input: Franklin supports the portrayal of African-American history in films, and has been quoted as saying "I am interested in the universal values of the black experience." However, just because Franklin is a filmmaker who is African American does not mean that all of his films are racially motivated. Not all of his films revolve around a central theme of culture: some of his films cover racial issues, while others do not. Franklin maintains a wide subject range in his films, choosing not to focus solely on his heritage.  As a prominent African-American filmmaker, Franklin stands apart from the rest in his careful selection of projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race. Explaining to The L.A Times, "My ethnicity is a plus, a tool. It gives me ammunition in terms of the way I view the world. There are certain stories in the black community that inform us all." Combining his humanitarian instincts and personal experiences, Franklin stands out as a visionary for community improvement through his films. However, a large part of Franklin's remarkable journey revolves around the fact that he is black. Discussing the realities for African Americans in the television and film industry, Franklin said: "When I came up, the only legitimate dramatic actor was Sidney Poitier, the bankable star was Richard Pryor and the other choice roles were action parts that went to Jim Brown. Even someone as good as Billy Dee Williams had a couple of great moments and then couldn't get a decent part." With a very small window of opportunity for African Americans at the time that Franklin was getting his start, his skills and educational background contributed to his success.  Franklin is a standout filmmaker regardless of his race, yet he is often praised for his ability to overcome adversity, and is recognized for his highly regarded opinion as well as his relevant contributions. In February 2000, Franklin was featured as a Black History Month guest speaker at Indiana University's ''Black Film Center/Archive''. The group hosted an event called A Night with Filmmaker Carl Franklin, which gave Franklin the opportunity to talk about his experience in the movie industry as well as show a preview of his film Devil in a Blue Dress. Franklin's appearance was highly regarded by many students who were honored to meet him in person.

Answer this question "What did he produce for his master thesis?"
output: 

input: In 2002, Slash reunited with Duff McKagan and Matt Sorum for a Randy Castillo tribute concert. Realizing that they still had the chemistry of their days in Guns N' Roses, they decided to form a new band together. Former Guns N' Roses guitarist Izzy Stradlin was initially involved, but left after the others decided to find a lead singer. Dave Kushner, who had previously played with McKagan in Loaded, then joined the band on rhythm guitar. For many months, the four searched for a lead singer by listening to offered demo tapes, a monotonous process documented by VH1. Eventually, former Stone Temple Pilots vocalist Scott Weiland joined the band.  In 2003, Velvet Revolver played several concerts during the summer and released their first single, "Set Me Free". In June 2004, they released their debut album, Contraband, which debuted at No. 1 on the U.S. chart and sold two million copies, re-establishing Slash as a mainstream performer. A year-and-a-half-long tour followed in support of the album. In July 2007, Velvet Revolver released their second album, Libertad, and embarked on a second tour. During a show in March 2008, Weiland announced to the audience that it would be the band's final tour; he was fired from the band in April 2008, Slash insisted "chemical issues" led to the split. The following month Weiland rejoined Stone Temple Pilots. Despite Weiland's departure, Velvet Revolver did not officially disband.  In early 2010, Velvet Revolver began writing new songs and auditioning new singers. By January 2011, the band had recorded nine demos, and was reportedly due to make a decision on their singer. However, the following April, Slash stated that they had been unable to find a suitable singer and that Velvet Revolver would remain on hiatus for the next few years while its members focus on other projects.

Answer this question "What was Slash's role in Velvet Revolver?"
output: Realizing that they still had the chemistry of their days in Guns N' Roses, they decided to form a new band together.

input: It was generally felt in the court that the Emperor should marry and produce heirs as soon as possible. Various potential brides were considered: Princess Elisabeth of Modena, Princess Anna of Prussia and Princess Sidonia of Saxony. Although in public life Franz Joseph was the unquestioned director of affairs, in his private life his formidable mother still wielded crucial influence. Sophie wanted to strengthen the relationship between the Houses of Habsburg and Wittelsbach--descending from the latter house herself--and hoped to match Franz Joseph with her sister Ludovika's eldest daughter, Helene ("Nene"), who was four years the Emperor's junior. However, Franz Joseph fell deeply in love with Nene's younger sister Elisabeth ("Sisi"), a beautiful girl of fifteen, and insisted on marrying her instead. Sophie acquiesced, despite her misgivings about Sisi's appropriateness as an imperial consort, and the young couple were married on 24 April 1854 in St. Augustine's Church, Vienna.  Their marriage would prove to be an unhappy one; though Franz Joseph was passionately in love with his wife, the feeling was not mutual and Sisi never truly acclimatised to life at court, frequently having disagreements with the imperial family. Their first daughter Sophie died as an infant, and their only son Rudolf died by suicide in 1889 in the infamous Mayerling Incident.  In 1885 Franz Joseph met Katharina Schratt, a leading actress of the Vienna stage, and she became his friend and confidante. This relationship lasted the rest of his life, and was--to a certain degree--tolerated by Sisi. Franz Joseph built Villa Schratt in Bad Ischl for her, and also provided her with a small palace in Vienna. Though their relationship lasted for thirty-four years, it remained platonic.  The Empress was an inveterate traveller, horsewoman, and fashion maven who was rarely seen in Vienna. Sisi was obsessed about preserving her beauty, carrying out many bizarre routines and strenuous exercise, and as a result suffered from ill health. She was stabbed to death by an Italian anarchist in 1898 while on a visit to Geneva. A few days after the funeral, Robert of Parma wrote in a letter to his friend Tirso de Olazabal that "It was pitiful to look at the Emperor, he showed a great deal of energy in his immense pain, but at times one could see all the immensity of his grief." Franz Joseph never fully recovered from the loss. According to the future empress Zita of Bourbon-Parma he told his relatives: "You'll never know how important she was to me" or, according to some sources, "You will never know how much I loved this woman."

Answer this question "What year were Franz and Elizabeth married"
output:
the young couple were married on 24 April 1854 in St. Augustine's Church, Vienna.