Problem: Background: Verghese Kurien (26 November 1921 - 9 September 2012), known as the 'Father of the White Revolution' in India, was a social entrepreneur whose "billion-litre idea", Operation Flood - the world's largest agricultural dairy development programme, made dairy farming India's largest self-sustaining industry and the largest rural employment provider, being a third of all rural income, with benefits of raising incomes and credit, riddance of debt dependence, nutrition, education, health, gender parity and empowerment, breakdown of caste barriers and grassroots democracy and leadership. It made India the world's largest milk producer from a milk-deficient nation, which doubled milk available per person and increased milk output four-fold, in 30 years. He pioneered the "Anand pattern" of dairy cooperatives to replicate it nationwide, based on Amul, his standalone cooperative then, and today India's largest food brand, where 70-80% of the price paid by consumers went as cash to dairy farmers who controlled the marketing, the procurement and the processing of milk and milk products as the cooperative's owners, while hiring professionals for their skills and inducting technology, in managing it. Rather than focusing directly on removing caste and class conflicts which get entrenched as vested interests, instead, he worked singularly on the belief that economic self-interest of all sections of the village-society would make them align together to grow their cooperative.
Context: In 1965, Prime Minister Lal Bahadur Shastri tasked Kurien to replicate the dairy's 'Anand pattern' nationwide for which, the National Dairy Development Board (NDDB) was founded under Kurien on his conditions, that it be independent of governmental control and that it be set up at Anand, away from the capitals and closer to farmers. Kurien was mindful of meddling by the political class and bureaucrats sitting in the capital cities, letting it be known upfront.  He was bold in dealing with donors like the UNICEF for aid, and confronted the New Zealand government and a powerful lobby in countries which, he realised with some foresight, wanted to "convert aid into trade" for their companies, at a cross-purpose to his wanting India to convert aid to become self-made. As what the donors would eventually come to want, would have harmed his fledgling dairies, instead, he used the proceeds from the sale of that "mountains and lakes" of dumped aid in the Indian markets as his "billion-litre idea" to stem the movement of high-yield cattle of native breeds to urban areas, which subsequently, would face needless slaughter, reverse this flow by setting up milksheds & dairies all over the nation and stabilise the markets of big cities for their ensuing produce. International experts who visited Anand, were so fascinated by Kurien's work that, they would stay back for extended periods of time wanting to work alongside him. In return, Kurien would engage them for their expertise on salaries arranged from the aid money.  The Anand dairy was replicated in Gujarat's districts around it and he set all of them under Gujarat Co-operative Milk Marketing Federation Ltd. (GCMMF) in 1973 to sell their combined produce under a single Amul brand. Many states would emulate setting up their federations based on this pattern with varying degrees of success, notably, with Karnataka's brand Nandini, Rajasthan's brand Saras and Bihar's brand Sudha, not just dominating their respective state markets but intervening in neighbouring states, today.  Shastri also took Kurien's help to set right the government's mismanaged Delhi Milk Scheme, where he moved in swiftly to break a contractor's cartel and set prices right in the face of the pampered section of consumers from the powerful class of the capital city, before they could lobby against the move.  In 1979, he founded the Institute of Rural Management Anand (IRMA) to groom managers for the cooperatives.
Question: were there ever any problems?
Answer: he moved in swiftly to break a contractor's cartel and set prices right

Problem: Background: Love was born Courtney Michelle Harrison on July 9, 1964 at Saint Francis Memorial Hospital in San Francisco, California, the first child of psychotherapist Linda Carroll (nee Risi) and Hank Harrison, a publisher and road manager for the Grateful Dead. Love's godfather is the founding Grateful Dead bassist Phil Lesh. Her mother, who was adopted at birth and raised by a prominent Italian-Catholic family in San Francisco, was later revealed to be the biological daughter of novelist Paula Fox; Love's maternal great-grandmother was screenwriter Elsie Fox. According to Love, she was named after Courtney Farrell, the protagonist of Pamela Moore's 1956 novel Chocolates for Breakfast.
Context: At the end of 1988, Love taught herself to play guitar and relocated to Los Angeles, where she placed an ad in a local music zine: "I want to start a band. My influences are Big Black, Sonic Youth, and Fleetwood Mac." Love recruited lead guitarist Eric Erlandson; Lisa Roberts, her neighbor, as bassist; and drummer Caroline Rue, whom she met at a Gwar concert. Love named the band Hole after a line from Euripides' Medea ("There is a hole that pierces right through me") as well as a conversation she had had with her mother, in which she told her that she couldn't live her life "with a hole running through her."  Love continued to work at strip clubs in the band's formative stages, saving money to purchase backline equipment and a touring van, and rehearsed at a studio in Hollywood that was loaned to her by the Red Hot Chili Peppers. Hole played their first show in November 1989 at Raji's, a rock club in central Hollywood. The band's debut single, "Retard Girl", was issued in April 1990 through the Long Beach indie label Sympathy for the Record Industry, and was given airtime by Rodney Bingenheimer's show on local rock station KROQ. That fall, the band appeared on the cover of Flipside, a Los Angeles-based punk fanzine. In early 1991, the band released their second single, "Dicknail", through Sub Pop Records.  With no wave, noise rock and grindcore bands being major influences on Love, Hole's first studio album, Pretty on the Inside, captured a particularly abrasive sound and contained disturbing lyrics, described by Q magazine as "confrontational [and] genuinely uninhibited." The record was released in September 1991 on Caroline Records, produced by Kim Gordon of Sonic Youth with assistant production from Gumball's Don Fleming; Love and Gordon had initially met when Hole opened for Sonic Youth during their promotional tour for Goo at the Whisky a Go Go in November 1990. In early 1991, Love sent Gordon a personal letter asking her to produce the record for the band, to which she agreed. Though Love would later say it was "unlistenable" and "[un]melodic," the album received generally positive critical reception from indie and punk rock critics and was labeled one of the twenty best albums of the year by Spin magazine. It also gained a following in the United Kingdom, charting at 59 on the UK Albums Chart, and its lead single, "Teenage Whore", entered the country's indie chart at number one. The underlying feminist slant of some of the album's songs led many to mistakenly tag the band as being part of the riot grrrl movement, a movement that Love did not associate with. The band toured in support of the record, headlining with Mudhoney in Europe; in the United States, they opened for The Smashing Pumpkins, and performed at CBGB in New York City.
Question: What were some famous songs from their early years?
Answer:
Teenage Whore", entered the country's indie chart at number one.