Background: Burton was born to American parents at the U.S. Army Landstuhl Regional Medical Center in West Germany. His mother, Erma Gene (nee Christian), was a social worker, administrator, and educator. His father, Levardis Robert Martyn Burton, was a photographer for the U.S. Army Signal Corps at the time he was stationed at Landstuhl. Burton and his two sisters were raised by his mother in Sacramento, California.
Context: Burton first appeared on television in a drama about a misunderstood deaf boy. LeVar Burton made his film acting debut in 1977 when he played Kunta Kinte in the ABC award-winning drama series Roots, based on the novel by Alex Haley. Burton's audition for the role of Kinte was the first of his professional career. As a result of his performance, he was nominated for the Emmy for Best Actor in a Drama Series. Burton reprised the role of Kunta Kinte in the 1988 television film Roots: The Gift. When asked about the societal impacts of Roots, Burton is quoted as saying, "It expanded the consciousness of people. Blacks and whites began to see each other as human beings, not as stereotypes. And if you throw a pebble into the pond, you're going to get ripples. I think the only constant is change, and it's always slow. Anything that happens overnight is lacking in foundation. Roots is part of a changing trend, and it's still being played out."  Burton played a role as a visitor to Fantasy Island, was a participant in Battle of the Network Stars, a guest of the Muppet Show's televised premiere party for the release of The Muppet Movie, and a frequent guest on several game shows. In 1986, he appeared in the music video for the song "Word Up!" by the funk/R&B group Cameo.  Burton accepted an invitation to host Rebop, a multicultural series designed for young people ages 9-15, produced by WGBH for PBS.
Question: Was he successful in that role?
Answer: 

Question:
Ernest Clayton Walker, Jr. (born August 19, 1969) is an American country music artist. He made his debut in 1993 with the single "What's It to You", which reached Number One on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) chart, as did its follow-up, 1994's "Live Until I Die". Both singles were included on his self-titled debut album, released in 1993 via Giant Records. He stayed with the label until its 2001 closure, later recording for Warner Bros. Records and RCA Records before joining his current label, Asylum-Curb Records, in 2007.
In April 1998, Walker charted with a live rendition of Earl Thomas Conley's 1983 single "Holding Her and Loving You". This rendition spent nine weeks on the charts and peaked at number 68. One month later, he debuted his sixteenth single, "Ordinary People". Peaking at number 35, it was one of two new songs included on his Greatest Hits album; the other new track, "You're Beginning to Get to Me", made its debut in August 1998 and peaked at number 2 on the country chart and number 39 on the Hot 100 in January 1999, the same month in which Greatest Hits was certified gold. Also in 1998, Walker performed a sold-out show at the Houston Livestock Show and Rodeo.  Doug Johnson, who succeeded Stroud as Giant Records' president, produced Walker's 1999 album Live, Laugh, Love. Regarding its production and promotion, the label's senior director of marketing Connie Baer said that she wanted to raise Walker's profile as an artist, as both she and Johnson thought that he did not have the same level of recognition as other artists with similar album sales and chart success. This album was led off by the number 16 country and number 74 pop hit "She's Always Right", which was co-written by Lonestar's lead singer Richie McDonald. After this song came the title track at number 11 country and number 65 pop. "The Chain of Love", written by Rory Lee Feek and Jonnie Barnett, was the album's third and most successful single, reaching number 3 country and number 40 on the Hot 100. Both it and "Once in a Lifetime Love", the fourth single, first charted from unsolicited airplay received while "Live, Laugh, Love" was climbing the charts. "Once in a Lifetime Love", upon its release, became his lowest-peaking single release, reaching number 50. The album also included a studio version of the Earl Thomas Conley cover.  Erlewine gave the album three stars on Allmusic, where he wrote that it "never really distinguishes itself from its predecessors" but "has its moments." Brian Wahlert of Country Standard Time also thought that the album was inconsistent, saying that "She's Always Right", "The Chain of Love", and the Conley cover were its strongest tracks, but that the rest "treads no new ground." Deborah Evans Price of Billboard was more favorable, saying that it showed the energy of his live shows, and that he "cut loose" with soul singing on "This Time Love."  In late 2000, Walker recorded two tracks on Believe: A Christmas Collection, a multi-artist Christmas music album released by Giant. These two tracks -- a cover version of Elvis Presley's "Blue Christmas" and the original song "Cowboy Christmas" -- both made appearances on the country chart, reaching number 51 and number 70, respectively.
Answer this question using a quote from the text above:

Where did this song make it to

Answer:
Peaking at number 35, it was one of two new songs included on his Greatest Hits album;

Problem: Background: Ludwig Mies van der Rohe ( MEESS; German: [mi:s]; born Maria Ludwig Michael Mies; March 27, 1886 - August 17, 1969) was a German-American architect. He is commonly referred to and was addressed as Mies, his surname.
Context: Between 1946 and 1951, Mies van der Rohe designed and built the Farnsworth House, a weekend retreat outside Chicago for an independent professional woman, Dr. Edith Farnsworth. Here, Mies explored the relationship between people, shelter, and nature. The glass pavilion is raised six feet above a floodplain next to the Fox River, surrounded by forest and rural prairies.  The highly crafted pristine white structural frame and all-glass walls define a simple rectilinear interior space, allowing nature and light to envelop the interior space. A wood-panelled fireplace (also housing mechanical equipment, kitchen, and toilets) is positioned within the open space to suggest living, dining and sleeping spaces without using walls. No partitions touch the surrounding all-glass enclosure. Without solid exterior walls, full-height draperies on a perimeter track allow freedom to provide full or partial privacy when and where desired. The house has been described as sublime, a temple hovering between heaven and earth, a poem, a work of art.  The Farnsworth House and its 60-acre (240,000 m2) wooded site was purchased at auction for US$7.5 million by preservation groups in 2004 and is now owned and operated by the National Trust for Historic Preservation as a public museum. The building influenced the creation of hundreds of modernist glass houses, most notably the Glass House by Philip Johnson, located near New York City and also now owned by the National Trust.  The house is an embodiment of Mies' mature vision of modern architecture for the new technological age: a single unencumbered space within a minimal "skin and bones" framework, a clearly understandable arrangement of architectural parts. His ideas are stated with clarity and simplicity, using materials that are configured to express their own individual character.
Question: How was he involved with the house?
Answer:
Mies van der Rohe designed and built the Farnsworth House,