input: The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation and submitted it to numerous directors but there was little interest. Simon suggested that they send the book to Baltimore native and film director Barry Levinson. Levinson's assistant Gail Mutrux enjoyed the book and both she and Levinson became attached as producers. The project became the award-winning TV series Homicide: Life on the Street (1993-1999), on which Simon worked as a writer and producer.  Simon was asked by Mutrux to write the show's pilot episode but declined, feeling he did not have the necessary expertise. He collaborated with his old college friend David Mills to write the season two premiere "Bop Gun". The episode was based on a story by executive producer Tom Fontana and featured Robin Williams in a guest starring role that garnered the actor an Emmy nomination. Simon and Mills won the WGA Award for Best Writing in a Drama for the episode. Simon also received Austin Film Festival's Outstanding Television Writer Award in 2010.  Simon left his job with the Baltimore Sun in 1995 to work full-time on Homicide: Life on the Street during the production of the show's fourth season. Simon wrote the teleplay for the season four episodes "Justice: Part 2" and "Scene of the Crime" (with Anya Epstein). For season five he was the show's story editor and continued to contribute teleplays writing the episodes "Bad Medicine" and "Wu's on First?" (again with Epstein). He was credited as a producer on the show's sixth and seventh seasons. He wrote the teleplays for parts two and three of the sixth season premiere "Blood Ties" (the latter marking his third collaboration with Epstein) and provided the story for the later sixth season episodes "Full Court Press" and "Finnegan's Wake" (with James Yoshimura). He provided the story for the seventh season episodes "Shades of Gray" (with Julie Martin), "The Same Coin" (again with Yoshimura) and "Self Defense" (with Eric Overmyer). Simon wrote the story and teleplay for the seventh season episodes "The Twenty Percent Solution" and "Sideshow: Part 2". Simon, Martin and teleplay writer T. J. English won the Humanitas Prize in the 60 minutes category for the episode "Shades of Gray". Simon was nominated for a second WGA Award for Best Writing in a Drama for his work on "Finnegan's Wake" with Yoshimura and Mills (who wrote the teleplay).  Simon has said that he thought the show was a "remarkable drama" but that it did not reflect the book. He has also said that when writing for the show he had to put his experiences of the real detectives aside as the characters became quite different, particularly in their more philosophical approach to the job. Simon said that TV must find shorthand ways of referencing anything real.

Answer this question "Did Simon have any other jobs?"
output: Simon left his job with the Baltimore Sun in 1995

Question: The Nitty Gritty Dirt Band, an American country rock band, has existed in various forms since its founding in Long Beach, California in 1966. The group's membership has had at least a dozen changes over the years, including a period from 1976 to 1981 when the band performed and recorded as the Dirt Band. Constant members since the early times are singer-guitarist Jeff Hanna and drummer Jimmie Fadden. Multi-instrumentalist John McEuen was with the band from 1966 to 1986 and returned during 2001 departing once again in November 2017.

The group was inactive for a 6-month period after Paint Your Wagon, then reformed with Jimmy Ibbotson replacing Chris Darrow. With William McEuen as producer and a renegotiated contract that gave the band more artistic freedom, the band recorded and released Uncle Charlie & His Dog Teddy, issued in 1970. Embracing a straight, traditional country and bluegrass sound, the album included the group's best-known singles; a cover version of Jerry Jeff Walker's "Mr. Bojangles", Michael Nesmith's "Some of Shelley's Blues", and four Kenny Loggins songs including "House at Pooh Corner", the first recordings of Loggins's songs. Their version of "Mr. Bojangles" became the group's first hit, peaking at #9 on Billboard's all genre Hot 100 chart, with an unusual 36 weeks on the charts.  The next album, All The Good Times, released during early 1972, had a similar style.  Nitty Gritty Dirt Band next sought to solidify its reputation as a country band when band member John McEuen asked Earl Scruggs if he would record with the group. Earl's "yes" was followed the next week when John asked Doc Watson the same question, receiving the same answer of 'yes'. This set in motion the further addition of other artists, and with the help of Earl and Louise Scruggs, they set to traveling to Nashville, Tennessee and recording what was to become a triple album, Will the Circle Be Unbroken with Nashville stalwarts Roy Acuff, Earl Scruggs, and Jimmy Martin, country pioneer Mother Maybelle Carter, folk-blues guitarist Doc Watson, Merle Travis, Norman Blake, and others. The title is from the song, "Will the Circle Be Unbroken (By and By)", as adapted by A. P. Carter, and reflects the album's theme of trying to tie together three generations of musicians: long-haired boys from California and older veterans of the middle American establishment. The track "I Saw the Light" with Acuff singing, was a success, and the album received two nominations for Grammy Award. Veteran fiddler Vassar Clements was introduced to a wider audience by the album and gave him a new career. The band also toured Japan twice soon after this period.  After the next album Les Thompson left the group, making the band a foursome. Stars & Stripes Forever was a live album that mixed old successes such as "Buy for Me the Rain" and "Mr. Bojangles" with Circle collaborations (fiddler Vassar Clements was a guest performer) and long storytelling spoken-word monologues. A studio album, Dream, was also released.  During July 1974, the band was among the headline acts at the Ozark Music Festival at the Missouri State Fairgrounds in Sedalia, Missouri. Some estimates put the crowd at 350,000 people, which would make this one of the largest music events in history. At another concert, the band opened for the rock band Aerosmith.

Using a quote from the above article, answer the following question: Were they on tour in 1969
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Answer: