Background: Cooper was born on May 7, 1901, in Helena, Montana to Alice (nee Brazier, 1873-1967) and Charles Henry Cooper (1865-1946). His father had emigrated from Houghton Regis, Bedfordshire and was a prominent lawyer, rancher, and (later) a Montana Supreme Court justice. His mother had emigrated from Gillingham, Kent and married Charles in Montana. In 1906, Charles purchased the 600-acre (240 ha) Seven-Bar-Nine cattle ranch about fifty miles (eighty kilometers) north of Helena near the town of Craig on the Missouri River.
Context: In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name.  Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week.  Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters.  In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.
Question: was he in any other silent movies?
Answer: Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones.

Problem: Background: Alice Paul was born on January 11, 1885, at Paulsdale in Mount Laurel Township, New Jersey. She was the eldest of four children of William Mickle Paul I (1850-1902) and Tacie Paul (nee Parry), and a descendant of William Penn, the Quaker founder of Pennsylvania. Her siblings were Willam, Helen, and Parry. She grew up in the Quaker tradition of public service; her ancestors included participants in the New Jersey Committee of Correspondence in the Revolutionary era and a state legislative leader in the 19th century.
Context: While associated with the Women's Social and Political Union, Paul was arrested seven times and imprisoned three times. It was during her time in prison that Paul learned the tactics of civil disobedience from Emmeline Pankhurst. Chief among these tactics was demanding to be treated as a political prisoner upon arrest. This not only sent a message about the legitimacy of the suffragists to the public, but also had the potential to provide tangible benefits. In many European countries, including England, political prisoners were given a special status: "[T]hey were not searched upon arrest, not housed with the rest of the prisoner population, not required to wear prison garb, and not force-fed if they engaged in hunger strikes." Though arrested suffragettes often were not afforded the status of political prisoners, this form of civil disobedience provided a lot of press for the WSPU. For example, during a London arrest (after being denied political prisoner status), Paul refused to put on prisoner's clothing. After the prison matrons were unable to forcibly undress her, they requested assistance from male guards. This shockingly improper act provided extensive press coverage for the suffrage movement.  Another popular civil disobedience tactic used by the Suffragettes was hunger striking. The first WSPU related hunger strike was conducted by sculptor Marion Wallace Dunlop in June 1909. By that fall it was being widely used by WSPU members because of its effectiveness in publicizing their mistreatment and gaining quick release from prison wardens. Refusing food worked in securing an early release for Paul during her first two arrests. However, during her third prison stint, the warden ordered twice daily force-feeding to keep Paul strong enough to finish out her month-long sentence.  Though the prisons staunchly maintained that the force-feeding of prisoners was for their own benefit, Paul and other women described the process as torturous. At the end of her month in prison, Paul had developed severe gastritis. She was carried out of prison and immediately tended to by a doctor. However, after this event, her health was permanently scarred; she often developed colds and flu which would sometimes require hospitalization.
Question: Anything intresting?
Answer:
While associated with the Women's Social and Political Union, Paul was arrested seven times and imprisoned three times.