Question: Andrea Jane Corr MBE (born 17 May 1974) is an Irish musician, songwriter, and actress. Corr debuted in 1990 as the lead singer of the Celtic folk rock and pop rock group The Corrs along with her three elder siblings Caroline, Sharon, and Jim. Aside from singing lead vocals Corr plays the tin whistle, the ukulele, and the piano.

While her siblings were on hiatus to raise their families, Andrea launched a solo career. She released her first album, Ten Feet High, on 25 June 2007. It was produced by Nellee Hooper, who has worked with Gwen Stefani and Madonna; Bono was an executive producer. Her first single, "Shame on You" was an up-tempo pop song about men and women going to war and leaving behind partners they may never see again. It received positive reviews from music critics; IndieLondon described the song as a "slick package" that was "polished, well produced and with a message that's difficult to ignore". Losing Today's David Adair gave the song a strong review, writing that Corr's vocals were "crisp and uplifting". Liverpool's Daily Post gave the song a three-star rating, commenting that it was "deceptively upbeat", which masked its "heavier message about conscription and war".  On 10 April 2009 Andrea announced on Claudia Winkleman's BBC Radio 2 show that she would be releasing a second album of old songs and covers. She spoke of her disappointment and how 'gutted' she had been when her 2007 album Ten Feet High had failed to gain commercial success. She also spoke at length of her experiences while acting in the play Dancing at Lughnasa and how it has given her hope for upcoming projects, including a second solo album of 'old songs'.  In late January 2011, her new album was announced for "early summer", and a downloadable MP3 of her cover of John Lennon's Number 9 Dream was made available to subscribers. Lifelines was released on 30 May. In the summer of 2012, she re-recorded the track "Pale Blue Eyes" (which had first appeared on her album "Lifelines") with German electronic musician Christopher von Deylen, better known under his alias Schiller. It was released in Germany on 5 October on the Schiller album Sonne.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: On 10 April 2009 Andrea announced on Claudia Winkleman's BBC Radio 2


Question: Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.

Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis.  The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.)  The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs.  Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis.

Using a quote from the above article, answer the following question: is there anything else interesting about him?
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Answer:
Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "