Problem: Christopher Duan Johnson (born September 23, 1985) is an American football running back who is currently a free agent. Born in Orlando, Florida, Johnson emerged as a senior for East Carolina University where he broke out for 2,960 all-purpose yards and 24 touchdowns. He was drafted by the Tennessee Titans in the first round of the 2008 NFL Draft, after running a then-record breaking 4.24 seconds in the 40-yard dash at the NFL Combine. In 2009, he won the NFL rushing title with 2,006 yards (the sixth of only seven players ever to gain over 2,000 in a season), and broke Marshall Faulk's record of total yards from scrimmage with 2,509.

Johnson had his professional debut with the Titans on September 7, 2008 where he played in the season opener against the Jacksonville Jaguars, which the Titans won 17-10. Johnson rushed for 93 yards on 15 carries and had 3 receptions for 34 yards and a touchdown. In only his second career game, Johnson ran for 109 yards on 19 carries, including a 51-yard run, and 2 receptions for 12 yards against the Cincinnati Bengals.  On September 28, Johnson rushed for the first touchdown of his career against the Minnesota Vikings. Johnson finished the game with 75 all-purpose yards (61 rushing, 14 receiving) and 2 touchdowns. In only his sixth professional game, he rushed for 168 yards and a touchdown on only 18 carries against the Kansas City Chiefs on October 19, 2008. Johnson finished the season with 1,228 yards on 251 carries for a 4.9 ypc and 43 receptions for 260 yards and 10 total touchdowns in 15 games. He led all rookies in rushing yards per game with 81.9 ypg.  Johnson finished second in AP Rookie of the Year voting to Matt Ryan and was elected to the 2009 Pro Bowl.  Johnson split carries with running back LenDale White for the duration of the 2008 season. White finished the 2008 season with 773 yards on 200 carries for a 3.9 ypc and 15 rushing touchdowns. They nicknamed this RB tandem "Smash and Dash." Smash referred to White due to his power, and Dash referred to Johnson due to his unusual quickness and speed. Entering into the 2009 season, however, Johnson dismissed the nickname of "Smash and Dash" and named himself "Every Coach's Dream."

How did Johnson come about?

Answer with quotes: had his professional debut with the Titans on September 7, 2008

Question:
Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964.  While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes.  In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death.  In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape.  During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.
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who were the other female artists?

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