IN: Paul Bryant was the 11th of 12 children who were born to Wilson Monroe and Ida Kilgore Bryant in Moro Bottom, Cleveland County, Arkansas. His nickname stemmed from his having agreed to wrestle a captive bear during a carnival promotion when he was 13 years old. His mother wanted him to be a minister, but Bryant told her "Coaching is a lot like preaching". He attended Fordyce High School, where 6 ft 1 in (1.85 m) tall Bryant, who as an adult would eventually stand 6 ft 4 in (1.93 m), began playing on the school's football team as an eighth grader.

Many of Bryant's former players and assistant coaches went on to become head coaches at the collegiate level and in the National Football League. Danny Ford (Clemson, 1981), Howard Schnellenberger (Miami of Florida, 1983), and Gene Stallings (Alabama, 1992) all won national championships as head coaches for NCAA programs while Joey Jones, Mike Riley, and David Cutcliffe are active head coaches in the NCAA. Charles McClendon, Jerry Claiborne, Sylvester Croom, Jim Owens, Jackie Sherrill, Bill Battle, and Pat Dye were also notable NCAA head coaches. Croom was the SEC's first African-American head coach at Mississippi State from 2004 through 2008. Arizona Cardinals head coach Bruce Arians was a running backs coach under Bryant in 1981-82.  Ozzie Newsome is active as the general manager of the Baltimore Ravens. He was a Professional Football Hall of Fame tight end for the Cleveland Browns for 13 seasons (1978-90) and stayed loyal to owner Art Modell after the move to Baltimore. Newsome was the GM of the Ravens' Super Bowl XXXV championship team in 2000, and their Super Bowl XLVII championship team in 2012.  Jack Pardee, one of the Junction Boys, played linebacker in the NFL for 16 seasons with the Los Angeles Rams and Washington Redskins, was a college head coach at the University of Houston, and was an NFL head coach with Chicago, Washington, and Houston.  Bryant was portrayed by Gary Busey in the 1984 film The Bear, by Sonny Shroyer in the 1994 film Forrest Gump, Tom Berenger in the 2002 film The Junction Boys, and Jon Voight in the 2015 film Woodlawn.  In a 1980 interview with Time magazine, Bryant admitted that he had been too hard on the Junction Boys and "If I were one of their players, I probably would have quit too."

Did he win awards?

OUT: 

input: In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name.  Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week.  Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters.  In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.

Answer this question "what pictures did he do?"
output:
The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones.