Answer the question at the end by quoting:

Rene Noel Theophile Girard (; French: [ZiRaR]; 25 December 1923 - 4 November 2015) was a French historian, literary critic, and philosopher of social science whose work belongs to the tradition of anthropological philosophy. Girard was the author of nearly thirty books, with his writings spanning many academic domains.
In Things Hidden Since the Foundation of the World, Girard discusses for the first time Christianity and the Bible. The Gospels ostensibly present themselves as a typical mythical account, with a victim-god lynched by a unanimous crowd, an event that is then commemorated by Christians through ritual sacrifice -- a material re-presentation in this case -- in the Eucharist. The parallel is perfect except for one detail: the truth of the innocence of the victim is proclaimed by the text and the writer. The mythical account is usually built on the lie of the guilt of the victim in as much as it is an account of the event seen from the viewpoint of the anonymous lynchers. This ignorance is indispensable to the efficacy of the sacrificial violence.  The evangelical "good news" clearly affirms the innocence of the victim, thus becoming, by attacking ignorance, the germ of the destruction of the sacrificial order on which rests the equilibrium of societies. Already the Old Testament shows this turning inside-out of the mythic accounts with regard to the innocence of the victims (Abel, Joseph, Job...), and the Hebrews were conscious of the uniqueness of their religious tradition. With the Gospels, it is with full clarity that are unveiled these "things hidden since the foundation of the world" (Matthew 13:35), the foundation of social order on murder, described in all its repulsive ugliness in the account of the Passion.  This revelation is even clearer because the text is a work on desire and violence, from the serpent setting alight the desire of Eve in paradise to the prodigious strength of the mimetism that brings about the denial of Peter during the Passion (Mark 14: 66-72; Luke 22:54-62). Girard reinterprets certain biblical expressions in light of his theories; for instance, he sees "scandal" (skandalon, literally, a "snare", or an "impediment placed in the way and causing one to stumble or fall") as signifying mimetic rivalry, for example Peter's denial of Jesus. No one escapes responsibility, neither the envious nor the envied: "Woe to the man through whom scandal comes" (Matthew 18:7).

Is there anything else interesting about his views on Biblical texts?

Already the Old Testament shows this turning inside-out of the mythic accounts with regard to the innocence of the victims

IN: Dream Theater is an American progressive metal band formed in 1985 under the name Majesty by John Petrucci, John Myung and Mike Portnoy while they attended Berklee College of Music in Boston, Massachusetts. They subsequently dropped out of their studies to concentrate further on the band that would ultimately become Dream Theater. Though a number of lineup changes followed, the three original members remained together along with James LaBrie and Jordan Rudess until September 8, 2010, when Portnoy left the band. In October 2010, the band held auditions for a drummer to replace Portnoy.

On October 7, 2008, Dream Theater returned to Avatar Studios to begin work on their tenth album, resuming their relationship with Paul Northfield to engineer and mix the record. The album, entitled Black Clouds & Silver Linings, was released on June 23, 2009. In addition to the standard CD, the album was made available on vinyl LP, as well as a 3-disc Special Edition CD that includes the full album, a CD of instrumental mixes of the album and a CD of six cover songs from artists such as Queen and Rainbow. On July 1, 2009, the album debuted at No. 6 on Billboard's Top 200 album chart, with first week sales totalling 40,285, making their highest entry on the chart. The album featured "The Shattered Fortress", the last in Mike Portnoy's series of songs about his 12-step recovery from alcoholism, as well as the song "The Best of Times", described by Portnoy as "a real heavy personal subject about my dad who passed away during the making of the album ... He was battling cancer throughout its making."  The band also embarked on a second Progressive Nation tour, including the tour's first performances in Europe. Opeth, Unexpect and Bigelf supported Dream Theater in Europe, while Zappa Plays Zappa, Pain Of Salvation, and Beardfish were slated to perform on the North American leg. However, Pain of Salvation and Beardfish were unable to tour with Dream Theater and Zappa Plays Zappa because of financial troubles within their respective record labels. The two new bands that filled the vacated slots for the Progressive Nation 2009 tour in North America were Bigelf and Scale the Summit with Bigelf performing on both European and North American legs.  After the Progressive Nation Tour, Dream Theater re-entered the studio to write and record a brand new instrumental track for inclusion on the God of War III soundtrack EP God of War: Blood & Metal. The track, entitled "Raw Dog" (God (of) War reversed), marked the first time that the band has written and recorded an exclusive track for an outside project. "Raw Dog" includes the first ever commercially recorded harpejji track, performed by Jordan Rudess, as well as Dream Theater's final recorded performance with Mike Portnoy on drums. In December 2009, during their Black Clouds & Silver Linings tour whilst visiting Australia, Dream Theater appeared with one support act, Pain of Salvation. In March 2010, they toured South America with Bigelf. Afterwards, during the summer of 2010, Dream Theater supported Iron Maiden on the US and Canadian legs of their summer tour which were the last shows DT played during 2010.

Did anyone say anything about Black Clouds?

OUT: