input: Although Miranda's U.S. popularity continued to increase, she began to lose favor with some Brazilians. On 10 July 1940, she returned to Brazil and was welcomed by cheering fans. Soon after her arrival, however, the Brazilian press began criticizing Miranda for accommodating American commercialism and projecting a negative image of Brazil. Members of the upper class felt that her image was "too black", and she was criticized in a Brazilian newspaper for "singing bad-taste black sambas". Other Brazilians criticized Miranda for playing a stereotypical "Latina bimbo" in her first interview after her arrival in the U.S. In the New York World-Telegram interview, she played up her then-limited knowledge of English language: "I say money, money, money. I say twenty words in English. I say money, money, money and I say hot dog!"  On 15 July, Miranda appeared in a charity concert organized by Brazilian First Lady Darci Vargas and attended by members of Brazil's high society. She greeted the audience in English, and was met with silence. When Miranda began singing "The South American Way", a song from one of her club acts, the audience began to boo her. Although she tried to finish her act, she gave up and left the stage when the audience continued to boo. The incident deeply hurt Miranda, who wept in her dressing room. The following day, the Brazilian press criticized her as "too Americanized".  Weeks later, Miranda responded to the criticism with the Portuguese song "Disseram que Voltei Americanizada" ("They Say I've Come Back Americanized"). Another song, "Bananas Is My Business", was based on a line from one of her films and directly addressed her image. Upset by the criticism, Miranda did not return to Brazil for fourteen years.  Her films were scrutinized by Latin American audiences for characterizing Central and South America in a culturally-homogenous way. When Miranda's films reached Central and South American theaters, they were perceived as depicting Latin American cultures through the lens of American preconceptions. Some Latin Americans felt that their cultures were misrepresented, and felt that someone from their own region was misrepresenting them. Down Argentine Way was criticized, with Argentines saying that it failed to depict Argentine culture. Its lyrics were allegedly replete with non-Argentine themes, and its sets were a fusion of Mexican, Cuban, and Brazilian culture. The film was later banned in Argentina for "wrongfully portraying life in Buenos Aires". Similar sentiments were voiced in Cuba after the debut of Miranda's Weekend in Havana (1941), with Cuban audiences offended by Miranda's portrayal of a Cuban woman. Reviewers noted that an import from Rio could not accurately portray a woman from Havana, and Miranda did not "dance anything Cuban". Her performances were arguably hybrids of Brazilian and other Latin cultures. Critics said that Miranda's other films misrepresented Latin locales, assuming that Brazilian culture was a representation of Latin America.

Answer this question "what did she do afterwards"
output: 

input: Church is also remembered for his voting record as a strong progressive and environmental legislator, and he played a major role in the creation of the nation's system of protected wilderness areas in the 1960s. In 1964, Church was the floor sponsor of the national Wilderness Act. In 1968, he sponsored the Wild and Scenic Rivers Act and gained passage of a ten-year moratorium on federal plans to transfer water from the Pacific Northwest to California. Working with other members of Congress from northwestern states, Church helped establish the Hells Canyon National Recreation Area along the Oregon-Idaho border, which protected the gorge from dam building. He was also the primary proponent in the establishment of the Sawtooth Wilderness and National Recreation Area in central Idaho in 1972.  Church also was instrumental in the creation of Idaho's River of No Return Wilderness in 1980, his final year in the Senate. This wilderness comprised the old Idaho Primitive Area, the Salmon River Breaks Primitive Area, plus additional lands. At 2.36 million acres (9,550 km2), over 3,600 square miles (9,300 km2), it is the largest wilderness area in the nation outside of Alaska. It was renamed the Frank Church-River of No Return Wilderness in 1984, shortly after the diagnosis of his pancreatic cancer. Idaho Senator Jim McClure introduced the measure in the Senate in late February, and President Reagan signed the act on March 14, less than four weeks before Frank Church's death on April 7.  Frank Church was considered a progressive (remarkable considering that he represented one of the most conservative states in the nation), though he was a strong opponent of gun control. He, in 1979, was the first in Congress to disclose and protest the presence of Soviet combat troops in Cuba. According to the Christian Science Monitor, this stance somewhat disarmed his opponent's charge in the 1980 campaign that Church's performance on the Foreign Relations Committee had helped to weaken the US militarily. In 1974, Church joined Senator Frank Moss, D-Utah, to sponsor the first legislation to provide federal funding for hospice care programs. The bill did not have widespread support and was not brought to a vote. Congress finally included a hospice benefit in Medicare in 1982.  In late 1975 and early 1976, a sub-committee of the U.S. Senate led by Church concluded that members of the Lockheed board had paid members of friendly governments to guarantee contracts for military aircraft in a series of illegal bribes and contributions made by Lockheed officials from the late 1950s to the 1970s. In 1976, it was publicly revealed that Lockheed had paid $22 million in bribes to foreign officials in the process of negotiating the sale of aircraft including the F-104 Starfighter, the so-called "Deal of the Century."  Church also sponsored, along with Pennsylvania Republican John Heinz, the "conscience clause," which prohibited the government from requiring church-affiliated hospitals to perform abortions.

Answer this question "Who else was relevant in Churches political life?"
output:
Frank Moss,