Problem: Eraserheads (sometimes stylized as ERAS3RHEADS) is a Filipino rock band formed in 1989. Consisting of Ely Buendia, Marcus Adoro, Buddy Zabala, and Raimund Marasigan, the band became one of the most successful, most influential, critically acclaimed, and significant bands in the history of Philippine music, leaving a legacy that resulted to them being the most commercially successful Filipino music artists of all time. Often dubbed as "The Beatles of the Philippines", they are credited for spearheading a second wave of Manila band invasions, paving the way for a host of Philippine alternative rock bands. The band released several singles, albums, and EPs that reached number one and achieved commercial success with their third album Cutterpillow, which achieved platinum status several times.

On February 28, 2007, the official launch of the book Tikman ang Langit: An Anthology on the Eraserheads (2007) was held at the second level of Powerbooks bookstore in Greenbelt 3, Makati City. The launch was accompanied by acoustic performances by Cambio (whose members include Raimund Marasigan, Buddy Zabala and Kris Gorra-Dancel), Markus Highway (Marcus Adoro's band), and Lei Bautista of Prettier Than Pink. The performers covered Eraserheads songs such as "Ligaya" (performed by Lei Bautista), "With a Smile" (also performed by Bautista) and "Magasin" (performed by Cambio with Marcus Adoro). The event was dubbed a mini-reunion of Eraserheads, with Marasigan, Zabala and Adoro performing together for the first time in four years. Buendia did not attend because of a scheduled meeting with his surgeon and the manufacturers of the stents in his heart.  Tikman ang Langit is a collection of essays about Eraserheads written by fourteen journalists who are mostly fans of the band. The book itself was compiled by Melvin Calimag and Jing Garcia, with a foreword by Eraserheads producer Robin Rivera.  Another mini-reunion happened in Saguijo on July 26, 2007. Visitors were startled as the venue's schedule listed "Eraserheads" as a performer along with Rivermaya and Teeth. Jugs Jugueta of Itchyworms and Kris Gorra-Dancel of Cambio played guitars, Zabala on bass, Marasigan on drums, Jett Pangan of The Dawn on vocals, and producer Robin Rivera played drums when Marasigan sang. They called themselves "Eraser X" during that night. Buendia and Adoro knew about the event but did not go there as they had other gigs as well. Pupil was in Hard Rock Cafe Makati, while Adoro had gigs with Markus Highway, although Pupil's bassist Dok Sergio was able to follow and played for Teeth.  Adoro, Zabala, and Marasigan did an impromptu number at the Millennia Club called "Marooned", a production of UP bands from past and present. The song Batch 88 from "Belma en Luis", was one of the songs that was jammed by the trio.

Why are the reunions "mini" reunions?

Answer with quotes: 


Problem: Dave Holland (born 1 October 1946) is an English jazz double bassist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States for over 40 years. His work ranges from pieces for solo performance to big band. Holland runs his own independent record label, Dare2, which he launched in 2005.

In 1968, Miles Davis and Philly Joe Jones heard him at Ronnie Scott's Jazz Club, playing in a combo that opened for the Bill Evans Trio. Jones told Holland that Davis wanted him to join his band (replacing Ron Carter). Davis left the UK before Holland could contact him directly, and two weeks later Holland was given three days' notice to fly to New York for an engagement at Count Basie's nightclub. He arrived the night before, staying with Jack DeJohnette, a previous acquaintance. The following day Herbie Hancock took him to the club, and his two years with Davis began. This was also Hancock's last gig as Davis's pianist, as he left afterwards for a honeymoon in Brazil and was replaced by Chick Corea when he could not return for an engagement due to illness. Holland's first recordings with Davis were in September 1968, and he appears on half of the album Filles de Kilimanjaro (with Davis, Corea, Wayne Shorter and Tony Williams).  Holland was a member of Davis's rhythm section through the summer of 1970; he appears on the albums In a Silent Way and Bitches' Brew. All three of his studio recordings with Davis were important in the evolution of jazz fusion. In the first year of his tenure with Davis, Holland played primarily upright bass. By the end of 1969, he played electric bass guitar (often treated with wah-wah pedal and other electronic effects) with greater frequency as Davis moved away from acoustic jazz.  Holland was also a member of Davis's working group during this time, unlike many of the musicians who appeared only on the trumpeter's studio recordings. The so-called "lost quintet" of Davis, Shorter, Corea, Holland and DeJohnette was active in 1969 but never made any studio recordings as a quintet. A 1970 live recording of this group plus percussionist Airto Moreira, Live at the Fillmore East, March 7, 1970: It's About That Time, was issued in 2001. Steve Grossman replaced Shorter in early 1970; Keith Jarrett joined the group as a second keyboardist thereafter, and Gary Bartz replaced Grossman during the summer of 1970. By the end of the summer, rhythm and blues bass guitarist Michael Henderson had replaced Holland.

Did they win any awards together?

Answer with quotes: