IN: Jo Elizabeth Stafford (November 12, 1917 - July 16, 2008) was an American traditional pop music singer and occasional actress, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song "You Belong to Me" topped the charts in the United States and United Kingdom, the record becoming the first by a female artist to reach number one on the U.K. Singles Chart.

Although Weston and Stafford had known each other since their introduction at the King Sisters' party, they did not become romantically involved until 1945, when Weston traveled to New York to see Stafford perform at La Martinique. They were married in a Roman Catholic ceremony on February 26, 1952, before which Stafford converted to Catholicism. The wedding was conducted at St Gregory's Catholic Church in Los Angeles by Father Joe Kearney, a former guitarist with the Bob Crosby band who left the music business, trained as a priest and served as head of the Catholic Labor Institute. The couple left for Europe for a combined honeymoon and business trip: Stafford had an engagement at the London Palladium. Stafford and Weston had two children: Tim was born in 1952, and Amy in 1956. Both children followed their parents into the music industry. Tim Weston became an arranger and producer who took charge of Corinthian Records, his father's music label, and Amy Weston became a session singer, performing with a trio, Daddy's Money, and singing in commercials.  In the 1950s, Stafford had a string of popular hits with Frankie Laine, six of which charted. Their duet of the Hank Williams song "Hey Good Lookin'" made the top ten in 1951. She had her best-known hits--"Jambalaya", "Shrimp Boats", "Make Love to Me", and "You Belong to Me"--around this time. "You Belong to Me" was Stafford's biggest hit, topping the charts in the United States and the United Kingdom. In the U.K., it was the first song by a female singer to top the chart. The record first appeared on U.S. charts on August 1, 1952, and remained there for 24 weeks. In the U.K., it entered the charts on November 14, 1952, at number 12, reached number one on January 16, 1953, and stayed on the charts for 19 weeks. In a July 1953 interview, Paul Weston said his wife's big hit was really the "B" side of the single "Pretty Boy", which both Weston and Columbia Records believed would be the big seller.  Stafford hosted the 15-minute The Jo Stafford Show on CBS-TV from 1954 to 1955, with Weston as her conductor and music arranger. She appeared on NBC's Club Oasis in 1958, and on the American Broadcasting Company (ABC) series The Pat Boone Chevy Showroom in 1959. In the early 1960s, Stafford hosted a series of television specials called The Jo Stafford Show, which were centered around music. The shows were produced in England and featured British and American guests including Claire Bloom, Stanley Holloway, Ella Fitzgerald, Mel Torme, and Rosemary Clooney.  Both Stafford and Weston returned to Capitol in 1961. During her second stint at Capitol, Stafford also recorded for Sinatra's label Reprise Records. The albums issued by Reprise were released between 1961 and 1964, and were mostly remakes of songs from her past. Sinatra sold Reprise to Warner Brothers in 1963, and they retargeted the label at a teenage audience, letting go many of the original artists who had signed up with Sinatra. In late 1965, both Stafford and Weston signed to Dot Records.

Did she continue her career after her wedding ?

OUT: Stafford had an engagement at the London Palladium.

input: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones.

Answer this question "what kind of work was he doing at the height of his career?"
output:
Dixon is considered one of the key figures in the creation of Chicago blues.