Background: Kureishi was born in Bromley, South London, to a Pakistani father, Rafiushan (Shanoo) Kureishi, and an English mother, Audrey Buss. His father was from a wealthy Madras family, most of whose members moved to Pakistan after the Partition of British India in 1947. Rafiushan came to the UK in 1950 to study law but for financial reasons worked at the Pakistani embassy instead. Here he met his wife-to-be, Buss.
Context: Kureishi started his career in the 1970s as a pornography writer, under the pseudonyms Antonia French and Karim. He went on to write plays for the Hampstead Theatre, Soho Poly and by the age of 18 was with the Royal Court. He wrote My Beautiful Laundrette in 1985, a screenplay about a gay Pakistani-British boy growing up in 1980s London for a film directed by Stephen Frears. The screenplay, especially the racial discrimination experienced, contained elements from Hanif's own experiences as the only Pakistani student in his class at school. It won the New York Film Critics Best Screenplay Award and an Academy Award nomination for Best Screenplay. He also wrote the screenplay for Sammy and Rosie Get Laid (1987). His book The Buddha of Suburbia (1990) won the Whitbread Award for the best first novel and was made into a BBC television series with a soundtrack by David Bowie. 1991 saw the release of the feature film entitled London Kills Me, written and directed by Kureishi.  His novel Intimacy (1998) revolved around the story of a man leaving his wife and two young sons after feeling physically and emotionally rejected by his wife. This created some controversy as Kureishi had recently left his own partner (the editor and producer Tracey Scoffield) and two young sons; it was assumed to be at least semi-autobiographical. In 2000/2001 the novel was adapted to a movie Intimacy by Patrice Chereau, which won two Bears at the Berlin Film Festival: a Golden Bear for Best Film and a Silver Bear for Best Actress (Kerry Fox). It was controversial for its explicit sex scenes. The book was translated into Persian by Niki Karimi in 2005.  Kureishi's drama The Mother was adapted to a movie by Roger Michell, which won a joint First Prize in the Director's Fortnight section at Cannes Film Festival. It showed a cross-generational relationship with changed roles: a seventy-year-old English lady and grandmother (played by Anne Reid) who seduces her daughter's boyfriend (played by Daniel Craig), a thirty-year-old craftsman. Explicit sex scenes were shown in realistic drawings only, thus avoiding censorship. His 2006 screenplay Venus saw Oscar, BAFTA, Screen Actors Guild, Broadcast Film Critics Association and Golden Globe nominations for Peter O'Toole in the best actor category.  A novel entitled Something to Tell You was published in 2008. His 1995 novel The Black Album, adapted for the theatre, was performed at the National Theatre in July and August 2009. In May 2011, he was awarded the second Asia House Literature Award on the closing night of the Asia House Literary Festival where he discussed his Collected Essays (Faber).  Kureishi has also written non-fiction, including autobiography. As noted by Cathy Galvin in The Telegraph: "But at the core of his life, as described in his memoir, My Ear at His Heart, is Kureishi's relationship with his father, Rafiushan, who died in 1991."
Question: What other plays dd he write?
Answer: 1995 novel The Black Album, adapted for the theatre,

Problem: Background: En Vogue is an American R&B/Pop vocal group whose original lineup consisted of singers Terry Ellis, Dawn Robinson, Cindy Herron, and Maxine Jones. Formed in Oakland, California in 1988, En Vogue reached number two on the US Hot 100 with the single "Hold On", which was taken from their 1990 debut album Born To Sing. The group's 1992 follow-up album Funky Divas reached the top 10 in both the US and UK, and included their second US number two hit "My Lovin' (You're Never Gonna Get It)", plus the US top 10 hits "
Context: In 1995, En Vogue was amongst numerous African-American female vocalists featured on the song "Freedom" for the soundtrack to Mario Van Peebles' drama film Panther (1995). Also in 1995, while band members Cindy Herron and Maxine Jones went on maternity leave, Ellis recorded and released a solo album entitled Southern Gal, which spun off the top ten R&B single "Where Ever You Are." The same year, the band also made a cameo appearance in Joel Schumachers superhero film Batman Forever. In 1996, En Vogue recorded "Don't Let Go (Love)" for the soundtrack to the motion picture Set It Off, directed by F. Gary Gray. Released as the soundtrack's lead single in the fall 1996, it became the group's biggest hit yet, selling over 1.8 million copies worldwide and becoming certified platinum by the RIAA. In response to the large commercial success of "Don't Let Go (Love)," the group steadfastly went to work on their third studio album. As the album was nearing completion, Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate. Despite Robinson's abrupt departure, Ellis, Herron, and Jones resolved to continue on as a trio.  Robinson's abrupt departure from En Vogue forced the remaining trio to re-record several of her original lead vocals on their forthcoming album EV3, which was released in June 1997. A breakaway from previous projects, it marked En Vogue's first project to include a diverse roster of collaborators including credits from Babyface, David Foster, Diane Warren, Andrea Martin, and Ivan Matias along with regular contributors Foster & McElroy. Upon its release, EV3 received mixed reviews from critics, many of whom praised the band's vocal performances but were critical with overall production of the album. In the US, it reached the top ten in Germany, Switzerland, and the United Kingdom and debuted at number eight on both Billboard's Top R&B/Hip-Hop Albums chart and the Billboard 200 with sales of 76,500 units, the band's highest first-week numbers. Two further singles released from the album, "Whatever" and "Too Gone, Too Long", entered the top twenty and top forty the Billboard Hot 100, respectively.  In 1998, En Vogue recorded the song "No Fool No More" for the soundtrack to Gregory Nava's romantic drama film Why Do Fools Fall In Love (1998). A top forty entry on the New Zealand Singles Chart, it was later included on the band's first compilation album Best of En Vogue, released in June 1999. A moderate success, the album reached the top forty in Austria and the United Kingdom.
Question: Did they go on any tours between 1994 - 1998?
Answer: