Background: Supergrass were an English rock band, formed in 1993 in Oxford. The band consisted of brothers Gaz (guitar and lead vocals) and Rob Coombes (keyboards and backing vocals), Mick Quinn (bass and backing vocals) and Danny Goffey (drums and backing vocals). Originally a 3-piece, Gaz's brother Rob Coombes officially joined the band in 2002. The band signed to Parlophone records in 1994 and produced I Should Coco (1995), the biggest selling debut album for the label since the Beatles' Please
Context: At the age of 16 and 18 respectively, Gaz Coombes and Danny Goffey were members of shoegaze band The Jennifers along with Nick Goffey and Andy Davis. The band played gigs at various venues around Oxfordshire, often public houses and clubs. One pub the band played at was the Jericho Tavern in Oxford. The band enjoyed enough success to release one single in 1992, "Just Got Back Today", on Nude Records before they disbanded.  When Coombes began working at the local Harvester he befriended co-worker Mick Quinn. The two realised they had common music interests and Coombes invited Quinn to come and jam with himself and Goffey. In February 1993 they formed Theodore Supergrass, "for about two months" Quinn explains, "then we realized that Theodore was a bit rubbish so we took that off."  Goffey claims that the name was his idea and says; "Although the others will dispute it, it was me. We were Theodore Supergrass and the idea was the band would be a little black character, and we wouldn't ever have to do interviews. We'd get the questions in advance, script the answers and then animate Theodore Supergrass answering them. But it cost too much money."  Gaz's brother, Rob Coombes, played flute for the band's debut gig at the Co-Op Hall, Oxford in 1993. In January 1995 he first performed as keyboardist with the band for a live Radio 1 John Peel session. His role in the band progressed over the years, post-I Should Coco material is credited to "Supergrass and Rob Coombes", however, he wasn't introduced as a band member until almost a decade later.
Question: Why did they disband?
Answer: 

Problem: Background: Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.
Context: Gingold's adult stage career was slow to take off. She played Liza in If at the Ambassador's in May 1921, and the Old Woman in Ben Travers's farcical comedy The Dippers produced by Sir Charles Hawtrey at the Criterion in August 1922.  In 1926 Gingold divorced from Joseph. Later in the same year she married the writer and lyricist Eric Maschwitz, whom she divorced in 1945. She underwent a vocal crisis in the late 1920s and early 1930s: she had hitherto described herself as "Shakespearian and soprano", but nodules on her vocal cords brought a drastic drop in pitch, about which she commented, "One morning it was Mozart and the next 'Old Man River'". The critic J. C. Trewin described her voice as "powdered glass in deep syrup". During this period she broadcast frequently for the BBC and established herself at the experimental theatre-club the Gate Theatre Studio in London, first as a serious actress and later in the genre for which she became famous, revue. According to The Times it was in Spread It Abroad (1936) a revue at another theatre, the Saville, with material by Herbert Farjeon that she truly found her milieu.  In the ten years from 1938 Gingold concentrated on revue, appearing in nine different productions in the West End. The first four were The Gate Revue (transferred from the Gate to the Ambassador's, 1939), Swinging the Gate (1940), Rise Above It (1941) and Sky High (1942). During this period she and Hermione Baddeley established a stage partnership of what The Times called "briskly sustained mock-rivalry". In June 1943 she opened in a revue at the Ambassadors, Sweet and Low, which was continually revised and refreshed over a run of almost six years, first as Sweeter and Lower and then Sweetest and Lowest. In her sketches she tended, as the writer of the shows, Alan Melville, recalled, to portray "grotesque and usually unfortunate ladies of dubious age and occasionally, morals; the unhappy female painted by Picasso who found herself lumberered with an extra limb or two ... the even less fortunate female who, after years of playing the cello in Palm Court orchestras, ended up bow-legged beyond belief." In a biographical sketch, Ned Sherrin writes, "Gingold became a special attraction for American soldiers and 'Thanks, Yanks' was one of her most appropriate numbers. During the astringent, name-dropping 'Sweet' series, she played 1,676 performances, before 800,000 people, negotiating 17,010 costume changes."
Question: What album was the song off of?
Answer: