Problem: Background: Kate O'Mara (10 August 1939 - 30 March 2014) was an English film, stage and television actress, and writer. O'Mara made her stage debut in a 1963 production of The Merchant of Venice. Her other stage roles included Elvira in Blithe Spirit (1974), Lady Macbeth in Macbeth (1982), Cleopatra in Antony & Cleopatra (1982), Goneril in King Lear (1987) and Marlene Dietrich in Lunch with Marlene (2008). Her films included two 1970 Hammer Horror films: The Vampire Lovers and The Horror of Frankenstein.
Context: O'Mara was born Frances Meredith Carroll to John F. Carroll, an RAF flying instructor, and actress Hazel Bainbridge (born Edith Marion Bainbridge; 25 January 1910 - 7 January 1998). Her younger sister is actress Belinda Carroll. After boarding school she attended art school before becoming a full-time actress. O'Mara made her stage debut in a production of The Merchant of Venice in 1963, although her first film role was some years earlier (under the name Merrie Carroll) in Home and Away (1956) with Jack Warner, as her father, and Kathleen Harrison.  Her earliest television appearances, in the 1960s, included guest roles in Danger Man, Adam Adamant Lives!, The Saint, Z-Cars and The Avengers. In 1970, she appeared in two Hammer Studio horror films: The Vampire Lovers and The Horror of Frankenstein. In the former, she had an erotically charged scene with Ingrid Pitt, in which O'Mara was meant to be seduced; the two women were left laughing on set, however, as Pitt's fangs kept falling into O'Mara's cleavage. O'Mara's work in The Vampire Lovers impressed Hammer enough for them to offer her a contract, which she turned down, fearful of being typecast.  She had a regular role in the BBC drama series The Brothers (1975-76) as Jane Maxwell, and in the early 1980s, O'Mara starred in the BBC soap opera Triangle (1981-82), sometimes counted among the worst television series ever made. She played the villainous Rani in Doctor Who. The character, as played by O'Mara, appeared in two serials, The Mark of the Rani (1985) and Time and the Rani (1987) and the Doctor Who 30th Anniversary Special Dimensions in Time (1993), part of the Children in Need charity event.  Between these appearances in Doctor Who, she played Caress Morell in the American primetime soap opera Dynasty. As the sister of Alexis Colby (Joan Collins), O'Mara appeared in 17 episodes of the sixth season and 4 episodes of the seventh during 1986. "We had a tremendous bitchy tension between us", the actress recalled about performing opposite Collins. "My character Caress was like an annoying little mosquito who just kept coming back and biting her." O'Mara disliked living in California, preferring the change of seasons in Britain, and to her relief was released from her five-year contract after Collins told the producers that having two brunettes in the series was a bad idea. After returning to the UK, she was cast as another scheming villain, Laura Wilde, in the BBC soap Howards' Way (1989-90).
Question: five-year contract where?
Answer: Between these appearances in Doctor Who, she played Caress Morell in the American primetime soap opera Dynasty.

Background: Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968 by Track Records/Polydor, and Reprise Records in North America. The double album was the only record from the band produced by Jimi Hendrix. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. Electric Ladyland was the Experience's most commercially successful release and their only number one album.
Context: According to music journalist David Stubbs, Electric Ladyland is "undoubtedly a rock album, albeit rock on the point of evolving into something else." Uncut magazine's John Robinson said that its music reconciles the psychedelic pop of Hendrix's earlier recordings with the aggressive funk he would explore on his 1970 album Band of Gypsys. During its recording, Kramer experimented with innovative studio techniques such as backmasking, chorus effect, echo, and flanging, which AllMusic's Cub Koda said recontextualized Hendrix's psychedelic and funk sounds on the album.  Electric Ladyland is a cross-section of Hendrix's wide range of musical talent. It includes examples of several genres and styles of music: the psychedelic "Burning of the Midnight Lamp", a UK single the previous summer (1967), the extended blues jam "Voodoo Chile", the New Orleans-style R&B of Earl King's "Come On", the epic studio production of "1983... (A Merman I Should Turn to Be)", the social commentary of "House Burning Down", and the Sixties-era Britpop of Noel Redding's "Little Miss Strange". The album also features an electric reworking of the Bob Dylan classic "All Along the Watchtower", which has been well received by critics as well as by Dylan himself, and also "Voodoo Child (Slight Return)", a staple of both radio and guitar repertoire. Rolling Stone's Holly George-Warren praised "Crosstown Traffic" for its hard rock guitar riff.  "All Along the Watchtower" became the band's highest-selling single and their only US top 40 hit, peaking at number 20; it reached number five in the UK. The album also included one of Hendrix's most prominent uses of a wah-wah pedal, on "Burning of the Midnight Lamp", which reached number 18 in the UK charts.
Question: what music did electric ladyland do?
Answer:
It includes examples of several genres and styles of music: the psychedelic "