Problem: Julius Caesar Watts Jr. (born November 18, 1957) is an American politician from Oklahoma who was a college football quarterback for the Oklahoma Sooners and later played professionally in the Canadian Football League. Watts served in the U.S. House of Representatives from 1995 to 2003 as a Republican, representing Oklahoma's 4th Congressional District. Watts was born and raised in Eufaula, Oklahoma, in a rural impoverished neighborhood. After being one of the first children to attend an integrated elementary school, he became a high school quarterback and gained a football scholarship to the University of Oklahoma.

Watts' 1996 reelection campaign featured state representative Ed Crocker as the Democratic candidate in a negative campaign. Crocker questioned Watts' business dealings because of tax issues for a real estate company of which Watts was the principal owner, and whether he was paying child support for one of his daughters born out of wedlock. Crocker suggested Watts might use drugs or sanction their use because he declined to participate in a voluntary drug screening in the House of Representatives. Watts denied the charge, took the test, and accused Cocker of draft dodging during the Vietnam War and later living at the "center of the West Coast drug culture." Watts was given a featured speaking role at the 1996 Republican National Convention and was re-elected with 58 percent of the vote in the 1996 U.S. House election.  Following the election, Watts switched from the Financial Services Committee to the House Transportation Committee. He was the only African-American Republican in the House and was chosen to deliver the Republican reply to President Bill Clinton's State of the Union address in February 1997, the youngest congressman and first African-American to do so. In his response, Watts focused on providing a positive vision of the Republican Party and advocated deficit and tax reduction and faith-based values. Watts had previously spoken to The Washington Times and created controversy by criticizing "race-hustling poverty pimps" as keeping African-Americans dependent on government. These remarks were viewed as critical of activist Jesse Jackson and Washington, D.C. mayor Marion Barry, and Jesse Jackson, Jr. demanded a public apology. Watts stated he did not speak about Barry and Jackson but about "some of the leadership in the black community."  In his 1998 reelection campaign against Democrat Ben Odom, Watts faced accusations about debts, unpaid taxes and over actions in a federal bribery investigation in 1991, where he arranged to receive campaign contributions from a lobbyist for telephone companies that were investigated during Watts' membership on the Oklahoma Corporation Commission. Odom used portions of a transcript to try to discredit Watts, and the accusations were widely publicized in Oklahoma. Watts argued he had been exonerated from any criminal conduct and that his financial problems were a result of losses for Oklahoma oil and gas businesses during the 1980s. He was re-elected with 62 percent of the vote.  From 1995 until 1997, Watts was only one of two black Republicans in Congress (along with Gary Franks of Connecticut). From 1997 until 2003, Watts was the only black Republican Congressman. There would not be another until the elections of Tim Scott and Allen West in 2011.

What year was the reelection?

Answer with quotes: 1996

Question:
Robert Charles Benchley (September 15, 1889 - November 21, 1945) was an American humorist best known for his work as a newspaper columnist and film actor. From his beginnings at The Harvard Lampoon while attending Harvard University, through his many years writing essays and articles for Vanity Fair and The New Yorker and his acclaimed short films, Benchley's style of humor brought him respect and success during his life, from his peers at the Algonquin Round Table in New York City to contemporaries in the burgeoning film industry. Benchley is best remembered for his contributions to The New Yorker, where his essays, whether topical or absurdist, influenced many modern humorists. He also made a name for himself in Hollywood, when his short film How to Sleep was a popular success and won Best Short Subject at the 1935 Academy Awards, and through his many memorable appearances in films such as Alfred Hitchcock's Foreign Correspondent (1940) and Nice Girl?
Benchley had continued to receive positive responses from his performing, and in 1925 he accepted a standing invitation from film producer Jesse L. Lasky for a six-week term writing screenplays at $500. While the session did not yield significant results, Benchley did get writing credit for producing the title cards on the Raymond Griffith silent film You'd Be Surprised (released September 1926), and was invited to do some titling for two other films.  Benchley was also hired to help with the book for a Broadway musical, Smarty, starring Fred Astaire. This experience was not as positive, and most of Benchley's contributions were excised and the final product, Funny Face, did not have Benchley's name attached. Worn down, Benchley moved to his next commitment, an attempt at a talkie version of "The Treasurer's Report". The filming went by quickly, and though he was convinced he was not good, The Treasurer's Report was a financial and critical success upon its release in 1928. Benchley participated in two more films that year: a second talking film he wrote, The Sex Life of the Polyp, and a third starring but not written by him, The Spellbinder, all made in the Fox Movietone sound-on-film system and released by Fox Films. The films enjoyed similar success and were critically acclaimed, and Benchley was signed to a deal to produce more films before heading back to New York to continue writing. As Life would say following his eventual resignation in 1929, "Mr. Benchley has left Dramatic Criticism for the Talking Movies".  During the time that Benchley was filming various short films, he also began working at The New Yorker, which had started in February 1925 under the control of Benchley's friend Harold Ross. While Benchley, along with many of his Algonquin acquaintances, was wary of getting involved with another publication for various reasons, he completed some freelance work for The New Yorker over the first few years, and was later invited to be newspaper critic. Benchley initially wrote the column under the pseudonym Guy Fawkes (the lead conspirator in the English Gunpowder Plot), and the column was well received. Benchley tackled issues ranging from careless reporting to European fascism, and the publication flourished. He was invited to be theatre critic for The New Yorker in 1929, leaving Life, and contributions from Woollcott and Parker became regular features in the magazine. The New Yorker published an average of forty-eight Benchley columns per year during the early 1930s.  With the emergence of The New Yorker, Benchley was able to stay away from Hollywood work for a number of years. In 1931, he was persuaded to do voice work for RKO Radio Pictures for a film that would eventually be titled Sky Devils, and he acted in his first feature film, The Sport Parade (1932) with Joel McCrea. The work on The Sport Parade caused Benchley to miss the fall theatre openings, which embarrassed him (even if the relative success of The Sport Parade was often credited to Benchley's role), but the lure of filmmaking did not disappear, since RKO offered him a writing and acting contract for the following year for more money than he was making writing for The New Yorker.
Answer this question using a quote from the text above:

what was the new yorker call about?

Answer:
The New Yorker published an average of forty-eight Benchley columns per year during the early 1930s.