IN: Lilyan Tashman (October 23, 1896 - March 21, 1934) was an American vaudeville, Broadway, and film actress. Tashman was best known for her supporting roles as tongue-in-cheek villainesses and the vindictive "other woman." She made 66 films over the course of her Hollywood career and although she never obtained superstar status, her cinematic performances are described as "sharp, clever and have aged little over the decades." Tall, blonde, and slender with fox-like features and a throaty voice, Tashman freelanced as a fashion and artist's model in New York City.

Lilyan Tashman's entertainment career began in vaudeville, and by 1914 she was an experienced performer, appearing in Song Revue in Milwaukee, Wisconsin, with rising stars Eddie Cantor and Al Lee. In 1916, she played Viola in a Shakespeare-inspired number for the Ziegfeld Follies and remained with the Follies for the 1917 and 1918 seasons. In 1919, producer David Belasco gave her a supporting role in Avery Hopwood's comedy The Gold Diggers. The show ran two years with Tashman acting as an understudy, and occasionally filling in, for star Ina Claire.  In 1921, Tashman made her film debut playing Pleasure in an allegorical segment of Experience, and when The Gold Diggers closed she appeared in the plays The Garden of Weeds and Madame Pierre. In 1922, she had a small role in the Mabel Normand film Head Over Heels. Her personal and professional lives in 1922 were not entirely satisfactory (best friend Edmund Lowe moved to Hollywood, for example, and she was fired from Madame Pierre) so she relocated to California and quickly found work in films. In 1924, she appeared in five films (including a cinematic adaptation of The Garden of Weeds) and received good reviews for Nellie, the Beautiful Cloak Model and Winner Take All. She freelanced, moving from studio to studio, but signed a long-term contract in 1931 with Paramount. She made nine films for the studio.  In 1925, she appeared in 10 films, including Pretty Ladies with Joan Crawford and Myrna Loy. From 1926 to 1929, she appeared in numerous films, became a valued supporting player, and starred in the independent Rocking Moon (1926) and The Woman Who Did Not Care (1927). She played supporting roles in Ernst Lubitsch's farce So This Is Paris (1926), Camille with Norma Talmadge (1926), A Texas Steer with Will Rogers (1927), director Dorothy Arzner's Manhattan Cocktail (1928), and Hardboiled (1929). Her Variety reviews were good.  She easily managed the transition to sound films, making a total of 28, and appeared in some of the very first, including United Artists's Bulldog Drummond (1929), The Trial of Mary Dugan (1929), the now-lost color musical Gold Diggers of Broadway (1929), and New York Nights (1930) with Norma Talmadge. She starred as a murderess in the melodrama Murder by the Clock, as a self-sacrificing mother in The Road to Reno (1931), and as a chorus girl in Wine, Women and Song (1933). In 1932, her health began to fail but she appeared in The Wiser Sex, Those We Love, the film on the Russian Revolution, Scarlet Dawn, Mama Loves Papa with Charlie Ruggles (1933), and the musical Too Much Harmony (1933). In early 1934, she appeared in Riptide with Norma Shearer. Her last film, Frankie and Johnny, was released posthumously in 1936. Director George Cukor described Tashman as "a very diverting creature [...] outrageous and cheerful and goodhearted."

what was her last film?

OUT: film, Frankie and Johnny,


IN: Michael McDonald (born February 12, 1952) is an American singer, songwriter, keyboardist and record producer. McDonald's music career spans more than 45 years. His early career included singing with Steely Dan. He joined the Doobie Brothers in 1976 and remained an integral member until 1982, after which he released the first of nine solo albums.

McDonald was recruited by the rock band the Doobie Brothers in April 1975, initially as a temporary replacement for their lead vocalist Tom Johnston after he had become ill during a national tour, but his work with the band proved so successful that they decided to retain him as a full-time member.  As a member of the Doobie Brothers, McDonald sang the lead vocals on some of the band's best-known songs such as "Real Love", "Takin' It to the Streets", "Little Darling (I Need You)", "It Keeps You Runnin'", "Minute by Minute", and "What a Fool Believes" (which became a No. 1 single in the U.S. and earned him a 1980 Grammy Award for Song of the Year along with co-writer Kenny Loggins). At the same time, McDonald appeared as a session vocalist and keyboardist for various artists, including Christopher Cross, Stephen Bishop, Jack Jones, Bonnie Raitt, the rock band Toto and Kenny Loggins. McDonald co-wrote "You Belong to Me" with Carly Simon, which appeared on the album Livin' on the Fault Line.  McDonald reunited as a guest performer with the Doobie Brothers several times since the band's initial dissolution in 1982. He re-teamed with the Doobie Brothers for the track "Don't Say Goodbye" on the band's thirteenth studio album, World Gone Crazy. In March 2014, he reunited with the Doobie Brothers to record a brand-new album featuring the greatest hits of the Doobies' 40-plus-year career. This project was completed in conjunction with Sony Music Nashville. On the album, McDonald shares lead vocals with Sara Evans for "What a Fool Believes", Love and Theft for "Takin' it to the Streets", and Amanda Sudano-Ramirez for "You Belong to Me". The album, titled Southbound, was released on November 4, 2014, as the Doobie Brothers' fourteenth studio album.  On November 5, 2014, McDonald and the Doobie Brothers were featured musical guests on the 47th annual CMA Awards to celebrate the release of Southbound. They were joined by Hunter Hayes, Jennifer Nettles and Hillary Scott in their performance of "Listen to the Music." At the end of the awards ceremony, they were also joined by host Brad Paisley for "Takin' It to the Streets".

Did he tour at during this time?

OUT: