input: Chisholm began recording her second album in late 2001. She traveled to the United States to record some songs. During this time, she recorded "Independence Day" from the film soundtrack Bend It Like Beckham and wrote "Help Me Help You" for Holly Valance, included in her album Footprints. Chisholm, along with American singer Anastacia made an appearance at the 2002 MTV Europe Music Awards to present the award for "Best Song", which was given to P!nk.  Chisholm's second album was originally planned to be released on 16 September 2002, then postponed to 24 February 2003. It was finally postponed to 10 March 2003. Rumors at the time speculated that Chisholm and Virgin had several conflicts, because they wanted her to lose weight. Chisholm also took time out due to struggles with clinical depression. On 24 February 2003 the first single from her new album was released, "Here It Comes Again", which reached number 7 in the UK and peaked in the top 20 in Spain and Ireland. She released her second studio album, Reason, on 10 March 2003 and it peaked at number 5, received gold certification in the UK. The label sent Chisholm to promote the album, including several pocket shows. On 24 April 2003, she embarked in the Reason Tour, traveling only in Europe. The second single, "On the Horizon", was released on 2 June 2003. After the previous single, the music critics were predicting that this single would redeem Chisholm's chart success, but the song peaked at number 14 and did not help sales.  "Let's Love", was released as a single exclusively in Japan and used for a Toyota Motor Corporation commercial. Originally, "Yeh Yeh Yeh" was planned to be released as the third and final single on 22 September 2003, but shortly before this could happen, Chisholm injured her knee during the television show The Games and couldn't fully promote an upbeat song with an injury. "Melt" was then chosen to be launched along with "Yeh Yeh Yeh" as a double A-side, because she could do a small number of performances. The double single was released on 10 November 2003. The song peaked at number 27. In other countries of Europe, "Melt" wasn't released, only "Yeh Yeh Yeh" as a solo release. After the release of "Melt/Yeh Yeh Yeh", Melanie added some extra dates to the Reason Tour, and the Avo Session Basel concert was broadcast on 3sat.

Answer this question "Did the Reason tour help her gain fame or less fame?"
output: would redeem Chisholm's chart success, but the song peaked at number 14 and did not help sales.

input: Mies designed a series of four middle-income high-rise apartment buildings for developer Herbert Greenwald: the 860-880 (which was built between 1949 and 1951) and 900-910 Lake Shore Drive towers on Chicago's Lakefront. These towers, with facades of steel and glass, were radical departures from the typical residential brick apartment buildings of the time. Mies found their unit sizes too small for him, choosing instead to continue living in a spacious traditional luxury apartment a few blocks away. The towers were simple rectangular boxes with a non-hierarchical wall enclosure, raised on stilts above a glass-enclosed lobby.  The lobby is set back from the perimeter columns, which were exposed around the perimeter of the building above, creating a modern arcade not unlike those of the Greek temples. This configuration created a feeling of light, openness, and freedom of movement at the ground level that became the prototype for countless new towers designed both by Mies's office and his followers. Some historians argue that this new approach is an expression of the American spirit and the boundless open space of the frontier, which German culture so admired.  Once Mies had established his basic design concept for the general form and details of his tower buildings, he applied those solutions (with evolving refinements) to his later high-rise building projects. The architecture of his towers appears to be similar, but each project represents new ideas about the formation of highly sophisticated urban space at ground level. He delighted in the composition of multiple towers arranged in a seemingly casual non-hierarchical relation to each other.  Just as with his interiors, he created free flowing spaces and flat surfaces that represented the idea of an oasis of uncluttered clarity and calm within the chaos of the city. He included nature by leaving openings in the pavement, through which plants seem to grow unfettered by urbanization, just as in the pre-settlement environment.

Answer this question "What occurred on Lake Shore Drive?"
output: the 860-880 (which was built between 1949 and 1951) and 900-910 Lake Shore Drive towers on Chicago's Lakefront. These towers, with facades of steel and glass, were radical departures

input: Initially, the Chess brothers would not allow Muddy Waters to use his working band in the recording studio; instead, he was provided with a backing bass by Ernest "Big" Crawford or by musicians assembled specifically for the recording session, including "Baby Face" Leroy Foster and Johnny Jones. Gradually, Chess relented, and by September 1953 he was recording with one of the most acclaimed blues groups in history: Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums, and Otis Spann on piano. The band recorded a series of blues classics during the early 1950s, some with the help of the bassist and songwriter Willie Dixon, including "Hoochie Coochie Man", "I Just Want to Make Love to You", and "I'm Ready".  Along with his former harmonica player Little Walter Jacobs and recent southern transplant Howlin' Wolf, Muddy Waters reigned over the early 1950s Chicago blues scene, his band becoming a proving ground for some of the city's best blues talent. Little Walter continued a collaborative relationship long after he left Muddy Waters's band in 1952, appearing on most of the band's classic recordings in the 1950s. Muddy Waters developed a long-running, generally good-natured rivalry with Wolf. The success of his ensemble paved the way for others in his group to make their own solo careers. In 1952, Little Walter left when his single "Juke" became a hit, and in 1955, Rogers quit to work exclusively with his own band, which had been a sideline until that time.  During the mid-1950s, Muddy Waters' singles were frequently on Billboard magazine's various Rhythm & Blues charts including "Sugar Sweet" in 1955 and "Trouble No More", "Forty Days and Forty Nights", and "Don't Go No Farther" in 1956. 1956 also saw the release of one of his best-known numbers, "Got My Mojo Working", although it did not appear on the charts. However, by the late 1950s, his singles success had come to an end, with only "Close to You" reaching the chart in 1958. Also in 1958, Chess released Muddy Waters' first album, The Best of Muddy Waters, which collected twelve of his singles up to 1956.

Answer this question "Are there any other interesting aspects about this article?"
output:
During the mid-1950s, Muddy Waters' singles were frequently on Billboard magazine's various Rhythm & Blues charts including "Sugar Sweet" in 1955