IN: James Fenimore Cooper (September 15, 1789 - September 14, 1851) was a prolific and popular American writer of the first half of the 19th century. His historical romances draw a picture of frontier and American Indian life in the early American days which created a unique form of American literature. He lived most of his life in Cooperstown, New York, which was founded by his father William on property that he owned. Cooper was a lifelong member of the Episcopal Church and contributed generously to it.

In 1820, Cooper's wife Susan wagered that he could write a book better than the one that she was reading. In response to the wager, Cooper wrote the novel Precaution (1820). Its focus on morals and manners was influenced by Jane Austen's approach to fiction. He anonymously published Precaution and it received favorable notice from the United States and England. By contrast, his second novel The Spy (1821) was inspired by a tale related to him by neighbor and family friend John Jay. It was more successful and became a bestseller; the setting of this Revolutionary War tale is widely believed to have been John Jay's family home "The Locusts" in Rye, New York. In 1823, Cooper published The Pioneers, the first of the Leatherstocking series. The series features Natty Bumppo, a resourceful American woodsman at home with the Delaware Indians and their chief Chingachgook. Bumppo was also the main character of Cooper's most famous novel The Last of the Mohicans (1826), written in New York City where Cooper and his family lived from 1822 to 1826. The book became one of the most widely read American novels of the 19th century.  In 1823, Cooper was living in New York on Beach Street in what is now downtown's Tribeca. While there, he became a member of the Philadelphia Philosophical Society. In August of that year, his first son died.  In 1824, General Lafayette arrived from France aboard the Cadmus at Castle Garden in New York City as the nation's guest. Cooper witnessed his arrival and was one of the active committee of welcome and entertainment.
QUESTION: What did he do with this book
IN: Toru Takemitsu (Wu Man  Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.

In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence."  In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later.  In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland.
QUESTION: what genre of music did his productions have?
IN: Henry Jaynes Fonda (May 16, 1905 - August 12, 1982) was an American film and stage actor with a career spanning five decades. Fonda made his mark early as a Broadway actor. He also appeared in 1938 in plays performed in White Plains, New York, with Joan Tompkins. He made his Hollywood debut in 1935, and his career gained momentum after his Academy Award-nominated performance as Tom Joad in The Grapes of Wrath, a 1940 adaptation of John Steinbeck's novel about an Oklahoma family who moved west during the Dust Bowl.

Born in Grand Island, Nebraska in May 1905, Henry Jaynes Fonda was the son of printer William Brace Fonda, and his wife, Herberta (Jaynes). The family moved to Omaha, Nebraska in 1906.  Fonda's patrilineal line originates with an ancestor from Genoa, Italy, who migrated to the Netherlands in the 15th century. In 1642, a branch of the Fonda family immigrated to the Dutch colony of New Netherland on the East Coast of North America. They were among the first Dutch population to settle in what is now upstate New York, establishing the town of Fonda, New York. By 1888, many of their descendants had relocated to Nebraska.  Fonda was brought up as a Christian Scientist, though he was baptized an Episcopalian at St. Stephen's Episcopal Church in Grand Island. He said, "My whole damn family was nice." They were a close family and highly supportive, especially in health matters, as they avoided doctors due to their religion. Despite having a religious background, he later became an agnostic. Fonda was a bashful, short boy who tended to avoid girls, except his sisters, and was a good skater, swimmer, and runner. He worked part-time in his father's print plant and imagined a possible career as a journalist. Later, he worked after school for the phone company. He also enjoyed drawing. Fonda was active in the Boy Scouts of America; Teichmann reports that he reached the rank of Eagle Scout. However, this is denied elsewhere. When he was about 14, his father took him to observe the brutal lynching of Will Brown during the Omaha race riot of 1919. This enraged the young Fonda and he kept a keen awareness of prejudice for the rest of his life. By his senior year in high school, Fonda had grown to more than six feet tall, but remained shy. He attended the University of Minnesota, where he majored in journalism, but he did not graduate. He took a job with the Retail Credit Company.
QUESTION:
how old was he when he go into acting?