input: He began taking classes at the Groundlings in Los Angeles, an improvisational and sketch comedy troupe and school, while tutoring children to make ends meet. Forte's first successful foray into comedy was 101 Things to Definitely Not Do If You Want to Get a Chick, a comic book he produced that details incompetent men. The comics landed him his first professional job writing for The Jenny McCarthy Show, a short-lived variety show starring Jenny McCarthy. Shortly thereafter, he was asked to submit a packet to the Late Show with David Letterman and was told Letterman responded favorably to animation. After only nine months at Letterman, he was "let go" from the job. He recalled his stint on the program as unpleasant, noting that he did not have enough experience in writing. "What an honor to work at that show but I don't think I was fully mentally prepared. [...] I always wonder what it would be like if I'd had a couple more years of experience before going there."  Forte returned to Los Angeles and began performing with the Groundlings' Main Company, with Cheryl Hines, Jim Rash and Maya Rudolph. He tried stand-up comedy three times, mostly at open mic nights, but quit after being voted into the Main Company. He joined the writing teams of two failed sitcoms, including The Army Show and Action. Forte got jobs writing for 3rd Rock from the Sun and That '70s Show, two successful programs. He loved writing but had mostly given up on acting, aside from acting with the Groundlings. While performing with the troupe in 2001, he was spotted by Lorne Michaels, the creator of Saturday Night Live (SNL). Forte felt his confidence was higher than usual, as That '70s Show had been picked up for two more years. He was invited to audition for SNL, which he regarded as unexpected.  At his audition for SNL, he performed multiple original characters, including Tim Calhoun, a speed reader, a prison guard, in addition to impressions of singer Michael McDonald and actor Martin Sheen. His final character was an older piece from his days with the Groundlings, in which he portrays a gold-painted street performer who performs fellatio to pay for his face paint, which devolves into a song needlessly uttering the words "cock" and "face paint" dozens of times. He felt his time to shine as a performer was already over, as he was in his thirties when he auditioned. To his surprise, he was offered a chance to be on the show, but declined, opting instead for the financial stability of his work at That '70s Show. He felt working for SNL could not live up to the idealized version he had dreamed of, but he later realized he would be making a mistake.

Answer this question "did he win any awards for these?"
output: He felt his time to shine as a performer was already over, as he was in his thirties when he auditioned.

input: Wright has described his initial musical influences as "early R&B" - namely, Ray Charles, Aretha Franklin, James Brown and Bobby Bland - along with rock 'n' roll artists Elvis Presley and Jerry Lee Lewis, and the Beatles. While in Europe in 1967, Wright abandoned his plans to become a doctor and instead toured locally with a band he had formed, the New York Times. When the latter supported the English group Traffic - at Oslo in Norway, according to Wright - he met Island Records founder Chris Blackwell. Wright recalls that he and Blackwell had a mutual friend in Jimmy Miller, the New York-born producer of Island acts such as the Spencer Davis Group and Traffic.  Blackwell invited Wright to London, where he joined English singer and pianist Mike Harrison and drummer Mike Kellie in their band Art (formerly the VIPs). The group soon changed its name to Spooky Tooth, with Wright as joint lead vocalist and Hammond organ player. While noting the band's lack of significant commercial success over its career, The New Rolling Stone Encyclopedia of Rock & Roll describes Spooky Tooth as "a bastion of Britain's hard-rock scene".  Spooky Tooth's first album was It's All About, released on Island in June 1968. Produced by Miller, it contained the Wright-composed "Sunshine Help Me" and six songs he co-wrote with either Miller, Harrison or Luther Grosvenor, the band's guitarist. Spooky Two, often considered the band's best work, followed in March 1969, with Miller again producing. Wright composed or co-composed seven of the album's eight songs, including "That Was Only Yesterday" and "Better By You, Better Than Me". Spooky Two sold well in America but, like It's All About, it failed to place on the UK's top 40 albums chart.  The third Spooky Tooth album was Ceremony, a Wright-instigated collaboration with French electronic music pioneer Pierre Henry, released in December 1969. Songwriting for all the tracks was credited to Henry and Wright, after the latter had passed the band's recordings on to Henry for what The New Rolling Stone Encyclopedia terms "processed musique concrete overdubs".  Although Wright had traditionally provided an experimental influence within Spooky Tooth, he regretted the change of musical direction, saying in a 1973 interview: "We should have really taken off after Spooky Two but we got into the absurd situation of letting Pierre Henry make the Ceremony album. Then he took it back to France and remixed it." With bass player Greg Ridley having already left the band in 1969 to join Humble Pie, Wright departed in January 1970 to pursue a solo career.

Answer this question "Where there any other songs released?"
output: Spooky Two, often considered the band's best work, followed in March 1969,

input: On June 3, 1865, at Sheridan's behest, Major General Custer accepted command of the 2nd Division of Cavalry, Military Division of the Southwest, to march from Alexandria, Louisiana, to Hempstead, Texas, as part of the Union occupation forces. Custer arrived at Alexandria on June 27 and began assembling his units, which took more than a month to gather and remount. On July 17, he assumed command of the Cavalry Division of the Military Division of the Gulf (on August 5, officially named the 2nd Division of Cavalry of the Military Division of the Gulf), and accompanied by his wife, he led the division (five regiments of veteran Western Theater cavalrymen) to Texas on an arduous 18-day march in August. On October 27, the division departed to Austin. On October 29, Custer moved the division from Hempstead to Austin, arriving on November 4. Major General Custer became Chief of Cavalry of the Department of Texas, from November 13 to February 1, 1866, succeeding Major General Wesley Merritt.  During his entire period of command of the division, Custer encountered considerable friction and near mutiny from the volunteer cavalry regiments who had campaigned along the Gulf coast. They desired to be mustered out of Federal service rather than continue campaigning, resented imposition of discipline (particularly from an Eastern Theater general), and considered Custer nothing more than a vain dandy.  Custer's division was mustered out beginning in November 1865, replaced by the regulars of the U.S. 6th Cavalry Regiment. Although their occupation of Austin had apparently been pleasant, many veterans harbored deep resentments against Custer, particularly in the 2nd Wisconsin Cavalry, because of his attempts to maintain discipline. Upon its mustering out, several members planned to ambush Custer, but he was warned the night before and the attempt thwarted.

Answer this question "How long did the reconstruction take ?"
output: