input: In early 2000s, Marshall's live performances had become erratic and unpredictable, and The New Yorker suggested, "It is foolhardy to describe a Cat Power event as a concert," citing "rambling confessions" and "[talking] to a friend's baby from the stage." Marshall later attributed this period to a drinking problem, telling HARP magazine in 2006: "I didn't know I was messed up." Marshall has admitted abusing alcohol in the past; in a 2006 interview with The New York Times, she declared herself to be sober, which she defined as having had "seven drinks in seven months."  Following the cancellation of the arranged tour of the Greatest album in 2006, Marshall used the hiatus to recover from what she described as a "psychotic break" brought on by mental exhaustion and alcohol abuse, which had left her feeling suicidal. As part of her recovery, she was admitted to the psychiatric ward at Mount Sinai Medical Center & Miami Heart Institute but left after a week, stating: "being in there wasn't me." She later likened the experience to "a pit of hell." Marshall gave a first person account of her breakdown in an interview for the November 2006 issue of Spin.  In 2012, after the release of Sun, Marshall began having trouble breathing and was hospitalized multiple times, though doctors were unable to diagnose her. "I thought I was dying," she recounted. "They told me they were going to put me in a coma to save my lungs. My friend came to visit and told me I'd made the Billboard Top 10 and all I could think was: 'I don't want to die.'" Marshall was subsequently diagnosed with hereditary angioedema, an immune disorder that causes sporadic swelling of the face and throat. In September 2012, she stated she had been hospitalized due to the condition over eight times, which led her to cancel her European tour.

Answer this question "WHAT WAS SHE BEING INTERVIEWED FOR?"
output: Marshall began having trouble breathing and was hospitalized multiple times, though doctors were unable to diagnose her. "

input: In Tierney's first role on Broadway, she carried a bucket of water across the stage in What a Life! (1938). A Variety magazine critic declared, "Miss Tierney is certainly the most beautiful water carrier I've ever seen!" She also worked as an understudy in The Primrose Path (1938).  The following year, she appeared in the role of Molly O'Day in the Broadway production Mrs. O'Brien Entertains (1939). The New York Times critic Brooks Atkinson wrote, "As an Irish maiden fresh from the old country, Gene Tierney in her first stage performance is very pretty and refreshingly modest." That same year, Tierney appeared as Peggy Carr in Ring Two (1939) to favorable reviews. Theater critic Richard Watts, Jr. of the New York Herald Tribune wrote, "I see no reason why Miss Tierney should not have an interesting theatrical career - that is, if cinema does not kidnap her away."  Tierney's father set up a corporation, Belle-Tier, to fund and promote her acting career. Columbia Pictures signed her to a six-month contract in 1939. She met Howard Hughes, who tried unsuccessfully to seduce her. From a well-to-do family herself, she was not impressed by his wealth. Hughes eventually became a lifelong friend.  After a cameraman advised Tierney to lose a little weight, she wrote to Harper's Bazaar magazine for a diet, which she followed for the next 25 years. Tierney was initially offered the lead role in National Velvet, but production was delayed. When Columbia Pictures failed to find Tierney a project, she returned to Broadway and starred as Patricia Stanley to critical and commercial success in The Male Animal (1940). In The New York Times, Brooks Atkinson wrote, "Tierney blazes with animation in the best performance she has yet given". She was the toast of Broadway before her 20th birthday. The Male Animal was a hit, and Tierney was featured in Life magazine. She was also photographed by Harper's Bazaar, Vogue, and Collier's Weekly.  Two weeks after The Male Animal opened, Darryl F. Zanuck, the head of 20th Century Fox, was rumored to have been in the audience. During the performance, he told an assistant to note Tierney's name. Later that night, Zanuck dropped by the Stork Club, where he saw a young lady on the dance floor. He told his assistant, "Forget the girl from the play. See if you can sign that one." It was Tierney. At first, Zanuck did not think she was the actress he had seen. Tierney was quoted (after the fact), saying: "I always had several different 'looks', a quality that proved useful in my career."

Answer this question "What happened to her as a result of being successful?"
output: She met Howard Hughes, who tried unsuccessfully to seduce her.

input: After recording the A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend. The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound, mixing the band's original hardcore roots with dark romantic influences (a poem by Charles Baudelaire, "De profundis clamavi," is present in the hidden track "Midnight Sun") and an emphasis on a more somber atmosphere and lyrics. The New York Times later referred to this as the point where Havok "developed into a singer and songwriter of substance". The influence of the deathrock and goth rock scenes was also apparent. During this period, AFI's style was considered the band's gothic punk rock style. Offspring frontman Dexter Holland was featured as a backing vocalist on two tracks: "Clove Smoke Catharsis" and "The Prayer Position".  The All Hallow's E.P. (October 5, 1999) further explored the horror punk genre, featuring artwork and lyrics containing Halloween themes. The EP spawned the single "Totalimmortal", a track later covered by The Offspring for the Me, Myself and Irene soundtrack. It received a fair amount of radio play and exposed AFI to larger audiences. "The Boy Who Destroyed the World" from the All Hallows EP was featured in the Tony Hawk's Pro Skater 3 video game. All Hallow's also featured a cover of the Misfits song "Halloween".  On September 19, 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174, and peaked at number 9 on the Heatseekers chart. It continued to touch base with the horror punk genre, but expanded into styles that were a departure from previous works. The album featured slower, more melodic songs that were more reminiscent of alternative rock, such as "Ever and a Day" and "6 to 8". Still, the presence of hardcore influences was imminent in most of the album, flaunted most on tracks like "Smile", "The Lost Souls", and "Catch a Hot One". The album brought the band unprecedented success in the underground scene, selling in excess of 100,000 copies. "The Days of the Phoenix" was released as a single and video and, like "Totalimmortal," had some moderate mainstream success, garnering the band more TV and radio airplay. The song even managed to reach the UK Singles Chart with its titular EP in 2001, peaking at number 152. The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety.

Answer this question "Any singles released off these albums ?"
output:
"Ever and a Day" and "6 to 8".