input: The fall of North led to Rockingham being recalled to power in March 1782. Burke was appointed Paymaster of the Forces and a Privy Counsellor, but without a seat in Cabinet. Rockingham's unexpected death in July 1782 and replacement with Shelburne as Prime Minister, put an end to his administration after only a few months, however, Burke did manage to introduce two Acts.  The Paymaster General Act 1782 ended the post as a lucrative sinecure. Previously, Paymasters had been able to draw on money from HM Treasury at their discretion. Now they were required to put the money they had requested to withdraw from the Treasury into the Bank of England, from where it was to be withdrawn for specific purposes. The Treasury would receive monthly statements of the Paymaster's balance at the Bank. This act was repealed by Shelburne's administration, but the act that replaced it repeated verbatim almost the whole text of the Burke Act.  The Civil List and Secret Service Money Act 1782 was a watered down version of Burke's original intentions as outlined in his famous Speech on Economical Reform of 11 February 1780. He managed, however, to abolish 134 offices in the royal household and civil administration. The third Secretary of State and the Board of Trade were abolished and pensions were limited and regulated. The Act was anticipated to save PS72,368 a year.  In February 1783, Burke resumed the post of Paymaster of the Forces when Shelburne's government fell and was replaced by a coalition headed by North that included Charles James Fox. That coalition fell in 1783, and was succeeded by the long Tory administration of William Pitt the Younger, which lasted until 1801. Accordingly, having supported Fox and North, Burke was in opposition for the remainder of his political life.

Answer this question "What did the Paymaster General Act 1782 do?"
output: ended the post as a lucrative sinecure.

input: On November 20, 2011, Morissette appeared at the American Music Awards. When asked about the new album during a short interview, she said she had recorded thirty-one songs, and that the album would "likely be out next year, probably [in] summertime". On December 21, 2011, Morissette performed a duet of "Uninvited" with finalist Josh Krajcik during the performance finale of the X-Factor.  Morissette embarked on a European tour for the summer of 2012, according to Alanis.com. In early May 2012, a new song called "Magical Child" appeared on a Starbucks compilation called Every Mother Counts.  On May 2, 2012, Morissette revealed through her Facebook account that her eighth studio album, entitled Havoc and Bright Lights, would be released in August 2012, on new label "Collective Sounds", distributed by Sony's RED Distribution. On the same day, Billboard specified the date as August 28 and revealed the album would contain twelve tracks. The album's lead single, "Guardian", was released on iTunes on May 15, 2012, and hit the radio airwaves four days prior to this. The single had minor success in North America, charting the Billboard Bubbling Under Hot 100 Singles in the US and almost reaching the top 40 in Canada. However, the song did become a hit in several countries in Europe. "Receive", the second single off the album, was released early December the same year.  Morissette received the UCLA Spring Sing's George and Ira Gershwin Award on May 16, 2014 at Pauley Pavilion. On her website starting in the summer of 2014, in celebration of her fortieth birthday, the LP record for her song "Big Sur" was offered for sale, which was previously available on the Target edition of her 2012 album, Havoc and Bright Lights. July 25, 2014, was the start of the ten-show Intimate and Acoustic tour.

Answer this question "Did he win any awards?"
output: Morissette received the UCLA Spring Sing's George and Ira Gershwin Award

input: In 1878, Irving entered into a partnership with actress Ellen Terry and re-opened the Lyceum under his own management. With Terry as Ophelia and Portia, he revived Hamlet and produced The Merchant of Venice (1879). His Shylock was as much discussed as his Hamlet had been, the dignity with which he invested the vengeful Jewish merchant marking a departure from the traditional interpretation of the role.  After the production of Tennyson's The Cup and revivals of Othello (in which Irving played Iago to Edwin Booth's title character) and Romeo and Juliet, there began a period at the Lyceum which had a potent effect on the English stage.  Much Ado about Nothing (1882) was followed by Twelfth Night (1884); an adaptation of Goldsmith's Vicar of Wakefield by W. G. Wills (1885); Faust (1886); Macbeth (1888, with incidental music by Arthur Sullivan); The Dead Heart, by Watts Phillips (1889); Ravenswood by Herman, and Merivales' dramatic version of Scott's Bride of Lammermoor (1890). Portrayals in 1892 of the characters of Wolsey in Henry VIII and of the title character in King Lear were followed in 1893 by a performance of Becket in Tennyson's play of the same name. During these years, too, Irving, with the whole Lyceum company, paid several successful visits to the United States and Canada, which were repeated in succeeding years. As Terry aged, there seemed to be fewer opportunities for her in his company; that was one reason she eventually left, moving on into less steady but nonetheless beloved stage work, including solo performances of Shakespeare's women.

Answer this question "What was his role at the Lyceum?"
output:
re-opened the Lyceum under his own management.