input: Immediately after his retirement as a player, Starr served as the Packers' quarterbacks coach and called plays in 1972 under head coach Dan Devine, when the Packers won the NFC Central division title at 10-4 with Scott Hunter under center. He pursued business interests and was then a broadcaster for CBS for two seasons. When Devine left for Notre Dame after the 1974 season, Starr was hired as head coach of the Packers on Christmas Eve. Upon taking the job, he recognized the long odds of a Hall of Fame player becoming a successful head coach. Initially given a three-year contract, he led the Packers for nine years, the first five as his own general manager.  His regular season record was a disappointing 52-76-2 (.408), with a playoff record of 1-1. Posting a 5-3-1 record in the strike-shortened season of 1982, Starr's Packers made their first playoff appearance in ten years (and their last for another 11 years). They defeated the St. Louis Cardinals 41-16 in the expanded wild card round of 16 teams on January 8, 1983, then lost to the Dallas Cowboys 37-26 in the divisional round the following week. He tallied only three other non-losing seasons as Packers coach. After a disappointing 8-8 finish the following year, Starr was dismissed in favor of his former teammate Forrest Gregg, who previously led the Cincinnati Bengals to Super Bowl XVI in the 1981 season and coached the Cleveland Browns before.  On January 13, 1984, Starr was named the head coach of the Arizona Firebirds, a proposed expansion team for the NFL. The NFL never granted the would-be ownership group of the Firebirds a team.

Answer this question "what position did he play for them?"
output: Packers' quarterbacks coach and called plays

input: Best's family lived for a short time at the family home, "Ellerslie" in West Derby, until Best's mother fell out with her sister-in-law, Edna, who resented her brother's choice of wife. The family then moved to a small flat on Cases Street, Liverpool, but Mona Best was always looking for a large house--as she had been used to in India--instead of a smaller semi-detached house, which were prevalent in the area. After moving to 17 Queenscourt Road in 1948, where the Bests lived for nine years, Rory Best saw a large Victorian house for sale at 8 Hayman's Green in 1957 and told Mona about it. The Best family claim that Mona then pawned all her jewellery and placed a bet on Never Say Die, a horse that was ridden by Lester Piggott in the 1954 Epsom Derby; it won at 33-1 and she used her winnings to buy the house in 1957. The house had previously been owned by the West Derby Conservative Club and was unlike many other family houses in Liverpool as the house (built around 1860) was set back from the road, had 15 bedrooms and an acre of land. All the rooms were painted dark green or brown and the garden was totally overgrown. Mona later opened The Casbah Coffee Club in its large cellar. The idea for the club first came from Best, as he asked his mother for somewhere his friends could meet and listen to the popular music of the day.  Best passed the eleven plus exam at Blackmoor Park primary school in West Derby, and was studying at the Liverpool Collegiate Grammar School in Shaw Street when he decided he wanted to be in a music group. Mona bought him a drum kit from Blackler's music store and Best formed his own band, the Black Jacks. Chas Newby and Bill Barlow joined the group, as did Ken Brown, but only after he had left the Quarrymen. The Black Jacks later became the resident group at the Casbah, after the Quarrymen cancelled their residency because of an argument about money.  During 1960, Neil Aspinall became good friends with the young Best and subsequently rented a room in the Bests' house. During one of the extended business trips of Best's stepfather, Aspinall became romantically involved with Mona. Aspinall fathered a child by Mona: Vincent "Roag" Best, Mona's third son--who is Best's half-brother. Aspinall later became the Beatles' road manager, and denied the story for years before publicly admitting that Roag was indeed his son.

Answer this question "Did the  Black Jacks release any albums?"
output: 

input: In 1970, Chicago decided to teach full-time at Fresno State College, hoping to teach women the skills needed to express the female perspective in their work. At Fresno, she planned a class that would consist only of women, and she decided to teach off campus to escape "the presence and hence, the expectations of men." She taught the first women's art class in the fall of 1970 at Fresno State College. It became the Feminist Art Program, a full 15-unit program, in the spring of 1971. This was the first feminist art program in the United States. Fifteen students studied under Chicago at Fresno State College: Dori Atlantis, Susan Boud, Gail Escola, Vanalyne Green, Suzanne Lacy, Cay Lang, Karen LeCocq, Jan Lester, Chris Rush, Judy Schaefer, Henrietta Sparkman, Faith Wilding, Shawnee Wollenman, Nancy Youdelman, and Cheryl Zurilgen. Together, as the Feminist Art Program, these women rented and refurbished an off-campus studio at 1275 Maple Avenue in downtown Fresno. Here they collaborated on art, held reading groups, and discussion groups about their life experiences which then influenced their art. All of the students and Chicago contributed $25 per month to rent the space and to pay for materials. Later, Judy Chicago and Miriam Schapiro reestablished the Feminist Art Program at California Institute of the Arts. After Chicago left for Cal Arts, the class at Fresno State College was continued by Rita Yokoi from 1971 to 1973, and then by Joyce Aiken in 1973, until her retirement in 1992.  Chicago is considered one of the "first-generation feminist artists," a group that also includes Mary Beth Edelson, Carolee Schneeman, and Rachel Rosenthal. They were part of the Feminist art movement in Europe and the United States in the early 1970s to develop feminist writing and art.  Chicago became a teacher at the California Institute for the Arts, and was a leader for their Feminist Art Program. In 1972, the program created Womanhouse, alongside Miriam Schapiro, which was the first art exhibition space to display a female point of view in art. With Arlene Raven and Sheila Levrant de Bretteville, Chicago co-founded the Los Angeles Woman's Building in 1973. This art school and exhibition space was in a structure named after a pavilion at the 1893 World's Colombian Exhibition that featured art made by women from around the world. This housed the Feminist Studio Workshop, described by the founders as "an experimental program in female education in the arts. Our purpose is to develop a new concept of art, a new kind of artist and a new art community built from the lives, feelings, and needs of women." During this period, Chicago began creating spray-painted canvas, primarily abstract, with geometric forms on them. These works evolved, using the same medium, to become more centered around the meaning of the "feminine". Chicago was strongly influenced by Gerda Lerner, whose writings convinced her that women who continued to be unaware and ignorant of women's history would continue to struggle independently and collectively.

Answer this question "Did she work with any other women?"
output:
Arlene Raven and Sheila Levrant de Bretteville,