IN: Dave Holland (born 1 October 1946) is an English jazz double bassist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States for over 40 years. His work ranges from pieces for solo performance to big band. Holland runs his own independent record label, Dare2, which he launched in 2005.

In 1968, Miles Davis and Philly Joe Jones heard him at Ronnie Scott's Jazz Club, playing in a combo that opened for the Bill Evans Trio. Jones told Holland that Davis wanted him to join his band (replacing Ron Carter). Davis left the UK before Holland could contact him directly, and two weeks later Holland was given three days' notice to fly to New York for an engagement at Count Basie's nightclub. He arrived the night before, staying with Jack DeJohnette, a previous acquaintance. The following day Herbie Hancock took him to the club, and his two years with Davis began. This was also Hancock's last gig as Davis's pianist, as he left afterwards for a honeymoon in Brazil and was replaced by Chick Corea when he could not return for an engagement due to illness. Holland's first recordings with Davis were in September 1968, and he appears on half of the album Filles de Kilimanjaro (with Davis, Corea, Wayne Shorter and Tony Williams).  Holland was a member of Davis's rhythm section through the summer of 1970; he appears on the albums In a Silent Way and Bitches' Brew. All three of his studio recordings with Davis were important in the evolution of jazz fusion. In the first year of his tenure with Davis, Holland played primarily upright bass. By the end of 1969, he played electric bass guitar (often treated with wah-wah pedal and other electronic effects) with greater frequency as Davis moved away from acoustic jazz.  Holland was also a member of Davis's working group during this time, unlike many of the musicians who appeared only on the trumpeter's studio recordings. The so-called "lost quintet" of Davis, Shorter, Corea, Holland and DeJohnette was active in 1969 but never made any studio recordings as a quintet. A 1970 live recording of this group plus percussionist Airto Moreira, Live at the Fillmore East, March 7, 1970: It's About That Time, was issued in 2001. Steve Grossman replaced Shorter in early 1970; Keith Jarrett joined the group as a second keyboardist thereafter, and Gary Bartz replaced Grossman during the summer of 1970. By the end of the summer, rhythm and blues bass guitarist Michael Henderson had replaced Holland.
QUESTION: Did Holland play wood instruments?
IN: Groening was born on February 15, 1954 in Portland, Oregon, the middle of five children (older brother Mark and sister Patty were born in 1950 and 1952, while the younger sisters Lisa and Maggie in 1956 and 1958, respectively). His Norwegian American mother, Margaret Ruth (nee Wiggum; March 23, 1919 - April 22, 2013), was once a teacher, and his German Canadian father, Homer Philip Groening (December 30, 1919 - March 15, 1996), was a filmmaker, advertiser, writer and cartoonist. Homer, born in Main Centre, Saskatchewan, Canada, grew up in a Mennonite, Plautdietsch-speaking family.

After spending a few years researching science fiction, Groening got together with Simpsons writer/producer David X. Cohen (known as David S. Cohen at the time) in 1997 and developed Futurama, an animated series about life in the year 3000. By the time they pitched the series to Fox in April 1998, Groening and Cohen had composed many characters and storylines; Groening claimed they had gone "overboard" in their discussions. Groening described trying to get the show on the air as "by far the worst experience of [his] grown-up life." The show premiered on March 28, 1999. Groening's writing credits for the show are for the premiere episode, "Space Pilot 3000" (co-written with Cohen), "Rebirth" (story) and "In-A-Gadda-Da-Leela" (story).  After four years on the air, the show was canceled by Fox. In a situation similar to Family Guy, however, strong DVD sales and very stable ratings on Adult Swim brought Futurama back to life. When Comedy Central began negotiating for the rights to air Futurama reruns, Fox suggested that there was a possibility of also creating new episodes. When Comedy Central committed to sixteen new episodes, it was decided that four straight-to-DVD films - Bender's Big Score (2007), The Beast with a Billion Backs (2008), Bender's Game (2008) and Into the Wild Green Yonder (2009) - would be produced.  Since no new Futurama projects were in production, the movie Into the Wild Green Yonder was designed to stand as the Futurama series finale. However, Groening had expressed a desire to continue the Futurama franchise in some form, including as a theatrical film. In an interview with CNN, Groening said that "we have a great relationship with Comedy Central and we would love to do more episodes for them, but I don't know... We're having discussions and there is some enthusiasm but I can't tell if it's just me". Comedy Central commissioned an additional 26 new episodes, and began airing them in 2010. The show continued in to 2013, before Comedy Central announced in April 2013 that they would not be renewing it beyond its seventh season. The final episode aired on September 4, 2013.
QUESTION: Who was the main character on Futurama?
IN: Spacemen 3 were an English alternative rock band, formed in 1982 in Rugby, Warwickshire by Peter Kember and Jason Pierce. Their music is known for its brand of "minimalistic psychedelia". Spacemen 3 had their first independent chart hits in 1987, gaining a cult following, and going on to have greater success towards the end of the decade. However, they disbanded shortly afterwards, releasing their final studio album post-split in 1991 after an acrimonious parting of ways.

In November 1985, Spacemen 3 played a gig at a leisure centre in Coventry to an audience of fewer than ten people. Nevertheless, encouraged by the support of Pat Fish, they determined that they ought to record a new demo tape. By this time they had reconfigured and honed their musical style, and their repertoire consisted of newer songs and re-worked older ones. "The band's sound had crystallised into the intense, hypnotic, overloaded psychedelia which characterised their early [record] output, and which would serve as a template for their live act throughout their existence" (Ian Edmond, Record Collector).  At Pierce's instigation, Pete Bain rejoined the band on bass in order to fill out their sound. Despite being a 4-piece again, they would retain the name 'Spacemen 3'. Kember and Pierce opted to upgrade their guitar equipment ahead of recording the new demos. Kember purchased a Burns Jazz electric guitar and 1960s Vox Conqueror amplifier; whilst Pierce bought a Fender Telecaster and a 1970s HH amplifier. Both of their new amplifiers included distortion/fuzz and tremolo; these two effects were key components of Spacemen 3's signature sound.  In January 1986, Spacemen 3 attended the home studio of Carlo Marocco at Piddington, outside Northampton, to record their new demo tape. They spent three-and-a-half days at the 16-track studio. Recording live as a group, with minimal overdubs, they managed to get demos for approximately seven songs. Kember and Pierce handled the production. These "fine set of performances" (Ned Raggett, AllMusic) would later be unofficially released as the vinyl album Taking Drugs to Make Music to Take Drugs To on the Father Yod label in 1990 (albeit described incorrectly as "rehearsals in Rugby").  Spacemen 3 managed to obtain a record deal shortly after producing their new demos. Pat Fish had given a copy of the demo tape to Dave Barker, the owner of the independent record label Glass Records, to whom Fish's band The Jazz Butcher were signed. Spacemen 3 signed a three-year, two-album recording contract with Glass Records in early 1986.
QUESTION:
What did the band do after the demo was released?