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Leonard, the fifth of seven children of Cicero and Getha Leonard, was born in Wilmington, North Carolina. He was named after Ray Charles, his mother's favorite singer. The family moved to Washington, D.C., when he was three, and they settled permanently in Palmer Park, Maryland when he was ten. His father worked as a supermarket night manager and his mother was a nurse.
On November 7, 1988, Leonard made another comeback, facing Don Lalonde at Caesar's Palace in Las Vegas. They fought for Lalonde's WBC Light Heavyweight Championship and the newly created WBC Super Middleweight Championship, which meant that Lalonde had to make 168 lbs. Many were critical of Leonard for stipulating that his opponent--a natural 175 pounder--should weigh less than his usual fighting weight, which could possibly weaken him. However, Lalonde later told HBO's Larry Merchant that he didn't have any trouble making weight.  Lalonde, 31-2 with 26 knockouts, was guaranteed at least $6 million and Leonard was guaranteed over $10 million.  This would be Leonard's first professional fight without Angelo Dundee. For Leonard's fight with Hagler, Dundee worked without a contract and received $175,000, which was less than 2% of Leonard's purse. Dundee was unhappy with that amount. He requested a contract for the Lalonde fight and Leonard refused. "I don't have contracts. My word is my bond", Leonard said. Janks Morton and Dave Jacobs trained Leonard for the Lalonde fight.  Lalonde's size and awkwardness troubled Leonard. In the fourth round, a right hand to the top of Leonard's head dropped him for just the second time in his career. Early in the ninth, Lalonde hurt Leonard with a right to the chin. Leonard fired back and hurt Lalonde with a right. He drove him to the ropes and unleashed a furious assault. Lalonde tried to tie up Leonard, but got dropped with a powerful left hook. He rose but was soon down again, and the fight was stopped. Judges Chuck Giampa and Franz Marti had Leonard ahead by scores of 77-74 and 77-75, respectively. Judge Stuart Kirshenbaum had Lalonde ahead 76-75.  After the fight, Leonard vacated the light heavyweight title, but kept the super middleweight title. Also, Leonard and Janks Morton split because of personal differences. Morton was replaced as co-trainer by Pepe Correa, who had worked with Leonard for most of the previous fifteen years.
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Many were critical of Leonard for stipulating that his opponent--a natural 175 pounder--should weigh less than his usual fighting weight, which could possibly weaken him.


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James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.
After the armistice he returned to Birmingham and tried to find work as a cartoonist. He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position. Later that year he embarked on a professional stage career. Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director. In 1922, while with Playfair, he met Doris Zinkeisen. They were considered a couple for some two years, despite Whale's living as an openly gay man. They were reportedly engaged in 1924, but by 1925 the engagement was off.  In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I. The key conflict is between Capt. Stanhope, the company commander, and Lt. Raleigh, the brother of Stanhope's fiancee. Whale offered the part of Stanhope to the then barely known Laurence Olivier. Olivier initially declined the role, but after meeting the playwright agreed to take it on. Maurice Evans was cast as Raleigh. The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929. A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste. The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations. As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years.  With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh. Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929. The play ran for over a year and cemented its reputation as the greatest play about World War I.
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when was the next year something big happened to help his career

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