IN: Poffo was born in Columbus, Ohio, the elder son of Judy and Angelo Poffo. His father was Italian American and his mother was Jewish; Poffo was raised Roman Catholic. Angelo was a well-known wrestler in the 1950s and 1960s, who was featured in Ripley's Believe It or Not! for his ability to do sit-ups for hours on end.

Savage returned to WCW on the January 20, 1997 episode of Nitro hijacking the show, claiming to have been "blackballed" and refusing to leave the ring until Sting showed up, and the two left together. Savage appeared again with Sting over the next couple Nitro shows roving and watching events from the crowd as "free agents". At one point, Eric Bischoff informed Savage that his WCW career was over and he could only return as an nWo member. Sting and Savage appeared at SuperBrawl VII, where Savage left Sting's side and joined the nWo by helping Hogan defeat Roddy Piper. The next night, he reunited with Elizabeth, who had joined the nWo several months earlier during Savage's hiatus from WCW. Savage began feuding with Diamond Dallas Page and his wife Kimberly. Their feud lasted almost eight months which included tag team matches, a no disqualification match at Spring Stampede, a falls count anywhere match at The Great American Bash, and a Las Vegas Death match at Halloween Havoc.  In early 1998, Savage started a feud with Lex Luger which culminated in a match at Souled Out, which Luger won. Luger also won a rematch between the two at SuperBrawl VIII. When Hogan failed to recapture his "nWo" title from Sting, it was Savage's turn, and he got his shot at Spring Stampede. Hogan tried to make sure that Savage would not win the title because Hogan felt that he was the only nWo member who should be WCW World Heavyweight Champion, since he was the leader of the stable. With the help of Nash, however, Savage beat Sting for his third WCW World Heavyweight Championship, despite tearing his ACL in his knee during the match. The following night on Nitro, Hogan faced Savage for the championship and it looked like Hogan had Savage beat, but for the second consecutive night, Nash came to Savage's aid, powerbombing Hogan. but an interfering Bret Hart attacked Savage and preserved the victory for Hogan. Savage then joined with Nash and others to form the nWo Wolfpac, a split from Hogan's group. Savage went on to feud with both Hart and Roddy Piper.  After the June 15 episode of Nitro, Savage took a hiatus from the company to recover from at least two major knee surgeries. He made only one more appearance in 1998, helping Ric Flair defeat Eric Bischoff for the Presidency of WCW on the December 28, 1998 episode of Monday Nitro. He entered the ring wearing an nWo shirt but suddenly turned on the Giant, who was interfering on Bischoff's behalf, and removed the shirt while exiting.

what did the world order describe?

OUT: Savage returned to WCW on the January 20, 1997 episode of Nitro hijacking the show, claiming to have been "blackballed"


IN: Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen.  In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style:  [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me."  He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement.  Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story.

When did he quit working for Capra?

OUT: