Some context: Gypsy is a 1959 musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy is loosely based on the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist, and focuses on her mother, Rose, whose name has become synonymous with "the ultimate show business mother." It follows the dreams and efforts of Rose to raise two daughters to perform onstage and casts an affectionate eye on the hardships of show business life. The character of Louise is based on Lee, and the character of June is based on Lee's sister, the actress June Havoc.
The original Broadway production opened on May 21, 1959 at The Broadway Theatre, transferred to the Imperial Theatre, and closed on March 25, 1961 after 702 performances and two previews. The show was produced by David Merrick and directed and choreographed by Jerome Robbins. Ethel Merman starred as Rose, with Jack Klugman as Herbie and Sandra Church as Louise. Scenic and Lighting design were by Jo Mielziner and costumes were by Raoul Pene Du Bois. The orchestrations, including an overture, were supplied by Sid Ramin and Robert Ginzler.  Critic Frank Rich has referred to Robbins' work as one of the most influential stagings of a musical in American theatrical history. The original production received eight Tony Award nominations, including Best Musical, Best Actress in a Musical, Best Featured Actor in a Musical, Best Featured Actress in a Musical, Best Scenic Design, Best Costume Design and Best Direction of a Musical, but failed to win any.  When the show closed in March 1961, two national touring companies toured the US. The first company starred Merman and opened in March 1961 at the Rochester, New York Auditorium, and closed in December 1961 at the American, St. Louis, Missouri. The second national company starred Mitzi Green as Rose, followed by Mary McCarty. A young Bernadette Peters appeared in the ensemble and understudied Dainty June, a role she would play the following year in summer stock, opposite Betty Hutton's Rose. It opened in September 1961 at the Shubert Theatre, Detroit and closed in January 1962 at the Hanna, Cleveland, Ohio.
Were there any other main characters
A: Scenic and Lighting design were by Jo Mielziner and costumes were by Raoul Pene Du Bois.

Some context: George Edward Foreman (born January 10, 1949) is an American former professional boxer who competed from 1969 to 1977, and from 1987 to 1997. Nicknamed "Big George", he is a two-time world heavyweight champion and an Olympic gold medalist. Outside the sport he is an ordained minister, author, and entrepreneur. After a troubled childhood Foreman took up amateur boxing and won a gold medal in the heavyweight division at the 1968 Summer Olympics.
In 1987, after 10 years away from the ring, Foreman surprised the boxing world by announcing a comeback at the age of 38. In his autobiography, he wrote that his primary motive was to raise money to fund the youth center he had created, which had required much of the money he had earned in the initial phase of his career. Another stated ambition was to fight Mike Tyson. For his first fight, he went to Sacramento, California, where he beat journeyman Steve Zouski by a knockout in four rounds. Foreman weighed 267 lb (121 kg) for the fight and looked badly out of shape. Although many thought his decision to return to the ring was a mistake, Foreman countered that he had returned to prove that age was not a barrier to people achieving their goals (as he said later, he wanted to show that age 40 is not a "death sentence"). He won four more bouts that year, gradually slimming down and improving his fitness. In 1988, he won nine times. Perhaps his most notable win during this period was a seventh-round knockout of former Light Heavyweight and Cruiserweight Champion Dwight Muhammad Qawi.  Having always been a deliberate fighter, Foreman had not lost much mobility in the ring since his first "retirement", although he found it harder to keep his balance after throwing big punches and could no longer throw rapid combinations. He was still capable of landing heavy single blows, however. The late-round fatigue that had plagued him in the ring as a young man now seemed to be unexpectedly gone, and he could comfortably compete for 12 rounds. Foreman attributed this to his new, relaxed fighting style (he has spoken of how, earlier in his career, his lack of stamina came from an enormous amount of nervous tension).  By 1989, while continuing his comeback, Foreman had sold his name and face for the advertising of various products, selling everything from grills to mufflers on TV. For this purpose his public persona was reinvented, and the formerly aloof, ominous Foreman had been replaced by a smiling, friendly George. He and Ali had become friends, and he followed in Ali's footsteps by making himself a celebrity outside the boundaries of boxing.  Foreman continued his string of victories, winning five more fights, the most impressive being a three-round win over Bert Cooper, who went on to contest the Undisputed Heavyweight title against Evander Holyfield.
Did Foreman fight for the championship in his second comeback?
A:
Foreman continued his string of victories, winning five more fights, the most impressive being a three-round win over Bert Cooper,