Some context: Toru Takemitsu (Wu Man  Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.
In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence."  In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later.  In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland.
did he ever marry?
A: 

Question: Tin Machine were an Anglo-American hard rock group formed in 1988, notable for being fronted by English singer-songwriter David Bowie. The band consisted of Bowie on lead vocals, sax and guitar, Reeves Gabrels on guitar, Tony Fox Sales on bass, and Hunt Sales on drums. Both Tony and Hunt are the sons of comedian Soupy Sales. Guitarist Kevin Armstrong was an unofficial fifth member of the band, playing on the first studio album and both tours.

The group then went on hiatus while Bowie conducted his solo Sound+Vision Tour. In December 1990, Bowie split from EMI. Hunt Sales said that EMI "kind of freaked out a little bit at the strident, single-less Tin Machine debut", which partially explained why Bowie switched music labels. In March 1991, the band signed to Victory Music, a new label launched by JVC and distributed worldwide by London Records and Polygram, and recorded more new material. This was combined with tracks from the Sydney sessions to form the Tin Machine II album. The album was described as "just as impure and twisted [as their first album], but more R&B and less abrasive." Gabrels explained the change between the first and second album was because by the second album, "we knew one another as musicians. ... It wasn't as dense. And we actually left more room, I think for David to come up with some interesting melodies. There was more room for vocals on this record."  In late 1991 Bowie reiterated that he was still happy being in the band during that time, stating "I'm content. ... I'm deriving a great deal of fulfillment from working with Tin Machine", and band-mate Gabrels agreed, saying "we're doing exactly what we wanted to do." During press performances for songs on the album, Gabrels played his guitar with a vibrator and for a performance on BBC's "Top of the Pops", who banned the use of the vibrator, he mimed playing his guitar with a chocolate eclair.  From 5 October 1991 to 17 February 1992, the group undertook a larger tour, known as the It's My Life Tour. The band was joined on this tour by guitarist Eric Schermerhorn. On 23 November 1991, the band was the musical guest during Saturday Night Live's 17th season.

Using a quote from the above article, answer the following question: what songs were on it?
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Answer: 

Some context: Nancy Grace was born in Macon, Georgia, the youngest of three children, to factory worker Elizabeth Grace and Mac Grace, a freight agent for Southern Railway. Her older siblings are brother Mac Jr. and sister Ginny. The Graces are longtime members of Macon's Liberty United Methodist Church, where Elizabeth plays the organ and Mac Sr. was once a Sunday School teacher. Grace graduated from Macon's Windsor Academy in 1977.
In a 2011 New York Times article, David Carr wrote, "Since her show began in 2005, the presumption of innocence has found a willful enemy in the former prosecutor turned broadcast judge-and-jury". He criticized her handling of the kidnapping of Elizabeth Smart, the Duke lacrosse case, the Melinda Duckett interview and suicide, and the Caylee Anthony case. George Washington University law professor Jonathan Turley told Carr that Grace, as an attorney and reporter, "has managed to demean both professions with her hype, rabid persona, and sensational analysis. Some part of the public takes her seriously, and her show erodes the respect for basic rights."  In January 2014, she again ignited controversy for her wildly negative depiction of recreational marijuana users. Grace made statements such as users were "fat and lazy" and that anyone who disagreed with her was "lethargic, sitting on the sofa, eating chips" to CNN's news correspondent Brooke Baldwin during a segment covering legalization in Colorado on January 6, 2014.  On October 11, 2016, The Jim Norton and Sam Roberts Show had Grace as a guest, on which they accused her of capitalizing on other's tragedy, for her personal gain. They also addressed her handling of The Ultimate Warrior's death, and the Duke lacrosse case. Norton said during the interview that he has disliked her for some time, and she has previously blocked him on Twitter. Grace, in defending herself, stated that she was a crime victim herself, and stating that they didn't ask her one decent question. The next day on The View, Grace addressed the interview, calling Norton and Roberts Beavis and Butt-Head. Grace said she had to hold back tears during the interview and stated, "I don't really know what it was, but it was hell for me."
What else has been said about Nancy?
A:
"has managed to demean both professions with her hype, rabid persona, and sensational analysis.