Problem: Background: Captain Marvel, also known as Shazam (), is a fictional superhero appearing in American comic books published by DC Comics. Artist C. C. Beck and writer Bill Parker created the character in 1939. Captain Marvel first appeared in Whiz Comics #2 (cover-dated Feb. 1940), published by Fawcett Comics.
Context: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries. In 1987, Captain Marvel appeared as a member of the Justice League in Keith Giffen's and J. M. DeMatteis' relaunch of that title. That same year (spinning off from Legends), he was given his own miniseries titled Shazam!: The New Beginning. With this four-issue miniseries, writers Roy and Dann Thomas and artist Tom Mandrake attempted to re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and Black Adam into the modern DC Universe with an altered origin story. Roy Thomas, a veteran comic book writer and editor, had been lured from Marvel Comics to DC in 1981 with the specific contractual obligation that he would become the main writer of Shazam! and the Justice Society of America characters. Before the Crisis, Thomas wrote several of the DC Comics Presents stories featuring the Marvel Family.  The most notable change that the Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain. This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities.  This revised version of Captain Marvel also appeared in one story-arc featured in the short-lived anthology Action Comics Weekly #623-626 (October 25, 1988 - November 15, 1988), in which a Neo-Nazi version of Captain Mazi was introduced. At the end of the arc, it was announced that this would lead to a new Shazam! ongoing series. Though New Beginning had sold well and multiple artists were assigned to and worked on the book, it never saw publication due to editorial disputes between DC Comics and Roy Thomas. As a result, Thomas' intended revival of the Marvel Family with a new punk-styled Mary Bromfield/Mary Marvel (aka "Spike") who was not Billy's sister, and an African-American take on Freddy Freeman/Captain Marvel Jr., did not see print. Thomas departed DC in 1989, not long after his removal from the Shazam! project.  Other attempts at reviving Shazam! were initiated over the next three years, including a reboot project by John Byrne, illustrator of Legends and writer/artist on the Superman reboot miniseries The Man of Steel (1986). None of these versions saw print, though Captain Marvel, the Wizard Shazam, and Black Adam did appear in DC's War of the Gods miniseries in 1991. By this time, DC had finally ceased the fee-per-use licensing agreement with Fawcett Publications and purchased the full rights to Captain Marvel and the other Fawcett Comics characters.
Question: How well did did the comic series do in the 80's?
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Problem: Background: Daryl Hall and John Oates, often referred to as Hall & Oates, are an American musical duo. Daryl Hall is generally the lead vocalist; John Oates primarily plays electric guitar and provides backing vocals. The two write most of the songs they perform, separately or in collaboration. They achieved their greatest fame from the late 1970s to the mid-1980s with a fusion of rock and roll and rhythm and blues.
Context: The 1980s brought about significant changes for Hall and Oates. The pair felt that the biggest hindrance to their success was that their music was being filtered through outside producers, and that studio musicians were not familiar with their own tastes and thoughts. They also wished to capture the sound of New York City which, by then, had become their home. As a result, instead of recording in Los Angeles, as they had done previously, they decided to record at Electric Lady Studios in New York City, just five minutes away from their apartments, and began producing their own recordings with their touring band backing them in the studio. They also enlisted Hall's girlfriend Sara Allen (and also her younger sister Janna) as songwriting collaborators, as well as beginning a working relationship with Neil Kernon, an engineer on Voices who would work as co-producer on their succeeding two albums.  The resulting album, Voices, was written, produced and arranged by Daryl Hall & John Oates in one month, according to their authorized biography Dangerous Dances (by Nick Tosches). The first two singles from the album charted fairly well, with "How Does It Feel to Be Back" charting at Number 30. The well-received cover of The Righteous Brothers' "You've Lost That Lovin' Feelin'" just missed the Top 10, peaking at Number 12, but spent 14 weeks in the Top 40. After the release of that song, Oates' contribution as the lead vocalist diminished on future releases. The third single "Kiss on My List" hit Number 1 in April 1981 and remained there for three weeks. The follow-up single "You Make My Dreams" reached Number 5 in July of that year.  The other well-known song from Voices is the emotive ballad "Everytime You Go Away", with powerful lead vocals by Hall, who wrote it. British singer Paul Young had a Billboard Number 1 hit with a cover of the song in 1985. Though the Hall and Oates original (recorded in a Memphis-soul style) was never released as a single, it remains a fan favorite on the duo's greatest hits albums and was featured on their Apollo Theater album in 1985, and is frequently featured in their live set to this day.
Question: Did they talk about any influences to make the album?
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