Problem: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.

Cecil B. DeMille was the first who wanted to hire him, telling his partner, Jesse Lasky, "The boy is a genius. I can see it. I know it." Lasky opposed the hire, stating, "Geniuses we have all we need." Thalberg then received an offer from Hal Roach, but the offer was withdrawn because Thalberg lacked experience with slapstick comedy films. In late 1922, Thalberg was introduced to Louis B. Mayer, president of a small, but dynamic and fast-growing studio. At that first meeting, Thalberg "made a deep, immediate impression on Mayer," writes Flamini. After Thalberg had left, Mayer said to studio attorney Edwin Loeb: "Tell him if he comes to work for me, I'll look after him as though he were my son."  Although their personalities were in many ways opposite, Mayer being more outspoken and nearly twice the younger man's age, Thalberg was hired as vice president in charge of production at Louis B. Mayer Productions. Years later, Mayer's daughter, Irene Mayer Selznick, recalled that "it was hard to believe anyone that boyish could be so important." According to Flamini, Thalberg was hired because, although Mayer was an astute businessman, "what he lacked was Thalberg's almost unerring ability to combine quality with commercial success, to bring artistic aspiration in line with the demands of the box office." Mayer's company subsequently merged with two others to become Metro-Goldwyn-Mayer (MGM), with the 24-year-old Thalberg made part-owner and accorded the same position as vice president in charge of production. Three years after the merger, MGM became the most successful studio in Hollywood.  During his twelve years at MGM, Thalberg supervised the production of over four hundred films. Although Thalberg and his colleagues at MGM knew he was "doomed" to not live much past age 30 due to heart disease, he loved producing films. He continued developing innovative ideas and overseeing most of MGM's pictures. Under Thalberg's management, MGM released over 40% more films yearly than Warner Brothers, and more than double Paramount's releases. From 1924 until 1936, when Thalberg died at age 37, "almost every film bore Thalberg's imprint," notes Mark Vieira.

When did Thalberg start working with MGM?

Answer with quotes: Mayer's company subsequently merged with two others to become Metro-Goldwyn-Mayer (MGM), with the 24-year-old Thalberg made part-owner


Problem: Parker was born in Bruges, Belgium, and raised in France. His father, Tony Parker Sr., an African American, played basketball at Loyola University Chicago as well as professionally overseas. His mother, Pamela Firestone, is a Dutch model. Parker's great-uncle Jan Wienese is an Olympic gold medalist in rowing.

Before the 2001 NBA draft, Parker was invited to the San Antonio Spurs' summer camp. Coach Gregg Popovich had him play against Spurs scout and ex-NBA player Lance Blanks. Parker was overwhelmed by Blank's tough and physical defense, and Popovich was ready to send him away after just 10 minutes. But after seeing a "best of" mix tape of Parker's best plays, Popovich decided to invite Parker a second time. This time, Parker made a better impression against Blanks; the Frenchman later described Blanks as a "one-man wrecking crew". But while Popovich decided that Parker was worth the gamble, the Spurs still had to hope that other teams would not pick Parker during the draft. Parker's name was barely mentioned in the pre-draft predictions, and the point guard was drafted 28th overall by the Spurs on draft day.  After initially playing backup to Antonio Daniels, Parker became a starter and made 77 regular-season appearances in his rookie season, averaging 9.2 points, 4.3 assists and 2.6 rebounds in 29.4 minutes per game. When he played against the Los Angeles Clippers on 30 November 2001, he became the third French player to play in an NBA game, after Tariq Abdul-Wahad and Jerome Moiso. By the end of the season, the rookie led San Antonio in assists and steals, and was named to the All-Rookie First Team for 2001-02, becoming the first foreign-born guard to earn the honor.  In 2002-03, Parker played in all 82 regular-season games as San Antonio's starting point guard on a team that was largely revamped from previous years. He improved his regular season statistics, averaging 15.5 points per game (ppg), 5.3 assists per game (apg) and 2.6 rebounds per game (rpg). Parker's role as the team's playmaker was reflected in his leading the team in assists on 49 occasions. During the 2003 NBA All-Star Weekend, Parker represented the Sophomores in the Rookie Challenge, and also participated in the inaugural Skills Challenge. In the post season, the Spurs, led by Tim Duncan, defeated the New Jersey Nets 4-2 in the finals, and Parker earned his first NBA championship ring. Despite the victory, Parker struggled with inconsistent play throughout the playoffs, and was often substituted for the more experienced guards Steve Kerr and Speedy Claxton late in the games.

How did he perform in the championship games?

Answer with quotes:
Despite the victory, Parker struggled with inconsistent play throughout the playoffs, and was often substituted for the more experienced guards