IN: William James Dixon (July 1, 1915 - January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar and was a capable singer, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post-World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated.

Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.  Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.  In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records.

When did he start taking up music full time?

OUT: In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne.


IN: Alfred Charles Sharpton Jr. was born in the Brownsville neighborhood of Brooklyn, New York City, to Ada (nee Richards) and Alfred Charles Sharpton Sr. The family has some Cherokee roots. He preached his first sermon at the age of four and toured with gospel singer Mahalia Jackson. In 1963, Sharpton's father left his wife to have a relationship with Sharpton's half-sister.

Sharpton said in 1988 that he informed for the government in order to stem the flow of crack cocaine into black neighborhoods. He denied informing on civil rights leaders.  In 2002, HBO's Real Sports with Bryant Gumbel aired a 19-year-old FBI videotape of an undercover sting operation showing Sharpton with an undercover FBI agent posing as a Latin American businessman and a reputed Colombo crime family captain. During the discussion, the undercover agent offered Sharpton a 10% commission for arranging drug sales. On the videotape, Sharpton mostly nods and allows the FBI agent to do most of the talking. No drug deal was ever consummated, and no charges were brought against Sharpton as a result of the tape.  In April 2014, The Smoking Gun obtained documents indicating that Sharpton became an FBI informant in 1983 following Sharpton's role in a drug sting involving Colombo crime family captain Michael Franzese. Sharpton allegedly recorded incriminating conversations with Genovese and Gambino family mobsters, contributing to the indictments of several underworld figures. Sharpton is referred to in FBI documents as "CI-7."  Summarizing the evidence supporting that Sharpton was an active FBI informant in the 1980s, William Bastone, the Smoking Gun's founder, stated: "If he (Sharpton) didn't think he was an informant, the 'Genovese squad' of the FBI and NYPD officials sure knew him to be an informant. He was paid to be an informant, he carried a briefcase with a recording device in it, and he made surreptitious tape recordings of a Gambino crime family member 10 separate times as an informant. He did it at the direction of the FBI, he was prepped by the FBI, was handed the briefcase by the FBI and was debriefed after the meetings. That's an informant." Sharpton disputes portions of the allegations.  Sharpton is alleged to have secretly recorded conversations with black activists in the 1980s regarding Joanne Chesimard (Assata Shakur) and other underground black militants. Veteran activist Ahmed Obafemi told the New York Daily News that he had long suspected Sharpton of taping him with the bugged briefcase.

Were there any consequences to his informant status?

OUT: Sharpton disputes portions of the allegations.


IN: Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore (born 1935) and the baritone/tenor (lower) voice was Dave Prater (1937-1988). Sam & Dave are members of the Rock and Roll Hall of Fame, the Grammy Hall of Fame, the Vocal Group Hall of Fame, the Memphis Music Hall of Fame, and are Grammy Award and multiple gold record award-winning artists.

When Sam & Dave arrived at Stax, they worked with producer & engineer Jim Stewart and songwriters including the MGs' guitarist Steve Cropper, who wrote or co-wrote four of their first eight recordings. The duo then moved to relative newcomer writers and producers Isaac Hayes and David Porter. Hayes and Porter wrote and produced the duo's biggest hits (although they did not receive production credits until the Soul Men LP and singles). According to Moore and Prater, they also greatly influenced the duo's singing style, and shifted their recording style from the style of their Roulette records to a more live, more energetic gospel, call-and-response feel and beat driven soul style the group is known for today.  Sam & Dave's Stax records also benefited from the musicians and engineering at Stax. The Stax house band, Booker T. & the M.G.'s, and the Stax horn section, the Mar-Keys, were world-class musicians who co-wrote (often without credit) and contributed to recordings--the same musicians who recorded with Otis Redding, Wilson Pickett, Carla Thomas and other soul artists. Sam & Dave's Stax recordings through 1967 were engineered by Stax founder Jim Stewart, who created the Memphis Sound by recording live in a single take. Stewart is credited for instrumental mixes that allowed for instrumental separation and the distinct contribution of each instrument to the overall feel of the song.  While the first two Stax singles failed to chart, the third, the Hayes/Porter composition (with similarities, including the title, to a gospel standard) "You Don't Know Like I Know" hit #7 R&B in 1966. This was the first of 10 consecutive Top Twenty R&B chart hits over three years, and 14 R&B chart appearances during their career.

Did they ever return to gospel while at Stax?

OUT:
shifted their recording style from the style of their Roulette records to a more live, more energetic gospel,