Background: Kenneth Duva Burke (May 5, 1897 - November 19, 1993) was an American literary theorist, as well as poet, essayist, and novelist, who wrote on 20th-century philosophy, aesthetics, criticism, and rhetorical theory. As a literary theorist, Burke was best known for his analyses based on the nature of knowledge. Furthermore, he was one of the first individuals to stray away from more traditional rhetoric and view literature as "symbolic action." Burke was unorthodox, concerning himself not only with literary texts, but with the elements of the text that interacted with the audience: social, historical, political background, author biography, etc.
Context: He was born on May 5 in Pittsburgh, Pennsylvania, and graduated from Peabody High School, where his friend Malcolm Cowley was also a student. While he attended Ohio State University to pursue courses in French, German, Greek, and Latin, he later dropped out to move closer to New York City where he enrolled at Columbia University. During his time there, he was a member of the Boar's Head Society. Due to the constraining learning environment, however, Burke also left Columbia, never receiving a college diploma. In Greenwich Village he kept company with avant-garde writers such as Hart Crane, Malcolm Cowley, Gorham Munson, and later Allen Tate. Raised by a Christian Science mother, Burke later became an avowed agnostic.  In 1919, he married Lily Mary Batterham, with whom he had three daughters: the late feminist, Marxist anthropologist Eleanor Leacock (1922-1987); musician (Jeanne) Elspeth Chapin Hart (b. 1920); and writer and poet France Burke (b. ~1925). He would later marry her sister Elizabeth Batterham in 1933 and have two sons, Michael and Anthony. Burke served as the editor of the modernist literary magazine The Dial in 1923, and as its music critic from 1927-1929. Kenneth himself was an avid player of the piano. He received the Dial Award in 1928 for distinguished service to American literature. He was the music critic of The Nation from 1934-1936, and was awarded a Guggenheim Fellowship in 1935.  His work on criticism was a driving force for placing him back into the university spotlight. As a result, he was able to teach and lecture at various colleges, including Bennington College, while continuing his literary work. Many of Kenneth Burke's personal papers and correspondence are housed at Pennsylvania State University's Special Collections Library. However, despite his stint lecturing at Universities, Burke was an autodidact and a self-taught scholar.  In later life, his New Jersey farm was a popular summer retreat for his extended family, as reported by his grandson Harry Chapin, a contemporary popular song artist. He died of heart failure at his home in Andover, New Jersey.
Question: DId Kenneth have any family?
Answer: In 1919, he married Lily Mary Batterham, with whom he had three daughters:

Background: Meredith was born in 1907 in Cleveland, Ohio, the son of Ida Beth (nee Burgess) and Dr. William George Meredith, a Canadian-born physician, of English descent. His mother came from a long line of Methodist revivalists, a religion to which he adhered throughout his lifetime. Meredith graduated from Hoosac School in 1926 and then attended Amherst College (class of 1931). He left Amherst, and became a reporter for the Stamford Advocate.
Context: Early in his career, Meredith attracted favorable attention, especially for playing George in a 1939 adaptation of John Steinbeck's Of Mice and Men and as war correspondent Ernie Pyle in The Story of G.I. Joe (1945). He was featured in many 1940s films, including three -- Second Chorus (1940), Diary of a Chambermaid (1946), and On Our Merry Way (1948) -- co-starring then-wife Paulette Goddard. He also played alongside Lana Turner in Madame X. As a result of the House Committee on Un-American Activities investigation, Meredith was placed on the Hollywood blacklist, and was largely absent from film for the next decade, though he remained involved in stage plays and radio during this time.  Meredith was a favorite of director Otto Preminger, who cast him in Advise and Consent (1962), The Cardinal (1963), In Harm's Way (1965), Hurry Sundown (1967), Skidoo (1968), and Such Good Friends (1971). He was in Stay Away Joe (1968), appearing as the father of Elvis Presley's character. In 1975, he received critical acclaim for his performance as Harry Greene in The Day of the Locust and received nominations for the BAFTA, Golden Globe, and Academy Award for best supporting actor. Meredith then played Rocky Balboa's trainer, Mickey Goldmill, in the first three Rocky films (1976, 1979, and 1982). Though his character died in the third Rocky film, he returned briefly in a flashback in the fifth film, Rocky V (1990). His portrayal in the first film earned him his second consecutive nomination for the Academy Award for Best Supporting Actor.  Meredith played an old Korean War veteran Captain J.G. Williams in The Last Chase with Lee Majors. He appeared in Ray Harryhausen's last stop-motion feature Clash of the Titans (1981), in a supporting role. Meredith appeared in Santa Claus: The Movie (1985), and was a voice actor in G.I. Joe: The Movie (1989). In his last years, he played Jack Lemmon's character's sex-crazed 95-year-old father in Grumpy Old Men (1993) and its sequel, Grumpier Old Men (1995).  Meredith directed the movie The Man on the Eiffel Tower (1949) starring Charles Laughton, which was produced by Irving Allen. Meredith also was billed in a supporting role in this film. In 1970, he directed (as well as co-wrote and played a supporting role in) The Yin and the Yang of Mr. Go, an espionage caper starring James Mason and Jeff Bridges.
Question: for which film?
Answer:
Rocky V