Question:
"Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Willie Mae "Big Mama" Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which is ranked number 19 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time; it is also one of the best-selling singles of all time.
Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog."
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Who did it second

Answer:
Jesse "Big 'Tiny'" Kennedy


Question:
Carl Wilhelm Scheele (German: [kaal 'vIlhelm 'Se:l@], Swedish: [ka:l 'vIlhelm 2he:le]
Scheele was born in Stralsund, in western Pomerania, which at the time was a Swedish Dominion inside the Holy Roman Empire. Scheele's father Joachim (or Johann) Christian Scheele, was a grain dealer and brewer from a respected German family. His mother was Margaretha Eleanore Warnekros.  Friends of Scheele's parents taught him the art of reading prescriptions and the meaning of chemical and pharmaceutical signs. Then, in 1757, at age fourteen Carl was sent to Gothenburg as an apprentice pharmacist with another family friend and apothecary. (Martin Andreas Bauch). Scheele retained this position for eight years. During this time he ran experiments late into the night and read the works of Nicolas Lemery, Caspar Neumann, Johann von Lowenstern-Kunckel and Georg Ernst Stahl (the champion of the phlogiston theory). Much of Scheele's later theoretical speculations were based upon Stahl.  In 1765 Scheele worked under the progressive and well informed apothecary, C. M. Kjellstrom in Malmo, and became acquainted with Anders Jahan Retzius who was a lecturer at the University of Lund and later a professor of chemistry at Stockholm. Scheele arrived in Stockholm between 1767 and 1769 and worked as a pharmacist. During this period he discovered tartaric acid and with his friend, Retzius, studied the relation of quicklime to calcium carbonate. While in the capital, he also became acquainted with many luminaries, such as: Abraham Back, Peter Jonas Bergius, Bengt Bergius and Carl Friedreich von Schultzenheim.  In the fall of 1770 Scheele became director of the laboratory of the great pharmacy of Locke, at Uppsala which is about 40 miles north of Stockholm. The laboratory supplied chemicals to Professor of Chemistry Torbern Bergman. A friendship developed between Scheele and Bergman after Scheele analyzed a reaction which Bergman and his assistant Johan Gottlieb Gahn could not resolve. The reaction was between melted saltpetre and acetic acid which produced a red vapor. Further study of this reaction later led to Scheele's discovery of oxygen (see "The theory of phlogiston" below). Based upon this friendship and respect Scheele was given free use of Bergman's laboratory. Both men were profiting from their working relationship. In 1774 Scheele was nominated by Peter Jonas Bergius to be a member of the Royal Swedish Academy of Sciences and was elected February 4, 1775. In 1775 Scheele also managed for a short time a pharmacy in Koping. Between the end of 1776 and the beginning of 1777 Scheele established his own business there.  On October 29, 1777, Scheele took his seat for the first, and only time, at a meeting of the Academy of Sciences and on November 11 passed the examination as apothecary before the Royal Medical College and did so with highest honours. After his return to Koping he devoted himself, outside of his business, to scientific researches which resulted in a long series of important papers.
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What was his life like growing up?

Answer:
Friends of Scheele's parents taught him the art of reading prescriptions and the meaning of chemical and pharmaceutical signs.