Some context: King was born in Long Beach, California, into a conservative Methodist family, the daughter of Betty (nee Jerman), a housewife, and Bill Moffitt, a firefighter. Billie Jean's family was athletic. Her mother excelled at swimming, her father played basketball, baseball and ran track. Her younger brother, Randy Moffitt, became a Major League Baseball pitcher, pitching for 12 years in the major leagues for the San Francisco Giants, Houston Astros, and Toronto Blue Jays.
King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes.
What was their contribution to the career?
A: Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles.
Some context: Anquetil was the son of a builder in Mont-Saint-Aignan, in the hills above Rouen in Normandy, north-west France. He lived there with his parents, Ernest and Marie, and his brother Philippe and then at Boisguillaume in a two-storey house, "one of those houses with exposed beams that tourists think are pretty but those who live there find uncomfortable." In 1941, his father refused contracts to work on military installations for the German occupiers and his work dried up. Other members of the family worked in strawberry farming and Anquetil's father followed them, moving to the hamlet of Bourguet, near Quincampoix.
Anquetil unfailingly beat Raymond Poulidor in the Tour de France and yet Poulidor remained the more popular. Divisions between their fans became marked, which two sociologists studying the impact of the Tour on French society say became emblematic of France old and new.  The extent of those divisions is shown in a story, perhaps apocryphal, told by Pierre Chany, who was close to Anquetil:  The Tour de France has the major fault of dividing the country, right down to the smallest hamlet, even families, into two rival camps. I know a man who grabbed his wife and held her on the grill of a heated stove, seated and with her skirts held up, for favouring Jacques Anquetil when he preferred Raymond Poulidor. The following year, the woman became a Poulidor-iste. But it was too late. The husband had switched his allegiance to Gimondi. The last I heard they were digging in their heels and the neighbours were complaining.  Jean-Luc Boeuf and Yves Leonard, in their study, wrote:  Those who recognised themselves in Jacques Anquetil liked his priority of style and elegance in the way he rode. Behind this fluidity and the appearance of ease was the image of France winning and those who took risks identified with him. Humble people saw themselves in Raymond Poulidor, whose face - lined with effort - represented the life they led on land they worked without rest or respite. His declarations, full of good sense, delighted the crowds: a race, even a difficult one, lasts less time than a day bringing in the harvest. A big part of the public therefore finished by identifying with the one who symbolised bad luck and the eternal position of runner-up, an image that was far from true for Poulidor, whose record was particularly rich. Even today, the expression of the eternal second and of a Poulidor Complex is associated with a hard life, as an article by Jacques Marseille showed in Le Figaro when it was headlined "This country is suffering from a Poulidor Complex".
Did the significance of his career ever end?
A: Anquetil unfailingly beat Raymond Poulidor in the Tour de France and yet Poulidor remained the more popular.
Some context: The Nanny is an American television sitcom which originally aired on CBS from 1993 to 1999, starring Fran Drescher as Fran Fine, a Jewish fashion queen from Flushing, New York who becomes the nanny of three children from the New York/British high society. The show was created and produced by Drescher and her husband Peter Marc Jacobson, taking much of its inspiration from Drescher's personal life growing up in Queens, involving names and characteristics based on her relatives and friends. The show earned a Rose d'Or and one Emmy Award, out of a total of twelve nominations, and Drescher was twice nominated for a Golden Globe and an Emmy. The sitcom has also spawned several foreign adaptations, loosely inspired by the original scripts.
Jewish-American Fran Fine turns up on the doorstep of British Broadway producer Maxwell Sheffield (Charles Shaughnessy) to sell cosmetics after having been both dumped and fired by her boyfriend and employer Danny Imperialli. Instead, she finds herself the nanny of Maxwell's three children, Maggie, Brighton, and Grace. Maxwell Sheffield is unhappy about it at first, but Fran turns out to be just what he and his family needed.  While Fran Fine manages the children, butler Niles (Daniel Davis) manages the household and watches all the events that unfold with Fran as the new nanny. Niles, recognizing Fran's gift for bringing warmth back to the family, does his best to undermine Maxwell's business partner C.C. Babcock (Lauren Lane) who has her eyes on the very available Maxwell Sheffield. Niles is often seen making witty comments directed towards C.C with C.C often replying with a comment of her own in their ongoing game of one-upmanship.  As the series progresses, it becomes increasingly obvious that Maxwell is smitten with Fran even though he won't admit it, and Fran is smitten with him. The show teases the viewers with their closeness and "near misses" as well as with an engagement. Towards the later seasons, they finally marry and expand their family by having fraternal twins. By the end of the series, it's also clear that Niles and C.C.'s constant sharp barbs are their bizarre form of flirtation and after a few false starts (including multiple impulsive and failed proposals from Niles) the pair marry in the series finale.
What was interesting about the plot for the television show The Nanny?
A:
Jewish-American Fran Fine turns up on the doorstep of British Broadway producer Maxwell Sheffield (Charles Shaughnessy) to sell cosmetics after having been both dumped and fired by her boyfriend