Background: Von Teese was born in Rochester, Michigan, the second of three daughters. Her father was a machinist and her mother a manicurist. She is of English, Scottish, Armenian, and German heritage. Dita has stated that one of her grandmothers was half-Armenian and adopted into an Anglo-Saxon American family.
Context: Von Teese has performed in adult and mainstream films. In her early years, she appeared in fetish-related, soft-core pornographic movies, such as Romancing Sara, Matter of Trust (in which she is billed under her real name of Heather Sweet), and also in two Andrew Blake hard-core fetish films, Pin Ups 2 and Decadence.  In recent years, she has appeared in more mainstream features, such as the 2005 short film, The Death of Salvador Dali, written by Delaney Bishop, which won best screenplay and best cinematography at SXSW, Raindance Film Festival, and Mill Valley Film Festival, and won Best Actress at Beverly Hills Film Festival. She starred in the feature film Saint Francis in 2007.  In addition, she has appeared in a number of music videos, including the video for the Green Day song "Redundant," the video for "Zip Gun Bop" by swing band Royal Crown Revue, Agent Provocateur's video for their cover of Joy Division's "She's Lost Control," and (performing her martini-glass burlesque routine) the video for "Mobscene" by Marilyn Manson. She was featured in a striptease/burlesque act in George Michael's live tour 2008, for the song "Feelin' Good". In addition to this, she appeared at the final of the Eurovision Song Contest 2009 as the central feature of Germany's entry, Miss Kiss Kiss Bang by Alex Swings, Oscar Sings. She also appeared in the music video "Up in the Air" by Thirty Seconds to Mars in 2013.  She stated in 2007, "I don't understand why women feel the need to go into acting as soon as they become famous ... But I suppose if the part were aesthetically correct, then maybe I could consider it."  In January 2011, Von Teese guest-starred in the CBS police procedural drama CSI: Crime Scene Investigation, in which her friend Eric Szmanda starred, in the episode "A Kiss Before Frying." She played Rita von Squeeze, a femme fatale version of herself, who seduces Szmanda's character, Greg Sanders, in a plot inspired by film noir.
Question: What did Dita act in?
Answer: adult and mainstream films.

Background: The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential music band. Rooted in skiffle, beat and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways. In 1963 their enormous popularity first emerged as "Beatlemania"; as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's evolution into an art form and to the development of the counterculture of the 1960s.
Context: In Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever, Scott Schinder and Andy Schwartz describe the Beatles' musical evolution:  In their initial incarnation as cheerful, wisecracking moptops, the Fab Four revolutionised the sound, style, and attitude of popular music and opened rock and roll's doors to a tidal wave of British rock acts. Their initial impact would have been enough to establish the Beatles as one of their era's most influential cultural forces, but they didn't stop there. Although their initial style was a highly original, irresistibly catchy synthesis of early American rock and roll and R&B, the Beatles spent the rest of the 1960s expanding rock's stylistic frontiers, consistently staking out new musical territory on each release. The band's increasingly sophisticated experimentation encompassed a variety of genres, including folk-rock, country, psychedelia, and baroque pop, without sacrificing the effortless mass appeal of their early work.  In The Beatles as Musicians, Walter Everett describes Lennon and McCartney's contrasting motivations and approaches to composition: "McCartney may be said to have constantly developed - as a means to entertain - a focused musical talent with an ear for counterpoint and other aspects of craft in the demonstration of a universally agreed-upon common language that he did much to enrich. Conversely, Lennon's mature music is best appreciated as the daring product of a largely unconscious, searching but undisciplined artistic sensibility."  Ian MacDonald describes McCartney as "a natural melodist - a creator of tunes capable of existing apart from their harmony". His melody lines are characterised as primarily "vertical", employing wide, consonant intervals which express his "extrovert energy and optimism". Conversely, Lennon's "sedentary, ironic personality" is reflected in a "horizontal" approach featuring minimal, dissonant intervals and repetitive melodies which rely on their harmonic accompaniment for interest: "Basically a realist, he instinctively kept his melodies close to the rhythms and cadences of speech, colouring his lyrics with bluesy tone and harmony rather than creating tunes that made striking shapes of their own." MacDonald praises Harrison's lead guitar work for the role his "characterful lines and textural colourings" play in supporting Lennon and McCartney's parts, and describes Starr as "the father of modern pop/rock drumming".
Question: What else is said about these things
Answer:
The band's increasingly sophisticated experimentation encompassed a variety of genres, including folk-rock, country, psychedelia, and baroque pop,