Question:
Robert Matthew Van Winkle was born in Dallas, Texas, on October 31, 1967. Van Winkle has never known his biological father; he was given the family name of the Dutch man his mother was married to at the time of his birth. When Van Winkle was four, his mother divorced. Afterward, he grew up moving between Dallas and Miami, where his new stepfather worked at a car dealership.
As of the late 2000s, Ice's live performances feature a mix of newer, rock and techno-influenced material and old-school hip hop. Ice performs with a live drummer and DJ, and sometimes sprays his audience with bottled water. Ice's performances often feature an inflatable grim reaper balloon, a dancer in a clown mask, and confetti thrown into the audience. Describing his performances, Ice stated "It's high energy, stage diving, pyrotechnics, girls showing their breasts. It's crazy party atmosphere."  Ice stated that his musical style was influenced by underground music, rather than mainstream music, and that his influences included hip hop and funk artists such as Funkadelic, Rick James, Roger Troutman, Egyptian Lover and Parliament. Ice is a big fan of 50's and 60's reggae and Bob Marley's work and has also stated that he enjoys Rage Against the Machine, Slipknot, and System of a Down.  Ice sometimes plays bass, drums and keyboards on studio recordings. Vanilla Ice referred to his mainstream music as "above-ground" rather than underground, as he tried to make danceable beats and removed expletives so that the songs could reach a wider audience. A lot of his early hits had Ice boasting sexual conquests, in 1991, Ice was quoted "I rap about what I know. Girls and stuff. That's what is going through my head."  When asked about his darker sound in 2002, Ice replied; "Music is about reflection and I'm just reflecting my life and everything it's been and there's no way I'm going to be able to stress what I want and mean over a break beat, you know, it's too emotional and it's too intense, so you have to have the intensity of the band, it's like a symphony, you know, you have to build on the intense parts, and so it just wasn't going to happen, to come extreme over some hip hop record, so to exorcise my demons I had to have the band."
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What kind of style did VAnilla ICe use?

Answer:
Ice's live performances feature a mix of newer, rock and techno-influenced material and old-school hip hop.

input: By 1830, 15.11% of the colonies' total population were Scots, which increased by the middle of the century to 25,000, or 20-25% of the total population. The Australian Gold Rush of the 1850s provided a further impetus for Scottish migration: in the 1850s 90,000 Scots immigrated to Australia, far more than other British or Irish populations at the time. Literacy rates of the Scottish immigrants ran at 90-95%. By 1860, Scots made up 50% of the ethnic composition of Western Victoria, Adelaide, Penola and Naracoorte. Other settlements in New South Wales included New England, the Hunter Valley and the Illawarra.  Much settlement followed the Highland Potato Famine, Highland Clearances and the Lowland Clearances of the mid-19th century. In the 1840s, Scots-born immigrants constituted 12% of the Australian population. Out of the 1.3 million migrants from Britain to Australia in the period from 1861-1914, 13.5% were Scots. Just 5.3% of the convicts transported to Eastern Australia between 1789 and 1852 were Scots.  A steady rate of Scottish immigration continued into the 20th century and substantial numbers of Scots continued to arrive after 1945. From 1900 until the 1950s, Scots favoured New South Wales, as well as Western Australia and Southern Australia. A strong cultural Scottish presence is evident in the Highland Games, dance, Tartan Day celebrations, clan and Gaelic-speaking societies found throughout modern Australia.  According to the 2011 Australian census, 130,204 Australian residents were born in Scotland, while 1,792,600 claimed Scottish ancestry, either alone or in combination with another ancestry. This is the fourth most commonly nominated ancestry and represents over 8.9% of the total population of Australia.

Answer this question "what part of the south did they occupie?"
output: From 1900 until the 1950s, Scots favoured New South Wales, as well as Western Australia and Southern Australia.

Answer the question at the end by quoting:

Allen Toussaint (; January 14, 1938 - November 10, 2015) was an American musician, songwriter, arranger and record producer, who was an influential figure in New Orleans R&B from the 1950s to the end of the century, described as "one of popular music's great backroom figures." Many musicians recorded Toussaint's compositions, including "Java", "Mother-in-Law", "I Like It
The youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son. His father, Clarence, worked on the railway and played trumpet. Allen Toussaint learned piano as a child and took informal music lessons from an elderly neighbor, Ernest Pinn. In his teens he played in a band, the Flamingos, with the guitarist Snooks Eaglin, before dropping out of school. A significant early influence on Toussaint was the syncopated "second-line" piano style of Professor Longhair.  After a lucky break at age 17, in which he stood in for Huey "Piano" Smith at a performance with Earl King's band in Prichard, Alabama, Toussaint was introduced to a group of local musicians led by Dave Bartholomew, who performed regularly at the Dew Drop Inn, a nightclub on Lasalle Street in Uptown New Orleans. His first recording was in 1957 as a stand-in for Fats Domino on Domino's record "I Want You to Know", on which Toussaint played piano and Domino overdubbed his vocals. His first success as a producer also came in 1957 with Lee Allen's "Walking with Mr. Lee". He began performing regularly in Bartholomew's band, and he recorded with Fats Domino, Smiley Lewis, Lee Allen and other leading New Orleans performers.  After being spotted as a sideman by the A&R man Danny Kessler, he initially recorded for RCA Records as Al Tousan. In early 1958 he recorded an album of instrumentals, The Wild Sound of New Orleans, with a band including Alvin "Red" Tyler (baritone sax), either Nat Perrilliat or Lee Allen (tenor sax), either Justin Adams or Roy Montrell (guitar), Frank Fields (bass), and Charles "Hungry" Williams (drums). The recordings included Toussaint and Tyler's composition "Java", which first charted for Floyd Cramer in 1962 and became a number 4 pop hit for Al Hirt (also on RCA) in 1964. Toussaint also recorded and co-wrote songs with Allen Orange in the early 1960s.

What were his next recordings?
His first success as a producer also came in 1957 with Lee Allen's "Walking with Mr. Lee".