Some context: Carl August Nielsen (Danish: [ka:l 'nelsn]; 9 June 1865 - 3 October 1931) was a Danish musician, conductor and violinist, widely recognized as his country's most prominent composer. Brought up by poor but musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. He initially played in a military band before attending the Royal Danish Academy of Music in Copenhagen from 1884 until December 1886.
Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances.
When did he begin to get recognition for his talent?
A: As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper
Some context: Crowded House are a rock band formed in Melbourne, Australia, in 1985. The founding members were New Zealander Neil Finn (vocalist, guitarist, primary songwriter) and Australians Paul Hester (drums) and Nick Seymour (bass). Later band members included Neil Finn's brother, Tim Finn, and Americans Mark Hart and Matt Sherrod. Originally active from 1985 to 1996, the band had consistent commercial and critical success in Australia and New Zealand and international chart success in two phases, beginning with their self-titled debut album, which reached number twelve on the US Album Chart in 1987 and provided the Top Ten hits
In 2006 Neil Finn asked Nick Seymour to play bass on his third solo album. Seymour agreed and the two joined up with producer and multi-instrumentalist Ethan Johns to begin recording. As the recording sessions progressed it was decided that the album would be issued under the Crowded House band name, rather than as a Neil Finn solo album. In January 2007, the group publicly announced their reformation and on 23 February, after 20 days of auditions, former Beck drummer Matt Sherrod joined Finn, Seymour and Mark Hart to complete the new line up. As Sherrod and Hart had not participated in the initial sessions, four new tracks were recorded with producer Steve Lillywhite including the album's first single "Don't Stop Now".  On 17 March 2007 the band played a live show at their rehearsal studio in front of around fifty fans, friends and family. The performance was streamed live as a webcast. The two-and-a-half-hour set included some new tracks, including "Silent House" co-written by Finn with the Dixie Chicks. A concert onboard The Thekla, moored in Bristol, followed on 19 March. Crowded House played at the Marquee Theatre in Tempe, Arizona on 26 April as a warm-up for their appearance at the Coachella Festival on 29 April in Indio, California. They also played at the Australian Live Earth concert in Sydney on 7 July. The next day, Finn and Seymour were interviewed on Rove Live and the band, with Hart and Sherrod, performed "Don't Stop Now" to promote the new album, which was titled Time on Earth. The single was a minor hit in Australia and the UK. The album was released worldwide in June and July. It topped the album chart in New Zealand and made number 2 in Australia and number 3 in the UK.  On 6 December 2008 Crowded House played the Homebake festival in Sydney, with warm up gigs at small venues in Hobart, Melbourne and Sydney. For these shows the band were augmented by multi-instrumentalist Don McGlashan and Neil's younger son, Elroy Finn, on guitar. On 14 March 2009 the band joined Neil's older son, Liam Finn, on stage for three songs at the Sound Relief concert in Melbourne.
Any notable details about the reunion?
A: As the recording sessions progressed it was decided that the album would be issued under the Crowded House band name,
Some context: Memoirs of a Geisha is a 2005 American epic drama film based on the novel Memoirs of a Geisha, produced by Steven Spielberg's Amblin Entertainment and Spyglass Entertainment and by Douglas Wick's Red Wagon Productions. Directed by Rob Marshall, the film was released in the United States on December 9, 2005 by Columbia Pictures and DreamWorks Pictures; the latter was given studio credit only. It stars Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh, Youki Kudoh, Suzuka Ohgo, and Samantha Futerman. Production took place in southern and northern California and in several locations in Kyoto, including the Kiyomizu temple and the Fushimi Inari shrine.
The film received some hostile responses in Mainland China, including its banning by the People's Republic of China. Relations between Japan and Mainland China were particularly tense due to two main factors: Japan's Prime Minister Junichiro Koizumi made a number of visits to Yasukuni Shrine, which honors all Japan's war dead, including some who were convicted war criminals, which was denounced by China's foreign ministry as honoring them; and China helped to ensure Japan did not receive a seat on the UN Security Council. Writer Hong Ying argued that "Art should be above national politics". Nevertheless, the release of Memoirs of a Geisha into this politically charged situation added to cultural conflict within and between China and Japan.  The film was originally scheduled to be shown in cinemas in the People's Republic of China on February 9, 2006. The Chinese State Administration of Radio, Film, and Television decided to ban the film on February 1, 2006, considering the film as "too sensitive". In doing so, it overturned a November decision to approve the film for screening.  The film is set in Japan during World War II, when the Second Sino-Japanese War was taking place. During this time, Japan captured and forced Chinese women to serve as "comfort women" for their military personnel. Controversy arose in China from an apparent confusion of equating geisha with prostitution, and thus the connection with, and reminder of, comfort women being used in Japan at that time.  Newspaper sources, such as the Shanghai-based Oriental Morning Post and the Shanghai Youth Daily, quoted the fears that the film might be banned by censors; there were concerns that the casting of Chinese actresses as geishas could rouse anti-Japan sentiment and stir up feelings over Japanese wartime actions in China, especially the use of Chinese women as forced sex workers.
Why was it not well received?
A:
there were concerns that the casting of Chinese actresses as geishas could rouse anti-Japan sentiment and stir up feelings over Japanese wartime actions in China,