Answer the question at the end by quoting:

Mystique (Raven Darkholme) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by artist David Cockrum and writer Chris Claremont, she first appeared in the comic book Ms. Marvel #16, published in 1978. Mystique is a member of a subspecies of humanity known as mutants, who are born with superhuman abilities. Mystique is a shapeshifter who can mimic the appearance and voice of any person with exquisite precision, and her natural appearance includes blue skin and yellow eyes.
Anti-mutant sentiment rises and the federal government launches its own covert anti-mutant program, Project Wideawake. Believing that the times have become too dangerous for the Brotherhood of Evil Mutants to continue, Mystique goes to Doctor Valerie Cooper, special assistant to the head of the National Security Council, and offers the Brotherhood's services to the government. In return for entering government service, Mystique and her team receive a presidential pardon for all criminal charges, to be revoked if any member of Freedom Force is found committing a crime. Cooper agrees to convey the offer to the President on the condition that the Brotherhood arrests their founder, Magneto. The Brotherhood, now reincarnated as Freedom Force, are defeated by Magneto and the X-Men. When Magneto learns that Freedom Force are official federal agents, he voluntarily surrenders to them.  Mystique leads Freedom Force in capturing the Avengers on behalf of the federal government. She clashes with X-Factor in seeking to arrest Rusty Collins. With Freedom Force, she fights the X-Men in Dallas, and witnesses her foster daughter's apparent demise. With Freedom Force, she battles Cyclops and Marvel Girl. With Freedom Force she seeks to arrest Rusty Collins again, and battles the New Mutants. She finally succeeds in capturing Collins as well as Skids. She leads Freedom Force against the Reavers on Muir Island. On this particularly disastrous mission, Freedom Force loses two of its members, Stonewall and Mystique's lover Destiny. The death of her lover leaves Mystique psychologically scarred.  Mystique is later nearly killed by Dr. Valerie Cooper, who is under the Shadow King's mental control. She then impersonates Dr. Valerie Cooper. Mystique is eventually discovered impersonating Dr. Cooper, and saves Xavier's life by killing the Shadow King's human host, Jacob Reisz. She finally reconciles with Rogue. In time, she comes to terms with Destiny's death. She teams with Spiral and Wolverine in thwarting Mojo's near-destruction of the universe. Mystique later briefly stays as a guest at Xavier's mansion. She begins going insane, and leaves the mansion under the care of Forge.

Does she kill or capture anyone?

Mystique leads Freedom Force in capturing the Avengers on behalf of the federal government.

IN: Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964.  While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes.  In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death.  In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape.  During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.

Did she create a famous piece during her early years?

OUT:
These early works were called Bigamy, and represented the death of her husband.