input: After releasing four albums in barely four years, the group went into hiatus, and nearly three years passed before their next release, although Frantz and Weymouth continued to record with the Tom Tom Club. In the meantime, Talking Heads released a live album The Name of This Band Is Talking Heads, toured the United States and Europe as an eight-piece group, and parted ways with Eno, who went on to produce albums with U2.  1983 saw the release of Speaking in Tongues, a commercial breakthrough that produced the band's only American Top 10 hit, "Burning Down the House". Once again, a striking video was inescapable owing to its heavy rotation on MTV. The following tour was documented in Jonathan Demme's Stop Making Sense, which generated another live album of the same name. The tour in support of Speaking in Tongues was their last.  Three more albums followed: 1985's Little Creatures (which featured the hit singles "And She Was" and "Road to Nowhere"), 1986's True Stories (Talking Heads covering all the soundtrack songs of Byrne's musical comedy film, in which the band also appeared), and 1988's Naked. Little Creatures offered a much more American pop-rock sound as opposed to previous efforts. Similar in genre, True Stories hatched one of the group's most successful hits, "Wild Wild Life", and the accordion-driven track "Radio Head", which became the etymon of the band of the same name. Naked explored politics, sex, and death, and showed heavy African influence with polyrhythmic styles like those seen on Remain in Light. During that time, the group was falling increasingly under David Byrne's control and, after Naked, the band went on "hiatus".  It took until December 1991 for an official announcement to be made that Talking Heads had broken up. Their final release was "Sax and Violins", an original song that had appeared earlier that year on the soundtrack to Wim Wenders' Until the End of the World. During this breakup period, Byrne continued his solo career, releasing Rei Momo in 1989 and The Forest in 1991. This period also saw a revived flourish from both Tom Tom Club (Boom Boom Chi Boom Boom and Dark Sneak Love Action) and Harrison (Casual Gods and Walk on Water), who toured together in the summer of 1990.

Answer this question "How did Talking Heads get together?"
output: toured the United States and Europe as an eight-piece group, and parted ways with Eno, who went on to produce albums with U2.

input: Mortimer was called to the Bar (Inner Temple) in 1948, at the age of 25. His early career consisted of testamentary and divorce work, but on taking silk in 1966, he began to undertake work in criminal law. His highest profile, though, came from cases relating to claims of obscenity, which, according to Mortimer, were "alleged to be testing the frontiers of tolerance."  He has sometimes been incorrectly cited as a member in the Lady Chatterley's Lover obscenity trial defence team, though this is inaccurate. Mortimer did however successfully represent publishers John Calder and Marion Boyars in their 1968 appeal against their conviction for publishing Hubert Selby, Jr.'s Last Exit to Brooklyn. He assumed a similar role three years later, this time unsuccessfully, for Richard Handyside, the English publisher of The Little Red Schoolbook.  Mortimer was also defence counsel at the Oz conspiracy trial later in 1971. In 1976, he defended Gay News editor Denis Lemon (Whitehouse v. Lemon) for the publication of James Kirkup's "The Love that Dares to Speak its Name" against charges of blasphemous libel; Lemon was convicted with a suspended prison sentence, later overturned on appeal. His defence of Virgin Records in the 1977 obscenity hearing for their use of the word bollocks in the title of the Sex Pistols album Never Mind the Bollocks, Here's the Sex Pistols, and the manager of the Nottingham branch of the Virgin record shop chain for the record's display in a window and its sale, led to the defendants' being found not guilty. Mortimer retired from the bar in 1984.

Answer this question "Where did John studied?"
output: 

input: In 1930-31, against the first West Indian side to visit Australia, Bradman's scoring was more sedate than in England--although he did make 223 in 297 minutes in the Third Test at Brisbane and 152 in 154 minutes in the following Test at Melbourne. However, he scored quickly in a very successful sequence of innings against the South Africans in the Australian summer of 1931-32. For NSW against the tourists, he made 30, 135 and 219. In the Test matches, he scored 226 (277 minutes), 112 (155 minutes), 2 and 167 (183 minutes); his 299 not out in the Fourth Test, at Adelaide, set a new record for the highest score in a Test in Australia. Australia won nine of the ten Tests played over the two series.  At this point, Bradman had played 15 Test matches since the beginning of 1930, scoring 2,227 runs at an average of 131. He had played 18 innings, scoring 10 centuries, six of which had extended beyond 200. His overall scoring rate was 42 runs per hour, with 856 (or 38.5% of his tally) scored in boundaries. Significantly, he had not hit a six, which typified Bradman's attitude: if he hit the ball along the ground, then it could not be caught. During this phase of his career, his youth and natural fitness allowed him to adopt a "machine-like" approach to batting. The South African fast bowler Sandy Bell described bowling to him as, "heart-breaking ... with his sort of cynical grin, which rather reminds one of the Sphinx ... he never seems to perspire".  Between these two seasons, Bradman seriously contemplated playing professional cricket in England with the Lancashire League club Accrington, a move that, according to the rules of the day, would have ended his Test career. A consortium of three Sydney businesses offered an alternative. They devised a two-year contract whereby Bradman wrote for Associated Newspapers, broadcast on Radio 2UE and promoted the menswear retailing chain FJ Palmer and Son. However, the contract increased Bradman's dependence on his public profile, making it more difficult to maintain the privacy that he ardently desired.  Bradman's chaotic wedding to Jessie Menzies in April 1932 epitomised these new and unwelcome intrusions into his private life. The church "was under siege all throughout the day ... uninvited guests stood on chairs and pews to get a better view"; police erected barriers that were broken down and many of those invited could not get a seat. Just weeks later, Bradman joined a private team organised by Arthur Mailey to tour the United States and Canada. He travelled with his wife, and the couple treated the trip as a honeymoon. Playing 51 games in 75 days, Bradman scored 3,779 runs at 102.1, with 18 centuries. Although the standard of play was not high, the effects of the amount of cricket Bradman had played in the three previous years, together with the strains of his celebrity status, began to show on his return home.

Answer this question "Does he undergo any surgery or in an hospital for a long time?"
output: