Problem: Cake (stylized CAKE) is an American alternative rock band from Sacramento, California, consisting of singer John McCrea, trumpeter Vince DiFiore, guitarist Xan McCurdy, bassist Daniel McCallum and drummer Todd Roper. The band has been noted for McCrea's sarcastic lyrics and monotone vocals, and their wide-ranging musical influences, including country music, Mariachi, rock, funk, Iranian folk music and hip hop. Cake was formed in 1991 by McCrea, DiFiore, Greg Brown (guitar), Frank French (drums) and Shon Meckfessel (bass), who soon left and was replaced by Gabe Nelson. Following the self-release of its debut album, Motorcade of Generosity, the band was signed to Capricorn Records in 1995 and released its first single, "Rock 'n' Roll Lifestyle", which hit number 35 on the Modern Rock Tracks music chart and was featured on MTV's 120 Minutes; French and Nelson then left the band, and were replaced by Todd Roper and Victor Damiani.

Cake's fifth album, Pressure Chief, was recorded in June 2004 in a converted house in Sacramento; the album was again released on Columbia Records. Before its official release date on October 5, the band played at the Austin City Limits Music Festival and KBCO's World Class Rockfest. The album was also preceded by its first single, "No Phone", which hit number 13 on Billboard's Modern Rock Tracks chart; the song covered the ubiquitous and privacy-invading use of cell phones, and was described by Jeremy Mahadevan of the New Straits Times as "a traditionally minimalist Cake anthem, with a killer melody and, unique to this album, fairly extensive use of synths". A second single, "Wheels", was also released but failed to chart. Pressure Chief itself hit number 17 on the Billboard top 200, spending 7 weeks in the charts, and received mixed reviews from critics. Although it was acknowledged as a continuation of their old work, albeit with an increased use of synthesisers, Sam Spies of the Richmond Times-Dispatch noted that "the experiments in style that made Cake fun to listen to have all but disappeared from 'Pressure Chief' ... What's left is mostly uninspired, so-called alternative rock", and Graeme Hammond of the Sunday Herald Sun wrote that "the melodies are listless, the album bereft of anything with the verve of Short Skirt/Long Jacket or Comfort Eagle".  Other critics were more generous; Doug Elfman of the Las Vegas Review-Journal called it "another great and bizarre, twangy album of alternative-singer-songwriting stories about cars and horrible relationships", while a reviewer in the New Straits Times noted its "smart, subtly dissident, and always catchy pop". Following Pressure Chief's release, the band toured North America, playing in cities including Albany, New York, and Montreal. A second tour, in 2005, saw the band headline the 20-city Virgin College Mega Tour, playing alongside Gomez; while the Tour was in California, the band announced that it had been dropped from Columbia Records. This was followed by a tour of Europe, as well as concerts in Australia and Jakarta, along with a 2006 repeat of the Unlimited Sunshine Tour, featuring Cake, Tegan and Sara and Gogol Bordello.  Cake later formed its own label, Upbeat Records, which allowed the band to release the compilation album B-Sides and Rarities on August 14, 2007. This was followed by a series of concerts, including at the IndigO2 in London, and a performance in Anchorage, Alaska. Reviews of B-Sides and Rarities were generally good; Devin Grant of The Post and Courier wrote that "For an album full of odds and ends, this Cake release is every bit as good, and every bit as fun, as the band's previous studio releases", while Catherine P. Lewis of The Washington Post noted that, although several live tracks reduced the album's strength, "there are still enough charming nuggets to make this album less disposable than the typical rarities compilation".

did they produce any other music?

Answer with quotes: Sam Spies of the Richmond Times-Dispatch noted that "the experiments in style that made Cake fun to listen


Problem: Emilie Autumn Liddell (born on September 22, 1979), better known by her stage name Emilie Autumn, is an American singer-songwriter, poet, violinist, and actress. Autumn's musical style has been described by her as "Fairy Pop", "Fantasy Rock" or "Victoriandustrial". It is influenced by glam rock and from plays, novels, and history, particularly the Victorian era. Performing with her all-female backup dancers

Her music encompasses a wide range of styles. Autumn's vocal range is contralto, but also has the ability to perform in the dramatic soprano range. Her vocal work has been compared to Tori Amos, Kate Bush, and The Creatures. She has released two instrumental albums (On a Day... and Laced/Unlaced), and four featuring her vocals: Enchant, Opheliac, A Bit o' This & That, and "Fight Like A Girl". The 2003 album Enchant drew on "new age chamber music, trip hop baroque, and experimental space pop". Autumn layers her voice frequently, and incorporates electronics and electronic effects into her work on Enchant; she also combines strings and piano for some songs, while others feature mainly the piano or violin. The 2006 release Opheliac featured "cabaret, electronic, symphonic, new age, and good ol' rock & roll (and heavy on the theatrical bombast)".  A classically trained musician, Autumn is influenced by plays, novels, and history, particularly the Victorian era. She enjoys the works of Shakespeare, Elizabeth Barrett Browning and her husband Robert, and Edgar Allan Poe. She incorporates sounds resembling Victorian machinery such as locomotives, which she noted was "sort of a steampunk thing". While a young Autumn cited Itzhak Perlman as an influence because of the happiness she believed he felt when he played, her main musical influence and inspiration is the English violinist Nigel Kennedy. Her favorite singer is Morrissey from The Smiths. She takes inspiration for her songs from her life experiences and mixes in "layers and layers of references, connections, other stories and metaphors". Autumn describes her music and style as "Psychotic Vaudeville Burlesque". She alternatively labels her music and style as "Victoriandustrial'", a term she coined, and glam rock because of her use of glitter onstage. According to Autumn, her music "wasn't meant to be cutesy" and is labeled as "industrial" mainly because of her use of drums and yelling. Her adaption of "O Mistress Mine" was praised by author and theater director Barry Edelstein as "a ravishing, guaranteed tearjerker".  For her live performances, which she calls dinner theatre because of her practice of throwing tea and tea-time snacks offstage, Autumn makes use of burlesque--"a show that was mainly using humour and sexuality to make a mockery of things that were going on socially and politically"--to counterbalance the morbid topics such as abuse and self-mutilation. She incorporates handmade costumes, fire tricks, theatrics, and a female backing band, The Bloody Crumpets: Veronica Varlow, Jill Evyn (Moth), and formerly The Blessed Contessa, Lady Aprella, Little Lucina, Lady Joo Hee, Captain Vecona, Little Miss Sugarless, Mistress Jacinda, and the model Ulorin Vex. Another crumpet, Captain Maggot, has taken a leave. Her wish for the live shows is to be an "anti-repression statement" and empowerment.

What was her musical style?

Answer with quotes:
Autumn's vocal range is contralto, but also has the ability to perform in the dramatic soprano range. Her vocal work has been compared to Tori Amos, Kate Bush,