Problem: Background: Hugh Redwald Trevor-Roper, Baron Dacre of Glanton, FBA (15 January 1914 - 26 January 2003), was a British historian of early modern Britain and Nazi Germany. He was Regius Professor of Modern History at the University of Oxford. Trevor-Roper was made a life peer in 1979 on the recommendation of Prime Minister Margaret Thatcher, choosing the title Baron Dacre of Glanton. Trevor-Roper was a polemicist and essayist on a wide range of historical topics, but particularly England in the 16th and 17th centuries and Nazi Germany.
Context: A notable thesis propagated by Trevor-Roper was the "general crisis of the 17th century". He argued that the middle years of the 17th century in Western Europe saw a widespread break-down in politics, economics and society caused by demographic, social, religious, economic and political problems. In this "general crisis," various events, such as the English Civil War, the Fronde in France, the climax of the Thirty Years' War in Germany, troubles in the Netherlands, and revolts against the Spanish Crown in Portugal, Naples and Catalonia, were all manifestations of the same problems. The most important causes of the "general crisis" in Trevor-Roper's opinion were conflicts between "Court" and "Country"; that is between the increasingly powerful centralizing, bureaucratic, sovereign princely states, represented by the Court, and the traditional, regional, land-based aristocracy and gentry, representing the country. In addition, he said that the religious and intellectual changes introduced by the Reformation and the Renaissance were important secondary causes of the "general crisis."  The "general crisis" thesis generated controversy between supporters of this theory, and those, such as the Marxist historian Eric Hobsbawm, who agreed with him that there was a "general crisis," but saw the problems of 17th century Europe as more economic in origin than Trevor-Roper would allow. A third faction denied that there was any "general crisis," for example the Dutch historian Ivo Schoffer, the Danish historian Niels Steengsgaard, and the Soviet historian A. D. Lublinskaya. Trevor-Roper's "general crisis" thesis provoked much discussion, and led experts in 17th century history such as Roland Mousnier, J. H. Elliott, Lawrence Stone, E. H. Kossmann, Eric Hobsbawm and J. H. Hexter to become advocates of the pros and cons of the theory.  At times the discussion became quite heated; the Italian Marxist historian Rosario Villari, speaking of the work of Trevor-Roper and Mousnier, claimed that: "The hypothesis of imbalance between bureaucratic expansion and the needs of the state is too vague to be plausible, and rests on inflated rhetoric, typical of a certain type of political conservative, rather than on effective analysis." Villari accused Trevor-Roper of downgrading the importance of what Villari called the English Revolution (the usual Marxist term for the English Civil War), and insisted that the "general crisis" was part of a Europe-wide revolutionary movement. Another Marxist critic of Trevor-Roper the Soviet historian A. D. Lublinskaya attacked the concept of a conflict between "Court" and "Country" as fiction, arguing there was no "general crisis;" instead she maintained that the so-called "general crisis" was merely the emergence of capitalism.
Question: What was the cause of the crisis?
Answer: religious and intellectual changes introduced by the Reformation and the Renaissance

Background: Annie Get Your Gun is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley (1860-1926), a sharpshooter who starred in Buffalo Bill's Wild West, and her romance with sharpshooter Frank E. Butler (1847-1926). The 1946 Broadway production was a hit, and the musical had long runs in both New York (1,147 performances) and London, spawning revivals, a 1950 film version and television versions. Songs that became hits include "There's No Business Like Show Business", "Doin' What Comes Natur'lly", "You Can't Get a Man with a Gun",
Context: In 1999, a new production had its pre-Broadway engagement at the Kennedy Center, Washington, D.C., from December 29, 1998 to January 24, 1999. Previews began on Broadway on February 2, 1999 at the Marquis Theatre, with an official opening on March 4, 1999, and closed on September 1, 2001 after 35 previews and 1,045 performances.  This revival starred Bernadette Peters as Annie and Tom Wopat as Frank, and Ron Holgate as Buffalo Bill, with direction by Graciela Daniele, choreographey by Jeff Calhoun, and music arrangements by John McDaniel. Peters won the 1999 Tony Award for Best Leading Actress in a Musical and the production won the Tony for Best Revival of a Musical.  This production had a revised book by Peter Stone and new orchestrations, and was structured as a "show-within-a-show", set as a Big Top travelling circus. "Frank Butler" is alone on stage and Buffalo Bill introduces the main characters, singing "There's No Business Like Show Business", which is reprised when "Annie" agrees to join the traveling Wild West show. The production dropped several songs (including "Colonel Buffalo Bill", "I'm A Bad, Bad Man", and "I'm an Indian Too"), but included "An Old-Fashioned Wedding". There were several major dance numbers added, including a ballroom scene. A sub-plot which had been dropped from the 1966 revival, the romance between Winnie and Tommy, her part-Native-American boyfriend, was also included. In the 1946 production, Winnie was Dolly's daughter, but the 1966 &1999 productions she is Dolly's younger sister. In this version, the final shooting match between Annie and Frank ends in a tie.
Question: who did the musical score?
Answer:
and music arrangements by John McDaniel.