IN: Thomas Paine (or Pain; February 9, 1737 [O.S. January 29, 1736] - June 8, 1809) was an English-born American political activist, philosopher, political theorist and revolutionary. One of the Founding Fathers of the United States, he authored the two most influential pamphlets at the start of the American Revolution and inspired the rebels in 1776 to declare independence from Britain. His ideas reflected Enlightenment-era rhetoric of transnational human rights. Saul K. Padover described him as "a corsetmaker by trade, a journalist by profession, and a propagandist by inclination".

On the morning of June 8, 1809, Paine died at the age of 72 at 59 Grove Street in Greenwich Village, New York City Although the original building is no longer there, the present building has a plaque noting that Paine died at this location.  After his death, Paine's body was brought to New Rochelle, but the Quakers would not allow it to be buried in their graveyard as per his last will, so his remains were buried under a walnut tree on his farm. In 1819, the English agrarian radical journalist William Cobbett, who in 1793 had published a hostile continuation of Francis Oldys (George Chalmer)'s The Life of Thomas Paine, dug up his bones and transported them back to England with the intention to give Paine a heroic reburial on his native soil, but this never came to pass. The bones were still among Cobbett's effects when he died over twenty years later, but were later lost. There is no confirmed story about what happened to them after that, although various people have claimed throughout the years to own parts of Paine's remains, such as his skull and right hand.  At the time of his death, most American newspapers reprinted the obituary notice from the New York Evening Post that was in turn quoting from The American Citizen, which read in part: "He had lived long, did some good, and much harm". Only six mourners came to his funeral, two of whom were black, most likely freedmen. Many years later the writer and orator Robert G. Ingersoll wrote:  Thomas Paine had passed the legendary limit of life. One by one most of his old friends and acquaintances had deserted him. Maligned on every side, execrated, shunned and abhorred - his virtues denounced as vices - his services forgotten - his character blackened, he preserved the poise and balance of his soul. He was a victim of the people, but his convictions remained unshaken. He was still a soldier in the army of freedom, and still tried to enlighten and civilize those who were impatiently waiting for his death. Even those who loved their enemies hated him, their friend - the friend of the whole world - with all their hearts. On the 8th of June 1809, death came - Death, almost his only friend. At his funeral no pomp, no pageantry, no civic procession, no military display. In a carriage, a woman and her son who had lived on the bounty of the dead - on horseback, a Quaker, the humanity of whose heart dominated the creed of his head - and, following on foot, two negroes filled with gratitude - constituted the funeral cortege of Thomas Paine.

Who were his enemies at the time if death?

OUT: 


IN: For the theatre adaptation, see Shakespeare in Love (play). Shakespeare in Love is a 1998 American romantic period comedy-drama film directed by John Madden, written by Marc Norman and playwright Tom Stoppard. The film depicts an imaginary love affair involving Viola de Lesseps (Gwyneth Paltrow) and playwright William Shakespeare (Joseph Fiennes) while he was writing Romeo and Juliet. Several characters are based on historical figures, and many of the characters, lines, and plot devices allude to Shakespeare's plays.

The original idea for Shakespeare in Love came to screenwriter Marc Norman in the late 1980s after a rudimentary pitch from his son Zachary. Norman wrote a draft screenplay which he presented to director Edward Zwick, which attracted Julia Roberts, who agreed to play Viola. However, Zwick disliked Norman's screenplay and hired the playwright Tom Stoppard to improve it (Stoppard's first major success had been with the Shakespeare-themed play Rosencrantz & Guildenstern Are Dead).  The film went into production in 1991 at Universal, with Zwick as director, but although sets and costumes were in construction, Shakespeare had not yet been cast, because Roberts insisted that only Daniel Day-Lewis could play the role. Day-Lewis was uninterested, and when Roberts failed to persuade him, she withdrew from the film, six weeks before shooting was due to begin. The production went into turnaround, and Zwick was unable to persuade other studios to take up the screenplay.  Eventually, Zwick got Miramax interested in the screenplay, but Miramax chose John Madden as director. Miramax boss Harvey Weinstein acted as producer, and persuaded Ben Affleck to take a small role as Ned Alleyn.  The film was considerably reworked after the first test screenings. The scene with Shakespeare and Viola in the punt was re-shot, to make it more emotional, and some lines were re-recorded to clarify the reasons why Viola had to marry Wessex. The ending was re-shot several times, until Stoppard eventually came up with the idea of Viola suggesting to Shakespeare that their parting could inspire his next play.  Among the locations used in the production were Hatfield House, Hertfordshire (for the fireworks scene), Broughton Castle, Oxfordshire (which played the role of the de Lesseps home), the beach at Holkham in Norfolk, the chapel at Eton College, Berkshire, and the Great Hall of Middle Temple, London.

Were there any more difficulties?

OUT:
The film was considerably reworked after the first test screenings.