Some context: Yankovic was born in Downey, California and raised in Lynwood, California. He is the only child of Mary Elizabeth (Vivalda) and Nick Yankovic. His father was born in Kansas City, Kansas, of Yugoslavian descent, and began living in California after serving during World War II; he believed "the key to success" was "doing for a living whatever makes you happy" and often reminded his son of this philosophy. Nick married Mary in 1949.
Yankovic changed his diet to become a vegan in 1992 after a former girlfriend gave him the book Diet for a New America and he felt "it made ... a very compelling argument for a strict vegetarian diet". When asked how he can "rationalize" performing at events such as the Great American Rib Cook-Off when he is a vegan, he replied, "The same way I can rationalize playing at a college even though I'm not a student anymore." In a 2011 interview with news website OnMilwaukee, Yankovic clarified his stance on his diet, saying, "I am still a vegetarian, and I try to be a vegan, but I occasionally cheat. If there's a cheese pizza on the band bus, I might sneak a piece."  Yankovic married Suzanne Krajewski in 2001 after being introduced by their mutual friend Bill Mumy. Their daughter, Nina, was born in 2003. Yankovic identifies as Christian and has stated that a couple from his church appeared on the cover of Poodle Hat. Yankovic's religious background is reflected in his abstinence from alcohol, tobacco, drugs, and profanity. He and his family currently live in Los Angeles in a house previously owned at separate times by Jack S. Margolis and Heavy D.  On April 9, 2004, Yankovic's parents were found dead in their Fallbrook, California home, the victims of accidental carbon monoxide poisoning from their fireplace. Several hours after his wife notified him of his parents' death, Yankovic went on with his concert in Appleton, Wisconsin, saying that "since my music had helped many of my fans through tough times, maybe it would work for me as well" and that it would "at least ... give me a break from sobbing all the time." Their deaths occurred following the release of Poodle Hat, which was Yankovic's lowest-selling album in 20 years, but he considered continuing the show and tour therapeutic, saying "if I didn't have anything to distract me, I probably would have spiraled into an even deeper depression. For a couple of hours each night, I could go onstage and put on a big fake smile and pretend like everything was just OK." In a 2014 interview, Yankovic called his parents' death "the worst thing that ever happened to me." He added, "I knew intellectually, that at some point, probably, I'd have to, you know, live through the death of my parents, but I never thought it would be at the same time, and so abruptly."
Does he have any kids?
A: Their daughter, Nina, was born in 2003.
Some context: Augusta Ada King-Noel, Countess of Lovelace (nee Byron; 10 December 1815 - 27 November 1852) was an English mathematician and writer, chiefly known for her work on Charles Babbage's proposed mechanical general-purpose computer, the Analytical Engine. She was the first to recognise that the machine had applications beyond pure calculation, and published the first algorithm intended to be carried out by such a machine. As a result, she is sometimes regarded as the first to recognise the full potential of a "computing machine" and the first computer programmer. Ada Lovelace was the only legitimate child of the poet Lord Byron, and his wife Anne Isabella "Annabella" Milbanke, Lady Wentworth.
Throughout her illnesses, she continued her education. Her mother's obsession with rooting out any of the insanity of which she accused Byron was one of the reasons that Ada was taught mathematics from an early age. She was privately schooled in mathematics and science by William Frend, William King, and Mary Somerville, the noted researcher and scientific author of the 19th century. One of her later tutors was the mathematician and logician Augustus De Morgan. From 1832, when she was seventeen, her mathematical abilities began to emerge, and her interest in mathematics dominated the majority of her adult life. In a letter to Lady Byron, De Morgan suggested that her daughter's skill in mathematics could lead her to become "an original mathematical investigator, perhaps of first-rate eminence".  Lovelace often questioned basic assumptions by integrating poetry and science. While studying differential calculus, she wrote to De Morgan:  I may remark that the curious transformations many formulae can undergo, the unsuspected and to a beginner apparently impossible identity of forms exceedingly dissimilar at first sight, is I think one of the chief difficulties in the early part of mathematical studies. I am often reminded of certain sprites and fairies one reads of, who are at one's elbows in one shape now, and the next minute in a form most dissimilar  Lovelace believed that intuition and imagination were critical to effectively applying mathematical and scientific concepts. She valued metaphysics as much as mathematics, viewing both as tools for exploring "the unseen worlds around us".
What were Ada Lovelaces educational background in?
A: Ada was taught mathematics from an early age. She was privately schooled in mathematics and science
Some context: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.
The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.
Who wrote the music?
A: