input: In the summer of 1964, teenage friends Ronnie Van Zant, Bob Burns, Allen Collins, Gary Rossington, and Larry Junstrom formed the earliest incarnation of the band in Jacksonville, Florida as My Backyard. The band then changed its name to The Noble Five. The band used different names before using One Percent during 1968.  In 1969, Van Zant sought a new name. The group settled on Leonard Skinnerd, a mocking tribute to physical education teacher Leonard Skinner at Robert E. Lee High School. Skinner was notorious for strictly enforcing the school's policy against boys having long hair. Rossington dropped out of school, tired of being hassled about his hair. The more distinctive spelling "Lynyrd Skynyrd" was being used at least as early as 1970. Despite their high school acrimony, the band developed a friendlier relationship with Skinner in later years, and invited him to introduce them at a concert in the Jacksonville Memorial Coliseum. Skinner also allowed the band to use a photo of his Leonard Skinner Realty sign for the inside of their third album.  By 1970, Lynyrd Skynyrd had become a top band in Jacksonville, headlining at some local concerts, and opening for several national acts. Pat Armstrong, a Jacksonville native and partner in Macon, Georgia-based Hustlers Inc. with Phil Walden's younger brother, Alan Walden, became the band's managers. Armstrong left Hustlers shortly thereafter to start his own agency. Walden stayed with the band until 1974, when management was turned over to Peter Rudge. The band continued to perform throughout the South in the early 1970s, further developing their hard-driving blues rock sound and image, and experimenting with recording their sound in a studio. Skynyrd crafted this distinctively "southern" sound through a creative blend of blues, and a slight British rock influence.  During this time, the band experienced some lineup changes for the first time. Junstrom left and was briefly replaced by Greg T. Walker on bass. At that time, Ricky Medlocke joined as a second drummer and occasional second vocalist to help fortify Burns' sound on the drums. Medlocke grew up with the founding members of Lynyrd Skynyrd and his grandfather Shorty Medlocke was an influence in the writing of "The Ballad of Curtis Loew". Some versions of the band's history state Burns briefly left the band during this time, although other versions state that Burns played with the band continuously through 1974.  The band played some shows with both Burns and Medlocke, using a dual-drummer approach. In 1971, they made some recordings at the famous Muscle Shoals Sound Studio with Walker and Medlocke serving as the rhythm section, but without the participation of Burns. Medlocke and Walker left the band to play with another southern rock band, Blackfoot. When the Lynyrd Skynyrd made a second round of Muscle Shoals recordings in 1972, Burns was once again featured on drums along with new bassist, Leon Wilkeson. Medlocke and Walker did not appear on any album until the 1978 release of First and... Last, which compiled the early Muscle Shoals sessions. Also in 1972, roadie Billy Powell became the keyboardist for the band.

Answer this question "Are there any other interesting aspects about this article?"
output: By 1970, Lynyrd Skynyrd had become a top band in Jacksonville,

input: In 1975, after ten years of studiowork and artistically successful yet obscure solo records, Fischer found a new direction. Just like Hancock and Chick Corea he was a pioneer on the electric keyboard, and in that capacity he joined vibraphonist Cal Tjader's group. The reunion with Tjader gave a new impulse to Fischer's love of Latin-American music. He started his own group with Latino musicians, "Salsa Picante", which showed great eclecticism in musical styles. Later he expanded to include four vocalists billed separately as "2 + 2".  The album 2+2 won a Grammy in 1981. After that he recorded And Sometimes Voices and Free Fall with the vocal group. Free Fall was nominated in three categories for the Grammy Awards and won under the category of "Best Jazz Album By A Vocal Duo Or Group". Crazy Bird was with the instrumental group and Alone Together, a solo piano album recorded on a Hamburg Steinway. It was recorded for Hans Georg Brunner-Schwer and the German company MPS Records.  In the seventies, Fischer began doing orchestral sweeteners for R&B groups. His nephew, Andre Fischer, was the drummer of the band Rufus, featuring Chaka Khan. "Apparently the arrangements I made for their early records were appreciated, for in the following years I was hired almost exclusively by black artists." Among the artists Fischer worked for are The Jacksons, Earl Klugh, Switch, Debarge, Shotgun (a late 70s offshoot of 24-Carat Black) and Atlantic Starr. His walls are now covered with gold and platinum records from these recordings, Grammy Award Nominations, and several NARAS MVP Awards, culminating in an MVP-emeritus in 1985.  Once his fame as an arranger was established, Fischer also worked with pop musicians like Paul McCartney, Prince, Celine Dion and Robert Palmer. "I am surprised that my arrangements are now considered one of the prerequisites for a hit album. People feel that they make a song sound almost classical."  Classical concert artist Richard Stoltzman commissioned him in 1983 to write a symphonic work using Duke Ellington and Billy Strayhorn themes. The result, "The Duke, Swee'pea and Me", an eleven and a half minute orchestral work, was performed with a symphony orchestra and Stoltzman on clarinet all around the world.

Answer this question "What other awards did Salsa Picante win?"
output: His walls are now covered with gold and platinum records from these recordings, Grammy Award Nominations, and several NARAS MVP Awards, culminating in an MVP-emeritus in 1985.

input: In 1947, Morton spent a great deal of time helping his brother Thruston in his ultimately successful campaign for election to the House of Representatives in Kentucky. After this initial exposure to politics, Morton moved to the Eastern Shore of Maryland in the early 1950s, where he set up a 1,400 acres (5.7 km2) cattle farm along the Wye River in Talbot County. In 1962, Morton decided to challenge Democratic incumbent Thomas Francis Johnson of Maryland's 1st congressional district. Johnson, who was reeling from a political scandal, lost to Morton in the general election. Morton was lauded for not making Johnson's legal troubles his primary campaign issue.  Morton was re-elected to Congress four more times, and served from 1963 until 1971. In Congress, Morton worked to enact legislation that would preserve the Chesapeake Bay, including laws reducing pollution into the Bay, working for the creation of a national park on Assateague Island, and providing funds to the Army Corps of Engineers to model how the Bay functions as an estuary. Concerning civil rights, Morton voted for the Civil Rights Act of 1964, but not the Act of 1968.  During the 1968 Republican National Convention, Morton served as the floor manager for eventual presidential nominee Richard Nixon. Morton also delivered the speech nominating Spiro Agnew, then-Governor of Maryland, as the vice presidential candidate.  Due to his role in Nixon's election campaign and his environmental advocacy, Morton expected to be appointed as Secretary of the Interior in 1969. However, he was passed over for the position in favor of a westerner. He had also been considered for Nixon's vice presidential running mate, but lost out to Agnew. In January 1969, to recognize his efforts, Nixon appointed Morton as chairman of the Republican National Committee. As chairman, Morton was granted ex officio Cabinet rank by Nixon, an unprecedented practice that ultimately continued through the administration of Gerald Ford.

Answer this question "How long has he been in congress?"
output:
and served from 1963 until 1971.