Some context: Franklin Joseph Lymon (September 30, 1942 - February 27, 1968), known professionally as Frankie Lymon, was an American rock and roll/rhythm and blues singer and songwriter, best known as the boy soprano lead singer of the New York City-based early rock and roll group The Teenagers. The group was composed of five boys, all in their early to mid-teens. The original lineup of the Teenagers, an integrated group, included three African-American members, Frankie Lymon, Jimmy Merchant, and Sherman Garnes; and two Puerto Rican members, Joe Negroni and Herman Santiago. The Teenagers' first single, 1956's "Why Do Fools Fall in Love," was also its biggest hit.
Lymon's troubles extended to others after his death. After R&B singer Diana Ross returned "Why Do Fools Fall in Love" to the Top Ten in 1981, a major controversy concerning Lymon's estate ensued. Zola Taylor, Elizabeth Waters and Emira Eagle each approached Morris Levy, the music impresario who retained possession of Lymon's copyrights and his royalties, claiming to be Lymon's rightful widow; Lymon had neglected to divorce either of them. The complex issue resulted in lawsuits and counter-lawsuits, and in 1986 the first of several court cases concerning the ownership of Lymon's estate began.  Trying to determine who was indeed the lawful Mrs. Frankie Lymon was complicated by more issues. Waters was already married when she married Lymon; she had separated from her first husband, but their divorce was finalized in 1965, after she had married Lymon. Taylor claimed to have married Lymon in Mexico in 1965, but could produce no acceptable evidence of their union. Lymon's marriage to Eagle, on the other hand, was properly documented as having taken place at Beulah Grove Baptist Church in Augusta, Georgia, in 1967; however, the singer was still apparently twice-married and never divorced when he married Eagle. The first decision was made in Waters' favor; Eagle appealed, and in 1989, the Appellate Division of the New York State Supreme Court reversed the original decision and awarded Lymon's estate to Eagle.  However, the details of the case brought about another issue: whether Morris Levy was deserving of the songwriting co-credit on "Why Do Fools Fall in Love". Although early single releases of "Why Do Fools Fall in Love" credit Frankie Lymon, Herman Santiago and Jimmy Merchant as co-writers, later releases and cover versions were attributed to Lymon and George Goldner. When Goldner sold his music companies to Morris Levy in 1959, Levy's name began appearing as co-writer of "Why Do Fools Fall in Love" in place of Goldner's. Lymon was never paid his songwriting royalties during his lifetime; one result of Emira Eagle's legal victory was that Lymon's estate would finally begin receiving monetary compensation from his hit song's success. In 1987, Herman Santiago and Jimmy Merchant, both then poor, sued Morris Levy for their songwriting credits. In December 1992, the United States federal courts ruled that Santiago and Merchant were co-authors of "Why Do Fools Fall in Love". However, in 1996 the ruling was reversed by the Court of Appeals for the 2nd Circuit on the basis of the statute of limitations: copyright cases must be brought before a court within three years of the alleged civil violation, and Merchant and Santiago's lawsuit was not filed until 30 years later. Authorship of "Why Do Fools Fall in Love" currently remains in the names of Frankie Lymon and Morris Levy.
who won the suit?
A: the Appellate Division of the New York State Supreme Court reversed the original decision and awarded Lymon's estate to Eagle.
Some context: Dorothy Day, Obl.S.B. (November 8, 1897 - November 29, 1980) was an American journalist, social activist, and Catholic convert. Day initially lived a bohemian lifestyle before gaining fame as a social activist after her conversion. She later became a key figure in the Catholic Worker Movement and earned a national reputation as a political radical, perhaps the most famous radical in American Catholic Church history.
Day encountered anarchism while studying in university. She read The Bomb by Frank Harris, a fictionalized biography of one of the Haymarket anarchists. She discussed anarchy and extreme poverty with Peter Kropotkin. After moving to New York, Day studied the anarchism of Emma Goldman and attended the Anarchists Ball at Webster Hall.  Day was saddened by the executions of the anarchists Sacco and Vanzetti in 1927. She wrote that when they died, "All the nation mourned." As a Catholic, she felt a sense of solidarity with them, specifically "the very sense of solidarity which made me gradually understand the doctrine of the Mystical Body of Christ whereby we are all members of one another."  Discussing the term anarchism, she wrote: "We ourselves have never hesitated to use the word. Some prefer personalism. But Peter Maurin came to me with Kropotkin in one pocket and St. Francis in the other!"  Day explained that anarchists accepted her as someone who shared the values of their movement "[b]ecause I have been behind bars in police stations, houses of detention, jails and prison farms, ... eleven times, and have refused to pay Federal income taxes and have never voted", but were puzzled by what they saw as her "Faith in the monolithic, authoritarian Church". She reversed the viewpoint and ignored their professions of atheism. She wrote: "I in turn, can see Christ in them even though they deny Him, because they are giving themselves to working for a better social order for the wretched of the earth."
Anything else about the anarchists?
A:
Day explained that anarchists accepted her as someone who shared the values of their movement "[