IN: Puckett was born in Chicago, Illinois, and raised in Robert Taylor Homes, a housing project on Chicago's South Side (the escape from which he frequently referred back to during his career). He attended and played baseball for Calumet High School (Chicago). After receiving no scholarship offers following graduation, Puckett at first went to work on an assembly line for Ford Motor Company. However, he was given a chance to attend Bradley University and after one year transferred to Triton College.

In 1991, the Twins got back on the winning track and Puckett led the way by batting .319, eighth in the league and Minnesota surged past Oakland midseason to capture the division title. The Twins then beat the Toronto Blue Jays in five games in the American League Championship Series as Puckett batted .429 with two home runs and five RBI to win the ALCS MVP.  The subsequent 1991 World Series was ranked by ESPN to be the best ever played, with four games decided on the final pitch and three games going into extra innings. The Twins and their opponent, the Atlanta Braves, had each finished last in their respective divisions in the year before winning their league pennant, something that had never happened before.  Going into Game 6, the Twins trailed three games to two with each team winning their respective home games. Puckett gave the Twins an early lead by driving in Chuck Knoblauch with a triple in the first inning. Puckett then made a leaping catch in front of the Plexiglass wall in left field to rob Ron Gant of an extra-base hit in the third. The game went into extra innings, and in the first at-bat of the bottom of the 11th, Puckett hit a dramatic game-winning home run on a 2-1 count off of Charlie Leibrandt to send the Series to Game 7. This dramatic game has been widely remembered as the high point in Puckett's career. The images of Puckett rounding the bases, arms raised in triumph (often punctuated by CBS television broadcaster Jack Buck saying "And we'll see you tomorrow night!"), are always included in video highlights of his career. After Game 6, the Twins replaced the blue seat back and bottom where the walk off home run ball was caught with a gold colored set. Both of these sets remain in the Twins' archives. The original home run seat armrests and hardware, as well as the replacement blue seat back and bottom, are now in a private collection of Puckett memorabilia in Minnesota after the Metrodome was torn down. The Twins then went on to win Game 7 1-0, with Jack Morris throwing a 10-inning complete game, and claimed their second World Series crown in five years.  However, the Twins did not make it back to the postseason during the rest of Puckett's career, although Puckett continued to play well. In 1994, Puckett was switched to right field and won his first league RBI title by driving in 112 runs. He was having another brilliant season in 1995 before having his jaw broken by a Dennis Martinez fastball on September 28.

How about Game 8?

OUT: 

Answer the question at the end by quoting:

O-Town is an American boy band formed from the first season of the MTV-produced reality television series Making the Band in 2000. As of 2015 the group consists of Erik-Michael Estrada, Trevor Penick, Jacob Underwood, and Dan Miller. The most popular line up also included Ashley Parker Angel, who refused to participate in the 2013 reunion. Ikaika Kahoano was originally part of the band but replaced by Miller after dropping out of the group.
The members of O-Town moved on to solo careers. The most successful member of the group has been Ashley Parker Angel, who was signed to Universal's Blackground Records, and also given his own reality show on MTV, There and Back. Released in 2006, Ashley's solo debut album was heavily promoted, but did not achieve solid sales numbers. In January 2007, he began playing the role of Link Larkin in the Broadway production of Hairspray. Ex-bandmate, Trevor Penick, now professionally known as "Tre Scott", was signed to Mach 1 Music, and worked with established industry producer Eddie Galan. The other band members retained a fanbase and had success in their own right, as evidenced by their Myspace profiles. Erik stayed in the music business and went on to collaborate and co-write songs for other artists. Jacob Underwood went on to start his own country band "Jacobs Loc".  Back in January 2011, rumors were swirling that a reunion was in the works for the band. TMZ reported that Erik, Trevor, Dan & Jacob have returned to the studio to record the follow-up to O2, however, it was confirmed that Ashley Parker Angel declined the offer from the guys. He told TMZ in a following article his explanation. "O-Town was one of the greatest chapters of my life, so when the idea of a reunion was brought to me, of course I was intrigued. However I have made the decision not to be a part of an O-Town reunion. It was a difficult decision, but ultimately necessary to move on with the next chapter of my career."  He has, however, given the guys his blessing for them to reunite without him. When interviewed about his rejection, Erik said that the guys eventually come to terms with it, but admitted "I would just think he would want to come on board and be a part of it ... but he doesn't and that's cool."  The remaining guys continued to pursue the reunion over the next few years, keeping details very private.

What was the name of an album?



input: In his early teens, Monk toured with an evangelist, playing the church organ, and in his late teens he began to find work playing jazz. In the early to mid-1940s, he was the house pianist at Minton's Playhouse, a Manhattan nightclub. Much of Monk's style was developed during his time at Minton's, when he participated in after-hours cutting contests, which featured many leading jazz soloists of the time. Monk's musical work at Minton's was crucial in the formulation of bebop, which would be furthered along by other artists, including Dizzy Gillespie, Charlie Christian, Kenny Clarke, Charlie Parker, and, later, Miles Davis. Monk is believed to be the pianist featured on recordings Jerry Newman made around 1941 at the club. Monk's style at this time was later described as "hard-swinging," with the addition of runs in the style of Art Tatum. Monk's stated influences included Duke Ellington, James P. Johnson, and other early stride pianists. In the documentary Thelonious Monk: Straight, No Chaser, it is stated that Monk lived in the same neighborhood in New York City as Johnson and knew him as a teenager.  Mary Lou Williams, who mentored Monk and his contemporaries, spoke of Monk's rich inventiveness in this period, and how such invention was vital for musicians, since at the time it was common for fellow musicians to incorporate overheard musical ideas into their own works without giving due credit. "So, the boppers worked out a music that was hard to steal. I'll say this for the 'leeches,' though: they tried. I've seen them in Minton's busily writing on their shirt cuffs or scribbling on the tablecloth. And even our own guys, I'm afraid, did not give Monk the credit he had coming. Why, they even stole his idea of the beret and bop glasses."  In 1944 Monk made his first studio recordings with the Coleman Hawkins Quartet. Hawkins was one of the earliest established jazz musicians to promote Monk, and the pianist later returned the favor by inviting Hawkins to join him on a 1957 session with John Coltrane.

Answer this question "What recognition did he receive?"
output:
Monk's musical work at Minton's was crucial in the formulation of bebop, which would be furthered along by other artists,