Problem: Background: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.
Context: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians.
Question: When were the later sessions?
Answer: February 15 of that same year at United Recording Studios in Hollywood,

Problem: Background: Javier Adelmar Zanetti was born in Buenos Aires with Italian origins to working-class parents and grew up in the harbour area in the Dock Sud district, one of the city's most notorious areas. His father Rodolfo was a bricklayer and his mother Violeta Bonnazola was a cleaner. He began playing football on a field in the city suburbs, maintaining the pitch in his spare time. When he was a teenager, he tried out for local club Independiente's youth academy but was ultimately rejected and told that he lacked the physique to succeed in the game.
Context: After the arrival of Maicon at the beginning of the 2006-07 season, Zanetti was moved from the right-back position into midfield. He ended a four-year goal drought when he scored on 5 November 2006 at a home match against Ascoli, having previously scored on 6 November 2002 at an away match against Empoli. On 27 September 2006, against Bayern Munich, Zanetti played his 500th professional match for Inter and on 22 November 2006, he appeared in his 100th UEFA match, against Sporting Clube de Portugal.  Zanetti celebrated his 600th match for Inter on 24 September 2008 with a 1-0 win over newly promoted Lecce. Minutes before the match, he was presented with a commemorative plate by former vice-captain Ivan Cordoba to mark the occasion.  Though Zanetti is more often classified as a defender, he played mostly in midfield during the first half of the 2008-09 season. For the last several weeks of October 2008, with Inter coach Jose Mourinho facing a midfield crisis due to injuries to key midfielders Esteban Cambiasso and Sulley Muntari, he was moved again to the midfield for the matches against Genoa and Fiorentina. During that period, Mourinho played him in the midfield due to the presence of Maicon, Lucio, Walter Samuel and Cristian Chivu in the back four.  The 2009-10 season began well for Zanetti and Inter, especially after a 4-0 thrashing of crosstown rivals Milan in the Derby della Madonnina. In the match against Genoa on 17 October, he started off the counter-attack that led to Inter's second goal after dispossessing a Genoa player. Inter became the first team of the season to win by a five-goal margin. On 24 October, he reached Giacinto Facchetti's record of 476 Serie A appearances when he turned out for the match against Catania, which ended in a 2-1 win for the Nerazzurri. He also currently holds a club record of 149 consecutive appearances.  Inter won the 2010 Champions League final 2-0 against Bayern Munich on 22 May 2010. This was Zanetti's 700th appearance for Inter, and it made him the first player to captain an Italian club to a treble of the Scudetto, Coppa Italia and Champions League.
Question: how did this move work out
Answer:
He ended a four-year goal drought when he scored on 5 November 2006 at