Answer the question at the end by quoting:

Lilyan Tashman (October 23, 1896 - March 21, 1934) was an American vaudeville, Broadway, and film actress. Tashman was best known for her supporting roles as tongue-in-cheek villainesses and the vindictive "other woman." She made 66 films over the course of her Hollywood career and although she never obtained superstar status, her cinematic performances are described as "sharp, clever and have aged little over the decades." Tall, blonde, and slender with fox-like features and a throaty voice, Tashman freelanced as a fashion and artist's model in New York City.
Lilyan Tashman's entertainment career began in vaudeville, and by 1914 she was an experienced performer, appearing in Song Revue in Milwaukee, Wisconsin, with rising stars Eddie Cantor and Al Lee. In 1916, she played Viola in a Shakespeare-inspired number for the Ziegfeld Follies and remained with the Follies for the 1917 and 1918 seasons. In 1919, producer David Belasco gave her a supporting role in Avery Hopwood's comedy The Gold Diggers. The show ran two years with Tashman acting as an understudy, and occasionally filling in, for star Ina Claire.  In 1921, Tashman made her film debut playing Pleasure in an allegorical segment of Experience, and when The Gold Diggers closed she appeared in the plays The Garden of Weeds and Madame Pierre. In 1922, she had a small role in the Mabel Normand film Head Over Heels. Her personal and professional lives in 1922 were not entirely satisfactory (best friend Edmund Lowe moved to Hollywood, for example, and she was fired from Madame Pierre) so she relocated to California and quickly found work in films. In 1924, she appeared in five films (including a cinematic adaptation of The Garden of Weeds) and received good reviews for Nellie, the Beautiful Cloak Model and Winner Take All. She freelanced, moving from studio to studio, but signed a long-term contract in 1931 with Paramount. She made nine films for the studio.  In 1925, she appeared in 10 films, including Pretty Ladies with Joan Crawford and Myrna Loy. From 1926 to 1929, she appeared in numerous films, became a valued supporting player, and starred in the independent Rocking Moon (1926) and The Woman Who Did Not Care (1927). She played supporting roles in Ernst Lubitsch's farce So This Is Paris (1926), Camille with Norma Talmadge (1926), A Texas Steer with Will Rogers (1927), director Dorothy Arzner's Manhattan Cocktail (1928), and Hardboiled (1929). Her Variety reviews were good.  She easily managed the transition to sound films, making a total of 28, and appeared in some of the very first, including United Artists's Bulldog Drummond (1929), The Trial of Mary Dugan (1929), the now-lost color musical Gold Diggers of Broadway (1929), and New York Nights (1930) with Norma Talmadge. She starred as a murderess in the melodrama Murder by the Clock, as a self-sacrificing mother in The Road to Reno (1931), and as a chorus girl in Wine, Women and Song (1933). In 1932, her health began to fail but she appeared in The Wiser Sex, Those We Love, the film on the Russian Revolution, Scarlet Dawn, Mama Loves Papa with Charlie Ruggles (1933), and the musical Too Much Harmony (1933). In early 1934, she appeared in Riptide with Norma Shearer. Her last film, Frankie and Johnny, was released posthumously in 1936. Director George Cukor described Tashman as "a very diverting creature [...] outrageous and cheerful and goodhearted."

had she done other performances before that?

she played Viola in a Shakespeare-inspired number



Answer the question at the end by quoting:

Robert Gordon Orr, OC (born March 20, 1948) is a Canadian former professional ice hockey player, widely acknowledged as one of the greatest hockey players of all time. Orr used his ice skating speed, scoring, and play-making abilities to revolutionize the position of defenceman. He played in the National Hockey League (NHL) for 12 seasons, starting with 10 with the Boston Bruins followed by two with the Chicago Black Hawks. Orr remains the only defenceman to have won the league scoring title with two Art Ross Trophies.
Orr signed with Chicago, but his injuries limited him to only 26 games over the next three seasons. He sat out the entire 1977-78 season. By 1978, Orr had undergone over a dozen knee surgeries, was having trouble walking and barely skated anymore. However, in the summer of 1978, he decided to make a comeback. He played six games of the 1978-79 season and came to the conclusion that he could no longer play and informed the Black Hawks that he was retiring. He started a new role as an assistant to Chicago general manager Bob Pulford. He scored his last NHL goal and point against Detroit on October 28, 1978, at Detroit's Olympia Stadium.  Orr retired having scored 270 goals and 645 assists for 915 points in 657 games, adding 953 penalty minutes. At the time of his retirement, he was the leading defenceman in league history in goals, assists and points, tenth overall in assists and 19th in points. As of 2013, the only retired players in league history to have averaged more points per game than Orr are Wayne Gretzky, Mario Lemieux and Mike Bossy, all of them forwards. "Losing Bobby", said Gordie Howe, "was the greatest blow the National Hockey League has ever suffered".  The Hockey Hall of Fame waived the normal three-year waiting period for induction into the Hall and he was enshrined at age 31 - the youngest player living at the time of his induction in history. Orr was the eighth player to have the three-year period waived, the next two being Mario Lemieux (1997) and Wayne Gretzky (1999), after which the Hall decided that the waiting period would no longer be waived for any player except under "certain humanitarian circumstances".  His number 4 jersey was retired by the Bruins on January 9, 1979. At the ceremony, the crowd at Boston Garden would not stop applauding and as a result, most of the evening's program had to be scrapped at the last second due to the constant cheering. The crowd did not allow Orr to say his thank you speech until he put on a Bruins jersey. The day was proclaimed "Bobby Orr Day" in Boston and the event raised thousands of dollars for charity. He attended the Massachusetts Senate and House of Representatives and was given a five-minute standing ovation. Boston Celtics basketball superstar Larry Bird said in his pre-game inspiration that he always looked up at the rafters of the Garden at Orr's retired No. 4, instead of the retired numbers of Celtics stars such as Bill Russell, Bob Cousy, or John Havlicek.

Did he get any other awards?
His number 4 jersey was retired by the Bruins on January 9, 1979.