Question:
Arabic weddings (Arabic: zff, frH, or `rs) have changed greatly in the past 100 years. Original traditional Arabic weddings are supposed to be very similar to modern-day Bedouin weddings and rural weddings, and they are in some cases unique from one region to another, even within the same country. it must be mentioned that what some people today call "Bedouin" wedding is in fact the original true traditional Arab Islamic wedding without foreign influence. The marriage process usually starts with meetings between the couple's families, and ends with the wedding's consummation (leilat al-dokhla).
In Old Palestine, the henna night was a night used to prepare all the necessary wedding decorations and last minute arrangements. It was also a chance for the families to celebrate together before the wedding. The groom's family would sahij or dance through the streets of the village until reaching the house of the bride. Once there, the family would mix henna together, which would then be used to decorate the bride and grooms hands (with the groom's being merely the initials of his bride and himself), and then offer the bride her mahr (usually gold as it does not decline in value like other wealth). The families would then dance and sing traditional Palestinian music.  In modern times, particularly those not living in Palestine, the henna night remains traditional in customs, but is very similar to a bachelorette party; the bride's female friends and relatives join her in celebrating, which includes food, drinks, and a lot of dancing. A women's group plays Arabic music, sometimes Islamic music, while everyone dances. A woman draws henna or mehndi, a temporary form of skin decoration using henna, on the bride and guests' skin -- usually the palms and feet, where the henna color will be darkest because the skin contains higher levels of keratin there, which binds temporarily to lawsone, the colorant of henna.  The men will also have a party, in which the groom's family and friends will dance to traditional Palestinian music. In some village customs, the groom's face is shaven by a close family member or friend in preparation for his wedding. The tradition of giving the bride her gold is also still used. The groom will enter where the bride is, they well both get their henna done, and the groom will then offer the bride her mahr. Thus, the wedding being merely dancing and celebration.  An important element of the henna night in both traditional and non-traditional henna parties, is the dress adorned by the Palestinian women and the groom. The women dress in traditional (usually hand embroidered) gowns, known as Palestinian ithyab. The brides thobe would be extravagant and exquistely embroidered. The groom will wear the usual traditional Arab men's thobe and hata (head covering).
Answer this question using a quote from the text above:

What do the men do?

Answer:
in which the groom's family and friends will dance to traditional Palestinian music.

Answer the question at the end by quoting:

Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
As Anger discovered his homosexuality, at a time when homosexual acts were still illegal in the United States, he began associating with the underground gay scene. At some point in the mid-1940s, he was arrested by the police in a "homosexual entrapment", after which he decided to move out of his parents' home, gaining his own sparse apartment largely financed by his grandmother, and abandoning the name Anglemyer in favor of Anger. He started attending the University of Southern California, where he studied cinema, and also began experimenting with the use of mind-altering drugs like cannabis and peyote. It was then that he decided to produce a film that would deal with his sexuality, just as other gay avant-garde film makers like Willard Maas were doing in that decade. The result was the short film Fireworks, which was created in 1947 but only exhibited publicly in 1948.  Upon release of the work, Anger was arrested on obscenity charges. He was acquitted, after the case went to the Supreme Court of California, which deemed it to be art rather than pornography. Anger made the claim to have been seventeen years old when he made it, despite the fact that he was actually twenty, presumably to present himself as more of an enfant terrible. A homoerotic work lasting only 14 minutes, Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors, who eventually turn on him, stripping him naked and beating him to death, ripping open his chest to find a compass inside. Several fireworks then explode, accompanied by a burning Christmas tree and the final shot shows the young man lying in bed next to another topless man. Of this film, Anger would later state in 1966 that "This flick is all I have to say about being 17, the United States Navy, American Christmas and the fourth of July." He would continuously alter and adapt the film up until 1980, with it finally being distributed on VHS in 1986.  One of the first people to buy a copy of Fireworks was the sexologist Dr. Alfred Kinsey of the Institute for Sex Research. He and Anger struck up a friendship that would last until the doctor's death, during which time Anger aided Kinsey in his research. According to Anger's unofficial biographer Bill Landis, Kinsey became a "father figure" whom Anger "could both interact with and emulate." Meanwhile, in 1949 Anger began work on a film called Puce Women, which unlike Fireworks was filmed in color. It starred Yvonne Marquis as a glamorous woman going about her daily life; Anger would later state that "Puce Women was my love affair with Hollywood... with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts." A lack of funding meant that only one scene was ever produced, which was eventually released under the title Puce Moment. That same year, Anger directed The Love That Whirls, a film based upon Aztec human sacrifice but, because of the nudity that it contained, it was destroyed by technicians at the film lab, who deemed it to be obscene.

What was it about?
a film based upon Aztec human sacrifice but, because of the nudity that it contained,