Some context: Abebe Bikila (Amharic: 'ababa biqilaa; August 7, 1932 - October 25, 1973) was an Ethiopian double Olympic marathon champion. He won the marathon at the 1960 Summer Olympics in Rome while running barefoot, setting a world record. At the 1964 Summer Olympics in Tokyo, Abebe was the first athlete to successfully defend an Olympic marathon title, breaking his own world record in the process.
In July 1960, Abebe won his first marathon in Addis Ababa. A month later he won again in Addis Ababa with a time of 2:21:23, which was faster than the existing Olympic record held by Emil Zatopek. Niskanen entered Abebe Bikila and Abebe Wakgira in the marathon at the 1960 Rome Olympics, which would be run on September 10. In Rome, Abebe Bikila purchased new running shoes, but they did not fit well and gave him blisters. He consequently decided to run barefoot instead.  The late-afternoon race started at the foot of the Capitoline Hill staircase and finished at the Arch of Constantine, just outside the Colosseum. The course twice passed Piazza di Porta Capena, where the Obelisk of Axum was then located. When the runners passed the Obelisk the first time Abebe Bikila was at the rear of the lead pack, which included, among others, Rhadi Ben Abdesselam of Morocco.  Between 5 km (3 mi) and 20 km (12 mi), the lead changed hands several times. By about 25 km (16 mi), however, Abebe and ben Abdesselam moved away from the rest of the pack. Trailing by about two minutes at the 30 km (19 mi) mark were New Zealand's Barry Magee, who was to finish third in 2:17.18.2 and Sergei Popov, the world marathon record holder at the time, who finished fifth.  Abebe and ben Abdesselam remained together until the last 500 m (1,600 ft). Nearing the Obelisk again, Abebe sprinted to the finish. In the early-evening darkness, his path along the Appian Way was lined with Italian soldiers holding torches. Abebe's winning time was 2:15:16.2, twenty-five seconds faster than ben Abdesselam at 2:15.41.6, and breaking Popov's world record by eight tenths of a second. Immediately after crossing the finish line Abebe began to touch his toes and run in place, and later said that he could have run another 10-15 km (6-9 mi).
Where was Ben Adesselam from?
A: 

Some context: Richard Georg Strauss (11 June 1864 - 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier, Elektra, Die Frau ohne Schatten and Salome; his Lieder, especially his Four Last Songs; his tone poems, including Don Juan, Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, Ein Heldenleben, Symphonia Domestica, and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.
Strauss was born on 11 June 1864 in Munich, the son of Josephine (nee Pschorr) and Franz Strauss, who was the principal horn player at the Court Opera in Munich. In his youth, he received a thorough musical education from his father. He wrote his first composition at the age of six, and continued to write music almost until his death.  During his boyhood Strauss attended orchestra rehearsals of the Munich Court Orchestra (now the Bavarian State Orchestra), where he received private instruction in music theory and orchestration from an assistant conductor. In 1872, he started receiving violin instruction at the Royal School of Music from Benno Walter, his father's cousin. In 1874, Strauss heard his first Wagner operas, Lohengrin and Tannhauser. The influence of Wagner's music on Strauss's style was to be profound, but at first his musically conservative father forbade him to study it. Indeed, in the Strauss household, the music of Richard Wagner was viewed with deep suspicion, and it was not until the age of 16 that Strauss was able to obtain a score of Tristan und Isolde. In later life, Strauss said that he deeply regretted the conservative hostility to Wagner's progressive works. Nevertheless, Strauss's father undoubtedly had a crucial influence on his son's developing taste, not least in Strauss's abiding love for the horn.  In early 1882, in Vienna, he gave the first performance of his Violin Concerto in D minor, playing a piano reduction of the orchestral part himself, with his teacher Benno Walter as soloist. The same year he entered Ludwig Maximilian University of Munich, where he studied philosophy and art history, but not music. He left a year later to go to Berlin, where he studied briefly before securing a post as assistant conductor to Hans von Bulow, who had been enormously impressed by the young composer's Serenade for wind instruments, composed when he was only 16 years of age. Strauss learned the art of conducting by observing Bulow in rehearsal. Bulow was very fond of the young man, and decided that Strauss should be his successor as conductor of the Meiningen Court Orchestra when Bulow resigned in 1885. Strauss's compositions at this time were indebted to the style of Robert Schumann or Felix Mendelssohn, true to his father's teachings. His Horn Concerto No. 1, Op. 11, is representative of this period and is a staple of the modern horn repertoire.  Strauss married soprano Pauline de Ahna on 10 September 1894. She was famous for being irascible, garrulous, eccentric and outspoken, but to all appearances the marriage was essentially happy, and she was a great source of inspiration to him. Throughout his life, from his earliest songs to the final Four Last Songs of 1948, he preferred the soprano voice to all others, and all his operas contain important soprano roles.  The Strausses had one son, Franz, in 1897. Franz married Alice von Grab-Hermannsworth, daughter of a Jewish industrialist, in a Roman Catholic ceremony in 1924. Franz and Alice had two sons, Richard and Christian.
Where was Strauss born?
A:
in Munich,