Question:
Meader was born in Waterville, Maine during one of the worst floods ever to hit New England: he often said he was born on "the night the West Bridge washed out". He was the only child of Charles Vaughn Meader, a millworker, and Mary Ellen Abbott. After his father broke his neck and drowned in a diving accident when Meader was only eighteen months old, his mother moved to Boston to work as a cocktail waitress, leaving Meader behind with relatives. A sometimes unruly and troubled child, Meader was sent to live with his mother in Boston at the age of five
In November 1963, Meader was busy recording a new comedy record, written by a different group of writers and not involving his Kennedy impersonation. On November 22, 1963, President Kennedy was assassinated in Dallas, Texas, and Kennedy's death effectively ended Meader's career. Copies of The First Family were pulled from stores and a JFK-related Christmas single by Meader that had been released by MGM's Verve Records shortly before the assassination was quickly withdrawn. Appearances that were already booked were canceled, including one for the Grammy Awards ceremony. An episode of The Joey Bishop Show was also pulled, which Meader filmed one week before the assassination. The episode was never aired and was reportedly destroyed.  Meader reportedly first learned of President Kennedy's assassination after hailing a taxicab in Milwaukee, Wisconsin. The driver, recognizing his celebrity passenger, asked "Did you hear about Kennedy?" Meader thought the driver was telling a joke and responded "No, how does it go?" The driver then informed him of the sad news, and from the taxi's radio Meader heard the breaking news bulletins for the first time.  According to several sources, standup comedian Lenny Bruce went on with his November 22 nightclub show as scheduled. Just hours after Kennedy's death, Bruce walked onstage, stood silently for several moments, then said sadly, "Boy, is Vaughn Meader fucked." The joke proved true. Meader discovered that he was so completely typecast as a Kennedy impersonator that he could not find anyone willing to hire him for any of his other talents.  His non-Kennedy album for Verve Records, Have Some Nuts!!!, came out to minimal attention in early 1964. A similar follow-up If The Shoe Fits... was released in late 1964, and included sketches on almost everything except the Kennedys, but sales were meager at best. Meader's income evaporated, new-found friends and associates stopped calling, and by 1965 Meader was virtually broke. Sinking into depression, he became addicted to alcohol and drugs, and was forced to take whatever work he could find.  He reunited with Earle Doud in 1971 for an album called The Second Coming, a comedic look at what life would be like for Jesus if he had returned to earth around the time of Jesus Christ Superstar, but airplay and sales were virtually nonexistent.
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Why did that end his career?

Answer:


Answer the question at the end by quoting:

The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.
The Birth of a Nation, even more than other films in the public domain, has been poorly represented in later releases. The problem, in part, is that Griffith and others have reworked the film, leaving no definitive version. According to the silent film website Brenton Film, "there are a multitude of poor quality DVDs with different edits, scores, running speeds and usually in definitely unoriginal black and white".  There are exceptions. Among them is film preservationist David Shepard's 1992 transfer of a 16mm print for VHS and laserdisc release via Image Entertainment. A short documentary, The Making of The Birth of a Nation, newly produced and narrated by Shepard, was also included. Both were released on DVD by Image in 1998 and the UK's Eureka Entertainment in 2000.  In the UK, Photoplay Productions restored the Museum of Modern Art's 35mm print that was the source of Shepard's 16 mm print, though they also augmented it with extra material from the British Film Institute. It was also given a full orchestral recording of the original Breil score. Though broadcast on Channel 4 television and theatrically screened many times, Photoplay's 1993 version was never released on home video.  Shepard's transfer and documentary were reissued in the US by Kino Video in 2002, this time in a 2-DVD set with added extras on the second disc. These included several Civil War shorts also directed by D.W. Griffith. In 2011, Kino prepared a HD transfer of a 35 mm negative from the Paul Killiam Collection. They added some material from the Library of Congress and gave it a new compilation score. This version was released on Blu-ray by Kino in the US, Eureka in the UK (as part of their "Masters of Cinema" collection) and Divisa Home Video in Spain.  In 2015, the year of the film's centenary, Photoplay Productions' Patrick Stanbury, in conjunction with the British Film Institute, carried out the first full restoration. It mostly used new 4K scans of the LoC's original camera negative, along with other early generation material. It, too, was given the original Breil score and featured the film's original tinting for the first time since its 1915 release. The restoration was released on a 2-Blu-ray set by the BFI, alongside a host of extras, including many other newly restored Civil War-related films from the period.

What other modern media replications were there?