input: Thomas Dixon, Jr. was a former classmate of then-president Woodrow Wilson at Johns Hopkins University. Dixon arranged a screening of The Birth of a Nation at the White House for Wilson, members of his cabinet, and their families, in one of the first ever screenings at the White House. Wilson was falsely reported to have said of the film, "It is like writing history with lightning. And my only regret is that it is all so terribly true". Wilson's aide, Joseph Tumulty, denied the claims and said that "the President was entirely unaware of the nature of the play before it was presented and at no time has expressed his approbation of it." Historians believe the quote attributed to Wilson originated with Dixon, who was relentless in publicizing the film. After controversy over the film had grown, Wilson wrote that he disapproved of the "unfortunate production".  Besides having the film screened at the White House, Dixon persuaded all nine justices of the Supreme Count to attend a screening of The Birth of a Nation as well as many members of Congress. With the help of the Navy Secretary, Josephus Daniels, Dixon was able to meet the Chief Justice of the Supreme Court, Edward Douglass White. Initially Justice White was not interested in seeing the film, but when Dixon told him it was the "true story" of Reconstruction and the Klan's role in "saving the South", White, recalling his youth in Louisiana, jumped to attention and said: "I was a member of the Klan, sir". With White agreeing to see the film, the rest of the Supreme Court followed. Dixon was clearly rattled and upset by criticism by African-Americans that the film version of his books was projecting hatred against them, and wanted the endorsement of many powerful men as possible to offset such criticism. Dixon always vehemently denied having anti-black prejudices--despite the way his books promoted white supremacy--and stated: "My books are hard reading for a Negro, and yet the Negroes, in denouncing them, are unwittingly denouncing one of their greatest friends".  In a letter sent on May 1, 1915, to Joseph P. Tumulty, the press secretary to President Wilson, Dixon wrote: "The real purpose of my film was to revolutionize Northern sentiments by a presentation of history that would transform every man in the audience into a good Democrat...Every man who comes out of the theater is a Southern partisan for life!" In a letter to President Wilson sent on September 5, 1915, Dixon boasted: "This play is transforming the entire population of the North and the West into sympathetic Southern voters. There will never be an issue of your segregation policy". Dixon was alluding to the fact that Wilson upon becoming president in 1913 had imposed segregation on federal workplaces in Washington D.C. while reducing the number of black employees through demotion or dismissal.

Answer this question "were there other special screenings?"
output: Dixon persuaded all nine justices of the Supreme Count to attend a screening of The Birth of a Nation as well as many members of Congress.

input: Hall was born in Pottstown, a Pennsylvania borough 40 miles (64 km) from Philadelphia. His parents each had a background in music: his father was a professional singer and his mother was a vocal coach. He is of German descent. He started recording while still a student at Owen J. Roberts High School, from which he graduated in 1965. In college at Temple University in Philadelphia, he majored in music, while continuing to record, working with Kenny Gamble and Leon Huff as both an artist and a session musician. During his first semester at Temple, in the fall of 1965, he and four other white Temple University students formed the vocal harmony group the Temptones.  They were popular additions to the largely black Philly soul scene, defeating both The Ambassadors and The Delfonics in a contest at the Uptown Theater. The Temptones recorded a handful of singles for Arctic Records, produced by Jimmy Bishop. While performing at the Uptown theatre, Hall formed creative affiliations with such artists as Smokey Robinson, The Temptations, and many other top soul singers of the 1960s.  In 1967 Hall met John Oates, who was also an undergraduate at Temple University. According to Daryl Hall, they met when "We got in the middle of a fight at a dance - I have no idea what the fight was about. I guess the Greek letters on one gang's jackets didn't appeal to the other gang. We both beat it out the back and met on the elevator while leaving the place rather quickly." Hall was by then a senior, while Oates was a freshman. They played together until Oates transferred to a different school at age 19. Hall did not let Oates' departure discourage him from pursuing his own musical career: he dropped out of college in 1968 and worked with Tim Moore in a short-lived rock band, Gulliver, and released an album on the Elektra Records label. In 1969 Hall again began recording songs by other artists, which led to the duo signing their first record contract in early 1972.

Answer this question "What else did he do?"
output: In college at Temple University in Philadelphia, he majored in music, while continuing to record, working with Kenny Gamble and Leon Huff

input: Helm returned to the group, then referred to simply as "the band", as it was known around Woodstock. While contemplating a recording contract, Helm had dubbed the band "the Crackers." However, when Robertson and their new manager Albert Grossman worked out the contracts, the group's name was given as "the Band." Under these contracts, the Band was contracted to Grossman, who in turn contracted their services to Capitol Records. This arrangement allowed the Band to release recordings on other labels if the work was done in support of Dylan. Thus the Band was able to play on Dylan's Planet Waves album and to release The Last Waltz, both on other labels. The Band also recorded their own album Music from Big Pink (1968), which catapulted them into stardom.  On Music from Big Pink, Manuel was the most prominent vocalist and Helm sang backup and harmony, with the exception of "The Weight." However, as Manuel's health deteriorated and Robbie Robertson's songwriting increasingly looked to the South for influence and direction, subsequent albums relied more and more on Helm's vocals, alone or in harmony with Danko. Helm was primarily a drummer and vocalist and increasingly sang lead, although, like all his bandmates, he was also a multi-instrumentalist. On occasion, Manuel switched to drums while Helm played mandolin, guitar, or bass guitar (while Danko played fiddle) on some songs. Helm played the 12-string guitar backdrop to "Daniel and the Sacred Harp".  Helm remained with the Band until their farewell performance on Thanksgiving Day, November 25, 1976, which was the subject of the documentary film The Last Waltz, directed by Martin Scorsese. Helm repudiated his involvement with The Last Waltz shortly after the completion of its final scenes. In his autobiography, Helm criticized the film and Robertson, who produced it.

Answer this question "What else did the band do?"
output:
subsequent albums relied more and more on Helm's vocals,