Answer the question at the end by quoting:

Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.
Unlike Lully, who collaborated with Philippe Quinault on almost all his operas, Rameau rarely worked with the same librettist twice. He was highly demanding and bad-tempered, unable to maintain longstanding partnerships with his librettists, with the exception of Louis de Cahusac, who collaborated with him on several operas, including Les fetes de l'Hymen et de l'Amour (1747), Zais (1748), Nais (1749), Zoroastre (1749; revised 1756), La naissance d'Osiris (1754), and Anacreon (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, Les Boreades (c. 1763).  Many Rameau specialists have regretted that the collaboration with Houdar de la Motte never took place, and that the Samson project with Voltaire came to nothing because the librettists Rameau did work with were second-rate. He made his acquaintance of most of them at La Poupliniere's salon, at the Societe du Caveau, or at the house of the Comte de Livry, all meeting places for leading cultural figures of the day.  Not one of his librettists managed to produce a libretto on the same artistic level as Rameau's music: the plots were often overly complex or unconvincing. But this was standard for the genre, and is probably part of its charm. The versification, too, was mediocre, and Rameau often had to have the libretto modified and rewrite the music after the premiere because of the ensuing criticism. This is why we have two versions of Castor et Pollux (1737 and 1754) and three of Dardanus (1739, 1744, and 1760).

Who were the librettists?





Answer the question at the end by quoting:

Limp Bizkit is an American rap rock band from Jacksonville, Florida, formed in 1994. Their lineup consists of Fred Durst (lead vocals), Sam Rivers (bass, backing vocals), John Otto (drums, percussion), and Wes Borland (guitars, backing vocals). Their music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks and uniforms, also plays a large role in the band's elaborate live shows.
In October 2001, Durst released a statement on their website stating that "Limp Bizkit and Wes Borland have amicably decided to part ways. Both Limp Bizkit and Borland will continue to pursue their respective musical careers. Both wish each other the best of luck in all future endeavors." Durst also stated that the band would "comb the world for the illest guitar player known to man" to replace Borland.  After holding a nationwide audition for a new guitarist, called "Put Your Guitar Where Your Mouth Is", the band recorded with Snot guitarist Mike Smith, but later scrapped their recording sessions with Smith. Durst told a fan site that he had a falling out with Smith, saying "We are the type of people that stay true to our family and our instincts and at any moment will act on intuition as a whole. Mike wasn't the guy. We had fun playing with him but always knew, in the back of our minds, that he wasn't where we needed him to be mentally."  After recording another album without Smith, the band scrapped the new sessions and assembled a new album combining songs from different sessions. During the album's production, the working title changed from Bipolar to Panty Sniffer, and was completed under the title Results May Vary. Under Durst's sole leadership, the album encompassed a variety of styles, and featured a cover of The Who's "Behind Blue Eyes", which differed from the original's arrangement in its inclusion of a Speak & Spell during the song's bridge.  In the Summer of 2003, Limp Bizkit participated on the Summer Sanitarium Tour, headlined by Metallica. At the tour's stop in Chicago, attendees of the concert threw items and heckled Durst from the moment he walked on stage. With the crowd chanting "Fuck Fred Durst" and continuing their assault on him, Durst threw the mic down after six songs and walked off stage, but not before heckling the crowd back. He repeatedly said, "Limp Bizkit are the best band in the world!" until a roadie took his microphone away. An article in the Sun-Times stated that the hostility was started by radio personality Mancow.  Results May Vary was released on September 23, 2003, and received largely unfavorable reviews. Allmusic reviewer Stephen Thomas Erlewine panned the album, writing, "the music has no melody, hooks, or energy, [and] all attention is focused on the clown jumping up and down and screaming in front, and long before the record is over, you're left wondering, how the hell did he ever get to put this mess out?" The Guardian reviewer Caroline Sullivan wrote, "At least Limp Bizkit can't be accused of festering in the rap-rock ghetto [...] But Durst's problems are ever-present - and does anybody still care?" Despite criticisms of the album, it was a commercial success, peaking at No. 3 on the Billboard 200.

When was Results May Vary released?
In the Summer of 2003,