Background: Daphne Rose Clarke (also Lawrence) is a fictional character from the Australian soap opera Neighbours, played by Elaine Smith. Daphne was created by Reg Watson as one of Neighbours' twelve original characters. The producer had originally wanted Rebecca Gibney to play the role, but she joined the cast of another television series. When Smith came in to audition for a guest part, her appearance, particularly her short haircut, caught the attention of the casting director, who had been looking for an "outrageous image" for the character of Daphne.
Context: The character of Daphne was introduced to Neighbours as a "saucy stripper with a heart of gold." In their 1989 book, The Neighbours Factfile, Neil Wallis and Dave Hogan wrote that Daphne came from a rich, but uncaring family. They were rarely mentioned on-screen, making her past somewhat of a mystery. Daphne had received a good education and worked in an office as a secretary, until she told her sexist boss to "jump in a lake." Daphne then chose to become a stripper rather than ask her mother, Tina (Beverley Dunn), for a loan. Of Daphne's profession as a stripper, Smith explained "The whole point of Daphne being a stripper is that she's completely counter to the black stockings and garters cliche. She's a bright girl from a good background who gets fed up with being ogled and pinched by men in her secretarial job and says, right I might as well make some money out of it."  With her spiky hair and bright clothing, Daphne stood out from other female characters on television at the time. She was portrayed as a strong, smart and independent woman. She was often shrewd and "a warm friend" to those around her. Tony Johnston, author of Neighbours: 20 years of Ramsay Street stated that Daphne had "an appealing mix of cheek, savvy and the-girl-next-door." She was a woman in charge of her own life, which helped her to become the serial's first "sweetheart." Smith told Kingsley that her favourite aspects of Daphne's personality were her confidence and stubborn streak. Smith also commented that Daphne wore "zanier clothes" than she did and was more outgoing. The fact that she embodied a "no-nonsense approach" to life and was not embarrassed by her profession as a stripper, meant Daphne became an immediate favourite with viewers.  The way she treated the serial's teenagers as adults also endeared her to the younger viewers. Daphne gave up her career as a stripper to run the coffee shop, which her grandfather Harry Henderson (Johnny Lockwood) gave to her, after he won it in a poker game. Kingsley commented that Daphne ran the business like "a pro". Daphne's position in the coffee shop meant that customers often confided in her and she helped mediate between several parents and their children. She also gained the trust and affection of the teenage characters, most notably Mike Young (Guy Pearce), who she took under her wing, later becoming his legal guardian.
Question: Is she well-liked by the other characters on the program?
Answer: The way she treated the serial's teenagers as adults also endeared her to the younger viewers.

Problem: Background: Styx  is an American rock band from Chicago that formed in 1972 and became famous for its albums released in the late 1970s and early 1980s. They are best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s. Styx is best known for the hit songs "Lady",
Context: Dennis DeYoung and Tommy Shaw released a string of solo albums, beginning with DeYoung's Desert Moon and Shaw's Girls with Guns in 1984. Both Shaw and DeYoung generated a moderate amount of interest with their first solo albums. DeYoung scored a Top 10 hit with the title track, "Desert Moon", which was also heavily featured on MTV. Shaw also cracked the Top Forty with "Girls with Guns" and he made a cameo appearance on the NBC television series Miami Vice. DeYoung's follow up single "Don't Wait for Heroes" also featured a video that was heavily featured on MTV, but it failed to generate significant radio airplay, only peaking at No. 83. During the filming of the video, DeYoung injured his back, causing him to back out of opening a North American concert tour for Huey Lewis and the News. Shaw, however, did tour in the fall of 1984 as an opening act for the Kinks.  Shaw's 1985 album What If and DeYoung's 1986 album Back to the World also charted, along with singles from film soundtracks. Shaw's "What If (Remo's Theme)" from Remo Williams: The Adventure Begins entered the Billboard Hot 100, while DeYoung's "This Is the Time" from The Karate Kid, Part II soundtrack was featured for a short while on MTV. The first single from DeYoung's Back to the World album, "Call Me", peaked at No. 6 on the Adult Contemporary chart and was a modest pop hit, peaking at No. 54 on the Billboard Hot 100.  However, by the late 1980s, both Styx members' solo careers gradually simmered down to a modest but loyal fan base. Neither Shaw's Ambition (1987) nor DeYoung's Boomchild (1989) achieved nearly the same levels of earlier albums, although Shaw's cover of Jim Peterik's "Ever Since the World Began" charted briefly. Shaw also recorded sessions with Peterik's group, Survivor, on 1986's When Seconds Count, and Shaw's solo band opened the majority of the US shows for Rush's 1987-88 Hold Your Fire Tour.  Meanwhile, James Young recorded his own solo albums: City Slicker (1985 with Jan Hammer) and Out on a Day Pass (1988), both attracting only minimal attention. In 1995 James Young partnered with other Chicago musicians and released an album under name James Young Group titled "Raised by Wolves".  In 1989, Tommy Shaw formed Damn Yankees with Ted Nugent, Jack Blades and Michael Cartellone. Meanwhile, the remaining members of Styx made plans for a comeback in the new decade.
Question: Were there any other hits from the album?
Answer:
"Don't Wait for Heroes" also featured a video that was heavily featured on MTV, but it failed to generate significant radio airplay, only peaking at No. 83.