Problem: Patrick Daniel Tillman (November 6, 1976 - April 22, 2004) was a professional American football player in the National Football League (NFL) who left his sports career and enlisted in the United States Army in June 2002 in the aftermath of the September 11 attacks. His service in Iraq and Afghanistan, and subsequent death, were the subject of much media attention. Tillman joined the Army Rangers and served several tours in combat before he was killed in the mountains of Afghanistan. At first, the Army reported that Tillman had been killed by enemy fire.

On April 24, 2007, Specialist Bryan O'Neal, the last soldier known to see Pat Tillman alive, testified before the House Committee on Oversight and Government Reform that he was warned by superiors not to divulge information that a fellow soldier killed Tillman, especially to the Tillman family. Later, Pat Tillman's brother Kevin Tillman, who was also in the convoy traveling behind his brother at the time of the 2004 incident in Afghanistan but did not witness it, testified that the military tried to spin his brother's death to deflect attention from emerging failings in the Afghan war.  On July 13, 2007, Henry Waxman and Tom Davis, the leading members of the House Committee on Oversight and Government Reform, revealed that the Bush administration and the Pentagon had withheld key documents relating to Tillman's death and denied any new document release request from Congress citing executive privilege.  On August 13, 2007, the Associated Press reported that on behalf of VoteVets, twenty U.S. military veterans who fought in Iraq and Afghanistan asked the NFL commissioner, Roger Goodell, to help secure the release of all documents relating to the death of Pat Tillman.  On July 14, 2008, the House Committee on Oversight and Government Reform released a proposed report titled "Misleading Information from the Battlefield: The Tillman and Lynch Episodes". The committee stated that its "investigation was frustrated by a near universal lack of recall" among "senior officials at the White House" and the military. It concluded:  The pervasive lack of recollection and absence of specific information makes it impossible for the Committee to assign responsibility for the misinformation in Specialist Tillman's and Private Lynch's cases. It is clear, however, that the Defense Department did not meet its most basic obligations in sharing accurate information with the families and with the American public.

How did he die?

Answer with quotes: testified that the military tried to spin his brother's death to deflect attention from emerging failings in the Afghan war.


Problem: Barton Fink is a 1991 American period film written, produced, directed and edited by the Coen brothers. Set in 1941, it stars John Turturro in the title role as a young New York City playwright who is hired to write scripts for a film studio in Hollywood, and John Goodman as Charlie, the insurance salesman who lives next door at the run-down Hotel Earle. The Coens wrote the screenplay for Barton Fink in three weeks while experiencing difficulty during the writing of Miller's Crossing. They began filming the former soon after Miller's Crossing was finished.

In 1989, filmmakers Joel and Ethan Coen began writing the script for a film eventually released as Miller's Crossing. The many threads of the story became complicated, and after four months they found themselves lost in the process. Although biographers and critics later referred to it as writer's block, the Coen brothers rejected this description. "It's not really the case that we were suffering from writer's block," Joel said in a 1991 interview, "but our working speed had slowed, and we were eager to get a certain distance from Miller's Crossing." They went from Los Angeles to New York and began work on a different project.  In three weeks, the Coens wrote a script with a title role written specifically for actor John Turturro, with whom they'd been working on Miller's Crossing. The new film, Barton Fink, was set in a large, seemingly-abandoned hotel. This setting, which they named the Hotel Earle, was a driving force behind the story and mood of the new project. While filming their 1984 film Blood Simple in Austin, Texas, the Coens had seen a hotel which made a significant impression: "We thought, 'Wow, Motel Hell.' You know, being condemned to live in the weirdest hotel in the world."  The writing process for Barton Fink was smooth, they said, suggesting that the relief of being away from Miller's Crossing may have been a catalyst. They also felt satisfied with the overall shape of the story, which helped them move quickly through the composition. "Certain films come entirely in one's head; we just sort of burped out Barton Fink." While writing, the Coens created a second leading role with another actor in mind: John Goodman, who had appeared in their 1987 comedy Raising Arizona. His new character, Charlie, was Barton's next-door neighbor in the cavernous hotel. Even before writing, the Coens knew how the story would end, and wrote Charlie's final speech at the start of the writing process.  The script served its diversionary purpose, and the Coens put it aside: "Barton Fink sort of washed out our brain and we were able to go back and finish Miller's Crossing." Once production of the first film was finished, the Coens began to recruit staff to film Barton Fink. Turturro looked forward to playing the lead role, and spent a month with the Coens in Los Angeles to coordinate views on the project: "I felt I could bring something more human to Barton. Joel and Ethan allowed me a certain contribution. I tried to go a little further than they expected."  As they designed detailed storyboards for Barton Fink, the Coens began looking for a new cinematographer, since their associate Barry Sonnenfeld - who had filmed their first three films - was occupied with his own directorial debut, The Addams Family. The Coens had been impressed with the work of English cinematographer Roger Deakins, particularly the interior scenes of the 1988 film Stormy Monday. After screening other films he had worked on (including Sid and Nancy and Pascali's Island), they sent a script to Deakins and invited him to join the project. His agent advised against working with the Coens, but Deakins met with them at a cafe in Notting Hill and they soon began working together on Barton Fink.

why did they say it washed out their brain?

Answer with quotes:
The many threads of the story became complicated, and after four months they found themselves lost in the process.