input: Stig Anderson still thought Gardestad had some international potential, and he and his brother Kenneth travelled to Hollywood in late 1977 to record Gardestad's first English-language album Blue Virgin Isles. The west coast rock orientated album featured contributions from American and English musicians including Jeff Porcaro, Steve Porcaro, Jim Keltner, David Hungate, Jay Graydon, Dr. John and John Mayall, many of whom were Gardestad's personal idols. Blue Virgin Isles was released worldwide in late 1978 on Epic Records, and produced the singles "Take Me Back To Hollywood", an English version of "Chapeau-Clacque", and "Love, You're Making All The Fools". Despite the expensive production and the big push to launch Gardestad--including promotional appearances alongside ABBA--his Swedish success did not translate internationally. In Sweden, the album peaked at No. 29 and spent one week on the chart. Thirty years after its original release, Blue Virgin Isles remains Gardestad 's only studio album that has not been re-released on CD by Polar Music/PolyGram/Universal Music Group.  In early 1979, Ted and Kenneth Gardestad had a fourth attempt at Melodifestivalen and won with the song "Satellit", a mid-tempo rock track whose arrangement bore resemblances to Toto's 1978 hit "Hold the Line". The similarities caused speculation of plagiarism in the Swedish media and disqualification from the contest. The connection between the two songs was that the song's producer Janne Schaffer had heard four of the future Toto members, Steve Porcaro, Jeff Porcaro, David Hungate and Steve Lukather, experimenting with a guitar and bass riff during the Blue Virgin Isles sessions in Los Angeles, which eventually evolved into "Hold the Line". Schaffer was inspired by what he had heard when he wrote the arrangement for "Satellit", but at that point neither "Hold the Line" nor Toto's debut eponymous album had been released. Jeff Porcaro told Swedish newspaper Aftonbladet in February 1979: "No, it's not a rip-off, Ted did not steal our song. Those piano triplets and that bass and guitar line go back to the 1950s and the fact that we both have happened to use variations on the same theme in our songs right now is purely coincidental." Consequently, Ted represented Sweden at the Eurovision Song Contest held in Jerusalem in March 1979. After having competed four times in the pre-selection before winning and with his personal connection to ABBA, hopes and expectations were high. The song scored eight points and finished seventeenth out of nineteen participating entries, making it Sweden's then-second-lowest placing in the contest. The Swedish-language single became a Top 10 hit back home in Sweden and "Satellit" is regarded as one of Ted's signature tunes. The English-language version of the track never charted and neither did the re-issue of Blue Virgin Isles, which included both versions, making it clear that Ted's Scandinavian audiences favoured his Swedish-language material.  After an unsuccessful return to Melodifestivalen in 1980, with "Lat solen varma dig" ("Let the Sun Warm You") with then girlfriend Annica Boller and disappointing sales of his 1981 album Stormvarning (#31, 2 weeks)--which was internationally released as I'd Rather Write a Symphony on the Polydor label in a few countries and equally overlooked--Gardestad left the music scene at the age of 25.

Answer this question "Was the album successful?"
output: his Swedish success did not translate internationally.

input: After returning to the U.S. in 1847, Douglass started publishing his first abolitionist newspaper, the North Star, from the basement of the Memorial AME Zion Church in Rochester, New York. The North Star's motto was "Right is of no Sex - Truth is of no Color - God is the Father of us all, and we are all brethren." The AME Church and North Star vigorously opposed the mostly white American Colonization Society and its proposal to send blacks back to Africa. This and Douglass's later abolitionist newspapers were mainly funded by English supporters, who gave Douglass five hundred pounds to use as he chose. Douglass also soon split with Garrison, perhaps because the North Star competed with Garrison's National Anti-Slavery Standard and Marius Robinson's Anti-Slavery Bugle.  Douglass also came to consider Garrison too radical. Earlier Douglass had agreed with Garrison's position that the Constitution was pro-slavery, because of its compromises related to apportionment of Congressional seats, based on partial counting of slave populations with state totals; and protection of the international slave trade through 1807. Garrison had burned copies of the Constitution to express his opinion. But, Lysander Spooner published The Unconstitutionality of Slavery (1846), which explored the United States Constitution as an anti-slavery document. Douglass's change of opinion about the Constitution and his splitting from Garrison around 1847 became one of the abolitionist movement's most notable divisions. Douglass angered Garrison by saying that the Constitution could and should be used as an instrument in the fight against slavery.  In September 1848, Douglass published an open letter addressed to his former master, Thomas Auld, berating him for his conduct, and enquiring after members of his family still held by Auld. In a graphic passage, Douglass asked Auld how he would feel if Douglass had come to take away his daughter Amanda as a slave, treating her the way he and members of his family had been treated by Auld.

Answer this question "Did he do any protesting or speeches upon his return?"
output:
of the international slave trade through 1807. Garrison had burned copies of the Constitution to express his opinion.