input: Luke Skywalker was initially called "Luke Starkiller", and went through multiple design changes. The character was at one point designed as a 60-year-old grizzled war hero, later as a Jedi Master, and as a woman. The last name "Starkiller" remained for the first few months of production, Hamill on-camera used the name 'Luke Starkiller" the sole time he referred to himself during filming. "Starkiller" was dropped due to what Lucas called "unpleasant connotations".  An alternative ending pitched by George Lucas for Return of the Jedi was Luke assuming his father's role as Darth Vader after the latter's death and intending to rule in his place. Though Lawrence Kasdan favored the idea, Lucas ultimately declined, since the films were made for children. Another conclusion to the film featured the character disappearing into the wilderness akin to "Clint Eastwood in the spaghetti westerns".  During the filming of the original Star Wars trilogy, George Lucas informed Hamill that he would be needed to reprise the role when he was middle aged. Lucas further explained that his role as Luke would be handing "Excalibur to the next generation". Hamill had no reaction at the time, as he thought of making Star Wars films decades in the future as an abstract concept. Hamill learned of the sequel trilogy over the summer of 2012 at a Star Wars celebration during lunch where Lucas told him one was in development. Hamill recalled shaving his beard to portray The Trickster in The Flash, then letting it grow back for the filming of his scenes.  Luke's lack of screen time in The Force Awakens was due to concerns by screenwriter Michael Arndt that his presence would mean the audience would have less interest in protagonist Rey, leading to an agreement that he be removed from the plot and instead become a plot device. Hamill attended meetings for script readings, and helped conceal Luke's role in the film; instead of dialogue, he read stage directions. Abrams said it allowed him to remain involved and that his reading helped make a "better experience for everyone."

Answer this question "Who played Luke Skywalker?"
output: Hamill

input: Octagonal drum is a type of Manchu folk art that was very popular among bannermen, especially in Beijing. It is said that octagonal drum originated with the snare drum of the Eight-banner military and the melody was made by the banner soldiers who were on the way back home from victory in the battle of Jinchuan. The drum is composed of wood surrounded by bells. The drumhead is made by wyrmhide with tassels at the bottom. The colors of the tassels are yellow, white, red, and blue, which represent the four colors of the Eight Banners. When artists perform, they use their fingers to hit the drumhead and shake the drum to ring the bells. Traditionally, octagonal drum is performed by three people. One is the harpist; one is the clown who is responsible for harlequinade; and the third is the singer.  "Zidishu" is the main libretto of octagonal drum and can be traced back to a type of traditional folk music called the "Manchu Rhythm". Although Zidishu was not created by Han Chinese, it still contains many themes from Chinese stories, such as Romance of the Three Kingdoms, Dream of the Red Chamber, Romance of the West Chamber, Legend of the White Snake and Strange Stories from a Chinese Studio. Additionally, there are many works that depict the lives of Bannermen. Aisin Gioro Yigeng, who was pen named "Helu" and wrote the sigh of old imperial bodyguard, as the representative author. Zidishu involves two acts of singing, which are called dongcheng and xicheng.  After the fall of the Qing dynasty, the influence of the octagonal drum gradually reduced. However, the Chinese monochord and crosstalk which derived from octagonal are still popular in Chinese society and the new generations. Many famous Chinese monochord performers and crosstalkers were the artists of octagonal drum, such as De Shoushan and Zhang Sanlu.

Answer this question "What material was the drum made from?"
output: The drumhead is made by wyrmhide with tassels at the bottom.

input: Friml wrote his most famous operettas in the 1920s. In 1924, he wrote Rose-Marie. This operetta, on which Friml collaborated with lyricists Oscar Hammerstein II and Otto Harbach and co-composer Herbert Stothart, was a hit worldwide, and a few of the songs from it also became hits including "The Mounties" and "Indian Love Call". The use of murder as part of the plot was ground-breaking among operettas and musical theatre pieces at the time.  After Rose-Marie's success came two other hit operettas, The Vagabond King in 1925, with lyrics by Brian Hooker and William H. Post, and The Three Musketeers in 1928, with lyrics by P. G. Wodehouse and Clifford Grey, based on Alexandre Dumas's famous swashbuckling novel. In addition, Friml contributed to the Ziegfeld Follies of 1921 and 1923.  Friml wrote music for many films during the 1930s, often songs adapted from previous work. The Vagabond King, Rose-Marie and The Firefly were all made into films and included at least some of Friml's music. Oddly enough, his operetta version of The Three Musketeers was never filmed, despite the fact that the novel itself has been filmed many times. In 1930, he wrote a new operetta score for film, The Lottery Bride. Like his contemporary, Ivor Novello, Friml was sometimes ridiculed for the sentimental and insubstantial nature of his compositions and was often called trite. Friml was also criticized for the old-fashioned, Old World sentiments found in his works. Friml's last stage musical was Music Hath Charms in 1934. During the 1930s, Friml's music fell out of fashion on Broadway and in Hollywood.

Answer this question "What was interesting about Rose Marie?"
output:
Friml collaborated with lyricists Oscar Hammerstein II and Otto Harbach and co-composer Herbert Stothart, was a hit worldwide,