input: Polly Toynbee was born at Yafford on the Isle of Wight, the second daughter of the literary critic Philip Toynbee (by his first wife Anne), granddaughter of the historian Arnold J. Toynbee, and great-great niece of philanthropist and economic historian Arnold Toynbee, after whom Toynbee Hall in the East End of London is named. Her parents divorced when Toynbee was aged four and she moved to London with her mother.  After attending Badminton School, a girls' independent school in Bristol, followed by the Holland Park School, a state comprehensive school in London (she had failed the 11-plus examination) she passed one A-level. She won a scholarship to read history at St Anne's College, Oxford, but dropped out of university after eighteen months. During her gap year, in 1966, she worked for Amnesty International in Rhodesia (which had just unilaterally declared independence) until she was expelled by the government. She published her first novel, Leftovers, in 1966. Following her expulsion from Rhodesia, Toynbee revealed the existence of the "Harry" letters, which detailed the alleged funding of Amnesty International by the British government.  After 18 months at Oxford, she dropped out, finding work in a factory and a burger bar and hoping to write in her spare time. She later said "I had a loopy idea that I could work with my hands during the day and in the evening come home and write novels and poetry, and be Tolstoy... But I very quickly discovered why people who work in factories don't usually have the energy to write when they get home." She went into journalism, working on the diary at The Observer, and turned her eight months of experience in manual work (along with "undercover" stints as a nurse and an Army recruit) into the book A Working Life (1970).

Answer this question "What kind of things did she write about?"
output: turned her eight months of experience in manual work (along with "undercover" stints as a nurse and an Army recruit) into the book A Working Life (1970).

input: The street known as Sunset Boulevard has been associated with Hollywood film production since 1911, when the town's first film studio opened there. The film workers lived modestly in the growing neighborhood, but during the 1920s, profits and salaries rose to unprecedented levels. With the advent of the star system, luxurious homes noted for their often incongruous grandeur were built in the area.  As a young man living in Berlin in the 1920s, Billy Wilder was interested in American culture, with much of his interest fueled by the country's films. In the late 1940s, many of the grand Hollywood houses remained, and Wilder, then a Los Angeles resident, found them to be a part of his everyday world. Many former stars from the silent era still lived in them, although most were no longer involved in the film business. Wilder wondered how they spent their time now that "the parade had passed them by" and began imagining the story of a star who had lost her celebrity and box-office appeal.  The character of Norma Desmond mirrors aspects of the twilight years of several real-life faded silent-film stars, such as the reclusive existence of Mary Pickford and the mental disorders of Mae Murray and Clara Bow. It is usually regarded as a fictional composite inspired by several different people, not just a thinly disguised portrait of one in particular. Nevertheless, some commentators have tried to identify specific models. One asserts that Norma Talmadge is "the obvious if unacknowledged source of Norma Desmond, the grotesque, predatory silent movie queen" of the film. The most common analysis of the character's name is that it is a combination of the names of silent film actress Mabel Normand and director William Desmond Taylor, a close friend of Normand's who was murdered in 1922 in a never-solved case sensationalized by the press.

Answer this question "Who played the role of Norma Desmond?"
output: 

input: In early January 2010, multiple media outlets reported that, following the 2010 Winter Olympics, The Jay Leno Show would be shortened to 30 minutes and begin airing weeknights at 11:35 pm ET, with Conan O'Brien and Jimmy Fallon's shows following it beginning at 12:05 am on March 1, 2010. On January 10, NBC Universal Television Entertainment Chairman Jeff Gaspin confirmed that The Jay Leno Show would indeed move to 11:35.  Leno immediately accepted the return to 11:35 p.m., calling the move "all business." He had made it known in the press in November 2009 that he wished to return to his old timeslot; behind the scenes, Leno had privately indicated that he did not believe the 10:00 experiment would work. On the other hand, O'Brien's contract stipulated that the network could move the show back to 12:05 a.m. without penalty, a loophole put in primarily to accommodate sports preemptions, the network's traditional nightly Wimbledon tournament highlights show, and specials such as New Year's Eve with Carson Daly.  O'Brien did not seriously respond for several days after the announcement, then drafted a press release explaining why he felt it was unfair to him, his staff, Fallon, and the legacy of The Tonight Show to move the show past midnight. He concluded by saying that he "cannot participate in what I honestly believe is [The Tonight Show's] destruction." O'Brien received an outpouring of celebrity and viewer support for rejecting the move, while Leno received heavy criticism. On January 21, O'Brien signed a $45 million deal allowing him to leave the network, and aired his final episode of Tonight on January 22; Leno returned as host of Tonight on March 1.

Answer this question "Did anything else of note happen in this time period?"
output:
O'Brien received an outpouring of celebrity and viewer support for rejecting the move, while Leno received heavy criticism.