Question: Steranko was born in Reading, Pennsylvania. According to Steranko's authorized biography, his grandparents emigrated from Ukraine to settle in the anthracite coal-mining region of eastern Pennsylvania. Steranko's father, one of nine siblings, began working in the mines at age 10, and as an adult became a tinsmith. Steranko later said his father and uncles "would bootleg coal - they would go up into a mountain and open up a shaft.

During the day, Steranko made his living as an artist for a printing company in his hometown of Reading, designing and drawing pamphlets and flyers for local dance clubs and the like. He moved on after five years to join an advertising agency, where he designed ads and drew products ranging from "baby carriages to beer cans". Interested in writing and drawing for comic books, he visited DC Comics as a fan and was treated to a tour of the office by editor Julius Schwartz, who gave Steranko a copy of a script featuring the science-fiction adventurer Adam Strange. Steranko recalled in 2003, "It was the first full script I'd ever seen, complete with panel descriptions and dialogue. I learned a lot from it and eventually went on to create a few comics of my own."  He initially entered the comics industry in 1957, not long out of high school, working for a short time inking pencil art by Vince Colletta and Matt Baker in Colletta's New York City studio before returning to Reading. In 1966, he landed assignments at Harvey Comics under editor Joe Simon, who as one writer described was "trying to create a line of super heroes within a publishing company that had specialized in anthropomorphic animals." Here Steranko created and wrote the characters Spyman, Magicmaster and the Gladiator for the company's short-lived superhero line, Harvey Thriller. His first published comics art came in Spyman #1 (Sept. 1966), for which he wrote the 20-page story "The Birth of a Hero" and penciled the first page, which included a diagram of a robotic hand that was reprinted as an inset on artist George Tuska's cover.  Steranko also approached Marvel Comics in 1966. He met with editor Stan Lee, who had Steranko ink a two-page Jack Kirby sample of typical art for the superspy feature "Nick Fury Agent of S.H.I.E.L.D.". Steranko self-published it in 1970 in the limited-edition "Steranko Portfolio One"; it appeared again 30 years later in slightly altered form in the 2000 trade-paperback collection Nick Fury, Agent of S.H.I.E.L.D. This led to Lee's assigning him the Nick Fury feature in Strange Tales, a "split book" that shared each issue with another feature. Future Marvel editor-in-chief Roy Thomas, then a staff writer, recalled,  [H]e came up to the office ... and I was sent out by Sol [Brodsky] to look at his work and basically brush him off. Stan was busy and didn't want to be bothered that day. But when I saw Jim's work, ... on an impulse I took it in to Sol and said, 'I think Stan should see this'. Sol agreed, and took it in to Stan. Stan brought Steranko into his office, and Jim left with the 'S.H.I.E.L.D.' assignment. ... I think Jim's legacy to Marvel was demonstrating that there were ways in which the Kirby style could be mutated, and many artists went off increasingly in their own directions after that.

Using a quote from the above article, answer the following question: What did he do once he returned to reading?
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Answer: he landed assignments at Harvey Comics under editor Joe Simon,


Question: Rivera was born and raised in Long Beach, California, to Rosa Saavedra and Pedro Rivera, who were from Mexico. Her parents raised Rivera and her sister and four brothers in a tight-knit, musical household; her brother Lupillo is also a regional Mexican musician. Rivera spoke both English and Spanish fluently. Her family introduced her to traditional Mexican music, including the genres of banda, nortena, and ranchera.

Rivera made her first recording in 1992 as a Father's Day present to her father; she made more recordings and signed to Capitol/EMI's Latin division. Her first album, Chacalosa (slang for "party girl"), was released in 1995.  At the onset of her musical career, she was told many times she would not make it. At that time and still today, the genre known as regional Mexican music was and is dominated by men. In a 2011 interview with Billboard magazine, she stated, "It was hard knocking on those doors to get my music played. One radio programmer in L.A., the meanest son of a bitch in the world, threw my CD in the trash right in my face." Those were the kind of issues Rivera faced as a female trying to crack the regional Mexican genre. She then released the albums We are Rivera and Farewell to Selena independently, the latter a tribute album to Tejano music singer Selena who was murdered in 1995.  She signed to Sony Music in the late 1990s, and then with Fonovisa Records in 1999; in the same year, Rivera released her first commercial album with Fonovisa, titled Que Me Entierren Con la Banda, featuring local hit "Las Malandrinas". Rivera stated that she wrote "Las Malandrinas" to pay homage to her female fans. She also said, "The song blew up. People became interested. That's when Jenni Rivera the artist was actually born."  In 2001, she released the records Dejate Amar and Se las Voy a Dar a Otro, which garnered her, her first Latin Grammy nomination for Best Banda Album. She became the first American--born artist to be nominated for the award in 2003. Her 2003 release Homenaje a Las Grandes (in English "Homage to the Great Ones") was a tribute album to female Mexican singers.  In 2004, she released her first compilation disc titled Simplemente... La Mejor, which became her first record to detonate a chart in the United States.

Using a quote from the above article, answer the following question: Did she win any awards in this time frame?
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Answer:
She became the first American--born artist to be nominated for the award in 2003.