Answer the question at the end by quoting:

Marc Alexander Hunter was born in Taumarunui on 7 September 1953. In the late 1950s his family performed publicly where his father, Stuart, played saxophone, his mother, Voi, on piano and his older brother, Todd Hunter (born 1951), on guitar with Marc providing drums. He also grew up with two younger brothers, Ross and Brett. Hunter remembered, "We got guitars for Christmas one year, I broke mine but Todd played his.
In August 1982 Dragon reformed with the line-up of Marc, Todd, Hewson, Jacobsen and Robert Taylor on guitar (ex-Mammal) for a national Class Reunion tour. McFarlane noted that it was "Ostensibly run to pay off outstanding debts, the tour proved so successful that the band re-formed on a permanent basis." Their single, "Rain", was issued in July 1983, which peaked at No. 2. It was co-written by Marc, Todd and the latter's then-girlfriend, Johanna Pigott; and had Mansfield producing. Soon after Mansfield joined Dragon on keyboards and as a songwriter.  In June 1984 the group's next album, Body and the Beat, which was produced by Mansfield and Carey Taylor, was released and peaked at No. 5. The group provided "a much fuller, more rock-oriented sound... [it] was a polished, contemporary sounding Adult Oriented Rock rock album." After a tour in support of the album, Hewson left to return to New Zealand, he died of a heroin overdose in January 1985.  While on a break between Dragon tours Hunter joined the Party Boys, a "good-time rock'n'roll band" with a floating ensemble, for their Great Bars of Australia tour. The line-up of Hunter, Borich, Paul Christie on bass guitar (ex-Mondo Rock), Richard Harvey on drums (ex-Divinyls) and Joe Walsh on guitar and lead vocals (of the Eagles), recorded that group's fourth live album, You Need Professional Help (1985), during the tour.  Hunter issued his third solo album, Communication, in September 1985 with various session musicians used: Jeff "Skunk" Baxter, Kirk Lorange, Mark Punch and Peter Walker on guitars, Todd Hunter and Phil Scorgie on bass guitar, Allan Mansfield and Don Walker on keyboards, and Mark Kennedy and Ricky Fataar on drums. Mansfield produced the album, which McFarlane described as "a polished set of Adult Oriented Rock (AOR) songs." Its title track had been released as a single in 1984. Hunter returned to his duties with Dragon and was recorded on two more studio albums by the end of the decade.

What did Hunter do in 1992?

In August 1982 Dragon reformed with the line-up of Marc, Todd, Hewson, Jacobsen and Robert Taylor on guitar



Answer the question at the end by quoting:

Kate O'Mara (10 August 1939 - 30 March 2014) was an English film, stage and television actress, and writer. O'Mara made her stage debut in a 1963 production of The Merchant of Venice. Her other stage roles included Elvira in Blithe Spirit (1974), Lady Macbeth in Macbeth (1982), Cleopatra in Antony & Cleopatra (1982), Goneril in King Lear (1987) and Marlene Dietrich in Lunch with Marlene (2008). Her films included two 1970 Hammer Horror films: The Vampire Lovers and The Horror of Frankenstein.
O'Mara spoke on several occasions about her experience with the casting couch. On an episode of The Word in 1994, O'Mara claimed that American producer Judd Bernard pulled down her panties during a hotel-room audition for the Elvis Presley vehicle Double Trouble. In her autobiography Vamp Until Ready: A Life Laid Bare, O'Mara described this incident and "many other close encounters with... this very unpleasant and humiliating procedure", including with a well-known television casting director, the boss of Associated Television at Elstree Studios, and the director of Great Catherine.  O'Mara continued to make television appearances throughout the 1990s, including Cluedo (1990), and playing Jackie Stone (Patsy's older sister) in two episodes of Absolutely Fabulous (1995-2003). In 2001, she had a recurring role in the ITV prison drama series Bad Girls before appearing in the short-lived revival of the soap opera Crossroads. She continued to perform on stage and in March 2008 she played Marlene Dietrich in a stage play entitled Lunch with Marlene. From August to November 2008, she played Mrs Cheveley in Oscar Wilde's stage play An Ideal Husband directed by Peter Hall and produced by Bill Kenwright. She performed in radio and audio plays. In 2000 she reprised her role as the Rani in the BBV audio play The Rani Reaps the Whirlwind, and in 2006 she made a guest appearance in the radio comedy series Nebulous.  In 2012, O'mara appeared in a theater adaptation of Agatha Christie's Death on the Nile.  She became a vegetarian and animal rights activist.

What was significant in her later career?

claimed that American producer Judd Bernard pulled down her panties during a hotel-room audition



Answer the question at the end by quoting:

Burt Freeman Bacharach ( BAK-@-rak; born May 12, 1928) is an American composer, songwriter, record producer, pianist, and singer who has composed hundreds of popular hit songs from the late 1950s through the 1980s, many in collaboration with popular lyricist Hal David. A six-time Grammy Award winner and three-time Academy Award winner, Bacharach's songs have been recorded by more than 1,000 different artists. As of 2014, he had written 73 US and 52 UK Top 40 hits. He is considered one of the most important composers of 20th-century popular music.
Following his tour of duty in the United States Army, Bacharach spent the next three years as a pianist and conductor for popular singer Vic Damone. Damone recalls: "Burt was clearly bound to go out on his own. He was an exceptionally talented, classically trained pianist, with very clear ideas on the musicality of songs, how they should be played, and what they should sound like. I appreciated his musical gifts." He later worked in similar capacity for various other singers, including Polly Bergen, Steve Lawrence, the Ames Brothers and Paula Stewart (who became his first wife). When he was unable to find better jobs, Bacharach worked at resorts in the Catskill Mountains of New York, where he accompanied singers such as Joel Grey.  In 1956, at age 28, Bacharach's productivity increased when composer Peter Matz recommended him to Marlene Dietrich, who needed an arranger and conductor for her nightclub shows. He then became part-time music director for Dietrich, the German actress and singer who had been an international screen star in the 1930s. They toured worldwide off and on until the early 1960s; when they weren't touring, he wrote songs. As a result of his collaboration with Dietrich, he gained his first major recognition as a conductor and arranger.  In her autobiography, she remembered that Bacharach loved touring in Russia and Poland because the violinists were "extraordinary," and musicians were greatly appreciated by the public. He liked Edinburgh and Paris, along with the Scandinavian countries, and "he also felt at home in Israel," she says, where music was similarly "much revered." Their working relationship ceased by the early 1960s, after about five years with Dietrich, with Bacharach telling her that he wanted to devote his full-time to songwriting. She thought of her time with him as "seventh heaven ... As a man, he embodied everything a woman could wish for. ... How many such men are there? For me he was the only one."

What was his next job as  working musician?
He later worked in similar capacity for various other singers, including Polly Bergen, Steve Lawrence, the Ames Brothers and Paula Stewart