input: Growing up in Glenville, New York, a fictional Long Island suburban town, Johnny Storm lost his mother due to a car accident from which his father, surgeon Franklin Storm, escaped unharmed. Franklin Storm spiraled into alcoholism and financial ruin, and was imprisoned after killing a loan shark in self-defense. Johnny Storm was then raised by his older sister, Sue Storm.  At 16, Storm joined his sister and her fiance, Reed Richards, in a space flight in which cosmic radiation transformed those three and spacecraft pilot Ben Grimm into superpowered beings who would become the celebrated superhero team the Fantastic Four. Storm, with the ability to become a flaming human with the power of flight and the ability to project fire, dubs himself the Human Torch, in tribute to the World War II-era hero of that name. In The Fantastic Four #4, it is Storm who discovers an amnesiac hobo whom he helps regain his memory as the antihero Namor the Sub-Mariner, one of the three most popular heroes of Marvel Comics' 1940s forerunner, Timely Comics, returning him to modern continuity.  Though a member of a world-famous team, Storm still lived primarily in Glenville and attended Glenville High School. Here he thought he maintained a secret identity, although his fellow townsfolk were well aware of his being a member of the Fantastic Four and simply humored him. This series introduced what would become the recurring Fantastic Four foes the Wizard and Paste-Pot Pete, later known as the Trapster. In Storm's home life, Mike Snow, a member of the high-school wrestling squad, bullied Storm until an accidental flare-up of the Torch's powers scarred Snow's face. Storm dated fellow student Dorrie Evans, although she eventually grew tired of his constant disappearances and broke off their relationship.

Answer this question "What happened after they went to space?"
output: cosmic radiation transformed those three and spacecraft pilot Ben Grimm into superpowered beings who would become the celebrated superhero team the Fantastic Four.

Problem: Background: Mortimer was born in Hampstead, London, the only child of Kathleen May (nee Smith) and Clifford Mortimer, a barrister who became blind in 1936 when he hit his head on the door frame of a London taxi but still pursued his career. Clifford's loss of sight was not acknowledged openly by the family. John Mortimer was educated at the Dragon School in Oxford and Harrow School, where he joined the Communist Party, forming a one-member cell. Originally Mortimer intended to be an actor (his lead role in the Dragon's 1937 production of Richard II gained glowing reviews in The Draconian) and then a writer, but his father persuaded him against it, advising: "My dear boy, have some consideration for your unfortunate wife...
Context: With weak eyes and doubtful lungs, Mortimer was classified as medically unfit for military service in World War II. He worked for the Crown Film Unit under Laurie Lee, writing scripts for propaganda documentaries.  I lived in London and went on journeys in blacked-out trains to factories and coal-mines and military and air force installations. For the first and, in fact, the only time in my life I was, thanks to Laurie Lee, earning my living entirely as a writer. If I have knocked the documentary ideal, I would not wish to sound ungrateful to the Crown Film Unit. I was given great and welcome opportunities to write dialogue, construct scenes and try and turn ideas into some kind of visual drama.  He based his first novel, Charade, on his experiences with the Crown Film Unit.  Mortimer made his radio debut as a dramatist in 1955 with his adaptation of his own novel Like Men Betrayed for the BBC Light Programme. But he made his debut as an original playwright with The Dock Brief starring Michael Hordern as a hapless barrister, first broadcast in 1957 on BBC Radio's Third Programme, later televised with the same cast and subsequently presented in a double bill with What Shall We Tell Caroline? at the Lyric Hammersmith in April 1958 before transferring to the Garrick Theatre. It was revived by Christopher Morahan in 2007 as part of a touring double bill, Legal Fictions.  His play A Voyage Round My Father, given its first radio broadcast in 1963, is autobiographical, recounting his experiences as a young barrister and his relationship with his blind father. It was memorably televised by BBC Television in 1969 with Mark Dignam in the title role. In a slightly longer version the play later became a stage success (first at Greenwich Theatre in 1979 with Dignam, then a year later at the Theatre Royal Haymarket, now starring Alec Guinness). In 1981 it was remade by Thames Television with Laurence Olivier as the father and Alan Bates as young Mortimer. In 1965, he and his wife wrote the screenplay for the Otto Preminger film Bunny Lake is Missing, which also starred Olivier.
Question: When did he write that play?
Answer: its first radio broadcast in 1963,

Question: Murray Bookchin (January 14, 1921 - July 30, 2006) was an American social theorist, author, orator, historian, and political philosopher. A pioneer in the ecology movement, Bookchin formulated and developed the theory of social ecology within anarchist, libertarian socialist, and ecological thought. He was the author of two dozen books covering topics in politics, philosophy, history, urban affairs, and ecology. Among the most important were Our Synthetic Environment (1962), Post-Scarcity Anarchism (1971) and The Ecology of Freedom (1982).

Bookchin was critical of class-centered analysis of Marxism and simplistic anti-state forms of libertarianism and liberalism and wished to present what he saw as a more complex view of societies. In The Ecology of Freedom: The Emergence and Dissolution of Hierarchy, he says that:  My use of the word hierarchy in the subtitle of this work is meant to be provocative. There is a strong theoretical need to contrast hierarchy with the more widespread use of the words class and State; careless use of these terms can produce a dangerous simplification of social reality. To use the words hierarchy, class, and State interchangeably, as many social theorists do, is insidious and obscurantist. This practice, in the name of a "classless" or "libertarian" society, could easily conceal the existence of hierarchical relationships and a hierarchical sensibility, both of which-even in the absence of economic exploitation or political coercion-would serve to perpetuate unfreedom.  Bookchin also points to an accumulation of hierarchical systems throughout history that has occurred up to contemporary societies which tends to determine the human collective and individual psyche:  The objective history of the social structure becomes internalized as a subjective history of the psychic structure. Heinous as my view may be to modern Freudians, it is not the discipline of work but the discipline of rule that demands the repression of internal nature. This repression then extends outward to external nature as a mere object of rule and later of exploitation. This mentality permeates our individual psyches in a cumulative form up to the present day-not merely as capitalism but as the vast history of hierarchical society from its inception.

Using a quote from the above article, answer the following question: was this a book he had written?
HHHHHH
Answer:
In The Ecology of Freedom: The Emergence and Dissolution of Hierarchy, he says that: