Question:
Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.
In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate." Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, Salt Lake City, Utah, Los Angeles, California, and Buffalo, New York. The elder Clooney also ran for Congress in 2004.  George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck., which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers. The film ultimately grossed more than $54 million worldwide.  The CBS offices and studios seen in the movie were all sets on a soundstage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license--the CBS executive offices at the time were located at 485 Madison Avenue. CBS News was located in an office building just north of Grand Central Terminal (demolished and now the site of the Met Life Building); and the See It Now studio was located in Grand Central Terminal itself, above the waiting room. For dramatic effect, all three areas were depicted as being in the same building.  Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film. A young Robert Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.
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What country was the movie shot in?

Answer:
Syriana


Question:
Arnold Jacob Auerbach was one of the four children of Marie and Hyman Auerbach. Hyman was a Russian-Jewish immigrant from Minsk, Russia, and Marie Auerbach, nee Thompson, was American-born. Auerbach Sr. had left Russia when he was 13, and the couple owned a delicatessen store and later went into the dry-cleaning business. Little Arnold spent his whole childhood in Williamsburg, Brooklyn, playing basketball.
In 1941, Auerbach began coaching basketball at the St. Albans School and Roosevelt High School in Washington, D.C. Two years later, he joined the US Navy for three years, coaching the Navy basketball team in Norfolk. There, he caught the eye of Washington millionaire Mike Uline, who hired him to coach the Washington Capitols in the newly founded Basketball Association of America (BAA), a predecessor of the NBA.  In the 1946-47 BAA season, Auerbach led a fast break-oriented team built around early BAA star Bones McKinney and various ex-Navy players to a 49-11 win-loss record, including a standard-setting 17-game winning streak that stood as the single-season league record until 1969. In the playoffs, however, they were defeated by the Chicago Stags in six games.  The next year the Capitols went 28-20 but were eliminated from the playoffs in a one-game Western Division tie-breaker. In the 1948-49 BAA season, the Caps won their first 15 games and finished the season at 38-22. The team reached the BAA Finals, but were beaten by the Minneapolis Lakers, who were led by Hall-of-Fame center George Mikan. In the next season, the BAA and the rival league National Basketball League merged to become the NBA, and Auerbach felt he had to rebuild his squad. However, owner Uline declined his proposals, and Auerbach resigned.  After leaving the Capitols, Auerbach became assistant coach of the Duke Blue Devils men's basketball team. It was assumed that Auerbach would take over for head coach Gerry Gerard, who was battling cancer. During his tenure at Duke, Auerbach regularly worked with future All-American Dick Groat. Auerbach later wrote that he "felt pretty bad waiting for [Gerard] to die" and that it was "no way to get a job".  Auerbach left Duke after a few months when Ben Kerner, owner of the Tri-Cities Blackhawks, gave him the green light to rebuild the team from scratch. Auerbach traded more than two dozen players in just six weeks, and the revamped Blackhawks improved, but ended the 1949-50 NBA season with a losing record of 28-29. When Kerner traded Auerbach's favorite player John Mahnken, an angry Auerbach resigned again.
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Was that a good thing?

Answer:
the revamped Blackhawks improved, but ended the 1949-50 NBA season with a losing record of 28-29.