Problem: Sir Reginald Carey "Rex" Harrison (5 March 1908 - 2 June 1990) was an English actor of stage and screen. Harrison began his career on the stage in 1924. He served in the Royal Air Force during World War II, reaching the rank of flight lieutenant. He won his first Tony Award for his performance as Henry VIII in the play Anne of the Thousand Days in 1949.

Harrison was born at Derry House in Huyton, Lancashire, the son of Edith Mary (nee Carey) and William Reginald Harrison, a cotton broker. He was educated at Liverpool College. After a bout of childhood measles, Harrison lost most of the sight in his left eye, which on one occasion caused some on-stage difficulty. He first appeared on the stage in 1924 in Liverpool. Harrison's acting career was interrupted during World War II while serving in the Royal Air Force, reaching the rank of Flight Lieutenant. He acted in various stage productions until 11 May 1990. He acted in the West End of London when he was young, appearing in the Terence Rattigan play French Without Tears, which proved to be his breakthrough role.  He alternated appearances in London and New York in such plays as Bell, Book and Candle (1950), Venus Observed, The Cocktail Party, The Kingfisher and The Love of Four Colonels, which he also directed. He won his first Tony Award for his appearance at the Shubert Theatre as Henry VIII in Maxwell Anderson's play Anne of the Thousand Days and international superstardom (and a second Tony) for his portrayal of Henry Higgins in the musical My Fair Lady, where he appeared opposite Julie Andrews.  Later appearances included Pirandello's Henry IV, a 1984 appearance at the Haymarket Theatre with Claudette Colbert in Frederick Lonsdale's Aren't We All?, and one on Broadway at the Brooks Atkinson Theatre presented by Douglas Urbanski, at the Haymarket in J. M. Barrie's The Admirable Crichton with Edward Fox. He returned as Henry Higgins in the revival of My Fair Lady directed by Patrick Garland in 1981, cementing his association with the plays of George Bernard Shaw, which included a Tony nominated performance as Shotover in Heartbreak House, Julius Caesar in Caesar and Cleopatra, and General Burgoyne in a Los Angeles production of The Devil's Disciple.

what did the critics have to say about any of his work

Answer with quotes: Tony nominated performance as Shotover in Heartbreak House,


Problem: Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The band released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals).

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood.  The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year.  In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc.,

Any other song?

Answer with quotes: "Baby Don't Scold Me"


Problem: Thierry Daniel Henry (French pronunciation:  [tjeRi aRi]; born 17 August 1977) is a retired French professional footballer who played as a forward and is the second assistant manager of the Belgium national team. He played for Monaco, Juventus, Barcelona, New York Red Bulls and spent eight years at Arsenal where he is the club's all-time record goalscorer. At international level he represented France and is his country's record goalscorer. Henry made his professional debut with Monaco in 1994.

In 1990, Monaco sent scout Arnold Catalano to watch Henry, then at the age of 13 in a match. Henry scored all six goals as his side won 6-0. Catalano asked him to join Monaco without even attending a trial first. Catalano requested that Henry complete a course at the elite Clairefontaine academy, and despite the director's reluctance to admit Henry due to his poor school results, he was allowed to complete the course and joined Arsene Wenger's Monaco as a youth player. Subsequently, Henry signed professional forms with Monaco, and made his professional debut on 31 August 1994, in a 2-0 loss against Nice. Although Wenger suspected that Henry should be deployed as a striker, he put Henry on the left wing because he believed that his pace, natural ball control and skill would be more effective against full backs than centre-backs.  After a tentative start to his Monaco career, Henry was named the French Young Footballer of the Year in 1996, and in the 1996-97 season, his solid performances helped the club win the Ligue 1 title. During the 1997-98 season, he was instrumental in leading his club to the UEFA Champions League semi-final, setting a French record by scoring seven goals in the competition. By his third season, he had received his first cap for the national team, and was part of the winning team in the 1998 FIFA World Cup. He continued to impress at his tenure with Monaco, and in his five seasons with the French club, the young winger scored 20 league goals in 105 appearances.  Henry left Monaco in January 1999, one year before his intimate and closest teammate David Trezeguet, and moved to Italian club Juventus for PS10.5 million. He played on the wing, but he was ineffective against the defensive discipline exhibited by teams in Serie A, struggling in a position that was uncharacteristic for him, scoring just three goals in 16 appearances.

Whom did he play against while at Juventus?

Answer with quotes:
but he was ineffective against the defensive discipline exhibited by teams in Serie A,