Background: Born Lucille Fay LeSueur in San Antonio, Texas, the youngest and third child of Anna Bell (Johnson) and Thomas E. LeSueur, a laundry laborer. She was of English, French Huguenot, Swedish, and Irish ancestry. Crawford's elder siblings were sister Daisy LeSueur, who died before Lucille's birth, and brother Hal LeSueur. Crawford's father abandoned the family a few months before her birth, reappearing later in 1930 in Abilene, Texas, reportedly working as a construction laborer.
Context: Under the name Lucille LeSueur, Crawford began dancing in the choruses of traveling revues and was spotted dancing in Detroit by producer Jacob J. Shubert. Shubert put her in the chorus line for his 1924 show, Innocent Eyes, at the Winter Garden Theatre on Broadway in New York City. While appearing in Innocent Eyes Crawford met a saxophone player named James Welton. The two were allegedly married in 1924 and lived together for several months, although this supposed marriage was never mentioned in later life by Crawford.  Crawford wanted additional work, and approached Loews Theaters publicist Nils Granlund. Granlund secured a position for her with singer Harry Richman's act and arranged for her to do a screen test which he sent to producer Harry Rapf in Hollywood. Stories have persisted that Crawford further supplemented her income by appearing in one or more stag, or soft-core pornographic, films, although this has been disputed.  Rapf notified Granlund on December 24, 1924, that Metro-Goldwyn-Mayer (MGM) had offered Crawford a contract at $75 a week. Granlund immediately wired LeSueur, who had returned to her mother's home in Kansas City, with the news; she borrowed $400 for travel expenses. She departed Kansas City on December 26, 1924 and arrived in Culver City, California on January 1, 1925.  Credited as Lucille LeSueur, her first film was Lady of the Night in 1925, as the body double for MGM's most popular female star, Norma Shearer. She also appeared in The Circle and Pretty Ladies (both 1925), starring comedian ZaSu Pitts. This was soon followed by equally small and unbilled roles in two other 1925 successes, The Only Thing and The Merry Widow.  MGM publicity head Pete Smith recognized her ability to become a major star, but felt her name sounded fake; he told studio head Louis B. Mayer that her last name--LeSueur--reminded him of a sewer. Smith organized a contest called "Name the Star" in Movie Weekly to allow readers to select her new stage name. The initial choice was "Joan Arden" but, after another actress was found to have prior claim to that name, the alternate surname "Crawford" became the choice. Crawford later said that she wanted her first name to be pronounced "Jo-Anne", and that she hated the name Crawford because it sounded like "craw fish", but also admitted she "liked the security" that went with the name.
Question: Where did she go from dancing?
Answer: Shubert put her in the chorus line for his 1924 show, Innocent Eyes,

Background: "Hey Jude" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon-McCartney. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's son, Julian, during his parents' divorce. "Hey Jude" begins with a verse-bridge structure incorporating McCartney's vocal performance and piano accompaniment; further instrumentation is added as the song progresses. After the fourth verse, the song shifts to a fade-out coda that lasts for more than four minutes. "
Context: "Hey Jude" was nominated for the Grammy Awards of 1969 in the categories of Record of the Year, Song of the Year and Best Pop Performance by a Duo or Group with Vocal, but failed to win any of them. In the 1968 NME Readers' Poll, "Hey Jude" was named the best single of the year, and the song also won the 1968 Ivor Novello Award for "A-Side With the Highest Sales". In 2001, "Hey Jude" was inducted into the National Academy of Recording Arts and Sciences Grammy Hall of Fame.  In 2004, Rolling Stone ranked "Hey Jude" at number eight on the "500 Greatest Songs of All Time", making it the highest-placed Beatles song on the list. Among its many appearances in other best-song-of-all-time lists, VH1 placed it seventh in 2000 and Mojo ranked it at number 29 in the same year, having placed the song seventh in a 1997 list of "The 100 Greatest Singles of All Time". In 1976, the NME ranked it 38th on the magazine's "Top 100 Singles of All Time", and the track appeared at number 77 on the same publication's "The 500 Greatest Songs of All Time" in 2014. In January 2001, "Hey Jude" came in third on Channel 4's list of the "100 Greatest Singles". The Amusement & Music Operators Association ranks "Hey Jude" as the 11th-best jukebox single of all time. In 2008, the song appeared in eighth place on Billboard's "All Time Hot 100 Songs".  In July 2006, Mojo placed "Hey Jude" at number 12 on its list of "The 101 Greatest Beatles Songs" (between "Eleanor Rigby" and "Come Together"). On a similar list compiled four years later, Rolling Stone ranked the song at number seven. In 2015, the ITV program The Nation's Favourite Beatles Number One ranked "Hey Jude" in first place.
Question: were there any other good things about it?
Answer:
In 2004, Rolling Stone ranked "Hey Jude" at number eight on the "500 Greatest Songs of All Time",