Answer the question at the end by quoting:

Hugh Redwald Trevor-Roper, Baron Dacre of Glanton, FBA (15 January 1914 - 26 January 2003), was a British historian of early modern Britain and Nazi Germany. He was Regius Professor of Modern History at the University of Oxford. Trevor-Roper was made a life peer in 1979 on the recommendation of Prime Minister Margaret Thatcher, choosing the title Baron Dacre of Glanton. Trevor-Roper was a polemicist and essayist on a wide range of historical topics, but particularly England in the 16th and 17th centuries and Nazi Germany.
In 1980 at the age of 67, he became Master of Peterhouse, the oldest and smallest college in the University of Cambridge. His election, which surprised his friends, was engineered by a group of Fellows led by Maurice Cowling, then the leading Peterhouse historian. The Fellows chose him because Cowling's reactionary clique thought he would be an arch-conservative who would oppose the admission of women. In the event, Trevor-Roper feuded constantly with Cowling and his allies, while launching a series of administrative reforms. Women were admitted in 1983 at his urging. The British journalist Neal Ascherson summarised the quarrel between Cowling and Trevor-Roper as:  Lord Dacre, far from being a romantic Tory ultra, turned out to be an anti-clerical Whig with a preference for free speech over superstition. He did not find it normal that fellows should wear mourning on the anniversary of General Franco's death, attend parties in SS uniform or insult black and Jewish guests at high table. For the next seven years, Trevor-Roper battled to suppress the insurgency of the Cowling clique ("a strong mind trapped in its own glutinous frustrations"), and to bring the college back to a condition in which students might actually want to go there. Neither side won this struggle, which soon became a campaign to drive Trevor-Roper out of the college by grotesque rudeness and insubordination.  In a review of Adam Sisman's 2010 biography of Trevor-Roper, the Economist wrote that picture of Peterhouse in the 1980s was "startling", stating the college had become under Cowling's influence a sort of right-wing "lunatic asylum", who were determined to sabotage Trevor-Roper's reforms. In 1987 he retired complaining of "seven wasted years."

What were the women admitted to at his urging?

University of Cambridge.

IN: The Osmonds are an American family music group with a long and varied career. The Osmond Brothers began as a barbershop quartet consisting of brothers Alan, Wayne, Merrill and Jay Osmond. They were later joined by younger siblings Donny and Jimmy, both of whom enjoyed success as solo artists as well. With the addition of Donny, the group became known as The Osmonds, and enjoyed its greatest success as both a boy band and a hard rock ensemble.

By 1976, though, the group's record sales were softening; Osmondmania had long faded and been replaced by "Rollermania", as the Bay City Rollers became the hot pop band of choice in the mid-1970s. Their 1975 album The Proud One sold poorly (despite the title track providing a chart-topping easy listening hit and the group's last U.S. top-40 hit to date), and MGM Records was sold to Polydor Records. Their first album under Polydor was the album Brainstorm; that album sold only slightly better than its predecessor, and its lead single, "I Can't Live a Dream," fell short of the top 40. Polydor would release two more albums from the family (a Christmas album that included all of the performing family members, and a greatest hits compilation).  The Osmonds poured themselves into a new venture: the older brothers began producing The Donny & Marie Show which was a hit on ABC from 1976-1979. But the success came at a cost. The family built and operated at great expense a first-class television studio in Orem, Utah, where the show was produced beginning in 1977. As a result, the Osmonds as a performing band became a lower priority to Donny and Marie. The older brothers deferred or gave up their dreams of being a rock-and-roll band. Donny experienced stage anxiety and Marie had a brief bout with an eating disorder after a network executive told her she looked heavy.  When the show was cancelled in 1979, the Osmonds were taken by surprise, as they had believed that the show would be renewed, and found themselves in debt and without a clear direction. The group left Polydor and attempted another album for Mercury Records, Steppin' Out, which was a major failure with neither the album nor any of its singles charting anywhere; it would be their only album on that label. Steppin' Out was a transitional album for the Osmonds and was produced under the auspices of Maurice Gibb; among its tracks was the first recorded version of "Rest Your Love on Me," a country song that would become a hit for Gibb's own band, the Bee Gees, and topped the country charts in a cover version by Conway Twitty. They produced two unsuccessful projects for Marie, a sitcom pilot that never aired and a variety show revival that lasted seven episodes in 1980 and 1981.  They recovered and eventually paid their debts and re-established their careers. Rather than go into bankruptcy, they resolved to honor all of their financial obligations. But the Osmond artists and enterprises began operating separately.

What happened afterward?

OUT:
attempted another album for Mercury Records, Steppin' Out, which was a major failure with neither the album nor any of its singles charting anywhere;