Answer the question at the end by quoting:

Thin Lizzy are a hard rock band formed in Dublin, Ireland in 1969. Two of the founding members, drummer Brian Downey and bass guitarist and lead vocalist Phil Lynott, met while still in school. Lynott led the group throughout their recording career of twelve studio albums, writing most of the material. The singles "Whiskey in the Jar" (a traditional Irish ballad), "Jailbreak", and "The Boys Are Back in Town" were major international hits.
In late 1972, the band embarked upon a high-profile tour of the UK with Slade, who were enjoying a string of hit singles at the time, and Suzi Quatro. Around the same time, Decca released Thin Lizzy's version of a traditional Irish ballad, "Whiskey in the Jar", as a single. The band was angry at the release, feeling that the song did not represent their sound or their image, but the single topped the Irish chart, and reached no. 6 in the UK in February 1973, resulting in an appearance on Top of the Pops. It also charted in many countries across Europe. However, the follow-up single, "Randolph's Tango", was a return to Lynott's more obscure work, and it did not chart outside Ireland.  The band's next album, Vagabonds of the Western World, was released in September 1973 following strong airplay in the UK, but again failed to chart. The accompanying single "The Rocker" also found little success outside Ireland, and the momentum gained from their hit single was lost.  Eric Bell suddenly left the band on New Year's Eve 1973 after a gig at Queen's University Belfast, due to increasing ill-health and disillusionment with the music industry, and young ex-Skid Row guitarist Gary Moore was recruited to help finish the tour. Moore stayed until April 1974; the band recording three songs with him in that time, including the version of "Still in Love with You" that was included on the fourth album Nightlife.  With the departure of Moore, Lynott decided to expand the line-up with two guitarists, and recruited two new members to complete a tour of Germany in May 1974. These were ex-Atomic Rooster and Hard Stuff guitarist John Cann, and Berlin-born Andy Gee, who had played with Peter Bardens and Ellis. It soon emerged that this lineup would be a temporary one, as Lynott and Cann did not get on well personally, and Gee was under contract to another record label. The tour was ended early when a disillusioned Downey quit the band and had to be begged to reconsider, at a time when Thin Lizzy's contract with Decca was coming to an end.  Auditions were held for new members, and Lynott and Downey eventually settled on Glaswegian guitarist Brian Robertson who was only 18 years old at the time, and Californian Scott Gorham. The new line-up gelled quickly, dropped most of the old songs when they played live, and secured a new record deal with Phonogram, but the resulting album Nightlife was a disappointment for the band due to its soft production and underdeveloped style. Robertson described Ron Nevison's production as "pretty naff" and Gorham said the record was "ridiculously tame". Like the previous three albums, it failed to chart.

Is there a story behind the song?



IN: Hole was an American alternative rock band formed by singer and guitarist Courtney Love and lead guitarist Eric Erlandson in Los Angeles, California in 1989. Influenced by Los Angeles' punk rock scene, and produced by Kim Gordon of Sonic Youth, the band's debut album, Pretty on the Inside (1991), attracted critical interest from British and American alternative press. Their second album, Live Through This, released 1994 by DGC Records, which featured less aggressive melodies and more restrained lyrical content, was widely acclaimed and reached platinum status within a year of its release. Their third album, Celebrity Skin (1998), which garnered them four Grammy nominations, marked a notable departure from their earlier punk influences, boasting a more commercially viable, "mature" sound.

In a 1991 interview, Love stated that lyrics were "the most important" element of songwriting for her. Her lyrics explored a variety of themes throughout Hole's career, including body image, rape, child abuse, addiction, celebrity, suicide, elitism, and inferiority complex; all of which were addressed mainly from a female, and often feminist standpoint. This underlying feminism in Love's lyrics often led the public and critics to mistakenly associate her with the riot grrrl movement, of which Love was highly critical.  In a 1991 interview with Everett True, Love said: "I try to place [beautiful imagery] next to fucked up imagery, because that's how I view things... I sometimes feel that no one's taken the time to write about certain things in rock, that there's a certain female point of view that's never been given space." Charles Cross has referred to her lyrics on Live Through This as being "true extensions of her diary," and she has admitted that a great deal of the lyrics from Pretty on the Inside were excisions from her journals.  Throughout Hole's career, Love's lyrics were often influenced by literature: The title of the band's second album Live Through This, for example (as well as lyrics from the track "Asking for It") is directly drawn from Gone With the Wind; and the group's single "Celebrity Skin" (the title track to their 1998 album), contains quotes from Shakespeare's The Merchant of Venice and Dante Rossetti's poem A Superscription. Love had had a minor background in literature, having briefly studied English literature in her early twenties.

What was the band most known for in the 90's?

OUT:
In a 1991 interview, Love stated that lyrics were "the most important" element of songwriting for her.