Background: Chris Palko was born in Wurzburg, Germany, to American parents. His father was stationed on a West German military base as a member of the military police. Palko lived there until the age of four when his father was dishonorably discharged for selling and using heroin, and the family was sent back to the United States where they lived in Middletown, New York. His father would often force Palko to pull homemade tourniquets around his arm as he injected heroin.
Context: When Palko was released from the hospital at eighteen, he pursued a career as a rapper, giving himself the stagename "Alex", after the protagonist of Anthony Burgess' novel A Clockwork Orange. After hiring a manager and recording a demo, he was introduced to rapper Pete Nice, and Cage was featured on the 1993 album Dust to Dust. Pete Nice also introduced Palko to radio personality Bobbito Garcia, who featured Palko on his program several times, increasing his reputation among New York's underground hip hop scene, where he became associated with KMD, Kurious Jorge, K-Solo, Godfather Don, Necro, Artifacts, Pharoahe Monch and El-P. Palko signed a recording contract with Columbia Records, but frequently recorded while intoxicated, and the label found his efforts to be unsatisfactory. Palko briefly put his career on hold and his drug use increased.  When Garcia founded the label Fondle 'Em Records, he offered Palko a record deal, and Cage released a single featuring the songs "Radiohead" and "Agent Orange" in 1997, to success and acclaim. Following the release of The Slim Shady EP in December 1997, Palko accused Detroit-based rapper Eminem of imitating his style.  After several more singles with Fondle 'Em, Palko met Mr. Eon and DJ Mighty Mi of The High & Mighty, and the trio formed the group Smut Peddlers, releasing the album Porn Again on Rawkus Records in 2001. The album peaked at #10 on the Billboard Heatseekers chart, #43 on the Top R&B/Hip-Hop Albums chart, and #184 on the Billboard 200, while its single "That Smut" peaked at #9 on the Hot Rap Singles chart and #96 on the Hot R&B/Hip-Hop Singles & Tracks chart. In 2001, Palko's music was featured on the soundtrack to the psychological crime film Bully.
Question: Did Pete Nice help him?
Answer: Pete Nice also introduced Palko to radio personality Bobbito Garcia, who featured Palko on his program several times, increasing his reputation among New York's underground hip hop scene,

Background: Joe Tex was born Joseph Arrington, Jr. in Rogers, Texas, in Bell County to Joseph Arrington and Cherie Sue (Jackson) Arrington. He and his sister Mary Sue were initially raised by their grandmother, Mary Richardson. After their parents divorced, Cheri Arrington moved to Baytown. Tex played baritone saxophone in the high-school band and sang in a local Pentecostal church choir.
Context: Tex recorded for King Records between 1955 and 1957 with little success. He later claimed he sold musical rights to the composition "Fever" to King Records staff, to get money to pay his rent. The song's credited songwriters, Otis Blackwell (who used the pseudonym John Davenport) and Joe Cooley, disputed Tex's claims. Labelmate Little Willie John had a hit with "Fever", which inspired Tex to write the first of his answer songs, "Pneumonia".  In 1958, he signed with Ace and continued to have relative failures, but he was starting to build a unique stage reputation, opening for artists such as Jackie Wilson, James Brown, and Little Richard. He perfected the microphone tricks and dance moves that defined the rest of his career. Many, including Little Richard, claim that Tex's future nemesis James Brown stole Tex's dance moves and microphone tricks. In 1960, he left Ace and briefly recorded for Detroit's Anna Records label, where he scored a Bubbling Under Billboard hit with his cover version of Etta James' "All I Could Do Was Cry". By then, Tex's use of rapping over his music was starting to become commonplace.  In 1961, he recorded his composition "Baby You're Right" for Anna. Later that year, James Brown recorded a cover version, though with different lyrics and a different musical composition, gaining songwriting credit, making it a hit in 1962, and reaching number two on the R&B chart. During this time, Tex first began working with Buddy Killen, who formed the Dial Records label behind Tex. After a number of songs failed to chart, Killen decided to have Atlantic Records distribute his recordings with Dial in 1964. By the time he signed with Atlantic, Tex had recorded 30 songs, all of which had failed to make an impact on the charts.
Question: what was some of joe's early recordings?
Answer:
Tex recorded for King Records between 1955 and 1957 with little success. He later claimed he sold musical rights to the composition "Fever" to King Records