Problem: Coppola was born in Detroit, Michigan, to father Carmine Coppola (1910-1991), a flautist with the Detroit Symphony Orchestra, and mother Italia Coppola (nee Pennino; 1912-2004). Coppola is the middle of three children: his older brother was August Coppola, his younger sister is actress Talia Shire. Born into a family of Italian immigrant ancestry, his paternal grandparents came to the United States from Bernalda, Basilicata. His maternal grandfather, popular Italian composer Francesco Pennino, immigrated from Naples, Italy.

Coppola co-wrote the script for Patton in 1970 along with Edmund H. North. This earned him his first Academy Award for Best Original Screenplay. However, it was not easy for Coppola to convince Franklin J. Schaffner that the opening scene would work. Coppola later revealed in an interview:  I wrote the script of Patton. And the script was very controversial when I wrote it, because they thought it was so stylized. It was supposed to be like, sort of, you know, The Longest Day. And my script of Patton was--I was sort of interested in the reincarnation. And I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I wasn't fired, but I was fired, meaning that when the script was done, they said, "Okay, thank you very much," and they went and hired another writer and that script was forgotten. And I remember very vividly this long, kind of being raked over the coals for this opening scene.  "When the title role was offered to George C. Scott, he remembered having read Coppola's screenplay earlier. He stated flatly that he would accept the part only if they used Coppola's script. 'Scott is the one who resurrected my version,' says Coppola."  The movie opens with Scott's rendering of Patton's famous military "Pep Talk" to members of the Third Army, set against a huge American flag. Coppola and North had to tone down Patton's actual language to avoid an R rating; in the opening monologue, the word "fornicating" replaced "fucking" when criticizing The Saturday Evening Post. Over the years, this opening monologue has become an iconic scene and has spawned parodies in numerous films, political cartoons and television shows.

did coppola recieve award for the movie?

Answer with quotes: This earned him his first Academy Award for Best Original Screenplay.


Problem: Curly Howard was born Jerome Lester Horwitz in the Bensonhurst section of the Brooklyn borough of New York City, on October 22, 1903. Of Lithuanian Jewish ancestry, he was the youngest of the five sons of Jennie (Gorovitz) and Solomon Horwitz. Because he was the youngest, his brothers called him "Babe" to tease him. The name "Babe" stuck with him all his life, although when his elder brother Shemp Howard married Gertrude Frank, who was also nicknamed "Babe", the brothers called him "Curly" to avoid confusion.

From an early age, Howard was always "in demand socially," as brother Moe put it. He married his first wife, Julia Rosenthal, on August 5, 1930, but the couple had their marriage annulled shortly afterwards.  Howard's first on-stage break was as a comedy musical conductor in 1928 for the Orville Knapp Band. Moe later recalled that his performances usually overshadowed those of the band. Though he enjoyed the gig, he watched as older brothers Moe and Shemp (and partner Larry Fine) made it big as some of Ted Healy's "Stooges." Vaudeville star Healy had a very popular stage act, in which he would try to tell jokes or sing, only to have his stooges wander on stage and interrupt or heckle him and cause disturbances from the audience. Meanwhile, Healy and company appeared in their first feature film, Rube Goldberg's Soup to Nuts (1930).  Shemp Howard, however, disliked Healy's abrasiveness, bad temper, and heavy drinking. In 1932, he was offered a contract at the Vitaphone Studios in Brooklyn. (Contrary to stories told by Moe, the role of "Knobby Walsh" in the Joe Palooka series did not come along until late 1935, after Shemp had been at Vitaphone for three years and had already appeared in almost thirty short subjects.) Shemp was thrilled to be away from Healy but, as was his nature, worried incessantly about brother Moe and partner Larry. Moe, however, told Shemp to pursue this opportunity.  With Shemp gone, Moe suggested that Curly fill the role of the third Stooge. But Healy felt that, with his thick, chestnut hair and elegant waxed mustache, he did not "look funny" and was "too handsome". Howard left the room and returned minutes later with his head shaven (the mustache remained very briefly). Healy quipped, "Boy, don't you look girlie?" Moe misheard the joke as "curly", and all who witnessed the exchange realized that the nickname "Curly" would be a perfect fit. In one of the few interviews Howard gave in his lifetime, he complained about the loss of his hair: "I had to shave it off right down to the skin." In 1934, MGM was building Healy up as a solo comedian in feature films and Healy dissolved the act to pursue his own career. Like Shemp, the team of Howard, Fine, and Howard was tired of Healy's alcoholism and abrasiveness and renamed their act the "Three Stooges." That same year, they signed on to appear in two-reel comedy short subjects for Columbia Pictures. The Stooges soon became the most popular short-subject attraction, with Howard playing an integral part in the trio's work.

Was it successful?

Answer with quotes:
Moe later recalled that his performances usually overshadowed those of the band.