input: Due to her political activities, Winnie was regularly detained by the National Party government. She was tortured, subjected to house arrest, kept under surveillance, held in solitary confinement for over a year and even banished to a remote town. She emerged as a leading opponent of apartheid during the later years of her husband's imprisonment (August 1963 - February 1990). For many of those years, she was banished to the town of Brandfort in the Orange Free State and confined to the area, except for when she was allowed to visit her husband at Robben Island. Beginning in 1969, she spent eighteen months in solitary confinement at Pretoria Central Prison. It was at this time that Winnie Mandela became well known in the Western world. She organised local clinics, campaigned actively for equal rights and was promoted by the ANC as a symbol of their struggle against apartheid.  In a leaked letter to Jacob Zuma in October 2008, outgoing President of South Africa Thabo Mbeki alluded to the role the ANC had created for her in their anti-apartheid activism:  In the context of the global struggle for the release of political prisoners in our country, our movement took a deliberate decision to profile Nelson Mandela as the representative personality of these prisoners, and therefore to use his personal political biography, including the persecution of his then wife, Winnie Mandela, dramatically to present to the world and the South African community the brutality of the apartheid system.  Beaten by the apartheid police, she developed an addiction to painkillers and alcohol as a result of a back injury caused by the assault.

Answer this question "And what else?"
output: and even banished to a remote town. She emerged as a leading opponent of apartheid during the later years of her husband's imprisonment

input: Within a few years of moving to New York, Laswell founded a recording studio with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records. Under the Material moniker (now also a production unit consisting of Laswell and Beinhorn - Maher being long gone - and by 1984 consisting solely of Laswell) Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s. During this time in the early to mid-1980s, Laswell was able to record some of his Material excursions (which ran the gamut from experimental jazz/funk to pop and R&B, featuring everyone from avant-jazz figures Henry Threadgill and Sonny Sharrock to Archie Shepp and pop star Whitney Houston) as well as projects such as Massacre, with Fred Frith and Fred Maher.  His association with Celluloid allowed some of his first forays into this so-called "collision music" - the term was coined for Laswell by the British writer Chris May, then editor of Black Music & Jazz Review and later a Celluloid staff member - and forays into world music. Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label. Celluloid also released a slew of 12" devoted to Hip-Hop, becoming a precursor to the popularity the form enjoyed starting in the mid-1980s. Fab 5 Freddy, Phase II and Afrika Bambaataa all appeared on the label. Criminally forgotten, Laswell also put together the very successful 12" World Destruction which paired PiL's John Lydon with Afrika Bambaataa - years before the Run-D.M.C./Aerosmith collaboration broke down the rock/hip-hop barrier. 1982 also saw Laswell's solo debut, Baselines.  Also recording a Laswell-helmed solo album for Celluloid was Ginger Baker, whom Laswell coaxed out of semi-retirement, giving the drummer's career a new boost. He likewise brought Sonny Sharrock out of semi-retirement and produced some of the guitarist's most acclaimed recordings, starting with the solo LP Guitar.

Answer this question "Why style of music did it predominately record?"
output: Laswell was able to record some of his Material excursions (

input: When Wariner signed to MCA Records in 1984, he began a string of consecutive Top 10 hits that lasted into the 1990s. The first of these was the No. 3 "What I Didn't Do", the first of three singles from his 1984 album One Good Night Deserves Another. Following it were the No. 8 "Heart Trouble" and his second No. 1, "Some Fools Never Learn". He also collaborated with pop singer Nicolette Larson on her Top 10 country hit "That's How You Know When Love's Right", her only Top 40 country single. It was also during this time that Steve recorded the theme song for the ABC television sitcom, Who's the Boss?. Wariner's version of "Brand New Life", used from 1986 to 1990, is the most widely recognized rendition of the song.  His next album, Life's Highway, accounted for two consecutive Number 1s in "You Can Dream of Me" and the title track, while all three singles from the next album (1987's It's a Crazy World) went to No. 1 as well: "Small Town Girl", "The Weekend" and "Lynda". Wariner also sang duet vocals on Glen Campbell's 1987 single "The Hand That Rocks the Cradle".  I Should Be with You was Wariner's fourth release for MCA. Although none of its singles went to Number 1, the album accounted for consecutive No. 2s in "Baby I'm Yours" and its title track. 1989's I Got Dreams produced the chart-toppers "Where Did I Go Wrong" and its title track, and by the end of the decade, Wariner had eight Number Ones on the country singles charts.  Laredo, released in 1990, was his final release for MCA. Lead-off single "The Domino Theory" peaked at No. 7, followed by the Mac McAnally co-write "Precious Thing" at No. 8 and "There for Awhile" at No. 17, his first single since 1984 not to reach Top 10. After this single, he exited MCA.

Answer this question "What were some of the tracks on that album Life's highway ?"
output:
Small Town Girl