Some context: Born in Goulburn, New South Wales, Poidevin played rugby at St Patrick's College (now Trinity Catholic College) in New South Wales, and made the Australian Schoolboy side. Upon finishing school he played a season with the Goulburn Rugby Union Football Club and then, in 1978, he moved to Sydney to study at the University of New South Wales, from which he graduated in 1983 with a Bachelor of Science (Hons). He made his first grade debut with the university's rugby union team in 1978. In 1982 he moved clubs to Randwick, the famous Galloping Greens, home of the Ella brothers and many other Wallabies.
Poidevin played for Sydney against France in the third game France played for their 1981 France rugby union tour of Australia, won by Sydney 16-14. Poidevin then played for New South Wales against France for the fifth match of France's Australia tour, lost 12-21.  Poidevin achieved national selection for the two-Test series against France, despite competition for backrow positions in the Australian team. The first Test against France marked the first time Poidevin played with Australian eightman Mark Loane and contained the first try Poidevin scored at international Test level. In his biography For Love Not Money, written with Jim Webster, Poidevin recalls that:  The first France Test at Ballymore held special significance for me because I was playing alongside Loaney for the first time. In my eyes he was something of a god, and I guess my feeling was the same as a young actor getting a bit part in a movie with Dustin Hoffman. Loaney was a huge inspiration, and I tailed him around the field hoping to feed off him whenever he made one of those titanic bursts where he'd split the defence wide open with his unbelievable strength and speed.  Sticking to him in that Test paid off handsomely, because Loaney splintered the Frenchmen in one charge, gave to me and I went for the line for all I was worth. I saw Blanco coming at me out of the corner of my eye, but was just fast enough to make the corner for my first Test try. I walked back with the whole of the grandstand yelling and cheering. God and Loaney had been good to me."  Poidevin played in Australia's second Test against France in Sydney, won by Australia 24-14, giving Australia a 2-0 series victory.
what happened after that
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Some context: The Iberians (Latin: Hiberi, from Greek: Iberes, Iberes) were a set of peoples that Greek and Roman sources (among others, Hecataeus of Miletus, Avienus, Herodotus and Strabo) identified with that name in the eastern and southern coasts of the Iberian peninsula, at least from the 6th century BC. The Roman sources also use the term Hispani to refer to the Iberians. The term Iberian, as used by the ancient authors, had two distinct meanings. One, more general, referred to all the populations of the Iberian peninsula without regard to ethnic differences (Pre-Indo-European, Celts and non-Celtic Indo-Europeans).
The Iberians produced sculpture in stone and bronze, most of which was much influenced by the Greeks and Phoenicians, and other cultures such as Assyrian, Hittite and Egyptian influences. The styles of Iberian sculpture are divided geographically into Levantine, Central, Southern, and Western groups, of which the Levantine group displays the most Greek influence. Iberian pottery and painting was also distinct and widespread throughout the region.  The Iberian polytheistic religion was influenced by the Greek and Phoenician practices, as it is evident in their sculptures. The man-bull Bicha of Balazote (possibly a fertility deity) and various depictions of sphinxes and lions bear a resemblance to eastern Mediterranean mythological creatures. The Lady of Elche and Lady of Guardamar show clear Hellenistic influence. Phoenician and Greek deities like Tanit, Baal, Melkart, Artemis, Demeter and Asclepius were known in the region and worshiped. Currently few native Iberian gods are known, though the oracular healing deity "Betatun" is known from a Latin inscription at Fuertes del Rey. There was clearly an important female deity associated with the earth and regeneration as depicted by the Lady of Baza and linked with birds, flowers and wheat. The horse was also an important religious figure and an important sanctuary dedicated to Horses has been found in Mula (Murcia). There are many depictions of a "horse taming god" or "lord of the horses" (despotes hippon). The female goddess Ataegina is also widely attested in the inscriptions.  Iberians performed their rites in the open and also maintained sanctuaries in holy places like groves, springs and caves. Archaeological evidence suggests the existence of a priestly class and Silius Italicus mentions priests in the region of Tartessos at a temple of Melqart. Evidence from pottery reveals some information about Iberian myth and ritual. Common themes are a celebratory ritual dance described by Strabo [c.f. 3.3.7.] and seen in a relief from Fuerte del Rey known as the "Bastetania dance" and the confrontation between the deceased and a wolf figure. Ritual sacrifice of animals was also common.  The Iberians incinerated their dead and placed their ashes in ceremonial urns, the remains were then placed in stone tombs.  Iberians venerated the war god Cariociecus.
Where did they practice their religion?
A:
Iberians performed their rites in the open and also maintained sanctuaries in holy places like groves, springs and caves.