IN: Gilliam was born in Minneapolis, Minnesota, the son of Beatrice (nee Vance) and James Hall Gilliam. His father was a travelling salesman for Folgers before becoming a carpenter. Soon after, they moved to nearby Medicine Lake, Minnesota. The family moved to the Los Angeles neighbourhood of Panorama City in 1952.

Gilliam's films have a distinctive look, not only in mise-en-scene but even more so in photography, often recognisable from just a short clip; to create a surreal atmosphere of psychological unrest and a world out of balance, he frequently uses unusual camera angles, particularly low-angle shots, high-angle shots, and Dutch angles. Roger Ebert said that "his world is always hallucinatory in its richness of detail." Most of his movies are shot almost entirely with rectilinear ultra-wide-angle lenses with focal lengths of 28mm or less to achieve a distinctive style defined by extreme perspective distortion and extremely deep focus. Gilliam's long-time director of photography Nicola Pecorini has said, "with Terry and me, a long lens means something between a 40mm and a 65mm." This attitude markedly differs from the common definition in photography, by which 40 to 65 mm is the focal length of a normal lens, resembling the natural human field of view, unlike Gilliam's signature style, defined by extreme perspective distortion due to his usual choice of focal length. The 14-mm lens has become informally known as "The Gilliam" among filmmakers because of his frequent use of it at least since Brazil. Gilliam has explained his preference for using wide-angle lenses in his films:  The wide-angle lenses, I think I choose them because it makes me feel like I'm in the space of the film, I'm surrounded. My prevalent vision is full of detail, and that's what I like about it. It's actually harder to do, it's harder to light. The other thing I like about wide-angle lenses is that I'm not forcing the audience to look at just the one thing that is important. It's there, but there's other things to occupy, and some people don't like that because I'm not pointing things out as precisely as I could if I was to use a long lens where I'd focus just on the one thing and everything else would be out of focus. ...  [M]y films, I think, are better the second and third time, frankly, because you can now relax and go with the flow that may not have been as apparent as the first time you saw it and wallow in the details of the worlds we're creating. ... I try to clutter [my visuals] up, they're worthy of many viewings.  In another interview, Gilliam mentioned, in relation to the 9.8-mm Kinoptic lens he had first used on Brazil, that wide-angle lenses make small film sets "look big". The widest lens he has used so far is an 8-mm Zeiss lens employed in filming The Imaginarium of Doctor Parnassus.

What is a Dutch angle?

OUT: 


IN: Skid Row is an American heavy metal band, formed in 1986 in Toms River, New Jersey. The group achieved commercial success in the late 1980s and early 1990s, with its first two albums Skid Row (1989) and Slave to the Grind (1991) certified multi-platinum, the latter of which reached number one on the Billboard 200. The band's third album Subhuman Race (1995) was also critically acclaimed, but failed to repeat the success of its predecessors. During this period, the band consisted of bassist Rachel Bolan, guitarists Dave Sabo and Scotti Hill, drummer Rob Affuso, and frontman Sebastian Bach.

Skid Row, released in January 1989, was an instant success. The record went 5x platinum on the strength of the Top 10 singles "18 and Life" and "I Remember You". Skid Row supported the album by opening for Bon Jovi on their New Jersey tour. As part of the six-month tour, Skid Row played its first ever UK gig supporting Bon Jovi's outdoor show at Milton Keynes Bowl on August 19, 1989. The next day, Skid Row played a successful club show at London's Marquee Club in Charing Cross Road. Skid Row also took part in the Moscow Music Peace Festival, which was set up to keep McGhee out of jail. McGhee was facing drug trafficking charges, and therefore set up an anti-drug/peace concert in Russia, featuring a few of the artists that he and his brother managed.  Skid Row returned to the UK three months later, opening for Motley Crue on their European Dr. Feelgood Tour in early November 1989 with White Lion. That was followed by a UK headlining tour culminating in a show at London's Hammersmith Odeon, with Vain supporting. In what is referred to as "The Bottle Incident" by fans of the band, Bach was hit onstage with a bottle thrown from the crowd at a concert in Springfield, Massachusetts, where Skid Row was opening for Aerosmith on December 27, 1989. Bach threw the bottle back, hitting a girl (not the thrower), so he jumped on the crowd to beat the person who can be seen on a tour video released by Skid Row called Oh Say Can You Scream in 1990.  Shortly thereafter, at another show, Bach put on a T-shirt proclaiming the anti-gay slogan "AIDS Kills Fags Dead". The shirt was given to him by a fan, but Bach eventually expressed regret over the incident, claiming that he did not read the slogan before putting the shirt on. The band also recorded a cover of the Sex Pistols' "Holidays in the Sun" for the Make A Difference Foundation release Stairway to Heaven/Highway to Hell.

How long did the tour last?

OUT:
six-month tour,