Problem: Background: Larry Wayne Gatlin (born May 2, 1948) is an American country and Southern gospel singer and songwriter. As part of a trio with his younger brothers Steve and Rudy, he achieved considerable success within the country music genre, performing on thirty-three Top 40 singles (combining his solo recordings and those with his brothers). As their fame grew, the band became known as Larry Gatlin & the Gatlin Brothers. Larry Gatlin is known for his rich falsetto singing style and for the unique pop-inflected songs he wrote and recorded in the 1970s and 1980s.
Context: Gatlin was born in Seminole in Gaines County, Texas, next to the New Mexico border. His father was an oilfield worker, and the family lived in several locations while he was a youth, including Abilene and Odessa. He was reared listening to country and southern gospel music. He and his brothers, Steve and Rudy, have performed together since childhood; when they were younger, they often sang in their local church. They sometimes performed on local radio stations, and occasionally on television shows. They also recorded a gospel music album for the Gospel label Sword and Shield. The brothers even managed to beat out the legendary Roy Orbison in a local talent contest. In 1964, Gatlin was a quarterback at Odessa High School.  After graduation in 1966, Gatlin was eligible to serve in the Vietnam War; however, he did not, instead choosing to attend the University of Houston. As a wide receiver on the football team, he caught a touchdown pass in a 1968 game in which his team, the Cougars, scored 100 points.  He later auditioned for and joined the gospel music group The Imperials. The Imperials went on to perform in Las Vegas, Nevada in January 1971 at Jimmy Dean's Las Vegas Revue. While walking through the showroom, he caught country singer Dottie West's attention, who thought he looked like Mickey Newbury.  West soon met Gatlin and was impressed with his songwriting skills. She was so impressed, in fact, that she recorded two of Gatlin's compositions, "You're the Other Half of Me" and "Once You Were Mine." West also passed one of Gatlin's demo tapes around Nashville, Tennessee, and even arranged for him to relocate there, purchasing a plane ticket for him--a story he related on the 11/12/2009 episode of "Larry's Country Diner" on RFD-TV. West later recorded other compositions by Gatlin that would later become hits for him, including "Broken Lady", which was put on West's 1978 album, Dottie.
Question: Are there any other interesting aspects about this article?
Answer: Gatlin was eligible to serve in the Vietnam War;

Problem: Background: Casablancas was born in New York City to business mogul John Casablancas, the founder of Elite Model Management, and Jeanette Christiansen, a Danish former model and Miss Denmark (1965). When Casablancas was eight, his parents divorced. He once stated that he wanted to be closer to his father, and this, "translated into teenage rebelliousness." His mother subsequently married painter Sam Adoquei.
Context: Casablancas met guitarist Nick Valensi and drummer Fab Moretti and played together at the Dwight School in Manhattan. He reconnected with guitarist Albert Hammond Jr. when the latter moved to New York. The band was formed in 1998 when Hammond was accepted into the band, with Casablancas as the lead vocalist and main songwriter.  The band began rehearsing a fourteen-song set which included "Alone, Together", "Barely Legal", "Last Nite", "The Modern Age", "New York City Cops", "Soma", "Someday", "Take It or Leave It" and "This Life" (an early version of "Trying Your Luck"). Most of these songs now feature different lyrics. A demo sent to the newly reformed Rough Trade Records in the UK sparked interest there, leading to their first release via the website of the UK magazine NME who gave away a free mp3 download of "Last Nite" a week prior to the physical release as part of The Modern Age EP in 2001. The EP sparked a bidding war among record labels, the largest for a rock and roll band in years. Shortly after, The Strokes' critically acclaimed debut album Is This It was released.  After the release of two other albums Room on Fire and First Impressions of Earth and several major tours, the band took a 5-year break before returning with their fourth album Angles in 2011. This was followed by several headlining appearances at musical festivals, including Reading, Coachella, Lollapalooza and Austin City Limits.  The band released Comedown Machine in 2013, as their last album under the contract with long-time label RCA, for which they did no promotion. The band released an EP, Future Present Past, on Casablancas' own label Cult Records in 2016.
Question: What was their first success together?
Answer: The Strokes' critically acclaimed debut album Is This It was released.

Problem: Background: Margaret Mead (December 16, 1901 - November 15, 1978) was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and 1970s. She earned her bachelor's degree at Barnard College in New York City and her M.A. and Ph.D. degrees from Columbia University. Mead was a respected and often controversial academic who popularized the insights of anthropology in modern American and Western culture. Her reports detailing the attitudes towards sex in South Pacific and Southeast Asian traditional cultures influenced the 1960s sexual revolution.
Context: After her death Mead's Samoan research was criticized by anthropologist Derek Freeman, who published a book that argued against many of Mead's conclusions. Freeman argued that Mead had misunderstood Samoan culture when she argued that Samoan culture did not place many restrictions on youths' sexual explorations. Freeman argued instead that Samoan culture prized female chastity and virginity and that Mead had been misled by her female Samoan informants. Freeman's critique was met with a considerable backlash and harsh criticism from the anthropology community, whereas it was received enthusiastically by communities of scientists who believed that sexual mores were more or less universal across cultures. Some anthropologists who studied Samoan culture argued in favor of Freeman's findings and contradicted those of Mead, whereas others argued that Freeman's work did not invalidate Mead's work because Samoan culture had been changed by the integration of Christianity in the decades between Mead's and Freeman's fieldwork periods. While Mead was careful to shield the identity of all her subjects for confidentiality Freeman was able to find and interview one of her original participants, and Freeman reported that she admitted to having wilfully misled Mead. She said that she and her friends were having fun with Mead and telling her stories.  On the whole, anthropologists have rejected the notion that Mead's conclusions rested on the validity of a single interview with a single person, finding instead that Mead based her conclusions on the sum of her observations and interviews during her time in Samoa, and that the status of the single interview did not falsify her work. Some anthropologists have however maintained that even though Freeman's critique was invalid, Mead's study was not sufficiently scientifically rigorous to support the conclusions she drew.  Mead's reputation and significance as an anthropologist have not been diminished by Freeman's criticisms. In her book Galileo's Middle Finger, Alice Dreger argues that Freeman's accusations were unfounded and misleading. A detailed review of the controversy by Paul Shankman, published by the University of Wisconsin Press in 2009, supports the contention that Mead's research was essentially correct, and concludes that Freeman cherry-picked his data and misrepresented both Mead and Samoan culture.
Question: How did it affect him?
Answer: