input: Webern published little of his early work in particular; like Brahms, though perhaps for not entirely the same reasons, Webern was characteristically meticulous and revised extensively. Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts. Thus when Boulez first oversaw a project to record "all" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs.  Webern's earliest works consist primarily of lieder, the genre that most belies his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging. Robert Schumann's "Mondnacht" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky. Wolf's Morike-Lieder were especially influential on Webern's efforts from this period. But well beyond these lieder alone, all of Webern's music may be said to possess such concerns and qualities, as is evident from his sketches, albeit in an increasingly symbolic, abstract, spare, introverted, and idealized manner.  Other works include the orchestral tone poem Im Sommerwind (1904) and the Langsamer Satz (1905) for string quartet.  Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Harmonically, it is a step forward into a more advanced language, and the orchestration is somewhat more distinctive than his earlier orchestral work. However, it bears little relation to the fully mature works he is best known for today. One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language.

Answer this question "what was Juvenilia?"
output: Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s,

Problem: Background: Steven Paul Smith was born at the Clarkson Hospital in Omaha, Nebraska, the only child of Gary Smith, a student at the University of Nebraska Medical Center, and Bunny Kay Berryman, an elementary school music teacher. His parents divorced when he was six months old, and Smith moved with his mother to Duncanville, Texas. Smith later had a tattoo of a map of Texas drawn on his upper arm and said: "I didn't get it because I like Texas, kind of the opposite. But I won't forget about it, although I'm tempted to because I don't like it there."
Context: His first release, Roman Candle (1994), came about when Smith's girlfriend at the time convinced him to send a tape of "the most recent eight songs that [he'd] recorded on borrowed four-tracks and borrowed guitar" to Cavity Search Records. Owner Christopher Cooper immediately requested to release the entire album of songs, which surprised Smith, as he was expecting only a deal for a seven-inch record.  Regarding the record, Smith said: "I thought my head would be chopped off immediately when it came out because at the time it was so opposite to the grunge thing that was popular ... The thing is that album was really well received, which was a total shock, and it immediately eclipsed [Heatmiser], unfortunately." Smith felt his solo songs were not representative of the music Heatmiser was making: "The idea of playing [my music] for people didn't occur to me... because at the time it was the Northwest--Mudhoney and Nirvana--and going out to play an acoustic show was like crawling out on a limb and begging for it to be sawed off."  The instrumentation of the recordings was primarily acoustic guitar, occasionally accompanied by brief electric guitar riffs or a small drum set played with brushes. Only the final track, an instrumental titled "Kiwi Maddog 20/20" (a reference to the low-end fortified wine), had full band instrumentation.  One of Smith's first solo performances was at the now-defunct Umbra Penumbra on September 17, 1994. Only three songs from Roman Candle were performed, with the majority of the ten-song set being B-sides, Heatmiser tunes and unreleased tracks. Soon after this performance, Smith was asked to open for Mary Lou Lord on a week-long U.S. tour. She later recorded one of his songs, "I Figured You Out", which he had discarded for sounding "too much like the Eagles".  The same year, Smith released a split 7" single with Pete Krebs, contributing the track "No Confidence Man" as the single's B-side.
Question: What record?
Answer: Cavity Search Records.

Question: John Charles Wiltshire-Butler (born 1 April 1975), known professionally as John Butler, is an Australian singer, songwriter, and music producer. He is the front man for the John Butler Trio, a roots and jam band, which formed in Fremantle, Western Australia in 1998. The John Butler Trio has recorded five studio albums including three that have reached number one on the Australian charts: Sunrise Over Sea, Grand National and April Uprising. His recordings and live performances have met with critical praise and have garnered awards from the Australian Performing Right Association and Australian Recording Industry Association.

On 29 June, Butler gave a live solo performance at Twist and Shout Records in Denver, Colorado, which was released in January 2008 as an eight-track EP, One Small Step, with A$1 from each record sold being donated to Oxfam's "Close the Gap" campaign. One Small Step was Butler's first official solo release. At the ARIA Music Awards of 2007, Butler performed "Funky Tonight" in a collaboration with fellow Australian musician Keith Urban. Radio station, Triple J's listeners voted Grand National their favourite album for 2007.  "Ocean" garnered John Butler newfound success when recordings of live performances of the song went viral on the internet. Butler made a cameo appearance in 2009 Australian film, In Her Skin, as a busker. The film's soundtrack featured three songs by the John Butler Trio, "Ocean", "Caroline" and "What You Want".  In July 2009, Butler undertook a solo overseas tour commencing in North America, where he played at the Montreal Jazz Festival, the Rothbury Music Festival in Michigan and The Mile High Music Festival in Denver. In North America he sold out headline shows in Toronto and Los Angeles. In Europe, Butler played at the Folies Bergere in Paris and London's Union Chapel. He also performed at Cannes, Amsterdam and Antwerp.  Upon his return in August, he took part in the Cannot Buy My Soul concert at the Queensland Music Festival. Butler performed alongside other local musicians (including Paul Kelly, Missy Higgins, Troy Cassar-Daley, Clare Bowditch, Tex Perkins and Bernard Fanning) reinterpreting the catalogue of indigenous Australian musician Kev Carmody. Butler's interpretation of the song, "Thou Shalt Not Steal", was included on the compilation album, and later was featured on the iTunes Deluxe album of Grand National. Butler participated at the Garma Festival of Traditional Cultures located in Northeast Arnhem Land in the Northern Territory.

Using a quote from the above article, answer the following question: Did he play anywhere else?
HHHHHH
Answer:
August, he took part in the Cannot Buy My Soul concert at the Queensland Music Festival.