Question:
"Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Willie Mae "Big Mama" Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which is ranked number 19 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time; it is also one of the best-selling singles of all time.
Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog."
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What label

Answer:
accompanied by His Orchestra that was released by RCA's Groove Records


Question:
The Drew Carey Show is an American sitcom that aired on ABC from 1995 to 2004, and was set in Cleveland, Ohio, and revolved around the retail office and home life of "everyman" Drew Carey, a fictionalized version of the actor. The show was created by Carey, who had both stand-up comedy and writing experience, and Bruce Helford, who was once a writer for Roseanne. It was the first television show to have an episode simulcast on the Internet. Produced by Mohawk Productions in association with Warner Bros. Television, it debuted on September 13, 1995, and ranked among the Top 30 programs for four seasons before sliding in popularity.
The show finished its first season (1995-1996) barely in the Top 50, placing 48th in the Nielsen ratings, with an average rating of 10.1. The second season did considerably better, making it into the Top 20 finishing its second season (1996-1997) 18th in the Nielsen ratings with an average rating of 11.5. Viewership increased 13.9% from season one.  The show finished its third season (1997-1998) at a higher place in the ratings, placing 16th with an average rating of 11.1 during the season; however, the ratings share was a drop of 3.5% from the second season. During its fourth season (1998-1999), the series finished the season in the Nielsen ratings higher in the Top 20 making it to 14th place but with an average rating of 9.9, a decrease of 10.8% from the third season.  The show finished its fifth season (1999-2000) 24th in the Nielsen ratings, the first time since season one that the show was not in the Top 20, with an average rating of 9.5, a decrease of 4% from the fourth season. This was a smaller drop than many other series experienced, given the erosion of network audiences. This was also a smaller drop than the previous season. The show's sixth season (2000-2001) finished 41st with an average rating of 8.23, a decrease of 13.4 percent from the fifth season.  ABC signed a new contract to keep the show on through a ninth season, even though the show had yet to enter its seventh season (2001-2002) at that time. The season saw one of the show's biggest drops in ratings, finishing 57th with an average rating of 5.9, a significant drop of 28.3% from the sixth season. The show finished its eighth season (2002-2003) season 119th with an average rating of 3.29, a drop of 44.23 percent from the seventh season. This caused ABC to put the series on hiatus, airing the rest of the season in the summer of 2003. Unable to get out of the contract, ABC was forced to allow the show to film a ninth season, paying three million dollars per episode. Not doing well enough to receive a time slot on ABC's fall schedule in 2003, the show had its ninth and final season burned off during the summer of 2004. The series finale was viewed by a little over 5 million viewers.
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Why did the ratings decline near the end?

Answer:
Not doing well enough to receive a time slot on ABC's fall schedule in 2003,