Problem: "Good King Wenceslas" is a Christmas carol that tells a story of a Bohemian king going on a journey and braving harsh winter weather to give alms to a poor peasant on the Feast of Stephen (December 26, the Second Day of Christmas). During the journey, his page is about to give up the struggle against the cold weather, but is enabled to continue by following the king's footprints, step for step, through the deep snow. The legend is based on the life of the historical Saint Wenceslaus I, Duke of Bohemia or Svaty Vaclav in Czech (907-935). The name Wenceslas is a Latinised version of the modern Czech language "Vaclav".

Wenceslas was considered a martyr and a saint immediately after his death in the 10th century, when a cult of Wenceslas rose up in Bohemia and in England. Within a few decades of Wenceslas' death, four biographies of him were in circulation. These hagiographies had a powerful influence on the High Middle Ages conceptualization of the rex iustus, or "righteous king"--that is, a monarch whose power stems mainly from his great piety, as well as from his princely vigor.  Referring approvingly to these hagiographies, a preacher from 12th century says:  But his deeds I think you know better than I could tell you; for, as is read in his Passion, no one doubts that, rising every night from his noble bed, with bare feet and only one chamberlain, he went around to God's churches and gave alms generously to widows, orphans, those in prison and afflicted by every difficulty, so much so that he was considered, not a prince, but the father of all the wretched.  Several centuries later the legend was claimed as fact by Pope Pius II, who himself also walked ten miles barefoot in the ice and snow as an act of pious thanksgiving.  Although Wenceslas was, during his lifetime, only a duke, Holy Roman Emperor Otto I posthumously "conferred on [Wenceslas] the regal dignity and title" and that is why, in the legend and song, he is referred to as a "king". The usual English spelling of Duke Wenceslas's name, Wenceslaus, is occasionally encountered in later textual variants of the carol, although it was not used by Neale in his version. Wenceslas is not to be confused with King Wenceslaus I of Bohemia (Wenceslaus I Premyslid), who lived more than three centuries later.

Who is the story based on?

Answer with quotes: Wenceslas' death, four biographies of him were in circulation. These hagiographies had a powerful influence on the High Middle Ages conceptualization of the rex iustus, or "righteous king

Background: Orci was born in Mexico City on July 20, 1973, to a Mexican father and a Cuban mother. His mother immigrated to the United States with her parents after Fidel Castro came to power. Orci grew up in Mexico, and moved with his family to the United States at the age of 10. He was raised in Texas, Los Angeles and Canada.
Context: Orci's first credit solely as a producer came with the film Eagle Eye, where he worked once again alongside Kurtzman. He said in an interview with the magazine Extra that he had previously been involved in productions where the producers had writing backgrounds and had looked to them for help, and he was happy to provide that same support to the writers on Eagle Eye. The director of the film, D. J. Caruso, praised the duo saying that "What's unusually cool about them is that they have maintained the producer-writer power that they earned in television and carried that over into the feature film area, and that is extremely rare." Following their work on Eagle Eye, they were executive producers on the Sandra Bullock film, The Proposal.  Despite their film careers, Orci and Kurtzman continued to create television series. These included Sleepy Hollow, which they developed alongside Phillip Iscove. They pitched the series to a number of networks, and it was picked up by Fox. Orci took five years to bring the series Matador to television, with it originating from a conversation with his cousin Andrew. It was created for Robert Rodriguez's El Rey Network, and Rodriguez's one demand of the show was that he could direct the pilot episode. Orci later explained in an interview that it was an easy decision, and he needed to pretend to consider it.  Orci and Kurtzman also worked together as executive producers on the animated television series, Transformers: Prime, due to their involvement with the live action movies. Following the end of the series they were hopeful to be involved in a future animated series based on the premise, which Orci saw less like a reboot of the show and more of a continuation in a different guise. He felt that while Prime was sophisticated, there were concerns that it was leaving younger viewers behind because of its complexity and intensity.
Question: Was he a producer for any more movies?
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Question:
Maria Lea Carmen Imutan Salonga, KLD (born February 22, 1971), known as Lea Salonga (), is a Filipina singer and actress best known for her roles in musical theatre, for supplying the singing voices of two Disney Princesses, and as a recording artist and television performer. At age 18, she originated the lead role of Kim in the musical Miss Saigon, first in the West End and then on Broadway, winning the Olivier and Theatre World Awards, and becoming the first Asian woman to win a Tony Award. Salonga is the first Filipino artist to sign with an international record label (Atlantic Records in 1993). She is also the first Philippine-based artist to have received a major album release and distribution deal in the United States, and one of the best-selling Filipino artists of all time, having sold over 19 million copies of her albums worldwide.
In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London. Unable to find a strong enough East Asian actress/singer in the United Kingdom, the producers scoured many countries looking for the lead. For her audition, the then 17-year-old Salonga chose to sing Boublil and Claude-Michel Schonberg's "On My Own" from Les Miserables and was later asked to sing "Sun and Moon", impressing the audition panel. Salonga has sometimes credited "On My Own" as the starting point of her international career. She competed for the role with childhood friend and fellow Repertory Philippines performer Monique Wilson. Salonga won the lead role, while Wilson was named her understudy and given the role of the bar girl Mimi.  For her performance as Kim, Salonga won the 1990 Laurence Olivier Award for Best Performance by an Actress in a Musical. When Miss Saigon opened on Broadway in 1991, she again played the role of Kim, winning the Drama Desk, Outer Critics Circle and Theatre World Awards and becoming the first woman of Asian descent to win a Tony Award. In 1993 and 1996, she returned to play Kim on Broadway. In 1999, she was invited back to London to close the West End production, and in 2001, at the age of 29 and after finishing the Manila run of the musical, Salonga returned to Broadway to close that production.  In 1990, Salonga performed in a homecoming concert in Manila entitled A Miss Called Lea. She also received a Presidential Award of Merit from President Corazon Aquino. In 1991, she was named as one of People magazine's 50 Most Beautiful People. In 1992, she performed the singing voice of Princess Jasmine in Disney's animated film Aladdin.
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what other actors did she work with in Aladdin?

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