input: In 1975, after ten years of studiowork and artistically successful yet obscure solo records, Fischer found a new direction. Just like Hancock and Chick Corea he was a pioneer on the electric keyboard, and in that capacity he joined vibraphonist Cal Tjader's group. The reunion with Tjader gave a new impulse to Fischer's love of Latin-American music. He started his own group with Latino musicians, "Salsa Picante", which showed great eclecticism in musical styles. Later he expanded to include four vocalists billed separately as "2 + 2".  The album 2+2 won a Grammy in 1981. After that he recorded And Sometimes Voices and Free Fall with the vocal group. Free Fall was nominated in three categories for the Grammy Awards and won under the category of "Best Jazz Album By A Vocal Duo Or Group". Crazy Bird was with the instrumental group and Alone Together, a solo piano album recorded on a Hamburg Steinway. It was recorded for Hans Georg Brunner-Schwer and the German company MPS Records.  In the seventies, Fischer began doing orchestral sweeteners for R&B groups. His nephew, Andre Fischer, was the drummer of the band Rufus, featuring Chaka Khan. "Apparently the arrangements I made for their early records were appreciated, for in the following years I was hired almost exclusively by black artists." Among the artists Fischer worked for are The Jacksons, Earl Klugh, Switch, Debarge, Shotgun (a late 70s offshoot of 24-Carat Black) and Atlantic Starr. His walls are now covered with gold and platinum records from these recordings, Grammy Award Nominations, and several NARAS MVP Awards, culminating in an MVP-emeritus in 1985.  Once his fame as an arranger was established, Fischer also worked with pop musicians like Paul McCartney, Prince, Celine Dion and Robert Palmer. "I am surprised that my arrangements are now considered one of the prerequisites for a hit album. People feel that they make a song sound almost classical."  Classical concert artist Richard Stoltzman commissioned him in 1983 to write a symphonic work using Duke Ellington and Billy Strayhorn themes. The result, "The Duke, Swee'pea and Me", an eleven and a half minute orchestral work, was performed with a symphony orchestra and Stoltzman on clarinet all around the world.

Answer this question "Did he work with anyone else?"
output: Richard Stoltzman

input: In 1887 Peirce spent part of his inheritance from his parents to buy 2,000 acres (8 km2) of rural land near Milford, Pennsylvania, which never yielded an economic return. There he had an 1854 farmhouse remodeled to his design. The Peirces named the property "Arisbe". There they lived with few interruptions for the rest of their lives, Charles writing prolifically, much of it unpublished to this day (see Works). Living beyond their means soon led to grave financial and legal difficulties. He spent much of his last two decades unable to afford heat in winter and subsisting on old bread donated by the local baker. Unable to afford new stationery, he wrote on the verso side of old manuscripts. An outstanding warrant for assault and unpaid debts led to his being a fugitive in New York City for a while. Several people, including his brother James Mills Peirce and his neighbors, relatives of Gifford Pinchot, settled his debts and paid his property taxes and mortgage.  Peirce did some scientific and engineering consulting and wrote much for meager pay, mainly encyclopedic dictionary entries, and reviews for The Nation (with whose editor, Wendell Phillips Garrison, he became friendly). He did translations for the Smithsonian Institution, at its director Samuel Langley's instigation. Peirce also did substantial mathematical calculations for Langley's research on powered flight. Hoping to make money, Peirce tried inventing. He began but did not complete a number of books. In 1888, President Grover Cleveland appointed him to the Assay Commission.  From 1890 on, he had a friend and admirer in Judge Francis C. Russell of Chicago, who introduced Peirce to editor Paul Carus and owner Edward C. Hegeler of the pioneering American philosophy journal The Monist, which eventually published at least 14 articles by Peirce. He wrote many texts in James Mark Baldwin's Dictionary of Philosophy and Psychology (1901-5); half of those credited to him appear to have been written actually by Christine Ladd-Franklin under his supervision. He applied in 1902 to the newly formed Carnegie Institution for a grant to write a systematic book of his life's work. The application was doomed; his nemesis Newcomb served on the Institution's executive committee, and its President had been the President of Johns Hopkins at the time of Peirce's dismissal.  The one who did the most to help Peirce in these desperate times was his old friend William James, dedicating his Will to Believe (1897) to Peirce, and arranging for Peirce to be paid to give two series of lectures at or near Harvard (1898 and 1903). Most important, each year from 1907 until James's death in 1910, James wrote to his friends in the Boston intelligentsia to request financial aid for Peirce; the fund continued even after James died. Peirce reciprocated by designating James's eldest son as his heir should Juliette predecease him. It has been believed that this was also why Peirce used "Santiago" ("St. James" in English) as a middle name, but he appeared in print as early as 1890 as Charles Santiago Peirce. (See Charles Santiago Sanders Peirce for discussion and references).  Peirce died destitute in Milford, Pennsylvania, twenty years before his widow.

Answer this question "Was there a good time for Peirce?"
output:
he appeared in print as early as 1890