Problem: Lewis Alan Hoad (23 November 1934 - 3 July 1994) was an Australian World No. 1 tennis player. In his 1979 autobiography, Jack Kramer, the long-time tennis promoter and great player himself, ranked Hoad as one of the 21 best players of all time. For five straight years, beginning in 1952, he was ranked in the world top 10 for amateurs, reaching the World No. 1 spot in 1956. Hoad was a member of the Australian team that between 1952 and 1956 won the Davis Cup four times.

Strength played an important part in Hoad's game, as he often drove for winners rather than rallying and waiting for the right opportunity. Although he assaulted his opponents, he also had the skill to win the French Championships on the slower clay court. Hoad played right-handed and had a powerful serve and groundstrokes but his game lacked consistency. At times Hoad had difficulty maintaining concentration. According to Kramer, "Hoad had the loosest game of any good kid I ever saw. There was absolutely no pattern to his game.... He was the only player I ever saw who could stand six or seven feet behind the baseline and snap the ball back hard, crosscourt. He'd try for winners off everything, off great serves, off tricky short balls, off low volleys. He hit hard overspin drives, and there was no way you could ever get him to temporise on important points." Kramer compares Hoad to another great player, Ellsworth Vines. "Both were very strong guys. Both succeeded at a very young age.... Also, both were very lazy guys. Vines lost interest in tennis (for golf) before he was thirty, and Hoad never appeared to be very interested. Despite their great natural ability, neither put up the outstanding records that they were capable of. Unfortunately, the latter was largely true because both had physical problems."  Gonzales, who is considered to be among the greatest tennis players of all time, always maintained that Hoad was the toughest, most skilful adversary that he had ever faced. "He was the only guy who, if I was playing my best tennis, could still beat me." said Gonzales in a 1995 New York Times interview. "I think his game was the best game ever. Better than mine. He was capable of making more shots than anybody. His two volleys were great. His overhead was enormous. He had the most natural tennis mind with the most natural tennis physique." In a 1970 interview he stated that "Hoad was probably the best and toughest player when he wanted to be. After the first two years on the tour, his back injury plagued him so much that he lost the desire to practice. He was the only man to beat me in a head-to-head tour, 15 to 13." Kramer, however, had mixed feelings about Hoad's ability. In spite of calling him one of the 21 best players of all time, he also writes that "when you sum Hoad up, you have to say that he was overrated. He might have been the best, but day-to-day, week-to-week, he was the most inconsistent of all the top players." In a 1963 article in World Tennis Rosewall judges Gonzales to be a notch above Hoad but stated that "...the latter is the greatest of all time when he is 'on'.", an opinion echoed by Frew McMillan.  With his movie-star good looks, powerful physique, and outgoing personality, Hoad became a tennis icon in the 1950s. As Kramer says, "Everybody loved Hoad, even Pancho Gonzales. They should put that on Lew's tombstone as the ultimate praise for the man.... Even when Hoad was clobbering Gonzales, Gorgo wanted his respect and friendship."

What was his playing style like?

Answer with quotes: He was the only player I ever saw who could stand six or seven feet behind the baseline and snap the ball back hard, crosscourt.

Question:
Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 - December 19, 1929) was an American blues and gospel singer, songwriter, and musician. He was one of the most popular blues singers of the 1920s and has been called the "Father of the Texas Blues". Jefferson's performances were distinctive because of his high-pitched voice and the originality of his guitar playing. His recordings sold well, but he was not a strong influence on younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists.
Jefferson was born blind (or possibly partially blind), near Coutchman, Texas. He was the youngest of seven (or possibly eight) children born to Alex and Clarissa Jefferson, who were sharecroppers. Disputes regarding the date of his birth derive from contradictory census records and draft registration records. By 1900, the family was farming southeast of Streetman, Texas, and his birth date is indicated as September 1893 in the 1900 census. The 1910 census, taken in May, before his birthday, further confirms his year of birth as 1893 and indicated that the family was farming northwest of Wortham, near his birthplace.  In his 1917 draft registration, Jefferson gave his birth date as October 26, 1894, further stating that he then lived in Dallas, Texas, and had been blind since birth. In the 1920 census, he is recorded as having returned to Freestone County and was living with his half-brother, Kit Banks, on a farm between Wortham and Streetman.  Jefferson began playing the guitar in his early teens and soon after he began performing at picnics and parties. He became a street musician, playing in East Texas towns in front of barbershops and on street corners. According to his cousin Alec Jefferson, quoted in the notes for Blind Lemon Jefferson, Classic Sides:  They were rough. Men were hustling women and selling bootleg and Lemon was singing for them all night... he'd start singing about eight and go on until four in the morning... mostly it would be just him sitting there and playing and singing all night.  In the early 1910s, Jefferson began traveling frequently to Dallas, where he met and played with the blues musician Lead Belly. Jefferson was one of the earliest and most prominent figures in the blues movement developing in the Deep Ellum section of Dallas. It is likely that he moved to Deep Ellum on a more permanent basis by 1917, where he met Aaron Thibeaux Walker, also known as T-Bone Walker. Jefferson taught Walker the basics of playing blues guitar in exchange for Walker's occasional services as a guide. By the early 1920s, Jefferson was earning enough money for his musical performances to support a wife and, possibly, a child. However, firm evidence of his marriage and children has not been found.
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Did he write any books about his success?

Answer: