Problem: Tamar Estine Herbert (nee Braxton, born March 17, 1977), professionally known as Tamar Braxton, is an American singer, television personality and actress. Braxton had her first big break in music in 1990 as a founding member of the American R&B singing group The Braxtons, formed with her sisters. The Braxtons released their debut album, So Many Ways, as a trio in 1996.

Tamar Estine Braxton was born in Severn, Maryland on March 17, 1977 to Michael and Evelyn Braxton. The youngest of the Braxtons' six children, Tamar started singing as a toddler. The Braxton children would eventually enter in their church choir, where their father Michael Braxton was a pastor. Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989. In 1990, they released their first single, "Good Life". "Good Life" was unsuccessful only peaking at No. 79 on the Billboard Hot R&B/Hip-Hop Singles chart. At the time of the single's release, the members' age differences created a problem with marketing. Subsequently, The Braxtons were dropped from Arista Records.  In 1991, during a showcase with L.A. Reid and Kenneth "Babyface" Edmonds, who were in the process of forming LaFace Records, Toni Braxton, minus her four sisters, was chosen and signed as the label's first female solo artist. At the time, the remaining members were told that LaFace was not looking for another girl group since it had just signed TLC. After Toni's departure from the group, the remaining Braxtons members became backup singers for Toni's first tour, music videos, and promotional appearances. Traci, Towanda, Trina, and Tamar were featured in the music video for Toni Braxton's third single, "Seven Whole Days", from her self-titled debut album.  In 1993, LaFace Records A&R Vice President, Bryant Reid, signed The Braxtons to LaFace. However, the group never released an album or single for the label. When Reid moved on to work for Atlantic Records, he convinced executives at LaFace to allow him take the group to Atlantic also. It was reported in Vibe magazine that in 1995, Traci Braxton had left the group to pursue a career as a youth counselor. However, it was not confirmed until a 2011 promotional appearance on The Mo'Nique Show, that Traci was not allowed to sign with Atlantic because of her pregnancy at the time.  In 1996, Tamar, Trina, and Towanda returned with a new album entitled So Many Ways, which peaked at No. 26 on the Billboard R&B/Hip-Hop Albums chart. At the time of its release, Reid told Billboard Magazine, "I had a vision for them then that was about young sophistication with sex appeal." The trio also performed a remixed version of "So Many Ways" with rapper Jay-Z on September 9, 1996 at the Soul Train Lady of Soul Awards. So Many Ways went on to peak at No. 83 on the Billboard Hot 100 chart and number 32 on the UK Singles Chart. Braxton and her fellow The Braxtons members served as the opening act for Toni Braxton on the European Leg of her Secrets Tour in 1997. The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998.

Where did she go to school?

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Problem: Caesar was the youngest of three sons born to Jewish immigrants living in Yonkers, New York. His father was Max Ziser (1874-1946) and his mother was Ida (nee Raphael) (1887-1975). They likely were from Dabrowa Tarnowska, Poland. Reports state that the surname "Caesar" was given to Max, as a child, by an immigration official at Ellis Island.

Steve Allen claimed, "Sid's was the show to which all comedy writers aspired. It was the place to be." While Caesar did not write his dialogue, he made all final decisions. His writers, such as Mel Brooks, felt they "had a great instrument in Caesar that we could all play, and we played it very well." As for Caesar, Nachman describes him basically as an "inspired idea man who allowed the writers to take more risks" than other TV shows. Woody Allen remembers that "...you wrote situations," instead of jokes, as in "This Is Your Story" with Carl Reiner, a parody of the popular TV show This is Your Life. It was said to be "Caesar's personal favorite" sketch.  In many cases, sketch dialogue was not even written down, but simply indicated by describing a scene, as in, "Sid does man coming home from business mad." Sometimes, said Larry Gelbart, it was "organized chaos," and when watching the writers create from offstage, felt, "...it was a religious experience." To Mel Brooks, "it was a zoo. Everyone pitched lines at Sid. Jokes would be changed fifty times." Naturally there were some explosive episodes: "Mr. Caesar once dangled a terrified Mr. Brooks from an 18th-story window until colleagues restrained him. With one punch, he knocked out a horse that had thrown his wife off its back, a scene that Mr. Brooks replayed in his movie Blazing Saddles."  Neil Simon recalled that after writing out a sketch and giving it to Caesar, "Sid would make it ten times funnier than what we wrote. Sid acted everything out, so the sketches we did were like little plays." Simon also remembered the impact that working for Caesar had on him: "The first time I saw Caesar it was like seeing a new country. All other comics were basically doing situations with farcical characters. Caesar was doing life."  Some of his writers, like Woody Allen, initially didn't like being among the large team of writers coming up with routines for Caesar, feeling it was too competitive and contributed to hostility among writers. An Allen biographer wrote that Allen "...chafed under the atmosphere of inspired spontaneity", although Allen did say that, "Writing for Caesar was the highest thing you could aspire to--at least as a TV comedy writer. Only the presidency was above that." Neil Simon noted that "we were competitive the way a family is competitive to get dad's attention. We all wanted to be Sid's favorite." As part of the competitive atmosphere in The Writer's Room, as it was called, friendship was also critical. Larry Gelbart explained:  We were able to be urbane. Between us we read every book. Between us we saw every movie. Between us we saw every play on Broadway. You could make jokes about Kafka or Tennessee Williams. We also had dinner together. We went to movies together. We were all friends. And that was very important. We appreciated each other a lot.

What else did Steve Allen have to say about Sid Caesar?

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