Some context: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.
Clarence White helped popularize the acoustic guitar as a lead instrument in bluegrass music, building on the work of guitarists such as Doc Watson. Prior to the advent of the more aggressive flatpicking style pioneered by guitarists like Watson and White, the guitar was strictly a rhythm instrument, save for a few exceptions (such as the occasional guitar track by banjoist Don Reno). Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice. Rice owns and plays White's highly modified 1935 Martin D-28. David Grier and Russ Barenberg are two other acoustic guitarists who were heavily influenced by White's guitar work. White's bluegrass playing with the Kentucky Colonels was also a considerable influence on Jerry Garcia of the Grateful Dead, who traveled with the band during 1964.  On the electric side of the guitar spectrum, White was similarly influential. Together with fellow Byrds bandmember Gene Parsons, White invented the B-Bender device. This device raises the B-string (second string) of the guitar a whole step by the use of pulleys and levers attached to both the upper strap knob and the second string on the guitar. It is activated by pushing down on the neck, and produces a "pedal steel" type sound. Arlen Roth, heavily influenced by this style, did not at the time know that White and Parsons had invented a B-bender, so instead developed his own unique all-finger bending version of this technique. This was heavily documented in his ground-breaking book, "Nashville Guitar", all of his recordings, as well as his book "Masters of the Telecaster". Subsequently, his Telecaster sound became as notable as his bluegrass playing. Marty Stuart, another guitarist influenced by White's playing, now owns and regularly plays White's 1954 Fender Telecaster with the prototype B-Bender.  Music archivist and writer Alec Palao has called White "one of a handful of true greats amongst the instrumentalists of 20th century popular music", before adding that "the waves created by the guitarist's idiosyncratic style are still forming ripples within bluegrass, country and rock 'n' roll." In 2003, White was ranked No. 41 on Rolling Stone magazine's list of the 100 Greatest Guitarists of All Time. In 2010, guitar manufacturer Gibson ranked White at No. 42 on their Top 50 Guitarists of All Time list.
Who else was included as an influence?
A: Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice.
Some context: Vincenzo Luvineri (born October 5, 1977), better known as Vinnie Paz (formerly known as Ikon the Verbal Hologram), is an Italian American rapper and the lyricist behind the Philadelphia underground hip hop group Jedi Mind Tricks. He is also the frontman of the hip hop supergroup Army of the Pharaohs. Paz is known for his raw and gritty lyrical delivery. His lyrics frequently contain references to religion, war, politics, mythology, conspiracy theories, and the paranormal.
Paz got together members of Army of the Pharaohs to release their second album, Ritual of Battle. It was released September 21, 2007 on Babygrande Records. The album's first single was "Bloody Tears", featuring Planetary, Doap Nixon, Demoz, Vinnie Paz and was produced by DJ Kwestion. The song was based on the Castlevania tune of the same name.  On November 11, 2008, Jedi Mind Tricks released their sixth studio album, A History of Violence (album). The album sold 4,451 units in its first week out. Just like most albums, it was released on Babygrande Records. The album followed multiple summer releases from the Jedi Mind Tricks camp, including the group's first DVD, titled Divine Fire: The Story of Jedi Mind Tricks, and the Vinnie Paz-executive produced projects Jedi Mind Tricks presents Doap Nixon: Sour Diesel, Jedi Mind Tricks presents King Syze: The Labor Union, and Jedi Mind Tricks presents OuterSpace: God's Fury.  In 2010, The Unholy Terror was released. It is the third studio album by Army of the Pharaohs. The release date was March 30, 2010, but the album was released early on March 19, 2010 on UGHH.com. It was released through Babygrande Records and through Paz's own Enemy Soil.  It was during this time Paz released his debut solo album, Season of the Assassin. Many critics said the album was a step forward for Paz as an artist. "Not only has he all-but perfected his grimy braggadocio, but he also exhibits unique storytelling abilities that will make critics who dismiss him as just another hardcore rapper bite their tongues clean off." said Sean Ryon, writer of HipHopDX. It was supposed to be called Assassin's Creed but Paz changed it due to legal issues with Ubisoft. The release date for the album was on June 22, 2010. A few months later, Paz released the Prayer for the Assassin EP. The EP contained four remixed tracks from Season of the Assassin and a music video for the track Keep Movin' on. It was only available for digital download and was released on 26 October 2010.
How did the EP do in slaes?
A:
It was only available for digital download and was released on 26 October 2010.