Background: War (originally called Eric Burdon and War) is an American funk band from Long Beach, California, known for several hit songs (including "Spill the Wine", "The World Is a Ghetto", "The Cisco Kid", "Why Can't We Be Friends?", "Low Rider", and "Summer"). Formed in 1969, War is a musical crossover band which fuses elements of rock, funk, jazz, Latin, rhythm and blues, and reggae. Their album The World Is a Ghetto was the best-selling album of 1973. The band also transcended racial and cultural barriers with a multi-ethnic line-up.
Context: Eric Burdon and War toured extensively across Europe and the United States. A reviewer from New Musical Express called War "the best live band I ever saw" after their first UK gig in London's Hyde Park. Their show at Ronnie Scott's Club in London on September 18, 1970 is historically notable for being the very last public performance for Jimi Hendrix, who joined them onstage for the last 35 minutes of Burdon's & War's 2nd set; a day later he was dead. A second Eric Burdon and War album, a two-disc set titled The Black-Man's Burdon was released in 1970, before Burdon left the band in the middle of its European tour. They finished the tour without him and returned to record their first album as War.  War (1971) met with only modest success, but later that year, the band released All Day Music which included the singles "All Day Music" and "Slippin' into Darkness". The latter single sold over one million copies, and was awarded a gold disc by the R.I.A.A. in June 1972. In 1972 they released The World Is a Ghetto which was even more successful. Its second single, "The Cisco Kid" shipped gold, and the album attained the number two spot on Billboard Hot 100 chart, and was Billboard magazine's Album of the Year as the best-selling album of 1973.  The next album, Deliver the Word (1973) contained the hits "Gypsy Man" and a studio version of "Me and Baby Brother" (previously issued as a live recording), which peaked at #8 and #15 on the Billboard chart. The album went on to sell nearly two million copies. The next album, Why Can't We Be Friends? was released in 1975. It included "Low Rider" and the title track, which were among the band's biggest hits.  In 1976, War released a greatest hits record which contained one new song "Summer", which, as a single, went gold and peaked at number 7 on the Billboard chart. Also released that year were Love is All Around by Eric Burdon and War, containing mostly unreleased recordings from 1969 and 1970, and Platinum Jazz, a one-off album for jazz label Blue Note. The latter double album had cover art to match the greatest hits album, and was half new material and half compilation, focusing on (but not restricted to) instrumental music. The group continued to attain success with their next album, Galaxy (1977) whose title single was inspired by Star Wars. War's next project was a soundtrack album for the movie Youngblood in 1978.
Question: What was their first album as War called?
Answer: In 1976, War released a greatest hits record which contained one new song "Summer", which, as a single, went gold and peaked at number 7 on the Billboard chart.

Background: Frank Vincent Zappa (December 21, 1940 - December 4, 1993) was an American musician, composer, activist and filmmaker. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity, and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrete works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers.
Context: Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to one on Woodrow Wilson Drive. This was Zappa's home for the rest of his life. Despite being a success with fans in Europe, the Mothers of Invention were not faring well financially. Their first records were vocally oriented, but Zappa wrote more instrumental jazz and classical oriented music for the band's concerts, which confused audiences. Zappa felt that audiences failed to appreciate his "electrical chamber music".  In 1969 there were nine band members and Zappa was supporting the group himself from his publishing royalties whether they played or not. 1969 was also the year Zappa, fed up with MGM Records' interference, left them for Warner Bros. Records' Reprise subsidiary where Zappa/Mothers recordings would bear the Bizarre Records imprint.  In late 1969, Zappa broke up the band. He often cited the financial strain as the main reason, but also commented on the band members' lack of sufficient effort. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's concern for perfection at the expense of human feeling. Others were irritated by 'his autocratic ways', exemplified by Zappa's never staying at the same hotel as the band members. Several members played for Zappa in years to come. Remaining recordings with the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970).  After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, "Peaches en Regalia", which reappeared several times on future recordings. He was backed by jazz, blues and R&B session players including violinist Don "Sugarcane" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and previous member of the Mothers of Invention Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart (providing vocals to the only non-instrumental track, "Willie the Pimp"). It became a popular album in England, and had a major influence on the development of the jazz-rock fusion genre.
Question: why did he think the band lacked effort?
Answer:
some took it as a sign of Zappa's concern for perfection at the expense of human feeling.