input: Pinchot used the rhetoric of the market economy to disarm critics of efforts to expand the role of government: scientific management of forests and natural resources was profitable. While most of his battles were with timber companies that he thought had too narrow a time horizon, he also battled the forest preservationists like John Muir, who were deeply opposed to commercializing nature.  Pinchot was generally opposed to preservation for the sake of wilderness or scenery, a fact perhaps best illustrated by the important support he offered to the damming of Hetch Hetchy Valley in Yosemite National Park.  Pinchot rose to national prominence under the patronage of President Theodore Roosevelt. In 1905, his department also gained control of the national forest reserves, thereby dramatically increasing the authority of the Forest Service. Pinchot developed a plan by which the forests could be developed by private interests, under set terms, in exchange for a fee. Pinchot embarked on many publicity campaigns to direct national discussions of natural resource management issues. In 1907 Roosevelt appointed Pinchot a member of the Inland Waterways Commission in a Progressive Era investigation and study of water resources usage from a multi-purpose approach.  Central to his publicity work was his creation of news for magazines and newspapers, as well as debates with opponents such as John Muir. His effectiveness in manipulating information hostile to his boss, President William Howard Taft, led to his firing in January 1910. But his successes became a model for other bureaucrats on how to influence public opinion.  Pinchot's policies encountered some opposition. Preservationists were opposed to massive timber cutting while Congress was increasingly hostile to conservation of the forests, bowing to local commercial pressures for quicker exploitation. In 1907, Congress forbade the creation of more forest reserves in the Western states. Roosevelt designated 16 million acres (65,000 km2) of new National Forests just minutes before his power to do so was stripped by a congressionally mandated amendment to the Agriculture Bill. These were called the Midnight forests. For his contributions to conservation, Pinchot was awarded the Public Welfare Medal from the National Academy of Sciences in 1916.

Answer this question "In what year did he do this?"
output: Pinchot rose to national prominence under the patronage of President Theodore Roosevelt. In 1905,

Problem: Background: "My Happiness" is a song by Australian rock band Powderfinger. It was released on record label Universal Music Australia on 21 August 2000 as the first single from the band's fourth album, Odyssey Number Five. The single is Powderfinger's most successful; it peaked at number four on the Australian ARIA Singles Chart, and charted in the United States on the Hot Modern Rock Tracks chart--the first Powderfinger song to do so. Powderfinger frontman Bernard Fanning wrote the lyrics for "My Happiness" as a reflection on the time the band spent touring to promote their work, and the loneliness that came as a result.
Context: "My Happiness" was put on heavy rotation by Los Angeles radio station KROQ-FM two months prior to its United States release, and Powderfinger signed a contract with United States label Republic as a result of the song's early success. Beat journalist Jayson Argall joked the song had received "a bit" of airplay. Although "My Happiness" was subsequently dropped from KROQ's roster, other radio stations continued to give the song high priority.  "My Happiness" peaked at number 23 on the Hot Modern Rock Tracks, making it the first Powderfinger song to appear on a Billboard chart. According to Susan Groves of WHRL, part of the song's success came about because very few people knew of Powderfinger, but were drawn towards "My Happiness" because it was "melodic, [and] pretty"--a change from what she described as "middle of the road rock" popular in the United States. Meanwhile, Australians were "starting to get sick of My Happiness"--Cameron Adams argued in The Hobart Mercury that this was one of the reasons Powderfinger decided to focus on the offshore market.  Powderfinger performed "My Happiness" live on the Late Show with David Letterman while touring North America with British rock group Coldplay. They were the fourth Australian act (after The Living End, Silverchair, and Nick Cave) to play on the show. The band also did free promotional shows leading up to the release of the single. In Europe, "My Happiness" received approximately four weeks of airplay on German music video program Viva II, and the band sold out for three nights in a row in London, partly due to the success of the single.
Question: Did the song win any awards?
Answer: 

Question: Michael Bennett (April 8, 1943 - July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical A Chorus Line.

Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story.  Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie.  Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince.  In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.

Using a quote from the above article, answer the following question: Where was Bennett born?
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Answer:
Bennett was born Michael Bennett DiFiglia in Buffalo, New York,