Problem: Abner Doubleday (June 26, 1819 - January 26, 1893) was a career United States Army officer and Union general in the American Civil War. He fired the first shot in defense of Fort Sumter, the opening battle of the war, and had a pivotal role in the early fighting at the Battle of Gettysburg. Gettysburg was his finest hour, but his relief by Maj. Gen. George G. Meade caused lasting enmity between the two men.

Although Doubleday achieved minor fame as a competent combat general with experience in many important Civil War battles, he is more widely known as the supposed inventor of the game of baseball, in Elihu Phinney's cow pasture in Cooperstown, New York, in 1839.  The Mills Commission, chaired by Abraham G. Mills, the fourth president of the National League, was appointed in 1905 to determine the origin of baseball. The committee's final report, on December 30, 1907, stated, in part, that "the first scheme for playing baseball, according to the best evidence obtainable to date, was devised by Abner Doubleday at Cooperstown, New York, in 1839." It concluded by saying, "in the years to come, in the view of the hundreds of thousands of people who are devoted to baseball, and the millions who will be, Abner Doubleday's fame will rest evenly, if not quite as much, upon the fact that he was its inventor ... as upon his brilliant and distinguished career as an officer in the Federal Army."  However, there is considerable evidence to dispute this claim. Baseball historian George B. Kirsch has described the results of the Mills Commission as a "myth". He wrote, "Robert Henderson, Harold Seymour, and other scholars have since debunked the Doubleday-Cooperstown myth, which nonetheless remains powerful in the American imagination because of the efforts of Major League Baseball and the Hall of Fame in Cooperstown." At his death, Doubleday left many letters and papers, none of which describe baseball or give any suggestion that he considered himself a prominent person in the evolution of the game, and his New York Times obituary did not mention the game at all. Chairman Mills himself, who had been a Civil War colleague of Doubleday and a member of the honor guard for Doubleday's body as it lay in state in New York City, never recalled hearing Doubleday describe his role as the inventor. Doubleday was a cadet at West Point in the year of the alleged invention and his family had moved away from Cooperstown the prior year. Furthermore, the primary testimony to the commission that connected baseball to Doubleday was that of Abner Graves, whose credibility is questionable; a few years later, he shot his wife to death and was committed to an institution for the criminally insane for the rest of his life. Part of the confusion could stem from there being another man by the same name in Cooperstown in 1839.  Despite the lack of solid evidence linking Doubleday to the origins of baseball, Cooperstown, New York became the new home of what is today the National Baseball Hall of Fame and Museum in 1937.  There may have been some relationship to baseball as a national sport and Abner Doubleday. While the modern rules of baseball were formulated in New York during the 1840s, it was the scattering of New Yorkers exposed to these rules throughout the country, that spread not only baseball, but also the "New York Rules", thereby harmonizing the rules, and being a catalyst for its growth. Doubleday was a high-ranking officer, whose duties included seeing to provisions for the US Army fighting throughout the south and border states. For the morale of the men, he is said to have provisioned balls and bats for the men.

How did Doubleday describe baseball?

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Art Spiegelman (; born Itzhak Avraham ben Zeev on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker, where he made several high-profile and sometimes controversial covers. He is married to designer and editor
Hired by Tina Brown as a contributing artist in 1992, Spiegelman worked for The New Yorker for ten years. Spiegelman's first cover appeared on the February 15, 1993, Valentine's Day issue and showed a black West Indian woman and a Hasidic man kissing. The cover caused turmoil at The New Yorker offices. Spiegelman intended it to reference the Crown Heights riot of 1991 in which racial tensions led to the murder of a Jewish yeshiva student. Spiegelman had twenty-one New Yorker covers published, and submitted a number which were rejected for being too outrageous.  Within The New Yorker's pages, Spiegelman contributed strips such as a collaboration titled "In the Dumps" with children's illustrator Maurice Sendak and an obituary to Charles M. Schulz titled "Abstract Thought is a Warm Puppy". An essay he had published there on Jack Cole, the creator of Plastic Man, called "Forms Stretched to their Limits" was to form the basis for a book in 2001 about Cole called Jack Cole and Plastic Man: Forms Stretched to their Limits.  The same year, Voyager Company published a CD-ROM version of Maus with extensive supplementary material called The Complete Maus, and Spiegelman illustrated a 1923 poem by Joseph Moncure March called The Wild Party. Spiegelman contributed the essay "Getting in Touch With My Inner Racist" in the September 1, 1997 issue of Mother Jones.  Spiegelman's influence and connections in New York cartooning circles drew the ire of political cartoonist Ted Rall in 1999. In an article titled "The King of Comix" in The Village Voice, Rall accused Spiegelman of the power to "make or break" a cartoonist's career in New York, while denigrating Spiegelman as "a guy with one great book in him". Cartoonist Danny Hellman responded by sending a forged email under Rall's name to thirty professionals; the prank escalated until Rall launched a defamation suit against Hellman for $1.5 million. Hellman published a "Legal Action Comics" benefit book to cover his legal costs, to which Spiegelman contributed a back-cover cartoon in which he relieves himself on a Rall-shaped urinal.  In 1997, Spiegelman had his first children's book published: Open Me... I'm a Dog, with a narrator who tries to convince its readers that it is a dog via pop-ups and an attached leash. From 2000 to 2003 Spiegelman and Mouly edited three issues of the children's comics anthology Little Lit, with contributions from Raw alumni and children's book authors and illustrators.
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when did he start working for the new yorker?

Answer:
1992,