Background: The Fall were an English post-punk band, formed in 1976 in Prestwich, Greater Manchester. They underwent many line up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long term musicians have included drummers Paul Hanley and Karl Burns; guitarists Marc Riley, Craig Scanlon and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from the early 1980s to the late-1990s. First associated with the late 1970s punk movement, the Fall's music underwent numerous stylistic changes, often concurrently with changes in the group's lineup.
Context: In 1983, Rough Trade Records released the Fall's ninth single, "The Man Whose Head Expanded", and on 19 September issued the band's tenth single and double pack "Kicker Conspiracy". Bizarrely, in November Kamera Records released around two- to three-thousand copies of the planned 1982 single "Marquis Cha Cha", the release date having been put back due to Kamera's financial troubles in late 1982, making it the Fall's eleventh single issue.  That year Smith's American girlfriend and later wife, Brix Smith joined the band on guitar. Born Laura Elise Salenger, she was nicknamed after the track "The Guns of Brixton" by the Clash, a favourite song of hers. Brix's tenure in the group marked a shift towards the relatively conventional, with the songs she co-wrote often having strong pop hooks and more orthodox verse-chorus-verse structures. Additionally, Brix's keen sense of fashion gradually influenced the group's members to give more attention to their clothing and styling--but her platinum blonde hair and glamorous style were always somewhat at odds to the otherwise working class appearance of the Fall. Brix's first live appearance with the Fall was on Wednesday, 21 September 1983 at the Hellfire Club, Wakefield.  Perverted by Language, released 5 December, was the Fall's final album for Rough Trade Records, but the first to feature Brix. Also released in December was the live album In a Hole, recorded during the Fall's tour of New Zealand in 1982, on Flying Nun Records.  This era, a favourite period amongst many critics and fans, was marked by Brix's effort to find a wider audience for the Fall. They achieved a few modest UK hits with singles -- including their versions of R. Dean Taylor's "There's a Ghost in My House" (no.30, 1987) and the Kinks' "Victoria" (no. 35, 1988) and their own songs "Hey! Luciani" (no.59, 1986) and "Hit the North" (no.57, 1987) -- and enjoyed a string of critically acclaimed albums: The Wonderful and Frightening World of The Fall (1984), This Nation's Saving Grace (1985), Bend Sinister (1986) and The Frenz Experiment (1988). I Am Kurious, Oranj is notable as the fruit of a ballet project between Smith and dancer Michael Clark. Simon Rogers and later Marcia Schofield played keyboards, and Simon Wolstencroft replaced Burns on drums after This Nation's Saving Grace. Wolstencroft's playing also shifted the group's sound; his drumming was described as "nimble" and "funky" when compared to Burns. In 2014 Wolstencroft published a memoir You Can Drum But You Can't Hide about his 11-year stint in the Fall.
Question: what happened in 1983?
Answer: In 1983, Rough Trade Records released the Fall's ninth single, "The Man Whose Head Expanded", and on 19 September issued the band's tenth single and double pack "Kicker Conspiracy

Background: Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. Beginning his professional career with Buffalo Springfield, he composed one of their few hits "For What It's Worth," which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You
Context: Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967.  During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three."  The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young.  Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s.
Question: Did he win any awards
Answer: