Answer the question at the end by quoting:

Slash's Snakepit was an American rock supergroup from Los Angeles, California, formed by Guns N' Roses guitarist Slash in 1993. Though often described as a solo or side project, Slash stated that Snakepit was a band with equal contributions by all members. The first lineup of the band consisted of Slash, two of his Guns N' Roses bandmates-- drummer Matt Sorum and guitarist Gilby Clarke-- as well as Alice in Chains bassist Mike Inez and former Jellyfish live guitarist Eric Dover on lead vocals.
Slash and Dover wrote the lyrics to all twelve songs with Slash using the songwriting to vent his frustrations at Guns N' Roses singer Rose. Clarke contributed the song "Monkey Chow" to the album while "Jizz da Pit" is an instrumental by Slash and Inez. They recorded the album at Conway Recording Studios and The Record Plant with Mike Clink and Slash co-producing and Steven Thompson and Michael Barbiero mixing, all of whom had worked with Guns N' Roses on their debut album Appetite for Destruction. The album featured contributions by Duff McKagan (who co-wrote "Beggars & Hangers-On"), Dizzy Reed on keyboards, Teddy Andreadis on harmonica, and Paulinho da Costa on percussion. Slash's brother, Ash Hudson, designed the album's cover.  The resulting album, titled It's Five O'Clock Somewhere, was released in February 1995 through Geffen Records. The album's title was taken from a phrase Slash overheard at an airport. At the insistence of the record label, the album was released under the name Slash's Snakepit, instead of The Snakepit, despite Slash not wanting his name used. Upon release, the album charted at number 70 on the Billboard 200 and number 15 on the UK Albums Chart. It's Five O'Clock Somewhere went on to sell over a million copies and was certified platinum by the Recording Industry Association of America. "Beggars & Hangers-On" was released as the first, and only, single from the album; while a music video was also shot for "Good to Be Alive", directed by August Jakobsson.  Critically, the album received mainly positive reviews. Metal Hammer stated that "the sleazy, downtrodden blues hard rock [...] breaks new ground." AllMusic reviewer Stephen Thomas Erlewine called Slash's contributions "quite amazing", though criticised the song-writing, stating "it's too bad that nobody in the band bothered to write any songs." Devon Jackson of Entertainment Weekly described the album as "relaxed headbanging and Southern-tinged blues-rock" while Classic Rock reviewer Malcolm Dome stated "musically, it's a loose-limbed record that has a lot of heavy guitar-led punk-style pop-rock." Slash's Snakepit toured in support of the album, with bassist James LoMenzo and drummer Brian Tichy, of Pride and Glory, replacing Inez and Sorum, who had opted out of touring, with Sorum returning to Guns N' Roses. They toured the US, Europe, Japan and Australia with Slash stating that "for the first time in years, touring was easy, [his] band mates were loads of fun and low on drama, and every gig was about playing rock and roll." While booking another leg of the tour, Slash was informed by Geffen that Rose was ready to begin work on the new Guns N' Roses album and that he was to return to Los Angeles. Geffen pulled financial support for the band's tour with Slash's Snakepit disbanding soon after.

what year did the break up happen





Answer the question at the end by quoting:

Evangelos Odysseas Papathanassiou (Greek: Euaggelos Odusseas Papathanasiou, IPA: [ev'anjelos odi'seas papathana'siu] (born 29 March 1943), best known professionally as Vangelis (), is a Greek composer of electronic, progressive, ambient, jazz, and orchestral music. He is best known for his Academy Award-winning score for the film Chariots of Fire, composing scores for the films Blade Runner, Missing, Antarctica, 1492: Conquest of Paradise, and Alexander, and the use of his music in the PBS documentary Cosmos:
While still in Aphrodite's Child, Vangelis had already been involved in other projects. In the 1960s he scored music for three Greek films My Brother, the Traffic Policeman (1963) directed by Filippos Fylaktos, 5,000 Lies (1966) by Giorgos Konstantinou, To Prosopo tis Medousas (1967) by Nikos Koundouros. In 1970 composed the score for Sex-Power directed by Henry Chapier, as well again for Salut, Jerusalem (1972) and Amore (1974).  In 1971, some jam sessions with a group of musicians in London had resulted in two albums' worth of material, unofficially released without Vangelis' permission in 1978, titled Hypothesis and The Dragon. Vangelis succeeded in taking legal action to have them withdrawn. A more successful project was his scoring of wildlife documentary films in the early 1970s made by French filmmaker Frederic Rossif. The first soundtrack L'Apocalypse des animaux was released in 1973. In 1972, the student riots of 1968 provided the inspiration for an album titled Fais que ton reve soit plus long que la nuit (Make Your Dream Last Longer Than the Night), comprising musical passages mixed with news snippets and protest songs; some lyrics were based on graffiti daubed on walls during the riots. He also did music for the 1973 Henry Chapier film Amore.  In 1973 Vangelis' solo career began in earnest. His second solo album was Earth. It was a percussive-orientated album with Byzantine undertones. It featured a group of musicians including ex-Aphrodite's Child guitarist Silver Koulouris and also vocalist and songwriter Robert Fitoussi (better known as F.R. David of "Words" fame). This line-up, later briefly going out under the name "Odyssey", released a single in 1974 titled "Who", but that was Vangelis' last involvement with them. Later in 1974, Vangelis was widely tipped to join another prog-rock band, Yes, following the departure of Rick Wakeman. After a couple of weeks of rehearsals Vangelis wavered on the option of joining Yes, and the band had to detour and hire Swiss keyboard player Patrick Moraz instead, who later joined the Moody Blues. Vangelis did, however, become friends with Yes' lead vocalist Jon Anderson, and later worked with him on several occasions, including as the duo Jon & Vangelis.

WHAT ALBUM RELEASED IN 1972?