Some context: Jennifer Maria Capriati (born March 29, 1976) is an American former professional tennis player. A member of the International Tennis Hall of Fame, she won three singles championships in Grand Slam tournaments, was the gold medalist at the 1992 Summer Olympics, reached the World No. 1 ranking, and is considered one of the greatest tennis players of all time. Capriati set a number of youngest-ever records at the start of her career. She made her professional debut in 1990 at the age of 13 years 11 months, reaching the final of the hard-court tournament in Boca Raton, Florida.
She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles.
What are the records?
A: Throughout the season Capriati set multiple "youngest ever" records.
Some context: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.
In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre.
Who else was in it?
A: