input: In January 2009, Brooks made another one of few public appearances since his retirement, performing at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial concert in Washington, D.C.. In his three-song set, Brooks performed "We Shall Be Free", along with covers of Don McLean's "American Pie" and the Isley Brothers' "Shout".  On October 15, 2009, Brooks suspended his retirement to begin Garth at Wynn, a series of periodic weekend residency shows at Encore Las Vegas on the Las Vegas Strip. The schedule allowed Brooks both to have the family life during the week and to continue to perform on the weekend. The financial terms of the agreement were not announced, but Steve Wynn did disclose that he gave Brooks access to a private jet to quickly transport him between Las Vegas and his home in Oklahoma.  Brooks' first weekend on shows in Vegas received positive reviews and was called the "antithesis of Vegas glitz and of the country singer's arena and stadium extravaganzas" by USA Today. The shows featured Brooks performing solo, acoustic concerts, and included a set list of songs that have influenced him. Artists covered in the show include Simon and Garfunkel, Bob Seger, Billy Joel, and Don McLean. His first performances at Encore Las Vegas coincided with his wedding anniversary, and his wife Trisha Yearwood joined him for two songs.  In 2013, influenced by the set list of the Las Vegas shows, Brooks released Blame It All on My Roots: Five Decades of Influences via Walmart, a compilation album consisting of songs Brooks attributes to the development of his unique country pop genre. The box set's albums were individually certified Platinum and the compilation received a Billboard Music Award nomination. In an December 2013 appearance on Good Morning America to promote the album, Brooks also surprisingly announced plans for a world tour, beginning in 2014.

Answer this question "How did his show in Vegas do?"
output: Brooks' first weekend on shows in Vegas received positive reviews and was called the "antithesis of Vegas glitz

input: Despite his accomplishments in college, Ford was passed over in all 32 rounds of the 1948 NFL Draft during a time when most professional teams did not employ African-Americans. (The following year, George Taliaferro became the first African-American to be selected in an NFL draft.) He was selected, however, by the Los Angeles Dons of the rival All-America Football Conference (AAFC) in the third round of its 1948 draft. He signed with the Dons in April 1948.  Playing as a right end opposite Joe Aguirre, Ford had 31 catches for 598 yards and seven touchdowns in 1948. As was the case at Michigan, Ford also worked on defense and was one of the AAFC's most successful pass-rushers. The Dons, meanwhile, finished the regular season with a 7-7 record, good for third place in the AAFC West. Ford played basketball in the off-season for the New York Renaissance, an all-black professional team in the National Basketball League. He did not play basketball at Michigan, the Big Ten Conference having maintained racial segregation of basketball until 1950.  Ford had 36 catches for 577 yards and one touchdown in 1949, while the Dons fell to 4-8. The AAFC struggled financially during Ford's time with the Dons. Its teams competed with NFL franchises for fans' attention and player talent - the Dons shared a city with the NFL's Los Angeles Rams. By late 1949, team owners came to an agreement under which the Cleveland Browns, San Francisco 49ers and Baltimore Colts joined the NFL and the rest of the league's teams, including the Dons, folded.

Answer this question "When did he play in Los Angeles?"
output:
He signed with the Dons in April 1948.