Background: Sudano was born in Flatbush, Brooklyn, New York to Margaret Alessio (1924-2012) and Louis Sudano (1923-2008). At the age of four, Sudano learned to play his first instrument, the accordion. He later taught himself to play piano and guitar. He soon developed a reputation in his community as a talented musician and got his first paid gig at the age of twelve.
Context: In 1977, Sudano, Esposito and Hokenson moved to Los Angeles, formed the band Brooklyn Dreams and signed a recording deal with Millennium Records. That same year, Skip Konte of Three Dog Night produced their first self-titled debut. The trio scored a modest hit with the single "Music, Harmony and Rhythm", which they performed on American Bandstand.  On March 13, 1977, Sudano met Donna Summer, who was signed to Casablanca Records. Casablanca was the distributor for Sudano's label Millennium Records. The Brooklyn Dreams and Summer immediately began writing songs together and within a few months Sudano and Summer were dating. In 1978, the band penned "Take It to the Zoo" with Summer for the Thank God It's Friday soundtrack. The same year, the Brooklyn Dreams appeared in the movie American Hot Wax performing as the Planotones, a group created for the movie with long time friend Kenny Vance. They scored a Top 5 hit when they appeared on the single "Heaven Knows" with Esposito and Summer singing a duet. The song peaked at #4 on the Billboard Hot 100 chart and became a certified million-selling Gold single in 1979.  In 1979, Brooklyn Dreams and Summer wrote the title track "Bad Girls" for the best selling album of Summers' career Bad Girls. In addition to the title track, Sudano also co-wrote the songs "Lucky" and "On My Honor" with Summer and Harold Faltermeyer as well as "Can't Get to Sleep At Night" with Bob Conti. He then wrote the song "I'm A Rainbow", which was the title track to Summer's next LP. Unfortunately, it was shelved by Geffen Records and not released until 1996.  When Millennium Records changed their distribution to RCA, the Brooklyn Dreams contract was transferred to Casablanca Records. Under their new recording contract, Brooklyn Dreams recorded three more studio LPs. They released two albums in 1979: Sleepless Nights, produced by Bob Esty, and Joyride produced by Jurgen Koppers, an engineer for Giorgio Moroder. In 1980, they made their fourth and final album Won't Let Go, which they produced themselves. A song from this record, "Hollywood Knights" became the title track for the comedy The Hollywood Knights starring Tony Danza, Michelle Pfeiffer and Fran Drescher. In 2008, "Hollywood Knights" was sampled by Snoop Dogg on his song "Deez Hollywood Nights".  Brooklyn Dreams amicably disbanded in 1980 when Hokensen returned to New York after his mother died. Sudano and Summer continued writing songs together and were married the same year.
Question: Any awards that they may have gotten?
Answer: 

Background: Henry Jaynes Fonda (May 16, 1905 - August 12, 1982) was an American film and stage actor with a career spanning five decades. Fonda made his mark early as a Broadway actor. He also appeared in 1938 in plays performed in White Plains, New York, with Joan Tompkins. He made his Hollywood debut in 1935, and his career gained momentum after his Academy Award-nominated performance as Tom Joad in The Grapes of Wrath, a 1940 adaptation of John Steinbeck's novel about an Oklahoma family who moved west during the Dust Bowl.
Context: Born in Grand Island, Nebraska in May 1905, Henry Jaynes Fonda was the son of printer William Brace Fonda, and his wife, Herberta (Jaynes). The family moved to Omaha, Nebraska in 1906.  Fonda's patrilineal line originates with an ancestor from Genoa, Italy, who migrated to the Netherlands in the 15th century. In 1642, a branch of the Fonda family immigrated to the Dutch colony of New Netherland on the East Coast of North America. They were among the first Dutch population to settle in what is now upstate New York, establishing the town of Fonda, New York. By 1888, many of their descendants had relocated to Nebraska.  Fonda was brought up as a Christian Scientist, though he was baptized an Episcopalian at St. Stephen's Episcopal Church in Grand Island. He said, "My whole damn family was nice." They were a close family and highly supportive, especially in health matters, as they avoided doctors due to their religion. Despite having a religious background, he later became an agnostic. Fonda was a bashful, short boy who tended to avoid girls, except his sisters, and was a good skater, swimmer, and runner. He worked part-time in his father's print plant and imagined a possible career as a journalist. Later, he worked after school for the phone company. He also enjoyed drawing. Fonda was active in the Boy Scouts of America; Teichmann reports that he reached the rank of Eagle Scout. However, this is denied elsewhere. When he was about 14, his father took him to observe the brutal lynching of Will Brown during the Omaha race riot of 1919. This enraged the young Fonda and he kept a keen awareness of prejudice for the rest of his life. By his senior year in high school, Fonda had grown to more than six feet tall, but remained shy. He attended the University of Minnesota, where he majored in journalism, but he did not graduate. He took a job with the Retail Credit Company.
Question: what is an interesting fact about his early life?
Answer: Despite having a religious background, he later became an agnostic.

Background: Gigi [ZiZi] is a 1958 American musical-romance film directed by Vincente Minnelli processed using MGM's Metrocolor. The screenplay by Alan Jay Lerner is based on the 1944 novella of the same name by Colette. The film features songs with lyrics by Lerner and music by Frederick Loewe, arranged and conducted by Andre Previn. In 1991, Gigi was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Context: In late April, Freed and Minnelli and their respective entourages arrived in Paris. The weather had become unseasonably hot, and working in unair-conditioned hotel rooms was uncomfortable. Minnelli began scouting locations while Freed and Lerner discussed the still incomplete script. Lerner had taken liberties with Colette's novella; the character of Honore, nonexistent in the original book and very minor in the Loos play, was now a major figure. Gigi's mother, originally a significant character, was reduced to a few lines of dialogue delivered off-screen. Lerner also expanded the focus on Gigi's relationship with her grandmother.  By mid-July, the composers had completed most of the score, but still were missing the title tune. Loewe was at the piano while Lerner was indisposed in the bathroom, and when the former began playing a melody the latter liked, he later recalled he jumped up, "[his] trousers still clinging to [his] ankles, and made his way to the living room. 'Play that again,' he said. And that melody ended up being the title song for Gigi."  In September, the cast and crew flew to California, where several interior scenes were filmed, among them the entire scene in Maxim's, which included a musical number by Jourdan. Lerner was unhappy with the look of the scene as it had been shot by Minnelli, and at considerable expense, the restaurant was recreated on a soundstage and the scene was reshot by director Charles Walters, since Minnelli was overseas working on a new project.  The film title design uses the artwork of Sem's work from the Belle Epoque.
Question: Where did they film?
Answer:
Paris.