Problem: Background: Oklahoma! is the first musical written by the team of composer Richard Rodgers and librettist Oscar Hammerstein II. The musical is based on Lynn Riggs' 1931 play, Green Grow the Lilacs. Set in Oklahoma Territory outside the town of Claremore in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancee, Ado Annie.
Context: Between the world wars, roles in musicals were usually filled by actors who could sing, but Rodgers and Hammerstein chose, conversely, to cast singers who could act. Though Theresa Helburn, codirector of the Theatre Guild, suggested Shirley Temple as Laurey and Groucho Marx as Ali Hakim, Rodgers and Hammerstein, with director Rouben Mamoulian's support, insisted that performers more dramatically appropriate for the roles be cast. As a result, there were no stars in the production, another unusual step. The production was choreographed by Agnes de Mille (her first time choreographing a musical on Broadway), who provided one of the show's most notable and enduring features: a 15-minute first-act ballet finale (often referred to as the dream ballet) depicting Laurey's struggle to evaluate her suitors, Jud and Curly.  The first title given to the work was Away We Go! which opened for out-of-town-tryouts in New Haven's Shubert Theatre on March 11, 1943. Expectations for the show were low; Hammerstein had written six flops in a row, and the show had no star power. Producer Mike Todd walked out after the first act during the tryout and wisecracked, "No legs, no jokes, no chance." But Rodgers and Hammerstein were confident. The New Haven and Boston audiences were enthusiastic, although the reviews were only fair. Of the changes made before the show went to Broadway, two would prove significant: the addition of the show-stopping musical number, "Oklahoma!" and the decision to retitle the musical after that number.  Todd had been wrong; the show opened on Broadway to raves from the critics, sold out, and won a special Pulitzer Prize. Brooks Atkinson wrote in The New York Times that the show's opening number, "Oh, What a Beautiful Mornin'" changed the history of musical theater: "After a verse like that, sung to a buoyant melody, the banalities of the old musical stage became intolerable." The New York Post was the only major paper to give Oklahoma! a mixed review. Its critic felt that while the songs were pleasant enough, they sounded much alike. The show's creativity stimulated Rodgers and Hammerstein's contemporaries and ushered in the "Golden Age" of American musical theatre.
Question: Were the leads known actors or new faces?
Answer: As a result, there were no stars in the production, another unusual step.

Problem: Background: Born on December 4, 1912 in Coeur d'Alene, Idaho, he moved with his family to the logging town of St. Maries at age three and lived there until age twelve. He then lived in Tacoma, Washington, where he was a wrestler at Lincoln High School. He took his first flight at St. Maries when he was six years old, with Clyde Pangborn, who later became the first pilot to fly over the Pacific Ocean non-stop. After graduation from high school in 1930, Boyington attended the University of Washington in Seattle, where he was a member of the Army ROTC and joined the Lambda Chi Alpha fraternity.
Context: In February 2006, a resolution recommending a memorial be erected to honor Boyington for his service during World War II was raised and defeated at the University of Washington (Boyington's alma mater) during a meeting of the Associated Students of the University of Washington's Student Senate. Some people did not believe the resolution's sponsor had fully addressed the financial and logistical problems of installing a memorial, and questioned the widely held assumption that all warriors and acts of war are automatically worthy of memorialization. The story was picked up by some blogs and conservative news outlets, focusing on two statements made by student senators during the meeting. One student senator, Ashley Miller, said that the UW already had many monuments to "rich, white men" (Boyington claimed partial Sioux ancestry and was not rich); another, Jill Edwards, questioned whether the UW should memorialize a person who killed others, summarized in the minutes as saying "she didn't believe a member of the Marine Corps was an example of the sort of person UW wanted to produce."  After its defeat, a new version of the original resolution was submitted that called for a memorial to all eight UW alumni who received the Medal of Honor. On April 4, 2006, the resolution passed by a vote of 64 to 14 with several abstentions, on a roll call vote. The University of Washington Medal of Honor memorial was constructed at the south end of Memorial Way (17th Ave NE), north of Red Square, in the interior of a traffic circle between Parrington and Kane Halls (47.6573degN 122.3097degW / 47.6573; -122.3097).  Privately funded, it was completed in time for a Veterans Day dedication in November 2009. In addition to Boyington, it honors Deming Bronson, Bruce Crandall, Robert Galer, John Hawk, Robert Leisy, William Nakamura, and Archie Van Winkle.
Question: Was it completed?
Answer:
it was completed in time for a Veterans Day dedication in November 2009.