Some context: Robert Owen (; 14 May 1771 - 17 November 1858) was a Welsh textile manufacturer, philanthropic social reformer, and one of the founders of utopian socialism and the cooperative movement. Owen is best known for his efforts to improve the working conditions of his factory workers and his promotion of experimental socialistic communities.
Owen embraced socialism in 1817, a turning point in his life, and began making specific efforts to implement what he described as his "New View of Society." Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws. In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country, the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns. Although Owen attributed the immediate causes of misery to the wars, he also argued that the underlying cause of distress was the competition of human labour with machinery and recommended the establishment of self-sufficient communities.  Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2), with all of them living in one large building that had a public kitchen and dining halls. (The size of his proposed community is likely to have been influenced by the size of the village of New Lanark.) Owen also recommended that each family should have its own private apartments and the responsibility for the care of their children until they reached the age of three. Thereafter, children would be raised by the community-at-large, but their parents would have access to them at mealtimes and on other occasions. Owen further suggested that these socialistic communities might be established by individuals, parishes, counties, or other governmental units. In every case there would be effective supervision by qualified persons. The work and the enjoyment of its results should be experienced communally. Owen believed that his idea would be the best form for the re-organisation of society in general. He called his vision for a socialistic utopia the "New Moral World."  Owen's utopian model changed little during his lifetime. His fully developed model considered an association of 500 to 3,000 people as the optimum number for a good working community. While mainly agricultural, it would possess the best machinery, offer a variety of employment, and, as far as possible, be self-contained. Owen further explained that as the number of these communities increased, "unions of them federatively united shall be formed in circle of tens, hundreds and thousands" linked in a common interest.
How did the members of the House of Commons respond to his ideas?
A: the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns.
Some context: Born into a Bosniak family near Tuzla, SR Bosnia and Herzegovina, she grew up in Brcko, the youngest child of Abid Jahic (c. 1928 - 22 October 2010) and Ifeta (nee Smajlovic; 15 April 1934 - 21 November 2014). Both of her parents are originally from villages near Srebrenik; her father was born in Jezinac and her maternal family hailed from Cehaje. Fahreta grew up in a Muslim home with sister Faketa and brother Faruk. At the start of the Bosnian War in 1992, her sister Faketa escaped to Canada, where she lives today, while Brena stayed in Belgrade where she had been living since 1980.
1984 saw Brena and her band begin a cooperation with a new manager and producer, Raka Dokic. Bato, Bato, their third album, was released the same year. A new provocative image was accompanied by a new musical style, different from the one fostered by Popovic. Later that year, they held a concert in neighboring Romania, at the stadium in Timisoara to an audience of 65,000, what was at time among the most successful concerts of a Yugoslav musician outside their home country.  Their next three albums, Pile moje (1985) and Voli me, voli and Uske pantalone (both 1986) would propel her to the throne of the Yugoslav music scene. Along with these albums, Brena established a cooperation with Serbian folk star Miroslav Ilic and recorded a collaborative extended play Jedan dan zivota, which featured four songs, including a romantic duet called "Jedan dan zivota", and the song "Zivela Jugoslavija", which was received with a mixed response. The latter song was in line with Brena's only official political stance: an uncompromising support of a united Yugoslavia, with her becoming a symbol of this view. By the end of 1986, Lepa Brena had become the star of Belgrade social jet-set, and the most successful public figure in Yugoslavia.  Brena's manager Raka Dokic came up with the idea that her seventh studio album should be followed by a movie in which she would play the lead role. This idea was successfully implemented in 1987 when the motion picture Hajde da se volimo was filmed. The movie had the same name as the album. Many then-popular Yugoslav actors co-starred in the film, including Dragomir Gidra Bojanic, Milutin Karadzic, Velimir Bata Zivojinovic, Milan Strljic, etc. During the premiere of the film on 24 October 1987, Brena met her future husband, Serbian tennis star Slobodan Zivojinovic.  Based on the success of the original, two sequels were produced: Hajde da se volimo 2 (1989) and Hajde da se volimo 3 (1990), which was followed by the studio album Boli me uvo za sve. Boli me uvo za sve also had multiple hit songs including "Cik pogodi", "Bice belaja", "Tamba Lamba", and the title track. Their eighth studio album Cetiri godine was released on 1 October 1989 and contained the controversial song Jugoslovenka with Bosnian rock musician Alen Islamovic. The music video for the pop-folk song Cuvala me mama was filmed on the Croatian island Lopud.  Lepa Brena and Slati Greh held more than 350 concerts yearly, and would often hold two concerts in one day. They set a record by holding thirty-one concerts consecutively at Dom Sindikata, and seventeen concerts consecutively at the Sava Center. On 24 July 1990, Brena was lowered with a helicopter at Levski stadium in Sofia, Bulgaria, and held her then-most-attended concert with an audience of 110,000 people. While she was in Bulgaria in July 1990, she met with the Bulgarian mystic Baba Vanga.
What is Bato?
A:
their third album,