IN: John James 'Sean' Kelly (born 24 May 1956) is an Irish former professional road bicycle racer. He was one of the most successful road cyclists of the 1980s, and one of the finest classics riders of all time. From turning professional in 1977 until his retirement in 1994, he won nine monument classics, and 193 professional races in total. He won Paris-

Kelly's first professional race was the Etoile de Besseges. It started on 7 February 1977 and lasted six days. Kelly came 10th on the first day. The Flandria team was in two parts: the strongest riders, such as the world champion Freddy Maertens, were in the main section, based in Belgium. Kelly rode with the second section, based more in France because Flandria wanted to sell more of its mopeds, scooters and bicycles there. The strongest riders in both camps came together for big races. Kelly was recruited as a domestique for Maertens in the main team for year's Paris-Nice - shortly afterwards he won his first race, the opening stage of the Tour of Romandy - and stayed in it for the Tour de France, in which he also won a stage.  Kelly stayed with de Gribaldy for 1977 and 1978. Then in 1978 Michel Pollentier was disqualified from the Tour de France after cheating a drugs test on the afternoon that he took the race lead. He left the team at the end of the season and started his own, with a new backer, Splendor. Both Maertens and Pollentier wanted Kelly. Pollentier and Splendor offered Kelly more and made him a team leader. But Splendor was new and logistic problems became obvious. The bikes were in poor state - enough that Splendor decided not to ride Paris-Roubaix - and the manager, Robert Lauwers, was replaced. Kelly rose above it and rode for himself. The writer Robin Magowan said:  Some people can do business on the committee system; others find that life is only fun when you are running the show. In Kelly's case it was to mean working for the collection of underpaid has-beens that de Gribaldy habitually assembled. But a smaller, less pretentious team can have its advantages for a rider of Kelly's sort. When you don't have to compete for a team's loyalty you can concentrate on winning races, and that's exactly what Kelly proceeded to do.  In time the team improved. Kelly received few offers from elsewhere and Splendor matched those he did get. He was paid about PS30,000 plus bonuses in his last season. But strengthening the team had included bringing in another sprinter, Eddy Planckaert, and Kelly's role as a foreigner in the team was unclear. He heard that de Gribaldy was starting a new team and the two were reunited in 1982 at Sem-France Loire.
QUESTION: What happened in Sean Kelly's early years?
IN: Marc Alexander Hunter was born in Taumarunui on 7 September 1953. In the late 1950s his family performed publicly where his father, Stuart, played saxophone, his mother, Voi, on piano and his older brother, Todd Hunter (born 1951), on guitar with Marc providing drums. He also grew up with two younger brothers, Ross and Brett. Hunter remembered, "We got guitars for Christmas one year, I broke mine but Todd played his.

Marc Hunter travelled overseas to recuperate, he visited Morocco and London. Back in Australia he signed a recording deal with CBS, which issued his debut solo album, Fiji Bitter, in November 1979. For the sessions he used Todd on bass guitar, John Annas on drums (ex-Kevin Borich Express), Harvey James on guitar (from Sherbet), and Terry Wilson on guitar (ex-Original Batter-sea Heroes, Wasted Daze).  Fiji Bitter was recorded at Studio 301, Sydney with Richard Lush producing and engineering - Hunter wrote or co-wrote most of its tracks. The album's lead single, "Island Nights" (July), peaked at No. 20. He formed Marc Hunter and the Romantics, with Annas and James, to promote the album. Two more singles, "Don't Take Me" (November) and "When You Walk in the Room" (January 1980), appeared - neither reached the top 50.  In 1980 Hunter, on lead vocals, formed an R&B group in Sydney, the Headhunters, with Todd on bass guitar (by then ex-Dragon), Kevin Borich on guitar, Mick Cocks on guitar (ex-Rose Tattoo), John Watson on drums (ex-Kevin Borich Express). Australian musicologist, Ian McFarlane, described them as "an ad hoc aggregation of musicians who were drawn together by a love of playing raucous R&B".  Hunter resumed his solo career with his second album, Big City Talk, which appeared in August 1981 on PolyGram/Mercury labels. It was co-produced by Hunter and Todd. Debbie Muir of The Canberra Times, felt it "covered a wide range of material that bore some resemblance to his last album, Fiji Bitter, but was totally different to his old, Dragon days." He had used session musicians: Borich, Dave Mason (of The Reels) and Mark Punch (ex-Renee Geyer Band). Muir's fellow journalist at The Canberra Times, Garry Raffaele, opined that it "is flat, directionless, unexciting, effete rock and roll. It is devoid of feeling."  On working as a solo artist, he declared, "I am happier now on my own. I was in a wretched state of mind when I was in the band... I miss the camaraderie involved but then I prefer to make my own decisions." The title track, "Big City Talk", was released as a single in July and reached No. 25. Follow up singles, "(Rock'n'Roll is) a Loser's Game" (September), "Side Show" (November) and "Nothing but a Lie" (May 1982) did not chart. In 1981 he formed the Marc Hunter Band and in October they toured Australia with Renee Geyer; the set included a duet by Hunter and Geyer. During 1982 Hunter was working with US-born keyboardist and record producer, Alan Mansfield. In March of that year he was arrested for "$4500 in unpaid parking fines", he described his jail cell as "unbelievably filthy."
QUESTION:
Besides the title track, were there any other singles released from Big City Talk?