Answer the question at the end by quoting:

Bill Veeck was born on February 9, 1914, in Chicago, Illinois. While Veeck was growing up in Hinsdale, Illinois, his father, William Veeck Sr., became president of the Chicago Cubs. Veeck Sr. was a local sports writer who wrote several columns about how he would have run the Cubs differently, and the team's owner, William Wrigley Jr., took him up on it. While growing up, the younger Veeck worked as a popcorn vendor for the Cubs.
Veeck had been a fan of the Negro Leagues since his early teens. He had also admired Abe Saperstein's Harlem Globetrotters basketball team, which was based in Chicago. Saperstein saved Veeck from financial disaster early on in Milwaukee by giving him the right to promote the Globetrotters in the upper Midwest in the winter of 1941-42.  In the fall of 1942, Veeck met with Gerry Nugent, president of the Philadelphia Phillies, to discuss the possibility of buying the struggling National League team. He later wrote in his memoirs that he intended to buy the Phillies and stock the team's roster with stars from the Negro Leagues. Veeck quickly secured financing to buy the Phillies, and agreed in principle to buy the team from Nugent. While on his way to Philadelphia to close on the purchase, Veeck decided to alert MLB Commissioner Kenesaw Mountain Landis of his intentions. Although Veeck knew Landis was an ardent segregationist, he did not believe Landis would dare say black players were unwelcome while blacks were fighting in World War II. By the time he arrived in Philadelphia, Veeck discovered the Phillies had been officially taken over by the National League and that a new owner was being sought (the Phillies were ultimately sold to lumber baron William D. Cox).  The authors of a controversial article in the 1998 issue of SABR's The National Pastime argued that Veeck invented the story of buying the Phillies and filling their roster with Negro leaguers, claiming Philadelphia's black press made no mention of a prospective sale to Veeck. Subsequently, the article was strongly challenged by the late historian Jules Tygiel, who refuted it point-by-point in an article in the 2006 issue of SABR's The Baseball Research Journal, and in an appendix, entitled "Did Bill Veeck Lie About His Plan to Purchase the '43 Phillies?", published in Paul Dickson's biography, Bill Veeck: Baseball's Greatest Maverick. Joseph Thomas Moore wrote in his biography of Doby, "Bill Veeck planned to buy the Philadelphia Phillies with the as yet unannounced intention of breaking that color line."

Was Veeck a sportsfan?

He had also admired Abe Saperstein's Harlem Globetrotters basketball team, which was based in Chicago.



Answer the question at the end by quoting:

Gregory Allen Kurstin (born May 14, 1969) is an American record producer, musician and songwriter. Described as "the consummate DIY writer and producer", Kurstin has been associated with releases which have cumulatively sold more than 60 million albums worldwide. He has won five Grammy Awards, including Producer of the Year (Non-Classical) in 2017 and 2018. Kurstin co-wrote, produced and played most of the instruments on the record-breaking 2015 Adele single, "Hello".
In 2004, Kurstin was introduced to singer Inara George by a mutual friend, Mike Andrews. Then producing George's solo debut, Andrews hired Kurstin as a pianist for the album. Kurstin and George clicked musically in the studio and together they formed The Bird and the Bee (stylized as "the bird and the bee"). Shortly thereafter, they were signed by Blue Note Records chairman Bruce Lundvall. Described by Entertainment Weekly as "space-age pop that cunningly combines bossa nova languidity with Beach Boys-style lushness", they have since released four albums and an EP. Kurstin was nominated for a Grammy Award for Best Engineered Album for the Bird and the Bee's 2015 release, Recreational Love.  After working on tracks with artists including Peaches, All Saints, Pink, the Flaming Lips, and Kylie Minogue, Kurstin was introduced to Lily Allen. Along with other musicians, co-writers, producers and engineers, he worked on her 2006 debut, Alright, Still, which went on to achieve platinum status. For her second album It's Not Me, It's You, Allen worked exclusively with Kurstin; he co-wrote every song and played all of the instruments on the record, which he also engineered and produced. The album's first single, "The Fear", spent four weeks at number 1 in the UK, and the album hit number 5 in the US and charted in the top 10 in eight other countries. With Allen, Kurstin won three Ivor Novello Awards for his work on the double-platinum It's Not Me, It's You. Based in part on the album's success, as well as his work on a bird and the bee record, Kurstin was nominated for his first Producer of the Year Grammy in 2010.  Kurstin's first commercially available collaboration with Sia was "Death by Chocolate", released on her 2008 album Some People Have Real Problems. In 2010, he produced Sia's fifth album, We Are Born. It reached number 2 in Australia and number 37 in the US. It won ARIA Music Awards for Best Pop Album and Best Independent Release.

Who else was part of The Bird and the Bee?
After working on tracks with artists including Peaches, All Saints, Pink, the Flaming Lips, and Kylie Minogue, Kurstin was introduced to Lily Allen. Along with other musicians,