Question: "I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967; it went to number two in the Billboard chart. The Miracles recorded the song first and included their version on their 1968 album, Special Occasion. The Marvin Gaye version was placed on his 1968 album In the Groove, where it gained the attention of radio disc jockeys, and Motown founder Berry Gordy finally agreed to its release as a single in October 1968, when it went to the top of the Billboard Pop Singles chart for seven weeks from December 1968 to January 1969 and became for a time the biggest hit single on the Motown label (Tamla).

Producer Norman Whitfield recorded "I Heard It Through the Grapevine" with various Motown artists. The first known recording is with the Miracles on August 6, 1966, though there may also have been a recording with the Isley Brothers, or at least Whitfield intended to record it with them; however a track has not turned up - some Motown historians believe that a session may have been scheduled but cancelled. The Miracles' version was not released as a single due to Berry Gordy's veto during Motown's weekly quality control meetings; Gordy advised Whitfield and Strong to create a stronger single. The Miracles version later appeared on their 1968 Special Occasion album, and a slightly different take, possibly from the same session but unreleased, appeared on the 1998 compilation album, Motown Sings Motown Treasures.  Marvin Gaye's version was recorded in spring 1967, and is the second known recording, though was also rejected by Gordy as a single, and would also later go onto an album, In the Groove. The third recording was in 1967 with Gladys Knight and the Pips in a new, faster arrangement. Gordy accepted the new arrangement and the Gladys Knight version was released as a single in September 1967, reaching number 2 in the charts. When Gaye's album with his version of Grapevine was released in August 1968, radio disc jockeys were playing the song, so Gordy had it released as a single in October, and it went to number one in December.  In 1968, Bobby Taylor & the Vancouvers recorded a version for their debut album based on Gladys' recent hit; however, after hearing the Marvin Gaye version, they felt they'd made the wrong choice. In 1969, Whitfield produced a version for the Temptations "psychedelic soul" album, Cloud Nine, in which he "brought compelling percussion to the fore, and relegated the piano well into the wings". In 1971, the Undisputed Truth recorded the song in a Marvin-styled version as did Bettye Lavette on her 1982 Motown album, Tell Me a Lie.

Using a quote from the above article, answer the following question: Were there other recordings?
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Answer: The Miracles version later appeared on their 1968 Special Occasion album, and a slightly different take,


Question: Limp Bizkit is an American rap rock band from Jacksonville, Florida, formed in 1994. Their lineup consists of Fred Durst (lead vocals), Sam Rivers (bass, backing vocals), John Otto (drums, percussion), and Wes Borland (guitars, backing vocals). Their music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks and uniforms, also plays a large role in the band's elaborate live shows.

Durst wanted Limp Bizkit to be a "megaband" which could cross over into as many different styles of music as possible. Limp Bizkit's music has predominately been described as nu metal, rap metal and rap rock. Limp Bizkit have also been described as alternative metal, alternative rock and post-grunge. In 2000, the New York Daily News labelled the band as "frat-metal".  Limp Bizkit's music is noted for its "kinetic, frenzied energy". Otto is adept in drumming in a variety of styles ranging from Brazilian and Afro-Cuban music to bebop and funk. DJ Lethal functions as a sound designer for the band, shaping their sound. According to Lethal, "I try and bring new sounds, not just the regular chirping scratching sounds. [...] It's all different stuff that you haven't heard before. I'm trying to be like another guitar player." Borland's guitar playing is experimental and nontraditional, and he is noted for his creative use of six and seven-string guitars. Three Dollar Bill, Yall features him playing without a guitar pick, performing with two hands, one playing melodic notes, and the other playing chord progressions. His guitar playing has made use of octave shapes, and choppy, eighth-note rhythms, sometimes accompanied by muting his strings with his left hand, creating a percussive sound. Borland has also made use of unevenly accented syncopated sixteenth notes to create a disorienting effect, and hypnotic, droning licks. The song "Stuck" uses a sustain pedal in the first bar, and muted riffs in the second bar.  AllMusic writer Stephen Thomas Erlewine said that their album, Significant Other, contains "flourishes of neo-psychedelia on pummeling metal numbers" and "swirls of strings, even crooning, at the most unexpected background". The band did not employ solos until Gold Cobra (except for the song "Underneath The Gun" out of Results May Vary), however, during the recording of Significant Other, drummer John Otto performed an extended solo in the middle of the song "Nobody Like You". Durst's lyrics are often profane, scatological or angry. Much of Durst's lyrical inspiration came from growing up and his personal life. The song "Sour", from the album Three Dollar Bill, Yall, was inspired by Durst's problems with his girlfriend. His breakup with her inspired the Significant Other songs "Nookie" and "Re-Arranged". When describing Limp Bizkit's lyrics, The Michigan Daily said "In a less-serious vein, Limp Bizkit used the nu-metal sound as a way to spin testosterone fueled fantasies into snarky white-boy rap. Oddly, audiences took frontman Fred Durst more seriously than he wanted, failing to see the intentional silliness in many of his songs." Furthermore, Limp Bizkit's lyrics were described as "misogynistic". The Unquestionable Truth (Part 1) focuses on more serious and darker lyrical subject matter, including Catholic sex abuse cases, terrorism and fame.  Influences cited by the band on Limp Bizkit's music include Tool and Korn. Durst has also said that Pantera "motivated him" to form Limp Bizkit.

Using a quote from the above article, answer the following question: Was there any controversy with the band during those years?
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Answer:
The Unquestionable Truth (Part 1) focuses on more serious and darker lyrical subject matter, including Catholic sex abuse cases, terrorism and fame.