Background: Adeline Virginia Woolf (; nee Stephen; 25 January 1882 - 28 March 1941) was an English writer who is considered one of the most important modernist twentieth century authors and a pioneer in the use of stream of consciousness as a narrative device. Virginia Stephen was born into an affluent household in South Kensington, London. She was the seventh child in a blended family of eight. Her mother, Julia Stephen, celebrated as a Pre-Raphaelite artist's model, had three children from her first marriage, her father Leslie Stephen, a notable man of letters, had one previous daughter, and four children were born in her parents' second marriage, of whom the most well known was the modernist painter, Vanessa Stephen (later Vanessa Bell).
Context: Julia Stephen fell ill with influenza in February 1895, and never properly recovered, dying on 5 May, when Virginia was only 13. This was a pivotal moment in her life and the beginning of her struggles with mental illness. Essentially, her life had fallen apart. The Duckworths were travelling abroad at the time of their mother's death, and Stella returned immediately to take charge and assume her role. That summer, rather than return to the memories of St Ives, the Stephens went to Freshwater, Isle of Wight, where a number of their mother's family lived. It was there that Virginia had the first of her many nervous breakdowns, and Vanessa was forced to assume some of her mother's role in caring for Virginia's mental state. Stella became engaged to Jack Hills the following year and they were married on 10 April 1897, making Virginia even more dependent on her older sister.  George Duckworth also assumed some of their mother's role, taking upon himself the task of bringing them out into society. First Vanessa, then Virginia, in both cases an equal disaster, for it was not a rite of passage which resonated with either girl and attracted a scathing critique by Virgina regarding the conventional expectations of young upper class women "Society in those days was a perfectly competent, perfectly complacent, ruthless machine. A girl had no chance against its fangs. No other desires - say to paint, or to write - could be taken seriously". Rather her priorities were to escape from the Victorian conventionality of the downstairs drawing room to a "room of one's own" to pursue her writing aspirations. She would revisit this criticism in her depiction of Mrs Ramsay stating the duties of a Victorian mother in To the Lighthouse "an unmarried woman has missed the best of life".  The death of Stella Duckworth, her pregnant surrogate mother, on 19 July 1897, after a long illness, was a further blow to Virginia's sense of self, and the family dynamics. Woolf described the period following the death of both her mother and Stella as "1897-1904 -- the seven unhappy years", referring to "the lash of a random unheeding flail that pointlessly and brutally killed the two people who should, normally and naturally, have made those years, not perhaps happy but normal and natural". In April 1902 their father became ill, and although he underwent surgery later that year he never fully recovered, dying on 22 February 1904. Virginia's father's death precipitated a further breakdown. Later, Virginia would describe this time as one in which she was dealt successive blows as a "broken chrysalis" with wings still creased. Chrysalis occurs many times in Woolf's writing but the "broken chrysalis" was an image that became a metaphor for those exploring the relationship between Woolf and grief. At his death, Leslie Stephen's net worth was PS15,715 6s. 6d. (probate 23 March 1904)
Question: how did she deal with her mental illness?
Answer: Essentially, her life had fallen apart.

Background: Robert Ervin Howard (January 22, 1906 - June 11, 1936) was an American author who wrote pulp fiction in a diverse range of genres. He is well known for his character Conan the Barbarian and is regarded as the father of the sword and sorcery subgenre. Howard was born and raised in Texas. He spent most of his life in the town of Cross Plains, with some time spent in nearby Brownwood.
Context: In August 1930 Howard wrote a letter to Weird Tales praising a recent reprint of H. P. Lovecraft's "The Rats in the Walls" and discussing some of the obscure Gaelic references used within. Editor Farnsworth Wright forwarded the letter to Lovecraft, who responded warmly to Howard, and soon the two Weird Tales veterans were engaged in a vigorous correspondence that would last for the rest of Howard's life. By virtue of this, Howard quickly became a member of the "Lovecraft Circle", a group of writers and friends all linked via the immense correspondence of H.P. Lovecraft, who made it a point to introduce his many like-minded friends to one another and encourage them to share stories, utilize each other's invented fictional trappings, and help each other succeed in the pulp field. In time this circle of correspondents has developed a legendary patina about it rivaling similar literary conclaves such as The Inklings, the Bloomsbury Group, and the Beats.  Howard was given the affectionate nickname "Two-Gun Bob" by virtue of his long explications to Lovecraft about the history of his beloved Southwest, and during the ensuing years he contributed several notable elements to Lovecraft's Cthulhu Mythos of horror stories (beginning with "The Black Stone", his Mythos stories also included "The Cairn on the Headland", "The Children of the Night" and "The Fire of Asshurbanipal"). He also corresponded with other "Weird Tale" writers such as Clark Ashton Smith, August Derleth, and E. Hoffmann Price.  The correspondence between Howard and Lovecraft contained a lengthy discussion on a frequent element in Howard's fiction, barbarism versus civilization. Howard held that civilization was inherently corrupt and fragile. This attitude is summed up in his famous line from "Beyond the Black River": "Barbarism is the natural state of mankind. Civilization is unnatural. It is a whim of circumstance. And barbarism must always ultimately triumph." Lovecraft held the opposite viewpoint, that civilization was the peak of human achievement and the only way forward. Howard countered by listing many historical abuses of the citizenry by so-called 'civilized' leaders. Howard initially deferred to Lovecraft but gradually asserted his own views, even coming to deride Lovecraft's opinions.  In 1930, with his interest in Solomon Kane dwindling and his Kull stories not catching on, Howard applied his new sword-and-sorcery and horror experience to one of his first loves: the Picts. His story "Kings of the Night" depicted King Kull conjured into pre-Christian Britain to aid the Picts in their struggle against the invading Romans, and introduced readers to Howard's king of the Picts, Bran Mak Morn. Howard followed up this tale with the now-classic revenge nightmare "Worms of the Earth" and several other tales, creating horrific adventures tinged with a Cthulhu-esque gloss and notable for their memorable use of metaphor and symbolism.  With the onset of the Great Depression, many pulp markets reduced their schedules or went out of business entirely. Howard saw market after market falter and vanish. Weird Tales became a bimonthly publication and pulps such as Fight Stories, Action Stories and Strange Tales all folded. Howard was further hit when his savings were wiped out in 1931 when the Farmer's National Bank failed, and again, after transferring to another bank, when that one failed as well.
Question: Are there any other interesting aspects about this article?
Answer:
In August 1930 Howard wrote a letter to Weird Tales