IN: Charles Edward "Charlie" Haden (August 6, 1937 - July 11, 2014) was an American jazz double bass player, bandleader, composer and educator known for his deep, warm sound, and whose career spanned more than fifty years. In the late 1950s, Haden was an original member of the ground-breaking Ornette Coleman Quartet. Haden revolutionized the harmonic concept of bass playing in jazz. About him, German musicologist Joachim-Ernst Berendt commented, "His ability to create serendipitous harmonies by improvising melodic responses to Coleman's free-form solos (rather than sticking to predetermined harmonies) was both radical and mesmerizing.

In addition to his lyrical playing, Haden was known for his warm tone and subtle vibrato on the double bass. His approach to the bass stemmed from his belief that the bassist should move from an accompanying role to a more direct role in group improvisation. This is particularly clear in his work with the Ornette Coleman Quartet where he frequently improvised melodic responses to Coleman's free-form solos instead of playing previously written lines. He frequently closed his eyes while performing, and assumed a posture in which he bent himself around the bass until his head was almost at the bottom of the bridge of the bass.  In an interview with Haden, pianist Ethan Iverson noted that Haden's "combination of folk song, avant-garde sensibility, and Bach-like classical harmony is a stream in this music just as distinctive as Thelonious Monk or Elvin Jones."  Haden owned one three-quarter-sized bass, and one seven-eighth-sized bass. The larger bass is one of a small number of basses made by Jean-Baptiste Vuillaume, a French luthier, in the mid-nineteenth century. He greatly valued this bass, playing it only at recording sessions and jobs in close proximity to his home so as not to risk damaging it in transit. He attributed the bass's special and valuable nature to the varnish used by Vuillaume, which is similar to Italian varnish.  Haden suffered from tinnitus, a ringing in both ears that he believed he acquired from constant exposure to playing in proximity to drums, and possibly from an extremely loud concert in which he played during the late 1960s. He also suffered from hyperacousis, or sensitivity to loud noises. As a result, when he played with a drummer, he had to play behind a Plexiglass divider.  "American Quartet" pianist, Keith Jarrett, said of Charlie's way of playing, "He wanted to relate to the material in a very personal style all the time. He wasn't somebody to get into a groove and just enjoy it simply because it was a groove".

What was important about his musical style

OUT: Haden's "combination of folk song, avant-garde sensibility, and Bach-like classical harmony is a stream in this music just as distinctive as Thelonious Monk or Elvin Jones."

input: In 1942, shortly after the U.S. entered World War II, McCarthy joined the United States Marine Corps, despite the fact that his judicial office exempted him from military service. His college education qualified him for a direct commission, and he entered the Marines as a first lieutenant.  McCarthy reportedly chose the Marines with the hope that being a veteran of this branch of the military would serve him best in his future political career. According to Morgan, writing in Reds, McCarthy's friend and campaign manager, attorney and judge Urban P. Van Susteren, had applied for active duty in the Army Air Force in early 1942, and advised McCarthy: "Be a hero--join the Marines." When McCarthy seemed hesitant, Van Susteren asked, "You got shit in your blood?"  He served as an intelligence briefing officer for a dive bomber squadron in the Solomon Islands and Bougainville for 30 months (August 1942 - February 1945), and held the rank of captain by the time he resigned his commission in April 1945. He volunteered to fly twelve combat missions as a gunner-observer, acquiring (or perhaps giving himself) the nickname "Tail-Gunner Joe". McCarthy remained in the Marine Corps Reserve after the war, attaining the rank of major.  He later falsely claimed participation in 32 aerial missions in order to qualify for a Distinguished Flying Cross and multiple awards of the Air Medal, which the Marine Corps chain of command decided to approve in 1952 because of his political influence. McCarthy also publicized a letter of commendation which he claimed had been signed by his commanding officer and Admiral Chester W. Nimitz, then Chief of Naval Operations. However, his commander revealed that McCarthy had written this letter himself, probably while preparing award citations and commendation letters as an additional duty, and that he signed his commander's name, after which Nimitz signed it in the process of signing numerous other such letters. A "war wound"--a badly broken leg--that McCarthy made the subject of varying stories involving airplane crashes or anti-aircraft fire had in fact happened aboard ship during a raucous celebration for sailors crossing the equator for the first time. Because of McCarthy's various lies about his military heroism, his "Tail-Gunner Joe" nickname was sarcastically used as a term of mockery by his critics.  McCarthy campaigned for the Republican Senate nomination in Wisconsin while still on active duty in 1944 but was defeated by Alexander Wiley, the incumbent. After he left the Marines in April 1945, five months before the end of the Pacific war in September 1945, McCarthy was reelected unopposed to his circuit court position. He then began a much more systematic campaign for the 1946 Republican Senate primary nomination, with support from Thomas Coleman, the Republican Party's political boss in Wisconsin. In this race, he was challenging three-term senator Robert M. La Follette Jr., founder of the Wisconsin Progressive Party and son of the celebrated Wisconsin governor and senator Robert M. La Follette, Sr.

Answer this question "What got him these awards"
output:
which the Marine Corps chain of command decided to approve in 1952 because of his political influence.