IN: The Human Torch is a fictional superhero appearing in American comic books published by Marvel Comics. The character is a founding member of the Fantastic Four. He is writer Stan Lee and artist Jack Kirby's reinvention of a similar, previous character, the android Human Torch of the same name and powers was created in 1939 by writer-artist Carl Burgos for Marvel Comics' predecessor company, Timely Comics. Like the rest of the Fantastic Four, Jonathan "Johnny" Storm gained his powers on a spacecraft bombarded by cosmic rays.

Seeking an acting career, Storm was cast as the Old West hero the Rawhide Kid, but producers reconsidered and gave the role to Lon Zelig (actually the alien Super-Skrull). After working mostly in some television shows, Storm also spent some time as a firefighter at the behest of his former classmate, Mike Snow, but when Snow moved away after his wife turned out to be a psychopathic arsonist and seemingly died, Storm left the job. He later returned to the profession during a period when the Fantastic Four was short on cash. Frustrated with her brother's directionless life and near-disastrous pranksterism, his sister compelled him to become chief financial officer for the Fantastic Four, Inc. Infighting and betrayal resulted in a near-catastrophe, ending Storm's position.  After a major battle with the supervillain and dictator Doctor Doom, Fantastic Four leader Reed Richards attempted to claim Doom's Latveria for the Fantastic Four, an act that alienated the United States government and his own team. This led to team-member Ben Grimm's apparent death and the Fantastic Four's subsequent dispersal. Storm took to fixing cars for a living. Grimm later was revealed to be alive. Over the Internet, Storm meets a young woman, Cole, whom he learns is the daughter of one of the Fantastic Four's oldest enemies, the Wizard; after a confrontation with that supervillain, who escaped with Cole, Storm remained hopeful of meeting her again. For a time, Storm became the Herald of the powerful cosmic being Galactus, becoming the Invisible Boy after switching powers with his sister and teammate, Susan Richards, the Invisible Woman.  During the 2006-2007 "Civil War" company-wide crossover, in which the superpowered community is split over the Superhuman Registration Act, which required them to register with, and become agents of, the US government, Storm and his sister allied with the underground rebels, the Secret Avengers. Shortly afterward, during the "Secret Invasion" company-wide crossover, the shape-shifting extraterrestrial Skrulls intensified their clandestine infiltration of Earth. Storm was briefly reunited with his former Skrull girlfriend, Lyja. Though part of the invading force, she finds she still has some feelings for him, and does not carry out her mission of sabotage. She returns to her people, unsure of herself and of any future relationship.

What was Doctor Doom doing to be so dangerous?

OUT: 


IN: Masami Akita (Qiu Tian  Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.

Merzbow's sounds employ the use of distortion, feedback, and noises from synthesizers, machinery, and home-made noisemakers. While much of Merzbow's output is intensely harsh in character, Akita does occasionally make forays into ambient music. Vocals are employed sometimes, but never in a lyrical sense. Contrary to most harsh noise music, Akita also occasionally uses elements of melody and rhythm.  Akita's early work consisted of industrial noise music made from tape loops and conventional instruments. Similar to his present albums, he produced lengthy, disorienting pieces. He also became famous for the sheer volume of his releases.  The avant-garde nature of Akita's work made acceptance by mainstream and unprepared audiences difficult. When he performed with Kiyoshi Mizutani in 1988 at the Jazz-on-Amur festival in Khabarovsk, the Far East of USSR, his improvised, experimental electroacoustic set was praised by fellow musicians as well as the festival's producer. The number of the - jazz-oriented (and - even just curious) - crowd, however, had been expecting a more traditional (and much-much more quiet) performance, and started walking out. Prior to his second performance at the festival -- which was to be made to an even more conservative audience-- Akita was asked to play "more musically." On that first stage, Merzbow used the finest example of "classical analogue live noisemaiking technologies" to display: untuned guitar, a drumset, various micro-objects, small springs centered in its shell baffles, large aluminium boxes with strings inside to be attacked with a fiddlestick, etc. along with multi- piezo-pickuping and close-miking techniques, live processing through vintage US fuzz, ring modulator etc. boxes, and quite vivid and spontaneous approach, backed by domestically supplied slide and light shows. These live recordings were post-processed/re-mixed and released as Live in Khabarovsk, CCCP (I'm Proud by Rank of the Workers) LP - and as the (once more re-mixed comparing to the LP) CD 26 of the Merzbox later on.  During the 1990s Akita's work became much harsher and was generally mastered at a louder volume than usual. These were heavily influenced by death metal and grindcore bands of the time (a prime example is the Venereology album). The mid-1990s saw Akita being heavily influenced by psychedelic bands and this was reflected in various albums.

Are there any other interesting aspects about this article?

OUT:
he performed with Kiyoshi Mizutani in 1988 at the Jazz-on-Amur festival