Some context: Carr was born Joseph Francis Karr on October 23, 1879, at his parents' home in the Irish neighborhood on the East End of Columbus, Ohio. His father, Michael Karr, was a shoemaker who was born in Ireland in 1841 and immigrated to the United States in 1864. His mother Margaret Karr was born in New York to Irish immigrant parents. Carr had five older siblings, Bridget, James, John, Mary, and Michael, and a younger brother, Edward.
In the early 20th century, college football was the dominant version of the sport, and professional teams would sometimes pay college players to play for them, often under assumed names. The practice was considered questionable ethically, resulting in taint being associated with the professional game. In order to remove the taint, and to engender peaceful relations with the college game, Carr made it one of his first goals as league president to impose a strict ban the use of college football players. Indeed, at the same meeting at which Carr was elected president, the APFA adopted a rule prohibiting teams from using players who had not completed their college course.  Carr enforced the ban with vigor. During the 1921 APFA season, two or three college players from Notre Dame played for the Green Bay Acme Packers under assumed names. The incident resulted in the players losing their amateur status and being barred from further college football participation. In January 1922, Carr responded with the severest possible action, kicking the Packers out of the APFA. A few months later, a group headed by future Hall of Famer Curly Lambeau applied for and was granted the Green Bay franchise.  The 1925 Chicago Cardinals-Milwaukee Badgers scandal followed four years later. In December 1925, four high school students played for the Milwaukee Badgers in a game against the Chicago Cardinals. Carr responded by imposing stiff penalties. The Milwaukee club was fined $500 and given 90 days within which to "dispose of all its club assets at which time the management must retire from the league." The Cardinals were fined $1,000 for their prior knowledge of the violation, and Cardinal player Art Foltz was temporary banned from the league for live for having "induced the boys to play".  The issue arose again when Red Grange, star halfback of the University of Illinois football team, signed with the Chicago Bears. Grange played his final college game on November 21, signed with the Bears the next day, and appeared in his first professional game on November 26. Two weeks later, Ernie Nevers signed a professional football contract for $50,000. To help ease tensions and promote the professional game in the college circles, Carr established a rule prohibiting college players to sign with professional teams until after their class had graduated. These decisions gave the NFL credibility and much needed support from the colleges and universities from across the country.
What other interesting information is there?
A: Carr established a rule prohibiting college players to sign with professional teams until after their class had graduated.

Question: Augusta Ada King-Noel, Countess of Lovelace (nee Byron; 10 December 1815 - 27 November 1852) was an English mathematician and writer, chiefly known for her work on Charles Babbage's proposed mechanical general-purpose computer, the Analytical Engine. She was the first to recognise that the machine had applications beyond pure calculation, and published the first algorithm intended to be carried out by such a machine. As a result, she is sometimes regarded as the first to recognise the full potential of a "computing machine" and the first computer programmer. Ada Lovelace was the only legitimate child of the poet Lord Byron, and his wife Anne Isabella "Annabella" Milbanke, Lady Wentworth.

Throughout her illnesses, she continued her education. Her mother's obsession with rooting out any of the insanity of which she accused Byron was one of the reasons that Ada was taught mathematics from an early age. She was privately schooled in mathematics and science by William Frend, William King, and Mary Somerville, the noted researcher and scientific author of the 19th century. One of her later tutors was the mathematician and logician Augustus De Morgan. From 1832, when she was seventeen, her mathematical abilities began to emerge, and her interest in mathematics dominated the majority of her adult life. In a letter to Lady Byron, De Morgan suggested that her daughter's skill in mathematics could lead her to become "an original mathematical investigator, perhaps of first-rate eminence".  Lovelace often questioned basic assumptions by integrating poetry and science. While studying differential calculus, she wrote to De Morgan:  I may remark that the curious transformations many formulae can undergo, the unsuspected and to a beginner apparently impossible identity of forms exceedingly dissimilar at first sight, is I think one of the chief difficulties in the early part of mathematical studies. I am often reminded of certain sprites and fairies one reads of, who are at one's elbows in one shape now, and the next minute in a form most dissimilar  Lovelace believed that intuition and imagination were critical to effectively applying mathematical and scientific concepts. She valued metaphysics as much as mathematics, viewing both as tools for exploring "the unseen worlds around us".

Using a quote from the above article, answer the following question: Which school did he attend first?
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Answer: She was privately schooled in mathematics and science by William Frend, William King, and Mary Somerville,

Some context: Sir Charles Spencer Chaplin,  (16 April 1889 - 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. Chaplin became a worldwide icon through his screen persona "the Tramp" and is considered one of the most important figures in the history of the film industry. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy. Chaplin's childhood in London was one of poverty and hardship.
Between his time in the poor schools and his mother succumbing to mental illness, Chaplin began to perform on stage. He later recalled making his first amateur appearance at the age of five years, when he took over from Hannah one night in Aldershot. This was an isolated occurrence, but by the time he was nine Chaplin had, with his mother's encouragement, grown interested in performing. He later wrote: "[she] imbued me with the feeling that I had some sort of talent". Through his father's connections, Chaplin became a member of the Eight Lancashire Lads clog-dancing troupe, with whom he toured English music halls throughout 1899 and 1900. Chaplin worked hard, and the act was popular with audiences, but he was not satisfied with dancing and wished to form a comedy act.  In the years Chaplin was touring with the Eight Lancashire Lads, his mother ensured that he still attended school but, by age 13, he had abandoned education. He supported himself with a range of jobs, while nursing his ambition to become an actor. At 14, shortly after his mother's relapse, he registered with a theatrical agency in London's West End. The manager sensed potential in Chaplin, who was promptly given his first role as a newsboy in Harry Arthur Saintsbury's Jim, a Romance of Cockayne. It opened in July 1903, but the show was unsuccessful and closed after two weeks. Chaplin's comic performance, however, was singled out for praise in many of the reviews.  Saintsbury secured a role for Chaplin in Charles Frohman's production of Sherlock Holmes, where he played Billy the pageboy in three nationwide tours. His performance was so well received that he was called to London to play the role alongside William Gillette, the original Holmes. "It was like tidings from heaven", Chaplin recalled. At 16 years old, Chaplin starred in the play's West End production at the Duke of York's Theatre from October to December 1905. He completed one final tour of Sherlock Holmes in early 1906, before leaving the play after more than two-and-a-half years.
What was Charlie  Chaplin's first role?
A:
Chaplin began to perform on stage.