Question:
Avenged Sevenfold (sometimes abbreviated as A7X) is an American heavy metal band from Huntington Beach, California, formed in 1999. The band's current lineup consists of lead vocalist M. Shadows, rhythm guitarist and backing vocalist Zacky Vengeance, lead guitarist and backing vocalist Synyster Gates, bassist and backing vocalist Johnny Christ, and drummer Brooks Wackerman. Avenged Sevenfold is known for its diverse rock sound and dramatic imagery in album covers and merchandise. Avenged Sevenfold emerged with a metalcore sound on the band's debut Sounding the Seventh Trumpet and continued this sound through their second album Waking the Fallen.
The band's influences include Guns N' Roses, Iron Maiden, Megadeth, Pantera, Bad Religion, Dream Theater, Motorhead, Metallica, Black Sabbath, Led Zeppelin, The Rolling Stones, In Flames, At the Gates, Helloween, Queensryche, System of a Down, AC/DC, NOFX, Alice in Chains, Black Flag, Corrosion of Conformity, Suicidal Tendencies, Misfits, Slayer, The Vandals, Soundgarden, Rage Against the Machine, Korn, Slipknot, Deftones, Beastie Boys, Biohazard, Type O Negative, Anthrax and AFI.  The band has been categorized under many genres of heavy music. Mainly categorized as heavy metal, hard rock, progressive metal and metalcore, Avenged Sevenfold's music has evolved over most of the band's career. At first, the band's debut album Sounding the Seventh Trumpet consisted almost entirely of a metalcore sound; however, there were several deviations from this genre, most notably in "Streets", which shows a punk rock style, and "Warmness on the Soul", which is a piano ballad. On Waking the Fallen, the band displayed a metalcore style once more, but added more clean singing and leaned a bit more towards metal and bit less close to hardcore. In the band's DVD All Excess, producer Andrew Murdock explained this transition: "When I met the band after Sounding the Seventh Trumpet had come out before they had recorded Waking the Fallen, M. Shadows said to me 'This record is screaming. The record we want to make is going to be half-screaming half-singing. I don't want to scream anymore. And the record after that is going to be all singing'."  On City of Evil, Avenged Sevenfold's third album, the band chose to abandon the metalcore genre, using a more hard rock and heavy metal style. Avenged Sevenfold's self-titled album, however, has some experiments with other music genres than that from City of Evil, most notably in "Dear God", which shows a country style and "A Little Piece of Heaven", which is circled within the influence of Broadway show tunes, using primarily brass instruments and stringed orchestra to take over most of the role of the lead and rhythm guitar. Nightmare contains further deviations, including a piano ballad called "Fiction", progressive metal-oriented track "Save Me" and a heavy metal sound with extreme vocals and heavier instrumentation on "God Hates Us". The band's sixth studio album Hail to the King shows more of a classic metal sound and a riff-oriented approach. On their newest album The Stage, the band explores further into progressive metal, blending it with elements of thrash metal. In the past, Avenged Sevenfold has also been described as alternative metal, screamo, and pop punk metal.  The band has been criticized for "not being metal enough". Vocalist M. Shadows responded to this with, "we play music for the sake of music, not so that we can be labeled a metal band. That's like telling us we aren't punk enough. Who cares?" Avenged Sevenfold is one of the notable acts of the New Wave of American Heavy Metal.
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What was the name of their first album?

Answer:
Sounding the Seventh Trumpet


Question:
William Taylor (July 24, 1921 - December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C. A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he started in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America's elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina. Taylor was also a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador.
Taylor was born in Greenville, North Carolina, but moved to Washington, D.C., when he was five years old. He grew up in a musical family and learned to play different instruments as a child, including guitar, drums and saxophone. He was most successful at the piano, and had classical piano lessons with Henry Grant, who had educated Duke Ellington a generation earlier. Taylor made his first professional appearance playing keyboard at the age of 13 and was paid one dollar.  Taylor attended Dunbar High School, the U.S.'s first high school for African-American students. He went to Virginia State College and majored in sociology. During his time he joined Kappa Alpha Psi fraternity. Pianist Undine Smith Moore noticed young Taylor's talent in piano and he changed his major to music, graduating with a degree in music in 1942.  Taylor moved to New York City after graduation and started playing piano professionally from 1944, first with Ben Webster's Quartet on New York's 52nd Street. The same night he joined Webster's Quartet, he met Art Tatum, who became his mentor. Among the other musicians Taylor worked with was Machito and his mambo band, from whom he developed a love for Latin music. After an eight-month tour with the Don Redman Orchestra in Europe, Taylor stayed there with his wife, Theodora, and worked in Paris and the Netherlands.  Taylor returned to New York later that year and cooperated with Bob Wyatt and Sylvia Syms at the Royal Roost jazz club and Billie Holiday in a successful show called Holiday on Broadway. A year later, he became the house pianist at Birdland and performed with Charlie Parker, J.J. Johnson, Stan Getz, Dizzy Gillespie and Miles Davis. Taylor played at Birdland longer than any other pianist in the history of the club. In 1949, Taylor published his first book, a textbook about bebop piano styles.
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Did he play in a band in High School?

Answer: