input: At age 49 in the 1989 Masters, Trevino shot an opening round five-under-par 67 to become the oldest man ever to lead the field after a round in the tournament. It came despite Trevino's words 20 years earlier, when he said after the 1969 Masters: "Don't talk to me about the Masters. I'm never going to play there again. They can invite me all they want, but I'm not going back. It's just not my type of course." Trevino said that he felt uncomfortable with the atmosphere at the Augusta National club and that he disliked the course because his style of play, where he liked to fade shots left to right, was not suited to the course.  Trevino did not accept invitations to the Masters in 1970, 1971 and again in 1974. In 1972, after forgoing the previous two Masters tournaments, he stored his shoes and other items in the trunk of his car, rather than use the locker room facilities in the clubhouse. Trevino complained that had he not qualified as a player, the club would not have let him onto the grounds except through the kitchen. But he later described his boycott of the Masters as "the greatest mistake I've made in my career" and called Augusta National "the eighth wonder of the world."  After his opening round of 67 in the 1989 Masters, Trevino finished the tournament tied for 18th place. His best finish at the Masters was a tie for 10th place twice: in 1975 and in 1985.

Answer this question "When did Lee go to the Masters?"
output: His best finish at the Masters was a tie for 10th place twice: in 1975 and in 1985.

Question: Sir Lawrence Alma-Tadema,  (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.

In 1852 he entered the Royal Academy of Antwerp in Belgium where he studied early Dutch and Flemish art, under Gustaf Wappers. During Alma-Tadema's four years as a registered student at the Academy, he won several respectable awards.  Before leaving school, towards the end of 1855, he became assistant to the painter and professor Louis (Lodewijk) Jan de Taeye, whose courses in history and historical costume he had greatly enjoyed at the Academy. Although de Taeye was not an outstanding painter, Alma-Tadema respected him and became his studio assistant, working with him for three years. De Taeye introduced him to books that influenced his desire to portray Merovingian subjects early in his career. He was encouraged to depict historical accuracy in his paintings, a trait for which the artist became known.  Alma-Tadema left Taeye's studio in November 1858 returning to Leeuwarden before settling in Antwerp, where he began working with the painter Baron Jan August Hendrik Leys, whose studio was one of the most highly regarded in Belgium. Under his guidance Alma-Tadema painted his first major work: The Education of the children of Clovis (1861). This painting created a sensation among critics and artists when it was exhibited that year at the Artistic Congress in Antwerp. It is said to have laid the foundation of his fame and reputation. Alma-Tadema related that although Leys thought the completed painting better than he had expected, he was critical of the treatment of marble, which he compared to cheese.  Alma-Tadema took this criticism very seriously, and it led him to improve his technique and to become the world's foremost painter of marble and variegated granite. Despite any reproaches from his master, The Education of the Children of Clovis was honorably received by critics and artists alike and was eventually purchased and subsequently given to King Leopold of Belgium.

Using a quote from the above article, answer the following question: Who were his early influences?
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Answer:
De Taeye introduced him to books that influenced his desire to portray Merovingian subjects early in his career.