Some context: William James Dixon (July 1, 1915 - January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar and was a capable singer, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post-World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated.
Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones.
Did he have a radio show?
A: 
Some context: Robert Dale Owen (November 7, 1801 - June 24, 1877) was a Scottish-born social reformer who immigrated to the United States in 1825, became a U.S. citizen, and was active in Indiana politics as member of the Democratic Party in the Indiana House of Representatives (1835-39 and 1851-53) and represented Indiana in the U.S. House of Representatives (1843-47). As a member of Congress, Owen successfully pushed through the bill that established Smithsonian Institution and served on the Institution's first Board of Regents. Owen also served as a delegate to the Indiana Constitutional Convention in 1850 and was appointed as U.S. charge d'affaires (1853-58) to Naples. Owen was a knowledgeable exponent of the socialist doctrines of his father, Robert Owen, and managed the day-to-day operation of New Harmony, Indiana, the socialistic utopian community he helped establish with his father in 1825.
After his first term in the Indiana legislature and two unsuccessful campaigns for election to the U.S. Congress in 1838 and in 1840, Owen was elected as a Democrat to the U.S. House of Representatives in 1842. He served from 1843 to 1847 in the Twenty-eighth and Twenty-ninth Congresses. Owen was chairman of the Committee on Roads and Canals during the Twenty-eighth Congress. He was also involved in the debates about the annexation of Texas and an Oregon boundary dispute in 1844 that led to the establishment of the U.S-British boundary at the 49th parallel north, the result of the Oregon Treaty (1846).  While serving as a member of Congress, Owen introduced and helped to secure passage of the bill that founded the Smithsonian Institution in 1846. Owen was appointed to the Smithsonian Institution's first Board of Regents and chaired its Building Committee, which oversaw the construction of the Smithsonian Institution Building in Washington, D.C., and recommended James Renwick, Jr. as architect, James Dixson and Gilbert Cameron as the contractors, and the Seneca Quarry for its distinct, dark-red sandstone.  Owen, his brother David Dale Owen, and architect Robert Mills, were involved in developing preliminary plans for the Smithsonian Building. These early plans influenced Renwick's choice of the Romanesque Revival architectural style (sometimes referred to as Norman-style architecture) and his three-story design for the building, which was finally selected, although not without controversy. Owen's book Hints on Public Architecture (1849) argued the case for the suitability of Renwick's Romanesque Revival (Norman) architectural style for public buildings such as the Smithsonian "Castle," which he discussed in detail. Seven full-page illustrations and details of the building's architectural elements were prominently featured in the book, leading some to criticize Owen for his bias toward Renwick and his preference for Norman-style architecture over other popular styles.
What made him stand out as a congressmen?
A: He was also involved in the debates about the annexation of Texas and an Oregon boundary dispute in 1844
Some context: Therion (formerly Blitzkrieg, Megatherion) is a Swedish symphonic metal band founded by Christofer Johnsson in 1988. Its name was inspired by the Celtic Frost album To Mega Therion. "To Mega Therion" is Greek for "The Great Beast" and was a title used by occultist Aleister Crowley. Originally a death metal band, Therion adjusted its musical style by adding orchestral elements, including choirs, classical musicians, and even a full orchestra at their concert performances.
After the Secret of the Runes tour, the band had amassed 55 unreleased songs which included the ones Johnsson had shelved as well as contributions from the Niemann brothers. Johnsson remarked that "we went through the songs and realized that we had enough good material for three albums. Recording one after the other, promoting, and touring each one separately would have taken several years and would have been a bad idea; and being so productive, we would have had another 55 songs waiting when we finally came to the end of it." In 2004, the band released 21 tracks on two albums: Lemuria and Sirius B. The albums were released simultaneously and were available as separate albums or a twin-pack. 171 musicians participated, including the City of Prague Philharmonic Orchestra and a 32-member choir. Contributing to lead vocals were Mats Leven and a returning Piotr Wawrzeniuk.  In July 2005, the band released Atlantis Lucid Dreaming, which is a compilation of the 1997 tracks that were not part of The Golden Embrace soundtrack (not including its Iron Maiden cover of "Children of the Damned"), and seven tracks from its 1999 album Crowning of Atlantis. It included a bonus live version of "Black Sun".  The band toured Lemuria / Sirius B over two years and 106 shows, with its final performance at the ProgPower Festival in Cheltenham, UK on March 21, 2006. The last gig marked Johnsson's final vocal stage performance.  Therion released their first DVD set, Celebrators of Becoming, on May 2006. The set contains four DVDs which include concert footage from its 2004 visit to Mexico City, documentaries of its 2004-2006 World Tour, Johnsson's art movie The Golden Embrace, the band's music video singles, bootlegs and commentaries, and two audio CDs from its Mexico City concert.
When were they released?
A:
In 2004, the band released 21 tracks on two albums: Lemuria and Sirius B.