input: From 1235, the point at which Wendover dropped his pen, Paris continued the history on the plan which his predecessors had followed. He derived much of his information from the letters of important people, which he sometimes inserts, but much more from conversation with the eyewitnesses of events. Among his informants were Richard, Earl of Cornwall and King Henry III, with whom he appears to have been on intimate terms.  The king knew that Paris was writing a history, and wanted it to be as exact as possible. In 1257, in the course of a week's visit to St Albans, Henry kept the chronicler beside him night and day, "and guided my pen," says Paris, "with much goodwill and diligence." It is curious that the Chronica majora gives so unfavourable an account of the king's policy. Henry Richards Luard supposes that Paris never intended his work to be read in its present form. Many passages of the autograph have written next to them, the note offendiculum, which shows that the writer understood the danger which he ran. On the other hand, unexpurgated copies were made in Paris's lifetime. Although the offending passages are duly omitted or softened in his abridgment of his longer work, the Historia Anglorum (written about 1253), Paris's real feelings must have been an open secret. There is no ground for the old theory that he was an official historiographer.  Naturalists have praised his descriptions of the English wildlife of his time, brief though they are: in particular his valuable description of the first irruption into England in 1254 of the common crossbill.

Answer this question "what did he do in 1257"
output: In 1257, in the course of a week's visit to St Albans, Henry kept the chronicler beside him night and day, "and guided my pen," says Paris,

input: The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation and submitted it to numerous directors but there was little interest. Simon suggested that they send the book to Baltimore native and film director Barry Levinson. Levinson's assistant Gail Mutrux enjoyed the book and both she and Levinson became attached as producers. The project became the award-winning TV series Homicide: Life on the Street (1993-1999), on which Simon worked as a writer and producer.  Simon was asked by Mutrux to write the show's pilot episode but declined, feeling he did not have the necessary expertise. He collaborated with his old college friend David Mills to write the season two premiere "Bop Gun". The episode was based on a story by executive producer Tom Fontana and featured Robin Williams in a guest starring role that garnered the actor an Emmy nomination. Simon and Mills won the WGA Award for Best Writing in a Drama for the episode. Simon also received Austin Film Festival's Outstanding Television Writer Award in 2010.  Simon left his job with the Baltimore Sun in 1995 to work full-time on Homicide: Life on the Street during the production of the show's fourth season. Simon wrote the teleplay for the season four episodes "Justice: Part 2" and "Scene of the Crime" (with Anya Epstein). For season five he was the show's story editor and continued to contribute teleplays writing the episodes "Bad Medicine" and "Wu's on First?" (again with Epstein). He was credited as a producer on the show's sixth and seventh seasons. He wrote the teleplays for parts two and three of the sixth season premiere "Blood Ties" (the latter marking his third collaboration with Epstein) and provided the story for the later sixth season episodes "Full Court Press" and "Finnegan's Wake" (with James Yoshimura). He provided the story for the seventh season episodes "Shades of Gray" (with Julie Martin), "The Same Coin" (again with Yoshimura) and "Self Defense" (with Eric Overmyer). Simon wrote the story and teleplay for the seventh season episodes "The Twenty Percent Solution" and "Sideshow: Part 2". Simon, Martin and teleplay writer T. J. English won the Humanitas Prize in the 60 minutes category for the episode "Shades of Gray". Simon was nominated for a second WGA Award for Best Writing in a Drama for his work on "Finnegan's Wake" with Yoshimura and Mills (who wrote the teleplay).  Simon has said that he thought the show was a "remarkable drama" but that it did not reflect the book. He has also said that when writing for the show he had to put his experiences of the real detectives aside as the characters became quite different, particularly in their more philosophical approach to the job. Simon said that TV must find shorthand ways of referencing anything real.

Answer this question "Did they get a screen adaption?"
output: award-winning TV series Homicide: Life on the Street

input: In 2005, Tamia split from Elektra Records, and created her own record label, Plus One Music Group. The first record to be released on the company was her fourth studio album Between Friends. First released on South African independent label Gallo Records in May 2006, it was later distributed by Image Entertainment in the United States. Entirely produced by Shep Crawford, with additional production from Rodney Jerkins, it reached number nine on the Billboard Top R&B/Hip-Hop Albums chart. Its first two singles, "Can't Get Enough" and "Me", both reached the top 30 on the Hot R&B/Hip-Hop Songs chart.  In November 2009, a great hits compilation was released in South Africa. The same year, Tamia announced that she was working with longtime contributor Shep Crawford to form a supergroup called TDK along with singers Kelly Price and Deborah Cox. Their joint album The Queen Project failed to materialize however due timing issues and label politics.  In August 2012, Tamia's fifth studio Beautiful Surprise was released on Plus One Music and EMI. The singer worked with a vast of different producers on the album, including Chuck Harmony, The Runners, and Carvin & Ivan. Upon its released, it debuted 23 on the Billboard 200 and number six on the Top R&B/Hip-Hop Albums chart with first week sales of 41,521 copies. Lead single "Beautiful Surprise", written by Claude Kelly, Salaam Remi and the herself peaked at number 24 on the Hot R&B/Hip-Hop Songs chart, and was later nominated for Best R&B Song at the 55th Annual Grammy Awards. In support of the album, Tamia went on tour with R. Kelly during his The Single Ladies tour from October until December 2012.

Answer this question "Did she tour at all for either Between Friends or Beautiful Surprise?"
output:
Tamia went on tour with R. Kelly during his The Single Ladies tour from October until December 2012.