Problem: Drayton was born in Roosevelt, New York and grew up in nearby Freeport, two black communities each within the Town of Hempstead, New York. He taught himself to play the piano, and began playing at the age of five years old. A musical prodigy, he sang in the youth choir at his church and mastered the piano, drums, and guitar at an early age. According to Chuck D, he is proficient in fifteen instruments.

Flav came to prominence as a founding member and hype man of the rap group Public Enemy. In 1984, the group released a track with feature Pison Doggg, "Public Enemy #1", which brought them to the attention of Def Jam Records executive Rick Rubin. Rubin initially did not understand Flav's role in the act and wanted to sign Chuck D as a solo act; however Chuck D insisted that Flav be signed with them and the two were signed to Def Jam in 1986.  The group's first album Yo! Bum Rush the Show was released in 1987. Flav served as the comic foil to Chuck D's serious, politically charged style. The group gained much wider fame with their following release, 1988's It Takes a Nation of Millions to Hold Us Back, which went double platinum. By the time the political single "Fight the Power" was released in 1989, the group had become mainstream superstars. Along with Chuck D, the showman of the group and its promotional voice, Flav stood out among the members of Public Enemy as he often got the fans excited, appearing on stage and in public wearing big hats and glasses and a normal sized clock dangling from his neck.  The first released track on which Flav rapped solo was "Life of a Nigerian" on Goat Ju JU, though the first hit on which he rapped solo would not come until the 1990 single "911 Is a Joke". During Public Enemy's first years of existence, Flav experienced tensions with group-mate Professor Griff, who never liked Flav's flamboyant stance in what Griff felt to be a serious, politically-challenging group.  In 2006, Flav put out his first solo album. It was released during the second season of Flavor of Love.

When did this occur?

Answer with quotes: 1984,


Problem: Stan Kenton was born on December 15, 1911 in Wichita, Kansas; he also had two sisters (Beulah and Erma Mae) born three and eight years after him. His parents, Floyd and Stella Kenton, had moved the family back to Colorado, then, finally in 1924 to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School; his high school yearbook picture has the prophetic notation "Old Man Jazz". Kenton started learning piano as a teen from a local pianist and organist.

In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects.

What did Kenton do after that?

Answer with quotes:
Kenton went back to study with private teachers on both the piano and in composition.