Problem: Background: The Veterans Committee was the popular name of the National Baseball Hall of Fame Committee to Consider Managers, Umpires, Executives and Long-Retired Players; a former voting committee of the U.S. Baseball Hall of Fame that provided an opportunity for Hall of Fame enshrinement to all individuals who are eligible for induction but ineligible for consideration by the Baseball Writers' Association of America (BBWAA). The term "Veterans Committee" (was composed of four committees of baseball veterans) is taken from the body's former official name: National Baseball Hall of Fame Committee on Baseball Veterans (1953). In July 2010, the Veterans Committee name was changed by the Hall of Fame Board of Directors and its name was no longer officially used by the Hall of Fame, which called three new 16-member voting committees by era: the Expansion Era Committee (1973-present), the Golden Era Committee (1947-1972), and the Pre-Integration Era Committee (1876-1946) - each, "The Committee" (the term "Veterans Committee" is still being used by some sports media). The three committees met on a rotating cycle once every three years to elect candidates from each era to the Hall of Fame that have been "identified" by a BBWAA-appointed "Screening Committee" named the "Historical Overview Committee" (10-12 representatives; BBWAA members).
Context: On May 9, 1949, it was announced that two pitchers had been selected:  Mordecai "Three Finger" Brown, whose career extended from 1903 to 1916, ending with 239 victories and a 2.06 ERA; he had been the main pitching star on the Chicago Cubs teams which dominated the National League between 1906 and 1910, with Brown winning 20 or more games each season as the club won four pennants. His shutout in Game 5 of the 1907 World Series clinched the championship for the Cubs. In twenty-five career matchups against Christy Mathewson, Brown won thirteen times, with Mathewson winning eleven. His partial loss of two fingers in a childhood farm accident had led to his pitches having an atypical motion.  Charles "Kid" Nichols, who won 360 games between 1890 and 1906, primarily with the five-time champion Boston Beaneaters; at age 30, he became the youngest man ever to win 300 games, and he retired with the third-most wins of any pitcher. He won over 20 games every year in the 1890s, and won 30 or more a record seven times. An incredibly strong-armed pitcher despite his small size (5'9", 170 pounds (77 kg)), he regularly pitched over 400 innings per year, and completed all but 30 of his 561 career starts - never being replaced by a relief pitcher.  Nichols was still living, but Brown had died February 14, 1948. They were formally inducted on June 13 along with Charlie Gehringer and the 1948 selections, Pie Traynor and the late Herb Pennock; Nichols and Traynor were in attendance.  The selection of these two pitchers from the period between 1890 and 1916 was roundly applauded, but it was noted that stars of the earlier era had been ignored once again, as well as position players from the same period.
Question: who was ignored?
Answer: 

Problem: Background: Gwen Renee Stefani (; born October 3, 1969) is an American singer, songwriter, fashion designer, and actress. She is a co-founder and the lead vocalist of the band No Doubt that experienced major success after their breakthrough studio album Tragic Kingdom (1995) along with various successful singles, including "Just a Girl"
Context: Stefani made most of the clothing that she wore on stage with No Doubt, resulting in increasingly eclectic combinations. Stylist Andrea Lieberman introduced her to haute couture clothing, which led to Stefani launching a fashion line named L.A.M.B. in 2004. The line takes influence from a variety of fashions, including Guatemalan, Japanese, and Jamaican styles. The line achieved popularity among celebrities and is worn by stars such as Teri Hatcher, Nicole Kidman, and Stefani herself. In June 2005, she expanded her collection with the less expensive Harajuku Lovers line, which she referred to as "a glorified merchandise line", with varied products including a camera, mobile phone charms, and undergarments. In late 2006, Stefani released a limited edition line of dolls called "Love. Angel. Music. Baby. Fashion dolls". The dolls are inspired by the various fashion that Stefani and the Harajuku Girls wore while touring for the album.  In late summer 2007, Stefani launched a perfume, L, as a part of her L.A.M.B. collection of clothing and accessories. The perfume has high notes of sweet pea and rose. In September 2008, Stefani released a fragrance line as a part of her Harajuku Lovers product line. There are five different fragrances based on the four Harajuku Girls and Stefani herself called Love, Lil' Angel, Music, Baby and G (Gwen). As of January 2011, Stefani has become the spokesperson for L'Oreal Paris. In 2016, Urban Decay released a limited edition cosmetic collection in collaboration with Stefani.  In 2014, Stefani announced the production of an animated series about her and the Harajuku Girls. Along with Vision Animation and Moody Street Kids, Stefani has helped create the show which features her, Love, Angel, Music, and Baby as the band, HJ5, who fight evil whilst trying to pursue their music career. Mattel have signed on as the global toy licensee and the series itself, Kuu Kuu Harajuku will be distributed worldwide by DHX Media.
Question: did she do anything besides sing
Answer: Stefani launching a fashion line named L.A.M.B. in 2004.

Problem: Background: Scott Richard Weiland (; ne Kline, October 27, 1967 - December 3, 2015) was an American musician, singer and songwriter. During a career spanning three decades, Weiland was best known as the lead singer of the band Stone Temple Pilots from 1989 to 2002 and 2008 to 2013. He was also a member of supergroup Velvet Revolver from 2003 to 2008 and recorded one album with another supergroup, Art of Anarchy.
Context: Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's 2010 self-titled album.  Weiland's first solo record, 1998's 12 Bar Blues, represented a huge shift in Weiland's style, as the album featured a sound "rooted in glam rock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rawer style to complement the band's hard rock sound. A New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are crisp and controlled yet passionate."  Weiland's second solo album, 2008's "Happy" in Galoshes, featured a wide variety of musical genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova.
Question: how did it evolve?
Answer:
as STP continued to branch out throughout its career, so did Weiland's vocal style.