger brothers were Dennis and Carl. He has English, Swedish, Dutch, German, and Irish ancestry.  When Brian was two, the family moved from Inglewood to 3701 West 119th Street in nearby Hawthorne, California. Speaking of Brian's unusual musical abilities prior to his first birthday, his father said that, as a baby, he could repeat the melody from "When the Caissons Go Rolling Along" after only a few verses had been sung by the father. Murry Wilson said, "He was very clever and quick. I just fell in love with him." At about age two, Brian heard George Gershwin's Rhapsody in Blue, which had an enormous emotional impact on him. A few years later, he was discovered to have diminished hearing in his right ear. The exact cause of this hearing loss is unclear, though theories range from him simply being born partially deaf to a blow to the head from his father, or a neighborhood bully, being to blame.  While Brian's father Murry was ostensibly a reasonable provider, he was often abusive. A minor musician and songwriter, he also encouraged his children in this field in numerous ways. At an early age, Brian was given six weeks of lessons on a "toy accordion" and, at seven and eight, sang solos in church with a choir behind him. At Hawthorne High School, Brian was on the football team as a quarterback, played baseball and was a cross-country runner in his senior year. He sang with various students at school functions and with his family and friends at home, teaching his two brothers harmony parts that all three would then practice. He also played piano obsessively after school, deconstructing the harmonies of the Four Freshmen by listening to short segments of their songs on a phonograph, then working to recreate the blended sounds note by note on the keyboard. He received a Wollensak tape recorder on his 16th birthday, allowing him to experiment with recording songs and early group vocals.  Surviving home tapes document his initial efforts singing with various friends and family. In his senior year at Hawthorne High, in addition to classroom music studies, he sang at lunch time with friends like Keith Lent and Bruce Griffin. Brian and Keith worked on a revised version of the tune "Hully Gully" to support the campaign of a classmate named Carol Hess when she ran for senior class president. Enlisting his cousin and frequent singing partner Mike Love as well as his own brother Carl, Brian's next public performance featured more ambitious arrangements at a fall arts program at his high school. To entice Carl into the group, Brian named the newly formed membership Carl and the Passions. The performance featured tunes by Dion and the Belmonts and the Four Freshmen ("It's a Blue World"), the latter of which proved difficult for the ensemble. The event was notable for the impression which it made on another musician and classmate of Brian in the audience that night, Al Jardine, who would join the three Wilson brothers and Mike Love a few years later in the Beach Boys.

How did he begin his love of music?

Answer with quotes: He received a Wollensak tape recorder on his 16th birthday, allowing him to experiment with recording songs and early group vocals.

Question:
A phonograph record (also known as a gramophone record, especially in British English, or record) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac; starting in the 1950s polyvinyl chloride became common. In recent decades, records have sometimes been called vinyl records, or simply vinyl, although this would exclude most records made until after World War II.
78 rpm records were normally sold individually in brown paper or cardboard sleeves that were plain, or sometimes printed to show the producer or the retailer's name. Generally the sleeves had a circular cut-out exposing the record label to view. Records could be laid on a shelf horizontally or stood on an edge, but because of their fragility, breakage was common.  German record company Odeon is often said to have pioneered the album in 1909 when it released the Nutcracker Suite by Tchaikovsky on 4 double-sided discs in a specially designed package. However, the previous year Deutsche Grammophon had produced an album for its complete recording of the opera Carmen. The practice of issuing albums was not adopted by other record companies for many years. One exception, HMV, produced an album with a pictorial cover for its 1917 recording of The Mikado (Gilbert & Sullivan).  By about 1910, bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them.  In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight tunes per album. When the 12-inch vinyl LP era began in 1948, each disc could hold a similar number of tunes as a typical album of 78s, so they were still referred to as an "album", as they are today.
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When did they become common?

Answer:
In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music