Some context: Holland Smith was born on April 20, 1882 in Hatchechubbee, Alabama to John V. Smith and his wife Cornelia Caroline McTyeire. He received a Bachelor of Science degree from Auburn University (then known as Alabama Polytechnic Institute) in 1901. He had already decided on a military career and had become first sergeant of a cavalry company in the Alabama National Guard. However, he obtained his Bachelor of Laws degree from the University of Alabama in 1903 and practiced law in Montgomery, Alabama for a year.
Returning to the United States in April 1919, Smith's assignments in the next four years included duty at Norfolk, Virginia, study at the Naval War College, Newport, Rhode Island, and service in Washington, D.C., with the War Plans Section of the Office of Naval Operations. There, he was the first Marine officer to serve on the Joint Army-Navy Planning Committee. Leaving Washington in May 1923, he served aboard the battleships Wyoming and Arkansas as Fleet Marine Officer, U.S. Scouting Fleet, until September of that year.  In February 1924, after serving at Marine Corps Headquarters and in the West Indies in connection with joint Army-Navy maneuvers, Smith joined the Marine Brigade on expeditionary duty in Haiti, serving as that unit's Chief of Staff and Officer in Charge of Operations and Training. He returned from that country in August 1925, to serve as chief of staff of the 1st Marine Brigade at Quantico, Virginia, until September 1926, as a student in the Marine Corps School, Quantico, from then until June 1927, and as Post Quartermaster of the Marine Barracks, Philadelphia Navy Yard, from July 1927 to March 1931.  In April 1931, Smith began another tour of sea duty, this time aboard the USS California as Aide to the Commander and Force Marine Officer of the Battle Force, U.S. Fleet. He served in those capacities until June 1933, commanded the Marine Barracks at the Washington Navy Yard from then until January 1935, and served the following two years at San Francisco, California, as chief of staff, Department of the Pacific. From there he was ordered to Marine Corps Headquarters in March 1937, to serve two years as director of the Division of Operations and Training, after which he was Assistant Commandant of the Marine Corps under Major General Thomas Holcomb from April to September 1939.
Who was the Commander on the USS California?
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Some context: Sir Pelham Grenville Wodehouse  (; 15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time.
A third milestone in Wodehouse's life came towards the end of 1915: his old songwriting partner Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator. Bolton and Kern had a musical, Very Good Eddie, running at the Princess Theatre in New York. The show was successful, but they thought the song lyrics weak and invited Wodehouse to join them on its successor. This was Miss Springtime (1916), which ran for 227 performances--a good run by the standards of the day. The team produced several more successes, including Leave It to Jane (1917), Oh, Boy! (1917-18) and Oh, Lady! Lady!! (1918), and Wodehouse and Bolton wrote a few more shows with other composers. In these musicals Wodehouse's lyrics won high praise from critics as well as fellow lyricists such as Ira Gershwin.  Unlike his original model, Gilbert, Wodehouse preferred the music to be written first, fitting his words into the melodies. Donaldson suggests that this is the reason why his lyrics have largely been overlooked in recent years: they fit the music perfectly, but do not stand on their own in verse form as Gilbert's do. Nonetheless, Donaldson adds, the book and lyrics for the Princess Theatre shows made the collaborators an enormous fortune and played an important part in the development of the American musical. In the Grove Dictionary of American Music Larry Stempel writes, "By presenting naturalistic stories and characters and attempting to integrate the songs and lyrics into the action of the libretto, these works brought a new level of intimacy, cohesion, and sophistication to American musical comedy." The theatre writer Gerald Bordman calls Wodehouse "the most observant, literate, and witty lyricist of his day". The composer Richard Rodgers wrote, "Before Larry Hart, only P.G. Wodehouse had made any real assault on the intelligence of the song-listening public."  In the years after the war, Wodehouse steadily increased his sales, polished his existing characters and introduced new ones. Bertie and Jeeves, Lord Emsworth and his circle, and Ukridge appeared in novels and short stories; Psmith made his fourth and last appearance; two new characters were the Oldest Member, narrating his series of golfing stories, and Mr Mulliner, telling his particularly tall tales to fellow patrons of the bar at the Angler's Rest. Various other young men-about-town appeared in short stories about members of the Drones Club.  The Wodehouses returned to England, where they had a house in London for some years, but Wodehouse continued to cross the Atlantic frequently, spending substantial periods in New York. He continued to work in the theatre. During the 1920s he collaborated on nine musical comedies produced on Broadway or in the West End, including the long-running Sally (1920, New York), The Cabaret Girl (1922, London) and Rosalie (1928, New York). He also wrote non-musical plays, including The Play's the Thing (1926), adapted from Ferenc Molnar, and A Damsel in Distress (1928), a dramatisation of his 1919 novel.  Though never a naturally gregarious man, Wodehouse was more sociable in the 1920s than at other periods. Donaldson lists among those with whom he was on friendly terms writers including A.A. Milne, Ian Hay, Frederick Lonsdale and E. Phillips Oppenheim, and stage performers including George Grossmith, Jr., Heather Thatcher and Dorothy Dickson.
Are there any other interesting aspects about this article?
A:
A third milestone in Wodehouse's life came towards the end of 1915: his old songwriting partner Jerome Kern introduced him to the writer Guy Bolton,