IN: Brooks & Dunn is an American country music duo consisting of Kix Brooks and Ronnie Dunn, both vocalists and songwriters. The duo was founded in 1990 through the suggestion of Tim DuBois. Before the foundation, both members were solo recording artists. Brooks wrote number one singles for John Conlee, Nitty Gritty Dirt Band, and Highway 101; both he and Dunn also charted two solo singles apiece in the 1980s, with Brooks also releasing an album for Capitol Records in 1989.

Their first greatest hits compilation was released on September 16, 1997. It comprised most of their singles to that point and three new songs: "Honky Tonk Truth", "He's Got You", and "Days of Thunder". The first two were released as singles, with respective peaks of three and two on the country charts. The Greatest Hits Collection was certified platinum in April 1998, and double-platinum in 2001.  Brooks & Dunn collaborated with Reba McEntire to perform "If You See Him/If You See Her", which was the lead-off single to Brooks & Dunn's If You See Her and McEntire's If You See Him, both of which were released on the same day. Arista Nashville and MCA Nashville, the label to which McEntire was signed, both promoted the single. This cut went to number one, as did If You See Her's next two singles: "How Long Gone" and a cover of Roger Miller's "Husbands and Wives", which also became the duo's first top 40 hit on the Billboard Hot 100. Dunn recorded the vocals for "Husbands and Wives" in one take. Also included on the album was "Born and Raised in Black and White", the first song of the duo's career in which they alternated on lead vocals. The album's fourth single was "I Can't Get Over You", which was a top five country hit. Following it was "South of Santa Fe", which peaked at number 41 on the country charts and thus became the duo's lowest-peaking single there. In 2001, If You See Her reached double-platinum certification in the United States.  Jana Pendragon, in her review for Allmusic, praised Dunn's vocal performances on "Husbands and Wives" and "You're My Angel", but thought that a couple of the other cuts were "formula". Country Standard Time writer Kevin Oliver criticized the album for having "wildly uneven" material, calling the McEntire collaboration a "snoozer" and "South of Santa Fe" "wretched".

What was on it?

OUT: Brooks & Dunn collaborated with Reba McEntire to perform "If You See Him/If You See Her",

input: Upon being renamed from Chicago Transit Authority to Chicago, the band sported a new logo. Its inspiration was found in the design of the Coca-Cola logo, in the attitude of the city of Chicago itself, and in the desire to visually transcend the individual identities of the band's members. It was designed by the Art Director of Columbia/CBS Records, John Berg, with each album's graphic art work being done by Nick Fasciano. Berg said, "The Chicago logo...was fashioned for me by Nick Fasciano from my sketch."  The logo would serve as the band's chief visual icon from Chicago II, onward. In various artistic forms and visual similes, it has been the subject of every subsequent album cover, except the fifteenth album, Greatest Hits, Volume II. For example, it appeared as an American flag on III, a piece of wood on V, a U.S. dollar bill on VI, a leather relief on VII, an embroidered patch on VIII, a chocolate bar on X, a map on XI, a building on 13, a fingerprint on XIV, a computer silicon chip on 16, a parcel on 17, a mosaic on 18, and an aquarelle on 19. Chicago IX's incarnation was a caricature of the band itself, in the shape of the logo.  The album cover series has endured as a cataloged work of art in its own right, described by Paul Nini of the American Institute of Graphic Arts as a "real landmark in record cover design". In 2013, the iconic status of Chicago's album art was featured in a New York art museum exhibit, which centered upon ninety-five album covers completely selected from John Berg's career portfolio of hundreds. Having overseen the design of approximately fourteen Chicago album covers across more than twenty years, Berg stated that this artistic success resulted from the combination of Chicago's "unique situation" and his position in "the best possible job at the best possible time to have that job, at the center of the graphic universe". Berg won the 1976 Grammy Award for Best Album Package for Chicago X, one of four Grammy Awards he won in his lifetime.  The book titled Type and Image: The Language of Graphic Design described the logo as "a warm vernacular form, executed in thick script letters with Victorian swashes in the tradition of sports teams and orange crate labels." The book mentions the cultural and material background of the city of Chicago as inspiration for the logo; for example, describing the leather embossing of Chicago VII as representative of the great fire and the stockades. The author connects the album art to the atmosphere of the band's namesake city, quoting the band's original manager, James William Guercio: "The printed word can never aspire to document a truly musical experience, so if you must call them something, speak of the city where all save one were born; where all of them were schooled and bred, and where all of this incredible music went down barely noticed; call them CHICAGO."

Answer this question "did the fans like the Graphics?"
output:
In 2013, the iconic status of Chicago's album art was featured in a New York art museum exhibit,