Question:
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire.  In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.
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Who was a famous writer of Burlesque?

Answer:
Francesco Berni's

input: "Good Vibrations" established a new method of operation for Wilson. Instead of working on whole songs with clear large-scale syntactical structures, Wilson limited himself to recording short interchangeable fragments (or "modules"). Through the method of tape splicing, each fragment could then be assembled into a linear sequence, allowing any number of larger structures and divergent moods to be produced at a later time. This was the same modular approach used during the sessions for Smile and Smiley Smile. To mask each tape edit, vast reverb decays were added at the mixing and sub-mixing stages.  For instrumentation, Wilson employed the services of "the Wrecking Crew", the nickname for a conglomerate of session musicians active in Los Angeles at that time. Production for "Good Vibrations" spanned more than a dozen recording sessions at four different Hollywood studios, at a time when most pop singles were typically recorded in a day or two. It was reported to have used over 90 hours of magnetic recording tape, with an eventual budget estimated between $50,000 and $75,000 (equivalent to $380,000 and $570,000 in 2017), at that time the largest sum spent on a single. In comparison, the whole of Pet Sounds had cost $70,000 ($530,000), itself an unusually high cost for an album. It is said that Wilson was so puzzled by "Good Vibrations" that he would often arrive at a session, consider a few possibilities, and then leave without recording anything, which exacerbated costs.  In 2018, Wilson disputed the $50,000 figure for "Good Vibrations", saying that the overall expenses were closer to $25,000 ($190,000). When asked in a 2005 interview if it was true that the Electro-Theremin work alone cost $100,000, he responded "No. $15,000."

Answer this question "Is there anything interesting about the modular approach?"
output: Production for "Good Vibrations" spanned more than a dozen recording sessions at four different Hollywood studios, at a time when

Answer the question at the end by quoting:

Patricia Sue Summitt (nee Head; June 14, 1952 - June 28, 2016) was an American women's college basketball head coach who accrued 1,098 career wins, the most in college basketball history upon her retirement. She served as the head coach of the University of Tennessee Lady Vols basketball team from 1974 to 2012, before retiring at age 59 because of a diagnosis of early-onset Alzheimer's disease. She won eight NCAA championships (a NCAA women's record when she retired) and the third most all time. Summitt won a silver medal at the 1976 Summer Olympics in Montreal as a member of the United States women's national basketball team.
Summitt won 16 Southeastern Conference regular season titles with the Lady Vols, as well as 16 tournament titles. Summitt's Lady Vols made an appearance in every NCAA Tournament from 1982 until her retirement, advanced to the Sweet 16 every year except 2009, and appeared 18 times in the Final Four. When Summitt made her 13th trip to the Final Four as a coach in 2002, she surpassed John Wooden as the NCAA coach with the most trips to the Final Four. Summitt was a seven-time SEC Coach of the year and a 7-time NCAA Coach of the year and won eight national titles, including three consecutive titles from 1996 to 1998. Summitt was known for scheduling tough opponents for her team to play in the regular season, in order to prepare them for the post-season. In her years of coaching, her teams played top ten ranked teams over 250 times.  In the 1997-98 season, her team went unbeaten, winning all 30 regular and 9 tournament games, earning Summitt's sixth championship. After the championship game, opposing Louisiana Tech head coach Leon Balmore proclaimed the Tennessee team to be the "best ever", echoing a similar claim made by Old Dominion University Hall of Famer Nancy Lieberman in 1998.  Summitt and the 1996-97 championship team were the subject of an HBO documentary titled A Cinderella Season: The Lady Vols Fight Back. That year, the Lady Vols posted a 23-10 record heading into the NCAA tournament, with two losses to Louisiana Tech, setbacks against national powers Georgia, Stanford and UConn, and losses to SEC lesser opponents Arkansas, Auburn, and LSU (which was 7-20 just two seasons prior and had not yet established itself as a perennial national power). However, Tennessee righted itself during the tournament, shocking previously undefeated UConn in the regional final, 91-81, before defeating Notre Dame and Old Dominion in the Final Four in Cincinnati.

any intresting thing
Summitt and the 1996-97 championship team were the subject of an HBO documentary titled A Cinderella Season: The Lady Vols Fight Back.